All language subtitles for Lillian Russell (1940)

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And, Doc, if my boys make as good soldiers
as they've been newspapermen...

you oughta win this war
in a whistle.

Mr. Leonard- Just a minute, Hank.
I'm saying good-bye to the boys.

And, Doc, if you are as good an officer
as you've been a doctor-

Mr. Leonard, I've gotta talk to you.
It's very important.

Oh,just a minute, Hank.

These men are going to war tonight
to fight for their country, for us.

Do you know of anything more
important than that? Yes, sir.

And, Doc-

- No!
- Yes, sir.

Doc, it's Cynthia.
She's ready.

- We've got to go.
- You know I can't go, Charlie.

They'll be sounding assembly any minute now.
Call Dr. Bradley.

Oh, Doc, you brought
all our other children into the world...

and to Cynthia
there's no other doctor in all Iowa.

All right, men, fall in!

Good-bye, Charlie.
I'm sorry.

All right!

Forward! March!

Good-bye now.

I don't see why Doc Robbins
had to go and be a major.

- Shall I go after Doc Bradley?
- No, I don't figure you'll have to, Hank.

I don't think the major would ever leave
town without taking care of Cynthia first...

even if he has to
court-martial himself afterwards.

There goes the last of the infantry.

And there's that riverboat
warning us again.

If we ain't aboard when she sets out,
we're deserters.

Jim, go get the major. We sent Frank
and Owen in a half hour ago, didn't we?

That's right. And they ain't even
come out to tell us what's happenin'.

We know what's happening,
all right.

But we just ain't got time
to wait till it happens.

I love babies, but I ain't aimin' to face
no firing squad on account of one.

Well, all right.
I'll go in.

- Is the major-
- Shh.

- Hey, fellas, what's the idea?
- Shh!

- Has it come yet?
- No.

- What's the delay?
- Shh.

Shh!

Calm down, Charlie.

After all, there's nothing original
about this affair.

It's been going on for some time.

- But there's always danger.
- Of course there is.

But judging from all the people in the world,
it's been a pretty successful enterprise.

Besides, this is your fifth child.

I know, but I'll never go
through it again, Grandma. Never.

It's a pity the way you poor men suffer.

You just pray this one's a boy.
That's all you've got to do.

Because if Cynthia has her way...

you're going to have
a houseful of suffragettes someday.

Equal rights for women-
that's Cynthia's slogan.

And when you figure all she's gone through
bringing girls into the world...

you can't blame her for wanting
everything she can get for them.

It's got to be a boy.

This one's...

got to be a boy.

It's got to be...

a boy.

Here's to my son.

Everything's all right, Charlie!
It's a girl!

- Are you sure, Doc?
- Hmm?

- Would you mind looking again?
- Charles!

Come on, you men!
Have you forgotten we're going to war?

Well, I'll say one thing for you-
you got a good voice.

Well, young lady...

you've got a very,
very good voice.

But not for-
not for grand opera.

Oh, Grandma.

Ah, Hans, that's very nice.

But-

you can't sing
grand opera neither.

You know, if he-

Now, stop that.
Stop that right away.

What is it?
What's wrong?

Grand opera was our ambition,
Mr. Damrosch.

We came all the way from Clinton, Iowa,
to New York just so we-

We.
What do you mean, we?

Are you also a singer?

I can remember having
a rather nice voice when I was young.

Nearly everybody can remember
having a nice voice when they was young.

I just told Hans he
couldn't sing grand opera.

He didn't start to cry like you do.
He just keeps on singing.

And you're off the key right now!

You're flat, you dummkopf.

Say, what's the matter with you?

Do you like to cry?

Sit down, please.

- Mr. Damrosch, Grandma is a little excited.
- Yeah, I know.

Why don't you sit down when I say so?

Here.

There. Now, that's better.

Now, you are der grossmutter-

Uh, the, uh, the grandmama. la?

la- I mean, yes,
Mr. Damrosch.

And, uh, your mama?

- She's dead?
- Oh, no.

No, Mr. Damrosch.

Well, then, why is she
not here with you?

Well, you see, she happens to be very busy.
My mother is in politics.

I suppose you taught her such nonsense.

No! I believe woman's place
is in the home!

Right!
Right.

For once, you're right.

Woman's place is in the home.

- Where do you live?
- Ninth Street.

And your father?
Is he living?

Oh, yes. Yes, indeed.

Well, the poor man has five daughters
and a suffragette wife...

so I don't know whether
you could really call him alive or not.

One of the girls got married in Chicago,
but the others are here.

Helen is my pet, of course,
and I'm sure she has great talent.

Perhaps not for grand opera, as you say.

But then, you could be wrong about that,
just as you were wrong about your canary.

I mean, when you said the little fellow was
off-key. Because he wasn't, Mr. Damrosch.

I have a perfect ear for music,
and he wasn't flat!

That's enough.

This interview is at an end, ladies.

Good afternoon.

Very well.
Come, Helen.

There are many other
teachers in the world.

Yeah, and too many grandmothers.

Look...

you come back here
tomorrow afternoon at 300.

Do you mean you're really going to teach me?
- Surely.

Well, I- I'm gonna try.

You know, I-I-
I like you very much...

and I-

Well, I'm sorry for you.

Why, Mr. Damrosch?

Because you are-
you are beautiful.

But if that were true...

why should it make you
feel sorry for me?

Ach. Listen.

Even if you have great success,
you most likely will be very, very unhappy.

Beautiful women generally are.

Why?

Well, so many men will fall
in love with your beauty...

and you may never know
which one really loves you for yourself.

Well, tomorrow at 300.

- I'll be here, Mr. Damrosch. Good-bye.
- Good-bye.

Look-without Grandma.
la.

Oh!

Oh!

Whoa, whoa, whoa.

- Oh, thank you. Thank you very much.
- That's all right.

I'm glad you're not hurt. Hurt? If it weren't
for you, we would have been killed.

I just happened to be
in the way, that's all.

You were very brave.

All right, ladies.
You can get back in the carriage now.

With those horses? Do you think I'm a dunce?
- Don't worry, lady.

After that exercise,
they won't run again for years.

- Nevertheless, we're walking, thank you.
- Grandma!

- What?
- Where's your nerve?

You mean, you really want
to get back into that carriage?

Very well. You've many more years
to worry about than I have.

And thank you again, young man.

Ohh!

Good-bye.
And thanks again.

Good-bye.

By jimanelli,
you are a very brave young man.

I saw you from the window
of my office.

You are a very brave fellow.
And the lady was beautiful. What's her name?

- I don't know.
- You saved her life, don't know her name?

You're also
a very stupid young man.

- What is your name?
- Moore. Alexander Moore.

I should hate to save such a beautiful
creature and never know who she was.

I'll find out someday... perhaps.

Bravo. And when you do,
you will tell me, eh?

I mean,just so I can invite you both
down to my theater.

Yeah, sure.
Thanks.

Salzstangen. Pretzels.

Salzstangen. Pretzels.

- Hello, Gus. How's business?
- Fine, thank you.

- Oh, thank you ever so much, Mr. Pastor.
- Don't mention it.

Salzstangen. Rretzels.

Salzstangen. Rretzels.

Salzstangen.

Giddap.

If your mother don't stop
havin' these meetin's...

I'll have to call for reinforcements
to handle the traffic.

Then you'd better send
for your reinforcements...

because my mother will never be satisfied
until all the women in New York are here.

Bicycles!

Banners!
Votes for Women!

Suffrage.
It's disgraceful! Disgusting!

I tell you, I'm not going
to stand for it!

Oh!
Meetings, meetings, meetings.

Bicycles cluttering up
the front of the house.

Why don't those women go home and wash
up their dishes? Oh, Grandma, shh!

- Let's listen.
- I'm not interested.

Oh, she looks so wonderful
and important.

- Who?
- Mother.

- Oh!
- She's going to speak!

Yes?
Let me see.

As the mother of five girls...

I am naturally interested
in seeing women take their proper place...

in world events.

We bear the first burden of humanity.

We suffer to produce life.

Therefore, we should have a voice
in the conduct of it.

And-
And when women vote...

there will be no more
dishonesty in politics...

no more graft in our civic affairs...

and, above all else...

there will be no more
wars in the world...

because women will never
endorse murder of any description.

And so, with all due humility...

I accept the invitation of our party...

to run for mayor of New York.

And if elected-

And-

And if elected...

I promise to try to make you
proud of your sex.

Dadl Mother's just been nominated
for the mayor of New York.

Really, Helen?

If your mother runs New York as well
as she's run me, the city is in for it.

Aw, Dad, you're terrible.

Hello!
Votes for women!

Equal rights!

Hello, Polly!

Votes for womenl

Poor Mother.

Father, why couldn't you say something
to her? I tried, but I couldn't talk.

I guess I've sorta gotten
out of practice around here.

Grandma, I don't see why
you didn't say something.

You never found it difficult to talk before.
- Mother knows how we all feel.

And I know how your mother feels.

Cynthia Leonard is not the timid type of
woman. You know that, Charlie Leonard.

You never saw her shed a tear in your life, not
even when these children were being born.

Why, this defeat today
means nothing to her. Nothing!

Mother?

Mother.

You've been terribly hurt,
haven't you?

No, dear, not hurt.

Humiliated a little.

But you've been crying, Mother.

I've often cried, but this is the first time
I've ever been caught at it.

I don't want you to tattle either.

I won't if you promise me you
won't cry anymore. I won't, dear.

And I want you to promise me that...

you'll give up all this talk about
the theater I've been hearing lately.

Oh, but, Mother, that isn't fair.

You wanted me
to study music, didn't you?

Yes, dear, but only if you could
reach the top. Grand opera, I mean.

I talked to Leopold Damrosch
yesterday about you.

Yes?
What did he say?

He said that...

he thought that you would
have a career of a kind.

Of course, he said
you were very beautiful.

Yes. Yes, I know.
He told me that too.

Did he also tell you to be afraid?

Yes.
But I'm not, Mother.

Because I don't think I'm beautiful.

You're going to be very attractive
to men, Helen.

I don't mind that, Mother.
I don't dislike men.

Neither do I,
if it's the right one.

I've never seen anyone
I thought I could love, except-

Except whom?

I don't even know his name, Mother.

As a matter of fact,
I'll probably never see him again.

So, you see?
You don't have to worry about me.

Oh, but I do, dear. That's why I want you
to forget the stage for a little while.

But I can't, Mother.

You can't or- or won't?

Both.

Helen, what if I
made my request a command?

I'm afraid I'd disobey you, Mother.

Where's the woman mayor?

We wanna see the woman mayor!

I'll go down and speak to them.

I wouldn't if I were you, Mother.

Mother! Mother!

- Mother!
- I'll stop those hoodlums.

- Mother!
- Cynthial Cynthia, don'tl

Cynthia, you mustn't!

- Helen!
- Helen! Helen!

Votes for women!

Gentlemen!
Gentlemen!

Gentlemen.

Gentlemen.
Gentlemen!

Won't you please leave?
My mother's so very tired.

Why don't you run for somethin', lady?

I'd vote 10 times for you!

Please!

Please!
Please.

Won't you please leave?

Please?

Ah, come on!
Let her alone!

Do you remember me?

I should, don't you think?

- Won't you come up and sit down with me?
- I'd like to, if you don't mind.

What were you doing around here?

Oh, I just happened along
with the crowd, I guess.

This is the second time
you happened along when I was in trouble.

- What's your name?
- Alexander Moore.

Glad to know you, Mr. Moore.
And so glad to see you again.

You were very brave
facing that mob alone.

Oh, I knew they were just celebrating.

Besides, it won't do them any good,
because the women will win someday.

Mr. Moore, do you believe
in equal rights for women?

Well, I guess I do, sort of.

Where's that music?

Oh, that's from
Mrs. Rosa's place.

She turned her yard
into a garden cafe.

What do you mean, sort of'?

- About women's rights?
- Yes.

Oh, I guess a woman's entitled
to everything a man can give her.

Well, don't you think
she's entitled to her own success?

That depends upon
what she calls success.

- What do you call it?
- Happiness.

Oh, well, that's just a state of mind.

It isn't always success.

What's your ambition?

Well, first I want-
I want everybody to love me.

Yet I-

I want to love someone
so madly that-

that nobody else matters.

That's selfishness, isn't it?

No, you don't understand
what I mean.

I want everybody to
love my work on the stage.

You an actress?

Well, I- I hope to be someday.

What's your ambition?

- Ajob.
- What kind?

Any job now.
I'm trying to get on a New York paper.

Maybe Father could help you.

He once owned a newspaper
in Clinton, Iowa.

- I'm gonna own my own paper someday.
- Oh, I bet you will too.

Thank you.

If I don't, I won't mind,just as long
as I don't get hurt too much trying.

That's what I'm hoping for you too.

Helen, it's getting very late
and your mother wants you to come in.

Yes, Grandma.
I'll be right in.

Well, Mr. Moore,
I guess I'll have to say good night.

And I hope you get that job.

- If I do, I'll come and tell you. May I?
- Let's make a pact.

If you get on the newspaper before I get on
the stage, take me out and we'll celebrate.

And if you get on a stage
before I get on a paper-

- I'll take you out. That's fair, isn't it?
- Not exactly.

- A girl can't just take a fellow out.
- Why?

Well, it just doesn't sound right somehow.

Anyway, it's a deal, and I'll do my best
to get a job before you do.

And if you don't,
I'll still expect you to remember our pact.

Good night, Mr. Moore.

Good night, Miss-

Gosh, I almost forgot again.
What's your name?

Helen.
Helen Leonard.

Good night, Miss Leonard- Helen.

Good night.

- Who's that young man, Helen?
- Oh, you know him, Grandma.

He's the boy that stopped our horses
and saved our lives.

Oh.

Oh.

You are right, Rosa. Her voice is
as magnificent as your spaghetti.

Who is she?

Her name is Helen Leonard.

Her mother is something-
something in politics.

But the daughter, she's all right.

Believe me, Tony, she's beautiful.

Well, if she's half as beautiful
as her voice, Rosa-

Come on.
I'll show you.

Bravol Bravol

Bravo! Bravo!

You'll pardon the intrusion, please, but I
could not resist the sound of your voice...

or the praise of your neighbor, Mrs. Rosa,
at whose place I have been dining.

I am Tony Pastor.

You're not Tony Pastor's Theater?

No, I am not the theater.
But the theater belongs to me.

That's why I'd like to see you
tomorrow at noon...

if you are interested
in going on the stage.

Interested?
We've been playing theater for years now.

And as Helen's
one and only audience...

I'm in a position to tell you, sir,
that this girl is a star!

- Oh, Father, please.
- Tomorrow at noon?

- I'll be there, Mr. Pastor.
- Thank you.

- Good night.
- Good night, Mr. Pastor.

Good night, Mr. Pastor.

Oh, Father, do you really think
that was Tony Pastor?

Why, of course, child.
He's the biggest producer in New York.

Nat Goodwin works for him,
and May Irwin, and Pete Daley.

They tell me that when you're a hit at
Tony Pastor's, you're a star from then on.

Do you really think
I should see him tomorrow?

Don't you want to be a star? More than
anything else in the world, Father.

- But-
- But what?

Well, Mother doesn't want me
to go on the stage. I know.

I guess she's afraid
I won't be happy.

- Perhaps she's afraid I won't be a success.
- Ah, nonsense.

You'll be a success
in whatever you do, Helen...

because you're all woman,
and there's nothing finer than that.

You know, that's where your mother's
suffragettes are all wrong.

They're going to get
equal rights ultimately-

and the chance
to act like men, maybe-

but they're going to lose
a lot of femininity.

And when they do,
something tells me...

that they're going to lose more power
than they'll ever get back by voting.

Uh, however, you needn't
tell your mother that I said that.

Oh, no.

What's that they're playing now?

My Evenin' Star.

- Sing it.
- Oh, no, Father.

Mr. Pastor may still be there, and I wouldn't
want him to think I was showing off.

Well, sing it softly,just for me.

You know, sweetheart...

this may be the last performance
of our make-believe theater.

Come in, Miss Leonard.

- Sit down.
- Thank you.

Helen Leonard.

I don't like your name.

But you open for me a week from Monday,
and I'm gonna pay you $25 a week. All right?

Oh, it's more than all right,
Mr. Pastor.

But I don't like your name.
I don't like Helen, and I detest Leonard.

- Now, what is your mother's name?
- Cynthia.

Cynthia. Oh, yes, but we can't
use her name, Mr. Pastor.

She doesn't want me
to go on the stage.

Doesn't she know
you came down here today?

No.
No, I didn't tell her.

But if you change my name, I won't even
have to tell her when I open, will I?

Not if you don't want to. Now, what are we
gonna call you? What is your favorite flower?

The rose.

The rose.
No, I don't care for that either.

- Mose, what is your favorite flower?
- The lily, sir.

Lily. L-I-

Lily.
I rather like that.

Lillian what?
Li-

I have it.

I can see it as plainly as if some
mysterious hand were writing it for me.

Tony Pastor presents-

This will completely fool your mother.

the great English ballad singer...

Lillian Russell.

From now on, my dear,
that will be your name.

And something tells me that
will be a very important name.

What's the matter?

Don't you like Lillian Russell?

Oh, yes.
Yes, of course I do, Mr. Pastor.

But somehow I'm already
a little lonesome for Helen Leonard.

Young man, you frightened me.

- I didn't mean to.
- Well, you did.

Why are you still waiting?
I've already said there was nothing open.

I know, but I have to
have a job, Miss Hobbs.

- What do you expect me to do about it?
- Ask Mr. Cooper to see me.

I know if I could just see him,
I could sell him the idea that-

Miss Hobbs, Mr. Cooper sent for drawings
for the Sunday amusement spread.

Shall I take them in? Just place them
over there. I'll take care of them.

As I was saying, I know if I could
just talk to him for five minutes...

I know I could convince him.

I've got ideas, Miss Hobbs.
Good ideas.

I'm going places.
Really I am.

Someday-

Helen Leonard.

This is Helen Leonard.

Gosh, isn't she beautiful?

And I- I've got a date with her.

- Hello, Mr. Pastor.
- Good evening, sir.

Forgive me, but I don't
seem to recall the name.

Alexander Moore.

Remember you once called me
a very stupid young man?

Stupid?
No, brave!

Why, you're the young hero
who saved Lillian Russell's life!

I'm afraid you're the one that's stupid now,
Mr. Pastor. Her real name's Helen Leonard.

- But she is wonderful, isn't she?
- The greatest attraction I ever had.

Won't you sit down in the box
and see the rest of the show?

Oh, I think not. I'm leaving now, sir.
Good night, Mr. Pastor.

Good night, Mr. Moore.

Lillian Russell.

- Lillian Russell.
- Yes, I know. Miss Russell.

She's only been on this stage three weeks,
and she's already a star.

I've spent 0 years of me life
in greasepaint with nary a title.

Oh, it's sex, not art, me boy.

You know, if my name had been
Maggie instead of Michael...

I might not be out here
in the alley right now.

What can I do for you, sir?

Lillian Russell.

Nothing now, thanks.

Miss Lillian Russell.

Miss Lillian Russell.

Oh, aren't they wonderful,
Grandma?

Look!
Even more than last night.

And another basket of roses!

I hope there's a card this time. I'd like to
know who's been sending them. Wouldn't you?

Well, I don't know about that.

I received a very valuable gift once,
just after I'd married your grandfather.

And if I'd known whom it was from...

out of respect to your grandfather
I would have sent it right back.

Didn't you suspect anyone?

Yes. But your grandfather didn't,
so I kept it.

And then years and years later, at our
golden wedding, I told him all about it.

- What did he say?
- Well, the joke was on me.

He had sent the present...

and had been waiting 50 years
for me to thank him for it.

Look! Diamonds.

Diamondsl And emeraldsl

Oh!

Oh, it's a beautiful bracelet, Grandma!

I hope you don't find a card with it, 'cause
if you do I'll have to send it back, won't I?

Oh, it's wonderful!

Whoever sent it must be a millionaire.

Oh, I wonder who he is. You don't
mean a fat, old millionaire, do you?

That's the sad part of millionaires, dear.
They're generally old and fat.

May I come in?

- Oh, that's Mr. Pastor.
- Oh. Yes! Come in!

Oh, come in, Mr. Pastor.

Oh, you were wonderful
again tonight, my dear.

How does it feel to be a big success,
or are you still afraid?

Oh, I never was afraid.
It's my mother, not I.

- Well, how does she feel about it now?
- She doesn't know.

It's been almost a month.
Doesn't she even suspect?

You see, she thinks
I'm taking a lesson every night.

Oh, but, Mr. Pastor,
I just couldn't give it up now.

You can't, my dear. That is probably
why your mother's afraid of it.

You can't give it up.

Even though you,yourself,
grow tired,you still go on.

Ooh, your flowers are beautiful!

Yes.

And your bracelet- exquisite.

Is that a gift? Mm-hmm. I got it
in my basket of roses tonight.

Oh. Whoever sent you that
must be very much in love with you.

- What do you say, Grandma?
- Either that or a very expensive insult.

Yes, but men never
insult angels, Grandma.

Well, good night, my dear.

Good night, Mr. Pastor,
and thanks again for everything.

Thank you, Lillian. May I have
one of your roses? Please, may I?

- There you are.
- Thank you, Lillian.

Do you remember the young man that stopped
your horses almost in front of my theater?

Remember him? She's been expecting him
ever since her first day here.

- He was here tonight.
- Did he ask to see me?

No. As a matter of fact,
he left before the show was over.

- Well, good night, Lillian.
- Good night, Mr. Pastor.

- Good night, Grandma.
- Good night, Mr. Pastor.

So, you see, Grandma,
you were wrong.

He does know I'm on the stage.

He's just forgotten all about our pact.

Very well.
I'll forget about him.

Hmm. I'm afraid
that's easier said than done.

You fell in love with that young man.

Oh, Grandma,
how can you be so stupid?

I scarcely know him.
Why should I love him?

Just because he stopped our horses?

Any gentleman would have done that.

And besides,
they were about to stop anyway.

Well, I do admit I liked him a little...

and I thought he liked me.

But I guess I can forget about him.

As a matter of fact,
I've already forgotten him.

I was hoping you'd be awake, dear.
I wanted to say good night.

You weren't home
when I came in, Mother.

No, your father told me
you asked for me.

- Oh, you're tired, aren't you, Mother?
- A little.

- Come on. Lie down with me.
- All right.

There.

- Mother.
- Mm-hmm?

Why don't you give it all up?

Your work, I mean.

It really doesn't make much difference
whether women vote or not, does it?

There must be other ways for a woman to get
what she wants out of life, aren't there?

Well, that all depends
on what she wants.

There isn't much to independence...

if you have to depend
on somebody else for it.

Did you take your lesson
this evening?

Yes, I did, Mother.

Has, um, Mr. Damrosch
said anything about your voice lately?

Well, h-he thinks I've improved, I think.

Has he said so?

He often compliments me.

Are you satisfied?

I think I've improved,
and Grandma thinks so too.

I mean, are you satisfied
with what you're doing?

Yes, Mother, I'm thrilled.

I mean, I am satisfied, Mother.

Helen, let me look at you.

Smile.

Yes. You do look
like Lillian Russell.

Mother, have you seen her?

Nearly every night
for the last three weeks...

from the same seat in the gallery.

And you're wonderful, dear.

Just wonderful!

Oh, Mother!

Oh, and I'm so proud of you.

So proud.

Helen, where did you get that?

I don't know, Mother. I-I got it
in a basket of flowers tonight.

And you don't know
who sent it to you?

No. There wasn't a card
or note or anything.

Mother.

Mother, I know
I'm going to be a success.

Yes, dear, I-

I'm sure you will be.

Good night.

Mother? Mother!

Mother! Aren't you going
to kiss me good night?

Yes, dear.

Mother, you're not angry with me
for going on the stage, are you?

No, but... we're going to miss you.

I'm not gonna leave you, Mother.

But you've already left yourself.

You're Lillian Russell now, and pretty soon
you'll forget you even knew Helen Leonard.

Millions of new faces
will take the place...

of the few old ones left behind.

Men will-
Men will offer fortunes...

just to stand in the shadow
of her glamorous career.

And women will envy, but copy her.

And perhaps-

Yes, even kings may applaud her.

Oh, Mother...

do you really think
I'll be that successful?

I'm afraid you will be, dear.

Good night, my darling.

- Sleep tight.
- Good night.

Millions of admiring faces.

Men will follow her.

Women will copy her.

Oh, I hope I like you, Lillian Russell.

The center stone,Jim, is 12 carats.

It was part of the Chadwick collection...

and was originally set in the crown
of Louis XVI of France.

I suppose he lost it
when he lost his head, huh?

How much? And don't forget-
my name is Brady, not Louis XVI.

You've lost your head too, haven't you,Jim?
Over this girl, I mean.

Hmm. Perhaps slightly.
How much?

To you? $15,000.

Phew! Fifteen-

- Sold.
- Jim, you certainly are a gallant.

It's been a long, long time now since we sent
the first jewelry to Lillian Russell for you.

- And still you say you don't know her.
- I don't.

I expect to meet her someday, of course.

At least that's something
to look forward to, isn't it? Well, send it.

Jim, I don't like to discourage you
of my business...

but, uh, I hear she's
going to be married soon.

Oh, yes? To whom?

Well, she's been seen a lot lately
with Jesse Lewisohn.

Oh.

Well, she couldn't get a nicer fella.
Jesse's a great friend of mine.

And by the way,
send it to the Casino Theater.

She's opening tonight
in The Grand Duchess.

Oh, uh, without a card, as usual?

Without a card,
but in the usual basket of roses, huh?

Intermission, 15 minutes.
Fifteen-minute intermission.

Intermission, 15 minutes.
Fifteen-minute intermission.

- Oh, hello,Jim. I was looking for you.
- Oh, hello,Jesse.

- Why, I beg your pardon.
- Oh, Miss McCauley.

Allow me to present
the famous Mr.Jesse Lewisohn.

Famous for what,Jim? Famous for being a
friend of Miss Russell, for one thing.

And that reminds me, would you like
to see something very interesting?

Yes, I'd love to. He would,
especially if it's Lillian Russell.

- Oh, stop it.
- Well, it is.

She's going to sing over the long-distance
telephone for President Cleveland...

during the intermission.

You mean she's going to sing here, and the
president's going to listen in Washington?

That's exactly what I mean. They're
connecting the wires backstage right now.

The telephone company claim
they can actually do it.

- No!
- Yes.

Lead on,Jesse. This is one time
I'll have the advantage on our president.

- Would you like to come, Miss McCauley?
- Oh, I'd love to.

I- I hope Miss Russell
doesn't recognize this gown.

It's a copy of one I saw her
wear one night at Rector's.

Come now.

Hello! Hello!

No, no, I'm not impatient, but President Cleveland
is expecting the call at exactly 10300.

Besides, this is
the intermission of the show.

We can't hold the curtain here forever.

Oh, I'd feel so much easier
if only Miss Russell was standing by.

Would you like to have me sing to the
president? No, thank you, Mr. Solomon.

- If you don't mind.
- I don't mind. I love to sing.

Miss Russell, stand right here, please.
I really believe we're going to make it.

- Oh, I hope we don't.
- What?

Somehow the idea of singing for
the president scares me to death.

Don't let it bother you. He won't hear you.
This is all a waste of time.

Don't you believe him, Lillian,
and don't let him frighten you.

I have great faith in the telephone...

and I have even greater faith
in you, my dear.

I don't mind an audience because I usually
pick out a friendly face to sing to.

But how can you sing to someone you
can't see? That's simple, Lillian.

You have quite an audience here,
and I'll pick out a friendly face for you.

Jim, stand over there
so Lillian can sing to you.

Lillian, this is Jim Brady-
the famous Jim Brady.

Very happy to meet you, Mr. Brady.

I've been looking forward
to meeting you, Miss Russell.

Oh, uh, may I present
Miss Edna McCauley.

- Edna, this is Miss Russell.
- How do you do?

Hello! Washington?
Yes, we're ready.

Is the president ready?

This is the president.

Miss Russell,
the president is listening.

Miss Russell, the president.

Yes, Mr. President.

Miss Russell,
accept our compliments.

This has been a great privilege...

and we deeply appreciate the honor of
having been the first to hear your voice...

over the long-distance telephone.

We Americans are very proud
of you, Miss Russell...

and I sincerely hope that life
will always treat you kindly.

Thank you, Mr. President.

Jim, what strikes you so funny?

I was just thinking of President Cleveland
at the other end of that telephone...

listening to Lillian Russell...

and all the time
she was singing to me.

Oh, you were very sweet, Mr. Brady,
and very encouraging.

Thank you. I don't think you could
have done it without him, darling.

Well, it was Jesse's idea,
and I appreciated it.

I was thrilled-
greatly thrilled, Miss Russell.

And,Jesse,just to show my appreciation,
I'm going to let you dance with Edna.

Edna, go on, dance with Mr. Lewisohn.
Go on.

I'd like to.
May I, Miss McCauley?

Yes, of course, only I wish
you'd thought of it yourself.

I did, but I was afraid ofJim.

Imagine anybody
being afraid of me.

If I were a lobster, I'd be afraid of you.

That's good, Mr. Solomon.
Very good.

And you were excellent, too,
at the piano today.

- You played beautifully.
- You flatter me.

No, no, not at all.
I've admired you for a long time.

I'm familiar with many
of your compositions.

Well, thank you.
It's nice of you to say so.

Especially that one you wrote for
Miss Russell. What was it called?

Silver Line. Ah, yes. The Silver Line.
Oh, that was beautiful.

Well, thank you.
Thank you so much.

Then, of course, tonight,
The Grand Duchess.

I-I didn't write
The Grand Duchess.

Oh, I know, I know. I was just
about to say I didn't like it so much.

But you should
write all your songs for Miss Russell.

Well, I hope someday to write one
that's worthy of her.

I'm sure you will.

- Would you do something for me?
- Gladly, if I can.

Would you ask the orchestra to play one of your
compositions, then you play along with them?

Well, I'll ask them to play one, but, uh,
I don't have to play with them.

Oh, yes, you do.
Yes, you do.

It wouldn't sound the same
unless you were at the piano.

Go ahead.
As a favor to me, please.

Well, a musician seldom misses
an opportunity for showing off.

You know our weakness, Mr. Brady.
Excuse me, Lillian. Yes.

Well, we seem to be alone, don't we?

- Or aren't you surprised?
- Do you mind?

No.

No, as a matter of fact, I rather enjoyed
watching you work it out.

Is that the way you plan
your steel railroad cars?

What do you know
about railroad cars?

I don't know anything about them,
but I do know all about Diamond Jim Brady.

Oh, do you?

Do you really eat as much
as people say you do?

Well, how much do they say I eat?

I once had someone tell me he saw you
eat six dozen oysters on the half shell...

three tureens of mock turtle soup,
five steaks-

It's a libel. It's a libel.

I never ate more than three dozen oysters
and four steaks at one time in my life.

- Oh, I see.
- Do you enjoy eating?

- Oh, yes, yes. I love good food.
- Ah, so do I.

Most people, like dumb animals,
eat to live.

- I live to eat.
- Mm-hmm.

- What's your favorite among foods?
- Corn on the cob.

- No! It's my favorite too.
- Yes.

How many can you eat?

When I'm really hungry,
two or three maybe.

Two or three?

I'll tell you what I'll do. I'll spot
you three, and I bet I beat you by 10.

All right. We'll try it sometime.

Oh, listen.

You know...

I never heard anything so beautiful.

Thank you.

- What are you laughing at now?
- At myself.

Here I've been waiting for years
for this moment to be alone with you...

and all I could talk about
was corn on the cob.

Oh, I beg your pardon, sir.

- Hello,Jim.
- Hi,Jesse.

What are you doing,
prowling about in this rain?

Who, me?
Oh, I love to prowl around in the rain.

Ever since I was a little boy that high,
I loved to prowl around in the rain.

I used to get some of my best ideas
prowling around in the rain.

- Did you get a good one tonight?
- Well-

To be honest with you, I did.
That's why I'm waiting here for Lillian.

Do you mind?

Well, I haven't exactly
the right to mind,Jim.

Yet.

But I'm going to be honest with you.
I love Lillian.

Well, I'm- I'm glad
you told me that,Jesse, because...

I wouldn't want to do anything
to spoil our friendship.

I know that,Jim.

So I'm going to be just as honest with you.
I love Lillian too.

All right.
We let the best man win.

And let the loser be
the best man at the wedding, huh?

Excuse me, sir.

Joe, the company just found out
the folks got married today.

Congratulations, Miss Russell!

Good-bye, Miss Russell!
Bye!

Good-byel Good-byel
Good-byel Good-byel

Well,Jim, it's still raining.

Got another idea?

Boy, this spoils my plans.
Lillian Russell is married.

Were you thinking of marrying her,Jack?

It's been a toss-up between Lillian
and that new French girl, Anna Held.

Now she ups and marries a poor composer.
That chump.

Why, she could have had
any millionaire in New York.

- Maybe she loves the composer.
- Yeah, sure.

Maybe he likes the idea of writing
all her shows and that dough she makes.

To say nothing of
the jewelry she takes in...

from those rich guys she doesn't marry.

- I didn't like that remark,Jack.
- No?

No. I happen to know
Lillian Russell.

I'll thank you not to speak of her
like that again.

Well, she does get an awful lot of gifts,
doesn't she, Alex?

A lot. She gets more
than any woman on the stage.

I guess she does maybe, but I can
understand that. People love her.

People that don't even know her, but
feel like they do from just watching her.

I'd be sending her
something every day.

All right, Alex.

If that's how it is with you, I-I'm sorry.
It won't happen again.

Hey, Alex?
Alex, Mr. Sloane wants to see you.

Thank you,Jimmy.

Alex, sit down.

You're doing great work
on the Telegraph, Alex.

- Thank you, sir.
- Headed for my job.

I don't want your job, Mr. Sloane.

I don't figure on you
getting it for a while.

But at the rate you're going, you're the fellow
who's going to be sitting here when I quit.

Thank you, sir.

Alex, how well do you
know Lillian Russell?

Oh, I wasn't eavesdropping,
but I couldn't help but hear...

part of your conversation
with Jack a few moments ago.

Well, she wouldn't even remember me,
Mr. Sloane.

- Why not?
- Well, I only met her once or twice.

And that was long ago.

Of course, I've seen every show
she's been in since then.

Did you see this last one of hers,
The Grand Duchess?

Yes, sir. That's why I took
those three days off last month.

You went all the way to New York
to see a performance of her show?

Not exactly, sir.
Three performances.

Three? Friday night, Saturday
matinee and Saturday night.

- It's a wonderful show, Mr. Sloane.
- She must be.

Alex...

there's a great yarn in this girl
and you're the one to get it.

I want the story ofher life.

I want to cover
the family angle ofher career.

I want to show that while her mother was struggling
to secure equal political rights with men...

that this girl, by her charm and femininity,
was bringing men to her feet.

I want to scoop
those smart New York papers.

I want the Rittsburgh Telegraph...

to tell them the exclusive story
of Lillian Russell.

That's your next assignment, Alex.

I'll have to go to New York, sir.

All right.
Get the story.

What's the matter?
Don't you want to go?

Yes, sir, of course.
It's just-

I wish you'd thought of all
this before she got married.

- Does Miss Russell live here?
- No, sir.

She hasn't lived here
for a long time now.

Her mother does though,
if you all want to see her.

Yes, I would like to.
Thank you.

Mrs. Leonard? This gentleman
come to see Miss Russell, ma'am.

- Are you Miss Russell's mother?
- Yes, I am.

I'm Alexander Moore
of the Rittsburgh Telegraph.

They sent up me to do a story about
your daughter, but the show's closed...

and I couldn't get any
information at the theater.

Then I remembered
she used to live here and I-

I hate to annoy you, Mrs. Leonard,
but perhaps you could help me.

I haven't seen much
of my daughter lately, Mr. Moore.

The penalty of success, I suppose.

I'm sorry, young man.

Young man.

Come here, young man.
Were you looking for me?

No, not exactly.
But I am glad to see you again.

Again? Do I know you?

Well, we never were properly introduced,
but we have met before.

Don't tell me I flirted with you.

You sort of smiled at me a little.
I guess maybe you didn't mean to flirt.

- Did I wink at you?
- No, I don't remember your winking any.

Then I wasn't really flirting.

Come closer, young man.
Let me see your face.

My eyes aren't what they used to be.
Nothing's like it used to be.

My legs are crippled with rheumatism.

My heart flutters like a jumping jack
most of the time.

I've lost every tooth in my head.

Plates.
Upper and lower.

My left ear's stone deaf.

And if I didn't feel so good,
I'd think that old age was coming on me.

Shut up, Noah! All right.

Come closer, young man.
Come sit close.

Let me see your face.

Are you afraid of me?

Why, you're the young man
who saved our lives.

That's right.
A long time ago.

Yes, I remember it very well.

Why didn't you come back
to see Helen?

Well, I dropped around, but I-

I just never had the nerve
to come in.

A hero without nerve?
Nonsense.

When I was young and a man saved a girl's
life, it generally meant something.

Why, I remember taking all kinds of chances
just so some hero could rescue me.

Once I tried to swim across the Mississippi.
I did, really.

I knew I couldn't make it,
but I saw the riverboat coming...

and I was hoping that
when I called out for help...

the right man would leap overboard
and swim me to shore.

- And didn't he?
- No, they fished me up with a net.

What's your name?

Alexander Moore.

Helen fell in love with you,
Mr. Moore.

No, you're just saying that to be nice.

I know love when I see it,
young man.

When she opened at Pastor's,
she was thinking of you.

I know, because she talked
about you all the time.

And when she heard you'd been in the theater
and hadn't come back to see her...

she was hurt- deeply hurt.

I know, because she never
mentioned your name again.

How could you let a girl like Helen
slip through your hands?

You must be a very stupid young man.

I've been told that before.
Where is she now?

- Oh, you're too late now. She's married.
- Yes, I know.

But I'm supposed to do a story about her
for my paper. I would like to find her.

She's in London.

We got a cable from her this morning.

She's already met the Prince of Wales.

And she's going to be in a Gilbert and
Sullivan opera at the Savoy Theater...

but don't say I told you.

I won't.
Thanks a lot.

- May I come to see you again?
- Yes, I want you to.

But if you want to get a story about Helen,
why don't you follow her?

Seems to me that's what I would do
if I were a newspaperman.

Perhaps I will someday,
if my paper lets me.

Well, if you do...

give her this message for me.

I don't think
I'll give that to anyone.

I think I'll just keep that myself.

Good-bye.
I'll be looking forward to seeing you again.

Yes, I want you to.
But don't wait so long this time.

You might be too long.

Are you ready for bed, Grandma?

Yes, Cynthia. I'm ready.
Oh, Cynthia, I want you to meet Mr.-

I've already met Mr. Moore.

- Good night, Mr. Moore.
- Good night, Mrs. Leonard.

- Good-bye, young man.
- Good-bye, Grandma.

Cynthia, did you hear that?

I've finally heard a boy call me Grandma.

Mr. Sullivan,
that's one of your best melodies.

- And Mr. Gilbert, the lyric is sparkling.
- Ohh.

William, don't you think
you have too many words in this chorus?

Doesn't it, uh,
clutter up the melody a bit?

My dear Arthur, it's my opinion
that the words save your chorus.

If you don't mind my saying so,
the melody is rather ordinary.

In my opinion, my dear William,
the words are rather trite and stupid.

Well, if they seem so to you, my good
fellow, it's because you lack inspiration.

I could recite them more effectively
than you put them to music.

In that case, my dear Gilbert,
why do you need music?

I don't, Mr. Sullivan.

Good night, Mr. Gilbert.

Good night, Sullivan.
See you in the morning.

I feel our collaboration would be
much more pleasant, Mr. Gilbert...

without personal contact.

Send me your words
and I shall do my best...

to jingle a little life into them.

I shall be satisfied
if you do not utterly destroy them.

Words, Mr. Sullivan,
are precious things...

and they are not to be
tampered with.

- Thank you, Mr. Gilbert.
- You're welcome, Mr. Sullivan.

- Good-bye, Mr. Gilbert.
- Good-bye, Mr. Sullivan.

Where's Miss Russell?
She's nearly an hour late for rehearsal.

Miss Russell isn't coming tonight,
but her husband is here.

But I didn't call her husband.

I called Miss Russell.
Alone.

Perhaps that is why
her husband is here, William.

- Tell him to come in.
- Yes, sir.

Mr. Solomon? Mr. Solomon?

Who on earth does she think she is?

- You're in good voice tonight, Mr. Gilbert.
- Oh, thank you.

Never mind my voice.
Where's your wife? Why isn't she here?

Which question do you want me to
answer first? Both, if you don't mind.

My wife is at home,
which is why she isn't here.

As a matter of fact, I persuaded
her not to come. Oh, really?

I figured if there was anything
special you wanted her to know...

you could explain it to me,
and I'll gladly explain it to her.

I see. Perhaps you could even
sing her duet with Mr. Martin here for me.

I can, if you want me to.
I love to sing.

Well, I don't want you to.
Sing a duet, I-

And I don't mind telling you, sir,
I hotly resent your constant interference.

And I resent your summoning my wife
to night rehearsals...

after she's spent the entire day
with your company.

Lillian Russell
may not mean anything to England...

but in America
she's recognized as a great star...

and I expect you
to treat her accordingly.

If you doubt her ability to play the role,
then get someone else.

- You dare to speak to me in that tone, sir?
- I do.

My wife is very anxious
for a London success.

But if she doesn't get it from you,
she'll get it somewhere else.

I, too, write for the theater,
Mr. Gilbert.

So that's it. That's why you barge in here
to provoke a quarrel with me.

It isn't your wife's career
you're concerned about. It's your own.

Very well, sir.

You can tell Mrs. Solomon from me
that her services are no longer required.

Thank you, sir.

You're sure you don't want me
to sing that duet with Mr. Martin?

Get out.
I don't ever want to see you again.

Good night, sir.
And good luck.

Oh, thank you.

Get out, sir!

Aren't you feeling well, ma'am?

Oh, no, it's-
it's just the rehearsal, Marie.

I'm not used to missing any of them.

But you've been in the theater
all day, ma'am.

I don't wonder at Mr. Solomon
wanting you to take a rest.

Oh, I never get tired of the theater, Marie.

Oh, I'll get it. It's probably Mr. Solomon.

Well, darling,
I was a complete success.

I not only got you out of the rehearsal,
but the show as well.

Oh, stop fooling, Teddy.
What happened?

I told you.
You're fired.

- Because of the rehearsal?
- Well, yes, that started the argument.

Oh, Teddy, don't tell me
you lost your temper again.

Well, all right.
Crawl to your London triumph if you want to.

Go get on your knees to Mr. Gilbert.
He'll forgive you, I'm sure.

Tell him from now on,
you'll be a very good little girl.

Or vice versa.
I don't care which.

Well, if you don't care which, I'll see Mr. Gilbert
tomorrow and ask him to take me back.

And you won't have to ask him twice,
I can assure you.

I can even tell you
exactly what he'll say.

My dear Miss Russell,
I'm glad to have you back.

But I don't like that
meddlesome husband of yours.

He's very stupid, crazy and selfish.

He doesn't want anybody
to do anything for you but himself.

That's exactly what he'll say to you.

And unfortunately, it's the truth.

Every word of it.

But I- I can't help myself, Lillian.

That's the way I feel about you.

I want to write you
the greatest operetta of your career.

And I can,
if you'll only have faith in me.

I'll start tonight.
Right this very minute.

Teddy.
Sit down by me.

Turn the light out.

Teddy, I've been unfair to you.

You've never been unfair to anyone,
except yourself.

Yes, I have.

I've kept something from you,
and I should have told you.

If it's anything that might come
between us, Lillian, don't tell me now.

I'd never give you up.
You know that, don't you?

Even if you should tell me you didn't
love me anymore, I wouldn't let you go.

I couldn't.
I couldn't live without you.

There is someone else,
Teddy- a baby.

A baby?

You mean-
You mean, I'm going to have a baby?

No. I'm going
to have a baby, dear.

Oh, darling.

So you see, it's just as well
I'm out of the show.

What's the matter?
Aren't you happy about it?

I've never been happier in my life...

but never more thoroughly
convinced of my selfishness.

- But why?
- Why?

I've risked your entire career,
just as if it belongs to me.

And it doesn't.

Even you have no right
to jeopardize it, Lillian.

I'll be very proud of our child.

But if anything should happen to you
because of it, I'd hate myself forever.

But what could happen, Teddy?

Well, you-you might die.

Or it might change
in so many ways that...

you'd never really be
Lillian Russell again.

Oh, Teddy, you're so horribly morbid.

If I should die, I'd consider it
a glorious ending to my career.

If I live and my career should die...

I'd consider it
a lovely beginning of a new life.

So now, darling,
take me in your arms.

Hold me tight.

Don't let me go.

Please, don't let me go...

till the fire burns out.

She's asleep, Marie.

I wish I had your voice, ma'am.

It would make my work
so much easier.

Is there anything you'd
like me to do, ma'am?

No, thank you, Marie.
Good night.

- Oh, Marie-
- Yes, ma'am?

- Did you give Mr. Solomon his eggnog?
- Yes, ma'am.

- Did he drink it all?
- All of it, ma'am.

- Good.
- I told him it was an English custom...

never to return
a glass half empty.

Oh, he doesn't look
at all well, ma'am.

Oh, he's awfully tired.
He's worked so hard.

He says it's going to be
the greatest role of your career, ma'am.

I hope it is for his sake.

It hasn't been a very easy year
for any of us, has it, Marie?

It's been the happiest year
of my life, ma'am.

Ah, you're sweet, Marie.
Good night.

- Good night, ma'am.
- Oh, Marie.

Yes, ma'am. It's past 8300, isn't it?
How about our visitor?

- Visitor, ma'am?
- Yes.

Oh! You mean
the American newspaperman, ma'am.

Oh, dear.
I completely forgot, ma'am.

Marie, how could you forget, especially
when you know he's bringing us money?

Oh, oh, I'm sorry, ma'am.

Well, you'll let him in, won't you?

And... what did you say his name was?

Oh, I have it here, ma'am.

Alexander Moore.

Alexander Moore.

Isn't it strange?
I seem to remember that name so well.

Alexander Moore-
Of course I remember it.

- Good night, Marie.
- Good night, Ma'am.

- Teddy, that was beautiful.
- Thank you, darling.

Listen how the different instruments
fit into the orchestration.

First, the violins.

Then the cellos.

Then the flutes.

- They sound like birds, don't they?
- Mm-hmm.

Who is that interrupting?

Oh, darling, please.
Come in.

- It's Mr. Moore, ma'am.
- Thank you, Marie.

I'll be out in a moment.

Who is Mr. Moore? Darling, remember
right after the baby was born...

I told you I was going to cable
that Pittsburgh newspaper...

and find out if they
still wanted my life story?

- Yes.
- Do you remember what you said?

- No.
- Well, I do.

You said it was too late
and they wouldn't be interested.

But you were wrong, Teddy.
Mr. Moore's from the Rittsburgh Telegraph.

- Are they really going to do your story?
- Mm-hmm.

That's what he's here for.

And, darling, do you know
what I'm going to do with that money?

- What, dear?
- We're going to go away...

and you're going to take a long rest.

No, darling.

I'm not going away with you
until I've finished this score.

Oh, but you're so awfully tired.

I am tired, dear.

But it's fun getting tired
from work you love.

When I'm finished
and you tell me I've kept my promise...

and written your greatest role...

then you can take me away
for as long as you wish.

- But you have so much more to do.
- Well, I-

Unless you promise
you'll go away with me...

I'll never tell you
I like your operetta.

And I may not sing it,
even when it's finished.

Well, I guess that settles it.

We go away. That is,
if you get enough money for your life.

What do you think my life is worth?

More than all the newspapers
in the world could pay, darling.

Oh, you're sweet.

So are you, darling.

Now run along and sell yourself
to the newspapers.

Oh, Lillian, please tell Marie
not to bring me any more eggnogs.

Right when I'm in the middle
of a great idea...

she comes in and pushes an eggnog
right under my nose.

Please, darling, no more, hmm?

All right, darling, no more.
Not tonight.

This is the agreement, Miss Russell.
I think you'll find it very simple.

It's in letter form...

and it gives our paper the exclusive rights
to publish your story.

You'll have to sign
where it says Accepted.

And this is your check.

Why did you break our pact,
Mr. Moore?

I didn't think
you even remembered me, Miss Russell.

But that doesn't answer my question,
Mr. Moore.

I don't think I can answer it
without quibbling a little.

You see, I made my pact with a girl
named Helen Leonard.

And when I found out
she was Lillian Russell, I-

I got scared, I guess.

You look very well, Miss Russell.

Oh, thank you.
You haven't changed very much.

And I haven't seen you since Mother
was defeated in the election.

Poor Mother. She's the one your paper
should really be interested in.

Why don't you write
a story of her life?

I'm sure it would be
greater than mine.

I don't think my paper exactly
agrees with you, Miss Russell.

You see, my paper sort of considers you're
one of the finest women that ever lived.

Not only because of your success...

but on account of the way
you've carried it.

I guess maybe you don't realize it...

but everybody in America loves you.

- Everybody?
- They just can't help themselves, I guess.

You've sort of got a way
of making people love you.

I mean, that's-

that's how my paper feels about you.

Oh, that's very sweet of you,
Mr. Moore.

But before your paper discovers how completely
different things have been for me here in London...

I think I better sign this letter.

Oh, you needn't bother with it tonight
if you'd rather your attorney...

or business manager,
or someone looks it over first.

Oh, no, no. I'm my own
business manager, Mr. Moore.

And I'm sure we won't
need an attorney.

- Do you remember Grandma?
- Oh, yes.

In fact, I saw her in New York
just before she-

Yes.

I loved her so very much, Mr. Moore.

I'll always remember her,
all my life.

- Do I sign here?
- Right here, Miss Russell.

I can understand
how you feel about her...

because I know how
she felt about you.

Did you talk with Grandma?

Oh, yes indeed.
We had quite a long chat.

Did you tell her you were
going to write about me?

Yes, I told her that's why
I was looking for you.

What did she say?

Well, she, um- she gave me
some sort of a message for you.

What was it?

Um, I've been trying to think of it.

It's just been so long ago,
I-I really can't recall it.

That's beautiful music.

Yes, it is lovely, isn't it?

Mr. Solomon is writing that for me.

- You're very happy, aren't you?
- Yes, very.

Then you've really achieved
your ambition, haven't you?

A successful career and a happy romance.

Well, I guess I have, but...

my career has sort of been
lost in a London fog lately.

I didn't do so well in New York.
I went back home.

- Pittsburgh?
- Yes. I've been there ever since.

- Married?
- No.

- No prospects?
- No.

- No girls?
- No.

Well, yes, there is a girl
I sort of grew up with.

- What's her name?
- Lucille.

Lucille.

Oh, I like that name.
Why don't you marry her?

I guess I just never
thought of asking her.

Maybe she wouldn't have me
even if I did.

I'd like to start our work tomorrow
if we could, Miss Russell.

We can begin right now
if you'd like to, Mr. Moore.

No. I've taken up
enough of your time tonight.

But if we could devote the afternoon
to it tomorrow- say, from about 1300 on.

- Mm-hmm.
- I can only be abroad four weeks...

and I have to visit Paris, Vienna
and Budapest before sailing back.

- Business?
- Yes.

And I was flattering myself that you came...

all the way to London
just to interview me.

Well, you're the most
important assignment, Miss Russell.

That is, that's how my paper
feels about you.

- Good night, Miss Russell.
- Good night. Oh, Mr. Moore.

Wouldn't you like to meet Teddy
before you leave?

- Won't he be annoyed?
- Oh, no.

I'm afraid he would be annoyed
if I let you go without him meeting you.

- Do you mind?
- No, I'd like to.

Thank you.

Teddy? Teddy?

Roor darling.
He's sound asleep.

But I won't disturb him.
He's awfully tired.

You'll meet him tomorrow.
We'll all have tea together.

And you will keep
this pact, won't you?

- You can depend on it. Good night.
- Good night.

And... thank you.

Thank you very much.

You'll never know what this means
to both Teddy and me.

- Good night.
- Good night.

Pay to the order of Lillian Russell $2,500.

Oh, you little rascal.
I thought I had you set for the night.

Oh, no, baby, no.

Shh.

Oh, aren't you a bad little girl.

No, you're a good little girl.

And Mommy's going
to sing you to sleep all over again.

No, no, no.

No. No.

Miss Russell wanted to write you a note,
Mr. Moore, but she simply couldn't.

It's been a terrible shock to her.

She felt you'd understand why she
couldn't possibly go on with her story.

Yes, I do understand. I'm sorry.
When did it happen?

Before you left last night.

It was his heart,
the doctor says.

And Miss Russell, how is she?

Oh, like someone in a daze,
Mr. Moore.

I can't get her to see anyone.

I was praying she'd see you,
figuring that the work on her life story...

might take her mind off things,
but she wouldn't.

She said she didn't like stories
with sad endings.

Good day, sir.

Uh, Mr. Moore. We have
your Paris transportation for next Monday.

Shall I send it to your room, sir?

No, thank you.
I'm leaving today, if you could manage it.

Very good, sir.

Oh, look, ma'am.
Aren't they gorgeous?

They're beautiful, Marie.

Would you read the card for me?

Dear Miss Russell, I'm so sorry.

Alexander Moore.

That's nice, isn't it?

Mr. Moore phoned
to say good-bye, ma'am.

He's leaving for Paris today...

but he said if you wanted to reach him
before he sailed for America, you could-

America.

It seems so long
since I've been home.

Oh, ma'am,
you haven't read your telegrams.

- Shall I read them for you?
- If you wish, Marie.

Dear Lillian, My deepest sympathy.

Is there anything I can do for you?
lim Brady.

Sweet old Jim.

Always wanting to do
something for someone.

Lillian, dear,
I'm terribly grieved by your sorrow.

Can I help you in any way?

lesse Lewisohn.

Jesse.

He's so real too.

They're both very dear friends, Marie.

Dear Miss Russell,
May I extend you my deepest sympathy.

And though the time be inappropriate...

may I offer you
the leading role in my operetta...

which is to begin rehearsal shortly.

Respectfully and hopefully yours,
William Gilbert.

Oh, ma'am, is that Gilbert
of Gilbert and Sullivan?

Yes, Marie.

But aren't you excited about it,
ma'am?

No. I'm afraid I couldn't be excited
over anything right now.

But, ma'am, aren't you going
to accept the offer?

No, Marie.
I'm going to America.

Without a London success, ma'am?

Oh, he would want you to do it.

I've heard him say it
time and time again.

Lillian, I've heard him say...

you'll bring London to your feet
before we're through.

That's why he worked so hard, ma'am.

He wanted you to have
a London success.

Oh, even the baby thinks so too, ma'am.

Bravol Bravol

Encore!

- Bravol
- Encorel

Charming.
Beautiful. Exquisite.

Thank you, Mr. Gilbert.

And it was very kind of you
to let me do Teddy's song.

It's a brilliant song, my dear.

But nobody could have
put the heart into it that you did.

Thank you.

- Good night.
- Good night, my dear.

Marie, please leave
and take care of my carriage.

Yes, ma'am.

Teddy.

Teddy.

They liked it.

Mother!
Hello, Mother.

Hello, Mother.

- How are you?
- I want to ride on the bike.

Not today, Dorothy.
The park is too crowded.

UncleJesse,
will you take me for a ride?

The skipper says no, Dorothy.

UncleJim, will you take me?

My dear young lady,
if you were half the size you are...

and I was twice the man I am...

I couldn't pedal that thing
another 10 feet.

Now, don't pout, darling.
It's time for you and Marie to go anyway.

But I don't want to go home
without you, Mother.

Jim, you're exhausted.

Why don't you ride back
in the carriage with Dorothy?

Would you like UncleJim
to go back with you, Dorothy?

No. Dorothy's going to be a good little girl
and go home with Marie.

Now say good-bye to UncleJesse and UncleJim,
and I'll run you a race to the carriage.

- Like we did yesterday, for a nickel?
- Yes, dear.

But, Mother, I don't want
to get in the carriage.

I want to go home on the bicycle.

Why, of course you do.

Jesse, you're not all tired out.

Why don't you and Marie
ride Dorothy home on the bicycle...

and I'll go in the carriage
with Lillian.

- Would you like that, my dear?
- Oh, yes!

Will you, UncleJesse?
Marie can ride, can't you, Marie?

Yes. And you can walk too.
Come on.

But, Mother, I don't want
to go home without you.

I don't like to eat dinner
without you, Mother.

- You know why?
- Why?

'Cause I get awful lonesome
for you, Mother.

Then I can't eat.
Then I get sick, Mother. Don't I, Marie?

Know why I get sick
when I can't eat...

when I get awful lonesome
for you, Mother?

- Why, dear?
- 'Cause I love you so much.

And when you go to rehearsals,
I don't see you in the daytime.

And when the show opens,
I won't see you at night.

All right, darling.

I'll go home and have dinner with you
and study my lines for tomorrow.

- You won't mind, will you?
- No, no, of course not.

All right, young lady.
One-

- For a nickel, Mother.
- Yes. Two, three- Go!

Good-bye, UncleJim.
Good-bye, UncleJesse.

Good-bye. Good-bye.

- Jim, what are you laughing at?
- You and me.

Every time I start out with Lillian,
I end up with you.

I don't think it's so funny,Jim,
and you don't either.

I know you.
You laugh when you're hurt.

- You still love Lillian, don't you?
- Don't you?

No. I'm being honest with you,Jim.

I am in love with Edna.

- Edna? My Edna?
- No. My Edna.

Oh, I know you and she have been friends
for a good many years.

Friends? We were practically engaged
when I introduced you to her.

This is the real thing,Jim.

We're going to be married.

Do you mind?

No, I- I haven't the right to mind.

Have you told Lillian about this?

You haven't given me
a chance to be alone with her.

Besides, she doesn't really love me,Jim.
Never did.

She's the best friend a man ever had,
but she doesn't love me.

And she doesn't love you.

- What makes you so sure of that?
- I'm not sure.

In fact, I hope I'm wrong.

But I've known Lillian
for a long, long time...

and I just don't think that either of us
are her type of man.

And that's what sort of
spoils things for me. Why?

Because I know how lonely
you're going to be without Edna...

when you lose Lillian again.

You wouldn't want to bet a lot of money
against my chances, would you?

Come on, come on.
No, but you can't buy her,Jim. I tried that.

Have you ever offered to...

lay everything that you have in the world
at her feet?

Well, not exactly.

Well, I'm going to.

And it's going to be millions,Jesse.

Millions.

- Hello,Jim.
- Oh, good evening. Good evening.

How do you do, Mr. Brady? Jim, I never
thought you'd desert your horses.

I didn't buy it for myself. Take it around
the stage door and wait there, will ya.

- Nice to see you.
- Nice to see you.

- Hello,Jim.
- How are you?

Curtain in two minutes.

Curtain in two minutes.

Curtain in two minutes.

Finally get to sell you my trunk.

Well, Edna, here's wishing you
every happiness in the world.

May you and Jesse never know
a moment of sorrow.

- Thank you.
- Thank you,Jim.

And as for you, I can't wish you
anything better than Edna.

So, here's to the bride.

And now, dear,
let's drink toJim.

To you,Jim.
To you and Lillian.

Oh, I'm going to ask her tonight.

- Here's hoping she says yes.
- She will.

And,Jim, I think you should be very grateful
to me for taking Jesse out of your way.

Oh, but I am.

And by the same token,
I'm very grateful toJesse.

So, here's to the fair Lillian.

- To the fair Lillian.
- To Lillian.

Curtain, everybody.

Curtain, everybody.

Curtain, everybody.

Curtain, everybody.

Curtain, everybody.
Curtain, everybody.

Curtain, everybody.

- Have you any bicarbonate of soda?
- Certainly, Mr. Pastor.

- May I mix it for you?
- If you please.

Not a very inviting drink, eh?

That's the penalty of too much food
and too many years.

- I seem to recognize you. Don't I know you?
- Yes, you do, Mr. Pastor.

Oh, of course I do!
The runaway. You was the hero.

By jimanelli, the stupid young man!

Stupid young man
fully describes me, Mr. Pastor.

You were so anxious to tell me that
Lillian Russell was really Helen Leonard.

Well, I was sorta crazy
about Helen Leonard.

And not Lillian Russell?

Did you ever try to reach to the sky
and touch a star?

Yes, many times.

In fact,
I've given Broadway many stars.

Excuse me, Mr. Moore.

And Broadway
has given me many thrills.

- You live in New York, Mr. Moore?
- No. Pittsburgh.

Up on a visit? Just to see the show.
I'm leaving at midnight.

Oh.
Still following your star.

Though you're afraid to reach for it.

Well, good night, Mr. Moore.

Been a pleasure seeing you. Been a very
pleasant surprise for me, Mr. Pastor.

Surprised to see me at one of Weber and
Fields' openings? It's the wrong theater.

Yeah, but they're all my people.

Almost all of them
started in my theater.

Why, it seems only yesterday those two boys
were working for me for $75 a week.

And now I don't think there's
money enough in the world...

to pay them for the pleasure
they've given other people.

loe Weber and Lew Fields.

Joe, come here. Quick, quick, quick!

Listen to that reception Lillian
Russell is getting. Uh-huh.

I think this is the best show
I've ever done.

- You've ever done?
- Yeah!

Who are you now? The both of us?
I hired Lillian Russell.

- You hired her?
- Yeah.

When I told you her salary,
you fainted.

Yes, and when I came to
I told you to hire her.

You told me to offer her 50% less than
she wanted. Well, you did, didn't you?

Sure. And for that, she added $500
a week to her original salary.

- That's because she was smart.
- No, that's because you were dumb!

- Hey, hey, stop that.
- Get out the cards.

What? What?

You know, we go on in a few minutes,Joe,
and I'm really getting nervous.

- I tell you what.
- What?

We play one quick game of casina...

for $10 a point.

I don't know how to play casina.

- You never played it?
- Never.

- Whatever I don't know, I'll teach you.
- All right.

I'll tell you, to make the game interesting,
we'll make a side bet that I beat you.

- Well, you oughta beat me.
- Why?

- You know the game. I don't.
- I haven't played casina in years.

I'll tell you what I'll do.
You give me odds, then I'll bet you.

- Give you what?
- Odds. Odds.

What is that odds

Odds. You should put up more money
to my less money.

No, I won't do that.
I'll tell you what I will do. What?

I'll put up five dollars
against your 10.

- That's what I mean!
- Then put it up already.

- All right.
- Put the money right here. There.

Hamlet!
Don't disturb us tonight.

Because whenever I play cards with this
nincompoop, I forget everything else but murder.

- And that's good for the act later.
- Yeah.

Now, how do you like what that
Dave Warfield said to me backstage?

I don't like it. What did he said?
He wants more money?

He wants to be a dramatic actor.

He said he's tired of low comedy and wants
to play something with a lot of heart.

Yeah, well, for that I don't blame him.
That's what I would like to do.

You? You haven't got
a heart to play with.

- Come on, start the game.
- What do you mean? I don't know the game.

Why, it's so simple. Look-

On the table is a five, a jack,
deuce of spades, 10 of diamonds.

Four cards. You got four cards
in your hand to take them with.

Now, the deuce of spades
is little casina...

and the 10 of diamonds,
that's big casina.

Oh, father and son!

What you mean?

- Stop that now.
- Don't joke with me then.

If you take the little casina,
that counts a point.

If you take the big casina,
that's two points. Two points.

That's a great card.
That's the best card in the whole game.

- Nice lookin'.
- Yeah. Have you got a 10 in your hand?

- Yeah, I got a 10.
- You have? Really?

- Yeah, sure.
- Loan it to me.

- Loan it to you?
- Yeah.

- Hey, hey, hey, wait!
- What's the matter?

I didn't loan you the 10 to take
in big casina. Give me back my 10.

- I only did it as a favor to you.
- I don't want your favors.

- All right, you Indian giver.
- Your favors cost me enough.

Well, I'm taking the 10.
That counts two points for me. No, for me.

When you take it,
that counts for me.

- And when I take it, that's for you.
- Ah, I see.

I've got nothing, so I'll throw
down a queen. What does that count?

- Nothing, unless you got a queen.
- Yeah, I got a queen.

- Well, take it.
- Yeah, all right.

- Good. That counts four points for me.
- No! I wouldn't take it!

- You gotta take it if you got a queen.
- I got a deuce in my hand.

- That only counts one point for you.
- Don't you understand?

When you're playing casina,
the first rule is, ladies first. Uh-huh.

Now, if there's a queen on the table
and you've got a queen in your hand...

you've got to take it!

- Gotta take it?
- And besides, I got a seven!

- So I'm taking the five and little casina.
- Yeah? Good.

Good, good.
Then that counts one point for me!

No, for me.
I took it, didn't I?

Yeah, but when I took the big casina
you said that counted for you too.

Ah, but when you took it you didn't say
casina. You didn't tell me I had to.

You don't have to say it, but every
time you do say it, that's a point.

- Oh, yeah?
- Yeah.

- Casina, casina, casina!
- What do you mean, casina, casina, casina?

You're trying to cheat
before you even know the game.

No, I'm taking the jack of clubs with the jack
of diamonds, and I said casinathree times.

That's three points for me.
You said so yourself.

I told you when you said casina once
that counted for you.

But when you say it three times,
that's just like in baseball-you're out.

And besides, I get three points.

So you owe me altogether...
10 points, $100.

- I owe you $100?
- Yes.

- I wouldn't pay it.
- What do you mean?

- I told you, I wouldn't pay it!
- I'll choke the life out of you!

Mr. Weber! Mr. Fields!
Miss Russell is just finishing her encore.

- You're on almost any minute.
- Oh, good, good, good!

Come on,Joe.
Come on.

You know, I'm in a wonderful mood
for you tonight.

If you don't give me that $100,
I'll kill you out there. You?

- Yes! You bet I will!
- You and who else?

What do you mean, who else?

Marie, who wrote this?

I did, Lillian.

Jim, what are you doing back here during
the performance? Why aren't you out front?

I couldn't wait any longer. You see, I got
an idea, and whenever I get an idea, I-

Mm-hmm.

- Lillian, I just had to do it.
- You mean this?

Yes. I've been trying to say it
for a long time.

Oh,Jim, you're sweet.

- But I'm gonna scold you tonight.
- What, again?

Yes, and seriously.

Now,Jim Brady,just look at
all these lovely presents you sent me.

A basket of orchids with
a diamond necklace and bracelet.

American Beauty roses with rubies.

Gardenias with emeralds.

Violets with pearls.

And a jewel-studded bicycle.

Jim, have you lost your mind?

No,just my heart.

Oh, uh, Lillian, Edna and Jesse
are out front watching the show.

- Mm-hmm?
- They're married.

- Married?
- Yes.

You were always very fond of Jesse,
weren't you?

Yes.
Yes, he was a grand friend, Jim.

But I- I suppose
you'll miss Edna, won't you?

No.

I'll not miss anything in this world,
or anybody, if I had you.

I'd give you everything that I have
in the world if you'd say yes.

Ayear from now,
if you're tired of me...

I'd step out of your life forever.

But you'd never
have to worry about a thing.

Lillian, I love you.

Oh, Jim.

Lillian, why are you crying?

Hmm?

Because...

I don't love you, Jim.

And I- I wish I did.

Aw, come on, Lillian.
Come on.

Stop your crying.
I was only joking. On my word.

I only said that because, uh, well,
you were scolding me about the gifts...

and I wanted you to believe
that I was serious.

Come now. Stop your crying.

You know, I- I would make
the worst husband in the world.

As soon as I realized that you were mine,
I'd probably tire of you...

the same as I tired of everything else
I got out of life.

With the exception, of course,
corn on the cob.

- I would, really.
- Oh, Jim.

Jim.

You don't mean that,
and I know it.

Oh, I've hurt you.

Deeply.

And I'm sorry.

But if I married you,
I'd even hurt you more...

because it would be
gratitude, not love.

And you wouldn't want that,Jim,
would you?

What if I said yes?

Then I'd marry you, Jim.

- You mean that?
- Yes, I do.

Yes.

You know, Lillian...

this is about the shortest honeymoon
two people ever had.

And now it's all over, and it seems to me
Miss Lillian Russell is very happy about it.

No.

No, I'm not happy, Jim.

Neither are you.

Oh, I know it's funny,
but we're very much alike, aren't we?

I mean, we've each had everything
that life could give us...

except what we really wanted.

And, Jim, I've-
I've looked for it so hard.

When I was a girl and first
went to work for Tony Pastor...

my mother didn't want me to...

because she said every success
has its penalty...

and somehow life has a strange way of
making you pay for everything it gives you.

Now I know what she meant.

You know, Lillian...

I wish I could give you the happiness
you're looking for.

And,Jim, I wish I could
do the same for you.

Now, don't worry about me.

The only thing I'm thinking about is
what we're going to eat after the show.

You've got a supper date
with me, you know.

Yes,Jim.
I'll be waiting for you.

And, uh, Lillian...

I have another little present
for you outside the stage door.

I'll see you later?

Yes.

Hmm.

Isn't it strange, Marie?

I so often think
of Alexander Moore...

but so seldom see him.

He's waiting at the stage door now, ma'am,
if you'd care to see him.

Oh, I do. Bring him in, and
please hurry, Marie. Yes, ma'am.

It's been a long time, Mr. Moore...

and you've missed
so many chapters of my story.

I've been reading them. Have they seemed as
interesting as you would have written them?

I don't think I was ever worthy
of the assignment, Miss Russell.

However, if we had
gone through with it...

I might have gotten in
some ideas of my own.

But I couldn't have improved on it.

Your success has been glorious.

Thank you.

Now, tell me about you. What have you
been doing? Still on the newspaper?

Newspaper work
is seldom a career, Miss Russell.

It's a lifetime.

But I've done very well. I have my own
paper now. Really? I told you you would.

- The Rittsburgh Telegraph?
- No, the Leader.

I'll have a review of your show
in it tomorrow. A good one?

I'll send you a copy...

so you can finally read an article
about yourself in my paper.

Oh, I'll enjoy that.

And now, tell me about you and-

Oh, you know who I mean.
You told me all about her in London.

- Lucille?
- Lucille.

I should have remembered.
It's one of my favorite names. How is she?

I haven't seen her in quite some time.

Then-Then you didn't marry?

Yes, we did.

It just couldn't work out.

Divorced?
Oh, I'm sorry.

Love is so elusive at times, isn't it?

Yes, it seems so, doesn't it?

- Oh, the last act, ma'am. We must hurry.
- Yes. Get my things ready.

I'm so sorry you have to
go back so soon. Must you?

Yes. You see,
it's sort of a duty.

I've just taken over the paper
and I borrowed a lot of money to buy it.

- I have to work it out somehow.
- Oh, you will.

Oh, yes, I will.
But it'll take a lot of work.

- I'll be up again sometime, maybe.
- Soon?

Maybe.

Well, wire me and we'll arrange
to have dinner together.

We will?

Don't you want to?

Yes.
Sure I do.

As a matter of fact,
I've had dinner with you lots of times.

Really? When?

You wouldn't remember.
You weren't there.

Good night, Miss Russell.
It was nice of you to see me.

- And I'm so glad you came back.
- So am I.

Isn't it a strange coincidence,
Mr. Moore?

Ever since the first time I came to New
York, you seem to have punctuated my life.

Whenever anything important or serious
happened to me, you've-you've come along.

Maybe it wasn't coincidence.
Good night.

Good night, Mr. Moore.

Oh, the last act.
We really must hurry.

- Marie.
- Yes, ma'am?

Did you hear what he said?

He said it wasn't a coincidence.

Do you realize
what that means, Marie?

It means that-

that he's been thinking about me
all these years...

that he's been in love with me
almost all of my life.

Marie! Marie, find him for me.
Don't worry about this.

He's leaving for Pittsburgh tonight,
and I don't want him to go...

because if he does
it'll be years before I see him.

Tell him I don't want him to go.
Tell him I've got to see him.

Tell him anything, but find him!
Find him! Hurry, Marie!

I found him, ma'am.

Oh, I'm so glad you came back.

I wanted to make another pact with you,
if you promise to keep it.

I've never really broken it...

Helen.

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