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WEBVTT
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I'm sorry.
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I'm sorry.
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Morning, Commissioner.
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Steve.
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I suppose you know you took me away from a big deal.
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Yes.
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I'll bet you had nice eyes, too.
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Baby Blue.
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It's about Alan Prescott, Steve.
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We think he's in trouble.
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Oh?
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As you know, he's a very good guy.
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He's been assigned to investigate a political refugee racket.
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An illegal entry scheme to smuggle aliens into this country.
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The trail took him to Spain.
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And from there to a little town named Mzimbra in Portugal.
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That's the last we heard from him two days ago.
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Must have gotten pretty warm.
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Yes.
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It also means that he's bucking a pretty rough outfit.
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Steve, Alan is one of our best agents.
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He's also one of your best friends.
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I'm glad you're here.
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I'm glad you're here.
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I'm glad you're here.
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I'm glad you're here.
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He's also one of your best friends.
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That's why I figured you'd want this assignment.
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I do.
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We got any contacts over there?
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One, and for a change, it's a man we know we can trust.
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He's helped us before in the past,
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and he was working with Alan on this illegal entry
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investigation.
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What's his name?
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Perez.
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He runs a small fishing supply shop in Mzimbra.
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That'll be your first stop in Portugal.
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When's my plane leave?
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In one hour.
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Steve, get over to Portugal.
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Find out what's happened to Alan Prescott
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and then smash this political refugee racket.
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Well, that's it.
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You've got your assignment.
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Good luck.
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Yeah, I've got my assignment.
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Just a simple matter of flying to Portugal,
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finding another agent named Alan Prescott who's holed up
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somewhere in a little fishing village called Mzimbra,
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and then smashing an innocent little alien smuggling racket.
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A real sense.
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It's Tuesday when I get to Lisbon.
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I grab a train up the coast to Mzimbra.
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It's a typical fishing village, a line of creaky-looking boats
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lined up at the dock, fishing nets spread out to dry,
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the smell of tar and fish in the air,
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and a cluster of old houses around the church.
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It looks real peaceful and quiet, a little too quiet.
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I nose around and locate Perez's shop.
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It's dusk when I get there.
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Anybody home?
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Perez?
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Ah!
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Perez!
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Perez!
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Well, OK, Polly.
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You call him too.
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Come on.
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Perez!
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Perez!
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Ah!
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You're choking me!
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Huh?
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Ah!
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You're choking me!
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Polly, you've got a persecution complex.
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Do not move, Senor.
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Turn around.
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Slow.
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Perez?
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Who are you?
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Steve Mitchell, United States.
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Gracias.
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I will be all right.
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What happened?
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Ellen Prescott was hiding here.
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Two men come for him.
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He lived by the back window.
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They tried to make me tell them where he had gone.
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When I heard you come in just now, I thought they had come back.
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Yeah, your parrot thought the same thing too, I guess.
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I've been helping Prescott on the smuggling ring.
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We were expecting you.
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You know where he is now?
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No.
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But he cannot be far from here.
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Where's the police station?
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Just down the street a short distance.
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You go to seek their help?
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Looks like I've got to seek somebody's help.
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You better get a doctor to fix up those cuts.
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I'll see you later.
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See you.
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Bye.
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Bye.
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Ellen Prescott.
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Your credentials seem to be in order, Senor Mitchell.
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Well, then let's get some action, Lieutenant.
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I'm afraid I'll have to take you to the station.
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I'll be right back.
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Ellen Prescott's been dead almost an hour.
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We can't let those smugglers get away with that.
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I know he was your friend, Senor Mitchell.
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But in this country, haste can be dangerous.
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Huh?
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There is something in there which may be of interest to you.
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Come, I will show you.
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Who are they?
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They were found floating under one of the walls.
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Their hands and feet tied.
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Some of the paying customers of the alien smuggling racket?
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Quite possible.
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Perhaps the situation suddenly became too uncomfortable
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for the smugglers.
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So they decided to dump their cargo.
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Si.
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Who found them?
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Our police lodge.
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We patrol the entire bay every day at sunset.
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Any identification?
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No, their pockets had been emptied.
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But we were able to identify one of them by his fingerprints.
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Police record, huh?
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Si.
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Luis Naranca from this village.
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And Senor, he has a girlfriend, Maria Delgada.
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Might be a good idea to pay a call on this Maria Delgada.
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I was just going to suggest it, Senor Mitchell.
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She lives but a short distance from here.
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Let's go.
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Senorita Maria Delgada?
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Si.
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Police.
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Police?
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Si.
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We wish to talk with you.
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Senorita, we bring bad news of a friend.
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Luis?
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Si.
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This morning they found his body floating in the bay.
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He was murdered.
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Oh.
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Oh.
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Miss Delgada, when did you last see your boyfriend?
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Two or three days ago.
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Had you noticed him talking to any strangers lately?
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Strangers?
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He talked to no strangers.
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When you last saw him, did he tell you where he was going?
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He told me nothing.
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Senorita, I think you are withholding information.
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No, that is not true.
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I tell you everything I know.
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I must remind you that Luis Naranja had a criminal record.
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That was a long time ago.
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Perhaps he intended to commit a crime when he left here.
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That is a lie.
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Perhaps that is why he did not tell you where he was going.
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Lies, lies.
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He was not going to commit a crime.
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He was going to the United States to live with my uncle and...
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I see.
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And you have nothing more to tell us?
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Very well.
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Senor Mitchell.
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We will question you further if necessary, senorita.
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Lieutenant, she sure clammed up all of a sudden.
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But not before she told us what we wanted to know.
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Yeah.
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It is the sense that some of the arrangements for these illegal entries
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are made back in the States.
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I sure wish we knew the name of that uncle she spilled about.
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It is Emilio Delgada.
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How do you know?
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While you were talking to Maria in there,
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I noticed an envelope on the table.
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In the upper left hand corner there was a name.
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Emilio Delgada.
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Was there an address?
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Senor Mitchell, in the United States,
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is there a place called Bronx?
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That is an address, all right.
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Come on.
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Let's find a telegraph office.
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I want to send a report back to the commissioner.
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Hi, you still here?
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Ah, senor Mitchell.
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Vera, I'm worried about Perez.
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So far he's the only one that can give us any kind of a lead
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on this outfit we're after.
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I checked his shop late last night and he wasn't there.
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I just checked again and he still hasn't shown up.
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But senor Mitchell, he has shown up.
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Oh, good.
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No, it is not good, senor.
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Huh?
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In there.
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Perez?
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Si.
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A fisherman found him floating in the bay.
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Well, so far I'm getting nowhere fast on this deal.
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First I find Alan Prescott's body dangling from a bell rope.
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Then five bodies turn up with hands and feet tied.
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Apparently cash customers in the illegal entry racket.
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Now, Vera tells me that Perez, my only contact,
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has just been fished out of the bay dead.
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Well, at this point a little idea
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starts pecking away at my brain.
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It's pretty wild.
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But when you're down to your last two bucks,
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you might as well plunk it on a long shot.
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I put through a transatlantic call to the commissioner.
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Were you able to locate that Emilio Delgado
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in the Bronx, commissioner?
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Yes.
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Good.
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Did he put the finger on the stateside branch of the racket?
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The contact is a waiter in a small restaurant in New York
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City.
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Delgado gave him $3,000 to smuggle his niece's boyfriend
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into the United States.
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You didn't pick him up yet, did you?
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The waiter?
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No.
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If we do, the outfit in Portugal will slip away from us.
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That's the point.
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Look, did Delgado tell you how to contact this waiter
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and what password to use?
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Yes.
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Good.
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Send one of our agents up from New York.
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Have him contact this waiter and arrange transportation
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for a relative over here to Portugal.
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Relative?
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Who?
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Me.
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What?
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Now, Steve.
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Look, I'm going to use the name Nick Grotto, G-R-A-D-O, Grotto.
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For the record, I'm going to pose as a racketeer who
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was deported over here last year.
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Now, wait a minute, Steve.
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Think of the danger.
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I am thinking, commissioner, of Alan Prescott.
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Now, look, I'm going to Lisbon.
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I'm going to register at the Hotel Lagos as Nick Grotto
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so you can get the ball rolling any time.
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So long, commissioner.
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Steve.
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Wait.
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Steve!
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Grotto's.
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Grotto's.
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Hey.
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So long, partner.
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Adios, Senor Nick Grotto.
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Nick Grotto.
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Hello, Grotto.
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Here.
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Who are you?
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You want to take a little trip, huh?
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What kind of a trip?
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Your brother in America arranged it.
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Oh.
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You got your things packed?
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I don't have to pack nothing.
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Just lace my shoe.
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Don't carry identification.
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What?
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Get your papers later.
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You got your money and valuables?
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Yeah.
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Bueno, the car's outside.
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Where are we going?
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To the cliffs overlooking the sea near Mzeembra.
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Cliffs?
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OK.
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Lead the way.
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Uh-uh.
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You first.
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Well?
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Down there.
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Hey, wait a minute.
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I'm no mountain goat.
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Ah, it's not as bad as it looks.
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You?
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Yeah, I know.
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You first.
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OK.
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You first.
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You first.
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This is falling up, senor.
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Who is there?
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Who's that?
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It's one of the passengers, Pimentel.
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Who is it?
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Spagotto, old man.
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This is Nick Grado, Pimentel.
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Senor.
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Where's the other passenger?
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Here I am.
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You have a match, senor Grado.
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Gracias.
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All of you stay here.
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I'm going back up to hide the car.
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Spagotto, how much longer do we wait?
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Well, senor Steve Mitchell.
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Maria Delgadis, the grief-stricken girlfriend.
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What are you doing here?
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Funny, I was just about to ask you the same thing.
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I want to find out who killed Louie.
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Oh, you sure that's it?
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Why else would I be here?
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I don't know yet.
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Does Spagotto know who you are?
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Of course not.
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And I'm quite sure he doesn't know who you are.
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No, he won't, unless you tell him.
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Then it appears we must make a little bargain between us.
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Yeah.
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Looks like each of us has a loaded gun on the other's back.
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And just remember, I can pull the trigger just as fast as you can.
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I don't doubt it.
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Senor Mitchell.
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Quiet.
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And forget that name.
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Wait.
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Wait.
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All we do is wait.
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And we'll go to say how long we're to stay here?
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Until the boss comes to the boat, he said.
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Sometime tomorrow.
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Did he say who the boss was?
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No.
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You do not look so good.
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Why don't you sit down here and rest?
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Aye.
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I am grateful for your kindness, senorita.
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I am sick and an old man.
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But everything will be all right when we get to America.
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Everything.
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That means a lot to you, huh?
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It is what I'm living for, senor.
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How far back does this cave go?
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Fagota told us not to leave this ledge.
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He said the channel winds back and ends against a wall of rock.
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And the front entrance is the only one, huh?
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That's what he said.
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Oh, dear.
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It's 2 AM.
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Well, it don't look like anything's due to happen tonight.
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Might as well try and get some sleep.
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Get up, get up, all of you, handle it.
18:01.180 --> 18:02.180
On your feet.
18:02.180 --> 18:03.080
On your feet.
18:08.560 --> 18:10.780
Put all your money and valuables on the ground.
18:10.780 --> 18:12.480
What's the deal, Vigoda?
18:12.480 --> 18:14.540
Shut up and do as I say.
18:14.540 --> 18:15.440
All of you.
18:22.160 --> 18:27.720
So, and as for you, Senor Mitchell?
18:27.720 --> 18:30.080
Well, looks like you pulled the trigger first, Maria.
18:30.080 --> 18:31.320
No, I did not tell him.
18:31.320 --> 18:32.120
I swear it.
18:32.120 --> 18:34.520
Sure, sure.
18:34.520 --> 18:36.440
The boss wants to talk to you, Mitchell.
18:36.440 --> 18:37.660
The boss?
18:37.660 --> 18:38.680
When did he get here?
18:38.680 --> 18:42.640
A few minutes ago, by boat, Mitchell.
18:42.640 --> 18:44.280
Perez!
18:44.280 --> 18:45.800
I've surprised you, no?
18:45.800 --> 18:47.640
The police told me you were dead.
18:47.640 --> 18:50.320
The real Perez is dead, Mitchell.
18:50.320 --> 18:51.120
The real Perez?
18:51.120 --> 18:51.640
Wait a minute.
18:51.640 --> 18:54.040
You mean the night that you talked to me in his shop?
18:54.040 --> 18:57.480
I had just killed Perez before you came in.
18:57.480 --> 18:59.400
You took me for Perez.
18:59.400 --> 19:01.640
I played along with you.
19:01.640 --> 19:05.140
After you left, I threw his body into the bay.
19:05.140 --> 19:07.760
Looks like I've been real smart about this.
19:07.760 --> 19:10.960
You were most helpful in accepting me, Perez.
19:10.960 --> 19:12.280
Gracias.
19:12.280 --> 19:14.080
Nice racket you've got.
19:14.080 --> 19:16.360
You line up a lot of passengers and take their dough
19:16.360 --> 19:17.580
and then kill them.
19:17.580 --> 19:19.280
Instead of a ticket to the United States,
19:19.280 --> 19:20.960
they get a ticket to the morgue.
19:20.960 --> 19:22.640
Nicely put, Mitchell.
19:22.640 --> 19:23.760
Nicely put.
19:23.760 --> 19:28.920
You mean we will not be taken to America?
19:28.920 --> 19:31.440
What do you think, old man?
19:31.440 --> 19:32.600
Come, Bogota.
19:32.600 --> 19:34.840
Pick them up.
19:34.840 --> 19:38.720
For now, the three of you will remain here.
19:38.720 --> 19:43.920
And Mitchell, I would not advise an attempt to escape.
19:43.920 --> 19:46.480
There is only one entrance to this cave.
19:46.480 --> 19:48.840
And Bogota and I will be guarding that.
19:48.840 --> 20:02.080
Go on, Bogota.
20:02.080 --> 20:04.800
Bogota, you fool.
20:04.800 --> 20:05.880
The launch will see you.
20:10.200 --> 20:12.200
We are not going to America.
20:12.200 --> 20:13.480
It was just a dream.
20:13.480 --> 20:17.480
Steve, what are you thinking?
20:17.480 --> 20:20.960
Five bodies floating in the bay.
20:20.960 --> 20:23.680
Wait a minute.
20:23.680 --> 20:25.640
Perez says there was no back entrance, didn't he?
20:25.640 --> 20:26.960
He was lying.
20:26.960 --> 20:27.960
How do you know?
20:27.960 --> 20:30.720
Watch the smoke.
20:30.720 --> 20:31.600
It goes that way.
20:31.600 --> 20:33.040
That means there's a draft.
20:33.040 --> 20:34.640
That could mean a back entrance.
20:34.640 --> 20:36.640
A back entrance?
20:36.640 --> 20:44.640
Yeah.
20:44.640 --> 20:47.640
Hey, the police launch.
20:47.640 --> 20:48.640
We've got to do something.
20:48.640 --> 20:49.640
We've got to do it in a hurry.
20:49.640 --> 20:50.640
Or we're dead pigeons.
20:50.640 --> 20:51.640
No, senor.
20:51.640 --> 20:52.640
What do you mean?
20:52.640 --> 20:53.640
Come on.
20:53.640 --> 20:55.640
I, I will be mental.
20:55.640 --> 20:56.640
We'll help you.
20:56.640 --> 20:59.640
And God willing, I can save you and the senorita.
20:59.640 --> 21:00.640
What are you talking about?
21:00.640 --> 21:01.640
Oh, I am sick.
21:01.640 --> 21:02.640
I am old.
21:02.640 --> 21:04.640
What happens to me is about to happen to me.
21:04.640 --> 21:06.640
I am old.
21:06.640 --> 21:08.640
What happens to me is of no importance.
21:08.640 --> 21:11.640
But I can prevent Perez from taking the dreams of others
21:11.640 --> 21:13.640
and ruining them as he has ruined mine.
21:13.640 --> 21:14.640
I, I will bring him.
21:14.640 --> 21:15.640
Wait a minute.
21:15.640 --> 21:17.640
No, let him go.
21:17.640 --> 21:18.640
Help.
21:18.640 --> 21:19.640
Help.
21:19.640 --> 21:20.640
Police.
21:20.640 --> 21:21.640
Over here.
21:21.640 --> 21:22.640
Police.
21:22.640 --> 21:23.640
Police.
21:23.640 --> 21:24.640
Police.
21:24.640 --> 21:25.640
Help.
21:25.640 --> 21:27.640
Pimentel.
21:27.640 --> 21:31.640
Well, that's the way he wanted it.
21:31.640 --> 21:32.640
Hey.
21:32.640 --> 21:33.640
They heard your shots.
21:33.640 --> 21:35.640
They're heading this way.
21:35.640 --> 21:36.640
Lead them away.
21:36.640 --> 21:38.640
I'll take care of Mitchell and the girl.
21:38.640 --> 21:41.640
I'll meet you at the rear entrance later.
21:41.640 --> 22:10.640
Let's go.
22:10.640 --> 22:25.640
He's shooting blind.
22:25.640 --> 22:26.640
Come on.
22:26.640 --> 22:27.640
Steve.
22:27.640 --> 22:39.640
Well, here's where we get our feet when we get to the bottom.
22:39.640 --> 23:05.640
Here's where we get our feet when.
23:05.640 --> 23:06.640
Which one?
23:06.640 --> 23:15.640
I wish I knew.
23:15.640 --> 23:16.640
Oh, great.
23:16.640 --> 23:17.640
He's got a flashlight.
23:17.640 --> 23:18.640
Hope the right one's right.
23:18.640 --> 23:24.640
Come on.
23:24.640 --> 23:25.640
Oh, great.
23:25.640 --> 23:28.640
Steve.
23:28.640 --> 23:30.640
Oh, fine.
23:30.640 --> 23:37.640
Looks like the end of the line.
23:37.640 --> 23:40.640
Maria.
23:40.640 --> 23:53.640
Keep talking as if I were with you.
23:53.640 --> 23:54.640
I, I.
23:54.640 --> 24:00.640
I, I.
24:00.640 --> 24:02.640
Steve, what can we do?
24:02.640 --> 24:03.640
We cannot go any further.
24:03.640 --> 24:05.640
Price is getting closer.
24:05.640 --> 24:18.640
I can hear him.
24:18.640 --> 24:20.640
I'm not bothering Mia. Help him.
24:44.640 --> 24:45.640
It's all right, Maria.
24:45.640 --> 24:47.640
Let's get out of here.
24:53.640 --> 24:55.640
Well, that's about it, Commissioner.
24:55.640 --> 24:59.640
Perez is dead and the police launch picked up Bagota, his hired hand.
24:59.640 --> 25:02.640
Good work, Steve. What are you doing now?
25:02.640 --> 25:04.640
Oh, just relaxing for a change.
25:04.640 --> 25:06.640
Are you alone?
25:06.640 --> 25:08.640
Why, Commissioner.
25:08.640 --> 25:12.640
Yeah, it sounds like you're all alone.
25:12.640 --> 25:15.640
That's just a little chick that took a shine to me.
25:15.640 --> 25:17.640
I can imagine.
25:17.640 --> 25:19.640
You don't understand.
25:19.640 --> 25:21.640
Oh, don't I?
25:21.640 --> 25:23.640
Here, I'll let her speak for herself.
25:23.640 --> 25:25.640
Go ahead, Polly.
25:25.640 --> 25:27.640
Rocket! Rocket!
25:27.640 --> 25:29.640
Steve!
25:29.640 --> 25:57.640
So long, Commissioner.
25:59.640 --> 26:02.640
You
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