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1
00:00:05,773 --> 00:00:08,439
♪♪
2
00:00:19,620 --> 00:00:22,404
I'LL BE RIGHT BACK FOR THE PINT OF STOUT,
OKAY?
3
00:00:24,408 --> 00:00:27,276
♪ FACTS WE HATE WE'LL NEVER MEET ♪
4
00:00:27,344 --> 00:00:29,278
♪ WALKING DOWN THE ROAD ♪
5
00:00:29,346 --> 00:00:33,415
♪ EVERYBODY YELLING HURRY UP, HURRY UP ♪
6
00:00:33,484 --> 00:00:35,934
♪ BUT I'M WAITING FOR YOU ♪
7
00:00:36,002 --> 00:00:39,904
♪ I MUST GO SLOW,
I MUST NOT THINK BAD THOUGHTS ♪
8
00:00:39,973 --> 00:00:43,108
READY TO ORDER?
♪ WHEN IS THIS WORLD COMING TO ♪
9
00:00:43,177 --> 00:00:47,746
♪ BOTH SIDES ARE RIGHT
BUT BOTH SIDES MURDER ♪
10
00:00:47,814 --> 00:00:52,717
♪ I GIVE UP WHY CAN'T THEY ♪
11
00:00:52,786 --> 00:00:55,253
♪ I MUST NOT THINK BAD THOUGHTS ♪
12
00:00:57,157 --> 00:01:01,142
♪ I MUST NOT THINK BAD THOUGHTS ♪
13
00:01:01,211 --> 00:01:07,116
♪ I MUST NOT THINK BAD THOUGHTS ♪♪
14
00:01:16,660 --> 00:01:20,678
SIR?
15
00:01:20,747 --> 00:01:23,231
SIR?
16
00:01:23,300 --> 00:01:25,260
DO YOU KNOW IF YOUR PARTY'S GOING TO SHOW?
17
00:01:25,302 --> 00:01:28,753
'CAUSE AT NIGHT WE LIKE TO RESERVE
THESE BOOTHS FOR FOUR PEOPLE OR MORE.
18
00:01:31,725 --> 00:01:36,028
♪ AND I LIVE LIKE I LIVE ♪
19
00:01:36,096 --> 00:01:38,396
♪♪
20
00:01:45,422 --> 00:01:47,789
EMERGENCY OPERATOR. MAY I HAVE YOUR NAME.
21
00:03:16,013 --> 00:03:18,830
WE'RE HEADED INTO OVERTIME.
ROCKETS AND SONICS TIED AT 80.
22
00:03:18,883 --> 00:03:21,549
CALLS IT ONE OF THE BEST
NEW SHOWS OF THE SEASON.
23
00:03:21,618 --> 00:03:23,952
SUNDAYS AFTER FOOTBALL.
24
00:03:24,021 --> 00:03:26,217
THIS FEED IS LIVE FROM THE
25
00:03:26,241 --> 00:03:28,940
EMBASSY ROW DISTRICT IN
THE NATION'S CAPITAL.
26
00:03:29,009 --> 00:03:33,511
AT ABOUT 10 MINUTES AFTER MIDNIGHT,
AN EXPLOSION RIPPED THROUGH THE QUEEN'S ARMS,
27
00:03:33,580 --> 00:03:35,947
A POPULAR PUB FREQUENTED
BY BRITISH DIPLOMATS.
28
00:03:36,016 --> 00:03:39,251
WITNESSES REPORTED SEEING A
FIREBALL THAT LITERALLY BLEW OUT...
29
00:03:39,319 --> 00:03:41,786
THE FRONT OF THE PUB,
SENDING LETHAL PROJECTILES,
30
00:03:41,855 --> 00:03:45,691
SHARDS OF GLASS AND SPLINTERED
WOOD FLYING BLOCKS AWAY.
31
00:03:45,759 --> 00:03:49,361
AUTHORITIES IN THE D.C. AREA
RESPONDED QUICKLY TO THE TRAGEDY.
32
00:03:49,430 --> 00:03:51,600
THE FIRST EMERGENCY VEHICLE ARRIVED AT THE
33
00:03:51,624 --> 00:03:54,132
SCENE LESS THAN TWO MINUTES
AFTER THE EXPLOSION.
34
00:03:54,201 --> 00:03:58,753
THE NUMBER OF VICTIMS HAVE TAXED THE
RESOURCES OF THE NEAREST EMERGENCY ROOMS.
35
00:03:58,822 --> 00:04:00,517
THEY HAVEN'T CALLED YOU.
36
00:04:00,541 --> 00:04:04,759
THEY WILL. SOME HAVE BEEN
HELICOPTERED AS FAR AS 15 MILES AWAY.
37
00:04:04,828 --> 00:04:08,451
AUTHORITIES HAVE YET TO DETERMINE A CAUSE...
38
00:04:09,416 --> 00:04:11,995
OF COURSE, WHEN AN EVENT LIKE THIS
OCCURS IN THE NATION'S CAPITAL,
39
00:04:12,019 --> 00:04:15,570
THE POSSIBILITY OF A TERRORIST
ATTACK CANNOT BE DISMISSED.
40
00:04:15,638 --> 00:04:17,818
THE NUMBER OF CASUALTIES HAS NOW BEEN
41
00:04:17,842 --> 00:04:20,642
CONFIRMED TO 13 DEAD,
20 IN CRITICAL CONDITION.
42
00:04:20,711 --> 00:04:22,594
THE F.B.I. AND THE A.T.F.
HAVE BEEN NOTIFIED...
43
00:04:22,663 --> 00:04:27,349
HOW LONG WILL YOU BE AWAY?
TILL WE'RE CERTAIN IT WON'T HAPPEN AGAIN.
44
00:04:27,417 --> 00:04:30,384
POLICE AND RESCUE VOLUNTEERS ARE
WORKING FEVERISHLY TO SAVE...
45
00:04:30,453 --> 00:04:35,290
ANY VICTIMS STILL TRAPPED IN THE RUBBLE.
CAN WE GET A MEDIC?
46
00:05:42,025 --> 00:05:44,192
I READ THE REPORTS ON THE PLANE.
ANYTHING NEW?
47
00:05:44,260 --> 00:05:47,862
CONCLUSIVE EVIDENCE THROUGH VAPOR
TRACE ANALYSIS THAT IT WAS A BOMB.
48
00:05:47,931 --> 00:05:51,199
R.D.X. RESIN, PROBABLY SEMTEX.
OTHER THAN THAT, NOTHING.
49
00:05:51,268 --> 00:05:55,937
WHAT AGENCIES ARE INVOLVED? NAME IT.
THE BUREAU, A.T.F., D.C. METRO.
50
00:05:56,005 --> 00:05:59,757
NO EGOS, PEOPLE JUST WANT TO GET IT DONE.
JACK PIERSON'S HEADING THE TASK FORCE.
51
00:06:07,951 --> 00:06:10,885
AT 12:20 A.M., THE WASHINGTON POST...
52
00:06:10,954 --> 00:06:15,256
RECEIVED THE FIRST CALL
CLAIMING RESPONSIBILITY.
53
00:06:15,325 --> 00:06:19,294
IT WAS MADE FROM A PAY PHONE AT
28th AND LINCOLN, WEST DISTRICT.
54
00:06:19,362 --> 00:06:22,747
FORENSICS IS EXAMINING THE BOOTH FOR PRINTS.
55
00:06:25,819 --> 00:06:27,752
TAKE HEED, AGENTS OF ZOG.
56
00:06:27,821 --> 00:06:29,899
TONIGHT'S HELLFIRE IS ONLY THE BEGINNING.
57
00:06:29,923 --> 00:06:31,906
OUR CAPITAL'S BEEN DESIGNATED A KILL ZONE,
58
00:06:31,975 --> 00:06:34,459
AS PROPHESIED IN THE TURNER DIARIES.
59
00:06:34,527 --> 00:06:37,428
THE COVENANT OF ZOG WILL BE OVERTHROWN.
60
00:06:37,497 --> 00:06:40,226
TRUE AMERICANS HAVE RENOUNCED THIS
BASTARD SON OF FREEDOM AND JUSTICE.
61
00:06:40,250 --> 00:06:45,770
REPENT.
ABOLISH THE I.R.S. THE PEOPLE WILL PREVAIL.
62
00:06:45,839 --> 00:06:49,174
WE'RE IN THE PROCESS OF GOING
THROUGH THE N.S.T.L. AGENT MILLS.
63
00:06:49,242 --> 00:06:52,410
NO INTELLIGENCE REPORTS OF
INCREASED MILITIA ACTIVITY.
64
00:06:52,478 --> 00:06:54,946
AN ENGLISH PUB IS AN UNLIKELY TARGET.
65
00:06:55,015 --> 00:07:00,318
THIS NEXT CALL IS SCARIER.
RECEIVED 23 MINUTES AFTER THE INCIDENT.
66
00:07:02,322 --> 00:07:07,976
TONIGHT AT 10 AFTER MIDNIGHT,
THE A.N.O. CLAIMS 13 LIVES...
67
00:07:08,044 --> 00:07:11,546
AS PAYMENT FOR THE CONTINUING
OPPRESSION OF OUR PEOPLE.
68
00:07:11,615 --> 00:07:15,417
WITHDRAW YOUR SUPPORT FOR THE ZIONISTS.
69
00:07:15,486 --> 00:07:18,686
A.N.O., ABU NIDAL ORGANIZATION.
70
00:07:18,755 --> 00:07:21,722
MAYBE THE FATAH REVOLUTIONARY COUNCIL
FEELS LEFT OUT OF THE PEACE TALKS.
71
00:07:21,791 --> 00:07:23,724
THERE'S A TIME DISCREPANCY.
72
00:07:23,793 --> 00:07:28,329
FOR THE MEDIA, WE ESTABLISHED THE TIME OF
THE BLAST AT 10 MINUTES AFTER MIDNIGHT.
73
00:07:28,398 --> 00:07:30,698
IN ACTUALITY, DETONATION WAS DEAD-ON AT 12.
74
00:07:30,767 --> 00:07:33,885
THIS NEXT CALL, RECEIVED 10 MINUTES PRIOR.
75
00:07:33,954 --> 00:07:38,189
IT'S A CODE, SIMILAR TO I.R.A.
BOMB ALERTS USED IN ENGLAND.
76
00:07:44,698 --> 00:07:49,667
THOSE TONES CORRESPOND TO THE NUMBERS
"5-2-2-6-6-6."
77
00:07:52,339 --> 00:07:54,872
THE QUEEN'S ARMS IS A HANGOUT
FOR BRITISH EMBASSY EMPLOYEES.
78
00:07:54,941 --> 00:07:58,059
THE STATE DEPARTMENT'S GIVEN
US A BACKGROUND ON THE VICTIMS.
79
00:08:27,974 --> 00:08:29,857
LET'S TRY AND GO AROUND BACK.
80
00:08:36,483 --> 00:08:40,551
THAT'S THE SEAT OF THE EXPLOSION.
81
00:08:40,620 --> 00:08:42,965
IF YOU'D BEEN SITTING IN THAT
BOOTH AT THE MOMENT OF DETONATION,
82
00:08:42,989 --> 00:08:46,324
YOUR FLESH WOULD HAVE BEEN... KLEENEX.
83
00:08:46,393 --> 00:08:49,076
AGENT PIERSON. YEAH.
84
00:08:51,181 --> 00:08:55,066
FOUND THIS APPROXIMATELY
200 FEET DOWN THE STREET.
85
00:08:55,135 --> 00:08:57,880
PART OF THE DETONATOR.
WHOEVER BUILT IT DIDN'T TAKE ANY CHANCES.
86
00:08:57,904 --> 00:09:01,589
- CHANCES?
- SEE THESE WIRES? THREE TOO MANY.
87
00:09:01,658 --> 00:09:04,943
A BUILT-IN REDUNDANCY SO IF THE FIRST
SYSTEM FAILED, THERE'D BE TWO BACKUPS.
88
00:09:05,012 --> 00:09:07,011
MAY I?
89
00:09:08,849 --> 00:09:10,782
BRIEFCASE.
90
00:09:10,850 --> 00:09:13,131
PROBABLY PLACED BENEATH THE BOOTH.
91
00:09:15,071 --> 00:09:17,004
EGYPTIAN MAKE.
92
00:09:20,459 --> 00:09:24,011
THE BOMB WAS A PROFESSIONAL.
THE PLACEMENT WAS NOT.
93
00:09:24,080 --> 00:09:28,249
A WAITRESS COULD'VE FOUND IT. A CUSTOMER
KICKING IT WOULD HAVE DISCOVERED IT.
94
00:09:28,318 --> 00:09:31,169
I'LL CHECK IT OUT, COVER OUR BASES.
95
00:09:34,091 --> 00:09:35,639
AGENT PIERSON? YEAH?
96
00:09:35,708 --> 00:09:38,043
NIGHTLINE IS COVERING THE BOMBING TONIGHT.
97
00:09:40,514 --> 00:09:44,148
KOPPEL WANTS A REPRESENTATIVE TO
EXPLAIN THE PSYCHOLOGY OF SOMEONE...
98
00:09:44,217 --> 00:09:47,668
WHO COULD SHRED 13 COMPLETE STRANGERS.
99
00:09:47,737 --> 00:09:51,005
FRANK. I HAVE A JOB.
100
00:10:27,260 --> 00:10:30,578
I.R.A. BRITISH BRAND.
101
00:10:30,647 --> 00:10:34,649
BRITISH PUB. HE WAS IN IT.
102
00:10:34,717 --> 00:10:36,817
HE?
103
00:10:36,886 --> 00:10:39,721
YOU FEEL WE'RE NOT DEALING
WITH FOREIGN COCONSPIRATORS?
104
00:10:39,789 --> 00:10:44,124
POLITICAL TERRORISTS WOULD
BE FAR FROM THE SCENE.
105
00:10:44,193 --> 00:10:46,694
HE WAS HERE. WATCHING.
106
00:11:12,438 --> 00:11:14,438
OH.
107
00:11:15,441 --> 00:11:18,776
HE WAS HERE ALL RIGHT.
108
00:11:18,845 --> 00:11:23,514
MY OWN PREFERENCE IS TO IMAGINE
GIRLS WHO WOULDN'T DATE ME.
109
00:11:23,583 --> 00:11:27,085
HE WAS EXCITED.
110
00:11:27,153 --> 00:11:30,154
ANTICIPATING WHAT WAS ABOUT TO HAPPEN.
111
00:11:32,325 --> 00:11:35,526
AND AT MIDNIGHT LAST NIGHT,
HE GOT HIS RELEASE.
112
00:11:35,595 --> 00:11:37,645
EMERGENCY OPERATOR. MAY I HAVE YOUR NAME.
113
00:12:16,435 --> 00:12:20,855
ALL RIGHT, IT'S FIVE AFTER 1:00,
TIME FOR THE NOON MEETING. LET'S HEAR IT.
114
00:12:20,924 --> 00:12:23,925
A PARTIAL SERIAL ON WHAT WE
BELIEVE IS THE RECEIVER CASING.
115
00:12:23,993 --> 00:12:27,161
CHECKING MANUFACTURERS TO
DETERMINE LOCATION OF PURCHASE.
116
00:12:27,230 --> 00:12:29,275
BRIEFCASE? EGYPTIAN MAKE.
117
00:12:29,299 --> 00:12:32,500
HOWEVER, THIS PARTICULAR LATCH IS USED
ON THREE DIFFERENT BRANDS AND 10 MODELS.
118
00:12:32,569 --> 00:12:34,235
SO THERE'S THOUSANDS OF 'EM OUT THERE, BUT
119
00:12:34,259 --> 00:12:36,070
WE'RE CHECKING LOCAL
STORES FOR RECENT SALES.
120
00:12:36,139 --> 00:12:39,240
THIS IS THE LIST OF THE MORNING CANVASS.
UPDATES ON THE HOUR.
121
00:12:39,309 --> 00:12:41,342
HMM. CALLER'S PRINTS? FULL INDEX.
122
00:12:41,411 --> 00:12:44,545
PARTIAL THUMB FROM THE PHONE BOOTH.
RUNNING IT THROUGH N.C.I.C., CPIC...
123
00:12:44,614 --> 00:12:46,425
- AND INTERPOL.
- THAT'S A START.
124
00:12:46,449 --> 00:12:48,222
THE DEVICE WE'RE RECOVERING IS HIGHLY
125
00:12:48,246 --> 00:12:50,384
SOPHISTICATED WITH A BUILT-IN BACKUP SYSTEM.
126
00:12:50,454 --> 00:12:53,151
SO WE NOW KNOW THIS GUY HAS EXPERT KNOWLEDGE
127
00:12:53,175 --> 00:12:55,340
OF BOTH ELECTRONICS AND EXPLOSIVES.
128
00:12:55,408 --> 00:13:00,677
- THIS GUY?
- WE NOW BELIEVE AN INDIVIDUAL SET OFF THE DETONATION,
129
00:13:00,746 --> 00:13:04,186
WITNESSING THE AFTERMATH LAST
NIGHT FROM A NEARBY VANTAGE POINT,
130
00:13:04,217 --> 00:13:08,652
AND WE FULLY EXPECT HIM TO
OBSESSIVELY FOLLOW THIS INVESTIGATION.
131
00:13:08,721 --> 00:13:10,672
YOU MEAN IN THE PRESS?
132
00:13:10,740 --> 00:13:13,007
CLOSER. FROM HIS HOME.
133
00:13:13,075 --> 00:13:18,263
THE BOMB WAS COMPLEX, INTRICATE.
PERHAPS OVERLY SO.
134
00:13:18,331 --> 00:13:20,815
I BELIEVE THIS TRAIT
EXTENDS TO HIS OBSESSIONS.
135
00:13:20,884 --> 00:13:24,152
EXPECT TO FIND AN ARRAY
OF EAVESDROPPING DEVICES,
136
00:13:24,221 --> 00:13:27,705
SCANNERS, CELL PHONE CLONERS,
R.F. RECEIVERS.
137
00:13:27,773 --> 00:13:31,109
HE'S LISTENING TO EVERY
TRANSMISSION WE MAKE.
138
00:13:31,177 --> 00:13:34,112
IT'S HIS WAY OF INSERTING
HIMSELF INTO THE CHAOS.
139
00:13:34,180 --> 00:13:36,114
THE CHAOS HE CREATES.
140
00:13:36,182 --> 00:13:38,599
AND THAT'S WHY WE'RE CHANGING THE PROTOCOL.
141
00:13:38,668 --> 00:13:42,003
COMMUNICATION REGARDING THIS INVESTIGATION
WILL BE CONDUCTED THROUGH HARD LINE ONLY.
142
00:13:42,071 --> 00:13:45,740
NO ONE IS TO USE THEIR CELLULAR PHONE.
143
00:13:45,808 --> 00:13:48,025
EXCEPT FRANK BLACK.
144
00:13:49,962 --> 00:13:53,765
THEN ALISON SAID SHE HEARD
IT WAS A BOMB AND I TOLD HER,
145
00:13:53,833 --> 00:13:56,267
I JUST PRAY THAT IT WAS
A GAS LEAK OR SOMETHING.
146
00:13:59,155 --> 00:14:03,674
- HE CALLED ME ON THURSDAY.
- MAY I HAVE YOUR CREDIT CARD?
147
00:14:07,981 --> 00:14:12,150
YOU GOT A CONFIRMATION ON THAT?
DID WE GET A VAPOR TRACE ANALYSIS?
148
00:14:12,218 --> 00:14:15,903
IT WAS POSITIVE, "SEMTREX."
PROBABLY STOLEN FROM THE MILITARY.
149
00:14:15,972 --> 00:14:18,555
HAVE THE NATIONAL GUARD
ARMORY CHECK ITS INVENTORY.
150
00:14:18,624 --> 00:14:20,118
RILEY AND JOHNSON ARE LOOKING
151
00:14:20,142 --> 00:14:21,854
INTO FORT McNAIR AND BOLLING AIR FORCE BASE.
152
00:14:21,878 --> 00:14:23,811
I'LL CHECK THE WASHINGTON NAVY YARD.
153
00:14:23,880 --> 00:14:26,930
CALL YOU IN AN HOUR.
I THINK WE'RE GETTING CLOSE.
154
00:14:40,430 --> 00:14:44,632
HOW LONG DO WE CHUMP FOR HIM?
AS LONG AS IT TAKES.
155
00:14:44,701 --> 00:14:47,368
I'M GONNA TRY A DIFFERENT CELL SITE.
156
00:14:52,008 --> 00:14:54,525
YEAH.
157
00:14:55,711 --> 00:14:58,663
HELLO?
158
00:15:03,252 --> 00:15:07,305
CONTACT.
159
00:15:22,539 --> 00:15:25,584
THE INSTANT YOUR FINGER HITS THE
"SEND" BUTTON, WE'RE ONTO IT.
160
00:15:25,608 --> 00:15:28,375
WE GOT EVERY PIECE OF EQUIPMENT
EVER INVENTED AT OUR DISPOSAL.
161
00:15:28,445 --> 00:15:31,278
COURT ORDERS HAVE BEEN SIGNED,
PHONE COMPANY'S ON BOARD,
162
00:15:31,347 --> 00:15:33,726
ALL WE NEED TO DO IS KEEP HIM ONLINE.
163
00:15:33,750 --> 00:15:35,394
HOW LONG? DEPENDS.
164
00:15:35,418 --> 00:15:38,369
- IF HE'S CALLING FROM A LANDLINE...
- IT WAS A CLONED CELL PHONE.
165
00:15:38,438 --> 00:15:40,605
RIGHT. ABSOLUTELY. AND IF HE'S SMART...
166
00:15:40,673 --> 00:15:42,868
HE IS. HE'LL USE SEVERAL IN ROTATION.
167
00:15:42,892 --> 00:15:46,928
IF HE CHANGES SIGNALS, IT'LL BE
IMPOSSIBLE TO TRACE. NO. NOT IMPOSSIBLE.
168
00:15:46,997 --> 00:15:49,663
VERY HARD TO TRACE, NOT IMPOSSIBLE.
169
00:15:49,732 --> 00:15:53,167
IF WE LOCK ONTO THE SIGNATURE FREQUENCY
OF HIS PHONE, WE CAN USE RF-CALL TRACE,
170
00:15:53,235 --> 00:15:55,898
WHICH IS ONLY A 10-SECOND DELAY
FROM REAL TIME TO TRACK...
171
00:15:55,922 --> 00:15:59,423
CELL SITES, CELL FACES,
HAND-OFFS, SIGNAL STRENGTH...
172
00:15:59,492 --> 00:16:02,855
THEN WE CAN START TO CLOSE IN THE CIRCLE,
PINPOINT HIS LOCATION.
173
00:16:02,879 --> 00:16:05,359
THE KEY IS KEEPING HIM
ONLINE UNTIL WE LOCK IN.
174
00:16:06,966 --> 00:16:09,299
ALL WE HAVE TO DO IS WAIT.
175
00:16:24,567 --> 00:16:26,734
HOW LONG HAVE YOU BEEN UP?
176
00:16:29,739 --> 00:16:33,074
ABOUT 37 HOURS. CAN'T SLEEP ON A PLANE.
177
00:16:34,911 --> 00:16:39,880
WHOA.
178
00:16:49,308 --> 00:16:54,077
YEAH.
179
00:16:57,166 --> 00:17:00,901
WHO IS THIS? HELLO.
180
00:17:00,970 --> 00:17:02,904
WHO IS THIS?
181
00:17:06,726 --> 00:17:08,642
A STAR.
182
00:17:36,072 --> 00:17:38,889
- YEAH?
- WELL, THAT WAS RUDE.
183
00:17:38,958 --> 00:17:41,375
I THOUGHT YOU'D WANNA TALK TO ME.
184
00:17:41,444 --> 00:17:45,663
- WHO THE HELL IS THIS?
- THE ONE YOU'VE BEEN WORKING SO HARD TO FIND.
185
00:17:48,918 --> 00:17:51,119
PROVE IT.
186
00:17:52,622 --> 00:17:57,792
R.D.X. C-4.
187
00:17:57,860 --> 00:18:03,414
HOMEMADE. UNDERNEATH THE BOOTH IN THE BACK.
188
00:18:05,435 --> 00:18:08,235
OKAY. LOOK, I WANNA HELP YOU.
YOU WANNA STOP ME, DON'T YOU?
189
00:18:08,304 --> 00:18:13,474
YOU DO YOUR JOB, YOU'LL BE FAMOUS.
A REAL STAR.
190
00:18:13,542 --> 00:18:16,043
ISN'T THAT RIGHT, STAR?
191
00:18:16,112 --> 00:18:21,115
ALL I WANNA DO IS COMMUNICATE.
192
00:18:21,183 --> 00:18:24,085
THAT WAY, WE CAN HELP EACH OTHER.
193
00:18:24,153 --> 00:18:26,854
FIRST I NEED A NAME. WHAT DO I CALL YOU?
194
00:18:26,923 --> 00:18:29,073
I ALREADY GAVE YOU MY NAME.
195
00:18:31,561 --> 00:18:36,998
KABOOM? WHAT KIND OF NAME IS THAT?
196
00:18:37,066 --> 00:18:39,283
SOUNDS LIKE THAT LITTLE
GUY IN THE FLINTSTONES.
197
00:18:47,010 --> 00:18:49,655
- WE LOST IT.
- THAT WAS "KAZOO," BY THE WAY.
198
00:18:49,679 --> 00:18:54,014
FRANK, YOU BELIEVE THE TONE WAS APPROPRIATE?
199
00:18:54,083 --> 00:18:55,700
HE ENJOYS THE SPORT. HE'LL CALL BACK.
200
00:18:55,768 --> 00:18:58,008
HE KNEW WHAT HE WAS DOING.
GAVE US LESS THAN TWO MINUTES.
201
00:18:58,037 --> 00:19:00,254
WE DID GET A FREQUENCY AND SECTOR GRID.
202
00:19:02,642 --> 00:19:04,208
UNLEASH THE HOUNDS.
203
00:19:07,513 --> 00:19:09,462
I KNOW THE ROCK CREEK AREA. IT MIGHT BE BEST
204
00:19:09,486 --> 00:19:11,415
IF AGENT NOLAN AND AGENT TAKAHASHI AND I...
205
00:19:11,484 --> 00:19:14,117
TAKE THE NORTHWEST CORNER AND GO SOUTH.
OKAY.
206
00:19:14,186 --> 00:19:16,665
WE'LL TAKE THE MILL CREEK
CEMETERY AND MOVE NORTH.
207
00:19:16,689 --> 00:19:18,649
ONCE WE CONFIRM THE SUSPECT'S
SIGNATURE FREQUENCY,
208
00:19:18,691 --> 00:19:22,192
WE'LL LOCK ON AND TRIANGULATE
TO PINPOINT HIS LOCATION. RIGHT.
209
00:19:38,327 --> 00:19:40,661
CHARLIE ONE, THIS IS CHARLIE TWO.
210
00:19:40,729 --> 00:19:44,331
WE'RE IN POSITION AT
1300 LINCOLN AT CAROLINA.
211
00:19:44,400 --> 00:19:47,251
COPY, CHARLIE TWO.
212
00:19:55,978 --> 00:19:58,445
YEAH.
213
00:20:00,466 --> 00:20:04,134
EVERY 15 MINUTES FOR THE
LAST THREE HOURS STRAIGHT.
214
00:20:09,008 --> 00:20:10,744
IS THERE ANY WAY TO CONFIRM THAT THESE PHONE
215
00:20:10,768 --> 00:20:12,368
CALLS ARE COMING FROM THE SAME LOCATION?
216
00:20:12,411 --> 00:20:14,762
NO. DURATION OF THE CALLS IS WAY TOO SHORT.
217
00:20:17,383 --> 00:20:20,050
IT'S CALCULATED TO BURN US OUT.
218
00:20:20,119 --> 00:20:22,079
HE'S PLANNING SOMETHING FOR TODAY.
219
00:21:05,548 --> 00:21:08,866
5:17, BREAKING A PATTERN.
220
00:21:09,902 --> 00:21:13,437
YEAH? FRANK, IT'S CATHERINE.
221
00:21:13,505 --> 00:21:16,545
- I'M SO WORRIED. YOU HAVEN'T CALLED.
- I HAVE TO CALL YOU BACK.
222
00:21:16,609 --> 00:21:19,126
FRANK, WAIT. JOR...
223
00:21:34,910 --> 00:21:38,796
HELLO? CATHERINE, I'M SO SORRY.
224
00:21:38,865 --> 00:21:41,176
YOU CAN'T CALL ME ON MY CELL PHONE.
IT'S BEING MONITORED.
225
00:21:41,200 --> 00:21:44,585
MONITORED? FRANK, WHAT'S GOING ON?
226
00:21:44,654 --> 00:21:49,123
I KNOW THAT YOU CAN'T TELL ME THE SPECIFICS,
BUT, ARE YOU ALL RIGHT?
227
00:21:49,192 --> 00:21:52,559
JORDAN HAD A NIGHTMARE ABOUT YOU.
228
00:21:52,628 --> 00:21:54,228
FRANK?
229
00:22:02,905 --> 00:22:05,823
YEAH.
230
00:22:06,959 --> 00:22:10,394
YEAH. GETTING ANY SLEEP, FRANK?
231
00:22:10,462 --> 00:22:13,413
SHOULDN'T LET IT KEEP YOU
FROM CALLING CATHERINE.
232
00:22:14,466 --> 00:22:16,934
YOU MUST BE PRETTY TIRED YOURSELF.
233
00:22:17,002 --> 00:22:19,052
NO REST FOR THE WEARY.
234
00:22:28,547 --> 00:22:30,942
ALL WORK AND NO PLAY MAKES A DULL BOY.
235
00:22:30,966 --> 00:22:36,453
CHARLIE TWO, THIS IS CHARLIE ONE.
SIGNATURE FREQUENCY IS 8355612.67.
236
00:22:36,522 --> 00:22:38,856
COPY, CHARLIE ONE. ON THE WAY.
237
00:22:41,560 --> 00:22:45,946
WHAT I DO IS NOT WORK, FRANK. IT'S ART.
238
00:22:46,015 --> 00:22:49,817
MY PALETTE IS FIRE, GLASS AND BLOOD.
239
00:22:49,886 --> 00:22:54,388
IT'S A FLEETING ART.
LASTS ONLY A FRACTION OF A SECOND.
240
00:22:54,456 --> 00:22:57,975
BUT THE EFFECT IS PROFOUND. PERMANENT.
241
00:22:58,044 --> 00:23:01,628
AND IF YOU'RE LUCKY,
242
00:23:01,697 --> 00:23:04,526
AND YOU HAPPEN TO LOOK IN THE RIGHT
DIRECTION AT THE RIGHT TIME...
243
00:23:04,550 --> 00:23:06,666
YOU MIGHT GET TO SEE MY CREATION.
244
00:23:06,735 --> 00:23:10,036
WHEN? LATER... TODAY.
245
00:23:10,105 --> 00:23:12,639
GOT 'IM. CHARLIE ONE, JUST READ A HAND-OFF.
246
00:23:12,708 --> 00:23:15,325
CELL 67 TO CELL 54. HE'S TRAVELING.
247
00:23:15,394 --> 00:23:17,878
THE STRENGTH OF THE SIGNAL
INDICATES SOUTHEAST.
248
00:23:17,946 --> 00:23:21,982
HE'S IN A CAR. TURN LEFT NOW.
249
00:23:22,051 --> 00:23:26,670
I TOUCH PEOPLE IN A DEEP, LASTING WAY.
250
00:23:26,739 --> 00:23:29,373
A LIFE-ALTERING WAY.
251
00:23:29,441 --> 00:23:33,910
YOU'RE REALLY A VERY IMPORTANT MAN.
WELL, THANK YOU, SIRRAH.
252
00:23:33,979 --> 00:23:36,330
I'M GLAD YOU SEE THAT.
253
00:23:36,398 --> 00:23:40,167
DO YOU KNOW PRECISELY WHAT HAPPENS
AT THE MOMENT OF DETONATION?
254
00:23:40,235 --> 00:23:45,205
SHOCK WAVES MOVING FASTER
THAN THE SPEED OF SOUND.
255
00:23:45,274 --> 00:23:49,076
PRESSURE OF OVER 500 POUNDS PER SQUARE INCH.
256
00:23:49,145 --> 00:23:51,828
AND THIS IS ALL UNLEASHED BY ME, FRANK.
257
00:23:51,897 --> 00:23:56,566
IT MOVES SO FAST THAT A
VACUUM IS FORMED BEHIND IT,
258
00:23:56,635 --> 00:24:00,687
SUCKING BACK ALL THE AIR THAT'S
BEEN FORCED OUT BY THE BLAST.
259
00:24:00,756 --> 00:24:04,775
SO YOU SEE, FRANK, A GLASS SPLINTER...
260
00:24:04,844 --> 00:24:07,428
WILL LITERALLY TURN ITSELF AROUND,
GO BACK...
261
00:24:07,496 --> 00:24:10,197
AND PENETRATE ANYTHING THAT'S IN ITS PATH.
262
00:24:10,265 --> 00:24:13,850
I JUST DON'T KNOW ANYTHING
THAT HAS POWER TO STOP THAT.
263
00:24:13,919 --> 00:24:17,254
MY ART BRINGS OUT THE TRUTH.
264
00:24:17,323 --> 00:24:21,208
PEOPLE ARE EITHER VICTORS OR VICTIMS.
265
00:24:21,276 --> 00:24:25,045
MY EXPLOSION STRIPS EVERY HYPOCRISY,
266
00:24:25,114 --> 00:24:29,866
EVERY PRETENSION SHELTERED
IN THE HUMAN HEART...
267
00:24:29,935 --> 00:24:33,253
- AND EXPOSES THE NAKED SOUL.
- MORE TIME.
268
00:24:35,107 --> 00:24:37,441
I FEEL YOUR WORK IS ABOUT WAITING.
269
00:24:37,509 --> 00:24:41,544
ANTICIPATING THE MOMENT. THE TERROR CREATED.
270
00:24:41,613 --> 00:24:45,549
PLAYING SO LONG IN THE MIND,
THE FANTASY BECOMES DULL.
271
00:24:45,617 --> 00:24:48,201
THE ONLY MOMENT WORTH A DAMN...
272
00:24:48,270 --> 00:24:51,288
THE ONLY AROUSAL... IS THE MOMENT OF FIRE.
273
00:24:52,958 --> 00:24:54,920
YOU FEEL THE HEAT UPON YOUR FACE.
274
00:24:54,944 --> 00:24:58,545
THE IMPACT UPON YOUR CHEST.
275
00:24:58,614 --> 00:25:02,399
THE SCREAMS, THE SIRENS...
276
00:25:02,468 --> 00:25:04,918
IT IS THE MOMENT OF CREATION.
277
00:25:04,987 --> 00:25:08,489
CHARLIE TWO, LOCK ONTO 835567.
HELP ME FIND HIM.
278
00:25:08,558 --> 00:25:10,651
THE SIGNAL IS REAL STRONG AT CELL 46... TWO
279
00:25:10,675 --> 00:25:12,743
BLOCKS NORTHWEST OF YOUR PRESENT LOCATION.
280
00:25:12,811 --> 00:25:14,778
TURN RIGHT AT ILLINOIS.
281
00:25:16,848 --> 00:25:21,001
- YOU'RE AN ARTIST TOO, FRANK.
- OH, HE'S CLOSE.
282
00:25:21,070 --> 00:25:25,922
AT 9:00 THIS MORNING,
I HOPE YOU'LL APPRECIATE MY WORK.
283
00:25:30,195 --> 00:25:33,297
- LOST THE SIGNAL.
- GIVE ME THAT NUMBER.
284
00:25:44,043 --> 00:25:47,477
HE WON'T BITE.
285
00:26:16,626 --> 00:26:18,742
SOMEWHERE OUT HERE IS A BOMB.
286
00:26:18,811 --> 00:26:21,728
AND WE GOT ABOUT THREE HOURS TO FIND IT.
287
00:26:35,344 --> 00:26:38,244
USING THE DATA FROM THE SUSPECT'S
CELLULAR PHONE ACTIVITIES,
288
00:26:38,313 --> 00:26:40,981
WE'VE EXTRAPOLATED THE
PROBABLE PATH OF HIS VEHICLE...
289
00:26:41,049 --> 00:26:44,384
PRIOR TO 5:17 A.M. WHEN HE CONTACTED US.
290
00:26:44,453 --> 00:26:47,855
IT PUTS HIM NEAR THIS TWO-BLOCK
AREA OF SHOPS AND BUSINESSES...
291
00:26:47,923 --> 00:26:49,884
THAT MIGHT FIT HIS PATTERN OF ATTACK.
292
00:26:49,908 --> 00:26:54,845
RED TEAM WILL BE SEARCHING THE
NORTHWEST SECTION OF COLUMBIA TO 13th.
293
00:26:54,913 --> 00:26:58,648
BLUE TEAM WILL START AT FRANKLIN AND FIFTH,
MOVE WEST TO MARIAN AVENUE.
294
00:26:58,717 --> 00:27:01,218
WE ARE LOOKING FOR ANY SUSPICIOUS PACKAGES.
295
00:27:01,286 --> 00:27:03,998
BUILDING MANAGERS,
BUSINESS OWNERS HAVE BEEN NOTIFIED.
296
00:27:04,022 --> 00:27:06,801
THEY WILL HELP US TO DETERMINE
IF ANYTHING LOOKS OUT OF PLACE,
297
00:27:06,825 --> 00:27:08,887
IF THERE'S BEEN ANY SIGN OF A BREAK-IN.
298
00:27:08,911 --> 00:27:12,462
WE'VE INFORMED OUR SEARCH TEAMS IF
THEY SEE ANYTHING THAT MIGHT BE A BOMB,
299
00:27:12,531 --> 00:27:15,365
DO NOT BE A HERO.
300
00:27:15,434 --> 00:27:17,834
NOTE THE LOCATION AND ALERT THE BOMB SQUAD.
301
00:27:17,903 --> 00:27:21,972
- WE GOT TWO AND A HALF HOURS.
- LET'S GO.
302
00:27:37,139 --> 00:27:40,207
FRANK, YOU DON'T LOOK TOO GOOD.
I'M ALL RIGHT.
303
00:27:40,276 --> 00:27:42,776
I'LL GET SOME SLEEP AFTER WE FIND HIM.
304
00:27:42,844 --> 00:27:46,196
WELL, AT LEAST WE'VE DETERMINED THE
SEARCH AREA. IT'S NOT ENOUGH, PETE.
305
00:27:46,264 --> 00:27:48,584
ALL THIS MANPOWER...
I FEEL LIKE I COULD SAVE
306
00:27:48,608 --> 00:27:50,900
SO MANY LIVES IF I UNDERSTOOD WHAT HE WANTS.
307
00:27:50,969 --> 00:27:55,705
WE ALL HEARD HIM, FRANK.
IT'S THE THRILL. SEXUAL TRANSFERENCE.
308
00:27:55,774 --> 00:27:59,426
IT'S MORE. HIS THRILLS WEAR OUT QUICKLY.
309
00:27:59,494 --> 00:28:04,998
FIRST, HE ALERTS THE AUTHORITIES THERE'S
A BOMB. AFTER A DAY, HE NEEDS MORE.
310
00:28:05,067 --> 00:28:09,236
SO HE HAS TO CONTACT US,
TAUNT US TO THE POINT OF NEAR-CAPTURE.
311
00:28:09,304 --> 00:28:11,132
WHAT WILL HE DO TO INCREASE HIS EXCITEMENT?
312
00:28:11,156 --> 00:28:15,659
WHAT IF IT'S SOME KIND OF GOD COMPLEX?
HE TALKED ABOUT HIS CREATION.
313
00:28:15,728 --> 00:28:20,697
ABOUT CONTROLLING PEOPLE. WHAT I CAN'T
GET OUT OF MY HEAD IS WHEN HE STATED...
314
00:28:20,765 --> 00:28:23,266
I'D BE FAMOUS WHEN I CAUGHT HIM.
315
00:28:23,335 --> 00:28:26,269
A STAR. IT LIES IN THERE SOMEHOW.
316
00:28:44,172 --> 00:28:48,358
WHAT A NIGHTMARE.
TRAFFIC WAS BACKED UP TO FOURTH STREET.
317
00:28:48,427 --> 00:28:51,878
IT TOOK ALMOST AN HOUR TO MOVE FIVE BLOCKS.
THERE WAS A BOMB SCARE.
318
00:28:51,947 --> 00:28:55,547
WE'RE GIVING EVERY NUT WITH A PHONE
THE POWER TO SHUT DOWN BUSINESS.
319
00:30:38,921 --> 00:30:42,538
JACK, THIS IS FRANK.
SEND A BOMB SQUAD TO 2300 OGLETHORPE.
320
00:30:42,607 --> 00:30:45,408
NORTH OF THE PARKING STRUCTURE ON MARYLAND.
321
00:30:54,136 --> 00:30:57,620
YOU HAVE 15 MINUTES,
PLENTY OF TIME TO EVAC...
322
00:31:20,546 --> 00:31:24,214
JUST WARMING UP. HMM, THIRD FLOOR.
323
00:31:29,288 --> 00:31:31,772
- GET OUT OF HERE!
- I DON'T KNOW!
324
00:31:31,840 --> 00:31:34,191
COME ON! MOVE!
325
00:31:34,259 --> 00:31:36,759
THERE'S A BOMB!
326
00:31:36,828 --> 00:31:39,229
KEEP MOVING, THERE MAY BE ANOTHER BOMB.
327
00:31:41,149 --> 00:31:44,718
GO, GO. MOVE.
328
00:31:52,027 --> 00:31:54,127
GET BACK!
329
00:32:01,336 --> 00:32:04,654
IT'S ALL RIGHT.
I'LL GET YOU OUT OF HERE ALIVE.
330
00:32:26,678 --> 00:32:28,712
FRANK?
331
00:32:33,585 --> 00:32:35,752
FRANK.
332
00:32:38,690 --> 00:32:43,209
WE HAD SUCH A BAD CONNECTION ON THE PHONE,
I THOUGHT I'D CONNECT WITH YOU IN PERSON.
333
00:32:46,365 --> 00:32:49,282
- JORDAN.
- AMY HAS HER FOR THE WEEKEND.
334
00:32:51,353 --> 00:32:53,753
WHEN I GOT THE CALL, I GOT SO SCARED.
335
00:32:55,424 --> 00:33:00,227
I HEARD YOU THAT NIGHT.
336
00:33:00,295 --> 00:33:02,312
FRANK, ON THE PHONE.
337
00:33:07,468 --> 00:33:12,972
DR. BOWMAN SAYS YOU HAVE A MILD CONCUSSION.
338
00:33:13,041 --> 00:33:18,211
BUT,
IT'S NOT YOUR BODY HEALING THAT WORRIES ME.
339
00:33:19,881 --> 00:33:21,998
IT'S YOUR SPIRIT.
340
00:33:22,067 --> 00:33:26,186
YOU SHOULD KNOW THAT FOR EVERY DARK SOUL...
341
00:33:26,255 --> 00:33:29,071
THAT YOU CONNECT WITH,
THERE IS A BRIGHT ONE.
342
00:33:29,140 --> 00:33:31,724
THE MAN THAT PULLED YOU OUT OF THE BUILDING,
343
00:33:33,245 --> 00:33:35,579
HE CAME BY TO SEE HOW YOU WERE.
344
00:33:39,050 --> 00:33:41,952
I DON'T REMEMBER.
345
00:33:42,020 --> 00:33:44,855
HE'S BEEN ON EVERY CHANNEL THIS MORNING.
346
00:33:50,829 --> 00:33:54,130
A 49-YEAR-OLD UNIDENTIFIED
MAN WENT BERSERK LAST NIGHT...
347
00:33:54,199 --> 00:33:57,279
TOTAL COMMITMENT. I MEAN, ALL THE TIME...
YES, TOTAL COMMITMENT.
348
00:33:57,319 --> 00:33:59,536
HIS NAME IS RAYMOND DEES.
349
00:33:59,605 --> 00:34:02,205
WHAT WAS YOUR REACTION WHEN YOU
SAW WHAT YOU THOUGHT WAS THE BOMB?
350
00:34:02,257 --> 00:34:05,524
I HAD A FLASH OF FEAR LIKE EVERYBODY ELSE.
351
00:34:05,593 --> 00:34:09,929
BUT I KEPT MY HEAD BECAUSE I KNEW I
HAD TO GET EVERYBODY OUT OF THERE.
352
00:34:09,998 --> 00:34:12,158
WHAT WOULD YOU LIKE TO
SAY TO WHOEVER DID THIS?
353
00:34:12,184 --> 00:34:17,954
WHAT I'D LIKE TO SAY, I WON'T,
OUT OF RESPECT FOR THE PEOPLE OUT THERE.
354
00:34:18,023 --> 00:34:23,292
BUT I WOULD LIKE HIM TO KNOW THAT WE'RE
NOT JUST VICTIMS, AND WE WILL FIND HIM.
355
00:34:23,361 --> 00:34:26,362
HOW DOES IT FEEL TO BE A STAR?
356
00:34:26,431 --> 00:34:31,384
I JUST DID WHAT ANYBODY ELSE
IN MY PLACE WOULD'VE DONE.
357
00:34:31,453 --> 00:34:33,954
KABOOM.
358
00:34:53,641 --> 00:34:55,808
YOU WANNA BRING HIM IN BECAUSE
HE WAS A HERO... TWICE?
359
00:34:55,877 --> 00:34:57,989
THAT'S HIM. I KNOW IT.
360
00:34:58,013 --> 00:35:02,933
FRANK, AFTER CENTENNIAL PARK,
THERE IS NO WAY...
361
00:35:03,001 --> 00:35:05,079
THAT I COULD BRING THIS GUY
IN WITHOUT MORE EVIDENCE.
362
00:35:05,103 --> 00:35:07,854
THE BOMBER HAS EXPERT
KNOWLEDGE IN EXPLOSIVE DEVICES.
363
00:35:07,923 --> 00:35:13,493
HE KNOWS PRECISELY WHAT AND HOW MUCH
TO USE TO CREATE THE EFFECT HE WANTS.
364
00:35:13,562 --> 00:35:15,445
THERE WERE TWO EXPLOSIONS TODAY.
365
00:35:15,514 --> 00:35:20,066
NEITHER ONE OF WHICH MATCHED THE LETHAL
INTENSITY OF THE QUEEN'S ARMS BOMBING.
366
00:35:20,135 --> 00:35:22,502
IT WAS LETHAL ENOUGH TO KILL FIVE PEOPLE.
367
00:35:22,570 --> 00:35:25,282
BUT NOT SO DESTRUCTIVE THAT A PERSON
COULDN'T SURVIVE INSIDE OF IT.
368
00:35:25,306 --> 00:35:30,143
ESPECIALLY IF HE KNEW WHEN AND
HOW THE FORCE WOULD DISSIPATE.
369
00:35:30,212 --> 00:35:33,258
RAYMOND DEES IS A MAINTENANCE
WORKER IN THAT BUILDING.
370
00:35:33,282 --> 00:35:35,493
HE HAS THE KNOWLEDGE AND THE OPPORTUNITY...
371
00:35:35,517 --> 00:35:38,718
TO PLACE THOSE DEVICES WHERE
IT WOULD BEST SUIT HIM.
372
00:35:38,787 --> 00:35:41,754
HE WATCHED THE FIRST
BOMBING FROM A DISTANCE.
373
00:35:41,823 --> 00:35:47,160
HE BELIEVED THAT WATCHING THE CHAOS,
WHICH HE CREATED, WOULD BE THE THRILL.
374
00:35:47,229 --> 00:35:48,912
BUT HE NEEDED MORE.
375
00:35:48,981 --> 00:35:52,381
TO SMELL IT. TO TOUCH IT.
376
00:35:52,450 --> 00:35:55,902
TO PARTICIPATE IN THE AFTERMATH.
BUT THAT WASN'T ENOUGH EITHER.
377
00:35:55,971 --> 00:35:59,388
SO TODAY,
HE PLACED HIMSELF WITHIN HIS CREATED CHAOS.
378
00:35:59,457 --> 00:36:04,027
WASN'T ENOUGH TO WATCH OTHERS.
HE NEEDED TO WATCH HIMSELF.
379
00:36:04,095 --> 00:36:06,329
A REAL STAR.
380
00:36:06,398 --> 00:36:10,250
ARE YOU SAYING HE KILLED 18 PEOPLE SO
HE COULD BE ON GOOD MORNING AMERICA?
381
00:36:10,318 --> 00:36:14,771
KILLING WASN'T A MOTIVE.
IT WAS A BY-PRODUCT OF HIS OBSESSION.
382
00:36:14,839 --> 00:36:17,474
I RAN A CHECK ON RAYMOND DEES.
383
00:36:17,542 --> 00:36:22,529
HE SERVED A STINT IN THE MILITARY.
MIDDLE EAST. EXPLOSIVE SPECIALIST.
384
00:36:39,598 --> 00:36:43,315
- RED TEAM CONTROL...
- CLEAR!
385
00:36:46,654 --> 00:36:50,673
BLUE TEAM LEADER, WE ARE IN POSITION...
386
00:36:55,330 --> 00:36:57,547
BEDROOM CLEAR, SIR.
387
00:36:59,517 --> 00:37:01,351
HE LEFT IN A HURRY.
388
00:37:03,455 --> 00:37:06,005
NOTHING DOWN THERE.
AGENT PIERSON, YOU SHOULD COME IN HERE, SIR.
389
00:37:06,074 --> 00:37:08,314
THERE'S SOMETHING I THINK YOU SHOULD SEE.
390
00:37:10,996 --> 00:37:13,563
THIS WAS ALL ON WHEN WE CAME IN.
391
00:37:22,857 --> 00:37:27,510
HE'S STILL LISTENING TO US.
THAT'S MY CELL PHONE NUMBER.
392
00:37:38,506 --> 00:37:43,159
- ONE BAKER SIX, WHAT'S YOUR 20?
- 10-87 AT 273 LAMONT AVENUE.
393
00:37:43,228 --> 00:37:46,012
HE KNEW WE WERE COMING.
COULD BE ANYWHERE BY NOW.
394
00:37:46,080 --> 00:37:48,976
WELL, AT LEAST HALF OF AMERICA
KNOWS WHAT HE LOOKS LIKE.
395
00:37:49,000 --> 00:37:52,652
LOOKING AT THESE MATERIALS,
IT'S VERY POSSIBLE HE MADE ANOTHER ONE.
396
00:37:56,891 --> 00:38:00,744
HEY, FRANK, YOU SHOULD STILL BE IN
THE HOSPITAL. GET THE HELL OUTTA HERE.
397
00:38:00,812 --> 00:38:03,930
WE'LL HAVE FORENSICS GO THROUGH ALL
THIS EVIDENCE. WE'LL MEET TOMORROW.
398
00:38:05,233 --> 00:38:07,584
GO.
399
00:38:19,414 --> 00:38:21,347
THANK YOU.
400
00:38:49,811 --> 00:38:53,146
YEAH.
401
00:38:56,117 --> 00:38:59,986
RAYMOND, WHERE ARE YOU?
402
00:39:04,475 --> 00:39:06,408
BEEN WAITING ON YOU, FRANK.
403
00:39:08,880 --> 00:39:11,697
WE HAVE A SITUATION AT THE PARKING LOT.
BLOCK OFF THE ACCESS.
404
00:39:11,766 --> 00:39:14,166
NOBODY GOES IN OR OUT.
I WANT SHARPSHOOTERS NOW!
405
00:39:14,235 --> 00:39:18,504
I KNOW, FRANK.
406
00:39:18,573 --> 00:39:22,141
YOU PROBABLY FEEL LIKE I FEEL.
407
00:39:22,210 --> 00:39:26,362
YOU CAN'T MOVE. JUST WAITING.
408
00:39:28,266 --> 00:39:31,767
YOU KNOW IT'S GONNA END,
BUT YOU DON'T KNOW HOW.
409
00:39:37,909 --> 00:39:39,825
I KNOW.
410
00:39:42,797 --> 00:39:45,564
SUSPECT IS A MAN WE BELIEVE
HAS KILLED 18 PEOPLE.
411
00:39:45,633 --> 00:39:47,928
YOU GET THERE, YOU GOT A CLEAN SHOT,
YOU TAKE IT. LET'S GO.
412
00:39:47,952 --> 00:39:52,221
RAYMOND, DO YOU KNOW PRECISELY WHAT
HAPPENS AT THE MOMENT OF DETONATION?
413
00:39:52,290 --> 00:39:55,375
- YOU KNOW I DO.
- NO, YOU DON'T.
414
00:39:55,444 --> 00:39:58,812
THE MOMENT THIS BOMB EXPLODES,
415
00:39:58,880 --> 00:40:01,881
YOU LOSE YOUR POWER.
416
00:40:01,950 --> 00:40:04,233
YOU LOSE YOUR CONTROL.
417
00:40:04,302 --> 00:40:08,988
RAYMOND, YOU'RE A HERO. A STAR.
418
00:40:09,056 --> 00:40:12,725
- ARE YOU GONNA THROW THAT ALL AWAY?
- NO!
419
00:40:17,399 --> 00:40:21,234
YOU'RE TRYING TO TAKE IT AWAY FROM ME.
I'M GETTING IT BACK.
420
00:40:22,971 --> 00:40:26,306
AND I'LL BE VERY CLEAR ABOUT SOMETHING.
421
00:40:26,374 --> 00:40:30,643
PEOPLE WILL KNOW WHO I AM.
422
00:40:33,831 --> 00:40:36,816
GOT A CLEAN PROFILE.
423
00:40:36,884 --> 00:40:40,252
WAIT.
HE'S HOLDING A TRANSMITTER IN HIS HAND.
424
00:40:40,321 --> 00:40:42,455
MUSCLE SPASM MIGHT SET IT OFF.
425
00:40:42,524 --> 00:40:46,092
THEN GO FOR THE MEDULLA OBLONGATA SHOT.
TAKE HIM OUT.
426
00:40:46,161 --> 00:40:49,895
FRANK. WHAT?
427
00:40:49,964 --> 00:40:54,117
I'VE SEEN IT... THE MOMENT BEFORE?
428
00:40:54,185 --> 00:40:57,036
THEIR FACES? THEY'RE TERRIFIED,
429
00:40:57,105 --> 00:41:00,790
BECAUSE THEY DON'T UNDERSTAND.
430
00:41:00,858 --> 00:41:03,859
UNLIKE YOU, FRANK,
431
00:41:03,928 --> 00:41:08,564
THEY DON'T UNDERSTAND WHAT IT IS
TO GIVE YOURSELF OVER TO CHAOS.
432
00:41:08,632 --> 00:41:13,770
BUT YOU UNDERSTAND. YOU'VE SEEN IT TOO.
433
00:41:13,838 --> 00:41:16,405
I CAN TELL.
434
00:41:19,210 --> 00:41:23,930
B-PILLAR'S BLOCKING MY SHOT. YOU'RE GONNA
HAVE TO TAKE IT, ALPHA TWO. TEN-FOUR.
435
00:41:30,555 --> 00:41:34,056
IT'S TIME. FRANK.
436
00:41:35,560 --> 00:41:37,243
RAYMOND.
437
00:41:40,715 --> 00:41:43,332
RAYMOND.
438
00:42:02,086 --> 00:42:05,571
FRANK, THEY CHECKED IT OVER TWICE.
439
00:42:05,640 --> 00:42:08,608
NO SIGN OF EXPLOSIVES IN EITHER CAR.
440
00:42:08,676 --> 00:42:11,176
HE TOLD ME HE KNEW HOW IT WAS GONNA END.
441
00:42:11,245 --> 00:42:13,746
HE CONTROLLED THE WHOLE
THING RIGHT FROM THE START,
442
00:42:13,815 --> 00:42:16,816
INCLUDING THE METHOD OF HIS EXECUTION.
443
00:42:16,885 --> 00:42:19,519
HE WAS RIGHT. HE GOT IT ALL BACK,
444
00:42:19,588 --> 00:42:22,121
AND WE HELPED HIM.
445
00:42:22,190 --> 00:42:24,490
PEOPLE ARE GONNA KNOW HIS NAME.
446
00:42:26,761 --> 00:42:29,662
ARE WE ON YET? ARE WE ON? OKAY. ONE CAMERA.
447
00:42:29,731 --> 00:42:31,397
WE'RE UP. GO, GO.
448
00:42:31,466 --> 00:42:36,118
AND THE VIOLENCE THAT BEGAN 75 HOURS AGO,
ENDS IN VIOLENCE TONIGHT...
449
00:42:36,187 --> 00:42:38,187
AS THE SUSPECT, RAYMOND PATRICK DEES,
450
00:42:38,255 --> 00:42:40,823
WAS SHOT AND KILLED BY POLICE SHARPSHOOTERS.
451
00:42:40,892 --> 00:42:43,392
THE ALLEGED BOMBER,
A MAINTENANCE WORKER IN THE HADDEN TOWER...
452
00:42:43,461 --> 00:42:46,529
THE SITE OF THIS MORNING'S BOMBING...
WAS HERALDED AS A HERO...
453
00:42:46,598 --> 00:42:50,132
AS HE PULLED VICTIMS OUT OF
THE BLAST AREA AND INTO SAFETY.
454
00:42:50,201 --> 00:42:54,036
WITH HIS DEATH, THE REASONS BEHIND
THE BOMBINGS MAY NEVER BE KNOWN.
455
00:43:36,447 --> 00:43:39,315
I MADE THIS!
38352
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