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��
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>> Announcer: LIVE FROM THE
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PEACOCK THEATRE IN LOS ANGELES,
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CALIFORNIA, IT'S THE 76th EMMY
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AWARDS.
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PLEASE WELCOME YOUR HOSTS DAN
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AND EUGENE LEVY.
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[ APPLAUSE ]
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>> WELCOME EVERYBODY TO "THE
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76th EMMY AWARDS."
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YEAH.
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[ APPLAUSE ]
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ALSO KNOWN AS BROADCAST TV'S
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BIGGEST NIGHT FOR HONORING MOVIE
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STARS ON STREAMING SERVICES.
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>> WE ARE VERY, VERY EXCITED TO
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BE HERE TONIGHT.
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AS MOST OF YOU KNOW, WE ARE NOT
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STAND-UP COMEDIANS.
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>> I WOULDN'T ACTUALLY EVEN CALL
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US HOSTS.
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WE'RE MORE LIKE ACTORS ACTING
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LIKE HOSTS.
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WHICH IS A HUGE GAMBLE FOR US.
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BUT IF IT GOES WELL TONIGHT, MY
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NAME IS PRONOUNCED LEVY NOT
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LEEVY.
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>> AND IF THINGS GO SOUTH, MY
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NAME IS PRONOUNCED MARTIN SHORT.
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>> THIS IS ACTUALLY THE FIRST
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OPPORTUNITY THAT WE HAVE HAD TO
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WORK TOGETHER SINCE OUR SHOW
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"SCHITT'S CREEK" ENDED.
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UNLESS YOU COUNT THE --
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[ APPLAUSE ]
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>> THANK YOU SO MUCH.
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UNLESS YOU COUNT THE TIME YOU
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TRIED TO CONVINCE RYAN MURPHY TO
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CAST US AS THE
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MENENDEZ BROTHERS.
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>> WELL, THEY WEREN'T TWINS.
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>> IT WAS A BAD IDEA.
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>> NEVERTHELESS, IT'S GOOD TO BE
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BACK BY YOUR SIDE.
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YOU KNOW, THIS IS A VERY SPECIAL
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NIGHT FOR ME.
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YOU KNOW,
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I'VE PLAYED A LOT OF DADS IN MY
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DAY.
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I WAS A DAD IN "AMERICAN PIE,"
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I WAS THE DAD IN
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"FINDING DORY," OUR SHOW
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"SCHITT'S CREEK."
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BUT WITHOUT QUESTION, MY MOST
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REWARDING DAD ROLE EVER HAS BEEN
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BEING YOUR DAD.
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IN "SCHITT'S CREEK."
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'CAUSE IT GOT ME MY FIRST ACTING
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EMMY.
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>> YEAH.
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[ APPLAUSE ]
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>> WHY ARE WE APPLAUDING BAD
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PARENTING?
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ANYWAY, WE ARE OFF TO A VERY
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HEARTWARMING START.
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>> A LITTLE BIT OF EMMY HISTORY,
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THE VERY FIRST EMMYS HOST IN
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1949 WAS WALTER O'KEEFE.
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>> THAT'S TRUE.
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AND TONIGHT, WE ARE MAKING
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HISTORY AS THE VERY FIRST
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FATHER-SON PAIR TO MENTION
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WALTER O'KEEFE SINCE 1949.
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>> NOW, WE'RE ALL HERE
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CELEBRATING TONIGHT BECAUSE YOUR
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SHOWS STRUCK A CHORD WITH
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AUDIENCES.
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YOUR STORIES.
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YOUR CHARACTERS.
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WE SEE OURSELVES IN THEM.
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WE'VE ALL HAD A TEACHER
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THAT CHANGED OUR LIVES LIKE
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QUINTA BRUNSON IN "ABBOTT
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ELEMENTARY."
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[ APPLAUSE ]
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>> YEAH. AND WE'VE ALL HAD A
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CODEPENDENT, BORDERLINE
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HOMOEROTIC RELATIONSHIP WITH OUR
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BOSS LIKE HANNAH EINBINDER IN
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"HACKS."
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>> NO.
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THAT'S NOT -- THAT'S NOT QUITE
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IT.
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WE'RE TALKING ABOUT UNIVERSAL
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TRUTHS, LIKE HOW WE'VE ALL
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STRUGGLED TO MAKE FRIENDS IN A
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NEW CITY LIKE CARRIE COON IN
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"THE GILDED AGE.'
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>> RIGHT.
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YEAH.
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SURE.
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AND HOW WE'VE ALL DONE SALACIOUS
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TELL-ALLS WITH THE BBC TO GET
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BACK AT A LYING, CHEATING EX,
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LIKE ELIZABETH DEBIKI IN "THE
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CROWN."
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>> OKAY.
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YOU KNOW WHAT?
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[ APPLAUSE ]
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>> I JUST --
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I DON'T THINK YOU'RE GETTING IT.
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>> I THINK I AM.
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>> NO, NO, NO.
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STRIKING A CHORD WAS THE POINT.
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SO, LET'S MOVE ON.
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>> HAPPILY.
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WE HAVEN'T GIVEN OUT A SINGLE
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AWARD TONIGHT, AND YET, "SHOGUN"
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HAS ALREADY MADE EMMY HISTORY.
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[ APPLAUSE ]
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>> AT THE CREATIVE ARTS EMMYS
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HELD LAST WEEKEND, THE "SHOGUN"
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TEAM TOOK HOME 14 EMMYS, MAKING
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IT THE MOST DECORATED SHOW IN A
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SINGLE SEASON.
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[ APPLAUSE ]
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>> YEAH.
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AND DESERVEDLY SO.
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I MEAN, THE ATTENTION TO DETAIL.
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THE CREATORS OF "SHOGUN"
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ACTUALLY HAD THEIR SCRIPTS
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TRANSLATED INTO JAPANESE,
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REWRITTEN, AND THEN TRANSLATED
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BACK INTO ENGLISH SUBTITLES THAT
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YOU MISSED BECAUSE YOU WERE ALSO
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ON YOUR PHONE WATCHING
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SABRINA CARPENTER EAT A HOT
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WING.
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>> "THE BEAR" IS NOMINATED FOR
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23 EMMYS TONIGHT.
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[ APPLAUSE ]
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>> MAKING IT THE
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MOST NOMINATED COMEDY IN
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HISTORY.
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NOW, I LOVE THE SHOW.
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I LOVE THE SHOW.
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AND I KNOW SOME
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OF YOU MIGHT BE EXPECTING US TO
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MAKE A JOKE ABOUT WHETHER "THE
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BEAR" IS REALLY A COMEDY.
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BUT IN THE TRUE SPIRIT OF "THE
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BEAR," WE WILL NOT MAKE ANY
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JOKES.
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[ APPLAUSE ]
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>> IT'S A BIG YEAR FOR QUEER
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REPRESENTATION ON TV.
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NAVA MAU WITH HER FIRST
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NOMINATION, HOLLAND TAYLOR WITH
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HER NINTH.
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[ APPLAUSE ]
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>> AND THEN THERE'S
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JONATHAN BAILEY AND MATT BOMER
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BOTH RECOGNIZED TONIGHT FOR
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PLAYING LOVERS IN "FELLOW
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TRAVELERS," PROVING THAT YOU CAN
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BE NOMINATED FOR PLAYING GAY
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EVEN IF YOU'RE NOT STRAIGHT.
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>> AND YOU KNOW, SON, I'M
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PARTICULARLY PROUD OF MY
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STREAMER APPLE TV+, WHICH
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CONTINUES TO PROUDLY AND VISIBLY
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ALIGN ITSELF WITH THE LGBTQ
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COMMUNITY.
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[ APPLAUSE ]
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>> THAT'S NOT WHAT THE PLUS
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STANDS FOR.
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THAT'S NOT PLUS.
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>> THEN WHAT DOES IT STAND FOR?
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>> I DON'T KNOW.
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YOU'RE THE ONE WITH THE SHOW ON
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THERE.
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>> APPLE TV PLUS.
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>> YEP, PARAMOUNT PLUS, DISNEY
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PLUS, ESPN PLUS ALL ALSO NOT
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DIRECTLY AFFILIATED WITH THE
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COMMUNITY.
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>> WELL, THAT I KNEW.
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>> "RESERVATION DOGS" HAS FOUR
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NOMINATIONS TONIGHT.
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[ APPLAUSE ]
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>> AFTER THREE EXCELLENT SEASONS
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OF WIDESPREAD CRITICAL ACCLAIM,
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THEY FINALLY RECEIVED A
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NOMINATION FOR OUTSTANDING
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COMEDY SERIES.
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YEAH.
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SO, YOU MIGHT SAY THAT ACADEMY
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VOTERS FOUND A SHOW THAT'S BEEN
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CREATIVELY THRIVING FOR YEARS
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AND SAID, "HEY, LOOK WHAT WE
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DISCOVERED."
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>> "BABY REINDEER" IS NOMINATED
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FOR 11 EMMYS THIS YEAR.
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>> IT SURE IS.
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THIS SHOW WAS BOTH FRIGHTENING
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AND ODDLY RELATABLE FOR EVERYONE
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OUT THERE WHOSE PARENTS STILL
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HAVEN'T MASTERED THE ART OF
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TEXTING.
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LIKE THIS TEXT I GOT FROM MY DAD
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ABOUT TONIGHT'S SHOW --
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"LETZ HOST EMMYYS.
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COLIN FERELL WILL B THER.
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U STILL HAVE CRUSH?"
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>> I DIDN'T THINK THESE WERE
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GOING PUBLIC.
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>> OR THIS ONE --
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"WALTR OKEEF JOKE - 2 MEEN?
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SENT FROM iPHONN?"
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YOU DON'T EVEN OWN AN iPHONE.
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>> WHAT DOES IT MATTER?
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>> AND THIS LAST ONE --
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"BEST RAMIN NEER ME?"
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THAT'S ACTUALLY A MISTAKE.
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I THINK YOU WERE TRYING TO
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GOOGLE SOMETHING.
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>> I WAS HUNGRY.
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STILL AM.
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>> AND THERE ARE 57,000 MORE
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WHERE THOSE CAME FROM.
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>> ALL RIGHT.
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OKAY.
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GOT IT.
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BEFORE WE GET TO OUR
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FIRST AWARD TONIGHT, WE JUST
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WANTED TO CHAT ABOUT ACCEPTANCE
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SPEECHES.
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>> PLEASE.
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IN WHAT CAN ONLY BE DESCRIBED
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AS A CRUEL JOKE, TWO CANADIANS
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HAVE BEEN PUT IN CHARGE OF
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PLAYING YOU OFF TONIGHT.
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>> CANADIANS DON'T LIKE
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INTERRUPTING ANYBODY.
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IT GOES AGAINST OUR NATURE.
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>> CONFRONTATION IN GENERAL IS
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ANXIETY-INDUCING, ESPECIALLY FOR
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MY 77-YEAR-OLD FATHER.
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OKAY?
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>> I DON'T LIKE IT.
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>> THE MAN IS FRAILER THAN HE
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LOOKS.
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HE GETS PALPITATIONS FROM TIME
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TO TIME.
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I'M NOW HEARING ABOUT
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TENDINITIS.
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>> OKAY, OKAY.
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THE POINT, THE POINT,
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THE POINT IS, IF YOU'RE GOING TO
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SAY ANYTHING MEANINGFUL, OR
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EMOTIONAL, OR GOD FORBID
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POLITICAL, KEEP IT SHORT.
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BECAUSE THE PRESSURE ALONE ON
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ME --
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>> I DON'T WANT TO BE ALARMIST,
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BUT HAVING TO CUT YOU OFF COULD
267
00:08:45,160 --> 00:08:45,494
KILL THIS MAN.
268
00:08:45,494 --> 00:08:46,895
>> ON THAT NOTE, PLEASE WELCOME
269
00:08:46,895 --> 00:08:47,396
OUR FIRST PRESENTERS.
270
00:08:47,396 --> 00:08:49,498
FROM "ONLY MURDERS IN THE
271
00:08:49,498 --> 00:08:52,634
BUILDING," SELENA GOMEZ, AND
272
00:08:52,634 --> 00:08:53,201
FROM "THE GOLDEN BACHELOR,"
273
00:08:53,201 --> 00:08:56,705
STEVE MARTIN AND MARTIN SHORT.
274
00:08:56,705 --> 00:08:58,206
[ APPLAUSE ]
275
00:08:58,206 --> 00:09:14,089
��
276
00:09:14,089 --> 00:09:15,390
>> IT'S NOT COMING UP YET.
277
00:09:15,390 --> 00:09:15,957
>> HELLO, I'M SELENA GOMEZ.
278
00:09:15,957 --> 00:09:16,458
>> AND I'M STEVE MARTIN.
279
00:09:16,458 --> 00:09:18,560
>> AND I'M MARTIN SH --
280
00:09:18,560 --> 00:09:19,194
>> WHAT AN EXCITING NIGHT TO BE
281
00:09:19,194 --> 00:09:21,730
HERE AT THE EMMYS.
282
00:09:21,730 --> 00:09:25,100
>> I PERSONALLY HAVE NEVER BEEN
283
00:09:25,100 --> 00:09:26,968
MORE EXCITED OR HAPPIER.
284
00:09:26,968 --> 00:09:27,602
>> Announcer: SHINGLES DOESN'T
285
00:09:27,602 --> 00:09:33,275
CARE.
286
00:09:33,275 --> 00:09:33,708
>> THE EMMY AWARDS.
287
00:09:33,708 --> 00:09:35,377
WHAT A MAGICAL EVENING IT'S BEEN
288
00:09:35,377 --> 00:09:36,411
OF TRYING TO REMEMBER PEOPLE'S
289
00:09:36,411 --> 00:09:36,611
NAMES.
290
00:09:36,611 --> 00:09:37,479
>> AND PRETENDING THAT WE'VE
291
00:09:37,479 --> 00:09:39,581
SEEN THEIR SHOWS.
292
00:09:39,581 --> 00:09:42,217
>> AND WHEN I SEE AN ACTOR I
293
00:09:42,217 --> 00:09:46,221
DON'T KNOW, I JUST SAY, "I LOVED
294
00:09:46,221 --> 00:09:47,522
YOUR SCENE WITH NICOLE KIDMAN."
295
00:09:47,522 --> 00:09:50,225
AND NINE TIMES OUT OF TEN, I'M
296
00:09:50,225 --> 00:09:50,725
RIGHT.
297
00:09:50,725 --> 00:09:51,726
>> AND STEVE, LET ME JUST SAY
298
00:09:51,726 --> 00:09:53,295
WHAT AN HONOR IT IS FOR ME TO BE
299
00:09:53,295 --> 00:09:54,396
WORKING WITH SOMEONE WHO LOOKS
300
00:09:54,396 --> 00:09:55,964
LIKE HE'S FALLEN AND CAN'T GET
301
00:09:55,964 --> 00:10:01,870
UP.
302
00:10:01,870 --> 00:10:03,271
>> AND LET ME SAY WHAT AN
303
00:10:03,271 --> 00:10:04,106
HONOR IT IS FOR ME TO BE WORKING
304
00:10:04,106 --> 00:10:05,207
WITH SOMEONE WHO LOOKS LIKE A
305
00:10:05,207 --> 00:10:14,683
FORMER WOMEN'S TENNIS CHAMPION.
306
00:10:14,683 --> 00:10:16,852
>> AND LET ME SAY WHAT AN HONOR
307
00:10:16,852 --> 00:10:18,420
IT IS WORK WITH TWO GUYS WHO ARE
308
00:10:18,420 --> 00:10:22,224
THIS FAR AWAY FROM BEING
309
00:10:22,224 --> 00:10:23,692
CHILDLESS CAT LADIES.
310
00:10:23,692 --> 00:10:24,326
>> WE ARE SO THRILLED TO BE HERE
311
00:10:24,326 --> 00:10:25,260
TONIGHT.
312
00:10:25,260 --> 00:10:29,831
AS NOMINEES.
313
00:10:29,831 --> 00:10:30,065
>> YES!
314
00:10:30,065 --> 00:10:30,699
>> SELENA IS NOMINATED AS BEST
315
00:10:30,699 --> 00:10:31,299
COMEDY ACTRESS FOR THE FIRST
316
00:10:31,299 --> 00:10:34,236
TIME.
317
00:10:34,236 --> 00:10:34,536
[ APPLAUSE ]
318
00:10:34,536 --> 00:10:36,338
>> BRAVO!
319
00:10:36,338 --> 00:10:37,772
>> AND STEVE AND MARTY ARE
320
00:10:37,772 --> 00:10:42,210
NOMINATED AS BEST COMEDY ACTORS
321
00:10:42,210 --> 00:10:43,512
IN THE SAME CATEGORY.
322
00:10:43,512 --> 00:10:46,047
GUYS, IS THAT A LITTLE AWKWARD?
323
00:10:46,047 --> 00:10:46,414
>> WELL, NO.
324
00:10:46,414 --> 00:10:47,983
OF COURSE STEVE AND I BOTH VOTED
325
00:10:47,983 --> 00:10:48,216
FOR YOU.
326
00:10:48,216 --> 00:10:48,783
>> AND MARTY AND I MADE AN
327
00:10:48,783 --> 00:10:49,651
AGREEMENT, IN ORDER TO BE FAIR,
328
00:10:49,651 --> 00:10:51,186
TO BOTH VOTE FOR EACH OTHER.
329
00:10:51,186 --> 00:10:54,389
>> RIGHT, SO I VOTED FOR STEVE.
330
00:10:54,389 --> 00:10:58,593
AND STEVE VOTED FOR --
331
00:10:58,593 --> 00:11:04,432
>> YES, WHAT AN EXCITING NIGHT.
332
00:11:04,432 --> 00:11:06,001
HERE AT THE EMMYS.
333
00:11:06,001 --> 00:11:06,635
>> BUT THE EMMYS ARE NOT ABOUT
334
00:11:06,635 --> 00:11:10,906
WHO WINS AND WHO LOSES.
335
00:11:10,906 --> 00:11:14,376
>> OH, YOU'RE YOUNG.
336
00:11:14,376 --> 00:11:16,611
>> HONESTLY, DO YOU SEE WHAT I
337
00:11:16,611 --> 00:11:19,714
HAVE TO GO THROUGH EVERY DAY?
338
00:11:19,714 --> 00:11:21,616
>> I JUST WANT TO SAY AGAIN, I'M
339
00:11:21,616 --> 00:11:23,752
SO EXCITED AND I STILL LOVE
340
00:11:23,752 --> 00:11:24,219
BEING HERE.
341
00:11:24,219 --> 00:11:24,819
>> Announcer: SHINGLES STILL
342
00:11:24,819 --> 00:11:25,320
DOESN'T CARE.
343
00:11:25,320 --> 00:11:26,254
>> GROUP HUG.
344
00:11:26,254 --> 00:11:26,888
>> AND NOW, IT'S TIME TO PRESENT
345
00:11:26,888 --> 00:11:30,225
OUR FIRST AWARD.
346
00:11:30,225 --> 00:11:37,098
HERE ARE THE NOMINEES FOR
347
00:11:37,098 --> 00:11:37,933
BEST SUPPORTING ACTOR IN A
348
00:11:37,933 --> 00:11:40,001
COMEDY SERIES.
349
00:11:40,001 --> 00:11:41,069
>> Announcer: LIONEL BOYCE, "THE
350
00:11:41,069 --> 00:11:41,269
BEAR."
351
00:11:41,269 --> 00:11:42,137
PAUL W. DOWNS, "HACKS."
352
00:11:42,137 --> 00:11:43,171
EBON MOSS-BACHRACH, "THE BEAR."
353
00:11:43,171 --> 00:11:44,239
PAUL RUDD, "ONLY MURDERS IN THE
354
00:11:44,239 --> 00:11:45,807
BUILDING."
355
00:11:45,807 --> 00:11:48,944
TYLER JAMES WILLIAMS, "ABBOTT
356
00:11:48,944 --> 00:11:49,244
ELEMENTARY."
357
00:11:49,244 --> 00:11:50,011
BOWEN YANG, "SATURDAY NIGHT
358
00:11:50,011 --> 00:11:55,283
LIVE."
359
00:11:55,283 --> 00:12:05,827
>> AND THE EMMY GOES TO --
360
00:12:05,827 --> 00:12:13,101
E BONN MOSS -- EBON
361
00:12:13,101 --> 00:12:15,837
MOSS-BACHRACH!
362
00:12:15,837 --> 00:12:15,971
��
363
00:12:26,181 --> 00:12:36,424
[ APPLAUSE ]
364
00:12:36,424 --> 00:12:37,993
>> OKAY.
365
00:12:37,993 --> 00:12:38,260
WOW.
366
00:12:38,260 --> 00:12:40,629
THANK YOU SO MUCH.
367
00:12:40,629 --> 00:12:42,964
I DON'T KNOW WHAT TO SAY.
368
00:12:42,964 --> 00:12:45,433
I'M SO GRATEFUL FOR THIS SHOW
369
00:12:45,433 --> 00:12:48,303
AND TO WORK WITH THESE BEAUTIFUL
370
00:12:48,303 --> 00:12:48,637
PEOPLE.
371
00:12:48,637 --> 00:12:50,171
CHRIS, THANK YOU SO MUCH.
372
00:12:50,171 --> 00:12:52,274
I LOVE YOU SO MUCH.
373
00:12:52,274 --> 00:12:56,978
JOANNE THAT, JOSH, TYSON.
374
00:12:56,978 --> 00:12:58,680
I WORK WITH THIS INCREDIBLE
375
00:12:58,680 --> 00:12:59,981
FAMILY EVERY DAY.
376
00:12:59,981 --> 00:13:06,321
IT IS SUCH A PRIVILEGE.
377
00:13:06,321 --> 00:13:06,755
L
378
00:13:06,755 --> 00:13:10,025
LIONEL, LIZA, MATTIE, ALL MY
379
00:13:10,025 --> 00:13:11,960
LITTLE FORKS CREW, ANDREW AND
380
00:13:11,960 --> 00:13:15,130
SARA AND OLIVIA.
381
00:13:15,130 --> 00:13:20,268
THANK YOU, JEANIE FOR PUTTING
382
00:13:20,268 --> 00:13:21,436
SUCH A NICE FAMILY TOGETHER.
383
00:13:21,436 --> 00:13:25,073
THANK YOU TO MY PARENTS.
384
00:13:25,073 --> 00:13:27,008
THEY'RE TAKING SUCH NICE CARE OF
385
00:13:27,008 --> 00:13:27,308
MY CAT.
386
00:13:27,308 --> 00:13:29,778
AND THANKS TO MY SWEET
387
00:13:29,778 --> 00:13:30,979
DAUGHTERS.
388
00:13:30,979 --> 00:13:32,747
ELENA, I LOVE YOU SO MUCH.
389
00:13:32,747 --> 00:13:34,349
YOU'RE EVERYTHING TO ME.
390
00:13:34,349 --> 00:13:37,619
THANK YOU.
391
00:13:37,619 --> 00:13:42,123
[ APPLAUSE ]
392
00:13:42,123 --> 00:13:42,724
>> Announcer: PLEASE WELCOME,
393
00:13:42,724 --> 00:13:54,569
COLIN FARRELL.
394
00:13:54,569 --> 00:14:00,775
��
395
00:14:00,775 --> 00:14:02,210
>> ALL RIGHT.
396
00:14:02,210 --> 00:14:04,713
THAT'S ONE NAME DROP.
397
00:14:04,713 --> 00:14:05,313
>> CREATING AN UNFORGETTABLE
398
00:14:05,313 --> 00:14:06,214
EXPERIENCE BY BRINGING DEPTH AND
399
00:14:06,214 --> 00:14:07,148
UNDENIABLE COMPLEXITY TO A
400
00:14:07,148 --> 00:14:08,717
CHARACTER IS NO SMALL FEAT.
401
00:14:08,717 --> 00:14:14,155
YET IT'S THE EXACT CHALLENGE
402
00:14:14,155 --> 00:14:15,590
TAKEN ON BY THESE ACTORS.
403
00:14:15,590 --> 00:14:17,225
HERE ARE YOUR NOMINEES FOR
404
00:14:17,225 --> 00:14:20,695
SUPPORTING ACTOR IN A DRAMA
405
00:14:20,695 --> 00:14:21,162
SERIES.
406
00:14:21,162 --> 00:14:21,763
>> Announcer: TADANOBU ASANO,
407
00:14:21,763 --> 00:14:22,230
"SHOGUN."
408
00:14:22,230 --> 00:14:23,264
BILLY CRUDUP, "THE MORNING
409
00:14:23,264 --> 00:14:24,366
SHOW."
410
00:14:24,366 --> 00:14:24,933
MARK DUPLASS, "THE MORNING
411
00:14:24,933 --> 00:14:25,934
SHOW."
412
00:14:25,934 --> 00:14:30,205
JON HAMM, "THE MORNING SHOW."
413
00:14:30,205 --> 00:14:34,209
TAKEHIRO HIRA, "SHOGUN."
414
00:14:34,209 --> 00:14:34,876
JACK LOWDEN, "SLOW HORSES."
415
00:14:34,876 --> 00:14:41,182
JONATHAN PRYCE, "THE CROWN."
416
00:14:41,182 --> 00:14:46,621
>> AND THE EMMY GOES TO --
417
00:14:46,621 --> 00:14:52,927
BILLY CRUDUP, "THE MORNING
418
00:14:52,927 --> 00:14:53,128
SHOW."
419
00:14:53,128 --> 00:14:53,428
[ APPLAUSE ]
420
00:14:53,428 --> 00:14:55,263
>> THIS IS THE SECOND EMMY WIN
421
00:14:55,263 --> 00:15:01,469
AND THIRD NOMINATION FOR BILLY
422
00:15:01,469 --> 00:15:05,807
CRUDUP.
423
00:15:05,807 --> 00:15:07,041
>> THANK YOU VERY MUCH.
424
00:15:07,041 --> 00:15:09,010
THIS IS AN INCREDIBLE HONOR.
425
00:15:09,010 --> 00:15:12,814
THANK YOU ALL.
426
00:15:12,814 --> 00:15:16,317
I'M HAPPY TO BE HERE WITH MY
427
00:15:16,317 --> 00:15:18,086
PIECE OF EYE CANDY THERE, MY
428
00:15:18,086 --> 00:15:20,989
WIFE, WHO ALSO HAPPENS TO BE AN
429
00:15:20,989 --> 00:15:21,256
IMMIGRANT.
430
00:15:21,256 --> 00:15:24,092
AND ALSO GAVE A SERING
431
00:15:24,092 --> 00:15:25,860
PERFORMANCE THIS YEAR FOR WHICH
432
00:15:25,860 --> 00:15:27,462
SHE'S NOMINATED, AND SHE STARTS
433
00:15:27,462 --> 00:15:27,996
BUSINESSES, TOO.
434
00:15:27,996 --> 00:15:29,531
SO NICE TO BE BY HER SIDE.
435
00:15:29,531 --> 00:15:31,566
I JUST WANT TO SAY THAT THIS IS
436
00:15:31,566 --> 00:15:33,635
FOR THE WRITERS AND THE
437
00:15:33,635 --> 00:15:35,637
EDUCATORS WHO ALLOWED ME TO DO
438
00:15:35,637 --> 00:15:37,138
THE WRITING THAT WAS BEYOND MY
439
00:15:37,138 --> 00:15:37,472
LEVEL.
440
00:15:37,472 --> 00:15:41,109
EVERY TIME I WOULD SEE THE
441
00:15:41,109 --> 00:15:43,077
SCRIPTS, I WOULD HAVE TO GO BACK
442
00:15:43,077 --> 00:15:44,679
AND LOOK AT THE SCRIPTS THAT
443
00:15:44,679 --> 00:15:48,116
TEACHERS GAVE ME.
444
00:15:48,116 --> 00:15:51,152
TO HER TEAM AND TO CHARLOTTE
445
00:15:51,152 --> 00:15:52,687
STOUT, WHO HAVE EXPANDED UPON
446
00:15:52,687 --> 00:15:53,955
THIS CHARACTER, THIS PROCESS HAS
447
00:15:53,955 --> 00:15:55,056
BEEN INCREDIBLE FOR ME.
448
00:15:55,056 --> 00:15:57,091
AND I HOPE EVERYBODY ELSE WHO IS
449
00:15:57,091 --> 00:15:57,926
INVOLVED KNOWS HOW MUCH IT MEANS
450
00:15:57,926 --> 00:15:58,526
TO ME.
451
00:15:58,526 --> 00:16:00,028
SO THANK YOU ALL.
452
00:16:00,028 --> 00:16:01,262
AND ALSO HI TO THE KIDS.
453
00:16:01,262 --> 00:16:02,897
I KNOW YOU'RE WATCHING WHEREVER
454
00:16:02,897 --> 00:16:06,234
YOU ARE.
455
00:16:06,234 --> 00:16:06,668
OKAY.
456
00:16:06,668 --> 00:16:08,169
BYE, GUYS.
457
00:16:08,169 --> 00:16:09,804
THANK YOU!
458
00:16:09,804 --> 00:16:10,104
[ APPLAUSE ]
459
00:16:10,104 --> 00:16:10,805
>> Announcer: STILL TO COME,
460
00:16:10,805 --> 00:16:11,840
KAITLIN OLSEN, ROB McELHENNEY,
461
00:16:11,840 --> 00:16:12,407
DA'VINE JOY RANDOLPH AND
462
00:16:12,407 --> 00:16:15,577
CANDICE BERGEN.
463
00:16:15,577 --> 00:16:17,645
AND JUST AHEAD, THE EMMYS BRING
464
00:16:17,645 --> 00:16:18,279
TOGETHER TV DADS GEORGE LOPEZ,
465
00:16:18,279 --> 00:16:19,781
DAMON WAYANS, AND
466
00:16:19,781 --> 00:16:20,815
JESSE TYLER FERGUSON.
467
00:16:20,815 --> 00:16:22,517
HERE ON ABC.
468
00:16:34,762 --> 00:16:35,163
>>> WELCOME BACK.
469
00:16:35,163 --> 00:16:35,864
THROUGHOUT THE NIGHT, "THE
470
00:16:35,864 --> 00:16:37,398
EMMYS" WILL BE HIGHLIGHTING SOME
471
00:16:37,398 --> 00:16:40,034
OF THE GREAT CHARACTER
472
00:16:40,034 --> 00:16:43,137
ARCHETYPES ON TELEVISION.
473
00:16:43,137 --> 00:16:51,045
AND WE'RE STARTING WITH TV DADS.
474
00:16:51,045 --> 00:16:52,113
>> WE ARE.
475
00:16:52,113 --> 00:16:53,114
TV DADS HAVE OBVIOUSLY HAD A
476
00:16:53,114 --> 00:16:54,182
HUGE IMPACT ON ME.
477
00:16:54,182 --> 00:16:55,250
COACH TAYLOR FROM "FRIDAY NIGHT
478
00:16:55,250 --> 00:16:57,886
LIGHTS" REALLY GAVE ME SOME MUCH
479
00:16:57,886 --> 00:16:58,520
NEEDED WISDOM IN MY 20S, AND I
480
00:16:58,520 --> 00:17:01,189
DIDN'T EVEN LIKE FOOTBALL.
481
00:17:01,189 --> 00:17:02,757
>> YEAH, I KNOW.
482
00:17:02,757 --> 00:17:05,226
WELL, HE WAS -- HE WAS OKAY.
483
00:17:05,226 --> 00:17:06,160
HE WAS GOOD.
484
00:17:06,160 --> 00:17:07,695
ANY OTHER DADS?
485
00:17:07,695 --> 00:17:10,465
AND, LOOK, I'M NOT FISHING FOR
486
00:17:10,465 --> 00:17:10,865
COMPLIMENTS HERE.
487
00:17:10,865 --> 00:17:11,332
>> YEAH.
488
00:17:11,332 --> 00:17:12,033
TONY SOPRANO WAS ANOTHER.
489
00:17:12,033 --> 00:17:12,634
>> TONY SOPRANO KILLED PEOPLE.
490
00:17:12,634 --> 00:17:13,201
>> WELL, HIS HEART WAS IN THE
491
00:17:13,201 --> 00:17:16,304
RIGHT PLACE.
492
00:17:16,304 --> 00:17:17,272
>> OKAY.
493
00:17:17,272 --> 00:17:17,805
ALL RIGHT.
494
00:17:17,805 --> 00:17:19,007
YOU KNOW WHAT?
495
00:17:19,007 --> 00:17:20,708
GOOD ROLE MODEL THERE.
496
00:17:20,708 --> 00:17:21,242
GREAT ROLE MODEL.
497
00:17:21,242 --> 00:17:21,809
>> HERE TO PRESENT THE NEXT
498
00:17:21,809 --> 00:17:22,410
AWARD ARE THREE GREAT TV DADS.
499
00:17:22,410 --> 00:17:23,011
PLEASE WELCOME DAMON WAYANS,
500
00:17:23,011 --> 00:17:25,647
GEORGE LOPEZ, AND
501
00:17:25,647 --> 00:17:26,147
MY PAL,
502
00:17:26,147 --> 00:17:31,853
JESSE TYLER FERGUSON.
503
00:17:31,853 --> 00:17:40,328
��
504
00:17:40,328 --> 00:17:40,628
[ APPLAUSE ]
505
00:17:40,628 --> 00:17:41,029
>>> ALL RIGHT.
506
00:17:41,029 --> 00:17:42,697
SO THIS IS A MAN CAVE.
507
00:17:42,697 --> 00:17:48,002
A MAN CAVE, WONDERFUL.
508
00:17:48,002 --> 00:17:49,103
OKAY.
509
00:17:49,103 --> 00:17:50,605
THE LAIR OF THE TV DAD,
510
00:17:50,605 --> 00:17:51,539
THE DOMAIN WHERE WE HAD ALL THE
511
00:17:51,539 --> 00:17:52,173
ANSWERS AND SOLVED OUR FAMILIES'
512
00:17:52,173 --> 00:17:53,107
PROBLEMS IN 22 MINUTES WITH
513
00:17:53,107 --> 00:17:54,709
COMMERCIALS.
514
00:17:54,709 --> 00:17:55,777
>> BUT LET'S NOT FORGET THAT TO
515
00:17:55,777 --> 00:17:56,377
BE A GREAT TV DAD, YOU NEED A
516
00:17:56,377 --> 00:17:58,913
GREAT TV WIFE.
517
00:17:58,913 --> 00:18:01,549
>> AND THAT'S WHY WE WANT TO
518
00:18:01,549 --> 00:18:05,920
THANK OUR TV SITCOM WIVES.
519
00:18:05,920 --> 00:18:07,021
>> YES.
520
00:18:07,021 --> 00:18:07,488
OKAY.
521
00:18:07,488 --> 00:18:10,558
I'M SO SORRY.
522
00:18:10,558 --> 00:18:11,626
I'VE -- I'VE --
523
00:18:11,626 --> 00:18:16,564
DID YOU WATCH MY SHOW?
524
00:18:16,564 --> 00:18:16,831
OR --
525
00:18:16,831 --> 00:18:19,267
>> YES, ALL 90 SEASONS.
526
00:18:19,267 --> 00:18:19,500
>> OKAY.
527
00:18:19,500 --> 00:18:20,068
>> SO ALL OF US WANT TO THANK
528
00:18:20,068 --> 00:18:20,868
OUR TV SPOUSES.
529
00:18:20,868 --> 00:18:22,437
>> A SHOUTOUT TO MY SITCOM WIFE,
530
00:18:22,437 --> 00:18:27,175
TISHA CAMPBELL.
531
00:18:27,175 --> 00:18:32,413
>> AND TO MINE, CONSTANCE MARIE.
532
00:18:32,413 --> 00:18:32,981
>> AND TO MY TV HUSBAND,
533
00:18:32,981 --> 00:18:40,888
ERIC STONESTREET.
534
00:18:40,888 --> 00:18:41,522
>> AND NOW HERE ARE THE NOMINEES
535
00:18:41,522 --> 00:18:43,324
FOR LEAD ACTOR IN A COMEDY
536
00:18:43,324 --> 00:18:45,126
SERIES.
537
00:18:45,126 --> 00:18:45,760
>> Announcer: MATT BERRY, "WHAT
538
00:18:45,760 --> 00:18:48,296
WE DO IN THE SHADOWS,"
539
00:18:48,296 --> 00:18:48,796
LARRY DAVID, "CURB YOUR
540
00:18:48,796 --> 00:18:50,898
ENTHUSIASM,"
541
00:18:50,898 --> 00:18:54,035
STEVE MARTIN, "ONLY MURDERS IN
542
00:18:54,035 --> 00:18:54,369
THE BUILDING,"
543
00:18:54,369 --> 00:18:55,003
MARTIN SHORT, "ONLY MURDERS IN
544
00:18:55,003 --> 00:18:57,739
THE BUILDING,"
545
00:18:57,739 --> 00:19:00,908
JEREMY ALLEN WHITE, "THE BEAR,"
546
00:19:00,908 --> 00:19:01,442
D'PHARAOH WOON-A-TAI,
547
00:19:01,442 --> 00:19:08,049
"RESERVATION DOGS."
548
00:19:08,049 --> 00:19:15,890
>> AND THE EMMY GOES TO --
549
00:19:15,890 --> 00:19:19,961
JEREMY ALLEN WHITE, "THE BEAR."
550
00:19:19,961 --> 00:19:20,328
[ APPLAUSE ]
551
00:19:20,328 --> 00:19:20,795
��
552
00:19:20,795 --> 00:19:22,997
>> THIS IS THE SECOND
553
00:19:22,997 --> 00:19:24,432
CONSECUTIVE EMMY WIN AND SECOND
554
00:19:24,432 --> 00:19:26,367
CONSECUTIVE NOMINATION FOR
555
00:19:26,367 --> 00:19:30,972
JEREMY ALLEN WHITE IN THIS
556
00:19:30,972 --> 00:19:37,712
CATEGORY.
557
00:19:37,712 --> 00:19:41,282
��
558
00:19:41,282 --> 00:19:42,850
>> OKAY, THANK YOU.
559
00:19:42,850 --> 00:19:46,587
TAKE IT DOWN, YEAH.
560
00:19:46,587 --> 00:19:47,155
ALL RIGHT.
561
00:19:47,155 --> 00:19:48,322
THANK YOU.
562
00:19:48,322 --> 00:19:49,157
THANK YOU SO MUCH.
563
00:19:49,157 --> 00:19:51,526
MY HEART IS JUST BEATING RIGHT
564
00:19:51,526 --> 00:19:52,593
OUT OF ITS CHEST.
565
00:19:52,593 --> 00:19:55,096
THANK YOU, THANK YOU TO THE
566
00:19:55,096 --> 00:19:56,898
ACADEMY, MY FELLOW NOMINEES.
567
00:19:56,898 --> 00:19:59,434
I'M SO HONORED TO BE IN YOUR
568
00:19:59,434 --> 00:20:01,169
COMPANY.
569
00:20:01,169 --> 00:20:02,437
CHRIS AND JOE, THANK YOU FOR
570
00:20:02,437 --> 00:20:03,271
CHOOSING ME.
571
00:20:03,271 --> 00:20:05,606
I AM SO, SO, SO LUCKY.
572
00:20:05,606 --> 00:20:08,309
I'M SO GRATEFUL.
573
00:20:08,309 --> 00:20:10,311
THANK YOU.
574
00:20:10,311 --> 00:20:11,746
MY BEAUTIFUL CAST, I LOVE YOU
575
00:20:11,746 --> 00:20:11,979
FOREVER.
576
00:20:11,979 --> 00:20:13,614
I LOVE TO WORK WITH YOU, AND I
577
00:20:13,614 --> 00:20:17,018
JUST -- I WANT US TO BE IN EACH
578
00:20:17,018 --> 00:20:17,952
OTHER'S LIVES FOREVER.
579
00:20:17,952 --> 00:20:23,291
I LOVE YOU SO DEARLY.
580
00:20:23,291 --> 00:20:27,161
JOE, THIS SHOW HAS CHANGED MY
581
00:20:27,161 --> 00:20:27,428
LIFE.
582
00:20:27,428 --> 00:20:29,630
IT HAS INSTILLED A FAITH THAT
583
00:20:29,630 --> 00:20:32,166
CHANGE IS -- IS -- IS POSSIBLE,
584
00:20:32,166 --> 00:20:33,835
THAT CHANGE IS POSSIBLE IF YOU
585
00:20:33,835 --> 00:20:36,704
ARE ABLE TO REACH OUT.
586
00:20:36,704 --> 00:20:39,040
YOU'RE REALLY, TRULY NEVER
587
00:20:39,040 --> 00:20:39,707
ACTUALLY ALONE.
588
00:20:39,707 --> 00:20:41,309
I THANK THIS SHOW.
589
00:20:41,309 --> 00:20:44,712
MY PARENTS, I LOVE YOU.
590
00:20:44,712 --> 00:20:46,380
MY SISTER, THANK YOU FOR COMING
591
00:20:46,380 --> 00:20:48,049
WITH ME TONIGHT.
592
00:20:48,049 --> 00:20:49,917
EZRA AND LOUIE, I LOVE YOU SO,
593
00:20:49,917 --> 00:20:51,319
SO, SO, SO MUCH.
594
00:20:51,319 --> 00:20:53,788
YOU ARE MY HEART.
595
00:20:53,788 --> 00:20:54,055
THANK YOU.
596
00:20:54,055 --> 00:20:59,293
THANK YOU, EVERYBODY.
597
00:20:59,293 --> 00:20:59,594
[ APPLAUSE ]
598
00:20:59,594 --> 00:21:02,196
��
599
00:21:02,196 --> 00:21:03,331
>> Announcer: PLEASE WELCOME,
600
00:21:03,331 --> 00:21:09,537
THREE-TIME EMMY NOMINEE,
601
00:21:09,537 --> 00:21:10,605
KAITLIN OLSON, AND TWO-TIME EMMY
602
00:21:10,605 --> 00:21:16,611
WINNER, ROB MCELHENNEY.
603
00:21:16,611 --> 00:21:20,615
��
604
00:21:20,615 --> 00:21:21,682
>> LADIES AND GENTLEMEN, WE ARE
605
00:21:21,682 --> 00:21:22,683
HERE TO HONOR THE COMEDIC
606
00:21:22,683 --> 00:21:23,217
PERFORMANCES THAT HOLD
607
00:21:23,217 --> 00:21:25,920
EVERYTHING IN PLACE.
608
00:21:25,920 --> 00:21:27,488
THEY SHOW CRUCIAL SUPPORT WHEN
609
00:21:27,488 --> 00:21:28,589
IT'S REALLY NEEDED.
610
00:21:28,589 --> 00:21:35,463
>> MUCH LIKE A JOCKSTRAP.
611
00:21:35,463 --> 00:21:37,398
>> YES AND --
612
00:21:37,398 --> 00:21:37,932
NO, NOT LIKE A JOCKSTRAP.
613
00:21:37,932 --> 00:21:38,900
>> WHAT YOU'RE DESCRIBING SOUNDS
614
00:21:38,900 --> 00:21:42,537
LIKE A JOCKSTRAP.
615
00:21:42,537 --> 00:21:42,937
>> NO, IT DOESN'T.
616
00:21:42,937 --> 00:21:43,371
>> OKAY, KEEP GOING.
617
00:21:43,371 --> 00:21:43,905
>> THESE ROLES MAKE SURE
618
00:21:43,905 --> 00:21:45,706
EVERYTHING STAYS SECURE.
619
00:21:45,706 --> 00:21:47,275
WITHOUT THIS SUPPORT, THE WHOLE
620
00:21:47,275 --> 00:21:48,843
PACKAGE FALLS APART.
621
00:21:48,843 --> 00:21:49,477
ALL RIGHT, THIS DOES SOUND LIKE
622
00:21:49,477 --> 00:21:52,647
A JOCKSTRAP.
623
00:21:52,647 --> 00:21:53,147
>> YEAH.
624
00:21:53,147 --> 00:21:53,781
ARE YOU CALLING MERYL STREEP A
625
00:21:53,781 --> 00:21:57,518
JOCKSTRAP?
626
00:21:57,518 --> 00:22:00,354
>> NO!
627
00:22:00,354 --> 00:22:00,855
NO.
628
00:22:00,855 --> 00:22:01,822
OH.
629
00:22:01,822 --> 00:22:03,991
I'M SO SORRY, MERYL.
630
00:22:03,991 --> 00:22:04,458
>> SO YOU'RE CALLING
631
00:22:04,458 --> 00:22:05,493
CAROL BURNETT A JOCKSTRAP.
632
00:22:05,493 --> 00:22:08,462
>> NO.
633
00:22:08,462 --> 00:22:11,032
OH, MY GOD.
634
00:22:11,032 --> 00:22:12,934
I REVERE CAROL BURNETT.
635
00:22:12,934 --> 00:22:15,169
I'M SO SORRY.
636
00:22:15,169 --> 00:22:18,005
>> ARE YOU DOING THE EAR TUG?
637
00:22:18,005 --> 00:22:19,307
OH, MY GOD.
638
00:22:19,307 --> 00:22:20,842
WHERE'S THE STATUE?
639
00:22:20,842 --> 00:22:23,711
LET'S JUST THROW IT AT SOMEBODY.
640
00:22:23,711 --> 00:22:25,112
>> AND THE NOMINEES FOR BEST
641
00:22:25,112 --> 00:22:25,746
SUPPORTING ACTRESS IN A COMEDY
642
00:22:25,746 --> 00:22:25,947
ARE --
643
00:22:25,947 --> 00:22:26,714
>> Announcer: CAROL BURNETT,
644
00:22:26,714 --> 00:22:29,383
"PALM ROYALE,"
645
00:22:29,383 --> 00:22:30,985
LIZA COLON-ZAYAS, "THE BEAR,"
646
00:22:30,985 --> 00:22:33,087
HANNAH EINBINDER, "HACKS,"
647
00:22:33,087 --> 00:22:35,323
JANELLE JAMES, "ABBOTT
648
00:22:35,323 --> 00:22:35,723
ELEMENTARY,"
649
00:22:35,723 --> 00:22:36,791
SHERYL LEE RALPH, "ABBOTT
650
00:22:36,791 --> 00:22:40,995
ELEMENTARY,"
651
00:22:40,995 --> 00:22:43,331
MERYL STREEP, "ONLY MURDERS IN
652
00:22:43,331 --> 00:22:48,135
THE BUILDING."
653
00:22:48,135 --> 00:22:58,880
>> AND THE EMMY GOES TO -- LIZA
654
00:22:58,880 --> 00:23:02,049
COLON-ZAYAS, "THE BEAR."
655
00:23:02,049 --> 00:23:05,620
>> THIS IS THE FIRST EMMY WIN
656
00:23:05,620 --> 00:23:10,658
AND NOMINATION FOR LIZA
657
00:23:10,658 --> 00:23:13,127
COLON-ZAYAS.
658
00:23:13,127 --> 00:23:13,961
��
659
00:23:13,961 --> 00:23:35,016
[ APPLAUSE ]
660
00:23:35,016 --> 00:23:37,118
>> THANK YOU FOR LOWERING THE
661
00:23:37,118 --> 00:23:37,818
MICROPHONE FOR ME.
662
00:23:37,818 --> 00:23:38,986
THANK YOU SO MUCH.
663
00:23:38,986 --> 00:23:42,256
THANK YOU SO MY HUSBAND, DAVID
664
00:23:42,256 --> 00:23:42,623
ZAYAS.
665
00:23:42,623 --> 00:23:44,358
HE TOLD ME TO WRITE A SPEECH,
666
00:23:44,358 --> 00:23:46,527
AND I DIDN'T BECAUSE I DIDN'T
667
00:23:46,527 --> 00:23:47,795
THINK IT WOULD BE POSSIBLE.
668
00:23:47,795 --> 00:23:50,131
HOW, HOW COULD I HAVE THOUGHT IT
669
00:23:50,131 --> 00:23:51,932
WOULD BE POSSIBLE TO BE IN THE
670
00:23:51,932 --> 00:23:54,001
PRESENCE OF MERYL STREEP AND
671
00:23:54,001 --> 00:24:00,074
CAROL BURNETT AND JANELLE?
672
00:24:00,074 --> 00:24:02,043
ANYWAY, I LOVE YOU ALL.
673
00:24:02,043 --> 00:24:06,380
I REVERE YOU TO THE BOTTOM OF MY
674
00:24:06,380 --> 00:24:06,580
HEART.
675
00:24:06,580 --> 00:24:08,783
AND OTHER WOMEN AND MY MOMMY.
676
00:24:08,783 --> 00:24:11,385
MOMMY, I THANK YOU.
677
00:24:11,385 --> 00:24:13,788
MY FAMILY.
678
00:24:13,788 --> 00:24:16,090
MY GRANDKIDS.
679
00:24:16,090 --> 00:24:16,791
GRANDKIDS?
680
00:24:16,791 --> 00:24:17,458
YEAH, THANK YOU.
681
00:24:17,458 --> 00:24:18,960
THANK YOU TO MY BEAUTIFUL CAST.
682
00:24:18,960 --> 00:24:20,328
THANK YOU, THANK YOU, THANK YOU
683
00:24:20,328 --> 00:24:22,496
FOR GIVING ME NEW LIFE IN THIS
684
00:24:22,496 --> 00:24:22,697
SHOW.
685
00:24:22,697 --> 00:24:27,268
AND TO ALL THE LATINAS WHO ARE
686
00:24:27,268 --> 00:24:30,805
LOOKING AT ME, KEEP BELIEVING
687
00:24:30,805 --> 00:24:32,707
AND VOTE.
688
00:24:32,707 --> 00:24:35,776
VOTE FOR YOUR RIGHTS.
689
00:24:35,776 --> 00:24:38,045
THANK YOU!
690
00:24:38,045 --> 00:24:43,784
THANK YOU.
691
00:24:43,784 --> 00:24:44,018
GRACIAS.
692
00:24:44,018 --> 00:24:44,318
[ APPLAUSE ]
693
00:24:44,318 --> 00:24:45,386
>> Announcer: STILL TO COME,
694
00:24:45,386 --> 00:24:49,757
DA'VINE JOY RANDOLPH. PLUS,
695
00:24:49,757 --> 00:24:50,191
APPEARANCES BY
696
00:24:50,191 --> 00:24:51,325
CANDICE BERGEN PRESENTS THE EMMY
697
00:24:51,325 --> 00:24:55,029
FOR LEAD ACTRESS IN A COMEDY
698
00:24:55,029 --> 00:24:55,596
SERIES AND SAM RICHARDSON IS
699
00:24:55,596 --> 00:24:56,097
JOINED BY PADMA LAKSHMI.
700
00:25:02,236 --> 00:25:09,443
��
701
00:25:09,443 --> 00:25:10,945
>>> PLEASE WELCOME EMMY NOMINEE,
702
00:25:10,945 --> 00:25:17,151
DA'VINE JOY RANDOLPH.
703
00:25:17,151 --> 00:25:22,289
��
704
00:25:22,289 --> 00:25:23,124
>> BOLD.
705
00:25:23,124 --> 00:25:25,359
REMARKABLE.
706
00:25:25,359 --> 00:25:26,360
COMPELLING, LEGENDARY AND
707
00:25:26,360 --> 00:25:30,030
EXCEPTIONAL.
708
00:25:30,030 --> 00:25:30,564
YES, THOSE ARE MY MORNING
709
00:25:30,564 --> 00:25:34,235
AFFIRMATIONS.
710
00:25:34,235 --> 00:25:36,871
HOWEVER, TONIGHT I AM REFERRING
711
00:25:36,871 --> 00:25:37,438
TO THE MASTERFUL IMPACT AND
712
00:25:37,438 --> 00:25:38,973
STRONG PRESENCE DEMONSTRATED BY
713
00:25:38,973 --> 00:25:41,108
THESE WOMEN WEEK AFTER WEEK.
714
00:25:41,108 --> 00:25:47,415
ALTHOUGH THE CATEGORY IS
715
00:25:47,415 --> 00:25:48,482
SUPPORTING, TRUST ME, IT'S
716
00:25:48,482 --> 00:25:49,083
GIVING MAIN CHARACTER ENERGY.
717
00:25:49,083 --> 00:25:50,584
LET'S TAKE A LOOK AT THEIR
718
00:25:50,584 --> 00:25:53,254
COLLECTIVE ACHIEVEMENT.
719
00:25:53,254 --> 00:25:55,322
HERE ARE YOUR NOMINEES FOR
720
00:25:55,322 --> 00:25:55,923
SUPPORTING ACTRESS IN A DRAMA
721
00:25:55,923 --> 00:25:56,157
SERIES.
722
00:25:56,157 --> 00:25:57,425
>> Announcer:
723
00:25:57,425 --> 00:25:58,058
CHRISTINE BARANSKI, "THE GILDED
724
00:25:58,058 --> 00:25:58,526
AGE."
725
00:25:58,526 --> 00:25:59,560
NICOLE BEHARIE, "THE MORNING
726
00:25:59,560 --> 00:26:01,662
SHOW."
727
00:26:01,662 --> 00:26:02,296
ELIZABETH DEBICKI, "THE CROWN."
728
00:26:02,296 --> 00:26:05,132
GRETA LEE, "THE MORNING SHOW."
729
00:26:05,132 --> 00:26:07,935
LESLEY MANVILLE, "THE CROWN."
730
00:26:07,935 --> 00:26:08,969
KAREN PITTMAN, "THE MORNING
731
00:26:08,969 --> 00:26:09,170
SHOW."
732
00:26:09,170 --> 00:26:10,571
HOLLAND TAYLOR, "THE MORNING
733
00:26:10,571 --> 00:26:14,809
SHOW."
734
00:26:14,809 --> 00:26:26,654
>> AND THE EMMY GOES TO --
735
00:26:26,654 --> 00:26:31,258
ELIZABETH DEBIKI!
736
00:26:31,258 --> 00:26:32,927
>> THIS IS THE FIRST EMMY WIN
737
00:26:32,927 --> 00:26:34,995
AND SECOND NOMINATION FOR
738
00:26:34,995 --> 00:26:42,203
ELIZABETH DEBIKI.
739
00:26:42,203 --> 00:26:42,403
��
740
00:26:42,403 --> 00:26:55,116
[ APPLAUSE ]
741
00:26:55,116 --> 00:26:56,517
>> WOW.
742
00:26:56,517 --> 00:26:58,018
I DIDN'T WRITE ANYTHING DOWN
743
00:26:58,018 --> 00:27:01,989
BECAUSE I'M VERY SUPERSTITIOUS
744
00:27:01,989 --> 00:27:02,957
AND NOW I'M IN A REAL PICKLE, SO
745
00:27:02,957 --> 00:27:04,725
I'M GOING TO DO THIS QUICKLY.
746
00:27:04,725 --> 00:27:05,926
PETER, THANK YOU.
747
00:27:05,926 --> 00:27:07,728
THANK YOU FOR MAKING THIS SHOW,
748
00:27:07,728 --> 00:27:09,563
AND THANK YOU FOR TRUSTING ME
749
00:27:09,563 --> 00:27:09,964
WITH THIS.
750
00:27:09,964 --> 00:27:12,166
TO OUR PRODUCERS, THANK YOU FOR
751
00:27:12,166 --> 00:27:16,270
WORKING SO HARD.
752
00:27:16,270 --> 00:27:18,572
DEB, MY HAIR AND MAKEUP, AMAZING
753
00:27:18,572 --> 00:27:21,542
WOMAN WHO TRANSFORMED ME EVERY
754
00:27:21,542 --> 00:27:22,276
DAY.
755
00:27:22,276 --> 00:27:23,377
KATE AND EMILY, WHO CREATED THE
756
00:27:23,377 --> 00:27:24,912
HAIR AND MAKEUP.
757
00:27:24,912 --> 00:27:26,413
I LOVE YOU.
758
00:27:26,413 --> 00:27:28,182
OUR CAST ARE SO BEAUTIFUL.
759
00:27:28,182 --> 00:27:33,220
IT IS SUCH A GIFT TO WORK WITH
760
00:27:33,220 --> 00:27:34,655
YOU.
761
00:27:34,655 --> 00:27:35,489
GOSH.
762
00:27:35,489 --> 00:27:39,193
PLAYING THIS PART BASED ON THIS
763
00:27:39,193 --> 00:27:40,694
UNPARALLELED, INCREDIBLE HUMAN
764
00:27:40,694 --> 00:27:43,197
BEING HAS BEEN MY GREAT
765
00:27:43,197 --> 00:27:43,464
PRIVILEGE.
766
00:27:43,464 --> 00:27:44,999
IT HAS BEEN A GIFT.
767
00:27:44,999 --> 00:27:50,237
THANK YOU SO VERY MUCH.
768
00:27:50,237 --> 00:28:01,916
[ APPLAUSE ]
769
00:28:01,916 --> 00:28:04,585
>> MURPHY BROWN WAS ONE OF MY
770
00:28:04,585 --> 00:28:05,186
FIRST TV ROLE MODELS, WHICH I
771
00:28:05,186 --> 00:28:05,819
KNOW IS CRAZY, CONSIDERING I'M
772
00:28:05,819 --> 00:28:08,322
ONLY 24.
773
00:28:08,322 --> 00:28:09,356
BUT CANDICE BERGEN BROUGHT THAT
774
00:28:09,356 --> 00:28:13,527
CHARACTER TO LIFE WITH SUCH WIT
775
00:28:13,527 --> 00:28:14,094
AND CHARM AND INTELLIGENCE.
776
00:28:14,094 --> 00:28:15,663
FROM "MURPHY BROWN" TO "SEX AND
777
00:28:15,663 --> 00:28:16,697
THE CITY" TO "BOSTON LEGAL," TV
778
00:28:16,697 --> 00:28:17,298
IS A BETTER PLACE WITH HER IN
779
00:28:17,298 --> 00:28:18,832
IT.
780
00:28:18,832 --> 00:28:20,367
PLEASE WELCOME OUR NEXT
781
00:28:20,367 --> 00:28:21,435
PRESENTER, FIVE-TIME EMMY WINNER
782
00:28:21,435 --> 00:28:27,341
CANDICE BERGEN.
783
00:28:27,341 --> 00:28:29,143
[ APPLAUSE ]
784
00:28:29,143 --> 00:28:46,293
��
785
00:28:46,293 --> 00:28:47,394
>> FOR 11 YEARS I HAD THE
786
00:28:47,394 --> 00:28:48,963
TREMENDOUS PRIVILEGE OF PLAYING
787
00:28:48,963 --> 00:28:49,530
THE LEAD IN A COMEDY SERIES
788
00:28:49,530 --> 00:29:00,474
CALLED "MURPHY BROWN."
789
00:29:00,474 --> 00:29:00,841
[ APPLAUSE ]
790
00:29:00,841 --> 00:29:02,242
>> I WAS SURROUNDED BY BRILLIANT
791
00:29:02,242 --> 00:29:03,477
AND FUNNY ACTORS, HAD THE BEST
792
00:29:03,477 --> 00:29:05,145
SCRIPTS TO WORK WITH, AND IN ONE
793
00:29:05,145 --> 00:29:06,647
CLASSIC MOMENT, MY CHARACTER WAS
794
00:29:06,647 --> 00:29:10,384
ATTACKED BY VICE PRESIDENT
795
00:29:10,384 --> 00:29:11,952
DAN QUAYLE WHEN MURPHY BECAME
796
00:29:11,952 --> 00:29:14,622
PREGNANT AND DECIDED TO RAISE
797
00:29:14,622 --> 00:29:23,631
THE BABY AS A SINGLE MOTHER.
798
00:29:23,631 --> 00:29:26,266
[ APPLAUSE ]
799
00:29:26,266 --> 00:29:27,735
>> OH, HOW FAR WE'VE COME.
800
00:29:27,735 --> 00:29:29,336
TODAY, A REPUBLICAN CANDIDATE
801
00:29:29,336 --> 00:29:30,938
FOR VICE PRESIDENT WOULD NEVER
802
00:29:30,938 --> 00:29:33,540
ATTACK A WOMAN FOR HAVING KIDS.
803
00:29:33,540 --> 00:29:34,608
SO, AS THEY SAY, MY WORK HERE IS
804
00:29:34,608 --> 00:29:41,148
DONE.
805
00:29:41,148 --> 00:29:48,822
MEOW.
806
00:29:48,822 --> 00:29:50,691
[ APPLAUSE ]
807
00:29:50,691 --> 00:29:53,327
>> HERE ARE THE NOMINEES FOR
808
00:29:53,327 --> 00:29:55,396
LEAD ACTRESS IN A COMEDY SERIES.
809
00:29:55,396 --> 00:29:55,996
>> Announcer: QUINTA BRUNSON,
810
00:29:55,996 --> 00:29:58,265
"ABBOTT ELEMENTARY."
811
00:29:58,265 --> 00:30:01,168
AYO EDEBIRI, "THE BEAR."
812
00:30:01,168 --> 00:30:01,802
SELENA GOMEZ, "ONLY MURDERS IN
813
00:30:01,802 --> 00:30:05,139
THE BUILDING."
814
00:30:05,139 --> 00:30:06,473
MAYA RUDOLPH, "LOOT."
815
00:30:06,473 --> 00:30:09,109
JEAN SMART, "HACKS."
816
00:30:09,109 --> 00:30:14,381
KRISTEN WIIG, "PALM ROYALE."
817
00:30:14,381 --> 00:30:18,452
>> AND THE EMMY GOES TO --
818
00:30:18,452 --> 00:30:24,124
THE AMAZING JEAN SMART!
819
00:30:24,124 --> 00:30:24,692
[ APPLAUSE ]
820
00:30:24,692 --> 00:30:27,227
>> THIS IS THE SIXTH EMMY WIN
821
00:30:27,227 --> 00:30:34,234
AND 13th NOMINATION FOR JEAN
822
00:30:34,234 --> 00:30:41,408
SMART.
823
00:30:41,408 --> 00:31:04,198
[ APPLAUSE ]
824
00:31:04,198 --> 00:31:05,432
>> OH, GOD.
825
00:31:05,432 --> 00:31:06,233
THANK YOU.
826
00:31:06,233 --> 00:31:10,037
THANK YOU SO, SO MUCH.
827
00:31:10,037 --> 00:31:12,372
I -- IT'S VERY HUMBLING, IT
828
00:31:12,372 --> 00:31:13,140
REALLY IS.
829
00:31:13,140 --> 00:31:15,042
AND I APPRECIATE THIS BECAUSE I
830
00:31:15,042 --> 00:31:19,947
JUST DON'T GET ENOUGH ATTENTION.
831
00:31:19,947 --> 00:31:23,717
I'M SERIOUS.
832
00:31:23,717 --> 00:31:24,451
OKAY.
833
00:31:24,451 --> 00:31:27,421
ANYWAY, NO, THANK YOU.
834
00:31:27,421 --> 00:31:29,256
I HAVE SO MANY, SO MANY PEOPLE
835
00:31:29,256 --> 00:31:30,791
TO THANK STARTING WITH OUR
836
00:31:30,791 --> 00:31:32,359
BEAUTIFUL SHOW RUNNERS.
837
00:31:32,359 --> 00:31:34,161
THANK YOU FOR THINKING OF ME.
838
00:31:34,161 --> 00:31:35,829
I WILL NEVER BE ABLE TO THANK
839
00:31:35,829 --> 00:31:37,698
YOU ENOUGH FOR THINKING OF ME
840
00:31:37,698 --> 00:31:39,566
WITH THIS INCREDIBLE ROLE.
841
00:31:39,566 --> 00:31:42,102
AND CASEY AND SARA AND EVERYBODY
842
00:31:42,102 --> 00:31:44,004
AT HBO.
843
00:31:44,004 --> 00:31:49,510
AT MAX -- I'M SORRY.
844
00:31:49,510 --> 00:31:52,346
JUST WHAT WE NEEDED, ANOTHER
845
00:31:52,346 --> 00:31:52,746
NETWORK.
846
00:31:52,746 --> 00:31:54,414
BUT, SORRY, ANYWAY, THIS IS --
847
00:31:54,414 --> 00:31:58,452
I'M GOING TO HONOR TONIGHT, MY
848
00:31:58,452 --> 00:32:00,487
AGENT SCOTT HENDERSON OF 30 PLUS
849
00:32:00,487 --> 00:32:02,156
YEARS WHO IS RETIRING AND
850
00:32:02,156 --> 00:32:04,091
BREAKING MY HEART, THE MOST
851
00:32:04,091 --> 00:32:06,560
AMAZING, CULTURED, TASTEFUL,
852
00:32:06,560 --> 00:32:08,162
KIND, FUNNY MAN THAT NEVER TRIED
853
00:32:08,162 --> 00:32:10,430
TO TALK ME IN OR OUT OF THINGS I
854
00:32:10,430 --> 00:32:12,266
REALLY DIDN'T FEEL GREAT ABOUT.
855
00:32:12,266 --> 00:32:14,601
I WISH YOU ALL THE BEST.
856
00:32:14,601 --> 00:32:16,703
HE'S GOING TO BICYCLE THROUGH
857
00:32:16,703 --> 00:32:18,038
FRANCE BECAUSE THAT'S BETTER
858
00:32:18,038 --> 00:32:19,440
THAN REPRESENTING ME?
859
00:32:19,440 --> 00:32:20,140
I DON'T KNOW.
860
00:32:20,140 --> 00:32:21,542
THANK YOU.
861
00:32:21,542 --> 00:32:23,143
I LOVE YOU ALL.
862
00:32:23,143 --> 00:32:26,980
THANK YOU.
863
00:32:26,980 --> 00:32:27,281
[ APPLAUSE ]
864
00:32:27,281 --> 00:32:27,481
��
865
00:32:27,481 --> 00:32:28,048
>> Announcer: COMING UP, A
866
00:32:28,048 --> 00:32:29,082
SPECIAL APPEARANCE BY
867
00:32:29,082 --> 00:32:30,717
BILLY CRYSTAL, A "SATURDAY NIGHT
868
00:32:30,717 --> 00:32:32,853
LIVE" REUNION YOU DON'T WANT TO
869
00:32:32,853 --> 00:32:33,487
MISS, AND REBA McENTIRE TEAMS UP
870
00:32:33,487 --> 00:32:35,989
WITH MELISSA PETERMAN.
871
00:32:35,989 --> 00:32:38,058
THEN LATER, ICONIC TV VILLAINS
872
00:32:38,058 --> 00:32:39,693
ANTONY STARR, KATHY BATES AND
873
00:32:39,693 --> 00:32:40,260
GIANCARLO ESPOSITO TAKE THE
874
00:32:40,260 --> 00:32:43,096
STAGE HERE ON THE EMMYS.
875
00:32:51,038 --> 00:32:51,638
>> Announcer: PLEASE WELCOME
876
00:32:51,638 --> 00:32:52,272
EMMY NOMINEE PADMA LAKSHMI AND
877
00:32:52,272 --> 00:33:05,385
EMMY WINNER SAM RICHARDSON.
878
00:33:05,385 --> 00:33:06,653
[ APPLAUSE ]
879
00:33:06,653 --> 00:33:07,221
>> WOW, HERE WE ARE AT "THE
880
00:33:07,221 --> 00:33:08,255
EMMYS."
881
00:33:08,255 --> 00:33:11,058
I LOVE "THE EMMYS."
882
00:33:11,058 --> 00:33:12,492
SO MANY GREAT MEMORIES.
883
00:33:12,492 --> 00:33:16,129
>> YEAH, I LOVE "THE EMMYS" TOO.
884
00:33:16,129 --> 00:33:16,630
>> I REMEMBER ALL OF MY
885
00:33:16,630 --> 00:33:17,264
NOMINATIONS AND ESPECIALLY THE
886
00:33:17,264 --> 00:33:20,601
TIME I WON.
887
00:33:20,601 --> 00:33:23,036
OH, JUST
888
00:33:23,036 --> 00:33:23,437
I LOVE THIS SHOW.
889
00:33:23,437 --> 00:33:24,137
YOU KNOW?
890
00:33:24,137 --> 00:33:24,471
RIGHT?
891
00:33:24,471 --> 00:33:29,476
>> YEAH, I HAVE A LOT OF
892
00:33:29,476 --> 00:33:29,877
MEMORIES, TOO.
893
00:33:29,877 --> 00:33:30,811
AND DRESSES.
894
00:33:30,811 --> 00:33:32,112
>> REALLY?
895
00:33:32,112 --> 00:33:32,679
HOW MANY NOMINATIONS DO YOU
896
00:33:32,679 --> 00:33:35,015
HAVE?
897
00:33:35,015 --> 00:33:37,618
>> 17.
898
00:33:37,618 --> 00:33:39,653
>> HOW MANY -- HOW MANY OF THOSE
899
00:33:39,653 --> 00:33:44,758
DID YOU WIN?
900
00:33:44,758 --> 00:33:45,225
>> NONE.
901
00:33:45,225 --> 00:33:49,730
>> OH, OKAY.
902
00:33:49,730 --> 00:33:51,198
FOR WHAT CATEGORY?
903
00:33:51,198 --> 00:33:53,300
>> THIS ONE, SAM.
904
00:33:53,300 --> 00:33:53,500
OKAY?
905
00:33:53,500 --> 00:33:54,067
>> OKAY.
906
00:33:54,067 --> 00:33:59,039
YEAH, YEAH, YEAH.
907
00:33:59,039 --> 00:34:00,107
HERE ARE THE NOMINEES FOR
908
00:34:00,107 --> 00:34:00,741
OUTSTANDING REALITY COMPETITION
909
00:34:00,741 --> 00:34:00,974
PROGRAM.
910
00:34:00,974 --> 00:34:01,975
>> Announcer: "THE AMAZING
911
00:34:01,975 --> 00:34:03,043
RACE."
912
00:34:03,043 --> 00:34:04,144
"RUPAUL'S DRAG RACE."
913
00:34:04,144 --> 00:34:07,214
"TOP CHEF."
914
00:34:07,214 --> 00:34:07,581
"THE TRAITORS."
915
00:34:07,581 --> 00:34:12,519
"THE VOICE."
916
00:34:12,519 --> 00:34:19,226
>> AND THE EMMY GOES TO --
917
00:34:19,226 --> 00:34:25,065
"THE TRAITORS"!
918
00:34:25,065 --> 00:34:27,434
[ APPLAUSE ]
919
00:34:27,434 --> 00:34:28,535
>> RECEIVED FIVE NOMINATIONS TO
920
00:34:28,535 --> 00:34:30,671
DATE AND FOUR THIS YEAR,
921
00:34:30,671 --> 00:34:34,574
ACCEPTING THE EMMY ON BEHALF OF
922
00:34:34,574 --> 00:34:43,550
THE TEAM IS THIS WINNER, ELLEN
923
00:34:43,550 --> 00:34:44,051
CUMMING.
924
00:34:44,051 --> 00:34:44,351
[ APPLAUSE ]
925
00:34:44,351 --> 00:34:46,186
>> THANK YOU SO MUCH, EVERYBODY.
926
00:34:46,186 --> 00:34:48,188
THANK YOU TO THE ACADEMY.
927
00:34:48,188 --> 00:34:49,990
WE HAVE SO GRATEFUL BECAUSE WE
928
00:34:49,990 --> 00:34:52,092
ARE A NEW SHOW AND YOU GUYS WHEN
929
00:34:52,092 --> 00:34:53,927
YOU LIKE SOMETHING YOU TEND TO
930
00:34:53,927 --> 00:34:55,929
STICK TO IT, WHICH IS A GOOD
931
00:34:55,929 --> 00:34:57,698
QUALITY, BUT WE APPRECIATE IT
932
00:34:57,698 --> 00:34:58,332
ALL THE MORE.
933
00:34:58,332 --> 00:35:00,033
I WOULD LIKE TO APPLAUD THEM
934
00:35:00,033 --> 00:35:00,934
BECAUSE THEY CARE SO MUCH ABOUT
935
00:35:00,934 --> 00:35:02,903
THE QUALITY OF THEIR WORK.
936
00:35:02,903 --> 00:35:03,203
[ APPLAUSE ]
937
00:35:03,203 --> 00:35:06,173
>> WE WANT TO THANK OUR FRIENDS
938
00:35:06,173 --> 00:35:07,774
AT PEACOCK FOR THEIR KINDNESS
939
00:35:07,774 --> 00:35:08,442
AND SUPPORT.
940
00:35:08,442 --> 00:35:11,745
SO GREAT TO BE PART OF A NEW
941
00:35:11,745 --> 00:35:12,145
STREAMING SERVICE.
942
00:35:12,145 --> 00:35:12,813
WE LOVE THEM.
943
00:35:12,813 --> 00:35:16,216
AND I WANT TO THANK EVERYONE AND
944
00:35:16,216 --> 00:35:17,985
THE CAST AND CREW WHO WORK SO
945
00:35:17,985 --> 00:35:21,455
HARD AND GET SO WET BUT WITH
946
00:35:21,455 --> 00:35:22,856
SCOTTISH WEATHER.
947
00:35:22,856 --> 00:35:26,126
I ALSO WANT TO THANK SCOTT GLEN.
948
00:35:26,126 --> 00:35:28,295
I ALSO WANT TO THANK HOLLAND
949
00:35:28,295 --> 00:35:29,496
BECAUSE I DON'T THINK WE THANK
950
00:35:29,496 --> 00:35:30,864
HOLLAND ENOUGH BECAUSE SO MANY
951
00:35:30,864 --> 00:35:34,634
OF THESE SHOWS LIKE "THE
952
00:35:34,634 --> 00:35:36,403
TRAITORS" WERE MADE UP IN
953
00:35:36,403 --> 00:35:36,703
HOLLAND.
954
00:35:36,703 --> 00:35:38,105
THEY OBVIOUSLY HAVE SOMETHING IN
955
00:35:38,105 --> 00:35:38,705
THE WATER.
956
00:35:38,705 --> 00:35:39,906
LET'S FIND IT.
957
00:35:39,906 --> 00:35:43,176
LET'S DRINK IT AND ALL OF OUR
958
00:35:43,176 --> 00:35:44,044
PROBLEMS WILL BE SOLVED.
959
00:35:44,044 --> 00:35:50,017
THANK YOU SO MUCH!
960
00:35:50,017 --> 00:35:50,317
[ APPLAUSE ]
961
00:35:50,317 --> 00:35:50,951
>> OKAY, I DON'T KNOW WHERE MY
962
00:35:50,951 --> 00:35:51,218
DAD IS.
963
00:35:51,218 --> 00:35:54,955
>> I'M HERE.
964
00:35:54,955 --> 00:35:56,156
I'M HERE.
965
00:35:56,156 --> 00:35:58,125
I'M RIGHT HERE.
966
00:35:58,125 --> 00:35:59,192
>> OKAY.
967
00:35:59,192 --> 00:36:04,164
THEY SAID THE RIGHT AISLE.
968
00:36:04,164 --> 00:36:06,533
>> THIS IS MY RIGHT AISLE.
969
00:36:06,533 --> 00:36:07,034
>> NO, THAT'S STAGE RIGHT.
970
00:36:07,034 --> 00:36:09,636
THEY SAID HOUSE RIGHT.
971
00:36:09,636 --> 00:36:10,237
>> I KNEW THIS WAS A MISTAKE.
972
00:36:10,237 --> 00:36:10,771
I DIDN'T WANT TO DO THIS.
973
00:36:10,771 --> 00:36:11,405
WE SHOULDN'T EVEN BE OUT HERE,
974
00:36:11,405 --> 00:36:11,805
DANIEL.
975
00:36:11,805 --> 00:36:15,709
I TOLD THEM I DON'T LIKE BEING
976
00:36:15,709 --> 00:36:16,076
IN THE AUDIENCE.
977
00:36:16,076 --> 00:36:16,276
OKAY?
978
00:36:16,276 --> 00:36:16,777
I FIND IT UNCOMFORTABLE.
979
00:36:16,777 --> 00:36:17,344
EVERYBODY OUT HERE FINDS IT
980
00:36:17,344 --> 00:36:19,980
UNCOMFORTABLE.
981
00:36:19,980 --> 00:36:20,247
YOU KNOW?
982
00:36:20,247 --> 00:36:26,386
I DON'T WANT TO BE HANDING OUT
983
00:36:26,386 --> 00:36:27,154
TACOS IN THE AUDIENCE.
984
00:36:27,154 --> 00:36:27,788
I DON'T LIKE DOING BITS IN THE
985
00:36:27,788 --> 00:36:28,055
AUDIENCE.
986
00:36:28,055 --> 00:36:28,722
NEVER HAVE.
987
00:36:28,722 --> 00:36:32,159
>> NOBODY DOES.
988
00:36:32,159 --> 00:36:32,626
WE'RE NOT DOING A BIT.
989
00:36:32,626 --> 00:36:36,696
WE'RE HERE TO MAKE AN
990
00:36:36,696 --> 00:36:37,197
INTRODUCTION.
991
00:36:37,197 --> 00:36:37,798
>> ALL RIGHT, I'M COMING OVER.
992
00:36:37,798 --> 00:36:38,765
>> NO, WE DON'T HAVE TIME FOR
993
00:36:38,765 --> 00:36:39,399
THAT, SO WE HAVE TO DO IT LIKE
994
00:36:39,399 --> 00:36:50,343
THIS.
995
00:36:50,343 --> 00:36:51,411
OUR NEXT TV ARCHETYPES ARE THE
996
00:36:51,411 --> 00:36:54,514
CHARACTERS YOU LOVE TO HATE --
997
00:36:54,514 --> 00:36:57,718
DAD?
998
00:36:57,718 --> 00:36:58,318
>> I CAN'T SEE PROMPTER FROM
999
00:36:58,318 --> 00:37:01,288
HERE.
1000
00:37:01,288 --> 00:37:05,158
>> OKAY.
1001
00:37:05,158 --> 00:37:06,393
WE'RE INTRODUCING VILLAINS.
1002
00:37:06,393 --> 00:37:06,560
IT'S
1003
00:37:06,560 --> 00:37:06,860
TV VILLAINS.
1004
00:37:06,860 --> 00:37:08,161
PLEASE WELCOME ANTONY STARR,
1005
00:37:08,161 --> 00:37:08,862
GIANCARLO ESPOSITO, AND
1006
00:37:08,862 --> 00:37:14,734
KATHY BATES.
1007
00:37:14,734 --> 00:37:23,043
��
1008
00:37:23,043 --> 00:37:24,511
>> EVERYBODY LOVES HEROES.
1009
00:37:24,511 --> 00:37:25,545
IN DRAMA, THEY'RE CALLED THE
1010
00:37:25,545 --> 00:37:27,114
PROTAGONIST.
1011
00:37:27,114 --> 00:37:29,015
>> BUT WITHOUT VILLAINS, OR
1012
00:37:29,015 --> 00:37:29,649
ANTAGONISTS, THERE WOULDN'T BE
1013
00:37:29,649 --> 00:37:31,418
MUCH OF A STORY.
1014
00:37:31,418 --> 00:37:32,419
>> WE'VE ALL PLAYED VILLAINS AND
1015
00:37:32,419 --> 00:37:33,053
SO WE APPRECIATE THEIR ROLE IN
1016
00:37:33,053 --> 00:37:36,123
STORY- TELLING.
1017
00:37:36,123 --> 00:37:36,723
BUT THERE ARE DOWNSIDES ONCE
1018
00:37:36,723 --> 00:37:39,292
YOU'RE BACK IN THE REAL WORLD.
1019
00:37:39,292 --> 00:37:40,160
>> DO YOU KNOW HOW HARD IT WAS
1020
00:37:40,160 --> 00:37:51,271
TO GET A DATE AFTER "MISERY?"
1021
00:37:51,271 --> 00:37:54,674
AND MY AMERICAN HORROR STORY WAS
1022
00:37:54,674 --> 00:37:57,410
FORGETTING TO THANK RYAN MURPHY
1023
00:37:57,410 --> 00:37:58,345
AFTER I WON AN EMMY.
1024
00:37:58,345 --> 00:37:59,746
>> FOR ME, THE DOWNSIDE IS
1025
00:37:59,746 --> 00:38:00,313
TRYING TO HAVE A NICE QUIET
1026
00:38:00,313 --> 00:38:02,949
DINNER AND DRUG DEALERS START
1027
00:38:02,949 --> 00:38:07,020
ASKING ME FOR ADVICE
1028
00:38:07,020 --> 00:38:09,756
ON HOW TO BUILD THEIR EMPIRES.
1029
00:38:09,756 --> 00:38:10,390
>> PERSONALLY, IT'S THE CRITICS.
1030
00:38:10,390 --> 00:38:10,991
12 YEAR OLDS TELLING ME I'M A
1031
00:38:10,991 --> 00:38:11,358
"BAD SUPERHERO."
1032
00:38:11,358 --> 00:38:11,992
THEY'RE TOO YOUNG TO WATCH THE
1033
00:38:11,992 --> 00:38:17,063
SHOW ANYWAYS.
1034
00:38:17,063 --> 00:38:19,032
IT'S SLOPPY, SLOPPY PARENTING.
1035
00:38:19,032 --> 00:38:19,633
>> THERE'S A LESSON FROM ALL
1036
00:38:19,633 --> 00:38:20,967
THIS.
1037
00:38:20,967 --> 00:38:23,036
IF YOU NAIL A CHARACTER, IT
1038
00:38:23,036 --> 00:38:23,603
BECOMES REAL FOR BETTER OR
1039
00:38:23,603 --> 00:38:24,638
WORSE.
1040
00:38:24,638 --> 00:38:26,206
>> AND THE WOMEN IN THIS
1041
00:38:26,206 --> 00:38:27,774
CATEGORY TRULY NAILED THEIR
1042
00:38:27,774 --> 00:38:29,309
CHARACTERS FOR THE BETTER.
1043
00:38:29,309 --> 00:38:31,945
>> HERE ARE THE NOMINEES FOR
1044
00:38:31,945 --> 00:38:32,579
SUPPORTING ACTRESS IN A LIMITED
1045
00:38:32,579 --> 00:38:34,080
OR ANTHOLOGY SERIES OR MOVIE.
1046
00:38:34,080 --> 00:38:35,015
>> Announcer: DAKOTA FANNING,
1047
00:38:35,015 --> 00:38:37,784
"RIPLEY."
1048
00:38:37,784 --> 00:38:38,351
LILY GLADSTONE, "UNDER THE
1049
00:38:38,351 --> 00:38:40,921
BRIDGE."
1050
00:38:40,921 --> 00:38:41,421
JESSICA GUNNING, "BABY
1051
00:38:41,421 --> 00:38:43,623
REINDEER."
1052
00:38:43,623 --> 00:38:44,191
AJA NAOMI KING, "LESSONS IN
1053
00:38:44,191 --> 00:38:46,726
CHEMISTRY."
1054
00:38:46,726 --> 00:38:47,794
DIANE LANE, "FEUD: CAPOTE VS.
1055
00:38:47,794 --> 00:38:50,430
THE SWANS."
1056
00:38:50,430 --> 00:38:53,066
NAVA MAU, "BABY REINDEER."
1057
00:38:53,066 --> 00:38:54,601
KALI REIS, "TRUE DETECTIVE:
1058
00:38:54,601 --> 00:38:59,339
NIGHT COUNTRY."
1059
00:38:59,339 --> 00:39:07,914
>> AND THE EMMY GOES TO --
1060
00:39:07,914 --> 00:39:14,688
JESSICA GUNNING, ""BABY
1061
00:39:14,688 --> 00:39:15,255
REINDEER."
1062
00:39:15,255 --> 00:39:15,655
[ APPLAUSE ]
1063
00:39:15,655 --> 00:39:18,558
>> THIS IS THE FIRST WIN AND
1064
00:39:18,558 --> 00:39:24,197
EMMY NOMINATION FOR JESSICA
1065
00:39:24,197 --> 00:39:26,499
GUNNING.
1066
00:39:26,499 --> 00:39:34,708
[ APPLAUSE ]
1067
00:39:34,708 --> 00:39:38,945
>> OH, MY GOODNESS.
1068
00:39:38,945 --> 00:39:40,313
THANK YOU SO MUCH.
1069
00:39:40,313 --> 00:39:42,949
I HONESTLY FEEL LIKE I'M GOING
1070
00:39:42,949 --> 00:39:45,652
TO WAKE UP ANY MINUTE NOW.
1071
00:39:45,652 --> 00:39:46,720
THIS WHOLE THING HAS BEEN A
1072
00:39:46,720 --> 00:39:46,987
DREAM.
1073
00:39:46,987 --> 00:39:48,622
THANK YOU.
1074
00:39:48,622 --> 00:39:50,590
I'M SO INCREDIBLY GRATEFUL.
1075
00:39:50,590 --> 00:39:53,493
I WANT TO SAY A HUGE THANK YOU
1076
00:39:53,493 --> 00:39:56,029
TO EVERYBODY WHO LET ME, REALLY.
1077
00:39:56,029 --> 00:39:58,765
NETFLIX, NINA GOLD CASTING.
1078
00:39:58,765 --> 00:40:00,567
OUR AMAZING DIRECTORS.
1079
00:40:00,567 --> 00:40:02,736
THE SHOW WOULDN'T BE WHAT IT IS
1080
00:40:02,736 --> 00:40:04,771
IF IT WEREN'T FOR YOU AND OUR
1081
00:40:04,771 --> 00:40:06,206
INCREDIBLE CAST AND CREW.
1082
00:40:06,206 --> 00:40:08,008
I LOOK FORWARD TO WORKING WITH
1083
00:40:08,008 --> 00:40:09,342
YOU EVERY DAY.
1084
00:40:09,342 --> 00:40:11,211
SWITCHING THE TWOS, AS WE SAY.
1085
00:40:11,211 --> 00:40:16,549
THANK YOU SO MUCH TO MY AGENTS.
1086
00:40:16,549 --> 00:40:20,153
THANK YOU SO FRANKLY BUTLER AND
1087
00:40:20,153 --> 00:40:20,987
ALICE AND EVERYONE.
1088
00:40:20,987 --> 00:40:22,022
ALL THAT YOU ARE AND ALL THAT
1089
00:40:22,022 --> 00:40:22,622
YOU DO.
1090
00:40:22,622 --> 00:40:24,658
ALL MY FRIENDS AND FAMILY THAT I
1091
00:40:24,658 --> 00:40:25,659
LOVE MORE THAN ANYTHING.
1092
00:40:25,659 --> 00:40:28,928
MY BIGGEST THANKS HAS TO GO TO
1093
00:40:28,928 --> 00:40:30,697
MR. RICHARD GAST.
1094
00:40:30,697 --> 00:40:33,066
I TRIED SO MANY TIMES TO PUT
1095
00:40:33,066 --> 00:40:37,504
INTO WORDS WHAT WORKING ON "BABY
1096
00:40:37,504 --> 00:40:39,139
REINDEER" MEANT TO ME, AND I
1097
00:40:39,139 --> 00:40:41,908
FAIL EVERY TIME, SO I'M GOING TO
1098
00:40:41,908 --> 00:40:42,309
SING.
1099
00:40:42,309 --> 00:40:43,143
NO IMAGINE.
1100
00:40:43,143 --> 00:40:44,611
I'LL KEEP IT SIMPLE AND JUST SAY
1101
00:40:44,611 --> 00:40:46,179
THANK YOU FOR TRUSTING ME TO BE
1102
00:40:46,179 --> 00:40:47,847
YOUR MARTHA.
1103
00:40:47,847 --> 00:40:49,582
I WILL NEVER EVER FORGET HER OR
1104
00:40:49,582 --> 00:40:50,717
YOU OR THIS.
1105
00:40:50,717 --> 00:40:52,252
IT REALLY MEANS A LOT.
1106
00:40:52,252 --> 00:40:55,422
THANK YOU, REINDEER, AND THANK
1107
00:40:55,422 --> 00:40:56,923
YOU FOR THIS.
1108
00:40:56,923 --> 00:40:57,891
I'M THRILLED.
1109
00:40:57,891 --> 00:40:58,992
THANK YOU.
1110
00:40:58,992 --> 00:41:00,160
��
1111
00:41:00,160 --> 00:41:00,694
>> Announcer: JUST AHEAD,
1112
00:41:00,694 --> 00:41:01,561
REBA McENTIRE IS JOINED BY
1113
00:41:01,561 --> 00:41:07,367
MELISSA PETERMAN, AND SNL'S
1114
00:41:07,367 --> 00:41:07,867
MAYA RUDOLPH,
1115
00:41:07,867 --> 00:41:08,435
KIRSTIN WIIG, BOWEN YANG, AND
1116
00:41:08,435 --> 00:41:09,002
SETH MEYERS TAKE THE STAGE.
1117
00:41:09,002 --> 00:41:09,602
THEN LATER, THE EMMYS HOST A
1118
00:41:09,602 --> 00:41:10,070
"HAPPY DAYS" REUNION.
1119
00:41:10,070 --> 00:41:14,708
HERE ON ABC.
1120
00:41:24,651 --> 00:41:25,285
>> PLEASE WELCOME REBA McCENTIRE
1121
00:41:25,285 --> 00:41:34,961
AND MELISSA PETERMAN.
1122
00:41:34,961 --> 00:41:39,666
��
1123
00:41:39,666 --> 00:41:40,834
>> WOW!
1124
00:41:40,834 --> 00:41:42,802
WELL, HERE WE ARE TOGETHER
1125
00:41:42,802 --> 00:41:43,269
AGAIN, MELISSA.
1126
00:41:43,269 --> 00:41:44,037
>> I KNOW.
1127
00:41:44,037 --> 00:41:47,907
AND WE'RE AT THE EMMYS!
1128
00:41:47,907 --> 00:41:51,478
YOU KNOW, I HAVE TO ADMIT I'M
1129
00:41:51,478 --> 00:41:51,978
NERVOUS.
1130
00:41:51,978 --> 00:41:53,012
I'VE NEVER DONE THIS BEFORE, AND
1131
00:41:53,012 --> 00:41:53,580
I'VE WATCHED THE EMMYS.
1132
00:41:53,580 --> 00:41:59,352
A LOT CAN GO WRONG.
1133
00:41:59,352 --> 00:41:59,953
>> WELL, YEAH. THAT'S WHY WE
1134
00:41:59,953 --> 00:42:00,453
REHEARSED.
1135
00:42:00,453 --> 00:42:03,056
AND THAT'S WHY WE PREPARED, IN
1136
00:42:03,056 --> 00:42:03,690
CASE THE PROMPTER GOES DOWN OR
1137
00:42:03,690 --> 00:42:05,125
SOMETHING HAPPENS.
1138
00:42:05,125 --> 00:42:05,692
>> WE MEMORIZED EVERYTHING.
1139
00:42:05,692 --> 00:42:15,168
EVEN THE NOMINEES.
1140
00:42:15,168 --> 00:42:15,502
>> YES, YES.
1141
00:42:15,502 --> 00:42:18,938
NO RECORDED PACKAGE FOR US.
1142
00:42:18,938 --> 00:42:20,907
>> WE DO NOT PHONE IT IN
1143
00:42:20,907 --> 00:42:21,174
ANYMORE.
1144
00:42:21,174 --> 00:42:22,475
>> YES, YES.
1145
00:42:22,475 --> 00:42:25,211
>> LET'S SHOW THEM THAT WE
1146
00:42:25,211 --> 00:42:28,681
MEMORIZED ALL OF THE NOMINEES
1147
00:42:28,681 --> 00:42:29,082
NAMES.
1148
00:42:29,082 --> 00:42:33,686
>> EYES SHUT.
1149
00:42:33,686 --> 00:42:34,554
>> WHAT?
1150
00:42:34,554 --> 00:42:37,557
>> SHUT YOUR EYES.
1151
00:42:37,557 --> 00:42:41,661
>> THE TWO NOMINEES FOR
1152
00:42:41,661 --> 00:42:42,262
OUTSTANDING SCRIPTED VARIETY
1153
00:42:42,262 --> 00:42:49,068
SERIES ARE -
1154
00:42:49,068 --> 00:43:01,080
"SATURDAY NIGHT LIVE,"
1155
00:43:01,080 --> 00:43:01,347
SHOOT.
1156
00:43:01,347 --> 00:43:03,950
IT'S RIGHT ON MY TONGUE.
1157
00:43:03,950 --> 00:43:04,818
>> AND "LAST WEEK TONIGHT WITH
1158
00:43:04,818 --> 00:43:08,354
JOHN OLIVER," JOHN OLIVER.
1159
00:43:08,354 --> 00:43:08,822
>> NAILED IT!
1160
00:43:08,822 --> 00:43:11,558
>> YEAH, YOU NAILED IT!
1161
00:43:11,558 --> 00:43:11,724
>>.
1162
00:43:11,724 --> 00:43:16,229
>> AND THE EMMY GOES TO --
1163
00:43:16,229 --> 00:43:20,733
>> "LAST WEEK TONIGHT WITH JOHN
1164
00:43:20,733 --> 00:43:21,067
OLIVER"!
1165
00:43:21,067 --> 00:43:25,038
>> "LAST WEEK TONIGHT WITH JOHN
1166
00:43:25,038 --> 00:43:26,306
OLIVER" RECEIVED SIX NOMINATIONS
1167
00:43:26,306 --> 00:43:29,008
THIS YEAR AND A TOTAL OVER ALL
1168
00:43:29,008 --> 00:43:30,777
67 IN PRODUCTION DESIGN,
1169
00:43:30,777 --> 00:43:33,112
LIGHTING AND SCRIPTED SERIES.
1170
00:43:33,112 --> 00:43:34,547
ACCEPTING THE EMMY ON BEHALF OF
1171
00:43:34,547 --> 00:43:36,516
THE TEAM IS JOHN OLIVER.
1172
00:43:36,516 --> 00:43:38,118
>> THANK YOU SO MUCH.
1173
00:43:38,118 --> 00:43:40,353
THANK YOU TO MY STAFF, SOME OF
1174
00:43:40,353 --> 00:43:41,521
THEM ARE HERE.
1175
00:43:41,521 --> 00:43:42,889
OTHERS ARE IN BROOKLYN.
1176
00:43:42,889 --> 00:43:43,623
I DON'T KNOW THAT THEY'RE
1177
00:43:43,623 --> 00:43:45,058
WATCHING THIS, BUT I KNOW THAT
1178
00:43:45,058 --> 00:43:47,961
THEY ARE IN BROOKLYN.
1179
00:43:47,961 --> 00:43:49,729
WHATEVER YOU'RE DOING, I HOPE
1180
00:43:49,729 --> 00:43:51,097
YOU ARE HAVING FUN.
1181
00:43:51,097 --> 00:43:53,500
I'D LIKE TO THANK HBO FOR NOT
1182
00:43:53,500 --> 00:43:55,235
CANCELING US OVER THE LAST
1183
00:43:55,235 --> 00:43:55,468
DECADE.
1184
00:43:55,468 --> 00:43:56,603
THAT WAS NEVER A GUARANTEE.
1185
00:43:56,603 --> 00:43:57,704
I APPRECIATE IT.
1186
00:43:57,704 --> 00:43:58,505
PLEASE CARRY ON.
1187
00:43:58,505 --> 00:44:00,907
I WOULD LIKE TO THANK MY WIFE,
1188
00:44:00,907 --> 00:44:05,712
KATE, AND OUR KIDS, HUSBAND --
1189
00:44:05,712 --> 00:44:05,945
HUSBAND?
1190
00:44:05,945 --> 00:44:10,450
HIS NAME IS HUDSON.
1191
00:44:10,450 --> 00:44:12,886
OUCH.
1192
00:44:12,886 --> 00:44:15,688
THAT'S GONNA COME BACK TO HAUNT
1193
00:44:15,688 --> 00:44:16,990
ME.
1194
00:44:16,990 --> 00:44:18,358
AND MARZY.
1195
00:44:18,358 --> 00:44:20,160
I SHOULD HAVE GOT HIS WRONG NOW,
1196
00:44:20,160 --> 00:44:21,761
BUT I DIDN'T.
1197
00:44:21,761 --> 00:44:24,264
THANKS TO EVERYONE AT HBO, NINA
1198
00:44:24,264 --> 00:44:25,665
AND CASEY IN PARTICULAR.
1199
00:44:25,665 --> 00:44:28,668
I WANT TO THANK THE SILLY ODD
1200
00:44:28,668 --> 00:44:28,835
DOG.
1201
00:44:28,835 --> 00:44:30,937
WE HAVE THE MOST FANTASTIC DOG,
1202
00:44:30,937 --> 00:44:32,572
AND SHE WAS AT OUR WEDDING AND
1203
00:44:32,572 --> 00:44:34,440
SHE GOT US THROUGH THE PANDEMIC.
1204
00:44:34,440 --> 00:44:37,076
SHE WAS WITH US FOR TWO
1205
00:44:37,076 --> 00:44:38,478
PREGNANCIES AND PERFECT CHOICE
1206
00:44:38,478 --> 00:44:39,979
OF MUSIC.
1207
00:44:39,979 --> 00:44:47,921
WE HAD TO SAY GOOD-BYE TO HER.
1208
00:44:47,921 --> 00:44:51,824
IT IS -- I FEEL LIKE SARA
1209
00:44:51,824 --> 00:44:54,093
McLAUGHLIN RIGHT NOW.
1210
00:44:54,093 --> 00:44:59,866
THIS -- SHE WAS AN AMAZING DOG.
1211
00:44:59,866 --> 00:45:00,767
AND -- OUCH.
1212
00:45:00,767 --> 00:45:02,569
I WOULD GUESS I WANT TO -- THIS
1213
00:45:02,569 --> 00:45:03,202
ISN'T JUST FOR HER.
1214
00:45:03,202 --> 00:45:05,471
THIS IS FOR ALL DOGS.
1215
00:45:05,471 --> 00:45:07,907
ALL DOGS, YOU ARE ALL VERY GOOD
1216
00:45:07,907 --> 00:45:08,107
GIRLS.
1217
00:45:08,107 --> 00:45:09,609
YOU ARE VERY GOOD BOYS.
1218
00:45:09,609 --> 00:45:11,377
YOU ALL DESERVE A TREAT.
1219
00:45:11,377 --> 00:45:12,212
PLAY ME OFF NOW!
1220
00:45:12,212 --> 00:45:17,083
THANKS SO MUCH.
1221
00:45:17,083 --> 00:45:21,421
��
1222
00:45:28,027 --> 00:45:28,661
>> Announcer: JOINING US TONIGHT
1223
00:45:28,661 --> 00:45:29,429
AS "THE EMMYS" CELEBRATE
1224
00:45:29,429 --> 00:45:30,997
50 YEARS OF "SATURDAY NIGHT
1225
00:45:30,997 --> 00:45:33,132
LIVE" AND ITS COUNTLESS
1226
00:45:33,132 --> 00:45:36,736
MEMORABLE CHARACTERS ARE FOUR OF
1227
00:45:36,736 --> 00:45:37,337
ITS ICONIC CAST MEMBERS, ALL
1228
00:45:37,337 --> 00:45:40,406
EMMY NOMINEES IN 2024.
1229
00:45:40,406 --> 00:45:45,144
PLEASE WELCOME KRISTEN WIIG,
1230
00:45:45,144 --> 00:45:48,047
BOWEN YANG, AND SETH MEYERS.
1231
00:45:48,047 --> 00:45:53,119
AND MAYA RUDOLPH.
1232
00:45:53,119 --> 00:45:53,886
>> WE ARE HERE TONIGHT TO
1233
00:45:53,886 --> 00:45:54,320
PRESENT THE AWARD --
1234
00:45:54,320 --> 00:45:54,954
>> SETH, MAY I IMMEDIATELY
1235
00:45:54,954 --> 00:45:55,455
INTERRUPT?
1236
00:45:55,455 --> 00:45:58,124
>> MM-HMM.
1237
00:45:58,124 --> 00:45:58,758
>> WE HEARD SOMETHING BACKSTAGE
1238
00:45:58,758 --> 00:46:03,997
THAT NEEDS TO BE ADDRESSED.
1239
00:46:03,997 --> 00:46:04,631
>> NOW BEFORE LATER.
1240
00:46:04,631 --> 00:46:06,566
>> WE HEARD THAT OUR DEAR FRIEND
1241
00:46:06,566 --> 00:46:07,166
AND MENTOR LORNE MICHAELS HAS
1242
00:46:07,166 --> 00:46:09,068
BEEN NOMINATED FOR AND LOST THE
1243
00:46:09,068 --> 00:46:15,008
EMMY 85 TIMES.
1244
00:46:15,008 --> 00:46:16,342
HE HAS NEVER WON.
1245
00:46:16,342 --> 00:46:16,609
>> NEVER.
1246
00:46:16,609 --> 00:46:16,809
>> NO.
1247
00:46:16,809 --> 00:46:17,310
>> 85 TIMES.
1248
00:46:17,310 --> 00:46:17,844
IT'S WRONG.
1249
00:46:17,844 --> 00:46:18,411
AND WE'D LIKE TO TAKE THIS
1250
00:46:18,411 --> 00:46:20,446
OCCASION TO SAY A FEW WORDS TO
1251
00:46:20,446 --> 00:46:20,613
HIM.
1252
00:46:20,613 --> 00:46:23,583
>> OH, GUYS --
1253
00:46:23,583 --> 00:46:27,787
>> NO, NO, NO, NO.
1254
00:46:27,787 --> 00:46:31,257
LORNE, LAOOK AT ME.
1255
00:46:31,257 --> 00:46:31,891
LOOK AT -- IT'S REALLY HARD TO
1256
00:46:31,891 --> 00:46:32,725
SEE IF HE'S LOOKING AT ME.
1257
00:46:32,725 --> 00:46:36,162
LORNE.
1258
00:46:36,162 --> 00:46:38,197
YOU DO HAVE VALUE.
1259
00:46:38,197 --> 00:46:39,065
YOU ARE WORTHY.
1260
00:46:39,065 --> 00:46:41,100
YOU ARE NOT AND HAVE NEVER BEEN
1261
00:46:41,100 --> 00:46:43,503
A LOSER, EVEN THOUGH YOU LOST
1262
00:46:43,503 --> 00:46:45,071
A LOT.
1263
00:46:45,071 --> 00:46:47,407
>> LORNE, NOW LOOK AT ME.
1264
00:46:47,407 --> 00:46:49,308
LOOK AT ME AND LOOK AT MY MOUTH.
1265
00:46:49,308 --> 00:46:50,743
EACH AND EVERY ONE OF THOSE
1266
00:46:50,743 --> 00:46:54,447
85 TIMES YOU LOST YOU WERE
1267
00:46:54,447 --> 00:46:56,516
RO-BUH DUH.
1268
00:46:56,516 --> 00:46:56,816
YOU HEAR ME?
1269
00:46:56,816 --> 00:46:59,719
ROB-A-DUH.
1270
00:46:59,719 --> 00:47:00,153
RUB-A-DUB-DUB-A-DUH.
1271
00:47:00,153 --> 00:47:04,023
>> GUYS --
1272
00:47:04,023 --> 00:47:05,525
>> IT'S NOT YOUR TURN, SETH.
1273
00:47:05,525 --> 00:47:06,092
LAUREN, LOOK AT ME.
1274
00:47:06,092 --> 00:47:07,627
>> IT'S LORNE.
1275
00:47:07,627 --> 00:47:08,695
>> IT IS?
1276
00:47:08,695 --> 00:47:09,762
FUN.
1277
00:47:09,762 --> 00:47:12,665
LORNE.
1278
00:47:12,665 --> 00:47:13,900
LOOK AT ME.
1279
00:47:13,900 --> 00:47:15,635
LOOK, IT GETS BETTER.
1280
00:47:15,635 --> 00:47:15,935
OKAY?
1281
00:47:15,935 --> 00:47:18,805
JUST BECAUSE SNL DIDN'T WORK
1282
00:47:18,805 --> 00:47:20,340
DOESN'T MEAN YOUR NEXT IDEA
1283
00:47:20,340 --> 00:47:21,074
WON'T.
1284
00:47:21,074 --> 00:47:21,808
KEEP DREAMING!
1285
00:47:21,808 --> 00:47:25,645
>> GUYS, IT'S VERY NICE, BUT HE
1286
00:47:25,645 --> 00:47:28,047
HAS WON 21 EMMYS.
1287
00:47:28,047 --> 00:47:31,250
SNL HAS WON OVER 200.
1288
00:47:31,250 --> 00:47:31,584
>> WHAT, 200?
1289
00:47:31,584 --> 00:47:32,018
>> THAT'S TOO MUCH.
1290
00:47:32,018 --> 00:47:33,386
I CAN'T BELIEVE YOU'RE
1291
00:47:33,386 --> 00:47:36,356
COMPLAINING ABOUT THIS, LORNE.
1292
00:47:36,356 --> 00:47:39,692
NOT TO BE RUDE, BUT GROW UP.
1293
00:47:39,692 --> 00:47:40,226
>> AND STOP LOOKING AT US.
1294
00:47:40,226 --> 00:47:40,626
>> SORRY, LORNE.
1295
00:47:40,626 --> 00:47:43,229
>> I REALLY THINK IT'S LAUREN.
1296
00:47:43,229 --> 00:47:44,263
>> HERE ARE THE NOMINEES FOR
1297
00:47:44,263 --> 00:47:47,967
WRITING FOR A VARIETY SPECIAL.
1298
00:47:47,967 --> 00:47:48,501
>> Announcer: ALEX EDELMAN,
1299
00:47:48,501 --> 00:47:50,536
"JUST FOR US."
1300
00:47:50,536 --> 00:47:51,170
JACQUELINE NOVAK, "GET ON YOUR
1301
00:47:51,170 --> 00:47:52,672
KNEES."
1302
00:47:52,672 --> 00:47:53,706
JOHN EARLY, "NOW MORE THAN
1303
00:47:53,706 --> 00:47:55,308
EVER."
1304
00:47:55,308 --> 00:47:55,942
MIKE BIRBIGLIA, "THE OLD MAN AND
1305
00:47:55,942 --> 00:47:57,944
THE POOL."
1306
00:47:57,944 --> 00:48:05,651
THE WRITING TEAM FROM THE
1307
00:48:05,651 --> 00:48:05,985
OSCARS.
1308
00:48:05,985 --> 00:48:07,253
>> OH, OH, OH.
1309
00:48:07,253 --> 00:48:15,528
AND THE EMMY GOES TO -- ALEX
1310
00:48:15,528 --> 00:48:18,831
EDELMAN!
1311
00:48:18,831 --> 00:48:19,732
[ APPLAUSE ]
1312
00:48:19,732 --> 00:48:19,932
��
1313
00:48:19,932 --> 00:48:22,001
>> THIS IS THE FIRST EMMY WIN
1314
00:48:22,001 --> 00:48:37,183
AND NOMINATION FOR ALEX EDELMAN.
1315
00:48:37,183 --> 00:48:41,154
>> OKAY.
1316
00:48:41,154 --> 00:48:41,521
OKAY.
1317
00:48:41,521 --> 00:48:43,156
THANK YOU SO MUCH FOR THIS.
1318
00:48:43,156 --> 00:48:45,725
THIS IS -- OH, GOD.
1319
00:48:45,725 --> 00:48:47,794
I'M CRYING IN FRONT OF CAROL
1320
00:48:47,794 --> 00:48:48,428
BURNETT.
1321
00:48:48,428 --> 00:48:48,694
FANTASTIC.
1322
00:48:48,694 --> 00:48:49,395
ALL RIGHT.
1323
00:48:49,395 --> 00:48:52,031
I MADE THIS WITH MY GREAT
1324
00:48:52,031 --> 00:48:53,900
COLLABORATOR ADAM GRACE WHO
1325
00:48:53,900 --> 00:48:56,169
PASSED AWAY RIGHT BEFORE WE
1326
00:48:56,169 --> 00:48:57,870
STARTED ON BROADWAY AND THIS
1327
00:48:57,870 --> 00:49:01,007
HUGE GROUP RUSHED IN TO FILL
1328
00:49:01,007 --> 00:49:03,976
THAT VOID.
1329
00:49:03,976 --> 00:49:06,179
ALEX TIMBERS AND MIKE WHO
1330
00:49:06,179 --> 00:49:08,414
PRODUCED MY SHOW AND PUT ME HERE
1331
00:49:08,414 --> 00:49:11,517
AND MY CREW AND MY PRODUCERS WHO
1332
00:49:11,517 --> 00:49:13,452
ARE MY FAMILY AND HBO LET US
1333
00:49:13,452 --> 00:49:15,955
MAKE A SPECIAL THAT WE REALLY
1334
00:49:15,955 --> 00:49:16,322
WANTED TO MAKE.
1335
00:49:16,322 --> 00:49:17,423
AND THANK YOU SO MUCH.
1336
00:49:17,423 --> 00:49:21,127
AND, LOOK, THIS IS REALLY,
1337
00:49:21,127 --> 00:49:22,261
REALLY BEAUTIFUL.
1338
00:49:22,261 --> 00:49:27,500
AND I REALLY MISS ADAM, BUT IT
1339
00:49:27,500 --> 00:49:30,403
WAS -- IT WAS THE END OF A
1340
00:49:30,403 --> 00:49:33,005
SEVEN-YEAR JOURNEY WITH THIS
1341
00:49:33,005 --> 00:49:33,206
SHOW.
1342
00:49:33,206 --> 00:49:34,640
BUT I GOT TO MAKE SOMETHING
1343
00:49:34,640 --> 00:49:35,975
REALLY FUNNY WITH MY FRIEND.
1344
00:49:35,975 --> 00:49:37,343
SO I THANK YOU SO MUCH FOR THIS.
1345
00:49:37,343 --> 00:49:42,315
I REALLY APPRECIATE IT.
1346
00:49:42,315 --> 00:49:45,551
��
1347
00:49:45,551 --> 00:49:46,853
[ APPLAUSE ]
1348
00:49:46,853 --> 00:49:51,190
>> Announcer: COMING UP,
1349
00:49:51,190 --> 00:49:51,824
COMEDY LEGEND BILLY CRYSTAL, AND
1350
00:49:51,824 --> 00:49:52,391
A PERFORMANCE BY JELLY ROLL.
1351
00:49:52,391 --> 00:49:53,292
AND GET READY FOR TV MOMS
1352
00:49:53,292 --> 00:49:53,860
MEREDITH BAXTER,
1353
00:49:53,860 --> 00:49:54,961
SUSAN KELECHI WATSON, AND
1354
00:49:54,961 --> 00:49:55,294
CONNIE BRITTON.
1355
00:49:55,294 --> 00:49:55,695
HERE ON "THE EMMYS."
1356
00:50:04,203 --> 00:50:04,804
>> Announcer: PLEASE WELCOME
1357
00:50:04,804 --> 00:50:06,339
GAEL GARCIA BERNAL AND EMMY
1358
00:50:06,339 --> 00:50:14,814
NOMINEE DIEGO LUNA.
1359
00:50:14,814 --> 00:50:16,916
[ APPLAUSE ]
1360
00:50:16,916 --> 00:50:19,185
>> HELLO, HELLO.
1361
00:50:19,185 --> 00:50:20,286
GOOD EVENING, LADIES AND
1362
00:50:20,286 --> 00:50:20,720
GENTLEMEN.
1363
00:50:20,720 --> 00:50:23,322
WE WERE JUST TOLD THAT THE EMMYS
1364
00:50:23,322 --> 00:50:26,125
ARE LOSING A BIG CHUNK OF ITS
1365
00:50:26,125 --> 00:50:26,425
AUDIENCE.
1366
00:50:26,425 --> 00:50:29,729
SO ME AND DIEGO DECIDED TO DO
1367
00:50:29,729 --> 00:50:32,398
SOMETHING TO PUSH THE LIMITS, TO
1368
00:50:32,398 --> 00:50:38,237
RAISE THE BOUNDARIES.
1369
00:50:38,237 --> 00:50:42,909
DIEGO!
1370
00:50:42,909 --> 00:50:43,542
[ SPEAKING IN A GLOBAL LANGUAGE
1371
00:50:43,542 --> 00:51:18,010
]
1372
00:51:18,010 --> 00:51:19,045
WERONIKA TOFILSKA, "BABY
1373
00:51:19,045 --> 00:51:19,312
REINDEER,"
1374
00:51:19,312 --> 00:51:21,681
NOAH HAWLEY, "FARGO,"
1375
00:51:21,681 --> 00:51:22,315
GUS VAN SANT, "FEUD: CAPOTE VS.
1376
00:51:22,315 --> 00:51:25,918
THE SWANS,"
1377
00:51:25,918 --> 00:51:28,721
MILLICENT SHELTON, "LESSONS IN
1378
00:51:28,721 --> 00:51:29,655
CHEMISTRY,"
1379
00:51:29,655 --> 00:51:31,791
STEVEN ZAILLIAN, "RIPLEY,"
1380
00:51:31,791 --> 00:51:32,825
ISSA LOPEZ, "TRUE DETECTIVE:
1381
00:51:32,825 --> 00:51:45,771
NIGHT COUNTRY."
1382
00:51:45,771 --> 00:51:46,405
[ SPEAKING IN A GLOBAL LANGUAGE
1383
00:51:46,405 --> 00:51:46,539
]
1384
00:51:46,539 --> 00:51:49,976
>> THE OUTSTANDING DIRECTOR FOR
1385
00:51:49,976 --> 00:51:57,683
SERIES OR MOVIE IS -- STEVEN
1386
00:51:57,683 --> 00:51:59,852
ZAILLIAN FOR "RIPLEY".
1387
00:51:59,852 --> 00:52:02,622
>> THIS IS THE FIRST EMMY WIN
1388
00:52:02,622 --> 00:52:06,626
AND NOMINATION FOR STEVEN
1389
00:52:06,626 --> 00:52:06,892
ZAILLIAN.
1390
00:52:06,892 --> 00:52:08,160
HE RECEIVED HIS FIRST
1391
00:52:08,160 --> 00:52:09,362
NOMINATIONS FOR WRITING,
1392
00:52:09,362 --> 00:52:15,968
DIRECTING AND PRODUCING THE
1393
00:52:15,968 --> 00:52:18,170
NIGHT OF.
1394
00:52:18,170 --> 00:52:18,471
��
1395
00:52:18,471 --> 00:52:22,942
>> THANK YOU SO MUCH.
1396
00:52:22,942 --> 00:52:26,212
LISTEN, YOU KNOW, MAKING
1397
00:52:26,212 --> 00:52:27,813
"RIPLEY" IN ITALY WAS ITS OWN
1398
00:52:27,813 --> 00:52:28,080
REWARD.
1399
00:52:28,080 --> 00:52:28,981
IT WAS LIKE A DREAM.
1400
00:52:28,981 --> 00:52:32,218
I DIDN'T NEED ANYTHING AFTER
1401
00:52:32,218 --> 00:52:32,418
THAT.
1402
00:52:32,418 --> 00:52:34,654
AND I KNOW THE OTHER DIRECTORS,
1403
00:52:34,654 --> 00:52:36,222
YOU KNOW, THEY KNOW WHAT I'M
1404
00:52:36,222 --> 00:52:36,756
TALKING ABOUT.
1405
00:52:36,756 --> 00:52:39,125
THE WORK IS ITS OWN REWARD.
1406
00:52:39,125 --> 00:52:41,127
AND, YOU KNOW, I STILL -- I
1407
00:52:41,127 --> 00:52:43,896
STILL REALLY APPRECIATE THIS
1408
00:52:43,896 --> 00:52:44,964
HONOR, THOUGH.
1409
00:52:44,964 --> 00:52:49,001
AND I SHARE IT WITH LITERALLY
1410
00:52:49,001 --> 00:52:50,403
HUNDREDS OF PEOPLE.
1411
00:52:50,403 --> 00:52:54,774
YOU KNOW, WHO WORKED ON
1412
00:52:54,774 --> 00:52:58,210
"RIPLEY," THE ACTORS, ANDREW,
1413
00:52:58,210 --> 00:53:01,013
DAKOTA, ELLIOT, JOHNNY AND ALL
1414
00:53:01,013 --> 00:53:04,116
THE WONDERFUL OTHER ITALIAN
1415
00:53:04,116 --> 00:53:08,754
ACTORS, THE PRODUCERS, THE
1416
00:53:08,754 --> 00:53:11,490
INCREDIBLE DEPARTMENT HEADS AND
1417
00:53:11,490 --> 00:53:13,259
CREW, ALL OF THEM ARTISTS IN
1418
00:53:13,259 --> 00:53:14,360
THEIR OWN RIGHT.
1419
00:53:14,360 --> 00:53:17,530
I THANK THEM, THE ACADEMY,
1420
00:53:17,530 --> 00:53:19,532
NETFLIX, EVERYONE THERE AND MY
1421
00:53:19,532 --> 00:53:20,099
FAMILY.
1422
00:53:20,099 --> 00:53:23,502
THANK YOU.
1423
00:53:23,502 --> 00:53:26,072
[ APPLAUSE ]
1424
00:53:26,072 --> 00:53:30,109
��
1425
00:53:30,109 --> 00:53:32,511
>>> NEXT ON THE EMMYS, WE PAY
1426
00:53:32,511 --> 00:53:33,712
TRIBUTE TO THE CHARACTERS WHO
1427
00:53:33,712 --> 00:53:35,314
HAVE BEEN SO MUCH A PART OF
1428
00:53:35,314 --> 00:53:36,682
TELEVISION HISTORY.
1429
00:53:36,682 --> 00:53:39,485
KEY PLAYERS IN THE VERY BEST
1430
00:53:39,485 --> 00:53:43,456
DRAMAS AND SITCOMS, TELEVISION
1431
00:53:43,456 --> 00:53:43,689
MOTHERS.
1432
00:53:43,689 --> 00:53:44,490
PLEASE WELCOME TV MOMS,
1433
00:53:44,490 --> 00:53:46,058
SUSAN KELECHI WATSON, AND EMMY
1434
00:53:46,058 --> 00:53:47,126
NOMINEES, CONNIE BRITTON AND
1435
00:53:47,126 --> 00:53:52,498
MEREDITH BAXTER.
1436
00:53:52,498 --> 00:53:55,534
>> I JUST WANT TO SAY THANKS TO
1437
00:53:55,534 --> 00:53:57,870
ALL THE TV DADS FOR GIVING THE
1438
00:53:57,870 --> 00:54:00,840
TV WIVES A SHOT-OUT, BUT NOW IT
1439
00:54:00,840 --> 00:54:02,074
IS ALL ABOUT US.
1440
00:54:02,074 --> 00:54:05,344
WE HAVE COME A LONG WAY WHEN
1441
00:54:05,344 --> 00:54:07,146
WHEN WE COULDN'T LEAVE THE
1442
00:54:07,146 --> 00:54:07,613
KITCHEN.
1443
00:54:07,613 --> 00:54:08,180
>> THAT'S RIGHT.
1444
00:54:08,180 --> 00:54:09,715
NOW WE CAN DO IT ALL.
1445
00:54:09,715 --> 00:54:12,084
WE CAN BE A COUNTRY MUSIC STAR.
1446
00:54:12,084 --> 00:54:14,487
WE CAN BE A SUCCESSFUL CEO THAT
1447
00:54:14,487 --> 00:54:20,292
JUST WANTS TO TAKE HER FAMILY ON
1448
00:54:20,292 --> 00:54:20,726
VACATION.
1449
00:54:20,726 --> 00:54:21,160
WE COULD BE THE HEAD
1450
00:54:21,160 --> 00:54:22,862
OF A FULLY HAUNTED HOUSEHOLD
1451
00:54:22,862 --> 00:54:24,730
WHERE WE GIVE BIRTH TO THE
1452
00:54:24,730 --> 00:54:25,498
ANTICHRIST, PRINCIPALS, AND YES,
1453
00:54:25,498 --> 00:54:26,098
EVEN AMAZING PARTNERS TO OUR
1454
00:54:26,098 --> 00:54:30,770
FOOTBALL COACH HUSBANDS.
1455
00:54:30,770 --> 00:54:33,405
>> TV MOMS ARE NO LONGER ONE
1456
00:54:33,405 --> 00:54:34,940
DIMENSIONAL, WE HAVE CHOICES.
1457
00:54:34,940 --> 00:54:36,542
CHOICES THAT COULD LEAD YOU BACK
1458
00:54:36,542 --> 00:54:37,576
TO YOUR BELOVED DANCE STUDIO,
1459
00:54:37,576 --> 00:54:41,847
CHOICES THAT REMIND US THAT OUR
1460
00:54:41,847 --> 00:54:42,848
DREAMS AREN'T DEFERRED, IT'S
1461
00:54:42,848 --> 00:54:43,449
OKAY TO SOUL SEARCH, AND IT'S
1462
00:54:43,449 --> 00:54:44,450
OKAY TO ASK FOR AS MUCH MONEY AS
1463
00:54:44,450 --> 00:54:52,725
A TV DAD.
1464
00:54:52,725 --> 00:54:53,926
>> THANK GOD WE ARE WAY PAST THE
1465
00:54:53,926 --> 00:54:54,994
DAYS WHEN YOU COULDN'T EVEN SAY
1466
00:54:54,994 --> 00:54:55,628
THE WORD "PREGNANT" ON "I LOVE
1467
00:54:55,628 --> 00:54:59,198
LUCY."
1468
00:54:59,198 --> 00:54:59,832
>> OR WHEN MARRIED COUPLES SLEPT
1469
00:54:59,832 --> 00:55:01,300
IN SEPARATE BEDS, WHICH ALWAYS
1470
00:55:01,300 --> 00:55:07,606
LED TO THE QUESTION --
1471
00:55:07,606 --> 00:55:08,641
HOW DID SHE BECOME A MOM IN THE
1472
00:55:08,641 --> 00:55:08,941
FIRST PLACE?
1473
00:55:08,941 --> 00:55:13,212
>> PROBABLY DURING A FLASHBACK.
1474
00:55:13,212 --> 00:55:13,612
COMMERCIAL BREAK.
1475
00:55:13,612 --> 00:55:14,213
>> AND NONE OF THIS WOULD BE
1476
00:55:14,213 --> 00:55:16,348
POSSIBLE WITHOUT THE
1477
00:55:16,348 --> 00:55:16,982
CONTRIBUTIONS FROM OUR GREAT TV
1478
00:55:16,982 --> 00:55:21,687
WRITERS.
1479
00:55:21,687 --> 00:55:25,090
SO WE, TV MOMS, ARE PROUD TO BE
1480
00:55:25,090 --> 00:55:26,625
PRESENTING THE NOMINEES FOR
1481
00:55:26,625 --> 00:55:27,426
WRITING FOR A COMEDY SERIES.
1482
00:55:27,426 --> 00:55:28,027
>> Announcer: QUINTA BRUNSON,
1483
00:55:28,027 --> 00:55:29,528
"ABBOTT ELEMENTARY,"
1484
00:55:29,528 --> 00:55:30,596
CHRISTOPHER STORER AND
1485
00:55:30,596 --> 00:55:33,766
JOANNA CALO, "THE BEAR,"
1486
00:55:33,766 --> 00:55:36,669
MEREDITH SCARDINO AND SAM MEANS,
1487
00:55:36,669 --> 00:55:39,038
"GIRLS5EVA,"
1488
00:55:39,038 --> 00:55:40,573
LUCIA ANIELLO, PAUL W. DOWNS,
1489
00:55:40,573 --> 00:55:44,243
AND JEN STATSKY, "HACKS,"
1490
00:55:44,243 --> 00:55:44,877
CHRIS KELLY AND SARAH SCHNEIDER,
1491
00:55:44,877 --> 00:55:46,879
"THE OTHER TWO,"
1492
00:55:46,879 --> 00:55:48,480
JAKE BENDER AND ZACH DUNN, "WHAT
1493
00:55:48,480 --> 00:55:58,123
WE DO IN THE SHADOWS."
1494
00:55:58,123 --> 00:56:06,932
>> AND THE EMMY GOES TO -- LUCIA
1495
00:56:06,932 --> 00:56:11,770
ANIELLO, PAUL W. DOWNS AND JEN
1496
00:56:11,770 --> 00:56:12,805
STATSKY, "HACKS".
1497
00:56:12,805 --> 00:56:14,807
>> THIS IS THE SECOND TEAM WIN
1498
00:56:14,807 --> 00:56:21,113
FOR THIS WRITING TEAM IN
1499
00:56:21,113 --> 00:56:22,281
"HACKS."
1500
00:56:22,281 --> 00:56:29,722
[ APPLAUSE ]
1501
00:56:29,722 --> 00:56:29,922
��
1502
00:56:29,922 --> 00:56:32,491
>> I GUESS I'LL SPEAK.
1503
00:56:32,491 --> 00:56:33,726
THANK YOU SO MUCH.
1504
00:56:33,726 --> 00:56:36,028
THANK YOU TO THE ACADEMY.
1505
00:56:36,028 --> 00:56:38,998
I THANK ALL OF YOU FOR CLAPPING.
1506
00:56:38,998 --> 00:56:41,967
YOU KNOW, WE MAKE A SHOW ABOUT
1507
00:56:41,967 --> 00:56:44,603
COMEDY BECAUSE, AS THREE WEIRD,
1508
00:56:44,603 --> 00:56:46,071
LONELY KIDS IT WAS THE THING
1509
00:56:46,071 --> 00:56:48,307
THAT MADE US FEEL CONNECTED TO
1510
00:56:48,307 --> 00:56:49,675
OTHER PEOPLE.
1511
00:56:49,675 --> 00:56:50,109
OKAY.
1512
00:56:50,109 --> 00:56:54,880
JEN IS SAYING SHE WAS POPULAR.
1513
00:56:54,880 --> 00:56:57,116
BUT, I MEAN, TWO WEIRD, LONELY
1514
00:56:57,116 --> 00:56:57,883
KIDS.
1515
00:56:57,883 --> 00:57:02,021
OKAY, SO LUCIA WASN'T UNPOPULAR.
1516
00:57:02,021 --> 00:57:09,461
BUT IT MADE ONE LONELY WEIRDO
1517
00:57:09,461 --> 00:57:12,598
AND TWO POPULAR GIRLS.
1518
00:57:12,598 --> 00:57:13,932
WE THANK YOU BECAUSE YOU HAVE
1519
00:57:13,932 --> 00:57:15,000
MADE US FEEL MORE CONNECTED TO
1520
00:57:15,000 --> 00:57:15,734
THE GIRLS.
1521
00:57:15,734 --> 00:57:19,938
>> WE WANT TO THANK, OF COURSE,
1522
00:57:19,938 --> 00:57:23,042
JEAN SMART WHO IS INCREDIBLE.
1523
00:57:23,042 --> 00:57:24,877
HANNAH EINBINDER, A GENIUS.
1524
00:57:24,877 --> 00:57:26,078
THANK YOU FOR BEING OUR FRIEND.
1525
00:57:26,078 --> 00:57:27,513
WE LOVE YOU SO MUCH.
1526
00:57:27,513 --> 00:57:28,981
OUR INCREDIBLE WRITERS,
1527
00:57:28,981 --> 00:57:32,518
EVERYBODY AT HBO.
1528
00:57:32,518 --> 00:57:33,619
SUSAN SCHWARTZ.
1529
00:57:33,619 --> 00:57:35,487
OUR AMAZING PRODUCERS.
1530
00:57:35,487 --> 00:57:37,523
THIS SHOW WOULDN'T HAPPEN
1531
00:57:37,523 --> 00:57:38,090
WITHOUT YOU.
1532
00:57:38,090 --> 00:57:39,591
THANK YOU SO MUCH.
1533
00:57:39,591 --> 00:57:39,958
OUR FAMILIES.
1534
00:57:39,958 --> 00:57:41,126
WE LOVE YOU SO MUCH.
1535
00:57:41,126 --> 00:57:42,127
THANK YOU, EVERYBODY.
1536
00:57:42,127 --> 00:57:45,964
>> THANK YOU!
1537
00:57:45,964 --> 00:57:47,900
[ APPLAUSE ]
1538
00:57:47,900 --> 00:57:52,338
��
1539
00:57:52,338 --> 00:57:53,906
>> ONE THING ABOUT BEING A
1540
00:57:53,906 --> 00:57:54,506
WORKING ACTOR IN A ROOM LIKE
1541
00:57:54,506 --> 00:57:55,007
THIS IS YOU REALLY COME
1542
00:57:55,007 --> 00:57:56,542
FACE-TO-FACE WITH THE JOBS YOU
1543
00:57:56,542 --> 00:58:00,212
DIDN'T GET.
1544
00:58:00,212 --> 00:58:00,846
FUN FACT, MY DAD CAME VERY CLOSE
1545
00:58:00,846 --> 00:58:01,814
TO GETTING THE ROLE OF
1546
00:58:01,814 --> 00:58:07,586
TOBY ZIEGLER IN "THE WEST WING."
1547
00:58:07,586 --> 00:58:08,687
>> i WOULDN'T CALL THAT A FUN
1548
00:58:08,687 --> 00:58:09,722
FACT.
1549
00:58:09,722 --> 00:58:11,824
YES, THE ROLE WENT TO THE OTHER
1550
00:58:11,824 --> 00:58:12,891
GUY WHO WAS RICHARD SCHIFF.
1551
00:58:12,891 --> 00:58:15,494
>> ANOTHER FUN FACT,
1552
00:58:15,494 --> 00:58:16,095
RICHARD SCHIFF WENT ON TO WIN
1553
00:58:16,095 --> 00:58:18,664
THE EMMY FOR THAT ROLE.
1554
00:58:18,664 --> 00:58:19,631
>> AGAIN, HOW IS THAT A FUN
1555
00:58:19,631 --> 00:58:20,265
FACT?
1556
00:58:20,265 --> 00:58:22,901
>> WELL, IT'S FUN FOR RICHARD.
1557
00:58:22,901 --> 00:58:24,670
>> AND HOW WAS YOUR AUDITION FOR
1558
00:58:24,670 --> 00:58:28,674
"RIPLEY"?
1559
00:58:28,674 --> 00:58:31,610
>> NEVER HEARD BACK.
1560
00:58:31,610 --> 00:58:32,344
ANYWAY, PLEASE WELCOME OUR NEXT
1561
00:58:32,344 --> 00:58:33,912
PRESENTER, 6-TIME EMMY WINNER,
1562
00:58:33,912 --> 00:58:42,054
BILLY CRYSTAL.
1563
00:58:42,054 --> 00:58:50,863
��
1564
00:58:50,863 --> 00:58:51,630
>> THANK YOU.
1565
00:58:51,630 --> 00:58:53,565
THANK YOU.
1566
00:58:53,565 --> 00:58:54,666
THANK YOU SO MUCH.
1567
00:58:54,666 --> 00:59:00,706
IT IS JUST GREAT TO BE ANYWHERE.
1568
00:59:00,706 --> 00:59:02,007
THE CATEGORY I GET TO PRESENT,
1569
00:59:02,007 --> 00:59:04,610
OUTSTANDING TALK SERIES, IS
1570
00:59:04,610 --> 00:59:08,213
SPECIAL TO ME.
1571
00:59:08,213 --> 00:59:11,950
BECAUSE I REALIZED THE OTHER DAY
1572
00:59:11,950 --> 00:59:12,351
IT IS
1573
00:59:12,351 --> 00:59:12,951
ALMOST 50 YEARS AGO I WENT ON
1574
00:59:12,951 --> 00:59:13,452
"THE TONIGHT SHOW" WITH
1575
00:59:13,452 --> 00:59:14,453
JOHNNY CARSON FOR THE FIRST
1576
00:59:14,453 --> 00:59:18,023
TIME.
1577
00:59:18,023 --> 00:59:19,858
AND YOU'RE APPLAUDING THAT I'M
1578
00:59:19,858 --> 00:59:20,526
OLD?
1579
00:59:20,526 --> 00:59:21,226
OKAY, GOOD.
1580
00:59:21,226 --> 00:59:22,828
IT WAS A HUGE DEAL.
1581
00:59:22,828 --> 00:59:25,798
I MEAN, I WAS SEVEN YEARS OLD.
1582
00:59:25,798 --> 00:59:28,100
BUT IT WAS AN AMAZING YEARS OLD
1583
00:59:28,100 --> 00:59:30,335
FOR A YOUNG COMIC TO BE
1584
00:59:30,335 --> 00:59:31,904
INTRODUCED BY JOHNNY.
1585
00:59:31,904 --> 00:59:32,538
I WAS SO NERVOUS STANDING BEHIND
1586
00:59:32,538 --> 00:59:33,372
THAT CURTAIN, LISTENING TO
1587
00:59:33,372 --> 00:59:33,872
JOHNNY INTRO ME.
1588
00:59:33,872 --> 00:59:35,974
MY HEART WAS POUNDING FEELING
1589
00:59:35,974 --> 00:59:36,608
LIKE A BULL RIDER IN THE RODEO
1590
00:59:36,608 --> 00:59:37,242
RIGHT BEFORE THEY OPEN THE GATE,
1591
00:59:37,242 --> 00:59:37,876
PRAYING IF I CAN JUST STAY ON MY
1592
00:59:37,876 --> 00:59:38,644
MONOLOGUE FOR 5 MINUTES WITHOUT
1593
00:59:38,644 --> 00:59:41,780
FALLING OFF I'D BE FINE.
1594
00:59:41,780 --> 00:59:45,417
RIGHT BEFORE I WENT ON, THE
1595
00:59:45,417 --> 00:59:45,884
COMMERCIAL BREAK, THE
1596
00:59:45,884 --> 00:59:47,553
STAGE MANAGER TOLD ME THAT WHEN
1597
00:59:47,553 --> 00:59:49,121
I WAS DONE TO STAY ON MY MARK
1598
00:59:49,121 --> 00:59:52,724
AND WATCH HIM.
1599
00:59:52,724 --> 00:59:53,358
IF HIS HANDS WERE UP, IT MEANT
1600
00:59:53,358 --> 00:59:55,427
STAY THERE AND TAKE A BOW, IF HE
1601
00:59:55,427 --> 00:59:56,061
POINTED TO THE DESK, I WAS TO GO
1602
00:59:56,061 --> 00:59:59,832
OVER TO MEET JOHNNY.
1603
00:59:59,832 --> 01:00:00,766
THAT'S WHAT HE SAID.
1604
01:00:00,766 --> 01:00:02,167
WHAT I HEARD WAS, "IF I POINT AT
1605
01:00:02,167 --> 01:00:06,772
THE DESK, YOU GET TO SIT NEXT TO
1606
01:00:06,772 --> 01:00:08,240
JOHNNY AND MAYBE YOU'LL HAVE A
1607
01:00:08,240 --> 01:00:08,674
CAREER.
1608
01:00:08,674 --> 01:00:10,476
BUT IF I GO LIKE THIS, YOU GO
1609
01:00:10,476 --> 01:00:13,645
BACK TO YOUR JOB AT RADIO SHACK.
1610
01:00:13,645 --> 01:00:14,213
I DID MY ROUTINE, APPLAUSE.
1611
01:00:14,213 --> 01:00:15,514
HE POINTED AT THE DESK, AND
1612
01:00:15,514 --> 01:00:16,582
ALMOST 50 YEARS LATER, HERE I AM
1613
01:00:16,582 --> 01:00:17,116
TO INTRODUCE THIS YEAR'S
1614
01:00:17,116 --> 01:00:28,794
NOMINEES.
1615
01:00:28,794 --> 01:00:31,864
NOW, I HAD BEEN ON ALL OF THESE
1616
01:00:31,864 --> 01:00:32,064
SHOWS.
1617
01:00:32,064 --> 01:00:34,867
AND THANK YOU.
1618
01:00:34,867 --> 01:00:39,238
THROUGHOUT MY CAREER, I KEPT A
1619
01:00:39,238 --> 01:00:39,538
DIARY OF MY
1620
01:00:39,538 --> 01:00:40,105
APPEARANCES, SO HERE ARE MY
1621
01:00:40,105 --> 01:00:43,609
THOUGHTS OF EACH AFTER MY FIRST
1622
01:00:43,609 --> 01:00:47,146
APPEARANCES.
1623
01:00:47,146 --> 01:00:52,484
"THE DAILY SHOW," HAD A GREAT
1624
01:00:52,484 --> 01:00:53,085
TIME WITH JON, AND JON SAID,
1625
01:00:53,085 --> 01:00:53,652
"LET'S MEET AFTER AND HAVE
1626
01:00:53,652 --> 01:00:55,087
DINNER."
1627
01:00:55,087 --> 01:01:01,927
AND I WAITED, AND HE WAS GONE.
1628
01:01:01,927 --> 01:01:11,737
"LATE NIGHT WITH SETH MEYERS."
1629
01:01:11,737 --> 01:01:19,411
TERRIFIC INTERVIEWER, TERRIFIC
1630
01:01:19,411 --> 01:01:19,645
WRITER.
1631
01:01:19,645 --> 01:01:22,648
HE SAID, LET'S GO HAVE A DRINK.
1632
01:01:22,648 --> 01:01:25,751
I WAITED AND SAY THAT I HAD HE'D
1633
01:01:25,751 --> 01:01:28,720
GONE HOME.
1634
01:01:28,720 --> 01:01:30,155
"JIMMY KIMMEL LIVE."
1635
01:01:30,155 --> 01:01:32,257
HAD A FANTASTIC TIME WITH JIMMY.
1636
01:01:32,257 --> 01:01:33,792
HE'S SO EASY TO TALK TO.
1637
01:01:33,792 --> 01:01:35,327
HE SAID, MEET ME AT MY
1638
01:01:35,327 --> 01:01:37,029
RESTAURANT, WE'LL HAVE DINNER.
1639
01:01:37,029 --> 01:01:38,130
AND I WENT.
1640
01:01:38,130 --> 01:01:46,672
AND GUIRMO SHOWED UP.
1641
01:01:46,672 --> 01:01:50,175
"THE LATE SHOW WITH
1642
01:01:50,175 --> 01:01:53,579
STEPHEN COLBERT."
1643
01:01:53,579 --> 01:01:54,546
BRILLIANT GUY.
1644
01:01:54,546 --> 01:01:58,817
BUT I WONDER IF HE'S EVER SEEN
1645
01:01:58,817 --> 01:01:59,218
HIMSELF NAKED.
1646
01:01:59,218 --> 01:02:01,787
I DIDN'T SAY THEY WERE FUNNY.
1647
01:02:01,787 --> 01:02:04,289
I SAID THESE WERE FIRST
1648
01:02:04,289 --> 01:02:05,991
IMPRESSIONS OF THE SHOW.
1649
01:02:05,991 --> 01:02:08,894
I'VE ENJOYED ALL OF THEM.
1650
01:02:08,894 --> 01:02:09,361
LADIES AND GENTLEMEN,
1651
01:02:09,361 --> 01:02:11,530
THE EMMY FOR OUTSTANDING TALK
1652
01:02:11,530 --> 01:02:13,632
SERIES -- AND WHOEVER WINS, IF
1653
01:02:13,632 --> 01:02:15,767
YOU WANT TO HAVE DINNER AFTER
1654
01:02:15,767 --> 01:02:17,369
THE SHOW, I'LL WAIT.
1655
01:02:17,369 --> 01:02:21,173
AND THE WINNER GOES TO -- "THE
1656
01:02:21,173 --> 01:02:27,679
DAILY SHOW"!
1657
01:02:27,679 --> 01:02:27,980
[ APPLAUSE ]
1658
01:02:27,980 --> 01:02:29,815
>> "THE DAILY SHOW" RECEIVED
1659
01:02:29,815 --> 01:02:31,917
FOUR NOMINATIONS THIS YEAR,
1660
01:02:31,917 --> 01:02:34,219
ACCEPTING THE EMMY ON BEHALF OF
1661
01:02:34,219 --> 01:03:06,385
THE TEAM IS JON STEWART.
1662
01:03:06,385 --> 01:03:09,121
>> YOU HAVE MADE AN OLD MAN VERY
1663
01:03:09,121 --> 01:03:09,321
HAPPY.
1664
01:03:09,321 --> 01:03:12,324
THIS IS -- THIS IS REMARKABLE,
1665
01:03:12,324 --> 01:03:13,625
TO HAVE AN OPPORTUNITY TO WORK
1666
01:03:13,625 --> 01:03:17,496
WITH THIS INCREDIBLY TALENTED
1667
01:03:17,496 --> 01:03:20,966
GROUP ONCE A WEEK HAS JUST
1668
01:03:20,966 --> 01:03:24,036
BEEN -- IT'S JUST BEEN -- IT'S
1669
01:03:24,036 --> 01:03:29,441
REALLY MADE MY MONDAYS.
1670
01:03:29,441 --> 01:03:32,711
AND MICHAEL, JORDAN, MY FELLOW
1671
01:03:32,711 --> 01:03:34,813
HOSTS, THEY JUST KICK ASS.
1672
01:03:34,813 --> 01:03:36,515
IF YOU REALLY WANT TO KNOW THE
1673
01:03:36,515 --> 01:03:37,516
HEART AND SOUL OF THE TEAM, IF
1674
01:03:37,516 --> 01:03:39,318
YOU REALLY WANT TO KNOW THE
1675
01:03:39,318 --> 01:03:40,719
KEEPER OF THE FLAME OF "THE
1676
01:03:40,719 --> 01:03:46,792
DAILY SHOW," MS. J ERKEN.
1677
01:03:46,792 --> 01:03:50,929
AND, JEN HAS BEEN THERE SINCE
1678
01:03:50,929 --> 01:03:51,129
1998.
1679
01:03:51,129 --> 01:03:54,099
SO IT STARTED OUT AS A PA.
1680
01:03:54,099 --> 01:03:56,101
HAS BEEN EXECUTIVE PRODUCER FOR
1681
01:03:56,101 --> 01:03:57,502
15 YEARS.
1682
01:03:57,502 --> 01:03:58,403
JUST SAYING.
1683
01:03:58,403 --> 01:04:00,072
JUST SAYING TO THE PEOPLE.
1684
01:04:00,072 --> 01:04:01,973
>> I LOVE OUR SHOW, AND I LOVE
1685
01:04:01,973 --> 01:04:03,408
THE PEOPLE WE WORK WITH, AND I
1686
01:04:03,408 --> 01:04:05,711
LOVE WORKING IN TV.
1687
01:04:05,711 --> 01:04:08,213
I LOVE JON.
1688
01:04:08,213 --> 01:04:11,450
THANK YOU.
1689
01:04:11,450 --> 01:04:18,724
[ APPLAUSE ]
1690
01:04:18,724 --> 01:04:20,292
>> Announcer: COMING UP,
1691
01:04:20,292 --> 01:04:20,892
NICOLA COUGHLAN AND NAVA MAU.
1692
01:04:20,892 --> 01:04:23,462
THEN LATER, RON HOWARD AND
1693
01:04:23,462 --> 01:04:23,795
HENRY WINKLER.
1694
01:04:23,795 --> 01:04:28,767
AND YES, THERE IS A DOCTOR IN
1695
01:04:28,767 --> 01:04:29,234
THE HOUSE, TV DOCTORS
1696
01:04:29,234 --> 01:04:29,868
MINDY KALING, MEKHI PHIFER, AND
1697
01:04:29,868 --> 01:04:30,802
ZACH BRAFF.
1698
01:04:30,802 --> 01:04:31,870
HERE ON ABC.
1699
01:04:42,380 --> 01:04:42,547
��
1700
01:04:42,547 --> 01:04:44,983
>> WELCOME BACK.
1701
01:04:44,983 --> 01:04:47,152
ONE MORE PIECE OF EMMY TRIVIA,
1702
01:04:47,152 --> 01:04:48,720
EMMY TURNED 76 THIS YEAR, WHICH
1703
01:04:48,720 --> 01:04:51,556
MEANS EVEN THOUGH WE'RE ON ABC,
1704
01:04:51,556 --> 01:04:55,560
EMMY IS WATCHING CBS.
1705
01:04:55,560 --> 01:04:59,531
SPEAKING OF CBS, YOU MUST BE
1706
01:04:59,531 --> 01:05:00,165
EXCITED ABOUT THE NEW "MATLOCK"
1707
01:05:00,165 --> 01:05:01,833
REBOOT.
1708
01:05:01,833 --> 01:05:02,334
>> WHY WOULD YOU SAY THAT?
1709
01:05:02,334 --> 01:05:02,868
>> BECAUSE YOU'RE THE
1710
01:05:02,868 --> 01:05:03,935
DEMOGRAPHIC THAT'S --
1711
01:05:03,935 --> 01:05:06,571
>> IN THE KNOW.
1712
01:05:06,571 --> 01:05:07,506
>> YEAH, IN THE KNOW.
1713
01:05:07,506 --> 01:05:08,206
PLEASE WELCOME OUR NEXT
1714
01:05:08,206 --> 01:05:12,410
PRESENTERS, NICOLA COUGHLAN AND
1715
01:05:12,410 --> 01:05:19,551
NAVA MAU.
1716
01:05:19,551 --> 01:05:20,519
[ APPLAUSE ]
1717
01:05:20,519 --> 01:05:32,864
��
1718
01:05:32,864 --> 01:05:34,633
>> I WOULD LIKE TO SAY IT IS AN
1719
01:05:34,633 --> 01:05:41,940
HONOR TO BE HERE, TO PRESENT THE
1720
01:05:41,940 --> 01:05:43,842
NOMINATION FOR EMOTIONAL SUPPORT
1721
01:05:43,842 --> 01:05:44,109
ANIMALS.
1722
01:05:44,109 --> 01:05:46,411
>> WHAT ARE YOU TALKING ABOUT?
1723
01:05:46,411 --> 01:05:48,613
>> EMOTIONAL SUPPORT ANIMALS
1724
01:05:48,613 --> 01:05:50,916
HAVE A RICH HISTORY IN
1725
01:05:50,916 --> 01:05:51,216
TELEVISION.
1726
01:05:51,216 --> 01:05:52,717
>> THIS CATEGORY IS IN BEST
1727
01:05:52,717 --> 01:05:55,253
SUPPORTING ACTOR, AS IN HUMAN
1728
01:05:55,253 --> 01:05:55,454
ACTOR.
1729
01:05:55,454 --> 01:05:57,255
>> OKAY.
1730
01:05:57,255 --> 01:06:00,792
THAT IS -- SORRY.
1731
01:06:00,792 --> 01:06:01,326
UNRELATED.
1732
01:06:01,326 --> 01:06:03,261
THIS FIN IN THE AUDIENCE NEEDS
1733
01:06:03,261 --> 01:06:06,264
500 DOG TREATS, COME AND FIND ME
1734
01:06:06,264 --> 01:06:08,433
AT THE AFTER PARTY.
1735
01:06:08,433 --> 01:06:10,435
>> DUTY NOTED.
1736
01:06:10,435 --> 01:06:11,036
>> HERE ARE THE NOMINEES FOR
1737
01:06:11,036 --> 01:06:13,405
SUPPORTING ACTOR IN A LIMITED OR
1738
01:06:13,405 --> 01:06:14,439
ANTHOLOGY SERIES OR MOVIE.
1739
01:06:14,439 --> 01:06:15,073
>> Announcer: JONATHAN BAILEY,
1740
01:06:15,073 --> 01:06:16,041
FELLOW TRAVELERS.
1741
01:06:16,041 --> 01:06:18,143
ROBERT DOWNEY JR., "THE
1742
01:06:18,143 --> 01:06:18,476
SYMPATHIZER."
1743
01:06:18,476 --> 01:06:20,245
TOM GOODMAN-HILL, "BABY
1744
01:06:20,245 --> 01:06:22,347
REINDEER."
1745
01:06:22,347 --> 01:06:22,948
JOHN HAWKES, "TRUE DETECTIVE:
1746
01:06:22,948 --> 01:06:25,016
NIGHT COUNTRY."
1747
01:06:25,016 --> 01:06:27,152
LAMORNE MORRIS, "FARGO."
1748
01:06:27,152 --> 01:06:28,186
LEWIS PULLMAN, "LESSONS IN
1749
01:06:28,186 --> 01:06:30,288
CHEMISTRY."
1750
01:06:30,288 --> 01:06:31,857
TREAT WILLIAMS, "FEUD: CAPOTE
1751
01:06:31,857 --> 01:06:36,628
VS. THE SWANS."
1752
01:06:36,628 --> 01:06:46,771
>> AND THE EMMY GOES TO --
1753
01:06:46,771 --> 01:06:50,976
LAMORNE MORRIS, "FARGO".
1754
01:06:50,976 --> 01:06:52,878
>> THIS IS THE FIRST EMMY
1755
01:06:52,878 --> 01:06:55,347
NOMINATION AND NOMINATION FOR
1756
01:06:55,347 --> 01:06:59,551
LAMORNE MORRIS.
1757
01:06:59,551 --> 01:07:17,168
��
1758
01:07:17,168 --> 01:07:18,069
>> GOSH!
1759
01:07:18,069 --> 01:07:19,771
WHAT'S UP, MAN?
1760
01:07:19,771 --> 01:07:20,872
OH, MY GOSH.
1761
01:07:20,872 --> 01:07:25,410
I WANT TO -- OH WOW!
1762
01:07:25,410 --> 01:07:28,046
I WANT TO THANK -- I THANK TO
1763
01:07:28,046 --> 01:07:29,781
THANK GOD FOR ALLOWING ME TO BE
1764
01:07:29,781 --> 01:07:30,015
HERE.
1765
01:07:30,015 --> 01:07:32,517
I ALSO WANT TO THANK GOD FOR MY
1766
01:07:32,517 --> 01:07:37,389
BEAUTIFUL MOTHER, WHO RAISED ME.
1767
01:07:37,389 --> 01:07:40,058
SHE'S -- SHE'S BEEN MY BIGGEST
1768
01:07:40,058 --> 01:07:41,526
CHAMPION EVER SINCE I, YOU KNOW,
1769
01:07:41,526 --> 01:07:45,463
CAME OUT OF, YOU KNOW, I DROPPED
1770
01:07:45,463 --> 01:07:47,032
OUT OF HER -- HER BUTT.
1771
01:07:47,032 --> 01:07:47,332
WHATEVER.
1772
01:07:47,332 --> 01:07:50,135
I KNOW WHERE BABIES COME FROM.
1773
01:07:50,135 --> 01:07:51,937
MY BEAUTIFUL DAUGHTER, LILY.
1774
01:07:51,937 --> 01:07:52,671
I LOVE YOU.
1775
01:07:52,671 --> 01:07:55,040
I TOLD YOU I WOULD DO IT.
1776
01:07:55,040 --> 01:07:57,876
YOU HAVE ALWAYS DOUBTED ME.
1777
01:07:57,876 --> 01:07:59,711
HERE, I'M YOUR LEADER.
1778
01:07:59,711 --> 01:08:02,681
ALL THE FOLKS AT FX, MY
1779
01:08:02,681 --> 01:08:04,015
BEAUTIFUL CAST, MY MANAGEMENT
1780
01:08:04,015 --> 01:08:06,117
TEAM 360.
1781
01:08:06,117 --> 01:08:07,619
I'M FORGETTING SO MANY PEOPLE.
1782
01:08:07,619 --> 01:08:08,553
PLEASE WRAP IT UP.
1783
01:08:08,553 --> 01:08:09,421
SHUT UP.
1784
01:08:09,421 --> 01:08:16,861
MY FELLOW MOM KNNOMINEES.
1785
01:08:16,861 --> 01:08:17,062
OKAY.
1786
01:08:17,062 --> 01:08:17,796
AND I LOVE YOU.
1787
01:08:17,796 --> 01:08:19,497
I LOVE YOU TO ALL MY FRIENDS AND
1788
01:08:19,497 --> 01:08:20,498
MY FAMILY.
1789
01:08:20,498 --> 01:08:22,100
IF YOU GOT MY NUMBER, THAT MEANS
1790
01:08:22,100 --> 01:08:23,101
I LOVE YOU.
1791
01:08:23,101 --> 01:08:26,404
AND WHO AM I FORGETTING?
1792
01:08:26,404 --> 01:08:27,205
LET'S SEE.
1793
01:08:27,205 --> 01:08:29,274
JOHN LANDGRAPH, THANK YOU.
1794
01:08:29,274 --> 01:08:31,042
YOU PUT TOGETHER ONE HELL OF A
1795
01:08:31,042 --> 01:08:31,910
CAST, MAN.
1796
01:08:31,910 --> 01:08:33,678
THANK YOU FOR TRUSTING AND
1797
01:08:33,678 --> 01:08:36,114
BELIEVING IN ME AND EVERYONE
1798
01:08:36,114 --> 01:08:40,118
OVER AT FX AND HULU.
1799
01:08:40,118 --> 01:08:41,987
I'LL DO ANOTHER THING ON MY
1800
01:08:41,987 --> 01:08:43,054
PODCAST AND THANK THE REST OF
1801
01:08:43,054 --> 01:08:44,456
THE PEOPLE I FORGOT TO THANK.
1802
01:08:44,456 --> 01:08:53,565
YEAH, YEAH, YEAH.
1803
01:08:53,565 --> 01:08:55,667
��
1804
01:08:55,667 --> 01:08:59,137
[ APPLAUSE ]
1805
01:08:59,137 --> 01:09:02,273
>> Announcer: JOINING US ON
1806
01:09:02,273 --> 01:09:03,508
STAGE RIGHT NOW ARE THREE ACTORS
1807
01:09:03,508 --> 01:09:04,142
WHOSE CHARACTERS WERE MEMBERS OF
1808
01:09:04,142 --> 01:09:07,512
A PROFESSION THAT HAS BEEN THE
1809
01:09:07,512 --> 01:09:08,146
SOURCE OF GREAT STORYLINES GOING
1810
01:09:08,146 --> 01:09:09,681
BACK TO THE VERY FIRST MEDICAL
1811
01:09:09,681 --> 01:09:12,283
DRAMA, "CITY HOSPITAL, "THAT
1812
01:09:12,283 --> 01:09:14,953
DEBUTED 73 YEARS AGO, PLEASE
1813
01:09:14,953 --> 01:09:15,587
WELCOME TV DOCTORS MEKHI PHIFER
1814
01:09:15,587 --> 01:09:17,088
AND EMMY NOMINEES MINDY KALING
1815
01:09:17,088 --> 01:09:27,098
AND ZACH BRAFF.
1816
01:09:27,098 --> 01:09:27,699
>> I WAS SO HONORED TO PLAY A
1817
01:09:27,699 --> 01:09:34,439
DOCTOR ON "ER."
1818
01:09:34,439 --> 01:09:35,473
AND IN DEVELOPING MY CHARACTER,
1819
01:09:35,473 --> 01:09:37,642
I WAS INSPIRED NOT JUST BY THE
1820
01:09:37,642 --> 01:09:38,209
ACTORS ON THE SERIES BUT BY
1821
01:09:38,209 --> 01:09:42,313
ACTUAL PHYSICIANS I'VE KNOWN.
1822
01:09:42,313 --> 01:09:42,947
>> I WAS INSPIRED TO PORTRAY A
1823
01:09:42,947 --> 01:09:43,581
DOCTOR ON "THE MINDY PROJECT" BY
1824
01:09:43,581 --> 01:09:46,451
THE EXAMPLE OF MY OWN MOTHER, AN
1825
01:09:46,451 --> 01:09:47,519
OB-GYN.
1826
01:09:47,519 --> 01:09:49,554
WHAT ABOUT YOU, ZACH?
1827
01:09:49,554 --> 01:09:53,625
>> I WAS WAITING TABLES IN A
1828
01:09:53,625 --> 01:09:54,659
BEIGE TUNIC, SERVING THE
1829
01:09:54,659 --> 01:09:55,293
UNIVERSALLY GRACIOUS PEOPLE OF
1830
01:09:55,293 --> 01:10:00,665
BEVERLY HILLS.
1831
01:10:00,665 --> 01:10:03,868
I WOULD GET FOOT-LONG HOT DOGS
1832
01:10:03,868 --> 01:10:09,674
FROM 7-ELEVEN AND EAT SIX INCHES
1833
01:10:09,674 --> 01:10:14,379
FOR LUNCH AND SIX INCHES FOR
1834
01:10:14,379 --> 01:10:14,612
DINNER.
1835
01:10:14,612 --> 01:10:15,513
I WAS INSPIRED TO NOT LIVE LIKE
1836
01:10:15,513 --> 01:10:16,948
THAT ANYMORE.
1837
01:10:16,948 --> 01:10:17,582
>> I CAN SEE THAT IN EVERY SCENE
1838
01:10:17,582 --> 01:10:20,518
YOU WERE IN.
1839
01:10:20,518 --> 01:10:20,852
>> THANK YOU.
1840
01:10:20,852 --> 01:10:21,086
>> YES.
1841
01:10:21,086 --> 01:10:23,755
AND I CONCUR.
1842
01:10:23,755 --> 01:10:24,355
>> HERE ARE THE NOMINEES FOR
1843
01:10:24,355 --> 01:10:27,559
WRITING FOR A DRAMA SERIES.
1844
01:10:27,559 --> 01:10:28,359
>> Announcer: PETER MORGAN AND
1845
01:10:28,359 --> 01:10:31,529
MERIEL SHEIBANI-CLARE, "THE
1846
01:10:31,529 --> 01:10:31,763
CROWN."
1847
01:10:31,763 --> 01:10:33,098
GENEVA ROBERTSON-DWORET AND
1848
01:10:33,098 --> 01:10:35,734
GRAHAM WAGNER, "FALLOUT."
1849
01:10:35,734 --> 01:10:37,302
FRANCESCA SLOANE AND
1850
01:10:37,302 --> 01:10:38,369
DONALD GLOVER, "MR. &
1851
01:10:38,369 --> 01:10:41,473
MRS. SMITH."
1852
01:10:41,473 --> 01:10:42,107
RACHEL KONDO AND JUSTIN MARKS,
1853
01:10:42,107 --> 01:10:43,608
"SHOGUN."
1854
01:10:43,608 --> 01:10:46,411
RACHEL KONDO AND CAILLIN PUENTE,
1855
01:10:46,411 --> 01:10:51,516
"SHOGUN."
1856
01:10:51,516 --> 01:10:55,520
WILL SMITH, "SLOW HORSES."
1857
01:10:55,520 --> 01:11:04,229
>> AND THE EMMY GOES TO --
1858
01:11:04,229 --> 01:11:09,334
>> WILL SMITH, "SLOW HORSES."
1859
01:11:09,334 --> 01:11:09,534
��
1860
01:11:09,534 --> 01:11:11,002
>> THIS IS THE THIRD EMMY WIN
1861
01:11:11,002 --> 01:11:12,804
AND FIFTH NOMINATION FOR WILL
1862
01:11:12,804 --> 01:11:13,004
SMITH.
1863
01:11:13,004 --> 01:11:15,140
HE TOOK HOME HIS FIRST EMMY FOR
1864
01:11:15,140 --> 01:11:16,975
BEING A PART OF THE PRODUCING
1865
01:11:16,975 --> 01:11:21,946
TEAM OF "VEEP."
1866
01:11:21,946 --> 01:11:26,151
��
1867
01:11:26,151 --> 01:11:27,952
>> FIRST OF ALL, RELAX.
1868
01:11:27,952 --> 01:11:31,923
DESPITE MY NAME, I COME IN
1869
01:11:31,923 --> 01:11:34,726
PEACE.
1870
01:11:34,726 --> 01:11:37,629
I'D LIKE TO THANK NICK HARAN FOR
1871
01:11:37,629 --> 01:11:40,398
HIS BRILLIANT BOOKS, FOR SEEING
1872
01:11:40,398 --> 01:11:41,666
THE POTENTIAL IN THEM, SEEING
1873
01:11:41,666 --> 01:11:43,902
THE POTENTIAL IN ME.
1874
01:11:43,902 --> 01:11:46,004
JAY HUNT ON HER UNWAVERING
1875
01:11:46,004 --> 01:11:48,706
BELIEF IN THE SHOW.
1876
01:11:48,706 --> 01:11:52,110
BRIAN YOST FOR HIS SUPPORT AND
1877
01:11:52,110 --> 01:11:52,377
WISDOM.
1878
01:11:52,377 --> 01:11:55,880
MY FELLOW WRITERS, MY AMAZING
1879
01:11:55,880 --> 01:12:00,451
AGENT, MY WONDERFUL WIFE ANNE,
1880
01:12:00,451 --> 01:12:10,762
LEO AND PHOEBE AND THE MOST
1881
01:12:10,762 --> 01:12:12,197
GIFTED INSURANCE COBLATOR.
1882
01:12:12,197 --> 01:12:15,066
THANK YOU FOR MAKING THE VERY
1883
01:12:15,066 --> 01:12:16,367
BEST VERSION OF THE SCRIPT.
1884
01:12:16,367 --> 01:12:17,535
THANK YOU SO MUCH.
1885
01:12:17,535 --> 01:12:18,603
>> Announcer: STILL TO COME, THE
1886
01:12:18,603 --> 01:12:19,237
AWARDS FOR ACTOR AND ACTRESS IN
1887
01:12:19,237 --> 01:12:20,205
A DRAMA SERIES, A "HAPPY DAYS"
1888
01:12:20,205 --> 01:12:23,374
REUNION YOU WON'T WANT TO MISS,
1889
01:12:23,374 --> 01:12:24,142
AND A PERFORMANCE BY JELLY ROLL,
1890
01:12:36,354 --> 01:12:37,755
>>> LET ME ASK YOU, WHAT GOES
1891
01:12:37,755 --> 01:12:41,025
BEST WITH A BURGER?
1892
01:12:41,025 --> 01:12:41,626
>> EASY, JOHNNIE WALKER BLUE
1893
01:12:41,626 --> 01:12:44,062
LABEL.
1894
01:12:44,062 --> 01:12:44,729
>> PERFECT.
1895
01:12:44,729 --> 01:12:45,763
>> THERE YOU ARE.
1896
01:12:45,763 --> 01:12:46,397
I'VE BEEN LOOKING ALL OVER FOR
1897
01:12:46,397 --> 01:12:47,332
YOU.
1898
01:12:47,332 --> 01:12:47,966
ARE YOU WATCHING THE SHOW FROM A
1899
01:12:47,966 --> 01:12:50,668
BACKSTAGE BAR?
1900
01:12:50,668 --> 01:12:52,570
>> YEAH, THIS IS -- YOU KNOW,
1901
01:12:52,570 --> 01:12:54,272
THIS IS THE BEST SEAT IN THE
1902
01:12:54,272 --> 01:12:54,706
HOUSE.
1903
01:12:54,706 --> 01:12:55,940
IT'S QUIET.
1904
01:12:55,940 --> 01:12:57,141
WE'VE GOT A GREAT VIEW.
1905
01:12:57,141 --> 01:12:57,942
JOIN ME.
1906
01:12:57,942 --> 01:12:58,476
>> ALL RIGHT.
1907
01:12:58,476 --> 01:13:01,045
>> YOU KNOW, I CHECKED.
1908
01:13:01,045 --> 01:13:05,116
IT'S OKAY TO HAVE A DRINK AND
1909
01:13:05,116 --> 01:13:06,317
PRESENT RESPONSIBLY.
1910
01:13:06,317 --> 01:13:08,052
>> GREAT.
1911
01:13:08,052 --> 01:13:08,753
TO A GREAT NIGHT.
1912
01:13:08,753 --> 01:13:13,124
>> Announcer: PLEASE WELCOME
1913
01:13:13,124 --> 01:13:14,525
EBON MOSS-BACHRACH AND
1914
01:13:14,525 --> 01:13:18,429
TAYLOR ZAKHAR PEREZ.
1915
01:13:18,429 --> 01:13:22,667
>> WE'LL BE RIGHT BACK.
1916
01:13:22,667 --> 01:13:24,636
>> YEAH.
1917
01:13:24,636 --> 01:13:25,703
>> Announcer: WE ARE BACK AT
1918
01:13:25,703 --> 01:13:27,772
"THE 76th EMMY AWARDS," LIVE
1919
01:13:27,772 --> 01:13:28,339
FROM THE PEACOCK THEATER IN
1920
01:13:28,339 --> 01:13:31,442
DOWNTOWN LOS ANGELES.
1921
01:13:31,442 --> 01:13:32,010
IT'S TIME FOR THE AWARD FOR
1922
01:13:32,010 --> 01:13:33,077
WRITING FOR A LIMITED OR
1923
01:13:33,077 --> 01:13:35,179
ANTHOLOGY SERIES OR MOVIE.
1924
01:13:35,179 --> 01:13:36,781
WILL IT GO TO "BABY REINDEER,"
1925
01:13:36,781 --> 01:13:40,451
"BLACK MIRROR," "FARGO," "FELLOW
1926
01:13:40,451 --> 01:13:41,052
TRAVELERS," "RIPLEY" OR "TRUE
1927
01:13:41,052 --> 01:13:41,586
DETECTIVE: NIGHT COUNTRY?"
1928
01:13:41,586 --> 01:13:44,055
AND NOW, IT'S TIME TO PRESENT
1929
01:13:44,055 --> 01:13:50,428
OUR NEXT EMMY.
1930
01:13:50,428 --> 01:13:54,098
>> THAT WAS SO MUCH FUN.
1931
01:13:54,098 --> 01:13:55,233
>> YEAH.
1932
01:13:55,233 --> 01:13:56,234
>> FOR ONCE.
1933
01:13:56,234 --> 01:13:56,968
IT WAS NICE.
1934
01:13:56,968 --> 01:13:59,837
>> YEAH.
1935
01:13:59,837 --> 01:14:00,338
YEAH, YEAH.
1936
01:14:00,338 --> 01:14:00,938
>> AND HERE ARE THE NOMINEES.
1937
01:14:00,938 --> 01:14:01,506
>> Announcer: RICHARD GADD,
1938
01:14:01,506 --> 01:14:02,974
BABY REINDEER.
1939
01:14:02,974 --> 01:14:06,110
CHARLIE BROOKER, "BLACK MIRROR."
1940
01:14:06,110 --> 01:14:08,780
NOAH HAWLEY, "FARGO."
1941
01:14:08,780 --> 01:14:09,314
RON NYSWANER, "FELLOW
1942
01:14:09,314 --> 01:14:11,416
TRAVELERS."
1943
01:14:11,416 --> 01:14:14,085
STEVEN ZAILLIAN, "RIPLEY."
1944
01:14:14,085 --> 01:14:14,686
ISSA LOPEZ, "TRUE DETECTIVE:
1945
01:14:14,686 --> 01:14:25,129
NIGHT COUNTRY."
1946
01:14:25,129 --> 01:14:39,811
>> AND THE EMMY GOES TO --
1947
01:14:39,811 --> 01:14:50,922
RICHARD GADD, "BABY REINDEER."
1948
01:14:50,922 --> 01:14:51,122
��
1949
01:14:51,122 --> 01:14:51,422
[ APPLAUSE ]
1950
01:14:51,422 --> 01:14:53,124
>> THANK YOU SO MUCH.
1951
01:14:53,124 --> 01:14:53,992
>> OH, WOW.
1952
01:14:53,992 --> 01:14:55,059
THANKS SO MUCH.
1953
01:14:55,059 --> 01:14:58,229
THIS IS THE STUFF OF DRINKS.
1954
01:14:58,229 --> 01:14:59,897
THANKS SO MUCH TO THE ACADEMY.
1955
01:14:59,897 --> 01:15:01,766
THANK YOU TO NETFLIX FOR LETTING
1956
01:15:01,766 --> 01:15:03,901
ME TELL THE STORY TO THE WORLD.
1957
01:15:03,901 --> 01:15:06,637
THANK YOU TO PETRA, MY BROTHERS
1958
01:15:06,637 --> 01:15:07,505
MATT AND ED.
1959
01:15:07,505 --> 01:15:09,073
THANK YOU TO ALL THE AMAZING
1960
01:15:09,073 --> 01:15:11,743
CAST AND CREW, MY AMAZING CAST
1961
01:15:11,743 --> 01:15:12,443
AND TEAM.
1962
01:15:12,443 --> 01:15:14,012
LOOK, TEN YEARS AGO, I WAS DOWN
1963
01:15:14,012 --> 01:15:15,346
AND OUT, RIGHT?
1964
01:15:15,346 --> 01:15:17,448
I NEVER EVER THOUGHT I WOULD GET
1965
01:15:17,448 --> 01:15:18,483
MY LIFE TOGETHER.
1966
01:15:18,483 --> 01:15:20,785
I NEVER THOUGHT I WOULD BE ABLE
1967
01:15:20,785 --> 01:15:23,755
TO RECTIFY MYSELF AND GET MYSELF
1968
01:15:23,755 --> 01:15:25,223
BACK ON MY FEET AGAIN.
1969
01:15:25,223 --> 01:15:27,992
HERE I AM JUST A DECADE LATER
1970
01:15:27,992 --> 01:15:29,727
PICKING UP ONE OF THE BIGGEST
1971
01:15:29,727 --> 01:15:31,529
AWARDS IN TELEVISION, YEAH.
1972
01:15:31,529 --> 01:15:33,131
NOW, I DON'T MEAN THAT -- I
1973
01:15:33,131 --> 01:15:35,066
DON'T MEAN THAT TO SOUND
1974
01:15:35,066 --> 01:15:35,733
ARROGANT.
1975
01:15:35,733 --> 01:15:37,735
I MEAN THAT FOR ANYONE GOING
1976
01:15:37,735 --> 01:15:38,836
THROUGH A DIFFICULT TIME RIGHT
1977
01:15:38,836 --> 01:15:40,905
NOW TO PERSEVERE.
1978
01:15:40,905 --> 01:15:42,640
I DON'T KNOW MUCH ABOUT THIS
1979
01:15:42,640 --> 01:15:42,840
LIFE.
1980
01:15:42,840 --> 01:15:44,809
BUT I DO KNOW NOTHING LASTS
1981
01:15:44,809 --> 01:15:45,109
FOREVER.
1982
01:15:45,109 --> 01:15:47,812
AND NO MATTER HOW BAD IT GETS,
1983
01:15:47,812 --> 01:15:48,746
IT ALWAYS GETS BETTER.
1984
01:15:48,746 --> 01:15:50,381
IF YOU ARE STRUGGLING, KEEP
1985
01:15:50,381 --> 01:15:50,581
GOING.
1986
01:15:50,581 --> 01:15:51,048
KEEP GOING.
1987
01:15:51,048 --> 01:15:53,151
AND I PROMISE YOU THINGS WILL BE
1988
01:15:53,151 --> 01:15:53,584
OKAY.
1989
01:15:53,584 --> 01:15:57,555
THANK YOU SO MUCH FOR THIS
1990
01:15:57,555 --> 01:16:01,159
AWARD.
1991
01:16:01,159 --> 01:16:01,692
[ APPLAUSE ]
1992
01:16:01,692 --> 01:16:03,795
��
1993
01:16:03,795 --> 01:16:06,397
>>> IN 1974, A STRANGE
1994
01:16:06,397 --> 01:16:08,533
PHENOMENON WAS BUBBLING UNDER
1995
01:16:08,533 --> 01:16:13,905
ALL THE POLITICAL TURBULENCE, A
1996
01:16:13,905 --> 01:16:14,138
WAVE OF
1997
01:16:14,138 --> 01:16:14,939
NOSTALGIA FOR THE 1950s.
1998
01:16:14,939 --> 01:16:15,973
THE MUSICAL "GREASE" WAS PLAYING
1999
01:16:15,973 --> 01:16:17,041
ON BROADWAY, "AMERICAN GRAFFITI"
2000
01:16:17,041 --> 01:16:18,076
HAD PREMIERED IN MOVIE THEATERS,
2001
01:16:18,076 --> 01:16:20,011
AND A BRAND-NEW SITCOM CALLED
2002
01:16:20,011 --> 01:16:21,245
"HAPPY DAYS" WAS MAKING ITS
2003
01:16:21,245 --> 01:16:23,347
TELEVISION DEBUT.
2004
01:16:23,347 --> 01:16:27,552
IT STARRED A YOUNG ACTOR WITH A
2005
01:16:27,552 --> 01:16:28,186
VERY FAMILIAR FACE WHO WOULD GO
2006
01:16:28,186 --> 01:16:29,153
ON TO BECOME ONE OF HOLLYWOOD'S
2007
01:16:29,153 --> 01:16:33,124
MOST ICONIC FILM DIRECTORS.
2008
01:16:33,124 --> 01:16:34,459
ALSO STARRING WAS A NEW KID ON
2009
01:16:34,459 --> 01:16:35,460
THE BLOCK WHO WAS ABOUT TO
2010
01:16:35,460 --> 01:16:37,128
BECOME THE COOLEST, TOUGHEST CAT
2011
01:16:37,128 --> 01:16:39,230
TO EVER PUT A COMB THROUGH A
2012
01:16:39,230 --> 01:16:40,798
DUCK TAIL.
2013
01:16:40,798 --> 01:16:42,867
CELEBRATING THE 50th ANNIVERSARY
2014
01:16:42,867 --> 01:16:44,936
OF "HAPPY DAYS," PLEASE WELCOME
2015
01:16:44,936 --> 01:16:53,110
RON HOWARD AND HENRY WINKLER.
2016
01:16:53,110 --> 01:16:57,715
[ APPLAUSE ]
2017
01:16:57,715 --> 01:17:00,585
>> OKAY, THANK YOU.
2018
01:17:00,585 --> 01:17:02,353
LISTEN, BEFORE WE GET STARTED, I
2019
01:17:02,353 --> 01:17:07,058
JUST WANT TO SAY, LAST -- LAST
2020
01:17:07,058 --> 01:17:08,426
WEEK MY VERY GOOD FRIEND FOR 50
2021
01:17:08,426 --> 01:17:13,197
YEARS WON AN EMMY FOR HIS WONDER
2022
01:17:13,197 --> 01:17:13,364
FUL
2023
01:17:13,364 --> 01:17:14,065
DOCUMENTARY "JIM HENSON: IDEA
2024
01:17:14,065 --> 01:17:16,334
MAN."
2025
01:17:16,334 --> 01:17:17,935
>> THANK YOU.
2026
01:17:17,935 --> 01:17:18,669
THANK YOU.
2027
01:17:18,669 --> 01:17:20,071
THANKS TO THE ACADEMY.
2028
01:17:20,071 --> 01:17:23,808
AND THIS IS FANTASTIC.
2029
01:17:23,808 --> 01:17:26,744
>> DID YOU -- DID YOU NOTICE
2030
01:17:26,744 --> 01:17:27,645
ANYTHING, THOUGH?
2031
01:17:27,645 --> 01:17:29,680
>> WELL, THERE WAS NO MUSIC WHEN
2032
01:17:29,680 --> 01:17:30,848
THAT THING WENT ON.
2033
01:17:30,848 --> 01:17:34,919
>> NO THEME SONG.
2034
01:17:34,919 --> 01:17:36,287
CANDICE BERGEN HAD A THEME SONG.
2035
01:17:36,287 --> 01:17:38,723
>> OF COURSE SHE WOULD GET ONE.
2036
01:17:38,723 --> 01:17:40,091
>> I HAVE A SOLUTION.
2037
01:17:40,091 --> 01:17:40,458
>> WHAT?
2038
01:17:40,458 --> 01:17:41,893
>> WELL, YOU COULD DO IT.
2039
01:17:41,893 --> 01:17:42,927
>> NO, COME ON.
2040
01:17:42,927 --> 01:17:44,729
FIRST OF ALL, I'M OUT OF
2041
01:17:44,729 --> 01:17:44,996
PRACTICE.
2042
01:17:44,996 --> 01:17:47,265
AND SECOND OF ALL, IT TAKES
2043
01:17:47,265 --> 01:17:49,033
SCHOOLING AND -- YOU KNOW.
2044
01:17:49,033 --> 01:17:51,369
>> WHEN YOU WENT TO THE YALE
2045
01:17:51,369 --> 01:17:52,703
SCHOOL OF DRAMA, HENRY.
2046
01:17:52,703 --> 01:17:53,804
COME ON.
2047
01:17:53,804 --> 01:18:01,112
YOU KNOW YOU CAN DO IT.
2048
01:18:01,112 --> 01:18:03,881
[ APPLAUSE ]
2049
01:18:03,881 --> 01:18:04,048
��
2050
01:18:04,048 --> 01:18:09,120
>> AYYYYYY.
2051
01:18:09,120 --> 01:18:11,689
NICE TO SEE YOU.
2052
01:18:11,689 --> 01:18:11,923
>> YES.
2053
01:18:11,923 --> 01:18:14,058
HERE ARE THE NOMINEES FOR
2054
01:18:14,058 --> 01:18:17,128
OUTSTANDING DIRECTING FOR A
2055
01:18:17,128 --> 01:18:18,229
COMEDY SERIES.
2056
01:18:18,229 --> 01:18:18,529
WELL DONE.
2057
01:18:18,529 --> 01:18:18,863
>> THANK YOU.
2058
01:18:18,863 --> 01:18:20,064
>> Announcer: RANDALL EINHORN,
2059
01:18:20,064 --> 01:18:20,498
"ABBOTT ELEMENTARY."
2060
01:18:20,498 --> 01:18:22,967
CHRISTOPHER STORER, "THE BEAR."
2061
01:18:22,967 --> 01:18:25,102
RAMY YOUSSEF, "THE BEAR."
2062
01:18:25,102 --> 01:18:28,773
GUY RITCHIE, "THE GENTLEMEN."
2063
01:18:28,773 --> 01:18:30,875
LUCIA ANIELLO, "HACKS."
2064
01:18:30,875 --> 01:18:31,475
MARY LOU BELLI, "THE MS. PAT
2065
01:18:31,475 --> 01:18:46,157
SHOW."
2066
01:18:46,157 --> 01:18:47,425
>> OH!
2067
01:18:47,425 --> 01:18:48,960
>> I WAS LAUGHING.
2068
01:18:48,960 --> 01:18:50,194
>> HI, EVERYBODY.
2069
01:18:50,194 --> 01:18:50,861
>> OKAY.
2070
01:18:50,861 --> 01:18:53,998
AND THE WINNER IS -- OKAY, YOU
2071
01:18:53,998 --> 01:18:54,865
ARE THE DIRECTOR.
2072
01:18:54,865 --> 01:19:06,510
>> OH, CHRISTOPHER STORER, "THE
2073
01:19:06,510 --> 01:19:06,744
BEAR".
2074
01:19:06,744 --> 01:19:11,882
>> THIS IS THE SECOND WIN FOR
2075
01:19:11,882 --> 01:19:17,154
CHRISTOPHER STORER.
2076
01:19:17,154 --> 01:19:23,661
��
2077
01:19:23,661 --> 01:19:24,395
>> WOW.
2078
01:19:24,395 --> 01:19:24,996
WOW.
2079
01:19:24,996 --> 01:19:27,865
THANK YOU SO MUCH TO FX FOR
2080
01:19:27,865 --> 01:19:28,966
INVESTING THE THING YOU PROBABLY
2081
01:19:28,966 --> 01:19:30,768
SHOULD INVEST IN, WHICH IS A
2082
01:19:30,768 --> 01:19:33,104
RESTAURANT.
2083
01:19:33,104 --> 01:19:33,671
HULU, DISNEY.
2084
01:19:33,671 --> 01:19:35,473
IT WAS ONE OF THOSE WEIRD
2085
01:19:35,473 --> 01:19:40,911
EPISODES WHERE WE WERE CRAMPED
2086
01:19:40,911 --> 01:19:41,679
INTO A SMALLER HOUSE AND I COULD
2087
01:19:41,679 --> 01:19:43,114
SEE OUR WHOLE CREW.
2088
01:19:43,114 --> 01:19:44,548
IT WAS SPECIAL BECAUSE I COULD
2089
01:19:44,548 --> 01:19:46,317
SEE HOW HARD EVERYBODY WORKED
2090
01:19:46,317 --> 01:19:47,485
AND HOW MUCH THEY CARED ABOUT
2091
01:19:47,485 --> 01:19:48,052
EACH OTHER.
2092
01:19:48,052 --> 01:19:50,655
AND I JUST WANT TO ACCEPT ON
2093
01:19:50,655 --> 01:19:51,956
THEIR BEHALF JUST BECAUSE
2094
01:19:51,956 --> 01:19:54,825
THEY'RE SO WONDERFUL.
2095
01:19:54,825 --> 01:19:56,360
AND I THINK THEY HAVE BEEN ABLE
2096
01:19:56,360 --> 01:19:58,462
TO DO THIS FOR A FEW YEARS NOW.
2097
01:19:58,462 --> 01:19:59,897
TO ANYBODY WATCHING THE BEAR, IT
2098
01:19:59,897 --> 01:20:01,532
MEANS SO MUCH TO US.
2099
01:20:01,532 --> 01:20:05,102
THANK YOU SO MUCH.
2100
01:20:05,102 --> 01:20:09,106
THIS IS GREAT.
2101
01:20:09,106 --> 01:20:10,141
[ APPLAUSE ]
2102
01:20:10,141 --> 01:20:12,476
>>> JUST AHEAD,
2103
01:20:12,476 --> 01:20:13,077
MATT BOMER AND JOSHUA JACKSON
2104
01:20:13,077 --> 01:20:13,711
PRESENT THE GOVERNORS AWARD TO
2105
01:20:13,711 --> 01:20:14,578
GREG BERLANTI.
2106
01:20:14,578 --> 01:20:15,146
THEN LATER, JANE LYNCH AND
2107
01:20:15,146 --> 01:20:16,213
BRENDAN HUNT HAVE A COACHES'
2108
01:20:16,213 --> 01:20:16,714
MOMENT.
2109
01:20:16,714 --> 01:20:20,518
IT'S "THE EMMYS" ON ABC.
2110
01:20:29,060 --> 01:20:29,660
>> Announcer: PLEASE WELCOME
2111
01:20:29,660 --> 01:20:38,869
EMMY WINNER JOHN LEGUIZAMO.
2112
01:20:38,869 --> 01:20:39,170
[ APPLAUSE ]
2113
01:20:39,170 --> 01:20:41,939
>> YO, YO, YO, WHAT'S UP?
2114
01:20:41,939 --> 01:20:42,473
>> HI, I'M JOHN LEGUIZAMO.
2115
01:20:42,473 --> 01:20:43,307
I'M ONE OF HOLLYWOOD'S DEI
2116
01:20:43,307 --> 01:20:46,010
HIRES.
2117
01:20:46,010 --> 01:20:49,146
THAT'S RIGHT, DEI.
2118
01:20:49,146 --> 01:20:50,214
THE D IS FOR DILIGENCE.
2119
01:20:50,214 --> 01:20:54,051
THE E IS FOR EXCELLENCE.
2120
01:20:54,051 --> 01:20:59,156
THE I IS FOR IMAGINATION.
2121
01:20:59,156 --> 01:20:59,757
EVERYONE IN THIS ROOM TONIGHT
2122
01:20:59,757 --> 01:21:00,358
HAS DEDICATED THEIR LIVES TO
2123
01:21:00,358 --> 01:21:02,059
DILIGENCE, EXCELLENCE, AND
2124
01:21:02,059 --> 01:21:03,894
IMAGINATION.
2125
01:21:03,894 --> 01:21:08,966
AND WE ARE ALL DEI HIRES.
2126
01:21:08,966 --> 01:21:10,034
WHAT A BEAUTIFUL AND DIVERSE
2127
01:21:10,034 --> 01:21:13,337
ROOM THIS IS TONIGHT.
2128
01:21:13,337 --> 01:21:14,405
WHEN I WAS GROWING UP IN
2129
01:21:14,405 --> 01:21:15,439
JACKSON HEIGHTS, QUEENS, A
2130
01:21:15,439 --> 01:21:21,445
SCRAWNY LITTLE WANNABE GANGSTER,
2131
01:21:21,445 --> 01:21:23,647
YOU'RE NOT FROM QUEENS, DON'T
2132
01:21:23,647 --> 01:21:23,814
LIE,
2133
01:21:23,814 --> 01:21:24,448
I DIDN'T EVEN KNOW THAT PEOPLE
2134
01:21:24,448 --> 01:21:25,583
LIKE ME COULD BE ACTORS.
2135
01:21:25,583 --> 01:21:26,584
AT FIFTEEN, I DIDN'T KNOW THE
2136
01:21:26,584 --> 01:21:27,151
WORD REPRESENTATION.
2137
01:21:27,151 --> 01:21:30,354
ACTUALLY, THERE WERE LOTS OF
2138
01:21:30,354 --> 01:21:33,057
WORDS I DIDN'T KNOW
2139
01:21:33,057 --> 01:21:33,924
BACK THEN.
2140
01:21:33,924 --> 01:21:36,327
BUT I SAW A LOT OF BROWN FACE.
2141
01:21:36,327 --> 01:21:36,861
I SAW MARLON BRANDO PLAY
2142
01:21:36,861 --> 01:21:37,928
EMILIANO ZAPATA IN "VIVA
2143
01:21:37,928 --> 01:21:40,030
ZAPATA," AND AL PACINO PLAY
2144
01:21:40,030 --> 01:21:40,664
CUBAN GANGSTER TONY MONTANA, AND
2145
01:21:40,664 --> 01:21:41,298
NATALIE WOOD PLAY A PUERTO RICAN
2146
01:21:41,298 --> 01:21:42,133
BEAUTY NAMED --
2147
01:21:42,133 --> 01:21:44,735
�� MARIA
2148
01:21:44,735 --> 01:21:48,406
EVERYBODY PLAYED US EXCEPT US.
2149
01:21:48,406 --> 01:21:50,007
I DIDN'T SEE A LOT OF PEOPLE ON
2150
01:21:50,007 --> 01:21:53,043
TV WHO LOOKED LIKE ME.
2151
01:21:53,043 --> 01:21:53,310
OF COURSE,
2152
01:21:53,310 --> 01:21:53,811
THERE WAS RICKY RICARDO.
2153
01:21:53,811 --> 01:21:56,947
"LUCY, YOU GOT SOME 'SPLAININ'
2154
01:21:56,947 --> 01:21:57,748
TO DO."
2155
01:21:57,748 --> 01:22:02,753
I KNOW SOME OF YOU REMEMBER THE
2156
01:22:02,753 --> 01:22:08,692
LOONEY TUNES CARTON MOUSE AND
2157
01:22:08,692 --> 01:22:16,967
HIS LETHARGIC, USELESS SIDEKICK,
2158
01:22:16,967 --> 01:22:17,535
SPEEDY GONZALES, "THE FASTEST
2159
01:22:17,535 --> 01:22:18,135
MOUSE IN ALL MEXICO," AND HIS
2160
01:22:18,135 --> 01:22:19,069
LETHARGIC, USELESS SIDEKICK
2161
01:22:19,069 --> 01:22:19,503
SLOWPOKE RODRIGUEZ.
2162
01:22:19,503 --> 01:22:20,137
"SORRY, SENOR PUSSYCAT.
2163
01:22:20,137 --> 01:22:20,738
I CAN'T PLAY WITH YOU NO MORE.
2164
01:22:20,738 --> 01:22:22,006
IT'S TIME FOR MY SIESTA."
2165
01:22:22,006 --> 01:22:22,773
THAT'S HOW WE SAW OURSELVES,
2166
01:22:22,773 --> 01:22:23,808
BECAUSE THAT'S ALL WE SAW OF
2167
01:22:23,808 --> 01:22:24,909
OURSELVES.
2168
01:22:24,909 --> 01:22:28,546
I USED TO WATCH "STAR TREK" AND
2169
01:22:28,546 --> 01:22:29,180
THINK, "WOW, IN THE FUTURE THERE
2170
01:22:29,180 --> 01:22:35,286
ARE NO MORE LATINO PEOPLE.
2171
01:22:35,286 --> 01:22:37,188
BUT AT LEAST THEN, THE FOOD WILL
2172
01:22:37,188 --> 01:22:38,055
SUCK."
2173
01:22:38,055 --> 01:22:38,656
FOR YEARS, I DIDN'T COMPLAIN
2174
01:22:38,656 --> 01:22:39,223
ABOUT THE LIMITED ROLES MY
2175
01:22:39,223 --> 01:22:39,790
PEOPLE WERE OFFERED --
2176
01:22:39,790 --> 01:22:41,392
THE SPICY SEXPOT, THE LATIN
2177
01:22:41,392 --> 01:22:43,527
LOVER, THE MAID, THE GANGBANGER.
2178
01:22:43,527 --> 01:22:44,962
TURNS OUT, NOT COMPLAINING
2179
01:22:44,962 --> 01:22:50,601
DOESN'T CHANGE ANYTHING.
2180
01:22:50,601 --> 01:22:54,605
SO FOR THE -- THANK YOU.
2181
01:22:54,605 --> 01:22:54,905
[ APPLAUSE ]
2182
01:22:54,905 --> 01:22:55,539
>> SO, FOR THE PAST FEW YEARS,
2183
01:22:55,539 --> 01:22:56,640
I'VE BEEN COMPLAINING.
2184
01:22:56,640 --> 01:22:58,742
A FEW MONTHS AGO, I TOOK OUT A
2185
01:22:58,742 --> 01:23:00,344
FULL-PAGE AD IN THE NEW YORK
2186
01:23:00,344 --> 01:23:02,012
TIMES ASKING EMMY VOTERS TO
2187
01:23:02,012 --> 01:23:06,016
RECOGNIZE CANDIDATES OF COLOR.
2188
01:23:06,016 --> 01:23:06,650
IT'S A GOOD THING I DECIDED TO
2189
01:23:06,650 --> 01:23:07,284
DO IT BEFORE I FOUND OUT HOW
2190
01:23:07,284 --> 01:23:13,557
MUCH A FULL- PAGE AD IN THE
2191
01:23:13,557 --> 01:23:14,058
"NEW YORK TIMES" COSTS.
2192
01:23:14,058 --> 01:23:14,992
BUT THE AD WORKED.
2193
01:23:14,992 --> 01:23:18,295
OVERNIGHT, HOLLYWOOD CHANGED.
2194
01:23:18,295 --> 01:23:20,931
OKAY, NOT REALLY.
2195
01:23:20,931 --> 01:23:36,180
BUT WHAT I SEE HERE TONIGHT
2196
01:23:36,180 --> 01:23:37,248
MAKES ME, WELL, ALMOST HAPPY,
2197
01:23:37,248 --> 01:23:38,782
AND LESS ANGRY.
2198
01:23:38,782 --> 01:23:39,416
AMONG THE MOST DIVERSE LIST OF
2199
01:23:39,416 --> 01:23:40,584
NOMINEES IN EMMY HISTORY, I SEE
2200
01:23:40,584 --> 01:23:43,721
LOTS OF MY INCREDIBLY TALENTED
2201
01:23:43,721 --> 01:23:44,288
LATINX BROTHERS AND SISTERS.
2202
01:23:44,288 --> 01:23:45,289
SELENA GOMEZ IS NOMINATED FOR
2203
01:23:45,289 --> 01:23:51,095
"ONLY MURDERS IN THE BUILDING."
2204
01:23:51,095 --> 01:23:52,162
SHE'S BEEN CARRYING STEVE MARTIN
2205
01:23:52,162 --> 01:23:58,002
AND MARTIN SHORT FOR THREE
2206
01:23:58,002 --> 01:23:59,203
WHOLE SEASONS.
2207
01:23:59,203 --> 01:24:02,006
SOFIA VERGARA IS NOMINATED FOR
2208
01:24:02,006 --> 01:24:06,010
"GRISELDA."
2209
01:24:06,010 --> 01:24:06,644
ISSA LOPEZ IS BEING RECOGNIZED
2210
01:24:06,644 --> 01:24:15,419
FOR "TRUE DETECTIVE: NIGHT
2211
01:24:15,419 --> 01:24:16,453
COUNTRY," WHICH ALSO HAD
2212
01:24:16,453 --> 01:24:17,087
INDIGENOUS ACTRESS KALI REIS IN
2213
01:24:17,087 --> 01:24:22,960
A LEAD ROLE.
2214
01:24:22,960 --> 01:24:23,227
YES, SIR.
2215
01:24:23,227 --> 01:24:24,595
AND NAVA MAU, WHO WAS BORN IN
2216
01:24:24,595 --> 01:24:28,766
MEXICO CITY AND STARRED IN "BABY
2217
01:24:28,766 --> 01:24:32,937
REINDEER," IS THE FIRST
2218
01:24:32,937 --> 01:24:33,504
TRANSGENDER PERSON EVER
2219
01:24:33,504 --> 01:24:35,606
NOMINATED FOR A LIMITED-SERIES
2220
01:24:35,606 --> 01:24:46,617
ACTING EMMY.
2221
01:24:46,617 --> 01:24:51,422
ALSO, MY PAL, LIZA COLON-ZAYAS
2222
01:24:51,422 --> 01:24:53,057
IS UP FOR "THE BEAR," THE
2223
01:24:53,057 --> 01:24:54,091
CHARMING STORY OF WHITE PEOPLE
2224
01:24:54,091 --> 01:24:54,725
WHO ARE OBSESSED WITH MICHELIN
2225
01:24:54,725 --> 01:24:56,694
STARS AND MAKING KALE TASTE
2226
01:24:56,694 --> 01:25:01,432
GOOD.
2227
01:25:01,432 --> 01:25:02,032
THAT'S FIVE LATINX NOMINEES
2228
01:25:02,032 --> 01:25:05,102
BEING HONORED TONIGHT.
2229
01:25:05,102 --> 01:25:05,703
SIX, IF YOU COUNT MARK CUBAN
2230
01:25:05,703 --> 01:25:08,238
FROM "SHARK TANK."
2231
01:25:08,238 --> 01:25:08,772
WHAT?
2232
01:25:08,772 --> 01:25:09,373
HIS LAST NAME IS CUBAN, THAT
2233
01:25:09,373 --> 01:25:13,844
COUNTS.
2234
01:25:13,844 --> 01:25:14,078
COME ON.
2235
01:25:14,078 --> 01:25:14,712
HERE'S ANOTHER SIGN OF PROGRESS.
2236
01:25:14,712 --> 01:25:20,751
RIGHT AFTER I TOOK OUT THAT AD
2237
01:25:20,751 --> 01:25:22,052
IN "THE NEW YORK TIMES", ACADEMY
2238
01:25:22,052 --> 01:25:23,887
MEMBERS ELECTED THE FIRST EVER
2239
01:25:23,887 --> 01:25:25,456
LATINO CHAIR, EL SEMEJANTE
2240
01:25:25,456 --> 01:25:26,056
CRIS ABREGO.
2241
01:25:26,056 --> 01:25:27,057
YOU'RE WELCOME, HOLLYWOOD.
2242
01:25:27,057 --> 01:25:29,193
I DID IT.
2243
01:25:29,193 --> 01:25:30,761
>> Announcer: ACTUALLY, JOHN,
2244
01:25:30,761 --> 01:25:32,963
CRIS ABREGO WAS ELECTED CHAIR OF
2245
01:25:32,963 --> 01:25:35,466
THE TELEVISION ACADEMY IN
2246
01:25:35,466 --> 01:25:38,035
NOVEMBER 2023, WHICH WAS EIGHT
2247
01:25:38,035 --> 01:25:42,306
MONTHS BEFORE YOUR AD.
2248
01:25:42,306 --> 01:25:43,340
>> YEAH, WHATEVER.
2249
01:25:43,340 --> 01:25:44,942
WE NEED MORE STORIES FROM
2250
01:25:44,942 --> 01:25:45,309
EXCLUDED GROUPS.
2251
01:25:45,309 --> 01:25:46,510
BLACK, ASIAN, JEWISH, ARAB,
2252
01:25:46,510 --> 01:25:51,682
LGBTQ+.
2253
01:25:51,682 --> 01:25:52,483
AND DISABLED.
2254
01:25:52,483 --> 01:25:53,917
THIS SHOW TONIGHT IS PROOF THAT
2255
01:25:53,917 --> 01:25:58,055
OUR INDUSTRY IS MAKING PROGRESS,
2256
01:25:58,055 --> 01:26:00,257
AND I'M DELIGHTED TO INTRODUCE
2257
01:26:00,257 --> 01:26:00,891
YOU TO SOMEONE WHO IS COMMITTED
2258
01:26:00,891 --> 01:26:01,525
TO PROTECTING AND FOSTERING THAT
2259
01:26:01,525 --> 01:26:03,427
PROGRESS.
2260
01:26:03,427 --> 01:26:06,597
PLEASE WELCOME THE CHAIR OF THE
2261
01:26:06,597 --> 01:26:16,440
TELEVISION ACADEMY, CRIS ABREGO.
2262
01:26:16,440 --> 01:26:30,054
��
2263
01:26:30,054 --> 01:26:32,956
>> THANK YOU, JOHN, FOR JOINING
2264
01:26:32,956 --> 01:26:36,627
US TONIGHT AND FOR CONSISTENTLY
2265
01:26:36,627 --> 01:26:41,465
USING YOUR VOICE TO CHAMPION A
2266
01:26:41,465 --> 01:26:43,634
NEW AREA IN OUR INDUSTRY, ONE
2267
01:26:43,634 --> 01:26:45,502
IN WHICH WE ALL STAND TO WIN.
2268
01:26:45,502 --> 01:26:46,570
IT IS A DISTINCT HONOR TO STAND
2269
01:26:46,570 --> 01:26:47,571
HERE BEFORE SO MANY COLLEAGUES
2270
01:26:47,571 --> 01:26:48,672
AND FRIENDS AS CHAIR OF THE
2271
01:26:48,672 --> 01:26:49,673
TELEVISION ACADEMY.
2272
01:26:49,673 --> 01:26:50,741
THIS STAGE HAS BEEN THE BACKDROP
2273
01:26:50,741 --> 01:26:51,775
FOR SO MANY UNFORGETTABLE
2274
01:26:51,775 --> 01:26:53,877
MOMENTS FOR OUR CREATIVE
2275
01:26:53,877 --> 01:26:54,144
COMMUNITY.
2276
01:26:54,144 --> 01:26:55,979
WHEN VIOLA DAVIS BECAME THE
2277
01:26:55,979 --> 01:26:56,613
FIRST BLACK WOMAN TO WIN AN EMMY
2278
01:26:56,613 --> 01:26:57,181
FOR LEAD ACTRESS IN A DRAMA
2279
01:26:57,181 --> 01:26:59,149
SERIES IN 2015, SHE SAID "THE
2280
01:26:59,149 --> 01:26:59,783
ONLY THING THAT SEPARATES WOMEN
2281
01:26:59,783 --> 01:27:00,417
OF COLOR FROM ANYONE ELSE IS
2282
01:27:00,417 --> 01:27:00,751
OPPORTUNITY.
2283
01:27:00,751 --> 01:27:01,385
YOU CANNOT WIN AN EMMY FOR ROLES
2284
01:27:01,385 --> 01:27:12,863
THAT ARE SIMPLY NOT THERE."
2285
01:27:12,863 --> 01:27:13,897
THAT STAYED WITH ME.
2286
01:27:13,897 --> 01:27:14,965
SO, I WANT TO RECOGNIZE ALL OF
2287
01:27:14,965 --> 01:27:16,567
YOU WHO CREATE OR SUPPORT THE
2288
01:27:16,567 --> 01:27:18,035
STORIES THAT DO JUST THAT,
2289
01:27:18,035 --> 01:27:19,670
PROVIDE EXTRAORDINARY TALENT THE
2290
01:27:19,670 --> 01:27:20,938
OPPORTUNITIES THAT LEAD TO
2291
01:27:20,938 --> 01:27:25,476
NIGHTS LIKE THIS.
2292
01:27:25,476 --> 01:27:26,577
WHILE THERE IS STILL A LONG WAY
2293
01:27:26,577 --> 01:27:27,144
TO GO TO ADDRESS THE GAP IN
2294
01:27:27,144 --> 01:27:29,713
OPPORTUNITIES, THIS YEAR TELLS
2295
01:27:29,713 --> 01:27:30,280
US THAT WE ALL WANT TO SEE
2296
01:27:30,280 --> 01:27:31,281
CONTENT THAT'S IN DIALOGUE WITH
2297
01:27:31,281 --> 01:27:33,450
THE REAL WORLD.
2298
01:27:33,450 --> 01:27:37,121
AND THAT WHEN OUTSTANDING,
2299
01:27:37,121 --> 01:27:38,055
INCLUSIVE CONTENT IS GREENLIT,
2300
01:27:38,055 --> 01:27:39,223
AND THEN GIVEN THE BUDGET AND
2301
01:27:39,223 --> 01:27:40,791
SUPPORT REQUIRED FOR SUCCESS,
2302
01:27:40,791 --> 01:27:42,059
ACADEMY MEMBERS WILL FIND IT AND
2303
01:27:42,059 --> 01:27:50,000
REWARD IT.
2304
01:27:50,000 --> 01:27:50,934
SO GREAT.
2305
01:27:50,934 --> 01:27:51,235
[ APPLAUSE ]
2306
01:27:51,235 --> 01:27:51,869
THE ACADEMY IS COMMITTED TO
2307
01:27:51,869 --> 01:27:52,436
SUPPORTING AN INDUSTRY THAT
2308
01:27:52,436 --> 01:27:56,140
REPRESENTS ITS AUDIENCE.
2309
01:27:56,140 --> 01:27:59,276
FROM LEADING INDUSTRY-WIDE
2310
01:27:59,276 --> 01:28:01,411
CONVERSATIONS THAT DRIVE GREATER
2311
01:28:01,411 --> 01:28:02,446
INCLUSION, TO FORMING AFFINITY
2312
01:28:02,446 --> 01:28:03,046
GROUPS THAT ALLOW ENGAGEMENT
2313
01:28:03,046 --> 01:28:04,014
ACROSS PROFESSIONS, TO
2314
01:28:04,014 --> 01:28:05,582
SUPPORTING RISING PROFESSIONALS
2315
01:28:05,582 --> 01:28:06,049
THROUGH PROGRAMS LIKE
2316
01:28:06,049 --> 01:28:07,718
BOB BENNETT FUTURE LEADERS,
2317
01:28:07,718 --> 01:28:08,352
NAMED IN HONOR OF THE LEGENDARY
2318
01:28:08,352 --> 01:28:09,319
TELEVISION EXECUTIVE AND
2319
01:28:09,319 --> 01:28:16,193
PHILANTHROPIST
2320
01:28:16,193 --> 01:28:18,295
ROBERT M. BENNETT.
2321
01:28:18,295 --> 01:28:19,863
TODAY OUR ACADEMY IS BIGGER AND
2322
01:28:19,863 --> 01:28:20,898
STRONGER THAN EVER.
2323
01:28:20,898 --> 01:28:21,365
AS OF TONIGHT, WE ARE
2324
01:28:21,365 --> 01:28:22,499
25,829 MEMBERS STRONG.
2325
01:28:22,499 --> 01:28:23,133
THAT'S THE LARGEST THE ACADEMY
2326
01:28:23,133 --> 01:28:26,003
HAS EVER BEEN, AND I CELEBRATE
2327
01:28:26,003 --> 01:28:26,670
EACH OF YOU.
2328
01:28:26,670 --> 01:28:27,771
AND NOW, TO PRESENT THE
2329
01:28:27,771 --> 01:28:28,806
TELEVISION ACADEMY GOVERNORS
2330
01:28:28,806 --> 01:28:29,840
AWARD, PLEASE WELCOME
2331
01:28:29,840 --> 01:28:32,476
JOSHUA JACKSON AND EMMY NOMINEE
2332
01:28:32,476 --> 01:28:40,184
MATT BOMER.
2333
01:28:40,184 --> 01:28:51,895
��
2334
01:28:51,895 --> 01:28:55,532
>> OH, YES, THIS SONG.
2335
01:28:55,532 --> 01:28:56,166
>> IT IS OUR PLEASURE TONIGHT TO
2336
01:28:56,166 --> 01:28:58,001
PAY TRIBUTE TO A TRUE TELEVISION
2337
01:28:58,001 --> 01:28:58,669
ICON AND MOST IMPORTANTLY A
2338
01:28:58,669 --> 01:29:02,005
MENTOR AND A FRIEND.
2339
01:29:02,005 --> 01:29:02,639
I HAVE LOOKED TO GREG BERLANTI
2340
01:29:02,639 --> 01:29:04,474
AS AN INSPIRATION BOTH AS AN
2341
01:29:04,474 --> 01:29:07,077
ARTIST AND AS A PERSON AND
2342
01:29:07,077 --> 01:29:08,645
COLLABORATING WITH HIM IS A
2343
01:29:08,645 --> 01:29:09,279
REMINDER THAT NOT ONLY IS HE A
2344
01:29:09,279 --> 01:29:09,913
TALENT OF THE HIGHEST CALIBER,
2345
01:29:09,913 --> 01:29:11,815
HE IS ALSO ONE OF THE GOOD GUYS.
2346
01:29:11,815 --> 01:29:14,484
>> TV HISTORY WAS MADE ON
2347
01:29:14,484 --> 01:29:17,654
"DAWSON'S CREEK" AS GREG WAS THE
2348
01:29:17,654 --> 01:29:18,722
FIRST WRITER/PRODUCER TO SHOW A
2349
01:29:18,722 --> 01:29:19,323
GAY KISS ON PRIMETIME BETWEEN
2350
01:29:19,323 --> 01:29:21,892
TWO TEENAGERS.
2351
01:29:21,892 --> 01:29:23,994
THAT WAS BACK IN 2000.
2352
01:29:23,994 --> 01:29:26,630
I REMEMBER BEING SO PROUD TO BE
2353
01:29:26,630 --> 01:29:29,766
PART OF THAT SHOW AND AT THE
2354
01:29:29,766 --> 01:29:30,400
SAME TIME, I DIDN'T UNDERSTAND
2355
01:29:30,400 --> 01:29:32,936
HOW BIG IT WAS.
2356
01:29:32,936 --> 01:29:34,471
GREG GAVE US A BEAUTIFUL,
2357
01:29:34,471 --> 01:29:36,607
RELATABLE, AND YES, THE FIRST
2358
01:29:36,607 --> 01:29:38,942
PORTRAIT OF A GAY TEEN, WHO
2359
01:29:38,942 --> 01:29:41,845
ACTED ON HIS DESIRES WITH THE
2360
01:29:41,845 --> 01:29:42,479
SAME ANXIETY EVERYONE HAS OVER
2361
01:29:42,479 --> 01:29:42,946
THEIR FIRST KISS.
2362
01:29:42,946 --> 01:29:45,015
>> IT WAS A HUGE MOMENT.
2363
01:29:45,015 --> 01:29:46,617
BUT THEN AGAIN, GREG HAS ALWAYS
2364
01:29:46,617 --> 01:29:47,718
GIVEN US BIG MOMENTS, ONES THAT
2365
01:29:47,718 --> 01:29:50,053
CHALLENGE US TO BE BETTER
2366
01:29:50,053 --> 01:29:54,057
VERSIONS OF OURSELVES.
2367
01:29:54,057 --> 01:29:57,594
>> AND LIKE ALL VISIONARY
2368
01:29:57,594 --> 01:29:59,296
PRODUCERS, HE IS ONE STEP AHEAD
2369
01:29:59,296 --> 01:30:00,731
OF THE AUDIENCE WITH HIS SHOWS.
2370
01:30:00,731 --> 01:30:02,099
HE OPENS THE DOOR.
2371
01:30:02,099 --> 01:30:03,000
AND AS WE GO THROUGH, WE REALIZE
2372
01:30:03,000 --> 01:30:04,001
WE ARE MORE COMFORTABLE WITH
2373
01:30:04,001 --> 01:30:05,068
CHARACTERS HAVING REAL LIFE
2374
01:30:05,068 --> 01:30:06,003
EXPERIENCES THAN WE EVER COULD
2375
01:30:06,003 --> 01:30:06,336
HAVE IMAGINED.
2376
01:30:06,336 --> 01:30:07,170
>> BEYOND HIS INCREDIBLE WORK IN
2377
01:30:07,170 --> 01:30:08,272
FILM AND TELEVISION, GREG IS A
2378
01:30:08,272 --> 01:30:10,007
PHILANTHROPIST WHOSE BENEVOLENCE
2379
01:30:10,007 --> 01:30:12,476
KNOWS NO BOUNDS.
2380
01:30:12,476 --> 01:30:14,978
HIS BERLANTI FAMILY FOUNDATION
2381
01:30:14,978 --> 01:30:16,146
HAS GIVEN GENEROUSLY TO CANCER
2382
01:30:16,146 --> 01:30:18,248
RESEARCH, LGBTQ+ ORGANIZATIONS,
2383
01:30:18,248 --> 01:30:19,850
AND DURING HOLLYWOOD'S RECENT
2384
01:30:19,850 --> 01:30:21,451
LABOR STRIKES, DONATED NEARLY
2385
01:30:21,451 --> 01:30:22,052
ONE MILLION DOLLARS TO THOSE
2386
01:30:22,052 --> 01:30:32,963
AFFECTED.
2387
01:30:32,963 --> 01:30:33,263
[ APPLAUSE ]
2388
01:30:33,263 --> 01:30:33,830
IN EVERYTHING HE DOES, HIS
2389
01:30:33,830 --> 01:30:34,464
IMPACT ON THE LGBTQ COMMUNITY,
2390
01:30:34,464 --> 01:30:35,599
ON OUR INDUSTRY AND ON HUMANITY
2391
01:30:35,599 --> 01:30:40,504
IS IMMEASURABLE.
2392
01:30:40,504 --> 01:30:41,605
��
2393
01:30:41,605 --> 01:30:42,139
>> Announcer: A PROLIFIC
2394
01:30:42,139 --> 01:30:44,975
SHOWRUNNER WITH OVER 45 SHOWS
2395
01:30:44,975 --> 01:30:45,442
AND A RECORD-BREAKING
2396
01:30:45,442 --> 01:30:49,479
20 SCRIPTED SERIES ON TV AT
2397
01:30:49,479 --> 01:30:50,113
ONCE, GREG BERLANTI'S JOURNEY TO
2398
01:30:50,113 --> 01:30:50,747
THIS STAGE BEGAN IN 1998 WHEN HE
2399
01:30:50,747 --> 01:30:51,348
JOINED "DAWSON'S CREEK" AS A
2400
01:30:51,348 --> 01:30:53,150
WRITER.
2401
01:30:53,150 --> 01:30:54,217
FROM THERE, HE WENT ON TO CREATE
2402
01:30:54,217 --> 01:30:55,819
AND SHEPHERD SOME OF THE MOST
2403
01:30:55,819 --> 01:30:56,987
ICONIC SERIES OF THE PAST
2404
01:30:56,987 --> 01:30:57,921
QUARTER CENTURY --
2405
01:30:57,921 --> 01:31:00,023
"BROTHERS & SISTERS,"
2406
01:31:00,023 --> 01:31:02,659
"EVERWOOD," "POLITICAL ANIMALS,"
2407
01:31:02,659 --> 01:31:03,727
"THE FLASH," "THE FLIGHT
2408
01:31:03,727 --> 01:31:08,999
ATTENDANT," "RIVERDALE," "ALL
2409
01:31:08,999 --> 01:31:10,067
AMERICAN AND FOUND."
2410
01:31:10,067 --> 01:31:12,169
ALONG THE WAY HE HAS USED HIS
2411
01:31:12,169 --> 01:31:14,037
PLATFORM AND HIS COMMITMENT TO
2412
01:31:14,037 --> 01:31:15,806
THE LGBTQ COMMUNITY TO BREAK NEW
2413
01:31:15,806 --> 01:31:16,840
GROUND, INTRODUCING THE FIRST
2414
01:31:16,840 --> 01:31:18,442
GAY KISS, THE FIRST GAY
2415
01:31:18,442 --> 01:31:22,012
MARRIAGE, AND THE FIRST
2416
01:31:22,012 --> 01:31:22,646
TRANSGENDER SUPERHERO, WHILE
2417
01:31:22,646 --> 01:31:24,781
CHAMPIONING DIVERSITY.
2418
01:31:24,781 --> 01:31:26,316
HE'S A WRITER AND DIRECTOR, A
2419
01:31:26,316 --> 01:31:27,951
PRODUCER AND PHILANTHROPIST
2420
01:31:27,951 --> 01:31:29,019
WHOSE CAUSES INCLUDE THE F
2421
01:31:29,019 --> 01:31:30,554
CANCER GALA AND THE GIVING
2422
01:31:30,554 --> 01:31:32,689
SPIRIT MPTF AND THE
2423
01:31:32,689 --> 01:31:34,825
ENTERTAINMENT COMMUNITY FUND.
2424
01:31:34,825 --> 01:31:36,893
NAMED ONE OF TIME MAGAZINE'S
2425
01:31:36,893 --> 01:31:37,961
100 MOST INFLUENTIAL PEOPLE IN
2426
01:31:37,961 --> 01:31:38,528
THE WORLD, HONORED FOR HIS
2427
01:31:38,528 --> 01:31:39,496
POWERFUL IMPACT ON ENTERTAINMENT
2428
01:31:39,496 --> 01:31:44,768
AND CULTURE.
2429
01:31:44,768 --> 01:31:45,068
TRAILBLAZER.
2430
01:31:45,068 --> 01:31:45,836
VISIONARY.
2431
01:31:45,836 --> 01:31:47,437
TELEVISION LEGEND.
2432
01:31:47,437 --> 01:31:58,482
GREG BERLANTI.
2433
01:31:58,482 --> 01:31:59,516
>> WE ARE HONORED TO PRESENT THE
2434
01:31:59,516 --> 01:32:02,185
2024 GOVERNORS AWARD TO
2435
01:32:02,185 --> 01:32:18,168
GREG BERLANTI.
2436
01:32:18,168 --> 01:32:18,969
��
2437
01:32:18,969 --> 01:32:29,346
[ APPLAUSE ]
2438
01:32:29,346 --> 01:32:30,881
>> THANK YOU, GENTLEMEN.
2439
01:32:30,881 --> 01:32:32,516
NOT JUST FOR YOUR KIND WORDS BUT
2440
01:32:32,516 --> 01:32:33,150
FOR YOUR INCREDIBLE TALENT AND
2441
01:32:33,150 --> 01:32:35,152
FRIENDSHIP THROUGH THE YEARS.
2442
01:32:35,152 --> 01:32:36,253
THANK YOU, CHRIS ABREGO AND THE
2443
01:32:36,253 --> 01:32:38,054
BOARD OF GOVERNORS FOR THIS
2444
01:32:38,054 --> 01:32:38,889
DEEPLY HUMBLING HONOR OF A
2445
01:32:38,889 --> 01:32:40,991
LIFETIME AND OPPORTUNITY TO
2446
01:32:40,991 --> 01:32:44,694
EXPRESS MY GRATITUDE.
2447
01:32:44,694 --> 01:32:45,328
FIRST, TO EVERYONE AT HOME WHOSE
2448
01:32:45,328 --> 01:32:45,962
WATCHED OUR SHOWS, THERE IS NO
2449
01:32:45,962 --> 01:32:47,297
THANK YOU THAT WOULD EVER BE
2450
01:32:47,297 --> 01:32:49,433
ENOUGH.
2451
01:32:49,433 --> 01:32:50,467
I WANTED TO BE A PART OF TV EVEN
2452
01:32:50,467 --> 01:32:51,001
BEFORE I KNEW HOW THAT WAS
2453
01:32:51,001 --> 01:32:52,536
POSSIBLE.
2454
01:32:52,536 --> 01:32:55,172
LIKE SO MANY GEN X KIDS IN THE
2455
01:32:55,172 --> 01:32:56,740
70s AND 80s, THE ONE COLOR TV
2456
01:32:56,740 --> 01:33:02,012
OUR FAMILY COULD AFFORD WAS ON
2457
01:33:02,012 --> 01:33:02,913
AROUND THE CLOCK IN OUR HOUSE.
2458
01:33:02,913 --> 01:33:05,148
AND I WATCHED AND LOVED ALL OF
2459
01:33:05,148 --> 01:33:05,315
IT.
2460
01:33:05,315 --> 01:33:05,949
NOW, THERE WEREN'T A LOT OF GAY
2461
01:33:05,949 --> 01:33:07,684
CHARACTERS ON TV BACK THEN.
2462
01:33:07,684 --> 01:33:08,318
AND I WAS A CLOSETED GAY KID AND
2463
01:33:08,318 --> 01:33:08,952
IT'S HARD TO DESCRIBE HOW LONELY
2464
01:33:08,952 --> 01:33:09,786
THAT WAS AT THE TIME.
2465
01:33:09,786 --> 01:33:10,854
THERE WAS NO INTERNET TO CONNECT
2466
01:33:10,854 --> 01:33:13,490
WITH OTHER QUEER KIDS.
2467
01:33:13,490 --> 01:33:14,090
NO LGBTQ+ ADVOCACY GROUPS IN
2468
01:33:14,090 --> 01:33:17,694
SCHOOLS.
2469
01:33:17,694 --> 01:33:18,328
BACK THEN, THE ONLY WAY TO TELL
2470
01:33:18,328 --> 01:33:20,330
IF ANOTHER KID MIGHT BE GAY WAS
2471
01:33:20,330 --> 01:33:20,931
IF HE ALSO WATCHED "DYNASTY,"
2472
01:33:20,931 --> 01:33:21,531
"DALLAS," AND COULD NAME ALL
2473
01:33:21,531 --> 01:33:28,271
FOUR OF "THE GOLDEN GIRLS."
2474
01:33:28,271 --> 01:33:28,572
THAT'S TRUE.
2475
01:33:28,572 --> 01:33:29,172
THEN, THE INITIAL REPORTS OF
2476
01:33:29,172 --> 01:33:30,006
AIDS STARTED SHOWING UP ON THE
2477
01:33:30,006 --> 01:33:31,441
NEWS.
2478
01:33:31,441 --> 01:33:32,976
AND FOR THE FIRST TIME IN MY
2479
01:33:32,976 --> 01:33:37,114
LIFE, I SAW OPENLY GAY MEN ON
2480
01:33:37,114 --> 01:33:37,414
TELEVISION.
2481
01:33:37,414 --> 01:33:38,014
TOO MANY WERE DYING, BUT THEY
2482
01:33:38,014 --> 01:33:38,682
WERE ALSO IN THE STREETS, MEN
2483
01:33:38,682 --> 01:33:40,250
HOLDING HANDS WITH OTHER MEN,
2484
01:33:40,250 --> 01:33:40,851
MARCHING, FIGHTING FOR THEIR
2485
01:33:40,851 --> 01:33:41,885
LIVES.
2486
01:33:41,885 --> 01:33:43,453
AND THEY GAVE ME HOPE THAT I
2487
01:33:43,453 --> 01:33:45,055
MIGHT ONE DAY HAVE THEIR COURAGE
2488
01:33:45,055 --> 01:33:48,158
TO COME OUT AND SHARE MY TRUTH
2489
01:33:48,158 --> 01:33:50,060
WITH THE WORLD.
2490
01:33:50,060 --> 01:33:50,660
THE OTHER THING THAT HAPPENED
2491
01:33:50,660 --> 01:33:51,361
BECAUSE OF TV WAS THAT I
2492
01:33:51,361 --> 01:33:51,995
ANNOUNCED TO MY FAMILY THE FIRST
2493
01:33:51,995 --> 01:33:52,963
TV CREATOR I WANTED TO BE,
2494
01:33:52,963 --> 01:33:58,668
JIM HENSON.
2495
01:33:58,668 --> 01:33:59,736
AND MY MOM GOT BUSINESS CARDS
2496
01:33:59,736 --> 01:34:00,804
MADE UP THAT SAID
2497
01:34:00,804 --> 01:34:01,371
"GREG BERLANTI, PUPPETEER."
2498
01:34:01,371 --> 01:34:01,938
AND SHE PUT THESE CARDS ALL
2499
01:34:01,938 --> 01:34:02,973
AROUND TOWN AND I STARTED
2500
01:34:02,973 --> 01:34:05,542
PERFORMING PUPPET SHOWS FOR
2501
01:34:05,542 --> 01:34:06,009
KID'S BIRTHDAYS.
2502
01:34:06,009 --> 01:34:06,643
THAT WAS IT, SOMEONE BELIEVED IN
2503
01:34:06,643 --> 01:34:08,678
ME, THAT I COULD TELL STORIES
2504
01:34:08,678 --> 01:34:09,012
FOR A LIVING.
2505
01:34:09,012 --> 01:34:09,646
IT'S WHY I'M SO APPRECIATIVE OF
2506
01:34:09,646 --> 01:34:12,382
THIS HONOR.
2507
01:34:12,382 --> 01:34:13,016
IT WON'T REMIND ME OF A SINGLE
2508
01:34:13,016 --> 01:34:13,650
SHOW, BUT INSTEAD IT WILL REMIND
2509
01:34:13,650 --> 01:34:15,018
ME OF ALL THE PEOPLE, LIKE MY
2510
01:34:15,018 --> 01:34:16,119
MOM WHOSE SHOULDERS I RODE IN ON
2511
01:34:16,119 --> 01:34:20,991
TONIGHT.
2512
01:34:20,991 --> 01:34:21,825
TOO MANY TO MENTION.
2513
01:34:21,825 --> 01:34:23,193
ALL THE TEACHERS, FRIENDS,
2514
01:34:23,193 --> 01:34:23,827
REPRESENTATIVES AND EXECUTIVES
2515
01:34:23,827 --> 01:34:24,828
ACROSS THE YEARS.
2516
01:34:24,828 --> 01:34:25,829
ACTORS AND CREWS WHO MADE REAL
2517
01:34:25,829 --> 01:34:26,997
THE WORLDS WE DREAMT UP.
2518
01:34:26,997 --> 01:34:27,531
AND I'LL REMEMBER ALL THE
2519
01:34:27,531 --> 01:34:30,066
WRITERS I DREAMT THOSE WORLDS UP
2520
01:34:30,066 --> 01:34:31,101
WITH.
2521
01:34:31,101 --> 01:34:32,669
IT WILL REMIND ME OF MY WARNER
2522
01:34:32,669 --> 01:34:33,703
BROTHERS TV FAMILY THAT'S BEEN
2523
01:34:33,703 --> 01:34:36,373
MY HOME FROM MY BEGINNINGS LED
2524
01:34:36,373 --> 01:34:37,908
BY THE GREAT PETER ROTH TO OUR
2525
01:34:37,908 --> 01:34:38,408
AMAZING LEADERS TODAY,
2526
01:34:38,408 --> 01:34:38,975
CHANNING DUNGEY AND
2527
01:34:38,975 --> 01:34:42,012
DAVID ZASLAV.
2528
01:34:42,012 --> 01:34:42,646
AND MY SEATMATES THIS EVENING,
2529
01:34:42,646 --> 01:34:44,981
WHO STAND IN FOR ALL THE OTHER
2530
01:34:44,981 --> 01:34:45,815
COWORKERS AND FAMILY WHO MADE
2531
01:34:45,815 --> 01:34:47,417
THIS MOMENT POSSIBLE.
2532
01:34:47,417 --> 01:34:50,053
THE AMAZING CARL OGAWA.
2533
01:34:50,053 --> 01:34:51,087
MY PRODUCING PARTNER, THE
2534
01:34:51,087 --> 01:34:54,257
INCOMPARABLE SARAH SCHECHTER.
2535
01:34:54,257 --> 01:34:54,891
MY LOVING SISTER DINA, MY FATHER
2536
01:34:54,891 --> 01:34:58,495
GENE.
2537
01:34:58,495 --> 01:35:00,063
MY DAD WAS A BUSINESSMAN HIS
2538
01:35:00,063 --> 01:35:02,065
WHOLE LIFE AND YET MADE ME STUDY
2539
01:35:02,065 --> 01:35:02,666
THEATRE IN COLLEGE BECAUSE HE
2540
01:35:02,666 --> 01:35:05,302
KNEW IT'S WHAT I LOVED.
2541
01:35:05,302 --> 01:35:06,002
LASTLY, MY SOULMATE, MY HUSBAND
2542
01:35:06,002 --> 01:35:11,107
ROBBIE ROGERS.
2543
01:35:11,107 --> 01:35:13,143
WHO IS NOT JUST HERE FOR ME BUT
2544
01:35:13,143 --> 01:35:16,980
BECAUSE HE PRODUCED "THE FELLOW
2545
01:35:16,980 --> 01:35:17,981
TRAVELERS," WHICH EVERYONE
2546
01:35:17,981 --> 01:35:18,682
SHOULD WATCH.
2547
01:35:18,682 --> 01:35:20,250
IT'S AMAZING.
2548
01:35:20,250 --> 01:35:20,884
WHEN I THINK ABOUT IT, TO HAVE
2549
01:35:20,884 --> 01:35:21,551
TRAVELED THAT DISTANCE FROM THAT
2550
01:35:21,551 --> 01:35:22,419
SCARED KID YEARS AGO TO THIS
2551
01:35:22,419 --> 01:35:24,521
EVENING, WITH MY HUSBAND IN THE
2552
01:35:24,521 --> 01:35:26,056
AUDIENCE AND OUR TWO BEAUTIFUL
2553
01:35:26,056 --> 01:35:29,793
CHILDREN CALEB AND MIA WATCHING
2554
01:35:29,793 --> 01:35:30,427
AT HOME, WHEN I THINK ABOUT HOW
2555
01:35:30,427 --> 01:35:31,061
MUCH THE WORLD HAD TO CHANGE TO
2556
01:35:31,061 --> 01:35:32,429
MAKE THE LIFE I'M LIVING NOW
2557
01:35:32,429 --> 01:35:33,997
POSSIBLE, EVEN IN HINDSIGHT IT'S
2558
01:35:33,997 --> 01:35:36,666
UNIMAGINABLE TO ME.
2559
01:35:36,666 --> 01:35:38,702
SADLY, THE ONE PERSON WHO DID
2560
01:35:38,702 --> 01:35:39,336
IMAGINE THIS NIGHT FIRST IS NOT
2561
01:35:39,336 --> 01:35:41,871
HERE TO CELEBRATE IT.
2562
01:35:41,871 --> 01:35:44,975
WE LOST MY MOM SEVERAL YEARS AGO
2563
01:35:44,975 --> 01:35:46,009
TO CANCER, BUT THE BELIEF SHE
2564
01:35:46,009 --> 01:35:49,246
HAD IN ME STILL LINGERS LONG
2565
01:35:49,246 --> 01:35:49,646
AFTER SHE'S GONE.
2566
01:35:49,646 --> 01:35:50,947
THAT'S HOW POWERFUL BELIEF IS.
2567
01:35:50,947 --> 01:35:52,415
AND HER BELIEF TRAVELS THROUGH
2568
01:35:52,415 --> 01:35:53,450
ME AND OUT TO ALL OF THE KIDS
2569
01:35:53,450 --> 01:35:56,686
OUT THERE WHO TODAY MAY FEEL
2570
01:35:56,686 --> 01:35:57,254
ALONE OR OTHER OR SCARED TO
2571
01:35:57,254 --> 01:35:59,789
SHARE THEIR TRUTH WITH THE
2572
01:35:59,789 --> 01:35:59,990
WORLD.
2573
01:35:59,990 --> 01:36:02,058
IF MY MOM WERE HERE, SHE WOULD
2574
01:36:02,058 --> 01:36:02,993
WANT YOU TO KNOW THAT YOU'RE
2575
01:36:02,993 --> 01:36:04,561
LOVED AND YOU'RE WORTHY AND YOU
2576
01:36:04,561 --> 01:36:05,195
HAVE A STORY TO TELL AND WE NEED
2577
01:36:05,195 --> 01:36:05,762
THOSE STORIES NOW MORE THAN
2578
01:36:05,762 --> 01:36:07,697
EVER.
2579
01:36:07,697 --> 01:36:08,999
AND SHE BELIEVES IN YOU AND I
2580
01:36:08,999 --> 01:36:09,332
DO, TOO.
2581
01:36:09,332 --> 01:36:11,868
SO, HURRY UP AND GET HERE.
2582
01:36:11,868 --> 01:36:12,936
UNTIL THEN, FROM THE BOTTOM OF
2583
01:36:12,936 --> 01:36:14,037
MY HEART, THANK YOU ALL SO VERY
2584
01:36:14,037 --> 01:36:25,081
MUCH.
2585
01:36:25,081 --> 01:36:25,582
��
2586
01:36:25,582 --> 01:36:25,882
[ APPLAUSE ]
2587
01:36:25,882 --> 01:36:26,416
>> Announcer: UP NEXT, TV
2588
01:36:26,416 --> 01:36:27,183
COACHES JANE LYNCH AND
2589
01:36:27,183 --> 01:36:27,817
BRENDAN HUNT TEAM UP TO PRESENT
2590
01:36:27,817 --> 01:36:28,785
AN AWARD AND STAY TUNED FOR A
2591
01:36:28,785 --> 01:36:30,053
SPECIAL PERFORMANCE BY
2592
01:36:30,053 --> 01:36:31,388
JELLY ROLL.
2593
01:36:31,388 --> 01:36:34,057
THEN LATER, WE'RE JOINED BY
2594
01:36:34,057 --> 01:36:34,691
THREE OF YOUR FAVORITE TV COPS,
2595
01:36:34,691 --> 01:36:35,625
DON JOHNSON, JIMMY SMITS, AND
2596
01:36:35,625 --> 01:36:37,694
NIECY NASH-BETTS.
2597
01:36:52,142 --> 01:36:52,742
>> AS SOMEONE WHO NEVER TRULY
2598
01:36:52,742 --> 01:36:57,614
APPRECIATED THE INSIDE OF A
2599
01:36:57,614 --> 01:36:58,181
GYMNASIUM OR WHAT IT HAD TO
2600
01:36:58,181 --> 01:36:58,982
OFFER, I NOW HAVE THE UNIQUE
2601
01:36:58,982 --> 01:37:01,618
PLEASURE TO INTRODUCE A COUPLE
2602
01:37:01,618 --> 01:37:02,218
OF GREAT TV COACHES.
2603
01:37:02,218 --> 01:37:03,286
PLEASE WELCOME JANE LYNCH AND
2604
01:37:03,286 --> 01:37:12,929
BRENDAN HUNT.
2605
01:37:12,929 --> 01:37:13,229
[ APPLAUSE ]
2606
01:37:13,229 --> 01:37:17,967
��
2607
01:37:17,967 --> 01:37:19,502
>> WE'RE IN A LOCKER ROOM,
2608
01:37:19,502 --> 01:37:20,136
BECAUSE WE BOTH PLAYED COACHES
2609
01:37:20,136 --> 01:37:20,603
ON TV SHOWS.
2610
01:37:20,603 --> 01:37:21,638
>> BUT ONLY ONE OF US PLAYED A
2611
01:37:21,638 --> 01:37:25,842
HEAD COACH.
2612
01:37:25,842 --> 01:37:31,081
>> PEOPLE DON'T KNOW THIS BUT WE
2613
01:37:31,081 --> 01:37:31,648
BOTH STUDIED THEATER AT ISU.
2614
01:37:31,648 --> 01:37:33,216
>> NOBODY CARES ABOUT THAT.
2615
01:37:33,216 --> 01:37:35,385
JUST TO BE CLEAR, I WAS THE HEAD
2616
01:37:35,385 --> 01:37:36,386
COACH ON �gGLEE,�h AND YOU WERE
2617
01:37:36,386 --> 01:37:36,986
THE ASSISTANT COACH ON �gTED
2618
01:37:36,986 --> 01:37:42,959
LASSO.�h
2619
01:37:42,959 --> 01:37:43,993
>> YEAH, YES.
2620
01:37:43,993 --> 01:37:46,596
BUT I DON'T SEE WHY THAT
2621
01:37:46,596 --> 01:37:47,163
DISTINCTION MATTERS.
2622
01:37:47,163 --> 01:37:48,565
>> IT MATTERS, BECAUSE HEAD
2623
01:37:48,565 --> 01:37:49,199
COACHES, LIKE DIRECTORS IN THIS
2624
01:37:49,199 --> 01:37:49,699
CATEGORY, ARE IN CHARGE.
2625
01:37:49,699 --> 01:37:50,700
AND ASSISTANT COACHES ARE
2626
01:37:50,700 --> 01:37:52,569
UNDERLINGS.
2627
01:37:52,569 --> 01:37:53,169
LIKE IF YOU WERE MY ASSISTANT
2628
01:37:53,169 --> 01:37:53,803
COACH, I WOULD SAY, �gDON'T
2629
01:37:53,803 --> 01:37:55,372
SLOUCH WHEN YOU PRESENT AN EMMY,
2630
01:37:55,372 --> 01:37:58,541
STAND UP STRAIGHT.�h
2631
01:37:58,541 --> 01:38:01,611
>> AND I WOULD SAY, �gBOSS,
2632
01:38:01,611 --> 01:38:02,746
METHODS OF FEAR AND INTIMIDATION
2633
01:38:02,746 --> 01:38:03,113
ARE OUTDATED.�h
2634
01:38:03,113 --> 01:38:03,813
AND PLAYERS TODAY RESPOND BEST
2635
01:38:03,813 --> 01:38:07,484
TO LOVE AND RESPECT.
2636
01:38:07,484 --> 01:38:09,619
>> AND I WOULD NOD IN PRETEND
2637
01:38:09,619 --> 01:38:11,721
AGREEMENT.
2638
01:38:11,721 --> 01:38:13,623
LET'S TAKE A LOOK AT THE
2639
01:38:13,623 --> 01:38:15,425
NOMINEES FOR DIRECTING FOR A
2640
01:38:15,425 --> 01:38:15,959
DRAMA SERIES.
2641
01:38:15,959 --> 01:38:16,626
Announcer: STEPHEN DALDRY, �gTHE
2642
01:38:16,626 --> 01:38:21,631
CROWN.�h
2643
01:38:21,631 --> 01:38:22,332
MIMI LEDER, �gTHE MORNING SHOW.�h
2644
01:38:22,332 --> 01:38:24,901
HIRO MURAI, �gMR. & MRS. SMITH.�h
2645
01:38:24,901 --> 01:38:27,003
FREDERICK E.O. TOYE, �gSHOGUN.�h
2646
01:38:27,003 --> 01:38:31,174
SAUL METZSTEIN, �gSLOW HORSES.�h
2647
01:38:31,174 --> 01:38:33,243
SALLI RICHARDSON-WHITFIELD,
2648
01:38:33,243 --> 01:38:33,910
�gWINNING TIME: THE RISE OF THE
2649
01:38:33,910 --> 01:38:41,117
LAKERS DYNASTY.�h
2650
01:38:41,117 --> 01:38:43,186
>> THIS IS THE ENVELOPE?
2651
01:38:43,186 --> 01:38:45,121
>> OH, I GAVE THAT ENVELOPE TO
2652
01:38:45,121 --> 01:38:45,655
SOME VERY SPECIAL GUESTS.
2653
01:38:45,655 --> 01:38:46,189
>> PLEASE WELCOME OLYMPIC
2654
01:38:46,189 --> 01:38:47,757
ATHLETES ILONA MAHER,
2655
01:38:47,757 --> 01:38:49,859
STEPHEN NEDOROSCIK,
2656
01:38:49,859 --> 01:38:50,927
CAELEB DRESSEL AND PARALYMPIAN
2657
01:38:50,927 --> 01:39:03,273
EZRA FRECH.
2658
01:39:03,273 --> 01:39:04,541
��
2659
01:39:04,541 --> 01:39:09,579
[ APPLAUSE ]
2660
01:39:09,579 --> 01:39:15,385
>> AND THE EMMY GOES TO --
2661
01:39:15,385 --> 01:39:25,628
>> FREDERICK E.O. TOYE,
2662
01:39:25,628 --> 01:39:25,962
""SHOGUN."
2663
01:39:25,962 --> 01:39:27,564
>> THIS IS THE FIRST EMMY WIN
2664
01:39:27,564 --> 01:39:32,035
AND SECOND NOMINATION FOR
2665
01:39:32,035 --> 01:39:51,855
FREDERICK E.O. TOYE.
2666
01:39:51,855 --> 01:39:53,423
>> HELLO, HELLO.
2667
01:39:53,423 --> 01:39:53,890
HI.
2668
01:39:53,890 --> 01:39:55,258
I KNOW A LOT OF YOU.
2669
01:39:55,258 --> 01:39:56,826
I'M SO GRATEFUL TO BE HERE.
2670
01:39:56,826 --> 01:39:59,128
THANK YOU SO MUCH FOR THIS.
2671
01:39:59,128 --> 01:40:00,563
THANKS TO THE ACADEMY.
2672
01:40:00,563 --> 01:40:03,099
THANKS TO HULU AND DISNEY AND FX
2673
01:40:03,099 --> 01:40:04,601
FOR THIS INCREDIBLE PROJECT.
2674
01:40:04,601 --> 01:40:07,637
I HAD THE HONOR OF BEING ASKED
2675
01:40:07,637 --> 01:40:09,606
TO PARTICIPATE IN THIS TEAM OF
2676
01:40:09,606 --> 01:40:14,744
AMAZING ACTORS AND ACTRESSES,
2677
01:40:14,744 --> 01:40:15,044
LED THE WAY.
2678
01:40:15,044 --> 01:40:19,482
AND I OWE THEM ANYTHING.
2679
01:40:19,482 --> 01:40:22,418
ANNA AND COSMO AND HERO AND ALSO
2680
01:40:22,418 --> 01:40:24,020
THE INCREDIBLE CREW.
2681
01:40:24,020 --> 01:40:25,622
MY DIRECTOR OF PHOTOGRAPHY.
2682
01:40:25,622 --> 01:40:29,092
AND I WANTED TO JUST SAY THANK
2683
01:40:29,092 --> 01:40:30,760
YOU TO MY MOM AND MY DAD AND MY
2684
01:40:30,760 --> 01:40:32,929
SISTER WHO IS HERE AND MY
2685
01:40:32,929 --> 01:40:34,597
CHILDREN, MY THREE DAUGHTERS ARE
2686
01:40:34,597 --> 01:40:36,532
HERE AND MY WIFE, SANDY.
2687
01:40:36,532 --> 01:40:38,935
ALSO WANTED TO THANK MY HEROES
2688
01:40:38,935 --> 01:40:42,672
WHO TAUGHT ME HOW TO DIRECT.
2689
01:40:42,672 --> 01:40:48,378
DAVID LEAN, ALFRED HITCHCOCK AND
2690
01:40:48,378 --> 01:40:49,145
ROBERT WISE.
2691
01:40:49,145 --> 01:40:50,847
AND THANK YOU FOR LETTING ME
2692
01:40:50,847 --> 01:40:55,652
STEAL FROM THEM EVERY DAY.
2693
01:40:55,652 --> 01:40:56,653
��
2694
01:40:56,653 --> 01:41:03,293
[ APPLAUSE ]
2695
01:41:03,293 --> 01:41:04,861
>> Announcer: HERE ARE TONIGHT'S
2696
01:41:04,861 --> 01:41:09,632
ACCOUNTANTS FROM ERNST AND
2697
01:41:09,632 --> 01:41:10,166
YOUNG, ALONA MCCLUNEY AND
2698
01:41:10,166 --> 01:41:19,609
JADE DAVIS.
2699
01:41:19,609 --> 01:41:21,177
AND NOW, JOINING US IN TRIBUTE
2700
01:41:21,177 --> 01:41:25,615
TO THE MEMBERS OF OUR TELEVISION
2701
01:41:25,615 --> 01:41:31,454
FAMILY WE'VE LOST: JELLY ROLL.
2702
01:41:31,454 --> 01:41:32,956
>> I BELIEVE THAT MUSIC IS THEY
2703
01:41:32,956 --> 01:41:33,623
ARE PEWTER.
2704
01:41:33,623 --> 01:41:35,858
I BELIEVE THAT MUSIC CAN HEAL.
2705
01:41:35,858 --> 01:41:37,160
I ALSO BELIEVE THAT STORY
2706
01:41:37,160 --> 01:41:38,962
TELLING IS JUST AS CATHARTIC.
2707
01:41:38,962 --> 01:41:41,631
I HOPE THAT THIS SONG CAN ACT
2708
01:41:41,631 --> 01:41:43,466
AND A HEALING MOMENT FOR THOSE
2709
01:41:43,466 --> 01:41:45,101
MOURNING THE STORY TELLERS WE
2710
01:41:45,101 --> 01:41:45,969
HAVE LOST THIS YEAR.
2711
01:41:45,969 --> 01:41:48,171
IF YOU ARE FEELING LOST OR ALONE
2712
01:41:48,171 --> 01:41:50,473
TONIGHT, I WANT YOU TO KNOW THAT
2713
01:41:50,473 --> 01:42:00,616
IT'S OKAY TO NOT ALWAYS BE OKAY.
2714
01:42:00,616 --> 01:42:05,622
�� I AM NOT OKAY
2715
01:42:05,622 --> 01:42:07,457
I'M BARELY GETTING BY ��
2716
01:42:07,457 --> 01:42:09,592
�� I'M LOSING TRACK OF DAYS
2717
01:42:09,592 --> 01:42:12,729
AND LOSING SLEEP AT NIGHT ��
2718
01:42:12,729 --> 01:42:16,432
�� I AM NOT OKAY
2719
01:42:16,432 --> 01:42:19,035
I'M HANGING ON THE RAILS ��
2720
01:42:19,035 --> 01:42:20,570
�� SO IF I SAY I'M FINE
2721
01:42:20,570 --> 01:42:21,137
JUST KNOW I LEARNED
2722
01:42:21,137 --> 01:42:25,375
TO HIDE IT WELL ��
2723
01:42:25,375 --> 01:42:28,478
�� I KNOW
2724
01:42:28,478 --> 01:42:31,681
I CAN'T BE THE ONLY ONE ��
2725
01:42:31,681 --> 01:42:33,216
�� WHO'S HOLDING ON
2726
01:42:33,216 --> 01:42:40,590
FOR DEAR LIFE ��
2727
01:42:40,590 --> 01:42:41,624
�� BUT GOD KNOWS, I KNOW
2728
01:42:41,624 --> 01:42:43,793
WHEN IT'S ALL
2729
01:42:43,793 --> 01:42:44,160
SAID AND DONE ��
2730
01:42:44,160 --> 01:42:45,895
�� I'M NOT OKAY
2731
01:42:45,895 --> 01:42:49,632
BUT IT'S ALL
2732
01:42:49,632 --> 01:42:50,066
GONNA BE ALRIGHT ��
2733
01:42:50,066 --> 01:42:51,634
�� IT'S NOT OKAY
2734
01:42:51,634 --> 01:42:53,603
BUT WE'RE ALL
2735
01:42:53,603 --> 01:43:27,370
GONNA BE ALRIGHT ��
2736
01:43:27,370 --> 01:43:31,074
�� I WOKE UP TODAY
2737
01:43:31,074 --> 01:43:33,576
I ALMOST STAYED IN BED ��
2738
01:43:33,576 --> 01:43:37,580
�� HAD THE DEVIL ON MY BACK
2739
01:43:37,580 --> 01:43:40,550
AND VOICES IN MY HEAD ��
2740
01:43:40,550 --> 01:43:41,117
�� SOME DAYS
2741
01:43:41,117 --> 01:43:42,652
IT AIN'T ALL BAD ��
2742
01:43:42,652 --> 01:43:43,720
�� SOME DAYS
2743
01:43:43,720 --> 01:43:45,288
IT ALL GETS WORSE ��
2744
01:43:45,288 --> 01:43:46,889
�� SOME DAYS
2745
01:43:46,889 --> 01:43:48,958
I SWEAR I'M BETTER OFF
2746
01:43:48,958 --> 01:43:52,662
LAYIN' IN THAT DIRT ��
2747
01:43:52,662 --> 01:43:54,764
�� I KNOW
2748
01:43:54,764 --> 01:43:58,401
I CAN'T BE THE ONLY ONE ��
2749
01:43:58,401 --> 01:43:59,469
�� WHO'S HOLDING ON
2750
01:43:59,469 --> 01:44:05,608
FOR DEAR LIFE ��
2751
01:44:05,608 --> 01:44:06,809
�� BUT GOD KNOWS, I KNOW
2752
01:44:06,809 --> 01:44:09,612
WHEN IT'S ALL
2753
01:44:09,612 --> 01:44:10,513
SAID AND DONE ��
2754
01:44:10,513 --> 01:44:13,583
�� I'M NOT OKAY
2755
01:44:13,583 --> 01:44:16,586
BUT IT'S ALL
2756
01:44:16,586 --> 01:44:17,019
GONNA BE ALRIGHT ��
2757
01:44:17,019 --> 01:44:19,489
�� IT'S NOT OKAY
2758
01:44:19,489 --> 01:44:20,523
BUT WE'RE ALL
2759
01:44:20,523 --> 01:44:22,091
GONNA BE ALRIGHT ��
2760
01:44:22,091 --> 01:44:27,897
�� GONNA BE ALRIGHT
2761
01:44:27,897 --> 01:45:00,997
GONNA BE ALRIGHT ��
2762
01:45:00,997 --> 01:45:03,633
�� I KNOW ONE DAY
2763
01:45:03,633 --> 01:45:06,736
WE'LL SEE THE OTHER SIDE ��
2764
01:45:06,736 --> 01:45:09,605
�� THE PAIN'LL WASH AWAY
2765
01:45:09,605 --> 01:45:13,576
IN A HOLY WATER TIDE ��
2766
01:45:13,576 --> 01:45:13,910
�� AND WE ALL
2767
01:45:13,910 --> 01:45:41,470
GONNA BE ALRIGHT ��
2768
01:45:41,470 --> 01:45:43,606
�� I KNOW
2769
01:45:43,606 --> 01:45:48,811
I CAN'T BE THE ONLY ONE ��
2770
01:45:48,811 --> 01:45:49,245
�� WHO'S HOLDING ON
2771
01:45:49,245 --> 01:45:53,549
FOR DEAR LIFE ��
2772
01:45:53,549 --> 01:45:56,252
�� BUT GOD KNOWS, I KNOW
2773
01:45:56,252 --> 01:45:57,286
WHEN IT'S ALL
2774
01:45:57,286 --> 01:46:01,624
SAID AND DONE ��
2775
01:46:01,624 --> 01:46:03,593
�� I'M NOT OKAY
2776
01:46:03,593 --> 01:46:04,594
BUT IT'S ALL
2777
01:46:04,594 --> 01:46:07,797
GONNA BE ALRIGHT ��
2778
01:46:07,797 --> 01:46:08,164
�� IT'S NOT OKAY
2779
01:46:08,164 --> 01:46:08,864
BUT WE'RE ALL
2780
01:46:08,864 --> 01:46:12,535
GONNA BE ALRIGHT ��
2781
01:46:12,535 --> 01:46:16,205
�� I'M NOT OKAY
2782
01:46:16,205 --> 01:46:18,307
BUT IT'S ALL
2783
01:46:18,307 --> 01:46:28,584
GONNA BE ALRIGHT ��
2784
01:46:28,584 --> 01:46:50,506
[ APPLAUSE ]
2785
01:46:50,506 --> 01:46:53,843
>> INDUSTRY PROFESSIONAL WE WILL
2786
01:46:53,843 --> 01:46:56,879
MISS MOST GOES TO -- HI,
2787
01:46:56,879 --> 01:46:57,146
EVERYONE.
2788
01:46:57,146 --> 01:47:01,284
THIS IS THE TIME IN THE SHOW
2789
01:47:01,284 --> 01:47:01,918
WHEN WE REMEMBER THE LEGENDS WE
2790
01:47:01,918 --> 01:47:02,585
LOST OVER THE PAST YEAR, ONE OF
2791
01:47:02,585 --> 01:47:03,185
WHOM I WAS VERY LUCKY TO KNOW.
2792
01:47:03,185 --> 01:47:04,487
AND THAT WAS BOB NEWHART.
2793
01:47:04,487 --> 01:47:09,625
THOSE OF YOU WHO KNEW BOB
2794
01:47:09,625 --> 01:47:10,259
PERSONALLY, KNOW HE WAS EXACTLY
2795
01:47:10,259 --> 01:47:12,895
WHO YOU THOUGHT HE WAS AND HOPED
2796
01:47:12,895 --> 01:47:13,629
HE'D BE.
2797
01:47:13,629 --> 01:47:14,997
HE DID NOT HAVE RANGE.
2798
01:47:14,997 --> 01:47:19,702
HE DIDN'T NEED TO HAVE RANGE.
2799
01:47:19,702 --> 01:47:20,336
BOB HAD WHAT VERY FEW COMEDIANS
2800
01:47:20,336 --> 01:47:21,837
HAVE, ESPECIALLY TODAY.
2801
01:47:21,837 --> 01:47:25,608
A DEGREE IN ACCOUNTING.
2802
01:47:25,608 --> 01:47:27,076
BOB WAS A HUMBLE, POLITELY
2803
01:47:27,076 --> 01:47:28,678
HILARIOUS MAN.
2804
01:47:28,678 --> 01:47:29,312
HE GOT HIS FIRST EMMY NOMINATION
2805
01:47:29,312 --> 01:47:30,780
IN 1962.
2806
01:47:30,780 --> 01:47:31,847
AND HE DIDN'T WIN ONE
2807
01:47:31,847 --> 01:47:35,017
UNTIL 2013.
2808
01:47:35,017 --> 01:47:37,620
51 YEARS LATER.
2809
01:47:37,620 --> 01:47:39,789
WHICH IS A GREAT LESSON.
2810
01:47:39,789 --> 01:47:42,925
AND THAT LESSON IS JON STEWART
2811
01:47:42,925 --> 01:47:45,628
SHOULD BE ASHAMED OF HIMSELF.
2812
01:47:45,628 --> 01:47:55,905
YOU SAID YOU WERE RETIRING.
2813
01:47:55,905 --> 01:47:59,108
BOB WAS ONE OF OUR MOST LOVED
2814
01:47:59,108 --> 01:48:01,777
AND FUNNIEST PEOPLE AND WE WILL
2815
01:48:01,777 --> 01:48:04,413
MISS HIM FOR MANY YEARS TO COME.
2816
01:48:21,163 --> 01:48:21,731
>> AND NOW, A TV ARCHETYPE
2817
01:48:21,731 --> 01:48:23,299
EVERYONE IN THIS ROOM AGREES ON:
2818
01:48:23,299 --> 01:48:24,834
COPS.
2819
01:48:24,834 --> 01:48:26,369
PLEASE WELCOME JIMMY SMITS,
2820
01:48:26,369 --> 01:48:26,769
DON JOHNSON, AND
2821
01:48:26,769 --> 01:48:35,711
NIECY NASH-BETTS.
2822
01:48:35,711 --> 01:48:45,421
��
2823
01:48:45,421 --> 01:48:47,757
>> WE ARE HERE REPRESENTING THE
2824
01:48:47,757 --> 01:48:49,625
LEGENDARY COPS YOU'VE SEEN
2825
01:48:49,625 --> 01:48:51,727
THROUGH THE YEARS ON TV.
2826
01:48:51,727 --> 01:48:53,295
EACH OF US PLAYED A VERY
2827
01:48:53,295 --> 01:48:55,998
DIFFERENT TYPE OF CHARACTER ON
2828
01:48:55,998 --> 01:48:56,565
SHOWS ABOUT LAW ENFORCEMENT.
2829
01:48:56,565 --> 01:48:58,034
MY CHARACTER ON �gN.Y.P.D. BLUE�h,
2830
01:48:58,034 --> 01:48:59,635
BOBBY SIMONE, WAS THE STRONG,
2831
01:48:59,635 --> 01:49:05,374
SENSITIVE, STREET SMART TYPE WHO
2832
01:49:05,374 --> 01:49:05,975
HAD TO REIN IN HIS ECCENTRIC
2833
01:49:05,975 --> 01:49:08,044
PARTNER.
2834
01:49:08,044 --> 01:49:10,112
>> MY CHARACTER WAS
2835
01:49:10,112 --> 01:49:10,746
RAINEESHA WILLIAMS ON �gRENO
2836
01:49:10,746 --> 01:49:18,788
911.�h
2837
01:49:18,788 --> 01:49:19,622
RAINEESHA BROUGHT TWO IMPORTANT
2838
01:49:19,622 --> 01:49:21,724
THINGS TO BEING A COP.
2839
01:49:21,724 --> 01:49:26,796
A MARGINAL KNOWLEDGE OF THE LAW
2840
01:49:26,796 --> 01:49:27,530
AND THE BELIEF THAT YOU CAN'T
2841
01:49:27,530 --> 01:49:32,234
FIGHT CRIME IF YOU'RE NOT CUTE.
2842
01:49:32,234 --> 01:49:42,211
>> AND SONNY CROCKETT ON �gMIAMI
2843
01:49:42,211 --> 01:49:45,915
VICE�h WAS THE TYPE WHO PLAYED BY
2844
01:49:45,915 --> 01:49:47,483
HIS OWN RULES, WHICH ALMOST
2845
01:49:47,483 --> 01:49:49,084
ALWAYS CONFLICTED WITH ORDERS
2846
01:49:49,084 --> 01:49:50,719
FROM HIS SUPERIORS.
2847
01:49:50,719 --> 01:49:53,789
IN THE END, THOUGH, HIS METHODS
2848
01:49:53,789 --> 01:49:54,924
WERE EFFECTIVE, AND HE ALWAYS
2849
01:49:54,924 --> 01:49:55,991
BROUGHT THE BAD GUYS TO JUSTICE.
2850
01:49:55,991 --> 01:49:58,027
>> AND I WAS THERE TO WITNESS
2851
01:49:58,027 --> 01:49:58,561
SONNY CROCKETT IN ACTION.
2852
01:49:58,561 --> 01:50:02,832
FOR ONE PAGE.
2853
01:50:02,832 --> 01:50:06,268
30 SECONDS OF SCREEN TIME I WAS
2854
01:50:06,268 --> 01:50:06,702
CROCKETT'S PARTNER.
2855
01:50:06,702 --> 01:50:09,472
KILLED BY A CAR BOMB.
2856
01:50:09,472 --> 01:50:11,740
>> YOU WERE SPECTACULAR IN THAT
2857
01:50:11,740 --> 01:50:13,542
30 SECONDS.
2858
01:50:13,542 --> 01:50:15,911
IT GOT YOU N.Y.P.D. BLUE.
2859
01:50:15,911 --> 01:50:16,779
>> I CRIED FOR A WEEK.
2860
01:50:16,779 --> 01:50:17,379
>> MY N.Y.P.D. BLUE CHARACTER
2861
01:50:17,379 --> 01:50:18,347
DIED TOO.
2862
01:50:18,347 --> 01:50:18,848
>> CAR BOMB, AGAIN?
2863
01:50:18,848 --> 01:50:22,818
>> HEART TRANSPLANT THAT GOT
2864
01:50:22,818 --> 01:50:26,789
INFECTED.
2865
01:50:26,789 --> 01:50:28,357
>> MY CHARACTERS ALWAYS LIVE.
2866
01:50:28,357 --> 01:50:33,863
HELL, I'M BLACK AND I SURVIVED
2867
01:50:33,863 --> 01:50:34,597
DAHMER.
2868
01:50:34,597 --> 01:50:34,830
COME ON.
2869
01:50:34,830 --> 01:50:35,698
AND NOW LET'S GET TO THE
2870
01:50:35,698 --> 01:50:36,732
NOMINATIONS FOR LEAD ACTOR IN A
2871
01:50:36,732 --> 01:50:37,766
LIMITED OR ANTHOLOGY SERIES OR
2872
01:50:37,766 --> 01:50:38,767
MOVIE.
2873
01:50:38,767 --> 01:50:41,403
>> Announcer: MATT BOMER,
2874
01:50:41,403 --> 01:50:41,904
�gFELLOW TRAVELERS.�h
2875
01:50:41,904 --> 01:50:45,641
RICHARD GADD, �gBABY REINDEER.�h
2876
01:50:45,641 --> 01:50:46,742
JON HAMM, �gFARGO.�h
2877
01:50:46,742 --> 01:50:47,409
TOM HOLLANDER, �gFEUD: CAPOTE VS.
2878
01:50:47,409 --> 01:50:51,413
THE SWANS.�h
2879
01:50:51,413 --> 01:50:57,753
ANDREW SCOTT, �gRIPLEY.�h
2880
01:50:57,753 --> 01:51:03,993
>> AND THE EMMY GOES TO --
2881
01:51:03,993 --> 01:51:11,500
RICHARD GADD, "BABY REINDEER."
2882
01:51:11,500 --> 01:51:13,736
>> THIS IS THE SECOND EMMY WIN
2883
01:51:13,736 --> 01:51:15,571
TONIGHT AND THIRD NOMINATION FOR
2884
01:51:15,571 --> 01:51:22,778
RICHARD GADD.
2885
01:51:22,778 --> 01:51:26,115
��
2886
01:51:26,115 --> 01:51:28,384
>> YOU'RE ALL CRAZY, HONESTLY.
2887
01:51:28,384 --> 01:51:28,951
THANK YOU.
2888
01:51:28,951 --> 01:51:30,786
THANK YOU SO MUCH.
2889
01:51:30,786 --> 01:51:31,954
HONESTLY, I WASN'T EXPECTING
2890
01:51:31,954 --> 01:51:34,456
THIS ONE AT ALL, AND I DIDN'T
2891
01:51:34,456 --> 01:51:35,758
PREPARE.
2892
01:51:35,758 --> 01:51:36,792
I'M NOT JON HAMM.
2893
01:51:36,792 --> 01:51:38,827
I'M YOUR BIGGEST FAN, AS I TOLD
2894
01:51:38,827 --> 01:51:40,296
YOU LAST NIGHT OVER AND OVER
2895
01:51:40,296 --> 01:51:40,696
AGAIN.
2896
01:51:40,696 --> 01:51:41,196
THANK YOU.
2897
01:51:41,196 --> 01:51:44,466
THANK YOU TO THE DIRECTORS,
2898
01:51:44,466 --> 01:51:48,737
VERONICA AND JOSEPHINE.
2899
01:51:48,737 --> 01:51:50,439
THANKS TO ALL THE PEOPLE I
2900
01:51:50,439 --> 01:51:51,440
MENTIONED PREVIOUSLY AS WELL.
2901
01:51:51,440 --> 01:51:56,245
I'D LIKE TO THANK MY MOM AND
2902
01:51:56,245 --> 01:51:57,680
DAD, A GLARING OMISSION FROM THE
2903
01:51:57,680 --> 01:51:58,581
PREVIOUS ONE AS WELL.
2904
01:51:58,581 --> 01:51:59,582
THEY'RE THE BEST.
2905
01:51:59,582 --> 01:52:01,283
WE'VE HAD TRYING TIMES AS A
2906
01:52:01,283 --> 01:52:02,585
FAMILY AND THEY HAVE BEEN THERE
2907
01:52:02,585 --> 01:52:04,920
FOR ME, A CONSTANT COURSE OF
2908
01:52:04,920 --> 01:52:06,655
LOVE AND SUPPORT.
2909
01:52:06,655 --> 01:52:08,591
THEY NEVER EVER TOLD ME WHAT I
2910
01:52:08,591 --> 01:52:10,626
NEEDED TO DO WITH MY LIFE AND
2911
01:52:10,626 --> 01:52:11,994
THEY NEVER TOLD ME WHAT I NEEDED
2912
01:52:11,994 --> 01:52:12,394
TO BE.
2913
01:52:12,394 --> 01:52:14,964
I THINK THAT'S THE GREATEST GIFT
2914
01:52:14,964 --> 01:52:17,333
A PARENT CAN GIVE A CHILD.
2915
01:52:17,333 --> 01:52:18,634
THEY ALWAYS SAID FOLLOW YOUR
2916
01:52:18,634 --> 01:52:20,002
HEART AND THE REST WILL FALL
2917
01:52:20,002 --> 01:52:20,603
INTO PLACE.
2918
01:52:20,603 --> 01:52:23,672
I THINK THAT'S GOOD ADVICE.
2919
01:52:23,672 --> 01:52:24,907
FOLLOW YOUR HEART AND THE REST
2920
01:52:24,907 --> 01:52:26,275
WILL FALL INTO PLACE.
2921
01:52:26,275 --> 01:52:29,645
THANK YOU.
2922
01:52:29,645 --> 01:52:38,787
��
2923
01:52:38,787 --> 01:52:47,796
>>> PLEASE WELCOME OUR EMMY
2924
01:52:47,796 --> 01:52:53,202
NOMINEES.
2925
01:52:53,202 --> 01:52:54,270
>> PAST WINNERS IN OUR NEXT
2926
01:52:54,270 --> 01:52:54,870
CATEGORY INCLUDE SOME OF THE
2927
01:52:54,870 --> 01:52:56,872
GREATEST ACTRESSES OF THE PAST
2928
01:52:56,872 --> 01:53:00,276
HALF CENTURY.
2929
01:53:00,276 --> 01:53:02,745
OR EVER.
2930
01:53:02,745 --> 01:53:03,379
>> OR EVER.
2931
01:53:03,379 --> 01:53:09,585
>> MERYL STREEP, REGINA KING,
2932
01:53:09,585 --> 01:53:14,790
HELEN MIRREN TO NAME JUST A FEW.
2933
01:53:14,790 --> 01:53:15,391
>> AND ALTHOUGH THE CATEGORY
2934
01:53:15,391 --> 01:53:17,493
TITLE MAY INCLUDE THE WORD
2935
01:53:17,493 --> 01:53:18,060
LIMITED, THE TALENT OF THIS
2936
01:53:18,060 --> 01:53:20,162
YEAR'S NOMINEES KNOWS NO BOUNDS.
2937
01:53:20,162 --> 01:53:22,798
>> HERE THEY ARE, THE NOMINEES
2938
01:53:22,798 --> 01:53:25,401
FOR LEAD ACTRESS IN A LIMITED OR
2939
01:53:25,401 --> 01:53:27,503
ANTHOLOGY SERIES OR MOVIE.
2940
01:53:27,503 --> 01:53:28,570
>> Announcer: JODIE FOSTER,
2941
01:53:28,570 --> 01:53:31,707
�gTRUE DETECTIVE: NIGHT COUNTRY�h"
2942
01:53:31,707 --> 01:53:32,274
BRIE LARSON, �gLESSONS IN
2943
01:53:32,274 --> 01:53:35,411
CHEMISTRY.�h
2944
01:53:35,411 --> 01:53:38,747
JUNO TEMPLE, �gFARGO.�h
2945
01:53:38,747 --> 01:53:41,684
SOFIA VERGARA, �gGRISELDA.�h
2946
01:53:41,684 --> 01:53:42,785
NAOMI WATTS, �gFEUD: CAPOTE VS.
2947
01:53:42,785 --> 01:53:48,557
THE SWANS.�h
2948
01:53:48,557 --> 01:53:58,200
>> AND THE EMMY GOES TO --
2949
01:53:58,200 --> 01:53:59,435
JODIE FOSTER!
2950
01:53:59,435 --> 01:53:59,935
[ APPLAUSE ]
2951
01:53:59,935 --> 01:54:00,135
��
2952
01:54:00,135 --> 01:54:01,970
>> THIS IS THE FIRST EMMY WIN
2953
01:54:01,970 --> 01:54:06,608
AND FOURTH NOMINATION FOR JODIE
2954
01:54:06,608 --> 01:54:20,422
FOSTER.
2955
01:54:20,422 --> 01:54:25,961
>> WELL, THIS IS AN INCREDIBLY
2956
01:54:25,961 --> 01:54:29,264
EMOTIONAL MOMENT FOR ME BECAUSE
2957
01:54:29,264 --> 01:54:32,701
"TRUE DETECTIVE NORTH COUNTRY"
2958
01:54:32,701 --> 01:54:36,405
WAS A MAGICAL EXPERIENCE AND IT
2959
01:54:36,405 --> 01:54:39,074
COMES FROM THE TOP BEAUTIFUL,
2960
01:54:39,074 --> 01:54:41,710
TALENTED, WONDERFUL WOMAN WHO
2961
01:54:41,710 --> 01:54:44,079
DREAMED THIS UP FOR ME.
2962
01:54:44,079 --> 01:54:47,783
AND OUR INCREDIBLE, INCREDIBLE
2963
01:54:47,783 --> 01:54:51,954
ICELANDIC CREW AND OUR CAST.
2964
01:54:51,954 --> 01:54:54,022
GOSH, I LOVE YOU GUYS ALL SO
2965
01:54:54,022 --> 01:54:55,457
MUCH FROM ALL OVER THE WORLD,
2966
01:54:55,457 --> 01:54:57,993
BUT ESPECIALLY MY PARTNER IN
2967
01:54:57,993 --> 01:54:59,962
CRIME KAILEY REESE.
2968
01:54:59,962 --> 01:55:01,363
THANK YOU.
2969
01:55:01,363 --> 01:55:01,930
I KNOW.
2970
01:55:01,930 --> 01:55:03,499
I COULD TALK FAST, MAN.
2971
01:55:03,499 --> 01:55:04,800
I COULD TALK FAST.
2972
01:55:04,800 --> 01:55:11,774
MOSTLY THE INDIGENOUS PEOPLE AND
2973
01:55:11,774 --> 01:55:14,743
THE INUIT PEOPLE OF NORTH ALASKA
2974
01:55:14,743 --> 01:55:16,678
THAT JUST TOLD US OUR STORIES
2975
01:55:16,678 --> 01:55:18,347
AND ALLOWED US TO LISTEN AND
2976
01:55:18,347 --> 01:55:19,815
THAT WAS JUST A BLESSING.
2977
01:55:19,815 --> 01:55:21,216
IT WAS LOVE, LOVE, LOVE.
2978
01:55:21,216 --> 01:55:22,484
AND WHEN YOU FEEL THAT,
2979
01:55:22,484 --> 01:55:25,087
SOMETHING AMAZING HAPPENS.
2980
01:55:25,087 --> 01:55:27,322
IT IS DEEP AND WONDERFUL, AND IT
2981
01:55:27,322 --> 01:55:28,590
IS OLDER THAN THIS PLACE AND
2982
01:55:28,590 --> 01:55:29,124
THIS TIME.
2983
01:55:29,124 --> 01:55:30,726
AND THAT'S JUST THE MESSAGE,
2984
01:55:30,726 --> 01:55:32,995
WHICH IS LOVE AND WORK EQUALS
2985
01:55:32,995 --> 01:55:33,228
ART.
2986
01:55:33,228 --> 01:55:36,331
TO MY BOYS, CHARLIE AND KIT,
2987
01:55:36,331 --> 01:55:36,698
REMEMBER THAT.
2988
01:55:36,698 --> 01:55:40,769
AND THE LOVE OF MY LIFE, MY
2989
01:55:40,769 --> 01:55:40,969
WIFE.
2990
01:55:40,969 --> 01:55:41,403
THANK YOU SO MUCH.
2991
01:55:41,403 --> 01:55:41,770
THANK YOU.
2992
01:55:41,770 --> 01:55:51,413
CHEERS!
2993
01:55:56,151 --> 01:56:00,889
>>> PLEASE WELCOME SIX-TIME EMMY
2994
01:56:00,889 --> 01:56:16,438
WINNER, JEAN SMART!
2995
01:56:16,438 --> 01:56:17,005
>> THESE NEXT FIVE NOMINEES
2996
01:56:17,005 --> 01:56:17,639
EXEMPLIFY THE EXCELLENCE OF WHAT
2997
01:56:17,639 --> 01:56:18,740
BEING NOMINATED FOR AN EMMY IS
2998
01:56:18,740 --> 01:56:22,778
ALL ABOUT.
2999
01:56:22,778 --> 01:56:24,613
THEY'RE ALL OUTSTANDING.
3000
01:56:24,613 --> 01:56:25,981
ALTHOUGH, I DO NEED TO LEARN TO
3001
01:56:25,981 --> 01:56:27,082
READ THE SYNOPSIS.
3002
01:56:27,082 --> 01:56:28,083
I THOUGHT �gBABY REINDEER�h WAS A
3003
01:56:28,083 --> 01:56:31,320
DELIGHTFUL CHILDREN'S STORY
3004
01:56:31,320 --> 01:56:31,954
ABOUT RUDOLPH AND HIS RED-NOSED
3005
01:56:31,954 --> 01:56:37,860
FAMILY.
3006
01:56:37,860 --> 01:56:40,095
SO NOT EVEN CLOSE.
3007
01:56:40,095 --> 01:56:40,629
HERE ARE THE NOMINEES FOR
3008
01:56:40,629 --> 01:56:41,263
OUTSTANDING LIMITED OR ANTHOLOGY
3009
01:56:41,263 --> 01:56:41,697
SERIES.
3010
01:56:41,697 --> 01:56:42,731
>> Announcer: �gBABY REINDEER,�h
3011
01:56:42,731 --> 01:56:47,436
RICHARD GADD.
3012
01:56:47,436 --> 01:56:48,003
�gFARGO,�h NOAH HAWLEY.
3013
01:56:48,003 --> 01:56:49,071
�gLESSONS IN CHEMISTRY,�h
3014
01:56:49,071 --> 01:56:50,739
LEE EISENBERG.
3015
01:56:50,739 --> 01:56:51,373
�gRIPLEY,�h STEVEN ZAILLIAN.
3016
01:56:51,373 --> 01:56:54,276
�gTRUE DETECTIVE: NIGHT COUNTRY�h"
3017
01:56:54,276 --> 01:57:03,785
>> AND THE EMMY GOES TO --
3018
01:57:03,785 --> 01:57:07,422
""BABY REINDEER""!
3019
01:57:07,422 --> 01:57:09,725
[ APPLAUSE ]
3020
01:57:09,725 --> 01:57:12,528
>> "BABY REINDEER" RECEIVED 11
3021
01:57:12,528 --> 01:57:13,562
NOMINATIONS THIS YEAR, WINNING
3022
01:57:13,562 --> 01:57:17,065
AT THE CREATIVE ARTS EMMYS.
3023
01:57:17,065 --> 01:57:18,967
TONIGHT THEY TAKE HOME FOUR
3024
01:57:18,967 --> 01:57:20,969
EMMYS, ACCEPTING ON BEHALF OF
3025
01:57:20,969 --> 01:57:26,275
THE PEOPLE IS RICHARD GADD.
3026
01:57:26,275 --> 01:57:32,014
��
3027
01:57:32,014 --> 01:57:32,781
>> YEAH.
3028
01:57:32,781 --> 01:57:34,182
THANK YOU SO MUCH.
3029
01:57:34,182 --> 01:57:37,552
THIS IS INBELIEVABLE.
3030
01:57:37,552 --> 01:57:39,788
LET ME INTRODUCE IT TO EVERYONE.
3031
01:57:39,788 --> 01:57:42,257
TO OUR WONDERFUL DIRECTORS,
3032
01:57:42,257 --> 01:57:45,727
WONDERFUL CAST AND DIRECTOR.
3033
01:57:45,727 --> 01:57:46,762
AMAZING CAST.
3034
01:57:46,762 --> 01:57:47,629
I CAN'T BELIEVE I FORGOT TO
3035
01:57:47,629 --> 01:57:48,630
THANK YOU GUYS.
3036
01:57:48,630 --> 01:57:50,232
LOOK, YOU KNOW, I KNOW THE
3037
01:57:50,232 --> 01:57:51,800
INDUSTRY IS IN A SLUMP RIGHT
3038
01:57:51,800 --> 01:57:54,436
NOW, AND I KNOW THAT IT MIGHT
3039
01:57:54,436 --> 01:57:56,038
FORCE OR PUT PRESSURE ON
3040
01:57:56,038 --> 01:57:57,472
NETWORKS AND STUFF TO TIGHTEN
3041
01:57:57,472 --> 01:57:59,374
THE PURSESTRINGS AND BROADEN THE
3042
01:57:59,374 --> 01:57:59,574
SLATE.
3043
01:57:59,574 --> 01:58:01,643
BUT I DO BELIEVE NO SLUMP WAS
3044
01:58:01,643 --> 01:58:02,644
EVER BROKEN WITHOUT WILLINGNESS
3045
01:58:02,644 --> 01:58:03,979
TO TAKE RISKS.
3046
01:58:03,979 --> 01:58:07,149
I THINK IF "BABY REINDEER" HAS
3047
01:58:07,149 --> 01:58:08,283
PROVED ANYTHING IS THAT THERE IS
3048
01:58:08,283 --> 01:58:10,519
NO NET FORMULA TO THIS.
3049
01:58:10,519 --> 01:58:12,788
YOU DON'T NEED BIG STARS,
3050
01:58:12,788 --> 01:58:17,426
LONG-RUNNING SERIES TO HAVE A
3051
01:58:17,426 --> 01:58:20,729
HIT.
3052
01:58:20,729 --> 01:58:22,497
REALLY, REALLY, THE ONLY
3053
01:58:22,497 --> 01:58:25,100
CONSTANT ACROSS ANY SUCCESS IN
3054
01:58:25,100 --> 01:58:27,069
TELEVISION IS GOOD STORY
3055
01:58:27,069 --> 01:58:27,302
TELLING.
3056
01:58:27,302 --> 01:58:28,570
GOOD STORY TELLING THAT SPEAKS
3057
01:58:28,570 --> 01:58:30,305
TO OUR TIMES.
3058
01:58:30,305 --> 01:58:34,509
SO TAKE RISKS, PUSH BOUNDARIES,
3059
01:58:34,509 --> 01:58:37,612
EXPLORE THE UNCOMFORTABLE, DARE
3060
01:58:37,612 --> 01:58:39,781
TO FAIL IN ORDER TO ACHIEVE.
3061
01:58:39,781 --> 01:58:44,386
THANKS SO MUCH FOR THIS AWARD.
3062
01:58:44,386 --> 01:58:46,755
��
3063
01:58:46,755 --> 01:58:47,456
>> Announcer: UP NEXT, TWO GIANT
3064
01:58:47,456 --> 01:58:50,092
AWARDS AS STEVEN YEUN PRESENTS
3065
01:58:50,092 --> 01:58:50,692
LEAD ACTOR IN A DRAMA SERIES,
3066
01:58:50,692 --> 01:58:51,693
THEN LATER, THE EMMY FOR LEAD
3067
01:58:51,693 --> 01:58:55,897
ACTRESS IN A DRAMA SERIES IS IN
3068
01:58:55,897 --> 01:58:56,531
THE HANDS OF TV'S TOP ATTORNEYS
3069
01:58:56,531 --> 01:58:58,500
VIOLA DAVIS, GINA TORRES AND
3070
01:58:58,500 --> 01:58:58,934
CHRISTINE BARANSKI.
3071
01:58:58,934 --> 01:58:59,434
IT'S THE EMMYS ON ABC.
3072
01:59:13,448 --> 01:59:19,354
>>> PLEASE WELCOME STEVEN YEON.
3073
01:59:19,354 --> 01:59:20,522
!
3074
01:59:20,522 --> 01:59:21,089
>> THESE SIX MEN DELIVERED
3075
01:59:21,089 --> 01:59:21,723
PERFORMANCES SO CAPTIVATING THAT
3076
01:59:21,723 --> 01:59:23,025
THEY TRANSPORTED US, SHOWCASING
3077
01:59:23,025 --> 01:59:24,092
FLUIDITY IN THE CRAFT.
3078
01:59:24,092 --> 01:59:24,726
HERE ARE THE NOMINEES FOR LEAD
3079
01:59:24,726 --> 01:59:25,660
ACTOR IN A DRAMA SERIES.
3080
01:59:25,660 --> 01:59:26,728
>> Announcer: IDRIS ELBA,
3081
01:59:26,728 --> 01:59:27,796
"HIJACK."
3082
01:59:27,796 --> 01:59:29,464
DONALD GLOVER, "MR. &
3083
01:59:29,464 --> 01:59:32,434
MRS. SMITH."
3084
01:59:32,434 --> 01:59:32,968
WALTON GOGGINS, "FALLOUT."
3085
01:59:32,968 --> 01:59:35,637
GARY OLDMAN, "SLOW HORSES."
3086
01:59:35,637 --> 01:59:38,206
HIROYUKI SANADA, "SHOGUN."
3087
01:59:38,206 --> 01:59:41,910
DOMINIC WEST, "THE CROWN."
3088
01:59:41,910 --> 01:59:49,251
>> AND THE EMMY GOES TO --
3089
01:59:49,251 --> 01:59:54,723
HIROYUKI SANADA.
3090
01:59:54,723 --> 01:59:55,190
[ APPLAUSE ]
3091
01:59:55,190 --> 01:59:55,390
��
3092
01:59:55,390 --> 01:59:57,492
>> THIS IS THE FIRST EMMY WIN
3093
01:59:57,492 --> 02:00:05,467
AND NOMINATION FOR HIROYUKI
3094
02:00:05,467 --> 02:00:24,352
SANADA.
3095
02:00:24,352 --> 02:00:25,320
>> THANK YOU.
3096
02:00:25,320 --> 02:00:27,856
THANK YOU SO MUCH.
3097
02:00:27,856 --> 02:00:32,027
OH, MY GOODNESS.
3098
02:00:32,027 --> 02:00:40,368
I'M WOND HONORED TO BE HERE WITH
3099
02:00:40,368 --> 02:00:41,570
AMAZING NOMINEES.
3100
02:00:41,570 --> 02:00:46,875
AND THANK YOU FOR FX, DISNEY AND
3101
02:00:46,875 --> 02:00:48,343
HULU FOR BELIEVING IN ME.
3102
02:00:48,343 --> 02:00:51,580
AND THANK YOU, MY TEAM, FOR
3103
02:00:51,580 --> 02:00:55,517
ALWAYS SUPPORTING ME.
3104
02:00:55,517 --> 02:00:58,086
AND THANK YOU FOR ALL THE CREW
3105
02:00:58,086 --> 02:00:59,955
AND CAST OF "SHOGUN."
3106
02:00:59,955 --> 02:01:03,925
I'M SO PROUD OF YOU.
3107
02:01:03,925 --> 02:01:06,361
[ APPLAUSE ]
3108
02:01:06,361 --> 02:01:08,830
>> IT WAS AN EAST MEETS WEST
3109
02:01:08,830 --> 02:01:12,167
DREAM PROJECT, WITH RESPECT.
3110
02:01:12,167 --> 02:01:14,870
AND "SHOGUN" TAUGHT ME THAT WHEN
3111
02:01:14,870 --> 02:01:17,439
PEOPLE WORK TOGETHER, WE CAN
3112
02:01:17,439 --> 02:01:19,040
MAKE MIRACLE.
3113
02:01:19,040 --> 02:01:21,810
WE CAN CREATE A BETTER FUTURE
3114
02:01:21,810 --> 02:01:22,077
TOGETHER.
3115
02:01:22,077 --> 02:01:26,481
THANK YOU SO MUCH!
3116
02:01:26,481 --> 02:01:28,750
[ APPLAUSE ]
3117
02:01:28,750 --> 02:01:31,686
��
3118
02:01:31,686 --> 02:01:32,487
>> Announcer: FROM PERRY MASON
3119
02:01:32,487 --> 02:01:33,121
TO SAUL GOODMAN, BEN MATLOCK TO
3120
02:01:33,121 --> 02:01:33,655
ALLY McBEAL, SOME OF OUR
3121
02:01:33,655 --> 02:01:36,925
FAVORITE CHARACTERS OVER THE
3122
02:01:36,925 --> 02:01:37,559
YEARS ARE TELEVISION'S LAWYERS.
3123
02:01:37,559 --> 02:01:38,160
WHETHER PROSECUTOR OR DEFENSE
3124
02:01:38,160 --> 02:01:40,061
ATTORNEY, CRIMINAL LAWYER OR
3125
02:01:40,061 --> 02:01:41,696
CIVIL LITIGATOR, THEIR
3126
02:01:41,696 --> 02:01:42,731
IMPORTANCE AND IMPACT ON VIEWERS
3127
02:01:42,731 --> 02:01:44,800
CANNOT BE OVERSTATED.
3128
02:01:44,800 --> 02:01:46,902
PLEASE WELCOME TV LAWYERS
3129
02:01:46,902 --> 02:01:48,470
GINA TORRES AND EMMY WINNERS
3130
02:01:48,470 --> 02:01:48,970
CHRISTINE BARANSKI AND
3131
02:01:48,970 --> 02:01:57,379
VIOLA DAVIS.
3132
02:01:57,379 --> 02:01:58,980
>> IT'S BEEN SAID THAT THE
3133
02:01:58,980 --> 02:02:01,449
DOCTOR SEES OUR HUMAN WEAKNESS,
3134
02:02:01,449 --> 02:02:04,786
THE MINISTER SEES OUR STUPIDITY
3135
02:02:04,786 --> 02:02:05,287
AND THE LAWYER SEES OUR
3136
02:02:05,287 --> 02:02:06,888
WICKEDNESS.
3137
02:02:06,888 --> 02:02:07,522
>> ALTHOUGH LET ME ADD THIS ONE
3138
02:02:07,522 --> 02:02:12,160
CAVEAT.
3139
02:02:12,160 --> 02:02:12,694
FOR IN COURTROOMS AND LAW
3140
02:02:12,694 --> 02:02:13,328
OFFICES LIKE THE ONES WE'VE SEEN
3141
02:02:13,328 --> 02:02:14,796
FROM THE EARLY DAYS OF
3142
02:02:14,796 --> 02:02:24,573
TELEVISION UP THROUGH TODAY,
3143
02:02:24,573 --> 02:02:28,310
LAWYERS HAVE SEEN EVERY HUMAN
3144
02:02:28,310 --> 02:02:29,211
CONDITION.
3145
02:02:29,211 --> 02:02:29,844
>> AND IN THEIR EFFORTS, IN SO
3146
02:02:29,844 --> 02:02:30,779
MANY WAYS THEY TRY TO BETTER
3147
02:02:30,779 --> 02:02:31,413
THAT HUMAN CONDITION AND UPLIFT
3148
02:02:31,413 --> 02:02:31,880
US.
3149
02:02:31,880 --> 02:02:32,914
ULTIMATELY TELEVISION LAWYERS
3150
02:02:32,914 --> 02:02:33,949
REMIND US OF TWO THINGS.
3151
02:02:33,949 --> 02:02:36,618
FIRST, THAT THE TRIFECTA OF
3152
02:02:36,618 --> 02:02:37,118
WEAKNESS, STUPIDITY AND
3153
02:02:37,118 --> 02:02:39,287
WICKEDNESS WILL NEVER GO AWAY.
3154
02:02:39,287 --> 02:02:41,356
AND SECOND, THAT THE CASES AND
3155
02:02:41,356 --> 02:02:44,526
TRIALS AND CLIENTS THAT SHOWCASE
3156
02:02:44,526 --> 02:02:45,594
THAT TRIFECTA MAKE FOR REALLY
3157
02:02:45,594 --> 02:02:48,730
ENTERTAINING TELEVISION.
3158
02:02:48,730 --> 02:02:49,497
>> AND NOW, HERE ARE OUR
3159
02:02:49,497 --> 02:02:50,332
NOMINEES FOR LEAD ACTRESS IN A
3160
02:02:50,332 --> 02:02:53,435
DRAMA SERIES.
3161
02:02:53,435 --> 02:02:54,069
>> Announcer: JENNIFER ANISTON,
3162
02:02:54,069 --> 02:02:57,439
"THE MORNING SHOW."
3163
02:02:57,439 --> 02:02:58,707
CARRIE COON, "THE GILDED AGE."
3164
02:02:58,707 --> 02:03:00,275
MAYA ERSKINE, "MR. &
3165
02:03:00,275 --> 02:03:02,911
MRS. SMITH."
3166
02:03:02,911 --> 02:03:05,013
ANNA SAWAI, "SHOGUN."
3167
02:03:05,013 --> 02:03:07,115
IMELDA STAUNTON, "THE CROWN."
3168
02:03:07,115 --> 02:03:07,749
REESE WITHERSPOON, "THE MORNING
3169
02:03:07,749 --> 02:03:14,022
SHOW."
3170
02:03:14,022 --> 02:03:23,131
>> AND THE EMMY GOES TO --
3171
02:03:23,131 --> 02:03:30,939
ANNA SAWAI, "SHOGUN"!
3172
02:03:30,939 --> 02:03:31,139
��
3173
02:03:31,139 --> 02:03:31,439
[ APPLAUSE ]
3174
02:03:31,439 --> 02:03:33,441
>> THIS IS THE FIRST EMMY WIN
3175
02:03:33,441 --> 02:04:06,741
AND NOMINATION FOR ANNA SAWAI.
3176
02:04:06,741 --> 02:04:08,576
>> I WAS CRYING BEFORE MY NAME
3177
02:04:08,576 --> 02:04:10,278
WAS ANNOUNCED.
3178
02:04:10,278 --> 02:04:13,081
I'M A MESS TODAY.
3179
02:04:13,081 --> 02:04:15,417
THANK YOU TO THE ACADEMY FOR
3180
02:04:15,417 --> 02:04:18,119
NAMING ME ALONGSIDE MY FELLOW
3181
02:04:18,119 --> 02:04:19,821
NOMINEES, WHOSE WORK I HAVE
3182
02:04:19,821 --> 02:04:23,091
GROWN -- I GREW UP WATCHING AND
3183
02:04:23,091 --> 02:04:25,260
LOVE.
3184
02:04:25,260 --> 02:04:27,929
THANK YOU SO JOHN LANGRAFF AND
3185
02:04:27,929 --> 02:04:29,431
THE WHOLE FX TEAM FOR BELIEVING
3186
02:04:29,431 --> 02:04:30,999
IN OUR STORY.
3187
02:04:30,999 --> 02:04:32,834
THANK YOU, JUSTIN AND RACHEL,
3188
02:04:32,834 --> 02:04:34,436
FOR BELIEVING IN ME AND GIVING
3189
02:04:34,436 --> 02:04:37,772
ME THIS ROLE OF A LIFETIME.
3190
02:04:37,772 --> 02:04:41,443
THANK YOU TO EVERY SINGLE ONE OF
3191
02:04:41,443 --> 02:04:46,147
THE CREW AND CAST LED BY A HERO,
3192
02:04:46,147 --> 02:04:47,282
HEROES OVER THERE.
3193
02:04:47,282 --> 02:04:50,085
HE REALLY HAS OPENED DOORS AND
3194
02:04:50,085 --> 02:04:51,286
CONTINUES TO OPEN DOORS FOR
3195
02:04:51,286 --> 02:04:51,820
PEOPLE LIKE ME.
3196
02:04:51,820 --> 02:04:54,422
THANK YOU SO MUCH.
3197
02:04:54,422 --> 02:04:56,057
COSMO, YOU ARE THE MOST HON NEST
3198
02:04:56,057 --> 02:05:02,130
AND TRUTHFUL AND NO B.S. ACTOR I
3199
02:05:02,130 --> 02:05:03,698
KNOW AND YOU MADE ME GIVE MY
3200
02:05:03,698 --> 02:05:04,499
120%.
3201
02:05:04,499 --> 02:05:06,101
LASTLY, THANK YOU TO MY TEAM AND
3202
02:05:06,101 --> 02:05:08,036
THANK YOU TO MY FAMILY.
3203
02:05:08,036 --> 02:05:09,437
MOM, I LOVE YOU.
3204
02:05:09,437 --> 02:05:10,972
YOU ARE THE REASON I'M HERE.
3205
02:05:10,972 --> 02:05:13,375
YOU SHOWED ME STOICISM AND
3206
02:05:13,375 --> 02:05:15,710
THAT'S HOW I WAS ABLE TO PORTRAY
3207
02:05:15,710 --> 02:05:15,944
IT.
3208
02:05:15,944 --> 02:05:18,680
THIS IS TO ALL THE WOMEN WHO
3209
02:05:18,680 --> 02:05:19,647
EXPECT NOTHING AND CONTINUE TO
3210
02:05:19,647 --> 02:05:21,449
BE AN EXAMPLE FOR EVERYONE.
3211
02:05:21,449 --> 02:05:24,252
THANK YOU SO MUCH.
3212
02:05:24,252 --> 02:05:25,286
>> Announcer: AFTER THE BREAK,
3213
02:05:25,286 --> 02:05:26,388
CATHERINE O'HARA PRESENTS THE
3214
02:05:26,388 --> 02:05:27,956
AWARD FOR OUTSTANDING COMEDY
3215
02:05:27,956 --> 02:05:28,957
SERIES, AND THE CAST OF "THE
3216
02:05:28,957 --> 02:05:32,127
WEST WING" CROWNS THIS YEAR'S
3217
02:05:32,127 --> 02:05:32,660
OUTSTANDING DRAMA SERIES.
3218
02:05:32,660 --> 02:05:35,697
IT'S THE EMMYS ON ABC.
3219
02:05:57,452 --> 02:05:58,520
>>> Announcer: THIS YEAR MARKS
3220
02:05:58,520 --> 02:05:59,554
THE 25th ANNIVERSARY OF WARNER
3221
02:05:59,554 --> 02:06:00,588
BROTHERS 26-TIME EMMY WINNING
3222
02:06:00,588 --> 02:06:01,122
SERIES "THE WEST WING."
3223
02:06:01,122 --> 02:06:04,292
FROM ITS CAST, PLEASE WELCOME
3224
02:06:04,292 --> 02:06:04,826
MARTIN SHEEN, DULE HILL,
3225
02:06:04,826 --> 02:06:07,629
JANEL MOLONEY, RICHARD SCHIFF,
3226
02:06:07,629 --> 02:06:14,269
AND ALLISON JANNEY.
3227
02:06:14,269 --> 02:06:15,837
>> FROM 1999 TO 2006 I HAD THE
3228
02:06:15,837 --> 02:06:17,472
HONOR OF PLAYING THE PRESIDENT
3229
02:06:17,472 --> 02:06:19,040
OF THE UNITED STATES ON AN
3230
02:06:19,040 --> 02:06:21,142
EXTRAORDINARY SERIES CREATED BY
3231
02:06:21,142 --> 02:06:24,279
AARON SORKIN AND PRODUCED BY
3232
02:06:24,279 --> 02:06:24,579
JOHN WELLS.
3233
02:06:24,579 --> 02:06:25,313
>> THE NAME OF THAT SERIES, "THE
3234
02:06:25,313 --> 02:06:27,982
WEST WING."
3235
02:06:27,982 --> 02:06:29,584
AND WE ALL HAD THE HONOR SERVING
3236
02:06:29,584 --> 02:06:31,119
IN YOUR ADMINISTRATION.
3237
02:06:31,119 --> 02:06:33,288
>> IT'S HARD TO BELIEVE THAT
3238
02:06:33,288 --> 02:06:33,922
JUST 25 YEARS AGO, AARON AND THE
3239
02:06:33,922 --> 02:06:34,489
WRITERS ACTUALLY HAD TO USE
3240
02:06:34,489 --> 02:06:37,625
THEIR IMAGINATIONS TO CREATE
3241
02:06:37,625 --> 02:06:38,526
INTERESTING PLOTLINES FOR "THE
3242
02:06:38,526 --> 02:06:44,599
WEST WING."
3243
02:06:44,599 --> 02:06:47,435
>> UNLIKE TODAY WHERE STORYLINES
3244
02:06:47,435 --> 02:06:49,003
CAN BE PLUCKED RIGHT OFF THE
3245
02:06:49,003 --> 02:06:51,139
NEWS.
3246
02:06:51,139 --> 02:06:52,740
STORYLINES THAT WRITERS WOULD
3247
02:06:52,740 --> 02:06:54,809
HAVE DEEMED A BIT FARFETCHED, IF
3248
02:06:54,809 --> 02:06:55,443
NOT UTTERLY RIDICULOUS 25 YEARS
3249
02:06:55,443 --> 02:06:55,610
AGO.
3250
02:06:55,610 --> 02:06:56,945
>> OUR POLITICAL LANDSCAPE HAS
3251
02:06:56,945 --> 02:07:00,582
SHIFTED DRAMATICALLY IN RECENT
3252
02:07:00,582 --> 02:07:01,216
YEARS, BUT TWO THINGS HAVE NOT
3253
02:07:01,216 --> 02:07:01,816
CHANGED -- THE IMPORTANCE OF
3254
02:07:01,816 --> 02:07:02,684
EVERYONE MAKING SURE TO BE
3255
02:07:02,684 --> 02:07:04,853
REGISTERED AND TO VOTE --
3256
02:07:04,853 --> 02:07:09,057
>> AND THE QUALITY OF THE DRAMA
3257
02:07:09,057 --> 02:07:12,594
SERIES ON TELEVISION.
3258
02:07:12,594 --> 02:07:13,661
>> HERE ARE THIS YEAR'S
3259
02:07:13,661 --> 02:07:14,863
NOMINEES.
3260
02:07:14,863 --> 02:07:16,431
>> Announcer: "THE CROWN."
3261
02:07:16,431 --> 02:07:18,032
"FALLOUT."
3262
02:07:18,032 --> 02:07:20,101
"THE GILDED AGE."
3263
02:07:20,101 --> 02:07:22,203
"THE MORNING SHOW."
3264
02:07:22,203 --> 02:07:24,305
"MR. & MRS. SMITH."
3265
02:07:24,305 --> 02:07:26,374
"SHOGUN."
3266
02:07:26,374 --> 02:07:31,613
"SLOW HORSES."
3267
02:07:31,613 --> 02:07:32,213
"BODY PROBLEM."
3268
02:07:32,213 --> 02:07:41,022
>> AND THE EMMY GOES TO --
3269
02:07:41,022 --> 02:07:43,791
"SHOGUN"!
3270
02:07:43,791 --> 02:07:44,359
[ APPLAUSE ]
3271
02:07:44,359 --> 02:07:44,926
��
3272
02:07:44,926 --> 02:07:47,896
>> FOR ITS FIRST ELIGIBLE YEAR
3273
02:07:47,896 --> 02:07:50,064
"SHOGUN" HAS RECEIVED 25
3274
02:07:50,064 --> 02:07:50,532
NOMINATIONS.
3275
02:07:50,532 --> 02:07:54,502
"SHOGUN" WON A RECORD-BREAKING
3276
02:07:54,502 --> 02:07:56,137
14 NOMINATIONS.
3277
02:07:56,137 --> 02:07:58,473
THE SHOW HOLDS THIS YEAR'S TOP
3278
02:07:58,473 --> 02:08:02,911
SPOT WITH THE MOST EMMY
3279
02:08:02,911 --> 02:08:19,661
NOMINATIONS.
3280
02:08:19,661 --> 02:08:22,130
��
3281
02:08:22,130 --> 02:08:23,398
>> OH, MY GOSH.
3282
02:08:23,398 --> 02:08:25,366
WE GOT TO GO FAST.
3283
02:08:25,366 --> 02:08:26,401
WOW, OKAY.
3284
02:08:26,401 --> 02:08:29,370
THANK YOU FOR THIS INCREDIBLE
3285
02:08:29,370 --> 02:08:29,938
HONOR.
3286
02:08:29,938 --> 02:08:31,039
WE HAVE SO GRATEFUL TO OUR
3287
02:08:31,039 --> 02:08:33,908
PARTNERS AT DISNEY TELEVISION,
3288
02:08:33,908 --> 02:08:38,112
TO HULU AND ESPECIALLY TO FX.
3289
02:08:38,112 --> 02:08:42,717
JOHN, GINA, KATE, LINDSEY, NICK.
3290
02:08:42,717 --> 02:08:46,154
YOU GUYS GREEN LIT A VERY
3291
02:08:46,154 --> 02:08:49,958
EXPENSIVE SUBTITLED JAPANESE
3292
02:08:49,958 --> 02:08:52,594
PERIOD PIECE THAT REVOLVES
3293
02:08:52,594 --> 02:08:53,828
AROUND A POETRY COMPETITION.
3294
02:08:53,828 --> 02:08:55,763
I HAVE NO IDEA WHY YOU DID THAT,
3295
02:08:55,763 --> 02:08:57,332
BUT THANK YOU FOR YOUR FAITH IN
3296
02:08:57,332 --> 02:09:00,168
THIS INCREDIBLE TEAM.
3297
02:09:00,168 --> 02:09:04,339
THANK YOU TO STEPHANIE GIBBONS.
3298
02:09:04,339 --> 02:09:05,840
WE SHARE THIS AWARD WITH OUR
3299
02:09:05,840 --> 02:09:07,842
CAST AND CREW FROM JAPAN AND
3300
02:09:07,842 --> 02:09:08,242
NORTH AMERICA.
3301
02:09:08,242 --> 02:09:10,144
"SHOGUN" IS A SHOW ABOUT
3302
02:09:10,144 --> 02:09:10,912
TRANSLATION, NOT WHAT IS LOST
3303
02:09:10,912 --> 02:09:12,880
BUT WHAT IS FOUND WHEN YOU DO
3304
02:09:12,880 --> 02:09:15,116
SAFETY MEETINGS IN TWO LANGUAGES
3305
02:09:15,116 --> 02:09:17,619
AND YOU LEARN NOT TO TALK ON
3306
02:09:17,619 --> 02:09:19,387
MATTS WITH YOUR UTILITY BOOTS.
3307
02:09:19,387 --> 02:09:23,224
I JUST WANT TO PASS THIS TO
3308
02:09:23,224 --> 02:09:24,659
HIROSAN FOR ONE FINAL WORD.
3309
02:09:24,659 --> 02:09:28,830
>> LET ME TALK IN JAPANESE
3310
02:09:28,830 --> 02:09:29,063
QUICKLY.
3311
02:09:29,063 --> 02:09:29,764
COULD YOU TRANSLATE?
3312
02:09:29,764 --> 02:09:30,598
>> I WILL TRY.
3313
02:09:30,598 --> 02:09:35,970
I WILL TRY.
3314
02:09:35,970 --> 02:09:36,604
[ SPEAKING IN A GLOBAL LANGUAGE
3315
02:09:36,604 --> 02:09:43,544
]
3316
02:09:43,544 --> 02:09:46,614
>> WE WOULD LIKE TO EXPRESS OUR
3317
02:09:46,614 --> 02:09:47,548
DEEPEST GRATITUDE TO ALL THE
3318
02:09:47,548 --> 02:09:50,451
CREW, DIRECTORS AND MASTERS THAT
3319
02:09:50,451 --> 02:09:53,588
INHERITED OUR SAMURAI PERIOD
3320
02:09:53,588 --> 02:10:01,562
DRAMAS UP UNTIL NOW.
3321
02:10:01,562 --> 02:10:03,564
THE PASSION AND DREAMS THAT WE
3322
02:10:03,564 --> 02:10:06,668
HAVE INHERITED FROM YOU HAVE
3323
02:10:06,668 --> 02:10:08,670
CROSSED OCEANS AND BORDERS.
3324
02:10:08,670 --> 02:10:12,540
>> THANK YOU SO MUCH!
3325
02:10:12,540 --> 02:10:22,684
[ APPLAUSE ]
3326
02:10:22,684 --> 02:10:25,520
>> OH, MY GOSH.
3327
02:10:25,520 --> 02:10:31,726
IT'S MY TV SISTER, ANNY MURPHY.
3328
02:10:31,726 --> 02:10:33,428
>> WHAT'S UP, ANNY?
3329
02:10:33,428 --> 02:10:36,931
>> WELL, THEY SAID THE SHINING
3330
02:10:36,931 --> 02:10:38,966
STAR OF "SCHITT'S CREEK" WAS
3331
02:10:38,966 --> 02:10:40,501
GOING TO PRESENT THE FINAL AWARD
3332
02:10:40,501 --> 02:10:41,436
OF TONIGHT.
3333
02:10:41,436 --> 02:10:45,340
>> THERE HAS BEEN A LITTLE
3334
02:10:45,340 --> 02:10:46,874
CONFUSION HERE, ANNY.
3335
02:10:46,874 --> 02:10:48,009
>> I KNOW.
3336
02:10:48,009 --> 02:10:48,342
THAT'S FINE.
3337
02:10:48,342 --> 02:10:50,845
>> SO WE'RE ACTUALLY HERE TO
3338
02:10:50,845 --> 02:10:57,452
PRESENT THAT PERSON.
3339
02:10:57,452 --> 02:10:58,252
>> WHICH ISN'T ME.
3340
02:10:58,252 --> 02:11:00,388
>> ISN'T YOU.
3341
02:11:00,388 --> 02:11:00,755
>> WHICH I KNEW.
3342
02:11:00,755 --> 02:11:01,456
>> OF COURSE.
3343
02:11:01,456 --> 02:11:02,490
>> I KNEW THAT.
3344
02:11:02,490 --> 02:11:04,592
THAT I KNEW.
3345
02:11:04,592 --> 02:11:07,662
SO --
3346
02:11:07,662 --> 02:11:08,196
>> SO PLEASE WELCOME OUR
3347
02:11:08,196 --> 02:11:12,600
FAVORITE TV MOM.
3348
02:11:12,600 --> 02:11:25,446
>> CATHERINE O'HARA.
3349
02:11:25,446 --> 02:11:27,248
>> I AM SHOCKED AND DELIGHTED TO
3350
02:11:27,248 --> 02:11:30,218
BE PRESENTING THE AWARD FOR
3351
02:11:30,218 --> 02:11:34,388
OUTSTANDING COMEDY SERIES.
3352
02:11:34,388 --> 02:11:37,658
THE NOMINEES ARE --
3353
02:11:37,658 --> 02:11:38,126
>> Announcer: "ABBOTT
3354
02:11:38,126 --> 02:11:38,426
ELEMENTARY."
3355
02:11:38,426 --> 02:11:40,595
"THE BEAR."
3356
02:11:40,595 --> 02:11:41,095
"CURB YOUR ENTHUSIASM."
3357
02:11:41,095 --> 02:11:44,132
"HACKS."
3358
02:11:44,132 --> 02:11:45,700
"ONLY MURDERS IN THE BUILDING."
3359
02:11:45,700 --> 02:11:48,269
"PALM ROYALE."
3360
02:11:48,269 --> 02:11:52,507
"RESERVATION DOGS."
3361
02:11:52,507 --> 02:11:56,544
"WHAT WE DO IN THE SHADOWS."
3362
02:11:56,544 --> 02:12:03,384
>> AND THE EMMY GOES TO --
3363
02:12:03,384 --> 02:12:04,385
OH, MUST WE?
3364
02:12:04,385 --> 02:12:07,655
MUST WE REALLY CHOOSE JUST ONE
3365
02:12:07,655 --> 02:12:08,523
WINNER?
3366
02:12:08,523 --> 02:12:11,526
YOU KNOW, WHEN ALL THE NOMINEES
3367
02:12:11,526 --> 02:12:15,496
HAVE DONE SUCH WONDERFUL,
3368
02:12:15,496 --> 02:12:17,598
HILARIOUS WORK, MUST WE?
3369
02:12:17,598 --> 02:12:23,771
YES, APPARENTLY WE MUST.
3370
02:12:23,771 --> 02:12:27,308
THE AWARD GOES TO, THE EMMY GOES
3371
02:12:27,308 --> 02:12:33,981
TO "HACKS"!
3372
02:12:33,981 --> 02:12:35,550
��
3373
02:12:35,550 --> 02:12:41,022
[ APPLAUSE ]
3374
02:12:41,022 --> 02:12:43,257
>> "HACKS" RECEIVED 16
3375
02:12:43,257 --> 02:12:44,358
NOMINATIONS THIS YEAR AND A
3376
02:12:44,358 --> 02:13:12,253
TOTAL OVERALL OF 48.
3377
02:13:12,253 --> 02:13:15,456
>> I HAVE NO THOUGHTS IN MY
3378
02:13:15,456 --> 02:13:15,656
BRAIN.
3379
02:13:15,656 --> 02:13:18,559
THANK YOU SO MUCH TO THE
3380
02:13:18,559 --> 02:13:18,793
ACADEMY.
3381
02:13:18,793 --> 02:13:19,527
LET'S BRACE OURSELVES.
3382
02:13:19,527 --> 02:13:21,095
I MIGHT GET EMOTIONAL.
3383
02:13:21,095 --> 02:13:23,164
I HAVE TO SAY THAT WE ARE SO
3384
02:13:23,164 --> 02:13:24,999
LUCKY TO LIVE OUR DREAM AND MAKE
3385
02:13:24,999 --> 02:13:25,299
TELEVISION.
3386
02:13:25,299 --> 02:13:26,734
AND WE COULDN'T DO IT WITHOUT
3387
02:13:26,734 --> 02:13:28,569
OUR "HACKS" FAMILY.
3388
02:13:28,569 --> 02:13:31,038
ALL OF OUR WRITERS, ALL OF OUR
3389
02:13:31,038 --> 02:13:33,307
CAST, ALL OF OUR CREW WHO MAKE
3390
02:13:33,307 --> 02:13:35,109
OUR DREAMS COME TRUE LITERALLY.
3391
02:13:35,109 --> 02:13:37,478
LOOK AT THE CAMERA OPERATORS
3392
02:13:37,478 --> 02:13:39,580
TONIGHT DOING INCREDIBLE WORK
3393
02:13:39,580 --> 02:13:40,548
MAKING THIS HAPPEN.
3394
02:13:40,548 --> 02:13:41,415
THANK YOU TO THE CREW.
3395
02:13:41,415 --> 02:13:42,149
THANK YOU.
3396
02:13:42,149 --> 02:13:44,085
YOU KNOW, WHEN WE PITCH THIS
3397
02:13:44,085 --> 02:13:45,520
SHOW ABOUT TWO WOMEN, ONE OF
3398
02:13:45,520 --> 02:13:47,588
WHOM WAS OVER 60, WE DID NOT
3399
02:13:47,588 --> 02:13:49,457
KNOW IF WE WOULD SELL IT.
3400
02:13:49,457 --> 02:13:51,192
WE REALLY HAVE TO THANK CASEY
3401
02:13:51,192 --> 02:13:55,596
BOYS AND SARA, EVERYONE WHO HAS
3402
02:13:55,596 --> 02:13:57,598
HELPED US MAKE THIS SHOW.
3403
02:13:57,598 --> 02:13:59,600
YOU KNOW, THERE ARE ABOUT 20% OF
3404
02:13:59,600 --> 02:14:03,070
OUR POPULATION IS OVER 60 PLUS,
3405
02:14:03,070 --> 02:14:04,939
AND THERE ARE ONLY 3% OF THOSE
3406
02:14:04,939 --> 02:14:05,840
CHARACTERS ON TELEVISION.
3407
02:14:05,840 --> 02:14:07,441
AND I WOULD LIKE TO SEE MORE OF
3408
02:14:07,441 --> 02:14:08,809
THEM BECAUSE WHILE I'M A GREAT,
3409
02:14:08,809 --> 02:14:11,512
YOUNG SUPPORTING ACTOR, I REALLY
3410
02:14:11,512 --> 02:14:14,181
WANT TO BE A GOOD, OLD LEAD.
3411
02:14:14,181 --> 02:14:15,483
>> THANK YOU SO MUCH.
3412
02:14:15,483 --> 02:14:19,086
I MEAN, COMEDY IS SO IMPORTANT,
3413
02:14:19,086 --> 02:14:19,854
OBVIOUSLY, TO US.
3414
02:14:19,854 --> 02:14:22,690
BUT WE REALLY FEEL LIKE IT CAN
3415
02:14:22,690 --> 02:14:24,058
BRIDGE DIVIDES WHEN YOU LAUGH
3416
02:14:24,058 --> 02:14:25,359
WITH SOMEONE AND YOU HAVE
3417
02:14:25,359 --> 02:14:26,494
SOMETHING IN COMMON WITH THEM.
3418
02:14:26,494 --> 02:14:28,596
SO PLEASE SUPPORT COMEDY.
3419
02:14:28,596 --> 02:14:32,366
IT SPEAKS TRUE TO POWER.
3420
02:14:32,366 --> 02:14:33,034
IT REALLY DOES.
3421
02:14:33,034 --> 02:14:35,136
SO SUPPORT YOUR LOCAL COMEDIAN.
3422
02:14:35,136 --> 02:14:37,605
AND WE HAVE TO GO BECAUSE WE
3423
02:14:37,605 --> 02:14:39,206
START SHOOTING THE NEXT SEASON
3424
02:14:39,206 --> 02:14:39,974
IN FIVE DAYS.
3425
02:14:39,974 --> 02:14:43,277
SO THANK YOU AND GOOD NIGHT!
3426
02:14:43,277 --> 02:14:43,711
>> THAT'S OUR SHOW.
3427
02:14:43,711 --> 02:14:44,545
CONGRATS TO ALL OUR WINNERS AND
3428
02:14:44,545 --> 02:14:48,549
NOMINEES.
3429
02:14:48,549 --> 02:14:49,917
>> HAVE A GREAT NIGHT!
216729
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