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♪ dramatic music
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00:00:23,264 --> 00:00:25,611
For some people,
magic's just a fun hobby,
5
00:00:25,715 --> 00:00:27,441
but for me it's
so much more than that.
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00:00:27,544 --> 00:00:29,167
I've been designing tricks
for so long
7
00:00:29,270 --> 00:00:30,375
that you could name an object,
8
00:00:30,478 --> 00:00:32,756
and I've probably helped
create an effect around it.
9
00:00:32,860 --> 00:00:35,380
But a deck of cards,
that's something special.
10
00:00:35,483 --> 00:00:38,590
Simple, yet adaptable;
familiar and yet mysterious.
11
00:00:38,693 --> 00:00:41,386
It's like the Swiss Army
Knife of magic.
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00:00:41,489 --> 00:00:42,870
I can't imagine
hitting the stage
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00:00:42,973 --> 00:00:45,045
without my 52 closest friends.
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00:00:45,148 --> 00:00:47,254
Maybe it sounds a bit dramatic,
but for me,
15
00:00:47,357 --> 00:00:48,669
a world without cards,
16
00:00:48,772 --> 00:00:51,637
well, it would be like
a world without air.
17
00:00:53,777 --> 00:00:55,710
Hey, everybody! How are ya?
18
00:01:05,651 --> 00:01:09,103
♪ dramatic music
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00:02:10,578 --> 00:02:12,856
I'm Shawn Farquhar,
and I'm a professional magician.
20
00:02:12,960 --> 00:02:17,999
Please welcome Shawn Farquhar.
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00:02:18,103 --> 00:02:20,623
Wow. I want you quietly,
just to yourself,
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00:02:20,726 --> 00:02:22,694
to count the
number of paragraphs
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00:02:22,797 --> 00:02:27,561
that are on page 64.
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00:02:27,664 --> 00:02:30,667
This was a lot easier
when I was younger.
25
00:02:30,771 --> 00:02:32,186
I go by the title of
26
00:02:32,290 --> 00:02:33,636
two-time World
Champion of Magic.
27
00:02:33,739 --> 00:02:35,293
The last three words
on that page were like,
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00:02:35,396 --> 00:02:37,260
William Gottfried Sigmunds.
29
00:02:37,364 --> 00:02:38,813
- Is that right?
- Yes.
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00:02:38,917 --> 00:02:40,332
I'm the fourth generation in my
family without a real job.
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00:02:40,436 --> 00:02:42,886
My pages are blank.
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00:02:42,990 --> 00:02:44,440
There's not even, like,
glass in the glasses.
33
00:02:44,543 --> 00:02:45,682
I just...
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00:02:45,786 --> 00:02:47,719
And I wouldn't have it
any other way
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00:02:47,822 --> 00:02:50,135
because it hasn't stopped me
from doing what I love,
36
00:02:50,239 --> 00:02:52,206
which is entertaining people.
37
00:02:52,310 --> 00:02:54,657
And getting a platform
like the Ellen Show,
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00:02:54,760 --> 00:02:56,279
where I can perform for
millions at a time,
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00:02:56,383 --> 00:02:59,109
was a dream come true.
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00:02:59,213 --> 00:03:01,457
I don't know anything about
anything else other than magic.
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00:03:03,148 --> 00:03:07,394
I started my career as a stage
magician and I loved it.
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00:03:07,497 --> 00:03:11,363
I performed in shopping centers,
casinos, nightclubs,
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00:03:11,467 --> 00:03:13,710
small hotels in Las Vegas,
cruise ships.
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00:03:13,814 --> 00:03:15,574
I did television shows
and it was cool.
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00:03:15,678 --> 00:03:18,715
Fool us once. Shame on you.
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00:03:18,819 --> 00:03:19,992
Fool us twice.
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00:03:20,096 --> 00:03:21,235
Shame on us.
48
00:03:24,756 --> 00:03:26,861
Grand illusion, floating ladies,
stabbing with swords,
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00:03:26,965 --> 00:03:30,589
and then went into manipulation
style with cards and live birds,
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00:03:30,693 --> 00:03:33,696
cockatoos, parakeets, and doves.
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00:03:33,799 --> 00:03:38,356
But I got older and carting
all those boxes hurts my back.
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00:03:38,459 --> 00:03:40,875
I wanted some way
to do things differently
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00:03:40,979 --> 00:03:44,914
and so I started switching
my focus to sleight of hand.
54
00:03:45,017 --> 00:03:47,088
2009, I went to Beijing, China,
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00:03:47,192 --> 00:03:49,229
focused solely on card magic.
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00:03:49,332 --> 00:03:52,956
I entered the competition
as a card magician,
57
00:03:53,060 --> 00:03:54,648
and I won the World Championship
of Card Magic
58
00:03:54,751 --> 00:03:57,616
and the Grand Prix World
Champion for sleight of hand.
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00:03:58,790 --> 00:04:00,964
In the end,
I wanted to have my own theater,
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00:04:01,068 --> 00:04:04,589
so I built this little place
we're sitting in right now.
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00:04:04,692 --> 00:04:08,144
It's called the Hidden Wonders
Speakeasy Magic Experience.
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00:04:08,248 --> 00:04:11,043
Hidden Wonders, I feel like I'm
in my perfect environment.
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00:04:12,838 --> 00:04:15,289
I wanted a place where
I could experiment.
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00:04:15,393 --> 00:04:16,842
When people
look around my theater,
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00:04:16,946 --> 00:04:18,119
they'll see black and white photographs,
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00:04:18,223 --> 00:04:20,156
and props, lots of memorabilia.
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00:04:20,260 --> 00:04:22,710
And all that stuff is the props
that my mentors gave to me
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00:04:22,814 --> 00:04:26,127
that I used in my shows
over the years.
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00:04:26,231 --> 00:04:28,854
I'm kind of carrying on
their traditions.
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00:04:28,958 --> 00:04:32,133
My dad was a jack of all trades,
master of none.
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00:04:32,237 --> 00:04:34,550
He was my biggest influence
in magic.
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00:04:34,653 --> 00:04:36,448
He was more than a magician,
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00:04:36,552 --> 00:04:38,519
he was a mechanic,
he was a musician.
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00:04:38,623 --> 00:04:39,900
He could do anything
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00:04:40,003 --> 00:04:42,178
and he inspired that in me.
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00:04:42,489 --> 00:04:44,180
Magic allowed me
to go into new schools
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00:04:44,284 --> 00:04:45,423
all the time
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00:04:45,526 --> 00:04:46,355
and be able to do something
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that was cool, fun,
and different
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00:04:47,632 --> 00:04:49,047
that none of the other kids
could do.
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00:04:49,150 --> 00:04:50,842
I'd vomit a deck of cards out of
my mouth and people went,
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00:04:50,945 --> 00:04:51,808
"Look, he's a geek!"
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And they were cool to me.
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And so I was less likely
to be beaten up.
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00:04:55,743 --> 00:04:58,539
So I have this stock line
where I say I learned my numbers
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00:04:58,643 --> 00:05:00,679
and colors from deck of cards,
and it's absolutely the truth.
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00:05:00,783 --> 00:05:02,716
They were around me all the time
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00:05:02,819 --> 00:05:04,062
This isn't magic
that I've just collected,
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00:05:04,165 --> 00:05:06,167
it's magic that my father,
my grandfather collected.
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00:05:06,271 --> 00:05:08,377
My mum and dad would hold
them up just like flash cards
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00:05:08,480 --> 00:05:09,757
and I did my math.
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00:05:09,930 --> 00:05:11,241
Card tricks big enough that
even in the back of the room,
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00:05:11,345 --> 00:05:13,174
an audience would be able to see
that this is the king, right?
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00:05:13,278 --> 00:05:16,212
The queen was a 12,
a king was a 13, jacks were 11,
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and my dad would put
two of them together
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00:05:17,765 --> 00:05:18,732
and I would have to tell them
what the number was.
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00:05:18,835 --> 00:05:20,112
It's just a baby deck of cards.
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But one day it'll grow up to be
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I just love a deck of cards.
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A lot of people ask me
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00:05:26,015 --> 00:05:28,776
how many cards do I have in
my house and, at the moment,
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00:05:28,880 --> 00:05:32,090
somewhere between four and five
thousand decks of cards.
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00:05:32,193 --> 00:05:34,437
More playing cards from
pretty much around the world.
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00:05:34,541 --> 00:05:35,404
Every one is different.
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I buy pairs,
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00:05:36,957 --> 00:05:39,166
one that I open to play with,
to feel them and everything
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00:05:39,269 --> 00:05:40,512
and one I keep sealed.
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00:05:42,065 --> 00:05:44,102
You might have noticed I've got
more playing cards
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00:05:44,205 --> 00:05:45,206
on the side there.
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00:05:45,310 --> 00:05:47,208
Each one is designed for
a specific trick.
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I've held a deck of cards
in my hand
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pretty much my entire life.
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But it was only recently
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that I actually started
looking at the designs.
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In 2006, a friend of mine,
Steve Beam, wrote a book.
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In it, he had a trick called
"The Head Turns Around".
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He got up, he said,
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00:05:59,876 --> 00:06:01,568
"Everybody take out your queens,
put them in this order."
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00:06:01,671 --> 00:06:03,432
And he made one queen
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00:06:03,535 --> 00:06:05,744
so it faced the opposite
direction of the rest.
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00:06:05,848 --> 00:06:06,607
It blew me away.
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00:06:06,711 --> 00:06:08,437
I asked him and he goes,
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00:06:08,540 --> 00:06:10,128
"Well, all Queens of Spades
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00:06:10,231 --> 00:06:12,406
face the opposite direction
of the other ones."
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00:06:12,510 --> 00:06:14,650
And I was like,
"How did I not know this?"
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00:06:14,753 --> 00:06:16,030
And then it got me wondering
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00:06:16,134 --> 00:06:18,447
what other weird things
are there in a deck of cards?
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00:06:18,550 --> 00:06:20,103
And I started looking.
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00:06:20,207 --> 00:06:21,898
All this art started to focus me
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00:06:22,002 --> 00:06:23,693
and now I can't stop
looking at them.
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00:06:23,797 --> 00:06:26,316
And I want to make more magic
tricks that talk about it.
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00:06:26,420 --> 00:06:27,110
I'm curious
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have you
spent any time
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00:06:28,526 --> 00:06:29,803
researching the history
of playing cards,
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00:06:29,906 --> 00:06:31,460
and why they look
the way they do?
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00:06:31,563 --> 00:06:36,085
Never looked into deep
meaning of the cards.
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00:06:36,188 --> 00:06:38,812
I'll be honest with you and say
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00:06:38,915 --> 00:06:41,711
my research
didn't take me very far.
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00:06:41,815 --> 00:06:45,577
We don't know exactly
what is the history of the card,
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00:06:45,681 --> 00:06:47,614
perhaps you know?
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00:06:47,717 --> 00:06:50,099
I don't know much
about the designs
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00:06:50,202 --> 00:06:51,169
on the court cards,
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00:06:51,272 --> 00:06:54,241
but I do know they represent
figures from the past.
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00:06:54,344 --> 00:06:56,657
Kings and queens
throughout history.
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00:06:56,761 --> 00:06:58,556
When you pick up
a deck of cards,
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00:06:58,659 --> 00:07:00,868
you see a king and a queen.
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00:07:00,972 --> 00:07:03,940
This is a direct
link with the Middle Ages,
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00:07:04,044 --> 00:07:09,221
when every region, every state
was led by a king or a queen.
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00:07:09,325 --> 00:07:10,878
This was normal.
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00:07:10,982 --> 00:07:15,055
In some occasions,
they added names to the cards.
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00:07:15,158 --> 00:07:18,886
For instance, the King of Hearts
was named Charlemagne,
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00:07:18,990 --> 00:07:20,440
Charles the Great.
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00:07:20,543 --> 00:07:22,856
These names are meant
as a memento,
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00:07:22,959 --> 00:07:27,239
as an aid to remember
cards, to identify cards.
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00:07:27,343 --> 00:07:29,379
So I'm not entirely convinced
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00:07:29,483 --> 00:07:32,831
they are really portraits
of existing people.
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00:07:32,935 --> 00:07:35,247
The idea that these
court figures
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00:07:35,351 --> 00:07:36,870
actually represent real people
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00:07:36,973 --> 00:07:39,010
I don't think is valid,
quite frankly.
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00:07:39,113 --> 00:07:41,461
People can make up
stories, of course.
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00:07:41,564 --> 00:07:43,946
And, you know,
they look at the cards and say,
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00:07:44,049 --> 00:07:45,568
"Ooh, that must be, you know,
the King of Hearts.
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00:07:45,672 --> 00:07:47,052
That must be Henry VIII."
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00:07:47,156 --> 00:07:49,434
There's no real evidence
that this is the case.
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00:07:49,538 --> 00:07:51,678
If you have a
standardized figure,
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it's because it's practical,
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00:07:53,852 --> 00:07:56,234
not because you want
to represent somebody.
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What would you say
if I told you
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00:07:58,305 --> 00:08:01,964
that hidden in the art of
a standard deck of playing cards
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00:08:02,067 --> 00:08:06,347
are the clues to a 500 year
old cold case murder mystery.
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00:08:06,451 --> 00:08:10,144
You know, knowing
that there is a murder
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00:08:10,248 --> 00:08:12,146
in cards
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00:08:12,250 --> 00:08:13,596
is just, wow.
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00:08:13,700 --> 00:08:16,841
The notion that a deck of cards
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00:08:16,944 --> 00:08:20,085
represents a murder mystery,
yet to be solved.
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00:08:20,189 --> 00:08:23,986
Well, you've got my attention.
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I think it's great.
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This is another mystery wrapped
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00:08:28,438 --> 00:08:31,200
in a riddle and followed
by an enigma.
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00:08:31,303 --> 00:08:33,892
And... do you want
the polite version?
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00:08:33,996 --> 00:08:35,307
No!
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00:08:35,411 --> 00:08:36,930
You are crazy.
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00:08:37,033 --> 00:08:38,587
Thank you. I am.
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00:08:38,690 --> 00:08:40,485
We have in our documentary
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00:08:40,589 --> 00:08:42,418
the director is crazy.
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00:08:42,522 --> 00:08:46,008
I believe that the court cards
actually represent people.
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00:08:46,111 --> 00:08:50,150
Yeah, just not the people
that we're told they represent.
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00:08:50,253 --> 00:08:52,393
But the designs on the
court cards are intentional.
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00:08:52,497 --> 00:08:53,567
The symbols aren't random.
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00:08:53,671 --> 00:08:56,328
It's just loaded
with so many little clues.
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00:08:56,432 --> 00:08:59,849
Oh, well, there's one king
that has a really bad headache,
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00:08:59,953 --> 00:09:01,644
and I think it might have
something to do
193
00:09:01,748 --> 00:09:03,094
with a sword stuck in his head.
194
00:09:03,197 --> 00:09:06,718
Suicide King is one of the thing
we used to call the guy.
195
00:09:06,822 --> 00:09:10,515
It never struck me as odd
as to why
196
00:09:10,619 --> 00:09:11,723
the King of Hearts
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00:09:11,827 --> 00:09:15,175
has a... he's stabbing himself
in the head.
198
00:09:15,278 --> 00:09:17,246
When I got to the King of Hearts
I looked at him
199
00:09:17,349 --> 00:09:19,006
and I noticed that he had
two sets of hands.
200
00:09:19,110 --> 00:09:21,353
I said, "That's weird.
All the other kings all have one
201
00:09:21,457 --> 00:09:22,423
"Why is that?"
202
00:09:22,527 --> 00:09:23,804
And then I noticed
203
00:09:23,908 --> 00:09:25,875
that the sleeves
of the king were different.
204
00:09:25,979 --> 00:09:28,084
You can go all the way back
to the 16th century,
205
00:09:28,188 --> 00:09:30,811
and see that the art we have
in modern cards,
206
00:09:31,329 --> 00:09:32,572
is drawn directly
207
00:09:32,675 --> 00:09:34,021
from the ones
that were made back then.
208
00:09:35,471 --> 00:09:38,267
I need to travel, and learn more
the history of playing cards
209
00:09:38,370 --> 00:09:39,682
and their design.
210
00:09:39,786 --> 00:09:40,994
I need to visit friends, magicians,
211
00:09:41,097 --> 00:09:43,306
and tell them about
my discovery, and ask them
212
00:09:43,410 --> 00:09:45,239
about what their favorite
plots are in magic.
213
00:09:46,620 --> 00:09:48,657
Then, I want to take the plots
that they have
214
00:09:48,760 --> 00:09:49,865
and intertwine them all together
215
00:09:49,968 --> 00:09:52,281
to create a new effect
that I'll perform
216
00:09:52,384 --> 00:09:53,765
right where the murder happened.
217
00:09:53,869 --> 00:09:55,560
A routine that
will tell the history
218
00:09:55,664 --> 00:09:57,700
of this 500 year old
cold case murder.
219
00:09:57,804 --> 00:09:59,875
So the whole world can learn
220
00:09:59,978 --> 00:10:02,498
how I think the King of Hearts
really died.
221
00:10:02,602 --> 00:10:05,397
My first stop is Turnhout
in Belgium.
222
00:10:05,501 --> 00:10:08,262
♪ dramatic music
223
00:10:11,645 --> 00:10:14,406
Playing cards are fascinating.
224
00:10:14,510 --> 00:10:17,202
They are very common
daily objects,
225
00:10:17,306 --> 00:10:20,240
but there is a hidden history
behind it.
226
00:10:20,343 --> 00:10:24,416
A fascinating history, telling
about people, the passions
227
00:10:24,520 --> 00:10:27,040
and emotions of people,
about art,
228
00:10:27,143 --> 00:10:29,732
about printing, about technique.
229
00:10:29,836 --> 00:10:32,666
So, it's a world on its own.
230
00:10:32,770 --> 00:10:36,532
It's a mirror of history.
231
00:10:36,636 --> 00:10:39,535
Playing cards
came from the East.
232
00:10:39,639 --> 00:10:42,503
It was introduced
in the past centuries
233
00:10:42,607 --> 00:10:46,507
by tradesmen, by soldiers,
by explorers.
234
00:10:46,611 --> 00:10:48,958
Every region, every country
235
00:10:49,062 --> 00:10:52,721
developed its own
types of cards and games.
236
00:10:52,824 --> 00:10:55,827
But the general idea
is the same.
237
00:10:55,931 --> 00:10:59,486
When we see Chinese cards
or Oriental cards,
238
00:10:59,589 --> 00:11:00,832
they look very strange,
239
00:11:00,936 --> 00:11:03,421
but they are very similar.
240
00:11:03,524 --> 00:11:07,494
They are based on a system
of different suits,
241
00:11:07,597 --> 00:11:10,670
different series
with court cards
242
00:11:10,773 --> 00:11:12,913
and numeral cards.
243
00:11:14,190 --> 00:11:17,435
This type of technique
is documented
244
00:11:17,538 --> 00:11:21,611
by the oldest reference
to playing cards in China,
245
00:11:21,715 --> 00:11:24,960
which dates from 1294,
246
00:11:25,063 --> 00:11:30,828
when gamblers were apprehended
and brought to trial.
247
00:11:33,727 --> 00:11:36,074
China invented paper.
248
00:11:36,178 --> 00:11:38,767
They also invented paper money.
249
00:11:38,870 --> 00:11:42,563
They used to gamble
with these notes
250
00:11:42,667 --> 00:11:44,462
and that was a bit
rough on the notes.
251
00:11:44,565 --> 00:11:46,015
So they decided,
252
00:11:46,119 --> 00:11:48,328
"Well, we'll have to have tokens
to replace these,
253
00:11:48,431 --> 00:11:50,226
because otherwise
we're destroying the money,
254
00:11:50,330 --> 00:11:51,158
which is valuable."
255
00:11:51,262 --> 00:11:54,921
And so they invented
their playing cards,
256
00:11:55,024 --> 00:11:56,474
which are sort of long and thin.
257
00:11:56,577 --> 00:12:00,512
That process of production
went on for centuries.
258
00:12:00,616 --> 00:12:02,963
It's only in the 15th century,
259
00:12:03,067 --> 00:12:05,000
the French card makers
260
00:12:05,103 --> 00:12:08,141
invented a fascinating
suit system
261
00:12:08,244 --> 00:12:11,558
with hearts, diamonds, clubs,
and spades.
262
00:12:11,661 --> 00:12:15,355
It's a system that could be
reproduced easily, cheap,
263
00:12:15,458 --> 00:12:17,322
by stencils.
264
00:12:17,426 --> 00:12:20,463
The effects on the design
have been brought about
265
00:12:20,567 --> 00:12:25,399
by trying to get some kind
of standardized pattern.
266
00:12:25,503 --> 00:12:29,852
You need to recognize your cards
immediately when you play.
267
00:12:29,956 --> 00:12:31,923
Is this a king? Is this a queen?
268
00:12:32,027 --> 00:12:35,996
It helps if the design
is exactly the same
269
00:12:36,100 --> 00:12:38,136
as the design you are used to.
270
00:12:38,240 --> 00:12:42,106
That's why playing cards
are reproduced over centuries,
271
00:12:42,209 --> 00:12:47,180
in even the smallest
details, exactly as they were.
272
00:12:47,283 --> 00:12:51,874
Rouen in France
was a major production center
273
00:12:51,978 --> 00:12:54,566
and it was commercial,
very successful.
274
00:12:54,670 --> 00:12:57,811
They had an economic advantage
275
00:12:57,915 --> 00:13:02,126
and they started to make cards
for exportation.
276
00:13:02,229 --> 00:13:07,648
Here's an example of the King
of Hearts from Rouen in France.
277
00:13:07,752 --> 00:13:09,892
Then when England
got hold of it,
278
00:13:09,996 --> 00:13:13,827
you can still see
the basic outline.
279
00:13:13,931 --> 00:13:17,486
Got the cloak, edges,
hand on the cloak,
280
00:13:17,589 --> 00:13:18,625
and the hand up in the air.
281
00:13:18,728 --> 00:13:20,972
What was originally an ax
282
00:13:21,076 --> 00:13:22,940
has now turned
into something, nothing,
283
00:13:23,043 --> 00:13:27,151
because obviously they
filled out the picture,
284
00:13:27,254 --> 00:13:29,739
and they had to put
it somewhere,
285
00:13:29,843 --> 00:13:31,983
and they pushed it
behind his head.
286
00:13:32,087 --> 00:13:36,850
Another one where
a similar kind of shape.
287
00:13:36,954 --> 00:13:40,302
And then finally one
where he's got a sword,
288
00:13:40,405 --> 00:13:43,132
because somebody redesigned it
and thought,
289
00:13:43,236 --> 00:13:46,653
"What the heck is that
behind his head?
290
00:13:46,756 --> 00:13:48,517
Oh well, it can be a sword."
291
00:13:48,620 --> 00:13:51,140
So you can see that
the figure got bigger
292
00:13:51,244 --> 00:13:54,074
and bigger, and filled up
the card more and more,
293
00:13:54,178 --> 00:13:56,145
changing the design.
294
00:13:56,249 --> 00:14:00,978
It wasn't until the 19th century
that major changes came about.
295
00:14:01,081 --> 00:14:04,050
Like, for example, double-ending
296
00:14:05,292 --> 00:14:07,536
This is a really
great representation
297
00:14:07,639 --> 00:14:09,262
of a double-ended deck.
298
00:14:09,365 --> 00:14:11,505
It is one of the
earliest examples
299
00:14:11,609 --> 00:14:13,231
of double-headed cards.
300
00:14:13,335 --> 00:14:16,510
It's made in Brussels in the
middle of the 18th century.
301
00:14:16,614 --> 00:14:22,413
They cut the design into half
and put the two halves together,
302
00:14:22,516 --> 00:14:26,141
which made play for players
a bit easier.
303
00:14:26,244 --> 00:14:29,006
This is all about
hidden messages.
304
00:14:29,109 --> 00:14:32,043
It looks very ordinary
and respectful,
305
00:14:32,147 --> 00:14:34,563
but when you put a candle
306
00:14:34,666 --> 00:14:37,566
behind the cards,
you could see through the cards.
307
00:14:37,669 --> 00:14:39,809
- Oh, yeah?
- And reveal
308
00:14:39,913 --> 00:14:41,881
something very much...
309
00:14:41,984 --> 00:14:43,399
Look at that.
310
00:14:43,503 --> 00:14:45,781
That's a little naughty.
311
00:14:46,161 --> 00:14:47,300
And no one would ever know
312
00:14:47,403 --> 00:14:48,646
unless they held
them to a candle.
313
00:14:50,475 --> 00:14:51,925
That young lady's doing something
314
00:14:52,029 --> 00:14:53,789
that she shouldn't
be doing to that gentleman.
315
00:14:53,893 --> 00:14:55,480
- And...
- Why not?
316
00:14:55,584 --> 00:14:57,586
Well, that's true,
now I think about it.
317
00:14:57,689 --> 00:14:58,621
Probably just not in public.
318
00:14:58,725 --> 00:15:00,382
I'm sure one of the reasons why
319
00:15:00,485 --> 00:15:03,868
a lot of the early English cards
didn't survive
320
00:15:03,972 --> 00:15:05,697
is that they were
probably destroyed
321
00:15:05,801 --> 00:15:08,286
during the Cromwellian period.
322
00:15:08,390 --> 00:15:11,772
They certainly frowned
on them, the church.
323
00:15:11,876 --> 00:15:14,879
They were the instruments
of the devil.
324
00:15:14,983 --> 00:15:17,882
The nobility,
they could play cards,
325
00:15:17,986 --> 00:15:19,194
they could afford them as well,
326
00:15:19,297 --> 00:15:21,265
and they could gamble
if they felt like it.
327
00:15:21,368 --> 00:15:25,027
And the common people
were not supposed to waste their
328
00:15:25,131 --> 00:15:27,788
time playing cards.
329
00:15:27,892 --> 00:15:32,448
During the 15th century,
there was a move
330
00:15:32,552 --> 00:15:36,763
to make playing cards
more widely enjoyed.
331
00:15:36,866 --> 00:15:38,661
It's a printing press,
332
00:15:38,765 --> 00:15:41,181
and it's the first
printing press
333
00:15:41,285 --> 00:15:43,045
made entirely of metal.
334
00:15:43,149 --> 00:15:46,083
This one is from 1829,
335
00:15:46,186 --> 00:15:48,671
it's a beautiful piece
of equipment.
336
00:15:48,775 --> 00:15:51,985
The inventor of this press
was the Earl of Stanhope
337
00:15:52,089 --> 00:15:55,437
and he gave his design
to the open market.
338
00:15:55,540 --> 00:15:57,301
You could copy it.
339
00:15:57,404 --> 00:16:00,580
He was a great admirer
of freedom of the press.
340
00:16:00,683 --> 00:16:03,376
Everybody should be
able to press something.
341
00:16:04,446 --> 00:16:05,757
And that was it?
342
00:16:05,861 --> 00:16:07,000
That's it.
343
00:16:07,104 --> 00:16:09,209
- That was the pressing of it?
- Yeah.
344
00:16:09,313 --> 00:16:10,210
Okay.
345
00:16:12,247 --> 00:16:15,526
And that at least five
thousand times a day.
346
00:16:15,629 --> 00:16:19,254
Yeah. Five thousand.
That's... hardly a job.
347
00:16:19,357 --> 00:16:22,740
That's awesome. Look at that.
348
00:16:22,843 --> 00:16:25,846
Look at the intricacy
in there, even, and all...
349
00:16:25,950 --> 00:16:27,848
- You see all the details.
- Yeah.
350
00:16:27,952 --> 00:16:31,300
And to imagine that at one point
this was all carved with
351
00:16:31,404 --> 00:16:33,716
tools in the wood by hand.
352
00:16:33,820 --> 00:16:34,924
Yep.
353
00:16:35,028 --> 00:16:36,650
That's...
354
00:16:36,754 --> 00:16:38,031
That is so fast.
355
00:16:38,135 --> 00:16:40,654
- Yeah, maybe too fast.
- Maybe too fast?
356
00:16:40,758 --> 00:16:41,655
Maybe too fast.
357
00:16:41,759 --> 00:16:43,036
Comes from here.
358
00:16:43,140 --> 00:16:45,314
This one's fully-automated.
It's a Heidelberg?
359
00:16:45,418 --> 00:16:47,247
Yes it is.
360
00:16:47,351 --> 00:16:50,975
It was made in Germany in the
beginning of the 20th century,
361
00:16:51,079 --> 00:16:55,359
using a steam engine
to produce movement.
362
00:16:55,462 --> 00:16:59,259
It was called, in Germany,
a "Schnellpresse".
363
00:16:59,363 --> 00:17:00,812
- A speedy press.
- Speedy press.
364
00:17:00,916 --> 00:17:01,779
Yeah.
365
00:17:03,436 --> 00:17:08,096
It could print about a thousand
sheets an hour, or even more.
366
00:17:08,199 --> 00:17:11,064
Wow! And the other one
was 500 to 1000 a day.
367
00:17:14,688 --> 00:17:15,793
That's quite a process.
368
00:17:15,896 --> 00:17:17,036
Yeah, it is.
369
00:17:17,139 --> 00:17:20,936
The speed of this press was good
for in this time.
370
00:17:21,040 --> 00:17:25,113
6000, 8000,
9000 sheets in an hour.
371
00:17:25,216 --> 00:17:26,700
And then I put on this
372
00:17:26,804 --> 00:17:28,254
and then he is printing.
373
00:17:28,357 --> 00:17:29,427
Oh!
374
00:17:30,187 --> 00:17:31,602
Look at that.
375
00:17:35,709 --> 00:17:39,299
So, from the small one
which was 500 in a day,
376
00:17:39,403 --> 00:17:42,440
to 1000 an hour on
the bigger Heidelberg,
377
00:17:42,544 --> 00:17:44,580
to an hour, 6000.
378
00:17:44,684 --> 00:17:45,788
6000 to 8000.
379
00:17:48,067 --> 00:17:49,137
And then you get
this as the result.
380
00:17:49,240 --> 00:17:50,207
Look at that.
381
00:17:50,310 --> 00:17:52,140
That's crazy cool.
382
00:17:52,243 --> 00:17:54,073
The definition in there.
383
00:17:54,176 --> 00:17:55,557
Look at all those
small little details.
384
00:17:55,660 --> 00:17:56,558
Yeah, the details.
385
00:17:56,661 --> 00:17:58,111
Yeah. Yeah.
386
00:17:58,215 --> 00:17:59,595
How perfect is that?
387
00:17:59,699 --> 00:18:02,771
When playing cards were first
made, their backs were blank.
388
00:18:02,874 --> 00:18:05,360
Yes, this is not waste.
389
00:18:05,463 --> 00:18:09,157
You can write your name
and address on it,
390
00:18:09,260 --> 00:18:12,125
an advertisement, a calling
card, you know.
391
00:18:12,229 --> 00:18:14,162
Compose music on the back
of playing cards
392
00:18:14,265 --> 00:18:16,129
like Mozart did.
393
00:18:16,233 --> 00:18:17,130
Really?
394
00:18:17,441 --> 00:18:19,719
He was a very great playing
card enthusiast.
395
00:18:19,822 --> 00:18:20,927
I did not know that.
396
00:18:21,030 --> 00:18:22,342
That's crazy cool.
397
00:18:23,930 --> 00:18:26,760
Playing cards have been
a part of our lives for so long,
398
00:18:26,864 --> 00:18:29,211
it's hard to imagine a world
without them.
399
00:18:29,315 --> 00:18:31,455
Since their introduction
centuries ago,
400
00:18:31,558 --> 00:18:32,973
these unassuming playthings
401
00:18:33,077 --> 00:18:34,941
have traveled the globe,
and become a regular fixture
402
00:18:35,044 --> 00:18:36,598
in the lives of
billions of people.
403
00:18:36,701 --> 00:18:38,945
They've been banned
by churches and kings,
404
00:18:39,048 --> 00:18:40,912
they've been used
to read the future,
405
00:18:41,016 --> 00:18:43,052
and helped make and break
the dreams
406
00:18:43,156 --> 00:18:44,537
of countless gamblers.
407
00:18:46,573 --> 00:18:48,679
♪ dramatic old west music
408
00:18:48,782 --> 00:18:50,094
And sometimes they show up
409
00:18:50,198 --> 00:18:52,752
in unexpected places
and do unexpected jobs.
410
00:18:55,582 --> 00:18:59,207
Like in 1685, in the French
colony we now call Canada,
411
00:18:59,310 --> 00:19:02,313
when cards became the
official currency of the land.
412
00:19:02,417 --> 00:19:04,729
The young nation
was highly dependent on France
413
00:19:04,833 --> 00:19:05,868
for most of their supplies,
414
00:19:05,972 --> 00:19:07,663
and that included
the actual coins
415
00:19:07,767 --> 00:19:10,149
and bills that fueled
the economy.
416
00:19:10,252 --> 00:19:12,289
Sometimes these shipments
got delayed
417
00:19:12,392 --> 00:19:13,980
and the local government, well,
418
00:19:14,083 --> 00:19:16,293
they were forced
to get creative.
419
00:19:16,396 --> 00:19:17,880
Cards were stiff and durable.
420
00:19:17,984 --> 00:19:21,125
And in the days before anything
was printed on the back,
421
00:19:21,229 --> 00:19:22,299
served for many
422
00:19:22,471 --> 00:19:25,336
as the only readily
available source of paper.
423
00:19:25,440 --> 00:19:27,994
Of course, they were also
easy to counterfeit,
424
00:19:28,097 --> 00:19:30,272
which led to other issues.
425
00:19:30,376 --> 00:19:33,275
♪ tense music
426
00:19:40,351 --> 00:19:41,559
A century later,
427
00:19:41,663 --> 00:19:43,009
destitute mothers
in the Netherlands
428
00:19:43,112 --> 00:19:44,942
used cards to keep a bond
429
00:19:45,045 --> 00:19:46,737
with the children
that they, sadly,
430
00:19:46,840 --> 00:19:48,394
could no longer care for.
431
00:19:48,497 --> 00:19:51,604
♪ tense music
432
00:19:53,226 --> 00:19:55,642
An infant left without a card
433
00:19:55,746 --> 00:19:57,989
was one the mother knew
she'd never return for.
434
00:19:59,198 --> 00:20:02,028
But, by leaving
half of a torn card,
435
00:20:02,131 --> 00:20:04,444
she'd leave the door open
for reuniting with her child,
436
00:20:04,548 --> 00:20:07,206
because, together,
the two matching halves
437
00:20:07,309 --> 00:20:09,622
would prove her claim
to parenthood.
438
00:20:09,725 --> 00:20:13,626
♪ tense music
439
00:20:20,080 --> 00:20:22,221
Another example of how playing
cards have been used
440
00:20:22,324 --> 00:20:23,152
to reunite people
441
00:20:23,256 --> 00:20:25,293
occurred during WWII,
442
00:20:25,396 --> 00:20:26,535
when the United States
Playing Card Company
443
00:20:26,639 --> 00:20:28,468
collaborated with the
American Government
444
00:20:28,572 --> 00:20:30,229
to produce a very
special version
445
00:20:30,332 --> 00:20:32,748
of their popular Bicycle deck.
446
00:20:32,852 --> 00:20:36,269
♪ tense music
447
00:20:37,753 --> 00:20:39,203
These cards were
cleverly designed
448
00:20:39,307 --> 00:20:40,273
to help allied soldiers
449
00:20:40,377 --> 00:20:42,931
escape from German
prisoner of war camps.
450
00:20:43,034 --> 00:20:44,139
Although they looked normal,
451
00:20:44,243 --> 00:20:47,901
the cards were actually printed
with an unexpected secret
452
00:20:48,005 --> 00:20:51,422
hidden inside, that could only
be found by peeling them apart.
453
00:20:51,526 --> 00:20:54,805
♪ dramatic music
454
00:20:54,908 --> 00:20:56,600
When the pieces were
arranged properly,
455
00:20:56,703 --> 00:20:59,499
it gave the captives a map
of the surrounding areas,
456
00:20:59,603 --> 00:21:01,052
so they could plan their escapes
457
00:21:01,156 --> 00:21:03,952
A scheme that would ultimately
save an untold numbers of lives.
458
00:21:05,747 --> 00:21:08,301
So, how would we
have gotten by
459
00:21:08,405 --> 00:21:09,923
in a world without cards?
460
00:21:21,038 --> 00:21:22,833
♪ dramatic music
461
00:21:32,601 --> 00:21:35,673
In the late 15th century,
people were largely illiterate,
462
00:21:35,777 --> 00:21:37,399
so painting and other
forms of art,
463
00:21:37,503 --> 00:21:39,021
including playing cards,
464
00:21:39,125 --> 00:21:39,781
were the most effective way
465
00:21:39,884 --> 00:21:41,679
of sharing stories
with the masses.
466
00:21:41,783 --> 00:21:44,441
That's why my Court Card
Conspiracy story
467
00:21:44,544 --> 00:21:45,718
starts with the King of Hearts.
468
00:21:45,821 --> 00:21:47,754
So, let's take a second
to notice
469
00:21:47,858 --> 00:21:50,170
a couple of interesting things
about him.
470
00:21:50,274 --> 00:21:52,483
First, he's the only one
of the four kings
471
00:21:52,587 --> 00:21:53,829
who doesn't have a mustache.
472
00:21:53,933 --> 00:21:57,350
And second, he's the only king
whose suit doesn't appear
473
00:21:57,454 --> 00:21:58,765
all over his outfit.
474
00:21:58,869 --> 00:22:01,768
Instead, he's got these
little symbols.
475
00:22:01,872 --> 00:22:03,529
The lack of a mustache
immediately told me
476
00:22:03,632 --> 00:22:05,185
he was meant to be young.
477
00:22:05,289 --> 00:22:06,704
But what are those
funny little things
478
00:22:06,808 --> 00:22:08,534
that are all over his cloak?
479
00:22:15,920 --> 00:22:18,578
While touring in France,
I discovered a castle
480
00:22:18,682 --> 00:22:19,476
that had been home to kings,
481
00:22:19,579 --> 00:22:20,787
and even Leonardo da Vinci,
482
00:22:20,891 --> 00:22:23,031
in a small town
called Amboise.
483
00:22:23,134 --> 00:22:25,309
I couldn't pass up the chance
to pay a visit,
484
00:22:25,413 --> 00:22:26,552
and as I walked around,
485
00:22:26,655 --> 00:22:29,071
I started seeing these
familiar symbols everywhere.
486
00:22:30,901 --> 00:22:32,178
Then I went and saw
the throne room.
487
00:22:32,281 --> 00:22:34,422
There was the throne,
and there was this big shield,
488
00:22:34,525 --> 00:22:35,664
and it was divided in half.
489
00:22:35,768 --> 00:22:37,321
And half of it was
the fleur de lis
490
00:22:37,425 --> 00:22:39,012
and half was this symbol.
491
00:22:39,116 --> 00:22:40,635
And it wasn't until the airport,
492
00:22:40,738 --> 00:22:41,877
and at the airport
I saw this flag waving,
493
00:22:41,981 --> 00:22:43,396
and the custodian
was sweeping around.
494
00:22:43,500 --> 00:22:44,777
I lifted my feet and I said,
495
00:22:44,880 --> 00:22:47,435
"Excuse me, sir, can you
tell me what that flag is?"
496
00:22:47,538 --> 00:22:50,334
And he goes, "Oh, that's
Brittany. It's the region."
497
00:22:50,438 --> 00:22:52,267
And I was like, "Oh, my God!"
498
00:22:52,371 --> 00:22:54,407
And immediately
my head just, it clicked.
499
00:22:54,511 --> 00:22:56,167
And I got out a deck of cards.
I saw it.
500
00:22:56,271 --> 00:22:57,583
It's all over his cloak.
501
00:22:57,686 --> 00:22:59,447
And it represents the ermine,
502
00:22:59,550 --> 00:23:00,655
a feisty little creature
503
00:23:00,758 --> 00:23:02,933
that's related to the weasel
and the ferret.
504
00:23:03,036 --> 00:23:06,454
Brittany and the ermine
are forever intertwined.
505
00:23:06,557 --> 00:23:07,903
For more than 500 years,
506
00:23:08,007 --> 00:23:10,043
Brittany was an independent
nation bordering on France,
507
00:23:10,147 --> 00:23:13,184
and Brittany adopted the ermine
as its national symbol.
508
00:23:14,047 --> 00:23:15,463
The Ermine of Brittany,
509
00:23:15,566 --> 00:23:17,844
which was one of
the favorite animals
510
00:23:17,948 --> 00:23:20,571
of the Dukes of
Brittany, is a symbolic animal
511
00:23:20,675 --> 00:23:22,573
that is a sign of fidelity,
512
00:23:22,677 --> 00:23:25,645
loyalty and also purity.
513
00:23:27,440 --> 00:23:28,786
So, that got me wondering,
514
00:23:28,890 --> 00:23:31,202
what the ermine symbol was doing
here in Amboise,
515
00:23:31,306 --> 00:23:33,826
hundreds of miles from its
spiritual home in Brittany.
516
00:23:33,929 --> 00:23:36,553
Answering that question
became a bit of an obsession,
517
00:23:36,656 --> 00:23:40,108
but all roads eventually led
back to King Charles VIII,
518
00:23:40,211 --> 00:23:42,075
who ruled France
from this castle
519
00:23:42,179 --> 00:23:45,009
between 1483 and 1498.
520
00:23:45,113 --> 00:23:47,978
So, when Charles came to power
at the age of 13,
521
00:23:48,081 --> 00:23:50,532
his father knew that
he'd be too young to rule.
522
00:23:50,636 --> 00:23:53,224
So, before he died, his father
appointed a guardian,
523
00:23:53,328 --> 00:23:56,124
to make all the big decisions
that governing a nation requires
524
00:23:56,227 --> 00:23:58,264
But it was a choice between
his sister Anne
525
00:23:58,367 --> 00:23:59,748
and his cousin Louis.
526
00:23:59,852 --> 00:24:02,751
Eventually, his sister
became the Regent.
527
00:24:02,855 --> 00:24:05,685
Anne's appointment
as Regent was not a guarantee.
528
00:24:05,789 --> 00:24:08,101
In fact, she had to start
building political alliances
529
00:24:08,205 --> 00:24:09,240
very quickly because Louis
530
00:24:09,344 --> 00:24:11,070
was out to become the Regent.
531
00:24:11,173 --> 00:24:13,210
In fact, he went so far
as to try to kidnap Charles.
532
00:24:13,313 --> 00:24:15,868
He even gathered together
lords of different regions
533
00:24:15,971 --> 00:24:19,147
and went to battle in
what is known as the Mad War.
534
00:24:19,699 --> 00:24:23,116
Louis d'Orléans was
one of the main lords
535
00:24:23,220 --> 00:24:26,050
to oppose Anne de Beaujeu.
536
00:24:26,154 --> 00:24:28,294
Louis D'Orléans
537
00:24:28,397 --> 00:24:31,262
fought side by
side with François II.
538
00:24:31,366 --> 00:24:34,818
He also fought
on the Breton side
539
00:24:34,921 --> 00:24:36,544
against the king of France.
540
00:24:36,647 --> 00:24:38,684
The Mad War would end
just shortly after
541
00:24:38,787 --> 00:24:41,687
Charles comes of age and assumes
all the roles of the throne.
542
00:24:41,790 --> 00:24:43,516
He wins a number
of decisive battles,
543
00:24:43,620 --> 00:24:45,760
and François sees
the writing on the wall
544
00:24:45,863 --> 00:24:47,865
and decides it's time
to surrender.
545
00:24:47,969 --> 00:24:49,557
Charles stipulates
in the surrender
546
00:24:49,660 --> 00:24:51,041
that he'll have a say over
547
00:24:51,144 --> 00:24:53,077
where François' daughters
are married and to whom,
548
00:24:53,181 --> 00:24:55,908
so that he can envelop
Brittany into France.
549
00:24:56,011 --> 00:24:58,324
As the king who finally
brought Brittany
550
00:24:58,427 --> 00:24:59,739
into the fold of France,
551
00:24:59,843 --> 00:25:01,672
he became known
as the King of the Bretons,
552
00:25:01,776 --> 00:25:02,880
even though
the people of Brittany
553
00:25:02,984 --> 00:25:04,572
didn't love him very much,
or at all.
554
00:25:04,675 --> 00:25:06,574
The symbol of the ermine,
555
00:25:06,677 --> 00:25:08,265
the symbol of Brittany,
became his symbol as well.
556
00:25:08,368 --> 00:25:11,130
And that's why when I look
at the King of Hearts,
557
00:25:11,233 --> 00:25:14,029
I think of him as being
the young Charles VIII.
558
00:25:17,377 --> 00:25:18,793
With the 525th anniversary
559
00:25:18,896 --> 00:25:20,795
of Charles' death
only weeks away,
560
00:25:20,898 --> 00:25:22,037
I'm already getting excited
561
00:25:22,141 --> 00:25:23,798
about bringing his story
to life again
562
00:25:23,901 --> 00:25:26,490
in the ancient corridors
where he once walked,
563
00:25:26,594 --> 00:25:28,354
in the only way I know how,
564
00:25:28,457 --> 00:25:30,632
and that's through magic.
565
00:25:32,496 --> 00:25:35,568
Magic can really
transcend language.
566
00:25:35,672 --> 00:25:37,950
It transcends borders,
it transcends age.
567
00:25:38,053 --> 00:25:39,676
Society has grown into the idea
568
00:25:39,779 --> 00:25:41,401
that magic is something
for children.
569
00:25:41,505 --> 00:25:43,162
But it's not just for children,
570
00:25:43,265 --> 00:25:44,612
it's for everybody.
571
00:25:44,715 --> 00:25:46,165
It makes adults become children.
572
00:25:46,268 --> 00:25:47,511
You have to be curious.
573
00:25:47,615 --> 00:25:48,754
You have to be a person
574
00:25:48,857 --> 00:25:50,307
who's willing to be educated,
and to be wrong.
575
00:25:50,410 --> 00:25:51,653
You also have to be brave
576
00:25:51,757 --> 00:25:53,103
because you can be standing
in front of an audience
577
00:25:53,206 --> 00:25:53,759
and fail.
578
00:25:53,862 --> 00:25:56,693
You have to be different.
579
00:25:59,385 --> 00:26:02,181
Traveling the world,
as much as I have, has given me
580
00:26:02,284 --> 00:26:04,942
the incredible opportunity
to meet and trade ideas
581
00:26:05,046 --> 00:26:08,256
with some of the most inventive
minds in the world of magic.
582
00:26:08,359 --> 00:26:11,362
So, as much as I love the home
I've built myself
583
00:26:11,466 --> 00:26:12,778
at Hidden Wonders,
584
00:26:12,985 --> 00:26:15,677
I'd be lying if I said I didn't
miss those late night sessions,
585
00:26:15,781 --> 00:26:18,197
on the road,
with my peers.
586
00:26:18,300 --> 00:26:19,198
That's why,
587
00:26:19,578 --> 00:26:21,718
instead of developing the Court
Card Conspiracy routine
588
00:26:21,821 --> 00:26:23,961
just on my own,
589
00:26:24,065 --> 00:26:25,791
I've decided to bring in
some of the performers
590
00:26:25,894 --> 00:26:27,240
who inspire me the most.
591
00:26:27,344 --> 00:26:29,829
so they can be part
of this journey with me,
592
00:26:29,933 --> 00:26:34,385
and their magic can influence
the path that I'm going to take.
593
00:26:34,489 --> 00:26:37,837
♪ energetic music
594
00:26:39,943 --> 00:26:41,565
How far back
do we have records
595
00:26:41,669 --> 00:26:43,463
of cards being used for magic?
596
00:26:43,567 --> 00:26:47,606
Probably from the very,
very start of playing cards.
597
00:26:47,709 --> 00:26:50,367
Magic is very old,
598
00:26:50,470 --> 00:26:54,854
probably very early on, playing
cards were used by magicians
599
00:26:54,958 --> 00:26:59,272
as an interesting tool
to manipulate, to trick,
600
00:26:59,376 --> 00:27:01,585
to amaze people.
601
00:27:03,414 --> 00:27:06,625
Please welcome the amazing
Richard Turner.
602
00:27:09,282 --> 00:27:12,803
- Well, howdy!
- Howdy!
603
00:27:12,907 --> 00:27:14,667
I love it when the
audience shows up
604
00:27:14,771 --> 00:27:17,808
♪ steel guitar
605
00:27:20,880 --> 00:27:23,849
I'm going to show you something
you never do, John,
606
00:27:23,952 --> 00:27:26,299
something you never do
when you play cards for money.
607
00:27:26,403 --> 00:27:27,646
Never do this.
608
00:27:27,749 --> 00:27:30,925
Never shuffle a deck,
one in each hand,
609
00:27:31,028 --> 00:27:34,411
it makes the other
players nervous.
610
00:27:34,514 --> 00:27:37,966
And John, when they
see you shuffle with one hand,
611
00:27:38,070 --> 00:27:42,143
while you backflip cut
with the other,
612
00:27:42,246 --> 00:27:46,112
they get up and run and you
are left playing solitaire.
613
00:27:46,216 --> 00:27:48,667
People say, "Why do you call
yourself a card mechanic?"
614
00:27:48,770 --> 00:27:50,289
That's the term.
I didn't come up with that.
615
00:27:50,392 --> 00:27:54,396
Auto mechanic fixes a car, a
body mechanic, they fix a death.
616
00:27:54,500 --> 00:27:57,537
I fix a card game.
617
00:27:57,641 --> 00:27:59,332
People think that because
they see someone
618
00:27:59,436 --> 00:28:00,575
do card magic,
619
00:28:00,679 --> 00:28:02,163
they're a threat
at the card table.
620
00:28:02,266 --> 00:28:04,130
That's one of the farthest
things from the truth,
621
00:28:04,234 --> 00:28:06,167
you're playing two different instruments.
622
00:28:06,270 --> 00:28:07,375
That guy would
be the first person
623
00:28:07,478 --> 00:28:09,170
shot in a card game.
624
00:28:10,412 --> 00:28:15,245
I was about seven years old,
and we were very poor,
625
00:28:15,348 --> 00:28:17,040
and we had four things:
626
00:28:17,143 --> 00:28:21,907
A Monopoly, chess set, a checker
set, and a deck of cards
627
00:28:22,010 --> 00:28:23,943
and we played for M&M's.
628
00:28:24,047 --> 00:28:28,223
We would actually five finger
discount the M&M's at the store.
629
00:28:28,327 --> 00:28:31,502
I was the oldest
and I wanted to win,
630
00:28:31,606 --> 00:28:36,128
and I realized just one extra
card gave me an advantage.
631
00:28:36,231 --> 00:28:38,406
I'd sit there and deal out
hand after hand after hand
632
00:28:38,509 --> 00:28:41,650
with four or five players
and start figuring out the odds.
633
00:28:41,754 --> 00:28:48,657
So that's kind of what got my
first interest in gambling moves
634
00:28:48,761 --> 00:28:50,659
When I first started,
I could see
635
00:28:50,763 --> 00:28:52,661
out of the corner of my eye.
636
00:28:52,765 --> 00:28:54,077
I had no macula,
637
00:28:54,180 --> 00:28:55,906
which is the center
part of the retina, was gone.
638
00:28:56,010 --> 00:28:57,908
So if you just picture
wherever you look, there's
639
00:28:58,012 --> 00:28:59,496
a hat in front of your face.
640
00:29:00,946 --> 00:29:04,121
But then as the years went on,
what vision
641
00:29:04,225 --> 00:29:07,090
I did have continued
to degenerate
642
00:29:07,193 --> 00:29:08,781
to where there was nothing left.
643
00:29:08,885 --> 00:29:12,405
So my fingers are like
ten eyeballs.
644
00:29:12,509 --> 00:29:14,269
I don't see things visually,
645
00:29:14,373 --> 00:29:16,444
so I developed my little
646
00:29:16,547 --> 00:29:19,136
individual "perceptors"
647
00:29:19,240 --> 00:29:21,898
that feel
all the elements of a card
648
00:29:22,001 --> 00:29:25,349
to make those cards
do what I want them to do.
649
00:29:25,453 --> 00:29:28,974
In fact, one of the
neuroscientists from Harvard
650
00:29:29,077 --> 00:29:32,978
said I have the most developed
tactile neural network
651
00:29:33,081 --> 00:29:36,602
of anybody on planet Earth,
which is kind of a cool thing.
652
00:29:36,705 --> 00:29:38,190
People come over to our house
653
00:29:38,293 --> 00:29:40,951
and they're always
amazed at my office
654
00:29:41,055 --> 00:29:44,299
because you walk into that room
and there's about 7000
655
00:29:44,403 --> 00:29:45,749
decks of cards.
656
00:29:45,853 --> 00:29:47,786
Over the course of a
two week period
657
00:29:47,889 --> 00:29:50,064
they will build up where
I have a stack of them
658
00:29:50,167 --> 00:29:52,445
by the piano, stack where I sit,
stack of them
659
00:29:52,549 --> 00:29:53,481
by the dinner table,
660
00:29:53,584 --> 00:29:56,311
and other piles
randomly throughout the house.
661
00:30:00,108 --> 00:30:04,768
For the past 50 years,
an average day for me
662
00:30:04,872 --> 00:30:07,460
has been 14 to 16 hours
663
00:30:07,564 --> 00:30:10,222
practicing with a deck of cards.
664
00:30:10,325 --> 00:30:13,466
I'm always doing at least
two things at any given time.
665
00:30:13,570 --> 00:30:17,885
If I'm in the gym working out,
I'm focused on whatever exercise
666
00:30:17,988 --> 00:30:21,820
I'm doing, and the other hand
has the cards going.
667
00:30:21,923 --> 00:30:25,064
I think the art of manipulation
is an art,
668
00:30:25,168 --> 00:30:28,343
a very fine motor skill art.
669
00:30:28,447 --> 00:30:31,277
People are all
living their lives
670
00:30:31,381 --> 00:30:33,521
and they have
all their different
671
00:30:33,624 --> 00:30:37,836
trials, and tribulations,
and family, and work.
672
00:30:37,939 --> 00:30:42,564
And I think magic
is that little piece of escape
673
00:30:42,668 --> 00:30:46,465
where they can revert back
to their younger years
674
00:30:46,568 --> 00:30:51,159
when everything is imagination
and fantasy.
675
00:30:51,263 --> 00:30:54,542
When I'm performing, my goal
is to have them go,
676
00:30:54,645 --> 00:30:56,751
"What did I just see?"
677
00:30:56,855 --> 00:30:58,442
I want them to laugh
678
00:30:58,546 --> 00:31:02,861
and leave in astonishment
beyond comprehension.
679
00:31:02,964 --> 00:31:04,586
I want them
to think to themselves.
680
00:31:04,690 --> 00:31:07,244
"I have no clue what I just saw,
681
00:31:07,348 --> 00:31:10,178
or how what I just saw
was possible."
682
00:31:12,008 --> 00:31:13,561
When it comes
to card magic,
683
00:31:13,664 --> 00:31:15,356
what's your favorite plot?
684
00:31:16,667 --> 00:31:18,531
Back in the early eighties,
685
00:31:18,635 --> 00:31:20,016
I came up with a plot.
686
00:31:20,119 --> 00:31:22,984
My goal was to take a shuffled
deck of cards
687
00:31:23,088 --> 00:31:26,160
let the audience
choose the game,
688
00:31:26,263 --> 00:31:28,231
choose the number of players
689
00:31:28,334 --> 00:31:30,267
and tell me which player
they want me to have
690
00:31:30,371 --> 00:31:31,372
win the hand.
691
00:31:31,475 --> 00:31:33,822
And they can even take the cards
out of my hand
692
00:31:33,926 --> 00:31:34,823
any time they want,
693
00:31:34,927 --> 00:31:36,066
shuffle them up,
694
00:31:36,170 --> 00:31:38,241
and not even give me
back the whole deck.
695
00:31:38,344 --> 00:31:39,690
They can give me
whatever they want
696
00:31:39,794 --> 00:31:41,347
and I'll still make it happen.
697
00:31:41,451 --> 00:31:43,418
That is my plot.
698
00:31:43,522 --> 00:31:46,870
♪ ethereal music
699
00:31:46,974 --> 00:31:49,562
So, I truly love
your choice of plots,
700
00:31:49,666 --> 00:31:50,598
and the Shuffled Deck,
701
00:31:50,701 --> 00:31:52,255
and them being able
to do absolutely anything.
702
00:31:52,358 --> 00:31:54,464
And I know that you incorporate
multiple techniques,
703
00:31:54,567 --> 00:31:57,087
but the one you
incorporate the most
704
00:31:57,191 --> 00:31:59,469
is the second deal, is my guess
for most of the stuff?
705
00:31:59,572 --> 00:32:00,711
You bet.
706
00:32:00,815 --> 00:32:02,782
That's my favorite of all moves,
707
00:32:02,886 --> 00:32:04,819
all sleights,
is the second deal.
708
00:32:04,923 --> 00:32:07,063
It's my weapon
of all my weapons.
709
00:32:07,166 --> 00:32:09,824
I've calculated
right around 5 million times,
710
00:32:09,928 --> 00:32:12,585
I've demonstrated the second
deal or used the second deal
711
00:32:12,689 --> 00:32:14,380
in the course of my show.
712
00:32:14,484 --> 00:32:15,968
So I've done 5 million
second deals.
713
00:32:16,072 --> 00:32:18,626
I love that as you said that
you were doing them.
714
00:32:18,729 --> 00:32:19,627
Oh, yeah, that's subconscious.
715
00:32:19,730 --> 00:32:21,422
I know, but that was great.
It really was.
716
00:32:21,525 --> 00:32:25,219
The idea is to have people
think you didn't do anything
717
00:32:25,322 --> 00:32:28,808
because you didn't get ready.
718
00:32:28,912 --> 00:32:31,225
I'll try to do it
a little slow.
719
00:32:31,328 --> 00:32:36,851
And there's almost no movement
of the top card. See?
720
00:32:36,955 --> 00:32:38,439
It just kind of melts
through the deck.
721
00:32:38,542 --> 00:32:40,510
It looks like you're striking
the top of the deck.
722
00:32:40,613 --> 00:32:41,718
No, my hand's, my thumb's
723
00:32:41,821 --> 00:32:42,615
not going anywhere
near the deck.
724
00:32:42,719 --> 00:32:43,685
Right.
725
00:32:43,789 --> 00:32:45,722
It's just off to the side.
726
00:32:45,825 --> 00:32:48,656
As soon as someone goes up here,
they're busted.
727
00:32:48,759 --> 00:32:50,037
Yeah.
728
00:32:50,140 --> 00:32:52,798
Never going to learn that
in a short period of time.
729
00:32:52,901 --> 00:32:54,006
Your thumb gives the impression
730
00:32:54,110 --> 00:32:56,146
that it's doing it
right from the very top,
731
00:32:56,250 --> 00:32:58,148
but it's not even connecting
until it hits the very edge.
732
00:32:58,252 --> 00:33:01,151
It's that edge.
And it's only a microsecond.
733
00:33:01,255 --> 00:33:04,706
It's five microseconds,
actually, is what we calculated
734
00:33:04,810 --> 00:33:07,537
when it's going across that
median right there,
735
00:33:07,640 --> 00:33:08,710
and then taking the card.
736
00:33:08,848 --> 00:33:11,472
The fingers are down deep enough
to allow two cards to push.
737
00:33:11,575 --> 00:33:14,854
- Oh my God, I just did it.
- Did you do it?
738
00:33:14,958 --> 00:33:17,133
Well, I felt much better
about that one.
739
00:33:17,236 --> 00:33:19,031
With the first part of my
routine now locked in,
740
00:33:19,135 --> 00:33:20,964
it's time to turn my attention
to the next player
741
00:33:21,068 --> 00:33:22,655
in our conspiracy
to kill the king,
742
00:33:22,759 --> 00:33:25,072
namely the Queen of Spades.
743
00:33:25,175 --> 00:33:28,868
Or, as I like to call her,
Anne of Brittany.
744
00:33:28,972 --> 00:33:30,318
Did you learn
anything about Charles VIII
745
00:33:30,422 --> 00:33:31,285
in school?
746
00:33:31,457 --> 00:33:34,219
No. We have never learned
about Charles VIII,
747
00:33:34,322 --> 00:33:37,705
and if I did learn something
about it, I just forgot it.
748
00:33:37,808 --> 00:33:39,914
It comes in one ear, go out,
749
00:33:40,018 --> 00:33:42,330
because it was not
a very important king.
750
00:33:42,434 --> 00:33:43,918
Do you know
Anne of Brittany?
751
00:33:44,022 --> 00:33:46,127
Brittany?
752
00:33:46,231 --> 00:33:48,336
Ah, Bretagne. Anne de Bretagne.
753
00:33:48,440 --> 00:33:49,786
- Anne de Bretagne.
- Anne de Bretagne.
754
00:33:49,889 --> 00:33:50,959
Did you know
she was the only woman
755
00:33:51,063 --> 00:33:52,444
to be Queen of France twice?
756
00:33:52,547 --> 00:33:54,756
- It's true?
- Yeah.
757
00:33:54,860 --> 00:33:56,137
True? [French] That's amazing!
758
00:33:56,241 --> 00:34:00,279
I think it's ironic that
despite all of Charles' efforts
759
00:34:00,383 --> 00:34:02,178
to be an effective king
and to leave his mark on history
760
00:34:02,281 --> 00:34:03,834
he most likely
will be remembered
761
00:34:03,938 --> 00:34:05,698
as Anne of Brittany's husband.
762
00:34:07,459 --> 00:34:12,153
Anne of Brittany was
François II's sole heir.
763
00:34:12,257 --> 00:34:14,362
The Duke of
Brittany wanted to avoid
764
00:34:14,466 --> 00:34:17,193
Anne's marriage
to the king of France,
765
00:34:17,296 --> 00:34:19,919
in order to
maintain her independence.
766
00:34:20,023 --> 00:34:21,576
François II died shortly after
767
00:34:21,680 --> 00:34:23,785
the battle of
Saint-Aubin-du-Cormier.
768
00:34:23,889 --> 00:34:27,168
Anne of Brittany was only eleven
769
00:34:27,272 --> 00:34:31,310
when she was given
the title of Duchess.
770
00:34:33,243 --> 00:34:35,625
Charles and Anne's wedding
771
00:34:35,728 --> 00:34:38,179
took place during the war
772
00:34:38,283 --> 00:34:42,287
and the marriage
was imposed on her.
773
00:34:44,012 --> 00:34:46,049
The relationship
between Anne of Brittany
774
00:34:46,153 --> 00:34:49,156
and Charles VIII
was an antagonistic one.
775
00:34:49,259 --> 00:34:52,228
There was a contract stipulating
776
00:34:52,331 --> 00:34:54,782
she could no
longer officially bear
777
00:34:54,885 --> 00:34:57,405
the title of Duchess of Brittany
778
00:34:57,509 --> 00:35:00,063
for the duration of
Charles VIII's reign.
779
00:35:00,167 --> 00:35:03,066
Anne is clearly defeated,
780
00:35:03,170 --> 00:35:05,137
but this did not prevent her
781
00:35:05,241 --> 00:35:08,899
from fulfilling
her duty towards Charles VIII,
782
00:35:09,003 --> 00:35:10,280
as she went on
783
00:35:10,384 --> 00:35:12,593
to have six
consecutive pregnancies.
784
00:35:12,696 --> 00:35:15,043
Of these pregnancies,
785
00:35:15,147 --> 00:35:19,496
two children died in infancy,
786
00:35:19,600 --> 00:35:23,535
and the others
ended in miscarriages.
787
00:35:24,260 --> 00:35:26,572
Tragically all of Anne's
children with Charles died,
788
00:35:26,676 --> 00:35:27,987
and I believe
they're represented
789
00:35:28,091 --> 00:35:29,886
by the six
ermine she's holding here.
790
00:35:32,164 --> 00:35:36,755
She was expected
to publicly present
791
00:35:36,858 --> 00:35:40,103
as a perfect queen, pious,
792
00:35:40,207 --> 00:35:42,381
and loyal to
her husband, of course.
793
00:35:42,485 --> 00:35:45,212
Anne of Brittany
also could not bear
794
00:35:45,315 --> 00:35:46,937
her husband's indiscretions,
795
00:35:47,041 --> 00:35:49,526
as he continuously
sees other women
796
00:35:49,630 --> 00:35:51,149
while in Italy.
797
00:35:51,252 --> 00:35:53,841
Anne's life in Charles' court
798
00:35:53,944 --> 00:35:55,532
was not joyful.
799
00:35:55,636 --> 00:35:56,671
She was alone.
800
00:35:56,844 --> 00:35:59,778
She spent all her time being
tutored by Charles' sister,
801
00:35:59,881 --> 00:36:00,744
who didn't like her.
802
00:36:00,848 --> 00:36:03,230
And Charles was away
almost all the time
803
00:36:03,333 --> 00:36:04,369
on campaigns.
804
00:36:04,472 --> 00:36:05,577
And when he was at home,
805
00:36:05,680 --> 00:36:07,958
he was basically making her
as a baby factory.
806
00:36:08,062 --> 00:36:09,408
She was having children,
807
00:36:09,512 --> 00:36:11,962
the children, sadly, were dying,
and she was just living a life
808
00:36:12,066 --> 00:36:13,861
of being pregnant
and in despair.
809
00:36:13,964 --> 00:36:16,795
And none of that was likely
to change anytime soon,
810
00:36:16,898 --> 00:36:18,693
were it not for her husband's
unexpected death
811
00:36:18,797 --> 00:36:22,145
under some pretty
silly circumstances.
812
00:36:30,878 --> 00:36:33,743
Over the years, my magic
has become very personal.
813
00:36:33,846 --> 00:36:37,436
And now I talk about my dad and
my grandpa in the show a lot.
814
00:36:37,540 --> 00:36:38,748
So, taking on the story
815
00:36:38,851 --> 00:36:40,543
of a medieval
king as an inspiration,
816
00:36:40,646 --> 00:36:43,511
well, has been a fun way to
flex my creative muscle,
817
00:36:43,615 --> 00:36:45,272
and to rethink my approach
to storytelling.
818
00:36:51,243 --> 00:36:53,038
Really slow...
819
00:37:05,395 --> 00:37:06,776
What did you get?
820
00:37:06,879 --> 00:37:08,191
Oh, the Queen of Spades.
821
00:37:08,295 --> 00:37:10,469
And you got the King of Hearts.
822
00:37:10,573 --> 00:37:11,850
I don't know how that works.
823
00:37:11,953 --> 00:37:14,128
The only thing I know
is that
824
00:37:14,232 --> 00:37:15,509
the King of Hearts
825
00:37:15,612 --> 00:37:18,788
Wow!
826
00:37:18,891 --> 00:37:21,825
and the Queen of Spades
are bad people.
827
00:37:23,241 --> 00:37:24,828
Okay, cool.
828
00:37:24,932 --> 00:37:26,313
Thank you.
829
00:37:29,039 --> 00:37:30,903
Oh, you like...
Oh, wow!
830
00:37:32,319 --> 00:37:33,354
That was so good!
831
00:37:33,458 --> 00:37:34,804
But the real reason
I'm here in London,
832
00:37:34,907 --> 00:37:36,840
is to meet my old friend
Michael Vincent
833
00:37:36,944 --> 00:37:39,464
and I can't wait to see
what he's got in store.
834
00:37:39,567 --> 00:37:41,604
My name is Michael Vincent,
835
00:37:41,707 --> 00:37:44,986
and right now we are in the
British Magic Circle.
836
00:37:45,090 --> 00:37:48,887
This headquarters is the home
for British magicians.
837
00:37:48,990 --> 00:37:52,131
I've been passionate about magic
since I was six years old.
838
00:37:52,235 --> 00:37:54,858
My relationship
with playing cards
839
00:37:54,962 --> 00:37:56,895
is a passionate love affair.
840
00:37:56,998 --> 00:38:00,485
There isn't anything I cannot
achieve with a deck of cards,
841
00:38:00,588 --> 00:38:02,728
you give me a deck of cards,
it could be dog-eared,
842
00:38:02,832 --> 00:38:06,905
it could be beat up,
I can create an effect with it.
843
00:38:07,008 --> 00:38:10,288
My first deck of cards was
a Tally-Ho Circle Back,
844
00:38:10,391 --> 00:38:13,291
red back, my favorite
deck of all time.
845
00:38:13,394 --> 00:38:15,707
It took me several weeks
to save up
846
00:38:15,810 --> 00:38:18,019
my pocket money to buy one deck,
847
00:38:18,123 --> 00:38:22,783
and it was a treasured item,
and I made it last.
848
00:38:22,886 --> 00:38:23,887
I often think
849
00:38:23,991 --> 00:38:26,856
it would be wonderful
to go back to my childhood
850
00:38:26,959 --> 00:38:29,997
and to have that moment
of pure life,
851
00:38:30,100 --> 00:38:33,034
that pure astonishment.
852
00:38:33,138 --> 00:38:36,935
You're transported
out of this normal realm of life
853
00:38:37,038 --> 00:38:41,146
into another sphere
where life becomes exquisite.
854
00:38:41,249 --> 00:38:43,079
And here's a funny thing.
855
00:38:43,182 --> 00:38:47,117
When I decided to study magic,
I gave up the right
856
00:38:47,221 --> 00:38:50,086
to ever have
that experience again,
857
00:38:50,189 --> 00:38:52,847
because I've learned so much
about the subject.
858
00:38:52,951 --> 00:38:57,300
However, it came with
a deep responsibility.
859
00:38:57,404 --> 00:39:01,339
I have now become the architect
of astonishment for my audience,
860
00:39:01,442 --> 00:39:04,203
and it's my duty
to make them feel it.
861
00:39:04,307 --> 00:39:05,273
All right. Okay.
862
00:39:05,377 --> 00:39:06,551
If you look at
the two red jacks,
863
00:39:06,654 --> 00:39:08,173
you notice anything
interesting about one of them?
864
00:39:08,276 --> 00:39:10,140
I believe magic, as an art,
865
00:39:10,244 --> 00:39:12,488
has to begin as a craft.
866
00:39:12,591 --> 00:39:13,316
Do you notice
how the Jack of Hearts
867
00:39:13,420 --> 00:39:14,593
has only got one eye?
868
00:39:14,697 --> 00:39:15,939
- Oh, yeah.
- Right. One-eyed Jack.
869
00:39:16,043 --> 00:39:18,459
At the craft level,
it's not even art yet,
870
00:39:18,563 --> 00:39:20,116
it's just raw material,
871
00:39:20,219 --> 00:39:23,430
and that raw material will be
picked up by someone
872
00:39:23,533 --> 00:39:25,811
who has experienced astonishment.
873
00:39:25,915 --> 00:39:27,848
See, the other Jack
has traveled to the bottom.
874
00:39:27,951 --> 00:39:30,506
But, lets assume we've
mastered level one.
875
00:39:30,609 --> 00:39:32,059
What's level two all about?
876
00:39:32,162 --> 00:39:35,062
You've got to overcome
the fear of performing it
877
00:39:35,165 --> 00:39:36,719
and not getting caught.
878
00:39:36,822 --> 00:39:39,446
This can take several decades.
879
00:39:39,549 --> 00:39:41,827
Third stage, getting it right.
880
00:39:41,931 --> 00:39:45,797
So where the audience don't feel
the presence of technique.
881
00:39:45,900 --> 00:39:48,455
Next stage,
character development,
882
00:39:48,558 --> 00:39:51,319
personality development,
883
00:39:51,423 --> 00:39:52,769
understanding people,
884
00:39:52,873 --> 00:39:55,979
the psychology of human nature.
885
00:39:56,083 --> 00:39:58,465
The great magicians have
mastered all of these levels.
886
00:40:00,087 --> 00:40:03,055
The way my audience
members respond
887
00:40:03,159 --> 00:40:05,679
to my magic is something
888
00:40:05,782 --> 00:40:10,994
that was inspired to me
by Dai Vernon.
889
00:40:11,098 --> 00:40:13,997
Dai Vernon, David Frederick
Wingfield Verner, a magician
890
00:40:14,101 --> 00:40:17,035
from Ottawa, Canada,
who basically revolutionized
891
00:40:17,138 --> 00:40:19,037
the way card magic is done.
892
00:40:22,143 --> 00:40:25,595
I really don't know where
the world of magic would be
893
00:40:25,699 --> 00:40:29,806
if Vernon hadn't changed
the way we do card magic.
894
00:40:29,910 --> 00:40:32,568
A great many people think
that you have to be
895
00:40:32,671 --> 00:40:34,155
the seventh son
of a seventh son
896
00:40:34,259 --> 00:40:35,502
to perform tricks.
897
00:40:35,605 --> 00:40:38,643
As a matter of fact,
when you know how they're done,
898
00:40:38,746 --> 00:40:40,334
some of them are very simple.
899
00:40:40,438 --> 00:40:43,958
And if you spend a little time
practicing, you too can become
900
00:40:44,062 --> 00:40:45,512
a famous magician.
901
00:40:45,615 --> 00:40:47,237
When I think of Dai Vernon,
902
00:40:47,341 --> 00:40:52,104
I have to acknowledge
his influence over all of us.
903
00:40:52,208 --> 00:40:56,730
When I first saw him on video,
he cut a very dashing figure.
904
00:40:56,833 --> 00:41:00,112
And when I saw him
execute magic,
905
00:41:00,216 --> 00:41:05,704
I did not feel the presence
of trickery or sleight of hand.
906
00:41:05,808 --> 00:41:09,570
It looked and felt
as if by magic.
907
00:41:09,674 --> 00:41:13,471
He gave us a powerful reason
908
00:41:13,574 --> 00:41:15,990
to love card magic
in the way that he did.
909
00:41:18,579 --> 00:41:20,339
The first book that
transformed his life
910
00:41:20,443 --> 00:41:22,687
was The Expert
at the Card Table.
911
00:41:22,790 --> 00:41:24,516
He was a young boy when
he got a copy of it.
912
00:41:24,620 --> 00:41:26,725
Vernon took
Expert at the Card Table,
913
00:41:26,829 --> 00:41:29,210
and moved it into
the 20th century,
914
00:41:29,314 --> 00:41:31,627
improving on those techniques.
915
00:41:31,730 --> 00:41:34,181
It's astonishing to think
that this book
916
00:41:34,284 --> 00:41:36,632
about cheating and card tricks
917
00:41:36,735 --> 00:41:38,979
would influence the mind
of a young boy.
918
00:41:39,082 --> 00:41:43,915
As he navigated through life,
that book became his bible.
919
00:41:44,018 --> 00:41:46,711
The techniques of the gambler
920
00:41:46,814 --> 00:41:51,785
were equally as applicable
to great sleight of hand magic.
921
00:41:51,888 --> 00:41:53,890
I believe,
because of Dai Vernon,
922
00:41:53,994 --> 00:41:56,030
more magicians have
probably read this book
923
00:41:56,134 --> 00:41:57,998
than gamblers.
924
00:41:58,101 --> 00:42:01,657
The way he changed magic
was the way he looked at it.
925
00:42:01,760 --> 00:42:02,865
Magicians were always
showing their flair
926
00:42:02,968 --> 00:42:04,798
and all these little techniques,
927
00:42:04,901 --> 00:42:06,247
"Oh, look at how
clever I am."
928
00:42:06,351 --> 00:42:07,421
It's almost like juggling.
929
00:42:07,525 --> 00:42:08,905
And he said
that that wasn't magic.
930
00:42:09,009 --> 00:42:10,631
He wanted it to be
like a gambler,
931
00:42:10,735 --> 00:42:12,150
to be more natural,
more relaxed.
932
00:42:12,253 --> 00:42:15,533
You just be as clear and concise
and hit them with the effect.
933
00:42:15,636 --> 00:42:17,880
He took muddled effects,
cleaned them up
934
00:42:17,983 --> 00:42:20,814
until they were perfect, and
then presented them to the world
935
00:42:20,917 --> 00:42:22,850
and became a legend that
we know today.
936
00:42:22,954 --> 00:42:25,991
Vernon sought gamblers out
across the country.
937
00:42:26,095 --> 00:42:29,270
If he heard about somebody that
could do some new gambling move,
938
00:42:29,374 --> 00:42:32,860
he would hunt them down
and either trick or trade them
939
00:42:32,964 --> 00:42:36,105
into tipping whatever method
they were using.
940
00:42:36,208 --> 00:42:37,865
When I met him in 1989,
941
00:42:37,969 --> 00:42:40,040
we were at the bar
having a drink
942
00:42:40,143 --> 00:42:44,596
and he said to me, "Michael,
always remember this,
943
00:42:44,700 --> 00:42:46,494
perform as often as you can
944
00:42:46,598 --> 00:42:48,220
for many different
kinds of people
945
00:42:48,324 --> 00:42:51,499
because the way laypeople
respond to you and your magic
946
00:42:51,603 --> 00:42:53,191
is going to teach you
947
00:42:53,294 --> 00:42:56,159
everything you need to know
about how they approach life."
948
00:42:56,263 --> 00:42:59,128
Vernon was the last person
I would have expected
949
00:42:59,231 --> 00:43:00,750
to say that to me,
950
00:43:00,854 --> 00:43:04,098
but he gave me
a million dollar lesson.
951
00:43:04,202 --> 00:43:06,514
Some people
respond like children,
952
00:43:06,618 --> 00:43:09,103
as if magic is real.
953
00:43:09,207 --> 00:43:12,590
Some people are slightly
more closed
954
00:43:12,693 --> 00:43:15,247
and you've got to coax them open
just a little bit
955
00:43:15,351 --> 00:43:16,973
until they surrender.
956
00:43:17,077 --> 00:43:20,287
Some people won't let you in.
957
00:43:20,390 --> 00:43:22,841
"Okay, big shot, fool me."
958
00:43:22,945 --> 00:43:26,017
What is the emotional experience
959
00:43:26,120 --> 00:43:29,641
the viewer or the audience
is left with?
960
00:43:29,745 --> 00:43:33,783
So the premise,
chaos versus order,
961
00:43:33,887 --> 00:43:37,235
looks at the randomness
of a shuffled deck.
962
00:43:37,338 --> 00:43:39,996
So the highest arc
963
00:43:40,100 --> 00:43:42,999
of that concept, that premise,
964
00:43:43,103 --> 00:43:46,451
is to take a deck of cards that
has been thoroughly shuffled
965
00:43:46,554 --> 00:43:50,558
and at the end
reveal all the cards
966
00:43:50,662 --> 00:43:53,251
in perfect numerical order.
967
00:43:53,354 --> 00:43:56,047
The more I think about it,
968
00:43:56,150 --> 00:43:59,947
the more I'm convinced that
chaos versus order
969
00:44:00,051 --> 00:44:05,056
is the overriding arc
of all card magic.
970
00:44:05,159 --> 00:44:08,300
That's my favorite
plot of all time.
971
00:44:08,404 --> 00:44:10,993
Triumph.
972
00:44:11,096 --> 00:44:12,201
So, Michael,
973
00:44:12,304 --> 00:44:15,135
when I asked you about a plot,
the first thing you said
974
00:44:15,238 --> 00:44:18,138
really intrigued me,
this idea of order and chaos,
975
00:44:18,241 --> 00:44:22,452
which led into your description
of, you know, Triumph.
976
00:44:22,556 --> 00:44:24,869
I would love to know
977
00:44:24,972 --> 00:44:29,356
what drew you to Triumph
and who the first person you saw
978
00:44:29,459 --> 00:44:30,564
or first read about,
979
00:44:30,668 --> 00:44:33,429
and then what you did to change
it to make it your own.
980
00:44:33,532 --> 00:44:36,087
Christmas Day, 1978,
981
00:44:36,190 --> 00:44:38,158
my mother presents me
with a Christmas present
982
00:44:38,261 --> 00:44:42,645
and it was a hardbound
copy of Stars of Magic.
983
00:44:42,749 --> 00:44:44,889
This was where I
first encountered
984
00:44:44,992 --> 00:44:47,167
Triumph by Dai Vernon.
985
00:44:47,270 --> 00:44:51,309
And I learned the routine
exactly as described
986
00:44:51,412 --> 00:44:52,828
in the book,
987
00:44:52,931 --> 00:44:54,968
and I fooled myself as I did it.
988
00:44:55,071 --> 00:44:57,246
You fooled yourself?
That's awesome!
989
00:44:57,349 --> 00:45:00,732
I thought,
"Wow, what's going on here?"
990
00:45:00,836 --> 00:45:03,631
This routine
impacted me so much.
991
00:45:03,735 --> 00:45:07,497
While I'm talking, I'm going
to illustrate some concepts.
992
00:45:07,601 --> 00:45:08,602
Sure.
993
00:45:08,706 --> 00:45:12,744
When you buy a brand
new deck of cards,
994
00:45:12,848 --> 00:45:15,609
this is how they come directly
from the factory.
995
00:45:15,713 --> 00:45:18,025
- Okay?
- New deck order.
996
00:45:18,129 --> 00:45:19,924
No matter how often a deck
of cards is shuffled,
997
00:45:20,027 --> 00:45:22,823
we don't really know
what happens
998
00:45:22,927 --> 00:45:26,344
to the cards before, during,
or after a given shuffle.
999
00:45:26,447 --> 00:45:28,726
This is why,
1000
00:45:28,829 --> 00:45:30,797
when a deck of cards is shuffled
1001
00:45:30,900 --> 00:45:32,039
in a manner that
I'm about to show,
1002
00:45:32,212 --> 00:45:37,010
we can now have a graphical
illustration of total chaos.
1003
00:45:37,113 --> 00:45:38,459
So I'm going to do the shuffle again,
1004
00:45:38,563 --> 00:45:41,152
but this time I'm going to use
1005
00:45:41,255 --> 00:45:44,949
a style of shuffle
which guarantees
1006
00:45:45,052 --> 00:45:49,401
a perfect mixture throughout
the entire deck.
1007
00:45:51,127 --> 00:45:54,682
And it's been proven
by no less of an authority
1008
00:45:54,786 --> 00:45:56,857
than someone at
Harvard University
1009
00:45:56,961 --> 00:45:58,238
that when a deck of cards
1010
00:45:58,341 --> 00:46:02,069
is shuffled in a chaotic manner,
at least three times,
1011
00:46:02,173 --> 00:46:05,141
we can have a wonderful
graphical illustration.
1012
00:46:05,245 --> 00:46:06,867
Look at this.
1013
00:46:06,971 --> 00:46:08,973
Look at the condition
of the cards
1014
00:46:09,076 --> 00:46:11,285
throughout the entire deck.
1015
00:46:11,389 --> 00:46:13,909
It's mixed.
1016
00:46:14,012 --> 00:46:17,567
In every type
of scientific experiment,
1017
00:46:17,671 --> 00:46:22,745
there's always a control element
to measure the results against.
1018
00:46:22,849 --> 00:46:25,437
In a moment, I'm going to turn
my head.
1019
00:46:25,541 --> 00:46:27,439
With your right hand I want you
to lift up a bunch of cards.
1020
00:46:27,543 --> 00:46:30,166
It could be a small group,
a big group, doesn't matter.
1021
00:46:30,270 --> 00:46:31,996
One of two things will happen.
1022
00:46:33,894 --> 00:46:36,586
Wherever you cut,
you may see a face down card,
1023
00:46:36,690 --> 00:46:39,210
or you may see a face up card.
1024
00:46:39,313 --> 00:46:41,246
Doesn't matter. If you see
a face up card remember it.
1025
00:46:41,350 --> 00:46:42,282
Okay.
1026
00:46:42,385 --> 00:46:45,561
And then turn it over.
Leave it turned over,
1027
00:46:45,664 --> 00:46:46,631
put the cards back.
1028
00:46:46,734 --> 00:46:48,460
Do the same thing if it's
face down.
1029
00:46:48,564 --> 00:46:51,705
Turn it over, leave it turned
over, but remember what it is.
1030
00:46:51,809 --> 00:46:53,293
You get the idea?
1031
00:46:53,396 --> 00:46:54,570
- Sounds like a plan.
- All right.
1032
00:46:54,673 --> 00:46:57,607
This will be our target
for the rest of this experiment.
1033
00:46:57,711 --> 00:46:59,161
- Excellent.
- Ok.
1034
00:46:59,264 --> 00:47:00,714
I cut,
1035
00:47:00,818 --> 00:47:02,578
I look,
1036
00:47:02,681 --> 00:47:04,200
I remember,
1037
00:47:04,304 --> 00:47:05,443
I replace.
1038
00:47:05,546 --> 00:47:07,825
We're good.
1039
00:47:07,928 --> 00:47:09,516
- Excellent.
- You're done?
1040
00:47:09,619 --> 00:47:11,069
- Yep
- Okay, splendid.
1041
00:47:11,173 --> 00:47:13,658
So right now,
I think it'd be fair to say
1042
00:47:13,761 --> 00:47:17,835
inside this chaotic mess,
1043
00:47:17,938 --> 00:47:20,216
you know roughly
where your card is.
1044
00:47:20,320 --> 00:47:21,045
But picture this.
1045
00:47:21,148 --> 00:47:23,702
Imagine if I split
the deck in half,
1046
00:47:23,806 --> 00:47:27,085
give it a shuffle.
1047
00:47:27,189 --> 00:47:28,915
Would it be fair to say you
have no idea where the card is?
1048
00:47:29,018 --> 00:47:30,330
Yeah, that'd be fair.
1049
00:47:30,433 --> 00:47:32,642
Not only that, you know whether
you turned it over or not.
1050
00:47:32,746 --> 00:47:37,958
So, look, imagine if I turn over
a few cards like this.
1051
00:47:38,062 --> 00:47:39,201
Would it be fair to say
1052
00:47:39,304 --> 00:47:41,582
you have no idea
which way your card is facing?
1053
00:47:41,686 --> 00:47:43,343
Don't know now.
1054
00:47:43,446 --> 00:47:44,723
So check this out.
1055
00:47:44,827 --> 00:47:46,311
If I give the cards,
another shuffle,
1056
00:47:46,415 --> 00:47:49,556
given the condition
of the cards right now,
1057
00:47:49,659 --> 00:47:51,903
if I could take this deck,
1058
00:47:52,007 --> 00:47:54,043
give it one shuffle,
1059
00:47:54,147 --> 00:47:56,977
and bring all 52 cards
under complete control,
1060
00:47:57,081 --> 00:47:59,531
what would you say to that?
1061
00:47:59,635 --> 00:48:01,671
Astonishment.
1062
00:48:01,775 --> 00:48:03,881
In all my years
in handling cards,
1063
00:48:03,984 --> 00:48:07,332
it actually takes
me two shuffles.
1064
00:48:07,436 --> 00:48:10,611
But not only that,
1065
00:48:10,715 --> 00:48:14,236
if I cut the deck
at the right spot
1066
00:48:14,339 --> 00:48:18,240
and give the cards three cuts,
I can tell you categorically
1067
00:48:18,343 --> 00:48:20,725
that every single card
in the deck
1068
00:48:20,828 --> 00:48:22,209
is now under complete control.
1069
00:48:22,313 --> 00:48:23,314
Really?
1070
00:48:23,624 --> 00:48:26,075
But not only that, your card
is now facing the correct way.
1071
00:48:26,179 --> 00:48:27,525
What was your card?
1072
00:48:27,628 --> 00:48:29,044
The Three of Hearts.
1073
00:48:29,320 --> 00:48:33,151
And what we have here is
complete and perfect order,
1074
00:48:33,255 --> 00:48:35,119
under complete control.
1075
00:48:37,535 --> 00:48:38,639
It's awesome.
1076
00:48:38,743 --> 00:48:42,402
Now, this whole concept is
about being lost in the shuffle.
1077
00:48:42,505 --> 00:48:43,817
Yeah!
1078
00:48:43,921 --> 00:48:45,577
Being lost in the shuffle
is really about
1079
00:48:45,681 --> 00:48:49,616
coming to terms with feeling
comfortable with uncertainty.
1080
00:48:49,719 --> 00:48:52,377
Do you remember how
we started this conversation?
1081
00:48:52,481 --> 00:48:54,828
We started with all the cards
in perfect order.
1082
00:48:54,932 --> 00:48:57,624
But then we saw
the beauty of chaos
1083
00:48:57,727 --> 00:48:59,143
and the randomness of our
1084
00:48:59,246 --> 00:49:03,561
scramble on the table.
1085
00:49:03,664 --> 00:49:07,254
Real magic is about feeling
comfortable with uncertainty,
1086
00:49:07,358 --> 00:49:10,154
but also addressing
one simple fact
1087
00:49:10,257 --> 00:49:12,984
that real chaos in this life
1088
00:49:13,088 --> 00:49:17,230
is about the balance, peace,
and perfect harmony
1089
00:49:17,333 --> 00:49:20,716
that can be found inside
a deck of cards.
1090
00:49:20,819 --> 00:49:23,201
And I can't think of any way
1091
00:49:23,305 --> 00:49:25,169
better to end this conversation
1092
00:49:25,272 --> 00:49:29,035
than showing you that I saved
the absolute best for last,
1093
00:49:29,138 --> 00:49:30,691
and what we have here...
1094
00:49:30,795 --> 00:49:33,004
- Okay.
- Perfection.
1095
00:49:33,108 --> 00:49:34,488
Perfect reflection.
1096
00:49:34,592 --> 00:49:36,559
That's so good.
1097
00:49:36,663 --> 00:49:37,491
That's beautiful.
1098
00:49:37,595 --> 00:49:39,252
It's really beautiful.
1099
00:49:39,355 --> 00:49:43,290
The subtext is life
is supposed to be chaotic.
1100
00:49:43,394 --> 00:49:46,086
Creation is supposed
to be chaotic.
1101
00:49:46,190 --> 00:49:51,402
It took 4.4 billion years
for the universe to form itself,
1102
00:49:51,505 --> 00:49:52,851
and planet Earth,
1103
00:49:52,955 --> 00:49:54,922
and an environment
for us to live on,
1104
00:49:55,026 --> 00:49:58,650
and all the horrors, dramas,
and genius that have existed.
1105
00:49:58,754 --> 00:50:00,998
So this routine...
1106
00:50:03,793 --> 00:50:05,450
carries a very subtle message
1107
00:50:05,554 --> 00:50:07,487
that chaos is
necessary for life.
1108
00:50:07,590 --> 00:50:09,178
So for me,
1109
00:50:09,282 --> 00:50:12,285
Triumph has become
1110
00:50:12,388 --> 00:50:15,322
the number one
routine in my life
1111
00:50:15,426 --> 00:50:19,085
that has allowed me to come
face to face
1112
00:50:19,188 --> 00:50:21,087
and accept chaos
1113
00:50:21,190 --> 00:50:26,782
as a necessary ally in
my self-development in life.
1114
00:50:28,749 --> 00:50:31,545
This card trick has literally
saved my life.
1115
00:50:31,649 --> 00:50:34,341
♪ calm piano music
1116
00:50:35,929 --> 00:50:37,103
A wild ride.
1117
00:50:37,206 --> 00:50:38,345
Michael Vincent,
1118
00:50:38,449 --> 00:50:39,933
going to the headquarters
of the Magic Circle.
1119
00:50:40,037 --> 00:50:41,831
Very cool
1120
00:50:41,935 --> 00:50:44,110
being able to watch
him up close,
1121
00:50:44,213 --> 00:50:46,871
shoulder to shoulder
as he presented routines.
1122
00:50:46,974 --> 00:50:48,355
And Richard Turner.
1123
00:50:48,459 --> 00:50:53,188
This guy is just the best card
technician in the world,
1124
00:50:53,291 --> 00:50:54,396
and to be able to watch up close
1125
00:50:54,499 --> 00:50:57,261
while he's showing
me stuff was...
1126
00:50:57,364 --> 00:50:58,952
There's not another word for it.
It was unbelievable.
1127
00:50:59,056 --> 00:51:01,230
Everything has been
unbelievable so far.
1128
00:51:01,334 --> 00:51:03,370
Chaos and Order
by Michael Vincent.
1129
00:51:03,474 --> 00:51:05,269
What a great place to start.
1130
00:51:05,372 --> 00:51:06,546
But I look at it now
1131
00:51:06,649 --> 00:51:09,583
and in driving around London
all day today, I realize
1132
00:51:09,687 --> 00:51:11,413
it's not the start,
it's the ending.
1133
00:51:11,516 --> 00:51:14,795
That, if I can find a way to
take and mix the cards,
1134
00:51:14,899 --> 00:51:17,350
and end up with them
all back in new deck order,
1135
00:51:17,453 --> 00:51:18,523
that would be epically cool.
1136
00:51:18,627 --> 00:51:19,593
Richard Turner's,
1137
00:51:19,697 --> 00:51:20,767
he can do anything
with a borrowed
1138
00:51:20,870 --> 00:51:21,837
shuffled deck of cards.
1139
00:51:21,940 --> 00:51:23,218
I get it because
it's Richard Turner,
1140
00:51:23,321 --> 00:51:26,497
but now I feel
that might be the start.
1141
00:51:26,600 --> 00:51:29,086
It could literally be
the start of the routine
1142
00:51:29,189 --> 00:51:32,917
is to hand the deck of cards to
spectators at Amboise and say,
1143
00:51:33,020 --> 00:51:34,436
"Shuffle the cards,
mix them up."
1144
00:51:34,539 --> 00:51:35,989
and get them lost
in the shuffle.
1145
00:51:36,093 --> 00:51:37,197
And once they're mixed,
1146
00:51:37,301 --> 00:51:39,510
then proceed to do
my favorite plot
1147
00:51:39,613 --> 00:51:41,339
which is,
you know, Story Deck,
1148
00:51:41,443 --> 00:51:42,858
but you can tell
by the hesitation in my voice,
1149
00:51:42,961 --> 00:51:45,343
I haven't got a clue
how I'm going to do that yet.
1150
00:51:45,447 --> 00:51:46,965
And I still have to learn
1151
00:51:47,069 --> 00:51:49,658
Alexandra Duvivier's, what
her plot is,
1152
00:51:49,761 --> 00:51:51,418
and I have to learn
Juan Tamariz's
1153
00:51:51,522 --> 00:51:53,110
and it'll be the last plot,
1154
00:51:53,213 --> 00:51:54,801
days before I have
to do it at Amboise,
1155
00:51:54,904 --> 00:51:55,698
so...
1156
00:51:55,802 --> 00:51:57,390
Yeah, yeah, I'm...
1157
00:51:57,493 --> 00:52:00,082
Yeah, I'm right on track. Yeah.
1158
00:52:11,749 --> 00:52:13,682
- Are you from the US?
- No, Canada.
1159
00:52:13,785 --> 00:52:16,063
- Canada.
- Yeah. That's why I'm friendly.
1160
00:52:16,167 --> 00:52:17,996
I'm sorry.
1161
00:52:18,100 --> 00:52:20,275
- Do you guys play cards?
- Yes.
1162
00:52:20,378 --> 00:52:21,586
You see,
all these cards are different.
1163
00:52:21,690 --> 00:52:23,726
No two cards are the same.
Would you agree?
1164
00:52:23,830 --> 00:52:25,590
- Agreed.
- Yes? Would you take out a card
1165
00:52:25,694 --> 00:52:27,144
You can have any card
you want to,
1166
00:52:27,247 --> 00:52:29,663
just reach in and grab one out.
1167
00:52:29,767 --> 00:52:31,320
Show everybody else
it's the Nine of Hearts.
1168
00:52:31,424 --> 00:52:33,495
But don't let me know it's
the Nine of Hearts.
1169
00:52:33,598 --> 00:52:35,013
So, then there's a choice...
1170
00:52:35,117 --> 00:52:38,810
Oh, did you get the Nine of
Hearts? Oh, that's weird. Okay.
1171
00:52:38,914 --> 00:52:42,331
I think more than ever,
nowadays, we realize
1172
00:52:42,435 --> 00:52:45,231
that we can't
actually trust history
1173
00:52:45,334 --> 00:52:46,680
the way history
has been written.
1174
00:52:46,784 --> 00:52:48,510
- What did you get?
- King of Hearts.
1175
00:52:48,613 --> 00:52:50,028
Oh, you could not have
picked better cards.
1176
00:52:50,132 --> 00:52:52,099
That's the King of Hearts.
Am I right?
1177
00:52:52,203 --> 00:52:53,342
- It is.
- Oh, it is.
1178
00:52:53,446 --> 00:52:55,896
And then this one
is the Queen of Spades.
1179
00:52:56,000 --> 00:52:58,002
Am I right? Yeah.
1180
00:52:58,105 --> 00:53:00,936
These are the two main character
in a movie we're making.
1181
00:53:01,039 --> 00:53:03,214
But not everyone in the
Court Card Conspiracy
1182
00:53:03,318 --> 00:53:05,906
has been immortalized
in the decks we use today.
1183
00:53:06,010 --> 00:53:08,840
In fact, one conspirator
managed to avoid this honor
1184
00:53:08,944 --> 00:53:13,431
despite the key role
he played in our mystery.
1185
00:53:13,535 --> 00:53:14,812
The sole account we have
1186
00:53:14,915 --> 00:53:17,987
of Charles' death comes from
Philippe de Commines.
1187
00:53:18,091 --> 00:53:20,576
De Commines was a writer
and a politician at the end of
1188
00:53:20,680 --> 00:53:24,166
the 15th century with strong
ties to the French royal family,
1189
00:53:24,270 --> 00:53:28,205
and is regarded as one of the
premier historians of his time.
1190
00:53:28,308 --> 00:53:31,449
Here's what he had to say
about Charles' last day.
1191
00:53:31,553 --> 00:53:35,488
♪ harpsichord music
1192
00:53:35,591 --> 00:53:38,594
April 7th, being the eve
of Palm Sunday,
1193
00:53:38,698 --> 00:53:41,183
the king took his queen
by the hand
1194
00:53:41,287 --> 00:53:42,805
and led her out of the chamber
1195
00:53:42,909 --> 00:53:45,429
to a place where she'd
never been before,
1196
00:53:45,532 --> 00:53:48,880
to see others play jeu de paume
in the castle ditch.
1197
00:53:52,263 --> 00:53:54,921
They entered into the
Haquelebac Gallery,
1198
00:53:55,024 --> 00:53:57,164
known as the nastiest
corner of the castle,
1199
00:53:57,268 --> 00:53:59,408
crumbling at its entrance,
1200
00:53:59,512 --> 00:54:01,824
and everyone did
piss there that would.
1201
00:54:03,447 --> 00:54:05,276
The king, though not a tall man,
1202
00:54:05,380 --> 00:54:10,177
knocked his head on
the doorframe as he entered.
1203
00:54:12,456 --> 00:54:13,871
Then he spent some time
1204
00:54:13,974 --> 00:54:17,530
looking upon the players and
talking freely with everybody.
1205
00:54:17,633 --> 00:54:19,980
The last expression
he used while in health
1206
00:54:20,084 --> 00:54:24,261
was that he hoped he would never
commit a mortal sin again.
1207
00:54:24,364 --> 00:54:26,435
And with those words,
he fell backwards
1208
00:54:26,539 --> 00:54:28,126
and lost his speech.
1209
00:54:30,853 --> 00:54:33,166
It was around two
when he collapsed
1210
00:54:33,270 --> 00:54:37,274
and he lay motionless
until 11 at night.
1211
00:54:39,414 --> 00:54:42,555
And everyone went into
the gallery that pleased,
1212
00:54:42,658 --> 00:54:45,316
where the king was laid
upon a crude bed
1213
00:54:45,420 --> 00:54:46,800
and he never left
1214
00:54:46,904 --> 00:54:49,493
until he died,
which was 9 hours later,
1215
00:54:49,596 --> 00:54:52,358
in a sordid and filthy place.
1216
00:54:52,461 --> 00:54:56,741
♪ foreboding music
1217
00:55:05,198 --> 00:55:07,407
History is written
by the victor,
1218
00:55:07,511 --> 00:55:10,824
and the victor writes it
to benefit them.
1219
00:55:10,928 --> 00:55:11,929
So now we have to
1220
00:55:12,032 --> 00:55:14,621
look at historical records
through a different lens.
1221
00:55:14,725 --> 00:55:17,762
Things like
de Commines' memoirs
1222
00:55:17,866 --> 00:55:20,938
might not have been
the absolute truth.
1223
00:55:21,663 --> 00:55:23,837
It is important to consider
1224
00:55:23,941 --> 00:55:25,529
how confident we can be
1225
00:55:25,632 --> 00:55:26,564
in the accuracy of these stories
1226
00:55:26,668 --> 00:55:27,565
as they've been passed down
1227
00:55:27,669 --> 00:55:29,395
especially from the 14th,
1228
00:55:29,498 --> 00:55:31,189
15th, and 16th centuries
1229
00:55:31,293 --> 00:55:33,260
when so little was
actually written down,
1230
00:55:33,364 --> 00:55:34,469
and we do realize
1231
00:55:34,572 --> 00:55:35,918
that we are
basing our understanding
1232
00:55:36,022 --> 00:55:37,541
on the accounts
of people who may have
1233
00:55:37,644 --> 00:55:39,094
written these stories many years
1234
00:55:39,197 --> 00:55:40,060
after the King's passing.
1235
00:55:40,164 --> 00:55:43,478
I find it very
surprising, if not impossible,
1236
00:55:43,581 --> 00:55:45,514
to believe
he died from a head trauma.
1237
00:55:45,618 --> 00:55:47,654
Why do I think
this is impossible?
1238
00:55:47,758 --> 00:55:51,037
The kinetic force
from hitting a door
1239
00:55:51,140 --> 00:55:52,901
wouldn't be enough to cause
1240
00:55:53,004 --> 00:55:55,213
such a severe
case of head trauma.
1241
00:55:55,317 --> 00:55:58,389
For an acute subdural hematoma
1242
00:55:58,493 --> 00:56:00,771
there would have to
be a strong kinetic force,
1243
00:56:00,874 --> 00:56:02,669
such as from a fall
from over two stories high
1244
00:56:02,773 --> 00:56:05,120
or a crash going at
least 30 kilometres an hour.
1245
00:56:05,223 --> 00:56:06,501
Personally,
1246
00:56:06,708 --> 00:56:09,020
I don't think anybody should
believe what de Commines wrote.
1247
00:56:09,538 --> 00:56:11,609
Philippe de
Commines' relationship
1248
00:56:11,713 --> 00:56:13,922
to the family is an old one,
1249
00:56:14,025 --> 00:56:17,477
but he did not
support Charles VIII's
1250
00:56:17,581 --> 00:56:20,031
early political ambitions,
1251
00:56:20,135 --> 00:56:23,310
which led to his being captured
1252
00:56:23,414 --> 00:56:27,107
and imprisoned in 1487.
1253
00:56:27,211 --> 00:56:30,214
The fact
that he told his own story
1254
00:56:30,317 --> 00:56:32,906
means that he may
have embellished
1255
00:56:33,010 --> 00:56:34,874
or invented some things.
1256
00:56:34,977 --> 00:56:37,808
Reading his memoirs,
1257
00:56:37,911 --> 00:56:40,155
you get the sense
that he was there
1258
00:56:40,258 --> 00:56:41,570
but there is no
evidence attesting
1259
00:56:41,674 --> 00:56:43,054
that he was in Amboise
1260
00:56:43,158 --> 00:56:44,470
on the day of Charles' death.
1261
00:56:44,573 --> 00:56:45,712
He was imprisoned by Charles.
1262
00:56:45,816 --> 00:56:48,025
Charles had him imprisoned
in a cage,
1263
00:56:48,128 --> 00:56:51,442
and we're using what he
wrote as the facts of the story?
1264
00:56:51,546 --> 00:56:53,651
I think the story should be
re-examined.
1265
00:56:53,755 --> 00:56:55,964
While I was in France, I decided
to drop by Le Double Fond,
1266
00:56:56,067 --> 00:56:58,553
Paris' only dedicated
magic theater,
1267
00:56:58,656 --> 00:57:00,658
which just happens to be
co-owned by my good friend,
1268
00:57:00,762 --> 00:57:02,488
Alexandra Duvivier.
1269
00:57:18,469 --> 00:57:19,953
Look at this.
1270
00:57:25,234 --> 00:57:26,339
Merci.
1271
00:57:27,823 --> 00:57:29,756
The most important
quality a magician
1272
00:57:29,860 --> 00:57:32,034
or an artist should
have is to be curious.
1273
00:57:32,138 --> 00:57:35,866
Thank you so much,
and I brought you a little gift.
1274
00:57:35,969 --> 00:57:38,593
Because if you are not curious
in your own life,
1275
00:57:38,696 --> 00:57:41,354
how would you be interesting
in your magic?
1276
00:57:41,458 --> 00:57:43,425
What are you going to say,
what are you going to tell,
1277
00:57:43,529 --> 00:57:44,668
what are you going to express,
1278
00:57:44,771 --> 00:57:46,601
if you don't
have anything inside?
1279
00:57:46,704 --> 00:57:48,603
You need to have
all of your four cards.
1280
00:57:48,706 --> 00:57:51,571
So we are going to do...
1281
00:57:51,675 --> 00:57:53,987
So yeah, curiosity
is the best thing.
1282
00:57:56,507 --> 00:57:58,647
My name is Alexandra Duvivier.
1283
00:57:58,751 --> 00:58:01,788
I am the daughter of
Dominique Duvivier,
1284
00:58:01,892 --> 00:58:06,517
who is a passionate, gifted
man into magic.
1285
00:58:06,621 --> 00:58:09,244
First step is to shuffle
the cards.
1286
00:58:09,347 --> 00:58:13,144
From an early age I have seen
my dad working, doing magic.
1287
00:58:13,248 --> 00:58:14,870
Now you stop shuffling
1288
00:58:14,974 --> 00:58:16,562
and you're going
to cut once your pack.
1289
00:58:16,665 --> 00:58:18,598
But I didn't see my dad working.
1290
00:58:18,702 --> 00:58:21,601
I saw my dad enjoying, playing.
1291
00:58:21,705 --> 00:58:23,223
Then you rip them apart,
1292
00:58:23,327 --> 00:58:25,363
you have one pack in each hand.
1293
00:58:25,467 --> 00:58:28,125
And that's a luck to see that
when you are a child,
1294
00:58:28,228 --> 00:58:29,678
because you understand that,
1295
00:58:29,782 --> 00:58:32,992
okay, he's working,
but he's having fun.
1296
00:58:33,095 --> 00:58:35,028
You're going to take the three
top cards and you're
1297
00:58:35,132 --> 00:58:38,307
going to place them all at once
right in the middle.
1298
00:58:38,411 --> 00:58:39,550
I kept asking him,
1299
00:58:39,654 --> 00:58:41,587
"Please, show me your trick,
show me your trick."
1300
00:58:41,690 --> 00:58:43,105
And he never did.
1301
00:58:43,209 --> 00:58:44,210
Now you take the top card,
1302
00:58:44,313 --> 00:58:47,316
the top little card, and
you place it against your heart.
1303
00:58:47,420 --> 00:58:48,939
I was not born to be a magician.
1304
00:58:49,042 --> 00:58:51,113
My dad wouldn't have stand me
1305
00:58:51,217 --> 00:58:54,427
being a magician
because he was a magician.
1306
00:58:54,531 --> 00:58:56,084
And now this is
my favorite moment.
1307
00:58:56,187 --> 00:58:57,326
You're going to exchange
1308
00:58:57,430 --> 00:59:01,296
the top card, this little piece,
with someone you don't know yet.
1309
00:59:01,399 --> 00:59:04,989
He brought me into
FISM in 1988.
1310
00:59:05,093 --> 00:59:07,820
FISM is a great
competition in Holland.
1311
00:59:07,923 --> 00:59:12,479
He was performing, and
when I saw 700 people rising,
1312
00:59:12,583 --> 00:59:14,551
I was just blown away.
1313
00:59:14,654 --> 00:59:18,796
I realized that magic can create
such an emotion.
1314
00:59:18,900 --> 00:59:20,522
Starting from that day,
1315
00:59:20,626 --> 00:59:23,042
I said to myself,
"I want to do that."
1316
00:59:23,145 --> 00:59:25,423
The daisy flower, you know,
he loves me, he loves me not.
1317
00:59:25,527 --> 00:59:27,736
So first you say "He loves me.",
1318
00:59:27,840 --> 00:59:29,738
so you put the card underneath
and say, "He loves me!"
1319
00:59:29,842 --> 00:59:31,533
So you keep it.
1320
00:59:31,637 --> 00:59:34,053
He loves me not. Ciao, bello.
1321
00:59:34,156 --> 00:59:38,057
It was a challenge having
the same name as my dad,
1322
00:59:38,160 --> 00:59:41,129
and being his daughter because
people were expecting more.
1323
00:59:41,232 --> 00:59:42,199
She's the daughter so
1324
00:59:42,302 --> 00:59:44,270
she's going to be less good.
1325
00:59:44,373 --> 00:59:45,443
I feel lighter!
1326
00:59:45,547 --> 00:59:48,205
And she's a lady magician.
But I worked.
1327
00:59:48,308 --> 00:59:49,240
He loves me!
1328
00:59:49,344 --> 00:59:51,070
He loves me not.
1329
00:59:51,173 --> 00:59:53,762
What helped me the most was
the advice of my dad,
1330
00:59:53,866 --> 00:59:56,696
saying, "You should go
and do tricks
1331
00:59:56,800 --> 00:59:58,629
outside, you should perform."
1332
00:59:58,733 --> 01:00:02,184
Now you should have one piece
left in your hand,
1333
01:00:02,288 --> 01:00:07,017
you have one piece under
your butt or under your heart,
1334
01:00:07,120 --> 01:00:08,950
and if it matches,
1335
01:00:09,053 --> 01:00:11,297
it means that you will have one
week of pure happiness.
1336
01:00:21,065 --> 01:00:23,412
I was so shy
1337
01:00:23,516 --> 01:00:26,933
and magic was kind of a therapy.
1338
01:00:29,522 --> 01:00:32,076
It's like, if you go towards
1339
01:00:32,180 --> 01:00:34,872
things that are
difficult for you,
1340
01:00:34,976 --> 01:00:36,598
and magic was
very difficult for me.
1341
01:00:36,702 --> 01:00:39,152
My first card trick, very easy,
1342
01:00:39,256 --> 01:00:40,706
I have a video of it.
1343
01:00:40,809 --> 01:00:41,914
I was eight years old
1344
01:00:42,017 --> 01:00:43,950
and I didn't remember
doing that trick.
1345
01:00:48,955 --> 01:00:50,819
- Card?
- No.
1346
01:00:50,923 --> 01:00:54,374
- What was your card?
- Three of Hearts.
1347
01:00:56,998 --> 01:00:59,103
I have learned it to my daughter
1348
01:00:59,207 --> 01:01:01,554
- That's so awesome.
- That's great.
1349
01:01:01,658 --> 01:01:04,695
So doing shows over
and over again,
1350
01:01:04,799 --> 01:01:07,456
Doing table hopping
over and over again,
1351
01:01:07,560 --> 01:01:09,182
you have to learn your job.
1352
01:01:09,286 --> 01:01:13,290
You have to learn your craft,
and that makes you be braver.
1353
01:01:14,912 --> 01:01:19,089
My dad has the oldest magic
shop in the world, 1808.
1354
01:01:19,192 --> 01:01:22,057
Being in the shop was so
helpful because when you
1355
01:01:22,161 --> 01:01:26,234
show tricks, you have to know
how the trick is done.
1356
01:01:26,337 --> 01:01:28,374
If you don't know what you're
talking about,
1357
01:01:28,477 --> 01:01:29,858
they will feel it.
1358
01:01:29,962 --> 01:01:32,102
And for a coach, it's
really important
1359
01:01:32,205 --> 01:01:35,484
that you understand
the process of each trick.
1360
01:01:35,588 --> 01:01:39,868
So, having all this information
gives you some knowledge,
1361
01:01:39,972 --> 01:01:43,665
because afterwards, you just,
it's like a computer.
1362
01:01:43,769 --> 01:01:44,873
You just take
the good information
1363
01:01:44,977 --> 01:01:46,703
at the good moment
when you need it.
1364
01:01:46,806 --> 01:01:49,153
In magic, what we need
the most is being curious
1365
01:01:49,257 --> 01:01:53,157
and being aware,
being aware of everything,
1366
01:01:53,261 --> 01:01:56,954
because everything
can be inspiring.
1367
01:01:57,058 --> 01:01:59,716
So you are just inspired
by the everyday life.
1368
01:01:59,819 --> 01:02:01,959
You read an article
in your newspaper
1369
01:02:02,063 --> 01:02:03,512
that's an inspiration.
1370
01:02:03,616 --> 01:02:05,411
You dream about one effect.
1371
01:02:05,514 --> 01:02:07,206
Let's try to make it for real.
1372
01:02:07,309 --> 01:02:10,830
So there are many,
many things that come together,
1373
01:02:10,934 --> 01:02:14,731
and that's great because it's
a never ending approach
1374
01:02:14,834 --> 01:02:17,837
about learning things
throughout our lives.
1375
01:02:17,941 --> 01:02:19,908
Do you remember? What
is it? The 8 of Clubs.
1376
01:02:20,012 --> 01:02:23,981
Magic is an art form
that feeds from the other arts.
1377
01:02:24,085 --> 01:02:25,155
I have to use psychology,
1378
01:02:25,258 --> 01:02:27,536
I have to use
so many other stuff
1379
01:02:27,640 --> 01:02:29,055
than just sleight of hands.
1380
01:02:29,159 --> 01:02:32,369
We have to be an actor
as well as doing a technician,
1381
01:02:32,472 --> 01:02:35,682
and we have to learn our text
as well as doing the trick.
1382
01:02:35,786 --> 01:02:38,547
And in the meantime
we have to smile
1383
01:02:38,651 --> 01:02:40,549
because we have to
pretend it's easy
1384
01:02:40,653 --> 01:02:41,896
what you're doing, and it's not.
1385
01:02:44,899 --> 01:02:47,867
There are millions of
tricks already invented
1386
01:02:47,971 --> 01:02:49,731
and there are millions to come.
1387
01:02:49,835 --> 01:02:51,698
You have so many plots
so you can
1388
01:02:51,802 --> 01:02:54,322
make them tell so many things,
1389
01:02:54,425 --> 01:02:58,050
but my favorite plot in magic
is the Wild Card.
1390
01:03:01,122 --> 01:03:02,537
There are so many plots
1391
01:03:02,640 --> 01:03:07,818
that I am a fan of, but Wild
Card is one of my favorites.
1392
01:03:07,922 --> 01:03:10,890
I have red cards, only
red cards, except for one,
1393
01:03:10,994 --> 01:03:13,272
which is black by itself. Okay.
1394
01:03:13,375 --> 01:03:14,031
And you know what?
1395
01:03:14,135 --> 01:03:16,137
I put some the reds over there.
1396
01:03:16,240 --> 01:03:20,797
I have some more reds over
here, and I have my black card.
1397
01:03:20,900 --> 01:03:22,868
And you know that
in French we say that
1398
01:03:22,971 --> 01:03:24,801
craziness is contagious.
1399
01:03:24,904 --> 01:03:25,940
Yeah, that's it.
1400
01:03:26,043 --> 01:03:29,495
So if I just rub one card
onto one another
1401
01:03:29,598 --> 01:03:32,118
without any suspicious move,
1402
01:03:32,222 --> 01:03:33,430
it prints.
1403
01:03:33,533 --> 01:03:36,088
No, but you can go faster
and you can do it like this too.
1404
01:03:36,191 --> 01:03:39,194
And this is crazy
because it's working
1405
01:03:39,298 --> 01:03:40,851
- It's great.
- I love this.
1406
01:03:40,955 --> 01:03:43,198
I love this because, you know,
you can say that
1407
01:03:43,302 --> 01:03:47,064
cards are completely normal,
but craziness is coming to you.
1408
01:03:47,168 --> 01:03:49,308
So I just put those cards
I didn't do yet.
1409
01:03:49,411 --> 01:03:51,517
I've done those, okay.
And I've done those.
1410
01:03:51,620 --> 01:03:53,036
I put them aside.
1411
01:03:53,139 --> 01:03:54,623
And if I just do this,
1412
01:03:56,487 --> 01:03:59,145
I can transform them.
1413
01:03:59,249 --> 01:04:00,181
I love it.
1414
01:04:00,284 --> 01:04:01,768
And these are more
classical-style
1415
01:04:01,872 --> 01:04:03,494
cards so the people know it.
1416
01:04:03,598 --> 01:04:05,496
Et voila. Exactly, exactly.
1417
01:04:05,600 --> 01:04:06,428
And that's classical.
1418
01:04:06,532 --> 01:04:08,327
That's a classical one,
and no more reds.
1419
01:04:08,430 --> 01:04:12,296
And you can do whatever you want
and that's so cool
1420
01:04:12,400 --> 01:04:15,541
to start from that
and having later on
1421
01:04:15,644 --> 01:04:16,853
something more, let's say,
1422
01:04:16,956 --> 01:04:19,683
not classical but
something like this you know.
1423
01:04:19,786 --> 01:04:23,135
I have here
very special cards.
1424
01:04:23,238 --> 01:04:25,033
This is not exactly the case
1425
01:04:25,137 --> 01:04:27,208
because I have
some normal cards.
1426
01:04:27,311 --> 01:04:28,105
Yep.
1427
01:04:28,209 --> 01:04:29,486
And some special cards.
1428
01:04:29,589 --> 01:04:31,764
That's the normal cards
and that's a special card.
1429
01:04:31,868 --> 01:04:34,698
Let me show you why
they are so special.
1430
01:04:34,801 --> 01:04:36,113
Because I have wild cards.
1431
01:04:36,217 --> 01:04:39,358
And in a normal deck of cards,
you never have any wild cards,
1432
01:04:39,461 --> 01:04:40,393
don't you?
1433
01:04:40,497 --> 01:04:41,912
That's not normal.
1434
01:04:42,016 --> 01:04:45,019
Everything's fine
until you put a wild card
1435
01:04:45,122 --> 01:04:47,400
on a normal card
because you can see it.
1436
01:04:47,504 --> 01:04:48,470
That's great.
1437
01:04:48,574 --> 01:04:50,403
But if you don't rub it,
nothing happened.
1438
01:04:50,507 --> 01:04:52,336
But if you do rub...
1439
01:04:52,440 --> 01:04:55,443
- That's very crazy, isn't it?
- Yeah.
1440
01:04:55,546 --> 01:04:57,548
You know, you can still
do it like this.
1441
01:04:57,652 --> 01:05:01,069
No point, but you know,
or like that, it's very special,
1442
01:05:01,173 --> 01:05:03,278
you just have to be careful
that the ink is dry.
1443
01:05:03,382 --> 01:05:05,936
But this is, you know, this is.
1444
01:05:06,040 --> 01:05:06,972
It's crazy.
1445
01:05:07,075 --> 01:05:08,180
You know that nowadays
1446
01:05:08,283 --> 01:05:10,251
we don't have time to do things
fully because,
1447
01:05:10,354 --> 01:05:12,978
you know, you're zapping
and you don't have time,
1448
01:05:13,081 --> 01:05:16,291
so you do things by half
and even by half it's working.
1449
01:05:16,395 --> 01:05:17,672
That's great.
1450
01:05:17,775 --> 01:05:19,743
You know, and my
very special silk,
1451
01:05:19,846 --> 01:05:21,400
even on the silk, if I rub it.
1452
01:05:23,678 --> 01:05:24,782
And even on the case.
1453
01:05:24,886 --> 01:05:25,852
The special....yeah,
even on the case,
1454
01:05:25,956 --> 01:05:27,682
it's working.
1455
01:05:27,785 --> 01:05:30,271
Okay, you've given me a
challenge, and I love that.
1456
01:05:30,374 --> 01:05:33,412
That's, all of this
is great, but this is...
1457
01:05:33,515 --> 01:05:34,758
yeah, um...
1458
01:05:34,861 --> 01:05:35,897
really fantastic.
1459
01:05:36,001 --> 01:05:38,175
You've really taken
this to a level
1460
01:05:38,279 --> 01:05:39,763
far beyond the very first,
1461
01:05:39,866 --> 01:05:41,144
you know, versions
going out there.
1462
01:05:41,247 --> 01:05:43,456
You can see you've spent
a lot of time on it.
1463
01:05:43,560 --> 01:05:45,872
It's, it's crazy good.
1464
01:05:49,566 --> 01:05:53,052
I used to do a trick called RSVP
Resealed Verified Pack,
1465
01:05:53,156 --> 01:05:55,192
where the cards go back
in new deck order,
1466
01:05:55,296 --> 01:05:59,300
and this really goes towards
Michael Vincent's Triumph.
1467
01:05:59,403 --> 01:06:00,957
If there's a way I can work
1468
01:06:01,060 --> 01:06:03,131
part of something
I already know into it
1469
01:06:03,235 --> 01:06:07,860
and flourish it so that
it uses Triumph versus...
1470
01:06:07,964 --> 01:06:11,001
my method, but for
a different presentation
1471
01:06:11,105 --> 01:06:13,245
that will make that part
a lot easier.
1472
01:06:13,348 --> 01:06:17,490
And then from there
I have to be able to...
1473
01:06:17,594 --> 01:06:18,975
the term we use is cull.
1474
01:06:19,078 --> 01:06:20,355
I have to actually go
through like I'm
1475
01:06:20,459 --> 01:06:23,117
looking at the cards, trying
to see the order,
1476
01:06:23,220 --> 01:06:24,187
find those cards,
1477
01:06:24,290 --> 01:06:26,361
secretly pull them from the deck
1478
01:06:26,465 --> 01:06:28,501
and then arrange
them in an order
1479
01:06:28,605 --> 01:06:30,538
so that the opening...
1480
01:06:30,641 --> 01:06:35,370
My plot's Story Deck,
so I want the whole thing
1481
01:06:35,474 --> 01:06:38,270
to be about, you know
telling how our story begins.
1482
01:06:38,373 --> 01:06:39,823
Of course, that's the date.
1483
01:06:39,926 --> 01:06:41,342
Then I think maybe the age.
1484
01:06:41,445 --> 01:06:44,931
Having stuff come in,
like his date, 1498.
1485
01:06:45,035 --> 01:06:48,314
So I have to get to the point
where I'm finding the Ace,
1486
01:06:48,418 --> 01:06:49,488
but it's got to be this way
1487
01:06:49,591 --> 01:06:50,765
because if it looks
that way it looks stupid.
1488
01:06:50,868 --> 01:06:51,973
So there's the ace,
1489
01:06:52,077 --> 01:06:54,872
that'd be a 14
and it's going to be 98.
1490
01:06:54,976 --> 01:06:57,220
So it has to be in that
presentation as I put them down.
1491
01:06:57,323 --> 01:07:01,258
At this point, it has to become
more interesting.
1492
01:07:01,362 --> 01:07:04,330
Then it's got to go into
why I had the interest in it.
1493
01:07:04,434 --> 01:07:07,851
The fact that it didn't
start with the Kings,
1494
01:07:07,954 --> 01:07:10,716
so it'd be about
the four Queens.
1495
01:07:10,819 --> 01:07:12,752
So, it would be at this, oh...
1496
01:07:12,856 --> 01:07:13,891
That went well.
1497
01:07:13,995 --> 01:07:15,548
So, there'd be four Queens.
Look!
1498
01:07:15,652 --> 01:07:18,137
And the one that
I want isn't there.
1499
01:07:18,241 --> 01:07:19,414
That's, that's really good.
1500
01:07:19,518 --> 01:07:22,417
So I didn't cull
as well as I thought.
1501
01:07:22,521 --> 01:07:25,248
Are you nervous at
all about mistakes like that
1502
01:07:25,351 --> 01:07:27,284
happening in front of
a bigger audience?
1503
01:07:27,388 --> 01:07:30,253
Yeah, I'm nervous about having
them happen any time,
1504
01:07:30,356 --> 01:07:33,670
especially when something like
that takes place,
1505
01:07:33,773 --> 01:07:37,467
because I was pretty sure
I got them in position.
1506
01:07:37,570 --> 01:07:41,229
And in this casual situation,
now add pressure to it
1507
01:07:41,333 --> 01:07:42,817
and the fact that there'll be,
you know,
1508
01:07:42,920 --> 01:07:45,578
multiple cameras on me
and human beings watching it
1509
01:07:45,682 --> 01:07:47,097
who will not know me.
1510
01:07:47,201 --> 01:07:48,547
Yeah, yeah.
1511
01:07:48,650 --> 01:07:50,273
Anybody who told you
1512
01:07:50,376 --> 01:07:53,172
that that wasn't a pressure
thing is just a liar.
1513
01:07:53,276 --> 01:07:55,450
And remember that, one,
we're going to film
1514
01:07:55,554 --> 01:07:58,039
until like midnight,
then go for food.
1515
01:07:58,143 --> 01:07:59,282
It's going to be two
or three in the morning,
1516
01:07:59,385 --> 01:08:00,524
and then you've got us
1517
01:08:00,628 --> 01:08:03,562
getting up at stupid o'clock
to fly to get there.
1518
01:08:03,665 --> 01:08:04,666
Oh, yeah.
1519
01:08:04,770 --> 01:08:07,911
I'm going to be working
on absolutely no sleep.
1520
01:08:08,014 --> 01:08:11,535
So, yeah, things
like that are, um...
1521
01:08:11,639 --> 01:08:14,642
But I used to have
an expression, I still use it,
1522
01:08:14,745 --> 01:08:18,370
pressure makes diamonds,
but it also crushes coal.
1523
01:08:18,473 --> 01:08:19,957
Yeah.
1524
01:08:20,061 --> 01:08:22,857
Getting to share the Court Card
Conspiracy with Alexandra
1525
01:08:22,960 --> 01:08:24,065
was so much fun.
1526
01:08:24,169 --> 01:08:26,274
But what I found interesting
1527
01:08:26,378 --> 01:08:28,380
was that, for all the weird
twists of the story,
1528
01:08:28,483 --> 01:08:30,485
she kept coming back
to the same question.
1529
01:08:31,935 --> 01:08:34,248
Why wouldn't they have moved
him up to a bed someplace?
1530
01:08:34,351 --> 01:08:36,664
- He's the king, right?
- Well, I don't know.
1531
01:08:36,767 --> 01:08:38,010
I'm not a physician.
1532
01:08:38,424 --> 01:08:43,291
And here, we are
dealing with a real enigma.
1533
01:08:43,395 --> 01:08:47,813
Charles VIII only
had a priest by his side,
1534
01:08:47,916 --> 01:08:49,470
so we have to ask ourselves why?
1535
01:08:49,573 --> 01:08:50,816
What were the surgeons doing?
1536
01:08:50,919 --> 01:08:53,198
What were the doctors
doing during that time?
1537
01:08:54,199 --> 01:08:55,821
This is also
something that surprised
1538
01:08:55,924 --> 01:08:56,684
a lot of historians
1539
01:08:56,787 --> 01:08:58,375
who don't
understand why a French king
1540
01:08:58,479 --> 01:09:01,516
wasn't surrounded
by all his doctors
1541
01:09:01,620 --> 01:09:02,655
in his room.
1542
01:09:02,759 --> 01:09:04,554
What we're
proposing as a hypothesis
1543
01:09:04,657 --> 01:09:09,352
is that he had
epileptic seizures.
1544
01:09:10,076 --> 01:09:13,218
It is possible
that the idea of epilepsy
1545
01:09:13,321 --> 01:09:16,082
was not
well-received at the time.
1546
01:09:16,186 --> 01:09:17,256
Suggesting that the king
1547
01:09:17,360 --> 01:09:18,775
was possessed by a demon
1548
01:09:18,878 --> 01:09:21,364
wouldn't have been possible,
1549
01:09:21,467 --> 01:09:24,436
and so he may have
connected the king's death
1550
01:09:24,539 --> 01:09:27,439
with the incident in
which he hit his head,
1551
01:09:27,542 --> 01:09:29,958
in an attempt
to present his death
1552
01:09:30,062 --> 01:09:33,203
to the public in
an acceptable way.
1553
01:09:33,652 --> 01:09:35,343
At the time, epilepsy
was not well understood,
1554
01:09:35,447 --> 01:09:36,517
that is for certain.
1555
01:09:36,620 --> 01:09:38,760
It could be interpreted
as demonic possession
1556
01:09:38,864 --> 01:09:40,452
because people
would be seen suddenly
1557
01:09:40,555 --> 01:09:43,248
moving brutally in
ways that didn't make sense,
1558
01:09:43,351 --> 01:09:46,906
which might explain why nobody
1559
01:09:47,010 --> 01:09:50,358
other than those close
to God would go near him
1560
01:09:50,462 --> 01:09:52,464
because they could
fight being possessed.
1561
01:09:52,567 --> 01:09:54,604
Hence the role of the priest.
1562
01:09:55,639 --> 01:09:57,745
We also know that Charles VIII
1563
01:09:57,848 --> 01:09:58,884
had a lot of mistresses,
1564
01:09:58,987 --> 01:10:00,610
he had a lot of girlfriends.
1565
01:10:00,713 --> 01:10:04,165
So, the theory
we're putting forward
1566
01:10:04,269 --> 01:10:06,340
to explain Charles VIII's death
1567
01:10:06,443 --> 01:10:10,067
is the well-known
sexually transmitted disease,
1568
01:10:10,171 --> 01:10:11,655
syphilis.
1569
01:10:12,069 --> 01:10:13,761
When Charles VIII
invaded Naples,
1570
01:10:13,864 --> 01:10:16,246
there was
a syphilis epidemic there.
1571
01:10:16,350 --> 01:10:17,351
What is also certain,
1572
01:10:17,454 --> 01:10:19,870
is that a poet
who accompanied the king
1573
01:10:19,974 --> 01:10:22,287
to write the story
1574
01:10:22,390 --> 01:10:24,668
of his seven invasions of Italy
1575
01:10:24,772 --> 01:10:27,464
described that the king
had caught syphilis,
1576
01:10:27,568 --> 01:10:29,984
which would
explain why he was weaker
1577
01:10:30,087 --> 01:10:32,055
towards the end of his life.
1578
01:10:32,158 --> 01:10:34,022
We can then
consider neurosyphilis,
1579
01:10:34,126 --> 01:10:35,023
in which case
1580
01:10:35,161 --> 01:10:36,335
he could have had
epileptic seizures.
1581
01:10:36,439 --> 01:10:37,957
If not receiving adequate care,
1582
01:10:38,061 --> 01:10:39,407
one can die quite suddenly.
1583
01:10:39,511 --> 01:10:41,029
The theory that Charles
died of syphilis
1584
01:10:41,133 --> 01:10:42,997
is a very interesting one, but
I don't think it's the right one
1585
01:10:43,100 --> 01:10:45,413
and I think the cards are
telling me something different.
1586
01:10:45,517 --> 01:10:48,520
♪ tense music
1587
01:11:00,739 --> 01:11:02,844
You would think that
being surrounded
1588
01:11:02,948 --> 01:11:06,123
by magic would make me think
that anything is possible.
1589
01:11:06,227 --> 01:11:07,470
Yeah!
1590
01:11:07,573 --> 01:11:09,748
It's the exact opposite.
1591
01:11:09,851 --> 01:11:12,337
I was taught how the
tricks worked.
1592
01:11:12,440 --> 01:11:14,856
So instead of instilling
a sense of wonder in me,
1593
01:11:14,960 --> 01:11:16,651
it instilled a sense
of skepticism in me.
1594
01:11:16,755 --> 01:11:19,171
It made me question everything.
1595
01:11:19,275 --> 01:11:22,174
It wasn't until I saw
a Spanish magician
1596
01:11:22,278 --> 01:11:23,209
by the name of Juan Tamariz.
1597
01:11:23,313 --> 01:11:24,590
He performed,
1598
01:11:24,694 --> 01:11:25,660
and for the first
time in my life
1599
01:11:25,764 --> 01:11:27,524
I felt like I
was six years of age,
1600
01:11:27,628 --> 01:11:29,940
experiencing what I saw on
the faces of other people.
1601
01:11:31,942 --> 01:11:36,326
One of the great originals
of magic, Juan Tamariz.
1602
01:11:41,089 --> 01:11:42,574
Maestro, so nice
to see you!
1603
01:11:42,677 --> 01:11:43,747
Thank you so much
for coming.
1604
01:11:43,851 --> 01:11:46,163
Good evening.
- Good evening.
1605
01:11:46,267 --> 01:11:47,648
How are you, good?
1606
01:11:47,751 --> 01:11:48,787
Aha!
1607
01:11:48,890 --> 01:11:49,477
Very good!
1608
01:11:49,581 --> 01:11:51,030
You speak Spanish!
1609
01:11:51,134 --> 01:11:52,549
A little, a little.
1610
01:11:52,653 --> 01:11:56,691
I wanted the best in the world
to be able to talk about why...
1611
01:11:56,795 --> 01:11:59,245
No! I am not the best,
I am the most elegant.
1612
01:11:59,349 --> 01:12:00,281
Yeah.
1613
01:12:00,488 --> 01:12:02,110
You are the most elegant?
That's awesome.
1614
01:12:05,907 --> 01:12:07,530
My name is Juan Tamariz.
1615
01:12:07,633 --> 01:12:09,808
I've been a magician
since I was a little boy.
1616
01:12:09,911 --> 01:12:10,947
I have been a magician
1617
01:12:11,050 --> 01:12:12,673
since I was four years old
1618
01:12:12,776 --> 01:12:15,745
when my parents
took me to a magic theater
1619
01:12:15,848 --> 01:12:18,230
and there was
a magician who took out
1620
01:12:18,334 --> 01:12:20,922
fish tanks with
live fish in his hands
1621
01:12:21,026 --> 01:12:22,890
So I was born at that time,
1622
01:12:22,993 --> 01:12:25,617
until then I didn't exist.
1623
01:12:25,720 --> 01:12:30,415
In the stage I'm more myself
than in the life.
1624
01:12:30,518 --> 01:12:32,589
The life I'm very shy,
1625
01:12:32,693 --> 01:12:35,765
in the stage I can do anything,
1626
01:12:35,868 --> 01:12:38,595
then I can sing, I can
do... like this,
1627
01:12:38,699 --> 01:12:40,286
and I can do magic that I love.
1628
01:12:42,081 --> 01:12:45,361
I'm going to do a special trick.
Can you help me please?
1629
01:12:45,464 --> 01:12:46,741
Yes? Oh, thank you very much.
1630
01:12:46,845 --> 01:12:50,366
The trick is the most, the
fastest card trick in the world.
1631
01:12:50,469 --> 01:12:51,470
Fastest card trick
in the world, right?
1632
01:12:51,919 --> 01:12:53,645
I've always
believed that there are
1633
01:12:53,748 --> 01:12:55,405
much better magicians than me,
1634
01:12:55,509 --> 01:12:57,200
much better.
1635
01:12:57,303 --> 01:12:58,546
There are even
more elegant magicians,
1636
01:12:58,650 --> 01:13:00,790
which seems
difficult, but there are.
1637
01:13:00,893 --> 01:13:02,170
Take this one,
and can you see the card?
1638
01:13:02,274 --> 01:13:03,896
You remember the card, and now
1639
01:13:04,000 --> 01:13:07,659
every, nobody here can
know the card.
1640
01:13:07,762 --> 01:13:11,248
Myself, I cannot know
what is the card. Okay?
1641
01:13:14,459 --> 01:13:15,494
But what there isn't,
1642
01:13:15,598 --> 01:13:18,394
is a magician
who loves magic more than me.
1643
01:13:18,497 --> 01:13:20,396
As much yes, but not more.
1644
01:13:20,499 --> 01:13:22,467
Yes it's important thing,
to take one
1645
01:13:22,570 --> 01:13:24,607
to show very quickly,
please very quickly
1646
01:13:24,710 --> 01:13:26,263
fastest card trick in the world,
1647
01:13:26,367 --> 01:13:28,334
you put back again,
and I make something like this.
1648
01:13:28,438 --> 01:13:31,130
It's the only card,
this is the top card, ok.
1649
01:13:35,756 --> 01:13:37,205
Can you imagine a world
1650
01:13:37,309 --> 01:13:38,862
without playing cards?
1651
01:13:42,141 --> 01:13:43,488
Are you insane?
1652
01:13:43,591 --> 01:13:45,144
- It's crazy!
- I know
1653
01:13:45,248 --> 01:13:46,594
It's crazy.
1654
01:13:46,974 --> 01:13:49,494
For me the cards have
something very special.
1655
01:13:49,597 --> 01:13:52,635
The cards,
I have some cards here.
1656
01:13:52,738 --> 01:13:56,639
For 40 years, not a single day
1657
01:13:56,742 --> 01:13:58,019
have I been out on the street
1658
01:13:58,123 --> 01:13:59,987
without a deck in my pocket.
1659
01:14:01,989 --> 01:14:03,784
Without one,
I feel I'm missing something.
1660
01:14:03,887 --> 01:14:05,682
It's as if
they took my soul away
1661
01:14:05,786 --> 01:14:07,270
and told me to go
out into the street.
1662
01:14:07,373 --> 01:14:09,375
No. I have to carry my soul,
1663
01:14:09,479 --> 01:14:10,998
I have to carry my deck.
1664
01:14:11,101 --> 01:14:13,897
So for me, the relationship
is one of passion,
1665
01:14:14,001 --> 01:14:16,624
of eternal love
1666
01:14:16,728 --> 01:14:19,385
and will continue to
be for the next 80 years.
1667
01:14:19,662 --> 01:14:21,560
Wow!
How good!
1668
01:14:21,664 --> 01:14:26,669
Go, go, go, go.
1669
01:14:26,772 --> 01:14:29,016
And a card!
1670
01:14:29,395 --> 01:14:31,639
I believe that in magic,
1671
01:14:31,743 --> 01:14:33,365
each trick has a symbol
1672
01:14:33,469 --> 01:14:35,885
that represents
something very powerful;
1673
01:14:35,988 --> 01:14:39,613
an impossible
desire that is fulfilled.
1674
01:14:39,716 --> 01:14:42,547
When I create
tricks, subconsciously,
1675
01:14:42,650 --> 01:14:44,445
there is
a little bit of symbolism
1676
01:14:44,549 --> 01:14:48,311
that is projected in the trick
1677
01:14:48,414 --> 01:14:50,175
and in the performance.
1678
01:14:51,279 --> 01:14:52,246
- Yes?
- Yes.
1679
01:14:53,834 --> 01:14:57,389
I believe that all
the arts are quite close
1680
01:14:57,493 --> 01:15:00,461
to magic in some way.
1681
01:15:00,565 --> 01:15:04,430
Theater represents reality,
1682
01:15:04,534 --> 01:15:06,053
but with real people
1683
01:15:06,156 --> 01:15:09,815
who are flesh and
blood actors on a stage.
1684
01:15:09,919 --> 01:15:12,611
The cinema presents fantasy,
1685
01:15:12,715 --> 01:15:14,993
dreams, the impossible,
1686
01:15:15,096 --> 01:15:19,100
but with people
who are not real, with images.
1687
01:15:19,204 --> 01:15:19,963
On the other hand,
1688
01:15:20,067 --> 01:15:23,346
magic has a bit
of a mix of the two,
1689
01:15:23,449 --> 01:15:25,175
because it represents
the impossible,
1690
01:15:25,279 --> 01:15:26,556
your dreams,
1691
01:15:26,660 --> 01:15:28,040
but with real people;
1692
01:15:28,144 --> 01:15:29,973
the magician
and their spectators.
1693
01:15:30,077 --> 01:15:33,149
That's why magic
enchants everyone,
1694
01:15:33,252 --> 01:15:34,357
especially children.
1695
01:15:34,460 --> 01:15:37,394
Though not only
to young children,
1696
01:15:37,498 --> 01:15:38,741
but also to the inner child
1697
01:15:38,844 --> 01:15:40,639
we all have within us
1698
01:15:40,743 --> 01:15:43,573
and sometimes
it is wonderful to perform
1699
01:15:43,677 --> 01:15:46,714
and see that there
is a three-year-old child
1700
01:15:46,818 --> 01:15:49,959
who comes out of
the stomach of a spectator
1701
01:15:50,062 --> 01:15:50,856
and greets you.
1702
01:15:50,960 --> 01:15:52,996
Your child and
their child greet,
1703
01:15:53,100 --> 01:15:56,793
smile at each
other and give a smile,
1704
01:15:56,897 --> 01:15:59,209
and send each
other a kiss and a hug,
1705
01:15:59,313 --> 01:16:00,832
and that's wonderful.
1706
01:16:00,935 --> 01:16:02,868
He approaches magic,
as an actor would.
1707
01:16:02,972 --> 01:16:04,974
He talks about how to use
your whole body
1708
01:16:05,077 --> 01:16:07,735
to work in unison
and to connect with the audience
1709
01:16:07,839 --> 01:16:09,495
to experience magic
in a different way.
1710
01:16:09,806 --> 01:16:12,360
The psychology of the human mind
1711
01:16:12,464 --> 01:16:14,742
and memory is very fragile,
1712
01:16:14,846 --> 01:16:17,469
and one's memory, psychology
1713
01:16:17,573 --> 01:16:22,163
and perception are
very easily manipulated
1714
01:16:22,267 --> 01:16:25,753
by someone
who knows how to control that.
1715
01:16:25,995 --> 01:16:29,930
A spectator is engaged
by the magician,
1716
01:16:30,033 --> 01:16:33,381
at the same time look to
distract the attention
1717
01:16:33,485 --> 01:16:34,900
of the spectator -
1718
01:16:35,004 --> 01:16:38,248
some words that put
the psychology
1719
01:16:38,352 --> 01:16:41,562
of the effect
in the mind of the spectator.
1720
01:16:41,666 --> 01:16:43,771
The words are very important.
1721
01:16:43,875 --> 01:16:46,671
At the same time,
the position of the hands
1722
01:16:46,774 --> 01:16:48,707
or the movement of the hands
1723
01:16:48,811 --> 01:16:51,537
doing - and now the cards
are going to pass
1724
01:16:51,641 --> 01:16:55,680
from here to here.
1725
01:16:55,783 --> 01:16:59,787
And this loop is more artistic
1726
01:16:59,891 --> 01:17:01,927
than only
from here to here
1727
01:17:02,031 --> 01:17:04,412
Oh pardon, excuse me!
1728
01:17:07,968 --> 01:17:11,040
So, you have so many plots
to choose from,
1729
01:17:11,143 --> 01:17:12,800
I love that you picked
the Rising Card,
1730
01:17:12,904 --> 01:17:14,768
why the Rising Card?
1731
01:17:14,871 --> 01:17:18,323
I think that is
because a lot of things,
1732
01:17:18,426 --> 01:17:21,498
but the first one is because it
1733
01:17:21,602 --> 01:17:26,538
up and up, and it means this,
ascension in English?
1734
01:17:26,642 --> 01:17:27,608
- Yes?
- Ascension! Yeah.
1735
01:17:27,712 --> 01:17:29,955
Ascension is like in religion.
1736
01:17:30,059 --> 01:17:32,889
- The ascension of the...
- Christ going to heaven?
1737
01:17:32,993 --> 01:17:34,097
It means the glory.
1738
01:17:34,201 --> 01:17:35,305
Sure.
1739
01:17:35,409 --> 01:17:38,446
What's the most
amazing version you've seen?
1740
01:17:38,550 --> 01:17:39,724
I remember
1741
01:17:39,827 --> 01:17:43,486
one of the best ones
is the De Kolta Rising Card.
1742
01:17:43,589 --> 01:17:45,039
- De Kolta?
- De Kolta.
1743
01:17:45,143 --> 01:17:46,938
- Okay.
- Buatier De Kolta.
1744
01:17:47,041 --> 01:17:49,872
- Yeah, great inventor of magic.
- Great inventor.
1745
01:17:49,975 --> 01:17:54,635
The idea is you put -
it's a table, a long table
1746
01:17:54,739 --> 01:17:57,983
and you put a glass here
and a glass here
1747
01:17:58,087 --> 01:18:01,366
in this glass you put
the deck of cards inside.
1748
01:18:01,469 --> 01:18:02,678
Uh huh.
1749
01:18:02,954 --> 01:18:06,785
Vertical position. And you
ask for the card that you see
1750
01:18:06,889 --> 01:18:11,514
or the card that you remember,
the chosen card before.
1751
01:18:11,617 --> 01:18:16,036
And you stay here, apart.
1752
01:18:16,139 --> 01:18:20,178
- And you make a gesture,
- Yeah, the magic move.
1753
01:18:20,281 --> 01:18:23,871
And slowly the card goes
up, up, up, up, up.
1754
01:18:23,975 --> 01:18:27,703
Until now is like other
rising cards.
1755
01:18:27,806 --> 01:18:30,947
But the card go more
and more and more,
1756
01:18:31,051 --> 01:18:33,467
more and more and more,
1757
01:18:33,570 --> 01:18:35,365
totally free.
1758
01:18:35,469 --> 01:18:37,505
- Really? Above the cards.
- Above the cards.
1759
01:18:37,609 --> 01:18:39,197
So it's like floating like this.
1760
01:18:39,300 --> 01:18:40,508
Floating.
1761
01:18:40,612 --> 01:18:42,683
And you say, "Go there".
1762
01:18:42,787 --> 01:18:45,859
And the card in the air -
1763
01:18:45,962 --> 01:18:48,102
- Moves across?
- Move the card.
1764
01:18:48,206 --> 01:18:51,657
And go, go, go, go,
and when it stay in the middle,
1765
01:18:51,761 --> 01:18:53,867
you say, "Stop, please".
1766
01:18:53,970 --> 01:18:56,559
- And the card stops.
- Just floating.
1767
01:18:56,662 --> 01:18:57,871
- Just floating.
- Wow!
1768
01:18:57,974 --> 01:19:01,253
And you say, "Second spectator,
what is your card?"
1769
01:19:01,357 --> 01:19:03,980
Because it's a different
card, two spectators.
1770
01:19:04,084 --> 01:19:07,708
He says "The Seven of Spades"
and this is the Five of Clubs.
1771
01:19:07,812 --> 01:19:09,054
And you go [snap],
1772
01:19:09,158 --> 01:19:12,989
- and the air it changes!
- Just right there in midair.
1773
01:19:13,093 --> 01:19:15,405
Without touching it,
without nothing.
1774
01:19:15,509 --> 01:19:17,960
And people are "Woah!"
1775
01:19:18,063 --> 01:19:20,065
And you say "Thank you",
1776
01:19:20,169 --> 01:19:22,999
and go, go, go, go, go,
enter in the glass.
1777
01:19:23,103 --> 01:19:24,552
And then it slowly
went back into the glass?
1778
01:19:24,656 --> 01:19:25,622
In the glass.
1779
01:19:25,726 --> 01:19:27,417
It enters in the glass
and you finish.
1780
01:19:27,521 --> 01:19:28,591
That's crazy!
1781
01:19:28,764 --> 01:19:33,596
Well now I have to figure out
some way to incorporate it.
1782
01:19:33,699 --> 01:19:38,601
I love Rising Card,
but now I need
1783
01:19:38,704 --> 01:19:40,223
to find some way to make it -
1784
01:19:40,327 --> 01:19:44,400
it won't be this amazing
because that's incredible.
1785
01:19:44,503 --> 01:19:45,953
It's amazing, yes.
1786
01:19:46,057 --> 01:19:49,163
That's awesome.
Thank you so much.
1787
01:19:49,267 --> 01:19:50,578
We're at the airport in Nantes.
1788
01:19:50,682 --> 01:19:51,994
No, I didn't fly here.
1789
01:19:52,097 --> 01:19:55,618
We drove here 13 hours
since we started the journey.
1790
01:19:55,721 --> 01:19:57,620
They cancelled the plane.
1791
01:19:57,723 --> 01:19:59,139
Yesterday was phenomenal,
1792
01:19:59,242 --> 01:20:03,660
getting to spend time with
Juan Tamariz was a dream.
1793
01:20:03,764 --> 01:20:06,802
I've got less than 24 hours
to prepare for the big day.
1794
01:20:06,905 --> 01:20:09,114
And that's at Château d'Amboise.
1795
01:20:09,218 --> 01:20:12,221
We still have another drive
and we'll get there.
1796
01:20:12,324 --> 01:20:15,258
My date with destiny in Amboise
is only a few days away,
1797
01:20:15,362 --> 01:20:17,502
which doesn't give me
a lot of time to integrate
1798
01:20:17,605 --> 01:20:19,124
Juan's Rising Card plot
1799
01:20:19,228 --> 01:20:22,024
into my tale of Charles' death
before the big premiere.
1800
01:20:22,127 --> 01:20:24,371
The speed at which
Anne and Louis
1801
01:20:24,474 --> 01:20:25,648
moved to assume power
1802
01:20:25,751 --> 01:20:27,926
after Charles passed
was remarkable,
1803
01:20:28,030 --> 01:20:30,653
and the regalia for her
coronation process
1804
01:20:30,756 --> 01:20:32,758
are represented
in the cards too.
1805
01:20:32,862 --> 01:20:34,588
Let's look at
what she's holding.
1806
01:20:34,691 --> 01:20:38,074
For every royal coronation,
there are four pieces of regalia
1807
01:20:38,178 --> 01:20:39,973
that are key to the ceremony.
1808
01:20:40,076 --> 01:20:43,666
The first is the sceptre,
which the Queen is holding.
1809
01:20:43,769 --> 01:20:45,841
The second is
the anointing spoon
1810
01:20:45,944 --> 01:20:47,773
that the Jack of Spades
is wielding,
1811
01:20:47,877 --> 01:20:50,362
and I believe he is
meant to represent Louis.
1812
01:20:50,466 --> 01:20:52,399
Next comes this orb,
1813
01:20:52,502 --> 01:20:55,367
which represents Christ's
dominion over the earth.
1814
01:20:55,471 --> 01:20:59,130
And last but not least, is
the sword known as "Joyeuse"
1815
01:20:59,233 --> 01:21:01,684
which dates
back to the 9th century
1816
01:21:01,787 --> 01:21:02,927
when it was the personal weapon
1817
01:21:03,030 --> 01:21:03,893
of Charlemagne.
1818
01:21:04,307 --> 01:21:07,069
There were special clauses
1819
01:21:07,172 --> 01:21:10,106
to Anne and Charles' marriage.
1820
01:21:10,210 --> 01:21:12,108
One of the clauses
stipulates that
1821
01:21:12,212 --> 01:21:15,042
should the king
of France pass away,
1822
01:21:15,146 --> 01:21:17,355
Anne of Brittany
would marry his successor.
1823
01:21:17,458 --> 01:21:21,669
An important
clause of the marriage
1824
01:21:21,773 --> 01:21:25,881
was that if Charles died
1825
01:21:25,984 --> 01:21:31,369
the Duchy of
Brittany would return to Anne.
1826
01:21:31,472 --> 01:21:32,715
As soon as Charles died,
1827
01:21:32,818 --> 01:21:34,751
two days after Charles' death,
1828
01:21:34,855 --> 01:21:38,031
Anne had
the Chancellery of Brittany
1829
01:21:38,134 --> 01:21:40,861
re-established.
1830
01:21:40,965 --> 01:21:43,243
Charles' death left Anne with
1831
01:21:43,346 --> 01:21:48,489
the rights and titles
over her duchy once more.
1832
01:21:48,593 --> 01:21:51,699
She was once again
able to directly govern
1833
01:21:51,803 --> 01:21:53,253
her duchy,
1834
01:21:53,356 --> 01:21:56,842
in addition,
she remained the Queen of France
1835
01:21:56,946 --> 01:22:00,536
so she was at
the peak of her political power.
1836
01:22:00,639 --> 01:22:03,539
And with Charles having left no
ale heir to assume the throne,
1837
01:22:03,642 --> 01:22:06,438
that honor now falls
on his closest male relative,
1838
01:22:06,542 --> 01:22:09,441
none other than his cousin,
and one-time kidnapper,
1839
01:22:09,545 --> 01:22:11,133
Louis d'Orléans.
1840
01:22:11,478 --> 01:22:15,482
When Louis became
King, everything changed.
1841
01:22:15,585 --> 01:22:18,588
There was a mutual respect
1842
01:22:18,692 --> 01:22:21,246
in their way of functioning
1843
01:22:21,350 --> 01:22:23,869
which was already
a bit rare at the time.
1844
01:22:23,973 --> 01:22:27,080
Louis d'Orléans got to know Anne
1845
01:22:27,183 --> 01:22:28,944
when he pursued an alliance
1846
01:22:29,047 --> 01:22:31,463
with François II of Brittany.
1847
01:22:31,567 --> 01:22:34,190
It's an affectionate relationship
1848
01:22:34,294 --> 01:22:37,780
however she still
has the duties of a Queen,
1849
01:22:37,883 --> 01:22:40,714
who has to try to have children.
1850
01:22:40,817 --> 01:22:45,132
But she's also
in a unique position
1851
01:22:45,236 --> 01:22:48,549
because she is
the previous King's widow.
1852
01:22:48,653 --> 01:22:52,484
And through
her considerable resources,
1853
01:22:52,588 --> 01:22:56,902
she's able to lead
her own life at court
1854
01:22:57,006 --> 01:22:59,077
as a patron,
1855
01:22:59,181 --> 01:23:02,218
which enables her to travel.
1856
01:23:02,322 --> 01:23:04,945
She has true autonomy.
1857
01:23:05,049 --> 01:23:06,567
Which marks a huge difference
1858
01:23:06,671 --> 01:23:09,156
from Anne of
Brittany's first marriage,
1859
01:23:09,260 --> 01:23:11,055
in which she was
entirely at the mercy
1860
01:23:11,158 --> 01:23:12,815
of her husband's will.
1861
01:23:12,988 --> 01:23:15,300
Presented with the opportunity
to rewrite her destiny,
1862
01:23:15,404 --> 01:23:17,785
I believe that Anne was
too smart to let it pass.
1863
01:23:17,889 --> 01:23:19,891
and that leads us
to our final clue.
1864
01:23:19,995 --> 01:23:22,514
The King of Hearts is the only
court card
1865
01:23:22,618 --> 01:23:23,653
with two sets of arms.
1866
01:23:23,757 --> 01:23:25,172
And what's even more unusual,
1867
01:23:25,276 --> 01:23:27,899
is if you look at the sleeve
of the arm holding the sword
1868
01:23:28,003 --> 01:23:29,970
and the one that's
across his chest,
1869
01:23:30,074 --> 01:23:31,178
they don't match.
1870
01:23:31,282 --> 01:23:33,042
Even stranger,
is that if you look
1871
01:23:33,146 --> 01:23:35,803
at the Queen of Spades,
we notice that her sleeve
1872
01:23:35,907 --> 01:23:39,773
is a much closer match to the
arm that's killing the king.
1873
01:23:43,673 --> 01:23:45,744
♪ harpsichord music
1874
01:23:45,848 --> 01:23:48,954
So, given the unlikeliness
of Charles having died
1875
01:23:49,058 --> 01:23:50,715
as de Commines tells us,
1876
01:23:50,818 --> 01:23:52,613
what other options should
we be considering?
1877
01:23:52,717 --> 01:23:56,583
And, should foul play
be among them?
1878
01:23:56,686 --> 01:24:02,175
♪ harpsichord music
1879
01:24:02,278 --> 01:24:04,660
With a chance to reassert
her independence
1880
01:24:04,763 --> 01:24:07,594
and rule France with the man
she loved within easy grasp,
1881
01:24:07,697 --> 01:24:09,906
Anne and Louis
surely had a motive
1882
01:24:10,010 --> 01:24:12,012
to see Charles removed
from the throne.
1883
01:24:12,116 --> 01:24:14,221
It is also not hard to imagine
1884
01:24:14,325 --> 01:24:16,603
de Commines would want
to avenge himself
1885
01:24:16,706 --> 01:24:17,949
against the royal family,
1886
01:24:18,053 --> 01:24:20,124
A family that had
once imprisoned him
1887
01:24:20,227 --> 01:24:21,435
in an iron cage.
1888
01:24:21,539 --> 01:24:22,850
The solution?
1889
01:24:22,954 --> 01:24:24,059
Well, spinning a story
1890
01:24:24,162 --> 01:24:26,578
that would benefit
him and his co-conspirators.
1891
01:24:26,682 --> 01:24:31,480
♪ tense music
1892
01:24:31,583 --> 01:24:36,105
So, maybe Charles
did die from a blow to the head,
1893
01:24:36,209 --> 01:24:38,383
but it probably wasn't
as innocent
1894
01:24:38,487 --> 01:24:40,351
as the history books tell us
1895
01:24:40,454 --> 01:24:43,285
because I think they've had
it wrong this whole time,
1896
01:24:43,388 --> 01:24:45,459
and that the clues have
been hidden under our nose
1897
01:24:45,563 --> 01:24:46,943
for centuries.
1898
01:24:47,047 --> 01:24:52,639
♪ tense music
1899
01:25:04,306 --> 01:25:05,583
Hi, everybody.
1900
01:25:05,686 --> 01:25:08,033
I'm Shawn Farquhar, and
welcome to Château d'Amboise.
1901
01:25:08,137 --> 01:25:09,863
For those that don't know,
I'm a magician.
1902
01:25:09,966 --> 01:25:11,106
I've been a magician
all my life,
1903
01:25:11,209 --> 01:25:12,314
my mum says when I was born,
1904
01:25:12,417 --> 01:25:14,039
the doctor slapped me
and I said, "Pick a card."
1905
01:25:15,282 --> 01:25:16,490
It's all I've ever done.
1906
01:25:16,594 --> 01:25:18,354
I learned my numbers and
my colors from a deck of cards
1907
01:25:18,458 --> 01:25:21,564
and I'm going to share with you
a card trick that I created
1908
01:25:21,668 --> 01:25:23,566
and you'll be the first people
to ever see it,
1909
01:25:23,670 --> 01:25:24,878
it's the premiere.
1910
01:25:24,981 --> 01:25:27,087
And why am I at
Château d'Amboise to perform it?
1911
01:25:27,191 --> 01:25:30,159
Because this is the 525th anniversary,
1912
01:25:30,263 --> 01:25:33,024
of the death of a French
king - King Charles VIII.
1913
01:25:33,128 --> 01:25:35,164
He died right here,
at Château d'Amboise
1914
01:25:35,268 --> 01:25:37,166
and I'm going to tell you
the story of his death.
1915
01:25:37,270 --> 01:25:39,168
It's not the same as
you've heard in history,
1916
01:25:39,272 --> 01:25:40,445
it's better.
1917
01:25:40,549 --> 01:25:43,207
I'm going to use a deck
of cards that I created.
1918
01:25:43,310 --> 01:25:46,486
There's only 1500 in the world,
and this is 1119.
1919
01:25:46,589 --> 01:25:48,660
A brand new deck of cards,
I'll pop it open.
1920
01:25:48,764 --> 01:25:50,455
Inside, a deck of cards,
1921
01:25:50,559 --> 01:25:53,389
in what is referred to
as new deck order.
1922
01:25:53,493 --> 01:25:55,529
They run ace through
king, ace through king,
1923
01:25:55,633 --> 01:25:56,668
then the kings meet
in the middle,
1924
01:25:56,772 --> 01:25:58,463
king through ace
and king through ace.
1925
01:25:58,567 --> 01:26:01,535
In hearts, clubs,
diamonds and spades.
1926
01:26:01,639 --> 01:26:03,744
If I were to mix
up the cards,
1927
01:26:03,848 --> 01:26:05,367
it might be sleight of hand.
1928
01:26:05,470 --> 01:26:06,575
Would you do me a favor?
1929
01:26:06,747 --> 01:26:09,371
Would you mix those cards?
Give them a good shuffle.
1930
01:26:09,474 --> 01:26:11,166
After you've given them- yeah!
1931
01:26:11,269 --> 01:26:13,444
Oh, you're very good at that.
It's excellent.
1932
01:26:13,547 --> 01:26:15,687
Would you mind-
Oh that was good! I do that too!
1933
01:26:15,791 --> 01:26:18,103
Would you mind passing them
to the lovely lady next to you?
1934
01:26:18,207 --> 01:26:21,831
And Miss, would you mind mixing
the cards a little bit, too?
1935
01:26:21,935 --> 01:26:23,074
That's excellent.
1936
01:26:23,178 --> 01:26:24,282
Now, there's no way
I can keep track
1937
01:26:24,386 --> 01:26:25,490
as you're mixing up the cards.
1938
01:26:25,594 --> 01:26:26,526
And, sir,
1939
01:26:26,629 --> 01:26:27,734
would you be so kind as to
1940
01:26:27,837 --> 01:26:29,011
perhaps take the cards
from the lady,
1941
01:26:29,114 --> 01:26:30,219
and would you mix them too?
1942
01:26:30,461 --> 01:26:31,565
I like that you're showing me
the face. It's very nice.
1943
01:26:31,669 --> 01:26:32,394
Do me a favor,
1944
01:26:32,739 --> 01:26:33,947
put them behind your back
and give them a little-
1945
01:26:34,050 --> 01:26:35,500
that'll be more
difficult for you,
1946
01:26:35,604 --> 01:26:37,399
but behind your back will
make it more difficult for me
1947
01:26:37,502 --> 01:26:38,676
because now I can't track it.
1948
01:26:38,779 --> 01:26:40,160
There's no way I can know
where the cards are
1949
01:26:40,264 --> 01:26:41,472
or the position that they're in.
1950
01:26:41,575 --> 01:26:45,407
And from this chaos
I will try to create order
1951
01:26:45,510 --> 01:26:46,718
and make a magic trick
1952
01:26:46,822 --> 01:26:49,273
with a borrowed shuffled
deck of cards.
1953
01:26:49,376 --> 01:26:50,998
Oh, would you do me a favor
and give them a cut, too?
1954
01:26:51,102 --> 01:26:52,310
Yeah? Perfect.
1955
01:26:52,414 --> 01:26:53,760
Thank you very much.
1956
01:26:53,863 --> 01:26:56,590
A deck of cards, mixed up.
1957
01:26:56,694 --> 01:26:58,282
I will give them a cut too.
1958
01:26:58,385 --> 01:26:59,214
I do it with one hand,
1959
01:26:59,317 --> 01:27:00,698
this is called showing off.
1960
01:27:02,562 --> 01:27:04,667
The cards are now mixed,
and it's time for me
1961
01:27:04,771 --> 01:27:07,946
to tell you a little story,
with a simple deck of cards.
1962
01:27:08,050 --> 01:27:12,606
My story begins
where this person's story ends.
1963
01:27:12,710 --> 01:27:14,574
This is the King of Hearts.
1964
01:27:14,677 --> 01:27:16,990
Now, people will tell you
he was the Suicide King
1965
01:27:17,093 --> 01:27:18,681
because there's a sword
running through his head.
1966
01:27:18,785 --> 01:27:20,614
But I will tell you,
this is not suicide,
1967
01:27:20,718 --> 01:27:23,893
this card tells the story
of a murder.
1968
01:27:23,997 --> 01:27:27,794
A murder that took place at
Château d'Amboise 525 years ago.
1969
01:27:27,897 --> 01:27:32,316
The date, yeah, was 1498.
1970
01:27:32,419 --> 01:27:34,559
Yeah, that's when he died.
1971
01:27:34,663 --> 01:27:36,630
And he didn't die in battle,
1972
01:27:36,734 --> 01:27:39,184
he didn't even die of old age.
In fact, the king was young.
1973
01:27:39,288 --> 01:27:42,360
He was just 27 years of age.
27 years of age.
1974
01:27:42,464 --> 01:27:45,052
Oh, and what did he look like?
He didn't look like this.
1975
01:27:45,156 --> 01:27:47,469
Although this king is young,
you can see he has no mustache.
1976
01:27:47,572 --> 01:27:49,712
Our king looked like this.
1977
01:27:49,816 --> 01:27:50,575
This is. This is.
1978
01:27:50,679 --> 01:27:52,059
Yeah, this is Charles VIII
1979
01:27:52,163 --> 01:27:54,959
looking as handsome
as ever.
1980
01:27:55,062 --> 01:27:56,271
I'll just put them under there.
1981
01:27:56,374 --> 01:27:57,375
How did he die?
1982
01:27:57,479 --> 01:28:00,067
He died after watching
a tennis match.
1983
01:28:00,171 --> 01:28:01,966
Yeah. Ten - tennis match.
1984
01:28:02,069 --> 01:28:03,864
Yeah.
1985
01:28:03,968 --> 01:28:05,763
What happened was he
was walking through the stables
1986
01:28:05,866 --> 01:28:07,696
and he bumped his head
and he complained that it hurt,
1987
01:28:07,799 --> 01:28:09,214
but then he went to
the tennis match.
1988
01:28:09,318 --> 01:28:10,837
He watched the tennis game.
1989
01:28:10,940 --> 01:28:12,666
After the tennis game
back through the stables.
1990
01:28:12,770 --> 01:28:14,219
Then he collapsed
in the stables.
1991
01:28:14,323 --> 01:28:16,636
Oh but he didn't die
right away.
1992
01:28:16,739 --> 01:28:17,878
In fact it was nine hours.
1993
01:28:17,982 --> 01:28:18,810
Nine hours
1994
01:28:19,155 --> 01:28:22,676
he lay in the squalor
of the stables before he died.
1995
01:28:22,780 --> 01:28:24,920
You got to love that.
Come, look.
1996
01:28:25,023 --> 01:28:27,163
Come on! Love
that! It's- okay. It's just-
1997
01:28:28,820 --> 01:28:31,651
He left behind a widow.
Aw!
1998
01:28:31,754 --> 01:28:33,377
This is the sad
part of the story.
1999
01:28:33,480 --> 01:28:34,550
This was the widow.
2000
01:28:34,654 --> 01:28:38,485
Her name, of course,
was Anne of Brittany.
2001
01:28:38,589 --> 01:28:40,487
Yeah, that's
what she really looks like.
2002
01:28:40,591 --> 01:28:42,903
And it wasn't long
before suitors came
2003
01:28:43,007 --> 01:28:44,249
offering a hand in marriage.
2004
01:28:44,353 --> 01:28:46,838
In fact, it was the
Duke of Orleans,
2005
01:28:46,942 --> 01:28:50,463
that's the Duke of Orleans,
the Duke of Orleans came.
2006
01:28:50,566 --> 01:28:53,258
He would soon become Louis,
Louis XII.
2007
01:28:53,362 --> 01:28:54,777
Yeah, same guy.
2008
01:28:54,881 --> 01:28:57,401
What's interesting about it is
he looked a lot like this.
2009
01:28:57,504 --> 01:28:59,472
Yeah, that's him, see?
2010
01:28:59,575 --> 01:29:01,197
It's an accurate representation.
2011
01:29:01,301 --> 01:29:02,716
It's very good.
2012
01:29:02,820 --> 01:29:04,684
Interesting enough, there
were more kings in the world.
2013
01:29:04,787 --> 01:29:09,205
There was dukes and kings,
all of them together like this.
2014
01:29:09,309 --> 01:29:12,001
These three kings
each have their suits.
2015
01:29:12,105 --> 01:29:13,106
The diamonds are in his,
2016
01:29:13,209 --> 01:29:15,108
the spades are in his, and
the clubs are in his.
2017
01:29:15,211 --> 01:29:18,594
But the King of Hearts
has no hearts in his tunic. Why?
2018
01:29:18,698 --> 01:29:21,183
Because he was
the King of France
2019
01:29:21,286 --> 01:29:23,737
and all of France loved him.
2020
01:29:23,841 --> 01:29:26,050
But you'll notice in his hands
there are little tiny images.
2021
01:29:26,153 --> 01:29:27,569
These are called ermines
2022
01:29:27,672 --> 01:29:30,503
and it was small, like a weasel
or a ferret-like creature
2023
01:29:30,606 --> 01:29:32,228
with a beautiful white coat.
2024
01:29:32,332 --> 01:29:34,196
And all the kings
and royalty used it,
2025
01:29:34,299 --> 01:29:36,888
but none valued it more
2026
01:29:36,992 --> 01:29:37,924
than Brittany,
2027
01:29:38,096 --> 01:29:40,375
which is why Brittany
assumed it as their logo,
2028
01:29:40,478 --> 01:29:42,687
their national symbol,
which is very cool.
2029
01:29:42,791 --> 01:29:45,828
Now, these dukes,
they fought in a war
2030
01:29:45,932 --> 01:29:48,486
called the Mad War, and
of course, Charles won.
2031
01:29:48,590 --> 01:29:49,867
I should get - now I'm
ahead of myself.
2032
01:29:49,970 --> 01:29:50,695
Let me explain.
2033
01:29:50,799 --> 01:29:52,076
How did I come up
with this idea?
2034
01:29:52,179 --> 01:29:54,319
Well, there were these queens.
2035
01:29:55,459 --> 01:29:57,461
My friend, Steve Beam,
2036
01:29:57,564 --> 01:29:59,463
wrote a book called
Semi-Automatic Card Tricks,
2037
01:29:59,566 --> 01:30:01,257
and in it there was a trick
called Turning Heads.
2038
01:30:01,361 --> 01:30:02,604
If you look at the queens,
2039
01:30:02,707 --> 01:30:05,607
you'll notice these three queens
all face one direction.
2040
01:30:05,710 --> 01:30:08,437
But my friend Steve
pointed out that one queen
2041
01:30:08,541 --> 01:30:09,714
faced the other direction!
2042
01:30:11,026 --> 01:30:12,752
Isn't that crazy? One queen
faces the other direction.
2043
01:30:12,855 --> 01:30:14,167
And what's unique
about this queen?
2044
01:30:14,270 --> 01:30:16,790
She holds the ermines in her
hand. Do you see that?
2045
01:30:16,894 --> 01:30:18,482
There are six
of them in her hand
2046
01:30:18,585 --> 01:30:19,517
and she holds a sceptre.
2047
01:30:19,621 --> 01:30:20,863
The sceptre is very important
2048
01:30:20,967 --> 01:30:23,141
because that is the symbol
of power
2049
01:30:23,245 --> 01:30:25,661
and queens didn't hold power.
2050
01:30:25,765 --> 01:30:27,491
The queen's job
was to make babies,
2051
01:30:27,594 --> 01:30:28,595
which is why the other ones
2052
01:30:28,699 --> 01:30:30,666
all just have flowers
in their hands.
2053
01:30:30,770 --> 01:30:34,359
But she has a flower and the
ermine, and the sceptre in it,
2054
01:30:34,463 --> 01:30:35,809
which is very unique.
2055
01:30:35,913 --> 01:30:38,467
I couldn't believe that
these queens
2056
01:30:38,571 --> 01:30:40,642
had such importance to me.
2057
01:30:40,745 --> 01:30:42,540
In fact, once I heard about it,
I was just,
2058
01:30:42,644 --> 01:30:44,024
I was stuck thinking about it.
2059
01:30:44,128 --> 01:30:47,511
If I take these three
and I do this with them.
2060
01:30:47,614 --> 01:30:50,272
Remember, one, two, and three,
and I mix them.
2061
01:30:50,375 --> 01:30:51,860
I'll put them like this
so it's easy.
2062
01:30:51,963 --> 01:30:53,344
All I have to do it take a singl
card like that,
2063
01:30:53,448 --> 01:30:54,587
rub it against it,
2064
01:30:54,690 --> 01:30:55,795
and this one will look like
a Queen of Spades.
2065
01:30:55,898 --> 01:30:57,486
If I rub this one like this,
2066
01:30:57,590 --> 01:30:59,108
this one will look
like a Queen of Spades.
2067
01:30:59,212 --> 01:31:01,352
If I rub like this, this one
looks like a Queen of Spades.
2068
01:31:01,456 --> 01:31:02,733
Even this one looks like
a Queen of Spades.
2069
01:31:02,836 --> 01:31:04,113
It doesn't matter what I do.
2070
01:31:04,217 --> 01:31:08,393
As much as I mix them up,
I keep finding Queens of Spades.
2071
01:31:08,497 --> 01:31:09,774
Even when I did this
2072
01:31:09,878 --> 01:31:11,189
and I just spread them out
2073
01:31:11,293 --> 01:31:14,917
and I just looked for a position
2074
01:31:15,021 --> 01:31:16,747
one card would
rise above the rest.
2075
01:31:16,850 --> 01:31:19,404
And yes, it's the Queen of Spade
2076
01:31:19,508 --> 01:31:20,785
It didn't matter what I did.
2077
01:31:20,889 --> 01:31:23,408
Every time I looked,
I kept seeing Anne of Brittany.
2078
01:31:23,512 --> 01:31:26,653
All of this drove me
to a passion to continue
2079
01:31:26,757 --> 01:31:28,206
to look at research,
to understand.
2080
01:31:28,310 --> 01:31:29,932
Because when history is written
2081
01:31:30,036 --> 01:31:33,211
it gets mixed up
and people try to sort it out,
2082
01:31:33,315 --> 01:31:34,661
and as they're trying to figure
out, historians
2083
01:31:34,765 --> 01:31:36,491
sometimes agree
sometimes disagree.
2084
01:31:36,594 --> 01:31:37,561
But in the end,
2085
01:31:37,871 --> 01:31:39,597
they come up with one story
that they stick to.
2086
01:31:39,701 --> 01:31:41,841
This is a mystery for the ages.
2087
01:31:41,944 --> 01:31:44,878
You see, history
is just basically two words:
2088
01:31:44,982 --> 01:31:47,329
His and Story.
2089
01:31:47,432 --> 01:31:49,089
Things can be mixed up.
2090
01:31:49,193 --> 01:31:51,816
People can tell a story
and leave parts out.
2091
01:31:51,920 --> 01:31:54,094
Oh, we should make a little bit
more of a puzzle out of this,
2092
01:31:54,198 --> 01:31:55,993
let me mix some face up
into face down.
2093
01:31:56,096 --> 01:31:57,201
You can see this,
2094
01:31:57,304 --> 01:31:58,996
they really are beginning
to mix face up into face down.
2095
01:31:59,099 --> 01:32:01,274
I will do another one like this
so they mix one more time.
2096
01:32:01,377 --> 01:32:03,414
I need someone to help.
Would you help me for a second?
2097
01:32:03,518 --> 01:32:06,175
Would you come up and mix
these cards a little bit more?
2098
01:32:06,279 --> 01:32:07,763
We need them to be face up
into face down.
2099
01:32:07,867 --> 01:32:09,800
So if you give them
another shuffle
2100
01:32:09,903 --> 01:32:11,215
just to make sure they really
are mixed up,
2101
01:32:11,318 --> 01:32:13,251
face up and face down.
2102
01:32:13,355 --> 01:32:14,908
Oh, you shuffle excellent.
2103
01:32:15,012 --> 01:32:17,221
We'll take all those cards,
place them back inside the box.
2104
01:32:17,324 --> 01:32:19,119
So they're out of the way.
2105
01:32:19,223 --> 01:32:20,500
Are you right-handed
or left-handed?
2106
01:32:20,604 --> 01:32:21,708
- Right-handed.
- Are you really?
2107
01:32:21,812 --> 01:32:23,848
I'd give my left hand to be ambidextrous.
2108
01:32:24,987 --> 01:32:27,231
Take this marker
and write your name on the box
2109
01:32:27,334 --> 01:32:28,508
where we placed the cards.
2110
01:32:28,612 --> 01:32:30,165
- All right.
- Yeah.
2111
01:32:30,268 --> 01:32:32,754
Very good. Now let's recap.
2112
01:32:32,857 --> 01:32:34,652
That's good.
2113
01:32:34,756 --> 01:32:36,240
Hold your hand out
just like that.
2114
01:32:36,343 --> 01:32:37,413
Place these here,
2115
01:32:37,517 --> 01:32:39,761
place your other hand on top,
trapping them in between.
2116
01:32:39,864 --> 01:32:41,556
You're holding the cards.
You're holding the future.
2117
01:32:41,659 --> 01:32:43,730
You're also holding the past.
2118
01:32:43,834 --> 01:32:45,629
And of course, right now
everything is confused.
2119
01:32:45,732 --> 01:32:48,459
But time will come when
everything straightens up
2120
01:32:48,563 --> 01:32:49,909
and history will be correct.
2121
01:32:50,012 --> 01:32:51,738
The problem is because,
we've lost it in history,
2122
01:32:51,842 --> 01:32:52,912
it's hard to retrace
2123
01:32:53,015 --> 01:32:54,361
and now that these
cards have been shuffled,
2124
01:32:54,465 --> 01:32:55,604
it's even more difficult
2125
01:32:55,708 --> 01:32:57,433
to put together the pieces.
2126
01:32:57,537 --> 01:33:00,195
But given time,
everything can be found.
2127
01:33:00,298 --> 01:33:02,438
In fact, everything can go back
the way it should be.
2128
01:33:02,542 --> 01:33:04,751
Open your hand and
take a look.
2129
01:33:04,855 --> 01:33:08,479
It's a brand new deck
of cards, sealed.
2130
01:33:08,583 --> 01:33:10,654
Still numbered 133.
2131
01:33:10,757 --> 01:33:12,621
I'm going to break
the seal.
2132
01:33:12,725 --> 01:33:16,418
Inside, a brand new
deck of cards
2133
01:33:16,521 --> 01:33:18,834
never touched by human hands.
2134
01:33:18,938 --> 01:33:22,389
And if you look,
they are in new deck order.
2135
01:33:24,322 --> 01:33:27,843
Oh but look, there are two cards
facing the wrong direction.
2136
01:33:27,947 --> 01:33:30,915
That's crazy. This one -
2137
01:33:31,019 --> 01:33:34,056
well, that's Charles VIII,
the King of France
2138
01:33:34,160 --> 01:33:37,508
and the other one, well
that's her, his murderer.
2139
01:33:37,612 --> 01:33:39,372
Anne of Brittany.
2140
01:33:39,475 --> 01:33:40,925
Thanks so much for playing.
2141
01:33:41,029 --> 01:33:42,478
Thank you very much
for watching, guys.
2142
01:33:42,582 --> 01:33:44,549
You guys have been awesome!
2143
01:33:50,901 --> 01:33:52,696
So the Queen of Spades
is killing the King of Hearts?
2144
01:33:52,799 --> 01:33:54,905
He is.
She's killing him.
2145
01:33:56,976 --> 01:33:58,771
Wow.
2146
01:33:58,874 --> 01:33:59,737
Well, I'll never look
at the King of Hearts
2147
01:33:59,841 --> 01:34:01,256
in the same way again.
2148
01:34:03,154 --> 01:34:06,571
I was surprised myself
to just look at my cards.
2149
01:34:06,675 --> 01:34:08,746
Look at the court cards. Really?
2150
01:34:08,850 --> 01:34:12,716
And French history?
That's cool!
2151
01:34:12,819 --> 01:34:14,062
They left clues.
2152
01:34:14,165 --> 01:34:16,167
I am going to say something more
2153
01:34:16,271 --> 01:34:20,447
In fact, it's a murder
that happened, really,
2154
01:34:20,551 --> 01:34:21,932
and I was the murderer.
2155
01:34:22,035 --> 01:34:24,313
You were the murderer?
That's awesome.
2156
01:34:24,417 --> 01:34:26,281
But don't tell anyone.
2157
01:34:26,384 --> 01:34:27,869
Fascinating.
2158
01:34:27,972 --> 01:34:31,873
But it's dangerous to be a king
in France, isn't it?
2159
01:34:32,667 --> 01:34:33,771
I have no way
2160
01:34:33,875 --> 01:34:36,981
of being able to
support this thesis.
2161
01:34:37,085 --> 01:34:41,572
We have no
evidence that Charles' death
2162
01:34:41,676 --> 01:34:42,780
was anything
other than an accident.
2163
01:34:42,884 --> 01:34:44,402
I think it's fantastic.
2164
01:34:44,506 --> 01:34:49,787
And the thing is, we don't know
and we will likely never know,
2165
01:34:49,891 --> 01:34:52,894
but it doesn't mean
it might not be true.
2166
01:34:52,997 --> 01:34:56,000
I firmly believe in my theory,
but should that time come
2167
01:34:56,104 --> 01:34:58,934
that somebody were able to
discredit it and prove me wrong,
2168
01:34:59,038 --> 01:35:01,212
I don't think I have a big
problem with that
2169
01:35:01,316 --> 01:35:04,250
because of the experience
and everything that I've learned
2170
01:35:04,353 --> 01:35:05,665
from this experience.
2171
01:35:05,769 --> 01:35:06,873
First and foremost,
2172
01:35:06,977 --> 01:35:08,668
I learned to look
at a deck of cards differently.
2173
01:35:08,772 --> 01:35:09,980
I studied the deck of cards,
2174
01:35:10,083 --> 01:35:12,051
and from that I learned a
little of the history of France,
2175
01:35:12,154 --> 01:35:13,915
something I never
really understood.
2176
01:35:14,018 --> 01:35:17,919
And on the journey I got to see
and renew old friendships,
2177
01:35:18,022 --> 01:35:20,922
and share ideas with them,
and create a brand new routine.
2178
01:35:21,025 --> 01:35:24,995
It's taught me that I should
look at things differently.
2179
01:35:25,098 --> 01:35:26,686
I take too many
things for granted
2180
01:35:26,790 --> 01:35:27,998
and now maybe I'll go out there
2181
01:35:28,101 --> 01:35:30,103
and look at other things
in a different light.
2182
01:35:30,207 --> 01:35:32,830
I just love what I do and I love
sharing it with other people,
2183
01:35:32,934 --> 01:35:35,868
and this opportunity
has been that.
2184
01:35:35,971 --> 01:35:37,386
Thanks for coming out
to play folks.
2185
01:35:37,490 --> 01:35:38,663
We'll see you all again.
2186
01:35:38,767 --> 01:35:45,912
♪ intriguing music
2187
01:36:35,928 --> 01:36:37,999
As incredible
as it is to consider
2188
01:36:38,102 --> 01:36:39,483
how many thousands
of card tricks
2189
01:36:39,586 --> 01:36:40,760
have already been created
2190
01:36:40,864 --> 01:36:43,314
and how many thousands more
are sure to come,
2191
01:36:43,418 --> 01:36:44,557
there's a number
2192
01:36:44,660 --> 01:36:48,733
inside each and every deck
that's even more mind boggling.
2193
01:36:48,837 --> 01:36:50,425
It's called the 52 factorial.
2194
01:36:50,528 --> 01:36:51,598
And to keep things simple,
2195
01:36:51,702 --> 01:36:54,429
mathematicians will often
write it out to look like this:
2196
01:36:55,568 --> 01:36:56,672
And you'll quickly see why
2197
01:36:56,776 --> 01:36:59,986
that exclamation
mark is so appropriate.
2198
01:37:00,090 --> 01:37:01,401
When you open a brand
new deck of cards,
2199
01:37:01,505 --> 01:37:02,851
you'll find the suits
all laid out.
2200
01:37:02,955 --> 01:37:04,680
Ace through King,
Ace through King,
2201
01:37:04,784 --> 01:37:06,268
King through Ace,
and King through Ace.
2202
01:37:06,372 --> 01:37:08,719
We'll call this combination
number one.
2203
01:37:08,823 --> 01:37:11,549
If I swap this Ace and place it
between the Two and the Three,
2204
01:37:11,653 --> 01:37:13,103
that's combination number two.
2205
01:37:13,206 --> 01:37:14,276
Between the Three and the Four,
2206
01:37:14,380 --> 01:37:16,831
combination number three,
and so on and so forth.
2207
01:37:16,934 --> 01:37:18,902
Fully expressed,
the number of possible
2208
01:37:19,005 --> 01:37:21,007
configurations
in a standard deck of cards
2209
01:37:21,111 --> 01:37:22,802
looks something like this.
2210
01:37:24,252 --> 01:37:26,668
Now, for comparison, the
universe as we know it
2211
01:37:26,771 --> 01:37:30,914
has only been in existence
for about this many minutes.
2212
01:37:31,017 --> 01:37:33,399
So if just for fun,
you really did want to shuffle
2213
01:37:33,502 --> 01:37:35,642
a deck into every single
possible combination,
2214
01:37:35,746 --> 01:37:42,373
how long would it take?
2215
01:37:42,477 --> 01:37:43,236
It all starts
2216
01:37:43,340 --> 01:37:46,722
with our galaxy, the Milky Way
2217
01:37:46,826 --> 01:37:49,311
and the 100 billion stars
that fill it.
2218
01:37:49,415 --> 01:37:51,175
Now, let's imagine
that surrounding
2219
01:37:51,279 --> 01:37:54,351
each one of these stars
are a trillion planets.
2220
01:37:54,454 --> 01:37:57,457
And on each of these planets,
there are a trillion people.
2221
01:37:57,561 --> 01:38:00,012
And each one of these people
were somehow
2222
01:38:00,115 --> 01:38:03,222
able to shuffle
a thousand decks per second.
2223
01:38:03,325 --> 01:38:06,881
And they all single mindedly
have been working on this task
2224
01:38:06,984 --> 01:38:09,814
since the Big Bang
made our universe possible
2225
01:38:09,918 --> 01:38:13,059
a mere 13 billion years ago.
2226
01:38:13,163 --> 01:38:15,959
They'd still today
only be about halfway
2227
01:38:16,062 --> 01:38:17,753
through the number of possible
2228
01:38:17,857 --> 01:38:23,967
combinations that exist
in just a single deck of cards.
2229
01:38:24,070 --> 01:38:25,416
Which is to say,
2230
01:38:25,520 --> 01:38:28,454
every time you shuffle
a deck of cards,
2231
01:38:28,557 --> 01:38:30,352
the odds are very good
2232
01:38:30,456 --> 01:38:33,114
that never
in the history of mankind
2233
01:38:33,217 --> 01:38:38,015
has there ever been a deck of
cards in that exact order.
2234
01:38:38,119 --> 01:38:40,431
Nor will there ever be.
2235
01:38:40,535 --> 01:38:46,023
♪ intriguing music
161426
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