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These are the user uploaded subtitles that are being translated: 1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:02,291 --> 00:00:07,000 CAPTIONING MADE POSSIBLE BY HALLMARK CHANNEL AND FRIENDS OF NCI 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:33,000 --> 00:00:35,250 >> FLY'S UNZIPPED, JACK. 5 00:00:35,333 --> 00:00:37,000 MADE YOU LOOK! 6 00:02:20,500 --> 00:02:23,125 YOU ARE THE ONLY PITCHER WE'VE GOT, 7 00:02:23,208 --> 00:02:24,166 AND I'M IN CHARGE, AND YOU'RE GOING TO BE THERE. 8 00:02:24,542 --> 00:02:26,834 MARTONI'S GOT AN ARM, USE HIM FOR PETE'S SAKE. 9 00:02:26,917 --> 00:02:27,917 >> MARTONI! 10 00:02:28,291 --> 00:02:30,250 SOCIAL SERVICES HAS NOT BEATEN PARKING REGULATIONS 11 00:02:30,333 --> 00:02:32,709 IN 4 LABOR DAYS STRAIGHT. 12 00:02:32,792 --> 00:02:34,208 I'M SICK AND TIRED OF IT. 13 00:02:34,291 --> 00:02:35,000 >> I'M SICK AND TIRED 14 00:02:35,333 --> 00:02:36,291 OF THE TONE YOU'RE TAKING WITH ME. 15 00:02:36,375 --> 00:02:38,709 I'M NOT A KID. I DON'T NEED A LECTURE, 16 00:02:38,792 --> 00:02:40,542 ESPECIALLY ABOUT SOME IDIOTIC SOFTBALL GAME. 17 00:02:40,625 --> 00:02:43,458 >> THIS IS NOT ABOUT A SOFTBALL GAME. 18 00:02:43,542 --> 00:02:44,667 >> THEN WHAT'S IT ABOUT? 19 00:02:44,750 --> 00:02:47,458 >> IT'S ABOUT THIS... 20 00:02:51,875 --> 00:02:52,583 AND WHAT'S THAT? 21 00:02:52,917 --> 00:02:53,750 >> THAT'S THE REACTION I GET FROM YOU 22 00:02:54,417 --> 00:02:56,792 EVERY TIME I MAKE SOME COMMENT ABOUT HOW YOU DO YOUR JOB. 23 00:02:56,875 --> 00:02:58,333 IT'S A REACTION THAT SAYS YOU KNOW IT ALL, 24 00:02:58,417 --> 00:03:01,500 YOU'VE DONE IT ALL, AND I AM ABOUT THE BIGGEST CROSS 25 00:03:01,583 --> 00:03:05,458 ANY SOCIAL SERVICES SUPERVISOR HAS EVER HAD TO BEAR. 26 00:03:05,542 --> 00:03:07,500 >> WELL... 27 00:03:07,583 --> 00:03:09,125 OK, I'M SORRY. 28 00:03:09,208 --> 00:03:11,166 >> YEAH, WELL, SAYING THE WORDS AND MEANING THEM 29 00:03:11,250 --> 00:03:11,959 ARE 2 VERY DIFFERENT THINGS. 30 00:03:12,291 --> 00:03:13,625 >> LOOK, THE POINT IS, I MAY OR MAY NOT 31 00:03:13,709 --> 00:03:15,291 BE AT THE LABOR DAY SOFTBALL GAME. 32 00:03:15,375 --> 00:03:18,041 >> WHY, WHERE ARE YOU GOING TO BE? 33 00:03:19,667 --> 00:03:21,291 ARE YOU LEAVING, JACK? 34 00:03:21,375 --> 00:03:23,166 >> NO! 35 00:03:23,250 --> 00:03:25,125 RENA AND I MAY GO SOMEWHERE. 36 00:03:25,208 --> 00:03:27,166 WE HAVEN'T DONE THAT IN A WHILE. 37 00:03:28,375 --> 00:03:29,417 >> ALL RIGHT... 38 00:03:29,792 --> 00:03:33,583 I'D BETTER MAKE SURE I'VE GOT THEIR NAMES STRAIGHT. 39 00:03:35,834 --> 00:03:37,709 NORMAN BULANKSY? 40 00:03:37,792 --> 00:03:39,291 >> NORMAN MAY NOT BE THERE. 41 00:03:39,375 --> 00:03:40,250 HE WORKS AT THE DOUGHNUT SHOP. 42 00:03:40,583 --> 00:03:41,875 IF THINGS ARE SLOW, THEY LET HIM OFF EARLY, 43 00:03:41,959 --> 00:03:43,250 BUT IF HE HAS TO WORK A FULL SHIFT, 44 00:03:43,333 --> 00:03:45,625 HE WON'T GET BACK TO THE HOUSE ON TIME. 45 00:03:45,709 --> 00:03:47,291 >> ARNOLD WIGGINS? 46 00:03:47,375 --> 00:03:49,208 >> WHAT DAY IS TODAY? 47 00:03:49,291 --> 00:03:50,333 >> TUESDAY. 48 00:03:50,750 --> 00:03:51,500 >> HE WORKS WEDNESDAYS AND SATURDAYS AT THE MOVIE THEATER 49 00:03:52,250 --> 00:03:55,667 AS A JANITOR, SO FOR BETTER OR FOR WORSE, HE'LL BE THERE. 50 00:03:55,750 --> 00:03:57,667 >> SOUNDS LIKE YOU DON'T LIKE HIM. 51 00:03:57,750 --> 00:03:59,041 >> I LIKE HIM FINE, 52 00:03:59,125 --> 00:04:02,709 BUT HE CAN BE A HANDFUL. THEY ALL CAN. 53 00:04:02,792 --> 00:04:03,709 >> LUCIEN P. SINGER? 54 00:04:04,083 --> 00:04:05,875 >> LUCIEN WORKS MORNINGS AT THE TRAINING CENTER, 55 00:04:05,959 --> 00:04:07,333 SO HE'LL BE THERE. 56 00:04:08,417 --> 00:04:10,625 >> SO, NORMAN AND LUCIEN ARE DEVELOPMENTALLY DISABLED, 57 00:04:10,709 --> 00:04:11,667 AND ARNOLD IS MANIC-D. 58 00:04:11,750 --> 00:04:13,166 HOW'S HIS MEDICATION? 59 00:04:13,250 --> 00:04:14,166 >> GOOD. 60 00:04:14,250 --> 00:04:14,875 >> GOOD. 61 00:04:15,166 --> 00:04:16,583 >> WHEN HE REMEMBERS TO TAKE IT. 62 00:04:16,667 --> 00:04:18,750 >> UH, WHAT ABOUT BARRY KLEMPER? 63 00:04:18,834 --> 00:04:21,291 >> WELL, IF THE OTHER GUYS ARE FENDER BENDERS, 64 00:04:21,375 --> 00:04:27,542 BARRY'S THE HINDENBURG COMING IN FOR A FAST LANDING. 65 00:04:32,375 --> 00:04:33,250 >> UH-OH. 66 00:04:33,333 --> 00:04:34,166 >> WHAT? PROBLEM? 67 00:04:34,500 --> 00:04:35,375 >> WELL, THERE ARE NEW PEOPLE MOVING IN, 68 00:04:36,083 --> 00:04:38,625 SO I GOT TO FILL THEM IN ON MY BOYS AND WHAT THEY'RE ABOUT. 69 00:04:38,709 --> 00:04:41,250 BUT I SHOULD ALSO BE THERE WITH YOU WHEN YOU GO IN THE HOUSE. 70 00:04:41,333 --> 00:04:42,750 >> JACK, I'VE DONE THIS BEFORE, 71 00:04:42,834 --> 00:04:45,291 I'VE DONE THIS A BUNCH OF TIMES BEFORE. 72 00:04:48,291 --> 00:04:49,750 >> WELL, YOU SHOULD PROBABLY WAIT FOR ME HERE. 73 00:04:49,834 --> 00:04:52,500 THEY GET A LITTLE INSECURE WHEN THINGS CHANGE. 74 00:04:52,583 --> 00:04:54,291 >> JACK, I'LL BE FINE WITH YOUR BOYS, 75 00:04:54,375 --> 00:04:57,458 YOU GO TAKE CARE OF THE NEW KIDS ON THE BLOCK. 76 00:04:57,542 --> 00:05:00,166 >> YES, MA'AM. 77 00:05:03,625 --> 00:05:04,500 HI. I'M JACK PALMER. 78 00:05:04,834 --> 00:05:07,125 I WORK WITH THE SOCIAL SERVICES DEPARTMENT. 79 00:05:07,208 --> 00:05:08,542 >> HI. JOAN MOORE. 80 00:05:09,041 --> 00:05:10,667 >> JUST WANTED TO HAVE A WORD WITH YOU ABOUT YOUR NEXT DOOR-NEIGHBORS. 81 00:05:10,750 --> 00:05:12,125 >> OH, SURE! 82 00:05:12,208 --> 00:05:13,583 >> DO YOU KNOW ANYTHING ABOUT BREAKFAST CEREALS? 83 00:05:13,750 --> 00:05:16,250 I HAVE 9 BOXES OF BREAKFAST CEREALS AND 7 HEADS OF LETTUCE, 84 00:05:16,333 --> 00:05:17,250 AND I THINK IT COULD BE A PROBLEM. 85 00:05:17,625 --> 00:05:19,667 I THINK IT COULD BE A REA PROBLEM. 86 00:05:19,750 --> 00:05:21,166 >> ARNOLD? 87 00:05:21,250 --> 00:05:24,250 LET'S SLOW DOWN, OK? 88 00:05:26,083 --> 00:05:28,125 >> TODAY I WENT TO THE MARKET AT THE END OF THE STREET 89 00:05:28,208 --> 00:05:29,417 BECAUSE I WANTED TO GET SOME WHEATIES, 90 00:05:29,834 --> 00:05:32,125 BUT I COULDN'T REMEMBER WHETHER I WANTED ONE BOX OR MORE BOXES, 91 00:05:32,208 --> 00:05:34,250 SO I ASKED THE MANAGER HOW MANY BOXES I SHOULD GET, 92 00:05:34,333 --> 00:05:35,875 "JUST FOR YOU?" HE SAID. "YES, SIR," I SAID. 93 00:05:35,959 --> 00:05:37,667 "17," HE SAID. "THANK YOU," I SAID. 94 00:05:37,750 --> 00:05:39,625 BUT, AND THIS IS THE PART I WANT TO EMPHASIZE, 95 00:05:39,709 --> 00:05:41,333 I COULD ONLY FIND 9 BOXES. 96 00:05:41,417 --> 00:05:42,333 SO, WHAT COULD I DO? 97 00:05:42,709 --> 00:05:43,917 I BOUGHT--WELL, I BOUGHT THE 9 BOXES OF WHEATIES, 98 00:05:44,000 --> 00:05:46,542 AND I BOUGHT 7 HEADS OF LETTUCE, THAT MADE 16, 99 00:05:46,625 --> 00:05:48,166 AND A BAG OF CHARCOAL BRIQUETTES, THAT MADE 17. 100 00:05:48,250 --> 00:05:50,583 SO, YOU SEE, AT LEAST I GOT THE RIGHT NUMBER. 101 00:05:50,667 --> 00:05:52,500 >> WHAT'S THEM? 102 00:05:52,583 --> 00:05:53,458 THEY BE A LOT. 103 00:05:53,542 --> 00:05:54,417 >> HELLO, LUCIEN. 104 00:05:54,750 --> 00:05:57,208 SHE'S VERY SMART, SHE'S JACK'S FRIEND. 105 00:05:57,291 --> 00:05:58,125 >> YOU BE JACK'S RENA? 106 00:05:58,458 --> 00:06:01,709 >> NO, LUCIEN, RENA IS JACK'S WIFE. 107 00:06:01,792 --> 00:06:03,417 WE MET HER, DON'T YOU REMEMBER? 108 00:06:03,500 --> 00:06:04,417 RENA'S WHITE. 109 00:06:04,500 --> 00:06:07,250 >> PEOPLE CHANGE. 110 00:06:08,083 --> 00:06:09,250 DID YOU TELL HER? 111 00:06:09,333 --> 00:06:10,250 >> WOULD YOU BE QUIET? 112 00:06:10,333 --> 00:06:11,333 WE'RE NOT GOING TO TELL HER 113 00:06:11,417 --> 00:06:14,750 BEFORE WE TELL JACK, FOR HEAVEN'S SAKE! 114 00:06:17,208 --> 00:06:22,417 >> SO, THEY'RE ALL WONDERFUL, HARMLESS, DEAR GUYS. 115 00:06:22,500 --> 00:06:23,625 THE WHOLE NEIGHBORHOOD LOVES THEM. 116 00:06:23,709 --> 00:06:24,458 I JUST WANTED YOU TO KNOW 117 00:06:24,792 --> 00:06:25,458 THERE'S NOTHING TO BE CONCERNED ABOUT. 118 00:06:26,083 --> 00:06:26,667 >> YEAH, I'M SURE THAT IT'S ALL VERY WELL MEANT, 119 00:06:27,625 --> 00:06:30,166 I JUST DON'T KNOW HOW BURT IS GOING TO FEEL ABOUT ALL THAT. 120 00:06:30,250 --> 00:06:31,208 CAREFUL, CAREFUL! 121 00:06:31,291 --> 00:06:32,250 OH, BURT'S MY HUSBAND. 122 00:06:32,333 --> 00:06:33,417 >> I FIGURED. 123 00:06:33,500 --> 00:06:34,583 >> YEAH, AND HE'S REALLY-- 124 00:06:34,667 --> 00:06:36,542 HE'S A TRADITIONAL KIND OF A MAN, 125 00:06:36,625 --> 00:06:38,834 AND I JUST DON'T THINK HE'S GOING TO BE TOO HAPPY 126 00:06:38,917 --> 00:06:42,500 ABOUT LIVING NEXT DOOR TO RETARDED PEOPLE. 127 00:06:42,583 --> 00:06:45,583 >> MRS. WARREN, THE WORD "RETARDED"-- 128 00:06:45,667 --> 00:06:47,542 >> OH, WELL, YOU KNOW, I'M REALLY THE REBEL IN THE FAMILY. 129 00:06:47,625 --> 00:06:52,542 I'M THE ONLY WOMAN I KNOW WHO REALLY GETS THE THREE STOOGES. 130 00:06:52,625 --> 00:06:54,083 >> I GOT THIS. 131 00:06:54,166 --> 00:06:55,917 >> OH, IT'S YOUR LIBRARY CARD. 132 00:06:56,000 --> 00:06:57,625 IT'S VERY NICE. 133 00:06:57,709 --> 00:06:59,208 >> YOU SEE MY NAME? 134 00:06:59,291 --> 00:07:04,333 >> YES, IT SAYS LUCIEN SINGER. I SEE IT RIGHT THERE. 135 00:07:04,417 --> 00:07:09,750 >> LUCIEN P. SINGER, AND I MEAN BUSINESS! 136 00:07:11,458 --> 00:07:13,834 >> SO, IF I'M NOT AT THE DAY NUMBER, TRY THE OTHER ONE. 137 00:07:13,917 --> 00:07:15,208 THERE'S A MACHINE ON BOTH. 138 00:07:15,291 --> 00:07:16,083 >> OK. 139 00:07:16,417 --> 00:07:17,583 >> HONESTLY, CALL ME ANY TIME, ALL RIGHT? 140 00:07:17,667 --> 00:07:18,375 >> MOM! >> YEAH? 141 00:07:18,709 --> 00:07:19,750 >> THEY PUT DEVON IN THE KITCHEN! 142 00:07:19,834 --> 00:07:21,208 CAN'T I HAVE HIM IN MY ROOM? 143 00:07:21,667 --> 00:07:24,917 >> DEVON IS THE HAMSTER, AND HE'S A VERY IMPORTANT PERSON AROUND HERE. 144 00:07:25,000 --> 00:07:25,917 >> MOM! 145 00:07:26,291 --> 00:07:27,000 >> YES, YES, YOU CAN HAVE DEVON IN YOUR ROOM, 146 00:07:27,709 --> 00:07:29,583 AND I'M GOING TO COME RIGHT NOW AND HELP YOU MOVE HIM. 147 00:07:29,667 --> 00:07:30,500 OK, BYE. 148 00:07:30,834 --> 00:07:31,500 >> ALL RIGHT, THANKS A LOT, MRS. WARNER, 149 00:07:31,583 --> 00:07:32,542 GOOD TO MEET YOU. 150 00:07:32,625 --> 00:07:34,250 >> YEAH, OK. HERE I COME! 151 00:07:35,333 --> 00:07:37,709 THANK YOU. 152 00:07:50,041 --> 00:07:53,750 I STOPPED ENOUGH I THINK. 153 00:07:59,417 --> 00:08:01,750 >> ARNOLD, THERE HAS TO BE AN EXPLANATION. 154 00:08:01,834 --> 00:08:04,709 HOW ON EARTH DID YOU WIND UP WITH ALL THIS STUFF? 155 00:08:04,792 --> 00:08:05,709 >> BUYING BOOKS, JACK. 156 00:08:06,083 --> 00:08:06,834 YOU SAID IT'S SMART, YOU'RE THE ONE WHO SAID SO. 157 00:08:07,500 --> 00:08:09,500 >> WHEATIES AND LETTUCE, YOUR KIND OF NEW TASTE TREAT. 158 00:08:10,625 --> 00:08:13,250 >> DEPARTMENT OF AGRICULTURE YEARBOOK, 1948, 159 00:08:13,333 --> 00:08:18,792 DEPARTMENT OF AGRICULTURE YEARBOOK, 1949, 1950, 1951. 160 00:08:18,875 --> 00:08:25,208 >> YOU HAVE TO STUDY AGRICULTURE IN A SET, YEAR BY YEAR. 161 00:08:25,291 --> 00:08:28,458 OTHERWISE, IT DON'T MAKE NO SENSE. 162 00:08:28,542 --> 00:08:30,583 >> THE MAN TOOK ADVANTAGE OF YOU, ARNOLD. 163 00:08:30,667 --> 00:08:31,500 THEY HAVE TO GO BACK TO THE STORE. 164 00:08:31,875 --> 00:08:33,917 LOOK, I ASKED A GIRL IN LINE ABOUT IT, JACK. 165 00:08:34,000 --> 00:08:35,792 I FORGET EXACTLY WHAT SHE SAID, 166 00:08:35,875 --> 00:08:37,834 BUT SHE WAS VERY THOROUGH ABOUT IT! 167 00:08:37,917 --> 00:08:39,583 >> PEOPLE TAKE ADVANTAGE OF YOU, IT'S NOT RIGHT. 168 00:08:40,917 --> 00:08:41,834 >> NOW, THE FOOD HAS TO GO BACK. 169 00:08:41,917 --> 00:08:44,083 >> IT'S EASY FOR YOU TO SAY! 170 00:08:44,166 --> 00:08:46,041 >> ARNOLD... 171 00:08:47,959 --> 00:08:49,000 DID YOU TAKE YOUR MEDICATION? 172 00:08:49,417 --> 00:08:52,750 >> THERE'S A FINE LINE BETWEEN CARING AND NAGGING, JACK. 173 00:08:52,834 --> 00:08:56,000 YOU'RE VERY CLOSE TO THE LINE. 174 00:08:56,083 --> 00:08:58,000 >> OH, BOY. THE BUS SURE WAS CROWDED. 175 00:08:58,083 --> 00:09:00,750 I HAD TO SIT UP FRONT WITH OLD PEOPLE. 176 00:09:00,834 --> 00:09:03,792 ONE OF THOSE OLD PEOPLE SAID, "HOW ARE YOU TODAY?" 177 00:09:03,875 --> 00:09:05,750 OH, BOY. I HATE THOSE QUESTIONS. 178 00:09:05,834 --> 00:09:06,625 WHOSE WHEATIES? 179 00:09:06,959 --> 00:09:07,625 >> YOU HAD TO MENTION THEM, DIDN'T YOU? 180 00:09:08,250 --> 00:09:09,500 YOU COULDN'T JUST IGNORE THEM, COULD YOU, NORMAN? 181 00:09:09,583 --> 00:09:11,125 YOU COULDN'T JUST IGNORE. 182 00:09:11,208 --> 00:09:11,875 >> HI, NORMAN. 183 00:09:12,208 --> 00:09:14,834 >> OH, JACK! HI, JACK, HOW ARE YOU? 184 00:09:14,917 --> 00:09:17,375 THE JOB'S GOING GREAT. NICE TO SEE YOU. 185 00:09:18,709 --> 00:09:21,375 WELL, I'D BETTER GET TO BED, I'M REAL SLEEPY. 186 00:09:21,458 --> 00:09:23,291 THAT BUS--OH, BOY-- WAS IT EVER CROWDED. 187 00:09:23,375 --> 00:09:24,834 I HAD TO SIT UP FRONT WITH THE OLD PEOPLE. 188 00:09:24,917 --> 00:09:28,125 I NEED A GOOD NIGHT'S SLEEP, SO GOOD NIGHT, EVERYONE! 189 00:09:28,208 --> 00:09:29,000 COME AGAIN! 190 00:09:29,333 --> 00:09:31,041 >> WHAT'S THAT UNDER YOUR SHIRT, NORMAN? 191 00:09:33,333 --> 00:09:35,959 >> OH, BOY. DO I HAVE SOMETHING UNDER MY SHIRT? 192 00:09:36,041 --> 00:09:39,250 I'M REALLY GLAD YOU TOLD ME. WHAT COULD IT BE? 193 00:09:39,333 --> 00:09:43,166 >> THE SUSPENSE IS KILLING US. 194 00:09:46,000 --> 00:09:46,834 >> DOUGHNUTS! 195 00:09:46,917 --> 00:09:48,375 I DIDN'T EVEN NOTICE! DOUGHNUTS! 196 00:09:48,458 --> 00:09:50,625 >> HEY, NORMAN. 197 00:09:50,709 --> 00:09:53,166 THIS AIN'T JACK'S WIFE. 198 00:09:53,250 --> 00:09:54,375 DID YOU TELL JACK YET? 199 00:09:54,458 --> 00:09:56,166 >> LUCIEN, YOU'RE SUPPOSED TO BE QUIET, 200 00:09:56,250 --> 00:09:57,625 YOU'RE GOING TO GIVE AWAY THE SURPRISE! 201 00:10:01,834 --> 00:10:02,834 >> HEY. 202 00:10:02,917 --> 00:10:06,667 >> HEY! LISTEN TO ME. 203 00:10:06,750 --> 00:10:08,667 NORMAN, DITCH THE DOUGHNUTS. 204 00:10:08,750 --> 00:10:10,291 TELL ME WHAT? WHAT DID YOU HAVE TO TELL ME? 205 00:10:10,375 --> 00:10:12,166 >> I DON'T HAVE ANY IDEA WHAT HE'S TALKING ABOUT. 206 00:10:12,250 --> 00:10:14,375 JACK, JACK, I'LL PUT THEM IN THE FRIDGE, JACK. 207 00:10:14,458 --> 00:10:15,583 YOU KNOW, FOR LATER. 208 00:10:16,000 --> 00:10:18,208 >> NO, NORMAN, I DON'T WANT YOU SNACKING OFF OF THOSE THINGS 209 00:10:18,291 --> 00:10:20,750 OR I'LL TAKE YOUR KEYS. 210 00:10:22,000 --> 00:10:26,250 >> JACK. JACK, I--I NEED MY KEYS. 211 00:10:26,333 --> 00:10:29,083 I NEED MY KEYS TO GET INTO THINGS. 212 00:10:29,166 --> 00:10:32,959 KEYS ARE PRETTY IMPORTANT IN THE DOUGHNUT LINE, JACK. 213 00:10:33,041 --> 00:10:34,166 OH, DON'T BE SUCH A BRAGGER. 214 00:10:34,250 --> 00:10:37,500 WE NEED LOTS OF KEYS IN THE MOVIE BUSINESS, TOO. 215 00:10:39,083 --> 00:10:40,667 >> HELLO, MY NAME IS NORMAN BULANSKY, WELCOME TO MY HOME! 216 00:10:40,750 --> 00:10:41,625 >> NORMAN! 217 00:10:41,709 --> 00:10:42,583 NORMAN, WAIT! 218 00:10:42,667 --> 00:10:44,083 GET RID OF THE DOUGHNUTS. 219 00:10:44,166 --> 00:10:45,500 AND, ARNOLD, MAKE YOUR PEACE WITH IT. 220 00:10:45,583 --> 00:10:47,291 THAT STUFF HAS TO GO BACK TO THE STORE. 221 00:10:47,375 --> 00:10:48,291 >> OH, JACK! 222 00:10:48,375 --> 00:10:49,458 >> HELLO? 223 00:10:49,542 --> 00:10:50,125 >> HI. >> HELLO. 224 00:10:50,375 --> 00:10:51,959 WE'RE HERE TO SEE THE HOUSE. 225 00:10:52,041 --> 00:10:52,709 >> I'M SORRY? 226 00:10:53,000 --> 00:10:54,000 >> TELL HIM, TELL HIM, TELL HIM! 227 00:10:54,083 --> 00:10:56,125 >> Shh, Lucien, be quiet! 228 00:10:57,500 --> 00:10:58,959 >> JUST ONE SECOND. 229 00:10:59,041 --> 00:10:59,750 TELL ME WHAT? 230 00:11:00,083 --> 00:11:03,875 >> WE'RE GOING TO SELL THE HOUSE, JACK! 231 00:11:03,959 --> 00:11:06,000 >> LUCIEN, YOU DON'T OWN THE HOUSE. 232 00:11:06,083 --> 00:11:06,959 >> JACK, IT DOESN'T MATTER, UH... 233 00:11:07,375 --> 00:11:09,542 THIS IS NOT THE WAY WE WANTED YOU TO FIND OUT, 234 00:11:09,625 --> 00:11:10,667 BUT THAT'S PLANS FOR YOU. 235 00:11:11,041 --> 00:11:12,625 WE WERE GOING TO HAVE THIS BIG SURPRISE PARTY FOR YOU, 236 00:11:12,709 --> 00:11:13,959 BUT, HEY, THAT'S PLANS. 237 00:11:14,041 --> 00:11:15,291 >> WHAT ARE YOU TALKING ABOUT? 238 00:11:15,375 --> 00:11:16,875 >> JACK, WE GOT MILLIONS! 239 00:11:16,959 --> 00:11:17,834 LOOK! SEE? 240 00:11:18,208 --> 00:11:19,083 ARNOLD WIGGINS IS THE WINNER OF $10 MILLION 241 00:11:19,458 --> 00:11:21,250 WHEN HE RETURNS THE WINNING SWEEPSTAKES NUMBER! 242 00:11:21,333 --> 00:11:22,417 >> $10 MILLION, JACK! 243 00:11:22,834 --> 00:11:25,166 >> THE FIRST THING I'M GOING TO DO IS BUY A TICKET TO RUSSIA, 244 00:11:25,250 --> 00:11:26,375 THAT'S WHERE TCHAIKOVSKY COMES FROM. 245 00:11:26,458 --> 00:11:27,291 >> WHO'S CHAKOPSKI? 246 00:11:28,125 --> 00:11:29,667 >> THE GREATEST COMPOSER SINCE NEIL SEDAKA. 247 00:11:29,750 --> 00:11:32,000 >> ARNOLD, YOU CAN'T USE THIS. 248 00:11:32,083 --> 00:11:33,208 UH, THERE WAS A "FOR SALE" CARD 249 00:11:33,291 --> 00:11:34,417 DOWN ON THE STOP AND SHOP BULLETIN BOARD? 250 00:11:34,792 --> 00:11:37,291 >> IF WE'RE GOING TO HAVE A PARTY, I'VE GOT THE DOUGHNUTS! 251 00:11:37,375 --> 00:11:39,041 >> WE'LL JUST TAKE A PEEK AT THE KITCHEN. 252 00:11:39,125 --> 00:11:39,959 >> DOUGHNUT? 253 00:11:40,041 --> 00:11:41,083 >> UH, NO, THANKS. 254 00:11:41,166 --> 00:11:41,917 >> ARNOLD, LISTEN TO ME, 255 00:11:42,208 --> 00:11:43,375 YOU HAVE TO HAVE THE WINNING NUMBERS. 256 00:11:43,458 --> 00:11:44,583 >> WELL, WE'RE GOING TO RETURN IT! 257 00:11:45,041 --> 00:11:46,000 WHAT DO YOU THINK, I'M GOING TO HANG ONTO THE WINNING NUMBER? 258 00:11:46,083 --> 00:11:47,083 >> ARNOLD, STOP FOR A SECOND. 259 00:11:49,000 --> 00:11:50,959 >> HEY, JACK! HOW MANY RUBLES IS $10 MILLION!? 260 00:11:51,041 --> 00:11:52,625 >> ARNOLD! STOP! 261 00:11:52,709 --> 00:11:54,542 JACK? 262 00:11:55,750 --> 00:11:57,166 WHEN WILL I HAVE THE OPPORTUNITY 263 00:11:57,250 --> 00:11:59,166 TO MEET THE OTHER GENTLEMAN WHO LIVES HERE? 264 00:11:59,250 --> 00:12:02,166 MR. KLEMPER, I THINK HIS NAME IS. 265 00:12:04,917 --> 00:12:08,166 >> DO ANY OF YOU GUYS KNOW WHEN BARRY'S GOING TO BE BACK HERE? 266 00:12:08,250 --> 00:12:10,667 >> HE BE TEACHING. 267 00:12:10,750 --> 00:12:13,625 HE'S A GOOD TEACHER. 268 00:12:13,709 --> 00:12:16,291 >> MR. KLEMPER IS A TEACHER? 269 00:12:16,375 --> 00:12:17,542 MM-HMM. 270 00:12:17,625 --> 00:12:19,667 >> WHAT DOES HE TEACH? 271 00:12:22,917 --> 00:12:25,083 >> AGAIN, MRS. FREMUS, AGAIN. 272 00:12:25,166 --> 00:12:25,959 >> AGAIN WHAT? 273 00:12:26,041 --> 00:12:27,709 SWING AND MISS AGAIN? 274 00:12:29,041 --> 00:12:30,750 >> WE'RE NOT ALWAYS IN CONTROL. 275 00:12:30,834 --> 00:12:32,458 >> ISN'T THERE SOME ADVICE YOU CAN GIVE ME? 276 00:12:32,542 --> 00:12:33,458 ISN'T THAT WHAT A TEACHER IS SUPPOSED TO DO? 277 00:12:33,834 --> 00:12:36,709 >> IT'S NOT IMPORTANT THAT I TEACH, MRS. FREMUS. 278 00:12:36,792 --> 00:12:39,542 WHAT'S IMPORTANT IS THAT YOU LEARN. 279 00:12:39,625 --> 00:12:41,041 AGAIN. 280 00:12:44,125 --> 00:12:45,500 >> UH! 281 00:12:45,583 --> 00:12:47,917 >> HEH HEH. 282 00:12:48,959 --> 00:12:50,917 >> BARRY'S NOT LIKE THE OTHER GUYS. 283 00:12:51,083 --> 00:12:52,959 HE'S PRETTY MUCH INTO HIMSELF. 284 00:12:53,041 --> 00:12:54,208 HE'S A GRADE-A SCHIZOPHRENIC, 285 00:12:54,291 --> 00:12:56,000 HE'S GOT A HISTORY OF INSTITUTIONS, 286 00:12:56,083 --> 00:12:57,834 HIS FAMILY HAS WRITTEN HIM OFF. 287 00:12:57,917 --> 00:13:01,625 HE'S ON THE EDGE OF FALLING OFF THE EDGE OF THE WORLD. 288 00:13:01,709 --> 00:13:02,667 BUT HE'S VERY RESOURCEFUL. 289 00:13:02,750 --> 00:13:03,709 >> WHAT'S THAT MEAN, RESOURCEFUL? 290 00:13:04,125 --> 00:13:07,166 >> HE'S PRETTY MUCH CONVINCED HIMSELF HE'S A GOLF PRO. 291 00:13:07,250 --> 00:13:10,542 HE COPES BETTER THAN MOST WITH HIS LEVEL OF ILLNESS. 292 00:13:10,875 --> 00:13:13,792 AT WHAT COST DOWN THE LINE, I DON'T KNOW. 293 00:13:13,875 --> 00:13:15,583 >> SOUNDS LIKE A TEST. 294 00:13:15,667 --> 00:13:17,750 >> THEY'RE ALL A TEST. 295 00:13:18,125 --> 00:13:20,625 THE QUESTION ON THE TEST THAT MATTERS IS... 296 00:13:20,709 --> 00:13:21,375 >> YEAH? 297 00:13:21,625 --> 00:13:25,166 >> WHETHER OR NOT I'M PASSING. 298 00:13:25,458 --> 00:13:27,917 >> ALL RIGHT, MRS. FREMUS. 299 00:13:29,417 --> 00:13:31,709 WHAT ARE YOU LOOKING AT? 300 00:13:31,792 --> 00:13:32,542 >> THE BALL. 301 00:13:32,875 --> 00:13:35,458 >> ASPIRE TO GREATNESS, MRS. FREMUS, 302 00:13:35,542 --> 00:13:37,166 ASPIRE TO GREATNESS! 303 00:13:37,250 --> 00:13:39,875 >> EXCUSE ME? 304 00:13:40,625 --> 00:13:42,875 >> LOOK AT A DIMPLE ON THE BALL. 305 00:13:42,959 --> 00:13:45,917 ONE SPECIFIC DIMPLE ON THE BALL. 306 00:13:46,000 --> 00:13:50,375 PICK OUT ONE SPECIFIC DIMPLE AND ZERO IN! 307 00:13:50,875 --> 00:13:55,166 >> WITH BIFOCALS, THIS ISN'T A WALK IN THE PARK, YOU KNOW. 308 00:13:55,250 --> 00:13:57,959 >> THERE'S OUR GUY. 309 00:14:00,250 --> 00:14:01,291 >> WHO'S THE LADY? 310 00:14:01,667 --> 00:14:05,542 >> MRS. FREMUS. SHE'S A WIDOW LADY I SET HIM UP WITH. 311 00:14:08,041 --> 00:14:09,959 >> MRS. FREMUS, I'M DISAPPOINTED. 312 00:14:10,041 --> 00:14:11,000 >> HOW DO YOU THINK I FEEL? 313 00:14:11,083 --> 00:14:12,917 >> DID I TELL YOU TO SWING? 314 00:14:13,000 --> 00:14:13,542 >> NO. 315 00:14:13,834 --> 00:14:14,917 >> AND DID YOU HIT THE BALL? 316 00:14:15,000 --> 00:14:15,709 >> NO. 317 00:14:16,041 --> 00:14:16,417 >> THERE'S A CONNECTION, MRS. FREMUS. 318 00:14:16,959 --> 00:14:17,917 THESE THINGS ARE INTERRELATED. 319 00:14:18,000 --> 00:14:19,458 >> IT IS TIME FOR MY SOAP. 320 00:14:20,208 --> 00:14:21,291 >> MRS. FREMUS-- 321 00:14:21,709 --> 00:14:25,041 >> I AGREED TO BE YOUR STUDENT BECAUSE YOU ARE A NICE BOY. 322 00:14:25,125 --> 00:14:26,709 AND I WAS TOLD YOU NEEDED STUDENTS. 323 00:14:26,792 --> 00:14:28,875 FINE, I WILL TAKE ANOTHER LESSON TOMORROW, 324 00:14:28,959 --> 00:14:31,333 BUT MARY FREMUS DOES NOT MISS HER SOAP. 325 00:14:31,417 --> 00:14:34,125 NOT FOR YOU OR ANYBODY. 326 00:14:35,625 --> 00:14:36,750 HELLO, MRS. FREMUS. 327 00:14:36,834 --> 00:14:38,625 Mrs. OH! 328 00:14:40,375 --> 00:14:41,000 >> HEY, BARRY. 329 00:14:41,208 --> 00:14:42,458 >> HEY, JACK, HOW'S THE MAN? 330 00:14:42,542 --> 00:14:44,291 >> GOOD. I HAVE SOMEONE I'D LIKE YOU TO MEET. 331 00:14:44,375 --> 00:14:47,291 >> HELLO, BARRY, I'M MRS. TRACY, I WORK WITH JACK. 332 00:14:47,375 --> 00:14:50,750 >> WELL, YOU'RE OUT OF LUCK, I'M TOTALLY BOOKED UP. 333 00:14:54,500 --> 00:14:57,250 AT THE DONUT SHOP I FOUND 334 00:14:57,333 --> 00:14:59,166 A MAGAZINE IN THE MEN'S ROOM 335 00:14:59,792 --> 00:15:00,750 YOU DON'T KNOW WHAT WAS IN THERE. 336 00:15:01,250 --> 00:15:02,917 >> WHAT? WHAT WAS IN THERE? 337 00:15:03,583 --> 00:15:04,917 >> I BE LOOKIN AT MY BOOKS. 338 00:15:06,959 --> 00:15:08,458 >> THERE WERE GIRLS IN THERE 339 00:15:08,542 --> 00:15:11,375 WITH... OH BOY... NOTHING ON! 340 00:15:11,458 --> 00:15:13,417 I MEAN, OH BOY, NOTHING! 341 00:15:13,500 --> 00:15:16,542 >> NOTHING? YOU REALLY MEAN NOTHING? 342 00:15:16,625 --> 00:15:18,291 >> ONE GIRL WAS IN THE SNOW. 343 00:15:18,375 --> 00:15:20,291 SHE, SHE HAD NOTHING ON. 344 00:15:20,375 --> 00:15:23,125 >> IN THE SNOW WITH NOTHING ON? 345 00:15:23,333 --> 00:15:24,208 >> SHE HAD A HAT. 346 00:15:26,166 --> 00:15:27,125 >> AND THAT'S ALL? 347 00:15:27,667 --> 00:15:28,625 >> IT BE A SET. 348 00:15:30,041 --> 00:15:31,667 AND THOSE BIG SHOES 349 00:15:31,750 --> 00:15:33,750 LIKE, LIKE GIANT TENNIS RACKETS. 350 00:15:33,834 --> 00:15:37,083 YOU'VE GOT TO GET THE SET YEAR BY YEAR. 351 00:15:37,166 --> 00:15:40,500 THAT'S THE WAY THEY TEACH IT IN AGRICULTURE. 352 00:15:40,583 --> 00:15:43,417 BOY SHEILA BE TOO SMART TO GO IN THE SNOW 353 00:15:43,500 --> 00:15:44,417 WITHOUT CLOTHES ON. 354 00:15:44,583 --> 00:15:45,542 >> WHO'S SHEILA? 355 00:15:45,625 --> 00:15:47,792 >> THE GIRL I DANCE WITH SOMETIMES 356 00:15:47,875 --> 00:15:48,834 AT THE COMMUNITY CENTER. 357 00:15:49,417 --> 00:15:51,959 I'M... I'M GONNA ASK JACK IF I CAN BRING SHEILA OVER HERE. 358 00:15:52,667 --> 00:15:53,625 >> ALONE? 359 00:15:55,166 --> 00:15:56,125 NORMAN, HE WON'T LET YA. 360 00:15:57,250 --> 00:15:58,250 I'VE ALREADY ASKED. 361 00:15:59,667 --> 00:16:01,959 >> YOU ASKED IF YOU COULD HAVE SALLY FIELDS COME OVER. 362 00:16:02,041 --> 00:16:04,500 >> YA, WELL HE STILL SAID NO AND FAIR IS FAIR. BESIDES, 363 00:16:05,000 --> 00:16:06,417 ISN'T SHEILA THE ONE WHO SAID YOU'RE TOO FAT? 364 00:16:06,500 --> 00:16:11,166 >> WELL, SHE'S NOT NO SKINNY MINI HERSELF YOU KNOW.--- 365 00:16:13,041 --> 00:16:14,959 BARRY! 366 00:16:15,208 --> 00:16:17,458 BORN IN A BARN, BORN IN A BARN. 367 00:16:17,542 --> 00:16:20,959 I GOT BARNS IN MY BOOKS. 368 00:16:22,041 --> 00:16:24,959 >> AAH! THERE'S A RAT, THERE'S A RAT! 369 00:16:27,125 --> 00:16:29,291 >> THERE'S A RAT! THERE'S A RAT! 370 00:16:29,375 --> 00:16:30,417 IT CARRIES THE PLAGUE! 371 00:16:30,792 --> 00:16:32,959 TURN OFF THE LIGHTS, IT CAN'T SEE IN THE DARK! 372 00:16:37,417 --> 00:16:42,166 >> I THINK WE BE NEEDING TO CALL JACK. 373 00:16:49,583 --> 00:16:51,166 TV announcer: ACROSS THE 40, DOWN TO THE 30... 374 00:16:51,250 --> 00:16:53,917 >> YES, LUCIEN'S SWEET AND LIKABLE, GRANTED, BUT-- 375 00:16:54,000 --> 00:16:57,917 NO, HE LOVES PEOPLE. I'M SURE HE'LL PRESENT HIMSELF VERY WELL, 376 00:16:58,000 --> 00:16:59,000 BUT HE'S FRAGILE, 377 00:16:59,375 --> 00:17:00,750 AND THIS IS GOING TO PUT A LOT OF PRESSURE ON HIM, SO-- 378 00:17:00,834 --> 00:17:04,417 YES, IT'S YOUR DECISION TO MAKE, I UNDERSTAND THAT. 379 00:17:04,500 --> 00:17:05,166 UH-HUH. 380 00:17:05,500 --> 00:17:07,792 HANG ON A SEC. I GOT ANOTHER CALL. 381 00:17:07,875 --> 00:17:10,083 I'M SORRY. HOLD ON. 382 00:17:10,166 --> 00:17:11,333 HELLO? 383 00:17:11,417 --> 00:17:13,917 YES, IT IS. 384 00:17:14,000 --> 00:17:16,959 YEAH, OK, I'LL TELL HER. 385 00:17:17,041 --> 00:17:18,625 DR. RACINE... 386 00:17:18,709 --> 00:17:20,875 00 ON TUESDAY, GOT IT. 387 00:17:20,959 --> 00:17:23,000 OK, THANK YOU. BYE. 388 00:17:24,750 --> 00:17:25,667 HI, I'M BACK. 389 00:17:26,208 --> 00:17:27,750 LISTEN, IF THIS THING WITH LUCIEN IS A DONE DEAL, 390 00:17:27,834 --> 00:17:29,834 JUST TELL ME AND I'LL DO WHAT I HAVE TO DO, 'CAUSE... 391 00:17:29,917 --> 00:17:33,333 I'M SORRY, HERE WE GO AGAIN. I FEEL LIKE A BOOKIE. HANG ON. 392 00:17:34,250 --> 00:17:35,875 HELLO? 393 00:17:35,959 --> 00:17:37,417 LUCIEN? 394 00:17:37,500 --> 00:17:38,291 >> WE GOT A RAT! 395 00:17:38,375 --> 00:17:39,125 THERE'S A RIOT? 396 00:17:39,417 --> 00:17:42,250 >> A RAT, A RAT, A BIG FAT UGLY ONE! 397 00:17:42,333 --> 00:17:45,125 >> A RAT, A RODENT, A PLAGUE-CARRIER, JACK! 398 00:17:45,208 --> 00:17:49,208 >> JACK! I'M PUTTING OUT DOUGHNUTS FOR BAIT, JACK! 399 00:17:49,291 --> 00:17:50,375 >> HEY, JACK? 400 00:17:50,792 --> 00:17:52,250 DON'T YOU THINK IT WOULD BE A GOOD IDEA IF WE HAD A PLAN? 401 00:17:52,333 --> 00:17:53,875 DON'T YOU THINK THAT WOULD BE A GOOD IDEA? 402 00:17:53,959 --> 00:17:54,959 >> THERE HE GOES! 403 00:17:56,333 --> 00:17:57,375 >> CATCH IT, KILL IT, 404 00:17:57,458 --> 00:17:58,333 FLUSH IT, AND DO NOT BOTHER ME 405 00:17:58,709 --> 00:18:00,625 WITH THIS KIND OF STUFF AT MY HOME EVER AGAIN! 406 00:18:00,709 --> 00:18:02,917 >> CATCH IT, KILL IT, FLUSH IT. 407 00:18:03,000 --> 00:18:05,792 OK, THANK YOU, JACK! 408 00:18:07,583 --> 00:18:10,208 >> HI, I'M BACK, SORRY. 409 00:18:10,291 --> 00:18:12,875 HELLO? HELLO? 410 00:18:12,959 --> 00:18:15,583 HELLO...HELLO? 411 00:18:18,333 --> 00:18:22,458 WELL, I GUESS IT'S A DONE DEAL. 412 00:18:22,542 --> 00:18:23,709 >> WHAT'S A DONE DEAL? 413 00:18:24,125 --> 00:18:25,792 >> THEY WANT LUCIEN TO TESTIFY BEFORE A STATE SENATE COMMITTEE 414 00:18:25,875 --> 00:18:29,083 THAT'S TALKING ABOUT BUDGET CUTS FOR THE PROGRAM. 415 00:18:29,166 --> 00:18:31,959 HE'D BE SCARED STIFF. 416 00:18:33,709 --> 00:18:34,917 HEY, ARE YOU OK? 417 00:18:35,000 --> 00:18:36,083 >> WHY WOULDN'T I BE OK? 418 00:18:36,500 --> 00:18:39,709 >> WELL, YOU HAVE AN APPOINTMENT WITH A DR. RACINE TUESDAY. 419 00:18:39,792 --> 00:18:41,083 HE JUST CALLED TO CONFIRM. 420 00:18:41,166 --> 00:18:41,875 >> WE-- 421 00:18:42,208 --> 00:18:44,250 WE HAVE AN APPOINTMENT WITH DR. RACINE. 422 00:18:44,333 --> 00:18:47,417 HE'S A SHRINK, A MARRIAGE COUNSELOR. 423 00:18:48,709 --> 00:18:49,417 >> A MARRIAGE COUNSELOR? 424 00:18:49,709 --> 00:18:53,542 >> WHEN YOU'RE HERE, YOU'RE NOT HERE. 425 00:18:53,625 --> 00:18:55,834 PHYSICALLY, WE'RE JUST A MEMORY. 426 00:18:55,917 --> 00:18:56,458 >> NOT SO. 427 00:18:56,542 --> 00:18:57,500 >> YES, SO. 428 00:18:58,375 --> 00:18:59,959 TO PROVE IT, THERE'S THE SMALL MATTER OF A BIRTHDAY 429 00:19:00,041 --> 00:19:02,208 THAT GOT TOTALLY AND COMPLETELY FORGOTTEN. 430 00:19:06,542 --> 00:19:08,458 SO YOU WANT TO GO SEE A MARRIAGE COUNSELOR 431 00:19:08,542 --> 00:19:10,083 BECAUSE I FORGOT YOUR BIRTHDAY? 432 00:19:10,166 --> 00:19:13,125 NOT MINE, YOURS. 433 00:19:18,500 --> 00:19:20,500 HAPPY BIRTHDAY. 434 00:19:22,917 --> 00:19:24,917 I LOVE YOU. 435 00:19:25,000 --> 00:19:28,333 I HOPE IT FITS. 436 00:19:41,208 --> 00:19:42,500 THERE! HE'S THERE! 437 00:19:42,583 --> 00:19:47,834 >> HE'S CAUGHT. HE'S TRAPPED. HE'S A BIG ONE. 438 00:19:48,000 --> 00:19:48,959 >> NORMAN, WHAT ARE YOU DOING? 439 00:19:49,375 --> 00:19:52,417 RATS CAN'T SEE IN THE DARK. IT'S A BEHAVIOR PATTERN. 440 00:19:52,500 --> 00:19:53,333 >> HE BE DRUGGED. 441 00:19:53,709 --> 00:19:54,834 >> WE NEED A PLAN! WE NEED AN AIRTIGHT PLAN! 442 00:19:54,917 --> 00:19:56,792 NORMAN, TURN OFF THE LIGHT! 443 00:19:58,417 --> 00:19:59,625 LUCIEN, COUNT TO 3 AND THEN CLOSE THE DOOR, 444 00:19:59,709 --> 00:20:01,667 BUT DON'T LET THE RAT KNOW WHERE YOU ARE. 445 00:20:01,750 --> 00:20:03,083 >> I BE HOME. 446 00:20:03,166 --> 00:20:04,125 >> WE KNOW WHERE YOU ARE. 447 00:20:04,208 --> 00:20:05,375 DON'T LET THE RAT KNOW WHERE YOU ARE. 448 00:20:05,458 --> 00:20:08,000 >> TELL HIM YOU'RE NOT HOME. 449 00:20:08,083 --> 00:20:09,291 >> I BE NOT HOME! 450 00:20:09,709 --> 00:20:10,959 LUCIEN, SHUT THE DOOR! 451 00:20:11,041 --> 00:20:12,834 >> OK. 452 00:20:13,583 --> 00:20:14,458 THERE HE GOES! 453 00:20:33,375 --> 00:20:34,458 >> I GOT HIM! 454 00:20:34,542 --> 00:20:35,250 OW! 455 00:20:35,542 --> 00:20:36,750 >> WHAT HAPPENED? DID HE BITE YOU? 456 00:20:36,834 --> 00:20:39,959 >> NO, I FELL ON MY KEYS. 457 00:20:40,041 --> 00:20:43,208 >> CHECK IT OUT. DID YOU GET HIM OR DID YOU NOT GET HIM? 458 00:20:43,291 --> 00:20:44,959 >> AHH. 459 00:20:47,583 --> 00:20:48,542 HE'S STILL MOVIN'! 460 00:20:52,208 --> 00:20:53,083 DIE! DIE! 461 00:20:53,166 --> 00:20:55,500 >> STOP! 462 00:20:55,583 --> 00:20:59,500 CHECK IT OUT. WE MAY BE INTO OVERKILL HERE. 463 00:20:59,583 --> 00:21:01,583 >> MM. AAH. 464 00:21:05,750 --> 00:21:08,542 OH, BOY. MM. 465 00:21:08,625 --> 00:21:11,208 >> OOH. >> WE GOT HIM. 466 00:21:11,291 --> 00:21:12,000 WE GOT THE RAT. 467 00:21:12,083 --> 00:21:14,333 >> WE GOT THE RAT. 468 00:21:14,417 --> 00:21:15,250 >> HE WAS A BRAVE RAT. 469 00:21:15,583 --> 00:21:20,208 HE DIED AN HONORABLE, BRAVE RAT'S DEATH. 470 00:21:20,291 --> 00:21:22,542 >> JACK SAID WE SHOULD FLUSH HIM. 471 00:21:22,625 --> 00:21:26,542 >> JACK DID SAY "FLUSH HIM." 472 00:21:46,667 --> 00:21:50,041 >> WELL, SOMEBODY OUGHT TO SAY SOMETHING. 473 00:21:52,709 --> 00:21:57,041 >> LORD, HERE COME THE RAT. 474 00:22:22,417 --> 00:22:25,709 >> ARNOLD, ANYONE WHO CAN FLUSH A RAT 475 00:22:25,792 --> 00:22:28,417 CAN DO JUST ABOUT ANYTHING. 476 00:22:30,250 --> 00:22:32,500 >> YOU'RE RIGHT. A PERSON WHO CAN FLUSH A RAT 477 00:22:32,583 --> 00:22:34,667 OUGHTA BE ABLE TO DO JUST ABOUT ANYTHING, 478 00:22:34,750 --> 00:22:37,667 EVEN RETURN GROCERIES. 479 00:22:40,291 --> 00:22:41,542 MAYBE. 480 00:22:45,750 --> 00:22:48,500 I KNOW ALL ABOUT TESTIFYING, JACK. 481 00:22:48,583 --> 00:22:50,125 NO, THIS ISN'T THE KIND OF TESTIFYING 482 00:22:50,208 --> 00:22:51,667 YOU DO IN CHURCH, LUCIEN. 483 00:22:51,750 --> 00:22:53,834 THIS IS TESTIFYING FOR THE STATE SENATE. 484 00:22:53,917 --> 00:22:55,166 >> WHAT'S THE STATE'S NET? 485 00:22:55,250 --> 00:22:58,375 >> STATE SENATE, LUCIEN. IT'S A GROUP OF PEOPLE 486 00:22:58,458 --> 00:23:00,500 WHO ARE INTERESTED IN HOW YOU'RE DOIN'. 487 00:23:00,583 --> 00:23:01,667 THEY JUST WANNA TALK TO YOU, 488 00:23:01,750 --> 00:23:02,875 HEAR WHAT YOU HAVE TO SAY. 489 00:23:02,959 --> 00:23:04,917 >> IS RENA GONNA BE THERE? 490 00:23:05,000 --> 00:23:06,375 >> NO. SHE GOT A HAPPY SMILE. 491 00:23:06,458 --> 00:23:09,250 NO, RENA'S GOT A LOT OF STUFF GOIN' ON. 492 00:23:09,333 --> 00:23:11,917 SHE'LL BE HAPPY TO HEAR WHAT YOU HAD TO SAY ABOUT HER SMILE. 493 00:23:12,000 --> 00:23:14,041 >> CAN I SING THE ALPHABET SONG? 494 00:23:14,125 --> 00:23:14,875 >> UH-HUH. 495 00:23:14,959 --> 00:23:15,834 >> I GOT IT GOOD. 496 00:23:16,166 --> 00:23:18,041 >> I KNOW THAT, PAL. YOU GOT THAT DOWN PAT. 497 00:23:19,041 --> 00:23:20,166 HEY, YOU'LL GET TO WEAR YOUR TIE. 498 00:23:20,250 --> 00:23:21,875 >> NOT THAT TIE. IT'S A CLIP-ON, 499 00:23:21,959 --> 00:23:25,041 AND BARRY SAYS ONLY BABIES WEAR THE CLIP-ON TIES. 500 00:23:25,125 --> 00:23:26,917 >> OK, WE'LL GET YOU A GROWN-UP TIE, THEN. 501 00:23:27,000 --> 00:23:28,333 >> CAN I HAVE A SPIDER-MAN TIE? 502 00:23:28,417 --> 00:23:31,375 >> YEAH. >> I REALLY WANT A SPIDER-MAN TIE. 503 00:23:31,458 --> 00:23:33,333 >> SPIDER-MAN TIE IT IS. 504 00:23:33,417 --> 00:23:36,917 OK, 1, 2, 3, GO. 505 00:23:37,000 --> 00:23:38,333 ALL RIGHT. 506 00:23:40,500 --> 00:23:41,500 >> JACK? 507 00:23:41,583 --> 00:23:43,291 >> YEAH? 508 00:23:43,375 --> 00:23:46,625 >> YOU HAVE TO TIE IT FOR ME. 509 00:24:22,500 --> 00:24:25,333 >> THANKS A LOT. I'LL CHECK WITH TOM. 510 00:24:26,542 --> 00:24:27,208 >> EXCUSE ME. 511 00:24:27,500 --> 00:24:30,333 >> I CAN TAKE YOU OVER HERE, SIR. 512 00:24:38,750 --> 00:24:40,375 CAN YOU BELIEVE THIS WEATHER WE'RE HAVING? 513 00:24:40,458 --> 00:24:42,959 OH, I SWEAR. WINTER COMES HERE SOONER EVERY YEAR. 514 00:24:43,041 --> 00:24:46,041 EVERYBODY IN MY HOME SAYS IT'S JUST MY IMAGINATION. 515 00:24:46,500 --> 00:24:48,500 HOW YOU DOIN' TODAY? 516 00:24:48,583 --> 00:24:49,959 >> UH, F-FINE. 517 00:24:50,041 --> 00:24:52,041 WAY TO GO. 518 00:24:52,125 --> 00:24:54,542 GEE, YOU SURE LIKE YOUR BREAKFAST CEREAL. 519 00:24:54,625 --> 00:24:57,417 YOU MUST BE LOOKING TO CORNER THE MARKET. 520 00:25:06,959 --> 00:25:08,041 >> NOT ONE OF THE PEOPLE AT THE DRIVING RANGE 521 00:25:08,125 --> 00:25:09,375 ASKED TO BE ONE OF MY STUDENTS-- NOT ONE-- 522 00:25:09,834 --> 00:25:12,834 AND I'M VERY OBVIOUSLY THERE AS A RESOURCE TO THESE PEOPLE, YOU KNOW? 523 00:25:12,917 --> 00:25:13,583 IT'S VERY OBVIOUS. 524 00:25:13,875 --> 00:25:16,875 >> I BE YOUR STUDENT IF YOU WANT. 525 00:25:16,959 --> 00:25:18,083 >> I DON'T THINK IT'S ETHICAL. 526 00:25:18,166 --> 00:25:19,750 DOCTORS DON'T OPERATE ON THEIR OWN-- 527 00:25:19,834 --> 00:25:23,917 >> JACK GOT ME TALKIN' TO THE STATE'S NET. 528 00:25:24,000 --> 00:25:25,917 MAYBE I CAN TALK TO THEM 529 00:25:26,000 --> 00:25:27,500 ABOUT MY GOLF. 530 00:25:27,583 --> 00:25:28,458 >> MAIL CALL. 531 00:25:30,041 --> 00:25:32,041 "OCCUPANT... OCCUPANT... 532 00:25:32,125 --> 00:25:36,917 "RESIDENT... ARNOLD WIGGINS' YACHTING MAGAZINE. 533 00:25:37,000 --> 00:25:38,625 >> WHAT YOU DOIN' HERE, NORMAN? 534 00:25:38,709 --> 00:25:39,625 YOU 'POSED TO BE AT WORK. 535 00:25:40,000 --> 00:25:42,458 >> I CAN'T PRACTICE DANCIN' IN THE DOUGHNUT SHOP. 536 00:25:42,542 --> 00:25:44,291 SHEILA AND ME ARE GONNA DANCE TONIGHT. 537 00:25:44,375 --> 00:25:46,875 I'LL PLAY THE RADIO IN MY ROOM AND PRACTICE. 538 00:25:46,959 --> 00:25:51,625 >> JACK GOT ME PRACTICIN' FOR THE STATE'S NET. 539 00:25:51,709 --> 00:25:54,625 >> YEAH. OH, AND BARRY KLEMPER. 540 00:25:54,709 --> 00:25:56,625 COMES FROM SOMEBODY NAMED KLEMPER, TOO. 541 00:25:56,709 --> 00:25:59,375 BOY, WHAT ARE THE ODDS ON THAT? 542 00:26:00,417 --> 00:26:00,959 >> OH. 543 00:26:01,208 --> 00:26:01,625 >> CAN I HAVE THE STAMP 544 00:26:02,083 --> 00:26:02,667 WHEN YOU'RE THROUGH WITH IT? 545 00:26:02,750 --> 00:26:06,500 CAN I? BARRY? 546 00:26:10,750 --> 00:26:12,333 THAT WAS A MARILYN MONROE. 547 00:26:12,417 --> 00:26:15,041 I DON'T HAVE ANY MARILYN MONROES. 548 00:26:15,125 --> 00:26:16,458 OH, BOY, BOLOGNA. 549 00:26:16,542 --> 00:26:18,583 YOU GONNA FINISH THAT? 550 00:26:39,500 --> 00:26:41,375 >> BARRY'S STUDENT, HELLO! 551 00:26:41,458 --> 00:26:44,667 HELLO! MERRY CHRISTMAS! HEY THERE. 552 00:26:44,750 --> 00:26:45,333 YOO-HOO! 553 00:26:45,625 --> 00:26:47,000 IF YOU'RE BARRY'S STUDENT-- 554 00:26:47,083 --> 00:26:47,625 >> I AM. 555 00:26:47,917 --> 00:26:48,542 >> HE WON'T BE HERE. HE-- 556 00:26:49,083 --> 00:26:49,542 HE LEFT A YELLOW STICKY NOTE ON THE DOOR 557 00:26:50,417 --> 00:26:51,333 ASKING ME TO COME FIND HIS STUDENT AND TELL 'EM-- 558 00:26:51,417 --> 00:26:53,208 >> AND THAT IS AGAINST THE LAW. 559 00:26:54,583 --> 00:26:57,041 >> MISSING A LESSON IS AGAINST THE LAW? 560 00:26:57,125 --> 00:26:58,542 THAT'S WORSE THAN RUSSIA. IT'S MUCH WORSE. 561 00:26:59,000 --> 00:27:02,792 >> TAKING A SHOPPING CART OFF OF SUPERMARKET PROPERTY IS AGAINST THE LAW. 562 00:27:02,875 --> 00:27:04,667 THERE'S EVEN A LITTLE SIGN IN THE FRONT 563 00:27:04,750 --> 00:27:05,542 THAT SAYS THAT VERY THING. 564 00:27:05,917 --> 00:27:08,333 IT'S LIKE PARKING IN A HANDICAPPED SPACE. 565 00:27:08,417 --> 00:27:11,542 PEOPLE NOWADAYS JUST DON'T CARE. 566 00:27:13,291 --> 00:27:14,458 OH, MY GOODNESS. 567 00:27:14,542 --> 00:27:17,792 OH, DEAR. 568 00:27:22,709 --> 00:27:24,542 OH, OH, DEAR. 569 00:27:24,625 --> 00:27:28,750 OH. DO YOU HAPPEN TO LIKE SOAPS? 570 00:27:30,291 --> 00:27:32,500 WHAT'S YOUR FAVORITE ONE? 571 00:27:32,583 --> 00:27:34,125 >> LIFEBUOY. 572 00:27:39,291 --> 00:27:42,959 >> HE WENT RIGHT ON DOWN 573 00:27:43,041 --> 00:27:45,417 JUST LIKE TOILET PAPER. 574 00:27:45,500 --> 00:27:49,041 I WAS TELLIN' JACK ABOUT OUR RAT. 575 00:27:49,125 --> 00:27:50,875 >> OH, BOY. WE COULDN'T HAVE CAUGHT HIM, 576 00:27:50,959 --> 00:27:52,417 BUT WE TURNED THE LIGHTS OUT. 577 00:27:52,500 --> 00:27:53,375 THAT--THAT BLINDS 'EM. 578 00:27:53,750 --> 00:27:55,458 >> WELL, YOU GUYS HAD SOME KIND OF BUSY NIGHT. 579 00:27:55,542 --> 00:27:57,959 >> AND TODAY, AND TODAY. 580 00:27:58,041 --> 00:27:59,041 >> WHY, WHAT HAPPENED TODAY? 581 00:27:59,125 --> 00:28:00,792 >> OH! OH, BARRY GOT A LETTER. 582 00:28:00,875 --> 00:28:02,542 >> LETTER MADE BARRY SAD. 583 00:28:02,625 --> 00:28:04,250 >> I'VE NOT BEEN SAD. I'VE BEEN POIGNANT. 584 00:28:04,333 --> 00:28:07,250 IT'S A POIGNANT THING WHEN A FATHER COMES TO SEE HIS SON. 585 00:28:08,417 --> 00:28:10,542 YOUR DAD'S COMIN' TO SEE YOU, BARRY? 586 00:28:10,625 --> 00:28:11,667 >> HEY! >> YOUR FATHER'S COMIN'! 587 00:28:11,750 --> 00:28:14,125 YOU DIDN'T TELL US-- >> DON'T HAVE A COW. 588 00:28:14,208 --> 00:28:16,000 IT'S--IT'S FINE THAT HE'S COMING. 589 00:28:16,083 --> 00:28:17,333 HE'S JUST-- HE'S A VERY BUSY MAN... 590 00:28:17,417 --> 00:28:20,959 BUT HE SENDS ME CANDY EVERY YEAR ON MY BIRTHDAY. 591 00:28:21,041 --> 00:28:22,166 AND IT ALWAYS GETS THERE ON TIME. 592 00:28:22,250 --> 00:28:25,458 IT'S JUST--DON'T-- DON'T--DON'T HAVE A COW. 593 00:28:25,542 --> 00:28:27,333 IT'S JUST MY DAD COMIN' TO SEE ME 594 00:28:27,417 --> 00:28:28,458 WHEN HIS SCHEDULE PERMITS. 595 00:28:28,542 --> 00:28:32,000 DADS LOVE THEIR SONS. SONS LOVE THEIR DADS. 596 00:28:32,083 --> 00:28:34,917 IT'S NOT A HISTORICAL EVENT. 597 00:28:35,000 --> 00:28:36,375 MY DAD IS COMING TO SEE HIS SON. 598 00:28:36,458 --> 00:28:39,709 SO BLAH, BLAH, BLAH. THAT'S SO-- 599 00:28:39,792 --> 00:28:43,333 >> SO IT IS A NICE THING. 600 00:28:43,417 --> 00:28:47,166 >> WE SHALL SEE WHAT WE SHALL SEE. 601 00:28:47,250 --> 00:28:51,542 >> AND I'M GONNA DANCE WITH SHEILA TONIGHT. 602 00:28:53,041 --> 00:28:54,709 >> AND SHE'S A LUCKY GIRL. 603 00:28:54,792 --> 00:28:57,959 YA GOTTA BOOGIE. YA GOTTA ROCK 'N' ROLL. 604 00:28:58,041 --> 00:28:59,041 COME ON, GUYS. 605 00:28:59,458 --> 00:29:04,667 >> OH, AND ARNOLD TOOK HIS GROCERIES BACK TO THE STORE. 606 00:29:06,041 --> 00:29:08,625 >> ARNOLD, IS THAT TRUE? 607 00:29:08,709 --> 00:29:11,375 YOU TOOK THE STUFF BACK? 608 00:29:12,625 --> 00:29:13,375 >> IT'S TRUE. 609 00:29:13,709 --> 00:29:16,875 I TOOK THE GROCERIES BACK TO THE STORE. 610 00:29:16,959 --> 00:29:18,834 >> WHAT? 611 00:29:18,917 --> 00:29:22,792 COME ON, LUCIEN. TIME'S A-WASTIN'. 612 00:29:22,875 --> 00:29:24,709 >> TIME'S A-WASTIN'. 613 00:29:25,750 --> 00:29:27,417 >> COME ON. DON'T BE A SLOWPOKE. 614 00:29:27,500 --> 00:29:30,792 >> ARNOLD, I'M PROUD OF YOU. 615 00:29:32,667 --> 00:29:35,458 >> RENA GONNA BE THERE TONIGHT, JACK? 616 00:29:35,542 --> 00:29:36,542 >> I HOPE SO. 617 00:29:36,625 --> 00:29:37,458 >> JACK-- 618 00:29:37,542 --> 00:29:38,750 >> SEAT BELTS. 619 00:29:38,834 --> 00:29:39,375 >> SEAT BELTS. 620 00:29:39,667 --> 00:29:42,750 >> RENA ALWAYS SMELL NICE. 621 00:29:42,834 --> 00:29:44,041 >> LUCIEN? 622 00:29:44,125 --> 00:29:44,834 >> HMM? 623 00:29:45,166 --> 00:29:46,667 >> WHEN YOU'RE RIGHT, YOU'RE RIGHT. 624 00:31:04,834 --> 00:31:07,166 >> YOU GUYS KEEP YOUR NOSES CLEAN. 625 00:31:07,250 --> 00:31:08,000 THAT MEANS BEHAVE YOURSELVES. 626 00:31:08,333 --> 00:31:10,667 STAY OUT OF TROUBLE. I'LL BE RIGHT BACK. 627 00:31:11,417 --> 00:31:12,792 JACK. HEY, JACK. 628 00:31:12,875 --> 00:31:17,083 HEY. Second man: ALL RIGHT. 629 00:31:17,166 --> 00:31:19,250 ALL RIGHT. 630 00:31:24,709 --> 00:31:26,291 >> THERE. THERE. THAT ONE. 631 00:31:26,375 --> 00:31:27,875 I DANCED WITH HER 2 WEEKS AGO. 632 00:31:27,959 --> 00:31:29,500 WE DID THE BUNNY HOP TWICE. 633 00:31:29,583 --> 00:31:30,917 >> OH, BOY. I LIKE THE BUNNY HOP. 634 00:31:31,000 --> 00:31:33,583 IT'S--IT'S LIKE AEROBICS ON TV. 635 00:31:33,667 --> 00:31:35,333 >> THERE'S FREDDY GALANZO. 636 00:31:35,417 --> 00:31:38,333 HE THINKS HE'S ROBERT GOULET OR SOMEBODY. 637 00:31:38,417 --> 00:31:40,750 EVER SINCE HE GOT SNEAKERS WITH A STRIPE ON 'EM, 638 00:31:40,834 --> 00:31:42,333 HE THINKS HE'S ROBERT GOULET. 639 00:31:42,417 --> 00:31:43,458 >> WHO'S ROBERT GOULET? 640 00:31:43,875 --> 00:31:46,709 >> JUST THE GREATEST DANCER WHO EVER LIVED, THAT'S ALL. 641 00:31:57,500 --> 00:31:59,208 >> BARRY? 642 00:31:59,667 --> 00:32:00,583 >> YA. 643 00:32:00,917 --> 00:32:02,959 >> MAYBE I COULD GOLF. 644 00:32:03,291 --> 00:32:04,208 >> YA. 645 00:32:04,834 --> 00:32:06,166 >> I KILLED A RAT. 646 00:32:06,333 --> 00:32:07,917 >> KILLING RATS AND PLAYING GOLF 647 00:32:08,000 --> 00:32:09,250 ARE TOTALLY TWO DIFFERENT THINGS. 648 00:32:10,959 --> 00:32:14,250 WELL, MAYBE NOT TOTALLY DIFFERENT. 649 00:32:36,417 --> 00:32:38,208 >> HEY NORMAN, THERE'S SHEILA. 650 00:32:42,041 --> 00:32:43,000 NORMAN, I SAID THERE'S SHEILA. 651 00:32:43,291 --> 00:32:45,917 >> I HEAR YOU. I'M NOT BLIND. 652 00:33:03,333 --> 00:33:07,959 >> I'LL TELL YOU WHAT. I'LL TALK TO YOU BEFORE I LEAVE. 653 00:33:11,792 --> 00:33:12,709 HI, SHEILA. 654 00:33:12,792 --> 00:33:13,291 >> HI, JACK. 655 00:33:13,542 --> 00:33:14,458 >> HOW'S IT GOIN' WITH-- 656 00:33:14,542 --> 00:33:15,709 JACK. >> HEH HEH. 657 00:33:15,792 --> 00:33:16,458 HEY, BRUCE. 658 00:33:16,750 --> 00:33:17,500 HI, JACK. >> HI, CAROLYN. 659 00:33:17,583 --> 00:33:18,709 HI, JACK. 660 00:33:18,792 --> 00:33:20,917 HI. 661 00:33:21,000 --> 00:33:22,333 >> HEY. 662 00:33:22,417 --> 00:33:24,500 >> HEY. 663 00:33:29,667 --> 00:33:33,375 WE SHOULD PROBABLY DANCE, HUH? 664 00:33:39,583 --> 00:33:40,208 HEY, JAMES. 665 00:33:40,542 --> 00:33:41,875 HEY, JACK. PUT IT THERE. 666 00:33:41,959 --> 00:33:43,125 >> HA HA. 667 00:33:43,208 --> 00:33:45,917 YOU GUYS ARE DANCIN'. 668 00:33:51,417 --> 00:33:53,709 >> SO HAVE YOU DECIDED YET? 669 00:33:53,792 --> 00:33:56,125 >> DECIDED WHAT? 670 00:33:56,875 --> 00:33:59,375 >> WHETHER THIS IS THE SADDEST PLACE ON EARTH 671 00:33:59,458 --> 00:34:00,792 OR THE HAPPIEST. 672 00:34:00,875 --> 00:34:04,458 >> DISNEYLAND IS THE HAPPIEST PLACE ON EARTH. 673 00:34:04,542 --> 00:34:07,250 THIS ISN'T DISNEYLAND. 674 00:34:14,792 --> 00:34:16,709 >> JUST A SECOND. 675 00:34:18,750 --> 00:34:19,917 HI. 676 00:34:20,000 --> 00:34:22,667 HEY, NORMAN. WHERE'S ARNOLD? 677 00:34:22,750 --> 00:34:25,333 >> BATHROOM. NUMBER ONE. 678 00:34:26,041 --> 00:34:28,000 >> HOW COME YOU'RE NOT DANCING WITH SHEILA? 679 00:34:28,625 --> 00:34:30,291 >> SHE WANTS MY KEYS, JACK. EVERY TIME WE DANCE, 680 00:34:30,375 --> 00:34:33,083 SHE ASKS ABOUT GETTIN' MY KEYS. 681 00:34:33,166 --> 00:34:34,333 I NEED MY KEYS TO GET INTO THINGS. 682 00:34:34,417 --> 00:34:37,625 >> NORMAN, WHAT IF YOU GAVE YOUR KEYS TO JACK 683 00:34:37,709 --> 00:34:39,500 JUST TO HOLD WHILE YOU DANCE WITH SHEILA? 684 00:34:39,583 --> 00:34:41,792 SHE CAN'T EXPECT YOU TO GIVE HER YOUR KEYS 685 00:34:41,875 --> 00:34:45,125 IF YOU DON'T HAVE THEM ON YOU. 686 00:34:47,458 --> 00:34:52,709 >> JACK, SHE'S SMART ENOUGH TO BE DOING FINAL JEOPARDY. 687 00:35:32,875 --> 00:35:33,792 >> HI, SHEILA. 688 00:35:33,875 --> 00:35:34,667 >> HI, NORMAN. 689 00:35:34,750 --> 00:35:36,792 >> HI, SHEILA. >> HI, NORMAN. 690 00:35:40,208 --> 00:35:42,333 >> HELLO, MY NAME IS NORMAN BULANSKY. 691 00:35:42,417 --> 00:35:43,125 WELCOME TO MY DANCE. 692 00:35:43,417 --> 00:35:46,125 >> HI, NORMAN. YOUR SHIRT IS NICE. 693 00:35:46,208 --> 00:35:50,709 >> OH. IT--IT'S MY DOUGHNUT SHOP SHIRT. 694 00:35:57,208 --> 00:35:59,667 >> WANNA DANCE? >> WANNA DANCE? 695 00:36:18,542 --> 00:36:21,041 >> WATCH OUT FOR THAT FAUCET. 696 00:36:21,125 --> 00:36:21,625 >> ARNOLD. 697 00:36:22,041 --> 00:36:23,291 >> WHAT? OOH, JACK, JACK, 698 00:36:23,375 --> 00:36:24,125 THE FAUCET IN THE BATHROOM, 699 00:36:24,417 --> 00:36:25,959 IT JUST--IT WENT CRAZY. IT EXPLODED. 700 00:36:26,041 --> 00:36:26,959 THERE'S WATER EVERYWHERE. 701 00:36:27,041 --> 00:36:28,291 >> GREAT. >> OH, JACK, STOP. 702 00:36:28,375 --> 00:36:29,083 >> WHAT? I GOTTA TAKE CARE OF IT. 703 00:36:29,417 --> 00:36:30,667 >> STOP. NO, JACK, DON'T YOU GET IT? 704 00:36:30,750 --> 00:36:31,333 >> WHAT? 705 00:36:31,625 --> 00:36:32,709 >> IT'S PERFECT. 706 00:36:32,792 --> 00:36:33,834 THIS IS JUST PERFECT. 707 00:36:33,917 --> 00:36:34,542 >> WHAT HAPPENED? 708 00:36:35,166 --> 00:36:36,458 >> LET ME TELL YOU WHAT I DID. 709 00:36:37,041 --> 00:36:38,583 I WENT TO THE BATHROOM. 710 00:36:38,667 --> 00:36:39,458 I WAS CAREFUL AS ALWAYS, 711 00:36:39,792 --> 00:36:41,000 AND I EVEN REMEMBERED TO WASH MY HANDS, 712 00:36:41,083 --> 00:36:43,000 BUT A COUPLE OF DROPS WENT DOWN MY PANTS. 713 00:36:43,083 --> 00:36:45,542 >> THAT HAPPENS TO GUYS SOMETIMES, ARNOLD. 714 00:36:45,625 --> 00:36:47,750 >> BUT JACK, IT MADE ME DEEPLY NERVOUS. 715 00:36:47,834 --> 00:36:48,625 SO I WENT INTO ONE OF THE STALLS 716 00:36:48,959 --> 00:36:50,792 TO WAIT FOR 'EM TO KINDA, YOU KNOW, DRY. 717 00:36:50,875 --> 00:36:53,166 BUT GET THIS, JACK. MY PANTS-- THEY WOULDN'T DRY. 718 00:36:53,250 --> 00:36:56,166 I MEAN, THEY MUST BE SOME KIND OF CHEMICAL OR SOMETHIN'. 719 00:36:56,250 --> 00:36:57,667 THEY WOULDN'T DRY, THOUGH. 720 00:36:57,917 --> 00:36:59,959 SO I GOT THIS GREAT IDEA. 721 00:37:00,875 --> 00:37:02,333 I FIGURED IF I SPLASHED WATER ALL OVER MYSELF 722 00:37:02,417 --> 00:37:03,875 PEOPLE WOULDN'T THINK IT WAS PEE. 723 00:37:03,959 --> 00:37:06,083 THEY WOULD THINK IT WAS SOMETHIN' ELSE. 724 00:37:06,166 --> 00:37:07,417 SO, SO FAR, I'VE TOLD 4 PEOPLE 725 00:37:07,500 --> 00:37:10,333 THAT THE WATER ONLY IS AN EXPLOSION AND NOT PEE. 726 00:37:10,417 --> 00:37:12,959 I'VE HAD GREAT RESULTS. 727 00:37:20,667 --> 00:37:22,250 >> MY SISTER SAYS TO DANCE REAL GOOD, 728 00:37:22,333 --> 00:37:26,917 YOU GOTTA MAKE-BELIEVE YOU'RE SOME KIND OF FLOWER. 729 00:37:27,000 --> 00:37:30,166 >> AN AFRICAN VIOLET IN THE SINK. 730 00:37:32,583 --> 00:37:34,583 >> AND YOU KNOW WHAT FLOWER I WOULD BE? 731 00:37:34,959 --> 00:37:35,917 >> OH BOY, LET ME GUESS. 732 00:37:36,917 --> 00:37:38,625 AH... AN AFRICAN VIOLET? 733 00:37:40,583 --> 00:37:41,959 >> I DON'T KNOW. 734 00:37:43,041 --> 00:37:45,458 GOTTA BE SOME KINDA FLOWER TO DANCE REAL GOOD. 735 00:37:58,208 --> 00:37:59,709 >> LUCIEN CAN I ... 736 00:37:59,875 --> 00:38:01,500 CAN I TELL YOU SOMETHING 737 00:38:01,917 --> 00:38:03,333 PERSONAL SOMETHING JUST BETWEEN US? 738 00:38:03,417 --> 00:38:04,667 I MEAN, A SECRET? 739 00:38:04,750 --> 00:38:08,917 >> NORMAN HE BE EATIN DONUTS ALL THE TIME. 740 00:38:11,375 --> 00:38:12,333 >> MY DAD COMING HERE, 741 00:38:15,375 --> 00:38:17,333 MY DAD SCARES ME SOMETHING TERRIBLE. 742 00:38:18,542 --> 00:38:20,709 MY ... SOMETHING TERRIBLE. 743 00:38:30,667 --> 00:38:32,792 >> DADS... 744 00:38:32,875 --> 00:38:36,750 CAN BE SCARY SOMETIMES. 745 00:38:40,583 --> 00:38:42,458 >> NORMAN, GUESS WHAT? 746 00:38:42,542 --> 00:38:44,000 >> WHAT? 747 00:38:44,083 --> 00:38:48,333 >> I'M A ORCHID. 748 00:38:48,417 --> 00:38:51,375 >> NOT ME. 749 00:38:51,458 --> 00:38:53,500 >> WELL, THEN WHAT FLOWER ARE YOU? 750 00:38:53,583 --> 00:38:55,959 >> AN APPLE DOUGHNUT WITH RAISINS. 751 00:38:56,041 --> 00:38:58,792 >> THAT'S NICE. 752 00:39:00,792 --> 00:39:03,917 I'M A ORCHID. 753 00:39:17,125 --> 00:39:19,125 >> NORMAN, CAN I HAVE YOUR KEYS? 754 00:39:19,208 --> 00:39:21,667 >> BOY! SHEILA, I NEED MY KEYS. 755 00:39:21,750 --> 00:39:25,542 I CAN'T GET INTO THINGS WITHOUT MY KEYS. 756 00:39:25,625 --> 00:39:28,083 SHEILA, I NEED MY KEYS. 757 00:39:28,166 --> 00:39:34,875 BESIDES, ORCHIDS DON'T HAVE POCKETS TO PUT KEYS INTO. 758 00:39:34,959 --> 00:39:36,750 EVERYBODY KNOWS THAT. 759 00:39:36,834 --> 00:39:40,041 >> I FORGOT. 760 00:40:48,500 --> 00:40:50,291 >> I DON'T KNOW WHAT YOU GUYS WANT ME TO TELL YOU. 761 00:40:50,375 --> 00:40:52,041 DO YOU WANT ME TO TELL YOU WHY I HATE MY JOB? 762 00:40:52,125 --> 00:40:53,625 DO YOU WANT ME TO TELL YOU-- YOU WANT ME TO-- 763 00:40:54,125 --> 00:40:56,542 DO YOU WANT ME TO TELL YOU THAT EVERY TIME I LOSE MY TEMPER WITH THESE GUYS, 764 00:40:56,625 --> 00:40:58,083 I HATE MYSELF FOR ABOUT A WEEK? 765 00:40:58,166 --> 00:41:00,166 FINE. I ADMIT IT. I NEED A NEW JOB. 766 00:41:00,250 --> 00:41:01,959 BUT THAT DOESN'T HELP. 767 00:41:02,041 --> 00:41:04,542 THEY DO DESERVE BETTER. I DESERVE BETTER. 768 00:41:04,625 --> 00:41:06,125 SOMEBODY DESERVES BETTER. 769 00:41:06,208 --> 00:41:07,583 >> HOW ABOUT YOUR WIFE? 770 00:41:07,667 --> 00:41:09,125 MAYBE SHE DESERVES BETTER. 771 00:41:09,208 --> 00:41:10,166 >> NO MAYBE ABOUT IT. 772 00:41:10,542 --> 00:41:11,792 BUT YOU DON'T SHARE MUCH OF THIS WITH HER. 773 00:41:11,875 --> 00:41:15,291 >> THAT'S NOT TRUE. I SHARE A LOT WITH HER... 774 00:41:15,375 --> 00:41:16,959 DON'T I? 775 00:41:17,959 --> 00:41:19,250 >> YOU TELL ME WHAT'S GOING ON. 776 00:41:19,333 --> 00:41:21,834 YOU DON'T TELL ME HOW IT'S AFFECTING YOU, 777 00:41:21,917 --> 00:41:23,792 BUT I KNOW HOW GUILTY YOU FEEL. 778 00:41:23,875 --> 00:41:25,250 >> WHAT DO I FEEL GUILTY ABOUT? 779 00:41:25,709 --> 00:41:29,083 >> I THINK YOU FEEL GUILTY ABOUT WHAT'S GONNA HAPPEN TO THEM IF YOU LEAVE. 780 00:41:29,166 --> 00:41:34,083 I THINK YOU FEEL GUILTY ABOUT NEEDING TO TAKE CARE OF YOURSELF FOR A CHANGE. 781 00:41:34,166 --> 00:41:35,542 I THINK A LOT OF THINGS. 782 00:41:35,625 --> 00:41:39,333 ALL I KNOW IS THAT THESE-- 783 00:41:39,417 --> 00:41:45,125 THESE DEAR, SWEET, DAMAGED GUYS 784 00:41:45,208 --> 00:41:48,875 ARE EATING YOU UP ALIVE. 785 00:41:51,583 --> 00:41:53,917 >> IS THAT RIGHT, JACK? 786 00:41:54,542 --> 00:41:57,250 >> I DON'T KNOW. 787 00:42:01,750 --> 00:42:03,250 THIS IS HARD TO TALK ABOUT. 788 00:42:03,333 --> 00:42:06,041 >> THAT'S ONE THING I HEAR COPS SAY. 789 00:42:06,125 --> 00:42:09,625 VERY HIGH DIVORCE RATE AMONG COPS. 790 00:42:16,041 --> 00:42:16,959 >> THEY NEED ME. 791 00:42:17,333 --> 00:42:19,291 >> WHAT HAPPENS WHEN THEY DON'T NEED YOU ANYMORE? 792 00:42:19,375 --> 00:42:21,542 >> THEY'LL NEVER NOT NEED ME ANYMORE. 793 00:42:21,625 --> 00:42:24,667 WHO MADE THAT RULE? YOU? 794 00:42:24,750 --> 00:42:26,750 >> NO, NOT ME. 795 00:42:26,834 --> 00:42:29,667 GOD. 796 00:42:33,792 --> 00:42:36,291 >> I'M SORRY. 797 00:42:39,625 --> 00:42:40,583 WE ARE NOT GONNA 798 00:42:40,792 --> 00:42:43,041 HAVE SCRAMMBLED EGGS ANYMORE, NOT EVER! 799 00:42:44,333 --> 00:42:47,583 SCRAMMBLED EGGS STICK LIKE ANYTHING AND IT'S NOT FAIR. 800 00:42:47,667 --> 00:42:49,208 >> WELL, TRY THIS JOB. 801 00:42:50,500 --> 00:42:52,125 THIS IS A REALLY TOUGH JOB. 802 00:42:52,208 --> 00:42:55,375 THIS, THIS ISN'T EVEN SUPPOSED TO BY MY JOB. 803 00:42:55,458 --> 00:42:57,542 THIS IS SUPPOSED TO BE BARRY'S JOB, BUT... 804 00:42:57,625 --> 00:43:00,542 BUT HE SAYS HE CAN'T DO HIS JOB BECAUSE HIS FATHER IS COMING. 805 00:43:00,625 --> 00:43:02,959 >> LUCIEN P. SINGER BE HOME. 806 00:43:03,041 --> 00:43:03,917 >> HEY LUCIEN 807 00:43:04,000 --> 00:43:04,750 >> HUH. 808 00:43:04,834 --> 00:43:06,625 >> LUCIEN I NEED YOUR HELP. 809 00:43:06,709 --> 00:43:07,667 OKAY. 810 00:43:11,875 --> 00:43:12,792 >> LUCIEN! >> HUH? 811 00:43:13,166 --> 00:43:15,750 >> LUCIEN, YOU NEED TO VACUUM THE LIVING ROOM. 812 00:43:15,834 --> 00:43:16,834 WE NEED TO BE SPIC AND SPAN. 813 00:43:16,917 --> 00:43:19,667 >> BECAUSE WE GOT BARRY'S FATHER COMING. 814 00:43:19,750 --> 00:43:20,667 I KNOW THAT. 815 00:43:20,750 --> 00:43:21,750 >> WHY IS IT ALWAYS BARRY? 816 00:43:22,125 --> 00:43:25,250 SHEILA--SHEILA'S GOTTA COME SEE MY PAD, DON'T FORGET? 817 00:43:25,333 --> 00:43:26,125 >> SHE IS?! 818 00:43:26,208 --> 00:43:27,667 >> IF JACK SAYS YES. 819 00:43:27,750 --> 00:43:30,041 AND THEN WHEN SHEILA AND ME GET MARRIED, 820 00:43:30,125 --> 00:43:32,375 WE'RE GONNA HAVE A BABY BOY AND THEN A BABY GIRL, 821 00:43:32,458 --> 00:43:36,667 AND--AND THEY CAN ALL GO TO WORK WITH ME AND GET FREE DOUGHNUTS 822 00:43:36,750 --> 00:43:39,959 AND DAY-OLD CRULLERS IF THEY'VE BEEN REALLY, REALLY GOOD. 823 00:43:41,959 --> 00:43:45,083 LUCIEN--LUCIEN, YOU GOTTA PLUG IN THE PLUG. 824 00:43:45,166 --> 00:43:47,417 >> WHEN YOU PLUG IT, IT BE LOUD. 825 00:43:47,500 --> 00:43:49,417 >> WE NEED TO GET THE DUST. 826 00:43:49,500 --> 00:43:50,792 >> NORMAN? >> WHAT? 827 00:43:50,875 --> 00:43:53,417 >> WHERE DO DUST COME FROM? 828 00:43:53,500 --> 00:43:55,834 >> FROM...TREES. 829 00:43:55,917 --> 00:43:57,959 >> WE GOT NO TREES. >> YEAH. 830 00:43:58,041 --> 00:43:59,834 >> CAN I START NOW? 831 00:43:59,917 --> 00:44:00,667 >> NO. 832 00:44:01,834 --> 00:44:02,709 >> COME IN--OW! 833 00:44:03,083 --> 00:44:06,333 MY NAME IS NORMAN BULANSKY. WELCOME TO MY HOME. 834 00:44:06,417 --> 00:44:07,125 >> HI, GUYS. 835 00:44:07,208 --> 00:44:07,834 HEY, JACK. 836 00:44:08,166 --> 00:44:08,834 >> JACK! HI, JACK! HOW ARE YOU? 837 00:44:09,417 --> 00:44:12,625 THE JOB'S GOING GREAT. NICE TO SEE YOU AGAIN. 838 00:44:12,709 --> 00:44:13,333 OW! 839 00:44:13,625 --> 00:44:14,834 ARNOLD'S OUT BEATING THE RUGS. 840 00:44:14,917 --> 00:44:18,333 BUT BARRY, HE SAYS HE WON'T HELP. HE'S TOO BUSY. 841 00:44:18,417 --> 00:44:20,458 HE SAYS 'CAUSE HIS DAD'S COMING TO VISIT, 842 00:44:20,542 --> 00:44:21,375 HE NEEDS TO GET READY. 843 00:44:21,709 --> 00:44:23,375 SO HE SAYS HE DON'T HAVE TO DO THE DISHES. 844 00:44:23,458 --> 00:44:24,291 >> OK, I'LL TALK TO HIM, NORMAN. 845 00:44:24,625 --> 00:44:27,834 I GOTTA HIT THE HEAD. I'LL BE RIGHT BACK. 846 00:44:31,291 --> 00:44:32,417 >> LUCIEN. >> HUH? 847 00:44:32,500 --> 00:44:33,959 >> LUCIEN, WOULD YOU DO THE DISHES? 848 00:44:34,041 --> 00:44:38,500 >> NO, THANK YOU. I BE DUSTING. 849 00:44:40,667 --> 00:44:43,166 >> AAH! 850 00:44:54,250 --> 00:44:56,834 >> OK, LUCIEN? GOOD MAN. 851 00:44:56,917 --> 00:44:59,625 NORMAN? WAY TO GO. 852 00:45:00,250 --> 00:45:01,709 ARNOLD. 853 00:45:01,792 --> 00:45:05,500 3 A DAY. 2 IS NOT GONNA DO IT. 854 00:45:07,291 --> 00:45:11,208 OH, BARRY, BARRY, BARRY. 855 00:45:13,667 --> 00:45:14,333 >> I HEARD JACK'S VOICE. 856 00:45:14,667 --> 00:45:16,000 WHERE IS HE? I HAVE TO TALK TO HIM. 857 00:45:16,083 --> 00:45:17,375 >> HE BE HITTING HIS HEAD. 858 00:45:17,458 --> 00:45:19,291 >> WELL, THIS IS IMPORTANT. IT CAN'T WAIT. 859 00:45:19,375 --> 00:45:20,959 JACK! WE HAVE TO HAVE A DISCUSSION! 860 00:45:21,041 --> 00:45:23,291 HOLD YOUR HORSES, ARNOLD. I'LL BE RIGHT THERE. 861 00:45:23,375 --> 00:45:25,417 >> ARNOLD? YOU GOT HORSES? 862 00:45:25,500 --> 00:45:28,458 >> NO, HE'S GOT ME CONFUSED WITH SOMEBODY ELSE. 863 00:45:28,542 --> 00:45:29,709 I DON'T HAVE ANY HORSES. 864 00:45:29,792 --> 00:45:32,542 JACK! IT'S ME! ARNOLD! 865 00:45:32,625 --> 00:45:33,750 >> WE GOT NO TREE! 866 00:45:34,458 --> 00:45:36,083 >> OK, ARNOLD. WHAT'S THE BIG EMERGENCY? 867 00:45:36,166 --> 00:45:39,417 >> I'M HAVING A LITTLE BIT OF A PROBLEM WITH THE RUGS. 868 00:45:39,500 --> 00:45:41,500 >> WHAT RUGS? >> THESE RUGS. 869 00:45:41,583 --> 00:45:42,834 >> ARNOLD, YOU GOT HORSES? 870 00:45:43,250 --> 00:45:47,041 >> AND JACK--JACK, WE GOTTA MAKE IT ILLEGAL TO HAVE STEAK SAUCE. 871 00:45:47,125 --> 00:45:50,000 I SCRUB IT, I SCRUB IT. IT WON'T COME OUT. 872 00:45:50,625 --> 00:45:51,458 WE NEED TO HAVE A MEETING. 873 00:45:51,834 --> 00:45:53,500 >> NORMAN'S RIGHT. WE NEED TO HAVE A MEETING. 874 00:45:53,583 --> 00:45:55,542 OK. LUCIEN, YOU GO HAVE A MEETING IN YOUR ROOM 875 00:45:55,625 --> 00:45:58,208 AND WORK ON WHAT YOU'RE GONNA SAY TO THE SENATE PEOPLE TODAY. 876 00:45:58,291 --> 00:45:59,500 HERE. I GOT YOU A PRESENT. 877 00:45:59,583 --> 00:46:00,625 HOW COME HE GETS A PRESENT?! 878 00:46:00,709 --> 00:46:01,959 >> ARNOLD, YOU GO OUTSIDE 879 00:46:02,041 --> 00:46:02,917 AND HAVE A MEETING WITH YOUR RUGS 880 00:46:03,375 --> 00:46:04,625 AND DECIDE WHAT NEEDS TO BE SAID ABOUT THAT-- 881 00:46:04,709 --> 00:46:05,792 >> YOU KNOW, I COULD JUST MOVE TO RUSSIA 882 00:46:05,875 --> 00:46:07,000 AND I WOULDN'T EVEN HAVE THIS PROBLEM. 883 00:46:07,417 --> 00:46:10,583 I COULD JUST LAY AROUND ALL DAY AND LISTEN TO TCHAIKOVSKY! 884 00:46:10,667 --> 00:46:11,834 >> SPIDER-MAN TIE! 885 00:46:11,917 --> 00:46:12,959 >> COME ON. DON'T STOP WALKING, LUCIEN. 886 00:46:13,041 --> 00:46:15,125 LET'S GO, LET'S GO. LET'S GO. 887 00:46:15,208 --> 00:46:17,667 >> AND I MEAN BUSINESS! 888 00:46:19,709 --> 00:46:21,792 >> OK. GO. 889 00:46:21,875 --> 00:46:26,750 >> JACK, CAN--CAN SHEILA COME OVER HERE SOMETIME? 890 00:46:27,375 --> 00:46:28,291 JUST ME AND HER ALONE. 891 00:46:28,375 --> 00:46:32,917 I--I'D LIKE HER TO SEE...MY PAD. 892 00:46:33,000 --> 00:46:35,000 >> JUST THE TWO OF YOU? 893 00:46:35,083 --> 00:46:37,959 I DON'T KNOW, NORMAN. THAT COULD BE A LITTLE... 894 00:46:38,041 --> 00:46:38,875 TRICKY. 895 00:46:39,208 --> 00:46:40,917 >> BUT BARRY SAYS IF YOU CALL IT A PAD, 896 00:46:41,000 --> 00:46:44,041 GIRLS WILL COME OVER, BECAUSE... 897 00:46:45,041 --> 00:46:46,000 I'M NOT SURE WHY. 898 00:46:46,083 --> 00:46:47,709 I'LL THINK ABOUT IT, OK? 899 00:46:48,792 --> 00:46:51,000 >> ALL RIGHT, THEN, FINE! 900 00:46:51,083 --> 00:46:52,083 NOBODY CARES ABOUT THE RUGS-- 901 00:46:52,458 --> 00:46:55,375 >> IT'S NORMAN'S TURN, ARNOLD. IT IS NOT YOUR TURN. 902 00:46:55,458 --> 00:46:56,417 >> IF ANYONE WANTS ME, 903 00:46:56,792 --> 00:46:58,000 I WILL BE UP IN MY ROOM THINKING ABOUT THESE RUGS, 904 00:46:58,083 --> 00:46:59,542 AND IF A CERTAIN PERSON, FOR INSTANCE, 905 00:46:59,625 --> 00:47:00,750 WOULD LIKE TO KNOW WHAT HAPPENED TO THEM, 906 00:47:00,834 --> 00:47:01,875 HE'LL HAVE TO ASK ME, AND FRANKLY, 907 00:47:01,959 --> 00:47:03,500 I'M NOT TELLING ANYBODY ANYWAY! 908 00:47:03,583 --> 00:47:06,458 SO, IF HE DOES ASK, HE'S IN FOR A BIG SURPRISE! 909 00:47:06,542 --> 00:47:09,125 >> FINE. THAT'S JUST WHAT I NEED IN MY LIFE, ARNOLD, 910 00:47:09,208 --> 00:47:09,959 MORE BIG SURPRISES! 911 00:47:10,291 --> 00:47:12,083 LIKE WHO'S NOT TAKING THEIR MEDICATION? 912 00:47:12,166 --> 00:47:13,041 >> OOOHHH! 913 00:47:13,375 --> 00:47:16,000 >> TAUGHT MYSELF HOW TO TIE. A SPIDER-MAN TIE. 914 00:47:16,083 --> 00:47:19,000 >> JACK! JACK! I'LL CALL SHEILA NOW, OK? 915 00:47:19,083 --> 00:47:21,250 >> NO, NORMAN, YOU WILL NOT CALL SHEILA NOW. NO. 916 00:47:21,333 --> 00:47:22,500 GIVE ME THE PHONE. 917 00:47:23,792 --> 00:47:25,208 ARNOLD, WAIT YOUR TURN! 918 00:47:25,291 --> 00:47:26,250 NO! 919 00:47:27,291 --> 00:47:30,041 >> WILL YOU GUYS GIVE IT A REST?! 920 00:47:30,291 --> 00:47:32,583 I FEEL LIKE I'M INSIDE A BLENDER! 921 00:47:41,375 --> 00:47:43,917 >> FIRST THING MY DAD WILL SEE WHEN HE COMES IN. 922 00:47:44,000 --> 00:47:49,166 BARRY, YOUR DAD DOESN'T ARRIVE TILL TOMORROW, RIGHT? 923 00:47:49,250 --> 00:47:50,166 RIGHT. 924 00:47:50,500 --> 00:47:53,291 WELL, YOU KINDA WALLED OFF THE BATHROOM. 925 00:47:53,375 --> 00:47:55,583 >> WE CAN USE THE BUSHES, JACK. 926 00:47:55,667 --> 00:47:57,542 NO, LUCIEN, YOU CAN'T USE THE BUSHES. 927 00:47:57,625 --> 00:47:59,000 >> OR HOLD IT. WE COULD HOLD IT. 928 00:47:59,083 --> 00:48:00,959 >> ARNOLD, YOU CAN'T HOLD IT FOR AN ENTIRE DAY. 929 00:48:01,041 --> 00:48:03,250 >> IF WE CLENCH, I BET WE CAN. 930 00:48:03,333 --> 00:48:04,208 >> I DON'T THINK SO. 931 00:48:04,583 --> 00:48:06,291 WE CAN USE THE GAS STATION ON WOODLOW. 932 00:48:20,375 --> 00:48:21,875 >> HELLO. MY NAME IS NORMAN BULANSKY. 933 00:48:21,959 --> 00:48:23,667 WELCOME TO MY...HOME. 934 00:48:23,750 --> 00:48:25,417 >> HELLO. I'M... 935 00:48:30,625 --> 00:48:31,875 >> MY NAME IS KAREN WARREN. 936 00:48:31,959 --> 00:48:35,125 MY HUSBAND AND I, WE JUST-- WE MOVED IN NEXT DOOR. 937 00:48:35,208 --> 00:48:39,875 >> LUCIEN P. SINGER, AND I MEAN BUSINESS. 938 00:48:39,959 --> 00:48:40,875 HELLO, MR. SINGER. 939 00:48:40,959 --> 00:48:43,250 >> HI. >> HELLO AGAIN. 940 00:48:43,333 --> 00:48:45,625 I AM SO SORRY TO BOTHER YOU. 941 00:48:45,709 --> 00:48:47,709 THAT'S OK. WHAT CAN WE DO FOR YOU? 942 00:48:48,291 --> 00:48:50,250 IT'S PRETTY IMPORTANT AT OUR HOUSE. 943 00:48:50,333 --> 00:48:52,709 MY SON'S HAMSTER GOT OUT OF ITS CAGE, 944 00:48:52,792 --> 00:48:56,750 AND BURT AND I HAVE JUST HAD NO LUCK IN TRACKING THE LITTLE DEVIL DOWN. 945 00:48:56,834 --> 00:49:00,333 WE'VE BEEN TO EVERY OTHER HOUSE ON THE BLOCK. 946 00:49:00,417 --> 00:49:01,250 I, UH... 947 00:49:01,625 --> 00:49:05,792 I--I SAVED THIS HOUSE FOR LAST BECAUSE I... 948 00:49:05,875 --> 00:49:08,333 OF COURSE, I DIDN'T WANT TO BOTHER YOU. 949 00:49:08,417 --> 00:49:11,166 >> YOUR SON'S HAMSTER IS MISSING? 950 00:49:12,792 --> 00:49:15,917 >> AREN'T HAMSTERS MEMBERS OF THE RODENT FAMILY? 951 00:49:16,000 --> 00:49:18,875 >> MM-HMM. IT HAS KIND OF CUTE LITTLE EARS 952 00:49:18,959 --> 00:49:20,959 AND A WIGGLY KIND OF NOSE. 953 00:49:21,041 --> 00:49:24,208 >> HOW--HOW BIG IS HE? 954 00:49:24,291 --> 00:49:28,125 1-1/2 DOUGHNUTS TO 2 DOUGHNUTS LONG? 955 00:49:28,208 --> 00:49:30,917 OR ABOUT THE SIZE OF A FRENCH CRULLER? 956 00:49:31,000 --> 00:49:32,959 >> YES. IT WOULD BE-- YES. RIGHT. 957 00:49:33,041 --> 00:49:34,875 ABOUT--ABOUT LIKE THAT, YES. 958 00:49:36,834 --> 00:49:39,417 YOU KNOW, IF YOU COULD GIVE US SOME HELP IN FLUSHING HIM OUT, 959 00:49:39,500 --> 00:49:41,083 I WOULD BE SO GRATEFUL. 960 00:49:41,166 --> 00:49:44,583 >> FLUSHING. OH, WE'VE BEEN FLUSHING. 961 00:49:44,667 --> 00:49:46,417 OH, BOY. 962 00:49:46,500 --> 00:49:47,625 >> THEY JUST LOVE ANIMALS. 963 00:49:48,041 --> 00:49:50,291 THEY'RE VERY SENSITIVE WHEN IT COMES TO ONE GETTING LOST. 964 00:49:51,291 --> 00:49:56,417 >> 965 00:49:56,500 --> 00:49:57,542 >> KNOCK IT OFF, BARRY. 966 00:49:57,625 --> 00:50:01,208 >> THIS IS BAD. THIS IS VERY, VERY BAD. 967 00:50:01,291 --> 00:50:02,166 >> OH, BOY. 968 00:50:02,500 --> 00:50:04,750 >> I'M SORRY. I DIDN'T MEAN TO UPSET THEM. 969 00:50:04,834 --> 00:50:09,041 >> DOWN HE GOES, JUST LIKE TOILET PAPER. 970 00:50:09,125 --> 00:50:11,417 >> OH, NO, IT'S OK. LOOK, MRS. WARREN, 971 00:50:11,500 --> 00:50:12,458 WE'LL DO EVERYTHING WE CAN, REALLY. 972 00:50:12,875 --> 00:50:14,709 IF ANYTHING COMES UP, WE'LL CALL YOU RIGHT AWAY. 973 00:50:14,792 --> 00:50:15,542 >> OH, BOY! 974 00:50:15,875 --> 00:50:17,875 OH, BOY! OH, YEAH! WE'LL CALL! BYE-BYE! 975 00:50:17,959 --> 00:50:20,583 THANK YOU FOR VISITING ME. COME AGAIN. 976 00:50:20,667 --> 00:50:23,792 >> THANKS. BYE. >> BYE! 977 00:50:27,333 --> 00:50:30,375 >> JACK, JACK WE MURDERED A HAMPSTER. 978 00:50:30,458 --> 00:50:31,375 >> ITS OKAY. 979 00:50:31,458 --> 00:50:32,417 GUYS, COME ON, 980 00:50:33,250 --> 00:50:34,166 LIFE WORKS LIKE THIS SOMETIMES. 981 00:50:34,250 --> 00:50:37,250 AW LUCIEN. NORMAN ITS ALL RIGHT. 982 00:50:37,333 --> 00:50:39,083 LUCIEN, AW. 983 00:50:39,166 --> 00:50:42,333 COME ON, HEY. THE THING IS YOU JUST GOTTA PICK UP AND CARRY ON. 984 00:50:42,417 --> 00:50:45,000 RIGHT? IT'S OKAY, IT'S ALL RIGHT. 985 00:50:45,083 --> 00:50:46,000 HEY, WHAT DO WE GOTTA DO? 986 00:50:46,291 --> 00:50:47,250 WHAT DO YOU DO? 987 00:50:47,333 --> 00:50:48,959 WHAT DO WE GOTTA DO? COME ON TELL ME? 988 00:50:49,041 --> 00:50:49,917 YOU GOTTA ROCK-N-ROLL. 989 00:50:50,000 --> 00:50:50,709 ROCK-N-ROLL. 990 00:50:50,792 --> 00:50:51,709 GOTTA BOGGIE. 991 00:50:51,792 --> 00:50:52,959 GOTTA BOGGIE. 992 00:50:53,041 --> 00:50:54,750 >> COME ON, THAT'S IT. 993 00:50:54,834 --> 00:50:57,125 >> YOU KNOW WHAT ELSE YOU GOT TO DO JACK? 994 00:50:57,208 --> 00:50:58,875 >> WHAT, WHAT DO WE GOTTA DO? 995 00:50:58,959 --> 00:51:02,333 >> TODAY IS THE DAY YOU GOT TO TIE MY TIE. 996 00:51:02,417 --> 00:51:03,333 >> WELL ALL RIGHT THEN, 997 00:51:03,417 --> 00:51:05,000 COME ON LETS GO. 998 00:51:05,083 --> 00:51:06,917 ALL RIGHT GUYS, GO ON GET UP THOSE STAIRS. 999 00:51:07,000 --> 00:51:09,250 GO ON! GET UP THOSE STAIRS. 1000 00:51:12,208 --> 00:51:14,000 >> LUCIEN, DID YOU TAKE A SHOWER? 1001 00:51:14,083 --> 00:51:21,458 >> I JUST WASHED MY HANDS AND MY KNEES AND MY FEET. 1002 00:51:21,542 --> 00:51:24,125 >> YOU'RE SUPPOSED TO DO YOUR WHOLE BODY, PAL, 1003 00:51:24,208 --> 00:51:26,083 NOT JUST SELECTED PARTS. 1004 00:51:26,166 --> 00:51:27,417 IT'S NOT LIKE A MOVIE PREVIEW. 1005 00:51:27,500 --> 00:51:30,333 >> IT'S AWFULLY WET IN THERE, JACK. 1006 00:51:30,417 --> 00:51:33,208 >> I SCREWED THIS UP. I GOT TO DO IT AGAIN. 1007 00:51:33,291 --> 00:51:36,709 >> WHAT A RETARD. 1008 00:51:45,709 --> 00:51:49,041 YOU KNOW I DON'T THINK BARRY HAS EVER BEEN ASKED 1009 00:51:49,125 --> 00:51:51,542 TO TESTIFY BEFORE THE STATE SENATE. 1010 00:51:51,625 --> 00:51:53,083 I DON'T THINK ARNOLD EVER HAS EITHER. 1011 00:51:54,250 --> 00:51:56,000 AND I'M PRETTY SURE THAT NORMAN NEVER HAS. 1012 00:51:57,083 --> 00:51:57,959 THEY PICKED YOU LUCIEN. 1013 00:51:58,041 --> 00:52:00,000 >> WHAT'S THE BECAUSE JACK? 1014 00:52:00,542 --> 00:52:01,792 >> THEY WANTED SOMEONE GOOD. 1015 00:52:02,500 --> 00:52:03,792 AND THAT'S YOU. 1016 00:52:03,875 --> 00:52:06,166 I GOT A LIBRARY CARD. 1017 00:52:06,250 --> 00:52:09,417 AH HUH. AND FRIENDS. YOU GOT FRIENDS. 1018 00:52:09,500 --> 00:52:11,500 YOU GOT BARRY, AND ARNOLD, AND NORMAN. 1019 00:52:11,583 --> 00:52:13,333 AND YOU'RE GONNA BE HELPING ALL OF THEM BY TALKING 1020 00:52:13,417 --> 00:52:14,333 TO THESE PEOPLE TODAY. 1021 00:52:14,917 --> 00:52:16,750 I GOT TO BE A HELPER. 1022 00:52:16,959 --> 00:52:17,917 BIG TIME. 1023 00:52:20,083 --> 00:52:22,750 >> HEALTH AND HUMAN SERVICES SUB-COMMITTEE. 1024 00:52:22,834 --> 00:52:25,000 SENATOR WARREN CLARKE PRESIDING. 1025 00:52:25,083 --> 00:52:27,625 ORDER, PLEASE. WE ARE IN SESSION. 1026 00:52:27,709 --> 00:52:30,041 >> GOOD MORNING, MR. SINGER. 1027 00:52:30,125 --> 00:52:34,583 WE'RE VERY HAPPY YOU WERE ABLE TO JOIN US HERE THIS MORNING. 1028 00:52:34,667 --> 00:52:35,583 AS OUR STAFF INFORMED YOU, 1029 00:52:35,959 --> 00:52:38,458 THIS SUB-COMMITTEE IS ONLY INTERESTED IN THE TRUTH, 1030 00:52:38,542 --> 00:52:42,458 SO THERE ARE NO RIGHT OR WRONG ANSWERS. 1031 00:52:42,542 --> 00:52:47,083 DO YOU UNDERSTAND THAT, MR. SINGER? 1032 00:52:49,041 --> 00:52:50,917 >> SPIDER-MAN TIE. 1033 00:52:51,000 --> 00:52:53,625 >> I'M AFRAID WE WEREN'T ABLE TO HEAR THAT, MR. SINGER. 1034 00:52:53,709 --> 00:52:55,875 YOU'LL HAVE TO SPEAK UP A LITTLE. 1035 00:52:57,625 --> 00:53:03,291 >> MY NAME IS LUCIEN P. SINGER, AND I MEAN BUSINESS. 1036 00:53:03,375 --> 00:53:04,750 I GOT A SPIDER-MAN TIE. 1037 00:53:04,834 --> 00:53:07,959 THEY KNOW. TAKE YOUR SEAT. 1038 00:53:08,041 --> 00:53:09,792 SIT DOWN. IT'S ALL RIGHT. 1039 00:53:09,875 --> 00:53:12,458 >> MR. SINGER, I'LL TELL YOU WHAT. 1040 00:53:12,542 --> 00:53:17,375 WHY DON'T YOU TELL US A LITTLE BIT ABOUT WHERE YOU LIVE, YOUR HOME. 1041 00:53:17,458 --> 00:53:20,750 COULD YOU DO THAT FOR US, MR. SINGER? 1042 00:53:22,166 --> 00:53:26,709 >> IT...HARD. 1043 00:53:26,792 --> 00:53:30,834 YOU KNOW, IT...HARD. 1044 00:53:31,834 --> 00:53:33,208 >> ALL RIGHT, MR. SINGER. 1045 00:53:33,291 --> 00:53:37,834 THEN WHY DON'T YOU TELL US ABOUT YOUR FRIENDS? 1046 00:53:37,917 --> 00:53:42,375 >> OK, JACK. WE DONE NOW? 1047 00:53:42,625 --> 00:53:45,834 >> NO. JUST TELL 'EM ABOUT THE HOUSE, 1048 00:53:45,917 --> 00:53:47,792 ABOUT NORMAN AND BARRY. 1049 00:53:47,875 --> 00:53:51,041 YOU MEAN BUSINESS. 1050 00:53:53,166 --> 00:53:57,083 >> NORMAN, HE BE THE DOUGHNUT MAN. 1051 00:53:57,166 --> 00:53:58,500 >> THE DOUGHNUT MAN? 1052 00:53:58,583 --> 00:53:59,834 UH-HUH. 1053 00:53:59,917 --> 00:54:01,375 >> WHY DO YOU CALL HIM THAT? 1054 00:54:01,458 --> 00:54:05,834 >> HE BE FAT... WITH DOUGHNUTS. 1055 00:54:06,667 --> 00:54:09,166 ARNOLD, HE GOT THE RUGS. 1056 00:54:09,250 --> 00:54:13,583 IF HE DON'T GO TO RUSSIA, HE, LIKE, NUTS OR SOMETHING. 1057 00:54:13,667 --> 00:54:16,917 HE MY FRIEND. SO'S BARRY. 1058 00:54:17,000 --> 00:54:20,041 HE CALLS. HIS DADDY COME AND SEE HIM, 1059 00:54:20,125 --> 00:54:21,083 AND THAT'S SCARY. 1060 00:54:21,166 --> 00:54:23,875 NORMAN WANTS SHEILA TO SEE HIS PAD. 1061 00:54:44,375 --> 00:54:47,000 >> I STAND BEFORE YOU A GROWN MAN 1062 00:54:47,083 --> 00:54:49,375 IN UNCOMFORTABLE CLOTHES. 1063 00:54:51,041 --> 00:54:52,917 A MAN WHOSE CAPACITY FOR RATIONAL THOUGHT 1064 00:54:53,000 --> 00:54:56,375 IS SOMEWHERE BETWEEN THAT OF A 5-YEAR-OLD 1065 00:54:56,458 --> 00:54:58,709 AND AN OYSTER. 1066 00:55:03,834 --> 00:55:05,750 I'M RETARDED. 1067 00:55:06,083 --> 00:55:07,000 I'M DAMAGED. 1068 00:55:07,375 --> 00:55:10,333 I'M SICK INSIDE FROM SO MANY YEARS OF CONFUSION, 1069 00:55:10,417 --> 00:55:14,667 UTTER AND PROFOUND CONFUSION. 1070 00:55:15,333 --> 00:55:18,125 I'M MYSTIFIED BY FAUCETS AND RADIOS, 1071 00:55:18,208 --> 00:55:22,250 ELEVATORS AND NEWSPAPERS AND POPULAR SONGS. 1072 00:55:22,750 --> 00:55:26,041 I CANNOT ALWAYS REMEMBER THE NAMES OF MY PARENTS. 1073 00:55:26,417 --> 00:55:29,667 BUT I WILL NOT GO AWAY, 1074 00:55:30,667 --> 00:55:34,125 AND DAMAGED THOUGH I MAY BE, I SHALL NOT WITHER 1075 00:55:34,208 --> 00:55:37,125 BECAUSE I AM UNIQUE AND IRREPLACEABLE 1076 00:55:37,291 --> 00:55:40,291 AND A PART OF YOU ALL. 1077 00:55:45,500 --> 00:55:46,500 CIVILIZATIONS ARE JUDGED 1078 00:55:46,875 --> 00:55:51,709 BY THE WAY THEY TREAT THEIR MOST HELPLESS OF CITIZENS. 1079 00:55:52,083 --> 00:55:54,750 I AM THAT CITIZEN. 1080 00:55:55,375 --> 00:55:57,750 AND IF YOU TURN AWAY FROM ME, 1081 00:55:57,834 --> 00:56:00,417 YOU EXTINGUISH YOUR OWN LIGHT, 1082 00:56:00,500 --> 00:56:03,750 DENY YOUR OWN WARMTH. 1083 00:56:05,500 --> 00:56:07,875 I AM JUST... 1084 00:56:07,959 --> 00:56:10,500 A SIMPLE MAN. 1085 00:56:12,917 --> 00:56:17,875 BUT I SIMPLY AM... 1086 00:56:17,959 --> 00:56:19,792 A MAN. 1087 00:56:35,625 --> 00:56:37,417 Senator JUST ONE OTHER QUESTION, MR. SINGER. 1088 00:56:37,500 --> 00:56:44,000 DO YOU FEEL YOU COULD WORK OUTSIDE OF THE SHELTERED SORT OF ATMOSPHERE 1089 00:56:44,083 --> 00:56:45,083 AT THE HANDICAPPED CENTER? 1090 00:56:45,166 --> 00:56:49,125 >> WHAT DO YOU THINK, LUCIEN? 1091 00:56:49,625 --> 00:56:53,250 YOU THINK YOU COULD WORK OUTSIDE THE TRAINING CENTER? 1092 00:56:54,083 --> 00:56:58,208 >> LUCIEN P. SINGER SAY... 1093 00:57:00,417 --> 00:57:03,709 IT BE HARD. 1094 00:57:23,709 --> 00:57:25,959 >> HOW DID MRS. TRACY TAKE IT? 1095 00:57:26,041 --> 00:57:27,083 >> SHE WASN'T THRILLED. 1096 00:57:28,583 --> 00:57:30,458 SHE UNDERSTOOD THAT THE CAR LEASING JOB IS A GOOD ONE, 1097 00:57:30,542 --> 00:57:32,750 BUT...NOT THRILLED. 1098 00:57:32,917 --> 00:57:34,709 >> YOU'RE GOING TO TELL THE BOYS TODAY, RIGHT? 1099 00:57:34,792 --> 00:57:35,417 >> NO. 1100 00:57:36,041 --> 00:57:37,166 IT'S A BAD DAY. THERE'S TOO MUCH GOING ON. 1101 00:57:37,250 --> 00:57:37,959 >> JACK. 1102 00:57:38,250 --> 00:57:38,959 >> NORMAN'S GOT SHEILA COMING OVER, 1103 00:57:39,041 --> 00:57:40,709 BARRY'S DAD PULLS IN TONIGHT. 1104 00:57:41,375 --> 00:57:44,125 >> YOUR JOB IS TO HELP THESE GUYS FUNCTION IN THE REAL WORLD. 1105 00:57:44,208 --> 00:57:45,625 >> YOU DON'T NEED TO TELL ME MY JOB, RENA. 1106 00:57:45,709 --> 00:57:47,792 >> IF I TOLD EVERY KID I PLACED IN A FOSTER HOME 1107 00:57:47,875 --> 00:57:49,667 THEY COULD STAY THERE AS LONG AS THEY WANTED, 1108 00:57:49,750 --> 00:57:51,625 I WOULDN'T BE DOING THEM A FAVOR. 1109 00:57:52,083 --> 00:57:53,000 IT'S NOT REAL. 1110 00:57:53,083 --> 00:57:55,083 IN THE REAL WORLD, PEOPLE GET HURT. 1111 00:57:55,166 --> 00:57:56,583 PEOPLE GET DISAPPOINTED. 1112 00:57:56,667 --> 00:58:00,667 >> THESE GUYS SPEND 24 HOURS A DAY IN A WORLD OF HURT. 1113 00:58:01,417 --> 00:58:04,208 I DON'T WANT TO BE THE ONE TO MAKE IT WORSE. 1114 00:58:04,291 --> 00:58:07,750 >> I KNOW HOW MUCH THEY MEAN TO YOU. 1115 00:58:07,834 --> 00:58:11,000 BUT TELL THEM. IT'S TIME. 1116 00:58:11,709 --> 00:58:13,166 >> I KNOW. 1117 00:58:13,583 --> 00:58:16,083 I HATE IT, BUT I KNOW. 1118 00:58:54,583 --> 00:58:55,458 >> HI, SHEILA! 1119 00:58:55,542 --> 00:58:56,500 >> HI, NORMAN. 1120 00:58:56,583 --> 00:58:57,458 >> HI, SHEILA! 1121 00:58:57,542 --> 00:58:58,500 >> HI, NORMAN. 1122 00:58:58,583 --> 00:58:59,291 >> HI, SHEILA. 1123 00:59:00,375 --> 00:59:03,417 HELLO. MY NAME IS NORMAN BULANSKY. 1124 00:59:03,500 --> 00:59:06,542 WELCOME TO MY HOME. WON'T YOU TAKE A SEAT? 1125 00:59:10,250 --> 00:59:13,166 >> MORNING BARRY, WHERE'S YOUR STUDENT? 1126 00:59:13,250 --> 00:59:14,583 >> UH, STUCK IN TRAFFIC, PROBABLY. 1127 00:59:14,667 --> 00:59:16,750 SHE'LL BE ALONG, YA. 1128 00:59:24,583 --> 00:59:26,583 YOU SUGGEST I SHOULD FEEL SOMETHING FOR YOU? 1129 00:59:26,667 --> 00:59:29,625 YOU'LL BE PLEASED TO KNOW I DO FEEL SOMETHING FOR YOU. 1130 00:59:29,709 --> 00:59:31,542 >> THERE'S SOMETHING I FORGOT TO TELL YOU YESTERDAY. 1131 00:59:31,625 --> 00:59:35,834 STEPHANIE DOESN'T KNOW THAT KIRK IS HER FATHER. 1132 00:59:35,917 --> 00:59:40,083 BUT IF KIRK REVEALS THAT HE'S STEPHANIE'S FATHER, 1133 00:59:40,166 --> 00:59:45,041 MORE THAN LIKELY THAT WOULD CAUSE ANDREA TO KILL HERSELF. 1134 00:59:45,417 --> 00:59:46,667 >> WOW. 1135 00:59:46,750 --> 00:59:50,375 TALK ABOUT YOUR BEHAVIOR PATTERNS. 1136 00:59:50,458 --> 00:59:51,750 >> THIS IS NICE. 1137 00:59:51,834 --> 00:59:53,625 >> YEAH. IT USED TO BE BETTER 1138 00:59:53,709 --> 00:59:55,667 WHEN WE HAD THOSE LITTLE RUGS, 1139 00:59:55,750 --> 00:59:57,917 BUT ARNOLD'S GOT THEM HID. 1140 00:59:58,000 --> 00:59:59,083 >> ARNOLD? YECCH! 1141 00:59:59,166 --> 01:00:00,625 HE'S NOT HERE, IS HE? 1142 01:00:00,709 --> 01:00:02,667 >> OH, BOY, THAT'S ALL WE NEED. 1143 01:00:02,750 --> 01:00:04,125 CAN I MANAGE YOUR COAT? 1144 01:00:04,208 --> 01:00:05,959 >> I DON'T HAVE ONE. 1145 01:00:06,041 --> 01:00:07,750 >> OH, BOY. 1146 01:00:11,417 --> 01:00:14,125 >> I GOT THESE FOR YOU. 1147 01:00:14,208 --> 01:00:15,792 >> FLOWERS? 1148 01:00:15,875 --> 01:00:17,375 OH. 1149 01:00:17,458 --> 01:00:20,208 >> I PICKED THEM AT THAT LOT NEAR THE SWANCO GAS STATION. 1150 01:00:20,291 --> 01:00:21,166 YOU KNOW THAT LOT? 1151 01:00:21,250 --> 01:00:24,875 >> SWANCO GAS, THAT'S GOOD GAS. 1152 01:00:26,625 --> 01:00:30,792 WOULD YOU PLEASE LIKE A DOUGHNUT? 1153 01:00:33,375 --> 01:00:34,959 >>00. 1154 01:00:35,041 --> 01:00:37,625 THE BUS COMES THEN. 1155 01:00:37,917 --> 01:00:39,000 >> OH, BOY. 1156 01:00:39,083 --> 01:00:43,750 ALL RIGHT. I KNOW WHAT TO DO. 1157 01:00:50,375 --> 01:00:52,625 >> A PAD. 1158 01:00:53,333 --> 01:00:57,208 >> THIS--THIS IS THE CLOCK THAT BARRY USES 1159 01:00:57,291 --> 01:00:59,792 WHEN--WHEN HE MAKES EGGS. 1160 01:00:59,875 --> 01:01:02,083 AND I DON'T LIKE EGGS. 1161 01:01:02,166 --> 01:01:03,125 THEY MAKE STICKY PLATES. 1162 01:01:03,208 --> 01:01:05,166 DON'T GET ME STARTED ON LEMONADE. 1163 01:01:05,250 --> 01:01:08,959 BUT WE'LL JUST SET THIS AT 4... 1164 01:01:09,041 --> 01:01:11,417 AND THE BELL WILL TELL US WHEN IT'S TIME. 1165 01:01:11,500 --> 01:01:13,709 IT--IT WORKS LIKE A BUTLER OR SOMEBODY. 1166 01:01:13,792 --> 01:01:16,667 >> IT'S VERY GOOD, NORMAN. 1167 01:01:20,583 --> 01:01:24,083 >> OOH! WE GOT A SHOWER CURTAIN WITH SAILBOATS. 1168 01:01:24,166 --> 01:01:25,792 YOU WANT TO SEE? 1169 01:01:27,709 --> 01:01:30,792 >> I WENT BEFORE I CAME. 1170 01:01:34,291 --> 01:01:36,959 I COULD SEE THE SAILBOATS ANYWAY. 1171 01:01:37,041 --> 01:01:39,458 >> WHY NOT? YOU'RE HERE. 1172 01:01:50,166 --> 01:01:50,792 OH. OH, BOY. 1173 01:01:51,083 --> 01:01:53,750 I'M VERY SORRY, BUT I--I THINK 1174 01:01:53,834 --> 01:01:55,041 I BROKE YOUR FLOWERS. 1175 01:01:55,125 --> 01:01:56,709 >> THAT'S ALL RIGHT, NORMAN. 1176 01:01:56,792 --> 01:01:57,750 >> I'M VERY SORRY. 1177 01:01:57,834 --> 01:01:59,750 >> THAT'S ALL RIGHT. 1178 01:02:00,250 --> 01:02:05,166 >> NO, YOU MUSTN'T THINK OF STEPHANIE AS A BAD PERSON. 1179 01:02:05,250 --> 01:02:06,750 SHE'S NOT, NOT DOWN DEEP. 1180 01:02:06,834 --> 01:02:10,458 BUT I THINK WHEN PENNINGTON STOLE HER BABY, 1181 01:02:10,542 --> 01:02:12,166 SHE LOST HER SENSE OF PROPRIETY. 1182 01:02:12,250 --> 01:02:13,583 >> THERE'S SO MANY NAMES. 1183 01:02:13,667 --> 01:02:15,750 HOW DO YOU KEEP THEM ALL STRAIGHT? 1184 01:02:15,834 --> 01:02:17,834 >> HA HA. IT'S IN MY JOURNAL. 1185 01:02:17,917 --> 01:02:20,542 DAYTIME DRAMA JOURNAL. 1186 01:02:20,625 --> 01:02:21,709 COMES OUT ONCE A WEEK. 1187 01:02:21,792 --> 01:02:22,583 $30 A YEAR. 1188 01:02:23,333 --> 01:02:24,375 IF I MISS AN EPISODE, I CAN LOOK IT UP. 1189 01:02:24,792 --> 01:02:27,333 IT'S LIKE KEEPING UP WITH FAMILY WHEN YOU'RE OUT OF TOWN. 1190 01:02:27,417 --> 01:02:28,542 >> KEEPING UP WITH FAMILY SOUNDS NICE. 1191 01:02:28,625 --> 01:02:29,625 COULD I GET THE JOURNAL TOO? 1192 01:02:29,709 --> 01:02:33,333 >> HA HA HA. HAVE YOU GOT $30? 1193 01:02:34,625 --> 01:02:35,291 >> 30? 1194 01:02:35,375 --> 01:02:37,041 >> MM-HMM. 1195 01:02:39,625 --> 01:02:41,583 >> 20, 25, 30... 1196 01:02:41,667 --> 01:02:42,750 I GOT 33.70. 1197 01:02:43,250 --> 01:02:47,959 >> IF WE BOTH SUBSCRIBE TO THE DAYTIME DRAMA JOURNAL, 1198 01:02:48,041 --> 01:02:50,417 IT'LL BE AS IF WE'RE IN THE SAME CLUB. 1199 01:02:50,500 --> 01:02:54,083 AND I WILL JOIN IN THE SAME CLUB WITH YOU 1200 01:02:54,166 --> 01:02:55,000 ON ONE CONDITION. 1201 01:02:55,375 --> 01:02:57,959 MR. WIGGINS, I ASSUME YOU'RE ABOUT TO RETURN 1202 01:02:58,041 --> 01:03:00,542 THAT CONVEYANCE TO ITS RIGHTFUL OWNER. 1203 01:03:00,625 --> 01:03:02,625 MMM HMM HMM HMM. 1204 01:03:09,500 --> 01:03:13,417 >> WE USUALLY DON'T HAVE A SIGN UP LIKE THIS. 1205 01:03:13,500 --> 01:03:15,583 IT'S JUST FOR SPECIAL TIMES. 1206 01:03:15,667 --> 01:03:17,750 >> IT'S A COZY PAD, NORMAN. 1207 01:03:18,000 --> 01:03:18,792 >> YEAH. WE LIKE IT. 1208 01:03:19,083 --> 01:03:20,667 WOULD YOU PLEASE HAVE ANOTHER DOUGHNUT? 1209 01:03:21,625 --> 01:03:24,375 >> I HAD SPAGHETTI-Os FOR LUNCH. 1210 01:03:24,458 --> 01:03:25,458 >> THEN IT'S TIME. 1211 01:03:25,542 --> 01:03:28,041 GO HAVE A DOUGHNUT ON THE COUCH. 1212 01:03:28,125 --> 01:03:32,375 I HAVE A SURPRISE TO SURPRISE YOU WITH. OH! 1213 01:03:32,458 --> 01:03:33,875 >> LET ME GUESS. 1214 01:03:33,959 --> 01:03:34,750 IS IT A FROG? 1215 01:03:35,083 --> 01:03:37,750 >> OH, BOY. A FROG WOULD BE HARD TO GRAB. 1216 01:03:38,250 --> 01:03:40,750 >> YOU KNOW, YOU'RE SO FUNNY. 1217 01:03:40,834 --> 01:03:42,458 >> I SURE AM FUNNY. OH, BOY. 1218 01:03:42,542 --> 01:03:43,291 YOU AIN'T KIDDIN'. 1219 01:03:43,625 --> 01:03:47,291 SHEILA, I GOT YOU THIS. IT'S A PRESENT. 1220 01:03:47,375 --> 01:03:48,750 >> OH, NORMAN. 1221 01:03:48,834 --> 01:03:49,792 I FEEL ALL JUMPY. 1222 01:03:49,875 --> 01:03:51,917 >> ME, TOO. CAN I HAVE THE BOWS? 1223 01:03:52,000 --> 01:03:53,750 >> NO. 1224 01:04:04,834 --> 01:04:08,667 >> OH, NORMAN...KEYS. 1225 01:04:08,875 --> 01:04:09,917 YOU GOT ME KEYS. 1226 01:04:10,000 --> 01:04:12,041 >> THEY'RE NICE, HUH? TRY THEM ON. 1227 01:04:12,125 --> 01:04:14,667 OH, BOY, I CAN'T WAIT TO SEE THEM ON. 1228 01:04:15,834 --> 01:04:16,875 >> OH. WHAT SIDE? 1229 01:04:16,959 --> 01:04:19,792 >> WHATEVER MAKES YOU FEEL MORE BALANCED. 1230 01:04:19,875 --> 01:04:21,959 ARNOLD GOT ME ALL THE KEYS. 1231 01:04:22,041 --> 01:04:24,208 THEY'RE MOVIE THEATER KEYS. 1232 01:04:24,291 --> 01:04:26,333 >> MOVIE KEYS? 1233 01:04:27,333 --> 01:04:29,625 >> OH, BOY, DID THAT GO FAST. 1234 01:04:29,709 --> 01:04:30,375 >> I GOT TO GO. 1235 01:04:30,667 --> 01:04:31,250 00, NORMAN. 1236 01:04:31,834 --> 01:04:32,542 >>- - 00 ARE TOO CLOSE TOGETHER. 1237 01:04:33,500 --> 01:04:35,041 >> I GOT TO GO. THE BUS LEAVES, NORMAN, 00. IT DON'T WAIT. 1238 01:04:35,125 --> 01:04:36,333 >> THANK YOU. THANK YOU FOR VISITING WITH MY HOME. 1239 01:04:36,417 --> 01:04:38,542 WON'T YOU TAKE A DOUGHNUT FOR THE ROAD? 1240 01:04:38,625 --> 01:04:40,041 >> I GOT TO GO. 1241 01:04:40,125 --> 01:04:41,166 >> UH... 1242 01:04:41,250 --> 01:04:42,583 >> NORMAN. 1243 01:04:43,041 --> 01:04:46,959 THIS IS THE MOST, BEST, BEAUTIFUL PRESENT 1244 01:04:47,041 --> 01:04:48,917 I EVER GOT. 1245 01:04:52,667 --> 01:04:55,667 >> ME, TOO. 1246 01:05:53,959 --> 01:05:55,041 >> WELL, LOOK WHO'S HERE. 1247 01:05:55,125 --> 01:05:59,166 I'LL BE WITH YOU IN A MINUTE, SIR. 1248 01:05:59,750 --> 01:06:00,834 HOW ARE YOU DOING TODAY? 1249 01:06:00,917 --> 01:06:02,959 PRETTY NICE OUT THERE, ISN'T IT? 1250 01:06:03,041 --> 01:06:06,000 >> YEAH, BUT I, UH... 1251 01:06:17,083 --> 01:06:18,417 WAIT! 1252 01:06:18,500 --> 01:06:19,000 WAIT! 1253 01:06:19,250 --> 01:06:20,291 I DON'T HAVE ANY MONEY! 1254 01:06:20,375 --> 01:06:21,667 I GAVE ALL MY MONEY TO MRS. FREMUS! 1255 01:06:21,750 --> 01:06:23,542 >> DO YOU HAVE A CREDIT CARD? 1256 01:06:23,625 --> 01:06:25,875 WE DO ACCEPT CREDIT CARDS. 1257 01:06:25,959 --> 01:06:26,875 >> NO. 1258 01:06:26,959 --> 01:06:29,458 >> SIR, IF YOU DON'T HAVE ANY MONEY 1259 01:06:29,542 --> 01:06:31,583 OR CREDIT CARDS, I'M AFRAID ALL OF THESE ITEMS 1260 01:06:31,667 --> 01:06:34,959 ARE GOING TO HAVE TO GO BACK ON THE SHELF. 1261 01:06:39,750 --> 01:06:41,500 >> HA HA HA! 1262 01:06:41,583 --> 01:06:42,375 YES! 1263 01:06:42,667 --> 01:06:46,875 ARNOLD WIGGINS, ONE, THE SYSTEM, ZERO! 1264 01:06:46,959 --> 01:06:47,667 HA HA HA! 1265 01:06:50,083 --> 01:06:53,083 HA HA HA! 1266 01:07:22,125 --> 01:07:25,000 BARRY, IT BE LUCIEN HERE. 1267 01:07:26,250 --> 01:07:27,125 >> IS HE HERE? 1268 01:07:27,208 --> 01:07:29,709 >> NOT YOUR DAD, BUT JACK'S HERE. 1269 01:07:29,792 --> 01:07:31,792 SAYS HE NEEDS TO TALK TO US. 1270 01:07:31,875 --> 01:07:33,792 SAID HE'S GOT AN ANNOUNCEMENT. 1271 01:07:34,333 --> 01:07:35,792 >> THAT'S NOT GOOD. 1272 01:07:36,208 --> 01:07:37,166 >> HOW COME? 1273 01:07:37,542 --> 01:07:39,333 >> YOU TELL GOOD NEWS, YOU ANNOUNCE THE BAD STUFF. 1274 01:07:39,417 --> 01:07:40,834 >> OH. 1275 01:07:41,667 --> 01:07:43,000 OH. 1276 01:07:44,500 --> 01:07:47,125 >> AND TIME JUST WENT BY QUICK AS SPIT, JACK. 1277 01:07:47,208 --> 01:07:51,875 I--I THINK THAT MUST BE WHAT HAPPENS WHEN... 1278 01:07:51,959 --> 01:07:52,834 >> WHEN WHAT? 1279 01:07:53,208 --> 01:07:55,166 >> WHEN PEOPLE HAVE ENOUGH KEYS AND DOUGHNUTS. 1280 01:07:55,250 --> 01:07:56,166 >> WHAT'S THE ANNOUNCEMENT, JACK? 1281 01:07:56,500 --> 01:07:59,917 ARNOLD, HERE COME THE ANNOUNCEMENT! 1282 01:08:00,000 --> 01:08:02,542 LISTEN, MY WATER'S GONNA GET COLD 1283 01:08:02,625 --> 01:08:04,125 IF THIS TAKES A LONG TIME. 1284 01:08:04,208 --> 01:08:04,834 IT'S OK, ARNOLD. 1285 01:08:05,166 --> 01:08:06,875 I'M GONNA KEEP THIS REAL SHORT. 1286 01:08:06,959 --> 01:08:09,625 OK, WHAT IS IT? 1287 01:08:10,250 --> 01:08:11,875 >> UNH. 1288 01:08:17,667 --> 01:08:19,875 >> WOW. 1289 01:08:21,834 --> 01:08:23,250 >> YOU DONE, JACK? 1290 01:08:23,333 --> 01:08:25,125 >> NO. NO, I'M NOT. 1291 01:08:25,208 --> 01:08:29,542 I HAVE THIS FRIEND WHO HAS THIS BUSINESS LEASING CARS 1292 01:08:29,625 --> 01:08:31,333 AND, UM... 1293 01:08:31,875 --> 01:08:34,625 HE'S OFFERED ME A POSITION, A JOB. 1294 01:08:34,709 --> 01:08:37,542 AND THERE'S A PRETTY GOOD PIECE OF CHANGE INVOLVED. 1295 01:08:38,166 --> 01:08:39,250 >> CAN YOU GET US A CAR, JACK? 1296 01:08:39,333 --> 01:08:41,250 >> HEY, JACK, A RED CAPRI WOULD BE NICE. 1297 01:08:41,333 --> 01:08:42,750 VROOM-VROOM. 1298 01:08:42,834 --> 01:08:44,875 >> IT DOESN'T HAVE TO BE RED, BUT RED WOULD-- 1299 01:08:44,959 --> 01:08:46,417 I REPEAT, WOULD BE NICE. 1300 01:08:46,500 --> 01:08:47,250 >> I MEAN, I'LL STILL BE AROUND. 1301 01:08:47,583 --> 01:08:49,750 IT'S NOT FAR. IT'S IN THE NEIGHBORHOOD. 1302 01:08:50,875 --> 01:08:52,500 >> HE'S HERE! 1303 01:08:53,458 --> 01:08:54,333 NOW REMEMBER THE DEAL. 1304 01:08:54,417 --> 01:08:57,166 >> DADS CAN BE SCARY SOMETIMES. 1305 01:08:57,250 --> 01:08:59,500 WE GOT NO TREES! 1306 01:08:59,583 --> 01:09:00,792 >> BARRY! BARRY! 1307 01:09:00,875 --> 01:09:02,667 UNDER NO CIRCUMSTANCES LET YOUR DAD IN THE KITCHEN 1308 01:09:02,750 --> 01:09:03,709 TO SEE THAT I HAVEN'T DONE THE DISHES, 1309 01:09:04,083 --> 01:09:05,625 OR HE'LL THINK I WAS BORN IN A BARN OR SOMETHING. 1310 01:09:05,709 --> 01:09:07,041 SO NYET ON SEEING THE DISHES, OK? 1311 01:09:07,125 --> 01:09:08,125 PLEASE, GO UPSTAIRS! 1312 01:09:08,500 --> 01:09:12,083 OK. BARRY, LISTEN, IF I CAN RETURN GROCERIES, 1313 01:09:12,166 --> 01:09:15,375 YOU CAN DO THIS. 1314 01:09:17,250 --> 01:09:20,083 >> BARRY, DO YOU WANT ME HERE, OR-- 1315 01:09:20,166 --> 01:09:21,125 >> UM... 1316 01:09:21,208 --> 01:09:23,041 WELL, MAYBE NOT IN HERE, MAYBE. 1317 01:09:23,125 --> 01:09:23,750 JUST AROUND. 1318 01:09:24,041 --> 01:09:25,083 >> I'LL JUST BE IN THE KITCHEN. 1319 01:09:25,166 --> 01:09:27,667 >> OK. 1320 01:09:37,959 --> 01:09:39,542 HEY. 1321 01:09:43,208 --> 01:09:45,792 >> IT'S GETTING COLD OUT. 1322 01:09:50,583 --> 01:09:54,041 OH, IT'S PRETTY JAZZY, HUH? 1323 01:09:54,125 --> 01:09:55,291 >> HI. 1324 01:09:55,709 --> 01:09:57,417 >> OH, HI. BOB KLEMPER. DON'T BELIEVE I'VE HAD THE PLEASURE. 1325 01:09:57,500 --> 01:10:00,125 >> JACK PALMER. I WORK WITH THE SOCIAL SERVICES DEPARTMENT. 1326 01:10:00,208 --> 01:10:02,250 >> OH, YOU'RE LIKE A KEEPER. 1327 01:10:02,333 --> 01:10:03,250 >> I'M LIKE A FRIEND. 1328 01:10:03,333 --> 01:10:04,041 >> OH. 1329 01:10:05,208 --> 01:10:07,041 >> BARRY, I'M JUST GONNA GET SOME AIR. 1330 01:10:07,125 --> 01:10:08,542 I'M GONNA GO SIT ON THE PORCH FOR A MINUTE. 1331 01:10:08,625 --> 01:10:09,792 IS THAT OK WITH YOU? 1332 01:10:09,875 --> 01:10:10,750 >> OK. OK. 1333 01:10:11,125 --> 01:10:11,417 >> I'LL BE RIGHT OUT HERE IF YOU NEED ANYTHING. 1334 01:10:12,000 --> 01:10:13,166 >> OK >> NICE MEETING YOU. 1335 01:10:13,250 --> 01:10:16,166 >> YEAH, HAVE A GOOD ONE. 1336 01:10:19,208 --> 01:10:22,041 >> WELL, HERE WE ARE. 1337 01:10:33,166 --> 01:10:34,208 >> UM, YOU WANT A COLA? WE GOT SOME-- 1338 01:10:34,625 --> 01:10:37,458 >> NOTHING HARD, OR ANYTHING LIKE THAT, I DON'T SUPPOSE? 1339 01:10:37,542 --> 01:10:38,125 >> NO, WE DON'T. 1340 01:10:38,208 --> 01:10:40,750 >> COLA'S FINE. 1341 01:10:43,041 --> 01:10:45,000 >> OH, THERE'S A SIGN. 1342 01:10:45,083 --> 01:10:47,417 >> THERE'S A WHAT? 1343 01:10:47,917 --> 01:10:51,375 >> UH, IT'S OVER THE BATHROOM DOOR. 1344 01:10:51,458 --> 01:10:53,375 >> DID YOU DO THAT? 1345 01:10:53,458 --> 01:10:56,417 >> UH... 1346 01:10:58,083 --> 01:10:59,709 >> IT'S A LITTLE INCONVENIENT, ISN'T IT? 1347 01:10:59,792 --> 01:11:03,458 I MEAN, YOU GOTTA DUCK DOWN JUST TO GET IN THE CAN. 1348 01:11:05,500 --> 01:11:09,000 IT'S A NICE, SIGN, BARRY. I APPRECIATE IT. 1349 01:11:10,792 --> 01:11:11,917 >> WHAT? 1350 01:11:12,000 --> 01:11:13,500 >> DID SHEILA LIKE THE KEYS? 1351 01:11:13,583 --> 01:11:17,959 >> OH, SHE LOVED 'EM LIKE FRENCH FRIES. 1352 01:11:18,041 --> 01:11:19,917 >> GREAT. 1353 01:11:20,000 --> 01:11:23,500 WHEN DO I GET 'EM BACK? 1354 01:11:23,583 --> 01:11:25,542 >> GET 'EM BACK? 1355 01:11:25,625 --> 01:11:27,333 OH, BOY. OH, BOY. OH, BOY. 1356 01:11:27,417 --> 01:11:29,667 >> SHH! BE QUIET. 1357 01:11:32,667 --> 01:11:34,625 HA HA HA! 1358 01:11:43,500 --> 01:11:44,083 >> WHAT WAS FUNNY? 1359 01:11:44,375 --> 01:11:47,458 >> WELL...TALK ABOUT A SIGN, 1360 01:11:47,542 --> 01:11:48,667 I'LL TELL YOU ABOUT A SIGN. 1361 01:11:49,125 --> 01:11:52,583 DID I EVER TELL YOU ABOUT THE FIRST WORD THAT YOU EVER SAID? 1362 01:11:52,667 --> 01:11:53,458 >> YEAH. 1363 01:11:53,542 --> 01:11:54,500 >> FORTITUDE. 1364 01:11:54,875 --> 01:11:55,458 YOU WERE 3 YEARS OLD, AND YOU HADN'T SAID A WORD, 1365 01:11:56,083 --> 01:11:58,041 AND YOUR MOTHER AND I WERE JUST WORRIED SICK 1366 01:11:58,125 --> 01:11:59,166 YOU WERE NEVER GONNA TALK, 1367 01:11:59,250 --> 01:12:00,583 AND THEN RIGHT OUT OF THE BLUE, 1368 01:12:00,667 --> 01:12:02,417 FORTITUDE! 1369 01:12:02,500 --> 01:12:06,000 LORD KNOWS WHERE THAT CAME FROM. 1370 01:12:15,792 --> 01:12:18,583 >> SO, TELL ME, WHAT DO YOU DO? 1371 01:12:18,667 --> 01:12:19,500 >> WHAT DO-- 1372 01:12:19,875 --> 01:12:22,834 >> WHAT DO YOU DO, BARRY? PEOPLE DO THINGS. 1373 01:12:22,917 --> 01:12:24,083 >> I MEAN, YOU'RE NOT JUST SITTING AROUND HERE 1374 01:12:24,500 --> 01:12:27,041 WATCHING GAME SHOWS AND SOAP OPERAS ALL DAY LONG, ARE YOU? 1375 01:12:27,125 --> 01:12:29,583 'CAUSE I'LL TELL YOU SOMETHING, IF YOU ARE, PAL, 1376 01:12:29,667 --> 01:12:30,583 THAT MAY BE PART OF THE PROBLEM. 1377 01:12:30,667 --> 01:12:31,667 >> YOU GOTTA GET OUT. 1378 01:12:31,750 --> 01:12:33,500 >> YOU GOTTA GET OUT AND MEET PEOPLE. 1379 01:12:33,583 --> 01:12:34,959 >> I GIVE GOLF LESSONS. 1380 01:12:35,041 --> 01:12:35,834 >> YOU GIVE WHAT? 1381 01:12:36,166 --> 01:12:40,083 >> UH, I TEACH PEOPLE HOW TO PLAY GOLF. 1382 01:12:40,166 --> 01:12:41,625 >> MINIATURE GOLF? 1383 01:12:41,709 --> 01:12:46,083 >> NO, AT THE PRO SHOP GOLF RANGE. 1384 01:12:46,333 --> 01:12:49,041 >> YOU GIVE GOLF LESSONS? 1385 01:12:50,000 --> 01:12:51,125 DO YOU HAVE STUDENTS? 1386 01:12:51,291 --> 01:12:55,000 >> UH, I ACTUALLY LOST ONE TODAY. 1387 01:12:56,375 --> 01:12:58,458 UM, I--BUT, UH, 1388 01:12:58,542 --> 01:12:59,959 WELL, IT'S WHAT I DO, REALLY. 1389 01:13:00,041 --> 01:13:01,250 >> WELL, HEY, THAT HAPPENS. 1390 01:13:01,333 --> 01:13:02,834 BUT THIS IS A JOB, RIGHT? 1391 01:13:02,917 --> 01:13:04,166 I MEAN, THIS IS A "JOB" JOB. 1392 01:13:04,625 --> 01:13:06,792 THIS IS NOT A HOBBY OR SOME PENCIL-NECKED THING LIKE THAT, RIGHT? 1393 01:13:06,875 --> 01:13:08,041 THIS IS WHAT YOU DO. 1394 01:13:08,125 --> 01:13:10,959 >> RIGHT. 1395 01:13:12,083 --> 01:13:13,166 >> SO... 1396 01:13:13,250 --> 01:13:15,458 WELL, YOU KNOW-- 1397 01:13:15,542 --> 01:13:17,792 KEEPER! 1398 01:13:21,125 --> 01:13:25,333 KEEPER, YOU GOT A CAR? HUH? 1399 01:13:26,542 --> 01:13:29,083 OK, PAL. 1400 01:13:33,834 --> 01:13:34,750 OH, NICE SWING. 1401 01:13:35,125 --> 01:13:38,458 LET'S GET A GOOD ONE, NOW. LET'S GET A GOOD ONE. 1402 01:13:38,542 --> 01:13:40,792 OK? OK, PAL? 1403 01:13:40,875 --> 01:13:45,875 ALL RIGHT, I'M OUT OF YOUR WAY. 1404 01:13:45,959 --> 01:13:49,333 OK. 1405 01:13:52,000 --> 01:13:54,750 OK. 1406 01:13:56,208 --> 01:13:57,041 BASEBALL GRIP? 1407 01:13:57,375 --> 01:13:58,667 I HAVEN'T SEEN ANYBODY USE A BASEBALL GRIP 1408 01:13:58,750 --> 01:13:59,792 IN I DON'T KNOW HOW LONG. 1409 01:13:59,875 --> 01:14:01,458 THERE'S NOTHING WRONG WITH THAT, 1410 01:14:01,542 --> 01:14:04,917 YOU KNOW, I'M JUST MAKING A NOTE OF IT. 1411 01:14:05,000 --> 01:14:07,041 OK. 1412 01:14:09,375 --> 01:14:13,750 SHOW THE OLD MAN A LITTLE ACTION. 1413 01:14:15,375 --> 01:14:17,417 JUST NICE AND RELAXED. 1414 01:14:17,500 --> 01:14:20,709 EASY DOES IT. 1415 01:14:20,792 --> 01:14:23,458 NICE AND LOOSE. 1416 01:14:25,291 --> 01:14:26,875 THAT'S OK. THAT'S OK. 1417 01:14:26,959 --> 01:14:31,083 NICE AND EASY. COME ON, BARRY. 1418 01:14:34,125 --> 01:14:35,375 JUST HIT IT. 1419 01:14:35,458 --> 01:14:37,083 OK, HIT IT. 1420 01:14:40,375 --> 01:14:41,792 >> JUST HIT IT. HIT IT. 1421 01:14:41,875 --> 01:14:43,792 >> COME ON, BARRY. 1422 01:14:43,875 --> 01:14:45,291 YOU'RE GONNA TEACH PEOPLE TO PLAY GOLF, 1423 01:14:45,375 --> 01:14:46,542 YOU'RE GONNA HAVE TO LEARN ABOUT SLOW PLAYING. 1424 01:14:46,959 --> 01:14:50,083 YOU KNOW, IT'S A 2-STROKE PENALTY FOR SLOW PLAY, YOU KNOW. 1425 01:14:50,166 --> 01:14:53,750 'CAUSE WHEN YOU'RE A TEACHER, YOU'RE A ROLE MODEL. 1426 01:14:53,834 --> 01:14:56,792 IT'S KIND OF LIKE BEING A PARENT. 1427 01:14:56,875 --> 01:14:58,500 IT'S NOT AN EASY JOB. 1428 01:14:58,583 --> 01:15:01,250 IT'S NOT EASY AT ALL. 1429 01:15:01,333 --> 01:15:06,166 TRY TO TAKE A KID AND TEACH 'EM THINGS 1430 01:15:06,250 --> 01:15:10,417 SO HE CAN KNOW IT AND LEARN EVERYTHING. 1431 01:15:14,250 --> 01:15:16,417 BARRY... 1432 01:15:20,375 --> 01:15:23,750 AM I GONNA HAVE TO BE ASHAMED OF YOU FOR THE REST OF MY LIFE? 1433 01:15:23,834 --> 01:15:26,542 AM I? AM I?! 1434 01:15:26,625 --> 01:15:30,250 THEN HIT IT. JUST, PLEASE, HIT IT. 1435 01:15:45,250 --> 01:15:47,542 GIVE ME THOSE. 1436 01:15:47,625 --> 01:15:49,125 YOU'RE AT LEAST GONNA GIVE ME 1437 01:15:49,208 --> 01:15:51,250 THIS MUCH TO REMEMBER. 1438 01:15:52,417 --> 01:15:54,834 YOU SEE? YOU CAN HIT IT. 1439 01:15:54,917 --> 01:15:56,417 YOU CAN HIT IT. 1440 01:15:56,500 --> 01:15:59,834 WHAT'RE YOU LOOKING AT? WHAT'RE YOU LOOKING AT?! 1441 01:15:59,917 --> 01:16:02,291 THAT'S MY SON. 1442 01:16:04,959 --> 01:16:05,625 I'LL BE IN THE VAN. 1443 01:16:05,917 --> 01:16:09,041 >> YOU'LL TAKE A CAB STRAIGHT TO-- 1444 01:16:14,417 --> 01:16:16,083 >> SHH. 1445 01:16:28,333 --> 01:16:29,375 >> THEY WERE GREAT. 1446 01:16:29,750 --> 01:16:31,709 IF HADN'T BEEN FOR BARRY'S FATHER SCREWING THINGS UP, 1447 01:16:31,792 --> 01:16:33,458 IT WOULD'VE BEEN A PIECE OF CAKE. 1448 01:16:33,542 --> 01:16:34,750 >> THEY WERE GREAT? 1449 01:16:34,834 --> 01:16:35,709 >> YEAH. 1450 01:16:36,041 --> 01:16:37,375 >> THEN THEY DIDN'T GET THE MESSAGE, JACK? 1451 01:16:38,041 --> 01:16:39,041 THEY DON'T UNDERSTAND YOU'RE LEAVING. 1452 01:16:39,125 --> 01:16:40,542 >> THEY DO UNDERSTAND I'M LEAVING. 1453 01:16:40,625 --> 01:16:41,750 I TOLD THEM I HAVE ANOTHER JOB. 1454 01:16:42,083 --> 01:16:43,000 THEY'RE GIVING ME A PARTY TONIGHT. 1455 01:16:43,458 --> 01:16:45,458 >> THEY DON'T THINK OF THEMSELVES AS YOUR JOB. 1456 01:16:45,709 --> 01:16:48,166 YOU'RE THEIR PROTECTOR, THEIR ANGEL, THEIR FRIEND. 1457 01:16:48,250 --> 01:16:50,125 YOU'RE NOT THERE BECAUSE OF ANY JOB. 1458 01:16:50,208 --> 01:16:52,333 THEY DIDN'T GET THE MESSAGE THAT YOU'RE LEAVING, 1459 01:16:52,417 --> 01:16:54,166 AND YOU KNOW I'M RIGHT. 1460 01:16:57,000 --> 01:17:00,458 >> AND I KNOW YOU'RE RIGHT. 1461 01:17:00,542 --> 01:17:03,041 YOU KNOW WHAT IT IS? 1462 01:17:03,125 --> 01:17:05,792 THEY NEVER CHANGE. I CHANGE. 1463 01:17:05,875 --> 01:17:09,041 MY LIFE CHANGES, MY CRISES CHANGES, 1464 01:17:10,000 --> 01:17:10,792 BUT THEY STAY EVER THE SAME. 1465 01:17:11,000 --> 01:17:13,458 BARRY IS BARRY. ARNOLD IS ARNOLD. 1466 01:17:13,542 --> 01:17:16,417 LUCIEN IS LUCIEN. NORMAN IS NORMAN. 1467 01:17:16,500 --> 01:17:17,083 KEYS ARE KEYS, 1468 01:17:17,375 --> 01:17:20,875 AND DOUGHNUTS ARE DOUGHNUTS. 1469 01:18:03,625 --> 01:18:06,166 HI, BARRY. 1470 01:18:09,291 --> 01:18:12,834 HOW'RE YOU FEELING? 1471 01:18:15,000 --> 01:18:16,291 I GOT YOU A BOOK. 1472 01:18:16,375 --> 01:18:18,625 SOME GOLF TIPS FROM JACK NICKLAUS. 1473 01:18:18,709 --> 01:18:22,917 IT'S GOOD. A LOT OF DIAGRAMS AND STUFF. 1474 01:18:23,000 --> 01:18:27,917 HERE, YOU CAN LOOK IT OVER LATER. 1475 01:18:28,000 --> 01:18:30,000 NORMAN SAID TO SAY HI. 1476 01:18:31,166 --> 01:18:33,500 HE SENT ME OVER WITH A BOX OF DOUGHNUTS, 1477 01:18:33,583 --> 01:18:36,542 BUT THE DOCTOR SAID THEY HAD TOO MUCH SUGAR. 1478 01:18:37,250 --> 01:18:41,250 ARNOLD FINALLY PUT THE RUG BACK. 1479 01:18:42,250 --> 01:18:45,000 HE SCREAMED AT ALL OF US THAT HE WASN'T A CAMEL, 1480 01:18:45,083 --> 01:18:47,875 AND THAT WAS PRETTY MUCH THE END OF IT. 1481 01:18:49,083 --> 01:18:53,208 OH, LUCIEN WANTED ME TO GIVE YOU THIS. 1482 01:18:54,041 --> 01:18:55,875 IT'S A QUARTER. 1483 01:18:56,500 --> 01:18:58,709 HE SAID THAT WHEN YOU GET OUT, 1484 01:18:59,792 --> 01:19:02,542 HE WANTS YOU TO GIVE HIM A GOLF LESSON. 1485 01:19:05,500 --> 01:19:08,417 YOU KNOW, THEY'RE ALL HAVING A PARTY FOR ME TONIGHT. 1486 01:19:08,500 --> 01:19:12,041 AND, UM, WELL, I WAS THINKING 1487 01:19:12,125 --> 01:19:14,291 IT WOULDN'T BE MUCH OF A PARTY WITHOUT YOU THERE, 1488 01:19:14,375 --> 01:19:15,375 YOU KNOW WHAT I MEAN? 1489 01:19:15,458 --> 01:19:16,875 SO I CALLED THE LADY HERE. 1490 01:19:16,959 --> 01:19:19,375 SHE OK'd A PASS FOR YOU. 1491 01:19:19,458 --> 01:19:20,500 FROM, LIKE,- - 00, 1492 01:19:21,208 --> 01:19:26,083 SO I CAN GET YOU BACK WITH PLENTY OF TIME. 1493 01:19:27,458 --> 01:19:29,750 BARRY? 1494 01:19:35,000 --> 01:19:37,000 HEY. 1495 01:19:40,083 --> 01:19:43,792 WHY'D YOU CLOSE YOUR EYES? 1496 01:19:44,583 --> 01:19:48,291 >> BECAUSE I CAN SEE WHAT'S COMING. 1497 01:19:54,375 --> 01:19:56,041 >> LUCIEN, YOU GOT IT RIGHT IN MY EAR! 1498 01:19:56,125 --> 01:19:58,166 IF YOU DON'T STOP SPRAYING THAT STUFF, 1499 01:19:58,250 --> 01:19:59,500 WE'RE ALL GONNA CATCH ASTHMA AND DIE. 1500 01:19:59,583 --> 01:20:03,041 >> I BE MAKING IT SMELL CLEAN, ARNOLD. 1501 01:20:03,125 --> 01:20:05,834 >> LUCIEN, THAT IS FURNITURE POLISH. 1502 01:20:05,917 --> 01:20:09,542 >> WE BE HAVIN' FURNITURE, ARNOLD. 1503 01:20:11,083 --> 01:20:13,166 >> I HEAR SOMEBODY! I HEAR THEM! 1504 01:20:13,250 --> 01:20:14,709 >> WHAT? >> I HEAR SOMEBODY! 1505 01:20:15,625 --> 01:20:16,542 >> NO. NO. NO! NO! 1506 01:20:16,917 --> 01:20:18,917 DON'T GO NEAR THE WINDOW, HE'LL SEE YOUR SHADOW. 1507 01:20:19,000 --> 01:20:20,917 YOU'LL RUIN THE SURPRISE. REMEMBER THE PLAN? 1508 01:20:21,000 --> 01:20:21,959 GET IN THE CLOSET AND-- 1509 01:20:22,041 --> 01:20:22,583 >> AHH! NO CHANCE! 1510 01:20:22,875 --> 01:20:25,041 >> YOU GOT HIM IN THE EYES! 1511 01:20:25,125 --> 01:20:26,125 >> I'M SORRY! 1512 01:20:26,500 --> 01:20:29,041 >> LUCIEN, NO, YOU HIDE OVER HERE, BEHIND THE THING. 1513 01:20:29,125 --> 01:20:31,208 ARNIE, YOU STILL IN THE CLOSET? 1514 01:20:31,291 --> 01:20:31,917 >> SURPRISE! 1515 01:20:32,208 --> 01:20:34,208 >> NO! STAY IN THE CLOSET, OK? 1516 01:20:34,291 --> 01:20:35,625 YOU HAVE TO GET LOWER, OK? 1517 01:20:35,709 --> 01:20:37,333 >> I'M TRYING. 1518 01:20:37,417 --> 01:20:39,083 >> OK. JUST STAY RIGHT THERE, OK? 1519 01:20:39,166 --> 01:20:41,208 DON'T MAKE ANY NOISE. BE REAL QUIET. 1520 01:20:41,291 --> 01:20:44,208 SORRY! 1521 01:20:46,000 --> 01:20:49,500 >> COME IN! IT'S OPEN! 1522 01:20:49,583 --> 01:20:51,166 >> TA-DA! 1523 01:20:51,250 --> 01:20:52,041 >> SURPRISE! 1524 01:20:52,125 --> 01:20:53,709 >> SURPRISE! SURPRISE! 1525 01:20:53,792 --> 01:20:56,208 >> YOU MAKE A PLAN, YOU HIDE IN THE CLOSET, 1526 01:20:56,291 --> 01:20:59,583 YOU WORK IT ALL OUT-- I DON'T BELIEVE THIS. 1527 01:21:01,291 --> 01:21:02,250 >> LUCIEN. 1528 01:21:02,333 --> 01:21:03,250 >> HI SHEILA. 1529 01:21:03,333 --> 01:21:04,000 >> HI NORMAN. 1530 01:21:04,083 --> 01:21:04,917 >> HI SHEILA. 1531 01:21:05,000 --> 01:21:07,750 OH BOY, FLOWERS. THEY'RE PRETTY. 1532 01:21:08,458 --> 01:21:09,750 YOU'RE WELCOME VERY MUCH. 1533 01:21:28,417 --> 01:21:29,583 >> WHEN I GOT THIS STUFF, 1534 01:21:30,000 --> 01:21:33,083 I DIDN'T TELL THE LADY IT WAS FOR A PARTY OF GROWN-UP ADULTS 1535 01:21:33,166 --> 01:21:34,250 WITH THEIR OWN HOME. 1536 01:21:34,333 --> 01:21:35,291 I WAS AFRAID IF I SAID THAT, 1537 01:21:35,709 --> 01:21:37,917 IT WOULD SOUND TOO MUCH LIKE I WAS A BRAGGER. 1538 01:21:38,000 --> 01:21:39,959 >> WHAT'S IN THE BOX, ARNOLD? 1539 01:21:40,041 --> 01:21:41,041 >> CAN I GUESS? 1540 01:21:41,125 --> 01:21:41,959 A FROG. 1541 01:21:42,041 --> 01:21:43,625 >> I'LL BET DOUGHNUTS. 1542 01:21:43,709 --> 01:21:45,041 >> THEY'RE BOTH GOOD GUESSES, 1543 01:21:45,125 --> 01:21:46,375 BUT THEY ARE BOTH, I REPEAT, 1544 01:21:46,458 --> 01:21:48,083 BOTH WRONG! 1545 01:21:48,166 --> 01:21:49,750 ANIMAL PUPPETS! 1546 01:21:49,834 --> 01:21:52,208 >> WOW! OH, BOY! ANIMAL PUPPETS! 1547 01:21:52,291 --> 01:21:54,083 HOW COME THE PUPPETS, ARNOLD? HOW COME? 1548 01:21:54,166 --> 01:21:55,500 >> HOW COME? BECAUSE WITH ANIMAL PUPPETS, 1549 01:21:55,583 --> 01:21:59,208 YOU ARE NOW 3 GUESTS AT A PARTY INSTEAD OF JUST ONE. 1550 01:21:59,291 --> 01:22:01,625 YOU SEE, PUT ONE ON ONE HAND, ONE ON THIS HAND, 1551 01:22:05,959 --> 01:22:07,709 >> HI, SHEILA. HI, SHEILA. 1552 01:22:07,792 --> 01:22:08,834 >> JACK'S HERE. 1553 01:22:08,917 --> 01:22:13,083 I SEE HIM! AND HE'S GOT BARRY! 1554 01:22:13,166 --> 01:22:14,542 >> OK, LET'S GO, EVERYBODY! 1555 01:22:14,625 --> 01:22:16,625 FAMILIARIZE YOURSELF WITH YOUR PUPPETS, 1556 01:22:16,709 --> 01:22:17,667 AND BE READY TO SING THE SONG 1557 01:22:17,750 --> 01:22:19,208 WHEN WE SERVE THE DOUGHNUTS, OK?! 1558 01:22:19,291 --> 01:22:20,834 DON'T FORGET THE WORDS OF THE SONG! 1559 01:22:20,917 --> 01:22:23,542 AND REMEMBER, BE REALLY QUIET! 1560 01:22:23,625 --> 01:22:26,041 >> HELLO, MY NAME IS NORMAN BULANSKY! 1561 01:22:26,125 --> 01:22:27,083 >> NO, NOT YET! 1562 01:22:27,166 --> 01:22:28,875 HE HASN'T COME IN YET. 1563 01:22:30,875 --> 01:22:35,417 >> COME IN! IT'S OPEN! 1564 01:22:38,125 --> 01:22:40,333 >> HELLO? 1565 01:22:44,333 --> 01:22:47,375 IS ANYBODY HOME? 1566 01:22:48,750 --> 01:22:50,333 WHERE IS EVERYBODY? 1567 01:22:50,417 --> 01:22:52,333 >> SURPRISE! SURPRISE! 1568 01:22:52,417 --> 01:22:53,417 COME ON! HE'S HERE! 1569 01:22:53,500 --> 01:22:54,834 >> OH! SURPRISE! SURPRISE! 1570 01:22:54,917 --> 01:22:57,333 >> 1571 01:23:13,417 --> 01:23:14,250 >> SURPRISE! 1572 01:23:14,625 --> 01:23:17,542 OH, BOY, JACK, WE GOT DOUGHNUTS ON THE TABLE 1573 01:23:17,625 --> 01:23:18,458 AND EVERYTHING. 1574 01:23:18,542 --> 01:23:19,375 >> AND ANIMAL PUPPETS. 1575 01:23:19,458 --> 01:23:20,542 >> MY PUPPETS BE FIGHTING. 1576 01:23:20,625 --> 01:23:22,625 POWEE, BIPEE... 1577 01:23:23,834 --> 01:23:25,000 >> MY PUPPETS ARE QUIET. 1578 01:23:25,083 --> 01:23:27,333 >> GIRL PUPPETS ARE POLITER PUPPETS. 1579 01:23:27,417 --> 01:23:28,291 >> YEAH, WELL, ALL I KNOW IS-- 1580 01:23:28,667 --> 01:23:30,333 >> ALL YOU KNOW IS YOU'RE THROWING ME A PARTY. 1581 01:23:30,417 --> 01:23:31,750 >> YEAH. 1582 01:23:31,834 --> 01:23:33,834 >> THAT'S GREAT. 1583 01:23:33,917 --> 01:23:36,083 BUT THE NEXT QUESTION IS... 1584 01:23:36,166 --> 01:23:38,458 DO YOU GUYS KNOW WHY YOU'RE THROWING ME THIS PARTY? 1585 01:23:38,542 --> 01:23:41,458 >> BECAUSE OF YOUR NEW CAR JOB. 1586 01:23:41,667 --> 01:23:43,500 >> OK. 1587 01:23:45,250 --> 01:23:47,500 BUT DO YOU UNDERSTAND WHAT THIS CAR JOB OF MINE MEANS 1588 01:23:47,583 --> 01:23:49,166 AS FAR AS WE'RE ALL CONCERNED? 1589 01:23:49,250 --> 01:23:50,959 >> WE'RE GONNA GET TO RIDE IN A NEW CAR. 1590 01:23:51,041 --> 01:23:52,667 >> I HOPE IT'S A RED CAR. 1591 01:23:52,750 --> 01:23:54,709 >> 'CAUSE THIS IS GONNA INVOLVE A... 1592 01:23:54,792 --> 01:23:58,208 PRETTY BIG TRANSITION FOR US. 1593 01:23:58,291 --> 01:24:00,083 >> WHAT'S TRANSITION? 1594 01:24:00,166 --> 01:24:02,667 >> I THINK IT'S THE GEARS. 1595 01:24:02,750 --> 01:24:05,834 >> NO... 1596 01:24:07,375 --> 01:24:09,500 IT'S MORE COMPLICATED THAN THAT. 1597 01:24:09,583 --> 01:24:12,917 >> IT IS NOT COMPLICATED! 1598 01:24:13,000 --> 01:24:15,709 JACK IS LEAVING YOU. 1599 01:24:16,583 --> 01:24:18,000 JACK'S GOING SOMEWHERE ELSE FOREVER. 1600 01:24:18,083 --> 01:24:20,208 HE'S LEAVING YOU, HE'S LEAVING ME. 1601 01:24:20,291 --> 01:24:22,375 HE'S GOING TO ANOTHER WORLD. 1602 01:24:22,458 --> 01:24:25,709 >> JACK BE LEAVING US WHERE? 1603 01:24:25,792 --> 01:24:26,583 >> IT'S THIS JOB, 1604 01:24:26,959 --> 01:24:28,709 THIS OTHER JOB THAT I'M TELLING YOU ABOUT. 1605 01:24:28,792 --> 01:24:30,083 >> JACK, HOW-- 1606 01:24:30,166 --> 01:24:31,625 HOW MANY JOBS YOU GOT NOW? 1607 01:24:31,709 --> 01:24:33,625 >> I'LL JUST HAVE THE ONE. 1608 01:24:33,709 --> 01:24:36,166 >> US, RIGHT? 1609 01:24:36,250 --> 01:24:38,667 >> NO. 1610 01:24:42,625 --> 01:24:43,875 LISTEN, BARRY'S RIGHT. 1611 01:24:44,458 --> 01:24:49,041 I AM LEAVING YOU GUYS... 1612 01:24:49,417 --> 01:24:50,667 BUT IT'S GONNA BE OK. 1613 01:24:50,750 --> 01:24:54,458 SOMEONE ELSE IS GONNA COME HERE AND TAKE MY PLACE. 1614 01:24:54,542 --> 01:24:57,125 THERE WILL ALWAYS BE SOMEBODY HERE FOR YOU GUYS. 1615 01:24:57,208 --> 01:24:59,458 >> BUT SOMEBODY DOESN'T KNOW US 1616 01:24:59,542 --> 01:25:01,125 LIKE YOU KNOW US, JACK. 1617 01:25:01,208 --> 01:25:01,792 >> THEY WILL KNOW YOU. 1618 01:25:02,000 --> 01:25:04,166 >> JACK BE LEAVING US WHERE? 1619 01:25:04,250 --> 01:25:06,875 >> IF YOU LEAVE, JACK, I'LL GO ON A HUNGER STRIKE! 1620 01:25:06,959 --> 01:25:08,333 >> NO, JUST LISTEN TO ME. 1621 01:25:08,417 --> 01:25:09,375 >> JACK BE LEAVING US. 1622 01:25:09,458 --> 01:25:10,542 >> LET ME EXPLAIN THIS. 1623 01:25:10,625 --> 01:25:12,792 THIS DOES NOT MEAN THAT I'M NOT YOUR FRIEND. 1624 01:25:12,875 --> 01:25:14,792 I JUST WILL NOT BE YOUR WORKER ANYMORE. 1625 01:25:14,875 --> 01:25:15,834 SOMEONE ELSE WILL DO THAT JOB. 1626 01:25:15,917 --> 01:25:16,709 >> I WON'T EAT NOTHING! 1627 01:25:17,041 --> 01:25:19,166 >> JACK--AND I MEAN THIS QUITE FRANKLY-- 1628 01:25:19,250 --> 01:25:19,917 I WOULD NEVER QUIT YOU. 1629 01:25:20,250 --> 01:25:21,000 >> I AM NOT QUITTING YOU, ARNOLD. 1630 01:25:21,083 --> 01:25:22,959 I AM NOT QUITTING ANY OF YOU. 1631 01:25:23,542 --> 01:25:24,709 LUCIEN, COME BACK HERE! 1632 01:25:24,792 --> 01:25:25,667 LUCIEN, COME HERE! 1633 01:25:26,166 --> 01:25:27,959 LET'S STOP FOR A SECOND! JUST STOP AND LISTEN TO ME! 1634 01:25:28,125 --> 01:25:30,208 >> NO, JACK, YOU CAN'T GO! 1635 01:25:30,792 --> 01:25:32,917 >> BARRY? WHERE'S BARRY GOING? 1636 01:25:33,500 --> 01:25:34,667 WE'RE GONNA TALK ABOUT THIS IN A MINUTE, OK? 1637 01:25:34,750 --> 01:25:36,583 JUST LET'S TALK ABOUT IT IN A MINUTE. 1638 01:25:36,667 --> 01:25:37,875 >> MAYBE WE'LL TALK IN RUSSIA, JACK! 1639 01:25:37,959 --> 01:25:39,458 THAT'S WHERE WE'LL TALK. 1640 01:25:40,125 --> 01:25:41,375 >> I'LL BE RIGHT BACK. 1641 01:25:41,458 --> 01:25:44,166 >> IT'S TOO NOISY IN HERE FOR POLITE PUPPETS. 1642 01:25:46,041 --> 01:25:48,500 >> JACK, DON'T LEAVE! 1643 01:25:48,583 --> 01:25:50,792 LUCIEN, I WANT YOU TO GO BACK INSIDE, OK? 1644 01:25:50,875 --> 01:25:51,792 >> JACK, DON'T LEAVE! 1645 01:25:52,166 --> 01:25:53,542 >> I WANT YOU TO SETTLE DOWN AND GO BACK INSIDE. 1646 01:25:53,625 --> 01:25:54,458 >> NYET! 1647 01:25:54,542 --> 01:25:56,041 >> ARNOLD... >> NYET! 1648 01:25:56,125 --> 01:25:57,166 >> AGAINST RIGHT! 1649 01:25:57,250 --> 01:25:59,208 >> NORMAN, PUT THOSE BACK INSIDE! 1650 01:25:59,291 --> 01:26:00,834 >> FREE DOUGHNUTS HERE! 1651 01:26:01,917 --> 01:26:03,583 >> I'M ONLY GONNA TALK ABOUT THIS-- 1652 01:26:03,667 --> 01:26:05,083 >> JACK, NO, PLEASE! 1653 01:26:05,166 --> 01:26:07,417 >> GET YOUR HUNK RIGHT! 1654 01:26:07,500 --> 01:26:08,750 FREE DOUGHNUTS! 1655 01:26:08,834 --> 01:26:10,125 GET FREE DOUGHNUTS! 1656 01:26:11,750 --> 01:26:16,542 >> JACK, NO, PLEASE! 1657 01:26:18,375 --> 01:26:20,709 >> I'LL BE BACK IN A MINUTE! 1658 01:26:20,875 --> 01:26:22,792 BARRY, STOP THAT! 1659 01:26:22,875 --> 01:26:23,625 STOP IT! 1660 01:26:24,208 --> 01:26:25,458 YOU WANT SOMEONE TO CALL THE POLICE? 1661 01:26:26,667 --> 01:26:30,333 >> WOULDN'T THAT BE BEST, JACK? 1662 01:26:36,542 --> 01:26:38,458 >> FREE DOUGHNUTS! 1663 01:26:44,667 --> 01:26:45,417 OK, BARRY, 1664 01:26:46,208 --> 01:26:47,417 LET'S JUST GET YOU BACK. 1665 01:26:48,041 --> 01:26:49,000 >> NOT YET, JACK. 1666 01:26:49,083 --> 01:26:51,208 WE'VE GOT ONE MORE STOP TO MAKE. 1667 01:28:10,458 --> 01:28:15,709 >> BARRY, WHY DIDN'T YOU DO THAT FOR YOUR DAD? 1668 01:28:16,709 --> 01:28:17,959 >> BECAUSE... 1669 01:28:18,417 --> 01:28:21,667 IT WOULD HAVE MATTERED TO HIM WHETHER OR NOT IT WAS A GOOD SHOT... 1670 01:28:21,750 --> 01:28:27,875 AND IT WOULDN'T HAVE MATTERED TO YOU WHAT KIND OF SHOT IT WAS. 1671 01:28:28,166 --> 01:28:31,083 >> YOU'RE RIGHT. 1672 01:28:31,166 --> 01:28:35,792 ALL I WANTED WAS TO SEE YOUR SHOT. 1673 01:28:40,625 --> 01:28:43,875 >> I THINK I'M ALL DONE NOW. 1674 01:30:12,500 --> 01:30:13,583 >> GOOD NIGHT. 1675 01:30:13,667 --> 01:30:14,583 >> GOOD NIGHT. 1676 01:30:14,667 --> 01:30:15,709 >> MR. PALMER? 1677 01:30:15,792 --> 01:30:16,625 >> YEAH? 1678 01:30:16,709 --> 01:30:17,458 >> FOR YOU. 1679 01:30:17,542 --> 01:30:18,583 >> OH, THANKS. HELLO? 1680 01:30:18,667 --> 01:30:19,667 >> GOOD, I CAUGHT YOU. 1681 01:30:19,750 --> 01:30:21,667 I JUST GOT OFF THE PHONE WITH ARNOLD. 1682 01:30:21,750 --> 01:30:22,792 >> OH, MY GOSH. 1683 01:30:23,166 --> 01:30:23,875 >> HE SAID TO TELL YOU THAT HE'S TALKED WITH NORMAN 1684 01:30:24,583 --> 01:30:26,792 AND LUCIEN AND THEY'VE DECIDED TO THROW IN WITH HIM. 1685 01:30:26,875 --> 01:30:27,625 >> WHAT DOES THAT MEAN? 1686 01:30:27,959 --> 01:30:30,250 >> HE SAID THEY'RE ALL GOING TO RUSSIA. 1687 01:30:30,333 --> 01:30:31,083 >> OH, FOR PETE'S SAKE. 1688 01:30:31,417 --> 01:30:36,333 >> JACK, HE SAID THEY'RE GOING BY TRAIN. 1689 01:30:39,291 --> 01:30:41,208 >> MAY I HAVE YOUR ATTENTION, PLEASE, 1690 01:30:41,291 --> 01:30:44,959 TO ANNOUNCE THE IMMINENT DEPARTURE OF TRAIN 354, 1691 01:30:45,041 --> 01:30:46,667 THE QUIET LIFE LIMITED, 1692 01:30:46,750 --> 01:30:51,083 SERVICE TO BATTLE CREEK, TOLEDO, SERENA, 1693 01:30:51,166 --> 01:30:53,625 AND POINTS NORTH. 1694 01:30:53,709 --> 01:30:55,834 ALL ABOARD, PLEASE. 1695 01:31:23,917 --> 01:31:25,834 >> HEY! JACK'S HERE! 1696 01:31:25,917 --> 01:31:26,834 >> HEY, GUYS. 1697 01:31:26,917 --> 01:31:28,291 >> HEY, JACK. 1698 01:31:28,375 --> 01:31:30,125 GUESS WHAT I GOT. 1699 01:31:30,208 --> 01:31:32,417 >> UM, A BALLOON. 1700 01:31:32,500 --> 01:31:35,041 >> YOU BE SMART. 1701 01:31:42,291 --> 01:31:46,166 >> I THOUGHT YOU WERE GOING ON A HUNGER STRIKE, NORMAN. 1702 01:31:47,542 --> 01:31:49,875 >> JACK, THIS IS NOT A DOUGHNUT. 1703 01:31:49,959 --> 01:31:52,583 >> YOU GOT ME THERE. 1704 01:31:52,667 --> 01:31:53,709 HI, ARNOLD. 1705 01:31:53,792 --> 01:31:55,375 IT'S GOOD TO SEE YOU, ARNOLD. 1706 01:31:55,458 --> 01:31:56,792 >> HI, JACK. 1707 01:31:56,875 --> 01:31:59,792 YOU TAKING A TRAIN SOMEWHERE? 1708 01:31:59,875 --> 01:32:01,250 >> NO. 1709 01:32:02,583 --> 01:32:05,458 >> NO, I JUST THOUGHT I'D COME DOWN AND SEE IF YOU GUYS WANTED ANY COMPANY. 1710 01:32:05,542 --> 01:32:10,375 >> WE'RE WAITING FOR THEM TO ANNOUNCE THE RUSSIA TRAIN. 1711 01:32:10,458 --> 01:32:11,959 >> RUSSIA TRAIN. 1712 01:32:12,041 --> 01:32:14,166 >> HOW'S BARRY? 1713 01:32:14,667 --> 01:32:16,500 >> HE'S AS WELL AS CAN BE EXPECTED 1714 01:32:16,583 --> 01:32:18,375 UNDER THE CIRCUMSTANCES, I GUESS. 1715 01:32:18,458 --> 01:32:19,125 >> THAT'S GOOD TO KNOW. 1716 01:32:19,417 --> 01:32:20,792 IT'S A SHAME HE CAN'T GO WITH US. 1717 01:32:20,875 --> 01:32:23,417 THERE'S A LOT OF TCHAIKOVSKY IN BARRY. 1718 01:32:23,500 --> 01:32:25,000 >> I'LL TELL HIM YOU SAID THAT. 1719 01:32:25,083 --> 01:32:26,083 >> JACK? 1720 01:32:26,166 --> 01:32:29,542 YOU STILL BE QUITTIN' US? 1721 01:32:32,500 --> 01:32:33,875 >> YEAH, LUCIEN. 1722 01:32:33,959 --> 01:32:36,417 I HAVE TO. 1723 01:32:36,500 --> 01:32:39,834 I HAVE TO 'CAUSE I GOT RENA TO TAKE CARE OF. 1724 01:32:39,917 --> 01:32:41,667 >> RENA. 1725 01:32:41,750 --> 01:32:44,458 >> DON'T YOU LIKE US ANYMORE, JACK? 1726 01:32:44,542 --> 01:32:46,417 >> NORMAN... 1727 01:32:50,625 --> 01:32:53,000 IT'S NOT ABOUT LIKING. 1728 01:32:53,083 --> 01:32:54,375 I LOVE YOU GUYS. 1729 01:32:54,542 --> 01:32:59,542 BUT SOMETIMES YOU HAVE TO LET GO OF SOMETHING YOU LOVE. 1730 01:32:59,750 --> 01:33:01,917 IT'S JUST LIKE A PARENT HAS TO LET GO OF A CHILD 1731 01:33:02,000 --> 01:33:06,333 EVEN THOUGH THEY LOVE THAT CHILD MORE THAN THEIR NEXT BREATH. 1732 01:33:06,417 --> 01:33:10,542 SOMETIMES YOU HAVE TO DO SOMETHING JUST BECAUSE IT'S THE RIGHT THING TO DO, 1733 01:33:10,625 --> 01:33:14,000 EVEN THOUGH DOING IT HURTS. 1734 01:33:16,166 --> 01:33:18,083 WE LIVE IN THE REAL WORLD, GUYS, 1735 01:33:18,166 --> 01:33:21,291 AND THAT'S A WORLD WHERE PEOPLE GET HURT, 1736 01:33:21,375 --> 01:33:24,792 WHETHER THEY DESERVE THAT HURT OR NOT. 1737 01:33:24,875 --> 01:33:27,208 >> ALL RIGHT, THEN FINE, QUIT US! 1738 01:33:27,291 --> 01:33:28,959 BUT WE HATE YOU! 1739 01:33:29,041 --> 01:33:30,500 CURTAIN UP, END OF SUBJECT. 1740 01:33:30,583 --> 01:33:33,375 >> I'M--I'M NOT HATING JACK. 1741 01:33:33,458 --> 01:33:35,750 >> YEAH, WELL, YOU'VE EATEN. 1742 01:33:36,291 --> 01:33:37,333 I HAVEN'T EATEN. 1743 01:33:37,417 --> 01:33:39,250 IT TENDS TO MAKE PEOPLE TESTY. 1744 01:33:45,291 --> 01:33:47,417 >> JACK? 1745 01:33:47,500 --> 01:33:50,417 YOU WANT TO HOLD MY BALLOON? 1746 01:33:53,000 --> 01:33:54,583 >> GUYS? 1747 01:33:54,667 --> 01:33:55,750 >> HUH? 1748 01:33:56,166 --> 01:33:58,417 >> I'M GONNA SEE IF I CAN'T HURRY UP THAT TRAIN OF YOURS. 1749 01:33:58,500 --> 01:34:00,917 YOU'VE WAITED LONG ENOUGH. 1750 01:34:01,000 --> 01:34:02,500 >> YEAH. 1751 01:34:02,583 --> 01:34:06,542 LIKE HE KNOWS MR. AMTRAK OR SOMETHING. 1752 01:34:10,166 --> 01:34:12,375 >> THAT'S A PERFECT TRAVELING OUTFIT. 1753 01:34:12,458 --> 01:34:14,417 >> "TRAVELING OUTFIT"? 1754 01:34:14,500 --> 01:34:16,792 WHEN DID THIS GET TO BE A TRAVELING OUTFIT? 1755 01:34:16,875 --> 01:34:21,125 >> THIS IS 20, 40, 60, 70, 81, 82, 83, 84. 1756 01:34:21,208 --> 01:34:23,625 I WANT 4 ROUND-TRIP TICKETS TO ANYWHERE BACK HERE. 1757 01:34:23,709 --> 01:34:24,417 IT DOESN'T MATTER WHERE. 1758 01:34:24,750 --> 01:34:26,500 THERE'S A TRIP THAT NEEDS TO BE TAKEN. 1759 01:34:26,583 --> 01:34:29,000 >> THAT'S KIND OF WEIRD. 1760 01:34:29,083 --> 01:34:29,834 >> YEAH, WELL... 1761 01:34:30,125 --> 01:34:32,250 YOU LIVE LONG ENOUGH, YOU GET WEIRD. 1762 01:34:32,834 --> 01:34:34,583 IT'S PART OF THE DEAL. 1763 01:34:34,667 --> 01:34:36,625 >> GOING TO MILWAUKEE ON THE TRAIN! 1764 01:34:36,709 --> 01:34:39,583 >> GOING TO MILWAUKEE ON THE TRAIN! 1765 01:34:39,667 --> 01:34:42,208 >> GOING TO MILWAUKEE ON THE TRAIN! 1766 01:34:42,291 --> 01:34:44,583 >> YOU REMEMBER. YOU GOT TO BE GOOD NOW. 1767 01:34:45,291 --> 01:34:46,417 >> I DON'T THINK SO. 1768 01:34:46,500 --> 01:34:48,583 LAVERNE AND SHIRLEY ARE FROM MILWAUKEE. 1769 01:34:48,667 --> 01:34:50,250 >> WHO ARE LAVERNE AND SHIRLEY? 1770 01:34:50,333 --> 01:34:52,125 >> 2 GIRLS THAT ARE FROM MILWAUKEE. 1771 01:34:52,208 --> 01:34:54,375 BOY, YOU DON'T REMEMBER THINGS VERY WELL. 1772 01:34:54,458 --> 01:34:56,583 >> ALL RIGHT, I'LL GO FIND A CONDUCTOR 1773 01:34:56,667 --> 01:34:57,667 AND FIND OUT WHERE OUR SEATS ARE, 1774 01:34:58,041 --> 01:35:01,333 AND YOU MAKE SURE THOSE BAD BOYS GET ON AND FIND ME. 1775 01:35:01,417 --> 01:35:03,208 >> YES, MA'AM. 1776 01:35:03,291 --> 01:35:04,375 COME ON, GUYS. 1777 01:35:04,458 --> 01:35:06,709 >> GATE NUMBER 58, CITY OF NEW ORLEANS 1778 01:35:06,792 --> 01:35:09,166 IS NOW ARRIVING ON TRACK NUMBER 7. 1779 01:35:09,250 --> 01:35:11,709 CITY OF NEW ORLEANS, TRAIN NUMBER 58 1780 01:35:11,792 --> 01:35:14,417 NOW ARRIVING ON TRACK 7. 1781 01:35:16,250 --> 01:35:17,166 >> LUCIEN? 1782 01:35:17,250 --> 01:35:18,000 >> UH-HUH? 1783 01:35:18,083 --> 01:35:18,667 >> YOUR BALLOON. 1784 01:35:18,875 --> 01:35:21,000 >> THAT'S FOR YOU, JACK. 1785 01:35:21,083 --> 01:35:22,000 >> THANKS, PAL. 1786 01:35:22,333 --> 01:35:25,166 >> I HOPE YOU LEASE A LOT OF RED CARS, JACK. 1787 01:35:25,250 --> 01:35:28,041 >> I'LL DO MY BEST, NORMAN. I PROMISE. 1788 01:35:28,500 --> 01:35:30,041 >> ALL ABOARD! 1789 01:35:33,291 --> 01:35:35,500 >> OK, GUYS, TIME TO GO. 1790 01:35:35,583 --> 01:35:36,500 LUCIEN? 1791 01:35:36,583 --> 01:35:37,667 >> HUH? 1792 01:35:37,750 --> 01:35:40,208 >> YOU DO MEAN BUSINESS. 1793 01:35:43,500 --> 01:35:47,250 >> CAREFUL. BYE, NORMAN. 1794 01:35:47,333 --> 01:35:49,250 TELL ME ABOUT KEYS. 1795 01:35:49,333 --> 01:35:52,291 >> YEAH. AND DOUGHNUTS. 1796 01:35:52,375 --> 01:35:55,041 >> ARNOLD... 1797 01:35:55,125 --> 01:35:57,583 I'M REALLY SORRY YOU FEEL THE WAY YOU DO. 1798 01:35:57,667 --> 01:36:00,875 >> YOU QUITTING? I'M HATING. PERIOD. 1799 01:36:00,959 --> 01:36:03,458 >> I HOPE NOT. 1800 01:36:25,709 --> 01:36:27,667 JACK! 1801 01:36:29,667 --> 01:36:30,583 JACK, I EMPHASIZE THIS! 1802 01:36:30,959 --> 01:36:33,333 YOU HAVE BETTER BEHAVIOR PATTERNS THAN A LOT OF-- 1803 01:36:33,417 --> 01:36:35,333 I REPEAT--A LOT OF PEOPLE! 1804 01:36:35,417 --> 01:36:37,834 >> FREE DOUGHNUTS ANYTIME, JACK! 1805 01:36:37,917 --> 01:36:45,000 >> JACK, YOU LOOK GOOD WITH MY BALLOON. BYE! 1806 01:36:45,834 --> 01:36:47,125 >> NOW LEAVING ON TRACK NUMBER 9, 1807 01:36:47,208 --> 01:36:51,083 LOCAL SERVICE STOPPING AT MILWAUKEE, MONTREAL, 1808 01:36:51,166 --> 01:36:56,375 VANCOUVER, ANCHORAGE, VLADIVOSTOK, 1809 01:36:56,458 --> 01:36:57,834 PETROPOVLOSK, 1810 01:36:57,917 --> 01:36:59,709 KLIMOVICHI, 1811 01:36:59,792 --> 01:37:02,542 AND MOSCOW. 1812 01:37:05,500 --> 01:37:06,959 YEAH! 1813 01:37:36,500 --> 01:37:39,000 CAPTIONING MADE POSSIBLE BY HALLMARK CHANNEL AND FRIENDS OF NCI 119478