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1
00:00:05,573 --> 00:00:08,607
CAPTIONING MADE POSSIBLE BY
TURNER ENTERTAINMENT GROUP
2
00:01:30,991 --> 00:01:33,992
IT'S A BEAUTIFUL DAY.
3
00:01:33,994 --> 00:01:36,962
AH, BUT A SAD ONE.
4
00:01:36,964 --> 00:01:42,634
IT WAS JUST SUCH A DAY AS THIS
40 YEARS AGO...
5
00:01:42,636 --> 00:01:47,139
40 YEARS. IT'S A LONG TIME.
6
00:01:47,141 --> 00:01:51,944
ANYHOW, WE WERE HAPPIER THEN,
MUCH HAPPIER.
7
00:01:51,946 --> 00:01:54,146
WE WERE STANDING HERE
ON THIS VERY SPOT,
8
00:01:54,148 --> 00:01:56,615
EDITH AND I.
9
00:01:56,617 --> 00:02:00,519
WE'D BE STANDING HERE STILL
IF SHE WASN'T SO STUBBORN.
10
00:02:11,098 --> 00:02:14,099
AAH! AAH!
11
00:02:15,402 --> 00:02:17,636
AAH! AAH!
12
00:02:21,976 --> 00:02:23,408
AAH!
13
00:02:34,021 --> 00:02:36,388
SERVES YOU RIGHT, OLD MAN.
14
00:03:01,315 --> 00:03:02,981
THERE YOU GO.
15
00:03:11,859 --> 00:03:12,958
OH!
16
00:03:17,631 --> 00:03:19,298
I WONDER WHAT HAPPENED
TO THE OLD GUY.
17
00:03:19,300 --> 00:03:20,499
HERE HE IS.
18
00:03:29,843 --> 00:03:30,876
NEED ANY HELP?
19
00:03:30,878 --> 00:03:32,678
WELL, I AIN'T DIVING
FOR PENNIES.
20
00:03:32,680 --> 00:03:33,879
WE GOT THE OLD GUY.
21
00:03:33,881 --> 00:03:35,013
OH.
22
00:03:38,719 --> 00:03:40,085
TURN HIM OVER.
23
00:03:40,087 --> 00:03:41,119
HERE.
24
00:03:41,121 --> 00:03:43,388
WORK HIS ARMS
AND LEGS.
25
00:03:43,390 --> 00:03:44,690
COME ON, POP,
SNAP OUT OF IT.
26
00:03:44,692 --> 00:03:45,824
HIS CHIN'S CUT.
27
00:03:45,826 --> 00:03:47,526
I CLUNKED HIM.
I HAD TO.
28
00:03:47,528 --> 00:03:48,594
POOR OLD DUCK.
I KNEW HE'D
TRY IT.
29
00:03:48,596 --> 00:03:49,595
TRY WHAT?
30
00:03:49,597 --> 00:03:50,963
SUICIDE.
PROBABLY DOWN
AND OUT.
31
00:03:50,965 --> 00:03:53,232
OH, YOU'RE NUTS.
NOBODY YELLS "HELP"
AS AN EXIT LINE.
32
00:03:53,234 --> 00:03:55,367
THEY DO
WHEN THEY LOSE
THEIR NERVE.
33
00:03:55,369 --> 00:03:58,036
HE'S COMING OUT OF IT.
STEP ASIDE, FELLAS.
34
00:03:58,038 --> 00:04:01,306
OK, POP. OPEN
THOSE ROLY BOLY EYES.
35
00:04:01,308 --> 00:04:02,341
WHERE'S ME HAT?
36
00:04:02,343 --> 00:04:03,308
THAT'S
GRATITUDE.
37
00:04:03,310 --> 00:04:04,509
NOW HE WANTS
HIS HAT.
38
00:04:04,511 --> 00:04:05,644
IT'S PRACTICALLY NEW.
39
00:04:05,646 --> 00:04:07,145
HOW DO YOU FEEL?
40
00:04:07,147 --> 00:04:08,880
WELL, I'LL TELL YOU.
41
00:04:08,882 --> 00:04:12,451
I'M A MAN THAT'S
ALLERGIC TO WATER.
42
00:04:12,453 --> 00:04:14,620
NOW DON'T BOTHER.
DON'T BOTHER.
43
00:04:15,889 --> 00:04:17,823
SO YOU SAVED
ME LIFE.
44
00:04:17,825 --> 00:04:19,391
OH, IT'S NOTHING.
45
00:04:19,393 --> 00:04:20,659
OH, ISN'T IT,
THOUGH?
46
00:04:20,661 --> 00:04:22,494
ON SECOND THOUGHT,
I AGREE WITH YOU.
47
00:04:22,496 --> 00:04:24,830
POP, YOU'VE GOT
A LOT TO LIVE FOR YET.
48
00:04:24,832 --> 00:04:26,365
HAVE I, NOW?
49
00:04:26,367 --> 00:04:28,133
WHAT ARE YOU STANDING
THERE GAPING AT?
50
00:04:28,135 --> 00:04:30,168
BE OFF WITH YOU!
51
00:04:31,639 --> 00:04:33,705
IF YOU'RE BROKE,
MAYBE I CAN
HELP YOU OUT.
52
00:04:33,707 --> 00:04:34,906
THAT'S VERY KIND
OF YOU. HOW?
53
00:04:34,908 --> 00:04:36,341
BY GETTING YOU
A JOB.
54
00:04:36,343 --> 00:04:37,509
WHAT KIND OF A JOB?
55
00:04:37,511 --> 00:04:38,443
HE'S KIND OF
FUSSY, AIN'T HE?
56
00:04:38,445 --> 00:04:41,947
I WASN'T TALKING
TO YOU.
57
00:04:41,949 --> 00:04:43,448
YOU WERE SAYING,
YOUNG LADY?
58
00:04:43,450 --> 00:04:45,917
IF YOU COME AND SEE ME,
MAYBE WE CAN DOPE
SOMETHING OUT.
59
00:04:45,919 --> 00:04:47,619
I GOT TO HURRY NOW.
I'M LATE FOR WORK
ALREADY.
60
00:04:47,621 --> 00:04:48,887
WHAT'S YOUR NAME?
61
00:04:48,889 --> 00:04:50,422
JUDY. JUDY PEABODY.
62
00:04:50,424 --> 00:04:51,423
WHERE CAN I
FIND YOU?
63
00:04:51,425 --> 00:04:53,191
I WORK AT
THE STORK CLUB.
64
00:04:53,193 --> 00:04:55,460
STORK CLUB.
WHAT'S THAT--
A FOUNDLING HOME?
65
00:04:55,462 --> 00:04:57,996
THERE ARE A LOT OF
BEAUTIFUL BABIES THERE.
66
00:04:57,998 --> 00:04:59,298
TAKE CARE
OF YOURSELF, POP.
67
00:04:59,300 --> 00:05:00,332
I WILL. THANKS.
68
00:05:00,334 --> 00:05:02,034
[SPLASH]
69
00:05:02,036 --> 00:05:03,035
WANT A LIFT?
70
00:05:03,037 --> 00:05:04,036
LIFT?
71
00:05:04,038 --> 00:05:05,437
IN MY CAR.
72
00:05:05,439 --> 00:05:08,173
NO, THANKS.
I'VE GOT A CAR
OF ME OWN.
73
00:05:24,558 --> 00:05:25,657
[AH-CHOO]
74
00:05:25,659 --> 00:05:26,892
YOU'RE SNEEZING,
SIR.
75
00:05:26,894 --> 00:05:28,694
YOU DON'T SAY?
76
00:05:30,864 --> 00:05:32,097
[AH-CHOO]
77
00:05:32,099 --> 00:05:34,733
YOU'RE SNEEZING,
SIR.
78
00:05:34,735 --> 00:05:37,069
YOU KNOW, I FIGURED
THAT OUT FOR MESELF.
79
00:05:37,071 --> 00:05:38,503
YOU'RE ALL WET,
SIR.
80
00:05:38,505 --> 00:05:40,539
I DIDN'T THINK
IT SHOWED.
81
00:05:40,541 --> 00:05:42,708
AND WHATEVER
HAPPENED
TO YOUR CHIN?
82
00:05:42,710 --> 00:05:44,376
WHY? DID I LOSE IT?
83
00:05:44,378 --> 00:05:45,477
IT'S BLEEDING.
84
00:05:45,479 --> 00:05:47,379
A GIRL TIPPED ME.
85
00:05:47,381 --> 00:05:48,847
SHE WAS TRYING
TO PROTECT HERSELF.
86
00:05:48,849 --> 00:05:49,981
I SEE, SIR.
87
00:05:49,983 --> 00:05:51,616
NO, YOU DON'T.
88
00:05:51,618 --> 00:05:53,151
I WAS DROWNING.
89
00:05:53,153 --> 00:05:54,419
HOW AWFUL!
90
00:05:54,421 --> 00:05:55,754
YOU'D BETTER
TAKE OFF THOSE
WET CLOTHES, SIR.
91
00:05:55,756 --> 00:05:58,824
I'LL TELEPHONE
DR. MARSTON IMMEDIATELY.
92
00:05:58,826 --> 00:06:00,392
GIVE ME
YOUR WAISTCOAT, SIR.
93
00:06:01,795 --> 00:06:04,563
YOU'RE ALL RIGHT--
SOUND AS A DOLLAR.
94
00:06:04,565 --> 00:06:06,231
SOUND AS A DOLLAR?
95
00:06:06,233 --> 00:06:07,799
NOW, WHAT DOES
THAT MEAN?
96
00:06:07,801 --> 00:06:10,602
YOU'D BETTER STAY
IN BED TODAY, J.B.
97
00:06:10,604 --> 00:06:12,237
I'LL LOOK IN ON YOU
IN THE MORNING.
98
00:06:12,239 --> 00:06:13,605
DON'T BOTHER.
99
00:06:13,607 --> 00:06:14,773
EVERY TIME YOU
LOOK IN ON ME,
100
00:06:14,775 --> 00:06:16,007
IT COSTS ME
10 BUCKS.
101
00:06:16,009 --> 00:06:17,876
[CHUCKLING]
GOOD-BYE, J.B.
102
00:06:20,881 --> 00:06:22,447
WILL THERE BE
ANYTHING ELSE, SIR?
103
00:06:22,449 --> 00:06:23,515
DID YOU CALL CURTIS?
104
00:06:23,517 --> 00:06:24,716
HE'S ON HIS WAY
OVER HERE, SIR.
105
00:06:24,718 --> 00:06:27,052
GOOD. SIT DOWN,
FISKE.
106
00:06:27,054 --> 00:06:28,053
I BEG
YOUR PARDON, SIR?
107
00:06:28,055 --> 00:06:30,522
SIT DOWN.
SIT DOWN, MAN!
108
00:06:30,524 --> 00:06:33,658
I WANT TO ASK
YOU SOMETHING.
109
00:06:33,660 --> 00:06:36,628
FISKE, DID YOU
EVER DROWN?
110
00:06:36,630 --> 00:06:37,963
WHY, NO, SIR.
111
00:06:37,965 --> 00:06:40,632
I MEAN ALMOST.
112
00:06:40,634 --> 00:06:42,567
WELL, I JUST DID.
113
00:06:42,569 --> 00:06:44,336
AS I WAS GOING DOWN
FOR THE THIRD TIME,
114
00:06:44,338 --> 00:06:46,138
ME WHOLE LIFE
FLASHED BEFORE ME,
115
00:06:46,140 --> 00:06:47,472
JUST LIKE A MOVIE.
116
00:06:47,474 --> 00:06:48,707
HOW WAS IT, SIR?
117
00:06:48,709 --> 00:06:49,741
IT STANK.
118
00:06:49,743 --> 00:06:50,742
I UNDERSTAND, SIR.
119
00:06:50,744 --> 00:06:53,078
OH, YOU DO, HUH?
120
00:06:53,080 --> 00:06:55,247
WELL.
121
00:06:55,249 --> 00:06:58,083
FISKE, I WANT TO
ASK YOU SOMETHING
AS MAN TO MAN.
122
00:06:58,085 --> 00:06:59,584
IF I HAD DROWNED,
123
00:06:59,586 --> 00:07:01,119
WOULD YOU HAVE
MISSED ME?
124
00:07:01,121 --> 00:07:02,187
YES, SIR, I WOULD.
125
00:07:02,189 --> 00:07:03,655
YOU'RE LYING.
126
00:07:03,657 --> 00:07:05,157
NO ONE WOULD
MISS ME,
127
00:07:05,159 --> 00:07:06,458
NOT EVEN ME WIFE.
128
00:07:06,460 --> 00:07:08,593
I'M SURE MRS. BATES
WOULD BE INCONSOLABLE, SIR.
129
00:07:08,595 --> 00:07:11,430
NAH. SHE WOULDN'T
SHED A TEAR.
130
00:07:11,432 --> 00:07:13,698
WELL, MAYBE ONE OR TWO
JUST TO BE POLITE.
131
00:07:13,700 --> 00:07:15,667
I'M CERTAIN MRS. BATES
LOVES YOU VERY MUCH
132
00:07:15,669 --> 00:07:16,935
AND ALWAYS WILL, SIR.
133
00:07:16,937 --> 00:07:18,503
THEN WHY DID SHE
UP AND LEAVE ME?
134
00:07:18,505 --> 00:07:19,571
YOU TOLD HER TO.
135
00:07:19,573 --> 00:07:21,273
THAT'S NO EXCUSE.
136
00:07:21,275 --> 00:07:24,009
[KNOCK ON DOOR]
137
00:07:24,011 --> 00:07:27,012
I DON'T WANT TO SEE
ANYBODY BUT ME LAWYER.
138
00:07:27,014 --> 00:07:28,580
VERY WELL, SIR.
139
00:07:30,517 --> 00:07:31,550
COME IN, MR. CURTIS.
140
00:07:31,552 --> 00:07:32,918
HELLO, FISKE.
141
00:07:34,121 --> 00:07:37,088
HIYA, J.B. GOT HERE
AS SOON AS I COULD.
142
00:07:37,090 --> 00:07:39,357
REMIND ME TO
GIVE YOU A MEDAL.
143
00:07:39,359 --> 00:07:41,159
SCOTCH AND SODA, PLEASE.
144
00:07:41,161 --> 00:07:42,694
WHY CAN'T YOU
DRINK BOURBON?
145
00:07:42,696 --> 00:07:44,129
SCOTCH COSTS
MONEY.
146
00:07:44,131 --> 00:07:46,832
YOU'VE GOT ENOUGH MONEY
TO BUY ALL THE SCOTCH
IN TOWN.
147
00:07:46,834 --> 00:07:48,066
SCOTCH AND SODA.
148
00:07:48,068 --> 00:07:49,067
BRING ME ONE,
TOO.
149
00:07:49,069 --> 00:07:50,168
VERY WELL, SIR.
150
00:07:50,170 --> 00:07:52,537
MAY AS WELL TRY IT
BEFORE IT'S ALL GONE.
151
00:07:52,539 --> 00:07:54,773
WELL, J.B.,
WHAT'S ON YOUR MIND?
152
00:07:54,775 --> 00:07:56,908
TOM, I WANT TO DO
SOMETHING FOR
A YOUNG LADY--
153
00:07:56,910 --> 00:07:58,777
SOMETHING
IN A FINANCIAL WAY.
154
00:07:58,779 --> 00:08:00,745
FINANCIAL.
BLOND OR BRUNETTE?
155
00:08:00,747 --> 00:08:03,081
BLOND. HAIR
OF SPUN GOLD.
156
00:08:03,083 --> 00:08:04,449
HOW OLD IS SHE?
157
00:08:04,451 --> 00:08:06,117
21 OR 22, I'D SAY.
158
00:08:06,119 --> 00:08:07,452
AT YOUR AGE,
I'D SAY--
159
00:08:07,454 --> 00:08:09,621
YEAH, I KNOW
WHAT YOU'D SAY,
BUT DON'T SAY IT.
160
00:08:09,623 --> 00:08:13,558
I FELL IN THE OCEAN,
AND SHE SAVED ME LIFE.
161
00:08:13,560 --> 00:08:17,262
MM-HMM. SO NOW
YOU'RE FEELING
GENEROUS, HUH?
162
00:08:17,264 --> 00:08:20,298
VERY. I WANT TO MAKE
HER LIFE BEAUTIFUL.
163
00:08:20,300 --> 00:08:21,666
YOU CAN COUNT
ME OUT.
164
00:08:21,668 --> 00:08:23,101
COUNT YOU OUT?
WHAT DO YOU MEAN?
165
00:08:23,103 --> 00:08:25,103
REMEMBER, I'VE SEEN
YOUR BURSTS OF
BENEVOLENCE BEFORE.
166
00:08:25,105 --> 00:08:26,805
BUT THIS ONE
IS DIFFERENT.
167
00:08:26,807 --> 00:08:28,940
SO WAS GOGGINS.
YOU WERE SORRY
FOR HIM.
168
00:08:28,942 --> 00:08:31,476
ORDERED ME TO PAY HIM
$50 A WEEK FOR LIFE.
169
00:08:31,478 --> 00:08:33,311
THEN YOU FELT YOU'D
ROBBED HIM OF HIS
INCENTIVE TO WORK
170
00:08:33,313 --> 00:08:34,679
AND STOPPED
HIS ALLOWANCE.
171
00:08:34,681 --> 00:08:35,714
I WAS RIGHT.
172
00:08:35,716 --> 00:08:37,148
YOU WERE RIGHT,
AND I WAS HOOKED.
173
00:08:37,150 --> 00:08:39,184
I'VE BEEN PAYING HIM
OUT OF MY OWN POCKET
EVER SINCE.
174
00:08:39,186 --> 00:08:41,853
IF I TAKE GOGGINS
BACK, WILL YOU
DO WHAT I ASK?
175
00:08:41,855 --> 00:08:44,222
UH-UH. I DON'T
WANT TO WIND UP
SUPPORTING ANY BLONDE.
176
00:08:44,224 --> 00:08:45,724
SUPPOSING I GIVE YOU
A SIGNED PAPER
177
00:08:45,726 --> 00:08:46,758
SAYING I CAN'T
STOP YOU.
178
00:08:46,760 --> 00:08:48,059
HOW WOULD THAT DO?
179
00:08:48,061 --> 00:08:50,729
WELL, IF YOU
CAN'T STOP ME,
THAT'S OK.
180
00:08:50,731 --> 00:08:52,597
AH. GOOD MAN.
181
00:08:52,599 --> 00:08:53,665
ANYTHING ELSE, SIR?
182
00:08:53,667 --> 00:08:56,234
YEAH. LOCK UP
THE SCOTCH.
183
00:08:56,236 --> 00:08:59,871
UH, JUST HOW HAPPY
DO YOU WANT TO
MAKE THIS GIRL?
184
00:08:59,873 --> 00:09:01,473
COMPLETELY HAPPY.
185
00:09:01,475 --> 00:09:02,674
IT WON'T COST MUCH.
186
00:09:02,676 --> 00:09:04,175
I'M SURE HER WANTS
ARE SMALL.
187
00:09:04,177 --> 00:09:05,176
HOW DO YOU FIGURE
THAT OUT?
188
00:09:05,178 --> 00:09:07,879
BY THE BATHING SUIT
SHE WAS WEARING.
189
00:09:07,881 --> 00:09:10,115
LOOK, WHY DON'T YOU
LEAVE IT TO MY
JUDGMENT?
190
00:09:10,117 --> 00:09:13,351
I LEARNED ABOUT
MAKING GIRLS HAPPY
THE HARD WAY.
191
00:09:13,353 --> 00:09:14,786
WHAT'S HER NAME?
192
00:09:14,788 --> 00:09:16,121
JUDY PEABODY.
193
00:09:16,123 --> 00:09:17,422
WHERE DOES SHE LIVE?
194
00:09:17,424 --> 00:09:19,190
I DON'T KNOW,
BUT SHE WORKS
AT THE STORK CLUB.
195
00:09:19,192 --> 00:09:20,191
THE STORK CLUB.
196
00:09:20,193 --> 00:09:21,560
YOU KNOW THE PLACE?
197
00:09:21,562 --> 00:09:23,061
VERY WELL. IF YOU'D
LIVED ANY KIND
OF LIFE AT ALL,
198
00:09:23,063 --> 00:09:24,329
YOU'D KNOW
ABOUT IT, TOO.
199
00:09:24,331 --> 00:09:26,097
I KNOW, I KNOW.
200
00:09:26,099 --> 00:09:29,668
BUT THIS GIRL JUDY,
SHE STILL HAS
HER LIFE BEFORE HER.
201
00:09:29,670 --> 00:09:30,902
AT LEAST
I'LL HAVE THE JOY
202
00:09:30,904 --> 00:09:34,205
OF MAKING HER FUTURE
A BRIGHT ONE.
203
00:09:34,207 --> 00:09:35,840
I THINK YOU'RE
ON THE LEVEL THIS TIME.
204
00:09:35,842 --> 00:09:37,742
OF COURSE I AM.
205
00:09:37,744 --> 00:09:38,877
THERE'S JUST ONE THING.
206
00:09:38,879 --> 00:09:40,745
SHE'S NOT, UNDER ANY
CIRCUMSTANCES,
207
00:09:40,747 --> 00:09:43,615
TO KNOW IT COMES
FROM ME.
208
00:09:43,617 --> 00:09:48,019
SHE THINKS SHE SAVED
A POOR MAN.
209
00:09:48,021 --> 00:09:50,088
TO JUDY.
210
00:09:50,090 --> 00:09:52,357
TO JUDY, WHO WORKS
AT THE STORK CLUB
211
00:09:52,359 --> 00:09:54,526
AND WHOSE WANTS
ARE SMALL.
212
00:09:54,528 --> 00:09:55,927
I WONDER.
213
00:10:02,903 --> 00:10:03,935
HIYA, BILL.
214
00:10:03,937 --> 00:10:05,270
HEY, KID,
YOU'RE LATE AGAIN.
215
00:10:05,272 --> 00:10:06,838
GO THROUGH THE KITCHEN
SO BILLINGSLEY WON'T GET WISE.
216
00:10:06,840 --> 00:10:08,440
I GOT A BETTER WAY.
217
00:10:11,878 --> 00:10:13,144
SO YOU FINALLY
GOT HERE.
218
00:10:13,146 --> 00:10:14,245
WHAT'S YOUR EXCUSE
TONIGHT?
219
00:10:14,247 --> 00:10:18,049
SINCE WHEN DO I HAVE
TO EXPLAIN TO THE HELP?
220
00:10:18,051 --> 00:10:19,718
OH, HELLO,
MR. BILLINGSLEY.
221
00:10:19,720 --> 00:10:21,119
I DIDN'T KNOW
YOU WERE HERE.
222
00:10:21,121 --> 00:10:22,621
YES, I HAPPEN TO BE
ONE OF THE PEOPLE
223
00:10:22,623 --> 00:10:23,788
I HAVEN'T BARRED
FROM THE PLACE.
224
00:10:23,790 --> 00:10:24,990
HA HA HA!
225
00:10:24,992 --> 00:10:26,424
COULD I HAVE
A WORD WITH YOU?
226
00:10:26,426 --> 00:10:28,927
OH, CERTAINLY.
I'M ALL EARS.
227
00:10:28,929 --> 00:10:31,196
COME WITH ME, PLEASE.
228
00:10:31,198 --> 00:10:34,265
WHERE DO YOU GO
TO COLLECT
UNEMPLOYMENT INSURANCE?
229
00:10:35,469 --> 00:10:38,770
[MUSIC PLAYING]
230
00:10:42,609 --> 00:10:43,908
HELLO, SHERMAN.
231
00:10:43,910 --> 00:10:45,710
GOOD EVENING, DAVE.
232
00:10:49,316 --> 00:10:51,916
BOSS, WOULD YOU
STEP INTO THE PANTRY?
233
00:10:51,918 --> 00:10:53,184
ONE OF THE WAITERS,
ROCCO, WAS CAUGHT
234
00:10:53,186 --> 00:10:54,953
WALKING OUT
WITH A HAM.
235
00:11:04,197 --> 00:11:05,730
GIVE HIM BACK
THE HAM.
236
00:11:07,768 --> 00:11:09,668
HERE. YOU MIGHT WANT TO
MAKE SOME SANDWICHES.
237
00:11:09,670 --> 00:11:11,703
NOW YOU CAN LEAVE
AND KEEP GOING.
238
00:11:18,845 --> 00:11:21,579
MISS DOROTHY
LAMOUR AND PARTY
ARE AT TABLE 3.
239
00:11:21,581 --> 00:11:24,482
SEND HER AND THE OTHER
LADY A BOTTLE OF PERFUME
EACH, WITH MY COMPLIMENTS.
240
00:11:24,484 --> 00:11:25,483
AND NO CHECK.
241
00:11:25,485 --> 00:11:26,618
YES, SIR.
242
00:11:26,620 --> 00:11:28,119
SHE USED TO SING
WITH THE BAND HERE.
243
00:11:28,121 --> 00:11:29,888
CAN'T FIGURE OUT
WHY SHE LEFT ME.
244
00:11:29,890 --> 00:11:32,424
SHE'S A STAR
IN THE MOVIES NOW!
245
00:11:32,426 --> 00:11:33,925
YES, I HEARD THAT.
246
00:11:41,501 --> 00:11:42,567
WE JUST RECEIVED
A RESERVATION
247
00:11:42,569 --> 00:11:44,569
FOR LIEUTENANT AND MRS.
ROBERT TAYLOR.
248
00:11:44,571 --> 00:11:46,938
OH, THAT WOULD BE
RUBY STEVENS.
249
00:11:46,940 --> 00:11:48,773
I FORGET WHAT SHE
CHANGED HER NAME TO.
250
00:11:48,775 --> 00:11:50,208
YOU MUST MEAN
BARBARA STANWYCK.
251
00:11:50,210 --> 00:11:51,810
OH, YES, THAT'S IT.
252
00:11:51,812 --> 00:11:53,845
A BOTTLE OF CHAMPAGNE
FOR RUBY AND BOB,
AND NO CHECK.
253
00:11:53,847 --> 00:11:55,413
YES, SIR.
254
00:12:11,064 --> 00:12:13,064
TELL ME,
MISS PEABODY,
255
00:12:13,066 --> 00:12:14,432
WHAT DO YOU THINK
OF THE STORK CLUB?
256
00:12:14,434 --> 00:12:15,400
OH, IT'S SWELL.
257
00:12:15,402 --> 00:12:17,335
THAT WAS A NICE TOUR
WE HAD JUST NOW.
258
00:12:17,337 --> 00:12:20,371
I OPERATE THIS CLUB
ALONG MY OWN
ORIGINAL IDEA.
259
00:12:20,373 --> 00:12:22,707
YES, SIR, PARTICULARLY
WHEN YOU SAY
260
00:12:22,709 --> 00:12:23,708
"NO CHECK."
261
00:12:23,710 --> 00:12:25,176
YOU SEE, THE STORK CLUB
IS THE MECCA
262
00:12:25,178 --> 00:12:27,245
FOR CELEBRITIES
FROM ALL OVER THE WORLD.
263
00:12:27,247 --> 00:12:30,115
THEY COME HERE TO EAT,
SEE, AND BE SEEN.
264
00:12:30,117 --> 00:12:31,583
AS PART OF OUR AUDIENCE,
THEY ATTRACT AN AUDIENCE.
265
00:12:31,585 --> 00:12:32,851
GET IT?
266
00:12:32,853 --> 00:12:35,120
OH. NOW I DO.
267
00:12:35,122 --> 00:12:36,788
I WANT THE RIGHT
PEOPLE HERE--
268
00:12:36,790 --> 00:12:38,623
IN THE CLUB
AND ON MY STAFF.
269
00:12:38,625 --> 00:12:41,960
AND ONE THING I DEMAND
OF MY STAFF IS PUNCTUALITY,
270
00:12:41,962 --> 00:12:43,762
A FACT YOU CONTINUE
TO IGNORE.
271
00:12:43,764 --> 00:12:45,463
MR. BILLINGSLEY,
I'M SORRY.
IT'S LIKE THIS--
272
00:12:45,465 --> 00:12:46,865
I'M NOT INTERESTED
IN EXCUSES.
273
00:12:46,867 --> 00:12:48,166
YOU ALWAYS HAVE
EXCELLENT ONES.
274
00:12:48,168 --> 00:12:49,701
BUT THE THINGS
THAT HAPPEN TO ME--
275
00:12:49,703 --> 00:12:51,269
THEY'RE JUST
FANTASTIC.
THIS AFTERNOON--
276
00:12:51,271 --> 00:12:54,572
NEVER MIND.
YOU UNDERSTAND,
DON'T YOU?
277
00:12:54,574 --> 00:12:56,474
I THINK I DO.
278
00:12:56,476 --> 00:12:58,376
SURE YOU DO.
YOU'RE SMART.
279
00:12:58,378 --> 00:12:59,744
THAT'S WHY
I HIRED YOU.
280
00:12:59,746 --> 00:13:00,979
YEAH?
281
00:13:00,981 --> 00:13:03,181
A GIRL LIKE YOU
IS AN ASSET
TO THE STORK CLUB.
282
00:13:03,183 --> 00:13:04,182
HONEST?
283
00:13:04,184 --> 00:13:05,216
WHY SHOULD I LIE
TO YOU?
284
00:13:05,218 --> 00:13:07,352
COULD I RUN IT
BY MYSELF?
285
00:13:07,354 --> 00:13:08,453
NO.
286
00:13:08,455 --> 00:13:10,421
I NEED PLENTY
OF HELP, GOOD HELP,
287
00:13:10,423 --> 00:13:13,458
PEOPLE WHO THINK
OF ME ONCE IN A WHILE,
LIKE YOU.
288
00:13:13,460 --> 00:13:15,860
I'VE HAD MY EYE ON YOU
FOR A LONG TIME, JUDY.
289
00:13:15,862 --> 00:13:18,096
YOU DON'T WANT TO BE
A HATCHECK GIRL
ALL YOUR LIFE, DO YOU?
290
00:13:18,098 --> 00:13:19,564
OH, CERTAINLY NOT.
291
00:13:19,566 --> 00:13:21,766
THEN USE YOUR HEAD.
BE ON TIME.
292
00:13:21,768 --> 00:13:23,434
I'D LIKE TO
SEE YOU AROUND.
293
00:13:23,436 --> 00:13:25,203
GO ALONG NOW.
294
00:13:25,205 --> 00:13:26,471
AND I'M NOT FIRED
FOR BEING LATE?
295
00:13:26,473 --> 00:13:28,306
NO, BUT DON'T
LET IT HAPPEN AGAIN.
296
00:13:28,308 --> 00:13:30,074
OH, GEE, THANKS.
IT WON'T.
297
00:13:30,076 --> 00:13:32,210
I WANT YOU, ABOVE ALL,
TO SET A GOOD EXAMPLE
298
00:13:32,212 --> 00:13:33,411
FOR THE REST
OF THE GIRLS.
299
00:13:33,413 --> 00:13:36,080
OK, BOSS.
300
00:13:46,092 --> 00:13:47,659
DID HE TIE THE CAN
TO YOU?
301
00:13:47,661 --> 00:13:49,027
YOU DON'T HEAR IT
RATTLING, DO YOU?
302
00:13:49,029 --> 00:13:50,028
SWELL!
303
00:13:50,030 --> 00:13:51,062
GOOD EVENING, SIR.
304
00:13:51,064 --> 00:13:52,797
GOOD EVENING.
305
00:13:52,799 --> 00:13:54,299
HEY, IT'S CANTEEN NIGHT
AGAIN TONIGHT.
306
00:13:54,301 --> 00:13:55,300
THE BOSS IS
FURNISHING THE FOOD.
307
00:13:55,302 --> 00:13:56,367
WANT TO GO?
308
00:13:56,369 --> 00:13:57,969
SURE. DO YOU KNOW
IF HE'S GOING?
309
00:13:57,971 --> 00:13:59,103
I DON'T KNOW,
BUT I BET HE DOES.
310
00:13:59,105 --> 00:14:00,138
GEE, I WISH
I COULD GET ON
311
00:14:00,140 --> 00:14:02,040
SO HE COULD
HEAR ME SING.
312
00:14:02,042 --> 00:14:03,041
GOOD EVENING, SIR.
313
00:14:03,043 --> 00:14:04,042
GOOD EVENING.
314
00:14:04,044 --> 00:14:05,043
YOU KNOW,
THAT BILLINGSLEY
315
00:14:05,045 --> 00:14:06,044
IS THE MOST GENEROUS
GUY I EVER KNEW.
316
00:14:06,046 --> 00:14:07,545
HE WAS WONDERFUL
TO ME.
317
00:14:07,547 --> 00:14:08,546
YEAH?
318
00:14:08,548 --> 00:14:11,049
YEAH, BUT...I HATE
TO SAY THIS.
319
00:14:11,051 --> 00:14:13,251
I THINK HE'S
A LITTLE BIT SCREWY.
320
00:14:13,253 --> 00:14:14,352
SCREWY? WHY?
321
00:14:14,354 --> 00:14:17,188
HE THINKS THAT
BARBARA STANWYCK
322
00:14:17,190 --> 00:14:18,489
IS A GIRL NAMED
RUBY STEVENS.
323
00:14:18,491 --> 00:14:19,557
CRACKING UP.
324
00:14:19,559 --> 00:14:20,558
DEFINITELY.
325
00:14:20,560 --> 00:14:23,094
[BAND PLAYING LIVELY SONG]
326
00:14:32,038 --> 00:14:33,171
SAY, THIS AIN'T BAD.
327
00:14:33,173 --> 00:14:35,640
NO, BUT I'LL BET
IT LOOKS THAT WAY.
328
00:14:35,642 --> 00:14:38,643
AW, DON'T THE MUSIC
GET YOU?
329
00:14:38,645 --> 00:14:40,578
IT'S HAD ME.
MY BOYFRIEND'S
THE BANDLEADER.
330
00:14:40,580 --> 00:14:42,013
YEAH? WHAT DOES
HE PLAY?
331
00:14:42,015 --> 00:14:45,884
HE DOESN'T.
HE'S A MARINE
IN THE PACIFIC.
332
00:14:45,886 --> 00:14:47,518
I GET YOU.
333
00:14:51,091 --> 00:14:52,590
[MUSIC STOPS]
334
00:14:54,895 --> 00:14:56,327
I WAS ALL SET TO SING
WITH THIS BAND,
335
00:14:56,329 --> 00:14:58,830
BUT I GUESS THAT'S OFF
FOR THE DURATION.
336
00:14:58,832 --> 00:15:00,098
BY THE WAY, I HAVEN'T
HEARD FROM HIM
337
00:15:00,100 --> 00:15:01,165
IN A COUPLE OF MONTHS.
338
00:15:01,167 --> 00:15:02,267
DOES THAT MEAN ANYTHING?
339
00:15:02,269 --> 00:15:03,401
ANYTHING.
340
00:15:03,403 --> 00:15:04,936
HEY, BILLINGSLEY
JUST CAME IN.
341
00:15:04,938 --> 00:15:05,937
WHERE IS HE?
342
00:15:05,939 --> 00:15:07,238
OVER BY THE DOOR.
343
00:15:09,843 --> 00:15:11,509
ATTENTION, EVERYBODY.
344
00:15:11,511 --> 00:15:13,878
IN THIS CANTEEN,
WE ENTERTAIN OURSELVES.
345
00:15:13,880 --> 00:15:15,146
ANY VOLUNTEERS?
346
00:15:15,148 --> 00:15:16,581
PUT ME DOWN!
347
00:15:16,583 --> 00:15:17,715
WATCH THE BOSS' FACE.
348
00:15:17,717 --> 00:15:19,751
I WANT TO KNOW
HOW I DID.
349
00:15:19,753 --> 00:15:21,419
GOOD NIGHT.
350
00:15:30,630 --> 00:15:33,798
OF COURSE YOU CAN SEE
I CAME TOTALLY UNPREPARED.
351
00:15:33,800 --> 00:15:35,733
HOW ABOUT A LITTLE HELP
FROM MY QUARTET?
352
00:15:35,735 --> 00:15:37,302
Both: WE'LL BE
RIGHT OVER.
353
00:15:37,304 --> 00:15:39,137
Judy: OK, FELLAS, HIT IT.
354
00:15:44,811 --> 00:15:47,345
♪ THERE'S A DOCTOR
LIVING IN YOUR TOWN ♪
355
00:15:47,347 --> 00:15:49,647
♪ THERE'S A LAWYER
AND AN INDIAN, TOO ♪
356
00:15:49,649 --> 00:15:52,583
♪ NEITHER DOCTOR, LAWYER,
NOR INDIAN CHIEF ♪
357
00:15:52,585 --> 00:15:56,087
♪ COULD LOVE YOU
ANY MORE THAN I DO ♪
358
00:15:56,089 --> 00:15:58,756
♪ THERE'S A BARREL OF FISH
IN THE OCEAN ♪
359
00:15:58,758 --> 00:16:01,092
♪ THERE'S A LOT OF LITTLE
BIRDS IN THE BLUE ♪
360
00:16:01,094 --> 00:16:04,062
♪ AND NEITHER FISH NOR FOWL
SAYS THE WISE OLD OWL ♪
361
00:16:04,064 --> 00:16:07,999
♪ COULD LOVE YOU ANY MORE
THAN I DO ♪
362
00:16:08,001 --> 00:16:12,804
♪ NO, NO, NO,
IT COULDN'T BE TRUE ♪
363
00:16:12,806 --> 00:16:17,742
♪ THAT ANYONE ELSE
COULD LOVE YOU LIKE I DO ♪
364
00:16:17,744 --> 00:16:20,378
♪ I'M GONNA WARN
ALL THE DEAD-EYED DICKS ♪
365
00:16:20,380 --> 00:16:22,880
♪ THAT YOU'RE THE CHICK
WITH THE SLICKEST TRICKS ♪
366
00:16:22,882 --> 00:16:25,316
♪ AND EVERY TICK
OF MY TICKER TICKS ♪
367
00:16:25,318 --> 00:16:28,019
♪ FOR YOU,
FOLLOW THROUGH ♪
368
00:16:28,021 --> 00:16:30,621
♪ TELL THE DOC
TO STICK TO HIS PRACTICE ♪
369
00:16:30,623 --> 00:16:33,291
♪ TELL THE LAWYER
TO SETTLE HIS CASE ♪
370
00:16:33,293 --> 00:16:35,893
♪ SEND THE INDIAN CHIEF
AND HIS TOMMYHAWK ♪
371
00:16:35,895 --> 00:16:39,130
♪ BACK TO LITTLE RAIN
IN THE FACE ♪
372
00:16:39,132 --> 00:16:44,602
♪ 'CAUSE YOU KNOW, KNOW, KNOW
IT COULDN'T BE TRUE ♪
373
00:16:44,604 --> 00:16:50,408
♪ THAT ANYONE ELSE COULD
LOVE YOU LIKE I DO ♪
374
00:16:55,415 --> 00:17:00,218
♪ NO, NO, NO,
IT COULDN'T BE TRUE ♪
375
00:17:00,220 --> 00:17:05,223
♪ THAT ANYONE ELSE
COULD LOVE YOU LIKE I DO ♪
376
00:17:05,225 --> 00:17:07,692
♪ AND CONFIDENTIALLY,
I CONFESS ♪
377
00:17:07,694 --> 00:17:10,261
♪ I SENT A NOTE
TO THE LOCAL PRESS ♪
378
00:17:10,263 --> 00:17:12,797
♪ THAT I'LL BE CHANGING
MY HOME ADDRESS ♪
379
00:17:12,799 --> 00:17:14,632
♪ FOR YOU,
FOLLOW THROUGH ♪
380
00:17:14,634 --> 00:17:17,769
♪ TELL THE DOCTOR
TO STICK TO HIS PRACTICE ♪
381
00:17:17,771 --> 00:17:20,338
♪ TELL THE LAWYER
TO SETTLE HIS CASE ♪
382
00:17:20,340 --> 00:17:23,508
♪ SEND THE INDIAN CHIEF
AND HIS TOMMYHAWK ♪
383
00:17:23,510 --> 00:17:26,577
♪ BACK TO LITTLE RAIN
IN THE FACE ♪
384
00:17:26,579 --> 00:17:31,682
♪ 'CAUSE YOU KNOW, KNOW, KNOW
IT COULDN'T BE TRUE ♪
385
00:17:31,684 --> 00:17:37,255
♪ THAT ANYONE ELSE COULD
LOVE YOU LIKE I DO ♪
386
00:17:37,257 --> 00:17:41,793
♪ NO, NO, NO,
IT COULDN'T BE TRUE ♪
387
00:17:41,795 --> 00:17:47,031
♪ THAT ANYONE ELSE COULD
LOVE YOU LIKE I DO ♪
388
00:17:47,033 --> 00:17:49,333
♪ I'M GONNA SEND
A HOT COMMUNIQUE ♪
389
00:17:49,335 --> 00:17:51,936
♪ TO WARN THE BOYS
DOWN AT CRIPPLE CREEK ♪
390
00:17:51,938 --> 00:17:54,505
♪ THAT EVERY DIMPLE
OF YOUR DIMPLED CHEEK ♪
391
00:17:54,507 --> 00:17:56,674
♪ IS MINE, SO TO SPEAK ♪
392
00:17:56,676 --> 00:17:57,742
♪ TELL THE ♪
♪ DOC ♪
393
00:17:57,744 --> 00:17:59,343
♪ TO STICK TO HIS PRACTICE ♪
394
00:17:59,345 --> 00:18:00,344
♪ TELL THE ♪
♪ LAWYER ♪
395
00:18:00,346 --> 00:18:02,046
♪ TO SETTLE HIS CASE ♪
396
00:18:02,048 --> 00:18:03,314
♪ SEND THE ♪
♪ INDIAN CHIEF ♪
397
00:18:03,316 --> 00:18:05,149
♪ AND HIS TOMMYHAWK ♪
398
00:18:05,151 --> 00:18:08,352
♪ BACK TO LITTLE
RAIN IN THE FACE ♪
399
00:18:08,354 --> 00:18:13,658
♪ 'CAUSE YOU KNOW, KNOW, KNOW
IT COULDN'T BE TRUE ♪
400
00:18:13,660 --> 00:18:18,629
♪ THAT ANYONE ELSE
COULD LOVE YOU LIKE I DO ♪
401
00:18:18,631 --> 00:18:20,932
♪ LIKE I DO ♪
402
00:18:20,934 --> 00:18:23,434
♪ LIKE I DO ♪
403
00:18:23,436 --> 00:18:26,037
♪ LIKE I DO ♪
404
00:18:26,039 --> 00:18:29,807
♪ LIKE I DO ♪
405
00:18:29,809 --> 00:18:31,976
[APPLAUSE]
406
00:18:35,515 --> 00:18:36,681
GEE, KID,
YOU WERE WONDERFUL.
407
00:18:36,683 --> 00:18:38,049
DID YOU WATCH HIS FACE?
408
00:18:38,051 --> 00:18:40,184
HOW COULD I?
HE TOOK IT
WITH HIM.
409
00:18:43,523 --> 00:18:45,022
THE LAUNDRIES AREN'T
WHAT THEY USED TO BE.
410
00:18:45,024 --> 00:18:47,425
THE COMFORT
ALL SHRUNK OUT OF THEM.
411
00:18:47,427 --> 00:18:51,162
[HUMMING]
412
00:18:53,466 --> 00:18:55,333
ARE YOU SURE JUDY
WILL GET THE LETTER
AT 2:00?
413
00:18:55,335 --> 00:18:57,001
SURE. I'M SENDING IT
BY SPECIAL MESSENGER.
414
00:18:57,003 --> 00:18:59,070
GOOD, GOOD.
I GOT TO BE THERE.
415
00:18:59,072 --> 00:19:01,339
I GOT TO SEE
HER FACE WHEN
SHE GETS IT.
416
00:19:01,341 --> 00:19:04,142
YOU SEE, I'M
A NOSY KIND OF
A SANTA CLAUS.
417
00:19:04,144 --> 00:19:05,109
YOU KNOW,
IT'S CRAZY, J.B.,
418
00:19:05,111 --> 00:19:07,145
PUTTING ON
THOSE OLD RAGS.
419
00:19:07,147 --> 00:19:08,379
RAGS, ARE THEY?
420
00:19:08,381 --> 00:19:09,947
HERE. FEEL
THAT MATERIAL.
421
00:19:09,949 --> 00:19:11,516
YOU WON'T GET THAT
QUALITY NOWADAYS.
422
00:19:11,518 --> 00:19:12,850
NO, THANKS.
423
00:19:12,852 --> 00:19:13,985
AFRAID SOMETHING
WILL JUMP OUT
AND BITE YOU?
424
00:19:13,987 --> 00:19:17,622
EXACTLY. NOW LOOK,
YOU WANT TO BE
ANONYMOUS.
425
00:19:17,624 --> 00:19:19,957
IF YOU HANG AROUND,
SHE'S GONNA SMELL A RAT.
426
00:19:19,959 --> 00:19:23,528
NONSENSE. SHE THINKS
I'M A POOR MAN.
427
00:19:23,530 --> 00:19:25,329
SHE WANTS TO
GET ME A JOB.
428
00:19:25,331 --> 00:19:28,366
HA! WHAT'LL YOU DO
IF SHE DOES?
429
00:19:28,368 --> 00:19:30,535
I NEVER GAVE IT
A THOUGHT.
430
00:19:30,537 --> 00:19:32,537
THAT'S A NASTY
COMPLICATION.
431
00:19:32,539 --> 00:19:34,438
WELL, I'LL CROSS
THAT BRIDGE WHEN
I CROSS IT.
432
00:19:34,440 --> 00:19:36,974
[HUMMING]
433
00:19:40,046 --> 00:19:41,279
HOW DO I LOOK?
434
00:19:41,281 --> 00:19:42,980
YOU LOOK LIKE
A TRAMP.
435
00:19:42,982 --> 00:19:44,315
I'D LIKE TO
PASS FOR THAT.
436
00:19:44,317 --> 00:19:46,117
LOOK AT THE HEAD
START YOU GOT.
437
00:19:46,119 --> 00:19:48,119
NOTHING YOU CAN SAY
CAN ANNOY ME TODAY.
438
00:19:48,121 --> 00:19:49,353
COME ON, DRIVE
INTO TOWN WITH ME.
439
00:19:49,355 --> 00:19:51,822
I WOULDN'T WALK
TO THE CORNER WITH YOU.
440
00:19:56,863 --> 00:19:59,063
EXCUSE ME. I WONDER,
WOULD YOU BE KIND ENOUGH--
441
00:19:59,065 --> 00:20:00,398
HERE YOU ARE,
AND DON'T TELL ME
442
00:20:00,400 --> 00:20:02,333
YOU'RE GOING TO
SPEND IT ON FOOD.
443
00:20:02,335 --> 00:20:04,936
WHY, HOW DARE YOU!
WHY, I OUGHT TO--
444
00:20:12,779 --> 00:20:15,479
THERE IT IS, SURE ENOUGH.
445
00:20:18,651 --> 00:20:20,918
[MUSIC PLAYING]
446
00:20:27,660 --> 00:20:28,759
MAY I CHECK YOUR HAT?
447
00:20:28,761 --> 00:20:29,794
POP!
448
00:20:29,796 --> 00:20:30,828
HOW ARE YOU, JUDY?
449
00:20:30,830 --> 00:20:32,096
HOW HAVE YOU BEEN,
ANYWAY?
450
00:20:32,098 --> 00:20:33,397
I'VE BEEN MANAGING.
451
00:20:33,399 --> 00:20:34,632
ANYHOW, YOU'RE
STILL ALIVE.
452
00:20:34,634 --> 00:20:35,633
IS HE?
453
00:20:35,635 --> 00:20:36,634
OH, GWEN, THIS IS POP.
454
00:20:36,636 --> 00:20:38,002
I PULLED HIM
OUT OF THE OCEAN.
455
00:20:38,004 --> 00:20:39,103
WHY?
456
00:20:39,105 --> 00:20:40,571
YOUNG LADY, WHAT KIND
OF A QUESTION IS THAT?
457
00:20:40,573 --> 00:20:42,139
HAVE YOU NO FEELING
FOR YOUR FELLOW MAN?
458
00:20:42,141 --> 00:20:43,674
NOT A SHRED.
459
00:20:43,676 --> 00:20:45,142
DON'T PAY ANY ATTENTION
TO HER, POP.
460
00:20:45,144 --> 00:20:46,177
LISTEN, YOU STICK AROUND.
461
00:20:46,179 --> 00:20:47,144
I'M GOING TO SEE
WHAT I CAN DO
462
00:20:47,146 --> 00:20:48,246
ABOUT GETTING YOU A JOB.
463
00:20:48,248 --> 00:20:50,281
NO HURRY.
NO HURRY AT ALL.
PLENTY OF TIME.
464
00:20:50,283 --> 00:20:52,850
DON'T WANT TO
WORK, HUH?
465
00:20:52,852 --> 00:20:54,986
I'M BEGINNING
NOT TO LIKE YOU.
466
00:20:54,988 --> 00:20:56,687
DON'T ENCOURAGE IT.
467
00:20:56,689 --> 00:20:59,223
LOOK, POP, YOU WANT TO
MAKE SOMETHING OUT
OF YOURSELF, DON'T YOU?
468
00:20:59,225 --> 00:21:00,825
HE ALREADY HAS.
LOOK AT HIM.
469
00:21:00,827 --> 00:21:02,260
YOU DO WANT TO WORK,
DON'T YOU?
470
00:21:02,262 --> 00:21:04,128
NOT IF I CAN POSSIBLY
ESCAPE IT.
471
00:21:04,130 --> 00:21:06,497
I'M NOT EASILY PLACED.
I HAVE LIMITATIONS.
472
00:21:06,499 --> 00:21:08,132
WHAT'LL I DO WITH HIM?
473
00:21:08,134 --> 00:21:09,567
THROW HIM BACK
IN THE OCEAN.
474
00:21:09,569 --> 00:21:11,135
OH, I CAN'T DO THAT.
475
00:21:11,137 --> 00:21:12,570
OH, THANKS.
476
00:21:12,572 --> 00:21:15,139
BUT I AM GOING TO
GET HIM A JOB.
477
00:21:16,676 --> 00:21:19,977
HEY, POP,
FOOL HER.
TAKE A POWDER.
478
00:21:19,979 --> 00:21:23,147
I WONDER WHAT
YOUR MOTHER WAS LIKE.
479
00:21:25,518 --> 00:21:28,019
MR. CORETTI,
HOW ARE YOU FIXED
FOR HELP?
480
00:21:28,021 --> 00:21:30,354
HELP. DO YOU MEAN
THERE'S SOMEBODY
481
00:21:30,356 --> 00:21:31,656
WHO WANTS TO WORK?
482
00:21:31,658 --> 00:21:33,758
I THINK HE COULD
BE TALKED INTO IT.
483
00:21:33,760 --> 00:21:35,660
JUDY, FOR A GOOD WAITER,
484
00:21:35,662 --> 00:21:37,828
I WOULD GIVE BOTH
OF MY RIGHT EYES.
485
00:21:37,830 --> 00:21:40,197
OH, HE'S MORE
THE BUSBOY TYPE.
486
00:21:40,199 --> 00:21:41,432
THEN I'LL GIVE
ONLY ONE.
487
00:21:41,434 --> 00:21:43,634
SWELL.
488
00:21:43,636 --> 00:21:44,835
PSST.
489
00:21:52,478 --> 00:21:53,577
THIS IS POP.
490
00:21:53,579 --> 00:21:54,679
MR. CORETTI, POP.
491
00:21:54,681 --> 00:21:57,481
MR. CORETTI,
IS IT?
492
00:21:57,483 --> 00:21:59,216
COME WITH ME.
493
00:22:00,320 --> 00:22:02,219
GOOD LUCK, POP.
494
00:22:06,592 --> 00:22:07,725
WHAT HAPPENED?
495
00:22:07,727 --> 00:22:09,760
CORETTI SNAPPED HIM UP
LIKE THAT.
496
00:22:09,762 --> 00:22:12,029
I'LL BET HE HASN'T
WORKED SINCE SING-SING.
497
00:22:13,333 --> 00:22:14,965
NOW REMEMBER
WHAT I SAID.
498
00:22:14,967 --> 00:22:18,235
DON'T PILE
TOO MANY DISHES
ON ONE PLATE.
499
00:22:18,237 --> 00:22:19,603
BE COURTEOUS
TO THE WAITERS--
500
00:22:19,605 --> 00:22:20,604
TO THE WAITERS?
501
00:22:20,606 --> 00:22:21,906
YES.
502
00:22:21,908 --> 00:22:24,241
WE CAN GET
ALL THE CUSTOMERS
WE WANT.
503
00:22:24,243 --> 00:22:25,843
ON YOUR WAY.
504
00:22:40,159 --> 00:22:42,193
CLEAR OFF THESE
DISHES, BOY.
505
00:23:03,883 --> 00:23:05,683
I'M NOT FINISHED
WITH THIS YET, BOY!
506
00:23:05,685 --> 00:23:08,252
YOU ARE AS FAR AS
I'M CONCERNED.
507
00:23:08,254 --> 00:23:10,020
WHAT'S THE MATTER
WITH HIM?
508
00:23:25,872 --> 00:23:28,439
HEY, BOY,
RIGHT OVER HERE.
509
00:23:41,187 --> 00:23:42,653
WELL, POP,
WHEN DO YOU START?
510
00:23:42,655 --> 00:23:43,621
I'M ALREADY FINISHED.
511
00:23:43,623 --> 00:23:44,889
WHAT?
512
00:23:44,891 --> 00:23:47,458
SHORT HOURS.
IT'S THE UNION
I BELONG TO.
513
00:23:47,460 --> 00:23:50,060
NOW, POP, COME CLEAN.
514
00:23:50,062 --> 00:23:52,463
I'M SORRY, AND I HOPE
YOU'LL THINK NONE
THE LESS OF ME
515
00:23:52,465 --> 00:23:54,865
FOR BEING THE KIND
OF MAN I AM.
516
00:23:54,867 --> 00:23:58,302
IT'S NOT THAT I'M NOT
GRATEFUL TO YOU,
BECAUSE I AM.
517
00:23:58,304 --> 00:24:00,738
THAT'S OK, POP.
I'LL THINK OF
SOMETHING ELSE.
518
00:24:00,740 --> 00:24:01,872
OH, NO, YOU WON'T.
519
00:24:01,874 --> 00:24:03,140
YOU GO OVER THERE
AND SIT DOWN.
520
00:24:03,142 --> 00:24:04,308
I'LL BE OFF
IN A FEW MINUTES,
521
00:24:04,310 --> 00:24:05,242
AND WE'LL TALK ABOUT IT.
522
00:24:05,244 --> 00:24:07,745
WE CAN TALK
ABOUT IT, I GUESS.
523
00:24:07,747 --> 00:24:08,746
WHY DON'T YOU
GIVE HIM A COUPLE
OF BUCKS
524
00:24:08,748 --> 00:24:10,214
AND LET HIM GO?
525
00:24:10,216 --> 00:24:12,750
NO, I LIKE HIM.
I THINK I'LL ADOPT HIM.
526
00:24:12,752 --> 00:24:16,220
NOW, JUDY, YOU DON'T
KNOW ANYTHING
ABOUT HIS PARENTS.
527
00:24:16,222 --> 00:24:18,189
WHERE CAN I FIND
MISS JUDY PEABODY?
528
00:24:18,191 --> 00:24:20,057
I'M JUDY PEABODY.
529
00:24:47,987 --> 00:24:49,720
OH, GWEN,
THIS IS A G.
530
00:24:49,722 --> 00:24:51,121
NOT TO ME,
IT ISN'T.
531
00:24:51,123 --> 00:24:52,122
WHAT HAVE YOU
BEEN UP TO?
532
00:24:52,124 --> 00:24:53,691
NOTHING. WHY?
533
00:24:53,693 --> 00:24:55,626
THAT LINE--
"YOU HAVE BEEN
MOST ACCOMMODATING."
534
00:24:55,628 --> 00:24:56,760
THAT'S A LIE.
535
00:24:56,762 --> 00:24:58,195
I WOULDN'T TAKE THAT
TOO SERIOUSLY.
536
00:24:58,197 --> 00:25:00,130
SOMEBODY THINKS
VERY HIGHLY OF YOU.
537
00:25:00,132 --> 00:25:01,198
I'LL SAY THEY DO.
538
00:25:01,200 --> 00:25:03,000
NOTHING LIKE THAT
EVER HAPPENS
TO ME.
539
00:25:03,002 --> 00:25:04,835
DO YOU THINK IT COULD
BE ON THE LEVEL?
540
00:25:04,837 --> 00:25:06,570
IT'S A CINCH
TO FIND OUT.
541
00:25:06,572 --> 00:25:07,872
THAT'S RIGHT.
LOCKE'S FIFTH AVENUE
542
00:25:07,874 --> 00:25:09,340
IS THE BIGGEST STORE
IN NEW YORK.
543
00:25:09,342 --> 00:25:12,576
THEY SELL EVERYTHING
FROM A BASEBALL BAT
TO A DIAMOND LAVALIERE.
544
00:25:12,578 --> 00:25:14,745
WHO NEEDS
A DIAMOND LAVALIERE?
545
00:25:14,747 --> 00:25:16,013
THEY'RE VERY VULGAR.
546
00:25:16,015 --> 00:25:17,982
IF THAT LETTER MEANS
WHAT I THINK IT DOES,
547
00:25:17,984 --> 00:25:19,783
YOU'LL NEED
A BASEBALL BAT.
548
00:25:19,785 --> 00:25:21,552
I'LL TRY IT OUT
ON POP.
549
00:25:21,554 --> 00:25:22,786
ON ME?
550
00:25:22,788 --> 00:25:23,721
WE'LL TAKE YOU
TO THE MEN'S DEPARTMENT
551
00:25:23,723 --> 00:25:25,756
AND GET YOU OUTFITTED
FROM HEAD TO FOOT.
552
00:25:25,758 --> 00:25:28,392
IF IT WORKS,
WE'LL BUY OUT THE JOINT!
553
00:25:35,334 --> 00:25:38,335
THERE. A COMPLETE
METAMORPHOSIS.
554
00:25:38,337 --> 00:25:39,570
I'LL THANK YOU
TO KEEP
555
00:25:39,572 --> 00:25:40,704
A CIVIL TONGUE
IN YOUR HEAD.
556
00:25:40,706 --> 00:25:42,940
WE'LL TAKE TWO MORE--
A BLUE AND A GRAY.
557
00:25:42,942 --> 00:25:44,708
GEE, POP,
YOU LOOK WONDERFUL.
558
00:25:44,710 --> 00:25:46,010
I'M PROUD OF YOU.
559
00:25:46,012 --> 00:25:47,878
I WISH I COULD
SHARE YOUR JOY.
560
00:25:47,880 --> 00:25:49,947
IS THIS CASH
OR CHARGE, MISS?
561
00:25:49,949 --> 00:25:52,149
UM, CHARGE.
562
00:25:52,151 --> 00:25:55,319
THANK YOU.
MR. HANSON!
563
00:25:55,321 --> 00:25:56,787
MR. HANSON!
564
00:25:56,789 --> 00:25:59,189
BET THAT'S
THE HOUSE DETECTIVE.
565
00:25:59,191 --> 00:26:01,158
YOUR NAME, PLEASE?
566
00:26:01,160 --> 00:26:02,426
JUDY PEABODY.
567
00:26:02,428 --> 00:26:03,427
YOUR ADDRESS?
568
00:26:03,429 --> 00:26:05,596
THE STORK CLUB.
569
00:26:05,598 --> 00:26:08,566
YOU LIVE THERE?
WHAT FUN!
570
00:26:08,568 --> 00:26:10,434
SHALL WE SEND THIS,
MISS PEABODY?
571
00:26:10,436 --> 00:26:11,569
NO, WE'LL TAKE THEM
WITH US.
572
00:26:11,571 --> 00:26:13,737
HANSON--
CREDIT MANAGER.
573
00:26:13,739 --> 00:26:17,408
MISS PEABODY.
WHY, OF COURSE!
MISS PEABODY.
574
00:26:17,410 --> 00:26:19,043
IT'S A PLEASURE
TO WELCOME YOU
TO LOCKE'S.
575
00:26:19,045 --> 00:26:22,813
I'M GLAD
TO MEET YOU, TOO!
576
00:26:22,815 --> 00:26:24,715
WE'VE BEEN
EXPECTING YOU.
577
00:26:24,717 --> 00:26:26,483
THEN EVERYTHING'S
ALL RIGHT?
578
00:26:26,485 --> 00:26:28,285
PERFECTLY IN ORDER.
579
00:26:30,456 --> 00:26:32,456
WHERE ARE
THE MINK COATS?
580
00:26:37,630 --> 00:26:39,797
GENUINE LABRADOR
MINK, MISS PEABODY.
581
00:26:39,799 --> 00:26:42,466
J.B.: MINKS?
MOST UNHEALTHY
LITTLE ANIMALS.
582
00:26:42,468 --> 00:26:43,500
HOW MUCH IS IT?
583
00:26:43,502 --> 00:26:46,270
$6,000.
FEEL IT, SIR.
584
00:26:46,272 --> 00:26:48,539
J.B.:
I CAN FEEL IT
FROM HERE.
585
00:26:48,541 --> 00:26:49,907
OH, IT'S BEAUTIFUL.
586
00:26:49,909 --> 00:26:51,442
AND THE PRICE
IS RIGHT.
587
00:26:51,444 --> 00:26:52,710
BUT, JUDY,
WOULDN'T IT BE
BETTER
588
00:26:52,712 --> 00:26:54,411
IF YOU FIRST
LOOKED AT SOME
NICE CLOTH COATS?
589
00:26:54,413 --> 00:26:56,880
OH, POP,
YOU HAVE NO IDEA
590
00:26:56,882 --> 00:26:58,916
WHAT MINK MEANS
TO A WOMAN.
591
00:26:58,918 --> 00:27:00,317
I'LL TAKE TWO.
592
00:27:00,319 --> 00:27:02,586
TWO.
593
00:27:02,588 --> 00:27:04,088
MY COMING-OUT
PRESENT FOR YOU.
594
00:27:04,090 --> 00:27:05,022
JUDY, I COULDN'T
THINK OF IT.
595
00:27:05,024 --> 00:27:06,423
WHAT DO YOU MEAN?
596
00:27:06,425 --> 00:27:08,192
YOU'VE BEEN THINKING
OF IT FOR YEARS.
597
00:27:08,194 --> 00:27:09,293
WE'LL WEAR THEM.
598
00:27:09,295 --> 00:27:11,996
TODAY? IN ALL
THIS HEAT?
599
00:27:11,998 --> 00:27:13,697
WOULDN'T YOU?
600
00:27:13,699 --> 00:27:15,966
YES,
MISS PEABODY.
601
00:27:17,370 --> 00:27:18,936
MISS PEABODY'S
THE YOUNG LADY
IN WHITE.
602
00:27:18,938 --> 00:27:20,304
BUT, JUDY,
IT'S AUGUST,
603
00:27:20,306 --> 00:27:22,039
AND ONE OF THE HOTTEST
DAYS IN THE YEAR.
604
00:27:22,041 --> 00:27:23,073
SO WHAT?
605
00:27:23,075 --> 00:27:25,075
YOU'LL MELT
IN A FUR COAT.
606
00:27:25,077 --> 00:27:27,678
YEAH, BUT I'LL LOOK
AWFUL GOOD DOING IT.
607
00:27:27,680 --> 00:27:28,679
MISS PEABODY?
608
00:27:28,681 --> 00:27:29,747
YES?
609
00:27:29,749 --> 00:27:32,049
I'M HIGGINS,
YOUR CHAUFFEUR.
610
00:27:32,051 --> 00:27:33,250
YEAH?
611
00:27:33,252 --> 00:27:35,085
YOUR CAR IS
AT THE NORTH
ENTRANCE.
612
00:27:35,087 --> 00:27:36,654
MY...CAR.
613
00:27:36,656 --> 00:27:38,122
YES, MISS.
614
00:27:39,692 --> 00:27:40,924
WELL, WHY WEREN'T YOU
AT THE STORK CLUB
TO PICK ME UP?
615
00:27:40,926 --> 00:27:43,994
SORRY, MISS,
BUT I WAS INSTRUCTED
TO MOVE YOUR THINGS
616
00:27:43,996 --> 00:27:45,763
TO THE YORK TOWERS.
617
00:27:45,765 --> 00:27:49,500
OH, WELL, UM, WELL,
SEE THAT IT DOESN'T
HAPPEN AGAIN.
618
00:27:49,502 --> 00:27:51,602
I CAN STAND IT NO LONGER.
619
00:27:51,604 --> 00:27:54,004
YOU MAY GO, HAWKINS.
620
00:27:54,006 --> 00:27:56,306
UH, HIGGINS, MISS.
621
00:27:56,308 --> 00:28:00,277
HIGGINS, SHMIGGINS.
YOU MAY GO ANYWAY.
622
00:28:05,484 --> 00:28:08,519
CURTIS, WHAT ARE YOU
TRYING TO DO TO ME?
623
00:28:08,521 --> 00:28:10,454
THAT GIRL IS HERE
BUYING FUR COATS
624
00:28:10,456 --> 00:28:13,357
IN BUNCHES,
LIKE BANANAS.
625
00:28:13,359 --> 00:28:15,359
YOU WANTED TO MAKE HER
HAPPY, DIDN'T YOU?
626
00:28:15,361 --> 00:28:16,760
SURE, I WANTED
TO MAKE HER HAPPY
627
00:28:16,762 --> 00:28:18,328
BUT NOT HYSTERICAL.
628
00:28:18,330 --> 00:28:22,266
CARS. CHAUFFEURS.
YORK TOWERS.
629
00:28:22,268 --> 00:28:25,569
THAT GIRL
WILL BREAK ME.
630
00:28:25,571 --> 00:28:26,670
WELL, J.B., IF SHE DOES,
631
00:28:26,672 --> 00:28:29,640
YOU CAN ALWAYS COME
AND STAY WITH ME.
632
00:28:30,810 --> 00:28:32,810
I DON'T WANT TO STAY--
633
00:28:34,814 --> 00:28:37,481
I'D KEEP THEM
OUT OF THE SUN
AS MUCH AS POSSIBLE.
634
00:28:37,483 --> 00:28:39,483
Judy:
WE'LL GET A COUPLE
OF PARASOLS.
635
00:28:39,485 --> 00:28:41,285
THAT'S A GOOD IDEA.
636
00:28:41,287 --> 00:28:42,519
CALL AGAIN,
MISS PEABODY.
637
00:28:42,521 --> 00:28:44,521
WE WILL IF WE'RE
IN TOWN.
638
00:28:44,523 --> 00:28:46,490
WHERE HAVE YOU BEEN?
639
00:28:46,492 --> 00:28:48,559
GETTING ME SECOND WIND.
640
00:28:48,561 --> 00:28:50,661
Judy: AND NOW
FOR THE DRESSES.
641
00:29:20,526 --> 00:29:22,359
HOT, ISN'T IT?
642
00:29:22,361 --> 00:29:25,028
THERE OUGHT TO BE
A BETTER WORD FOR IT
THAN THAT.
643
00:29:35,641 --> 00:29:37,508
SHALL WE
TAKE THEM OFF?
644
00:29:37,510 --> 00:29:39,843
I'LL DIE FIRST.
645
00:29:53,425 --> 00:29:55,025
JUDY, FOR PETE'S SAKE,
BUY SOMETHING
646
00:29:55,027 --> 00:29:56,226
AND LET'S GET
OUT OF HERE.
647
00:29:56,228 --> 00:29:59,029
ALL RIGHT. MISS!
648
00:29:59,031 --> 00:30:00,831
YES, MISS PEABODY.
649
00:30:00,833 --> 00:30:01,965
I DON'T KNOW.
650
00:30:01,967 --> 00:30:03,333
THEY'RE ALL
SO BEAUTIFUL,
651
00:30:03,335 --> 00:30:06,470
BUT, UM, I'LL TAKE
THAT ONE
652
00:30:06,472 --> 00:30:09,006
AND, UM, THAT ONE
653
00:30:09,008 --> 00:30:11,341
AND THAT ONE
654
00:30:11,343 --> 00:30:13,277
AND THAT ONE.
655
00:30:13,279 --> 00:30:14,478
"I'LL TAKE THAT ONE
AND THAT ONE
656
00:30:14,480 --> 00:30:15,913
AND THAT ONE
AND THAT ONE."
657
00:30:15,915 --> 00:30:17,447
WHY DON'T YOU
TAKE THEM ALL?
658
00:30:17,449 --> 00:30:20,651
ALL RIGHT, POP.
I'LL TAKE THEM ALL.
659
00:30:33,766 --> 00:30:36,900
THERE ARE ONLY TWO
APARTMENTS TO A FLOOR
UP THIS HIGH.
660
00:30:36,902 --> 00:30:38,268
WHO HAS THE OTHER
APARTMENT?
661
00:30:38,270 --> 00:30:39,503
IT'S VACANT
AT PRESENT.
662
00:30:39,505 --> 00:30:41,638
WHY DON'T YOU
RENT IT AND PROTECT
YOURSELF?
663
00:30:41,640 --> 00:30:43,440
WOULD YOU BE HAVING
AN ASPIRIN ON YOU?
664
00:30:43,442 --> 00:30:46,476
NO, SIR. I'M SORRY.
THIS WAY, MISS PEABODY.
665
00:30:57,189 --> 00:30:58,956
THIS IS
THE LIVING ROOM.
666
00:31:03,495 --> 00:31:06,830
SHALL I TAKE YOU
THROUGH THE REST
OF THE APARTMENT?
667
00:31:06,832 --> 00:31:08,732
NO. WE'LL DO THAT LATER.
668
00:31:08,734 --> 00:31:10,467
IF THERE'S ANYTHING
I CAN DO, JUST CALL ME.
669
00:31:10,469 --> 00:31:12,636
THANK YOU. I WILL.
670
00:31:16,408 --> 00:31:18,575
HERE, HONEY.
I DID A LITTLE
SHOPPING ON MY OWN.
671
00:31:18,577 --> 00:31:19,843
WHAT IS IT?
672
00:31:19,845 --> 00:31:21,478
A PERSUADER.
673
00:31:22,848 --> 00:31:24,014
YOU SHOULDN'T
HAVE DONE IT.
674
00:31:24,016 --> 00:31:27,251
I'M LIABLE TO MAIM
SOMEBODY FOR LIFE.
675
00:31:29,321 --> 00:31:31,288
GWEN, IT'S GOT ME DOWN.
I CAN'T STAND IT.
676
00:31:31,290 --> 00:31:33,724
ALL THIS--IT'S ENOUGH
TO DRIVE ME OUT OF MY MIND.
677
00:31:33,726 --> 00:31:36,627
TAKE IT EASY, JUDY.
RELAX.
678
00:31:36,629 --> 00:31:38,862
I HAVE,
SO WHY CAN'T YOU?
679
00:31:38,864 --> 00:31:40,831
TAKE WHAT'S FREELY
GIVEN TO YOU.
680
00:31:40,833 --> 00:31:44,801
PROVIDENCE
WORKS ITS WONDERS
IN MYSTERIOUS WAYS.
681
00:31:44,803 --> 00:31:47,137
PROVIDENCE DOESN'T
GO AROUND OPENING
CHARGE ACCOUNTS
682
00:31:47,139 --> 00:31:48,772
FOR HATCHECK GIRLS.
683
00:31:48,774 --> 00:31:50,574
WELL, I'LL BE
RUNNING ALONG.
684
00:31:50,576 --> 00:31:52,075
OH, NO, POP.
DON'T GO.
685
00:31:52,077 --> 00:31:54,211
I NEED YOUR MORAL
SUPPORT.
686
00:31:54,213 --> 00:31:56,346
DO YOU, NOW?
687
00:31:56,348 --> 00:31:58,382
BESIDES,
WHERE WILL YOU GO?
688
00:31:58,384 --> 00:31:59,549
OH, I'LL BE
ALL RIGHT.
689
00:31:59,551 --> 00:32:01,852
SURE. CURLED UP
ON A PARK BENCH
SOMEWHERE.
690
00:32:01,854 --> 00:32:03,854
WELL, NOT EXACTLY.
691
00:32:03,856 --> 00:32:06,823
HAVE YOU ANYONE, POP,
YOU'RE CLOSE TO?
692
00:32:06,825 --> 00:32:08,058
NOT ANYMORE.
693
00:32:08,060 --> 00:32:09,693
WHAT HAPPENED?
694
00:32:09,695 --> 00:32:12,296
ME WIFE LEFT ME
6 MONTHS AGO.
695
00:32:12,298 --> 00:32:13,297
WHY?
696
00:32:13,299 --> 00:32:15,365
I TOLD HER TO.
697
00:32:15,367 --> 00:32:19,069
THERE WAS A SLIGHT
COMPLICATION--
698
00:32:19,071 --> 00:32:22,372
ANOTHER MAN--
CLARENCE BASCOMBE.
699
00:32:22,374 --> 00:32:24,174
WAS BASCOMBE
YOUNGER THAN YOU?
700
00:32:24,176 --> 00:32:25,709
NO. 65.
701
00:32:25,711 --> 00:32:27,411
OH. HE HAD MONEY.
702
00:32:27,413 --> 00:32:28,412
NOT AS MUCH AS I.
703
00:32:28,414 --> 00:32:30,347
SHE LEFT YOU
FOR ANOTHER BUM?
704
00:32:30,349 --> 00:32:31,581
I DON'T GET IT.
705
00:32:31,583 --> 00:32:34,785
POP, A MAN 65
IS HARMLESS.
706
00:32:34,787 --> 00:32:37,754
I'M 65, AND I'M
NOT HARMLESS.
707
00:32:37,756 --> 00:32:41,091
SO FAR AS ME WIFE IS
CONCERNED, I MEAN.
708
00:32:45,230 --> 00:32:46,897
THAT'S HER PICTURE.
709
00:32:48,701 --> 00:32:49,700
ISN'T SHE LOVELY?
710
00:32:49,702 --> 00:32:51,501
YES, POP.
711
00:32:51,503 --> 00:32:54,004
I THINK THE WHOLE THING
MUST HAVE BEEN YOUR FAULT.
712
00:32:54,006 --> 00:32:56,840
WHY DOES EVERYONE
SIDE WITH EDITH? I--
713
00:32:56,842 --> 00:32:59,476
NOW, NOW, POP.
TILL YOU GET YOURSELF
STRAIGHTENED OUT,
714
00:32:59,478 --> 00:33:01,578
YOU BETTER STAY HERE
WITH ME.
715
00:33:01,580 --> 00:33:03,013
ALL RIGHT,
ONLY I'LL HAVE TO
LEAVE YOU
716
00:33:03,015 --> 00:33:04,314
FROM TIME TO TIME.
717
00:33:04,316 --> 00:33:06,316
POP, YOU GOT TO GIVE UP
ALL THAT PANHANDLING.
718
00:33:06,318 --> 00:33:08,652
FROM NOW ON, I'M
TAKING CARE OF YOU.
719
00:33:08,654 --> 00:33:10,153
NOW GO PICK
YOURSELF OUT A ROOM.
720
00:33:10,155 --> 00:33:11,254
I WANT TO TALK TO GWEN.
721
00:33:11,256 --> 00:33:12,789
ALL RIGHT.
722
00:33:15,995 --> 00:33:18,095
GWEN, I'M SCARED.
723
00:33:18,097 --> 00:33:19,529
WHAT ARE YOU
GONNA DO--MOVE OUT?
724
00:33:19,531 --> 00:33:20,964
I AM NOT.
725
00:33:20,966 --> 00:33:22,632
I'M GONNA FIND OUT
WHO THE WOLF IS.
726
00:33:22,634 --> 00:33:24,968
WHOEVER HE IS,
HE SURE HOWLS PRETTY.
727
00:33:24,970 --> 00:33:26,103
IT WON'T DO HIM
ANY GOOD.
728
00:33:26,105 --> 00:33:27,838
I'M SAVING MYSELF
FOR DANNY.
729
00:33:27,840 --> 00:33:29,439
SUPPOSE DANNY
FINDS OUT?
730
00:33:29,441 --> 00:33:31,041
HOW'S HE GONNA
FIND OUT,
731
00:33:31,043 --> 00:33:33,210
WAY OUT THERE
IN THE PACIFIC?
732
00:33:33,212 --> 00:33:34,845
YOU KNOW,
I GOT A HUNCH
733
00:33:34,847 --> 00:33:36,446
THERE'S ANOTHER
JUDY PEABODY.
734
00:33:36,448 --> 00:33:37,914
SAY, I NEVER
THOUGHT OF THAT.
735
00:33:37,916 --> 00:33:40,150
I WONDER
WHO SHE IS.
736
00:33:40,152 --> 00:33:42,652
I WONDER
WHAT SHE DOES.
737
00:33:42,654 --> 00:33:43,954
WAIT A MINUTE, JUDY.
738
00:33:43,956 --> 00:33:46,256
THAT LETTER
WAS SENT
TO THE STORK CLUB.
739
00:33:46,258 --> 00:33:47,858
THINK BACK. HAVE
ANY OF THE CUSTOMERS
740
00:33:47,860 --> 00:33:50,327
BEEN PARTICULARLY
NICE TO YOU LATELY?
741
00:33:50,329 --> 00:33:52,596
I CAN'T THINK
OF ANYBODY.
742
00:33:54,433 --> 00:33:55,599
I'VE GOT IT.
743
00:33:55,601 --> 00:33:56,867
WHAT?
744
00:33:56,869 --> 00:33:58,635
WHO'S THE MOST
GENEROUS MAN
IN THE WORLD?
745
00:33:58,637 --> 00:34:00,237
WHO GIVES AWAY MORE
THAN ANYBODY ELSE?
746
00:34:00,239 --> 00:34:01,905
SHERMAN BILLINGSLEY.
747
00:34:01,907 --> 00:34:04,074
BILLINGSLEY?
OH, NO.
748
00:34:04,076 --> 00:34:05,475
I'VE BEEN THERE
OVER 3 YEARS,
749
00:34:05,477 --> 00:34:08,111
AND I'VE NEVER EVEN
SEEN HIM LOOK SIDEWISE
AT ANYBODY.
750
00:34:08,113 --> 00:34:09,780
JUST THE SAME,
HE'S AROUND 40,
751
00:34:09,782 --> 00:34:11,882
AND THAT'S
A DANGEROUS AGE.
752
00:34:11,884 --> 00:34:13,617
YOU KNOW, HE WAS
AWFUL NICE TO ME
753
00:34:13,619 --> 00:34:15,285
IN HIS OFFICE
YESTERDAY.
754
00:34:15,287 --> 00:34:17,154
WELL, THERE YOU ARE.
755
00:34:17,156 --> 00:34:18,922
I'M AWFUL GLAD YOU BOUGHT
THIS BASEBALL BAT.
756
00:34:18,924 --> 00:34:20,157
WHY?
757
00:34:20,159 --> 00:34:21,958
SHERMAN BILLINGSLEY'S
GONNA LOOK PRETTY SILLY
758
00:34:21,960 --> 00:34:23,026
WITH NO TEETH.
759
00:34:23,028 --> 00:34:24,227
ARE YOU QUITTING
THE JOB?
760
00:34:24,229 --> 00:34:25,562
NO, I'M NOT,
761
00:34:25,564 --> 00:34:27,264
BUT I'M GONNA PLAY
SICK TONIGHT.
762
00:34:27,266 --> 00:34:29,633
I GOT TO HAVE TIME
TO THINK THIS THING OVER.
763
00:34:29,635 --> 00:34:30,834
DO YOU WANT ME
TO TELL HIM?
764
00:34:30,836 --> 00:34:32,969
NO. I'LL PHONE.
765
00:34:32,971 --> 00:34:34,438
[MUSIC PLAYING]
766
00:34:40,179 --> 00:34:41,912
CHECK YOUR HAT,
MARINE?
767
00:34:41,914 --> 00:34:43,213
I'M LOOKING
FOR JUDY PEABODY.
768
00:34:43,215 --> 00:34:44,815
SHE'S NOT ON
TILL 9:00 TONIGHT.
769
00:34:44,817 --> 00:34:46,216
STILL WORKS HERE,
HUH?
770
00:34:46,218 --> 00:34:49,052
THAT'S GREAT.
I LIKE THINGS
TO STAY THE SAME.
771
00:34:49,054 --> 00:34:51,054
MAKES A GUY FEEL LIKE
HE'S REALLY HOME AGAIN.
772
00:34:51,056 --> 00:34:52,089
YOU'RE DANNY!
YOU'RE DANNY!
773
00:34:52,091 --> 00:34:53,356
THAT'S RIGHT.
HOW'D YOU KNOW?
774
00:34:53,358 --> 00:34:55,092
SHE TALKS A LOT
ABOUT YOU.
775
00:34:55,094 --> 00:34:56,093
STILL?
776
00:34:56,095 --> 00:34:57,094
THERE ARE 12
OF US HERE,
777
00:34:57,096 --> 00:34:58,095
AND WE ALL
KNOW YOU.
778
00:34:58,097 --> 00:35:00,997
STORK CLUB CLOAKROOM.
MOLLY SPEAKING.
779
00:35:00,999 --> 00:35:03,200
WHO? JUDY?
HOLD ON A MINUTE.
780
00:35:03,202 --> 00:35:04,568
IT'S JUDY. SHALL I
TELL HER YOU'RE HERE?
781
00:35:04,570 --> 00:35:07,771
NO, NO. I WANT TO
SURPRISE HER.
782
00:35:07,773 --> 00:35:12,209
YEAH, JUDY. YEAH.
YEAH, OK. WHERE ARE YOU?
783
00:35:12,211 --> 00:35:16,346
YORK TOWERS? OH.
UH-HUH. SO LONG.
784
00:35:16,348 --> 00:35:18,548
SHE'S AT THE YORK TOWERS,
SUITE 32-A.
785
00:35:18,550 --> 00:35:21,685
YORK TOWERS?
WHAT IS SHE DOING THERE?
786
00:35:21,687 --> 00:35:23,153
NOTHING YOU'VE GOT
TO WORRY ABOUT.
787
00:35:23,155 --> 00:35:25,889
YEAH. THAT'S RIGHT.
YOU'RE STILL HEAD MAN.
788
00:35:25,891 --> 00:35:28,191
SURE. I KNOW THAT.
I'M JUST THINKING
789
00:35:28,193 --> 00:35:30,460
I'D LIKE TO SEE HER
RIGHT AWAY.
790
00:35:30,462 --> 00:35:31,495
YOU KNOW HOW IT IS.
791
00:35:31,497 --> 00:35:34,097
WELL, GET GOING.
792
00:35:34,099 --> 00:35:35,332
YOU WANT TO SEE
WHAT I BROUGHT HER?
793
00:35:35,334 --> 00:35:38,702
SURE.
SURE.
794
00:35:38,704 --> 00:35:39,970
TAKE A LOOK.
795
00:35:39,972 --> 00:35:41,104
YOU PROBABLY THINK
I GOT IT IN CHINA.
796
00:35:41,106 --> 00:35:42,072
WELL,
DIDN'T YOU?
797
00:35:42,074 --> 00:35:43,206
NO. FRISCO.
798
00:35:43,208 --> 00:35:44,508
SHE'LL LOVE IT.
799
00:35:44,510 --> 00:35:46,610
I HOPE SO.
I GOT TO BE
RUNNING ALONG.
800
00:35:46,612 --> 00:35:47,811
I'LL SEE YOU LATER.
801
00:35:47,813 --> 00:35:49,479
SO LONG.
802
00:35:54,253 --> 00:35:56,753
[DOORBELL RINGS]
803
00:35:56,755 --> 00:35:58,054
[RING]
804
00:35:58,056 --> 00:35:59,456
[RING]
805
00:35:59,458 --> 00:36:00,524
[RING]
806
00:36:00,526 --> 00:36:02,626
[RING]
807
00:36:19,745 --> 00:36:21,111
HELLO, KID.
808
00:36:24,316 --> 00:36:26,683
SURPRISED?
809
00:36:26,685 --> 00:36:28,718
DANNY.
810
00:36:28,720 --> 00:36:30,387
DANNY.
811
00:36:30,389 --> 00:36:32,389
DANNY!
812
00:36:32,391 --> 00:36:33,690
ARE YOU ALL RIGHT?
813
00:36:33,692 --> 00:36:36,493
SURE. SURE,
I'M ALL RIGHT.
814
00:36:36,495 --> 00:36:39,196
MOVE, DANNY, MOVE.
DO SOMETHING!
815
00:36:39,198 --> 00:36:42,465
WELL, I--BABY, HOW
I'VE WAITED FOR THIS.
816
00:36:53,512 --> 00:36:54,844
WOW!
817
00:36:54,846 --> 00:36:56,980
SAY IT AGAIN, DANNY.
818
00:36:56,982 --> 00:36:59,082
I CAN'T TALK YET
FOR A WHILE.
819
00:37:02,254 --> 00:37:04,020
TALKING WOULDN'T
MAKE SENSE NOW.
820
00:37:04,022 --> 00:37:05,622
WE CAN TALK LATER.
821
00:37:05,624 --> 00:37:07,290
OH, I JUST WANT TO
LOOK AT YOU,
822
00:37:07,292 --> 00:37:09,226
MAKE SURE IT'S YOU,
823
00:37:09,228 --> 00:37:11,061
THAT YOU STILL
FEEL THE SAME.
824
00:37:11,063 --> 00:37:12,162
YOU DO, DON'T YOU?
825
00:37:12,164 --> 00:37:13,630
YES, DANNY.
826
00:37:13,632 --> 00:37:17,500
OH, SURE. SURE.
I CAN SEE IT
IN YOUR EYES.
827
00:37:17,502 --> 00:37:19,903
YOUR EYES TALK,
JUDY.
828
00:37:19,905 --> 00:37:21,504
THEY SAY WHAT
YOU'RE THINKING.
829
00:37:21,506 --> 00:37:23,540
THEY ALWAYS DID.
830
00:37:23,542 --> 00:37:26,142
OH, I KNEW
YOU WOULDN'T CHANGE.
831
00:37:32,684 --> 00:37:34,484
SAY, I'VE GOT
SOME GOOD NEWS
FOR YOU, HONEY.
832
00:37:34,486 --> 00:37:36,286
YOU'RE GOOD NEWS
TO ME.
833
00:37:36,288 --> 00:37:38,822
YEAH, BUT WAIT.
I GOT A BAND
ALL SET TO GO.
834
00:37:38,824 --> 00:37:39,823
SO SOON?
835
00:37:39,825 --> 00:37:41,358
OH, WAIT TILL
YOU HEAR THEM--
836
00:37:41,360 --> 00:37:43,226
THE PICK
OF THE COUNTRY,
TOP MEN.
837
00:37:43,228 --> 00:37:44,561
I ORGANIZED THEM
IN MIRALDEN HOSPITAL
838
00:37:44,563 --> 00:37:46,296
WHILE WE WERE
WAITING TO BE
DISCHARGED.
839
00:37:46,298 --> 00:37:48,098
GEE, DANNY,
IT SOUNDS GREAT.
840
00:37:48,100 --> 00:37:50,033
YEAH, BUT I GOT TO
WORK FAST.
841
00:37:50,035 --> 00:37:51,768
IF I DON'T
GET US A JOB,
I'LL LOSE THEM.
842
00:37:51,770 --> 00:37:54,437
YOU CAN'T HOLD GUYS
LIKE THESE TOGETHER
WITHOUT DOUGH.
843
00:37:54,439 --> 00:37:56,406
HOW WOULD YOU LIKE
TO WORK AT
THE STORK CLUB?
844
00:37:56,408 --> 00:37:57,807
IS THERE A CHANCE?
845
00:37:57,809 --> 00:37:58,875
I THINK
IT CAN BE FIXED.
846
00:37:58,877 --> 00:38:00,710
I'LL TALK
TO THE BOSS.
847
00:38:00,712 --> 00:38:02,946
OH, THE SAME
OLD JUDY, HUH?
848
00:38:05,550 --> 00:38:06,549
YOU'RE GONNA SING
WITH THE BAND.
849
00:38:06,551 --> 00:38:07,550
YOU KNOW THAT,
DON'T YOU?
850
00:38:07,552 --> 00:38:08,685
AND MY DANNY.
851
00:38:08,687 --> 00:38:10,520
NOTHING BUT
THE BEST FOR ME.
852
00:38:10,522 --> 00:38:13,023
SAY, I BROUGHT YOU
A LITTLE SOMETHING.
853
00:38:13,025 --> 00:38:14,791
DID YOU, DARLING?
854
00:38:23,669 --> 00:38:24,901
IT ISN'T VERY MUCH.
855
00:38:24,903 --> 00:38:27,871
OH, DANNY,
IT'S BEAUTIFUL.
856
00:38:27,873 --> 00:38:30,473
TRY IT ON.
I HAD TO GUESS
AT THE SIZE.
857
00:38:30,475 --> 00:38:32,709
AS IF YOU DIDN'T
KNOW.
858
00:38:34,913 --> 00:38:39,816
SAY, THAT'S A PRETTY
NIFTY-LOOKING DRESS
YOU GOT ON.
859
00:38:39,818 --> 00:38:41,518
TURN AROUND, JUDY.
860
00:38:48,493 --> 00:38:52,562
YEAH. VERY NIFTY.
861
00:38:52,564 --> 00:38:54,097
DO YOU LIKE IT?
862
00:38:54,099 --> 00:38:57,767
YEAH. BUSINESS MUST BE
GOOD IN THE CHECKROOM.
863
00:39:00,072 --> 00:39:01,738
WHERE ARE WE, JUDY?
864
00:39:01,740 --> 00:39:02,706
LET'S TRY
THE JACKET ON.
865
00:39:02,708 --> 00:39:05,575
NO. WHOSE APARTMENT
IS THIS?
866
00:39:05,577 --> 00:39:07,510
WELL, IN A WAY,
IT'S MINE, DANNY.
867
00:39:07,512 --> 00:39:08,511
IN A WAY?
868
00:39:08,513 --> 00:39:09,512
YES.
869
00:39:09,514 --> 00:39:10,513
WHAT KIND OF A WAY?
870
00:39:10,515 --> 00:39:11,681
IN A PERFECTLY
INNOCENT WAY.
871
00:39:11,683 --> 00:39:12,716
YOU LIVE HERE ALONE?
872
00:39:12,718 --> 00:39:14,818
WELL, PRACTICALLY.
873
00:39:14,820 --> 00:39:19,022
WELL, I PICKED MESELF OUT
A FINE ROOM.
874
00:39:19,024 --> 00:39:21,057
OH.
875
00:39:21,059 --> 00:39:22,025
WHO'S THAT?
876
00:39:22,027 --> 00:39:23,026
THE BUTLER.
877
00:39:23,028 --> 00:39:24,027
BUTLER?
878
00:39:24,029 --> 00:39:25,462
M-MR. BUTLER.
879
00:39:25,464 --> 00:39:27,664
THIS IS MR. WILTON--
DANNY WILTON.
880
00:39:27,666 --> 00:39:29,933
CAN IT BE?
881
00:39:29,935 --> 00:39:32,202
DANNY. THE YOUNG MAN
YOU'RE IN LOVE WITH.
882
00:39:32,204 --> 00:39:34,304
OH, NOW LOOK.
WHO ARE YOU TWO
TRYING TO KID?
883
00:39:34,306 --> 00:39:35,338
HONEST, DANNY.
884
00:39:35,340 --> 00:39:37,207
MR. BUTLER KNOWS
ALL ABOUT YOU.
885
00:39:37,209 --> 00:39:40,443
YEAH? WELL, I'D LIKE
TO KNOW ALL ABOUT
MR. BUTLER.
886
00:39:40,445 --> 00:39:41,878
THAT'S EASY.
AND THIS APARTMENT.
887
00:39:41,880 --> 00:39:45,315
THAT'S NOT SO...
HARD EITHER.
888
00:39:45,317 --> 00:39:46,883
NOT FOR YOU,
I GUESS.
889
00:39:46,885 --> 00:39:48,785
ALL RIGHT,
I'LL TELL YOU.
890
00:39:48,787 --> 00:39:50,954
I INHERITED
SOME MONEY.
891
00:39:53,158 --> 00:39:54,657
I SEE.
892
00:39:54,659 --> 00:39:57,394
FROM AN UNCLE
WHO WAS IN OIL.
893
00:39:57,396 --> 00:40:00,397
OF COURSE,
THE INCOME'S
ONLY TEMPORARY.
894
00:40:00,399 --> 00:40:03,066
THE WILL'S
BEING CONTESTED
IN TULSA, OKLAHOMA.
895
00:40:03,068 --> 00:40:04,067
BY WHOM?
896
00:40:04,069 --> 00:40:05,068
SOME INDIANS.
897
00:40:05,070 --> 00:40:06,102
Danny: RELATIVES?
898
00:40:06,104 --> 00:40:07,737
ONLY ON
MY FATHER'S SIDE.
899
00:40:07,739 --> 00:40:09,539
STOP IT, JUDY.
YOU'RE BEING RIDICULOUS.
900
00:40:09,541 --> 00:40:13,410
ALL RIGHT.
DO YOU WANT TO HEAR
THE HONEST TRUTH?
901
00:40:13,412 --> 00:40:14,811
YES. YES, GO ON.
902
00:40:14,813 --> 00:40:18,581
WELL, IT'S
LIKE THIS.
903
00:40:18,583 --> 00:40:20,150
IT'S HIM!
904
00:40:22,154 --> 00:40:23,420
YOU SEE,
I SAVED HIS LIFE,
905
00:40:23,422 --> 00:40:24,687
AND HE WAS
SO GRATEFUL--
906
00:40:24,689 --> 00:40:26,089
SO GRATEFUL THAT
HE BOUGHT YOU
EXTRAVAGANT CLOTHES,
907
00:40:26,091 --> 00:40:27,590
EXPENSIVE APARTMENTS?
908
00:40:27,592 --> 00:40:29,659
THAT'S RIGHT.
ISN'T IT?
909
00:40:29,661 --> 00:40:31,094
OF COURSE IT IS.
910
00:40:31,096 --> 00:40:32,162
THERE.
911
00:40:32,164 --> 00:40:33,963
WHY DON'T YOU
STOP LYING?
912
00:40:33,965 --> 00:40:35,765
I'VE HEARD OF THINGS
LIKE THIS HAPPENING
TO OTHER GUYS
913
00:40:35,767 --> 00:40:39,769
WHILE THEY WERE AWAY,
BUT I DIDN'T THINK
IT COULD HAPPEN TO ME.
914
00:40:39,771 --> 00:40:42,439
I KEPT THINKING
YOU WERE DIFFERENT.
915
00:40:42,441 --> 00:40:44,240
DAY AFTER DAY
AND NIGHT AFTER NIGHT,
916
00:40:44,242 --> 00:40:46,409
IT WAS THE ONE THOUGHT
THAT KEPT ME GOING.
917
00:40:46,411 --> 00:40:47,844
DANNY, PLEASE
LISTEN TO ME.
I CAN--
918
00:40:47,846 --> 00:40:49,979
NO, THANKS!
919
00:40:49,981 --> 00:40:51,648
I'VE HEARD ENOUGH.
920
00:40:53,118 --> 00:40:54,117
[WHISPERS]
Danny.
921
00:40:54,119 --> 00:40:55,685
[DOOR SLAMS]
922
00:41:02,360 --> 00:41:05,628
HOW DID YOU MAKE UP
THAT STORY
ABOUT IT BEING ME?
923
00:41:05,630 --> 00:41:06,663
HOW COULD I TELL HIM
THE TRUTH
924
00:41:06,665 --> 00:41:08,531
WHEN I DON'T EVEN
KNOW IT MYSELF?
925
00:41:08,533 --> 00:41:10,033
WHY DIDN'T YOU
SHOW HIM THE LETTER?
926
00:41:10,035 --> 00:41:11,734
FINE. THEN HE'D
THINK THE WORST.
927
00:41:11,736 --> 00:41:14,704
THE LETTER SAYS I'VE BEEN
"VERY ACCOMMODATING."
928
00:41:14,706 --> 00:41:17,407
OH, IF ONLY HE'D
COME HOME YESTERDAY.
929
00:41:17,409 --> 00:41:20,210
I'M SORRY
THIS HAPPENED.
930
00:41:20,212 --> 00:41:22,178
MAYBE I COULD
HELP YOU TO FIND OUT
WHO HE IS.
931
00:41:22,180 --> 00:41:24,347
BUT YOU DON'T
UNDERSTAND, POP.
932
00:41:24,349 --> 00:41:27,083
YOU SEE, I THINK
I KNOW WHO IT IS.
933
00:41:27,085 --> 00:41:28,151
OH, YOU DO?
934
00:41:28,153 --> 00:41:29,586
YES, MY BOSS.
935
00:41:29,588 --> 00:41:30,587
BILLINGSLEY?
936
00:41:30,589 --> 00:41:31,955
AND THE WORST
OF IT IS,
937
00:41:31,957 --> 00:41:34,424
I HAVE TO GO TO HIM
SO DANNY GETS THE JOB
AT THE STORK.
938
00:41:34,426 --> 00:41:36,826
JUDY, PROMISE ME
YOU WON'T DO ANYTHING
939
00:41:36,828 --> 00:41:39,128
WE'LL BOTH BE
SORRY FOR.
940
00:41:39,130 --> 00:41:41,998
WHAT DO YOU THINK
I AM?
941
00:41:42,000 --> 00:41:43,833
DON'T ANSWER THAT.
942
00:41:46,071 --> 00:41:47,437
ANY CALLS?
943
00:41:47,439 --> 00:41:49,339
JUDY OF THE CLOAKROOM
IS HERE TO SEE YOU.
944
00:41:49,341 --> 00:41:52,642
OH. WELL, OK.
TELL HER TO COME IN.
945
00:42:05,590 --> 00:42:07,857
SIT DOWN, JUDY.
I'LL BE RIGHT WITH YOU.
946
00:42:29,447 --> 00:42:31,481
[WHISTLING]
947
00:42:31,483 --> 00:42:32,949
IS ANYTHING WRONG?
948
00:42:32,951 --> 00:42:35,084
NOT YET.
949
00:42:35,086 --> 00:42:36,719
WHAT'S THE MATTER
WITH YOU?
950
00:42:36,721 --> 00:42:38,988
NOTHING.
EVERYTHING'S FINE.
951
00:42:38,990 --> 00:42:41,724
YOU'VE BEEN VERY
NICE TO ME, AND I
APPRECIATE IT.
952
00:42:41,726 --> 00:42:43,493
IT'S NOTHING.
953
00:42:43,495 --> 00:42:45,261
OH, NO?
954
00:42:45,263 --> 00:42:46,896
CERTAINLY NOT.
955
00:42:46,898 --> 00:42:50,266
LOOK, SHERM--
MR. BILLINGSLEY--
956
00:42:50,268 --> 00:42:53,236
THAT'S RIGHT ABOUT
MY BEING UNDER NO
OBLIGATION, ISN'T IT?
957
00:42:53,238 --> 00:42:55,004
YOUR ONLY OBLIGATION
TO ME IS TO BE ON TIME
958
00:42:55,006 --> 00:42:57,640
AND DO YOUR WORK
PROPERLY.
959
00:42:57,642 --> 00:43:00,276
I DON'T GET IT.
960
00:43:00,278 --> 00:43:03,279
THERE IS ONE THING,
HOWEVER.
961
00:43:03,281 --> 00:43:04,714
WHAT?
962
00:43:08,253 --> 00:43:11,721
WE'LL GET ALONG
MUCH BETTER WITHOUT
THESE SURPRISE VISITS.
963
00:43:13,024 --> 00:43:14,691
I GET IT.
964
00:43:14,693 --> 00:43:17,126
OH, I ALMOST FORGOT
WHAT I CAME HERE
TO TELL YOU.
965
00:43:17,128 --> 00:43:18,194
WHAT'S THAT?
966
00:43:18,196 --> 00:43:19,796
I HAVE A LITTLE
SUGGESTION.
967
00:43:19,798 --> 00:43:20,997
IS IT ABOUT
THE CHECKROOM?
968
00:43:20,999 --> 00:43:23,433
NO. IT'S ABOUT--
DON'T BOTHER, THEN.
969
00:43:23,435 --> 00:43:25,168
I WANT TO MAKE
A DEAL WITH YOU.
970
00:43:25,170 --> 00:43:26,569
YOU TAKE CARE
OF THE CHECKROOM
971
00:43:26,571 --> 00:43:28,338
AND LET ME RUN
THE STORK CLUB.
972
00:43:28,340 --> 00:43:29,772
DO YOU MIND?
973
00:43:39,751 --> 00:43:41,684
COME IN, MISS PATTEN.
974
00:43:43,455 --> 00:43:44,921
PARDON ME.
975
00:43:46,491 --> 00:43:49,158
WELL, MIS PEABODY,
WHEN DOES MY BAND
OPEN AT THE STORK?
976
00:43:49,160 --> 00:43:50,159
IT DOESN'T.
I MEAN IT ISN'T--
977
00:43:50,161 --> 00:43:51,995
NO? THE WAY YOU TWO
CAME OUT JUST NOW,
978
00:43:51,997 --> 00:43:53,262
I THOUGHT
WE WERE ALL SET.
979
00:43:53,264 --> 00:43:55,231
DANNY, DON'T JUMP
TO CONCLUSIONS.
980
00:43:55,233 --> 00:43:56,265
ARE YOU SERIOUS?
981
00:43:56,267 --> 00:43:57,500
THERE ARE SOME
CIRCUMSTANCES--
982
00:43:57,502 --> 00:43:58,801
I'LL SAY THERE ARE,
983
00:43:58,803 --> 00:44:00,737
BUT YOU'RE NOT GONNA
INVOLVE ME IN THEM.
984
00:44:00,739 --> 00:44:02,639
I COME BACK
AND FIND YOU
AT THE YORK TOWERS,
985
00:44:02,641 --> 00:44:04,307
DRESSED LIKE
SOMETHING OUT
OF "VOGUE,"
986
00:44:04,309 --> 00:44:06,175
IN THE COMPANY
OF AN OLD MAN
YOU CAN'T EXPLAIN,
987
00:44:06,177 --> 00:44:08,244
AND NOW I SEE YOU
WITH THE BOSS'
ARM AROUND YOU.
988
00:44:08,246 --> 00:44:10,213
SOME CIRCUMSTANCES.
989
00:44:10,215 --> 00:44:11,547
HA HA. IT DOES LOOK
KIND OF FUNNY,
DOESN'T IT?
990
00:44:11,549 --> 00:44:12,782
NOT TO ME,
IT DOESN'T.
991
00:44:12,784 --> 00:44:14,784
DANNY, YOU'RE
WALKING OUT ON A GIRL
992
00:44:14,786 --> 00:44:16,252
WHO'S NO DIFFERENT
THAN SHE EVER WAS.
993
00:44:16,254 --> 00:44:17,720
THERE'LL COME A TIME
WHEN YOU'LL FIND THAT OUT.
994
00:44:17,722 --> 00:44:18,888
THEN HOW WILL YOU FEEL?
995
00:44:18,890 --> 00:44:21,391
WHEN I FIND THAT OUT,
I'LL LET YOU KNOW.
996
00:44:22,394 --> 00:44:23,526
THANK YOU.
997
00:44:27,766 --> 00:44:29,365
NO MATTER HOW
I FIGURE IT OUT,
998
00:44:29,367 --> 00:44:31,501
I ALWAYS COME BACK
TO THE SAME THING.
999
00:44:31,503 --> 00:44:32,435
WHAT'S THAT?
1000
00:44:32,437 --> 00:44:33,770
I LOVE HIM.
1001
00:44:33,772 --> 00:44:35,271
I GATHERED THAT.
1002
00:44:35,273 --> 00:44:37,373
I JUST CAN'T LET HIM
LOSE HIS BAND
1003
00:44:37,375 --> 00:44:38,675
AND ME
IN THE BARGAIN.
1004
00:44:38,677 --> 00:44:39,742
HOW'S HE GONNA
KEEP THE GUYS
1005
00:44:39,744 --> 00:44:41,010
IF HE CAN'T
GET A JOB?
1006
00:44:41,012 --> 00:44:43,312
MAYBE HE CAN'T KEEP
THEM, BUT I CAN.
1007
00:44:43,314 --> 00:44:44,447
HOW'S THAT AGAIN?
1008
00:44:44,449 --> 00:44:46,416
YOU WAIT AND SEE.
WHEN WE KNOCK
OFF HERE,
1009
00:44:46,418 --> 00:44:47,917
WE'RE GOING OVER
WHERE HE'S REHEARSING.
1010
00:44:47,919 --> 00:44:49,452
I WAS HOPING
WE COULD GO
SHOPPING AGAIN.
1011
00:44:49,454 --> 00:44:50,920
I COULD USE
A NEW GIRDLE.
1012
00:44:50,922 --> 00:44:52,388
WHO COULDN'T?
1013
00:45:25,990 --> 00:45:27,990
GEE, WHAT A BAND!
1014
00:45:27,992 --> 00:45:29,892
THAT'S JIMMY JONES
ON THE DRUMS.
1015
00:46:17,876 --> 00:46:19,609
OK, TAKE 5.
1016
00:46:21,546 --> 00:46:22,612
JIMMY!
1017
00:46:22,614 --> 00:46:23,946
GWEN!
1018
00:46:23,948 --> 00:46:25,848
YOU STOOD ME UP
THE LAST TIME
WE HAD A DATE.
1019
00:46:25,850 --> 00:46:27,183
THAT WAS 3 YEARS
AGO.
1020
00:46:27,185 --> 00:46:28,518
WHAT HAPPENED?
1021
00:46:28,520 --> 00:46:29,552
WELL, I'LL TELL YOU.
1022
00:46:29,554 --> 00:46:30,553
I WAS STANDING
ON THE CORNER.
1023
00:46:30,555 --> 00:46:31,554
A MILITARY BAND
WENT BY,
1024
00:46:31,556 --> 00:46:32,555
AND THE NEXT THING
I KNEW,
1025
00:46:32,557 --> 00:46:34,290
I WAS IN
CAMP ROBERTS.
1026
00:46:34,292 --> 00:46:35,792
I'LL GIVE YOU
ONE MORE CHANCE.
1027
00:46:35,794 --> 00:46:37,493
MEET ME TONIGHT
ON THE SAME CORNER.
1028
00:46:37,495 --> 00:46:39,629
YOU GOT A DEAL.
1029
00:46:39,631 --> 00:46:40,997
Judy: DANNY.
1030
00:46:40,999 --> 00:46:42,598
CAN I SEE YOU A MINUTE?
1031
00:46:42,600 --> 00:46:43,800
OK.
1032
00:46:45,703 --> 00:46:47,370
THE BAND
IS SWELL, DANNY.
1033
00:46:47,372 --> 00:46:48,371
THANKS.
1034
00:46:48,373 --> 00:46:49,639
AND IF YOU OPEN
IN A GOOD SPOT,
1035
00:46:49,641 --> 00:46:51,340
YOUR FORTUNE
IS MADE.
1036
00:46:51,342 --> 00:46:53,276
THAT'S RIGHT.
YOU LIKE RICH GUYS,
DON'T YOU?
1037
00:46:53,278 --> 00:46:54,677
WHAT KIND OF
A CRACK IS THAT?
1038
00:46:54,679 --> 00:46:56,112
THIS IS A WASTE
OF TIME, JUDY.
1039
00:46:56,114 --> 00:46:58,614
BUT I'M IN A SPOT
TO HELP YOU KEEP
THE BAND TOGETHER.
1040
00:46:58,616 --> 00:47:00,883
THANKS. I'LL FIND A WAY
TO DO THAT.
1041
00:47:00,885 --> 00:47:02,018
NOW YOU RUN ALONG,
WILL YOU?
1042
00:47:02,020 --> 00:47:03,920
NO, I WON'T.
1043
00:47:03,922 --> 00:47:05,154
I'M GONNA GET SORE
IN A MINUTE.
1044
00:47:05,156 --> 00:47:06,589
I'M SORE NOW.
1045
00:47:06,591 --> 00:47:07,924
THIS IS VERY
EMBARRASSING.
1046
00:47:07,926 --> 00:47:09,025
DON'T BLUSH SO EASY.
1047
00:47:09,027 --> 00:47:10,393
YOU OUGHT TO.
1048
00:47:10,395 --> 00:47:12,428
GET SMART.
I'M LOADED
LIKE A TRANSPORT.
1049
00:47:12,430 --> 00:47:13,830
WILL YOU BLOW?
1050
00:47:13,832 --> 00:47:15,031
IT'S LEND LEASE.
DON'T BE A CHUMP.
1051
00:47:15,033 --> 00:47:16,599
NO.
1052
00:47:16,601 --> 00:47:17,667
WELL, THANKS, JUDY.
1053
00:47:17,669 --> 00:47:19,235
NICE OF YOU
TO DROP IN ON US.
1054
00:47:19,237 --> 00:47:20,336
DON'T MENTION IT,
DANNY.
1055
00:47:20,338 --> 00:47:22,405
WELL, FELLAS,
YOU'RE ALL SET.
1056
00:47:22,407 --> 00:47:24,574
FROM NOW ON,
YOU HAVE NOTHING
TO WORRY ABOUT.
1057
00:47:24,576 --> 00:47:26,676
YOU'RE ALL MOVING
IN THE YORK TOWERS
AS MY GUESTS
1058
00:47:26,678 --> 00:47:27,877
TILL YOU GET
IN THE RIGHT SPOT.
1059
00:47:27,879 --> 00:47:28,878
SAY, THAT
SOUNDS FINE.
1060
00:47:28,880 --> 00:47:30,246
HEY, NOW WAIT
A MINUTE.
1061
00:47:30,248 --> 00:47:32,481
DANNY THOUGHT MAYBE
YOU FELLAS WOULDN'T LIKE IT.
1062
00:47:32,483 --> 00:47:33,850
WHY NOT?
TELL US MORE.
1063
00:47:33,852 --> 00:47:35,518
NOTHING DOING.
I WON'T STAND FOR IT.
1064
00:47:35,520 --> 00:47:36,953
CAN YOU MAKE US
A BETTER OFFER?
1065
00:47:36,955 --> 00:47:39,722
NO, BUT WE'LL GET
STARTED EVENTUALLY,
AND--
1066
00:47:39,724 --> 00:47:40,790
NEVER MIND THAT.
1067
00:47:40,792 --> 00:47:42,158
I'M ALL FOR IT.
WHAT DO YOU GUYS SAY?
1068
00:47:42,160 --> 00:47:43,659
[ALL TALKING
AT ONCE]
1069
00:47:43,661 --> 00:47:44,994
SWELL.
1070
00:47:53,972 --> 00:47:55,071
[KNOCK ON DOOR]
1071
00:47:58,376 --> 00:48:00,209
POP, WE'RE GONNA
HAVE COMPANY.
1072
00:48:00,211 --> 00:48:01,944
I'LL PUT
ME SHOES ON.
1073
00:48:03,848 --> 00:48:05,648
"THE WALL STREET
JOURNAL"?
1074
00:48:05,650 --> 00:48:07,483
POP, YOU SLAY ME.
1075
00:48:07,485 --> 00:48:09,185
YOU SEEM IN MIGHTY
GOOD SPIRITS.
1076
00:48:09,187 --> 00:48:11,120
IN A WAY I AM.
1077
00:48:11,122 --> 00:48:13,522
I'D LIKE TO SPEAK
TO THE MANAGER--
MR. GRAY.
1078
00:48:13,524 --> 00:48:15,591
YOU MADE IT UP
WITH THE YOUNG MAN?
1079
00:48:15,593 --> 00:48:17,326
NO, POP.
THAT'S ALL OFF.
1080
00:48:17,328 --> 00:48:18,828
AH, THAT'S A PITY.
1081
00:48:18,830 --> 00:48:20,897
MR. GRAY,
THIS IS MISS PEABODY.
1082
00:48:20,899 --> 00:48:23,466
IS THE APARTMENT
NEXT TO MINE
STILL VACANT?
1083
00:48:23,468 --> 00:48:26,402
IT IS? HOW MANY ROOMS
IS IT?
1084
00:48:26,404 --> 00:48:29,872
12. THAT'S FINE.
I'LL TAKE IT.
1085
00:48:29,874 --> 00:48:32,008
YOU CAN CHARGE IT
TO MY ACCOUNT.
1086
00:48:32,010 --> 00:48:33,743
OH, IN ABOUT AN HOUR.
1087
00:48:38,283 --> 00:48:41,417
OPERATOR, WILL YOU
CONNECT ME WITH
LOCKE'S FIFTH AVENUE?
1088
00:48:41,419 --> 00:48:42,818
NOW WHAT ARE YOU
UP TO?
1089
00:48:42,820 --> 00:48:45,588
I'M GOING TO RUIN
BILLINGSLEY OR SOMEBODY.
1090
00:48:45,590 --> 00:48:47,723
LOCKE'S?
MEN'S DEPARTMENT, PLEASE.
1091
00:48:47,725 --> 00:48:50,226
I'LL SHOW HIM!
I'LL SMOKE HIM OUT.
1092
00:48:50,228 --> 00:48:51,894
I'LL SPEND EVERY
CENT HE'S GOT.
1093
00:48:51,896 --> 00:48:52,995
BUT WHY?
1094
00:48:52,997 --> 00:48:55,598
HE RUINED MY LOVE AFFAIR,
THAT'S WHY.
1095
00:48:55,600 --> 00:48:59,335
MEN'S DEPARTMENT?
THIS IS MISS JUDY PEABODY
AT THE YORK TOWERS.
1096
00:48:59,337 --> 00:49:01,504
COULD YOU SEND
A REPRESENTATIVE UP
TO MY APARTMENT
1097
00:49:01,506 --> 00:49:05,474
TO MEASURE 12 MEN
FOR DINNER JACKETS,
TROPICALS,
1098
00:49:05,476 --> 00:49:08,611
AND A HALF-DOZEN
BUSINESS SUITS APIECE.
1099
00:49:08,613 --> 00:49:10,646
THEN THERE WILL BE
SHOES, SHIRTS,
1100
00:49:10,648 --> 00:49:12,882
AND COLLARS AND TIES
BESIDES.
1101
00:49:12,884 --> 00:49:15,151
THAT'S FINE.
THANK YOU VERY MUCH.
1102
00:49:15,153 --> 00:49:16,686
WHAT HAVE I DONE?
1103
00:49:16,688 --> 00:49:18,821
POP, DID YOU
HURT YOURSELF?
WHAT?
1104
00:49:18,823 --> 00:49:21,023
WHEN YOU BUMPED
INTO THE WALL JUST NOW.
1105
00:49:21,025 --> 00:49:23,025
DID I BUMP
INTO THE WALL?
1106
00:49:23,027 --> 00:49:24,794
WELL, WHAT DO YOU
THINK?
1107
00:49:24,796 --> 00:49:27,930
JUDY, I MUST
TELL YOU SOMETHING.
I AM A BA--
1108
00:49:27,932 --> 00:49:30,499
NOW, DON'T TELL ME
YOU'RE LEAVING AGAIN.
1109
00:49:30,501 --> 00:49:32,001
I THINK BOTH OF US
SHOULD LEAVE.
1110
00:49:32,003 --> 00:49:33,970
NOT ME. I'M AFTER
SOMEBODY'S SCALP,
1111
00:49:33,972 --> 00:49:35,438
AND I WON'T REST
TILL I GET IT.
1112
00:49:35,440 --> 00:49:37,473
BUT, JUDY,
IT'S MY SCALP.
1113
00:49:37,475 --> 00:49:38,574
YOU MUST HAVE
HIT YOUR HEAD.
1114
00:49:38,576 --> 00:49:39,775
WHY DON'T YOU GO
LIE DOWN?
1115
00:49:39,777 --> 00:49:41,344
JUDY, YOU MUST
BELIEVE ME.
1116
00:49:41,346 --> 00:49:42,812
I'M A RICH MAN.
1117
00:49:42,814 --> 00:49:44,880
I HOPED TO BRING
A LITTLE HAPPINESS
INTO YOUR LIFE
1118
00:49:44,882 --> 00:49:46,515
BECAUSE YOU
SAVED MINE,
1119
00:49:46,517 --> 00:49:48,184
BUT, ME GOOD GIRL,
YOUR KIND
OF HAPPINESS
1120
00:49:48,186 --> 00:49:49,652
IS MORE THAN
I CAN AFFORD.
1121
00:49:49,654 --> 00:49:51,087
WHY DON'T YOU
STOP IT, POP?
1122
00:49:51,089 --> 00:49:52,455
I THOUGHT OF THAT ONE
AHEAD OF YOU.
1123
00:49:52,457 --> 00:49:55,191
CALL CURTIS.
FIND OUT
FOR YOURSELF.
1124
00:49:55,193 --> 00:49:56,559
YEAH. HE WOULD KNOW.
1125
00:49:56,561 --> 00:49:58,160
I WANT TO TALK
TO HIM ANYWAY.
1126
00:49:58,162 --> 00:50:00,496
HIS NUMBER'S
RECTOR-21098.
1127
00:50:00,498 --> 00:50:02,631
YOU READ THAT
ON HIS LETTER TO ME.
1128
00:50:02,633 --> 00:50:04,767
CALL HIM. CALL HIM.
1129
00:50:09,440 --> 00:50:13,509
GET ME RECTOR-21098,
PLEASE.
1130
00:50:13,511 --> 00:50:15,444
[INTERCOM BUZZES]
1131
00:50:15,446 --> 00:50:16,746
WELL?
1132
00:50:16,748 --> 00:50:18,147
OH, YEAH. PUT HER ON.
1133
00:50:20,952 --> 00:50:24,153
HELLO, MISS PEABODY.
HOW ARE YOU?
1134
00:50:24,155 --> 00:50:26,789
YES. UH-HUH.
1135
00:50:26,791 --> 00:50:28,024
OF COURSE, OF COURSE.
1136
00:50:28,026 --> 00:50:30,459
ALL RIGHT.
I'LL BE RIGHT UP.
1137
00:50:30,461 --> 00:50:33,396
NOW EITHER
YOU'RE CRAZY,
OR I'M GOING TO BE.
1138
00:50:33,398 --> 00:50:34,363
WE'LL SOON FIND OUT.
1139
00:50:34,365 --> 00:50:35,364
[KNOCK ON DOOR]
1140
00:50:35,366 --> 00:50:36,632
COME IN.
1141
00:50:38,536 --> 00:50:40,169
SORRY TO INTRUDE.
1142
00:50:40,171 --> 00:50:42,638
YOU'RE NOT
INTRUDING!
1143
00:50:42,640 --> 00:50:44,306
I HAVE THE KEY,
AND WE'RE ALL SET.
1144
00:50:44,308 --> 00:50:46,675
THERE'S ONLY
ONE THING I'D LIKE
TO MAKE CLEAR TO YOU.
1145
00:50:46,677 --> 00:50:49,612
I'M ACCEPTING
YOUR HOSPITALITY
BECAUSE I HAVE TO,
1146
00:50:49,614 --> 00:50:52,915
BUT I WANT YOU TO KNOW
THAT YOU'RE GONNA GET
EVERY CENT BACK.
1147
00:50:52,917 --> 00:50:54,984
EVERY CENT,
DO YOU UNDERSTAND?
1148
00:50:54,986 --> 00:50:56,118
YES, DANNY.
1149
00:50:56,120 --> 00:50:58,587
YOUNG MAN,
I LIKE YOU.
I LIKE YOUR IDEAS.
1150
00:50:58,589 --> 00:50:59,622
I LIKE THE WAY
YOU TALK.
1151
00:50:59,624 --> 00:51:02,358
I LIKE EVERYTHING
ABOUT YOU.
1152
00:51:02,360 --> 00:51:04,593
I WISH I COULD RETURN
THE COMPLIMENT.
1153
00:51:04,595 --> 00:51:05,895
GOOD-BYE.
1154
00:51:08,066 --> 00:51:09,598
A FINE LAD.
1155
00:51:09,600 --> 00:51:11,700
YES. THAT'S ONE
OF THE THINGS
1156
00:51:11,702 --> 00:51:13,736
THAT'S THE MATTER
WITH HIM.
1157
00:51:13,738 --> 00:51:16,272
[DOORBELL RINGS]
1158
00:51:16,274 --> 00:51:17,907
I'LL GET IT, POP.
1159
00:51:22,747 --> 00:51:24,013
ARE YOU MR. CURTIS?
1160
00:51:24,015 --> 00:51:25,081
YES, MISS PEABODY.
1161
00:51:25,083 --> 00:51:27,683
COME ON.
THANK YOU.
1162
00:51:27,685 --> 00:51:29,552
J.B.: WELL, IT TOOK
YOU LONG ENOUGH
TO GET HERE.
1163
00:51:29,554 --> 00:51:31,887
NOW, SIR, TELL
THIS YOUNG LADY
WHO I AM.
1164
00:51:31,889 --> 00:51:33,556
WHY, I NEVER SAW YOU
BEFORE IN MY LIFE.
1165
00:51:33,558 --> 00:51:34,557
HUP!
1166
00:51:34,559 --> 00:51:35,758
IS HE ANNOYING YOU?
1167
00:51:35,760 --> 00:51:37,693
YES, HE IS.
HE TOLD ME
A TERRIBLE LIE.
1168
00:51:37,695 --> 00:51:40,329
I TOLD HER WHO I WAS.
I EXPECT YOU TO
CONFIRM IT.
1169
00:51:40,331 --> 00:51:41,864
I THINK THE POOR OLD
CHAP'S DEMENTED.
1170
00:51:41,866 --> 00:51:43,132
COME ON. YOU BETTER GET
OUT OF HERE, OLD MAN.
1171
00:51:43,134 --> 00:51:45,634
OH, NO.
I DON'T MIND
IF HE STAYS HERE.
1172
00:51:45,636 --> 00:51:47,169
I JUST WISH HE'D
BEHAVE HIMSELF.
1173
00:51:47,171 --> 00:51:48,437
WHAT DID HE DO?
1174
00:51:48,439 --> 00:51:51,307
WILL YOU
OR WILL YOU NOT
TELL HER WHO I AM?
1175
00:51:51,309 --> 00:51:54,743
PLEASE. IF YOU'RE
NOT SURE WHO YOU ARE,
DON'T ADVERTISE THE FACT.
1176
00:51:54,745 --> 00:51:56,212
OHH!
1177
00:51:56,214 --> 00:51:58,247
MR. CURTIS, I'M
TRYING TO FIND OUT
WHO'S KEEPING ME.
1178
00:51:58,249 --> 00:51:59,415
WELL, YOU MUSTN'T
DO THAT.
1179
00:51:59,417 --> 00:52:00,683
YOUR BENEFACTOR'S
A VERY GENEROUS MAN,
1180
00:52:00,685 --> 00:52:02,151
BUT HE WANTS
TO STAY UNKNOWN.
1181
00:52:02,153 --> 00:52:04,153
I'LL FIND OUT
WHO HE IS SOME WAY.
1182
00:52:04,155 --> 00:52:05,988
I DON'T THINK
YOU WILL, MISS PEABODY.
1183
00:52:05,990 --> 00:52:07,089
IS IT YOU?
1184
00:52:07,091 --> 00:52:08,891
NO. I PAY
THE BILLS, THOUGH,
1185
00:52:08,893 --> 00:52:10,092
AND YOU CAN GO RIGHT AHEAD
AND DO ANYTHING
1186
00:52:10,094 --> 00:52:11,393
THAT'S GOING TO
MAKE YOU HAPPY.
1187
00:52:11,395 --> 00:52:13,028
OHH!
1188
00:52:13,030 --> 00:52:15,097
J.B.: UMM.
1189
00:52:15,099 --> 00:52:17,032
WELL, WHOEVER HE IS,
I'LL BREAK HIM
1190
00:52:17,034 --> 00:52:18,968
IF IT'S THE LAST
THING I DO!
1191
00:52:18,970 --> 00:52:21,203
THAT WILL TAKE
QUITE A BIT OF DOING,
MISS PEABODY.
1192
00:52:21,205 --> 00:52:22,471
GOOD-BYE.
1193
00:52:22,473 --> 00:52:23,706
GOOD-BYE.
1194
00:52:26,978 --> 00:52:28,911
CURTIS!
1195
00:52:28,913 --> 00:52:30,212
HIYA, J.B.
1196
00:52:30,214 --> 00:52:31,847
OH, YOU KNOW ME NOW.
1197
00:52:31,849 --> 00:52:33,315
HOW DARE YOU SAY
YOU DIDN'T KNOW ME?
1198
00:52:33,317 --> 00:52:35,117
WELL, YOU TOLD ME
NOT TO LET HER KNOW
WHO YOU ARE.
1199
00:52:35,119 --> 00:52:36,485
NEVER MIND WHAT
I TELL YOU TO DO.
1200
00:52:36,487 --> 00:52:38,154
YOU DO WHAT I TELL YOU.
1201
00:52:38,156 --> 00:52:39,788
ALL RIGHT. I'LL TRY
TO REMEMBER THAT.
1202
00:52:39,790 --> 00:52:41,190
THAT GIRL'S OUT
TO BREAK ME.
1203
00:52:41,192 --> 00:52:42,424
HOW CAN SHE, J.B.?
1204
00:52:42,426 --> 00:52:43,592
SHE'S ORGANIZED.
1205
00:52:43,594 --> 00:52:44,660
LOOK.
YOU'RE SOLVENT.
1206
00:52:44,662 --> 00:52:45,794
WHAT CAN IT
COST YOU?
1207
00:52:45,796 --> 00:52:47,663
$200,000
OR $300,000
1208
00:52:47,665 --> 00:52:49,064
AND, OF COURSE,
THE GIFT TAX.
1209
00:52:49,066 --> 00:52:51,300
GIFT TAX?
WHAT'S THAT?
1210
00:52:51,302 --> 00:52:52,902
WELL, IF YOU'D EVER
GIVEN ANYTHING
AWAY BEFORE,
1211
00:52:52,904 --> 00:52:54,103
YOU'D KNOW.
1212
00:52:54,105 --> 00:52:56,272
EVERY TIME YOU GIVE
ANYONE OVER $3,000,
1213
00:52:56,274 --> 00:52:59,074
YOU HAVE TO HAND
THE GOVERNMENT
ANOTHER 30%.
1214
00:52:59,076 --> 00:53:04,713
COOLIDGE. OH, FOR
ANOTHER COOLIDGE.
1215
00:53:04,715 --> 00:53:05,915
AFTER YOU, J.B.
1216
00:53:05,917 --> 00:53:07,650
I WOULDN'T RIDE
IN THE SAME CAR
WITH YOU.
1217
00:53:07,652 --> 00:53:08,951
I'LL WALK DOWN!
1218
00:53:27,939 --> 00:53:30,506
WELL, DID YOU ENJOY
YOUR STROLL, J.B.?
1219
00:53:30,508 --> 00:53:33,709
WELL, AT ANY RATE,
IT GAVE ME TIME TO
THINK THINGS OVER.
1220
00:53:33,711 --> 00:53:35,110
YOU KNOW, YOU COULD
HAVE WALKED
DOWN ONE FLIGHT
1221
00:53:35,112 --> 00:53:37,479
AND TAKEN
THE ELEVATOR
AT THE NEXT FLOOR.
1222
00:53:37,481 --> 00:53:39,381
I WAS SO MAD,
I NEVER THOUGHT OF IT.
1223
00:53:39,383 --> 00:53:41,517
WELL, I'M GLAD
YOU'RE FEELING
BETTER ANYWAY.
1224
00:53:41,519 --> 00:53:44,286
TOM, I LOVE
THAT GIRL JUDY DEARLY.
1225
00:53:44,288 --> 00:53:47,623
SHE REMINDS ME
OF EDITH WHEN I
WAS COURTING HER,
1226
00:53:47,625 --> 00:53:51,427
BUT I CAN'T BEAR
TO SEE MONEY SPENT
FOOLISHLY,
1227
00:53:51,429 --> 00:53:52,928
PARTICULARLY MINE.
1228
00:53:52,930 --> 00:53:54,930
WELL, I THOUGHT YOU
WANTED TO MAKE
HER HAPPY.
1229
00:53:54,932 --> 00:53:56,599
I DID.
IT'S MAKING
HER MISERABLE.
1230
00:53:56,601 --> 00:53:57,967
HOW?
1231
00:53:57,969 --> 00:54:00,869
SHE HAS HER HEART
SET ON A HORN TOOTER.
1232
00:54:00,871 --> 00:54:02,471
WHAT KIND OF FELLA
IS HE?
1233
00:54:02,473 --> 00:54:04,873
AN INDEPENDENT
KIND OF CHAP.
I LIKE HIM.
1234
00:54:04,875 --> 00:54:06,242
WELL, GET THEM
MARRIED.
1235
00:54:06,244 --> 00:54:07,943
THEN YOU'RE
OFF THE HOOK.
1236
00:54:07,945 --> 00:54:10,679
CURTIS, MUCH AS
I HATE TO ADMIT IT,
I THINK YOU'RE RIGHT,
1237
00:54:10,681 --> 00:54:11,714
BUT IT'S NOT
GOING TO BE EASY.
1238
00:54:11,716 --> 00:54:13,182
WHY NOT?
1239
00:54:13,184 --> 00:54:15,584
HE'S JEALOUS OF ME.
1240
00:54:15,586 --> 00:54:17,419
JEALOUS OF YOU?
HA HA!
1241
00:54:21,626 --> 00:54:23,525
YEAH. I'D USE
THE ELEVATOR
1242
00:54:23,527 --> 00:54:25,594
IF YOU WANT TO
GET THERE TONIGHT.
1243
00:54:25,596 --> 00:54:26,829
AHEM.
1244
00:54:42,313 --> 00:54:45,514
JUDY.
1245
00:54:45,516 --> 00:54:46,782
YES?
1246
00:54:46,784 --> 00:54:49,251
I WANT TO ASK
YOUR FORGIVENESS.
1247
00:54:49,253 --> 00:54:53,088
I DON'T KNOW WHATEVER
POSSESSED ME TO ACT
LIKE I DID.
1248
00:54:53,090 --> 00:54:55,257
NEITHER DO I.
HOW COULD YOU
MAKE UP SUCH A LIE?
1249
00:54:55,259 --> 00:54:56,692
WHAT WAS THE POINT?
1250
00:54:56,694 --> 00:55:01,063
I GUESS ME
POOR OLD BRAIN ISN'T
WHAT IT USED TO BE.
1251
00:55:01,065 --> 00:55:02,865
POP, I'M SORRY.
1252
00:55:02,867 --> 00:55:04,900
BUT I STILL HAVE
ME LUCID MOMENTS,
1253
00:55:04,902 --> 00:55:06,702
AND IF YOU LET ME
STAY AROUND WITH YOU,
1254
00:55:06,704 --> 00:55:09,138
I'LL HELP YOU BRING
DANNY BACK TO HIS SENSES.
1255
00:55:09,140 --> 00:55:11,573
OH, POP, IF WE
ONLY COULD.
1256
00:55:11,575 --> 00:55:13,542
I BEG YOUR PARDON.
1257
00:55:13,544 --> 00:55:15,344
DON'T LET ME
INTERRUPT YOU.
1258
00:55:18,349 --> 00:55:20,449
OH, POP!
1259
00:55:22,486 --> 00:55:24,820
WELL, THAT'S
THE WAY THINGS
STAND, DANNY.
1260
00:55:24,822 --> 00:55:27,289
I CAN'T PLACE YOU
FOR AT LEAST
TWO WEEKS,
1261
00:55:27,291 --> 00:55:29,058
BUT I'M WILLING
TO STAKE YOU
AND THE BOYS
1262
00:55:29,060 --> 00:55:30,426
IN THE MEANTIME.
1263
00:55:30,428 --> 00:55:32,194
WE'RE BEING STAKED NOW.
1264
00:55:32,196 --> 00:55:33,329
THE GUYS ARE GETTING
OTHER OFFERS
1265
00:55:33,331 --> 00:55:35,164
FROM BANDS THAT
ARE WORKING.
1266
00:55:35,166 --> 00:55:37,299
I CAN'T HOLD THEM TOGETHER
TWO WEEKS LONGER.
1267
00:55:37,301 --> 00:55:38,534
THAT'S
A TOUGH BREAK,
1268
00:55:38,536 --> 00:55:40,235
BUT KEEP IN TOUCH
WITH ME, THOUGH.
1269
00:55:40,237 --> 00:55:41,370
YOU NEVER CAN TELL.
1270
00:55:41,372 --> 00:55:42,771
YEAH, I WILL.
1271
00:55:42,773 --> 00:55:43,772
SO LONG.
1272
00:55:43,774 --> 00:55:45,407
THANKS, BARNEY.
1273
00:55:45,409 --> 00:55:47,443
[BAND WARMING UP]
1274
00:55:53,317 --> 00:55:55,417
HEY, FELLAS, LET'S
GIVE THIS NUMBER
A QUICK GOING OVER
1275
00:55:55,419 --> 00:55:56,952
BEFORE DANNY
GETS BACK.
1276
00:55:56,954 --> 00:55:57,953
HE'LL NEVER KNOW
THE DIFFERENCE.
1277
00:55:57,955 --> 00:55:59,054
SUPPOSING HE DOES.
1278
00:55:59,056 --> 00:56:00,189
HE'D GET SORE.
1279
00:56:00,191 --> 00:56:01,290
WELL, AREN'T YOU GONNA
SING WITH THE BAND?
1280
00:56:01,292 --> 00:56:02,291
NO. THAT'S ALL OFF.
1281
00:56:02,293 --> 00:56:03,359
HE TOLD YOU?
1282
00:56:03,361 --> 00:56:04,493
WELL, NOT
IN SO MANY WORDS.
1283
00:56:04,495 --> 00:56:05,828
HE JUST ACTS
THAT WAY.
1284
00:56:05,830 --> 00:56:07,096
WELL, GO AHEAD
AND SING, JUDY.
1285
00:56:07,098 --> 00:56:09,031
I'D LIKE TO
HEAR YOU MESELF.
1286
00:56:09,033 --> 00:56:10,733
MAYBE HE HAS A REASON
YOU DON'T SUSPECT.
1287
00:56:10,735 --> 00:56:11,934
WHAT DO YOU MEAN?
1288
00:56:11,936 --> 00:56:15,204
I'LL TELL YOU
AFTER I HEAR YOU SING.
1289
00:56:15,206 --> 00:56:16,839
OK, FELLAS, HIT IT!
1290
00:56:16,841 --> 00:56:18,874
[BAND PLAYING]
1291
00:56:23,614 --> 00:56:26,949
♪ WHEN I WAS YOUNG,
I FOUND IT GRIM ♪
1292
00:56:26,951 --> 00:56:29,952
♪ TO GURGLE
IN THE SOCIAL SWIM ♪
1293
00:56:29,954 --> 00:56:31,987
♪ THE DOS AND DON'TS
AND LA DEE DA ♪
1294
00:56:31,989 --> 00:56:36,158
♪ TO ME WERE JUST
A LOT OF BLAH ♪
1295
00:56:36,160 --> 00:56:39,361
♪ I USED MY SILVER SPOON
AT BIRTH ♪
1296
00:56:39,363 --> 00:56:42,398
♪ FOR THROWING MEATBALLS
AT MY NURSE ♪
1297
00:56:42,400 --> 00:56:45,234
♪ I ALWAYS CHOSE
TO THUMB MY NOSE ♪
1298
00:56:45,236 --> 00:56:48,270
♪ AT SMARTY CLOTHES
AND PARTY POSE ♪
1299
00:56:48,272 --> 00:56:52,674
♪ I DITCHED THE RICH
IN SABLE SET ♪
1300
00:56:52,676 --> 00:56:57,679
♪ TO JOIN
THE KITCHEN TABLE SET ♪
1301
00:56:59,450 --> 00:57:02,618
♪ I USED THE WRONG FORK
AT THE STORK IN NEW YORK ♪
1302
00:57:02,620 --> 00:57:05,387
♪ MY MANNERS AIN'T FIT
FOR A GOOP ♪
1303
00:57:05,389 --> 00:57:08,190
♪ I'M JUST A SQUARE
IN THE SOCIAL CIRCLES ♪
1304
00:57:08,192 --> 00:57:11,260
♪ WHO PUT THAT FLY IN MY SOUP? ♪
1305
00:57:11,262 --> 00:57:14,163
♪ IT'D RATHER GO OUT
WITH A LOUT TO A BOUT ♪
1306
00:57:14,165 --> 00:57:17,232
♪ THEN SLEEP
IN A SYMPHONY HALL ♪
1307
00:57:17,234 --> 00:57:20,169
♪ I'M JUST A SQUARE
IN THE SOCIAL CIRCLE ♪
1308
00:57:20,171 --> 00:57:22,671
♪ WHO KNOCKED MY GUM
OFF THAT WALL? ♪
1309
00:57:22,673 --> 00:57:25,941
♪ WHEN THE UTTERLY UTTER
FLOWS LIKE BUTTER ♪
1310
00:57:25,943 --> 00:57:28,877
♪ I WANT TO START
PITCHING A CURVE ♪
1311
00:57:28,879 --> 00:57:32,014
♪ WITH A SILLY OLD BLIGHTER
ON A FIRST-NIGHTER ♪
1312
00:57:32,016 --> 00:57:33,982
♪ I FEEL LIKE
A PICKLED HORS D'OEUVRE ♪
1313
00:57:33,984 --> 00:57:35,250
♪ NO VERVE ♪
1314
00:57:35,252 --> 00:57:38,120
♪ I NEVER FELT GAY
IN A FANCY BERET ♪
1315
00:57:38,122 --> 00:57:41,156
♪ I'LL WEAR A BABUSHKA
OR BURST ♪
1316
00:57:41,158 --> 00:57:44,059
♪ I'M JUST A SQUARE
IN THE SOCIAL CIRCLE ♪
1317
00:57:44,061 --> 00:57:46,762
♪ FINGERBOWLS IRK ME
THE WORST ♪
1318
00:57:46,764 --> 00:57:49,698
♪ THEY JUST DON'T
QUENCH MY THIRST ♪
1319
00:57:53,904 --> 00:57:58,740
♪ MRS. VANDERHORSE WILL GREET ME
WITH A 14-KARAT SHOUT ♪
1320
00:57:58,742 --> 00:58:00,742
♪ "MY DEAR, YOU'VE SIMPLY
GOT TO COME" ♪
1321
00:58:00,744 --> 00:58:02,678
♪ "TO MY DAUGHTER'S
COMING OUT" ♪
1322
00:58:02,680 --> 00:58:04,713
♪ HER DAUGHTER
IS A FRANKENSTEIN ♪
1323
00:58:04,715 --> 00:58:06,582
♪ A DRACULA IN MINK ♪
1324
00:58:06,584 --> 00:58:08,450
♪ WHEN SHE COMES OUT,
EACH STAG WILL SHOUT ♪
1325
00:58:08,452 --> 00:58:11,820
♪ "GADZOOKS! I NEED A DRINK!" ♪
1326
00:58:11,822 --> 00:58:13,922
♪ I'VE DINED AND CLUBBED,
I'VE ELBOW-RUBBED ♪
1327
00:58:13,924 --> 00:58:16,725
♪ FROM YONKERS TO CHEYENNE ♪
1328
00:58:16,727 --> 00:58:19,728
♪ FOO TO YOU, BUD,
TAKE YOUR BLUE BLOOD ♪
1329
00:58:19,730 --> 00:58:22,331
♪ AND STICK IT
IN YOUR FOUNTAIN PEN ♪
1330
00:58:25,769 --> 00:58:28,670
♪ I WANT TO BRUSH
ALL THE PLUSH AND THE GUSH ♪
1331
00:58:28,672 --> 00:58:31,607
♪ I'D RATHER GET LEFT
THAN BE RIGHT ♪
1332
00:58:31,609 --> 00:58:34,810
♪ I'M JUST A SQUARE
IN THE SOCIAL CIRCLE ♪
1333
00:58:34,812 --> 00:58:37,312
♪ ANYONE HERE WANT TO FIGHT? ♪
1334
00:58:37,314 --> 00:58:40,215
♪ AND NONE OF ME FITS
WITH THE WITS AT THE RITZ ♪
1335
00:58:40,217 --> 00:58:43,185
♪ I'D RATHER RELAX
ON A STOOL ♪
1336
00:58:43,187 --> 00:58:46,388
♪ I'M JUST A SQUARE
IN THE SOCIAL CIRCLE ♪
1337
00:58:46,390 --> 00:58:48,690
♪ ANYONE WANT TO SHOOT POOL? ♪
1338
00:58:48,692 --> 00:58:51,894
♪ WHEN A COOKIE WITH CABBAGE
GETS TOO SAVAGE ♪
1339
00:58:51,896 --> 00:58:54,429
♪ I RASSLE HIM 3 OUT OF 4 ♪
1340
00:58:54,431 --> 00:58:57,566
♪ I WOULD RATHER A SAILOR
HOP IN MY TRAILER ♪
1341
00:58:57,568 --> 00:59:00,669
♪ AND SHOW ME
HIS NAUTICAL LORE--WHY, SURE ♪
1342
00:59:00,671 --> 00:59:03,472
♪ LADIES IN FRILLS
ONLY FILL ME WITH CHILLS ♪
1343
00:59:03,474 --> 00:59:06,475
♪ THEY'RE SOFT
AS A BALL OF CHENILLE ♪
1344
00:59:06,477 --> 00:59:09,311
♪ I'M JUST A SQUARE
IN THE SOCIAL CIRCLE ♪
1345
00:59:09,313 --> 00:59:12,214
♪ I'VE GOT A MUSCLE OF STEEL ♪
1346
00:59:12,216 --> 00:59:14,816
♪ ANYONE HERE WANT TO FEEL? ♪
1347
00:59:14,818 --> 00:59:17,686
♪ I'M AS SQUARE
AS A PEAR IN A BOUTONNIERE ♪
1348
00:59:17,688 --> 00:59:20,622
♪ FANCY SILKS WON'T STAY ON ♪
1349
00:59:20,624 --> 00:59:23,458
♪ I'M DESIGNED FOR RAYON ♪
1350
00:59:23,460 --> 00:59:29,131
♪ BUT I JUST DON'T
SEEM TO CARE ♪
1351
00:59:29,133 --> 00:59:32,601
♪ I'M A SQUARE ♪
1352
00:59:34,772 --> 00:59:37,239
WELL, I'VE NEVER
IN ALL ME LIFE SEEN
THE LIKE OF IT.
1353
00:59:37,241 --> 00:59:39,007
[BAND LAUGHING]
1354
00:59:39,009 --> 00:59:40,576
WHAT'S THE VERDICT,
POP?
1355
00:59:40,578 --> 00:59:43,879
WELL, YOU ALL FINISHED UP
TOGETHER ANYHOW.
1356
00:59:43,881 --> 00:59:45,113
[LAUGHTER]
1357
00:59:45,115 --> 00:59:47,149
A COUPLE OF TIMES THERE,
I THOUGHT THE MUSICIANS
1358
00:59:47,151 --> 00:59:48,417
WE'RE GONNA GET
AWAY FROM YOU,
1359
00:59:48,419 --> 00:59:50,218
BUT BY GOLLY,
THEY DIDN'T.
1360
00:59:50,220 --> 00:59:51,453
IT'S REMARKABLE.
1361
00:59:51,455 --> 00:59:53,822
THANKS, POP.
GEE, FELLAS,
YOU WERE GREAT.
1362
00:59:53,824 --> 00:59:54,890
I'LL SAY YOU WERE.
1363
00:59:54,892 --> 00:59:56,458
YOU'LL SING
WITH THE BAND OR ELSE.
1364
00:59:56,460 --> 00:59:57,559
NO, NO, NO.
1365
00:59:57,561 --> 00:59:58,894
WE GOT TO KEEP PEACE
IN THE FAMILY.
1366
00:59:58,896 --> 01:00:00,963
DANNY'S THE BOSS,
AND WHAT HE
SAYS GOES.
1367
01:00:00,965 --> 01:00:02,197
I'M DOING ALL RIGHT,
BUT YOU GUYS
1368
01:00:02,199 --> 01:00:03,732
ARE JUST
GETTING STARTED.
1369
01:00:03,734 --> 01:00:05,567
I WONDER, WOULD
THE YOUNG MEN
KNOW A SONG
1370
01:00:05,569 --> 01:00:07,302
I'M A LITTLE MORE
FAMILIAR WITH?
1371
01:00:07,304 --> 01:00:08,437
WHAT'S THAT, POP?
1372
01:00:08,439 --> 01:00:10,606
"IN THE SHADE
OF THE OLD APPLE TREE."
1373
01:00:10,608 --> 01:00:11,740
WE CAN FAKE IT.
1374
01:00:11,742 --> 01:00:13,075
FAKE IT?
1375
01:00:13,077 --> 01:00:15,110
WELL, HE MEANS THEY
CAN MAKE IT UP
AS THEY GO ALONG.
1376
01:00:15,112 --> 01:00:17,412
THAT'S NOT NECESSARY.
THE SONG'S ALREADY
WRITTEN.
1377
01:00:17,414 --> 01:00:18,413
[BAND LAUGHING]
1378
01:00:18,415 --> 01:00:20,082
WOULD YOU LIKE
TO HEAR IT, POP?
1379
01:00:20,084 --> 01:00:21,249
I WOULD
VERY MUCH INDEED.
1380
01:00:21,251 --> 01:00:22,484
DO YOU KNOW
THE WORDS, DARLING?
1381
01:00:22,486 --> 01:00:23,585
I THINK SO.
1382
01:00:23,587 --> 01:00:24,753
WOULD YOU MIND
SINGING IT FOR ME?
1383
01:00:24,755 --> 01:00:25,921
SURE.
1384
01:00:25,923 --> 01:00:27,022
IT TAKES ME BACK
TO THE TIME
1385
01:00:27,024 --> 01:00:28,724
WHEN I WAS
COURTING EDITH.
1386
01:00:28,726 --> 01:00:30,225
THAT WAS THE SONG
OF THE DAY THEN,
1387
01:00:30,227 --> 01:00:33,061
AND WE DANCED
TO IT TOGETHER
MANY TIMES.
1388
01:00:33,063 --> 01:00:34,963
OK, FELLAS,
HIT IT!
1389
01:00:34,965 --> 01:00:38,300
OK. LET'S GO.
1390
01:00:38,302 --> 01:00:42,270
♪ IN THE SHADE
OF THE OLD APPLE TREE ♪
1391
01:00:42,272 --> 01:00:44,706
WHOA, WHOA,
WHOA, WHOA, WHOA!
1392
01:00:44,708 --> 01:00:46,875
WHAT IN THE NAME
OF GOODNESS IS THAT?
1393
01:00:46,877 --> 01:00:49,044
WELL, THAT'S "IN THE SHADE
OF THE OLD APPLE TREE."
1394
01:00:49,046 --> 01:00:50,846
GLORY BE!
WHAT HAPPENED TO IT?
1395
01:00:50,848 --> 01:00:52,381
WELL, THAT'S JIVE, POP.
1396
01:00:52,383 --> 01:00:54,249
OH, IS IT?
1397
01:00:54,251 --> 01:00:55,817
WOULD YOU MIND
PLAYING IT MY WAY?
1398
01:00:55,819 --> 01:00:56,852
HOW'S THAT?
1399
01:00:56,854 --> 01:00:58,320
I'LL SHOW YOU.
ONLY THIS TIME,
1400
01:00:58,322 --> 01:00:59,655
DON'T HIT IT.
1401
01:00:59,657 --> 01:01:02,524
KIND OF CARESS IT.
1402
01:01:02,526 --> 01:01:04,393
NOW.
1403
01:01:04,395 --> 01:01:06,428
[BAND PLAYING QUIETLY]
1404
01:01:14,004 --> 01:01:22,411
♪ IN THE SHADE
OF THE OLD APPLE TREE ♪
1405
01:01:22,413 --> 01:01:30,886
♪ WHERE THE LOVE
IN YOUR EYES I COULD SEE ♪
1406
01:01:30,888 --> 01:01:35,323
♪ WHEN THE VOICE
THAT I HEARD ♪
1407
01:01:35,325 --> 01:01:39,861
♪ LIKE THE SONG
OF THE BIRD ♪
1408
01:01:39,863 --> 01:01:48,670
♪ SEEMED TO WHISPER
SWEET MUSIC TO ME ♪
1409
01:01:48,672 --> 01:01:57,312
♪ I COULD HEAR
THE DULL BUZZ OF THE BEE ♪
1410
01:01:57,314 --> 01:02:06,154
♪ IN THE SHADOWS
AS YOU SAID TO ME ♪
1411
01:02:06,156 --> 01:02:10,559
♪ WITH A HEART THAT IS TRUE ♪
1412
01:02:10,561 --> 01:02:16,932
♪ "I'LL BE WAITING
FOR YOU" ♪
1413
01:02:16,934 --> 01:02:29,611
♪ "IN THE SHADE
OF THE OLD APPLE TREE" ♪
1414
01:02:32,649 --> 01:02:34,182
WHAT A TORCH
HE'S CARRYING.
1415
01:02:34,184 --> 01:02:35,817
WHAT?
1416
01:02:35,819 --> 01:02:38,286
HIS WIFE LEFT HIM
FOR ANOTHER GUY.
1417
01:02:38,288 --> 01:02:39,788
WELL, LET'S GET
HIS MIND OFF HER.
1418
01:02:39,790 --> 01:02:42,424
TAKE THE CHORUS
OF YOUR SONG AGAIN, JUDY.
1419
01:02:42,426 --> 01:02:44,559
1, 2!
1420
01:02:46,764 --> 01:02:49,664
♪ I WANT TO BRUSH
ALL THE PLUSH AND THE GUSH ♪
1421
01:02:49,666 --> 01:02:52,601
♪ I'D RATHER GET LEFT
THAN BE RIGHT ♪
1422
01:02:52,603 --> 01:02:55,804
♪ I'M JUST A SQUARE
IN THE SOCIAL CIRCLE ♪
1423
01:02:55,806 --> 01:02:58,340
♪ ANYONE HERE WANT TO FIGHT? ♪
1424
01:02:58,342 --> 01:03:00,542
[BAND STOPS]
1425
01:03:00,544 --> 01:03:02,110
I'M SORRY, DANNY.
1426
01:03:02,112 --> 01:03:04,913
WE WERE JUST KILLING TIME
TILL YOU GOT HERE.
1427
01:03:04,915 --> 01:03:07,215
NO, THAT'S ALL RIGHT.
YOU SHOULD REHEARSE.
1428
01:03:07,217 --> 01:03:09,050
IF THE BAND WENT TO WORK,
YOU'D HAVE TO.
1429
01:03:09,052 --> 01:03:10,418
AM I YOUR SINGER?
1430
01:03:10,420 --> 01:03:11,453
YOU WERE GONNA BE.
1431
01:03:11,455 --> 01:03:13,288
IT LOOKS LIKE
ALL BETS ARE OFF, FELLAS.
1432
01:03:13,290 --> 01:03:15,457
THERE ISN'T A CHANCE
OF US GETTING A JOB
FOR TWO WEEKS.
1433
01:03:15,459 --> 01:03:17,359
Man: TWO WEEKS?
1434
01:03:17,361 --> 01:03:19,828
I--I WANT YOU GUYS
TO REALIZE
1435
01:03:19,830 --> 01:03:21,229
THAT I APPRECIATE
YOUR WILLINGNESS
1436
01:03:21,231 --> 01:03:23,732
TO STRING ALONG
WITH ME.
1437
01:03:23,734 --> 01:03:27,235
HERE'S WISHING YOU
A LOT OF LUCK
WHEREVER YOU GO.
1438
01:03:27,237 --> 01:03:28,570
I'LL SEE YOU LATER.
1439
01:03:28,572 --> 01:03:29,905
[BAND MURMURING]
1440
01:03:29,907 --> 01:03:32,174
WAIT A MINUTE.
DO YOU FELLAS
BELIEVE IN THIS BAND?
1441
01:03:32,176 --> 01:03:34,342
SURE WE DO, JUDY,
BUT WE GOT TO WORK.
1442
01:03:34,344 --> 01:03:36,912
WILL YOU GIVE ME
24 HOURS TO MAKE
A DEAL FOR YOU?
1443
01:03:36,914 --> 01:03:38,146
WHAT ARE YOU
GONNA DO?
1444
01:03:38,148 --> 01:03:39,848
QUIET. I'VE GOT
A THOUGHT.
1445
01:03:39,850 --> 01:03:40,849
WHAT DO YOU SAY?
1446
01:03:40,851 --> 01:03:42,350
OK, JUDY.
1447
01:03:42,352 --> 01:03:44,186
WONDERFUL, BUT DON'T
SAY ANYTHING TO DANNY.
1448
01:03:44,188 --> 01:03:46,555
JUST GO NEXT DOOR
AND KEEP HIM THERE
TILL YOU HEAR FROM ME.
1449
01:03:46,557 --> 01:03:47,856
COME ON, GWEN.
1450
01:03:50,160 --> 01:03:51,493
WHAT'S THE DOPE?
1451
01:03:51,495 --> 01:03:53,295
BILLINGSLEY--
HE'S COMING HERE
TO AN AUDITION.
1452
01:03:53,297 --> 01:03:54,362
WHEN DID YOU
FIX THAT?
1453
01:03:54,364 --> 01:03:55,530
I HAVEN'T.
I'M GOING TO.
1454
01:03:55,532 --> 01:03:56,698
CAN YOU?
1455
01:03:56,700 --> 01:03:57,866
GET ME THE STORK CLUB,
PLEASE!
1456
01:03:57,868 --> 01:03:59,067
I CAN TRY.
1457
01:03:59,069 --> 01:04:00,202
HE'LL NEVER COME UP
HERE FOR YOU.
1458
01:04:00,204 --> 01:04:01,369
NO, BUT HE WILL
FOR WALTER WINCHELL.
1459
01:04:01,371 --> 01:04:02,904
WALTER WINCHELL?
1460
01:04:02,906 --> 01:04:05,340
SURE. THEY'RE PALS.
BILLINGSLEY WILL DO
ANYTHING HE SAYS.
1461
01:04:05,342 --> 01:04:07,309
GIVE ME MR. BILLINGSLEY'S
OFFICE, PLEASE.
1462
01:04:07,311 --> 01:04:08,276
WHAT MAKES YOU THINK
WINCHELL'S
1463
01:04:08,278 --> 01:04:09,377
GONNA ASK
THE BOSS UP HERE?
1464
01:04:09,379 --> 01:04:10,478
WAIT AND SEE.
1465
01:04:10,480 --> 01:04:11,713
[IMITATING WINCHELL]
HELLO, SALLY!
1466
01:04:11,715 --> 01:04:12,881
GET ME YOUR BOSS!
1467
01:04:12,883 --> 01:04:14,182
HOW AM I DOING?
1468
01:04:14,184 --> 01:04:16,117
YOU'LL GET 20 YEARS.
1469
01:04:16,119 --> 01:04:17,719
HI, SHERMAN!
1470
01:04:19,890 --> 01:04:22,023
GET THIS!
IT'S HOT OFF THE PRESS!
1471
01:04:22,025 --> 01:04:23,325
NO, NO, SHERMAN.
1472
01:04:23,327 --> 01:04:25,560
GET THE STORK CLUB
OFF YOUR MIND
FOR A SECOND!
1473
01:04:25,562 --> 01:04:27,229
I WANT YOU TO MEET ME
AT THE YORK TOWERS,
1474
01:04:27,231 --> 01:04:29,731
APARTMENT 32-A,
IN A HALF-HOUR!
1475
01:04:29,733 --> 01:04:32,434
YOU'RE GONNA HEAR ONE
OF THE GREATEST BANDS
IN THE COUNTRY!
1476
01:04:32,436 --> 01:04:34,736
OK. DON'T FAIL
TO BE HERE!
1477
01:04:34,738 --> 01:04:36,438
WELL?
HE'S COMING OVER.
1478
01:04:36,440 --> 01:04:38,607
NOW, GO NEXT DOOR
AND TELL DANNY TO GET
THE BOYS READY
1479
01:04:38,609 --> 01:04:40,775
IN THEIR TUXEDOS
TO AUDITION IN 20 MINUTES.
1480
01:04:40,777 --> 01:04:42,244
I GOT TO CHANGE
AND INSTRUCT POP
WHAT TO DO
1481
01:04:42,246 --> 01:04:44,312
WHEN BILLINGSLEY
GETS HERE.
NOW, HURRY!
1482
01:04:49,086 --> 01:04:50,752
ARE YOU NERVOUS,
YOUNG MAN?
1483
01:04:50,754 --> 01:04:52,621
NO, BUT I'M PUZZLED.
1484
01:04:52,623 --> 01:04:55,257
I CAN'T UNDERSTAND
HOW JUDY ARRANGED THIS.
1485
01:04:55,259 --> 01:04:57,259
SHE HAS A WAY
WITH HER.
1486
01:04:57,261 --> 01:04:59,060
APPARENTLY.
1487
01:05:02,399 --> 01:05:03,398
MR. BILLINGSLEY?
YES.
1488
01:05:03,400 --> 01:05:04,866
COME IN.
1489
01:05:08,739 --> 01:05:10,105
WHERE'S
MR. WINCHELL?
1490
01:05:10,107 --> 01:05:11,373
HE HAD TO LEAVE,
BUT HE'LL BE
IN TOUCH WITH YOU.
1491
01:05:11,375 --> 01:05:12,440
IS THAT SO?
1492
01:05:12,442 --> 01:05:14,276
MR. WILTON,
MR. BILLINGSLEY.
1493
01:05:14,278 --> 01:05:15,277
HOW ARE YOU, SON?
1494
01:05:15,279 --> 01:05:16,578
VERY GLAD
TO MEET YOU, SIR.
1495
01:05:16,580 --> 01:05:18,513
WALTER WINCHELL TELLS ME
YOU'VE GOT A GREAT BAND.
1496
01:05:18,515 --> 01:05:20,248
HE DID?
1497
01:05:20,250 --> 01:05:21,683
I DIDN'T KNOW
HE KNEW.
1498
01:05:21,685 --> 01:05:24,085
ANYTIME HE DOESN'T
KNOW ABOUT ANYTHING,
I WANT TO HEAR.
1499
01:05:24,087 --> 01:05:25,387
YEAH, BUT HE'S
NEVER--
1500
01:05:25,389 --> 01:05:27,856
I'LL TAKE WINCHELL'S
OPINION ANYTIME.
1501
01:05:35,299 --> 01:05:37,299
WELL, GO AHEAD.
GIVE OUT WITH THE TUNES.
1502
01:05:37,301 --> 01:05:38,300
YES, SIR.
1503
01:05:38,302 --> 01:05:39,567
SIT DOWN.
1504
01:05:39,569 --> 01:05:40,735
THANK YOU.
1505
01:05:45,108 --> 01:05:46,875
OK, BOYS.
1506
01:05:54,318 --> 01:05:55,817
WHAT DO YOU THINK
OF IT?
1507
01:05:55,819 --> 01:05:57,218
EXCELLENT.
1508
01:05:58,555 --> 01:06:00,622
DO YOU REALLY?
1509
01:06:00,624 --> 01:06:02,157
OF COURSE I DO.
1510
01:06:07,464 --> 01:06:10,365
I CAN'T
UNDERSTAND IT.
1511
01:06:10,367 --> 01:06:12,133
YOU'RE ANNOYING ME.
1512
01:06:27,117 --> 01:06:29,751
I'M BEGINNING
TO LIKE IT MESELF.
1513
01:06:40,263 --> 01:06:45,767
♪ IF I HAD
A DOZEN HEARTS ♪
1514
01:06:45,769 --> 01:06:50,905
♪ AND IF YOU
HAD ONLY ONE ♪
1515
01:06:50,907 --> 01:06:51,940
♪ IF I HAD
A DOZEN HEARTS ♪
1516
01:06:51,942 --> 01:06:56,344
♪ YES, I WOULD ♪
1517
01:06:56,346 --> 01:07:01,783
♪ I WOULD LOVE YOU
12 TIMES ONE ♪
1518
01:07:01,785 --> 01:07:04,819
♪ IF I HAD
A DOZEN LIPS ♪
1519
01:07:04,821 --> 01:07:05,720
♪ DON'T KNOW WHAT
I'D DO WITHOUT YOU ♪
1520
01:07:05,722 --> 01:07:09,724
♪ I WOULD SAY ♪
1521
01:07:09,726 --> 01:07:12,560
♪ 12 TIMES A DAY ♪
1522
01:07:12,562 --> 01:07:15,096
♪ YOU MUST KNOW ♪
1523
01:07:15,098 --> 01:07:21,970
♪ DARLING, I LOVE YOU ♪
1524
01:07:21,972 --> 01:07:24,506
♪ IF I HAD
A DOZEN ARMS ♪
1525
01:07:24,508 --> 01:07:27,108
♪ MORE EVERY DAY ♪
1526
01:07:27,110 --> 01:07:32,313
♪ THEY WOULD ALL
BE HOLDING YOU ♪
1527
01:07:32,315 --> 01:07:34,349
♪ IF I HAD
A DOZEN DREAMS ♪
1528
01:07:34,351 --> 01:07:37,252
♪ IN EVERY WAY ♪
1529
01:07:37,254 --> 01:07:42,257
♪ IN YOUR ARMS,
THEY WOULD
ALL COME TRUE ♪
1530
01:07:42,259 --> 01:07:48,163
♪ ALTHOUGH I KNOW
A DOZEN HEARTS
ARE FUN ♪
1531
01:07:48,165 --> 01:07:52,200
♪ BE WITH ME, DARLING ♪
1532
01:07:52,202 --> 01:07:55,270
♪ I COULDN'T
LOVE YOU ♪
1533
01:07:55,272 --> 01:08:03,211
♪ MUCH MORE
THAN I DO WITH ONE ♪
1534
01:08:04,648 --> 01:08:11,086
♪ 12 TIMES ONE ♪
1535
01:08:11,088 --> 01:08:14,956
♪ BELIEVE ME ♪
1536
01:08:14,958 --> 01:08:26,668
♪ I LOVE YOU ♪
1537
01:08:29,372 --> 01:08:31,739
SWELL BAND, MR. WILTON.
1538
01:08:31,741 --> 01:08:33,007
THANK YOU VERY MUCH.
1539
01:08:33,009 --> 01:08:35,210
BUT YOU, JUDY,
YOU WERE GREAT,
1540
01:08:35,212 --> 01:08:37,145
AND I'M NOT
TOO SURPRISED
EITHER.
1541
01:08:37,147 --> 01:08:38,580
I ALWAYS KNEW
YOU WERE TOPS,
1542
01:08:38,582 --> 01:08:39,848
BUT I DIDN'T THINK
YOU HAD ALL THAT
TALENT.
1543
01:08:39,850 --> 01:08:41,983
BESIDES, IT'S
A TERRIFIC KICK
FOR ME TO HAVE
1544
01:08:41,985 --> 01:08:43,952
JUDY COME THROUGH
LIKE THIS.
1545
01:08:43,954 --> 01:08:45,220
IT JUST GOES
TO PROVE YOU CAN
GET SO USED
1546
01:08:45,222 --> 01:08:46,621
TO A PERSON
DOING ONE THING
1547
01:08:46,623 --> 01:08:50,125
THAT YOU FAIL
TO REALIZE THEY CAN
DO ANYTHING ELSE.
1548
01:08:50,127 --> 01:08:51,926
CAN YOU UNDERSTAND
THAT, MR. WILTON?
1549
01:08:51,928 --> 01:08:55,430
OH, SURE, SURE.
I UNDERSTAND IT
VERY WELL.
1550
01:08:55,432 --> 01:08:56,865
I'M PROUD OF YOU,
JUDY.
1551
01:08:56,867 --> 01:08:58,800
THANK YOU,
MR. BILLINGSLEY.
1552
01:08:58,802 --> 01:09:01,169
YOU HAVEN'T HEARD
THE BEST YET.
1553
01:09:01,171 --> 01:09:02,971
SING THE WALTZ
FOR HIM, JUDY.
1554
01:09:02,973 --> 01:09:04,339
NOTHING DOING.
NO WALTZES.
1555
01:09:04,341 --> 01:09:06,508
THERE'S NEVER BEEN
A WALTZ PLAYED
IN THE STORK CLUB.
1556
01:09:06,510 --> 01:09:09,110
HUH. CAN'T BE
MUCH OF A PLACE.
1557
01:09:09,112 --> 01:09:10,545
THE STORK CLUB
WAS BUILT
1558
01:09:10,547 --> 01:09:12,013
ON SOFT,
PEPPY MUSIC,
1559
01:09:12,015 --> 01:09:13,414
AND IT NEVER STOPS.
1560
01:09:13,416 --> 01:09:16,417
THAT'S WHY I HAVE
3 ORCHESTRAS,
UNDERSTAND?
1561
01:09:16,419 --> 01:09:17,752
OH, HE UNDERSTANDS!
1562
01:09:17,754 --> 01:09:19,888
GOOD. YOU OPEN
TOMORROW NIGHT,
1563
01:09:19,890 --> 01:09:21,523
SO COME AND SEE ME
IN THE MORNING,
MR. WILTON.
1564
01:09:21,525 --> 01:09:24,192
WE'LL MAKE
A DEAL AND SIGN
THE CONTRACTS.
1565
01:09:24,194 --> 01:09:26,261
HE'LL BE THERE,
MR. BILLINGSLEY!
1566
01:09:28,131 --> 01:09:30,064
OH, UH,
AND BY THE WAY, JUDY,
1567
01:09:30,066 --> 01:09:32,400
I'D KNOW THAT VOICE
OF YOURS ANYWHERE.
1568
01:09:32,402 --> 01:09:36,471
BESIDES, I WAS SITTING
WITH MR. WINCHELL
WHEN YOU PHONED.
1569
01:09:36,473 --> 01:09:37,539
GOOD NIGHT, ALL.
1570
01:09:40,911 --> 01:09:42,977
DANNY, WE'RE IN!
1571
01:09:42,979 --> 01:09:44,746
OH, DANNY, ISN'T IT
WONDERFUL?
1572
01:09:44,748 --> 01:09:46,681
I DON'T THINK SO.
1573
01:09:46,683 --> 01:09:47,982
THAT'S WHAT YOU
WANTED, ISN'T IT?
1574
01:09:47,984 --> 01:09:49,684
YEAH, BUT I DON'T
LIKE THE WAY
I GOT IT.
1575
01:09:49,686 --> 01:09:50,752
WHY NOT?
1576
01:09:50,754 --> 01:09:51,853
WHAT'S WRONG
WITH IT, SON?
1577
01:09:51,855 --> 01:09:53,221
WELL, I DON'T THINK
A BAND WAS EVER ENGAGED
1578
01:09:53,223 --> 01:09:55,023
UNDER SUCH
CIRCUMSTANCES BEFORE--
1579
01:09:55,025 --> 01:09:56,758
AN EXPENSIVE APARTMENT
TO REHEARSE IN,
1580
01:09:56,760 --> 01:09:58,293
ALL THE FOOD
YOU WANT TO EAT,
1581
01:09:58,295 --> 01:10:01,029
THE BOSS ARRIVES
FOR A NICE, COZY AUDITION,
AND WE'RE HIRED.
1582
01:10:01,031 --> 01:10:02,363
WELL, WHAT COULD
BE SWEETER?
1583
01:10:02,365 --> 01:10:03,698
I DON'T WANT
ANY PART OF IT.
1584
01:10:03,700 --> 01:10:05,166
NOW, LOOK, DANNY.
1585
01:10:05,168 --> 01:10:06,401
YOU CAN'T LET
PERSONAL FEELINGS
1586
01:10:06,403 --> 01:10:08,203
DO US OUT
OF THE BEST JOB
IN TOWN.
1587
01:10:08,205 --> 01:10:09,504
THAT'S RIGHT, DANNY.
1588
01:10:09,506 --> 01:10:10,872
NO, AND I WON'T
LET HIM.
1589
01:10:10,874 --> 01:10:12,106
I KNOW HOW DANNY FEELS,
1590
01:10:12,108 --> 01:10:16,444
AND MAYBE HE HAS
A RIGHT TO,
MAYBE HE HASN'T.
1591
01:10:16,446 --> 01:10:17,712
THAT'S BETWEEN US.
1592
01:10:17,714 --> 01:10:19,881
THESE GUYS HAVE
NOTHING TO DO
WITH IT.
1593
01:10:19,883 --> 01:10:22,517
YOU AND THE BAND
HAVE TO STICK
TOGETHER.
1594
01:10:22,519 --> 01:10:24,786
WE DON'T.
1595
01:10:24,788 --> 01:10:26,554
YOU SEE, DANNY,
I CAN LEAVE WITH
A CLEAR CONSCIENCE.
1596
01:10:26,556 --> 01:10:29,157
YOU COULDN'T.
1597
01:10:29,159 --> 01:10:31,693
WELL, I'VE GOT
EVERYTHING I
COULD ASK FOR.
1598
01:10:31,695 --> 01:10:32,760
SINGING
WITH YOUR BAND
1599
01:10:32,762 --> 01:10:34,462
WOULD JUST BE
AN ANTICLIMAX.
1600
01:10:34,464 --> 01:10:38,333
I'M THE ONE THAT'S
BOWING OUT.
1601
01:10:38,335 --> 01:10:40,935
MAYBE THIS IS
BESIDE THE POINT,
1602
01:10:40,937 --> 01:10:44,239
BUT IF YOU EVER
REALLY FALL IN LOVE,
1603
01:10:44,241 --> 01:10:45,807
YOU'LL TRUST
THE GIRL.
1604
01:10:57,787 --> 01:10:59,387
AW, GEE, HONEY,
DON'T CRY.
1605
01:10:59,389 --> 01:11:02,023
EVERYTHING WILL BE
ALL RIGHT.
1606
01:11:02,025 --> 01:11:05,526
WHY DO GIRLS
ALWAYS HAVE TO GO
FOR DUMB GUYS?
1607
01:11:05,528 --> 01:11:09,297
MAYBE IT'S BECAUSE
IT MAKES US LOOK SMART.
1608
01:11:09,299 --> 01:11:11,399
WELL, I AM SMART!
1609
01:11:11,401 --> 01:11:13,001
MAYBE I'VE BEEN
ACTING LIKE I'M DUMB,
1610
01:11:13,003 --> 01:11:15,903
BUT I'VE GOT A BRAIN
SOMEWHERE IN MY HEAD,
AND I'M GONNA USE IT!
1611
01:11:15,905 --> 01:11:17,405
JUDY, WHAT ARE YOU
DOING?
1612
01:11:17,407 --> 01:11:19,474
I'M GONNA SEND
THESE THINGS BACK
WHERE THEY CAME FROM.
1613
01:11:19,476 --> 01:11:20,475
OH, WHY?
1614
01:11:20,477 --> 01:11:21,976
NOBODY CAN BUY ME.
1615
01:11:21,978 --> 01:11:24,178
THERE'S ISN'T
ENOUGH MONEY TO MAKE ME
FORGET WHO I AM!
1616
01:11:24,180 --> 01:11:25,880
I'VE GOT CHARACTER,
I HAVE!
1617
01:11:25,882 --> 01:11:27,315
I'M NOT SO EASILY TEMPTED.
1618
01:11:27,317 --> 01:11:30,285
I CAN'T BE BOUGHT
BY A FEW MEASLY--
1619
01:11:30,287 --> 01:11:34,188
NO, SIR!
I'VE GOT BRAINS!
1620
01:11:34,190 --> 01:11:35,690
OHH!
1621
01:11:39,396 --> 01:11:42,363
[INTERCOM BUZZES]
1622
01:11:42,365 --> 01:11:43,364
YES?
1623
01:11:43,366 --> 01:11:45,166
Woman: JUDY PEABODY
TO SEE YOU.
1624
01:11:45,168 --> 01:11:47,302
OH, FINE.
SEND HER IN.
1625
01:11:50,974 --> 01:11:53,741
WELL, GOOD MORNING, JUDY.
1626
01:11:53,743 --> 01:11:55,410
I'VE GOT A LITTLE
SURPRISE FOR YOU.
1627
01:11:55,412 --> 01:11:58,279
I DON'T WANT
ANY MORE SURPRISES!
1628
01:11:58,281 --> 01:11:59,480
WHAT'S THE MATTER
WITH YOU?
1629
01:11:59,482 --> 01:12:01,649
WE CAN'T GO ON
LIKE THIS,
MR. BILLINGSLEY.
1630
01:12:01,651 --> 01:12:02,750
LIKE WHAT?
1631
01:12:02,752 --> 01:12:03,951
I'M IN LOVE
WITH DANNY.
1632
01:12:03,953 --> 01:12:05,520
WELL, THAT'S
ALL RIGHT WITH ME.
1633
01:12:05,522 --> 01:12:07,088
WELL, IT'S NOT
WITH HIM.
1634
01:12:07,090 --> 01:12:08,456
YOU'RE ALL MIXED UP.
1635
01:12:08,458 --> 01:12:09,691
I KNOW I AM,
AND I DON'T
WANT TO BE.
1636
01:12:09,693 --> 01:12:10,625
HE'S AS JEALOUS AS--
1637
01:12:10,627 --> 01:12:11,659
JEALOUS?
1638
01:12:11,661 --> 01:12:13,161
WELL, CERTAINLY.
WHO WOULDN'T BE
1639
01:12:13,163 --> 01:12:14,796
AFTER ALL THE THINGS
YOU'VE GIVEN ME?
1640
01:12:14,798 --> 01:12:17,098
I'VE GIVEN YOU?
1641
01:12:17,100 --> 01:12:19,667
OH, SHERMAN, DON'T
BE SO ANONYMOUS.
1642
01:12:19,669 --> 01:12:22,303
SAY, LISTEN.
I'M A MARRIED MAN.
1643
01:12:22,305 --> 01:12:25,373
THAT'S WHY YOU OUGHT
TO BE ASHAMED
OF YOURSELF.
1644
01:12:25,375 --> 01:12:27,375
OH, I'VE GOT TO GET
YOU STRAIGHTENED OUT.
1645
01:12:27,377 --> 01:12:28,576
NOW, GET THIS.
1646
01:12:28,578 --> 01:12:32,580
I NEVER GAVE YOU
ANYTHING EVER.
1647
01:12:32,582 --> 01:12:33,748
HUH?
1648
01:12:33,750 --> 01:12:35,850
WHY SHOULD I?
WHAT ARE YOU IN MY LIFE?
1649
01:12:35,852 --> 01:12:41,689
WELL, I DON'T KNOW,
BUT SOMEBODY'S
BEHIND THIS.
1650
01:12:41,691 --> 01:12:44,025
I KNOW THIS FELLA CURTIS.
HE COMES TO THE STORK A LOT.
1651
01:12:44,027 --> 01:12:45,426
HE WON'T TALK,
THOUGH.
1652
01:12:45,428 --> 01:12:46,627
I'VE ASKED HIM
TO TELL ME.
1653
01:12:46,629 --> 01:12:48,996
WELL, DON'T WORRY
ABOUT IT TOO MUCH, JUDY.
1654
01:12:48,998 --> 01:12:50,264
I'VE BEEN IN THIS TOWN
FOR YEARS,
1655
01:12:50,266 --> 01:12:52,066
AND NOBODY EVER GIVES
ANYTHING AWAY FOR LONG
1656
01:12:52,068 --> 01:12:53,935
WITHOUT LETTING YOU
KNOW WHY.
1657
01:12:53,937 --> 01:12:56,137
YOU JUST SIT TIGHT.
YOU'RE A CLEVER GIRL.
1658
01:12:56,139 --> 01:12:58,172
STICK TO YOUR SINGING.
IT'S YOUR REAL FUTURE.
1659
01:12:58,174 --> 01:12:59,340
BUT I CAN'T SING
WITH THE BAND
1660
01:12:59,342 --> 01:13:01,042
THE WAY THINGS ARE
BETWEEN DANNY
AND ME.
1661
01:13:01,044 --> 01:13:03,311
WELL, EITHER YOU DO,
OR I DON'T WANT THE BAND.
1662
01:13:03,313 --> 01:13:04,512
OH, I'LL OPEN
TONIGHT.
1663
01:13:04,514 --> 01:13:05,747
DON'T WORRY
ABOUT THAT.
1664
01:13:05,749 --> 01:13:06,981
ATTAGIRL.
1665
01:13:09,386 --> 01:13:13,020
WE'LL BE VERY HAPPY
TOGETHER.
1666
01:13:13,022 --> 01:13:14,589
I UNDERSTAND,
MR. BILLINGSLEY.
1667
01:13:14,591 --> 01:13:16,257
NO, YOU DON'T,
BUT YOU WILL.
1668
01:13:16,259 --> 01:13:19,560
COME IN. I WANT TO
STRAIGHTEN YOU OUT, TOO.
1669
01:13:19,562 --> 01:13:20,928
DON'T LOSE
YOUR TEMPER!
1670
01:13:20,930 --> 01:13:22,230
WHY NOT?
1671
01:13:29,539 --> 01:13:32,607
WILTON, WHAT DO YOU
THINK I AM, A CHUMP?
1672
01:13:32,609 --> 01:13:33,741
NOT EXACTLY.
1673
01:13:33,743 --> 01:13:35,209
THANKS.
ARE YOU A CHUMP?
1674
01:13:35,211 --> 01:13:36,277
NO, SIR.
1675
01:13:36,279 --> 01:13:37,378
OH, YOU'RE SURE
ABOUT YOURSELF.
1676
01:13:37,380 --> 01:13:39,380
THAT'S RIGHT.
BUT NOT OF ME, HUH?
1677
01:13:39,382 --> 01:13:40,415
WELL,
MR. BILLINGSLEY,
1678
01:13:40,417 --> 01:13:41,682
MY EYES HAVE
BEEN OPENED.
1679
01:13:41,684 --> 01:13:43,818
HOW WOULD YOU LIKE
SOMEBODY TO CLOSE
THEM AGAIN?
1680
01:13:43,820 --> 01:13:46,320
CAN'T WE SETTLE THIS
LIKE GENTLEMEN?
1681
01:13:46,322 --> 01:13:48,222
NOW YOU'RE TALKING
MY LANGUAGE.
1682
01:13:48,224 --> 01:13:52,393
I LIKE YOU, WILTON.
I LIKE YOUR BAND,
AND I LIKE JUDY.
1683
01:13:52,395 --> 01:13:53,461
YES, SIR.
1684
01:13:53,463 --> 01:13:54,962
DON'T SAY "YES, SIR"
LIKE THAT.
1685
01:13:54,964 --> 01:13:57,799
SORRY.
1686
01:13:57,801 --> 01:13:59,233
COME HERE.
1687
01:14:02,405 --> 01:14:04,372
LOOK AT THOSE
PHOTOGRAPHS.
1688
01:14:04,374 --> 01:14:07,074
TAKE A GOOD LOOK
AT THEM.
1689
01:14:07,076 --> 01:14:10,344
THOSE ARE THE ONLY
WOMEN IN MY LIFE.
1690
01:14:10,346 --> 01:14:12,013
THAT ONE'S
PRETTY YOUNG,
ISN'T SHE?
1691
01:14:12,015 --> 01:14:14,248
THAT'S MY DAUGHTER.
OH.
1692
01:14:14,250 --> 01:14:15,683
THEY ALL ARE
EXCEPT MY WIFE,
1693
01:14:15,685 --> 01:14:17,652
AND I'M MARRIED
TO HER.
1694
01:14:17,654 --> 01:14:18,920
OH. I SEE.
1695
01:14:18,922 --> 01:14:20,221
IT'S ABOUT TIME.
1696
01:14:20,223 --> 01:14:21,789
WELL, I'M SORRY,
MR. BILLINGSLEY.
1697
01:14:21,791 --> 01:14:23,057
THAT LETTER SHOULD
HAVE TIPPED YOU OFF.
1698
01:14:23,059 --> 01:14:24,859
TOM CURTIS ISN'T
MY LAWYER.
1699
01:14:24,861 --> 01:14:27,028
TOM CURTIS?
WHAT LETTER?
1700
01:14:27,030 --> 01:14:28,496
OH, SHE DIDN'T
SHOW YOU THE LETTER.
1701
01:14:28,498 --> 01:14:30,465
NO. AND I WONDER WHY.
1702
01:14:30,467 --> 01:14:32,266
WELL, FORGET I
MENTIONED IT TO YOU.
1703
01:14:32,268 --> 01:14:33,501
NOW I'VE HAD
ENOUGH OF YOU TWO.
1704
01:14:33,503 --> 01:14:36,437
KEEP YOUR
PERSONAL AFFAIRS OUT
OF THE STORK CLUB.
1705
01:14:36,439 --> 01:14:38,139
THAT'S ALL.
1706
01:14:38,141 --> 01:14:39,707
YES, SIR.
1707
01:14:48,518 --> 01:14:50,084
WELL?
1708
01:14:50,086 --> 01:14:52,153
MR. BILLINGSLEY,
WHAT WOULD YOU DO
1709
01:14:52,155 --> 01:14:55,389
IF YOU WERE
IN MY SPOT?
1710
01:14:55,391 --> 01:14:57,792
I'D STOP BOTHERING ME.
1711
01:15:08,638 --> 01:15:10,204
DANNY!
1712
01:15:13,409 --> 01:15:14,876
WELL?
1713
01:15:14,878 --> 01:15:16,277
WHAT HAPPENED?
1714
01:15:16,279 --> 01:15:18,779
NOTHING MUCH.
BILLINGSLEY'S OK.
1715
01:15:18,781 --> 01:15:20,481
I WAS WRONG
ABOUT YOU AND HIM.
1716
01:15:20,483 --> 01:15:21,883
THERE. YOU SEE?
1717
01:15:21,885 --> 01:15:23,651
NO, I DON'T.
1718
01:15:23,653 --> 01:15:24,685
YOU DON'T?
1719
01:15:24,687 --> 01:15:26,220
IT'S GOT
TO BE SOMEBODY.
1720
01:15:26,222 --> 01:15:27,321
OH, WELL, YOU KNOW
WHO IT IS.
1721
01:15:27,323 --> 01:15:28,322
I TOLD YOU.
1722
01:15:28,324 --> 01:15:30,091
POP?
CERTAINLY.
1723
01:15:30,093 --> 01:15:31,425
OH, HOW COULD IT BE?
1724
01:15:31,427 --> 01:15:34,228
WELL, HE'S
A VERY RICH MAN
AND A GOOD MAN.
1725
01:15:34,230 --> 01:15:35,530
WAIT TILL YOU MEET
HIS WIFE.
1726
01:15:35,532 --> 01:15:38,566
HAVE YOU?
NATURALLY.
1727
01:15:38,568 --> 01:15:40,668
WHY DO YOU LOOK
AT ME LIKE
THAT, DANNY?
1728
01:15:40,670 --> 01:15:41,802
WE'RE NEVER GONNA
GET TOGETHER
1729
01:15:41,804 --> 01:15:43,738
IF YOU DON'T
BELIEVE IN ME.
1730
01:15:43,740 --> 01:15:46,007
OH, JUDY,
I WISH I COULD.
1731
01:15:46,009 --> 01:15:47,375
OH, YOU'VE GOT TO,
DANNY.
1732
01:15:47,377 --> 01:15:48,910
IT'S THE ONLY WAY
IT'LL WORK OUT.
1733
01:15:48,912 --> 01:15:49,911
HI, JUDY.
1734
01:15:49,913 --> 01:15:51,812
OH, HELLO,
MR. CORETTI.
1735
01:15:51,814 --> 01:15:53,915
HOW'S YOUR FRIEND POP,
THE BUSBOY?
1736
01:15:53,917 --> 01:15:55,416
OH. HA HA HA!
1737
01:15:55,418 --> 01:15:57,685
OH, THAT WAS
A VERY FUNNY GAG,
WASN'T IT?
1738
01:15:57,687 --> 01:16:00,922
YEAH. HE BREAKS
$32 WORTH OF DISHES,
1739
01:16:00,924 --> 01:16:02,623
AND SHE CALLS IT
A GAG.
1740
01:16:02,625 --> 01:16:03,724
WHO WAS HE?
1741
01:16:03,726 --> 01:16:05,593
AN OLD MICK SHE
BROUGHT AROUND.
1742
01:16:05,595 --> 01:16:08,396
HE HAD A BROGUE
THAT THICK.
1743
01:16:08,398 --> 01:16:11,299
SOMEBODY OWES ME
$32 FOR DISHES.
1744
01:16:13,770 --> 01:16:15,469
OH, DANNY, I CAN
EXPLAIN IT.
1745
01:16:15,471 --> 01:16:16,837
SURE YOU CAN,
1746
01:16:16,839 --> 01:16:18,773
BUT BREAK IT IN
ON SOMEBODY ELSE.
1747
01:16:22,378 --> 01:16:24,679
I WANT TO SPEAK
WITH MR. CURTIS.
1748
01:16:24,681 --> 01:16:27,148
HE'S NOT IN YET?
WHY NOT?
1749
01:16:27,150 --> 01:16:28,716
HE'S NOT AT HOME EITHER.
1750
01:16:30,386 --> 01:16:34,055
NEVER MIND WHO IT IS.
I'LL CALL AGAIN.
1751
01:16:34,057 --> 01:16:36,023
HI, POP. WHAT GOES?
1752
01:16:36,025 --> 01:16:37,525
I WAS CALLING
YOUR LAWYER.
1753
01:16:37,527 --> 01:16:38,859
MY LAWYER?
1754
01:16:38,861 --> 01:16:40,895
THAT MAN CURTIS.
I WAS TRYING
ALL MORNING.
1755
01:16:40,897 --> 01:16:42,263
BUT WHY?
1756
01:16:42,265 --> 01:16:45,066
I THOUGHT HE MIGHT
SPEAK TO DANNY
ON YOUR BEHALF.
1757
01:16:45,068 --> 01:16:47,034
WELL, THAT WOULDN'T
DO ANY GOOD.
1758
01:16:47,036 --> 01:16:49,670
IT MIGHT.
1759
01:16:49,672 --> 01:16:53,074
I'LL GO TO ME ROOM
AND BRUSH UP A BIT
BEFORE I GO OUT.
1760
01:16:55,979 --> 01:16:59,013
JEALOUSY IS
A TERRIBLE THING.
1761
01:16:59,015 --> 01:17:00,715
LOVE SHOULD BE
TOLERANT
1762
01:17:00,717 --> 01:17:04,218
TILL TRUTH BREAKS
THROUGH THE CLOUDS
OF DOUBT.
1763
01:17:04,220 --> 01:17:06,220
GEE, THAT'S
BEAUTIFUL, POP.
1764
01:17:06,222 --> 01:17:08,789
WHO SAID THAT?
1765
01:17:08,791 --> 01:17:10,524
I DID.
1766
01:17:14,964 --> 01:17:16,764
[DOORBELL RINGS]
1767
01:17:22,205 --> 01:17:26,774
I'M MRS. BATES,
MRS. J.B. BATES.
1768
01:17:26,776 --> 01:17:28,442
YES?
1769
01:17:28,444 --> 01:17:30,478
ARE YOU JUDY PEABODY?
1770
01:17:30,480 --> 01:17:31,679
THAT'S ME.
1771
01:17:31,681 --> 01:17:33,447
[SOBBING]
1772
01:17:34,817 --> 01:17:37,885
UH, COME IN,
MRS. BATES.
1773
01:17:46,829 --> 01:17:48,562
I KNOW NOW
I'VE LOST HIM.
1774
01:17:48,564 --> 01:17:51,132
WELL, I'LL BE GLAD
TO HELP YOU
LOOK FOR HIM.
1775
01:17:51,134 --> 01:17:53,701
A FRIEND OF MINE
IN THE BUILDING SAYS
HE LIVES HERE.
1776
01:17:53,703 --> 01:17:55,236
WELL, A LOT OF GUYS
LIVE HERE.
1777
01:17:55,238 --> 01:17:56,904
A LOT? HOW MANY?
1778
01:17:56,906 --> 01:17:58,639
OH, 12 OR 14.
1779
01:17:58,641 --> 01:18:00,441
YOU POOR CHILD.
1780
01:18:00,443 --> 01:18:03,177
WELL, WHAT
INSTRUMENT
DOES HE PLAY?
1781
01:18:03,179 --> 01:18:04,912
HE USED TO PLAY
THE ZITHER.
1782
01:18:04,914 --> 01:18:06,781
OH, HE'S NOT
WITH THESE CATS.
1783
01:18:06,783 --> 01:18:08,049
CATS?
1784
01:18:08,051 --> 01:18:10,317
WHY DON'T YOU TRY
THE SALVATION ARMY?
1785
01:18:10,319 --> 01:18:13,421
I'M SURE MY HUSBAND
WOULDN'T BE THERE.
1786
01:18:13,423 --> 01:18:15,656
OH, OH, I'LL BET
YOU MEAN POP!
1787
01:18:15,658 --> 01:18:17,124
OH, HE LIVES HERE
WITH ME.
1788
01:18:17,126 --> 01:18:19,927
YOU ADMIT IT.
1789
01:18:19,929 --> 01:18:21,295
OH, OH, NOW,
MRS. BATES,
1790
01:18:21,297 --> 01:18:22,797
THERE'S NOTHING
WRONG WITH IT.
1791
01:18:22,799 --> 01:18:24,832
YOUR HUSBAND WAS DROWNING,
AND I SAVED HIS LIFE,
1792
01:18:24,834 --> 01:18:26,967
AND I'VE BEEN TRYING
TO GET HIM A JOB.
1793
01:18:26,969 --> 01:18:28,402
HE'S DOWN AND OUT.
1794
01:18:28,404 --> 01:18:31,706
MR. BATES IS
A RICH MAN.
1795
01:18:31,708 --> 01:18:33,007
HOW'S THAT AGAIN?
1796
01:18:33,009 --> 01:18:37,211
MR. BATES IS
A VERY RICH MAN.
1797
01:18:37,213 --> 01:18:39,847
OH! OH, THEN HE'S
THE ONE.
1798
01:18:39,849 --> 01:18:41,816
OH, IT'S TOO GOOD
TO BE TRUE!
1799
01:18:41,818 --> 01:18:44,218
MRS. BATES, YOU'VE GOT
TO TAKE YOUR HUSBAND BACK.
1800
01:18:44,220 --> 01:18:45,286
DON'T YOU WANT HIM?
1801
01:18:45,288 --> 01:18:48,122
NO, AND HE DOESN'T
WANT ME.
1802
01:18:48,124 --> 01:18:51,025
WHY DIDN'T HE TELL ME
WHO HE WAS?
1803
01:18:51,027 --> 01:18:53,794
HE DID.
THEN HE DENIED IT.
1804
01:18:53,796 --> 01:18:55,629
I'M SORRY.
I CAN'T FOLLOW THIS.
1805
01:18:55,631 --> 01:18:56,831
NEITHER CAN I.
1806
01:18:56,833 --> 01:18:58,532
HE'S PRACTICALLY
RUINED MY LIFE.
1807
01:18:58,534 --> 01:18:59,600
HOW?
1808
01:18:59,602 --> 01:19:01,402
WELL, I GOT
A BOYFRIEND.
1809
01:19:01,404 --> 01:19:03,003
I MEAN, I HAD
A BOYFRIEND.
1810
01:19:03,005 --> 01:19:05,239
AND JERRY
CUT HIM OUT?
1811
01:19:05,241 --> 01:19:07,174
OH, NO.
POP LOVES YOU.
1812
01:19:07,176 --> 01:19:08,375
YOU'RE ALL HE EVER
TALKS ABOUT.
1813
01:19:08,377 --> 01:19:10,244
MISS PEABODY,
I CAN'T BELIEVE IT.
1814
01:19:10,246 --> 01:19:11,278
I WANT TO GO TO HIM.
1815
01:19:11,280 --> 01:19:12,913
OH, NO, YOU DON'T.
NOT ON YOUR LIFE.
1816
01:19:12,915 --> 01:19:14,915
OUR MEN DON'T TRUST US.
WE GOT TO TEACH THEM
A LESSON.
1817
01:19:14,917 --> 01:19:16,917
I TRIED THAT
AND LOST HIM.
1818
01:19:16,919 --> 01:19:18,185
WELL, THIS TIME,
YOU DO IT MY WAY,
1819
01:19:18,187 --> 01:19:19,787
AND YOU'LL
GET HIM BACK.
1820
01:19:19,789 --> 01:19:22,656
UM, BY THE WAY,
DO YOU ALWAYS
DRESS LIKE THAT?
1821
01:19:22,658 --> 01:19:24,592
YES, I DO. WHY?
1822
01:19:24,594 --> 01:19:25,993
YOU MEET ME
IN THE PARIS SHOP
1823
01:19:25,995 --> 01:19:28,095
AT LOCKE'S FIFTH AVENUE
AT 2:00 THIS AFTERNOON.
1824
01:19:28,097 --> 01:19:30,498
WE'RE GOING
TO THE STORK CLUB TONIGHT.
1825
01:19:30,500 --> 01:19:32,433
THE STORK CLUB?
WHATEVER FOR?
1826
01:19:32,435 --> 01:19:33,701
YOU LEAVE THAT TO ME.
1827
01:19:33,703 --> 01:19:36,036
I CAN HARDLY
CONTAIN MYSELF.
1828
01:19:36,038 --> 01:19:37,438
OH, YOU'VE GOT TO!
1829
01:19:37,440 --> 01:19:39,173
NOW WHEN POP COMES IN,
MAKE BELIEVE YOU
THINK THE WORST
1830
01:19:39,175 --> 01:19:40,474
AND WALK OUT ON HIM!
1831
01:19:40,476 --> 01:19:41,876
IS HE HERE NOW?
1832
01:19:41,878 --> 01:19:43,477
CERTAINLY.
1833
01:19:43,479 --> 01:19:46,680
TELL ME, MRS. BATES,
IS YOUR SLATE CLEAN?
1834
01:19:46,682 --> 01:19:48,282
MY SLATE CLEAN?
1835
01:19:48,284 --> 01:19:51,085
YES. HE SEEMS
TERRIBLY JEALOUS
OF A MR. BASCOMBE.
1836
01:19:51,087 --> 01:19:52,186
WELL, THAT'S
RIDICULOUS.
1837
01:19:52,188 --> 01:19:54,588
CLARENCE BASCOMBE
IS A HARMLESS OLD
BACHELOR.
1838
01:19:54,590 --> 01:19:55,956
HE COURTED ME
YEARS AGO,
1839
01:19:55,958 --> 01:19:58,692
AND JERRY CAN'T
STAND THE SIGHT
OF HIM.
1840
01:19:58,694 --> 01:19:59,927
HE'S COMING.
1841
01:19:59,929 --> 01:20:01,595
NOW, WHATEVER YOU DO,
DON'T LET ON
1842
01:20:01,597 --> 01:20:04,431
AND BE FIRM.
1843
01:20:06,102 --> 01:20:10,371
JUDY, WHERE'D YOU
PUT ME--OHH!
1844
01:20:10,373 --> 01:20:14,942
WELL, MR. BATES,
EXPLAIN YOURSELF.
1845
01:20:14,944 --> 01:20:16,811
NOW, EDITH,
TAKE IT EASY.
1846
01:20:16,813 --> 01:20:18,312
ARE YOU GOING TO
BELIEVE ME
OR WHAT YOU SEE?
1847
01:20:18,314 --> 01:20:20,948
WHO COULD BELIEVE YOU,
YOU SCOUNDREL,
1848
01:20:20,950 --> 01:20:23,684
YOU PHILANDERER,
VIPER,
1849
01:20:23,686 --> 01:20:25,319
YOU SNAKE IN THE GRASS?
1850
01:20:25,321 --> 01:20:27,788
DON'T EVER SPEAK
TO ME AGAIN!
1851
01:20:27,790 --> 01:20:30,257
THIS IS THE END!
1852
01:20:30,259 --> 01:20:31,759
[DOOR SHUTS]
1853
01:20:31,761 --> 01:20:33,627
THE GODS HAVE
DONE ME IN.
1854
01:20:33,629 --> 01:20:35,196
THEY WERE
LAYING FOR ME.
I'VE LOST HER.
1855
01:20:35,198 --> 01:20:36,797
WHO WAS THAT?
ME WIFE.
1856
01:20:36,799 --> 01:20:38,299
YOUR WIFE?
COULDN'T YOU TELL?
1857
01:20:38,301 --> 01:20:39,934
OH, WELL, RELAX, POP.
1858
01:20:39,936 --> 01:20:42,603
REMEMBER, LOVE
SHOULD BE TOLERANT
1859
01:20:42,605 --> 01:20:45,706
TILL TRUTH BREAKS
THROUGH THE CLOUDS
OF DOUBT,
1860
01:20:45,708 --> 01:20:48,309
AND IF YOU WANT
TO KNOW WHO
SAID THAT, YOU DID.
1861
01:20:48,311 --> 01:20:49,343
THE FACT IS,
I READ THAT
1862
01:20:49,345 --> 01:20:50,644
IN A VERY CHEAP
BOOK.
1863
01:20:50,646 --> 01:20:52,112
TSK, TSK, TSK.
1864
01:20:57,086 --> 01:20:59,119
[BAND PLAYING]
1865
01:21:15,504 --> 01:21:18,239
♪ LOVE ME ♪
1866
01:21:18,241 --> 01:21:23,477
♪ AS ONLY YOU CAN LOVE ME ♪
1867
01:21:23,479 --> 01:21:29,116
♪ THERE'S NO ONE
WHO CAN LOVE ME ♪
1868
01:21:29,118 --> 01:21:33,954
♪ THE WAY THAT YOU DO ♪
1869
01:21:33,956 --> 01:21:44,231
♪ YOUR KISS IS AS GENTLE
AS THE FALLING SUMMER RAIN ♪
1870
01:21:44,233 --> 01:21:50,037
♪ YOUR SIGH IS
THE SENTIMENTAL THEME ♪
1871
01:21:50,039 --> 01:21:54,208
♪ OF OUR REFRAIN ♪
1872
01:21:54,210 --> 01:21:59,613
♪ I WANT YOU TO THRILL ME ♪
1873
01:21:59,615 --> 01:22:04,618
♪ AS ONLY YOU CAN THRILL ME ♪
1874
01:22:04,620 --> 01:22:10,224
♪ THERE'S NO ONE
WHO CAN THRILL ME ♪
1875
01:22:10,226 --> 01:22:15,162
♪ WHAT AM I TO DO? ♪
1876
01:22:15,164 --> 01:22:17,131
♪ I'M HELPLESS ♪
1877
01:22:17,133 --> 01:22:21,502
♪ SO I'M CONTENT
TO BE THE FOOL ♪
1878
01:22:21,504 --> 01:22:26,573
♪ THAT YOU MAKE OF ME ♪
1879
01:22:26,575 --> 01:22:30,077
♪ SO LOVE ME ♪
1880
01:22:30,079 --> 01:22:35,616
♪ THE WAY THAT I LOVE YOU ♪
1881
01:22:37,520 --> 01:22:40,454
♪ THRILL ME ♪
1882
01:22:40,456 --> 01:22:45,926
♪ AS ONLY YOU CAN THRILL ME ♪
1883
01:22:45,928 --> 01:22:51,265
♪ THERE'S NO ONE
WHO CAN THRILL ME ♪
1884
01:22:51,267 --> 01:22:56,036
♪ WHAT AM I TO DO? ♪
1885
01:22:56,038 --> 01:23:00,207
♪ I'M HELPLESS ♪
1886
01:23:00,209 --> 01:23:05,212
♪ SO I'M CONTENT
TO BE THE FOOL ♪
1887
01:23:05,214 --> 01:23:10,551
♪ THAT YOU MAKE OF ME ♪
1888
01:23:10,553 --> 01:23:15,556
♪ SO LOVE ME ♪
1889
01:23:15,558 --> 01:23:25,199
♪ THE WAY THAT I LOVE YOU ♪
1890
01:23:34,477 --> 01:23:37,144
JUDY, ME HEART ISN'T
IN COMING HERE TONIGHT.
1891
01:23:37,146 --> 01:23:39,913
OH, CHEER UP, POP.
YOU'LL HAVE THE TIME
OF YOUR LIFE.
1892
01:23:41,617 --> 01:23:43,617
MR. CORETTI,
DO YOU HAVE
MY RESERVATIONS?
1893
01:23:43,619 --> 01:23:46,420
WHAT? WHY, JUDY!
1894
01:23:46,422 --> 01:23:49,556
YES, MISS PEABODY.
THIS WAY, PLEASE.
1895
01:23:59,335 --> 01:24:00,934
WHAT ARE YOU
STARING AT?
1896
01:24:00,936 --> 01:24:02,669
I NEVER FORGET
A FACE.
1897
01:24:02,671 --> 01:24:05,139
YOU'VE LOOKED AT MINE
LONG ENOUGH TO REMEMBER IT
THE NEXT TIME YOU SEE IT.
1898
01:24:05,141 --> 01:24:07,007
YES, SIR.
1899
01:24:07,009 --> 01:24:10,010
[PLAYING "I'M A SQUARE
IN THE SOCIAL CIRCLE"]
1900
01:24:35,137 --> 01:24:37,905
I JUST REMEMBERED!
1901
01:24:37,907 --> 01:24:40,607
SHALL I PUT
THE $32 FOR
THE BROKEN DISHES
1902
01:24:40,609 --> 01:24:42,009
ON YOUR BILL, SIR?
1903
01:24:42,011 --> 01:24:45,179
YES, AND ADD $5.00
FOR YOURSELF AND FORGET
YOU EVER SAW ME.
1904
01:24:45,181 --> 01:24:46,780
IT WILL BE
A PLEASURE, SIR.
1905
01:24:46,782 --> 01:24:48,148
'TIS MUTUAL.
1906
01:24:48,150 --> 01:24:49,917
WOULD YOU LIKE
TO ORDER NOW,
MISS PEABODY?
1907
01:24:49,919 --> 01:24:51,919
YES. I'LL HAVE
SOME GINGER ALE, PLEASE.
1908
01:24:51,921 --> 01:24:53,654
AND YOU, SIR?
1909
01:24:53,656 --> 01:24:57,091
THE SAME WITH ABOUT
3 FINGERS OF BOURBON.
1910
01:24:57,093 --> 01:24:59,960
YES, SIR.
1911
01:24:59,962 --> 01:25:02,396
DO YOU DRINK
A LOT, POP?
1912
01:25:02,398 --> 01:25:05,766
WELL, I'LL TELL YOU.
I CAN'T GET A LOT.
1913
01:25:15,277 --> 01:25:18,212
GLORY BE,
SHE'S BEAUTIFUL.
1914
01:25:19,815 --> 01:25:21,915
TAKE IT EASY, POP.
1915
01:25:30,893 --> 01:25:32,526
WELL, HIYA, J.B.
1916
01:25:32,528 --> 01:25:34,128
WHAT'S GOING
ON HERE?
1917
01:25:34,130 --> 01:25:35,596
ARE YOU
REPRESENTING
HER?
1918
01:25:35,598 --> 01:25:36,830
WHO'S
REPRESENTING ME?
1919
01:25:36,832 --> 01:25:38,332
THAT'S RIGHT.
1920
01:25:38,334 --> 01:25:40,601
I HEARD YOU WERE CAUGHT
WITH YOUR SUSPENDERS DOWN.
1921
01:25:40,603 --> 01:25:42,202
I'M A GONER.
1922
01:25:42,204 --> 01:25:44,905
EDITH, I'M
AN INNOCENT MAN,
1923
01:25:44,907 --> 01:25:46,440
A VERY
INNOCENT MAN.
1924
01:25:46,442 --> 01:25:48,442
YES, JERRY,
SO IT APPEARS.
1925
01:25:48,444 --> 01:25:49,810
GOOD EVENING,
YOUNG LADY.
1926
01:25:49,812 --> 01:25:52,146
OH, MRS. BATES,
I HOPE YOU
DON'T BLAME ME.
1927
01:25:52,148 --> 01:25:53,614
NOT AT ALL,
MY DEAR.
1928
01:25:53,616 --> 01:25:55,149
IF IT WASN'T YOU,
IT WOULD BE
SOMEBODY ELSE.
1929
01:25:55,151 --> 01:25:56,350
NO, IT WOULDN'T.
1930
01:25:56,352 --> 01:25:57,885
AH. A LOVE MATCH.
1931
01:25:57,887 --> 01:25:59,987
I THINK I'LL SKIP
THE NEXT ROUND
OF THIS BATTLE.
1932
01:25:59,989 --> 01:26:01,655
WILL YOU EXCUSE ME,
PLEASE?
1933
01:26:01,657 --> 01:26:03,657
GOOD RIDDANCE.
1934
01:26:06,428 --> 01:26:07,895
AT LEAST SHE'LL
TALK TO YOU.
1935
01:26:07,897 --> 01:26:09,296
SHE WON'T LISTEN
TO ME.
1936
01:26:09,298 --> 01:26:11,064
YOU'VE GOT TO GET ME
OUT OF THIS.
1937
01:26:11,066 --> 01:26:12,065
HOW?
1938
01:26:12,067 --> 01:26:13,100
TELL HER THE FACTS.
1939
01:26:13,102 --> 01:26:14,101
SHE WON'T BELIEVE
THE FACTS
1940
01:26:14,103 --> 01:26:15,235
ANY MORE
THAN DANNY DOES.
1941
01:26:15,237 --> 01:26:16,870
YOU CAN TRY.
1942
01:26:16,872 --> 01:26:19,039
OK.
1943
01:26:19,041 --> 01:26:20,474
YOU WERE GREAT.
YOU'VE GOT HIM
ON THE HOOK.
1944
01:26:20,476 --> 01:26:22,009
HE'S REALLY
SQUIRMING.
1945
01:26:22,011 --> 01:26:24,411
I DON'T THINK I'LL
BE ABLE TO GO THROUGH
WITH THIS, JUDY.
1946
01:26:24,413 --> 01:26:26,513
YOU'VE GOT TO.
IF YOU NAIL HIM DOWN
RIGHT THIS TIME,
1947
01:26:26,515 --> 01:26:28,916
HE'S YOURS FOR LIFE.
1948
01:26:28,918 --> 01:26:30,250
SHE SAYS SHE'S GOING
TO DIVORCE YOU
1949
01:26:30,252 --> 01:26:32,419
AND MARRY SOMEBODY
WHO APPRECIATES HER.
1950
01:26:32,421 --> 01:26:33,687
SHE CAN'T.
I'LL FIGHT IT.
1951
01:26:33,689 --> 01:26:35,455
I'LL TAKE IT
TO THE SUPREME
COURT.
1952
01:26:35,457 --> 01:26:36,924
TELL HER THAT.
1953
01:26:36,926 --> 01:26:38,492
YOU'RE OUT IN FRONT
BY 20 LENGTHS.
1954
01:26:38,494 --> 01:26:39,927
DON'T CARRY IT
TOO FAR.
1955
01:26:39,929 --> 01:26:41,662
LEAVE IT TO ME.
1956
01:26:41,664 --> 01:26:43,430
WELL?
I THINK YOU
GOT A CHANCE.
1957
01:26:43,432 --> 01:26:45,299
WE HAVE?
IT'S GONNA BE
TOUGH, THOUGH.
1958
01:26:45,301 --> 01:26:46,800
I DON'T DESERVE HER.
1959
01:26:46,802 --> 01:26:48,669
FIRST YOU GOT TO
PROMISE TO COUNT TO 10
1960
01:26:48,671 --> 01:26:49,803
BEFORE LOSING
YOUR TEMPER.
1961
01:26:49,805 --> 01:26:50,837
I'VE ALWAYS
DONE THAT!
1962
01:26:50,839 --> 01:26:51,872
YEAH? WELL, MAKE IT 20.
1963
01:26:51,874 --> 01:26:52,873
ALL RIGHT,
ALL RIGHT.
1964
01:26:52,875 --> 01:26:54,208
NEXT, YOU CAN NEVER
TAKE YOUR SHOES OFF
1965
01:26:54,210 --> 01:26:55,442
IN THE LIVING ROOM.
1966
01:26:55,444 --> 01:26:57,444
A MAN CAN'T LIVE
UNDER THOSE
CONDITIONS.
1967
01:26:57,446 --> 01:26:58,512
WILL YOU
OR WON'T YOU?
1968
01:26:58,514 --> 01:27:00,013
ALL RIGHT,
ALL RIGHT.
1969
01:27:00,015 --> 01:27:01,848
AND--
AW, THERE'S MORE!
1970
01:27:01,850 --> 01:27:04,218
YOU MUST PROMISE NEVER
UNDER ANY CIRCUMSTANCES
1971
01:27:04,220 --> 01:27:06,386
TO BE JEALOUS
OF CLARENCE BASCOMBE.
1972
01:27:06,388 --> 01:27:09,223
BASCOMBE? AH, I SEE
IT ALL NOW.
1973
01:27:09,225 --> 01:27:10,657
SHE'D TIE ME HANDS
BEHIND ME BACK
1974
01:27:10,659 --> 01:27:12,426
FOR THE REST
OF ME LIFE,
WOULD SHE?
1975
01:27:12,428 --> 01:27:14,928
OH, NO! NOT IF I
KNOW HER, SHE WON'T.
1976
01:27:14,930 --> 01:27:15,996
OH, IT'S
VERY SLICK OF YOU,
1977
01:27:15,998 --> 01:27:18,098
VERY SLICK OF YOU
INDEED, MRS. BATES.
1978
01:27:18,100 --> 01:27:20,167
YOU AND YOUR
STIPULATIONS,
1979
01:27:20,169 --> 01:27:21,535
AND ME AGREEING
TO THEM.
1980
01:27:21,537 --> 01:27:22,769
NOW, CALM YOURSELF, POP.
1981
01:27:22,771 --> 01:27:24,304
NO, NO, JUDY.
THIS GOES DEEPER
1982
01:27:24,306 --> 01:27:26,106
THAN YOUR
INNOCENT EYES
CAN SEE.
1983
01:27:26,108 --> 01:27:27,140
BUT, JERRY--
1984
01:27:27,142 --> 01:27:28,375
DON'T JERRY ME!
1985
01:27:28,377 --> 01:27:29,710
YOU'RE NOT GOING
TO PULL THE WOOL
OVER ME EYES
1986
01:27:29,712 --> 01:27:31,111
AS YOU DID
IN THE PAST.
1987
01:27:31,113 --> 01:27:32,079
THAT ISN'T TRUE!
1988
01:27:32,081 --> 01:27:33,280
AND I'M GOING OUT
OF HERE.
1989
01:27:33,282 --> 01:27:34,881
NO, YOU'RE NOT,
NOT TILL YOU
PAY THE CHECK.
1990
01:27:34,883 --> 01:27:36,216
THEY'RE VERY FUNNY
ABOUT THAT IN HERE.
1991
01:27:36,218 --> 01:27:37,517
SOMEBODY BRING ME
THE CHECK.
1992
01:27:37,519 --> 01:27:39,086
IF YOU LEAVE HERE,
JERRY BATES,
1993
01:27:39,088 --> 01:27:40,554
YOU'LL NEVER SEE
ME AGAIN.
1994
01:27:40,556 --> 01:27:41,989
THAT'S WHAT I HAD
IN MIND.
1995
01:27:41,991 --> 01:27:43,290
I'M ASHAMED OF YOU, POP.
1996
01:27:43,292 --> 01:27:44,358
WELL, I--
1997
01:27:44,360 --> 01:27:46,159
SLIP THIS TO DANNY,
WILL YOU?
1998
01:27:46,161 --> 01:27:47,561
THAT OUGHT TO
GET HIM.
1999
01:27:47,563 --> 01:27:49,296
BRING ME THE CHECK.
I'M NOT GONNA WAIT
HERE ANY LONGER.
2000
01:27:49,298 --> 01:27:50,864
POP, ARE YOU
REALLY LEAVING?
2001
01:27:50,866 --> 01:27:51,898
OF COURSE I AM.
2002
01:27:51,900 --> 01:27:53,133
YOU'LL BE SORRY SOMEDAY.
2003
01:27:53,135 --> 01:27:54,868
WELL, IF I AM,
I'LL BE GLAD OF IT.
2004
01:27:57,539 --> 01:27:59,206
THIS IS FROM ONE
OF YOUR FANS.
2005
01:27:59,208 --> 01:28:00,374
THANKS.
2006
01:28:08,284 --> 01:28:10,984
HEY, FELLAS, THE BOSS
WANTS TO HEAR
"OLD APPLE TREE."
2007
01:28:10,986 --> 01:28:13,387
WE'LL FAKE IT IN "G"
RIGHT AFTER THIS CHORUS.
2008
01:28:13,389 --> 01:28:17,324
AND IT WAS A LOT DIFFERENT,
TOO, WASN'T IT, POP?
2009
01:28:17,326 --> 01:28:19,259
OH, I KNOW YOU
HAVEN'T FORGOTTEN,
2010
01:28:19,261 --> 01:28:21,695
EVEN THOUGH IT WAS
A LONG TIME AGO--
2011
01:28:21,697 --> 01:28:23,497
40 YEARS.
2012
01:28:23,499 --> 01:28:25,832
YOU TOLD ME
ABOUT IT YOURSELF.
2013
01:28:25,834 --> 01:28:29,102
IT BROUGHT TEARS
TO YOUR EYES
WHEN YOU DID.
2014
01:28:29,104 --> 01:28:31,538
LOOK AT HER, POP.
2015
01:28:31,540 --> 01:28:33,006
ISN'T SHE BEAUTIFUL?
2016
01:28:33,008 --> 01:28:34,808
JUST THINK WHAT
SHE WAS THEN.
2017
01:28:34,810 --> 01:28:38,278
WHY, EVERY BOY
ON THE BLOCK HOPED
SHE'D LOOK HIS WAY,
2018
01:28:38,280 --> 01:28:40,213
BUT SHE ONLY HAD EYES
FOR ONE,
2019
01:28:40,215 --> 01:28:42,015
A YOUNG, WILD IRISHMAN.
2020
01:28:42,017 --> 01:28:44,551
HE HAD A RIGHT
TO BE JEALOUS.
2021
01:28:44,553 --> 01:28:48,588
IT WAS SWEET
TILL IT GOT STUPID.
2022
01:28:48,590 --> 01:28:51,158
IN 1905,
HE WAS ROMANTIC,
2023
01:28:51,160 --> 01:28:55,329
WHERE THEY DANCED
TO THE SAME SONG
THEY'RE PLAYING NOW,
2024
01:28:55,331 --> 01:28:57,130
BUT I GUESS THAT'S
THE TROUBLE.
2025
01:28:57,132 --> 01:29:01,068
HE JUST ISN'T
ROMANTIC ANYMORE.
2026
01:29:01,070 --> 01:29:02,903
OH, BUT HE IS.
2027
01:29:08,010 --> 01:29:10,544
EDITH, WILL YOU DANCE
WITH ME ONCE AGAIN
2028
01:29:10,546 --> 01:29:12,746
TO THE TUNE
OF OUR SONG?
2029
01:29:12,748 --> 01:29:15,649
I'D BE PLEASED TO,
JERRY, IF--
2030
01:29:15,651 --> 01:29:17,484
I KNOW IT.
I'LL SAY I'M SORRY.
2031
01:29:17,486 --> 01:29:19,119
WELL, I AM,
AND IT COMES
2032
01:29:19,121 --> 01:29:21,021
FROM THE BOTTOM
OF ME HEART.
2033
01:29:47,116 --> 01:29:49,116
WELL, I'M GLAD
THAT'S PATCHED UP.
2034
01:29:49,118 --> 01:29:51,318
YES. ISN'T IT
WONDERFUL?
2035
01:30:22,918 --> 01:30:25,419
CORETTI, IS THAT
A WALTZ?
2036
01:30:25,421 --> 01:30:28,789
YOU'VE BEEN IN VIENNA.
IS IT?
2037
01:30:28,791 --> 01:30:30,957
I'M HERE
AT STORK CLUB
SO LONG,
2038
01:30:30,959 --> 01:30:33,293
I CAN'T REMEMBER.
2039
01:30:33,295 --> 01:30:35,028
NO. IT COULDN'T
BE A WALTZ.
2040
01:30:35,030 --> 01:30:36,496
THEY WOULDN'T DARE.
2041
01:30:36,498 --> 01:30:37,798
NO, SIR.
2042
01:30:51,213 --> 01:30:52,813
THAT'S A WALTZ,
ISN'T IT?
2043
01:30:52,815 --> 01:30:54,448
YES, SIR.
WHAT'S THE I--
2044
01:31:06,462 --> 01:31:08,094
WELL, THERE'S
NOTHING LIKE
2045
01:31:08,096 --> 01:31:09,930
A GOOD OLD-FASHIONED
WALTZ.
2046
01:31:09,932 --> 01:31:11,264
BY THE WAY,
TOM CURTIS,
2047
01:31:11,266 --> 01:31:12,399
THAT FELLA WE WERE
DISCUSSING,
2048
01:31:12,401 --> 01:31:14,067
IS AT THE TABLE
NEXT TO JUDY'S.
2049
01:31:14,069 --> 01:31:16,403
WOULD YOU LIKE
TO MEET HIM?
2050
01:31:16,405 --> 01:31:18,004
NO, THANKS.
2051
01:31:23,378 --> 01:31:27,581
HERE, TOM.
TAKE OVER.
2052
01:31:27,583 --> 01:31:28,715
DO ME A FAVOR,
WILL YOU, GWEN?
2053
01:31:28,717 --> 01:31:29,816
SURE. WHAT?
2054
01:31:29,818 --> 01:31:31,084
GO AND TELL
THAT GUY CURTIS
2055
01:31:31,086 --> 01:31:32,519
HE'S WANTED
ON THE PHONE
IN THE FIRST BOOTH.
2056
01:31:32,521 --> 01:31:34,020
OK, DANNY.
2057
01:31:37,259 --> 01:31:39,893
MR. CURTIS, YOU'RE
WANTED ON THE TELEPHONE
IN THE FIRST BOOTH.
2058
01:31:39,895 --> 01:31:41,595
THANK YOU.
WILL YOU
EXCUSE ME?
2059
01:31:41,597 --> 01:31:42,662
YES.
2060
01:31:46,668 --> 01:31:47,667
OH, I'M SORRY.
2061
01:31:47,669 --> 01:31:48,802
THAT'S ALL RIGHT.
COME IN.
2062
01:31:50,205 --> 01:31:51,771
MR. CURTIS,
I'M DANNY WILTON.
2063
01:31:51,773 --> 01:31:53,073
HOW DO YOU DO?
2064
01:31:53,075 --> 01:31:54,074
IT'S RATHER CLOSE
IN HERE, ISN'T IT?
2065
01:31:54,076 --> 01:31:55,609
I LIKE IT THAT WAY.
2066
01:31:55,611 --> 01:31:57,377
WELL, IT'S MUCH MORE
COMFORTABLE OUT
AT THE BAR.
2067
01:31:57,379 --> 01:31:59,412
UH-HUH, BUT BILLINGSLEY'S
GOT A RULE--
2068
01:31:59,414 --> 01:32:02,282
ANYONE WHO FIGHTS
IN THE STORK CLUB
IS BARRED FOR LIFE.
2069
01:32:02,284 --> 01:32:03,950
I KIND OF WISH
I'D BEEN BARRED
YESTERDAY.
2070
01:32:03,952 --> 01:32:05,652
LOOK, MR. CURTIS.
SOME TIME AGO,
2071
01:32:05,654 --> 01:32:08,021
I WAS IN A CAVE
ABOUT THIS SIZE
WITH A JAP.
2072
01:32:08,023 --> 01:32:10,290
AS YOU CAN GATHER,
I'M HERE TO TELL
THE TALE.
2073
01:32:10,292 --> 01:32:12,425
UH, AHEM.
WHAT HAPPENED
TO THE JAP?
2074
01:32:12,427 --> 01:32:15,495
UNH!
2075
01:32:15,497 --> 01:32:17,330
I KNOW I'M SUPPOSED
TO DOUBLE OVER
AT THIS POINT,
2076
01:32:17,332 --> 01:32:19,032
BUT THERE REALLY
ISN'T ROOM.
2077
01:32:19,034 --> 01:32:21,668
LISTEN, CURTIS.
THERE'S ONLY ONE THING
I WANT FROM YOU.
2078
01:32:21,670 --> 01:32:23,203
WELL, I HOPE
I'VE GOT IT.
2079
01:32:23,205 --> 01:32:24,237
I WANT THE TRUTH
ABOUT THAT LETTER
2080
01:32:24,239 --> 01:32:25,472
YOU WROTE
TO JUDY PEABODY
2081
01:32:25,474 --> 01:32:27,140
AND EVERYTHING
THAT'S BEHIND IT.
2082
01:32:27,142 --> 01:32:29,309
OH, IS THAT ALL?
2083
01:32:29,311 --> 01:32:30,710
THAT'S VERY SIMPLE.
2084
01:32:30,712 --> 01:32:33,046
MISS PEABODY
SAVED MR. BATES
FROM DROWNING.
2085
01:32:33,048 --> 01:32:35,982
HE WANTED TO
REWARD HER AND STILL
REMAIN ANONYMOUS.
2086
01:32:35,984 --> 01:32:38,718
IT'S ALL VERY
INNOCENT,
I ASSURE YOU.
2087
01:32:38,720 --> 01:32:41,955
OH. WELL, THANKS,
MR. CURTIS.
THAT'S GREAT.
2088
01:32:41,957 --> 01:32:43,390
SAY, CAN I BUY YOU
A DRINK?
2089
01:32:43,392 --> 01:32:45,358
YES, YOU CAN UNLESS
YOU WANT TO BE SUED
2090
01:32:45,360 --> 01:32:47,260
WITHIN AN INCH
OF YOUR LIFE.
2091
01:32:48,964 --> 01:32:51,565
BUT, JUDY DEAR,
YOU'VE GIVEN ALL
YOUR TIME TO US.
2092
01:32:51,567 --> 01:32:53,500
WHAT ARE YOU GOING TO DO
ABOUT YOUR YOUNG MAN?
2093
01:32:53,502 --> 01:32:55,569
I'M JUST GOING TO
TELL HIM THE TRUTH.
2094
01:32:55,571 --> 01:32:57,304
JUDY, YOU CAN'T DO THAT.
2095
01:32:57,306 --> 01:32:59,606
YOU'VE ALREADY
TOLD HIM THE TRUTH,
AND HE DOESN'T BELIEVE IT.
2096
01:32:59,608 --> 01:33:01,207
POP, WHAT CAN I DO?
2097
01:33:01,209 --> 01:33:02,509
TELL HIM ANOTHER LIE.
2098
01:33:02,511 --> 01:33:04,878
WHAT LIE? I HAVEN'T
WORKED ANYTHING OUT.
2099
01:33:04,880 --> 01:33:08,949
I'VE SEE YOU AT WORK,
AND I HAVE EVERY CONFIDENCE
IN YOUR ABILITY.
2100
01:33:08,951 --> 01:33:10,850
ALL RIGHT,
BUT YOU'VE GOT TO
BACK ME UP.
2101
01:33:10,852 --> 01:33:14,020
WE'LL DO THAT
IN MORE WAYS THAN ONE.
2102
01:33:14,022 --> 01:33:15,322
WHILE EDITH AND I
WERE DANCING,
2103
01:33:15,324 --> 01:33:17,190
WE TALKED ABOUT
A LITTLE SURPRISE
FOR YOU.
2104
01:33:17,192 --> 01:33:19,826
OH, DANNY.
2105
01:33:19,828 --> 01:33:21,461
YOU KNOW
MR. AND MRS. BATES.
2106
01:33:21,463 --> 01:33:22,762
HOW DO YOU DO?
2107
01:33:22,764 --> 01:33:24,497
DANNY, I HAVE TO
SING WITH THE BAND,
2108
01:33:24,499 --> 01:33:26,866
OR MR. BILLINGSLEY'S
GOING TO LET US ALL GO.
2109
01:33:26,868 --> 01:33:28,134
THAT'S
HIS PRIVILEGE.
2110
01:33:28,136 --> 01:33:30,303
I WON'T TILL YOU
BELIEVE IN ME,
2111
01:33:30,305 --> 01:33:32,639
AND I KNOW YOU WON'T
LET ME TILL YOU KNOW
THE TRUTH.
2112
01:33:32,641 --> 01:33:34,074
THAT'S RIGHT.
2113
01:33:34,076 --> 01:33:37,811
WELL, DANNY, YOU'RE GOING
TO HEAR IT RIGHT NOW.
2114
01:33:37,813 --> 01:33:40,614
I'M LISTENING.
2115
01:33:40,616 --> 01:33:45,118
IT--IT STARTED
MANY, MANY YEARS AGO
IN 1849, WASN'T IT, POP?
2116
01:33:45,120 --> 01:33:47,787
YEAH. YEAH.
'49. THAT'S RIGHT.
IN THE SUMMER.
2117
01:33:47,789 --> 01:33:49,222
IT WAS THE YEAR
OF THE GOLD RUSH.
2118
01:33:49,224 --> 01:33:50,624
YEAH, I SAW
THE PICTURE.
2119
01:33:50,626 --> 01:33:52,258
HOW'D YOU LIKE
CHARLIE IN IT?
2120
01:33:52,260 --> 01:33:54,094
STICK
TO THE SUBJECT.
2121
01:33:54,096 --> 01:33:56,997
WELL, YOU SEE,
IT STARTED THE DAY
2122
01:33:56,999 --> 01:33:58,431
I SAVED POP
FROM DROWNING.
2123
01:33:58,433 --> 01:34:00,900
THAT'S WHEN HE FIRST
DISCOVERED WHO I WAS.
2124
01:34:00,902 --> 01:34:02,969
I HAVE A STRAWBERRY MARK
ON MY LEFT THIGH,
2125
01:34:02,971 --> 01:34:04,638
AND MY BATHING SUIT
DOESN'T COVER IT.
2126
01:34:04,640 --> 01:34:07,407
POP NOTICED IT.
YOU'LL SEE IT SOMEDAY.
2127
01:34:07,409 --> 01:34:09,876
WELL, POP CASUALLY
MENTIONED THAT HIS FATHER
2128
01:34:09,878 --> 01:34:13,179
KNEW A MAN IN ALASKA
WITH THE VERY SAME MARKING.
2129
01:34:13,181 --> 01:34:16,616
THEY SHARED A CLAIM
IN THE BIG YELLOW TAIL MINE.
2130
01:34:16,618 --> 01:34:18,118
INTERESTING?
2131
01:34:18,120 --> 01:34:19,753
VERY.
VERY.
2132
01:34:19,755 --> 01:34:21,321
I MEAN, THE WAY
JUDY TELLS IT.
2133
01:34:21,323 --> 01:34:22,756
I KNOW THE STORY WELL,
2134
01:34:22,758 --> 01:34:25,759
BUT I NEVER GET TIRED
OF HEARING HER RELATE IT.
2135
01:34:25,761 --> 01:34:26,893
GO AHEAD, JUDY.
2136
01:34:26,895 --> 01:34:28,995
THANKS. WELL, RIGHT
ABOUT HERE,
2137
01:34:28,997 --> 01:34:31,631
I THINK I OUGHT TO MENTION
MY GRANDFATHER'S MAP.
2138
01:34:31,633 --> 01:34:34,200
OH, A VERY GOOD-LOOKING
MAN HE WAS, TOO.
2139
01:34:34,202 --> 01:34:35,602
THE MAP WITH A MINE.
2140
01:34:35,604 --> 01:34:39,272
YES, YES.
PARDON THE INTRUSION.
2141
01:34:39,274 --> 01:34:42,008
WELL, MY GRANDFATHER WAS
LOST IN THE BLIZZARD OF '51,
2142
01:34:42,010 --> 01:34:45,545
AND POP AND HIS FATHER
HAVE BEEN LOOKING FOR ME
EVERY SINCE.
2143
01:34:45,547 --> 01:34:48,415
POP CHANGED HIS NAME
TO BUTLER WHILE
SEARCHING FOR ME.
2144
01:34:48,417 --> 01:34:50,316
WELL, OF COURSE NOW
YOU'RE VERY RICH.
2145
01:34:50,318 --> 01:34:53,420
NO. AND THIS IS THE PART
YOU WON'T BELIEVE.
2146
01:34:53,422 --> 01:34:56,356
THE MAN THAT POP'S FATHER
THOUGHT WAS MY GRANDFATHER
2147
01:34:56,358 --> 01:34:59,392
TURNED OUT TO BE
NO RELATION
OF MINE AT ALL.
2148
01:34:59,394 --> 01:35:01,494
WELL, HOW DID YOU
FIND THAT OUT?
2149
01:35:01,496 --> 01:35:04,698
MY GRANDMOTHER TOLD ME!
2150
01:35:04,700 --> 01:35:07,967
WELL, NOW THAT
MAKES SENSE.
2151
01:35:07,969 --> 01:35:10,804
WHY DIDN'T YOU
TELL ME THAT
IN THE FIRST PLACE?
2152
01:35:10,806 --> 01:35:13,139
I DIDN'T THINK
YOU'D BELIEVE IT.
2153
01:35:13,141 --> 01:35:15,709
OH, JUDY, YOU
UNDERESTIMATE ME.
2154
01:35:15,711 --> 01:35:18,244
YOU SEE, I DO
BELIEVE IN YOU.
2155
01:35:18,246 --> 01:35:19,345
NOW DOESN'T THAT
MAKE YOU ELIGIBLE
2156
01:35:19,347 --> 01:35:20,980
TO SING
WITH THE BAND?
2157
01:35:27,522 --> 01:35:30,056
HURRY BACK.
YOU HAVEN'T HEARD
THE SURPRISE.
2158
01:35:45,874 --> 01:35:50,510
♪ IF I HAD
A DOZEN HEARTS ♪
2159
01:35:50,512 --> 01:35:54,347
♪ AND IF YOU
HAD ONLY ONE ♪
2160
01:35:54,349 --> 01:35:55,448
WHAT A LIAR.
2161
01:35:55,450 --> 01:35:59,352
♪ IF I HAD
A DOZEN HEARTS ♪
2162
01:35:59,354 --> 01:36:03,189
♪ I WOULD LOVE YOU
12 TIMES ONE ♪
2163
01:36:03,191 --> 01:36:04,824
YELLOWTAIL MINE.
2164
01:36:04,826 --> 01:36:07,427
♪ IF I HAD
A DOZEN LIPS ♪
2165
01:36:07,429 --> 01:36:10,230
♪ I WOULD SAY ♪
2166
01:36:10,232 --> 01:36:11,231
GRANDFATHER'S MAP.
2167
01:36:11,233 --> 01:36:14,534
♪ 12 TIMES A DAY ♪
2168
01:36:14,536 --> 01:36:16,169
STRAWBERRY MARK.
2169
01:36:16,171 --> 01:36:20,874
♪ DARLING,
I LOVE YOU ♪
2170
01:36:20,876 --> 01:36:23,176
WELL, SEEING
IS BELIEVING.
2171
01:36:23,178 --> 01:36:27,447
♪ IF I HAD
A DOZEN ARMS ♪
2172
01:36:27,449 --> 01:36:31,518
♪ THEY WOULD ALL
BE HOLDING YOU ♪
2173
01:36:31,520 --> 01:36:32,685
BUT I FORGIVE YOU.
2174
01:36:32,687 --> 01:36:36,589
♪ IF I HAD
A DOZEN DREAMS ♪
2175
01:36:36,591 --> 01:36:41,094
♪ IN YOUR ARMS,
THEY WOULD
ALL COME TRUE ♪
2176
01:36:41,096 --> 01:36:43,229
KNOW WHY?
♪ ALTHOUGH ♪
2177
01:36:43,231 --> 01:36:45,231
BECAUSE I LOVE YOU.
♪ I KNOW ♪
2178
01:36:45,233 --> 01:36:50,570
♪ A DOZEN HEARTS
ARE FUN ♪
2179
01:36:50,572 --> 01:36:52,772
♪ I COULDN'T
LOVE YOU ♪
2180
01:36:52,774 --> 01:36:57,544
♪ MUCH MORE
THAN I DO WITH ONE ♪
2181
01:36:57,546 --> 01:36:59,579
[APPLAUSE]
2182
01:37:03,084 --> 01:37:04,551
I LOVE YOU,
PIE FACE.
2183
01:37:04,553 --> 01:37:06,352
I'LL BE WAITING
FOR YOU OVER
WITH POP.
2184
01:37:06,354 --> 01:37:07,720
OK, SWEETIE.
2185
01:37:14,529 --> 01:37:16,196
THAT WAS LOVELY,
JUDY.
2186
01:37:16,198 --> 01:37:19,132
THANKS. WELL, POP,
WHAT'S THE BIG
SURPRISE?
2187
01:37:19,134 --> 01:37:23,136
JUDY, YOU SAVED ME TWICE,
WHEN I MET YOU AND TONIGHT.
2188
01:37:23,138 --> 01:37:26,005
I CAN'T REPAY YOU,
BUT I HAVE AN IDEA.
2189
01:37:26,007 --> 01:37:27,841
I'VE DISCUSSED IT
WITH EDITH,
2190
01:37:27,843 --> 01:37:29,075
AND WE HOPE
YOU'LL BE PLEASED
2191
01:37:29,077 --> 01:37:31,211
THAT I'M GOING TO
MENTION YOU IN MY WILL.
2192
01:37:31,213 --> 01:37:33,179
OH, NO,
THAT'S OUT, POP.
2193
01:37:33,181 --> 01:37:35,181
NOT THAT I
DON'T APPRECIATE
THE THOUGHT AND ALL,
2194
01:37:35,183 --> 01:37:36,883
BUT, OH,
I DON'T KNOW,
2195
01:37:36,885 --> 01:37:39,853
I DON'T SEEM TO BE
ABLE TO GET ALONG
WITH MONEY.
2196
01:37:39,855 --> 01:37:41,354
MY HAPPINESS WILL
COME WITH DANNY,
2197
01:37:41,356 --> 01:37:42,422
SINGING
WITH THE BAND
2198
01:37:42,424 --> 01:37:43,990
ON THOSE
ONE-NIGHT STANDS.
2199
01:37:43,992 --> 01:37:45,792
BAD HOTELS,
BAD FOOD,
2200
01:37:45,794 --> 01:37:47,093
BUT WE'LL BE
TOGETHER.
2201
01:37:47,095 --> 01:37:49,929
WE'LL BE RIDING
ON CLOUD 9 JUST
OUTSIDE OF HEAVEN.
2202
01:37:49,931 --> 01:37:52,632
I SEE WHAT YOU MEAN,
AND I THINK YOU'RE RIGHT.
2203
01:37:52,634 --> 01:37:55,034
TWO YOUNG KIDS IN LOVE
MIGHT GET ALL MIXED UP
2204
01:37:55,036 --> 01:37:57,270
WITH A MILLION
IN THE BANK.
2205
01:37:57,272 --> 01:37:59,706
A MILLION?!
2206
01:37:59,708 --> 01:38:00,740
KEEP TALKING, POP.
2207
01:38:00,742 --> 01:38:02,876
MAYBE YOU CAN
CHANGE MY MIND.
2208
01:38:02,878 --> 01:38:05,845
CAPTIONING MADE POSSIBLE BY
TURNER ENTERTAINMENT GROUP
2209
01:38:06,882 --> 01:38:07,881
CAPTIONING INSTITUTE
2210
01:38:07,883 --> 01:38:08,882
--www.ncicap.org--
163315
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