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♪
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>> Announcer: LIVE FROM THE
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PEACOCK THEATRE IN LOS ANGELES,
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CALIFORNIA, IT'S THE 76th EMMY
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AWARDS.
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PLEASE WELCOME YOUR HOSTS DAN
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AND EUGENE LEVY.
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[ APPLAUSE ]
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>> WELCOME EVERYBODY TO "THE
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76th EMMY AWARDS."
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YEAH.
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[ APPLAUSE ]
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ALSO KNOWN AS BROADCAST TV'S
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BIGGEST NIGHT FOR HONORING MOVIE
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STARS ON STREAMING SERVICES.
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>> WE ARE VERY, VERY EXCITED TO
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BE HERE TONIGHT.
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AS MOST OF YOU KNOW, WE ARE NOT
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STAND-UP COMEDIANS.
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>> I WOULDN'T ACTUALLY EVEN CALL
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US HOSTS.
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WE'RE MORE LIKE ACTORS ACTING
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LIKE HOSTS.
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WHICH IS A HUGE GAMBLE FOR US.
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BUT IF IT GOES WELL TONIGHT, MY
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NAME IS PRONOUNCED LEVY NOT
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LEEVY.
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>> AND IF THINGS GO SOUTH, MY
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NAME IS PRONOUNCED MARTIN SHORT.
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>> THIS IS ACTUALLY THE FIRST
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OPPORTUNITY THAT WE HAVE HAD TO
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WORK TOGETHER SINCE OUR SHOW
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"SCHITT'S CREEK" ENDED.
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UNLESS YOU COUNT THE --
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[ APPLAUSE ]
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>> THANK YOU SO MUCH.
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UNLESS YOU COUNT THE TIME YOU
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TRIED TO CONVINCE RYAN MURPHY TO
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CAST US AS THE
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MENENDEZ BROTHERS.
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>> WELL, THEY WEREN'T TWINS.
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>> IT WAS A BAD IDEA.
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>> NEVERTHELESS, IT'S GOOD TO BE
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BACK BY YOUR SIDE.
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YOU KNOW, THIS IS A VERY SPECIAL
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NIGHT FOR ME.
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YOU KNOW,
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I'VE PLAYED A LOT OF DADS IN MY
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DAY.
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I WAS A DAD IN "AMERICAN PIE,"
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I WAS THE DAD IN
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"FINDING DORY," OUR SHOW
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"SCHITT'S CREEK."
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BUT WITHOUT QUESTION, MY MOST
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REWARDING DAD ROLE EVER HAS BEEN
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BEING YOUR DAD.
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IN "SCHITT'S CREEK."
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'CAUSE IT GOT ME MY FIRST ACTING
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EMMY.
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>> YEAH.
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[ APPLAUSE ]
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>> WHY ARE WE APPLAUDING BAD
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PARENTING?
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ANYWAY, WE ARE OFF TO A VERY
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HEARTWARMING START.
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>> A LITTLE BIT OF EMMY HISTORY,
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THE VERY FIRST EMMYS HOST IN
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1949 WAS WALTER O'KEEFE.
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>> THAT'S TRUE.
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AND TONIGHT, WE ARE MAKING
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HISTORY AS THE VERY FIRST
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FATHER-SON PAIR TO MENTION
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WALTER O'KEEFE SINCE 1949.
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>> NOW, WE'RE ALL HERE
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CELEBRATING TONIGHT BECAUSE YOUR
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SHOWS STRUCK A CHORD WITH
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AUDIENCES.
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YOUR STORIES.
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YOUR CHARACTERS.
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WE SEE OURSELVES IN THEM.
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WE'VE ALL HAD A TEACHER
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THAT CHANGED OUR LIVES LIKE
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QUINTA BRUNSON IN "ABBOTT
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ELEMENTARY."
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[ APPLAUSE ]
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>> YEAH. AND WE'VE ALL HAD A
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CODEPENDENT, BORDERLINE
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HOMOEROTIC RELATIONSHIP WITH OUR
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BOSS LIKE HANNAH EINBINDER IN
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"HACKS."
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>> NO.
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THAT'S NOT -- THAT'S NOT QUITE
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IT.
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WE'RE TALKING ABOUT UNIVERSAL
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TRUTHS, LIKE HOW WE'VE ALL
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STRUGGLED TO MAKE FRIENDS IN A
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NEW CITY LIKE CARRIE COON IN
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"THE GILDED AGE.'
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>> RIGHT.
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YEAH.
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SURE.
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AND HOW WE'VE ALL DONE SALACIOUS
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TELL-ALLS WITH THE BBC TO GET
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BACK AT A LYING, CHEATING EX,
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LIKE ELIZABETH DEBIKI IN "THE
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CROWN."
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>> OKAY.
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YOU KNOW WHAT?
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[ APPLAUSE ]
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>> I JUST --
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I DON'T THINK YOU'RE GETTING IT.
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>> I THINK I AM.
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>> NO, NO, NO.
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STRIKING A CHORD WAS THE POINT.
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SO, LET'S MOVE ON.
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>> HAPPILY.
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WE HAVEN'T GIVEN OUT A SINGLE
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AWARD TONIGHT, AND YET, "SHOGUN"
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HAS ALREADY MADE EMMY HISTORY.
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[ APPLAUSE ]
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>> AT THE CREATIVE ARTS EMMYS
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HELD LAST WEEKEND, THE "SHOGUN"
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TEAM TOOK HOME 14 EMMYS, MAKING
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IT THE MOST DECORATED SHOW IN A
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SINGLE SEASON.
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[ APPLAUSE ]
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>> YEAH.
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AND DESERVEDLY SO.
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I MEAN, THE ATTENTION TO DETAIL.
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THE CREATORS OF "SHOGUN"
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ACTUALLY HAD THEIR SCRIPTS
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TRANSLATED INTO JAPANESE,
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REWRITTEN, AND THEN TRANSLATED
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BACK INTO ENGLISH SUBTITLES THAT
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YOU MISSED BECAUSE YOU WERE ALSO
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ON YOUR PHONE WATCHING
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SABRINA CARPENTER EAT A HOT
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WING.
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>> "THE BEAR" IS NOMINATED FOR
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23 EMMYS TONIGHT.
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[ APPLAUSE ]
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>> MAKING IT THE
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MOST NOMINATED COMEDY IN
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HISTORY.
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NOW, I LOVE THE SHOW.
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I LOVE THE SHOW.
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AND I KNOW SOME
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OF YOU MIGHT BE EXPECTING US TO
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MAKE A JOKE ABOUT WHETHER "THE
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BEAR" IS REALLY A COMEDY.
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BUT IN THE TRUE SPIRIT OF "THE
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BEAR," WE WILL NOT MAKE ANY
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JOKES.
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[ APPLAUSE ]
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>> IT'S A BIG YEAR FOR QUEER
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REPRESENTATION ON TV.
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NAVA MAU WITH HER FIRST
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NOMINATION, HOLLAND TAYLOR WITH
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HER NINTH.
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[ APPLAUSE ]
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>> AND THEN THERE'S
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JONATHAN BAILEY AND MATT BOMER
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BOTH RECOGNIZED TONIGHT FOR
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PLAYING LOVERS IN "FELLOW
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TRAVELERS," PROVING THAT YOU CAN
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BE NOMINATED FOR PLAYING GAY
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EVEN IF YOU'RE NOT STRAIGHT.
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>> AND YOU KNOW, SON, I'M
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PARTICULARLY PROUD OF MY
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STREAMER APPLE TV+, WHICH
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CONTINUES TO PROUDLY AND VISIBLY
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ALIGN ITSELF WITH THE LGBTQ
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COMMUNITY.
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[ APPLAUSE ]
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>> THAT'S NOT WHAT THE PLUS
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STANDS FOR.
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THAT'S NOT PLUS.
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>> THEN WHAT DOES IT STAND FOR?
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>> I DON'T KNOW.
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YOU'RE THE ONE WITH THE SHOW ON
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THERE.
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>> APPLE TV PLUS.
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>> YEP, PARAMOUNT PLUS, DISNEY
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PLUS, ESPN PLUS ALL ALSO NOT
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DIRECTLY AFFILIATED WITH THE
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COMMUNITY.
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>> WELL, THAT I KNEW.
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>> "RESERVATION DOGS" HAS FOUR
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NOMINATIONS TONIGHT.
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[ APPLAUSE ]
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>> AFTER THREE EXCELLENT SEASONS
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OF WIDESPREAD CRITICAL ACCLAIM,
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THEY FINALLY RECEIVED A
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NOMINATION FOR OUTSTANDING
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COMEDY SERIES.
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YEAH.
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SO, YOU MIGHT SAY THAT ACADEMY
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VOTERS FOUND A SHOW THAT'S BEEN
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CREATIVELY THRIVING FOR YEARS
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AND SAID, "HEY, LOOK WHAT WE
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DISCOVERED."
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>> "BABY REINDEER" IS NOMINATED
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FOR 11 EMMYS THIS YEAR.
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>> IT SURE IS.
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THIS SHOW WAS BOTH FRIGHTENING
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AND ODDLY RELATABLE FOR EVERYONE
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OUT THERE WHOSE PARENTS STILL
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HAVEN'T MASTERED THE ART OF
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TEXTING.
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LIKE THIS TEXT I GOT FROM MY DAD
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ABOUT TONIGHT'S SHOW --
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"LETZ HOST EMMYYS.
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COLIN FERELL WILL B THER.
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U STILL HAVE CRUSH?"
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>> I DIDN'T THINK THESE WERE
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GOING PUBLIC.
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>> OR THIS ONE --
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"WALTR OKEEF JOKE - 2 MEEN?
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SENT FROM iPHONN?"
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YOU DON'T EVEN OWN AN iPHONE.
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>> WHAT DOES IT MATTER?
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>> AND THIS LAST ONE --
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"BEST RAMIN NEER ME?"
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THAT'S ACTUALLY A MISTAKE.
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I THINK YOU WERE TRYING TO
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GOOGLE SOMETHING.
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>> I WAS HUNGRY.
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STILL AM.
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>> AND THERE ARE 57,000 MORE
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WHERE THOSE CAME FROM.
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>> ALL RIGHT.
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OKAY.
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GOT IT.
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BEFORE WE GET TO OUR
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FIRST AWARD TONIGHT, WE JUST
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WANTED TO CHAT ABOUT ACCEPTANCE
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SPEECHES.
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>> PLEASE.
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IN WHAT CAN ONLY BE DESCRIBED
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AS A CRUEL JOKE, TWO CANADIANS
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HAVE BEEN PUT IN CHARGE OF
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PLAYING YOU OFF TONIGHT.
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>> CANADIANS DON'T LIKE
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INTERRUPTING ANYBODY.
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IT GOES AGAINST OUR NATURE.
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>> CONFRONTATION IN GENERAL IS
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ANXIETY-INDUCING, ESPECIALLY FOR
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MY 77-YEAR-OLD FATHER.
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OKAY?
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>> I DON'T LIKE IT.
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>> THE MAN IS FRAILER THAN HE
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LOOKS.
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HE GETS PALPITATIONS FROM TIME
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TO TIME.
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I'M NOW HEARING ABOUT
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TENDINITIS.
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>> OKAY, OKAY.
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THE POINT, THE POINT,
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THE POINT IS, IF YOU'RE GOING TO
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SAY ANYTHING MEANINGFUL, OR
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EMOTIONAL, OR GOD FORBID
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POLITICAL, KEEP IT SHORT.
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BECAUSE THE PRESSURE ALONE ON
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ME --
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>> I DON'T WANT TO BE ALARMIST,
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BUT HAVING TO CUT YOU OFF COULD
267
00:08:47,160 --> 00:08:47,494
KILL THIS MAN.
268
00:08:47,494 --> 00:08:48,895
>> ON THAT NOTE, PLEASE WELCOME
269
00:08:48,895 --> 00:08:49,396
OUR FIRST PRESENTERS.
270
00:08:49,396 --> 00:08:51,498
FROM "ONLY MURDERS IN THE
271
00:08:51,498 --> 00:08:54,634
BUILDING," SELENA GOMEZ, AND
272
00:08:54,634 --> 00:08:55,201
FROM "THE GOLDEN BACHELOR,"
273
00:08:55,201 --> 00:08:58,705
STEVE MARTIN AND MARTIN SHORT.
274
00:08:58,705 --> 00:09:00,206
[ APPLAUSE ]
275
00:09:00,206 --> 00:09:16,089
♪
276
00:09:16,089 --> 00:09:17,390
>> IT'S NOT COMING UP YET.
277
00:09:17,390 --> 00:09:17,957
>> HELLO, I'M SELENA GOMEZ.
278
00:09:17,957 --> 00:09:18,458
>> AND I'M STEVE MARTIN.
279
00:09:18,458 --> 00:09:20,560
>> AND I'M MARTIN SH --
280
00:09:20,560 --> 00:09:21,194
>> WHAT AN EXCITING NIGHT TO BE
281
00:09:21,194 --> 00:09:23,730
HERE AT THE EMMYS.
282
00:09:23,730 --> 00:09:27,100
>> I PERSONALLY HAVE NEVER BEEN
283
00:09:27,100 --> 00:09:28,968
MORE EXCITED OR HAPPIER.
284
00:09:28,968 --> 00:09:29,602
>> Announcer: SHINGLES DOESN'T
285
00:09:29,602 --> 00:09:35,275
CARE.
286
00:09:35,275 --> 00:09:35,708
>> THE EMMY AWARDS.
287
00:09:35,708 --> 00:09:37,377
WHAT A MAGICAL EVENING IT'S BEEN
288
00:09:37,377 --> 00:09:38,411
OF TRYING TO REMEMBER PEOPLE'S
289
00:09:38,411 --> 00:09:38,611
NAMES.
290
00:09:38,611 --> 00:09:39,479
>> AND PRETENDING THAT WE'VE
291
00:09:39,479 --> 00:09:41,581
SEEN THEIR SHOWS.
292
00:09:41,581 --> 00:09:44,217
>> AND WHEN I SEE AN ACTOR I
293
00:09:44,217 --> 00:09:48,221
DON'T KNOW, I JUST SAY, "I LOVED
294
00:09:48,221 --> 00:09:49,522
YOUR SCENE WITH NICOLE KIDMAN."
295
00:09:49,522 --> 00:09:52,225
AND NINE TIMES OUT OF TEN, I'M
296
00:09:52,225 --> 00:09:52,725
RIGHT.
297
00:09:52,725 --> 00:09:53,726
>> AND STEVE, LET ME JUST SAY
298
00:09:53,726 --> 00:09:55,295
WHAT AN HONOR IT IS FOR ME TO BE
299
00:09:55,295 --> 00:09:56,396
WORKING WITH SOMEONE WHO LOOKS
300
00:09:56,396 --> 00:09:57,964
LIKE HE'S FALLEN AND CAN'T GET
301
00:09:57,964 --> 00:10:03,870
UP.
302
00:10:03,870 --> 00:10:05,271
>> AND LET ME SAY WHAT AN
303
00:10:05,271 --> 00:10:06,106
HONOR IT IS FOR ME TO BE WORKING
304
00:10:06,106 --> 00:10:07,207
WITH SOMEONE WHO LOOKS LIKE A
305
00:10:07,207 --> 00:10:16,683
FORMER WOMEN'S TENNIS CHAMPION.
306
00:10:16,683 --> 00:10:18,852
>> AND LET ME SAY WHAT AN HONOR
307
00:10:18,852 --> 00:10:20,420
IT IS WORK WITH TWO GUYS WHO ARE
308
00:10:20,420 --> 00:10:24,224
THIS FAR AWAY FROM BEING
309
00:10:24,224 --> 00:10:25,692
CHILDLESS CAT LADIES.
310
00:10:25,692 --> 00:10:26,326
>> WE ARE SO THRILLED TO BE HERE
311
00:10:26,326 --> 00:10:27,260
TONIGHT.
312
00:10:27,260 --> 00:10:31,831
AS NOMINEES.
313
00:10:31,831 --> 00:10:32,065
>> YES!
314
00:10:32,065 --> 00:10:32,699
>> SELENA IS NOMINATED AS BEST
315
00:10:32,699 --> 00:10:33,299
COMEDY ACTRESS FOR THE FIRST
316
00:10:33,299 --> 00:10:36,236
TIME.
317
00:10:36,236 --> 00:10:36,536
[ APPLAUSE ]
318
00:10:36,536 --> 00:10:38,338
>> BRAVO!
319
00:10:38,338 --> 00:10:39,772
>> AND STEVE AND MARTY ARE
320
00:10:39,772 --> 00:10:44,210
NOMINATED AS BEST COMEDY ACTORS
321
00:10:44,210 --> 00:10:45,512
IN THE SAME CATEGORY.
322
00:10:45,512 --> 00:10:48,047
GUYS, IS THAT A LITTLE AWKWARD?
323
00:10:48,047 --> 00:10:48,414
>> WELL, NO.
324
00:10:48,414 --> 00:10:49,983
OF COURSE STEVE AND I BOTH VOTED
325
00:10:49,983 --> 00:10:50,216
FOR YOU.
326
00:10:50,216 --> 00:10:50,783
>> AND MARTY AND I MADE AN
327
00:10:50,783 --> 00:10:51,651
AGREEMENT, IN ORDER TO BE FAIR,
328
00:10:51,651 --> 00:10:53,186
TO BOTH VOTE FOR EACH OTHER.
329
00:10:53,186 --> 00:10:56,389
>> RIGHT, SO I VOTED FOR STEVE.
330
00:10:56,389 --> 00:11:00,593
AND STEVE VOTED FOR --
331
00:11:00,593 --> 00:11:06,432
>> YES, WHAT AN EXCITING NIGHT.
332
00:11:06,432 --> 00:11:08,001
HERE AT THE EMMYS.
333
00:11:08,001 --> 00:11:08,635
>> BUT THE EMMYS ARE NOT ABOUT
334
00:11:08,635 --> 00:11:12,906
WHO WINS AND WHO LOSES.
335
00:11:12,906 --> 00:11:16,376
>> OH, YOU'RE YOUNG.
336
00:11:16,376 --> 00:11:18,611
>> HONESTLY, DO YOU SEE WHAT I
337
00:11:18,611 --> 00:11:21,714
HAVE TO GO THROUGH EVERY DAY?
338
00:11:21,714 --> 00:11:23,616
>> I JUST WANT TO SAY AGAIN, I'M
339
00:11:23,616 --> 00:11:25,752
SO EXCITED AND I STILL LOVE
340
00:11:25,752 --> 00:11:26,219
BEING HERE.
341
00:11:26,219 --> 00:11:26,819
>> Announcer: SHINGLES STILL
342
00:11:26,819 --> 00:11:27,320
DOESN'T CARE.
343
00:11:27,320 --> 00:11:28,254
>> GROUP HUG.
344
00:11:28,254 --> 00:11:28,888
>> AND NOW, IT'S TIME TO PRESENT
345
00:11:28,888 --> 00:11:32,225
OUR FIRST AWARD.
346
00:11:32,225 --> 00:11:39,098
HERE ARE THE NOMINEES FOR
347
00:11:39,098 --> 00:11:39,933
BEST SUPPORTING ACTOR IN A
348
00:11:39,933 --> 00:11:42,001
COMEDY SERIES.
349
00:11:42,001 --> 00:11:43,069
>> Announcer: LIONEL BOYCE, "THE
350
00:11:43,069 --> 00:11:43,269
BEAR."
351
00:11:43,269 --> 00:11:44,137
PAUL W. DOWNS, "HACKS."
352
00:11:44,137 --> 00:11:45,171
EBON MOSS-BACHRACH, "THE BEAR."
353
00:11:45,171 --> 00:11:46,239
PAUL RUDD, "ONLY MURDERS IN THE
354
00:11:46,239 --> 00:11:47,807
BUILDING."
355
00:11:47,807 --> 00:11:50,944
TYLER JAMES WILLIAMS, "ABBOTT
356
00:11:50,944 --> 00:11:51,244
ELEMENTARY."
357
00:11:51,244 --> 00:11:52,011
BOWEN YANG, "SATURDAY NIGHT
358
00:11:52,011 --> 00:11:57,283
LIVE."
359
00:11:57,283 --> 00:12:07,827
>> AND THE EMMY GOES TO --
360
00:12:07,827 --> 00:12:15,101
E BONN MOSS -- EBON
361
00:12:15,101 --> 00:12:17,837
MOSS-BACHRACH!
362
00:12:17,837 --> 00:12:17,971
♪
363
00:12:28,181 --> 00:12:38,424
[ APPLAUSE ]
364
00:12:38,424 --> 00:12:39,993
>> OKAY.
365
00:12:39,993 --> 00:12:40,260
WOW.
366
00:12:40,260 --> 00:12:42,629
THANK YOU SO MUCH.
367
00:12:42,629 --> 00:12:44,964
I DON'T KNOW WHAT TO SAY.
368
00:12:44,964 --> 00:12:47,433
I'M SO GRATEFUL FOR THIS SHOW
369
00:12:47,433 --> 00:12:50,303
AND TO WORK WITH THESE BEAUTIFUL
370
00:12:50,303 --> 00:12:50,637
PEOPLE.
371
00:12:50,637 --> 00:12:52,171
CHRIS, THANK YOU SO MUCH.
372
00:12:52,171 --> 00:12:54,274
I LOVE YOU SO MUCH.
373
00:12:54,274 --> 00:12:58,978
JOANNE THAT, JOSH, TYSON.
374
00:12:58,978 --> 00:13:00,680
I WORK WITH THIS INCREDIBLE
375
00:13:00,680 --> 00:13:01,981
FAMILY EVERY DAY.
376
00:13:01,981 --> 00:13:08,321
IT IS SUCH A PRIVILEGE.
377
00:13:08,321 --> 00:13:08,755
L
378
00:13:08,755 --> 00:13:12,025
LIONEL, LIZA, MATTIE, ALL MY
379
00:13:12,025 --> 00:13:13,960
LITTLE FORKS CREW, ANDREW AND
380
00:13:13,960 --> 00:13:17,130
SARA AND OLIVIA.
381
00:13:17,130 --> 00:13:22,268
THANK YOU, JEANIE FOR PUTTING
382
00:13:22,268 --> 00:13:23,436
SUCH A NICE FAMILY TOGETHER.
383
00:13:23,436 --> 00:13:27,073
THANK YOU TO MY PARENTS.
384
00:13:27,073 --> 00:13:29,008
THEY'RE TAKING SUCH NICE CARE OF
385
00:13:29,008 --> 00:13:29,308
MY CAT.
386
00:13:29,308 --> 00:13:31,778
AND THANKS TO MY SWEET
387
00:13:31,778 --> 00:13:32,979
DAUGHTERS.
388
00:13:32,979 --> 00:13:34,747
ELENA, I LOVE YOU SO MUCH.
389
00:13:34,747 --> 00:13:36,349
YOU'RE EVERYTHING TO ME.
390
00:13:36,349 --> 00:13:39,619
THANK YOU.
391
00:13:39,619 --> 00:13:44,123
[ APPLAUSE ]
392
00:13:44,123 --> 00:13:44,724
>> Announcer: PLEASE WELCOME,
393
00:13:44,724 --> 00:13:56,569
COLIN FARRELL.
394
00:13:56,569 --> 00:14:02,775
♪
395
00:14:02,775 --> 00:14:04,210
>> ALL RIGHT.
396
00:14:04,210 --> 00:14:06,713
THAT'S ONE NAME DROP.
397
00:14:06,713 --> 00:14:07,313
>> CREATING AN UNFORGETTABLE
398
00:14:07,313 --> 00:14:08,214
EXPERIENCE BY BRINGING DEPTH AND
399
00:14:08,214 --> 00:14:09,148
UNDENIABLE COMPLEXITY TO A
400
00:14:09,148 --> 00:14:10,717
CHARACTER IS NO SMALL FEAT.
401
00:14:10,717 --> 00:14:16,155
YET IT'S THE EXACT CHALLENGE
402
00:14:16,155 --> 00:14:17,590
TAKEN ON BY THESE ACTORS.
403
00:14:17,590 --> 00:14:19,225
HERE ARE YOUR NOMINEES FOR
404
00:14:19,225 --> 00:14:22,695
SUPPORTING ACTOR IN A DRAMA
405
00:14:22,695 --> 00:14:23,162
SERIES.
406
00:14:23,162 --> 00:14:23,763
>> Announcer: TADANOBU ASANO,
407
00:14:23,763 --> 00:14:24,230
"SHOGUN."
408
00:14:24,230 --> 00:14:25,264
BILLY CRUDUP, "THE MORNING
409
00:14:25,264 --> 00:14:26,366
SHOW."
410
00:14:26,366 --> 00:14:26,933
MARK DUPLASS, "THE MORNING
411
00:14:26,933 --> 00:14:27,934
SHOW."
412
00:14:27,934 --> 00:14:32,205
JON HAMM, "THE MORNING SHOW."
413
00:14:32,205 --> 00:14:36,209
TAKEHIRO HIRA, "SHOGUN."
414
00:14:36,209 --> 00:14:36,876
JACK LOWDEN, "SLOW HORSES."
415
00:14:36,876 --> 00:14:43,182
JONATHAN PRYCE, "THE CROWN."
416
00:14:43,182 --> 00:14:48,621
>> AND THE EMMY GOES TO --
417
00:14:48,621 --> 00:14:54,927
BILLY CRUDUP, "THE MORNING
418
00:14:54,927 --> 00:14:55,128
SHOW."
419
00:14:55,128 --> 00:14:55,428
[ APPLAUSE ]
420
00:14:55,428 --> 00:14:57,263
>> THIS IS THE SECOND EMMY WIN
421
00:14:57,263 --> 00:15:03,469
AND THIRD NOMINATION FOR BILLY
422
00:15:03,469 --> 00:15:07,807
CRUDUP.
423
00:15:07,807 --> 00:15:09,041
>> THANK YOU VERY MUCH.
424
00:15:09,041 --> 00:15:11,010
THIS IS AN INCREDIBLE HONOR.
425
00:15:11,010 --> 00:15:14,814
THANK YOU ALL.
426
00:15:14,814 --> 00:15:18,317
I'M HAPPY TO BE HERE WITH MY
427
00:15:18,317 --> 00:15:20,086
PIECE OF EYE CANDY THERE, MY
428
00:15:20,086 --> 00:15:22,989
WIFE, WHO ALSO HAPPENS TO BE AN
429
00:15:22,989 --> 00:15:23,256
IMMIGRANT.
430
00:15:23,256 --> 00:15:26,092
AND ALSO GAVE A SERING
431
00:15:26,092 --> 00:15:27,860
PERFORMANCE THIS YEAR FOR WHICH
432
00:15:27,860 --> 00:15:29,462
SHE'S NOMINATED, AND SHE STARTS
433
00:15:29,462 --> 00:15:29,996
BUSINESSES, TOO.
434
00:15:29,996 --> 00:15:31,531
SO NICE TO BE BY HER SIDE.
435
00:15:31,531 --> 00:15:33,566
I JUST WANT TO SAY THAT THIS IS
436
00:15:33,566 --> 00:15:35,635
FOR THE WRITERS AND THE
437
00:15:35,635 --> 00:15:37,637
EDUCATORS WHO ALLOWED ME TO DO
438
00:15:37,637 --> 00:15:39,138
THE WRITING THAT WAS BEYOND MY
439
00:15:39,138 --> 00:15:39,472
LEVEL.
440
00:15:39,472 --> 00:15:43,109
EVERY TIME I WOULD SEE THE
441
00:15:43,109 --> 00:15:45,077
SCRIPTS, I WOULD HAVE TO GO BACK
442
00:15:45,077 --> 00:15:46,679
AND LOOK AT THE SCRIPTS THAT
443
00:15:46,679 --> 00:15:50,116
TEACHERS GAVE ME.
444
00:15:50,116 --> 00:15:53,152
TO HER TEAM AND TO CHARLOTTE
445
00:15:53,152 --> 00:15:54,687
STOUT, WHO HAVE EXPANDED UPON
446
00:15:54,687 --> 00:15:55,955
THIS CHARACTER, THIS PROCESS HAS
447
00:15:55,955 --> 00:15:57,056
BEEN INCREDIBLE FOR ME.
448
00:15:57,056 --> 00:15:59,091
AND I HOPE EVERYBODY ELSE WHO IS
449
00:15:59,091 --> 00:15:59,926
INVOLVED KNOWS HOW MUCH IT MEANS
450
00:15:59,926 --> 00:16:00,526
TO ME.
451
00:16:00,526 --> 00:16:02,028
SO THANK YOU ALL.
452
00:16:02,028 --> 00:16:03,262
AND ALSO HI TO THE KIDS.
453
00:16:03,262 --> 00:16:04,897
I KNOW YOU'RE WATCHING WHEREVER
454
00:16:04,897 --> 00:16:08,234
YOU ARE.
455
00:16:08,234 --> 00:16:08,668
OKAY.
456
00:16:08,668 --> 00:16:10,169
BYE, GUYS.
457
00:16:10,169 --> 00:16:11,804
THANK YOU!
458
00:16:11,804 --> 00:16:12,104
[ APPLAUSE ]
459
00:16:12,104 --> 00:16:12,805
>> Announcer: STILL TO COME,
460
00:16:12,805 --> 00:16:13,840
KAITLIN OLSEN, ROB McELHENNEY,
461
00:16:13,840 --> 00:16:14,407
DA'VINE JOY RANDOLPH AND
462
00:16:14,407 --> 00:16:17,577
CANDICE BERGEN.
463
00:16:17,577 --> 00:16:19,645
AND JUST AHEAD, THE EMMYS BRING
464
00:16:19,645 --> 00:16:20,279
TOGETHER TV DADS GEORGE LOPEZ,
465
00:16:20,279 --> 00:16:21,781
DAMON WAYANS, AND
466
00:16:21,781 --> 00:16:22,815
JESSE TYLER FERGUSON.
467
00:16:22,815 --> 00:16:24,517
HERE ON ABC.
468
00:16:36,762 --> 00:16:37,163
>>> WELCOME BACK.
469
00:16:37,163 --> 00:16:37,864
THROUGHOUT THE NIGHT, "THE
470
00:16:37,864 --> 00:16:39,398
EMMYS" WILL BE HIGHLIGHTING SOME
471
00:16:39,398 --> 00:16:42,034
OF THE GREAT CHARACTER
472
00:16:42,034 --> 00:16:45,137
ARCHETYPES ON TELEVISION.
473
00:16:45,137 --> 00:16:53,045
AND WE'RE STARTING WITH TV DADS.
474
00:16:53,045 --> 00:16:54,113
>> WE ARE.
475
00:16:54,113 --> 00:16:55,114
TV DADS HAVE OBVIOUSLY HAD A
476
00:16:55,114 --> 00:16:56,182
HUGE IMPACT ON ME.
477
00:16:56,182 --> 00:16:57,250
COACH TAYLOR FROM "FRIDAY NIGHT
478
00:16:57,250 --> 00:16:59,886
LIGHTS" REALLY GAVE ME SOME MUCH
479
00:16:59,886 --> 00:17:00,520
NEEDED WISDOM IN MY 20S, AND I
480
00:17:00,520 --> 00:17:03,189
DIDN'T EVEN LIKE FOOTBALL.
481
00:17:03,189 --> 00:17:04,757
>> YEAH, I KNOW.
482
00:17:04,757 --> 00:17:07,226
WELL, HE WAS -- HE WAS OKAY.
483
00:17:07,226 --> 00:17:08,160
HE WAS GOOD.
484
00:17:08,160 --> 00:17:09,695
ANY OTHER DADS?
485
00:17:09,695 --> 00:17:12,465
AND, LOOK, I'M NOT FISHING FOR
486
00:17:12,465 --> 00:17:12,865
COMPLIMENTS HERE.
487
00:17:12,865 --> 00:17:13,332
>> YEAH.
488
00:17:13,332 --> 00:17:14,033
TONY SOPRANO WAS ANOTHER.
489
00:17:14,033 --> 00:17:14,634
>> TONY SOPRANO KILLED PEOPLE.
490
00:17:14,634 --> 00:17:15,201
>> WELL, HIS HEART WAS IN THE
491
00:17:15,201 --> 00:17:18,304
RIGHT PLACE.
492
00:17:18,304 --> 00:17:19,272
>> OKAY.
493
00:17:19,272 --> 00:17:19,805
ALL RIGHT.
494
00:17:19,805 --> 00:17:21,007
YOU KNOW WHAT?
495
00:17:21,007 --> 00:17:22,708
GOOD ROLE MODEL THERE.
496
00:17:22,708 --> 00:17:23,242
GREAT ROLE MODEL.
497
00:17:23,242 --> 00:17:23,809
>> HERE TO PRESENT THE NEXT
498
00:17:23,809 --> 00:17:24,410
AWARD ARE THREE GREAT TV DADS.
499
00:17:24,410 --> 00:17:25,011
PLEASE WELCOME DAMON WAYANS,
500
00:17:25,011 --> 00:17:27,647
GEORGE LOPEZ, AND
501
00:17:27,647 --> 00:17:28,147
MY PAL,
502
00:17:28,147 --> 00:17:33,853
JESSE TYLER FERGUSON.
503
00:17:33,853 --> 00:17:42,328
♪
504
00:17:42,328 --> 00:17:42,628
[ APPLAUSE ]
505
00:17:42,628 --> 00:17:43,029
>>> ALL RIGHT.
506
00:17:43,029 --> 00:17:44,697
SO THIS IS A MAN CAVE.
507
00:17:44,697 --> 00:17:50,002
A MAN CAVE, WONDERFUL.
508
00:17:50,002 --> 00:17:51,103
OKAY.
509
00:17:51,103 --> 00:17:52,605
THE LAIR OF THE TV DAD,
510
00:17:52,605 --> 00:17:53,539
THE DOMAIN WHERE WE HAD ALL THE
511
00:17:53,539 --> 00:17:54,173
ANSWERS AND SOLVED OUR FAMILIES'
512
00:17:54,173 --> 00:17:55,107
PROBLEMS IN 22 MINUTES WITH
513
00:17:55,107 --> 00:17:56,709
COMMERCIALS.
514
00:17:56,709 --> 00:17:57,777
>> BUT LET'S NOT FORGET THAT TO
515
00:17:57,777 --> 00:17:58,377
BE A GREAT TV DAD, YOU NEED A
516
00:17:58,377 --> 00:18:00,913
GREAT TV WIFE.
517
00:18:00,913 --> 00:18:03,549
>> AND THAT'S WHY WE WANT TO
518
00:18:03,549 --> 00:18:07,920
THANK OUR TV SITCOM WIVES.
519
00:18:07,920 --> 00:18:09,021
>> YES.
520
00:18:09,021 --> 00:18:09,488
OKAY.
521
00:18:09,488 --> 00:18:12,558
I'M SO SORRY.
522
00:18:12,558 --> 00:18:13,626
I'VE -- I'VE --
523
00:18:13,626 --> 00:18:18,564
DID YOU WATCH MY SHOW?
524
00:18:18,564 --> 00:18:18,831
OR --
525
00:18:18,831 --> 00:18:21,267
>> YES, ALL 90 SEASONS.
526
00:18:21,267 --> 00:18:21,500
>> OKAY.
527
00:18:21,500 --> 00:18:22,068
>> SO ALL OF US WANT TO THANK
528
00:18:22,068 --> 00:18:22,868
OUR TV SPOUSES.
529
00:18:22,868 --> 00:18:24,437
>> A SHOUTOUT TO MY SITCOM WIFE,
530
00:18:24,437 --> 00:18:29,175
TISHA CAMPBELL.
531
00:18:29,175 --> 00:18:34,413
>> AND TO MINE, CONSTANCE MARIE.
532
00:18:34,413 --> 00:18:34,981
>> AND TO MY TV HUSBAND,
533
00:18:34,981 --> 00:18:42,888
ERIC STONESTREET.
534
00:18:42,888 --> 00:18:43,522
>> AND NOW HERE ARE THE NOMINEES
535
00:18:43,522 --> 00:18:45,324
FOR LEAD ACTOR IN A COMEDY
536
00:18:45,324 --> 00:18:47,126
SERIES.
537
00:18:47,126 --> 00:18:47,760
>> Announcer: MATT BERRY, "WHAT
538
00:18:47,760 --> 00:18:50,296
WE DO IN THE SHADOWS,"
539
00:18:50,296 --> 00:18:50,796
LARRY DAVID, "CURB YOUR
540
00:18:50,796 --> 00:18:52,898
ENTHUSIASM,"
541
00:18:52,898 --> 00:18:56,035
STEVE MARTIN, "ONLY MURDERS IN
542
00:18:56,035 --> 00:18:56,369
THE BUILDING,"
543
00:18:56,369 --> 00:18:57,003
MARTIN SHORT, "ONLY MURDERS IN
544
00:18:57,003 --> 00:18:59,739
THE BUILDING,"
545
00:18:59,739 --> 00:19:02,908
JEREMY ALLEN WHITE, "THE BEAR,"
546
00:19:02,908 --> 00:19:03,442
D'PHARAOH WOON-A-TAI,
547
00:19:03,442 --> 00:19:10,049
"RESERVATION DOGS."
548
00:19:10,049 --> 00:19:17,890
>> AND THE EMMY GOES TO --
549
00:19:17,890 --> 00:19:21,961
JEREMY ALLEN WHITE, "THE BEAR."
550
00:19:21,961 --> 00:19:22,328
[ APPLAUSE ]
551
00:19:22,328 --> 00:19:22,795
♪
552
00:19:22,795 --> 00:19:24,997
>> THIS IS THE SECOND
553
00:19:24,997 --> 00:19:26,432
CONSECUTIVE EMMY WIN AND SECOND
554
00:19:26,432 --> 00:19:28,367
CONSECUTIVE NOMINATION FOR
555
00:19:28,367 --> 00:19:32,972
JEREMY ALLEN WHITE IN THIS
556
00:19:32,972 --> 00:19:39,712
CATEGORY.
557
00:19:39,712 --> 00:19:43,282
♪
558
00:19:43,282 --> 00:19:44,850
>> OKAY, THANK YOU.
559
00:19:44,850 --> 00:19:48,587
TAKE IT DOWN, YEAH.
560
00:19:48,587 --> 00:19:49,155
ALL RIGHT.
561
00:19:49,155 --> 00:19:50,322
THANK YOU.
562
00:19:50,322 --> 00:19:51,157
THANK YOU SO MUCH.
563
00:19:51,157 --> 00:19:53,526
MY HEART IS JUST BEATING RIGHT
564
00:19:53,526 --> 00:19:54,593
OUT OF ITS CHEST.
565
00:19:54,593 --> 00:19:57,096
THANK YOU, THANK YOU TO THE
566
00:19:57,096 --> 00:19:58,898
ACADEMY, MY FELLOW NOMINEES.
567
00:19:58,898 --> 00:20:01,434
I'M SO HONORED TO BE IN YOUR
568
00:20:01,434 --> 00:20:03,169
COMPANY.
569
00:20:03,169 --> 00:20:04,437
CHRIS AND JOE, THANK YOU FOR
570
00:20:04,437 --> 00:20:05,271
CHOOSING ME.
571
00:20:05,271 --> 00:20:07,606
I AM SO, SO, SO LUCKY.
572
00:20:07,606 --> 00:20:10,309
I'M SO GRATEFUL.
573
00:20:10,309 --> 00:20:12,311
THANK YOU.
574
00:20:12,311 --> 00:20:13,746
MY BEAUTIFUL CAST, I LOVE YOU
575
00:20:13,746 --> 00:20:13,979
FOREVER.
576
00:20:13,979 --> 00:20:15,614
I LOVE TO WORK WITH YOU, AND I
577
00:20:15,614 --> 00:20:19,018
JUST -- I WANT US TO BE IN EACH
578
00:20:19,018 --> 00:20:19,952
OTHER'S LIVES FOREVER.
579
00:20:19,952 --> 00:20:25,291
I LOVE YOU SO DEARLY.
580
00:20:25,291 --> 00:20:29,161
JOE, THIS SHOW HAS CHANGED MY
581
00:20:29,161 --> 00:20:29,428
LIFE.
582
00:20:29,428 --> 00:20:31,630
IT HAS INSTILLED A FAITH THAT
583
00:20:31,630 --> 00:20:34,166
CHANGE IS -- IS -- IS POSSIBLE,
584
00:20:34,166 --> 00:20:35,835
THAT CHANGE IS POSSIBLE IF YOU
585
00:20:35,835 --> 00:20:38,704
ARE ABLE TO REACH OUT.
586
00:20:38,704 --> 00:20:41,040
YOU'RE REALLY, TRULY NEVER
587
00:20:41,040 --> 00:20:41,707
ACTUALLY ALONE.
588
00:20:41,707 --> 00:20:43,309
I THANK THIS SHOW.
589
00:20:43,309 --> 00:20:46,712
MY PARENTS, I LOVE YOU.
590
00:20:46,712 --> 00:20:48,380
MY SISTER, THANK YOU FOR COMING
591
00:20:48,380 --> 00:20:50,049
WITH ME TONIGHT.
592
00:20:50,049 --> 00:20:51,917
EZRA AND LOUIE, I LOVE YOU SO,
593
00:20:51,917 --> 00:20:53,319
SO, SO, SO MUCH.
594
00:20:53,319 --> 00:20:55,788
YOU ARE MY HEART.
595
00:20:55,788 --> 00:20:56,055
THANK YOU.
596
00:20:56,055 --> 00:21:01,293
THANK YOU, EVERYBODY.
597
00:21:01,293 --> 00:21:01,594
[ APPLAUSE ]
598
00:21:01,594 --> 00:21:04,196
♪
599
00:21:04,196 --> 00:21:05,331
>> Announcer: PLEASE WELCOME,
600
00:21:05,331 --> 00:21:11,537
THREE-TIME EMMY NOMINEE,
601
00:21:11,537 --> 00:21:12,605
KAITLIN OLSON, AND TWO-TIME EMMY
602
00:21:12,605 --> 00:21:18,611
WINNER, ROB MCELHENNEY.
603
00:21:18,611 --> 00:21:22,615
♪
604
00:21:22,615 --> 00:21:23,682
>> LADIES AND GENTLEMEN, WE ARE
605
00:21:23,682 --> 00:21:24,683
HERE TO HONOR THE COMEDIC
606
00:21:24,683 --> 00:21:25,217
PERFORMANCES THAT HOLD
607
00:21:25,217 --> 00:21:27,920
EVERYTHING IN PLACE.
608
00:21:27,920 --> 00:21:29,488
THEY SHOW CRUCIAL SUPPORT WHEN
609
00:21:29,488 --> 00:21:30,589
IT'S REALLY NEEDED.
610
00:21:30,589 --> 00:21:37,463
>> MUCH LIKE A JOCKSTRAP.
611
00:21:37,463 --> 00:21:39,398
>> YES AND --
612
00:21:39,398 --> 00:21:39,932
NO, NOT LIKE A JOCKSTRAP.
613
00:21:39,932 --> 00:21:40,900
>> WHAT YOU'RE DESCRIBING SOUNDS
614
00:21:40,900 --> 00:21:44,537
LIKE A JOCKSTRAP.
615
00:21:44,537 --> 00:21:44,937
>> NO, IT DOESN'T.
616
00:21:44,937 --> 00:21:45,371
>> OKAY, KEEP GOING.
617
00:21:45,371 --> 00:21:45,905
>> THESE ROLES MAKE SURE
618
00:21:45,905 --> 00:21:47,706
EVERYTHING STAYS SECURE.
619
00:21:47,706 --> 00:21:49,275
WITHOUT THIS SUPPORT, THE WHOLE
620
00:21:49,275 --> 00:21:50,843
PACKAGE FALLS APART.
621
00:21:50,843 --> 00:21:51,477
ALL RIGHT, THIS DOES SOUND LIKE
622
00:21:51,477 --> 00:21:54,647
A JOCKSTRAP.
623
00:21:54,647 --> 00:21:55,147
>> YEAH.
624
00:21:55,147 --> 00:21:55,781
ARE YOU CALLING MERYL STREEP A
625
00:21:55,781 --> 00:21:59,518
JOCKSTRAP?
626
00:21:59,518 --> 00:22:02,354
>> NO!
627
00:22:02,354 --> 00:22:02,855
NO.
628
00:22:02,855 --> 00:22:03,822
OH.
629
00:22:03,822 --> 00:22:05,991
I'M SO SORRY, MERYL.
630
00:22:05,991 --> 00:22:06,458
>> SO YOU'RE CALLING
631
00:22:06,458 --> 00:22:07,493
CAROL BURNETT A JOCKSTRAP.
632
00:22:07,493 --> 00:22:10,462
>> NO.
633
00:22:10,462 --> 00:22:13,032
OH, MY GOD.
634
00:22:13,032 --> 00:22:14,934
I REVERE CAROL BURNETT.
635
00:22:14,934 --> 00:22:17,169
I'M SO SORRY.
636
00:22:17,169 --> 00:22:20,005
>> ARE YOU DOING THE EAR TUG?
637
00:22:20,005 --> 00:22:21,307
OH, MY GOD.
638
00:22:21,307 --> 00:22:22,842
WHERE'S THE STATUE?
639
00:22:22,842 --> 00:22:25,711
LET'S JUST THROW IT AT SOMEBODY.
640
00:22:25,711 --> 00:22:27,112
>> AND THE NOMINEES FOR BEST
641
00:22:27,112 --> 00:22:27,746
SUPPORTING ACTRESS IN A COMEDY
642
00:22:27,746 --> 00:22:27,947
ARE --
643
00:22:27,947 --> 00:22:28,714
>> Announcer: CAROL BURNETT,
644
00:22:28,714 --> 00:22:31,383
"PALM ROYALE,"
645
00:22:31,383 --> 00:22:32,985
LIZA COLON-ZAYAS, "THE BEAR,"
646
00:22:32,985 --> 00:22:35,087
HANNAH EINBINDER, "HACKS,"
647
00:22:35,087 --> 00:22:37,323
JANELLE JAMES, "ABBOTT
648
00:22:37,323 --> 00:22:37,723
ELEMENTARY,"
649
00:22:37,723 --> 00:22:38,791
SHERYL LEE RALPH, "ABBOTT
650
00:22:38,791 --> 00:22:42,995
ELEMENTARY,"
651
00:22:42,995 --> 00:22:45,331
MERYL STREEP, "ONLY MURDERS IN
652
00:22:45,331 --> 00:22:50,135
THE BUILDING."
653
00:22:50,135 --> 00:23:00,880
>> AND THE EMMY GOES TO -- LIZA
654
00:23:00,880 --> 00:23:04,049
COLON-ZAYAS, "THE BEAR."
655
00:23:04,049 --> 00:23:07,620
>> THIS IS THE FIRST EMMY WIN
656
00:23:07,620 --> 00:23:12,658
AND NOMINATION FOR LIZA
657
00:23:12,658 --> 00:23:15,127
COLON-ZAYAS.
658
00:23:15,127 --> 00:23:15,961
♪
659
00:23:15,961 --> 00:23:37,016
[ APPLAUSE ]
660
00:23:37,016 --> 00:23:39,118
>> THANK YOU FOR LOWERING THE
661
00:23:39,118 --> 00:23:39,818
MICROPHONE FOR ME.
662
00:23:39,818 --> 00:23:40,986
THANK YOU SO MUCH.
663
00:23:40,986 --> 00:23:44,256
THANK YOU SO MY HUSBAND, DAVID
664
00:23:44,256 --> 00:23:44,623
ZAYAS.
665
00:23:44,623 --> 00:23:46,358
HE TOLD ME TO WRITE A SPEECH,
666
00:23:46,358 --> 00:23:48,527
AND I DIDN'T BECAUSE I DIDN'T
667
00:23:48,527 --> 00:23:49,795
THINK IT WOULD BE POSSIBLE.
668
00:23:49,795 --> 00:23:52,131
HOW, HOW COULD I HAVE THOUGHT IT
669
00:23:52,131 --> 00:23:53,932
WOULD BE POSSIBLE TO BE IN THE
670
00:23:53,932 --> 00:23:56,001
PRESENCE OF MERYL STREEP AND
671
00:23:56,001 --> 00:24:02,074
CAROL BURNETT AND JANELLE?
672
00:24:02,074 --> 00:24:04,043
ANYWAY, I LOVE YOU ALL.
673
00:24:04,043 --> 00:24:08,380
I REVERE YOU TO THE BOTTOM OF MY
674
00:24:08,380 --> 00:24:08,580
HEART.
675
00:24:08,580 --> 00:24:10,783
AND OTHER WOMEN AND MY MOMMY.
676
00:24:10,783 --> 00:24:13,385
MOMMY, I THANK YOU.
677
00:24:13,385 --> 00:24:15,788
MY FAMILY.
678
00:24:15,788 --> 00:24:18,090
MY GRANDKIDS.
679
00:24:18,090 --> 00:24:18,791
GRANDKIDS?
680
00:24:18,791 --> 00:24:19,458
YEAH, THANK YOU.
681
00:24:19,458 --> 00:24:20,960
THANK YOU TO MY BEAUTIFUL CAST.
682
00:24:20,960 --> 00:24:22,328
THANK YOU, THANK YOU, THANK YOU
683
00:24:22,328 --> 00:24:24,496
FOR GIVING ME NEW LIFE IN THIS
684
00:24:24,496 --> 00:24:24,697
SHOW.
685
00:24:24,697 --> 00:24:29,268
AND TO ALL THE LATINAS WHO ARE
686
00:24:29,268 --> 00:24:32,805
LOOKING AT ME, KEEP BELIEVING
687
00:24:32,805 --> 00:24:34,707
AND VOTE.
688
00:24:34,707 --> 00:24:37,776
VOTE FOR YOUR RIGHTS.
689
00:24:37,776 --> 00:24:40,045
THANK YOU!
690
00:24:40,045 --> 00:24:45,784
THANK YOU.
691
00:24:45,784 --> 00:24:46,018
GRACIAS.
692
00:24:46,018 --> 00:24:46,318
[ APPLAUSE ]
693
00:24:46,318 --> 00:24:47,386
>> Announcer: STILL TO COME,
694
00:24:47,386 --> 00:24:51,757
DA'VINE JOY RANDOLPH. PLUS,
695
00:24:51,757 --> 00:24:52,191
APPEARANCES BY
696
00:24:52,191 --> 00:24:53,325
CANDICE BERGEN PRESENTS THE EMMY
697
00:24:53,325 --> 00:24:57,029
FOR LEAD ACTRESS IN A COMEDY
698
00:24:57,029 --> 00:24:57,596
SERIES AND SAM RICHARDSON IS
699
00:24:57,596 --> 00:24:58,097
JOINED BY PADMA LAKSHMI.
700
00:25:04,236 --> 00:25:11,443
♪
701
00:25:11,443 --> 00:25:12,945
>>> PLEASE WELCOME EMMY NOMINEE,
702
00:25:12,945 --> 00:25:19,151
DA'VINE JOY RANDOLPH.
703
00:25:19,151 --> 00:25:24,289
♪
704
00:25:24,289 --> 00:25:25,124
>> BOLD.
705
00:25:25,124 --> 00:25:27,359
REMARKABLE.
706
00:25:27,359 --> 00:25:28,360
COMPELLING, LEGENDARY AND
707
00:25:28,360 --> 00:25:32,030
EXCEPTIONAL.
708
00:25:32,030 --> 00:25:32,564
YES, THOSE ARE MY MORNING
709
00:25:32,564 --> 00:25:36,235
AFFIRMATIONS.
710
00:25:36,235 --> 00:25:38,871
HOWEVER, TONIGHT I AM REFERRING
711
00:25:38,871 --> 00:25:39,438
TO THE MASTERFUL IMPACT AND
712
00:25:39,438 --> 00:25:40,973
STRONG PRESENCE DEMONSTRATED BY
713
00:25:40,973 --> 00:25:43,108
THESE WOMEN WEEK AFTER WEEK.
714
00:25:43,108 --> 00:25:49,415
ALTHOUGH THE CATEGORY IS
715
00:25:49,415 --> 00:25:50,482
SUPPORTING, TRUST ME, IT'S
716
00:25:50,482 --> 00:25:51,083
GIVING MAIN CHARACTER ENERGY.
717
00:25:51,083 --> 00:25:52,584
LET'S TAKE A LOOK AT THEIR
718
00:25:52,584 --> 00:25:55,254
COLLECTIVE ACHIEVEMENT.
719
00:25:55,254 --> 00:25:57,322
HERE ARE YOUR NOMINEES FOR
720
00:25:57,322 --> 00:25:57,923
SUPPORTING ACTRESS IN A DRAMA
721
00:25:57,923 --> 00:25:58,157
SERIES.
722
00:25:58,157 --> 00:25:59,425
>> Announcer:
723
00:25:59,425 --> 00:26:00,058
CHRISTINE BARANSKI, "THE GILDED
724
00:26:00,058 --> 00:26:00,526
AGE."
725
00:26:00,526 --> 00:26:01,560
NICOLE BEHARIE, "THE MORNING
726
00:26:01,560 --> 00:26:03,662
SHOW."
727
00:26:03,662 --> 00:26:04,296
ELIZABETH DEBICKI, "THE CROWN."
728
00:26:04,296 --> 00:26:07,132
GRETA LEE, "THE MORNING SHOW."
729
00:26:07,132 --> 00:26:09,935
LESLEY MANVILLE, "THE CROWN."
730
00:26:09,935 --> 00:26:10,969
KAREN PITTMAN, "THE MORNING
731
00:26:10,969 --> 00:26:11,170
SHOW."
732
00:26:11,170 --> 00:26:12,571
HOLLAND TAYLOR, "THE MORNING
733
00:26:12,571 --> 00:26:16,809
SHOW."
734
00:26:16,809 --> 00:26:28,654
>> AND THE EMMY GOES TO --
735
00:26:28,654 --> 00:26:33,258
ELIZABETH DEBIKI!
736
00:26:33,258 --> 00:26:34,927
>> THIS IS THE FIRST EMMY WIN
737
00:26:34,927 --> 00:26:36,995
AND SECOND NOMINATION FOR
738
00:26:36,995 --> 00:26:44,203
ELIZABETH DEBIKI.
739
00:26:44,203 --> 00:26:44,403
♪
740
00:26:44,403 --> 00:26:57,116
[ APPLAUSE ]
741
00:26:57,116 --> 00:26:58,517
>> WOW.
742
00:26:58,517 --> 00:27:00,018
I DIDN'T WRITE ANYTHING DOWN
743
00:27:00,018 --> 00:27:03,989
BECAUSE I'M VERY SUPERSTITIOUS
744
00:27:03,989 --> 00:27:04,957
AND NOW I'M IN A REAL PICKLE, SO
745
00:27:04,957 --> 00:27:06,725
I'M GOING TO DO THIS QUICKLY.
746
00:27:06,725 --> 00:27:07,926
PETER, THANK YOU.
747
00:27:07,926 --> 00:27:09,728
THANK YOU FOR MAKING THIS SHOW,
748
00:27:09,728 --> 00:27:11,563
AND THANK YOU FOR TRUSTING ME
749
00:27:11,563 --> 00:27:11,964
WITH THIS.
750
00:27:11,964 --> 00:27:14,166
TO OUR PRODUCERS, THANK YOU FOR
751
00:27:14,166 --> 00:27:18,270
WORKING SO HARD.
752
00:27:18,270 --> 00:27:20,572
DEB, MY HAIR AND MAKEUP, AMAZING
753
00:27:20,572 --> 00:27:23,542
WOMAN WHO TRANSFORMED ME EVERY
754
00:27:23,542 --> 00:27:24,276
DAY.
755
00:27:24,276 --> 00:27:25,377
KATE AND EMILY, WHO CREATED THE
756
00:27:25,377 --> 00:27:26,912
HAIR AND MAKEUP.
757
00:27:26,912 --> 00:27:28,413
I LOVE YOU.
758
00:27:28,413 --> 00:27:30,182
OUR CAST ARE SO BEAUTIFUL.
759
00:27:30,182 --> 00:27:35,220
IT IS SUCH A GIFT TO WORK WITH
760
00:27:35,220 --> 00:27:36,655
YOU.
761
00:27:36,655 --> 00:27:37,489
GOSH.
762
00:27:37,489 --> 00:27:41,193
PLAYING THIS PART BASED ON THIS
763
00:27:41,193 --> 00:27:42,694
UNPARALLELED, INCREDIBLE HUMAN
764
00:27:42,694 --> 00:27:45,197
BEING HAS BEEN MY GREAT
765
00:27:45,197 --> 00:27:45,464
PRIVILEGE.
766
00:27:45,464 --> 00:27:46,999
IT HAS BEEN A GIFT.
767
00:27:46,999 --> 00:27:52,237
THANK YOU SO VERY MUCH.
768
00:27:52,237 --> 00:28:03,916
[ APPLAUSE ]
769
00:28:03,916 --> 00:28:06,585
>> MURPHY BROWN WAS ONE OF MY
770
00:28:06,585 --> 00:28:07,186
FIRST TV ROLE MODELS, WHICH I
771
00:28:07,186 --> 00:28:07,819
KNOW IS CRAZY, CONSIDERING I'M
772
00:28:07,819 --> 00:28:10,322
ONLY 24.
773
00:28:10,322 --> 00:28:11,356
BUT CANDICE BERGEN BROUGHT THAT
774
00:28:11,356 --> 00:28:15,527
CHARACTER TO LIFE WITH SUCH WIT
775
00:28:15,527 --> 00:28:16,094
AND CHARM AND INTELLIGENCE.
776
00:28:16,094 --> 00:28:17,663
FROM "MURPHY BROWN" TO "SEX AND
777
00:28:17,663 --> 00:28:18,697
THE CITY" TO "BOSTON LEGAL," TV
778
00:28:18,697 --> 00:28:19,298
IS A BETTER PLACE WITH HER IN
779
00:28:19,298 --> 00:28:20,832
IT.
780
00:28:20,832 --> 00:28:22,367
PLEASE WELCOME OUR NEXT
781
00:28:22,367 --> 00:28:23,435
PRESENTER, FIVE-TIME EMMY WINNER
782
00:28:23,435 --> 00:28:29,341
CANDICE BERGEN.
783
00:28:29,341 --> 00:28:31,143
[ APPLAUSE ]
784
00:28:31,143 --> 00:28:48,293
♪
785
00:28:48,293 --> 00:28:49,394
>> FOR 11 YEARS I HAD THE
786
00:28:49,394 --> 00:28:50,963
TREMENDOUS PRIVILEGE OF PLAYING
787
00:28:50,963 --> 00:28:51,530
THE LEAD IN A COMEDY SERIES
788
00:28:51,530 --> 00:29:02,474
CALLED "MURPHY BROWN."
789
00:29:02,474 --> 00:29:02,841
[ APPLAUSE ]
790
00:29:02,841 --> 00:29:04,242
>> I WAS SURROUNDED BY BRILLIANT
791
00:29:04,242 --> 00:29:05,477
AND FUNNY ACTORS, HAD THE BEST
792
00:29:05,477 --> 00:29:07,145
SCRIPTS TO WORK WITH, AND IN ONE
793
00:29:07,145 --> 00:29:08,647
CLASSIC MOMENT, MY CHARACTER WAS
794
00:29:08,647 --> 00:29:12,384
ATTACKED BY VICE PRESIDENT
795
00:29:12,384 --> 00:29:13,952
DAN QUAYLE WHEN MURPHY BECAME
796
00:29:13,952 --> 00:29:16,622
PREGNANT AND DECIDED TO RAISE
797
00:29:16,622 --> 00:29:25,631
THE BABY AS A SINGLE MOTHER.
798
00:29:25,631 --> 00:29:28,266
[ APPLAUSE ]
799
00:29:28,266 --> 00:29:29,735
>> OH, HOW FAR WE'VE COME.
800
00:29:29,735 --> 00:29:31,336
TODAY, A REPUBLICAN CANDIDATE
801
00:29:31,336 --> 00:29:32,938
FOR VICE PRESIDENT WOULD NEVER
802
00:29:32,938 --> 00:29:35,540
ATTACK A WOMAN FOR HAVING KIDS.
803
00:29:35,540 --> 00:29:36,608
SO, AS THEY SAY, MY WORK HERE IS
804
00:29:36,608 --> 00:29:43,148
DONE.
805
00:29:43,148 --> 00:29:50,822
MEOW.
806
00:29:50,822 --> 00:29:52,691
[ APPLAUSE ]
807
00:29:52,691 --> 00:29:55,327
>> HERE ARE THE NOMINEES FOR
808
00:29:55,327 --> 00:29:57,396
LEAD ACTRESS IN A COMEDY SERIES.
809
00:29:57,396 --> 00:29:57,996
>> Announcer: QUINTA BRUNSON,
810
00:29:57,996 --> 00:30:00,265
"ABBOTT ELEMENTARY."
811
00:30:00,265 --> 00:30:03,168
AYO EDEBIRI, "THE BEAR."
812
00:30:03,168 --> 00:30:03,802
SELENA GOMEZ, "ONLY MURDERS IN
813
00:30:03,802 --> 00:30:07,139
THE BUILDING."
814
00:30:07,139 --> 00:30:08,473
MAYA RUDOLPH, "LOOT."
815
00:30:08,473 --> 00:30:11,109
JEAN SMART, "HACKS."
816
00:30:11,109 --> 00:30:16,381
KRISTEN WIIG, "PALM ROYALE."
817
00:30:16,381 --> 00:30:20,452
>> AND THE EMMY GOES TO --
818
00:30:20,452 --> 00:30:26,124
THE AMAZING JEAN SMART!
819
00:30:26,124 --> 00:30:26,692
[ APPLAUSE ]
820
00:30:26,692 --> 00:30:29,227
>> THIS IS THE SIXTH EMMY WIN
821
00:30:29,227 --> 00:30:36,234
AND 13th NOMINATION FOR JEAN
822
00:30:36,234 --> 00:30:43,408
SMART.
823
00:30:43,408 --> 00:31:06,198
[ APPLAUSE ]
824
00:31:06,198 --> 00:31:07,432
>> OH, GOD.
825
00:31:07,432 --> 00:31:08,233
THANK YOU.
826
00:31:08,233 --> 00:31:12,037
THANK YOU SO, SO MUCH.
827
00:31:12,037 --> 00:31:14,372
I -- IT'S VERY HUMBLING, IT
828
00:31:14,372 --> 00:31:15,140
REALLY IS.
829
00:31:15,140 --> 00:31:17,042
AND I APPRECIATE THIS BECAUSE I
830
00:31:17,042 --> 00:31:21,947
JUST DON'T GET ENOUGH ATTENTION.
831
00:31:21,947 --> 00:31:25,717
I'M SERIOUS.
832
00:31:25,717 --> 00:31:26,451
OKAY.
833
00:31:26,451 --> 00:31:29,421
ANYWAY, NO, THANK YOU.
834
00:31:29,421 --> 00:31:31,256
I HAVE SO MANY, SO MANY PEOPLE
835
00:31:31,256 --> 00:31:32,791
TO THANK STARTING WITH OUR
836
00:31:32,791 --> 00:31:34,359
BEAUTIFUL SHOW RUNNERS.
837
00:31:34,359 --> 00:31:36,161
THANK YOU FOR THINKING OF ME.
838
00:31:36,161 --> 00:31:37,829
I WILL NEVER BE ABLE TO THANK
839
00:31:37,829 --> 00:31:39,698
YOU ENOUGH FOR THINKING OF ME
840
00:31:39,698 --> 00:31:41,566
WITH THIS INCREDIBLE ROLE.
841
00:31:41,566 --> 00:31:44,102
AND CASEY AND SARA AND EVERYBODY
842
00:31:44,102 --> 00:31:46,004
AT HBO.
843
00:31:46,004 --> 00:31:51,510
AT MAX -- I'M SORRY.
844
00:31:51,510 --> 00:31:54,346
JUST WHAT WE NEEDED, ANOTHER
845
00:31:54,346 --> 00:31:54,746
NETWORK.
846
00:31:54,746 --> 00:31:56,414
BUT, SORRY, ANYWAY, THIS IS --
847
00:31:56,414 --> 00:32:00,452
I'M GOING TO HONOR TONIGHT, MY
848
00:32:00,452 --> 00:32:02,487
AGENT SCOTT HENDERSON OF 30 PLUS
849
00:32:02,487 --> 00:32:04,156
YEARS WHO IS RETIRING AND
850
00:32:04,156 --> 00:32:06,091
BREAKING MY HEART, THE MOST
851
00:32:06,091 --> 00:32:08,560
AMAZING, CULTURED, TASTEFUL,
852
00:32:08,560 --> 00:32:10,162
KIND, FUNNY MAN THAT NEVER TRIED
853
00:32:10,162 --> 00:32:12,430
TO TALK ME IN OR OUT OF THINGS I
854
00:32:12,430 --> 00:32:14,266
REALLY DIDN'T FEEL GREAT ABOUT.
855
00:32:14,266 --> 00:32:16,601
I WISH YOU ALL THE BEST.
856
00:32:16,601 --> 00:32:18,703
HE'S GOING TO BICYCLE THROUGH
857
00:32:18,703 --> 00:32:20,038
FRANCE BECAUSE THAT'S BETTER
858
00:32:20,038 --> 00:32:21,440
THAN REPRESENTING ME?
859
00:32:21,440 --> 00:32:22,140
I DON'T KNOW.
860
00:32:22,140 --> 00:32:23,542
THANK YOU.
861
00:32:23,542 --> 00:32:25,143
I LOVE YOU ALL.
862
00:32:25,143 --> 00:32:28,980
THANK YOU.
863
00:32:28,980 --> 00:32:29,281
[ APPLAUSE ]
864
00:32:29,281 --> 00:32:29,481
♪
865
00:32:29,481 --> 00:32:30,048
>> Announcer: COMING UP, A
866
00:32:30,048 --> 00:32:31,082
SPECIAL APPEARANCE BY
867
00:32:31,082 --> 00:32:32,717
BILLY CRYSTAL, A "SATURDAY NIGHT
868
00:32:32,717 --> 00:32:34,853
LIVE" REUNION YOU DON'T WANT TO
869
00:32:34,853 --> 00:32:35,487
MISS, AND REBA McENTIRE TEAMS UP
870
00:32:35,487 --> 00:32:37,989
WITH MELISSA PETERMAN.
871
00:32:37,989 --> 00:32:40,058
THEN LATER, ICONIC TV VILLAINS
872
00:32:40,058 --> 00:32:41,693
ANTONY STARR, KATHY BATES AND
873
00:32:41,693 --> 00:32:42,260
GIANCARLO ESPOSITO TAKE THE
874
00:32:42,260 --> 00:32:45,096
STAGE HERE ON THE EMMYS.
875
00:32:53,038 --> 00:32:53,638
>> Announcer: PLEASE WELCOME
876
00:32:53,638 --> 00:32:54,272
EMMY NOMINEE PADMA LAKSHMI AND
877
00:32:54,272 --> 00:33:07,385
EMMY WINNER SAM RICHARDSON.
878
00:33:07,385 --> 00:33:08,653
[ APPLAUSE ]
879
00:33:08,653 --> 00:33:09,221
>> WOW, HERE WE ARE AT "THE
880
00:33:09,221 --> 00:33:10,255
EMMYS."
881
00:33:10,255 --> 00:33:13,058
I LOVE "THE EMMYS."
882
00:33:13,058 --> 00:33:14,492
SO MANY GREAT MEMORIES.
883
00:33:14,492 --> 00:33:18,129
>> YEAH, I LOVE "THE EMMYS" TOO.
884
00:33:18,129 --> 00:33:18,630
>> I REMEMBER ALL OF MY
885
00:33:18,630 --> 00:33:19,264
NOMINATIONS AND ESPECIALLY THE
886
00:33:19,264 --> 00:33:22,601
TIME I WON.
887
00:33:22,601 --> 00:33:25,036
OH, JUST
888
00:33:25,036 --> 00:33:25,437
I LOVE THIS SHOW.
889
00:33:25,437 --> 00:33:26,137
YOU KNOW?
890
00:33:26,137 --> 00:33:26,471
RIGHT?
891
00:33:26,471 --> 00:33:31,476
>> YEAH, I HAVE A LOT OF
892
00:33:31,476 --> 00:33:31,877
MEMORIES, TOO.
893
00:33:31,877 --> 00:33:32,811
AND DRESSES.
894
00:33:32,811 --> 00:33:34,112
>> REALLY?
895
00:33:34,112 --> 00:33:34,679
HOW MANY NOMINATIONS DO YOU
896
00:33:34,679 --> 00:33:37,015
HAVE?
897
00:33:37,015 --> 00:33:39,618
>> 17.
898
00:33:39,618 --> 00:33:41,653
>> HOW MANY -- HOW MANY OF THOSE
899
00:33:41,653 --> 00:33:46,758
DID YOU WIN?
900
00:33:46,758 --> 00:33:47,225
>> NONE.
901
00:33:47,225 --> 00:33:51,730
>> OH, OKAY.
902
00:33:51,730 --> 00:33:53,198
FOR WHAT CATEGORY?
903
00:33:53,198 --> 00:33:55,300
>> THIS ONE, SAM.
904
00:33:55,300 --> 00:33:55,500
OKAY?
905
00:33:55,500 --> 00:33:56,067
>> OKAY.
906
00:33:56,067 --> 00:34:01,039
YEAH, YEAH, YEAH.
907
00:34:01,039 --> 00:34:02,107
HERE ARE THE NOMINEES FOR
908
00:34:02,107 --> 00:34:02,741
OUTSTANDING REALITY COMPETITION
909
00:34:02,741 --> 00:34:02,974
PROGRAM.
910
00:34:02,974 --> 00:34:03,975
>> Announcer: "THE AMAZING
911
00:34:03,975 --> 00:34:05,043
RACE."
912
00:34:05,043 --> 00:34:06,144
"RUPAUL'S DRAG RACE."
913
00:34:06,144 --> 00:34:09,214
"TOP CHEF."
914
00:34:09,214 --> 00:34:09,581
"THE TRAITORS."
915
00:34:09,581 --> 00:34:14,519
"THE VOICE."
916
00:34:14,519 --> 00:34:21,226
>> AND THE EMMY GOES TO --
917
00:34:21,226 --> 00:34:27,065
"THE TRAITORS"!
918
00:34:27,065 --> 00:34:29,434
[ APPLAUSE ]
919
00:34:29,434 --> 00:34:30,535
>> RECEIVED FIVE NOMINATIONS TO
920
00:34:30,535 --> 00:34:32,671
DATE AND FOUR THIS YEAR,
921
00:34:32,671 --> 00:34:36,574
ACCEPTING THE EMMY ON BEHALF OF
922
00:34:36,574 --> 00:34:45,550
THE TEAM IS THIS WINNER, ELLEN
923
00:34:45,550 --> 00:34:46,051
CUMMING.
924
00:34:46,051 --> 00:34:46,351
[ APPLAUSE ]
925
00:34:46,351 --> 00:34:48,186
>> THANK YOU SO MUCH, EVERYBODY.
926
00:34:48,186 --> 00:34:50,188
THANK YOU TO THE ACADEMY.
927
00:34:50,188 --> 00:34:51,990
WE HAVE SO GRATEFUL BECAUSE WE
928
00:34:51,990 --> 00:34:54,092
ARE A NEW SHOW AND YOU GUYS WHEN
929
00:34:54,092 --> 00:34:55,927
YOU LIKE SOMETHING YOU TEND TO
930
00:34:55,927 --> 00:34:57,929
STICK TO IT, WHICH IS A GOOD
931
00:34:57,929 --> 00:34:59,698
QUALITY, BUT WE APPRECIATE IT
932
00:34:59,698 --> 00:35:00,332
ALL THE MORE.
933
00:35:00,332 --> 00:35:02,033
I WOULD LIKE TO APPLAUD THEM
934
00:35:02,033 --> 00:35:02,934
BECAUSE THEY CARE SO MUCH ABOUT
935
00:35:02,934 --> 00:35:04,903
THE QUALITY OF THEIR WORK.
936
00:35:04,903 --> 00:35:05,203
[ APPLAUSE ]
937
00:35:05,203 --> 00:35:08,173
>> WE WANT TO THANK OUR FRIENDS
938
00:35:08,173 --> 00:35:09,774
AT PEACOCK FOR THEIR KINDNESS
939
00:35:09,774 --> 00:35:10,442
AND SUPPORT.
940
00:35:10,442 --> 00:35:13,745
SO GREAT TO BE PART OF A NEW
941
00:35:13,745 --> 00:35:14,145
STREAMING SERVICE.
942
00:35:14,145 --> 00:35:14,813
WE LOVE THEM.
943
00:35:14,813 --> 00:35:18,216
AND I WANT TO THANK EVERYONE AND
944
00:35:18,216 --> 00:35:19,985
THE CAST AND CREW WHO WORK SO
945
00:35:19,985 --> 00:35:23,455
HARD AND GET SO WET BUT WITH
946
00:35:23,455 --> 00:35:24,856
SCOTTISH WEATHER.
947
00:35:24,856 --> 00:35:28,126
I ALSO WANT TO THANK SCOTT GLEN.
948
00:35:28,126 --> 00:35:30,295
I ALSO WANT TO THANK HOLLAND
949
00:35:30,295 --> 00:35:31,496
BECAUSE I DON'T THINK WE THANK
950
00:35:31,496 --> 00:35:32,864
HOLLAND ENOUGH BECAUSE SO MANY
951
00:35:32,864 --> 00:35:36,634
OF THESE SHOWS LIKE "THE
952
00:35:36,634 --> 00:35:38,403
TRAITORS" WERE MADE UP IN
953
00:35:38,403 --> 00:35:38,703
HOLLAND.
954
00:35:38,703 --> 00:35:40,105
THEY OBVIOUSLY HAVE SOMETHING IN
955
00:35:40,105 --> 00:35:40,705
THE WATER.
956
00:35:40,705 --> 00:35:41,906
LET'S FIND IT.
957
00:35:41,906 --> 00:35:45,176
LET'S DRINK IT AND ALL OF OUR
958
00:35:45,176 --> 00:35:46,044
PROBLEMS WILL BE SOLVED.
959
00:35:46,044 --> 00:35:52,017
THANK YOU SO MUCH!
960
00:35:52,017 --> 00:35:52,317
[ APPLAUSE ]
961
00:35:52,317 --> 00:35:52,951
>> OKAY, I DON'T KNOW WHERE MY
962
00:35:52,951 --> 00:35:53,218
DAD IS.
963
00:35:53,218 --> 00:35:56,955
>> I'M HERE.
964
00:35:56,955 --> 00:35:58,156
I'M HERE.
965
00:35:58,156 --> 00:36:00,125
I'M RIGHT HERE.
966
00:36:00,125 --> 00:36:01,192
>> OKAY.
967
00:36:01,192 --> 00:36:06,164
THEY SAID THE RIGHT AISLE.
968
00:36:06,164 --> 00:36:08,533
>> THIS IS MY RIGHT AISLE.
969
00:36:08,533 --> 00:36:09,034
>> NO, THAT'S STAGE RIGHT.
970
00:36:09,034 --> 00:36:11,636
THEY SAID HOUSE RIGHT.
971
00:36:11,636 --> 00:36:12,237
>> I KNEW THIS WAS A MISTAKE.
972
00:36:12,237 --> 00:36:12,771
I DIDN'T WANT TO DO THIS.
973
00:36:12,771 --> 00:36:13,405
WE SHOULDN'T EVEN BE OUT HERE,
974
00:36:13,405 --> 00:36:13,805
DANIEL.
975
00:36:13,805 --> 00:36:17,709
I TOLD THEM I DON'T LIKE BEING
976
00:36:17,709 --> 00:36:18,076
IN THE AUDIENCE.
977
00:36:18,076 --> 00:36:18,276
OKAY?
978
00:36:18,276 --> 00:36:18,777
I FIND IT UNCOMFORTABLE.
979
00:36:18,777 --> 00:36:19,344
EVERYBODY OUT HERE FINDS IT
980
00:36:19,344 --> 00:36:21,980
UNCOMFORTABLE.
981
00:36:21,980 --> 00:36:22,247
YOU KNOW?
982
00:36:22,247 --> 00:36:28,386
I DON'T WANT TO BE HANDING OUT
983
00:36:28,386 --> 00:36:29,154
TACOS IN THE AUDIENCE.
984
00:36:29,154 --> 00:36:29,788
I DON'T LIKE DOING BITS IN THE
985
00:36:29,788 --> 00:36:30,055
AUDIENCE.
986
00:36:30,055 --> 00:36:30,722
NEVER HAVE.
987
00:36:30,722 --> 00:36:34,159
>> NOBODY DOES.
988
00:36:34,159 --> 00:36:34,626
WE'RE NOT DOING A BIT.
989
00:36:34,626 --> 00:36:38,696
WE'RE HERE TO MAKE AN
990
00:36:38,696 --> 00:36:39,197
INTRODUCTION.
991
00:36:39,197 --> 00:36:39,798
>> ALL RIGHT, I'M COMING OVER.
992
00:36:39,798 --> 00:36:40,765
>> NO, WE DON'T HAVE TIME FOR
993
00:36:40,765 --> 00:36:41,399
THAT, SO WE HAVE TO DO IT LIKE
994
00:36:41,399 --> 00:36:52,343
THIS.
995
00:36:52,343 --> 00:36:53,411
OUR NEXT TV ARCHETYPES ARE THE
996
00:36:53,411 --> 00:36:56,514
CHARACTERS YOU LOVE TO HATE --
997
00:36:56,514 --> 00:36:59,718
DAD?
998
00:36:59,718 --> 00:37:00,318
>> I CAN'T SEE PROMPTER FROM
999
00:37:00,318 --> 00:37:03,288
HERE.
1000
00:37:03,288 --> 00:37:07,158
>> OKAY.
1001
00:37:07,158 --> 00:37:08,393
WE'RE INTRODUCING VILLAINS.
1002
00:37:08,393 --> 00:37:08,560
IT'S
1003
00:37:08,560 --> 00:37:08,860
TV VILLAINS.
1004
00:37:08,860 --> 00:37:10,161
PLEASE WELCOME ANTONY STARR,
1005
00:37:10,161 --> 00:37:10,862
GIANCARLO ESPOSITO, AND
1006
00:37:10,862 --> 00:37:16,734
KATHY BATES.
1007
00:37:16,734 --> 00:37:25,043
♪
1008
00:37:25,043 --> 00:37:26,511
>> EVERYBODY LOVES HEROES.
1009
00:37:26,511 --> 00:37:27,545
IN DRAMA, THEY'RE CALLED THE
1010
00:37:27,545 --> 00:37:29,114
PROTAGONIST.
1011
00:37:29,114 --> 00:37:31,015
>> BUT WITHOUT VILLAINS, OR
1012
00:37:31,015 --> 00:37:31,649
ANTAGONISTS, THERE WOULDN'T BE
1013
00:37:31,649 --> 00:37:33,418
MUCH OF A STORY.
1014
00:37:33,418 --> 00:37:34,419
>> WE'VE ALL PLAYED VILLAINS AND
1015
00:37:34,419 --> 00:37:35,053
SO WE APPRECIATE THEIR ROLE IN
1016
00:37:35,053 --> 00:37:38,123
STORY- TELLING.
1017
00:37:38,123 --> 00:37:38,723
BUT THERE ARE DOWNSIDES ONCE
1018
00:37:38,723 --> 00:37:41,292
YOU'RE BACK IN THE REAL WORLD.
1019
00:37:41,292 --> 00:37:42,160
>> DO YOU KNOW HOW HARD IT WAS
1020
00:37:42,160 --> 00:37:53,271
TO GET A DATE AFTER "MISERY?"
1021
00:37:53,271 --> 00:37:56,674
AND MY AMERICAN HORROR STORY WAS
1022
00:37:56,674 --> 00:37:59,410
FORGETTING TO THANK RYAN MURPHY
1023
00:37:59,410 --> 00:38:00,345
AFTER I WON AN EMMY.
1024
00:38:00,345 --> 00:38:01,746
>> FOR ME, THE DOWNSIDE IS
1025
00:38:01,746 --> 00:38:02,313
TRYING TO HAVE A NICE QUIET
1026
00:38:02,313 --> 00:38:04,949
DINNER AND DRUG DEALERS START
1027
00:38:04,949 --> 00:38:09,020
ASKING ME FOR ADVICE
1028
00:38:09,020 --> 00:38:11,756
ON HOW TO BUILD THEIR EMPIRES.
1029
00:38:11,756 --> 00:38:12,390
>> PERSONALLY, IT'S THE CRITICS.
1030
00:38:12,390 --> 00:38:12,991
12 YEAR OLDS TELLING ME I'M A
1031
00:38:12,991 --> 00:38:13,358
"BAD SUPERHERO."
1032
00:38:13,358 --> 00:38:13,992
THEY'RE TOO YOUNG TO WATCH THE
1033
00:38:13,992 --> 00:38:19,063
SHOW ANYWAYS.
1034
00:38:19,063 --> 00:38:21,032
IT'S SLOPPY, SLOPPY PARENTING.
1035
00:38:21,032 --> 00:38:21,633
>> THERE'S A LESSON FROM ALL
1036
00:38:21,633 --> 00:38:22,967
THIS.
1037
00:38:22,967 --> 00:38:25,036
IF YOU NAIL A CHARACTER, IT
1038
00:38:25,036 --> 00:38:25,603
BECOMES REAL FOR BETTER OR
1039
00:38:25,603 --> 00:38:26,638
WORSE.
1040
00:38:26,638 --> 00:38:28,206
>> AND THE WOMEN IN THIS
1041
00:38:28,206 --> 00:38:29,774
CATEGORY TRULY NAILED THEIR
1042
00:38:29,774 --> 00:38:31,309
CHARACTERS FOR THE BETTER.
1043
00:38:31,309 --> 00:38:33,945
>> HERE ARE THE NOMINEES FOR
1044
00:38:33,945 --> 00:38:34,579
SUPPORTING ACTRESS IN A LIMITED
1045
00:38:34,579 --> 00:38:36,080
OR ANTHOLOGY SERIES OR MOVIE.
1046
00:38:36,080 --> 00:38:37,015
>> Announcer: DAKOTA FANNING,
1047
00:38:37,015 --> 00:38:39,784
"RIPLEY."
1048
00:38:39,784 --> 00:38:40,351
LILY GLADSTONE, "UNDER THE
1049
00:38:40,351 --> 00:38:42,921
BRIDGE."
1050
00:38:42,921 --> 00:38:43,421
JESSICA GUNNING, "BABY
1051
00:38:43,421 --> 00:38:45,623
REINDEER."
1052
00:38:45,623 --> 00:38:46,191
AJA NAOMI KING, "LESSONS IN
1053
00:38:46,191 --> 00:38:48,726
CHEMISTRY."
1054
00:38:48,726 --> 00:38:49,794
DIANE LANE, "FEUD: CAPOTE VS.
1055
00:38:49,794 --> 00:38:52,430
THE SWANS."
1056
00:38:52,430 --> 00:38:55,066
NAVA MAU, "BABY REINDEER."
1057
00:38:55,066 --> 00:38:56,601
KALI REIS, "TRUE DETECTIVE:
1058
00:38:56,601 --> 00:39:01,339
NIGHT COUNTRY."
1059
00:39:01,339 --> 00:39:09,914
>> AND THE EMMY GOES TO --
1060
00:39:09,914 --> 00:39:16,688
JESSICA GUNNING, ""BABY
1061
00:39:16,688 --> 00:39:17,255
REINDEER."
1062
00:39:17,255 --> 00:39:17,655
[ APPLAUSE ]
1063
00:39:17,655 --> 00:39:20,558
>> THIS IS THE FIRST WIN AND
1064
00:39:20,558 --> 00:39:26,197
EMMY NOMINATION FOR JESSICA
1065
00:39:26,197 --> 00:39:28,499
GUNNING.
1066
00:39:28,499 --> 00:39:36,708
[ APPLAUSE ]
1067
00:39:36,708 --> 00:39:40,945
>> OH, MY GOODNESS.
1068
00:39:40,945 --> 00:39:42,313
THANK YOU SO MUCH.
1069
00:39:42,313 --> 00:39:44,949
I HONESTLY FEEL LIKE I'M GOING
1070
00:39:44,949 --> 00:39:47,652
TO WAKE UP ANY MINUTE NOW.
1071
00:39:47,652 --> 00:39:48,720
THIS WHOLE THING HAS BEEN A
1072
00:39:48,720 --> 00:39:48,987
DREAM.
1073
00:39:48,987 --> 00:39:50,622
THANK YOU.
1074
00:39:50,622 --> 00:39:52,590
I'M SO INCREDIBLY GRATEFUL.
1075
00:39:52,590 --> 00:39:55,493
I WANT TO SAY A HUGE THANK YOU
1076
00:39:55,493 --> 00:39:58,029
TO EVERYBODY WHO LET ME, REALLY.
1077
00:39:58,029 --> 00:40:00,765
NETFLIX, NINA GOLD CASTING.
1078
00:40:00,765 --> 00:40:02,567
OUR AMAZING DIRECTORS.
1079
00:40:02,567 --> 00:40:04,736
THE SHOW WOULDN'T BE WHAT IT IS
1080
00:40:04,736 --> 00:40:06,771
IF IT WEREN'T FOR YOU AND OUR
1081
00:40:06,771 --> 00:40:08,206
INCREDIBLE CAST AND CREW.
1082
00:40:08,206 --> 00:40:10,008
I LOOK FORWARD TO WORKING WITH
1083
00:40:10,008 --> 00:40:11,342
YOU EVERY DAY.
1084
00:40:11,342 --> 00:40:13,211
SWITCHING THE TWOS, AS WE SAY.
1085
00:40:13,211 --> 00:40:18,549
THANK YOU SO MUCH TO MY AGENTS.
1086
00:40:18,549 --> 00:40:22,153
THANK YOU SO FRANKLY BUTLER AND
1087
00:40:22,153 --> 00:40:22,987
ALICE AND EVERYONE.
1088
00:40:22,987 --> 00:40:24,022
ALL THAT YOU ARE AND ALL THAT
1089
00:40:24,022 --> 00:40:24,622
YOU DO.
1090
00:40:24,622 --> 00:40:26,658
ALL MY FRIENDS AND FAMILY THAT I
1091
00:40:26,658 --> 00:40:27,659
LOVE MORE THAN ANYTHING.
1092
00:40:27,659 --> 00:40:30,928
MY BIGGEST THANKS HAS TO GO TO
1093
00:40:30,928 --> 00:40:32,697
MR. RICHARD GAST.
1094
00:40:32,697 --> 00:40:35,066
I TRIED SO MANY TIMES TO PUT
1095
00:40:35,066 --> 00:40:39,504
INTO WORDS WHAT WORKING ON "BABY
1096
00:40:39,504 --> 00:40:41,139
REINDEER" MEANT TO ME, AND I
1097
00:40:41,139 --> 00:40:43,908
FAIL EVERY TIME, SO I'M GOING TO
1098
00:40:43,908 --> 00:40:44,309
SING.
1099
00:40:44,309 --> 00:40:45,143
NO IMAGINE.
1100
00:40:45,143 --> 00:40:46,611
I'LL KEEP IT SIMPLE AND JUST SAY
1101
00:40:46,611 --> 00:40:48,179
THANK YOU FOR TRUSTING ME TO BE
1102
00:40:48,179 --> 00:40:49,847
YOUR MARTHA.
1103
00:40:49,847 --> 00:40:51,582
I WILL NEVER EVER FORGET HER OR
1104
00:40:51,582 --> 00:40:52,717
YOU OR THIS.
1105
00:40:52,717 --> 00:40:54,252
IT REALLY MEANS A LOT.
1106
00:40:54,252 --> 00:40:57,422
THANK YOU, REINDEER, AND THANK
1107
00:40:57,422 --> 00:40:58,923
YOU FOR THIS.
1108
00:40:58,923 --> 00:40:59,891
I'M THRILLED.
1109
00:40:59,891 --> 00:41:00,992
THANK YOU.
1110
00:41:00,992 --> 00:41:02,160
♪
1111
00:41:02,160 --> 00:41:02,694
>> Announcer: JUST AHEAD,
1112
00:41:02,694 --> 00:41:03,561
REBA McENTIRE IS JOINED BY
1113
00:41:03,561 --> 00:41:09,367
MELISSA PETERMAN, AND SNL'S
1114
00:41:09,367 --> 00:41:09,867
MAYA RUDOLPH,
1115
00:41:09,867 --> 00:41:10,435
KIRSTIN WIIG, BOWEN YANG, AND
1116
00:41:10,435 --> 00:41:11,002
SETH MEYERS TAKE THE STAGE.
1117
00:41:11,002 --> 00:41:11,602
THEN LATER, THE EMMYS HOST A
1118
00:41:11,602 --> 00:41:12,070
"HAPPY DAYS" REUNION.
1119
00:41:12,070 --> 00:41:16,708
HERE ON ABC.
1120
00:41:26,651 --> 00:41:27,285
>> PLEASE WELCOME REBA McCENTIRE
1121
00:41:27,285 --> 00:41:36,961
AND MELISSA PETERMAN.
1122
00:41:36,961 --> 00:41:41,666
♪
1123
00:41:41,666 --> 00:41:42,834
>> WOW!
1124
00:41:42,834 --> 00:41:44,802
WELL, HERE WE ARE TOGETHER
1125
00:41:44,802 --> 00:41:45,269
AGAIN, MELISSA.
1126
00:41:45,269 --> 00:41:46,037
>> I KNOW.
1127
00:41:46,037 --> 00:41:49,907
AND WE'RE AT THE EMMYS!
1128
00:41:49,907 --> 00:41:53,478
YOU KNOW, I HAVE TO ADMIT I'M
1129
00:41:53,478 --> 00:41:53,978
NERVOUS.
1130
00:41:53,978 --> 00:41:55,012
I'VE NEVER DONE THIS BEFORE, AND
1131
00:41:55,012 --> 00:41:55,580
I'VE WATCHED THE EMMYS.
1132
00:41:55,580 --> 00:42:01,352
A LOT CAN GO WRONG.
1133
00:42:01,352 --> 00:42:01,953
>> WELL, YEAH. THAT'S WHY WE
1134
00:42:01,953 --> 00:42:02,453
REHEARSED.
1135
00:42:02,453 --> 00:42:05,056
AND THAT'S WHY WE PREPARED, IN
1136
00:42:05,056 --> 00:42:05,690
CASE THE PROMPTER GOES DOWN OR
1137
00:42:05,690 --> 00:42:07,125
SOMETHING HAPPENS.
1138
00:42:07,125 --> 00:42:07,692
>> WE MEMORIZED EVERYTHING.
1139
00:42:07,692 --> 00:42:17,168
EVEN THE NOMINEES.
1140
00:42:17,168 --> 00:42:17,502
>> YES, YES.
1141
00:42:17,502 --> 00:42:20,938
NO RECORDED PACKAGE FOR US.
1142
00:42:20,938 --> 00:42:22,907
>> WE DO NOT PHONE IT IN
1143
00:42:22,907 --> 00:42:23,174
ANYMORE.
1144
00:42:23,174 --> 00:42:24,475
>> YES, YES.
1145
00:42:24,475 --> 00:42:27,211
>> LET'S SHOW THEM THAT WE
1146
00:42:27,211 --> 00:42:30,681
MEMORIZED ALL OF THE NOMINEES
1147
00:42:30,681 --> 00:42:31,082
NAMES.
1148
00:42:31,082 --> 00:42:35,686
>> EYES SHUT.
1149
00:42:35,686 --> 00:42:36,554
>> WHAT?
1150
00:42:36,554 --> 00:42:39,557
>> SHUT YOUR EYES.
1151
00:42:39,557 --> 00:42:43,661
>> THE TWO NOMINEES FOR
1152
00:42:43,661 --> 00:42:44,262
OUTSTANDING SCRIPTED VARIETY
1153
00:42:44,262 --> 00:42:51,068
SERIES ARE -
1154
00:42:51,068 --> 00:43:03,080
"SATURDAY NIGHT LIVE,"
1155
00:43:03,080 --> 00:43:03,347
SHOOT.
1156
00:43:03,347 --> 00:43:05,950
IT'S RIGHT ON MY TONGUE.
1157
00:43:05,950 --> 00:43:06,818
>> AND "LAST WEEK TONIGHT WITH
1158
00:43:06,818 --> 00:43:10,354
JOHN OLIVER," JOHN OLIVER.
1159
00:43:10,354 --> 00:43:10,822
>> NAILED IT!
1160
00:43:10,822 --> 00:43:13,558
>> YEAH, YOU NAILED IT!
1161
00:43:13,558 --> 00:43:13,724
>>.
1162
00:43:13,724 --> 00:43:18,229
>> AND THE EMMY GOES TO --
1163
00:43:18,229 --> 00:43:22,733
>> "LAST WEEK TONIGHT WITH JOHN
1164
00:43:22,733 --> 00:43:23,067
OLIVER"!
1165
00:43:23,067 --> 00:43:27,038
>> "LAST WEEK TONIGHT WITH JOHN
1166
00:43:27,038 --> 00:43:28,306
OLIVER" RECEIVED SIX NOMINATIONS
1167
00:43:28,306 --> 00:43:31,008
THIS YEAR AND A TOTAL OVER ALL
1168
00:43:31,008 --> 00:43:32,777
67 IN PRODUCTION DESIGN,
1169
00:43:32,777 --> 00:43:35,112
LIGHTING AND SCRIPTED SERIES.
1170
00:43:35,112 --> 00:43:36,547
ACCEPTING THE EMMY ON BEHALF OF
1171
00:43:36,547 --> 00:43:38,516
THE TEAM IS JOHN OLIVER.
1172
00:43:38,516 --> 00:43:40,118
>> THANK YOU SO MUCH.
1173
00:43:40,118 --> 00:43:42,353
THANK YOU TO MY STAFF, SOME OF
1174
00:43:42,353 --> 00:43:43,521
THEM ARE HERE.
1175
00:43:43,521 --> 00:43:44,889
OTHERS ARE IN BROOKLYN.
1176
00:43:44,889 --> 00:43:45,623
I DON'T KNOW THAT THEY'RE
1177
00:43:45,623 --> 00:43:47,058
WATCHING THIS, BUT I KNOW THAT
1178
00:43:47,058 --> 00:43:49,961
THEY ARE IN BROOKLYN.
1179
00:43:49,961 --> 00:43:51,729
WHATEVER YOU'RE DOING, I HOPE
1180
00:43:51,729 --> 00:43:53,097
YOU ARE HAVING FUN.
1181
00:43:53,097 --> 00:43:55,500
I'D LIKE TO THANK HBO FOR NOT
1182
00:43:55,500 --> 00:43:57,235
CANCELING US OVER THE LAST
1183
00:43:57,235 --> 00:43:57,468
DECADE.
1184
00:43:57,468 --> 00:43:58,603
THAT WAS NEVER A GUARANTEE.
1185
00:43:58,603 --> 00:43:59,704
I APPRECIATE IT.
1186
00:43:59,704 --> 00:44:00,505
PLEASE CARRY ON.
1187
00:44:00,505 --> 00:44:02,907
I WOULD LIKE TO THANK MY WIFE,
1188
00:44:02,907 --> 00:44:07,712
KATE, AND OUR KIDS, HUSBAND --
1189
00:44:07,712 --> 00:44:07,945
HUSBAND?
1190
00:44:07,945 --> 00:44:12,450
HIS NAME IS HUDSON.
1191
00:44:12,450 --> 00:44:14,886
OUCH.
1192
00:44:14,886 --> 00:44:17,688
THAT'S GONNA COME BACK TO HAUNT
1193
00:44:17,688 --> 00:44:18,990
ME.
1194
00:44:18,990 --> 00:44:20,358
AND MARZY.
1195
00:44:20,358 --> 00:44:22,160
I SHOULD HAVE GOT HIS WRONG NOW,
1196
00:44:22,160 --> 00:44:23,761
BUT I DIDN'T.
1197
00:44:23,761 --> 00:44:26,264
THANKS TO EVERYONE AT HBO, NINA
1198
00:44:26,264 --> 00:44:27,665
AND CASEY IN PARTICULAR.
1199
00:44:27,665 --> 00:44:30,668
I WANT TO THANK THE SILLY ODD
1200
00:44:30,668 --> 00:44:30,835
DOG.
1201
00:44:30,835 --> 00:44:32,937
WE HAVE THE MOST FANTASTIC DOG,
1202
00:44:32,937 --> 00:44:34,572
AND SHE WAS AT OUR WEDDING AND
1203
00:44:34,572 --> 00:44:36,440
SHE GOT US THROUGH THE PANDEMIC.
1204
00:44:36,440 --> 00:44:39,076
SHE WAS WITH US FOR TWO
1205
00:44:39,076 --> 00:44:40,478
PREGNANCIES AND PERFECT CHOICE
1206
00:44:40,478 --> 00:44:41,979
OF MUSIC.
1207
00:44:41,979 --> 00:44:49,921
WE HAD TO SAY GOOD-BYE TO HER.
1208
00:44:49,921 --> 00:44:53,824
IT IS -- I FEEL LIKE SARA
1209
00:44:53,824 --> 00:44:56,093
McLAUGHLIN RIGHT NOW.
1210
00:44:56,093 --> 00:45:01,866
THIS -- SHE WAS AN AMAZING DOG.
1211
00:45:01,866 --> 00:45:02,767
AND -- OUCH.
1212
00:45:02,767 --> 00:45:04,569
I WOULD GUESS I WANT TO -- THIS
1213
00:45:04,569 --> 00:45:05,202
ISN'T JUST FOR HER.
1214
00:45:05,202 --> 00:45:07,471
THIS IS FOR ALL DOGS.
1215
00:45:07,471 --> 00:45:09,907
ALL DOGS, YOU ARE ALL VERY GOOD
1216
00:45:09,907 --> 00:45:10,107
GIRLS.
1217
00:45:10,107 --> 00:45:11,609
YOU ARE VERY GOOD BOYS.
1218
00:45:11,609 --> 00:45:13,377
YOU ALL DESERVE A TREAT.
1219
00:45:13,377 --> 00:45:14,212
PLAY ME OFF NOW!
1220
00:45:14,212 --> 00:45:19,083
THANKS SO MUCH.
1221
00:45:19,083 --> 00:45:23,421
♪
1222
00:45:30,027 --> 00:45:30,661
>> Announcer: JOINING US TONIGHT
1223
00:45:30,661 --> 00:45:31,429
AS "THE EMMYS" CELEBRATE
1224
00:45:31,429 --> 00:45:32,997
50 YEARS OF "SATURDAY NIGHT
1225
00:45:32,997 --> 00:45:35,132
LIVE" AND ITS COUNTLESS
1226
00:45:35,132 --> 00:45:38,736
MEMORABLE CHARACTERS ARE FOUR OF
1227
00:45:38,736 --> 00:45:39,337
ITS ICONIC CAST MEMBERS, ALL
1228
00:45:39,337 --> 00:45:42,406
EMMY NOMINEES IN 2024.
1229
00:45:42,406 --> 00:45:47,144
PLEASE WELCOME KRISTEN WIIG,
1230
00:45:47,144 --> 00:45:50,047
BOWEN YANG, AND SETH MEYERS.
1231
00:45:50,047 --> 00:45:55,119
AND MAYA RUDOLPH.
1232
00:45:55,119 --> 00:45:55,886
>> WE ARE HERE TONIGHT TO
1233
00:45:55,886 --> 00:45:56,320
PRESENT THE AWARD --
1234
00:45:56,320 --> 00:45:56,954
>> SETH, MAY I IMMEDIATELY
1235
00:45:56,954 --> 00:45:57,455
INTERRUPT?
1236
00:45:57,455 --> 00:46:00,124
>> MM-HMM.
1237
00:46:00,124 --> 00:46:00,758
>> WE HEARD SOMETHING BACKSTAGE
1238
00:46:00,758 --> 00:46:05,997
THAT NEEDS TO BE ADDRESSED.
1239
00:46:05,997 --> 00:46:06,631
>> NOW BEFORE LATER.
1240
00:46:06,631 --> 00:46:08,566
>> WE HEARD THAT OUR DEAR FRIEND
1241
00:46:08,566 --> 00:46:09,166
AND MENTOR LORNE MICHAELS HAS
1242
00:46:09,166 --> 00:46:11,068
BEEN NOMINATED FOR AND LOST THE
1243
00:46:11,068 --> 00:46:17,008
EMMY 85 TIMES.
1244
00:46:17,008 --> 00:46:18,342
HE HAS NEVER WON.
1245
00:46:18,342 --> 00:46:18,609
>> NEVER.
1246
00:46:18,609 --> 00:46:18,809
>> NO.
1247
00:46:18,809 --> 00:46:19,310
>> 85 TIMES.
1248
00:46:19,310 --> 00:46:19,844
IT'S WRONG.
1249
00:46:19,844 --> 00:46:20,411
AND WE'D LIKE TO TAKE THIS
1250
00:46:20,411 --> 00:46:22,446
OCCASION TO SAY A FEW WORDS TO
1251
00:46:22,446 --> 00:46:22,613
HIM.
1252
00:46:22,613 --> 00:46:25,583
>> OH, GUYS --
1253
00:46:25,583 --> 00:46:29,787
>> NO, NO, NO, NO.
1254
00:46:29,787 --> 00:46:33,257
LORNE, LAOOK AT ME.
1255
00:46:33,257 --> 00:46:33,891
LOOK AT -- IT'S REALLY HARD TO
1256
00:46:33,891 --> 00:46:34,725
SEE IF HE'S LOOKING AT ME.
1257
00:46:34,725 --> 00:46:38,162
LORNE.
1258
00:46:38,162 --> 00:46:40,197
YOU DO HAVE VALUE.
1259
00:46:40,197 --> 00:46:41,065
YOU ARE WORTHY.
1260
00:46:41,065 --> 00:46:43,100
YOU ARE NOT AND HAVE NEVER BEEN
1261
00:46:43,100 --> 00:46:45,503
A LOSER, EVEN THOUGH YOU LOST
1262
00:46:45,503 --> 00:46:47,071
A LOT.
1263
00:46:47,071 --> 00:46:49,407
>> LORNE, NOW LOOK AT ME.
1264
00:46:49,407 --> 00:46:51,308
LOOK AT ME AND LOOK AT MY MOUTH.
1265
00:46:51,308 --> 00:46:52,743
EACH AND EVERY ONE OF THOSE
1266
00:46:52,743 --> 00:46:56,447
85 TIMES YOU LOST YOU WERE
1267
00:46:56,447 --> 00:46:58,516
RO-BUH DUH.
1268
00:46:58,516 --> 00:46:58,816
YOU HEAR ME?
1269
00:46:58,816 --> 00:47:01,719
ROB-A-DUH.
1270
00:47:01,719 --> 00:47:02,153
RUB-A-DUB-DUB-A-DUH.
1271
00:47:02,153 --> 00:47:06,023
>> GUYS --
1272
00:47:06,023 --> 00:47:07,525
>> IT'S NOT YOUR TURN, SETH.
1273
00:47:07,525 --> 00:47:08,092
LAUREN, LOOK AT ME.
1274
00:47:08,092 --> 00:47:09,627
>> IT'S LORNE.
1275
00:47:09,627 --> 00:47:10,695
>> IT IS?
1276
00:47:10,695 --> 00:47:11,762
FUN.
1277
00:47:11,762 --> 00:47:14,665
LORNE.
1278
00:47:14,665 --> 00:47:15,900
LOOK AT ME.
1279
00:47:15,900 --> 00:47:17,635
LOOK, IT GETS BETTER.
1280
00:47:17,635 --> 00:47:17,935
OKAY?
1281
00:47:17,935 --> 00:47:20,805
JUST BECAUSE SNL DIDN'T WORK
1282
00:47:20,805 --> 00:47:22,340
DOESN'T MEAN YOUR NEXT IDEA
1283
00:47:22,340 --> 00:47:23,074
WON'T.
1284
00:47:23,074 --> 00:47:23,808
KEEP DREAMING!
1285
00:47:23,808 --> 00:47:27,645
>> GUYS, IT'S VERY NICE, BUT HE
1286
00:47:27,645 --> 00:47:30,047
HAS WON 21 EMMYS.
1287
00:47:30,047 --> 00:47:33,250
SNL HAS WON OVER 200.
1288
00:47:33,250 --> 00:47:33,584
>> WHAT, 200?
1289
00:47:33,584 --> 00:47:34,018
>> THAT'S TOO MUCH.
1290
00:47:34,018 --> 00:47:35,386
I CAN'T BELIEVE YOU'RE
1291
00:47:35,386 --> 00:47:38,356
COMPLAINING ABOUT THIS, LORNE.
1292
00:47:38,356 --> 00:47:41,692
NOT TO BE RUDE, BUT GROW UP.
1293
00:47:41,692 --> 00:47:42,226
>> AND STOP LOOKING AT US.
1294
00:47:42,226 --> 00:47:42,626
>> SORRY, LORNE.
1295
00:47:42,626 --> 00:47:45,229
>> I REALLY THINK IT'S LAUREN.
1296
00:47:45,229 --> 00:47:46,263
>> HERE ARE THE NOMINEES FOR
1297
00:47:46,263 --> 00:47:49,967
WRITING FOR A VARIETY SPECIAL.
1298
00:47:49,967 --> 00:47:50,501
>> Announcer: ALEX EDELMAN,
1299
00:47:50,501 --> 00:47:52,536
"JUST FOR US."
1300
00:47:52,536 --> 00:47:53,170
JACQUELINE NOVAK, "GET ON YOUR
1301
00:47:53,170 --> 00:47:54,672
KNEES."
1302
00:47:54,672 --> 00:47:55,706
JOHN EARLY, "NOW MORE THAN
1303
00:47:55,706 --> 00:47:57,308
EVER."
1304
00:47:57,308 --> 00:47:57,942
MIKE BIRBIGLIA, "THE OLD MAN AND
1305
00:47:57,942 --> 00:47:59,944
THE POOL."
1306
00:47:59,944 --> 00:48:07,651
THE WRITING TEAM FROM THE
1307
00:48:07,651 --> 00:48:07,985
OSCARS.
1308
00:48:07,985 --> 00:48:09,253
>> OH, OH, OH.
1309
00:48:09,253 --> 00:48:17,528
AND THE EMMY GOES TO -- ALEX
1310
00:48:17,528 --> 00:48:20,831
EDELMAN!
1311
00:48:20,831 --> 00:48:21,732
[ APPLAUSE ]
1312
00:48:21,732 --> 00:48:21,932
♪
1313
00:48:21,932 --> 00:48:24,001
>> THIS IS THE FIRST EMMY WIN
1314
00:48:24,001 --> 00:48:39,183
AND NOMINATION FOR ALEX EDELMAN.
1315
00:48:39,183 --> 00:48:43,154
>> OKAY.
1316
00:48:43,154 --> 00:48:43,521
OKAY.
1317
00:48:43,521 --> 00:48:45,156
THANK YOU SO MUCH FOR THIS.
1318
00:48:45,156 --> 00:48:47,725
THIS IS -- OH, GOD.
1319
00:48:47,725 --> 00:48:49,794
I'M CRYING IN FRONT OF CAROL
1320
00:48:49,794 --> 00:48:50,428
BURNETT.
1321
00:48:50,428 --> 00:48:50,694
FANTASTIC.
1322
00:48:50,694 --> 00:48:51,395
ALL RIGHT.
1323
00:48:51,395 --> 00:48:54,031
I MADE THIS WITH MY GREAT
1324
00:48:54,031 --> 00:48:55,900
COLLABORATOR ADAM GRACE WHO
1325
00:48:55,900 --> 00:48:58,169
PASSED AWAY RIGHT BEFORE WE
1326
00:48:58,169 --> 00:48:59,870
STARTED ON BROADWAY AND THIS
1327
00:48:59,870 --> 00:49:03,007
HUGE GROUP RUSHED IN TO FILL
1328
00:49:03,007 --> 00:49:05,976
THAT VOID.
1329
00:49:05,976 --> 00:49:08,179
ALEX TIMBERS AND MIKE WHO
1330
00:49:08,179 --> 00:49:10,414
PRODUCED MY SHOW AND PUT ME HERE
1331
00:49:10,414 --> 00:49:13,517
AND MY CREW AND MY PRODUCERS WHO
1332
00:49:13,517 --> 00:49:15,452
ARE MY FAMILY AND HBO LET US
1333
00:49:15,452 --> 00:49:17,955
MAKE A SPECIAL THAT WE REALLY
1334
00:49:17,955 --> 00:49:18,322
WANTED TO MAKE.
1335
00:49:18,322 --> 00:49:19,423
AND THANK YOU SO MUCH.
1336
00:49:19,423 --> 00:49:23,127
AND, LOOK, THIS IS REALLY,
1337
00:49:23,127 --> 00:49:24,261
REALLY BEAUTIFUL.
1338
00:49:24,261 --> 00:49:29,500
AND I REALLY MISS ADAM, BUT IT
1339
00:49:29,500 --> 00:49:32,403
WAS -- IT WAS THE END OF A
1340
00:49:32,403 --> 00:49:35,005
SEVEN-YEAR JOURNEY WITH THIS
1341
00:49:35,005 --> 00:49:35,206
SHOW.
1342
00:49:35,206 --> 00:49:36,640
BUT I GOT TO MAKE SOMETHING
1343
00:49:36,640 --> 00:49:37,975
REALLY FUNNY WITH MY FRIEND.
1344
00:49:37,975 --> 00:49:39,343
SO I THANK YOU SO MUCH FOR THIS.
1345
00:49:39,343 --> 00:49:44,315
I REALLY APPRECIATE IT.
1346
00:49:44,315 --> 00:49:47,551
♪
1347
00:49:47,551 --> 00:49:48,853
[ APPLAUSE ]
1348
00:49:48,853 --> 00:49:53,190
>> Announcer: COMING UP,
1349
00:49:53,190 --> 00:49:53,824
COMEDY LEGEND BILLY CRYSTAL, AND
1350
00:49:53,824 --> 00:49:54,391
A PERFORMANCE BY JELLY ROLL.
1351
00:49:54,391 --> 00:49:55,292
AND GET READY FOR TV MOMS
1352
00:49:55,292 --> 00:49:55,860
MEREDITH BAXTER,
1353
00:49:55,860 --> 00:49:56,961
SUSAN KELECHI WATSON, AND
1354
00:49:56,961 --> 00:49:57,294
CONNIE BRITTON.
1355
00:49:57,294 --> 00:49:57,695
HERE ON "THE EMMYS."
1356
00:50:06,203 --> 00:50:06,804
>> Announcer: PLEASE WELCOME
1357
00:50:06,804 --> 00:50:08,339
GAEL GARCIA BERNAL AND EMMY
1358
00:50:08,339 --> 00:50:16,814
NOMINEE DIEGO LUNA.
1359
00:50:16,814 --> 00:50:18,916
[ APPLAUSE ]
1360
00:50:18,916 --> 00:50:21,185
>> HELLO, HELLO.
1361
00:50:21,185 --> 00:50:22,286
GOOD EVENING, LADIES AND
1362
00:50:22,286 --> 00:50:22,720
GENTLEMEN.
1363
00:50:22,720 --> 00:50:25,322
WE WERE JUST TOLD THAT THE EMMYS
1364
00:50:25,322 --> 00:50:28,125
ARE LOSING A BIG CHUNK OF ITS
1365
00:50:28,125 --> 00:50:28,425
AUDIENCE.
1366
00:50:28,425 --> 00:50:31,729
SO ME AND DIEGO DECIDED TO DO
1367
00:50:31,729 --> 00:50:34,398
SOMETHING TO PUSH THE LIMITS, TO
1368
00:50:34,398 --> 00:50:40,237
RAISE THE BOUNDARIES.
1369
00:50:40,237 --> 00:50:44,909
DIEGO!
1370
00:50:44,909 --> 00:50:45,542
[ SPEAKING IN A GLOBAL LANGUAGE
1371
00:50:45,542 --> 00:51:20,010
]
1372
00:51:20,010 --> 00:51:21,045
WERONIKA TOFILSKA, "BABY
1373
00:51:21,045 --> 00:51:21,312
REINDEER,"
1374
00:51:21,312 --> 00:51:23,681
NOAH HAWLEY, "FARGO,"
1375
00:51:23,681 --> 00:51:24,315
GUS VAN SANT, "FEUD: CAPOTE VS.
1376
00:51:24,315 --> 00:51:27,918
THE SWANS,"
1377
00:51:27,918 --> 00:51:30,721
MILLICENT SHELTON, "LESSONS IN
1378
00:51:30,721 --> 00:51:31,655
CHEMISTRY,"
1379
00:51:31,655 --> 00:51:33,791
STEVEN ZAILLIAN, "RIPLEY,"
1380
00:51:33,791 --> 00:51:34,825
ISSA LOPEZ, "TRUE DETECTIVE:
1381
00:51:34,825 --> 00:51:47,771
NIGHT COUNTRY."
1382
00:51:47,771 --> 00:51:48,405
[ SPEAKING IN A GLOBAL LANGUAGE
1383
00:51:48,405 --> 00:51:48,539
]
1384
00:51:48,539 --> 00:51:51,976
>> THE OUTSTANDING DIRECTOR FOR
1385
00:51:51,976 --> 00:51:59,683
SERIES OR MOVIE IS -- STEVEN
1386
00:51:59,683 --> 00:52:01,852
ZAILLIAN FOR "RIPLEY".
1387
00:52:01,852 --> 00:52:04,622
>> THIS IS THE FIRST EMMY WIN
1388
00:52:04,622 --> 00:52:08,626
AND NOMINATION FOR STEVEN
1389
00:52:08,626 --> 00:52:08,892
ZAILLIAN.
1390
00:52:08,892 --> 00:52:10,160
HE RECEIVED HIS FIRST
1391
00:52:10,160 --> 00:52:11,362
NOMINATIONS FOR WRITING,
1392
00:52:11,362 --> 00:52:17,968
DIRECTING AND PRODUCING THE
1393
00:52:17,968 --> 00:52:20,170
NIGHT OF.
1394
00:52:20,170 --> 00:52:20,471
♪
1395
00:52:20,471 --> 00:52:24,942
>> THANK YOU SO MUCH.
1396
00:52:24,942 --> 00:52:28,212
LISTEN, YOU KNOW, MAKING
1397
00:52:28,212 --> 00:52:29,813
"RIPLEY" IN ITALY WAS ITS OWN
1398
00:52:29,813 --> 00:52:30,080
REWARD.
1399
00:52:30,080 --> 00:52:30,981
IT WAS LIKE A DREAM.
1400
00:52:30,981 --> 00:52:34,218
I DIDN'T NEED ANYTHING AFTER
1401
00:52:34,218 --> 00:52:34,418
THAT.
1402
00:52:34,418 --> 00:52:36,654
AND I KNOW THE OTHER DIRECTORS,
1403
00:52:36,654 --> 00:52:38,222
YOU KNOW, THEY KNOW WHAT I'M
1404
00:52:38,222 --> 00:52:38,756
TALKING ABOUT.
1405
00:52:38,756 --> 00:52:41,125
THE WORK IS ITS OWN REWARD.
1406
00:52:41,125 --> 00:52:43,127
AND, YOU KNOW, I STILL -- I
1407
00:52:43,127 --> 00:52:45,896
STILL REALLY APPRECIATE THIS
1408
00:52:45,896 --> 00:52:46,964
HONOR, THOUGH.
1409
00:52:46,964 --> 00:52:51,001
AND I SHARE IT WITH LITERALLY
1410
00:52:51,001 --> 00:52:52,403
HUNDREDS OF PEOPLE.
1411
00:52:52,403 --> 00:52:56,774
YOU KNOW, WHO WORKED ON
1412
00:52:56,774 --> 00:53:00,210
"RIPLEY," THE ACTORS, ANDREW,
1413
00:53:00,210 --> 00:53:03,013
DAKOTA, ELLIOT, JOHNNY AND ALL
1414
00:53:03,013 --> 00:53:06,116
THE WONDERFUL OTHER ITALIAN
1415
00:53:06,116 --> 00:53:10,754
ACTORS, THE PRODUCERS, THE
1416
00:53:10,754 --> 00:53:13,490
INCREDIBLE DEPARTMENT HEADS AND
1417
00:53:13,490 --> 00:53:15,259
CREW, ALL OF THEM ARTISTS IN
1418
00:53:15,259 --> 00:53:16,360
THEIR OWN RIGHT.
1419
00:53:16,360 --> 00:53:19,530
I THANK THEM, THE ACADEMY,
1420
00:53:19,530 --> 00:53:21,532
NETFLIX, EVERYONE THERE AND MY
1421
00:53:21,532 --> 00:53:22,099
FAMILY.
1422
00:53:22,099 --> 00:53:25,502
THANK YOU.
1423
00:53:25,502 --> 00:53:28,072
[ APPLAUSE ]
1424
00:53:28,072 --> 00:53:32,109
♪
1425
00:53:32,109 --> 00:53:34,511
>>> NEXT ON THE EMMYS, WE PAY
1426
00:53:34,511 --> 00:53:35,712
TRIBUTE TO THE CHARACTERS WHO
1427
00:53:35,712 --> 00:53:37,314
HAVE BEEN SO MUCH A PART OF
1428
00:53:37,314 --> 00:53:38,682
TELEVISION HISTORY.
1429
00:53:38,682 --> 00:53:41,485
KEY PLAYERS IN THE VERY BEST
1430
00:53:41,485 --> 00:53:45,456
DRAMAS AND SITCOMS, TELEVISION
1431
00:53:45,456 --> 00:53:45,689
MOTHERS.
1432
00:53:45,689 --> 00:53:46,490
PLEASE WELCOME TV MOMS,
1433
00:53:46,490 --> 00:53:48,058
SUSAN KELECHI WATSON, AND EMMY
1434
00:53:48,058 --> 00:53:49,126
NOMINEES, CONNIE BRITTON AND
1435
00:53:49,126 --> 00:53:54,498
MEREDITH BAXTER.
1436
00:53:54,498 --> 00:53:57,534
>> I JUST WANT TO SAY THANKS TO
1437
00:53:57,534 --> 00:53:59,870
ALL THE TV DADS FOR GIVING THE
1438
00:53:59,870 --> 00:54:02,840
TV WIVES A SHOT-OUT, BUT NOW IT
1439
00:54:02,840 --> 00:54:04,074
IS ALL ABOUT US.
1440
00:54:04,074 --> 00:54:07,344
WE HAVE COME A LONG WAY WHEN
1441
00:54:07,344 --> 00:54:09,146
WHEN WE COULDN'T LEAVE THE
1442
00:54:09,146 --> 00:54:09,613
KITCHEN.
1443
00:54:09,613 --> 00:54:10,180
>> THAT'S RIGHT.
1444
00:54:10,180 --> 00:54:11,715
NOW WE CAN DO IT ALL.
1445
00:54:11,715 --> 00:54:14,084
WE CAN BE A COUNTRY MUSIC STAR.
1446
00:54:14,084 --> 00:54:16,487
WE CAN BE A SUCCESSFUL CEO THAT
1447
00:54:16,487 --> 00:54:22,292
JUST WANTS TO TAKE HER FAMILY ON
1448
00:54:22,292 --> 00:54:22,726
VACATION.
1449
00:54:22,726 --> 00:54:23,160
WE COULD BE THE HEAD
1450
00:54:23,160 --> 00:54:24,862
OF A FULLY HAUNTED HOUSEHOLD
1451
00:54:24,862 --> 00:54:26,730
WHERE WE GIVE BIRTH TO THE
1452
00:54:26,730 --> 00:54:27,498
ANTICHRIST, PRINCIPALS, AND YES,
1453
00:54:27,498 --> 00:54:28,098
EVEN AMAZING PARTNERS TO OUR
1454
00:54:28,098 --> 00:54:32,770
FOOTBALL COACH HUSBANDS.
1455
00:54:32,770 --> 00:54:35,405
>> TV MOMS ARE NO LONGER ONE
1456
00:54:35,405 --> 00:54:36,940
DIMENSIONAL, WE HAVE CHOICES.
1457
00:54:36,940 --> 00:54:38,542
CHOICES THAT COULD LEAD YOU BACK
1458
00:54:38,542 --> 00:54:39,576
TO YOUR BELOVED DANCE STUDIO,
1459
00:54:39,576 --> 00:54:43,847
CHOICES THAT REMIND US THAT OUR
1460
00:54:43,847 --> 00:54:44,848
DREAMS AREN'T DEFERRED, IT'S
1461
00:54:44,848 --> 00:54:45,449
OKAY TO SOUL SEARCH, AND IT'S
1462
00:54:45,449 --> 00:54:46,450
OKAY TO ASK FOR AS MUCH MONEY AS
1463
00:54:46,450 --> 00:54:54,725
A TV DAD.
1464
00:54:54,725 --> 00:54:55,926
>> THANK GOD WE ARE WAY PAST THE
1465
00:54:55,926 --> 00:54:56,994
DAYS WHEN YOU COULDN'T EVEN SAY
1466
00:54:56,994 --> 00:54:57,628
THE WORD "PREGNANT" ON "I LOVE
1467
00:54:57,628 --> 00:55:01,198
LUCY."
1468
00:55:01,198 --> 00:55:01,832
>> OR WHEN MARRIED COUPLES SLEPT
1469
00:55:01,832 --> 00:55:03,300
IN SEPARATE BEDS, WHICH ALWAYS
1470
00:55:03,300 --> 00:55:09,606
LED TO THE QUESTION --
1471
00:55:09,606 --> 00:55:10,641
HOW DID SHE BECOME A MOM IN THE
1472
00:55:10,641 --> 00:55:10,941
FIRST PLACE?
1473
00:55:10,941 --> 00:55:15,212
>> PROBABLY DURING A FLASHBACK.
1474
00:55:15,212 --> 00:55:15,612
COMMERCIAL BREAK.
1475
00:55:15,612 --> 00:55:16,213
>> AND NONE OF THIS WOULD BE
1476
00:55:16,213 --> 00:55:18,348
POSSIBLE WITHOUT THE
1477
00:55:18,348 --> 00:55:18,982
CONTRIBUTIONS FROM OUR GREAT TV
1478
00:55:18,982 --> 00:55:23,687
WRITERS.
1479
00:55:23,687 --> 00:55:27,090
SO WE, TV MOMS, ARE PROUD TO BE
1480
00:55:27,090 --> 00:55:28,625
PRESENTING THE NOMINEES FOR
1481
00:55:28,625 --> 00:55:29,426
WRITING FOR A COMEDY SERIES.
1482
00:55:29,426 --> 00:55:30,027
>> Announcer: QUINTA BRUNSON,
1483
00:55:30,027 --> 00:55:31,528
"ABBOTT ELEMENTARY,"
1484
00:55:31,528 --> 00:55:32,596
CHRISTOPHER STORER AND
1485
00:55:32,596 --> 00:55:35,766
JOANNA CALO, "THE BEAR,"
1486
00:55:35,766 --> 00:55:38,669
MEREDITH SCARDINO AND SAM MEANS,
1487
00:55:38,669 --> 00:55:41,038
"GIRLS5EVA,"
1488
00:55:41,038 --> 00:55:42,573
LUCIA ANIELLO, PAUL W. DOWNS,
1489
00:55:42,573 --> 00:55:46,243
AND JEN STATSKY, "HACKS,"
1490
00:55:46,243 --> 00:55:46,877
CHRIS KELLY AND SARAH SCHNEIDER,
1491
00:55:46,877 --> 00:55:48,879
"THE OTHER TWO,"
1492
00:55:48,879 --> 00:55:50,480
JAKE BENDER AND ZACH DUNN, "WHAT
1493
00:55:50,480 --> 00:56:00,123
WE DO IN THE SHADOWS."
1494
00:56:00,123 --> 00:56:08,932
>> AND THE EMMY GOES TO -- LUCIA
1495
00:56:08,932 --> 00:56:13,770
ANIELLO, PAUL W. DOWNS AND JEN
1496
00:56:13,770 --> 00:56:14,805
STATSKY, "HACKS".
1497
00:56:14,805 --> 00:56:16,807
>> THIS IS THE SECOND TEAM WIN
1498
00:56:16,807 --> 00:56:23,113
FOR THIS WRITING TEAM IN
1499
00:56:23,113 --> 00:56:24,281
"HACKS."
1500
00:56:24,281 --> 00:56:31,722
[ APPLAUSE ]
1501
00:56:31,722 --> 00:56:31,922
♪
1502
00:56:31,922 --> 00:56:34,491
>> I GUESS I'LL SPEAK.
1503
00:56:34,491 --> 00:56:35,726
THANK YOU SO MUCH.
1504
00:56:35,726 --> 00:56:38,028
THANK YOU TO THE ACADEMY.
1505
00:56:38,028 --> 00:56:40,998
I THANK ALL OF YOU FOR CLAPPING.
1506
00:56:40,998 --> 00:56:43,967
YOU KNOW, WE MAKE A SHOW ABOUT
1507
00:56:43,967 --> 00:56:46,603
COMEDY BECAUSE, AS THREE WEIRD,
1508
00:56:46,603 --> 00:56:48,071
LONELY KIDS IT WAS THE THING
1509
00:56:48,071 --> 00:56:50,307
THAT MADE US FEEL CONNECTED TO
1510
00:56:50,307 --> 00:56:51,675
OTHER PEOPLE.
1511
00:56:51,675 --> 00:56:52,109
OKAY.
1512
00:56:52,109 --> 00:56:56,880
JEN IS SAYING SHE WAS POPULAR.
1513
00:56:56,880 --> 00:56:59,116
BUT, I MEAN, TWO WEIRD, LONELY
1514
00:56:59,116 --> 00:56:59,883
KIDS.
1515
00:56:59,883 --> 00:57:04,021
OKAY, SO LUCIA WASN'T UNPOPULAR.
1516
00:57:04,021 --> 00:57:11,461
BUT IT MADE ONE LONELY WEIRDO
1517
00:57:11,461 --> 00:57:14,598
AND TWO POPULAR GIRLS.
1518
00:57:14,598 --> 00:57:15,932
WE THANK YOU BECAUSE YOU HAVE
1519
00:57:15,932 --> 00:57:17,000
MADE US FEEL MORE CONNECTED TO
1520
00:57:17,000 --> 00:57:17,734
THE GIRLS.
1521
00:57:17,734 --> 00:57:21,938
>> WE WANT TO THANK, OF COURSE,
1522
00:57:21,938 --> 00:57:25,042
JEAN SMART WHO IS INCREDIBLE.
1523
00:57:25,042 --> 00:57:26,877
HANNAH EINBINDER, A GENIUS.
1524
00:57:26,877 --> 00:57:28,078
THANK YOU FOR BEING OUR FRIEND.
1525
00:57:28,078 --> 00:57:29,513
WE LOVE YOU SO MUCH.
1526
00:57:29,513 --> 00:57:30,981
OUR INCREDIBLE WRITERS,
1527
00:57:30,981 --> 00:57:34,518
EVERYBODY AT HBO.
1528
00:57:34,518 --> 00:57:35,619
SUSAN SCHWARTZ.
1529
00:57:35,619 --> 00:57:37,487
OUR AMAZING PRODUCERS.
1530
00:57:37,487 --> 00:57:39,523
THIS SHOW WOULDN'T HAPPEN
1531
00:57:39,523 --> 00:57:40,090
WITHOUT YOU.
1532
00:57:40,090 --> 00:57:41,591
THANK YOU SO MUCH.
1533
00:57:41,591 --> 00:57:41,958
OUR FAMILIES.
1534
00:57:41,958 --> 00:57:43,126
WE LOVE YOU SO MUCH.
1535
00:57:43,126 --> 00:57:44,127
THANK YOU, EVERYBODY.
1536
00:57:44,127 --> 00:57:47,964
>> THANK YOU!
1537
00:57:47,964 --> 00:57:49,900
[ APPLAUSE ]
1538
00:57:49,900 --> 00:57:54,338
♪
1539
00:57:54,338 --> 00:57:55,906
>> ONE THING ABOUT BEING A
1540
00:57:55,906 --> 00:57:56,506
WORKING ACTOR IN A ROOM LIKE
1541
00:57:56,506 --> 00:57:57,007
THIS IS YOU REALLY COME
1542
00:57:57,007 --> 00:57:58,542
FACE-TO-FACE WITH THE JOBS YOU
1543
00:57:58,542 --> 00:58:02,212
DIDN'T GET.
1544
00:58:02,212 --> 00:58:02,846
FUN FACT, MY DAD CAME VERY CLOSE
1545
00:58:02,846 --> 00:58:03,814
TO GETTING THE ROLE OF
1546
00:58:03,814 --> 00:58:09,586
TOBY ZIEGLER IN "THE WEST WING."
1547
00:58:09,586 --> 00:58:10,687
>> i WOULDN'T CALL THAT A FUN
1548
00:58:10,687 --> 00:58:11,722
FACT.
1549
00:58:11,722 --> 00:58:13,824
YES, THE ROLE WENT TO THE OTHER
1550
00:58:13,824 --> 00:58:14,891
GUY WHO WAS RICHARD SCHIFF.
1551
00:58:14,891 --> 00:58:17,494
>> ANOTHER FUN FACT,
1552
00:58:17,494 --> 00:58:18,095
RICHARD SCHIFF WENT ON TO WIN
1553
00:58:18,095 --> 00:58:20,664
THE EMMY FOR THAT ROLE.
1554
00:58:20,664 --> 00:58:21,631
>> AGAIN, HOW IS THAT A FUN
1555
00:58:21,631 --> 00:58:22,265
FACT?
1556
00:58:22,265 --> 00:58:24,901
>> WELL, IT'S FUN FOR RICHARD.
1557
00:58:24,901 --> 00:58:26,670
>> AND HOW WAS YOUR AUDITION FOR
1558
00:58:26,670 --> 00:58:30,674
"RIPLEY"?
1559
00:58:30,674 --> 00:58:33,610
>> NEVER HEARD BACK.
1560
00:58:33,610 --> 00:58:34,344
ANYWAY, PLEASE WELCOME OUR NEXT
1561
00:58:34,344 --> 00:58:35,912
PRESENTER, 6-TIME EMMY WINNER,
1562
00:58:35,912 --> 00:58:44,054
BILLY CRYSTAL.
1563
00:58:44,054 --> 00:58:52,863
♪
1564
00:58:52,863 --> 00:58:53,630
>> THANK YOU.
1565
00:58:53,630 --> 00:58:55,565
THANK YOU.
1566
00:58:55,565 --> 00:58:56,666
THANK YOU SO MUCH.
1567
00:58:56,666 --> 00:59:02,706
IT IS JUST GREAT TO BE ANYWHERE.
1568
00:59:02,706 --> 00:59:04,007
THE CATEGORY I GET TO PRESENT,
1569
00:59:04,007 --> 00:59:06,610
OUTSTANDING TALK SERIES, IS
1570
00:59:06,610 --> 00:59:10,213
SPECIAL TO ME.
1571
00:59:10,213 --> 00:59:13,950
BECAUSE I REALIZED THE OTHER DAY
1572
00:59:13,950 --> 00:59:14,351
IT IS
1573
00:59:14,351 --> 00:59:14,951
ALMOST 50 YEARS AGO I WENT ON
1574
00:59:14,951 --> 00:59:15,452
"THE TONIGHT SHOW" WITH
1575
00:59:15,452 --> 00:59:16,453
JOHNNY CARSON FOR THE FIRST
1576
00:59:16,453 --> 00:59:20,023
TIME.
1577
00:59:20,023 --> 00:59:21,858
AND YOU'RE APPLAUDING THAT I'M
1578
00:59:21,858 --> 00:59:22,526
OLD?
1579
00:59:22,526 --> 00:59:23,226
OKAY, GOOD.
1580
00:59:23,226 --> 00:59:24,828
IT WAS A HUGE DEAL.
1581
00:59:24,828 --> 00:59:27,798
I MEAN, I WAS SEVEN YEARS OLD.
1582
00:59:27,798 --> 00:59:30,100
BUT IT WAS AN AMAZING YEARS OLD
1583
00:59:30,100 --> 00:59:32,335
FOR A YOUNG COMIC TO BE
1584
00:59:32,335 --> 00:59:33,904
INTRODUCED BY JOHNNY.
1585
00:59:33,904 --> 00:59:34,538
I WAS SO NERVOUS STANDING BEHIND
1586
00:59:34,538 --> 00:59:35,372
THAT CURTAIN, LISTENING TO
1587
00:59:35,372 --> 00:59:35,872
JOHNNY INTRO ME.
1588
00:59:35,872 --> 00:59:37,974
MY HEART WAS POUNDING FEELING
1589
00:59:37,974 --> 00:59:38,608
LIKE A BULL RIDER IN THE RODEO
1590
00:59:38,608 --> 00:59:39,242
RIGHT BEFORE THEY OPEN THE GATE,
1591
00:59:39,242 --> 00:59:39,876
PRAYING IF I CAN JUST STAY ON MY
1592
00:59:39,876 --> 00:59:40,644
MONOLOGUE FOR 5 MINUTES WITHOUT
1593
00:59:40,644 --> 00:59:43,780
FALLING OFF I'D BE FINE.
1594
00:59:43,780 --> 00:59:47,417
RIGHT BEFORE I WENT ON, THE
1595
00:59:47,417 --> 00:59:47,884
COMMERCIAL BREAK, THE
1596
00:59:47,884 --> 00:59:49,553
STAGE MANAGER TOLD ME THAT WHEN
1597
00:59:49,553 --> 00:59:51,121
I WAS DONE TO STAY ON MY MARK
1598
00:59:51,121 --> 00:59:54,724
AND WATCH HIM.
1599
00:59:54,724 --> 00:59:55,358
IF HIS HANDS WERE UP, IT MEANT
1600
00:59:55,358 --> 00:59:57,427
STAY THERE AND TAKE A BOW, IF HE
1601
00:59:57,427 --> 00:59:58,061
POINTED TO THE DESK, I WAS TO GO
1602
00:59:58,061 --> 01:00:01,832
OVER TO MEET JOHNNY.
1603
01:00:01,832 --> 01:00:02,766
THAT'S WHAT HE SAID.
1604
01:00:02,766 --> 01:00:04,167
WHAT I HEARD WAS, "IF I POINT AT
1605
01:00:04,167 --> 01:00:08,772
THE DESK, YOU GET TO SIT NEXT TO
1606
01:00:08,772 --> 01:00:10,240
JOHNNY AND MAYBE YOU'LL HAVE A
1607
01:00:10,240 --> 01:00:10,674
CAREER.
1608
01:00:10,674 --> 01:00:12,476
BUT IF I GO LIKE THIS, YOU GO
1609
01:00:12,476 --> 01:00:15,645
BACK TO YOUR JOB AT RADIO SHACK.
1610
01:00:15,645 --> 01:00:16,213
I DID MY ROUTINE, APPLAUSE.
1611
01:00:16,213 --> 01:00:17,514
HE POINTED AT THE DESK, AND
1612
01:00:17,514 --> 01:00:18,582
ALMOST 50 YEARS LATER, HERE I AM
1613
01:00:18,582 --> 01:00:19,116
TO INTRODUCE THIS YEAR'S
1614
01:00:19,116 --> 01:00:30,794
NOMINEES.
1615
01:00:30,794 --> 01:00:33,864
NOW, I HAD BEEN ON ALL OF THESE
1616
01:00:33,864 --> 01:00:34,064
SHOWS.
1617
01:00:34,064 --> 01:00:36,867
AND THANK YOU.
1618
01:00:36,867 --> 01:00:41,238
THROUGHOUT MY CAREER, I KEPT A
1619
01:00:41,238 --> 01:00:41,538
DIARY OF MY
1620
01:00:41,538 --> 01:00:42,105
APPEARANCES, SO HERE ARE MY
1621
01:00:42,105 --> 01:00:45,609
THOUGHTS OF EACH AFTER MY FIRST
1622
01:00:45,609 --> 01:00:49,146
APPEARANCES.
1623
01:00:49,146 --> 01:00:54,484
"THE DAILY SHOW," HAD A GREAT
1624
01:00:54,484 --> 01:00:55,085
TIME WITH JON, AND JON SAID,
1625
01:00:55,085 --> 01:00:55,652
"LET'S MEET AFTER AND HAVE
1626
01:00:55,652 --> 01:00:57,087
DINNER."
1627
01:00:57,087 --> 01:01:03,927
AND I WAITED, AND HE WAS GONE.
1628
01:01:03,927 --> 01:01:13,737
"LATE NIGHT WITH SETH MEYERS."
1629
01:01:13,737 --> 01:01:21,411
TERRIFIC INTERVIEWER, TERRIFIC
1630
01:01:21,411 --> 01:01:21,645
WRITER.
1631
01:01:21,645 --> 01:01:24,648
HE SAID, LET'S GO HAVE A DRINK.
1632
01:01:24,648 --> 01:01:27,751
I WAITED AND SAY THAT I HAD HE'D
1633
01:01:27,751 --> 01:01:30,720
GONE HOME.
1634
01:01:30,720 --> 01:01:32,155
"JIMMY KIMMEL LIVE."
1635
01:01:32,155 --> 01:01:34,257
HAD A FANTASTIC TIME WITH JIMMY.
1636
01:01:34,257 --> 01:01:35,792
HE'S SO EASY TO TALK TO.
1637
01:01:35,792 --> 01:01:37,327
HE SAID, MEET ME AT MY
1638
01:01:37,327 --> 01:01:39,029
RESTAURANT, WE'LL HAVE DINNER.
1639
01:01:39,029 --> 01:01:40,130
AND I WENT.
1640
01:01:40,130 --> 01:01:48,672
AND GUIRMO SHOWED UP.
1641
01:01:48,672 --> 01:01:52,175
"THE LATE SHOW WITH
1642
01:01:52,175 --> 01:01:55,579
STEPHEN COLBERT."
1643
01:01:55,579 --> 01:01:56,546
BRILLIANT GUY.
1644
01:01:56,546 --> 01:02:00,817
BUT I WONDER IF HE'S EVER SEEN
1645
01:02:00,817 --> 01:02:01,218
HIMSELF NAKED.
1646
01:02:01,218 --> 01:02:03,787
I DIDN'T SAY THEY WERE FUNNY.
1647
01:02:03,787 --> 01:02:06,289
I SAID THESE WERE FIRST
1648
01:02:06,289 --> 01:02:07,991
IMPRESSIONS OF THE SHOW.
1649
01:02:07,991 --> 01:02:10,894
I'VE ENJOYED ALL OF THEM.
1650
01:02:10,894 --> 01:02:11,361
LADIES AND GENTLEMEN,
1651
01:02:11,361 --> 01:02:13,530
THE EMMY FOR OUTSTANDING TALK
1652
01:02:13,530 --> 01:02:15,632
SERIES -- AND WHOEVER WINS, IF
1653
01:02:15,632 --> 01:02:17,767
YOU WANT TO HAVE DINNER AFTER
1654
01:02:17,767 --> 01:02:19,369
THE SHOW, I'LL WAIT.
1655
01:02:19,369 --> 01:02:23,173
AND THE WINNER GOES TO -- "THE
1656
01:02:23,173 --> 01:02:29,679
DAILY SHOW"!
1657
01:02:29,679 --> 01:02:29,980
[ APPLAUSE ]
1658
01:02:29,980 --> 01:02:31,815
>> "THE DAILY SHOW" RECEIVED
1659
01:02:31,815 --> 01:02:33,917
FOUR NOMINATIONS THIS YEAR,
1660
01:02:33,917 --> 01:02:36,219
ACCEPTING THE EMMY ON BEHALF OF
1661
01:02:36,219 --> 01:03:08,385
THE TEAM IS JON STEWART.
1662
01:03:08,385 --> 01:03:11,121
>> YOU HAVE MADE AN OLD MAN VERY
1663
01:03:11,121 --> 01:03:11,321
HAPPY.
1664
01:03:11,321 --> 01:03:14,324
THIS IS -- THIS IS REMARKABLE,
1665
01:03:14,324 --> 01:03:15,625
TO HAVE AN OPPORTUNITY TO WORK
1666
01:03:15,625 --> 01:03:19,496
WITH THIS INCREDIBLY TALENTED
1667
01:03:19,496 --> 01:03:22,966
GROUP ONCE A WEEK HAS JUST
1668
01:03:22,966 --> 01:03:26,036
BEEN -- IT'S JUST BEEN -- IT'S
1669
01:03:26,036 --> 01:03:31,441
REALLY MADE MY MONDAYS.
1670
01:03:31,441 --> 01:03:34,711
AND MICHAEL, JORDAN, MY FELLOW
1671
01:03:34,711 --> 01:03:36,813
HOSTS, THEY JUST KICK ASS.
1672
01:03:36,813 --> 01:03:38,515
IF YOU REALLY WANT TO KNOW THE
1673
01:03:38,515 --> 01:03:39,516
HEART AND SOUL OF THE TEAM, IF
1674
01:03:39,516 --> 01:03:41,318
YOU REALLY WANT TO KNOW THE
1675
01:03:41,318 --> 01:03:42,719
KEEPER OF THE FLAME OF "THE
1676
01:03:42,719 --> 01:03:48,792
DAILY SHOW," MS. J ERKEN.
1677
01:03:48,792 --> 01:03:52,929
AND, JEN HAS BEEN THERE SINCE
1678
01:03:52,929 --> 01:03:53,129
1998.
1679
01:03:53,129 --> 01:03:56,099
SO IT STARTED OUT AS A PA.
1680
01:03:56,099 --> 01:03:58,101
HAS BEEN EXECUTIVE PRODUCER FOR
1681
01:03:58,101 --> 01:03:59,502
15 YEARS.
1682
01:03:59,502 --> 01:04:00,403
JUST SAYING.
1683
01:04:00,403 --> 01:04:02,072
JUST SAYING TO THE PEOPLE.
1684
01:04:02,072 --> 01:04:03,973
>> I LOVE OUR SHOW, AND I LOVE
1685
01:04:03,973 --> 01:04:05,408
THE PEOPLE WE WORK WITH, AND I
1686
01:04:05,408 --> 01:04:07,711
LOVE WORKING IN TV.
1687
01:04:07,711 --> 01:04:10,213
I LOVE JON.
1688
01:04:10,213 --> 01:04:13,450
THANK YOU.
1689
01:04:13,450 --> 01:04:20,724
[ APPLAUSE ]
1690
01:04:20,724 --> 01:04:22,292
>> Announcer: COMING UP,
1691
01:04:22,292 --> 01:04:22,892
NICOLA COUGHLAN AND NAVA MAU.
1692
01:04:22,892 --> 01:04:25,462
THEN LATER, RON HOWARD AND
1693
01:04:25,462 --> 01:04:25,795
HENRY WINKLER.
1694
01:04:25,795 --> 01:04:30,767
AND YES, THERE IS A DOCTOR IN
1695
01:04:30,767 --> 01:04:31,234
THE HOUSE, TV DOCTORS
1696
01:04:31,234 --> 01:04:31,868
MINDY KALING, MEKHI PHIFER, AND
1697
01:04:31,868 --> 01:04:32,802
ZACH BRAFF.
1698
01:04:32,802 --> 01:04:33,870
HERE ON ABC.
1699
01:04:44,380 --> 01:04:44,547
♪
1700
01:04:44,547 --> 01:04:46,983
>> WELCOME BACK.
1701
01:04:46,983 --> 01:04:49,152
ONE MORE PIECE OF EMMY TRIVIA,
1702
01:04:49,152 --> 01:04:50,720
EMMY TURNED 76 THIS YEAR, WHICH
1703
01:04:50,720 --> 01:04:53,556
MEANS EVEN THOUGH WE'RE ON ABC,
1704
01:04:53,556 --> 01:04:57,560
EMMY IS WATCHING CBS.
1705
01:04:57,560 --> 01:05:01,531
SPEAKING OF CBS, YOU MUST BE
1706
01:05:01,531 --> 01:05:02,165
EXCITED ABOUT THE NEW "MATLOCK"
1707
01:05:02,165 --> 01:05:03,833
REBOOT.
1708
01:05:03,833 --> 01:05:04,334
>> WHY WOULD YOU SAY THAT?
1709
01:05:04,334 --> 01:05:04,868
>> BECAUSE YOU'RE THE
1710
01:05:04,868 --> 01:05:05,935
DEMOGRAPHIC THAT'S --
1711
01:05:05,935 --> 01:05:08,571
>> IN THE KNOW.
1712
01:05:08,571 --> 01:05:09,506
>> YEAH, IN THE KNOW.
1713
01:05:09,506 --> 01:05:10,206
PLEASE WELCOME OUR NEXT
1714
01:05:10,206 --> 01:05:14,410
PRESENTERS, NICOLA COUGHLAN AND
1715
01:05:14,410 --> 01:05:21,551
NAVA MAU.
1716
01:05:21,551 --> 01:05:22,519
[ APPLAUSE ]
1717
01:05:22,519 --> 01:05:34,864
♪
1718
01:05:34,864 --> 01:05:36,633
>> I WOULD LIKE TO SAY IT IS AN
1719
01:05:36,633 --> 01:05:43,940
HONOR TO BE HERE, TO PRESENT THE
1720
01:05:43,940 --> 01:05:45,842
NOMINATION FOR EMOTIONAL SUPPORT
1721
01:05:45,842 --> 01:05:46,109
ANIMALS.
1722
01:05:46,109 --> 01:05:48,411
>> WHAT ARE YOU TALKING ABOUT?
1723
01:05:48,411 --> 01:05:50,613
>> EMOTIONAL SUPPORT ANIMALS
1724
01:05:50,613 --> 01:05:52,916
HAVE A RICH HISTORY IN
1725
01:05:52,916 --> 01:05:53,216
TELEVISION.
1726
01:05:53,216 --> 01:05:54,717
>> THIS CATEGORY IS IN BEST
1727
01:05:54,717 --> 01:05:57,253
SUPPORTING ACTOR, AS IN HUMAN
1728
01:05:57,253 --> 01:05:57,454
ACTOR.
1729
01:05:57,454 --> 01:05:59,255
>> OKAY.
1730
01:05:59,255 --> 01:06:02,792
THAT IS -- SORRY.
1731
01:06:02,792 --> 01:06:03,326
UNRELATED.
1732
01:06:03,326 --> 01:06:05,261
THIS FIN IN THE AUDIENCE NEEDS
1733
01:06:05,261 --> 01:06:08,264
500 DOG TREATS, COME AND FIND ME
1734
01:06:08,264 --> 01:06:10,433
AT THE AFTER PARTY.
1735
01:06:10,433 --> 01:06:12,435
>> DUTY NOTED.
1736
01:06:12,435 --> 01:06:13,036
>> HERE ARE THE NOMINEES FOR
1737
01:06:13,036 --> 01:06:15,405
SUPPORTING ACTOR IN A LIMITED OR
1738
01:06:15,405 --> 01:06:16,439
ANTHOLOGY SERIES OR MOVIE.
1739
01:06:16,439 --> 01:06:17,073
>> Announcer: JONATHAN BAILEY,
1740
01:06:17,073 --> 01:06:18,041
FELLOW TRAVELERS.
1741
01:06:18,041 --> 01:06:20,143
ROBERT DOWNEY JR., "THE
1742
01:06:20,143 --> 01:06:20,476
SYMPATHIZER."
1743
01:06:20,476 --> 01:06:22,245
TOM GOODMAN-HILL, "BABY
1744
01:06:22,245 --> 01:06:24,347
REINDEER."
1745
01:06:24,347 --> 01:06:24,948
JOHN HAWKES, "TRUE DETECTIVE:
1746
01:06:24,948 --> 01:06:27,016
NIGHT COUNTRY."
1747
01:06:27,016 --> 01:06:29,152
LAMORNE MORRIS, "FARGO."
1748
01:06:29,152 --> 01:06:30,186
LEWIS PULLMAN, "LESSONS IN
1749
01:06:30,186 --> 01:06:32,288
CHEMISTRY."
1750
01:06:32,288 --> 01:06:33,857
TREAT WILLIAMS, "FEUD: CAPOTE
1751
01:06:33,857 --> 01:06:38,628
VS. THE SWANS."
1752
01:06:38,628 --> 01:06:48,771
>> AND THE EMMY GOES TO --
1753
01:06:48,771 --> 01:06:52,976
LAMORNE MORRIS, "FARGO".
1754
01:06:52,976 --> 01:06:54,878
>> THIS IS THE FIRST EMMY
1755
01:06:54,878 --> 01:06:57,347
NOMINATION AND NOMINATION FOR
1756
01:06:57,347 --> 01:07:01,551
LAMORNE MORRIS.
1757
01:07:01,551 --> 01:07:19,168
♪
1758
01:07:19,168 --> 01:07:20,069
>> GOSH!
1759
01:07:20,069 --> 01:07:21,771
WHAT'S UP, MAN?
1760
01:07:21,771 --> 01:07:22,872
OH, MY GOSH.
1761
01:07:22,872 --> 01:07:27,410
I WANT TO -- OH WOW!
1762
01:07:27,410 --> 01:07:30,046
I WANT TO THANK -- I THANK TO
1763
01:07:30,046 --> 01:07:31,781
THANK GOD FOR ALLOWING ME TO BE
1764
01:07:31,781 --> 01:07:32,015
HERE.
1765
01:07:32,015 --> 01:07:34,517
I ALSO WANT TO THANK GOD FOR MY
1766
01:07:34,517 --> 01:07:39,389
BEAUTIFUL MOTHER, WHO RAISED ME.
1767
01:07:39,389 --> 01:07:42,058
SHE'S -- SHE'S BEEN MY BIGGEST
1768
01:07:42,058 --> 01:07:43,526
CHAMPION EVER SINCE I, YOU KNOW,
1769
01:07:43,526 --> 01:07:47,463
CAME OUT OF, YOU KNOW, I DROPPED
1770
01:07:47,463 --> 01:07:49,032
OUT OF HER -- HER BUTT.
1771
01:07:49,032 --> 01:07:49,332
WHATEVER.
1772
01:07:49,332 --> 01:07:52,135
I KNOW WHERE BABIES COME FROM.
1773
01:07:52,135 --> 01:07:53,937
MY BEAUTIFUL DAUGHTER, LILY.
1774
01:07:53,937 --> 01:07:54,671
I LOVE YOU.
1775
01:07:54,671 --> 01:07:57,040
I TOLD YOU I WOULD DO IT.
1776
01:07:57,040 --> 01:07:59,876
YOU HAVE ALWAYS DOUBTED ME.
1777
01:07:59,876 --> 01:08:01,711
HERE, I'M YOUR LEADER.
1778
01:08:01,711 --> 01:08:04,681
ALL THE FOLKS AT FX, MY
1779
01:08:04,681 --> 01:08:06,015
BEAUTIFUL CAST, MY MANAGEMENT
1780
01:08:06,015 --> 01:08:08,117
TEAM 360.
1781
01:08:08,117 --> 01:08:09,619
I'M FORGETTING SO MANY PEOPLE.
1782
01:08:09,619 --> 01:08:10,553
PLEASE WRAP IT UP.
1783
01:08:10,553 --> 01:08:11,421
SHUT UP.
1784
01:08:11,421 --> 01:08:18,861
MY FELLOW MOM KNNOMINEES.
1785
01:08:18,861 --> 01:08:19,062
OKAY.
1786
01:08:19,062 --> 01:08:19,796
AND I LOVE YOU.
1787
01:08:19,796 --> 01:08:21,497
I LOVE YOU TO ALL MY FRIENDS AND
1788
01:08:21,497 --> 01:08:22,498
MY FAMILY.
1789
01:08:22,498 --> 01:08:24,100
IF YOU GOT MY NUMBER, THAT MEANS
1790
01:08:24,100 --> 01:08:25,101
I LOVE YOU.
1791
01:08:25,101 --> 01:08:28,404
AND WHO AM I FORGETTING?
1792
01:08:28,404 --> 01:08:29,205
LET'S SEE.
1793
01:08:29,205 --> 01:08:31,274
JOHN LANDGRAPH, THANK YOU.
1794
01:08:31,274 --> 01:08:33,042
YOU PUT TOGETHER ONE HELL OF A
1795
01:08:33,042 --> 01:08:33,910
CAST, MAN.
1796
01:08:33,910 --> 01:08:35,678
THANK YOU FOR TRUSTING AND
1797
01:08:35,678 --> 01:08:38,114
BELIEVING IN ME AND EVERYONE
1798
01:08:38,114 --> 01:08:42,118
OVER AT FX AND HULU.
1799
01:08:42,118 --> 01:08:43,987
I'LL DO ANOTHER THING ON MY
1800
01:08:43,987 --> 01:08:45,054
PODCAST AND THANK THE REST OF
1801
01:08:45,054 --> 01:08:46,456
THE PEOPLE I FORGOT TO THANK.
1802
01:08:46,456 --> 01:08:55,565
YEAH, YEAH, YEAH.
1803
01:08:55,565 --> 01:08:57,667
♪
1804
01:08:57,667 --> 01:09:01,137
[ APPLAUSE ]
1805
01:09:01,137 --> 01:09:04,273
>> Announcer: JOINING US ON
1806
01:09:04,273 --> 01:09:05,508
STAGE RIGHT NOW ARE THREE ACTORS
1807
01:09:05,508 --> 01:09:06,142
WHOSE CHARACTERS WERE MEMBERS OF
1808
01:09:06,142 --> 01:09:09,512
A PROFESSION THAT HAS BEEN THE
1809
01:09:09,512 --> 01:09:10,146
SOURCE OF GREAT STORYLINES GOING
1810
01:09:10,146 --> 01:09:11,681
BACK TO THE VERY FIRST MEDICAL
1811
01:09:11,681 --> 01:09:14,283
DRAMA, "CITY HOSPITAL, "THAT
1812
01:09:14,283 --> 01:09:16,953
DEBUTED 73 YEARS AGO, PLEASE
1813
01:09:16,953 --> 01:09:17,587
WELCOME TV DOCTORS MEKHI PHIFER
1814
01:09:17,587 --> 01:09:19,088
AND EMMY NOMINEES MINDY KALING
1815
01:09:19,088 --> 01:09:29,098
AND ZACH BRAFF.
1816
01:09:29,098 --> 01:09:29,699
>> I WAS SO HONORED TO PLAY A
1817
01:09:29,699 --> 01:09:36,439
DOCTOR ON "ER."
1818
01:09:36,439 --> 01:09:37,473
AND IN DEVELOPING MY CHARACTER,
1819
01:09:37,473 --> 01:09:39,642
I WAS INSPIRED NOT JUST BY THE
1820
01:09:39,642 --> 01:09:40,209
ACTORS ON THE SERIES BUT BY
1821
01:09:40,209 --> 01:09:44,313
ACTUAL PHYSICIANS I'VE KNOWN.
1822
01:09:44,313 --> 01:09:44,947
>> I WAS INSPIRED TO PORTRAY A
1823
01:09:44,947 --> 01:09:45,581
DOCTOR ON "THE MINDY PROJECT" BY
1824
01:09:45,581 --> 01:09:48,451
THE EXAMPLE OF MY OWN MOTHER, AN
1825
01:09:48,451 --> 01:09:49,519
OB-GYN.
1826
01:09:49,519 --> 01:09:51,554
WHAT ABOUT YOU, ZACH?
1827
01:09:51,554 --> 01:09:55,625
>> I WAS WAITING TABLES IN A
1828
01:09:55,625 --> 01:09:56,659
BEIGE TUNIC, SERVING THE
1829
01:09:56,659 --> 01:09:57,293
UNIVERSALLY GRACIOUS PEOPLE OF
1830
01:09:57,293 --> 01:10:02,665
BEVERLY HILLS.
1831
01:10:02,665 --> 01:10:05,868
I WOULD GET FOOT-LONG HOT DOGS
1832
01:10:05,868 --> 01:10:11,674
FROM 7-ELEVEN AND EAT SIX INCHES
1833
01:10:11,674 --> 01:10:16,379
FOR LUNCH AND SIX INCHES FOR
1834
01:10:16,379 --> 01:10:16,612
DINNER.
1835
01:10:16,612 --> 01:10:17,513
I WAS INSPIRED TO NOT LIVE LIKE
1836
01:10:17,513 --> 01:10:18,948
THAT ANYMORE.
1837
01:10:18,948 --> 01:10:19,582
>> I CAN SEE THAT IN EVERY SCENE
1838
01:10:19,582 --> 01:10:22,518
YOU WERE IN.
1839
01:10:22,518 --> 01:10:22,852
>> THANK YOU.
1840
01:10:22,852 --> 01:10:23,086
>> YES.
1841
01:10:23,086 --> 01:10:25,755
AND I CONCUR.
1842
01:10:25,755 --> 01:10:26,355
>> HERE ARE THE NOMINEES FOR
1843
01:10:26,355 --> 01:10:29,559
WRITING FOR A DRAMA SERIES.
1844
01:10:29,559 --> 01:10:30,359
>> Announcer: PETER MORGAN AND
1845
01:10:30,359 --> 01:10:33,529
MERIEL SHEIBANI-CLARE, "THE
1846
01:10:33,529 --> 01:10:33,763
CROWN."
1847
01:10:33,763 --> 01:10:35,098
GENEVA ROBERTSON-DWORET AND
1848
01:10:35,098 --> 01:10:37,734
GRAHAM WAGNER, "FALLOUT."
1849
01:10:37,734 --> 01:10:39,302
FRANCESCA SLOANE AND
1850
01:10:39,302 --> 01:10:40,369
DONALD GLOVER, "MR. &
1851
01:10:40,369 --> 01:10:43,473
MRS. SMITH."
1852
01:10:43,473 --> 01:10:44,107
RACHEL KONDO AND JUSTIN MARKS,
1853
01:10:44,107 --> 01:10:45,608
"SHOGUN."
1854
01:10:45,608 --> 01:10:48,411
RACHEL KONDO AND CAILLIN PUENTE,
1855
01:10:48,411 --> 01:10:53,516
"SHOGUN."
1856
01:10:53,516 --> 01:10:57,520
WILL SMITH, "SLOW HORSES."
1857
01:10:57,520 --> 01:11:06,229
>> AND THE EMMY GOES TO --
1858
01:11:06,229 --> 01:11:11,334
>> WILL SMITH, "SLOW HORSES."
1859
01:11:11,334 --> 01:11:11,534
♪
1860
01:11:11,534 --> 01:11:13,002
>> THIS IS THE THIRD EMMY WIN
1861
01:11:13,002 --> 01:11:14,804
AND FIFTH NOMINATION FOR WILL
1862
01:11:14,804 --> 01:11:15,004
SMITH.
1863
01:11:15,004 --> 01:11:17,140
HE TOOK HOME HIS FIRST EMMY FOR
1864
01:11:17,140 --> 01:11:18,975
BEING A PART OF THE PRODUCING
1865
01:11:18,975 --> 01:11:23,946
TEAM OF "VEEP."
1866
01:11:23,946 --> 01:11:28,151
♪
1867
01:11:28,151 --> 01:11:29,952
>> FIRST OF ALL, RELAX.
1868
01:11:29,952 --> 01:11:33,923
DESPITE MY NAME, I COME IN
1869
01:11:33,923 --> 01:11:36,726
PEACE.
1870
01:11:36,726 --> 01:11:39,629
I'D LIKE TO THANK NICK HARAN FOR
1871
01:11:39,629 --> 01:11:42,398
HIS BRILLIANT BOOKS, FOR SEEING
1872
01:11:42,398 --> 01:11:43,666
THE POTENTIAL IN THEM, SEEING
1873
01:11:43,666 --> 01:11:45,902
THE POTENTIAL IN ME.
1874
01:11:45,902 --> 01:11:48,004
JAY HUNT ON HER UNWAVERING
1875
01:11:48,004 --> 01:11:50,706
BELIEF IN THE SHOW.
1876
01:11:50,706 --> 01:11:54,110
BRIAN YOST FOR HIS SUPPORT AND
1877
01:11:54,110 --> 01:11:54,377
WISDOM.
1878
01:11:54,377 --> 01:11:57,880
MY FELLOW WRITERS, MY AMAZING
1879
01:11:57,880 --> 01:12:02,451
AGENT, MY WONDERFUL WIFE ANNE,
1880
01:12:02,451 --> 01:12:12,762
LEO AND PHOEBE AND THE MOST
1881
01:12:12,762 --> 01:12:14,197
GIFTED INSURANCE COBLATOR.
1882
01:12:14,197 --> 01:12:17,066
THANK YOU FOR MAKING THE VERY
1883
01:12:17,066 --> 01:12:18,367
BEST VERSION OF THE SCRIPT.
1884
01:12:18,367 --> 01:12:19,535
THANK YOU SO MUCH.
1885
01:12:19,535 --> 01:12:20,603
>> Announcer: STILL TO COME, THE
1886
01:12:20,603 --> 01:12:21,237
AWARDS FOR ACTOR AND ACTRESS IN
1887
01:12:21,237 --> 01:12:22,205
A DRAMA SERIES, A "HAPPY DAYS"
1888
01:12:22,205 --> 01:12:25,374
REUNION YOU WON'T WANT TO MISS,
1889
01:12:25,374 --> 01:12:26,142
AND A PERFORMANCE BY JELLY ROLL,
1890
01:12:38,354 --> 01:12:39,755
>>> LET ME ASK YOU, WHAT GOES
1891
01:12:39,755 --> 01:12:43,025
BEST WITH A BURGER?
1892
01:12:43,025 --> 01:12:43,626
>> EASY, JOHNNIE WALKER BLUE
1893
01:12:43,626 --> 01:12:46,062
LABEL.
1894
01:12:46,062 --> 01:12:46,729
>> PERFECT.
1895
01:12:46,729 --> 01:12:47,763
>> THERE YOU ARE.
1896
01:12:47,763 --> 01:12:48,397
I'VE BEEN LOOKING ALL OVER FOR
1897
01:12:48,397 --> 01:12:49,332
YOU.
1898
01:12:49,332 --> 01:12:49,966
ARE YOU WATCHING THE SHOW FROM A
1899
01:12:49,966 --> 01:12:52,668
BACKSTAGE BAR?
1900
01:12:52,668 --> 01:12:54,570
>> YEAH, THIS IS -- YOU KNOW,
1901
01:12:54,570 --> 01:12:56,272
THIS IS THE BEST SEAT IN THE
1902
01:12:56,272 --> 01:12:56,706
HOUSE.
1903
01:12:56,706 --> 01:12:57,940
IT'S QUIET.
1904
01:12:57,940 --> 01:12:59,141
WE'VE GOT A GREAT VIEW.
1905
01:12:59,141 --> 01:12:59,942
JOIN ME.
1906
01:12:59,942 --> 01:13:00,476
>> ALL RIGHT.
1907
01:13:00,476 --> 01:13:03,045
>> YOU KNOW, I CHECKED.
1908
01:13:03,045 --> 01:13:07,116
IT'S OKAY TO HAVE A DRINK AND
1909
01:13:07,116 --> 01:13:08,317
PRESENT RESPONSIBLY.
1910
01:13:08,317 --> 01:13:10,052
>> GREAT.
1911
01:13:10,052 --> 01:13:10,753
TO A GREAT NIGHT.
1912
01:13:10,753 --> 01:13:15,124
>> Announcer: PLEASE WELCOME
1913
01:13:15,124 --> 01:13:16,525
EBON MOSS-BACHRACH AND
1914
01:13:16,525 --> 01:13:20,429
TAYLOR ZAKHAR PEREZ.
1915
01:13:20,429 --> 01:13:24,667
>> WE'LL BE RIGHT BACK.
1916
01:13:24,667 --> 01:13:26,636
>> YEAH.
1917
01:13:26,636 --> 01:13:27,703
>> Announcer: WE ARE BACK AT
1918
01:13:27,703 --> 01:13:29,772
"THE 76th EMMY AWARDS," LIVE
1919
01:13:29,772 --> 01:13:30,339
FROM THE PEACOCK THEATER IN
1920
01:13:30,339 --> 01:13:33,442
DOWNTOWN LOS ANGELES.
1921
01:13:33,442 --> 01:13:34,010
IT'S TIME FOR THE AWARD FOR
1922
01:13:34,010 --> 01:13:35,077
WRITING FOR A LIMITED OR
1923
01:13:35,077 --> 01:13:37,179
ANTHOLOGY SERIES OR MOVIE.
1924
01:13:37,179 --> 01:13:38,781
WILL IT GO TO "BABY REINDEER,"
1925
01:13:38,781 --> 01:13:42,451
"BLACK MIRROR," "FARGO," "FELLOW
1926
01:13:42,451 --> 01:13:43,052
TRAVELERS," "RIPLEY" OR "TRUE
1927
01:13:43,052 --> 01:13:43,586
DETECTIVE: NIGHT COUNTRY?"
1928
01:13:43,586 --> 01:13:46,055
AND NOW, IT'S TIME TO PRESENT
1929
01:13:46,055 --> 01:13:52,428
OUR NEXT EMMY.
1930
01:13:52,428 --> 01:13:56,098
>> THAT WAS SO MUCH FUN.
1931
01:13:56,098 --> 01:13:57,233
>> YEAH.
1932
01:13:57,233 --> 01:13:58,234
>> FOR ONCE.
1933
01:13:58,234 --> 01:13:58,968
IT WAS NICE.
1934
01:13:58,968 --> 01:14:01,837
>> YEAH.
1935
01:14:01,837 --> 01:14:02,338
YEAH, YEAH.
1936
01:14:02,338 --> 01:14:02,938
>> AND HERE ARE THE NOMINEES.
1937
01:14:02,938 --> 01:14:03,506
>> Announcer: RICHARD GADD,
1938
01:14:03,506 --> 01:14:04,974
BABY REINDEER.
1939
01:14:04,974 --> 01:14:08,110
CHARLIE BROOKER, "BLACK MIRROR."
1940
01:14:08,110 --> 01:14:10,780
NOAH HAWLEY, "FARGO."
1941
01:14:10,780 --> 01:14:11,314
RON NYSWANER, "FELLOW
1942
01:14:11,314 --> 01:14:13,416
TRAVELERS."
1943
01:14:13,416 --> 01:14:16,085
STEVEN ZAILLIAN, "RIPLEY."
1944
01:14:16,085 --> 01:14:16,686
ISSA LOPEZ, "TRUE DETECTIVE:
1945
01:14:16,686 --> 01:14:27,129
NIGHT COUNTRY."
1946
01:14:27,129 --> 01:14:41,811
>> AND THE EMMY GOES TO --
1947
01:14:41,811 --> 01:14:52,922
RICHARD GADD, "BABY REINDEER."
1948
01:14:52,922 --> 01:14:53,122
♪
1949
01:14:53,122 --> 01:14:53,422
[ APPLAUSE ]
1950
01:14:53,422 --> 01:14:55,124
>> THANK YOU SO MUCH.
1951
01:14:55,124 --> 01:14:55,992
>> OH, WOW.
1952
01:14:55,992 --> 01:14:57,059
THANKS SO MUCH.
1953
01:14:57,059 --> 01:15:00,229
THIS IS THE STUFF OF DRINKS.
1954
01:15:00,229 --> 01:15:01,897
THANKS SO MUCH TO THE ACADEMY.
1955
01:15:01,897 --> 01:15:03,766
THANK YOU TO NETFLIX FOR LETTING
1956
01:15:03,766 --> 01:15:05,901
ME TELL THE STORY TO THE WORLD.
1957
01:15:05,901 --> 01:15:08,637
THANK YOU TO PETRA, MY BROTHERS
1958
01:15:08,637 --> 01:15:09,505
MATT AND ED.
1959
01:15:09,505 --> 01:15:11,073
THANK YOU TO ALL THE AMAZING
1960
01:15:11,073 --> 01:15:13,743
CAST AND CREW, MY AMAZING CAST
1961
01:15:13,743 --> 01:15:14,443
AND TEAM.
1962
01:15:14,443 --> 01:15:16,012
LOOK, TEN YEARS AGO, I WAS DOWN
1963
01:15:16,012 --> 01:15:17,346
AND OUT, RIGHT?
1964
01:15:17,346 --> 01:15:19,448
I NEVER EVER THOUGHT I WOULD GET
1965
01:15:19,448 --> 01:15:20,483
MY LIFE TOGETHER.
1966
01:15:20,483 --> 01:15:22,785
I NEVER THOUGHT I WOULD BE ABLE
1967
01:15:22,785 --> 01:15:25,755
TO RECTIFY MYSELF AND GET MYSELF
1968
01:15:25,755 --> 01:15:27,223
BACK ON MY FEET AGAIN.
1969
01:15:27,223 --> 01:15:29,992
HERE I AM JUST A DECADE LATER
1970
01:15:29,992 --> 01:15:31,727
PICKING UP ONE OF THE BIGGEST
1971
01:15:31,727 --> 01:15:33,529
AWARDS IN TELEVISION, YEAH.
1972
01:15:33,529 --> 01:15:35,131
NOW, I DON'T MEAN THAT -- I
1973
01:15:35,131 --> 01:15:37,066
DON'T MEAN THAT TO SOUND
1974
01:15:37,066 --> 01:15:37,733
ARROGANT.
1975
01:15:37,733 --> 01:15:39,735
I MEAN THAT FOR ANYONE GOING
1976
01:15:39,735 --> 01:15:40,836
THROUGH A DIFFICULT TIME RIGHT
1977
01:15:40,836 --> 01:15:42,905
NOW TO PERSEVERE.
1978
01:15:42,905 --> 01:15:44,640
I DON'T KNOW MUCH ABOUT THIS
1979
01:15:44,640 --> 01:15:44,840
LIFE.
1980
01:15:44,840 --> 01:15:46,809
BUT I DO KNOW NOTHING LASTS
1981
01:15:46,809 --> 01:15:47,109
FOREVER.
1982
01:15:47,109 --> 01:15:49,812
AND NO MATTER HOW BAD IT GETS,
1983
01:15:49,812 --> 01:15:50,746
IT ALWAYS GETS BETTER.
1984
01:15:50,746 --> 01:15:52,381
IF YOU ARE STRUGGLING, KEEP
1985
01:15:52,381 --> 01:15:52,581
GOING.
1986
01:15:52,581 --> 01:15:53,048
KEEP GOING.
1987
01:15:53,048 --> 01:15:55,151
AND I PROMISE YOU THINGS WILL BE
1988
01:15:55,151 --> 01:15:55,584
OKAY.
1989
01:15:55,584 --> 01:15:59,555
THANK YOU SO MUCH FOR THIS
1990
01:15:59,555 --> 01:16:03,159
AWARD.
1991
01:16:03,159 --> 01:16:03,692
[ APPLAUSE ]
1992
01:16:03,692 --> 01:16:05,795
♪
1993
01:16:05,795 --> 01:16:08,397
>>> IN 1974, A STRANGE
1994
01:16:08,397 --> 01:16:10,533
PHENOMENON WAS BUBBLING UNDER
1995
01:16:10,533 --> 01:16:15,905
ALL THE POLITICAL TURBULENCE, A
1996
01:16:15,905 --> 01:16:16,138
WAVE OF
1997
01:16:16,138 --> 01:16:16,939
NOSTALGIA FOR THE 1950s.
1998
01:16:16,939 --> 01:16:17,973
THE MUSICAL "GREASE" WAS PLAYING
1999
01:16:17,973 --> 01:16:19,041
ON BROADWAY, "AMERICAN GRAFFITI"
2000
01:16:19,041 --> 01:16:20,076
HAD PREMIERED IN MOVIE THEATERS,
2001
01:16:20,076 --> 01:16:22,011
AND A BRAND-NEW SITCOM CALLED
2002
01:16:22,011 --> 01:16:23,245
"HAPPY DAYS" WAS MAKING ITS
2003
01:16:23,245 --> 01:16:25,347
TELEVISION DEBUT.
2004
01:16:25,347 --> 01:16:29,552
IT STARRED A YOUNG ACTOR WITH A
2005
01:16:29,552 --> 01:16:30,186
VERY FAMILIAR FACE WHO WOULD GO
2006
01:16:30,186 --> 01:16:31,153
ON TO BECOME ONE OF HOLLYWOOD'S
2007
01:16:31,153 --> 01:16:35,124
MOST ICONIC FILM DIRECTORS.
2008
01:16:35,124 --> 01:16:36,459
ALSO STARRING WAS A NEW KID ON
2009
01:16:36,459 --> 01:16:37,460
THE BLOCK WHO WAS ABOUT TO
2010
01:16:37,460 --> 01:16:39,128
BECOME THE COOLEST, TOUGHEST CAT
2011
01:16:39,128 --> 01:16:41,230
TO EVER PUT A COMB THROUGH A
2012
01:16:41,230 --> 01:16:42,798
DUCK TAIL.
2013
01:16:42,798 --> 01:16:44,867
CELEBRATING THE 50th ANNIVERSARY
2014
01:16:44,867 --> 01:16:46,936
OF "HAPPY DAYS," PLEASE WELCOME
2015
01:16:46,936 --> 01:16:55,110
RON HOWARD AND HENRY WINKLER.
2016
01:16:55,110 --> 01:16:59,715
[ APPLAUSE ]
2017
01:16:59,715 --> 01:17:02,585
>> OKAY, THANK YOU.
2018
01:17:02,585 --> 01:17:04,353
LISTEN, BEFORE WE GET STARTED, I
2019
01:17:04,353 --> 01:17:09,058
JUST WANT TO SAY, LAST -- LAST
2020
01:17:09,058 --> 01:17:10,426
WEEK MY VERY GOOD FRIEND FOR 50
2021
01:17:10,426 --> 01:17:15,197
YEARS WON AN EMMY FOR HIS WONDER
2022
01:17:15,197 --> 01:17:15,364
FUL
2023
01:17:15,364 --> 01:17:16,065
DOCUMENTARY "JIM HENSON: IDEA
2024
01:17:16,065 --> 01:17:18,334
MAN."
2025
01:17:18,334 --> 01:17:19,935
>> THANK YOU.
2026
01:17:19,935 --> 01:17:20,669
THANK YOU.
2027
01:17:20,669 --> 01:17:22,071
THANKS TO THE ACADEMY.
2028
01:17:22,071 --> 01:17:25,808
AND THIS IS FANTASTIC.
2029
01:17:25,808 --> 01:17:28,744
>> DID YOU -- DID YOU NOTICE
2030
01:17:28,744 --> 01:17:29,645
ANYTHING, THOUGH?
2031
01:17:29,645 --> 01:17:31,680
>> WELL, THERE WAS NO MUSIC WHEN
2032
01:17:31,680 --> 01:17:32,848
THAT THING WENT ON.
2033
01:17:32,848 --> 01:17:36,919
>> NO THEME SONG.
2034
01:17:36,919 --> 01:17:38,287
CANDICE BERGEN HAD A THEME SONG.
2035
01:17:38,287 --> 01:17:40,723
>> OF COURSE SHE WOULD GET ONE.
2036
01:17:40,723 --> 01:17:42,091
>> I HAVE A SOLUTION.
2037
01:17:42,091 --> 01:17:42,458
>> WHAT?
2038
01:17:42,458 --> 01:17:43,893
>> WELL, YOU COULD DO IT.
2039
01:17:43,893 --> 01:17:44,927
>> NO, COME ON.
2040
01:17:44,927 --> 01:17:46,729
FIRST OF ALL, I'M OUT OF
2041
01:17:46,729 --> 01:17:46,996
PRACTICE.
2042
01:17:46,996 --> 01:17:49,265
AND SECOND OF ALL, IT TAKES
2043
01:17:49,265 --> 01:17:51,033
SCHOOLING AND -- YOU KNOW.
2044
01:17:51,033 --> 01:17:53,369
>> WHEN YOU WENT TO THE YALE
2045
01:17:53,369 --> 01:17:54,703
SCHOOL OF DRAMA, HENRY.
2046
01:17:54,703 --> 01:17:55,804
COME ON.
2047
01:17:55,804 --> 01:18:03,112
YOU KNOW YOU CAN DO IT.
2048
01:18:03,112 --> 01:18:05,881
[ APPLAUSE ]
2049
01:18:05,881 --> 01:18:06,048
♪
2050
01:18:06,048 --> 01:18:11,120
>> AYYYYYY.
2051
01:18:11,120 --> 01:18:13,689
NICE TO SEE YOU.
2052
01:18:13,689 --> 01:18:13,923
>> YES.
2053
01:18:13,923 --> 01:18:16,058
HERE ARE THE NOMINEES FOR
2054
01:18:16,058 --> 01:18:19,128
OUTSTANDING DIRECTING FOR A
2055
01:18:19,128 --> 01:18:20,229
COMEDY SERIES.
2056
01:18:20,229 --> 01:18:20,529
WELL DONE.
2057
01:18:20,529 --> 01:18:20,863
>> THANK YOU.
2058
01:18:20,863 --> 01:18:22,064
>> Announcer: RANDALL EINHORN,
2059
01:18:22,064 --> 01:18:22,498
"ABBOTT ELEMENTARY."
2060
01:18:22,498 --> 01:18:24,967
CHRISTOPHER STORER, "THE BEAR."
2061
01:18:24,967 --> 01:18:27,102
RAMY YOUSSEF, "THE BEAR."
2062
01:18:27,102 --> 01:18:30,773
GUY RITCHIE, "THE GENTLEMEN."
2063
01:18:30,773 --> 01:18:32,875
LUCIA ANIELLO, "HACKS."
2064
01:18:32,875 --> 01:18:33,475
MARY LOU BELLI, "THE MS. PAT
2065
01:18:33,475 --> 01:18:48,157
SHOW."
2066
01:18:48,157 --> 01:18:49,425
>> OH!
2067
01:18:49,425 --> 01:18:50,960
>> I WAS LAUGHING.
2068
01:18:50,960 --> 01:18:52,194
>> HI, EVERYBODY.
2069
01:18:52,194 --> 01:18:52,861
>> OKAY.
2070
01:18:52,861 --> 01:18:55,998
AND THE WINNER IS -- OKAY, YOU
2071
01:18:55,998 --> 01:18:56,865
ARE THE DIRECTOR.
2072
01:18:56,865 --> 01:19:08,510
>> OH, CHRISTOPHER STORER, "THE
2073
01:19:08,510 --> 01:19:08,744
BEAR".
2074
01:19:08,744 --> 01:19:13,882
>> THIS IS THE SECOND WIN FOR
2075
01:19:13,882 --> 01:19:19,154
CHRISTOPHER STORER.
2076
01:19:19,154 --> 01:19:25,661
♪
2077
01:19:25,661 --> 01:19:26,395
>> WOW.
2078
01:19:26,395 --> 01:19:26,996
WOW.
2079
01:19:26,996 --> 01:19:29,865
THANK YOU SO MUCH TO FX FOR
2080
01:19:29,865 --> 01:19:30,966
INVESTING THE THING YOU PROBABLY
2081
01:19:30,966 --> 01:19:32,768
SHOULD INVEST IN, WHICH IS A
2082
01:19:32,768 --> 01:19:35,104
RESTAURANT.
2083
01:19:35,104 --> 01:19:35,671
HULU, DISNEY.
2084
01:19:35,671 --> 01:19:37,473
IT WAS ONE OF THOSE WEIRD
2085
01:19:37,473 --> 01:19:42,911
EPISODES WHERE WE WERE CRAMPED
2086
01:19:42,911 --> 01:19:43,679
INTO A SMALLER HOUSE AND I COULD
2087
01:19:43,679 --> 01:19:45,114
SEE OUR WHOLE CREW.
2088
01:19:45,114 --> 01:19:46,548
IT WAS SPECIAL BECAUSE I COULD
2089
01:19:46,548 --> 01:19:48,317
SEE HOW HARD EVERYBODY WORKED
2090
01:19:48,317 --> 01:19:49,485
AND HOW MUCH THEY CARED ABOUT
2091
01:19:49,485 --> 01:19:50,052
EACH OTHER.
2092
01:19:50,052 --> 01:19:52,655
AND I JUST WANT TO ACCEPT ON
2093
01:19:52,655 --> 01:19:53,956
THEIR BEHALF JUST BECAUSE
2094
01:19:53,956 --> 01:19:56,825
THEY'RE SO WONDERFUL.
2095
01:19:56,825 --> 01:19:58,360
AND I THINK THEY HAVE BEEN ABLE
2096
01:19:58,360 --> 01:20:00,462
TO DO THIS FOR A FEW YEARS NOW.
2097
01:20:00,462 --> 01:20:01,897
TO ANYBODY WATCHING THE BEAR, IT
2098
01:20:01,897 --> 01:20:03,532
MEANS SO MUCH TO US.
2099
01:20:03,532 --> 01:20:07,102
THANK YOU SO MUCH.
2100
01:20:07,102 --> 01:20:11,106
THIS IS GREAT.
2101
01:20:11,106 --> 01:20:12,141
[ APPLAUSE ]
2102
01:20:12,141 --> 01:20:14,476
>>> JUST AHEAD,
2103
01:20:14,476 --> 01:20:15,077
MATT BOMER AND JOSHUA JACKSON
2104
01:20:15,077 --> 01:20:15,711
PRESENT THE GOVERNORS AWARD TO
2105
01:20:15,711 --> 01:20:16,578
GREG BERLANTI.
2106
01:20:16,578 --> 01:20:17,146
THEN LATER, JANE LYNCH AND
2107
01:20:17,146 --> 01:20:18,213
BRENDAN HUNT HAVE A COACHES'
2108
01:20:18,213 --> 01:20:18,714
MOMENT.
2109
01:20:18,714 --> 01:20:22,518
IT'S "THE EMMYS" ON ABC.
2110
01:20:31,060 --> 01:20:31,660
>> Announcer: PLEASE WELCOME
2111
01:20:31,660 --> 01:20:40,869
EMMY WINNER JOHN LEGUIZAMO.
2112
01:20:40,869 --> 01:20:41,170
[ APPLAUSE ]
2113
01:20:41,170 --> 01:20:43,939
>> YO, YO, YO, WHAT'S UP?
2114
01:20:43,939 --> 01:20:44,473
>> HI, I'M JOHN LEGUIZAMO.
2115
01:20:44,473 --> 01:20:45,307
I'M ONE OF HOLLYWOOD'S DEI
2116
01:20:45,307 --> 01:20:48,010
HIRES.
2117
01:20:48,010 --> 01:20:51,146
THAT'S RIGHT, DEI.
2118
01:20:51,146 --> 01:20:52,214
THE D IS FOR DILIGENCE.
2119
01:20:52,214 --> 01:20:56,051
THE E IS FOR EXCELLENCE.
2120
01:20:56,051 --> 01:21:01,156
THE I IS FOR IMAGINATION.
2121
01:21:01,156 --> 01:21:01,757
EVERYONE IN THIS ROOM TONIGHT
2122
01:21:01,757 --> 01:21:02,358
HAS DEDICATED THEIR LIVES TO
2123
01:21:02,358 --> 01:21:04,059
DILIGENCE, EXCELLENCE, AND
2124
01:21:04,059 --> 01:21:05,894
IMAGINATION.
2125
01:21:05,894 --> 01:21:10,966
AND WE ARE ALL DEI HIRES.
2126
01:21:10,966 --> 01:21:12,034
WHAT A BEAUTIFUL AND DIVERSE
2127
01:21:12,034 --> 01:21:15,337
ROOM THIS IS TONIGHT.
2128
01:21:15,337 --> 01:21:16,405
WHEN I WAS GROWING UP IN
2129
01:21:16,405 --> 01:21:17,439
JACKSON HEIGHTS, QUEENS, A
2130
01:21:17,439 --> 01:21:23,445
SCRAWNY LITTLE WANNABE GANGSTER,
2131
01:21:23,445 --> 01:21:25,647
YOU'RE NOT FROM QUEENS, DON'T
2132
01:21:25,647 --> 01:21:25,814
LIE,
2133
01:21:25,814 --> 01:21:26,448
I DIDN'T EVEN KNOW THAT PEOPLE
2134
01:21:26,448 --> 01:21:27,583
LIKE ME COULD BE ACTORS.
2135
01:21:27,583 --> 01:21:28,584
AT FIFTEEN, I DIDN'T KNOW THE
2136
01:21:28,584 --> 01:21:29,151
WORD REPRESENTATION.
2137
01:21:29,151 --> 01:21:32,354
ACTUALLY, THERE WERE LOTS OF
2138
01:21:32,354 --> 01:21:35,057
WORDS I DIDN'T KNOW
2139
01:21:35,057 --> 01:21:35,924
BACK THEN.
2140
01:21:35,924 --> 01:21:38,327
BUT I SAW A LOT OF BROWN FACE.
2141
01:21:38,327 --> 01:21:38,861
I SAW MARLON BRANDO PLAY
2142
01:21:38,861 --> 01:21:39,928
EMILIANO ZAPATA IN "VIVA
2143
01:21:39,928 --> 01:21:42,030
ZAPATA," AND AL PACINO PLAY
2144
01:21:42,030 --> 01:21:42,664
CUBAN GANGSTER TONY MONTANA, AND
2145
01:21:42,664 --> 01:21:43,298
NATALIE WOOD PLAY A PUERTO RICAN
2146
01:21:43,298 --> 01:21:44,133
BEAUTY NAMED --
2147
01:21:44,133 --> 01:21:46,735
♪ MARIA
2148
01:21:46,735 --> 01:21:50,406
EVERYBODY PLAYED US EXCEPT US.
2149
01:21:50,406 --> 01:21:52,007
I DIDN'T SEE A LOT OF PEOPLE ON
2150
01:21:52,007 --> 01:21:55,043
TV WHO LOOKED LIKE ME.
2151
01:21:55,043 --> 01:21:55,310
OF COURSE,
2152
01:21:55,310 --> 01:21:55,811
THERE WAS RICKY RICARDO.
2153
01:21:55,811 --> 01:21:58,947
"LUCY, YOU GOT SOME 'SPLAININ'
2154
01:21:58,947 --> 01:21:59,748
TO DO."
2155
01:21:59,748 --> 01:22:04,753
I KNOW SOME OF YOU REMEMBER THE
2156
01:22:04,753 --> 01:22:10,692
LOONEY TUNES CARTON MOUSE AND
2157
01:22:10,692 --> 01:22:18,967
HIS LETHARGIC, USELESS SIDEKICK,
2158
01:22:18,967 --> 01:22:19,535
SPEEDY GONZALES, "THE FASTEST
2159
01:22:19,535 --> 01:22:20,135
MOUSE IN ALL MEXICO," AND HIS
2160
01:22:20,135 --> 01:22:21,069
LETHARGIC, USELESS SIDEKICK
2161
01:22:21,069 --> 01:22:21,503
SLOWPOKE RODRIGUEZ.
2162
01:22:21,503 --> 01:22:22,137
"SORRY, SENOR PUSSYCAT.
2163
01:22:22,137 --> 01:22:22,738
I CAN'T PLAY WITH YOU NO MORE.
2164
01:22:22,738 --> 01:22:24,006
IT'S TIME FOR MY SIESTA."
2165
01:22:24,006 --> 01:22:24,773
THAT'S HOW WE SAW OURSELVES,
2166
01:22:24,773 --> 01:22:25,808
BECAUSE THAT'S ALL WE SAW OF
2167
01:22:25,808 --> 01:22:26,909
OURSELVES.
2168
01:22:26,909 --> 01:22:30,546
I USED TO WATCH "STAR TREK" AND
2169
01:22:30,546 --> 01:22:31,180
THINK, "WOW, IN THE FUTURE THERE
2170
01:22:31,180 --> 01:22:37,286
ARE NO MORE LATINO PEOPLE.
2171
01:22:37,286 --> 01:22:39,188
BUT AT LEAST THEN, THE FOOD WILL
2172
01:22:39,188 --> 01:22:40,055
SUCK."
2173
01:22:40,055 --> 01:22:40,656
FOR YEARS, I DIDN'T COMPLAIN
2174
01:22:40,656 --> 01:22:41,223
ABOUT THE LIMITED ROLES MY
2175
01:22:41,223 --> 01:22:41,790
PEOPLE WERE OFFERED --
2176
01:22:41,790 --> 01:22:43,392
THE SPICY SEXPOT, THE LATIN
2177
01:22:43,392 --> 01:22:45,527
LOVER, THE MAID, THE GANGBANGER.
2178
01:22:45,527 --> 01:22:46,962
TURNS OUT, NOT COMPLAINING
2179
01:22:46,962 --> 01:22:52,601
DOESN'T CHANGE ANYTHING.
2180
01:22:52,601 --> 01:22:56,605
SO FOR THE -- THANK YOU.
2181
01:22:56,605 --> 01:22:56,905
[ APPLAUSE ]
2182
01:22:56,905 --> 01:22:57,539
>> SO, FOR THE PAST FEW YEARS,
2183
01:22:57,539 --> 01:22:58,640
I'VE BEEN COMPLAINING.
2184
01:22:58,640 --> 01:23:00,742
A FEW MONTHS AGO, I TOOK OUT A
2185
01:23:00,742 --> 01:23:02,344
FULL-PAGE AD IN THE NEW YORK
2186
01:23:02,344 --> 01:23:04,012
TIMES ASKING EMMY VOTERS TO
2187
01:23:04,012 --> 01:23:08,016
RECOGNIZE CANDIDATES OF COLOR.
2188
01:23:08,016 --> 01:23:08,650
IT'S A GOOD THING I DECIDED TO
2189
01:23:08,650 --> 01:23:09,284
DO IT BEFORE I FOUND OUT HOW
2190
01:23:09,284 --> 01:23:15,557
MUCH A FULL- PAGE AD IN THE
2191
01:23:15,557 --> 01:23:16,058
"NEW YORK TIMES" COSTS.
2192
01:23:16,058 --> 01:23:16,992
BUT THE AD WORKED.
2193
01:23:16,992 --> 01:23:20,295
OVERNIGHT, HOLLYWOOD CHANGED.
2194
01:23:20,295 --> 01:23:22,931
OKAY, NOT REALLY.
2195
01:23:22,931 --> 01:23:38,180
BUT WHAT I SEE HERE TONIGHT
2196
01:23:38,180 --> 01:23:39,248
MAKES ME, WELL, ALMOST HAPPY,
2197
01:23:39,248 --> 01:23:40,782
AND LESS ANGRY.
2198
01:23:40,782 --> 01:23:41,416
AMONG THE MOST DIVERSE LIST OF
2199
01:23:41,416 --> 01:23:42,584
NOMINEES IN EMMY HISTORY, I SEE
2200
01:23:42,584 --> 01:23:45,721
LOTS OF MY INCREDIBLY TALENTED
2201
01:23:45,721 --> 01:23:46,288
LATINX BROTHERS AND SISTERS.
2202
01:23:46,288 --> 01:23:47,289
SELENA GOMEZ IS NOMINATED FOR
2203
01:23:47,289 --> 01:23:53,095
"ONLY MURDERS IN THE BUILDING."
2204
01:23:53,095 --> 01:23:54,162
SHE'S BEEN CARRYING STEVE MARTIN
2205
01:23:54,162 --> 01:24:00,002
AND MARTIN SHORT FOR THREE
2206
01:24:00,002 --> 01:24:01,203
WHOLE SEASONS.
2207
01:24:01,203 --> 01:24:04,006
SOFIA VERGARA IS NOMINATED FOR
2208
01:24:04,006 --> 01:24:08,010
"GRISELDA."
2209
01:24:08,010 --> 01:24:08,644
ISSA LOPEZ IS BEING RECOGNIZED
2210
01:24:08,644 --> 01:24:17,419
FOR "TRUE DETECTIVE: NIGHT
2211
01:24:17,419 --> 01:24:18,453
COUNTRY," WHICH ALSO HAD
2212
01:24:18,453 --> 01:24:19,087
INDIGENOUS ACTRESS KALI REIS IN
2213
01:24:19,087 --> 01:24:24,960
A LEAD ROLE.
2214
01:24:24,960 --> 01:24:25,227
YES, SIR.
2215
01:24:25,227 --> 01:24:26,595
AND NAVA MAU, WHO WAS BORN IN
2216
01:24:26,595 --> 01:24:30,766
MEXICO CITY AND STARRED IN "BABY
2217
01:24:30,766 --> 01:24:34,937
REINDEER," IS THE FIRST
2218
01:24:34,937 --> 01:24:35,504
TRANSGENDER PERSON EVER
2219
01:24:35,504 --> 01:24:37,606
NOMINATED FOR A LIMITED-SERIES
2220
01:24:37,606 --> 01:24:48,617
ACTING EMMY.
2221
01:24:48,617 --> 01:24:53,422
ALSO, MY PAL, LIZA COLON-ZAYAS
2222
01:24:53,422 --> 01:24:55,057
IS UP FOR "THE BEAR," THE
2223
01:24:55,057 --> 01:24:56,091
CHARMING STORY OF WHITE PEOPLE
2224
01:24:56,091 --> 01:24:56,725
WHO ARE OBSESSED WITH MICHELIN
2225
01:24:56,725 --> 01:24:58,694
STARS AND MAKING KALE TASTE
2226
01:24:58,694 --> 01:25:03,432
GOOD.
2227
01:25:03,432 --> 01:25:04,032
THAT'S FIVE LATINX NOMINEES
2228
01:25:04,032 --> 01:25:07,102
BEING HONORED TONIGHT.
2229
01:25:07,102 --> 01:25:07,703
SIX, IF YOU COUNT MARK CUBAN
2230
01:25:07,703 --> 01:25:10,238
FROM "SHARK TANK."
2231
01:25:10,238 --> 01:25:10,772
WHAT?
2232
01:25:10,772 --> 01:25:11,373
HIS LAST NAME IS CUBAN, THAT
2233
01:25:11,373 --> 01:25:15,844
COUNTS.
2234
01:25:15,844 --> 01:25:16,078
COME ON.
2235
01:25:16,078 --> 01:25:16,712
HERE'S ANOTHER SIGN OF PROGRESS.
2236
01:25:16,712 --> 01:25:22,751
RIGHT AFTER I TOOK OUT THAT AD
2237
01:25:22,751 --> 01:25:24,052
IN "THE NEW YORK TIMES", ACADEMY
2238
01:25:24,052 --> 01:25:25,887
MEMBERS ELECTED THE FIRST EVER
2239
01:25:25,887 --> 01:25:27,456
LATINO CHAIR, EL SEMEJANTE
2240
01:25:27,456 --> 01:25:28,056
CRIS ABREGO.
2241
01:25:28,056 --> 01:25:29,057
YOU'RE WELCOME, HOLLYWOOD.
2242
01:25:29,057 --> 01:25:31,193
I DID IT.
2243
01:25:31,193 --> 01:25:32,761
>> Announcer: ACTUALLY, JOHN,
2244
01:25:32,761 --> 01:25:34,963
CRIS ABREGO WAS ELECTED CHAIR OF
2245
01:25:34,963 --> 01:25:37,466
THE TELEVISION ACADEMY IN
2246
01:25:37,466 --> 01:25:40,035
NOVEMBER 2023, WHICH WAS EIGHT
2247
01:25:40,035 --> 01:25:44,306
MONTHS BEFORE YOUR AD.
2248
01:25:44,306 --> 01:25:45,340
>> YEAH, WHATEVER.
2249
01:25:45,340 --> 01:25:46,942
WE NEED MORE STORIES FROM
2250
01:25:46,942 --> 01:25:47,309
EXCLUDED GROUPS.
2251
01:25:47,309 --> 01:25:48,510
BLACK, ASIAN, JEWISH, ARAB,
2252
01:25:48,510 --> 01:25:53,682
LGBTQ+.
2253
01:25:53,682 --> 01:25:54,483
AND DISABLED.
2254
01:25:54,483 --> 01:25:55,917
THIS SHOW TONIGHT IS PROOF THAT
2255
01:25:55,917 --> 01:26:00,055
OUR INDUSTRY IS MAKING PROGRESS,
2256
01:26:00,055 --> 01:26:02,257
AND I'M DELIGHTED TO INTRODUCE
2257
01:26:02,257 --> 01:26:02,891
YOU TO SOMEONE WHO IS COMMITTED
2258
01:26:02,891 --> 01:26:03,525
TO PROTECTING AND FOSTERING THAT
2259
01:26:03,525 --> 01:26:05,427
PROGRESS.
2260
01:26:05,427 --> 01:26:08,597
PLEASE WELCOME THE CHAIR OF THE
2261
01:26:08,597 --> 01:26:18,440
TELEVISION ACADEMY, CRIS ABREGO.
2262
01:26:18,440 --> 01:26:32,054
♪
2263
01:26:32,054 --> 01:26:34,956
>> THANK YOU, JOHN, FOR JOINING
2264
01:26:34,956 --> 01:26:38,627
US TONIGHT AND FOR CONSISTENTLY
2265
01:26:38,627 --> 01:26:43,465
USING YOUR VOICE TO CHAMPION A
2266
01:26:43,465 --> 01:26:45,634
NEW AREA IN OUR INDUSTRY, ONE
2267
01:26:45,634 --> 01:26:47,502
IN WHICH WE ALL STAND TO WIN.
2268
01:26:47,502 --> 01:26:48,570
IT IS A DISTINCT HONOR TO STAND
2269
01:26:48,570 --> 01:26:49,571
HERE BEFORE SO MANY COLLEAGUES
2270
01:26:49,571 --> 01:26:50,672
AND FRIENDS AS CHAIR OF THE
2271
01:26:50,672 --> 01:26:51,673
TELEVISION ACADEMY.
2272
01:26:51,673 --> 01:26:52,741
THIS STAGE HAS BEEN THE BACKDROP
2273
01:26:52,741 --> 01:26:53,775
FOR SO MANY UNFORGETTABLE
2274
01:26:53,775 --> 01:26:55,877
MOMENTS FOR OUR CREATIVE
2275
01:26:55,877 --> 01:26:56,144
COMMUNITY.
2276
01:26:56,144 --> 01:26:57,979
WHEN VIOLA DAVIS BECAME THE
2277
01:26:57,979 --> 01:26:58,613
FIRST BLACK WOMAN TO WIN AN EMMY
2278
01:26:58,613 --> 01:26:59,181
FOR LEAD ACTRESS IN A DRAMA
2279
01:26:59,181 --> 01:27:01,149
SERIES IN 2015, SHE SAID "THE
2280
01:27:01,149 --> 01:27:01,783
ONLY THING THAT SEPARATES WOMEN
2281
01:27:01,783 --> 01:27:02,417
OF COLOR FROM ANYONE ELSE IS
2282
01:27:02,417 --> 01:27:02,751
OPPORTUNITY.
2283
01:27:02,751 --> 01:27:03,385
YOU CANNOT WIN AN EMMY FOR ROLES
2284
01:27:03,385 --> 01:27:14,863
THAT ARE SIMPLY NOT THERE."
2285
01:27:14,863 --> 01:27:15,897
THAT STAYED WITH ME.
2286
01:27:15,897 --> 01:27:16,965
SO, I WANT TO RECOGNIZE ALL OF
2287
01:27:16,965 --> 01:27:18,567
YOU WHO CREATE OR SUPPORT THE
2288
01:27:18,567 --> 01:27:20,035
STORIES THAT DO JUST THAT,
2289
01:27:20,035 --> 01:27:21,670
PROVIDE EXTRAORDINARY TALENT THE
2290
01:27:21,670 --> 01:27:22,938
OPPORTUNITIES THAT LEAD TO
2291
01:27:22,938 --> 01:27:27,476
NIGHTS LIKE THIS.
2292
01:27:27,476 --> 01:27:28,577
WHILE THERE IS STILL A LONG WAY
2293
01:27:28,577 --> 01:27:29,144
TO GO TO ADDRESS THE GAP IN
2294
01:27:29,144 --> 01:27:31,713
OPPORTUNITIES, THIS YEAR TELLS
2295
01:27:31,713 --> 01:27:32,280
US THAT WE ALL WANT TO SEE
2296
01:27:32,280 --> 01:27:33,281
CONTENT THAT'S IN DIALOGUE WITH
2297
01:27:33,281 --> 01:27:35,450
THE REAL WORLD.
2298
01:27:35,450 --> 01:27:39,121
AND THAT WHEN OUTSTANDING,
2299
01:27:39,121 --> 01:27:40,055
INCLUSIVE CONTENT IS GREENLIT,
2300
01:27:40,055 --> 01:27:41,223
AND THEN GIVEN THE BUDGET AND
2301
01:27:41,223 --> 01:27:42,791
SUPPORT REQUIRED FOR SUCCESS,
2302
01:27:42,791 --> 01:27:44,059
ACADEMY MEMBERS WILL FIND IT AND
2303
01:27:44,059 --> 01:27:52,000
REWARD IT.
2304
01:27:52,000 --> 01:27:52,934
SO GREAT.
2305
01:27:52,934 --> 01:27:53,235
[ APPLAUSE ]
2306
01:27:53,235 --> 01:27:53,869
THE ACADEMY IS COMMITTED TO
2307
01:27:53,869 --> 01:27:54,436
SUPPORTING AN INDUSTRY THAT
2308
01:27:54,436 --> 01:27:58,140
REPRESENTS ITS AUDIENCE.
2309
01:27:58,140 --> 01:28:01,276
FROM LEADING INDUSTRY-WIDE
2310
01:28:01,276 --> 01:28:03,411
CONVERSATIONS THAT DRIVE GREATER
2311
01:28:03,411 --> 01:28:04,446
INCLUSION, TO FORMING AFFINITY
2312
01:28:04,446 --> 01:28:05,046
GROUPS THAT ALLOW ENGAGEMENT
2313
01:28:05,046 --> 01:28:06,014
ACROSS PROFESSIONS, TO
2314
01:28:06,014 --> 01:28:07,582
SUPPORTING RISING PROFESSIONALS
2315
01:28:07,582 --> 01:28:08,049
THROUGH PROGRAMS LIKE
2316
01:28:08,049 --> 01:28:09,718
BOB BENNETT FUTURE LEADERS,
2317
01:28:09,718 --> 01:28:10,352
NAMED IN HONOR OF THE LEGENDARY
2318
01:28:10,352 --> 01:28:11,319
TELEVISION EXECUTIVE AND
2319
01:28:11,319 --> 01:28:18,193
PHILANTHROPIST
2320
01:28:18,193 --> 01:28:20,295
ROBERT M. BENNETT.
2321
01:28:20,295 --> 01:28:21,863
TODAY OUR ACADEMY IS BIGGER AND
2322
01:28:21,863 --> 01:28:22,898
STRONGER THAN EVER.
2323
01:28:22,898 --> 01:28:23,365
AS OF TONIGHT, WE ARE
2324
01:28:23,365 --> 01:28:24,499
25,829 MEMBERS STRONG.
2325
01:28:24,499 --> 01:28:25,133
THAT'S THE LARGEST THE ACADEMY
2326
01:28:25,133 --> 01:28:28,003
HAS EVER BEEN, AND I CELEBRATE
2327
01:28:28,003 --> 01:28:28,670
EACH OF YOU.
2328
01:28:28,670 --> 01:28:29,771
AND NOW, TO PRESENT THE
2329
01:28:29,771 --> 01:28:30,806
TELEVISION ACADEMY GOVERNORS
2330
01:28:30,806 --> 01:28:31,840
AWARD, PLEASE WELCOME
2331
01:28:31,840 --> 01:28:34,476
JOSHUA JACKSON AND EMMY NOMINEE
2332
01:28:34,476 --> 01:28:42,184
MATT BOMER.
2333
01:28:42,184 --> 01:28:53,895
♪
2334
01:28:53,895 --> 01:28:57,532
>> OH, YES, THIS SONG.
2335
01:28:57,532 --> 01:28:58,166
>> IT IS OUR PLEASURE TONIGHT TO
2336
01:28:58,166 --> 01:29:00,001
PAY TRIBUTE TO A TRUE TELEVISION
2337
01:29:00,001 --> 01:29:00,669
ICON AND MOST IMPORTANTLY A
2338
01:29:00,669 --> 01:29:04,005
MENTOR AND A FRIEND.
2339
01:29:04,005 --> 01:29:04,639
I HAVE LOOKED TO GREG BERLANTI
2340
01:29:04,639 --> 01:29:06,474
AS AN INSPIRATION BOTH AS AN
2341
01:29:06,474 --> 01:29:09,077
ARTIST AND AS A PERSON AND
2342
01:29:09,077 --> 01:29:10,645
COLLABORATING WITH HIM IS A
2343
01:29:10,645 --> 01:29:11,279
REMINDER THAT NOT ONLY IS HE A
2344
01:29:11,279 --> 01:29:11,913
TALENT OF THE HIGHEST CALIBER,
2345
01:29:11,913 --> 01:29:13,815
HE IS ALSO ONE OF THE GOOD GUYS.
2346
01:29:13,815 --> 01:29:16,484
>> TV HISTORY WAS MADE ON
2347
01:29:16,484 --> 01:29:19,654
"DAWSON'S CREEK" AS GREG WAS THE
2348
01:29:19,654 --> 01:29:20,722
FIRST WRITER/PRODUCER TO SHOW A
2349
01:29:20,722 --> 01:29:21,323
GAY KISS ON PRIMETIME BETWEEN
2350
01:29:21,323 --> 01:29:23,892
TWO TEENAGERS.
2351
01:29:23,892 --> 01:29:25,994
THAT WAS BACK IN 2000.
2352
01:29:25,994 --> 01:29:28,630
I REMEMBER BEING SO PROUD TO BE
2353
01:29:28,630 --> 01:29:31,766
PART OF THAT SHOW AND AT THE
2354
01:29:31,766 --> 01:29:32,400
SAME TIME, I DIDN'T UNDERSTAND
2355
01:29:32,400 --> 01:29:34,936
HOW BIG IT WAS.
2356
01:29:34,936 --> 01:29:36,471
GREG GAVE US A BEAUTIFUL,
2357
01:29:36,471 --> 01:29:38,607
RELATABLE, AND YES, THE FIRST
2358
01:29:38,607 --> 01:29:40,942
PORTRAIT OF A GAY TEEN, WHO
2359
01:29:40,942 --> 01:29:43,845
ACTED ON HIS DESIRES WITH THE
2360
01:29:43,845 --> 01:29:44,479
SAME ANXIETY EVERYONE HAS OVER
2361
01:29:44,479 --> 01:29:44,946
THEIR FIRST KISS.
2362
01:29:44,946 --> 01:29:47,015
>> IT WAS A HUGE MOMENT.
2363
01:29:47,015 --> 01:29:48,617
BUT THEN AGAIN, GREG HAS ALWAYS
2364
01:29:48,617 --> 01:29:49,718
GIVEN US BIG MOMENTS, ONES THAT
2365
01:29:49,718 --> 01:29:52,053
CHALLENGE US TO BE BETTER
2366
01:29:52,053 --> 01:29:56,057
VERSIONS OF OURSELVES.
2367
01:29:56,057 --> 01:29:59,594
>> AND LIKE ALL VISIONARY
2368
01:29:59,594 --> 01:30:01,296
PRODUCERS, HE IS ONE STEP AHEAD
2369
01:30:01,296 --> 01:30:02,731
OF THE AUDIENCE WITH HIS SHOWS.
2370
01:30:02,731 --> 01:30:04,099
HE OPENS THE DOOR.
2371
01:30:04,099 --> 01:30:05,000
AND AS WE GO THROUGH, WE REALIZE
2372
01:30:05,000 --> 01:30:06,001
WE ARE MORE COMFORTABLE WITH
2373
01:30:06,001 --> 01:30:07,068
CHARACTERS HAVING REAL LIFE
2374
01:30:07,068 --> 01:30:08,003
EXPERIENCES THAN WE EVER COULD
2375
01:30:08,003 --> 01:30:08,336
HAVE IMAGINED.
2376
01:30:08,336 --> 01:30:09,170
>> BEYOND HIS INCREDIBLE WORK IN
2377
01:30:09,170 --> 01:30:10,272
FILM AND TELEVISION, GREG IS A
2378
01:30:10,272 --> 01:30:12,007
PHILANTHROPIST WHOSE BENEVOLENCE
2379
01:30:12,007 --> 01:30:14,476
KNOWS NO BOUNDS.
2380
01:30:14,476 --> 01:30:16,978
HIS BERLANTI FAMILY FOUNDATION
2381
01:30:16,978 --> 01:30:18,146
HAS GIVEN GENEROUSLY TO CANCER
2382
01:30:18,146 --> 01:30:20,248
RESEARCH, LGBTQ+ ORGANIZATIONS,
2383
01:30:20,248 --> 01:30:21,850
AND DURING HOLLYWOOD'S RECENT
2384
01:30:21,850 --> 01:30:23,451
LABOR STRIKES, DONATED NEARLY
2385
01:30:23,451 --> 01:30:24,052
ONE MILLION DOLLARS TO THOSE
2386
01:30:24,052 --> 01:30:34,963
AFFECTED.
2387
01:30:34,963 --> 01:30:35,263
[ APPLAUSE ]
2388
01:30:35,263 --> 01:30:35,830
IN EVERYTHING HE DOES, HIS
2389
01:30:35,830 --> 01:30:36,464
IMPACT ON THE LGBTQ COMMUNITY,
2390
01:30:36,464 --> 01:30:37,599
ON OUR INDUSTRY AND ON HUMANITY
2391
01:30:37,599 --> 01:30:42,504
IS IMMEASURABLE.
2392
01:30:42,504 --> 01:30:43,605
♪
2393
01:30:43,605 --> 01:30:44,139
>> Announcer: A PROLIFIC
2394
01:30:44,139 --> 01:30:46,975
SHOWRUNNER WITH OVER 45 SHOWS
2395
01:30:46,975 --> 01:30:47,442
AND A RECORD-BREAKING
2396
01:30:47,442 --> 01:30:51,479
20 SCRIPTED SERIES ON TV AT
2397
01:30:51,479 --> 01:30:52,113
ONCE, GREG BERLANTI'S JOURNEY TO
2398
01:30:52,113 --> 01:30:52,747
THIS STAGE BEGAN IN 1998 WHEN HE
2399
01:30:52,747 --> 01:30:53,348
JOINED "DAWSON'S CREEK" AS A
2400
01:30:53,348 --> 01:30:55,150
WRITER.
2401
01:30:55,150 --> 01:30:56,217
FROM THERE, HE WENT ON TO CREATE
2402
01:30:56,217 --> 01:30:57,819
AND SHEPHERD SOME OF THE MOST
2403
01:30:57,819 --> 01:30:58,987
ICONIC SERIES OF THE PAST
2404
01:30:58,987 --> 01:30:59,921
QUARTER CENTURY --
2405
01:30:59,921 --> 01:31:02,023
"BROTHERS & SISTERS,"
2406
01:31:02,023 --> 01:31:04,659
"EVERWOOD," "POLITICAL ANIMALS,"
2407
01:31:04,659 --> 01:31:05,727
"THE FLASH," "THE FLIGHT
2408
01:31:05,727 --> 01:31:10,999
ATTENDANT," "RIVERDALE," "ALL
2409
01:31:10,999 --> 01:31:12,067
AMERICAN AND FOUND."
2410
01:31:12,067 --> 01:31:14,169
ALONG THE WAY HE HAS USED HIS
2411
01:31:14,169 --> 01:31:16,037
PLATFORM AND HIS COMMITMENT TO
2412
01:31:16,037 --> 01:31:17,806
THE LGBTQ COMMUNITY TO BREAK NEW
2413
01:31:17,806 --> 01:31:18,840
GROUND, INTRODUCING THE FIRST
2414
01:31:18,840 --> 01:31:20,442
GAY KISS, THE FIRST GAY
2415
01:31:20,442 --> 01:31:24,012
MARRIAGE, AND THE FIRST
2416
01:31:24,012 --> 01:31:24,646
TRANSGENDER SUPERHERO, WHILE
2417
01:31:24,646 --> 01:31:26,781
CHAMPIONING DIVERSITY.
2418
01:31:26,781 --> 01:31:28,316
HE'S A WRITER AND DIRECTOR, A
2419
01:31:28,316 --> 01:31:29,951
PRODUCER AND PHILANTHROPIST
2420
01:31:29,951 --> 01:31:31,019
WHOSE CAUSES INCLUDE THE F
2421
01:31:31,019 --> 01:31:32,554
CANCER GALA AND THE GIVING
2422
01:31:32,554 --> 01:31:34,689
SPIRIT MPTF AND THE
2423
01:31:34,689 --> 01:31:36,825
ENTERTAINMENT COMMUNITY FUND.
2424
01:31:36,825 --> 01:31:38,893
NAMED ONE OF TIME MAGAZINE'S
2425
01:31:38,893 --> 01:31:39,961
100 MOST INFLUENTIAL PEOPLE IN
2426
01:31:39,961 --> 01:31:40,528
THE WORLD, HONORED FOR HIS
2427
01:31:40,528 --> 01:31:41,496
POWERFUL IMPACT ON ENTERTAINMENT
2428
01:31:41,496 --> 01:31:46,768
AND CULTURE.
2429
01:31:46,768 --> 01:31:47,068
TRAILBLAZER.
2430
01:31:47,068 --> 01:31:47,836
VISIONARY.
2431
01:31:47,836 --> 01:31:49,437
TELEVISION LEGEND.
2432
01:31:49,437 --> 01:32:00,482
GREG BERLANTI.
2433
01:32:00,482 --> 01:32:01,516
>> WE ARE HONORED TO PRESENT THE
2434
01:32:01,516 --> 01:32:04,185
2024 GOVERNORS AWARD TO
2435
01:32:04,185 --> 01:32:20,168
GREG BERLANTI.
2436
01:32:20,168 --> 01:32:20,969
♪
2437
01:32:20,969 --> 01:32:31,346
[ APPLAUSE ]
2438
01:32:31,346 --> 01:32:32,881
>> THANK YOU, GENTLEMEN.
2439
01:32:32,881 --> 01:32:34,516
NOT JUST FOR YOUR KIND WORDS BUT
2440
01:32:34,516 --> 01:32:35,150
FOR YOUR INCREDIBLE TALENT AND
2441
01:32:35,150 --> 01:32:37,152
FRIENDSHIP THROUGH THE YEARS.
2442
01:32:37,152 --> 01:32:38,253
THANK YOU, CHRIS ABREGO AND THE
2443
01:32:38,253 --> 01:32:40,054
BOARD OF GOVERNORS FOR THIS
2444
01:32:40,054 --> 01:32:40,889
DEEPLY HUMBLING HONOR OF A
2445
01:32:40,889 --> 01:32:42,991
LIFETIME AND OPPORTUNITY TO
2446
01:32:42,991 --> 01:32:46,694
EXPRESS MY GRATITUDE.
2447
01:32:46,694 --> 01:32:47,328
FIRST, TO EVERYONE AT HOME WHOSE
2448
01:32:47,328 --> 01:32:47,962
WATCHED OUR SHOWS, THERE IS NO
2449
01:32:47,962 --> 01:32:49,297
THANK YOU THAT WOULD EVER BE
2450
01:32:49,297 --> 01:32:51,433
ENOUGH.
2451
01:32:51,433 --> 01:32:52,467
I WANTED TO BE A PART OF TV EVEN
2452
01:32:52,467 --> 01:32:53,001
BEFORE I KNEW HOW THAT WAS
2453
01:32:53,001 --> 01:32:54,536
POSSIBLE.
2454
01:32:54,536 --> 01:32:57,172
LIKE SO MANY GEN X KIDS IN THE
2455
01:32:57,172 --> 01:32:58,740
70s AND 80s, THE ONE COLOR TV
2456
01:32:58,740 --> 01:33:04,012
OUR FAMILY COULD AFFORD WAS ON
2457
01:33:04,012 --> 01:33:04,913
AROUND THE CLOCK IN OUR HOUSE.
2458
01:33:04,913 --> 01:33:07,148
AND I WATCHED AND LOVED ALL OF
2459
01:33:07,148 --> 01:33:07,315
IT.
2460
01:33:07,315 --> 01:33:07,949
NOW, THERE WEREN'T A LOT OF GAY
2461
01:33:07,949 --> 01:33:09,684
CHARACTERS ON TV BACK THEN.
2462
01:33:09,684 --> 01:33:10,318
AND I WAS A CLOSETED GAY KID AND
2463
01:33:10,318 --> 01:33:10,952
IT'S HARD TO DESCRIBE HOW LONELY
2464
01:33:10,952 --> 01:33:11,786
THAT WAS AT THE TIME.
2465
01:33:11,786 --> 01:33:12,854
THERE WAS NO INTERNET TO CONNECT
2466
01:33:12,854 --> 01:33:15,490
WITH OTHER QUEER KIDS.
2467
01:33:15,490 --> 01:33:16,090
NO LGBTQ+ ADVOCACY GROUPS IN
2468
01:33:16,090 --> 01:33:19,694
SCHOOLS.
2469
01:33:19,694 --> 01:33:20,328
BACK THEN, THE ONLY WAY TO TELL
2470
01:33:20,328 --> 01:33:22,330
IF ANOTHER KID MIGHT BE GAY WAS
2471
01:33:22,330 --> 01:33:22,931
IF HE ALSO WATCHED "DYNASTY,"
2472
01:33:22,931 --> 01:33:23,531
"DALLAS," AND COULD NAME ALL
2473
01:33:23,531 --> 01:33:30,271
FOUR OF "THE GOLDEN GIRLS."
2474
01:33:30,271 --> 01:33:30,572
THAT'S TRUE.
2475
01:33:30,572 --> 01:33:31,172
THEN, THE INITIAL REPORTS OF
2476
01:33:31,172 --> 01:33:32,006
AIDS STARTED SHOWING UP ON THE
2477
01:33:32,006 --> 01:33:33,441
NEWS.
2478
01:33:33,441 --> 01:33:34,976
AND FOR THE FIRST TIME IN MY
2479
01:33:34,976 --> 01:33:39,114
LIFE, I SAW OPENLY GAY MEN ON
2480
01:33:39,114 --> 01:33:39,414
TELEVISION.
2481
01:33:39,414 --> 01:33:40,014
TOO MANY WERE DYING, BUT THEY
2482
01:33:40,014 --> 01:33:40,682
WERE ALSO IN THE STREETS, MEN
2483
01:33:40,682 --> 01:33:42,250
HOLDING HANDS WITH OTHER MEN,
2484
01:33:42,250 --> 01:33:42,851
MARCHING, FIGHTING FOR THEIR
2485
01:33:42,851 --> 01:33:43,885
LIVES.
2486
01:33:43,885 --> 01:33:45,453
AND THEY GAVE ME HOPE THAT I
2487
01:33:45,453 --> 01:33:47,055
MIGHT ONE DAY HAVE THEIR COURAGE
2488
01:33:47,055 --> 01:33:50,158
TO COME OUT AND SHARE MY TRUTH
2489
01:33:50,158 --> 01:33:52,060
WITH THE WORLD.
2490
01:33:52,060 --> 01:33:52,660
THE OTHER THING THAT HAPPENED
2491
01:33:52,660 --> 01:33:53,361
BECAUSE OF TV WAS THAT I
2492
01:33:53,361 --> 01:33:53,995
ANNOUNCED TO MY FAMILY THE FIRST
2493
01:33:53,995 --> 01:33:54,963
TV CREATOR I WANTED TO BE,
2494
01:33:54,963 --> 01:34:00,668
JIM HENSON.
2495
01:34:00,668 --> 01:34:01,736
AND MY MOM GOT BUSINESS CARDS
2496
01:34:01,736 --> 01:34:02,804
MADE UP THAT SAID
2497
01:34:02,804 --> 01:34:03,371
"GREG BERLANTI, PUPPETEER."
2498
01:34:03,371 --> 01:34:03,938
AND SHE PUT THESE CARDS ALL
2499
01:34:03,938 --> 01:34:04,973
AROUND TOWN AND I STARTED
2500
01:34:04,973 --> 01:34:07,542
PERFORMING PUPPET SHOWS FOR
2501
01:34:07,542 --> 01:34:08,009
KID'S BIRTHDAYS.
2502
01:34:08,009 --> 01:34:08,643
THAT WAS IT, SOMEONE BELIEVED IN
2503
01:34:08,643 --> 01:34:10,678
ME, THAT I COULD TELL STORIES
2504
01:34:10,678 --> 01:34:11,012
FOR A LIVING.
2505
01:34:11,012 --> 01:34:11,646
IT'S WHY I'M SO APPRECIATIVE OF
2506
01:34:11,646 --> 01:34:14,382
THIS HONOR.
2507
01:34:14,382 --> 01:34:15,016
IT WON'T REMIND ME OF A SINGLE
2508
01:34:15,016 --> 01:34:15,650
SHOW, BUT INSTEAD IT WILL REMIND
2509
01:34:15,650 --> 01:34:17,018
ME OF ALL THE PEOPLE, LIKE MY
2510
01:34:17,018 --> 01:34:18,119
MOM WHOSE SHOULDERS I RODE IN ON
2511
01:34:18,119 --> 01:34:22,991
TONIGHT.
2512
01:34:22,991 --> 01:34:23,825
TOO MANY TO MENTION.
2513
01:34:23,825 --> 01:34:25,193
ALL THE TEACHERS, FRIENDS,
2514
01:34:25,193 --> 01:34:25,827
REPRESENTATIVES AND EXECUTIVES
2515
01:34:25,827 --> 01:34:26,828
ACROSS THE YEARS.
2516
01:34:26,828 --> 01:34:27,829
ACTORS AND CREWS WHO MADE REAL
2517
01:34:27,829 --> 01:34:28,997
THE WORLDS WE DREAMT UP.
2518
01:34:28,997 --> 01:34:29,531
AND I'LL REMEMBER ALL THE
2519
01:34:29,531 --> 01:34:32,066
WRITERS I DREAMT THOSE WORLDS UP
2520
01:34:32,066 --> 01:34:33,101
WITH.
2521
01:34:33,101 --> 01:34:34,669
IT WILL REMIND ME OF MY WARNER
2522
01:34:34,669 --> 01:34:35,703
BROTHERS TV FAMILY THAT'S BEEN
2523
01:34:35,703 --> 01:34:38,373
MY HOME FROM MY BEGINNINGS LED
2524
01:34:38,373 --> 01:34:39,908
BY THE GREAT PETER ROTH TO OUR
2525
01:34:39,908 --> 01:34:40,408
AMAZING LEADERS TODAY,
2526
01:34:40,408 --> 01:34:40,975
CHANNING DUNGEY AND
2527
01:34:40,975 --> 01:34:44,012
DAVID ZASLAV.
2528
01:34:44,012 --> 01:34:44,646
AND MY SEATMATES THIS EVENING,
2529
01:34:44,646 --> 01:34:46,981
WHO STAND IN FOR ALL THE OTHER
2530
01:34:46,981 --> 01:34:47,815
COWORKERS AND FAMILY WHO MADE
2531
01:34:47,815 --> 01:34:49,417
THIS MOMENT POSSIBLE.
2532
01:34:49,417 --> 01:34:52,053
THE AMAZING CARL OGAWA.
2533
01:34:52,053 --> 01:34:53,087
MY PRODUCING PARTNER, THE
2534
01:34:53,087 --> 01:34:56,257
INCOMPARABLE SARAH SCHECHTER.
2535
01:34:56,257 --> 01:34:56,891
MY LOVING SISTER DINA, MY FATHER
2536
01:34:56,891 --> 01:35:00,495
GENE.
2537
01:35:00,495 --> 01:35:02,063
MY DAD WAS A BUSINESSMAN HIS
2538
01:35:02,063 --> 01:35:04,065
WHOLE LIFE AND YET MADE ME STUDY
2539
01:35:04,065 --> 01:35:04,666
THEATRE IN COLLEGE BECAUSE HE
2540
01:35:04,666 --> 01:35:07,302
KNEW IT'S WHAT I LOVED.
2541
01:35:07,302 --> 01:35:08,002
LASTLY, MY SOULMATE, MY HUSBAND
2542
01:35:08,002 --> 01:35:13,107
ROBBIE ROGERS.
2543
01:35:13,107 --> 01:35:15,143
WHO IS NOT JUST HERE FOR ME BUT
2544
01:35:15,143 --> 01:35:18,980
BECAUSE HE PRODUCED "THE FELLOW
2545
01:35:18,980 --> 01:35:19,981
TRAVELERS," WHICH EVERYONE
2546
01:35:19,981 --> 01:35:20,682
SHOULD WATCH.
2547
01:35:20,682 --> 01:35:22,250
IT'S AMAZING.
2548
01:35:22,250 --> 01:35:22,884
WHEN I THINK ABOUT IT, TO HAVE
2549
01:35:22,884 --> 01:35:23,551
TRAVELED THAT DISTANCE FROM THAT
2550
01:35:23,551 --> 01:35:24,419
SCARED KID YEARS AGO TO THIS
2551
01:35:24,419 --> 01:35:26,521
EVENING, WITH MY HUSBAND IN THE
2552
01:35:26,521 --> 01:35:28,056
AUDIENCE AND OUR TWO BEAUTIFUL
2553
01:35:28,056 --> 01:35:31,793
CHILDREN CALEB AND MIA WATCHING
2554
01:35:31,793 --> 01:35:32,427
AT HOME, WHEN I THINK ABOUT HOW
2555
01:35:32,427 --> 01:35:33,061
MUCH THE WORLD HAD TO CHANGE TO
2556
01:35:33,061 --> 01:35:34,429
MAKE THE LIFE I'M LIVING NOW
2557
01:35:34,429 --> 01:35:35,997
POSSIBLE, EVEN IN HINDSIGHT IT'S
2558
01:35:35,997 --> 01:35:38,666
UNIMAGINABLE TO ME.
2559
01:35:38,666 --> 01:35:40,702
SADLY, THE ONE PERSON WHO DID
2560
01:35:40,702 --> 01:35:41,336
IMAGINE THIS NIGHT FIRST IS NOT
2561
01:35:41,336 --> 01:35:43,871
HERE TO CELEBRATE IT.
2562
01:35:43,871 --> 01:35:46,975
WE LOST MY MOM SEVERAL YEARS AGO
2563
01:35:46,975 --> 01:35:48,009
TO CANCER, BUT THE BELIEF SHE
2564
01:35:48,009 --> 01:35:51,246
HAD IN ME STILL LINGERS LONG
2565
01:35:51,246 --> 01:35:51,646
AFTER SHE'S GONE.
2566
01:35:51,646 --> 01:35:52,947
THAT'S HOW POWERFUL BELIEF IS.
2567
01:35:52,947 --> 01:35:54,415
AND HER BELIEF TRAVELS THROUGH
2568
01:35:54,415 --> 01:35:55,450
ME AND OUT TO ALL OF THE KIDS
2569
01:35:55,450 --> 01:35:58,686
OUT THERE WHO TODAY MAY FEEL
2570
01:35:58,686 --> 01:35:59,254
ALONE OR OTHER OR SCARED TO
2571
01:35:59,254 --> 01:36:01,789
SHARE THEIR TRUTH WITH THE
2572
01:36:01,789 --> 01:36:01,990
WORLD.
2573
01:36:01,990 --> 01:36:04,058
IF MY MOM WERE HERE, SHE WOULD
2574
01:36:04,058 --> 01:36:04,993
WANT YOU TO KNOW THAT YOU'RE
2575
01:36:04,993 --> 01:36:06,561
LOVED AND YOU'RE WORTHY AND YOU
2576
01:36:06,561 --> 01:36:07,195
HAVE A STORY TO TELL AND WE NEED
2577
01:36:07,195 --> 01:36:07,762
THOSE STORIES NOW MORE THAN
2578
01:36:07,762 --> 01:36:09,697
EVER.
2579
01:36:09,697 --> 01:36:10,999
AND SHE BELIEVES IN YOU AND I
2580
01:36:10,999 --> 01:36:11,332
DO, TOO.
2581
01:36:11,332 --> 01:36:13,868
SO, HURRY UP AND GET HERE.
2582
01:36:13,868 --> 01:36:14,936
UNTIL THEN, FROM THE BOTTOM OF
2583
01:36:14,936 --> 01:36:16,037
MY HEART, THANK YOU ALL SO VERY
2584
01:36:16,037 --> 01:36:27,081
MUCH.
2585
01:36:27,081 --> 01:36:27,582
♪
2586
01:36:27,582 --> 01:36:27,882
[ APPLAUSE ]
2587
01:36:27,882 --> 01:36:28,416
>> Announcer: UP NEXT, TV
2588
01:36:28,416 --> 01:36:29,183
COACHES JANE LYNCH AND
2589
01:36:29,183 --> 01:36:29,817
BRENDAN HUNT TEAM UP TO PRESENT
2590
01:36:29,817 --> 01:36:30,785
AN AWARD AND STAY TUNED FOR A
2591
01:36:30,785 --> 01:36:32,053
SPECIAL PERFORMANCE BY
2592
01:36:32,053 --> 01:36:33,388
JELLY ROLL.
2593
01:36:33,388 --> 01:36:36,057
THEN LATER, WE'RE JOINED BY
2594
01:36:36,057 --> 01:36:36,691
THREE OF YOUR FAVORITE TV COPS,
2595
01:36:36,691 --> 01:36:37,625
DON JOHNSON, JIMMY SMITS, AND
2596
01:36:37,625 --> 01:36:39,694
NIECY NASH-BETTS.
2597
01:36:54,142 --> 01:36:54,742
>> AS SOMEONE WHO NEVER TRULY
2598
01:36:54,742 --> 01:36:59,614
APPRECIATED THE INSIDE OF A
2599
01:36:59,614 --> 01:37:00,181
GYMNASIUM OR WHAT IT HAD TO
2600
01:37:00,181 --> 01:37:00,982
OFFER, I NOW HAVE THE UNIQUE
2601
01:37:00,982 --> 01:37:03,618
PLEASURE TO INTRODUCE A COUPLE
2602
01:37:03,618 --> 01:37:04,218
OF GREAT TV COACHES.
2603
01:37:04,218 --> 01:37:05,286
PLEASE WELCOME JANE LYNCH AND
2604
01:37:05,286 --> 01:37:14,929
BRENDAN HUNT.
2605
01:37:14,929 --> 01:37:15,229
[ APPLAUSE ]
2606
01:37:15,229 --> 01:37:19,967
♪
2607
01:37:19,967 --> 01:37:21,502
>> WE'RE IN A LOCKER ROOM,
2608
01:37:21,502 --> 01:37:22,136
BECAUSE WE BOTH PLAYED COACHES
2609
01:37:22,136 --> 01:37:22,603
ON TV SHOWS.
2610
01:37:22,603 --> 01:37:23,638
>> BUT ONLY ONE OF US PLAYED A
2611
01:37:23,638 --> 01:37:27,842
HEAD COACH.
2612
01:37:27,842 --> 01:37:33,081
>> PEOPLE DON'T KNOW THIS BUT WE
2613
01:37:33,081 --> 01:37:33,648
BOTH STUDIED THEATER AT ISU.
2614
01:37:33,648 --> 01:37:35,216
>> NOBODY CARES ABOUT THAT.
2615
01:37:35,216 --> 01:37:37,385
JUST TO BE CLEAR, I WAS THE HEAD
2616
01:37:37,385 --> 01:37:38,386
COACH ON “GLEE,” AND YOU WERE
2617
01:37:38,386 --> 01:37:38,986
THE ASSISTANT COACH ON “TED
2618
01:37:38,986 --> 01:37:44,959
LASSO.”
2619
01:37:44,959 --> 01:37:45,993
>> YEAH, YES.
2620
01:37:45,993 --> 01:37:48,596
BUT I DON'T SEE WHY THAT
2621
01:37:48,596 --> 01:37:49,163
DISTINCTION MATTERS.
2622
01:37:49,163 --> 01:37:50,565
>> IT MATTERS, BECAUSE HEAD
2623
01:37:50,565 --> 01:37:51,199
COACHES, LIKE DIRECTORS IN THIS
2624
01:37:51,199 --> 01:37:51,699
CATEGORY, ARE IN CHARGE.
2625
01:37:51,699 --> 01:37:52,700
AND ASSISTANT COACHES ARE
2626
01:37:52,700 --> 01:37:54,569
UNDERLINGS.
2627
01:37:54,569 --> 01:37:55,169
LIKE IF YOU WERE MY ASSISTANT
2628
01:37:55,169 --> 01:37:55,803
COACH, I WOULD SAY, “DON'T
2629
01:37:55,803 --> 01:37:57,372
SLOUCH WHEN YOU PRESENT AN EMMY,
2630
01:37:57,372 --> 01:38:00,541
STAND UP STRAIGHT.”
2631
01:38:00,541 --> 01:38:03,611
>> AND I WOULD SAY, “BOSS,
2632
01:38:03,611 --> 01:38:04,746
METHODS OF FEAR AND INTIMIDATION
2633
01:38:04,746 --> 01:38:05,113
ARE OUTDATED.”
2634
01:38:05,113 --> 01:38:05,813
AND PLAYERS TODAY RESPOND BEST
2635
01:38:05,813 --> 01:38:09,484
TO LOVE AND RESPECT.
2636
01:38:09,484 --> 01:38:11,619
>> AND I WOULD NOD IN PRETEND
2637
01:38:11,619 --> 01:38:13,721
AGREEMENT.
2638
01:38:13,721 --> 01:38:15,623
LET'S TAKE A LOOK AT THE
2639
01:38:15,623 --> 01:38:17,425
NOMINEES FOR DIRECTING FOR A
2640
01:38:17,425 --> 01:38:17,959
DRAMA SERIES.
2641
01:38:17,959 --> 01:38:18,626
Announcer: STEPHEN DALDRY, “THE
2642
01:38:18,626 --> 01:38:23,631
CROWN.”
2643
01:38:23,631 --> 01:38:24,332
MIMI LEDER, “THE MORNING SHOW.”
2644
01:38:24,332 --> 01:38:26,901
HIRO MURAI, “MR. & MRS. SMITH.”
2645
01:38:26,901 --> 01:38:29,003
FREDERICK E.O. TOYE, “SHOGUN.”
2646
01:38:29,003 --> 01:38:33,174
SAUL METZSTEIN, “SLOW HORSES.”
2647
01:38:33,174 --> 01:38:35,243
SALLI RICHARDSON-WHITFIELD,
2648
01:38:35,243 --> 01:38:35,910
“WINNING TIME: THE RISE OF THE
2649
01:38:35,910 --> 01:38:43,117
LAKERS DYNASTY.”
2650
01:38:43,117 --> 01:38:45,186
>> THIS IS THE ENVELOPE?
2651
01:38:45,186 --> 01:38:47,121
>> OH, I GAVE THAT ENVELOPE TO
2652
01:38:47,121 --> 01:38:47,655
SOME VERY SPECIAL GUESTS.
2653
01:38:47,655 --> 01:38:48,189
>> PLEASE WELCOME OLYMPIC
2654
01:38:48,189 --> 01:38:49,757
ATHLETES ILONA MAHER,
2655
01:38:49,757 --> 01:38:51,859
STEPHEN NEDOROSCIK,
2656
01:38:51,859 --> 01:38:52,927
CAELEB DRESSEL AND PARALYMPIAN
2657
01:38:52,927 --> 01:39:05,273
EZRA FRECH.
2658
01:39:05,273 --> 01:39:06,541
♪
2659
01:39:06,541 --> 01:39:11,579
[ APPLAUSE ]
2660
01:39:11,579 --> 01:39:17,385
>> AND THE EMMY GOES TO --
2661
01:39:17,385 --> 01:39:27,628
>> FREDERICK E.O. TOYE,
2662
01:39:27,628 --> 01:39:27,962
""SHOGUN."
2663
01:39:27,962 --> 01:39:29,564
>> THIS IS THE FIRST EMMY WIN
2664
01:39:29,564 --> 01:39:34,035
AND SECOND NOMINATION FOR
2665
01:39:34,035 --> 01:39:53,855
FREDERICK E.O. TOYE.
2666
01:39:53,855 --> 01:39:55,423
>> HELLO, HELLO.
2667
01:39:55,423 --> 01:39:55,890
HI.
2668
01:39:55,890 --> 01:39:57,258
I KNOW A LOT OF YOU.
2669
01:39:57,258 --> 01:39:58,826
I'M SO GRATEFUL TO BE HERE.
2670
01:39:58,826 --> 01:40:01,128
THANK YOU SO MUCH FOR THIS.
2671
01:40:01,128 --> 01:40:02,563
THANKS TO THE ACADEMY.
2672
01:40:02,563 --> 01:40:05,099
THANKS TO HULU AND DISNEY AND FX
2673
01:40:05,099 --> 01:40:06,601
FOR THIS INCREDIBLE PROJECT.
2674
01:40:06,601 --> 01:40:09,637
I HAD THE HONOR OF BEING ASKED
2675
01:40:09,637 --> 01:40:11,606
TO PARTICIPATE IN THIS TEAM OF
2676
01:40:11,606 --> 01:40:16,744
AMAZING ACTORS AND ACTRESSES,
2677
01:40:16,744 --> 01:40:17,044
LED THE WAY.
2678
01:40:17,044 --> 01:40:21,482
AND I OWE THEM ANYTHING.
2679
01:40:21,482 --> 01:40:24,418
ANNA AND COSMO AND HERO AND ALSO
2680
01:40:24,418 --> 01:40:26,020
THE INCREDIBLE CREW.
2681
01:40:26,020 --> 01:40:27,622
MY DIRECTOR OF PHOTOGRAPHY.
2682
01:40:27,622 --> 01:40:31,092
AND I WANTED TO JUST SAY THANK
2683
01:40:31,092 --> 01:40:32,760
YOU TO MY MOM AND MY DAD AND MY
2684
01:40:32,760 --> 01:40:34,929
SISTER WHO IS HERE AND MY
2685
01:40:34,929 --> 01:40:36,597
CHILDREN, MY THREE DAUGHTERS ARE
2686
01:40:36,597 --> 01:40:38,532
HERE AND MY WIFE, SANDY.
2687
01:40:38,532 --> 01:40:40,935
ALSO WANTED TO THANK MY HEROES
2688
01:40:40,935 --> 01:40:44,672
WHO TAUGHT ME HOW TO DIRECT.
2689
01:40:44,672 --> 01:40:50,378
DAVID LEAN, ALFRED HITCHCOCK AND
2690
01:40:50,378 --> 01:40:51,145
ROBERT WISE.
2691
01:40:51,145 --> 01:40:52,847
AND THANK YOU FOR LETTING ME
2692
01:40:52,847 --> 01:40:57,652
STEAL FROM THEM EVERY DAY.
2693
01:40:57,652 --> 01:40:58,653
♪
2694
01:40:58,653 --> 01:41:05,293
[ APPLAUSE ]
2695
01:41:05,293 --> 01:41:06,861
>> Announcer: HERE ARE TONIGHT'S
2696
01:41:06,861 --> 01:41:11,632
ACCOUNTANTS FROM ERNST AND
2697
01:41:11,632 --> 01:41:12,166
YOUNG, ALONA MCCLUNEY AND
2698
01:41:12,166 --> 01:41:21,609
JADE DAVIS.
2699
01:41:21,609 --> 01:41:23,177
AND NOW, JOINING US IN TRIBUTE
2700
01:41:23,177 --> 01:41:27,615
TO THE MEMBERS OF OUR TELEVISION
2701
01:41:27,615 --> 01:41:33,454
FAMILY WE'VE LOST: JELLY ROLL.
2702
01:41:33,454 --> 01:41:34,956
>> I BELIEVE THAT MUSIC IS THEY
2703
01:41:34,956 --> 01:41:35,623
ARE PEWTER.
2704
01:41:35,623 --> 01:41:37,858
I BELIEVE THAT MUSIC CAN HEAL.
2705
01:41:37,858 --> 01:41:39,160
I ALSO BELIEVE THAT STORY
2706
01:41:39,160 --> 01:41:40,962
TELLING IS JUST AS CATHARTIC.
2707
01:41:40,962 --> 01:41:43,631
I HOPE THAT THIS SONG CAN ACT
2708
01:41:43,631 --> 01:41:45,466
AND A HEALING MOMENT FOR THOSE
2709
01:41:45,466 --> 01:41:47,101
MOURNING THE STORY TELLERS WE
2710
01:41:47,101 --> 01:41:47,969
HAVE LOST THIS YEAR.
2711
01:41:47,969 --> 01:41:50,171
IF YOU ARE FEELING LOST OR ALONE
2712
01:41:50,171 --> 01:41:52,473
TONIGHT, I WANT YOU TO KNOW THAT
2713
01:41:52,473 --> 01:42:02,616
IT'S OKAY TO NOT ALWAYS BE OKAY.
2714
01:42:02,616 --> 01:42:07,622
♪ I AM NOT OKAY
2715
01:42:07,622 --> 01:42:09,457
I'M BARELY GETTING BY ♪
2716
01:42:09,457 --> 01:42:11,592
♪ I'M LOSING TRACK OF DAYS
2717
01:42:11,592 --> 01:42:14,729
AND LOSING SLEEP AT NIGHT ♪
2718
01:42:14,729 --> 01:42:18,432
♪ I AM NOT OKAY
2719
01:42:18,432 --> 01:42:21,035
I'M HANGING ON THE RAILS ♪
2720
01:42:21,035 --> 01:42:22,570
♪ SO IF I SAY I'M FINE
2721
01:42:22,570 --> 01:42:23,137
JUST KNOW I LEARNED
2722
01:42:23,137 --> 01:42:27,375
TO HIDE IT WELL ♪
2723
01:42:27,375 --> 01:42:30,478
♪ I KNOW
2724
01:42:30,478 --> 01:42:33,681
I CAN'T BE THE ONLY ONE ♪
2725
01:42:33,681 --> 01:42:35,216
♪ WHO'S HOLDING ON
2726
01:42:35,216 --> 01:42:42,590
FOR DEAR LIFE ♪
2727
01:42:42,590 --> 01:42:43,624
♪ BUT GOD KNOWS, I KNOW
2728
01:42:43,624 --> 01:42:45,793
WHEN IT'S ALL
2729
01:42:45,793 --> 01:42:46,160
SAID AND DONE ♪
2730
01:42:46,160 --> 01:42:47,895
♪ I'M NOT OKAY
2731
01:42:47,895 --> 01:42:51,632
BUT IT'S ALL
2732
01:42:51,632 --> 01:42:52,066
GONNA BE ALRIGHT ♪
2733
01:42:52,066 --> 01:42:53,634
♪ IT'S NOT OKAY
2734
01:42:53,634 --> 01:42:55,603
BUT WE'RE ALL
2735
01:42:55,603 --> 01:43:29,370
GONNA BE ALRIGHT ♪
2736
01:43:29,370 --> 01:43:33,074
♪ I WOKE UP TODAY
2737
01:43:33,074 --> 01:43:35,576
I ALMOST STAYED IN BED ♪
2738
01:43:35,576 --> 01:43:39,580
♪ HAD THE DEVIL ON MY BACK
2739
01:43:39,580 --> 01:43:42,550
AND VOICES IN MY HEAD ♪
2740
01:43:42,550 --> 01:43:43,117
♪ SOME DAYS
2741
01:43:43,117 --> 01:43:44,652
IT AIN'T ALL BAD ♪
2742
01:43:44,652 --> 01:43:45,720
♪ SOME DAYS
2743
01:43:45,720 --> 01:43:47,288
IT ALL GETS WORSE ♪
2744
01:43:47,288 --> 01:43:48,889
♪ SOME DAYS
2745
01:43:48,889 --> 01:43:50,958
I SWEAR I'M BETTER OFF
2746
01:43:50,958 --> 01:43:54,662
LAYIN' IN THAT DIRT ♪
2747
01:43:54,662 --> 01:43:56,764
♪ I KNOW
2748
01:43:56,764 --> 01:44:00,401
I CAN'T BE THE ONLY ONE ♪
2749
01:44:00,401 --> 01:44:01,469
♪ WHO'S HOLDING ON
2750
01:44:01,469 --> 01:44:07,608
FOR DEAR LIFE ♪
2751
01:44:07,608 --> 01:44:08,809
♪ BUT GOD KNOWS, I KNOW
2752
01:44:08,809 --> 01:44:11,612
WHEN IT'S ALL
2753
01:44:11,612 --> 01:44:12,513
SAID AND DONE ♪
2754
01:44:12,513 --> 01:44:15,583
♪ I'M NOT OKAY
2755
01:44:15,583 --> 01:44:18,586
BUT IT'S ALL
2756
01:44:18,586 --> 01:44:19,019
GONNA BE ALRIGHT ♪
2757
01:44:19,019 --> 01:44:21,489
♪ IT'S NOT OKAY
2758
01:44:21,489 --> 01:44:22,523
BUT WE'RE ALL
2759
01:44:22,523 --> 01:44:24,091
GONNA BE ALRIGHT ♪
2760
01:44:24,091 --> 01:44:29,897
♪ GONNA BE ALRIGHT
2761
01:44:29,897 --> 01:45:02,997
GONNA BE ALRIGHT ♪
2762
01:45:02,997 --> 01:45:05,633
♪ I KNOW ONE DAY
2763
01:45:05,633 --> 01:45:08,736
WE'LL SEE THE OTHER SIDE ♪
2764
01:45:08,736 --> 01:45:11,605
♪ THE PAIN'LL WASH AWAY
2765
01:45:11,605 --> 01:45:15,576
IN A HOLY WATER TIDE ♪
2766
01:45:15,576 --> 01:45:15,910
♪ AND WE ALL
2767
01:45:15,910 --> 01:45:43,470
GONNA BE ALRIGHT ♪
2768
01:45:43,470 --> 01:45:45,606
♪ I KNOW
2769
01:45:45,606 --> 01:45:50,811
I CAN'T BE THE ONLY ONE ♪
2770
01:45:50,811 --> 01:45:51,245
♪ WHO'S HOLDING ON
2771
01:45:51,245 --> 01:45:55,549
FOR DEAR LIFE ♪
2772
01:45:55,549 --> 01:45:58,252
♪ BUT GOD KNOWS, I KNOW
2773
01:45:58,252 --> 01:45:59,286
WHEN IT'S ALL
2774
01:45:59,286 --> 01:46:03,624
SAID AND DONE ♪
2775
01:46:03,624 --> 01:46:05,593
♪ I'M NOT OKAY
2776
01:46:05,593 --> 01:46:06,594
BUT IT'S ALL
2777
01:46:06,594 --> 01:46:09,797
GONNA BE ALRIGHT ♪
2778
01:46:09,797 --> 01:46:10,164
♪ IT'S NOT OKAY
2779
01:46:10,164 --> 01:46:10,864
BUT WE'RE ALL
2780
01:46:10,864 --> 01:46:14,535
GONNA BE ALRIGHT ♪
2781
01:46:14,535 --> 01:46:18,205
♪ I'M NOT OKAY
2782
01:46:18,205 --> 01:46:20,307
BUT IT'S ALL
2783
01:46:20,307 --> 01:46:30,584
GONNA BE ALRIGHT ♪
2784
01:46:30,584 --> 01:46:52,506
[ APPLAUSE ]
2785
01:46:52,506 --> 01:46:55,843
>> INDUSTRY PROFESSIONAL WE WILL
2786
01:46:55,843 --> 01:46:58,879
MISS MOST GOES TO -- HI,
2787
01:46:58,879 --> 01:46:59,146
EVERYONE.
2788
01:46:59,146 --> 01:47:03,284
THIS IS THE TIME IN THE SHOW
2789
01:47:03,284 --> 01:47:03,918
WHEN WE REMEMBER THE LEGENDS WE
2790
01:47:03,918 --> 01:47:04,585
LOST OVER THE PAST YEAR, ONE OF
2791
01:47:04,585 --> 01:47:05,185
WHOM I WAS VERY LUCKY TO KNOW.
2792
01:47:05,185 --> 01:47:06,487
AND THAT WAS BOB NEWHART.
2793
01:47:06,487 --> 01:47:11,625
THOSE OF YOU WHO KNEW BOB
2794
01:47:11,625 --> 01:47:12,259
PERSONALLY, KNOW HE WAS EXACTLY
2795
01:47:12,259 --> 01:47:14,895
WHO YOU THOUGHT HE WAS AND HOPED
2796
01:47:14,895 --> 01:47:15,629
HE'D BE.
2797
01:47:15,629 --> 01:47:16,997
HE DID NOT HAVE RANGE.
2798
01:47:16,997 --> 01:47:21,702
HE DIDN'T NEED TO HAVE RANGE.
2799
01:47:21,702 --> 01:47:22,336
BOB HAD WHAT VERY FEW COMEDIANS
2800
01:47:22,336 --> 01:47:23,837
HAVE, ESPECIALLY TODAY.
2801
01:47:23,837 --> 01:47:27,608
A DEGREE IN ACCOUNTING.
2802
01:47:27,608 --> 01:47:29,076
BOB WAS A HUMBLE, POLITELY
2803
01:47:29,076 --> 01:47:30,678
HILARIOUS MAN.
2804
01:47:30,678 --> 01:47:31,312
HE GOT HIS FIRST EMMY NOMINATION
2805
01:47:31,312 --> 01:47:32,780
IN 1962.
2806
01:47:32,780 --> 01:47:33,847
AND HE DIDN'T WIN ONE
2807
01:47:33,847 --> 01:47:37,017
UNTIL 2013.
2808
01:47:37,017 --> 01:47:39,620
51 YEARS LATER.
2809
01:47:39,620 --> 01:47:41,789
WHICH IS A GREAT LESSON.
2810
01:47:41,789 --> 01:47:44,925
AND THAT LESSON IS JON STEWART
2811
01:47:44,925 --> 01:47:47,628
SHOULD BE ASHAMED OF HIMSELF.
2812
01:47:47,628 --> 01:47:57,905
YOU SAID YOU WERE RETIRING.
2813
01:47:57,905 --> 01:48:01,108
BOB WAS ONE OF OUR MOST LOVED
2814
01:48:01,108 --> 01:48:03,777
AND FUNNIEST PEOPLE AND WE WILL
2815
01:48:03,777 --> 01:48:06,413
MISS HIM FOR MANY YEARS TO COME.
2816
01:48:23,163 --> 01:48:23,731
>> AND NOW, A TV ARCHETYPE
2817
01:48:23,731 --> 01:48:25,299
EVERYONE IN THIS ROOM AGREES ON:
2818
01:48:25,299 --> 01:48:26,834
COPS.
2819
01:48:26,834 --> 01:48:28,369
PLEASE WELCOME JIMMY SMITS,
2820
01:48:28,369 --> 01:48:28,769
DON JOHNSON, AND
2821
01:48:28,769 --> 01:48:37,711
NIECY NASH-BETTS.
2822
01:48:37,711 --> 01:48:47,421
♪
2823
01:48:47,421 --> 01:48:49,757
>> WE ARE HERE REPRESENTING THE
2824
01:48:49,757 --> 01:48:51,625
LEGENDARY COPS YOU'VE SEEN
2825
01:48:51,625 --> 01:48:53,727
THROUGH THE YEARS ON TV.
2826
01:48:53,727 --> 01:48:55,295
EACH OF US PLAYED A VERY
2827
01:48:55,295 --> 01:48:57,998
DIFFERENT TYPE OF CHARACTER ON
2828
01:48:57,998 --> 01:48:58,565
SHOWS ABOUT LAW ENFORCEMENT.
2829
01:48:58,565 --> 01:49:00,034
MY CHARACTER ON “N.Y.P.D. BLUE”,
2830
01:49:00,034 --> 01:49:01,635
BOBBY SIMONE, WAS THE STRONG,
2831
01:49:01,635 --> 01:49:07,374
SENSITIVE, STREET SMART TYPE WHO
2832
01:49:07,374 --> 01:49:07,975
HAD TO REIN IN HIS ECCENTRIC
2833
01:49:07,975 --> 01:49:10,044
PARTNER.
2834
01:49:10,044 --> 01:49:12,112
>> MY CHARACTER WAS
2835
01:49:12,112 --> 01:49:12,746
RAINEESHA WILLIAMS ON “RENO
2836
01:49:12,746 --> 01:49:20,788
911.”
2837
01:49:20,788 --> 01:49:21,622
RAINEESHA BROUGHT TWO IMPORTANT
2838
01:49:21,622 --> 01:49:23,724
THINGS TO BEING A COP.
2839
01:49:23,724 --> 01:49:28,796
A MARGINAL KNOWLEDGE OF THE LAW
2840
01:49:28,796 --> 01:49:29,530
AND THE BELIEF THAT YOU CAN'T
2841
01:49:29,530 --> 01:49:34,234
FIGHT CRIME IF YOU'RE NOT CUTE.
2842
01:49:34,234 --> 01:49:44,211
>> AND SONNY CROCKETT ON “MIAMI
2843
01:49:44,211 --> 01:49:47,915
VICE” WAS THE TYPE WHO PLAYED BY
2844
01:49:47,915 --> 01:49:49,483
HIS OWN RULES, WHICH ALMOST
2845
01:49:49,483 --> 01:49:51,084
ALWAYS CONFLICTED WITH ORDERS
2846
01:49:51,084 --> 01:49:52,719
FROM HIS SUPERIORS.
2847
01:49:52,719 --> 01:49:55,789
IN THE END, THOUGH, HIS METHODS
2848
01:49:55,789 --> 01:49:56,924
WERE EFFECTIVE, AND HE ALWAYS
2849
01:49:56,924 --> 01:49:57,991
BROUGHT THE BAD GUYS TO JUSTICE.
2850
01:49:57,991 --> 01:50:00,027
>> AND I WAS THERE TO WITNESS
2851
01:50:00,027 --> 01:50:00,561
SONNY CROCKETT IN ACTION.
2852
01:50:00,561 --> 01:50:04,832
FOR ONE PAGE.
2853
01:50:04,832 --> 01:50:08,268
30 SECONDS OF SCREEN TIME I WAS
2854
01:50:08,268 --> 01:50:08,702
CROCKETT'S PARTNER.
2855
01:50:08,702 --> 01:50:11,472
KILLED BY A CAR BOMB.
2856
01:50:11,472 --> 01:50:13,740
>> YOU WERE SPECTACULAR IN THAT
2857
01:50:13,740 --> 01:50:15,542
30 SECONDS.
2858
01:50:15,542 --> 01:50:17,911
IT GOT YOU N.Y.P.D. BLUE.
2859
01:50:17,911 --> 01:50:18,779
>> I CRIED FOR A WEEK.
2860
01:50:18,779 --> 01:50:19,379
>> MY N.Y.P.D. BLUE CHARACTER
2861
01:50:19,379 --> 01:50:20,347
DIED TOO.
2862
01:50:20,347 --> 01:50:20,848
>> CAR BOMB, AGAIN?
2863
01:50:20,848 --> 01:50:24,818
>> HEART TRANSPLANT THAT GOT
2864
01:50:24,818 --> 01:50:28,789
INFECTED.
2865
01:50:28,789 --> 01:50:30,357
>> MY CHARACTERS ALWAYS LIVE.
2866
01:50:30,357 --> 01:50:35,863
HELL, I'M BLACK AND I SURVIVED
2867
01:50:35,863 --> 01:50:36,597
DAHMER.
2868
01:50:36,597 --> 01:50:36,830
COME ON.
2869
01:50:36,830 --> 01:50:37,698
AND NOW LET'S GET TO THE
2870
01:50:37,698 --> 01:50:38,732
NOMINATIONS FOR LEAD ACTOR IN A
2871
01:50:38,732 --> 01:50:39,766
LIMITED OR ANTHOLOGY SERIES OR
2872
01:50:39,766 --> 01:50:40,767
MOVIE.
2873
01:50:40,767 --> 01:50:43,403
>> Announcer: MATT BOMER,
2874
01:50:43,403 --> 01:50:43,904
“FELLOW TRAVELERS.”
2875
01:50:43,904 --> 01:50:47,641
RICHARD GADD, “BABY REINDEER.”
2876
01:50:47,641 --> 01:50:48,742
JON HAMM, “FARGO.”
2877
01:50:48,742 --> 01:50:49,409
TOM HOLLANDER, “FEUD: CAPOTE VS.
2878
01:50:49,409 --> 01:50:53,413
THE SWANS.”
2879
01:50:53,413 --> 01:50:59,753
ANDREW SCOTT, “RIPLEY.”
2880
01:50:59,753 --> 01:51:05,993
>> AND THE EMMY GOES TO --
2881
01:51:05,993 --> 01:51:13,500
RICHARD GADD, "BABY REINDEER."
2882
01:51:13,500 --> 01:51:15,736
>> THIS IS THE SECOND EMMY WIN
2883
01:51:15,736 --> 01:51:17,571
TONIGHT AND THIRD NOMINATION FOR
2884
01:51:17,571 --> 01:51:24,778
RICHARD GADD.
2885
01:51:24,778 --> 01:51:28,115
♪
2886
01:51:28,115 --> 01:51:30,384
>> YOU'RE ALL CRAZY, HONESTLY.
2887
01:51:30,384 --> 01:51:30,951
THANK YOU.
2888
01:51:30,951 --> 01:51:32,786
THANK YOU SO MUCH.
2889
01:51:32,786 --> 01:51:33,954
HONESTLY, I WASN'T EXPECTING
2890
01:51:33,954 --> 01:51:36,456
THIS ONE AT ALL, AND I DIDN'T
2891
01:51:36,456 --> 01:51:37,758
PREPARE.
2892
01:51:37,758 --> 01:51:38,792
I'M NOT JON HAMM.
2893
01:51:38,792 --> 01:51:40,827
I'M YOUR BIGGEST FAN, AS I TOLD
2894
01:51:40,827 --> 01:51:42,296
YOU LAST NIGHT OVER AND OVER
2895
01:51:42,296 --> 01:51:42,696
AGAIN.
2896
01:51:42,696 --> 01:51:43,196
THANK YOU.
2897
01:51:43,196 --> 01:51:46,466
THANK YOU TO THE DIRECTORS,
2898
01:51:46,466 --> 01:51:50,737
VERONICA AND JOSEPHINE.
2899
01:51:50,737 --> 01:51:52,439
THANKS TO ALL THE PEOPLE I
2900
01:51:52,439 --> 01:51:53,440
MENTIONED PREVIOUSLY AS WELL.
2901
01:51:53,440 --> 01:51:58,245
I'D LIKE TO THANK MY MOM AND
2902
01:51:58,245 --> 01:51:59,680
DAD, A GLARING OMISSION FROM THE
2903
01:51:59,680 --> 01:52:00,581
PREVIOUS ONE AS WELL.
2904
01:52:00,581 --> 01:52:01,582
THEY'RE THE BEST.
2905
01:52:01,582 --> 01:52:03,283
WE'VE HAD TRYING TIMES AS A
2906
01:52:03,283 --> 01:52:04,585
FAMILY AND THEY HAVE BEEN THERE
2907
01:52:04,585 --> 01:52:06,920
FOR ME, A CONSTANT COURSE OF
2908
01:52:06,920 --> 01:52:08,655
LOVE AND SUPPORT.
2909
01:52:08,655 --> 01:52:10,591
THEY NEVER EVER TOLD ME WHAT I
2910
01:52:10,591 --> 01:52:12,626
NEEDED TO DO WITH MY LIFE AND
2911
01:52:12,626 --> 01:52:13,994
THEY NEVER TOLD ME WHAT I NEEDED
2912
01:52:13,994 --> 01:52:14,394
TO BE.
2913
01:52:14,394 --> 01:52:16,964
I THINK THAT'S THE GREATEST GIFT
2914
01:52:16,964 --> 01:52:19,333
A PARENT CAN GIVE A CHILD.
2915
01:52:19,333 --> 01:52:20,634
THEY ALWAYS SAID FOLLOW YOUR
2916
01:52:20,634 --> 01:52:22,002
HEART AND THE REST WILL FALL
2917
01:52:22,002 --> 01:52:22,603
INTO PLACE.
2918
01:52:22,603 --> 01:52:25,672
I THINK THAT'S GOOD ADVICE.
2919
01:52:25,672 --> 01:52:26,907
FOLLOW YOUR HEART AND THE REST
2920
01:52:26,907 --> 01:52:28,275
WILL FALL INTO PLACE.
2921
01:52:28,275 --> 01:52:31,645
THANK YOU.
2922
01:52:31,645 --> 01:52:40,787
♪
2923
01:52:40,787 --> 01:52:49,796
>>> PLEASE WELCOME OUR EMMY
2924
01:52:49,796 --> 01:52:55,202
NOMINEES.
2925
01:52:55,202 --> 01:52:56,270
>> PAST WINNERS IN OUR NEXT
2926
01:52:56,270 --> 01:52:56,870
CATEGORY INCLUDE SOME OF THE
2927
01:52:56,870 --> 01:52:58,872
GREATEST ACTRESSES OF THE PAST
2928
01:52:58,872 --> 01:53:02,276
HALF CENTURY.
2929
01:53:02,276 --> 01:53:04,745
OR EVER.
2930
01:53:04,745 --> 01:53:05,379
>> OR EVER.
2931
01:53:05,379 --> 01:53:11,585
>> MERYL STREEP, REGINA KING,
2932
01:53:11,585 --> 01:53:16,790
HELEN MIRREN TO NAME JUST A FEW.
2933
01:53:16,790 --> 01:53:17,391
>> AND ALTHOUGH THE CATEGORY
2934
01:53:17,391 --> 01:53:19,493
TITLE MAY INCLUDE THE WORD
2935
01:53:19,493 --> 01:53:20,060
LIMITED, THE TALENT OF THIS
2936
01:53:20,060 --> 01:53:22,162
YEAR'S NOMINEES KNOWS NO BOUNDS.
2937
01:53:22,162 --> 01:53:24,798
>> HERE THEY ARE, THE NOMINEES
2938
01:53:24,798 --> 01:53:27,401
FOR LEAD ACTRESS IN A LIMITED OR
2939
01:53:27,401 --> 01:53:29,503
ANTHOLOGY SERIES OR MOVIE.
2940
01:53:29,503 --> 01:53:30,570
>> Announcer: JODIE FOSTER,
2941
01:53:30,570 --> 01:53:33,707
“TRUE DETECTIVE: NIGHT COUNTRY”"
2942
01:53:33,707 --> 01:53:34,274
BRIE LARSON, “LESSONS IN
2943
01:53:34,274 --> 01:53:37,411
CHEMISTRY.”
2944
01:53:37,411 --> 01:53:40,747
JUNO TEMPLE, “FARGO.”
2945
01:53:40,747 --> 01:53:43,684
SOFIA VERGARA, “GRISELDA.”
2946
01:53:43,684 --> 01:53:44,785
NAOMI WATTS, “FEUD: CAPOTE VS.
2947
01:53:44,785 --> 01:53:50,557
THE SWANS.”
2948
01:53:50,557 --> 01:54:00,200
>> AND THE EMMY GOES TO --
2949
01:54:00,200 --> 01:54:01,435
JODIE FOSTER!
2950
01:54:01,435 --> 01:54:01,935
[ APPLAUSE ]
2951
01:54:01,935 --> 01:54:02,135
♪
2952
01:54:02,135 --> 01:54:03,970
>> THIS IS THE FIRST EMMY WIN
2953
01:54:03,970 --> 01:54:08,608
AND FOURTH NOMINATION FOR JODIE
2954
01:54:08,608 --> 01:54:22,422
FOSTER.
2955
01:54:22,422 --> 01:54:27,961
>> WELL, THIS IS AN INCREDIBLY
2956
01:54:27,961 --> 01:54:31,264
EMOTIONAL MOMENT FOR ME BECAUSE
2957
01:54:31,264 --> 01:54:34,701
"TRUE DETECTIVE NORTH COUNTRY"
2958
01:54:34,701 --> 01:54:38,405
WAS A MAGICAL EXPERIENCE AND IT
2959
01:54:38,405 --> 01:54:41,074
COMES FROM THE TOP BEAUTIFUL,
2960
01:54:41,074 --> 01:54:43,710
TALENTED, WONDERFUL WOMAN WHO
2961
01:54:43,710 --> 01:54:46,079
DREAMED THIS UP FOR ME.
2962
01:54:46,079 --> 01:54:49,783
AND OUR INCREDIBLE, INCREDIBLE
2963
01:54:49,783 --> 01:54:53,954
ICELANDIC CREW AND OUR CAST.
2964
01:54:53,954 --> 01:54:56,022
GOSH, I LOVE YOU GUYS ALL SO
2965
01:54:56,022 --> 01:54:57,457
MUCH FROM ALL OVER THE WORLD,
2966
01:54:57,457 --> 01:54:59,993
BUT ESPECIALLY MY PARTNER IN
2967
01:54:59,993 --> 01:55:01,962
CRIME KAILEY REESE.
2968
01:55:01,962 --> 01:55:03,363
THANK YOU.
2969
01:55:03,363 --> 01:55:03,930
I KNOW.
2970
01:55:03,930 --> 01:55:05,499
I COULD TALK FAST, MAN.
2971
01:55:05,499 --> 01:55:06,800
I COULD TALK FAST.
2972
01:55:06,800 --> 01:55:13,774
MOSTLY THE INDIGENOUS PEOPLE AND
2973
01:55:13,774 --> 01:55:16,743
THE INUIT PEOPLE OF NORTH ALASKA
2974
01:55:16,743 --> 01:55:18,678
THAT JUST TOLD US OUR STORIES
2975
01:55:18,678 --> 01:55:20,347
AND ALLOWED US TO LISTEN AND
2976
01:55:20,347 --> 01:55:21,815
THAT WAS JUST A BLESSING.
2977
01:55:21,815 --> 01:55:23,216
IT WAS LOVE, LOVE, LOVE.
2978
01:55:23,216 --> 01:55:24,484
AND WHEN YOU FEEL THAT,
2979
01:55:24,484 --> 01:55:27,087
SOMETHING AMAZING HAPPENS.
2980
01:55:27,087 --> 01:55:29,322
IT IS DEEP AND WONDERFUL, AND IT
2981
01:55:29,322 --> 01:55:30,590
IS OLDER THAN THIS PLACE AND
2982
01:55:30,590 --> 01:55:31,124
THIS TIME.
2983
01:55:31,124 --> 01:55:32,726
AND THAT'S JUST THE MESSAGE,
2984
01:55:32,726 --> 01:55:34,995
WHICH IS LOVE AND WORK EQUALS
2985
01:55:34,995 --> 01:55:35,228
ART.
2986
01:55:35,228 --> 01:55:38,331
TO MY BOYS, CHARLIE AND KIT,
2987
01:55:38,331 --> 01:55:38,698
REMEMBER THAT.
2988
01:55:38,698 --> 01:55:42,769
AND THE LOVE OF MY LIFE, MY
2989
01:55:42,769 --> 01:55:42,969
WIFE.
2990
01:55:42,969 --> 01:55:43,403
THANK YOU SO MUCH.
2991
01:55:43,403 --> 01:55:43,770
THANK YOU.
2992
01:55:43,770 --> 01:55:53,413
CHEERS!
2993
01:55:58,151 --> 01:56:02,889
>>> PLEASE WELCOME SIX-TIME EMMY
2994
01:56:02,889 --> 01:56:18,438
WINNER, JEAN SMART!
2995
01:56:18,438 --> 01:56:19,005
>> THESE NEXT FIVE NOMINEES
2996
01:56:19,005 --> 01:56:19,639
EXEMPLIFY THE EXCELLENCE OF WHAT
2997
01:56:19,639 --> 01:56:20,740
BEING NOMINATED FOR AN EMMY IS
2998
01:56:20,740 --> 01:56:24,778
ALL ABOUT.
2999
01:56:24,778 --> 01:56:26,613
THEY'RE ALL OUTSTANDING.
3000
01:56:26,613 --> 01:56:27,981
ALTHOUGH, I DO NEED TO LEARN TO
3001
01:56:27,981 --> 01:56:29,082
READ THE SYNOPSIS.
3002
01:56:29,082 --> 01:56:30,083
I THOUGHT “BABY REINDEER” WAS A
3003
01:56:30,083 --> 01:56:33,320
DELIGHTFUL CHILDREN'S STORY
3004
01:56:33,320 --> 01:56:33,954
ABOUT RUDOLPH AND HIS RED-NOSED
3005
01:56:33,954 --> 01:56:39,860
FAMILY.
3006
01:56:39,860 --> 01:56:42,095
SO NOT EVEN CLOSE.
3007
01:56:42,095 --> 01:56:42,629
HERE ARE THE NOMINEES FOR
3008
01:56:42,629 --> 01:56:43,263
OUTSTANDING LIMITED OR ANTHOLOGY
3009
01:56:43,263 --> 01:56:43,697
SERIES.
3010
01:56:43,697 --> 01:56:44,731
>> Announcer: “BABY REINDEER,”
3011
01:56:44,731 --> 01:56:49,436
RICHARD GADD.
3012
01:56:49,436 --> 01:56:50,003
“FARGO,” NOAH HAWLEY.
3013
01:56:50,003 --> 01:56:51,071
“LESSONS IN CHEMISTRY,”
3014
01:56:51,071 --> 01:56:52,739
LEE EISENBERG.
3015
01:56:52,739 --> 01:56:53,373
“RIPLEY,” STEVEN ZAILLIAN.
3016
01:56:53,373 --> 01:56:56,276
“TRUE DETECTIVE: NIGHT COUNTRY”"
3017
01:56:56,276 --> 01:57:05,785
>> AND THE EMMY GOES TO --
3018
01:57:05,785 --> 01:57:09,422
""BABY REINDEER""!
3019
01:57:09,422 --> 01:57:11,725
[ APPLAUSE ]
3020
01:57:11,725 --> 01:57:14,528
>> "BABY REINDEER" RECEIVED 11
3021
01:57:14,528 --> 01:57:15,562
NOMINATIONS THIS YEAR, WINNING
3022
01:57:15,562 --> 01:57:19,065
AT THE CREATIVE ARTS EMMYS.
3023
01:57:19,065 --> 01:57:20,967
TONIGHT THEY TAKE HOME FOUR
3024
01:57:20,967 --> 01:57:22,969
EMMYS, ACCEPTING ON BEHALF OF
3025
01:57:22,969 --> 01:57:28,275
THE PEOPLE IS RICHARD GADD.
3026
01:57:28,275 --> 01:57:34,014
♪
3027
01:57:34,014 --> 01:57:34,781
>> YEAH.
3028
01:57:34,781 --> 01:57:36,182
THANK YOU SO MUCH.
3029
01:57:36,182 --> 01:57:39,552
THIS IS INBELIEVABLE.
3030
01:57:39,552 --> 01:57:41,788
LET ME INTRODUCE IT TO EVERYONE.
3031
01:57:41,788 --> 01:57:44,257
TO OUR WONDERFUL DIRECTORS,
3032
01:57:44,257 --> 01:57:47,727
WONDERFUL CAST AND DIRECTOR.
3033
01:57:47,727 --> 01:57:48,762
AMAZING CAST.
3034
01:57:48,762 --> 01:57:49,629
I CAN'T BELIEVE I FORGOT TO
3035
01:57:49,629 --> 01:57:50,630
THANK YOU GUYS.
3036
01:57:50,630 --> 01:57:52,232
LOOK, YOU KNOW, I KNOW THE
3037
01:57:52,232 --> 01:57:53,800
INDUSTRY IS IN A SLUMP RIGHT
3038
01:57:53,800 --> 01:57:56,436
NOW, AND I KNOW THAT IT MIGHT
3039
01:57:56,436 --> 01:57:58,038
FORCE OR PUT PRESSURE ON
3040
01:57:58,038 --> 01:57:59,472
NETWORKS AND STUFF TO TIGHTEN
3041
01:57:59,472 --> 01:58:01,374
THE PURSESTRINGS AND BROADEN THE
3042
01:58:01,374 --> 01:58:01,574
SLATE.
3043
01:58:01,574 --> 01:58:03,643
BUT I DO BELIEVE NO SLUMP WAS
3044
01:58:03,643 --> 01:58:04,644
EVER BROKEN WITHOUT WILLINGNESS
3045
01:58:04,644 --> 01:58:05,979
TO TAKE RISKS.
3046
01:58:05,979 --> 01:58:09,149
I THINK IF "BABY REINDEER" HAS
3047
01:58:09,149 --> 01:58:10,283
PROVED ANYTHING IS THAT THERE IS
3048
01:58:10,283 --> 01:58:12,519
NO NET FORMULA TO THIS.
3049
01:58:12,519 --> 01:58:14,788
YOU DON'T NEED BIG STARS,
3050
01:58:14,788 --> 01:58:19,426
LONG-RUNNING SERIES TO HAVE A
3051
01:58:19,426 --> 01:58:22,729
HIT.
3052
01:58:22,729 --> 01:58:24,497
REALLY, REALLY, THE ONLY
3053
01:58:24,497 --> 01:58:27,100
CONSTANT ACROSS ANY SUCCESS IN
3054
01:58:27,100 --> 01:58:29,069
TELEVISION IS GOOD STORY
3055
01:58:29,069 --> 01:58:29,302
TELLING.
3056
01:58:29,302 --> 01:58:30,570
GOOD STORY TELLING THAT SPEAKS
3057
01:58:30,570 --> 01:58:32,305
TO OUR TIMES.
3058
01:58:32,305 --> 01:58:36,509
SO TAKE RISKS, PUSH BOUNDARIES,
3059
01:58:36,509 --> 01:58:39,612
EXPLORE THE UNCOMFORTABLE, DARE
3060
01:58:39,612 --> 01:58:41,781
TO FAIL IN ORDER TO ACHIEVE.
3061
01:58:41,781 --> 01:58:46,386
THANKS SO MUCH FOR THIS AWARD.
3062
01:58:46,386 --> 01:58:48,755
♪
3063
01:58:48,755 --> 01:58:49,456
>> Announcer: UP NEXT, TWO GIANT
3064
01:58:49,456 --> 01:58:52,092
AWARDS AS STEVEN YEUN PRESENTS
3065
01:58:52,092 --> 01:58:52,692
LEAD ACTOR IN A DRAMA SERIES,
3066
01:58:52,692 --> 01:58:53,693
THEN LATER, THE EMMY FOR LEAD
3067
01:58:53,693 --> 01:58:57,897
ACTRESS IN A DRAMA SERIES IS IN
3068
01:58:57,897 --> 01:58:58,531
THE HANDS OF TV'S TOP ATTORNEYS
3069
01:58:58,531 --> 01:59:00,500
VIOLA DAVIS, GINA TORRES AND
3070
01:59:00,500 --> 01:59:00,934
CHRISTINE BARANSKI.
3071
01:59:00,934 --> 01:59:01,434
IT'S THE EMMYS ON ABC.
3072
01:59:15,448 --> 01:59:21,354
>>> PLEASE WELCOME STEVEN YEON.
3073
01:59:21,354 --> 01:59:22,522
!
3074
01:59:22,522 --> 01:59:23,089
>> THESE SIX MEN DELIVERED
3075
01:59:23,089 --> 01:59:23,723
PERFORMANCES SO CAPTIVATING THAT
3076
01:59:23,723 --> 01:59:25,025
THEY TRANSPORTED US, SHOWCASING
3077
01:59:25,025 --> 01:59:26,092
FLUIDITY IN THE CRAFT.
3078
01:59:26,092 --> 01:59:26,726
HERE ARE THE NOMINEES FOR LEAD
3079
01:59:26,726 --> 01:59:27,660
ACTOR IN A DRAMA SERIES.
3080
01:59:27,660 --> 01:59:28,728
>> Announcer: IDRIS ELBA,
3081
01:59:28,728 --> 01:59:29,796
"HIJACK."
3082
01:59:29,796 --> 01:59:31,464
DONALD GLOVER, "MR. &
3083
01:59:31,464 --> 01:59:34,434
MRS. SMITH."
3084
01:59:34,434 --> 01:59:34,968
WALTON GOGGINS, "FALLOUT."
3085
01:59:34,968 --> 01:59:37,637
GARY OLDMAN, "SLOW HORSES."
3086
01:59:37,637 --> 01:59:40,206
HIROYUKI SANADA, "SHOGUN."
3087
01:59:40,206 --> 01:59:43,910
DOMINIC WEST, "THE CROWN."
3088
01:59:43,910 --> 01:59:51,251
>> AND THE EMMY GOES TO --
3089
01:59:51,251 --> 01:59:56,723
HIROYUKI SANADA.
3090
01:59:56,723 --> 01:59:57,190
[ APPLAUSE ]
3091
01:59:57,190 --> 01:59:57,390
♪
3092
01:59:57,390 --> 01:59:59,492
>> THIS IS THE FIRST EMMY WIN
3093
01:59:59,492 --> 02:00:07,467
AND NOMINATION FOR HIROYUKI
3094
02:00:07,467 --> 02:00:26,352
SANADA.
3095
02:00:26,352 --> 02:00:27,320
>> THANK YOU.
3096
02:00:27,320 --> 02:00:29,856
THANK YOU SO MUCH.
3097
02:00:29,856 --> 02:00:34,027
OH, MY GOODNESS.
3098
02:00:34,027 --> 02:00:42,368
I'M WOND HONORED TO BE HERE WITH
3099
02:00:42,368 --> 02:00:43,570
AMAZING NOMINEES.
3100
02:00:43,570 --> 02:00:48,875
AND THANK YOU FOR FX, DISNEY AND
3101
02:00:48,875 --> 02:00:50,343
HULU FOR BELIEVING IN ME.
3102
02:00:50,343 --> 02:00:53,580
AND THANK YOU, MY TEAM, FOR
3103
02:00:53,580 --> 02:00:57,517
ALWAYS SUPPORTING ME.
3104
02:00:57,517 --> 02:01:00,086
AND THANK YOU FOR ALL THE CREW
3105
02:01:00,086 --> 02:01:01,955
AND CAST OF "SHOGUN."
3106
02:01:01,955 --> 02:01:05,925
I'M SO PROUD OF YOU.
3107
02:01:05,925 --> 02:01:08,361
[ APPLAUSE ]
3108
02:01:08,361 --> 02:01:10,830
>> IT WAS AN EAST MEETS WEST
3109
02:01:10,830 --> 02:01:14,167
DREAM PROJECT, WITH RESPECT.
3110
02:01:14,167 --> 02:01:16,870
AND "SHOGUN" TAUGHT ME THAT WHEN
3111
02:01:16,870 --> 02:01:19,439
PEOPLE WORK TOGETHER, WE CAN
3112
02:01:19,439 --> 02:01:21,040
MAKE MIRACLE.
3113
02:01:21,040 --> 02:01:23,810
WE CAN CREATE A BETTER FUTURE
3114
02:01:23,810 --> 02:01:24,077
TOGETHER.
3115
02:01:24,077 --> 02:01:28,481
THANK YOU SO MUCH!
3116
02:01:28,481 --> 02:01:30,750
[ APPLAUSE ]
3117
02:01:30,750 --> 02:01:33,686
♪
3118
02:01:33,686 --> 02:01:34,487
>> Announcer: FROM PERRY MASON
3119
02:01:34,487 --> 02:01:35,121
TO SAUL GOODMAN, BEN MATLOCK TO
3120
02:01:35,121 --> 02:01:35,655
ALLY McBEAL, SOME OF OUR
3121
02:01:35,655 --> 02:01:38,925
FAVORITE CHARACTERS OVER THE
3122
02:01:38,925 --> 02:01:39,559
YEARS ARE TELEVISION'S LAWYERS.
3123
02:01:39,559 --> 02:01:40,160
WHETHER PROSECUTOR OR DEFENSE
3124
02:01:40,160 --> 02:01:42,061
ATTORNEY, CRIMINAL LAWYER OR
3125
02:01:42,061 --> 02:01:43,696
CIVIL LITIGATOR, THEIR
3126
02:01:43,696 --> 02:01:44,731
IMPORTANCE AND IMPACT ON VIEWERS
3127
02:01:44,731 --> 02:01:46,800
CANNOT BE OVERSTATED.
3128
02:01:46,800 --> 02:01:48,902
PLEASE WELCOME TV LAWYERS
3129
02:01:48,902 --> 02:01:50,470
GINA TORRES AND EMMY WINNERS
3130
02:01:50,470 --> 02:01:50,970
CHRISTINE BARANSKI AND
3131
02:01:50,970 --> 02:01:59,379
VIOLA DAVIS.
3132
02:01:59,379 --> 02:02:00,980
>> IT'S BEEN SAID THAT THE
3133
02:02:00,980 --> 02:02:03,449
DOCTOR SEES OUR HUMAN WEAKNESS,
3134
02:02:03,449 --> 02:02:06,786
THE MINISTER SEES OUR STUPIDITY
3135
02:02:06,786 --> 02:02:07,287
AND THE LAWYER SEES OUR
3136
02:02:07,287 --> 02:02:08,888
WICKEDNESS.
3137
02:02:08,888 --> 02:02:09,522
>> ALTHOUGH LET ME ADD THIS ONE
3138
02:02:09,522 --> 02:02:14,160
CAVEAT.
3139
02:02:14,160 --> 02:02:14,694
FOR IN COURTROOMS AND LAW
3140
02:02:14,694 --> 02:02:15,328
OFFICES LIKE THE ONES WE'VE SEEN
3141
02:02:15,328 --> 02:02:16,796
FROM THE EARLY DAYS OF
3142
02:02:16,796 --> 02:02:26,573
TELEVISION UP THROUGH TODAY,
3143
02:02:26,573 --> 02:02:30,310
LAWYERS HAVE SEEN EVERY HUMAN
3144
02:02:30,310 --> 02:02:31,211
CONDITION.
3145
02:02:31,211 --> 02:02:31,844
>> AND IN THEIR EFFORTS, IN SO
3146
02:02:31,844 --> 02:02:32,779
MANY WAYS THEY TRY TO BETTER
3147
02:02:32,779 --> 02:02:33,413
THAT HUMAN CONDITION AND UPLIFT
3148
02:02:33,413 --> 02:02:33,880
US.
3149
02:02:33,880 --> 02:02:34,914
ULTIMATELY TELEVISION LAWYERS
3150
02:02:34,914 --> 02:02:35,949
REMIND US OF TWO THINGS.
3151
02:02:35,949 --> 02:02:38,618
FIRST, THAT THE TRIFECTA OF
3152
02:02:38,618 --> 02:02:39,118
WEAKNESS, STUPIDITY AND
3153
02:02:39,118 --> 02:02:41,287
WICKEDNESS WILL NEVER GO AWAY.
3154
02:02:41,287 --> 02:02:43,356
AND SECOND, THAT THE CASES AND
3155
02:02:43,356 --> 02:02:46,526
TRIALS AND CLIENTS THAT SHOWCASE
3156
02:02:46,526 --> 02:02:47,594
THAT TRIFECTA MAKE FOR REALLY
3157
02:02:47,594 --> 02:02:50,730
ENTERTAINING TELEVISION.
3158
02:02:50,730 --> 02:02:51,497
>> AND NOW, HERE ARE OUR
3159
02:02:51,497 --> 02:02:52,332
NOMINEES FOR LEAD ACTRESS IN A
3160
02:02:52,332 --> 02:02:55,435
DRAMA SERIES.
3161
02:02:55,435 --> 02:02:56,069
>> Announcer: JENNIFER ANISTON,
3162
02:02:56,069 --> 02:02:59,439
"THE MORNING SHOW."
3163
02:02:59,439 --> 02:03:00,707
CARRIE COON, "THE GILDED AGE."
3164
02:03:00,707 --> 02:03:02,275
MAYA ERSKINE, "MR. &
3165
02:03:02,275 --> 02:03:04,911
MRS. SMITH."
3166
02:03:04,911 --> 02:03:07,013
ANNA SAWAI, "SHOGUN."
3167
02:03:07,013 --> 02:03:09,115
IMELDA STAUNTON, "THE CROWN."
3168
02:03:09,115 --> 02:03:09,749
REESE WITHERSPOON, "THE MORNING
3169
02:03:09,749 --> 02:03:16,022
SHOW."
3170
02:03:16,022 --> 02:03:25,131
>> AND THE EMMY GOES TO --
3171
02:03:25,131 --> 02:03:32,939
ANNA SAWAI, "SHOGUN"!
3172
02:03:32,939 --> 02:03:33,139
♪
3173
02:03:33,139 --> 02:03:33,439
[ APPLAUSE ]
3174
02:03:33,439 --> 02:03:35,441
>> THIS IS THE FIRST EMMY WIN
3175
02:03:35,441 --> 02:04:08,741
AND NOMINATION FOR ANNA SAWAI.
3176
02:04:08,741 --> 02:04:10,576
>> I WAS CRYING BEFORE MY NAME
3177
02:04:10,576 --> 02:04:12,278
WAS ANNOUNCED.
3178
02:04:12,278 --> 02:04:15,081
I'M A MESS TODAY.
3179
02:04:15,081 --> 02:04:17,417
THANK YOU TO THE ACADEMY FOR
3180
02:04:17,417 --> 02:04:20,119
NAMING ME ALONGSIDE MY FELLOW
3181
02:04:20,119 --> 02:04:21,821
NOMINEES, WHOSE WORK I HAVE
3182
02:04:21,821 --> 02:04:25,091
GROWN -- I GREW UP WATCHING AND
3183
02:04:25,091 --> 02:04:27,260
LOVE.
3184
02:04:27,260 --> 02:04:29,929
THANK YOU SO JOHN LANGRAFF AND
3185
02:04:29,929 --> 02:04:31,431
THE WHOLE FX TEAM FOR BELIEVING
3186
02:04:31,431 --> 02:04:32,999
IN OUR STORY.
3187
02:04:32,999 --> 02:04:34,834
THANK YOU, JUSTIN AND RACHEL,
3188
02:04:34,834 --> 02:04:36,436
FOR BELIEVING IN ME AND GIVING
3189
02:04:36,436 --> 02:04:39,772
ME THIS ROLE OF A LIFETIME.
3190
02:04:39,772 --> 02:04:43,443
THANK YOU TO EVERY SINGLE ONE OF
3191
02:04:43,443 --> 02:04:48,147
THE CREW AND CAST LED BY A HERO,
3192
02:04:48,147 --> 02:04:49,282
HEROES OVER THERE.
3193
02:04:49,282 --> 02:04:52,085
HE REALLY HAS OPENED DOORS AND
3194
02:04:52,085 --> 02:04:53,286
CONTINUES TO OPEN DOORS FOR
3195
02:04:53,286 --> 02:04:53,820
PEOPLE LIKE ME.
3196
02:04:53,820 --> 02:04:56,422
THANK YOU SO MUCH.
3197
02:04:56,422 --> 02:04:58,057
COSMO, YOU ARE THE MOST HON NEST
3198
02:04:58,057 --> 02:05:04,130
AND TRUTHFUL AND NO B.S. ACTOR I
3199
02:05:04,130 --> 02:05:05,698
KNOW AND YOU MADE ME GIVE MY
3200
02:05:05,698 --> 02:05:06,499
120%.
3201
02:05:06,499 --> 02:05:08,101
LASTLY, THANK YOU TO MY TEAM AND
3202
02:05:08,101 --> 02:05:10,036
THANK YOU TO MY FAMILY.
3203
02:05:10,036 --> 02:05:11,437
MOM, I LOVE YOU.
3204
02:05:11,437 --> 02:05:12,972
YOU ARE THE REASON I'M HERE.
3205
02:05:12,972 --> 02:05:15,375
YOU SHOWED ME STOICISM AND
3206
02:05:15,375 --> 02:05:17,710
THAT'S HOW I WAS ABLE TO PORTRAY
3207
02:05:17,710 --> 02:05:17,944
IT.
3208
02:05:17,944 --> 02:05:20,680
THIS IS TO ALL THE WOMEN WHO
3209
02:05:20,680 --> 02:05:21,647
EXPECT NOTHING AND CONTINUE TO
3210
02:05:21,647 --> 02:05:23,449
BE AN EXAMPLE FOR EVERYONE.
3211
02:05:23,449 --> 02:05:26,252
THANK YOU SO MUCH.
3212
02:05:26,252 --> 02:05:27,286
>> Announcer: AFTER THE BREAK,
3213
02:05:27,286 --> 02:05:28,388
CATHERINE O'HARA PRESENTS THE
3214
02:05:28,388 --> 02:05:29,956
AWARD FOR OUTSTANDING COMEDY
3215
02:05:29,956 --> 02:05:30,957
SERIES, AND THE CAST OF "THE
3216
02:05:30,957 --> 02:05:34,127
WEST WING" CROWNS THIS YEAR'S
3217
02:05:34,127 --> 02:05:34,660
OUTSTANDING DRAMA SERIES.
3218
02:05:34,660 --> 02:05:37,697
IT'S THE EMMYS ON ABC.
3219
02:05:59,452 --> 02:06:00,520
>>> Announcer: THIS YEAR MARKS
3220
02:06:00,520 --> 02:06:01,554
THE 25th ANNIVERSARY OF WARNER
3221
02:06:01,554 --> 02:06:02,588
BROTHERS 26-TIME EMMY WINNING
3222
02:06:02,588 --> 02:06:03,122
SERIES "THE WEST WING."
3223
02:06:03,122 --> 02:06:06,292
FROM ITS CAST, PLEASE WELCOME
3224
02:06:06,292 --> 02:06:06,826
MARTIN SHEEN, DULE HILL,
3225
02:06:06,826 --> 02:06:09,629
JANEL MOLONEY, RICHARD SCHIFF,
3226
02:06:09,629 --> 02:06:16,269
AND ALLISON JANNEY.
3227
02:06:16,269 --> 02:06:17,837
>> FROM 1999 TO 2006 I HAD THE
3228
02:06:17,837 --> 02:06:19,472
HONOR OF PLAYING THE PRESIDENT
3229
02:06:19,472 --> 02:06:21,040
OF THE UNITED STATES ON AN
3230
02:06:21,040 --> 02:06:23,142
EXTRAORDINARY SERIES CREATED BY
3231
02:06:23,142 --> 02:06:26,279
AARON SORKIN AND PRODUCED BY
3232
02:06:26,279 --> 02:06:26,579
JOHN WELLS.
3233
02:06:26,579 --> 02:06:27,313
>> THE NAME OF THAT SERIES, "THE
3234
02:06:27,313 --> 02:06:29,982
WEST WING."
3235
02:06:29,982 --> 02:06:31,584
AND WE ALL HAD THE HONOR SERVING
3236
02:06:31,584 --> 02:06:33,119
IN YOUR ADMINISTRATION.
3237
02:06:33,119 --> 02:06:35,288
>> IT'S HARD TO BELIEVE THAT
3238
02:06:35,288 --> 02:06:35,922
JUST 25 YEARS AGO, AARON AND THE
3239
02:06:35,922 --> 02:06:36,489
WRITERS ACTUALLY HAD TO USE
3240
02:06:36,489 --> 02:06:39,625
THEIR IMAGINATIONS TO CREATE
3241
02:06:39,625 --> 02:06:40,526
INTERESTING PLOTLINES FOR "THE
3242
02:06:40,526 --> 02:06:46,599
WEST WING."
3243
02:06:46,599 --> 02:06:49,435
>> UNLIKE TODAY WHERE STORYLINES
3244
02:06:49,435 --> 02:06:51,003
CAN BE PLUCKED RIGHT OFF THE
3245
02:06:51,003 --> 02:06:53,139
NEWS.
3246
02:06:53,139 --> 02:06:54,740
STORYLINES THAT WRITERS WOULD
3247
02:06:54,740 --> 02:06:56,809
HAVE DEEMED A BIT FARFETCHED, IF
3248
02:06:56,809 --> 02:06:57,443
NOT UTTERLY RIDICULOUS 25 YEARS
3249
02:06:57,443 --> 02:06:57,610
AGO.
3250
02:06:57,610 --> 02:06:58,945
>> OUR POLITICAL LANDSCAPE HAS
3251
02:06:58,945 --> 02:07:02,582
SHIFTED DRAMATICALLY IN RECENT
3252
02:07:02,582 --> 02:07:03,216
YEARS, BUT TWO THINGS HAVE NOT
3253
02:07:03,216 --> 02:07:03,816
CHANGED -- THE IMPORTANCE OF
3254
02:07:03,816 --> 02:07:04,684
EVERYONE MAKING SURE TO BE
3255
02:07:04,684 --> 02:07:06,853
REGISTERED AND TO VOTE --
3256
02:07:06,853 --> 02:07:11,057
>> AND THE QUALITY OF THE DRAMA
3257
02:07:11,057 --> 02:07:14,594
SERIES ON TELEVISION.
3258
02:07:14,594 --> 02:07:15,661
>> HERE ARE THIS YEAR'S
3259
02:07:15,661 --> 02:07:16,863
NOMINEES.
3260
02:07:16,863 --> 02:07:18,431
>> Announcer: "THE CROWN."
3261
02:07:18,431 --> 02:07:20,032
"FALLOUT."
3262
02:07:20,032 --> 02:07:22,101
"THE GILDED AGE."
3263
02:07:22,101 --> 02:07:24,203
"THE MORNING SHOW."
3264
02:07:24,203 --> 02:07:26,305
"MR. & MRS. SMITH."
3265
02:07:26,305 --> 02:07:28,374
"SHOGUN."
3266
02:07:28,374 --> 02:07:33,613
"SLOW HORSES."
3267
02:07:33,613 --> 02:07:34,213
"BODY PROBLEM."
3268
02:07:34,213 --> 02:07:43,022
>> AND THE EMMY GOES TO --
3269
02:07:43,022 --> 02:07:45,791
"SHOGUN"!
3270
02:07:45,791 --> 02:07:46,359
[ APPLAUSE ]
3271
02:07:46,359 --> 02:07:46,926
♪
3272
02:07:46,926 --> 02:07:49,896
>> FOR ITS FIRST ELIGIBLE YEAR
3273
02:07:49,896 --> 02:07:52,064
"SHOGUN" HAS RECEIVED 25
3274
02:07:52,064 --> 02:07:52,532
NOMINATIONS.
3275
02:07:52,532 --> 02:07:56,502
"SHOGUN" WON A RECORD-BREAKING
3276
02:07:56,502 --> 02:07:58,137
14 NOMINATIONS.
3277
02:07:58,137 --> 02:08:00,473
THE SHOW HOLDS THIS YEAR'S TOP
3278
02:08:00,473 --> 02:08:04,911
SPOT WITH THE MOST EMMY
3279
02:08:04,911 --> 02:08:21,661
NOMINATIONS.
3280
02:08:21,661 --> 02:08:24,130
♪
3281
02:08:24,130 --> 02:08:25,398
>> OH, MY GOSH.
3282
02:08:25,398 --> 02:08:27,366
WE GOT TO GO FAST.
3283
02:08:27,366 --> 02:08:28,401
WOW, OKAY.
3284
02:08:28,401 --> 02:08:31,370
THANK YOU FOR THIS INCREDIBLE
3285
02:08:31,370 --> 02:08:31,938
HONOR.
3286
02:08:31,938 --> 02:08:33,039
WE HAVE SO GRATEFUL TO OUR
3287
02:08:33,039 --> 02:08:35,908
PARTNERS AT DISNEY TELEVISION,
3288
02:08:35,908 --> 02:08:40,112
TO HULU AND ESPECIALLY TO FX.
3289
02:08:40,112 --> 02:08:44,717
JOHN, GINA, KATE, LINDSEY, NICK.
3290
02:08:44,717 --> 02:08:48,154
YOU GUYS GREEN LIT A VERY
3291
02:08:48,154 --> 02:08:51,958
EXPENSIVE SUBTITLED JAPANESE
3292
02:08:51,958 --> 02:08:54,594
PERIOD PIECE THAT REVOLVES
3293
02:08:54,594 --> 02:08:55,828
AROUND A POETRY COMPETITION.
3294
02:08:55,828 --> 02:08:57,763
I HAVE NO IDEA WHY YOU DID THAT,
3295
02:08:57,763 --> 02:08:59,332
BUT THANK YOU FOR YOUR FAITH IN
3296
02:08:59,332 --> 02:09:02,168
THIS INCREDIBLE TEAM.
3297
02:09:02,168 --> 02:09:06,339
THANK YOU TO STEPHANIE GIBBONS.
3298
02:09:06,339 --> 02:09:07,840
WE SHARE THIS AWARD WITH OUR
3299
02:09:07,840 --> 02:09:09,842
CAST AND CREW FROM JAPAN AND
3300
02:09:09,842 --> 02:09:10,242
NORTH AMERICA.
3301
02:09:10,242 --> 02:09:12,144
"SHOGUN" IS A SHOW ABOUT
3302
02:09:12,144 --> 02:09:12,912
TRANSLATION, NOT WHAT IS LOST
3303
02:09:12,912 --> 02:09:14,880
BUT WHAT IS FOUND WHEN YOU DO
3304
02:09:14,880 --> 02:09:17,116
SAFETY MEETINGS IN TWO LANGUAGES
3305
02:09:17,116 --> 02:09:19,619
AND YOU LEARN NOT TO TALK ON
3306
02:09:19,619 --> 02:09:21,387
MATTS WITH YOUR UTILITY BOOTS.
3307
02:09:21,387 --> 02:09:25,224
I JUST WANT TO PASS THIS TO
3308
02:09:25,224 --> 02:09:26,659
HIROSAN FOR ONE FINAL WORD.
3309
02:09:26,659 --> 02:09:30,830
>> LET ME TALK IN JAPANESE
3310
02:09:30,830 --> 02:09:31,063
QUICKLY.
3311
02:09:31,063 --> 02:09:31,764
COULD YOU TRANSLATE?
3312
02:09:31,764 --> 02:09:32,598
>> I WILL TRY.
3313
02:09:32,598 --> 02:09:37,970
I WILL TRY.
3314
02:09:37,970 --> 02:09:38,604
[ SPEAKING IN A GLOBAL LANGUAGE
3315
02:09:38,604 --> 02:09:45,544
]
3316
02:09:45,544 --> 02:09:48,614
>> WE WOULD LIKE TO EXPRESS OUR
3317
02:09:48,614 --> 02:09:49,548
DEEPEST GRATITUDE TO ALL THE
3318
02:09:49,548 --> 02:09:52,451
CREW, DIRECTORS AND MASTERS THAT
3319
02:09:52,451 --> 02:09:55,588
INHERITED OUR SAMURAI PERIOD
3320
02:09:55,588 --> 02:10:03,562
DRAMAS UP UNTIL NOW.
3321
02:10:03,562 --> 02:10:05,564
THE PASSION AND DREAMS THAT WE
3322
02:10:05,564 --> 02:10:08,668
HAVE INHERITED FROM YOU HAVE
3323
02:10:08,668 --> 02:10:10,670
CROSSED OCEANS AND BORDERS.
3324
02:10:10,670 --> 02:10:14,540
>> THANK YOU SO MUCH!
3325
02:10:14,540 --> 02:10:24,684
[ APPLAUSE ]
3326
02:10:24,684 --> 02:10:27,520
>> OH, MY GOSH.
3327
02:10:27,520 --> 02:10:33,726
IT'S MY TV SISTER, ANNY MURPHY.
3328
02:10:33,726 --> 02:10:35,428
>> WHAT'S UP, ANNY?
3329
02:10:35,428 --> 02:10:38,931
>> WELL, THEY SAID THE SHINING
3330
02:10:38,931 --> 02:10:40,966
STAR OF "SCHITT'S CREEK" WAS
3331
02:10:40,966 --> 02:10:42,501
GOING TO PRESENT THE FINAL AWARD
3332
02:10:42,501 --> 02:10:43,436
OF TONIGHT.
3333
02:10:43,436 --> 02:10:47,340
>> THERE HAS BEEN A LITTLE
3334
02:10:47,340 --> 02:10:48,874
CONFUSION HERE, ANNY.
3335
02:10:48,874 --> 02:10:50,009
>> I KNOW.
3336
02:10:50,009 --> 02:10:50,342
THAT'S FINE.
3337
02:10:50,342 --> 02:10:52,845
>> SO WE'RE ACTUALLY HERE TO
3338
02:10:52,845 --> 02:10:59,452
PRESENT THAT PERSON.
3339
02:10:59,452 --> 02:11:00,252
>> WHICH ISN'T ME.
3340
02:11:00,252 --> 02:11:02,388
>> ISN'T YOU.
3341
02:11:02,388 --> 02:11:02,755
>> WHICH I KNEW.
3342
02:11:02,755 --> 02:11:03,456
>> OF COURSE.
3343
02:11:03,456 --> 02:11:04,490
>> I KNEW THAT.
3344
02:11:04,490 --> 02:11:06,592
THAT I KNEW.
3345
02:11:06,592 --> 02:11:09,662
SO --
3346
02:11:09,662 --> 02:11:10,196
>> SO PLEASE WELCOME OUR
3347
02:11:10,196 --> 02:11:14,600
FAVORITE TV MOM.
3348
02:11:14,600 --> 02:11:27,446
>> CATHERINE O'HARA.
3349
02:11:27,446 --> 02:11:29,248
>> I AM SHOCKED AND DELIGHTED TO
3350
02:11:29,248 --> 02:11:32,218
BE PRESENTING THE AWARD FOR
3351
02:11:32,218 --> 02:11:36,388
OUTSTANDING COMEDY SERIES.
3352
02:11:36,388 --> 02:11:39,658
THE NOMINEES ARE --
3353
02:11:39,658 --> 02:11:40,126
>> Announcer: "ABBOTT
3354
02:11:40,126 --> 02:11:40,426
ELEMENTARY."
3355
02:11:40,426 --> 02:11:42,595
"THE BEAR."
3356
02:11:42,595 --> 02:11:43,095
"CURB YOUR ENTHUSIASM."
3357
02:11:43,095 --> 02:11:46,132
"HACKS."
3358
02:11:46,132 --> 02:11:47,700
"ONLY MURDERS IN THE BUILDING."
3359
02:11:47,700 --> 02:11:50,269
"PALM ROYALE."
3360
02:11:50,269 --> 02:11:54,507
"RESERVATION DOGS."
3361
02:11:54,507 --> 02:11:58,544
"WHAT WE DO IN THE SHADOWS."
3362
02:11:58,544 --> 02:12:05,384
>> AND THE EMMY GOES TO --
3363
02:12:05,384 --> 02:12:06,385
OH, MUST WE?
3364
02:12:06,385 --> 02:12:09,655
MUST WE REALLY CHOOSE JUST ONE
3365
02:12:09,655 --> 02:12:10,523
WINNER?
3366
02:12:10,523 --> 02:12:13,526
YOU KNOW, WHEN ALL THE NOMINEES
3367
02:12:13,526 --> 02:12:17,496
HAVE DONE SUCH WONDERFUL,
3368
02:12:17,496 --> 02:12:19,598
HILARIOUS WORK, MUST WE?
3369
02:12:19,598 --> 02:12:25,771
YES, APPARENTLY WE MUST.
3370
02:12:25,771 --> 02:12:29,308
THE AWARD GOES TO, THE EMMY GOES
3371
02:12:29,308 --> 02:12:35,981
TO "HACKS"!
3372
02:12:35,981 --> 02:12:37,550
♪
3373
02:12:37,550 --> 02:12:43,022
[ APPLAUSE ]
3374
02:12:43,022 --> 02:12:45,257
>> "HACKS" RECEIVED 16
3375
02:12:45,257 --> 02:12:46,358
NOMINATIONS THIS YEAR AND A
3376
02:12:46,358 --> 02:13:14,253
TOTAL OVERALL OF 48.
3377
02:13:14,253 --> 02:13:17,456
>> I HAVE NO THOUGHTS IN MY
3378
02:13:17,456 --> 02:13:17,656
BRAIN.
3379
02:13:17,656 --> 02:13:20,559
THANK YOU SO MUCH TO THE
3380
02:13:20,559 --> 02:13:20,793
ACADEMY.
3381
02:13:20,793 --> 02:13:21,527
LET'S BRACE OURSELVES.
3382
02:13:21,527 --> 02:13:23,095
I MIGHT GET EMOTIONAL.
3383
02:13:23,095 --> 02:13:25,164
I HAVE TO SAY THAT WE ARE SO
3384
02:13:25,164 --> 02:13:26,999
LUCKY TO LIVE OUR DREAM AND MAKE
3385
02:13:26,999 --> 02:13:27,299
TELEVISION.
3386
02:13:27,299 --> 02:13:28,734
AND WE COULDN'T DO IT WITHOUT
3387
02:13:28,734 --> 02:13:30,569
OUR "HACKS" FAMILY.
3388
02:13:30,569 --> 02:13:33,038
ALL OF OUR WRITERS, ALL OF OUR
3389
02:13:33,038 --> 02:13:35,307
CAST, ALL OF OUR CREW WHO MAKE
3390
02:13:35,307 --> 02:13:37,109
OUR DREAMS COME TRUE LITERALLY.
3391
02:13:37,109 --> 02:13:39,478
LOOK AT THE CAMERA OPERATORS
3392
02:13:39,478 --> 02:13:41,580
TONIGHT DOING INCREDIBLE WORK
3393
02:13:41,580 --> 02:13:42,548
MAKING THIS HAPPEN.
3394
02:13:42,548 --> 02:13:43,415
THANK YOU TO THE CREW.
3395
02:13:43,415 --> 02:13:44,149
THANK YOU.
3396
02:13:44,149 --> 02:13:46,085
YOU KNOW, WHEN WE PITCH THIS
3397
02:13:46,085 --> 02:13:47,520
SHOW ABOUT TWO WOMEN, ONE OF
3398
02:13:47,520 --> 02:13:49,588
WHOM WAS OVER 60, WE DID NOT
3399
02:13:49,588 --> 02:13:51,457
KNOW IF WE WOULD SELL IT.
3400
02:13:51,457 --> 02:13:53,192
WE REALLY HAVE TO THANK CASEY
3401
02:13:53,192 --> 02:13:57,596
BOYS AND SARA, EVERYONE WHO HAS
3402
02:13:57,596 --> 02:13:59,598
HELPED US MAKE THIS SHOW.
3403
02:13:59,598 --> 02:14:01,600
YOU KNOW, THERE ARE ABOUT 20% OF
3404
02:14:01,600 --> 02:14:05,070
OUR POPULATION IS OVER 60 PLUS,
3405
02:14:05,070 --> 02:14:06,939
AND THERE ARE ONLY 3% OF THOSE
3406
02:14:06,939 --> 02:14:07,840
CHARACTERS ON TELEVISION.
3407
02:14:07,840 --> 02:14:09,441
AND I WOULD LIKE TO SEE MORE OF
3408
02:14:09,441 --> 02:14:10,809
THEM BECAUSE WHILE I'M A GREAT,
3409
02:14:10,809 --> 02:14:13,512
YOUNG SUPPORTING ACTOR, I REALLY
3410
02:14:13,512 --> 02:14:16,181
WANT TO BE A GOOD, OLD LEAD.
3411
02:14:16,181 --> 02:14:17,483
>> THANK YOU SO MUCH.
3412
02:14:17,483 --> 02:14:21,086
I MEAN, COMEDY IS SO IMPORTANT,
3413
02:14:21,086 --> 02:14:21,854
OBVIOUSLY, TO US.
3414
02:14:21,854 --> 02:14:24,690
BUT WE REALLY FEEL LIKE IT CAN
3415
02:14:24,690 --> 02:14:26,058
BRIDGE DIVIDES WHEN YOU LAUGH
3416
02:14:26,058 --> 02:14:27,359
WITH SOMEONE AND YOU HAVE
3417
02:14:27,359 --> 02:14:28,494
SOMETHING IN COMMON WITH THEM.
3418
02:14:28,494 --> 02:14:30,596
SO PLEASE SUPPORT COMEDY.
3419
02:14:30,596 --> 02:14:34,366
IT SPEAKS TRUE TO POWER.
3420
02:14:34,366 --> 02:14:35,034
IT REALLY DOES.
3421
02:14:35,034 --> 02:14:37,136
SO SUPPORT YOUR LOCAL COMEDIAN.
3422
02:14:37,136 --> 02:14:39,605
AND WE HAVE TO GO BECAUSE WE
3423
02:14:39,605 --> 02:14:41,206
START SHOOTING THE NEXT SEASON
3424
02:14:41,206 --> 02:14:41,974
IN FIVE DAYS.
3425
02:14:41,974 --> 02:14:45,277
SO THANK YOU AND GOOD NIGHT!
3426
02:14:45,277 --> 02:14:45,711
>> THAT'S OUR SHOW.
3427
02:14:45,711 --> 02:14:46,545
CONGRATS TO ALL OUR WINNERS AND
3428
02:14:46,545 --> 02:14:50,549
NOMINEES.
3429
02:14:50,549 --> 02:14:51,917
>> HAVE A GREAT NIGHT!
202610
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