Original subtitles

[intense music]

Huh?

[theme song]

♪ Hey, Scooby ♪

♪ Scooby Scooby Doo ♪

♪ Looking for you ♪

♪ Scooby Scooby Doo where are ya ♪

Over here!

♪ All the stars are here waiting for you ♪

♪ Couldn't have a show without ya ♪

♪ Scooby Scooby Doo ♪

♪ Na na na na na na na na ♪

♪ Scooby Scooby Doo ♪

Hey, Scooby!

Where are you?

Over here!

splat

(Shaggy) Today, Scooby Doo meets Sandy Duncan.

(Daphne) '"Mammoth Studios."'

(Fred) '"Super-duper market to be built here soon."'

Imagine... tearing down a great studio like this

to build a super-duper market.

They're shootin' on the back lot on the London street.

Now, you go straight ahead to Notre Dame.

Notre Dame?

- Turn left at the Taj Mahal. - Taj Mahal?

- Cross the Mississippi. - Mississippi?

- Pass Tokyo. - Tokyo?

- Next left you'll be in London. - 'London?'

Thank you.

(Shaggy) 'Wow, he he he, I've always wanted to go around the world.'

Guess if you can't do it for real this is the next best way.

This way isn't gonna be around much longer.

Particularly this one when they finish making this picture.

I'm sure glad they're making Dr. Jekyll and Mr. Hyde again.

Old Scoob here has never seen the first two they made of it.

- Why not? - They're too scary.

- Right, Scoob? - Yeah. S-s-scary.

(Daphne) 'There's Notre Dame.'

(Shaggy) 'And there's the Taj whatchamacallit.'

I think we're making a new record.

Around the world in 90 seconds.

I think you made a wrong turn. I don't see any sign of Tokyo.

- Philadelphia, here we come. - Philadelphia?

I'll bet that's where they're working.

'They're shooting a night scene.'

[growling]

[tires screeching]

- 'Hey, watch out!' - 'What is it?'

(Velma) 'Hold on!'

crash

(Fred) We're stuck.

[howling]

Boy, like this is some kind of luck.

- Luck? - What was that thing anyway?

A ghost. What else?

(stammering) A-a ghost?

Maybe some actor was doing some scene and we scared him.

I say let's get out of here and discuss this on firm ground.

I say let's get out of here. Period.

We need help to get the car back on the bridge.

So let's go someplace nice and normal

and call the automobile club.

And miss meeting Sandy Duncan in person?

And that groovy Duke Jason?

(female #1) 'Help! Help!'

Rwooo...

Kindly do not push or shove. I'm with you, Scoob.

Oh, cool it.

They must be shooting another scene.

Let's go watch.

It can't be.

(Velma) 'It is.'

Sandy Duncan.

Help! Help! Somebody help me.

Wow, what acting.

Who's acting? Not me.

Yeow!

Me neither.

I think I'm in love.

Scooby thinks he's in love.

[laughing]

[indistinct chatter]

Usually it takes something, you know

really gigantic to fright me.

Like a spider.

Yuck!

Exactly.

But I was rehearsing my lines, which by an odd coincidence

were cries for help when this...

Ghost?

I can't really say for certain.

I've never seen a ghost before.

Except at the amusement park in fun houses.

- Then what? - Then, it lunged at me.

That's when I ran into you.

There have been so many strange things going on.

- Well, if you ask me-- - Oh, this is Shirley Dennison.

She's my stand-in

and does the most fantastic stunts.

Sandy, if you don't feel up to doing the scene

I want you to say so.

I'm perfectly fine, Mr. Thayer.

Mr. Thayer's the head of the studio

and this is our director, Mr. Van Henstone

and that's Duke Jason.

'Over there is Slatz, his stand-in stunt man.'

I'd sure like to know who is making the trouble.

Can't we get started? We have enough delays.

I must have more fog.

[shouting] The horses. Where are the horses?

Don't shout, please. Don't shout.

Please hurry, Ms. Duncan.

I know it's not our business, but what's been happening?

Anything and everything to delay finishing the movie.

You know, all kinds of accidents.

Stuff like that.

Hmpf! Accidents.

(Sandy) 'It's just kind of mysterious.'

Electrical power going out.

The fire in the park section.

We're days over schedule.

The lot was supposed to have been torn down

a week ago to make way for the supermarket.

(male #1) Ms. Duncan, we're ready for you.

Oops! Excuse me, Scooby, but I have to go to work.

Hey, look, fellows.

'If Daphne were wearing the same dress'

'you couldn't tell the three of them apart.'

Yeah, like you were triplets.

[laughing] Except Daphne's hair is her own.

Who knows whose hair Shirley and mine is.

Or was.

[all laughing]

Groovy! We get to watch them make a movie.

With Sandy Duncan.

Wowie!

In this scene, I'm running away from Mr. Hyde

and almost get run over by the hansom cab.

That's where Shirley takes over.

Is this the last scene?

No, there's one more where I have a-a struggle

with Mr. Hyde and he pushes me.

Oh, I mean Shirley over the balcony.

Ah, some girls have all the luck.

Sorry, chum.

Well, then you'll finally finish the picture tonight.

I certainly hope so.

Yeah, 'cause it's a very unhappy set.

Everybody's getting suspicious of everybody else.

(Fred) 'What possible reason would anybody have'

'to keep the picture from being finished?'

- I can't imagine. - I can.

Thayer wants publicity. Henstone's saving money.

'Slatz hates Duke'

and with the exception of Ms. Adorable here

we're really a marvy group.

Shirley, I wish you wouldn't talk like that.

Well, he asked me a simple question.

I can't resist a dozen answers.

Here we are.

I love Sandy Duncan.

You love Sandy Duncan? Will you knock it off?

You are jealous.

No, I'm not jealous.

[horse neighs]

More fog. I can still see.

[horse neighs]

You, horse, quiet.

The streets should looks wetter.

Ready for rehearsal.

[horse neighs]

(Henstone) 'Somebody tell that horse'

'when I say quiet, I mean quiet!'

I'm gonna go check that horse.

She's right.

There's something pretty mysterious going on.

Yeah, and I'm wondering

why the mystery was extended to us.

That ghost definitely tried to stop us.

He sure picked a crazy way to try.

A no visitor sign could've done it.

Quiet on the set.

I want a rehearsal.

He has calmed down now, but something was bothering him.

He should have my problems.

Places.

And please, Ms. Duncan, screams that could break eardrums.

'Uh, you can't find help.'

All the houses on the street are dark.

You look at the house for some sign of life.

Then comes the cab.

What's that?

- Look! - Shh.

You wanna have us thrown off the set, Scoob?

Action!

Help! Help!

It's only make-believe.

What's the matter with him?

thud

crash

(Fred) 'What happened? Is she alright?'

Get that crazy mutt out of here.

Mr. Van Henstone

this crazy mutt just saved my life.

But how did it happen? I don't understand.

Somebody rigged this to fall on Sandy.

- Rigged? - Yeah, there.

You better go to your dressing room, Sandy.

No, I'm fine. Really I am.

What do you mean rigged?

See, you can tell somebody was hiding behind here.

Yeah, yeah.

I don't understand it.

All I'm trying to do is make a picture.

I guess we better buy a better brand of gaslights.

This one is definitely a lemon.

Heh, he he.

But how could it fall over by itself?

I'm with him. I think it was rigged.

Please, please. Let's get on with the next part of the scene.

Be my guest, but you can do it without me.

- Shirley, what do you mean? - I'm getting out of here.

'And I advise you to do the same.'

- More trouble. - Not more. Worse.

Where are we going to find another stunt girl

'and stand-in for Sandy?'

Boy, that's a tough one.

Oh, no, not me.

Oh, Daphne, you're perfect.

It's a miracle.

But there's nothing more we can do tonight.

So we'll shoot in the morning.

I'll be glad to give the little lady

the benefit of my experience.

At what? Falling off a horse?

[laughing]

Okay, we'll see you in the morning.

- Goodnight, Sandy. - Goodnight all.

Goodnight, Sandy.

Will you cut it out, Scooby? And let's get out of here fast.

Oh, no, we're not.

I'm with you, Fred...

...if Daphne's gonna be involved.

We should hang around and look for clues.

See if we can discover anything.

Good idea. We'll come back in the morning.

- Right, Scoob? - Right.

[both laughing]

If we're looking for clues, we've got to do it tonight.

[gulps]

We can't leave anyway

till we get the Mystery Machine unstuck.

But it isn't. Look.

[intense music]

My goodness. This is weird.

I'll tell you something weirder.

Not only did somebody get it unstuck

but they've headed it in a very certain direction. Out!

That would seem to indicate that somebody does not want us

to solve any mysteries. They want us to leave.

So if they went to all that trouble maybe we should.

No. It's all the more reason we shouldn't. We stay.

That will give you two more mysteries to solve.

- 'Like what?' - Finding me and Scooby Doo.

No doubt about it. The lamppost was rigged.

We know Scooby saw somebody or something.

And that's when he first started yipping up a storm.

Now, what did you see?

Move back, gang. He's gonna try and show us.

[laughing]

Get this Hamsville time.

Well, that sure was the way he was watching Sandy.

(Velma) 'That's the way he's been since he first laid eyes on her.'

Boy, talk about a star-struck dog.

Talk about a dumb dog. Then what?

Hmm. I'm dumb?

(Shaggy) 'Now, we're getting to the point.'

You saw someone hiding behind the hedge.

Anything else?

But what does he mean by that?

(Fred) 'I've got it.'

Whoever it was, pulled the rope

to make it fall at exactly the time

Sandy was supposed to reach the spot.

Yeah, yeah, yeah, yeah.

How did he get away without anybody seeing him?

- Got any idea, Scoob? - Uh-uh.

(Shaggy) 'Yeow!'

Where did they go? And at a time like this.

Must be some kind of a trapdoor.

I saw this move, but I can't make it budge.

Shag? Scooby Doo?

Where are you?

Boy, what a sneaky bush. Come on, let's get out of here.

- Okay. - Shag!

The door won't give.

We're in some kind of a tunnel.

(Velma) 'See where it leads to.'

Her with her big ideas.

Okay, but it's not like what you call a tunnel of love.

Shag, you keep yelling.

Maybe that way we can follow you and meet you.

- After you, old pal. - Uh-uh, not me.

Okay. How about I go first after you?

- Okay. - 'I gave you your choice.'

[Shaggy laughing]

thud

thud

Hey, that was neat, Scoob.

- You got us out of the tunnel. - I did?

But look what you got us into.

- What? - Like a desert.

What's the matter with you?

Anything's better than that tunnel.

A-a-a-nything?

(Shaggy) Not quite anything. That's some freaky sheik.

- Run! - Run.

[intense music]

[screech]

Scooby, hurry!

Isn't this great?

[chuckling]

Like dig that crazy refreshment stand.

'I could use a cold drink, Scoob.'

(Scooby) 'Me too.'

[honking]

Hey, how about some curb service?

Yeah, yeah. Mmm.

Must be short of help. Let's go inside, Scoob.

Like where's the entrance to this wild place.

- I'm starved. - 'Yeah, me too.'

[grinding]

(Scooby) 'Hey, look.'

An opening. Let's go inside.

Like what a weird place to put the menu.

'Hmm, grape juice.'

'That looks good.'

Yeah, yeah. Uh-huh.

Garcon! Garcon!

Hey, like, waiter.

Wow, you know, a guy could die of thirst waiting to be served.

(Scooby) 'Hey, waiter. Waiter.'

I got it. It's a serve yourself restaurant.

Like dig those crazy vending machines, Scooby.

cltkty

[creaking]

Huh?

Well, no wonder the service is so bad.

Like the waiter just got back from the hospital.

[growling]

Yeow!

Like that's no waiter, that's a mummy.

- Not mine. - She's not mine either.

Come on, Scoob. Let's find somewhere that's not so crowded.

I've heard of restaurants that give you the run around

but this is ridiculous.

[growling]

Quick, Scooby, about face!

Uh, which one?

This is no time for decisions. We got to make up our minds.

Oh, thanks.

[laughing]

Hey, like, Scoob

do you get the idea? We've been tricked.

[teeth chattering]

Oh, wow.

Here we are in a room with no way out.

That is except for over there.

- Huh? Where? - Like over there.

'Where those two eyes are.'

[growling]

Scooby, the time has come for you to prove

that you're really man's best friend.

- Drats! - 'Defend! Defend!'

Okay.

[roaring]

Yeow!

crash

[beeping]

We should've guessed, Scooby.

The lion was just a movie prop.

Huh, yeah.

Quick, Scoob. Through that opening.

[intense music]

[organ music]

How do you like this? We're in Shanghai.

It's creepy.

Was this trip really necessary?

Hey, look. That must be a propman.

Let's ask him if he's seen Shag and Scooby.

Pardon me, sir, but have you seen--

Never mind. Run, Daphne.

[intense music]

[screeching]

Look, up there.

'Cannon balls.'

Let's junk this junk.

Here, catch.

Well, there go any plans he might have had to Shanghai us.

(Fred) 'Yeah, he's all wet.'

Remind me to report that guy for overacting.

Confidentially, I don't think he was acting.

He meant business.

Hey, look, Daphne.

'A real live imitation movie dragon.'

(Daphne) 'Wow! They sure make things look real.'

(Fred) 'Yeah, I sure hate to meet this guy in a dark alley.'

Well, don't look now, but that's exactly where we are.

[both gasp]

Uh, uh, easy, boy.

Uh, uh, nice dragon.

[growling]

I think he's getting a little hot under the collar.

Let's get out of here.

[instrumental music]

(Fred) 'Quick, Daphne. Behind those trees.'

[growling]

We ought to report him to Smokey the Bear.

Yeah, later. Let's go.

[growling]

[screeching]

- Hey, look at that. - 'Firecrackers.'

This ought to teach that old dragon to play with fire.

Yeah, like the old saying goes

'fight fire with firecrackers.'

Come and get it, fella.

pop pop pop

[growling]

splash

Well, that should cool the old dragon off.

(Daphne) 'Right. Nothing like a hissing end to the villain.'

Speaking of villains there's our pirate friend.

So he was behind all this?

Yeah, and he's not through yet. Here he comes.

I think it's our turn to give him a barrel of fun.

splash

Well, that ought to take care of him for a while.

Come on, we got to keep looking for Shag and Scooby.

And Velma.

I wonder where in the world she is?

Figures, I'd end up in Philadelphia.

Fred! Daphne!

Shag! Scooby!

Is there anybody here?

[intense music]

Uh-oh, that's not what I ordered.

[instrumental music]

Fred, Daphne, I found a clue and it's chasing me.

splash

Look.

[sploshing]

Quick, let's use one of those boats.

Okay.

We're coming, Velma.

Grab on, Velma.

snap

Fred! Fred, look.

Cut that out, you kook.

Let's get to the other side, wherever that is.

First, the ghost. Then a disappearing phantom.

I hope Shaggy and Scooby are still safe in their tunnel.

Just a little bit more, gals.

We're getting near some kind of shore.

At least, we're out of Shanghai.

- It's all white. - Looks like Alaska.

(Daphne) 'Yeah, none of us with fur coat.'

[intense music]

Don't tell me that's part of the lot.

Well, we're not going back to Shanghai.

Instead we'll Shanghai him...

...it or whatever it is.

Come on.

- Are we getting anywhere? - Turn left. Left.

Okay, okay, I'll turn left.

crack

toing

Yeow! Help!

Shaggy, Scooby, it's you.

Yeah, yeah.

thud

Oh, boy. Who needs a villain with guys like you around?

I'll say.

We thought you were a wolfman.

Will you settle for King Kong?

(Daphne and Velma) King Kong?

King Kong?

He'd have to be over 80 stories high.

He sure cut the Empire State Building down to size.

I'll bet you we're on a miniature set.

He wasn't that much bigger than either of you, was he?

We didn't exactly take the time to compare notes.

Now is not the time to take notes either. Look!

(Shaggy) 'Uh-oh, and it's not Yogi Bear.'

[growling]

Let's get out of here.

On that sled.

Not you, Scoob.

- Mush! - Mush?

Atta boy, Scooby. Mush! Mush!

[growling]

Relax, Scoob. I think we're in the clear.

I think we've come a full circle.

(Daphne) I'll say, start out with one ghost mystery...

And end up with a whole ghost town.

Oh, no.

[Shaggy laughing]

(Shaggy) 'Scooby mushed and now he's bushed.'

Yeah.

Scooby's not the only one.

- You realize how late it is? - That's right.

And Daphne has to work in place of Shirley tomorrow.

She ought to relax. We all should.

Relax? With the ghost of freaky sheik or King Kong

or grizzly bear or wolfman?

Yeah. I hate to say it.

But I'm getting the feeling that we're definitely outnumbered.

One, two, three, four, five--

Count again.

[instrumental music]

Gang way!

t'chi

Looks like we're gonna have plenty of time to relax.

We're locked in.

Well, what about Shag and Scoob?

I think they got away.

They went through the sheriff's office.

Chief Blood-in-the-Eye didn't have time to lock us all up.

When I said close the door, I meant that one

not the cell door.

Sorry.

Some mystery solvers we are.

Yeah!

But you know something, you're talking a lot plainer.

- How about that? - How about what?

- About that? - How about what that?

Now, you're mumbling again.

(Velma) 'Who's mumbling? Shaggy, is that you?'

Fred, Vel, Daphne?

- Oh, good, we found each other. - Like you can't prove it by me.

- Where are ya? - In the bank.

Oh, great.

You can bail us out, we're in jail.

[yawning]

What time is it?

Seven a.m. Time for us to get out of here. But how?

Shag, you and Scooby awake?

- Shag, you awake? - Couldn't sleep a wink.

Who could sleep?

We'll never get out of here.

Don't be so sure. I've got an idea.

Could be one of these walls is loose.

Yeah, it's just a movie set.

Hey, Shag, try the walls.

See if any of them gives.

We'll try ours.

- 'Any luck?' - Not unless we get a parole.

Try the wall between us.

[cracking]

(Fred) Harder. Push harder.

All together. Go!

crash

Where have you been? We've been looking everywhere for you.

So when we got here this morning and none of you were here

I insisted we search for you.

We had so many weird characters chasing us all night.

I'm still tired.

And any of those characters could have been anybody here.

Even now, with that make up on

Mr. Jason and Slatz look like the wolfman.

Or King Kong.

But why would anybody try to stop the movie?

Maybe if we knew that we'd have a clue to who it is.

We're sorry we couldn't find out anything more.

But we'll keep a close watch on everybody

and everything till you get the picture finished.

[growling]

Ready for the first team.

Okay, gang, stakeout time.

Help, help!

[growling]

(Sandy) 'Oh, please, please don't. I beg you.'

'Please, spare me.'

Cut! Very good.

But I'd like one more take. Action!

Help! Help!

[growling]

Listen, kid, stop buggin' me or I'll drop you.

I thought you were supposed to stay close to Slatz.

Don't worry, I'm keeping a bead on him.

Can't miss him in that outfit.

You sure can't. Keep up the good work.

(Henstone) 'Cut! Excellent.'

'Now, we do the struggle.'

- Good luck, Daphne. - Thank you.

Oh, uh-oh, I better have this fixed.

What's holding things up?

'We're waiting for you and--'

Help!

Oh, no, no! That's all wrong.

You're supposed to throw her over the balcony.

Can't anybody do anything right?

'Now, you're in the wrong place.'

And Daphne's with the wrong Mr. Hyde.

Oh, no!

No. Check the other side. We'll check this one.

[screeching]

[screeching]

(Velma) 'They've disappeared into thin air.'

(Fred) 'And it's not the first time.'

Look.

What is it, Scoob? Bring it here.

A ransom note.

He kidnapped Daphne because he thought she was me.

Look.

'"Stop sale of studio if u'

'ever want to see Sandy Duncan again."'

Oh, this is terrible. What are we gonna do?

- Call the police. - Come on.

We'll pick up the trail while you're waiting for the police.

Make sure no one leaves the lot till the police arrive.

Sandy, you better wait in my office. You'll be safe there.

No, sir, I've gotta go with the kids. I feel responsible.

Besides, it's Daphne who isn't safe.

What'll he do when he finds out she isn't me? Let's go.

Come on.

- Where do we start? - Like, how about here?

Yeah, we know they came up these stairs.

- He had to come down those. - But where did he go?

The way to get out is to go around to the front.

Scoob, you're a super sleuth.

See if you can find anyone around here.

Okay.

[sniffing]

[intense music]

toing

Oh, Scooby, you did it.

- Good boy. - Nice going, Scooby.

He he he.

Hold it. There's something ahead.

- 'What is it?' - We need more light.

It's Mr. Hyde's cape.

Look, Sandy, we found the cape.

But we've lost Sandy and Scooby.

(Shaggy) 'Like how did we do that?'

Maybe they found another trapdoor.

Shag, you go back and check that way.

Velma and I will check here and up ahead.

Scooby, you did it again.

I don't know exactly what you did, but you did it.

What's this?

This is the property room where they keep all the props.

But why a secret entrance to it?

Yeow!

He he. It's only a cigar store Indian.

And that's an old-fashioned barber's pole.

You'll find everything from A to Z in here.

And that isn't all we'll find.

- Look. - U.

That's where the U came from in the ransom note.

'And all the other words came from these.'

That means the note was made here.

We've gotta find Fred, Velma and Shag and tell them.

- But how? - Go back to the tunnel.

(Shaggy) 'Scooby Doo, where are you?'

(Velma) 'Sandy, where are you?'

Hurry.

(Shaggy) 'Sandy! Scooby! Fred! Velma!'

(Velma) 'Scooby! Sandy! Shag!'

(Fred) 'Scooby! Sandy! Shag!'

This way!

- This way. - No way.

- Here we are. - Here's Scooby!

Well, they're somewhere back in the tunnel.

Let's go.

Scoob, will you for crying out loud

stay in one place, so I can find you?

I'm coming.

[footsteps]

crash

(Daphne) 'Fred, Velma, Shag!'

Is everybody alright?

(Daphne) 'Fred! Fred!'

- Who is yelling? - Not me.

It must be Daphne. It-it's coming from that way?

Look. On the top of the castle. Someone's there.

(Daphne) 'Help!'

'Please let go of me you creep.'

Now, here you are and here you will stay

'till they meet my demands.'

And they'll have to because no one will find you.

Like what are we waiting for?

- Let's go! - How?

By the time we climb to the top

he could come back down and hide somewhere else.

Not if we ride.

The Mystery Machine is way over on the other side of the lot.

How about this Mystery Machine?

Don't worry, Ms. Duncan, I won't harm you.

You'll be perfectly safe and comfortable in this tower

I'll bring you...

Ah, your interfering fan club, Ms. Duncan.

I thought I had thoroughly convinced them last night

they were no match for me.

Mere children with a stupid dog.

Oh, no, he has seen us.

- 'He's getting away again.' - How do you get off this thing?

When you reach the platform

you jump off and land on your skies.

What if you haven't got skies?

crash

That's right, Shag

use the next best thing.

Come on, Scooby, you're next.

thud

[instrumental music]

thud

thud

[music continues]

- Hurry, Sandy. - Now he's going that way.

(Shaggy) And we're going, like, that way.

We've gotta get off this thing or we'll lose him completely.

I don't see any brakes.

I have a feeling you will.

Like in bones, broken ones.

And there's no way to steer it off the track.

We simply gotta think of something.

Oh, Scooby.

Nice try, Scooby, but I could've told you

you couldn't do it alone.

Right! Come on, everybody.

[music continues]

[creaking]

(Sandy) Turn right. Make a right.

crash

I'm sending you to driving school.

Where are we?

Exactly where I expected we were gonna end up.

In a graveyard?

It's just another movie set. It's-it's not for real.

But something on it is. Look!

[door slams]

- What's the plan? - What's the plan?

Yeah, like we just don't walk in and say, "Mr. Hyde we presume."

Not exactly, but there's a way to get him to come out here

and confuse the Mr. Hyde out of him.

Now, listen.

[speaking indistinctly]

[panting]

I should've brought you in here in the first place, Ms. Duncan.

'But I didn't think it quite proper.'

[mumbling]

- 'Here she is.' - 'We found her.'

(Velma) 'Oh, Sandy, are you alright?'

I, I-I don't understand.

(Sandy) 'Oh, thank you, gang. That gag was killing me.'

Put that gag back on... Uh, h-h-how?

(Sandy) 'Don't you think we should get back to the set?'

'Let everyone know I'm alright.'

bam

crash

Hello, I'm Sandy Duncan.

But, uh, and... who are you?

More important, sir, who are you?

Zavier Z. Fairchild

One of the biggest stars of Siren Pictures.

You disappeared years ago.

He's been living here all these years, Mr. Thayer

just wanting to stay in the only world he's ever known.

But he has been responsible for everything that's happened.

Only because he didn't want the studio to be torn down.

Nobody was really hurt.

And you could say the publicity was good.

Couldn't we help him?

There must be some work, something he can do.

Like if you ask me, anybody who could run around

turning from a phantom and a ghost into a King Kong.

- An Indian. - A Mr. Hyde.

And a freaky sheik.

That's talent.

Thank you, dear child.

You will have my eternal gratitude, Mr. Thayer.

That's alright.

We, uh, can discuss money later.

[all laughing]

[instrumental music]

- Cut. Very good. - That's a wrap.

And thanks for putting us in your movie.

Yeah, it was the biggest thrill.

Jinkies, you're the greatest, Sandy.

Like I'll go along with that, right, Scoob?

I'd like to go along with her.

(Shaggy) 'Go along with her? Leave me? All of us?'

You could be in my next picture too, Scooby.

I could? Me? A-a star?

Sure. It's really gonna be something.

On location in darkest Africa with all those real live lions.

Lions?

'And tigers and boa constrictors.'

Boa who?

To say nothing of all those alligators, wild elephants

man-eating plants, rhinoceroses.

Rhinoceroseses?

That beats chasing ghosts any day, right, Scoob?

Ghost? I forgot about the ghost.

Why, Scooby, don't tell me you've changed your mind.

Ghosts? Hmm.

I bet Scooby would rather chase ghosts

than rhinoceroses anytime.

Right, rhinoceroseses, yuck!

[all laughing]

[intense music]

Huh?

(Fred, Velma and Daphne) Hey, Scooby!

♪ Scooby Scooby Doo ♪

♪ Looking for you ♪

♪ Scooby Scooby Doo where are you ♪

Over here.

♪ All the stars are here waiting for you ♪

♪ Couldn't have a show without ya ♪

♪ Scooby Scooby Doo ♪

♪ Na na na na na na na na ♪

♪ Scooby Scooby Doo ♪

♪ Hey Scooby ♪

♪ Where are you ♪

♪ Over here ♪