All language subtitles for Black Widow.amazonwebdl.eng

IRA GLASS [ON RADIO]: A
healthy cow would give Rod

75 to 90 pounds of milk a day.

These cows were
averaging 40 at best.

It's hard to even
cover expenses.

The cows developed
other problems.

They had trouble conceiving.

They started losing weight.

They began to get sick.

ROD: I'd have a veterinarian
in about every six

weeks or something like that.

And all I'd get out of
them is they didn't know

what was the matter with them.

So--

IRA GLASS [ON RADIO]:
They tried medicines.

They changed the cow's feed.

They changed it again.

They replaced the
cows with new cows.

And this went on month after
month, year after year,

for a decade and a half.

And Rod was not a novice.

He was an experienced
dairy farmer

who had been through a
lot, nearly 50 years old

when the troubles began.

He tried this.

He tried that, all the time
watching himself slowly

go broke.

ROD: Well, just nobody
had any answers.

I blamed it on myself
as much as anything,

tried to accept the fact that
I wasn't doing something right.

No matter what I did,
it-- it didn't work.

So--

IRA GLASS [ON RADIO]: I
think this happens a lot.

I think that when you
have nothing to go on,

you fill the vacuum with
anything that you have at hand,

with any superstitions
that you can

think of, with
everything that you think

you could have done wrong.

Before something has a
name, it could be anything.

In Rod's case, it turned
out that high voltage power

lines that crossed his
property were leaking

current into the ground.

ROD: The cow was standing there
with bare feet and a wet spot.

and they go to drink water.

And because the electricity
was getting into the water,

well, they'd get a shock
as they were drinking.

Fuck you, lady.

IRA GLASS [ON RADIO]:
The cows were dehydrated,

getting only about
a third of the water

that they were supposed to get.

And that explained all
of their other problems.

After nearly 15
years of uncertainty,

it was a relief to
finally know the answer.

But Rod Hudson was
so heavily in debt,

there was no way to
recoup fast enough.

And he lost the farm.

At 65, he now has a new job.

RON: Well, at the present
time, I'm driving for Thomas

Transportation out at Keene.

That's an airport shuttle--

Ton-ga Road.

Ton-ga Road.

[MUSIC- ORNELLA VANONI, "DOMANI
UN ALTRO GIORNIO"]

[singing in italian]

[sirens]

COMPUTER VOICE: Intruder alert.

Intruder alert.

Please, leave the building.

Intruder alert.

Intruder alert.

Please, leave the building.

ELEONORA: Hello?

Hello?

I can't hear.

COMPUTER VOICE: Intruder alert.
ELEONORA: What?

COMPUTER VOICE: Intruder alert.
ELEONORA: What did you say?

COMPUTER VOICE: Please,
leave the building.

ELEONORA: I can't hear you!

COMPUTER VOICE: Intruder alert.

Intruder alert.

Please, leave the building.

Intruder alert.

Intruder alert.

Please leave the building.

Intruder alert.

Intruder alert.

Please, leave the building.

Intruder alert.

Intruder alert.

Please, leave the building.

Intruder alert.

Intruder alert.

Please, leave the building.

Intruder alert.

Intruder alert.

Please, leave the building.

Intruder alert.
- Ma'am?

COMPUTER VOICE: Intruder alert

We got a call.

COMPUTER VOICE: Please,
leave the building.

It won't stop.

I don't know how
to turn this off.

COMPUTER VOICE: Intruder alert.

Intruder alert.

Please, leave the building.

It's my first time
here, and I just arrived.

But it's--

COMPUTER VOICE: Intruder alert.

Intruder--

[sirens stop]

Hey, Leslie.

You know this lady?

Not really.

But I've been waiting for a
call for the last two hours.

She's Karl's widow.

Shit.

I didn't even know he passed.

Lots of things you
don't know, Pat.

The alarm company called me.

You're Eleanor?

Eleonora.

Right.

And you are the caretaker?

Yes, Leslie.

What happened?

Why didn't you call me?

I was going to as
soon as I got in.

But then this whole happened.

I had no idea it
was so complicated.

It really isn't.

- So everything is fine?
- Yeah.

No problem.

OK.

I'm going to head out then.

I'm sorry about
your husband, miss.

Thank you.

You know, actually,
we weren't married.

Can I help you
with your stuff?

Sure.

No, please.

I'll take that.

Is that everything?

Yes.

Look, you've got 30
seconds once the door

is open to keep in the code.

If they were smart, they
would have put it over there.

But for now, just keep it off.

It's freezing here.

It'll get warm soon enough.

So how do you like it?

What?

The house.

It's different
than I expected.

Some people think it's ugly.

Maybe that's why she
turns her back to the road

and looks out on the woods.

This house is very particular.

There's many things that
you'll have to know.

But you should be
fine for the night.

I was expecting you much sooner.

I'm sorry.

It took longer than I
thought to get here.

I got a little lost.

It's OK.

But I got to go now.

I have some things to do.

I'll come back in
the morning, OK?

Hm-hm.

If you need
anything, just call me.

You have my number.

OK.

Goodnight.

Where are you from?

Italy.

Well, I figured that out.

But what part?

You know Italy?

No, not really.

I'm from a region
called Abruzzo

somewhere in the center.

I see.

Ciao then.

[wolf howl]

[owl hoots]

[owl hoots]

MAN: Back off!

[muffled voices]

OPERATOR: No outgoing
calls can be made.

This service is restricted.

Please call 1-800-697--

[muffled voices]

[car door slam]

[car engine]

LESLIE: Hello?

Hello?

I'll be right down.

I know we're only
halfway through the winter.

But cheer up, baby.

Here, have a drink.

Hey.

Hi, good morning.

Uh, I'm sorry I let myself in.

But it's so dry with the
heat, the plants needed water.

I thought you'd be up by now.

I didn't sleep well.

You never do when
you sleep in a new bed.

No, the bed was fine.

But there were some people
in the woods last night.

I tried to call you, but
the phone didn't work.

They stopped service.

You can receive calls.

But you can't call out,
because no one paid the bill.

You want me to talk to them?

I don't know.

Let me think about it.

I'll probably say
just a couple of days.

I'm not sure I need the phone.

Do you have a cell?

Yeah, but it doesn't
get a signal here.

It should work right
outside the garage.

But, anyway, it was probably
just local kids partying.

They've got no place to go.

This must be
the monkey puzzle.

Yeah.

It is.

Wow.

You really know your plans.

No, I don't know
anything about that.

I just know this
was Karl's favorite.

Karl's favorite.

Well, I know it's my favorite.

But I don't think Karl
ever even looked at it.

You must be kidding.

He loved this plant.

He talked so
beautifully about them.

I'm really surprised
to hear that.

He would always surprise
people with his knowledge

of all kinds of things.

Well, actually
these are my plants.

But it was nice of him
to let me keep them here.

[hawk cries]

You hated curry.

LESLIE: Eleonora?

I'm in the tower.

You don't waste any time.

I took down those
newspapers from the windows.

They were so ugly.

What were they for?

For birds, to stop them
from killing themselves.

They can't see the glass.

And they crash right into it.

How sad.

I'll put them back then.
LESLIE: No.

No, no.

I can do it.

Leslie?

LESLIE: Yeah?

ELEONORA: Where is Karl's stuff?

What stuff?

His personal stuff--
his papers, his clothes.

I couldn't find any.

I put them away.

Where?

In boxes in the crawl space.

Why did you do that?

Well, they had to be
packed up sooner or later.

So I figured I'd do it.

You figured?

Well, you better ask
instead of figuring.

Those are private things.

How dare you invade his privacy.

I was just trying to help.

It's my job.

Is it your job to
read his letters,

to go through his underwear, to
throw away his personal things?

Eleonora, I'm
sorry I didn't know.

Yes, you don't know.

The man I love is dead.

And I come here to
reach for what's left,

and I find nothing.

I didn't throw anything out.

And anyway, there weren't
any private papers.

ELEONORA: That's not the point.

Well, I didn't know
what was going to happen

or who was going to
come and take the stuff.

So I thought, whoever it
was, I'd get things ready

and save them some time.

I don't need to save time.
I want time.

I need time.

It all happened so fast.

It's only been a month.

You can't rush me.

You can't erase his presence.

I think what you're
looking for doesn't exist.

Not here, anyway.

Get out.

You want me to leave?

Si.

[coughing]

OPERATOR: No outgoing
calls can be made.

This--

ELEONORA: Leslie, it's Eleonora.

I need your help.

Can you come?

The house is filled with
smoke, and it's freezing.

Can't you come sooner?

It's an emergency.

Please, as soon as you can.

[buzzer]

[knocking]

[knocking]

This is technically the
main entrance, by the way.

Let me check your furnace.

It's the pilot, no big deal.

You got to be careful.

I had a 99-year-old aunt
who lived in Detroit

by herself, sharp as a tack.

A couple of winters
ago, it got really cold.

She went to bed, the
furnace went off.

She didn't wake up.

That's a horrible story.

Well, maybe you'd prefer
the one about my uncle

from Poughkeepsie who suffocated
to death from the smoke

of his clogged chimney.

Oh, stop it.

Let's get you warm.

This fire place is weird.

Don't tell me.

The flu is open and
everything's clear.

But it does draw right,
because the chimney

design is all wrong.

It gets a really
strong downdraft,

which forms a cap of cold air
which forces the smoke out.

You ever watch
the weather on TV?

Well, I don't know
why, but it seems

to help to crack this
window until the fire really

gets going.

You see?

Were you listening?

Yeah, it's the bad design.

I like it, though.

Eleonora, you
should go to bed.

I can't.

I'll sleep here.

No, no.

You'll catch a cold.

You should go upstairs.

I can't.

Come on.

Come on.

[speaking italian]
I feel sick.

OK.

OK.

Go to bed now.

Good morning.

Well, good morning.

You didn't go home?

No, I slept in
the spare bedroom.

I thought it best not
to leave you alone.

Remember my aunt.

Is black OK?

Yes.

I'm sorry I have nothing
else to offer you.

But your refrigerator is empty.

I know.

I ate everything I brought.

I'm not hungry anyway.

There's a grocery store
up on Lionsville Road.

I gotta leave now.

But let me draw
you a little map.

What about
restaurants round here?

Well, there's only a couple.

Hasbrouck House is
probably the best.

Can I take you there
for dinner tonight?

That would be great.

I want to thank you for your
help and for your patience.

You know, I have to
make a phone call first.

I'll do it now.

Hi.

It's me, Leslie.

Look, uh, something's
come up and I [inaudible]..

Hey, hey, hey, hey take it easy.

What are you my mother?

Fine, fine.

Look, I'll call you
when I get a chance.

[inaudible]

Goodbye.

Yup.

That'll be fine.

You want me to pick you up?

If that's OK,
it would be great.

8:00?

OK.

OK.

Bye.

[laughing]

[crying]

MAN [ON RADIO]: Something or
someone that is less than he's

considered, nine letters.

Overrated.

YOUNG MAN [ON RADIO]: Uh,
oh my god, I don't know.

Idiot.

YOUNG MAN [ON RADIO]: Overrated?

MAN [ON RADIO]: Correct.

Now, someone who takes
more space than he

should, nine letters again.

ELEONORA: [speaking italian]

ELEONORA: [speaking italian]

Sir, can we get a bottle?

Would you like
to see the list?

No, the same wine.

What's it called?

Nero d'Avola.

Good choice.

The lamb is really good here.

You eat meat, don't you?

Hm-hm.

Did you take those pictures?

What pictures?

- Thank you.
- You're welcome.

Our special today is
deconstructed jambalaya.

Oh, I love jambalaya.

Well, this is
deconstructed jambalaya.

So it's not jambalaya?

It's everything that would be
in a jambalaya, but separated.

You put it together,
then you take it apart?

No.

Everything is put separately.

I mean, the point
of the jambalaya

is to mix the flavors.

But this is
deconstructed jambalaya.

It's something
entirely different.

I got it.

You want it?

No, I don't.

I'll take the lamb
with portabello

fries and corn pudding.

Excellent.

Miss?

Same for the lady.

Leslie, how's it going?

Good.

It's going good.

Hows' that Rubber House?

Still there.

This is Eleonora.

Hello, I'm Jeff.

How nice to meet you.

Nice to meet you, too.

You're a lovely woman.

Nice to meet you.

Excuse me, I said that.

Enjoy your dinner.

The food is good here.
- Thank you.

You're welcome.

See you.

Take care.

Is he a friend of yours?

I don't have any friends.

Come on.

Really.

Guy wears too much cologne.

Smell your hand?

What were we talking about?

You were asking me
about something?

Forget it.

It wasn't important.

Enjoy.

[laughing]

Are you from here?

No.

No.

I'm sorry.

When did you move?

Seven, eight, nine years ago.

I'm not sure.

You're not sure?

I'm kind bad with years.

And up here, it's there's
yesterday and a long time

ago and not much in between.

All I know is at one point
I had enough of the city.

How can you ever have
enough of New York?

It's such a great city.

How long have you lived there?

Almost two years.

You'll see.

But wait, I'm
making the questions.

And, uh, what did
you do in the city?

A lot of things.

Yeah, but like what?

Well, I like
plants, as you know.

So any job to do with that.

What?

It's just that
New York and plants,

it's a funny combination
if you think about it.

That's true.

And why did you move up here?

God, I feel like I'm
being interrogated.

I only asked a
couple of things.

There's not--
not a lot to tell.

OK.

I'll stop.

But tell me why.

Why I came up here?

Hm-hm.

Because I like a simple
life, spending time alone.

And here, I can do that.

You can ask me
things if you want.

Isn't there anything you
want to know about me?

OK.

Tell me how you met Karl.

I came to New York
to study mathematics.

I do research.

And Karl was my mentor.

That was two years ago.

He opened my mind
to another world.

And now, I'm a little lost.

I don't know what
I'm going to do.

I haven't really been
able to work since.

Can we go?

I almost hit a girl with
the car on my way here.

She looked exactly like
me when I was little.

What happened?

I guess nothing.

She seemed fine, just scared.

You didn't stop?

No.

I should have.

Thanks for dinner.

You're welcome.

Good night.

Are you OK?

Not really.

That's only going
to make you sick.

None of your business.

Well, I guess you don't
need me anymore tonight.

Wait.

I want to show you something.

Have you seen this?

Yeah.

Who shot them?

I suppose I did.

- When?
- I don't remember.

Why?

Tell me when, please.

Oh, through the years.

I don't know exactly when.

Also in this last two years?

Yeah, I think so.

So he came here without me?

Not in the last few months.

Yeah.

Because he was too
sick, that bastard.

You know, maybe I'm confused.

I've got a really bad memory.

ELEONORA: I wish I did.

I still can hear
all the excuses he

found every time we were
supposed to come up here,

all those lies.

I took care of him.

And he never brought me here.

He brought those bitches,
not the one who loved him.

I suppose I was just
his goddamned nurse.

How could I be so stupid?

Let it go.

And you, you knew these girls?

Yeah, I met them.

Great.

It doesn't really matter.

Did he tell you about me?

Am I any different than them?

He gave you the
house, didn't he?

[retching]

[coughing]

Can you stay here tonight?

MAN [ON TV]: Privilege being
able to send many things--

[wolf howl]

[owl hoots]

Leslie?

Leslie?

[toilet flushing]

Did you have fun last night?

I heard you were
at the Hasbrouck

House with your new boss.

You heard?

Jeff told me.

Don't people have something
better to talk about?

Is she beautiful.

I didn't really
think about it.

Is she, or isn't she?

Give me a half pound
of that macaroni salad.

The creamy one?

The one I always get.

Did you move out of the house?

I went back to Jeff's.

Well, I can come
visit you there then.

I'll call you.

On your tab?

Yeah.

I was about to leave.

I thought I'd save you a trip.

I bought some groceries.

No, I mean back to the city.

OK.

But why don't we have
something to eat first?

I didn't know he
was going to die.

He knew it, though.

Yes.

And this makes me angry at him.

Maybe you just didn't
know him well enough.

I sure didn't.

Call me if decide something.

Sure.

Goodbye.

[MUSIC- LOU REED, "SATELLITE OF
LOVE"]

Satellite's gone
up to the skies.

Things like that drive
me out of my mind.

I watched it for a little while.

I love to watch things on TV.

Satellite of love.

Satellite of love.

Satellite of love.

Satellite of--
satellite of love.

Satellite of--
satellite of love.

Satellite of love.

ELEONORA: It's not like I
haven't seen a man in underwear

before.

Why didn't you try to stop me?

Because what you do
is none of my business.

It's not my job.

Oh, now it's not your job.

What is your job then?

I'm the caretaker
of this house.

Then take care of me, too.

I'm part of this house now.

I'm sorry.

It's OK.

Come here.

Hey, hey, hey.

It's OK.

[hawk cries]

I'm sorry.

It's OK.

Let me get a towel.

That's sweet.

May I?

What a gentleman.

But I'm bleeding.

I don't mind.

Does it taste OK?

Hm-hm.

I'm almost finished.

Did you know we
were gonna do this?

Hm-hm.

God, you don't even know me.

Shouldn't we use a condom?

I guess it's too late now.

I hope you don't do
this every time, do you?

Do you?

No.

Hand on.

Because it could be dangerous.

I mean, you never know.

You're so romantic.

Oh.

[moaning]

Hey.

Thank you.

I've got to go out now.

Do you need anything
from outside?

When will you come back?

I don't know
when I'll be back.

But like soon?
Or--

I'll be back when I'm back.

Stop with the questions.

OK.

Listen, I don't want
to put pressure on you.

But I think you should
make your decision soon.

I have to know whether I've
got to get another job.

Until then, I'll
take care of things.

But don't ask for more.

But I can pay you.

Oh, it's not about money.

If you want me to stay--

I can't decide
for you, Eleonora.

You can move back in if
that's what worries you.

I know you were
living in this house.

In fact, this is
your house, right,

more than it was ever Karl's.

And now, it's yours.

But I want you to stay here at
least until I know what to do.

I won't interfere
with your life.

Then don't.

Will you come
back here tonight?

If that's what
you want, I will.

Hey, Leslie, where you been?

I'll tell you, that woman
from the Rubber House,

she's really cute.

Hook me up, will you?

I can see she's into older men.

How old is she?

I don't know.

How would I know?

Well, you've been
gone for two nights.

I figured you two got to
know each other better.

Jeff, don't be an asshole.

Man, what's your problem?

Is it that time of month?

Gail's lookin' for you.

Hi.

It's me.

What are you up to?

[knocking]

I'm on the phone.

Just hang on.

Sorry, just wondering
what the hell you're doing.

Are you movin' out?

No, I was just taking
some stuff to the house.

When I want to give up the
room, I'll let you know.

OK.

Where were we?

You got anything on tonight?

No.

Yeah.

That would be good.

[speaking italian]

[speaking italian]

[car engine]

[giggling]

Hey.

Hi.

How you doin'?

I'm Gail.

This is Eleonora,
poor Karl's girlfriend.

Oh, he was such a sweetie.

I'm so sorry for him.

- You want to join us, Eleonora.
- No thanks.

Someone told me it's
bad for my health.

Eleonora, what
a beautiful name.

What is it, Spanish?

No, Italian.

Italy, wow.

I hear it's a dream place.

Tuscany, right?

My uncle sells
Chianti at his store.

I hate Chianti.

Sure.

I'm sure you're used to all
the greatest wines and food,

aren't ya?

There's an Italian family
in the neighborhood.

Every time they cook lunch or
dinner, the smell of garlic

goes all through town.

Here.

Mmm.

To Italy.

Cheers, big ears.

- Oh, shit.
- Oh, hey--

Shit, shit, shit.

Hang on.

Now, just-- just-- just relax.

You just gotta put
some club soda on it.

Ugh.

But we don't have any.

You could use salt.

You know what?

We can use salt.

He knows how to take
care of everything.

Thanks, honey.

This guy's got the woman's
disease, the disease to please.

Uhy, you-- you got
my bra all wet.

You got a hair dryer?

Yeah, upstairs.

Come on.

No, not there.

Something new and different.

That's exciting.

I'll be right back.

OK.

MAN [ON TV]: Our sufficient
intensity caused the whales

to surface too rapidly.

The whales then
suffer hemorrhaging

and decompression sickness
due to rapid pressure change.

Some of the animals appeared
to have been in bad shape

before they reached ground.

Some were thin, others--

[MUSIC- ORNELLA VANONI, "DOMANI
UN ALTRO GIORNIO"]

[singing in italian]

MAN [ON TV]: Out of
the water, stranded

whales will find it very
difficult to maintain

correct body temperature.

A rapid rise in body
temperature will

result in death in a few hours.

Pouring buckets of sea
water over the skin

will ensure it
stays cool and wet.

These whales are cared for
by covering exposed areas

of the skin with water
soaked hessian bags

or something similar,
which will help cooling

and also prevent sunburn.

Beaching is often
fatal for whales,

as they become
dehydrated and die.

Some die when they're lungs
are suffocated under their own

weigh or drown when tides
cover their blowholes.

Humans sometimes try
to save beached whales.

However, such efforts are
not always successful.

After a beach whale dies,
they can become sources

of disease and pollution.

As they are very large, such
corpses are difficult to move.

In one case, humans
tried to blow up

the carcass with explosives
with predictable side effects

to spectators.

A whale carcass should
not be consumed.

In 2002, 14 Alaskans
ate muktuk, whale

blubber, from a beached whale.

Eight of them developed
symptoms of botulism,

two of them requiring
mechanical ventilation.

This is, of course,
a problem in common

with any spoiled
meat or meat taken

from an already dead animal.

Scientists can't
explain mass strandings,

but believe that,
being highly social,

whales stick with
sick group members

even after they drift
into shallow water.

When tides recede, few escape.

Hey, would you look at me?

MAN [ON TV]: This remains
one of the greatest

mysteries of nature.

Can animals commit suicide?

You better go home.

GAIL: I don't know
what your problem is.

But believe me, next
time you call me,

I'm not going to running
to suck your dick.

[door slamming]

[MUSIC- ORNELLA VANONI, "DOMANI
UN ALTRO GIORNIO"]

[singing in italian]

LESLIE: Eleonora?

Are you crazy?

[hawk cries]

[hawk cries]

Your wet.

Hm-hm.

You're fountain, aren't you?

I must have a leaky faucet.

I'm the plumber.

Nice to meet you.

Let me see.

Mmm.

I see the problem.

Let me get my tools.

Do I get to keep my job?

We'll see.

Buongiorno.

Whoa.

This is a first.

Breakfast in bed?

Nobody's ever done that for me.

Really?

Never?

No, I always wake
up so goddamn early.

Mmm.

Are you a dog?

No, I'm a panther--
a panther puppy.

My god, the plants.

[phone ringing]

[phone ringing]

[phone ringing]

ELEONORA: Hello?

Hello?

Hello?

Who was it?

They hung up.

You can call out now.

I forgot to tell you I
reactivated the line.

When?

Yesterday.

Why?

You need a phone, don't you?

[hawk cries]

Thanks.

Want one?

Hey.

I've never seen you smoke.

I try not to
smoke in the house.

I'm sorry.

You should have told
me that it bothers you.

It's OK.

It's your house.

This is accomplished in a
manner similar to the foregoing

procedure, but operating
on a correlation

matrix with the effect of
the first factor removed.

Wow.
This makes my head hurt.

Mine, too.

I do love it.

Karl was pretty
famous, wasn't he?

He was great at what he did.

I guess I fell in love
with him even before I

met him through his work.

You're not the only one.

Oh, thanks a lot.

I'm sorry.

It's just every time I
saw him with someone,

I thought the same thing.

But, basically, they
didn't know him.

They were in love with
who he pretended to be.

You sound a little bitter.

I'm not bitter.

I recognize things.

I mean, even this house, he
never really loved this house.

He liked the idea of it,
loved showing it off as

if it reflected who he was.

I feel so foolish.

Don't.

He could be very charming.

You know, I have a theory.

I think mathematicians
don't grow up.

They remain children.

And maybe it's because their
world is pure abstraction

that they don't ever mature.

They never develop a
practical sense of the world.

Even physically, their
world was quite small.

I know it sounds crazy.

But it's something
I've not noticed.

I never thought
of Karl as a child.

He was too calculating
and manipulating.

Kids can be that way, too.

Besides he wasn't
small at all.

He was 6 feet tall.

That is, unless you're
talking about something else.

[PLAYFULLY] Oh, stop it.

[laughing]

[laughing]

When did you start
to get breasts?

How old were you?

Maybe 13.

Did the boys like you?

Yeah.

I had some boyfriends

Did you make love to them?

No.

What did you do with them?

What I am doing now.

[owl hoots]

[phone ringing]

[phone ringing]

[phone ringing]

[phone ringing]

Hello?

Hello?

Hello?

Fuck you, whoever you are.

[speaking italian]

Hand up.

Yes.

What time is it?

10:30.

Wow.

It feels like 4:00
in the morning.

Let's go to bed.

[snoring]

What?

What's happened?

I couldn't hear your breath.

I was sleeping.

I know I'm sorry.

It's OK.

Let's go to sleep now.

When I was little, I
thought that when you slept,

you didn't breathe.

I remember very clearly.

I was four years old.

I was sleeping in my
mom's bed, because my dad

had just left us.

That night, I went to
bed, closed my eyes,

and I tried to stop
breathing to fall asleep.

But every time I exhaled,
after a while I need air.

Otherwise, I felt sick.

I didn't know what
was going on with me.

And I got really anxious.

So I woke my mom, and
I told her my problem.

And she explained to me that
you do breathe when you sleep.

You always do.

But I was so sure,
positive, that every night

until then I did stop
breathing when sleep came.

Otherwise, how could
I rest if I had to think

about breathing all the time?

Who was doing the
breathing for me?

It was a real shock.

Do you understand?

Were you listening?

[light snoring]

MAN [ON TV]: Take
him at his best.

With that, lift him higher.

Overlook the rest, for
we're all one or none.

Remember, more good is
caused by evil than by good.

So do what's right.

Maximize the good,
minimize the wrong.

Then the kingdom of
God's law inspires,

evolves, unites, all one,
all one, all one, hallelujah.

Capisce?
- Capisce.

What was that?

Dr. Bronner,
philosopher of soap.

Are you Catholic?

I'm Italian, but not really.

I'm not leaving.

I'm not either.

[phone ringing]

[phone ringing]

[phone ringing]

[phone ringing]

Why do you care?

Are you expecting a call?

Not really, but it might
be something important.

Who has this number?

Some people have
had it before.

We don't need this house.

No, I'm cold.

They're still warm.

Want one?

Raw?

Yeah, they're beautiful.

No, thanks.

You go ahead.

This is one of the few family
farms left around here.

They used to have this horse.

It was so emaciated
and sway backed

that people would call
the Humane Society

and complain all the time.

It looked so horrible,
we all thought

the horse was being abused.

Every time I passed and
saw him, it made me ill.

And then one day, I drove by
and I saw a hand-painted sign

on the fence.

It said, my name is Chestnut.

I am not being mistreated.

I am just very old.

In fact, he died shortly after.

Is it good?

Mmm.

Shall we go?

Sure.

I just want to keep
the car longer.

No.

I don't know the return date.

But can I keep it
open like that?

Good.

That's good then.

Uh, I gotta go now.

Yeah, thanks for your help.

Bye.

Bye.

[bell ringing]

But it kind of worked.

Uh-huh.

How are you today?

Good.

I'm glad you made it home
safe the other night.

I was so hung over.

I'll never do that again.

LESLIE: Right.

What?

Do we need anything else?

No.

We better go now.

OK.

GAIL: Bye.

Bye, bye.

Do you really like that girl?

She's just someone I know.

But I mean, do you
find her interesting?

Not necessarily.

She seems to need you.

And she's vulgar.

Well, this town
isn't exactly filled

with refined Italian ladies.

Do you two have a story?

What do you mean?

Do you have an
affair with her?

I did.

But it was hardly an affair.

[speaking italian]

This is an African dish.

You'll see.

It's a specialty of the house.

Is it an old recipe
from your Masai granny?

What, you think Americans
can only make hot dogs?

[IMITATING JULIA CHILDS] First,
you take some lovely plump cod

fillets, and you put
them in some peanut oil

where you have beautifully
sauteed some Bermuda onions.

an African dish.

Don't interrupt.

[IMITATING JULIA
CHILDS] And then you

add some yummy, lemony broth.

And stir, stir, stir.

And last, you had
some devilishly hot

habanero peppers.

Put them in.

And what makes it African?

The chef.

I'm a black man trapped
in a white man's body.

I'm going to bed.

You're coming?

MAN [ON TV]: We see
the satellite now.

It's like a bright stop
at the end of a dead end.

On the other end, the
lower end, there's

also bright spots,
which is maybe

an accumulation of [inaudible].

And we have [inaudible].

MAN WITH SOUTHERN
ACCENT [ON TV]: OK.

We copied.

And understand as you're
viewing it on the monitor,

the satellite is at
the top of the tether.

MAN [ON TV]: That's correct.

[phone ringing]

[phone ringing]

[phone ringing]

Hello?

Hello?

MAN [ON TV]: We have
a camera [inaudible]..

Unfortunately, we don't
see the [inaudible]..

But, uh, it's just as
you see the [inaudible]..

And [inaudible],, of course,
[inaudible] just recorded.

[inaudible] so it will record
steadily the whole, uh,

break and [inaudible].

Do you think someone
is watching us?

Maybe.

Once, one of Karl's
friends stayed

here for a couple of weeks.

And someone was watching her
from the woods, a peeping Tom.

What?

A peeping Tom.

One night, he even came
to knock on the window.

He was flashing her
and masturbating.

Yeah.

She called the cops,
and he ran away.

He might be back.

Are you kidding me?

Don't worry.

I'm here to protect you.

I'm getting scared.

Is it true?

Yeah.

That's why they put
the alarm system in.

But that was a while ago.

And they did catch the guy.

Apparently, he
was a patient that

escaped from the nut house.

Wow.

What a story.

It's a true story.

MAN [ON TV]:
[inaudible] from here.

Yes.

I think he might be
falling in love with you.

Yeah, sure.

You're only interested
in keeping this house.

[speaking italian]

You deserve to be
punished, little stupid one.

[inaudible] Have you
ever heard of foreplay?

No.

Tonight, I'm a truck driver.

And you're my whore.

I'm not a whore.

You're my slave then.

Don't you want to be my slave?

I don't know.

You need me, don't you?

Yes.

The truth is the one who plays
the slave becomes the master.

[moaning]

[owl hoots]

[car engine trying to start]

Did you hear that?

Leslie?

[wolf cries]

[MUSIC- ORNELLA VANONI, "DOMANI
UN ALTRO GIORNIO"]

[singing in italian]

[door slamming]

[wolf cries]

Karl, you're here.

You tricked me.

Your body was cold.

You lied to me, Karl.

You lied to me.

Leslie!

[wolf cries]

Leslie.

Open the door.

Open the door, Leslie.

Let me in.

Bitch.

Whore.

[phone ringing]

[phone ringing]

[hawk cries]

LESLIE [ON PHONE]:
Because this is her house.

You can't call here anymore.

GAIL [ON PHONE]: And you?

Are you hers as well?

LESLIE [ON PHONE]: Don't
give me a fuckin' hard time.

I got to go.

Who was it?

Wrong number.

So all these calls
are wrong numbers?

I guess.

Where are you going?

To get something for
breakfast at the grocery store.

Maybe I can help that Gail
to find the right number.

God, I knew it.

You knew what, that you are
tricking the wrong person?

Tricking?

What are you talking about?

I wasn't tricking anyone.

I didn't want to hurt you.

It was really nothing important.

You just lied to me, Leslie.

Isn't that important?

But, unfortunately, I'm
the wrong person to lie to.

I had enough with
Karl, don't you think?

Don't compare me to Karl.

I'm not him.

And to tell you the truth,
I didn't even like him.

Yes.

In fact, you just
liked his house.

Is it the same with me?

Are you crazy?

I could give a shit.

Yes.

I like this house.

But it has nothing to
do with you and me.

You said you wanted a
simple life, to be alone.

Then what about her?

Do you think I'm so stupid?

One moment you tell me
that maybe you love me.

And the next one, you're talking
to that bimbo and lying to me.

You're just using me.

That's paranoid.

I don't need this.

This is exactly the kind
of shit I ran away from.

I was happy here.

I wasn't looking for anything.

Well, I was.

But I was looking for something
else, and I found you.

So excuse me for interrupting
your perfect life.

I didn't mean to.

I thought you needed me.

I tried to love you.

Were you doing me a favor?

Is that what you think?

I think that you're not
telling me the truth.

You're hiding something.
- That's enough.

That's enough.

I can't take this.

Oh, now you can't take it,
now that I got your game.

There is no game.

Yeah.

It's all a coincidence, right?

That fuckin' phone--

Don't say fucking.

That fucking phone has
been ringing for three days.

And once you get
it, guess who it is?

Your girlfriend.

She's not my girlfriend.

Well, I don't
believe you anymore.

I don't trust you.

Well, if I'm such
a horrible person,

what are you doing here?

In fact, I'm leaving.

Fuck.

You can't get out of this
fucking house, can you?

Well, I can.

I love you.

I'm coming with you.

I'm coming with you.

[music playing]