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[MUSIC]
[BLANK_AUDIO]
[MUSIC]
[SOUND]
[SOUND]
Hey.
Man, you all right?
You need to lie down or something?
No.
This happens from time to time, old past.
If you're asking, though.
All right, well, just let me know.
I'll be on my desk.
[SOUND]
Miss Bolemio.
[SOUND]
That was maybe on the
slightly intense side.
Now, I think we want less of an aneurysm
type attack and more like woozing.
Oh, oh, oh, all right.
Oh, no one's scared people.
Oh, how's that feel?
Great.
Any notes for me?
No, you're great.
[BLANK_AUDIO]
Hey.
Hey, man, you all right?
Oh.
[BLANK_AUDIO]
You've been at this long?
A little while, I guess.
Just got out of Juilliard.
That's my first paying gig.
My first gig, really.
[BLANK_AUDIO]
Interesting experience.
[BLANK_AUDIO]
I know what you're all
thinking, but you're wrong.
I only want directions.
Where's this train headed, huh?
Where's the conductor?
Ask him where this train is bound.
Glory has not my ultimate destination.
Fort Lee, New Jersey is
my ultimate destination.
I don't know about you suckers.
I got a brother-in-law.
This train is all the good, the bad,
and especially the ugly motherfuckers.
So who's going to be the hero?
You.
I'm a casting director
specializing in unique and unusual
physiognomies.
Have you ever--
Yeah.
They tell me I got a strong quality.
I believe that.
[BLANK_AUDIO]
Some other bitch says, "Now
worry about a taste of glam."
Hey, hey, Cora, you
keeping a dog in your apartment?
No, why?
It must be somebody else.
[SPEAKING JAPANESE]
Come here.
Here, listen.
[LAUGHTER]
Yeah.
I seem like a lumpy of a lumpy.
You know who this guy reminds me of?
Woody Allen, when he was
younger and kind of nervous.
Yeah, he was kind of nervous.
Listen, be confident, brother.
Take some Brazilian jiu-jitsu,
or that crowd McGaugh from Israel said.
Hey, look, God, all unhappiness in life
comes from not accepting what is.
You know who told me that?
You're shrink.
No, I'm serious.
You know who told me that all unhappiness
in life comes from--
She was nice.
From not accepting what is?
Lady Gaga.
I knew that fucking
bitch when she was a--
[SPEAKING JAPANESE]
Excuse me.
[SPEAKING JAPANESE]
Sorry, he's gone.
[SPEAKING JAPANESE]
[WHISTLING]
At its most basic level, whistling is
about putting your
lips together and blow.
Everyone knows that.
Every five girls knows that.
But obviously, it's
more complicated than that.
As everyone who's ever tried to whistle
now is putting your lips together.
[SPEAKING JAPANESE]
Hey.
Oh, your hand.
I just unpack my first day kid.
Right back. Hold on.
[WHISTLING]
Got it.
Oh, I'll fix that.
Don't worry about it.
Is it here?
I'm no doctor.
I leave all I have to leave.
You consent?
Anti-vitro ointment and gauze pads is the
extent that my
expertise is overstating it.
Oh.
Expired.
Recently, it's probably
still good, though, right?
Um, paper towels.
It's bad for the earth.
Let's examine the wound here.
Oh, shh.
She maybe needs ditches.
What do you think?
All right.
What happened to you?
It's one of my business.
Okay.
Let's see.
Those assholes and I just
stood there like a moron.
I've got an enemy in my new building.
This will sting?
Did it not sting?
A little.
Okay.
That's good.
Probably good.
Brave.
This is potent stuff.
Okay.
Um, let's just before it.
Is this okay?
Oh, shit.
I got it on the couch.
I'm so sorry.
Just tell me if it doesn't come out.
Oh, no.
Bye.
Disgusting.
Oh, you should
probably get that checked out.
Your apartment is so lifted.
Yeah.
Well, I mean, it makes sense.
I'm the war zone.
Are you from here?
Yeah.
I'm from Orlison.
You heard of that?
Sorry, what was your name again?
Edward.
Ian Lemuel.
Saw it on the mailbox.
I'm angry.
Did I say that?
Is that your mom?
Yeah.
Is that you?
Yes.
Is she alive?
No.
So, what do you do?
Well, I was just cutting some onions.
You're a writer.
Oh, I found it on the street.
Really?
It looks valuable.
They taunt me and beg me to show my face
only so that when I do,
they can turn away in horror.
What's that?
I was just testing it out.
It's interesting.
Actually, I'm a playwright.
I am.
Amazing.
I'm trying to think if
I've seen you in anything.
Not I, please.
Well, maybe we'll ride to glory together.
Maybe.
Oh, do you know who lived in my apartment
before me, C. Pulaski?
Yeah, he came over to borrow
some laundry detergent, old guy.
Wait over, maybe.
Did he die?
I did. I didn't know he was gone.
Actually, this is not why he came over.
But can I borrow some laundry detergent?
Oh, yeah. Yeah, sure.
Yeah?
Sure.
You learning to whistle?
All in all, things
look relatively stable.
Eventually, we'll have to take a look
with growth over your left eye.
Your vision is noticeably impacted?
I've adjusted.
This makes it two or so
years without surgery.
Much needed respite.
Yeah.
That's aimed for three years.
But I must be frank that sooner or later,
the eye will become debilitating.
As for the echolestiotoma, I think we
should go in and get that thing out.
But the hearing loss is minimal, so we
can probably sit on it for a bit.
Several other tumors have
shown minor enlargement,
but no impingement on
any important structures.
So just some things we
have to keep an eye on.
I mentioned this is the
juvenile idea of the road ahead.
Not that it's news to you, but an
alternative path has presented itself.
A colleague of mine, Eugene Flexner,
rather distinguished,
is on the lookout for
patients, a patient like you,
for an experimental drug trial.
This drug seems to have the potential to
be words like "heal" and "cure"
or "anathemite" of folks in my
profession, but to actually heal you.
Completely, even.
The implications are
life-changing for you.
I shouldn't have ever promised anything
because it's the first trial, I believe.
Perhaps any potential risk
is worth the potential reward?
Something to think about.
[knocking]
[sigh] [knocking]
Oh, hey, neighbor.
Housewarming. For the door.
Didn't your mother give that to you?
No, I found it on the street.
Right. Okay.
I just wanted to get rid of it, and
you're a play writer.
Yeah, but you could
probably get some cash for it.
Right, me and Pa are.
Yes, right. I'll get right on that.
No, but thank you. It's very heavy.
Generous. Thank you.
Hey!
Hello, my neighbor. Come in.
Thank you again. Thank you.
[sigh]
Great.
Jesus Christ.
[door opens]
Who else would I love but the most
beautiful woman in the world?
Of course.
The most beautiful of all women. The most
captivating, the most intelligent.
Sometimes, in the blue shadows of
evening, I give way to tender feelings.
I go into a garden, smelling the
fragrance of spring with
my poor monstrous nose,
and I watch a man and a woman strolling
together under the moonlight,
and I think how I, too, would like to be
arm in arm with a woman under the moon,
I let myself be carried away.
I forget myself.
And then I suddenly see the shadow of my
profile on the garden wall.
[clears throat]
[door opens]
Sad as it is, it will come as no
surprise. Attractive people are the
winners in most areas of life,
and the workplace is no exception. You're
likely to be startled or perturbed when
you see a face like this.
You might stare tactlessly, or on the
contrary, avert your gaze, even if you're
generally a kind person.
These uneasy feelings may diminish or
subside after repeated exposure to your
facially different co-worker.
Be gentle with yourself
for having these reactions.
We have no control over the fight or
flight responses of the
reptilian part of our brains.
But as developed, empathic beings, there
are strategies we can
adopt to be more inclusive.
Here, according to the
experts, are some techniques.
Make your disfigured co-worker feel
included on your team's project, and make
an effort to seek their input.
Luther, do you have
any feedback for Sally?
Sounds like an ace idea to me.
When appropriate, invite
them to social functions.
So, Morris, it's my
birthday this weekend.
Oh really, how old are you?
It's a big one. Let's leave it at that.
But I'm having some people at my place,
and I was thinking you should come.
Sally will be there.
Ace, thank you for taking it
with me. It really means a lot.
And you're welcome to bring someone if
there's a girl, or...
Thank you.
Happy birthday.
Ask how they're doing occasionally, as
you would ask anyone else.
If they appear to be in distress, gently
inquire if they need your help without
assuming their dependence on you.
Hey. Hey man, you alright? You need to
lie down or something?
No, this...this happens from time to
time. A little pass.
Thanks for asking though.
Alright, well, just let me
know. I'll be on my desk.
Hey, have you seen Sally anywhere?
No.
It's, uh, basically it.
Hmm. Is there more of you?
No.
Well, is it, what is it? Is it some, like
they show it in offices?
I think something like that, yeah.
Well, it seems like an important tool.
And, uh, no, you made an impression.
Yeah.
We're all gonna start somewhere.
Yeah.
Oh, you have this
black head on your nose.
Oh, I...
Can I get at it?
It's, I can get at it.
Can I?
[Laughing]
No. I don't have to.
No, it's fine.
It's, uh, you have very oily skin. I have
a good cream for that.
Okay.
I'd love to try it.
Yeah?
Sure.
[Laughing]
So, no more of you.
Less.
No.
Uh, no? Okay.
I think, uh, I'm gonna...
I'm sorry.
No, don't be sorry. I forgot I had this
thing and, uh, I'll talk to you later.
See you soon.
Okay. And then...
Ta-da!
Okay. Alright. It's just a file photo,
but I believe we all get the idea.
Uh, alright. Let's move on, Dr. Trudson.
Alright. As you may know, this drug was
originally developed as a treatment for
androgenic alopecia.
It's an area which has
shown significant promise.
It's in phase three trials.
Uh, but what we're attempting here,
though, of course, for
a far more niche market,
it's a different beast altogether.
At the dose that we
proposed to administer,
physical modification of hard and soft
tissue, both reductive and augmentative,
was observed without the need for manual
shaving or grafting.
There is the potential to restore form
and function to bodies
containing a variety of defects,
which is paramount to a patient's
physical appearance.
While reducing the overall cost of
building a moderate level of validity,
there was a non-zero number of
We'll use this one to measure the
progress, and we'll feed any
inconsistencies back into
the machine.
Well, what a world.
Logbook.
Next to each potential side effect mark
the number zero meaning
non-existent, one meaning
mild, ten meaning...
These are going to
help protect your kidneys.
Take them every four hours.
I'm a dot.
These could be placebos.
These ones, no.
Everybody gets these
to protect the kidneys.
The placebo arms are for the turpedol and
the achiprasalponib
medication, so theoretically
yes with those you won't know for sure,
but I just put that
idea out of your head.
Now, let's get that bandage changed.
Dr. Trutz.
Dr. Trutz!
Everything change?
This one's... see you tomorrow.
(soft music)
(soft music)
That drive is crazy.
You know what I think about money anyway?
I'll pay you like this all year.
See, just do what I can to my house.
All right?
So go ahead now.
You ready?
Throw it over my face.
Come on, pick one of your face.
Say it!
Say it!
Say it how you came to build.
I'll be selling your one.
How you picked up the red-lay of the one.
Ah, what do you want me to do?
Get on my knees,
come and kiss your feet.
Don't forget it, man.
You could just sleep with your little,
little guy who's gonna get you.
You'll blow me up in the lead.
All right?
Don't tell me about money.
And don't tell me about pain.
And don't tell me what he's gonna do.
All right?
I'll tell you what I'm gonna do.
I'd like you to burst it out.
I'll come and tell you.
I'll call you to where I'm from.
(coughing)
I'll always be praying to you.
I'll take it to God!
(crying)
Ah, come on.
I know I'm standing
at the back of the desk
and sitting around with my hands.
You have to be kind of open up.
But I thought you got your
al-
ala-
ala-
ala money.
Al-
ala money.
(mumbling)
(banging)
We don't have any drugs.
We don't have any money.
(crashing)
I can't take it anymore.
Why don't you call for me
to send you to the well.
(soft music)
(mumbling)
(banging)
(banging)
(banging)
No, no, this way!
Four beans!
Four beans!
(mumbling)
(beeping)
It's the same.
Buddy.
You got him?
Yeah.
You got him?
Don't drop him.
Oh!
I got him.
I got him, good?
Yeah.
I got him, I'm good.
Sorry.
(soft music)
(whistling)
(mumbling)
(banging)
(mumbling)
(soft music)
Go around, gotta go around.
Let's go!
(mumbling)
(soft music)
(mumbling)
Come on, guys!
(mumbling)
(soft music)
His name was Ostermeyer,
according to Snell Longs.
Yeah, Ostermeyer.
You knew him?
No.
Would you kill yourself?
I don't know, maybe.
Depends on the circumstances.
Don't say maybe.
Say no.
Would you?
What a question.
I know I asked it first.
Hey, what happened to your bandage?
Oh yeah, I had a heal.
It's a miracle.
I'm like Saint Francis.
Guess I chose the wrong profession
and now I'm gonna slash you
and get some more practice.
(laughing)
Sorry.
Nervous knowing.
(laughing)
I'm not scared.
What are your plays about?
No, don't ask.
I'd rather talk about suicide.
Sorry.
No, it's just, it's
embarrassing talking about,
especially when it's still in progress.
You know, I call myself a writer,
but it's sort of aspirational.
No, I do write.
It's, I've written a few
translations by this Italian note.
You wouldn't know him as a nobody.
I won an award for it, small, but yeah.
I'm trying to write
my first original play,
but I'm still figuring it out.
You probably want your typewriter back.
Oh, throw it off while I give a shit.
I wouldn't throw it out.
At the very least, it
makes me look like a writer.
At the very least, it
makes me look like a writer.
Its presence mocks me.
It inspires you.
That's the most positive
thing I'm ready to say.
(laughing)
What are your favorite plays?
Um, I don't know.
The one about the
selling, the seller salesman.
Oh, it did.
Yeah.
I saw a pretty good one
on TV about the Nazis.
Which one's that?
I don't know the name, but
I got singing and dancing
and Nazis.
The Nazis were singing and dancing.
No, the other.
Juice.
I guess so.
The juice was singing and dancing.
Yeah, I guess so.
Sounds like a weird dream you had.
Probably I'm just remembering.
Is that?
I don't know.
Why is he waving at you?
I don't know, I have no idea.
What do you want?
Why do you think you knew you?
Sometimes these things happen, right?
They do?
Well, I'd like to
come see your play when--
You're not gonna see it.
You're gonna be in it, right?
(grunting)
(grunting)
That's incredible.
I guess it means I'm
not in the control group.
I can't disclose that
information officially.
This could be something
called the placebo effect?
I have to admit, I'm
starting to feel a little,
frightened and safe.
And my face has fallen off and close.
I'm sure it only looks like close to you.
Big gods.
Skin particles, cleaving
with the fossil planes.
Look, you are healing, Mr. Lemuel.
You're a part of medical history.
You might do the subject
of a documentary one day.
If I'm not in the control group.
Oh, and if at all possible,
I'd like you to take
photographs of your face,
say 10 a day, just to
monitor the rate of change,
which appears to be very rapid,
perhaps the risk is worth the reward.
Something to think about.
Ta-da!
(footsteps)
What do I do with it?
Keep it as a souvenir, a reminder.
Of what?
(dramatic music)
(sirens wailing)
You hear that?
That alarm.
You're an actor, right?
Movie actor.
I've seen you around.
You've gotta be careful out there, man.
(grunting)
(coughing)
(laughing)
(sirens wailing)
(coughing)
(coughing)
(panting)
Rappers for customers only, buddy.
So what's it gonna be?
Something potent by the looks of it.
(sirens wailing)
(clinking)
Up, or rocks?
That's not dilute,
it's medicinal value, huh?
(sirens wailing)
(clinking)
(sirens wailing)
Hey, man.
I know you.
Where do I know you're from?
I don't know.
Do you know me?
You recognize me?
I'm a guy gone.
I don't know.
Ring a bell?
I don't know, maybe,
I can't play a swing.
Fall into your fireman.
What?
Do you work for Facebook?
No, but I get this.
That's a lot of--
No, that's not good.
I saw you.
I wouldn't forget you,
I don't forget a face.
You got a little
blood or something on you.
What's your name?
Edward.
After that?
Lamy Will.
Huh?
Lamy Will.
Lamy Will.
Edward Lamewell.
Hey, how do you do?
This is really some mystery, isn't it?
I'm guy gone, like I said.
You still come to me, though.
You think I'm a dude, okay?
Okay.
Okay.
Enjoy your drink.
(coughing)
(crying)
(screaming)
(dramatic music)
(dramatic music)
(sighing)
(dramatic music)
(growling)
(crying)
(dramatic music) (crying) (crying) (dramatic music)
(dramatic music)
(dramatic music)
(crying)
(dramatic music)
(crying)
I don't like it.
(laughing)
You can put your lips together below,
sometimes, look this is what you get.
(panting)
And, you know, most of the
preservative comments, again,
are causal, I put my
lips together in that blue,
but that's all I got.
I kind of like to see
how, but it's not whistling.
Obviously, there's something else, and
what you really want
is you want your mouth tight.
Not necessarily small,
because that's the very issue.
(dramatic music)
(door creaking)
(door creaking)
(laughing)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
(dramatic music)
Whiskey!
Watch the...
I don't want to die
living with this no value.
You what?
(dramatic music)
(cheering)
Let's go!
Let's go, man!
Come on, man!
Let's go!
(cheering)
Come on, man!
(cheering)
Yeah, yeah!
(cheering)
(dramatic music)
(dramatic music)
(dramatic music)
(gasping)
(dramatic music)
(dramatic music)
(door slamming)
(dramatic music)
(sighing)
(dramatic music)
(knocking)
(door creaking)
You got the hole?
Uh, what time is it?
What the hell did you do?
I didn't do anything.
Well, you should have
let it get like this.
Yeah, well, what was I supposed to?
I didn't know what, you know,
I told the guy
downstairs, and what were you?
Gosh, I was--
I thought you were mother--
This boy?
Yeah.
You're the man that lives here.
Well, yes.
There's another man
that lives here, though.
Sometimes, maybe.
Why?
You're the one that called
and complained about this hole.
The man with the dog.
No, I mean, I have a cat.
A cat?
Name what?
I don't know.
That's the guy that lives here?
That is art.
Like a mask?
Like a bust.
Pretty weird stuff.
Okay, I'll fix the--
Is that the cat?
Yeah.
Okay, I'll fix it.
I'll fix the hole.
Should I leave?
I think you'll leave me warm.
You need help?
Want some tap water?
I hope I have the materials for this.
This is a big problem.
I should have fixed this sooner.
Hi, sorry, it was open.
Is this Ed Lemuel's apartment?
I know it's early.
I'm looking for Mr.
Lemuel by his nation of mine.
We've not hurt him for a week,
and one of my officers has been able
to get ahold of him.
Yeah, well, what happened is that he...
Edward is dead.
What?
Is he dead?
It happened very suddenly.
How, when--
Excuse me, excuse me.
Thanks, thanks.
I'm Guy.
My family friend.
How? Yeah.
Is there a funeral?
Yeah, no, it's over.
He's dead and buried, screaming.
What was he saying?
I'm sorry, sweetheart, we got it for you.
We don't know.
We're trying to find out.
Suicide.
Suicide?
Was he depressed?
Yeah, I'm sorry, I'm sorry.
Was he depressed?
I don't know, I don't know.
Ah, you say he was cremated?
I think cremated, yeah.
So you're sure Mr. Leavos is really gone?
Yeah, he's really, really gone.
Just like that.
(ominous music)
I think you have mice.
I saw some droppings.
You need a cat.
All right.
I'll see you later.
(ominous music)
God, my friends, you
know I'm gonna take a chance
on some good ass
property, silly to the lady.
(cheering)
Look at this guy, look at this guy.
Pitching my fucking guy.
Look at this piece of man, Ken.
No, I'm not coming to you.
Look at this piece of man, Kennedy.
I'm doing a fucking toothache.
That's great.
Just put the fuck down.
Put the fuck down and
get to work, you genius.
I tried that so well.
Notice that isn't on
your little billboard there.
The second one.
What?
Just a little pockmark or whatever it is.
Nobody's ever gonna notice it.
It's not, you can't see it on the,
I'm sure they buffed it out.
You're gonna wanna change your name
if you're gonna be a
fucking famous model.
Guy Moratz sounds fucking made up.
He's on the lam.
He's on the lam, huh?
You can kill somebody?
Well, you know, I'm
not gonna tell anybody.
You can kill somebody?
No.
Yeah, stay humble, Fabio.
I see you over there
getting a big ol' head.
(dramatic music)
(people chattering)
(dramatic music)
(dramatic music)
(dramatic music)
They taught me and
begged me just to see my face.
Only so that when I do, they
can turn and run in horror.
Thank you, Mr. Silverheels.
Thank you for your time.
Can I help you?
Are you for Edward?
He's on the call sheet.
Sammy Silverheels, the
last one for the day.
What?
Did you get signs?
Signs?
They've given us, they've
given us signs for Theo.
C-12, Fiona can use them.
Yeah.
Okay, whenever you're ready.
(clears throat)
Um, if it was me, I would,
I'd just move out of the
building, forfeit my deposit.
I couldn't live next to that.
Every time you step outside night
knowing if he's gonna be there.
Always be on guard, Jesus.
I'd have nightmares.
Come on, don't be an
asshole, you don't mean that.
I sure as hell do mean it.
And I don't feel bad about it either.
Humans are hardwired to fear,
the spies the sick and the ugly.
Used to leave to form
babies out to die in the colon.
Put them in the institutions at least.
I've got science on my side.
You know it's true, but it's,
you're just being politically,
politically correct.
I need this man.
I'd be right for it too.
Kind of been born for it.
You know what I mean?
I wanna tell my mama,
hey, it was all worth it.
(sighs)
Well, I think we've chosen her.
Yeah.
I have the latest guy, Maratz.
Does it hurt?
No.
Good.
Hey, that photo.
Is that you as a boy?
She's right, excuse me.
What's going on here?
I'm, what?
What?
Forgive me, is that some kind of mask?
It's a prototype.
Prototype?
Of what?
For the face.
The eventual, well, use makeup.
I don't know how everyone handled it.
Who are you exactly?
I'm Edward.
Guy Maratz, possibly.
I was--
Guy Maratz, you're Guy Maratz.
I was born for this.
So?
I am this guy.
Are you deformed?
I am this guy.
We, this is an off-Broadway production.
I don't think we can afford makeup.
Just let me do the thing.
Where'd you get that mask?
Please, again, please.
Yeah.
There.
All better.
Does it hurt?
No.
Good.
Hey, that photo.
Is that you?
That's a boy?
Yeah.
So, I guess you weren't born.
I'm sorry, it's not my place.
It's okay.
People probably ask
you a lot of questions.
It's not the questions I mind so much.
No?
People can be cruel, I imagine.
You have an eyelash.
Let me get it.
Oh.
Oh. I have to go.
I'm sorry.
No, no, I didn't
realize what time it was.
I'm sorry.
It's just, no one...
has ever...
touched my face before.
Your first audition was a little...
I was traumatized because of a friend,
childhood best friend,
was, had very much this condition,
like Edward, your Edward.
Don't tell me his name was Edward.
No, no.
Ronnie.
Can Ronnie act?
He died.
And so, I felt overwhelmed.
And that's why I really feel strongly
that I have to plan as part of it.
That's one way to honor a friend.
Check it out.
So, did you know an Edward?
An Edward?
This can't just be a story
my brilliant imagination has cooked up.
I know, you know, a couple of people.
It's more of, what's the word?
Tribute.
Amalgamation.
It's me too.
Part of the character is
based on myself, in a way.
It's...
How?
How is that?
To be perfectly blunt,
I wanted to cast a person who looks,
well, who looks like that, ideally.
But it's hard, you get
fixated on this idea.
And if it's not right, it's not right.
You had someone specific in mind.
The question is, do you
cast someone with a condition,
even though it's not the right fit?
Is it wrong to cast someone
because of their disfigurement?
Exploited it even?
Will people come to Gawk?
Where's the ethical line?
You know, it's funny because
Edward has this awkwardness
in his own skin.
And it's kind of brilliant in a way,
seeing you who looks like you.
But you're not yourself.
You have this mask, this other persona,
and it creates this dissonance.
And it just, it clicked for me.
It was strangely affecting.
It was like seeing my
own creation come to life.
(sighs)
Oh, hey, Mr. Zolokse.
Hey.
He's blind.
Should we stop, please?
Not the bag.
What?
Just kidding.
(laughs) Just put it on the floor.
Is this where you do your writing?
I never used it.
I'm not sure it even worked.
Seems to work.
It's yours.
Give it a proper home.
What, where did it come from?
Looks Italian.
(squeaks) Hello.
Hello.
Who is this?
C. Pulaski.
C. Pulaski.
C. Pulaski.
Hey.
(laughs)
You're hungry?
(knocks)
God damn her.
What, who is that?
It's this intolerable old hat down there.
You can't even walk barefoot in here.
Okay.
There's the bar.
Oh, I've had enough.
Make me something.
Oh.
(laughs) (clinks)
How long have you lived here?
(laughs)
I don't think the old
hat is gonna like that.
(upbeat music)
Well, what's worse?
Me having to tiptoe around not to upset
this sensitive bitch
or her having to live with such a
noisily bitch upstairs.
I would rather live in
a household by myself.
It's not an answer.
(knocks)
Cops after you.
What?
You're jumpy.
I start a little.
Yeah, nervous, knowing.
You think it's a bitch?
(door opens)
Hey.
I was just in the car,
I was not gonna drop in.
You don't live here.
What are you doing here?
I can see your, I'm excited to see you.
Yeah, Carl.
I can see you.
It's fucking a little.
It's not a game.
It's over.
I'm sorry, Carl, I have some here.
Yeah.
Right here.
Here to come in and say hello.
I have a visit.
No, we know about this.
Don't ask, stupid.
We know what I mean.
Okay.
(soft music)
I had to do that.
Who was that?
Childhood lover.
So many childhood lovers.
(crying)
I leave a trail of tragedy in my wake.
I warned you.
The sad reality is my face is fragile
and it's imperative
that I conduct my life
based upon this fact.
When in doubt, live in fear.
That's my mantra.
Stay out of barrooms or
out of places in general.
Be nice to people, be
deferential, be the bigger man.
I argue if I must and I mustn't really,
only from a safe
distance or under the protection
of some powerful
friend, if I even had one
and if he could then be a lad upon.
I tell myself, Edward, don't call
attention to yourself
to useless advice.
Oh, pardon the intrusion.
I met this casting director.
Unique and unusual
physiognomies is his specialty.
And he told me about
this interesting play
you're auditioning for and
thought I could potentially
be a perfect fit.
So I'm the lancer but I
thought let's come down here,
give it a gander and for
the tip that I've just seen,
seems like a rather serious piece.
But I like to see the role stilled
and rather ably, I must say.
So congrats to the one
involved and best of luck.
Break a leg, as they say.
I'll be sure to see it when it comes out.
Take care.
(dramatic music)
Oh, okay, I can move.
Why?
You have the mask.
What?
Put it on.
Why?
Just what I told you.
You don't wanna look at me?
Come on, it's migration.
(grunts)
(dramatic music)
(panting)
(panting)
Stop it.
(laughs)
What's the problem?
This is so fucked up.
What do you mean?
You liberated us.
I do wanna say to the man
who sold the Courtland property
finally, king of them all,
shithole, half a bathroom.
Chin chin, my little man.
Chin chin indeed.
Edward.
Hey, you probably don't remember me.
We met back at the, um,
theater, Oswald.
I, Edward?
I'm sorry, I love you.
Edward? Hi, hi.
Edward? It's, it's nothing.
Oh, you're only Edward on the telly.
Sorry, four-four jokes.
Why don't you go back
and do some in on world?
Guy. Guy Morat.
Bobby, though, is what I call him.
You wanna put the seatbelt on?
I gotta see, Edward, sure.
Very, very mysterious.
What secret intel have you
got about our enigmatic friend?
Only that your dear friend, Mr Morat,
is starring in a soon-to-be-carcic
theatrical production.
Star?
Like as an actor? No, no.
It's, it's a small,
uh, production, uh, play.
Oh, okay, well, thank
you so much for telling me.
It makes me feel very close.
It's hard to, um, it's-
You're very pleased about
it with a disfigured face.
Name of Edward.
Disfigured face?
And he's also buried, convincing much.
Well, it's still being perfected.
It's a sort of a TV series,
but I don't know what I'm talking about.
I love TV's The Beast.
It's called just Edward,
which presumably means that
you are the star of the show.
Our guy, up Broadway.
Stop from Broadway.
What's the word to do, right?
Show business.
I saw a little bit of
it, and I was told slash.
You were leading a
double-edged chain of goddess.
That's what he's doing.
I'm getting a feeling I'm
messing this up for you tonight.
You've outed him.
Look how I'm better than you.
Oh, he's a bad guy.
He's a little nervous belly, I think.
Well, you should see
him when he gets bashful.
Would you like a drink also?
I actually have to get out,
but it was lovely meeting all of you,
and a thousand apologies if
I caused any discovered cure.
Actually, it wasn't my
place to reveal your secret.
I see.
I will hopefully meet all of you again,
and I will see you, my friend,
on stage, cheering for the front row.
Take care.
Bye bye, Oswald.
I am walked aside by my recklessness,
and I hopelessness, can't we treat us?
I just wanted to make sure you knew
how much I'm trying to perform.
Take care, guys.
When is it?
I mean, give me a call.
I'm having a little bit of a break.
I'm like, "I got you, excellent."
Is he from Trinity?
He's from Edinburgh.
Don't call me that.
Edinburgh?
It's a cute name on you.
First of all, I just don't understand.
He speaks to the audience
in these long philosophical monologues,
and then when he talks to
Fiona, he's monosyllabic.
Yeah, you want more lines?
You can barely
remember the ones you have.
And why does he have to
be so grateful to her?
Just because he has his--
He's not grateful.
He's so indebted to her
just for talking to him.
No, he's nervous because he hasn't had
a lot of experience.
How do you know what
kind of experience he's had?
Are you fucking kidding me?
Maybe he's had a rich life.
We don't know his backstory.
I know the backstory of my own character.
Thank you very much.
And then he has to go kill himself,
because of course, he's so depressed
because he's deformed.
Look who I ran into.
Guy!
Hello!
Hi, it's good to see you again.
You know each other?
Yeah, I just want to send it upon Guy,
and his real estate mates are the pub.
Real estate mates?
Every bunch, I forgot to say.
I'm looking for a place of my own.
Oh, sorry, Oswald.
I'm Ingrid.
Ah, the largest scribe.
And director.
Ah, the last one!
And this is Fiona, the place Iris.
Hey.
And yeah, you met Mevie.
Of course.
I don't know if this is okay with you.
Would you like to stay and watch?
Oh, I'm developing
somewhat of a reputation
of intruding, where I'm not wanted.
No, not at all.
Really, it will be nerve-wracking for us.
The place is still very nascent.
Nothing is set in stone.
Oh, everyone's so, so
constantly showed this.
I love it.
But I am intrigued by this whole process.
I have to admit.
Well, if you're not too busy.
No, I mean, I just hate
to use it to practice.
I'm not into it.
Wow.
So other than that, I was
just gonna sit in the park
and read my book.
What are you reading?
"The Bluest Eye" by Tony Morrison.
That's one of my favorite books!
Really? Oh, no way!
As it so happens, I was
inspired by Guy to pick it up.
He's got these piercing blue eyes.
And when I first saw them, I
was like, "Ah, not really."
I never noticed your eyes, Guy.
Okay, sit anywhere you want.
He will be boring, stopping and starting.
Okay.
You want not, here?
Yeah, see, yeah, just from the top.
Okay, then.
It's, uh, okay.
I was sad when he
asked himself in the end.
Yeah, it's a tragedy.
I mean, I know.
There's nothing
really been done about it.
And I really like Edward.
I'd rather pass a chat.
What a quote from the suicide.
But honestly, I was
really hoping Edward and Fiona
were the happily ever after.
But then, what do you
audience believe, man?
I love your accent.
I get that a lot.
You yanks love my
Hello, mate.
Yeah.
How's the old lady doing?
How's the old lady doing?
Horrible.
I mean, at least I'm refined
with what we're getting at.
And you do an American accent.
I could have been a contender.
Yeah.
Yeah.
I am out of crook.
Wow, that's amazing.
Why can't you do that?
She's not playing
Master Howard, after all.
I guess they didn't teach you accents
that you really are.
Really, really good.
I had an affinity for accents as a child,
like moving around a lot.
And it just sort of blustered into one of
my many uses of talent.
What's your other talent?
Oh, well, I can go, though.
You're a little bit drunk.
I can juggle, I can sing, I can play sax,
so I'm so Coltrane.
And I'm learning to
weave, I'm ashamed to say.
What can't you do?
I mean, I can't whistle.
I can teach you.
(whistling) You're just putting
your lips together, though.
(laughing)
I can't drive that well, either.
Can you ride?
There's just no one
here who touched my face.
My wife.
He's a...
What time is it?
He's right.
Edward is too passive.
What does he know about Edward?
I made him a victim.
I fell into the most obvious trap.
What is he supposed to be?
A hero?
An inspiration?
He's just...
Edward.
Look, you said it yourself.
If you wanted more lives...
And then you got mad at me.
But if Oswald says it then...
The guy who killed Lincoln...
What?
Oswald.
Oswald killed Kennedy.
Whatever.
(laughing)
Lincoln, right?
This gaunt will act or kill Lincoln.
Right there in the theater, right?
Hinkley.
Booth.
Right there in the booth.
(laughing)
I'm sorry.
This must feel very dehumanizing.
Oh.
It's very fragile.
No, Lincoln, don't touch me!
But I was only trying to--
Yes, you're always trying
to be helpful, aren't you?
Yes.
I don't want your pity.
You, I know I discussed you.
That isn't true.
You don't think I know
what all your little friends
say about me?
Why are you hanging out with that freak?
He's gonna get the wrong idea.
Well, you're the
worst out of all of them!
No, no, I don't care about your caring
and kindness and fussing!
Get the fuck out of here.
I hate you.
So, I can't.
What are you doing here?
You're gonna go to the park.
Should we go there?
No.
Oh, you should try it.
It's really therapeutic.
Yeah.
I mean, off the record,
it's a bit of a chore,
but I say it's good
for your lingering body.
I think I'm feeling the benefits,
but maybe it's a perceiver.
I don't know.
Oh, would you look at that?
(dramatic music)
(laughing)
Oh, I almost forgot.
They did the mock-up today, right?
Three seconds, isn't it?
Time to go.
You heard about that.
Yeah, it was quite
expressive now that, did it come off?
What?
Did it have any design effect?
Well, it's still a--
Oh, we're in progress.
We're gonna take a bit of
refinement to get it spot on.
That's what Mario
said, the makeup artist.
He's really half more than Irish.
He said it's the most complicated thing
he's ever worked on.
I can't wait to see it in action.
Part of me wants to wait till every night
so I get hit by the sole effect of it.
But I still think
I'll string by tomorrow.
He would want some
feedback on a new page,
and it's always nice to see it again.
You don't work?
Thankfully, I don't work.
I made some lucky
investments when I was at university
before running off for 10
years with my professor.
Right now, I'm looking
for a place in the city,
which is why I thought I'd sit down
and have a chat with you.
Look who it is.
Can I believe my eyes?
household, you owe me dinner.
I'm so ashamed.
I'm Sadie.
This is Guy.
He's a masterful actor.
I know.
I have stand-up actors.
But we are working on a play together.
You never stop, do you?
Oswald is one of my
favorite people in the world.
How about I call you?
Say next week?
Ah, I'll believe it when I see it.
Nice to meet you, Guy.
Watch out for this one.
(audience applauding)
Who was that?
I mean, I don't know how it looks.
Don't get any idea.
Next up, we have Oswald.
Cheerio, I'm gonna check.
(upbeat music)
Shouldn't he
In this chair
Waitin' on you
Oh, baby
To see things my way
But not a word being said
Oh, did I look my way
Got on
Spinnin' like time
Wasting my time
And so can show that I'm blue
Can't you see
How I wanna be best to you
Clean up your cargo, shadified
And if your eyes meet mine
You're so dry
And could you make me feel
So nice to kill
You're so bitter, bitter, bitter
Oh, must you be your kind
Tell me I'm not your kind
So what about my
Come on
Nobody used to know
That I know
That I'm a patient
You're a patient
A patient
That might explode until
I'm not Edward anymore.
Oh no, you are.
Just after his transformation.
What is he talking about?
Well, I've been
thinking, and to your credit guy,
you were right, and Oswald too.
The suicide was ludicrous.
This wasn't meant to
be a tragic love story.
Why can't they be happy?
And then Oswald and I were talking about
Beauty and the Beast,
and how he in the end
becomes a beautiful prince.
A prince?
And you are that prince.
And you are the beast?
No, no, I'm not the beast.
I'm Edward.
This is a beauty and a beast.
That was just my way of explaining.
Okay.
I don't understand how he transformed.
How is this possible?
He doesn't transform, not literally.
She just sees him differently.
Why?
You know how we idealize
people when we're in love?
So I'm the idealized version of Oswald?
No, no, not me.
I'm Edward.
Why can't it just be him?
Why does he have to idolize
him so he's somebody he isn't?
Well, frankly, Guy, to
keep you in the play.
Look, this is hard for me,
but I really need Oswald to be Edward,
and he refused, unless
it was a part for you,
because he loves you,
and he didn't want it to be
like he was replacing you.
You should really be thanking Oswald.
This is my decision.
I had to beg him to do it.
Look, it's not you, Guy.
It's the whole, the mask, the makeup.
It's a total bust.
And Oswald, I mean.
England insisted, and I have to admit,
this does feel like a
uniquely rare opportunity
for a role that I was
arguably born to play.
You're selling yourself short.
You could play Hamlet.
She's such a handy director.
Flattering me like that.
Frankly, Guy, we've been
making all these changes,
and you've been having a hard time
memorizing your new lines.
I haven't, I just, it's a process.
Whereas Oswald has photographic memory.
Sure, I have
photographic memory technically.
But will that come in
handy in this situation?
Well, you already know your lines.
I don't know, I'm sure, but can I ask?
That is the question.
You can, he can, you've
seen it, we've all seen it.
Oswald's a natural.
If it's right, it's right.
You know the lines?
You've seen them act?
When did all this happen?
When he's been giving me feedback.
God, you're a massive actor.
Which is why this is so tragic.
I really don't know what
an ethical thing to do is.
The right thing to do is
for you to take the role,
and you still get to play Edward, Guy.
Just transformed, and you
don't have to hide your face
behind that idiotic thing.
You get more recognition.
For one scene.
For what a scene?
That's the naught.
No one's gonna believe
that Edward looks like him,
and then suddenly he just looks like me.
My king.
But she loves him for who he is.
If he changes, then who is he then?
Same person.
Same look, new face.
That's a different person.
It's a metaphorical change.
Right out of Beauty and
the Beast, she loves him.
Therefore, voila, he
appears more beautiful to her.
But he has to pretend to be
a beast to prove her love.
He doesn't want to be
loved for his looks.
No, she loves him because he's a beast.
Or in spite of his beastliness.
They're talking about
you like you're a beast.
I'm talking about Edward.
Edward is not a beast.
Oh no, heavens no.
But if we are gonna be
using Beauty and the Beast
as our hypothetical comparison,
well, let's just all start
being honest with ourselves.
I'll print.
Okay, great, yeah.
What's going on?
What was that, a drink?
Don't be moly.
I'm not thirsty.
Come on, girl, it's up to you.
Come on.
Come on, come for one.
At first, it sort of terrified me.
I had in my face disseminated
the screens across the world.
It was like the matter of what the hour
people were seeing me,
were laughing at me,
were horrified by me.
And even when I'm gone,
my image would remain
for others to despise.
But then, this idea gave me some comfort.
That if it wasn't me
they were laughing at,
if I had not been known,
if I had not answered
face nights or mentors,
they'd be laughing at
someone else, someone different.
(dramatic music)
Hey, you were on the show, weren't you?
I love it.
Congratulations.
I've run Belcher.
That guy's amazing.
But I gotta be honest with you,
I thought it was makeup.
When I was saying to my wife,
"It's actually our
anniversary, that's her over there."
I was saying to her,
"How'd they do that makeup?
Right, what is that,
some kind of polymer?
Right, where'd they
get the budget for this?"
But she says to me,
"Hey, that's his face."
He said, "No, babe, you're nuts.
It's gotta be so straight up."
You get up, right, the whole
time I'm watching the show,
I'm sitting there
thinking, "Is that real?
Is this some kind of weird effect?"
Couldn't really believe it either way.
I didn't know what I
even wanted it to be.
So what was it like working with him?
I guess I didn't think
it's all that, right?
He's just a regular guy.
I wonder if the guy that wrote the play
knew him before he wrote it,
or if he just came up
with a character like that
on his own and just hoped the right guy
would come along by chance.
Right, I don't know.
Seems risky to me.
Right, how do you hope I find him?
That guy.
Right, looks exactly how
you would envision him.
An act, too.
Right, I mean, how do
you even describe him?
What if they wanna put
the show on an oizy, right?
Fly that guy out?
I don't wanna be dead.
I think they have to find
the Idaho version of him.
I don't know, would a mask work?
Is that gonna be convincing?
Would another guy with
some other affliction
do just as well?
Maybe they just cast a
regular guy like you, right, a me.
Right, the way they do
Shakespeare now with black people.
It's a different kind of spin on it.
So I'm thinking all
this stuff during the show.
Right, I mean, to be honest
with you, three hours ago,
I'm saying to myself,
do I really wanna go and sit in an
un-air-conditioned theater
for God knows how long
to see some little play
I've never heard of now?
But it's our anniversary.
And now I'm thinking all this shit, so,
that's how I know
it's an interesting play.
(audience chattering)
(ominous music)
Bloody hell.
Bollocks.
Bollocks.
Look, you said it yourself.
How can he become you?
You're nothing alike.
It's not believable.
And it's not necessary.
She loves him for who he is.
It was contrived.
I still think the idea
is theoretically sound,
though what we need to count on,
and this might just end
for me being a novice,
is that the audience
would just spend two hours
rooting for Edward,
which in this particular situation is me.
If someone loves Edward, that would go,
"Oh, I'm Edward now."
Even if it's a kennic branner.
Or whomever, the audience is all cheated.
We've broken our back with them.
They'll write me repel.
Look, I still wanna be friends,
and I'll keep you in
mind for future projects.
The mask is mine.
I'll keep it here.
I'm always like that mask.
Brilliant mask.
(ominous music)
(muffled voices)
(ominous music)
(gunshots)
Where's the blind guy?
What are you doing here?
Why are you so upset?
Why are you here?
Why was Oswald here?
How'd you, what business is that of you?
I know, because I know.
I was passing by and--
I don't have to explain myself to you.
What do you know about him?
Who is he?
Is his name even Oswald?
Because let me tell you something.
He's got a kid and a girl.
He was kissing this other girl,
and they were walking in the park.
He's leading a double life.
What do you think of that?
Well, first of all, that's Julie,
Oswald's ex-wife and
mother to his daughter, Kelly.
And they're still really good friends.
And as it happens,
Oswald was moving in there.
Mr. Zavlosky had an accident,
and Oswald's been
needing a place to stay.
I don't even know why I'm bothering to
explain this to you.
We don't have anything
more to say to each other.
I'm sorry.
(door creaks)
(eerie music)
(door creaks)
(door creaks)
What the fuck are you doing?
(woman chuckles)
(door creaks)
Gotta get the fuck out of here, man.
Oh, well, I happen to be at work now.
And this here is God.
God, God, he's a master philateographer.
Thank you, man.
Yes.
Yes, you are.
Kenneth, come on.
Come on, come on, dad.
Shake, shake, shake, shake your leg.
Shake your leg.
What do you think?
(woman vocalizing)
Is it smashing?
Or is it smashing?
Do you like this room, little girl?
I know it's quite
small, but cheap, like you.
It's a room where you
can do anything you want.
You know that, right?
You know that thing?
Oh, she's a little nervous.
She's shy.
(woman laughing) Don't play.
Don't say.
There's a seven-man to get the sky.
Naturally, it's a bit disappointing,
but I really do hope
we all remain friendly.
I have a little view.
Let us keep our
hatreds for the camera army.
Cheers.
Thank you.
My supply.
Jesus.
What?
Why did I do that?
Why did I fear the
reaction, courage, and circumcision?
I think she loves to hold, darling.
That's all for now.
Maybe we'll ride to glory together.
Whatever you say, my darling.
You're saying what?
I think you're kissing my girl.
Oh, and it's pretty
funny, I'm just telling you.
I'm just telling you.
No, no, no, no, no, no, no, no, no, no, no, no.
We're moving towards the front.
No, no, no, no, no, no,
no, no, no, no, no, no.
Oh, no, boys.
You're making room.
No, no, no, no, no,
no, no, no, no, no, no.
Turn the headwards.
These are my legs.
Hang on, hang on.
You fell down the road.
You fell down the road.
Look at that guy.
That's how it works.
That's how it works.
Come here, come here.
Okay, okay, okay.
Okay, okay, okay.
Let go, let go.
I'm gonna leave.
Come on.
I'm gonna find you.
You can sit down.
I can hold.
(screaming)
Get out of there.
Get yourself, get yourself.
(screaming)
Get out of here.
(screaming)
Go on.
(screaming)
No, no, no, no, no, no,
no, no, no, no, no, no.
(screaming)
I know I keep saying it,
man, but it is such an honor.
I'm pretty, the honor is all ours.
We could be more excited.
I mean, frankly, I
think you should be playing.
Oh no, I was gonna drink that.
No, honestly, I think
you got something special.
Real charisma.
I mean, it takes a name
to get these things funded,
as you know.
I want you to know it's
important to me to get it right.
And that's why I wanted to
spend some time with you,
and you know, not study really,
but observe, ask questions.
Oh, research, as they say in the bits.
But I think it's important for you
to interpret this as you want.
I mean, Edward was envisioned by Ingrid,
and what I was doing earlier,
Guy here, completely pioneered.
Right on.
I'm interpreting Guy,
interpreting Ingrid,
and you're just the next and final step
in that evolutionary process.
Yeah, that's really cool.
I'd love to ask you some questions too.
Really cool, kind of
a collaborative thing.
Well, they'd be using some
mask or makeup of some sort.
Why?
I don't know.
It's beyond my pay grade.
I'm not really part of those discussions.
They can do a lot these
days, make it look real.
Pretty cool.
But, you know, I don't
worry about that stuff.
I think as long as I do my
job getting Edward right,
it'll come through.
The rest is just icing.
Very sure.
Cheers.
(upbeat music)
(banging)
That's not what we're talking about.
Oh, fuck!
Number one, that's a cool tie break.
Ah, it's an hat break.
I wish I had a woman too,
walking with me out of the room
and holding my arm and smiling.
And then I dream and I forget.
And then I see the shadow
of my profile on the wall.
There you go, step in.
Good man.
Other foot, perfect.
All right, nice and easy, here we go.
One foot after the other.
Perfect, rock on.
I'm gonna go shopping,
anyone need anything?
No, thanks.
I'm heading out, you guys need anything?
I just asked.
Well, if something
changes, give me a call.
I'm gonna get out of your hair.
I will be back. We'll have a round eight.
Too late.
What the fuck is going on in here?
What's going on in this face?
Fuck, I mean, is it rich or something?
What is she?
That's the craziest shit I ever saw.
I forgot my headphones, sorry, sorry.
You guys, count around.
No problem, boss.
You know, let's pause for a
second, I gotta take a leak.
Keep going, just put one
foot in front of the other.
(dramatic music)
(water splashing)
Hey man, mom, I grabbed
one of these cells, there's--
(dramatic music)
(dramatic music)
(coughing)
(dramatic music)
I had noises.
(dramatic music)
(dramatic music)
(chattering)
(dramatic music)
(dramatic music)
Hey man, nice shoes.
Where's Ford Lee, man?
New Jersey.
Where's your man in?
Man, you must have had some ugly parents.
I hope you die of cancer,
and your ugly children die of cancer,
and your whole ugly bloodline,
or ugly degenerates,
wiped off the face of
God's beautiful earth.
Nice shoes, man.
Do you wanna put me in my eyes?
Yeah, we adopted Lucy, her daughter,
and it's crazy to even say it,
she's in grad school now.
She is?
Oh, you have to come
and see the play guy.
No pressure.
Who wants to come, right guy?
Yeah, of course.
When are we free tonight?
One time.
8 p.m. shop.
All right.
You can sit with me.
You're not in it?
(laughing)
No, no, I'm not.
I mean, sure, Edward,
but that whole thing was--
What a piece of shit.
I don't even allow people
to perform that anymore.
No, no, no, we should
all put a kosher cell,
well, I can have all of us together,
so it's so bad, no of course.
Thank God I didn't make that movie.
Oh, so disappointed.
I really wanted to see
that guy try and play me.
But anyway, it's
brilliant we've obtained to you,
because we're actually
moving away next month
when the play wraps.
Where, where are you going?
To Canada, a place called Shepperton.
Have you heard of it?
It could be described as a nudist colony.
Yeah, it's only a part
of it, small part of it,
but yeah, basically will be--
As got enchanted.
Why?
Well, it's a long story.
We met this woman when we were--
Grandma Philly Andes.
Yeah, and it turns out
she's this incredible person
with followers and all that,
and it's kind of this
ecological philosophy.
And, and, and, and, and, and, and, and, and, and,
Yes, but also--
And LSD.
Sometimes, yeah, but it's--
Yeah, who does LSD, go on.
What about like, bad trips?
Yeah, it's possible, but
it's all really down to
how you frame it, guy.
I don't think he could handle it.
Yeah, he just needs
someone to lead him through it,
which I can do.
Well, recently certified.
What about you kids?
Yeah, no, they said it's a cult.
Yeah, I mean, you probably
think it's a cult too, right?
Well, I, I guess it
sounds a little like a cult.
You should, if you paint
it like broad brush strokes,
but it's really quite leaderless.
What about this, and this woman,
isn't she like the leader?
Found her, yes, she
said it all in motion,
but it's, it's, she's
not a guru in the, well,
she's sort of a guru, yes,
she's a guru in the pure sense.
Yeah, you can see we can't
talk about it without something.
Actually, vultures.
Yeah, but honestly,
it's, it's, it's paradise.
Actual paradise, like, you know,
you're the closest thing to it.
And what about your career?
Well, I've accomplished
everything I've ever wanted.
I'm ready for the next phase.
I mean, all she wants to
do now is take out a stay
and fuck all the time.
You know, nothing about
us, what's going on with you?
Tell us everything.
Yeah. Oh, I mean, I don't know.
Do we know what we'd like tonight?
What are you thinking, Edward?
You go ahead, I'm, I'm still, um.
Okay, well, we're celebrating,
so we're going to need some soggy.
Let's do another
bottom of the desai hagata,
and for the table, the
wagame, the aninashi toku,
and he needs to try the uni toast.
And in order to do the makikama, why not?
And for my entree, let's
go with the wagyu flight.
Oh, me some black coffee.
And for you, sir?
Um.
Do you need a minute?
Yeah.
(laughing) Oh, my old friend, you
haven't changed a bitch.
(laughing)
(soft music)
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