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These are the user uploaded subtitles that are being translated: 1 00:00:06,215 --> 00:00:12,722 >> Narrator: WHAT INCREDIBLE POWER TOOL DID THE ANCIENT EGYPTIANS USE TO CREATE THIS 2 00:00:12,722 --> 00:00:14,056 POWER TOOL DID THE ANCIENT EGYPTIANS USE TO CREATE THIS MYSTERIOUS CYLINDER KNOWN AS 3 00:00:14,056 --> 00:00:15,683 EGYPTIANS USE TO CREATE THIS MYSTERIOUS CYLINDER KNOWN AS CORE 7? 4 00:00:15,683 --> 00:00:17,685 MYSTERIOUS CYLINDER KNOWN AS CORE 7? >> HOW THAT HAPPENS IN GRANITE, 5 00:00:17,685 --> 00:00:20,479 CORE 7? >> HOW THAT HAPPENS IN GRANITE, IT ALMOST SEEMS IMPOSSIBLE. 6 00:00:20,479 --> 00:00:21,355 >> HOW THAT HAPPENS IN GRANITE, IT ALMOST SEEMS IMPOSSIBLE. >> Narrator: HOW WERE THEY ABLE 7 00:00:21,355 --> 00:00:23,232 IT ALMOST SEEMS IMPOSSIBLE. >> Narrator: HOW WERE THEY ABLE TO BUILD INSTRUMENTS SO PRECISE 8 00:00:23,232 --> 00:00:24,692 >> Narrator: HOW WERE THEY ABLE TO BUILD INSTRUMENTS SO PRECISE THEY COULD CREATE THE GREATEST 9 00:00:24,692 --> 00:00:26,527 TO BUILD INSTRUMENTS SO PRECISE THEY COULD CREATE THE GREATEST TREASURE OF THE ANCIENT WORLD? 10 00:00:26,527 --> 00:00:27,695 THEY COULD CREATE THE GREATEST TREASURE OF THE ANCIENT WORLD? >> THE WORK IN THIS IS 11 00:00:27,695 --> 00:00:29,196 TREASURE OF THE ANCIENT WORLD? >> THE WORK IN THIS IS AWE-INSPIRING. 12 00:00:29,196 --> 00:00:30,740 >> THE WORK IN THIS IS AWE-INSPIRING. >> Narrator: HOW WERE THEY ABLE 13 00:00:30,740 --> 00:00:32,199 AWE-INSPIRING. >> Narrator: HOW WERE THEY ABLE TO CRAFT THE WORLD'S FIRST 14 00:00:32,199 --> 00:00:33,367 >> Narrator: HOW WERE THEY ABLE TO CRAFT THE WORLD'S FIRST MULTI-TOOL? 15 00:00:33,367 --> 00:00:34,535 TO CRAFT THE WORLD'S FIRST MULTI-TOOL? >> AND IT'S STAGGERING TO THINK 16 00:00:34,535 --> 00:00:36,328 MULTI-TOOL? >> AND IT'S STAGGERING TO THINK THAT IT'S ALMOST 2,000 YEARS 17 00:00:36,328 --> 00:00:37,538 >> AND IT'S STAGGERING TO THINK THAT IT'S ALMOST 2,000 YEARS OLD. 18 00:00:37,538 --> 00:00:38,706 THAT IT'S ALMOST 2,000 YEARS OLD. >> Narrator: AND HOW DID THE 19 00:00:38,706 --> 00:00:40,541 OLD. >> Narrator: AND HOW DID THE ANCIENT CHINESE BUILD A MEGA 20 00:00:40,541 --> 00:00:42,418 >> Narrator: AND HOW DID THE ANCIENT CHINESE BUILD A MEGA MACHINE THAT WOULD START THE 21 00:00:42,418 --> 00:00:44,211 ANCIENT CHINESE BUILD A MEGA MACHINE THAT WOULD START THE WORLD'S FIRST INDUSTRIAL 22 00:00:44,211 --> 00:00:48,591 MACHINE THAT WOULD START THE WORLD'S FIRST INDUSTRIAL REVOLUTION? 23 00:00:48,591 --> 00:00:50,384 WORLD'S FIRST INDUSTRIAL REVOLUTION? MONUMENTS MORE COLOSSAL THAN 24 00:00:50,384 --> 00:00:53,721 REVOLUTION? MONUMENTS MORE COLOSSAL THAN OUR OWN, ANCIENT SUPER WEAPONS 25 00:00:53,721 --> 00:00:55,723 MONUMENTS MORE COLOSSAL THAN OUR OWN, ANCIENT SUPER WEAPONS AS MIGHTY AS TODAY'S, 26 00:00:55,723 --> 00:00:58,100 OUR OWN, ANCIENT SUPER WEAPONS AS MIGHTY AS TODAY'S, TECHNOLOGY SO PRECISE IT DEFIES 27 00:00:58,100 --> 00:00:59,894 AS MIGHTY AS TODAY'S, TECHNOLOGY SO PRECISE IT DEFIES REINVENTION. 28 00:00:59,894 --> 00:01:02,021 TECHNOLOGY SO PRECISE IT DEFIES REINVENTION. THE ANCIENT WORLD WAS NOT 29 00:01:02,021 --> 00:01:03,355 REINVENTION. THE ANCIENT WORLD WAS NOT PRIMITIVE. 30 00:01:03,355 --> 00:01:05,399 THE ANCIENT WORLD WAS NOT PRIMITIVE. THEIR MARVELS ARE SO ADVANCED, 31 00:01:05,399 --> 00:01:07,401 PRIMITIVE. THEIR MARVELS ARE SO ADVANCED, WE STILL USE THEM NOW. 32 00:01:07,401 --> 00:01:09,695 THEIR MARVELS ARE SO ADVANCED, WE STILL USE THEM NOW. TRAVEL TO A WORLD CLOSER THAN 33 00:01:09,695 --> 00:01:11,906 WE STILL USE THEM NOW. TRAVEL TO A WORLD CLOSER THAN WE IMAGINE, AN ANCIENT AGE 34 00:01:11,906 --> 00:01:13,866 TRAVEL TO A WORLD CLOSER THAN WE IMAGINE, AN ANCIENT AGE WHERE NOTHING WAS IMPOSSIBLE. 35 00:01:22,291 --> 00:01:28,255 BEHIND ALL THE INCREDIBLE ANCIENT MONUMENTS IS SOMETHING EVEN MORE AMAZING-- 36 00:01:28,255 --> 00:01:33,803 ANCIENT MONUMENTS IS SOMETHING EVEN MORE AMAZING-- THE TOOLS THAT BUILT THEM. 37 00:01:33,803 --> 00:01:35,805 EVEN MORE AMAZING-- THE TOOLS THAT BUILT THEM. TODAY WE POSSESS EXTRAORDINARY 38 00:01:35,805 --> 00:01:38,557 THE TOOLS THAT BUILT THEM. TODAY WE POSSESS EXTRAORDINARY POWER TOOLS THAT CAN SLICE INTO 39 00:01:38,557 --> 00:01:41,477 TODAY WE POSSESS EXTRAORDINARY POWER TOOLS THAT CAN SLICE INTO THE HARDEST ROCKS, GRIND DOWN 40 00:01:41,477 --> 00:01:44,104 POWER TOOLS THAT CAN SLICE INTO THE HARDEST ROCKS, GRIND DOWN THE TOUGHEST METAL, AND CARVE 41 00:01:44,104 --> 00:01:47,107 THE HARDEST ROCKS, GRIND DOWN THE TOUGHEST METAL, AND CARVE INTO MOUNTAINS. 42 00:01:47,107 --> 00:01:48,609 THE TOUGHEST METAL, AND CARVE INTO MOUNTAINS. BUT WHAT OF THE ANCIENT 43 00:01:48,609 --> 00:01:49,777 INTO MOUNTAINS. BUT WHAT OF THE ANCIENT EGYPTIANS? 44 00:01:49,777 --> 00:01:51,612 BUT WHAT OF THE ANCIENT EGYPTIANS? THE MONUMENTS THEY LEFT BEHIND 45 00:01:51,612 --> 00:01:53,405 EGYPTIANS? THE MONUMENTS THEY LEFT BEHIND ARE AWE-INSPIRING AND HAVE 46 00:01:53,405 --> 00:01:54,782 THE MONUMENTS THEY LEFT BEHIND ARE AWE-INSPIRING AND HAVE SOMEHOW BEEN BUILT FROM 47 00:01:54,782 --> 00:01:57,451 ARE AWE-INSPIRING AND HAVE SOMEHOW BEEN BUILT FROM LIMESTONE, SANDSTONE, AND EVEN 48 00:01:57,451 --> 00:02:00,788 SOMEHOW BEEN BUILT FROM LIMESTONE, SANDSTONE, AND EVEN GRANITE. 49 00:02:00,788 --> 00:02:02,915 LIMESTONE, SANDSTONE, AND EVEN GRANITE. IS IT POSSIBLE THE ANCIENTS HAD 50 00:02:02,915 --> 00:02:04,959 GRANITE. IS IT POSSIBLE THE ANCIENTS HAD TOOLS MORE ADVANCED THAN OUR 51 00:02:04,959 --> 00:02:06,627 IS IT POSSIBLE THE ANCIENTS HAD TOOLS MORE ADVANCED THAN OUR OWN? 52 00:02:06,627 --> 00:02:08,462 TOOLS MORE ADVANCED THAN OUR OWN? COULD THE ANSWER LIE IN THIS 53 00:02:08,462 --> 00:02:10,297 OWN? COULD THE ANSWER LIE IN THIS ANCIENT, MYSTERIOUS EGYPTIAN 54 00:02:10,297 --> 00:02:12,800 COULD THE ANSWER LIE IN THIS ANCIENT, MYSTERIOUS EGYPTIAN ARTIFACT? 55 00:02:12,800 --> 00:02:16,595 ANCIENT, MYSTERIOUS EGYPTIAN ARTIFACT? IT IS KNOWN AS CORE 7. 56 00:02:16,595 --> 00:02:18,639 ARTIFACT? IT IS KNOWN AS CORE 7. MADE OF GRANITE, IT IS BEYOND 57 00:02:18,639 --> 00:02:19,807 IT IS KNOWN AS CORE 7. MADE OF GRANITE, IT IS BEYOND WHAT WE IMAGINE. 58 00:02:19,807 --> 00:02:21,517 MADE OF GRANITE, IT IS BEYOND WHAT WE IMAGINE. ITS VERY EXISTENCE APPEARS 59 00:02:21,517 --> 00:02:25,312 WHAT WE IMAGINE. ITS VERY EXISTENCE APPEARS IMPOSSIBLE TO EXPLAIN. 60 00:02:25,312 --> 00:02:26,814 ITS VERY EXISTENCE APPEARS IMPOSSIBLE TO EXPLAIN. >> THIS MIGHT NOT BE VISUALLY AS 61 00:02:26,814 --> 00:02:27,815 IMPOSSIBLE TO EXPLAIN. >> THIS MIGHT NOT BE VISUALLY AS TITILLATING AS ONE OF THE GOLD 62 00:02:27,815 --> 00:02:29,024 >> THIS MIGHT NOT BE VISUALLY AS TITILLATING AS ONE OF THE GOLD DEATH MASKS OR SOMETHING 63 00:02:29,024 --> 00:02:30,818 TITILLATING AS ONE OF THE GOLD DEATH MASKS OR SOMETHING ENCRUSTED IN JEWELS, BUT FROM 64 00:02:30,818 --> 00:02:31,944 DEATH MASKS OR SOMETHING ENCRUSTED IN JEWELS, BUT FROM THE POINT OF VIEW OF BEING ABLE 65 00:02:31,944 --> 00:02:33,654 ENCRUSTED IN JEWELS, BUT FROM THE POINT OF VIEW OF BEING ABLE TO UNDERSTAND THE TECHNOLOGY OF 66 00:02:33,654 --> 00:02:35,823 THE POINT OF VIEW OF BEING ABLE TO UNDERSTAND THE TECHNOLOGY OF THE ANCIENT EGYPTIAN CULTURE, 67 00:02:35,823 --> 00:02:39,034 TO UNDERSTAND THE TECHNOLOGY OF THE ANCIENT EGYPTIAN CULTURE, THIS IS PURE GOLD. 68 00:02:39,034 --> 00:02:41,287 THE ANCIENT EGYPTIAN CULTURE, THIS IS PURE GOLD. >> Narrator: CORE 7 NOW RESIDES 69 00:02:41,287 --> 00:02:43,664 THIS IS PURE GOLD. >> Narrator: CORE 7 NOW RESIDES 2,000 MILES FROM EGYPT, IN THE 70 00:02:43,664 --> 00:02:45,666 >> Narrator: CORE 7 NOW RESIDES 2,000 MILES FROM EGYPT, IN THE PETRIE MUSEUM IN LONDON. 71 00:02:45,666 --> 00:02:46,834 2,000 MILES FROM EGYPT, IN THE PETRIE MUSEUM IN LONDON. AND IT'S ONE OF THE MOST 72 00:02:46,834 --> 00:02:48,878 PETRIE MUSEUM IN LONDON. AND IT'S ONE OF THE MOST REMARKABLE OBJECTS IN THEIR VAST 73 00:02:48,878 --> 00:02:49,837 AND IT'S ONE OF THE MOST REMARKABLE OBJECTS IN THEIR VAST COLLECTION. 74 00:02:49,837 --> 00:02:51,547 REMARKABLE OBJECTS IN THEIR VAST COLLECTION. >> THIS REVEALS MORE ABOUT 75 00:02:51,547 --> 00:02:53,340 COLLECTION. >> THIS REVEALS MORE ABOUT ANCIENT EGYPTIAN TECHNOLOGY THAN 76 00:02:53,340 --> 00:02:55,843 >> THIS REVEALS MORE ABOUT ANCIENT EGYPTIAN TECHNOLOGY THAN VIRTUALLY ANYTHING WE'VE SEEN. 77 00:02:55,843 --> 00:02:57,720 ANCIENT EGYPTIAN TECHNOLOGY THAN VIRTUALLY ANYTHING WE'VE SEEN. TECHNOLOGICALLY, IT REVEALS 78 00:02:57,720 --> 00:02:59,847 VIRTUALLY ANYTHING WE'VE SEEN. TECHNOLOGICALLY, IT REVEALS THINGS THAT WE WOULD NEVER HAVE 79 00:02:59,847 --> 00:03:00,848 TECHNOLOGICALLY, IT REVEALS THINGS THAT WE WOULD NEVER HAVE KNOWN WITHOUT A SAMPLE LIKE 80 00:03:00,848 --> 00:03:01,849 THINGS THAT WE WOULD NEVER HAVE KNOWN WITHOUT A SAMPLE LIKE THIS. 81 00:03:01,849 --> 00:03:03,517 KNOWN WITHOUT A SAMPLE LIKE THIS. THIS SHOWS THAT THEY POSSESSED 82 00:03:03,517 --> 00:03:06,020 THIS. THIS SHOWS THAT THEY POSSESSED THE ABILITY TO DO ADVANCED 83 00:03:06,020 --> 00:03:07,855 THIS SHOWS THAT THEY POSSESSED THE ABILITY TO DO ADVANCED TECHNICAL MATERIAL CUTTING 84 00:03:07,855 --> 00:03:11,567 THE ABILITY TO DO ADVANCED TECHNICAL MATERIAL CUTTING REALLY ON A LEVEL THAT NOT ONLY 85 00:03:11,567 --> 00:03:12,693 TECHNICAL MATERIAL CUTTING REALLY ON A LEVEL THAT NOT ONLY MATCHES ANYTHING THAT WE COULD 86 00:03:12,693 --> 00:03:13,861 REALLY ON A LEVEL THAT NOT ONLY MATCHES ANYTHING THAT WE COULD DO TODAY BUT SURPASSES IT AND 87 00:03:13,861 --> 00:03:15,237 MATCHES ANYTHING THAT WE COULD DO TODAY BUT SURPASSES IT AND SURPASSES IT IN WAYS THAT WE 88 00:03:15,237 --> 00:03:16,864 DO TODAY BUT SURPASSES IT AND SURPASSES IT IN WAYS THAT WE STILL CAN'T EXPLAIN. 89 00:03:16,864 --> 00:03:17,823 SURPASSES IT IN WAYS THAT WE STILL CAN'T EXPLAIN. >> Narrator: EXPERTS HAVE 90 00:03:17,823 --> 00:03:19,366 STILL CAN'T EXPLAIN. >> Narrator: EXPERTS HAVE SUBJECTED CORE 7 TO THE MOST 91 00:03:19,366 --> 00:03:20,826 >> Narrator: EXPERTS HAVE SUBJECTED CORE 7 TO THE MOST DETAILED SCIENTIFIC 92 00:03:20,826 --> 00:03:22,202 SUBJECTED CORE 7 TO THE MOST DETAILED SCIENTIFIC INVESTIGATION. 93 00:03:22,202 --> 00:03:24,496 DETAILED SCIENTIFIC INVESTIGATION. BUT ALL THIS DOES IS RAISE MORE 94 00:03:24,496 --> 00:03:25,873 INVESTIGATION. BUT ALL THIS DOES IS RAISE MORE QUESTIONS. 95 00:03:25,873 --> 00:03:27,541 BUT ALL THIS DOES IS RAISE MORE QUESTIONS. HOW COULD ANCIENT EGYPTIANS 96 00:03:27,541 --> 00:03:29,877 QUESTIONS. HOW COULD ANCIENT EGYPTIANS HAVE POSSIBLY MADE THIS? 97 00:03:29,877 --> 00:03:31,879 HOW COULD ANCIENT EGYPTIANS HAVE POSSIBLY MADE THIS? >> IT'S A FAIRLY UNPREPOSSESSING 98 00:03:31,879 --> 00:03:33,547 HAVE POSSIBLY MADE THIS? >> IT'S A FAIRLY UNPREPOSSESSING LOOKING OBJECT, BUT IT'S THE 99 00:03:33,547 --> 00:03:36,216 >> IT'S A FAIRLY UNPREPOSSESSING LOOKING OBJECT, BUT IT'S THE "HOW" THAT IS SO INTRIGUING. 100 00:03:36,216 --> 00:03:38,886 LOOKING OBJECT, BUT IT'S THE "HOW" THAT IS SO INTRIGUING. IT'S ACTUALLY AN INCREDIBLE FEAT 101 00:03:38,886 --> 00:03:40,012 "HOW" THAT IS SO INTRIGUING. IT'S ACTUALLY AN INCREDIBLE FEAT AND SOMETHING THAT THE EGYPTIANS 102 00:03:40,012 --> 00:03:42,222 IT'S ACTUALLY AN INCREDIBLE FEAT AND SOMETHING THAT THE EGYPTIANS ONLY ACHIEVED USING TECHNIQUES 103 00:03:42,222 --> 00:03:47,061 AND SOMETHING THAT THE EGYPTIANS ONLY ACHIEVED USING TECHNIQUES THAT ARE UNKNOWN TO US. 104 00:03:47,061 --> 00:03:48,228 ONLY ACHIEVED USING TECHNIQUES THAT ARE UNKNOWN TO US. >> Narrator: ALL WE KNOW FOR 105 00:03:48,228 --> 00:03:50,272 THAT ARE UNKNOWN TO US. >> Narrator: ALL WE KNOW FOR SURE IS WHERE THIS MIRACULOUS 106 00:03:50,272 --> 00:03:52,733 >> Narrator: ALL WE KNOW FOR SURE IS WHERE THIS MIRACULOUS OBJECT WAS DISCOVERED. 107 00:03:52,733 --> 00:03:56,028 SURE IS WHERE THIS MIRACULOUS OBJECT WAS DISCOVERED. CORE 7 WAS UNCOVERED IN 1881 BY 108 00:03:56,028 --> 00:03:59,573 OBJECT WAS DISCOVERED. CORE 7 WAS UNCOVERED IN 1881 BY THE ARCHEOLOGIST FLINDERS PETRIE 109 00:03:59,573 --> 00:04:01,075 CORE 7 WAS UNCOVERED IN 1881 BY THE ARCHEOLOGIST FLINDERS PETRIE IN THE KHAFRE VALLEY TEMPLE, 110 00:04:01,075 --> 00:04:02,576 THE ARCHEOLOGIST FLINDERS PETRIE IN THE KHAFRE VALLEY TEMPLE, NEAR THE FOOT OF THE PYRAMIDS OF 111 00:04:02,576 --> 00:04:06,580 IN THE KHAFRE VALLEY TEMPLE, NEAR THE FOOT OF THE PYRAMIDS OF GIZA. 112 00:04:06,580 --> 00:04:08,916 NEAR THE FOOT OF THE PYRAMIDS OF GIZA. IT SOON BECAME CLEAR THAT THIS 113 00:04:08,916 --> 00:04:11,085 GIZA. IT SOON BECAME CLEAR THAT THIS WAS A UNIQUE FIND. 114 00:04:11,085 --> 00:04:12,878 IT SOON BECAME CLEAR THAT THIS WAS A UNIQUE FIND. BUT WHAT WAS IT? 115 00:04:12,878 --> 00:04:14,755 WAS A UNIQUE FIND. BUT WHAT WAS IT? COULD THE ANSWERS LIE IN A CLOSE 116 00:04:14,755 --> 00:04:16,090 BUT WHAT WAS IT? COULD THE ANSWERS LIE IN A CLOSE STUDY OF THE TEMPLE WHERE IT WAS 117 00:04:16,090 --> 00:04:18,926 COULD THE ANSWERS LIE IN A CLOSE STUDY OF THE TEMPLE WHERE IT WAS FOUND? 118 00:04:18,926 --> 00:04:20,761 STUDY OF THE TEMPLE WHERE IT WAS FOUND? >> NOW AROUND EVERY ARCHWAY, I 119 00:04:20,761 --> 00:04:22,930 FOUND? >> NOW AROUND EVERY ARCHWAY, I FIND THESE SORT OF INDENTATIONS 120 00:04:22,930 --> 00:04:24,139 >> NOW AROUND EVERY ARCHWAY, I FIND THESE SORT OF INDENTATIONS WHERE THIS IS WHERE THE DOOR 121 00:04:24,139 --> 00:04:25,933 FIND THESE SORT OF INDENTATIONS WHERE THIS IS WHERE THE DOOR WOULD HAVE JOINED RIGHT IN HERE. 122 00:04:25,933 --> 00:04:27,393 WHERE THIS IS WHERE THE DOOR WOULD HAVE JOINED RIGHT IN HERE. AND THERE'S A BIT OF A SOCKET 123 00:04:27,393 --> 00:04:28,936 WOULD HAVE JOINED RIGHT IN HERE. AND THERE'S A BIT OF A SOCKET HERE, A ROUND SOCKET THAT COULD 124 00:04:28,936 --> 00:04:30,145 AND THERE'S A BIT OF A SOCKET HERE, A ROUND SOCKET THAT COULD HAVE JUST BEEN MADE BY BASHING A 125 00:04:30,145 --> 00:04:31,939 HERE, A ROUND SOCKET THAT COULD HAVE JUST BEEN MADE BY BASHING A ROCK INTO THE GRANITE. 126 00:04:31,939 --> 00:04:33,941 HAVE JUST BEEN MADE BY BASHING A ROCK INTO THE GRANITE. THESE ARE VERY INTERESTING, BUT 127 00:04:33,941 --> 00:04:35,609 ROCK INTO THE GRANITE. THESE ARE VERY INTERESTING, BUT ON THIS SITE, THERE'S ANOTHER 128 00:04:35,609 --> 00:04:37,236 THESE ARE VERY INTERESTING, BUT ON THIS SITE, THERE'S ANOTHER HOLE, A PLACE WHERE THE DOOR 129 00:04:37,236 --> 00:04:38,112 ON THIS SITE, THERE'S ANOTHER HOLE, A PLACE WHERE THE DOOR WOULD HAVE JOINED IN THAT'S 130 00:04:38,112 --> 00:04:40,447 HOLE, A PLACE WHERE THE DOOR WOULD HAVE JOINED IN THAT'S EVEN MORE INTRIGUING. 131 00:04:40,447 --> 00:04:41,490 WOULD HAVE JOINED IN THAT'S EVEN MORE INTRIGUING. >> Narrator: COULD THIS 132 00:04:41,490 --> 00:04:43,617 EVEN MORE INTRIGUING. >> Narrator: COULD THIS MYSTERIOUS HOLE BE THE PLACE 133 00:04:43,617 --> 00:04:45,786 >> Narrator: COULD THIS MYSTERIOUS HOLE BE THE PLACE WHERE CORE 7 CAME FROM? 134 00:04:45,786 --> 00:04:46,954 MYSTERIOUS HOLE BE THE PLACE WHERE CORE 7 CAME FROM? >> YOU CAN SEE IF YOU LOOK UP IN 135 00:04:46,954 --> 00:04:48,580 WHERE CORE 7 CAME FROM? >> YOU CAN SEE IF YOU LOOK UP IN THERE. 136 00:04:48,580 --> 00:04:50,749 >> YOU CAN SEE IF YOU LOOK UP IN THERE. A TOOL CLEARLY DRILLED OUT THAT 137 00:04:50,749 --> 00:04:51,625 THERE. A TOOL CLEARLY DRILLED OUT THAT HOLE. 138 00:04:51,625 --> 00:04:53,293 A TOOL CLEARLY DRILLED OUT THAT HOLE. IN A LOT OF OTHER DOOR BOLTS, 139 00:04:53,293 --> 00:04:54,962 HOLE. IN A LOT OF OTHER DOOR BOLTS, WHAT WE SEE IS MORE OF A KIND OF 140 00:04:54,962 --> 00:04:56,463 IN A LOT OF OTHER DOOR BOLTS, WHAT WE SEE IS MORE OF A KIND OF A BALL JOINT, SOMETHING THAT 141 00:04:56,463 --> 00:04:57,965 WHAT WE SEE IS MORE OF A KIND OF A BALL JOINT, SOMETHING THAT COULD HAVE BEEN JUST POUNDED OUT 142 00:04:57,965 --> 00:04:58,298 A BALL JOINT, SOMETHING THAT COULD HAVE BEEN JUST POUNDED OUT WITH A ROCK. 143 00:04:58,298 --> 00:04:59,633 COULD HAVE BEEN JUST POUNDED OUT WITH A ROCK. BUT THIS REALLY SEEMS TO BE 144 00:04:59,633 --> 00:05:01,593 WITH A ROCK. BUT THIS REALLY SEEMS TO BE DRILLED. 145 00:05:01,593 --> 00:05:03,345 BUT THIS REALLY SEEMS TO BE DRILLED. IT'S CLEARLY BEEN CUT IN BY 146 00:05:03,345 --> 00:05:04,972 DRILLED. IT'S CLEARLY BEEN CUT IN BY SOMETHING QUITE CYLINDRICAL BUT 147 00:05:04,972 --> 00:05:07,474 IT'S CLEARLY BEEN CUT IN BY SOMETHING QUITE CYLINDRICAL BUT HOW THAT HAPPENS IN GRANITE, I 148 00:05:07,474 --> 00:05:08,976 SOMETHING QUITE CYLINDRICAL BUT HOW THAT HAPPENS IN GRANITE, I MEAN, IS A MYSTERY TO ME BECAUSE 149 00:05:08,976 --> 00:05:10,811 HOW THAT HAPPENS IN GRANITE, I MEAN, IS A MYSTERY TO ME BECAUSE THIS IS SUCH A HARD STONE, AND 150 00:05:10,811 --> 00:05:11,979 MEAN, IS A MYSTERY TO ME BECAUSE THIS IS SUCH A HARD STONE, AND THE EGYPTIANS REALLY DIDN'T HAVE 151 00:05:11,979 --> 00:05:14,023 THIS IS SUCH A HARD STONE, AND THE EGYPTIANS REALLY DIDN'T HAVE ANYTHING WHICH COULD CUT GRANITE 152 00:05:14,023 --> 00:05:14,940 THE EGYPTIANS REALLY DIDN'T HAVE ANYTHING WHICH COULD CUT GRANITE LIKE THAT. 153 00:05:14,940 --> 00:05:16,275 ANYTHING WHICH COULD CUT GRANITE LIKE THAT. I MEAN, IT ALMOST SEEMS 154 00:05:16,275 --> 00:05:18,652 LIKE THAT. I MEAN, IT ALMOST SEEMS IMPOSSIBLE, HOW THEY CUT THIS 155 00:05:18,652 --> 00:05:22,865 I MEAN, IT ALMOST SEEMS IMPOSSIBLE, HOW THEY CUT THIS HOLE. 156 00:05:22,865 --> 00:05:24,992 IMPOSSIBLE, HOW THEY CUT THIS HOLE. >> CORE 7 WAS CUT FROM A RED 157 00:05:24,992 --> 00:05:26,994 HOLE. >> CORE 7 WAS CUT FROM A RED GRANITE LINTEL BY THE ANCIENT 158 00:05:26,994 --> 00:05:28,620 >> CORE 7 WAS CUT FROM A RED GRANITE LINTEL BY THE ANCIENT EGYPTIANS IN KHAFRE'S VALLEY 159 00:05:28,620 --> 00:05:30,080 GRANITE LINTEL BY THE ANCIENT EGYPTIANS IN KHAFRE'S VALLEY TEMPLE TO MAKE A DOOR PIVOT. 160 00:05:34,877 --> 00:05:39,006 THIS IS CORE 7. FOR THE WORKMEN WHO CUT IT, IT WAS JUST RUBBISH TO BE THROWN 161 00:05:39,006 --> 00:05:40,007 FOR THE WORKMEN WHO CUT IT, IT WAS JUST RUBBISH TO BE THROWN AWAY. 162 00:05:40,007 --> 00:05:41,717 WAS JUST RUBBISH TO BE THROWN AWAY. BUT THIS RUBBISH IS EVIDENCE OF 163 00:05:41,717 --> 00:05:43,343 AWAY. BUT THIS RUBBISH IS EVIDENCE OF ANCIENT TECHNOLOGY PEOPLE STILL 164 00:05:43,343 --> 00:05:45,679 BUT THIS RUBBISH IS EVIDENCE OF ANCIENT TECHNOLOGY PEOPLE STILL THINK IS IMPOSSIBLE. 165 00:05:45,679 --> 00:05:46,972 ANCIENT TECHNOLOGY PEOPLE STILL THINK IS IMPOSSIBLE. >> Narrator: TO FURTHER 166 00:05:46,972 --> 00:05:48,724 THINK IS IMPOSSIBLE. >> Narrator: TO FURTHER INVESTIGATE THE AMAZING MYSTERY 167 00:05:48,724 --> 00:05:51,477 >> Narrator: TO FURTHER INVESTIGATE THE AMAZING MYSTERY THAT IS CORE 7, WE HAVE TO LOOK 168 00:05:51,477 --> 00:05:52,895 INVESTIGATE THE AMAZING MYSTERY THAT IS CORE 7, WE HAVE TO LOOK AT THE TOOLS WE KNOW THE 169 00:05:52,895 --> 00:05:56,023 THAT IS CORE 7, WE HAVE TO LOOK AT THE TOOLS WE KNOW THE EGYPTIANS POSSESSED. 170 00:05:56,023 --> 00:05:57,649 AT THE TOOLS WE KNOW THE EGYPTIANS POSSESSED. THIS WELL-PRESERVED WALL 171 00:05:57,649 --> 00:05:59,234 EGYPTIANS POSSESSED. THIS WELL-PRESERVED WALL PAINTING MAY PROVIDE A VITAL 172 00:05:59,234 --> 00:06:00,652 THIS WELL-PRESERVED WALL PAINTING MAY PROVIDE A VITAL CLUE TO THE TOOLS OF THE 173 00:06:00,652 --> 00:06:01,862 PAINTING MAY PROVIDE A VITAL CLUE TO THE TOOLS OF THE EGYPTIANS. 174 00:06:01,862 --> 00:06:03,739 CLUE TO THE TOOLS OF THE EGYPTIANS. IT DEPICTS A MAN SAWING WITH 175 00:06:03,739 --> 00:06:09,328 EGYPTIANS. IT DEPICTS A MAN SAWING WITH WHAT APPEARS TO BE A METAL TOOL. 176 00:06:09,328 --> 00:06:11,038 IT DEPICTS A MAN SAWING WITH WHAT APPEARS TO BE A METAL TOOL. THE HARDEST METAL THEY HAD IN 177 00:06:11,038 --> 00:06:13,040 WHAT APPEARS TO BE A METAL TOOL. THE HARDEST METAL THEY HAD IN ANY REAL QUANTITY AT THAT TIME 178 00:06:13,040 --> 00:06:14,208 THE HARDEST METAL THEY HAD IN ANY REAL QUANTITY AT THAT TIME WAS COPPER. 179 00:06:14,208 --> 00:06:16,085 ANY REAL QUANTITY AT THAT TIME WAS COPPER. THE STONE USED IN THESE MASSIVE 180 00:06:16,085 --> 00:06:18,045 WAS COPPER. THE STONE USED IN THESE MASSIVE CONSTRUCTIONS IS MAINLY 181 00:06:18,045 --> 00:06:20,047 THE STONE USED IN THESE MASSIVE CONSTRUCTIONS IS MAINLY SANDSTONE AND LIMESTONE. 182 00:06:20,047 --> 00:06:21,548 CONSTRUCTIONS IS MAINLY SANDSTONE AND LIMESTONE. COULD COPPER TOOLS HAVE CUT 183 00:06:21,548 --> 00:06:23,383 SANDSTONE AND LIMESTONE. COULD COPPER TOOLS HAVE CUT THROUGH THESE ROCKS TO CREATE 184 00:06:23,383 --> 00:06:26,053 COULD COPPER TOOLS HAVE CUT THROUGH THESE ROCKS TO CREATE THE ANCIENT MONUMENTS OF EGYPT? 185 00:06:26,053 --> 00:06:28,680 THROUGH THESE ROCKS TO CREATE THE ANCIENT MONUMENTS OF EGYPT? IN A STONE QUARRY IN SOMERSET, 186 00:06:28,680 --> 00:06:30,349 THE ANCIENT MONUMENTS OF EGYPT? IN A STONE QUARRY IN SOMERSET, ENGLAND, WE ARE GOING TO PUT 187 00:06:30,349 --> 00:06:32,059 IN A STONE QUARRY IN SOMERSET, ENGLAND, WE ARE GOING TO PUT THIS TO THE TEST. 188 00:06:32,059 --> 00:06:34,061 ENGLAND, WE ARE GOING TO PUT THIS TO THE TEST. BUT HOW STRONG IS COPPER IN 189 00:06:34,061 --> 00:06:35,562 THIS TO THE TEST. BUT HOW STRONG IS COPPER IN CUTTING STONE? 190 00:06:35,562 --> 00:06:37,064 BUT HOW STRONG IS COPPER IN CUTTING STONE? >> THERE'S A SCALE OF HARDNESS 191 00:06:37,064 --> 00:06:39,066 CUTTING STONE? >> THERE'S A SCALE OF HARDNESS GOING FROM 1 DOWN TO 10 WHICH IS 192 00:06:39,066 --> 00:06:40,400 >> THERE'S A SCALE OF HARDNESS GOING FROM 1 DOWN TO 10 WHICH IS MOHS HARDNESS SCALE. 193 00:06:40,400 --> 00:06:43,362 GOING FROM 1 DOWN TO 10 WHICH IS MOHS HARDNESS SCALE. 1 IS TALC, AND 10 IS DIAMONDS. 194 00:06:43,362 --> 00:06:45,072 MOHS HARDNESS SCALE. 1 IS TALC, AND 10 IS DIAMONDS. NOW, LIMESTONES AND CHALKS AND 195 00:06:45,072 --> 00:06:46,573 1 IS TALC, AND 10 IS DIAMONDS. NOW, LIMESTONES AND CHALKS AND MARBLES ARE TYPICALLY AROUND 196 00:06:46,573 --> 00:06:48,700 NOW, LIMESTONES AND CHALKS AND MARBLES ARE TYPICALLY AROUND ABOUT 3, 4, BUT COPPER IS ALSO 197 00:06:48,700 --> 00:06:51,286 MARBLES ARE TYPICALLY AROUND ABOUT 3, 4, BUT COPPER IS ALSO ABOUT 3. 198 00:06:51,286 --> 00:06:52,788 ABOUT 3, 4, BUT COPPER IS ALSO ABOUT 3. >> Narrator: COULD A COPPER SAW 199 00:06:52,788 --> 00:06:54,081 ABOUT 3. >> Narrator: COULD A COPPER SAW BE JUST HARD ENOUGH TO CUT 200 00:06:54,081 --> 00:06:57,084 >> Narrator: COULD A COPPER SAW BE JUST HARD ENOUGH TO CUT THROUGH LIMESTONE? 201 00:06:57,084 --> 00:06:58,085 BE JUST HARD ENOUGH TO CUT THROUGH LIMESTONE? >> WE ARE ACTUALLY CUTTING A 202 00:06:58,085 --> 00:07:00,087 THROUGH LIMESTONE? >> WE ARE ACTUALLY CUTTING A GROOVE BUT AT CONSIDERABLE LOSS 203 00:07:00,087 --> 00:07:02,381 >> WE ARE ACTUALLY CUTTING A GROOVE BUT AT CONSIDERABLE LOSS OF THE COPPER. 204 00:07:02,381 --> 00:07:04,091 GROOVE BUT AT CONSIDERABLE LOSS OF THE COPPER. SO IT'S POSSIBLE, JUST POSSIBLE 205 00:07:04,091 --> 00:07:06,760 OF THE COPPER. SO IT'S POSSIBLE, JUST POSSIBLE TO USE COPPER TOOLS, CHISELS TO 206 00:07:06,760 --> 00:07:10,097 SO IT'S POSSIBLE, JUST POSSIBLE TO USE COPPER TOOLS, CHISELS TO CUT LIMESTONE. 207 00:07:10,097 --> 00:07:11,306 TO USE COPPER TOOLS, CHISELS TO CUT LIMESTONE. >> Narrator: BUT CORE 7 IS MADE 208 00:07:11,306 --> 00:07:13,642 CUT LIMESTONE. >> Narrator: BUT CORE 7 IS MADE OF GRANITE, ONE OF THE HARDEST 209 00:07:13,642 --> 00:07:15,602 >> Narrator: BUT CORE 7 IS MADE OF GRANITE, ONE OF THE HARDEST ROCKS IN THE WORLD. 210 00:07:15,602 --> 00:07:17,604 OF GRANITE, ONE OF THE HARDEST ROCKS IN THE WORLD. >> GRANITE IS MADE OF QUARTZ AND 211 00:07:17,604 --> 00:07:19,314 ROCKS IN THE WORLD. >> GRANITE IS MADE OF QUARTZ AND FELDSPAR, AND BOTH OF THOSE ARE 212 00:07:19,314 --> 00:07:20,774 >> GRANITE IS MADE OF QUARTZ AND FELDSPAR, AND BOTH OF THOSE ARE VERY HARD MATERIALS, AND THEY'RE 213 00:07:20,774 --> 00:07:23,944 FELDSPAR, AND BOTH OF THOSE ARE VERY HARD MATERIALS, AND THEY'RE DOWN AT 7 ON THE MOHS SCALE, SO 214 00:07:23,944 --> 00:07:26,113 VERY HARD MATERIALS, AND THEY'RE DOWN AT 7 ON THE MOHS SCALE, SO IT'S IMPOSSIBLE TO TAKE COPPER 215 00:07:26,113 --> 00:07:27,781 DOWN AT 7 ON THE MOHS SCALE, SO IT'S IMPOSSIBLE TO TAKE COPPER AND CUT QUARTZ WITH IT. 216 00:07:27,781 --> 00:07:29,449 IT'S IMPOSSIBLE TO TAKE COPPER AND CUT QUARTZ WITH IT. IT'S IMPOSSIBLE, SCIENTIFICALLY 217 00:07:29,449 --> 00:07:31,118 AND CUT QUARTZ WITH IT. IT'S IMPOSSIBLE, SCIENTIFICALLY IMPOSSIBLE. 218 00:07:31,118 --> 00:07:32,578 IT'S IMPOSSIBLE, SCIENTIFICALLY IMPOSSIBLE. >> Narrator: BUT THE EVIDENCE OF 219 00:07:32,578 --> 00:07:34,121 IMPOSSIBLE. >> Narrator: BUT THE EVIDENCE OF THE TOOLS OF THE ANCIENTS IS IN 220 00:07:34,121 --> 00:07:36,623 >> Narrator: BUT THE EVIDENCE OF THE TOOLS OF THE ANCIENTS IS IN FRONT OF OUR EYES. 221 00:07:36,623 --> 00:07:38,834 THE TOOLS OF THE ANCIENTS IS IN FRONT OF OUR EYES. CORE 7 WAS NOT THE ONLY GRANITE 222 00:07:38,834 --> 00:07:40,669 FRONT OF OUR EYES. CORE 7 WAS NOT THE ONLY GRANITE OBJECT IN EGYPT. 223 00:07:40,669 --> 00:07:41,920 CORE 7 WAS NOT THE ONLY GRANITE OBJECT IN EGYPT. THE BURIAL CHAMBERS AND 224 00:07:41,920 --> 00:07:43,297 OBJECT IN EGYPT. THE BURIAL CHAMBERS AND SARCOPHAGI OF THE PYRAMIDS AT 225 00:07:43,297 --> 00:07:46,175 THE BURIAL CHAMBERS AND SARCOPHAGI OF THE PYRAMIDS AT GIZA AND EVEN STATUES WERE MADE 226 00:07:46,175 --> 00:07:48,302 SARCOPHAGI OF THE PYRAMIDS AT GIZA AND EVEN STATUES WERE MADE OF GRANITE. 227 00:07:48,302 --> 00:07:49,803 GIZA AND EVEN STATUES WERE MADE OF GRANITE. THE ANCIENTS HAD THE POWER TO 228 00:07:49,803 --> 00:07:53,140 OF GRANITE. THE ANCIENTS HAD THE POWER TO CARVE GRANITE STRUCTURES. 229 00:07:53,140 --> 00:07:55,017 THE ANCIENTS HAD THE POWER TO CARVE GRANITE STRUCTURES. BUT THIS DOESN'T EXPLAIN HOW 230 00:07:55,017 --> 00:07:56,810 CARVE GRANITE STRUCTURES. BUT THIS DOESN'T EXPLAIN HOW SOMETHING AS INTRICATE AS CORE 7 231 00:07:56,810 --> 00:07:58,145 BUT THIS DOESN'T EXPLAIN HOW SOMETHING AS INTRICATE AS CORE 7 WAS CREATED. 232 00:07:58,145 --> 00:08:00,147 SOMETHING AS INTRICATE AS CORE 7 WAS CREATED. ONE OF THE MOST OBVIOUS THINGS 233 00:08:00,147 --> 00:08:02,149 WAS CREATED. ONE OF THE MOST OBVIOUS THINGS ABOUT CORE 7 IS ITS SPIRAL 234 00:08:02,149 --> 00:08:03,442 ONE OF THE MOST OBVIOUS THINGS ABOUT CORE 7 IS ITS SPIRAL GROOVES. 235 00:08:03,442 --> 00:08:04,818 ABOUT CORE 7 IS ITS SPIRAL GROOVES. >> WE'RE INCREDIBLY FORTUNATE 236 00:08:04,818 --> 00:08:06,320 GROOVES. >> WE'RE INCREDIBLY FORTUNATE THAT THIS WAS FOUND BY SOMEONE 237 00:08:06,320 --> 00:08:07,821 >> WE'RE INCREDIBLY FORTUNATE THAT THIS WAS FOUND BY SOMEONE LIKE PETRIE, SOMEONE WHO WAS 238 00:08:07,821 --> 00:08:08,697 THAT THIS WAS FOUND BY SOMEONE LIKE PETRIE, SOMEONE WHO WAS CURIOUS, SOMEONE WHO'S A 239 00:08:08,697 --> 00:08:09,948 LIKE PETRIE, SOMEONE WHO WAS CURIOUS, SOMEONE WHO'S A SCIENTIST, SOMEONE FOR WHOM NO 240 00:08:09,948 --> 00:08:13,035 CURIOUS, SOMEONE WHO'S A SCIENTIST, SOMEONE FOR WHOM NO DETAIL WAS TOO TRIVIAL. 241 00:08:13,035 --> 00:08:14,870 SCIENTIST, SOMEONE FOR WHOM NO DETAIL WAS TOO TRIVIAL. AND FOR HIM, THE GROOVES THAT 242 00:08:14,870 --> 00:08:16,163 DETAIL WAS TOO TRIVIAL. AND FOR HIM, THE GROOVES THAT WERE CUT IN HERE, THE EVIDENCE 243 00:08:16,163 --> 00:08:18,498 AND FOR HIM, THE GROOVES THAT WERE CUT IN HERE, THE EVIDENCE OF THE TYPE OF TECHNOLOGY THAT 244 00:08:18,498 --> 00:08:20,167 WERE CUT IN HERE, THE EVIDENCE OF THE TYPE OF TECHNOLOGY THAT WAS POSSESSED BY THIS SOCIETY. 245 00:08:20,167 --> 00:08:21,501 OF THE TYPE OF TECHNOLOGY THAT WAS POSSESSED BY THIS SOCIETY. >> Narrator: THE MYSTERIOUS CUT 246 00:08:21,501 --> 00:08:23,170 WAS POSSESSED BY THIS SOCIETY. >> Narrator: THE MYSTERIOUS CUT MARKS SCORED ONTO ITS SURFACE 247 00:08:23,170 --> 00:08:24,838 >> Narrator: THE MYSTERIOUS CUT MARKS SCORED ONTO ITS SURFACE ARE EVIDENCE THAT A CIRCULAR 248 00:08:24,838 --> 00:08:27,299 MARKS SCORED ONTO ITS SURFACE ARE EVIDENCE THAT A CIRCULAR TOOL WAS USED. 249 00:08:27,299 --> 00:08:29,051 ARE EVIDENCE THAT A CIRCULAR TOOL WAS USED. AND A CLUE TO WHAT THAT TOOL 250 00:08:29,051 --> 00:08:30,677 TOOL WAS USED. AND A CLUE TO WHAT THAT TOOL MIGHT BE COMES FROM A 251 00:08:30,677 --> 00:08:32,346 AND A CLUE TO WHAT THAT TOOL MIGHT BE COMES FROM A WALL PAINTING FROM THE TOMB OF 252 00:08:32,346 --> 00:08:33,222 MIGHT BE COMES FROM A WALL PAINTING FROM THE TOMB OF REKHMIRE. 253 00:08:33,222 --> 00:08:35,015 WALL PAINTING FROM THE TOMB OF REKHMIRE. IT SHOWS TWO MEN WITH WHAT 254 00:08:35,015 --> 00:08:37,142 REKHMIRE. IT SHOWS TWO MEN WITH WHAT APPEARS TO BE A COPPER-TIPPED 255 00:08:37,142 --> 00:08:38,352 IT SHOWS TWO MEN WITH WHAT APPEARS TO BE A COPPER-TIPPED BOW DRILL. 256 00:08:38,352 --> 00:08:40,520 APPEARS TO BE A COPPER-TIPPED BOW DRILL. BUT STILL, CAN SUCH A TOOL 257 00:08:40,520 --> 00:08:44,024 BOW DRILL. BUT STILL, CAN SUCH A TOOL REALLY CUT INTO GRANITE? 258 00:08:44,024 --> 00:08:45,692 BUT STILL, CAN SUCH A TOOL REALLY CUT INTO GRANITE? IN A GRANITE-CUTTING FACTORY IN 259 00:08:45,692 --> 00:08:47,861 REALLY CUT INTO GRANITE? IN A GRANITE-CUTTING FACTORY IN ENGLAND, WE HAVE GIVEN WORKMEN A 260 00:08:47,861 --> 00:08:49,238 IN A GRANITE-CUTTING FACTORY IN ENGLAND, WE HAVE GIVEN WORKMEN A PRECISE COPY OF THE BOW DRILL 261 00:08:49,238 --> 00:08:51,198 ENGLAND, WE HAVE GIVEN WORKMEN A PRECISE COPY OF THE BOW DRILL FROM THE WALL PAINTING TO SEE IF 262 00:08:51,198 --> 00:08:53,158 PRECISE COPY OF THE BOW DRILL FROM THE WALL PAINTING TO SEE IF THEY CAN CUT A GRANITE CORE OF 263 00:08:53,158 --> 00:08:54,326 FROM THE WALL PAINTING TO SEE IF THEY CAN CUT A GRANITE CORE OF THEIR OWN. 264 00:08:54,326 --> 00:08:56,078 THEY CAN CUT A GRANITE CORE OF THEIR OWN. TO HELP THE SOFT COPPER DRILL 265 00:08:56,078 --> 00:08:57,871 THEIR OWN. TO HELP THE SOFT COPPER DRILL BIT CUT INTO THE GRANITE, THEY 266 00:08:57,871 --> 00:08:59,373 TO HELP THE SOFT COPPER DRILL BIT CUT INTO THE GRANITE, THEY HAVE ADDED GRIT TO THE BASE OF 267 00:08:59,373 --> 00:09:00,749 BIT CUT INTO THE GRANITE, THEY HAVE ADDED GRIT TO THE BASE OF THE DRILL, AND WATER AS A 268 00:09:00,749 --> 00:09:03,001 HAVE ADDED GRIT TO THE BASE OF THE DRILL, AND WATER AS A LUBRICANT. 269 00:09:03,001 --> 00:09:04,378 THE DRILL, AND WATER AS A LUBRICANT. >> COPPER'S A VERY SOFT METAL. 270 00:09:04,378 --> 00:09:06,213 LUBRICANT. >> COPPER'S A VERY SOFT METAL. IT'S THE ABRASIVE GRIT THAT 271 00:09:06,213 --> 00:09:07,589 >> COPPER'S A VERY SOFT METAL. IT'S THE ABRASIVE GRIT THAT WE'RE GONNA USE TO TURN ROUND 272 00:09:07,589 --> 00:09:08,840 IT'S THE ABRASIVE GRIT THAT WE'RE GONNA USE TO TURN ROUND AND SCORE THE GRANITE. 273 00:09:08,840 --> 00:09:10,008 WE'RE GONNA USE TO TURN ROUND AND SCORE THE GRANITE. THAT'S WHAT WILL CUT THE 274 00:09:10,008 --> 00:09:12,261 AND SCORE THE GRANITE. THAT'S WHAT WILL CUT THE GRANITE. 275 00:09:12,261 --> 00:09:13,762 THAT'S WHAT WILL CUT THE GRANITE. >> WE DON'T SEEM TO BE ACTUALLY 276 00:09:13,762 --> 00:09:14,930 GRANITE. >> WE DON'T SEEM TO BE ACTUALLY GETTING VERY FAR WITH IT. 277 00:09:14,930 --> 00:09:17,057 >> WE DON'T SEEM TO BE ACTUALLY GETTING VERY FAR WITH IT. WE MAYBE SCORED IT, BUT I DON'T 278 00:09:17,057 --> 00:09:18,100 GETTING VERY FAR WITH IT. WE MAYBE SCORED IT, BUT I DON'T THINK WE'VE GONE VERY DEEP AT 279 00:09:18,100 --> 00:09:20,060 WE MAYBE SCORED IT, BUT I DON'T THINK WE'VE GONE VERY DEEP AT ALL. 280 00:09:20,060 --> 00:09:21,061 THINK WE'VE GONE VERY DEEP AT ALL. OK, SHALL WE STOP? 281 00:09:21,061 --> 00:09:22,396 ALL. OK, SHALL WE STOP? LET ME HAVE A LOOK, PULL IT OUT. 282 00:09:22,396 --> 00:09:23,897 OK, SHALL WE STOP? LET ME HAVE A LOOK, PULL IT OUT. >> Narrator: EVENTUALLY THE BOW 283 00:09:23,897 --> 00:09:25,565 LET ME HAVE A LOOK, PULL IT OUT. >> Narrator: EVENTUALLY THE BOW DRILL DID BEGIN TO MAKE AN 284 00:09:25,565 --> 00:09:26,733 >> Narrator: EVENTUALLY THE BOW DRILL DID BEGIN TO MAKE AN IMPRESSION ON A BLOCK OF 285 00:09:26,733 --> 00:09:27,901 DRILL DID BEGIN TO MAKE AN IMPRESSION ON A BLOCK OF GRANITE. 286 00:09:27,901 --> 00:09:29,236 IMPRESSION ON A BLOCK OF GRANITE. BUT LOOKING MORE CLOSELY AT THE 287 00:09:29,236 --> 00:09:31,738 GRANITE. BUT LOOKING MORE CLOSELY AT THE ORIGINAL CORE 7 SHOWS THAT USING 288 00:09:31,738 --> 00:09:34,241 BUT LOOKING MORE CLOSELY AT THE ORIGINAL CORE 7 SHOWS THAT USING A BOW DRILL TO CUT A CORE IS 289 00:09:34,241 --> 00:09:35,951 ORIGINAL CORE 7 SHOWS THAT USING A BOW DRILL TO CUT A CORE IS LEADING THE INVESTIGATION DOWN A 290 00:09:35,951 --> 00:09:37,536 A BOW DRILL TO CUT A CORE IS LEADING THE INVESTIGATION DOWN A DEAD END. 291 00:09:37,536 --> 00:09:38,954 LEADING THE INVESTIGATION DOWN A DEAD END. >> SO WHAT'S SO IMPOSSIBLE ABOUT 292 00:09:38,954 --> 00:09:40,247 DEAD END. >> SO WHAT'S SO IMPOSSIBLE ABOUT CORE 7? 293 00:09:40,247 --> 00:09:41,415 >> SO WHAT'S SO IMPOSSIBLE ABOUT CORE 7? LOOK AT THESE GROOVES. 294 00:09:41,415 --> 00:09:43,292 CORE 7? LOOK AT THESE GROOVES. THEY SPIRAL AROUND CORE 7. 295 00:09:43,292 --> 00:09:44,584 LOOK AT THESE GROOVES. THEY SPIRAL AROUND CORE 7. THIS IS WHAT YOU GET FROM A 296 00:09:44,584 --> 00:09:46,253 THEY SPIRAL AROUND CORE 7. THIS IS WHAT YOU GET FROM A MODERN DRILL, NOT A BOW DRILL 297 00:09:46,253 --> 00:09:47,963 THIS IS WHAT YOU GET FROM A MODERN DRILL, NOT A BOW DRILL THAT GOES BACK AND FORTH. 298 00:09:47,963 --> 00:09:49,256 MODERN DRILL, NOT A BOW DRILL THAT GOES BACK AND FORTH. THIS IS THE PATTERN YOU'D GET 299 00:09:49,256 --> 00:09:50,966 THAT GOES BACK AND FORTH. THIS IS THE PATTERN YOU'D GET FROM A CONTINUOUS DRILL. 300 00:09:50,966 --> 00:09:53,051 THIS IS THE PATTERN YOU'D GET FROM A CONTINUOUS DRILL. WHEREAS THIS SAW-TOOTH PATTERN 301 00:09:53,051 --> 00:09:54,261 FROM A CONTINUOUS DRILL. WHEREAS THIS SAW-TOOTH PATTERN IS WHAT YOU WOULD GET FROM A 302 00:09:54,261 --> 00:09:59,266 WHEREAS THIS SAW-TOOTH PATTERN IS WHAT YOU WOULD GET FROM A BACK-AND-FORTH DRILL. 303 00:09:59,266 --> 00:10:00,267 IS WHAT YOU WOULD GET FROM A BACK-AND-FORTH DRILL. >> Narrator: A DRILL THAT WOULD 304 00:10:00,267 --> 00:10:02,102 BACK-AND-FORTH DRILL. >> Narrator: A DRILL THAT WOULD REPLICATE THE CONTINUOUS SPIRAL 305 00:10:02,102 --> 00:10:04,771 >> Narrator: A DRILL THAT WOULD REPLICATE THE CONTINUOUS SPIRAL CUT MARKS OF CORE 7 IS A DRILL 306 00:10:04,771 --> 00:10:05,981 REPLICATE THE CONTINUOUS SPIRAL CUT MARKS OF CORE 7 IS A DRILL LIKE THIS. 307 00:10:05,981 --> 00:10:07,566 CUT MARKS OF CORE 7 IS A DRILL LIKE THIS. >> THIS IS A 50-MILLIMETER CORE 308 00:10:07,566 --> 00:10:09,484 LIKE THIS. >> THIS IS A 50-MILLIMETER CORE DRILL BIT, DIAMOND RING 309 00:10:09,484 --> 00:10:11,278 >> THIS IS A 50-MILLIMETER CORE DRILL BIT, DIAMOND RING IMPREGNATED INTO A STEEL. 310 00:10:11,278 --> 00:10:12,321 DRILL BIT, DIAMOND RING IMPREGNATED INTO A STEEL. WE USE THIS FOR DRILLING HOLES 311 00:10:12,321 --> 00:10:14,156 IMPREGNATED INTO A STEEL. WE USE THIS FOR DRILLING HOLES IN A VARIETY OF MATERIALS, BUT 312 00:10:14,156 --> 00:10:15,449 WE USE THIS FOR DRILLING HOLES IN A VARIETY OF MATERIALS, BUT PREDOMINATELY THIS TYPE IS USED 313 00:10:15,449 --> 00:10:17,993 IN A VARIETY OF MATERIALS, BUT PREDOMINATELY THIS TYPE IS USED FOR GRANITE. 314 00:10:17,993 --> 00:10:19,244 PREDOMINATELY THIS TYPE IS USED FOR GRANITE. >> Narrator: A MODERN TOOL LIKE 315 00:10:19,244 --> 00:10:21,621 FOR GRANITE. >> Narrator: A MODERN TOOL LIKE THIS POWERED BY ELECTRICITY 316 00:10:21,621 --> 00:10:24,333 >> Narrator: A MODERN TOOL LIKE THIS POWERED BY ELECTRICITY TURNS AT 1,600 REVOLUTIONS AND 317 00:10:24,333 --> 00:10:26,293 THIS POWERED BY ELECTRICITY TURNS AT 1,600 REVOLUTIONS AND CUTS FOUR INCHES OF GRANITE PER 318 00:10:26,293 --> 00:10:27,502 TURNS AT 1,600 REVOLUTIONS AND CUTS FOUR INCHES OF GRANITE PER MINUTE. 319 00:10:35,344 --> 00:10:41,141 >> HERE'S THE GRANITE CORE THAT THE CORE DRILL HAS JUST DRILLED. WE CAN CREATE THIS IN FOUR OR 320 00:10:41,141 --> 00:10:42,642 THE CORE DRILL HAS JUST DRILLED. WE CAN CREATE THIS IN FOUR OR FIVE MINUTES. 321 00:10:42,642 --> 00:10:44,311 WE CAN CREATE THIS IN FOUR OR FIVE MINUTES. OVER 4,500 YEARS AGO THE 322 00:10:44,311 --> 00:10:46,021 FIVE MINUTES. OVER 4,500 YEARS AGO THE TECHNOLOGY AND THE MATERIALS 323 00:10:46,021 --> 00:10:47,522 OVER 4,500 YEARS AGO THE TECHNOLOGY AND THE MATERIALS THEY WOULD HAVE HAD LOOKS QUITE 324 00:10:47,522 --> 00:10:49,524 TECHNOLOGY AND THE MATERIALS THEY WOULD HAVE HAD LOOKS QUITE IMPOSSIBLE TO TURN ROUND AND 325 00:10:49,524 --> 00:10:52,027 THEY WOULD HAVE HAD LOOKS QUITE IMPOSSIBLE TO TURN ROUND AND CREATE THE SAME SORT OF THING. 326 00:10:52,027 --> 00:10:53,362 IMPOSSIBLE TO TURN ROUND AND CREATE THE SAME SORT OF THING. >> Narrator: THE VERY EXISTENCE 327 00:10:53,362 --> 00:10:56,490 CREATE THE SAME SORT OF THING. >> Narrator: THE VERY EXISTENCE OF CORE 7 SUGGESTS THAT SOMEHOW 328 00:10:56,490 --> 00:10:57,949 >> Narrator: THE VERY EXISTENCE OF CORE 7 SUGGESTS THAT SOMEHOW THE EGYPTIANS MUST HAVE HAD A 329 00:10:57,949 --> 00:10:59,701 OF CORE 7 SUGGESTS THAT SOMEHOW THE EGYPTIANS MUST HAVE HAD A TOOL THAT AT THE VERY LEAST 330 00:10:59,701 --> 00:11:01,828 THE EGYPTIANS MUST HAVE HAD A TOOL THAT AT THE VERY LEAST MATCHED THIS 21st-CENTURY POWER 331 00:11:01,828 --> 00:11:03,330 TOOL THAT AT THE VERY LEAST MATCHED THIS 21st-CENTURY POWER DRILL. 332 00:11:07,209 --> 00:11:12,923 >> Narrator: OUR WORLD IS FILLED 333 00:11:13,131 --> 00:11:17,344 WITH AMAZING POWER TOOLS AND MACHINES. YET WHAT INCREDIBLE TOOLS WERE 334 00:11:17,344 --> 00:11:18,637 MACHINES. YET WHAT INCREDIBLE TOOLS WERE THE ANCIENT EGYPTIANS USING MORE 335 00:11:18,637 --> 00:11:19,346 YET WHAT INCREDIBLE TOOLS WERE THE ANCIENT EGYPTIANS USING MORE THAN 4,000 YEARS AGO? 336 00:11:19,346 --> 00:11:20,639 THE ANCIENT EGYPTIANS USING MORE THAN 4,000 YEARS AGO? THEY WERE ABLE TO SCULPT 337 00:11:20,639 --> 00:11:22,391 THAN 4,000 YEARS AGO? THEY WERE ABLE TO SCULPT LIMESTONE, SANDSTONE, AND EVEN 338 00:11:22,391 --> 00:11:23,350 THEY WERE ABLE TO SCULPT LIMESTONE, SANDSTONE, AND EVEN GRANITE INTO SOME OF THE MOST 339 00:11:23,350 --> 00:11:25,018 LIMESTONE, SANDSTONE, AND EVEN GRANITE INTO SOME OF THE MOST ASTONISHING MONUMENTS ON THE 340 00:11:25,018 --> 00:11:27,354 GRANITE INTO SOME OF THE MOST ASTONISHING MONUMENTS ON THE PLANET. 341 00:11:27,354 --> 00:11:28,730 ASTONISHING MONUMENTS ON THE PLANET. WHAT WERE THE INCREDIBLE TOOLS 342 00:11:28,730 --> 00:11:30,690 PLANET. WHAT WERE THE INCREDIBLE TOOLS THAT ACHIEVED THESE REMARKABLE 343 00:11:30,690 --> 00:11:32,234 WHAT WERE THE INCREDIBLE TOOLS THAT ACHIEVED THESE REMARKABLE FEATS? 344 00:11:32,234 --> 00:11:34,444 THAT ACHIEVED THESE REMARKABLE FEATS? WE ARE ON A JOURNEY TO FIND OUT, 345 00:11:39,157 --> 00:11:46,706 AND OUR SEARCH HAS LED US TO ENGLAND AND THE MYSTERIOUS ARTIFACT CALLED CORE 7. 346 00:11:46,706 --> 00:11:48,708 ENGLAND AND THE MYSTERIOUS ARTIFACT CALLED CORE 7. THIS SMALL GRANITE CYLINDER IS A 347 00:11:48,708 --> 00:11:50,001 ARTIFACT CALLED CORE 7. THIS SMALL GRANITE CYLINDER IS A MYSTERY. 348 00:11:50,001 --> 00:11:51,753 THIS SMALL GRANITE CYLINDER IS A MYSTERY. BUT HOW WAS IT MADE? 349 00:11:51,753 --> 00:11:53,088 MYSTERY. BUT HOW WAS IT MADE? IT SEEMS TO SHOW THAT THE 350 00:11:53,088 --> 00:11:55,215 BUT HOW WAS IT MADE? IT SEEMS TO SHOW THAT THE ANCIENT EGYPTIANS HAD TOOLS THAT 351 00:11:55,215 --> 00:11:57,717 IT SEEMS TO SHOW THAT THE ANCIENT EGYPTIANS HAD TOOLS THAT WERE SIMPLY IMPOSSIBLE. 352 00:11:57,717 --> 00:11:59,886 ANCIENT EGYPTIANS HAD TOOLS THAT WERE SIMPLY IMPOSSIBLE. IN HEREFORD, ENGLAND, WE'RE 353 00:11:59,886 --> 00:12:01,596 WERE SIMPLY IMPOSSIBLE. IN HEREFORD, ENGLAND, WE'RE GOING TO TRY TO GET CLOSE TO 354 00:12:01,596 --> 00:12:03,890 IN HEREFORD, ENGLAND, WE'RE GOING TO TRY TO GET CLOSE TO SUCH A TOOL FOR THE FIRST TIME-- 355 00:12:03,890 --> 00:12:06,393 GOING TO TRY TO GET CLOSE TO SUCH A TOOL FOR THE FIRST TIME-- A HUMAN-POWERED DRILL THAT CAN 356 00:12:06,393 --> 00:12:08,228 SUCH A TOOL FOR THE FIRST TIME-- A HUMAN-POWERED DRILL THAT CAN REPRODUCE THESE REMARKABLE CUT 357 00:12:08,228 --> 00:12:09,438 A HUMAN-POWERED DRILL THAT CAN REPRODUCE THESE REMARKABLE CUT MARKS. 358 00:12:14,276 --> 00:12:19,406 >> SO WHAT I'VE DONE IS TO BUILD A VERSION OF THE HAND-TURNED TUBE DRILL, BUT I'VE PUT IT 359 00:12:19,406 --> 00:12:20,615 A VERSION OF THE HAND-TURNED TUBE DRILL, BUT I'VE PUT IT WITHIN A FRAME SO THAT WE CAN 360 00:12:20,615 --> 00:12:21,741 TUBE DRILL, BUT I'VE PUT IT WITHIN A FRAME SO THAT WE CAN ACTUALLY ACHIEVE A LOT MORE 361 00:12:21,741 --> 00:12:22,742 WITHIN A FRAME SO THAT WE CAN ACTUALLY ACHIEVE A LOT MORE PRESSURE THAN WOULD BE AVAILABLE 362 00:12:22,742 --> 00:12:24,369 ACTUALLY ACHIEVE A LOT MORE PRESSURE THAN WOULD BE AVAILABLE IF JUST PEOPLE WERE JUST SIMPLY 363 00:12:24,369 --> 00:12:27,581 PRESSURE THAN WOULD BE AVAILABLE IF JUST PEOPLE WERE JUST SIMPLY LEANING ON IT. 364 00:12:27,581 --> 00:12:28,415 IF JUST PEOPLE WERE JUST SIMPLY LEANING ON IT. >> Narrator: THE ONLY WAY TO 365 00:12:28,415 --> 00:12:29,749 LEANING ON IT. >> Narrator: THE ONLY WAY TO MAKE THE COPPER DRILL BIT CUT 366 00:12:29,749 --> 00:12:32,419 >> Narrator: THE ONLY WAY TO MAKE THE COPPER DRILL BIT CUT INTO GRANITE IS TO ADD GRIT. 367 00:12:32,419 --> 00:12:34,463 MAKE THE COPPER DRILL BIT CUT INTO GRANITE IS TO ADD GRIT. RICHARD IS ADDING EMERY, HARDER 368 00:12:34,463 --> 00:12:35,755 INTO GRANITE IS TO ADD GRIT. RICHARD IS ADDING EMERY, HARDER THAN THE GRIT THE EGYPTIANS WERE 369 00:12:35,755 --> 00:12:37,090 RICHARD IS ADDING EMERY, HARDER THAN THE GRIT THE EGYPTIANS WERE THOUGHT TO HAVE USED. 370 00:12:37,090 --> 00:12:38,258 THAN THE GRIT THE EGYPTIANS WERE THOUGHT TO HAVE USED. >> SO REALLY IN A SENSE, THIS IS 371 00:12:38,258 --> 00:12:39,759 THOUGHT TO HAVE USED. >> SO REALLY IN A SENSE, THIS IS ONE STEP ON FROM THE BOW SAW. 372 00:12:39,759 --> 00:12:42,262 >> SO REALLY IN A SENSE, THIS IS ONE STEP ON FROM THE BOW SAW. IT'S THE SAME PRINCIPLE. 373 00:12:42,262 --> 00:12:43,430 ONE STEP ON FROM THE BOW SAW. IT'S THE SAME PRINCIPLE. >> Narrator: THE EMERY POWDER 374 00:12:43,430 --> 00:12:44,890 IT'S THE SAME PRINCIPLE. >> Narrator: THE EMERY POWDER EMBEDS ITSELF INTO THE COPPER 375 00:12:44,890 --> 00:12:47,267 >> Narrator: THE EMERY POWDER EMBEDS ITSELF INTO THE COPPER METAL, MAKING IT INTO A FAR MORE 376 00:12:47,267 --> 00:12:49,728 EMBEDS ITSELF INTO THE COPPER METAL, MAKING IT INTO A FAR MORE POWERFUL CUTTING TOOL. 377 00:12:49,728 --> 00:12:50,770 METAL, MAKING IT INTO A FAR MORE POWERFUL CUTTING TOOL. >> SO WITH THIS WINDLASS SYSTEM 378 00:12:50,770 --> 00:12:51,980 POWERFUL CUTTING TOOL. >> SO WITH THIS WINDLASS SYSTEM IT CAN EITHER BE ROTATED 379 00:12:51,980 --> 00:12:53,815 >> SO WITH THIS WINDLASS SYSTEM IT CAN EITHER BE ROTATED CONTINUOUSLY IN ONE DIRECTION, 380 00:12:53,815 --> 00:12:55,734 IT CAN EITHER BE ROTATED CONTINUOUSLY IN ONE DIRECTION, WHICH OF COURSE WOULD BE 381 00:12:55,734 --> 00:12:58,778 CONTINUOUSLY IN ONE DIRECTION, WHICH OF COURSE WOULD BE NECESSARY TO PRODUCE A SPIRAL. 382 00:12:58,778 --> 00:12:59,779 WHICH OF COURSE WOULD BE NECESSARY TO PRODUCE A SPIRAL. >> Narrator: DESPITE THIS 383 00:12:59,779 --> 00:13:01,990 NECESSARY TO PRODUCE A SPIRAL. >> Narrator: DESPITE THIS REMARKABLE RECREATION, WORKING 384 00:13:01,990 --> 00:13:03,783 >> Narrator: DESPITE THIS REMARKABLE RECREATION, WORKING VIGOROUSLY FOR HALF AN HOUR 385 00:13:03,783 --> 00:13:06,953 REMARKABLE RECREATION, WORKING VIGOROUSLY FOR HALF AN HOUR PRODUCES BARELY A MARK. 386 00:13:06,953 --> 00:13:08,497 VIGOROUSLY FOR HALF AN HOUR PRODUCES BARELY A MARK. TO CUT A HOLE INTO GRANITE 387 00:13:08,497 --> 00:13:10,790 PRODUCES BARELY A MARK. TO CUT A HOLE INTO GRANITE PRODUCING A CYLINDER LIKE CORE 7 388 00:13:10,790 --> 00:13:13,793 TO CUT A HOLE INTO GRANITE PRODUCING A CYLINDER LIKE CORE 7 NOW SEEMS EVEN MORE IMPOSSIBLE. 389 00:13:13,793 --> 00:13:15,337 PRODUCING A CYLINDER LIKE CORE 7 NOW SEEMS EVEN MORE IMPOSSIBLE. >> CORE 7 STILL REMAINS AN 390 00:13:15,337 --> 00:13:16,254 NOW SEEMS EVEN MORE IMPOSSIBLE. >> CORE 7 STILL REMAINS AN ENIGMA. 391 00:13:16,254 --> 00:13:17,297 >> CORE 7 STILL REMAINS AN ENIGMA. WE STILL HAVEN'T REALLY FATHOMED 392 00:13:17,297 --> 00:13:19,591 ENIGMA. WE STILL HAVEN'T REALLY FATHOMED THE HELICAL MARKS ON THE SIDE OF 393 00:13:19,591 --> 00:13:21,801 WE STILL HAVEN'T REALLY FATHOMED THE HELICAL MARKS ON THE SIDE OF THIS CORE. 394 00:13:21,801 --> 00:13:22,802 THE HELICAL MARKS ON THE SIDE OF THIS CORE. >> Narrator: AND THERE IS A 395 00:13:22,802 --> 00:13:24,304 THIS CORE. >> Narrator: AND THERE IS A FURTHER REVELATION. 396 00:13:24,304 --> 00:13:25,805 >> Narrator: AND THERE IS A FURTHER REVELATION. AN ANALYSIS OF THE DISTANCE 397 00:13:25,805 --> 00:13:27,807 FURTHER REVELATION. AN ANALYSIS OF THE DISTANCE BETWEEN THE GROOVES SHOWS 398 00:13:27,807 --> 00:13:29,976 AN ANALYSIS OF THE DISTANCE BETWEEN THE GROOVES SHOWS SOMETHING TRULY ASTONISHING. 399 00:13:29,976 --> 00:13:32,145 BETWEEN THE GROOVES SHOWS SOMETHING TRULY ASTONISHING. >> ONE OF THE KEY DIAGNOSTICS ON 400 00:13:32,145 --> 00:13:34,105 SOMETHING TRULY ASTONISHING. >> ONE OF THE KEY DIAGNOSTICS ON ANALYZING A CUT LIKE THIS IS TO 401 00:13:34,105 --> 00:13:36,608 >> ONE OF THE KEY DIAGNOSTICS ON ANALYZING A CUT LIKE THIS IS TO LOOK AT THE RATE OF THE CUT AS 402 00:13:36,608 --> 00:13:38,652 ANALYZING A CUT LIKE THIS IS TO LOOK AT THE RATE OF THE CUT AS IT ADVANCES THROUGH, HOW MANY 403 00:13:38,652 --> 00:13:40,195 LOOK AT THE RATE OF THE CUT AS IT ADVANCES THROUGH, HOW MANY THREADS PER INCH ESSENTIALLY 404 00:13:40,195 --> 00:13:42,155 IT ADVANCES THROUGH, HOW MANY THREADS PER INCH ESSENTIALLY HAVE BEEN CREATED ON HERE BY 405 00:13:42,155 --> 00:13:43,949 THREADS PER INCH ESSENTIALLY HAVE BEEN CREATED ON HERE BY THE CUTTING TOOL. 406 00:13:43,949 --> 00:13:45,325 HAVE BEEN CREATED ON HERE BY THE CUTTING TOOL. AND ONE OF THE EASIEST WAYS TO 407 00:13:45,325 --> 00:13:47,786 THE CUTTING TOOL. AND ONE OF THE EASIEST WAYS TO COUNT THAT IS BY SIMPLY TAKING A 408 00:13:47,786 --> 00:13:49,663 AND ONE OF THE EASIEST WAYS TO COUNT THAT IS BY SIMPLY TAKING A PIECE OF COTTON THREAD AND 409 00:13:49,663 --> 00:13:51,456 COUNT THAT IS BY SIMPLY TAKING A PIECE OF COTTON THREAD AND WRAPPING IT AROUND INSIDE THE 410 00:13:51,456 --> 00:13:52,999 PIECE OF COTTON THREAD AND WRAPPING IT AROUND INSIDE THE GROOVES. 411 00:13:52,999 --> 00:13:54,834 WRAPPING IT AROUND INSIDE THE GROOVES. AND THIS IS ABSOLUTELY AMAZING 412 00:13:54,834 --> 00:13:56,628 GROOVES. AND THIS IS ABSOLUTELY AMAZING BECAUSE IF WE WERE TO CUT 413 00:13:56,628 --> 00:13:57,837 AND THIS IS ABSOLUTELY AMAZING BECAUSE IF WE WERE TO CUT SOMETHING LIKE THIS WITH A 414 00:13:57,837 --> 00:13:59,464 BECAUSE IF WE WERE TO CUT SOMETHING LIKE THIS WITH A MODERN TOOL, WE WOULD EXPECT 415 00:13:59,464 --> 00:14:00,840 SOMETHING LIKE THIS WITH A MODERN TOOL, WE WOULD EXPECT THAT IT WOULD TAKE HUNDREDS AND 416 00:14:00,840 --> 00:14:02,842 MODERN TOOL, WE WOULD EXPECT THAT IT WOULD TAKE HUNDREDS AND HUNDREDS OF ROTATIONS OF THE 417 00:14:02,842 --> 00:14:07,305 THAT IT WOULD TAKE HUNDREDS AND HUNDREDS OF ROTATIONS OF THE DRILL TO PENETRATE THIS AMOUNT. 418 00:14:07,305 --> 00:14:08,390 HUNDREDS OF ROTATIONS OF THE DRILL TO PENETRATE THIS AMOUNT. >> Narrator: THE SPACE BETWEEN 419 00:14:08,390 --> 00:14:10,016 DRILL TO PENETRATE THIS AMOUNT. >> Narrator: THE SPACE BETWEEN THE GROOVES SHOWS US THAT THE 420 00:14:10,016 --> 00:14:11,851 >> Narrator: THE SPACE BETWEEN THE GROOVES SHOWS US THAT THE DRILL MUST HAVE BEEN PUSHED INTO 421 00:14:11,851 --> 00:14:13,853 THE GROOVES SHOWS US THAT THE DRILL MUST HAVE BEEN PUSHED INTO THE GRANITE WITH EVEN MORE FORCE 422 00:14:13,853 --> 00:14:15,855 DRILL MUST HAVE BEEN PUSHED INTO THE GRANITE WITH EVEN MORE FORCE THAN TODAY'S MOST POWERFUL TOOLS 423 00:14:15,855 --> 00:14:17,065 THE GRANITE WITH EVEN MORE FORCE THAN TODAY'S MOST POWERFUL TOOLS ARE CAPABLE OF. 424 00:14:17,065 --> 00:14:18,858 THAN TODAY'S MOST POWERFUL TOOLS ARE CAPABLE OF. THE DEPTH THAT THE GROOVES ARE 425 00:14:18,858 --> 00:14:20,860 ARE CAPABLE OF. THE DEPTH THAT THE GROOVES ARE CUT INTO THE GRANITE CAN TELL US 426 00:14:20,860 --> 00:14:22,195 THE DEPTH THAT THE GROOVES ARE CUT INTO THE GRANITE CAN TELL US EVEN MORE. 427 00:14:22,195 --> 00:14:23,238 CUT INTO THE GRANITE CAN TELL US EVEN MORE. >> TO BE THIS DEEP SUGGESTS THEY 428 00:14:23,238 --> 00:14:25,365 EVEN MORE. >> TO BE THIS DEEP SUGGESTS THEY USED SOMETHING LIKE A DIAMOND IN 429 00:14:25,365 --> 00:14:27,242 >> TO BE THIS DEEP SUGGESTS THEY USED SOMETHING LIKE A DIAMOND IN A CLOCKWISE ROTATING DRILL. 430 00:14:27,242 --> 00:14:28,702 USED SOMETHING LIKE A DIAMOND IN A CLOCKWISE ROTATING DRILL. THERE'S NO EVIDENCE, EXCEPT THIS 431 00:14:28,702 --> 00:14:30,036 A CLOCKWISE ROTATING DRILL. THERE'S NO EVIDENCE, EXCEPT THIS CORE, TO SUGGEST THE ANCIENT 432 00:14:30,036 --> 00:14:32,872 THERE'S NO EVIDENCE, EXCEPT THIS CORE, TO SUGGEST THE ANCIENT EGYPTIANS HAD THIS TECHNOLOGY. 433 00:14:32,872 --> 00:14:34,374 CORE, TO SUGGEST THE ANCIENT EGYPTIANS HAD THIS TECHNOLOGY. PERHAPS THIS PLUG OF GRANITE 434 00:14:34,374 --> 00:14:36,251 EGYPTIANS HAD THIS TECHNOLOGY. PERHAPS THIS PLUG OF GRANITE SHOULDN'T EXIST, BUT HOWEVER 435 00:14:36,251 --> 00:14:37,877 PERHAPS THIS PLUG OF GRANITE SHOULDN'T EXIST, BUT HOWEVER IMPOSSIBLE IT IS, THE ANCIENT 436 00:14:37,877 --> 00:14:40,714 SHOULDN'T EXIST, BUT HOWEVER IMPOSSIBLE IT IS, THE ANCIENT EGYPTIANS MADE IT. 437 00:14:40,714 --> 00:14:41,881 IMPOSSIBLE IT IS, THE ANCIENT EGYPTIANS MADE IT. >> TO THINK THAT THIS WAS 438 00:14:41,881 --> 00:14:44,884 EGYPTIANS MADE IT. >> TO THINK THAT THIS WAS CREATED PERHAPS 4,500 YEARS AGO 439 00:14:44,884 --> 00:14:45,927 >> TO THINK THAT THIS WAS CREATED PERHAPS 4,500 YEARS AGO USING ANCIENT EGYPTIAN 440 00:14:45,927 --> 00:14:48,263 CREATED PERHAPS 4,500 YEARS AGO USING ANCIENT EGYPTIAN TECHNOLOGY IS INCREDIBLE TO US. 441 00:14:48,263 --> 00:14:49,889 USING ANCIENT EGYPTIAN TECHNOLOGY IS INCREDIBLE TO US. IN FACT, THIS IS ALMOST AN 442 00:14:49,889 --> 00:14:52,892 TECHNOLOGY IS INCREDIBLE TO US. IN FACT, THIS IS ALMOST AN IMPOSSIBLE ANCIENT OBJECT. 443 00:14:52,892 --> 00:14:54,060 IN FACT, THIS IS ALMOST AN IMPOSSIBLE ANCIENT OBJECT. >> Narrator: IT IS SO ADVANCED 444 00:14:54,060 --> 00:14:55,895 IMPOSSIBLE ANCIENT OBJECT. >> Narrator: IT IS SO ADVANCED THAT IT RAISES THE REMARKABLE 445 00:14:55,895 --> 00:14:57,439 >> Narrator: IT IS SO ADVANCED THAT IT RAISES THE REMARKABLE THOUGHT THAT MAYBE IT HAS COME 446 00:14:57,439 --> 00:14:58,898 THAT IT RAISES THE REMARKABLE THOUGHT THAT MAYBE IT HAS COME FROM A PLACE THAT DEFIES 447 00:14:58,898 --> 00:15:00,859 THOUGHT THAT MAYBE IT HAS COME FROM A PLACE THAT DEFIES UNDERSTANDING, BEYOND THE 448 00:15:00,859 --> 00:15:03,903 FROM A PLACE THAT DEFIES UNDERSTANDING, BEYOND THE ABILITIES OF HUMANS. 449 00:15:03,903 --> 00:15:04,904 UNDERSTANDING, BEYOND THE ABILITIES OF HUMANS. >> OVER THE YEARS THERE HAVE 450 00:15:04,904 --> 00:15:06,906 ABILITIES OF HUMANS. >> OVER THE YEARS THERE HAVE BEEN MANY WILD SPECULATIONS THAT 451 00:15:06,906 --> 00:15:08,908 >> OVER THE YEARS THERE HAVE BEEN MANY WILD SPECULATIONS THAT ALIENS, FOR EXAMPLE, WERE 452 00:15:08,908 --> 00:15:10,285 BEEN MANY WILD SPECULATIONS THAT ALIENS, FOR EXAMPLE, WERE RESPONSIBLE FOR MAKING OBJECTS 453 00:15:10,285 --> 00:15:11,703 ALIENS, FOR EXAMPLE, WERE RESPONSIBLE FOR MAKING OBJECTS LIKE THIS. 454 00:15:11,703 --> 00:15:12,912 RESPONSIBLE FOR MAKING OBJECTS LIKE THIS. WE DON'T NEED THOSE EXTREME 455 00:15:12,912 --> 00:15:16,082 LIKE THIS. WE DON'T NEED THOSE EXTREME THEORIES. 456 00:15:16,082 --> 00:15:17,250 WE DON'T NEED THOSE EXTREME THEORIES. >> Narrator: DESPITE MULTIPLE 457 00:15:17,250 --> 00:15:19,919 THEORIES. >> Narrator: DESPITE MULTIPLE TESTS, CORE 7 REFUSES TO GIVE UP 458 00:15:19,919 --> 00:15:21,921 >> Narrator: DESPITE MULTIPLE TESTS, CORE 7 REFUSES TO GIVE UP ANY CLUES AS TO THE DESIGN OF 459 00:15:21,921 --> 00:15:26,092 TESTS, CORE 7 REFUSES TO GIVE UP ANY CLUES AS TO THE DESIGN OF THE POWER TOOL THAT CREATED IT. 460 00:15:26,092 --> 00:15:27,927 ANY CLUES AS TO THE DESIGN OF THE POWER TOOL THAT CREATED IT. THE EXPERTS BELIEVE THE RATIONAL 461 00:15:27,927 --> 00:15:29,929 THE POWER TOOL THAT CREATED IT. THE EXPERTS BELIEVE THE RATIONAL EXPLANATION BEHIND IT MUST 462 00:15:29,929 --> 00:15:32,932 THE EXPERTS BELIEVE THE RATIONAL EXPLANATION BEHIND IT MUST SIMPLY BE LOST TO HISTORY. 463 00:15:32,932 --> 00:15:34,225 EXPLANATION BEHIND IT MUST SIMPLY BE LOST TO HISTORY. >> THE ANCIENT EGYPTIANS WERE 464 00:15:34,225 --> 00:15:36,394 SIMPLY BE LOST TO HISTORY. >> THE ANCIENT EGYPTIANS WERE PERFECTLY CAPABLE OF SKILLFULLY 465 00:15:36,394 --> 00:15:38,271 >> THE ANCIENT EGYPTIANS WERE PERFECTLY CAPABLE OF SKILLFULLY PRODUCING STONE WORK SUCH AS 466 00:15:38,271 --> 00:15:39,147 PERFECTLY CAPABLE OF SKILLFULLY PRODUCING STONE WORK SUCH AS THIS. 467 00:15:39,147 --> 00:15:40,607 PRODUCING STONE WORK SUCH AS THIS. AND JUST 'CAUSE WE DON'T 468 00:15:40,607 --> 00:15:41,941 THIS. AND JUST 'CAUSE WE DON'T UNDERSTAND HOW IT WAS MADE 469 00:15:41,941 --> 00:15:43,109 AND JUST 'CAUSE WE DON'T UNDERSTAND HOW IT WAS MADE DOESN'T MEAN THAT WE NEED TO 470 00:15:43,109 --> 00:15:46,154 UNDERSTAND HOW IT WAS MADE DOESN'T MEAN THAT WE NEED TO RESORT TO WILD SPECULATION. 471 00:15:46,154 --> 00:15:47,489 DOESN'T MEAN THAT WE NEED TO RESORT TO WILD SPECULATION. >> Narrator: ALTHOUGH WE HAVE NO 472 00:15:47,489 --> 00:15:49,240 RESORT TO WILD SPECULATION. >> Narrator: ALTHOUGH WE HAVE NO EVIDENCE OF HOW CORE 7 WAS 473 00:15:49,240 --> 00:15:51,284 >> Narrator: ALTHOUGH WE HAVE NO EVIDENCE OF HOW CORE 7 WAS DRILLED FROM GRANITE, COULD THE 474 00:15:51,284 --> 00:15:53,161 EVIDENCE OF HOW CORE 7 WAS DRILLED FROM GRANITE, COULD THE ELUSIVE AND INCREDIBLE TOOL THAT 475 00:15:53,161 --> 00:15:55,121 DRILLED FROM GRANITE, COULD THE ELUSIVE AND INCREDIBLE TOOL THAT CREATED IT HAVE BEEN FITTED WITH 476 00:15:55,121 --> 00:15:57,582 ELUSIVE AND INCREDIBLE TOOL THAT CREATED IT HAVE BEEN FITTED WITH A BIT EMBEDDED WITH DIAMOND, THE 477 00:15:57,582 --> 00:16:01,961 CREATED IT HAVE BEEN FITTED WITH A BIT EMBEDDED WITH DIAMOND, THE HARDEST MATERIAL ON EARTH? 478 00:16:01,961 --> 00:16:03,963 A BIT EMBEDDED WITH DIAMOND, THE HARDEST MATERIAL ON EARTH? THE ROMAN WRITER PLINY THE ELDER 479 00:16:03,963 --> 00:16:05,965 HARDEST MATERIAL ON EARTH? THE ROMAN WRITER PLINY THE ELDER MENTIONS A MYSTERIOUS MATERIAL 480 00:16:05,965 --> 00:16:07,967 THE ROMAN WRITER PLINY THE ELDER MENTIONS A MYSTERIOUS MATERIAL CALLED "ADAMAS," WHEN DESCRIBING 481 00:16:07,967 --> 00:16:09,678 MENTIONS A MYSTERIOUS MATERIAL CALLED "ADAMAS," WHEN DESCRIBING TOOLS FOR CUTTING THE HARDEST 482 00:16:09,678 --> 00:16:11,346 CALLED "ADAMAS," WHEN DESCRIBING TOOLS FOR CUTTING THE HARDEST ROCKS AND STONES. 483 00:16:11,346 --> 00:16:13,014 TOOLS FOR CUTTING THE HARDEST ROCKS AND STONES. COULD ADAMAS REALLY HAVE BEEN 484 00:16:13,014 --> 00:16:14,140 ROCKS AND STONES. COULD ADAMAS REALLY HAVE BEEN DIAMOND? 485 00:16:14,140 --> 00:16:16,685 COULD ADAMAS REALLY HAVE BEEN DIAMOND? PERHAPS IT WAS. 486 00:16:16,685 --> 00:16:18,770 DIAMOND? PERHAPS IT WAS. BUT STILL, THAT WAS 2,500 487 00:16:18,770 --> 00:16:20,146 PERHAPS IT WAS. BUT STILL, THAT WAS 2,500 THOUSAND YEARS AFTER THE 488 00:16:20,146 --> 00:16:21,981 BUT STILL, THAT WAS 2,500 THOUSAND YEARS AFTER THE EGYPTIANS SCULPTED CORE 7 FROM 489 00:16:21,981 --> 00:16:22,982 THOUSAND YEARS AFTER THE EGYPTIANS SCULPTED CORE 7 FROM GRANITE. 490 00:16:22,982 --> 00:16:24,109 EGYPTIANS SCULPTED CORE 7 FROM GRANITE. >> PEOPLE HAVE BEEN LOOKING AT 491 00:16:24,109 --> 00:16:25,276 GRANITE. >> PEOPLE HAVE BEEN LOOKING AT THIS FOR DECADES AND STILL, 492 00:16:25,276 --> 00:16:27,278 >> PEOPLE HAVE BEEN LOOKING AT THIS FOR DECADES AND STILL, THERE'S NO DEFINITIVE ANSWER. 493 00:16:27,278 --> 00:16:28,988 THIS FOR DECADES AND STILL, THERE'S NO DEFINITIVE ANSWER. PERHAPS WE'LL NEVER KNOW. 494 00:16:28,988 --> 00:16:29,989 THERE'S NO DEFINITIVE ANSWER. PERHAPS WE'LL NEVER KNOW. >> Narrator: WITH SO LITTLE 495 00:16:29,989 --> 00:16:31,825 PERHAPS WE'LL NEVER KNOW. >> Narrator: WITH SO LITTLE SOLID EVIDENCE, IT SEEMS THE 496 00:16:31,825 --> 00:16:33,827 >> Narrator: WITH SO LITTLE SOLID EVIDENCE, IT SEEMS THE ANCIENT TOOL THAT PRODUCED THIS 497 00:16:33,827 --> 00:16:36,121 SOLID EVIDENCE, IT SEEMS THE ANCIENT TOOL THAT PRODUCED THIS REMARKABLE ARTIFACT MUST REMAIN 498 00:16:36,121 --> 00:16:38,998 ANCIENT TOOL THAT PRODUCED THIS REMARKABLE ARTIFACT MUST REMAIN BEYOND OUR UNDERSTANDING. 499 00:16:38,998 --> 00:16:40,792 REMARKABLE ARTIFACT MUST REMAIN BEYOND OUR UNDERSTANDING. CORE 7 REMAINS ONE OF THE MOST 500 00:16:40,792 --> 00:16:42,127 BEYOND OUR UNDERSTANDING. CORE 7 REMAINS ONE OF THE MOST IMPOSSIBLE MYSTERIES OF THE 501 00:16:42,127 --> 00:16:43,169 CORE 7 REMAINS ONE OF THE MOST IMPOSSIBLE MYSTERIES OF THE ANCIENT WORLD. 502 00:16:47,382 --> 00:16:49,092 >> Narrator: WITH HUGE POWER 503 00:16:49,551 --> 00:16:54,347 TOOLS THAT MATCH THE STRENGTH OF OUR OWN, THE ANCIENTS WERE ABLE TO CONSTRUCT BUILDINGS THAT ARE 504 00:16:54,347 --> 00:16:57,809 OUR OWN, THE ANCIENTS WERE ABLE TO CONSTRUCT BUILDINGS THAT ARE MEMORIALS TO THEIR GENIUS. 505 00:16:57,809 --> 00:17:00,520 TO CONSTRUCT BUILDINGS THAT ARE MEMORIALS TO THEIR GENIUS. BUT HOW EXACTLY DID THEY DO IT? 506 00:17:00,520 --> 00:17:02,188 MEMORIALS TO THEIR GENIUS. BUT HOW EXACTLY DID THEY DO IT? THEIR RECORDS, FROM TEMPLE 507 00:17:02,188 --> 00:17:03,231 BUT HOW EXACTLY DID THEY DO IT? THEIR RECORDS, FROM TEMPLE PAINTINGS TO THE OBJECTS 508 00:17:03,231 --> 00:17:05,483 THEIR RECORDS, FROM TEMPLE PAINTINGS TO THE OBJECTS THEMSELVES CONTINUE TO RAISE 509 00:17:05,483 --> 00:17:06,735 PAINTINGS TO THE OBJECTS THEMSELVES CONTINUE TO RAISE QUESTIONS. 510 00:17:06,735 --> 00:17:08,903 THEMSELVES CONTINUE TO RAISE QUESTIONS. WHAT TOOLS DID THEY POSSESS? 511 00:17:08,903 --> 00:17:10,321 QUESTIONS. WHAT TOOLS DID THEY POSSESS? HOW WERE THEY ABLE TO USE THEM 512 00:17:10,321 --> 00:17:12,532 WHAT TOOLS DID THEY POSSESS? HOW WERE THEY ABLE TO USE THEM TO CREATE OBJECTS OF ASTONISHING 513 00:17:12,532 --> 00:17:15,076 HOW WERE THEY ABLE TO USE THEM TO CREATE OBJECTS OF ASTONISHING SCALE AND BEAUTY? 514 00:17:15,076 --> 00:17:17,036 TO CREATE OBJECTS OF ASTONISHING SCALE AND BEAUTY? AT CAIRO MUSEUM ARE HOUSED SOME 515 00:17:17,036 --> 00:17:18,538 SCALE AND BEAUTY? AT CAIRO MUSEUM ARE HOUSED SOME OF THE GREATEST TREASURES OF THE 516 00:17:18,538 --> 00:17:20,999 AT CAIRO MUSEUM ARE HOUSED SOME OF THE GREATEST TREASURES OF THE ANCIENT WORLD, AMONGST THEM THE 517 00:17:20,999 --> 00:17:23,042 OF THE GREATEST TREASURES OF THE ANCIENT WORLD, AMONGST THEM THE REMARKABLE DEATH MASK OF KING 518 00:17:23,042 --> 00:17:27,422 ANCIENT WORLD, AMONGST THEM THE REMARKABLE DEATH MASK OF KING TUTANKHAMEN. 519 00:17:27,422 --> 00:17:29,382 REMARKABLE DEATH MASK OF KING TUTANKHAMEN. IT WAS IN 1922 THAT 520 00:17:29,382 --> 00:17:31,217 TUTANKHAMEN. IT WAS IN 1922 THAT ARCHAEOLOGIST HOWARD CARTER 521 00:17:31,217 --> 00:17:32,385 IT WAS IN 1922 THAT ARCHAEOLOGIST HOWARD CARTER DISCOVERED THE TOMB OF THE 522 00:17:32,385 --> 00:17:34,929 ARCHAEOLOGIST HOWARD CARTER DISCOVERED THE TOMB OF THE PHARAOH TUTANKHAMEN. 523 00:17:34,929 --> 00:17:37,098 DISCOVERED THE TOMB OF THE PHARAOH TUTANKHAMEN. SLIDING OFF THE COVER OF THIS 524 00:17:37,098 --> 00:17:39,601 PHARAOH TUTANKHAMEN. SLIDING OFF THE COVER OF THIS ANCIENT SARCOPHAGUS, CARTER LAID 525 00:17:39,601 --> 00:17:41,561 SLIDING OFF THE COVER OF THIS ANCIENT SARCOPHAGUS, CARTER LAID EYES ON AN EXTRAORDINARY OBJECT 526 00:17:41,561 --> 00:17:43,062 ANCIENT SARCOPHAGUS, CARTER LAID EYES ON AN EXTRAORDINARY OBJECT THAT HAD BEEN HIDDEN FOR OVER 527 00:17:43,062 --> 00:17:44,689 EYES ON AN EXTRAORDINARY OBJECT THAT HAD BEEN HIDDEN FOR OVER 3,000 YEARS. 528 00:17:44,689 --> 00:17:46,733 THAT HAD BEEN HIDDEN FOR OVER 3,000 YEARS. IT IS EASY TO BE AWESTRUCK BY 529 00:17:46,733 --> 00:17:48,735 3,000 YEARS. IT IS EASY TO BE AWESTRUCK BY THE SKILL NEEDED TO MANIPULATE 530 00:17:48,735 --> 00:17:50,236 IT IS EASY TO BE AWESTRUCK BY THE SKILL NEEDED TO MANIPULATE SOLID GOLD INTO THIS 531 00:17:50,236 --> 00:17:52,614 THE SKILL NEEDED TO MANIPULATE SOLID GOLD INTO THIS EXTRAORDINARY MASK. 532 00:17:52,614 --> 00:17:55,241 SOLID GOLD INTO THIS EXTRAORDINARY MASK. BUT SKILL IS NOTHING WITHOUT THE 533 00:17:55,241 --> 00:17:57,076 EXTRAORDINARY MASK. BUT SKILL IS NOTHING WITHOUT THE TOOLS TO GO WITH IT. 534 00:17:57,076 --> 00:17:58,620 BUT SKILL IS NOTHING WITHOUT THE TOOLS TO GO WITH IT. TO TRY TO GET CLOSE TO SEEING 535 00:17:58,620 --> 00:18:01,206 TOOLS TO GO WITH IT. TO TRY TO GET CLOSE TO SEEING WHAT TOOLS WERE USED, A UNIQUE 536 00:18:01,206 --> 00:18:05,126 TO TRY TO GET CLOSE TO SEEING WHAT TOOLS WERE USED, A UNIQUE EXPERIMENT IS UNDERTAKEN. 537 00:18:05,126 --> 00:18:07,253 WHAT TOOLS WERE USED, A UNIQUE EXPERIMENT IS UNDERTAKEN. IN THIS SCULPTOR'S WORKSHOP IN 538 00:18:07,253 --> 00:18:09,422 EXPERIMENT IS UNDERTAKEN. IN THIS SCULPTOR'S WORKSHOP IN WALES IN THE U.K., A REMARKABLE 539 00:18:09,422 --> 00:18:11,090 IN THIS SCULPTOR'S WORKSHOP IN WALES IN THE U.K., A REMARKABLE RECREATION OF THE MAKING OF THE 540 00:18:11,090 --> 00:18:13,760 WALES IN THE U.K., A REMARKABLE RECREATION OF THE MAKING OF THE FAMOUS DEATH MASK IS UNDERWAY. 541 00:18:13,760 --> 00:18:14,636 RECREATION OF THE MAKING OF THE FAMOUS DEATH MASK IS UNDERWAY. >> THE TOOLS THEY USED TO 542 00:18:14,636 --> 00:18:17,388 FAMOUS DEATH MASK IS UNDERWAY. >> THE TOOLS THEY USED TO PRODUCE THIS AREN'T THAT 543 00:18:17,388 --> 00:18:18,890 >> THE TOOLS THEY USED TO PRODUCE THIS AREN'T THAT DISSIMILAR TO THE KIND OF TOOLS 544 00:18:18,890 --> 00:18:20,266 PRODUCE THIS AREN'T THAT DISSIMILAR TO THE KIND OF TOOLS WE USE NOWADAYS TO WORK WITH 545 00:18:20,266 --> 00:18:20,975 DISSIMILAR TO THE KIND OF TOOLS WE USE NOWADAYS TO WORK WITH METAL. 546 00:18:20,975 --> 00:18:22,143 WE USE NOWADAYS TO WORK WITH METAL. THEY WOULD HAVE WORKED WITH 547 00:18:22,143 --> 00:18:23,978 METAL. THEY WOULD HAVE WORKED WITH BRONZE TOOLS, BUT FUNDAMENTALLY, 548 00:18:23,978 --> 00:18:25,271 THEY WOULD HAVE WORKED WITH BRONZE TOOLS, BUT FUNDAMENTALLY, THEY WERE WORKING WITH HAMMERS 549 00:18:25,271 --> 00:18:27,273 BRONZE TOOLS, BUT FUNDAMENTALLY, THEY WERE WORKING WITH HAMMERS AND CHISELS AND THAT'S IT, AND 550 00:18:27,273 --> 00:18:29,275 THEY WERE WORKING WITH HAMMERS AND CHISELS AND THAT'S IT, AND JUST TO A VERY, VERY FINE 551 00:18:29,275 --> 00:18:30,401 AND CHISELS AND THAT'S IT, AND JUST TO A VERY, VERY FINE DEGREE. 552 00:18:30,401 --> 00:18:32,070 JUST TO A VERY, VERY FINE DEGREE. >> Narrator: THERE IS NO WRITTEN 553 00:18:32,070 --> 00:18:34,280 DEGREE. >> Narrator: THERE IS NO WRITTEN RECORD OF HOW THE MASK WAS MADE. 554 00:18:34,280 --> 00:18:35,782 >> Narrator: THERE IS NO WRITTEN RECORD OF HOW THE MASK WAS MADE. BUT IT APPEARS THE CRAFTSMAN 555 00:18:35,782 --> 00:18:37,283 RECORD OF HOW THE MASK WAS MADE. BUT IT APPEARS THE CRAFTSMAN WOULD HAVE TO START BY MAKING AN 556 00:18:37,283 --> 00:18:38,618 BUT IT APPEARS THE CRAFTSMAN WOULD HAVE TO START BY MAKING AN ALABASTER SCULPTURE OF 557 00:18:38,618 --> 00:18:41,454 WOULD HAVE TO START BY MAKING AN ALABASTER SCULPTURE OF TUTANKHAMEN'S FACE TO WORK FROM. 558 00:18:41,454 --> 00:18:43,289 ALABASTER SCULPTURE OF TUTANKHAMEN'S FACE TO WORK FROM. IT SEEMS A SHEET OF METAL WOULD 559 00:18:43,289 --> 00:18:45,124 TUTANKHAMEN'S FACE TO WORK FROM. IT SEEMS A SHEET OF METAL WOULD THEN BE MOLDED TO THE SCULPTURE 560 00:18:45,124 --> 00:18:46,960 IT SEEMS A SHEET OF METAL WOULD THEN BE MOLDED TO THE SCULPTURE BY GENTLY TAPPING IT. 561 00:18:46,960 --> 00:18:48,795 THEN BE MOLDED TO THE SCULPTURE BY GENTLY TAPPING IT. >> SO THIS PROCESS OF MOLDING 562 00:18:48,795 --> 00:18:50,296 BY GENTLY TAPPING IT. >> SO THIS PROCESS OF MOLDING THE METAL OVER THE SHAPE OF THE 563 00:18:50,296 --> 00:18:52,465 >> SO THIS PROCESS OF MOLDING THE METAL OVER THE SHAPE OF THE HEAD CAN TAKE A LONG TIME. 564 00:18:52,465 --> 00:18:55,301 THE METAL OVER THE SHAPE OF THE HEAD CAN TAKE A LONG TIME. THIS IS IT AFTER MANY HOURS' 565 00:18:55,301 --> 00:18:57,136 HEAD CAN TAKE A LONG TIME. THIS IS IT AFTER MANY HOURS' WORK, AND YOU SEE WE ARE 566 00:18:57,136 --> 00:18:59,305 THIS IS IT AFTER MANY HOURS' WORK, AND YOU SEE WE ARE BEGINNING TO SEE A MUCH GREATER 567 00:18:59,305 --> 00:19:00,807 WORK, AND YOU SEE WE ARE BEGINNING TO SEE A MUCH GREATER DEGREE OF DEFINITION. 568 00:19:00,807 --> 00:19:02,100 BEGINNING TO SEE A MUCH GREATER DEGREE OF DEFINITION. >> Narrator: PIECES LIKE THIS 569 00:19:02,100 --> 00:19:03,309 DEGREE OF DEFINITION. >> Narrator: PIECES LIKE THIS THEN NEED TO BE SOLDERED 570 00:19:03,309 --> 00:19:04,310 >> Narrator: PIECES LIKE THIS THEN NEED TO BE SOLDERED TOGETHER. 571 00:19:04,310 --> 00:19:05,311 THEN NEED TO BE SOLDERED TOGETHER. HOW WOULD THE EGYPTIANS HAVE 572 00:19:05,311 --> 00:19:06,813 TOGETHER. HOW WOULD THE EGYPTIANS HAVE MANAGED THIS? 573 00:19:06,813 --> 00:19:08,773 HOW WOULD THE EGYPTIANS HAVE MANAGED THIS? IT'S A MYSTERY. 574 00:19:08,773 --> 00:19:10,191 MANAGED THIS? IT'S A MYSTERY. >> SO WHAT WE WANT TO GET IS TO 575 00:19:10,191 --> 00:19:11,317 IT'S A MYSTERY. >> SO WHAT WE WANT TO GET IS TO THIS STAGE. 576 00:19:11,317 --> 00:19:12,777 >> SO WHAT WE WANT TO GET IS TO THIS STAGE. THERE'S STILL ROUGHNESS ON IT. 577 00:19:12,777 --> 00:19:14,445 THIS STAGE. THERE'S STILL ROUGHNESS ON IT. YOU CAN STILL SEE THE JOINS. 578 00:19:14,445 --> 00:19:16,990 THERE'S STILL ROUGHNESS ON IT. YOU CAN STILL SEE THE JOINS. THE NEXT STAGE NOW, WE'RE THEN 579 00:19:16,990 --> 00:19:18,324 YOU CAN STILL SEE THE JOINS. THE NEXT STAGE NOW, WE'RE THEN GOING TO HAVE TO GO OVER THESE 580 00:19:18,324 --> 00:19:20,451 THE NEXT STAGE NOW, WE'RE THEN GOING TO HAVE TO GO OVER THESE WITH A HOT IRON. 581 00:19:20,451 --> 00:19:21,953 GOING TO HAVE TO GO OVER THESE WITH A HOT IRON. >> Narrator: WITH HEATED TOOLS, 582 00:19:21,953 --> 00:19:24,789 WITH A HOT IRON. >> Narrator: WITH HEATED TOOLS, YOU CAN SMOOTH THE SURFACE. 583 00:19:24,789 --> 00:19:26,666 >> Narrator: WITH HEATED TOOLS, YOU CAN SMOOTH THE SURFACE. IT'S A HUGELY DELICATE PROCESS 584 00:19:26,666 --> 00:19:29,210 YOU CAN SMOOTH THE SURFACE. IT'S A HUGELY DELICATE PROCESS WITH NO ROOM FOR ERROR. 585 00:19:29,210 --> 00:19:30,837 IT'S A HUGELY DELICATE PROCESS WITH NO ROOM FOR ERROR. BUT RESEARCHERS WONDER IF THE 586 00:19:30,837 --> 00:19:32,380 WITH NO ROOM FOR ERROR. BUT RESEARCHERS WONDER IF THE EGYPTIANS USED THIS HOT-TOOL 587 00:19:32,380 --> 00:19:33,381 BUT RESEARCHERS WONDER IF THE EGYPTIANS USED THIS HOT-TOOL TECHNIQUE? 588 00:19:33,381 --> 00:19:35,675 EGYPTIANS USED THIS HOT-TOOL TECHNIQUE? THE FACT IS WE SIMPLY DON'T 589 00:19:35,675 --> 00:19:37,135 TECHNIQUE? THE FACT IS WE SIMPLY DON'T KNOW. 590 00:19:37,135 --> 00:19:38,720 THE FACT IS WE SIMPLY DON'T KNOW. >> THE NEXT PROCESS THEN IS 591 00:19:38,720 --> 00:19:40,680 KNOW. >> THE NEXT PROCESS THEN IS POLISHING IT'S ESSENTIALLY 592 00:19:40,680 --> 00:19:43,224 >> THE NEXT PROCESS THEN IS POLISHING IT'S ESSENTIALLY SANDPAPER AND FILES AND RASPS TO 593 00:19:43,224 --> 00:19:44,642 POLISHING IT'S ESSENTIALLY SANDPAPER AND FILES AND RASPS TO GET THE ABSOLUTELY PERFECT 594 00:19:44,642 --> 00:19:46,352 SANDPAPER AND FILES AND RASPS TO GET THE ABSOLUTELY PERFECT MIRRORED FINISH THAT THE 595 00:19:46,352 --> 00:19:48,146 GET THE ABSOLUTELY PERFECT MIRRORED FINISH THAT THE EGYPTIANS ACHIEVED. 596 00:19:48,146 --> 00:19:49,230 MIRRORED FINISH THAT THE EGYPTIANS ACHIEVED. >> Narrator: THE CRAFTSMEN OF 597 00:19:49,230 --> 00:19:50,857 EGYPTIANS ACHIEVED. >> Narrator: THE CRAFTSMEN OF THE TIME DIDN'T HAVE METAL FILES 598 00:19:50,857 --> 00:19:52,692 >> Narrator: THE CRAFTSMEN OF THE TIME DIDN'T HAVE METAL FILES AS WE KNOW THEM TODAY. 599 00:19:52,692 --> 00:19:53,693 THE TIME DIDN'T HAVE METAL FILES AS WE KNOW THEM TODAY. THEY DID HAVE A KIND OF 600 00:19:53,693 --> 00:19:55,361 AS WE KNOW THEM TODAY. THEY DID HAVE A KIND OF SANDPAPER MADE FROM SYCAMORE 601 00:19:55,361 --> 00:19:56,362 THEY DID HAVE A KIND OF SANDPAPER MADE FROM SYCAMORE BARK. 602 00:19:56,362 --> 00:19:58,031 SANDPAPER MADE FROM SYCAMORE BARK. TO ACHIEVE THIS FINISH WITH THE 603 00:19:58,031 --> 00:20:00,366 BARK. TO ACHIEVE THIS FINISH WITH THE TOOLS THEY HAD IS ASTONISHING. 604 00:20:00,366 --> 00:20:02,368 TO ACHIEVE THIS FINISH WITH THE TOOLS THEY HAD IS ASTONISHING. >> YOU ARE HUMBLED BY THIS PIECE 605 00:20:02,368 --> 00:20:03,202 TOOLS THEY HAD IS ASTONISHING. >> YOU ARE HUMBLED BY THIS PIECE OF ARTWORK. 606 00:20:03,202 --> 00:20:05,705 >> YOU ARE HUMBLED BY THIS PIECE OF ARTWORK. THE WORK IN THIS IS LITERALLY 607 00:20:05,705 --> 00:20:07,248 OF ARTWORK. THE WORK IN THIS IS LITERALLY AWE-INSPIRING. 608 00:20:07,248 --> 00:20:08,875 THE WORK IN THIS IS LITERALLY AWE-INSPIRING. >> Narrator: THE EGYPTIANS 609 00:20:08,875 --> 00:20:10,376 AWE-INSPIRING. >> Narrator: THE EGYPTIANS CLEARLY KNEW HOW TO MANIPULATE 610 00:20:10,376 --> 00:20:12,587 >> Narrator: THE EGYPTIANS CLEARLY KNEW HOW TO MANIPULATE SMALL TOOLS TO CREATE OBJECTS OF 611 00:20:12,587 --> 00:20:17,383 CLEARLY KNEW HOW TO MANIPULATE SMALL TOOLS TO CREATE OBJECTS OF ASTONISHING BEAUTY. 612 00:20:17,383 --> 00:20:19,385 SMALL TOOLS TO CREATE OBJECTS OF ASTONISHING BEAUTY. NOT ONLY WERE TOOLS USED FOR 613 00:20:19,385 --> 00:20:21,554 ASTONISHING BEAUTY. NOT ONLY WERE TOOLS USED FOR GREAT ART, BUT THE ANCIENTS WERE 614 00:20:21,554 --> 00:20:23,765 NOT ONLY WERE TOOLS USED FOR GREAT ART, BUT THE ANCIENTS WERE ALSO ABLE TO CREATE TOOLS TO USE 615 00:20:23,765 --> 00:20:26,935 GREAT ART, BUT THE ANCIENTS WERE ALSO ABLE TO CREATE TOOLS TO USE ON THEMSELVES. 616 00:20:26,935 --> 00:20:29,228 ALSO ABLE TO CREATE TOOLS TO USE ON THEMSELVES. THE SPARSE RECORDS LEFT BEHIND 617 00:20:29,228 --> 00:20:33,066 ON THEMSELVES. THE SPARSE RECORDS LEFT BEHIND CONTINUALLY GIVE US NEW CLUES. 618 00:20:33,066 --> 00:20:35,693 THE SPARSE RECORDS LEFT BEHIND CONTINUALLY GIVE US NEW CLUES. THIS IS AN ASTONISHING WALL 619 00:20:35,693 --> 00:20:36,569 CONTINUALLY GIVE US NEW CLUES. THIS IS AN ASTONISHING WALL PAINTING. 620 00:20:36,569 --> 00:20:38,363 THIS IS AN ASTONISHING WALL PAINTING. IT SEEMS TO SHOW ANCIENT 621 00:20:38,363 --> 00:20:41,282 PAINTING. IT SEEMS TO SHOW ANCIENT EGYPTIAN EYE SURGERY IN ACTION. 622 00:20:41,282 --> 00:20:43,409 IT SEEMS TO SHOW ANCIENT EGYPTIAN EYE SURGERY IN ACTION. INCREDIBLY, THE ANCIENTS DID 623 00:20:43,409 --> 00:20:45,411 EGYPTIAN EYE SURGERY IN ACTION. INCREDIBLY, THE ANCIENTS DID HAVE TOOLS CAPABLE OF SURGICAL 624 00:20:45,411 --> 00:20:48,706 INCREDIBLY, THE ANCIENTS DID HAVE TOOLS CAPABLE OF SURGICAL PRECISION. 625 00:20:48,706 --> 00:20:50,416 HAVE TOOLS CAPABLE OF SURGICAL PRECISION. AND THIS RECENT DISCOVERY IS ONE 626 00:20:50,416 --> 00:20:52,418 PRECISION. AND THIS RECENT DISCOVERY IS ONE OF THOSE TOOLS. 627 00:20:52,418 --> 00:20:54,253 AND THIS RECENT DISCOVERY IS ONE OF THOSE TOOLS. FROM THE ROMAN ERA, IT IS SO 628 00:20:54,253 --> 00:20:56,255 OF THOSE TOOLS. FROM THE ROMAN ERA, IT IS SO SIMILAR TO TOOLS USED TODAY IT 629 00:20:56,255 --> 00:20:59,592 FROM THE ROMAN ERA, IT IS SO SIMILAR TO TOOLS USED TODAY IT SEEMS ALMOST IMPOSSIBLE. 630 00:20:59,592 --> 00:21:02,553 SIMILAR TO TOOLS USED TODAY IT SEEMS ALMOST IMPOSSIBLE. INCREDIBLY, ITS JOB IS TO REMOVE 631 00:21:02,553 --> 00:21:05,431 SEEMS ALMOST IMPOSSIBLE. INCREDIBLY, ITS JOB IS TO REMOVE THE CATARACT IN THE EYE. 632 00:21:05,431 --> 00:21:07,433 INCREDIBLY, ITS JOB IS TO REMOVE THE CATARACT IN THE EYE. >> CATARACTS ARE CAUSED WHEN YOU 633 00:21:07,433 --> 00:21:09,936 THE CATARACT IN THE EYE. >> CATARACTS ARE CAUSED WHEN YOU GET A BUILDUP OF PROTEIN BEHIND 634 00:21:09,936 --> 00:21:11,646 >> CATARACTS ARE CAUSED WHEN YOU GET A BUILDUP OF PROTEIN BEHIND THE LENS IN THE HUMAN EYE. 635 00:21:11,646 --> 00:21:13,606 GET A BUILDUP OF PROTEIN BEHIND THE LENS IN THE HUMAN EYE. SO YOU CAN IMAGINE THIS IS THE 636 00:21:13,606 --> 00:21:15,942 THE LENS IN THE HUMAN EYE. SO YOU CAN IMAGINE THIS IS THE LENS OF AN EYE, THE CATARACTS 637 00:21:15,942 --> 00:21:18,444 SO YOU CAN IMAGINE THIS IS THE LENS OF AN EYE, THE CATARACTS BUILD UP BEHIND THIS LENS AND 638 00:21:18,444 --> 00:21:20,446 LENS OF AN EYE, THE CATARACTS BUILD UP BEHIND THIS LENS AND STOP THE LIGHT FROM GETTING 639 00:21:20,446 --> 00:21:22,323 BUILD UP BEHIND THIS LENS AND STOP THE LIGHT FROM GETTING THROUGH CLEARLY ONTO THE 640 00:21:22,323 --> 00:21:22,907 STOP THE LIGHT FROM GETTING THROUGH CLEARLY ONTO THE RETINA. 641 00:21:22,907 --> 00:21:24,283 THROUGH CLEARLY ONTO THE RETINA. SO THE RESULT IS THAT THE 642 00:21:24,283 --> 00:21:25,451 RETINA. SO THE RESULT IS THAT THE INDIVIDUAL WOULD EXPERIENCE A 643 00:21:25,451 --> 00:21:27,161 SO THE RESULT IS THAT THE INDIVIDUAL WOULD EXPERIENCE A KIND OF CLOUDINESS IMPAIRING 644 00:21:27,161 --> 00:21:29,080 INDIVIDUAL WOULD EXPERIENCE A KIND OF CLOUDINESS IMPAIRING THEIR VISION. 645 00:21:29,080 --> 00:21:30,123 KIND OF CLOUDINESS IMPAIRING THEIR VISION. >> Narrator: THROUGHOUT THE 646 00:21:30,123 --> 00:21:32,000 THEIR VISION. >> Narrator: THROUGHOUT THE ANCIENT WORLD, PHYSICIANS USED 647 00:21:32,000 --> 00:21:33,459 >> Narrator: THROUGHOUT THE ANCIENT WORLD, PHYSICIANS USED NEEDLES FOR INTRICATE EYE 648 00:21:33,459 --> 00:21:35,461 ANCIENT WORLD, PHYSICIANS USED NEEDLES FOR INTRICATE EYE SURGERY. 649 00:21:35,461 --> 00:21:38,256 NEEDLES FOR INTRICATE EYE SURGERY. IN RECENT YEARS, ARCHAEOLOGISTS 650 00:21:38,256 --> 00:21:40,258 SURGERY. IN RECENT YEARS, ARCHAEOLOGISTS HAVE UNCOVERED A RANGE OF ROMAN 651 00:21:40,258 --> 00:21:41,467 IN RECENT YEARS, ARCHAEOLOGISTS HAVE UNCOVERED A RANGE OF ROMAN TOOLS DESIGNED FOR THIS 652 00:21:41,467 --> 00:21:43,469 HAVE UNCOVERED A RANGE OF ROMAN TOOLS DESIGNED FOR THIS INCREDIBLY DELICATE OPERATION. 653 00:21:43,469 --> 00:21:45,096 TOOLS DESIGNED FOR THIS INCREDIBLY DELICATE OPERATION. >> SO THIS IS A ROMAN CATARACT 654 00:21:45,096 --> 00:21:45,847 INCREDIBLY DELICATE OPERATION. >> SO THIS IS A ROMAN CATARACT NEEDLE. 655 00:21:45,847 --> 00:21:48,307 >> SO THIS IS A ROMAN CATARACT NEEDLE. IT'S AN EXTRAORDINARY PRECISION 656 00:21:48,307 --> 00:21:50,476 NEEDLE. IT'S AN EXTRAORDINARY PRECISION INSTRUMENT, BEAUTIFULLY MADE, 657 00:21:50,476 --> 00:21:52,854 IT'S AN EXTRAORDINARY PRECISION INSTRUMENT, BEAUTIFULLY MADE, EFFECTIVE AND SIMPLE. 658 00:21:52,854 --> 00:21:55,106 INSTRUMENT, BEAUTIFULLY MADE, EFFECTIVE AND SIMPLE. IT IS AN ABSOLUTELY FANTASTIC 659 00:21:55,106 --> 00:21:56,441 EFFECTIVE AND SIMPLE. IT IS AN ABSOLUTELY FANTASTIC INSTRUMENT. 660 00:21:56,441 --> 00:21:57,775 IT IS AN ABSOLUTELY FANTASTIC INSTRUMENT. IT IS A TREASURE IN ITS OWN 661 00:21:57,775 --> 00:21:59,152 INSTRUMENT. IT IS A TREASURE IN ITS OWN RIGHT BECAUSE OF THE INFORMATION 662 00:21:59,152 --> 00:22:00,862 IT IS A TREASURE IN ITS OWN RIGHT BECAUSE OF THE INFORMATION IT BRINGS US. 663 00:22:00,862 --> 00:22:03,364 RIGHT BECAUSE OF THE INFORMATION IT BRINGS US. IT'S SIMPLE, BUT IT'S EFFECTIVE, 664 00:22:03,364 --> 00:22:06,868 IT BRINGS US. IT'S SIMPLE, BUT IT'S EFFECTIVE, AND IT'S BEEN IN PEOPLE'S EYES. 665 00:22:06,868 --> 00:22:08,494 IT'S SIMPLE, BUT IT'S EFFECTIVE, AND IT'S BEEN IN PEOPLE'S EYES. >> Narrator: TO CURE A CATARACT, 666 00:22:08,494 --> 00:22:09,620 AND IT'S BEEN IN PEOPLE'S EYES. >> Narrator: TO CURE A CATARACT, THE ANCIENTS DEVELOPED A 667 00:22:09,620 --> 00:22:12,331 >> Narrator: TO CURE A CATARACT, THE ANCIENTS DEVELOPED A TECHNIQUE KNOWN AS COUCHING. 668 00:22:12,331 --> 00:22:14,333 THE ANCIENTS DEVELOPED A TECHNIQUE KNOWN AS COUCHING. SURGEONS WOULD EXPERTLY INSERT 669 00:22:14,333 --> 00:22:15,501 TECHNIQUE KNOWN AS COUCHING. SURGEONS WOULD EXPERTLY INSERT THE NEEDLE INTO THE BACK OF THE 670 00:22:15,501 --> 00:22:19,297 SURGEONS WOULD EXPERTLY INSERT THE NEEDLE INTO THE BACK OF THE EYE TO CUT AWAY THE CATARACT. 671 00:22:19,297 --> 00:22:21,174 THE NEEDLE INTO THE BACK OF THE EYE TO CUT AWAY THE CATARACT. ONE SLIP COULD HAVE CAUSED 672 00:22:21,174 --> 00:22:23,342 EYE TO CUT AWAY THE CATARACT. ONE SLIP COULD HAVE CAUSED PERMANENT BLINDNESS. 673 00:22:23,342 --> 00:22:24,343 ONE SLIP COULD HAVE CAUSED PERMANENT BLINDNESS. >> LIGHT FLOODS BACK INTO THE 674 00:22:24,343 --> 00:22:25,303 PERMANENT BLINDNESS. >> LIGHT FLOODS BACK INTO THE EYEBALL. 675 00:22:25,303 --> 00:22:26,345 >> LIGHT FLOODS BACK INTO THE EYEBALL. HE'S LOST THE FOCUSING 676 00:22:26,345 --> 00:22:27,847 EYEBALL. HE'S LOST THE FOCUSING MECHANISM, NOT THAT HE KNEW HE 677 00:22:27,847 --> 00:22:29,807 HE'S LOST THE FOCUSING MECHANISM, NOT THAT HE KNEW HE HAD IT, BUT IT'S A SUCCESSFUL 678 00:22:29,807 --> 00:22:30,558 MECHANISM, NOT THAT HE KNEW HE HAD IT, BUT IT'S A SUCCESSFUL OPERATION. 679 00:22:30,558 --> 00:22:32,185 HAD IT, BUT IT'S A SUCCESSFUL OPERATION. HE CAN SEE MUCH BETTER THAN HE 680 00:22:32,185 --> 00:22:34,479 OPERATION. HE CAN SEE MUCH BETTER THAN HE SAW BEFORE. 681 00:22:34,479 --> 00:22:35,521 HE CAN SEE MUCH BETTER THAN HE SAW BEFORE. >> AND LET'S NOT FORGET THIS IS 682 00:22:35,521 --> 00:22:37,523 SAW BEFORE. >> AND LET'S NOT FORGET THIS IS IN THE DAYS BEFORE PENICILLIN, 683 00:22:37,523 --> 00:22:40,526 >> AND LET'S NOT FORGET THIS IS IN THE DAYS BEFORE PENICILLIN, BEFORE ANESTHETIC, AND YET THEY 684 00:22:40,526 --> 00:22:43,362 IN THE DAYS BEFORE PENICILLIN, BEFORE ANESTHETIC, AND YET THEY HAD THE WHEREWITHAL TO TRY AND 685 00:22:43,362 --> 00:22:44,822 BEFORE ANESTHETIC, AND YET THEY HAD THE WHEREWITHAL TO TRY AND ATTEMPT TO SOLVE THIS PROBLEM. 686 00:22:44,822 --> 00:22:46,365 HAD THE WHEREWITHAL TO TRY AND ATTEMPT TO SOLVE THIS PROBLEM. >> Narrator: BUT THE INNOVATION 687 00:22:46,365 --> 00:22:47,658 ATTEMPT TO SOLVE THIS PROBLEM. >> Narrator: BUT THE INNOVATION DIDN'T STOP THERE. 688 00:22:47,658 --> 00:22:49,994 >> Narrator: BUT THE INNOVATION DIDN'T STOP THERE. ON THE BED OF A RIVER IN 689 00:22:49,994 --> 00:22:51,537 DIDN'T STOP THERE. ON THE BED OF A RIVER IN MONTBELLET, FRANCE, 690 00:22:51,537 --> 00:22:53,414 ON THE BED OF A RIVER IN MONTBELLET, FRANCE, ARCHAEOLOGISTS CAME UPON AN 691 00:22:53,414 --> 00:22:56,542 MONTBELLET, FRANCE, ARCHAEOLOGISTS CAME UPON AN INCREDIBLE FIND-- A CACHE OF 692 00:22:56,542 --> 00:22:58,211 ARCHAEOLOGISTS CAME UPON AN INCREDIBLE FIND-- A CACHE OF NEEDLES THAT ONLY BEGAN TO 693 00:22:58,211 --> 00:22:59,545 INCREDIBLE FIND-- A CACHE OF NEEDLES THAT ONLY BEGAN TO REVEAL THEIR SECRETS WHEN 694 00:22:59,545 --> 00:23:01,547 NEEDLES THAT ONLY BEGAN TO REVEAL THEIR SECRETS WHEN X-RAYED. 695 00:23:01,547 --> 00:23:03,341 REVEAL THEIR SECRETS WHEN X-RAYED. THEY WERE THE NEXT GENERATION OF 696 00:23:03,341 --> 00:23:05,051 X-RAYED. THEY WERE THE NEXT GENERATION OF MEDICAL IMPLEMENTS WHOSE DESIGN 697 00:23:05,051 --> 00:23:06,886 THEY WERE THE NEXT GENERATION OF MEDICAL IMPLEMENTS WHOSE DESIGN WAS 2,000 YEARS AHEAD OF THEIR 698 00:23:06,886 --> 00:23:09,555 MEDICAL IMPLEMENTS WHOSE DESIGN WAS 2,000 YEARS AHEAD OF THEIR TIME. 699 00:23:09,555 --> 00:23:11,891 WAS 2,000 YEARS AHEAD OF THEIR TIME. INCREDIBLY, THEY'RE REMARKABLY 700 00:23:11,891 --> 00:23:13,893 TIME. INCREDIBLY, THEY'RE REMARKABLY SIMILAR TO THE TOOLS USED BY EYE 701 00:23:13,893 --> 00:23:15,603 INCREDIBLY, THEY'RE REMARKABLY SIMILAR TO THE TOOLS USED BY EYE SURGEONS TODAY. 702 00:23:15,603 --> 00:23:17,563 SIMILAR TO THE TOOLS USED BY EYE SURGEONS TODAY. AND THE CLUE HERE IS IN THE 703 00:23:17,563 --> 00:23:19,565 SURGEONS TODAY. AND THE CLUE HERE IS IN THE BUILT-IN SUCTION TUBE. 704 00:23:19,565 --> 00:23:22,527 AND THE CLUE HERE IS IN THE BUILT-IN SUCTION TUBE. >> SO THIS MODERN-DAY CATARACT 705 00:23:22,527 --> 00:23:25,363 BUILT-IN SUCTION TUBE. >> SO THIS MODERN-DAY CATARACT NEEDLE HAS BEEN DEVELOPED OVER 706 00:23:25,363 --> 00:23:26,572 >> SO THIS MODERN-DAY CATARACT NEEDLE HAS BEEN DEVELOPED OVER MANY, MANY YEARS. 707 00:23:26,572 --> 00:23:29,033 NEEDLE HAS BEEN DEVELOPED OVER MANY, MANY YEARS. DURING MY SURGERY, THIS FINE 708 00:23:29,033 --> 00:23:31,744 MANY, MANY YEARS. DURING MY SURGERY, THIS FINE ULTRASONIC NEEDLE IS TAKEN AND 709 00:23:31,744 --> 00:23:34,247 DURING MY SURGERY, THIS FINE ULTRASONIC NEEDLE IS TAKEN AND PLACED THROUGH THE INCISION INTO 710 00:23:34,247 --> 00:23:36,749 ULTRASONIC NEEDLE IS TAKEN AND PLACED THROUGH THE INCISION INTO THE EYE, AND THEN THE ULTRASONIC 711 00:23:36,749 --> 00:23:38,793 PLACED THROUGH THE INCISION INTO THE EYE, AND THEN THE ULTRASONIC POWER IS USED TO BREAK UP THE 712 00:23:38,793 --> 00:23:40,586 THE EYE, AND THEN THE ULTRASONIC POWER IS USED TO BREAK UP THE CATARACT, AND THEN IT'S ALSO 713 00:23:40,586 --> 00:23:41,587 POWER IS USED TO BREAK UP THE CATARACT, AND THEN IT'S ALSO SUCKED UP THROUGH THE SAME 714 00:23:41,587 --> 00:23:44,882 CATARACT, AND THEN IT'S ALSO SUCKED UP THROUGH THE SAME NEEDLE AND TAKEN AWAY. 715 00:23:44,882 --> 00:23:45,883 SUCKED UP THROUGH THE SAME NEEDLE AND TAKEN AWAY. >> Narrator: INCREDIBLY, THE 716 00:23:45,883 --> 00:23:47,927 NEEDLE AND TAKEN AWAY. >> Narrator: INCREDIBLY, THE ROMANS PERFORMED EYE OPERATIONS 717 00:23:47,927 --> 00:23:49,595 >> Narrator: INCREDIBLY, THE ROMANS PERFORMED EYE OPERATIONS IN JUST THE SAME WAY, THE 718 00:23:49,595 --> 00:23:51,430 ROMANS PERFORMED EYE OPERATIONS IN JUST THE SAME WAY, THE NEEDLE BEING PART OF A HOLLOW 719 00:23:51,430 --> 00:23:53,224 IN JUST THE SAME WAY, THE NEEDLE BEING PART OF A HOLLOW TUBE AND THE CATARACT BEING 720 00:23:53,224 --> 00:23:54,976 NEEDLE BEING PART OF A HOLLOW TUBE AND THE CATARACT BEING LITERALLY SUCKED UP THROUGH THIS 721 00:23:54,976 --> 00:23:57,145 TUBE AND THE CATARACT BEING LITERALLY SUCKED UP THROUGH THIS TUBE BY THE MOUTH OF THE DOCTOR. 722 00:23:57,145 --> 00:23:59,605 LITERALLY SUCKED UP THROUGH THIS TUBE BY THE MOUTH OF THE DOCTOR. BUT THEN THIS TECHNOLOGY WAS 723 00:23:59,605 --> 00:24:01,065 TUBE BY THE MOUTH OF THE DOCTOR. BUT THEN THIS TECHNOLOGY WAS FORGOTTEN. 724 00:24:01,065 --> 00:24:04,068 BUT THEN THIS TECHNOLOGY WAS FORGOTTEN. FOR NEARLY 2,000 YEARS IT SEEMS 725 00:24:04,068 --> 00:24:05,611 FORGOTTEN. FOR NEARLY 2,000 YEARS IT SEEMS WE IGNORED THE GENIUS OF THE 726 00:24:05,611 --> 00:24:07,780 FOR NEARLY 2,000 YEARS IT SEEMS WE IGNORED THE GENIUS OF THE ANCIENTS AND LOST OUR WAY. 727 00:24:07,780 --> 00:24:09,782 WE IGNORED THE GENIUS OF THE ANCIENTS AND LOST OUR WAY. >> AS WE MOVE THROUGH INTO THE 728 00:24:09,782 --> 00:24:11,617 ANCIENTS AND LOST OUR WAY. >> AS WE MOVE THROUGH INTO THE MEDIEVAL AGES, WE THEN SEE 729 00:24:11,617 --> 00:24:13,286 >> AS WE MOVE THROUGH INTO THE MEDIEVAL AGES, WE THEN SEE SURGEONS USING A VERY SHARP 730 00:24:13,286 --> 00:24:14,620 MEDIEVAL AGES, WE THEN SEE SURGEONS USING A VERY SHARP KNIFE. 731 00:24:14,620 --> 00:24:15,955 SURGEONS USING A VERY SHARP KNIFE. A BIG CUT WAS MADE RIGHT ACROSS 732 00:24:15,955 --> 00:24:18,583 KNIFE. A BIG CUT WAS MADE RIGHT ACROSS THE EYE AND THEN THE LENS WAS 733 00:24:18,583 --> 00:24:19,834 A BIG CUT WAS MADE RIGHT ACROSS THE EYE AND THEN THE LENS WAS ESSENTIALLY SQUEEZED OUT OF THE 734 00:24:19,834 --> 00:24:21,085 THE EYE AND THEN THE LENS WAS ESSENTIALLY SQUEEZED OUT OF THE EYE. 735 00:24:21,085 --> 00:24:22,962 ESSENTIALLY SQUEEZED OUT OF THE EYE. AND SINCE THEN, WE'VE GONE BACK 736 00:24:22,962 --> 00:24:24,338 EYE. AND SINCE THEN, WE'VE GONE BACK TO SMALLER AND SMALLER AND 737 00:24:24,338 --> 00:24:26,174 AND SINCE THEN, WE'VE GONE BACK TO SMALLER AND SMALLER AND SMALLER INCISIONS INTO THE EYE 738 00:24:26,174 --> 00:24:28,801 TO SMALLER AND SMALLER AND SMALLER INCISIONS INTO THE EYE DOWN TO ALMOST THE SAME SIZE AS 739 00:24:28,801 --> 00:24:30,511 SMALLER INCISIONS INTO THE EYE DOWN TO ALMOST THE SAME SIZE AS THIS NEEDLE WOULD CREATE INTO 740 00:24:30,511 --> 00:24:31,637 DOWN TO ALMOST THE SAME SIZE AS THIS NEEDLE WOULD CREATE INTO THE EYE. 741 00:24:31,637 --> 00:24:33,639 THIS NEEDLE WOULD CREATE INTO THE EYE. TO THINK THAT 2,000 YEARS AGO 742 00:24:33,639 --> 00:24:34,640 THE EYE. TO THINK THAT 2,000 YEARS AGO THE ROMANS WERE USING AN 743 00:24:34,640 --> 00:24:36,267 TO THINK THAT 2,000 YEARS AGO THE ROMANS WERE USING AN INSTRUMENT LIKE THIS TO REMOVE 744 00:24:36,267 --> 00:24:38,603 THE ROMANS WERE USING AN INSTRUMENT LIKE THIS TO REMOVE CATARACTS IS ABSOLUTELY AMAZING. 745 00:24:38,603 --> 00:24:39,478 INSTRUMENT LIKE THIS TO REMOVE CATARACTS IS ABSOLUTELY AMAZING. >> Narrator: IT'S AN 746 00:24:39,478 --> 00:24:40,521 CATARACTS IS ABSOLUTELY AMAZING. >> Narrator: IT'S AN ASTONISHINGLY DELICATE 747 00:24:40,521 --> 00:24:42,648 >> Narrator: IT'S AN ASTONISHINGLY DELICATE CONSTRUCTION, A NEEDLE WITHIN A 748 00:24:42,648 --> 00:24:43,774 ASTONISHINGLY DELICATE CONSTRUCTION, A NEEDLE WITHIN A TUBE, CONSTRUCTED WITH 749 00:24:43,774 --> 00:24:45,651 CONSTRUCTION, A NEEDLE WITHIN A TUBE, CONSTRUCTED WITH MICROSCOPIC ACCURACY. 750 00:24:45,651 --> 00:24:47,653 TUBE, CONSTRUCTED WITH MICROSCOPIC ACCURACY. IT SEEMS IMPOSSIBLE, BUT HOW 751 00:24:47,653 --> 00:24:49,322 MICROSCOPIC ACCURACY. IT SEEMS IMPOSSIBLE, BUT HOW MIGHT A TUBE SO THIN HAVE BEEN 752 00:24:49,322 --> 00:24:50,323 IT SEEMS IMPOSSIBLE, BUT HOW MIGHT A TUBE SO THIN HAVE BEEN MADE? 753 00:24:50,323 --> 00:24:52,491 MIGHT A TUBE SO THIN HAVE BEEN MADE? >> SOMETHING AS IMPORTANT AND 754 00:24:52,491 --> 00:24:53,659 MADE? >> SOMETHING AS IMPORTANT AND DELICATE AND PRECISE AS THIS 755 00:24:53,659 --> 00:24:55,661 >> SOMETHING AS IMPORTANT AND DELICATE AND PRECISE AS THIS WOULD PROBABLY BE THE PEAK OF 756 00:24:55,661 --> 00:24:57,205 DELICATE AND PRECISE AS THIS WOULD PROBABLY BE THE PEAK OF THEIR SORT OF LEVEL OF 757 00:24:57,205 --> 00:25:01,667 WOULD PROBABLY BE THE PEAK OF THEIR SORT OF LEVEL OF CONSTRUCTION. 758 00:25:01,667 --> 00:25:03,669 THEIR SORT OF LEVEL OF CONSTRUCTION. THE ANCIENT ENGINEERS KNEW THAT 759 00:25:03,669 --> 00:25:06,339 CONSTRUCTION. THE ANCIENT ENGINEERS KNEW THAT HEATING AND THEN COOLING A METAL 760 00:25:06,339 --> 00:25:08,216 THE ANCIENT ENGINEERS KNEW THAT HEATING AND THEN COOLING A METAL CHANGED ITS MOLECULAR STRUCTURE 761 00:25:08,216 --> 00:25:10,009 HEATING AND THEN COOLING A METAL CHANGED ITS MOLECULAR STRUCTURE TO MAKE IT SOFTER AND EASIER TO 762 00:25:10,009 --> 00:25:10,885 CHANGED ITS MOLECULAR STRUCTURE TO MAKE IT SOFTER AND EASIER TO WORK. 763 00:25:10,885 --> 00:25:14,055 TO MAKE IT SOFTER AND EASIER TO WORK. IT WAS INCREDIBLY SOPHISTICATED. 764 00:25:14,055 --> 00:25:15,223 WORK. IT WAS INCREDIBLY SOPHISTICATED. >> THIS LEVEL OF PRECISION 765 00:25:15,223 --> 00:25:16,390 IT WAS INCREDIBLY SOPHISTICATED. >> THIS LEVEL OF PRECISION PROBABLY WOULDN'T BE SEEN AGAIN 766 00:25:16,390 --> 00:25:18,809 >> THIS LEVEL OF PRECISION PROBABLY WOULDN'T BE SEEN AGAIN IN EUROPE UNTIL MUCH, MUCH 767 00:25:18,809 --> 00:25:20,519 PROBABLY WOULDN'T BE SEEN AGAIN IN EUROPE UNTIL MUCH, MUCH LATER, ANOTHER THOUSAND YEARS 768 00:25:20,519 --> 00:25:22,063 IN EUROPE UNTIL MUCH, MUCH LATER, ANOTHER THOUSAND YEARS UNTIL THE EARLY CLOCK AND 769 00:25:22,063 --> 00:25:23,689 LATER, ANOTHER THOUSAND YEARS UNTIL THE EARLY CLOCK AND INSTRUMENT MAKERS OF THE 770 00:25:23,689 --> 00:25:27,068 UNTIL THE EARLY CLOCK AND INSTRUMENT MAKERS OF THE 14th AND 15th CENTURY. 771 00:25:27,068 --> 00:25:28,194 INSTRUMENT MAKERS OF THE 14th AND 15th CENTURY. >> Narrator: IT WAS A TOOL THAT 772 00:25:28,194 --> 00:25:29,987 14th AND 15th CENTURY. >> Narrator: IT WAS A TOOL THAT WAS BOTH BEAUTIFUL AND ONE THAT 773 00:25:29,987 --> 00:25:31,697 >> Narrator: IT WAS A TOOL THAT WAS BOTH BEAUTIFUL AND ONE THAT HAD TO BE MADE WITH ASTONISHING 774 00:25:31,697 --> 00:25:32,698 WAS BOTH BEAUTIFUL AND ONE THAT HAD TO BE MADE WITH ASTONISHING PRECISION. 775 00:25:32,698 --> 00:25:34,200 HAD TO BE MADE WITH ASTONISHING PRECISION. >> IT WOULD BE REALLY IMPORTANT 776 00:25:34,200 --> 00:25:36,244 PRECISION. >> IT WOULD BE REALLY IMPORTANT THAT THIS THING WORKED PROPERLY. 777 00:25:36,244 --> 00:25:37,703 >> IT WOULD BE REALLY IMPORTANT THAT THIS THING WORKED PROPERLY. YOU'RE STICKING THIS IN 778 00:25:37,703 --> 00:25:39,080 THAT THIS THING WORKED PROPERLY. YOU'RE STICKING THIS IN SOMEBODY'S EYE, EFFECTIVELY. 779 00:25:39,080 --> 00:25:39,997 YOU'RE STICKING THIS IN SOMEBODY'S EYE, EFFECTIVELY. IT'S GOT TO BE ACCURATE. 780 00:25:39,997 --> 00:25:42,041 SOMEBODY'S EYE, EFFECTIVELY. IT'S GOT TO BE ACCURATE. IT'S GOT TO WORK. 781 00:25:42,041 --> 00:25:43,542 IT'S GOT TO BE ACCURATE. IT'S GOT TO WORK. >> Narrator: THE ROMANS CREATED 782 00:25:43,542 --> 00:25:45,044 IT'S GOT TO WORK. >> Narrator: THE ROMANS CREATED THE PERFECT TOOL TO SAVE A 783 00:25:45,044 --> 00:25:46,879 >> Narrator: THE ROMANS CREATED THE PERFECT TOOL TO SAVE A PERSON'S SIGHT, AND YET WE CAN 784 00:25:46,879 --> 00:25:48,714 THE PERFECT TOOL TO SAVE A PERSON'S SIGHT, AND YET WE CAN NEVER KNOW WHY THIS TECHNOLOGY 785 00:25:48,714 --> 00:25:50,549 PERSON'S SIGHT, AND YET WE CAN NEVER KNOW WHY THIS TECHNOLOGY WAS LOST FOR NEARLY A THOUSAND 786 00:25:50,549 --> 00:25:51,717 NEVER KNOW WHY THIS TECHNOLOGY WAS LOST FOR NEARLY A THOUSAND YEARS. 787 00:25:51,717 --> 00:25:52,718 WAS LOST FOR NEARLY A THOUSAND YEARS. BUT IMAGINE WHAT OUR WORLD WOULD 788 00:25:52,718 --> 00:25:55,888 YEARS. BUT IMAGINE WHAT OUR WORLD WOULD HAVE BEEN LIKE IF IT WERE NOT. 789 00:25:59,684 --> 00:26:04,355 >> Narrator: THE ANCIENTS DIDN'T JUST PRODUCE POWER TOOLS CAPABLE OF TACKLING THE CONSTRUCTION OF 790 00:26:04,355 --> 00:26:05,940 JUST PRODUCE POWER TOOLS CAPABLE OF TACKLING THE CONSTRUCTION OF GIANT MONUMENTS. 791 00:26:05,940 --> 00:26:08,109 OF TACKLING THE CONSTRUCTION OF GIANT MONUMENTS. THEY WERE INGENIOUS ENOUGH TO 792 00:26:08,109 --> 00:26:09,860 GIANT MONUMENTS. THEY WERE INGENIOUS ENOUGH TO MAKE TOOLS THAT WERE CAPABLE OF 793 00:26:09,860 --> 00:26:11,612 THEY WERE INGENIOUS ENOUGH TO MAKE TOOLS THAT WERE CAPABLE OF EVEN THE MOST DELICATE SURGICAL 794 00:26:11,612 --> 00:26:12,947 MAKE TOOLS THAT WERE CAPABLE OF EVEN THE MOST DELICATE SURGICAL OPERATIONS. 795 00:26:12,947 --> 00:26:14,699 EVEN THE MOST DELICATE SURGICAL OPERATIONS. AND THEIR SUPERB CRAFTSMANSHIP, 796 00:26:14,699 --> 00:26:17,368 OPERATIONS. AND THEIR SUPERB CRAFTSMANSHIP, TOOLS AND TECHNOLOGY EVEN EXTEND 797 00:26:17,368 --> 00:26:18,619 AND THEIR SUPERB CRAFTSMANSHIP, TOOLS AND TECHNOLOGY EVEN EXTEND TO SOMETHING THAT WE TAKE FOR 798 00:26:18,619 --> 00:26:21,372 TOOLS AND TECHNOLOGY EVEN EXTEND TO SOMETHING THAT WE TAKE FOR GRANTED TODAY, THE POCKET 799 00:26:21,372 --> 00:26:24,208 TO SOMETHING THAT WE TAKE FOR GRANTED TODAY, THE POCKET MULTI-TOOL. 800 00:26:24,208 --> 00:26:25,710 GRANTED TODAY, THE POCKET MULTI-TOOL. AT THE FITZWILLIAM MUSEUM, IN 801 00:26:25,710 --> 00:26:27,295 MULTI-TOOL. AT THE FITZWILLIAM MUSEUM, IN CAMBRIDGE, ENGLAND, 802 00:26:27,295 --> 00:26:29,130 AT THE FITZWILLIAM MUSEUM, IN CAMBRIDGE, ENGLAND, ARCHAEOLOGIST MARY-ANN OCHOTA IS 803 00:26:29,130 --> 00:26:30,381 CAMBRIDGE, ENGLAND, ARCHAEOLOGIST MARY-ANN OCHOTA IS HERE TO EXAMINE THE ONLY 804 00:26:30,381 --> 00:26:32,800 ARCHAEOLOGIST MARY-ANN OCHOTA IS HERE TO EXAMINE THE ONLY SURVIVING EXAMPLE OF ITS TYPE, 805 00:26:32,800 --> 00:26:34,468 HERE TO EXAMINE THE ONLY SURVIVING EXAMPLE OF ITS TYPE, UNEARTHED FROM A SITE IN THE 806 00:26:34,468 --> 00:26:37,388 SURVIVING EXAMPLE OF ITS TYPE, UNEARTHED FROM A SITE IN THE ROMAN MEDITERRANEAN. 807 00:26:37,388 --> 00:26:39,390 UNEARTHED FROM A SITE IN THE ROMAN MEDITERRANEAN. >> THIS IS AN ABSOLUTELY 808 00:26:39,390 --> 00:26:41,309 ROMAN MEDITERRANEAN. >> THIS IS AN ABSOLUTELY INGENIOUS TOOL, AND IT'S 809 00:26:41,309 --> 00:26:42,226 >> THIS IS AN ABSOLUTELY INGENIOUS TOOL, AND IT'S STAGGERING TO THINK THAT IT'S 810 00:26:42,226 --> 00:26:46,397 INGENIOUS TOOL, AND IT'S STAGGERING TO THINK THAT IT'S 1,800 YEARS OLD. 811 00:26:46,397 --> 00:26:47,815 STAGGERING TO THINK THAT IT'S 1,800 YEARS OLD. THIS WOULD HAVE BEEN CUTTING- 812 00:26:47,815 --> 00:26:50,234 1,800 YEARS OLD. THIS WOULD HAVE BEEN CUTTING- EDGE, MODERN TECHNOLOGY FOR A 813 00:26:50,234 --> 00:26:52,403 THIS WOULD HAVE BEEN CUTTING- EDGE, MODERN TECHNOLOGY FOR A WEALTHY TRAVELER TO CARRY. 814 00:26:52,403 --> 00:26:53,988 EDGE, MODERN TECHNOLOGY FOR A WEALTHY TRAVELER TO CARRY. >> Narrator: THE REASON THIS 815 00:26:53,988 --> 00:26:56,407 WEALTHY TRAVELER TO CARRY. >> Narrator: THE REASON THIS TOOL EXISTS TODAY IS BECAUSE IT 816 00:26:56,407 --> 00:26:58,409 >> Narrator: THE REASON THIS TOOL EXISTS TODAY IS BECAUSE IT WAS BUILT TO IMPRESS FROM A 817 00:26:58,409 --> 00:27:00,077 TOOL EXISTS TODAY IS BECAUSE IT WAS BUILT TO IMPRESS FROM A METAL THAT COULD SURVIVE BEING 818 00:27:00,077 --> 00:27:02,496 WAS BUILT TO IMPRESS FROM A METAL THAT COULD SURVIVE BEING BURIED FOR ALMOST 2,000 YEARS. 819 00:27:02,496 --> 00:27:05,166 METAL THAT COULD SURVIVE BEING BURIED FOR ALMOST 2,000 YEARS. >> IT'S IN FANTASTIC CONDITION 820 00:27:05,166 --> 00:27:09,253 BURIED FOR ALMOST 2,000 YEARS. >> IT'S IN FANTASTIC CONDITION BECAUSE IT'S MADE OF SILVER. 821 00:27:09,253 --> 00:27:10,421 >> IT'S IN FANTASTIC CONDITION BECAUSE IT'S MADE OF SILVER. YOU MIGHT NOT BE ABLE TO CHECK 822 00:27:10,421 --> 00:27:13,174 BECAUSE IT'S MADE OF SILVER. YOU MIGHT NOT BE ABLE TO CHECK IN TO THE BEST HOTEL OR FIND THE 823 00:27:13,174 --> 00:27:14,425 YOU MIGHT NOT BE ABLE TO CHECK IN TO THE BEST HOTEL OR FIND THE BEST PLACE TO EAT. 824 00:27:14,425 --> 00:27:15,926 IN TO THE BEST HOTEL OR FIND THE BEST PLACE TO EAT. YOU NEED ALL THE GADGETS THAT 825 00:27:15,926 --> 00:27:18,846 BEST PLACE TO EAT. YOU NEED ALL THE GADGETS THAT YOU REQUIRE WITH YOU. 826 00:27:18,846 --> 00:27:20,431 YOU NEED ALL THE GADGETS THAT YOU REQUIRE WITH YOU. THIS GIVES YOU A SPOON, IT GIVES 827 00:27:20,431 --> 00:27:21,515 YOU REQUIRE WITH YOU. THIS GIVES YOU A SPOON, IT GIVES YOU A FORK, IT GIVES YOU A 828 00:27:21,515 --> 00:27:23,434 THIS GIVES YOU A SPOON, IT GIVES YOU A FORK, IT GIVES YOU A KNIFE, GIVES YOU A SPIKE, A TINY 829 00:27:23,434 --> 00:27:24,685 YOU A FORK, IT GIVES YOU A KNIFE, GIVES YOU A SPIKE, A TINY SPATULA. 830 00:27:24,685 --> 00:27:26,854 KNIFE, GIVES YOU A SPIKE, A TINY SPATULA. IT MEANS THAT YOU'VE GOT ALL 831 00:27:26,854 --> 00:27:29,440 SPATULA. IT MEANS THAT YOU'VE GOT ALL THOSE REALLY USEFUL FUNCTIONAL 832 00:27:29,440 --> 00:27:31,442 IT MEANS THAT YOU'VE GOT ALL THOSE REALLY USEFUL FUNCTIONAL ITEMS TUCKED AWAY IN YOUR POCKET 833 00:27:31,442 --> 00:27:32,943 THOSE REALLY USEFUL FUNCTIONAL ITEMS TUCKED AWAY IN YOUR POCKET BUT WHEN YOU PULL IT OUT, IT'S 834 00:27:32,943 --> 00:27:34,445 ITEMS TUCKED AWAY IN YOUR POCKET BUT WHEN YOU PULL IT OUT, IT'S MADE OF SILVER. 835 00:27:34,445 --> 00:27:36,947 BUT WHEN YOU PULL IT OUT, IT'S MADE OF SILVER. THIS IS NO AVERAGE UTILITY 836 00:27:36,947 --> 00:27:39,200 MADE OF SILVER. THIS IS NO AVERAGE UTILITY KNIFE. 837 00:27:39,200 --> 00:27:41,035 THIS IS NO AVERAGE UTILITY KNIFE. >> Narrator: ALMOST 1,800 YEARS 838 00:27:41,035 --> 00:27:42,453 KNIFE. >> Narrator: ALMOST 1,800 YEARS BEFORE ITS REINVENTION IN THE 839 00:27:42,453 --> 00:27:44,705 >> Narrator: ALMOST 1,800 YEARS BEFORE ITS REINVENTION IN THE WEST, THE ROMAN MULTI-TOOL WAS A 840 00:27:44,705 --> 00:27:46,540 BEFORE ITS REINVENTION IN THE WEST, THE ROMAN MULTI-TOOL WAS A STUNNING EXAMPLE OF THE SAME 841 00:27:46,540 --> 00:27:48,125 WEST, THE ROMAN MULTI-TOOL WAS A STUNNING EXAMPLE OF THE SAME CRAFTSMANSHIP THAT WENT INTO 842 00:27:48,125 --> 00:27:50,628 STUNNING EXAMPLE OF THE SAME CRAFTSMANSHIP THAT WENT INTO CREATING ROMAN SURGICAL TOOLS. 843 00:27:50,628 --> 00:27:52,463 CRAFTSMANSHIP THAT WENT INTO CREATING ROMAN SURGICAL TOOLS. THIS SOLID SILVER REPRODUCTION 844 00:27:52,463 --> 00:27:54,465 CREATING ROMAN SURGICAL TOOLS. THIS SOLID SILVER REPRODUCTION SHOWS THE LEVEL OF SKILL THEY 845 00:27:54,465 --> 00:27:56,300 THIS SOLID SILVER REPRODUCTION SHOWS THE LEVEL OF SKILL THEY POSSESSED. 846 00:27:56,300 --> 00:27:57,802 SHOWS THE LEVEL OF SKILL THEY POSSESSED. IT DID EVERYTHING A MODERN 847 00:27:57,802 --> 00:27:59,970 POSSESSED. IT DID EVERYTHING A MODERN MULTI-TOOL WOULD DO, BUT SOME 848 00:27:59,970 --> 00:28:01,472 IT DID EVERYTHING A MODERN MULTI-TOOL WOULD DO, BUT SOME WOULD SAY BETTER AND MORE 849 00:28:01,472 --> 00:28:02,473 MULTI-TOOL WOULD DO, BUT SOME WOULD SAY BETTER AND MORE ELEGANTLY. 850 00:28:02,473 --> 00:28:04,058 WOULD SAY BETTER AND MORE ELEGANTLY. >> THESE TOOLS, THESE 851 00:28:04,058 --> 00:28:04,892 ELEGANTLY. >> THESE TOOLS, THESE MULTI-TOOLS THAT WERE 852 00:28:04,892 --> 00:28:06,310 >> THESE TOOLS, THESE MULTI-TOOLS THAT WERE MASS-PRODUCED BECAME POPULAR IN 853 00:28:06,310 --> 00:28:08,813 MULTI-TOOLS THAT WERE MASS-PRODUCED BECAME POPULAR IN THE 1880s WITH SOLDIERS AS A 854 00:28:08,813 --> 00:28:10,481 MASS-PRODUCED BECAME POPULAR IN THE 1880s WITH SOLDIERS AS A REALLY FUNCTIONAL TOOL THEY 855 00:28:10,481 --> 00:28:11,649 THE 1880s WITH SOLDIERS AS A REALLY FUNCTIONAL TOOL THEY COULD KEEP IN THEIR POCKET THAT 856 00:28:11,649 --> 00:28:12,733 REALLY FUNCTIONAL TOOL THEY COULD KEEP IN THEIR POCKET THAT WOULD ENABLE THEM TO PREPARE 857 00:28:12,733 --> 00:28:14,485 COULD KEEP IN THEIR POCKET THAT WOULD ENABLE THEM TO PREPARE FOOD IN THE FIELD AND ALSO 858 00:28:14,485 --> 00:28:16,320 WOULD ENABLE THEM TO PREPARE FOOD IN THE FIELD AND ALSO MAINTAIN THEIR WEAPON. 859 00:28:16,320 --> 00:28:18,489 FOOD IN THE FIELD AND ALSO MAINTAIN THEIR WEAPON. THE BIG DIFFERENCE IS ITS ROMAN 860 00:28:18,489 --> 00:28:20,574 MAINTAIN THEIR WEAPON. THE BIG DIFFERENCE IS ITS ROMAN PREDECESSOR ISN'T JUST ABOUT 861 00:28:20,574 --> 00:28:21,742 THE BIG DIFFERENCE IS ITS ROMAN PREDECESSOR ISN'T JUST ABOUT FUNCTION. 862 00:28:21,742 --> 00:28:23,911 PREDECESSOR ISN'T JUST ABOUT FUNCTION. IT'S INCREDIBLY WELL-TOOLED. 863 00:28:23,911 --> 00:28:25,496 FUNCTION. IT'S INCREDIBLY WELL-TOOLED. IT'S INCREDIBLY BEAUTIFULLY 864 00:28:25,496 --> 00:28:26,664 IT'S INCREDIBLY WELL-TOOLED. IT'S INCREDIBLY BEAUTIFULLY ENGINEERED. 865 00:28:26,664 --> 00:28:28,332 IT'S INCREDIBLY BEAUTIFULLY ENGINEERED. THIS IS ALSO ABOUT PRESTIGE, 866 00:28:28,332 --> 00:28:30,501 ENGINEERED. THIS IS ALSO ABOUT PRESTIGE, IT'S ABOUT EATING WELL WHEN 867 00:28:30,501 --> 00:28:31,585 THIS IS ALSO ABOUT PRESTIGE, IT'S ABOUT EATING WELL WHEN YOU'RE ON THE ROAD. 868 00:28:31,585 --> 00:28:32,586 IT'S ABOUT EATING WELL WHEN YOU'RE ON THE ROAD. IT'S ABOUT BEING ABLE TO LOOK 869 00:28:32,586 --> 00:28:34,839 YOU'RE ON THE ROAD. IT'S ABOUT BEING ABLE TO LOOK AFTER YOURSELF, AND IT'S ALSO A 870 00:28:34,839 --> 00:28:37,091 IT'S ABOUT BEING ABLE TO LOOK AFTER YOURSELF, AND IT'S ALSO A LITTLE BIT ABOUT SHOWING OFF. 871 00:28:37,091 --> 00:28:39,427 AFTER YOURSELF, AND IT'S ALSO A LITTLE BIT ABOUT SHOWING OFF. IT JUST GOES TO SHOW HOW AHEAD 872 00:28:39,427 --> 00:28:40,594 LITTLE BIT ABOUT SHOWING OFF. IT JUST GOES TO SHOW HOW AHEAD OF THEIR TIME THE ANCIENT ROMANS 873 00:28:40,594 --> 00:28:42,763 IT JUST GOES TO SHOW HOW AHEAD OF THEIR TIME THE ANCIENT ROMANS REALLY WERE. 874 00:28:42,763 --> 00:28:43,848 OF THEIR TIME THE ANCIENT ROMANS REALLY WERE. >> Narrator: ONCE AGAIN, THE 875 00:28:43,848 --> 00:28:45,683 REALLY WERE. >> Narrator: ONCE AGAIN, THE ANCIENTS CREATED AN IMPOSSIBLY 876 00:28:45,683 --> 00:28:49,437 >> Narrator: ONCE AGAIN, THE ANCIENTS CREATED AN IMPOSSIBLY MODERN TOOL. 877 00:28:49,437 --> 00:28:50,855 ANCIENTS CREATED AN IMPOSSIBLY MODERN TOOL. MANY BELIEVE NO-ONE COULD 878 00:28:50,855 --> 00:28:52,523 MODERN TOOL. MANY BELIEVE NO-ONE COULD POSSESS TOOLS AS POWERFUL AS 879 00:28:52,523 --> 00:28:54,191 MANY BELIEVE NO-ONE COULD POSSESS TOOLS AS POWERFUL AS OURS TODAY. 880 00:28:54,191 --> 00:28:56,527 POSSESS TOOLS AS POWERFUL AS OURS TODAY. BUT THE FIRST CENTURY A.D. WAS 881 00:28:56,527 --> 00:28:58,446 OURS TODAY. BUT THE FIRST CENTURY A.D. WAS THE HEIGHT OF THE ROMAN EMPIRE. 882 00:28:58,446 --> 00:29:00,030 BUT THE FIRST CENTURY A.D. WAS THE HEIGHT OF THE ROMAN EMPIRE. COULD THEY HAVE HAD TOOLS JUST 883 00:29:00,030 --> 00:29:02,199 THE HEIGHT OF THE ROMAN EMPIRE. COULD THEY HAVE HAD TOOLS JUST AS ADVANCED AS OUR OWN? 884 00:29:02,199 --> 00:29:04,034 COULD THEY HAVE HAD TOOLS JUST AS ADVANCED AS OUR OWN? THEIR EMPIRE WAS LITTERED WITH 885 00:29:04,034 --> 00:29:05,703 AS ADVANCED AS OUR OWN? THEIR EMPIRE WAS LITTERED WITH BUILDINGS BUILT FROM MARBLE. 886 00:29:05,703 --> 00:29:07,705 THEIR EMPIRE WAS LITTERED WITH BUILDINGS BUILT FROM MARBLE. BUT HOW DID THEY DO THIS? 887 00:29:07,705 --> 00:29:09,540 BUILDINGS BUILT FROM MARBLE. BUT HOW DID THEY DO THIS? MAYBE A CLUE CAN BE FOUND IN 888 00:29:09,540 --> 00:29:11,542 BUT HOW DID THEY DO THIS? MAYBE A CLUE CAN BE FOUND IN EPHESUS, ON THE COAST OF WHAT IS 889 00:29:11,542 --> 00:29:17,131 MAYBE A CLUE CAN BE FOUND IN EPHESUS, ON THE COAST OF WHAT IS NOW TURKEY. 890 00:29:17,131 --> 00:29:19,300 EPHESUS, ON THE COAST OF WHAT IS NOW TURKEY. THIS RAW MATERIAL WAS THE MAKING 891 00:29:19,300 --> 00:29:20,718 NOW TURKEY. THIS RAW MATERIAL WAS THE MAKING OF EPHESUS, WHICH WAS SECOND 892 00:29:20,718 --> 00:29:24,555 THIS RAW MATERIAL WAS THE MAKING OF EPHESUS, WHICH WAS SECOND ONLY TO ROME IN SIZE. 893 00:29:24,555 --> 00:29:26,807 OF EPHESUS, WHICH WAS SECOND ONLY TO ROME IN SIZE. A HUGE TRADING CENTRE, ITS OWN 894 00:29:26,807 --> 00:29:28,559 ONLY TO ROME IN SIZE. A HUGE TRADING CENTRE, ITS OWN BUILDINGS WERE SLICED FROM THE 895 00:29:28,559 --> 00:29:30,811 A HUGE TRADING CENTRE, ITS OWN BUILDINGS WERE SLICED FROM THE PRECIOUS STONE, MARBLE, ON A 896 00:29:30,811 --> 00:29:34,482 BUILDINGS WERE SLICED FROM THE PRECIOUS STONE, MARBLE, ON A COLOSSAL SCALE. 897 00:29:34,482 --> 00:29:36,066 PRECIOUS STONE, MARBLE, ON A COLOSSAL SCALE. THIS FABLED CITY HAS BEEN 898 00:29:36,066 --> 00:29:37,651 COLOSSAL SCALE. THIS FABLED CITY HAS BEEN CLOSELY STUDIED BY ARCHAEOLOGIST 899 00:29:37,651 --> 00:29:39,570 THIS FABLED CITY HAS BEEN CLOSELY STUDIED BY ARCHAEOLOGIST DARIUS ARYA. 900 00:29:39,570 --> 00:29:40,571 CLOSELY STUDIED BY ARCHAEOLOGIST DARIUS ARYA. >> THIS IS A PLACE THAT WAS IN 901 00:29:40,571 --> 00:29:42,490 DARIUS ARYA. >> THIS IS A PLACE THAT WAS IN CLOSE PROXIMITY TO GRAND 902 00:29:42,490 --> 00:29:44,825 >> THIS IS A PLACE THAT WAS IN CLOSE PROXIMITY TO GRAND QUARRIES OF MARBLE. 903 00:29:44,825 --> 00:29:46,577 CLOSE PROXIMITY TO GRAND QUARRIES OF MARBLE. AND THIS PLACE HAD AN APPETITE 904 00:29:46,577 --> 00:29:47,328 QUARRIES OF MARBLE. AND THIS PLACE HAD AN APPETITE FOR MARBLE. 905 00:29:47,328 --> 00:29:48,579 AND THIS PLACE HAD AN APPETITE FOR MARBLE. FOR CENTURIES AND CENTURIES ALL 906 00:29:48,579 --> 00:29:49,663 FOR MARBLE. FOR CENTURIES AND CENTURIES ALL THE WAY INTO THE 6th AND 7th 907 00:29:49,663 --> 00:29:50,664 FOR CENTURIES AND CENTURIES ALL THE WAY INTO THE 6th AND 7th CENTURIES A.D. 908 00:29:50,664 --> 00:29:52,082 THE WAY INTO THE 6th AND 7th CENTURIES A.D. >> Narrator: THE QUARRIES OF 909 00:29:52,082 --> 00:29:54,418 CENTURIES A.D. >> Narrator: THE QUARRIES OF EPHESUS PRODUCED ENOUGH MARBLE 910 00:29:54,418 --> 00:29:56,337 >> Narrator: THE QUARRIES OF EPHESUS PRODUCED ENOUGH MARBLE TO BUILD THE TEMPLE OF ARTEMIS, 911 00:29:56,337 --> 00:29:59,340 EPHESUS PRODUCED ENOUGH MARBLE TO BUILD THE TEMPLE OF ARTEMIS, SINCE LOST TO HISTORY AND ONE OF 912 00:29:59,340 --> 00:30:00,591 TO BUILD THE TEMPLE OF ARTEMIS, SINCE LOST TO HISTORY AND ONE OF THE SEVEN WONDERS OF THE ANCIENT 913 00:30:00,591 --> 00:30:01,675 SINCE LOST TO HISTORY AND ONE OF THE SEVEN WONDERS OF THE ANCIENT WORLD. 914 00:30:01,675 --> 00:30:03,761 THE SEVEN WONDERS OF THE ANCIENT WORLD. THEY EVEN BUILT A ROAD OF SOLID 915 00:30:03,761 --> 00:30:06,680 WORLD. THEY EVEN BUILT A ROAD OF SOLID MARBLE 2,500 FEET LONG. 916 00:30:06,680 --> 00:30:08,599 THEY EVEN BUILT A ROAD OF SOLID MARBLE 2,500 FEET LONG. THE TEMPLE WAS ON THIS AMAZING 917 00:30:08,599 --> 00:30:11,018 MARBLE 2,500 FEET LONG. THE TEMPLE WAS ON THIS AMAZING ROAD, AS WAS A GREAT THEATER 918 00:30:11,018 --> 00:30:12,853 THE TEMPLE WAS ON THIS AMAZING ROAD, AS WAS A GREAT THEATER WHICH COULD HOLD 25,000 919 00:30:12,853 --> 00:30:14,355 ROAD, AS WAS A GREAT THEATER WHICH COULD HOLD 25,000 SPECTATORS. 920 00:30:14,355 --> 00:30:16,440 WHICH COULD HOLD 25,000 SPECTATORS. BUT WITH SIMPLE TOOLS LIKE SAWS, 921 00:30:16,440 --> 00:30:18,359 SPECTATORS. BUT WITH SIMPLE TOOLS LIKE SAWS, IT WAS A HUGE CHALLENGE TO 922 00:30:18,359 --> 00:30:19,610 BUT WITH SIMPLE TOOLS LIKE SAWS, IT WAS A HUGE CHALLENGE TO PRODUCE MARBLE ON SUCH AN 923 00:30:19,610 --> 00:30:20,861 IT WAS A HUGE CHALLENGE TO PRODUCE MARBLE ON SUCH AN INDUSTRIAL SCALE. 924 00:30:20,861 --> 00:30:22,446 PRODUCE MARBLE ON SUCH AN INDUSTRIAL SCALE. >> WELL, IT'S A VERY LABORIOUS, 925 00:30:22,446 --> 00:30:23,614 INDUSTRIAL SCALE. >> WELL, IT'S A VERY LABORIOUS, TEDIOUS PROCESS BECAUSE YOU'VE 926 00:30:23,614 --> 00:30:25,282 >> WELL, IT'S A VERY LABORIOUS, TEDIOUS PROCESS BECAUSE YOU'VE GOT TWO GUYS THAT ARE CUTTING 927 00:30:25,282 --> 00:30:27,034 TEDIOUS PROCESS BECAUSE YOU'VE GOT TWO GUYS THAT ARE CUTTING BLOCKS OF STONE. 928 00:30:27,034 --> 00:30:28,953 GOT TWO GUYS THAT ARE CUTTING BLOCKS OF STONE. VERY LONG PROCESS, VERY LABOR- 929 00:30:28,953 --> 00:30:31,372 BLOCKS OF STONE. VERY LONG PROCESS, VERY LABOR- INTENSIVE. 930 00:30:31,372 --> 00:30:32,540 VERY LONG PROCESS, VERY LABOR- INTENSIVE. >> Narrator: HOW COULD MERE HAND 931 00:30:32,540 --> 00:30:33,958 INTENSIVE. >> Narrator: HOW COULD MERE HAND TOOLS PRODUCE ENOUGH MARBLE TO 932 00:30:33,958 --> 00:30:35,626 >> Narrator: HOW COULD MERE HAND TOOLS PRODUCE ENOUGH MARBLE TO BUILD AN EMPIRE? 933 00:30:35,626 --> 00:30:37,628 TOOLS PRODUCE ENOUGH MARBLE TO BUILD AN EMPIRE? HERE IN TURKEY IS AN INTRIGUING 934 00:30:37,628 --> 00:30:38,379 BUILD AN EMPIRE? HERE IN TURKEY IS AN INTRIGUING CLUE. 935 00:30:38,379 --> 00:30:39,630 HERE IN TURKEY IS AN INTRIGUING CLUE. COULD THIS IMAGE, ON A 936 00:30:39,630 --> 00:30:41,465 CLUE. COULD THIS IMAGE, ON A SARCOPHAGUS LID FROM THE 3rd 937 00:30:41,465 --> 00:30:42,967 COULD THIS IMAGE, ON A SARCOPHAGUS LID FROM THE 3rd CENTURY A.D., BE A MARBLE- 938 00:30:42,967 --> 00:30:44,301 SARCOPHAGUS LID FROM THE 3rd CENTURY A.D., BE A MARBLE- CUTTING MACHINE? 939 00:30:44,301 --> 00:30:45,636 CENTURY A.D., BE A MARBLE- CUTTING MACHINE? IS IT EVIDENCE OF A WATER- 940 00:30:45,636 --> 00:30:47,137 CUTTING MACHINE? IS IT EVIDENCE OF A WATER- POWERED TOOL THAT WOULD BE THE 941 00:30:47,137 --> 00:30:48,514 IS IT EVIDENCE OF A WATER- POWERED TOOL THAT WOULD BE THE DRIVING FORCE OF INDUSTRY FOR 942 00:30:48,514 --> 00:30:50,432 POWERED TOOL THAT WOULD BE THE DRIVING FORCE OF INDUSTRY FOR THE NEXT 2,000 YEARS? 943 00:30:55,437 --> 00:30:58,732 >> Narrator: STEEL AND SKYSCRAPERS ARE HOW WE BUILD TODAY. 944 00:30:58,732 --> 00:31:00,568 SKYSCRAPERS ARE HOW WE BUILD TODAY. BUT MARBLE WAS THE MATERIAL OF 945 00:31:00,568 --> 00:31:03,070 TODAY. BUT MARBLE WAS THE MATERIAL OF CHOICE IN THE ANCIENT WORLD. 946 00:31:03,070 --> 00:31:04,572 BUT MARBLE WAS THE MATERIAL OF CHOICE IN THE ANCIENT WORLD. BUT THE DEMAND FOR MARBLE TO 947 00:31:04,572 --> 00:31:05,656 CHOICE IN THE ANCIENT WORLD. BUT THE DEMAND FOR MARBLE TO BUILD THE MONUMENTS WAS SO 948 00:31:05,656 --> 00:31:07,908 BUT THE DEMAND FOR MARBLE TO BUILD THE MONUMENTS WAS SO GREAT, HOW COULD WORKERS WITH 949 00:31:07,908 --> 00:31:11,829 BUILD THE MONUMENTS WAS SO GREAT, HOW COULD WORKERS WITH MERE HAND SAWS RESPOND? 950 00:31:11,829 --> 00:31:13,539 GREAT, HOW COULD WORKERS WITH MERE HAND SAWS RESPOND? THE LID OF A SARCOPHAGUS FROM 951 00:31:13,539 --> 00:31:15,749 MERE HAND SAWS RESPOND? THE LID OF A SARCOPHAGUS FROM THE 3rd CENTURY A.D. MIGHT SHOW 952 00:31:15,749 --> 00:31:17,501 THE LID OF A SARCOPHAGUS FROM THE 3rd CENTURY A.D. MIGHT SHOW US THE ANSWER, THE FIRST 953 00:31:17,501 --> 00:31:19,545 THE 3rd CENTURY A.D. MIGHT SHOW US THE ANSWER, THE FIRST EVIDENCE OF A GIANT INDUSTRIAL 954 00:31:19,545 --> 00:31:20,754 US THE ANSWER, THE FIRST EVIDENCE OF A GIANT INDUSTRIAL SAW. 955 00:31:20,754 --> 00:31:22,590 EVIDENCE OF A GIANT INDUSTRIAL SAW. THIS POWER TOOL IS DRIVEN BY 956 00:31:22,590 --> 00:31:24,091 SAW. THIS POWER TOOL IS DRIVEN BY SOMETHING THAT LOOKS LIKE A 957 00:31:24,091 --> 00:31:25,759 THIS POWER TOOL IS DRIVEN BY SOMETHING THAT LOOKS LIKE A MODERN WATER WHEEL. 958 00:31:25,759 --> 00:31:28,012 SOMETHING THAT LOOKS LIKE A MODERN WATER WHEEL. IF TRUE, THEN REMARKABLY, IT'S 959 00:31:28,012 --> 00:31:29,263 MODERN WATER WHEEL. IF TRUE, THEN REMARKABLY, IT'S EVIDENCE OF ONE OF THE FIRST 960 00:31:29,263 --> 00:31:31,098 IF TRUE, THEN REMARKABLY, IT'S EVIDENCE OF ONE OF THE FIRST ENGINES, SOMETHING THAT HAS 961 00:31:31,098 --> 00:31:32,266 EVIDENCE OF ONE OF THE FIRST ENGINES, SOMETHING THAT HAS POWERED TOOLS UP TO THE 962 00:31:32,266 --> 00:31:34,602 ENGINES, SOMETHING THAT HAS POWERED TOOLS UP TO THE BEGINNING OF THE 20th CENTURY. 963 00:31:34,602 --> 00:31:36,395 POWERED TOOLS UP TO THE BEGINNING OF THE 20th CENTURY. ENGINEER DICK STRAWBRIDGE HAS 964 00:31:36,395 --> 00:31:38,105 BEGINNING OF THE 20th CENTURY. ENGINEER DICK STRAWBRIDGE HAS COME TO COMPARE THE ANCIENT 965 00:31:38,105 --> 00:31:40,107 ENGINEER DICK STRAWBRIDGE HAS COME TO COMPARE THE ANCIENT TECHNOLOGY WITH THIS WATERMILL 966 00:31:40,107 --> 00:31:41,734 COME TO COMPARE THE ANCIENT TECHNOLOGY WITH THIS WATERMILL IN HEREFORD, ENGLAND. 967 00:31:41,734 --> 00:31:43,110 TECHNOLOGY WITH THIS WATERMILL IN HEREFORD, ENGLAND. >> THERE'S BEEN A WATER WHEEL 968 00:31:43,110 --> 00:31:45,112 IN HEREFORD, ENGLAND. >> THERE'S BEEN A WATER WHEEL HERE FOR OVER 800 YEARS. 969 00:31:45,112 --> 00:31:47,114 >> THERE'S BEEN A WATER WHEEL HERE FOR OVER 800 YEARS. IT'S A GREAT WAY OF CAPTURING 970 00:31:47,114 --> 00:31:48,365 HERE FOR OVER 800 YEARS. IT'S A GREAT WAY OF CAPTURING THE ENERGY FOR THE WATER. 971 00:31:48,365 --> 00:31:49,575 IT'S A GREAT WAY OF CAPTURING THE ENERGY FOR THE WATER. FURTHER UPSTREAM, THE WATER'S AT 972 00:31:49,575 --> 00:31:50,868 THE ENERGY FOR THE WATER. FURTHER UPSTREAM, THE WATER'S AT A HIGH LEVEL, AND THEN WE'VE GOT 973 00:31:50,868 --> 00:31:52,036 FURTHER UPSTREAM, THE WATER'S AT A HIGH LEVEL, AND THEN WE'VE GOT A LOW LEVEL HERE. 974 00:31:52,036 --> 00:31:53,370 A HIGH LEVEL, AND THEN WE'VE GOT A LOW LEVEL HERE. AS THE WATER DROPS, IT TURNS 975 00:31:53,370 --> 00:31:55,789 A LOW LEVEL HERE. AS THE WATER DROPS, IT TURNS THIS HUGE, BIG WHEEL. 976 00:31:55,789 --> 00:31:57,207 AS THE WATER DROPS, IT TURNS THIS HUGE, BIG WHEEL. THERE'S ABOUT A TON OF WATER AT 977 00:31:57,207 --> 00:31:58,250 THIS HUGE, BIG WHEEL. THERE'S ABOUT A TON OF WATER AT 8 FEET. 978 00:31:58,250 --> 00:31:59,460 THERE'S ABOUT A TON OF WATER AT 8 FEET. THAT'S A MASSIVE AMOUNT OF 979 00:31:59,460 --> 00:32:01,920 8 FEET. THAT'S A MASSIVE AMOUNT OF TURNING THAT IT DOES. 980 00:32:01,920 --> 00:32:03,714 THAT'S A MASSIVE AMOUNT OF TURNING THAT IT DOES. GO BACK TO EPHESUS, AND WE'RE 981 00:32:03,714 --> 00:32:05,466 TURNING THAT IT DOES. GO BACK TO EPHESUS, AND WE'RE TALKING 1,500 YEARS AGO, AND 982 00:32:05,466 --> 00:32:06,634 GO BACK TO EPHESUS, AND WE'RE TALKING 1,500 YEARS AGO, AND SOMEBODY SAID, "I'VE GOT A 983 00:32:06,634 --> 00:32:07,301 TALKING 1,500 YEARS AGO, AND SOMEBODY SAID, "I'VE GOT A WATER WHEEL. 984 00:32:07,301 --> 00:32:08,427 SOMEBODY SAID, "I'VE GOT A WATER WHEEL. YOU KNOW, I'VE GOT A PROBLEM. 985 00:32:08,427 --> 00:32:10,137 WATER WHEEL. YOU KNOW, I'VE GOT A PROBLEM. I WANT TO SAW MARBLE." 986 00:32:10,137 --> 00:32:11,430 YOU KNOW, I'VE GOT A PROBLEM. I WANT TO SAW MARBLE." GREAT THING ABOUT IT-- YOU GET 987 00:32:11,430 --> 00:32:12,431 I WANT TO SAW MARBLE." GREAT THING ABOUT IT-- YOU GET RID OF ALL THAT BACK-BREAKING 988 00:32:12,431 --> 00:32:13,140 GREAT THING ABOUT IT-- YOU GET RID OF ALL THAT BACK-BREAKING WORK. 989 00:32:13,140 --> 00:32:15,100 RID OF ALL THAT BACK-BREAKING WORK. YOU CAN ACTUALLY CUT MARBLE ON 990 00:32:15,100 --> 00:32:16,477 WORK. YOU CAN ACTUALLY CUT MARBLE ON AN INDUSTRIAL SCALE. 991 00:32:16,477 --> 00:32:17,728 YOU CAN ACTUALLY CUT MARBLE ON AN INDUSTRIAL SCALE. THAT WOULD HAVE GIVEN THEM SUCH 992 00:32:17,728 --> 00:32:19,146 AN INDUSTRIAL SCALE. THAT WOULD HAVE GIVEN THEM SUCH AN ADVANTAGE WHEN IT CAME TO 993 00:32:19,146 --> 00:32:20,814 THAT WOULD HAVE GIVEN THEM SUCH AN ADVANTAGE WHEN IT CAME TO BUILDING, AND BUILDING WITH 994 00:32:20,814 --> 00:32:22,149 AN ADVANTAGE WHEN IT CAME TO BUILDING, AND BUILDING WITH MARBLE IS SO BEAUTIFUL. 995 00:32:22,149 --> 00:32:24,109 BUILDING, AND BUILDING WITH MARBLE IS SO BEAUTIFUL. THE WHOLE INDUSTRY POWERED BY 996 00:32:24,109 --> 00:32:28,238 MARBLE IS SO BEAUTIFUL. THE WHOLE INDUSTRY POWERED BY WATER-- WHAT A GREAT IDEA. 997 00:32:28,238 --> 00:32:29,823 THE WHOLE INDUSTRY POWERED BY WATER-- WHAT A GREAT IDEA. >> Narrator: INCREDIBLY, THEY 998 00:32:29,823 --> 00:32:31,492 WATER-- WHAT A GREAT IDEA. >> Narrator: INCREDIBLY, THEY HAD THE TECHNOLOGY TO DO THIS IN 999 00:32:31,492 --> 00:32:34,244 >> Narrator: INCREDIBLY, THEY HAD THE TECHNOLOGY TO DO THIS IN EPHESUS 1,500 YEARS AGO WITH 1000 00:32:34,244 --> 00:32:35,621 HAD THE TECHNOLOGY TO DO THIS IN EPHESUS 1,500 YEARS AGO WITH WATER WHEELS POWERING 1001 00:32:35,621 --> 00:32:37,456 EPHESUS 1,500 YEARS AGO WITH WATER WHEELS POWERING MARBLE-CUTTING MACHINES CHURNING 1002 00:32:37,456 --> 00:32:39,333 WATER WHEELS POWERING MARBLE-CUTTING MACHINES CHURNING OUT MARBLE FROM QUARRIES ACROSS 1003 00:32:39,333 --> 00:32:41,293 MARBLE-CUTTING MACHINES CHURNING OUT MARBLE FROM QUARRIES ACROSS THE CITY. 1004 00:32:41,293 --> 00:32:42,670 OUT MARBLE FROM QUARRIES ACROSS THE CITY. THE WOODEN WATER WHEELS OF 1005 00:32:42,670 --> 00:32:44,338 THE CITY. THE WOODEN WATER WHEELS OF EPHESUS HAVE SINCE TURNED TO 1006 00:32:44,338 --> 00:32:46,465 THE WOODEN WATER WHEELS OF EPHESUS HAVE SINCE TURNED TO DUST, BUT THERE IS EVIDENCE OF 1007 00:32:46,465 --> 00:32:48,676 EPHESUS HAVE SINCE TURNED TO DUST, BUT THERE IS EVIDENCE OF THEM, IF YOU KNOW WHERE TO LOOK. 1008 00:32:48,676 --> 00:32:49,593 DUST, BUT THERE IS EVIDENCE OF THEM, IF YOU KNOW WHERE TO LOOK. >> HERE WE ARE AT THE BEGINNING 1009 00:32:49,593 --> 00:32:50,177 THEM, IF YOU KNOW WHERE TO LOOK. >> HERE WE ARE AT THE BEGINNING OF THE PROCESS. 1010 00:32:50,177 --> 00:32:52,429 >> HERE WE ARE AT THE BEGINNING OF THE PROCESS. WHAT WE HAVE HERE IS THE PART 1011 00:32:52,429 --> 00:32:53,681 OF THE PROCESS. WHAT WE HAVE HERE IS THE PART OF THE SYSTEM WHERE THE WATER 1012 00:32:53,681 --> 00:32:54,807 WHAT WE HAVE HERE IS THE PART OF THE SYSTEM WHERE THE WATER FLOWS DOWN AND HITS A WATER 1013 00:32:54,807 --> 00:32:55,349 OF THE SYSTEM WHERE THE WATER FLOWS DOWN AND HITS A WATER WHEEL. 1014 00:32:55,349 --> 00:32:57,184 FLOWS DOWN AND HITS A WATER WHEEL. AND THIS IS ABOUT 13 FEET UP. 1015 00:32:57,184 --> 00:32:58,018 WHEEL. AND THIS IS ABOUT 13 FEET UP. AND THE WATER WOULD COME 1016 00:32:58,018 --> 00:32:59,353 AND THIS IS ABOUT 13 FEET UP. AND THE WATER WOULD COME CASCADING DOWN, HITTING A WATER 1017 00:32:59,353 --> 00:33:00,187 AND THE WATER WOULD COME CASCADING DOWN, HITTING A WATER WHEEL IN WOOD. 1018 00:33:00,187 --> 00:33:01,522 CASCADING DOWN, HITTING A WATER WHEEL IN WOOD. WE DON'T HAVE THE WATER WHEEL, 1019 00:33:01,522 --> 00:33:03,524 WHEEL IN WOOD. WE DON'T HAVE THE WATER WHEEL, BUT WE DO HAVE THE SLOT IN WHICH 1020 00:33:03,524 --> 00:33:05,192 WE DON'T HAVE THE WATER WHEEL, BUT WE DO HAVE THE SLOT IN WHICH IT WAS PLACED. 1021 00:33:05,192 --> 00:33:06,193 BUT WE DO HAVE THE SLOT IN WHICH IT WAS PLACED. >> Narrator: THESE WATER-POWERED 1022 00:33:06,193 --> 00:33:08,946 IT WAS PLACED. >> Narrator: THESE WATER-POWERED MARBLE-CUTTERS BUILT AN EMPIRE. 1023 00:33:08,946 --> 00:33:10,989 >> Narrator: THESE WATER-POWERED MARBLE-CUTTERS BUILT AN EMPIRE. BUT THEY HAD TO EVOLVE. 1024 00:33:10,989 --> 00:33:12,825 MARBLE-CUTTERS BUILT AN EMPIRE. BUT THEY HAD TO EVOLVE. ANCIENT BUILDERS NEEDED TO ADAPT 1025 00:33:12,825 --> 00:33:14,535 BUT THEY HAD TO EVOLVE. ANCIENT BUILDERS NEEDED TO ADAPT THE TOOLS TO CREATE THE LOOK OF 1026 00:33:14,535 --> 00:33:16,203 ANCIENT BUILDERS NEEDED TO ADAPT THE TOOLS TO CREATE THE LOOK OF SOLID MARBLE, BUT WITHOUT THE 1027 00:33:16,203 --> 00:33:17,204 THE TOOLS TO CREATE THE LOOK OF SOLID MARBLE, BUT WITHOUT THE COST. 1028 00:33:17,204 --> 00:33:18,372 SOLID MARBLE, BUT WITHOUT THE COST. >> THEY CAN'T JUST ALWAYS HAVE 1029 00:33:18,372 --> 00:33:20,165 COST. >> THEY CAN'T JUST ALWAYS HAVE SOLID COLUMNS AND SOLID BIG 1030 00:33:20,165 --> 00:33:21,208 >> THEY CAN'T JUST ALWAYS HAVE SOLID COLUMNS AND SOLID BIG BLOCKS OF MARBLE. 1031 00:33:21,208 --> 00:33:23,794 SOLID COLUMNS AND SOLID BIG BLOCKS OF MARBLE. THEY NEED ANOTHER SOLUTION. 1032 00:33:23,794 --> 00:33:24,712 BLOCKS OF MARBLE. THEY NEED ANOTHER SOLUTION. >> WELL, AS EARLY AS THE 4th 1033 00:33:24,712 --> 00:33:26,171 THEY NEED ANOTHER SOLUTION. >> WELL, AS EARLY AS THE 4th CENTURY B.C. WE'RE TOLD THAT WE 1034 00:33:26,171 --> 00:33:27,297 >> WELL, AS EARLY AS THE 4th CENTURY B.C. WE'RE TOLD THAT WE HAVE THE INVENTION OF MARBLE 1035 00:33:27,297 --> 00:33:29,216 CENTURY B.C. WE'RE TOLD THAT WE HAVE THE INVENTION OF MARBLE VENEER-- CUTTING BIG BLOCKS OF 1036 00:33:29,216 --> 00:33:31,635 HAVE THE INVENTION OF MARBLE VENEER-- CUTTING BIG BLOCKS OF STONE INTO THIN MARBLE SLABS. 1037 00:33:31,635 --> 00:33:33,679 VENEER-- CUTTING BIG BLOCKS OF STONE INTO THIN MARBLE SLABS. HERE IS AN EXAMPLE OF JUST HOW 1038 00:33:33,679 --> 00:33:34,972 STONE INTO THIN MARBLE SLABS. HERE IS AN EXAMPLE OF JUST HOW THIN THOSE PANELS ARE. 1039 00:33:34,972 --> 00:33:37,474 HERE IS AN EXAMPLE OF JUST HOW THIN THOSE PANELS ARE. JUST A FEW MERE MILLIMETERS. 1040 00:33:37,474 --> 00:33:38,851 THIN THOSE PANELS ARE. JUST A FEW MERE MILLIMETERS. IN THIS CASE HERE WHAT YOU SEE 1041 00:33:38,851 --> 00:33:40,060 JUST A FEW MERE MILLIMETERS. IN THIS CASE HERE WHAT YOU SEE IS THEY'VE TAKEN A BLOCK OF 1042 00:33:40,060 --> 00:33:41,228 IN THIS CASE HERE WHAT YOU SEE IS THEY'VE TAKEN A BLOCK OF STONE, AND THEY'VE CUT IT OPEN 1043 00:33:41,228 --> 00:33:42,521 IS THEY'VE TAKEN A BLOCK OF STONE, AND THEY'VE CUT IT OPEN AND THEN THEY'VE MIRRORED IT SO 1044 00:33:42,521 --> 00:33:44,064 STONE, AND THEY'VE CUT IT OPEN AND THEN THEY'VE MIRRORED IT SO YOU'VE GOT THE SAME PATTERN 1045 00:33:44,064 --> 00:33:46,233 AND THEN THEY'VE MIRRORED IT SO YOU'VE GOT THE SAME PATTERN APPEARING ON BOTH SIDES. 1046 00:33:46,233 --> 00:33:47,651 YOU'VE GOT THE SAME PATTERN APPEARING ON BOTH SIDES. >> Narrator: THE GENIUS OF THE 1047 00:33:47,651 --> 00:33:49,528 APPEARING ON BOTH SIDES. >> Narrator: THE GENIUS OF THE ANCIENT ENGINEERS WAS TO ADAPT 1048 00:33:49,528 --> 00:33:51,238 >> Narrator: THE GENIUS OF THE ANCIENT ENGINEERS WAS TO ADAPT THEIR WATER-DRIVEN TOOLS INTO 1049 00:33:51,238 --> 00:33:54,074 ANCIENT ENGINEERS WAS TO ADAPT THEIR WATER-DRIVEN TOOLS INTO POWER SAWS PRECISE ENOUGH TO CUT 1050 00:33:54,074 --> 00:33:56,034 THEIR WATER-DRIVEN TOOLS INTO POWER SAWS PRECISE ENOUGH TO CUT SOLID MARBLE INTO VENEERS LESS 1051 00:33:56,034 --> 00:33:57,703 POWER SAWS PRECISE ENOUGH TO CUT SOLID MARBLE INTO VENEERS LESS THAN HALF AN INCH THICK. 1052 00:33:57,703 --> 00:33:59,371 SOLID MARBLE INTO VENEERS LESS THAN HALF AN INCH THICK. >> WHAT IS THE SAW IN THIS CASE? 1053 00:33:59,371 --> 00:34:00,914 THAN HALF AN INCH THICK. >> WHAT IS THE SAW IN THIS CASE? SOMETIMES WE HAVE REFERENCE TO 1054 00:34:00,914 --> 00:34:02,499 >> WHAT IS THE SAW IN THIS CASE? SOMETIMES WE HAVE REFERENCE TO THEM BEING MADE OUT OF METAL. 1055 00:34:02,499 --> 00:34:03,417 SOMETIMES WE HAVE REFERENCE TO THEM BEING MADE OUT OF METAL. IN THIS CASE HERE THE 1056 00:34:03,417 --> 00:34:04,376 THEM BEING MADE OUT OF METAL. IN THIS CASE HERE THE ARCHAEOLOGISTS SAY THEY WERE 1057 00:34:04,376 --> 00:34:05,252 IN THIS CASE HERE THE ARCHAEOLOGISTS SAY THEY WERE MADE OF WOOD. 1058 00:34:05,252 --> 00:34:06,587 ARCHAEOLOGISTS SAY THEY WERE MADE OF WOOD. BUT ULTIMATELY, IT'S THE 1059 00:34:06,587 --> 00:34:08,005 MADE OF WOOD. BUT ULTIMATELY, IT'S THE RELENTLESS EFFICIENCY OF THE 1060 00:34:08,005 --> 00:34:09,256 BUT ULTIMATELY, IT'S THE RELENTLESS EFFICIENCY OF THE BACK AND FORTH MOTION, AND 1061 00:34:09,256 --> 00:34:10,382 RELENTLESS EFFICIENCY OF THE BACK AND FORTH MOTION, AND ULTIMATELY THE ESTIMATES ARE 1062 00:34:10,382 --> 00:34:11,842 BACK AND FORTH MOTION, AND ULTIMATELY THE ESTIMATES ARE THAT IT WAS 12 TIMES AS 1063 00:34:11,842 --> 00:34:14,219 ULTIMATELY THE ESTIMATES ARE THAT IT WAS 12 TIMES AS EFFICIENT AS TWO GUYS CUTTING 1064 00:34:14,219 --> 00:34:15,429 THAT IT WAS 12 TIMES AS EFFICIENT AS TWO GUYS CUTTING THE SAME BLOCK. 1065 00:34:15,429 --> 00:34:17,264 EFFICIENT AS TWO GUYS CUTTING THE SAME BLOCK. >> Narrator: BASED ON THE 1066 00:34:17,264 --> 00:34:19,767 THE SAME BLOCK. >> Narrator: BASED ON THE EVIDENCE FROM EPHESUS, WE HAVE 1067 00:34:19,767 --> 00:34:21,268 >> Narrator: BASED ON THE EVIDENCE FROM EPHESUS, WE HAVE BUILT A RECONSTRUCTION OF THIS 1068 00:34:21,268 --> 00:34:24,229 EVIDENCE FROM EPHESUS, WE HAVE BUILT A RECONSTRUCTION OF THIS GAME-CHANGING SAW. 1069 00:34:24,229 --> 00:34:26,398 BUILT A RECONSTRUCTION OF THIS GAME-CHANGING SAW. STEVE WOLF HAS COME TO SEE IT IN 1070 00:34:26,398 --> 00:34:28,275 GAME-CHANGING SAW. STEVE WOLF HAS COME TO SEE IT IN ACTION. 1071 00:34:28,275 --> 00:34:29,276 STEVE WOLF HAS COME TO SEE IT IN ACTION. >> THIS IS EXCITING. 1072 00:34:29,276 --> 00:34:30,277 ACTION. >> THIS IS EXCITING. I'VE TRAVELED A LONG WAY TO SEE 1073 00:34:30,277 --> 00:34:31,779 >> THIS IS EXCITING. I'VE TRAVELED A LONG WAY TO SEE THIS. 1074 00:34:31,779 --> 00:34:33,405 I'VE TRAVELED A LONG WAY TO SEE THIS. IT'S 1/3 SCALE. 1075 00:34:33,405 --> 00:34:34,740 THIS. IT'S 1/3 SCALE. THE ORIGINAL WOULD HAVE BEEN 1076 00:34:34,740 --> 00:34:36,909 IT'S 1/3 SCALE. THE ORIGINAL WOULD HAVE BEEN NINE FEET TALL, A COLOSSAL PIECE 1077 00:34:36,909 --> 00:34:38,786 THE ORIGINAL WOULD HAVE BEEN NINE FEET TALL, A COLOSSAL PIECE OF EQUIPMENT, VERY POWERFUL FOR 1078 00:34:38,786 --> 00:34:40,287 NINE FEET TALL, A COLOSSAL PIECE OF EQUIPMENT, VERY POWERFUL FOR CUTTING STONE. 1079 00:34:40,287 --> 00:34:41,622 OF EQUIPMENT, VERY POWERFUL FOR CUTTING STONE. >> Narrator: FOR POSSIBLY THE 1080 00:34:41,622 --> 00:34:43,916 CUTTING STONE. >> Narrator: FOR POSSIBLY THE FIRST TIME IN HISTORY, THIS TOOL 1081 00:34:43,916 --> 00:34:46,126 >> Narrator: FOR POSSIBLY THE FIRST TIME IN HISTORY, THIS TOOL USES TWO PAIRS OF PARALLEL METAL 1082 00:34:46,126 --> 00:34:48,295 FIRST TIME IN HISTORY, THIS TOOL USES TWO PAIRS OF PARALLEL METAL SAWS TO CUT MARBLE VENEERS FROM 1083 00:34:48,295 --> 00:34:49,588 USES TWO PAIRS OF PARALLEL METAL SAWS TO CUT MARBLE VENEERS FROM A SOLID BLOCK. 1084 00:34:49,588 --> 00:34:51,089 SAWS TO CUT MARBLE VENEERS FROM A SOLID BLOCK. >> THAT MEANS THAT WE WOULD HAVE 1085 00:34:51,089 --> 00:34:53,133 A SOLID BLOCK. >> THAT MEANS THAT WE WOULD HAVE HAD FOUR SAW BLADES, EACH OF 1086 00:34:53,133 --> 00:34:55,302 >> THAT MEANS THAT WE WOULD HAVE HAD FOUR SAW BLADES, EACH OF THEM NINE FEET LONG, ALL OF THEM 1087 00:34:55,302 --> 00:34:57,095 HAD FOUR SAW BLADES, EACH OF THEM NINE FEET LONG, ALL OF THEM SIMULTANEOUSLY CUTTING AWAY ON 1088 00:34:57,095 --> 00:34:59,306 THEM NINE FEET LONG, ALL OF THEM SIMULTANEOUSLY CUTTING AWAY ON HERE GENERATING VALUABLE MARBLE 1089 00:34:59,306 --> 00:35:01,141 SIMULTANEOUSLY CUTTING AWAY ON HERE GENERATING VALUABLE MARBLE TO SELL AND SAVING A TREMENDOUS 1090 00:35:01,141 --> 00:35:04,144 HERE GENERATING VALUABLE MARBLE TO SELL AND SAVING A TREMENDOUS AMOUNT OF LABOR IN THE PROCESS. 1091 00:35:04,144 --> 00:35:05,145 TO SELL AND SAVING A TREMENDOUS AMOUNT OF LABOR IN THE PROCESS. >> Narrator: MARBLE PRODUCTION 1092 00:35:05,145 --> 00:35:06,772 AMOUNT OF LABOR IN THE PROCESS. >> Narrator: MARBLE PRODUCTION HAD MOVED FROM SWEAT AND MUSCLE 1093 00:35:06,772 --> 00:35:09,316 >> Narrator: MARBLE PRODUCTION HAD MOVED FROM SWEAT AND MUSCLE POWER USING MANUAL SAWS INTO A 1094 00:35:09,316 --> 00:35:11,777 HAD MOVED FROM SWEAT AND MUSCLE POWER USING MANUAL SAWS INTO A PROCESS USING MASSIVE INDUSTRIAL 1095 00:35:11,777 --> 00:35:13,779 POWER USING MANUAL SAWS INTO A PROCESS USING MASSIVE INDUSTRIAL POWER TOOLS. 1096 00:35:13,779 --> 00:35:15,322 PROCESS USING MASSIVE INDUSTRIAL POWER TOOLS. THESE WERE THE POWER TOOLS 1097 00:35:15,322 --> 00:35:17,074 POWER TOOLS. THESE WERE THE POWER TOOLS NEEDED TO KEEP UP WITH A PERIOD 1098 00:35:17,074 --> 00:35:18,992 THESE WERE THE POWER TOOLS NEEDED TO KEEP UP WITH A PERIOD OF BUILDING THAT WAS EXPLODING 1099 00:35:18,992 --> 00:35:21,662 NEEDED TO KEEP UP WITH A PERIOD OF BUILDING THAT WAS EXPLODING THROUGHOUT THE ANCIENT WORLD. 1100 00:35:21,662 --> 00:35:23,455 OF BUILDING THAT WAS EXPLODING THROUGHOUT THE ANCIENT WORLD. BUT AN ASTONISHING FIND IN 1101 00:35:23,455 --> 00:35:26,166 THROUGHOUT THE ANCIENT WORLD. BUT AN ASTONISHING FIND IN JERASH IN PRESENT-DAY JORDAN 1102 00:35:26,166 --> 00:35:27,459 BUT AN ASTONISHING FIND IN JERASH IN PRESENT-DAY JORDAN SHOWS HOW THE INNOVATION IN 1103 00:35:27,459 --> 00:35:29,962 JERASH IN PRESENT-DAY JORDAN SHOWS HOW THE INNOVATION IN POWER TOOLS NEVER SLOWED EVEN AS 1104 00:35:29,962 --> 00:35:31,338 SHOWS HOW THE INNOVATION IN POWER TOOLS NEVER SLOWED EVEN AS THE ROMAN EMPIRE BEGAN TO 1105 00:35:31,338 --> 00:35:34,007 POWER TOOLS NEVER SLOWED EVEN AS THE ROMAN EMPIRE BEGAN TO SHRINK. 1106 00:35:34,007 --> 00:35:36,009 THE ROMAN EMPIRE BEGAN TO SHRINK. IN THE TEMPLE OF ARTEMIS ARE TWO 1107 00:35:36,009 --> 00:35:38,178 SHRINK. IN THE TEMPLE OF ARTEMIS ARE TWO LIMESTONE DRUMS, EACH WITH FOUR 1108 00:35:38,178 --> 00:35:40,347 IN THE TEMPLE OF ARTEMIS ARE TWO LIMESTONE DRUMS, EACH WITH FOUR IDENTICAL PARALLEL CUTS. 1109 00:35:40,347 --> 00:35:43,642 LIMESTONE DRUMS, EACH WITH FOUR IDENTICAL PARALLEL CUTS. WHAT TOOL COULD HAVE DONE THIS? 1110 00:35:43,642 --> 00:35:45,602 IDENTICAL PARALLEL CUTS. WHAT TOOL COULD HAVE DONE THIS? THIS IS WHAT WE BELIEVE IT COULD 1111 00:35:45,602 --> 00:35:49,147 WHAT TOOL COULD HAVE DONE THIS? THIS IS WHAT WE BELIEVE IT COULD HAVE LOOKED LIKE... 1112 00:35:49,147 --> 00:35:51,024 THIS IS WHAT WE BELIEVE IT COULD HAVE LOOKED LIKE... A MULTI-BLADED POWERHOUSE TO 1113 00:35:51,024 --> 00:35:54,611 HAVE LOOKED LIKE... A MULTI-BLADED POWERHOUSE TO MASS-PRODUCE VENEERS. 1114 00:35:54,611 --> 00:35:56,113 A MULTI-BLADED POWERHOUSE TO MASS-PRODUCE VENEERS. THE POWER FROM THE WATER WHEEL 1115 00:35:56,113 --> 00:35:58,532 MASS-PRODUCE VENEERS. THE POWER FROM THE WATER WHEEL CRANKED A PAIR OF GIANT SAWS, 1116 00:35:58,532 --> 00:36:00,367 THE POWER FROM THE WATER WHEEL CRANKED A PAIR OF GIANT SAWS, EACH CONNECTED TO TWO SETS OF 1117 00:36:00,367 --> 00:36:02,369 CRANKED A PAIR OF GIANT SAWS, EACH CONNECTED TO TWO SETS OF FOUR BLADES THAT SLICED THEIR 1118 00:36:02,369 --> 00:36:04,454 EACH CONNECTED TO TWO SETS OF FOUR BLADES THAT SLICED THEIR WAY THROUGH MARBLE. 1119 00:36:04,454 --> 00:36:06,373 FOUR BLADES THAT SLICED THEIR WAY THROUGH MARBLE. THE WATER-DRIVEN MARBLE SAW IS 1120 00:36:06,373 --> 00:36:08,125 WAY THROUGH MARBLE. THE WATER-DRIVEN MARBLE SAW IS ONE OF THE MOST IMPORTANT POWER 1121 00:36:08,125 --> 00:36:10,669 THE WATER-DRIVEN MARBLE SAW IS ONE OF THE MOST IMPORTANT POWER TOOLS EVER CREATED, A TOOL THAT 1122 00:36:10,669 --> 00:36:12,337 ONE OF THE MOST IMPORTANT POWER TOOLS EVER CREATED, A TOOL THAT HELPED BUILD AND THEN SURVIVED 1123 00:36:12,337 --> 00:36:13,964 TOOLS EVER CREATED, A TOOL THAT HELPED BUILD AND THEN SURVIVED BEYOND THE MIGHTY ROMAN EMPIRE. 1124 00:36:19,303 --> 00:36:24,892 >> Narrator: MODERN FOUNDRIES RUN POWER TOOLS 24 HOURS A DAY, HAMMERING OUT PRODUCTS FOR OUR 1125 00:36:24,892 --> 00:36:28,687 RUN POWER TOOLS 24 HOURS A DAY, HAMMERING OUT PRODUCTS FOR OUR MODERN INDUSTRIAL WORLD. 1126 00:36:28,687 --> 00:36:31,064 HAMMERING OUT PRODUCTS FOR OUR MODERN INDUSTRIAL WORLD. BUT A THOUSAND YEARS AGO IN THE 1127 00:36:31,064 --> 00:36:33,400 MODERN INDUSTRIAL WORLD. BUT A THOUSAND YEARS AGO IN THE EAST, CHINA WAS ALSO PROVING 1128 00:36:33,400 --> 00:36:34,568 BUT A THOUSAND YEARS AGO IN THE EAST, CHINA WAS ALSO PROVING THERE WAS NOTHING THAT WAS 1129 00:36:34,568 --> 00:36:38,906 EAST, CHINA WAS ALSO PROVING THERE WAS NOTHING THAT WAS BEYOND THEM. 1130 00:36:38,906 --> 00:36:41,742 THERE WAS NOTHING THAT WAS BEYOND THEM. IN THE 11th CENTURY, HUGE CITIES 1131 00:36:41,742 --> 00:36:43,577 BEYOND THEM. IN THE 11th CENTURY, HUGE CITIES HAD BEGUN TO DEVELOP AS CENTERS 1132 00:36:43,577 --> 00:36:45,203 IN THE 11th CENTURY, HUGE CITIES HAD BEGUN TO DEVELOP AS CENTERS FOR TRADE, INDUSTRY AND 1133 00:36:45,203 --> 00:36:47,915 HAD BEGUN TO DEVELOP AS CENTERS FOR TRADE, INDUSTRY AND COMMERCE. 1134 00:36:47,915 --> 00:36:49,750 FOR TRADE, INDUSTRY AND COMMERCE. A HUMAN SWINGING A HAMMER WAS 1135 00:36:49,750 --> 00:36:52,753 COMMERCE. A HUMAN SWINGING A HAMMER WAS NEVER GOING TO BE ENOUGH. 1136 00:36:52,753 --> 00:36:54,588 A HUMAN SWINGING A HAMMER WAS NEVER GOING TO BE ENOUGH. THE ANSWER WAS TO ADOPT A POWER 1137 00:36:54,588 --> 00:36:56,590 NEVER GOING TO BE ENOUGH. THE ANSWER WAS TO ADOPT A POWER TOOL THAT WAS SO FAR AHEAD OF 1138 00:36:56,590 --> 00:36:58,884 THE ANSWER WAS TO ADOPT A POWER TOOL THAT WAS SO FAR AHEAD OF ITS TIME, IT IS STILL USED IN 1139 00:36:58,884 --> 00:37:04,431 TOOL THAT WAS SO FAR AHEAD OF ITS TIME, IT IS STILL USED IN THE AEROSPACE INDUSTRY TODAY. 1140 00:37:04,431 --> 00:37:05,933 ITS TIME, IT IS STILL USED IN THE AEROSPACE INDUSTRY TODAY. IN SOUTHEASTERN CHINA, 1141 00:37:05,933 --> 00:37:07,935 THE AEROSPACE INDUSTRY TODAY. IN SOUTHEASTERN CHINA, ARCHAEOLOGISTS HAVE DISCOVERED A 1142 00:37:07,935 --> 00:37:09,269 IN SOUTHEASTERN CHINA, ARCHAEOLOGISTS HAVE DISCOVERED A WORKING EXAMPLE OF THIS 1143 00:37:09,269 --> 00:37:11,271 ARCHAEOLOGISTS HAVE DISCOVERED A WORKING EXAMPLE OF THIS EXTRAORDINARY 2,000-YEAR-OLD 1144 00:37:11,271 --> 00:37:13,941 WORKING EXAMPLE OF THIS EXTRAORDINARY 2,000-YEAR-OLD TOOL. 1145 00:37:13,941 --> 00:37:17,069 EXTRAORDINARY 2,000-YEAR-OLD TOOL. THE HYDRAULIC TRIP HAMMER. 1146 00:37:17,069 --> 00:37:18,779 TOOL. THE HYDRAULIC TRIP HAMMER. IT USED A WATER WHEEL AND 1147 00:37:18,779 --> 00:37:21,114 THE HYDRAULIC TRIP HAMMER. IT USED A WATER WHEEL AND GRAVITY TO TRANSFORM ANCIENT 1148 00:37:21,114 --> 00:37:23,116 IT USED A WATER WHEEL AND GRAVITY TO TRANSFORM ANCIENT AGRICULTURE. 1149 00:37:23,116 --> 00:37:25,285 GRAVITY TO TRANSFORM ANCIENT AGRICULTURE. RICHARD WINDLEY HAS BUILT A 1150 00:37:25,285 --> 00:37:26,954 AGRICULTURE. RICHARD WINDLEY HAS BUILT A MODEL OF THIS REVOLUTIONARY 1151 00:37:26,954 --> 00:37:29,122 RICHARD WINDLEY HAS BUILT A MODEL OF THIS REVOLUTIONARY POWER TOOL. 1152 00:37:29,122 --> 00:37:30,958 MODEL OF THIS REVOLUTIONARY POWER TOOL. >> NOW, IN THE SHAFT THERE ARE A 1153 00:37:30,958 --> 00:37:34,962 POWER TOOL. >> NOW, IN THE SHAFT THERE ARE A NUMBER OF PEGS. 1154 00:37:34,962 --> 00:37:36,964 >> NOW, IN THE SHAFT THERE ARE A NUMBER OF PEGS. EACH TIME ONE OF THESE PEGS HITS 1155 00:37:36,964 --> 00:37:39,633 NUMBER OF PEGS. EACH TIME ONE OF THESE PEGS HITS ONE OF THESE PIVOTED LEVERS... 1156 00:37:39,633 --> 00:37:40,968 EACH TIME ONE OF THESE PEGS HITS ONE OF THESE PIVOTED LEVERS... IT TRIPS. 1157 00:37:40,968 --> 00:37:44,972 ONE OF THESE PIVOTED LEVERS... IT TRIPS. HENCE THE NAME "TRIP HAMMER." 1158 00:37:44,972 --> 00:37:46,306 IT TRIPS. HENCE THE NAME "TRIP HAMMER." THE HAMMER DROPS UNDER THE 1159 00:37:46,306 --> 00:37:48,475 HENCE THE NAME "TRIP HAMMER." THE HAMMER DROPS UNDER THE WEIGHT OF THE HAMMER HEAD, AND 1160 00:37:48,475 --> 00:37:50,143 THE HAMMER DROPS UNDER THE WEIGHT OF THE HAMMER HEAD, AND THAT FORCE IS IMPORTED ONTO THE 1161 00:37:50,143 --> 00:37:52,646 WEIGHT OF THE HAMMER HEAD, AND THAT FORCE IS IMPORTED ONTO THE GRAIN WHICH ARE IN THESE CUPS. 1162 00:37:52,646 --> 00:37:53,772 THAT FORCE IS IMPORTED ONTO THE GRAIN WHICH ARE IN THESE CUPS. THE FACT THAT THIS IS GOING 1163 00:37:53,772 --> 00:37:55,649 GRAIN WHICH ARE IN THESE CUPS. THE FACT THAT THIS IS GOING CONTINUOUSLY, THEY COULD HAVE 1164 00:37:55,649 --> 00:37:57,484 THE FACT THAT THIS IS GOING CONTINUOUSLY, THEY COULD HAVE EVEN RUN 24 HOURS A DAY. 1165 00:37:57,484 --> 00:37:59,152 CONTINUOUSLY, THEY COULD HAVE EVEN RUN 24 HOURS A DAY. IT'S VERY, VERY EFFECTIVE. 1166 00:38:05,033 --> 00:38:12,666 >> Narrator: EACH HAMMER COULD GENERATE 100 POUNDS OF FORCE. IT MEANT THAT ALL EIGHT HAMMERS 1167 00:38:12,666 --> 00:38:14,668 GENERATE 100 POUNDS OF FORCE. IT MEANT THAT ALL EIGHT HAMMERS WOULD OPERATE WITH 800 POUNDS OF 1168 00:38:14,668 --> 00:38:22,342 IT MEANT THAT ALL EIGHT HAMMERS WOULD OPERATE WITH 800 POUNDS OF FORCE IN A SINGLE ROTATION. 1169 00:38:22,342 --> 00:38:24,845 WOULD OPERATE WITH 800 POUNDS OF FORCE IN A SINGLE ROTATION. SUDDENLY ONE MACHINE REPLACED 1170 00:38:24,845 --> 00:38:27,139 FORCE IN A SINGLE ROTATION. SUDDENLY ONE MACHINE REPLACED TEN WORKMEN, WORKING 24 HOURS A 1171 00:38:27,139 --> 00:38:28,473 SUDDENLY ONE MACHINE REPLACED TEN WORKMEN, WORKING 24 HOURS A DAY. 1172 00:38:33,020 --> 00:38:41,194 THE GENIUS WAS IN USING A SIMPLE WATER WHEEL TO TURN A SHAFT TO REPEATEDLY DRIVE THE HAMMERS. 1173 00:38:41,194 --> 00:38:42,195 WATER WHEEL TO TURN A SHAFT TO REPEATEDLY DRIVE THE HAMMERS. >> IT'S A DEVICE WHICH IS 1174 00:38:42,195 --> 00:38:44,031 REPEATEDLY DRIVE THE HAMMERS. >> IT'S A DEVICE WHICH IS ACTUALLY TURNING ROTARY MOTION, 1175 00:38:44,031 --> 00:38:45,699 >> IT'S A DEVICE WHICH IS ACTUALLY TURNING ROTARY MOTION, AND WE'RE ACTUALLY GETTING AN UP 1176 00:38:45,699 --> 00:38:46,366 ACTUALLY TURNING ROTARY MOTION, AND WE'RE ACTUALLY GETTING AN UP AND DOWN MOTION. 1177 00:38:46,366 --> 00:38:48,201 AND WE'RE ACTUALLY GETTING AN UP AND DOWN MOTION. SO WE'RE TRANSFERRING ROTARY 1178 00:38:48,201 --> 00:38:51,204 AND DOWN MOTION. SO WE'RE TRANSFERRING ROTARY INTO A SORT OF LINEAR ACTION. 1179 00:38:51,204 --> 00:38:52,706 SO WE'RE TRANSFERRING ROTARY INTO A SORT OF LINEAR ACTION. SO IT WAS NOT UNTIL ABOUT THE 1180 00:38:52,706 --> 00:38:55,042 INTO A SORT OF LINEAR ACTION. SO IT WAS NOT UNTIL ABOUT THE 14th AND 15th CENTURY DID DROP 1181 00:38:55,042 --> 00:38:56,668 SO IT WAS NOT UNTIL ABOUT THE 14th AND 15th CENTURY DID DROP HAMMERS AND TRIP HAMMERS FIRST 1182 00:38:56,668 --> 00:38:57,502 14th AND 15th CENTURY DID DROP HAMMERS AND TRIP HAMMERS FIRST APPEAR. 1183 00:38:57,502 --> 00:38:58,712 HAMMERS AND TRIP HAMMERS FIRST APPEAR. THE CHINESE WERE WAY, WAY AHEAD 1184 00:38:58,712 --> 00:39:02,049 APPEAR. THE CHINESE WERE WAY, WAY AHEAD IN TERMS OF THEIR TECHNOLOGY. 1185 00:39:02,049 --> 00:39:03,050 THE CHINESE WERE WAY, WAY AHEAD IN TERMS OF THEIR TECHNOLOGY. >> Narrator: AT FIRST, IT WAS 1186 00:39:03,050 --> 00:39:06,053 IN TERMS OF THEIR TECHNOLOGY. >> Narrator: AT FIRST, IT WAS USED TO HAMMER WHEAT INTO FLOUR. 1187 00:39:06,053 --> 00:39:07,721 >> Narrator: AT FIRST, IT WAS USED TO HAMMER WHEAT INTO FLOUR. BUT SOON, IT MOVED BEYOND 1188 00:39:07,721 --> 00:39:09,556 USED TO HAMMER WHEAT INTO FLOUR. BUT SOON, IT MOVED BEYOND AGRICULTURE AND WAS THE POWER 1189 00:39:09,556 --> 00:39:11,558 BUT SOON, IT MOVED BEYOND AGRICULTURE AND WAS THE POWER TOOL THAT IGNITED THE CHINESE 1190 00:39:11,558 --> 00:39:15,896 AGRICULTURE AND WAS THE POWER TOOL THAT IGNITED THE CHINESE INDUSTRIAL REVOLUTION. 1191 00:39:15,896 --> 00:39:18,065 TOOL THAT IGNITED THE CHINESE INDUSTRIAL REVOLUTION. THE ANCIENT TEXTS TELL US THAT 1192 00:39:18,065 --> 00:39:19,900 INDUSTRIAL REVOLUTION. THE ANCIENT TEXTS TELL US THAT THE MEGA TOOL WAS SOON ADAPTED 1193 00:39:19,900 --> 00:39:22,069 THE ANCIENT TEXTS TELL US THAT THE MEGA TOOL WAS SOON ADAPTED FROM CRUSHING GRAIN TO POUNDING 1194 00:39:22,069 --> 00:39:23,695 THE MEGA TOOL WAS SOON ADAPTED FROM CRUSHING GRAIN TO POUNDING METAL IN INDUSTRIALIZED METAL 1195 00:39:23,695 --> 00:39:26,239 FROM CRUSHING GRAIN TO POUNDING METAL IN INDUSTRIALIZED METAL WORKSHOPS. 1196 00:39:26,239 --> 00:39:28,241 METAL IN INDUSTRIALIZED METAL WORKSHOPS. COULD THAT ANCIENT CHINESE TOOL 1197 00:39:28,241 --> 00:39:30,077 WORKSHOPS. COULD THAT ANCIENT CHINESE TOOL HAVE DONE THE IMPOSSIBLE AND 1198 00:39:30,077 --> 00:39:32,245 COULD THAT ANCIENT CHINESE TOOL HAVE DONE THE IMPOSSIBLE AND PREDATED THE POWER TOOLS OF THE 1199 00:39:32,245 --> 00:39:36,750 HAVE DONE THE IMPOSSIBLE AND PREDATED THE POWER TOOLS OF THE MODERN FOUNDRY BY 2,000 YEARS? 1200 00:39:36,750 --> 00:39:40,087 PREDATED THE POWER TOOLS OF THE MODERN FOUNDRY BY 2,000 YEARS? WOLVERHAMPTON, ENGLAND. 1201 00:39:40,087 --> 00:39:42,047 MODERN FOUNDRY BY 2,000 YEARS? WOLVERHAMPTON, ENGLAND. IN THIS FOUNDRY, THESE TOOLS ARE 1202 00:39:42,047 --> 00:39:43,590 WOLVERHAMPTON, ENGLAND. IN THIS FOUNDRY, THESE TOOLS ARE EVIDENCE THAT VERY LITTLE HAS 1203 00:39:43,590 --> 00:39:47,928 IN THIS FOUNDRY, THESE TOOLS ARE EVIDENCE THAT VERY LITTLE HAS CHANGED. 1204 00:39:47,928 --> 00:39:49,596 EVIDENCE THAT VERY LITTLE HAS CHANGED. >> THE ONLY REAL DIFFERENCE IS 1205 00:39:49,596 --> 00:39:51,098 CHANGED. >> THE ONLY REAL DIFFERENCE IS THAT YOU HAVE AN ELECTRIC MOTOR 1206 00:39:51,098 --> 00:39:53,225 >> THE ONLY REAL DIFFERENCE IS THAT YOU HAVE AN ELECTRIC MOTOR ON THE TOP OF THIS MACHINE 1207 00:39:53,225 --> 00:39:57,104 THAT YOU HAVE AN ELECTRIC MOTOR ON THE TOP OF THIS MACHINE RATHER THAN A WATER WHEEL. 1208 00:39:57,104 --> 00:40:01,900 ON THE TOP OF THIS MACHINE RATHER THAN A WATER WHEEL. THE FALLING WEIGHT IS 2,000 LBS 1209 00:40:01,900 --> 00:40:06,071 RATHER THAN A WATER WHEEL. THE FALLING WEIGHT IS 2,000 LBS AND WE CAN DROP IT FROM 10 FEET. 1210 00:40:06,071 --> 00:40:09,783 THE FALLING WEIGHT IS 2,000 LBS AND WE CAN DROP IT FROM 10 FEET. SO THAT'S 20,000 FOOT POUNDS IN 1211 00:40:09,783 --> 00:40:12,119 AND WE CAN DROP IT FROM 10 FEET. SO THAT'S 20,000 FOOT POUNDS IN EACH BLOW. 1212 00:40:12,119 --> 00:40:14,121 SO THAT'S 20,000 FOOT POUNDS IN EACH BLOW. IF A NORMAL PERSON WERE TO USE A 1213 00:40:14,121 --> 00:40:16,123 EACH BLOW. IF A NORMAL PERSON WERE TO USE A SLEDGEHAMMER, THIS WOULD PRODUCE 1214 00:40:16,123 --> 00:40:18,416 IF A NORMAL PERSON WERE TO USE A SLEDGEHAMMER, THIS WOULD PRODUCE AT LEAST 2,000 TIMES WHAT A 1215 00:40:18,416 --> 00:40:19,709 SLEDGEHAMMER, THIS WOULD PRODUCE AT LEAST 2,000 TIMES WHAT A SLEDGEHAMMER WOULD. 1216 00:40:24,047 --> 00:40:30,762 WITHOUT THIS PIECE OF KIT, THERE WOULD BE NO AIRPLANES FLYING. THERE WOULD BE NO CARS OR 1217 00:40:30,762 --> 00:40:33,140 WOULD BE NO AIRPLANES FLYING. THERE WOULD BE NO CARS OR LORRIES ON THE ROAD. 1218 00:40:33,140 --> 00:40:35,475 THERE WOULD BE NO CARS OR LORRIES ON THE ROAD. SO IT IS ABSOLUTELY FUNDAMENTAL 1219 00:40:35,475 --> 00:40:37,144 LORRIES ON THE ROAD. SO IT IS ABSOLUTELY FUNDAMENTAL TO TRANSPORT. 1220 00:40:37,144 --> 00:40:38,812 SO IT IS ABSOLUTELY FUNDAMENTAL TO TRANSPORT. >> Narrator: 2,000 YEARS AGO, 1221 00:40:38,812 --> 00:40:40,814 TO TRANSPORT. >> Narrator: 2,000 YEARS AGO, THE CHINESE POWER TOOL GOT THERE 1222 00:40:40,814 --> 00:40:42,149 >> Narrator: 2,000 YEARS AGO, THE CHINESE POWER TOOL GOT THERE FIRST. 1223 00:40:46,570 --> 00:40:51,783 AND THE GENIUS OF ITS DESIGN MEANS THAT ITS MODERN COUNTERPART IS STILL PUNCHING 1224 00:40:51,783 --> 00:40:54,619 MEANS THAT ITS MODERN COUNTERPART IS STILL PUNCHING OUT VITAL COMPONENTS THAT KEEP 1225 00:40:54,619 --> 00:40:56,288 COUNTERPART IS STILL PUNCHING OUT VITAL COMPONENTS THAT KEEP OUR WORLD RUNNING TODAY. 1226 00:41:00,667 --> 00:41:07,340 TOOLS WE THINK OF AS MODERN INVENTED THOUSANDS OF YEARS IN THE PAST, ANCIENT TOOLS TO CUT 1227 00:41:07,340 --> 00:41:10,177 INVENTED THOUSANDS OF YEARS IN THE PAST, ANCIENT TOOLS TO CUT INTO THE HUMAN EYE, A TOOL FROM 1228 00:41:10,177 --> 00:41:12,012 THE PAST, ANCIENT TOOLS TO CUT INTO THE HUMAN EYE, A TOOL FROM ANCIENT EGYPT SO ADVANCED, WE 1229 00:41:12,012 --> 00:41:14,181 INTO THE HUMAN EYE, A TOOL FROM ANCIENT EGYPT SO ADVANCED, WE ARE STILL UNABLE TO UNDERSTAND 1230 00:41:14,181 --> 00:41:15,182 ANCIENT EGYPT SO ADVANCED, WE ARE STILL UNABLE TO UNDERSTAND ITS GENIUS. 1231 00:41:15,182 --> 00:41:17,017 ARE STILL UNABLE TO UNDERSTAND ITS GENIUS. NOTHING WAS IMPOSSIBLE FOR THE 1232 00:41:17,017 --> 00:41:18,393 ITS GENIUS. NOTHING WAS IMPOSSIBLE FOR THE ANCIENT WORLD. 147784

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