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(dramatic orchestral music)
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00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
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Official YIFY movies site:
YTS.MX
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(suspenseful orchestral music)
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- [Narrator] To the worm in the cheese,
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the cheese is the universe.
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To the maggot in the cadaver,
the cadaver is infinity.
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And to you, what is your world?
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How do you know what is beyond the beyond?
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Most of us don't even know
what is behind the beyond.
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According to Michelangelo,
the most beautiful form
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in nature is the human body.
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This shop on Chicago's
East Side caters to those
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who would make nature's most
beautiful form more beautiful.
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Our camera is now positioned
behind a two-way mirror
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in the dressing room of this shop.
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The women you will see have no idea
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they are being photographed.
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The mirror does not have
the usual black backing
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and from our side, which
remains in darkness,
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the mirror functions as a window,
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while to those in the dressing room
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it appears to be a simple mirror.
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(ominous orchestral music)
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(soft rhythmic orchestral music)
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So as not to offend these
ladies or their lovers
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or husbands, and to satisfy the desires
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of our own legal department,
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we were forced to censor their faces.
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(upbeat music)
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(suspenseful music)
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(soft orchestral music)
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♪ I can give you everything I got ♪
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♪ I can't expect to give what I have not ♪
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♪ I can only give you lovin'
'til the sun goes down ♪
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00:04:23,638 --> 00:04:28,560
♪ And until the leaves of
summer turn to shades of brown ♪
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00:04:30,312 --> 00:04:33,398
♪ I try and I try ♪
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♪ Ooh baby, you know that I
can only give ya everything ♪
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(upbeat jazz music)
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(soft traditional Asian music)
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(upbeat jazz music)
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00:05:27,077 --> 00:05:30,330
(soft orchestral music)
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(soft rock music)
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(suspenseful orchestral music)
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According to William Shakespeare,
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the most divine aspiration
of the human body is love,
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but in this bizarre world of
ours love takes many forms,
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some of them very, well, bizarre.
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This is Nassau, capital of the Bahamas,
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a small clutter of
islands, 3,000 in number,
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belonging in the British Commonwealth.
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The principal industries
of Nassau are providing
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00:07:28,448 --> 00:07:31,952
tax free havens for United
States corporations who wish
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00:07:32,243 --> 00:07:35,455
to avoid paying their share
of the cost of government,
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and providing vacationing Americans a way
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of spending their money
quickly, easily, and comfortably.
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There is also a small
basket weaving industry,
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00:07:47,550 --> 00:07:49,678
but we are not here to talk of industry.
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00:07:51,221 --> 00:07:54,057
These people are the
descendants of slaves.
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00:07:54,349 --> 00:07:56,559
Today they are civilized
members of the community,
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00:07:56,851 --> 00:07:59,396
educated and responsible, but for some
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there is still a yearning
for the freedom of spirit
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00:08:03,316 --> 00:08:05,819
and abandon of the past.
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Our quest has brought us to Nassau
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because this is one of the last places
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in the Western Hemisphere
where the ancient black arts
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of voodoo are still practiced.
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Our cameras were hidden in
the hills of New Providence,
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only three and one-half miles from Nassau.
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00:08:26,089 --> 00:08:29,342
These people gather
religiously every Thursday
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to indulge in a most frantic
and depraved form of worship.
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(tribal drum music)
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What you are seeing here is fortunately
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a highly revised version of
the original terrifying ritual.
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In the good old days for example,
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a white baby would be
kidnapped for sacrifice.
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At the peak of the
ceremony, the child's body
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would be dismembered
by clever manipulations
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of the machete, and arms and legs
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would be thrown into the air in the hope
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that the lord god
Damballa would be pleased
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and smile upon them.
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But we'll see none of that here tonight,
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for after all, these people are civilized.
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The ceremony begins with
the lighting of the sacred fire,
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a symbol of Damballa's passion.
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00:09:39,537 --> 00:09:42,624
An important part of the
sacrament is rum and ganja,
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00:09:43,833 --> 00:09:46,211
the latter being none other
than simple marijuana.
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00:10:11,820 --> 00:10:16,741
Voodoo came to these
islands over 200 years ago.
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00:10:17,158 --> 00:10:21,496
The raids on the African
slave coast began about 1742
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and thousands of these believers were sold
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into the West Indies and, later,
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further northwest to the Bahamas.
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Rum and ganja hasten the
elevation of the mood
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to spiritual heights.
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At the proper moment when the participants
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are in the required spiritual mood,
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the voodoo king opens the ceremony.
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00:10:47,105 --> 00:10:50,191
The queen, or mama as
she is sometimes called,
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officiates at the ceremony.
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00:10:52,610 --> 00:10:56,322
(worshipers whooping)
(speaking in foreign language)
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(dramatic tribal drum music)
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00:11:01,995 --> 00:11:05,456
The ceremony gets underway with
the beheading of a chicken.
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00:11:05,748 --> 00:11:09,002
The white feathered bird
serves as a macabre substitute
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for the white baby.
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The blood is drained into a wooden bowl.
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The shot you are now watching was taken
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with a 1,000 millimeter telescopic lens
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00:11:19,179 --> 00:11:21,306
at a distance of almost one mile.
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00:11:22,473 --> 00:11:27,395
(dramatic tribal drum music)
(worshipers whooping)
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00:11:46,956 --> 00:11:49,626
The great serpent of evil, the zombie,
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or in this case a small boa constrictor,
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is next to be sacrificed.
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00:11:55,632 --> 00:12:00,553
(dramatic tribal drum music)
(worshipers whooping)
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00:12:03,181 --> 00:12:07,018
Its blood is drained into the
bowl with that of the chicken.
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00:12:07,310 --> 00:12:11,147
In this way the fluid of
life represented by the baby,
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chicken, and the spirit of the devil,
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00:12:13,942 --> 00:12:16,569
represented by the snake, are mingled.
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00:12:16,861 --> 00:12:19,239
Their mystical powers are released.
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00:12:19,530 --> 00:12:22,784
This divine mixture will be
drunk by members of the group
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00:12:23,076 --> 00:12:26,079
who will then be exorcized of their sins.
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00:12:26,371 --> 00:12:28,498
They will fall to the
ground in what is said
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to be a hypnotic catatonic state,
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their eyes opened in a glazed stare.
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00:12:35,588 --> 00:12:40,468
In this state they can commit
no evil, commit no sins.
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00:12:40,760 --> 00:12:42,303
They can do no wrong.
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00:12:43,554 --> 00:12:48,476
(dramatic tribal drum music)
(worshipers whooping)
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00:13:02,657 --> 00:13:05,660
While the old laws of voodoo have changed,
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00:13:05,952 --> 00:13:08,579
the old hexes, gris-gris,
and dolls with pins
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00:13:08,871 --> 00:13:12,125
have fallen into disuse,
the primeval sensuality
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00:13:12,417 --> 00:13:15,295
and spirit of wanton abandonment remain.
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00:13:16,296 --> 00:13:18,965
Voodoo provides a release
from the restrictions
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00:13:19,257 --> 00:13:21,301
and inhibitions of civilization.
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00:13:21,592 --> 00:13:24,804
Many of the people here not
only do not believe in voodoo,
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00:13:25,096 --> 00:13:26,806
but do not observe any of the rules
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concerning the ceremony itself.
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00:13:29,642 --> 00:13:31,561
They are here it seems for nothing more
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than a weird social gathering.
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00:13:34,772 --> 00:13:38,109
(dramatic tribal drum music)
(worshipers whooping)
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00:13:38,401 --> 00:13:42,405
Discretion compels us to bid
adieu to Nassau at this point,
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for while these people may be civilized,
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most of us are not
civilized enough ourselves
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00:13:48,036 --> 00:13:51,164
to accept some of the
more engaging aspects
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00:13:51,456 --> 00:13:54,125
of their strange, mystical rites.
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00:13:55,209 --> 00:14:00,131
(dramatic tribal drum music)
(worshipers whooping)
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00:14:01,674 --> 00:14:04,594
(suspenseful music)
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00:14:06,262 --> 00:14:09,557
And now we journey to the distant Orient,
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the inscrutable East,
Land of the Rising Sun.
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The Japanese Empire has
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and to service its 96 million people,
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00:14:26,741 --> 00:14:30,244
has 534 colleges and universities
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and 7,220 massage parlors.
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This is Kyoto.
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This is one of the many
massage parlors in the city.
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With permission of the management,
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we have installed hidden cameras
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in both this reception room
and one of the massage booths.
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00:14:52,100 --> 00:14:55,311
Our curiosity in Japan and
its numerous massage parlors
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00:14:55,603 --> 00:14:57,313
was prompted by a growing interest
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In what is commonly referred
to as the special massage.
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There were 14 massage booths,
each about 12 feet square.
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00:15:07,740 --> 00:15:09,450
A hole was cut through the thin wall
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of an adjoining massage room
where our camera was placed.
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00:15:16,124 --> 00:15:18,751
A two-way mirror was hung over the hole.
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00:15:19,669 --> 00:15:22,004
It is now possible for our camera to see
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00:15:22,296 --> 00:15:25,091
through the mirror into the room.
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00:15:25,383 --> 00:15:27,885
Because of the low light
level in the room itself,
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a high-speed black and white film
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00:15:30,221 --> 00:15:32,181
was used for this sequence.
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00:15:32,473 --> 00:15:35,560
This man does not know
he is being photographed.
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00:15:35,852 --> 00:15:37,937
He is one of many American businessmen
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00:15:38,229 --> 00:15:41,607
who expect to find a more
permissive atmosphere here
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00:15:41,899 --> 00:15:43,776
than in the massage parlors back home.
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00:15:44,902 --> 00:15:46,779
For the legend persists that here
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one may obtain a special
massage of such rare delights
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as to make one's visit to the
Orient joyously memorable.
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It is quite apparent that this gentleman
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IS in no way interested
in the aggressive activity
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that this young lady is providing.
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00:16:04,380 --> 00:16:06,757
It matters not to him that
she's been well-trained
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00:16:07,049 --> 00:16:09,594
from childhood in customary geisha fashion
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00:16:09,886 --> 00:16:12,680
in the art of massage and that she knows
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00:16:12,972 --> 00:16:16,184
every muscle of the body
and exactly what pressures
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are required to relax the nerves
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and stimulate the blood flow.
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00:16:21,355 --> 00:16:24,066
The stimulation this
gentleman is desirous of
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Is of quite a different nature,
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but the young lady speaks no English
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00:16:30,114 --> 00:16:33,326
and the man obviously speaks no Japanese.
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00:16:33,618 --> 00:16:34,160
(massage machine buzzing)
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00:16:34,452 --> 00:16:37,997
Patience, especially in
the Orient, is a virtue.
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00:16:40,541 --> 00:16:43,794
(soft orchestral music)
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(massage machine buzzing)
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00:17:11,864 --> 00:17:16,202
Finally, he makes his
point and he settles down
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00:17:16,494 --> 00:17:19,080
to thoughts of a more amorous nature.
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00:17:20,248 --> 00:17:23,584
He is hoping that his
first special massage
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shall be something to
be forever treasured.
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00:17:28,756 --> 00:17:31,592
It is the answer to a silent prayer.
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00:17:32,593 --> 00:17:36,013
The special massage girl is
lovelier than he had hoped.
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00:17:37,139 --> 00:17:39,892
Now it's only a matter of time.
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00:17:41,060 --> 00:17:43,312
She prepares herself for the job
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00:17:43,604 --> 00:17:45,648
with the grace of a ballerina.
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00:17:51,070 --> 00:17:54,740
(raunchy rock music)
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00:17:55,032 --> 00:17:59,829
♪ I can give you everything I got ♪
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00:18:01,497 --> 00:18:06,377
♪ I can't expect to give what I have not ♪
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00:18:08,796 --> 00:18:13,718
♪ I can only give you lovin'
'til the sun goes down ♪
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00:18:15,720 --> 00:18:20,641
♪ And until the leaves of
summer turn to shades of brown ♪
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00:18:21,851 --> 00:18:24,562
- [Narrator] Finally, everything is ready
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00:18:25,813 --> 00:18:28,649
and he knows it is about to begin.
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00:18:33,404 --> 00:18:38,326
♪ I can't argue with you to understand ♪
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00:18:39,952 --> 00:18:44,874
♪ 'Cause after all I am just a man ♪
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00:18:45,958 --> 00:18:50,880
♪ You are on my mind when stars
appear and shadows fall ♪
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00:18:52,715 --> 00:18:57,637
♪ And when every little flower
close and no birds call ♪
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00:18:58,054 --> 00:19:00,097
- [Narrator] Beyond doubt,
this special massage
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00:19:00,389 --> 00:19:02,183
will leave a lasting impression.
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00:19:03,726 --> 00:19:08,648
♪ Baby you know that I can
only give ya everything ♪
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00:19:09,148 --> 00:19:10,900
- [Narrator] In addition to culture,
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00:19:11,192 --> 00:19:14,111
Kyoto is also one of the
key manufacturing cities
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in the Japanese Empire.
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00:19:16,030 --> 00:19:18,449
It is, for example, one
of the largest exporters
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00:19:18,741 --> 00:19:21,035
of women's undergarments in the world.
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00:19:24,205 --> 00:19:26,248
And this is one of the most successful
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00:19:26,540 --> 00:19:29,335
mail order operations in the United States
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00:19:29,627 --> 00:19:31,921
with headquarters in
Hollywood, California.
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00:19:33,631 --> 00:19:38,511
Founder and president of the
organization is Mr. Frederick,
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00:19:38,803 --> 00:19:41,263
a man whose unique design capabilities
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00:19:41,555 --> 00:19:44,642
have made him the most
successful underwear salesman
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00:19:44,934 --> 00:19:45,934
in the world.
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00:19:47,269 --> 00:19:49,021
(soft orchestral music)
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00:19:49,313 --> 00:19:50,940
His mail order operation has grown
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00:19:51,232 --> 00:19:54,276
to be one of those remarkable
American success stories.
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00:19:58,155 --> 00:20:00,116
We asked Mr. Frederick to tell us
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00:20:00,408 --> 00:20:03,828
about his fantastic
organization in his own words.
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00:20:04,120 --> 00:20:05,514
- [Mr. Frederick] This is our catalog,
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00:20:05,538 --> 00:20:06,956
the lifeblood of our business.
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00:20:07,248 --> 00:20:09,458
This is two to three
years ahead of its time.
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00:20:09,750 --> 00:20:13,129
We're supplying our customers
with exactly what they want.
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00:20:13,421 --> 00:20:15,548
We were the first major
distributor of braziers
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00:20:15,840 --> 00:20:18,676
in America that had pushup pads in them.
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00:20:18,968 --> 00:20:21,262
In addition, we supplied padded braziers
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00:20:21,554 --> 00:20:23,723
for women in the larger bust sizes
242
00:20:24,014 --> 00:20:26,600
who want to look younger not just bigger.
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00:20:26,892 --> 00:20:30,688
We felt the B cups
might wanna look like Cs
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00:20:30,980 --> 00:20:35,526
and the C cups like Ds, and we
found that we weren't wrong.
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00:20:35,818 --> 00:20:37,498
Also, our specialty items add a great deal
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00:20:37,737 --> 00:20:39,071
of interest in our catalog.
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00:20:39,363 --> 00:20:41,198
The girdle, for example,
with the open seat
248
00:20:41,490 --> 00:20:44,034
was designed because I do not like a woman
249
00:20:44,326 --> 00:20:47,788
in a pair of capris to have a
buttressed, cemented in look.
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00:20:48,873 --> 00:20:50,916
We give her the support
where she needs it,
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00:20:51,208 --> 00:20:53,169
in the tummy and hips, and we cut it out
252
00:20:53,461 --> 00:20:54,712
where it appears undesirable.
253
00:20:55,671 --> 00:20:59,091
We developed the hole in the
middle bra for the same reason.
254
00:20:59,383 --> 00:21:02,261
We make periodic quality
checks using live models
255
00:21:02,553 --> 00:21:04,346
with known sizes.
256
00:21:04,638 --> 00:21:07,641
The Frederick's catalog is
sent to all of our customers
257
00:21:07,933 --> 00:21:10,561
six times a year at a yearly postage cost
258
00:21:10,853 --> 00:21:13,355
to us of $150,000.
259
00:21:13,647 --> 00:21:18,444
90% of our customers are
women, 60% of whom are married,
260
00:21:19,028 --> 00:21:22,281
and of that group, 50%
had two or more children.
261
00:21:23,616 --> 00:21:26,327
Our mailing list consists
of over a million names
262
00:21:26,619 --> 00:21:30,623
and we service people in
over 71 foreign countries.
263
00:21:30,915 --> 00:21:35,169
Our mail order department
employs approximately 300 people.
264
00:21:35,461 --> 00:21:38,380
All mail is opened on the day it arrives.
265
00:21:38,672 --> 00:21:40,792
If it gets in early enough,
it's possible for the item
266
00:21:40,883 --> 00:21:43,385
to be on its way to the
customer the next day.
267
00:21:43,677 --> 00:21:47,264
- [Narrator] Frederick's
Is an industrial symphony,
268
00:21:47,556 --> 00:21:52,353
a medley of machinery,
letters, and underwear.
269
00:21:52,895 --> 00:21:56,482
(dramatic orchestral music)
270
00:24:32,346 --> 00:24:36,141
If the human spirit is
divine as Dante said,
271
00:24:36,433 --> 00:24:39,728
then the temple of that
spirit is the human body.
272
00:24:40,854 --> 00:24:43,482
We journey now to Sydney, Australia
273
00:24:43,774 --> 00:24:46,944
to witness a demonstration
of the mysterious powers
274
00:24:47,236 --> 00:24:50,447
of the mind and their
effect on the human body.
275
00:24:54,076 --> 00:24:57,287
These members of the press
and the medical profession
276
00:24:57,579 --> 00:25:00,249
are gathered here at
the University of Sydney
277
00:25:00,541 --> 00:25:04,670
to investigate the claims
of Jack Schwarz, a Dutchman,
278
00:25:04,962 --> 00:25:08,590
who has the amazing
ability to prevent disease
279
00:25:08,882 --> 00:25:10,426
and infection in his body.
280
00:25:11,719 --> 00:25:16,015
Mr. Schwarz makes no claims
to be a mystic or a fakir.
281
00:25:16,306 --> 00:25:20,561
He is, he says, "Just an
ordinary person like you or me."
282
00:25:21,729 --> 00:25:25,274
However, he has learned to control and use
283
00:25:25,566 --> 00:25:30,112
the magic powers of his
subconscious mind through meditation
284
00:25:31,280 --> 00:25:34,908
so that he only requires
two hours sleep per night.
285
00:25:36,160 --> 00:25:40,414
He eats only three full meals per week,
286
00:25:41,749 --> 00:25:45,669
yet he is just an
ordinary man as you or I.
287
00:25:47,004 --> 00:25:49,089
Mr. Schwarz claims that he makes no use
288
00:25:49,381 --> 00:25:51,842
of self-hypnosis in controlling his body,
289
00:25:52,134 --> 00:25:56,055
but relies more on a positive
method of concentration
290
00:25:56,346 --> 00:26:00,684
which might be referred to
as a mental local anesthetic.
291
00:26:03,145 --> 00:26:05,939
The principal device for his experiments
292
00:26:06,231 --> 00:26:08,108
is a bed of nails.
293
00:26:08,400 --> 00:26:13,197
This bed of nails contains
only 17 very rusty nails.
294
00:26:14,364 --> 00:26:16,825
The traditional bed of
nails of the Indian fakir
295
00:26:17,117 --> 00:26:19,953
numbers between 40 and 80 nails.
296
00:26:20,245 --> 00:26:24,416
The fewer the nails, the deeper
they penetrate the flesh.
297
00:26:25,501 --> 00:26:30,214
In addition, these nails
are in no way sterilized.
298
00:26:31,882 --> 00:26:34,802
(suspenseful music)
299
00:26:37,262 --> 00:26:40,474
And for those who are
skeptical of the slow exertion
300
00:26:40,766 --> 00:26:45,437
of 242 pounds on Mr. Schwarz's stomach,
301
00:26:45,729 --> 00:26:48,023
we offered a 50 pound boulder
302
00:26:48,315 --> 00:26:50,609
which will be struck with a sledgehammer,
303
00:26:50,901 --> 00:26:53,445
creating an instantaneous impact reaction
304
00:26:53,737 --> 00:26:57,282
equal to 750 pounds.
305
00:26:58,575 --> 00:27:03,497
(man grunts)
(sledgehammer thuds)
306
00:27:31,733 --> 00:27:34,528
A close examination by doctors confirms
307
00:27:34,820 --> 00:27:37,865
that a complete penetration of
the flesh has been achieved,
308
00:27:39,116 --> 00:27:43,328
yet no blood has been drawn
and the wounds themselves
309
00:27:43,620 --> 00:27:47,291
will be totally healed within a half hour.
310
00:27:47,583 --> 00:27:49,459
How does he do it?
311
00:27:49,751 --> 00:27:54,047
By directing his mind, he says,
"IN a spirit of meditation
312
00:27:54,339 --> 00:27:57,176
to the affirmative emotions of life."
313
00:27:57,467 --> 00:27:59,803
However, for those of
you who remain skeptical,
314
00:28:00,095 --> 00:28:02,181
Mr. Schwarz shall now run a carpet needle
315
00:28:02,472 --> 00:28:04,016
into the side of his face.
316
00:28:05,934 --> 00:28:07,614
Once again, sterilization of the implement
317
00:28:07,895 --> 00:28:10,314
IS not considered, even to the point
318
00:28:10,606 --> 00:28:12,065
of rubbing it into the carpeting.
319
00:28:14,484 --> 00:28:16,361
Those of you who have queasy stomachs
320
00:28:16,653 --> 00:28:19,740
may wish to avert your
eyes at this moment.
321
00:28:26,955 --> 00:28:30,125
Mr. Schwarz believes each of us is divine,
322
00:28:30,417 --> 00:28:33,212
each of us is our own God.
323
00:28:33,503 --> 00:28:35,130
By meditating on the beauty and love
324
00:28:35,422 --> 00:28:37,633
of our own being, we cleanse ourselves
325
00:28:37,925 --> 00:28:40,802
of the negative emotions that induce fear,
326
00:28:41,094 --> 00:28:43,972
despair, and disease.
327
00:28:52,814 --> 00:28:55,692
Finally, he prepares to
drive the second needle
328
00:28:55,984 --> 00:28:56,984
through his forearm.
329
00:28:58,362 --> 00:29:01,031
A member of the press is
invited to spit on it.
330
00:29:02,366 --> 00:29:06,328
This is indeed an unsterilized instrument.
331
00:29:16,505 --> 00:29:18,507
For those who would attempt this feat,
332
00:29:18,799 --> 00:29:21,677
remember you must first
learn the art of meditation.
333
00:29:24,638 --> 00:29:27,349
For only by mastering your own mind
334
00:29:27,641 --> 00:29:29,893
can you hope to gain mastery of your body.
335
00:29:32,562 --> 00:29:36,608
Then perhaps you, too, can
sleep only two hours a night,
336
00:29:36,900 --> 00:29:39,820
eat only three full meals a week,
337
00:29:40,112 --> 00:29:41,947
and stick pins in your cheeks.
338
00:29:44,491 --> 00:29:46,994
(upbeat music)
339
00:30:48,930 --> 00:30:51,391
(glass breaks)
340
00:30:54,061 --> 00:30:56,772
(glass crunching)
341
00:31:20,629 --> 00:31:22,464
(man belches)
342
00:31:22,756 --> 00:31:25,133
(upbeat music)
343
00:31:29,262 --> 00:31:32,015
(glass crunching)
344
00:31:35,435 --> 00:31:37,687
(man gulps)
345
00:31:49,699 --> 00:31:52,452
(glass crunching)
346
00:32:08,427 --> 00:32:09,511
(man gulps)
347
00:32:09,803 --> 00:32:12,139
(upbeat music)
348
00:32:18,728 --> 00:32:20,355
(man belches)
349
00:32:20,647 --> 00:32:22,399
(suspenseful music)
350
00:32:22,691 --> 00:32:26,653
Where, in all this
marvelous, amazing world,
351
00:32:26,945 --> 00:32:31,366
can we find life more bizarre
than in your own front yard?
352
00:32:32,909 --> 00:32:37,330
60 years ago this was the
small, sleepy Western town
353
00:32:37,622 --> 00:32:41,376
of El Pueblo de Nuestra
Senora de los Angeles.
354
00:32:41,668 --> 00:32:45,172
Today it is the sprawling
megalopolis of Los Angeles,
355
00:32:45,464 --> 00:32:47,841
the largest city in
the Western Hemisphere.
356
00:32:48,967 --> 00:32:52,220
Nowhere in the world are
there more automobiles.
357
00:32:52,512 --> 00:32:55,182
Nowhere has growth been more continuous,
358
00:32:55,474 --> 00:32:58,185
has the urban sprawl been more persistent,
359
00:32:58,477 --> 00:33:01,897
have the wide open spaces
been more completely devoured
360
00:33:02,189 --> 00:33:04,483
by the unending influx of outsiders
361
00:33:04,774 --> 00:33:07,402
migrating here for the good life.
362
00:33:09,029 --> 00:33:12,908
50 years ago these houses would
be standing on vacant land,
363
00:33:13,200 --> 00:33:16,286
interspersed with vast
groves of orange trees.
364
00:33:17,621 --> 00:33:22,083
Today, the motorcar dominates
life in Southern California.
365
00:33:22,375 --> 00:33:24,836
This is Sunset Boulevard,
366
00:33:25,128 --> 00:33:27,923
legendary street of dreams and myths.
367
00:33:28,882 --> 00:33:31,384
Young people from all over
the world are drawn here
368
00:33:31,676 --> 00:33:35,514
by the glamour of the film
industry, for this is Hollywood,
369
00:33:35,805 --> 00:33:37,974
now just a small section of Los Angeles.
370
00:33:39,809 --> 00:33:42,062
Here are the fabled
clubs and watering places
371
00:33:42,354 --> 00:33:43,354
of the celebrated.
372
00:33:44,606 --> 00:33:47,067
Nearby are the apartment houses and homes
373
00:33:47,359 --> 00:33:48,777
for those who work in Hollywood.
374
00:33:50,195 --> 00:33:53,823
(dramatic orchestral music)
375
00:34:04,417 --> 00:34:05,835
Ah, some of them at least find time
376
00:34:06,127 --> 00:34:09,297
to take a bit of the sun,
when the smog will permit.
377
00:34:49,671 --> 00:34:52,841
It is here in this great Los Angeles Basin
378
00:34:54,092 --> 00:34:58,013
that we find the elusive
search for love and fulfillment
379
00:34:58,305 --> 00:35:00,849
taking forms never dreamed
of by Michelangelo,
380
00:35:01,141 --> 00:35:02,141
Shakespeare, or Dante.
381
00:35:05,895 --> 00:35:10,609
This is Main Street, only
eight blocks from City Hall.
382
00:35:10,900 --> 00:35:14,029
Our camera is concealed in a bakery truck.
383
00:35:14,321 --> 00:35:18,116
We are watching two
homosexual male prostitutes
384
00:35:18,408 --> 00:35:20,452
waiting for the first
contact of the evening.
385
00:35:21,411 --> 00:35:24,831
(jaunty orchestral music)
386
00:35:33,965 --> 00:35:36,384
Soliciting is against the law here.
387
00:35:36,676 --> 00:35:38,136
One has to be cautious in selecting
388
00:35:38,428 --> 00:35:39,638
a companion for the evening.
389
00:35:40,972 --> 00:35:43,683
Enlargements of still
photographs taken at this time
390
00:35:43,975 --> 00:35:47,646
indicate that the driver
of the car is a male.
391
00:35:49,689 --> 00:35:52,984
(soft orchestral music)
392
00:36:34,484 --> 00:36:35,484
Careful.
393
00:36:36,444 --> 00:36:38,488
Make certain that you
aren't being watched.
394
00:36:56,756 --> 00:36:58,925
Ah well, perhaps next time.
395
00:37:02,095 --> 00:37:03,221
(soft orchestral music)
396
00:37:03,513 --> 00:37:05,682
La Cienega Boulevard in Beverly Hills
397
00:37:05,974 --> 00:37:07,774
might well be considered
the Greenwich Village
398
00:37:07,934 --> 00:37:08,934
of the West.
399
00:37:09,561 --> 00:37:13,982
On this street one may find a
painting to suit every mood,
400
00:37:14,274 --> 00:37:17,569
to fulfill all desires, and
to fit every pocketbook.
401
00:37:19,696 --> 00:37:21,781
Sir Julian Huxley once said that the role
402
00:37:22,073 --> 00:37:25,952
of the artist "is to provide
variety to our lives,
403
00:37:26,244 --> 00:37:29,998
thus our lives are
enriched and ennobled."
404
00:37:30,290 --> 00:37:33,752
Los Angeles has become the
cultural center of the West.
405
00:37:35,003 --> 00:37:37,464
These paintings present
a traditional approach
406
00:37:37,756 --> 00:37:39,549
to the artist's creative vision.
407
00:37:41,217 --> 00:37:45,680
Prices for these paintings
range from $100 to about $1,000.
408
00:38:11,831 --> 00:38:15,043
Almost directly across the
street we find the works
409
00:38:15,335 --> 00:38:18,046
of modern artist Ellsworth Kelly.
410
00:38:18,338 --> 00:38:21,424
This painting is priced at $5,000
411
00:38:23,968 --> 00:38:27,472
and is cleverly entitled Red and Blue.
412
00:38:27,764 --> 00:38:31,351
(singing In foreign language)
413
00:38:32,769 --> 00:38:35,104
This work is priced at $6,000.
414
00:38:35,396 --> 00:38:38,233
It is entitled Red, Green, and Blue.
415
00:38:39,609 --> 00:38:43,112
The creative experience takes many forms.
416
00:38:43,404 --> 00:38:45,907
This theater houses another collection
417
00:38:46,199 --> 00:38:48,117
of the West's cultural heritage.
418
00:38:49,369 --> 00:38:52,664
2 Ah ah ah ah ah ah ah ah ah ah ah ah
419
00:38:52,956 --> 00:38:56,835
- [Narrator] Art reflects
life and life imitates art.
420
00:38:57,794 --> 00:38:59,712
These paintings belong in the collection
421
00:39:00,004 --> 00:39:02,632
of one very wealthy theater owner.
422
00:39:02,924 --> 00:39:06,928
They represent his concept of
genuine creative expression.
423
00:39:08,263 --> 00:39:12,016
(singing In foreign language)
424
00:39:55,393 --> 00:39:59,230
But what of the artists
themselves, the creators of beauty,
425
00:39:59,522 --> 00:40:00,899
the providers of variety?
426
00:40:02,066 --> 00:40:03,066
What are they doing?
427
00:40:04,152 --> 00:40:07,071
(upbeat rock music)
428
00:40:27,008 --> 00:40:31,471
This 60-foot tower was created
by sculptor Mark di Suvero
429
00:40:31,763 --> 00:40:34,974
of New York in protest
against America's involvement
430
00:40:36,100 --> 00:40:38,394
in the unpleasantness in Vietnam.
431
00:40:38,686 --> 00:40:40,647
A committee of artists contacted painters
432
00:40:40,939 --> 00:40:43,232
all over the world to
participate in this protest.
433
00:40:47,820 --> 00:40:50,365
Over one million dollars
worth of paintings
434
00:40:50,657 --> 00:40:53,910
created by 200
internationally famous artists
435
00:40:54,202 --> 00:40:57,789
adorn the exhibit and give
voice to their indignation.
436
00:41:30,279 --> 00:41:33,491
Dedication ceremonies heard
veterans of the Vietnam War
437
00:41:33,783 --> 00:41:36,577
add their voices to those of the artists.
438
00:41:36,869 --> 00:41:37,578
(upbeat piano music)
439
00:41:37,870 --> 00:41:38,870
♪ Protest ♪
440
00:41:39,038 --> 00:41:41,916
♪ Whoa it's the thing to do ♪
441
00:41:42,208 --> 00:41:47,005
♪ There must be somethin' buggin' you ♪
442
00:41:47,463 --> 00:41:49,007
♪ Protest ♪
443
00:41:49,298 --> 00:41:52,135
♪ We gonna start today ♪
444
00:41:52,427 --> 00:41:54,512
♪ So get out your signs,
form the picket lines ♪
445
00:41:54,804 --> 00:41:57,724
♪ And lead the way ♪
446
00:41:58,016 --> 00:42:02,520
♪ We're gonna save the world ♪
447
00:42:02,812 --> 00:42:07,608
♪ We're gonna save the world ♪
448
00:42:08,109 --> 00:42:12,405
♪ Have you thought at all
about the bomb this week ♪
449
00:42:12,697 --> 00:42:14,365
♪ Did you talk to the mountain ♪
450
00:42:14,657 --> 00:42:18,161
♪ Did you smile at the queen ♪
451
00:42:18,453 --> 00:42:23,124
♪ In Vietnam and all the
blood that's spilled there ♪
452
00:42:23,416 --> 00:42:25,668
♪ Stay in school, babe ♪
453
00:42:25,960 --> 00:42:27,837
♪ You might get killed there ♪
454
00:42:28,129 --> 00:42:29,630
♪ And protest ♪
455
00:42:29,922 --> 00:42:32,508
♪ Whoa it's the thing to do ♪
456
00:42:32,800 --> 00:42:34,135
♪ There must be ♪
457
00:42:34,427 --> 00:42:37,722
♪ Somethin' buggin' you ♪
458
00:42:38,014 --> 00:42:39,557
♪ Protest ♪
459
00:42:39,849 --> 00:42:42,435
♪ Use a big word or two ♪
460
00:42:42,727 --> 00:42:47,523
♪ Contemplation, indignation,
and frustration, too ♪
461
00:42:48,357 --> 00:42:52,612
♪ We're gonna save the world ♪
462
00:42:52,904 --> 00:42:56,949
♪ We're gonna save the world, babe ♪
463
00:43:03,206 --> 00:43:05,416
(twangy rock music)
464
00:43:05,708 --> 00:43:07,794
- [Narrator] But there
were other voices, too.
465
00:43:12,215 --> 00:43:15,384
Counter pickets stage a
protest against the protest.
466
00:43:16,302 --> 00:43:18,930
The Young Americans For
Freedom vigorously support
467
00:43:19,222 --> 00:43:21,641
the government's position in Vietnam.
468
00:43:21,933 --> 00:43:25,520
The signs they carry represent
no artistic endeavors,
469
00:43:25,812 --> 00:43:29,023
and at present market prices
are totally valueless,
470
00:43:29,315 --> 00:43:32,026
but the messages they
contain are most assuredly
471
00:43:32,318 --> 00:43:34,028
definite statements of their beliefs.
472
00:43:52,547 --> 00:43:54,215
(fly buzzing)
473
00:43:54,507 --> 00:43:56,050
♪ Grab that fly ♪
474
00:43:56,342 --> 00:43:58,845
(hand smacking)
475
00:44:05,768 --> 00:44:08,479
- [Narrator] This in turn
inspires a counter protest
476
00:44:08,771 --> 00:44:11,399
against their protest
of the artists' protest.
477
00:44:11,691 --> 00:44:12,771
(fly buzzing)
- Right there.
478
00:44:12,942 --> 00:44:15,862
- [Narrator] If this seems
confusing, try to bear with us,
479
00:44:16,154 --> 00:44:17,905
for after all this is part of the variety
480
00:44:18,197 --> 00:44:19,991
that the artist contributes to our lives.
481
00:44:32,336 --> 00:44:33,337
(fly buzzing)
482
00:44:33,629 --> 00:44:35,298
- [Man] Wait, sir.
483
00:44:35,590 --> 00:44:40,386
(fly buzzing)
(men muttering)
484
00:44:46,726 --> 00:44:47,393
(fly buzzing)
485
00:44:47,685 --> 00:44:49,353
- [Man] Wait, sir.
486
00:44:49,645 --> 00:44:54,442
(fly buzzing)
(men muttering)
487
00:45:08,539 --> 00:45:10,041
Oh, I give up.
488
00:45:10,333 --> 00:45:12,501
- [Narrator] An old Oriental proverb says
489
00:45:12,793 --> 00:45:16,714
the more life changes the
more it remains the same.
490
00:45:17,006 --> 00:45:18,549
The tower is gone.
491
00:45:19,508 --> 00:45:21,886
The arguments have been
hot and impassioned.
492
00:45:22,970 --> 00:45:27,892
On this day in Vietnam 37
Americans lost their lives
493
00:45:28,184 --> 00:45:32,897
while here only a small echo
of protest could be heard.
494
00:45:34,273 --> 00:45:36,442
♪ Protest ♪
495
00:45:36,734 --> 00:45:39,862
♪ Oh it's the thing to do ♪
496
00:45:40,154 --> 00:45:44,951
♪ There must be somethin' buggin' you ♪
497
00:45:46,327 --> 00:45:48,287
♪ Protest ♪
498
00:45:48,579 --> 00:45:51,415
♪ We're gonna start today ♪
499
00:45:51,707 --> 00:45:56,462
♪ So get out the signs,
form the picket lines ♪
500
00:45:56,754 --> 00:46:00,132
♪ And lead the way ♪
501
00:46:00,424 --> 00:46:04,720
♪ We're gonna save the world ♪
502
00:46:05,012 --> 00:46:08,516
♪ We're gonna save the world ♪
503
00:46:10,434 --> 00:46:12,645
(soft rock music)
504
00:46:12,937 --> 00:46:14,814
- [Narrator] Art in Los
Angeles is by no means
505
00:46:15,106 --> 00:46:16,941
restricted to the professional.
506
00:46:17,233 --> 00:46:19,735
This art class is at this moment
507
00:46:20,027 --> 00:46:22,280
attended solely by housewives,
508
00:46:22,571 --> 00:46:25,074
most of whom are aged over 40.
509
00:46:26,534 --> 00:46:29,287
It is not however a prerequisite
that you be a housewife
510
00:46:29,578 --> 00:46:32,873
to enjoy the advantages
of this particular class,
511
00:46:33,165 --> 00:46:35,668
or for that matter that
you be over the age of 40.
512
00:46:35,960 --> 00:46:38,671
It is only necessary
that you apply yourself
513
00:46:38,963 --> 00:46:42,967
to the full development of
individual artistic expression.
514
00:48:05,841 --> 00:48:08,761
(sultry jazz music)
515
00:48:16,310 --> 00:48:20,439
This is Vito, a sculptor,
painter, poet, dancer,
516
00:48:20,731 --> 00:48:23,859
and photographer, truly a Renaissance man.
517
00:48:25,277 --> 00:48:28,531
His approach to the arts
IS joyously creative
518
00:48:28,823 --> 00:48:31,826
and spontaneous.
(camera clicks)
519
00:48:50,302 --> 00:48:52,930
(camera clicks)
520
00:49:10,281 --> 00:49:12,908
(camera clicks)
521
00:49:24,336 --> 00:49:26,547
- [Vito] My name is
Vito and I'm a sculptor
522
00:49:27,715 --> 00:49:30,593
and the figure that you see
here is a glass construction
523
00:49:30,885 --> 00:49:32,887
entitled Bending Dancer.
524
00:49:33,179 --> 00:49:35,973
I cut out photographs
of girls and paste them
525
00:49:36,265 --> 00:49:38,767
on pieces of glass, then
I glue the pieces together
526
00:49:39,059 --> 00:49:42,354
onto the figure, which
Is two-thirds life size.
527
00:49:43,355 --> 00:49:45,900
(upbeat music)
528
00:49:57,369 --> 00:50:00,706
I also do more conventional
kinds of sculpture.
529
00:50:00,998 --> 00:50:03,375
This is my protest against prejudice
530
00:50:03,667 --> 00:50:05,669
and intolerance in the world.
531
00:50:05,961 --> 00:50:09,256
I believe that we should love
one another rather than hate.
532
00:50:09,548 --> 00:50:11,967
I believe in peace rather than war.
533
00:50:12,259 --> 00:50:13,969
I try to put that into my work.
534
00:50:24,897 --> 00:50:28,442
Now, I'd consider myself
as a deviant from the norm.
535
00:50:29,401 --> 00:50:31,654
The word deviant is
considered an unhealthy word
536
00:50:31,946 --> 00:50:35,991
in our culture, but without
the so called deviant, man
537
00:50:36,283 --> 00:50:38,702
long would have perished,
because the deviant
538
00:50:38,994 --> 00:50:41,330
is the one who brings
an element of beauty,
539
00:50:41,622 --> 00:50:43,249
an element of aesthetics into the world,
540
00:50:43,541 --> 00:50:46,794
and without beauty it's
pointless for man to exist.
541
00:50:47,086 --> 00:50:48,837
I'm interested in adding some
542
00:50:49,129 --> 00:50:49,672
(camera clicks)
543
00:50:49,964 --> 00:50:52,550
Element of design to my
general attitude in life.
544
00:50:52,841 --> 00:50:54,385
Otherwise it's a bore and mundane
545
00:50:54,677 --> 00:50:56,720
and I'm not particularly interested in it.
546
00:50:57,012 --> 00:50:59,265
Many people think that
I'm some kind of a nut,
547
00:50:59,557 --> 00:51:02,476
but I don't care just as long
as they buy my sculpture.
548
00:51:05,813 --> 00:51:07,565
(soft orchestral music)
549
00:51:07,856 --> 00:51:09,793
- [Narrator] The sprawling
megalopolis of Los Angeles
550
00:51:09,817 --> 00:51:12,861
offers a variety of hedonistic experience.
551
00:51:13,153 --> 00:51:16,282
This is Balboa, a
playground for millionaires
552
00:51:16,574 --> 00:51:20,369
and just everyday folks like you and me.
553
00:51:21,870 --> 00:51:25,833
Once a year a strange
mating right takes place
554
00:51:26,125 --> 00:51:28,252
on these seemingly innocent shores.
555
00:51:29,211 --> 00:51:31,380
For just as the seals return annually
556
00:51:31,672 --> 00:51:34,258
to the Bering Straits
and the swallows return
557
00:51:34,550 --> 00:51:38,971
to Capistrano, so do tens of
thousands of young teenagers
558
00:51:39,263 --> 00:51:42,182
converge on Balboa at Easter time
559
00:51:42,474 --> 00:51:44,351
to indulge their youthful energies
560
00:51:44,643 --> 00:51:48,939
in drinking, dancing, flirting, and well,
561
00:51:50,232 --> 00:51:52,151
just about everything else.
562
00:51:53,068 --> 00:51:55,988
Here beyond the watchful eyes of parents
563
00:51:56,280 --> 00:51:59,241
and school authorities they
learn the facts of life
564
00:51:59,533 --> 00:52:03,579
in their first awkward
gropings towards maturity.
565
00:52:03,871 --> 00:52:06,540
The small police force is
reinforced to many times
566
00:52:06,832 --> 00:52:07,875
its normal compliment.
567
00:52:08,167 --> 00:52:10,461
State Highway troopers and
officers from communities
568
00:52:10,753 --> 00:52:13,756
all over California
help to at least control,
569
00:52:14,048 --> 00:52:16,967
if not subdue, the youthful
vigor of the teenagers.
570
00:52:20,471 --> 00:52:23,098
(upbeat music)
571
00:52:23,390 --> 00:52:26,769
Every vehicle is pressed into
the service of the police,
572
00:52:27,061 --> 00:52:30,147
including even the dog catcher's truck.
573
00:52:30,439 --> 00:52:32,650
Road blocks are set up at major approaches
574
00:52:32,941 --> 00:52:34,902
and suspicious looking
vehicles are searched
575
00:52:35,194 --> 00:52:37,112
for alcohol or drugs.
576
00:52:37,404 --> 00:52:39,823
Hundreds are arrested, the charges ranging
577
00:52:40,115 --> 00:52:42,242
from drunkenness to indecent exposure.
578
00:52:51,877 --> 00:52:56,465
In order to better understand
this modern mating ritual
579
00:52:56,757 --> 00:52:59,468
we interviewed some of the participants.
580
00:52:59,760 --> 00:53:00,260
- Where'd you come from?
581
00:53:00,552 --> 00:53:01,613
- [Teenager] Las Vegas, Nevada.
582
00:53:01,637 --> 00:53:03,117
- Did you drive down in your own car?
583
00:53:03,263 --> 00:53:03,972
- [Teenager] Yes, I did.
584
00:53:04,264 --> 00:53:04,932
- [Interviewer] Where are
you living while you're here?
585
00:53:05,224 --> 00:53:07,643
- [Teenager] We have a room, motel room.
586
00:53:07,935 --> 00:53:09,311
- How many of you share the room?
587
00:53:09,603 --> 00:53:10,603
- [Teenager] 14.
588
00:53:10,688 --> 00:53:11,688
(boy laughs)
- 14!
589
00:53:11,772 --> 00:53:13,500
- Have you had any parties
since you've been here?
590
00:53:13,524 --> 00:53:14,524
- [Teenager] Every night.
591
00:53:14,775 --> 00:53:15,960
- [Interviewer] When are you going home?
592
00:53:15,984 --> 00:53:17,253
- [Teenager] When the money runs out.
593
00:53:17,277 --> 00:53:19,477
- [Interviewer] How much do
you pay for this hotel room?
594
00:53:19,697 --> 00:53:22,282
- [Teenager] About 70 cents
apiece, 85 cents apiece.
595
00:53:22,574 --> 00:53:23,117
- [Interviewer] How old are you?
596
00:53:23,409 --> 00:53:24,649
- [Teenager] How old am I?♪ 18.
597
00:53:24,827 --> 00:53:26,429
- [Interviewer] Has anybody
been down here the whole week?
598
00:53:26,453 --> 00:53:27,121
- Oh, I have.
(crowd chattering)
599
00:53:27,413 --> 00:53:28,813
I'm down here every day every year.
600
00:53:29,081 --> 00:53:29,623
- [Giirl] I have.
601
00:53:29,915 --> 00:53:30,457
- [Interviewer] Say the
cops haven't gotten you yet?
602
00:53:30,749 --> 00:53:31,893
- [Girl] Not yet, no not yet.
603
00:53:31,917 --> 00:53:32,459
- [Interviewer] Do you expect the cops?
604
00:53:32,751 --> 00:53:33,419
- [Girl] Yes, I do. (chuckles)
605
00:53:33,711 --> 00:53:34,294
- She's been picked at before.
- Why?
606
00:53:34,586 --> 00:53:36,147
- [Girl] Because I always
expect them to get me.
607
00:53:36,171 --> 00:53:36,714
- {Girl I got a ticket the other day.
608
00:53:37,005 --> 00:53:37,548
- [Interviewer] What for?
609
00:53:37,840 --> 00:53:38,465
- [Girl] For riding in the back of a Jeep,
610
00:53:38,757 --> 00:53:39,299
hanging out the end.
- Yeah, we had
611
00:53:39,591 --> 00:53:40,884
to pay for this guy's ticket.
612
00:53:41,176 --> 00:53:41,719
- [Interviewer] Do the police
613
00:53:42,010 --> 00:53:43,154
give you much trouble, generally?
614
00:53:43,178 --> 00:53:44,263
- [Girl] Yes, I hate 'em.
615
00:53:44,555 --> 00:53:46,324
- [Interviewer] What do
they give you trouble about?
616
00:53:46,348 --> 00:53:47,575
- [Girl] They yell at you
for walkin' down the street
617
00:53:47,599 --> 00:53:48,142
the wrong way. (chuckles)
618
00:53:48,434 --> 00:53:49,560
- [Girl] I know, I hate 'em.
619
00:53:49,852 --> 00:53:50,394
They're no good.
- Like, you're down'
620
00:53:50,686 --> 00:53:51,966
anything and you get in trouble.
621
00:53:52,146 --> 00:53:53,164
- [Teenager] Here are my knobbies.
622
00:53:53,188 --> 00:53:53,856
- [Interviewer] Where, let me see.
623
00:53:54,148 --> 00:53:55,458
- [Teenager] All right,
wanna see my knobbies?
624
00:53:55,482 --> 00:53:56,522
Calcium deposits, you see.
625
00:53:56,734 --> 00:53:58,134
I'm not going in the Army for them.
626
00:53:58,235 --> 00:53:58,777
- [Interviewer] Why, because
you can't wear boots, right?
627
00:53:59,069 --> 00:54:01,739
- [Teenager] Better than bein'
a conscientious objector.
628
00:54:02,030 --> 00:54:02,740
- [Interviewer] Now, what
are you doing for a living?
629
00:54:03,031 --> 00:54:04,351
- [Teenager] I don't do anything.
630
00:54:04,533 --> 00:54:05,677
- [Interviewer] Well how do you exist?
631
00:54:05,701 --> 00:54:07,095
- [Teenager] Oh, we go
down to the beach there
632
00:54:07,119 --> 00:54:11,165
and clam dig Saturdays and just
take it over to the market,
633
00:54:11,457 --> 00:54:12,541
they give ya steaks for it.
634
00:54:12,833 --> 00:54:14,710
- [Interviewer] And what
about a place to live?
635
00:54:15,002 --> 00:54:15,502
How do you exist?
636
00:54:15,794 --> 00:54:18,088
- [Teenager] Well,
there's a number of guys
637
00:54:18,380 --> 00:54:20,591
go together on one place and
it doesn't cost that much.
638
00:54:20,883 --> 00:54:21,425
- [Girl] Can you?
639
00:54:21,717 --> 00:54:22,902
- [Interviewer] What does it cost you?
640
00:54:22,926 --> 00:54:24,428
- [Teenager] About $4 a week.
641
00:54:24,720 --> 00:54:26,322
- [Interviewer] Do ya
stay down here any nights?
642
00:54:26,346 --> 00:54:26,930
- [Girl] Yeah.
643
00:54:27,222 --> 00:54:28,324
- [Interviewer] Where do
ya stay when ya stay here?
644
00:54:28,348 --> 00:54:28,932
- [Girl] The beach.
645
00:54:29,224 --> 00:54:29,767
- [Interviewer] You sleep on the beach?
646
00:54:30,058 --> 00:54:30,559
- [Girl] Yeah.
647
00:54:30,851 --> 00:54:31,393
(boy muttering)
- That sounds great.
648
00:54:31,685 --> 00:54:32,227
- [Girl] Yeah, it's fun.
649
00:54:32,519 --> 00:54:33,061
- [Interviewer] Do the
police give you any trouble?
650
00:54:33,353 --> 00:54:35,373
- [Girl] No, they don't bother
me 'cause I don't let 'em.
651
00:54:35,397 --> 00:54:35,939
- [Interviewer] Well
how do you not let them?
652
00:54:36,231 --> 00:54:37,542
- [Girl] Because if they talk to me
653
00:54:37,566 --> 00:54:39,860
I just plug my ears and
say, "Don't talk to me."
654
00:54:40,152 --> 00:54:41,921
- [Interviewer] And then
they just leave you alone
655
00:54:41,945 --> 00:54:42,529
from that point, is that right?
656
00:54:42,821 --> 00:54:44,299
- [Girl] Yeah, because
they think I'm nice.
657
00:54:44,323 --> 00:54:46,301
- [Boy] Last night, the cops
are always buggin' guys.
658
00:54:46,325 --> 00:54:46,867
- [Interviewer] Why is that?
659
00:54:47,159 --> 00:54:47,701
- [Boy] I don't know why, man.
660
00:54:47,993 --> 00:54:48,535
They don't respect the guys.
661
00:54:48,827 --> 00:54:50,430
All the kids respect
the cops, but the cops
662
00:54:50,454 --> 00:54:51,514
don't respect the kids down there.
663
00:54:51,538 --> 00:54:52,932
There's two cops here and two cops there
664
00:54:52,956 --> 00:54:53,499
and all over, man.
665
00:54:53,791 --> 00:54:55,435
- [Interviewer] What do
you wanna do for a living?
666
00:54:55,459 --> 00:54:56,585
- [Boy] I don't know.
667
00:54:56,877 --> 00:54:58,117
- [Interviewer] How old are ya?
668
00:54:58,253 --> 00:54:59,253
- [Boy] 18.
669
00:54:59,421 --> 00:55:00,732
- [Interviewer] What do
you do for excitement?
670
00:55:00,756 --> 00:55:02,633
- [Boy] (chuckles) Surf,
usually sit down here
671
00:55:02,925 --> 00:55:03,967
and play my guitar.
672
00:55:04,259 --> 00:55:04,843
- [Interviewer] Where do you go to school?
673
00:55:05,135 --> 00:55:05,803
- [Girl] Phoenix, Arizona.
674
00:55:06,094 --> 00:55:06,678
- [Interviewer] Did you come out here
675
00:55:06,970 --> 00:55:07,513
just for the Easter week?
676
00:55:07,805 --> 00:55:08,347
- [Girl] Yes.
677
00:55:08,639 --> 00:55:09,639
Can be kind of a drag.
678
00:55:09,681 --> 00:55:11,558
I'm glad I'm goin" home. (laughs)
679
00:55:11,850 --> 00:55:13,435
- [Interviewer] Phoenix is better.
680
00:55:13,727 --> 00:55:14,807
- [Girl] Well, no. (laughs)
681
00:55:15,020 --> 00:55:17,248
Think I'm goin' to New York
next time I go on a vacation.
682
00:55:17,272 --> 00:55:20,567
- [Narrator] Watch out,
New York, you may be next.
683
00:55:21,527 --> 00:55:25,113
(dramatic orchestral music)
684
00:55:28,867 --> 00:55:33,372
Man's endless search for
fulfillment takes many forms,
685
00:55:33,664 --> 00:55:36,667
but nowhere is it more
bizarre than in Europe's
686
00:55:36,959 --> 00:55:40,003
most highly industrialized
nation, Germany.
687
00:55:47,386 --> 00:55:50,430
Here in the busy seaport city of Hamburg
688
00:55:50,722 --> 00:55:55,310
citizens gather to watch a
play about the sick world
689
00:55:55,602 --> 00:56:00,232
of the days of Hitler
entitled Heil Deutschland.
690
00:56:00,524 --> 00:56:03,026
(woman humming)
691
00:56:12,786 --> 00:56:15,706
This actress portrays a Jewish girl
692
00:56:15,998 --> 00:56:19,209
who has apparently been hiding
in this attic for months.
693
00:56:20,711 --> 00:56:22,254
♪ Baby ♪
694
00:56:22,546 --> 00:56:23,922
♪ Baby ♪
695
00:56:24,214 --> 00:56:25,549
(door clicks)
(girl gasps)
696
00:56:25,841 --> 00:56:29,553
(suspenseful orchestral music)
697
00:56:47,696 --> 00:56:50,616
(audience applauds)
698
00:56:51,867 --> 00:56:55,454
(dramatic orchestral music)
699
00:57:02,377 --> 00:57:05,213
Written by a former Nazi playwright,
700
00:57:05,505 --> 00:57:08,175
Karl Hofstede, this play has been running
701
00:57:08,467 --> 00:57:11,845
for 14 years to capacity audiences.
702
00:57:12,930 --> 00:57:16,934
Under the guise of exposing
the evils of the Nazi era,
703
00:57:17,225 --> 00:57:20,062
this blatantly anti-Semitic drama
704
00:57:20,354 --> 00:57:23,523
even offers recordings of Hitler's voice
705
00:57:23,815 --> 00:57:27,152
and songs of the dreaded
Nazi SS stormtroopers
706
00:57:27,444 --> 00:57:28,444
during the performance.
707
00:57:29,780 --> 00:57:33,617
(suspenseful orchestral music)
708
00:57:44,294 --> 00:57:46,672
What forbidden emotions lurk in the hearts
709
00:57:46,964 --> 00:57:51,468
of this audience as they
relive the sick days of Hitler?
710
00:57:52,427 --> 00:57:56,181
What dark forces lie brooding within,
711
00:57:56,473 --> 00:57:58,892
waiting for the opportunity to once again
712
00:57:59,184 --> 00:58:00,769
burst forth on the world?
713
00:58:02,062 --> 00:58:05,524
Perhaps this play will give us a hint.
714
00:58:09,861 --> 00:58:13,573
(suspenseful drum roll music)
715
00:58:14,533 --> 00:58:18,370
(suspenseful orchestral music)
716
00:58:48,734 --> 00:58:53,655
(hand slapping)
(girl crying out)
717
01:00:26,081 --> 01:00:29,960
(speaking in foreign language)
718
01:00:36,299 --> 01:00:37,318
(crowd cheers)
(whip thwacks)
719
01:00:37,342 --> 01:00:38,342
(girl cries out)
720
01:00:38,426 --> 01:00:43,223
(speaking in foreign language)
(crowd cheering)
721
01:00:43,557 --> 01:00:48,478
(whip thwacking)
(girl crying out)
722
01:00:51,481 --> 01:00:55,861
(singing In foreign language)
723
01:00:56,153 --> 01:00:59,406
(whip thwacking)
(girl crying out)
724
01:00:59,698 --> 01:01:03,702
(singing In foreign language)
725
01:01:03,994 --> 01:01:06,580
(whip thwacking)
(girl crying out)
726
01:01:06,872 --> 01:01:10,417
(singing In foreign language)
727
01:01:27,058 --> 01:01:31,980
(speaking in foreign language)
(crowd cheering)
728
01:01:33,940 --> 01:01:36,860
(suspenseful music)
729
01:01:41,156 --> 01:01:44,326
But lest we become too involved
in horrors of the past,
730
01:01:44,618 --> 01:01:47,370
let us now appraise the
bizarre of the here and now.
731
01:01:48,455 --> 01:01:51,333
Our quest next takes us to distant Lebanon,
732
01:01:51,625 --> 01:01:53,335
bordering on the blue Mediterranean.
733
01:01:54,878 --> 01:01:57,339
Let us hear from Mr. George Fillmore,
734
01:01:57,631 --> 01:02:00,175
a member of the Arabian expedition team
735
01:02:00,467 --> 01:02:01,927
via transatlantic telephone.
736
01:02:02,886 --> 01:02:05,430
- [George] We picked up this
Arab who was to guide us
737
01:02:05,722 --> 01:02:09,100
to the slave trading
area and drove all night,
738
01:02:09,392 --> 01:02:11,978
about 119 kilometers out of Beirut.
739
01:02:12,270 --> 01:02:15,649
It's wild country, no roads to speak of,
740
01:02:15,941 --> 01:02:17,984
no maps or telephones, nothing,
741
01:02:18,276 --> 01:02:21,029
and we only had this Arab's word to go by.
742
01:02:21,321 --> 01:02:23,121
We were a little strung
up about the situation
743
01:02:23,198 --> 01:02:25,909
because Muslim law is very strict.
744
01:02:26,201 --> 01:02:28,119
They shoot slave traders on the spot,
745
01:02:28,411 --> 01:02:30,914
and of course they consider us infidels.
746
01:02:31,831 --> 01:02:36,544
This Arab, his name was
Fuad, he showed us the place
747
01:02:36,836 --> 01:02:38,380
to set up our cameras.
748
01:02:39,547 --> 01:02:41,591
It's way up in the side of the mountain,
749
01:02:41,883 --> 01:02:46,680
very steep, and he also pointed out to us
750
01:02:47,264 --> 01:02:48,682
the spot that the slave auction
751
01:02:48,974 --> 01:02:50,267
was supposed to take place in.
752
01:02:51,476 --> 01:02:54,646
He showed us where to unload our equipment
753
01:02:54,938 --> 01:02:59,609
and of course we had little
choice but to follow him.
754
01:03:01,236 --> 01:03:03,446
We unloaded the equipment very fast.
755
01:03:03,738 --> 01:03:05,132
The sooner we got it out of the van,
756
01:03:05,156 --> 01:03:06,156
the safer it was for us.
757
01:03:07,659 --> 01:03:10,370
There was an awful lot of
it, not just camera gear,
758
01:03:10,662 --> 01:03:13,707
but sound recording stuff, cables.
759
01:03:13,999 --> 01:03:15,458
Well, we had a lot of hauling to do
760
01:03:15,750 --> 01:03:18,878
and there was a few heavy
things like the big pulley rope
761
01:03:19,170 --> 01:03:20,714
to get it up the mountain.
762
01:03:21,006 --> 01:03:23,717
After that we drove the
empty van out of there
763
01:03:24,009 --> 01:03:25,677
and around the other side of the ridge
764
01:03:25,969 --> 01:03:27,971
where it would be out
of sight but still handy
765
01:03:28,263 --> 01:03:30,598
just in case we had to
scamper over the ridge
766
01:03:30,890 --> 01:03:32,142
to get out of there.
767
01:03:32,434 --> 01:03:35,061
Now that I think of it, it
wouldn't have been much use.
768
01:03:35,353 --> 01:03:38,189
It would've probably
been a rotten carve up.
769
01:03:40,400 --> 01:03:44,988
Fuad helped us lash up the
equipment securely to the sled.
770
01:03:45,280 --> 01:03:46,823
We had brought the bare minimum,
771
01:03:47,115 --> 01:03:49,409
but it still seemed like a ton.
772
01:03:49,701 --> 01:03:52,912
We tied on a few extra ropes just in case,
773
01:03:53,204 --> 01:03:55,457
and in the meantime the
van was being hidden
774
01:03:55,749 --> 01:03:58,168
just over the other side of the ridge.
775
01:03:59,919 --> 01:04:01,963
We needed a volunteer
to go up the mountain
776
01:04:02,255 --> 01:04:04,799
and I was the lucky one who was selected.
777
01:04:05,091 --> 01:04:06,926
It was fairly easy at the beginning
778
01:04:07,218 --> 01:04:10,388
but I soon found out that
we were gonna have a problem
779
01:04:10,680 --> 01:04:13,224
because it was all loose gravel up there.
780
01:04:13,516 --> 01:04:17,479
And you know you take two
steps up and one step back.
781
01:04:18,730 --> 01:04:22,609
It was actually easier
going up on all fours.
782
01:04:22,901 --> 01:04:25,236
It was very frustrating
and I seemed to be making
783
01:04:25,528 --> 01:04:26,780
no progress at all.
784
01:04:27,072 --> 01:04:29,324
However, I knew the clock was ticking
785
01:04:29,616 --> 01:04:30,992
and we just had to get on with it.
786
01:04:31,284 --> 01:04:32,994
I think we were all getting nervous now
787
01:04:33,286 --> 01:04:36,373
because we still hadn't got
the stuff up the hill yet.
788
01:04:37,499 --> 01:04:39,042
I fastened the rope around the tree
789
01:04:39,334 --> 01:04:41,461
and I started back down.
790
01:04:41,753 --> 01:04:42,295
It was very loose and
slippery on that hill
791
01:04:42,587 --> 01:04:44,589
and that's when I lost my balance.
792
01:04:44,881 --> 01:04:48,259
(frenetic jazz drum music)
793
01:04:49,886 --> 01:04:53,681
I thought me number's
up, but as it turned out
794
01:04:53,973 --> 01:04:56,017
I'd just winded meself and I got
795
01:04:56,309 --> 01:04:58,269
a bit of a scrape on the leg.
796
01:04:58,561 --> 01:05:00,563
A few moments later I was back at it,
797
01:05:00,855 --> 01:05:03,525
pulling on the rope to get
that equipment up the hill.
798
01:05:03,817 --> 01:05:05,485
Time was against us.
799
01:05:05,777 --> 01:05:08,571
We set up the camouflage net first.
800
01:05:08,863 --> 01:05:11,116
We had a definite plan to
follow and we more or less
801
01:05:11,408 --> 01:05:13,368
followed that right to the letter.
802
01:05:13,660 --> 01:05:15,180
We had three cameras, one was a spare,
803
01:05:15,453 --> 01:05:17,497
and we used that just
to photograph ourselves
804
01:05:17,789 --> 01:05:19,290
settin' up the equipment.
805
01:05:19,582 --> 01:05:22,710
One camera had a 1,000 millimeter lens
806
01:05:23,002 --> 01:05:24,879
that was so powerful
you could almost pick up
807
01:05:25,171 --> 01:05:28,633
the hairs on a flea's back legs
at about a mile and a half.
808
01:05:28,925 --> 01:05:31,386
We got it set up while Fuad stood watch
809
01:05:31,678 --> 01:05:33,555
and kept his eyes skinned.
810
01:05:33,847 --> 01:05:35,056
We'd also gotten hold
811
01:05:35,348 --> 01:05:38,393
of a Morrison Senior
teledynamic microphone.
812
01:05:38,685 --> 01:05:40,103
We got it from the military.
813
01:05:40,395 --> 01:05:42,147
It's got a tremendous range.
814
01:05:42,439 --> 01:05:43,940
You can focus it into an area
815
01:05:44,232 --> 01:05:46,693
up to two and a half kilometers away.
816
01:05:46,985 --> 01:05:49,279
It'll pick up the sounds
and bring 'em back.
817
01:05:49,571 --> 01:05:51,072
It's really unbelievable.
818
01:05:51,364 --> 01:05:53,700
After quite a lot of
work we got all set up
819
01:05:53,992 --> 01:05:56,202
and ready to go, and then it was my job
820
01:05:56,494 --> 01:05:58,705
to cross the ridge, find
meself a look over there
821
01:05:58,997 --> 01:06:00,457
and act as lookout.
822
01:06:00,748 --> 01:06:03,918
The country is rough, very, very barren
823
01:06:04,210 --> 01:06:06,254
and dry actually, very dry,
824
01:06:06,546 --> 01:06:09,382
and it's just crazy to be out there.
825
01:06:09,674 --> 01:06:13,094
(suspenseful traditional stringed music)
826
01:06:13,386 --> 01:06:15,221
I was in a position to see 'em coming
827
01:06:15,513 --> 01:06:16,953
and as soon as I saw the first truck
828
01:06:17,056 --> 01:06:19,184
at about 1:30 in the afternoon,
829
01:06:19,476 --> 01:06:23,271
I waved and then I ducked
down and I kept outta sight.
830
01:06:26,649 --> 01:06:29,486
(engines rumbling)
831
01:06:54,302 --> 01:06:55,982
- [Narrator] Due to
atmospheric conditions,
832
01:06:56,262 --> 01:06:57,931
we were unable to pick up all the sounds
833
01:06:58,223 --> 01:07:00,433
with the teledynamic microphone.
834
01:07:00,725 --> 01:07:02,894
The great distance from the source
835
01:07:03,186 --> 01:07:05,855
caused the sound to be somewhat delayed.
836
01:07:25,667 --> 01:07:29,504
(speaking in foreign language)
837
01:08:44,662 --> 01:08:48,291
(dramatic traditional music)
838
01:09:03,264 --> 01:09:07,101
(speaking in foreign language)
839
01:10:33,646 --> 01:10:35,732
This limousine suggests that this will be
840
01:10:36,023 --> 01:10:38,901
no ordinary slave auction,
for this is royalty.
841
01:10:40,778 --> 01:10:43,030
However, discretion
compels that we obscure
842
01:10:43,322 --> 01:10:47,535
the license plate lest we
offend a friendly country
843
01:10:47,827 --> 01:10:50,037
and precipitate an international incident.
844
01:10:51,581 --> 01:10:53,708
Slave trading in this area is one of those
845
01:10:54,000 --> 01:10:57,044
great open secrets that
no one talks about.
846
01:10:58,212 --> 01:10:59,452
It has been estimated that more
847
01:10:59,589 --> 01:11:02,884
than three million Lebanese
pounds are spent annually
848
01:11:03,176 --> 01:11:05,219
for the purchase of human flesh.
849
01:11:06,471 --> 01:11:09,223
That is about one
million American dollars.
850
01:11:09,515 --> 01:11:13,603
Unlike the slave trade
in America in the 1800s,
851
01:11:13,895 --> 01:11:18,649
these slaves are not
intended for manual labor.
852
01:11:18,941 --> 01:11:20,651
Rather, they will probably find their way
853
01:11:20,943 --> 01:11:22,820
into the brothels of the Middle East
854
01:11:23,112 --> 01:11:27,450
where they will provide the
physical incarnation of love.
855
01:11:27,742 --> 01:11:30,119
It is true that the human body is,
856
01:11:30,411 --> 01:11:33,831
in Michelangelo's words, the form divine.
857
01:11:34,999 --> 01:11:38,336
However, such is the atmosphere
of prudity and repression
858
01:11:38,628 --> 01:11:41,047
in our country that we can not reveal
859
01:11:41,339 --> 01:11:43,591
this scene as our cameras saw it.
860
01:11:44,801 --> 01:11:48,221
Many hours of painfully slow
labor have been expended
861
01:11:48,513 --> 01:11:51,849
to obscure the offensive parts
862
01:11:52,141 --> 01:11:54,685
from the view of the prurient minded.
863
01:11:54,977 --> 01:11:58,022
(speaking in foreign language)
864
01:11:58,314 --> 01:12:01,400
(soft traditional Middle Eastern music)
865
01:12:01,692 --> 01:12:05,404
(speaking in foreign language)
866
01:12:39,981 --> 01:12:44,485
This poor creature was
sold for 4,000 pounds,
867
01:12:44,777 --> 01:12:47,446
about 1,750 American dollars,
868
01:12:48,406 --> 01:12:50,700
or for less than a good used car.
869
01:12:53,327 --> 01:12:57,123
(speaking in foreign language)
870
01:13:08,050 --> 01:13:11,345
(suspenseful drum music)
871
01:13:41,042 --> 01:13:45,963
(speaking in foreign language)
(soft traditional music)
872
01:16:30,753 --> 01:16:34,256
It is not lust or desire
that inspires the enthusiasm
873
01:16:34,548 --> 01:16:36,133
of these eager buyers.
874
01:16:36,425 --> 01:16:39,428
The motive is greed, for
in these parts of the world
875
01:16:39,720 --> 01:16:42,890
a blonde is one of the
most secure investments.
876
01:16:43,182 --> 01:16:46,393
These traders pool their
resources into a buying syndicate
877
01:16:46,685 --> 01:16:48,813
in order to compete with
the wealthier traders.
878
01:16:50,940 --> 01:16:54,777
(speaking in foreign language)
879
01:17:16,298 --> 01:17:18,050
This pathetic creature will probably
880
01:17:18,342 --> 01:17:20,302
become the centerpiece of some brothel,
881
01:17:20,594 --> 01:17:22,429
the star attraction so to speak.
882
01:17:26,225 --> 01:17:30,062
(speaking in foreign language)
883
01:17:43,701 --> 01:17:46,245
Even the guard was moved to leave his post
884
01:17:46,537 --> 01:17:49,039
in order to capture a
closer glimpse of the blond.
885
01:17:49,331 --> 01:17:51,333
We shall run that again as photographed
886
01:17:51,625 --> 01:17:53,961
with the 1,000 millimeter lens in order
887
01:17:54,253 --> 01:17:56,088
to recapture the drama of the moment.
888
01:17:58,424 --> 01:17:59,967
(speaking in foreign language)
889
01:18:00,259 --> 01:18:01,820
Lest there be those who will be offended,
890
01:18:01,844 --> 01:18:03,679
let it not be forgotten that in this area
891
01:18:03,971 --> 01:18:05,931
many things are regarded as normal
892
01:18:06,223 --> 01:18:08,559
that you and I might
think of as perversions.
893
01:18:09,643 --> 01:18:14,064
This handsome youth may
well end up in a palace,
894
01:18:14,356 --> 01:18:17,693
enjoying all the privileges
and perquisites of royalty,
895
01:18:19,153 --> 01:18:23,199
for as long as he remains
youthful and willing.
896
01:18:24,241 --> 01:18:29,121
(speaking in foreign language)
(soft traditional music)
897
01:19:18,254 --> 01:19:20,756
(upbeat music)
898
01:19:33,477 --> 01:19:36,397
(suspenseful music)
899
01:19:40,192 --> 01:19:44,989
To the worm in the cheese,
the cheese is the universe.
900
01:19:46,115 --> 01:19:49,743
And to you, dear friend,
what of your universe?
901
01:19:50,995 --> 01:19:54,039
Is your own world not just as bizarre
902
01:19:54,331 --> 01:19:55,916
as these we have been visiting?
903
01:19:57,209 --> 01:20:00,337
Do you now know what is behind the beyond?
904
01:20:01,922 --> 01:20:03,841
For that matter,
905
01:20:04,133 --> 01:20:07,553
do you even know what is behind
906
01:20:07,845 --> 01:20:08,845
the behind?
67578
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