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[WAVES BREAKING]
4
00:00:28,661 --> 00:00:32,365
[SOOTHING INTRO SONG]
5
00:00:39,105 --> 00:00:41,307
-[OLIVER] NEVER MIND.
-[GILLIAN] WHAT?
6
00:00:41,374 --> 00:00:43,076
[OLIVER] NEVER MIND,
WE CAN'T GO IN NOW.
7
00:00:43,143 --> 00:00:44,210
[LILLIAN] HOW DO YOU KNOW?
8
00:00:44,277 --> 00:00:45,245
[OLIVER] YOU WHAT?
9
00:00:45,311 --> 00:00:46,913
[LILLIAN] HOW DO YOU KNOW?
10
00:00:46,980 --> 00:00:48,882
[OLIVER] WO, WO, WO.
NO, COME ON.
11
00:00:48,948 --> 00:00:51,351
{\an5}[LILLIAN]
NO, THAT IS SUCH BULLSHIT
THAT YOU CAN DIE FROM THIS,
12
00:00:51,418 --> 00:00:53,019
IT'S ACTUALLY VERY
GOOD FOR YOUR SKIN.
13
00:00:53,086 --> 00:00:55,221
UP MY NOSE.
SHIT FOAM UP MY NOSE.
14
00:00:55,288 --> 00:00:58,358
[LILLIAN LAUGHS] IT REALLY
BOTHERS YOU, DOES IT?
15
00:00:58,425 --> 00:01:00,860
-WHAT?
-JUST A BIT OF FOAM,
16
00:01:00,927 --> 00:01:03,163
ON YOUR FACE RIGHT NOW.
17
00:01:03,229 --> 00:01:07,700
[OLIVER] WOULD YOU LIKE THAT.
[LAUGHTER]
18
00:01:07,767 --> 00:01:09,569
[MUSIC]
19
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{\an5}[OLIVER] ALRIGHT, GO ON THEN.
-[GILLIAN] IF YOU CAN'T
JUMP IN THE SEA
20
00:01:13,840 --> 00:01:15,875
{\an5}-[OLIVER] RIGHT.
-[LILLIAN] THEN WE'RE
GONNA GO FOR A QUICK RUN.
21
00:01:15,942 --> 00:01:18,978
[OLIVER] WAIT A MINUTE.
I'M COMING THERE NOW, RIGHT.
22
00:01:19,045 --> 00:01:21,047
-COME ON, SWEETHEART.
-I'M COMING.
23
00:01:21,114 --> 00:01:23,450
[LILLIAN] YOU CAN DO IT.
YOU CAN DO IT!
24
00:01:23,516 --> 00:01:24,417
[MUSIC]
25
00:01:25,285 --> 00:01:27,153
{\an5}-[OLIVER] ALRIGHT,
I'VE GOT IT.
-TAKE IT EASY.
26
00:01:27,220 --> 00:01:28,788
[OLIVER] I'VE GOT IT,
IT'S ALRIGHT.
27
00:01:28,855 --> 00:01:31,324
[OLIVER] YOU WON'T FALL,
LOOK AT ME, I'VE GOT THIS.
28
00:01:31,391 --> 00:01:33,259
-[LILLIAN] COME ON, OLIVER.
-ALRIGHT, IT'S JUST LIKE THAT.
29
00:01:33,326 --> 00:01:36,296
-WHAT ARE YOU DOING?
-I JUST SLIPPED.
30
00:01:37,397 --> 00:01:38,998
[OLIVER] CHEATER. LOOK.
31
00:01:39,065 --> 00:01:41,601
-IT'S SO BEAUTIFUL UP HERE.
-YEAH.
32
00:01:41,668 --> 00:01:42,569
AHH.
33
00:01:55,248 --> 00:01:57,350
-[GILLIAN] I LOVE LIVING HERE.
-[OLIVER CHUCKLES]
34
00:01:59,352 --> 00:02:03,056
IT'S JUST--
IT'S PERFECT FOR ME.
35
00:02:03,857 --> 00:02:05,959
I LOVE GETTING UP IN
THE MORNING AND BEING ABLE
36
00:02:06,025 --> 00:02:09,929
TO JUST COME OUT HERE,
SEE THIS,
37
00:02:09,996 --> 00:02:12,298
GO BACK HOME,
KEEP WRITING.
38
00:02:12,365 --> 00:02:15,835
-IT'S LIKE, IT'S THE DREAM.
-YEAH.
39
00:02:15,902 --> 00:02:19,005
I MEAN I KNOW THAT LIVING HERE
IS NOT FULL OF OPPORTUNITY,
40
00:02:19,072 --> 00:02:23,309
BUT IN TERMS OF BEING AN ARTIST,
AND IN TERMS OF ATMOSPHERE
41
00:02:23,376 --> 00:02:25,912
AND IN TERMS
OF INSPIRATION, THIS--
42
00:02:25,979 --> 00:02:28,748
THERE'S NOWHERE ELSE.
THERE'S NOWHERE ELSE FOR ME.
43
00:02:28,815 --> 00:02:31,484
NEW YORK, L.A.,
WHATEVER, THESE BIG CITIES,
44
00:02:31,551 --> 00:02:35,221
{\an5}THAT'S, THAT'S OF COURSE,
LONDON. THESE ARE
THE PLACES WHERE,
45
00:02:35,288 --> 00:02:37,123
YOU KNOW,
IF YOU REALLY WANT TO GET
46
00:02:37,190 --> 00:02:38,291
YOUR CAREER OFF THE GROUND
47
00:02:38,358 --> 00:02:40,894
BUT I'M NOT QUITE THERE YET.
48
00:02:40,960 --> 00:02:43,596
[OLIVER] LOTS OF PEOPLE WORK
OUT OF CARDIFF AS WELL.
49
00:02:43,663 --> 00:02:47,000
FIGURED YOU COULD COMMUTE
TO CARDIFF FROM HERE,
50
00:02:47,066 --> 00:02:48,735
YOU COULD STILL,
HAVE ALL OF THIS.
51
00:02:48,801 --> 00:02:49,702
YEAH.
52
00:02:54,407 --> 00:02:56,476
IT'S BRILLIANT FOR KIDS HERE.
53
00:02:56,543 --> 00:02:58,611
THAT'S MY ONLY
GRIPE WITH IT.
54
00:02:58,678 --> 00:03:00,980
IF I COULD CHANGE IT,
IT WOULD JUST BE,
55
00:03:01,047 --> 00:03:04,450
A FEW LESS
FAMILIES HERE, LESS KIDS.
56
00:03:05,485 --> 00:03:07,687
YOU KNOW, IT IS GETTING
A BIT CROWDED.
57
00:03:07,754 --> 00:03:10,557
[MUSIC]
58
00:03:39,319 --> 00:03:42,288
[GROANING]
59
00:04:02,308 --> 00:04:05,612
[MOAN]
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00:04:07,914 --> 00:04:10,350
[HUMMING]
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00:04:11,351 --> 00:04:13,353
[HAWKING]
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WHY? WHY? WHAT IS THE--
63
00:04:22,228 --> 00:04:24,430
-OH, GOD!
-WHAT THE HELL ARE YOU DOING?
64
00:04:24,497 --> 00:04:26,199
WHAT ARE YOU DOING? I'M JUST
CLEANING MY TEETH, BABE.
65
00:04:26,265 --> 00:04:28,534
WHY DO YOU HAVE TO
[MIMIC HUMMING].
66
00:04:28,601 --> 00:04:31,237
GOD, JUST DO IT NORMALLY.
67
00:04:31,304 --> 00:04:32,405
[MUMBLES]
68
00:04:32,472 --> 00:04:34,073
NO, IT'S JUST-- [SCREAMS]
69
00:04:34,140 --> 00:04:37,310
NO, NO, NO, NO,
DO NOT! NO!
70
00:04:37,377 --> 00:04:39,545
NO, NO, NO, NO, NO, NO.
71
00:04:41,914 --> 00:04:44,317
NO, I DON'T LIKE IT.
72
00:04:44,384 --> 00:04:47,587
-CAN YOU JUST CUDDLE ME? PLEASE.
-OKAY.
73
00:04:49,956 --> 00:04:52,525
-THAT'S NICE.
-YEAH?
74
00:04:52,592 --> 00:04:53,760
MMM.
75
00:04:58,464 --> 00:05:00,833
YOU TOLD MY MOTHER
TO FUCK OFF LAST NIGHT.
76
00:05:05,471 --> 00:05:10,276
{\an5}ALL I TOLD HER WAS THAT
WE NEEDED TO ESTABLISH SOME
BOUNDARIES, THAT'S ALL I SAID.
77
00:05:10,343 --> 00:05:14,313
[JANET] YEAH, BUT YOU'RE LATETHOUGH, WHAT'S THE HOLD UP FOR?
78
00:05:14,380 --> 00:05:16,616
-JANET, HI, SORRY. IT'S--
-[OLIVER] HERE WE GO.
79
00:05:16,683 --> 00:05:19,218
-HI, IT'S GILLIAN.
-[JANET] DID YOU BREAK DOWN?
80
00:05:19,285 --> 00:05:20,486
ARE YOU ON THE WAYOR WHAT'S THE--
81
00:05:20,553 --> 00:05:21,554
NO, WE'RE NOT LATE.
82
00:05:21,621 --> 00:05:22,789
I'M SORRY, WE'RE NOT COMING,
83
00:05:22,855 --> 00:05:24,223
DID HE NOT TELL YOU?
84
00:05:24,290 --> 00:05:25,491
[OLIVER] WHEN COULD I? I WAS--
85
00:05:25,558 --> 00:05:27,427
CAN YOU STOP CALLING MY HUSBAND
86
00:05:27,493 --> 00:05:29,362
AT THIS TIME OF NIGHT?
87
00:05:29,429 --> 00:05:31,197
NO, I KNOW WE'RE
NOT AT DINNER.
88
00:05:31,264 --> 00:05:33,566
I KNOW WE'RE NOT AT DINNER.
I KNOW IT'S NOT THAT LATE,
89
00:05:33,633 --> 00:05:36,102
BUT IT'S MY HUSBAND,
AND AT SOME POINT
90
00:05:36,169 --> 00:05:40,073
YOU NEED TO UNDERSTAND
THAT I'M THE WOMAN IN HIS LIFE
91
00:05:40,139 --> 00:05:44,610
{\an5}AND THAT SOMETIMES
I WANT, TO STAY HOME
WITH MY GROWN HUSBAND.
92
00:05:44,677 --> 00:05:46,345
WHY DON'T YOU JUST GIVE
ME THE PHONE BACK NOW.
93
00:05:46,412 --> 00:05:48,514
NO, NO, YOU'RE NOT GOING
TO SPEAK TO YOUR SON.
94
00:05:48,581 --> 00:05:51,818
THIS IS A SICK,
SICK RELATIONSHIP.
95
00:05:52,418 --> 00:05:54,253
YOU'RE GOING TO HAVE TO
SORT THAT OUT.
96
00:05:54,320 --> 00:05:56,589
THERE'S A SHIT STORM
COMING OF YOUR MAKING.
97
00:05:56,656 --> 00:05:58,491
OF ALL DAY YESTERDAY,
YOU WERE A BIT--
98
00:05:58,558 --> 00:06:00,393
LET'S BE HONEST,
YOU STARTED OFF.
99
00:06:00,460 --> 00:06:02,562
AND IT MIGHT HAVE
BEEN A BIT OF ME,
100
00:06:02,628 --> 00:06:07,166
BUT YOU WERE A BIT TOUCHY
WITH ALL THE BIN STUFF.
101
00:06:07,233 --> 00:06:08,634
DO YOU KNOW THAT, HOW EASY
102
00:06:08,701 --> 00:06:11,003
IT WOULD HAVE BEEN
FOR YOU TO JUST SAY
103
00:06:11,070 --> 00:06:15,675
{\an5}"THANKS, THANKS, GILLIAN,
THAT WAS SO NICE
OF YOU TO LET ME SLEEP IN
104
00:06:15,742 --> 00:06:18,377
AND TO TAKE OUT
THE TRASH FOR ME." I MEAN,
105
00:06:18,444 --> 00:06:22,548
"WOW, NEXT TIME,
YOU SLEEP IN, GILLIAN,
106
00:06:22,615 --> 00:06:26,385
YOU SLEEP IN
AND I'LL DO EVERYTHING ELSE."
107
00:06:26,452 --> 00:06:30,256
{\an5}-NO DON'T PULL THAT CARD ON ME
NOW. I HAVE TO WORK AT NIGHT.
-YEAH.
108
00:06:30,323 --> 00:06:32,258
{\an5}I'M REALLY SORRY,
THAT'S WHAT I HAVE TO DO,
BUT SOMETIMES
109
00:06:32,325 --> 00:06:34,393
{\an5}-I SLEEP IN.
-YEAH, AND THEN
I SAY YOU DO HAVE WORK
110
00:06:34,460 --> 00:06:35,928
BUT YOU DIDN'T HAVE
WORK LAST NIGHT.
111
00:06:35,995 --> 00:06:38,498
IF YOU'RE UP ALL NIGHT.
112
00:06:39,499 --> 00:06:41,801
DON'T EVEN, I DIDN'T EVEN--
IT WAS A--
113
00:06:41,868 --> 00:06:43,903
IT WAS GOING TO BE
A FUCKING SLAP IN THE HEAD.
114
00:06:43,970 --> 00:06:45,505
IT WAS A--
115
00:06:45,571 --> 00:06:47,840
WE BOTH SHOULD BE
DOING A BIGGER JOB RIGHT NOW.
116
00:06:47,907 --> 00:06:51,410
JOB? I THINK I'M THE ONE
WITH A JOB THOUGH, AIN'T I?
117
00:06:51,477 --> 00:06:53,713
I'M THE ONE WHO GOES OUT
AND EARNS MONEY.
118
00:06:53,780 --> 00:06:57,650
YES, YOU GET PAID
YOUR WHATEVER IT IS
119
00:06:57,717 --> 00:07:00,153
-100 QUID, I DON'T KNOW.
-150.
120
00:07:00,219 --> 00:07:01,821
{\an5}-150.
-150 MINIMUM.
WHAT AM I PAYING FOR?
121
00:07:01,888 --> 00:07:03,856
THE FOOD, THE ROOF
OVER OUR HEAD.
122
00:07:03,923 --> 00:07:05,758
NOT THE ROOF OVER
OUR HEAD, ARE YOU?
123
00:07:05,825 --> 00:07:09,028
WELL, NO, WELL, BILLS.
I'M PAYING FOR THE BILLS,
124
00:07:09,095 --> 00:07:11,798
{\an5}BUT ACTUALLY, YOU KNOW WHAT,
I KIND OF I'M PAYING FOR
THE ROOF OVER OUR HEAD,
125
00:07:11,864 --> 00:07:14,233
BECAUSE WHO DOES IT?
IT'S MY MOM.
126
00:07:14,300 --> 00:07:17,470
IT'S NOT YOUR MOM,
IT'S MY MOM.
127
00:07:17,537 --> 00:07:23,209
{\an5}IT IS A BIT WEIRD
THAT WE LIVE IN A ROOF
THAT YOUR MOM HAS PAID FOR.
128
00:07:23,276 --> 00:07:27,480
{\an5}YOU KNOW WHAT,
WHY DON'T WE JUST GO AND DO
OUR WORK THAT YOUR MOM GAVE US.
129
00:07:27,547 --> 00:07:32,518
{\an5}OKAY, SO I WOULD LIKE,
FIRST OF ALL,
EVERYONE OFF STAGE. OFF STAGE,
130
00:07:32,585 --> 00:07:35,254
BECAUSE I WANT TO START
FROM THE TOP. THAT WAY.
131
00:07:35,321 --> 00:07:37,523
-[TONYA] WHICH WAY?
-THAT WAY? YEAH.
132
00:07:37,590 --> 00:07:39,058
WHO PUT THE
FUCKING FLOWERS THERE?
133
00:07:39,125 --> 00:07:40,293
LOOK, IN THIS PLACE,
134
00:07:40,359 --> 00:07:41,694
RAN CASSIUS' DAGGER THROUGH.
135
00:07:41,761 --> 00:07:43,696
SEE WHAT A RANT THE
ENVIOUS CASCA MADE.
136
00:07:43,763 --> 00:07:47,266
-AND TONYA GO.
-LOVE IS MERELY A MADNESS.
137
00:07:47,333 --> 00:07:50,636
{\an5}-CRAIG, DON'T STOP. DON'T STOP.
-[TONYA] DO YOU
WANT ME TO STOP?
138
00:07:50,703 --> 00:07:54,140
{\an5}JUST LISTEN-- NO, I WANT YOU
GUYS TO KEEP GOING, JUST LISTEN
TO ME, JUST DO IT. JUST DO IT.
139
00:07:54,207 --> 00:07:55,842
{\an5}-TRUST ME,
I KNOW WHAT I'M DOING.
-[TONYA] AND, I TELL YOU,
140
00:07:55,908 --> 00:07:57,610
DESERVES AS WELL AS
A DARK HOUSE AND A WHIP
141
00:07:57,677 --> 00:07:59,912
THROUGH THIS THE WELL-BELOVED
142
00:07:59,979 --> 00:08:02,348
{\an5}[CROSS TALKING]
AND AS HE PLUCKED HIS CURSED
STEEL AWAY.
143
00:08:02,415 --> 00:08:04,283
MARK HOW THE BLOOD OF CAESAR
FOLLOWED IT,
144
00:08:04,350 --> 00:08:05,785
AS RUSHING OUT OF DOORS--
145
00:08:05,852 --> 00:08:08,454
WHAT ARE YOU DOING THERE?
WHAT ARE YOU READING?
146
00:08:08,521 --> 00:08:10,790
[CRAIG] IT'S JUST JULIUS CAESAR,
BUT THIS IS UTTERLY POINTLESS
147
00:08:10,857 --> 00:08:12,925
'COS YOU CAN'T HEAR US ALL
AT THE SAME TIME, CAN YOU?
148
00:08:12,992 --> 00:08:15,494
{\an5}NO, BUT THAT'S THE POINT.
I DON'T WANT TO HEAR
YOU ALL AT THE SAME TIME.
149
00:08:15,561 --> 00:08:18,631
{\an5}I WANT TO HEAR THE AMBIANCE
OF THE SOUND.
IT'S A WARM-UP FOR ME,
150
00:08:18,698 --> 00:08:20,499
IT'S A WARM-UP FOR ME, OKAY?
I JUST GOT IN HERE.
151
00:08:20,566 --> 00:08:22,702
{\an5}[TONYA] YOU SHOULD
HAVE WARMED UP BEFORE YOU CAME
TO REHEARSAL JUST LIKE I DID.
152
00:08:22,768 --> 00:08:24,437
ARE YOU SAYING TO ME
WHAT I SHOULD HAVE DONE?
153
00:08:24,503 --> 00:08:25,872
WHAT'S WITH EVERYONE
BEING SO FUCKING
154
00:08:25,938 --> 00:08:28,908
AGGRESSIVE THIS MORNING?
I DON'T UNDERSTAND.
155
00:08:28,975 --> 00:08:31,878
{\an5}WHAT HAPPENED
TO EVERYONE THIS MORNING.
I WAS FINE!
156
00:08:32,478 --> 00:08:35,214
YOU KNOW WHAT, IF YOU DON'T WANT
TO LISTEN TO ME, THEN DON'T.
157
00:08:35,281 --> 00:08:37,116
DO WHAT YOU THINK IT SHOULD BE
AND I'LL WATCH.
158
00:08:39,886 --> 00:08:43,322
FROM WOMEN'S EYES
THIS DOCTRINE I DERIVE
159
00:08:43,389 --> 00:08:49,161
THEY SPARKLE STILL THE RIGHT
PROMETHEAN FIRE; [LAUGHS].
160
00:08:49,228 --> 00:08:50,429
HI.
161
00:08:50,496 --> 00:08:53,566
HI, I'M RACHEL, OH, MY GOD.
162
00:08:53,633 --> 00:08:56,235
SORRY, WE DON'T HAVE
THE SPACE FOR ANOTHER ACTOR.
163
00:08:56,302 --> 00:08:59,572
{\an5}[OLIVER] NO, THAT'S RACHEL.
IT'S NOT ANOTHER ACTOR,
IT'S RACHEL, ISN'T IT?
164
00:08:59,639 --> 00:09:01,807
IT'S NOT ONE OF THOSE--
COME YOU, CARRY ON.
165
00:09:01,874 --> 00:09:02,909
HI.
166
00:09:02,975 --> 00:09:04,911
COME HERE.
GO ON, DO IT.
167
00:09:04,977 --> 00:09:06,112
[LAUGHTER]
168
00:09:07,914 --> 00:09:10,349
-[RACHEL] HOW ARE YOU?
-[OLIVER] I'M GOOD, HOW ARE YOU?
169
00:09:10,416 --> 00:09:11,584
-REALLY GOOD.
-I CAN'T BELIEVE THIS.
170
00:09:11,651 --> 00:09:13,586
[GILLIAN] SORRY,
I THOUGHT THAT YOU
171
00:09:13,653 --> 00:09:17,723
{\an5}WERE AN ACTOR
BECAUSE YOU WERE ON THE STAGE
AND I WAS LIKE "OH".
172
00:09:17,790 --> 00:09:19,859
SORRY, WE GO BACK.
173
00:09:19,926 --> 00:09:22,862
{\an5}-WE DO.
-AND WE USED TO DO THIS
SHAKESPEARE THING AT SCHOOL.
174
00:09:22,929 --> 00:09:24,864
{\an5}-DO YOU REMEMBER WHEN
WE HAD TO PAIR UP...
-OF COURSE I DO
175
00:09:24,931 --> 00:09:26,699
-AND DO THE SPEECH AND I JUST...
-OF COURSE!
176
00:09:26,766 --> 00:09:28,701
THOUGHT IT WOULD
BE A FUNNY THING.
177
00:09:28,768 --> 00:09:30,870
SO I JUST GOT UP THERE
AND IT'S QUITE SCARY
178
00:09:30,937 --> 00:09:32,872
WHEN YOU HAVE ALL THE
LIGHTS ON YOU AND STUFF.
179
00:09:32,939 --> 00:09:36,142
YEAH, WELL, THAT'S WHY YOU
HAVE TO BE TRAINED AS AN ACTOR.
180
00:09:37,576 --> 00:09:39,879
GUYS, I'M REALLY SORRY,
I KNOW, THIS ONE--
181
00:09:39,946 --> 00:09:42,548
I DID NOT FORESEE THIS.
182
00:09:42,615 --> 00:09:44,583
AND, YEAH I'M SURE
YOU'RE REALLY GOOD
183
00:09:44,650 --> 00:09:49,488
{\an5}-AND I'D LOVE TO HEAR--
-FROM WOMEN'S EYES
THIS DOCTRINE I DERIVE,
184
00:09:49,555 --> 00:09:53,626
TO SPARKLE STILL THE
GREAT PROMETHEAN FIRE.
185
00:09:53,693 --> 00:09:56,429
-[OLIVER] WOW!
-WE'RE NOT DOING THAT ONE NOW.
186
00:09:56,495 --> 00:09:57,730
WE'RE NOT DOING THAT ONE.
187
00:09:57,797 --> 00:09:58,898
RIGHT, I'M SORRY, GUYS.
188
00:09:58,965 --> 00:10:00,399
I'M SO SORRY,
THIS IS THE DAY.
189
00:10:00,466 --> 00:10:02,201
THE PAID ONES, THEY'RE LIKE,
190
00:10:02,268 --> 00:10:04,870
STOOD THERE, LIKE READING IT.
SHE DIDN'T EVEN HAVE A BOOK
191
00:10:04,937 --> 00:10:07,306
{\an5}-AND SHE KNEW IT ALL,
WHEN SHE CAME ON...
-STOP THAT NOW!
192
00:10:07,373 --> 00:10:09,942
{\an5}-WHAT?
-WHY DON'T WE JUST GO
AND CALL THAT RACHEL NOW.
193
00:10:10,009 --> 00:10:12,411
WE GO AND TAKE A PICTURE OF HER
AND BLOW IT OUT REALLY BIG
194
00:10:12,478 --> 00:10:14,914
AND I'LL PRINT LIKE,
FIVE FUCKING THOUSANDS OF THEM.
195
00:10:14,981 --> 00:10:18,017
AND WE JUST HAVE RACHEL
BE THE POSTER!
196
00:10:18,084 --> 00:10:19,952
AND THEN WE JUST PUT
SHAKESPEARE OVER AND
197
00:10:20,019 --> 00:10:21,721
IT'S JUST RACHEL IT'LL BE LIKE--
198
00:10:21,787 --> 00:10:22,855
YOU KNOW, AND THEN
UNDERNEATH
199
00:10:22,922 --> 00:10:24,023
I PUT-- WE JUST PUTTING
200
00:10:24,090 --> 00:10:26,325
A TINY, TINY, TINY, BIT LITTLE
201
00:10:26,392 --> 00:10:29,328
GIVE ME A LITTLE CORNER
THAT SAYS "BY GILLIAN".
202
00:10:29,395 --> 00:10:32,898
{\an5}BY GILLIAN BLAH BLAH,
I'M JUST LIKE
"FUCK MY LAST NAME. FUCK IT."
203
00:10:32,965 --> 00:10:34,900
SHALL I LET IT FALL OFF THE END.
I THINK SHE'LL LOOK GREAT.
204
00:10:34,967 --> 00:10:35,968
NOW YOU'RE JUST TAKING THE PISS
205
00:10:36,035 --> 00:10:37,636
I WAS TRYING TO HELP THEN,
206
00:10:37,703 --> 00:10:39,105
JUST SELLING
TICKETS FOR YOUR THING.
207
00:10:40,039 --> 00:10:41,974
YOU WERE PROBABLY DROPPING
BOMBS YESTERDAY, WEREN'T YOU?
208
00:10:42,041 --> 00:10:43,943
"EVERYTHING'S GOING ALRIGHT
LET'S HAVE A CHAT WITH MY DAD."
209
00:10:44,010 --> 00:10:45,811
"HE'S COOL BECAUSE HE IS."
210
00:10:45,878 --> 00:10:49,682
YOU HAVE A GO AT MY MOM
WITH THAT STAB ME.
211
00:10:49,749 --> 00:10:51,717
JIMMY, DID YOU MEET RACHEL?
212
00:10:51,784 --> 00:10:53,052
[GROANING]
213
00:10:53,119 --> 00:10:55,154
[CHATTERING]
214
00:10:55,221 --> 00:10:56,989
DARLING DAVID.
215
00:10:57,056 --> 00:11:02,294
WE'RE SO FULL TONIGHT. I HATE
TO BE THE BEARER OF BAD NEWS.
216
00:11:02,361 --> 00:11:03,896
-I'M SO PROUD.
-[GILLIAN] OLLIE, I'M DYING!
217
00:11:03,963 --> 00:11:05,498
YOU'VE DONE SOMETHING REALLY
IMPORTANT
218
00:11:05,564 --> 00:11:07,299
AND SPECIAL, AND MEANINGFUL.
219
00:11:07,366 --> 00:11:09,535
[JANET] ANY MOTHER-IN-LAW
WOULD BE PROUD OF YOU.
220
00:11:09,602 --> 00:11:10,603
[JANET] YEAH.
221
00:11:10,669 --> 00:11:14,607
[CRIES IN AGONY]
222
00:11:14,673 --> 00:11:16,609
HOLD YOUR WIFE.
223
00:11:16,675 --> 00:11:19,678
-IS SHE OKAY?
-I DON'T KNOW IF SHE'S OKAY.
224
00:11:19,745 --> 00:11:21,981
[GILLIAN] IF YOU WON'T
HELP ME...
225
00:11:22,681 --> 00:11:24,583
[GROANS]
226
00:11:24,650 --> 00:11:26,218
[RACHEL] I'LL SAVE YOU, GILLIAN.
227
00:11:26,285 --> 00:11:27,686
SHE'S KILLING HERSELF.
228
00:11:27,753 --> 00:11:28,821
[GILLIAN LAUGHS]
229
00:11:28,888 --> 00:11:30,823
OH NO, SHE'S DYING.
230
00:11:31,824 --> 00:11:36,295
I LOVED YOU.
ALL I DID WAS LOVE YOU.
231
00:11:36,362 --> 00:11:40,399
HER GUTS ARE ON THE FLOOR,
LET'S PUT THEM BACK IN. SORRY.
232
00:11:40,466 --> 00:11:46,972
{\an5}I'M SORRY.
I WAS NOT DOING THAT.
I WAS JUST BEING STUPID.
233
00:11:47,039 --> 00:11:49,008
{\an5}-A BIT OF A DRAMA QUEEN,
ISN'T SHE?
-IT'S WHAT SHE DOES.
234
00:11:49,075 --> 00:11:51,377
-BUT SHE LOVES IT.
-YEAH, SHE DOES, SHE LOVES IT,
235
00:11:51,444 --> 00:11:53,846
{\an5}-BUT SHE'S DONE
ALL OF THIS, MIND.
-DID SHE?
236
00:11:53,913 --> 00:11:56,315
-YEAH, SHE DID ALL OF THAT.
-HELLO, HOW ARE YOU?
237
00:11:56,382 --> 00:11:57,716
[OLIVER] COME IN HERE
AND DOING HER THING.
238
00:11:57,783 --> 00:11:58,751
OLLIE'S FATHER.
239
00:11:58,818 --> 00:11:59,785
ARE YOU AROUND TONIGHT
240
00:11:59,852 --> 00:12:01,620
TO COME AROUND FOR DINNER?
241
00:12:01,687 --> 00:12:03,622
DAVID, ARE WE AROUND TONIGHT?
242
00:12:03,689 --> 00:12:05,524
CAN WE GO TO
CLARA AND DICKS
243
00:12:05,591 --> 00:12:06,892
WITH HER AND THE REST
OF THE FAMILY?
244
00:12:06,959 --> 00:12:08,761
-OH.
-WE'RE DOING RIBS.
245
00:12:08,828 --> 00:12:10,162
-[DAVID] WHO?
-RIBS.
246
00:12:10,229 --> 00:12:12,298
OH RIBS, SORRY,
THANK YOU VERY MUCH.
247
00:12:12,364 --> 00:12:13,766
ARE YOU COMING, OLLIE POP?
248
00:12:13,833 --> 00:12:15,801
OH!
OH YEAH, I'M GOING.
249
00:12:15,868 --> 00:12:17,870
-AH, GOOD, GOOD.
-YEAH.
250
00:12:17,937 --> 00:12:18,771
THANK GOD FOR THAT.
251
00:12:18,838 --> 00:12:19,772
AND THEN MAKE ME
252
00:12:19,839 --> 00:12:21,107
NOT GO TO THAT MEAL?
253
00:12:21,874 --> 00:12:23,409
YOU WERE, YOU STOPPED ME.
254
00:12:23,476 --> 00:12:26,378
ARE YOU-- "MAKING YOU
NOT GO TO THAT MEAL"?
255
00:12:26,445 --> 00:12:29,181
-WE'VE GOT TO SELL SOME TICKETS.
-YOU SAID SORRY TO ME.
256
00:12:29,248 --> 00:12:31,684
{\an5}-I DID.
-YOU SAID SORRY
AND THEN IT WAS SO NICE THAT
257
00:12:31,750 --> 00:12:33,085
WE DECIDED TO STAY IN.
AND WE STAYED--
258
00:12:33,152 --> 00:12:36,388
YOU OFFERED TO STAY,
I'M MAKING YOU GO.
259
00:12:36,455 --> 00:12:38,791
SUDDENLY, WE'RE RIGHT
BACK HERE, AREN'T WE?
260
00:12:38,858 --> 00:12:39,892
WE'RE RIGHT BACK.
261
00:12:39,959 --> 00:12:41,594
LOTS OF PEOPLE KNOW HER.
262
00:12:41,660 --> 00:12:45,831
CAN YOU STOP?
PLEASE STOP THIS, OKAY?
263
00:12:45,898 --> 00:12:48,400
IT IS NOT COOL THAT YOU
MAKE THIS WHOLE THING
264
00:12:48,467 --> 00:12:49,768
ABOUT MOTHERFUCKING RACHEL.
265
00:12:49,835 --> 00:12:51,370
[PHONE RINGING]
266
00:12:55,307 --> 00:12:56,942
MIKE.
267
00:12:58,544 --> 00:13:00,946
[MIKE] THE SHAKESPEAREEXTRAVAGANZA IS OFF.
268
00:13:01,013 --> 00:13:03,883
-WHAT DO YOU MEAN OFF?
-WE'VE HAD SOME SERIOUS HEALTH
269
00:13:03,949 --> 00:13:07,486
{\an5}AND SAFETY ISSUESAT THE THEATER TODAY.THE THEATER IS CLOSED,
270
00:13:07,553 --> 00:13:09,755
I'M UP TO MY FUCKINGEYEBALLS HERE, MATE.
271
00:13:09,822 --> 00:13:13,626
OKAY, BEFORE YOU SAY THE THEATER
IS-- BEFORE YOU ALL GET ALL--
272
00:13:13,692 --> 00:13:17,930
{\an5}"THE THEATER IS CLOSED,"
HOW LONG IS IT GOING
TO TAKE TO FIX IT?
273
00:13:17,997 --> 00:13:23,135
{\an5}[MIKE] GOD, WE'RE TALKINGABOUT AT LEAST TWO,THREE WEEKS MINIMUM.
274
00:13:23,202 --> 00:13:26,005
{\an5}THREE WEEKS.
SEE, HE'S PROBABLY GOING
TO SHOW IN FOUR DAYS, MATE.
275
00:13:26,071 --> 00:13:29,608
-BUT YOU CAN'T--
- HOLD UP, WHAT?
276
00:13:29,675 --> 00:13:34,046
{\an5}I'M NOT PUTTING THE LIVESOF THE PUBLIC AT RISK.I'M SORRY, BUT THIS IS IT.
277
00:13:34,113 --> 00:13:36,749
{\an5}-I'M GOING TO JUMP
IN THE VAN NOW.
-SHIT, YEAH.
278
00:13:36,815 --> 00:13:38,150
I'M UP TO MYANKLES IN SHIT.
279
00:13:38,217 --> 00:13:40,553
-OH, MY GOD!
-I CAN'T COME THERE.
280
00:13:40,619 --> 00:13:43,055
{\an5}OF COURSE
YOU CAN, I CAN'T GET THERE
YOU GOT TO DRIVE ME DOWN THERE.
281
00:13:43,122 --> 00:13:44,990
I DIDN'T REALIZE WHAT TIME
IT IS, I HAVE A MEETING.
282
00:13:45,057 --> 00:13:46,492
GILLIAN'S GOING TO DRIVE ME
283
00:13:46,559 --> 00:13:48,093
-DOWN THERE NOW IN THE VAN
-BUT I HAVE... HAVE...
284
00:13:48,160 --> 00:13:49,762
I'LL SPEAK TO YOU
IN A MINUTE, OKAY?
285
00:13:49,828 --> 00:13:51,063
OKAY, ON THE WAY, ON THE WAY.
286
00:13:51,130 --> 00:13:53,866
OKAY, I'M GOING.
BYE. COME ON.
287
00:13:53,933 --> 00:13:55,634
I'M NOT DRIVING YOU
DOWN THERE NOW.
288
00:13:55,701 --> 00:13:56,869
I ACTUALLY DO HAVE A MEETING.
289
00:13:56,936 --> 00:13:58,003
SCHEDULE IT AGAIN. CHANGE IT.
290
00:13:58,070 --> 00:13:59,138
I'VE BEEN PREPARING FOR THIS.
291
00:13:59,205 --> 00:14:00,773
I'VE ALREADY REDRAFTED THE PLAY,
292
00:14:00,839 --> 00:14:02,908
FOR THIS VERY MEETING.
I HAVE TO GO.
293
00:14:02,975 --> 00:14:04,643
THERE'S SEWAGE SEEPING
294
00:14:04,710 --> 00:14:05,811
ALL THROUGH THE PLACE.
295
00:14:05,878 --> 00:14:07,146
SEEPAGE WERE THE WORDS HE SAID.
296
00:14:07,213 --> 00:14:08,881
-YES.
-IT'S GOING TO BE EVERYWHERE,
297
00:14:08,948 --> 00:14:10,816
-SO WE CAN'T REALLY JUST--
-I'M GOING.
298
00:14:10,883 --> 00:14:13,052
NO, YOU CAN'T JUST GO LIKE THAT.
WHERE DO YOU THINK YOU'RE GOING?
299
00:14:13,118 --> 00:14:16,188
COME ON!
WHAT ARE THEY GONNA--
300
00:14:16,255 --> 00:14:18,057
HOW I'M I GOING TO
GET DOWN THERE NOW?
301
00:14:19,825 --> 00:14:21,594
YOU'RE GOING TO LEAVE
ME HERE LIKE THIS?
302
00:14:21,660 --> 00:14:24,129
{\an5}[ENGINE STARTS]
HOW I'M I GOING TO
GET TO MIKE'S?
303
00:14:24,196 --> 00:14:26,165
{\an5}-SORRY?
-ARE YOU SERIOUSLY
JUST GOING TO LEAVE ME
304
00:14:26,232 --> 00:14:28,033
{\an5}-HERE NOW, KNOWING YOU'RE
JUST GOING TO LEAVE NOW?
-YEAH.
305
00:14:28,100 --> 00:14:29,902
{\an5}-YOU'RE JUST GOING
TO DRIVE AWAY NOW?
-YEAH.
306
00:14:29,969 --> 00:14:32,071
-BUT I LOVE YOU.
-WHAT? YOU'VE GOT TO BE--
307
00:14:33,772 --> 00:14:34,873
SHE'S BUT--
308
00:14:34,940 --> 00:14:36,408
[MUSIC]
309
00:14:38,777 --> 00:14:39,878
YOU--
310
00:14:39,945 --> 00:14:41,380
[SOFT MUSIC]
311
00:14:55,995 --> 00:14:57,896
OLL? WHAT?
312
00:14:57,963 --> 00:15:00,032
[CHUCKLES] I DON'T KNOW.
313
00:15:01,300 --> 00:15:05,804
I'VE BEEN WALKING LIKE--
AND YOU JUST BEEN--
314
00:15:05,871 --> 00:15:07,039
SITTING.
315
00:15:07,106 --> 00:15:08,874
-HI. [LAUGHS]
-HIYA.
316
00:15:08,941 --> 00:15:11,210
-HI, HI YOU.
-HI.
317
00:15:11,277 --> 00:15:13,746
-LOOK I'M--
-YOU'RE SO FUNNY.
318
00:15:13,812 --> 00:15:15,281
I JUST WANT TO SAY
TO YOU STRAIGHT AWAY
319
00:15:15,347 --> 00:15:17,149
I'M SO SORRY
320
00:15:17,216 --> 00:15:19,218
THAT WE COULDN'T MAKE IT
LAST NIGHT. I'M SO SORRY.
321
00:15:19,285 --> 00:15:24,223
{\an5}-NOT COOL.
-I KNEW IT WAS GOING TO
BE NOT COOL, BUT AS WELL.
322
00:15:24,290 --> 00:15:28,427
ONE COOKS AND SHOPS
AND CHOPS AND MARINADES, AND...
323
00:15:29,995 --> 00:15:31,030
SIX HOURS.
324
00:15:31,096 --> 00:15:33,432
DELICIOUS STICKY BARBECUE SAUCE.
325
00:15:34,166 --> 00:15:35,868
I'M JOKING. [LAUGHS]
326
00:15:35,934 --> 00:15:37,903
I DON'T GIVE A FUCK.
I'M JOKING.
327
00:15:37,970 --> 00:15:39,104
-OH, REALLY?
-YOU BELIEVED ME.
328
00:15:39,171 --> 00:15:40,973
I DID, I TOTALLY DID
329
00:15:41,040 --> 00:15:43,108
BELIEVE YOU AS WELL, YEAH, WOW.
330
00:15:43,175 --> 00:15:45,744
WHOA, OKAY, SO
WE'RE OKAY, YEAH?
331
00:15:45,811 --> 00:15:46,812
-WE'RE FINE.
-WE'RE GOOD TO FORGET.
332
00:15:46,879 --> 00:15:49,081
WE MISSED YOU AND GILLIAN.
333
00:15:49,148 --> 00:15:52,184
I DID A LITTLE THING FOR HER.
334
00:15:52,251 --> 00:15:53,319
DID YOU?
335
00:15:54,320 --> 00:15:57,756
{\an5}-IT'S TOO KEEN, ISN'T IT?
-NO, IT'S JUST KIND OF,
YOU KNOW.
336
00:15:57,823 --> 00:15:59,124
IT'S FINE.
337
00:15:59,191 --> 00:16:01,593
SHE'S HARD NUT TO CRACK,
ISN'T SHE?
338
00:16:01,660 --> 00:16:06,031
NO, NOT THAT, YOU CAME INTO
A SLIGHTLY TENSE ENVIRONMENT.
339
00:16:06,098 --> 00:16:08,233
I KNOW YOU'RE A BIT WORRIED
ABOUT IT, BUT GILLIAN
340
00:16:08,300 --> 00:16:11,403
WE WERE TALKING ABOUT YOU,
YOU FANTASTICALLY RUN THE STAGE.
341
00:16:11,470 --> 00:16:14,239
YEAH, YOU WERE IN A BUNCH
OF PROFESSIONAL ACTORS
342
00:16:14,306 --> 00:16:16,342
AND YOU JUST KIND OF,
343
00:16:16,408 --> 00:16:20,145
{\an5}-ENTERED AND NATURALLY
HAVE A FEEL FOR THE LANGUAGE.
-STOP IT.
344
00:16:20,212 --> 00:16:21,847
YEAH, IT'S JUST THAT
GILLIAN HAS EVEN MENTIONED
345
00:16:21,914 --> 00:16:23,816
ABOUT YOU MAYBE KIND OF
346
00:16:23,882 --> 00:16:25,951
ON A POSTER
OR SOMETHING IF WE COULD--
347
00:16:26,018 --> 00:16:27,386
OKAY, YOU'RE TAKING
THE MICK NOW.
348
00:16:27,453 --> 00:16:29,688
I WISH I WAS,
BUT I'M NOT. THAT WAS ALL HER.
349
00:16:29,755 --> 00:16:31,290
{\an5}-BECAUSE I'VE ALWAYS
THOUGHT ABOUT IT.
-IT WAS ALL HER.
350
00:16:31,357 --> 00:16:32,591
WE WERE TALKING ABOUT IT.
351
00:16:32,658 --> 00:16:33,892
FROM WOMEN'S EYES
352
00:16:33,959 --> 00:16:36,628
THIS DOCTRINE I DERIVE
353
00:16:36,695 --> 00:16:41,934
{\an3}TO SPARKLE STILL THE
RIGHT PROMETHEAN FIRE.
354
00:16:42,000 --> 00:16:44,603
HARK, WHAT IS THAT I HEAR?
355
00:16:44,670 --> 00:16:46,839
GILLIAN'S MEN ARE SLAYING?
356
00:16:46,905 --> 00:16:49,274
I MUST GO
IN THE MIDDLE OF THE NIGHT
357
00:16:49,341 --> 00:16:51,944
AND SEEK FOR ALL OF US COMFORT.
358
00:16:52,010 --> 00:16:55,614
LOOK, I'M REALLY SORRY,
BUT I'VE GOT TO GO.
359
00:16:55,681 --> 00:16:57,883
{\an5}-OH, YEAH.
-I'M SORRY, I'M NOT GOING
TO ALWAYS DO THIS TO YOU,
360
00:16:57,950 --> 00:16:59,852
BUT I'VE GOT TO GET
TO THE PAVILION.
361
00:16:59,918 --> 00:17:02,254
{\an5}-I'LL WALK WITH YOU.
-ARE YOU SURE?
I DON'T WANT TO FORCE YOU TO GO.
362
00:17:02,321 --> 00:17:04,256
-NO, NO. I WAS GOING THAT WAY.
-YEAH?
363
00:17:04,323 --> 00:17:06,625
{\an5}YEAH, YEAH.
IT IS SO NICE TO SEE YOU.
[PHONE RINGING]
364
00:17:06,692 --> 00:17:08,927
[VOICE MAIL] HELLO, YOU'VE GOTTHROUGH TO OLIVER'S PHONE,
365
00:17:08,994 --> 00:17:12,097
PLEASE LEAVE A MESSAGEAFTER THE TONE.
366
00:17:13,165 --> 00:17:15,834
HI, OLLIE, IT'S GILLIAN.
367
00:17:15,901 --> 00:17:20,906
I GOT HERE IN ONE PIECE, AND...
368
00:17:21,573 --> 00:17:26,378
LISTEN, I'M SORRY FOR THE WAY
EVERYTHING JUST WENT DOWN.
369
00:17:26,445 --> 00:17:28,480
I WAS JUST TOO NERVOUS
ABOUT THIS MORNING
370
00:17:28,547 --> 00:17:31,016
AND I SHOULD HAVE BEEN
MORE COMMUNICATIVE.
371
00:17:31,617 --> 00:17:33,185
I WISH I COULD GET YOU
ON THE PHONE.
372
00:17:33,252 --> 00:17:36,989
I WAS THINKING
ABOUT THE SHOW,
373
00:17:37,055 --> 00:17:42,428
{\an5}AND I THOUGHT MAYBE
WHAT IF WE JUST CHANGED
THE VENUE OR LIKE PUSH IT BACK?
374
00:17:42,494 --> 00:17:44,763
I MEAN THESE KINDS
OF THINGS HAPPEN.
375
00:17:44,830 --> 00:17:48,066
I MEAN, THIS IS NOT THE END,
THE BE-ALL END-ALL.
376
00:17:48,133 --> 00:17:52,137
AND, ANYWAY, LET ME KNOW
WHAT YOU THINK
377
00:17:52,204 --> 00:17:59,344
AND I LOVE YOU AND CALL
ME LATER. OKAY, BYE.
378
00:18:01,213 --> 00:18:03,248
[CHEERFUL MUSIC]
379
00:18:08,053 --> 00:18:12,691
{\an5}-CAN I SHOW YOU SOMETHING?
IT STARTED GROWING.
-YOU HAVE AS WELL.
380
00:18:12,758 --> 00:18:14,193
I HAVE.
381
00:18:14,259 --> 00:18:17,329
IT DOES--
-DID YOU JUST SNIFF YOUR ARMPIT?
382
00:18:17,396 --> 00:18:20,365
DID YOU JUST [SNIFFS]
YOUR OWN ARMPIT?
383
00:18:20,432 --> 00:18:22,367
DON'T YOU FIND
IT SORT OF SEXY?
384
00:18:38,484 --> 00:18:40,919
NO, YOU DON'T
HAVE TO DO THAT.
385
00:18:40,986 --> 00:18:42,221
WHY? WHAT?
386
00:18:42,287 --> 00:18:43,755
IT'S ALRIGHT,
YOU DON'T HAVE TO.
387
00:18:43,822 --> 00:18:45,157
COME BACK UP HERE.
388
00:18:46,024 --> 00:18:47,993
SORRY, IT DOESN'T WORK FOR ME.
389
00:18:48,794 --> 00:18:52,331
{\an5}-OKAY. YEAH.
-ALRIGHT, I DON'T--
IT'S NOT YOU.
390
00:18:52,397 --> 00:18:55,033
{\an5}I JUST DON'T,
YOU KNOW I DON'T--
ANYONE, NOT WITH ANYONE.
391
00:18:55,100 --> 00:18:57,436
-I JUST DON'T--
-I'M NOT-- I JUST DON'T.
392
00:18:59,571 --> 00:19:01,440
[CHEERFUL MUSIC]
393
00:19:04,843 --> 00:19:07,246
[MOANS]
394
00:19:07,980 --> 00:19:11,149
{\an5}NO, DON'T COME IN.
DON'T COME IN.
YOU ARE NOT COMING IN.
395
00:19:11,216 --> 00:19:13,585
{\an5}-THE WHOLE THING'S FUCKED UP.
-YEAH, BUT IT'S
GOING TO BE ALRIGHT.
396
00:19:13,652 --> 00:19:15,754
{\an5}-NO.
-WE'VE GOT FOUR DAYS, SO THAT'S
GOING TO BE PLENTY OF TIME.
397
00:19:15,821 --> 00:19:17,256
IT'S NOT GOING TO BE
ALRIGHT FOR WEEKS.
398
00:19:17,322 --> 00:19:18,557
CAN I HAVE A LOOK?
399
00:19:18,624 --> 00:19:20,592
YOU DON'T WANT TO SEE.
LOOK, LOOK.
400
00:19:20,659 --> 00:19:22,861
{\an5}-I DO WANT--
-JUST CANCEL IT. YOU'RE GONNA
HAVE TO DO
401
00:19:22,928 --> 00:19:26,164
{\an5}YOUR SHAKESPEARE
SOMEWHERE ELSE.
IT'S OFF, IT'S NOT MY PROBLEM.
402
00:19:26,231 --> 00:19:30,135
{\an5}THIS JUST SEEMS LIKE
SUCH A SHAME REALLY, BECAUSE
YOU PUT SO MUCH WORK INTO THIS.
403
00:19:30,202 --> 00:19:34,540
THAT'S ONE OF THE THINGS YOU
DO HAVE, YOU HAVE A GREAT SHOW,
404
00:19:34,606 --> 00:19:37,910
YOU HAVE A
405
00:19:37,976 --> 00:19:41,413
TALENTED DIRECTOR,
YOU HAVE PEOPLE WHO ARE COMING.
406
00:19:41,480 --> 00:19:44,883
{\an5}-WHAT YOU'RE MISSING IS A VENUE.
-YEAH, WE HAVEN'T
GOT THAT ANYMORE, HAVE WE?
407
00:19:44,950 --> 00:19:47,553
{\an5}-THAT'S WHAT WE'VE
NOT GOT, IS THAT.
-WHY DON'T I CALL MY DAD AND SEE
408
00:19:47,619 --> 00:19:52,291
IF WE CAN GET LIKE SOME
SORT OF TEMPORARY STRUCTURE OR
409
00:19:52,357 --> 00:19:54,026
SOME SORT OF, I DON'T KNOW,
410
00:19:54,092 --> 00:19:56,361
UHM, MARQUEE OR SOMETHING.
411
00:19:59,565 --> 00:20:01,366
A MARQUEE WOULD WORK,
COULDN'T IT?
412
00:20:03,402 --> 00:20:06,371
-[JERRY] THIS IS IT.
-OH, MY GOD.
413
00:20:06,438 --> 00:20:09,241
-MY WOMAN CAVE.
-WOW!
414
00:20:09,308 --> 00:20:11,510
-INCREDIBLE, ISN'T IT.
-GOD, IT'S AMAZING.
415
00:20:11,577 --> 00:20:15,414
{\an5}IT'S AMAZING.
IT GIVES ME VERTIGO
JUST LOOKING AT IT.
416
00:20:15,480 --> 00:20:17,449
{\an1}I MEAN, WE CAN HAVE ABOUT
FIVE MINUTES HERE.
417
00:20:17,516 --> 00:20:20,919
THANKS, YEAH, I'D LOVE THAT.
[YELLS] OH, MY GOD.
418
00:20:20,986 --> 00:20:25,591
{\an5}I KNOW, IT'S AMAZING.
[HOWLS] OH, MY GOD,
THE SOUND IS SO GOOD.
419
00:20:25,657 --> 00:20:27,192
I KNOW.
420
00:20:27,259 --> 00:20:30,128
[SINGING]
421
00:20:30,195 --> 00:20:33,165
[LAUGHS] YOU'D HAVE
TO BE A TRAINED SINGER
422
00:20:33,231 --> 00:20:35,133
TO MAKE THAT SOUND
GOOD, BUT [SCREAMS].
423
00:20:35,200 --> 00:20:37,502
HOO!
IT'S FUN, ISN'T IT?
424
00:20:37,569 --> 00:20:39,638
[HOWLS]
425
00:20:42,507 --> 00:20:46,745
NO, BUT JUST HOLD ON.
[HOWLS] YEAH.
426
00:20:46,812 --> 00:20:49,815
-YEAH.
-YEEHAW!
427
00:20:49,881 --> 00:20:51,583
[LAUGHTER]
428
00:20:52,250 --> 00:20:55,087
-DON'T TOUCH THAT.
-NO, I WASN'T ACTUALLY.
429
00:20:55,153 --> 00:21:00,125
{\an5}IT'S SORT OF GREASEPROOF.
IF YOU'RE WORRIED
ABOUT HOW FAR BACK IT GOES
430
00:21:00,192 --> 00:21:03,462
{\an5}-IT GOES BACK A FUCK UP
A LONG WAY.
-RIGHT, YEAH.
431
00:21:03,528 --> 00:21:07,032
{\an5}THEIR APARTMENT, I THINK IS
GOING TO BE ON THIS SIDE
AND THEN TO THE LEFT OF IT
432
00:21:07,099 --> 00:21:09,534
IS GOING TO BE, YOU KNOW,
EVERYTHING ELSE HAPPENED OUTSIDE
433
00:21:09,601 --> 00:21:12,137
THE APARTMENT, BUT YOU'LL
ALWAYS SEE THE APARTMENT.
434
00:21:12,204 --> 00:21:15,607
AND THEN I WAS THINKING, WHEN
THEY'RE WATCHING THAT PLAY
435
00:21:15,674 --> 00:21:17,643
{\an5}YOU KNOW, I THINK IT'S
GOING TO BE SOMETHING
A BIT LIKE HAMILTON.
436
00:21:17,709 --> 00:21:20,412
THEY'RE SITTING ON THEIR CHAIRS,
THEY'RE SITTING SIDE BY SIDE,
437
00:21:20,479 --> 00:21:24,216
THE AUDIENCE IS THE
AUDIENCE, WHO DO YOU FANCY?
438
00:21:24,282 --> 00:21:28,086
{\an5}THEN IT'S REALLY SMALL, LIKE...
WHICH IS NICE IN CONTRAST TO
HOW BIG THE ROOM IS.
439
00:21:28,153 --> 00:21:30,922
{\an5}THEN HE'S LIKE
"NOT GOING TO ANSWER THAT,
THAT'S A TRICK QUESTION."
440
00:21:30,989 --> 00:21:33,225
{\an5}AND THEN SHE'S LIKE,
"JUST TELL ME WHO YOU FANCY
I DON'T THINK YOU WANT
441
00:21:33,291 --> 00:21:39,264
{\an5}-TO FUCK THEM OR ANYTHING
BUT WHO DO YOU FANCY?"
-OSCAR, I READ YOUR LETTER.
442
00:21:39,331 --> 00:21:43,335
{\an5}-I DON'T DO IT GOOD
BECAUSE I'M NOT AN ACTOR BUT--
-I DON'T WANT TO GO THROUGH IT.
443
00:21:43,402 --> 00:21:47,205
{\an5}HE'S LIKE,
"SHUT THE FUCK UP, RACHEL"
YOU KNOW, BECAUSE HE LOVES HER.
444
00:21:47,272 --> 00:21:51,143
{\an5}I LOVE SAYING FUCK
IN THIS ROOM IN PARTICULAR
BECAUSE IT FEELS LIKE
445
00:21:51,209 --> 00:21:56,181
{\an5}SUCH A-- WITH THIS, THE
ACOUSTICS IN HERE
I THINK WILL BE REALLY--
446
00:21:56,248 --> 00:22:00,352
IF YOU CAN GET FUCKING TO IT,
THEN THAT WILL SELL TICKETS.
447
00:22:00,419 --> 00:22:02,354
{\an5}-AS MANY FUCKS
ON THE PAGE AS YOU CAN.
-YEAH.
448
00:22:02,421 --> 00:22:05,624
{\an5}-A COUPLE OF CUNTS,
THAT BUMS ON SEATS.
-I CAN DO THAT. YEAH.
449
00:22:05,691 --> 00:22:07,325
-BECAUSE YOU'RE A FEMALE WRITER
-YEAH.
450
00:22:07,392 --> 00:22:09,161
SO PEOPLE, THEY DON'T
WANT TO COME IN
451
00:22:09,227 --> 00:22:11,329
AND WATCH SOMETHING ABOUT
A '50S HOUSEWIFE, YOU KNOW?
452
00:22:11,396 --> 00:22:13,665
{\an5}-NO.
-THEY WANT TO COME IN AND
THEY WANT TO SEE SOME FUCKING
453
00:22:13,732 --> 00:22:16,968
{\an5}SOME RIMMING, AND SOME LIKE,
FISTING, AND WHATEVER
YOU'VE GOT.
454
00:22:17,035 --> 00:22:19,371
I WANT TO EAT YOUR BODY,
I WANT TO EAT YOU.
455
00:22:19,438 --> 00:22:21,373
LIKE YOU KNOW WHEN
YOU LOVE SOMEONE SO MUCH
456
00:22:21,440 --> 00:22:24,643
THAT YOU JUST
WANT TO CONSUME THEM?
457
00:22:24,710 --> 00:22:27,145
YOU WISH YOU COULD PUT
THAT PERSON INSIDE YOU.
458
00:22:27,212 --> 00:22:28,680
DO YOU WANT TO GO TO LUNCH?
459
00:22:30,048 --> 00:22:31,750
-YEAH.
-ARE YOU HUNGRY?
460
00:22:32,451 --> 00:22:37,656
{\an5}OH, SO, OK. YEAH,
I AM STARVING ACTUALLY.
I WOULD LOVE, YEAH.
461
00:22:37,723 --> 00:22:39,858
-I'M BUYING.
-THANK YOU.
462
00:22:39,925 --> 00:22:41,827
[MUSIC]
463
00:22:48,433 --> 00:22:49,835
[PHONE RINGS]
464
00:22:51,636 --> 00:22:54,606
-OH, IT'S GERALD.
-RIGHT, RIGHT, RIGHT.
465
00:22:57,075 --> 00:22:59,644
HI GERALD, IT'S RACHEL.
466
00:22:59,711 --> 00:23:03,582
THANKS FOR CALLING ME BACK.
RACHEL, DICK'S DAUGHTER.
467
00:23:04,349 --> 00:23:08,754
DICK. DICK.
YES, HIS DAUGHTER.
468
00:23:08,820 --> 00:23:11,823
HI, SOME FRIENDS OF MINE,
LOVELY PEOPLE,
469
00:23:11,890 --> 00:23:14,092
THEY'VE PUT TOGETHER
THIS SHAKESPEARE FESTIVAL.
470
00:23:14,159 --> 00:23:17,996
THEY'RE REALLY INTO PLAYS
AND ACTORS AND THINGS.
471
00:23:18,063 --> 00:23:21,199
{\an5}AND UNFORTUNATELY,
THE PAVILION THAT THEY
WERE GOING TO HOST IT AT
472
00:23:21,266 --> 00:23:22,801
HAS FALLEN THROUGH.
473
00:23:27,372 --> 00:23:30,809
YEAH, NO, I DIDN'T
THINK THAT WOULD--
474
00:23:33,278 --> 00:23:35,714
AMAZING!
THANK YOU!
475
00:23:35,781 --> 00:23:38,016
THANK YOU, GERALD,
THAT'S SO KIND.
476
00:23:39,017 --> 00:23:40,018
YEAH, I'M ON FACEBOOK.
477
00:23:42,521 --> 00:23:44,689
OKAY, BYE NOW.
478
00:23:44,756 --> 00:23:49,861
YEAH, BYE, WILL DO.
YEAH, BYE. DONE.
479
00:23:49,928 --> 00:23:53,031
JUST DONE?
DONE? WE'VE GOT A MARQUEE?
480
00:23:53,098 --> 00:23:56,067
{\an5}-WE HAVE A MARQUEE.
-WE'VE GOT A MARQUEE!
WE'VE GOT A MARQUEE!
481
00:23:56,134 --> 00:23:57,335
WE'VE GOT A MARQUEE!
482
00:23:57,402 --> 00:23:59,771
[LAUGHTER]
483
00:24:03,375 --> 00:24:05,777
[CLEARS THROAT]
484
00:24:06,578 --> 00:24:07,779
WE'VE GOT A MARQUEE!
[LAUGHTER]
485
00:24:08,780 --> 00:24:10,348
-WE'VE GOT A MARQUEE!
-ARE YOU SERIOUS?
486
00:24:10,415 --> 00:24:12,784
I MEAN I--
I MADE ONE CALL.
487
00:24:12,851 --> 00:24:15,754
CONGRATULATIONS.
TO THE MARQUEE.
488
00:24:15,821 --> 00:24:18,290
-TO THE MARQUEE.
-TO THE MARQUEE.
489
00:24:18,356 --> 00:24:19,691
-YEAH.
-WE'VE GOT A MARQUEE.
490
00:24:19,758 --> 00:24:21,626
-YOU'VE GOT A MARQUEE.
-DON'T MOVE.
491
00:24:21,693 --> 00:24:23,595
I'VE GOT HALF A MARQUEE
WITH YOU.
492
00:24:23,662 --> 00:24:25,664
I'VE GOT HALF A MARQUEE
WITH YOU, MATE.
493
00:24:39,444 --> 00:24:40,879
[SIGHS]
494
00:24:41,980 --> 00:24:44,649
GOD, IT'S SO SLOW,
I CAN'T BELIEVE IT.
495
00:24:44,716 --> 00:24:46,918
OKAY.
DOWNING ONE.
496
00:24:52,724 --> 00:24:56,862
OOOH, I JUST FIND THAT
WAKES ME UP FOR SOME REASON.
497
00:24:56,928 --> 00:24:58,797
I KNOW. NO, IT BURNS
REALLY GOOD RIGHT HERE.
498
00:24:58,864 --> 00:25:01,666
HERE I'M KIND OF A BIG FISH
IN A SMALL POND,
499
00:25:01,733 --> 00:25:04,369
-BUT I LIKE BEING A BIG FISH.
-YEAH, WHO DOESN'T?
500
00:25:04,436 --> 00:25:06,238
WHO WOULD WANT TO BE
A SMALL FISH?
501
00:25:06,304 --> 00:25:08,640
{\an5}-DO YOU KNOW WHAT I MEAN?
-I'M SORT OF A BIG FISH
IN A SMALL POND TOO IN THE SENSE
502
00:25:08,707 --> 00:25:10,675
THAT AMONGST MY FRIENDS
503
00:25:10,742 --> 00:25:13,778
I'M LIKE THE LOUDEST,
FUNNIEST ONE.
504
00:25:13,845 --> 00:25:17,449
YEAH, THAT'S SO FUNNY,
WE HAVE SO MUCH IN COMMON.
505
00:25:17,515 --> 00:25:21,953
{\an5}-YEAH.
-I'VE HAD SEVERAL REALLY
TERRIBLE EXPERIENCES WITH MEN
506
00:25:22,020 --> 00:25:23,822
AND THAT'S WHAT I LIKED
ABOUT YOUR PLAY.
507
00:25:23,889 --> 00:25:30,629
YOU JUST CAPTURED THE COMPLETE
POINTLESSNESS OF MEN.
508
00:25:31,897 --> 00:25:34,666
-RIGHT.
-I SEE YOU AS A BRIGHT LIGHT.
509
00:25:35,367 --> 00:25:38,937
{\an5}AND I MEAN, YOU KNOW, THERE'S
A POINT IN YOUR LIFE
WHERE YOU HAVE TO SAY
510
00:25:39,004 --> 00:25:44,676
"I'M GREAT, I'M FANTASTIC.
I AM THE LIGHT. I AM THE LIGHT."
511
00:25:44,743 --> 00:25:46,645
I SAY IT TO MYSELF
ALL THE TIME.
512
00:25:46,711 --> 00:25:48,747
"I'M A FANTASTIC WOMAN."
513
00:25:49,748 --> 00:25:51,716
I LOOK IN THE MIRROR
AND I THINK:
514
00:25:51,783 --> 00:25:54,986
{\an5}-"YEAH, YOU DON'T
NEED ANYONE."
-YEAH.
515
00:25:55,053 --> 00:25:59,391
AND WHO NEEDS A RELATIONSHIP
WHEN THEY KEEP FUCKING YOU UP?
516
00:25:59,457 --> 00:26:03,428
{\an5}[LAUGHS] DO YOU KNOW WHAT
I JUST FEEL LIKE YOU'RE
ALL THE WAY OVER THERE
517
00:26:03,495 --> 00:26:08,900
{\an5}-YEAH.
-AND I'M SORT OF SHOUTING
AND THERE'S A SPACE HERE.
518
00:26:11,036 --> 00:26:12,804
THE THING IS, I SHOULD HAVE
SAT THERE IN THE BEGINNING
519
00:26:12,871 --> 00:26:15,240
BUT I REALLY HAVE TO GO NOW
520
00:26:15,307 --> 00:26:18,743
{\an5}-WHY?
-BECAUSE I FEEL LIKE I'VE
HAD ONE TOO MANY ALREADY
521
00:26:18,810 --> 00:26:21,479
AND I SHOULD GET GOING.
YOU KNOW IT'S JUST--
522
00:26:21,546 --> 00:26:25,717
{\an5}THAT'S A SHAME, I JUST
FEEL LIKE WE'VE GOT MUCH
MORE TO TALK ABOUT THE PLAY.
523
00:26:26,952 --> 00:26:28,586
-YEAH.
-DO YOU KNOW WHAT I MEAN?
524
00:26:28,653 --> 00:26:30,622
ABSOLUTELY.
I AGREE ACTUALLY,
525
00:26:30,689 --> 00:26:32,857
I DON'T EVEN KNOW
WHAT I WAS THINKING.
526
00:26:32,924 --> 00:26:35,593
I MEAN WHAT ARE
YOUR PRIORITIES, RIGHT?
527
00:26:36,261 --> 00:26:41,232
{\an5}-ARE YOU ASKING ME?
-YEAH, I WANT TO GET
INTO THE CORE OF YOU.
528
00:26:41,299 --> 00:26:43,735
YOU'VE GOT SO MUCH GOING
FOR YOU, YOU'RE PHOTOGENIC.
529
00:26:43,802 --> 00:26:45,470
I DON'T WANT TO BE
LIKE, SLEAZY ABOUT THAT
530
00:26:45,537 --> 00:26:48,740
BUT THE THING IS THAT SELLS.
YOU CAN DO A LOT OF PRESS.
531
00:26:48,807 --> 00:26:51,242
{\an5}-OH MY GOD.
-SO WE'RE GOING TO
PUT YOU ON THE POSTER.
532
00:26:51,309 --> 00:26:54,312
{\an5}-WHAT DO YOU MEAN I'M
GOING ON A POSTER?
-OF COURSE YOU ARE.
533
00:26:54,379 --> 00:26:58,583
{\an5}SHUT UP. I MEAN, I WOULD
ACTUALLY LIKE TO KEEP MY FACE
OUT OF IT AS MUCH POSSIBLE.
534
00:26:58,650 --> 00:26:59,517
-NO.
-NO?
535
00:26:59,584 --> 00:27:00,552
-NO.
-OKAY.
536
00:27:00,618 --> 00:27:02,654
NO. I GOT TO PUT A-- NO.
537
00:27:02,721 --> 00:27:06,424
-WHY?
-YOU ARE THE PLAY.
538
00:27:06,491 --> 00:27:08,326
-I'M THE PLAY?
-YOU ARE THE PLAY.
539
00:27:08,393 --> 00:27:11,930
WELL, I JUST SORT OF THOUGHT
THE PLAY WAS THE PLAY.
540
00:27:11,997 --> 00:27:17,268
I JUST THINK A COUPLE MORE
OF THIS AND THE PLAY IS ON.
541
00:27:18,603 --> 00:27:24,009
{\an1}WAIT, WHAT DO YOU MEAN
THE PLAY IS ON? CLARIFY.
542
00:27:26,111 --> 00:27:29,681
OH, MY GOD, YEAH,
THE PLAY IS ON.
543
00:27:29,748 --> 00:27:31,449
LET'S GET A PEN AND PAPER.
544
00:27:31,516 --> 00:27:34,052
NO, LET'S FUCKING
CARVE IT IN MY ARMS.
545
00:27:34,119 --> 00:27:37,989
{\an5}-LET'S GET ANOTHER DRINK.
-I WOULD LOVE ANOTHER ONE,
THANK YOU.
546
00:27:38,056 --> 00:27:40,558
-THE SAME AGAIN OR TWO?
-OKAY.
547
00:27:40,625 --> 00:27:42,427
-TWO AND A SHOT?
-OKAY, OKAY, OKAY.
548
00:27:42,494 --> 00:27:46,031
{\an5}-ABSOLUTELY FINE,
LET'S DRINK UP.
-YEAH, OKAY.
549
00:27:46,097 --> 00:27:47,732
THANK YOU.
550
00:27:49,100 --> 00:27:50,869
[CHEERFUL MUSIC]
551
00:27:53,104 --> 00:27:55,807
[ROCK MUSIC]
552
00:28:33,878 --> 00:28:35,880
[JEFF] SHE LEFT ME FOR
ANOTHER WOMAN.
553
00:28:35,947 --> 00:28:38,917
-I'M A LAUGHING STOCK.
-SHE DOESN'T GET YOU.
554
00:28:38,983 --> 00:28:41,519
-SHE DOESN'T GET YOU.
-SHE DOESN'T GET ESSENCE OF ME.
555
00:28:41,586 --> 00:28:43,755
EVEN MY KIDS THINK I'M AN IDIOT.
556
00:28:43,822 --> 00:28:45,657
WHO CARES ABOUT IT?
WHO CARES, REALLY?
557
00:28:45,723 --> 00:28:48,793
BUT I STILL LOVE HER.
I LOVE HER SO MUCH.
558
00:28:49,828 --> 00:28:52,130
OH, MY GOD.
559
00:28:53,264 --> 00:28:55,767
LOOK AT THIS HAIR.
560
00:28:55,834 --> 00:28:58,303
[INDISTINCT]
561
00:28:59,270 --> 00:29:01,106
[LOUD MUSIC]
562
00:29:01,172 --> 00:29:02,907
[PHONE RINGS]
563
00:29:04,242 --> 00:29:06,678
-HELLO!
-OLIVER!
564
00:29:06,744 --> 00:29:08,113
YEAH. HELLO,
YOU ALRIGHT?
565
00:29:08,179 --> 00:29:11,816
YEAH, I'M GOOD.
WHAT ARE YOU DOING?
566
00:29:11,883 --> 00:29:15,787
WAIT A MINUTE, IT'S QUITE
LOUD HERE, WAIT A MINUTE.
567
00:29:15,854 --> 00:29:17,222
YEAH, ARE YOU ALRIGHT?
568
00:29:18,957 --> 00:29:21,359
YEAH, IT'S ALL GOOD,
JUST HAVING A COUPLE OF PEOPLE.
569
00:29:21,426 --> 00:29:23,995
NOTHING, JUST LISTENING TOSTUFF. ARE YOU ALRIGHT?
570
00:29:24,062 --> 00:29:27,799
{\an5}THAT SOUNDS FUN.
THAT SOUNDS SO--
I'M STILL IN CARDIFF.
571
00:29:27,866 --> 00:29:30,401
-IT WENT SO WELL.
-OKAY.
572
00:29:30,468 --> 00:29:32,137
-SO WELL!
-GOOD, GOOD.
573
00:29:32,203 --> 00:29:36,808
-OLLIE, ARE YOU THERE?
-YEAH, I'M HERE, I'M HERE.
574
00:29:36,875 --> 00:29:39,410
I SAID MY PLAY IS
GOING TO GET PRODUCED.
575
00:29:39,477 --> 00:29:42,881
THAT'S GREAT STUFF, THAT'S GOOD,
SO WHEN ARE YOU COMING HOME?
576
00:29:43,414 --> 00:29:47,118
WELL, HERE'S THE THING I'VE HAD
A COUPLE OF DRINKS, NOT MANY.
577
00:29:47,185 --> 00:29:51,723
{\an5}NOT LIKE A--
JUST LIKE ONE OR TWO,
BUT I DON'T WANT TO DRIVE
578
00:29:51,789 --> 00:29:53,057
BECAUSE I THINK THAT
WOULD BE IRRESPONSIBLE.
579
00:29:53,124 --> 00:29:55,927
I THOUGHT YOU
WERE AT A MEETING.
580
00:29:56,761 --> 00:29:57,862
I THOUGHT YOU
HAD A MEETING.
581
00:29:57,929 --> 00:29:59,631
YOU'RE RIGHT, I KNOW. I WAS,
582
00:29:59,697 --> 00:30:04,068
BUT WE HAD A DRINK TOCELEBRATE. BECAUSE YOU KNOW...
583
00:30:04,135 --> 00:30:05,703
ARE YOU GOING TO
GET BACK THEN?
584
00:30:05,770 --> 00:30:08,173
DO YOU WANT ME TO COME HOME?
585
00:30:08,239 --> 00:30:11,009
{\an5}-YEAH, OF COURSE, I DO.
YOU JUST--
-DO YOU?
586
00:30:11,075 --> 00:30:13,945
{\an5}-YEAH, COURSE I DO. OF COURSE,
I WANT YOU TO COME BACK.
-I WANT TO COME HOME.
587
00:30:14,012 --> 00:30:15,613
WELL, YEAH.WHERE ELSE ARE YOU GOING TO GO
588
00:30:15,680 --> 00:30:16,915
IF YOU DON'T COME HOME?
589
00:30:16,981 --> 00:30:18,883
-ALRIGHT.
-I LOVE YOU.
590
00:30:18,950 --> 00:30:20,418
YEAH!
YEAH!
591
00:30:20,485 --> 00:30:23,154
{\an5}-OKAY.
-IT'S GOOD HERE.
IT'S GOOD, YEAH.
592
00:30:23,221 --> 00:30:25,256
-OKAY.
-ALRIGHT, THEN.
593
00:30:25,323 --> 00:30:27,725
{\an5}-I WAS HOPING--
-JUST GET IN A TAXI,I'LL SEE YOU IN A BIT.
594
00:30:27,792 --> 00:30:29,727
-YEAH, I'LL JUMP IN A CAB.
-I'LL SEE YOU
595
00:30:29,794 --> 00:30:31,196
WHEN YOU GET BACK HERE, YEAH?
596
00:30:31,996 --> 00:30:34,265
CAN I--
HEY, OLLIE, OLLIE, OLLIE.
597
00:30:36,267 --> 00:30:37,302
GREAT.
598
00:30:41,072 --> 00:30:46,077
{\an5}-WOW, WE'RE GOING THERE,
AREN'T WE?
-CHEERS.
599
00:30:51,082 --> 00:30:53,451
{\an5}-DO YOU WANT TO
COME TO MY PLACE?
-YES.
600
00:30:55,220 --> 00:30:56,454
YEAH.
601
00:30:56,521 --> 00:30:58,456
[ROCK MUSIC]
602
00:31:05,230 --> 00:31:09,267
WHEN I MEET GILL,
I MEAN THE GIRL THAT HE MEETS
603
00:31:09,334 --> 00:31:12,403
SORT OF THIS NICE,
NORMAL GIRL.
604
00:31:12,470 --> 00:31:14,739
YOU LOOK AMAZING IN THAT.
605
00:31:14,806 --> 00:31:15,974
IN THIS?
606
00:31:21,879 --> 00:31:23,915
SLOWLY KISS ME.
607
00:31:27,385 --> 00:31:29,487
[ROCK MUSIC]
608
00:31:29,554 --> 00:31:32,056
[MUTED TALK]
609
00:31:34,525 --> 00:31:37,061
[MUTED TALK]
610
00:31:47,272 --> 00:31:49,340
-KISS ME.
-JUST KISS YOU?
611
00:31:49,407 --> 00:31:53,778
-YOU'RE NOT SCARED, ARE YOU?
-NO, I'M JUST-- I'M NOT.
612
00:31:53,845 --> 00:31:56,114
[ROCK MUSIC]
613
00:32:08,993 --> 00:32:10,295
[LAUGHTER]
614
00:32:12,196 --> 00:32:15,566
-OH, MY GOD.
-WHAT?
615
00:32:15,633 --> 00:32:17,001
SOME MORE KISSING, IS IT?
616
00:32:17,068 --> 00:32:18,369
[ELECTRIC GUITAR]
617
00:32:40,391 --> 00:32:41,359
[MUSIC ENDS]
618
00:32:41,426 --> 00:32:43,995
[SNORING]
619
00:32:45,630 --> 00:32:48,433
[KNOCK ON THE DOOR]
620
00:32:48,499 --> 00:32:51,602
[HEAVY BREATHING]
621
00:32:51,669 --> 00:32:53,071
[KNOCKING]
622
00:32:53,137 --> 00:32:54,305
[LOUD KNOCKING]
623
00:32:57,475 --> 00:32:59,410
AH, FUCKING HELL.
624
00:33:02,847 --> 00:33:05,016
OH, MY GOD, BABE,
WHERE HAVE YOU BEEN?
625
00:33:05,083 --> 00:33:07,518
-ARE YOU ALRIGHT?
-MM-HMM.
626
00:33:08,553 --> 00:33:10,054
[OLIVER MOANS]
627
00:33:11,222 --> 00:33:15,159
-WHERE HAVE YOU BEEN?
-I'VE BEEN OUT.
628
00:33:15,226 --> 00:33:18,363
{\an5}-I'VE BEEN OUT.
-OUT? THAT'S WHAT
I'M GOING TO GET? OUT?
629
00:33:18,429 --> 00:33:19,330
[MOANING]
630
00:33:19,397 --> 00:33:21,132
COME ON,
HOW DID YOU NOT--
631
00:33:21,199 --> 00:33:24,302
I LOVE YOU. JUST COME HERE,
JUST SHUT UP.
632
00:33:24,369 --> 00:33:26,404
JUST SHUT UP,
AND COME AND CUDDLE.
633
00:33:28,606 --> 00:33:30,408
[OLIVER MOANS]
634
00:33:32,110 --> 00:33:33,478
[GILLIAN MOANS]
635
00:33:34,579 --> 00:33:37,382
-OLIVER.
-YEAH.
636
00:33:39,984 --> 00:33:42,320
DO YOU PROMISE
YOU'LL NEVER LEAVE ME?
637
00:33:50,128 --> 00:33:51,496
YOU ALRIGHT, BABE?
638
00:33:54,098 --> 00:33:58,469
-HEY.
-YEAH, I'M GOOD. I FEEL GOOD.
639
00:33:58,536 --> 00:33:59,337
-YEAH?
-YEAH.
640
00:33:59,404 --> 00:34:01,672
-ARE YOU SURE?
-MM-HMM.
641
00:34:01,739 --> 00:34:04,509
[SWALLOWING AND SMATTERING]
642
00:34:27,231 --> 00:34:29,534
30 SECONDS. 28.
643
00:34:32,437 --> 00:34:34,472
I THINK IT'S A REALLY
GOOD THING THAT IT'S DONE.
644
00:34:34,539 --> 00:34:37,108
{\an5}-WHAT?
-THAT WE'VE HAD
THIS LITTLE KIND OF,
645
00:34:37,175 --> 00:34:38,476
I DON'T KNOW, LITTLE BLIP.
646
00:34:38,543 --> 00:34:40,578
IF WE CAN GET THROUGH THAT...
647
00:34:40,645 --> 00:34:42,713
[MAKING BUBBLES]
648
00:34:42,780 --> 00:34:47,418
{\an5}IF I CAN GET THROUGH THAT
AS WELL AS EVERYTHING ELSE,
WE'LL BE FINE.
649
00:34:47,485 --> 00:34:49,487
-I WOULD HOPE SO.
-YOU CAN'T HOPE IT,
650
00:34:49,554 --> 00:34:53,124
YOU'VE GOT TO BE MORE POSITIVE
THAN THAT, WE WILL DO IT.
651
00:34:53,191 --> 00:34:58,463
{\an5}-I DO WANT TO SAY SORRY,
I DON'T WANT TO
JUST BRUSH IT OFF LIKE THAT.
652
00:34:58,529 --> 00:35:02,200
I AM SORRY THAT
I CAME LAST NIGHT.
653
00:35:02,266 --> 00:35:04,502
CAME BACK THIS
MORNING ACTUALLY.
654
00:35:04,569 --> 00:35:08,639
{\an5}JUST FORGET ABOUT IT NOW
I GUESS, YEAH?
JUST MOVE ON FROM IT.
655
00:35:08,706 --> 00:35:10,274
YEAH.
656
00:35:10,341 --> 00:35:14,212
IT'S A BLIP AND NOW IT'S DONE,
SO THAT'S GOOD.
657
00:35:14,278 --> 00:35:17,515
IT MAKES US
STRONGER, ACTUALLY.
658
00:35:17,582 --> 00:35:19,250
-YEAH.
-YEAH?
659
00:35:19,317 --> 00:35:23,855
MAYBE WHEN WE GET THROUGH
ENOUGH OFF THESE.
660
00:35:23,921 --> 00:35:26,157
-HOPEFULLY, THIS IS THE ONE.
-NO MORE OF THESE.
661
00:35:26,224 --> 00:35:30,161
YEAH, WELL NO--
I DON'T FANCY ANY MORE OF THOSE.
662
00:35:30,228 --> 00:35:34,565
-MAYBE WE'LL HAVE A BABY?
-YEAH.
663
00:35:35,333 --> 00:35:37,168
-YEAH!
-YEAH.
664
00:35:37,235 --> 00:35:38,936
-YEAH.
-YEAH!
665
00:35:39,003 --> 00:35:44,542
YEAH, BUT YOU HAVE TO HAVE
SEX WITH ME TO HAVE A BABY.
666
00:35:44,609 --> 00:35:47,678
{\an5}YEAH, I KNOW THAT.
WE HAVE SEX,
WE'RE NORMALLY LIKE--
667
00:35:49,113 --> 00:35:51,449
OH, UHM.
WE HAVE SOME.
668
00:35:51,516 --> 00:35:54,051
WE DO IT A LOT AT HOME.
669
00:35:54,118 --> 00:35:56,787
-WE DON'T.
-WE'VE DONE IT IN THE KITCHEN.
670
00:35:58,256 --> 00:36:03,494
{\an5}WE DID. WE DIDN'T EVEN
TAKE OUR SHOES OFF
AND WE CAME IN HERE
671
00:36:03,561 --> 00:36:05,897
AND THEN I DID YOU OVER
THE KITCHEN THING, DIDN'T I?
672
00:36:05,963 --> 00:36:09,367
{\an5}-I MEAN, YOU WERE HAVING IT AND
WE WERE ON THAT TABLE.
-STOP IT!
673
00:36:09,433 --> 00:36:13,404
{\an5}-OH, PLEASE, I DON'T LIKE
THE WAY YOU TALK ABOUT ME.
-WHAT ARE YOU TALKING ABOUT?
674
00:36:13,471 --> 00:36:17,942
DID YOU NOT COME FUCKING--
LIKE I'M A PROJECT. STOP!
675
00:36:18,009 --> 00:36:21,145
{\an5}I THINK YOU WERE THINKING ABOUT
THE MOVES THEN, BECAUSE WE
DID THE MOVES THE FIRST TIME
676
00:36:21,212 --> 00:36:24,048
{\an5}-AND THEN YOU WANTED THE
MOVES AGAIN IF I REMEMBER.
-STOP WITH THE MOVES!
677
00:36:24,115 --> 00:36:26,183
-OKAY, THE--
-THE FACT THAT YOU CAN GO
678
00:36:26,250 --> 00:36:29,186
"REMEMBER THIS TIME, REMEMBER
THIS TIME, REMEMBER THIS TIME",
679
00:36:29,253 --> 00:36:31,789
WELL, IT SHOULD JUST
BE ALL ONE BIG BLUR.
680
00:36:31,856 --> 00:36:34,258
YOU REMEMBER THE TIME BECAUSE
ISN'T IT EVERY DAY, BABY?
681
00:36:34,325 --> 00:36:38,396
{\an5}I CAN'T DO IT EVERY--
COME ON YOU'VE GOT TO HAVE A BIT
OF SENSE NOW AS WELL, EVERY DAY?
682
00:36:38,462 --> 00:36:40,898
COOL HEAD, THAT'S JUST
BEING DAFT AS WELL.
683
00:36:40,965 --> 00:36:44,569
{\an5}NOBODY DOES IT EVERY DAY,
YOU ONLY NEED TO DO IT ONCE
TO HAVE A BABY, ANYWAY.
684
00:36:47,805 --> 00:36:49,540
[COOKER IGNITER SOUND].
685
00:36:54,979 --> 00:36:59,517
{\an5}-DO WE HAVE ANY GARLIC?
-NO, I DIDN'T-- SORRY I
DIDN'T KNOW WE NEEDED ANY.
686
00:36:59,584 --> 00:37:03,054
IT'LL BE A GARLIC-LESS
PASTA SAUCE.
687
00:37:03,120 --> 00:37:04,422
ALRIGHT.
688
00:37:10,461 --> 00:37:13,130
{\an5}-GARLIC WON'T MAKE A DIFFERENCE
ANYWAY REALLY.
-IT WON'T, YOU KNOW WHAT?
689
00:37:13,197 --> 00:37:15,266
-IT'LL BE FINE.
-IT...
690
00:37:16,000 --> 00:37:21,739
FUCK IT, IT WILL. LET'S NOT
PRETEND, RIGHT? ALREADY.
691
00:37:21,806 --> 00:37:23,307
I LIKE IT ANYWAY.
692
00:37:30,214 --> 00:37:31,816
[MOANS]
693
00:37:35,219 --> 00:37:36,454
HOW IS THAT?
694
00:37:37,755 --> 00:37:39,323
-IT'S ALRIGHT.
-IT'S ALRIGHT, YEAH.
695
00:37:39,390 --> 00:37:40,524
-IT'S ALRIGHT.
-IT'S A BIT SWEET.
696
00:37:40,591 --> 00:37:42,493
IT'S NOT THE BEST, NOT.
697
00:37:43,427 --> 00:37:45,463
NO, IT WAS GOOD.
IT WAS A GOOD NIGHT.
698
00:37:45,529 --> 00:37:50,568
{\an5}I'M GLAD THAT I WENT,
I'M GLAD THAT I STAYED LATE,
NOT THAT LATE OBVIOUSLY
699
00:37:50,635 --> 00:37:54,939
I COULD HAVE DONE WITHOUT THAT,
BUT IT WAS GOOD FOR
700
00:37:55,006 --> 00:37:57,241
THE JOB, IT WAS GOOD
FOR THE RELATIONSHIP, YOU KNOW.
701
00:37:57,808 --> 00:38:00,978
YOU WANT TO STAY
IN THEIR CONSCIOUSNESS
702
00:38:01,045 --> 00:38:03,648
{\an5}YOU WANT THEM TO BE THINKING
ABOUT YOU THE NEXT DAY LIKE
"YEAH, I LOVE THAT GIRL."
703
00:38:03,714 --> 00:38:06,717
SHE WAS LIKING YOUR PLAY.
LIKING YOUR PLAY.
704
00:38:06,784 --> 00:38:08,686
{\an5}-SHE LOVES MY--
OF COURSE SHE LOVES MY PLAY.
-GOOD.
705
00:38:08,753 --> 00:38:11,389
THAT IS WHAT'S SO VALIDATING
IS JUST TO HAVE SOMEONE,
706
00:38:11,455 --> 00:38:15,526
{\an5}YOU KNOW,
WHO'S NOT MY FAMILY MEMBER, NOT
SOMEONE WHO LOVES ME, THINK THAT
707
00:38:15,593 --> 00:38:19,363
WHAT I'M MAKING
IS BRILLIANT, YOU KNOW.
708
00:38:19,430 --> 00:38:22,033
IT'S FUNNY BECAUSE
SHE IS SO FUCKING SMART.
709
00:38:22,099 --> 00:38:24,201
SHE'S SO ON IT, ESPECIALLY
WITH THIS KIND OF STUFF.
710
00:38:24,268 --> 00:38:27,471
{\an5}WE REALLY, LIKE, WE REALLY
UNDERSTAND, SHE LIKES
THE SAME PLAYS
711
00:38:27,538 --> 00:38:28,706
AND IT WAS JUST LIKE
BOOM, BOOM, BOOM, BOOM.
712
00:38:28,773 --> 00:38:31,308
-AND DO YOU KNOW
-IT'S GOOD.
713
00:38:31,375 --> 00:38:35,479
THAT-- THIS WAS WILD,
BUT LIKE, I KISSED HER.
714
00:38:35,546 --> 00:38:38,616
I MEAN SHE KISSED ME,
BUT, YEAH.
715
00:38:38,683 --> 00:38:39,617
WE KISSED.
716
00:38:39,684 --> 00:38:41,619
LIKE WHAT?
717
00:38:41,686 --> 00:38:48,259
I JUST-- THAT IS SO...
[LAUGHS] IT'S SO NOT ME.
718
00:38:48,325 --> 00:38:49,760
I KISSED A GIRL.
719
00:38:51,195 --> 00:38:54,999
[LAUGHS] I KI-- LIKE SNOGGED.
720
00:38:55,066 --> 00:39:00,604
{\an5}LIKE PROPERLY LIKE:
"OH, MY GOD, WHAT AM I DOING?
I MUST BE SO DRUNK."
721
00:39:00,671 --> 00:39:03,574
WOW! IS IT JUST IN YOUR 30'S
THAT YOU START BEING LIKE:
722
00:39:03,641 --> 00:39:06,143
"WHATEVER, I'M JUST GOING
TO KISS SOME GIRL NOW."
723
00:39:06,210 --> 00:39:07,511
I TOTALLY KISSED HER.
724
00:39:08,312 --> 00:39:09,346
JUST...
725
00:39:10,548 --> 00:39:12,850
{\an5}I GUESS I SHOULD
HAVE DONE IT IN HIGH SCHOOL
AND GOT THAT OUT MY SYSTEM.
726
00:39:14,351 --> 00:39:16,487
I'M KIND OF...
727
00:39:17,221 --> 00:39:18,489
SO DID I.
728
00:39:18,556 --> 00:39:21,659
SHUT UP!
WHAT ARE YOU-- DON'T EVEN.
729
00:39:21,726 --> 00:39:24,695
YOU GOT--
I GOT KISSED BY SOMEONE AS WELL.
730
00:39:31,035 --> 00:39:32,536
[LAUGHTER]
731
00:39:34,038 --> 00:39:37,808
WHAT? THAT'S NOT THE SAME,
IS IT THOUGH?
732
00:39:38,809 --> 00:39:40,778
NO, IT'S NOT EXACTLY THE SAME,
BUT IT'S...
733
00:39:42,179 --> 00:39:46,083
{\an5}-SIMILAR.
-IT'S NOT. I DON'T THINK
IT'S THE SAME AT ALL.
734
00:39:46,150 --> 00:39:49,320
OTHER PEOPLE CAN KISS GIRLS
AS WELL, NOT JUST YOU, MAYBE.
735
00:39:49,386 --> 00:39:52,590
{\an5}OF COURSE THEY CAN--
OF COURSE OTHER PEOPLE
CAN KISS GIRLS.
736
00:39:52,656 --> 00:39:55,226
MAYBE OTHER GIRLS
WANT TO KISS ME.
737
00:39:55,292 --> 00:39:56,527
MAYBE SOMEBODY
KISSED ME LAST NIGHT.
738
00:39:56,594 --> 00:39:58,596
I'M SURE OTHER PEOPLE
WANT TO KISS YOU
739
00:39:58,662 --> 00:40:00,564
I WANT TO KISS YOU
ALL THE FUCKING TIME.
740
00:40:00,631 --> 00:40:02,199
I KNOW SOMEBODY ELSE
WANTED TO KISS ME
741
00:40:02,266 --> 00:40:03,667
BECAUSE I KISSED SOMEONE
ELSE LAST NIGHT.
742
00:40:11,876 --> 00:40:13,544
A BIT OF FUN.
743
00:40:17,414 --> 00:40:20,050
[DEEP BREATH]
744
00:40:20,117 --> 00:40:21,585
UHM...
745
00:40:23,487 --> 00:40:27,525
WOW, WHO DID YOU KISS?
746
00:40:30,928 --> 00:40:32,797
I DON'T WANT TO KNOW. I DON'T
WANT TO KNOW WHO YOU KISSED.
747
00:40:32,863 --> 00:40:35,533
{\an5}-YOU DO KNOW.
-I DON'T WANT TO KNOW
WHO YOU KISSED.
748
00:40:35,599 --> 00:40:38,335
{\an5}-OKAY.
-ACTUALLY, JUST DON'T
EVEN FUCKING TELL ME.
749
00:40:38,402 --> 00:40:41,872
{\an5}-I WON'T THEN. I WON'T.
-DON'T FUCKING--
DO NOT EVEN TRY.
750
00:40:41,939 --> 00:40:44,775
WHATEVER YOU DID IS NOT
THE SAME AS WHAT I DID.
751
00:40:47,144 --> 00:40:49,046
NO, I WASN'T UP ALL NIGHT.
752
00:40:50,948 --> 00:40:51,949
UHM...
753
00:41:04,461 --> 00:41:06,063
-YEAH?
-YEAH.
754
00:41:07,565 --> 00:41:09,033
[GILLIAN SCOFFS]
755
00:41:09,099 --> 00:41:12,970
[OLIVER] YEAH, JUST...
756
00:41:16,707 --> 00:41:19,510
OH, SHIT!
I FORGOT THE SPAGHETTI.
757
00:41:19,577 --> 00:41:25,115
{\an5}DO YOU KNOW WHAT? I CANNOT
BELIEVE WHAT IS GOING ON?
IT'S A BIT DRY.
758
00:41:25,182 --> 00:41:28,419
THAT WAS ALWAYS GONNA HAPPEN
WITH THAT HEAT ON IT.
759
00:41:28,485 --> 00:41:31,922
{\an5}I KNEW IT!
I KNEW RACHEL LIKED YOU.
I KNEW SHE LIKED YOU.
760
00:41:31,989 --> 00:41:35,993
{\an5}-YEAH, BUT IT WAS NOT--
-I KNEW IT.
I KNEW SHE HAD A CRUSH ON YOU.
761
00:41:36,060 --> 00:41:36,961
I CALLED IT.
762
00:41:37,027 --> 00:41:37,995
[OLIVER] IT WAS...
763
00:42:02,620 --> 00:42:03,821
[RACHEL] HI, GUYS!
764
00:42:04,855 --> 00:42:06,023
GUYS!
765
00:42:07,391 --> 00:42:08,158
HIYA.
766
00:42:10,194 --> 00:42:13,864
HI! WOW!
OH, MY GOD!
767
00:42:13,931 --> 00:42:15,532
IT'S GOOD, ISN'T IT? YEAH.
768
00:42:15,599 --> 00:42:16,600
[GILLIAN] THANK YOU.
769
00:42:16,667 --> 00:42:19,470
-YEAH, WOW!
-YEAH.
770
00:42:19,870 --> 00:42:22,873
{\an5}DON'T LET US STOP YOU.
IF WE'RE IN THE MIDDLE OF IT,
DON'T LET IT STOP YOU, THOUGH.
771
00:42:22,940 --> 00:42:25,576
-BECAUSE WE GOT TO--
-I'LL LEAVE YOU TO IT.
772
00:42:25,643 --> 00:42:27,611
-OKAY.
-YEAH.
773
00:42:27,678 --> 00:42:29,947
-BYE, GUYS.
-OKAY, BYE-BYE NOW, TA-TA.
774
00:42:30,014 --> 00:42:33,450
-TA-TA.
-[RACHEL] BYE! BYE!
775
00:42:33,517 --> 00:42:36,987
{\an5}THANK YOU FOR
BOTH TURNING UP. WE'VE GOT
A PROBLEM WITH THE ACTORS.
776
00:42:37,054 --> 00:42:39,256
{\an5}-WHAT'S WRONG?
-THE ACTORS ARE SAYING
THAT THEY DON'T THINK
777
00:42:39,323 --> 00:42:41,258
-YOU WERE REALLY INTO THIS.
-THAT'S NOT THE POINT.
778
00:42:41,325 --> 00:42:43,727
IT DOESN'T MATTER WHAT I WANT
AND DON'T WANT, WE'RE HERE
779
00:42:43,794 --> 00:42:47,731
{\an5}TO DO A JOB, AREN'T WE, JEFF?
AM I NOT THERE AND PRESENT
EVERY FUCKING DAY, AM I NOT?
780
00:42:47,798 --> 00:42:50,801
{\an5}-I'M SORRY, WHAT MORE DO YOU
WANT? DO YOU WANT ME TO LOVE IT?
-LET'S DO YOUR PLAY.
781
00:42:50,868 --> 00:42:52,803
JUST TELLING YOU WHAT
THE ACTORS HAVE SAID.
782
00:42:52,870 --> 00:42:55,739
{\an5}-LET'S DO YOUR PLAY.
-WHAT DO YOU MEAN
LET'S DO MY PLAY?
783
00:42:55,806 --> 00:42:58,208
-WHAT ABOUT YOUR MOM?
-FORGET ABOUT MY MOTHER.
784
00:42:58,275 --> 00:43:00,878
MY MOTHER WILL JUST SIT THERE
AND BE HAPPY WITH ANYTHING.
785
00:43:00,945 --> 00:43:03,380
{\an5}-NO, SHE WON'T BE HAPPY.
-THERE'S A TENT AND
THERE'LL BE A PLAY
786
00:43:03,447 --> 00:43:06,984
AND MY MOTHER WILL BE HAPPY.
IF WE DO YOURS, I'LL BE HAPPY.
787
00:43:08,285 --> 00:43:12,323
-IT'S READY, LET'S JUST DO IT.
-[JEFF] COME ON, GUYS.
788
00:43:12,389 --> 00:43:14,391
{\an5}-LET ME ASK THEM.
LET ME JUST SHOW THEM
-JEFF'S RIGHT, LET'S DO IT.
789
00:43:14,458 --> 00:43:16,627
-I WANT TO HEAR THEIR THOUGHTS.
-LET'S GO AND ASK THEM AND SEE.
790
00:43:16,694 --> 00:43:18,462
I WANT TO SEE WHO WOULD--
791
00:43:18,529 --> 00:43:20,197
JUST GIVE ME A SECOND.
792
00:43:22,599 --> 00:43:26,203
-ARE YOU GUYS OKAY?
-YEAH, WE'RE FINE.
793
00:43:36,847 --> 00:43:38,582
[DAVID] I USED TO COME DOWN
HERE WITH YOUR MOTHER.
794
00:43:38,649 --> 00:43:41,051
-[OLIVER] YEAH?
-[DAVID] YEAH, WE WERE COURTING.
795
00:43:41,118 --> 00:43:42,953
[LAUGHS]
796
00:43:43,020 --> 00:43:45,055
-ALL THOSE YEARS AGO.
-YEAH.
797
00:43:47,524 --> 00:43:52,262
{\an5}-THINGS AREN'T
GOING THE BEST, REALLY.
-WHAT, WITH YOU AND GILLIAN?
798
00:43:54,098 --> 00:43:55,265
-YEAH.
-WHY?
799
00:43:58,002 --> 00:44:00,537
I'VE DONE SOME
THINGS WRONG.
800
00:44:00,604 --> 00:44:03,807
WHAT DID YOU-- COME ON.
801
00:44:05,609 --> 00:44:08,712
I KISSED RACHEL.
802
00:44:11,615 --> 00:44:13,884
IT WAS JUST--
JUST KISSED HER?
803
00:44:13,951 --> 00:44:17,287
JUST KISSED HER.
SHE KISSED ME BACK.
804
00:44:17,354 --> 00:44:21,091
{\an5}THERE'S NOTHING WRONG
KISSING SOMEBODY ELSE,
YOU KNOW, I MEAN.
805
00:44:21,158 --> 00:44:24,328
{\an5}-ISN'T THERE?
-NO, CHRIST NO.
SHE'S A LOVELY GIRL.
806
00:44:24,395 --> 00:44:29,433
{\an5}-SHE IS, YEAH.
-AND I--
EVEN AN OLD TWAT LIKE ME
807
00:44:29,500 --> 00:44:33,103
I CAN REALIZE THAT SHE'S A VERY,
VERY, VERY ATTRACTIVE GIRL.
808
00:44:33,771 --> 00:44:37,875
{\an5}-ALRIGHT.
-I WOULDN'T BLAME YOU
FOR A MINUTE.
809
00:44:37,941 --> 00:44:40,511
-IT'S A BIT MORE COMPLICATED.
-WHAT?
810
00:44:40,577 --> 00:44:43,580
-IT'S A BIT MORE COMPLICATED.
-WHAT, DO YOU MEAN YOU--
811
00:44:43,647 --> 00:44:48,318
NO, NOT ME
DOING ANYTHING, BUT GILLIAN,
812
00:44:48,385 --> 00:44:50,587
SHE KISSED A LADY AS WELL,
THOUGH. I KISSED A WOMAN
813
00:44:50,654 --> 00:44:52,322
-AND SHE KISSED A WOMAN.
-WHAT?
814
00:44:52,389 --> 00:44:53,791
YEAH.
815
00:44:53,857 --> 00:44:57,227
-GILLIAN?
-YEAH.
816
00:44:59,596 --> 00:45:01,098
OH, GOD.
817
00:45:01,165 --> 00:45:05,335
I THOUGHT THAT THAT WAS
A BLOODY, YOU KNOW-- BUT...
818
00:45:07,704 --> 00:45:10,541
-ONE OF THEM WOMEN.
-YEAH.
819
00:45:10,607 --> 00:45:14,078
{\an5}-LESBIAN, DAD, YOU CAN
SAY IT, IT'S ALRIGHT.
-ALRIGHT, A FUCKING LESBIAN.
820
00:45:14,144 --> 00:45:17,314
YEAH, YOU CAN STILL SAY LESBIAN
WITHOUT THE FUCKING,
821
00:45:17,381 --> 00:45:20,117
IT'S ALRIGHT.
I DON'T THINK SHE IS ONE.
822
00:45:20,184 --> 00:45:24,288
NO, I DON'T THINK SHE IS EITHER.
CHRIST, IT'S JUST ONE OF THOSE--
823
00:45:24,354 --> 00:45:28,025
YOU KNOW, ONE OF THOSE--
824
00:45:28,092 --> 00:45:29,993
SHE DID SAY SHE WAS DRUNK.
825
00:45:30,060 --> 00:45:31,628
THERE YOU GO THEN.
THERE YOU ARE.
826
00:45:31,695 --> 00:45:34,064
I MEAN THAT'S IT, ISN'T IT?
827
00:45:34,131 --> 00:45:36,867
IT'S AS SIMPLE AS THAT.
YOU KNOW.
828
00:45:36,934 --> 00:45:40,537
-I JUST LOVE HER, DAD. I CANT--
-I KNOW THAT.
829
00:45:40,604 --> 00:45:45,142
{\an5}SHE'S A GOOD KID.
SHE'S STUCK BY YOU
LIKE GLUE, REALLY.
830
00:45:45,209 --> 00:45:47,845
SHE DESERVES A MEDAL, ACTUALLY
FOR PUTTING UP WITH YOU.
831
00:45:47,911 --> 00:45:49,913
-[LAUGHS]
-NO, SHE DOES.
832
00:45:49,980 --> 00:45:52,349
-SHE DOES.
-GREAT PEP TALK, DAD.
833
00:45:52,416 --> 00:45:55,652
SHE DESERVES A MEDAL
FOR PUTTING UP WITH ME.
834
00:45:55,719 --> 00:45:58,422
IT'S THE BEER TALKING.
THE FUCK IT IS.
835
00:45:58,489 --> 00:45:59,957
SHE HAS STUCK AROUND, THOUGH,
HASN'T SHE?
836
00:46:00,023 --> 00:46:03,760
YEAH. I MEAN, MAYBE IF
YOU HAD A JOB,
837
00:46:03,827 --> 00:46:07,798
-A PROPER, PROPER JOB.
-WELL, I'VE GOT A JOB.
838
00:46:07,865 --> 00:46:09,800
DEEJAYING IS
A PROPER JOB, IS IT?
839
00:46:09,867 --> 00:46:11,802
WELL, YEAH.
840
00:46:11,869 --> 00:46:15,539
HOW MUCH DO YOU MAKE ON THAT?
150 QUID A WEEK?
841
00:46:15,606 --> 00:46:18,976
{\an5}-A NIGHT-- 150 QUID A NIGHT.
-A NIGHT, HOW MANY
NIGHTS A WEEK?
842
00:46:19,042 --> 00:46:21,912
{\an5}-ONE NIGHT A WEEK.
-ONE NIGHT A WEEK,
150 QUID A WEEK?
843
00:46:21,979 --> 00:46:25,249
{\an5}-ALRIGHT.
-150 QUID A WEEK,
THAT'S WHAT IT'S ABOUT?
844
00:46:25,315 --> 00:46:26,950
YEAH. YEAH.
845
00:46:27,017 --> 00:46:29,786
WHAT I SUGGEST YOU DO NOW,
IS YOU GO OUT, RIGHT?
846
00:46:29,853 --> 00:46:32,489
GO ALL THE HOME,
DON'T STOP, OKAY?
847
00:46:32,556 --> 00:46:36,727
{\an5}-YEAH.
-YOU PICK UP A MEAL,
TAKEAWAY, AN INDIAN OR CHINESE.
848
00:46:36,793 --> 00:46:37,995
-SHE LIKES CHINESE, DOESN'T SHE?
-YEAH.
849
00:46:38,061 --> 00:46:39,663
-CHINESE, OKAY.
-YEAH.
850
00:46:39,730 --> 00:46:43,000
-FLOWERS, RIGHT?
-YEAH, THE FULL SHEBANG.
851
00:46:43,066 --> 00:46:44,968
-WOMEN LOVE THAT.
-YEAH?
852
00:46:45,035 --> 00:46:50,073
THEY DO. YOU NEED TO
SORT IT OUT. JUST SORT IT OUT.
853
00:46:50,140 --> 00:46:51,275
RIGHT.
854
00:46:53,710 --> 00:46:56,313
[UPBEAT MUSIC]
855
00:47:00,150 --> 00:47:02,352
JUST LIKE-- I'M YOUNG.
856
00:47:04,888 --> 00:47:09,393
{\an5}JUST BECAUSE YOU KISSED A GIRL,
DOESN'T MEAN YOU DON'T
LOVE YOUR HUSBAND.
857
00:47:09,459 --> 00:47:11,995
[UPBEAT MUSIC]
858
00:47:15,799 --> 00:47:21,672
{\an5}I LOVE MY HUSBAND,
THAT DOESN'T MEAN I DON'T LIKE
TO HAVE SEX AS WELL WITH GIRLS.
859
00:47:21,738 --> 00:47:25,742
I THINK THAT'S WHAT PEOPLE DO
AS A RITE OF PASSAGE, ISN'T IT?
860
00:47:25,809 --> 00:47:27,411
[UPBEAT MUSIC]
861
00:47:31,081 --> 00:47:33,483
HE LOVES GIRLS TOO,
HE LOVES A GIRL NAMED RACHEL.
862
00:47:33,550 --> 00:47:34,985
THAT'S AMAZING.
863
00:47:36,320 --> 00:47:39,289
WE'RE NOT--
WE'RE NOT THE CONVENTIONAL SORT.
864
00:47:39,356 --> 00:47:42,192
[UPBEAT MUSIC]
865
00:47:51,668 --> 00:47:56,907
-MATT, WOW, HI.
-GILLIAN, BEEN LOOKING FOR YOU.
866
00:47:56,974 --> 00:48:00,911
WHAT ARE YOU DOING HERE?
[LAUGHS] OLLIE'S NOT HERE.
867
00:48:00,978 --> 00:48:04,014
I'M NOT HERE FOR OLLIE,
I'M HERE FOR YOU.
868
00:48:04,081 --> 00:48:07,017
-YOU GOT ME FLOWERS.
-CAN YOU JUST LISTEN.
869
00:48:07,084 --> 00:48:08,852
I JUST WANT TO TALK TO YOU,
IF THAT'S ALRIGHT?
870
00:48:08,919 --> 00:48:10,153
OKAY.
871
00:48:10,220 --> 00:48:11,922
YOU KNOW I WENT TO LONDON
AND I WENT
872
00:48:11,989 --> 00:48:13,323
TO GET AWAY BECAUSE
873
00:48:13,390 --> 00:48:15,592
YOU'RE WITH MY MATE
AND THAT'S NOT RIGHT
874
00:48:15,659 --> 00:48:17,961
{\an5}THAT I SHOULD
HAVE THE THOUGHTS THAT I HAVE,
BUT I HAVE THEM
875
00:48:18,028 --> 00:48:19,863
-AND I'VE DECIDED--
-HOLD ON RIGHT THERE.
876
00:48:19,930 --> 00:48:21,832
JUST COME IN,
COME IN A SEC.
877
00:48:21,898 --> 00:48:23,634
I WOULD LIKE THAT VERY MUCH.
878
00:48:23,700 --> 00:48:26,069
-WHAT ARE YOU TALKING ABOUT?
-IT MADE ME REALIZE SOMETHING.
879
00:48:26,136 --> 00:48:28,038
THE RIGHT THING TO DO,
IS TO BE WITH YOU.
880
00:48:28,105 --> 00:48:31,708
{\an5}NOW, I KNOW THAT MAYBE
YOU THINK "YOU LIKE,
AS IN YOU LIKE WRITING"
881
00:48:31,775 --> 00:48:35,812
AND MAYBE YOU THINK I CAN'T BE
THAT SORT OF GUY, BUT I CAN BE.
882
00:48:35,879 --> 00:48:38,849
I WROTE YOU A POEM.
CAN I READ IT TO YOU?
883
00:48:38,915 --> 00:48:41,285
OH, YEAH, PLEASE,
I'D LOVE TO HEAR YOUR POEM.
884
00:48:41,351 --> 00:48:43,553
I'VE NEVER WRITTEN BEFORE,
I'VE DONE THIS FOR YOU.
885
00:48:44,988 --> 00:48:46,757
-IT'S CALLED GILLIAN.
-OK.
886
00:48:46,823 --> 00:48:52,729
I THINK OF YOU NIGHT AND DAY AND
HOW YOU'D BE THE GREATEST LAY.
887
00:48:52,796 --> 00:48:55,098
I THINK OF US
TOGETHER AT LAST.
888
00:48:55,165 --> 00:48:58,035
I THINK OF BANGING YOU
OUT ON THE GRASS
889
00:48:58,101 --> 00:49:04,074
{\an5}TO KISS YOUR NECK WOULD BE
MY TASK, BUT IN THE END,
I'D WANT YOUR ASS.
890
00:49:04,675 --> 00:49:09,079
THERE IS NO ONE FINER
FROM HERE TO NORTH CAROLINA,
891
00:49:09,146 --> 00:49:12,749
AND IF YOU DON'T MIND,
I'D LIKE TO KISS YOUR VAGINA.
892
00:49:12,816 --> 00:49:14,751
OH, MY GOD, YEAH.
893
00:49:14,818 --> 00:49:17,120
[UPBEAT MUSIC]
894
00:49:17,187 --> 00:49:19,289
THAT WAS SO GOOD.
895
00:49:30,100 --> 00:49:32,569
HELLO, BABE, YOU ALRIGHT?
896
00:49:32,636 --> 00:49:34,171
[MOANING]
897
00:49:35,172 --> 00:49:37,808
I FEEL LIKE I'M DEEP INSIDE YOU.
898
00:49:38,508 --> 00:49:40,944
IF SHE'S IN THERE WITH YOU,
I'M COMING IN NOW!
899
00:49:41,011 --> 00:49:43,947
{\an5}-I'M JUST TELLING YOU NOW,
-[GILLIAN]
DON'T BE SO FUCKING LOUD.
900
00:49:44,014 --> 00:49:45,449
I DON'T KNOW WHAT'S GOING--
901
00:49:51,288 --> 00:49:53,924
-YOU ALRIGHT, MATE?
-ALRIGHT.
902
00:49:54,624 --> 00:49:57,194
YOU KNOW IT'S NOT BEEN RIGHT
BETWEEN YOU TWO
903
00:49:57,260 --> 00:50:00,197
AND YOU KNOW IT'S ALWAYS
BEEN RIGHT BETWEEN US.
904
00:50:00,263 --> 00:50:04,000
YOU NEED SOMEONE YOUR OWN SIZE,
AND SHE'S MY FIT.
905
00:50:04,067 --> 00:50:07,137
{\an5}-MATT.
-IN MANY WAYS,
I'VE DONE YOU A FAVOR.
906
00:50:07,204 --> 00:50:10,374
YOU NEED TO JUST STOP. JUST GO.
907
00:50:10,440 --> 00:50:12,209
-[MATT] I'LL BE WAITING.
-I DON'T THINK?
908
00:50:12,275 --> 00:50:17,447
I KNOW. WHAT ARE YOU--
WHAT ARE YOU DOING?
909
00:50:20,450 --> 00:50:25,088
-YOU FELL IN LOVE WITH SOMEONE.
-OH, GOD!
910
00:50:25,155 --> 00:50:27,624
"IN LOVE WITH SOMEONE."
OF COURSE I'M NOT.
911
00:50:27,691 --> 00:50:29,960
I DON'T BELIEVE IT FOR A SECOND.
I THINK YOU'RE JUST SAYING THAT
912
00:50:30,026 --> 00:50:32,629
{\an5}AND I THINK YOU'VE
FALLEN IN LOVE WITH HER,
AND I THINK YOU KISSING HER
913
00:50:32,696 --> 00:50:35,732
{\an5}IS WORSE THAN
ANY FUCKING DICK I COULD
TAKE IN MY PUSSY, RIGHT NOW.
914
00:50:35,799 --> 00:50:38,201
{\an5}-I'M IN LOVE WITH YOU.
-WHAT THE FUCK DO YOU MEAN
WITH SOME CONNECTION?
915
00:50:38,268 --> 00:50:40,237
I DON'T BELIEVE YOU FOR A SECOND
THAT YOU'RE IN LOVE WITH ME.
916
00:50:40,303 --> 00:50:42,239
I CAN SEE
YOU CONNECTING JUST NOW.
917
00:50:42,305 --> 00:50:43,573
YOU'VE HAD A WOMAN AND MAN.
918
00:50:43,640 --> 00:50:46,076
I'VE JUST HAVE ONE KISS.
919
00:50:46,143 --> 00:50:48,211
WHAT ARE WE EVEN DOING?
920
00:50:48,278 --> 00:50:49,312
I DON'T KNOW,
I'M NOT DOING ANYTHING.
921
00:50:49,379 --> 00:50:50,947
YOU'RE THE ONE DOING EVERYONE.
922
00:50:51,014 --> 00:50:52,883
THAT'S THE THING,
THAT'S THE THING.
923
00:50:52,949 --> 00:50:58,321
{\an5}YOU THINK THAT, IS YOU THINK
YOU'RE NOT DOING ANYTHING.
GET OUT.
924
00:51:00,190 --> 00:51:03,360
COME ON, GROW UP.
WHAT DO YOU MEAN, "GET OUT"?
925
00:51:03,427 --> 00:51:07,230
{\an5}"COME ON, GROW UP."
WHY AM I GROW--
GROW UP? GET OUT. GET OUT!
926
00:51:07,297 --> 00:51:10,267
GET OUT!
WE ARE NOT DOING WELL. GET OUT!
927
00:51:10,333 --> 00:51:13,103
NO, NO. YOU GET OUT!
928
00:51:14,237 --> 00:51:18,275
GET OUT OF MY MOTHER'S HOUSE!
HOW'S THAT?
929
00:51:18,341 --> 00:51:20,210
{\an5}-OH YEAH, IT'S YOUR
MOMMY'S HOUSE.
-YOU GET OUT.
930
00:51:20,277 --> 00:51:22,479
-WHOSE HOUSE IS IT?
-STAY IN MOMMY'S HOUSE, THEN.
931
00:51:22,546 --> 00:51:25,382
DON'T BRING MY MOTHER
INTO IT, NOW!
932
00:51:25,449 --> 00:51:28,251
{\an5}YOU'RE DISGUSTING
KICKING A WOMAN OUT
OF HER OWN FUCKING HOUSE.
933
00:51:28,318 --> 00:51:30,253
[OLIVER] OH, FUCK OFF!
934
00:51:30,320 --> 00:51:33,256
[FATEFUL MUSIC]
935
00:51:47,070 --> 00:51:49,239
[ROMANTIC SONG]
936
00:52:01,084 --> 00:52:05,155
{\an5}I'M GOING DO REALLY--
I'M GOING TO SURPRISE YOU NOW.
OKAY, ARE YOU READY?
937
00:52:05,222 --> 00:52:09,092
-I'M READY?
-OH, MY GOD, YOU DON'T DO IT.
938
00:52:09,159 --> 00:52:11,161
LEFT HANDED.
939
00:52:11,228 --> 00:52:13,296
THAT'S A FIT.
I'M GONNA BE OFF A NEW DRILL.
940
00:52:26,476 --> 00:52:28,578
[OLIVER] ARE YOU READY? I'MGOING TO THROW TO YOU, RIGHT?
941
00:52:31,114 --> 00:52:32,582
{\an5}-OH, SORRY BABE,
I DIDN'T MEAN TO-
-AWW!
942
00:52:33,650 --> 00:52:36,186
{\an5}-THAT ONE HURT.
-ALL OF ME, THAT WAS ALL
ON ME, THAT WAS MY THROW.
943
00:52:36,253 --> 00:52:37,420
COME HERE, COME HERE.
944
00:52:38,154 --> 00:52:39,623
MY FAULT. MORE?
945
00:52:43,126 --> 00:52:46,229
-BETTER, YEAH?
-YEAH.
946
00:52:47,597 --> 00:52:48,565
THANK YOU.
947
00:52:52,869 --> 00:52:57,073
{\an5}[OLIVER] OH, YES!
DID YOU SEE THE WAY YOU DID
THAT? STRAIGHT UP, LIKE A BOOM?
948
00:52:57,140 --> 00:52:58,975
YOU LIKE WHEN
I GO LIKE THAT? FRISBEE.
949
00:52:59,042 --> 00:53:00,176
YOU LOOK GORGEOUS.
950
00:53:00,243 --> 00:53:02,445
[FATEFUL MUSIC]
951
00:53:17,761 --> 00:53:19,329
YOU'RE HAVING A THINK?
952
00:53:24,100 --> 00:53:25,769
-ARE YOU HAVING A THINK?
-YEAH.
953
00:53:29,139 --> 00:53:30,407
IT'S GOING
TO TAKE A WHILE?
954
00:53:34,444 --> 00:53:35,712
CAN YOU HAVE A THINK
IN THE CAR?
955
00:53:35,779 --> 00:53:37,113
IT'S JUST,
956
00:53:37,180 --> 00:53:39,316
I FORGOT WWE SMACKDOWN
957
00:53:39,382 --> 00:53:41,718
AND IT'S ON IN 23 MINUTES.
958
00:53:41,785 --> 00:53:45,789
HEY, MATT.
959
00:53:45,855 --> 00:53:46,823
YEAH.
960
00:53:48,358 --> 00:53:50,527
-DO YOU LIKE THE BEACH?
-YEAH, I LOVE IT.
961
00:53:51,161 --> 00:53:53,863
YOU KNOW HOW
PARENTS TAKE LIKE A SHELL
962
00:53:53,930 --> 00:53:57,367
{\an5}AND THEY PUT IT TO YOUR EAR,
AND THEY GO:
"YOU KNOW, THAT'S THE OCEAN."
963
00:53:57,434 --> 00:54:01,371
{\an5}-YEAH.
-MY DAD DID THAT.
HE SAID: "THIS IS THE SEA."
964
00:54:01,438 --> 00:54:04,207
AND THEN, YOU LISTEN AND
IT'S LIKE [WHISTLING].
965
00:54:04,274 --> 00:54:08,244
IT SOUNDS LIKE THE SEA,
BUT ACTUALLY IT'S NOT.
966
00:54:08,311 --> 00:54:14,150
{\an5}-WHAT IS IT?
-IT'S JUST THE WAY THAT
THE SHELL IS STRUCTURED
967
00:54:14,217 --> 00:54:15,552
AND THEN, YOU LOOK
LIKE A FUCKING IDIOT
968
00:54:15,619 --> 00:54:17,954
WHEN YOU FINALLY TELL SOMEONE:
969
00:54:18,021 --> 00:54:20,957
{\an5}"THAT'S THE SEA IN THERE."
AND THEY'RE LIKE:
"NO, IT'S NOT."
970
00:54:21,024 --> 00:54:24,294
{\an5}AND I KNOW HE WASN'T LYING,
HE WAS JUST TRYING
TO MAKE IT NICE,
971
00:54:24,361 --> 00:54:26,696
{\an5}BUT IT ACTUALLY
DID END UP BEING A LIE
BECAUSE THEN YOU BELIEVE IT
972
00:54:26,763 --> 00:54:28,898
{\an5}-AND THEN, YOU LOOK LIKE
A FUCKING IDIOT.
-RIGHT.
973
00:54:30,300 --> 00:54:31,635
IT'S HORRIBLE, ISN'T IT?
974
00:54:33,303 --> 00:54:35,238
YEAH, YEAH.
975
00:54:35,305 --> 00:54:38,341
I MEAN, IT SOUNDS LIKE IT WAS
QUITE A LONG TIME AGO, THOUGH,
976
00:54:38,408 --> 00:54:43,713
SO, PROBABLY BEST NOT
TO THINK ABOUT IT ANYMORE.
977
00:54:50,654 --> 00:54:55,692
DO YOU EVER THINK
ABOUT WHAT LOVE IS?
978
00:54:56,226 --> 00:55:00,430
{\an5}-ACTUAL LOVE?
-YEAH. WHAT IS IT?
WHAT DO PEOPLE MEAN?
979
00:55:00,497 --> 00:55:04,267
{\an5}BECAUSE IT'S THIS MYTH,
ISN'T IT?
IT'S JUST A CONCEPT.
980
00:55:04,334 --> 00:55:07,137
-NO. LOVE IS A THING.
-WHAT IS IT?
981
00:55:07,203 --> 00:55:11,307
{\an5}IT'S A CHEMICAL
REACTION IN THE BODY.
I LOOK AT YOU, AND I LOVE YOU
982
00:55:11,374 --> 00:55:13,610
AND WHAT THAT MEANS IS,
I SEE YOU.
983
00:55:13,677 --> 00:55:16,713
THE IMAGE PASS THROUGH
MY EYES TO MY BRAIN
984
00:55:16,780 --> 00:55:19,282
DOWN TO MY HEART,
AND INTO MY KNOB
985
00:55:19,349 --> 00:55:23,153
AND I GET A BONER,
AND THAT MEANS I LOVE YOU,
986
00:55:23,219 --> 00:55:24,688
AND YOU RECIPROCATE IT.
987
00:55:24,754 --> 00:55:28,058
YOU LOOK AT ME, AND YOU
SEE ME THROUGH YOUR EYES
988
00:55:28,124 --> 00:55:30,393
AND IT GOES THROUGH YOUR HEAD,
THROUGH YOUR HEART
989
00:55:30,460 --> 00:55:36,766
{\an5}AND YOU GET WIDE ON.
AND, IF I HAVE A BONER AND
YOU HAVE A WIDE ON, THAT'S LOVE.
990
00:55:36,833 --> 00:55:39,169
IF I HAVE A BONER,
AND YOU DON'T HAVE A WIDE ON
991
00:55:39,235 --> 00:55:43,373
THAT'S UNREQUITED,
AND VICE VERSA.
992
00:55:43,440 --> 00:55:47,644
AND WHEN WE KISS, THAT'S
SOULMATES, FOR THAT MOMENT.
993
00:55:47,711 --> 00:55:51,381
YEAH. I THINK YOU'RE RIGHT.
994
00:55:51,448 --> 00:55:54,718
{\an5}-I AM RIGHT.
-I THINK YOU ARE RIGHT. THAT'S
IT, THOUGH. IT'S JUST SIMPLE.
995
00:55:54,784 --> 00:55:57,353
IT'S JUST SIMPLE.
IT'S JUST...
996
00:55:57,420 --> 00:55:59,322
PEOPLE HAVE BEEN WRITING
WHAT THEY'VE BEEN WRITING
997
00:55:59,389 --> 00:56:01,791
{\an5}CREATING WHAT
THEY'VE BEEN CREATING
THE MESSES THEY'VE BEEN MAKING
998
00:56:01,858 --> 00:56:04,461
AND THE PEOPLE THEY'VE
BEEN MURDERING FOR THIS
999
00:56:04,527 --> 00:56:06,463
ALL BECAUSE THEY'RE
FUCKING HORNY.
1000
00:56:07,597 --> 00:56:09,466
-YEAH.
-YOU MIGHT BE RIGHT.
1001
00:56:09,532 --> 00:56:12,769
I'M COMPLETELY RIGHT.
I'VE PROVED IT MANY TIMES.
1002
00:56:15,305 --> 00:56:16,740
YOU LOVE ME?
1003
00:56:16,806 --> 00:56:19,509
RIGHT NOW,
I LOVE THE SHIT OUT OF YOU.
1004
00:56:19,576 --> 00:56:21,377
DO YOU WANT TO LOVE ME
IN THE VAN?
1005
00:56:21,444 --> 00:56:23,279
I WANT TO LOVE YOU
TILL YOU'RE DEAD.
1006
00:56:23,346 --> 00:56:26,750
OKAY, IN THE CAR.
TAKE ME TO THE VAN.
1007
00:56:28,485 --> 00:56:31,488
ONE SECOND, LET ME ADJUST THIS.
1008
00:56:32,756 --> 00:56:37,460
YOU LIE DOWN,
I'M JUST GOING TO CLIMB ON.
1009
00:56:37,527 --> 00:56:39,496
FUCKING HELL, HOLD ON.
1010
00:56:39,562 --> 00:56:41,731
[ROMANTIC SONG]
1011
00:56:41,798 --> 00:56:42,732
OKAY.
1012
00:56:44,300 --> 00:56:45,602
[MOANING]
1013
00:56:53,376 --> 00:56:57,147
THAT'S SO NICE.
THAT IS-- WAIT.
1014
00:56:57,213 --> 00:57:00,450
WAIT, WAIT LET ME JUST
GET MY LEG. IT'S CRAMPING.
1015
00:57:04,788 --> 00:57:09,759
{\an5}IF YOU JUST STAY STILL,
I CAN JUST DO IT.
IF YOU JUST STAY RIGHT--
1016
00:57:09,826 --> 00:57:12,295
JUST STICK YOUR TONGUE OUT.
1017
00:57:12,362 --> 00:57:13,730
MMM.
1018
00:57:15,999 --> 00:57:17,834
WHAT ARE YOU DOING?
1019
00:57:17,901 --> 00:57:21,137
I'M DOING 20 MINUTE INTERVALS,
YOU KNOW WHAT I MEAN, SO THAT--
1020
00:57:21,204 --> 00:57:22,739
WE'RE TO START WITH THIS
AND WE'RE GOING TO MOVE ON
1021
00:57:22,806 --> 00:57:26,476
[CROSS TALK]
TO DIFFERENT-- YEAH.
1022
00:57:26,543 --> 00:57:29,345
I'LL LET YOU KNOW.
I HAVE A CLUE.
1023
00:57:29,412 --> 00:57:31,815
I'VE GOT THE PHONE
RIGHT HERE, BABY.
1024
00:57:33,550 --> 00:57:35,018
[MOANING]
1025
00:57:35,084 --> 00:57:37,053
[ROMANTIC SONG]
1026
00:57:37,120 --> 00:57:38,488
[MOANING]
1027
00:57:40,456 --> 00:57:42,725
[MOANING]
1028
00:57:58,341 --> 00:57:59,509
[MATT] THAT IS IT?
1029
00:58:00,944 --> 00:58:04,247
-[GILLIAN] THIS IS THE--
-[MATT] SO, THIS IS IT?
1030
00:58:04,314 --> 00:58:06,649
-[GILLIAN] THIS IS THE TENT?
-[MATT] THIS IS ALL YOURS?
1031
00:58:06,716 --> 00:58:07,884
[GILLIAN]
IT'S MINE AND OLIVER'S.
1032
00:58:07,951 --> 00:58:10,620
-THE-- GENERALLY--
-AMERICANO?
1033
00:58:10,687 --> 00:58:14,390
HI. GOOD MORNING.
YOU GOT THIS FOR ME?
1034
00:58:14,457 --> 00:58:17,493
-YEAH, I KNOW YOU LIKE IT.
-ALRIGHT, MATE.
1035
00:58:17,560 --> 00:58:18,928
-ALRIGHT, YEAH.
-THANK YOU.
1036
00:58:18,995 --> 00:58:20,897
I ONLY GOT ONE,
I DIDN'T KNOW HE WAS COMING.
1037
00:58:20,964 --> 00:58:23,032
THAT'S ALRIGHT, MATE.
COFFEE IS BAD FOR YOU.
1038
00:58:24,467 --> 00:58:28,738
HOW IS THIS FEELING FOR YOU NOW?
IS THIS ALL LOOKING RIGHT?
1039
00:58:28,805 --> 00:58:30,840
OH, WOW. OKAY.
DID YOU DO THIS?
1040
00:58:30,907 --> 00:58:32,675
YEAH.
AND TONY SET IT ALL UP.
1041
00:58:32,742 --> 00:58:34,410
DID YOU PUT UP THAT FABRIC?
1042
00:58:34,477 --> 00:58:36,813
-YEAH, I PUT IT OVER THE THING.
-THAT'S GREAT. THANK YOU.
1043
00:58:36,880 --> 00:58:39,716
IT'S SMALL, BECAUSE
THE RATIO OF THE STAGE
1044
00:58:39,782 --> 00:58:42,085
TO THE TENT
IS A LITTLE BIT WEAK.
1045
00:58:42,151 --> 00:58:43,319
IT'S MORE THAN WEAK, YEAH.
1046
00:58:43,386 --> 00:58:44,587
YOU CAN PUT STUFF UP TO BREAK UP
1047
00:58:44,654 --> 00:58:46,689
THE WHITE A LITTLE BIT. TWIGS.
1048
00:58:46,756 --> 00:58:50,159
I HATE THE TWIGS.
I REALLY HATE THE TWIGS.
1049
00:58:50,226 --> 00:58:53,129
{\an5}-DO WHATEVER YOU WANT, I'M NOT--
-I'LL GIVE THEM A TRY.
I WILL GIVE THEM A TRY.
1050
00:58:53,196 --> 00:58:55,865
YEAH? OR WE'LL GET SOMETHING
ELSE, THEN, MAYBE?
1051
00:58:55,932 --> 00:58:58,568
I THINK YOU'RE RIGHT
ABOUT THE FOLIAGE, ACTUALLY.
1052
00:59:00,570 --> 00:59:03,139
CAN I--
AND YOU WANT THESE?
1053
00:59:03,206 --> 00:59:05,008
YEAH, WE CAN PUT THOSE
WHEREVER YOU WANT.
1054
00:59:05,875 --> 00:59:08,645
MATE, CAN I HAVE A WORD?
1055
00:59:08,711 --> 00:59:12,582
{\an5}-YEAH, SORRY, I'VE JUST GOT
TO GO AND HAVE A WORD.
-JUST BE A MINUTE, BABE.
1056
00:59:12,649 --> 00:59:14,117
I'LL JUST BE A SECOND, NOW.
1057
00:59:14,183 --> 00:59:15,551
YEAH, BE NICE.
1058
00:59:15,618 --> 00:59:17,587
I RE-DID THE LIFE TABLE.
1059
00:59:17,654 --> 00:59:19,389
-WHAT?
-SCORES HAVE CHANGED.
1060
00:59:19,455 --> 00:59:20,423
I'M AMAZED
YOU'RE STILL DOING THIS?
1061
00:59:20,490 --> 00:59:21,424
CRISSCROSS,
1062
00:59:21,491 --> 00:59:23,426
YOU, BLANK. JEFF, SPOTS.
1063
00:59:23,493 --> 00:59:28,398
JEFF, STANDARD AS USUAL.
GIRLFRIENDS, ME WAY MORE. WHYS?
1064
00:59:28,464 --> 00:59:32,468
{\an5}YES, YOU HAD ONE,
BUT I FUCKED HER.
ONE NIGHTERS, LOADS MORE.
1065
00:59:32,535 --> 00:59:35,972
COOL JOBS, ME,
WAY MORE. HOLIDAYS--
1066
00:59:36,039 --> 00:59:38,875
{\an5}-COOL JOBS?
-YEAH, MATE.
I'M A PERSONAL TRAINER.
1067
00:59:38,942 --> 00:59:40,810
-ARE YOU?
-YES, MATE.
1068
00:59:40,877 --> 00:59:42,779
{\an5}-ARE YOU ACTUALLY
A PERSONAL TRAINER?
-YES, MATE.
1069
00:59:42,845 --> 00:59:45,348
{\an5}-OR...
-I WORK WITH WOMEN.
I MAKE THEIR BUTTS BIGGER.
1070
00:59:45,415 --> 00:59:49,852
{\an5}-YEAH, I'M A DJ.
-YOU ARE WEDDING DJ.
IT'S NOT QUITE THE SAME.
1071
00:59:49,919 --> 00:59:52,555
{\an5}WHAT DO YOU WANT?
I'VE HAD THE TIME OF MY LIFE
AGAIN? ALRIGHT.
1072
00:59:52,622 --> 00:59:57,193
{\an5}-I'VE GOT A RESIDENCY.
-YOU'RE LIKE AN UNCLE.
YOU ARE A RESIDENT UNCLE.
1073
00:59:57,260 --> 01:00:00,596
I DO BIRTHDAY PARTIES AND
I DO ANY CELEBRATION YOU WANT
1074
01:00:00,663 --> 01:00:02,899
REALLY, I CAN GO AROUND.
I DO ALL OF THE STUFF.
1075
01:00:02,966 --> 01:00:05,601
MOVING ON, HOLIDAYS--
LOOK, I GAVE YOU THAT.
1076
01:00:05,668 --> 01:00:07,036
-OKAY.
-FRIENDS, EVEN.
1077
01:00:07,103 --> 01:00:10,440
FASHION, NO COMPETITION.
FEASANCE, NO COMPETITION,
1078
01:00:10,506 --> 01:00:15,244
{\an5}ANAL, ALTHOUGH, LOOK, THERE WAS
THAT ONE TIME YOU TOLD ME ABOUT
BUT I'M SURE THAT WAS A MISTAKE.
1079
01:00:15,311 --> 01:00:18,748
{\an5}-TRUE LOVE.
-TRUE LOVE?
HOW HAVE YOU DONE THAT?
1080
01:00:18,815 --> 01:00:22,585
{\an5}I SHOULD BE AT THE TOP OF THAT.
GIVE ME-- YOU CAN'T
JUST BE DOING THAT, "TRUE LOVE"
1081
01:00:22,652 --> 01:00:25,388
{\an5}JUST ALL OF A SUDDEN--
JEFF'S ON THE SAME
AS ME AS TRUE LOVE.
1082
01:00:25,455 --> 01:00:29,859
MATE, WHAT DID RIHANNA SAY?
"ALL'S FAIR IN LOVE AND WAR."
1083
01:00:29,926 --> 01:00:34,263
{\an5}LOOK, OKAY.
ALL IS FAIR AND ALL THAT,
BUT COME ON, NOW.
1084
01:00:34,330 --> 01:00:36,232
YOU'VE HAD A BIT OF
A LAUGH NOW, RIGHT?
1085
01:00:36,299 --> 01:00:37,800
YOU'VE DONE THAT NOW, JUST--
1086
01:00:37,867 --> 01:00:40,770
I'VE DONE THAT A FEW TIMES.
WHAT DO MATES DO?
1087
01:00:40,837 --> 01:00:43,740
THEY STEP ASIDE
WHEN A MATE FINDS LOVE.
1088
01:00:43,806 --> 01:00:45,808
-EXACTLY, MATE. SO--
-AND THEY LET LOVE BLOOM.
1089
01:00:45,875 --> 01:00:50,046
{\an5}-OKAY. SO, AS A MATE, YOU
SHOULD STEP ASIDE, OUT OF YOUR--
-[GILLIAN] YOU TWO,
1090
01:00:50,113 --> 01:00:52,482
WOULD YOU MIND? I'M JUST
TRYING TO WORK OVER HERE.
1091
01:00:52,548 --> 01:00:54,650
{\an5}-JUST KEEP IT DOWN A BIT.
-DO YOU NEED ANY HELP
MOVING ANYTHING?
1092
01:00:54,717 --> 01:00:56,686
I CAN MOVE THE WHOLE THING
IF YOU NEED IT.
1093
01:00:56,753 --> 01:00:57,787
WE DON'T NEED
THE WHOLE THING MOVED
1094
01:00:57,854 --> 01:00:59,455
WE JUST NEED THAT MOVING.
1095
01:00:59,522 --> 01:01:01,691
{\an5}-WE JUST--
-HOW MUCH OF THE
STUFF DID YOU NEED MOVED?
1096
01:01:01,758 --> 01:01:02,792
I CAN MOVE STUFF, AS WELL.
1097
01:01:02,859 --> 01:01:04,160
I'M JUST TRYING TO FOCUS,
1098
01:01:04,227 --> 01:01:05,661
IT'S HARD TO FOCUS.
1099
01:01:05,728 --> 01:01:06,829
[OLIVER] ALRIGHT, SORRY.
1100
01:01:06,896 --> 01:01:08,031
[GILLIAN] IT'S OKAY.
1101
01:01:09,032 --> 01:01:10,633
THAT'S A BIT
CHILDISH, ISN'T IT?
1102
01:01:10,700 --> 01:01:12,568
BIT CHILDISH,
DOING THAT LIKE THAT.
1103
01:01:12,635 --> 01:01:15,872
IS IT LIKE THAT?
GO ON.
1104
01:01:16,739 --> 01:01:19,142
[GROANING]
1105
01:01:26,783 --> 01:01:28,818
[OLIVER] GET OFF.
1106
01:01:36,392 --> 01:01:38,327
[GROANS]
1107
01:01:52,141 --> 01:01:54,243
-WHAT'S THAT?
-THIS NEEDS REDOING?
1108
01:01:54,310 --> 01:01:55,912
WHAT'RE YOU DOING THERE?
1109
01:01:58,881 --> 01:02:02,151
{\an5}-FIGHTING.
-FOR A DRAW?
IT WAS A DRAW, MATE.
1110
01:02:02,218 --> 01:02:05,321
[CHEERFUL MUSIC]
1111
01:02:08,858 --> 01:02:11,928
{\an5}-IS THERE A PLUG HOLE
IN THE TENT?
-YEAH.
1112
01:02:12,962 --> 01:02:15,598
I LOVE THE TENT.
I REALLY LOVE IT.
1113
01:02:16,165 --> 01:02:19,168
-IT'LL BREAK UP THE WHITE.
-YEAH.
1114
01:02:19,235 --> 01:02:21,771
WHY HAVE YOU BROUGHT A FRISBEE
I THOUGHT WE WERE WORKING OUT.
1115
01:02:21,838 --> 01:02:23,706
OKAY, CATCH IT.
JUST KEEP YOUR EYE ON IT,
1116
01:02:23,773 --> 01:02:26,342
AND THEN YOU DEFINITELY
WILL CATCH IT.
1117
01:02:26,409 --> 01:02:27,777
ALRIGHT, THROW IT.
1118
01:02:27,844 --> 01:02:29,979
I'M SORRY, I'M SO SORRY.
1119
01:02:30,046 --> 01:02:31,647
MATT, WHAT ARE YOU DOING?
1120
01:02:31,714 --> 01:02:33,716
MATT, NOT RIGHT HERE.
1121
01:02:33,783 --> 01:02:35,551
I JUST WANTED TO
PLAY FRISBEE.
1122
01:02:35,618 --> 01:02:37,920
THAT'S ALL I WANTED.
GET ON MY BACK.
1123
01:02:37,987 --> 01:02:39,922
-WHY?
-BECAUSE WE'RE DOING A WORKOUT.
1124
01:02:39,989 --> 01:02:41,290
I WANTED TO
SHOW YOU SOMETHING.
1125
01:02:41,357 --> 01:02:42,358
OKAY.
1126
01:02:44,727 --> 01:02:47,230
{\an5}-AND NOW WHAT?
-WELL, IF YOU'RE NOT
GOING TO DO IT PROPERLY,
1127
01:02:47,296 --> 01:02:48,698
FORGET IT.
1128
01:02:48,764 --> 01:02:50,433
BUT I'M JUST DOING
WHAT YOU TOLD ME TO.
1129
01:02:50,500 --> 01:02:52,135
{\an5}-YOU'RE BEING
HEAVIER ON PURPOSE.
-IS THAT IT?
1130
01:02:52,201 --> 01:02:53,569
WHERE'D THE FRISBEE GO, THEN?
1131
01:02:53,636 --> 01:02:54,804
FUCK THE FRISBEE.
1132
01:02:55,705 --> 01:02:57,073
-WHY?
-LET'S GO GET BACK.
1133
01:02:57,140 --> 01:02:58,808
WE'VE GOT TO SET UP
THE BARBECUE.
1134
01:02:59,876 --> 01:03:01,277
WE HARDLY PLAYED.
1135
01:03:01,344 --> 01:03:03,112
[CHEERFUL MUSIC]
1136
01:03:15,858 --> 01:03:18,728
-OLIVER.
-YEAH?
1137
01:03:19,295 --> 01:03:22,999
IT'S OKAY.
IT'S GOING TO BE OKAY.
1138
01:03:23,065 --> 01:03:25,801
IT'S ALL GOING TO BE FINE,
AND I'M SORRY FOR--
1139
01:03:25,868 --> 01:03:29,138
OH, YEAH, NO, THERE'S NOTHING
TO BE SORRY ABOUT.
1140
01:03:29,205 --> 01:03:31,707
OH, NO, I FEEL REALLY
AWFUL ABOUT IT.
1141
01:03:31,774 --> 01:03:32,842
DON'T FEEL AWFUL
ABOUT IT.
1142
01:03:32,909 --> 01:03:35,811
I MEAN, I DIDN'T FEEL AWFUL...
1143
01:03:35,878 --> 01:03:39,081
KISSING YOU WAS NICE.
1144
01:03:40,683 --> 01:03:42,451
JUST WAS A HAPPY MOMENT.
1145
01:03:42,518 --> 01:03:43,853
IT WAS JUST A HAPPY MOMENT.
1146
01:03:43,920 --> 01:03:45,354
IT WAS JUST A HAPPY MOMENT.
1147
01:03:54,130 --> 01:03:56,032
I HAVE TO GET HER BACK.
1148
01:03:58,968 --> 01:04:02,305
WHAT IF WE GO
TO THE BARBECUE?
1149
01:04:02,371 --> 01:04:03,873
WHO'S BARBECUE?
1150
01:04:03,940 --> 01:04:07,009
MATT'S HAVING A BARBECUE
AT HIS PARENT'S HOUSE.
1151
01:04:07,076 --> 01:04:09,946
IF WE TURN UP TOGETHER THEN,
1152
01:04:10,012 --> 01:04:12,982
GO IN THERE FAIRLY STRONG,
AND THEN YOU GET STRAIGHT IN
1153
01:04:13,049 --> 01:04:17,853
IN BETWEEN MATT AND GILLIAN,
AND JUST TAKE HIM AWAY.
1154
01:04:17,920 --> 01:04:18,921
-OH, I SEE.
-JUST GET HIM AWAY,
1155
01:04:18,988 --> 01:04:21,691
BECAUSE HE'LL BE REALLY INTO
1156
01:04:21,757 --> 01:04:24,961
{\an5}THE WAY YOU LOOK, AND STUFF.
IF YOU CAN JUST THEN
KEEP HIM OUT OF THE WAY,
1157
01:04:25,027 --> 01:04:30,099
IT WOULD JUST
REALLY LET ME GET--
1158
01:04:30,166 --> 01:04:31,334
I SEE WHAT YOU'RE SAYING.
1159
01:04:32,835 --> 01:04:34,036
-ALRIGHT.
-DEAL?
1160
01:04:34,103 --> 01:04:36,072
-DEAL.
-DEAL.
1161
01:04:41,177 --> 01:04:43,012
YOU REALLY WANT HER BACK,
DON'T YOU?
1162
01:04:44,113 --> 01:04:45,481
I DON'T KNOW
WHAT TO DO WITHOUT HER.
1163
01:04:47,950 --> 01:04:50,720
{\an5}-OI, YOU'RE NOT
VEGETARIAN, ARE YOU?
-WHAT?
1164
01:04:50,786 --> 01:04:51,887
YOU'RE NOT
VEGETARIAN, ARE YOU?
1165
01:04:51,954 --> 01:04:54,724
-NO.
-THANK GOD FOR THAT.
1166
01:04:54,790 --> 01:04:57,393
IT IS VERY PICNICKY. HEADS UP.
1167
01:04:57,460 --> 01:04:58,461
OH, SHIT.
1168
01:05:04,033 --> 01:05:05,968
IN SCENE TWO,
SHE ALREADY FEELS
1169
01:05:06,035 --> 01:05:07,503
LIKE THEIR MARRIAGE
IS FALLING APART
1170
01:05:07,570 --> 01:05:09,338
AND SHE SAYS:
"WHO DO YOU FANCY IN HERE?"
1171
01:05:09,405 --> 01:05:11,540
IT IS A TRICK QUESTION.
IF YOU ASK SOMEONE
1172
01:05:11,607 --> 01:05:14,243
WHO YOU'RE WITH, IF THEY FANCY--
1173
01:05:14,310 --> 01:05:16,812
WHO THEY FANCY, WHAT DO
YOU THINK THEY MEAN?
1174
01:05:16,879 --> 01:05:20,316
{\an5}-THEY MEAN--
-HANG ON, IF YOU ASK
ME "WHO DO I FANCY?"
1175
01:05:20,383 --> 01:05:22,551
-YEAH.
-YOU.
1176
01:05:22,618 --> 01:05:24,186
THANK YOU.
1177
01:05:25,288 --> 01:05:27,323
I WAS JUST ON THE PHONE
TO ONE OF MY ACTORS,
1178
01:05:27,390 --> 01:05:31,794
SHE'S A FUCKING NIGHTMARE.
SHE'S TRYING TO INFUSE HER OWN
1179
01:05:31,861 --> 01:05:34,096
MEANINGS INTO MY WRITING.
1180
01:05:34,163 --> 01:05:38,634
{\an5}ALL I WANT HER TO DO,
IS SIMPLY SAY THE LINE,
YOU KNOW.
1181
01:05:38,701 --> 01:05:42,605
LIKE I DON'T ACTUALLY NEED HER
TO DO LIKE PREGNANT PAUSES.
1182
01:05:42,672 --> 01:05:45,875
{\an5}-OH, YEAH.
-BUT ANYWAY,
I JUST TOLD HER THAT.
1183
01:05:45,941 --> 01:05:48,477
PLEASE, JUST SAY THE LINES.
1184
01:05:49,211 --> 01:05:51,847
-AND...
-WHAT DID SHE SAY?
1185
01:05:51,914 --> 01:05:55,818
SHE SAID:
"SURE." BUT LISTEN
1186
01:05:55,885 --> 01:05:58,354
I JUST DON'T HAVE A GOOD
RELATIONSHIP WITH THESE ACTORS.
1187
01:05:58,421 --> 01:06:00,790
THEY HATE ME,
THEY THINK I'M SOME SORT
1188
01:06:00,856 --> 01:06:03,893
OF CONTROLLING BITCH,
BUT I AM, BECAUSE IT'S MY PLAY.
1189
01:06:03,959 --> 01:06:05,261
YEAH, YOU'RE THE BOSS.
1190
01:06:05,328 --> 01:06:07,463
I'M JUST GOING TO
SPREAD THIS BLANKET OUT.
1191
01:06:08,531 --> 01:06:10,032
OKAY.
1192
01:06:10,933 --> 01:06:12,234
IT'S A NICE BLANKET.
1193
01:06:12,301 --> 01:06:14,103
YEAH, IT'S A SOLID BLANKET.
1194
01:06:18,107 --> 01:06:20,309
DO YOU WANT TO COME
ON THE BLANKET WITH ME?
1195
01:06:20,910 --> 01:06:23,079
WELL, I MEAN,
I'M STILL COOKING, SO.
1196
01:06:23,946 --> 01:06:25,247
VERY SOFT.
1197
01:06:26,415 --> 01:06:28,751
DO YOU WANT TO COME
LIE DOWN ON IT WITH ME?
1198
01:06:28,818 --> 01:06:32,221
{\an5}I CAN'T TAKE MY EYES OF THIS,
YOU OVERCOOK THESE,
YOU RUIN IT.
1199
01:06:33,689 --> 01:06:36,625
BUT I WANTED TO CELEBRATE.
1200
01:06:38,894 --> 01:06:40,329
WHAT DO YOU MEAN?
1201
01:06:40,396 --> 01:06:43,399
WELL, I WANT TO HAVE
A CELEBRATORY SHAG.
1202
01:06:44,567 --> 01:06:47,103
IN YOUR MOM'S GARDEN.
1203
01:06:49,271 --> 01:06:50,306
WHAT ARE YOU CELEBRATING?
1204
01:06:50,373 --> 01:06:53,409
MY PLAY BEING PRODUCED, FINALLY.
1205
01:06:54,076 --> 01:06:58,180
YEAH, IN A TENT
FOR LIKE 40 PEOPLE.
1206
01:06:59,915 --> 01:07:01,384
IT'S GOOD.
1207
01:07:05,020 --> 01:07:07,156
IT'S SOMETHING.
1208
01:07:07,223 --> 01:07:09,458
SOME PEOPLE NEVER GET THAT,
NOT EVEN A TENT.
1209
01:07:09,525 --> 01:07:13,195
THAT'S TRUE.
LISTEN, I'D LOVE TO SHAG YOU,
1210
01:07:13,262 --> 01:07:17,666
BUT JEFF IS COMING AROUND,
AND MY MOM COULD WALK IN.
1211
01:07:18,401 --> 01:07:22,071
WHAT WE HAVE IS LIKE--
IT'S MORE THAN JUST SEX.
1212
01:07:22,138 --> 01:07:24,206
NOT JUST-- YOU CAN'T JUST
HAVE SEX ALL THE TIME.
1213
01:07:24,273 --> 01:07:27,009
I LOVE SEX,
I'M ALL ABOUT SEX,
1214
01:07:27,076 --> 01:07:29,612
BUT THE FACT IS,
THERE IS MORE TO LIFE.
1215
01:07:31,280 --> 01:07:33,649
SOMETIMES I JUST WANT
TO KNOW ABOUT YOU.
1216
01:07:34,984 --> 01:07:36,252
THE REAL YOU.
1217
01:07:37,019 --> 01:07:38,554
SHOULD I HAVE BROUGHT SOME MEAT?
1218
01:07:39,622 --> 01:07:41,056
NO, I DON'T THINK SO.
1219
01:07:41,123 --> 01:07:42,425
I HAVEN'T BOUGHT ANYTHING,
1220
01:07:42,491 --> 01:07:45,227
-NOT EVEN SAUSAGE.
-DON'T WORRY ABOUT THAT,
1221
01:07:45,294 --> 01:07:47,863
GUYS, I'M NOT SURE
THIS IS A GOOD IDEA.
1222
01:07:47,930 --> 01:07:51,767
{\an5}-IT'LL BE FINE.
-IT'S OKAY, WE'VE GOT
QUITE A ROBUST PLAN.
1223
01:07:51,834 --> 01:07:55,738
{\an5}-HE SPECIFICALLY INVITED ME,
NOT YOU GUYS, I MEAN--
-[RACHEL] YOU'LL BE FINE.
1224
01:07:55,805 --> 01:07:58,674
{\an5}-[OLIVER] YOU'LL BE FINE.
-YOU'LL BE ABSOLUTELY FINE,
YOU'LL HAVE A LOVELY TIME,
1225
01:07:58,741 --> 01:08:00,943
-AND I'M GOING TO--
-[OLIVER] YEAH, THAT'D BE GREAT.
1226
01:08:02,411 --> 01:08:06,982
{\an5}-[RACHEL] WHAT A LOVELY HOUSE.
-YEAH, IT'S HIS PARENTS' HOUSE,
IT'S NOT HIS. IT LOOKS GOOD.
1227
01:08:07,049 --> 01:08:09,118
JEFFREY! HOW ARE YOU?
1228
01:08:09,185 --> 01:08:10,219
I'VE GOT SOME
PEOPLE WITH ME.
1229
01:08:10,286 --> 01:08:12,121
GREAT, THE MORE THE MERRIER.
1230
01:08:12,188 --> 01:08:13,389
-HI.
-HI.
1231
01:08:13,456 --> 01:08:15,958
RACHEL, DO YOU REMEMBER ME?
1232
01:08:16,025 --> 01:08:19,161
RACHEL.
FUCKING HELL, YOU LOOK GREAT.
1233
01:08:19,228 --> 01:08:20,896
-HELLO, MATE.
-YOU KNOW OLIVER.
1234
01:08:20,963 --> 01:08:24,533
-YEAH.
-HI, MATE. THANK YOU.
1235
01:08:26,235 --> 01:08:27,369
-ALRIGHT,
-YOU'RE ALRIGHT, MATE.
1236
01:08:29,238 --> 01:08:30,573
DO YOU MIND IF I--
1237
01:08:31,540 --> 01:08:33,843
{\an5}-[RACHEL] WHAT A LOVELY
BARBECUE.
-YEAH.
1238
01:08:33,909 --> 01:08:36,378
{\an5}[MATT] I BOUGHT SOME EXTRA CORN
JUST IN CASE ANY MORE WOMEN WERE
COMING.
1239
01:08:36,445 --> 01:08:39,048
-SO CORN FOR THE GIRLS--
-MEAT FOR THE BOYS.
1240
01:08:39,114 --> 01:08:41,183
OH, THAT'S CONSIDERATE.
1241
01:08:41,784 --> 01:08:43,185
WHAT'RE YOU DOING HERE?
1242
01:08:44,386 --> 01:08:46,455
JEFF ASKED ME TO COME ALONG.
1243
01:08:49,258 --> 01:08:53,662
OKAY, BUT WHY DID YOU
COME TO THE BARBECUE?
1244
01:08:57,233 --> 01:08:58,667
I WANTED TO SEE YOU.
1245
01:09:01,804 --> 01:09:03,239
RIGHT.
1246
01:09:04,640 --> 01:09:10,913
{\an5}-IT'S QUITE HOT WITH THAT THERE,
ISN'T IT?
-I LIKE IT.
1247
01:09:10,980 --> 01:09:13,182
{\an5}-[MATT] WHAT ABOUT YOU, I MEAN--
-[RACHEL] GOD, WELL
I'VE BEEN TRAVELLING
1248
01:09:13,249 --> 01:09:14,383
A LOT, ACTUALLY, FOR WORK.
1249
01:09:14,450 --> 01:09:17,019
-HAVE YOU?
-YEAH.
1250
01:09:17,086 --> 01:09:19,355
-CAN I ASK YOU SOMETHING?
-GO ON.
1251
01:09:19,421 --> 01:09:22,858
I DON'T WANT TO BE RUDE, BUT
COULD YOU OPEN YOUR COAT A BIT?
1252
01:09:22,925 --> 01:09:27,196
JUST A BIT SO I COULD SEE JUST
WHAT'S GOING ON UNDER THERE?
1253
01:09:27,263 --> 01:09:30,366
YEAH, THAT IS TREMENDOUS.
1254
01:09:31,600 --> 01:09:33,068
YOU SEE HOW I HANDLED THAT.
1255
01:09:33,135 --> 01:09:34,403
VERY GOOD.
1256
01:09:34,470 --> 01:09:38,240
STOICISM.
AND THEN IT JUST GOES AWAY.
1257
01:09:38,774 --> 01:09:41,977
I PREFER THAT THING THAT I DO,
LIKE THAT.
1258
01:09:42,044 --> 01:09:44,980
{\an5}THAT'S JUST WORK, IS IT?
WHAT KIND OF WORK YOU DO?
WHAT ARE YOU DOING NOW?
1259
01:09:45,047 --> 01:09:46,348
-BATS.
-YOU'RE WORKING WITH BATS?
1260
01:09:46,415 --> 01:09:47,616
-YEAH.
-FUCK ME, WELL THAT'S GREAT.
1261
01:09:47,683 --> 01:09:50,819
I MEAN, YOU COULD, IF YOU WANT.
1262
01:09:50,886 --> 01:09:53,455
{\an5}THAT IS GOOD.
DO YOU KNOW WHAT?
FOR SOMEONE YOUR SIZE AND SHAPE,
1263
01:09:54,023 --> 01:09:56,458
-THAT IS SOLID.
-THANK YOU.
1264
01:09:56,525 --> 01:09:59,094
REMEMBER THAT BARBECUE
WE HAD DOWN ON THE BEACH?
1265
01:09:59,161 --> 01:10:01,530
-I LOOKED REALLY YOUNG.
-YEAH.
1266
01:10:02,231 --> 01:10:03,666
LOOK, WHAT YOU'VE DONE TO ME.
1267
01:10:04,366 --> 01:10:05,534
IT'S ALRIGHT.
1268
01:10:06,635 --> 01:10:09,238
-I LIKE YOUR WRINKLES.
-THERE ARE NO WRINKLES!
1269
01:10:09,305 --> 01:10:11,407
OKAY. SORRY,
THERE ARE NO WRINKLES.
1270
01:10:13,275 --> 01:10:15,678
-IF THERE WERE, I'D LIKE THEM.
-I KNOW YOU WOULD.
1271
01:10:16,545 --> 01:10:18,380
[MATT] I STARTED
DOING POETRY NOW,
1272
01:10:18,447 --> 01:10:20,482
SO I'M NOT JUST,
YOU KNOW, A MUSCLE MAN.
1273
01:10:20,549 --> 01:10:23,252
I'M ALSO AN ARTIST.
IT'S LIKE:
1274
01:10:23,319 --> 01:10:26,488
LOOK AT YOU, LOOK AT YOU,
YOUR EYES SO BROWN
1275
01:10:26,555 --> 01:10:29,858
I'D REALLY LIKE TO HEAR
YOUR SEX SOUND
1276
01:10:29,925 --> 01:10:33,262
I'D LIKE TO LIE DOWN
WITH YOU ON YOUR FRONT
1277
01:10:33,329 --> 01:10:36,565
OR TURN YOU OVER
AND IGNORE YOUR--
1278
01:10:36,632 --> 01:10:39,301
{\an5}I JUST HAVE LOTS OF THINGS--
I HAVE OTHER
IDEAS THAT I HAVE.
1279
01:10:39,368 --> 01:10:41,870
-[RACHEL] SO GOOD.
-POETRY? SINCE WHEN?
1280
01:10:41,937 --> 01:10:44,440
SINCE AGES. IT'S JUST LIKE
I LOOK AT SOMETHING
1281
01:10:44,506 --> 01:10:47,276
AND IF I'M INSPIRED BY IT,
THEN I'LL DO A POEM LIKE:
1282
01:10:47,343 --> 01:10:50,479
JEFFREY, JEFFREY,
YOUR TIMING'S QUITE SHIT.
1283
01:10:50,546 --> 01:10:53,649
JEFFREY, JEFFREY, COULD YOU
GET THE FUCK OUT OF IT?
1284
01:10:53,716 --> 01:10:56,652
JEFFREY, JEFFREY,
WE'VE GOT A THING HAPPENING.
1285
01:10:56,719 --> 01:11:00,422
JEFFREY, JEFFREY,
YOUR PRESENCE IS CRAPPENING.
1286
01:11:14,637 --> 01:11:19,642
[GILLIAN] WHAT ARE YOU DOING?
WHAT ARE YOU DOING?
1287
01:11:19,708 --> 01:11:23,912
I'M JUST TRYING TO
HOLD ON TO SOMETHING.
1288
01:11:26,649 --> 01:11:28,484
I DON'T WORK WITHOUT YOU.
1289
01:11:31,787 --> 01:11:36,358
SIMPLE AS THAT, I JUST
DON'T... WORK WITHOUT YOU.
1290
01:11:40,295 --> 01:11:42,197
-MATT!
-DON'T CALL HIM.
1291
01:11:42,264 --> 01:11:43,699
-MATT!
-YEAH?
1292
01:11:43,766 --> 01:11:46,502
COULD YOU TAKE ME BACK
TO YOUR FLAT, PLEASE?
1293
01:11:48,070 --> 01:11:51,240
I'M SORT OF ALRIGHT HERE
WITH RACHEL, AS IT GOES.
1294
01:11:51,306 --> 01:11:53,475
{\an5}-[GILLIAN] OH YEAH.
-[RACHEL] WE'RE
REALLY GETTING ON.
1295
01:11:53,542 --> 01:11:56,512
-WE HAVEN'T--
-OK, NO, NO, ENJOY.
1296
01:11:56,578 --> 01:11:58,947
YOU CAN'T LEAVE NOW.
1297
01:12:00,582 --> 01:12:01,650
IT'S FOR THE BEST,
ISN'T IT?
1298
01:12:01,717 --> 01:12:03,585
-YEAH.
-IT'S ALL OKAY.
1299
01:12:05,354 --> 01:12:06,588
[RACHEL] TAKE CARE.
1300
01:12:06,655 --> 01:12:08,590
[MATT] YOU KNOW,
FOR SOMEONE SO FIT,
1301
01:12:08,657 --> 01:12:10,993
SHE'S REALLY LIKE COMPLICATED.
1302
01:12:11,060 --> 01:12:13,629
{\an5}WHAT, BECAUSE
SHE LOOKS LIKE THAT,
SHE CAN'T BE COMPLICATED?
1303
01:12:13,696 --> 01:12:16,331
I JUST THINK,
WHY BOTHER, LIKE--
1304
01:12:16,398 --> 01:12:18,634
WHY BOTHER WITH WHAT?
WITH WHAT? JUST COMING
1305
01:12:18,701 --> 01:12:20,669
AND TAKING HER OFF ME, BREAKING
HER HEART, BREAKING MY HEART?
1306
01:12:20,736 --> 01:12:25,474
LISTEN, IF YOU WANT HER BACK,
YOU KNOW, I WISH YOU LUCK, MATE.
1307
01:12:25,541 --> 01:12:29,178
{\an5}THAT'S IT, SO I JUST HAVE HER
BACK, NOW? THAT'S IT,
SO YOU'VE MOVED ON, NOW?
1308
01:12:29,244 --> 01:12:32,381
{\an5}I'M SAYING YOU SHOULD FIGHT
FOR HER BECAUSE SHE'S,
YOU KNOW, A NIGHTMARE
1309
01:12:32,448 --> 01:12:34,583
AND I WANT YOU TO HAVE THAT.
1310
01:12:34,650 --> 01:12:37,252
SO, YOU WANT--
YOU KNOW WHAT, I DO WANT THAT,
1311
01:12:37,319 --> 01:12:38,520
AND I WOULDN'T
MAKE IT A NIGHTMARE.
1312
01:12:38,587 --> 01:12:40,522
WHAT HAVE I SAID
MATES ARE FOR?
1313
01:12:40,589 --> 01:12:42,524
{\an5}-MATES ARE
FOR STEPPING ASIDE WHEN...
-OK, THANK YOU FOR
1314
01:12:42,591 --> 01:12:44,159
-STEPPING ASIDE.
-...LOVE IS IN THE WAY.
1315
01:12:44,226 --> 01:12:46,595
[MUSIC]
1316
01:12:56,805 --> 01:13:00,409
IT'S ALWAYS,
ALWAYS GOING TO BE COMPLICATED
1317
01:13:00,476 --> 01:13:03,712
AND YOU'RE NEVER
GOING TO HAVE A NINE TO FIVE.
1318
01:13:04,680 --> 01:13:09,585
HE KNEW VERY WELL WHO I WAS
1319
01:13:09,651 --> 01:13:10,919
WHEN HE MARRIED ME.
1320
01:13:14,389 --> 01:13:15,357
AND HE LOVED IT.
1321
01:13:15,424 --> 01:13:17,593
[LIGHT MUSIC]
1322
01:13:22,131 --> 01:13:24,600
SO, WE'VE ACCEPTED
THAT THERE ARE COMPLICATIONS
1323
01:13:24,666 --> 01:13:29,605
WITH ME CONSTANTLY CHANGING,
BEING A FUCKING MOODY BITCH,
1324
01:13:31,807 --> 01:13:33,408
AND HE HAS TO
ADJUST TO THAT
1325
01:13:33,475 --> 01:13:35,244
AND I HAVE TO ADJUST TO HIM.
1326
01:13:35,310 --> 01:13:36,845
HE WORSHIPS ME.
1327
01:13:38,080 --> 01:13:40,482
I MEAN, HE DID.
1328
01:13:43,786 --> 01:13:48,323
HE USED TO,
JUST NOT AT THE MOMENT.
1329
01:13:48,390 --> 01:13:50,559
[LIGHT MUSIC]
1330
01:13:57,666 --> 01:13:58,967
IS IT COLD, THOUGH?
1331
01:14:00,469 --> 01:14:02,504
IT IS COLD. IT IS COLD.IT IS COLD.
1332
01:14:03,872 --> 01:14:05,340
[LAUGHTER]
1333
01:14:05,407 --> 01:14:07,309
YOU'VE GOT YOUR PLAY,
1334
01:14:07,376 --> 01:14:10,512
YOU'VE GOT YOUR PLAY,
FINALLY, GILLIAN.
1335
01:14:12,915 --> 01:14:16,518
AND YOU'RE MISERABLE.
THE FUCK!
1336
01:14:17,886 --> 01:14:21,657
AM I GOING TO BE THE ONLY ONE
SITTING AT MY FUCKING PLAY?
1337
01:14:22,925 --> 01:14:25,694
I WANT HIM TO CARE ABOUT ME.
I REALLY DO WANT HIM TO.
1338
01:14:25,761 --> 01:14:28,530
I CARE ABOUT--
I CARE ABOUT HIM SEEING IT.
1339
01:14:28,597 --> 01:14:31,333
I NEED HIM TO SEE IT,
I WANT HIM TO SEE IT, I WANT--
1340
01:14:31,867 --> 01:14:34,369
[GILLIAN] SAY HELLO,WE'LL SEND THIS ONE TO YOUR MOM.
1341
01:14:34,436 --> 01:14:35,871
HI, JANET.
1342
01:14:35,938 --> 01:14:37,573
[INDISTINCT] MOM.
1343
01:14:38,907 --> 01:14:39,908
[LAUGHTER]
1344
01:14:41,176 --> 01:14:44,112
SHOULD I TRY THE TRICK?WIND'S GOING TO TAKE IT.
1345
01:14:44,179 --> 01:14:46,181
[OLIVER] GO ON.
1346
01:14:46,248 --> 01:14:48,684
{\an5}-HOW THE FUCK DIDI HURT MYSELF?-DID IT HURT YOU?
1347
01:14:48,750 --> 01:14:50,886
BUT YOU COULD HAVE
HAD IT DIFFERENTLY.
1348
01:14:50,953 --> 01:14:52,855
HE COULD'VE SAT THERE WITH YOU,
1349
01:14:52,921 --> 01:14:55,324
WATCHING YOUR PLAY WITH YOU
1350
01:14:55,390 --> 01:14:58,060
BEING SO FUCKING PROUD OF YOU.
1351
01:14:58,126 --> 01:14:59,995
[SIGHS]
1352
01:15:02,264 --> 01:15:05,601
{\an5}OH, GOD.
PLEASE SHOW UP,
PLEASE SHOW UP, PLEASE SHOW UP.
1353
01:15:05,667 --> 01:15:08,770
[LIGHT MUSIC]
1354
01:15:23,418 --> 01:15:26,955
[GILLIAN] DEAR, OLIVER,I'M NOT THE PERFECT WIFE,
1355
01:15:27,022 --> 01:15:32,527
THAT'S FOR SURE, AND I REALIZEYOU COULD LEAVE AT ANY POINT
1356
01:15:32,594 --> 01:15:34,863
AND MAKE SOMEONE ELSEWILDLY HAPPY,
1357
01:15:35,998 --> 01:15:40,168
BUT PLEASE,PLEASE STICK AROUND.
1358
01:15:41,470 --> 01:15:45,540
I'M GETTING THERE.
LOVE, HONEY-PIE.
1359
01:15:46,708 --> 01:15:48,577
[RACHEL] HOW ARE YOU
GONNA PITCH IT?
1360
01:15:50,078 --> 01:15:55,050
{\an5}[OLIVER] I'M JUST GOING TO GO
IN, I'M GOING TO SAY: "I THINK
YOU NEED TO COME AND SEE THIS."
1361
01:15:59,488 --> 01:16:01,356
{\an5}-I'M GOING TO GIVE HIM
ANOTHER TRY.
-IT'S NOT GOING TO WORK,
1362
01:16:01,423 --> 01:16:02,858
-I JUST CALLED HIM A SECOND--
-STRAIGHT TO VOICEMAIL.
1363
01:16:02,925 --> 01:16:04,893
LIKE I SAID,
I JUST CALLED HIM.
1364
01:16:04,960 --> 01:16:06,428
IT WENT STRAIGHT TO VOICEMAIL.
1365
01:16:06,495 --> 01:16:09,998
OLIVER! IT'S JEFFREY!
CALL ME!
1366
01:16:10,065 --> 01:16:13,235
{\an5}WE'RE GOING TO JUST
HAVE TO PRESUME THAT
WE'RE GOING AHEAD WITHOUT HIM.
1367
01:16:13,302 --> 01:16:16,405
SO, YOU'VE TRIED HIM, I'VE
LEFT HIM MULTIPLE TEXT MESSAGES,
1368
01:16:16,471 --> 01:16:17,940
-I'M SURE.
-DOES HE NOT CARE?
1369
01:16:18,006 --> 01:16:19,875
THAT'S WHAT I DON'T UNDERSTAND,
DOES HE NOT CARE?
1370
01:16:19,942 --> 01:16:24,379
I'M SURE HE-- YOU KNOW WHAT,
ACTUALLY, I DON'T CARE.
1371
01:16:24,446 --> 01:16:25,747
NO, I CARE ABOUT THIS,
I DON'T CARE.
1372
01:16:25,814 --> 01:16:30,652
IF HE MAKES IT,
HE MAKES IT.
1373
01:16:30,719 --> 01:16:33,388
OKAY, YOU GO,
AND I'LL PARK UP.
1374
01:16:33,455 --> 01:16:34,890
-OKAY.
-SEE YOU IN A SEC.
1375
01:16:34,957 --> 01:16:35,924
YEAH.
1376
01:16:50,172 --> 01:16:51,673
BOTHERED?
1377
01:16:58,580 --> 01:16:59,915
OLLY!
1378
01:17:02,250 --> 01:17:05,687
[VIDEO PLAYING]
1379
01:17:47,963 --> 01:17:48,964
OLLY!
1380
01:18:15,023 --> 01:18:16,158
OLIVER?
1381
01:18:23,632 --> 01:18:25,167
I'M SORRY.
1382
01:18:31,239 --> 01:18:32,908
[HUMMING]
1383
01:18:36,144 --> 01:18:37,946
-HELLO, ARE YOU JERRY?
-PLEASE DON'T TOUCH ME.
1384
01:18:38,013 --> 01:18:39,881
YOU NEED TO COME WITH ME NOW.
WOULD YOU BE WILLING TO
1385
01:18:39,948 --> 01:18:41,016
-DO THAT WITH ME, NOW?
-GET YOUR HANDS OFF ME,
1386
01:18:41,083 --> 01:18:42,284
I DON'T WANT YOU TOUCHING ME.
1387
01:18:42,350 --> 01:18:45,353
JERRY. SORRY ABOUT HIM.
1388
01:18:45,420 --> 01:18:48,090
{\an5}-HI, I'M RACHEL.
YOU DON'T KNOW ME,
-NO.
1389
01:18:48,156 --> 01:18:49,958
-YOU DON'T KNOW MY FRIEND.
-NO.
1390
01:18:50,025 --> 01:18:51,293
I WONDERED IF THERE'S ANY WAY
1391
01:18:51,359 --> 01:18:52,761
THAT WE COULD SHOW YOU
1392
01:18:52,828 --> 01:18:54,129
THIS PERFORMANCE?
1393
01:18:56,098 --> 01:18:58,834
I FEEL LIKE I'M IN A PIECE
OF THEATER RIGHT NOW.
1394
01:18:58,900 --> 01:19:02,104
{\an5}JUST A BIT OF A DIFFERENT WAY.
I'M USED TO PEOPLE
JUST POSTING A SCRIPT.
1395
01:19:02,170 --> 01:19:05,373
RIGHT, NO, OBVIOUSLY.
I'VE HEARD A LOT ABOUT YOU.
1396
01:19:05,440 --> 01:19:07,642
YOU'VE A VERY GOOD
REPUTATION IN THE INDUSTRY.
1397
01:19:07,709 --> 01:19:09,811
WHO TOLD YOU THAT?
[LAUGHTER]
1398
01:19:09,878 --> 01:19:13,748
-I GOOGLED IT.
-YOU GOOGLED ME, DID YOU?
1399
01:19:13,815 --> 01:19:18,920
YEAH, IT'S QUITE
AN IMPRESSIVE THREAD.
1400
01:19:18,987 --> 01:19:20,689
YOU ARE WINNING ME OVER,
1401
01:19:20,755 --> 01:19:24,493
SORT OF MESMERIZING ME INTO
LIKE GOING SOMEWHERE WITH YOU.
1402
01:19:24,559 --> 01:19:28,096
{\an5}-IS HE COMING TOO,
THIS OAF?
-YEAH, THIS WAY, YEAH.
1403
01:19:32,934 --> 01:19:35,203
-EXCUSE ME, SORRY, HI.
-HI.
1404
01:19:35,270 --> 01:19:37,139
ACTUALLY, WE'RE
NOT QUITE READY YET,
1405
01:19:37,205 --> 01:19:40,742
{\an5}ALMOST THOUGH.
SO, JUST WAIT
OVER THERE A MINUTE.
1406
01:19:40,809 --> 01:19:42,878
HI. YEAH, NOT READY YET,
1407
01:19:42,944 --> 01:19:46,414
ALMOST, YOU'RE EARLY.
[LAUGHS] HI, JEFF.
1408
01:19:46,481 --> 01:19:49,284
WE'RE GOING TO JUST HAVE
TO START WITHOUT OLLY.
1409
01:19:49,351 --> 01:19:50,952
OKAY. ALRIGHT.
1410
01:19:51,019 --> 01:19:53,688
EVERYONE, HI.
THANKS FOR COMING.
1411
01:19:53,755 --> 01:19:55,657
BOY, WHAT A SHOW WE'VE
GOT FOR YOU TONIGHT.
1412
01:19:55,724 --> 01:19:59,961
THIS IS ACTUALLY WRITTEN BY
A NEW WRITER, GILLIAN WALKER.
1413
01:20:00,028 --> 01:20:03,899
SO, PLEASE, COME IN,
TAKE A SEAT AND ENJOY THE SHOW.
1414
01:20:06,168 --> 01:20:09,871
-ARE YOU READY?
-YEAH, I'LL BE RIGHT THERE.
1415
01:20:32,494 --> 01:20:34,796
-NOT YOU.
-NOT ME, ALRIGHT.
1416
01:20:35,497 --> 01:20:38,967
-I FEEL LIKE I'M IN PRISON.
-YES, I KNOW WHAT YOU MEAN.
1417
01:20:39,034 --> 01:20:41,970
-IS THAT INTENDED?
-JILLY WANTED TO HAVE A KIND OF
1418
01:20:42,037 --> 01:20:45,607
INCARCERATED BEAT
IN THE NARRATIVE.
1419
01:20:45,674 --> 01:20:49,010
{\an5}-JUST ON TO THAT, NEXT.
-OKAY, I'M FEELING
A BIT MANHANDLED, NOW.
1420
01:20:49,077 --> 01:20:51,846
{\an5}-SORRY.
-IT'S ABOUT OPPRESSION
OF WOMEN, RIGHT?
1421
01:20:51,913 --> 01:20:53,882
YEAH, I'M GETTING IT RIGHT
1422
01:20:53,949 --> 01:20:57,385
BECAUSE I FELT LIKE HE'S
MY OWNER, OR MY EXECUTIONER.
1423
01:20:57,452 --> 01:21:00,956
WATCH YOUR HEAD, GET IN.
1424
01:21:01,022 --> 01:21:05,427
OKAY, EVERYTHING IS GOING
TO BE ABSOLUTELY FINE.
1425
01:21:08,997 --> 01:21:11,666
-[JILL]WHO DO YOU FANCY?
-WHO DO I FANCY?
1426
01:21:11,733 --> 01:21:16,671
{\an5}IN HERE, RIGHT NOW.
IF I WASN'T AROUND,
WHO'D YOU BE EYEING UP?
1427
01:21:16,738 --> 01:21:20,809
{\an5}-[MAN] THAT'S A TRICK QUESTION,
I'M NOT FALLING FOR THAT.
-[JILL]WHO DO YOU FANCY?
1428
01:21:20,875 --> 01:21:27,682
{\an5}-[JERRY] WHERE ARE WE NOW?
-[RACHEL] VERY NEARLY THERE.
THIS IS YOUR NEW THEATER SPACE.
1429
01:21:27,749 --> 01:21:31,720
{\an5}-YOUR NEW THEATRICAL EXPERIENCE.
-[JILL]
WHY ARE YOU SO DEFENSIVE?
1430
01:21:31,786 --> 01:21:34,289
IT'S NOT LIKE I'M SAYING: "PICKSOMEONE AND FUCK THEM," IS IT?
1431
01:21:34,356 --> 01:21:39,327
{\an5}[ACTOR] YOU'RE BEING SILLY, JILLAND I'M NOT PLAYING YOUR GAMES.WHO DO YOU FANCY?
1432
01:21:39,394 --> 01:21:42,564
-[JILL] CRACKING ASS.
-[ACTOR] MY ASS.
1433
01:21:42,631 --> 01:21:46,268
[JILL] YOUR ASS ISMIDDLE-AGED, FLABBY AND SPOTTY.
1434
01:21:46,334 --> 01:21:51,239
[ACTOR] OI, THAT'S-- WELL, YEAH,ACTUALLY THAT'S FAIR ENOUGH.
1435
01:21:51,306 --> 01:21:53,141
LITERALLY, IT WAS EXHAUSTING,
1436
01:21:53,208 --> 01:21:55,277
LIKE ALL THE
THINGS THAT ARE AWESOME
1437
01:21:55,343 --> 01:21:58,613
-IN THE WORLD, AT ONE TIME.
-[JILL] FORGET ABOUT IT.
1438
01:21:58,680 --> 01:22:02,284
{\an5}[JILL] HE WAS SO
EMBARRASSED, HE DIDN'T
HAVE A CLUE WHERE TO LOOK.
1439
01:22:02,350 --> 01:22:04,753
[ACTRESS] IF HE WANTS TOFUCK AROUND WITH RAQUEL--
1440
01:22:04,819 --> 01:22:07,255
[JILL] BUT JOHN SAID
SHE WAS OKAY.
1441
01:22:07,322 --> 01:22:11,593
[JILL] TITS, ASS,
FANNIES, COCKS.
1442
01:22:11,660 --> 01:22:14,796
[ACTRESS] OH, MY GOD,
THAT SOUNDS AMAZING!
1443
01:22:14,863 --> 01:22:19,067
{\an5}-[ACTRESS 2] IT WAS BAD.
-[JILL] UNTIL HE DIDN'T GET UP
WITH THE KIDS IN THE MORNING.
1444
01:22:19,134 --> 01:22:21,136
[ACTOR] IT WAS YOUR TURN.
1445
01:22:21,202 --> 01:22:25,006
I WAS POUNDED LAST NIGHT,
1446
01:22:25,073 --> 01:22:27,208
-I'M STILL SORE.
-[JILL] POUNDED.
1447
01:22:27,275 --> 01:22:28,843
OH, I CAN FEEL YOUR PAIN!
1448
01:22:28,910 --> 01:22:31,279
[LAUGHS]
1449
01:22:34,015 --> 01:22:41,022
[ACTORS] SLOW. DEEP, DEEP SLOW.
1450
01:22:41,890 --> 01:22:48,063
MOVE, DEEP, MOVE!
MOVE!
1451
01:22:48,129 --> 01:22:51,533
[SCREAMING]
1452
01:22:51,599 --> 01:22:53,868
[JILL] I FEEL SO LONELY.
1453
01:22:53,935 --> 01:22:56,571
[LIGHT MUSIC]
1454
01:23:58,466 --> 01:24:01,369
[SIGHS]
1455
01:24:01,436 --> 01:24:03,638
[PLAYING LOVE LETTER
BY NICK CAVE ]
1456
01:25:06,668 --> 01:25:08,236
I LOVE YOU.
1457
01:25:09,471 --> 01:25:11,706
I NEVER WANT TO BE
WITHOUT YOU AGAIN.
1458
01:25:13,675 --> 01:25:18,713
[MUSIC CONTINUES]
110077
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