All language subtitles for Gigolos.S01E07.720p.AMZN.WEB-DL.DDP5.1.H.264-SLAG_Subtitles01.ENG

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Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated: 1 00:00:12,959 --> 00:00:15,291 BEING A GIGOLO ISN'T ALWAYS EASY. 2 00:00:15,291 --> 00:00:18,333 Nick: I'M VERY PROUD TO BE CALLED A GIGOLO. 3 00:00:18,333 --> 00:00:21,041 THERE'S NOBODY OUT THERE MORE COMPETITIVE THAN ME. 4 00:00:21,041 --> 00:00:23,458 I TRY TO BREAK A SWEAT SIX DAYS A WEEK. 5 00:00:25,041 --> 00:00:26,792 Brace: THE BRACE PHILOSOPHY 6 00:00:26,792 --> 00:00:29,250 IS TO REALLY BE GOOD TO PEOPLE. 7 00:00:29,250 --> 00:00:31,792 I'VE HAD SO MANY WOMEN IN MY LIFE IT'S JUST A BLUR. 8 00:00:31,792 --> 00:00:33,458 I'M GONNA ENJOY THIS. 9 00:00:34,959 --> 00:00:37,291 Jimmy: I'M THE GUY THAT EATS DESSERT FIRST. 10 00:00:37,291 --> 00:00:40,291 I'M ADVENTUROUS. I'M WILLING TO TRY QUITE A LOT. 11 00:00:41,875 --> 00:00:44,083 Steven: I'M JUST A NORMAL GUY 12 00:00:44,083 --> 00:00:46,458 LOOKING FOR LOVE LIKE EVERYBODY ELSE. 13 00:00:46,458 --> 00:00:48,542 THIS IS ME. YOU CAN TAKE IT OR LEAVE IT. 14 00:00:50,417 --> 00:00:52,709 Vin: I REALLY LOVE WOMEN-- 15 00:00:52,709 --> 00:00:55,166 LEARNING ABOUT THEM, LEARNING WHAT MAKES THEM TICK. 16 00:00:55,166 --> 00:00:58,375 I WOULD CONSIDER MYSELF A REAL FEMINIST. 17 00:00:58,375 --> 00:00:59,709 IT'S VEGAS, BABY. 18 00:01:03,333 --> 00:01:05,583 - MONEY, RIGHT THERE. - OH MY GOD. 19 00:01:05,583 --> 00:01:07,417 - WHOO! - OH! 20 00:01:21,000 --> 00:01:22,834 I HAVE A NEW CLIENT. HER NAME'S BRIANNA. 21 00:01:22,834 --> 00:01:24,750 SHE'S A WEALTHY YOUNG LADY. 22 00:01:24,750 --> 00:01:27,125 - ( doorbell rings ) - SHE CALLED ME UP AND SHE SAYS 23 00:01:27,125 --> 00:01:29,667 SHE HAS A HARD TIME TURNING ON HER HUSBAND 24 00:01:29,667 --> 00:01:31,417 BECAUSE SHE'S SO SHY. 25 00:01:31,417 --> 00:01:33,709 - HEY, BRACE. - HEY, HOW ARE YOU? 26 00:01:33,709 --> 00:01:36,041 - I'M WELL. HOW ABOUT YOURSELF? - I'M DOING GREAT. 27 00:01:36,041 --> 00:01:38,208 LOOK AT YOU. YOU'RE LOOKING SEXY. 28 00:01:38,208 --> 00:01:40,917 I TOLD HER, "BRIANNA, YOU CALLED THE RIGHT GUY 29 00:01:40,917 --> 00:01:42,750 BECAUSE I'VE GOT THE CURE." 30 00:01:42,750 --> 00:01:45,834 - YOU KNOW I'M MARRIED, RIGHT? - WELL, OF COURSE. 31 00:01:45,834 --> 00:01:48,083 I'VE BEEN MARRIED FOR TWO YEARS. 32 00:01:48,083 --> 00:01:49,792 IS YOUR HUSBAND A LOT OLDER THAN YOU? 33 00:01:49,792 --> 00:01:52,709 HE IS. HE'S 63. 34 00:01:52,709 --> 00:01:54,375 - REALLY? - YEAH. 35 00:01:54,375 --> 00:01:57,208 AND YOU JUST WANT TO FIND WAYS TO 36 00:01:57,208 --> 00:01:59,375 PLEASE HIM MORE IN THE BEDROOM? 37 00:01:59,375 --> 00:02:02,208 YEAH WELL, YOU KNOW, I THINK BECAUSE OF HIS AGE, 38 00:02:02,208 --> 00:02:05,792 HE'S HAD A LITTLE BIT MORE EXPERIENCED WOMEN. 39 00:02:05,792 --> 00:02:09,125 - NO DOUBT. - AND EVEN THOUGH 40 00:02:09,125 --> 00:02:11,709 I'VE BEEN WITH A FEW MEN OTHER THAN HIM-- 41 00:02:11,709 --> 00:02:14,750 HE PROBABLY WANTS YOU TO BE A LITTLE MORE AGGRESSIVE IN THE BEDROOM MAYBE? 42 00:02:14,750 --> 00:02:16,458 A LADY OUT HERE, 43 00:02:16,458 --> 00:02:18,417 - BUT KIND OF NASTY AND NAUGHTY IN THE BEDROOM? - YEAH. 44 00:02:18,417 --> 00:02:21,083 YEAH, I THINK I'M ALMOST LIKE A LITTLE 45 00:02:21,083 --> 00:02:23,166 TOO IMMATURE IN THE BEDROOM. 46 00:02:23,166 --> 00:02:25,917 Brianna: I CAN BE A LITTLE AWKWARD. 47 00:02:25,917 --> 00:02:28,500 I JUST GET WEIRD. 48 00:02:28,500 --> 00:02:30,250 I DON'T KNOW WHAT IT IS. 49 00:02:30,250 --> 00:02:33,500 IT'S LIKE MY WHOLE BODY TURNS INTO, LIKE, 50 00:02:33,500 --> 00:02:37,750 A TEENAGER AND IT'S HER FIRST TIME TO HAVE SEX. 51 00:02:37,750 --> 00:02:39,375 HE WANTS YOU TO BE NASTY AND SAY 52 00:02:39,375 --> 00:02:42,083 SOME NASTY THINGS TO HIM WHILE YOU'RE HAVING SEX. 53 00:02:42,083 --> 00:02:44,250 - NASTY, HUH? - YEAH, NASTY THINGS. 54 00:02:44,250 --> 00:02:46,583 - BUT MEN LIKE THAT. - RIGHT. 55 00:02:46,583 --> 00:02:50,208 THEY WANT TO HEAR LOUD MOANING. THEY WANT YOU TO TELL THEM 56 00:02:50,208 --> 00:02:53,750 HOW BIG THEIR COCK IS. YOU'RE FEELING IT. YOU'RE LOVING IT. 57 00:02:53,750 --> 00:02:55,667 YOU JUST CAN'T GET ENOUGH. 58 00:02:55,667 --> 00:02:58,291 Brace: I THINK THAT A LOT OF THESE WOMEN, 59 00:02:58,291 --> 00:03:01,667 THEY JUST-- THEY GET COMPLACENT IN THESE RELATIONSHIPS 60 00:03:01,667 --> 00:03:06,083 AND THEY JUST ACCEPT NOT HAVING A PASSIONATE SEX LIFE. 61 00:03:06,083 --> 00:03:09,375 WHAT ARE YOU GONNA SUGGEST I DO FIRST? 62 00:03:09,375 --> 00:03:13,250 WELL, YOU HAVE TO TELL YOUR HUSBAND WHAT YOU WANT. 63 00:03:13,250 --> 00:03:16,458 YOU'RE GONNA SAY, "HONEY, I WANT YOU TO COME OVER HERE AND FUCK ME HARD." 64 00:03:16,458 --> 00:03:19,667 - ( laughs ) NO. WHAT DO YOU WANT ME TO SAY? - I'M SERIOUS. 65 00:03:19,667 --> 00:03:21,959 - OKAY. - START PRACTICING. 66 00:03:21,959 --> 00:03:23,792 ( sighs ) 67 00:03:23,792 --> 00:03:27,333 BRACE, UNZIP MY FUCKING DRESS. 68 00:03:27,333 --> 00:03:29,458 OH YEAH, NOW WE'RE TALKING. 69 00:03:29,458 --> 00:03:31,041 WHAT DO YOU SAY TO HIM? 70 00:03:31,041 --> 00:03:33,875 OH YES, I SAY HE-- 71 00:03:33,875 --> 00:03:36,792 I'M GOING TO START SAYING HE HAS A BEAUTIFUL COCK. 72 00:03:36,792 --> 00:03:40,834 - OR A BIG COCK. - BUT HE DOESN'T REALLY HAVE A BIG COCK. 73 00:03:40,834 --> 00:03:44,500 SO? 'KAY, KEEP IT ROLLING. 74 00:03:44,500 --> 00:03:46,333 MMM. 75 00:03:46,333 --> 00:03:49,917 - YEAH, THAT'S WHAT I'M TALKING ABOUT. - OKAY? 76 00:03:49,917 --> 00:03:51,417 I LIKE THE LANGUAGE. 77 00:03:51,417 --> 00:03:53,500 I WANNA SUCK YOUR HARD COCK. 78 00:03:53,500 --> 00:03:56,333 THAT'S AWESOME. 79 00:03:56,333 --> 00:03:58,959 - I LIKE THAT. - TAKE THOSE SHOES OFF, DAMN IT. 80 00:03:58,959 --> 00:04:01,000 ALL RIGHT. 81 00:04:01,000 --> 00:04:03,750 - THIS IS GOOD, HUH? - YEAH. 82 00:04:03,750 --> 00:04:05,291 - DON'T BE AFRAID. - OKAY. 83 00:04:05,291 --> 00:04:08,166 WHEN IT COMES TO TALKING DIRTY, PEOPLE ARE AFRAID 84 00:04:08,166 --> 00:04:10,458 OF THEIR OWN SHADOW IN THE BEDROOM SOMETIMES. 85 00:04:10,458 --> 00:04:13,291 AND EVEN WHEN I START TALKING TO THESE GIRLS DIRTY 86 00:04:13,291 --> 00:04:15,291 SOME OF THEM HAVE NEVER EVEN HEARD IT BEFORE. 87 00:04:15,291 --> 00:04:17,875 THEY'RE LIKE, "OH, WHAT DID YOU SAY?" 88 00:04:17,875 --> 00:04:21,542 AND I SAID, "I SAID, 'I'M GONNA BANG YOU LIKE A PORN STAR, YOU LITTLE BITCH.' 89 00:04:21,542 --> 00:04:24,750 DO YOU LIKE THAT?" AND THEY'RE LIKE, "OH, WOW! 90 00:04:24,750 --> 00:04:26,709 YEAH, THAT'S-- I LIKE THAT." 91 00:04:26,709 --> 00:04:31,208 - Brace: SO WHAT NEXT? - WELL... 92 00:04:31,208 --> 00:04:33,834 I WANT YOU TO SUCK THE HELL OUT OF MY NIPPLES. 93 00:04:33,834 --> 00:04:37,208 I CAN DO THAT. OH BOY. 94 00:04:37,208 --> 00:04:39,375 - BRING ONE OVER. - SUCK IT, BABY. 95 00:04:39,375 --> 00:04:40,875 MM-HMM. 96 00:04:40,875 --> 00:04:43,375 I MEAN IT'S NOT BAD, BUT THAT'S JUST THE WAY IT IS. 97 00:04:43,375 --> 00:04:47,417 IT'S A TURN-ON. I LOVE DIRTY TALKING IN THE BEDROOM. 98 00:04:47,417 --> 00:04:50,083 AND WHO DOESN'T? PEOPLE THAT DON'T, I MEAN, 99 00:04:50,083 --> 00:04:52,792 THEY'RE MISSING OUT, 'CAUSE IT GETS ME GOING. 100 00:04:52,792 --> 00:04:56,583 I CAN'T WAIT TO FEEL YOUR HARD COCK INSIDE OF ME. 101 00:04:56,583 --> 00:04:58,917 THAT'S GOOD, BUT DON'T LAUGH. 102 00:04:58,917 --> 00:05:02,041 - YOU'RE RIGHT. - YOU'RE GONNA LOOK AT HIM LIKE YOU'RE SERIOUS AS HELL. 103 00:05:02,041 --> 00:05:05,208 MAYBE WE CAN SAY SOMETHING A LITTLE LESS EXPLICIT. 104 00:05:05,208 --> 00:05:08,625 - 'CAUSE I DON'T REALLY TALK LIKE THAT. - THAT'S WHY WE'RE DOING THIS. 105 00:05:08,625 --> 00:05:10,959 - IT'S TIME TO TALK LIKE THAT. - THAT'S RIGHT. ( laughs ) 106 00:05:10,959 --> 00:05:13,083 - YEAH, YOU'RE IN CONTROL NOW. - OKAY. 107 00:05:13,083 --> 00:05:15,417 YOU'RE A BEAUTIFUL WOMAN. TAKE CONTROL OF YOUR LIFE. 108 00:05:15,417 --> 00:05:18,375 SHE'S A LITTLE TIMID. SHE'S, YOU KNOW, GIGGLING 109 00:05:18,375 --> 00:05:20,333 AS WE'RE DOING OUR THING OR WHATEVER. 110 00:05:20,333 --> 00:05:22,291 AND I DON'T CARE WHO YOU ARE OUT IN THE WORLD-- 111 00:05:22,291 --> 00:05:25,083 YOU CAN BE A GAZILLIONAIRE, BILLIONAIRE, WHOEVER-- 112 00:05:25,083 --> 00:05:28,500 EVERYBODY, IN THEIR MIND, WANTS TO GET FREAKY. 113 00:05:28,500 --> 00:05:31,000 I DON'T CARE WHO IT IS, BUT EVERYBODY HAS 114 00:05:31,000 --> 00:05:33,291 A DIFFERENT LEVEL OF FREAKINESS. 115 00:05:33,291 --> 00:05:35,834 YOU KNOW? YOU JUST DON'T KNOW WHERE THEY'RE AT WITH IT. 116 00:05:36,959 --> 00:05:38,500 YOU'RE A DIRTY PERVERT. 117 00:05:38,500 --> 00:05:40,500 ( laughs ) OH YEAH, THAT'S WHAT YOU WANT-- 118 00:05:40,500 --> 00:05:43,917 - YEAH. - YEAH, KEEP IT UP. TALK NASTY. 119 00:05:43,917 --> 00:05:47,250 YOU'RE FUCKING ME HARD AND GOOD. 120 00:05:47,250 --> 00:05:50,542 - MORE? - ( moans ) 121 00:05:50,542 --> 00:05:53,125 I MEAN, SO MANY OF THESE WOMEN, THEIR SEX LIVES ARE DEAD. 122 00:05:53,125 --> 00:05:55,208 I SHOW THEM THIS OR I SHOW THEM THAT 123 00:05:55,208 --> 00:05:58,083 AND THEY WALK AWAY WITH A WHOLE NEW 124 00:05:58,083 --> 00:06:00,667 THINKING PROCESS OF SEX. 125 00:06:00,667 --> 00:06:03,041 YOU FEEL LIKE DOING BRACE IS GONNA PAY, BABY? 126 00:06:03,041 --> 00:06:05,583 YES. GET ME ON TOP. 127 00:06:05,583 --> 00:06:07,583 I WANNA BE ON TOP OF YOU. 128 00:06:07,583 --> 00:06:09,458 AND THEY'RE HAPPY AS HELL 129 00:06:09,458 --> 00:06:11,375 AND THAT'S WHAT MAKES IT A GREAT SERVICE, 130 00:06:11,375 --> 00:06:14,583 ESPECIALLY WHEN YOU'RE WITH A PROFESSIONAL LIKE ME. 131 00:06:14,583 --> 00:06:17,417 - IT'S HOT. - YOU LIKE WATCHING ME PLAY WITH MY TITS? 132 00:06:17,417 --> 00:06:18,834 I DO, BABY. 133 00:06:18,834 --> 00:06:22,000 ALL BRIANNA NEEDED WAS A FIRST-CLASS TICKET TO BRACELAND 134 00:06:22,000 --> 00:06:23,333 AND SHE GOT THE GRAND TOUR. 135 00:06:23,333 --> 00:06:25,667 OH, I'M GONNA PUT 'EM IN YOUR FACE. 136 00:06:25,667 --> 00:06:28,166 OH YEAH, OH YEAH. 137 00:06:28,166 --> 00:06:30,458 I THINK HER HUSBAND WILL BE A VERY HAPPY MAN 138 00:06:30,458 --> 00:06:33,208 FROM HERE ON OUT, NO DOUBT ABOUT IT. 139 00:06:33,208 --> 00:06:35,166 - DID YOU COME? - ( sighs ) 140 00:06:35,166 --> 00:06:37,166 I GUESS SO. ( laughs ) 141 00:06:37,166 --> 00:06:39,917 - I DID. - OH BRACE. 142 00:06:39,917 --> 00:06:41,500 YOU'RE A GOOD TEACHER. 143 00:06:46,333 --> 00:06:48,500 Nick: YOU HAD A CLIENT TODAY? WHAT HAPPENED? 144 00:06:48,500 --> 00:06:50,333 IT WENT REALLY GOOD. SHE WAS FUN. 145 00:06:50,333 --> 00:06:51,875 SHE JUST WANTED TO BE TAUGHT. IT WAS LIKE IT WAS-- 146 00:06:51,875 --> 00:06:53,458 - TAUGHT? - --IT WAS INTERESTING. 147 00:06:53,458 --> 00:06:56,083 SHE WANTED TO FIND A-- WAYS TO TURN HER HUSBAND ON. 148 00:06:56,083 --> 00:06:57,417 - AH YES. - OH, THAT'S COOL. 149 00:06:57,417 --> 00:06:59,208 - 'CAUSE HE'S OLDER. - WAS HE IN THE ROOM? 150 00:06:59,208 --> 00:07:01,667 NO, HE WAS ON A BUSINESS TRIP. 151 00:07:01,667 --> 00:07:03,709 BUT HE KNEW ABOUT IT? HE PAID? 152 00:07:03,709 --> 00:07:06,208 I DON'T KNOW WHO PAID. I DON'T THINK SO, 'CAUSE HE WAS-- 153 00:07:06,208 --> 00:07:07,917 - NO, I DON'T THINK SO. - OH. OH! 154 00:07:07,917 --> 00:07:10,375 - WOW. - Brace: SO DID ANY OF YOU GUYS HAVE ANY ACTION 155 00:07:10,375 --> 00:07:13,750 - THE LAST COUPLE OF DAYS? - Nick: I HAD A CLIENT WHO 156 00:07:13,750 --> 00:07:16,458 IS GONNA SET ME UP WITH THIS RECORD STUDIO. 157 00:07:16,458 --> 00:07:18,291 WE'RE GONNA GO TO RECORD ONE OF MY SONGS. 158 00:07:18,291 --> 00:07:20,583 I DON'T THINK ANYBODY MEETING ME, ESPECIALLY CLIENTS, 159 00:07:20,583 --> 00:07:23,667 WOULD NEVER DEPICT ME AS A HARDCORE RAPPER. 160 00:07:23,667 --> 00:07:26,375 BUT THAT'S KIND OF WHAT I ALWAYS HAVE BEEN. 161 00:07:26,375 --> 00:07:28,709 I STARTED WRITING RHYMES IN MIDDLE SCHOOL. 162 00:07:28,709 --> 00:07:31,000 SHE'S GONNA GET ME IN THE STUDIO AND, LIKE, IT'S ON. 163 00:07:31,000 --> 00:07:32,709 LIKE, THIS MUSIC THING MIGHT FINALLY HAPPEN. 164 00:07:32,709 --> 00:07:34,208 - LIKE WHEN? - SOON. 165 00:07:34,208 --> 00:07:36,041 - LIKE SOON? - LIKE SOON-- IN THE NEXT WEEK OR TWO. 166 00:07:36,041 --> 00:07:38,375 - THAT'S GREAT. - I MIGHT BE IN THE STUDIO AND EVERYTHING. 167 00:07:38,375 --> 00:07:40,000 - SO YOU THINK SHE'S FOR REAL? - YEAH. 168 00:07:40,000 --> 00:07:41,792 - SHE'S FOR REAL? - SHE THREW OUT SOME BIG NAMES 169 00:07:41,792 --> 00:07:43,625 AND YEAH, IT SOUNDS PRETTY LEGIT. 170 00:07:43,625 --> 00:07:46,583 THAT'S NOT MY AREA OF EXPERTISE-- RAP, I MEAN, 171 00:07:46,583 --> 00:07:48,792 I REALLY DON'T EVEN LIKE THAT KIND OF MUSIC. 172 00:07:48,792 --> 00:07:51,583 BUT HE COMES UP WITH SOME STUFF THAT'S FUNNY AND I LAUGH 173 00:07:51,583 --> 00:07:53,875 AND IT SOUNDS GOOD WHEN HE'S THROWING IT TOGETHER 174 00:07:53,875 --> 00:07:55,583 AND I THINK HE'S GOT SOMETHING. 175 00:07:55,583 --> 00:07:58,583 I HAVE A REALLY SHORT PERIOD OF TIME HERE TO IMPRESS THESE GUYS. 176 00:07:58,583 --> 00:08:00,417 THEY'RE GONNA WANT TO CHECK MY MUSIC OUT 177 00:08:00,417 --> 00:08:02,583 AND LOOK INTO THE LYRICS AND EVERYTHING, 178 00:08:02,583 --> 00:08:05,583 SO IT'S, LIKE, TO THE LAB. I'VE GOT TO WORK ON THIS. 179 00:08:05,583 --> 00:08:07,250 - Vin: ONE SHOT. - ONE SHOT. 180 00:08:07,250 --> 00:08:08,583 IT MIGHT BE-- ONE SHOT. 181 00:08:08,583 --> 00:08:10,458 - ONE OPPORTUNITY. - NO DOUBT. 182 00:08:10,458 --> 00:08:12,375 - IT'S LIKE THAT. IT'S JUST LIKE THAT. - I KNOW. 183 00:08:12,375 --> 00:08:13,667 I'VE GOT TO BLOW THEM OUT OF THE WATER 184 00:08:13,667 --> 00:08:15,625 WITH THIS ONE SONG IF THEY WANT TO WORK ON THE ALBUM. 185 00:08:15,625 --> 00:08:17,917 IT'S A HUGE MOMENT FOR ME, BUT IT'S GONNA TAKE 186 00:08:17,917 --> 00:08:19,792 A LOT OF WORK TO GET THIS THING DONE IN TIME. 187 00:08:19,792 --> 00:08:21,250 YOU'VE BEEN WORKING HARD THOUGH, 188 00:08:21,250 --> 00:08:22,458 SO I DON'T THINK THAT'S GONNA BE AN ISSUE. 189 00:08:22,458 --> 00:08:24,375 I'VE BEEN DOING IT A LONG TIME, MAN. 190 00:08:24,375 --> 00:08:26,291 - I'VE BEEN WORKING ON MY MUSIC 15 YEARS. - Brace: YOU DESERVE IT. 191 00:08:26,291 --> 00:08:29,709 - IT'S YOUR TIME, MAN. - FROM THE FIRST DAY THAT I MET NICK 192 00:08:29,709 --> 00:08:32,417 HE EXPRESSED TO ME THAT HE WAS VERY PASSIONATE 193 00:08:32,417 --> 00:08:36,041 ABOUT HIS RAPPING AND HIS MUSIC. 194 00:08:36,041 --> 00:08:38,625 AND HE SHARED SOME OF HIS STUFF WITH ME AND I COULD TELL 195 00:08:38,625 --> 00:08:42,792 THAT THIS WAS SOMETHING THAT WAS ON THIS GUY'S MIND CONSTANTLY. 196 00:08:42,792 --> 00:08:45,000 AND YOU KNOW, I'M WANTING HIM TO SUCCEED. 197 00:08:45,000 --> 00:08:47,625 IT'S ALL ABOUT TIMING. THAT'S GOOD. 198 00:08:47,625 --> 00:08:49,625 THAT'S A GOOD SIGN WHEN IT'S FAST LIKE THAT. 199 00:08:49,625 --> 00:08:51,458 THAT'S A GOOD SIGN, MAN. 200 00:08:51,458 --> 00:08:54,125 - ALL RIGHT. - Brace: THAT'S COOL. 201 00:08:54,125 --> 00:08:56,083 - AND AWAY HE GOES. - AND AWAY HE GOES. 202 00:08:56,083 --> 00:08:58,375 THE MYSTERIOUS NICK HAWK LEAVES THE FUCKING SCENE. 203 00:08:58,375 --> 00:09:00,500 HE'S GONNA GO RUB ONE OUT IN THE BATHROOM. 204 00:09:12,667 --> 00:09:16,208 - HELLO. - HEY, MY NAME'S STEVEN 205 00:09:16,208 --> 00:09:19,417 AND I DO BELIEVE I HAVE A GUEST EXPECTING ME. 206 00:09:19,417 --> 00:09:21,625 YES YOU DO, YES YOU DO. HERE WE GO. 207 00:09:21,625 --> 00:09:25,000 I WALK INTO THE LOBBY AND GET AN ENVELOPE 208 00:09:25,000 --> 00:09:27,166 FROM A NEW CLIENT. 209 00:09:27,166 --> 00:09:29,041 LET'S SEE WHAT WE'VE GOT. 210 00:09:29,041 --> 00:09:30,792 IN THE ENVELOPE SHE TELLS ME 211 00:09:30,792 --> 00:09:33,667 SHE WOULD LIKE TO PRETEND SHE'S DEAD, 212 00:09:33,667 --> 00:09:37,250 UH, THAT'S IT'S SOME KIND OF FETISH OF HERS. 213 00:09:37,250 --> 00:09:39,083 AWESOME. 214 00:09:39,083 --> 00:09:42,125 I HAVE A DATE WITH A PERSON PRETENDING TO BE DEAD. 215 00:09:42,125 --> 00:09:44,917 HOW DO I GET MYSELF INTO THIS SHIT? 216 00:09:44,917 --> 00:09:47,583 WHEN I'M DEALING WITH SOMEONE WITH FETISHES 217 00:09:47,583 --> 00:09:50,333 OUTSIDE OF MY NORM 218 00:09:50,333 --> 00:09:53,583 THE BEST YOU CAN DO IS JUST TRY TO BE OPEN-MINDED. 219 00:10:05,291 --> 00:10:08,417 I MEAN, SOME PEOPLE MAY NOT LIKE WHAT I LIKE. 220 00:10:08,417 --> 00:10:11,542 AND IF THEY, YOU KNOW, WERE ALL GUFFAWED 221 00:10:11,542 --> 00:10:14,458 AT THE STUFF THAT I TRIED TO GET THEM TO DO, 222 00:10:14,458 --> 00:10:17,750 YOU KNOW, MY FEELINGS MIGHT BE A LITTLE HURT. 223 00:10:19,375 --> 00:10:21,625 MORE OFTEN THAN NOT YOU MAY END UP LIKING IT. 224 00:10:25,542 --> 00:10:27,834 MY NAME IS CHLOE. I'M 23 225 00:10:27,834 --> 00:10:30,500 AND I'M CURRENTLY STUDYING TO GET MY REAL ESTATE LICENSE. 226 00:10:30,500 --> 00:10:32,500 I DECIDED TO HIRE A MALE ESCORT 227 00:10:32,500 --> 00:10:35,417 BECAUSE MOST PEOPLE THAT I ASK 228 00:10:35,417 --> 00:10:38,834 TO PARTICIPATE IN THIS-- 229 00:10:38,834 --> 00:10:42,875 YOU KNOW, WHAT I LIKE, I USUALLY SCARE THEM OFF. 230 00:10:42,875 --> 00:10:45,166 I THINK MY FETISH STARTED WHEN I WAS A LITTLE GIRL. 231 00:10:45,166 --> 00:10:47,625 I READ THE STORY OF SLEEPING BEAUTY-- 232 00:10:47,625 --> 00:10:50,458 PRINCE CHARMING WOULD COME AND RESCUE HER 233 00:10:50,458 --> 00:10:52,875 AND I THINK THAT'S WHERE MY FANTASY COMES FROM. 234 00:10:52,875 --> 00:10:54,792 I WANT MY PRINCE CHARMING TO COME 235 00:10:54,792 --> 00:10:56,750 AND BRING ME BACK. ( laughs ) 236 00:11:00,667 --> 00:11:03,458 TRYING TO REMOVE CLOTHING FROM A... 237 00:11:03,458 --> 00:11:06,500 A DEAD PERSON IS PROBABLY 238 00:11:06,500 --> 00:11:09,291 MORE DIFFICULT THAN ONE MIGHT IMAGINE 239 00:11:09,291 --> 00:11:11,834 BECAUSE YOU HAVE NO HELP. YOU'VE JUST GOTTA-- 240 00:11:16,834 --> 00:11:19,583 Chloe: I'M INTO THIS BECAUSE I LIKE BEING VULNERABLE. 241 00:11:19,583 --> 00:11:21,583 I LIKE BEING SUBMISSIVE, 242 00:11:21,583 --> 00:11:23,625 AND THIS PLAYS INTO THAT FANTASY. 243 00:11:23,625 --> 00:11:26,667 SO IT'S KIND OF EXCITING. 244 00:11:42,792 --> 00:11:45,542 BUT SHE WAS SWEET WHEN SHE CAME BACK TO LIFE. 245 00:11:46,667 --> 00:11:48,834 ( moans, giggles ) 246 00:11:48,834 --> 00:11:51,667 I LIKE THIS ESCORT BUSINESS 247 00:11:51,667 --> 00:11:54,667 BECAUSE YOU CAN ACT OUT ANY TYPE OF FANTASY 248 00:11:54,667 --> 00:11:57,667 THAT YOU HAVE AND THEY WILL NOT JUDGE YOU. 249 00:11:57,667 --> 00:12:00,041 ( giggles ) 250 00:12:05,208 --> 00:12:07,667 Steven: THROUGHOUT THE COURSE OF THE EVENING 251 00:12:07,667 --> 00:12:10,709 WE DECIDED THAT SHE'D END UP CALLING ME 252 00:12:10,709 --> 00:12:12,250 AND WE'LL DO IT AGAIN. 253 00:12:12,250 --> 00:12:14,959 AND THAT WAY, AT LEAST THE SECOND TIME AROUND, 254 00:12:14,959 --> 00:12:16,709 I'LL BE MORE PREPARED 255 00:12:16,709 --> 00:12:18,625 AND I CAN'T WAIT TO SEE HER AGAIN. 256 00:12:18,625 --> 00:12:20,291 SHE WAS FUN. 257 00:12:20,291 --> 00:12:22,709 AND ATTRACTIVE, WHICH ALWAYS HELPS. 258 00:12:32,667 --> 00:12:34,917 Nick: I JUST STARTED PUTTING TOGETHER THIS NEW SONG. 259 00:12:34,917 --> 00:12:37,875 IT'S SUPER ROUGH. I'VE GOT A LOT OF WORK TO DO. NO WAY IS IT READY YET. 260 00:12:37,875 --> 00:12:39,709 I'VE CANCELED ALL MY DATES FOR THE WEEK 261 00:12:39,709 --> 00:12:41,625 SO I CAN FOCUS ON MY RAPPING. 262 00:12:53,291 --> 00:12:56,542 MUSIC TO ME IS THE MOST POWERFUL FORM OF EXPRESSION. 263 00:12:56,542 --> 00:12:58,166 WHEN YOU'RE CREATING YOUR OWN MUSIC 264 00:12:58,166 --> 00:13:00,750 IT'S A GOOD WAY TO GO PRETTY DEEP INSIDE THE SOUL. 265 00:13:01,834 --> 00:13:04,250 DEFINITELY THE BEST WAY I CAN EXPRESS MYSELF. 266 00:13:04,250 --> 00:13:06,709 ( ballad playing ) 267 00:13:22,709 --> 00:13:25,000 MY RAP INSPIRATION HAS COME FROM MY LIFE, 268 00:13:25,000 --> 00:13:26,917 ALL THE SHIT THAT I WENT THROUGH AS A KID, 269 00:13:26,917 --> 00:13:29,583 WHAT I DO NOW, MY JOB, BEING A GIGOLO, 270 00:13:29,583 --> 00:13:32,458 WOMEN, LAS VEGAS, LOS ANGELES, NEW YORK, 271 00:13:32,458 --> 00:13:34,750 EVERYWHERE I'VE TRAVELED, THE PEOPLE I MEET. 272 00:13:34,750 --> 00:13:37,166 ♪ I'M A GIGOLO, BABY, AND I GO BY NICK HAWK ♪ 273 00:13:37,166 --> 00:13:39,333 ♪ I STUNG WHAT I GOT AND I DON'T NEED A STUNT COCK ♪ 274 00:13:39,333 --> 00:13:42,000 ♪ STRIPPERS ALWAYS HITTING ME OFF WHEN THEY GOT OFF TO GET OFF ♪ 275 00:13:42,000 --> 00:13:43,875 ♪ SOMEONE'S GOTTA DO IT, ANOTHER DAY IN THE LIFE OF ♪ 276 00:13:43,875 --> 00:13:46,333 ♪ I JUST CAN'T MAKE A COMMITMENT, BUT I LIKE YOU AS A CONDIMENT ♪ 277 00:13:46,333 --> 00:13:48,625 ♪ I LIKE TO COMPLIMENT IT, I HAVE NO PROBLEM DOING IT ♪ 278 00:13:48,625 --> 00:13:50,750 ♪ I'M WORTH EVERY PENNY, I'M A HIGH-CLASS LUXURY ♪ 279 00:13:50,750 --> 00:13:52,959 ♪ EXCLUSIVE SHIT, I'M A TOP PRIORITY ♪ 280 00:13:52,959 --> 00:13:55,417 ♪ I'M BLOWING UP, THEY SAY I'M SELF-DESTRUCTING ♪ 281 00:13:55,417 --> 00:13:57,959 ♪ BITCH, I'M THE BOMB, YOU BETTER GRAB AHOLD OF SOMETHING. ♪ 282 00:14:06,500 --> 00:14:08,959 EVERY CLIENT IS DIFFERENT. 283 00:14:08,959 --> 00:14:12,291 AND I THINK IN THE BEGINNING IT WAS A LITTLE NERVE-WRACKING 284 00:14:12,291 --> 00:14:14,000 THAT IT'S A LITTLE UNPREDICTABLE 285 00:14:14,000 --> 00:14:15,875 EVERY TIME YOU WALK UP TO THE DOOR. 286 00:14:17,291 --> 00:14:20,834 BUT NOW I THINK OF IT MORE AS AN ADVENTURE 287 00:14:20,834 --> 00:14:23,709 NOW THAT I HAVEN'T REALLY SEEN TOO MANY NEGATIVE THINGS. 288 00:14:23,709 --> 00:14:26,583 ON THE OTHER SIDE OF THE DOOR IT'S GENERALLY BEEN POSITIVE 289 00:14:26,583 --> 00:14:29,959 SO NOW I'M LOOKING FORWARD TO WHAT'S THE NEXT AWESOME THING THAT'S WAITING FOR ME. 290 00:14:29,959 --> 00:14:31,834 - HELLO. - HELLO. 291 00:14:31,834 --> 00:14:33,875 - HI, PLEASE COME IN. - HI, I'M VIN. 292 00:14:33,875 --> 00:14:35,875 NICE TO MEET YOU. VIN ARMANI. 293 00:14:35,875 --> 00:14:38,166 PLEASE COME HAVE A SEAT. SORRY. 294 00:14:38,166 --> 00:14:40,583 - I'VE BEEN ON THE ROAD ALL WEEK... - YEAH? 295 00:14:40,583 --> 00:14:43,750 - ...AND MY ROOM'S JUST KINDA TRASHED. - THAT'S OKAY. 296 00:14:43,750 --> 00:14:45,792 - I LOVE YOUR ACCENT. - OH, THANK YOU. 297 00:14:45,792 --> 00:14:47,667 - FROM TEXAS? - SOUTH CAROLINA. 298 00:14:47,667 --> 00:14:49,792 - CLOSE-- NOT. - NO, NOT REALLY. 299 00:14:49,792 --> 00:14:51,959 - ( both laugh ) - SOUTH CAROLINA? 300 00:14:51,959 --> 00:14:54,625 YEAH, I TRAVEL WITH MY BAND A LOT. 301 00:14:54,625 --> 00:14:56,333 Marie: IT'S HARD TO HAVE A RELATIONSHIP. 302 00:14:56,333 --> 00:14:59,709 WE'RE ON THE ROAD PROBABLY EIGHT MONTHS OUT OF THE YEAR. 303 00:14:59,709 --> 00:15:02,959 A LOT OF PEOPLE LOOK AT MY STAGE PERSONA 304 00:15:02,959 --> 00:15:05,625 AND THINK AUTOMATICALLY JUST WHORE, SLUT, 305 00:15:05,625 --> 00:15:07,834 YOU KNOW, EASY, 306 00:15:07,834 --> 00:15:10,083 AND MEN TEND TO TREAT YOU LIKE THAT. 307 00:15:10,083 --> 00:15:13,041 AND THEY DON'T TAKE THE TIME TO TALK TO YOU OR GET TO KNOW YOU. 308 00:15:14,166 --> 00:15:15,500 WOW. 309 00:15:15,500 --> 00:15:17,583 - OH. ( laughs ) - OKAY. 310 00:15:17,583 --> 00:15:19,917 WHY ARE YOU COVERING THOSE UP EXACTLY? 311 00:15:19,917 --> 00:15:21,917 OH, I WAS JUST-- I WAS TAKING A NAP. 312 00:15:21,917 --> 00:15:23,709 - IS IT SHY? - YEAH, A LITTLE BIT. 313 00:15:23,709 --> 00:15:25,792 YEAH? A LITTLE SHY? 314 00:15:25,792 --> 00:15:27,375 WELL, NORMALLY BY BAND ATTIRE 315 00:15:27,375 --> 00:15:29,959 WOULD BE A RIPPED-UP PAIR OF JEANS AND A T-SHIRT. 316 00:15:29,959 --> 00:15:33,041 - UH-HUH. - AND SO I WOULD TRY TO 317 00:15:33,041 --> 00:15:36,166 DRESS UP AND THEN NOT REALLY COMFORTABLE THAT WAY EITHER. 318 00:15:36,166 --> 00:15:38,166 - SO I WASN'T-- - UH-HUH. 319 00:15:38,166 --> 00:15:40,709 NOT REAL SURE HOW TO GO ABOUT THIS. 320 00:15:40,709 --> 00:15:43,333 WHAT WOULD YOU LIKE TO DO? 321 00:15:43,333 --> 00:15:48,166 - WELL, I'M SITTING UP ON STAGE NIGHT AFTER NIGHT... - UH-HUH. 322 00:15:48,166 --> 00:15:51,333 ...AND I'M LOOKING OUT AND I'M SEEING THESE COUPLES THAT 323 00:15:51,333 --> 00:15:54,875 OBVIOUSLY ARE IN LOVE AND THE WAY THEY'RE TOUCHING 324 00:15:54,875 --> 00:15:57,208 AND KISSING AND I'D LIKE THAT TOO. 325 00:15:57,208 --> 00:16:00,875 JUST ONCE NOT TO BE THAT ROCK STAR ON THE STAGE. 326 00:16:00,875 --> 00:16:03,291 I JUST-- I WANT TO BE A WOMAN FOR TONIGHT. 327 00:16:03,291 --> 00:16:06,583 FOR A MAN TO PRETEND TO BE IN LOVE WITH ME. 328 00:16:06,583 --> 00:16:09,250 I DON'T THINK THAT WOULD BE TOO HARD TO PRETEND. 329 00:16:09,250 --> 00:16:11,750 ( laughs ) NOW YOU'RE MAKING ME BLUSH. 330 00:16:11,750 --> 00:16:13,917 NO NO, I MEAN IT'S TRUE. 331 00:16:13,917 --> 00:16:17,083 BEING A GIGOLO, I FOUND IT DIFFICULT TO... 332 00:16:17,083 --> 00:16:20,083 HAVE LONG-TERM RELATIONSHIPS, 333 00:16:20,083 --> 00:16:23,083 SO I CAN RELATE WITH HER IN THAT WAY. 334 00:16:25,333 --> 00:16:27,250 THAT'S NICE. 335 00:16:31,291 --> 00:16:33,041 ( moans ) 336 00:16:33,041 --> 00:16:34,959 OH MY LORD. 337 00:16:34,959 --> 00:16:38,166 I WANT TO SEE THOSE. 338 00:16:44,625 --> 00:16:47,125 HO HO HO. 339 00:16:47,125 --> 00:16:50,041 WHOO. 340 00:17:05,000 --> 00:17:06,792 I THINK THESE ARE-- MAY BE 341 00:17:06,792 --> 00:17:08,834 THE BIGGEST TITTIES I'VE EVER HELD IN MY HAND. 342 00:17:08,834 --> 00:17:11,125 - REALLY? - AMAZING, YES. 343 00:17:21,041 --> 00:17:23,500 ( moaning ) 344 00:17:28,166 --> 00:17:30,333 OH YEAH. 345 00:17:31,750 --> 00:17:34,750 OH YEAH. OOH GOSH. 346 00:17:46,792 --> 00:17:49,875 - OKAY YES, I THINK I LIKE THIS. - ALL RIGHT? 347 00:17:49,875 --> 00:17:52,417 OH GOD YES. THAT'S IT, THAT'S IT. 348 00:17:52,417 --> 00:17:56,000 OH YES. ( squeals ) 349 00:17:57,792 --> 00:17:59,625 OH DEAR, OH YEAH. 350 00:17:59,625 --> 00:18:01,542 ( moaning continues ) 351 00:18:06,709 --> 00:18:09,875 WOW. WOW. ( giggles ) 352 00:18:18,834 --> 00:18:20,792 - Vin: LET'S GET A BOTTLE, MAN. - YEAH YEAH. 353 00:18:20,792 --> 00:18:23,709 WHAT? THAT'S WHAT I'M SAYING. WE'RE GONNA GET SOMETHING GOOD. 354 00:18:23,709 --> 00:18:27,458 OH, LET'S SEE WHAT WE'VE GOT. THERE'S PINOT GRIGIO HERE. 355 00:18:27,458 --> 00:18:30,208 ACTUALLY THEY'VE GOT SOME KILLER BOTTLES AT THIS SPOT. 356 00:18:30,208 --> 00:18:31,834 MAN, THAT COULD GET HER DRUNK. 357 00:18:31,834 --> 00:18:33,709 DUDE, I DON'T-- 358 00:18:33,709 --> 00:18:36,208 IT'S A CAB. WE COULD GET A CABERNET SAUVIGNON. 359 00:18:36,208 --> 00:18:37,875 THAT COULD WORK. 360 00:18:37,875 --> 00:18:39,875 Vin: I THINK STEVEN AND I GET ALONG WELL 361 00:18:39,875 --> 00:18:42,542 BECAUSE WE'RE BOTH SNIDE ASSHOLES 362 00:18:42,542 --> 00:18:44,875 AND WE, I THINK, ENJOY 363 00:18:44,875 --> 00:18:47,250 LITTLE CYNICAL SIDE COMMENTS. 364 00:18:48,583 --> 00:18:51,291 WHAT ARE YOUR THOUGHTS ABOUT NICK AND HIS MUSIC, MAN? 365 00:18:52,834 --> 00:18:54,709 I MEAN LEGITIMATELY. 366 00:18:54,709 --> 00:18:56,458 I'VE NEVER HEARD HIM RAP, 367 00:18:56,458 --> 00:18:59,250 BUT I'VE HEARD HIM SING IN THE CAR. 368 00:19:01,000 --> 00:19:03,500 ( sighs ) 369 00:19:03,500 --> 00:19:05,000 I DON'T KNOW, APPARENTLY HE RAPS. 370 00:19:05,000 --> 00:19:07,000 - ( snickers ) - SO I'M TRYING TO... 371 00:19:07,000 --> 00:19:09,083 - HE DOES RAP. - ...I'M TRYING TO GRASP THAT. 372 00:19:09,083 --> 00:19:10,792 I JUST CAN'T PICTURE HIM DOING IT, BUT-- 373 00:19:10,792 --> 00:19:12,917 Steven: NICK COULDN'T CARRY A TUNE IN A BUCKET. 374 00:19:12,917 --> 00:19:16,250 ALTHOUGH IF YOU WERE ASKING HIM, HE PLAYS EVERY INSTRUMENT 375 00:19:16,250 --> 00:19:19,959 AND IS THE BEST, BECAUSE THAT'S HOW NICK IS. 376 00:19:19,959 --> 00:19:21,750 I NEED TO HEAR, LIKE, A TRACK COMPLETED. 377 00:19:21,750 --> 00:19:23,750 I'VE HEARD HIM FREESTYLE A COUPLE TIMES. 378 00:19:23,750 --> 00:19:25,792 I'VE HEARD HIM DO HIS RHYMES A COUPLE TIMES 379 00:19:25,792 --> 00:19:27,583 OVER THE TOP OF SOME BEATS. 380 00:19:29,166 --> 00:19:31,667 I MEAN, NOT NECESSARILY ANYTHING AT THIS POINT 381 00:19:31,667 --> 00:19:33,542 THAT I WOULD GO NUTS ABOUT. 382 00:19:33,542 --> 00:19:37,625 Steven: YOU KNOW, I DON'T WANT TO SLING MUD OR ANYTHING, 383 00:19:37,625 --> 00:19:41,458 BUT NICK AND HIS MUSICAL ENDEAVORS, 384 00:19:41,458 --> 00:19:43,000 UM... 385 00:19:43,000 --> 00:19:45,458 IT'S JUST NOT REALLY MY BAG. 386 00:19:45,458 --> 00:19:47,166 ALL RIGHT, LET'S ROLL. 387 00:19:52,458 --> 00:19:55,166 Jimmy: ALL RIGHT, SHOW ME WHAT YOU'VE BEEN WORKING ON, MAN. 388 00:19:57,500 --> 00:20:00,208 ♪ I'VE GOT THAT GIGOLO STYLE, GOT THAT GIGOLO FLAVOR ♪ 389 00:20:00,208 --> 00:20:02,834 ♪ GOT THAT GIGOLO SMILE, GOT THAT GIGOLO SWAGGER ♪ 390 00:20:02,834 --> 00:20:04,959 ♪ HEY, I'M A GIGOLO, YOU KNOW I DON'T CARE ♪ 391 00:20:04,959 --> 00:20:07,125 ♪ I'M NOT AFRAID TO LET IT ALL HANG OUT THERE ♪ 392 00:20:07,125 --> 00:20:09,542 ♪ I'M A GIGOLO, BABY, AND I GO BY NICK HAWK ♪ 393 00:20:09,542 --> 00:20:11,959 ♪ I STUNG WHAT I GOT AND I DON'T NEED A STUNT COCK... ♪ 394 00:20:11,959 --> 00:20:15,500 I FEEL THAT JIMMY GETS MY MUSIC THE MOST AND HE'S A PRETTY TALENTED MUSICIAN, 395 00:20:15,500 --> 00:20:17,875 SO HIS OPINION DEFINITELY MATTERS TO ME. 396 00:20:17,875 --> 00:20:20,333 ♪ EVERYTHING UP TO THIS MOMENT WAS JUST PRACTICE ♪ 397 00:20:20,333 --> 00:20:22,667 ♪ DON'T HOLD BACK, LIGHTS, CAMERAS, ACTION. ♪ 398 00:20:22,667 --> 00:20:26,417 NOT BAD. I LIKED THE STUNT COCK PART. 399 00:20:26,417 --> 00:20:29,125 SOME OF THE WORDS ARE A LITTLE BIT TOO FAST, I THINK, 400 00:20:29,125 --> 00:20:31,625 THAT PART OF IT CAN GET LOST. 401 00:20:31,625 --> 00:20:34,375 YOU COULD EITHER CUT THE PHRASING DOWN TO MAKE IT MORE ACCENTED. 402 00:20:34,375 --> 00:20:37,333 WHEN YOU PUT IN ANOTHER ONE THAT ACCENTS THE FIRST ONE 403 00:20:37,333 --> 00:20:40,125 YOU'RE BASICALLY DOING EXACTLY WHAT BEETHOVEN DOES 404 00:20:40,125 --> 00:20:43,000 WHEN HE DOES-- ( hums Fifth Symphony ) 405 00:20:43,000 --> 00:20:45,500 HE'S FOLLOWING-- HE'S COPYING HIS OWN MOTIVES 406 00:20:45,500 --> 00:20:49,333 AND THEREBY STRENGTHENING HIS OWN MELODY OF HIS SONG 407 00:20:49,333 --> 00:20:51,750 BY REPEATING THE MOTIVE. I MEAN, POP MUSIC HAS 408 00:20:51,750 --> 00:20:53,917 REPETITIVE MOTIVES ALL OVER THE PLACE. 409 00:20:53,917 --> 00:20:56,375 WHAT THE FUCK YOU TALKING ABOUT BEETHOVEN? 410 00:20:56,375 --> 00:20:59,583 WELL-- ♪ 'CAUSE IT'S-- 'CAUSE IT'S SHOWTIME ♪ 411 00:20:59,583 --> 00:21:01,917 ♪ WE'RE BADAH BADAH BADAH WITH THE HOT RHYME ♪ 412 00:21:01,917 --> 00:21:04,166 ♪ 'CAUSE GONNA DAH DAH DAH ON THE HOT SLIME ♪ 413 00:21:04,166 --> 00:21:06,125 ♪ BUDUH BUBUDUH BUDUH-- ♪ YOU KNOW WHAT I MEAN? 414 00:21:06,125 --> 00:21:08,875 SOMETIMES I THINK HE JUST GIVES ME ADVICE TO PISS ME OFF. 415 00:21:08,875 --> 00:21:11,834 NO, MAN, IT'S GREAT. IT'S GOOD THE WAY IT IS. 416 00:21:11,834 --> 00:21:13,750 I THINK YOU SHOULD LEAVE IT. 417 00:21:15,000 --> 00:21:16,458 NOW I SHOULD LEAVE IT? 418 00:21:18,041 --> 00:21:20,542 I DON'T KNOW WHAT ELSE TO SAY. 419 00:21:20,542 --> 00:21:22,875 Nick: YOU COULD GIVE ME A LITTLE MORE TO WORK WITH. 420 00:21:22,875 --> 00:21:24,917 I CAME TO YOU. 421 00:21:33,208 --> 00:21:35,375 ALL RIGHT, HERE WE GO. 422 00:21:35,375 --> 00:21:37,208 TODAY'S THE BIG DAY. 423 00:21:37,208 --> 00:21:39,417 I'VE GOTTA LAY DOWN THIS TRACK FOR THE PRODUCER. 424 00:21:39,417 --> 00:21:42,041 I'M READY. I HAVE TO BE. 425 00:21:42,041 --> 00:21:43,125 - GARREN! - WHAT'S UP, NICK? 426 00:21:43,125 --> 00:21:44,750 - WHAT'S UP, BABY? - DOING GOOD? 427 00:21:44,750 --> 00:21:46,166 - YOU FEELING GOOD? - OH YEAH. 428 00:21:46,166 --> 00:21:48,709 EVEN THOUGH THAT THIS ISN'T REALLY RELATED TO... 429 00:21:48,709 --> 00:21:53,250 "THE BUSINESS," I HELP PROMOTE THEM IN EVERYTHING THAT THEY DO, 430 00:21:53,250 --> 00:21:56,083 FROM EVENTS TO MUSIC CAREERS 431 00:21:56,083 --> 00:21:59,417 TO ANYTHING THAT I CAN HELP THEM WITH. I JUST WANT EVERYONE TO BE SUCCESSFUL. 432 00:21:59,417 --> 00:22:01,417 THIS IS RALPH FROM S.M.C. RECORDINGS. 433 00:22:01,417 --> 00:22:03,291 - THE MAN RIGHT HERE. - THIS IS NICK HAWK. 434 00:22:03,291 --> 00:22:04,750 HOW YOU DOING, NICK? YOU ALL RIGHT, MAN? 435 00:22:04,750 --> 00:22:06,792 - HOW ARE YOU FEELING? - REAL GOOD, REAL GOOD. 436 00:22:06,792 --> 00:22:09,375 - THANK YOU FOR THIS OPPORTUNITY. - YOU'RE WELCOME, MY FRIEND. 437 00:22:09,375 --> 00:22:11,667 LET'S HEAR SOMETHING, HUH? WHAT DO YOU GOT? 438 00:22:11,667 --> 00:22:13,750 - WHAT DO YOU GOT FOR ME? - LET'S HEAR IT. ALL RIGHT. 439 00:22:13,750 --> 00:22:16,834 - JUMPING IN THE STUDIO RIGHT AWAY? - COME ON, GIVE ME SOME HEAT. 440 00:22:16,834 --> 00:22:18,792 LET'S DO IT. YOU'VE GOT THE BEAT? 441 00:22:21,291 --> 00:22:25,875 HE'S GOT 20 SONGS THAT HE PLAYS FOR ME REGULARLY 442 00:22:25,875 --> 00:22:28,542 THAT HE DOES-- WORKS ON ON HIS COMPUTER, 443 00:22:28,542 --> 00:22:32,208 BUT I THINK WE HAVE A HIT WITH THIS SONG "GIGOLO." 444 00:22:32,208 --> 00:22:35,041 SO IF YOU LIKE THIS, 445 00:22:35,041 --> 00:22:37,375 THEN WE CAN WORK ON RECORDING 446 00:22:37,375 --> 00:22:39,250 THE REST OF THE STUFF THAT HE HAS. 447 00:22:39,250 --> 00:22:41,458 YOU KNOW, THERE'S A LOT THAT GOES INTO IT. 448 00:22:41,458 --> 00:22:44,500 HE'S GOTTA BE ABLE TO, YOU KNOW-- YOU-- YOU'VE GOTTA 449 00:22:44,500 --> 00:22:47,125 HAVE A SONG, BUT YOU ALSO HAVE TO BE ABLE TO-- 450 00:22:47,125 --> 00:22:49,834 TAKE IT ALL THE WAY. YOU KNOW, YOU'VE GOTTA HAVE TALENT. 451 00:22:49,834 --> 00:22:51,208 HE'S VERY TALENTED. 452 00:22:51,208 --> 00:22:53,500 YOU KNOW? 453 00:22:53,500 --> 00:22:56,125 ( music playing ) 454 00:22:58,000 --> 00:23:00,500 ( clears throat ) 455 00:23:02,667 --> 00:23:05,000 ♪ I'VE GOT THAT GIGOLO STYLE, GOT THAT GIGOLO FLAVOR ♪ 456 00:23:05,000 --> 00:23:07,417 ♪ GOT THAT GIGOLO SMILE, GOT THAT GIGOLO SWAGGER ♪ 457 00:23:07,417 --> 00:23:09,583 ♪ I'M A GIGOLO, YOU KNOW I DON'T CARE ♪ 458 00:23:09,583 --> 00:23:11,750 ♪ I'M NOT AFRAID TO LET IT ALL HANG OUT THERE ♪ 459 00:23:11,750 --> 00:23:14,083 ♪ I'M A GIGOLO, BABY, AND I GO BY NICK HAWK ♪ 460 00:23:14,083 --> 00:23:16,542 ♪ I STUNG WHAT I GOT AND I DON'T NEED A STUNT COCK ♪ 461 00:23:16,542 --> 00:23:18,792 ♪ I GET PAID, I LIKE TO GET BOUGHT ♪ 462 00:23:18,792 --> 00:23:21,166 ♪ WAIT TILL YOU TELL YOUR FRIENDS ABOUT WHAT YOU GOT ♪ 463 00:23:21,166 --> 00:23:23,166 ♪ I'M A GUILTY PLEASURE, NOBODY GETS THE LADIES ♪ 464 00:23:23,166 --> 00:23:25,875 ♪ WHETHER I'M HEATING UP ALREADY AND HOTTER THAN LAS VEGAS WEATHER ♪ 465 00:23:25,875 --> 00:23:27,875 ♪ STEPPING ON EGGSHELLS BUT AS LIGHT AS A FEATHER ♪ 466 00:23:27,875 --> 00:23:30,375 ♪ I'M GONNA START OFF YOUR NIGHT THAT YOU'LL REMEMBER FOREVER ♪ 467 00:23:30,375 --> 00:23:32,417 ♪ I MAKE A BIG ENTRANCE, I LIKE TO BE NAKED ♪ 468 00:23:32,417 --> 00:23:34,500 ♪ AND I BREAK HEARTS EVERY TIME I END IT ♪ 469 00:23:34,500 --> 00:23:37,083 ♪ I'M A HUSTLER, BABY, AND I AIN'T PLAYING ♪ 470 00:23:37,083 --> 00:23:39,542 ♪ YOU GET WHAT YOU PAY FOR, BELIEVE ME I'M WORTH PAYING... ♪ 471 00:23:42,542 --> 00:23:44,834 I'D RATHER DO SECTIONS THAN ALL THE WAY THROUGH. 472 00:23:44,834 --> 00:23:47,542 - OKAY. - WAIT UNTIL YOU HEAR THIS ONE. 473 00:23:47,542 --> 00:23:49,417 THIS IS THE MONEYMAKER VERSE RIGHT HERE. 474 00:23:49,417 --> 00:23:52,125 - FROM THE TOP. - Ralph: HE'S GOT A MONEYMAKER VERSE COMING UP. 475 00:23:52,125 --> 00:23:53,917 THIS IS THE ONE. 476 00:24:03,709 --> 00:24:05,834 ♪ I'M JUST A GIGOLO, EVERYWHERE I GO ♪ 477 00:24:05,834 --> 00:24:08,542 ♪ PEOPLE KNOW THE PART I'M PLAYING AND IT'S MY TIME TO SHOW ♪ 478 00:24:08,542 --> 00:24:10,875 ♪ IT'S SHOWTIME, TIME TO LET THE CAMERAS ROLL ♪ 479 00:24:10,875 --> 00:24:13,500 ♪ IT'S WAY TOO LATE, I MADE A DEAL AND THEY SOLD MY SOUL ♪ 480 00:24:13,500 --> 00:24:15,709 ♪ HOW COULD I EVER BE SAD AND LONELY? ♪ 481 00:24:15,709 --> 00:24:17,667 ♪ THESE DAYS IT ONLY GETS THE CHICKS MORE HORNY ♪ 482 00:24:17,667 --> 00:24:20,083 ♪ I MIGHT NOT HAVE ANYBODY, BUT I GET PLAYED BY THE CITY ♪ 483 00:24:20,083 --> 00:24:22,250 ♪ I'M A WORTH EVERY PENNY, I'M THE HIGH-CLASS WATCHER ♪ 484 00:24:22,250 --> 00:24:24,750 ♪ OF EXCLUSIVE SHIT, I'M A TOP PRIORITY ♪ 485 00:24:24,750 --> 00:24:26,917 ♪ NOW I'M FAMOUS AND PROBABLY YOUR FAVORITE CELEBRITY ♪ 486 00:24:26,917 --> 00:24:29,375 ♪ I'M NOT ABOUT THE MONEY, I DON'T PLAY THE LOTTERY ♪ 487 00:24:29,375 --> 00:24:31,583 ♪ I DON'T BELIEVE IN LUCK, I GET PAID TO GET LUCKY ♪ 488 00:24:31,583 --> 00:24:33,625 ♪ I'M BLOWING UP, THEY SAY I'M SELF-DESTRUCTING ♪ 489 00:24:33,625 --> 00:24:36,417 ♪ BITCH, I'M THE BOMB, YOU BETTER GRAB AHOLD OF SOMETHING. ♪ 490 00:24:38,750 --> 00:24:40,417 Ralph: YOU KNOW WHAT? I THINK HE'S GOT SOME TALENT. 491 00:24:40,417 --> 00:24:42,750 I THINK HE'S CERTAINLY GOT SOME DEDICATION 492 00:24:42,750 --> 00:24:45,250 AND SOME REAL SPIRIT ABOUT HIM. 493 00:24:45,250 --> 00:24:47,959 HOWEVER, YOU KNOW WHAT? I'VE GOT TO GET HIM BACK TO L.A. 494 00:24:47,959 --> 00:24:50,375 I'VE GOT TO GET HIM IN A PLACE WHERE I CAN REALLY WORK WITH HIM. 495 00:24:50,375 --> 00:24:52,667 YOU KNOW WHAT, MAN? GREAT JOB. 496 00:24:52,667 --> 00:24:54,792 I CAN'T WAIT TO WORK WITH YOU. CONGRATULATIONS. 497 00:24:54,792 --> 00:24:57,125 - THAT'S WHAT I WANT TO HEAR. - YOU ALL RIGHT, MAN. YOU'RE IN. 498 00:24:57,125 --> 00:24:58,250 I'M GONNA GET YOU IN L.A. 499 00:24:58,250 --> 00:25:00,083 I WAS PREPARED AND READY. I BROUGHT IT. 500 00:25:00,083 --> 00:25:01,709 I DIDN'T LET ANYBODY DOWN. 501 00:25:01,709 --> 00:25:03,834 - LET'S DO IT, MAN. - GREAT JOB, MAN. THANKS A LOT. 502 00:25:03,834 --> 00:25:05,625 - I HOPE I DID YOU PROUD. - THANK YOU, YOU DID GREAT. 503 00:25:05,625 --> 00:25:06,875 THANKS A LOT. 504 00:25:06,875 --> 00:25:08,417 Garren: I'M VERY IMPRESSED WITH NICK. 505 00:25:08,417 --> 00:25:10,291 HE WENT IN THERE AND HE DID VERY WELL. 506 00:25:10,291 --> 00:25:12,792 AND I THINK RALPH REALLY LIKED HIM. 507 00:25:12,792 --> 00:25:15,166 AND SO I GUESS WE'LL GO FROM HERE. 508 00:25:15,166 --> 00:25:16,709 GREAT JOB. GREAT JOB, THANKS. 509 00:25:16,709 --> 00:25:18,500 - THANKS, RALPH. - SEE YOU SOON, MAN. 510 00:25:19,792 --> 00:25:21,625 MUSIC'S A BIG PART OF MY LIFE. 511 00:25:21,625 --> 00:25:23,041 AND EVEN IF I DON'T GET THAT PHONE CALL, 512 00:25:23,041 --> 00:25:24,542 I'LL NEVER GIVE UP. 513 00:25:27,166 --> 00:25:29,625 ( theme music playing ) 41227

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