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1
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[♪♪♪]
2
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THERE HE IS!
3
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- MR. TATER, THIS REPORTER
- WANTS TO TALK TO YOU.
4
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[SCREAMS]
5
00:00:10,250 --> 00:00:11,500
- YOU KNOW
- THE RULES!
6
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NO SKATEBOARDING IN THE HALL.
7
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I'M CONFISCATING THIS.
8
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WATCH OUT, COMING THROUGH.
9
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WHOOP!
10
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WHOA...
11
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GO, FRYERS!
12
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WHO HAS HEARD OF
13
00:00:30,065 --> 00:00:31,584
THE WAR OF 1812?
14
00:00:37,959 --> 00:00:38,918
- ALL RIGHT, CLASS,
- LET'S GET STARTED...
15
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[THUD]
16
00:00:46,375 --> 00:00:48,209
THANK GOODNESS.
17
00:00:48,250 --> 00:00:49,959
I THINK I FINALLY LOST HER.
18
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YOU'RE RUNNING AWAY
19
00:00:51,294 --> 00:00:52,584
FROM A WOMAN?
20
00:00:52,626 --> 00:00:55,250
OF COURSE NOT.
21
00:00:55,292 --> 00:00:56,563
BESIDES, MOMMY DROPPED
22
00:00:56,564 --> 00:00:57,834
THOSE CHARGES
23
00:00:57,876 --> 00:01:00,157
- AFTER I APOLOGIZED FOR MAKING
- HER BUBBLE BATH TOO HOT.
24
00:01:01,959 --> 00:01:04,250
THERE'S A REPORTER AFTER ME.
25
00:01:04,292 --> 00:01:05,727
- I JUST KNOW
- SHE'S GOING TO TRY TO PIN
26
00:01:05,751 --> 00:01:07,834
SOME CAREER-DAMAGING
27
00:01:07,876 --> 00:01:09,250
SCHOOL SCANDAL ON ME.
28
00:01:09,292 --> 00:01:10,542
WHAT MAKES YOU SAY THAT?
29
00:01:10,584 --> 00:01:11,768
- BECAUSE I'VE DONE
- SOME CAREER-DAMAGING,
30
00:01:11,792 --> 00:01:14,417
SCANDALOUS THINGS!
31
00:01:14,459 --> 00:01:15,876
LIKE BUYING THAT DISCOUNT "BEEF"
32
00:01:15,877 --> 00:01:17,292
FROM AUSTRALIA.
33
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WHAT EXACTLY IS "BEEF?"
34
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TASMANIAN DEVIL.
35
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OR THIS COULD BE ABOUT
36
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THE "TOILET PAPER,"
37
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OR THE EMERGENCY "EXITS,"
38
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OR THE LUNCH "LADY."
39
00:01:34,375 --> 00:01:35,792
MR. TATER, THERE YOU ARE!
40
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[SCREAMS]
41
00:01:38,417 --> 00:01:39,417
[WINDOW SMASHING]
42
00:01:43,292 --> 00:01:45,209
- YOU'LL NEVER CATCH ME,
- NEWSHOUND!
43
00:01:56,334 --> 00:01:59,542
GET A LONGER SKIRT, DOLORES.
44
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[♪♪♪]
45
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♪ GOODBYE, SUMMER
46
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HELLO, FALL ♪
47
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- ♪ WE'VE BEEN TRYING
- TO GET HERE ♪
48
00:02:12,375 --> 00:02:14,355
♪ SINCE WE BOTH
49
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WERE BARELY TWO-FEET TALL ♪
50
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♪ WHO YOU CALLIN' KID?
51
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WHO YOU CALLIN' KID? ♪
52
00:02:19,250 --> 00:02:22,334
♪ WHO YOU CALLIN' KID? ♪
53
00:02:22,375 --> 00:02:24,334
♪ CAN CALL ME WHAT YOU WANT ♪
54
00:02:24,375 --> 00:02:26,459
♪ BUT I WON'T HEAR A WORD
55
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WHERE I AM HERE ♪
56
00:02:28,584 --> 00:02:30,167
♪ WHO YOU CALLIN' KID? ♪
57
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[♪♪♪]
58
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EXTREE, EXTREE!
59
00:02:35,626 --> 00:02:36,626
READ ALL ABOUT IT!
60
00:02:40,334 --> 00:02:41,685
- I THOUGHT YOU EARNED
- EXTREE MONEY
61
00:02:41,709 --> 00:02:43,509
- PARTICIPATING IN
- MEDICAL RESEARCH STUDIES.
62
00:02:43,542 --> 00:02:46,250
NOT TRUE, IVY.
63
00:02:46,292 --> 00:02:48,373
- I DO THOSE EXPERIMENTS
- BECAUSE THEY HELP MANKIND.
64
00:02:53,459 --> 00:02:54,459
SOMEDAY,
65
00:02:54,460 --> 00:02:55,460
THESE NOSES I'M GROWING
66
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ARE GOING TO HELP SOMEBODY
67
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TO SMELL AGAIN.
68
00:02:57,792 --> 00:02:59,334
NOSES?
69
00:02:59,375 --> 00:03:02,209
I ONLY SEE ONE.
70
00:03:02,250 --> 00:03:03,980
YEAH, THE OTHER ONE
71
00:03:03,981 --> 00:03:05,709
IS ON MY LOWER BACK.
72
00:03:05,751 --> 00:03:07,438
I PROBABLY WOULDN'T CHOOSE
73
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THAT LOCATION AGAIN.
74
00:03:09,167 --> 00:03:10,792
SO, I'M NOT SELLING THE PAPERS,
75
00:03:10,793 --> 00:03:12,417
I'M GIVING THEM AWAY.
76
00:03:12,459 --> 00:03:14,125
TURNS OUT THAT REPORTER
77
00:03:14,167 --> 00:03:15,959
- WASN'T TRYING TO DO
- A HATCHET JOB ON ME.
78
00:03:16,000 --> 00:03:17,022
SHE JUST WANTED A QUOTE
79
00:03:17,023 --> 00:03:18,042
FOR THEIR LEAD STORY.
80
00:03:18,876 --> 00:03:20,626
"60% OFF
81
00:03:20,627 --> 00:03:22,375
OUR ALREADY LOW PRICES?"
82
00:03:27,751 --> 00:03:29,001
"RENOWNED ARTIST FERNANDO
83
00:03:29,002 --> 00:03:30,250
PASSES AWAY."
84
00:03:30,292 --> 00:03:32,125
HE WAS AN ART TEACHER HERE
85
00:03:32,167 --> 00:03:33,417
BACK IN THE 1930s,
86
00:03:33,459 --> 00:03:34,501
LONG BEFORE HE BECAME
87
00:03:34,502 --> 00:03:35,542
A HOUSEHOLD NAME
88
00:03:35,584 --> 00:03:36,876
AND THE MOST FAMOUS ARTIST
89
00:03:36,918 --> 00:03:38,500
OF THE PAST CENTURY.
90
00:03:38,542 --> 00:03:40,375
HMM, I FOUND YOUR QUOTE.
91
00:03:40,417 --> 00:03:42,584
"FAMED ARTIST FER-WHO-ZIT?
92
00:03:42,626 --> 00:03:44,417
NEVER HEARD OF HIM."
93
00:03:47,167 --> 00:03:49,226
- THERE'S A PICTURE
- OF FER-WHO-ZIT ON PAGE EIGHT...
94
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AND NINE...
95
00:03:52,000 --> 00:03:54,542
AND TEN.
96
00:03:54,584 --> 00:03:57,667
WOW, HE WAS A BIG MAN.
97
00:03:57,709 --> 00:03:59,476
- IT SAYS HE DIDN'T CREATE
- ANY NEW PAINTINGS
98
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WHILE HE WAS HERE.
99
00:04:00,542 --> 00:04:02,334
I KNOW THIS PLACE
100
00:04:02,375 --> 00:04:04,056
- SUCKS THE CREATIVE JUICES
- OUT OF YOU...
101
00:04:05,500 --> 00:04:07,459
BUT HE MUST HAVE DONE SOME ART.
102
00:04:07,500 --> 00:04:09,542
MAYBE HIS WORK IS STILL HERE.
103
00:04:09,584 --> 00:04:10,876
IF IT IS,
104
00:04:10,877 --> 00:04:12,167
IT WOULD BE WORTH MILLIONS!
105
00:04:12,209 --> 00:04:13,459
EXTREE, EXTREE!
106
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READ ALL ABOUT...
107
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HEY!
108
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THIS IS MY TURF, BUDDY!
109
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NO, DERBY, I'M GIVING
110
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AWAY THE NEWSPAPERS.
111
00:04:23,375 --> 00:04:25,272
TRYING TO UNDERCUT
112
00:04:25,273 --> 00:04:27,167
THE COMPETITION.
113
00:04:27,209 --> 00:04:29,729
- IF IT'S A NEWSIE WAR YOU WANT,
- IT'S A NEWSIE WAR YOU'LL GET.
114
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OW!
115
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I THINK YOU BROKE MY NOSE.
116
00:04:37,375 --> 00:04:38,709
[MURMURING IN EXCITEMENT]
117
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DID YOU CHECK?
118
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REALLY?
119
00:04:45,876 --> 00:04:47,709
THIS IS WHAT IT'S COME TO?
120
00:04:47,751 --> 00:04:50,334
TEARING APART OUR SCHOOL
121
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ON THE OFF CHANCE
122
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THERE'S A DRAWING, A DOODLE,
123
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- A SKETCH THAT CAN BE TRACED
- TO FERNANDO?
124
00:04:54,542 --> 00:04:56,500
[JACKHAMMER RATTLING]
125
00:04:56,542 --> 00:04:58,792
WHAT ARE YOU DOING, FELLA?
126
00:04:58,834 --> 00:05:01,042
[JACKHAMMER RATTLING]
127
00:05:04,584 --> 00:05:05,584
HEY, ADAM!
128
00:05:08,000 --> 00:05:09,459
- DO YOU REALLY THINK
- THE PAINTINGS
129
00:05:09,500 --> 00:05:10,417
WOULD BE HIDDEN IN THE FLOOR?
130
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NO.
131
00:05:12,250 --> 00:05:13,397
I'M JUST ELIMINATING
132
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THE COMPETITION.
133
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MAYBE THEY'RE IN THE SCIENCE...
134
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[WAILING]... LAB!
135
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[THUD]
136
00:05:21,584 --> 00:05:23,810
- [IVY, MUFFLED]: OKAY,
- I'LL CHECK THE DRAMA ROOM FIRST.
137
00:05:23,834 --> 00:05:25,500
- NOW I'LL CHECK
- THE SCIENCE LAB.
138
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ECHO, PLEASE.
139
00:05:28,375 --> 00:05:29,813
THERE'S NO REASON
140
00:05:29,814 --> 00:05:31,250
TO TEAR APART MY LAB!
141
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BECAUSE
142
00:05:38,731 --> 00:05:40,334
I ALREADY HAVE.
143
00:05:40,375 --> 00:05:42,351
- I REALIZED WE'VE BEEN GOING
- ABOUT THIS THE WRONG WAY.
144
00:05:42,375 --> 00:05:43,476
- WE SHOULDN'T BE USING
- BRUTE FORCE
145
00:05:43,500 --> 00:05:44,334
TO FIND THE PAINTINGS,
146
00:05:44,375 --> 00:05:45,209
WE SHOULD BE USING SCIENCE.
147
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EXCELLENT.
148
00:05:47,375 --> 00:05:48,584
WE'RE MAKING POISON
149
00:05:48,585 --> 00:05:49,792
TO ELIMINATE THE COMPETITION.
150
00:05:49,834 --> 00:05:51,476
- YOU KNOW, IT'S POSSIBLE
- TO FIND THE PAINTINGS
151
00:05:51,500 --> 00:05:52,500
WITHOUT ELIMINATING
152
00:05:52,501 --> 00:05:53,501
THE COMPETITION.
153
00:05:53,542 --> 00:05:55,834
OKAY, WE'LL TRY IT YOUR WAY...
154
00:05:55,876 --> 00:05:56,959
FOR NOW.
155
00:05:58,959 --> 00:06:01,000
CANVAS WAS EXPENSIVE.
156
00:06:01,042 --> 00:06:02,560
- SOMEONE MIGHT HAVE
- PAINTED OVER FERNANDO'S WORK.
157
00:06:02,584 --> 00:06:05,042
THIS MILD DISSOLVING AGENT
158
00:06:05,083 --> 00:06:06,804
- WILL STRIP AWAY
- A SINGLE LAYER OF PAINT.
159
00:06:11,417 --> 00:06:12,476
- I GOT THIS FROM
- THE TEACHER'S LOUNGE.
160
00:06:12,500 --> 00:06:14,000
EW.
161
00:06:14,042 --> 00:06:15,518
- IT'S CREEPY THE WAY
- HIS BALD HEAD FOLLOWS YOU
162
00:06:15,542 --> 00:06:17,417
WHEREVER YOU GO.
163
00:06:26,292 --> 00:06:28,106
HEY, IT LOOKS LIKE
164
00:06:28,107 --> 00:06:29,918
THE "HOME ALONE" POSTER.
165
00:06:29,959 --> 00:06:31,480
- LET'S TRY TAKING OFF
- ANOTHER LAYER.
166
00:06:37,167 --> 00:06:38,408
KIND OF PRETTY FOR A BALD GIRL.
167
00:06:47,459 --> 00:06:49,000
THIS IS TAKING TOO LONG.
168
00:06:49,042 --> 00:06:50,562
- LET'S JUST GET
- TO THE BOTTOM LAYER.
169
00:06:51,083 --> 00:06:52,000
[SIZZLING]
170
00:06:52,042 --> 00:06:53,334
NO!
171
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THAT'S UNDILUTED FORMULA!
172
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[♪♪♪]
173
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DIG!
174
00:07:03,709 --> 00:07:07,292
DIG LIKE THE WORMS YOU ARE!
175
00:07:07,334 --> 00:07:08,355
DO YOU REALLY THINK
176
00:07:08,356 --> 00:07:09,375
THE PAINTINGS ARE HIDDEN
177
00:07:09,417 --> 00:07:10,375
IN THE GROUND?
178
00:07:10,417 --> 00:07:12,250
NO.
179
00:07:12,292 --> 00:07:13,439
I'M JUST ELIMINATING
180
00:07:13,440 --> 00:07:14,584
THE COMPETITION.
181
00:07:14,626 --> 00:07:15,542
- WELL, THERE'S NOTHING
- IN THE DRAMA...
182
00:07:15,584 --> 00:07:16,667
[WAILING]: ROOM!
183
00:07:16,709 --> 00:07:18,209
[THUD]
184
00:07:18,250 --> 00:07:19,250
[COINS PLINKING]
185
00:07:20,626 --> 00:07:22,125
I CAN'T DIG THROUGH
186
00:07:22,167 --> 00:07:23,314
ALL THE SHINY
187
00:07:23,315 --> 00:07:24,459
GOLD-COLORED METAL.
188
00:07:24,500 --> 00:07:26,459
AW, FORGET IT.
189
00:07:26,500 --> 00:07:27,602
- BESIDES, I'M SURE TATER
- WON'T LIKE US
190
00:07:27,626 --> 00:07:30,375
DIGGING UP SCHOOL GROUNDS.
191
00:07:30,417 --> 00:07:31,542
WATCH YOUR BACKS!
192
00:07:31,584 --> 00:07:32,709
COMIN' THROUGH!
193
00:07:35,709 --> 00:07:36,709
[SCREAMS]
194
00:07:38,751 --> 00:07:39,751
[THUD]
195
00:07:43,626 --> 00:07:44,918
IT'S TOO BAD NO ONE
196
00:07:44,919 --> 00:07:46,209
FOUND ANY PAINTINGS.
197
00:07:46,250 --> 00:07:47,602
- THE SCHOOL COULD'VE
- USED THE MONEY.
198
00:07:47,626 --> 00:07:48,751
I KNOW WHAT I'D DO
199
00:07:48,752 --> 00:07:49,876
WITH THE MONEY...
200
00:07:49,918 --> 00:07:51,250
[DREAM HARP CHIMES]
201
00:07:51,292 --> 00:07:53,834
MILLIONS? MILLIONS...
202
00:07:53,876 --> 00:07:56,292
I TELL YA, MILLIONS!
203
00:07:56,334 --> 00:07:58,751
YES, I WOULD LIKE
204
00:07:58,752 --> 00:08:01,167
EXTRA CHEESE ON MY PIZZA.
205
00:08:04,709 --> 00:08:06,125
THAT'S RIGHT,
206
00:08:06,167 --> 00:08:08,417
I'D SPEND MY DAYS
207
00:08:08,459 --> 00:08:09,876
DAYDREAMING ABOUT
208
00:08:09,877 --> 00:08:11,292
PAST DAYDREAMS.
209
00:08:11,334 --> 00:08:13,834
OKAY, CLASS,
210
00:08:13,876 --> 00:08:15,709
WE HAVE AN EXCITING NEW TOPIC
211
00:08:15,710 --> 00:08:17,542
TO COVER TODAY.
212
00:08:17,584 --> 00:08:19,292
WHO HAS HEARD OF
213
00:08:19,293 --> 00:08:21,000
THE WAR OF 1812?
214
00:08:24,626 --> 00:08:25,668
HOW LONG HAS SHE
215
00:08:25,669 --> 00:08:26,709
BEEN TEACHING THIS?
216
00:08:26,751 --> 00:08:28,314
WELL, WE KNOW SHE WASN'T
217
00:08:28,315 --> 00:08:29,876
TEACHING IT IN 1811.
218
00:08:29,918 --> 00:08:31,125
WAIT!
219
00:08:31,167 --> 00:08:32,226
MRS. BYRNE, HOW OLD ARE YOU?
220
00:08:32,250 --> 00:08:34,584
AGE IS BUT A NUMBER.
221
00:08:34,626 --> 00:08:35,751
A FOUR-DIGIT NUMBER?
222
00:08:38,167 --> 00:08:39,602
- WERE YOU BY ANY CHANCE
- A TEACHER HERE
223
00:08:39,626 --> 00:08:40,918
AT THE SAME TIME AS FERNANDO?
224
00:08:40,959 --> 00:08:45,459
AH, FERNANDO!
225
00:08:45,500 --> 00:08:46,768
- I HAVEN'T THOUGHT ABOUT HIM
- IN AGES.
226
00:08:46,792 --> 00:08:48,876
THE RASCAL.
227
00:08:48,918 --> 00:08:50,355
HE HAD SUCH AN APPETITE
228
00:08:50,356 --> 00:08:51,792
FOR LIFE...
229
00:08:51,834 --> 00:08:53,709
AND FOOD.
230
00:08:53,751 --> 00:08:55,292
MOSTLY FOOD.
231
00:08:55,334 --> 00:08:57,792
WOW, WAS HE FAT.
232
00:08:57,834 --> 00:08:58,959
SO YOU KNEW HIM.
233
00:08:59,000 --> 00:09:01,250
OH, YES.
234
00:09:01,292 --> 00:09:03,959
INTIMATELY.
235
00:09:04,000 --> 00:09:06,792
EW!
236
00:09:06,834 --> 00:09:07,709
TOO MUCH INFORMATION.
237
00:09:07,751 --> 00:09:09,000
NO.
238
00:09:09,042 --> 00:09:11,792
WE NEED MORE INFORMATION.
239
00:09:11,834 --> 00:09:13,126
EXACTLY HOW WELL
240
00:09:13,127 --> 00:09:14,417
DID YOU KNOW FERNANDO?
241
00:09:14,459 --> 00:09:18,626
I KNEW EVERY BIT OF THE MAN.
242
00:09:18,667 --> 00:09:20,834
- WELL, THERE WERE SOME CREASES
- IN HIS ARMS
243
00:09:20,876 --> 00:09:22,959
I JUST COULDN'T GET TO.
244
00:09:23,000 --> 00:09:26,500
[GAGGING]
245
00:09:26,542 --> 00:09:29,042
NOW WE HAVE MORE INFORMATION.
246
00:09:29,083 --> 00:09:30,083
ARE YOU HAPPY?
247
00:09:32,083 --> 00:09:33,143
DID HE PAINT WHILE HE WAS HERE?
248
00:09:33,167 --> 00:09:34,250
CONSTANTLY.
249
00:09:34,292 --> 00:09:35,351
- AND DID HE LEAVE
- HIS WORK AT THE SCHOOL?
250
00:09:35,375 --> 00:09:36,584
ALL OF IT.
251
00:09:36,626 --> 00:09:37,976
- AND DID HE TELL YOU
- WHERE HE PUT IT?
252
00:09:38,000 --> 00:09:39,125
ABSOLUTELY.
253
00:09:39,167 --> 00:09:40,667
HE SHOWED ME.
254
00:09:40,709 --> 00:09:41,855
[EVERYONE, EAGERLY]:
255
00:09:41,856 --> 00:09:43,000
WHERE IS IT?
256
00:09:43,042 --> 00:09:45,083
I DON'T REMEMBER.
257
00:09:45,125 --> 00:09:46,751
[GROANING IN DISAPPOINTMENT]
258
00:09:46,792 --> 00:09:48,459
WHICH IS STRANGE,
259
00:09:48,500 --> 00:09:50,101
- BECAUSE I'M KNOWN
- FOR MY GOOD MEMORY.
260
00:09:51,834 --> 00:09:53,876
NOW...
261
00:09:53,918 --> 00:09:55,355
WHO HAS HEARD OF
262
00:09:55,356 --> 00:09:56,792
THE WAR OF 1812?
263
00:10:00,209 --> 00:10:01,542
OF COURSE!
264
00:10:01,584 --> 00:10:02,542
MRS. BYRNE WAS HERE
265
00:10:02,584 --> 00:10:04,125
- AT THE SAME TIME
- AS FERNANDO.
266
00:10:04,167 --> 00:10:06,042
WHY DIDN'T I THINK OF THAT?
267
00:10:06,083 --> 00:10:07,834
BECAUSE YOU'RE NOT VERY BRIGHT?
268
00:10:10,083 --> 00:10:11,310
- I WAS HOPING
- IT WAS SOME OTHER REASON,
269
00:10:11,334 --> 00:10:13,709
BUT, NOPE, YOU NAILED IT.
270
00:10:13,751 --> 00:10:17,042
WHAT'S GOING ON?
271
00:10:17,083 --> 00:10:18,397
IS THIS SOME KIND OF
272
00:10:18,398 --> 00:10:19,709
INTERVENTION?
273
00:10:19,751 --> 00:10:20,876
BECAUSE I CAN QUIT
274
00:10:20,877 --> 00:10:22,000
THESE ANTI-GAS PILLS
275
00:10:22,042 --> 00:10:23,125
ANYTIME I WANT!
276
00:10:23,167 --> 00:10:24,751
[EVERYONE]: NO!
277
00:10:27,500 --> 00:10:28,938
WE JUST WANT YOU TO REMEMBER
278
00:10:28,939 --> 00:10:30,375
WHERE THE PAINTINGS ARE.
279
00:10:30,417 --> 00:10:31,750
YOU KNOW, THERE IS
280
00:10:31,751 --> 00:10:33,083
A SCIENTIFIC TECHNIQUE
281
00:10:33,125 --> 00:10:34,417
CALLED "REGRESSION THERAPY."
282
00:10:34,459 --> 00:10:35,935
- YOU CAN STIMULATE
- THE AREA OF THE BRAIN
283
00:10:35,959 --> 00:10:37,751
THAT DEALS WITH MEMORY RECALL,
284
00:10:37,792 --> 00:10:39,685
- BY SPEAKING TO THE SUBJECT
- IN A CERTAIN TONE.
285
00:10:39,709 --> 00:10:40,790
- WELL, IT'S WORTH
- A SHOT.
286
00:10:45,083 --> 00:10:45,834
- [SCREAMING]
- WHERE ARE THE PAINTINGS?
287
00:10:45,876 --> 00:10:49,042
TELL US WHERE THEY ARE!
288
00:10:52,417 --> 00:10:53,876
ONCE AGAIN,
289
00:10:53,877 --> 00:10:55,334
SCIENCE FAILS US.
290
00:10:58,459 --> 00:11:00,168
THAT'S NOT THE TONE
291
00:11:00,169 --> 00:11:01,876
I HAD IN MIND.
292
00:11:01,918 --> 00:11:03,542
LET ME GIVE IT A TRY.
293
00:11:05,626 --> 00:11:06,751
I'D LIKE YOU TO LISTEN TO
294
00:11:06,752 --> 00:11:07,876
THE SOUND OF MY VOICE
295
00:11:07,918 --> 00:11:09,564
AND THE SOUND OF THE WORDS
296
00:11:09,565 --> 00:11:11,209
THAT I AM USING...
297
00:11:11,250 --> 00:11:13,417
YOU'LL FIND YOURSELF RELAXING
298
00:11:13,459 --> 00:11:14,918
TO THE WORDS.
299
00:11:14,959 --> 00:11:16,167
PICTURE A CLOCK
300
00:11:16,209 --> 00:11:18,042
AS THE HANDS TURN BACKWARDS,
301
00:11:18,083 --> 00:11:20,792
AND LET THE YEARS MELT AWAY...
302
00:11:20,834 --> 00:11:22,959
ONE YEAR...
303
00:11:23,000 --> 00:11:25,834
FIVE YEARS...
304
00:11:25,876 --> 00:11:28,709
TEN YEARS...
305
00:11:28,751 --> 00:11:30,147
BACK AS FAR
306
00:11:30,148 --> 00:11:31,542
AS YOU CAN REMEMBER...
307
00:11:31,584 --> 00:11:33,375
- I REMEMBER YOU TELLING ME
- TO REMEMBER,
308
00:11:33,417 --> 00:11:36,542
BUT I DON'T REMEMBER WHAT.
309
00:11:36,584 --> 00:11:37,500
IT DIDN'T WORK!
310
00:11:37,542 --> 00:11:39,250
IT WAS A LONG SHOT.
311
00:11:39,292 --> 00:11:40,834
- HYPNOSIS LIKE THIS
- ONLY WORKS
312
00:11:40,876 --> 00:11:42,792
- ON THE MOST
- SIMPLE-MINDED OF SUBJECTS.
313
00:11:42,834 --> 00:11:44,083
DARN IT!
314
00:11:44,125 --> 00:11:46,500
[CRYING] MOMMY'S MAD!
315
00:11:46,542 --> 00:11:47,709
[ALL WEEPING]
316
00:11:53,000 --> 00:11:55,542
[BLUBBERING LIKE BABIES]
317
00:11:55,584 --> 00:11:56,792
[♪♪♪]
318
00:12:00,000 --> 00:12:02,125
[♪♪♪]
319
00:12:02,167 --> 00:12:04,560
- THERE'S GOT TO BE SOME WAY
- TO ACCESS MRS. BYRNE'S MEMORY.
320
00:12:04,584 --> 00:12:05,876
YOU'RE ALWAYS WORKING.
321
00:12:05,918 --> 00:12:07,542
- YOU NEVER HELP
- WITH THE CHILDREN!
322
00:12:08,626 --> 00:12:09,834
OWIE!
323
00:12:09,876 --> 00:12:11,626
HE PULLED MY HAIR!
324
00:12:11,667 --> 00:12:13,083
DERBY, DO YOU WANT A TIME-OUT?
325
00:12:19,042 --> 00:12:20,459
GET YOUR FINGER
326
00:12:20,460 --> 00:12:21,876
OUT OF YOUR NOSE!
327
00:12:21,918 --> 00:12:24,500
AND YOUR OTHER NOSE.
328
00:12:24,542 --> 00:12:27,751
AND YOUR OTHER, OTHER NOSE!
329
00:12:27,792 --> 00:12:30,500
WILL YOU TAKE ME POTTY?
330
00:12:30,542 --> 00:12:31,542
ASK YOUR MOTHER.
331
00:12:34,417 --> 00:12:35,602
- OKAY, I'LL BRING THEM
- OUT OF IT.
332
00:12:35,626 --> 00:12:36,626
[SNAPPING FINGERS]
333
00:12:41,584 --> 00:12:42,855
THAT DOESN'T CHANGE THE FACT
334
00:12:42,856 --> 00:12:44,125
THAT I HAVE TO GO POTTY.
335
00:12:46,959 --> 00:12:48,417
- OKAY, SINCE HYPNOSIS
- DIDN'T WORK,
336
00:12:48,459 --> 00:12:50,375
WE NEED ANOTHER WAY
337
00:12:50,417 --> 00:12:51,810
- TO TRANSPORT MRS. BYRNE
- BACK IN TIME.
338
00:12:51,834 --> 00:12:53,083
BACK TO THE 1930.
339
00:12:53,125 --> 00:12:53,959
YOU'RE RIGHT!
340
00:12:54,000 --> 00:12:56,918
WE NEED A TIME MACHINE.
341
00:12:56,959 --> 00:12:58,018
- DERBY, THAT TECHNOLOGY
- DOESN'T EXIST.
342
00:12:58,042 --> 00:12:59,626
NOT YET,
343
00:12:59,667 --> 00:13:01,918
BUT YOU'RE SMART.
344
00:13:01,959 --> 00:13:03,185
- YOU COULD INVENT ONE
- IN THE FUTURE.
345
00:13:03,209 --> 00:13:04,810
- THEN USE IT TO BRING IT
- BACK TO THIS MOMENT,
346
00:13:04,834 --> 00:13:06,268
- PICK US UP,
- AND TAKE US INTO THE PAST.
347
00:13:06,292 --> 00:13:08,042
IN FACT,
348
00:13:08,083 --> 00:13:11,125
YOU SHOULD BE ARRIVING...
349
00:13:11,167 --> 00:13:12,876
RIGHT...
350
00:13:12,918 --> 00:13:14,000
ABOUT...
351
00:13:14,042 --> 00:13:15,042
NOW!
352
00:13:22,667 --> 00:13:24,417
I GUESS IT DIDN'T WORK.
353
00:13:24,459 --> 00:13:26,542
OR IT DID WORK,
354
00:13:26,584 --> 00:13:27,938
BUT INSTEAD OF STOPPING
355
00:13:27,939 --> 00:13:29,292
IN THIS TIME TO PICK US UP,
356
00:13:29,334 --> 00:13:31,001
SELFISH ADAM TRAVELED STRAIGHT
357
00:13:31,002 --> 00:13:32,667
BACK TO THE 1930s HIMSELF
358
00:13:32,709 --> 00:13:34,727
- SO HE WOULDN'T HAVE TO
- SHARE THE FORTUNE WITH US.
359
00:13:34,751 --> 00:13:35,959
LET'S GET HIM!
360
00:13:36,000 --> 00:13:38,209
YEAH!
361
00:13:38,250 --> 00:13:39,959
WAIT!
362
00:13:40,000 --> 00:13:41,271
I THINK WHAT ADAM
363
00:13:41,272 --> 00:13:42,542
WAS TRYING TO SAY WAS
364
00:13:42,584 --> 00:13:44,334
WE NEED TO PROVIDE MRS. BYRNE
365
00:13:44,335 --> 00:13:46,083
WITH A VISUAL STIMULATION...
366
00:13:46,125 --> 00:13:47,768
- RECREATE THE 1930s
- RIGHT HERE AT FINNEGAN.
367
00:13:47,792 --> 00:13:49,000
- ACTUALLY,
- I WAS THINKING
368
00:13:49,042 --> 00:13:50,000
- MY TIME MACHINE
- WOULD BE ARRIVING
369
00:13:50,042 --> 00:13:51,042
RIGHT ABOUT... NOW!
370
00:13:55,334 --> 00:13:57,042
- OKAY, WE'LL TRY IT
- YOUR WAY.
371
00:13:59,083 --> 00:14:00,334
[♪♪♪]
372
00:14:08,626 --> 00:14:10,959
GEE WHIZ, MRS. BYRNE, MA'AM.
373
00:14:11,000 --> 00:14:12,626
- CARE TO JOIN ME
- IN A ROUSING GAME
374
00:14:12,667 --> 00:14:13,834
OF KICK THE CAN?
375
00:14:16,792 --> 00:14:17,792
[CAN CLATTERS]
376
00:14:20,000 --> 00:14:21,125
WANNA PLAY AGAIN?
377
00:14:26,000 --> 00:14:27,250
HI THERE, MRS. BYRNE.
378
00:14:27,292 --> 00:14:29,083
WHO ARE YOU?
379
00:14:29,125 --> 00:14:30,459
- I'M ONE OF
- YOUR STUDENTS.
380
00:14:30,500 --> 00:14:32,042
DON'T YOU REMEMBER?
381
00:14:32,083 --> 00:14:33,101
- JUST YESTERDAY,
- YOU WERE TEACHING US
382
00:14:33,125 --> 00:14:35,083
ABOUT THE WAR OF 1812.
383
00:14:35,125 --> 00:14:36,709
THERE WAS A WAR
384
00:14:36,710 --> 00:14:38,292
IN 1812?
385
00:14:38,334 --> 00:14:39,751
REALLY?
386
00:14:42,334 --> 00:14:43,667
WE SHOULD
387
00:14:43,668 --> 00:14:45,000
HEAD INSIDE SOON.
388
00:14:45,042 --> 00:14:47,000
- WE'VE GOT ART STUDIES
- WITH MR. FERNANDO.
389
00:14:47,042 --> 00:14:48,042
[SHOUTS] FERNANDO?
390
00:14:49,459 --> 00:14:50,542
HE'S HERE?
391
00:14:50,584 --> 00:14:52,167
I IMAGINE SO.
392
00:14:52,209 --> 00:14:53,272
AFTER ALL, THIS IS
393
00:14:53,273 --> 00:14:54,334
A TYPICAL, AUTHENTIC DAY
394
00:14:54,375 --> 00:14:55,959
AT FINNEGAN HIGH
395
00:14:55,960 --> 00:14:57,542
IN THE 1930s, RIGHT?
396
00:14:57,584 --> 00:15:01,459
RIGHT YOU ARE, DOLL FACE.
397
00:15:01,500 --> 00:15:03,167
- [WHISPERING]
- "DOLL FACE?"
398
00:15:03,209 --> 00:15:04,376
[QUIETLY]
399
00:15:04,377 --> 00:15:05,542
THAT'S WHAT MOBSTERS SAY.
400
00:15:05,584 --> 00:15:07,626
- PLUS, YOUR FACE DOES KIND OF
- LOOK LIKE A DOLL'S.
401
00:15:09,167 --> 00:15:10,543
I THOUGHT I WAS
402
00:15:10,544 --> 00:15:11,918
YOUR DOLL FACE.
403
00:15:11,959 --> 00:15:13,042
TAKE ME SOMEWHERE.
404
00:15:13,083 --> 00:15:16,125
LET'S GO DANCING!
405
00:15:16,167 --> 00:15:17,042
- [QUIETLY]
- WHAT ARE YOU DOING?
406
00:15:17,083 --> 00:15:19,042
- YOU SAID TO RECREATE
- THE 1930s.
407
00:15:19,083 --> 00:15:20,042
AT SCHOOL!
408
00:15:20,083 --> 00:15:22,667
YOU LOOK RIDICULOUS!
409
00:15:22,709 --> 00:15:24,190
- [IN COCKNEY ACCENT]
- ALLO, GUV'NOR.
410
00:15:29,417 --> 00:15:30,771
YOU DON'T BY ANY CHANCE NEED
411
00:15:30,772 --> 00:15:32,125
YOUR CHIMNEY BRISTLED, DO YOU?
412
00:15:32,167 --> 00:15:33,459
[♪♪♪]
413
00:15:37,876 --> 00:15:39,709
DERBY!
414
00:15:39,751 --> 00:15:41,101
- WHY WOULD THERE BE
- A COCKNEY CHIMNEY SWEEP
415
00:15:41,125 --> 00:15:42,584
AT FINNEGAN HIGH?
416
00:15:42,626 --> 00:15:45,083
WELL, EXCUSE ME.
417
00:15:45,125 --> 00:15:46,602
- I DON'T SEE YOU COMING UP
- WITH ANY BIG IDEAS.
418
00:15:46,626 --> 00:15:47,918
I CAME UP WITH
419
00:15:47,919 --> 00:15:49,209
THIS ENTIRE BIG IDEA.
420
00:15:51,500 --> 00:15:53,792
UH, MRS. BYRNE,
421
00:15:53,834 --> 00:15:55,518
- MR. FERNANDO ASKED US
- TO FETCH HIS PAINTINGS.
422
00:15:55,542 --> 00:15:57,059
- DO YOU REMEMBER
- WHERE HE LEFT THEM?
423
00:15:57,083 --> 00:15:58,334
OH, THE PAINTINGS?
424
00:15:58,375 --> 00:15:59,792
YES!
425
00:15:59,834 --> 00:16:00,852
AH, SUCH LOVELY PAINTINGS.
426
00:16:00,876 --> 00:16:02,167
YES, YES, THEY'RE LOVELY!
427
00:16:02,209 --> 00:16:03,351
- DO YOU REMEMBER
- WHERE HE LEFT THEM?
428
00:16:03,375 --> 00:16:05,459
LEFT WHAT?
429
00:16:05,500 --> 00:16:06,959
THE PAINTINGS.
430
00:16:07,000 --> 00:16:08,375
OH, THE PAINTINGS?
431
00:16:08,417 --> 00:16:09,626
[TIGHTLY] YES.
432
00:16:09,667 --> 00:16:11,918
AH, SUCH LOVELY PAINTINGS.
433
00:16:11,959 --> 00:16:14,584
YES, YES, THEY'RE LOVELY!
434
00:16:14,626 --> 00:16:15,647
DO YOU REMEMBER
435
00:16:15,648 --> 00:16:16,667
WHERE HE LEFT THEM?
436
00:16:16,709 --> 00:16:18,334
LEFT WHAT?
437
00:16:19,125 --> 00:16:20,125
THIS IS NOT WORKING.
438
00:16:20,167 --> 00:16:21,751
I DON'T KNOW.
439
00:16:21,792 --> 00:16:23,143
- WHY DON'T YOU GO AROUND
- ONE MORE TIME?
440
00:16:23,167 --> 00:16:25,042
ECHO'S RIGHT.
441
00:16:25,083 --> 00:16:25,876
WE NEED A HEAVY HITTER.
442
00:16:25,918 --> 00:16:28,167
[WHISTLES]
443
00:16:28,209 --> 00:16:29,209
FERNANDO?
444
00:16:34,375 --> 00:16:37,042
SI. SI.
445
00:16:44,209 --> 00:16:47,209
FERNANDO IS HERE.
446
00:16:47,250 --> 00:16:49,334
FERNANDO!
447
00:16:49,375 --> 00:16:51,000
MY LOVE!
448
00:16:51,042 --> 00:16:52,792
YES...
449
00:16:52,834 --> 00:16:53,834
FERNANDO YOUR LOVE.
450
00:16:56,459 --> 00:16:57,771
WHY COULDN'T I HAVE BEEN
451
00:16:57,772 --> 00:16:59,083
THE ADORABLE LOLLIPOP GIRL?
452
00:17:00,083 --> 00:17:01,500
OH, FERNANDO,
453
00:17:01,542 --> 00:17:03,272
YOU LOOK
454
00:17:03,273 --> 00:17:05,000
BETTER THAN EVER.
455
00:17:05,042 --> 00:17:07,250
SERIOUSLY?
456
00:17:07,292 --> 00:17:10,250
I MEAN, GRACIAS, MI CARIDA.
457
00:17:10,292 --> 00:17:13,334
NOW, UM,
458
00:17:13,375 --> 00:17:16,834
DO YOU RECALL
459
00:17:16,876 --> 00:17:18,460
WHERE I LEFT
460
00:17:18,461 --> 00:17:20,042
MY PRECIOUS PINTURAS?
461
00:17:20,083 --> 00:17:23,167
FORGET YOUR PAINTINGS.
462
00:17:23,209 --> 00:17:24,834
- HERE'S A REAL
- WORK OF ART.
463
00:17:25,876 --> 00:17:27,626
[SHUDDERING IN HORROR]
464
00:17:27,667 --> 00:17:29,542
YUCK.
465
00:17:29,584 --> 00:17:31,500
- YOU MIGHT WANT TO
- STRETCH OUT THAT CANVAS.
466
00:17:34,375 --> 00:17:35,793
I REALLY SHOULD
467
00:17:35,794 --> 00:17:37,209
GET BACK TO MY PAINTINGS.
468
00:17:37,250 --> 00:17:39,167
I DON'T UNDERSTAND.
469
00:17:39,209 --> 00:17:42,334
YOU SAID YOU LOVED ME!
470
00:17:42,375 --> 00:17:46,042
SOMETHING'S NOT MAKING SENSE.
471
00:17:48,125 --> 00:17:49,334
NOW KISS ME.
472
00:17:52,375 --> 00:17:53,083
WE'RE LOSING HER!
473
00:17:53,125 --> 00:17:54,209
DO SOMETHING!
474
00:17:54,250 --> 00:17:56,375
FOR THE PAINTINGS!
475
00:17:56,417 --> 00:17:57,439
COME ON, NOW,
476
00:17:57,440 --> 00:17:58,459
GIVE THE OLD BIRD A SNOG.
477
00:18:03,209 --> 00:18:04,292
[GAGGING]
478
00:18:13,792 --> 00:18:14,980
NOW, LET ME TAKE YOU
479
00:18:14,981 --> 00:18:16,167
TO YOUR PAINTINGS.
480
00:18:16,209 --> 00:18:18,709
[EVERYONE]: YES!
481
00:18:18,751 --> 00:18:19,626
[♪♪♪]
482
00:18:19,667 --> 00:18:21,959
COME IN,
483
00:18:22,000 --> 00:18:24,230
AND I'LL SHOW YOU SOME OF
484
00:18:24,231 --> 00:18:26,459
FERNANDO'S GREATEST WORK.
485
00:18:26,500 --> 00:18:27,976
- THE PAINTINGS ARE
- IN YOUR CLASSROOM?
486
00:18:28,000 --> 00:18:30,500
OF COURSE.
487
00:18:30,542 --> 00:18:32,863
- I WANTED TO PUT THEM SOMEWHERE
- I WOULD EASILY REMEMBER.
488
00:18:39,042 --> 00:18:40,334
[GASPING]
489
00:18:42,667 --> 00:18:45,459
AND NOW, IF YOU'LL EXCUSE ME,
490
00:18:45,500 --> 00:18:47,605
I MUST FIND
491
00:18:47,606 --> 00:18:49,709
MY MOUSTACHIOED VIRTUOSO.
492
00:18:49,751 --> 00:18:51,063
I LOVE IT WHEN HE PLAYS
493
00:18:51,064 --> 00:18:52,375
HARD TO GET.
494
00:18:56,292 --> 00:18:58,053
- YOU THINK THERE ARE MORE
- BEHIND THAT ONE?
495
00:18:59,751 --> 00:19:01,083
[YELPS]
496
00:19:03,250 --> 00:19:06,417
LET'S CALL THAT A "YES."
497
00:19:06,459 --> 00:19:08,083
- QUICK, PUT THEM
- IN THAT BOX,
498
00:19:08,125 --> 00:19:09,646
- THEN WE DON'T HAVE TO
- LOOK AT THEM!
499
00:19:25,167 --> 00:19:27,000
OH, THANK GOODNESS, SHE'S GONE.
500
00:19:27,042 --> 00:19:27,959
DID SHE SHOW YOU THE PAINTINGS?
501
00:19:28,000 --> 00:19:31,167
UH... YEAH.
502
00:19:31,209 --> 00:19:32,375
WELL, WHERE ARE THEY?
503
00:19:32,417 --> 00:19:33,876
FORGET IT.
504
00:19:33,918 --> 00:19:35,147
YOU DON'T WANT TO
505
00:19:35,148 --> 00:19:36,375
LOOK AT THEM.
506
00:19:36,417 --> 00:19:39,083
OH, SO THAT'S YOUR GAME.
507
00:19:39,125 --> 00:19:40,375
I DO ALL THE DIRTY WORK,
508
00:19:40,417 --> 00:19:42,226
- AND YOU GUYS TRY
- AND CUT ME OUT OF THE SCORE.
509
00:19:42,250 --> 00:19:42,959
YOU DON'T UNDERSTAND.
510
00:19:43,000 --> 00:19:44,334
NO!
511
00:19:44,375 --> 00:19:46,584
YOU DON'T UNDERSTAND.
512
00:19:46,626 --> 00:19:48,351
- I AM NOT LEAVING THIS SPOT
- UNTIL I SEE THOSE...
513
00:19:48,375 --> 00:19:49,500
[MRS. BYRNE]: FERNIE!
514
00:19:49,542 --> 00:19:51,125
IS THAT YOU?
515
00:19:51,167 --> 00:19:52,751
I CHANGED,
516
00:19:52,792 --> 00:19:53,814
AND I'M READY TO POSE
517
00:19:53,815 --> 00:19:54,834
FOR ANOTHER PORTRAIT!
518
00:19:55,959 --> 00:19:56,959
I'VE GOT TO GET OUT HERE!
519
00:20:02,709 --> 00:20:03,584
- REMEMBER THAT
- SLINKY LITTLE DRESS
520
00:20:03,626 --> 00:20:06,167
YOU LOVED SO MUCH?
521
00:20:06,209 --> 00:20:07,730
WELL, IT JUST SLINKED
522
00:20:07,731 --> 00:20:09,250
DOWN TO THE FLOOR.
523
00:20:20,375 --> 00:20:22,375
HUH.
524
00:20:22,417 --> 00:20:24,417
I COULD'VE SWORN I HEARD HIM.
525
00:20:27,709 --> 00:20:28,792
FERNANDO?
526
00:20:35,751 --> 00:20:37,083
[♪♪♪]
527
00:20:40,417 --> 00:20:42,209
- THOSE PAINTINGS MAY BE
- WORTH A FORTUNE,
528
00:20:42,250 --> 00:20:43,375
BUT THE WORLD IS BETTER OFF
529
00:20:43,376 --> 00:20:44,500
IF THEY STAY BURIED
530
00:20:44,542 --> 00:20:48,417
FOREVER.
531
00:20:48,459 --> 00:20:49,501
I'M A LITTLE
532
00:20:49,502 --> 00:20:50,542
UNCOMFORTABLE WITH THIS.
533
00:20:50,584 --> 00:20:52,225
- MAYBE WE SHOULD PUT
- MORE DIRT OVER IT.
534
00:20:53,918 --> 00:20:55,500
I'VE GOT A CEMENT GUY.
535
00:20:55,542 --> 00:20:57,500
WE COULD PAVE THE WHOLE QUAD.
536
00:20:57,542 --> 00:20:59,876
GOOD IDEA.
537
00:20:59,918 --> 00:21:01,810
- NO ONE SHOULD HAVE TO ENDURE
- THE TRAUMA OF LOOKING AT THEM
538
00:21:01,834 --> 00:21:04,083
EVER AGAIN.
539
00:21:04,125 --> 00:21:05,375
[ALL SHUDDERING IN HORROR]
540
00:21:09,459 --> 00:21:10,876
[♪♪♪]
541
00:21:19,417 --> 00:21:21,584
WHOA, I MUST HAVE FAINTED.
542
00:21:21,626 --> 00:21:23,667
[GROANS]
543
00:21:23,709 --> 00:21:24,731
I'M SURE THE COAST
544
00:21:24,732 --> 00:21:25,751
IS CLEAR BY NOW.
545
00:21:26,459 --> 00:21:28,083
[TAPPING ON LID]
546
00:21:28,125 --> 00:21:29,500
HUH...
547
00:21:29,542 --> 00:21:33,417
I WONDER WHY THAT WON'T OPEN.
548
00:21:33,459 --> 00:21:34,959
WELL, I'LL JUST CALL SOMEBODY
549
00:21:34,960 --> 00:21:36,459
AND HAVE THEM COME GET ME OUT.
550
00:21:36,500 --> 00:21:38,500
[BEEPING CELL PHONE]
551
00:21:38,542 --> 00:21:40,250
OH, NO SIGNAL.
552
00:21:40,292 --> 00:21:43,500
THAT'S JUST SUPER.
553
00:21:43,542 --> 00:21:45,393
- WELL, AT LEAST I WON'T HAVE TO
- LOOK AT MRS. BYRNE AGAIN
554
00:21:45,417 --> 00:21:47,083
ANYTIME SOON.
555
00:21:50,250 --> 00:21:51,250
HMM.
556
00:21:54,125 --> 00:21:56,167
[SCREAMS]
557
00:21:56,209 --> 00:21:58,626
[BANGING ON LID]
558
00:21:58,667 --> 00:22:00,500
LET ME OUT OF HERE!
559
00:22:00,542 --> 00:22:01,209
[GASPING IN PANIC]
560
00:22:01,250 --> 00:22:02,459
[SCREAMS]
561
00:22:08,751 --> 00:22:12,334
[MUFFLED BANGING AND SCREAMING]
562
00:22:12,375 --> 00:22:13,375
[♪♪♪]
32346
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