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1
00:00:00,760 --> 00:00:02,080
What's the set-up?
2
00:00:02,080 --> 00:00:04,160
It's perfect.
House is miles from anywhere.
3
00:00:04,160 --> 00:00:07,200
'It's definitely a real Stubbs?'
'Yeah. Worth thousands.'
4
00:00:10,480 --> 00:00:12,160
SHE SCREAMS
Out of my way!
5
00:00:12,160 --> 00:00:14,800
GLASS SMASHES
Move, or I'll blow your brains out!
6
00:00:21,960 --> 00:00:23,600
'You've gotta let me in, Boisie.
7
00:00:23,600 --> 00:00:26,760
'Men have been pushing me around
my whole life.'
8
00:00:26,760 --> 00:00:28,960
I won't have it any more.
9
00:00:28,960 --> 00:00:31,920
I'm still... waiting for a visit
from the social worker.
10
00:00:31,920 --> 00:00:33,800
'I'm desperate
to get my little girl back.'
11
00:00:37,240 --> 00:00:39,840
What do you want, Joan?
A normal life.
12
00:00:41,640 --> 00:00:45,280
Can you act? With you on my arm,
anything's possible.
13
00:00:49,520 --> 00:00:52,720
I want an 18-carat four-claw mount
with the fake set in.
14
00:00:52,720 --> 00:00:54,520
You love all this, don't you?
15
00:00:54,520 --> 00:00:57,840
Dressing up... pretending.
16
00:00:59,560 --> 00:01:02,200
'I can't get that cute little ring
out of my mind.'
17
00:01:02,200 --> 00:01:04,640
It's an exceptional piece.
18
00:01:04,640 --> 00:01:07,240
Thought you really were
a green-eyed monster for a minute.
19
00:01:13,320 --> 00:01:14,600
You like him, though?
20
00:01:14,600 --> 00:01:17,120
Yeah, I do. I think he's great.
21
00:01:18,960 --> 00:01:20,400
Marry me?
22
00:01:21,520 --> 00:01:24,160
Yeah. YES!
23
00:01:24,160 --> 00:01:27,560
Yes. Crack the champers!
24
00:01:35,720 --> 00:01:37,680
I've got something
I need to tell you.
25
00:01:37,680 --> 00:01:39,320
What?
26
00:01:39,320 --> 00:01:42,280
The Ashburys have asked us
if they can adopt Kelly.
27
00:01:42,280 --> 00:01:44,200
It's just a request at the moment.
28
00:01:44,200 --> 00:01:45,480
You're her mother,
29
00:01:45,480 --> 00:01:48,320
and no-one's doing anything
without due process.
30
00:01:48,320 --> 00:01:51,120
We do always try to keep children
with their mothers.
31
00:01:51,120 --> 00:01:53,200
It's really important that Kelly
32
00:01:53,200 --> 00:01:56,680
moves back into a settled,
stable environment.
33
00:01:56,680 --> 00:01:59,120
And right now, we're not convinced
you can provide that.
34
00:02:30,400 --> 00:02:33,120
Come on, then,
let's get you that sparkler.
35
00:02:36,960 --> 00:02:38,440
Morning.
36
00:02:41,680 --> 00:02:45,480
There we are.
Perfect engagement ring.
37
00:02:46,640 --> 00:02:50,120
Nice.
It's gorgeous.
38
00:02:56,240 --> 00:02:57,720
I love it.
39
00:02:59,680 --> 00:03:01,280
Do you think Kelly will like it?
40
00:03:02,720 --> 00:03:06,440
I can't believe she's gonna be here
in a couple of hours.
41
00:03:06,440 --> 00:03:09,400
I can't believe
I handed over good money for it.
42
00:03:09,400 --> 00:03:13,360
I'm not nicking
my own engagement ring, am I?
43
00:03:13,360 --> 00:03:14,720
Forty grand, Joan?
44
00:03:16,320 --> 00:03:19,280
It's bad luck to start marriage
with stolen goods.
45
00:03:19,280 --> 00:03:21,880
Oh, but it's all right if the cash
came from the 65 grand we got
46
00:03:21,880 --> 00:03:23,760
from selling a ring
you did half-inch?
47
00:03:23,760 --> 00:03:25,280
Mm.
Yeah?
48
00:03:25,280 --> 00:03:27,080
Are you saying I'm not worth it?
49
00:03:27,080 --> 00:03:31,040
Hm? Cos we both know I am.
50
00:03:35,640 --> 00:03:37,120
Love that.
51
00:03:37,120 --> 00:03:38,440
All right, Boisie?
52
00:03:53,920 --> 00:03:56,120
What can I do you for?
53
00:03:56,120 --> 00:03:57,280
DS Harris.
54
00:03:57,280 --> 00:04:01,400
You heard anything about
an art theft in Sussex?
55
00:04:01,400 --> 00:04:03,360
Not a word.
56
00:04:03,360 --> 00:04:06,640
A George Stubbs got nicked,
and a gun was involved.
57
00:04:06,640 --> 00:04:09,480
Oh, yeah?
You won't mind if we look inside?
58
00:04:27,800 --> 00:04:30,640
Don't suppose you've heard any...
whispers?
59
00:04:30,640 --> 00:04:34,000
Me? Why would I?
60
00:04:39,000 --> 00:04:42,080
They must know something, Boisie.
That's just what they do.
61
00:04:42,080 --> 00:04:44,400
They check all the antique shops
in the area.
62
00:04:44,400 --> 00:04:46,920
Yeah,
but how long are they gonna take?
63
00:04:46,920 --> 00:04:49,920
I mean, what if Kelly
comes back early...? Stop.
64
00:04:49,920 --> 00:04:51,280
It's going to be fine.
65
00:04:59,840 --> 00:05:03,040
Don't let the door
hit your arse on the way out.
66
00:05:09,640 --> 00:05:12,040
We've gotta get rid
of that painting.
67
00:05:12,040 --> 00:05:14,880
I'm working on it.
Never mind "working on it".
68
00:05:14,880 --> 00:05:17,400
We can't sell it now, can we?
Just chuck it in the river.
69
00:05:19,320 --> 00:05:22,760
I can't fight Kelly's adoption
with the police sniffing around.
70
00:05:22,760 --> 00:05:24,720
They didn't find anything.
Yeah, but if they do,
71
00:05:24,720 --> 00:05:26,720
it's a direct link between us
and the robbery.
72
00:05:26,720 --> 00:05:29,480
Can you calm down? We carry on
as normal, it'll blow over.
73
00:05:29,480 --> 00:05:33,520
Are you fucking serious?
What do you suggest, Joan?
74
00:05:33,520 --> 00:05:35,320
We go straight.
75
00:05:35,320 --> 00:05:37,360
What?
76
00:05:37,360 --> 00:05:39,320
We run this place
completely legit from now on.
77
00:05:40,800 --> 00:05:43,680
There ain't an antiques shop in
the world that's completely legit.
78
00:05:43,680 --> 00:05:46,400
Yes, but we need the social
to think we're a normal couple.
79
00:05:46,400 --> 00:05:49,240
We're not, though, are we?
I mean it, Boisie.
80
00:05:49,240 --> 00:05:53,960
So, no more diamonds, no more furs?
81
00:05:53,960 --> 00:05:58,280
And what will you do all day?
I'll work in the shop.
82
00:06:10,240 --> 00:06:12,000
DOOR BELL RINGS
83
00:06:13,160 --> 00:06:16,600
Put that out. They'll give her
the third degree when she gets back.
84
00:06:16,600 --> 00:06:18,400
She's a kid.
85
00:06:18,400 --> 00:06:21,360
Well, she ain't stupid,
I'm telling you now.
86
00:06:22,840 --> 00:06:25,240
Hello!
87
00:06:25,240 --> 00:06:28,000
Hi, Kel. Come in, come in.
88
00:06:28,000 --> 00:06:31,000
Hi, sweetheart. How are you?
89
00:06:34,280 --> 00:06:35,960
When did you get that big?
90
00:06:35,960 --> 00:06:38,640
You must be Boisie.
Mrs May.
91
00:06:38,640 --> 00:06:40,720
And you must be Kelly.
92
00:06:40,720 --> 00:06:42,960
Kels, this is Boisie.
93
00:06:42,960 --> 00:06:46,840
Boisie, this is the most beautiful
girl in all the world.
94
00:06:46,840 --> 00:06:49,800
Right, I'll be back later
to get you for your tea.
95
00:06:49,800 --> 00:06:51,640
Oh, don't worry,
I've got loads in for her.
96
00:06:51,640 --> 00:06:54,400
Burgers. Hot dogs.
97
00:06:54,400 --> 00:06:56,680
You still like hot dogs, don't you?
Course she does.
98
00:06:56,680 --> 00:06:58,200
Who doesn't like hot dogs?
99
00:06:58,200 --> 00:07:00,080
CHUCKLES
Bye-bye, Kelly.
100
00:07:00,080 --> 00:07:02,520
Bye. Thank you.
Let me get the door for you.
101
00:07:02,520 --> 00:07:05,280
Thank you. Oops. Ha.
102
00:07:06,640 --> 00:07:07,840
Right.
103
00:07:09,200 --> 00:07:12,920
So, today, we are gonna go
and see Auntie Nancy,
104
00:07:12,920 --> 00:07:17,360
and she has a big treat for you!
105
00:07:17,360 --> 00:07:20,080
'Love Action'
by The Human League
106
00:07:20,080 --> 00:07:22,240
# When you're in love
You know you're in love... #
107
00:07:22,240 --> 00:07:24,840
And spin! Whoo! Go, Kelly!
108
00:07:24,840 --> 00:07:27,360
# No matter what you try to do... #
109
00:07:27,360 --> 00:07:29,640
Whee-hee!
110
00:07:29,640 --> 00:07:31,960
# Resign yourself
111
00:07:31,960 --> 00:07:35,600
# To what you're going through
112
00:07:35,600 --> 00:07:39,200
# If you're a hard man
Or if you're a child
113
00:07:39,200 --> 00:07:41,760
# It still might get to you... #
114
00:07:44,480 --> 00:07:48,280
Kel. Kelly, say cheese.
115
00:07:48,280 --> 00:07:51,200
Cheese.
Yay!
116
00:07:56,600 --> 00:07:59,400
Kelly! Grab anything you fancy.
117
00:07:59,400 --> 00:08:01,640
Stop fussing.
118
00:08:01,640 --> 00:08:04,000
SIGHS
I need this to go well.
119
00:08:04,000 --> 00:08:05,680
It is going well.
120
00:08:07,040 --> 00:08:08,680
I want her back, Boisie.
121
00:08:08,680 --> 00:08:11,680
We have to go straight.
122
00:08:11,680 --> 00:08:13,320
It's not that simple.
123
00:08:13,320 --> 00:08:15,440
Yes, it is.
I have to do this for her.
124
00:08:15,440 --> 00:08:17,680
You understand that, right?
Yeah. I get it.
125
00:08:17,680 --> 00:08:19,880
So you'll get rid
of that painting, then, yeah?
126
00:08:22,960 --> 00:08:25,600
I got the chocolate one! Look.
Aw.
127
00:08:27,840 --> 00:08:29,520
My goodness.
128
00:08:40,360 --> 00:08:42,240
Do you know what this means?
129
00:08:45,000 --> 00:08:46,840
That Mummy likes diamonds?
130
00:08:46,840 --> 00:08:49,000
THEY CHUCKLE
Clever girl.
131
00:08:50,680 --> 00:08:55,400
But it also means I've asked
your mum if she'll marry me.
132
00:09:01,600 --> 00:09:03,360
And then you'll come
and live with us,
133
00:09:03,360 --> 00:09:05,480
and we'll be a proper family again.
134
00:09:05,480 --> 00:09:07,080
A fresh start.
135
00:09:07,080 --> 00:09:10,000
Am I coming to the wedding?
136
00:09:10,000 --> 00:09:11,960
Of course.
137
00:09:11,960 --> 00:09:14,840
You'll be my chief bridesmaid,
obviously.
138
00:09:14,840 --> 00:09:18,600
You and Aunty Nancy.
You'll have pretty frocks, flowers.
139
00:09:20,560 --> 00:09:22,080
Will I get flowers in my hair?
140
00:09:22,080 --> 00:09:25,080
Well, I mean,
you can't be a bridesmaid
141
00:09:25,080 --> 00:09:28,920
without bloody flowers in your hair,
can you?
142
00:09:28,920 --> 00:09:30,400
CHUCKLES
143
00:09:35,800 --> 00:09:38,360
Well, look...
144
00:09:38,360 --> 00:09:42,160
I might be able to put
a bit more cash in your direction,
145
00:09:42,160 --> 00:09:43,480
if you're interested?
146
00:09:43,480 --> 00:09:46,040
I need a buyer for something.
147
00:09:46,040 --> 00:09:47,840
Sharpish.
All right.
148
00:09:47,840 --> 00:09:50,600
What we talking about?
A Stubbs painting.
149
00:09:51,680 --> 00:09:52,880
You nicked that?
150
00:09:52,880 --> 00:09:54,960
Yeah, me and Joan.
151
00:09:59,080 --> 00:10:02,000
THEY CHUCKLE
152
00:10:02,000 --> 00:10:03,920
Police are asking
a lot of questions about it.
153
00:10:03,920 --> 00:10:06,360
Why I need a buyer.
154
00:10:06,360 --> 00:10:09,240
None of the usual suspects
are gonna touch anything that hot.
155
00:10:09,240 --> 00:10:13,240
Can you think
of any unusual suspects?
156
00:10:20,240 --> 00:10:22,000
Maybe.
Yeah?
157
00:10:22,000 --> 00:10:23,160
For...
158
00:10:24,680 --> 00:10:27,200
..25%.
25?!
159
00:10:27,200 --> 00:10:29,280
Risky.
Do me a favour.
160
00:10:29,280 --> 00:10:32,800
Risky, risky, risky this one, Boise.
Very risky.
161
00:10:32,800 --> 00:10:34,840
All right, all right,
save the spiel, mate,
162
00:10:34,840 --> 00:10:37,400
I know you're broke.
Who've you got in mind?
163
00:10:38,640 --> 00:10:40,120
ALBIE CLEARS THROAT
164
00:10:40,120 --> 00:10:41,360
Darling?
165
00:10:46,800 --> 00:10:48,160
The Irish.
166
00:10:49,560 --> 00:10:50,880
IRA?
167
00:10:54,120 --> 00:10:55,760
They've always got money to spend.
168
00:10:55,760 --> 00:10:57,400
What are a bunch of terrorists
gonna do
169
00:10:57,400 --> 00:11:00,120
with a painting of a fucking horse?
Hang it on their wall?
170
00:11:00,120 --> 00:11:02,200
They always need to buy things
from abroad, right?
171
00:11:02,200 --> 00:11:04,760
Yeah, guns and explosives.
172
00:11:06,560 --> 00:11:10,400
Look, they have trouble
moving money overseas.
173
00:11:10,400 --> 00:11:13,200
But... But art,
it's a different kettle of fish.
174
00:11:15,240 --> 00:11:17,360
You think we can trust people
like that?
175
00:11:21,720 --> 00:11:23,520
I think that we can trust the fact
176
00:11:23,520 --> 00:11:26,400
that they always need things
to shift.
177
00:11:26,400 --> 00:11:28,080
And a Stubbs is perfect.
178
00:11:35,280 --> 00:11:38,960
So, is it yes, or no?
179
00:11:50,720 --> 00:11:54,600
BABY CRYING
180
00:12:00,960 --> 00:12:03,400
What are you doing?
181
00:12:03,400 --> 00:12:06,640
Needs restoration,
but before that,
182
00:12:06,640 --> 00:12:09,920
there can't be a grain of dirt,
or it'll get trapped.
183
00:12:14,800 --> 00:12:18,000
Why don't you clean the tea sets?
There are some special cloths.
184
00:12:19,400 --> 00:12:20,440
Yeah.
185
00:12:20,440 --> 00:12:23,400
Working in the shop was your idea,
remember?
186
00:12:23,400 --> 00:12:25,640
Mm-hm.
187
00:12:25,640 --> 00:12:28,120
Yeah, to make sure I get Kelly back.
188
00:12:35,560 --> 00:12:38,040
You know what we should do?
189
00:12:38,040 --> 00:12:40,480
I'm all ears.
190
00:12:40,480 --> 00:12:42,960
We should turn this place into
a jewellers.
191
00:12:46,880 --> 00:12:50,320
It's not enough to like sparklers
to run a jewellers, Joan.
192
00:12:50,320 --> 00:12:51,880
You have to know about 'em.
193
00:12:51,880 --> 00:12:54,400
And not just that stuff
you learned to parrot.
194
00:12:54,400 --> 00:12:56,960
Proper deep knowledge.
Fine, I'll learn.
195
00:12:58,760 --> 00:13:01,520
How you gonna do that, then?
196
00:13:04,720 --> 00:13:06,400
I want to be fully qualified.
197
00:13:06,400 --> 00:13:08,280
Then you'll have to do
the foundation course
198
00:13:08,280 --> 00:13:11,120
which is £2,250.
199
00:13:11,120 --> 00:13:13,800
Do you take cash?
200
00:13:13,800 --> 00:13:16,000
Ready for the big day tomorrow,
Boisie?
201
00:13:16,000 --> 00:13:18,680
Yeah,
Joan's got it all under control.
202
00:13:18,680 --> 00:13:21,320
Nice place you've got here.
Albie's mate's letting us use it.
203
00:13:21,320 --> 00:13:22,680
Till I get myself sorted.
204
00:13:22,680 --> 00:13:25,000
Won't be long.
Fingers crossed.
205
00:13:25,000 --> 00:13:27,120
Give us a shout
if you want anything else.
206
00:13:27,120 --> 00:13:28,920
Thanks, Val.
207
00:13:31,880 --> 00:13:34,160
Can't believe you spent
five grand on a wedding ring.
208
00:13:34,160 --> 00:13:36,440
And 40 on an engagement ring.
209
00:13:36,440 --> 00:13:38,240
You're going soft, Boise.
210
00:13:38,240 --> 00:13:40,240
EXHALES HEAVILY
211
00:13:40,240 --> 00:13:42,880
Yeah, I couldn't nick 'em -
Joan wants us to go straight.
212
00:13:42,880 --> 00:13:46,160
What women want and what they get
are two different things.
213
00:13:46,160 --> 00:13:48,720
I've been telling Val
I'm going straight for years.
214
00:13:48,720 --> 00:13:50,320
SCOFFS
215
00:13:50,320 --> 00:13:51,880
Joan's different, though.
216
00:13:53,360 --> 00:13:54,840
Too right.
217
00:13:56,040 --> 00:13:58,120
Well, here's a day
I thought I'd never see -
218
00:13:58,120 --> 00:13:59,920
you getting married.
219
00:13:59,920 --> 00:14:02,240
Yeah, and to someone
you actually like.
220
00:14:02,240 --> 00:14:03,440
CHUCKLES
221
00:14:08,840 --> 00:14:10,160
What?
222
00:14:10,160 --> 00:14:12,120
It's just a bit quick.
223
00:14:12,120 --> 00:14:14,680
Do you know him well enough?
224
00:14:14,680 --> 00:14:16,200
I do, yeah.
225
00:14:16,200 --> 00:14:20,480
We can say anything to one another.
There's no... secrets.
226
00:14:21,680 --> 00:14:24,360
So, you're gonna sell the Stubbs
to the Irish?
227
00:14:26,560 --> 00:14:28,320
Yeah.
228
00:14:29,800 --> 00:14:32,400
Well, you'll need someone
to say it's not a fake.
229
00:14:32,400 --> 00:14:35,560
And it's gotta be an expert.
They're no mugs.
230
00:14:35,560 --> 00:14:38,160
Mas cervezas?
ALBIE CHUCKLES
231
00:14:38,160 --> 00:14:39,920
Thanks, Val.
232
00:14:39,920 --> 00:14:42,360
These ones done?
Yeah. Yeah.
233
00:14:42,360 --> 00:14:43,800
Nice one, babe.
234
00:14:48,200 --> 00:14:50,280
I was thinking Hugo at Abney's.
235
00:14:50,280 --> 00:14:53,480
He's the one that gave me
the tip-off in the first place. Hm.
236
00:14:53,480 --> 00:14:55,760
Trust him?
237
00:14:55,760 --> 00:14:57,080
Enough.
238
00:14:58,600 --> 00:15:00,240
'I've got a little something
for you.'
239
00:15:04,800 --> 00:15:05,960
Hmm.
240
00:15:15,240 --> 00:15:18,000
Are they real?
Course they're bloody real.
241
00:15:18,000 --> 00:15:20,920
Got Kelly a necklace, as well.
242
00:15:25,120 --> 00:15:26,560
I wish she was here.
243
00:15:26,560 --> 00:15:29,280
You'd think the social would let her
stay the night.
244
00:15:29,280 --> 00:15:30,560
It's not allowed,
245
00:15:30,560 --> 00:15:35,160
while they're still talking about...
bloody adoption.
246
00:15:38,240 --> 00:15:40,040
Can you imagine what
Mum and Dad would say?
247
00:15:40,040 --> 00:15:41,800
Oh, don't start.
248
00:15:41,800 --> 00:15:43,360
I just wish you'd invited them,
249
00:15:43,360 --> 00:15:45,400
so they could see
how well you're doing, and Kelly.
250
00:15:45,400 --> 00:15:47,800
No, that man is not coming
within a mile of my daughter.
251
00:15:47,800 --> 00:15:49,320
He's too ill to hurt a fly
these days.
252
00:15:49,320 --> 00:15:51,560
It's never gonna happen.
253
00:15:58,320 --> 00:16:00,200
CHINKS GLASS
254
00:16:02,920 --> 00:16:09,160
May I present my beautiful,
talented wife.
255
00:16:09,160 --> 00:16:11,400
Let's hear it for Mrs Hannington.
256
00:16:11,400 --> 00:16:13,600
APPLAUSE, WHOOPING
257
00:16:13,600 --> 00:16:15,520
You're not so bad yourself.
258
00:16:18,400 --> 00:16:21,480
Just don't expect me
to honour and obey, OK?
259
00:16:21,480 --> 00:16:22,880
LAUGHTER
260
00:16:22,880 --> 00:16:25,360
Er, speech, Boise, speech!
261
00:16:25,360 --> 00:16:27,920
ALL CLAMOUR
262
00:16:27,920 --> 00:16:29,520
Come on.
263
00:16:29,520 --> 00:16:31,480
You know, I'm a man of few words.
264
00:16:31,480 --> 00:16:33,600
Only when it comes
to the Old Bill, Boisie.
265
00:16:33,600 --> 00:16:34,800
LAUGHTER
266
00:16:34,800 --> 00:16:37,960
Only words he knows down the nick
are "no" and "comment".
267
00:16:37,960 --> 00:16:40,120
So I'll keep it brief.
Thank God for that.
268
00:16:40,120 --> 00:16:42,760
If you'll let me get a word in...
269
00:16:42,760 --> 00:16:45,360
All I want to say is...
270
00:16:45,360 --> 00:16:47,760
I'm very grateful to you all
for coming
271
00:16:47,760 --> 00:16:50,080
and helping us celebrate today.
272
00:16:51,240 --> 00:16:54,920
I can honestly say
I have never been happier.
273
00:16:56,480 --> 00:16:59,160
So, here's to you.
274
00:17:01,360 --> 00:17:03,800
To Boisie and Joan.
275
00:17:03,800 --> 00:17:05,480
Boisie and Joan.
276
00:17:05,480 --> 00:17:08,160
APPLAUSE
277
00:17:08,160 --> 00:17:11,240
I love you.
I love you.
278
00:17:13,720 --> 00:17:16,120
'I'm So Excited'
by The Pointer Sisters
279
00:17:21,360 --> 00:17:23,880
LAUGHTER
280
00:17:33,040 --> 00:17:36,840
# Tonight's the night
We're gonna make it happen
281
00:17:38,600 --> 00:17:42,480
# Tonight we'll put
All other things aside
282
00:17:43,800 --> 00:17:47,400
# Give in this time
And show me some affection
283
00:17:49,200 --> 00:17:52,560
# We're goin' for those pleasures
In the night
284
00:17:53,560 --> 00:17:56,760
# I want to love you, feel you
285
00:17:56,760 --> 00:18:01,880
# Wrap myself around you
I want to squeeze you, please you
286
00:18:01,880 --> 00:18:03,960
# I just can't get enough
287
00:18:03,960 --> 00:18:05,800
# And if you move... #
288
00:18:05,800 --> 00:18:08,000
Are you all right?
289
00:18:09,120 --> 00:18:11,720
Lots of noise
and people you don't know, eh?
290
00:18:11,720 --> 00:18:14,280
Joan!
291
00:18:14,280 --> 00:18:16,240
Come on!
Come and dance with us.
292
00:18:16,240 --> 00:18:18,320
Not gonna leave her
on her own, am I?
293
00:18:22,040 --> 00:18:24,440
Which one's your favourite?
Tell me he hasn't got the hump
294
00:18:24,440 --> 00:18:26,320
cos you've gotta look after
your own daughter?
295
00:18:26,320 --> 00:18:27,360
Oh, mind your own.
296
00:18:27,360 --> 00:18:28,840
Keep your hair on.
297
00:18:28,840 --> 00:18:30,640
How about you keep your nose out?
298
00:18:30,640 --> 00:18:33,080
First off, you're telling me
I don't know him well enough...
299
00:18:33,080 --> 00:18:34,640
And do you?
300
00:18:35,960 --> 00:18:38,480
What was all that crap
about the police and "no comment"?
301
00:18:40,640 --> 00:18:42,960
If you're not banging on
about Boisie,
302
00:18:42,960 --> 00:18:44,160
you are on one about Dad.
303
00:18:44,160 --> 00:18:46,880
He'd be proud of you now.
Proud?
304
00:18:46,880 --> 00:18:48,920
You know as well as I do
that if he were here,
305
00:18:48,920 --> 00:18:50,440
he'd be finding fault in everything,
306
00:18:50,440 --> 00:18:52,400
just like he's done
since the day I was born.
307
00:18:52,400 --> 00:18:55,240
You were the apple of his eye.
Yeah, till I turned 12.
308
00:18:55,240 --> 00:18:57,360
Joan, you were a tearaway,
he was old-fashioned.
309
00:18:57,360 --> 00:18:58,800
He didn't know how to handle you.
310
00:18:58,800 --> 00:19:01,840
I wasn't a tearaway,
I was a runaway, and you know why.
311
00:19:03,920 --> 00:19:06,160
Why do you pretend like
you don't know what he did to me?
312
00:19:06,160 --> 00:19:07,920
I've still got the scars
to prove it.
313
00:19:07,920 --> 00:19:10,800
Not in front of Kelly. Oh, no,
she's gonna grow up understanding
314
00:19:10,800 --> 00:19:13,680
that it's not all right for a man
to behave like he did.
315
00:19:13,680 --> 00:19:15,240
And it's not all right
for other people
316
00:19:15,240 --> 00:19:17,280
to make out like it didn't happen.
317
00:19:17,280 --> 00:19:19,560
You and Mum are as bad
as each other, you know that?
318
00:19:21,320 --> 00:19:23,800
So, you'll dance with Albie
but not your husband?
319
00:19:23,800 --> 00:19:25,680
Kelly needs her. You can see that.
320
00:19:25,680 --> 00:19:27,720
How about you take Kelly
back to the Ashburys', eh?
321
00:19:27,720 --> 00:19:29,200
They're staying nearby.
322
00:19:29,200 --> 00:19:31,440
You don't wanna go yet, do you?
323
00:19:31,440 --> 00:19:33,560
I'm tired.
324
00:19:34,880 --> 00:19:38,360
'Ere you are, ten minutes in a taxi.
No, I want Kel here.
325
00:19:38,360 --> 00:19:41,200
Yeah, but she doesn't wanna be here,
does she?
326
00:19:41,200 --> 00:19:42,880
Nancy?
327
00:19:47,800 --> 00:19:49,280
Give your mum a kiss, Kel.
328
00:19:53,800 --> 00:19:54,960
You all right?
329
00:19:54,960 --> 00:19:57,040
Yeah? Good girl.
330
00:19:59,360 --> 00:20:00,800
Come with Auntie Nancy.
331
00:20:02,240 --> 00:20:04,920
She'll be all right. Come on.
332
00:20:08,600 --> 00:20:11,280
CHEERING
333
00:20:26,680 --> 00:20:30,160
Judging the value of a gem stone
is complex, of course,
334
00:20:30,160 --> 00:20:32,600
and much depends
on the type of stone,
335
00:20:32,600 --> 00:20:37,080
but the number one factor
will always be durability.
336
00:20:37,080 --> 00:20:39,600
No matter how beautiful
a stone looks,
337
00:20:39,600 --> 00:20:43,280
the most important characteristic
is how long it will endure.
338
00:20:43,280 --> 00:20:45,640
And do we know which stones
are the most durable?
339
00:20:46,800 --> 00:20:49,400
Diamonds.
Actually, no.
340
00:20:49,400 --> 00:20:50,680
Anyone else?
341
00:20:53,840 --> 00:20:55,160
At the back.
342
00:20:57,160 --> 00:20:58,280
Jade?
343
00:20:58,280 --> 00:20:59,760
Correct.
344
00:20:59,760 --> 00:21:02,080
Could you tell us why?
345
00:21:02,080 --> 00:21:04,440
Well,
diamonds are the hardest stones,
346
00:21:04,440 --> 00:21:05,920
but they have perfect cleavage,
347
00:21:05,920 --> 00:21:09,480
so they can split in two
more easily than jade.
348
00:21:09,480 --> 00:21:13,920
You'd say, then, that we should look
to avoid cleavage in a diamond?
349
00:21:13,920 --> 00:21:16,600
I wouldn't go that far.
LAUGHTER
350
00:21:16,600 --> 00:21:21,640
So, if we're prepared
to excuse cleavage in our diamonds,
351
00:21:21,640 --> 00:21:23,680
how do we value them?
352
00:21:23,680 --> 00:21:26,400
The first question
we must always ask ourselves
353
00:21:26,400 --> 00:21:29,280
is are these diamonds real?
354
00:21:30,680 --> 00:21:32,920
And if we're talking about
uncut stones,
355
00:21:32,920 --> 00:21:36,680
we're going to answer that
by checking for any tiny inclusions,
356
00:21:36,680 --> 00:21:39,320
or, in layman's terms, flaws.
357
00:21:39,320 --> 00:21:43,440
Because a flawless uncut diamond
is a fake.
358
00:21:49,080 --> 00:21:50,760
All you've got to do
is tell them
359
00:21:50,760 --> 00:21:52,280
the painting's genuine, which it is.
360
00:21:52,280 --> 00:21:53,520
I can't.
361
00:21:53,520 --> 00:21:55,960
You've done it loads of times
before for me.
362
00:21:55,960 --> 00:21:57,040
Not this one.
363
00:21:59,360 --> 00:22:01,800
You'll get your usual fee, plus 10%.
364
00:22:01,800 --> 00:22:04,440
I value my kneecaps more, Boisie.
365
00:22:04,440 --> 00:22:07,280
So, you don't want that grand
for the initial tip-off, then?
366
00:22:09,040 --> 00:22:10,880
You're getting nothing
if I can't sell it.
367
00:22:10,880 --> 00:22:12,080
I know you need that cash.
368
00:22:12,080 --> 00:22:14,840
Just find someone else, Boisie,
for God's sake.
369
00:22:16,160 --> 00:22:19,520
For one thing,
I'd never pull it off. Look at me.
370
00:22:19,520 --> 00:22:21,680
Hm?
HUGO INHALES
371
00:22:21,680 --> 00:22:22,960
I'll screw it up.
372
00:22:22,960 --> 00:22:25,400
They'll see I'm a wreck,
and they won't believe me.
373
00:22:25,400 --> 00:22:27,040
OK.
374
00:22:29,400 --> 00:22:31,400
If I find someone else,
375
00:22:31,400 --> 00:22:33,280
then you need to get them plotted
in here.
376
00:22:33,280 --> 00:22:35,400
The Irish will want to know
they're kosher.
377
00:22:35,400 --> 00:22:36,680
And what will I tell my boss?
378
00:22:36,680 --> 00:22:40,040
Say... I dunno,
they're here to train.
379
00:22:40,040 --> 00:22:43,440
Hugo, you can say anything you like,
I don't care.
380
00:22:43,440 --> 00:22:45,880
If you want that grand,
this is what's happening.
381
00:22:50,440 --> 00:22:52,600
And I need you to tell 'em
everything there is to know
382
00:22:52,600 --> 00:22:53,920
about George fucking Stubbs.
383
00:22:53,920 --> 00:22:56,840
Well, they'll need to be
word-bloody-perfect. Listen...
384
00:22:56,840 --> 00:22:59,080
there is no way
this is coming back on me.
385
00:23:02,760 --> 00:23:04,960
'This is the one
I'm not sure is genuine.'
386
00:23:06,360 --> 00:23:09,400
I think I can see the smallest flaw,
but...
387
00:23:10,400 --> 00:23:13,440
Some inclusions are
extremely hard to detect
388
00:23:13,440 --> 00:23:15,920
with magnification alone,
389
00:23:15,920 --> 00:23:19,600
so checking for fluorescents
with a UV torch
390
00:23:19,600 --> 00:23:21,840
can be very helpful.
391
00:23:23,680 --> 00:23:25,560
Hm?
Hm.
392
00:23:29,320 --> 00:23:30,520
Have another look.
393
00:23:38,880 --> 00:23:40,960
Do you see an inclusion?
394
00:23:40,960 --> 00:23:42,640
I can, yeah.
395
00:23:42,640 --> 00:23:44,400
That means?
396
00:23:47,600 --> 00:23:49,080
It's real.
397
00:24:04,480 --> 00:24:06,440
HE EXHALES
398
00:24:22,560 --> 00:24:25,560
You gonna tell me what's up?
399
00:24:29,320 --> 00:24:31,720
I've found a buyer for the Stubbs.
400
00:24:33,080 --> 00:24:35,120
We agreed that you'd chuck it
in the river.
401
00:24:35,120 --> 00:24:37,200
No, we didn't.
Yes, we did.
402
00:24:37,200 --> 00:24:39,200
Cos I'm only trying to get
my daughter back,
403
00:24:39,200 --> 00:24:42,440
and you stood there, and you told me
that you understood that.
404
00:24:42,440 --> 00:24:43,600
I do understand.
405
00:24:43,600 --> 00:24:46,800
Oh, yeah, provided you can still do
whatever you want, when you want.
406
00:24:46,800 --> 00:24:48,400
A work of art
is not going in the river.
407
00:24:51,080 --> 00:24:52,960
I just need someone to say
they're from Abney's
408
00:24:52,960 --> 00:24:54,040
and sign it off as legit.
409
00:24:54,040 --> 00:24:56,320
I'd ask you to do it, but...
410
00:24:59,600 --> 00:25:01,520
You don't care, do you?
411
00:25:03,280 --> 00:25:05,040
You don't care
if I get her back or not.
412
00:25:38,840 --> 00:25:40,520
Well, married life is suiting you.
413
00:25:42,120 --> 00:25:43,840
How do you know I'm married?
414
00:25:43,840 --> 00:25:46,160
It's my job to know
what you're up to...
415
00:25:46,160 --> 00:25:48,160
what you're thinking.
Hm.
416
00:25:49,440 --> 00:25:51,520
Well, go on, then, clever clogs.
417
00:25:53,120 --> 00:25:55,360
You hungry?
418
00:25:55,360 --> 00:25:56,880
Hungry for what?
419
00:25:56,880 --> 00:25:59,200
Change.
420
00:25:59,200 --> 00:26:00,400
Excitement.
421
00:26:01,840 --> 00:26:03,960
'I know what you really want, Joan.'
422
00:26:05,440 --> 00:26:07,960
To have Kelly back with you.
423
00:26:07,960 --> 00:26:10,200
And I would love for that to happen.
424
00:26:10,200 --> 00:26:13,000
The thing is, I don't think it can.
425
00:26:15,160 --> 00:26:16,320
Not now.
426
00:26:18,240 --> 00:26:19,800
What's this?
427
00:26:25,680 --> 00:26:27,520
That robbery in Sussex.
428
00:26:28,760 --> 00:26:30,560
Don't know what you're on about.
Yes, you do.
429
00:26:30,560 --> 00:26:32,360
Harris and his boys
searched the shop.
430
00:26:33,560 --> 00:26:35,200
That's the woman involved.
431
00:26:36,320 --> 00:26:37,920
Harris has met you.
432
00:26:37,920 --> 00:26:40,360
If he sees this, he's gonna know
straightaway that it's you,
433
00:26:40,360 --> 00:26:43,200
and he'll nick you
for aggravated burglary.
434
00:26:44,600 --> 00:26:46,480
You're looking at years for that,
not months.
435
00:26:46,480 --> 00:26:48,440
It doesn't look anything like me.
436
00:26:51,880 --> 00:26:54,160
The thing is,
I can make sure that doesn't happen.
437
00:26:56,760 --> 00:26:58,400
Why would you do that?
438
00:26:58,400 --> 00:27:02,160
I mean, you don't wear a uniform,
but you've still got a badge.
439
00:27:02,160 --> 00:27:05,080
All you've got to do is work for me.
440
00:27:05,080 --> 00:27:07,520
You be my eyes and ears,
441
00:27:07,520 --> 00:27:10,000
and I'll do a deal,
get the other thing gone.
442
00:27:10,000 --> 00:27:12,760
Think about it, Joan.
443
00:27:12,760 --> 00:27:15,720
You could have a completely
different life.
444
00:27:15,720 --> 00:27:18,240
You're safe, with Kelly.
445
00:27:18,240 --> 00:27:20,320
I'm not a grass, Tom.
446
00:27:20,320 --> 00:27:23,200
Anyway,
I've got nothing to tell you.
447
00:27:27,080 --> 00:27:29,920
CAR PULLING UP
448
00:27:34,800 --> 00:27:36,680
Thanks, I'll keep it.
449
00:27:42,080 --> 00:27:44,000
Here you go, mate.
450
00:27:57,960 --> 00:28:01,000
What's with the Old Bill?
451
00:28:01,000 --> 00:28:03,040
Don't know what you're on about.
452
00:28:04,480 --> 00:28:06,600
That bloke I've just seen you with.
453
00:28:06,600 --> 00:28:10,680
Well, who says he's Old Bill?
We both know bacon when we smell it.
454
00:28:12,840 --> 00:28:15,400
If you must know...
455
00:28:15,400 --> 00:28:17,400
he wanted to show me this.
456
00:28:17,400 --> 00:28:22,440
Apparently, she was involved in
nicking a painting by George Stubbs.
457
00:28:22,440 --> 00:28:24,760
A burglary, Boise.
458
00:28:24,760 --> 00:28:27,400
A burglary where a bloke got clocked
with a gun.
459
00:28:27,400 --> 00:28:28,840
According to who?
460
00:28:28,840 --> 00:28:30,960
The woman who owns the house
and the painting.
461
00:28:30,960 --> 00:28:32,760
What about the fella?
He say anything?
462
00:28:32,760 --> 00:28:34,800
Oh, no, don't worry,
all he can remember
463
00:28:34,800 --> 00:28:36,560
is that whoever hit him
was wearing a mask,
464
00:28:36,560 --> 00:28:38,720
so you are in the clear.
465
00:28:38,720 --> 00:28:39,920
It's just me facing time.
466
00:28:39,920 --> 00:28:43,520
With one witness,
who drinks like George Best?
467
00:28:43,520 --> 00:28:47,120
That'll never stick.
It will if they find the painting.
468
00:28:57,800 --> 00:28:59,200
SHE SIGHS
469
00:29:13,600 --> 00:29:15,120
SHE COUGHS LIGHTLY
470
00:29:25,160 --> 00:29:26,920
DOOR CLOSES
471
00:29:39,480 --> 00:29:41,760
TYRES SCREECH
472
00:30:06,800 --> 00:30:08,680
Oi! Don't.
473
00:30:08,680 --> 00:30:12,240
I'm not going down and losing
my girl over a few quid, Boisie.
474
00:30:16,560 --> 00:30:18,280
It's not about the money.
475
00:30:19,760 --> 00:30:21,120
It's about who the buyer is.
476
00:30:23,920 --> 00:30:26,120
I'm selling it to the Irish.
477
00:30:29,080 --> 00:30:32,200
You've organised a sale
with the IR-fucking-A,
478
00:30:32,200 --> 00:30:33,480
and you didn't tell me?
479
00:30:33,480 --> 00:30:35,640
I know, I know. It was
the only fucking option, so...
480
00:30:35,640 --> 00:30:38,720
I just want Kelly back.
This won't affect that.
481
00:30:38,720 --> 00:30:40,080
Are you mad?
482
00:30:40,080 --> 00:30:42,440
Tell them it can't be done,
tell them the deal's off.
483
00:30:42,440 --> 00:30:45,720
I can't do that with the IRA.
Are you trying to get me killed?
484
00:30:58,400 --> 00:31:00,600
We said we were going straight.
485
00:31:09,080 --> 00:31:12,240
That life's not for the likes of us,
Joan.
486
00:31:25,760 --> 00:31:27,640
I need you, Joan.
487
00:31:31,560 --> 00:31:34,560
I have since the second
I laid eyes on you.
488
00:31:42,280 --> 00:31:44,960
IF I do this...
489
00:31:46,440 --> 00:31:49,200
..it's because we have
no fucking choice.
490
00:32:24,320 --> 00:32:25,920
Can I help you?
491
00:32:25,920 --> 00:32:27,920
Jessica Cunningham
to see Hugo Saxton.
492
00:32:27,920 --> 00:32:30,120
Of course.
Thank you.
493
00:32:36,920 --> 00:32:39,120
Right, tell me about this.
494
00:32:39,120 --> 00:32:41,360
One of a set of three paintings
495
00:32:41,360 --> 00:32:45,080
commissioned in 1759
by the second Duke of Richmond...
496
00:32:45,080 --> 00:32:47,760
The THIRD Duke of Richmond. Jesus!
497
00:32:47,760 --> 00:32:49,840
We've only just been through this.
498
00:32:49,840 --> 00:32:52,440
You do realise how dangerous
these people are?
499
00:32:52,440 --> 00:32:54,080
Of course, I know.
500
00:32:54,080 --> 00:32:56,560
You cannot mess up.
501
00:33:00,040 --> 00:33:02,160
One of a set of three paintings
502
00:33:02,160 --> 00:33:05,520
commissioned in 1759
by the third Duke of Richmond,
503
00:33:05,520 --> 00:33:07,120
who was so pleased with the results
504
00:33:07,120 --> 00:33:09,360
that he encouraged
his fellow dukes and lords
505
00:33:09,360 --> 00:33:10,920
to follow his lead.
TELEPHONE RINGS
506
00:33:16,720 --> 00:33:18,600
Hugo Saxton.
507
00:33:18,600 --> 00:33:20,840
'Can I speak
to Jessica Cunningham, please?'
508
00:33:20,840 --> 00:33:23,600
Yes, she's here with me now.
One moment, please.
509
00:33:28,200 --> 00:33:30,680
Jessica Cunningham speaking.
How can I help you?
510
00:33:32,320 --> 00:33:35,160
CLICK,
DISCONNECT TONE
511
00:33:40,680 --> 00:33:42,600
Right.
HE CLEARS HIS THROAT
512
00:33:44,280 --> 00:33:49,080
You'll need to inspect every inch
very carefully.
513
00:33:49,080 --> 00:33:50,800
And you'll need to check
the signature
514
00:33:50,800 --> 00:33:53,080
against photographs
of other examples.
515
00:33:54,080 --> 00:33:56,120
'As for the brush strokes,
516
00:33:56,120 --> 00:33:58,720
'you're assuring yourself
that these are in keeping
517
00:33:58,720 --> 00:34:01,880
'with the artist's
entire body of work.
518
00:34:01,880 --> 00:34:05,000
'Be confident, self-assured.
519
00:34:05,000 --> 00:34:08,000
'Most of all, do not hesitate.'
520
00:34:12,400 --> 00:34:13,800
Good afternoon, everyone.
521
00:34:23,080 --> 00:34:24,320
Jessica Cunningham.
522
00:34:26,080 --> 00:34:28,200
Sean. This is Michael.
523
00:34:29,560 --> 00:34:31,480
You work at Abney's?
524
00:34:31,480 --> 00:34:33,920
I'm sure you've checked,
or I wouldn't be here.
525
00:34:35,520 --> 00:34:37,160
So, how are we gonna do this?
526
00:34:38,560 --> 00:34:39,920
It's not my business,
527
00:34:39,920 --> 00:34:42,240
but I do need a quiet space
to assess the piece.
528
00:34:42,240 --> 00:34:43,600
Right, well...
529
00:34:43,600 --> 00:34:45,400
CLEARS THROAT
..I've got an hotel room.
530
00:34:45,400 --> 00:34:47,280
Not a fucking chance
we're all in the same room
531
00:34:47,280 --> 00:34:49,040
with both the painting
and the money.
532
00:34:50,560 --> 00:34:51,600
Because?
533
00:34:53,640 --> 00:34:55,720
Plausible deniability, sweetheart.
534
00:34:59,800 --> 00:35:02,840
Right, you come to the hotel with me
and do your thing.
535
00:35:02,840 --> 00:35:05,360
You, stay here with Michael.
Hang on.
536
00:35:05,360 --> 00:35:07,960
When, er...
Sorry, what's your name again?
537
00:35:07,960 --> 00:35:09,360
Jessica.
538
00:35:10,760 --> 00:35:13,040
When Jessica confirms
she's happy with what she sees,
539
00:35:13,040 --> 00:35:15,240
I call Michael,
he'll give you the cash.
540
00:35:16,960 --> 00:35:19,120
I'm not just going to hand over
the painting...
541
00:35:19,120 --> 00:35:21,440
We do things our way or not at all.
542
00:35:25,720 --> 00:35:27,760
I'm sure Albie'll be around
to keep an eye out.
543
00:35:33,280 --> 00:35:35,160
It's all right.
Let's just do what he says.
544
00:35:42,720 --> 00:35:44,360
LIFT BELL DINGS
545
00:36:28,760 --> 00:36:29,880
Drink?
546
00:36:31,520 --> 00:36:33,360
No, thank you.
547
00:36:35,080 --> 00:36:36,200
You're tense.
548
00:36:37,520 --> 00:36:38,720
You're armed.
549
00:36:41,320 --> 00:36:44,040
Right, then, shall we take a look?
550
00:37:08,960 --> 00:37:11,280
There's a lot of copies around.
551
00:37:11,280 --> 00:37:13,240
It's a very popular artist.
552
00:37:14,480 --> 00:37:16,320
Big exhibition at the Tate
last year.
553
00:37:16,320 --> 00:37:18,920
I wonder how many of them were fake.
554
00:37:18,920 --> 00:37:21,160
Each painting
will have been authenticated.
555
00:37:22,640 --> 00:37:25,880
By someone like you?
Yes.
556
00:37:25,880 --> 00:37:27,760
You're not exactly honest,
Miss Cunningham,
557
00:37:27,760 --> 00:37:29,240
or you wouldn't be here.
558
00:37:33,600 --> 00:37:36,800
My reputation relies
on my opinions being honest.
559
00:37:36,800 --> 00:37:38,440
If they could be bought,
560
00:37:38,440 --> 00:37:40,480
they wouldn't be worth much,
would they?
561
00:37:44,680 --> 00:37:45,960
What's your opinion on this?
562
00:37:48,240 --> 00:37:50,080
Patience, please.
563
00:37:55,640 --> 00:37:57,200
Interesting.
564
00:38:03,440 --> 00:38:05,240
It hasn't been relined.
565
00:38:06,760 --> 00:38:08,600
And?
566
00:38:08,600 --> 00:38:11,240
And it's highly unusual.
567
00:38:11,240 --> 00:38:14,600
To find a piece in
its original condition, like this,
568
00:38:14,600 --> 00:38:16,840
is... rare.
569
00:38:21,720 --> 00:38:23,240
Let's see.
570
00:38:26,320 --> 00:38:29,280
Ah. Candle wax.
571
00:38:30,960 --> 00:38:34,640
The thing about fakes, good fakes,
572
00:38:34,640 --> 00:38:36,280
is that they're completely perfect.
573
00:38:37,560 --> 00:38:39,520
Every stroke utterly perfect.
574
00:38:41,320 --> 00:38:43,240
But what about the flaws, Sean?
575
00:38:50,120 --> 00:38:53,480
TELEPHONE RINGING
576
00:39:00,040 --> 00:39:01,520
Michael, phone.
577
00:39:41,080 --> 00:39:42,640
Thanks very much for the Stubbs.
578
00:39:44,760 --> 00:39:46,880
Now be on your way.
579
00:39:50,040 --> 00:39:51,320
I think you need to get going.
580
00:39:51,320 --> 00:39:53,080
I want my money.
581
00:39:54,160 --> 00:39:56,080
And I want a free Ireland.
582
00:39:59,280 --> 00:40:00,320
We had a deal.
583
00:40:00,320 --> 00:40:02,920
SCOFFS
Your deal's fucked.
584
00:40:05,520 --> 00:40:07,800
Now, leave.
585
00:40:07,800 --> 00:40:09,360
While you still can.
586
00:40:52,240 --> 00:40:54,800
You do know what we do
with these paintings, don't you?
587
00:40:56,080 --> 00:40:58,280
I stay out of these things, Sean.
588
00:40:59,920 --> 00:41:02,200
We use them as collateral
to buy arms for the struggle.
589
00:41:04,440 --> 00:41:07,960
As I say,
I stay out of these things.
590
00:41:10,320 --> 00:41:12,720
Well, you're a hard bitch,
right enough.
591
00:41:14,440 --> 00:41:17,160
I'll think you'll find I'm not hard,
just practical.
592
00:41:21,320 --> 00:41:23,040
Do you fancy that drink now?
593
00:41:23,040 --> 00:41:25,480
I'm afraid I have
another engagement.
594
00:41:27,400 --> 00:41:29,200
I really do...
595
00:41:29,200 --> 00:41:30,760
GRUNTS
Police! Stay down!
596
00:41:30,760 --> 00:41:32,920
SHE GRUNTS
597
00:41:44,920 --> 00:41:46,960
All right.
Get in.
598
00:41:55,320 --> 00:41:57,120
Good look, Joan.
599
00:41:57,120 --> 00:42:00,160
You been following me
the whole time?
600
00:42:00,160 --> 00:42:02,720
I'm sorry.
I tried to offer you a way out.
601
00:42:04,960 --> 00:42:06,120
Pigs.
602
00:42:07,720 --> 00:42:09,640
You're all the same.
603
00:42:09,640 --> 00:42:11,480
HE SIGHS
Joan...
604
00:42:17,960 --> 00:42:20,320
'Joan Hannington,
you are remanded in custody,
605
00:42:20,320 --> 00:42:22,000
'and we are not granting you bail
606
00:42:22,000 --> 00:42:24,400
'because there are
substantial grounds to believe
607
00:42:24,400 --> 00:42:26,120
'that you will not come back
to court,
608
00:42:26,120 --> 00:42:27,920
'or you will commit another offence.
609
00:42:27,920 --> 00:42:30,240
'We believe this because
of the nature and seriousness
610
00:42:30,240 --> 00:42:32,920
'of the offence and how you might be
dealt with for it,
611
00:42:32,920 --> 00:42:34,640
'and because of
your criminal record,
612
00:42:34,640 --> 00:42:36,600
'personal background and character.
613
00:42:36,600 --> 00:42:39,040
'You may apply to the Crown Court
for bail in due course.'
614
00:42:39,040 --> 00:42:40,360
Don't you fucking hang up on me!
615
00:42:40,360 --> 00:42:42,720
- No, no, no, no, no, no, no, no!
- We're waiting!
616
00:42:42,720 --> 00:42:45,160
I've just arrived.
I need to make some calls.
617
00:42:45,160 --> 00:42:48,120
I need to call my little girl.
No, I need to call MY daughter.
618
00:42:49,240 --> 00:42:50,800
Go on, we're waiting!
619
00:42:58,160 --> 00:42:59,960
RINGING TONE
620
00:42:59,960 --> 00:43:02,880
'Hello, 0-8-2-9?'
Mrs Ashbury? It's me, Joan.
621
00:43:02,880 --> 00:43:04,920
Can I speak to Kelly, please?
622
00:43:04,920 --> 00:43:06,760
SHOUTING
623
00:43:06,760 --> 00:43:10,640
'Joan?
624
00:43:10,640 --> 00:43:12,600
'Joan.'
I said can you please tell...
625
00:43:12,600 --> 00:43:14,600
'I'm truly sorry,
but I think it's better
626
00:43:14,600 --> 00:43:17,640
'if you don't speak to Kelly while
you're in your current environment.'
627
00:43:19,440 --> 00:43:22,880
No, no, you can't do that...
'As I say, I am sorry.
628
00:43:22,880 --> 00:43:26,120
'It's better for Kelly.
You can see that, I'm sure.'
629
00:43:28,800 --> 00:43:31,600
DISCONNECT TONE
630
00:43:31,600 --> 00:43:33,560
Calm down! What is going on?
631
00:43:33,560 --> 00:43:36,000
SHOUTING CONTINUES
Calm down!
632
00:43:47,880 --> 00:43:51,120
# Darling, don't you cry
633
00:43:51,120 --> 00:43:53,160
# It's just for a while
634
00:43:53,160 --> 00:43:57,840
# Cos you'll never be the girl
If you let them rule
635
00:43:57,840 --> 00:44:01,080
# Oh, no, you'll never be the girl
636
00:44:01,080 --> 00:44:04,240
# Till you kick those blues
637
00:44:04,240 --> 00:44:06,880
# Go
Go, glitter girl
638
00:44:06,880 --> 00:44:11,320
# Get your glamour on
Don't let the mirror fall
639
00:44:11,320 --> 00:44:14,360
# Don't let them near your soul. #
640
00:44:14,360 --> 00:44:16,400
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