Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:01:38,039 --> 00:01:42,152
Yes, ladies and gentlemen, we are
in luck today here in Los Angeles.
2
00:01:42,252 --> 00:01:44,654
Through the years,
the Bullwinkle Galleries...
3
00:01:44,754 --> 00:01:46,448
have brought up for auction...
4
00:01:46,548 --> 00:01:51,370
many collections of the personal effects
of your famous movie stars.
5
00:01:51,470 --> 00:01:55,248
But today, today is indeed
a red-letter day.
6
00:01:55,348 --> 00:01:58,383
The personal effects of Tony Hunter!
7
00:01:58,560 --> 00:01:59,794
Lot 94.
8
00:01:59,894 --> 00:02:03,972
Ladies and gentlemen,
let's start out with Lot 94.
9
00:02:04,399 --> 00:02:09,061
Some of the potpourri
of Mr. Hunter's own personal costumes...
10
00:02:09,237 --> 00:02:12,933
that he used in his famous
dancing-singing pictures.
11
00:02:13,033 --> 00:02:16,186
Remember this?
Perhaps the most famous top hat...
12
00:02:16,286 --> 00:02:18,188
and stick of our generation.
13
00:02:18,288 --> 00:02:22,192
Yes, the one he used
in Swinging Down to Panama...
14
00:02:22,292 --> 00:02:24,576
and all his other famous pictures.
15
00:02:24,753 --> 00:02:28,580
Let's start with $5. Do I hear $5?
16
00:02:28,923 --> 00:02:31,041
It's worth a lot more.
17
00:02:31,259 --> 00:02:33,794
All right. Let's start with 2.
18
00:02:34,137 --> 00:02:37,381
Well? Fifty cents?
19
00:02:39,225 --> 00:02:40,717
Anything?
20
00:02:49,110 --> 00:02:52,472
Just one more for the road.
About 20 minutes to New York.
21
00:02:52,572 --> 00:02:54,064
Bottoms up.
22
00:02:57,202 --> 00:03:00,021
- So you're from California?
- That's right. Sunny Cal.
23
00:03:00,121 --> 00:03:02,691
- Sunny Cal?
- Yeah. Sunny Cal.
24
00:03:02,791 --> 00:03:06,528
Say, you're from Sunny Cal. I bet
you know a lot of movie stars out there.
25
00:03:06,628 --> 00:03:08,863
I got to confess.
I'm just like you and me.
26
00:03:08,963 --> 00:03:11,366
- Only get to see them in the movies.
- Ha, ha.
27
00:03:11,466 --> 00:03:14,251
But I read about them.
I know all about them.
28
00:03:15,220 --> 00:03:18,380
Boy, I'd sure like to meet
that Ava Gardner.
29
00:03:18,556 --> 00:03:21,383
- You're a little late. She's married.
- Yeah.
30
00:03:21,684 --> 00:03:23,628
- You know this one?
- Who's that?
31
00:03:23,728 --> 00:03:27,048
- Tony Hunter.
- Oh, him. The singing-dancing fella.
32
00:03:27,148 --> 00:03:31,261
My wife used to go see all his pictures.
Almost broke up our home.
33
00:03:31,361 --> 00:03:33,603
"Tony Hunter! Tony Hunter!"
34
00:03:33,905 --> 00:03:35,849
He was good 12 or 15 years ago...
35
00:03:35,949 --> 00:03:38,400
but the columnists out there
say he's through.
36
00:03:39,035 --> 00:03:42,689
Through? He's washed up.
Hasn't made a picture in three years.
37
00:03:42,789 --> 00:03:45,859
- Did you say something, mister?
- I said I agreed with you.
38
00:03:45,959 --> 00:03:47,527
That Tony Hunter's a has-been.
39
00:03:47,627 --> 00:03:49,362
- Got a match?
- Yeah.
40
00:03:49,462 --> 00:03:52,741
I wouldn't go to see him
if they gave away $5 bills with the ticket.
41
00:03:54,259 --> 00:03:55,584
Yeah.
42
00:03:57,554 --> 00:03:59,671
We should be pulling...
43
00:03:59,806 --> 00:04:04,669
The funny thing about what you're saying,
boys, is that it's absolutely true.
44
00:04:04,769 --> 00:04:07,387
Here. Have an exploding cigar.
45
00:04:23,079 --> 00:04:25,440
- This the last of the bags, Mr. Hunter?
- Yeah.
46
00:04:25,540 --> 00:04:28,443
Say, porter... could you see that
they get put in a taxi...
47
00:04:28,543 --> 00:04:32,788
- ...and taken up to the... Plaza Hotel?
- Yes, sir. Thank you, sir.
48
00:04:33,590 --> 00:04:35,241
Everybody's getting off, sir.
49
00:04:35,341 --> 00:04:38,703
If you don't mind,
I'll just sit for a minute or two.
50
00:04:38,803 --> 00:04:41,998
You couldn't just... make up my berth
for the night here, could you?
51
00:04:42,098 --> 00:04:44,383
No, sir. I couldn't do that.
52
00:04:55,862 --> 00:04:58,681
There's a mob of reporters
and photographers out there.
53
00:04:58,781 --> 00:05:01,976
Yep. There must be some big shot aboard.
Maybe the president.
54
00:05:02,076 --> 00:05:05,362
No, too many for that.
Probably a movie star.
55
00:05:11,628 --> 00:05:14,413
- Hi, fellas.
- Tony Hunter! Hello, Mr. Hunter!
56
00:05:14,547 --> 00:05:17,158
Thanks for the red-carpet bit.
I didn't expect it.
57
00:05:17,258 --> 00:05:20,578
- What brings you to New York?
- Just fooling around.
58
00:05:20,678 --> 00:05:22,914
- Between pictures, Tony?
- In a manner of speaking.
59
00:05:23,014 --> 00:05:26,000
Didn't I read something in Variety
about you going into a show?
60
00:05:26,100 --> 00:05:29,629
Lily and Les Marton had something
planned for me. I haven't decided yet.
61
00:05:29,729 --> 00:05:33,758
I haven't been on the stage in a long time.
And you get into a different medium.
62
00:05:33,858 --> 00:05:35,718
- What it actually is...
- Here she is!
63
00:05:35,818 --> 00:05:37,804
- Excuse me, Mr. Hunter.
- See you later.
64
00:05:37,904 --> 00:05:39,097
Hi, Miss Gardner.
65
00:05:39,197 --> 00:05:41,683
Miss Gardner, hold it, please?
Smile pretty. Thanks.
66
00:05:41,783 --> 00:05:45,353
- How long you going to be in town?
- I have no definite plans.
67
00:05:45,453 --> 00:05:47,939
Tony! I had no idea
you were on the train.
68
00:05:48,039 --> 00:05:50,066
This is a surprise.
You going to be here long?
69
00:05:50,166 --> 00:05:52,485
- Perhaps a week or two...
- Excuse me, Miss Gardner.
70
00:05:52,585 --> 00:05:55,405
Could the boys get one more shot of you
coming out the door?
71
00:05:55,505 --> 00:05:58,158
Honestly, isn't all this stuff
an awful bore?
72
00:05:58,258 --> 00:06:00,326
- Good to see you, Tony.
- It's nice to see you.
73
00:06:00,426 --> 00:06:04,289
By the door, please, Miss Gardner.
Once more! Here we go! Thank you.
74
00:06:04,389 --> 00:06:08,508
Miss Gardner, my paper would like
to do a Sunday feature on you.
75
00:06:09,686 --> 00:06:13,214
Those poor movie stars.
People just won't let them alone, will they?
76
00:06:13,314 --> 00:06:15,932
No. I don't know how they stand it.
77
00:06:19,279 --> 00:06:23,899
I'll go my way by myself
78
00:06:25,034 --> 00:06:28,820
Like walking under the clouds
79
00:06:30,623 --> 00:06:34,910
I'll go my way by myself
80
00:06:35,795 --> 00:06:39,581
All alone in a crowd
81
00:06:41,551 --> 00:06:45,754
I'll try to apply myself
82
00:06:46,764 --> 00:06:50,258
And teach my heart how to sing
83
00:06:52,312 --> 00:06:56,431
I'll go my way by myself
84
00:06:57,275 --> 00:07:01,144
Like a bird on the wing
85
00:07:02,947 --> 00:07:06,942
I'll face the unknown
86
00:07:08,036 --> 00:07:12,447
I'll build a world of my own
87
00:07:13,458 --> 00:07:18,119
No one knows better than I, myself
88
00:07:18,629 --> 00:07:25,835
I'm by myself alone
89
00:07:41,611 --> 00:07:44,729
Tony Hunter! There's Tony Hunter!
90
00:07:45,782 --> 00:07:52,313
Rah-rah, Tony, Tony Hunter
Sis-boom-bah, yay
91
00:07:52,413 --> 00:07:54,649
Did you kids paint
those signs just for me?
92
00:07:54,749 --> 00:07:56,992
That's cute. Piggy.
93
00:07:58,002 --> 00:07:59,828
Let's get rid of this stuff.
94
00:08:00,338 --> 00:08:02,747
This is the biggest surprise I've had.
95
00:08:06,886 --> 00:08:10,665
- Mister, can I have your autograph?
- You certainly can, gal, come here!
96
00:08:10,765 --> 00:08:12,166
That's my wife. Let go.
97
00:08:12,266 --> 00:08:14,627
Don't worry.
I'll get around to you in a minute.
98
00:08:14,727 --> 00:08:16,671
- Who's he?
- Never saw him before in my life.
99
00:08:16,771 --> 00:08:19,632
- Hello, piggy!
- Hello, yourself, you two-headed creep!
100
00:08:19,732 --> 00:08:21,426
Why didn't you say when you were coming?
101
00:08:21,526 --> 00:08:22,802
We had to ask your agent.
102
00:08:22,902 --> 00:08:25,847
- Why didn't you send us a wire?
- I wanted to sneak in quietly.
103
00:08:25,947 --> 00:08:30,018
Believe me, I didn't have any trouble.
I want to see if you've changed in a year.
104
00:08:30,118 --> 00:08:33,521
No, Les, you haven't changed a bit.
You look desperately ill, as usual.
105
00:08:33,621 --> 00:08:35,857
- What'd you have to say that for?
- Just kidding.
106
00:08:35,957 --> 00:08:37,442
I've been feeling terrible all day.
107
00:08:37,542 --> 00:08:41,821
Kind of faint, lightheaded,
a lot of pressure here, queasy inside...
108
00:08:41,921 --> 00:08:43,448
- ...my pulse...
- You look great.
109
00:08:43,548 --> 00:08:47,201
As for you, that New York pallor
is like a breath of fresh air.
110
00:08:47,301 --> 00:08:51,497
You're too pretty to be a successful writer
and much too pretty to be married to that.
111
00:08:51,597 --> 00:08:53,791
That's the prettiest compliment
I've had all day!
112
00:08:53,891 --> 00:08:56,669
Come on, you two-headed lovebirds,
there's work to be done!
113
00:08:56,769 --> 00:09:00,256
- Now I have here a script of a show!
- Les, you didn't bring it.
114
00:09:00,356 --> 00:09:02,717
It's great. It's the best thing
we've ever written.
115
00:09:02,817 --> 00:09:05,219
Take it, boy. Smell it!
You can tell it's good.
116
00:09:05,319 --> 00:09:08,264
There's a great part in it for you,
nice little parts for us.
117
00:09:08,364 --> 00:09:11,316
Wait. This boy must be starving.
Let's take him to Sardi's.
118
00:09:16,205 --> 00:09:18,232
Only two blocks more, then Sardi's.
119
00:09:18,332 --> 00:09:21,319
- Shall we tell him, Lil, the big surprise?
- You tell him, Les.
120
00:09:21,419 --> 00:09:23,488
Who do you think
is going to do the show?
121
00:09:23,588 --> 00:09:27,784
Only the greatest director-producer
in town, Jeffrey Cordova.
122
00:09:27,884 --> 00:09:29,827
- Who?
- Jeff Cordova.
123
00:09:29,927 --> 00:09:32,705
We're meeting him tonight, backstage,
right after the show.
124
00:09:32,805 --> 00:09:35,416
- What did you say his name was?
- Jeffrey Cordova!
125
00:09:35,516 --> 00:09:36,709
You're not serious.
126
00:09:36,809 --> 00:09:39,045
I don't think he ever heard
of this fella.
127
00:09:39,145 --> 00:09:42,131
What's the matter? Don't you
get newspapers back in California?
128
00:09:42,231 --> 00:09:44,675
This genius directed Man
in a Mousetrap...
129
00:09:44,775 --> 00:09:49,263
The Lost Nymph, and did them both
while starring in Oedipus Rex.
130
00:09:49,363 --> 00:09:51,974
He's got three hits running,
and he's starring in one of them.
131
00:09:52,074 --> 00:09:53,393
Only one?
132
00:09:53,493 --> 00:09:57,522
This fella's fabulous, phenomenal,
fantastic! He can do anything.
133
00:09:57,622 --> 00:09:59,399
- Has he ever directed a musical?
- Oh...
134
00:09:59,499 --> 00:10:01,567
What's the difference?
He can do anything.
135
00:10:01,667 --> 00:10:04,695
He's theater.
He's a new kind of theater man, Tony.
136
00:10:04,795 --> 00:10:07,156
The theater's changed.
Lots of things have changed.
137
00:10:07,256 --> 00:10:08,957
They certainly have.
138
00:10:10,092 --> 00:10:12,585
What's happened to 42nd Street?
139
00:10:13,304 --> 00:10:17,041
I just can't get over it.
I just can't understand it.
140
00:10:17,141 --> 00:10:20,670
This used to be the great theater street
of the town. The New Amsterdam.
141
00:10:20,770 --> 00:10:23,756
I had one of my biggest successes there.
Ran a year and a half.
142
00:10:23,856 --> 00:10:26,884
Noel Coward and Gertie were here in
Private Lives in the Selwyn.
143
00:10:26,984 --> 00:10:29,053
Strictly carriage trade,
nothing but the finest.
144
00:10:29,153 --> 00:10:33,307
First show I ever did was at the Eltinge,
and I don't believe that's here anymore.
145
00:10:33,407 --> 00:10:35,601
- Oh! Oh! Oh!
- What's the matter?
146
00:10:35,701 --> 00:10:38,396
- I think he broke my leg.
- Can you put your weight on it?
147
00:10:38,496 --> 00:10:40,648
- I'll try.
- I'm sorry! I didn't mean it.
148
00:10:40,748 --> 00:10:43,025
- Okay, forget it.
- Let's get him a cab.
149
00:10:43,125 --> 00:10:44,444
Taxi!
150
00:10:45,795 --> 00:10:46,988
Here, let me carry you.
151
00:10:47,088 --> 00:10:50,658
My dear man, it's entirely my fault
and I apologize.
152
00:10:50,758 --> 00:10:52,452
Here's for your trouble.
153
00:10:52,552 --> 00:10:55,121
Lean on me.
154
00:10:55,221 --> 00:10:58,332
- I can stand anything but pain.
- You'll be all right.
155
00:10:58,432 --> 00:11:02,719
It's swelling. I'm getting a hematoma.
The blood is spurting out.
156
00:11:03,104 --> 00:11:06,674
I want some cold compresses!
Not hot, but cold.
157
00:11:06,774 --> 00:11:09,135
Listen, you go over to Sardi's.
I'll see you later.
158
00:11:09,235 --> 00:11:11,179
Driver, take them on over.
Order me a steak.
159
00:11:11,279 --> 00:11:12,812
I'll see you in a few minutes.
160
00:11:22,039 --> 00:11:23,191
Excuse me.
161
00:11:23,291 --> 00:11:26,993
I'm just a little bit fuzzy.
Wasn't this formerly the Eltinge theater?
162
00:11:34,218 --> 00:11:36,544
What are you doing in there?
163
00:13:23,327 --> 00:13:27,196
When you feel as low
As the bottom of a well
164
00:13:27,456 --> 00:13:29,991
And can't get out of the mood
165
00:13:31,252 --> 00:13:34,363
Do something to perk yourself up
166
00:13:34,463 --> 00:13:37,206
And change your attitude
167
00:13:38,092 --> 00:13:41,669
Give a tug to your tie
Put a crease in your pants
168
00:13:41,971 --> 00:13:44,631
But if you really want to feel fine
169
00:13:45,599 --> 00:13:50,136
Give your shoes a shine
170
00:13:53,149 --> 00:13:56,469
When there's a shine on your shoes
171
00:13:56,569 --> 00:13:58,770
There's a melody in your heart
172
00:13:59,029 --> 00:14:04,101
With a singable happy feeling
A wonderful way to start
173
00:14:04,201 --> 00:14:06,861
To face the world every day
174
00:14:07,413 --> 00:14:09,523
With the deedle-dum-dee-dah-dah
175
00:14:09,623 --> 00:14:14,528
A little melody that is making
The worrying world go by
176
00:14:14,628 --> 00:14:17,080
When you walk down the street
177
00:14:17,381 --> 00:14:19,707
With the happy-go-lucky beat
178
00:14:20,551 --> 00:14:24,330
You'll find a lot in what I'm repeating
179
00:14:24,430 --> 00:14:27,465
When there's a shine on your shoes
180
00:14:27,641 --> 00:14:30,044
There's a melody in your heart
181
00:14:30,144 --> 00:14:33,930
What a wonderful way to start the day
182
00:14:35,232 --> 00:14:38,267
Now there's a shine that you get
In the barbershop
183
00:14:40,237 --> 00:14:43,272
There's a shine that you get
In the Pullman car
184
00:14:45,284 --> 00:14:48,486
There's a shine that you get
In the pool room
185
00:14:50,289 --> 00:14:53,401
There's a shine that you get
In the school room
186
00:14:55,336 --> 00:14:57,829
But it doesn't matter where you get it
187
00:14:58,047 --> 00:15:00,866
It'll do a lot of good if you let it
188
00:15:00,966 --> 00:15:04,210
A little bit of polish will abolish
What's bothering you
189
00:15:04,804 --> 00:15:08,047
When there's a shine on your shoes
190
00:15:08,432 --> 00:15:13,094
Melody in your heart
Singable happy feeling
191
00:15:13,479 --> 00:15:15,346
Wonderful!
192
00:15:47,263 --> 00:15:50,374
Got a shine on my shoes
Got a shine on my shoes
193
00:15:50,474 --> 00:15:53,627
Got a shine on my shoes
Got a shine on my shoes
194
00:15:53,727 --> 00:15:57,047
Got a shine on my shoes
Got a shine on my shoes
195
00:15:57,147 --> 00:16:00,475
Got a shine on my shoes
Got a shine on my shoes
196
00:16:00,734 --> 00:16:04,054
Shiny shoes! Shiny shoes!
Shiny shoes! Shiny shoes!
197
00:16:04,154 --> 00:16:07,308
Shiny shoes! Shiny shoes!
Shiny shoes! Shiny shoes!
198
00:16:07,408 --> 00:16:10,853
I got a shine shoes
Shiny shoes! Shiny shoes! Shiny shoes!
199
00:16:10,953 --> 00:16:13,856
Shine, shine, shine, shine on my shoes
200
00:16:15,165 --> 00:16:17,234
I got a shine on my shoes
I got a shine on my shoes
201
00:16:17,334 --> 00:16:20,488
I got a shine on my shoes
I got a shine on my shoes
202
00:16:20,588 --> 00:16:22,323
Got a shoeshine
Got a shoeshine
203
00:16:22,423 --> 00:16:23,991
Got a shoeshine
Got a shoeshine
204
00:16:24,091 --> 00:16:25,868
Got a shoeshine
Got a shoeshine
205
00:16:25,968 --> 00:16:28,169
Got a shoeshine
Got a shoeshine
206
00:16:57,750 --> 00:16:59,909
Yeah! Hooray!
207
00:17:51,053 --> 00:17:55,089
In such a time, indeed
You must reap doubly
208
00:17:55,391 --> 00:17:58,335
With a twofold pain
209
00:17:58,435 --> 00:18:02,506
Kind friend,
you alone are faithful to me.
210
00:18:02,606 --> 00:18:04,091
Blind though I am...
211
00:18:04,191 --> 00:18:08,227
I know that you are here,
and your voice is known to me.
212
00:18:09,780 --> 00:18:14,685
Oh, man of dark deed
How did you find the heart to blind yourself
213
00:18:14,785 --> 00:18:16,979
But deliver to all?
214
00:18:17,079 --> 00:18:20,281
Apollo, friends! Apollo!
215
00:18:21,834 --> 00:18:25,953
Come near me.
Lay your hand upon a wretched man.
216
00:18:26,422 --> 00:18:28,198
Do not fear.
217
00:18:28,298 --> 00:18:32,460
My plague can touch no one but me.
218
00:18:33,220 --> 00:18:35,623
Seize me and drive me out!
219
00:18:35,723 --> 00:18:39,251
Send me, for God's sake,
to some distant spot!
220
00:18:39,351 --> 00:18:41,886
Conceal me! Kill me!
221
00:18:42,604 --> 00:18:45,806
This guy is going to direct a musical?
222
00:18:46,942 --> 00:18:49,310
This guy can do anything.
223
00:18:53,532 --> 00:18:57,652
Therefore plan
For to death shall watch life's hand
224
00:18:58,370 --> 00:19:05,361
And can't all happy till thee pass
The earth away
225
00:19:07,004 --> 00:19:09,114
Sweetie, we start on the left foot!
226
00:19:09,214 --> 00:19:12,117
Always the left!
The whole exit depends upon...
227
00:19:12,217 --> 00:19:13,953
Lily, darling! How are you?
228
00:19:14,053 --> 00:19:15,454
Lester, how am I doing?
229
00:19:15,554 --> 00:19:17,755
- Jeff, this is Tony...
- Excuse me.
230
00:19:19,141 --> 00:19:21,293
Underneath it all, very simple.
231
00:19:21,393 --> 00:19:23,261
Isn't he wonderful?
232
00:19:27,983 --> 00:19:30,844
Listen. Order me
a corned-beef sandwich, will you?
233
00:19:30,944 --> 00:19:34,772
Lean, now, no fat, no gristle.
And a cream soda and a pickle.
234
00:19:35,574 --> 00:19:38,519
- Mr. Cordova wants a...
- Stay right here. It's all right.
235
00:19:38,619 --> 00:19:41,021
That maniac. Honestly! Say, Hal?
236
00:19:41,121 --> 00:19:43,273
- Yes, Miss Marton.
- The maestro wants his...
237
00:19:43,373 --> 00:19:46,068
I know. The corned beef.
It's in his dressing room already.
238
00:19:46,168 --> 00:19:47,319
Hal, this is Mr. Hunter.
239
00:19:47,419 --> 00:19:49,947
- This is Hal Benton, Jeff's manager.
- Nice to meet you.
240
00:19:50,047 --> 00:19:51,824
- I'm a great admirer of yours.
- Thank you.
241
00:19:51,924 --> 00:19:55,285
- When did you get in town?
- I got off the train a couple of hours ago.
242
00:19:55,385 --> 00:19:58,455
- Wasn't that curtain slower tonight?
- It was my fault. I'm sorry.
243
00:19:58,555 --> 00:20:02,334
No, don't change it. Keep it that way.
It's wonderful. Doubles the applause.
244
00:20:02,434 --> 00:20:04,378
- This is Tony Hunter.
- How do you do?
245
00:20:04,478 --> 00:20:08,173
Sorry, kids. Be with you soon as
I get out of this sackcloth and ashes...
246
00:20:08,273 --> 00:20:12,011
Max, what happened to that amber spot?
It was way off.
247
00:20:12,111 --> 00:20:13,554
Must have more light on me there.
248
00:20:13,654 --> 00:20:15,848
Don't let us keep it a secret
I'm in the show.
249
00:20:15,948 --> 00:20:17,266
- Excuse me.
- Hello, sweetheart.
250
00:20:17,366 --> 00:20:19,101
- You look wonderful.
- Thank you.
251
00:20:19,201 --> 00:20:23,105
Hal, call a full dialogue rehearsal, will you?
Friday, for the full company.
252
00:20:23,205 --> 00:20:26,400
Sloppy diction. The original was in Greek,
but this is in English.
253
00:20:26,500 --> 00:20:30,779
Don't let us keep it a secret it's in English.
I want to catch the matinee tomorrow...
254
00:20:30,879 --> 00:20:33,615
- ...of Man in a Mousetrap.
- Can't do. We got a drama lecture...
255
00:20:33,715 --> 00:20:35,409
Never mind. We'll work it out somehow.
256
00:20:35,509 --> 00:20:37,619
Jeff, this is Tony Hunter.
257
00:20:37,719 --> 00:20:39,795
Yeah, I know. We just met.
258
00:20:41,515 --> 00:20:42,666
Mr. Hunter.
259
00:20:42,766 --> 00:20:44,710
- I beg your pardon.
- I'm glad to know you.
260
00:20:44,810 --> 00:20:46,086
So happy to meet you.
261
00:20:46,186 --> 00:20:49,048
You have no idea
how delighted I am to see you.
262
00:20:49,148 --> 00:20:51,098
- Delighted and thrilled.
- Thank you.
263
00:20:52,568 --> 00:20:54,970
We need our theater greats right here.
264
00:20:55,070 --> 00:20:58,599
So when Lily and Lester said they were
doing a show with Tony Hunter...
265
00:20:58,699 --> 00:21:00,642
that's all I had to know.
266
00:21:00,742 --> 00:21:04,612
I'm dropping every other project,
and there are plenty, believe me.
267
00:21:05,247 --> 00:21:09,867
That's wonderful, Mr. Cordova,
but all this... The classics...
268
00:21:10,294 --> 00:21:14,406
- Do you really want to do a musical?
- Musical, musical!
269
00:21:14,506 --> 00:21:18,584
I'm sick of these artificial barriers
between the musical and the drama.
270
00:21:18,719 --> 00:21:22,414
In my mind, there is no difference
between the magic rhythms...
271
00:21:22,514 --> 00:21:26,293
of Bill Shakespeare's immortal verse
and the magic rhythms...
272
00:21:26,393 --> 00:21:28,969
of Bill Robinson's immortal feet.
273
00:21:29,438 --> 00:21:32,091
Hal, write that down.
I'll use it at Princeton.
274
00:21:32,191 --> 00:21:34,093
It's already down.
You used it last week.
275
00:21:34,193 --> 00:21:36,845
I tell you, if it moves you,
if it stimulates you...
276
00:21:36,945 --> 00:21:39,139
if it entertains you, it's theater.
277
00:21:39,239 --> 00:21:42,518
When the right combination gets together
and it spells theater...
278
00:21:42,618 --> 00:21:45,986
I got to be right in there
up to my armpits.
279
00:21:46,455 --> 00:21:47,940
That's higher than usual.
280
00:21:48,040 --> 00:21:50,484
Now, that's what I wanted
Tony to hear you say.
281
00:21:50,584 --> 00:21:55,030
I tried to tell him how you feel, but I knew
that you could say it so beautifully.
282
00:21:55,130 --> 00:21:57,574
Lily, you splendid animal.
283
00:21:57,674 --> 00:22:00,619
Take your hands off my wife
and let's get down to business.
284
00:22:00,719 --> 00:22:03,831
Now I have here a script.
It's great. It's ready to roll.
285
00:22:03,931 --> 00:22:07,501
Jeff, I want you to take this home.
I want you to read it tonight...
286
00:22:07,601 --> 00:22:10,754
But before I do,
give me a rough idea of the plot.
287
00:22:10,854 --> 00:22:13,507
- Now?
- Throw it at me for a quick impression.
288
00:22:13,607 --> 00:22:15,592
- I'm dying to hear it.
- You tell it.
289
00:22:15,692 --> 00:22:17,928
- You do it so much better.
- Lester, honestly.
290
00:22:18,028 --> 00:22:20,688
- Please, Lily, tell them.
- Lester, honestly.
291
00:22:21,323 --> 00:22:25,435
With Tony in mind, we naturally
visualize a light and intimate show.
292
00:22:25,535 --> 00:22:29,523
We want to give him a chance to play
a charming guy, with just enough plot...
293
00:22:29,623 --> 00:22:32,700
to make him do lots
of gay and varied numbers.
294
00:22:32,918 --> 00:22:36,363
He's a writer and illustrator
of children's books...
295
00:22:36,463 --> 00:22:38,031
but to get in the real dough...
296
00:22:38,131 --> 00:22:41,201
on the side,
he writes lurid murder mysteries...
297
00:22:41,301 --> 00:22:43,794
full of violence and buckets of blood.
298
00:22:44,346 --> 00:22:47,124
The success of these
makes him feel he's sort of...
299
00:22:47,224 --> 00:22:49,918
sold his soul to the devil,
but he keeps on doing it.
300
00:22:50,018 --> 00:22:53,338
There's lots of comedy implications
with his friends, played by us.
301
00:22:53,438 --> 00:22:56,175
- With his girl.
- I love this. Terrific possibilities.
302
00:22:56,275 --> 00:22:58,510
And some of the best numbers
we've ever written!
303
00:22:58,610 --> 00:23:02,848
Children's playground, a reform school,
12 showgirls playing softball!
304
00:23:02,948 --> 00:23:06,310
- And a number about a murder mystery!
- You two are the end.
305
00:23:06,410 --> 00:23:10,196
- Tony, I'm so glad!
- Some of the best lines we've written.
306
00:23:11,373 --> 00:23:13,574
What do you think, Jeff?
307
00:23:21,466 --> 00:23:23,452
Kids, you're geniuses.
308
00:23:23,552 --> 00:23:26,455
The whole thing
is a brilliantly imaginative idea.
309
00:23:26,555 --> 00:23:27,956
Why, Jeff!
310
00:23:28,056 --> 00:23:31,668
You've hit on something
that's not only great as a musical...
311
00:23:31,768 --> 00:23:34,588
but valid in terms of today,
of modern life.
312
00:23:34,688 --> 00:23:36,506
Jeff, I'm so glad!
313
00:23:36,606 --> 00:23:40,260
Of course, these modern thrillers,
he's got to keep turning them out.
314
00:23:40,360 --> 00:23:42,346
They make him fame, money. He's caught.
315
00:23:42,446 --> 00:23:44,056
It's a funny situation.
316
00:23:44,156 --> 00:23:47,935
Of course! It's brilliant,
contemporary, perceptive.
317
00:23:48,035 --> 00:23:51,362
This story's a modern version of Faust.
318
00:23:52,748 --> 00:23:55,157
- Faust?
- You're kidding, Jeff.
319
00:23:56,043 --> 00:23:59,613
I guess I didn't tell it right.
I didn't bring out the point.
320
00:23:59,713 --> 00:24:03,992
But you did bring out the point admirably.
You used the phrase:
321
00:24:04,092 --> 00:24:06,627
"He sells his soul to the devil."
322
00:24:06,803 --> 00:24:10,123
Now, that's the line you have to follow
straight through.
323
00:24:10,223 --> 00:24:12,918
Just like Faust,
this man is tempted by the devil...
324
00:24:13,018 --> 00:24:17,596
and his compromise, his sellout,
must end in eternal damnation.
325
00:24:18,065 --> 00:24:20,008
That'll leave them laughing.
326
00:24:20,108 --> 00:24:24,137
Kids, you've got a choice here
between a nice little musical comedy...
327
00:24:24,237 --> 00:24:27,057
and a modern musical morality play...
328
00:24:27,157 --> 00:24:29,692
with meaning and stature!
329
00:24:30,202 --> 00:24:33,981
- But we don't want to write Faust.
- You're taking me too literally.
330
00:24:34,081 --> 00:24:36,615
I want to do your story. I love it!
331
00:24:36,750 --> 00:24:39,444
But I want to angle it
to bring out the analogy...
332
00:24:39,544 --> 00:24:42,413
between the Faust legend
and this man's story.
333
00:24:42,798 --> 00:24:46,535
Won't this make it heavy?
Is this a box-office idea?
334
00:24:46,635 --> 00:24:48,036
Is Faust box-office?
335
00:24:48,136 --> 00:24:51,373
Listen, Faust by Christopher Marlowe,
Faust by Goethe, Faust by Gounod...
336
00:24:51,473 --> 00:24:52,833
Faust by Hector Berlioz.
337
00:24:52,933 --> 00:24:56,920
I tell you, anyone who's touched this
legend has turned it into a gold mine.
338
00:24:57,020 --> 00:24:58,804
It's got to be a smash.
339
00:24:59,689 --> 00:25:02,551
It could still have all the fun in it,
couldn't it?
340
00:25:02,651 --> 00:25:06,680
- Yeah, and some stature thrown in.
- Now, kids, I'm happy about this.
341
00:25:06,780 --> 00:25:09,349
- Really happy.
- So are we, Jeff.
342
00:25:09,449 --> 00:25:10,892
This publisher you mentioned...
343
00:25:10,992 --> 00:25:14,028
obviously, he could be
the counterpart of the devil.
344
00:25:18,625 --> 00:25:20,868
Evil personified!
345
00:25:21,294 --> 00:25:25,623
Leading all mankind
into the paths of temptation!
346
00:25:26,174 --> 00:25:29,703
- But nobody could play it like you.
- Nobody's going to.
347
00:25:29,803 --> 00:25:32,046
You mean you're going to play it?
348
00:25:32,180 --> 00:25:35,125
The part of the girl... Somebody fresh.
349
00:25:35,225 --> 00:25:39,046
Somebody with fire, charm, grace, beauty.
Gabrielle Gerard.
350
00:25:39,146 --> 00:25:42,549
- Gerard? She's a ballet dancer.
- She doesn't want to do a show.
351
00:25:42,649 --> 00:25:45,135
- She turns them all down.
- Nobody ever turns me down.
352
00:25:45,235 --> 00:25:48,055
Do you really think you could get her?
What a cast!
353
00:25:48,155 --> 00:25:52,768
Tony Hunter, Jeff Cordova,
Gabrielle Gerard! Tony! Isn't this exciting?
354
00:25:52,868 --> 00:25:54,234
Yeah.
355
00:25:54,453 --> 00:25:58,405
Now, look, this is going to be
a sort of modern Faust story.
356
00:25:58,874 --> 00:26:03,327
I play the Faust character. You play
the Devil. It'll have stature, importance.
357
00:26:03,545 --> 00:26:06,490
- I have to dance with this ballet dancer?
- She's wonderful.
358
00:26:06,590 --> 00:26:07,783
It'll be great.
359
00:26:07,883 --> 00:26:11,244
It'll be great for somebody.
I'll pick up my marbles and go home.
360
00:26:11,344 --> 00:26:14,247
Fellas, bless you and good luck,
but this just ain't for me.
361
00:26:14,347 --> 00:26:16,333
I know what I can do,
and I'm sticking to it.
362
00:26:16,433 --> 00:26:19,544
That's the trouble. You've stuck to it,
and you're stuck with it.
363
00:26:19,644 --> 00:26:22,172
- What?
- Nobody admires you more than I.
364
00:26:22,272 --> 00:26:25,384
I've seen every show
and every movie you've ever done...
365
00:26:25,484 --> 00:26:27,177
but let's face some brutal facts.
366
00:26:27,277 --> 00:26:30,389
Times have changed, Tony.
You haven't changed with them.
367
00:26:30,489 --> 00:26:34,692
- You've gone stale.
- Then you certainly don't need me.
368
00:26:35,452 --> 00:26:36,937
Yes, we do!
369
00:26:37,037 --> 00:26:39,439
Because you can be greater
than you ever were!
370
00:26:39,539 --> 00:26:43,151
We are going to make you explode
on the theater scene like a skyrocket!
371
00:26:43,251 --> 00:26:46,279
Not just the old trademark,
with the top hat, tie, and tails...
372
00:26:46,379 --> 00:26:48,448
but a great artist
at the peak of his powers.
373
00:26:48,548 --> 00:26:52,285
The new Tony Hunter. Tony Hunter, 1953!
374
00:26:52,385 --> 00:26:55,497
- But can I do it?
- It's a challenge to all of us...
375
00:26:55,597 --> 00:26:58,166
but that's what the theater's about:
a challenge.
376
00:26:58,266 --> 00:27:00,585
Whatever I am,
whether it's a new me or an old me...
377
00:27:00,685 --> 00:27:02,504
remember, I'm still just an entertainer.
378
00:27:02,604 --> 00:27:05,090
What do you think I am?
What do you think they are?
379
00:27:05,190 --> 00:27:07,843
What do you think the theater is?
It's all entertainment!
380
00:27:07,943 --> 00:27:11,054
Believe me, there is no difference
between the magic rhythms...
381
00:27:11,154 --> 00:27:13,849
- ...of Bill Robinson's immortal feet...
- You said that before.
382
00:27:13,949 --> 00:27:17,644
All right, what did Bill Robinson do?
He danced on the stairs, didn't he?
383
00:27:17,744 --> 00:27:20,397
Now I happen to play Oedipus the king
on the same stairs.
384
00:27:20,497 --> 00:27:23,157
What's the difference?
We're all theater.
385
00:27:24,042 --> 00:27:25,694
Show me the greatest tragic actor...
386
00:27:25,794 --> 00:27:27,988
or the lowest red-nosed comic
in burlesque...
387
00:27:28,088 --> 00:27:30,615
and I'll show you an entertainer.
We're all...
388
00:27:32,467 --> 00:27:34,668
Jeff, are you all right?
389
00:27:35,136 --> 00:27:37,706
Everything that happens in life
390
00:27:37,806 --> 00:27:40,382
Can happen in a show
391
00:27:40,767 --> 00:27:44,178
You can make 'em laugh
You can make 'em cry
392
00:27:44,396 --> 00:27:48,640
Anything, anything can go
393
00:27:51,152 --> 00:27:54,389
The clown with his pants falling down
394
00:27:54,489 --> 00:27:57,976
Or the dance that's a dream of romance
395
00:27:58,076 --> 00:28:02,279
Or the scene where the villain is mean
396
00:28:02,831 --> 00:28:05,616
That's entertainment
397
00:28:05,875 --> 00:28:09,029
The lights on the lady in tights
398
00:28:09,129 --> 00:28:12,866
Or the bride with the guy on the side
399
00:28:12,966 --> 00:28:17,294
Or the ball where she gives him her all
400
00:28:17,554 --> 00:28:20,339
That's entertainment!
401
00:28:20,724 --> 00:28:24,134
The plot can be hot
Simply teeming with sex
402
00:28:24,436 --> 00:28:27,638
A gay divorcée who is after her ex
403
00:28:28,732 --> 00:28:31,218
It could be Oedipus Rex
404
00:28:31,318 --> 00:28:35,347
Where a chap kills his father
And causes a lot of bother
405
00:28:35,447 --> 00:28:38,558
The clerk who is thrown out of work
406
00:28:38,658 --> 00:28:42,187
By the boss who was thrown for a loss
407
00:28:42,287 --> 00:28:45,989
By the skirt who is doing him dirt
408
00:28:46,124 --> 00:28:48,235
The world is a stage
409
00:28:48,335 --> 00:28:52,287
The stage is a world of entertainment
410
00:29:05,226 --> 00:29:07,678
That's entertainment!
411
00:29:14,694 --> 00:29:16,562
All right!
412
00:29:19,574 --> 00:29:22,109
That's entertainment!
413
00:29:29,751 --> 00:29:31,743
Look what I can do.
414
00:29:40,637 --> 00:29:42,379
It's still me!
415
00:29:57,028 --> 00:30:00,223
The doubt while the jury is out
416
00:30:00,323 --> 00:30:03,810
Or the thrill when
they're reading the will
417
00:30:03,910 --> 00:30:07,696
Or the chase for the man with the face
418
00:30:08,623 --> 00:30:11,158
That's entertainment!
419
00:30:11,668 --> 00:30:14,696
The dame who is known as the flame
420
00:30:14,796 --> 00:30:18,366
Of the king of an underworld ring
421
00:30:18,466 --> 00:30:22,502
He's an ape who won't let her escape
422
00:30:23,304 --> 00:30:25,797
That's entertainment!
423
00:30:26,391 --> 00:30:29,676
It might be a fight
Like you see on the screen
424
00:30:30,103 --> 00:30:33,764
A swain getting slain
For the love of a queen
425
00:30:34,441 --> 00:30:39,179
Some great Shakespearean scene
Where a ghost and a prince meet
426
00:30:39,279 --> 00:30:41,014
And everyone ends in mincemeat
427
00:30:41,114 --> 00:30:44,225
The gag may be waving that flag
428
00:30:44,325 --> 00:30:47,896
That began with a Mr. Cohan
429
00:30:47,996 --> 00:30:51,858
Hip hooray, the American way
430
00:30:51,958 --> 00:30:53,909
The world is a stage
431
00:30:54,294 --> 00:30:59,665
The stage is a world of entertainment
432
00:31:02,969 --> 00:31:06,164
- You gone yet, Hal?
- I'm in here, Jeff, on the phone.
433
00:31:06,264 --> 00:31:08,875
Drama desk? Hello, Mike. It's Hal.
434
00:31:08,975 --> 00:31:12,504
You know that item Mr. Cordova sent you
about signing Gabrielle Gerard...
435
00:31:12,604 --> 00:31:13,755
for the Marton show?
436
00:31:13,855 --> 00:31:17,425
There's been a mistake.
I wonder if there's still time to kill it.
437
00:31:17,525 --> 00:31:20,428
- Yeah. I'd appreciate it. Thanks, kid.
- Why did you do that?
438
00:31:20,528 --> 00:31:23,098
To save you from making an idiot
of yourself in print.
439
00:31:23,198 --> 00:31:25,600
- You know you can't get Gerard.
- Why?
440
00:31:25,700 --> 00:31:29,187
Because Paul Byrd won't let her
do a show. He's a tough customer.
441
00:31:29,287 --> 00:31:31,856
He's not only her choreographer,
he's also her boyfriend.
442
00:31:31,956 --> 00:31:33,441
She doesn't make a move without him.
443
00:31:34,793 --> 00:31:35,944
That will be Paul Byrd now.
444
00:31:36,044 --> 00:31:39,579
- It's 3 in the morning.
- Let him in, Hal, will you?
445
00:31:44,093 --> 00:31:45,620
- Hello, Paul.
- Where are they?
446
00:31:45,720 --> 00:31:47,379
He's in there.
447
00:31:47,555 --> 00:31:48,748
Hello, Paul.
448
00:31:48,848 --> 00:31:50,208
- Where is he?
- Who?
449
00:31:50,308 --> 00:31:52,877
- Oscar Hammerstein.
- Home in bed, I hope, at this hour.
450
00:31:52,977 --> 00:31:55,588
- Who is it? Dick Rodgers?
- What are you talking about?
451
00:31:55,688 --> 00:31:58,216
Didn't you say the greatest producer
of musicals today...
452
00:31:58,316 --> 00:31:59,759
was here and wanted to see me?
453
00:31:59,859 --> 00:32:03,895
- That's me. I'm doing a musical.
- Did you get me out of bed...
454
00:32:07,492 --> 00:32:09,060
I see what this is all about.
455
00:32:09,160 --> 00:32:13,022
You needn't go any further because
the answer is no on Gabrielle Gerard.
456
00:32:13,122 --> 00:32:15,525
Gabrielle... Paul, I don't follow you.
457
00:32:15,625 --> 00:32:18,820
Gabrielle is not going to do a show.
She's too important to ballet.
458
00:32:18,920 --> 00:32:20,787
This has nothing to do with Gabrielle.
459
00:32:21,130 --> 00:32:25,500
Paul, I want you to do the choreography
for the greatest musical in years.
460
00:32:25,677 --> 00:32:27,704
Oh. Oh.
461
00:32:27,804 --> 00:32:29,956
- I'm sorry...
- That's why I wakened you, Paul.
462
00:32:30,056 --> 00:32:33,918
I'm so keyed up I just can't sleep.
You know how brilliant the Martons are.
463
00:32:34,018 --> 00:32:35,754
This time, they've excelled themselves.
464
00:32:35,854 --> 00:32:38,757
This show is a choreographer's dream,
and only you can do it.
465
00:32:38,857 --> 00:32:41,551
- I wouldn't say that.
- No time for false modesty.
466
00:32:41,651 --> 00:32:44,637
You're the greatest, and we know it.
This is just your meat.
467
00:32:44,737 --> 00:32:49,524
A great classic theme.
The story of Faust in a modern setting.
468
00:32:51,202 --> 00:32:54,105
Say, that sounds interesting.
469
00:32:54,205 --> 00:32:57,066
I've never been so excited
about a project in my life.
470
00:32:57,166 --> 00:33:00,862
Now, there's Tony Hunter, myself,
a great score by the Martons.
471
00:33:00,962 --> 00:33:03,323
Wonderful. My brain's beginning
to churn already.
472
00:33:03,423 --> 00:33:07,368
Good. Now we must comb the country
for a wonderful singer for the girl.
473
00:33:07,468 --> 00:33:11,164
Singer? Jeff, don't you think we ought
to stress the dancing in that role?
474
00:33:11,264 --> 00:33:12,499
No, Paul.
475
00:33:12,599 --> 00:33:17,253
This girl has to be a virtuoso performer,
with fire, charm, beauty...
476
00:33:17,353 --> 00:33:21,424
a great lady with a gamine quality.
You know no dancer can give you that.
477
00:33:21,524 --> 00:33:25,553
Wait. Of course I wouldn't let her do it,
but Gabrielle has all that and more.
478
00:33:25,653 --> 00:33:28,890
Gabrielle? Paul,
I feel a little embarrassed.
479
00:33:28,990 --> 00:33:31,893
I think she's charming,
within her limitations. Charming.
480
00:33:31,993 --> 00:33:33,728
She's a great artist, and you know it.
481
00:33:33,828 --> 00:33:37,315
- Sorry. I know how fond of her you are.
- That has nothing to do with it!
482
00:33:37,415 --> 00:33:39,776
She can be one of the greatest
stars in the theater.
483
00:33:39,876 --> 00:33:41,361
Everybody's been trying to get her.
484
00:33:41,461 --> 00:33:43,696
For the right vehicle,
something light and fluffy.
485
00:33:43,796 --> 00:33:45,448
Light and fluffy? Now, see here, Jeff.
486
00:33:45,548 --> 00:33:49,077
I'm not gonna do this show
unless Gabrielle Gerard plays that part!
487
00:33:49,177 --> 00:33:52,914
Now, Paul, this throws a little
monkey wrench into things, doesn't it?
488
00:33:53,014 --> 00:33:55,959
Never mind.
You and I will work together sometime...
489
00:33:56,059 --> 00:33:59,295
Wait. At least do this. You come
and see her in the ballet tomorrow.
490
00:33:59,395 --> 00:34:01,881
- Bring Hunter, bring the Martons.
- No. Impossible.
491
00:34:01,981 --> 00:34:04,592
I have a performance.
But I'll gladly send the Martons.
492
00:34:04,692 --> 00:34:08,221
We can get together afterwards and talk.
Mind you, I'm promising nothing.
493
00:34:08,321 --> 00:34:10,272
Good night, sweetie.
494
00:34:12,492 --> 00:34:13,768
Drama desk?
495
00:34:13,868 --> 00:34:17,480
Mike. Hal again.
Better print that item after all.
496
00:34:17,580 --> 00:34:22,026
And, Mike, after this, if Mr. Cordova tells
you he's casting Tallulah...
497
00:34:22,126 --> 00:34:24,870
for Little Eva, believe him.
498
00:35:43,958 --> 00:35:45,109
Well?
499
00:35:45,209 --> 00:35:48,495
She's fabulous, sensational,
loveliest thing I've ever seen.
500
00:36:24,999 --> 00:36:26,950
A little tall, isn't she?
501
00:36:27,835 --> 00:36:29,577
Stage illusion.
502
00:37:06,082 --> 00:37:07,859
So you didn't care for it much?
503
00:37:07,959 --> 00:37:09,861
The girl's fantastic, beautiful...
504
00:37:09,961 --> 00:37:11,446
but I can't dance with her.
505
00:37:11,546 --> 00:37:13,204
Stop worrying!
506
00:37:16,551 --> 00:37:19,370
It isn't that I don't appreciate
what she does.
507
00:37:19,470 --> 00:37:22,373
I tell you, I know she's magnificent.
That's what scares me.
508
00:37:22,473 --> 00:37:26,301
But I haven't done ballet
since I was a kid. I'd look silly.
509
00:37:26,435 --> 00:37:29,213
Hello, Lil. You look wonderful.
Put your things over there.
510
00:37:29,313 --> 00:37:30,715
Hello, Mr. Hunter. How are you?
511
00:37:30,815 --> 00:37:32,759
- Hello, Les. Glad to see you.
- How are you?
512
00:37:32,859 --> 00:37:35,178
What is this?
The annual fur trappers' convention?
513
00:37:35,278 --> 00:37:37,513
- The boss is inside with big money.
- His backers?
514
00:37:37,613 --> 00:37:40,058
- They're raising money for the show.
- What show, ours?
515
00:37:40,158 --> 00:37:42,060
- Sure.
- He hasn't read the script yet.
516
00:37:42,160 --> 00:37:43,895
- I better go back...
- Sorry, Mr. Marton.
517
00:37:43,995 --> 00:37:47,148
You disturb the water, you scare the fish.
They're biting tonight.
518
00:37:47,248 --> 00:37:49,817
- What's he telling them?
- Whatever it is, it's going over big.
519
00:37:49,917 --> 00:37:51,652
- Come on, Lil.
- Please don't go in yet.
520
00:37:51,752 --> 00:37:53,488
Wait here.
He's saving you for the finale.
521
00:37:54,839 --> 00:37:55,990
Excuse me.
522
00:37:56,090 --> 00:37:58,076
- Lester, isn't this wonderful?
- Yeah.
523
00:37:58,176 --> 00:38:00,453
- This is going to be great, Tony.
- Why?
524
00:38:00,553 --> 00:38:02,789
Cordova. The dough for the show.
No problems.
525
00:38:02,889 --> 00:38:05,291
How many times did we have to audition
the last time?
526
00:38:05,391 --> 00:38:07,335
- Fifty.
- A hundred, maybe more.
527
00:38:07,435 --> 00:38:11,596
Jeff might raise the backing tonight.
We'll be ready to rehearse in three weeks.
528
00:38:12,690 --> 00:38:14,675
- Hello, Hal.
- Hello, Paul. How are you?
529
00:38:14,775 --> 00:38:16,427
How nice to see you. Come right in.
530
00:38:16,527 --> 00:38:18,554
Hal, this is Miss Gerard. Mr. Benton.
531
00:38:18,654 --> 00:38:20,848
How do you do?
Jeff's inside with the backers.
532
00:38:20,948 --> 00:38:22,850
Why don't you wait in the library?
533
00:38:22,950 --> 00:38:24,567
- Excuse me.
- Thanks.
534
00:38:29,165 --> 00:38:30,407
Paul.
535
00:38:30,791 --> 00:38:33,201
Let's wait in here a minute?
536
00:38:34,170 --> 00:38:36,531
Now, wait a second. I'm not ready yet.
537
00:38:36,631 --> 00:38:38,491
There's a lot to be cleared up first.
538
00:38:38,591 --> 00:38:41,035
This girl Gerard,
it's not just her dancing.
539
00:38:41,135 --> 00:38:44,497
On top of everything, she's too tall for me.
This girl is a giantess.
540
00:38:44,597 --> 00:38:46,666
She's not too tall for you.
I know this girl.
541
00:38:46,766 --> 00:38:48,960
She comes up to here,
maybe 2 inches shorter.
542
00:38:49,060 --> 00:38:51,420
You know I'm the perfect height for you.
Now look...
543
00:38:51,520 --> 00:38:53,923
turn around. Measure. Look.
You see? Isn't that fine?
544
00:38:54,023 --> 00:38:59,018
Listen. Gabrielle Gerard in her
stocking feet is at the most 3-feet tall.
545
00:38:59,278 --> 00:39:03,224
Now relax. I'm going to find you a drink,
and you can stop worrying about her.
546
00:39:03,324 --> 00:39:06,018
Jeff only wants her in the show
because she's the best.
547
00:39:06,118 --> 00:39:08,563
We all gotta go along
with him too, Tony.
548
00:39:08,663 --> 00:39:10,815
In the show, one guy's got to be
at the helm...
549
00:39:10,915 --> 00:39:13,442
and in Jeff, we got someone
we can trust to...
550
00:39:13,542 --> 00:39:17,155
it is the Devil, come to claim the soul
of the modern Faust man.
551
00:39:17,255 --> 00:39:20,158
With flapping wings
and grinning evil eyes...
552
00:39:20,258 --> 00:39:23,209
he points the way
to the yawning pits of Hades.
553
00:39:26,597 --> 00:39:27,922
Hallelujah.
554
00:39:28,933 --> 00:39:31,210
- I'm embarrassed.
- Don't be childish.
555
00:39:31,310 --> 00:39:33,838
I'm sure Tony Hunter doesn't want me
in this show.
556
00:39:33,938 --> 00:39:36,799
- What makes you say that?
- Did he come backstage to see me...
557
00:39:36,899 --> 00:39:38,050
after the performance?
558
00:39:38,150 --> 00:39:40,052
He knew he was going to meet you here.
559
00:39:40,152 --> 00:39:43,973
- I'm just a ballet dancer...
- You're a famous leading ballerina.
560
00:39:44,073 --> 00:39:47,393
What does he want with me?
He's a famous movie and stage actor.
561
00:39:47,493 --> 00:39:50,229
He's practically a historical character
by now.
562
00:39:50,329 --> 00:39:53,733
Dancing with him is like dancing
with a statue of General Grant.
563
00:39:53,833 --> 00:39:55,533
Now look, Gaby.
564
00:39:55,751 --> 00:39:59,363
You know, this is a Cordova show.
It's an important step for you.
565
00:39:59,463 --> 00:40:03,534
I'm going to do the choreography,
so there's nothing for you to worry about.
566
00:40:03,634 --> 00:40:06,537
But I still think he doesn't want me
in the show.
567
00:40:06,637 --> 00:40:08,080
Your nose is shiny.
568
00:40:08,180 --> 00:40:10,590
- Where's the?
- Maybe this is it.
569
00:40:11,976 --> 00:40:16,797
He passes by all the writhing souls
in torment paying for their deadly sins.
570
00:40:16,897 --> 00:40:18,890
Gluttony, avarice...
571
00:40:20,651 --> 00:40:22,352
It must be upstairs.
572
00:40:39,920 --> 00:40:41,822
Lester, what have we got ourselves into?
573
00:40:41,922 --> 00:40:45,368
The story he's telling them has nothing
to do with the story we wrote.
574
00:40:45,468 --> 00:40:47,995
This will mean months of rewriting.
575
00:40:48,095 --> 00:40:51,506
He expects us to go into rehearsal
in three weeks?
576
00:40:55,561 --> 00:41:00,424
Brimstone and flames. Save me.
577
00:41:07,490 --> 00:41:12,527
Corrupter of children.
Purveyor of evil. Dungeon...
578
00:41:13,829 --> 00:41:18,449
bubbling cauldrons.
Fiery furnaces of doom.
579
00:41:26,342 --> 00:41:28,828
- You're...
- And you're... How do you do?
580
00:41:28,928 --> 00:41:30,705
How do you do? It's certainly a...
581
00:41:30,805 --> 00:41:33,833
- We've been waiting for you in there.
- We just got here.
582
00:41:33,933 --> 00:41:36,252
We just got here ourselves,
about five minutes ago.
583
00:41:36,352 --> 00:41:38,462
A little early, I guess.
Mr. Cordova's busy.
584
00:41:38,562 --> 00:41:41,090
Yes, I know,
and I rushed so to get here.
585
00:41:41,190 --> 00:41:43,850
- I'm a mess.
- No. You look wonderful.
586
00:41:45,194 --> 00:41:48,347
- Will you have a cigarette?
- No, thanks. I don't smoke.
587
00:41:48,447 --> 00:41:51,517
- Never?
- I don't think a dancer should smoke.
588
00:41:51,617 --> 00:41:52,942
I see.
589
00:41:53,869 --> 00:41:56,946
- Is anything wrong?
- No.
590
00:41:57,498 --> 00:41:59,734
- Pretty shoes.
- Thank you.
591
00:41:59,834 --> 00:42:01,527
You always wear high heels?
592
00:42:01,627 --> 00:42:04,287
No. Not always. Sometimes toe shoes.
593
00:42:04,588 --> 00:42:05,990
Toe shoes.
594
00:42:06,090 --> 00:42:08,034
I'm afraid I've been awfully rude.
595
00:42:08,134 --> 00:42:10,745
I haven't told you how wonderful
you were tonight.
596
00:42:10,845 --> 00:42:13,622
Thank you.
I'm a great admirer of yours too.
597
00:42:13,722 --> 00:42:16,500
- I didn't think you'd ever even heard of me.
- Heard of you?
598
00:42:16,600 --> 00:42:19,337
I used to see all your pictures
when I was a little girl.
599
00:42:19,437 --> 00:42:23,007
I'm still a fan. I recently went to see
a revival of them at the museum.
600
00:42:23,107 --> 00:42:24,258
Museum?
601
00:42:24,358 --> 00:42:26,218
"Step right this way,
ladies and gentlemen.
602
00:42:26,318 --> 00:42:28,220
"Egyptian mummies, extinct reptiles...
603
00:42:28,320 --> 00:42:31,057
and Tony Hunter,
the grand old man of the dance."
604
00:42:31,157 --> 00:42:32,308
I didn't mean...
605
00:42:32,408 --> 00:42:36,354
I want you to know that I can still
thread a needle without my eyeglasses...
606
00:42:36,454 --> 00:42:39,273
and still occasionally do
a soft-shoe shuffle.
607
00:42:39,373 --> 00:42:40,941
Nothing balletic, of course.
608
00:42:41,041 --> 00:42:42,943
You're not a ballet devotee, are you?
609
00:42:43,043 --> 00:42:45,654
Yes. I was going to the ballet
before you were born.
610
00:42:45,754 --> 00:42:48,908
I saw Pavlova, Karsavina,
all the real ballet greats.
611
00:42:49,008 --> 00:42:51,702
You don't see dancing
like that nowadays. I'm sorry.
612
00:42:51,802 --> 00:42:54,455
That's okay. I don't expect you
to class me with Pavlova.
613
00:42:54,555 --> 00:42:55,831
In fact, if she were around...
614
00:42:55,931 --> 00:42:58,167
I doubt if she'd be good enough
to dance with you.
615
00:42:58,267 --> 00:43:00,336
You'd probably insist
on an audition first.
616
00:43:00,436 --> 00:43:03,172
I sure would.
I'd audition my own grandmother.
617
00:43:03,272 --> 00:43:06,884
Then why don't you audition mine?
She'd be just about right for you.
618
00:43:06,984 --> 00:43:09,136
- I'm terribly sorry.
- No, you're not.
619
00:43:09,236 --> 00:43:10,721
- No, I'm not.
- Neither am I.
620
00:43:10,821 --> 00:43:12,063
Good.
621
00:43:16,577 --> 00:43:19,397
- Paul, I'm leaving.
- What's the matter, darling?
622
00:43:19,497 --> 00:43:21,649
I can't work with that man.
He's impossible.
623
00:43:21,749 --> 00:43:23,442
We just got here. It'll look funny...
624
00:43:23,542 --> 00:43:26,237
The whole thing is off.
This girl is a monster.
625
00:43:26,337 --> 00:43:28,322
I have definitely had it.
626
00:43:29,673 --> 00:43:33,918
And now, ladies and gentlemen,
the brains, the talent, the artists.
627
00:43:34,345 --> 00:43:36,963
Wonderful. Aren't they wonderful?
628
00:43:43,187 --> 00:43:45,464
You have no idea
how well things are going.
629
00:43:45,564 --> 00:43:47,473
It's really wonderful.
630
00:43:48,359 --> 00:43:50,261
Ladies and gentlemen.
631
00:43:50,361 --> 00:43:52,721
I want you all to meet
the happy little group...
632
00:43:52,821 --> 00:43:54,390
that's responsible for the show...
633
00:43:54,490 --> 00:43:57,726
that everyone will be clamoring
to get seats for next season.
634
00:43:57,826 --> 00:44:00,653
The celebrated choreographer Paul Byrd.
635
00:44:02,998 --> 00:44:07,194
The authors you know:
Lily and Lester Marton.
636
00:44:07,294 --> 00:44:09,162
Take a bow, Lily.
637
00:44:09,588 --> 00:44:11,574
And, ladies and gentlemen...
638
00:44:11,674 --> 00:44:13,909
my star, Tony Hunter.
639
00:44:14,009 --> 00:44:17,628
A name, a talent.
Mr. Show Business himself.
640
00:44:20,140 --> 00:44:23,419
And, ladies and gentlemen,
his new leading lady.
641
00:44:23,519 --> 00:44:27,590
That glamorous, delightful dancer
from the magical world of ballet.
642
00:44:27,690 --> 00:44:31,893
Mr. Hunter's own personal choice,
Gabrielle Gerard.
643
00:44:34,196 --> 00:44:37,892
I think, gentlemen, you will agree
your investment is safe, yes?
644
00:44:37,992 --> 00:44:40,985
Now let's relax
and have a drink, shall we?
645
00:44:42,371 --> 00:44:46,400
My dear, how do you authors
ever think of these brilliant ideas?
646
00:44:46,500 --> 00:44:49,695
That damnation scene.
Did you ever in your life hear...
647
00:44:49,795 --> 00:44:53,956
My boy. I had the pleasure
of backing your last show too.
648
00:44:54,174 --> 00:44:57,126
Jeffrey. How about?
649
00:45:12,234 --> 00:45:14,803
There it is, folks. The work light.
650
00:45:14,903 --> 00:45:17,848
Only an electric bulb, perhaps,
but for the next four weeks...
651
00:45:17,948 --> 00:45:20,809
that will be our sun,
our moon, our stars.
652
00:45:20,909 --> 00:45:24,313
These four walls will be our universe,
our private world.
653
00:45:24,413 --> 00:45:27,650
We enter with nothing but a dream,
but when we leave...
654
00:45:27,750 --> 00:45:29,443
we'll have a show.
655
00:45:29,543 --> 00:45:33,906
In between, there will be enthusiasms,
frustrations, hot tempers...
656
00:45:34,006 --> 00:45:35,324
ha, ha, cold coffee.
657
00:45:35,424 --> 00:45:38,035
Some of us will fight,
some fall in love...
658
00:45:38,135 --> 00:45:40,621
but all of us will work and adore it...
659
00:45:40,721 --> 00:45:43,666
because all of us are inspired
by the same thing.
660
00:45:43,766 --> 00:45:47,586
The night that curtain goes up,
it will go up on a smash hit.
661
00:45:47,686 --> 00:45:49,713
And believe me, kids...
662
00:45:49,813 --> 00:45:52,883
there's nothing in the world
as soothing...
663
00:45:52,983 --> 00:45:55,101
as a smash hit.
664
00:46:47,705 --> 00:46:50,948
What do you think this is,
summer stock or something?
665
00:47:12,146 --> 00:47:13,387
Go!
666
00:47:14,690 --> 00:47:19,094
That's it. That's wonderful.
Why didn't you do it before?
667
00:47:19,194 --> 00:47:20,679
Good, men.
668
00:47:20,779 --> 00:47:23,432
Honey, would you try
that cross, please, again for me?
669
00:47:23,532 --> 00:47:26,810
"The same kind of opportunistic snake
that he is."
670
00:47:26,910 --> 00:47:29,730
"You got me wrong.
I'm a self-made snake.
671
00:47:29,830 --> 00:47:33,192
"Listen, baby, we all live by the jungle:
Eat or be eaten.
672
00:47:33,292 --> 00:47:37,446
"I just realized that I like to eat,
and to eat caviar whenever possible.
673
00:47:37,546 --> 00:47:39,789
"Anything wrong with that?"
674
00:47:39,923 --> 00:47:42,701
"Anything wrong with that?" A bad line.
675
00:47:42,801 --> 00:47:47,373
What we need is some quick image,
like "spreading ideals on a cracker."
676
00:47:47,473 --> 00:47:50,417
You all like that? "Ever try
spreading ideals on a cracker?"
677
00:47:50,517 --> 00:47:51,960
Let me hear it, Tony.
678
00:47:52,060 --> 00:47:54,463
Did you ever try spreading ideals
on a cracker?
679
00:47:54,563 --> 00:47:57,424
- Jeff. I don't...
- Honey, just try that cross again for me.
680
00:47:57,524 --> 00:48:00,851
"The same kind of opportunistic snake
that he is."
681
00:48:01,278 --> 00:48:03,972
"You got me wrong.
I'm a self-made snake.
682
00:48:04,072 --> 00:48:06,892
"Listen, baby. We all live
by the law of the jungle..."
683
00:48:06,992 --> 00:48:08,894
- Excuse me, Tony.
- "...eat or be eaten."
684
00:48:08,994 --> 00:48:10,778
Pardon me, folks.
685
00:48:17,669 --> 00:48:19,488
You know about icebergs, don't you?
686
00:48:19,588 --> 00:48:22,533
One-eighth above the surface,
seven-eighths below. That's you.
687
00:48:22,633 --> 00:48:25,619
You're giving me only that one-eighth.
I'm greedy. I want more.
688
00:48:25,719 --> 00:48:27,496
All eight-eighths. Now let it rip, Tony.
689
00:48:27,596 --> 00:48:31,875
Give it too much. Go way over.
Come along. The whole eight-eighths!
690
00:48:31,975 --> 00:48:33,377
Okay, Gaby. Same place.
691
00:48:33,477 --> 00:48:35,713
"The same kind of opportunistic snake
that he is."
692
00:48:35,813 --> 00:48:37,840
You got me wrong. I'm a self-made snake!
693
00:48:37,940 --> 00:48:41,176
Listen, baby. We all live by
the law of the jungle: Eat or be eaten!
694
00:48:41,276 --> 00:48:45,055
And I realized that I like to eat,
and eat caviar whenever possible.
695
00:48:45,155 --> 00:48:48,016
Did you ever try spreading ideals
on a cracker?
696
00:48:48,116 --> 00:48:51,068
Good boy, Tony.
That's it. Eight-eighths.
697
00:49:03,298 --> 00:49:05,868
- Sorry. Butterfingers.
- No. It's not your fault, Tony.
698
00:49:05,968 --> 00:49:07,995
It's an awkward pattern.
I have a better idea.
699
00:49:08,095 --> 00:49:10,372
You hold your position right here,
and Jimmy...
700
00:49:10,472 --> 00:49:13,876
suppose you pick up Gaby like that,
and put her down...
701
00:49:13,976 --> 00:49:16,128
right here next to Tony?
Now you see, Tony...
702
00:49:16,228 --> 00:49:18,547
I'd like to practice it with her
two or three times.
703
00:49:18,647 --> 00:49:19,798
I think I could handle it.
704
00:49:19,898 --> 00:49:21,675
Do you mind if he tries it with Barbara?
705
00:49:21,775 --> 00:49:23,677
These are new toe shoes.
They're killing me.
706
00:49:23,777 --> 00:49:26,388
Sure. You go ahead and rest.
Barbara, come here. Try it.
707
00:49:26,488 --> 00:49:28,599
I think this is what's throwing you off.
708
00:49:28,699 --> 00:49:31,894
If you hold your balance so, like this,
then grab her here by the...
709
00:49:31,994 --> 00:49:34,945
Paul, I think we're making
a mistake here.
710
00:49:38,417 --> 00:49:40,360
I think we're wasting Tony
in this scene.
711
00:49:40,460 --> 00:49:43,697
He's got the first-act finale right
after this. The damnation scene.
712
00:49:43,797 --> 00:49:45,908
I don't want to dissipate
his impact in that.
713
00:49:46,008 --> 00:49:50,287
Now, why not let him exit into the house
and watch it from his balcony?
714
00:49:50,387 --> 00:49:51,914
- How'd that be?
- Wonderful idea.
715
00:49:52,014 --> 00:49:54,500
See what that would do?
Save your sock for the finale.
716
00:49:54,600 --> 00:49:55,793
Much better that way.
717
00:49:55,893 --> 00:49:58,170
Let's go back
to the beginning positions. Gaby.
718
00:49:58,270 --> 00:50:00,255
Boys, get around up here,
and the girls, yes.
719
00:50:00,355 --> 00:50:02,925
You were down here in the line
like that. Not too close.
720
00:50:03,025 --> 00:50:04,843
This group's down here, you're up there.
721
00:50:04,943 --> 00:50:06,678
- Let's try it this way.
- No!
722
00:50:06,778 --> 00:50:09,814
Let's not try it this way
or any other way.
723
00:50:11,366 --> 00:50:15,521
I have had enough. I've had
three weeks of these lovely rehearsals...
724
00:50:15,621 --> 00:50:19,107
three weeks of Chinese torture.
I don't know what you're trying to do...
725
00:50:19,207 --> 00:50:21,902
except make me look like
a complete fool. A clumsy idiot.
726
00:50:22,002 --> 00:50:25,322
I've tried. For three weeks, I've tried.
I've taken everything.
727
00:50:25,422 --> 00:50:29,034
I've watched my part being changed,
my numbers being cut out day after day...
728
00:50:29,134 --> 00:50:30,410
and I haven't said a word.
729
00:50:30,510 --> 00:50:32,955
Got to be cooperative,
think of the good of the show.
730
00:50:33,055 --> 00:50:35,172
Let's get this straight:
731
00:50:35,349 --> 00:50:39,044
I am not Nijinsky.
I am not Marlon Brando.
732
00:50:39,144 --> 00:50:42,589
I am Mrs. Hunter's little boy, Tony,
song-and-dance man.
733
00:50:42,689 --> 00:50:45,717
I'm supposed to have entertained
millions of people in my time.
734
00:50:45,817 --> 00:50:50,639
And I am not entertained by
this little ballerina's snide insinuations...
735
00:50:50,739 --> 00:50:52,599
that I am a no-talent hoofer.
736
00:50:52,699 --> 00:50:55,727
I am sick of her superior smirk.
I'm sick of her.
737
00:50:55,827 --> 00:50:59,773
I'm sick of Faust. I am sick of this show.
Never mind saying it!
738
00:50:59,873 --> 00:51:02,825
Tony Hunter, 1953.
739
00:51:03,085 --> 00:51:05,571
I hereby declare my independence.
740
00:51:05,671 --> 00:51:09,081
Tony Hunter, 1776.
741
00:51:09,257 --> 00:51:10,791
Bless you.
742
00:51:25,440 --> 00:51:28,260
- Lester, where are you going?
- I don't know. I was...
743
00:51:28,360 --> 00:51:32,598
What's happening to us? Let's try
to keep our heads. It's only a show.
744
00:51:32,698 --> 00:51:34,474
I know. I'm sorry, baby.
745
00:51:34,574 --> 00:51:37,728
So am I. Let's try
to be sensible about it.
746
00:51:37,828 --> 00:51:41,732
- Do you think we should try to find Tony?
- I don't know. What do you think?
747
00:51:41,832 --> 00:51:44,109
- Maybe we should.
- But Jeff said not to.
748
00:51:44,209 --> 00:51:46,862
And, of course,
you mustn't disobey teacher.
749
00:51:46,962 --> 00:51:50,032
Right or wrong,
someone has got to be at the helm.
750
00:51:50,132 --> 00:51:52,701
But to you, he's 100 percent right
every time.
751
00:51:52,801 --> 00:51:56,288
If you say one more word to me
about Jeff's hypnotic influence on me...
752
00:51:56,388 --> 00:51:58,332
- ...I'll scream.
- He's got you so bulldozed...
753
00:51:59,808 --> 00:52:01,585
Someone's liable
to think we're quarreling.
754
00:52:01,685 --> 00:52:03,879
We're not quarreling.
We're in complete agreement.
755
00:52:03,979 --> 00:52:05,888
- We hate each other.
- Unh!
756
00:52:16,366 --> 00:52:20,778
Joe, tell Mrs.
Marton I've gone to Tahiti...
757
00:52:21,163 --> 00:52:22,613
to paint.
758
00:52:56,531 --> 00:52:59,977
- Hello, Mr. Hunter.
- You must have the wrong apartment.
759
00:53:00,077 --> 00:53:03,313
No. I came to see you.
May I come in a minute?
760
00:53:03,413 --> 00:53:04,780
Please.
761
00:53:05,999 --> 00:53:09,910
I... was just about to slip
into my bed of nails.
762
00:53:13,507 --> 00:53:14,748
Oh.
763
00:53:15,842 --> 00:53:17,285
I'm terribly sorry.
764
00:53:17,385 --> 00:53:21,415
That's all right. You couldn't have done it
if I hadn't softened it up for you.
765
00:53:21,515 --> 00:53:23,173
- What?
- Nothing.
766
00:53:23,934 --> 00:53:25,460
- Cigarette?
- No, thanks.
767
00:53:25,560 --> 00:53:27,796
That's right. Dancers shouldn't smoke.
768
00:53:27,896 --> 00:53:30,799
- You mind if I do?
- Yes. I mean, it's all right.
769
00:53:30,899 --> 00:53:32,266
Thanks.
770
00:53:35,946 --> 00:53:37,479
How lovely.
771
00:53:38,281 --> 00:53:41,351
I've never seen such wonderful prints
in a hotel.
772
00:53:41,451 --> 00:53:44,604
They don't belong to the hotel yet.
They're mine, and they're originals.
773
00:53:44,704 --> 00:53:45,856
Oh.
774
00:53:45,956 --> 00:53:47,149
Don't let that throw you.
775
00:53:47,249 --> 00:53:51,319
I don't know any more about art than I do
about dancing. I'm just a Hollywood actor.
776
00:53:51,419 --> 00:53:53,739
I call my agent and say,
"I've got a wall to cover.
777
00:53:53,839 --> 00:53:57,499
"Send me over 20 feet's worth
of paintings in assorted colors."
778
00:53:59,010 --> 00:54:01,754
That's a very early Degas, isn't it?
779
00:54:02,556 --> 00:54:04,590
"1877."
780
00:54:06,143 --> 00:54:10,095
Yeah. I swiped it from his desk
in school. Was he sore.
781
00:54:13,150 --> 00:54:14,509
What can I do for you?
782
00:54:14,609 --> 00:54:18,013
I know. You demand an apology.
Okay, let's cut it short. I apologize.
783
00:54:18,113 --> 00:54:21,398
No, don't do that.
I'm supposed to apologize to you.
784
00:54:21,783 --> 00:54:23,018
- Oh...
- I mean...
785
00:54:23,118 --> 00:54:25,896
I see, the fellows got together,
stuck a gun in your back...
786
00:54:25,996 --> 00:54:29,107
No, it was all my idea.
I just wanted to tell you that...
787
00:54:29,207 --> 00:54:31,443
All right. It was Paul's idea.
788
00:54:31,543 --> 00:54:33,445
Why do I let him push me around?
789
00:54:33,545 --> 00:54:36,239
What do I want to apologize
to you for anyway?
790
00:54:36,339 --> 00:54:38,200
You've been mean to me.
791
00:54:38,300 --> 00:54:41,620
You didn't want me in the show
in the first place.
792
00:54:41,720 --> 00:54:42,871
What?
793
00:54:42,971 --> 00:54:45,540
And you think
I'm a dime-a-dozen ballet dancer.
794
00:54:45,640 --> 00:54:46,792
No.
795
00:54:46,892 --> 00:54:50,420
And this whole thing's making me
a nervous wreck and no show is worth it.
796
00:54:50,520 --> 00:54:53,632
I wouldn't apologize to you
in a million years.
797
00:54:53,732 --> 00:54:57,928
Now, don't do that. Please, just
calm down. Now take it easy. Look.
798
00:54:58,028 --> 00:55:00,722
I thought I was the only nervous wreck
around here...
799
00:55:00,822 --> 00:55:02,724
and all this time
you've been behaving...
800
00:55:02,824 --> 00:55:05,560
I've behaved horribly to you,
and I know it.
801
00:55:05,660 --> 00:55:09,696
I'm not used to behaving horribly.
It's a big strain.
802
00:55:10,498 --> 00:55:13,985
You just misunderstood me, that's all.
I think you're terrific.
803
00:55:14,085 --> 00:55:17,739
I think everything in the show
is probably terrific, except me.
804
00:55:17,839 --> 00:55:20,158
I've been scared to death of you...
805
00:55:20,258 --> 00:55:23,710
and scared to death
of every last kid in the chorus.
806
00:55:26,723 --> 00:55:28,757
Don't be nice to me.
807
00:55:29,643 --> 00:55:32,886
It just makes me seem twice as ugly.
808
00:55:36,066 --> 00:55:39,810
I'd say you were more plain than ugly...
809
00:55:39,945 --> 00:55:42,855
- ...but at least you've got talent.
- Thanks.
810
00:55:43,406 --> 00:55:45,684
Now look, Gaby. It's just plain silly...
811
00:55:45,784 --> 00:55:48,103
that we have never sat down
and talked this out.
812
00:55:48,203 --> 00:55:51,398
We are the only animals given
the greatest means of communication...
813
00:55:51,498 --> 00:55:52,649
human speech.
814
00:55:52,749 --> 00:55:56,069
- And all we do is snarl at each other.
- I know.
815
00:55:56,169 --> 00:55:59,114
We're from two different worlds,
two eras...
816
00:55:59,214 --> 00:56:02,284
but yet we're supposed
to dance together, work together.
817
00:56:02,384 --> 00:56:04,035
No one consulted us...
818
00:56:04,135 --> 00:56:07,463
but we're the only things that matter
in this whole thing.
819
00:56:07,597 --> 00:56:11,133
Not those geniuses out there,
telling us what to do.
820
00:56:11,434 --> 00:56:15,137
You're right.
We have to do the performing.
821
00:56:15,480 --> 00:56:18,049
We're the ones
that have to get up on that stage...
822
00:56:18,149 --> 00:56:22,596
- ...and make idiots out of ourselves.
- Tony, is that what's going to happen?
823
00:56:22,696 --> 00:56:25,807
No. Of course not.
Things are going to be fine.
824
00:56:25,907 --> 00:56:29,436
I have a feeling that everything
is going to be much better from now on.
825
00:56:29,536 --> 00:56:31,445
Yes, I know, but...
826
00:56:32,956 --> 00:56:35,699
Can you and I really dance together?
827
00:56:36,376 --> 00:56:38,035
I don't know.
828
00:56:38,962 --> 00:56:40,662
Let's find out.
829
00:56:45,802 --> 00:56:47,961
- Taxi, sir?
- Yes, please.
830
00:56:53,435 --> 00:56:55,594
- El Morocco, please.
- No.
831
00:56:56,104 --> 00:56:57,339
Stork? Waldorf?
832
00:56:57,439 --> 00:57:00,050
No. I'm not dressed.
I just came from rehearsal.
833
00:57:00,150 --> 00:57:02,969
- I can't go to any of those places.
- You look fine to me.
834
00:57:03,069 --> 00:57:05,479
- Never mind. Thanks.
- Thank you.
835
00:57:10,994 --> 00:57:14,196
- Where to, sir?
- Leave it to the horse.
836
00:57:23,715 --> 00:57:25,707
Look, trees.
837
00:57:26,217 --> 00:57:29,378
Yes, I remember now, dimly. Trees.
838
00:57:30,138 --> 00:57:32,464
And isn't that called grass?
839
00:57:33,141 --> 00:57:35,384
And, look, there's the sky.
840
00:57:36,019 --> 00:57:37,587
This has all been here...
841
00:57:37,687 --> 00:57:41,174
the whole time we have been shut up
in our little sweatbox of the arts.
842
00:57:41,274 --> 00:57:43,225
Really? Amazing.
843
00:57:43,485 --> 00:57:46,979
Do you know what those are
on those benches? People.
844
00:57:47,113 --> 00:57:48,306
Happy people.
845
00:57:48,406 --> 00:57:50,433
Would you believe it?
They don't even care...
846
00:57:50,533 --> 00:57:54,027
whether we have a damnation scene
in our show or not.
847
00:57:55,330 --> 00:57:56,989
Neither do I.
848
01:02:40,948 --> 01:02:42,850
You can't get it into the elevators.
849
01:02:42,950 --> 01:02:46,521
And you take this one here,
and it won't fit the finale.
850
01:02:46,621 --> 01:02:49,148
- How are we doing?
- It's a disaster.
851
01:02:49,248 --> 01:02:52,318
We're in terrible trouble.
We just can't open in three days.
852
01:02:52,418 --> 01:02:56,072
I told you from the beginning,
you are overloading the show.
853
01:02:56,172 --> 01:02:58,533
You can't get all this scenery
in the theater.
854
01:02:58,633 --> 01:03:01,578
- Why isn't this hung?
- We've been hanging all night.
855
01:03:01,678 --> 01:03:04,122
You've got more scenery in this show...
856
01:03:04,222 --> 01:03:06,416
than there is in
Yellowstone National Park.
857
01:03:06,516 --> 01:03:09,377
Never mind. Get your blueprints.
We'll go have a conference.
858
01:03:09,477 --> 01:03:12,095
Everything will work out all right.
859
01:03:16,776 --> 01:03:20,138
Hold it. I scored for brass,
and all I hear is flute.
860
01:03:20,238 --> 01:03:21,931
I don't want so many long bows.
861
01:03:22,031 --> 01:03:25,191
Lester, I gotta cut 16 bars
out of that dance.
862
01:03:25,576 --> 01:03:27,652
Sixteen bars! Hey, Lil.
863
01:03:27,995 --> 01:03:30,898
All right, I'll make the cut.
Page to page.
864
01:03:30,998 --> 01:03:33,484
Would you ask Lily
if she approves the cut?
865
01:03:33,584 --> 01:03:35,945
- Lil, how about this cut?
- It's fine.
866
01:03:36,045 --> 01:03:37,780
Okay, Lester. Let's give it to her.
867
01:03:37,880 --> 01:03:41,159
This'll sound like hash. I better
put some chords in for transition.
868
01:03:41,259 --> 01:03:44,537
Wait, just a minute.
Sublime, time, dime, slime...
869
01:03:44,637 --> 01:03:46,748
You can't hear Tony
in Lovelier Than You.
870
01:03:46,848 --> 01:03:50,634
- I'm already holding down the orchestra.
- Maybe the key's too low.
871
01:03:51,144 --> 01:03:53,504
Ask Lester if Tony
can take it a key higher.
872
01:03:53,604 --> 01:03:55,590
About Lovelier Than You,
Les, a key higher?
873
01:03:55,690 --> 01:03:58,384
Don't you see I'm trying to make a cut?
The key's perfect.
874
01:03:58,484 --> 01:04:02,020
- But Lily said you'd make the change.
- The key is...
875
01:04:05,199 --> 01:04:07,935
Everyone on their toes
for the transformation scene.
876
01:04:08,035 --> 01:04:10,813
- We're not ready.
- Perfectly all right. Next.
877
01:04:10,913 --> 01:04:13,066
Watch it.
I'll cue you for the transition music.
878
01:04:13,166 --> 01:04:14,859
Isn't it great? Herman.
879
01:04:14,959 --> 01:04:16,819
Everybody ready back there?
880
01:04:16,919 --> 01:04:19,072
We got to have more time
to make the change.
881
01:04:19,172 --> 01:04:22,700
- I've got to have 16 more men.
- I got elevators...
882
01:04:22,800 --> 01:04:23,951
Do the best you can.
883
01:04:24,051 --> 01:04:25,745
All right, everybody. This is it.
884
01:04:25,845 --> 01:04:28,706
Men in the elevators,
watch the signal lights for your cues.
885
01:04:28,806 --> 01:04:31,959
Switchboards. Stand by to come down
your number one batten on cue.
886
01:04:32,059 --> 01:04:35,004
Girls on stairs, take your positions,
but don't be frightened.
887
01:04:35,104 --> 01:04:37,382
Men in armor, light your chandeliers.
888
01:04:37,482 --> 01:04:41,893
All right, make this great, everybody.
Don't forget, it's the first-act finale.
889
01:04:43,321 --> 01:04:46,231
Are you guys all right in there?
Now, watch your cue.
890
01:04:47,283 --> 01:04:48,768
Light change.
891
01:04:48,868 --> 01:04:50,235
Revolve.
892
01:04:54,665 --> 01:04:57,117
This is going to be beautiful.
893
01:04:57,335 --> 01:05:00,078
It will be a memorable moment.
894
01:05:00,254 --> 01:05:01,788
Memorable.
895
01:05:02,215 --> 01:05:03,574
Yes.
896
01:05:03,674 --> 01:05:05,702
This is real theater.
897
01:05:05,802 --> 01:05:09,504
Everything's smooth as silk.
898
01:05:11,933 --> 01:05:16,803
No, Herman, that doesn't go up,
it goes down. Take it down.
899
01:05:17,438 --> 01:05:19,597
What is this? Herman!
900
01:05:20,066 --> 01:05:22,802
I don't think
you've got your cues right!
901
01:05:22,902 --> 01:05:24,644
No, stop!
902
01:05:24,946 --> 01:05:29,183
That one doesn't go down, it goes up.
Take it up.
903
01:05:30,535 --> 01:05:33,570
For heaven's sake,
look at your cue sheet.
904
01:05:35,581 --> 01:05:39,909
Take it up. No, not me.
905
01:05:40,670 --> 01:05:43,913
Herman, this cable has fouled.
906
01:05:57,728 --> 01:05:59,630
Calm down. Don't let us lose our heads.
907
01:05:59,730 --> 01:06:02,508
This is a setback,
but that's what we come out of town for.
908
01:06:02,608 --> 01:06:03,760
We'll never make it work.
909
01:06:03,860 --> 01:06:07,263
Of course it will. You boys get together,
think of something brilliant.
910
01:06:07,363 --> 01:06:10,600
You can't put Gaby on that thing.
It's dangerous. I won't allow it.
911
01:06:10,700 --> 01:06:13,728
It's all right. After all, we expected
to strike a snag or two.
912
01:06:13,828 --> 01:06:16,689
Get the full company in the lounge
for dialogue rehearsal...
913
01:06:16,789 --> 01:06:20,617
while they're clearing the stage.
We can't afford to waste a moment.
914
01:06:38,311 --> 01:06:41,179
Here. I'm sorry. I forgot.
915
01:06:47,361 --> 01:06:49,020
That help?
916
01:06:49,739 --> 01:06:51,439
All right?
917
01:06:54,577 --> 01:06:56,646
If you've quite finished,
let's try this.
918
01:06:56,746 --> 01:06:59,398
We're going to get the stage soon.
You don't know it yet.
919
01:06:59,498 --> 01:07:04,237
Paul, I'm afraid Gaby's kind of beat.
Nobody's had any sleep for two nights.
920
01:07:04,337 --> 01:07:05,780
Can't you let her rest a while?
921
01:07:05,880 --> 01:07:08,658
If you don't mind, Tony,
I've worked with her for many years.
922
01:07:08,758 --> 01:07:11,202
I happen to know her a good deal
better than you do.
923
01:07:11,302 --> 01:07:12,662
All right, Gaby. Come on.
924
01:07:12,762 --> 01:07:14,372
Madame, may I have this dance?
925
01:07:14,472 --> 01:07:17,542
Cut the clowning. It's not going to seem
so funny tomorrow night.
926
01:07:17,642 --> 01:07:19,175
All right, Adam.
927
01:07:28,319 --> 01:07:32,063
Okay, Paul, they're ready
for you on-stage. Come on.
928
01:07:36,911 --> 01:07:40,773
This is the big moment.
Hal, come on. Take it over there.
929
01:07:40,873 --> 01:07:45,118
Tony, Gaby, this is it.
I want it to be outstanding.
930
01:07:45,294 --> 01:07:50,623
It must be beautiful, fabulous,
warm, and fiery.
931
01:07:53,844 --> 01:07:56,789
Your cue is, "Dance, fools, dance!"
932
01:07:58,516 --> 01:08:04,297
You and the night and the music
933
01:08:04,397 --> 01:08:06,883
Fill me with flaming desire
934
01:08:10,361 --> 01:08:15,224
Setting my being completely
935
01:08:15,324 --> 01:08:21,022
On fire, fire, fire
936
01:08:21,122 --> 01:08:23,900
You and the night and the music
937
01:08:26,460 --> 01:08:29,864
Thrill me but will we
938
01:08:29,964 --> 01:08:32,283
Be one
939
01:08:33,592 --> 01:08:37,538
After the night and the music
940
01:08:37,638 --> 01:08:42,084
Are done?
941
01:08:42,184 --> 01:08:45,504
Until the pale light
942
01:08:45,604 --> 01:08:48,382
Of dawning and daylight
943
01:08:48,482 --> 01:08:53,019
Our hearts will be throbbing guitars
944
01:08:56,115 --> 01:09:00,235
Hal, it seems to be a little too much,
doesn't it?
945
01:09:01,203 --> 01:09:02,654
Yes.
946
01:09:04,457 --> 01:09:07,659
Are we really supposed
to open tomorrow night?
947
01:09:13,007 --> 01:09:15,500
"Dance, fools, dance!"
948
01:09:37,573 --> 01:09:40,483
Hello, there! It's a big night.
949
01:09:42,536 --> 01:09:45,940
Everybody is here from New York.
Simply everybody.
950
01:09:46,040 --> 01:09:49,158
Do you hear that, my dear?
Everybody from New York is here.
951
01:09:49,835 --> 01:09:52,745
Come on. Don't want you
to miss the overture.
952
01:09:53,464 --> 01:09:55,408
Think we should get ready, boys?
953
01:09:55,508 --> 01:09:58,876
No, we can finish this hand.
Nobody's made a pep talk yet.
954
01:09:59,136 --> 01:10:00,420
Pep talk?
955
01:10:00,805 --> 01:10:03,708
Yeah. I never seen an opening night yet
without some guy...
956
01:10:03,808 --> 01:10:07,503
gets all the poor actors together
and makes them a long speech:
957
01:10:07,603 --> 01:10:09,512
"They should be brilliant."
958
01:10:09,647 --> 01:10:12,348
On-stage, please. Everybody on-stage.
959
01:10:14,610 --> 01:10:16,595
Mr. Cordova wants to say a few words.
960
01:10:16,695 --> 01:10:20,231
Come on, girls. Hurry up. Let's go.
Step right along.
961
01:10:26,455 --> 01:10:30,401
Company, a final word.
You've all been just wonderful.
962
01:10:30,501 --> 01:10:32,111
Thanks for your cooperation.
963
01:10:32,211 --> 01:10:35,281
Tonight, we're about to perform
before an audience in a theater.
964
01:10:35,381 --> 01:10:38,200
It's not only a temple of the arts,
but a place of business.
965
01:10:38,300 --> 01:10:41,579
And I feel we have here a venture
that is successful on both counts.
966
01:10:41,679 --> 01:10:45,041
Nothing to be nervous about.
We've got to keep our wits and do a show.
967
01:10:45,141 --> 01:10:47,626
There will be rough spots,
but we'll smooth them out.
968
01:10:47,726 --> 01:10:50,254
Remember, that's what
we came out of town for.
969
01:10:50,354 --> 01:10:53,473
Up to now, I've been giving you
orders as director...
970
01:10:53,858 --> 01:10:57,386
but when next you see me,
I shall be just as one of you...
971
01:10:57,486 --> 01:11:00,438
an eager ham, anxious to make good.
972
01:11:00,823 --> 01:11:03,726
Actors, let's go.
973
01:11:03,826 --> 01:11:06,353
All right, people.
Get ready for the tableau, girls.
974
01:11:06,453 --> 01:11:09,238
Finish your make-up.
Come on, girls. Let's go.
975
01:11:10,749 --> 01:11:12,777
I'm so glad you folks could come.
976
01:11:12,877 --> 01:11:15,905
And don't forget the big party
at the hotel after the show.
977
01:11:16,005 --> 01:11:18,324
The whole cast will be there.
You'll meet them all.
978
01:11:18,424 --> 01:11:21,535
Of course, I have to go backstage
to congratulate them afterwards.
979
01:11:22,887 --> 01:11:25,206
I'll see you all at the party.
980
01:11:25,306 --> 01:11:27,298
All New York is here.
981
01:11:28,017 --> 01:11:30,044
Big party at the hotel after the show.
982
01:11:30,144 --> 01:11:33,679
I'll look for you. Big party, big show.
Come on, now.
983
01:11:35,566 --> 01:11:38,594
We don't want to miss a thing.
Now, don't forget the party.
984
01:11:38,694 --> 01:11:42,389
Evelyn, big party at the hotel
after the show.
985
01:11:42,489 --> 01:11:44,273
I'll look for you.
986
01:11:45,534 --> 01:11:47,402
Champagne's on me.
987
01:12:33,249 --> 01:12:36,617
Shall I drive you to the hotel, sir,
to the party?
988
01:12:37,878 --> 01:12:39,196
No. Drive me to the station.
989
01:12:39,296 --> 01:12:42,199
Maybe I can still make the 11:40
back to New York.
990
01:12:42,299 --> 01:12:43,708
Yes, sir.
991
01:13:15,791 --> 01:13:19,445
- Good evening.
- I was looking for The Band Wagon party.
992
01:13:19,545 --> 01:13:21,287
This is it, sir.
993
01:13:39,565 --> 01:13:41,766
This way, please.
994
01:14:14,058 --> 01:14:17,051
- Are you leaving, sir?
- Yes. Good night.
995
01:14:18,687 --> 01:14:21,013
We must do this more often.
996
01:14:25,194 --> 01:14:30,516
Oh, give me something
To remember you by
997
01:14:32,368 --> 01:14:37,071
When you are far away from me
998
01:14:39,708 --> 01:14:41,777
Some little something
999
01:14:41,877 --> 01:14:43,911
It's all Annie's fault.
1000
01:14:44,880 --> 01:14:47,825
I should have listened to my mother.
She told me only to be in hit shows.
1001
01:14:51,762 --> 01:14:53,414
Hi, I don't want to barge in.
1002
01:14:53,514 --> 01:14:56,083
I just want to tell you all
how great I think you are.
1003
01:14:56,183 --> 01:14:58,127
I didn't get a chance
to know you very well.
1004
01:14:58,227 --> 01:15:03,132
- I'm sorry I messed up the show for you.
- Wait a minute, come on in, have a drink.
1005
01:15:03,232 --> 01:15:06,385
- I don't want to crash the party.
- Give Mr. Hunter a drink.
1006
01:15:06,485 --> 01:15:09,179
- What do you say, Scotch, rye, or beer?
- Beer's fine.
1007
01:15:09,279 --> 01:15:12,057
- One beer, coming up.
- Want some pizza pie?
1008
01:15:12,157 --> 01:15:15,144
How about a sandwich?
We've got ham and deviled egg.
1009
01:15:15,244 --> 01:15:17,271
I've had enough of both for one night.
1010
01:15:23,127 --> 01:15:27,531
Far away
Me, oh, my
1011
01:15:27,631 --> 01:15:31,542
Only yesterday
1012
01:15:35,305 --> 01:15:38,292
There we were, the whole act,
the 10 Tapping Troubadours.
1013
01:15:38,392 --> 01:15:40,461
The 10 Tapping Troubadours?
1014
01:15:40,561 --> 01:15:41,962
Yeah, believe it or not...
1015
01:15:42,062 --> 01:15:44,465
we were stranded in Pittsburgh
with $3 between us...
1016
01:15:44,565 --> 01:15:47,725
crammed into one room
the size of that closet.
1017
01:15:48,819 --> 01:15:52,104
Gaby, come on in.
We're having a good old-fashioned wake.
1018
01:15:53,157 --> 01:15:54,933
I've been looking all over for you.
1019
01:15:55,033 --> 01:15:56,185
Where is Paul?
1020
01:15:56,285 --> 01:15:59,229
He's at a very exclusive wake
with Jeff and the Martons.
1021
01:15:59,329 --> 01:16:01,607
Can I get you a drink, Gaby?
How about a beer?
1022
01:16:01,707 --> 01:16:03,650
How about some popcorn?
1023
01:16:03,750 --> 01:16:05,277
Tony!
1024
01:16:06,628 --> 01:16:08,829
Lily, Lester, come on in.
1025
01:16:09,465 --> 01:16:12,826
Are you sure? Don't you remember?
We wrote that thing.
1026
01:16:12,926 --> 01:16:15,711
This is a wonderful party. Come on in.
1027
01:16:16,138 --> 01:16:19,500
Who's going to go out and get the beer?
Okay, Sis, you're elected.
1028
01:16:19,600 --> 01:16:21,676
Tony, watch this!
1029
01:16:24,188 --> 01:16:25,763
More beer!
1030
01:16:26,690 --> 01:16:29,134
I'll never forget. You blew a gasket.
1031
01:16:29,234 --> 01:16:31,512
You were really gone. Come on.
1032
01:16:34,490 --> 01:16:36,524
Come on, Tony. Come on, get with it.
1033
01:16:37,743 --> 01:16:40,020
How I love the glass of beer
1034
01:16:40,120 --> 01:16:41,946
More beer
1035
01:16:42,331 --> 01:16:47,069
- Beer goes very good with beer
- More beer
1036
01:16:47,169 --> 01:16:51,907
When I'm drinking beer I'm thinking
"Ach, life is dear"
1037
01:16:52,007 --> 01:16:57,044
But there's someone I love
Even more than beer
1038
01:16:58,597 --> 01:17:03,259
I love Louisa
Louisa loves me
1039
01:17:03,477 --> 01:17:08,048
When we rode on the merry-go-round
I kissed Louisa
1040
01:17:08,148 --> 01:17:12,393
And then Louisa
Louisa kissed me
1041
01:17:12,736 --> 01:17:17,391
We were so happy
So happy and free
1042
01:17:17,491 --> 01:17:21,728
Ach! Ach! But she's a
Beautiful Louisa
1043
01:17:21,828 --> 01:17:23,897
Ach! When I choose 'em
1044
01:17:23,997 --> 01:17:26,525
I never want to lose 'em
1045
01:17:26,625 --> 01:17:31,196
Someday Louisa
Louisa will be
1046
01:17:31,296 --> 01:17:34,457
More als just a Fräulein to me
1047
01:17:38,095 --> 01:17:42,416
- Frenchmen love a glass of wine
- More beer
1048
01:17:42,516 --> 01:17:47,045
- The English think the whiskey's fine
- More beer
1049
01:17:47,145 --> 01:17:51,633
But when I comb off all the foam off
I drink a toast
1050
01:17:51,733 --> 01:17:54,553
To the Germans and the Mädchen
1051
01:17:54,653 --> 01:17:58,223
I love most
1052
01:18:16,717 --> 01:18:21,246
Ach! Ach! But she's a
Beautiful Louisa
1053
01:18:21,346 --> 01:18:26,175
Ach! When I choose 'em
I never want to lose 'em
1054
01:18:43,619 --> 01:18:48,023
Ach! Ach! But she's a
Beautiful Louisa
1055
01:18:48,123 --> 01:18:52,402
Ach! When I choose 'em
I never want to lose 'em
1056
01:18:52,502 --> 01:18:56,823
Someday Louisa
Louisa will be
1057
01:18:56,923 --> 01:19:00,118
More than just a Fräulein to me
1058
01:19:00,218 --> 01:19:04,540
More beer!
More beer!
1059
01:19:04,640 --> 01:19:08,509
More beer!
1060
01:19:23,992 --> 01:19:27,688
Gosh, with all this raw talent around,
why can't us kids get together...
1061
01:19:27,788 --> 01:19:29,231
and put on ourselves a show?
1062
01:19:29,331 --> 01:19:33,284
Maybe we can find ourselves
a barn or something, and maybe...
1063
01:19:36,672 --> 01:19:39,373
I could stand anything but failure.
1064
01:19:40,592 --> 01:19:43,210
- Where's the telephone?
- In there.
1065
01:19:50,519 --> 01:19:53,262
Give me Jeff Cordova's room, please.
1066
01:19:54,231 --> 01:19:57,801
Hello, Jeff. This is Tony.
Now, don't say anything. Just listen.
1067
01:19:57,901 --> 01:20:00,554
I'm here with all the kids,
and we've come to a decision.
1068
01:20:00,654 --> 01:20:04,558
We're not closing this show, if you
can call it a show. We're going on.
1069
01:20:04,658 --> 01:20:08,061
We're going to keep it on the road
and redo it from top to bottom.
1070
01:20:08,161 --> 01:20:10,063
It won't be a modern version of Faust...
1071
01:20:10,163 --> 01:20:12,816
Pilgrim's Progress, or the Book of Job
in swing time.
1072
01:20:12,916 --> 01:20:15,652
It'll be our show,
the show we started out to do...
1073
01:20:15,752 --> 01:20:18,405
the book the Martons wrote,
with the songs you threw out.
1074
01:20:18,505 --> 01:20:21,450
It'll have laughs and entertainment.
You remember entertainment?
1075
01:20:21,550 --> 01:20:23,577
Look, we'd love
to have you with us, Jeff.
1076
01:20:23,677 --> 01:20:25,829
But if you're not,
it won't make any difference.
1077
01:20:25,929 --> 01:20:27,414
We're going ahead just the same.
1078
01:20:27,514 --> 01:20:30,459
We're going to put this thing across,
aren't we, kids?
1079
01:20:30,559 --> 01:20:32,044
All right. What do you say?
1080
01:20:32,144 --> 01:20:33,837
Hello? Nobody here.
1081
01:20:33,937 --> 01:20:36,307
This is the chambermaid,
but if you want...
1082
01:20:36,407 --> 01:20:40,392
- ...I'll leave a message for Mr. Cordova.
- Thank you, madam.
1083
01:20:40,736 --> 01:20:42,353
He isn't in.
1084
01:20:53,665 --> 01:20:56,283
Jeff, did you hear what I said?
1085
01:20:57,753 --> 01:21:01,198
Tony, I've learned one thing
in the theater, and it's this:
1086
01:21:01,298 --> 01:21:04,750
one man has to be at the helm,
the rest take orders.
1087
01:21:05,427 --> 01:21:09,289
I believe in what you said. I got
carried away in the wrong direction.
1088
01:21:09,389 --> 01:21:14,301
You've got to be the boss, Tony.
I think you can pull this off brilliantly...
1089
01:21:15,353 --> 01:21:17,888
and I'd like to be a part of it.
1090
01:21:19,775 --> 01:21:20,967
Jeff, you're all right.
1091
01:21:21,067 --> 01:21:23,303
I must tell you one thing.
There isn't any money.
1092
01:21:23,403 --> 01:21:26,640
Colonel Todd and the backers
have stolen away into the night.
1093
01:21:26,740 --> 01:21:27,891
- We've got backers.
- Who?
1094
01:21:27,991 --> 01:21:30,185
A bunch of painters.
A fellow named Degas from...
1095
01:21:30,285 --> 01:21:33,313
- You wouldn't sell your paintings.
- Sure, they love the theater.
1096
01:21:33,413 --> 01:21:37,484
I figure we need five or six weeks on tour
to do what we have to do with this show.
1097
01:21:37,584 --> 01:21:40,112
- Jeff, would you help us with bookings?
- Of course.
1098
01:21:40,212 --> 01:21:43,615
Hal, have you got paper and pencil?
We can send a telegram.
1099
01:21:45,884 --> 01:21:48,078
- Washington? Washington's open.
- And Boston.
1100
01:21:48,178 --> 01:21:49,329
Boston's very good.
1101
01:21:49,429 --> 01:21:52,708
Can we go to Philadelphia, Detroit,
then come on back to New York?
1102
01:21:52,808 --> 01:21:56,635
- Paul, aren't you excited?
- Yeah. It's wonderful.
1103
01:21:57,479 --> 01:21:59,680
I wish them a lot of luck.
1104
01:22:00,982 --> 01:22:04,518
- This kind of leaves us out.
- Why?
1105
01:22:04,778 --> 01:22:08,056
With Tony doing the dances,
it's not going to be my kind of show.
1106
01:22:08,156 --> 01:22:11,108
Yours, either.
I don't want you to do it.
1107
01:22:12,661 --> 01:22:15,021
I wouldn't think of leaving
the show, Paul.
1108
01:22:15,121 --> 01:22:20,034
- I've worked too hard on your career to...
- It's my career, and I want to stay.
1109
01:22:21,545 --> 01:22:24,781
I'm taking the 9:00 train
tomorrow morning for New York.
1110
01:22:24,881 --> 01:22:27,041
I expect you to be there.
1111
01:22:28,593 --> 01:22:30,711
Have a nice trip, Paul.
1112
01:22:35,809 --> 01:22:38,635
Dancers, singers, the sketches.
1113
01:22:42,482 --> 01:22:45,976
Listen, kids, it's going to mean
rehearsing every day...
1114
01:22:46,194 --> 01:22:48,388
all day, right up to curtain time.
1115
01:22:48,488 --> 01:22:51,850
We're going to put in new numbers,
and learn them as fast as we can...
1116
01:22:51,950 --> 01:22:54,853
and we're going
to yank out all that junk.
1117
01:22:56,204 --> 01:22:59,691
We've got our schedule all worked out,
and it looks pretty good now.
1118
01:22:59,791 --> 01:23:02,903
Philadelphia, Boston, Pittsburgh...
1119
01:23:03,003 --> 01:23:05,496
Washington, Baltimore...
1120
01:23:21,187 --> 01:23:26,176
I see a new sun up in a new sky
1121
01:23:26,276 --> 01:23:31,105
And my whole horizon
Has reached a new high
1122
01:23:31,531 --> 01:23:36,228
Yesterday my heart sang a blue song
1123
01:23:36,328 --> 01:23:41,233
But today hear it hum a cheery new song
1124
01:23:41,333 --> 01:23:46,154
I dreamed a new dream
I saw a new face
1125
01:23:46,254 --> 01:23:51,243
And I'm spreading sunshine
All over the place
1126
01:23:51,343 --> 01:23:56,421
With a new point of view
Here's what greets my eye
1127
01:23:56,973 --> 01:23:59,209
- New love
- New love
1128
01:23:59,309 --> 01:24:01,419
- New luck
- New luck
1129
01:24:01,519 --> 01:24:06,299
- New sun
- And there's a new sun
1130
01:24:06,399 --> 01:24:11,520
In the sky
1131
01:24:20,789 --> 01:24:24,908
I guess I'll have to change my plan
1132
01:24:25,752 --> 01:24:30,080
I should've realized
There'd be another man
1133
01:24:30,423 --> 01:24:34,960
I overlooked that point completely
1134
01:24:35,261 --> 01:24:39,715
Until the big affair began
1135
01:24:40,016 --> 01:24:43,969
Before I knew where I was at
1136
01:24:44,896 --> 01:24:49,141
I found myself up on the shelf
And that was that
1137
01:24:49,693 --> 01:24:54,688
I tried to reach the moon
But when I got there
1138
01:24:55,615 --> 01:24:58,977
All that I could get was the air
1139
01:24:59,077 --> 01:25:03,363
My feet are back upon the ground
1140
01:25:03,873 --> 01:25:08,911
I've lost the one girl I found
1141
01:26:15,570 --> 01:26:18,598
Get goin', Louisiana hayride
1142
01:26:18,698 --> 01:26:23,687
Get goin', we all is ready
Start somethin', Louisiana hayride
1143
01:26:23,787 --> 01:26:26,064
No use for callin' the roll
1144
01:26:26,164 --> 01:26:29,317
Oh, I like that sport
Sittin' in the hay
1145
01:26:29,417 --> 01:26:31,653
Lovin' it away, oh, oh
1146
01:26:31,753 --> 01:26:34,864
For the time is short
Crack your little whip
1147
01:26:34,964 --> 01:26:37,165
Get your little ship to go
1148
01:26:37,550 --> 01:26:40,620
Start somethin', Louisiana hayride
1149
01:26:40,720 --> 01:26:45,757
No foolin', we all is happy
Get goin', Louisiana hayride
1150
01:26:45,934 --> 01:26:48,260
No use for callin' the roll
1151
01:26:48,561 --> 01:26:51,214
- Jasmine Washington
- I is here
1152
01:26:51,314 --> 01:26:54,009
- Sweet Pea Oglethorpe
- I is here
1153
01:26:54,109 --> 01:26:56,636
- Jonquil Jezebel
- Here
1154
01:26:56,736 --> 01:26:59,305
- Lemon Verbena
- I is here
1155
01:26:59,405 --> 01:27:02,267
Mo and Freddy
Lily and Lettie
1156
01:27:02,367 --> 01:27:05,020
We is here
We all here
1157
01:27:05,120 --> 01:27:10,108
- Zeke and Lemuel, Hiram and Samuel
- We is here, we all here
1158
01:27:10,208 --> 01:27:12,944
- Primrose Paradise
- I am here
1159
01:27:13,044 --> 01:27:15,447
- Daisy Dandelion
- I is here
1160
01:27:15,547 --> 01:27:18,533
We all here
We all here
1161
01:27:18,633 --> 01:27:19,784
Can't you see?
1162
01:27:19,884 --> 01:27:22,746
If you is really ready
And you're goin' steady
1163
01:27:22,846 --> 01:27:25,498
Get goin', Louisiana hay
1164
01:27:25,598 --> 01:27:29,502
Louisiana hayride
1165
01:27:29,602 --> 01:27:34,382
Start something, Louisiana hay
And no use to call, no use to call
1166
01:27:34,482 --> 01:27:38,261
- It's no use
- No use to bother to call the roll
1167
01:27:38,361 --> 01:27:40,221
Get goin', get goin'
1168
01:27:40,321 --> 01:27:45,685
I like that sport, sittin' in the hay
Lovin' it away,
1169
01:27:45,785 --> 01:27:49,647
The time is short, crack your little whip
Get your little ship
1170
01:27:49,747 --> 01:27:54,110
- Get your little ship
- Get your little ship to go
1171
01:27:54,210 --> 01:27:57,197
Get goin'
Louisiana hayride
1172
01:27:57,297 --> 01:28:01,958
Clear the way
Watch out, kindly step aside
1173
01:28:02,260 --> 01:28:05,789
Get goin'
1174
01:28:05,889 --> 01:28:13,095
Louisiana hayride
1175
01:28:22,030 --> 01:28:26,817
The scene's only about two minutes.
You won't have time to make the change.
1176
01:28:28,620 --> 01:28:32,023
I know it's a rough deal,
but we won't make New York if we don't.
1177
01:28:32,123 --> 01:28:36,201
- As much rehearsal time as possible.
- Better call them at 10:00.
1178
01:28:36,669 --> 01:28:40,615
Don't forget, everybody.
Rehearsal, 10:00 on the dot, Baltimore.
1179
01:28:40,715 --> 01:28:44,369
That case is important.
Tell you what we'll do, when we start.
1180
01:28:44,469 --> 01:28:46,711
Say, who's the pretty girl?
1181
01:28:46,971 --> 01:28:49,582
Why, this couldn't be
the mousy little Miss Gerard.
1182
01:28:49,682 --> 01:28:53,294
You've been with the firm for years.
I've never seen you with glasses on.
1183
01:28:53,394 --> 01:28:57,215
Say, you are beautiful.
How are you, Gaby?
1184
01:28:57,315 --> 01:28:59,891
- I'm all right. Thanks.
- Good.
1185
01:29:01,778 --> 01:29:03,061
Oh!
1186
01:29:06,532 --> 01:29:08,066
I'm sorry.
1187
01:29:08,743 --> 01:29:12,070
- You must be tired.
- Yes, I am, a little.
1188
01:29:12,455 --> 01:29:15,824
- Bet you are too.
- A little.
1189
01:29:22,507 --> 01:29:26,035
Lester, look, I've got a problem
with these two numbers.
1190
01:29:26,135 --> 01:29:28,913
The murder mystery has a jazz beat
and I don't want it to...
1191
01:29:29,013 --> 01:29:33,585
- Anyone heard from Paul Byrd?
- No, I haven't heard.
1192
01:29:33,685 --> 01:29:36,921
As a matter of fact, nobody has.
At least they haven't mentioned it.
1193
01:29:37,021 --> 01:29:39,340
- Wasn't he going to...
- What a rat.
1194
01:29:39,440 --> 01:29:42,309
Rat? Lester, wait a second.
1195
01:29:43,111 --> 01:29:46,097
He's a wonderful guy,
wonderful and talented.
1196
01:29:46,197 --> 01:29:49,809
He's written... Listen, don't sell him short.
That boy has got a lot...
1197
01:29:49,909 --> 01:29:53,688
He may be a little young, yes.
He needs a little more experience.
1198
01:29:53,788 --> 01:29:56,149
- Just give him a few more years.
- Yeah.
1199
01:29:56,249 --> 01:29:59,451
Probably when he settles down
and gets married.
1200
01:30:00,878 --> 01:30:05,366
- You think he'll make a good husband?
- And how. Great.
1201
01:30:05,466 --> 01:30:07,619
He'll make a great husband. Sure.
1202
01:30:07,719 --> 01:30:09,454
Listen, this kid is solid.
1203
01:30:09,554 --> 01:30:12,540
He knows all...
It isn't gonna be easy. No.
1204
01:30:12,640 --> 01:30:17,295
Marriage and the theater and two careers.
Problems. It isn't all skittles.
1205
01:30:17,395 --> 01:30:20,173
- It's no bed of...
- Is that why you never got married?
1206
01:30:20,273 --> 01:30:25,178
Who, me? You know,
I'm the kind of fella...
1207
01:30:25,278 --> 01:30:28,980
You got the right slant.
You're pretty happy as you are.
1208
01:30:29,240 --> 01:30:32,526
I like to kick around
and have a lot of laughs.
1209
01:30:44,756 --> 01:30:47,700
Lester, I'm very much in love
with this girl.
1210
01:30:47,800 --> 01:30:52,754
It's ridiculous, I know, things being
as they are, but there it is.
1211
01:30:54,474 --> 01:30:57,759
Look, Tony...
I don't know what the chances are...
1212
01:30:57,894 --> 01:31:00,880
but wait till we get to New York,
and see how you stand.
1213
01:31:00,980 --> 01:31:03,424
Personally, I think the girl's crazy
about you...
1214
01:31:03,524 --> 01:31:08,186
but what you can see in a beautiful,
young and talented girl is beyond me.
1215
01:31:29,967 --> 01:31:31,744
Three little unexpected children
1216
01:31:31,844 --> 01:31:33,496
Simultaneously the doctor brought us
1217
01:31:33,596 --> 01:31:36,708
And you can see that
We'll be three forever and A
1218
01:31:36,808 --> 01:31:40,837
E, I, O, You wouldn't know how agonizing
Being triple can be
1219
01:31:40,937 --> 01:31:44,632
Each one is individually the victim
Of the clinical day
1220
01:31:44,732 --> 01:31:49,429
E, I, O, Every summer we go away
To Baden-Baden-Baden
1221
01:31:49,529 --> 01:31:52,981
Every winter we come back home
To Walla Walla Walla
1222
01:31:54,826 --> 01:31:57,937
We do everything alike
We look alike
1223
01:31:58,037 --> 01:31:59,731
We dress alike
We walk alike
1224
01:31:59,831 --> 01:32:01,566
We talk alike
And what is more
1225
01:32:01,666 --> 01:32:05,236
We hate each other very much
We hate our folks
1226
01:32:05,336 --> 01:32:08,781
We're sick of jokes
On what an art it is to tell us apart
1227
01:32:08,881 --> 01:32:12,368
- If one of us gets the measles
- Another one gets the measles
1228
01:32:12,468 --> 01:32:15,754
Then all of us gets the measles
And mumps and croup
1229
01:32:16,097 --> 01:32:19,542
How I wish I had a gun
A wittle gun
1230
01:32:19,642 --> 01:32:23,553
It would be fun to shoot the other two
And be only one!
1231
01:32:25,106 --> 01:32:28,676
Mrs. Wifflepoofer loves
To talk to Mrs. Hildendorfer
1232
01:32:28,776 --> 01:32:32,388
Of the fatal natal day
She had her silly Willy
1233
01:32:32,488 --> 01:32:35,933
Mrs. Hassencooper loves to talk
To Mrs. Goldenwasser
1234
01:32:36,033 --> 01:32:39,520
Of her major operation
When she had her twins
1235
01:32:39,620 --> 01:32:43,107
But when Mother comes along
She silences the others
1236
01:32:43,207 --> 01:32:46,903
She accomplished something
That is very rare in mothers
1237
01:32:47,003 --> 01:32:50,448
MGM has got a Leo
But Mama has got a trio
1238
01:32:50,548 --> 01:32:53,291
She is proud
But says three is a crowd
1239
01:32:54,218 --> 01:32:58,373
We do everything alike
We look alike, we dress alike
1240
01:32:58,473 --> 01:33:01,000
We walk alike, we talk alike
And what is more
1241
01:33:01,100 --> 01:33:03,252
We hate each other very much
1242
01:33:03,352 --> 01:33:05,505
We hate our folks
We're sick of jokes
1243
01:33:05,605 --> 01:33:08,174
On what an art it is to tell us apart
1244
01:33:08,274 --> 01:33:09,967
We eat the same kind of vittles
1245
01:33:10,067 --> 01:33:13,429
We drink the same kind of bottles
We sit in the same kind of highchair
1246
01:33:13,529 --> 01:33:15,438
Highchair, highchair
1247
01:33:30,296 --> 01:33:32,990
Oh, I wish I had a gun, a wittle gun
1248
01:33:33,090 --> 01:33:40,296
It would be fun to shoot the other two
And be only one
1249
01:34:10,169 --> 01:34:13,364
- It's raining cats and dogs.
- A rainy opening is good luck...
1250
01:34:13,464 --> 01:34:15,957
when it rains on opening night.
1251
01:34:16,175 --> 01:34:18,244
Good luck, Tony.
1252
01:34:18,344 --> 01:34:22,039
Sweetie, I just want to say that no matter
what happens tonight, it's been...
1253
01:34:22,139 --> 01:34:24,000
I know. It's been that for me too.
1254
01:34:24,100 --> 01:34:27,378
If this turns out to be a hit,
you'll get sick of the sight of me...
1255
01:34:27,478 --> 01:34:30,381
six nights a week, two matinees.
No escape.
1256
01:34:30,481 --> 01:34:33,600
Course, if it isn't,
you won't have to see me at all.
1257
01:34:35,361 --> 01:34:37,889
Gaby, I've been wanting
to ask you something.
1258
01:34:37,989 --> 01:34:42,567
It's been... I felt there's been
an obstacle between us.
1259
01:34:43,035 --> 01:34:46,738
I wanted to... Is Paul coming tonight?
1260
01:34:46,998 --> 01:34:50,074
- Why, I think so.
- I see.
1261
01:34:50,209 --> 01:34:52,869
What I wanted to ask...
1262
01:34:55,214 --> 01:34:56,824
Perhaps, I better not.
1263
01:34:56,924 --> 01:34:59,083
I wish you wouldn't, Tony.
1264
01:35:00,595 --> 01:35:04,672
- Tony, good luck tonight.
- Good luck, Gaby.
1265
01:35:11,981 --> 01:35:16,969
I see a new sun up in a new sky
1266
01:35:17,069 --> 01:35:20,681
- If one of us gets the measles
- Another one gets the measles
1267
01:35:20,781 --> 01:35:22,941
Then all of us gets the measles
1268
01:35:23,367 --> 01:35:25,811
Get goin', Louisiana hayride
1269
01:35:25,911 --> 01:35:28,571
Get goin', we all is ready
1270
01:36:05,951 --> 01:36:09,195
The city was asleep.
The joints were closed.
1271
01:36:09,455 --> 01:36:12,949
The rats, the hoods,
and the killers were in their holes.
1272
01:36:13,459 --> 01:36:15,243
I hate killers.
1273
01:36:15,878 --> 01:36:19,532
My name is Rod Riley. I'm a detective.
1274
01:36:21,592 --> 01:36:24,495
Somewhere in a furnished room...
1275
01:36:24,595 --> 01:36:27,672
some guy was practicing on a horn.
1276
01:36:27,932 --> 01:36:30,174
It was a lonesome sound.
1277
01:36:31,769 --> 01:36:34,053
It crawled on my spine.
1278
01:36:35,564 --> 01:36:40,059
I had just finished a tough case.
I was ready to hit the sack.
1279
01:36:46,659 --> 01:36:50,862
I can smell trouble a mile off,
and this poor kid was in trouble.
1280
01:36:51,247 --> 01:36:52,773
Big trouble.
1281
01:36:52,873 --> 01:36:57,160
She's scared,
scared as a turkey in November.
1282
01:37:17,982 --> 01:37:23,102
There was nothing left of the guy,
nothing at all, except...
1283
01:37:24,280 --> 01:37:29,150
a rag, a bone, and a hank of hair.
1284
01:37:29,869 --> 01:37:33,529
The guy had been trying
to tell me something, but what?
1285
01:37:52,558 --> 01:37:55,336
So that's the way
they wanted to play. All right.
1286
01:37:55,436 --> 01:37:58,631
Somewhere in the city there was
a killer and that was bad.
1287
01:37:58,731 --> 01:38:01,265
Bad for the killer,
because I shoot hard.
1288
01:38:01,942 --> 01:38:04,060
And I hate hard.
1289
01:38:14,455 --> 01:38:17,240
I was playing a hunch.
1290
01:39:00,376 --> 01:39:02,785
She came at me in sections.
1291
01:39:03,254 --> 01:39:05,788
More curves than a scenic railway.
1292
01:39:07,925 --> 01:39:10,995
She was bad, she was dangerous.
1293
01:39:11,095 --> 01:39:14,123
I wouldn't trust her any farther
than I could throw her.
1294
01:39:14,223 --> 01:39:17,717
She was selling hard,
but I wasn't buying.
1295
01:40:06,275 --> 01:40:09,852
This had to be Mr. Big.
Get him and you get them all.
1296
01:40:38,182 --> 01:40:43,469
There was something about this kid
that made you want to protect her for life.
1297
01:42:00,723 --> 01:42:02,840
That bullet was meant for me.
1298
01:42:06,395 --> 01:42:10,723
Maybe this was a long shot,
but I've seen some funny ones pay off.
1299
01:42:32,046 --> 01:42:35,206
I was beginning to see daylight.
1300
01:42:49,772 --> 01:42:53,808
These mugs were smart,
but they made one mistake.
1301
01:42:55,694 --> 01:42:57,395
They got me mad.
1302
01:45:31,850 --> 01:45:35,754
All the pieces fitted together.
I knew how the crime had been done.
1303
01:45:35,854 --> 01:45:39,056
The high note on the trumpet
had shattered the glass.
1304
01:45:57,042 --> 01:45:59,577
The glass with the nitroglycerin.
1305
01:46:01,421 --> 01:46:04,658
Now I knew who the killer was,
but it didn't matter anymore.
1306
01:46:04,758 --> 01:46:06,792
Killers have to die.
1307
01:46:43,922 --> 01:46:47,458
Another page in the casebook
of Rod Riley was finished.
1308
01:46:47,592 --> 01:46:51,205
The city was asleep.
The joints were closed.
1309
01:46:51,305 --> 01:46:54,882
The rats, the hoods,
and the killers were in their holes.
1310
01:46:56,018 --> 01:46:59,178
I felt good, but something was missing.
1311
01:47:01,231 --> 01:47:04,760
She was bad, she was dangerous.
1312
01:47:04,860 --> 01:47:08,145
I wouldn't trust her any farther
than I could throw her.
1313
01:47:08,613 --> 01:47:11,690
But she was my kind of woman.
1314
01:47:44,191 --> 01:47:46,843
- Who's that? Somebody come in?
- No one, Mr. Hunter.
1315
01:47:46,943 --> 01:47:50,688
- You sure? Did you look out in the hall?
- Not a soul, Mr. Hunter.
1316
01:47:51,156 --> 01:47:55,442
I can't understand it.
Are you sure this show's a hit?
1317
01:47:55,744 --> 01:47:58,522
A very big hit, Mr. Hunter.
Congratulations.
1318
01:47:58,622 --> 01:48:00,440
It certainly doesn't feel like one.
1319
01:48:00,540 --> 01:48:03,986
I didn't expect them to pull my carriage
through the streets or hurl flowers at me...
1320
01:48:06,797 --> 01:48:09,199
- Hal, come on, boy. Have a drink.
- No, thanks.
1321
01:48:09,299 --> 01:48:12,452
- Got any notes for the cast for tomorrow?
- No.
1322
01:48:12,552 --> 01:48:14,037
- Good night.
- Say, look.
1323
01:48:14,137 --> 01:48:17,207
Doesn't anybody come backstage anymore
on opening nights?
1324
01:48:17,307 --> 01:48:21,218
No. It's considered old-fashioned.
Have a good night's rest, Tony.
1325
01:48:23,855 --> 01:48:25,674
Did Gaby go out with Paul?
1326
01:48:25,774 --> 01:48:29,101
Gaby? I don't know. I guess so.
Good night, Tony.
1327
01:48:32,239 --> 01:48:34,516
Bobby, you know what I'm going to do?
1328
01:48:34,616 --> 01:48:37,019
I'm going out to the biggest nightclub
I can find.
1329
01:48:37,119 --> 01:48:39,479
I'm going to get a glass of champagne
and celebrate.
1330
01:48:39,579 --> 01:48:41,196
Fine idea, sir.
1331
01:48:51,341 --> 01:48:54,793
I'll go my way by myself
1332
01:48:55,679 --> 01:48:59,006
All alone in a crowd
1333
01:49:00,100 --> 01:49:03,302
I'll try to apply myself
1334
01:49:04,312 --> 01:49:07,222
And teach my heart how to sing
1335
01:49:08,692 --> 01:49:12,311
I'll go my way by myself
1336
01:49:12,737 --> 01:49:15,939
Like a bird on the wing
1337
01:49:17,242 --> 01:49:20,444
I'll face the unknown
1338
01:49:21,288 --> 01:49:24,740
I'll build a world of my own
1339
01:49:28,879 --> 01:49:33,617
He's a jolly good fellow
He's a jolly good fellow
1340
01:49:33,717 --> 01:49:37,120
He's a jolly good fellow
1341
01:49:37,220 --> 01:49:41,674
That nobody can deny
That nobody can deny
1342
01:49:41,933 --> 01:49:44,211
That nobody can deny
1343
01:49:44,311 --> 01:49:47,756
For he's a jolly good fellow
1344
01:49:47,856 --> 01:49:51,058
That nobody can deny
1345
01:49:53,904 --> 01:49:56,098
Tony, the whole company got together.
1346
01:49:56,198 --> 01:49:59,608
We all chipped in,
and we bought you... nothing.
1347
01:50:00,202 --> 01:50:02,062
So we have nothing to give you...
1348
01:50:02,162 --> 01:50:05,572
but our gratitude, our admiration...
1349
01:50:06,166 --> 01:50:08,158
and our love.
1350
01:50:08,293 --> 01:50:10,278
The show's a hit, but we all feel...
1351
01:50:10,378 --> 01:50:14,581
no matter what might've happened to it,
it was wonderful knowing you...
1352
01:50:15,592 --> 01:50:17,411
working with you.
1353
01:50:17,511 --> 01:50:20,872
Maybe some of us didn't see eye to eye
with you at the beginning.
1354
01:50:20,972 --> 01:50:23,882
Maybe we thought
we wouldn't work out together...
1355
01:50:24,351 --> 01:50:25,926
but we have.
1356
01:50:26,686 --> 01:50:29,471
Yes, there were obstacles between us...
1357
01:50:31,107 --> 01:50:33,600
but we've kissed them good-bye.
1358
01:50:34,611 --> 01:50:39,106
We've come to love you, Tony.
We belong together.
1359
01:50:40,784 --> 01:50:43,193
The show's going to run a long time.
1360
01:50:44,079 --> 01:50:48,407
As far as I'm concerned,
it's going to run forever.
1361
01:50:58,093 --> 01:51:01,128
- Tony.
- May we say something?
1362
01:51:01,429 --> 01:51:04,624
A show that is really a show
1363
01:51:04,724 --> 01:51:08,295
Sends you out with a kind of a glow
1364
01:51:08,395 --> 01:51:12,347
And you say as you go on your way
1365
01:51:13,275 --> 01:51:16,059
"That's entertainment!"
1366
01:51:16,695 --> 01:51:19,556
A song that is winging along
1367
01:51:19,656 --> 01:51:23,310
Or a dance with a touch of romance
1368
01:51:23,410 --> 01:51:27,196
Is the art that appeals to the heart
1369
01:51:28,206 --> 01:51:31,151
That's entertainment!
1370
01:51:31,251 --> 01:51:34,946
Admit we're a hit
And we'll go on from there
1371
01:51:35,046 --> 01:51:38,290
We played a charade
That was lighter than air
1372
01:51:39,259 --> 01:51:42,078
A good old-fashioned affair
1373
01:51:42,178 --> 01:51:45,832
As we sing this finale
We hope it was up your alley
1374
01:51:45,932 --> 01:51:49,252
No death like you get in Macbeth
1375
01:51:49,352 --> 01:51:52,839
No ordeal like the end of Camille
1376
01:51:52,939 --> 01:51:56,843
This good-bye brings a tear to the eye
1377
01:51:56,943 --> 01:52:00,680
The world is a stage
The stage is a world
1378
01:52:00,780 --> 01:52:07,694
Of entertainment
115167
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bengali
Bosnian
Bulgarian
Catalan
Cebuano
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Finnish
French
Frisian
Galician
Georgian
Greek
Gujarati
Haitian Creole
Hawaiian
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Khmer
Korean
Kurdish (Kurmanji)
Kyrgyz
Lao
Latvian
Lithuanian
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mongolian
Myanmar (Burmese)
Nepali
Norwegian
Pashto
Polish
Portuguese
Romanian
Russian
Samoan
Serbian
Sesotho
Shona
Sinhala
Slovak
Slovenian
Somali
Spanish
Swahili
Swedish
Tajik
Thai
Turkish
Ukrainian
Urdu
Uzbek
Vietnamese