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These are the user uploaded subtitles that are being translated: 1 00:00:13,547 --> 00:00:18,619 ♪ 2 00:00:18,619 --> 00:00:20,187 >> Announcer: LIVE FROM THE 3 00:00:20,187 --> 00:00:21,788 PEACOCK THEATRE IN LOS ANGELES, 4 00:00:21,788 --> 00:00:24,224 CALIFORNIA, IT'S THE 76th EMMY 5 00:00:24,224 --> 00:00:26,493 AWARDS. 6 00:00:26,493 --> 00:00:27,561 PLEASE WELCOME YOUR HOSTS DAN 7 00:00:27,561 --> 00:00:34,735 AND EUGENE LEVY. 8 00:00:34,735 --> 00:00:39,773 [ APPLAUSE ] 9 00:00:39,773 --> 00:00:41,942 >> WELCOME EVERYBODY TO "THE 10 00:00:41,942 --> 00:00:47,548 76th EMMY AWARDS." 11 00:00:47,548 --> 00:00:47,748 YEAH. 12 00:00:47,748 --> 00:00:48,048 [ APPLAUSE ] 13 00:00:48,048 --> 00:00:49,182 ALSO KNOWN AS BROADCAST TV'S 14 00:00:49,182 --> 00:00:49,816 BIGGEST NIGHT FOR HONORING MOVIE 15 00:00:49,816 --> 00:00:58,926 STARS ON STREAMING SERVICES. 16 00:00:58,926 --> 00:01:01,094 >> WE ARE VERY, VERY EXCITED TO 17 00:01:01,094 --> 00:01:01,461 BE HERE TONIGHT. 18 00:01:01,461 --> 00:01:02,095 AS MOST OF YOU KNOW, WE ARE NOT 19 00:01:02,095 --> 00:01:02,529 STAND-UP COMEDIANS. 20 00:01:02,529 --> 00:01:03,230 >> I WOULDN'T ACTUALLY EVEN CALL 21 00:01:03,230 --> 00:01:04,298 US HOSTS. 22 00:01:04,298 --> 00:01:05,365 WE'RE MORE LIKE ACTORS ACTING 23 00:01:05,365 --> 00:01:07,401 LIKE HOSTS. 24 00:01:07,401 --> 00:01:09,069 WHICH IS A HUGE GAMBLE FOR US. 25 00:01:09,069 --> 00:01:12,139 BUT IF IT GOES WELL TONIGHT, MY 26 00:01:12,139 --> 00:01:12,706 NAME IS PRONOUNCED LEVY NOT 27 00:01:12,706 --> 00:01:14,274 LEEVY. 28 00:01:14,274 --> 00:01:16,376 >> AND IF THINGS GO SOUTH, MY 29 00:01:16,376 --> 00:01:21,048 NAME IS PRONOUNCED MARTIN SHORT. 30 00:01:21,048 --> 00:01:27,087 >> THIS IS ACTUALLY THE FIRST 31 00:01:27,087 --> 00:01:28,021 OPPORTUNITY THAT WE HAVE HAD TO 32 00:01:28,021 --> 00:01:28,622 WORK TOGETHER SINCE OUR SHOW 33 00:01:28,622 --> 00:01:32,259 "SCHITT'S CREEK" ENDED. 34 00:01:32,259 --> 00:01:34,194 UNLESS YOU COUNT THE -- 35 00:01:34,194 --> 00:01:35,996 [ APPLAUSE ] 36 00:01:35,996 --> 00:01:36,463 >> THANK YOU SO MUCH. 37 00:01:36,463 --> 00:01:37,064 UNLESS YOU COUNT THE TIME YOU 38 00:01:37,064 --> 00:01:38,632 TRIED TO CONVINCE RYAN MURPHY TO 39 00:01:38,632 --> 00:01:38,999 CAST US AS THE 40 00:01:38,999 --> 00:01:39,700 MENENDEZ BROTHERS. 41 00:01:39,700 --> 00:01:40,267 >> WELL, THEY WEREN'T TWINS. 42 00:01:40,267 --> 00:01:44,204 >> IT WAS A BAD IDEA. 43 00:01:44,204 --> 00:01:44,838 >> NEVERTHELESS, IT'S GOOD TO BE 44 00:01:44,838 --> 00:01:48,208 BACK BY YOUR SIDE. 45 00:01:48,208 --> 00:01:50,944 YOU KNOW, THIS IS A VERY SPECIAL 46 00:01:50,944 --> 00:01:52,779 NIGHT FOR ME. 47 00:01:52,779 --> 00:01:53,046 YOU KNOW, 48 00:01:53,046 --> 00:01:53,680 I'VE PLAYED A LOT OF DADS IN MY 49 00:01:53,680 --> 00:01:53,847 DAY. 50 00:01:53,847 --> 00:01:57,384 I WAS A DAD IN "AMERICAN PIE," 51 00:01:57,384 --> 00:01:57,751 I WAS THE DAD IN 52 00:01:57,751 --> 00:01:58,485 "FINDING DORY," OUR SHOW 53 00:01:58,485 --> 00:01:58,986 "SCHITT'S CREEK." 54 00:01:58,986 --> 00:02:01,622 BUT WITHOUT QUESTION, MY MOST 55 00:02:01,622 --> 00:02:03,690 REWARDING DAD ROLE EVER HAS BEEN 56 00:02:03,690 --> 00:02:08,962 BEING YOUR DAD. 57 00:02:08,962 --> 00:02:12,165 IN "SCHITT'S CREEK." 58 00:02:12,165 --> 00:02:13,734 'CAUSE IT GOT ME MY FIRST ACTING 59 00:02:13,734 --> 00:02:17,537 EMMY. 60 00:02:17,537 --> 00:02:20,941 >> YEAH. 61 00:02:20,941 --> 00:02:22,009 [ APPLAUSE ] 62 00:02:22,009 --> 00:02:25,846 >> WHY ARE WE APPLAUDING BAD 63 00:02:25,846 --> 00:02:26,680 PARENTING? 64 00:02:26,680 --> 00:02:28,348 ANYWAY, WE ARE OFF TO A VERY 65 00:02:28,348 --> 00:02:30,283 HEARTWARMING START. 66 00:02:30,283 --> 00:02:30,917 >> A LITTLE BIT OF EMMY HISTORY, 67 00:02:30,917 --> 00:02:32,953 THE VERY FIRST EMMYS HOST IN 68 00:02:32,953 --> 00:02:36,757 1949 WAS WALTER O'KEEFE. 69 00:02:36,757 --> 00:02:39,092 >> THAT'S TRUE. 70 00:02:39,092 --> 00:02:40,227 AND TONIGHT, WE ARE MAKING 71 00:02:40,227 --> 00:02:40,794 HISTORY AS THE VERY FIRST 72 00:02:40,794 --> 00:02:41,828 FATHER-SON PAIR TO MENTION 73 00:02:41,828 --> 00:02:43,430 WALTER O'KEEFE SINCE 1949. 74 00:02:43,430 --> 00:02:45,098 >> NOW, WE'RE ALL HERE 75 00:02:45,098 --> 00:02:47,067 CELEBRATING TONIGHT BECAUSE YOUR 76 00:02:47,067 --> 00:02:48,201 SHOWS STRUCK A CHORD WITH 77 00:02:48,201 --> 00:02:48,635 AUDIENCES. 78 00:02:48,635 --> 00:02:49,169 YOUR STORIES. 79 00:02:49,169 --> 00:02:52,205 YOUR CHARACTERS. 80 00:02:52,205 --> 00:02:56,710 WE SEE OURSELVES IN THEM. 81 00:02:56,710 --> 00:02:58,278 WE'VE ALL HAD A TEACHER 82 00:02:58,278 --> 00:02:59,312 THAT CHANGED OUR LIVES LIKE 83 00:02:59,312 --> 00:03:00,380 QUINTA BRUNSON IN "ABBOTT 84 00:03:00,380 --> 00:03:06,053 ELEMENTARY." 85 00:03:06,053 --> 00:03:10,023 [ APPLAUSE ] 86 00:03:10,023 --> 00:03:11,058 >> YEAH. AND WE'VE ALL HAD A 87 00:03:11,058 --> 00:03:12,225 CODEPENDENT, BORDERLINE 88 00:03:12,225 --> 00:03:13,694 HOMOEROTIC RELATIONSHIP WITH OUR 89 00:03:13,694 --> 00:03:16,229 BOSS LIKE HANNAH EINBINDER IN 90 00:03:16,229 --> 00:03:20,233 "HACKS." 91 00:03:20,233 --> 00:03:21,034 >> NO. 92 00:03:21,034 --> 00:03:23,203 THAT'S NOT -- THAT'S NOT QUITE 93 00:03:23,203 --> 00:03:23,603 IT. 94 00:03:23,603 --> 00:03:24,204 WE'RE TALKING ABOUT UNIVERSAL 95 00:03:24,204 --> 00:03:26,239 TRUTHS, LIKE HOW WE'VE ALL 96 00:03:26,239 --> 00:03:26,873 STRUGGLED TO MAKE FRIENDS IN A 97 00:03:26,873 --> 00:03:27,474 NEW CITY LIKE CARRIE COON IN 98 00:03:27,474 --> 00:03:28,375 "THE GILDED AGE.' 99 00:03:28,375 --> 00:03:34,147 >> RIGHT. 100 00:03:34,147 --> 00:03:34,347 YEAH. 101 00:03:34,347 --> 00:03:34,548 SURE. 102 00:03:34,548 --> 00:03:35,215 AND HOW WE'VE ALL DONE SALACIOUS 103 00:03:35,215 --> 00:03:36,783 TELL-ALLS WITH THE BBC TO GET 104 00:03:36,783 --> 00:03:38,418 BACK AT A LYING, CHEATING EX, 105 00:03:38,418 --> 00:03:39,086 LIKE ELIZABETH DEBIKI IN "THE 106 00:03:39,086 --> 00:03:39,453 CROWN." 107 00:03:39,453 --> 00:03:44,224 >> OKAY. 108 00:03:44,224 --> 00:03:47,060 YOU KNOW WHAT? 109 00:03:47,060 --> 00:03:47,360 [ APPLAUSE ] 110 00:03:47,360 --> 00:03:48,228 >> I JUST -- 111 00:03:48,228 --> 00:03:48,862 I DON'T THINK YOU'RE GETTING IT. 112 00:03:48,862 --> 00:03:51,398 >> I THINK I AM. 113 00:03:51,398 --> 00:03:52,165 >> NO, NO, NO. 114 00:03:52,165 --> 00:03:52,799 STRIKING A CHORD WAS THE POINT. 115 00:03:52,799 --> 00:03:53,200 SO, LET'S MOVE ON. 116 00:03:53,200 --> 00:03:54,134 >> HAPPILY. 117 00:03:54,134 --> 00:03:55,202 WE HAVEN'T GIVEN OUT A SINGLE 118 00:03:55,202 --> 00:03:56,236 AWARD TONIGHT, AND YET, "SHOGUN" 119 00:03:56,236 --> 00:04:03,443 HAS ALREADY MADE EMMY HISTORY. 120 00:04:03,443 --> 00:04:07,414 [ APPLAUSE ] 121 00:04:07,414 --> 00:04:08,014 >> AT THE CREATIVE ARTS EMMYS 122 00:04:08,014 --> 00:04:10,083 HELD LAST WEEKEND, THE "SHOGUN" 123 00:04:10,083 --> 00:04:11,184 TEAM TOOK HOME 14 EMMYS, MAKING 124 00:04:11,184 --> 00:04:12,752 IT THE MOST DECORATED SHOW IN A 125 00:04:12,752 --> 00:04:20,227 SINGLE SEASON. 126 00:04:20,227 --> 00:04:20,660 [ APPLAUSE ] 127 00:04:20,660 --> 00:04:21,161 >> YEAH. 128 00:04:21,161 --> 00:04:23,096 AND DESERVEDLY SO. 129 00:04:23,096 --> 00:04:23,930 I MEAN, THE ATTENTION TO DETAIL. 130 00:04:23,930 --> 00:04:24,998 THE CREATORS OF "SHOGUN" 131 00:04:24,998 --> 00:04:27,067 ACTUALLY HAD THEIR SCRIPTS 132 00:04:27,067 --> 00:04:28,668 TRANSLATED INTO JAPANESE, 133 00:04:28,668 --> 00:04:30,770 REWRITTEN, AND THEN TRANSLATED 134 00:04:30,770 --> 00:04:31,805 BACK INTO ENGLISH SUBTITLES THAT 135 00:04:31,805 --> 00:04:32,839 YOU MISSED BECAUSE YOU WERE ALSO 136 00:04:32,839 --> 00:04:33,907 ON YOUR PHONE WATCHING 137 00:04:33,907 --> 00:04:34,474 SABRINA CARPENTER EAT A HOT 138 00:04:34,474 --> 00:04:37,644 WING. 139 00:04:37,644 --> 00:04:45,085 >> "THE BEAR" IS NOMINATED FOR 140 00:04:45,085 --> 00:04:46,520 23 EMMYS TONIGHT. 141 00:04:46,520 --> 00:04:46,820 [ APPLAUSE ] 142 00:04:46,820 --> 00:04:47,921 >> MAKING IT THE 143 00:04:47,921 --> 00:04:48,455 MOST NOMINATED COMEDY IN 144 00:04:48,455 --> 00:04:52,826 HISTORY. 145 00:04:52,826 --> 00:04:54,060 NOW, I LOVE THE SHOW. 146 00:04:54,060 --> 00:04:55,162 I LOVE THE SHOW. 147 00:04:55,162 --> 00:04:56,630 AND I KNOW SOME 148 00:04:56,630 --> 00:04:57,497 OF YOU MIGHT BE EXPECTING US TO 149 00:04:57,497 --> 00:04:58,131 MAKE A JOKE ABOUT WHETHER "THE 150 00:04:58,131 --> 00:05:00,667 BEAR" IS REALLY A COMEDY. 151 00:05:00,667 --> 00:05:02,202 BUT IN THE TRUE SPIRIT OF "THE 152 00:05:02,202 --> 00:05:05,338 BEAR," WE WILL NOT MAKE ANY 153 00:05:05,338 --> 00:05:12,646 JOKES. 154 00:05:12,646 --> 00:05:12,946 [ APPLAUSE ] 155 00:05:12,946 --> 00:05:15,048 >> IT'S A BIG YEAR FOR QUEER 156 00:05:15,048 --> 00:05:15,782 REPRESENTATION ON TV. 157 00:05:15,782 --> 00:05:21,655 NAVA MAU WITH HER FIRST 158 00:05:21,655 --> 00:05:22,289 NOMINATION, HOLLAND TAYLOR WITH 159 00:05:22,289 --> 00:05:29,462 HER NINTH. 160 00:05:29,462 --> 00:05:29,996 [ APPLAUSE ] 161 00:05:29,996 --> 00:05:30,430 >> AND THEN THERE'S 162 00:05:30,430 --> 00:05:31,064 JONATHAN BAILEY AND MATT BOMER 163 00:05:31,064 --> 00:05:32,098 BOTH RECOGNIZED TONIGHT FOR 164 00:05:32,098 --> 00:05:37,871 PLAYING LOVERS IN "FELLOW 165 00:05:37,871 --> 00:05:40,207 TRAVELERS," PROVING THAT YOU CAN 166 00:05:40,207 --> 00:05:40,807 BE NOMINATED FOR PLAYING GAY 167 00:05:40,807 --> 00:05:51,585 EVEN IF YOU'RE NOT STRAIGHT. 168 00:05:51,585 --> 00:05:53,153 >> AND YOU KNOW, SON, I'M 169 00:05:53,153 --> 00:05:55,255 PARTICULARLY PROUD OF MY 170 00:05:55,255 --> 00:06:00,527 STREAMER APPLE TV+, WHICH 171 00:06:00,527 --> 00:06:03,163 CONTINUES TO PROUDLY AND VISIBLY 172 00:06:03,163 --> 00:06:04,231 ALIGN ITSELF WITH THE LGBTQ 173 00:06:04,231 --> 00:06:11,304 COMMUNITY. 174 00:06:11,304 --> 00:06:11,605 [ APPLAUSE ] 175 00:06:11,605 --> 00:06:12,172 >> THAT'S NOT WHAT THE PLUS 176 00:06:12,172 --> 00:06:19,713 STANDS FOR. 177 00:06:19,713 --> 00:06:20,947 THAT'S NOT PLUS. 178 00:06:20,947 --> 00:06:23,316 >> THEN WHAT DOES IT STAND FOR? 179 00:06:23,316 --> 00:06:23,683 >> I DON'T KNOW. 180 00:06:23,683 --> 00:06:24,351 YOU'RE THE ONE WITH THE SHOW ON 181 00:06:24,351 --> 00:06:25,252 THERE. 182 00:06:25,252 --> 00:06:25,785 >> APPLE TV PLUS. 183 00:06:25,785 --> 00:06:31,591 >> YEP, PARAMOUNT PLUS, DISNEY 184 00:06:31,591 --> 00:06:32,659 PLUS, ESPN PLUS ALL ALSO NOT 185 00:06:32,659 --> 00:06:33,727 DIRECTLY AFFILIATED WITH THE 186 00:06:33,727 --> 00:06:40,033 COMMUNITY. 187 00:06:40,033 --> 00:06:41,568 >> WELL, THAT I KNEW. 188 00:06:41,568 --> 00:06:44,204 >> "RESERVATION DOGS" HAS FOUR 189 00:06:44,204 --> 00:06:47,807 NOMINATIONS TONIGHT. 190 00:06:47,807 --> 00:06:51,278 [ APPLAUSE ] 191 00:06:51,278 --> 00:06:52,212 >> AFTER THREE EXCELLENT SEASONS 192 00:06:52,212 --> 00:06:53,880 OF WIDESPREAD CRITICAL ACCLAIM, 193 00:06:53,880 --> 00:06:54,381 THEY FINALLY RECEIVED A 194 00:06:54,381 --> 00:06:54,948 NOMINATION FOR OUTSTANDING 195 00:06:54,948 --> 00:07:03,023 COMEDY SERIES. 196 00:07:03,023 --> 00:07:03,223 YEAH. 197 00:07:03,223 --> 00:07:04,224 SO, YOU MIGHT SAY THAT ACADEMY 198 00:07:04,224 --> 00:07:06,192 VOTERS FOUND A SHOW THAT'S BEEN 199 00:07:06,192 --> 00:07:06,793 CREATIVELY THRIVING FOR YEARS 200 00:07:06,793 --> 00:07:07,394 AND SAID, "HEY, LOOK WHAT WE 201 00:07:07,394 --> 00:07:10,397 DISCOVERED." 202 00:07:10,397 --> 00:07:12,232 >> "BABY REINDEER" IS NOMINATED 203 00:07:12,232 --> 00:07:14,067 FOR 11 EMMYS THIS YEAR. 204 00:07:14,067 --> 00:07:17,737 >> IT SURE IS. 205 00:07:17,737 --> 00:07:19,272 THIS SHOW WAS BOTH FRIGHTENING 206 00:07:19,272 --> 00:07:20,874 AND ODDLY RELATABLE FOR EVERYONE 207 00:07:20,874 --> 00:07:21,474 OUT THERE WHOSE PARENTS STILL 208 00:07:21,474 --> 00:07:22,042 HAVEN'T MASTERED THE ART OF 209 00:07:22,042 --> 00:07:24,577 TEXTING. 210 00:07:24,577 --> 00:07:27,080 LIKE THIS TEXT I GOT FROM MY DAD 211 00:07:27,080 --> 00:07:29,282 ABOUT TONIGHT'S SHOW -- 212 00:07:29,282 --> 00:07:31,451 "LETZ HOST EMMYYS. 213 00:07:31,451 --> 00:07:31,985 COLIN FERELL WILL B THER. 214 00:07:31,985 --> 00:07:35,121 U STILL HAVE CRUSH?" 215 00:07:35,121 --> 00:07:35,722 >> I DIDN'T THINK THESE WERE 216 00:07:35,722 --> 00:07:39,092 GOING PUBLIC. 217 00:07:39,092 --> 00:07:44,264 >> OR THIS ONE -- 218 00:07:44,264 --> 00:07:45,165 "WALTR OKEEF JOKE - 2 MEEN? 219 00:07:45,165 --> 00:07:46,700 SENT FROM iPHONN?" 220 00:07:46,700 --> 00:07:47,300 YOU DON'T EVEN OWN AN iPHONE. 221 00:07:47,300 --> 00:07:51,271 >> WHAT DOES IT MATTER? 222 00:07:51,271 --> 00:07:54,474 >> AND THIS LAST ONE -- 223 00:07:54,474 --> 00:07:54,941 "BEST RAMIN NEER ME?" 224 00:07:54,941 --> 00:07:55,575 THAT'S ACTUALLY A MISTAKE. 225 00:07:55,575 --> 00:07:56,142 I THINK YOU WERE TRYING TO 226 00:07:56,142 --> 00:07:57,077 GOOGLE SOMETHING. 227 00:07:57,077 --> 00:07:57,644 >> I WAS HUNGRY. 228 00:07:57,644 --> 00:07:58,178 STILL AM. 229 00:07:58,178 --> 00:07:58,778 >> AND THERE ARE 57,000 MORE 230 00:07:58,778 --> 00:08:01,514 WHERE THOSE CAME FROM. 231 00:08:01,514 --> 00:08:02,716 >> ALL RIGHT. 232 00:08:02,716 --> 00:08:03,116 OKAY. 233 00:08:03,116 --> 00:08:03,650 GOT IT. 234 00:08:03,650 --> 00:08:05,151 BEFORE WE GET TO OUR 235 00:08:05,151 --> 00:08:05,752 FIRST AWARD TONIGHT, WE JUST 236 00:08:05,752 --> 00:08:08,254 WANTED TO CHAT ABOUT ACCEPTANCE 237 00:08:08,254 --> 00:08:09,055 SPEECHES. 238 00:08:09,055 --> 00:08:09,856 >> PLEASE. 239 00:08:09,856 --> 00:08:12,659 IN WHAT CAN ONLY BE DESCRIBED 240 00:08:12,659 --> 00:08:13,293 AS A CRUEL JOKE, TWO CANADIANS 241 00:08:13,293 --> 00:08:13,860 HAVE BEEN PUT IN CHARGE OF 242 00:08:13,860 --> 00:08:14,361 PLAYING YOU OFF TONIGHT. 243 00:08:14,361 --> 00:08:16,229 >> CANADIANS DON'T LIKE 244 00:08:16,229 --> 00:08:18,398 INTERRUPTING ANYBODY. 245 00:08:18,398 --> 00:08:18,965 IT GOES AGAINST OUR NATURE. 246 00:08:18,965 --> 00:08:20,000 >> CONFRONTATION IN GENERAL IS 247 00:08:20,000 --> 00:08:21,034 ANXIETY-INDUCING, ESPECIALLY FOR 248 00:08:21,034 --> 00:08:24,804 MY 77-YEAR-OLD FATHER. 249 00:08:24,804 --> 00:08:25,872 OKAY? 250 00:08:25,872 --> 00:08:26,306 >> I DON'T LIKE IT. 251 00:08:26,306 --> 00:08:26,906 >> THE MAN IS FRAILER THAN HE 252 00:08:26,906 --> 00:08:27,107 LOOKS. 253 00:08:27,107 --> 00:08:27,974 HE GETS PALPITATIONS FROM TIME 254 00:08:27,974 --> 00:08:28,208 TO TIME. 255 00:08:28,208 --> 00:08:29,542 I'M NOW HEARING ABOUT 256 00:08:29,542 --> 00:08:29,843 TENDINITIS. 257 00:08:29,843 --> 00:08:33,246 >> OKAY, OKAY. 258 00:08:33,246 --> 00:08:34,948 THE POINT, THE POINT, 259 00:08:34,948 --> 00:08:36,182 THE POINT IS, IF YOU'RE GOING TO 260 00:08:36,182 --> 00:08:38,184 SAY ANYTHING MEANINGFUL, OR 261 00:08:38,184 --> 00:08:39,085 EMOTIONAL, OR GOD FORBID 262 00:08:39,085 --> 00:08:42,322 POLITICAL, KEEP IT SHORT. 263 00:08:42,322 --> 00:08:45,692 BECAUSE THE PRESSURE ALONE ON 264 00:08:45,692 --> 00:08:45,892 ME -- 265 00:08:45,892 --> 00:08:46,526 >> I DON'T WANT TO BE ALARMIST, 266 00:08:46,526 --> 00:08:47,160 BUT HAVING TO CUT YOU OFF COULD 267 00:08:47,160 --> 00:08:47,494 KILL THIS MAN. 268 00:08:47,494 --> 00:08:48,895 >> ON THAT NOTE, PLEASE WELCOME 269 00:08:48,895 --> 00:08:49,396 OUR FIRST PRESENTERS. 270 00:08:49,396 --> 00:08:51,498 FROM "ONLY MURDERS IN THE 271 00:08:51,498 --> 00:08:54,634 BUILDING," SELENA GOMEZ, AND 272 00:08:54,634 --> 00:08:55,201 FROM "THE GOLDEN BACHELOR," 273 00:08:55,201 --> 00:08:58,705 STEVE MARTIN AND MARTIN SHORT. 274 00:08:58,705 --> 00:09:00,206 [ APPLAUSE ] 275 00:09:00,206 --> 00:09:16,089 ♪ 276 00:09:16,089 --> 00:09:17,390 >> IT'S NOT COMING UP YET. 277 00:09:17,390 --> 00:09:17,957 >> HELLO, I'M SELENA GOMEZ. 278 00:09:17,957 --> 00:09:18,458 >> AND I'M STEVE MARTIN. 279 00:09:18,458 --> 00:09:20,560 >> AND I'M MARTIN SH -- 280 00:09:20,560 --> 00:09:21,194 >> WHAT AN EXCITING NIGHT TO BE 281 00:09:21,194 --> 00:09:23,730 HERE AT THE EMMYS. 282 00:09:23,730 --> 00:09:27,100 >> I PERSONALLY HAVE NEVER BEEN 283 00:09:27,100 --> 00:09:28,968 MORE EXCITED OR HAPPIER. 284 00:09:28,968 --> 00:09:29,602 >> Announcer: SHINGLES DOESN'T 285 00:09:29,602 --> 00:09:35,275 CARE. 286 00:09:35,275 --> 00:09:35,708 >> THE EMMY AWARDS. 287 00:09:35,708 --> 00:09:37,377 WHAT A MAGICAL EVENING IT'S BEEN 288 00:09:37,377 --> 00:09:38,411 OF TRYING TO REMEMBER PEOPLE'S 289 00:09:38,411 --> 00:09:38,611 NAMES. 290 00:09:38,611 --> 00:09:39,479 >> AND PRETENDING THAT WE'VE 291 00:09:39,479 --> 00:09:41,581 SEEN THEIR SHOWS. 292 00:09:41,581 --> 00:09:44,217 >> AND WHEN I SEE AN ACTOR I 293 00:09:44,217 --> 00:09:48,221 DON'T KNOW, I JUST SAY, "I LOVED 294 00:09:48,221 --> 00:09:49,522 YOUR SCENE WITH NICOLE KIDMAN." 295 00:09:49,522 --> 00:09:52,225 AND NINE TIMES OUT OF TEN, I'M 296 00:09:52,225 --> 00:09:52,725 RIGHT. 297 00:09:52,725 --> 00:09:53,726 >> AND STEVE, LET ME JUST SAY 298 00:09:53,726 --> 00:09:55,295 WHAT AN HONOR IT IS FOR ME TO BE 299 00:09:55,295 --> 00:09:56,396 WORKING WITH SOMEONE WHO LOOKS 300 00:09:56,396 --> 00:09:57,964 LIKE HE'S FALLEN AND CAN'T GET 301 00:09:57,964 --> 00:10:03,870 UP. 302 00:10:03,870 --> 00:10:05,271 >> AND LET ME SAY WHAT AN 303 00:10:05,271 --> 00:10:06,106 HONOR IT IS FOR ME TO BE WORKING 304 00:10:06,106 --> 00:10:07,207 WITH SOMEONE WHO LOOKS LIKE A 305 00:10:07,207 --> 00:10:16,683 FORMER WOMEN'S TENNIS CHAMPION. 306 00:10:16,683 --> 00:10:18,852 >> AND LET ME SAY WHAT AN HONOR 307 00:10:18,852 --> 00:10:20,420 IT IS WORK WITH TWO GUYS WHO ARE 308 00:10:20,420 --> 00:10:24,224 THIS FAR AWAY FROM BEING 309 00:10:24,224 --> 00:10:25,692 CHILDLESS CAT LADIES. 310 00:10:25,692 --> 00:10:26,326 >> WE ARE SO THRILLED TO BE HERE 311 00:10:26,326 --> 00:10:27,260 TONIGHT. 312 00:10:27,260 --> 00:10:31,831 AS NOMINEES. 313 00:10:31,831 --> 00:10:32,065 >> YES! 314 00:10:32,065 --> 00:10:32,699 >> SELENA IS NOMINATED AS BEST 315 00:10:32,699 --> 00:10:33,299 COMEDY ACTRESS FOR THE FIRST 316 00:10:33,299 --> 00:10:36,236 TIME. 317 00:10:36,236 --> 00:10:36,536 [ APPLAUSE ] 318 00:10:36,536 --> 00:10:38,338 >> BRAVO! 319 00:10:38,338 --> 00:10:39,772 >> AND STEVE AND MARTY ARE 320 00:10:39,772 --> 00:10:44,210 NOMINATED AS BEST COMEDY ACTORS 321 00:10:44,210 --> 00:10:45,512 IN THE SAME CATEGORY. 322 00:10:45,512 --> 00:10:48,047 GUYS, IS THAT A LITTLE AWKWARD? 323 00:10:48,047 --> 00:10:48,414 >> WELL, NO. 324 00:10:48,414 --> 00:10:49,983 OF COURSE STEVE AND I BOTH VOTED 325 00:10:49,983 --> 00:10:50,216 FOR YOU. 326 00:10:50,216 --> 00:10:50,783 >> AND MARTY AND I MADE AN 327 00:10:50,783 --> 00:10:51,651 AGREEMENT, IN ORDER TO BE FAIR, 328 00:10:51,651 --> 00:10:53,186 TO BOTH VOTE FOR EACH OTHER. 329 00:10:53,186 --> 00:10:56,389 >> RIGHT, SO I VOTED FOR STEVE. 330 00:10:56,389 --> 00:11:00,593 AND STEVE VOTED FOR -- 331 00:11:00,593 --> 00:11:06,432 >> YES, WHAT AN EXCITING NIGHT. 332 00:11:06,432 --> 00:11:08,001 HERE AT THE EMMYS. 333 00:11:08,001 --> 00:11:08,635 >> BUT THE EMMYS ARE NOT ABOUT 334 00:11:08,635 --> 00:11:12,906 WHO WINS AND WHO LOSES. 335 00:11:12,906 --> 00:11:16,376 >> OH, YOU'RE YOUNG. 336 00:11:16,376 --> 00:11:18,611 >> HONESTLY, DO YOU SEE WHAT I 337 00:11:18,611 --> 00:11:21,714 HAVE TO GO THROUGH EVERY DAY? 338 00:11:21,714 --> 00:11:23,616 >> I JUST WANT TO SAY AGAIN, I'M 339 00:11:23,616 --> 00:11:25,752 SO EXCITED AND I STILL LOVE 340 00:11:25,752 --> 00:11:26,219 BEING HERE. 341 00:11:26,219 --> 00:11:26,819 >> Announcer: SHINGLES STILL 342 00:11:26,819 --> 00:11:27,320 DOESN'T CARE. 343 00:11:27,320 --> 00:11:28,254 >> GROUP HUG. 344 00:11:28,254 --> 00:11:28,888 >> AND NOW, IT'S TIME TO PRESENT 345 00:11:28,888 --> 00:11:32,225 OUR FIRST AWARD. 346 00:11:32,225 --> 00:11:39,098 HERE ARE THE NOMINEES FOR 347 00:11:39,098 --> 00:11:39,933 BEST SUPPORTING ACTOR IN A 348 00:11:39,933 --> 00:11:42,001 COMEDY SERIES. 349 00:11:42,001 --> 00:11:43,069 >> Announcer: LIONEL BOYCE, "THE 350 00:11:43,069 --> 00:11:43,269 BEAR." 351 00:11:43,269 --> 00:11:44,137 PAUL W. DOWNS, "HACKS." 352 00:11:44,137 --> 00:11:45,171 EBON MOSS-BACHRACH, "THE BEAR." 353 00:11:45,171 --> 00:11:46,239 PAUL RUDD, "ONLY MURDERS IN THE 354 00:11:46,239 --> 00:11:47,807 BUILDING." 355 00:11:47,807 --> 00:11:50,944 TYLER JAMES WILLIAMS, "ABBOTT 356 00:11:50,944 --> 00:11:51,244 ELEMENTARY." 357 00:11:51,244 --> 00:11:52,011 BOWEN YANG, "SATURDAY NIGHT 358 00:11:52,011 --> 00:11:57,283 LIVE." 359 00:11:57,283 --> 00:12:07,827 >> AND THE EMMY GOES TO -- 360 00:12:07,827 --> 00:12:15,101 E BONN MOSS -- EBON 361 00:12:15,101 --> 00:12:17,837 MOSS-BACHRACH! 362 00:12:17,837 --> 00:12:17,971 ♪ 363 00:12:28,181 --> 00:12:38,424 [ APPLAUSE ] 364 00:12:38,424 --> 00:12:39,993 >> OKAY. 365 00:12:39,993 --> 00:12:40,260 WOW. 366 00:12:40,260 --> 00:12:42,629 THANK YOU SO MUCH. 367 00:12:42,629 --> 00:12:44,964 I DON'T KNOW WHAT TO SAY. 368 00:12:44,964 --> 00:12:47,433 I'M SO GRATEFUL FOR THIS SHOW 369 00:12:47,433 --> 00:12:50,303 AND TO WORK WITH THESE BEAUTIFUL 370 00:12:50,303 --> 00:12:50,637 PEOPLE. 371 00:12:50,637 --> 00:12:52,171 CHRIS, THANK YOU SO MUCH. 372 00:12:52,171 --> 00:12:54,274 I LOVE YOU SO MUCH. 373 00:12:54,274 --> 00:12:58,978 JOANNE THAT, JOSH, TYSON. 374 00:12:58,978 --> 00:13:00,680 I WORK WITH THIS INCREDIBLE 375 00:13:00,680 --> 00:13:01,981 FAMILY EVERY DAY. 376 00:13:01,981 --> 00:13:08,321 IT IS SUCH A PRIVILEGE. 377 00:13:08,321 --> 00:13:08,755 L 378 00:13:08,755 --> 00:13:12,025 LIONEL, LIZA, MATTIE, ALL MY 379 00:13:12,025 --> 00:13:13,960 LITTLE FORKS CREW, ANDREW AND 380 00:13:13,960 --> 00:13:17,130 SARA AND OLIVIA. 381 00:13:17,130 --> 00:13:22,268 THANK YOU, JEANIE FOR PUTTING 382 00:13:22,268 --> 00:13:23,436 SUCH A NICE FAMILY TOGETHER. 383 00:13:23,436 --> 00:13:27,073 THANK YOU TO MY PARENTS. 384 00:13:27,073 --> 00:13:29,008 THEY'RE TAKING SUCH NICE CARE OF 385 00:13:29,008 --> 00:13:29,308 MY CAT. 386 00:13:29,308 --> 00:13:31,778 AND THANKS TO MY SWEET 387 00:13:31,778 --> 00:13:32,979 DAUGHTERS. 388 00:13:32,979 --> 00:13:34,747 ELENA, I LOVE YOU SO MUCH. 389 00:13:34,747 --> 00:13:36,349 YOU'RE EVERYTHING TO ME. 390 00:13:36,349 --> 00:13:39,619 THANK YOU. 391 00:13:39,619 --> 00:13:44,123 [ APPLAUSE ] 392 00:13:44,123 --> 00:13:44,724 >> Announcer: PLEASE WELCOME, 393 00:13:44,724 --> 00:13:56,569 COLIN FARRELL. 394 00:13:56,569 --> 00:14:02,775 ♪ 395 00:14:02,775 --> 00:14:04,210 >> ALL RIGHT. 396 00:14:04,210 --> 00:14:06,713 THAT'S ONE NAME DROP. 397 00:14:06,713 --> 00:14:07,313 >> CREATING AN UNFORGETTABLE 398 00:14:07,313 --> 00:14:08,214 EXPERIENCE BY BRINGING DEPTH AND 399 00:14:08,214 --> 00:14:09,148 UNDENIABLE COMPLEXITY TO A 400 00:14:09,148 --> 00:14:10,717 CHARACTER IS NO SMALL FEAT. 401 00:14:10,717 --> 00:14:16,155 YET IT'S THE EXACT CHALLENGE 402 00:14:16,155 --> 00:14:17,590 TAKEN ON BY THESE ACTORS. 403 00:14:17,590 --> 00:14:19,225 HERE ARE YOUR NOMINEES FOR 404 00:14:19,225 --> 00:14:22,695 SUPPORTING ACTOR IN A DRAMA 405 00:14:22,695 --> 00:14:23,162 SERIES. 406 00:14:23,162 --> 00:14:23,763 >> Announcer: TADANOBU ASANO, 407 00:14:23,763 --> 00:14:24,230 "SHOGUN." 408 00:14:24,230 --> 00:14:25,264 BILLY CRUDUP, "THE MORNING 409 00:14:25,264 --> 00:14:26,366 SHOW." 410 00:14:26,366 --> 00:14:26,933 MARK DUPLASS, "THE MORNING 411 00:14:26,933 --> 00:14:27,934 SHOW." 412 00:14:27,934 --> 00:14:32,205 JON HAMM, "THE MORNING SHOW." 413 00:14:32,205 --> 00:14:36,209 TAKEHIRO HIRA, "SHOGUN." 414 00:14:36,209 --> 00:14:36,876 JACK LOWDEN, "SLOW HORSES." 415 00:14:36,876 --> 00:14:43,182 JONATHAN PRYCE, "THE CROWN." 416 00:14:43,182 --> 00:14:48,621 >> AND THE EMMY GOES TO -- 417 00:14:48,621 --> 00:14:54,927 BILLY CRUDUP, "THE MORNING 418 00:14:54,927 --> 00:14:55,128 SHOW." 419 00:14:55,128 --> 00:14:55,428 [ APPLAUSE ] 420 00:14:55,428 --> 00:14:57,263 >> THIS IS THE SECOND EMMY WIN 421 00:14:57,263 --> 00:15:03,469 AND THIRD NOMINATION FOR BILLY 422 00:15:03,469 --> 00:15:07,807 CRUDUP. 423 00:15:07,807 --> 00:15:09,041 >> THANK YOU VERY MUCH. 424 00:15:09,041 --> 00:15:11,010 THIS IS AN INCREDIBLE HONOR. 425 00:15:11,010 --> 00:15:14,814 THANK YOU ALL. 426 00:15:14,814 --> 00:15:18,317 I'M HAPPY TO BE HERE WITH MY 427 00:15:18,317 --> 00:15:20,086 PIECE OF EYE CANDY THERE, MY 428 00:15:20,086 --> 00:15:22,989 WIFE, WHO ALSO HAPPENS TO BE AN 429 00:15:22,989 --> 00:15:23,256 IMMIGRANT. 430 00:15:23,256 --> 00:15:26,092 AND ALSO GAVE A SERING 431 00:15:26,092 --> 00:15:27,860 PERFORMANCE THIS YEAR FOR WHICH 432 00:15:27,860 --> 00:15:29,462 SHE'S NOMINATED, AND SHE STARTS 433 00:15:29,462 --> 00:15:29,996 BUSINESSES, TOO. 434 00:15:29,996 --> 00:15:31,531 SO NICE TO BE BY HER SIDE. 435 00:15:31,531 --> 00:15:33,566 I JUST WANT TO SAY THAT THIS IS 436 00:15:33,566 --> 00:15:35,635 FOR THE WRITERS AND THE 437 00:15:35,635 --> 00:15:37,637 EDUCATORS WHO ALLOWED ME TO DO 438 00:15:37,637 --> 00:15:39,138 THE WRITING THAT WAS BEYOND MY 439 00:15:39,138 --> 00:15:39,472 LEVEL. 440 00:15:39,472 --> 00:15:43,109 EVERY TIME I WOULD SEE THE 441 00:15:43,109 --> 00:15:45,077 SCRIPTS, I WOULD HAVE TO GO BACK 442 00:15:45,077 --> 00:15:46,679 AND LOOK AT THE SCRIPTS THAT 443 00:15:46,679 --> 00:15:50,116 TEACHERS GAVE ME. 444 00:15:50,116 --> 00:15:53,152 TO HER TEAM AND TO CHARLOTTE 445 00:15:53,152 --> 00:15:54,687 STOUT, WHO HAVE EXPANDED UPON 446 00:15:54,687 --> 00:15:55,955 THIS CHARACTER, THIS PROCESS HAS 447 00:15:55,955 --> 00:15:57,056 BEEN INCREDIBLE FOR ME. 448 00:15:57,056 --> 00:15:59,091 AND I HOPE EVERYBODY ELSE WHO IS 449 00:15:59,091 --> 00:15:59,926 INVOLVED KNOWS HOW MUCH IT MEANS 450 00:15:59,926 --> 00:16:00,526 TO ME. 451 00:16:00,526 --> 00:16:02,028 SO THANK YOU ALL. 452 00:16:02,028 --> 00:16:03,262 AND ALSO HI TO THE KIDS. 453 00:16:03,262 --> 00:16:04,897 I KNOW YOU'RE WATCHING WHEREVER 454 00:16:04,897 --> 00:16:08,234 YOU ARE. 455 00:16:08,234 --> 00:16:08,668 OKAY. 456 00:16:08,668 --> 00:16:10,169 BYE, GUYS. 457 00:16:10,169 --> 00:16:11,804 THANK YOU! 458 00:16:11,804 --> 00:16:12,104 [ APPLAUSE ] 459 00:16:12,104 --> 00:16:12,805 >> Announcer: STILL TO COME, 460 00:16:12,805 --> 00:16:13,840 KAITLIN OLSEN, ROB McELHENNEY, 461 00:16:13,840 --> 00:16:14,407 DA'VINE JOY RANDOLPH AND 462 00:16:14,407 --> 00:16:17,577 CANDICE BERGEN. 463 00:16:17,577 --> 00:16:19,645 AND JUST AHEAD, THE EMMYS BRING 464 00:16:19,645 --> 00:16:20,279 TOGETHER TV DADS GEORGE LOPEZ, 465 00:16:20,279 --> 00:16:21,781 DAMON WAYANS, AND 466 00:16:21,781 --> 00:16:22,815 JESSE TYLER FERGUSON. 467 00:16:22,815 --> 00:16:24,517 HERE ON ABC. 468 00:16:36,762 --> 00:16:37,163 >>> WELCOME BACK. 469 00:16:37,163 --> 00:16:37,864 THROUGHOUT THE NIGHT, "THE 470 00:16:37,864 --> 00:16:39,398 EMMYS" WILL BE HIGHLIGHTING SOME 471 00:16:39,398 --> 00:16:42,034 OF THE GREAT CHARACTER 472 00:16:42,034 --> 00:16:45,137 ARCHETYPES ON TELEVISION. 473 00:16:45,137 --> 00:16:53,045 AND WE'RE STARTING WITH TV DADS. 474 00:16:53,045 --> 00:16:54,113 >> WE ARE. 475 00:16:54,113 --> 00:16:55,114 TV DADS HAVE OBVIOUSLY HAD A 476 00:16:55,114 --> 00:16:56,182 HUGE IMPACT ON ME. 477 00:16:56,182 --> 00:16:57,250 COACH TAYLOR FROM "FRIDAY NIGHT 478 00:16:57,250 --> 00:16:59,886 LIGHTS" REALLY GAVE ME SOME MUCH 479 00:16:59,886 --> 00:17:00,520 NEEDED WISDOM IN MY 20S, AND I 480 00:17:00,520 --> 00:17:03,189 DIDN'T EVEN LIKE FOOTBALL. 481 00:17:03,189 --> 00:17:04,757 >> YEAH, I KNOW. 482 00:17:04,757 --> 00:17:07,226 WELL, HE WAS -- HE WAS OKAY. 483 00:17:07,226 --> 00:17:08,160 HE WAS GOOD. 484 00:17:08,160 --> 00:17:09,695 ANY OTHER DADS? 485 00:17:09,695 --> 00:17:12,465 AND, LOOK, I'M NOT FISHING FOR 486 00:17:12,465 --> 00:17:12,865 COMPLIMENTS HERE. 487 00:17:12,865 --> 00:17:13,332 >> YEAH. 488 00:17:13,332 --> 00:17:14,033 TONY SOPRANO WAS ANOTHER. 489 00:17:14,033 --> 00:17:14,634 >> TONY SOPRANO KILLED PEOPLE. 490 00:17:14,634 --> 00:17:15,201 >> WELL, HIS HEART WAS IN THE 491 00:17:15,201 --> 00:17:18,304 RIGHT PLACE. 492 00:17:18,304 --> 00:17:19,272 >> OKAY. 493 00:17:19,272 --> 00:17:19,805 ALL RIGHT. 494 00:17:19,805 --> 00:17:21,007 YOU KNOW WHAT? 495 00:17:21,007 --> 00:17:22,708 GOOD ROLE MODEL THERE. 496 00:17:22,708 --> 00:17:23,242 GREAT ROLE MODEL. 497 00:17:23,242 --> 00:17:23,809 >> HERE TO PRESENT THE NEXT 498 00:17:23,809 --> 00:17:24,410 AWARD ARE THREE GREAT TV DADS. 499 00:17:24,410 --> 00:17:25,011 PLEASE WELCOME DAMON WAYANS, 500 00:17:25,011 --> 00:17:27,647 GEORGE LOPEZ, AND 501 00:17:27,647 --> 00:17:28,147 MY PAL, 502 00:17:28,147 --> 00:17:33,853 JESSE TYLER FERGUSON. 503 00:17:33,853 --> 00:17:42,328 ♪ 504 00:17:42,328 --> 00:17:42,628 [ APPLAUSE ] 505 00:17:42,628 --> 00:17:43,029 >>> ALL RIGHT. 506 00:17:43,029 --> 00:17:44,697 SO THIS IS A MAN CAVE. 507 00:17:44,697 --> 00:17:50,002 A MAN CAVE, WONDERFUL. 508 00:17:50,002 --> 00:17:51,103 OKAY. 509 00:17:51,103 --> 00:17:52,605 THE LAIR OF THE TV DAD, 510 00:17:52,605 --> 00:17:53,539 THE DOMAIN WHERE WE HAD ALL THE 511 00:17:53,539 --> 00:17:54,173 ANSWERS AND SOLVED OUR FAMILIES' 512 00:17:54,173 --> 00:17:55,107 PROBLEMS IN 22 MINUTES WITH 513 00:17:55,107 --> 00:17:56,709 COMMERCIALS. 514 00:17:56,709 --> 00:17:57,777 >> BUT LET'S NOT FORGET THAT TO 515 00:17:57,777 --> 00:17:58,377 BE A GREAT TV DAD, YOU NEED A 516 00:17:58,377 --> 00:18:00,913 GREAT TV WIFE. 517 00:18:00,913 --> 00:18:03,549 >> AND THAT'S WHY WE WANT TO 518 00:18:03,549 --> 00:18:07,920 THANK OUR TV SITCOM WIVES. 519 00:18:07,920 --> 00:18:09,021 >> YES. 520 00:18:09,021 --> 00:18:09,488 OKAY. 521 00:18:09,488 --> 00:18:12,558 I'M SO SORRY. 522 00:18:12,558 --> 00:18:13,626 I'VE -- I'VE -- 523 00:18:13,626 --> 00:18:18,564 DID YOU WATCH MY SHOW? 524 00:18:18,564 --> 00:18:18,831 OR -- 525 00:18:18,831 --> 00:18:21,267 >> YES, ALL 90 SEASONS. 526 00:18:21,267 --> 00:18:21,500 >> OKAY. 527 00:18:21,500 --> 00:18:22,068 >> SO ALL OF US WANT TO THANK 528 00:18:22,068 --> 00:18:22,868 OUR TV SPOUSES. 529 00:18:22,868 --> 00:18:24,437 >> A SHOUTOUT TO MY SITCOM WIFE, 530 00:18:24,437 --> 00:18:29,175 TISHA CAMPBELL. 531 00:18:29,175 --> 00:18:34,413 >> AND TO MINE, CONSTANCE MARIE. 532 00:18:34,413 --> 00:18:34,981 >> AND TO MY TV HUSBAND, 533 00:18:34,981 --> 00:18:42,888 ERIC STONESTREET. 534 00:18:42,888 --> 00:18:43,522 >> AND NOW HERE ARE THE NOMINEES 535 00:18:43,522 --> 00:18:45,324 FOR LEAD ACTOR IN A COMEDY 536 00:18:45,324 --> 00:18:47,126 SERIES. 537 00:18:47,126 --> 00:18:47,760 >> Announcer: MATT BERRY, "WHAT 538 00:18:47,760 --> 00:18:50,296 WE DO IN THE SHADOWS," 539 00:18:50,296 --> 00:18:50,796 LARRY DAVID, "CURB YOUR 540 00:18:50,796 --> 00:18:52,898 ENTHUSIASM," 541 00:18:52,898 --> 00:18:56,035 STEVE MARTIN, "ONLY MURDERS IN 542 00:18:56,035 --> 00:18:56,369 THE BUILDING," 543 00:18:56,369 --> 00:18:57,003 MARTIN SHORT, "ONLY MURDERS IN 544 00:18:57,003 --> 00:18:59,739 THE BUILDING," 545 00:18:59,739 --> 00:19:02,908 JEREMY ALLEN WHITE, "THE BEAR," 546 00:19:02,908 --> 00:19:03,442 D'PHARAOH WOON-A-TAI, 547 00:19:03,442 --> 00:19:10,049 "RESERVATION DOGS." 548 00:19:10,049 --> 00:19:17,890 >> AND THE EMMY GOES TO -- 549 00:19:17,890 --> 00:19:21,961 JEREMY ALLEN WHITE, "THE BEAR." 550 00:19:21,961 --> 00:19:22,328 [ APPLAUSE ] 551 00:19:22,328 --> 00:19:22,795 ♪ 552 00:19:22,795 --> 00:19:24,997 >> THIS IS THE SECOND 553 00:19:24,997 --> 00:19:26,432 CONSECUTIVE EMMY WIN AND SECOND 554 00:19:26,432 --> 00:19:28,367 CONSECUTIVE NOMINATION FOR 555 00:19:28,367 --> 00:19:32,972 JEREMY ALLEN WHITE IN THIS 556 00:19:32,972 --> 00:19:39,712 CATEGORY. 557 00:19:39,712 --> 00:19:43,282 ♪ 558 00:19:43,282 --> 00:19:44,850 >> OKAY, THANK YOU. 559 00:19:44,850 --> 00:19:48,587 TAKE IT DOWN, YEAH. 560 00:19:48,587 --> 00:19:49,155 ALL RIGHT. 561 00:19:49,155 --> 00:19:50,322 THANK YOU. 562 00:19:50,322 --> 00:19:51,157 THANK YOU SO MUCH. 563 00:19:51,157 --> 00:19:53,526 MY HEART IS JUST BEATING RIGHT 564 00:19:53,526 --> 00:19:54,593 OUT OF ITS CHEST. 565 00:19:54,593 --> 00:19:57,096 THANK YOU, THANK YOU TO THE 566 00:19:57,096 --> 00:19:58,898 ACADEMY, MY FELLOW NOMINEES. 567 00:19:58,898 --> 00:20:01,434 I'M SO HONORED TO BE IN YOUR 568 00:20:01,434 --> 00:20:03,169 COMPANY. 569 00:20:03,169 --> 00:20:04,437 CHRIS AND JOE, THANK YOU FOR 570 00:20:04,437 --> 00:20:05,271 CHOOSING ME. 571 00:20:05,271 --> 00:20:07,606 I AM SO, SO, SO LUCKY. 572 00:20:07,606 --> 00:20:10,309 I'M SO GRATEFUL. 573 00:20:10,309 --> 00:20:12,311 THANK YOU. 574 00:20:12,311 --> 00:20:13,746 MY BEAUTIFUL CAST, I LOVE YOU 575 00:20:13,746 --> 00:20:13,979 FOREVER. 576 00:20:13,979 --> 00:20:15,614 I LOVE TO WORK WITH YOU, AND I 577 00:20:15,614 --> 00:20:19,018 JUST -- I WANT US TO BE IN EACH 578 00:20:19,018 --> 00:20:19,952 OTHER'S LIVES FOREVER. 579 00:20:19,952 --> 00:20:25,291 I LOVE YOU SO DEARLY. 580 00:20:25,291 --> 00:20:29,161 JOE, THIS SHOW HAS CHANGED MY 581 00:20:29,161 --> 00:20:29,428 LIFE. 582 00:20:29,428 --> 00:20:31,630 IT HAS INSTILLED A FAITH THAT 583 00:20:31,630 --> 00:20:34,166 CHANGE IS -- IS -- IS POSSIBLE, 584 00:20:34,166 --> 00:20:35,835 THAT CHANGE IS POSSIBLE IF YOU 585 00:20:35,835 --> 00:20:38,704 ARE ABLE TO REACH OUT. 586 00:20:38,704 --> 00:20:41,040 YOU'RE REALLY, TRULY NEVER 587 00:20:41,040 --> 00:20:41,707 ACTUALLY ALONE. 588 00:20:41,707 --> 00:20:43,309 I THANK THIS SHOW. 589 00:20:43,309 --> 00:20:46,712 MY PARENTS, I LOVE YOU. 590 00:20:46,712 --> 00:20:48,380 MY SISTER, THANK YOU FOR COMING 591 00:20:48,380 --> 00:20:50,049 WITH ME TONIGHT. 592 00:20:50,049 --> 00:20:51,917 EZRA AND LOUIE, I LOVE YOU SO, 593 00:20:51,917 --> 00:20:53,319 SO, SO, SO MUCH. 594 00:20:53,319 --> 00:20:55,788 YOU ARE MY HEART. 595 00:20:55,788 --> 00:20:56,055 THANK YOU. 596 00:20:56,055 --> 00:21:01,293 THANK YOU, EVERYBODY. 597 00:21:01,293 --> 00:21:01,594 [ APPLAUSE ] 598 00:21:01,594 --> 00:21:04,196 ♪ 599 00:21:04,196 --> 00:21:05,331 >> Announcer: PLEASE WELCOME, 600 00:21:05,331 --> 00:21:11,537 THREE-TIME EMMY NOMINEE, 601 00:21:11,537 --> 00:21:12,605 KAITLIN OLSON, AND TWO-TIME EMMY 602 00:21:12,605 --> 00:21:18,611 WINNER, ROB MCELHENNEY. 603 00:21:18,611 --> 00:21:22,615 ♪ 604 00:21:22,615 --> 00:21:23,682 >> LADIES AND GENTLEMEN, WE ARE 605 00:21:23,682 --> 00:21:24,683 HERE TO HONOR THE COMEDIC 606 00:21:24,683 --> 00:21:25,217 PERFORMANCES THAT HOLD 607 00:21:25,217 --> 00:21:27,920 EVERYTHING IN PLACE. 608 00:21:27,920 --> 00:21:29,488 THEY SHOW CRUCIAL SUPPORT WHEN 609 00:21:29,488 --> 00:21:30,589 IT'S REALLY NEEDED. 610 00:21:30,589 --> 00:21:37,463 >> MUCH LIKE A JOCKSTRAP. 611 00:21:37,463 --> 00:21:39,398 >> YES AND -- 612 00:21:39,398 --> 00:21:39,932 NO, NOT LIKE A JOCKSTRAP. 613 00:21:39,932 --> 00:21:40,900 >> WHAT YOU'RE DESCRIBING SOUNDS 614 00:21:40,900 --> 00:21:44,537 LIKE A JOCKSTRAP. 615 00:21:44,537 --> 00:21:44,937 >> NO, IT DOESN'T. 616 00:21:44,937 --> 00:21:45,371 >> OKAY, KEEP GOING. 617 00:21:45,371 --> 00:21:45,905 >> THESE ROLES MAKE SURE 618 00:21:45,905 --> 00:21:47,706 EVERYTHING STAYS SECURE. 619 00:21:47,706 --> 00:21:49,275 WITHOUT THIS SUPPORT, THE WHOLE 620 00:21:49,275 --> 00:21:50,843 PACKAGE FALLS APART. 621 00:21:50,843 --> 00:21:51,477 ALL RIGHT, THIS DOES SOUND LIKE 622 00:21:51,477 --> 00:21:54,647 A JOCKSTRAP. 623 00:21:54,647 --> 00:21:55,147 >> YEAH. 624 00:21:55,147 --> 00:21:55,781 ARE YOU CALLING MERYL STREEP A 625 00:21:55,781 --> 00:21:59,518 JOCKSTRAP? 626 00:21:59,518 --> 00:22:02,354 >> NO! 627 00:22:02,354 --> 00:22:02,855 NO. 628 00:22:02,855 --> 00:22:03,822 OH. 629 00:22:03,822 --> 00:22:05,991 I'M SO SORRY, MERYL. 630 00:22:05,991 --> 00:22:06,458 >> SO YOU'RE CALLING 631 00:22:06,458 --> 00:22:07,493 CAROL BURNETT A JOCKSTRAP. 632 00:22:07,493 --> 00:22:10,462 >> NO. 633 00:22:10,462 --> 00:22:13,032 OH, MY GOD. 634 00:22:13,032 --> 00:22:14,934 I REVERE CAROL BURNETT. 635 00:22:14,934 --> 00:22:17,169 I'M SO SORRY. 636 00:22:17,169 --> 00:22:20,005 >> ARE YOU DOING THE EAR TUG? 637 00:22:20,005 --> 00:22:21,307 OH, MY GOD. 638 00:22:21,307 --> 00:22:22,842 WHERE'S THE STATUE? 639 00:22:22,842 --> 00:22:25,711 LET'S JUST THROW IT AT SOMEBODY. 640 00:22:25,711 --> 00:22:27,112 >> AND THE NOMINEES FOR BEST 641 00:22:27,112 --> 00:22:27,746 SUPPORTING ACTRESS IN A COMEDY 642 00:22:27,746 --> 00:22:27,947 ARE -- 643 00:22:27,947 --> 00:22:28,714 >> Announcer: CAROL BURNETT, 644 00:22:28,714 --> 00:22:31,383 "PALM ROYALE," 645 00:22:31,383 --> 00:22:32,985 LIZA COLON-ZAYAS, "THE BEAR," 646 00:22:32,985 --> 00:22:35,087 HANNAH EINBINDER, "HACKS," 647 00:22:35,087 --> 00:22:37,323 JANELLE JAMES, "ABBOTT 648 00:22:37,323 --> 00:22:37,723 ELEMENTARY," 649 00:22:37,723 --> 00:22:38,791 SHERYL LEE RALPH, "ABBOTT 650 00:22:38,791 --> 00:22:42,995 ELEMENTARY," 651 00:22:42,995 --> 00:22:45,331 MERYL STREEP, "ONLY MURDERS IN 652 00:22:45,331 --> 00:22:50,135 THE BUILDING." 653 00:22:50,135 --> 00:23:00,880 >> AND THE EMMY GOES TO -- LIZA 654 00:23:00,880 --> 00:23:04,049 COLON-ZAYAS, "THE BEAR." 655 00:23:04,049 --> 00:23:07,620 >> THIS IS THE FIRST EMMY WIN 656 00:23:07,620 --> 00:23:12,658 AND NOMINATION FOR LIZA 657 00:23:12,658 --> 00:23:15,127 COLON-ZAYAS. 658 00:23:15,127 --> 00:23:15,961 ♪ 659 00:23:15,961 --> 00:23:37,016 [ APPLAUSE ] 660 00:23:37,016 --> 00:23:39,118 >> THANK YOU FOR LOWERING THE 661 00:23:39,118 --> 00:23:39,818 MICROPHONE FOR ME. 662 00:23:39,818 --> 00:23:40,986 THANK YOU SO MUCH. 663 00:23:40,986 --> 00:23:44,256 THANK YOU SO MY HUSBAND, DAVID 664 00:23:44,256 --> 00:23:44,623 ZAYAS. 665 00:23:44,623 --> 00:23:46,358 HE TOLD ME TO WRITE A SPEECH, 666 00:23:46,358 --> 00:23:48,527 AND I DIDN'T BECAUSE I DIDN'T 667 00:23:48,527 --> 00:23:49,795 THINK IT WOULD BE POSSIBLE. 668 00:23:49,795 --> 00:23:52,131 HOW, HOW COULD I HAVE THOUGHT IT 669 00:23:52,131 --> 00:23:53,932 WOULD BE POSSIBLE TO BE IN THE 670 00:23:53,932 --> 00:23:56,001 PRESENCE OF MERYL STREEP AND 671 00:23:56,001 --> 00:24:02,074 CAROL BURNETT AND JANELLE? 672 00:24:02,074 --> 00:24:04,043 ANYWAY, I LOVE YOU ALL. 673 00:24:04,043 --> 00:24:08,380 I REVERE YOU TO THE BOTTOM OF MY 674 00:24:08,380 --> 00:24:08,580 HEART. 675 00:24:08,580 --> 00:24:10,783 AND OTHER WOMEN AND MY MOMMY. 676 00:24:10,783 --> 00:24:13,385 MOMMY, I THANK YOU. 677 00:24:13,385 --> 00:24:15,788 MY FAMILY. 678 00:24:15,788 --> 00:24:18,090 MY GRANDKIDS. 679 00:24:18,090 --> 00:24:18,791 GRANDKIDS? 680 00:24:18,791 --> 00:24:19,458 YEAH, THANK YOU. 681 00:24:19,458 --> 00:24:20,960 THANK YOU TO MY BEAUTIFUL CAST. 682 00:24:20,960 --> 00:24:22,328 THANK YOU, THANK YOU, THANK YOU 683 00:24:22,328 --> 00:24:24,496 FOR GIVING ME NEW LIFE IN THIS 684 00:24:24,496 --> 00:24:24,697 SHOW. 685 00:24:24,697 --> 00:24:29,268 AND TO ALL THE LATINAS WHO ARE 686 00:24:29,268 --> 00:24:32,805 LOOKING AT ME, KEEP BELIEVING 687 00:24:32,805 --> 00:24:34,707 AND VOTE. 688 00:24:34,707 --> 00:24:37,776 VOTE FOR YOUR RIGHTS. 689 00:24:37,776 --> 00:24:40,045 THANK YOU! 690 00:24:40,045 --> 00:24:45,784 THANK YOU. 691 00:24:45,784 --> 00:24:46,018 GRACIAS. 692 00:24:46,018 --> 00:24:46,318 [ APPLAUSE ] 693 00:24:46,318 --> 00:24:47,386 >> Announcer: STILL TO COME, 694 00:24:47,386 --> 00:24:51,757 DA'VINE JOY RANDOLPH. PLUS, 695 00:24:51,757 --> 00:24:52,191 APPEARANCES BY 696 00:24:52,191 --> 00:24:53,325 CANDICE BERGEN PRESENTS THE EMMY 697 00:24:53,325 --> 00:24:57,029 FOR LEAD ACTRESS IN A COMEDY 698 00:24:57,029 --> 00:24:57,596 SERIES AND SAM RICHARDSON IS 699 00:24:57,596 --> 00:24:58,097 JOINED BY PADMA LAKSHMI. 700 00:25:04,236 --> 00:25:11,443 ♪ 701 00:25:11,443 --> 00:25:12,945 >>> PLEASE WELCOME EMMY NOMINEE, 702 00:25:12,945 --> 00:25:19,151 DA'VINE JOY RANDOLPH. 703 00:25:19,151 --> 00:25:24,289 ♪ 704 00:25:24,289 --> 00:25:25,124 >> BOLD. 705 00:25:25,124 --> 00:25:27,359 REMARKABLE. 706 00:25:27,359 --> 00:25:28,360 COMPELLING, LEGENDARY AND 707 00:25:28,360 --> 00:25:32,030 EXCEPTIONAL. 708 00:25:32,030 --> 00:25:32,564 YES, THOSE ARE MY MORNING 709 00:25:32,564 --> 00:25:36,235 AFFIRMATIONS. 710 00:25:36,235 --> 00:25:38,871 HOWEVER, TONIGHT I AM REFERRING 711 00:25:38,871 --> 00:25:39,438 TO THE MASTERFUL IMPACT AND 712 00:25:39,438 --> 00:25:40,973 STRONG PRESENCE DEMONSTRATED BY 713 00:25:40,973 --> 00:25:43,108 THESE WOMEN WEEK AFTER WEEK. 714 00:25:43,108 --> 00:25:49,415 ALTHOUGH THE CATEGORY IS 715 00:25:49,415 --> 00:25:50,482 SUPPORTING, TRUST ME, IT'S 716 00:25:50,482 --> 00:25:51,083 GIVING MAIN CHARACTER ENERGY. 717 00:25:51,083 --> 00:25:52,584 LET'S TAKE A LOOK AT THEIR 718 00:25:52,584 --> 00:25:55,254 COLLECTIVE ACHIEVEMENT. 719 00:25:55,254 --> 00:25:57,322 HERE ARE YOUR NOMINEES FOR 720 00:25:57,322 --> 00:25:57,923 SUPPORTING ACTRESS IN A DRAMA 721 00:25:57,923 --> 00:25:58,157 SERIES. 722 00:25:58,157 --> 00:25:59,425 >> Announcer: 723 00:25:59,425 --> 00:26:00,058 CHRISTINE BARANSKI, "THE GILDED 724 00:26:00,058 --> 00:26:00,526 AGE." 725 00:26:00,526 --> 00:26:01,560 NICOLE BEHARIE, "THE MORNING 726 00:26:01,560 --> 00:26:03,662 SHOW." 727 00:26:03,662 --> 00:26:04,296 ELIZABETH DEBICKI, "THE CROWN." 728 00:26:04,296 --> 00:26:07,132 GRETA LEE, "THE MORNING SHOW." 729 00:26:07,132 --> 00:26:09,935 LESLEY MANVILLE, "THE CROWN." 730 00:26:09,935 --> 00:26:10,969 KAREN PITTMAN, "THE MORNING 731 00:26:10,969 --> 00:26:11,170 SHOW." 732 00:26:11,170 --> 00:26:12,571 HOLLAND TAYLOR, "THE MORNING 733 00:26:12,571 --> 00:26:16,809 SHOW." 734 00:26:16,809 --> 00:26:28,654 >> AND THE EMMY GOES TO -- 735 00:26:28,654 --> 00:26:33,258 ELIZABETH DEBIKI! 736 00:26:33,258 --> 00:26:34,927 >> THIS IS THE FIRST EMMY WIN 737 00:26:34,927 --> 00:26:36,995 AND SECOND NOMINATION FOR 738 00:26:36,995 --> 00:26:44,203 ELIZABETH DEBIKI. 739 00:26:44,203 --> 00:26:44,403 ♪ 740 00:26:44,403 --> 00:26:57,116 [ APPLAUSE ] 741 00:26:57,116 --> 00:26:58,517 >> WOW. 742 00:26:58,517 --> 00:27:00,018 I DIDN'T WRITE ANYTHING DOWN 743 00:27:00,018 --> 00:27:03,989 BECAUSE I'M VERY SUPERSTITIOUS 744 00:27:03,989 --> 00:27:04,957 AND NOW I'M IN A REAL PICKLE, SO 745 00:27:04,957 --> 00:27:06,725 I'M GOING TO DO THIS QUICKLY. 746 00:27:06,725 --> 00:27:07,926 PETER, THANK YOU. 747 00:27:07,926 --> 00:27:09,728 THANK YOU FOR MAKING THIS SHOW, 748 00:27:09,728 --> 00:27:11,563 AND THANK YOU FOR TRUSTING ME 749 00:27:11,563 --> 00:27:11,964 WITH THIS. 750 00:27:11,964 --> 00:27:14,166 TO OUR PRODUCERS, THANK YOU FOR 751 00:27:14,166 --> 00:27:18,270 WORKING SO HARD. 752 00:27:18,270 --> 00:27:20,572 DEB, MY HAIR AND MAKEUP, AMAZING 753 00:27:20,572 --> 00:27:23,542 WOMAN WHO TRANSFORMED ME EVERY 754 00:27:23,542 --> 00:27:24,276 DAY. 755 00:27:24,276 --> 00:27:25,377 KATE AND EMILY, WHO CREATED THE 756 00:27:25,377 --> 00:27:26,912 HAIR AND MAKEUP. 757 00:27:26,912 --> 00:27:28,413 I LOVE YOU. 758 00:27:28,413 --> 00:27:30,182 OUR CAST ARE SO BEAUTIFUL. 759 00:27:30,182 --> 00:27:35,220 IT IS SUCH A GIFT TO WORK WITH 760 00:27:35,220 --> 00:27:36,655 YOU. 761 00:27:36,655 --> 00:27:37,489 GOSH. 762 00:27:37,489 --> 00:27:41,193 PLAYING THIS PART BASED ON THIS 763 00:27:41,193 --> 00:27:42,694 UNPARALLELED, INCREDIBLE HUMAN 764 00:27:42,694 --> 00:27:45,197 BEING HAS BEEN MY GREAT 765 00:27:45,197 --> 00:27:45,464 PRIVILEGE. 766 00:27:45,464 --> 00:27:46,999 IT HAS BEEN A GIFT. 767 00:27:46,999 --> 00:27:52,237 THANK YOU SO VERY MUCH. 768 00:27:52,237 --> 00:28:03,916 [ APPLAUSE ] 769 00:28:03,916 --> 00:28:06,585 >> MURPHY BROWN WAS ONE OF MY 770 00:28:06,585 --> 00:28:07,186 FIRST TV ROLE MODELS, WHICH I 771 00:28:07,186 --> 00:28:07,819 KNOW IS CRAZY, CONSIDERING I'M 772 00:28:07,819 --> 00:28:10,322 ONLY 24. 773 00:28:10,322 --> 00:28:11,356 BUT CANDICE BERGEN BROUGHT THAT 774 00:28:11,356 --> 00:28:15,527 CHARACTER TO LIFE WITH SUCH WIT 775 00:28:15,527 --> 00:28:16,094 AND CHARM AND INTELLIGENCE. 776 00:28:16,094 --> 00:28:17,663 FROM "MURPHY BROWN" TO "SEX AND 777 00:28:17,663 --> 00:28:18,697 THE CITY" TO "BOSTON LEGAL," TV 778 00:28:18,697 --> 00:28:19,298 IS A BETTER PLACE WITH HER IN 779 00:28:19,298 --> 00:28:20,832 IT. 780 00:28:20,832 --> 00:28:22,367 PLEASE WELCOME OUR NEXT 781 00:28:22,367 --> 00:28:23,435 PRESENTER, FIVE-TIME EMMY WINNER 782 00:28:23,435 --> 00:28:29,341 CANDICE BERGEN. 783 00:28:29,341 --> 00:28:31,143 [ APPLAUSE ] 784 00:28:31,143 --> 00:28:48,293 ♪ 785 00:28:48,293 --> 00:28:49,394 >> FOR 11 YEARS I HAD THE 786 00:28:49,394 --> 00:28:50,963 TREMENDOUS PRIVILEGE OF PLAYING 787 00:28:50,963 --> 00:28:51,530 THE LEAD IN A COMEDY SERIES 788 00:28:51,530 --> 00:29:02,474 CALLED "MURPHY BROWN." 789 00:29:02,474 --> 00:29:02,841 [ APPLAUSE ] 790 00:29:02,841 --> 00:29:04,242 >> I WAS SURROUNDED BY BRILLIANT 791 00:29:04,242 --> 00:29:05,477 AND FUNNY ACTORS, HAD THE BEST 792 00:29:05,477 --> 00:29:07,145 SCRIPTS TO WORK WITH, AND IN ONE 793 00:29:07,145 --> 00:29:08,647 CLASSIC MOMENT, MY CHARACTER WAS 794 00:29:08,647 --> 00:29:12,384 ATTACKED BY VICE PRESIDENT 795 00:29:12,384 --> 00:29:13,952 DAN QUAYLE WHEN MURPHY BECAME 796 00:29:13,952 --> 00:29:16,622 PREGNANT AND DECIDED TO RAISE 797 00:29:16,622 --> 00:29:25,631 THE BABY AS A SINGLE MOTHER. 798 00:29:25,631 --> 00:29:28,266 [ APPLAUSE ] 799 00:29:28,266 --> 00:29:29,735 >> OH, HOW FAR WE'VE COME. 800 00:29:29,735 --> 00:29:31,336 TODAY, A REPUBLICAN CANDIDATE 801 00:29:31,336 --> 00:29:32,938 FOR VICE PRESIDENT WOULD NEVER 802 00:29:32,938 --> 00:29:35,540 ATTACK A WOMAN FOR HAVING KIDS. 803 00:29:35,540 --> 00:29:36,608 SO, AS THEY SAY, MY WORK HERE IS 804 00:29:36,608 --> 00:29:43,148 DONE. 805 00:29:43,148 --> 00:29:50,822 MEOW. 806 00:29:50,822 --> 00:29:52,691 [ APPLAUSE ] 807 00:29:52,691 --> 00:29:55,327 >> HERE ARE THE NOMINEES FOR 808 00:29:55,327 --> 00:29:57,396 LEAD ACTRESS IN A COMEDY SERIES. 809 00:29:57,396 --> 00:29:57,996 >> Announcer: QUINTA BRUNSON, 810 00:29:57,996 --> 00:30:00,265 "ABBOTT ELEMENTARY." 811 00:30:00,265 --> 00:30:03,168 AYO EDEBIRI, "THE BEAR." 812 00:30:03,168 --> 00:30:03,802 SELENA GOMEZ, "ONLY MURDERS IN 813 00:30:03,802 --> 00:30:07,139 THE BUILDING." 814 00:30:07,139 --> 00:30:08,473 MAYA RUDOLPH, "LOOT." 815 00:30:08,473 --> 00:30:11,109 JEAN SMART, "HACKS." 816 00:30:11,109 --> 00:30:16,381 KRISTEN WIIG, "PALM ROYALE." 817 00:30:16,381 --> 00:30:20,452 >> AND THE EMMY GOES TO -- 818 00:30:20,452 --> 00:30:26,124 THE AMAZING JEAN SMART! 819 00:30:26,124 --> 00:30:26,692 [ APPLAUSE ] 820 00:30:26,692 --> 00:30:29,227 >> THIS IS THE SIXTH EMMY WIN 821 00:30:29,227 --> 00:30:36,234 AND 13th NOMINATION FOR JEAN 822 00:30:36,234 --> 00:30:43,408 SMART. 823 00:30:43,408 --> 00:31:06,198 [ APPLAUSE ] 824 00:31:06,198 --> 00:31:07,432 >> OH, GOD. 825 00:31:07,432 --> 00:31:08,233 THANK YOU. 826 00:31:08,233 --> 00:31:12,037 THANK YOU SO, SO MUCH. 827 00:31:12,037 --> 00:31:14,372 I -- IT'S VERY HUMBLING, IT 828 00:31:14,372 --> 00:31:15,140 REALLY IS. 829 00:31:15,140 --> 00:31:17,042 AND I APPRECIATE THIS BECAUSE I 830 00:31:17,042 --> 00:31:21,947 JUST DON'T GET ENOUGH ATTENTION. 831 00:31:21,947 --> 00:31:25,717 I'M SERIOUS. 832 00:31:25,717 --> 00:31:26,451 OKAY. 833 00:31:26,451 --> 00:31:29,421 ANYWAY, NO, THANK YOU. 834 00:31:29,421 --> 00:31:31,256 I HAVE SO MANY, SO MANY PEOPLE 835 00:31:31,256 --> 00:31:32,791 TO THANK STARTING WITH OUR 836 00:31:32,791 --> 00:31:34,359 BEAUTIFUL SHOW RUNNERS. 837 00:31:34,359 --> 00:31:36,161 THANK YOU FOR THINKING OF ME. 838 00:31:36,161 --> 00:31:37,829 I WILL NEVER BE ABLE TO THANK 839 00:31:37,829 --> 00:31:39,698 YOU ENOUGH FOR THINKING OF ME 840 00:31:39,698 --> 00:31:41,566 WITH THIS INCREDIBLE ROLE. 841 00:31:41,566 --> 00:31:44,102 AND CASEY AND SARA AND EVERYBODY 842 00:31:44,102 --> 00:31:46,004 AT HBO. 843 00:31:46,004 --> 00:31:51,510 AT MAX -- I'M SORRY. 844 00:31:51,510 --> 00:31:54,346 JUST WHAT WE NEEDED, ANOTHER 845 00:31:54,346 --> 00:31:54,746 NETWORK. 846 00:31:54,746 --> 00:31:56,414 BUT, SORRY, ANYWAY, THIS IS -- 847 00:31:56,414 --> 00:32:00,452 I'M GOING TO HONOR TONIGHT, MY 848 00:32:00,452 --> 00:32:02,487 AGENT SCOTT HENDERSON OF 30 PLUS 849 00:32:02,487 --> 00:32:04,156 YEARS WHO IS RETIRING AND 850 00:32:04,156 --> 00:32:06,091 BREAKING MY HEART, THE MOST 851 00:32:06,091 --> 00:32:08,560 AMAZING, CULTURED, TASTEFUL, 852 00:32:08,560 --> 00:32:10,162 KIND, FUNNY MAN THAT NEVER TRIED 853 00:32:10,162 --> 00:32:12,430 TO TALK ME IN OR OUT OF THINGS I 854 00:32:12,430 --> 00:32:14,266 REALLY DIDN'T FEEL GREAT ABOUT. 855 00:32:14,266 --> 00:32:16,601 I WISH YOU ALL THE BEST. 856 00:32:16,601 --> 00:32:18,703 HE'S GOING TO BICYCLE THROUGH 857 00:32:18,703 --> 00:32:20,038 FRANCE BECAUSE THAT'S BETTER 858 00:32:20,038 --> 00:32:21,440 THAN REPRESENTING ME? 859 00:32:21,440 --> 00:32:22,140 I DON'T KNOW. 860 00:32:22,140 --> 00:32:23,542 THANK YOU. 861 00:32:23,542 --> 00:32:25,143 I LOVE YOU ALL. 862 00:32:25,143 --> 00:32:28,980 THANK YOU. 863 00:32:28,980 --> 00:32:29,281 [ APPLAUSE ] 864 00:32:29,281 --> 00:32:29,481 ♪ 865 00:32:29,481 --> 00:32:30,048 >> Announcer: COMING UP, A 866 00:32:30,048 --> 00:32:31,082 SPECIAL APPEARANCE BY 867 00:32:31,082 --> 00:32:32,717 BILLY CRYSTAL, A "SATURDAY NIGHT 868 00:32:32,717 --> 00:32:34,853 LIVE" REUNION YOU DON'T WANT TO 869 00:32:34,853 --> 00:32:35,487 MISS, AND REBA McENTIRE TEAMS UP 870 00:32:35,487 --> 00:32:37,989 WITH MELISSA PETERMAN. 871 00:32:37,989 --> 00:32:40,058 THEN LATER, ICONIC TV VILLAINS 872 00:32:40,058 --> 00:32:41,693 ANTONY STARR, KATHY BATES AND 873 00:32:41,693 --> 00:32:42,260 GIANCARLO ESPOSITO TAKE THE 874 00:32:42,260 --> 00:32:45,096 STAGE HERE ON THE EMMYS. 875 00:32:53,038 --> 00:32:53,638 >> Announcer: PLEASE WELCOME 876 00:32:53,638 --> 00:32:54,272 EMMY NOMINEE PADMA LAKSHMI AND 877 00:32:54,272 --> 00:33:07,385 EMMY WINNER SAM RICHARDSON. 878 00:33:07,385 --> 00:33:08,653 [ APPLAUSE ] 879 00:33:08,653 --> 00:33:09,221 >> WOW, HERE WE ARE AT "THE 880 00:33:09,221 --> 00:33:10,255 EMMYS." 881 00:33:10,255 --> 00:33:13,058 I LOVE "THE EMMYS." 882 00:33:13,058 --> 00:33:14,492 SO MANY GREAT MEMORIES. 883 00:33:14,492 --> 00:33:18,129 >> YEAH, I LOVE "THE EMMYS" TOO. 884 00:33:18,129 --> 00:33:18,630 >> I REMEMBER ALL OF MY 885 00:33:18,630 --> 00:33:19,264 NOMINATIONS AND ESPECIALLY THE 886 00:33:19,264 --> 00:33:22,601 TIME I WON. 887 00:33:22,601 --> 00:33:25,036 OH, JUST 888 00:33:25,036 --> 00:33:25,437 I LOVE THIS SHOW. 889 00:33:25,437 --> 00:33:26,137 YOU KNOW? 890 00:33:26,137 --> 00:33:26,471 RIGHT? 891 00:33:26,471 --> 00:33:31,476 >> YEAH, I HAVE A LOT OF 892 00:33:31,476 --> 00:33:31,877 MEMORIES, TOO. 893 00:33:31,877 --> 00:33:32,811 AND DRESSES. 894 00:33:32,811 --> 00:33:34,112 >> REALLY? 895 00:33:34,112 --> 00:33:34,679 HOW MANY NOMINATIONS DO YOU 896 00:33:34,679 --> 00:33:37,015 HAVE? 897 00:33:37,015 --> 00:33:39,618 >> 17. 898 00:33:39,618 --> 00:33:41,653 >> HOW MANY -- HOW MANY OF THOSE 899 00:33:41,653 --> 00:33:46,758 DID YOU WIN? 900 00:33:46,758 --> 00:33:47,225 >> NONE. 901 00:33:47,225 --> 00:33:51,730 >> OH, OKAY. 902 00:33:51,730 --> 00:33:53,198 FOR WHAT CATEGORY? 903 00:33:53,198 --> 00:33:55,300 >> THIS ONE, SAM. 904 00:33:55,300 --> 00:33:55,500 OKAY? 905 00:33:55,500 --> 00:33:56,067 >> OKAY. 906 00:33:56,067 --> 00:34:01,039 YEAH, YEAH, YEAH. 907 00:34:01,039 --> 00:34:02,107 HERE ARE THE NOMINEES FOR 908 00:34:02,107 --> 00:34:02,741 OUTSTANDING REALITY COMPETITION 909 00:34:02,741 --> 00:34:02,974 PROGRAM. 910 00:34:02,974 --> 00:34:03,975 >> Announcer: "THE AMAZING 911 00:34:03,975 --> 00:34:05,043 RACE." 912 00:34:05,043 --> 00:34:06,144 "RUPAUL'S DRAG RACE." 913 00:34:06,144 --> 00:34:09,214 "TOP CHEF." 914 00:34:09,214 --> 00:34:09,581 "THE TRAITORS." 915 00:34:09,581 --> 00:34:14,519 "THE VOICE." 916 00:34:14,519 --> 00:34:21,226 >> AND THE EMMY GOES TO -- 917 00:34:21,226 --> 00:34:27,065 "THE TRAITORS"! 918 00:34:27,065 --> 00:34:29,434 [ APPLAUSE ] 919 00:34:29,434 --> 00:34:30,535 >> RECEIVED FIVE NOMINATIONS TO 920 00:34:30,535 --> 00:34:32,671 DATE AND FOUR THIS YEAR, 921 00:34:32,671 --> 00:34:36,574 ACCEPTING THE EMMY ON BEHALF OF 922 00:34:36,574 --> 00:34:45,550 THE TEAM IS THIS WINNER, ELLEN 923 00:34:45,550 --> 00:34:46,051 CUMMING. 924 00:34:46,051 --> 00:34:46,351 [ APPLAUSE ] 925 00:34:46,351 --> 00:34:48,186 >> THANK YOU SO MUCH, EVERYBODY. 926 00:34:48,186 --> 00:34:50,188 THANK YOU TO THE ACADEMY. 927 00:34:50,188 --> 00:34:51,990 WE HAVE SO GRATEFUL BECAUSE WE 928 00:34:51,990 --> 00:34:54,092 ARE A NEW SHOW AND YOU GUYS WHEN 929 00:34:54,092 --> 00:34:55,927 YOU LIKE SOMETHING YOU TEND TO 930 00:34:55,927 --> 00:34:57,929 STICK TO IT, WHICH IS A GOOD 931 00:34:57,929 --> 00:34:59,698 QUALITY, BUT WE APPRECIATE IT 932 00:34:59,698 --> 00:35:00,332 ALL THE MORE. 933 00:35:00,332 --> 00:35:02,033 I WOULD LIKE TO APPLAUD THEM 934 00:35:02,033 --> 00:35:02,934 BECAUSE THEY CARE SO MUCH ABOUT 935 00:35:02,934 --> 00:35:04,903 THE QUALITY OF THEIR WORK. 936 00:35:04,903 --> 00:35:05,203 [ APPLAUSE ] 937 00:35:05,203 --> 00:35:08,173 >> WE WANT TO THANK OUR FRIENDS 938 00:35:08,173 --> 00:35:09,774 AT PEACOCK FOR THEIR KINDNESS 939 00:35:09,774 --> 00:35:10,442 AND SUPPORT. 940 00:35:10,442 --> 00:35:13,745 SO GREAT TO BE PART OF A NEW 941 00:35:13,745 --> 00:35:14,145 STREAMING SERVICE. 942 00:35:14,145 --> 00:35:14,813 WE LOVE THEM. 943 00:35:14,813 --> 00:35:18,216 AND I WANT TO THANK EVERYONE AND 944 00:35:18,216 --> 00:35:19,985 THE CAST AND CREW WHO WORK SO 945 00:35:19,985 --> 00:35:23,455 HARD AND GET SO WET BUT WITH 946 00:35:23,455 --> 00:35:24,856 SCOTTISH WEATHER. 947 00:35:24,856 --> 00:35:28,126 I ALSO WANT TO THANK SCOTT GLEN. 948 00:35:28,126 --> 00:35:30,295 I ALSO WANT TO THANK HOLLAND 949 00:35:30,295 --> 00:35:31,496 BECAUSE I DON'T THINK WE THANK 950 00:35:31,496 --> 00:35:32,864 HOLLAND ENOUGH BECAUSE SO MANY 951 00:35:32,864 --> 00:35:36,634 OF THESE SHOWS LIKE "THE 952 00:35:36,634 --> 00:35:38,403 TRAITORS" WERE MADE UP IN 953 00:35:38,403 --> 00:35:38,703 HOLLAND. 954 00:35:38,703 --> 00:35:40,105 THEY OBVIOUSLY HAVE SOMETHING IN 955 00:35:40,105 --> 00:35:40,705 THE WATER. 956 00:35:40,705 --> 00:35:41,906 LET'S FIND IT. 957 00:35:41,906 --> 00:35:45,176 LET'S DRINK IT AND ALL OF OUR 958 00:35:45,176 --> 00:35:46,044 PROBLEMS WILL BE SOLVED. 959 00:35:46,044 --> 00:35:52,017 THANK YOU SO MUCH! 960 00:35:52,017 --> 00:35:52,317 [ APPLAUSE ] 961 00:35:52,317 --> 00:35:52,951 >> OKAY, I DON'T KNOW WHERE MY 962 00:35:52,951 --> 00:35:53,218 DAD IS. 963 00:35:53,218 --> 00:35:56,955 >> I'M HERE. 964 00:35:56,955 --> 00:35:58,156 I'M HERE. 965 00:35:58,156 --> 00:36:00,125 I'M RIGHT HERE. 966 00:36:00,125 --> 00:36:01,192 >> OKAY. 967 00:36:01,192 --> 00:36:06,164 THEY SAID THE RIGHT AISLE. 968 00:36:06,164 --> 00:36:08,533 >> THIS IS MY RIGHT AISLE. 969 00:36:08,533 --> 00:36:09,034 >> NO, THAT'S STAGE RIGHT. 970 00:36:09,034 --> 00:36:11,636 THEY SAID HOUSE RIGHT. 971 00:36:11,636 --> 00:36:12,237 >> I KNEW THIS WAS A MISTAKE. 972 00:36:12,237 --> 00:36:12,771 I DIDN'T WANT TO DO THIS. 973 00:36:12,771 --> 00:36:13,405 WE SHOULDN'T EVEN BE OUT HERE, 974 00:36:13,405 --> 00:36:13,805 DANIEL. 975 00:36:13,805 --> 00:36:17,709 I TOLD THEM I DON'T LIKE BEING 976 00:36:17,709 --> 00:36:18,076 IN THE AUDIENCE. 977 00:36:18,076 --> 00:36:18,276 OKAY? 978 00:36:18,276 --> 00:36:18,777 I FIND IT UNCOMFORTABLE. 979 00:36:18,777 --> 00:36:19,344 EVERYBODY OUT HERE FINDS IT 980 00:36:19,344 --> 00:36:21,980 UNCOMFORTABLE. 981 00:36:21,980 --> 00:36:22,247 YOU KNOW? 982 00:36:22,247 --> 00:36:28,386 I DON'T WANT TO BE HANDING OUT 983 00:36:28,386 --> 00:36:29,154 TACOS IN THE AUDIENCE. 984 00:36:29,154 --> 00:36:29,788 I DON'T LIKE DOING BITS IN THE 985 00:36:29,788 --> 00:36:30,055 AUDIENCE. 986 00:36:30,055 --> 00:36:30,722 NEVER HAVE. 987 00:36:30,722 --> 00:36:34,159 >> NOBODY DOES. 988 00:36:34,159 --> 00:36:34,626 WE'RE NOT DOING A BIT. 989 00:36:34,626 --> 00:36:38,696 WE'RE HERE TO MAKE AN 990 00:36:38,696 --> 00:36:39,197 INTRODUCTION. 991 00:36:39,197 --> 00:36:39,798 >> ALL RIGHT, I'M COMING OVER. 992 00:36:39,798 --> 00:36:40,765 >> NO, WE DON'T HAVE TIME FOR 993 00:36:40,765 --> 00:36:41,399 THAT, SO WE HAVE TO DO IT LIKE 994 00:36:41,399 --> 00:36:52,343 THIS. 995 00:36:52,343 --> 00:36:53,411 OUR NEXT TV ARCHETYPES ARE THE 996 00:36:53,411 --> 00:36:56,514 CHARACTERS YOU LOVE TO HATE -- 997 00:36:56,514 --> 00:36:59,718 DAD? 998 00:36:59,718 --> 00:37:00,318 >> I CAN'T SEE PROMPTER FROM 999 00:37:00,318 --> 00:37:03,288 HERE. 1000 00:37:03,288 --> 00:37:07,158 >> OKAY. 1001 00:37:07,158 --> 00:37:08,393 WE'RE INTRODUCING VILLAINS. 1002 00:37:08,393 --> 00:37:08,560 IT'S 1003 00:37:08,560 --> 00:37:08,860 TV VILLAINS. 1004 00:37:08,860 --> 00:37:10,161 PLEASE WELCOME ANTONY STARR, 1005 00:37:10,161 --> 00:37:10,862 GIANCARLO ESPOSITO, AND 1006 00:37:10,862 --> 00:37:16,734 KATHY BATES. 1007 00:37:16,734 --> 00:37:25,043 ♪ 1008 00:37:25,043 --> 00:37:26,511 >> EVERYBODY LOVES HEROES. 1009 00:37:26,511 --> 00:37:27,545 IN DRAMA, THEY'RE CALLED THE 1010 00:37:27,545 --> 00:37:29,114 PROTAGONIST. 1011 00:37:29,114 --> 00:37:31,015 >> BUT WITHOUT VILLAINS, OR 1012 00:37:31,015 --> 00:37:31,649 ANTAGONISTS, THERE WOULDN'T BE 1013 00:37:31,649 --> 00:37:33,418 MUCH OF A STORY. 1014 00:37:33,418 --> 00:37:34,419 >> WE'VE ALL PLAYED VILLAINS AND 1015 00:37:34,419 --> 00:37:35,053 SO WE APPRECIATE THEIR ROLE IN 1016 00:37:35,053 --> 00:37:38,123 STORY- TELLING. 1017 00:37:38,123 --> 00:37:38,723 BUT THERE ARE DOWNSIDES ONCE 1018 00:37:38,723 --> 00:37:41,292 YOU'RE BACK IN THE REAL WORLD. 1019 00:37:41,292 --> 00:37:42,160 >> DO YOU KNOW HOW HARD IT WAS 1020 00:37:42,160 --> 00:37:53,271 TO GET A DATE AFTER "MISERY?" 1021 00:37:53,271 --> 00:37:56,674 AND MY AMERICAN HORROR STORY WAS 1022 00:37:56,674 --> 00:37:59,410 FORGETTING TO THANK RYAN MURPHY 1023 00:37:59,410 --> 00:38:00,345 AFTER I WON AN EMMY. 1024 00:38:00,345 --> 00:38:01,746 >> FOR ME, THE DOWNSIDE IS 1025 00:38:01,746 --> 00:38:02,313 TRYING TO HAVE A NICE QUIET 1026 00:38:02,313 --> 00:38:04,949 DINNER AND DRUG DEALERS START 1027 00:38:04,949 --> 00:38:09,020 ASKING ME FOR ADVICE 1028 00:38:09,020 --> 00:38:11,756 ON HOW TO BUILD THEIR EMPIRES. 1029 00:38:11,756 --> 00:38:12,390 >> PERSONALLY, IT'S THE CRITICS. 1030 00:38:12,390 --> 00:38:12,991 12 YEAR OLDS TELLING ME I'M A 1031 00:38:12,991 --> 00:38:13,358 "BAD SUPERHERO." 1032 00:38:13,358 --> 00:38:13,992 THEY'RE TOO YOUNG TO WATCH THE 1033 00:38:13,992 --> 00:38:19,063 SHOW ANYWAYS. 1034 00:38:19,063 --> 00:38:21,032 IT'S SLOPPY, SLOPPY PARENTING. 1035 00:38:21,032 --> 00:38:21,633 >> THERE'S A LESSON FROM ALL 1036 00:38:21,633 --> 00:38:22,967 THIS. 1037 00:38:22,967 --> 00:38:25,036 IF YOU NAIL A CHARACTER, IT 1038 00:38:25,036 --> 00:38:25,603 BECOMES REAL FOR BETTER OR 1039 00:38:25,603 --> 00:38:26,638 WORSE. 1040 00:38:26,638 --> 00:38:28,206 >> AND THE WOMEN IN THIS 1041 00:38:28,206 --> 00:38:29,774 CATEGORY TRULY NAILED THEIR 1042 00:38:29,774 --> 00:38:31,309 CHARACTERS FOR THE BETTER. 1043 00:38:31,309 --> 00:38:33,945 >> HERE ARE THE NOMINEES FOR 1044 00:38:33,945 --> 00:38:34,579 SUPPORTING ACTRESS IN A LIMITED 1045 00:38:34,579 --> 00:38:36,080 OR ANTHOLOGY SERIES OR MOVIE. 1046 00:38:36,080 --> 00:38:37,015 >> Announcer: DAKOTA FANNING, 1047 00:38:37,015 --> 00:38:39,784 "RIPLEY." 1048 00:38:39,784 --> 00:38:40,351 LILY GLADSTONE, "UNDER THE 1049 00:38:40,351 --> 00:38:42,921 BRIDGE." 1050 00:38:42,921 --> 00:38:43,421 JESSICA GUNNING, "BABY 1051 00:38:43,421 --> 00:38:45,623 REINDEER." 1052 00:38:45,623 --> 00:38:46,191 AJA NAOMI KING, "LESSONS IN 1053 00:38:46,191 --> 00:38:48,726 CHEMISTRY." 1054 00:38:48,726 --> 00:38:49,794 DIANE LANE, "FEUD: CAPOTE VS. 1055 00:38:49,794 --> 00:38:52,430 THE SWANS." 1056 00:38:52,430 --> 00:38:55,066 NAVA MAU, "BABY REINDEER." 1057 00:38:55,066 --> 00:38:56,601 KALI REIS, "TRUE DETECTIVE: 1058 00:38:56,601 --> 00:39:01,339 NIGHT COUNTRY." 1059 00:39:01,339 --> 00:39:09,914 >> AND THE EMMY GOES TO -- 1060 00:39:09,914 --> 00:39:16,688 JESSICA GUNNING, ""BABY 1061 00:39:16,688 --> 00:39:17,255 REINDEER." 1062 00:39:17,255 --> 00:39:17,655 [ APPLAUSE ] 1063 00:39:17,655 --> 00:39:20,558 >> THIS IS THE FIRST WIN AND 1064 00:39:20,558 --> 00:39:26,197 EMMY NOMINATION FOR JESSICA 1065 00:39:26,197 --> 00:39:28,499 GUNNING. 1066 00:39:28,499 --> 00:39:36,708 [ APPLAUSE ] 1067 00:39:36,708 --> 00:39:40,945 >> OH, MY GOODNESS. 1068 00:39:40,945 --> 00:39:42,313 THANK YOU SO MUCH. 1069 00:39:42,313 --> 00:39:44,949 I HONESTLY FEEL LIKE I'M GOING 1070 00:39:44,949 --> 00:39:47,652 TO WAKE UP ANY MINUTE NOW. 1071 00:39:47,652 --> 00:39:48,720 THIS WHOLE THING HAS BEEN A 1072 00:39:48,720 --> 00:39:48,987 DREAM. 1073 00:39:48,987 --> 00:39:50,622 THANK YOU. 1074 00:39:50,622 --> 00:39:52,590 I'M SO INCREDIBLY GRATEFUL. 1075 00:39:52,590 --> 00:39:55,493 I WANT TO SAY A HUGE THANK YOU 1076 00:39:55,493 --> 00:39:58,029 TO EVERYBODY WHO LET ME, REALLY. 1077 00:39:58,029 --> 00:40:00,765 NETFLIX, NINA GOLD CASTING. 1078 00:40:00,765 --> 00:40:02,567 OUR AMAZING DIRECTORS. 1079 00:40:02,567 --> 00:40:04,736 THE SHOW WOULDN'T BE WHAT IT IS 1080 00:40:04,736 --> 00:40:06,771 IF IT WEREN'T FOR YOU AND OUR 1081 00:40:06,771 --> 00:40:08,206 INCREDIBLE CAST AND CREW. 1082 00:40:08,206 --> 00:40:10,008 I LOOK FORWARD TO WORKING WITH 1083 00:40:10,008 --> 00:40:11,342 YOU EVERY DAY. 1084 00:40:11,342 --> 00:40:13,211 SWITCHING THE TWOS, AS WE SAY. 1085 00:40:13,211 --> 00:40:18,549 THANK YOU SO MUCH TO MY AGENTS. 1086 00:40:18,549 --> 00:40:22,153 THANK YOU SO FRANKLY BUTLER AND 1087 00:40:22,153 --> 00:40:22,987 ALICE AND EVERYONE. 1088 00:40:22,987 --> 00:40:24,022 ALL THAT YOU ARE AND ALL THAT 1089 00:40:24,022 --> 00:40:24,622 YOU DO. 1090 00:40:24,622 --> 00:40:26,658 ALL MY FRIENDS AND FAMILY THAT I 1091 00:40:26,658 --> 00:40:27,659 LOVE MORE THAN ANYTHING. 1092 00:40:27,659 --> 00:40:30,928 MY BIGGEST THANKS HAS TO GO TO 1093 00:40:30,928 --> 00:40:32,697 MR. RICHARD GAST. 1094 00:40:32,697 --> 00:40:35,066 I TRIED SO MANY TIMES TO PUT 1095 00:40:35,066 --> 00:40:39,504 INTO WORDS WHAT WORKING ON "BABY 1096 00:40:39,504 --> 00:40:41,139 REINDEER" MEANT TO ME, AND I 1097 00:40:41,139 --> 00:40:43,908 FAIL EVERY TIME, SO I'M GOING TO 1098 00:40:43,908 --> 00:40:44,309 SING. 1099 00:40:44,309 --> 00:40:45,143 NO IMAGINE. 1100 00:40:45,143 --> 00:40:46,611 I'LL KEEP IT SIMPLE AND JUST SAY 1101 00:40:46,611 --> 00:40:48,179 THANK YOU FOR TRUSTING ME TO BE 1102 00:40:48,179 --> 00:40:49,847 YOUR MARTHA. 1103 00:40:49,847 --> 00:40:51,582 I WILL NEVER EVER FORGET HER OR 1104 00:40:51,582 --> 00:40:52,717 YOU OR THIS. 1105 00:40:52,717 --> 00:40:54,252 IT REALLY MEANS A LOT. 1106 00:40:54,252 --> 00:40:57,422 THANK YOU, REINDEER, AND THANK 1107 00:40:57,422 --> 00:40:58,923 YOU FOR THIS. 1108 00:40:58,923 --> 00:40:59,891 I'M THRILLED. 1109 00:40:59,891 --> 00:41:00,992 THANK YOU. 1110 00:41:00,992 --> 00:41:02,160 ♪ 1111 00:41:02,160 --> 00:41:02,694 >> Announcer: JUST AHEAD, 1112 00:41:02,694 --> 00:41:03,561 REBA McENTIRE IS JOINED BY 1113 00:41:03,561 --> 00:41:09,367 MELISSA PETERMAN, AND SNL'S 1114 00:41:09,367 --> 00:41:09,867 MAYA RUDOLPH, 1115 00:41:09,867 --> 00:41:10,435 KIRSTIN WIIG, BOWEN YANG, AND 1116 00:41:10,435 --> 00:41:11,002 SETH MEYERS TAKE THE STAGE. 1117 00:41:11,002 --> 00:41:11,602 THEN LATER, THE EMMYS HOST A 1118 00:41:11,602 --> 00:41:12,070 "HAPPY DAYS" REUNION. 1119 00:41:12,070 --> 00:41:16,708 HERE ON ABC. 1120 00:41:26,651 --> 00:41:27,285 >> PLEASE WELCOME REBA McCENTIRE 1121 00:41:27,285 --> 00:41:36,961 AND MELISSA PETERMAN. 1122 00:41:36,961 --> 00:41:41,666 ♪ 1123 00:41:41,666 --> 00:41:42,834 >> WOW! 1124 00:41:42,834 --> 00:41:44,802 WELL, HERE WE ARE TOGETHER 1125 00:41:44,802 --> 00:41:45,269 AGAIN, MELISSA. 1126 00:41:45,269 --> 00:41:46,037 >> I KNOW. 1127 00:41:46,037 --> 00:41:49,907 AND WE'RE AT THE EMMYS! 1128 00:41:49,907 --> 00:41:53,478 YOU KNOW, I HAVE TO ADMIT I'M 1129 00:41:53,478 --> 00:41:53,978 NERVOUS. 1130 00:41:53,978 --> 00:41:55,012 I'VE NEVER DONE THIS BEFORE, AND 1131 00:41:55,012 --> 00:41:55,580 I'VE WATCHED THE EMMYS. 1132 00:41:55,580 --> 00:42:01,352 A LOT CAN GO WRONG. 1133 00:42:01,352 --> 00:42:01,953 >> WELL, YEAH. THAT'S WHY WE 1134 00:42:01,953 --> 00:42:02,453 REHEARSED. 1135 00:42:02,453 --> 00:42:05,056 AND THAT'S WHY WE PREPARED, IN 1136 00:42:05,056 --> 00:42:05,690 CASE THE PROMPTER GOES DOWN OR 1137 00:42:05,690 --> 00:42:07,125 SOMETHING HAPPENS. 1138 00:42:07,125 --> 00:42:07,692 >> WE MEMORIZED EVERYTHING. 1139 00:42:07,692 --> 00:42:17,168 EVEN THE NOMINEES. 1140 00:42:17,168 --> 00:42:17,502 >> YES, YES. 1141 00:42:17,502 --> 00:42:20,938 NO RECORDED PACKAGE FOR US. 1142 00:42:20,938 --> 00:42:22,907 >> WE DO NOT PHONE IT IN 1143 00:42:22,907 --> 00:42:23,174 ANYMORE. 1144 00:42:23,174 --> 00:42:24,475 >> YES, YES. 1145 00:42:24,475 --> 00:42:27,211 >> LET'S SHOW THEM THAT WE 1146 00:42:27,211 --> 00:42:30,681 MEMORIZED ALL OF THE NOMINEES 1147 00:42:30,681 --> 00:42:31,082 NAMES. 1148 00:42:31,082 --> 00:42:35,686 >> EYES SHUT. 1149 00:42:35,686 --> 00:42:36,554 >> WHAT? 1150 00:42:36,554 --> 00:42:39,557 >> SHUT YOUR EYES. 1151 00:42:39,557 --> 00:42:43,661 >> THE TWO NOMINEES FOR 1152 00:42:43,661 --> 00:42:44,262 OUTSTANDING SCRIPTED VARIETY 1153 00:42:44,262 --> 00:42:51,068 SERIES ARE - 1154 00:42:51,068 --> 00:43:03,080 "SATURDAY NIGHT LIVE," 1155 00:43:03,080 --> 00:43:03,347 SHOOT. 1156 00:43:03,347 --> 00:43:05,950 IT'S RIGHT ON MY TONGUE. 1157 00:43:05,950 --> 00:43:06,818 >> AND "LAST WEEK TONIGHT WITH 1158 00:43:06,818 --> 00:43:10,354 JOHN OLIVER," JOHN OLIVER. 1159 00:43:10,354 --> 00:43:10,822 >> NAILED IT! 1160 00:43:10,822 --> 00:43:13,558 >> YEAH, YOU NAILED IT! 1161 00:43:13,558 --> 00:43:13,724 >>. 1162 00:43:13,724 --> 00:43:18,229 >> AND THE EMMY GOES TO -- 1163 00:43:18,229 --> 00:43:22,733 >> "LAST WEEK TONIGHT WITH JOHN 1164 00:43:22,733 --> 00:43:23,067 OLIVER"! 1165 00:43:23,067 --> 00:43:27,038 >> "LAST WEEK TONIGHT WITH JOHN 1166 00:43:27,038 --> 00:43:28,306 OLIVER" RECEIVED SIX NOMINATIONS 1167 00:43:28,306 --> 00:43:31,008 THIS YEAR AND A TOTAL OVER ALL 1168 00:43:31,008 --> 00:43:32,777 67 IN PRODUCTION DESIGN, 1169 00:43:32,777 --> 00:43:35,112 LIGHTING AND SCRIPTED SERIES. 1170 00:43:35,112 --> 00:43:36,547 ACCEPTING THE EMMY ON BEHALF OF 1171 00:43:36,547 --> 00:43:38,516 THE TEAM IS JOHN OLIVER. 1172 00:43:38,516 --> 00:43:40,118 >> THANK YOU SO MUCH. 1173 00:43:40,118 --> 00:43:42,353 THANK YOU TO MY STAFF, SOME OF 1174 00:43:42,353 --> 00:43:43,521 THEM ARE HERE. 1175 00:43:43,521 --> 00:43:44,889 OTHERS ARE IN BROOKLYN. 1176 00:43:44,889 --> 00:43:45,623 I DON'T KNOW THAT THEY'RE 1177 00:43:45,623 --> 00:43:47,058 WATCHING THIS, BUT I KNOW THAT 1178 00:43:47,058 --> 00:43:49,961 THEY ARE IN BROOKLYN. 1179 00:43:49,961 --> 00:43:51,729 WHATEVER YOU'RE DOING, I HOPE 1180 00:43:51,729 --> 00:43:53,097 YOU ARE HAVING FUN. 1181 00:43:53,097 --> 00:43:55,500 I'D LIKE TO THANK HBO FOR NOT 1182 00:43:55,500 --> 00:43:57,235 CANCELING US OVER THE LAST 1183 00:43:57,235 --> 00:43:57,468 DECADE. 1184 00:43:57,468 --> 00:43:58,603 THAT WAS NEVER A GUARANTEE. 1185 00:43:58,603 --> 00:43:59,704 I APPRECIATE IT. 1186 00:43:59,704 --> 00:44:00,505 PLEASE CARRY ON. 1187 00:44:00,505 --> 00:44:02,907 I WOULD LIKE TO THANK MY WIFE, 1188 00:44:02,907 --> 00:44:07,712 KATE, AND OUR KIDS, HUSBAND -- 1189 00:44:07,712 --> 00:44:07,945 HUSBAND? 1190 00:44:07,945 --> 00:44:12,450 HIS NAME IS HUDSON. 1191 00:44:12,450 --> 00:44:14,886 OUCH. 1192 00:44:14,886 --> 00:44:17,688 THAT'S GONNA COME BACK TO HAUNT 1193 00:44:17,688 --> 00:44:18,990 ME. 1194 00:44:18,990 --> 00:44:20,358 AND MARZY. 1195 00:44:20,358 --> 00:44:22,160 I SHOULD HAVE GOT HIS WRONG NOW, 1196 00:44:22,160 --> 00:44:23,761 BUT I DIDN'T. 1197 00:44:23,761 --> 00:44:26,264 THANKS TO EVERYONE AT HBO, NINA 1198 00:44:26,264 --> 00:44:27,665 AND CASEY IN PARTICULAR. 1199 00:44:27,665 --> 00:44:30,668 I WANT TO THANK THE SILLY ODD 1200 00:44:30,668 --> 00:44:30,835 DOG. 1201 00:44:30,835 --> 00:44:32,937 WE HAVE THE MOST FANTASTIC DOG, 1202 00:44:32,937 --> 00:44:34,572 AND SHE WAS AT OUR WEDDING AND 1203 00:44:34,572 --> 00:44:36,440 SHE GOT US THROUGH THE PANDEMIC. 1204 00:44:36,440 --> 00:44:39,076 SHE WAS WITH US FOR TWO 1205 00:44:39,076 --> 00:44:40,478 PREGNANCIES AND PERFECT CHOICE 1206 00:44:40,478 --> 00:44:41,979 OF MUSIC. 1207 00:44:41,979 --> 00:44:49,921 WE HAD TO SAY GOOD-BYE TO HER. 1208 00:44:49,921 --> 00:44:53,824 IT IS -- I FEEL LIKE SARA 1209 00:44:53,824 --> 00:44:56,093 McLAUGHLIN RIGHT NOW. 1210 00:44:56,093 --> 00:45:01,866 THIS -- SHE WAS AN AMAZING DOG. 1211 00:45:01,866 --> 00:45:02,767 AND -- OUCH. 1212 00:45:02,767 --> 00:45:04,569 I WOULD GUESS I WANT TO -- THIS 1213 00:45:04,569 --> 00:45:05,202 ISN'T JUST FOR HER. 1214 00:45:05,202 --> 00:45:07,471 THIS IS FOR ALL DOGS. 1215 00:45:07,471 --> 00:45:09,907 ALL DOGS, YOU ARE ALL VERY GOOD 1216 00:45:09,907 --> 00:45:10,107 GIRLS. 1217 00:45:10,107 --> 00:45:11,609 YOU ARE VERY GOOD BOYS. 1218 00:45:11,609 --> 00:45:13,377 YOU ALL DESERVE A TREAT. 1219 00:45:13,377 --> 00:45:14,212 PLAY ME OFF NOW! 1220 00:45:14,212 --> 00:45:19,083 THANKS SO MUCH. 1221 00:45:19,083 --> 00:45:23,421 ♪ 1222 00:45:30,027 --> 00:45:30,661 >> Announcer: JOINING US TONIGHT 1223 00:45:30,661 --> 00:45:31,429 AS "THE EMMYS" CELEBRATE 1224 00:45:31,429 --> 00:45:32,997 50 YEARS OF "SATURDAY NIGHT 1225 00:45:32,997 --> 00:45:35,132 LIVE" AND ITS COUNTLESS 1226 00:45:35,132 --> 00:45:38,736 MEMORABLE CHARACTERS ARE FOUR OF 1227 00:45:38,736 --> 00:45:39,337 ITS ICONIC CAST MEMBERS, ALL 1228 00:45:39,337 --> 00:45:42,406 EMMY NOMINEES IN 2024. 1229 00:45:42,406 --> 00:45:47,144 PLEASE WELCOME KRISTEN WIIG, 1230 00:45:47,144 --> 00:45:50,047 BOWEN YANG, AND SETH MEYERS. 1231 00:45:50,047 --> 00:45:55,119 AND MAYA RUDOLPH. 1232 00:45:55,119 --> 00:45:55,886 >> WE ARE HERE TONIGHT TO 1233 00:45:55,886 --> 00:45:56,320 PRESENT THE AWARD -- 1234 00:45:56,320 --> 00:45:56,954 >> SETH, MAY I IMMEDIATELY 1235 00:45:56,954 --> 00:45:57,455 INTERRUPT? 1236 00:45:57,455 --> 00:46:00,124 >> MM-HMM. 1237 00:46:00,124 --> 00:46:00,758 >> WE HEARD SOMETHING BACKSTAGE 1238 00:46:00,758 --> 00:46:05,997 THAT NEEDS TO BE ADDRESSED. 1239 00:46:05,997 --> 00:46:06,631 >> NOW BEFORE LATER. 1240 00:46:06,631 --> 00:46:08,566 >> WE HEARD THAT OUR DEAR FRIEND 1241 00:46:08,566 --> 00:46:09,166 AND MENTOR LORNE MICHAELS HAS 1242 00:46:09,166 --> 00:46:11,068 BEEN NOMINATED FOR AND LOST THE 1243 00:46:11,068 --> 00:46:17,008 EMMY 85 TIMES. 1244 00:46:17,008 --> 00:46:18,342 HE HAS NEVER WON. 1245 00:46:18,342 --> 00:46:18,609 >> NEVER. 1246 00:46:18,609 --> 00:46:18,809 >> NO. 1247 00:46:18,809 --> 00:46:19,310 >> 85 TIMES. 1248 00:46:19,310 --> 00:46:19,844 IT'S WRONG. 1249 00:46:19,844 --> 00:46:20,411 AND WE'D LIKE TO TAKE THIS 1250 00:46:20,411 --> 00:46:22,446 OCCASION TO SAY A FEW WORDS TO 1251 00:46:22,446 --> 00:46:22,613 HIM. 1252 00:46:22,613 --> 00:46:25,583 >> OH, GUYS -- 1253 00:46:25,583 --> 00:46:29,787 >> NO, NO, NO, NO. 1254 00:46:29,787 --> 00:46:33,257 LORNE, LAOOK AT ME. 1255 00:46:33,257 --> 00:46:33,891 LOOK AT -- IT'S REALLY HARD TO 1256 00:46:33,891 --> 00:46:34,725 SEE IF HE'S LOOKING AT ME. 1257 00:46:34,725 --> 00:46:38,162 LORNE. 1258 00:46:38,162 --> 00:46:40,197 YOU DO HAVE VALUE. 1259 00:46:40,197 --> 00:46:41,065 YOU ARE WORTHY. 1260 00:46:41,065 --> 00:46:43,100 YOU ARE NOT AND HAVE NEVER BEEN 1261 00:46:43,100 --> 00:46:45,503 A LOSER, EVEN THOUGH YOU LOST 1262 00:46:45,503 --> 00:46:47,071 A LOT. 1263 00:46:47,071 --> 00:46:49,407 >> LORNE, NOW LOOK AT ME. 1264 00:46:49,407 --> 00:46:51,308 LOOK AT ME AND LOOK AT MY MOUTH. 1265 00:46:51,308 --> 00:46:52,743 EACH AND EVERY ONE OF THOSE 1266 00:46:52,743 --> 00:46:56,447 85 TIMES YOU LOST YOU WERE 1267 00:46:56,447 --> 00:46:58,516 RO-BUH DUH. 1268 00:46:58,516 --> 00:46:58,816 YOU HEAR ME? 1269 00:46:58,816 --> 00:47:01,719 ROB-A-DUH. 1270 00:47:01,719 --> 00:47:02,153 RUB-A-DUB-DUB-A-DUH. 1271 00:47:02,153 --> 00:47:06,023 >> GUYS -- 1272 00:47:06,023 --> 00:47:07,525 >> IT'S NOT YOUR TURN, SETH. 1273 00:47:07,525 --> 00:47:08,092 LAUREN, LOOK AT ME. 1274 00:47:08,092 --> 00:47:09,627 >> IT'S LORNE. 1275 00:47:09,627 --> 00:47:10,695 >> IT IS? 1276 00:47:10,695 --> 00:47:11,762 FUN. 1277 00:47:11,762 --> 00:47:14,665 LORNE. 1278 00:47:14,665 --> 00:47:15,900 LOOK AT ME. 1279 00:47:15,900 --> 00:47:17,635 LOOK, IT GETS BETTER. 1280 00:47:17,635 --> 00:47:17,935 OKAY? 1281 00:47:17,935 --> 00:47:20,805 JUST BECAUSE SNL DIDN'T WORK 1282 00:47:20,805 --> 00:47:22,340 DOESN'T MEAN YOUR NEXT IDEA 1283 00:47:22,340 --> 00:47:23,074 WON'T. 1284 00:47:23,074 --> 00:47:23,808 KEEP DREAMING! 1285 00:47:23,808 --> 00:47:27,645 >> GUYS, IT'S VERY NICE, BUT HE 1286 00:47:27,645 --> 00:47:30,047 HAS WON 21 EMMYS. 1287 00:47:30,047 --> 00:47:33,250 SNL HAS WON OVER 200. 1288 00:47:33,250 --> 00:47:33,584 >> WHAT, 200? 1289 00:47:33,584 --> 00:47:34,018 >> THAT'S TOO MUCH. 1290 00:47:34,018 --> 00:47:35,386 I CAN'T BELIEVE YOU'RE 1291 00:47:35,386 --> 00:47:38,356 COMPLAINING ABOUT THIS, LORNE. 1292 00:47:38,356 --> 00:47:41,692 NOT TO BE RUDE, BUT GROW UP. 1293 00:47:41,692 --> 00:47:42,226 >> AND STOP LOOKING AT US. 1294 00:47:42,226 --> 00:47:42,626 >> SORRY, LORNE. 1295 00:47:42,626 --> 00:47:45,229 >> I REALLY THINK IT'S LAUREN. 1296 00:47:45,229 --> 00:47:46,263 >> HERE ARE THE NOMINEES FOR 1297 00:47:46,263 --> 00:47:49,967 WRITING FOR A VARIETY SPECIAL. 1298 00:47:49,967 --> 00:47:50,501 >> Announcer: ALEX EDELMAN, 1299 00:47:50,501 --> 00:47:52,536 "JUST FOR US." 1300 00:47:52,536 --> 00:47:53,170 JACQUELINE NOVAK, "GET ON YOUR 1301 00:47:53,170 --> 00:47:54,672 KNEES." 1302 00:47:54,672 --> 00:47:55,706 JOHN EARLY, "NOW MORE THAN 1303 00:47:55,706 --> 00:47:57,308 EVER." 1304 00:47:57,308 --> 00:47:57,942 MIKE BIRBIGLIA, "THE OLD MAN AND 1305 00:47:57,942 --> 00:47:59,944 THE POOL." 1306 00:47:59,944 --> 00:48:07,651 THE WRITING TEAM FROM THE 1307 00:48:07,651 --> 00:48:07,985 OSCARS. 1308 00:48:07,985 --> 00:48:09,253 >> OH, OH, OH. 1309 00:48:09,253 --> 00:48:17,528 AND THE EMMY GOES TO -- ALEX 1310 00:48:17,528 --> 00:48:20,831 EDELMAN! 1311 00:48:20,831 --> 00:48:21,732 [ APPLAUSE ] 1312 00:48:21,732 --> 00:48:21,932 ♪ 1313 00:48:21,932 --> 00:48:24,001 >> THIS IS THE FIRST EMMY WIN 1314 00:48:24,001 --> 00:48:39,183 AND NOMINATION FOR ALEX EDELMAN. 1315 00:48:39,183 --> 00:48:43,154 >> OKAY. 1316 00:48:43,154 --> 00:48:43,521 OKAY. 1317 00:48:43,521 --> 00:48:45,156 THANK YOU SO MUCH FOR THIS. 1318 00:48:45,156 --> 00:48:47,725 THIS IS -- OH, GOD. 1319 00:48:47,725 --> 00:48:49,794 I'M CRYING IN FRONT OF CAROL 1320 00:48:49,794 --> 00:48:50,428 BURNETT. 1321 00:48:50,428 --> 00:48:50,694 FANTASTIC. 1322 00:48:50,694 --> 00:48:51,395 ALL RIGHT. 1323 00:48:51,395 --> 00:48:54,031 I MADE THIS WITH MY GREAT 1324 00:48:54,031 --> 00:48:55,900 COLLABORATOR ADAM GRACE WHO 1325 00:48:55,900 --> 00:48:58,169 PASSED AWAY RIGHT BEFORE WE 1326 00:48:58,169 --> 00:48:59,870 STARTED ON BROADWAY AND THIS 1327 00:48:59,870 --> 00:49:03,007 HUGE GROUP RUSHED IN TO FILL 1328 00:49:03,007 --> 00:49:05,976 THAT VOID. 1329 00:49:05,976 --> 00:49:08,179 ALEX TIMBERS AND MIKE WHO 1330 00:49:08,179 --> 00:49:10,414 PRODUCED MY SHOW AND PUT ME HERE 1331 00:49:10,414 --> 00:49:13,517 AND MY CREW AND MY PRODUCERS WHO 1332 00:49:13,517 --> 00:49:15,452 ARE MY FAMILY AND HBO LET US 1333 00:49:15,452 --> 00:49:17,955 MAKE A SPECIAL THAT WE REALLY 1334 00:49:17,955 --> 00:49:18,322 WANTED TO MAKE. 1335 00:49:18,322 --> 00:49:19,423 AND THANK YOU SO MUCH. 1336 00:49:19,423 --> 00:49:23,127 AND, LOOK, THIS IS REALLY, 1337 00:49:23,127 --> 00:49:24,261 REALLY BEAUTIFUL. 1338 00:49:24,261 --> 00:49:29,500 AND I REALLY MISS ADAM, BUT IT 1339 00:49:29,500 --> 00:49:32,403 WAS -- IT WAS THE END OF A 1340 00:49:32,403 --> 00:49:35,005 SEVEN-YEAR JOURNEY WITH THIS 1341 00:49:35,005 --> 00:49:35,206 SHOW. 1342 00:49:35,206 --> 00:49:36,640 BUT I GOT TO MAKE SOMETHING 1343 00:49:36,640 --> 00:49:37,975 REALLY FUNNY WITH MY FRIEND. 1344 00:49:37,975 --> 00:49:39,343 SO I THANK YOU SO MUCH FOR THIS. 1345 00:49:39,343 --> 00:49:44,315 I REALLY APPRECIATE IT. 1346 00:49:44,315 --> 00:49:47,551 ♪ 1347 00:49:47,551 --> 00:49:48,853 [ APPLAUSE ] 1348 00:49:48,853 --> 00:49:53,190 >> Announcer: COMING UP, 1349 00:49:53,190 --> 00:49:53,824 COMEDY LEGEND BILLY CRYSTAL, AND 1350 00:49:53,824 --> 00:49:54,391 A PERFORMANCE BY JELLY ROLL. 1351 00:49:54,391 --> 00:49:55,292 AND GET READY FOR TV MOMS 1352 00:49:55,292 --> 00:49:55,860 MEREDITH BAXTER, 1353 00:49:55,860 --> 00:49:56,961 SUSAN KELECHI WATSON, AND 1354 00:49:56,961 --> 00:49:57,294 CONNIE BRITTON. 1355 00:49:57,294 --> 00:49:57,695 HERE ON "THE EMMYS." 1356 00:50:06,203 --> 00:50:06,804 >> Announcer: PLEASE WELCOME 1357 00:50:06,804 --> 00:50:08,339 GAEL GARCIA BERNAL AND EMMY 1358 00:50:08,339 --> 00:50:16,814 NOMINEE DIEGO LUNA. 1359 00:50:16,814 --> 00:50:18,916 [ APPLAUSE ] 1360 00:50:18,916 --> 00:50:21,185 >> HELLO, HELLO. 1361 00:50:21,185 --> 00:50:22,286 GOOD EVENING, LADIES AND 1362 00:50:22,286 --> 00:50:22,720 GENTLEMEN. 1363 00:50:22,720 --> 00:50:25,322 WE WERE JUST TOLD THAT THE EMMYS 1364 00:50:25,322 --> 00:50:28,125 ARE LOSING A BIG CHUNK OF ITS 1365 00:50:28,125 --> 00:50:28,425 AUDIENCE. 1366 00:50:28,425 --> 00:50:31,729 SO ME AND DIEGO DECIDED TO DO 1367 00:50:31,729 --> 00:50:34,398 SOMETHING TO PUSH THE LIMITS, TO 1368 00:50:34,398 --> 00:50:40,237 RAISE THE BOUNDARIES. 1369 00:50:40,237 --> 00:50:44,909 DIEGO! 1370 00:50:44,909 --> 00:50:45,542 [ SPEAKING IN A GLOBAL LANGUAGE 1371 00:50:45,542 --> 00:51:20,010 ] 1372 00:51:20,010 --> 00:51:21,045 WERONIKA TOFILSKA, "BABY 1373 00:51:21,045 --> 00:51:21,312 REINDEER," 1374 00:51:21,312 --> 00:51:23,681 NOAH HAWLEY, "FARGO," 1375 00:51:23,681 --> 00:51:24,315 GUS VAN SANT, "FEUD: CAPOTE VS. 1376 00:51:24,315 --> 00:51:27,918 THE SWANS," 1377 00:51:27,918 --> 00:51:30,721 MILLICENT SHELTON, "LESSONS IN 1378 00:51:30,721 --> 00:51:31,655 CHEMISTRY," 1379 00:51:31,655 --> 00:51:33,791 STEVEN ZAILLIAN, "RIPLEY," 1380 00:51:33,791 --> 00:51:34,825 ISSA LOPEZ, "TRUE DETECTIVE: 1381 00:51:34,825 --> 00:51:47,771 NIGHT COUNTRY." 1382 00:51:47,771 --> 00:51:48,405 [ SPEAKING IN A GLOBAL LANGUAGE 1383 00:51:48,405 --> 00:51:48,539 ] 1384 00:51:48,539 --> 00:51:51,976 >> THE OUTSTANDING DIRECTOR FOR 1385 00:51:51,976 --> 00:51:59,683 SERIES OR MOVIE IS -- STEVEN 1386 00:51:59,683 --> 00:52:01,852 ZAILLIAN FOR "RIPLEY". 1387 00:52:01,852 --> 00:52:04,622 >> THIS IS THE FIRST EMMY WIN 1388 00:52:04,622 --> 00:52:08,626 AND NOMINATION FOR STEVEN 1389 00:52:08,626 --> 00:52:08,892 ZAILLIAN. 1390 00:52:08,892 --> 00:52:10,160 HE RECEIVED HIS FIRST 1391 00:52:10,160 --> 00:52:11,362 NOMINATIONS FOR WRITING, 1392 00:52:11,362 --> 00:52:17,968 DIRECTING AND PRODUCING THE 1393 00:52:17,968 --> 00:52:20,170 NIGHT OF. 1394 00:52:20,170 --> 00:52:20,471 ♪ 1395 00:52:20,471 --> 00:52:24,942 >> THANK YOU SO MUCH. 1396 00:52:24,942 --> 00:52:28,212 LISTEN, YOU KNOW, MAKING 1397 00:52:28,212 --> 00:52:29,813 "RIPLEY" IN ITALY WAS ITS OWN 1398 00:52:29,813 --> 00:52:30,080 REWARD. 1399 00:52:30,080 --> 00:52:30,981 IT WAS LIKE A DREAM. 1400 00:52:30,981 --> 00:52:34,218 I DIDN'T NEED ANYTHING AFTER 1401 00:52:34,218 --> 00:52:34,418 THAT. 1402 00:52:34,418 --> 00:52:36,654 AND I KNOW THE OTHER DIRECTORS, 1403 00:52:36,654 --> 00:52:38,222 YOU KNOW, THEY KNOW WHAT I'M 1404 00:52:38,222 --> 00:52:38,756 TALKING ABOUT. 1405 00:52:38,756 --> 00:52:41,125 THE WORK IS ITS OWN REWARD. 1406 00:52:41,125 --> 00:52:43,127 AND, YOU KNOW, I STILL -- I 1407 00:52:43,127 --> 00:52:45,896 STILL REALLY APPRECIATE THIS 1408 00:52:45,896 --> 00:52:46,964 HONOR, THOUGH. 1409 00:52:46,964 --> 00:52:51,001 AND I SHARE IT WITH LITERALLY 1410 00:52:51,001 --> 00:52:52,403 HUNDREDS OF PEOPLE. 1411 00:52:52,403 --> 00:52:56,774 YOU KNOW, WHO WORKED ON 1412 00:52:56,774 --> 00:53:00,210 "RIPLEY," THE ACTORS, ANDREW, 1413 00:53:00,210 --> 00:53:03,013 DAKOTA, ELLIOT, JOHNNY AND ALL 1414 00:53:03,013 --> 00:53:06,116 THE WONDERFUL OTHER ITALIAN 1415 00:53:06,116 --> 00:53:10,754 ACTORS, THE PRODUCERS, THE 1416 00:53:10,754 --> 00:53:13,490 INCREDIBLE DEPARTMENT HEADS AND 1417 00:53:13,490 --> 00:53:15,259 CREW, ALL OF THEM ARTISTS IN 1418 00:53:15,259 --> 00:53:16,360 THEIR OWN RIGHT. 1419 00:53:16,360 --> 00:53:19,530 I THANK THEM, THE ACADEMY, 1420 00:53:19,530 --> 00:53:21,532 NETFLIX, EVERYONE THERE AND MY 1421 00:53:21,532 --> 00:53:22,099 FAMILY. 1422 00:53:22,099 --> 00:53:25,502 THANK YOU. 1423 00:53:25,502 --> 00:53:28,072 [ APPLAUSE ] 1424 00:53:28,072 --> 00:53:32,109 ♪ 1425 00:53:32,109 --> 00:53:34,511 >>> NEXT ON THE EMMYS, WE PAY 1426 00:53:34,511 --> 00:53:35,712 TRIBUTE TO THE CHARACTERS WHO 1427 00:53:35,712 --> 00:53:37,314 HAVE BEEN SO MUCH A PART OF 1428 00:53:37,314 --> 00:53:38,682 TELEVISION HISTORY. 1429 00:53:38,682 --> 00:53:41,485 KEY PLAYERS IN THE VERY BEST 1430 00:53:41,485 --> 00:53:45,456 DRAMAS AND SITCOMS, TELEVISION 1431 00:53:45,456 --> 00:53:45,689 MOTHERS. 1432 00:53:45,689 --> 00:53:46,490 PLEASE WELCOME TV MOMS, 1433 00:53:46,490 --> 00:53:48,058 SUSAN KELECHI WATSON, AND EMMY 1434 00:53:48,058 --> 00:53:49,126 NOMINEES, CONNIE BRITTON AND 1435 00:53:49,126 --> 00:53:54,498 MEREDITH BAXTER. 1436 00:53:54,498 --> 00:53:57,534 >> I JUST WANT TO SAY THANKS TO 1437 00:53:57,534 --> 00:53:59,870 ALL THE TV DADS FOR GIVING THE 1438 00:53:59,870 --> 00:54:02,840 TV WIVES A SHOT-OUT, BUT NOW IT 1439 00:54:02,840 --> 00:54:04,074 IS ALL ABOUT US. 1440 00:54:04,074 --> 00:54:07,344 WE HAVE COME A LONG WAY WHEN 1441 00:54:07,344 --> 00:54:09,146 WHEN WE COULDN'T LEAVE THE 1442 00:54:09,146 --> 00:54:09,613 KITCHEN. 1443 00:54:09,613 --> 00:54:10,180 >> THAT'S RIGHT. 1444 00:54:10,180 --> 00:54:11,715 NOW WE CAN DO IT ALL. 1445 00:54:11,715 --> 00:54:14,084 WE CAN BE A COUNTRY MUSIC STAR. 1446 00:54:14,084 --> 00:54:16,487 WE CAN BE A SUCCESSFUL CEO THAT 1447 00:54:16,487 --> 00:54:22,292 JUST WANTS TO TAKE HER FAMILY ON 1448 00:54:22,292 --> 00:54:22,726 VACATION. 1449 00:54:22,726 --> 00:54:23,160 WE COULD BE THE HEAD 1450 00:54:23,160 --> 00:54:24,862 OF A FULLY HAUNTED HOUSEHOLD 1451 00:54:24,862 --> 00:54:26,730 WHERE WE GIVE BIRTH TO THE 1452 00:54:26,730 --> 00:54:27,498 ANTICHRIST, PRINCIPALS, AND YES, 1453 00:54:27,498 --> 00:54:28,098 EVEN AMAZING PARTNERS TO OUR 1454 00:54:28,098 --> 00:54:32,770 FOOTBALL COACH HUSBANDS. 1455 00:54:32,770 --> 00:54:35,405 >> TV MOMS ARE NO LONGER ONE 1456 00:54:35,405 --> 00:54:36,940 DIMENSIONAL, WE HAVE CHOICES. 1457 00:54:36,940 --> 00:54:38,542 CHOICES THAT COULD LEAD YOU BACK 1458 00:54:38,542 --> 00:54:39,576 TO YOUR BELOVED DANCE STUDIO, 1459 00:54:39,576 --> 00:54:43,847 CHOICES THAT REMIND US THAT OUR 1460 00:54:43,847 --> 00:54:44,848 DREAMS AREN'T DEFERRED, IT'S 1461 00:54:44,848 --> 00:54:45,449 OKAY TO SOUL SEARCH, AND IT'S 1462 00:54:45,449 --> 00:54:46,450 OKAY TO ASK FOR AS MUCH MONEY AS 1463 00:54:46,450 --> 00:54:54,725 A TV DAD. 1464 00:54:54,725 --> 00:54:55,926 >> THANK GOD WE ARE WAY PAST THE 1465 00:54:55,926 --> 00:54:56,994 DAYS WHEN YOU COULDN'T EVEN SAY 1466 00:54:56,994 --> 00:54:57,628 THE WORD "PREGNANT" ON "I LOVE 1467 00:54:57,628 --> 00:55:01,198 LUCY." 1468 00:55:01,198 --> 00:55:01,832 >> OR WHEN MARRIED COUPLES SLEPT 1469 00:55:01,832 --> 00:55:03,300 IN SEPARATE BEDS, WHICH ALWAYS 1470 00:55:03,300 --> 00:55:09,606 LED TO THE QUESTION -- 1471 00:55:09,606 --> 00:55:10,641 HOW DID SHE BECOME A MOM IN THE 1472 00:55:10,641 --> 00:55:10,941 FIRST PLACE? 1473 00:55:10,941 --> 00:55:15,212 >> PROBABLY DURING A FLASHBACK. 1474 00:55:15,212 --> 00:55:15,612 COMMERCIAL BREAK. 1475 00:55:15,612 --> 00:55:16,213 >> AND NONE OF THIS WOULD BE 1476 00:55:16,213 --> 00:55:18,348 POSSIBLE WITHOUT THE 1477 00:55:18,348 --> 00:55:18,982 CONTRIBUTIONS FROM OUR GREAT TV 1478 00:55:18,982 --> 00:55:23,687 WRITERS. 1479 00:55:23,687 --> 00:55:27,090 SO WE, TV MOMS, ARE PROUD TO BE 1480 00:55:27,090 --> 00:55:28,625 PRESENTING THE NOMINEES FOR 1481 00:55:28,625 --> 00:55:29,426 WRITING FOR A COMEDY SERIES. 1482 00:55:29,426 --> 00:55:30,027 >> Announcer: QUINTA BRUNSON, 1483 00:55:30,027 --> 00:55:31,528 "ABBOTT ELEMENTARY," 1484 00:55:31,528 --> 00:55:32,596 CHRISTOPHER STORER AND 1485 00:55:32,596 --> 00:55:35,766 JOANNA CALO, "THE BEAR," 1486 00:55:35,766 --> 00:55:38,669 MEREDITH SCARDINO AND SAM MEANS, 1487 00:55:38,669 --> 00:55:41,038 "GIRLS5EVA," 1488 00:55:41,038 --> 00:55:42,573 LUCIA ANIELLO, PAUL W. DOWNS, 1489 00:55:42,573 --> 00:55:46,243 AND JEN STATSKY, "HACKS," 1490 00:55:46,243 --> 00:55:46,877 CHRIS KELLY AND SARAH SCHNEIDER, 1491 00:55:46,877 --> 00:55:48,879 "THE OTHER TWO," 1492 00:55:48,879 --> 00:55:50,480 JAKE BENDER AND ZACH DUNN, "WHAT 1493 00:55:50,480 --> 00:56:00,123 WE DO IN THE SHADOWS." 1494 00:56:00,123 --> 00:56:08,932 >> AND THE EMMY GOES TO -- LUCIA 1495 00:56:08,932 --> 00:56:13,770 ANIELLO, PAUL W. DOWNS AND JEN 1496 00:56:13,770 --> 00:56:14,805 STATSKY, "HACKS". 1497 00:56:14,805 --> 00:56:16,807 >> THIS IS THE SECOND TEAM WIN 1498 00:56:16,807 --> 00:56:23,113 FOR THIS WRITING TEAM IN 1499 00:56:23,113 --> 00:56:24,281 "HACKS." 1500 00:56:24,281 --> 00:56:31,722 [ APPLAUSE ] 1501 00:56:31,722 --> 00:56:31,922 ♪ 1502 00:56:31,922 --> 00:56:34,491 >> I GUESS I'LL SPEAK. 1503 00:56:34,491 --> 00:56:35,726 THANK YOU SO MUCH. 1504 00:56:35,726 --> 00:56:38,028 THANK YOU TO THE ACADEMY. 1505 00:56:38,028 --> 00:56:40,998 I THANK ALL OF YOU FOR CLAPPING. 1506 00:56:40,998 --> 00:56:43,967 YOU KNOW, WE MAKE A SHOW ABOUT 1507 00:56:43,967 --> 00:56:46,603 COMEDY BECAUSE, AS THREE WEIRD, 1508 00:56:46,603 --> 00:56:48,071 LONELY KIDS IT WAS THE THING 1509 00:56:48,071 --> 00:56:50,307 THAT MADE US FEEL CONNECTED TO 1510 00:56:50,307 --> 00:56:51,675 OTHER PEOPLE. 1511 00:56:51,675 --> 00:56:52,109 OKAY. 1512 00:56:52,109 --> 00:56:56,880 JEN IS SAYING SHE WAS POPULAR. 1513 00:56:56,880 --> 00:56:59,116 BUT, I MEAN, TWO WEIRD, LONELY 1514 00:56:59,116 --> 00:56:59,883 KIDS. 1515 00:56:59,883 --> 00:57:04,021 OKAY, SO LUCIA WASN'T UNPOPULAR. 1516 00:57:04,021 --> 00:57:11,461 BUT IT MADE ONE LONELY WEIRDO 1517 00:57:11,461 --> 00:57:14,598 AND TWO POPULAR GIRLS. 1518 00:57:14,598 --> 00:57:15,932 WE THANK YOU BECAUSE YOU HAVE 1519 00:57:15,932 --> 00:57:17,000 MADE US FEEL MORE CONNECTED TO 1520 00:57:17,000 --> 00:57:17,734 THE GIRLS. 1521 00:57:17,734 --> 00:57:21,938 >> WE WANT TO THANK, OF COURSE, 1522 00:57:21,938 --> 00:57:25,042 JEAN SMART WHO IS INCREDIBLE. 1523 00:57:25,042 --> 00:57:26,877 HANNAH EINBINDER, A GENIUS. 1524 00:57:26,877 --> 00:57:28,078 THANK YOU FOR BEING OUR FRIEND. 1525 00:57:28,078 --> 00:57:29,513 WE LOVE YOU SO MUCH. 1526 00:57:29,513 --> 00:57:30,981 OUR INCREDIBLE WRITERS, 1527 00:57:30,981 --> 00:57:34,518 EVERYBODY AT HBO. 1528 00:57:34,518 --> 00:57:35,619 SUSAN SCHWARTZ. 1529 00:57:35,619 --> 00:57:37,487 OUR AMAZING PRODUCERS. 1530 00:57:37,487 --> 00:57:39,523 THIS SHOW WOULDN'T HAPPEN 1531 00:57:39,523 --> 00:57:40,090 WITHOUT YOU. 1532 00:57:40,090 --> 00:57:41,591 THANK YOU SO MUCH. 1533 00:57:41,591 --> 00:57:41,958 OUR FAMILIES. 1534 00:57:41,958 --> 00:57:43,126 WE LOVE YOU SO MUCH. 1535 00:57:43,126 --> 00:57:44,127 THANK YOU, EVERYBODY. 1536 00:57:44,127 --> 00:57:47,964 >> THANK YOU! 1537 00:57:47,964 --> 00:57:49,900 [ APPLAUSE ] 1538 00:57:49,900 --> 00:57:54,338 ♪ 1539 00:57:54,338 --> 00:57:55,906 >> ONE THING ABOUT BEING A 1540 00:57:55,906 --> 00:57:56,506 WORKING ACTOR IN A ROOM LIKE 1541 00:57:56,506 --> 00:57:57,007 THIS IS YOU REALLY COME 1542 00:57:57,007 --> 00:57:58,542 FACE-TO-FACE WITH THE JOBS YOU 1543 00:57:58,542 --> 00:58:02,212 DIDN'T GET. 1544 00:58:02,212 --> 00:58:02,846 FUN FACT, MY DAD CAME VERY CLOSE 1545 00:58:02,846 --> 00:58:03,814 TO GETTING THE ROLE OF 1546 00:58:03,814 --> 00:58:09,586 TOBY ZIEGLER IN "THE WEST WING." 1547 00:58:09,586 --> 00:58:10,687 >> i WOULDN'T CALL THAT A FUN 1548 00:58:10,687 --> 00:58:11,722 FACT. 1549 00:58:11,722 --> 00:58:13,824 YES, THE ROLE WENT TO THE OTHER 1550 00:58:13,824 --> 00:58:14,891 GUY WHO WAS RICHARD SCHIFF. 1551 00:58:14,891 --> 00:58:17,494 >> ANOTHER FUN FACT, 1552 00:58:17,494 --> 00:58:18,095 RICHARD SCHIFF WENT ON TO WIN 1553 00:58:18,095 --> 00:58:20,664 THE EMMY FOR THAT ROLE. 1554 00:58:20,664 --> 00:58:21,631 >> AGAIN, HOW IS THAT A FUN 1555 00:58:21,631 --> 00:58:22,265 FACT? 1556 00:58:22,265 --> 00:58:24,901 >> WELL, IT'S FUN FOR RICHARD. 1557 00:58:24,901 --> 00:58:26,670 >> AND HOW WAS YOUR AUDITION FOR 1558 00:58:26,670 --> 00:58:30,674 "RIPLEY"? 1559 00:58:30,674 --> 00:58:33,610 >> NEVER HEARD BACK. 1560 00:58:33,610 --> 00:58:34,344 ANYWAY, PLEASE WELCOME OUR NEXT 1561 00:58:34,344 --> 00:58:35,912 PRESENTER, 6-TIME EMMY WINNER, 1562 00:58:35,912 --> 00:58:44,054 BILLY CRYSTAL. 1563 00:58:44,054 --> 00:58:52,863 ♪ 1564 00:58:52,863 --> 00:58:53,630 >> THANK YOU. 1565 00:58:53,630 --> 00:58:55,565 THANK YOU. 1566 00:58:55,565 --> 00:58:56,666 THANK YOU SO MUCH. 1567 00:58:56,666 --> 00:59:02,706 IT IS JUST GREAT TO BE ANYWHERE. 1568 00:59:02,706 --> 00:59:04,007 THE CATEGORY I GET TO PRESENT, 1569 00:59:04,007 --> 00:59:06,610 OUTSTANDING TALK SERIES, IS 1570 00:59:06,610 --> 00:59:10,213 SPECIAL TO ME. 1571 00:59:10,213 --> 00:59:13,950 BECAUSE I REALIZED THE OTHER DAY 1572 00:59:13,950 --> 00:59:14,351 IT IS 1573 00:59:14,351 --> 00:59:14,951 ALMOST 50 YEARS AGO I WENT ON 1574 00:59:14,951 --> 00:59:15,452 "THE TONIGHT SHOW" WITH 1575 00:59:15,452 --> 00:59:16,453 JOHNNY CARSON FOR THE FIRST 1576 00:59:16,453 --> 00:59:20,023 TIME. 1577 00:59:20,023 --> 00:59:21,858 AND YOU'RE APPLAUDING THAT I'M 1578 00:59:21,858 --> 00:59:22,526 OLD? 1579 00:59:22,526 --> 00:59:23,226 OKAY, GOOD. 1580 00:59:23,226 --> 00:59:24,828 IT WAS A HUGE DEAL. 1581 00:59:24,828 --> 00:59:27,798 I MEAN, I WAS SEVEN YEARS OLD. 1582 00:59:27,798 --> 00:59:30,100 BUT IT WAS AN AMAZING YEARS OLD 1583 00:59:30,100 --> 00:59:32,335 FOR A YOUNG COMIC TO BE 1584 00:59:32,335 --> 00:59:33,904 INTRODUCED BY JOHNNY. 1585 00:59:33,904 --> 00:59:34,538 I WAS SO NERVOUS STANDING BEHIND 1586 00:59:34,538 --> 00:59:35,372 THAT CURTAIN, LISTENING TO 1587 00:59:35,372 --> 00:59:35,872 JOHNNY INTRO ME. 1588 00:59:35,872 --> 00:59:37,974 MY HEART WAS POUNDING FEELING 1589 00:59:37,974 --> 00:59:38,608 LIKE A BULL RIDER IN THE RODEO 1590 00:59:38,608 --> 00:59:39,242 RIGHT BEFORE THEY OPEN THE GATE, 1591 00:59:39,242 --> 00:59:39,876 PRAYING IF I CAN JUST STAY ON MY 1592 00:59:39,876 --> 00:59:40,644 MONOLOGUE FOR 5 MINUTES WITHOUT 1593 00:59:40,644 --> 00:59:43,780 FALLING OFF I'D BE FINE. 1594 00:59:43,780 --> 00:59:47,417 RIGHT BEFORE I WENT ON, THE 1595 00:59:47,417 --> 00:59:47,884 COMMERCIAL BREAK, THE 1596 00:59:47,884 --> 00:59:49,553 STAGE MANAGER TOLD ME THAT WHEN 1597 00:59:49,553 --> 00:59:51,121 I WAS DONE TO STAY ON MY MARK 1598 00:59:51,121 --> 00:59:54,724 AND WATCH HIM. 1599 00:59:54,724 --> 00:59:55,358 IF HIS HANDS WERE UP, IT MEANT 1600 00:59:55,358 --> 00:59:57,427 STAY THERE AND TAKE A BOW, IF HE 1601 00:59:57,427 --> 00:59:58,061 POINTED TO THE DESK, I WAS TO GO 1602 00:59:58,061 --> 01:00:01,832 OVER TO MEET JOHNNY. 1603 01:00:01,832 --> 01:00:02,766 THAT'S WHAT HE SAID. 1604 01:00:02,766 --> 01:00:04,167 WHAT I HEARD WAS, "IF I POINT AT 1605 01:00:04,167 --> 01:00:08,772 THE DESK, YOU GET TO SIT NEXT TO 1606 01:00:08,772 --> 01:00:10,240 JOHNNY AND MAYBE YOU'LL HAVE A 1607 01:00:10,240 --> 01:00:10,674 CAREER. 1608 01:00:10,674 --> 01:00:12,476 BUT IF I GO LIKE THIS, YOU GO 1609 01:00:12,476 --> 01:00:15,645 BACK TO YOUR JOB AT RADIO SHACK. 1610 01:00:15,645 --> 01:00:16,213 I DID MY ROUTINE, APPLAUSE. 1611 01:00:16,213 --> 01:00:17,514 HE POINTED AT THE DESK, AND 1612 01:00:17,514 --> 01:00:18,582 ALMOST 50 YEARS LATER, HERE I AM 1613 01:00:18,582 --> 01:00:19,116 TO INTRODUCE THIS YEAR'S 1614 01:00:19,116 --> 01:00:30,794 NOMINEES. 1615 01:00:30,794 --> 01:00:33,864 NOW, I HAD BEEN ON ALL OF THESE 1616 01:00:33,864 --> 01:00:34,064 SHOWS. 1617 01:00:34,064 --> 01:00:36,867 AND THANK YOU. 1618 01:00:36,867 --> 01:00:41,238 THROUGHOUT MY CAREER, I KEPT A 1619 01:00:41,238 --> 01:00:41,538 DIARY OF MY 1620 01:00:41,538 --> 01:00:42,105 APPEARANCES, SO HERE ARE MY 1621 01:00:42,105 --> 01:00:45,609 THOUGHTS OF EACH AFTER MY FIRST 1622 01:00:45,609 --> 01:00:49,146 APPEARANCES. 1623 01:00:49,146 --> 01:00:54,484 "THE DAILY SHOW," HAD A GREAT 1624 01:00:54,484 --> 01:00:55,085 TIME WITH JON, AND JON SAID, 1625 01:00:55,085 --> 01:00:55,652 "LET'S MEET AFTER AND HAVE 1626 01:00:55,652 --> 01:00:57,087 DINNER." 1627 01:00:57,087 --> 01:01:03,927 AND I WAITED, AND HE WAS GONE. 1628 01:01:03,927 --> 01:01:13,737 "LATE NIGHT WITH SETH MEYERS." 1629 01:01:13,737 --> 01:01:21,411 TERRIFIC INTERVIEWER, TERRIFIC 1630 01:01:21,411 --> 01:01:21,645 WRITER. 1631 01:01:21,645 --> 01:01:24,648 HE SAID, LET'S GO HAVE A DRINK. 1632 01:01:24,648 --> 01:01:27,751 I WAITED AND SAY THAT I HAD HE'D 1633 01:01:27,751 --> 01:01:30,720 GONE HOME. 1634 01:01:30,720 --> 01:01:32,155 "JIMMY KIMMEL LIVE." 1635 01:01:32,155 --> 01:01:34,257 HAD A FANTASTIC TIME WITH JIMMY. 1636 01:01:34,257 --> 01:01:35,792 HE'S SO EASY TO TALK TO. 1637 01:01:35,792 --> 01:01:37,327 HE SAID, MEET ME AT MY 1638 01:01:37,327 --> 01:01:39,029 RESTAURANT, WE'LL HAVE DINNER. 1639 01:01:39,029 --> 01:01:40,130 AND I WENT. 1640 01:01:40,130 --> 01:01:48,672 AND GUIRMO SHOWED UP. 1641 01:01:48,672 --> 01:01:52,175 "THE LATE SHOW WITH 1642 01:01:52,175 --> 01:01:55,579 STEPHEN COLBERT." 1643 01:01:55,579 --> 01:01:56,546 BRILLIANT GUY. 1644 01:01:56,546 --> 01:02:00,817 BUT I WONDER IF HE'S EVER SEEN 1645 01:02:00,817 --> 01:02:01,218 HIMSELF NAKED. 1646 01:02:01,218 --> 01:02:03,787 I DIDN'T SAY THEY WERE FUNNY. 1647 01:02:03,787 --> 01:02:06,289 I SAID THESE WERE FIRST 1648 01:02:06,289 --> 01:02:07,991 IMPRESSIONS OF THE SHOW. 1649 01:02:07,991 --> 01:02:10,894 I'VE ENJOYED ALL OF THEM. 1650 01:02:10,894 --> 01:02:11,361 LADIES AND GENTLEMEN, 1651 01:02:11,361 --> 01:02:13,530 THE EMMY FOR OUTSTANDING TALK 1652 01:02:13,530 --> 01:02:15,632 SERIES -- AND WHOEVER WINS, IF 1653 01:02:15,632 --> 01:02:17,767 YOU WANT TO HAVE DINNER AFTER 1654 01:02:17,767 --> 01:02:19,369 THE SHOW, I'LL WAIT. 1655 01:02:19,369 --> 01:02:23,173 AND THE WINNER GOES TO -- "THE 1656 01:02:23,173 --> 01:02:29,679 DAILY SHOW"! 1657 01:02:29,679 --> 01:02:29,980 [ APPLAUSE ] 1658 01:02:29,980 --> 01:02:31,815 >> "THE DAILY SHOW" RECEIVED 1659 01:02:31,815 --> 01:02:33,917 FOUR NOMINATIONS THIS YEAR, 1660 01:02:33,917 --> 01:02:36,219 ACCEPTING THE EMMY ON BEHALF OF 1661 01:02:36,219 --> 01:03:08,385 THE TEAM IS JON STEWART. 1662 01:03:08,385 --> 01:03:11,121 >> YOU HAVE MADE AN OLD MAN VERY 1663 01:03:11,121 --> 01:03:11,321 HAPPY. 1664 01:03:11,321 --> 01:03:14,324 THIS IS -- THIS IS REMARKABLE, 1665 01:03:14,324 --> 01:03:15,625 TO HAVE AN OPPORTUNITY TO WORK 1666 01:03:15,625 --> 01:03:19,496 WITH THIS INCREDIBLY TALENTED 1667 01:03:19,496 --> 01:03:22,966 GROUP ONCE A WEEK HAS JUST 1668 01:03:22,966 --> 01:03:26,036 BEEN -- IT'S JUST BEEN -- IT'S 1669 01:03:26,036 --> 01:03:31,441 REALLY MADE MY MONDAYS. 1670 01:03:31,441 --> 01:03:34,711 AND MICHAEL, JORDAN, MY FELLOW 1671 01:03:34,711 --> 01:03:36,813 HOSTS, THEY JUST KICK ASS. 1672 01:03:36,813 --> 01:03:38,515 IF YOU REALLY WANT TO KNOW THE 1673 01:03:38,515 --> 01:03:39,516 HEART AND SOUL OF THE TEAM, IF 1674 01:03:39,516 --> 01:03:41,318 YOU REALLY WANT TO KNOW THE 1675 01:03:41,318 --> 01:03:42,719 KEEPER OF THE FLAME OF "THE 1676 01:03:42,719 --> 01:03:48,792 DAILY SHOW," MS. J ERKEN. 1677 01:03:48,792 --> 01:03:52,929 AND, JEN HAS BEEN THERE SINCE 1678 01:03:52,929 --> 01:03:53,129 1998. 1679 01:03:53,129 --> 01:03:56,099 SO IT STARTED OUT AS A PA. 1680 01:03:56,099 --> 01:03:58,101 HAS BEEN EXECUTIVE PRODUCER FOR 1681 01:03:58,101 --> 01:03:59,502 15 YEARS. 1682 01:03:59,502 --> 01:04:00,403 JUST SAYING. 1683 01:04:00,403 --> 01:04:02,072 JUST SAYING TO THE PEOPLE. 1684 01:04:02,072 --> 01:04:03,973 >> I LOVE OUR SHOW, AND I LOVE 1685 01:04:03,973 --> 01:04:05,408 THE PEOPLE WE WORK WITH, AND I 1686 01:04:05,408 --> 01:04:07,711 LOVE WORKING IN TV. 1687 01:04:07,711 --> 01:04:10,213 I LOVE JON. 1688 01:04:10,213 --> 01:04:13,450 THANK YOU. 1689 01:04:13,450 --> 01:04:20,724 [ APPLAUSE ] 1690 01:04:20,724 --> 01:04:22,292 >> Announcer: COMING UP, 1691 01:04:22,292 --> 01:04:22,892 NICOLA COUGHLAN AND NAVA MAU. 1692 01:04:22,892 --> 01:04:25,462 THEN LATER, RON HOWARD AND 1693 01:04:25,462 --> 01:04:25,795 HENRY WINKLER. 1694 01:04:25,795 --> 01:04:30,767 AND YES, THERE IS A DOCTOR IN 1695 01:04:30,767 --> 01:04:31,234 THE HOUSE, TV DOCTORS 1696 01:04:31,234 --> 01:04:31,868 MINDY KALING, MEKHI PHIFER, AND 1697 01:04:31,868 --> 01:04:32,802 ZACH BRAFF. 1698 01:04:32,802 --> 01:04:33,870 HERE ON ABC. 1699 01:04:44,380 --> 01:04:44,547 ♪ 1700 01:04:44,547 --> 01:04:46,983 >> WELCOME BACK. 1701 01:04:46,983 --> 01:04:49,152 ONE MORE PIECE OF EMMY TRIVIA, 1702 01:04:49,152 --> 01:04:50,720 EMMY TURNED 76 THIS YEAR, WHICH 1703 01:04:50,720 --> 01:04:53,556 MEANS EVEN THOUGH WE'RE ON ABC, 1704 01:04:53,556 --> 01:04:57,560 EMMY IS WATCHING CBS. 1705 01:04:57,560 --> 01:05:01,531 SPEAKING OF CBS, YOU MUST BE 1706 01:05:01,531 --> 01:05:02,165 EXCITED ABOUT THE NEW "MATLOCK" 1707 01:05:02,165 --> 01:05:03,833 REBOOT. 1708 01:05:03,833 --> 01:05:04,334 >> WHY WOULD YOU SAY THAT? 1709 01:05:04,334 --> 01:05:04,868 >> BECAUSE YOU'RE THE 1710 01:05:04,868 --> 01:05:05,935 DEMOGRAPHIC THAT'S -- 1711 01:05:05,935 --> 01:05:08,571 >> IN THE KNOW. 1712 01:05:08,571 --> 01:05:09,506 >> YEAH, IN THE KNOW. 1713 01:05:09,506 --> 01:05:10,206 PLEASE WELCOME OUR NEXT 1714 01:05:10,206 --> 01:05:14,410 PRESENTERS, NICOLA COUGHLAN AND 1715 01:05:14,410 --> 01:05:21,551 NAVA MAU. 1716 01:05:21,551 --> 01:05:22,519 [ APPLAUSE ] 1717 01:05:22,519 --> 01:05:34,864 ♪ 1718 01:05:34,864 --> 01:05:36,633 >> I WOULD LIKE TO SAY IT IS AN 1719 01:05:36,633 --> 01:05:43,940 HONOR TO BE HERE, TO PRESENT THE 1720 01:05:43,940 --> 01:05:45,842 NOMINATION FOR EMOTIONAL SUPPORT 1721 01:05:45,842 --> 01:05:46,109 ANIMALS. 1722 01:05:46,109 --> 01:05:48,411 >> WHAT ARE YOU TALKING ABOUT? 1723 01:05:48,411 --> 01:05:50,613 >> EMOTIONAL SUPPORT ANIMALS 1724 01:05:50,613 --> 01:05:52,916 HAVE A RICH HISTORY IN 1725 01:05:52,916 --> 01:05:53,216 TELEVISION. 1726 01:05:53,216 --> 01:05:54,717 >> THIS CATEGORY IS IN BEST 1727 01:05:54,717 --> 01:05:57,253 SUPPORTING ACTOR, AS IN HUMAN 1728 01:05:57,253 --> 01:05:57,454 ACTOR. 1729 01:05:57,454 --> 01:05:59,255 >> OKAY. 1730 01:05:59,255 --> 01:06:02,792 THAT IS -- SORRY. 1731 01:06:02,792 --> 01:06:03,326 UNRELATED. 1732 01:06:03,326 --> 01:06:05,261 THIS FIN IN THE AUDIENCE NEEDS 1733 01:06:05,261 --> 01:06:08,264 500 DOG TREATS, COME AND FIND ME 1734 01:06:08,264 --> 01:06:10,433 AT THE AFTER PARTY. 1735 01:06:10,433 --> 01:06:12,435 >> DUTY NOTED. 1736 01:06:12,435 --> 01:06:13,036 >> HERE ARE THE NOMINEES FOR 1737 01:06:13,036 --> 01:06:15,405 SUPPORTING ACTOR IN A LIMITED OR 1738 01:06:15,405 --> 01:06:16,439 ANTHOLOGY SERIES OR MOVIE. 1739 01:06:16,439 --> 01:06:17,073 >> Announcer: JONATHAN BAILEY, 1740 01:06:17,073 --> 01:06:18,041 FELLOW TRAVELERS. 1741 01:06:18,041 --> 01:06:20,143 ROBERT DOWNEY JR., "THE 1742 01:06:20,143 --> 01:06:20,476 SYMPATHIZER." 1743 01:06:20,476 --> 01:06:22,245 TOM GOODMAN-HILL, "BABY 1744 01:06:22,245 --> 01:06:24,347 REINDEER." 1745 01:06:24,347 --> 01:06:24,948 JOHN HAWKES, "TRUE DETECTIVE: 1746 01:06:24,948 --> 01:06:27,016 NIGHT COUNTRY." 1747 01:06:27,016 --> 01:06:29,152 LAMORNE MORRIS, "FARGO." 1748 01:06:29,152 --> 01:06:30,186 LEWIS PULLMAN, "LESSONS IN 1749 01:06:30,186 --> 01:06:32,288 CHEMISTRY." 1750 01:06:32,288 --> 01:06:33,857 TREAT WILLIAMS, "FEUD: CAPOTE 1751 01:06:33,857 --> 01:06:38,628 VS. THE SWANS." 1752 01:06:38,628 --> 01:06:48,771 >> AND THE EMMY GOES TO -- 1753 01:06:48,771 --> 01:06:52,976 LAMORNE MORRIS, "FARGO". 1754 01:06:52,976 --> 01:06:54,878 >> THIS IS THE FIRST EMMY 1755 01:06:54,878 --> 01:06:57,347 NOMINATION AND NOMINATION FOR 1756 01:06:57,347 --> 01:07:01,551 LAMORNE MORRIS. 1757 01:07:01,551 --> 01:07:19,168 ♪ 1758 01:07:19,168 --> 01:07:20,069 >> GOSH! 1759 01:07:20,069 --> 01:07:21,771 WHAT'S UP, MAN? 1760 01:07:21,771 --> 01:07:22,872 OH, MY GOSH. 1761 01:07:22,872 --> 01:07:27,410 I WANT TO -- OH WOW! 1762 01:07:27,410 --> 01:07:30,046 I WANT TO THANK -- I THANK TO 1763 01:07:30,046 --> 01:07:31,781 THANK GOD FOR ALLOWING ME TO BE 1764 01:07:31,781 --> 01:07:32,015 HERE. 1765 01:07:32,015 --> 01:07:34,517 I ALSO WANT TO THANK GOD FOR MY 1766 01:07:34,517 --> 01:07:39,389 BEAUTIFUL MOTHER, WHO RAISED ME. 1767 01:07:39,389 --> 01:07:42,058 SHE'S -- SHE'S BEEN MY BIGGEST 1768 01:07:42,058 --> 01:07:43,526 CHAMPION EVER SINCE I, YOU KNOW, 1769 01:07:43,526 --> 01:07:47,463 CAME OUT OF, YOU KNOW, I DROPPED 1770 01:07:47,463 --> 01:07:49,032 OUT OF HER -- HER BUTT. 1771 01:07:49,032 --> 01:07:49,332 WHATEVER. 1772 01:07:49,332 --> 01:07:52,135 I KNOW WHERE BABIES COME FROM. 1773 01:07:52,135 --> 01:07:53,937 MY BEAUTIFUL DAUGHTER, LILY. 1774 01:07:53,937 --> 01:07:54,671 I LOVE YOU. 1775 01:07:54,671 --> 01:07:57,040 I TOLD YOU I WOULD DO IT. 1776 01:07:57,040 --> 01:07:59,876 YOU HAVE ALWAYS DOUBTED ME. 1777 01:07:59,876 --> 01:08:01,711 HERE, I'M YOUR LEADER. 1778 01:08:01,711 --> 01:08:04,681 ALL THE FOLKS AT FX, MY 1779 01:08:04,681 --> 01:08:06,015 BEAUTIFUL CAST, MY MANAGEMENT 1780 01:08:06,015 --> 01:08:08,117 TEAM 360. 1781 01:08:08,117 --> 01:08:09,619 I'M FORGETTING SO MANY PEOPLE. 1782 01:08:09,619 --> 01:08:10,553 PLEASE WRAP IT UP. 1783 01:08:10,553 --> 01:08:11,421 SHUT UP. 1784 01:08:11,421 --> 01:08:18,861 MY FELLOW MOM KNNOMINEES. 1785 01:08:18,861 --> 01:08:19,062 OKAY. 1786 01:08:19,062 --> 01:08:19,796 AND I LOVE YOU. 1787 01:08:19,796 --> 01:08:21,497 I LOVE YOU TO ALL MY FRIENDS AND 1788 01:08:21,497 --> 01:08:22,498 MY FAMILY. 1789 01:08:22,498 --> 01:08:24,100 IF YOU GOT MY NUMBER, THAT MEANS 1790 01:08:24,100 --> 01:08:25,101 I LOVE YOU. 1791 01:08:25,101 --> 01:08:28,404 AND WHO AM I FORGETTING? 1792 01:08:28,404 --> 01:08:29,205 LET'S SEE. 1793 01:08:29,205 --> 01:08:31,274 JOHN LANDGRAPH, THANK YOU. 1794 01:08:31,274 --> 01:08:33,042 YOU PUT TOGETHER ONE HELL OF A 1795 01:08:33,042 --> 01:08:33,910 CAST, MAN. 1796 01:08:33,910 --> 01:08:35,678 THANK YOU FOR TRUSTING AND 1797 01:08:35,678 --> 01:08:38,114 BELIEVING IN ME AND EVERYONE 1798 01:08:38,114 --> 01:08:42,118 OVER AT FX AND HULU. 1799 01:08:42,118 --> 01:08:43,987 I'LL DO ANOTHER THING ON MY 1800 01:08:43,987 --> 01:08:45,054 PODCAST AND THANK THE REST OF 1801 01:08:45,054 --> 01:08:46,456 THE PEOPLE I FORGOT TO THANK. 1802 01:08:46,456 --> 01:08:55,565 YEAH, YEAH, YEAH. 1803 01:08:55,565 --> 01:08:57,667 ♪ 1804 01:08:57,667 --> 01:09:01,137 [ APPLAUSE ] 1805 01:09:01,137 --> 01:09:04,273 >> Announcer: JOINING US ON 1806 01:09:04,273 --> 01:09:05,508 STAGE RIGHT NOW ARE THREE ACTORS 1807 01:09:05,508 --> 01:09:06,142 WHOSE CHARACTERS WERE MEMBERS OF 1808 01:09:06,142 --> 01:09:09,512 A PROFESSION THAT HAS BEEN THE 1809 01:09:09,512 --> 01:09:10,146 SOURCE OF GREAT STORYLINES GOING 1810 01:09:10,146 --> 01:09:11,681 BACK TO THE VERY FIRST MEDICAL 1811 01:09:11,681 --> 01:09:14,283 DRAMA, "CITY HOSPITAL, "THAT 1812 01:09:14,283 --> 01:09:16,953 DEBUTED 73 YEARS AGO, PLEASE 1813 01:09:16,953 --> 01:09:17,587 WELCOME TV DOCTORS MEKHI PHIFER 1814 01:09:17,587 --> 01:09:19,088 AND EMMY NOMINEES MINDY KALING 1815 01:09:19,088 --> 01:09:29,098 AND ZACH BRAFF. 1816 01:09:29,098 --> 01:09:29,699 >> I WAS SO HONORED TO PLAY A 1817 01:09:29,699 --> 01:09:36,439 DOCTOR ON "ER." 1818 01:09:36,439 --> 01:09:37,473 AND IN DEVELOPING MY CHARACTER, 1819 01:09:37,473 --> 01:09:39,642 I WAS INSPIRED NOT JUST BY THE 1820 01:09:39,642 --> 01:09:40,209 ACTORS ON THE SERIES BUT BY 1821 01:09:40,209 --> 01:09:44,313 ACTUAL PHYSICIANS I'VE KNOWN. 1822 01:09:44,313 --> 01:09:44,947 >> I WAS INSPIRED TO PORTRAY A 1823 01:09:44,947 --> 01:09:45,581 DOCTOR ON "THE MINDY PROJECT" BY 1824 01:09:45,581 --> 01:09:48,451 THE EXAMPLE OF MY OWN MOTHER, AN 1825 01:09:48,451 --> 01:09:49,519 OB-GYN. 1826 01:09:49,519 --> 01:09:51,554 WHAT ABOUT YOU, ZACH? 1827 01:09:51,554 --> 01:09:55,625 >> I WAS WAITING TABLES IN A 1828 01:09:55,625 --> 01:09:56,659 BEIGE TUNIC, SERVING THE 1829 01:09:56,659 --> 01:09:57,293 UNIVERSALLY GRACIOUS PEOPLE OF 1830 01:09:57,293 --> 01:10:02,665 BEVERLY HILLS. 1831 01:10:02,665 --> 01:10:05,868 I WOULD GET FOOT-LONG HOT DOGS 1832 01:10:05,868 --> 01:10:11,674 FROM 7-ELEVEN AND EAT SIX INCHES 1833 01:10:11,674 --> 01:10:16,379 FOR LUNCH AND SIX INCHES FOR 1834 01:10:16,379 --> 01:10:16,612 DINNER. 1835 01:10:16,612 --> 01:10:17,513 I WAS INSPIRED TO NOT LIVE LIKE 1836 01:10:17,513 --> 01:10:18,948 THAT ANYMORE. 1837 01:10:18,948 --> 01:10:19,582 >> I CAN SEE THAT IN EVERY SCENE 1838 01:10:19,582 --> 01:10:22,518 YOU WERE IN. 1839 01:10:22,518 --> 01:10:22,852 >> THANK YOU. 1840 01:10:22,852 --> 01:10:23,086 >> YES. 1841 01:10:23,086 --> 01:10:25,755 AND I CONCUR. 1842 01:10:25,755 --> 01:10:26,355 >> HERE ARE THE NOMINEES FOR 1843 01:10:26,355 --> 01:10:29,559 WRITING FOR A DRAMA SERIES. 1844 01:10:29,559 --> 01:10:30,359 >> Announcer: PETER MORGAN AND 1845 01:10:30,359 --> 01:10:33,529 MERIEL SHEIBANI-CLARE, "THE 1846 01:10:33,529 --> 01:10:33,763 CROWN." 1847 01:10:33,763 --> 01:10:35,098 GENEVA ROBERTSON-DWORET AND 1848 01:10:35,098 --> 01:10:37,734 GRAHAM WAGNER, "FALLOUT." 1849 01:10:37,734 --> 01:10:39,302 FRANCESCA SLOANE AND 1850 01:10:39,302 --> 01:10:40,369 DONALD GLOVER, "MR. & 1851 01:10:40,369 --> 01:10:43,473 MRS. SMITH." 1852 01:10:43,473 --> 01:10:44,107 RACHEL KONDO AND JUSTIN MARKS, 1853 01:10:44,107 --> 01:10:45,608 "SHOGUN." 1854 01:10:45,608 --> 01:10:48,411 RACHEL KONDO AND CAILLIN PUENTE, 1855 01:10:48,411 --> 01:10:53,516 "SHOGUN." 1856 01:10:53,516 --> 01:10:57,520 WILL SMITH, "SLOW HORSES." 1857 01:10:57,520 --> 01:11:06,229 >> AND THE EMMY GOES TO -- 1858 01:11:06,229 --> 01:11:11,334 >> WILL SMITH, "SLOW HORSES." 1859 01:11:11,334 --> 01:11:11,534 ♪ 1860 01:11:11,534 --> 01:11:13,002 >> THIS IS THE THIRD EMMY WIN 1861 01:11:13,002 --> 01:11:14,804 AND FIFTH NOMINATION FOR WILL 1862 01:11:14,804 --> 01:11:15,004 SMITH. 1863 01:11:15,004 --> 01:11:17,140 HE TOOK HOME HIS FIRST EMMY FOR 1864 01:11:17,140 --> 01:11:18,975 BEING A PART OF THE PRODUCING 1865 01:11:18,975 --> 01:11:23,946 TEAM OF "VEEP." 1866 01:11:23,946 --> 01:11:28,151 ♪ 1867 01:11:28,151 --> 01:11:29,952 >> FIRST OF ALL, RELAX. 1868 01:11:29,952 --> 01:11:33,923 DESPITE MY NAME, I COME IN 1869 01:11:33,923 --> 01:11:36,726 PEACE. 1870 01:11:36,726 --> 01:11:39,629 I'D LIKE TO THANK NICK HARAN FOR 1871 01:11:39,629 --> 01:11:42,398 HIS BRILLIANT BOOKS, FOR SEEING 1872 01:11:42,398 --> 01:11:43,666 THE POTENTIAL IN THEM, SEEING 1873 01:11:43,666 --> 01:11:45,902 THE POTENTIAL IN ME. 1874 01:11:45,902 --> 01:11:48,004 JAY HUNT ON HER UNWAVERING 1875 01:11:48,004 --> 01:11:50,706 BELIEF IN THE SHOW. 1876 01:11:50,706 --> 01:11:54,110 BRIAN YOST FOR HIS SUPPORT AND 1877 01:11:54,110 --> 01:11:54,377 WISDOM. 1878 01:11:54,377 --> 01:11:57,880 MY FELLOW WRITERS, MY AMAZING 1879 01:11:57,880 --> 01:12:02,451 AGENT, MY WONDERFUL WIFE ANNE, 1880 01:12:02,451 --> 01:12:12,762 LEO AND PHOEBE AND THE MOST 1881 01:12:12,762 --> 01:12:14,197 GIFTED INSURANCE COBLATOR. 1882 01:12:14,197 --> 01:12:17,066 THANK YOU FOR MAKING THE VERY 1883 01:12:17,066 --> 01:12:18,367 BEST VERSION OF THE SCRIPT. 1884 01:12:18,367 --> 01:12:19,535 THANK YOU SO MUCH. 1885 01:12:19,535 --> 01:12:20,603 >> Announcer: STILL TO COME, THE 1886 01:12:20,603 --> 01:12:21,237 AWARDS FOR ACTOR AND ACTRESS IN 1887 01:12:21,237 --> 01:12:22,205 A DRAMA SERIES, A "HAPPY DAYS" 1888 01:12:22,205 --> 01:12:25,374 REUNION YOU WON'T WANT TO MISS, 1889 01:12:25,374 --> 01:12:26,142 AND A PERFORMANCE BY JELLY ROLL, 1890 01:12:38,354 --> 01:12:39,755 >>> LET ME ASK YOU, WHAT GOES 1891 01:12:39,755 --> 01:12:43,025 BEST WITH A BURGER? 1892 01:12:43,025 --> 01:12:43,626 >> EASY, JOHNNIE WALKER BLUE 1893 01:12:43,626 --> 01:12:46,062 LABEL. 1894 01:12:46,062 --> 01:12:46,729 >> PERFECT. 1895 01:12:46,729 --> 01:12:47,763 >> THERE YOU ARE. 1896 01:12:47,763 --> 01:12:48,397 I'VE BEEN LOOKING ALL OVER FOR 1897 01:12:48,397 --> 01:12:49,332 YOU. 1898 01:12:49,332 --> 01:12:49,966 ARE YOU WATCHING THE SHOW FROM A 1899 01:12:49,966 --> 01:12:52,668 BACKSTAGE BAR? 1900 01:12:52,668 --> 01:12:54,570 >> YEAH, THIS IS -- YOU KNOW, 1901 01:12:54,570 --> 01:12:56,272 THIS IS THE BEST SEAT IN THE 1902 01:12:56,272 --> 01:12:56,706 HOUSE. 1903 01:12:56,706 --> 01:12:57,940 IT'S QUIET. 1904 01:12:57,940 --> 01:12:59,141 WE'VE GOT A GREAT VIEW. 1905 01:12:59,141 --> 01:12:59,942 JOIN ME. 1906 01:12:59,942 --> 01:13:00,476 >> ALL RIGHT. 1907 01:13:00,476 --> 01:13:03,045 >> YOU KNOW, I CHECKED. 1908 01:13:03,045 --> 01:13:07,116 IT'S OKAY TO HAVE A DRINK AND 1909 01:13:07,116 --> 01:13:08,317 PRESENT RESPONSIBLY. 1910 01:13:08,317 --> 01:13:10,052 >> GREAT. 1911 01:13:10,052 --> 01:13:10,753 TO A GREAT NIGHT. 1912 01:13:10,753 --> 01:13:15,124 >> Announcer: PLEASE WELCOME 1913 01:13:15,124 --> 01:13:16,525 EBON MOSS-BACHRACH AND 1914 01:13:16,525 --> 01:13:20,429 TAYLOR ZAKHAR PEREZ. 1915 01:13:20,429 --> 01:13:24,667 >> WE'LL BE RIGHT BACK. 1916 01:13:24,667 --> 01:13:26,636 >> YEAH. 1917 01:13:26,636 --> 01:13:27,703 >> Announcer: WE ARE BACK AT 1918 01:13:27,703 --> 01:13:29,772 "THE 76th EMMY AWARDS," LIVE 1919 01:13:29,772 --> 01:13:30,339 FROM THE PEACOCK THEATER IN 1920 01:13:30,339 --> 01:13:33,442 DOWNTOWN LOS ANGELES. 1921 01:13:33,442 --> 01:13:34,010 IT'S TIME FOR THE AWARD FOR 1922 01:13:34,010 --> 01:13:35,077 WRITING FOR A LIMITED OR 1923 01:13:35,077 --> 01:13:37,179 ANTHOLOGY SERIES OR MOVIE. 1924 01:13:37,179 --> 01:13:38,781 WILL IT GO TO "BABY REINDEER," 1925 01:13:38,781 --> 01:13:42,451 "BLACK MIRROR," "FARGO," "FELLOW 1926 01:13:42,451 --> 01:13:43,052 TRAVELERS," "RIPLEY" OR "TRUE 1927 01:13:43,052 --> 01:13:43,586 DETECTIVE: NIGHT COUNTRY?" 1928 01:13:43,586 --> 01:13:46,055 AND NOW, IT'S TIME TO PRESENT 1929 01:13:46,055 --> 01:13:52,428 OUR NEXT EMMY. 1930 01:13:52,428 --> 01:13:56,098 >> THAT WAS SO MUCH FUN. 1931 01:13:56,098 --> 01:13:57,233 >> YEAH. 1932 01:13:57,233 --> 01:13:58,234 >> FOR ONCE. 1933 01:13:58,234 --> 01:13:58,968 IT WAS NICE. 1934 01:13:58,968 --> 01:14:01,837 >> YEAH. 1935 01:14:01,837 --> 01:14:02,338 YEAH, YEAH. 1936 01:14:02,338 --> 01:14:02,938 >> AND HERE ARE THE NOMINEES. 1937 01:14:02,938 --> 01:14:03,506 >> Announcer: RICHARD GADD, 1938 01:14:03,506 --> 01:14:04,974 BABY REINDEER. 1939 01:14:04,974 --> 01:14:08,110 CHARLIE BROOKER, "BLACK MIRROR." 1940 01:14:08,110 --> 01:14:10,780 NOAH HAWLEY, "FARGO." 1941 01:14:10,780 --> 01:14:11,314 RON NYSWANER, "FELLOW 1942 01:14:11,314 --> 01:14:13,416 TRAVELERS." 1943 01:14:13,416 --> 01:14:16,085 STEVEN ZAILLIAN, "RIPLEY." 1944 01:14:16,085 --> 01:14:16,686 ISSA LOPEZ, "TRUE DETECTIVE: 1945 01:14:16,686 --> 01:14:27,129 NIGHT COUNTRY." 1946 01:14:27,129 --> 01:14:41,811 >> AND THE EMMY GOES TO -- 1947 01:14:41,811 --> 01:14:52,922 RICHARD GADD, "BABY REINDEER." 1948 01:14:52,922 --> 01:14:53,122 ♪ 1949 01:14:53,122 --> 01:14:53,422 [ APPLAUSE ] 1950 01:14:53,422 --> 01:14:55,124 >> THANK YOU SO MUCH. 1951 01:14:55,124 --> 01:14:55,992 >> OH, WOW. 1952 01:14:55,992 --> 01:14:57,059 THANKS SO MUCH. 1953 01:14:57,059 --> 01:15:00,229 THIS IS THE STUFF OF DRINKS. 1954 01:15:00,229 --> 01:15:01,897 THANKS SO MUCH TO THE ACADEMY. 1955 01:15:01,897 --> 01:15:03,766 THANK YOU TO NETFLIX FOR LETTING 1956 01:15:03,766 --> 01:15:05,901 ME TELL THE STORY TO THE WORLD. 1957 01:15:05,901 --> 01:15:08,637 THANK YOU TO PETRA, MY BROTHERS 1958 01:15:08,637 --> 01:15:09,505 MATT AND ED. 1959 01:15:09,505 --> 01:15:11,073 THANK YOU TO ALL THE AMAZING 1960 01:15:11,073 --> 01:15:13,743 CAST AND CREW, MY AMAZING CAST 1961 01:15:13,743 --> 01:15:14,443 AND TEAM. 1962 01:15:14,443 --> 01:15:16,012 LOOK, TEN YEARS AGO, I WAS DOWN 1963 01:15:16,012 --> 01:15:17,346 AND OUT, RIGHT? 1964 01:15:17,346 --> 01:15:19,448 I NEVER EVER THOUGHT I WOULD GET 1965 01:15:19,448 --> 01:15:20,483 MY LIFE TOGETHER. 1966 01:15:20,483 --> 01:15:22,785 I NEVER THOUGHT I WOULD BE ABLE 1967 01:15:22,785 --> 01:15:25,755 TO RECTIFY MYSELF AND GET MYSELF 1968 01:15:25,755 --> 01:15:27,223 BACK ON MY FEET AGAIN. 1969 01:15:27,223 --> 01:15:29,992 HERE I AM JUST A DECADE LATER 1970 01:15:29,992 --> 01:15:31,727 PICKING UP ONE OF THE BIGGEST 1971 01:15:31,727 --> 01:15:33,529 AWARDS IN TELEVISION, YEAH. 1972 01:15:33,529 --> 01:15:35,131 NOW, I DON'T MEAN THAT -- I 1973 01:15:35,131 --> 01:15:37,066 DON'T MEAN THAT TO SOUND 1974 01:15:37,066 --> 01:15:37,733 ARROGANT. 1975 01:15:37,733 --> 01:15:39,735 I MEAN THAT FOR ANYONE GOING 1976 01:15:39,735 --> 01:15:40,836 THROUGH A DIFFICULT TIME RIGHT 1977 01:15:40,836 --> 01:15:42,905 NOW TO PERSEVERE. 1978 01:15:42,905 --> 01:15:44,640 I DON'T KNOW MUCH ABOUT THIS 1979 01:15:44,640 --> 01:15:44,840 LIFE. 1980 01:15:44,840 --> 01:15:46,809 BUT I DO KNOW NOTHING LASTS 1981 01:15:46,809 --> 01:15:47,109 FOREVER. 1982 01:15:47,109 --> 01:15:49,812 AND NO MATTER HOW BAD IT GETS, 1983 01:15:49,812 --> 01:15:50,746 IT ALWAYS GETS BETTER. 1984 01:15:50,746 --> 01:15:52,381 IF YOU ARE STRUGGLING, KEEP 1985 01:15:52,381 --> 01:15:52,581 GOING. 1986 01:15:52,581 --> 01:15:53,048 KEEP GOING. 1987 01:15:53,048 --> 01:15:55,151 AND I PROMISE YOU THINGS WILL BE 1988 01:15:55,151 --> 01:15:55,584 OKAY. 1989 01:15:55,584 --> 01:15:59,555 THANK YOU SO MUCH FOR THIS 1990 01:15:59,555 --> 01:16:03,159 AWARD. 1991 01:16:03,159 --> 01:16:03,692 [ APPLAUSE ] 1992 01:16:03,692 --> 01:16:05,795 ♪ 1993 01:16:05,795 --> 01:16:08,397 >>> IN 1974, A STRANGE 1994 01:16:08,397 --> 01:16:10,533 PHENOMENON WAS BUBBLING UNDER 1995 01:16:10,533 --> 01:16:15,905 ALL THE POLITICAL TURBULENCE, A 1996 01:16:15,905 --> 01:16:16,138 WAVE OF 1997 01:16:16,138 --> 01:16:16,939 NOSTALGIA FOR THE 1950s. 1998 01:16:16,939 --> 01:16:17,973 THE MUSICAL "GREASE" WAS PLAYING 1999 01:16:17,973 --> 01:16:19,041 ON BROADWAY, "AMERICAN GRAFFITI" 2000 01:16:19,041 --> 01:16:20,076 HAD PREMIERED IN MOVIE THEATERS, 2001 01:16:20,076 --> 01:16:22,011 AND A BRAND-NEW SITCOM CALLED 2002 01:16:22,011 --> 01:16:23,245 "HAPPY DAYS" WAS MAKING ITS 2003 01:16:23,245 --> 01:16:25,347 TELEVISION DEBUT. 2004 01:16:25,347 --> 01:16:29,552 IT STARRED A YOUNG ACTOR WITH A 2005 01:16:29,552 --> 01:16:30,186 VERY FAMILIAR FACE WHO WOULD GO 2006 01:16:30,186 --> 01:16:31,153 ON TO BECOME ONE OF HOLLYWOOD'S 2007 01:16:31,153 --> 01:16:35,124 MOST ICONIC FILM DIRECTORS. 2008 01:16:35,124 --> 01:16:36,459 ALSO STARRING WAS A NEW KID ON 2009 01:16:36,459 --> 01:16:37,460 THE BLOCK WHO WAS ABOUT TO 2010 01:16:37,460 --> 01:16:39,128 BECOME THE COOLEST, TOUGHEST CAT 2011 01:16:39,128 --> 01:16:41,230 TO EVER PUT A COMB THROUGH A 2012 01:16:41,230 --> 01:16:42,798 DUCK TAIL. 2013 01:16:42,798 --> 01:16:44,867 CELEBRATING THE 50th ANNIVERSARY 2014 01:16:44,867 --> 01:16:46,936 OF "HAPPY DAYS," PLEASE WELCOME 2015 01:16:46,936 --> 01:16:55,110 RON HOWARD AND HENRY WINKLER. 2016 01:16:55,110 --> 01:16:59,715 [ APPLAUSE ] 2017 01:16:59,715 --> 01:17:02,585 >> OKAY, THANK YOU. 2018 01:17:02,585 --> 01:17:04,353 LISTEN, BEFORE WE GET STARTED, I 2019 01:17:04,353 --> 01:17:09,058 JUST WANT TO SAY, LAST -- LAST 2020 01:17:09,058 --> 01:17:10,426 WEEK MY VERY GOOD FRIEND FOR 50 2021 01:17:10,426 --> 01:17:15,197 YEARS WON AN EMMY FOR HIS WONDER 2022 01:17:15,197 --> 01:17:15,364 FUL 2023 01:17:15,364 --> 01:17:16,065 DOCUMENTARY "JIM HENSON: IDEA 2024 01:17:16,065 --> 01:17:18,334 MAN." 2025 01:17:18,334 --> 01:17:19,935 >> THANK YOU. 2026 01:17:19,935 --> 01:17:20,669 THANK YOU. 2027 01:17:20,669 --> 01:17:22,071 THANKS TO THE ACADEMY. 2028 01:17:22,071 --> 01:17:25,808 AND THIS IS FANTASTIC. 2029 01:17:25,808 --> 01:17:28,744 >> DID YOU -- DID YOU NOTICE 2030 01:17:28,744 --> 01:17:29,645 ANYTHING, THOUGH? 2031 01:17:29,645 --> 01:17:31,680 >> WELL, THERE WAS NO MUSIC WHEN 2032 01:17:31,680 --> 01:17:32,848 THAT THING WENT ON. 2033 01:17:32,848 --> 01:17:36,919 >> NO THEME SONG. 2034 01:17:36,919 --> 01:17:38,287 CANDICE BERGEN HAD A THEME SONG. 2035 01:17:38,287 --> 01:17:40,723 >> OF COURSE SHE WOULD GET ONE. 2036 01:17:40,723 --> 01:17:42,091 >> I HAVE A SOLUTION. 2037 01:17:42,091 --> 01:17:42,458 >> WHAT? 2038 01:17:42,458 --> 01:17:43,893 >> WELL, YOU COULD DO IT. 2039 01:17:43,893 --> 01:17:44,927 >> NO, COME ON. 2040 01:17:44,927 --> 01:17:46,729 FIRST OF ALL, I'M OUT OF 2041 01:17:46,729 --> 01:17:46,996 PRACTICE. 2042 01:17:46,996 --> 01:17:49,265 AND SECOND OF ALL, IT TAKES 2043 01:17:49,265 --> 01:17:51,033 SCHOOLING AND -- YOU KNOW. 2044 01:17:51,033 --> 01:17:53,369 >> WHEN YOU WENT TO THE YALE 2045 01:17:53,369 --> 01:17:54,703 SCHOOL OF DRAMA, HENRY. 2046 01:17:54,703 --> 01:17:55,804 COME ON. 2047 01:17:55,804 --> 01:18:03,112 YOU KNOW YOU CAN DO IT. 2048 01:18:03,112 --> 01:18:05,881 [ APPLAUSE ] 2049 01:18:05,881 --> 01:18:06,048 ♪ 2050 01:18:06,048 --> 01:18:11,120 >> AYYYYYY. 2051 01:18:11,120 --> 01:18:13,689 NICE TO SEE YOU. 2052 01:18:13,689 --> 01:18:13,923 >> YES. 2053 01:18:13,923 --> 01:18:16,058 HERE ARE THE NOMINEES FOR 2054 01:18:16,058 --> 01:18:19,128 OUTSTANDING DIRECTING FOR A 2055 01:18:19,128 --> 01:18:20,229 COMEDY SERIES. 2056 01:18:20,229 --> 01:18:20,529 WELL DONE. 2057 01:18:20,529 --> 01:18:20,863 >> THANK YOU. 2058 01:18:20,863 --> 01:18:22,064 >> Announcer: RANDALL EINHORN, 2059 01:18:22,064 --> 01:18:22,498 "ABBOTT ELEMENTARY." 2060 01:18:22,498 --> 01:18:24,967 CHRISTOPHER STORER, "THE BEAR." 2061 01:18:24,967 --> 01:18:27,102 RAMY YOUSSEF, "THE BEAR." 2062 01:18:27,102 --> 01:18:30,773 GUY RITCHIE, "THE GENTLEMEN." 2063 01:18:30,773 --> 01:18:32,875 LUCIA ANIELLO, "HACKS." 2064 01:18:32,875 --> 01:18:33,475 MARY LOU BELLI, "THE MS. PAT 2065 01:18:33,475 --> 01:18:48,157 SHOW." 2066 01:18:48,157 --> 01:18:49,425 >> OH! 2067 01:18:49,425 --> 01:18:50,960 >> I WAS LAUGHING. 2068 01:18:50,960 --> 01:18:52,194 >> HI, EVERYBODY. 2069 01:18:52,194 --> 01:18:52,861 >> OKAY. 2070 01:18:52,861 --> 01:18:55,998 AND THE WINNER IS -- OKAY, YOU 2071 01:18:55,998 --> 01:18:56,865 ARE THE DIRECTOR. 2072 01:18:56,865 --> 01:19:08,510 >> OH, CHRISTOPHER STORER, "THE 2073 01:19:08,510 --> 01:19:08,744 BEAR". 2074 01:19:08,744 --> 01:19:13,882 >> THIS IS THE SECOND WIN FOR 2075 01:19:13,882 --> 01:19:19,154 CHRISTOPHER STORER. 2076 01:19:19,154 --> 01:19:25,661 ♪ 2077 01:19:25,661 --> 01:19:26,395 >> WOW. 2078 01:19:26,395 --> 01:19:26,996 WOW. 2079 01:19:26,996 --> 01:19:29,865 THANK YOU SO MUCH TO FX FOR 2080 01:19:29,865 --> 01:19:30,966 INVESTING THE THING YOU PROBABLY 2081 01:19:30,966 --> 01:19:32,768 SHOULD INVEST IN, WHICH IS A 2082 01:19:32,768 --> 01:19:35,104 RESTAURANT. 2083 01:19:35,104 --> 01:19:35,671 HULU, DISNEY. 2084 01:19:35,671 --> 01:19:37,473 IT WAS ONE OF THOSE WEIRD 2085 01:19:37,473 --> 01:19:42,911 EPISODES WHERE WE WERE CRAMPED 2086 01:19:42,911 --> 01:19:43,679 INTO A SMALLER HOUSE AND I COULD 2087 01:19:43,679 --> 01:19:45,114 SEE OUR WHOLE CREW. 2088 01:19:45,114 --> 01:19:46,548 IT WAS SPECIAL BECAUSE I COULD 2089 01:19:46,548 --> 01:19:48,317 SEE HOW HARD EVERYBODY WORKED 2090 01:19:48,317 --> 01:19:49,485 AND HOW MUCH THEY CARED ABOUT 2091 01:19:49,485 --> 01:19:50,052 EACH OTHER. 2092 01:19:50,052 --> 01:19:52,655 AND I JUST WANT TO ACCEPT ON 2093 01:19:52,655 --> 01:19:53,956 THEIR BEHALF JUST BECAUSE 2094 01:19:53,956 --> 01:19:56,825 THEY'RE SO WONDERFUL. 2095 01:19:56,825 --> 01:19:58,360 AND I THINK THEY HAVE BEEN ABLE 2096 01:19:58,360 --> 01:20:00,462 TO DO THIS FOR A FEW YEARS NOW. 2097 01:20:00,462 --> 01:20:01,897 TO ANYBODY WATCHING THE BEAR, IT 2098 01:20:01,897 --> 01:20:03,532 MEANS SO MUCH TO US. 2099 01:20:03,532 --> 01:20:07,102 THANK YOU SO MUCH. 2100 01:20:07,102 --> 01:20:11,106 THIS IS GREAT. 2101 01:20:11,106 --> 01:20:12,141 [ APPLAUSE ] 2102 01:20:12,141 --> 01:20:14,476 >>> JUST AHEAD, 2103 01:20:14,476 --> 01:20:15,077 MATT BOMER AND JOSHUA JACKSON 2104 01:20:15,077 --> 01:20:15,711 PRESENT THE GOVERNORS AWARD TO 2105 01:20:15,711 --> 01:20:16,578 GREG BERLANTI. 2106 01:20:16,578 --> 01:20:17,146 THEN LATER, JANE LYNCH AND 2107 01:20:17,146 --> 01:20:18,213 BRENDAN HUNT HAVE A COACHES' 2108 01:20:18,213 --> 01:20:18,714 MOMENT. 2109 01:20:18,714 --> 01:20:22,518 IT'S "THE EMMYS" ON ABC. 2110 01:20:31,060 --> 01:20:31,660 >> Announcer: PLEASE WELCOME 2111 01:20:31,660 --> 01:20:40,869 EMMY WINNER JOHN LEGUIZAMO. 2112 01:20:40,869 --> 01:20:41,170 [ APPLAUSE ] 2113 01:20:41,170 --> 01:20:43,939 >> YO, YO, YO, WHAT'S UP? 2114 01:20:43,939 --> 01:20:44,473 >> HI, I'M JOHN LEGUIZAMO. 2115 01:20:44,473 --> 01:20:45,307 I'M ONE OF HOLLYWOOD'S DEI 2116 01:20:45,307 --> 01:20:48,010 HIRES. 2117 01:20:48,010 --> 01:20:51,146 THAT'S RIGHT, DEI. 2118 01:20:51,146 --> 01:20:52,214 THE D IS FOR DILIGENCE. 2119 01:20:52,214 --> 01:20:56,051 THE E IS FOR EXCELLENCE. 2120 01:20:56,051 --> 01:21:01,156 THE I IS FOR IMAGINATION. 2121 01:21:01,156 --> 01:21:01,757 EVERYONE IN THIS ROOM TONIGHT 2122 01:21:01,757 --> 01:21:02,358 HAS DEDICATED THEIR LIVES TO 2123 01:21:02,358 --> 01:21:04,059 DILIGENCE, EXCELLENCE, AND 2124 01:21:04,059 --> 01:21:05,894 IMAGINATION. 2125 01:21:05,894 --> 01:21:10,966 AND WE ARE ALL DEI HIRES. 2126 01:21:10,966 --> 01:21:12,034 WHAT A BEAUTIFUL AND DIVERSE 2127 01:21:12,034 --> 01:21:15,337 ROOM THIS IS TONIGHT. 2128 01:21:15,337 --> 01:21:16,405 WHEN I WAS GROWING UP IN 2129 01:21:16,405 --> 01:21:17,439 JACKSON HEIGHTS, QUEENS, A 2130 01:21:17,439 --> 01:21:23,445 SCRAWNY LITTLE WANNABE GANGSTER, 2131 01:21:23,445 --> 01:21:25,647 YOU'RE NOT FROM QUEENS, DON'T 2132 01:21:25,647 --> 01:21:25,814 LIE, 2133 01:21:25,814 --> 01:21:26,448 I DIDN'T EVEN KNOW THAT PEOPLE 2134 01:21:26,448 --> 01:21:27,583 LIKE ME COULD BE ACTORS. 2135 01:21:27,583 --> 01:21:28,584 AT FIFTEEN, I DIDN'T KNOW THE 2136 01:21:28,584 --> 01:21:29,151 WORD REPRESENTATION. 2137 01:21:29,151 --> 01:21:32,354 ACTUALLY, THERE WERE LOTS OF 2138 01:21:32,354 --> 01:21:35,057 WORDS I DIDN'T KNOW 2139 01:21:35,057 --> 01:21:35,924 BACK THEN. 2140 01:21:35,924 --> 01:21:38,327 BUT I SAW A LOT OF BROWN FACE. 2141 01:21:38,327 --> 01:21:38,861 I SAW MARLON BRANDO PLAY 2142 01:21:38,861 --> 01:21:39,928 EMILIANO ZAPATA IN "VIVA 2143 01:21:39,928 --> 01:21:42,030 ZAPATA," AND AL PACINO PLAY 2144 01:21:42,030 --> 01:21:42,664 CUBAN GANGSTER TONY MONTANA, AND 2145 01:21:42,664 --> 01:21:43,298 NATALIE WOOD PLAY A PUERTO RICAN 2146 01:21:43,298 --> 01:21:44,133 BEAUTY NAMED -- 2147 01:21:44,133 --> 01:21:46,735 ♪ MARIA 2148 01:21:46,735 --> 01:21:50,406 EVERYBODY PLAYED US EXCEPT US. 2149 01:21:50,406 --> 01:21:52,007 I DIDN'T SEE A LOT OF PEOPLE ON 2150 01:21:52,007 --> 01:21:55,043 TV WHO LOOKED LIKE ME. 2151 01:21:55,043 --> 01:21:55,310 OF COURSE, 2152 01:21:55,310 --> 01:21:55,811 THERE WAS RICKY RICARDO. 2153 01:21:55,811 --> 01:21:58,947 "LUCY, YOU GOT SOME 'SPLAININ' 2154 01:21:58,947 --> 01:21:59,748 TO DO." 2155 01:21:59,748 --> 01:22:04,753 I KNOW SOME OF YOU REMEMBER THE 2156 01:22:04,753 --> 01:22:10,692 LOONEY TUNES CARTON MOUSE AND 2157 01:22:10,692 --> 01:22:18,967 HIS LETHARGIC, USELESS SIDEKICK, 2158 01:22:18,967 --> 01:22:19,535 SPEEDY GONZALES, "THE FASTEST 2159 01:22:19,535 --> 01:22:20,135 MOUSE IN ALL MEXICO," AND HIS 2160 01:22:20,135 --> 01:22:21,069 LETHARGIC, USELESS SIDEKICK 2161 01:22:21,069 --> 01:22:21,503 SLOWPOKE RODRIGUEZ. 2162 01:22:21,503 --> 01:22:22,137 "SORRY, SENOR PUSSYCAT. 2163 01:22:22,137 --> 01:22:22,738 I CAN'T PLAY WITH YOU NO MORE. 2164 01:22:22,738 --> 01:22:24,006 IT'S TIME FOR MY SIESTA." 2165 01:22:24,006 --> 01:22:24,773 THAT'S HOW WE SAW OURSELVES, 2166 01:22:24,773 --> 01:22:25,808 BECAUSE THAT'S ALL WE SAW OF 2167 01:22:25,808 --> 01:22:26,909 OURSELVES. 2168 01:22:26,909 --> 01:22:30,546 I USED TO WATCH "STAR TREK" AND 2169 01:22:30,546 --> 01:22:31,180 THINK, "WOW, IN THE FUTURE THERE 2170 01:22:31,180 --> 01:22:37,286 ARE NO MORE LATINO PEOPLE. 2171 01:22:37,286 --> 01:22:39,188 BUT AT LEAST THEN, THE FOOD WILL 2172 01:22:39,188 --> 01:22:40,055 SUCK." 2173 01:22:40,055 --> 01:22:40,656 FOR YEARS, I DIDN'T COMPLAIN 2174 01:22:40,656 --> 01:22:41,223 ABOUT THE LIMITED ROLES MY 2175 01:22:41,223 --> 01:22:41,790 PEOPLE WERE OFFERED -- 2176 01:22:41,790 --> 01:22:43,392 THE SPICY SEXPOT, THE LATIN 2177 01:22:43,392 --> 01:22:45,527 LOVER, THE MAID, THE GANGBANGER. 2178 01:22:45,527 --> 01:22:46,962 TURNS OUT, NOT COMPLAINING 2179 01:22:46,962 --> 01:22:52,601 DOESN'T CHANGE ANYTHING. 2180 01:22:52,601 --> 01:22:56,605 SO FOR THE -- THANK YOU. 2181 01:22:56,605 --> 01:22:56,905 [ APPLAUSE ] 2182 01:22:56,905 --> 01:22:57,539 >> SO, FOR THE PAST FEW YEARS, 2183 01:22:57,539 --> 01:22:58,640 I'VE BEEN COMPLAINING. 2184 01:22:58,640 --> 01:23:00,742 A FEW MONTHS AGO, I TOOK OUT A 2185 01:23:00,742 --> 01:23:02,344 FULL-PAGE AD IN THE NEW YORK 2186 01:23:02,344 --> 01:23:04,012 TIMES ASKING EMMY VOTERS TO 2187 01:23:04,012 --> 01:23:08,016 RECOGNIZE CANDIDATES OF COLOR. 2188 01:23:08,016 --> 01:23:08,650 IT'S A GOOD THING I DECIDED TO 2189 01:23:08,650 --> 01:23:09,284 DO IT BEFORE I FOUND OUT HOW 2190 01:23:09,284 --> 01:23:15,557 MUCH A FULL- PAGE AD IN THE 2191 01:23:15,557 --> 01:23:16,058 "NEW YORK TIMES" COSTS. 2192 01:23:16,058 --> 01:23:16,992 BUT THE AD WORKED. 2193 01:23:16,992 --> 01:23:20,295 OVERNIGHT, HOLLYWOOD CHANGED. 2194 01:23:20,295 --> 01:23:22,931 OKAY, NOT REALLY. 2195 01:23:22,931 --> 01:23:38,180 BUT WHAT I SEE HERE TONIGHT 2196 01:23:38,180 --> 01:23:39,248 MAKES ME, WELL, ALMOST HAPPY, 2197 01:23:39,248 --> 01:23:40,782 AND LESS ANGRY. 2198 01:23:40,782 --> 01:23:41,416 AMONG THE MOST DIVERSE LIST OF 2199 01:23:41,416 --> 01:23:42,584 NOMINEES IN EMMY HISTORY, I SEE 2200 01:23:42,584 --> 01:23:45,721 LOTS OF MY INCREDIBLY TALENTED 2201 01:23:45,721 --> 01:23:46,288 LATINX BROTHERS AND SISTERS. 2202 01:23:46,288 --> 01:23:47,289 SELENA GOMEZ IS NOMINATED FOR 2203 01:23:47,289 --> 01:23:53,095 "ONLY MURDERS IN THE BUILDING." 2204 01:23:53,095 --> 01:23:54,162 SHE'S BEEN CARRYING STEVE MARTIN 2205 01:23:54,162 --> 01:24:00,002 AND MARTIN SHORT FOR THREE 2206 01:24:00,002 --> 01:24:01,203 WHOLE SEASONS. 2207 01:24:01,203 --> 01:24:04,006 SOFIA VERGARA IS NOMINATED FOR 2208 01:24:04,006 --> 01:24:08,010 "GRISELDA." 2209 01:24:08,010 --> 01:24:08,644 ISSA LOPEZ IS BEING RECOGNIZED 2210 01:24:08,644 --> 01:24:17,419 FOR "TRUE DETECTIVE: NIGHT 2211 01:24:17,419 --> 01:24:18,453 COUNTRY," WHICH ALSO HAD 2212 01:24:18,453 --> 01:24:19,087 INDIGENOUS ACTRESS KALI REIS IN 2213 01:24:19,087 --> 01:24:24,960 A LEAD ROLE. 2214 01:24:24,960 --> 01:24:25,227 YES, SIR. 2215 01:24:25,227 --> 01:24:26,595 AND NAVA MAU, WHO WAS BORN IN 2216 01:24:26,595 --> 01:24:30,766 MEXICO CITY AND STARRED IN "BABY 2217 01:24:30,766 --> 01:24:34,937 REINDEER," IS THE FIRST 2218 01:24:34,937 --> 01:24:35,504 TRANSGENDER PERSON EVER 2219 01:24:35,504 --> 01:24:37,606 NOMINATED FOR A LIMITED-SERIES 2220 01:24:37,606 --> 01:24:48,617 ACTING EMMY. 2221 01:24:48,617 --> 01:24:53,422 ALSO, MY PAL, LIZA COLON-ZAYAS 2222 01:24:53,422 --> 01:24:55,057 IS UP FOR "THE BEAR," THE 2223 01:24:55,057 --> 01:24:56,091 CHARMING STORY OF WHITE PEOPLE 2224 01:24:56,091 --> 01:24:56,725 WHO ARE OBSESSED WITH MICHELIN 2225 01:24:56,725 --> 01:24:58,694 STARS AND MAKING KALE TASTE 2226 01:24:58,694 --> 01:25:03,432 GOOD. 2227 01:25:03,432 --> 01:25:04,032 THAT'S FIVE LATINX NOMINEES 2228 01:25:04,032 --> 01:25:07,102 BEING HONORED TONIGHT. 2229 01:25:07,102 --> 01:25:07,703 SIX, IF YOU COUNT MARK CUBAN 2230 01:25:07,703 --> 01:25:10,238 FROM "SHARK TANK." 2231 01:25:10,238 --> 01:25:10,772 WHAT? 2232 01:25:10,772 --> 01:25:11,373 HIS LAST NAME IS CUBAN, THAT 2233 01:25:11,373 --> 01:25:15,844 COUNTS. 2234 01:25:15,844 --> 01:25:16,078 COME ON. 2235 01:25:16,078 --> 01:25:16,712 HERE'S ANOTHER SIGN OF PROGRESS. 2236 01:25:16,712 --> 01:25:22,751 RIGHT AFTER I TOOK OUT THAT AD 2237 01:25:22,751 --> 01:25:24,052 IN "THE NEW YORK TIMES", ACADEMY 2238 01:25:24,052 --> 01:25:25,887 MEMBERS ELECTED THE FIRST EVER 2239 01:25:25,887 --> 01:25:27,456 LATINO CHAIR, EL SEMEJANTE 2240 01:25:27,456 --> 01:25:28,056 CRIS ABREGO. 2241 01:25:28,056 --> 01:25:29,057 YOU'RE WELCOME, HOLLYWOOD. 2242 01:25:29,057 --> 01:25:31,193 I DID IT. 2243 01:25:31,193 --> 01:25:32,761 >> Announcer: ACTUALLY, JOHN, 2244 01:25:32,761 --> 01:25:34,963 CRIS ABREGO WAS ELECTED CHAIR OF 2245 01:25:34,963 --> 01:25:37,466 THE TELEVISION ACADEMY IN 2246 01:25:37,466 --> 01:25:40,035 NOVEMBER 2023, WHICH WAS EIGHT 2247 01:25:40,035 --> 01:25:44,306 MONTHS BEFORE YOUR AD. 2248 01:25:44,306 --> 01:25:45,340 >> YEAH, WHATEVER. 2249 01:25:45,340 --> 01:25:46,942 WE NEED MORE STORIES FROM 2250 01:25:46,942 --> 01:25:47,309 EXCLUDED GROUPS. 2251 01:25:47,309 --> 01:25:48,510 BLACK, ASIAN, JEWISH, ARAB, 2252 01:25:48,510 --> 01:25:53,682 LGBTQ+. 2253 01:25:53,682 --> 01:25:54,483 AND DISABLED. 2254 01:25:54,483 --> 01:25:55,917 THIS SHOW TONIGHT IS PROOF THAT 2255 01:25:55,917 --> 01:26:00,055 OUR INDUSTRY IS MAKING PROGRESS, 2256 01:26:00,055 --> 01:26:02,257 AND I'M DELIGHTED TO INTRODUCE 2257 01:26:02,257 --> 01:26:02,891 YOU TO SOMEONE WHO IS COMMITTED 2258 01:26:02,891 --> 01:26:03,525 TO PROTECTING AND FOSTERING THAT 2259 01:26:03,525 --> 01:26:05,427 PROGRESS. 2260 01:26:05,427 --> 01:26:08,597 PLEASE WELCOME THE CHAIR OF THE 2261 01:26:08,597 --> 01:26:18,440 TELEVISION ACADEMY, CRIS ABREGO. 2262 01:26:18,440 --> 01:26:32,054 ♪ 2263 01:26:32,054 --> 01:26:34,956 >> THANK YOU, JOHN, FOR JOINING 2264 01:26:34,956 --> 01:26:38,627 US TONIGHT AND FOR CONSISTENTLY 2265 01:26:38,627 --> 01:26:43,465 USING YOUR VOICE TO CHAMPION A 2266 01:26:43,465 --> 01:26:45,634 NEW AREA IN OUR INDUSTRY, ONE 2267 01:26:45,634 --> 01:26:47,502 IN WHICH WE ALL STAND TO WIN. 2268 01:26:47,502 --> 01:26:48,570 IT IS A DISTINCT HONOR TO STAND 2269 01:26:48,570 --> 01:26:49,571 HERE BEFORE SO MANY COLLEAGUES 2270 01:26:49,571 --> 01:26:50,672 AND FRIENDS AS CHAIR OF THE 2271 01:26:50,672 --> 01:26:51,673 TELEVISION ACADEMY. 2272 01:26:51,673 --> 01:26:52,741 THIS STAGE HAS BEEN THE BACKDROP 2273 01:26:52,741 --> 01:26:53,775 FOR SO MANY UNFORGETTABLE 2274 01:26:53,775 --> 01:26:55,877 MOMENTS FOR OUR CREATIVE 2275 01:26:55,877 --> 01:26:56,144 COMMUNITY. 2276 01:26:56,144 --> 01:26:57,979 WHEN VIOLA DAVIS BECAME THE 2277 01:26:57,979 --> 01:26:58,613 FIRST BLACK WOMAN TO WIN AN EMMY 2278 01:26:58,613 --> 01:26:59,181 FOR LEAD ACTRESS IN A DRAMA 2279 01:26:59,181 --> 01:27:01,149 SERIES IN 2015, SHE SAID "THE 2280 01:27:01,149 --> 01:27:01,783 ONLY THING THAT SEPARATES WOMEN 2281 01:27:01,783 --> 01:27:02,417 OF COLOR FROM ANYONE ELSE IS 2282 01:27:02,417 --> 01:27:02,751 OPPORTUNITY. 2283 01:27:02,751 --> 01:27:03,385 YOU CANNOT WIN AN EMMY FOR ROLES 2284 01:27:03,385 --> 01:27:14,863 THAT ARE SIMPLY NOT THERE." 2285 01:27:14,863 --> 01:27:15,897 THAT STAYED WITH ME. 2286 01:27:15,897 --> 01:27:16,965 SO, I WANT TO RECOGNIZE ALL OF 2287 01:27:16,965 --> 01:27:18,567 YOU WHO CREATE OR SUPPORT THE 2288 01:27:18,567 --> 01:27:20,035 STORIES THAT DO JUST THAT, 2289 01:27:20,035 --> 01:27:21,670 PROVIDE EXTRAORDINARY TALENT THE 2290 01:27:21,670 --> 01:27:22,938 OPPORTUNITIES THAT LEAD TO 2291 01:27:22,938 --> 01:27:27,476 NIGHTS LIKE THIS. 2292 01:27:27,476 --> 01:27:28,577 WHILE THERE IS STILL A LONG WAY 2293 01:27:28,577 --> 01:27:29,144 TO GO TO ADDRESS THE GAP IN 2294 01:27:29,144 --> 01:27:31,713 OPPORTUNITIES, THIS YEAR TELLS 2295 01:27:31,713 --> 01:27:32,280 US THAT WE ALL WANT TO SEE 2296 01:27:32,280 --> 01:27:33,281 CONTENT THAT'S IN DIALOGUE WITH 2297 01:27:33,281 --> 01:27:35,450 THE REAL WORLD. 2298 01:27:35,450 --> 01:27:39,121 AND THAT WHEN OUTSTANDING, 2299 01:27:39,121 --> 01:27:40,055 INCLUSIVE CONTENT IS GREENLIT, 2300 01:27:40,055 --> 01:27:41,223 AND THEN GIVEN THE BUDGET AND 2301 01:27:41,223 --> 01:27:42,791 SUPPORT REQUIRED FOR SUCCESS, 2302 01:27:42,791 --> 01:27:44,059 ACADEMY MEMBERS WILL FIND IT AND 2303 01:27:44,059 --> 01:27:52,000 REWARD IT. 2304 01:27:52,000 --> 01:27:52,934 SO GREAT. 2305 01:27:52,934 --> 01:27:53,235 [ APPLAUSE ] 2306 01:27:53,235 --> 01:27:53,869 THE ACADEMY IS COMMITTED TO 2307 01:27:53,869 --> 01:27:54,436 SUPPORTING AN INDUSTRY THAT 2308 01:27:54,436 --> 01:27:58,140 REPRESENTS ITS AUDIENCE. 2309 01:27:58,140 --> 01:28:01,276 FROM LEADING INDUSTRY-WIDE 2310 01:28:01,276 --> 01:28:03,411 CONVERSATIONS THAT DRIVE GREATER 2311 01:28:03,411 --> 01:28:04,446 INCLUSION, TO FORMING AFFINITY 2312 01:28:04,446 --> 01:28:05,046 GROUPS THAT ALLOW ENGAGEMENT 2313 01:28:05,046 --> 01:28:06,014 ACROSS PROFESSIONS, TO 2314 01:28:06,014 --> 01:28:07,582 SUPPORTING RISING PROFESSIONALS 2315 01:28:07,582 --> 01:28:08,049 THROUGH PROGRAMS LIKE 2316 01:28:08,049 --> 01:28:09,718 BOB BENNETT FUTURE LEADERS, 2317 01:28:09,718 --> 01:28:10,352 NAMED IN HONOR OF THE LEGENDARY 2318 01:28:10,352 --> 01:28:11,319 TELEVISION EXECUTIVE AND 2319 01:28:11,319 --> 01:28:18,193 PHILANTHROPIST 2320 01:28:18,193 --> 01:28:20,295 ROBERT M. BENNETT. 2321 01:28:20,295 --> 01:28:21,863 TODAY OUR ACADEMY IS BIGGER AND 2322 01:28:21,863 --> 01:28:22,898 STRONGER THAN EVER. 2323 01:28:22,898 --> 01:28:23,365 AS OF TONIGHT, WE ARE 2324 01:28:23,365 --> 01:28:24,499 25,829 MEMBERS STRONG. 2325 01:28:24,499 --> 01:28:25,133 THAT'S THE LARGEST THE ACADEMY 2326 01:28:25,133 --> 01:28:28,003 HAS EVER BEEN, AND I CELEBRATE 2327 01:28:28,003 --> 01:28:28,670 EACH OF YOU. 2328 01:28:28,670 --> 01:28:29,771 AND NOW, TO PRESENT THE 2329 01:28:29,771 --> 01:28:30,806 TELEVISION ACADEMY GOVERNORS 2330 01:28:30,806 --> 01:28:31,840 AWARD, PLEASE WELCOME 2331 01:28:31,840 --> 01:28:34,476 JOSHUA JACKSON AND EMMY NOMINEE 2332 01:28:34,476 --> 01:28:42,184 MATT BOMER. 2333 01:28:42,184 --> 01:28:53,895 ♪ 2334 01:28:53,895 --> 01:28:57,532 >> OH, YES, THIS SONG. 2335 01:28:57,532 --> 01:28:58,166 >> IT IS OUR PLEASURE TONIGHT TO 2336 01:28:58,166 --> 01:29:00,001 PAY TRIBUTE TO A TRUE TELEVISION 2337 01:29:00,001 --> 01:29:00,669 ICON AND MOST IMPORTANTLY A 2338 01:29:00,669 --> 01:29:04,005 MENTOR AND A FRIEND. 2339 01:29:04,005 --> 01:29:04,639 I HAVE LOOKED TO GREG BERLANTI 2340 01:29:04,639 --> 01:29:06,474 AS AN INSPIRATION BOTH AS AN 2341 01:29:06,474 --> 01:29:09,077 ARTIST AND AS A PERSON AND 2342 01:29:09,077 --> 01:29:10,645 COLLABORATING WITH HIM IS A 2343 01:29:10,645 --> 01:29:11,279 REMINDER THAT NOT ONLY IS HE A 2344 01:29:11,279 --> 01:29:11,913 TALENT OF THE HIGHEST CALIBER, 2345 01:29:11,913 --> 01:29:13,815 HE IS ALSO ONE OF THE GOOD GUYS. 2346 01:29:13,815 --> 01:29:16,484 >> TV HISTORY WAS MADE ON 2347 01:29:16,484 --> 01:29:19,654 "DAWSON'S CREEK" AS GREG WAS THE 2348 01:29:19,654 --> 01:29:20,722 FIRST WRITER/PRODUCER TO SHOW A 2349 01:29:20,722 --> 01:29:21,323 GAY KISS ON PRIMETIME BETWEEN 2350 01:29:21,323 --> 01:29:23,892 TWO TEENAGERS. 2351 01:29:23,892 --> 01:29:25,994 THAT WAS BACK IN 2000. 2352 01:29:25,994 --> 01:29:28,630 I REMEMBER BEING SO PROUD TO BE 2353 01:29:28,630 --> 01:29:31,766 PART OF THAT SHOW AND AT THE 2354 01:29:31,766 --> 01:29:32,400 SAME TIME, I DIDN'T UNDERSTAND 2355 01:29:32,400 --> 01:29:34,936 HOW BIG IT WAS. 2356 01:29:34,936 --> 01:29:36,471 GREG GAVE US A BEAUTIFUL, 2357 01:29:36,471 --> 01:29:38,607 RELATABLE, AND YES, THE FIRST 2358 01:29:38,607 --> 01:29:40,942 PORTRAIT OF A GAY TEEN, WHO 2359 01:29:40,942 --> 01:29:43,845 ACTED ON HIS DESIRES WITH THE 2360 01:29:43,845 --> 01:29:44,479 SAME ANXIETY EVERYONE HAS OVER 2361 01:29:44,479 --> 01:29:44,946 THEIR FIRST KISS. 2362 01:29:44,946 --> 01:29:47,015 >> IT WAS A HUGE MOMENT. 2363 01:29:47,015 --> 01:29:48,617 BUT THEN AGAIN, GREG HAS ALWAYS 2364 01:29:48,617 --> 01:29:49,718 GIVEN US BIG MOMENTS, ONES THAT 2365 01:29:49,718 --> 01:29:52,053 CHALLENGE US TO BE BETTER 2366 01:29:52,053 --> 01:29:56,057 VERSIONS OF OURSELVES. 2367 01:29:56,057 --> 01:29:59,594 >> AND LIKE ALL VISIONARY 2368 01:29:59,594 --> 01:30:01,296 PRODUCERS, HE IS ONE STEP AHEAD 2369 01:30:01,296 --> 01:30:02,731 OF THE AUDIENCE WITH HIS SHOWS. 2370 01:30:02,731 --> 01:30:04,099 HE OPENS THE DOOR. 2371 01:30:04,099 --> 01:30:05,000 AND AS WE GO THROUGH, WE REALIZE 2372 01:30:05,000 --> 01:30:06,001 WE ARE MORE COMFORTABLE WITH 2373 01:30:06,001 --> 01:30:07,068 CHARACTERS HAVING REAL LIFE 2374 01:30:07,068 --> 01:30:08,003 EXPERIENCES THAN WE EVER COULD 2375 01:30:08,003 --> 01:30:08,336 HAVE IMAGINED. 2376 01:30:08,336 --> 01:30:09,170 >> BEYOND HIS INCREDIBLE WORK IN 2377 01:30:09,170 --> 01:30:10,272 FILM AND TELEVISION, GREG IS A 2378 01:30:10,272 --> 01:30:12,007 PHILANTHROPIST WHOSE BENEVOLENCE 2379 01:30:12,007 --> 01:30:14,476 KNOWS NO BOUNDS. 2380 01:30:14,476 --> 01:30:16,978 HIS BERLANTI FAMILY FOUNDATION 2381 01:30:16,978 --> 01:30:18,146 HAS GIVEN GENEROUSLY TO CANCER 2382 01:30:18,146 --> 01:30:20,248 RESEARCH, LGBTQ+ ORGANIZATIONS, 2383 01:30:20,248 --> 01:30:21,850 AND DURING HOLLYWOOD'S RECENT 2384 01:30:21,850 --> 01:30:23,451 LABOR STRIKES, DONATED NEARLY 2385 01:30:23,451 --> 01:30:24,052 ONE MILLION DOLLARS TO THOSE 2386 01:30:24,052 --> 01:30:34,963 AFFECTED. 2387 01:30:34,963 --> 01:30:35,263 [ APPLAUSE ] 2388 01:30:35,263 --> 01:30:35,830 IN EVERYTHING HE DOES, HIS 2389 01:30:35,830 --> 01:30:36,464 IMPACT ON THE LGBTQ COMMUNITY, 2390 01:30:36,464 --> 01:30:37,599 ON OUR INDUSTRY AND ON HUMANITY 2391 01:30:37,599 --> 01:30:42,504 IS IMMEASURABLE. 2392 01:30:42,504 --> 01:30:43,605 ♪ 2393 01:30:43,605 --> 01:30:44,139 >> Announcer: A PROLIFIC 2394 01:30:44,139 --> 01:30:46,975 SHOWRUNNER WITH OVER 45 SHOWS 2395 01:30:46,975 --> 01:30:47,442 AND A RECORD-BREAKING 2396 01:30:47,442 --> 01:30:51,479 20 SCRIPTED SERIES ON TV AT 2397 01:30:51,479 --> 01:30:52,113 ONCE, GREG BERLANTI'S JOURNEY TO 2398 01:30:52,113 --> 01:30:52,747 THIS STAGE BEGAN IN 1998 WHEN HE 2399 01:30:52,747 --> 01:30:53,348 JOINED "DAWSON'S CREEK" AS A 2400 01:30:53,348 --> 01:30:55,150 WRITER. 2401 01:30:55,150 --> 01:30:56,217 FROM THERE, HE WENT ON TO CREATE 2402 01:30:56,217 --> 01:30:57,819 AND SHEPHERD SOME OF THE MOST 2403 01:30:57,819 --> 01:30:58,987 ICONIC SERIES OF THE PAST 2404 01:30:58,987 --> 01:30:59,921 QUARTER CENTURY -- 2405 01:30:59,921 --> 01:31:02,023 "BROTHERS & SISTERS," 2406 01:31:02,023 --> 01:31:04,659 "EVERWOOD," "POLITICAL ANIMALS," 2407 01:31:04,659 --> 01:31:05,727 "THE FLASH," "THE FLIGHT 2408 01:31:05,727 --> 01:31:10,999 ATTENDANT," "RIVERDALE," "ALL 2409 01:31:10,999 --> 01:31:12,067 AMERICAN AND FOUND." 2410 01:31:12,067 --> 01:31:14,169 ALONG THE WAY HE HAS USED HIS 2411 01:31:14,169 --> 01:31:16,037 PLATFORM AND HIS COMMITMENT TO 2412 01:31:16,037 --> 01:31:17,806 THE LGBTQ COMMUNITY TO BREAK NEW 2413 01:31:17,806 --> 01:31:18,840 GROUND, INTRODUCING THE FIRST 2414 01:31:18,840 --> 01:31:20,442 GAY KISS, THE FIRST GAY 2415 01:31:20,442 --> 01:31:24,012 MARRIAGE, AND THE FIRST 2416 01:31:24,012 --> 01:31:24,646 TRANSGENDER SUPERHERO, WHILE 2417 01:31:24,646 --> 01:31:26,781 CHAMPIONING DIVERSITY. 2418 01:31:26,781 --> 01:31:28,316 HE'S A WRITER AND DIRECTOR, A 2419 01:31:28,316 --> 01:31:29,951 PRODUCER AND PHILANTHROPIST 2420 01:31:29,951 --> 01:31:31,019 WHOSE CAUSES INCLUDE THE F 2421 01:31:31,019 --> 01:31:32,554 CANCER GALA AND THE GIVING 2422 01:31:32,554 --> 01:31:34,689 SPIRIT MPTF AND THE 2423 01:31:34,689 --> 01:31:36,825 ENTERTAINMENT COMMUNITY FUND. 2424 01:31:36,825 --> 01:31:38,893 NAMED ONE OF TIME MAGAZINE'S 2425 01:31:38,893 --> 01:31:39,961 100 MOST INFLUENTIAL PEOPLE IN 2426 01:31:39,961 --> 01:31:40,528 THE WORLD, HONORED FOR HIS 2427 01:31:40,528 --> 01:31:41,496 POWERFUL IMPACT ON ENTERTAINMENT 2428 01:31:41,496 --> 01:31:46,768 AND CULTURE. 2429 01:31:46,768 --> 01:31:47,068 TRAILBLAZER. 2430 01:31:47,068 --> 01:31:47,836 VISIONARY. 2431 01:31:47,836 --> 01:31:49,437 TELEVISION LEGEND. 2432 01:31:49,437 --> 01:32:00,482 GREG BERLANTI. 2433 01:32:00,482 --> 01:32:01,516 >> WE ARE HONORED TO PRESENT THE 2434 01:32:01,516 --> 01:32:04,185 2024 GOVERNORS AWARD TO 2435 01:32:04,185 --> 01:32:20,168 GREG BERLANTI. 2436 01:32:20,168 --> 01:32:20,969 ♪ 2437 01:32:20,969 --> 01:32:31,346 [ APPLAUSE ] 2438 01:32:31,346 --> 01:32:32,881 >> THANK YOU, GENTLEMEN. 2439 01:32:32,881 --> 01:32:34,516 NOT JUST FOR YOUR KIND WORDS BUT 2440 01:32:34,516 --> 01:32:35,150 FOR YOUR INCREDIBLE TALENT AND 2441 01:32:35,150 --> 01:32:37,152 FRIENDSHIP THROUGH THE YEARS. 2442 01:32:37,152 --> 01:32:38,253 THANK YOU, CHRIS ABREGO AND THE 2443 01:32:38,253 --> 01:32:40,054 BOARD OF GOVERNORS FOR THIS 2444 01:32:40,054 --> 01:32:40,889 DEEPLY HUMBLING HONOR OF A 2445 01:32:40,889 --> 01:32:42,991 LIFETIME AND OPPORTUNITY TO 2446 01:32:42,991 --> 01:32:46,694 EXPRESS MY GRATITUDE. 2447 01:32:46,694 --> 01:32:47,328 FIRST, TO EVERYONE AT HOME WHOSE 2448 01:32:47,328 --> 01:32:47,962 WATCHED OUR SHOWS, THERE IS NO 2449 01:32:47,962 --> 01:32:49,297 THANK YOU THAT WOULD EVER BE 2450 01:32:49,297 --> 01:32:51,433 ENOUGH. 2451 01:32:51,433 --> 01:32:52,467 I WANTED TO BE A PART OF TV EVEN 2452 01:32:52,467 --> 01:32:53,001 BEFORE I KNEW HOW THAT WAS 2453 01:32:53,001 --> 01:32:54,536 POSSIBLE. 2454 01:32:54,536 --> 01:32:57,172 LIKE SO MANY GEN X KIDS IN THE 2455 01:32:57,172 --> 01:32:58,740 70s AND 80s, THE ONE COLOR TV 2456 01:32:58,740 --> 01:33:04,012 OUR FAMILY COULD AFFORD WAS ON 2457 01:33:04,012 --> 01:33:04,913 AROUND THE CLOCK IN OUR HOUSE. 2458 01:33:04,913 --> 01:33:07,148 AND I WATCHED AND LOVED ALL OF 2459 01:33:07,148 --> 01:33:07,315 IT. 2460 01:33:07,315 --> 01:33:07,949 NOW, THERE WEREN'T A LOT OF GAY 2461 01:33:07,949 --> 01:33:09,684 CHARACTERS ON TV BACK THEN. 2462 01:33:09,684 --> 01:33:10,318 AND I WAS A CLOSETED GAY KID AND 2463 01:33:10,318 --> 01:33:10,952 IT'S HARD TO DESCRIBE HOW LONELY 2464 01:33:10,952 --> 01:33:11,786 THAT WAS AT THE TIME. 2465 01:33:11,786 --> 01:33:12,854 THERE WAS NO INTERNET TO CONNECT 2466 01:33:12,854 --> 01:33:15,490 WITH OTHER QUEER KIDS. 2467 01:33:15,490 --> 01:33:16,090 NO LGBTQ+ ADVOCACY GROUPS IN 2468 01:33:16,090 --> 01:33:19,694 SCHOOLS. 2469 01:33:19,694 --> 01:33:20,328 BACK THEN, THE ONLY WAY TO TELL 2470 01:33:20,328 --> 01:33:22,330 IF ANOTHER KID MIGHT BE GAY WAS 2471 01:33:22,330 --> 01:33:22,931 IF HE ALSO WATCHED "DYNASTY," 2472 01:33:22,931 --> 01:33:23,531 "DALLAS," AND COULD NAME ALL 2473 01:33:23,531 --> 01:33:30,271 FOUR OF "THE GOLDEN GIRLS." 2474 01:33:30,271 --> 01:33:30,572 THAT'S TRUE. 2475 01:33:30,572 --> 01:33:31,172 THEN, THE INITIAL REPORTS OF 2476 01:33:31,172 --> 01:33:32,006 AIDS STARTED SHOWING UP ON THE 2477 01:33:32,006 --> 01:33:33,441 NEWS. 2478 01:33:33,441 --> 01:33:34,976 AND FOR THE FIRST TIME IN MY 2479 01:33:34,976 --> 01:33:39,114 LIFE, I SAW OPENLY GAY MEN ON 2480 01:33:39,114 --> 01:33:39,414 TELEVISION. 2481 01:33:39,414 --> 01:33:40,014 TOO MANY WERE DYING, BUT THEY 2482 01:33:40,014 --> 01:33:40,682 WERE ALSO IN THE STREETS, MEN 2483 01:33:40,682 --> 01:33:42,250 HOLDING HANDS WITH OTHER MEN, 2484 01:33:42,250 --> 01:33:42,851 MARCHING, FIGHTING FOR THEIR 2485 01:33:42,851 --> 01:33:43,885 LIVES. 2486 01:33:43,885 --> 01:33:45,453 AND THEY GAVE ME HOPE THAT I 2487 01:33:45,453 --> 01:33:47,055 MIGHT ONE DAY HAVE THEIR COURAGE 2488 01:33:47,055 --> 01:33:50,158 TO COME OUT AND SHARE MY TRUTH 2489 01:33:50,158 --> 01:33:52,060 WITH THE WORLD. 2490 01:33:52,060 --> 01:33:52,660 THE OTHER THING THAT HAPPENED 2491 01:33:52,660 --> 01:33:53,361 BECAUSE OF TV WAS THAT I 2492 01:33:53,361 --> 01:33:53,995 ANNOUNCED TO MY FAMILY THE FIRST 2493 01:33:53,995 --> 01:33:54,963 TV CREATOR I WANTED TO BE, 2494 01:33:54,963 --> 01:34:00,668 JIM HENSON. 2495 01:34:00,668 --> 01:34:01,736 AND MY MOM GOT BUSINESS CARDS 2496 01:34:01,736 --> 01:34:02,804 MADE UP THAT SAID 2497 01:34:02,804 --> 01:34:03,371 "GREG BERLANTI, PUPPETEER." 2498 01:34:03,371 --> 01:34:03,938 AND SHE PUT THESE CARDS ALL 2499 01:34:03,938 --> 01:34:04,973 AROUND TOWN AND I STARTED 2500 01:34:04,973 --> 01:34:07,542 PERFORMING PUPPET SHOWS FOR 2501 01:34:07,542 --> 01:34:08,009 KID'S BIRTHDAYS. 2502 01:34:08,009 --> 01:34:08,643 THAT WAS IT, SOMEONE BELIEVED IN 2503 01:34:08,643 --> 01:34:10,678 ME, THAT I COULD TELL STORIES 2504 01:34:10,678 --> 01:34:11,012 FOR A LIVING. 2505 01:34:11,012 --> 01:34:11,646 IT'S WHY I'M SO APPRECIATIVE OF 2506 01:34:11,646 --> 01:34:14,382 THIS HONOR. 2507 01:34:14,382 --> 01:34:15,016 IT WON'T REMIND ME OF A SINGLE 2508 01:34:15,016 --> 01:34:15,650 SHOW, BUT INSTEAD IT WILL REMIND 2509 01:34:15,650 --> 01:34:17,018 ME OF ALL THE PEOPLE, LIKE MY 2510 01:34:17,018 --> 01:34:18,119 MOM WHOSE SHOULDERS I RODE IN ON 2511 01:34:18,119 --> 01:34:22,991 TONIGHT. 2512 01:34:22,991 --> 01:34:23,825 TOO MANY TO MENTION. 2513 01:34:23,825 --> 01:34:25,193 ALL THE TEACHERS, FRIENDS, 2514 01:34:25,193 --> 01:34:25,827 REPRESENTATIVES AND EXECUTIVES 2515 01:34:25,827 --> 01:34:26,828 ACROSS THE YEARS. 2516 01:34:26,828 --> 01:34:27,829 ACTORS AND CREWS WHO MADE REAL 2517 01:34:27,829 --> 01:34:28,997 THE WORLDS WE DREAMT UP. 2518 01:34:28,997 --> 01:34:29,531 AND I'LL REMEMBER ALL THE 2519 01:34:29,531 --> 01:34:32,066 WRITERS I DREAMT THOSE WORLDS UP 2520 01:34:32,066 --> 01:34:33,101 WITH. 2521 01:34:33,101 --> 01:34:34,669 IT WILL REMIND ME OF MY WARNER 2522 01:34:34,669 --> 01:34:35,703 BROTHERS TV FAMILY THAT'S BEEN 2523 01:34:35,703 --> 01:34:38,373 MY HOME FROM MY BEGINNINGS LED 2524 01:34:38,373 --> 01:34:39,908 BY THE GREAT PETER ROTH TO OUR 2525 01:34:39,908 --> 01:34:40,408 AMAZING LEADERS TODAY, 2526 01:34:40,408 --> 01:34:40,975 CHANNING DUNGEY AND 2527 01:34:40,975 --> 01:34:44,012 DAVID ZASLAV. 2528 01:34:44,012 --> 01:34:44,646 AND MY SEATMATES THIS EVENING, 2529 01:34:44,646 --> 01:34:46,981 WHO STAND IN FOR ALL THE OTHER 2530 01:34:46,981 --> 01:34:47,815 COWORKERS AND FAMILY WHO MADE 2531 01:34:47,815 --> 01:34:49,417 THIS MOMENT POSSIBLE. 2532 01:34:49,417 --> 01:34:52,053 THE AMAZING CARL OGAWA. 2533 01:34:52,053 --> 01:34:53,087 MY PRODUCING PARTNER, THE 2534 01:34:53,087 --> 01:34:56,257 INCOMPARABLE SARAH SCHECHTER. 2535 01:34:56,257 --> 01:34:56,891 MY LOVING SISTER DINA, MY FATHER 2536 01:34:56,891 --> 01:35:00,495 GENE. 2537 01:35:00,495 --> 01:35:02,063 MY DAD WAS A BUSINESSMAN HIS 2538 01:35:02,063 --> 01:35:04,065 WHOLE LIFE AND YET MADE ME STUDY 2539 01:35:04,065 --> 01:35:04,666 THEATRE IN COLLEGE BECAUSE HE 2540 01:35:04,666 --> 01:35:07,302 KNEW IT'S WHAT I LOVED. 2541 01:35:07,302 --> 01:35:08,002 LASTLY, MY SOULMATE, MY HUSBAND 2542 01:35:08,002 --> 01:35:13,107 ROBBIE ROGERS. 2543 01:35:13,107 --> 01:35:15,143 WHO IS NOT JUST HERE FOR ME BUT 2544 01:35:15,143 --> 01:35:18,980 BECAUSE HE PRODUCED "THE FELLOW 2545 01:35:18,980 --> 01:35:19,981 TRAVELERS," WHICH EVERYONE 2546 01:35:19,981 --> 01:35:20,682 SHOULD WATCH. 2547 01:35:20,682 --> 01:35:22,250 IT'S AMAZING. 2548 01:35:22,250 --> 01:35:22,884 WHEN I THINK ABOUT IT, TO HAVE 2549 01:35:22,884 --> 01:35:23,551 TRAVELED THAT DISTANCE FROM THAT 2550 01:35:23,551 --> 01:35:24,419 SCARED KID YEARS AGO TO THIS 2551 01:35:24,419 --> 01:35:26,521 EVENING, WITH MY HUSBAND IN THE 2552 01:35:26,521 --> 01:35:28,056 AUDIENCE AND OUR TWO BEAUTIFUL 2553 01:35:28,056 --> 01:35:31,793 CHILDREN CALEB AND MIA WATCHING 2554 01:35:31,793 --> 01:35:32,427 AT HOME, WHEN I THINK ABOUT HOW 2555 01:35:32,427 --> 01:35:33,061 MUCH THE WORLD HAD TO CHANGE TO 2556 01:35:33,061 --> 01:35:34,429 MAKE THE LIFE I'M LIVING NOW 2557 01:35:34,429 --> 01:35:35,997 POSSIBLE, EVEN IN HINDSIGHT IT'S 2558 01:35:35,997 --> 01:35:38,666 UNIMAGINABLE TO ME. 2559 01:35:38,666 --> 01:35:40,702 SADLY, THE ONE PERSON WHO DID 2560 01:35:40,702 --> 01:35:41,336 IMAGINE THIS NIGHT FIRST IS NOT 2561 01:35:41,336 --> 01:35:43,871 HERE TO CELEBRATE IT. 2562 01:35:43,871 --> 01:35:46,975 WE LOST MY MOM SEVERAL YEARS AGO 2563 01:35:46,975 --> 01:35:48,009 TO CANCER, BUT THE BELIEF SHE 2564 01:35:48,009 --> 01:35:51,246 HAD IN ME STILL LINGERS LONG 2565 01:35:51,246 --> 01:35:51,646 AFTER SHE'S GONE. 2566 01:35:51,646 --> 01:35:52,947 THAT'S HOW POWERFUL BELIEF IS. 2567 01:35:52,947 --> 01:35:54,415 AND HER BELIEF TRAVELS THROUGH 2568 01:35:54,415 --> 01:35:55,450 ME AND OUT TO ALL OF THE KIDS 2569 01:35:55,450 --> 01:35:58,686 OUT THERE WHO TODAY MAY FEEL 2570 01:35:58,686 --> 01:35:59,254 ALONE OR OTHER OR SCARED TO 2571 01:35:59,254 --> 01:36:01,789 SHARE THEIR TRUTH WITH THE 2572 01:36:01,789 --> 01:36:01,990 WORLD. 2573 01:36:01,990 --> 01:36:04,058 IF MY MOM WERE HERE, SHE WOULD 2574 01:36:04,058 --> 01:36:04,993 WANT YOU TO KNOW THAT YOU'RE 2575 01:36:04,993 --> 01:36:06,561 LOVED AND YOU'RE WORTHY AND YOU 2576 01:36:06,561 --> 01:36:07,195 HAVE A STORY TO TELL AND WE NEED 2577 01:36:07,195 --> 01:36:07,762 THOSE STORIES NOW MORE THAN 2578 01:36:07,762 --> 01:36:09,697 EVER. 2579 01:36:09,697 --> 01:36:10,999 AND SHE BELIEVES IN YOU AND I 2580 01:36:10,999 --> 01:36:11,332 DO, TOO. 2581 01:36:11,332 --> 01:36:13,868 SO, HURRY UP AND GET HERE. 2582 01:36:13,868 --> 01:36:14,936 UNTIL THEN, FROM THE BOTTOM OF 2583 01:36:14,936 --> 01:36:16,037 MY HEART, THANK YOU ALL SO VERY 2584 01:36:16,037 --> 01:36:27,081 MUCH. 2585 01:36:27,081 --> 01:36:27,582 ♪ 2586 01:36:27,582 --> 01:36:27,882 [ APPLAUSE ] 2587 01:36:27,882 --> 01:36:28,416 >> Announcer: UP NEXT, TV 2588 01:36:28,416 --> 01:36:29,183 COACHES JANE LYNCH AND 2589 01:36:29,183 --> 01:36:29,817 BRENDAN HUNT TEAM UP TO PRESENT 2590 01:36:29,817 --> 01:36:30,785 AN AWARD AND STAY TUNED FOR A 2591 01:36:30,785 --> 01:36:32,053 SPECIAL PERFORMANCE BY 2592 01:36:32,053 --> 01:36:33,388 JELLY ROLL. 2593 01:36:33,388 --> 01:36:36,057 THEN LATER, WE'RE JOINED BY 2594 01:36:36,057 --> 01:36:36,691 THREE OF YOUR FAVORITE TV COPS, 2595 01:36:36,691 --> 01:36:37,625 DON JOHNSON, JIMMY SMITS, AND 2596 01:36:37,625 --> 01:36:39,694 NIECY NASH-BETTS. 2597 01:36:54,142 --> 01:36:54,742 >> AS SOMEONE WHO NEVER TRULY 2598 01:36:54,742 --> 01:36:59,614 APPRECIATED THE INSIDE OF A 2599 01:36:59,614 --> 01:37:00,181 GYMNASIUM OR WHAT IT HAD TO 2600 01:37:00,181 --> 01:37:00,982 OFFER, I NOW HAVE THE UNIQUE 2601 01:37:00,982 --> 01:37:03,618 PLEASURE TO INTRODUCE A COUPLE 2602 01:37:03,618 --> 01:37:04,218 OF GREAT TV COACHES. 2603 01:37:04,218 --> 01:37:05,286 PLEASE WELCOME JANE LYNCH AND 2604 01:37:05,286 --> 01:37:14,929 BRENDAN HUNT. 2605 01:37:14,929 --> 01:37:15,229 [ APPLAUSE ] 2606 01:37:15,229 --> 01:37:19,967 ♪ 2607 01:37:19,967 --> 01:37:21,502 >> WE'RE IN A LOCKER ROOM, 2608 01:37:21,502 --> 01:37:22,136 BECAUSE WE BOTH PLAYED COACHES 2609 01:37:22,136 --> 01:37:22,603 ON TV SHOWS. 2610 01:37:22,603 --> 01:37:23,638 >> BUT ONLY ONE OF US PLAYED A 2611 01:37:23,638 --> 01:37:27,842 HEAD COACH. 2612 01:37:27,842 --> 01:37:33,081 >> PEOPLE DON'T KNOW THIS BUT WE 2613 01:37:33,081 --> 01:37:33,648 BOTH STUDIED THEATER AT ISU. 2614 01:37:33,648 --> 01:37:35,216 >> NOBODY CARES ABOUT THAT. 2615 01:37:35,216 --> 01:37:37,385 JUST TO BE CLEAR, I WAS THE HEAD 2616 01:37:37,385 --> 01:37:38,386 COACH ON “GLEE,” AND YOU WERE 2617 01:37:38,386 --> 01:37:38,986 THE ASSISTANT COACH ON “TED 2618 01:37:38,986 --> 01:37:44,959 LASSO.” 2619 01:37:44,959 --> 01:37:45,993 >> YEAH, YES. 2620 01:37:45,993 --> 01:37:48,596 BUT I DON'T SEE WHY THAT 2621 01:37:48,596 --> 01:37:49,163 DISTINCTION MATTERS. 2622 01:37:49,163 --> 01:37:50,565 >> IT MATTERS, BECAUSE HEAD 2623 01:37:50,565 --> 01:37:51,199 COACHES, LIKE DIRECTORS IN THIS 2624 01:37:51,199 --> 01:37:51,699 CATEGORY, ARE IN CHARGE. 2625 01:37:51,699 --> 01:37:52,700 AND ASSISTANT COACHES ARE 2626 01:37:52,700 --> 01:37:54,569 UNDERLINGS. 2627 01:37:54,569 --> 01:37:55,169 LIKE IF YOU WERE MY ASSISTANT 2628 01:37:55,169 --> 01:37:55,803 COACH, I WOULD SAY, “DON'T 2629 01:37:55,803 --> 01:37:57,372 SLOUCH WHEN YOU PRESENT AN EMMY, 2630 01:37:57,372 --> 01:38:00,541 STAND UP STRAIGHT.” 2631 01:38:00,541 --> 01:38:03,611 >> AND I WOULD SAY, “BOSS, 2632 01:38:03,611 --> 01:38:04,746 METHODS OF FEAR AND INTIMIDATION 2633 01:38:04,746 --> 01:38:05,113 ARE OUTDATED.” 2634 01:38:05,113 --> 01:38:05,813 AND PLAYERS TODAY RESPOND BEST 2635 01:38:05,813 --> 01:38:09,484 TO LOVE AND RESPECT. 2636 01:38:09,484 --> 01:38:11,619 >> AND I WOULD NOD IN PRETEND 2637 01:38:11,619 --> 01:38:13,721 AGREEMENT. 2638 01:38:13,721 --> 01:38:15,623 LET'S TAKE A LOOK AT THE 2639 01:38:15,623 --> 01:38:17,425 NOMINEES FOR DIRECTING FOR A 2640 01:38:17,425 --> 01:38:17,959 DRAMA SERIES. 2641 01:38:17,959 --> 01:38:18,626 Announcer: STEPHEN DALDRY, “THE 2642 01:38:18,626 --> 01:38:23,631 CROWN.” 2643 01:38:23,631 --> 01:38:24,332 MIMI LEDER, “THE MORNING SHOW.” 2644 01:38:24,332 --> 01:38:26,901 HIRO MURAI, “MR. & MRS. SMITH.” 2645 01:38:26,901 --> 01:38:29,003 FREDERICK E.O. TOYE, “SHOGUN.” 2646 01:38:29,003 --> 01:38:33,174 SAUL METZSTEIN, “SLOW HORSES.” 2647 01:38:33,174 --> 01:38:35,243 SALLI RICHARDSON-WHITFIELD, 2648 01:38:35,243 --> 01:38:35,910 “WINNING TIME: THE RISE OF THE 2649 01:38:35,910 --> 01:38:43,117 LAKERS DYNASTY.” 2650 01:38:43,117 --> 01:38:45,186 >> THIS IS THE ENVELOPE? 2651 01:38:45,186 --> 01:38:47,121 >> OH, I GAVE THAT ENVELOPE TO 2652 01:38:47,121 --> 01:38:47,655 SOME VERY SPECIAL GUESTS. 2653 01:38:47,655 --> 01:38:48,189 >> PLEASE WELCOME OLYMPIC 2654 01:38:48,189 --> 01:38:49,757 ATHLETES ILONA MAHER, 2655 01:38:49,757 --> 01:38:51,859 STEPHEN NEDOROSCIK, 2656 01:38:51,859 --> 01:38:52,927 CAELEB DRESSEL AND PARALYMPIAN 2657 01:38:52,927 --> 01:39:05,273 EZRA FRECH. 2658 01:39:05,273 --> 01:39:06,541 ♪ 2659 01:39:06,541 --> 01:39:11,579 [ APPLAUSE ] 2660 01:39:11,579 --> 01:39:17,385 >> AND THE EMMY GOES TO -- 2661 01:39:17,385 --> 01:39:27,628 >> FREDERICK E.O. TOYE, 2662 01:39:27,628 --> 01:39:27,962 ""SHOGUN." 2663 01:39:27,962 --> 01:39:29,564 >> THIS IS THE FIRST EMMY WIN 2664 01:39:29,564 --> 01:39:34,035 AND SECOND NOMINATION FOR 2665 01:39:34,035 --> 01:39:53,855 FREDERICK E.O. TOYE. 2666 01:39:53,855 --> 01:39:55,423 >> HELLO, HELLO. 2667 01:39:55,423 --> 01:39:55,890 HI. 2668 01:39:55,890 --> 01:39:57,258 I KNOW A LOT OF YOU. 2669 01:39:57,258 --> 01:39:58,826 I'M SO GRATEFUL TO BE HERE. 2670 01:39:58,826 --> 01:40:01,128 THANK YOU SO MUCH FOR THIS. 2671 01:40:01,128 --> 01:40:02,563 THANKS TO THE ACADEMY. 2672 01:40:02,563 --> 01:40:05,099 THANKS TO HULU AND DISNEY AND FX 2673 01:40:05,099 --> 01:40:06,601 FOR THIS INCREDIBLE PROJECT. 2674 01:40:06,601 --> 01:40:09,637 I HAD THE HONOR OF BEING ASKED 2675 01:40:09,637 --> 01:40:11,606 TO PARTICIPATE IN THIS TEAM OF 2676 01:40:11,606 --> 01:40:16,744 AMAZING ACTORS AND ACTRESSES, 2677 01:40:16,744 --> 01:40:17,044 LED THE WAY. 2678 01:40:17,044 --> 01:40:21,482 AND I OWE THEM ANYTHING. 2679 01:40:21,482 --> 01:40:24,418 ANNA AND COSMO AND HERO AND ALSO 2680 01:40:24,418 --> 01:40:26,020 THE INCREDIBLE CREW. 2681 01:40:26,020 --> 01:40:27,622 MY DIRECTOR OF PHOTOGRAPHY. 2682 01:40:27,622 --> 01:40:31,092 AND I WANTED TO JUST SAY THANK 2683 01:40:31,092 --> 01:40:32,760 YOU TO MY MOM AND MY DAD AND MY 2684 01:40:32,760 --> 01:40:34,929 SISTER WHO IS HERE AND MY 2685 01:40:34,929 --> 01:40:36,597 CHILDREN, MY THREE DAUGHTERS ARE 2686 01:40:36,597 --> 01:40:38,532 HERE AND MY WIFE, SANDY. 2687 01:40:38,532 --> 01:40:40,935 ALSO WANTED TO THANK MY HEROES 2688 01:40:40,935 --> 01:40:44,672 WHO TAUGHT ME HOW TO DIRECT. 2689 01:40:44,672 --> 01:40:50,378 DAVID LEAN, ALFRED HITCHCOCK AND 2690 01:40:50,378 --> 01:40:51,145 ROBERT WISE. 2691 01:40:51,145 --> 01:40:52,847 AND THANK YOU FOR LETTING ME 2692 01:40:52,847 --> 01:40:57,652 STEAL FROM THEM EVERY DAY. 2693 01:40:57,652 --> 01:40:58,653 ♪ 2694 01:40:58,653 --> 01:41:05,293 [ APPLAUSE ] 2695 01:41:05,293 --> 01:41:06,861 >> Announcer: HERE ARE TONIGHT'S 2696 01:41:06,861 --> 01:41:11,632 ACCOUNTANTS FROM ERNST AND 2697 01:41:11,632 --> 01:41:12,166 YOUNG, ALONA MCCLUNEY AND 2698 01:41:12,166 --> 01:41:21,609 JADE DAVIS. 2699 01:41:21,609 --> 01:41:23,177 AND NOW, JOINING US IN TRIBUTE 2700 01:41:23,177 --> 01:41:27,615 TO THE MEMBERS OF OUR TELEVISION 2701 01:41:27,615 --> 01:41:33,454 FAMILY WE'VE LOST: JELLY ROLL. 2702 01:41:33,454 --> 01:41:34,956 >> I BELIEVE THAT MUSIC IS THEY 2703 01:41:34,956 --> 01:41:35,623 ARE PEWTER. 2704 01:41:35,623 --> 01:41:37,858 I BELIEVE THAT MUSIC CAN HEAL. 2705 01:41:37,858 --> 01:41:39,160 I ALSO BELIEVE THAT STORY 2706 01:41:39,160 --> 01:41:40,962 TELLING IS JUST AS CATHARTIC. 2707 01:41:40,962 --> 01:41:43,631 I HOPE THAT THIS SONG CAN ACT 2708 01:41:43,631 --> 01:41:45,466 AND A HEALING MOMENT FOR THOSE 2709 01:41:45,466 --> 01:41:47,101 MOURNING THE STORY TELLERS WE 2710 01:41:47,101 --> 01:41:47,969 HAVE LOST THIS YEAR. 2711 01:41:47,969 --> 01:41:50,171 IF YOU ARE FEELING LOST OR ALONE 2712 01:41:50,171 --> 01:41:52,473 TONIGHT, I WANT YOU TO KNOW THAT 2713 01:41:52,473 --> 01:42:02,616 IT'S OKAY TO NOT ALWAYS BE OKAY. 2714 01:42:02,616 --> 01:42:07,622 ♪ I AM NOT OKAY 2715 01:42:07,622 --> 01:42:09,457 I'M BARELY GETTING BY ♪ 2716 01:42:09,457 --> 01:42:11,592 ♪ I'M LOSING TRACK OF DAYS 2717 01:42:11,592 --> 01:42:14,729 AND LOSING SLEEP AT NIGHT ♪ 2718 01:42:14,729 --> 01:42:18,432 ♪ I AM NOT OKAY 2719 01:42:18,432 --> 01:42:21,035 I'M HANGING ON THE RAILS ♪ 2720 01:42:21,035 --> 01:42:22,570 ♪ SO IF I SAY I'M FINE 2721 01:42:22,570 --> 01:42:23,137 JUST KNOW I LEARNED 2722 01:42:23,137 --> 01:42:27,375 TO HIDE IT WELL ♪ 2723 01:42:27,375 --> 01:42:30,478 ♪ I KNOW 2724 01:42:30,478 --> 01:42:33,681 I CAN'T BE THE ONLY ONE ♪ 2725 01:42:33,681 --> 01:42:35,216 ♪ WHO'S HOLDING ON 2726 01:42:35,216 --> 01:42:42,590 FOR DEAR LIFE ♪ 2727 01:42:42,590 --> 01:42:43,624 ♪ BUT GOD KNOWS, I KNOW 2728 01:42:43,624 --> 01:42:45,793 WHEN IT'S ALL 2729 01:42:45,793 --> 01:42:46,160 SAID AND DONE ♪ 2730 01:42:46,160 --> 01:42:47,895 ♪ I'M NOT OKAY 2731 01:42:47,895 --> 01:42:51,632 BUT IT'S ALL 2732 01:42:51,632 --> 01:42:52,066 GONNA BE ALRIGHT ♪ 2733 01:42:52,066 --> 01:42:53,634 ♪ IT'S NOT OKAY 2734 01:42:53,634 --> 01:42:55,603 BUT WE'RE ALL 2735 01:42:55,603 --> 01:43:29,370 GONNA BE ALRIGHT ♪ 2736 01:43:29,370 --> 01:43:33,074 ♪ I WOKE UP TODAY 2737 01:43:33,074 --> 01:43:35,576 I ALMOST STAYED IN BED ♪ 2738 01:43:35,576 --> 01:43:39,580 ♪ HAD THE DEVIL ON MY BACK 2739 01:43:39,580 --> 01:43:42,550 AND VOICES IN MY HEAD ♪ 2740 01:43:42,550 --> 01:43:43,117 ♪ SOME DAYS 2741 01:43:43,117 --> 01:43:44,652 IT AIN'T ALL BAD ♪ 2742 01:43:44,652 --> 01:43:45,720 ♪ SOME DAYS 2743 01:43:45,720 --> 01:43:47,288 IT ALL GETS WORSE ♪ 2744 01:43:47,288 --> 01:43:48,889 ♪ SOME DAYS 2745 01:43:48,889 --> 01:43:50,958 I SWEAR I'M BETTER OFF 2746 01:43:50,958 --> 01:43:54,662 LAYIN' IN THAT DIRT ♪ 2747 01:43:54,662 --> 01:43:56,764 ♪ I KNOW 2748 01:43:56,764 --> 01:44:00,401 I CAN'T BE THE ONLY ONE ♪ 2749 01:44:00,401 --> 01:44:01,469 ♪ WHO'S HOLDING ON 2750 01:44:01,469 --> 01:44:07,608 FOR DEAR LIFE ♪ 2751 01:44:07,608 --> 01:44:08,809 ♪ BUT GOD KNOWS, I KNOW 2752 01:44:08,809 --> 01:44:11,612 WHEN IT'S ALL 2753 01:44:11,612 --> 01:44:12,513 SAID AND DONE ♪ 2754 01:44:12,513 --> 01:44:15,583 ♪ I'M NOT OKAY 2755 01:44:15,583 --> 01:44:18,586 BUT IT'S ALL 2756 01:44:18,586 --> 01:44:19,019 GONNA BE ALRIGHT ♪ 2757 01:44:19,019 --> 01:44:21,489 ♪ IT'S NOT OKAY 2758 01:44:21,489 --> 01:44:22,523 BUT WE'RE ALL 2759 01:44:22,523 --> 01:44:24,091 GONNA BE ALRIGHT ♪ 2760 01:44:24,091 --> 01:44:29,897 ♪ GONNA BE ALRIGHT 2761 01:44:29,897 --> 01:45:02,997 GONNA BE ALRIGHT ♪ 2762 01:45:02,997 --> 01:45:05,633 ♪ I KNOW ONE DAY 2763 01:45:05,633 --> 01:45:08,736 WE'LL SEE THE OTHER SIDE ♪ 2764 01:45:08,736 --> 01:45:11,605 ♪ THE PAIN'LL WASH AWAY 2765 01:45:11,605 --> 01:45:15,576 IN A HOLY WATER TIDE ♪ 2766 01:45:15,576 --> 01:45:15,910 ♪ AND WE ALL 2767 01:45:15,910 --> 01:45:43,470 GONNA BE ALRIGHT ♪ 2768 01:45:43,470 --> 01:45:45,606 ♪ I KNOW 2769 01:45:45,606 --> 01:45:50,811 I CAN'T BE THE ONLY ONE ♪ 2770 01:45:50,811 --> 01:45:51,245 ♪ WHO'S HOLDING ON 2771 01:45:51,245 --> 01:45:55,549 FOR DEAR LIFE ♪ 2772 01:45:55,549 --> 01:45:58,252 ♪ BUT GOD KNOWS, I KNOW 2773 01:45:58,252 --> 01:45:59,286 WHEN IT'S ALL 2774 01:45:59,286 --> 01:46:03,624 SAID AND DONE ♪ 2775 01:46:03,624 --> 01:46:05,593 ♪ I'M NOT OKAY 2776 01:46:05,593 --> 01:46:06,594 BUT IT'S ALL 2777 01:46:06,594 --> 01:46:09,797 GONNA BE ALRIGHT ♪ 2778 01:46:09,797 --> 01:46:10,164 ♪ IT'S NOT OKAY 2779 01:46:10,164 --> 01:46:10,864 BUT WE'RE ALL 2780 01:46:10,864 --> 01:46:14,535 GONNA BE ALRIGHT ♪ 2781 01:46:14,535 --> 01:46:18,205 ♪ I'M NOT OKAY 2782 01:46:18,205 --> 01:46:20,307 BUT IT'S ALL 2783 01:46:20,307 --> 01:46:30,584 GONNA BE ALRIGHT ♪ 2784 01:46:30,584 --> 01:46:52,506 [ APPLAUSE ] 2785 01:46:52,506 --> 01:46:55,843 >> INDUSTRY PROFESSIONAL WE WILL 2786 01:46:55,843 --> 01:46:58,879 MISS MOST GOES TO -- HI, 2787 01:46:58,879 --> 01:46:59,146 EVERYONE. 2788 01:46:59,146 --> 01:47:03,284 THIS IS THE TIME IN THE SHOW 2789 01:47:03,284 --> 01:47:03,918 WHEN WE REMEMBER THE LEGENDS WE 2790 01:47:03,918 --> 01:47:04,585 LOST OVER THE PAST YEAR, ONE OF 2791 01:47:04,585 --> 01:47:05,185 WHOM I WAS VERY LUCKY TO KNOW. 2792 01:47:05,185 --> 01:47:06,487 AND THAT WAS BOB NEWHART. 2793 01:47:06,487 --> 01:47:11,625 THOSE OF YOU WHO KNEW BOB 2794 01:47:11,625 --> 01:47:12,259 PERSONALLY, KNOW HE WAS EXACTLY 2795 01:47:12,259 --> 01:47:14,895 WHO YOU THOUGHT HE WAS AND HOPED 2796 01:47:14,895 --> 01:47:15,629 HE'D BE. 2797 01:47:15,629 --> 01:47:16,997 HE DID NOT HAVE RANGE. 2798 01:47:16,997 --> 01:47:21,702 HE DIDN'T NEED TO HAVE RANGE. 2799 01:47:21,702 --> 01:47:22,336 BOB HAD WHAT VERY FEW COMEDIANS 2800 01:47:22,336 --> 01:47:23,837 HAVE, ESPECIALLY TODAY. 2801 01:47:23,837 --> 01:47:27,608 A DEGREE IN ACCOUNTING. 2802 01:47:27,608 --> 01:47:29,076 BOB WAS A HUMBLE, POLITELY 2803 01:47:29,076 --> 01:47:30,678 HILARIOUS MAN. 2804 01:47:30,678 --> 01:47:31,312 HE GOT HIS FIRST EMMY NOMINATION 2805 01:47:31,312 --> 01:47:32,780 IN 1962. 2806 01:47:32,780 --> 01:47:33,847 AND HE DIDN'T WIN ONE 2807 01:47:33,847 --> 01:47:37,017 UNTIL 2013. 2808 01:47:37,017 --> 01:47:39,620 51 YEARS LATER. 2809 01:47:39,620 --> 01:47:41,789 WHICH IS A GREAT LESSON. 2810 01:47:41,789 --> 01:47:44,925 AND THAT LESSON IS JON STEWART 2811 01:47:44,925 --> 01:47:47,628 SHOULD BE ASHAMED OF HIMSELF. 2812 01:47:47,628 --> 01:47:57,905 YOU SAID YOU WERE RETIRING. 2813 01:47:57,905 --> 01:48:01,108 BOB WAS ONE OF OUR MOST LOVED 2814 01:48:01,108 --> 01:48:03,777 AND FUNNIEST PEOPLE AND WE WILL 2815 01:48:03,777 --> 01:48:06,413 MISS HIM FOR MANY YEARS TO COME. 2816 01:48:23,163 --> 01:48:23,731 >> AND NOW, A TV ARCHETYPE 2817 01:48:23,731 --> 01:48:25,299 EVERYONE IN THIS ROOM AGREES ON: 2818 01:48:25,299 --> 01:48:26,834 COPS. 2819 01:48:26,834 --> 01:48:28,369 PLEASE WELCOME JIMMY SMITS, 2820 01:48:28,369 --> 01:48:28,769 DON JOHNSON, AND 2821 01:48:28,769 --> 01:48:37,711 NIECY NASH-BETTS. 2822 01:48:37,711 --> 01:48:47,421 ♪ 2823 01:48:47,421 --> 01:48:49,757 >> WE ARE HERE REPRESENTING THE 2824 01:48:49,757 --> 01:48:51,625 LEGENDARY COPS YOU'VE SEEN 2825 01:48:51,625 --> 01:48:53,727 THROUGH THE YEARS ON TV. 2826 01:48:53,727 --> 01:48:55,295 EACH OF US PLAYED A VERY 2827 01:48:55,295 --> 01:48:57,998 DIFFERENT TYPE OF CHARACTER ON 2828 01:48:57,998 --> 01:48:58,565 SHOWS ABOUT LAW ENFORCEMENT. 2829 01:48:58,565 --> 01:49:00,034 MY CHARACTER ON “N.Y.P.D. BLUE”, 2830 01:49:00,034 --> 01:49:01,635 BOBBY SIMONE, WAS THE STRONG, 2831 01:49:01,635 --> 01:49:07,374 SENSITIVE, STREET SMART TYPE WHO 2832 01:49:07,374 --> 01:49:07,975 HAD TO REIN IN HIS ECCENTRIC 2833 01:49:07,975 --> 01:49:10,044 PARTNER. 2834 01:49:10,044 --> 01:49:12,112 >> MY CHARACTER WAS 2835 01:49:12,112 --> 01:49:12,746 RAINEESHA WILLIAMS ON “RENO 2836 01:49:12,746 --> 01:49:20,788 911.” 2837 01:49:20,788 --> 01:49:21,622 RAINEESHA BROUGHT TWO IMPORTANT 2838 01:49:21,622 --> 01:49:23,724 THINGS TO BEING A COP. 2839 01:49:23,724 --> 01:49:28,796 A MARGINAL KNOWLEDGE OF THE LAW 2840 01:49:28,796 --> 01:49:29,530 AND THE BELIEF THAT YOU CAN'T 2841 01:49:29,530 --> 01:49:34,234 FIGHT CRIME IF YOU'RE NOT CUTE. 2842 01:49:34,234 --> 01:49:44,211 >> AND SONNY CROCKETT ON “MIAMI 2843 01:49:44,211 --> 01:49:47,915 VICE” WAS THE TYPE WHO PLAYED BY 2844 01:49:47,915 --> 01:49:49,483 HIS OWN RULES, WHICH ALMOST 2845 01:49:49,483 --> 01:49:51,084 ALWAYS CONFLICTED WITH ORDERS 2846 01:49:51,084 --> 01:49:52,719 FROM HIS SUPERIORS. 2847 01:49:52,719 --> 01:49:55,789 IN THE END, THOUGH, HIS METHODS 2848 01:49:55,789 --> 01:49:56,924 WERE EFFECTIVE, AND HE ALWAYS 2849 01:49:56,924 --> 01:49:57,991 BROUGHT THE BAD GUYS TO JUSTICE. 2850 01:49:57,991 --> 01:50:00,027 >> AND I WAS THERE TO WITNESS 2851 01:50:00,027 --> 01:50:00,561 SONNY CROCKETT IN ACTION. 2852 01:50:00,561 --> 01:50:04,832 FOR ONE PAGE. 2853 01:50:04,832 --> 01:50:08,268 30 SECONDS OF SCREEN TIME I WAS 2854 01:50:08,268 --> 01:50:08,702 CROCKETT'S PARTNER. 2855 01:50:08,702 --> 01:50:11,472 KILLED BY A CAR BOMB. 2856 01:50:11,472 --> 01:50:13,740 >> YOU WERE SPECTACULAR IN THAT 2857 01:50:13,740 --> 01:50:15,542 30 SECONDS. 2858 01:50:15,542 --> 01:50:17,911 IT GOT YOU N.Y.P.D. BLUE. 2859 01:50:17,911 --> 01:50:18,779 >> I CRIED FOR A WEEK. 2860 01:50:18,779 --> 01:50:19,379 >> MY N.Y.P.D. BLUE CHARACTER 2861 01:50:19,379 --> 01:50:20,347 DIED TOO. 2862 01:50:20,347 --> 01:50:20,848 >> CAR BOMB, AGAIN? 2863 01:50:20,848 --> 01:50:24,818 >> HEART TRANSPLANT THAT GOT 2864 01:50:24,818 --> 01:50:28,789 INFECTED. 2865 01:50:28,789 --> 01:50:30,357 >> MY CHARACTERS ALWAYS LIVE. 2866 01:50:30,357 --> 01:50:35,863 HELL, I'M BLACK AND I SURVIVED 2867 01:50:35,863 --> 01:50:36,597 DAHMER. 2868 01:50:36,597 --> 01:50:36,830 COME ON. 2869 01:50:36,830 --> 01:50:37,698 AND NOW LET'S GET TO THE 2870 01:50:37,698 --> 01:50:38,732 NOMINATIONS FOR LEAD ACTOR IN A 2871 01:50:38,732 --> 01:50:39,766 LIMITED OR ANTHOLOGY SERIES OR 2872 01:50:39,766 --> 01:50:40,767 MOVIE. 2873 01:50:40,767 --> 01:50:43,403 >> Announcer: MATT BOMER, 2874 01:50:43,403 --> 01:50:43,904 “FELLOW TRAVELERS.” 2875 01:50:43,904 --> 01:50:47,641 RICHARD GADD, “BABY REINDEER.” 2876 01:50:47,641 --> 01:50:48,742 JON HAMM, “FARGO.” 2877 01:50:48,742 --> 01:50:49,409 TOM HOLLANDER, “FEUD: CAPOTE VS. 2878 01:50:49,409 --> 01:50:53,413 THE SWANS.” 2879 01:50:53,413 --> 01:50:59,753 ANDREW SCOTT, “RIPLEY.” 2880 01:50:59,753 --> 01:51:05,993 >> AND THE EMMY GOES TO -- 2881 01:51:05,993 --> 01:51:13,500 RICHARD GADD, "BABY REINDEER." 2882 01:51:13,500 --> 01:51:15,736 >> THIS IS THE SECOND EMMY WIN 2883 01:51:15,736 --> 01:51:17,571 TONIGHT AND THIRD NOMINATION FOR 2884 01:51:17,571 --> 01:51:24,778 RICHARD GADD. 2885 01:51:24,778 --> 01:51:28,115 ♪ 2886 01:51:28,115 --> 01:51:30,384 >> YOU'RE ALL CRAZY, HONESTLY. 2887 01:51:30,384 --> 01:51:30,951 THANK YOU. 2888 01:51:30,951 --> 01:51:32,786 THANK YOU SO MUCH. 2889 01:51:32,786 --> 01:51:33,954 HONESTLY, I WASN'T EXPECTING 2890 01:51:33,954 --> 01:51:36,456 THIS ONE AT ALL, AND I DIDN'T 2891 01:51:36,456 --> 01:51:37,758 PREPARE. 2892 01:51:37,758 --> 01:51:38,792 I'M NOT JON HAMM. 2893 01:51:38,792 --> 01:51:40,827 I'M YOUR BIGGEST FAN, AS I TOLD 2894 01:51:40,827 --> 01:51:42,296 YOU LAST NIGHT OVER AND OVER 2895 01:51:42,296 --> 01:51:42,696 AGAIN. 2896 01:51:42,696 --> 01:51:43,196 THANK YOU. 2897 01:51:43,196 --> 01:51:46,466 THANK YOU TO THE DIRECTORS, 2898 01:51:46,466 --> 01:51:50,737 VERONICA AND JOSEPHINE. 2899 01:51:50,737 --> 01:51:52,439 THANKS TO ALL THE PEOPLE I 2900 01:51:52,439 --> 01:51:53,440 MENTIONED PREVIOUSLY AS WELL. 2901 01:51:53,440 --> 01:51:58,245 I'D LIKE TO THANK MY MOM AND 2902 01:51:58,245 --> 01:51:59,680 DAD, A GLARING OMISSION FROM THE 2903 01:51:59,680 --> 01:52:00,581 PREVIOUS ONE AS WELL. 2904 01:52:00,581 --> 01:52:01,582 THEY'RE THE BEST. 2905 01:52:01,582 --> 01:52:03,283 WE'VE HAD TRYING TIMES AS A 2906 01:52:03,283 --> 01:52:04,585 FAMILY AND THEY HAVE BEEN THERE 2907 01:52:04,585 --> 01:52:06,920 FOR ME, A CONSTANT COURSE OF 2908 01:52:06,920 --> 01:52:08,655 LOVE AND SUPPORT. 2909 01:52:08,655 --> 01:52:10,591 THEY NEVER EVER TOLD ME WHAT I 2910 01:52:10,591 --> 01:52:12,626 NEEDED TO DO WITH MY LIFE AND 2911 01:52:12,626 --> 01:52:13,994 THEY NEVER TOLD ME WHAT I NEEDED 2912 01:52:13,994 --> 01:52:14,394 TO BE. 2913 01:52:14,394 --> 01:52:16,964 I THINK THAT'S THE GREATEST GIFT 2914 01:52:16,964 --> 01:52:19,333 A PARENT CAN GIVE A CHILD. 2915 01:52:19,333 --> 01:52:20,634 THEY ALWAYS SAID FOLLOW YOUR 2916 01:52:20,634 --> 01:52:22,002 HEART AND THE REST WILL FALL 2917 01:52:22,002 --> 01:52:22,603 INTO PLACE. 2918 01:52:22,603 --> 01:52:25,672 I THINK THAT'S GOOD ADVICE. 2919 01:52:25,672 --> 01:52:26,907 FOLLOW YOUR HEART AND THE REST 2920 01:52:26,907 --> 01:52:28,275 WILL FALL INTO PLACE. 2921 01:52:28,275 --> 01:52:31,645 THANK YOU. 2922 01:52:31,645 --> 01:52:40,787 ♪ 2923 01:52:40,787 --> 01:52:49,796 >>> PLEASE WELCOME OUR EMMY 2924 01:52:49,796 --> 01:52:55,202 NOMINEES. 2925 01:52:55,202 --> 01:52:56,270 >> PAST WINNERS IN OUR NEXT 2926 01:52:56,270 --> 01:52:56,870 CATEGORY INCLUDE SOME OF THE 2927 01:52:56,870 --> 01:52:58,872 GREATEST ACTRESSES OF THE PAST 2928 01:52:58,872 --> 01:53:02,276 HALF CENTURY. 2929 01:53:02,276 --> 01:53:04,745 OR EVER. 2930 01:53:04,745 --> 01:53:05,379 >> OR EVER. 2931 01:53:05,379 --> 01:53:11,585 >> MERYL STREEP, REGINA KING, 2932 01:53:11,585 --> 01:53:16,790 HELEN MIRREN TO NAME JUST A FEW. 2933 01:53:16,790 --> 01:53:17,391 >> AND ALTHOUGH THE CATEGORY 2934 01:53:17,391 --> 01:53:19,493 TITLE MAY INCLUDE THE WORD 2935 01:53:19,493 --> 01:53:20,060 LIMITED, THE TALENT OF THIS 2936 01:53:20,060 --> 01:53:22,162 YEAR'S NOMINEES KNOWS NO BOUNDS. 2937 01:53:22,162 --> 01:53:24,798 >> HERE THEY ARE, THE NOMINEES 2938 01:53:24,798 --> 01:53:27,401 FOR LEAD ACTRESS IN A LIMITED OR 2939 01:53:27,401 --> 01:53:29,503 ANTHOLOGY SERIES OR MOVIE. 2940 01:53:29,503 --> 01:53:30,570 >> Announcer: JODIE FOSTER, 2941 01:53:30,570 --> 01:53:33,707 “TRUE DETECTIVE: NIGHT COUNTRY”" 2942 01:53:33,707 --> 01:53:34,274 BRIE LARSON, “LESSONS IN 2943 01:53:34,274 --> 01:53:37,411 CHEMISTRY.” 2944 01:53:37,411 --> 01:53:40,747 JUNO TEMPLE, “FARGO.” 2945 01:53:40,747 --> 01:53:43,684 SOFIA VERGARA, “GRISELDA.” 2946 01:53:43,684 --> 01:53:44,785 NAOMI WATTS, “FEUD: CAPOTE VS. 2947 01:53:44,785 --> 01:53:50,557 THE SWANS.” 2948 01:53:50,557 --> 01:54:00,200 >> AND THE EMMY GOES TO -- 2949 01:54:00,200 --> 01:54:01,435 JODIE FOSTER! 2950 01:54:01,435 --> 01:54:01,935 [ APPLAUSE ] 2951 01:54:01,935 --> 01:54:02,135 ♪ 2952 01:54:02,135 --> 01:54:03,970 >> THIS IS THE FIRST EMMY WIN 2953 01:54:03,970 --> 01:54:08,608 AND FOURTH NOMINATION FOR JODIE 2954 01:54:08,608 --> 01:54:22,422 FOSTER. 2955 01:54:22,422 --> 01:54:27,961 >> WELL, THIS IS AN INCREDIBLY 2956 01:54:27,961 --> 01:54:31,264 EMOTIONAL MOMENT FOR ME BECAUSE 2957 01:54:31,264 --> 01:54:34,701 "TRUE DETECTIVE NORTH COUNTRY" 2958 01:54:34,701 --> 01:54:38,405 WAS A MAGICAL EXPERIENCE AND IT 2959 01:54:38,405 --> 01:54:41,074 COMES FROM THE TOP BEAUTIFUL, 2960 01:54:41,074 --> 01:54:43,710 TALENTED, WONDERFUL WOMAN WHO 2961 01:54:43,710 --> 01:54:46,079 DREAMED THIS UP FOR ME. 2962 01:54:46,079 --> 01:54:49,783 AND OUR INCREDIBLE, INCREDIBLE 2963 01:54:49,783 --> 01:54:53,954 ICELANDIC CREW AND OUR CAST. 2964 01:54:53,954 --> 01:54:56,022 GOSH, I LOVE YOU GUYS ALL SO 2965 01:54:56,022 --> 01:54:57,457 MUCH FROM ALL OVER THE WORLD, 2966 01:54:57,457 --> 01:54:59,993 BUT ESPECIALLY MY PARTNER IN 2967 01:54:59,993 --> 01:55:01,962 CRIME KAILEY REESE. 2968 01:55:01,962 --> 01:55:03,363 THANK YOU. 2969 01:55:03,363 --> 01:55:03,930 I KNOW. 2970 01:55:03,930 --> 01:55:05,499 I COULD TALK FAST, MAN. 2971 01:55:05,499 --> 01:55:06,800 I COULD TALK FAST. 2972 01:55:06,800 --> 01:55:13,774 MOSTLY THE INDIGENOUS PEOPLE AND 2973 01:55:13,774 --> 01:55:16,743 THE INUIT PEOPLE OF NORTH ALASKA 2974 01:55:16,743 --> 01:55:18,678 THAT JUST TOLD US OUR STORIES 2975 01:55:18,678 --> 01:55:20,347 AND ALLOWED US TO LISTEN AND 2976 01:55:20,347 --> 01:55:21,815 THAT WAS JUST A BLESSING. 2977 01:55:21,815 --> 01:55:23,216 IT WAS LOVE, LOVE, LOVE. 2978 01:55:23,216 --> 01:55:24,484 AND WHEN YOU FEEL THAT, 2979 01:55:24,484 --> 01:55:27,087 SOMETHING AMAZING HAPPENS. 2980 01:55:27,087 --> 01:55:29,322 IT IS DEEP AND WONDERFUL, AND IT 2981 01:55:29,322 --> 01:55:30,590 IS OLDER THAN THIS PLACE AND 2982 01:55:30,590 --> 01:55:31,124 THIS TIME. 2983 01:55:31,124 --> 01:55:32,726 AND THAT'S JUST THE MESSAGE, 2984 01:55:32,726 --> 01:55:34,995 WHICH IS LOVE AND WORK EQUALS 2985 01:55:34,995 --> 01:55:35,228 ART. 2986 01:55:35,228 --> 01:55:38,331 TO MY BOYS, CHARLIE AND KIT, 2987 01:55:38,331 --> 01:55:38,698 REMEMBER THAT. 2988 01:55:38,698 --> 01:55:42,769 AND THE LOVE OF MY LIFE, MY 2989 01:55:42,769 --> 01:55:42,969 WIFE. 2990 01:55:42,969 --> 01:55:43,403 THANK YOU SO MUCH. 2991 01:55:43,403 --> 01:55:43,770 THANK YOU. 2992 01:55:43,770 --> 01:55:53,413 CHEERS! 2993 01:55:58,151 --> 01:56:02,889 >>> PLEASE WELCOME SIX-TIME EMMY 2994 01:56:02,889 --> 01:56:18,438 WINNER, JEAN SMART! 2995 01:56:18,438 --> 01:56:19,005 >> THESE NEXT FIVE NOMINEES 2996 01:56:19,005 --> 01:56:19,639 EXEMPLIFY THE EXCELLENCE OF WHAT 2997 01:56:19,639 --> 01:56:20,740 BEING NOMINATED FOR AN EMMY IS 2998 01:56:20,740 --> 01:56:24,778 ALL ABOUT. 2999 01:56:24,778 --> 01:56:26,613 THEY'RE ALL OUTSTANDING. 3000 01:56:26,613 --> 01:56:27,981 ALTHOUGH, I DO NEED TO LEARN TO 3001 01:56:27,981 --> 01:56:29,082 READ THE SYNOPSIS. 3002 01:56:29,082 --> 01:56:30,083 I THOUGHT “BABY REINDEER” WAS A 3003 01:56:30,083 --> 01:56:33,320 DELIGHTFUL CHILDREN'S STORY 3004 01:56:33,320 --> 01:56:33,954 ABOUT RUDOLPH AND HIS RED-NOSED 3005 01:56:33,954 --> 01:56:39,860 FAMILY. 3006 01:56:39,860 --> 01:56:42,095 SO NOT EVEN CLOSE. 3007 01:56:42,095 --> 01:56:42,629 HERE ARE THE NOMINEES FOR 3008 01:56:42,629 --> 01:56:43,263 OUTSTANDING LIMITED OR ANTHOLOGY 3009 01:56:43,263 --> 01:56:43,697 SERIES. 3010 01:56:43,697 --> 01:56:44,731 >> Announcer: “BABY REINDEER,” 3011 01:56:44,731 --> 01:56:49,436 RICHARD GADD. 3012 01:56:49,436 --> 01:56:50,003 “FARGO,” NOAH HAWLEY. 3013 01:56:50,003 --> 01:56:51,071 “LESSONS IN CHEMISTRY,” 3014 01:56:51,071 --> 01:56:52,739 LEE EISENBERG. 3015 01:56:52,739 --> 01:56:53,373 “RIPLEY,” STEVEN ZAILLIAN. 3016 01:56:53,373 --> 01:56:56,276 “TRUE DETECTIVE: NIGHT COUNTRY”" 3017 01:56:56,276 --> 01:57:05,785 >> AND THE EMMY GOES TO -- 3018 01:57:05,785 --> 01:57:09,422 ""BABY REINDEER""! 3019 01:57:09,422 --> 01:57:11,725 [ APPLAUSE ] 3020 01:57:11,725 --> 01:57:14,528 >> "BABY REINDEER" RECEIVED 11 3021 01:57:14,528 --> 01:57:15,562 NOMINATIONS THIS YEAR, WINNING 3022 01:57:15,562 --> 01:57:19,065 AT THE CREATIVE ARTS EMMYS. 3023 01:57:19,065 --> 01:57:20,967 TONIGHT THEY TAKE HOME FOUR 3024 01:57:20,967 --> 01:57:22,969 EMMYS, ACCEPTING ON BEHALF OF 3025 01:57:22,969 --> 01:57:28,275 THE PEOPLE IS RICHARD GADD. 3026 01:57:28,275 --> 01:57:34,014 ♪ 3027 01:57:34,014 --> 01:57:34,781 >> YEAH. 3028 01:57:34,781 --> 01:57:36,182 THANK YOU SO MUCH. 3029 01:57:36,182 --> 01:57:39,552 THIS IS INBELIEVABLE. 3030 01:57:39,552 --> 01:57:41,788 LET ME INTRODUCE IT TO EVERYONE. 3031 01:57:41,788 --> 01:57:44,257 TO OUR WONDERFUL DIRECTORS, 3032 01:57:44,257 --> 01:57:47,727 WONDERFUL CAST AND DIRECTOR. 3033 01:57:47,727 --> 01:57:48,762 AMAZING CAST. 3034 01:57:48,762 --> 01:57:49,629 I CAN'T BELIEVE I FORGOT TO 3035 01:57:49,629 --> 01:57:50,630 THANK YOU GUYS. 3036 01:57:50,630 --> 01:57:52,232 LOOK, YOU KNOW, I KNOW THE 3037 01:57:52,232 --> 01:57:53,800 INDUSTRY IS IN A SLUMP RIGHT 3038 01:57:53,800 --> 01:57:56,436 NOW, AND I KNOW THAT IT MIGHT 3039 01:57:56,436 --> 01:57:58,038 FORCE OR PUT PRESSURE ON 3040 01:57:58,038 --> 01:57:59,472 NETWORKS AND STUFF TO TIGHTEN 3041 01:57:59,472 --> 01:58:01,374 THE PURSESTRINGS AND BROADEN THE 3042 01:58:01,374 --> 01:58:01,574 SLATE. 3043 01:58:01,574 --> 01:58:03,643 BUT I DO BELIEVE NO SLUMP WAS 3044 01:58:03,643 --> 01:58:04,644 EVER BROKEN WITHOUT WILLINGNESS 3045 01:58:04,644 --> 01:58:05,979 TO TAKE RISKS. 3046 01:58:05,979 --> 01:58:09,149 I THINK IF "BABY REINDEER" HAS 3047 01:58:09,149 --> 01:58:10,283 PROVED ANYTHING IS THAT THERE IS 3048 01:58:10,283 --> 01:58:12,519 NO NET FORMULA TO THIS. 3049 01:58:12,519 --> 01:58:14,788 YOU DON'T NEED BIG STARS, 3050 01:58:14,788 --> 01:58:19,426 LONG-RUNNING SERIES TO HAVE A 3051 01:58:19,426 --> 01:58:22,729 HIT. 3052 01:58:22,729 --> 01:58:24,497 REALLY, REALLY, THE ONLY 3053 01:58:24,497 --> 01:58:27,100 CONSTANT ACROSS ANY SUCCESS IN 3054 01:58:27,100 --> 01:58:29,069 TELEVISION IS GOOD STORY 3055 01:58:29,069 --> 01:58:29,302 TELLING. 3056 01:58:29,302 --> 01:58:30,570 GOOD STORY TELLING THAT SPEAKS 3057 01:58:30,570 --> 01:58:32,305 TO OUR TIMES. 3058 01:58:32,305 --> 01:58:36,509 SO TAKE RISKS, PUSH BOUNDARIES, 3059 01:58:36,509 --> 01:58:39,612 EXPLORE THE UNCOMFORTABLE, DARE 3060 01:58:39,612 --> 01:58:41,781 TO FAIL IN ORDER TO ACHIEVE. 3061 01:58:41,781 --> 01:58:46,386 THANKS SO MUCH FOR THIS AWARD. 3062 01:58:46,386 --> 01:58:48,755 ♪ 3063 01:58:48,755 --> 01:58:49,456 >> Announcer: UP NEXT, TWO GIANT 3064 01:58:49,456 --> 01:58:52,092 AWARDS AS STEVEN YEUN PRESENTS 3065 01:58:52,092 --> 01:58:52,692 LEAD ACTOR IN A DRAMA SERIES, 3066 01:58:52,692 --> 01:58:53,693 THEN LATER, THE EMMY FOR LEAD 3067 01:58:53,693 --> 01:58:57,897 ACTRESS IN A DRAMA SERIES IS IN 3068 01:58:57,897 --> 01:58:58,531 THE HANDS OF TV'S TOP ATTORNEYS 3069 01:58:58,531 --> 01:59:00,500 VIOLA DAVIS, GINA TORRES AND 3070 01:59:00,500 --> 01:59:00,934 CHRISTINE BARANSKI. 3071 01:59:00,934 --> 01:59:01,434 IT'S THE EMMYS ON ABC. 3072 01:59:15,448 --> 01:59:21,354 >>> PLEASE WELCOME STEVEN YEON. 3073 01:59:21,354 --> 01:59:22,522 ! 3074 01:59:22,522 --> 01:59:23,089 >> THESE SIX MEN DELIVERED 3075 01:59:23,089 --> 01:59:23,723 PERFORMANCES SO CAPTIVATING THAT 3076 01:59:23,723 --> 01:59:25,025 THEY TRANSPORTED US, SHOWCASING 3077 01:59:25,025 --> 01:59:26,092 FLUIDITY IN THE CRAFT. 3078 01:59:26,092 --> 01:59:26,726 HERE ARE THE NOMINEES FOR LEAD 3079 01:59:26,726 --> 01:59:27,660 ACTOR IN A DRAMA SERIES. 3080 01:59:27,660 --> 01:59:28,728 >> Announcer: IDRIS ELBA, 3081 01:59:28,728 --> 01:59:29,796 "HIJACK." 3082 01:59:29,796 --> 01:59:31,464 DONALD GLOVER, "MR. & 3083 01:59:31,464 --> 01:59:34,434 MRS. SMITH." 3084 01:59:34,434 --> 01:59:34,968 WALTON GOGGINS, "FALLOUT." 3085 01:59:34,968 --> 01:59:37,637 GARY OLDMAN, "SLOW HORSES." 3086 01:59:37,637 --> 01:59:40,206 HIROYUKI SANADA, "SHOGUN." 3087 01:59:40,206 --> 01:59:43,910 DOMINIC WEST, "THE CROWN." 3088 01:59:43,910 --> 01:59:51,251 >> AND THE EMMY GOES TO -- 3089 01:59:51,251 --> 01:59:56,723 HIROYUKI SANADA. 3090 01:59:56,723 --> 01:59:57,190 [ APPLAUSE ] 3091 01:59:57,190 --> 01:59:57,390 ♪ 3092 01:59:57,390 --> 01:59:59,492 >> THIS IS THE FIRST EMMY WIN 3093 01:59:59,492 --> 02:00:07,467 AND NOMINATION FOR HIROYUKI 3094 02:00:07,467 --> 02:00:26,352 SANADA. 3095 02:00:26,352 --> 02:00:27,320 >> THANK YOU. 3096 02:00:27,320 --> 02:00:29,856 THANK YOU SO MUCH. 3097 02:00:29,856 --> 02:00:34,027 OH, MY GOODNESS. 3098 02:00:34,027 --> 02:00:42,368 I'M WOND HONORED TO BE HERE WITH 3099 02:00:42,368 --> 02:00:43,570 AMAZING NOMINEES. 3100 02:00:43,570 --> 02:00:48,875 AND THANK YOU FOR FX, DISNEY AND 3101 02:00:48,875 --> 02:00:50,343 HULU FOR BELIEVING IN ME. 3102 02:00:50,343 --> 02:00:53,580 AND THANK YOU, MY TEAM, FOR 3103 02:00:53,580 --> 02:00:57,517 ALWAYS SUPPORTING ME. 3104 02:00:57,517 --> 02:01:00,086 AND THANK YOU FOR ALL THE CREW 3105 02:01:00,086 --> 02:01:01,955 AND CAST OF "SHOGUN." 3106 02:01:01,955 --> 02:01:05,925 I'M SO PROUD OF YOU. 3107 02:01:05,925 --> 02:01:08,361 [ APPLAUSE ] 3108 02:01:08,361 --> 02:01:10,830 >> IT WAS AN EAST MEETS WEST 3109 02:01:10,830 --> 02:01:14,167 DREAM PROJECT, WITH RESPECT. 3110 02:01:14,167 --> 02:01:16,870 AND "SHOGUN" TAUGHT ME THAT WHEN 3111 02:01:16,870 --> 02:01:19,439 PEOPLE WORK TOGETHER, WE CAN 3112 02:01:19,439 --> 02:01:21,040 MAKE MIRACLE. 3113 02:01:21,040 --> 02:01:23,810 WE CAN CREATE A BETTER FUTURE 3114 02:01:23,810 --> 02:01:24,077 TOGETHER. 3115 02:01:24,077 --> 02:01:28,481 THANK YOU SO MUCH! 3116 02:01:28,481 --> 02:01:30,750 [ APPLAUSE ] 3117 02:01:30,750 --> 02:01:33,686 ♪ 3118 02:01:33,686 --> 02:01:34,487 >> Announcer: FROM PERRY MASON 3119 02:01:34,487 --> 02:01:35,121 TO SAUL GOODMAN, BEN MATLOCK TO 3120 02:01:35,121 --> 02:01:35,655 ALLY McBEAL, SOME OF OUR 3121 02:01:35,655 --> 02:01:38,925 FAVORITE CHARACTERS OVER THE 3122 02:01:38,925 --> 02:01:39,559 YEARS ARE TELEVISION'S LAWYERS. 3123 02:01:39,559 --> 02:01:40,160 WHETHER PROSECUTOR OR DEFENSE 3124 02:01:40,160 --> 02:01:42,061 ATTORNEY, CRIMINAL LAWYER OR 3125 02:01:42,061 --> 02:01:43,696 CIVIL LITIGATOR, THEIR 3126 02:01:43,696 --> 02:01:44,731 IMPORTANCE AND IMPACT ON VIEWERS 3127 02:01:44,731 --> 02:01:46,800 CANNOT BE OVERSTATED. 3128 02:01:46,800 --> 02:01:48,902 PLEASE WELCOME TV LAWYERS 3129 02:01:48,902 --> 02:01:50,470 GINA TORRES AND EMMY WINNERS 3130 02:01:50,470 --> 02:01:50,970 CHRISTINE BARANSKI AND 3131 02:01:50,970 --> 02:01:59,379 VIOLA DAVIS. 3132 02:01:59,379 --> 02:02:00,980 >> IT'S BEEN SAID THAT THE 3133 02:02:00,980 --> 02:02:03,449 DOCTOR SEES OUR HUMAN WEAKNESS, 3134 02:02:03,449 --> 02:02:06,786 THE MINISTER SEES OUR STUPIDITY 3135 02:02:06,786 --> 02:02:07,287 AND THE LAWYER SEES OUR 3136 02:02:07,287 --> 02:02:08,888 WICKEDNESS. 3137 02:02:08,888 --> 02:02:09,522 >> ALTHOUGH LET ME ADD THIS ONE 3138 02:02:09,522 --> 02:02:14,160 CAVEAT. 3139 02:02:14,160 --> 02:02:14,694 FOR IN COURTROOMS AND LAW 3140 02:02:14,694 --> 02:02:15,328 OFFICES LIKE THE ONES WE'VE SEEN 3141 02:02:15,328 --> 02:02:16,796 FROM THE EARLY DAYS OF 3142 02:02:16,796 --> 02:02:26,573 TELEVISION UP THROUGH TODAY, 3143 02:02:26,573 --> 02:02:30,310 LAWYERS HAVE SEEN EVERY HUMAN 3144 02:02:30,310 --> 02:02:31,211 CONDITION. 3145 02:02:31,211 --> 02:02:31,844 >> AND IN THEIR EFFORTS, IN SO 3146 02:02:31,844 --> 02:02:32,779 MANY WAYS THEY TRY TO BETTER 3147 02:02:32,779 --> 02:02:33,413 THAT HUMAN CONDITION AND UPLIFT 3148 02:02:33,413 --> 02:02:33,880 US. 3149 02:02:33,880 --> 02:02:34,914 ULTIMATELY TELEVISION LAWYERS 3150 02:02:34,914 --> 02:02:35,949 REMIND US OF TWO THINGS. 3151 02:02:35,949 --> 02:02:38,618 FIRST, THAT THE TRIFECTA OF 3152 02:02:38,618 --> 02:02:39,118 WEAKNESS, STUPIDITY AND 3153 02:02:39,118 --> 02:02:41,287 WICKEDNESS WILL NEVER GO AWAY. 3154 02:02:41,287 --> 02:02:43,356 AND SECOND, THAT THE CASES AND 3155 02:02:43,356 --> 02:02:46,526 TRIALS AND CLIENTS THAT SHOWCASE 3156 02:02:46,526 --> 02:02:47,594 THAT TRIFECTA MAKE FOR REALLY 3157 02:02:47,594 --> 02:02:50,730 ENTERTAINING TELEVISION. 3158 02:02:50,730 --> 02:02:51,497 >> AND NOW, HERE ARE OUR 3159 02:02:51,497 --> 02:02:52,332 NOMINEES FOR LEAD ACTRESS IN A 3160 02:02:52,332 --> 02:02:55,435 DRAMA SERIES. 3161 02:02:55,435 --> 02:02:56,069 >> Announcer: JENNIFER ANISTON, 3162 02:02:56,069 --> 02:02:59,439 "THE MORNING SHOW." 3163 02:02:59,439 --> 02:03:00,707 CARRIE COON, "THE GILDED AGE." 3164 02:03:00,707 --> 02:03:02,275 MAYA ERSKINE, "MR. & 3165 02:03:02,275 --> 02:03:04,911 MRS. SMITH." 3166 02:03:04,911 --> 02:03:07,013 ANNA SAWAI, "SHOGUN." 3167 02:03:07,013 --> 02:03:09,115 IMELDA STAUNTON, "THE CROWN." 3168 02:03:09,115 --> 02:03:09,749 REESE WITHERSPOON, "THE MORNING 3169 02:03:09,749 --> 02:03:16,022 SHOW." 3170 02:03:16,022 --> 02:03:25,131 >> AND THE EMMY GOES TO -- 3171 02:03:25,131 --> 02:03:32,939 ANNA SAWAI, "SHOGUN"! 3172 02:03:32,939 --> 02:03:33,139 ♪ 3173 02:03:33,139 --> 02:03:33,439 [ APPLAUSE ] 3174 02:03:33,439 --> 02:03:35,441 >> THIS IS THE FIRST EMMY WIN 3175 02:03:35,441 --> 02:04:08,741 AND NOMINATION FOR ANNA SAWAI. 3176 02:04:08,741 --> 02:04:10,576 >> I WAS CRYING BEFORE MY NAME 3177 02:04:10,576 --> 02:04:12,278 WAS ANNOUNCED. 3178 02:04:12,278 --> 02:04:15,081 I'M A MESS TODAY. 3179 02:04:15,081 --> 02:04:17,417 THANK YOU TO THE ACADEMY FOR 3180 02:04:17,417 --> 02:04:20,119 NAMING ME ALONGSIDE MY FELLOW 3181 02:04:20,119 --> 02:04:21,821 NOMINEES, WHOSE WORK I HAVE 3182 02:04:21,821 --> 02:04:25,091 GROWN -- I GREW UP WATCHING AND 3183 02:04:25,091 --> 02:04:27,260 LOVE. 3184 02:04:27,260 --> 02:04:29,929 THANK YOU SO JOHN LANGRAFF AND 3185 02:04:29,929 --> 02:04:31,431 THE WHOLE FX TEAM FOR BELIEVING 3186 02:04:31,431 --> 02:04:32,999 IN OUR STORY. 3187 02:04:32,999 --> 02:04:34,834 THANK YOU, JUSTIN AND RACHEL, 3188 02:04:34,834 --> 02:04:36,436 FOR BELIEVING IN ME AND GIVING 3189 02:04:36,436 --> 02:04:39,772 ME THIS ROLE OF A LIFETIME. 3190 02:04:39,772 --> 02:04:43,443 THANK YOU TO EVERY SINGLE ONE OF 3191 02:04:43,443 --> 02:04:48,147 THE CREW AND CAST LED BY A HERO, 3192 02:04:48,147 --> 02:04:49,282 HEROES OVER THERE. 3193 02:04:49,282 --> 02:04:52,085 HE REALLY HAS OPENED DOORS AND 3194 02:04:52,085 --> 02:04:53,286 CONTINUES TO OPEN DOORS FOR 3195 02:04:53,286 --> 02:04:53,820 PEOPLE LIKE ME. 3196 02:04:53,820 --> 02:04:56,422 THANK YOU SO MUCH. 3197 02:04:56,422 --> 02:04:58,057 COSMO, YOU ARE THE MOST HON NEST 3198 02:04:58,057 --> 02:05:04,130 AND TRUTHFUL AND NO B.S. ACTOR I 3199 02:05:04,130 --> 02:05:05,698 KNOW AND YOU MADE ME GIVE MY 3200 02:05:05,698 --> 02:05:06,499 120%. 3201 02:05:06,499 --> 02:05:08,101 LASTLY, THANK YOU TO MY TEAM AND 3202 02:05:08,101 --> 02:05:10,036 THANK YOU TO MY FAMILY. 3203 02:05:10,036 --> 02:05:11,437 MOM, I LOVE YOU. 3204 02:05:11,437 --> 02:05:12,972 YOU ARE THE REASON I'M HERE. 3205 02:05:12,972 --> 02:05:15,375 YOU SHOWED ME STOICISM AND 3206 02:05:15,375 --> 02:05:17,710 THAT'S HOW I WAS ABLE TO PORTRAY 3207 02:05:17,710 --> 02:05:17,944 IT. 3208 02:05:17,944 --> 02:05:20,680 THIS IS TO ALL THE WOMEN WHO 3209 02:05:20,680 --> 02:05:21,647 EXPECT NOTHING AND CONTINUE TO 3210 02:05:21,647 --> 02:05:23,449 BE AN EXAMPLE FOR EVERYONE. 3211 02:05:23,449 --> 02:05:26,252 THANK YOU SO MUCH. 3212 02:05:26,252 --> 02:05:27,286 >> Announcer: AFTER THE BREAK, 3213 02:05:27,286 --> 02:05:28,388 CATHERINE O'HARA PRESENTS THE 3214 02:05:28,388 --> 02:05:29,956 AWARD FOR OUTSTANDING COMEDY 3215 02:05:29,956 --> 02:05:30,957 SERIES, AND THE CAST OF "THE 3216 02:05:30,957 --> 02:05:34,127 WEST WING" CROWNS THIS YEAR'S 3217 02:05:34,127 --> 02:05:34,660 OUTSTANDING DRAMA SERIES. 3218 02:05:34,660 --> 02:05:37,697 IT'S THE EMMYS ON ABC. 3219 02:05:59,452 --> 02:06:00,520 >>> Announcer: THIS YEAR MARKS 3220 02:06:00,520 --> 02:06:01,554 THE 25th ANNIVERSARY OF WARNER 3221 02:06:01,554 --> 02:06:02,588 BROTHERS 26-TIME EMMY WINNING 3222 02:06:02,588 --> 02:06:03,122 SERIES "THE WEST WING." 3223 02:06:03,122 --> 02:06:06,292 FROM ITS CAST, PLEASE WELCOME 3224 02:06:06,292 --> 02:06:06,826 MARTIN SHEEN, DULE HILL, 3225 02:06:06,826 --> 02:06:09,629 JANEL MOLONEY, RICHARD SCHIFF, 3226 02:06:09,629 --> 02:06:16,269 AND ALLISON JANNEY. 3227 02:06:16,269 --> 02:06:17,837 >> FROM 1999 TO 2006 I HAD THE 3228 02:06:17,837 --> 02:06:19,472 HONOR OF PLAYING THE PRESIDENT 3229 02:06:19,472 --> 02:06:21,040 OF THE UNITED STATES ON AN 3230 02:06:21,040 --> 02:06:23,142 EXTRAORDINARY SERIES CREATED BY 3231 02:06:23,142 --> 02:06:26,279 AARON SORKIN AND PRODUCED BY 3232 02:06:26,279 --> 02:06:26,579 JOHN WELLS. 3233 02:06:26,579 --> 02:06:27,313 >> THE NAME OF THAT SERIES, "THE 3234 02:06:27,313 --> 02:06:29,982 WEST WING." 3235 02:06:29,982 --> 02:06:31,584 AND WE ALL HAD THE HONOR SERVING 3236 02:06:31,584 --> 02:06:33,119 IN YOUR ADMINISTRATION. 3237 02:06:33,119 --> 02:06:35,288 >> IT'S HARD TO BELIEVE THAT 3238 02:06:35,288 --> 02:06:35,922 JUST 25 YEARS AGO, AARON AND THE 3239 02:06:35,922 --> 02:06:36,489 WRITERS ACTUALLY HAD TO USE 3240 02:06:36,489 --> 02:06:39,625 THEIR IMAGINATIONS TO CREATE 3241 02:06:39,625 --> 02:06:40,526 INTERESTING PLOTLINES FOR "THE 3242 02:06:40,526 --> 02:06:46,599 WEST WING." 3243 02:06:46,599 --> 02:06:49,435 >> UNLIKE TODAY WHERE STORYLINES 3244 02:06:49,435 --> 02:06:51,003 CAN BE PLUCKED RIGHT OFF THE 3245 02:06:51,003 --> 02:06:53,139 NEWS. 3246 02:06:53,139 --> 02:06:54,740 STORYLINES THAT WRITERS WOULD 3247 02:06:54,740 --> 02:06:56,809 HAVE DEEMED A BIT FARFETCHED, IF 3248 02:06:56,809 --> 02:06:57,443 NOT UTTERLY RIDICULOUS 25 YEARS 3249 02:06:57,443 --> 02:06:57,610 AGO. 3250 02:06:57,610 --> 02:06:58,945 >> OUR POLITICAL LANDSCAPE HAS 3251 02:06:58,945 --> 02:07:02,582 SHIFTED DRAMATICALLY IN RECENT 3252 02:07:02,582 --> 02:07:03,216 YEARS, BUT TWO THINGS HAVE NOT 3253 02:07:03,216 --> 02:07:03,816 CHANGED -- THE IMPORTANCE OF 3254 02:07:03,816 --> 02:07:04,684 EVERYONE MAKING SURE TO BE 3255 02:07:04,684 --> 02:07:06,853 REGISTERED AND TO VOTE -- 3256 02:07:06,853 --> 02:07:11,057 >> AND THE QUALITY OF THE DRAMA 3257 02:07:11,057 --> 02:07:14,594 SERIES ON TELEVISION. 3258 02:07:14,594 --> 02:07:15,661 >> HERE ARE THIS YEAR'S 3259 02:07:15,661 --> 02:07:16,863 NOMINEES. 3260 02:07:16,863 --> 02:07:18,431 >> Announcer: "THE CROWN." 3261 02:07:18,431 --> 02:07:20,032 "FALLOUT." 3262 02:07:20,032 --> 02:07:22,101 "THE GILDED AGE." 3263 02:07:22,101 --> 02:07:24,203 "THE MORNING SHOW." 3264 02:07:24,203 --> 02:07:26,305 "MR. & MRS. SMITH." 3265 02:07:26,305 --> 02:07:28,374 "SHOGUN." 3266 02:07:28,374 --> 02:07:33,613 "SLOW HORSES." 3267 02:07:33,613 --> 02:07:34,213 "BODY PROBLEM." 3268 02:07:34,213 --> 02:07:43,022 >> AND THE EMMY GOES TO -- 3269 02:07:43,022 --> 02:07:45,791 "SHOGUN"! 3270 02:07:45,791 --> 02:07:46,359 [ APPLAUSE ] 3271 02:07:46,359 --> 02:07:46,926 ♪ 3272 02:07:46,926 --> 02:07:49,896 >> FOR ITS FIRST ELIGIBLE YEAR 3273 02:07:49,896 --> 02:07:52,064 "SHOGUN" HAS RECEIVED 25 3274 02:07:52,064 --> 02:07:52,532 NOMINATIONS. 3275 02:07:52,532 --> 02:07:56,502 "SHOGUN" WON A RECORD-BREAKING 3276 02:07:56,502 --> 02:07:58,137 14 NOMINATIONS. 3277 02:07:58,137 --> 02:08:00,473 THE SHOW HOLDS THIS YEAR'S TOP 3278 02:08:00,473 --> 02:08:04,911 SPOT WITH THE MOST EMMY 3279 02:08:04,911 --> 02:08:21,661 NOMINATIONS. 3280 02:08:21,661 --> 02:08:24,130 ♪ 3281 02:08:24,130 --> 02:08:25,398 >> OH, MY GOSH. 3282 02:08:25,398 --> 02:08:27,366 WE GOT TO GO FAST. 3283 02:08:27,366 --> 02:08:28,401 WOW, OKAY. 3284 02:08:28,401 --> 02:08:31,370 THANK YOU FOR THIS INCREDIBLE 3285 02:08:31,370 --> 02:08:31,938 HONOR. 3286 02:08:31,938 --> 02:08:33,039 WE HAVE SO GRATEFUL TO OUR 3287 02:08:33,039 --> 02:08:35,908 PARTNERS AT DISNEY TELEVISION, 3288 02:08:35,908 --> 02:08:40,112 TO HULU AND ESPECIALLY TO FX. 3289 02:08:40,112 --> 02:08:44,717 JOHN, GINA, KATE, LINDSEY, NICK. 3290 02:08:44,717 --> 02:08:48,154 YOU GUYS GREEN LIT A VERY 3291 02:08:48,154 --> 02:08:51,958 EXPENSIVE SUBTITLED JAPANESE 3292 02:08:51,958 --> 02:08:54,594 PERIOD PIECE THAT REVOLVES 3293 02:08:54,594 --> 02:08:55,828 AROUND A POETRY COMPETITION. 3294 02:08:55,828 --> 02:08:57,763 I HAVE NO IDEA WHY YOU DID THAT, 3295 02:08:57,763 --> 02:08:59,332 BUT THANK YOU FOR YOUR FAITH IN 3296 02:08:59,332 --> 02:09:02,168 THIS INCREDIBLE TEAM. 3297 02:09:02,168 --> 02:09:06,339 THANK YOU TO STEPHANIE GIBBONS. 3298 02:09:06,339 --> 02:09:07,840 WE SHARE THIS AWARD WITH OUR 3299 02:09:07,840 --> 02:09:09,842 CAST AND CREW FROM JAPAN AND 3300 02:09:09,842 --> 02:09:10,242 NORTH AMERICA. 3301 02:09:10,242 --> 02:09:12,144 "SHOGUN" IS A SHOW ABOUT 3302 02:09:12,144 --> 02:09:12,912 TRANSLATION, NOT WHAT IS LOST 3303 02:09:12,912 --> 02:09:14,880 BUT WHAT IS FOUND WHEN YOU DO 3304 02:09:14,880 --> 02:09:17,116 SAFETY MEETINGS IN TWO LANGUAGES 3305 02:09:17,116 --> 02:09:19,619 AND YOU LEARN NOT TO TALK ON 3306 02:09:19,619 --> 02:09:21,387 MATTS WITH YOUR UTILITY BOOTS. 3307 02:09:21,387 --> 02:09:25,224 I JUST WANT TO PASS THIS TO 3308 02:09:25,224 --> 02:09:26,659 HIROSAN FOR ONE FINAL WORD. 3309 02:09:26,659 --> 02:09:30,830 >> LET ME TALK IN JAPANESE 3310 02:09:30,830 --> 02:09:31,063 QUICKLY. 3311 02:09:31,063 --> 02:09:31,764 COULD YOU TRANSLATE? 3312 02:09:31,764 --> 02:09:32,598 >> I WILL TRY. 3313 02:09:32,598 --> 02:09:37,970 I WILL TRY. 3314 02:09:37,970 --> 02:09:38,604 [ SPEAKING IN A GLOBAL LANGUAGE 3315 02:09:38,604 --> 02:09:45,544 ] 3316 02:09:45,544 --> 02:09:48,614 >> WE WOULD LIKE TO EXPRESS OUR 3317 02:09:48,614 --> 02:09:49,548 DEEPEST GRATITUDE TO ALL THE 3318 02:09:49,548 --> 02:09:52,451 CREW, DIRECTORS AND MASTERS THAT 3319 02:09:52,451 --> 02:09:55,588 INHERITED OUR SAMURAI PERIOD 3320 02:09:55,588 --> 02:10:03,562 DRAMAS UP UNTIL NOW. 3321 02:10:03,562 --> 02:10:05,564 THE PASSION AND DREAMS THAT WE 3322 02:10:05,564 --> 02:10:08,668 HAVE INHERITED FROM YOU HAVE 3323 02:10:08,668 --> 02:10:10,670 CROSSED OCEANS AND BORDERS. 3324 02:10:10,670 --> 02:10:14,540 >> THANK YOU SO MUCH! 3325 02:10:14,540 --> 02:10:24,684 [ APPLAUSE ] 3326 02:10:24,684 --> 02:10:27,520 >> OH, MY GOSH. 3327 02:10:27,520 --> 02:10:33,726 IT'S MY TV SISTER, ANNY MURPHY. 3328 02:10:33,726 --> 02:10:35,428 >> WHAT'S UP, ANNY? 3329 02:10:35,428 --> 02:10:38,931 >> WELL, THEY SAID THE SHINING 3330 02:10:38,931 --> 02:10:40,966 STAR OF "SCHITT'S CREEK" WAS 3331 02:10:40,966 --> 02:10:42,501 GOING TO PRESENT THE FINAL AWARD 3332 02:10:42,501 --> 02:10:43,436 OF TONIGHT. 3333 02:10:43,436 --> 02:10:47,340 >> THERE HAS BEEN A LITTLE 3334 02:10:47,340 --> 02:10:48,874 CONFUSION HERE, ANNY. 3335 02:10:48,874 --> 02:10:50,009 >> I KNOW. 3336 02:10:50,009 --> 02:10:50,342 THAT'S FINE. 3337 02:10:50,342 --> 02:10:52,845 >> SO WE'RE ACTUALLY HERE TO 3338 02:10:52,845 --> 02:10:59,452 PRESENT THAT PERSON. 3339 02:10:59,452 --> 02:11:00,252 >> WHICH ISN'T ME. 3340 02:11:00,252 --> 02:11:02,388 >> ISN'T YOU. 3341 02:11:02,388 --> 02:11:02,755 >> WHICH I KNEW. 3342 02:11:02,755 --> 02:11:03,456 >> OF COURSE. 3343 02:11:03,456 --> 02:11:04,490 >> I KNEW THAT. 3344 02:11:04,490 --> 02:11:06,592 THAT I KNEW. 3345 02:11:06,592 --> 02:11:09,662 SO -- 3346 02:11:09,662 --> 02:11:10,196 >> SO PLEASE WELCOME OUR 3347 02:11:10,196 --> 02:11:14,600 FAVORITE TV MOM. 3348 02:11:14,600 --> 02:11:27,446 >> CATHERINE O'HARA. 3349 02:11:27,446 --> 02:11:29,248 >> I AM SHOCKED AND DELIGHTED TO 3350 02:11:29,248 --> 02:11:32,218 BE PRESENTING THE AWARD FOR 3351 02:11:32,218 --> 02:11:36,388 OUTSTANDING COMEDY SERIES. 3352 02:11:36,388 --> 02:11:39,658 THE NOMINEES ARE -- 3353 02:11:39,658 --> 02:11:40,126 >> Announcer: "ABBOTT 3354 02:11:40,126 --> 02:11:40,426 ELEMENTARY." 3355 02:11:40,426 --> 02:11:42,595 "THE BEAR." 3356 02:11:42,595 --> 02:11:43,095 "CURB YOUR ENTHUSIASM." 3357 02:11:43,095 --> 02:11:46,132 "HACKS." 3358 02:11:46,132 --> 02:11:47,700 "ONLY MURDERS IN THE BUILDING." 3359 02:11:47,700 --> 02:11:50,269 "PALM ROYALE." 3360 02:11:50,269 --> 02:11:54,507 "RESERVATION DOGS." 3361 02:11:54,507 --> 02:11:58,544 "WHAT WE DO IN THE SHADOWS." 3362 02:11:58,544 --> 02:12:05,384 >> AND THE EMMY GOES TO -- 3363 02:12:05,384 --> 02:12:06,385 OH, MUST WE? 3364 02:12:06,385 --> 02:12:09,655 MUST WE REALLY CHOOSE JUST ONE 3365 02:12:09,655 --> 02:12:10,523 WINNER? 3366 02:12:10,523 --> 02:12:13,526 YOU KNOW, WHEN ALL THE NOMINEES 3367 02:12:13,526 --> 02:12:17,496 HAVE DONE SUCH WONDERFUL, 3368 02:12:17,496 --> 02:12:19,598 HILARIOUS WORK, MUST WE? 3369 02:12:19,598 --> 02:12:25,771 YES, APPARENTLY WE MUST. 3370 02:12:25,771 --> 02:12:29,308 THE AWARD GOES TO, THE EMMY GOES 3371 02:12:29,308 --> 02:12:35,981 TO "HACKS"! 3372 02:12:35,981 --> 02:12:37,550 ♪ 3373 02:12:37,550 --> 02:12:43,022 [ APPLAUSE ] 3374 02:12:43,022 --> 02:12:45,257 >> "HACKS" RECEIVED 16 3375 02:12:45,257 --> 02:12:46,358 NOMINATIONS THIS YEAR AND A 3376 02:12:46,358 --> 02:13:14,253 TOTAL OVERALL OF 48. 3377 02:13:14,253 --> 02:13:17,456 >> I HAVE NO THOUGHTS IN MY 3378 02:13:17,456 --> 02:13:17,656 BRAIN. 3379 02:13:17,656 --> 02:13:20,559 THANK YOU SO MUCH TO THE 3380 02:13:20,559 --> 02:13:20,793 ACADEMY. 3381 02:13:20,793 --> 02:13:21,527 LET'S BRACE OURSELVES. 3382 02:13:21,527 --> 02:13:23,095 I MIGHT GET EMOTIONAL. 3383 02:13:23,095 --> 02:13:25,164 I HAVE TO SAY THAT WE ARE SO 3384 02:13:25,164 --> 02:13:26,999 LUCKY TO LIVE OUR DREAM AND MAKE 3385 02:13:26,999 --> 02:13:27,299 TELEVISION. 3386 02:13:27,299 --> 02:13:28,734 AND WE COULDN'T DO IT WITHOUT 3387 02:13:28,734 --> 02:13:30,569 OUR "HACKS" FAMILY. 3388 02:13:30,569 --> 02:13:33,038 ALL OF OUR WRITERS, ALL OF OUR 3389 02:13:33,038 --> 02:13:35,307 CAST, ALL OF OUR CREW WHO MAKE 3390 02:13:35,307 --> 02:13:37,109 OUR DREAMS COME TRUE LITERALLY. 3391 02:13:37,109 --> 02:13:39,478 LOOK AT THE CAMERA OPERATORS 3392 02:13:39,478 --> 02:13:41,580 TONIGHT DOING INCREDIBLE WORK 3393 02:13:41,580 --> 02:13:42,548 MAKING THIS HAPPEN. 3394 02:13:42,548 --> 02:13:43,415 THANK YOU TO THE CREW. 3395 02:13:43,415 --> 02:13:44,149 THANK YOU. 3396 02:13:44,149 --> 02:13:46,085 YOU KNOW, WHEN WE PITCH THIS 3397 02:13:46,085 --> 02:13:47,520 SHOW ABOUT TWO WOMEN, ONE OF 3398 02:13:47,520 --> 02:13:49,588 WHOM WAS OVER 60, WE DID NOT 3399 02:13:49,588 --> 02:13:51,457 KNOW IF WE WOULD SELL IT. 3400 02:13:51,457 --> 02:13:53,192 WE REALLY HAVE TO THANK CASEY 3401 02:13:53,192 --> 02:13:57,596 BOYS AND SARA, EVERYONE WHO HAS 3402 02:13:57,596 --> 02:13:59,598 HELPED US MAKE THIS SHOW. 3403 02:13:59,598 --> 02:14:01,600 YOU KNOW, THERE ARE ABOUT 20% OF 3404 02:14:01,600 --> 02:14:05,070 OUR POPULATION IS OVER 60 PLUS, 3405 02:14:05,070 --> 02:14:06,939 AND THERE ARE ONLY 3% OF THOSE 3406 02:14:06,939 --> 02:14:07,840 CHARACTERS ON TELEVISION. 3407 02:14:07,840 --> 02:14:09,441 AND I WOULD LIKE TO SEE MORE OF 3408 02:14:09,441 --> 02:14:10,809 THEM BECAUSE WHILE I'M A GREAT, 3409 02:14:10,809 --> 02:14:13,512 YOUNG SUPPORTING ACTOR, I REALLY 3410 02:14:13,512 --> 02:14:16,181 WANT TO BE A GOOD, OLD LEAD. 3411 02:14:16,181 --> 02:14:17,483 >> THANK YOU SO MUCH. 3412 02:14:17,483 --> 02:14:21,086 I MEAN, COMEDY IS SO IMPORTANT, 3413 02:14:21,086 --> 02:14:21,854 OBVIOUSLY, TO US. 3414 02:14:21,854 --> 02:14:24,690 BUT WE REALLY FEEL LIKE IT CAN 3415 02:14:24,690 --> 02:14:26,058 BRIDGE DIVIDES WHEN YOU LAUGH 3416 02:14:26,058 --> 02:14:27,359 WITH SOMEONE AND YOU HAVE 3417 02:14:27,359 --> 02:14:28,494 SOMETHING IN COMMON WITH THEM. 3418 02:14:28,494 --> 02:14:30,596 SO PLEASE SUPPORT COMEDY. 3419 02:14:30,596 --> 02:14:34,366 IT SPEAKS TRUE TO POWER. 3420 02:14:34,366 --> 02:14:35,034 IT REALLY DOES. 3421 02:14:35,034 --> 02:14:37,136 SO SUPPORT YOUR LOCAL COMEDIAN. 3422 02:14:37,136 --> 02:14:39,605 AND WE HAVE TO GO BECAUSE WE 3423 02:14:39,605 --> 02:14:41,206 START SHOOTING THE NEXT SEASON 3424 02:14:41,206 --> 02:14:41,974 IN FIVE DAYS. 3425 02:14:41,974 --> 02:14:45,277 SO THANK YOU AND GOOD NIGHT! 3426 02:14:45,277 --> 02:14:45,711 >> THAT'S OUR SHOW. 3427 02:14:45,711 --> 02:14:46,545 CONGRATS TO ALL OUR WINNERS AND 3428 02:14:46,545 --> 02:14:50,549 NOMINEES. 3429 02:14:50,549 --> 02:14:51,917 >> HAVE A GREAT NIGHT! 202610

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