All language subtitles for Millennium S01E05 5-2-2-6-6-6.DVDRip.NonHI.cc.en.FOX

af Afrikaans
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bn Bengali
bs Bosnian
bg Bulgarian
ca Catalan
ceb Cebuano
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
tl Filipino
fi Finnish
fr French
fy Frisian
gl Galician
ka Georgian
de German
el Greek
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew Download
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
km Khmer
ko Korean
ku Kurdish (Kurmanji)
ky Kyrgyz
lo Lao
la Latin
lv Latvian
lt Lithuanian
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mn Mongolian
my Myanmar (Burmese)
ne Nepali
no Norwegian
ps Pashto
fa Persian
pl Polish
pt Portuguese
pa Punjabi
ro Romanian
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
st Sesotho
sn Shona
sd Sindhi
si Sinhala
sk Slovak
sl Slovenian
so Somali
es Spanish
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
te Telugu
th Thai
tr Turkish
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu
or Odia (Oriya)
rw Kinyarwanda
tk Turkmen
tt Tatar
ug Uyghur
Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:05,773 --> 00:00:08,439 ♪♪ 2 00:00:19,620 --> 00:00:22,404 I'LL BE RIGHT BACK FOR THE PINT OF STOUT, OKAY? 3 00:00:24,408 --> 00:00:27,276 ♪ FACTS WE HATE WE'LL NEVER MEET ♪ 4 00:00:27,344 --> 00:00:29,278 ♪ WALKING DOWN THE ROAD ♪ 5 00:00:29,346 --> 00:00:33,415 ♪ EVERYBODY YELLING HURRY UP, HURRY UP ♪ 6 00:00:33,484 --> 00:00:35,934 ♪ BUT I'M WAITING FOR YOU ♪ 7 00:00:36,002 --> 00:00:39,904 ♪ I MUST GO SLOW, I MUST NOT THINK BAD THOUGHTS ♪ 8 00:00:39,973 --> 00:00:43,108 READY TO ORDER? ♪ WHEN IS THIS WORLD COMING TO ♪ 9 00:00:43,177 --> 00:00:47,746 ♪ BOTH SIDES ARE RIGHT BUT BOTH SIDES MURDER ♪ 10 00:00:47,814 --> 00:00:52,717 ♪ I GIVE UP WHY CAN'T THEY ♪ 11 00:00:52,786 --> 00:00:55,253 ♪ I MUST NOT THINK BAD THOUGHTS ♪ 12 00:00:57,157 --> 00:01:01,142 ♪ I MUST NOT THINK BAD THOUGHTS ♪ 13 00:01:01,211 --> 00:01:07,116 ♪ I MUST NOT THINK BAD THOUGHTS ♪♪ 14 00:01:16,660 --> 00:01:20,678 SIR? 15 00:01:20,747 --> 00:01:23,231 SIR? 16 00:01:23,300 --> 00:01:25,260 DO YOU KNOW IF YOUR PARTY'S GOING TO SHOW? 17 00:01:25,302 --> 00:01:28,753 'CAUSE AT NIGHT WE LIKE TO RESERVE THESE BOOTHS FOR FOUR PEOPLE OR MORE. 18 00:01:31,725 --> 00:01:36,028 ♪ AND I LIVE LIKE I LIVE ♪ 19 00:01:36,096 --> 00:01:38,396 ♪♪ 20 00:01:45,422 --> 00:01:47,789 EMERGENCY OPERATOR. MAY I HAVE YOUR NAME. 21 00:03:16,013 --> 00:03:18,830 WE'RE HEADED INTO OVERTIME. ROCKETS AND SONICS TIED AT 80. 22 00:03:18,883 --> 00:03:21,549 CALLS IT ONE OF THE BEST NEW SHOWS OF THE SEASON. 23 00:03:21,618 --> 00:03:23,952 SUNDAYS AFTER FOOTBALL. 24 00:03:24,021 --> 00:03:26,217 THIS FEED IS LIVE FROM THE 25 00:03:26,241 --> 00:03:28,940 EMBASSY ROW DISTRICT IN THE NATION'S CAPITAL. 26 00:03:29,009 --> 00:03:33,511 AT ABOUT 10 MINUTES AFTER MIDNIGHT, AN EXPLOSION RIPPED THROUGH THE QUEEN'S ARMS, 27 00:03:33,580 --> 00:03:35,947 A POPULAR PUB FREQUENTED BY BRITISH DIPLOMATS. 28 00:03:36,016 --> 00:03:39,251 WITNESSES REPORTED SEEING A FIREBALL THAT LITERALLY BLEW OUT... 29 00:03:39,319 --> 00:03:41,786 THE FRONT OF THE PUB, SENDING LETHAL PROJECTILES, 30 00:03:41,855 --> 00:03:45,691 SHARDS OF GLASS AND SPLINTERED WOOD FLYING BLOCKS AWAY. 31 00:03:45,759 --> 00:03:49,361 AUTHORITIES IN THE D.C. AREA RESPONDED QUICKLY TO THE TRAGEDY. 32 00:03:49,430 --> 00:03:51,600 THE FIRST EMERGENCY VEHICLE ARRIVED AT THE 33 00:03:51,624 --> 00:03:54,132 SCENE LESS THAN TWO MINUTES AFTER THE EXPLOSION. 34 00:03:54,201 --> 00:03:58,753 THE NUMBER OF VICTIMS HAVE TAXED THE RESOURCES OF THE NEAREST EMERGENCY ROOMS. 35 00:03:58,822 --> 00:04:00,517 THEY HAVEN'T CALLED YOU. 36 00:04:00,541 --> 00:04:04,759 THEY WILL. SOME HAVE BEEN HELICOPTERED AS FAR AS 15 MILES AWAY. 37 00:04:04,828 --> 00:04:08,451 AUTHORITIES HAVE YET TO DETERMINE A CAUSE... 38 00:04:09,416 --> 00:04:11,995 OF COURSE, WHEN AN EVENT LIKE THIS OCCURS IN THE NATION'S CAPITAL, 39 00:04:12,019 --> 00:04:15,570 THE POSSIBILITY OF A TERRORIST ATTACK CANNOT BE DISMISSED. 40 00:04:15,638 --> 00:04:17,818 THE NUMBER OF CASUALTIES HAS NOW BEEN 41 00:04:17,842 --> 00:04:20,642 CONFIRMED TO 13 DEAD, 20 IN CRITICAL CONDITION. 42 00:04:20,711 --> 00:04:22,594 THE F.B.I. AND THE A.T.F. HAVE BEEN NOTIFIED... 43 00:04:22,663 --> 00:04:27,349 HOW LONG WILL YOU BE AWAY? TILL WE'RE CERTAIN IT WON'T HAPPEN AGAIN. 44 00:04:27,417 --> 00:04:30,384 POLICE AND RESCUE VOLUNTEERS ARE WORKING FEVERISHLY TO SAVE... 45 00:04:30,453 --> 00:04:35,290 ANY VICTIMS STILL TRAPPED IN THE RUBBLE. CAN WE GET A MEDIC? 46 00:05:42,025 --> 00:05:44,192 I READ THE REPORTS ON THE PLANE. ANYTHING NEW? 47 00:05:44,260 --> 00:05:47,862 CONCLUSIVE EVIDENCE THROUGH VAPOR TRACE ANALYSIS THAT IT WAS A BOMB. 48 00:05:47,931 --> 00:05:51,199 R.D.X. RESIN, PROBABLY SEMTEX. OTHER THAN THAT, NOTHING. 49 00:05:51,268 --> 00:05:55,937 WHAT AGENCIES ARE INVOLVED? NAME IT. THE BUREAU, A.T.F., D.C. METRO. 50 00:05:56,005 --> 00:05:59,757 NO EGOS, PEOPLE JUST WANT TO GET IT DONE. JACK PIERSON'S HEADING THE TASK FORCE. 51 00:06:07,951 --> 00:06:10,885 AT 12:20 A.M., THE WASHINGTON POST... 52 00:06:10,954 --> 00:06:15,256 RECEIVED THE FIRST CALL CLAIMING RESPONSIBILITY. 53 00:06:15,325 --> 00:06:19,294 IT WAS MADE FROM A PAY PHONE AT 28th AND LINCOLN, WEST DISTRICT. 54 00:06:19,362 --> 00:06:22,747 FORENSICS IS EXAMINING THE BOOTH FOR PRINTS. 55 00:06:25,819 --> 00:06:27,752 TAKE HEED, AGENTS OF ZOG. 56 00:06:27,821 --> 00:06:29,899 TONIGHT'S HELLFIRE IS ONLY THE BEGINNING. 57 00:06:29,923 --> 00:06:31,906 OUR CAPITAL'S BEEN DESIGNATED A KILL ZONE, 58 00:06:31,975 --> 00:06:34,459 AS PROPHESIED IN THE TURNER DIARIES. 59 00:06:34,527 --> 00:06:37,428 THE COVENANT OF ZOG WILL BE OVERTHROWN. 60 00:06:37,497 --> 00:06:40,226 TRUE AMERICANS HAVE RENOUNCED THIS BASTARD SON OF FREEDOM AND JUSTICE. 61 00:06:40,250 --> 00:06:45,770 REPENT. ABOLISH THE I.R.S. THE PEOPLE WILL PREVAIL. 62 00:06:45,839 --> 00:06:49,174 WE'RE IN THE PROCESS OF GOING THROUGH THE N.S.T.L. AGENT MILLS. 63 00:06:49,242 --> 00:06:52,410 NO INTELLIGENCE REPORTS OF INCREASED MILITIA ACTIVITY. 64 00:06:52,478 --> 00:06:54,946 AN ENGLISH PUB IS AN UNLIKELY TARGET. 65 00:06:55,015 --> 00:07:00,318 THIS NEXT CALL IS SCARIER. RECEIVED 23 MINUTES AFTER THE INCIDENT. 66 00:07:02,322 --> 00:07:07,976 TONIGHT AT 10 AFTER MIDNIGHT, THE A.N.O. CLAIMS 13 LIVES... 67 00:07:08,044 --> 00:07:11,546 AS PAYMENT FOR THE CONTINUING OPPRESSION OF OUR PEOPLE. 68 00:07:11,615 --> 00:07:15,417 WITHDRAW YOUR SUPPORT FOR THE ZIONISTS. 69 00:07:15,486 --> 00:07:18,686 A.N.O., ABU NIDAL ORGANIZATION. 70 00:07:18,755 --> 00:07:21,722 MAYBE THE FATAH REVOLUTIONARY COUNCIL FEELS LEFT OUT OF THE PEACE TALKS. 71 00:07:21,791 --> 00:07:23,724 THERE'S A TIME DISCREPANCY. 72 00:07:23,793 --> 00:07:28,329 FOR THE MEDIA, WE ESTABLISHED THE TIME OF THE BLAST AT 10 MINUTES AFTER MIDNIGHT. 73 00:07:28,398 --> 00:07:30,698 IN ACTUALITY, DETONATION WAS DEAD-ON AT 12. 74 00:07:30,767 --> 00:07:33,885 THIS NEXT CALL, RECEIVED 10 MINUTES PRIOR. 75 00:07:33,954 --> 00:07:38,189 IT'S A CODE, SIMILAR TO I.R.A. BOMB ALERTS USED IN ENGLAND. 76 00:07:44,698 --> 00:07:49,667 THOSE TONES CORRESPOND TO THE NUMBERS "5-2-2-6-6-6." 77 00:07:52,339 --> 00:07:54,872 THE QUEEN'S ARMS IS A HANGOUT FOR BRITISH EMBASSY EMPLOYEES. 78 00:07:54,941 --> 00:07:58,059 THE STATE DEPARTMENT'S GIVEN US A BACKGROUND ON THE VICTIMS. 79 00:08:27,974 --> 00:08:29,857 LET'S TRY AND GO AROUND BACK. 80 00:08:36,483 --> 00:08:40,551 THAT'S THE SEAT OF THE EXPLOSION. 81 00:08:40,620 --> 00:08:42,965 IF YOU'D BEEN SITTING IN THAT BOOTH AT THE MOMENT OF DETONATION, 82 00:08:42,989 --> 00:08:46,324 YOUR FLESH WOULD HAVE BEEN... KLEENEX. 83 00:08:46,393 --> 00:08:49,076 AGENT PIERSON. YEAH. 84 00:08:51,181 --> 00:08:55,066 FOUND THIS APPROXIMATELY 200 FEET DOWN THE STREET. 85 00:08:55,135 --> 00:08:57,880 PART OF THE DETONATOR. WHOEVER BUILT IT DIDN'T TAKE ANY CHANCES. 86 00:08:57,904 --> 00:09:01,589 - CHANCES? - SEE THESE WIRES? THREE TOO MANY. 87 00:09:01,658 --> 00:09:04,943 A BUILT-IN REDUNDANCY SO IF THE FIRST SYSTEM FAILED, THERE'D BE TWO BACKUPS. 88 00:09:05,012 --> 00:09:07,011 MAY I? 89 00:09:08,849 --> 00:09:10,782 BRIEFCASE. 90 00:09:10,850 --> 00:09:13,131 PROBABLY PLACED BENEATH THE BOOTH. 91 00:09:15,071 --> 00:09:17,004 EGYPTIAN MAKE. 92 00:09:20,459 --> 00:09:24,011 THE BOMB WAS A PROFESSIONAL. THE PLACEMENT WAS NOT. 93 00:09:24,080 --> 00:09:28,249 A WAITRESS COULD'VE FOUND IT. A CUSTOMER KICKING IT WOULD HAVE DISCOVERED IT. 94 00:09:28,318 --> 00:09:31,169 I'LL CHECK IT OUT, COVER OUR BASES. 95 00:09:34,091 --> 00:09:35,639 AGENT PIERSON? YEAH? 96 00:09:35,708 --> 00:09:38,043 NIGHTLINE IS COVERING THE BOMBING TONIGHT. 97 00:09:40,514 --> 00:09:44,148 KOPPEL WANTS A REPRESENTATIVE TO EXPLAIN THE PSYCHOLOGY OF SOMEONE... 98 00:09:44,217 --> 00:09:47,668 WHO COULD SHRED 13 COMPLETE STRANGERS. 99 00:09:47,737 --> 00:09:51,005 FRANK. I HAVE A JOB. 100 00:10:27,260 --> 00:10:30,578 I.R.A. BRITISH BRAND. 101 00:10:30,647 --> 00:10:34,649 BRITISH PUB. HE WAS IN IT. 102 00:10:34,717 --> 00:10:36,817 HE? 103 00:10:36,886 --> 00:10:39,721 YOU FEEL WE'RE NOT DEALING WITH FOREIGN COCONSPIRATORS? 104 00:10:39,789 --> 00:10:44,124 POLITICAL TERRORISTS WOULD BE FAR FROM THE SCENE. 105 00:10:44,193 --> 00:10:46,694 HE WAS HERE. WATCHING. 106 00:11:12,438 --> 00:11:14,438 OH. 107 00:11:15,441 --> 00:11:18,776 HE WAS HERE ALL RIGHT. 108 00:11:18,845 --> 00:11:23,514 MY OWN PREFERENCE IS TO IMAGINE GIRLS WHO WOULDN'T DATE ME. 109 00:11:23,583 --> 00:11:27,085 HE WAS EXCITED. 110 00:11:27,153 --> 00:11:30,154 ANTICIPATING WHAT WAS ABOUT TO HAPPEN. 111 00:11:32,325 --> 00:11:35,526 AND AT MIDNIGHT LAST NIGHT, HE GOT HIS RELEASE. 112 00:11:35,595 --> 00:11:37,645 EMERGENCY OPERATOR. MAY I HAVE YOUR NAME. 113 00:12:16,435 --> 00:12:20,855 ALL RIGHT, IT'S FIVE AFTER 1:00, TIME FOR THE NOON MEETING. LET'S HEAR IT. 114 00:12:20,924 --> 00:12:23,925 A PARTIAL SERIAL ON WHAT WE BELIEVE IS THE RECEIVER CASING. 115 00:12:23,993 --> 00:12:27,161 CHECKING MANUFACTURERS TO DETERMINE LOCATION OF PURCHASE. 116 00:12:27,230 --> 00:12:29,275 BRIEFCASE? EGYPTIAN MAKE. 117 00:12:29,299 --> 00:12:32,500 HOWEVER, THIS PARTICULAR LATCH IS USED ON THREE DIFFERENT BRANDS AND 10 MODELS. 118 00:12:32,569 --> 00:12:34,235 SO THERE'S THOUSANDS OF 'EM OUT THERE, BUT 119 00:12:34,259 --> 00:12:36,070 WE'RE CHECKING LOCAL STORES FOR RECENT SALES. 120 00:12:36,139 --> 00:12:39,240 THIS IS THE LIST OF THE MORNING CANVASS. UPDATES ON THE HOUR. 121 00:12:39,309 --> 00:12:41,342 HMM. CALLER'S PRINTS? FULL INDEX. 122 00:12:41,411 --> 00:12:44,545 PARTIAL THUMB FROM THE PHONE BOOTH. RUNNING IT THROUGH N.C.I.C., CPIC... 123 00:12:44,614 --> 00:12:46,425 - AND INTERPOL. - THAT'S A START. 124 00:12:46,449 --> 00:12:48,222 THE DEVICE WE'RE RECOVERING IS HIGHLY 125 00:12:48,246 --> 00:12:50,384 SOPHISTICATED WITH A BUILT-IN BACKUP SYSTEM. 126 00:12:50,454 --> 00:12:53,151 SO WE NOW KNOW THIS GUY HAS EXPERT KNOWLEDGE 127 00:12:53,175 --> 00:12:55,340 OF BOTH ELECTRONICS AND EXPLOSIVES. 128 00:12:55,408 --> 00:13:00,677 - THIS GUY? - WE NOW BELIEVE AN INDIVIDUAL SET OFF THE DETONATION, 129 00:13:00,746 --> 00:13:04,186 WITNESSING THE AFTERMATH LAST NIGHT FROM A NEARBY VANTAGE POINT, 130 00:13:04,217 --> 00:13:08,652 AND WE FULLY EXPECT HIM TO OBSESSIVELY FOLLOW THIS INVESTIGATION. 131 00:13:08,721 --> 00:13:10,672 YOU MEAN IN THE PRESS? 132 00:13:10,740 --> 00:13:13,007 CLOSER. FROM HIS HOME. 133 00:13:13,075 --> 00:13:18,263 THE BOMB WAS COMPLEX, INTRICATE. PERHAPS OVERLY SO. 134 00:13:18,331 --> 00:13:20,815 I BELIEVE THIS TRAIT EXTENDS TO HIS OBSESSIONS. 135 00:13:20,884 --> 00:13:24,152 EXPECT TO FIND AN ARRAY OF EAVESDROPPING DEVICES, 136 00:13:24,221 --> 00:13:27,705 SCANNERS, CELL PHONE CLONERS, R.F. RECEIVERS. 137 00:13:27,773 --> 00:13:31,109 HE'S LISTENING TO EVERY TRANSMISSION WE MAKE. 138 00:13:31,177 --> 00:13:34,112 IT'S HIS WAY OF INSERTING HIMSELF INTO THE CHAOS. 139 00:13:34,180 --> 00:13:36,114 THE CHAOS HE CREATES. 140 00:13:36,182 --> 00:13:38,599 AND THAT'S WHY WE'RE CHANGING THE PROTOCOL. 141 00:13:38,668 --> 00:13:42,003 COMMUNICATION REGARDING THIS INVESTIGATION WILL BE CONDUCTED THROUGH HARD LINE ONLY. 142 00:13:42,071 --> 00:13:45,740 NO ONE IS TO USE THEIR CELLULAR PHONE. 143 00:13:45,808 --> 00:13:48,025 EXCEPT FRANK BLACK. 144 00:13:49,962 --> 00:13:53,765 THEN ALISON SAID SHE HEARD IT WAS A BOMB AND I TOLD HER, 145 00:13:53,833 --> 00:13:56,267 I JUST PRAY THAT IT WAS A GAS LEAK OR SOMETHING. 146 00:13:59,155 --> 00:14:03,674 - HE CALLED ME ON THURSDAY. - MAY I HAVE YOUR CREDIT CARD? 147 00:14:07,981 --> 00:14:12,150 YOU GOT A CONFIRMATION ON THAT? DID WE GET A VAPOR TRACE ANALYSIS? 148 00:14:12,218 --> 00:14:15,903 IT WAS POSITIVE, "SEMTREX." PROBABLY STOLEN FROM THE MILITARY. 149 00:14:15,972 --> 00:14:18,555 HAVE THE NATIONAL GUARD ARMORY CHECK ITS INVENTORY. 150 00:14:18,624 --> 00:14:20,118 RILEY AND JOHNSON ARE LOOKING 151 00:14:20,142 --> 00:14:21,854 INTO FORT McNAIR AND BOLLING AIR FORCE BASE. 152 00:14:21,878 --> 00:14:23,811 I'LL CHECK THE WASHINGTON NAVY YARD. 153 00:14:23,880 --> 00:14:26,930 CALL YOU IN AN HOUR. I THINK WE'RE GETTING CLOSE. 154 00:14:40,430 --> 00:14:44,632 HOW LONG DO WE CHUMP FOR HIM? AS LONG AS IT TAKES. 155 00:14:44,701 --> 00:14:47,368 I'M GONNA TRY A DIFFERENT CELL SITE. 156 00:14:52,008 --> 00:14:54,525 YEAH. 157 00:14:55,711 --> 00:14:58,663 HELLO? 158 00:15:03,252 --> 00:15:07,305 CONTACT. 159 00:15:22,539 --> 00:15:25,584 THE INSTANT YOUR FINGER HITS THE "SEND" BUTTON, WE'RE ONTO IT. 160 00:15:25,608 --> 00:15:28,375 WE GOT EVERY PIECE OF EQUIPMENT EVER INVENTED AT OUR DISPOSAL. 161 00:15:28,445 --> 00:15:31,278 COURT ORDERS HAVE BEEN SIGNED, PHONE COMPANY'S ON BOARD, 162 00:15:31,347 --> 00:15:33,726 ALL WE NEED TO DO IS KEEP HIM ONLINE. 163 00:15:33,750 --> 00:15:35,394 HOW LONG? DEPENDS. 164 00:15:35,418 --> 00:15:38,369 - IF HE'S CALLING FROM A LANDLINE... - IT WAS A CLONED CELL PHONE. 165 00:15:38,438 --> 00:15:40,605 RIGHT. ABSOLUTELY. AND IF HE'S SMART... 166 00:15:40,673 --> 00:15:42,868 HE IS. HE'LL USE SEVERAL IN ROTATION. 167 00:15:42,892 --> 00:15:46,928 IF HE CHANGES SIGNALS, IT'LL BE IMPOSSIBLE TO TRACE. NO. NOT IMPOSSIBLE. 168 00:15:46,997 --> 00:15:49,663 VERY HARD TO TRACE, NOT IMPOSSIBLE. 169 00:15:49,732 --> 00:15:53,167 IF WE LOCK ONTO THE SIGNATURE FREQUENCY OF HIS PHONE, WE CAN USE RF-CALL TRACE, 170 00:15:53,235 --> 00:15:55,898 WHICH IS ONLY A 10-SECOND DELAY FROM REAL TIME TO TRACK... 171 00:15:55,922 --> 00:15:59,423 CELL SITES, CELL FACES, HAND-OFFS, SIGNAL STRENGTH... 172 00:15:59,492 --> 00:16:02,855 THEN WE CAN START TO CLOSE IN THE CIRCLE, PINPOINT HIS LOCATION. 173 00:16:02,879 --> 00:16:05,359 THE KEY IS KEEPING HIM ONLINE UNTIL WE LOCK IN. 174 00:16:06,966 --> 00:16:09,299 ALL WE HAVE TO DO IS WAIT. 175 00:16:24,567 --> 00:16:26,734 HOW LONG HAVE YOU BEEN UP? 176 00:16:29,739 --> 00:16:33,074 ABOUT 37 HOURS. CAN'T SLEEP ON A PLANE. 177 00:16:34,911 --> 00:16:39,880 WHOA. 178 00:16:49,308 --> 00:16:54,077 YEAH. 179 00:16:57,166 --> 00:17:00,901 WHO IS THIS? HELLO. 180 00:17:00,970 --> 00:17:02,904 WHO IS THIS? 181 00:17:06,726 --> 00:17:08,642 A STAR. 182 00:17:36,072 --> 00:17:38,889 - YEAH? - WELL, THAT WAS RUDE. 183 00:17:38,958 --> 00:17:41,375 I THOUGHT YOU'D WANNA TALK TO ME. 184 00:17:41,444 --> 00:17:45,663 - WHO THE HELL IS THIS? - THE ONE YOU'VE BEEN WORKING SO HARD TO FIND. 185 00:17:48,918 --> 00:17:51,119 PROVE IT. 186 00:17:52,622 --> 00:17:57,792 R.D.X. C-4. 187 00:17:57,860 --> 00:18:03,414 HOMEMADE. UNDERNEATH THE BOOTH IN THE BACK. 188 00:18:05,435 --> 00:18:08,235 OKAY. LOOK, I WANNA HELP YOU. YOU WANNA STOP ME, DON'T YOU? 189 00:18:08,304 --> 00:18:13,474 YOU DO YOUR JOB, YOU'LL BE FAMOUS. A REAL STAR. 190 00:18:13,542 --> 00:18:16,043 ISN'T THAT RIGHT, STAR? 191 00:18:16,112 --> 00:18:21,115 ALL I WANNA DO IS COMMUNICATE. 192 00:18:21,183 --> 00:18:24,085 THAT WAY, WE CAN HELP EACH OTHER. 193 00:18:24,153 --> 00:18:26,854 FIRST I NEED A NAME. WHAT DO I CALL YOU? 194 00:18:26,923 --> 00:18:29,073 I ALREADY GAVE YOU MY NAME. 195 00:18:31,561 --> 00:18:36,998 KABOOM? WHAT KIND OF NAME IS THAT? 196 00:18:37,066 --> 00:18:39,283 SOUNDS LIKE THAT LITTLE GUY IN THE FLINTSTONES. 197 00:18:47,010 --> 00:18:49,655 - WE LOST IT. - THAT WAS "KAZOO," BY THE WAY. 198 00:18:49,679 --> 00:18:54,014 FRANK, YOU BELIEVE THE TONE WAS APPROPRIATE? 199 00:18:54,083 --> 00:18:55,700 HE ENJOYS THE SPORT. HE'LL CALL BACK. 200 00:18:55,768 --> 00:18:58,008 HE KNEW WHAT HE WAS DOING. GAVE US LESS THAN TWO MINUTES. 201 00:18:58,037 --> 00:19:00,254 WE DID GET A FREQUENCY AND SECTOR GRID. 202 00:19:02,642 --> 00:19:04,208 UNLEASH THE HOUNDS. 203 00:19:07,513 --> 00:19:09,462 I KNOW THE ROCK CREEK AREA. IT MIGHT BE BEST 204 00:19:09,486 --> 00:19:11,415 IF AGENT NOLAN AND AGENT TAKAHASHI AND I... 205 00:19:11,484 --> 00:19:14,117 TAKE THE NORTHWEST CORNER AND GO SOUTH. OKAY. 206 00:19:14,186 --> 00:19:16,665 WE'LL TAKE THE MILL CREEK CEMETERY AND MOVE NORTH. 207 00:19:16,689 --> 00:19:18,649 ONCE WE CONFIRM THE SUSPECT'S SIGNATURE FREQUENCY, 208 00:19:18,691 --> 00:19:22,192 WE'LL LOCK ON AND TRIANGULATE TO PINPOINT HIS LOCATION. RIGHT. 209 00:19:38,327 --> 00:19:40,661 CHARLIE ONE, THIS IS CHARLIE TWO. 210 00:19:40,729 --> 00:19:44,331 WE'RE IN POSITION AT 1300 LINCOLN AT CAROLINA. 211 00:19:44,400 --> 00:19:47,251 COPY, CHARLIE TWO. 212 00:19:55,978 --> 00:19:58,445 YEAH. 213 00:20:00,466 --> 00:20:04,134 EVERY 15 MINUTES FOR THE LAST THREE HOURS STRAIGHT. 214 00:20:09,008 --> 00:20:10,744 IS THERE ANY WAY TO CONFIRM THAT THESE PHONE 215 00:20:10,768 --> 00:20:12,368 CALLS ARE COMING FROM THE SAME LOCATION? 216 00:20:12,411 --> 00:20:14,762 NO. DURATION OF THE CALLS IS WAY TOO SHORT. 217 00:20:17,383 --> 00:20:20,050 IT'S CALCULATED TO BURN US OUT. 218 00:20:20,119 --> 00:20:22,079 HE'S PLANNING SOMETHING FOR TODAY. 219 00:21:05,548 --> 00:21:08,866 5:17, BREAKING A PATTERN. 220 00:21:09,902 --> 00:21:13,437 YEAH? FRANK, IT'S CATHERINE. 221 00:21:13,505 --> 00:21:16,545 - I'M SO WORRIED. YOU HAVEN'T CALLED. - I HAVE TO CALL YOU BACK. 222 00:21:16,609 --> 00:21:19,126 FRANK, WAIT. JOR... 223 00:21:34,910 --> 00:21:38,796 HELLO? CATHERINE, I'M SO SORRY. 224 00:21:38,865 --> 00:21:41,176 YOU CAN'T CALL ME ON MY CELL PHONE. IT'S BEING MONITORED. 225 00:21:41,200 --> 00:21:44,585 MONITORED? FRANK, WHAT'S GOING ON? 226 00:21:44,654 --> 00:21:49,123 I KNOW THAT YOU CAN'T TELL ME THE SPECIFICS, BUT, ARE YOU ALL RIGHT? 227 00:21:49,192 --> 00:21:52,559 JORDAN HAD A NIGHTMARE ABOUT YOU. 228 00:21:52,628 --> 00:21:54,228 FRANK? 229 00:22:02,905 --> 00:22:05,823 YEAH. 230 00:22:06,959 --> 00:22:10,394 YEAH. GETTING ANY SLEEP, FRANK? 231 00:22:10,462 --> 00:22:13,413 SHOULDN'T LET IT KEEP YOU FROM CALLING CATHERINE. 232 00:22:14,466 --> 00:22:16,934 YOU MUST BE PRETTY TIRED YOURSELF. 233 00:22:17,002 --> 00:22:19,052 NO REST FOR THE WEARY. 234 00:22:28,547 --> 00:22:30,942 ALL WORK AND NO PLAY MAKES A DULL BOY. 235 00:22:30,966 --> 00:22:36,453 CHARLIE TWO, THIS IS CHARLIE ONE. SIGNATURE FREQUENCY IS 8355612.67. 236 00:22:36,522 --> 00:22:38,856 COPY, CHARLIE ONE. ON THE WAY. 237 00:22:41,560 --> 00:22:45,946 WHAT I DO IS NOT WORK, FRANK. IT'S ART. 238 00:22:46,015 --> 00:22:49,817 MY PALETTE IS FIRE, GLASS AND BLOOD. 239 00:22:49,886 --> 00:22:54,388 IT'S A FLEETING ART. LASTS ONLY A FRACTION OF A SECOND. 240 00:22:54,456 --> 00:22:57,975 BUT THE EFFECT IS PROFOUND. PERMANENT. 241 00:22:58,044 --> 00:23:01,628 AND IF YOU'RE LUCKY, 242 00:23:01,697 --> 00:23:04,526 AND YOU HAPPEN TO LOOK IN THE RIGHT DIRECTION AT THE RIGHT TIME... 243 00:23:04,550 --> 00:23:06,666 YOU MIGHT GET TO SEE MY CREATION. 244 00:23:06,735 --> 00:23:10,036 WHEN? LATER... TODAY. 245 00:23:10,105 --> 00:23:12,639 GOT 'IM. CHARLIE ONE, JUST READ A HAND-OFF. 246 00:23:12,708 --> 00:23:15,325 CELL 67 TO CELL 54. HE'S TRAVELING. 247 00:23:15,394 --> 00:23:17,878 THE STRENGTH OF THE SIGNAL INDICATES SOUTHEAST. 248 00:23:17,946 --> 00:23:21,982 HE'S IN A CAR. TURN LEFT NOW. 249 00:23:22,051 --> 00:23:26,670 I TOUCH PEOPLE IN A DEEP, LASTING WAY. 250 00:23:26,739 --> 00:23:29,373 A LIFE-ALTERING WAY. 251 00:23:29,441 --> 00:23:33,910 YOU'RE REALLY A VERY IMPORTANT MAN. WELL, THANK YOU, SIRRAH. 252 00:23:33,979 --> 00:23:36,330 I'M GLAD YOU SEE THAT. 253 00:23:36,398 --> 00:23:40,167 DO YOU KNOW PRECISELY WHAT HAPPENS AT THE MOMENT OF DETONATION? 254 00:23:40,235 --> 00:23:45,205 SHOCK WAVES MOVING FASTER THAN THE SPEED OF SOUND. 255 00:23:45,274 --> 00:23:49,076 PRESSURE OF OVER 500 POUNDS PER SQUARE INCH. 256 00:23:49,145 --> 00:23:51,828 AND THIS IS ALL UNLEASHED BY ME, FRANK. 257 00:23:51,897 --> 00:23:56,566 IT MOVES SO FAST THAT A VACUUM IS FORMED BEHIND IT, 258 00:23:56,635 --> 00:24:00,687 SUCKING BACK ALL THE AIR THAT'S BEEN FORCED OUT BY THE BLAST. 259 00:24:00,756 --> 00:24:04,775 SO YOU SEE, FRANK, A GLASS SPLINTER... 260 00:24:04,844 --> 00:24:07,428 WILL LITERALLY TURN ITSELF AROUND, GO BACK... 261 00:24:07,496 --> 00:24:10,197 AND PENETRATE ANYTHING THAT'S IN ITS PATH. 262 00:24:10,265 --> 00:24:13,850 I JUST DON'T KNOW ANYTHING THAT HAS POWER TO STOP THAT. 263 00:24:13,919 --> 00:24:17,254 MY ART BRINGS OUT THE TRUTH. 264 00:24:17,323 --> 00:24:21,208 PEOPLE ARE EITHER VICTORS OR VICTIMS. 265 00:24:21,276 --> 00:24:25,045 MY EXPLOSION STRIPS EVERY HYPOCRISY, 266 00:24:25,114 --> 00:24:29,866 EVERY PRETENSION SHELTERED IN THE HUMAN HEART... 267 00:24:29,935 --> 00:24:33,253 - AND EXPOSES THE NAKED SOUL. - MORE TIME. 268 00:24:35,107 --> 00:24:37,441 I FEEL YOUR WORK IS ABOUT WAITING. 269 00:24:37,509 --> 00:24:41,544 ANTICIPATING THE MOMENT. THE TERROR CREATED. 270 00:24:41,613 --> 00:24:45,549 PLAYING SO LONG IN THE MIND, THE FANTASY BECOMES DULL. 271 00:24:45,617 --> 00:24:48,201 THE ONLY MOMENT WORTH A DAMN... 272 00:24:48,270 --> 00:24:51,288 THE ONLY AROUSAL... IS THE MOMENT OF FIRE. 273 00:24:52,958 --> 00:24:54,920 YOU FEEL THE HEAT UPON YOUR FACE. 274 00:24:54,944 --> 00:24:58,545 THE IMPACT UPON YOUR CHEST. 275 00:24:58,614 --> 00:25:02,399 THE SCREAMS, THE SIRENS... 276 00:25:02,468 --> 00:25:04,918 IT IS THE MOMENT OF CREATION. 277 00:25:04,987 --> 00:25:08,489 CHARLIE TWO, LOCK ONTO 835567. HELP ME FIND HIM. 278 00:25:08,558 --> 00:25:10,651 THE SIGNAL IS REAL STRONG AT CELL 46... TWO 279 00:25:10,675 --> 00:25:12,743 BLOCKS NORTHWEST OF YOUR PRESENT LOCATION. 280 00:25:12,811 --> 00:25:14,778 TURN RIGHT AT ILLINOIS. 281 00:25:16,848 --> 00:25:21,001 - YOU'RE AN ARTIST TOO, FRANK. - OH, HE'S CLOSE. 282 00:25:21,070 --> 00:25:25,922 AT 9:00 THIS MORNING, I HOPE YOU'LL APPRECIATE MY WORK. 283 00:25:30,195 --> 00:25:33,297 - LOST THE SIGNAL. - GIVE ME THAT NUMBER. 284 00:25:44,043 --> 00:25:47,477 HE WON'T BITE. 285 00:26:16,626 --> 00:26:18,742 SOMEWHERE OUT HERE IS A BOMB. 286 00:26:18,811 --> 00:26:21,728 AND WE GOT ABOUT THREE HOURS TO FIND IT. 287 00:26:35,344 --> 00:26:38,244 USING THE DATA FROM THE SUSPECT'S CELLULAR PHONE ACTIVITIES, 288 00:26:38,313 --> 00:26:40,981 WE'VE EXTRAPOLATED THE PROBABLE PATH OF HIS VEHICLE... 289 00:26:41,049 --> 00:26:44,384 PRIOR TO 5:17 A.M. WHEN HE CONTACTED US. 290 00:26:44,453 --> 00:26:47,855 IT PUTS HIM NEAR THIS TWO-BLOCK AREA OF SHOPS AND BUSINESSES... 291 00:26:47,923 --> 00:26:49,884 THAT MIGHT FIT HIS PATTERN OF ATTACK. 292 00:26:49,908 --> 00:26:54,845 RED TEAM WILL BE SEARCHING THE NORTHWEST SECTION OF COLUMBIA TO 13th. 293 00:26:54,913 --> 00:26:58,648 BLUE TEAM WILL START AT FRANKLIN AND FIFTH, MOVE WEST TO MARIAN AVENUE. 294 00:26:58,717 --> 00:27:01,218 WE ARE LOOKING FOR ANY SUSPICIOUS PACKAGES. 295 00:27:01,286 --> 00:27:03,998 BUILDING MANAGERS, BUSINESS OWNERS HAVE BEEN NOTIFIED. 296 00:27:04,022 --> 00:27:06,801 THEY WILL HELP US TO DETERMINE IF ANYTHING LOOKS OUT OF PLACE, 297 00:27:06,825 --> 00:27:08,887 IF THERE'S BEEN ANY SIGN OF A BREAK-IN. 298 00:27:08,911 --> 00:27:12,462 WE'VE INFORMED OUR SEARCH TEAMS IF THEY SEE ANYTHING THAT MIGHT BE A BOMB, 299 00:27:12,531 --> 00:27:15,365 DO NOT BE A HERO. 300 00:27:15,434 --> 00:27:17,834 NOTE THE LOCATION AND ALERT THE BOMB SQUAD. 301 00:27:17,903 --> 00:27:21,972 - WE GOT TWO AND A HALF HOURS. - LET'S GO. 302 00:27:37,139 --> 00:27:40,207 FRANK, YOU DON'T LOOK TOO GOOD. I'M ALL RIGHT. 303 00:27:40,276 --> 00:27:42,776 I'LL GET SOME SLEEP AFTER WE FIND HIM. 304 00:27:42,844 --> 00:27:46,196 WELL, AT LEAST WE'VE DETERMINED THE SEARCH AREA. IT'S NOT ENOUGH, PETE. 305 00:27:46,264 --> 00:27:48,584 ALL THIS MANPOWER... I FEEL LIKE I COULD SAVE 306 00:27:48,608 --> 00:27:50,900 SO MANY LIVES IF I UNDERSTOOD WHAT HE WANTS. 307 00:27:50,969 --> 00:27:55,705 WE ALL HEARD HIM, FRANK. IT'S THE THRILL. SEXUAL TRANSFERENCE. 308 00:27:55,774 --> 00:27:59,426 IT'S MORE. HIS THRILLS WEAR OUT QUICKLY. 309 00:27:59,494 --> 00:28:04,998 FIRST, HE ALERTS THE AUTHORITIES THERE'S A BOMB. AFTER A DAY, HE NEEDS MORE. 310 00:28:05,067 --> 00:28:09,236 SO HE HAS TO CONTACT US, TAUNT US TO THE POINT OF NEAR-CAPTURE. 311 00:28:09,304 --> 00:28:11,132 WHAT WILL HE DO TO INCREASE HIS EXCITEMENT? 312 00:28:11,156 --> 00:28:15,659 WHAT IF IT'S SOME KIND OF GOD COMPLEX? HE TALKED ABOUT HIS CREATION. 313 00:28:15,728 --> 00:28:20,697 ABOUT CONTROLLING PEOPLE. WHAT I CAN'T GET OUT OF MY HEAD IS WHEN HE STATED... 314 00:28:20,765 --> 00:28:23,266 I'D BE FAMOUS WHEN I CAUGHT HIM. 315 00:28:23,335 --> 00:28:26,269 A STAR. IT LIES IN THERE SOMEHOW. 316 00:28:44,172 --> 00:28:48,358 WHAT A NIGHTMARE. TRAFFIC WAS BACKED UP TO FOURTH STREET. 317 00:28:48,427 --> 00:28:51,878 IT TOOK ALMOST AN HOUR TO MOVE FIVE BLOCKS. THERE WAS A BOMB SCARE. 318 00:28:51,947 --> 00:28:55,547 WE'RE GIVING EVERY NUT WITH A PHONE THE POWER TO SHUT DOWN BUSINESS. 319 00:30:38,921 --> 00:30:42,538 JACK, THIS IS FRANK. SEND A BOMB SQUAD TO 2300 OGLETHORPE. 320 00:30:42,607 --> 00:30:45,408 NORTH OF THE PARKING STRUCTURE ON MARYLAND. 321 00:30:54,136 --> 00:30:57,620 YOU HAVE 15 MINUTES, PLENTY OF TIME TO EVAC... 322 00:31:20,546 --> 00:31:24,214 JUST WARMING UP. HMM, THIRD FLOOR. 323 00:31:29,288 --> 00:31:31,772 - GET OUT OF HERE! - I DON'T KNOW! 324 00:31:31,840 --> 00:31:34,191 COME ON! MOVE! 325 00:31:34,259 --> 00:31:36,759 THERE'S A BOMB! 326 00:31:36,828 --> 00:31:39,229 KEEP MOVING, THERE MAY BE ANOTHER BOMB. 327 00:31:41,149 --> 00:31:44,718 GO, GO. MOVE. 328 00:31:52,027 --> 00:31:54,127 GET BACK! 329 00:32:01,336 --> 00:32:04,654 IT'S ALL RIGHT. I'LL GET YOU OUT OF HERE ALIVE. 330 00:32:26,678 --> 00:32:28,712 FRANK? 331 00:32:33,585 --> 00:32:35,752 FRANK. 332 00:32:38,690 --> 00:32:43,209 WE HAD SUCH A BAD CONNECTION ON THE PHONE, I THOUGHT I'D CONNECT WITH YOU IN PERSON. 333 00:32:46,365 --> 00:32:49,282 - JORDAN. - AMY HAS HER FOR THE WEEKEND. 334 00:32:51,353 --> 00:32:53,753 WHEN I GOT THE CALL, I GOT SO SCARED. 335 00:32:55,424 --> 00:33:00,227 I HEARD YOU THAT NIGHT. 336 00:33:00,295 --> 00:33:02,312 FRANK, ON THE PHONE. 337 00:33:07,468 --> 00:33:12,972 DR. BOWMAN SAYS YOU HAVE A MILD CONCUSSION. 338 00:33:13,041 --> 00:33:18,211 BUT, IT'S NOT YOUR BODY HEALING THAT WORRIES ME. 339 00:33:19,881 --> 00:33:21,998 IT'S YOUR SPIRIT. 340 00:33:22,067 --> 00:33:26,186 YOU SHOULD KNOW THAT FOR EVERY DARK SOUL... 341 00:33:26,255 --> 00:33:29,071 THAT YOU CONNECT WITH, THERE IS A BRIGHT ONE. 342 00:33:29,140 --> 00:33:31,724 THE MAN THAT PULLED YOU OUT OF THE BUILDING, 343 00:33:33,245 --> 00:33:35,579 HE CAME BY TO SEE HOW YOU WERE. 344 00:33:39,050 --> 00:33:41,952 I DON'T REMEMBER. 345 00:33:42,020 --> 00:33:44,855 HE'S BEEN ON EVERY CHANNEL THIS MORNING. 346 00:33:50,829 --> 00:33:54,130 A 49-YEAR-OLD UNIDENTIFIED MAN WENT BERSERK LAST NIGHT... 347 00:33:54,199 --> 00:33:57,279 TOTAL COMMITMENT. I MEAN, ALL THE TIME... YES, TOTAL COMMITMENT. 348 00:33:57,319 --> 00:33:59,536 HIS NAME IS RAYMOND DEES. 349 00:33:59,605 --> 00:34:02,205 WHAT WAS YOUR REACTION WHEN YOU SAW WHAT YOU THOUGHT WAS THE BOMB? 350 00:34:02,257 --> 00:34:05,524 I HAD A FLASH OF FEAR LIKE EVERYBODY ELSE. 351 00:34:05,593 --> 00:34:09,929 BUT I KEPT MY HEAD BECAUSE I KNEW I HAD TO GET EVERYBODY OUT OF THERE. 352 00:34:09,998 --> 00:34:12,158 WHAT WOULD YOU LIKE TO SAY TO WHOEVER DID THIS? 353 00:34:12,184 --> 00:34:17,954 WHAT I'D LIKE TO SAY, I WON'T, OUT OF RESPECT FOR THE PEOPLE OUT THERE. 354 00:34:18,023 --> 00:34:23,292 BUT I WOULD LIKE HIM TO KNOW THAT WE'RE NOT JUST VICTIMS, AND WE WILL FIND HIM. 355 00:34:23,361 --> 00:34:26,362 HOW DOES IT FEEL TO BE A STAR? 356 00:34:26,431 --> 00:34:31,384 I JUST DID WHAT ANYBODY ELSE IN MY PLACE WOULD'VE DONE. 357 00:34:31,453 --> 00:34:33,954 KABOOM. 358 00:34:53,641 --> 00:34:55,808 YOU WANNA BRING HIM IN BECAUSE HE WAS A HERO... TWICE? 359 00:34:55,877 --> 00:34:57,989 THAT'S HIM. I KNOW IT. 360 00:34:58,013 --> 00:35:02,933 FRANK, AFTER CENTENNIAL PARK, THERE IS NO WAY... 361 00:35:03,001 --> 00:35:05,079 THAT I COULD BRING THIS GUY IN WITHOUT MORE EVIDENCE. 362 00:35:05,103 --> 00:35:07,854 THE BOMBER HAS EXPERT KNOWLEDGE IN EXPLOSIVE DEVICES. 363 00:35:07,923 --> 00:35:13,493 HE KNOWS PRECISELY WHAT AND HOW MUCH TO USE TO CREATE THE EFFECT HE WANTS. 364 00:35:13,562 --> 00:35:15,445 THERE WERE TWO EXPLOSIONS TODAY. 365 00:35:15,514 --> 00:35:20,066 NEITHER ONE OF WHICH MATCHED THE LETHAL INTENSITY OF THE QUEEN'S ARMS BOMBING. 366 00:35:20,135 --> 00:35:22,502 IT WAS LETHAL ENOUGH TO KILL FIVE PEOPLE. 367 00:35:22,570 --> 00:35:25,282 BUT NOT SO DESTRUCTIVE THAT A PERSON COULDN'T SURVIVE INSIDE OF IT. 368 00:35:25,306 --> 00:35:30,143 ESPECIALLY IF HE KNEW WHEN AND HOW THE FORCE WOULD DISSIPATE. 369 00:35:30,212 --> 00:35:33,258 RAYMOND DEES IS A MAINTENANCE WORKER IN THAT BUILDING. 370 00:35:33,282 --> 00:35:35,493 HE HAS THE KNOWLEDGE AND THE OPPORTUNITY... 371 00:35:35,517 --> 00:35:38,718 TO PLACE THOSE DEVICES WHERE IT WOULD BEST SUIT HIM. 372 00:35:38,787 --> 00:35:41,754 HE WATCHED THE FIRST BOMBING FROM A DISTANCE. 373 00:35:41,823 --> 00:35:47,160 HE BELIEVED THAT WATCHING THE CHAOS, WHICH HE CREATED, WOULD BE THE THRILL. 374 00:35:47,229 --> 00:35:48,912 BUT HE NEEDED MORE. 375 00:35:48,981 --> 00:35:52,381 TO SMELL IT. TO TOUCH IT. 376 00:35:52,450 --> 00:35:55,902 TO PARTICIPATE IN THE AFTERMATH. BUT THAT WASN'T ENOUGH EITHER. 377 00:35:55,971 --> 00:35:59,388 SO TODAY, HE PLACED HIMSELF WITHIN HIS CREATED CHAOS. 378 00:35:59,457 --> 00:36:04,027 WASN'T ENOUGH TO WATCH OTHERS. HE NEEDED TO WATCH HIMSELF. 379 00:36:04,095 --> 00:36:06,329 A REAL STAR. 380 00:36:06,398 --> 00:36:10,250 ARE YOU SAYING HE KILLED 18 PEOPLE SO HE COULD BE ON GOOD MORNING AMERICA? 381 00:36:10,318 --> 00:36:14,771 KILLING WASN'T A MOTIVE. IT WAS A BY-PRODUCT OF HIS OBSESSION. 382 00:36:14,839 --> 00:36:17,474 I RAN A CHECK ON RAYMOND DEES. 383 00:36:17,542 --> 00:36:22,529 HE SERVED A STINT IN THE MILITARY. MIDDLE EAST. EXPLOSIVE SPECIALIST. 384 00:36:39,598 --> 00:36:43,315 - RED TEAM CONTROL... - CLEAR! 385 00:36:46,654 --> 00:36:50,673 BLUE TEAM LEADER, WE ARE IN POSITION... 386 00:36:55,330 --> 00:36:57,547 BEDROOM CLEAR, SIR. 387 00:36:59,517 --> 00:37:01,351 HE LEFT IN A HURRY. 388 00:37:03,455 --> 00:37:06,005 NOTHING DOWN THERE. AGENT PIERSON, YOU SHOULD COME IN HERE, SIR. 389 00:37:06,074 --> 00:37:08,314 THERE'S SOMETHING I THINK YOU SHOULD SEE. 390 00:37:10,996 --> 00:37:13,563 THIS WAS ALL ON WHEN WE CAME IN. 391 00:37:22,857 --> 00:37:27,510 HE'S STILL LISTENING TO US. THAT'S MY CELL PHONE NUMBER. 392 00:37:38,506 --> 00:37:43,159 - ONE BAKER SIX, WHAT'S YOUR 20? - 10-87 AT 273 LAMONT AVENUE. 393 00:37:43,228 --> 00:37:46,012 HE KNEW WE WERE COMING. COULD BE ANYWHERE BY NOW. 394 00:37:46,080 --> 00:37:48,976 WELL, AT LEAST HALF OF AMERICA KNOWS WHAT HE LOOKS LIKE. 395 00:37:49,000 --> 00:37:52,652 LOOKING AT THESE MATERIALS, IT'S VERY POSSIBLE HE MADE ANOTHER ONE. 396 00:37:56,891 --> 00:38:00,744 HEY, FRANK, YOU SHOULD STILL BE IN THE HOSPITAL. GET THE HELL OUTTA HERE. 397 00:38:00,812 --> 00:38:03,930 WE'LL HAVE FORENSICS GO THROUGH ALL THIS EVIDENCE. WE'LL MEET TOMORROW. 398 00:38:05,233 --> 00:38:07,584 GO. 399 00:38:19,414 --> 00:38:21,347 THANK YOU. 400 00:38:49,811 --> 00:38:53,146 YEAH. 401 00:38:56,117 --> 00:38:59,986 RAYMOND, WHERE ARE YOU? 402 00:39:04,475 --> 00:39:06,408 BEEN WAITING ON YOU, FRANK. 403 00:39:08,880 --> 00:39:11,697 WE HAVE A SITUATION AT THE PARKING LOT. BLOCK OFF THE ACCESS. 404 00:39:11,766 --> 00:39:14,166 NOBODY GOES IN OR OUT. I WANT SHARPSHOOTERS NOW! 405 00:39:14,235 --> 00:39:18,504 I KNOW, FRANK. 406 00:39:18,573 --> 00:39:22,141 YOU PROBABLY FEEL LIKE I FEEL. 407 00:39:22,210 --> 00:39:26,362 YOU CAN'T MOVE. JUST WAITING. 408 00:39:28,266 --> 00:39:31,767 YOU KNOW IT'S GONNA END, BUT YOU DON'T KNOW HOW. 409 00:39:37,909 --> 00:39:39,825 I KNOW. 410 00:39:42,797 --> 00:39:45,564 SUSPECT IS A MAN WE BELIEVE HAS KILLED 18 PEOPLE. 411 00:39:45,633 --> 00:39:47,928 YOU GET THERE, YOU GOT A CLEAN SHOT, YOU TAKE IT. LET'S GO. 412 00:39:47,952 --> 00:39:52,221 RAYMOND, DO YOU KNOW PRECISELY WHAT HAPPENS AT THE MOMENT OF DETONATION? 413 00:39:52,290 --> 00:39:55,375 - YOU KNOW I DO. - NO, YOU DON'T. 414 00:39:55,444 --> 00:39:58,812 THE MOMENT THIS BOMB EXPLODES, 415 00:39:58,880 --> 00:40:01,881 YOU LOSE YOUR POWER. 416 00:40:01,950 --> 00:40:04,233 YOU LOSE YOUR CONTROL. 417 00:40:04,302 --> 00:40:08,988 RAYMOND, YOU'RE A HERO. A STAR. 418 00:40:09,056 --> 00:40:12,725 - ARE YOU GONNA THROW THAT ALL AWAY? - NO! 419 00:40:17,399 --> 00:40:21,234 YOU'RE TRYING TO TAKE IT AWAY FROM ME. I'M GETTING IT BACK. 420 00:40:22,971 --> 00:40:26,306 AND I'LL BE VERY CLEAR ABOUT SOMETHING. 421 00:40:26,374 --> 00:40:30,643 PEOPLE WILL KNOW WHO I AM. 422 00:40:33,831 --> 00:40:36,816 GOT A CLEAN PROFILE. 423 00:40:36,884 --> 00:40:40,252 WAIT. HE'S HOLDING A TRANSMITTER IN HIS HAND. 424 00:40:40,321 --> 00:40:42,455 MUSCLE SPASM MIGHT SET IT OFF. 425 00:40:42,524 --> 00:40:46,092 THEN GO FOR THE MEDULLA OBLONGATA SHOT. TAKE HIM OUT. 426 00:40:46,161 --> 00:40:49,895 FRANK. WHAT? 427 00:40:49,964 --> 00:40:54,117 I'VE SEEN IT... THE MOMENT BEFORE? 428 00:40:54,185 --> 00:40:57,036 THEIR FACES? THEY'RE TERRIFIED, 429 00:40:57,105 --> 00:41:00,790 BECAUSE THEY DON'T UNDERSTAND. 430 00:41:00,858 --> 00:41:03,859 UNLIKE YOU, FRANK, 431 00:41:03,928 --> 00:41:08,564 THEY DON'T UNDERSTAND WHAT IT IS TO GIVE YOURSELF OVER TO CHAOS. 432 00:41:08,632 --> 00:41:13,770 BUT YOU UNDERSTAND. YOU'VE SEEN IT TOO. 433 00:41:13,838 --> 00:41:16,405 I CAN TELL. 434 00:41:19,210 --> 00:41:23,930 B-PILLAR'S BLOCKING MY SHOT. YOU'RE GONNA HAVE TO TAKE IT, ALPHA TWO. TEN-FOUR. 435 00:41:30,555 --> 00:41:34,056 IT'S TIME. FRANK. 436 00:41:35,560 --> 00:41:37,243 RAYMOND. 437 00:41:40,715 --> 00:41:43,332 RAYMOND. 438 00:42:02,086 --> 00:42:05,571 FRANK, THEY CHECKED IT OVER TWICE. 439 00:42:05,640 --> 00:42:08,608 NO SIGN OF EXPLOSIVES IN EITHER CAR. 440 00:42:08,676 --> 00:42:11,176 HE TOLD ME HE KNEW HOW IT WAS GONNA END. 441 00:42:11,245 --> 00:42:13,746 HE CONTROLLED THE WHOLE THING RIGHT FROM THE START, 442 00:42:13,815 --> 00:42:16,816 INCLUDING THE METHOD OF HIS EXECUTION. 443 00:42:16,885 --> 00:42:19,519 HE WAS RIGHT. HE GOT IT ALL BACK, 444 00:42:19,588 --> 00:42:22,121 AND WE HELPED HIM. 445 00:42:22,190 --> 00:42:24,490 PEOPLE ARE GONNA KNOW HIS NAME. 446 00:42:26,761 --> 00:42:29,662 ARE WE ON YET? ARE WE ON? OKAY. ONE CAMERA. 447 00:42:29,731 --> 00:42:31,397 WE'RE UP. GO, GO. 448 00:42:31,466 --> 00:42:36,118 AND THE VIOLENCE THAT BEGAN 75 HOURS AGO, ENDS IN VIOLENCE TONIGHT... 449 00:42:36,187 --> 00:42:38,187 AS THE SUSPECT, RAYMOND PATRICK DEES, 450 00:42:38,255 --> 00:42:40,823 WAS SHOT AND KILLED BY POLICE SHARPSHOOTERS. 451 00:42:40,892 --> 00:42:43,392 THE ALLEGED BOMBER, A MAINTENANCE WORKER IN THE HADDEN TOWER... 452 00:42:43,461 --> 00:42:46,529 THE SITE OF THIS MORNING'S BOMBING... WAS HERALDED AS A HERO... 453 00:42:46,598 --> 00:42:50,132 AS HE PULLED VICTIMS OUT OF THE BLAST AREA AND INTO SAFETY. 454 00:42:50,201 --> 00:42:54,036 WITH HIS DEATH, THE REASONS BEHIND THE BOMBINGS MAY NEVER BE KNOWN. 455 00:43:36,447 --> 00:43:39,315 I MADE THIS! 38352

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.