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>> Robin: WE GOOD?
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OKAY.
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LET'S GET RIGHT TO IT.
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>> Announcer: THE EMMYS, TV'S
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BIGGEST PARTY.
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>> OH, MY GOD.
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>> Announcer: WE'VE GOT THE
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STARS EARLY.
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>> WHAT ABOUT YOU GUYS HOSTING
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THE EMMYS?
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GET OUT THERE AND DON'T BOMB!
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>> Announcer: WITH ROBIN
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ROBERTS, WE'RE CELEBRATING
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LEGENDS.
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>> Robin: CAROL BURNETT, LADIES
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AND GENTLEMEN.
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>> Announcer: AND A NIGHT OF
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FIRSTS.
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>> MAKING HISTORY, THE FIRST
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BLACK WOMAN TO RECEIVE AN EMMY
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NOMINATION FOR DIRECTING FOR A
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DRAMA SERIES.
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>> AND FOR THE FIRST TIME EVER,
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YOU ARE BOTH EMMY NOMINEES.
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>> YEAH, FOR THE FIRST TIME
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EVER.
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>> WELCOME TO THE VAN RHIJN
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HOUSE.
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>> Announcer: THE
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BEHIND-THE-SCENES STORIES YOU'LL
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ONLY FIND OUT HERE.
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>> OOH, DO TELL.
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>> YERRR!
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WHAT IT DO CAMERA CREW?
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>> Announcer: FROM "ABBOTT" --
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>> I HAD TO OPEN MY BIG MOUTH.
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>> T, YOU'RE GOOD ON T-BONE.
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>> YES, CHEF.
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>> Announcer: TO "THE BEAR."
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>> IT LOOKS CHAOTIC.
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IT IS WELL THOUGHT OUT.
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>> Announcer: "SHOGUN" --
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>> IT IS LIKE A MIRACLE.
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>> Announcer: TO "ONLY
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MURDERS" --
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>> WHAT WAS IT LIKE FOR YOU GUYS
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TO WATCH MERYL SING THAT SONG?
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>> I HAVE TO TOUCH HER.
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>> Announcer: YOUR BACKSTAGE
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PASS
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>> Y'ALL BETTER NOT LET ME WIN.
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>> Announcer: FOR THE LAUGHS --
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>> NOBODY'S GONNA TAKE THIS
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SERIOUSLY.
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>> THE TEARS --
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>> OH MY GOSH!
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>> Announcer: AND THE SURPRISES
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NO ONE SAW COMING.
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>> WHERE DID YOU FIND THAT?
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>> OH WOW!
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>> Announcer: IT'S THE "THE 76th
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EMMYS: A NIGHT OF FIRSTS."
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>> Robin: THE SHOWS TRANSPORTING
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FROM JAPAN TO A CHICAGO KITCHEN
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TO A MURDER PRONE NEW YORK CITY
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APARTMENT BUILDING TO "ABBOTT
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ELEMENTARY," ALL SHOWING A LOT
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OF HEAT AND TONS OF TALENT,
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ESPECIALLY FROM THE FIRST-TIME
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NOMINEES.
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THIS YEAR IS ONE FOR THE
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RECORDS.
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FROM MOVIE STARS RYAN GOSLING,
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PAUL RUDD, AND NAOMI WATTS, TO
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MUSIC LEGENDS LIONEL RICHIE AND
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USHER.
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SO MANY SHINING STARS ARE
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SURPRISINGLY GETTING THEIR FIRST
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NOMINATIONS, AND FIRST WINS AT
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LAST WEEKEND'S CREATIVE ARTS
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EMMYS.
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>> WOW, MY FIRST EMMY.
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>> WE PULLED THE SECURITY TAPE.
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>> Robin: "FARGO'S"
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15 NOMINATIONS INCLUDE FIRST
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TIME NOMINEE AND FAN FAVORITE,
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LAMORNE MORRIS FOR OUTSTANDING
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SUPPORTING ACTOR.
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>> AND FOR THE RECORD THAT'S
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JUST REALITY.
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>> CONGRATULATIONS, EMMY NOMINEE
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LAMORNE MORRIS.
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>> THANK YOU, THANK YOU.
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THAT'S -- THAT'S HOW PEOPLE
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SHOULD START ADDRESSING ME.
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>> IS THAT -- YOU KNOW, THAT'S
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HOW PEOPLE ARE GONNA -- LIKE,
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THAT RING?
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>> IT'S CRAZY.
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>> Robin: A COMEDY VETERAN BEST
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KNOWN FOR HIS ROLE ON "NEW GIRL"
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BUT NOT EVERYTHING IS A JOKE TO
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LAMORNE.
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THIS EMOTIONAL, VIRAL TIKTOK OF
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THE MOMENT HE LEARNED HE WAS
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NOMINATED.
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>> DADDY.
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>> YES, BABY, DADDY'S CRYING.
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>> WHAT PROPELLED YOU TO WANT TO
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SHARE THAT WITH EVERYONE?
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>> I THOUGHT TO MYSELF, YOU
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KNOW, THIS MIGHT BE SOMETHING
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FOR MY DAUGHTER TO LOOK AT ONE
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DAY.
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I KEPT THE VIDEO JUST FOR US.
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BUT THEN I JUST THOUGHT TO
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MYSELF, PEOPLE NEED TO SEE
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PEOPLE WITH TEARS OF JOY.
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PEOPLE NEED TO CRY.
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>> YOU'RE KNOWN FOR YOUR COMEDIC
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CHOPS, BUT TO GET THE EMMY NOM
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FOR A MORE SERIOUS ROLE HAS TO
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MEAN A LOT.
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>> WHEN YOU GET A NOMINATION,
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IT'S A BIT OF A VALIDATION THAT
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SAYS, SHUT UP.
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YOU ARE -- YOU ARE RIGHT WHERE
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YOU NEED TO BE.
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YOU ARE DOING THE THINGS YOU
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NEED TO BE DOING.
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A WIN WOULD SAY SOMETHING
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COMPLETELY DIFFERENT, BECAUSE
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THEN NOW IT'S SPEEDBOATS AND
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PRIVATE JETS.
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IF I WIN, OH, FORGET ABOUT IT.
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Y'ALL BETTER LET ME WIN.
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>> SO WHAT ARE YOU LOOKING
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FORWARD TO THAT NIGHT?
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>> MY MOM'S MY DATE.
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>> OH, THAT'S SO SWEET.
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>> YEAH, MY MOM'S MY DATE.
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ZOE KRAVITZ IS UNAVAILABLE,
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'CAUSE APPARENTLY, SHE'S ENGAGED
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TO SOMEBODY.
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MY MOM WAS THE SECOND OPTION.
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>> Robin: IT'S BEEN AN EXCITING
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YEAR. NETFLIX AND WARNER
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BROTHERS/DISCOVERY ALL GARNERING
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MORE THAN 100 NOMINATIONS EACH.
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AND LEADING THE PACK, DISNEY.
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>> WHEN YOU THINK ABOUT
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183 NOMINATIONS, WHAT DOES IT
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SAY ABOUT THIS ERA OF TELEVISION
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MAKING?
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>> I THINK IT SAYS THAT PEOPLE
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HAVE AN ENORMOUS APPETITE FOR
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GREAT STORIES.
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THEY WANT TO DISAPPEAR INTO
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THEM.
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THEY WANT TO ESCAPE.
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THEY WANT TO BE ENTERTAINED.
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AND THE JOURNEYS THEY GO ON ARE
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SO INCREDIBLE.
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>> Robin: WE JOURNEY 2,500 MILES
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FROM THE GLITZ OF THE RED CARPET
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TO SEE THE OASIS WHICH INSPIRED
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THE CREATIVE MINDS OF THIS
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YEAR'S MOST NOMINATED SERIES.
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>> WE'RE HERE ON OUR PORCH ON
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MAUI, AND IT'S WHERE WE LIVE AND
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RAISE OUR KIDS.
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>> THIS LOOKS GOOD FOR US TO
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PICK.
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>> IT'S WHERE WE RAISE OUR
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ANIMALS, OUR MANY, MANY ANIMALS.
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>> Robin: AND IT'S HERE WHERE
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HUSBAND AND WIFE RACHEL KONDO
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AND JUSTIN MARKS, LEARNED
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"SHOGUN" HAD BEEN NOMINATED FOR
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A WHOPPING 25 EMMYS INCLUDING
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OUTSTANDING DRAMA SERIES.
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>> WE WOKE UP EARLY AND IT WAS
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STILL DARK OUTSIDE AND, I MEAN,
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MY MOUTH WAS AGAPE AND I JUST
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COULDN'T STOP ALMOST GIGGLING
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BECAUSE IT FELT VERY SURREAL.
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>> IT TOOK RACHEL AND JUSTIN
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10 YEARS TO GET "SHOGUN" FROM
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DEVELOPMENT ONTO THE SCREEN, AND
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I THINK THE AUDIENCE FEELS THAT.
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THEY FEEL THEIR INVESTMENT.
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GIVEN HOW MUCH OF IT IS IN
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JAPANESE AND SUBTITLED, TO ASK A
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GLOBAL AUDIENCE TO STICK WITH IT
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ALL THE WAY THROUGH THE
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10 EPISODES, AND THAT'S EXACTLY
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WHAT THEY DID.
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>> WE KNEW IT WAS SOMETHING THAT
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WE BELIEVED IN.
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AND WE SET OUT EARLY IN THIS
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PROCESS TO TELL A STORY AT A
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LEVEL OF AUTHENTICITY THAT WE
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FELT HAD NOT BEEN SEEN IN
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HOLLYWOOD PRODUCTION.
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>> Robin: AND FIVE MEMBERS OF
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THE CAST ARE FIRST-TIME NOMINEES
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INCLUDING HIROYUKI SANADA WHO IS
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UP FOR OUTSTANDING ACTOR, AS
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WELL AS PRODUCER.
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>> IT'S A LOT FOR ME.
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THE, YOU KNOW, FIRST NOMINATION
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OF COURSE AND THEN IT WAS MY
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FIRST LEADING ROLE IN HOLLYWOOD.
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SO, YEAH, IT'S CRAZY.
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LUCKILY, AS A PRODUCER, I COULD
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HIRE JAPANESE CREW WHO HAS
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EXPERIENCE FOR THE SAMURAI DRAMA
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MAKING.
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BECAUSE, PROPS, COSTUME, WIG,
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EVERYTHING HAD TO BE CORRECT.
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I HAD A GREAT TEAM.
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YOU KNOW, DREAM TEAM.
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>> Robin: AFTER HER HISTORIC
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OSCAR NOMINATION FOR "KILLERS OF
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THE FLOWER MOON," LILY GLADSTONE
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IS NOW MAKING HISTORY AGAIN
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CELEBRATING HER FIRST EMMY NOD
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FOR SUPPORTING ACTRESS IN THE
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HULU MINISERIES, "UNDER THE
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BRIDGE."
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>> I WAS HONESTLY PRETTY BLOWN
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AWAY WHEN I HEARD THAT THE
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NOMINATION HAD COME IN.
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>> Robin: LILY SHARES THE
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CATEGORY WITH HER FRIEND
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KALI REIS WHO'S NOMINATED FOR
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"TRUE DETECTIVE."
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THE FIRST INDIGENOUS ACTRESSES
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>> I'M REALLY HAPPY THAT I'M NOT
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THE ONLY ONE WHO'S SHARING THAT
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IN THIS CATEGORY THIS YEAR.
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IT'S SO NICE TO BE CARRYING THE
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WEIGHT OF THAT HISTORIC
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RESPONSIBILITY, I GUESS, WITH
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ANOTHER SISTER.
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>> Robin: NOMINATED ALONGSIDE
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THEM IS "BABY REINDEER'S"
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NAVA MAU, THE FIRST
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TRANSGENDERED PERSON IN THAT
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CATEGORY.
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>> YOU STOPPED ME CALLING THE
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NIGHT SHE ATTACKED ME.
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YOU STOPPED EVERYONE CALLING.
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>> TO BE THE FIRST SIMPLY MEANS
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THAT IN A LOT OF WAYS, I'M THE
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FIRST TO HAVE THE OPPORTUNITY
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AND THE APPROPRIATE SUPPORT THAT
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IT TAKES TO REACH A MILESTONE
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LIKE THIS.
260
00:08:24,203 --> 00:08:25,805
>> Robin: AND MAKING HISTORY
261
00:08:25,805 --> 00:08:28,975
BEHIND THE CAMERA IS SALLI
262
00:08:28,975 --> 00:08:30,042
RICHARDSON WHITFIELD FOR HER
263
00:08:30,042 --> 00:08:31,644
WORK ON THE HBO SERIES "WINNING
264
00:08:31,644 --> 00:08:33,212
TIME: THE RISE OF THE LAKERS
265
00:08:33,212 --> 00:08:34,814
DYNASTY."
266
00:08:34,814 --> 00:08:36,916
>> THE FIRST BLACK WOMAN TO
267
00:08:36,916 --> 00:08:39,051
RECEIVE AN EMMY NOMINATION FOR
268
00:08:39,051 --> 00:08:40,653
DIRECTING, FOR A DRAMA SERIES.
269
00:08:40,653 --> 00:08:42,688
WHAT DOES THAT MEAN TO YOU?
270
00:08:42,688 --> 00:08:45,858
>> WHEN I WAS TOLD THAT IT WAS
271
00:08:45,858 --> 00:08:50,630
THE FIRST BLACK WOMAN, OF COURSE
272
00:08:50,630 --> 00:08:52,765
I WAS EXCITED, BUT I WAS
273
00:08:52,765 --> 00:08:53,299
SADDENED TOO BECAUSE IT WAS LIKE
274
00:08:53,299 --> 00:08:54,867
IT COULDN'T BE.
275
00:08:54,867 --> 00:08:55,568
I THINK IT MEANS A LOT BECAUSE I
276
00:08:55,568 --> 00:08:58,738
FEEL LIKE IT MIGHT OPEN THE
277
00:08:58,738 --> 00:09:00,006
DOORS FOR MANY OTHER WOMEN TO
278
00:09:00,006 --> 00:09:00,773
GET THIS HONOR.
279
00:09:00,773 --> 00:09:04,076
>> EXECUTIVE PRODUCER, DIRECTOR,
280
00:09:04,076 --> 00:09:05,645
THAT IS RARE IN ITSELF.
281
00:09:05,645 --> 00:09:06,712
BUT THEN BLACK WOMAN AS
282
00:09:06,712 --> 00:09:08,314
EXECUTIVE PRODUCER AND DIRECTOR
283
00:09:08,314 --> 00:09:08,848
ON A PROJECT, THIS IS RAREFIED
284
00:09:08,848 --> 00:09:12,018
AIR.
285
00:09:12,018 --> 00:09:13,085
>> I THINK THAT PEOPLE ARE
286
00:09:13,085 --> 00:09:14,654
REALLY SURPRISED TO SEE ME AS
287
00:09:14,654 --> 00:09:18,357
DIRECTOR AND EXECUTIVE PRODUCER
288
00:09:18,357 --> 00:09:19,926
OF A SHOW LIKE "WINNING TIME"
289
00:09:19,926 --> 00:09:22,061
BECAUSE IT'S SPORTS, IT'S
290
00:09:22,061 --> 00:09:24,697
SPORTS.
291
00:09:24,697 --> 00:09:26,299
I THINK THAT'S BEEN PART OF WHY
292
00:09:26,299 --> 00:09:30,503
I'VE CHALLENGED MYSELF.
293
00:09:30,503 --> 00:09:32,104
>> Robin: FROM THE RISE OF THE
294
00:09:32,104 --> 00:09:33,139
LAKERS TO THE RISE OF NEW YORK
295
00:09:33,139 --> 00:09:35,308
SOCIETY, SALLI HAS ANOTHER
296
00:09:35,308 --> 00:09:36,342
NOMINATION TO BE EXCITED ABOUT
297
00:09:36,342 --> 00:09:38,444
HBO'S "THE GILDED AGE", FOR
298
00:09:38,444 --> 00:09:40,046
WHICH SHE IS ONE OF THE
299
00:09:40,046 --> 00:09:42,348
EXECUTIVE PRODUCERS.
300
00:09:42,348 --> 00:09:44,650
THE SHOW, SET IN THE 19th
301
00:09:44,650 --> 00:09:46,385
CENTURY IS NOMINATED FOR SIX
302
00:09:46,385 --> 00:09:47,787
EMMYS INCLUDING OUTSTANDING
303
00:09:47,787 --> 00:09:48,554
DRAMA.
304
00:09:48,554 --> 00:09:50,356
>> OH, WELCOME TO THE VAN RHIJN
305
00:09:50,356 --> 00:09:51,424
HOUSE.
306
00:09:51,424 --> 00:09:53,492
>> ARE YOU KIDDING ME?
307
00:09:53,492 --> 00:09:55,094
YOU HAVE TRANSPORTED ME TO
308
00:09:55,094 --> 00:09:57,229
THE 1880s, DARLING.
309
00:09:57,229 --> 00:10:00,199
>> ISN'T IT GORGEOUS?
310
00:10:00,199 --> 00:10:00,833
>> WOW.
311
00:10:00,833 --> 00:10:01,567
>> IT'S JUST SO PERFECT.
312
00:10:01,567 --> 00:10:02,435
AND YOU WOULD NEVER THINK YOU
313
00:10:02,435 --> 00:10:03,502
WERE ON A STAGE.
314
00:10:03,502 --> 00:10:04,036
>> WHO TAUGHT YOU TO WRITE LIKE
315
00:10:04,036 --> 00:10:05,104
THIS?
316
00:10:05,104 --> 00:10:08,274
>> THE INSTITUTE FOR COLORED
317
00:10:08,274 --> 00:10:09,342
YOUTH IN PHILADELPHIA, BUT I
318
00:10:09,342 --> 00:10:11,844
KNOW IT WELL.
319
00:10:11,844 --> 00:10:13,512
>> Reporter: AND AS FOR MAKING
320
00:10:13,512 --> 00:10:14,246
HER OWN HISTORY --
321
00:10:14,246 --> 00:10:14,947
>> I'M JUST EXCITED BECAUSE I
322
00:10:14,947 --> 00:10:15,681
THINK THAT PEOPLE SEE ME.
323
00:10:15,681 --> 00:10:21,954
AND THAT'S REALLY ALL I WANT.
324
00:10:21,954 --> 00:10:24,957
>> Announcer: NEXT, FROM "ONLY
325
00:10:24,957 --> 00:10:26,892
MURDERS," WE'VE GOT NOT ONLY
326
00:10:26,892 --> 00:10:28,060
MERYL, BUT A LOT OF LAUGHS.
327
00:10:28,060 --> 00:10:32,031
>> I DID FEEL THE NEED TO LAUGH,
328
00:10:32,031 --> 00:10:35,001
AND I THOUGHT TWO OF MY
329
00:10:35,001 --> 00:10:36,002
FAVORITE --
330
00:10:36,002 --> 00:10:37,503
>> SAY IT.
331
00:10:37,503 --> 00:10:38,270
MONKEYS.
332
00:10:38,270 --> 00:10:40,973
>> Announcer: WHEN WE COME BACK.
333
00:10:45,144 --> 00:10:46,145
>> Robin: NO WAY I COULD HAVE
334
00:10:46,145 --> 00:10:47,246
ALL THE FUN.
335
00:10:47,246 --> 00:10:48,681
IT'S NICE TO SHARE.
336
00:10:48,681 --> 00:10:50,182
MY ABC COLLEAGUE CHRIS CONNELLY
337
00:10:50,182 --> 00:10:51,984
GOT TO HANG OUT WITH SOME OF THE
338
00:10:51,984 --> 00:10:57,189
STARS AND DO I MEAN STARS.
339
00:10:57,189 --> 00:10:58,024
>>> THE EMMY GOES TO --
340
00:10:58,024 --> 00:10:59,125
MERYL STREEP, "ANGELS IN
341
00:10:59,125 --> 00:11:03,195
AMERICA."
342
00:11:03,195 --> 00:11:04,997
♪ LET'S CELEBRATE ♪
343
00:11:04,997 --> 00:11:05,531
>> AND THE WINNER IS
344
00:11:05,531 --> 00:11:07,099
MERYL STREEP.
345
00:11:07,099 --> 00:11:10,169
>> MERYL STREEP!
346
00:11:10,169 --> 00:11:14,473
>> Reporter: THE MOST ADMIRED
347
00:11:14,473 --> 00:11:15,074
AND ACCLAIMED ACTRESS OF HER
348
00:11:15,074 --> 00:11:15,808
GENERATION, AND YOURS.
349
00:11:15,808 --> 00:11:16,409
>> THERE ARE SOME DAYS WHERE I
350
00:11:16,409 --> 00:11:17,109
MYSELF THINK THAT I AM
351
00:11:17,109 --> 00:11:19,779
OVERRATED.
352
00:11:19,779 --> 00:11:21,113
>> Reporter: MERYL STREEP HAS
353
00:11:21,113 --> 00:11:22,148
WON EMMYS FOR SUCH DRAMAS AS
354
00:11:22,148 --> 00:11:25,351
1975'S "HOLOCAUST."
355
00:11:25,351 --> 00:11:26,085
THE THREE-TIME EMMY-WINNING
356
00:11:26,085 --> 00:11:26,719
STREEP IS NOMINATED YET AGAIN
357
00:11:26,719 --> 00:11:27,953
FOR SEASON THREE OF THE
358
00:11:27,953 --> 00:11:30,556
STEVE MARTIN, MARTIN SHORT,
359
00:11:30,556 --> 00:11:34,994
SELENA GOMEZ MYSTERY-SOLVING
360
00:11:34,994 --> 00:11:37,496
HULU COMEDY, "ONLY MURDERS IN
361
00:11:37,496 --> 00:11:38,397
THE BUILDING."
362
00:11:38,397 --> 00:11:39,465
>> I HAVEN'T WORN THIS TUX SINCE
363
00:11:39,465 --> 00:11:40,699
THE EMMYS IN 1987.
364
00:11:40,699 --> 00:11:42,435
>> Reporter: ALONG WITH THE
365
00:11:42,435 --> 00:11:45,971
THREE "ONLY MURDERS" LEADS
366
00:11:45,971 --> 00:11:46,705
PLAYING A PART THAT MERYL SAYS
367
00:11:46,705 --> 00:11:47,573
SHE ASKED FOR, BECAUSE SHE WAS
368
00:11:47,573 --> 00:11:50,743
SAD.
369
00:11:50,743 --> 00:11:51,811
>> MERYL, WHY DID YOU WANT TO BE
370
00:11:51,811 --> 00:11:52,445
PART OF THIS ENSEMBLE WITH ALL
371
00:11:52,445 --> 00:11:52,978
THE CHOICES THAT PRESENT
372
00:11:52,978 --> 00:11:54,447
THEMSELVES TO YOU?
373
00:11:54,447 --> 00:11:56,048
>> THE TRUTH IS THAT THE WORLD
374
00:11:56,048 --> 00:11:58,884
WAS GETTING TO ME.
375
00:11:58,884 --> 00:12:04,657
IT WAS SORT OF -- I WAS FEELING
376
00:12:04,657 --> 00:12:07,493
OVERWHELMED BY DARK EVENTS.
377
00:12:07,493 --> 00:12:09,595
I DID FEEL THE NEED TO LAUGH,
378
00:12:09,595 --> 00:12:11,697
AND I THOUGHT TWO OF MY
379
00:12:11,697 --> 00:12:14,100
FAVORITE --
380
00:12:14,100 --> 00:12:16,268
>> SAY IT.
381
00:12:16,268 --> 00:12:16,735
MONKEYS.
382
00:12:16,735 --> 00:12:21,207
>> -- PEOPLE.
383
00:12:21,207 --> 00:12:21,941
I CALLED YOU GUYS UP AND I SAID,
384
00:12:21,941 --> 00:12:22,808
IS THERE EVER ANY PROJECT THAT
385
00:12:22,808 --> 00:12:23,876
YOU WOULD WANT TO DO OR
386
00:12:23,876 --> 00:12:24,910
SOMETHING?
387
00:12:24,910 --> 00:12:25,978
AND THEY SAID, WELL, WHY DON'T
388
00:12:25,978 --> 00:12:30,116
YOU DO OUR SHOW?
389
00:12:30,116 --> 00:12:31,717
>> Reporter: STREEP CAST AS THE
390
00:12:31,717 --> 00:12:33,319
ENIGMATIC LORETTA, WHO PERFORMS
391
00:12:33,319 --> 00:12:33,986
IN THE BROADWAY MUSICAL WHICH
392
00:12:33,986 --> 00:12:40,192
FRAMES THE "ONLY MURDERS"
393
00:12:40,192 --> 00:12:41,260
SEASON, PROVIDING THE CHANCE FOR
394
00:12:41,260 --> 00:12:42,328
SOME MERYL MAGIC TO SHINE, AS IN
395
00:12:42,328 --> 00:12:44,964
THIS MOMENT WHEN SHE SANG THE
396
00:12:44,964 --> 00:12:46,031
BALLAD WRITTEN FOR HER CHARACTER
397
00:12:46,031 --> 00:12:46,799
ENTITLED "LOOK FOR THE LIGHT."
398
00:12:46,799 --> 00:12:47,600
>> THEY PLAYED ME THIS BEAUTIFUL
399
00:12:47,600 --> 00:12:48,667
LULLABY AND IT MADE ME CRY,
400
00:12:48,667 --> 00:12:52,371
FIRST TIME I HEARD IT.
401
00:12:52,371 --> 00:12:56,075
♪ SO DARLING MY DARLING
402
00:12:56,075 --> 00:12:58,744
LOOK FOR THE LIGHT ♪
403
00:12:58,744 --> 00:13:00,346
>> WHAT WAS IT LIKE FOR YOU GUYS
404
00:13:00,346 --> 00:13:01,380
TO WATCH MERYL SING THAT SONG
405
00:13:01,380 --> 00:13:02,448
FOR THE FIRST TIME?
406
00:13:02,448 --> 00:13:03,516
>> I CRIED.
407
00:13:03,516 --> 00:13:08,320
>> OH, IT'S PHENOMENAL.
408
00:13:08,320 --> 00:13:09,088
>> THAT MOMENT WAS ONE OF THE
409
00:13:09,088 --> 00:13:09,488
MOST MAGICAL MOVIE MOMENTS I'VE
410
00:13:09,488 --> 00:13:10,389
EVER HAD.
411
00:13:10,389 --> 00:13:11,991
IT'S JUST ALL GENUINE.
412
00:13:11,991 --> 00:13:14,426
IT WAS ASTOUNDING.
413
00:13:14,426 --> 00:13:14,927
I THOUGHT, THIS IS A SPECIAL
414
00:13:14,927 --> 00:13:15,694
MOMENT.
415
00:13:15,694 --> 00:13:16,328
>> WHAT IS IT LIKE TO HEAR THAT?
416
00:13:16,328 --> 00:13:19,865
>> THAT WAS REALLY NICE.
417
00:13:19,865 --> 00:13:24,570
THANK YOU.
418
00:13:24,570 --> 00:13:25,070
NO, I MEAN IT.
419
00:13:25,070 --> 00:13:25,771
♪ WHICH OF THE
420
00:13:25,771 --> 00:13:29,175
PICKWICK TRIPLETS DID IT ♪
421
00:13:29,175 --> 00:13:30,176
>> Reporter: COMPOSERS
422
00:13:30,176 --> 00:13:30,910
BENJ PASEK AND JUSTIN PAUL
423
00:13:30,910 --> 00:13:31,777
WINNING THE CREATIVE ARTS EMMY
424
00:13:31,777 --> 00:13:32,545
FOR WRITING THAT PATTER SONG FOR
425
00:13:32,545 --> 00:13:34,914
STEVE MARTIN'S CHARACTER, GIVING
426
00:13:34,914 --> 00:13:39,685
THEM AN EGOT.
427
00:13:39,685 --> 00:13:40,920
♪ GOT TO PICK WHICH TRIPLET DID
428
00:13:40,920 --> 00:13:41,620
IT ♪
429
00:13:41,620 --> 00:13:43,455
>> I SAY I'M THE FACE OF THE
430
00:13:43,455 --> 00:13:44,490
SONG, BUT THEY'RE REALLY THE
431
00:13:44,490 --> 00:13:46,559
CREATIVE PEOPLE.
432
00:13:46,559 --> 00:13:47,626
AN EGOT IS A FANTASTIC THING.
433
00:13:47,626 --> 00:13:48,694
I HAVE AN EGOTN.
434
00:13:48,694 --> 00:13:52,398
>> WHAT'S THAT?
435
00:13:52,398 --> 00:13:52,932
>> EMMY, GRAMMY, OSCAR, AND TONY
436
00:13:52,932 --> 00:13:55,000
NOMINATION.
437
00:13:55,000 --> 00:13:56,068
>> NO, IT DOESN'T COUNT.
438
00:13:56,068 --> 00:13:58,270
>> IT DOESN'T COUNT?
439
00:13:58,270 --> 00:13:59,672
>> YOU ARE AN EMMY, GRAMMY,
440
00:13:59,672 --> 00:14:00,839
OSCAR, AND IT'S APPROPRIATE.
441
00:14:00,839 --> 00:14:02,374
HE IS AN EGO.
442
00:14:02,374 --> 00:14:04,877
>> AN EGO.
443
00:14:04,877 --> 00:14:09,615
YEAH.
444
00:14:09,615 --> 00:14:10,382
>> MY EGO ISN'T SO DELICATE THAT
445
00:14:10,382 --> 00:14:11,250
I NEED RANDOM VALIDATION FROM AN
446
00:14:11,250 --> 00:14:12,284
EMMY AWARD-WINNING ACTOR!
447
00:14:12,284 --> 00:14:13,852
>> SELENA, YOU ARE ALSO NOW THE
448
00:14:13,852 --> 00:14:14,553
MOST NOMINATED LATINA PRODUCER
449
00:14:14,553 --> 00:14:16,889
IN THE HISTORY OF THE EMMYS.
450
00:14:16,889 --> 00:14:17,623
>> I AM.
451
00:14:17,623 --> 00:14:19,225
>> HOW DOES THAT MAKE YOU FEEL?
452
00:14:19,225 --> 00:14:22,928
>> THAT TRULY MAKES ME FEEL
453
00:14:22,928 --> 00:14:24,530
EMOTIONAL, AND I HOPE I'M MAKING
454
00:14:24,530 --> 00:14:28,767
MY DAD PROUD.
455
00:14:28,767 --> 00:14:32,404
AND TO BE RECOGNIZED AS A LATINA
456
00:14:32,404 --> 00:14:33,472
WHO'S IN THE INDUSTRY, I'M PROUD
457
00:14:33,472 --> 00:14:34,540
TO REPRESENT THAT.
458
00:14:34,540 --> 00:14:35,040
>> WANT TO MAKE A PODCAST WITH
459
00:14:35,040 --> 00:14:41,413
ME?
460
00:14:41,413 --> 00:14:42,081
>> reporter: IT'S ALSO THE FIRST
461
00:14:42,081 --> 00:14:42,815
TIME THAT SELENA HAS BEEN
462
00:14:42,815 --> 00:14:44,049
NOMINATED FOR HER PERFORMANCE,
463
00:14:44,049 --> 00:14:48,320
AND SHE'S NOT THE SHOW'S ONLY
464
00:14:48,320 --> 00:14:49,888
FIRST-TIME FEMALE PERFORMER
465
00:14:49,888 --> 00:14:50,623
NOMINEE.
466
00:14:50,623 --> 00:14:53,459
BECAUSE GUESS WHO IS IN GUEST
467
00:14:53,459 --> 00:14:54,226
ACTRESS IN A COMEDY?
468
00:14:54,226 --> 00:14:54,560
>> THE KILLER IS SOMEONE IN THIS
469
00:14:54,560 --> 00:14:55,561
ROOM.
470
00:14:55,561 --> 00:14:56,095
>> YOU ARE ENJOYING YOUR FIRST
471
00:14:56,095 --> 00:14:56,595
EMMY NOMINATION.
472
00:14:56,595 --> 00:14:57,663
>> YEAH.
473
00:14:57,663 --> 00:14:58,330
>> WHEN YOU ENDED YOUR
474
00:14:58,330 --> 00:15:00,866
ACCEPTANCE SPEECH FOR THE
475
00:15:00,866 --> 00:15:01,900
OSCARS, I THINK YOU SAID, I PRAY
476
00:15:01,900 --> 00:15:05,604
TO GOD I GET TO DO THIS ONE MORE
477
00:15:05,604 --> 00:15:06,272
TIME.
478
00:15:06,272 --> 00:15:06,672
YOU DIDN'T ADD THIS YEAR.
479
00:15:06,672 --> 00:15:07,740
>> I KNOW.
480
00:15:07,740 --> 00:15:08,807
ISN'T THAT SO?
481
00:15:08,807 --> 00:15:12,511
I WAS LIKE, OKAY, THAT AMAZING
482
00:15:12,511 --> 00:15:13,712
MOMENT HAPPENED AND MAYBE, YOU
483
00:15:13,712 --> 00:15:16,348
KNOW, THREE, FIVE, TEN YEARS
484
00:15:16,348 --> 00:15:18,050
FROM NOW I'LL HOPEFULLY GET
485
00:15:18,050 --> 00:15:18,550
ANOTHER INTERESTING PROJECT.
486
00:15:18,550 --> 00:15:23,856
FIVE MONTHS?
487
00:15:23,856 --> 00:15:24,556
NO, I DIDN'T EXPECT IT, TO GET
488
00:15:24,556 --> 00:15:25,024
NOMINATED FOR SOMETHING FIVE
489
00:15:25,024 --> 00:15:25,424
MONTHS LATER.
490
00:15:25,424 --> 00:15:28,327
IT'S WILD.
491
00:15:28,327 --> 00:15:29,094
>> Reporter: MORE WILDNESS.
492
00:15:29,094 --> 00:15:29,862
ONE OF DA'VINE'S CO-NOMINEES IN
493
00:15:29,862 --> 00:15:30,729
GUEST ACTRESS IS PART OF A WIFE
494
00:15:30,729 --> 00:15:32,298
AND HUSBAND COUPLE WHO'VE
495
00:15:32,298 --> 00:15:33,866
SNAGGED THEIR FIRST SIMULTANEOUS
496
00:15:33,866 --> 00:15:38,103
HIS-AND-HERS EMMY NOMS.
497
00:15:38,103 --> 00:15:39,171
>> CONGRATULATIONS TO BOTH OF
498
00:15:39,171 --> 00:15:46,045
YOU ON YOUR NOMINATIONS.
499
00:15:46,045 --> 00:15:47,112
>> reporter: FOR "IT'S ALWAYS
500
00:15:47,112 --> 00:15:47,813
SUNNY IN PHILADELPHIA'S"
501
00:15:47,813 --> 00:15:48,447
20 YEARS, KAITLIN OLSON AND
502
00:15:48,447 --> 00:15:49,248
ROB McELHENNEY HAVE BEEN
503
00:15:49,248 --> 00:15:51,884
OUTRAGEOUSLY FUNNY TOGETHER.
504
00:15:51,884 --> 00:15:52,618
>> I LOVE THAT YOU HAVE THIS
505
00:15:52,618 --> 00:15:53,485
AMAZING ROMANCE AND YOU GET TO
506
00:15:53,485 --> 00:15:55,054
DO THINGS ON THIS SHOW, LIKE --
507
00:15:55,054 --> 00:15:59,792
>> YOU DANCE LIKE ONE OF THOSE
508
00:15:59,792 --> 00:16:01,827
INFLATABLE THINGS OUTSIDE OF A
509
00:16:01,827 --> 00:16:04,330
USED CAR LOT.
510
00:16:04,330 --> 00:16:04,697
>> I LOOK GOOD.
511
00:16:04,697 --> 00:16:06,298
>> YEAH.
512
00:16:06,298 --> 00:16:06,899
WELL, TO BE FAIR TO THEM, THAT
513
00:16:06,899 --> 00:16:07,866
KINDA IS HOW I DANCE.
514
00:16:07,866 --> 00:16:08,400
>> WE PULL A LOT FROM REAL LIFE.
515
00:16:08,400 --> 00:16:13,172
NOT EVERYTHING.
516
00:16:13,172 --> 00:16:13,806
>> Reporter: REAL LIFE FINDS
517
00:16:13,806 --> 00:16:14,406
THESE TWO ON THE SET OF
518
00:16:14,406 --> 00:16:15,841
KAITLIN'S NEW ABC SHOW
519
00:16:15,841 --> 00:16:16,575
"HIGH POTENTIAL."
520
00:16:16,575 --> 00:16:17,309
AND NOW, ROB'S EMMY-NOMINATED
521
00:16:17,309 --> 00:16:18,477
FOR HIS DOCUSERIES "WELCOME TO
522
00:16:18,477 --> 00:16:20,079
WREXHAM" ON FX, ABOUT THE
523
00:16:20,079 --> 00:16:21,647
UNDERDOG WELSH SOCCER CLUB HE
524
00:16:21,647 --> 00:16:23,248
CO-OWNS WITH RYAN REYNOLDS.
525
00:16:23,248 --> 00:16:24,316
>> I DIDN'T WANT TO MAKE A
526
00:16:24,316 --> 00:16:25,351
FOOTBALL DOCUMENTARY.
527
00:16:25,351 --> 00:16:26,919
I DIDN'T WANT TO MAKE A SPORTS
528
00:16:26,919 --> 00:16:28,020
DOCUMENTARY.
529
00:16:28,020 --> 00:16:29,054
I WANTED TO MAKE A SHOW THAT WAS
530
00:16:29,054 --> 00:16:30,122
A LOVE LETTER TO THE WORKING
531
00:16:30,122 --> 00:16:30,856
CLASS.
532
00:16:30,856 --> 00:16:31,724
>> NOW WE HAVE TO GO TO LEAGUE
533
00:16:31,724 --> 00:16:34,893
TWO.
534
00:16:34,893 --> 00:16:35,928
>> THAT'S RIGHT!
535
00:16:35,928 --> 00:16:40,165
>> I LOVE YA, BUDDY.
536
00:16:40,165 --> 00:16:40,833
>> Reporter: KAITLIN'S
537
00:16:40,833 --> 00:16:41,800
NOMINATION ONE OF A BUNDLE
538
00:16:41,800 --> 00:16:44,436
EARNED BY THE EMMY JUGGERNAUT
539
00:16:44,436 --> 00:16:45,504
"HACKS," AS THE UNCENSORABLE
540
00:16:45,504 --> 00:16:46,004
DAUGHTER OF JEAN SMART'S
541
00:16:46,004 --> 00:16:47,072
DEBORAH VANCE.
542
00:16:47,072 --> 00:16:48,140
>> THIS IS MY CORNELL ADMISSIONS
543
00:16:48,140 --> 00:16:49,708
ESSAY ALL OVER AGAIN.
544
00:16:49,708 --> 00:16:51,844
>> I WROTE YOU A GORGEOUS ESSAY.
545
00:16:51,844 --> 00:16:53,412
>> I JUST THINK THAT "HACKS" IS
546
00:16:53,412 --> 00:16:58,183
SO SPECIAL BECAUSE IT IS VERY
547
00:16:58,183 --> 00:16:59,785
CHALLENGING TO WRITE A
548
00:16:59,785 --> 00:17:01,387
TELEVISION SHOW THAT IS A
549
00:17:01,387 --> 00:17:04,556
COMEDY, BUT IS ALSO REALLY BASED
550
00:17:04,556 --> 00:17:07,192
IN SOME GROUNDED EMOTION.
551
00:17:07,192 --> 00:17:08,794
>> NEWSFLASH, MOM, I'M STRONGER
552
00:17:08,794 --> 00:17:09,828
THAN YOU THINK, AND I'M GOING TO
553
00:17:09,828 --> 00:17:10,362
DO THE ROAST MY WAY, AND I'M
554
00:17:10,362 --> 00:17:11,430
GOING TO CRUSH IT.
555
00:17:11,430 --> 00:17:12,998
>> I THINK WE GOT HALFWAY
556
00:17:12,998 --> 00:17:16,201
THROUGH THE EPISODE AND I PAUSED
557
00:17:16,201 --> 00:17:22,541
IT BECAUSE I FELT BOTH
558
00:17:22,541 --> 00:17:23,308
ADMIRATION AND AWE AND DESPAIR
559
00:17:23,308 --> 00:17:23,609
BECAUSE I HAD NOTHING TO DO WITH
560
00:17:23,609 --> 00:17:32,017
IT.
561
00:17:32,017 --> 00:17:36,789
>> Reporter: ROB HAD SOMETHING
562
00:17:36,789 --> 00:17:38,357
TO DO WITH THIS, THOUGH, A
563
00:17:38,357 --> 00:17:39,124
UNSTRUCTURED REALITY PROGRAM WIN
564
00:17:39,124 --> 00:17:39,558
FOR "WELCOME TO WREXHAM" ON FX,
565
00:17:39,558 --> 00:17:40,325
HIS SECOND.
566
00:17:40,325 --> 00:17:41,093
AT LAST WEEKEND'S CREATIVE ARTS
567
00:17:41,093 --> 00:17:41,860
EMMYS, WHERE IN A CROWDED FIELD,
568
00:17:41,860 --> 00:17:42,528
IT WAS JAMIE LEE CURTIS WINNING
569
00:17:42,528 --> 00:17:43,295
GUEST ACTRESS IN A COMEDY.
570
00:17:43,295 --> 00:17:44,062
BUT A NOMINATION IS FOREVER, AND
571
00:17:44,062 --> 00:17:44,730
THERE IS NO MISTAKING THAT EMMY
572
00:17:44,730 --> 00:17:49,868
EUPHORIA.
573
00:17:49,868 --> 00:17:51,970
>> Announcer: NEXT, A LIVING
574
00:17:51,970 --> 00:17:54,473
LEGEND WHO DIDN'T PLAN TO ACT?
575
00:17:54,473 --> 00:17:57,409
>> IF THERE'D BEEN A MAJOR IN
576
00:17:57,409 --> 00:17:59,478
JOURNALISM, I WOULDN'T BE --
577
00:17:59,478 --> 00:18:02,414
>> YOU WOULD BE SITTING HERE ON
578
00:18:02,414 --> 00:18:03,248
THIS SIDE.
579
00:18:03,248 --> 00:18:04,917
>> Announcer: COMING UP.
580
00:18:08,954 --> 00:18:10,489
>>> FROM TELEVISION CITY, IT'S
581
00:18:10,489 --> 00:18:12,658
"THE CAROL BURNETT SHOW."
582
00:18:12,658 --> 00:18:13,692
>> Robin: MUCH LIKE ON HER
583
00:18:13,692 --> 00:18:15,260
"CAROL BURNETT SHOW," WHATEVER
584
00:18:15,260 --> 00:18:17,930
DOOR THE LEGEND WALKS THROUGH,
585
00:18:17,930 --> 00:18:21,633
SHE IS WARMLY WELCOMED.
586
00:18:21,633 --> 00:18:22,301
>> CAROL BURNETT, LADIES AND
587
00:18:22,301 --> 00:18:27,973
GENTLEMEN, CAROL BURNETT.
588
00:18:27,973 --> 00:18:28,740
>> Robin: SHE'S THE BELOVED
589
00:18:28,740 --> 00:18:29,374
GRANDE DAME OF PHYSICAL COMEDY.
590
00:18:29,374 --> 00:18:29,842
>> THE GOWN IS GORGEOUS.
591
00:18:29,842 --> 00:18:30,609
>> THANK YOU.
592
00:18:30,609 --> 00:18:31,143
I SAW IT IN THE WIND, AND I JUST
593
00:18:31,143 --> 00:18:34,813
COULDN'T RESIST IT.
594
00:18:34,813 --> 00:18:35,914
>> Robin: HER ICONIC
595
00:18:35,914 --> 00:18:36,949
"CAROL BURNETT SHOW" EARNED AN
596
00:18:36,949 --> 00:18:38,016
INCREDIBLE 25 PRIMETIME EMMY
597
00:18:38,016 --> 00:18:42,387
AWARDS DURING ITS 11 YEAR RUN.
598
00:18:42,387 --> 00:18:45,624
>> AHHHHHHH.
599
00:18:45,624 --> 00:18:46,458
>> CAROL BURNETT.
600
00:18:46,458 --> 00:18:49,194
>> YES.
601
00:18:49,194 --> 00:18:49,928
>> WHAT A PRIVILEGE!
602
00:18:49,928 --> 00:18:50,662
YOU KNOW, I KNOW YOU HEAR THIS
603
00:18:50,662 --> 00:18:51,830
ALL THE TIME, WE USED TO WATCH
604
00:18:51,830 --> 00:18:57,135
YOUR SHOW ALL THE TIME.
605
00:18:57,135 --> 00:18:57,636
>> I ALWAYS SAY, YOU WERE THE
606
00:18:57,636 --> 00:18:58,203
ONE.
607
00:18:58,203 --> 00:18:59,238
>> OH, NO.
608
00:18:59,238 --> 00:19:00,272
SO MANY.
609
00:19:00,272 --> 00:19:01,006
>> OH, THANK YOU SO MUCH.
610
00:19:01,006 --> 00:19:01,874
>> BUT IT WAS JUST A WONDERFUL
611
00:19:01,874 --> 00:19:03,475
TIME FOR -- AND I CAN JUST HEAR
612
00:19:03,475 --> 00:19:07,179
THE LAUGHTER.
613
00:19:07,179 --> 00:19:08,747
YOU WERE ABLE TO CHANGE THE
614
00:19:08,747 --> 00:19:10,349
COURSE OF COMEDY FOR WOMEN.
615
00:19:10,349 --> 00:19:11,416
YOU REALLY WERE A TRAILBLAZER IN
616
00:19:11,416 --> 00:19:14,586
MANY WAYS.
617
00:19:14,586 --> 00:19:15,087
YOU TALK ABOUT GROWING UP IN
618
00:19:15,087 --> 00:19:20,959
HOLLYWOOD.
619
00:19:20,959 --> 00:19:22,528
I MEAN, THIS WAS, LIKE, YOUR
620
00:19:22,528 --> 00:19:23,228
PLAYGROUND, WASN'T IT?
621
00:19:23,228 --> 00:19:23,595
>> BLOCK NORTH OF HOLLYWOOD
622
00:19:23,595 --> 00:19:24,296
BOULEVARD.
623
00:19:24,296 --> 00:19:25,063
I LIVED ON WILCOX AND YUCCA
624
00:19:25,063 --> 00:19:25,564
STREET, AND WE USED TO CLIMB THE
625
00:19:25,564 --> 00:19:26,231
HOLLYWOOD SIGN.
626
00:19:26,231 --> 00:19:26,765
>> I HEAR THE "O" WAS YOUR
627
00:19:26,765 --> 00:19:27,833
FAVORITE.
628
00:19:27,833 --> 00:19:28,367
>> YOU DID YOUR HOMEWORK.
629
00:19:28,367 --> 00:19:31,436
>> YES.
630
00:19:31,436 --> 00:19:33,805
BUT WHAT WAS IT ABOUT THE "O"?
631
00:19:33,805 --> 00:19:37,509
>> I DON'T KNOW.
632
00:19:37,509 --> 00:19:38,577
THERE WAS SOME RICKETY
633
00:19:38,577 --> 00:19:39,645
SCAFFOLDING THAT WAS REAL OLD.
634
00:19:39,645 --> 00:19:40,412
WELL, WE GOT SPLINTERS ON THE
635
00:19:40,412 --> 00:19:41,113
WAY UP AND ON THE WAY DOWN, BUT
636
00:19:41,113 --> 00:19:41,680
THE "Os" WERE THE EASIEST TO
637
00:19:41,680 --> 00:19:42,748
CLIMB UP TO.
638
00:19:42,748 --> 00:19:49,121
WE'D HANG OVER THE LETTERS AND
639
00:19:49,121 --> 00:19:49,655
LOOK ALL OVER HOLLYWOOD, YOU
640
00:19:49,655 --> 00:19:50,389
KNOW.
641
00:19:50,389 --> 00:19:50,722
IT WAS JUST -- WE HAD A GREAT
642
00:19:50,722 --> 00:19:54,960
TIME.
643
00:19:54,960 --> 00:19:55,694
>> Robin: CAROL IS NOW HAVING
644
00:19:55,694 --> 00:19:56,461
THE TIME OF HER LIFE, PLAYING
645
00:19:56,461 --> 00:19:57,195
NORMA DELLACORTE ON THE APPLE TV
646
00:19:57,195 --> 00:19:57,896
PLUS SERIES, "PALM ROYALE" --
647
00:19:57,896 --> 00:19:58,564
>> I REMEMBER THE YEAR THAT
648
00:19:58,564 --> 00:19:59,264
NORMA MADE HER ENTRANCE AS
649
00:19:59,264 --> 00:20:00,232
BOTTICELLI'S VENUS IN A CLAM
650
00:20:00,232 --> 00:20:03,969
SHELL OF REAL PEARLS.
651
00:20:03,969 --> 00:20:05,003
>> Robin: -- WHERE HER
652
00:20:05,003 --> 00:20:06,071
INCREDIBLE FACIAL EXPRESSIONS
653
00:20:06,071 --> 00:20:06,605
AND YEARS OF PHYSICAL COMEDY ARE
654
00:20:06,605 --> 00:20:10,309
FRONT AND CENTER.
655
00:20:10,309 --> 00:20:11,376
>> AH, LOOK AT YOU TWO, STARING
656
00:20:11,376 --> 00:20:12,444
AT EACH OTHER LIKE A COUPLE OF
657
00:20:12,444 --> 00:20:15,614
LOVE BIRDS.
658
00:20:15,614 --> 00:20:16,648
WHAT IS EXACTLY GOING ON BETWEEN
659
00:20:16,648 --> 00:20:19,818
YOU TWO ANYWAY?
660
00:20:19,818 --> 00:20:20,886
>> Robin: IN THIS SOAPY SERIES
661
00:20:20,886 --> 00:20:21,620
HER CHARACTER SPENDS MOST OF THE
662
00:20:21,620 --> 00:20:22,487
SHOW COMING OUT OF A COMA AND
663
00:20:22,487 --> 00:20:25,657
UNABLE TO TALK.
664
00:20:25,657 --> 00:20:26,191
>> WEH-WAH-WAH.
665
00:20:26,191 --> 00:20:26,725
>> I DON'T KNOW WHAT
666
00:20:26,725 --> 00:20:27,793
WAH-WAH-WAH-WAH IS.
667
00:20:27,793 --> 00:20:31,496
>> WEH-WAH-WAH.
668
00:20:31,496 --> 00:20:32,531
>> Robin: CAROL'S NOMINATED FOR
669
00:20:32,531 --> 00:20:34,132
OUTSTANDING SUPPORTING ACTRESS
670
00:20:34,132 --> 00:20:36,768
IN A COMEDY SERIES.
671
00:20:36,768 --> 00:20:37,836
AND AT AGE 91, IF CAROL WINS,
672
00:20:37,836 --> 00:20:40,939
SHE WOULD SET A RECORD.
673
00:20:40,939 --> 00:20:45,177
>> IF YOU SHOULD WIN ON SUNDAY,
674
00:20:45,177 --> 00:20:45,711
YOU WILL BE MAKING HISTORY AS
675
00:20:45,711 --> 00:20:46,244
THE OLDEST WOMAN --
676
00:20:46,244 --> 00:20:47,846
>> REALLY?
677
00:20:47,846 --> 00:20:49,414
>> -- TO WIN THE EMMY.
678
00:20:49,414 --> 00:20:49,948
YOU'VE BEEN IN THIS BUSINESS
679
00:20:49,948 --> 00:20:50,649
SEVEN DECADES.
680
00:20:50,649 --> 00:20:51,516
COULD YOU EVER IMAGINE THAT
681
00:20:51,516 --> 00:20:54,286
YOU'D BE IN THIS POSITION?
682
00:20:54,286 --> 00:20:57,656
>> NO, NO, NOT AT -- I
683
00:20:57,656 --> 00:21:00,092
REMEMBER -- OH, GOSH, THE FIRST
684
00:21:00,092 --> 00:21:03,395
EMMY THAT I GOT WAS 1962.
685
00:21:03,395 --> 00:21:04,963
THAT WAS "GARRY MOORE."
686
00:21:04,963 --> 00:21:08,667
>> OH, DEAR, HOW LOVELY.
687
00:21:08,667 --> 00:21:13,438
CAROL BURNETT.
688
00:21:13,438 --> 00:21:15,540
>> Robin: A THEN 29-YEAR-OLD
689
00:21:15,540 --> 00:21:17,676
CAROL BURNETT FIRST ROSE TO FAME
690
00:21:17,676 --> 00:21:18,210
ON "THE GARRY MOORE VARIETY
691
00:21:18,210 --> 00:21:20,812
SHOW."
692
00:21:20,812 --> 00:21:21,880
>> I CAN'T THINK OF ANYTHING TO
693
00:21:21,880 --> 00:21:23,482
SAY.
694
00:21:23,482 --> 00:21:29,287
FROM MY MOUTH, THAT'S SOMETHING.
695
00:21:29,287 --> 00:21:30,355
>> I WAS STUNNED WHEN -- YEAH,
696
00:21:30,355 --> 00:21:31,957
THAT WAS MY -- MY FIRST ONE.
697
00:21:31,957 --> 00:21:35,127
THE FIRST AWARD I EVER GOT WAS
698
00:21:35,127 --> 00:21:36,728
1952 WHEN I WAS AT UCLA.
699
00:21:36,728 --> 00:21:40,232
>> OUTSTANDING NEWCOMER?
700
00:21:40,232 --> 00:21:44,136
IT WAS SOMETHING LIKE THAT.
701
00:21:44,136 --> 00:21:46,505
>> MOST OUTSTANDING NEWCOMER.
702
00:21:46,505 --> 00:21:47,039
>> THIS IS WHAT I LOVE ABOUT
703
00:21:47,039 --> 00:21:52,444
YOU.
704
00:21:52,444 --> 00:21:55,547
EMMYS, GOLDEN GLOBE, MEDAL OF
705
00:21:55,547 --> 00:21:57,416
FREEDOM, TONY, GRAMMY, AND THEN
706
00:21:57,416 --> 00:21:58,316
YOU GO BACK TO THAT AWARD.
707
00:21:58,316 --> 00:22:01,553
>> THAT'S MY FAVORITE ONE.
708
00:22:01,553 --> 00:22:02,287
>> WHAT WAS IT ABOUT THAT?
709
00:22:02,287 --> 00:22:02,688
>> WELL, JUST BECAUSE I NEVER
710
00:22:02,688 --> 00:22:03,755
EXPECTED IT.
711
00:22:03,755 --> 00:22:04,289
I NEVER EXPECTED TO BE AN -- A
712
00:22:04,289 --> 00:22:05,357
PERFORMER AT ALL.
713
00:22:05,357 --> 00:22:06,425
WHAT HAPPENED WAS I WAS EDITOR
714
00:22:06,425 --> 00:22:07,993
OF MY JUNIOR HIGH SCHOOL PAPER
715
00:22:07,993 --> 00:22:08,627
AND HOLLYWOOD HIGH PAPER, AND I
716
00:22:08,627 --> 00:22:10,128
THOUGHT I WOULD GO INTO
717
00:22:10,128 --> 00:22:11,163
JOURNALISM.
718
00:22:11,163 --> 00:22:13,265
SO WHEN I GOT A CHANCE TO GO TO
719
00:22:13,265 --> 00:22:14,332
UCLA, I WANTED TO MAJOR IN
720
00:22:14,332 --> 00:22:15,934
JOURNALISM, BUT THERE WAS NO
721
00:22:15,934 --> 00:22:19,071
MAJOR.
722
00:22:19,071 --> 00:22:20,172
SO, I GOT THE CATALOG AND I
723
00:22:20,172 --> 00:22:22,808
COULD TAKE THE PLAYWRITING
724
00:22:22,808 --> 00:22:23,875
COURSE 'CAUSE I WANTED TO WRITE.
725
00:22:23,875 --> 00:22:24,910
AND THEN SOME KIDS CAME UP.
726
00:22:24,910 --> 00:22:27,546
THEY HAD WRITTEN SOME ONE ACTS
727
00:22:27,546 --> 00:22:29,681
AND STUFF AND SAID, WOULD YOU BE
728
00:22:29,681 --> 00:22:32,417
IN A ONE ACT?
729
00:22:32,417 --> 00:22:33,618
AND SO I WENT, YEAH, OKAY.
730
00:22:33,618 --> 00:22:34,152
AND ALL OF A SUDDEN IT OPENED UP
731
00:22:34,152 --> 00:22:36,722
EVERYTHING.
732
00:22:36,722 --> 00:22:38,156
THEN ONE FRIEND SAID, CAN YOU
733
00:22:38,156 --> 00:22:39,925
CARRY A TUNE?
734
00:22:39,925 --> 00:22:42,227
I SAID, I THINK SO.
735
00:22:42,227 --> 00:22:45,163
AND I DID THAT AND THEN I
736
00:22:45,163 --> 00:22:46,732
THOUGHT I WANT TO BE IN MUSICAL
737
00:22:46,732 --> 00:22:47,399
COMEDY.
738
00:22:47,399 --> 00:22:49,167
BUT IT WAS ALL, ROBIN, AN
739
00:22:49,167 --> 00:22:49,835
ACCIDENT.
740
00:22:49,835 --> 00:22:50,736
IF THERE'D BEEN A MAJOR IN
741
00:22:50,736 --> 00:22:51,403
JOURNALISM, I WOULDN'T BE --
742
00:22:51,403 --> 00:22:52,838
>> YOU'D BE SITTING HERE.
743
00:22:52,838 --> 00:22:54,973
>> -- SITTING HERE.
744
00:22:54,973 --> 00:22:55,507
>> ON THIS SIDE.
745
00:22:55,507 --> 00:22:58,143
>> OH, WOW.
746
00:22:58,143 --> 00:22:58,810
>> IS THERE ANYBODY THAT YOU ARE
747
00:22:58,810 --> 00:22:59,745
LOOKING FORWARD TO SEEING?
748
00:22:59,745 --> 00:23:03,448
>> EVERYBODY.
749
00:23:03,448 --> 00:23:03,982
I'M A STARGAZER.
750
00:23:03,982 --> 00:23:04,516
>> STILL?
751
00:23:04,516 --> 00:23:05,550
>> OH, STILL.
752
00:23:05,550 --> 00:23:09,254
OH, YEAH, ABSOLUTELY.
753
00:23:09,254 --> 00:23:09,988
>> Robin: CAROL HAS SAID THAT IN
754
00:23:09,988 --> 00:23:10,856
ALL HER YEARS, THERE IS STILL
755
00:23:10,856 --> 00:23:11,923
ONE PERSON SHE'D LOVE TO WORK
756
00:23:11,923 --> 00:23:14,025
WITH AND HAS NEVER HAD THE
757
00:23:14,025 --> 00:23:18,797
CHANCE.
758
00:23:18,797 --> 00:23:20,932
>> YOU HAVE WORKED WITH SO MANY.
759
00:23:20,932 --> 00:23:21,666
AND I KNOW THAT YOU SAID THAT
760
00:23:21,666 --> 00:23:22,334
THE ONE PERSON THAT YOU STILL
761
00:23:22,334 --> 00:23:22,801
WOULD LIKE TO WORK WITH IS
762
00:23:22,801 --> 00:23:23,568
MERYL STREEP.
763
00:23:23,568 --> 00:23:25,170
>> OH, YEAH.
764
00:23:25,170 --> 00:23:26,238
>> WELL, WE HAPPEN TO HAVE
765
00:23:26,238 --> 00:23:27,272
MERYL STREEP IN THIS SPECIAL AS
766
00:23:27,272 --> 00:23:30,675
WELL, AND SHE DOES HAVE A
767
00:23:30,675 --> 00:23:33,645
MESSAGE FOR YOU, CAROL BURNETT.
768
00:23:33,645 --> 00:23:34,479
>> NO.
769
00:23:34,479 --> 00:23:35,380
>> AND HERE IT IS.
770
00:23:35,380 --> 00:23:36,448
>> YOU'RE NOMINATED IN THE SAME
771
00:23:36,448 --> 00:23:38,049
CATEGORY AS CAROL BURNETT.
772
00:23:38,049 --> 00:23:38,750
>> OH, THE GREAT.
773
00:23:38,750 --> 00:23:39,518
>> AND SHE HAS BEEN ASKED IF
774
00:23:39,518 --> 00:23:40,218
THERE'S ANYONE SHE CAN WORK WITH
775
00:23:40,218 --> 00:23:41,119
WHOM SHE'S NEVER WORKED WITH
776
00:23:41,119 --> 00:23:42,721
YET, IT WOULD BE YOU.
777
00:23:42,721 --> 00:23:43,755
>> REALLY?
778
00:23:43,755 --> 00:23:46,958
OH, MY.
779
00:23:46,958 --> 00:23:47,492
WELL, I'M AVAILABLE CURRENTLY,
780
00:23:47,492 --> 00:23:51,029
CAROL.
781
00:23:51,029 --> 00:23:52,798
>> OH, NO.
782
00:23:52,798 --> 00:23:53,732
>> WHAT'S SPECIAL ABOUT HER IN
783
00:23:53,732 --> 00:23:57,769
YOUR MIND?
784
00:23:57,769 --> 00:24:02,007
>> WELL, IT IS THAT SPIRIT WHERE
785
00:24:02,007 --> 00:24:04,576
SHE MAKES THINGS FUNNY, BUT IT'S
786
00:24:04,576 --> 00:24:05,610
NOT CRUEL.
787
00:24:05,610 --> 00:24:10,515
SHE FINDS COMPASSION AND MAKES
788
00:24:10,515 --> 00:24:13,218
FUN OF HERSELF, BUT NOT -- IT'S
789
00:24:13,218 --> 00:24:15,554
NOT -- JUST JUST GOOD HEARTED.
790
00:24:15,554 --> 00:24:19,257
>> I'M GONNA CRY.
791
00:24:19,257 --> 00:24:19,891
OH.
792
00:24:19,891 --> 00:24:24,029
OH, I'M GONNA DIE HAPPY.
793
00:24:24,029 --> 00:24:25,096
THAT WAS SO SWEET.
794
00:24:25,096 --> 00:24:26,731
I TREASURE THAT.
795
00:24:26,731 --> 00:24:27,966
THANK YOU.
796
00:24:27,966 --> 00:24:30,001
>> OH, YOU'RE WELCOME.
797
00:24:30,001 --> 00:24:31,303
I KNOW PEOPLE HAVE SAID THIS TO
798
00:24:31,303 --> 00:24:32,671
YOU, YOU'RE OUR FRIEND.
799
00:24:32,671 --> 00:24:33,972
YOU ARE A FRIEND.
800
00:24:33,972 --> 00:24:36,942
>> OH, YEAH.
801
00:24:36,942 --> 00:24:37,676
>> WHAT DO YOU WANT TO SAY TO
802
00:24:37,676 --> 00:24:40,712
FOLKS WHO FEEL LIKE THEY KNOW
803
00:24:40,712 --> 00:24:41,746
YOU, THEY FEEL LIKE THEY'VE
804
00:24:41,746 --> 00:24:42,514
GROWN UP WITH YOU?
805
00:24:42,514 --> 00:24:44,049
>> I'D SAY THANK YOU.
806
00:24:44,049 --> 00:24:44,616
I SAY THANK YOU.
807
00:24:44,616 --> 00:24:45,383
I'M GRATEFUL, YEAH.
808
00:24:45,383 --> 00:24:45,784
>> I'M SO GLAD WE HAD THIS TIME
809
00:24:45,784 --> 00:24:46,184
TOGETHER.
810
00:24:46,184 --> 00:24:46,885
OH, ME TOO.
811
00:24:46,885 --> 00:24:47,285
>> SO GLAD WE HAD THIS TIME
812
00:24:47,285 --> 00:24:48,286
TOGETHER.
813
00:24:48,286 --> 00:24:49,354
>> THANK YOU, ROBIN.
814
00:24:49,354 --> 00:24:56,294
>> THANK YOU, CAROL.
815
00:24:56,294 --> 00:24:58,163
>> Announcer: NEXT, WE'RE TAKING
816
00:24:58,163 --> 00:25:00,065
YOU BACK TO SCHOOL, "ABBOTT
817
00:25:00,065 --> 00:25:01,199
ELEMENTARY" THAT IS.
818
00:25:01,199 --> 00:25:03,435
>> AND I LIKE TO FIGHT.
819
00:25:03,435 --> 00:25:05,337
>> Announcer: WHAT MADE QUINTA
820
00:25:05,337 --> 00:25:06,838
BRUNSON REACT LIKE THIS?
821
00:25:06,838 --> 00:25:07,973
>> OH, WOW.
822
00:25:07,973 --> 00:25:09,841
>> Announcer: WHEN WE RETURN.
823
00:25:13,979 --> 00:25:17,749
>>> WHAT IT DO, CAMERA CREW?
824
00:25:17,749 --> 00:25:18,917
>> Robin: SEASON AFTER SEASON
825
00:25:18,917 --> 00:25:20,085
YOU CAN'T HELP BUT LAUGH.
826
00:25:20,085 --> 00:25:25,657
>> WELCOME BACK, IT'S CAREER DAY
827
00:25:25,657 --> 00:25:26,391
TODAY UNFORTUNATELY.
828
00:25:26,391 --> 00:25:30,362
>> Robin: AND DON'T DARE LOOK
829
00:25:30,362 --> 00:25:31,129
AWAY.
830
00:25:31,129 --> 00:25:31,963
THE HIT MOCKUMENTARY ABC SITCOM,
831
00:25:31,963 --> 00:25:32,731
"ABBOTT ELEMENTARY," GARNERING
832
00:25:32,731 --> 00:25:33,465
NINE EMMY NOMINATIONS FOR SEASON
833
00:25:33,465 --> 00:25:34,099
THREE, THE MOST THE COMEDY HAS
834
00:25:34,099 --> 00:25:38,336
EVER RECEIVED.
835
00:25:38,336 --> 00:25:39,938
ALL LED BY THE QUINTA BRUNSON.
836
00:25:39,938 --> 00:25:42,040
>> SHOW RUNNER, LEAD ACTRESS,
837
00:25:42,040 --> 00:25:43,608
PRODUCING, YOU WEAR SO MANY
838
00:25:43,608 --> 00:25:45,210
DIFFERENT HATS.
839
00:25:45,210 --> 00:25:47,312
HOW DO YOU DO IT?
840
00:25:47,312 --> 00:25:48,079
>> ONE HAT AT A TIME, AND BEING
841
00:25:48,079 --> 00:25:48,446
REALLY GOOD AT SWITCHING THEM ON
842
00:25:48,446 --> 00:25:49,981
AND OFF.
843
00:25:49,981 --> 00:25:51,549
>> YOU EXCITED ABOUT EMMY NIGHT?
844
00:25:51,549 --> 00:25:53,151
>> I AM.
845
00:25:53,151 --> 00:25:54,753
YEAH, I'M GONNA HAVE FUN.
846
00:25:54,753 --> 00:25:57,389
GETTING TO SEE PEOPLE WHOSE WORK
847
00:25:57,389 --> 00:26:01,092
YOU ADMIRE, AND GETTING TO
848
00:26:01,092 --> 00:26:11,069
ACTUALLY TELL THEM, YOUR SHOW
849
00:26:11,069 --> 00:26:13,204
BRIGHTENED UP MY DAY, OR, YOUR
850
00:26:13,204 --> 00:26:13,939
SHOW MADE ME CRY.
851
00:26:13,939 --> 00:26:14,239
THAT KIND OF STUFF IS EXCITING
852
00:26:14,239 --> 00:26:18,510
TO ME.
853
00:26:18,510 --> 00:26:19,544
>> Robin: LAST SEASON, QUINTA
854
00:26:19,544 --> 00:26:20,612
TAKING HOME THE EMMY FOR BEST
855
00:26:20,612 --> 00:26:21,680
ACTRESS IN A COMEDY SERIES.
856
00:26:21,680 --> 00:26:22,213
SHE'S UP AGAIN FOR HER STARRING
857
00:26:22,213 --> 00:26:23,281
ROLE AS JANINE.
858
00:26:23,281 --> 00:26:24,049
>> GOING BACK TO SEASON ONE AND
859
00:26:24,049 --> 00:26:24,816
JANINE IS, YOU KNOW, THIS SECOND
860
00:26:24,816 --> 00:26:25,951
GRADE TEACHER WHO'S JUST TRYING
861
00:26:25,951 --> 00:26:26,685
REALLY HARD.
862
00:26:26,685 --> 00:26:27,452
AND TO SEE HER PROGRESSION AND
863
00:26:27,452 --> 00:26:27,953
THE AUDIENCE HAS BOUGHT INTO HER
864
00:26:27,953 --> 00:26:28,586
TRANSFORMATION.
865
00:26:28,586 --> 00:26:29,354
>> THEY SURE DID, YEAH.
866
00:26:29,354 --> 00:26:31,489
I LOVE THAT THEY'RE ON THE RIDE
867
00:26:31,489 --> 00:26:33,858
WITH US AND I JUST WANT TO KEEP
868
00:26:33,858 --> 00:26:34,693
DOING THAT.
869
00:26:34,693 --> 00:26:37,529
>> Reporter: THE COMEDY
870
00:26:37,529 --> 00:26:38,296
CHRONICLES INNER CITY
871
00:26:38,296 --> 00:26:39,030
PHILADELPHIA EDUCATORS DOING THE
872
00:26:39,030 --> 00:26:39,664
BEST THEY CAN WITH WHAT LITTLE
873
00:26:39,664 --> 00:26:40,432
THEY HAVE.
874
00:26:40,432 --> 00:26:41,099
>> NOW LET'S SEE THOSE CHEETAHS.
875
00:26:41,099 --> 00:26:41,766
>> I BROUGHT A FAKE SLOTH.
876
00:26:41,766 --> 00:26:42,300
>> REALLY, THAT'S WHAT YOU
877
00:26:42,300 --> 00:26:46,037
BROUGHT?
878
00:26:46,037 --> 00:26:47,906
>> Robin: AND ROMANCE THAT HEATS
879
00:26:47,906 --> 00:26:48,506
UP --
880
00:26:48,506 --> 00:26:51,676
>> I FIXED YOUR LIGHT.
881
00:26:51,676 --> 00:26:53,244
>> Robin: -- IN THE SEASON THREE
882
00:26:53,244 --> 00:26:53,912
FINALE.
883
00:26:53,912 --> 00:26:56,414
>> QUINTA, QUINTA, QUINTA!
884
00:26:56,414 --> 00:26:59,551
>> Robin: IT'S HERE IN L.A.
885
00:26:59,551 --> 00:27:00,652
WHERE QUINTA GOT HER START IN
886
00:27:00,652 --> 00:27:01,152
STAND-UP, LIKE AT "LAUGH
887
00:27:01,152 --> 00:27:04,122
FACTORY."
888
00:27:04,122 --> 00:27:05,690
>> PEOPLE ARE, LIKE, YOU ARE SO
889
00:27:05,690 --> 00:27:06,191
SHORT.
890
00:27:06,191 --> 00:27:06,992
ARE YOU OKAY?
891
00:27:06,992 --> 00:27:09,260
DO YOU GET THE HANDICAP THING
892
00:27:09,260 --> 00:27:11,997
FOR YOUR CAR?
893
00:27:11,997 --> 00:27:13,631
>> Robin: THE INTERNET SENSATION
894
00:27:13,631 --> 00:27:15,000
FORGING HER PATH TO CREATE
895
00:27:15,000 --> 00:27:17,235
"ABBOTT."
896
00:27:17,235 --> 00:27:17,736
THE SHOW, A PLAYGROUND FOR GUEST
897
00:27:17,736 --> 00:27:23,575
STARS.
898
00:27:23,575 --> 00:27:24,609
EVEN BEST ACTRESS NOMINEE,
899
00:27:24,609 --> 00:27:25,710
AYO EDEBIRI, PREVIOUSLY PLAYING
900
00:27:25,710 --> 00:27:28,146
JANINE'S SISTER.
901
00:27:28,146 --> 00:27:32,484
>> BOTH IN COMEDY, WOMEN IN
902
00:27:32,484 --> 00:27:33,651
COMEDY.
903
00:27:33,651 --> 00:27:35,587
AND TO BE ON THE RISE AS YOU
904
00:27:35,587 --> 00:27:37,555
BOTH ARE, YOU SHARE THAT.
905
00:27:37,555 --> 00:27:38,323
>> SHE'S MORE THAN A FRIEND.
906
00:27:38,323 --> 00:27:39,090
I CALL HER MY AUNT/NIECE/COUSIN.
907
00:27:39,090 --> 00:27:39,858
IT'S INVALUABLE TO HAVE SOMEONE
908
00:27:39,858 --> 00:27:40,625
WHO'S SO CLOSE TO YOU AND GOING
909
00:27:40,625 --> 00:27:41,259
THROUGH THE SAME THINGS YOU ARE.
910
00:27:41,259 --> 00:27:50,268
AND I'M PROUD OF HER.
911
00:27:50,268 --> 00:27:51,302
>> Robin: AYO KNOWN FOR HER
912
00:27:51,302 --> 00:27:51,836
AWARD-WINNING ROLE IN FX'S "THE
913
00:27:51,836 --> 00:27:52,904
BEAR."
914
00:27:52,904 --> 00:27:56,074
>> "THE BEAR!"
915
00:27:56,074 --> 00:27:56,841
>> Robin: THE REIGNING CHAMP
916
00:27:56,841 --> 00:27:57,542
WILL DUKE IT OUT WITH "ABBOTT,"
917
00:27:57,542 --> 00:27:58,276
"CURB YOUR ENTHUSIASM," AND
918
00:27:58,276 --> 00:27:58,643
OTHERS FOR OUTSTANDING COMEDY
919
00:27:58,643 --> 00:27:59,411
SERIES.
920
00:27:59,411 --> 00:28:04,549
>> I'VE WATCHED EVERY EPISODE OF
921
00:28:04,549 --> 00:28:06,151
"ABBOTT."
922
00:28:06,151 --> 00:28:06,885
I WATCHED "HACKS."
923
00:28:06,885 --> 00:28:07,585
THE THIRD SEASON WAS ACTUALLY
924
00:28:07,585 --> 00:28:08,286
PROBABLY MY FAVORITE OF THE
925
00:28:08,286 --> 00:28:11,923
THREE.
926
00:28:11,923 --> 00:28:12,457
>> Robin: LIONEL BOYCE,
927
00:28:12,457 --> 00:28:12,991
ALONGSIDE CASTMATE,
928
00:28:12,991 --> 00:28:13,491
LIZA COLON-ZAYAS --
929
00:28:13,491 --> 00:28:14,559
>> WHAT'S UP, T?
930
00:28:14,559 --> 00:28:17,729
HOW YOU DOING?
931
00:28:17,729 --> 00:28:18,797
>> Robin: -- ARE BOTH FIRST TIME
932
00:28:18,797 --> 00:28:19,497
NOMINEES FOR THEIR SUPPORTING
933
00:28:19,497 --> 00:28:20,231
PERFORMANCES IN "THE BEAR,"
934
00:28:20,231 --> 00:28:20,965
MAKING HISTORY FOR ITS RECORD
935
00:28:20,965 --> 00:28:21,699
23 EMMY NOMINATIONS FOR SEASON
936
00:28:21,699 --> 00:28:22,500
TWO, THE MOST EVER EARNED BY A
937
00:28:22,500 --> 00:28:26,204
COMEDY SERIES.
938
00:28:26,204 --> 00:28:26,971
>> PEOPLE TALK ABOUT "THE BEAR."
939
00:28:26,971 --> 00:28:27,505
WHAT IS IT LIKE TO BE A PART OF
940
00:28:27,505 --> 00:28:28,239
A SHOW LIKE THAT?
941
00:28:28,239 --> 00:28:28,940
>> BEFORE THIS, I WOULD ALWAYS
942
00:28:28,940 --> 00:28:29,674
THINK ABOUT, LIKE, "I WONDER
943
00:28:29,674 --> 00:28:30,308
WHAT IT'S LIKE TO BE A PART OF
944
00:28:30,308 --> 00:28:31,076
SOMETHING THAT'S A HIT."
945
00:28:31,076 --> 00:28:32,510
AND THEN IT HAPPENS, AND YOU'RE
946
00:28:32,510 --> 00:28:33,578
JUST, LIKE, WATCHING IT UNFOLD
947
00:28:33,578 --> 00:28:36,748
IN REAL-TIME.
948
00:28:36,748 --> 00:28:37,449
AND YOU'RE JUST LIKE, OH, OKAY,
949
00:28:37,449 --> 00:28:39,951
THIS IS SOMETHING THAT MEANS
950
00:28:39,951 --> 00:28:43,655
SOMETHING.
951
00:28:43,655 --> 00:28:44,389
>> Robin: IT'S THE STORY OF A
952
00:28:44,389 --> 00:28:45,256
RESTAURANT IN NEED OF A REVAMP
953
00:28:45,256 --> 00:28:46,024
AFTER A FAMILY TRAGEDY.
954
00:28:46,024 --> 00:28:46,391
>> IT'S GOING TO TAKE SIX MONTHS
955
00:28:46,391 --> 00:28:47,892
TO OPEN.
956
00:28:47,892 --> 00:28:49,494
>> SIX MONTHS?
957
00:28:49,494 --> 00:28:50,528
THAT'S BEING, WHAT?
958
00:28:50,528 --> 00:28:51,596
CONFIDENT?
959
00:28:51,596 --> 00:28:52,130
>> COCKY?
960
00:28:52,130 --> 00:28:54,866
>> CRAZY!
961
00:28:54,866 --> 00:28:57,068
>> Robin: THE STAKES ARE HIGH
962
00:28:57,068 --> 00:28:59,404
AND EVERY SECOND COUNTS.
963
00:28:59,404 --> 00:29:00,872
>> THANK YOU, CHEF.
964
00:29:00,872 --> 00:29:05,243
>> Robin: LIONEL PLAYS MARCUS,
965
00:29:05,243 --> 00:29:06,277
THE EVEN KEELED ASPIRING PASTRY
966
00:29:06,277 --> 00:29:07,345
CHEF WHO WORKS HARD TO IMPROVE
967
00:29:07,345 --> 00:29:08,079
HIS SKILLS, TRAVELING TO
968
00:29:08,079 --> 00:29:08,947
COPENHAGEN TO TRAIN WITH CHEF
969
00:29:08,947 --> 00:29:09,681
LUCA.
970
00:29:09,681 --> 00:29:10,515
GUEST ACTOR, WILL POULTER, IS
971
00:29:10,515 --> 00:29:12,117
ALSO NOMINATED FOR THE EPISODE.
972
00:29:12,117 --> 00:29:13,184
>> I LOVE WILL.
973
00:29:13,184 --> 00:29:14,786
HE'S VERY INTO FOOD.
974
00:29:14,786 --> 00:29:15,820
HE BROUGHT SOME COOKIES HE MADE.
975
00:29:15,820 --> 00:29:19,224
I'M NOT, LIKE, A HUGE COOKIE
976
00:29:19,224 --> 00:29:20,291
PERSON, BUT I WAS, LIKE, THESE
977
00:29:20,291 --> 00:29:21,025
ARE AMAZING.
978
00:29:21,025 --> 00:29:22,794
>> HOW COULD YOU NOT BE AFTER
979
00:29:22,794 --> 00:29:23,294
ALL THOSE PASTRIES THAT YOU
980
00:29:23,294 --> 00:29:23,828
MAKE --
981
00:29:23,828 --> 00:29:24,896
>> I LOVE CAKE.
982
00:29:24,896 --> 00:29:25,964
>> -- ON THE SHOW?
983
00:29:25,964 --> 00:29:28,600
>> I LOVE CAKES MORE.
984
00:29:28,600 --> 00:29:29,300
I MEAN, I DON'T MAKE THAT A LOT.
985
00:29:29,300 --> 00:29:30,001
TO BE FAIR, YOU DON'T SEE ME
986
00:29:30,001 --> 00:29:30,735
MAKING COOKIES IN THE SHOW.
987
00:29:30,735 --> 00:29:31,469
>> THAT'S TRUE.
988
00:29:31,469 --> 00:29:32,303
DONUTS I'VE SEEN, CAKES YOU'VE
989
00:29:32,303 --> 00:29:33,371
SEEN --
990
00:29:33,371 --> 00:29:36,574
>> YEAH, WHICH I LOVE BOTH.
991
00:29:36,574 --> 00:29:37,342
>> Robin: MEANWHILE LIZA'S
992
00:29:37,342 --> 00:29:38,143
CHARACTER, TINA, SHARPENING HER
993
00:29:38,143 --> 00:29:39,210
CRAFT AT CULINARY SCHOOL.
994
00:29:39,210 --> 00:29:42,380
>> EXCELLENT CUT CHEF.
995
00:29:42,380 --> 00:29:46,718
>> THANK YOU, CHEF.
996
00:29:46,718 --> 00:29:51,556
>> YOUR CASTMATE, LIZA, HER
997
00:29:51,556 --> 00:29:52,323
FIRST TIME AS A NOMINEE.
998
00:29:52,323 --> 00:29:53,024
>> OH, YEAH.
999
00:29:53,024 --> 00:29:53,892
>> SO HOW DO YOU FEEL ABOUT
1000
00:29:53,892 --> 00:29:54,626
THAT?
1001
00:29:54,626 --> 00:29:55,193
>> I'M OVER THE MOON FOR THAT.
1002
00:29:55,193 --> 00:29:55,927
I MEAN, I LOVE LIZA.
1003
00:29:55,927 --> 00:29:56,661
SHE'S JUST BEEN WORKING FOR SO
1004
00:29:56,661 --> 00:29:57,095
LONG, AND INCREDIBLY TALENTED
1005
00:29:57,095 --> 00:29:58,663
AND DESERVING.
1006
00:29:58,663 --> 00:29:59,230
I FELT MORE HAPPY FOR HER BEING
1007
00:29:59,230 --> 00:30:02,901
NOMINATED THAN MYSELF.
1008
00:30:02,901 --> 00:30:03,568
>> Robin: A STAGE AND SCREEN
1009
00:30:03,568 --> 00:30:04,235
VETERAN WHO WORKED IN THE
1010
00:30:04,235 --> 00:30:05,036
INDUSTRY FOR NEARLY THREE
1011
00:30:05,036 --> 00:30:06,604
DECADES BEFORE LANDING HER
1012
00:30:06,604 --> 00:30:07,672
BREAKOUT ROLE.
1013
00:30:07,672 --> 00:30:08,740
>> I GET A LITTLE NERVOUS THAT I
1014
00:30:08,740 --> 00:30:09,807
JUST AM TINA.
1015
00:30:09,807 --> 00:30:12,410
THAT BEING TINY AND LATINA, I
1016
00:30:12,410 --> 00:30:16,080
MEAN, I COME FROM STRONG WOMEN.
1017
00:30:16,080 --> 00:30:17,148
>> Robin: LIZA'S UP AGAINST A
1018
00:30:17,148 --> 00:30:17,882
STACKED CATEGORY FOR OUTSTANDING
1019
00:30:17,882 --> 00:30:19,284
SUPPORTING ACTRESS IN A COMEDY
1020
00:30:19,284 --> 00:30:23,521
SERIES.
1021
00:30:23,521 --> 00:30:25,089
>> IT'S PEOPLE I REALLY, TRULY,
1022
00:30:25,089 --> 00:30:28,259
TRULY LOOK UP TO.
1023
00:30:28,259 --> 00:30:29,861
I'M ABOUT THE WORK AND ABOUT THE
1024
00:30:29,861 --> 00:30:31,963
RESPECT.
1025
00:30:31,963 --> 00:30:34,766
BUT TO HAVE THAT VALIDATION, YOU
1026
00:30:34,766 --> 00:30:37,335
KNOW, IT FEELS AMAZING.
1027
00:30:37,335 --> 00:30:40,305
>> Robin: FINDING HEART AND
1028
00:30:40,305 --> 00:30:41,339
HUMOR THROUGH THEIR HOMETOWNS,
1029
00:30:41,339 --> 00:30:42,440
BOTH "THE BEAR" AND "ABBOTT
1030
00:30:42,440 --> 00:30:44,542
ELEMENTARY" BRING THEIR BELOVED
1031
00:30:44,542 --> 00:30:49,314
CITIES TO LIFE.
1032
00:30:49,314 --> 00:30:49,814
>> CHICAGO IS SYNONYMOUS WITH
1033
00:30:49,814 --> 00:30:50,582
"THE BEAR."
1034
00:30:50,582 --> 00:30:50,982
>> THAT'S A COOL THING THAT THIS
1035
00:30:50,982 --> 00:30:51,716
SHOW DOES.
1036
00:30:51,716 --> 00:30:52,483
IT'S SPECIFIC IN THE WAY WHERE
1037
00:30:52,483 --> 00:30:52,984
THEY'RE SHOOTING AT PLACES WITH
1038
00:30:52,984 --> 00:30:54,052
INTENTIONALITY.
1039
00:30:54,052 --> 00:30:56,354
SO, IT FEELS ALIVE IN THIS WAY,
1040
00:30:56,354 --> 00:30:58,489
WHERE YOU'RE LIKE, I WANT TO GO
1041
00:30:58,489 --> 00:30:59,257
THERE, I WANT TO SEE IT.
1042
00:30:59,257 --> 00:30:59,791
>> "ABBOTT ELEMENTARY," IT HAS
1043
00:30:59,791 --> 00:31:00,825
TO BE PHILLY.
1044
00:31:00,825 --> 00:31:02,460
>> YES.
1045
00:31:02,460 --> 00:31:03,228
I'M PUMPED TO CONTINUE OUR
1046
00:31:03,228 --> 00:31:05,096
TRADITION OF MAKING PHILLY KNOWN
1047
00:31:05,096 --> 00:31:08,266
TO THE REST OF THE WORLD.
1048
00:31:08,266 --> 00:31:08,800
>> AND YOU'RE A WEST PHILLY
1049
00:31:08,800 --> 00:31:09,834
GIRL.
1050
00:31:09,834 --> 00:31:10,835
STARTED IN DANCE, I BELIEVE.
1051
00:31:10,835 --> 00:31:11,903
>> YEP.
1052
00:31:11,903 --> 00:31:14,038
>> A MENTOR OF YOURS HAS A
1053
00:31:14,038 --> 00:31:15,073
SPECIAL MESSAGE FOR YOU.
1054
00:31:15,073 --> 00:31:17,208
>> OH, WOW.
1055
00:31:17,208 --> 00:31:18,776
>> MISS QUINTA BRUNSON, IT'S
1056
00:31:18,776 --> 00:31:21,779
MISS HOLLIE.
1057
00:31:21,779 --> 00:31:24,716
HOW YOU DOING, BABY?
1058
00:31:24,716 --> 00:31:26,651
CONGRATULATIONS ON ALL YOUR
1059
00:31:26,651 --> 00:31:29,053
SUCCESS AND YOUR EMAIL IN
1060
00:31:29,053 --> 00:31:31,456
NOMINATIONS FOR THIS YEAR.
1061
00:31:31,456 --> 00:31:37,929
I'M SO PROUD OF YOU.
1062
00:31:37,929 --> 00:31:49,941
>> All: HI, QUINTA.
1063
00:31:49,941 --> 00:31:51,209
CONGRATULATIONS FROM L AND L
1064
00:31:51,209 --> 00:31:52,777
DANCE PRODUCTIONS.
1065
00:31:52,777 --> 00:31:57,115
>> OH, WOW, THAT'S REALLY SWEET.
1066
00:31:57,115 --> 00:31:59,117
>> All: WE LOVE YOU SO MUCH.
1067
00:31:59,117 --> 00:31:59,651
>> THAT'S REALLY -- THAT'S
1068
00:31:59,651 --> 00:32:00,418
CRAZY.
1069
00:32:00,418 --> 00:32:01,219
>> WHY DOES THAT BRING TEARS TO
1070
00:32:01,219 --> 00:32:01,919
YOUR EYES?
1071
00:32:01,919 --> 00:32:02,820
>> THAT'S JUST A SMALL DANCE
1072
00:32:02,820 --> 00:32:03,554
SCHOOL IN WEST PHILLY.
1073
00:32:03,554 --> 00:32:03,955
THAT WAS WHERE I LEARNED TO BE
1074
00:32:03,955 --> 00:32:05,456
ON STAGE.
1075
00:32:05,456 --> 00:32:06,090
I WAS AT THAT DANCE SCHOOL EVERY
1076
00:32:06,090 --> 00:32:06,524
WEDNESDAY, THURSDAY, AND
1077
00:32:06,524 --> 00:32:07,292
SATURDAY.
1078
00:32:07,292 --> 00:32:08,092
SO THAT WAS HOME AWAY FROM HOME.
1079
00:32:08,092 --> 00:32:09,160
GIRLS WHO ARE FROM WHERE I'M
1080
00:32:09,160 --> 00:32:11,763
FROM, THOSE KIND OF SPACES ARE
1081
00:32:11,763 --> 00:32:12,497
SPECIAL BECAUSE THEY KEEP YOU
1082
00:32:12,497 --> 00:32:13,164
OUT OF TROUBLE AND GIVE YOU AN
1083
00:32:13,164 --> 00:32:14,399
ENVIRONMENT TO BELIEVE IN
1084
00:32:14,399 --> 00:32:15,466
YOURSELF.
1085
00:32:15,466 --> 00:32:18,102
>> YOU ARE HOLLYWOOD ROYALTY
1086
00:32:18,102 --> 00:32:19,704
RIGHT NOW AND YOU CAN BE BROUGHT
1087
00:32:19,704 --> 00:32:20,338
TO TEARS THINKING OF THE
1088
00:32:20,338 --> 00:32:22,340
GRATITUDE THAT YOU HAVE.
1089
00:32:22,340 --> 00:32:27,679
>> THAT'S VERY SWEET.
1090
00:32:27,679 --> 00:32:31,649
>> Announcer: COMING UP, FROM
1091
00:32:31,649 --> 00:32:33,818
FATHER AND SON TO FIRST TIME
1092
00:32:33,818 --> 00:32:34,952
EMMY CO-HOSTS.
1093
00:32:34,952 --> 00:32:37,188
>> THE CHALLENGE IS NOT
1094
00:32:37,188 --> 00:32:38,990
HUMILIATING YOURSELF ON NATIONAL
1095
00:32:38,990 --> 00:32:41,225
TELEVISION IN FRONT OF MILLIONS
1096
00:32:41,225 --> 00:32:42,126
OF PEOPLE.
1097
00:32:42,126 --> 00:32:43,461
>> THAT'S ONE.
1098
00:32:43,461 --> 00:32:44,796
>> Announcer: NEXT.
1099
00:32:48,032 --> 00:32:50,668
>>> I MEAN, PERSONALLY, FOR ME,
1100
00:32:50,668 --> 00:32:51,736
COMEDY'S ALL ABOUT -- IF I'M
1101
00:32:51,736 --> 00:32:52,270
GONNA GO DOWN, I WANNA TAKE
1102
00:32:52,270 --> 00:32:56,574
SOMEBODY WITH ME.
1103
00:32:56,574 --> 00:32:57,475
LUCKILY I'VE GOT MY SON HERE.
1104
00:32:57,475 --> 00:32:58,543
>> YEAH, YEAH, YEAH.
1105
00:32:58,543 --> 00:32:59,610
THAT'S -- THAT'S GOOD FATHERLY
1106
00:32:59,610 --> 00:33:04,282
ADVICE.
1107
00:33:04,282 --> 00:33:06,784
>> Reporter: HONED BY THEIR
1108
00:33:06,784 --> 00:33:07,852
REAL-LIFE ROLES AS FATHER AND
1109
00:33:07,852 --> 00:33:09,420
SON, THIS YEAR'S EMMY HOSTS,
1110
00:33:09,420 --> 00:33:11,022
DAN LEVY AND EUGENE LEVY, SET TO
1111
00:33:11,022 --> 00:33:12,090
SHOWCASE THEIR EMMY-WINNING
1112
00:33:12,090 --> 00:33:13,157
COMIC CHEMISTRY FAMOUSLY
1113
00:33:13,157 --> 00:33:14,726
FEATURED ON THEIR SITCOM
1114
00:33:14,726 --> 00:33:17,395
"SCHITT'S CREEK."
1115
00:33:17,395 --> 00:33:19,997
>> CONGRATULATIONS TO THE TWO OF
1116
00:33:19,997 --> 00:33:21,099
YOU, THE FIRST FATHER AND SON
1117
00:33:21,099 --> 00:33:21,799
DUO EVER TO HOST THE EMMYS.
1118
00:33:21,799 --> 00:33:23,201
WHAT DOES THAT MEAN TO YOU?
1119
00:33:23,201 --> 00:33:24,769
>> MEANS WE'RE THE FIRST,
1120
00:33:24,769 --> 00:33:28,473
DOESN'T IT?
1121
00:33:28,473 --> 00:33:30,608
I THINK THAT'S WHAT IT MEANS.
1122
00:33:30,608 --> 00:33:31,676
>> THE CHALLENGE IS NOT
1123
00:33:31,676 --> 00:33:32,710
HUMILIATING YOURSELF ON NATIONAL
1124
00:33:32,710 --> 00:33:33,344
TELEVISION IN FRONT OF MILLIONS
1125
00:33:33,344 --> 00:33:34,846
AND MILLIONS OF PEOPLE.
1126
00:33:34,846 --> 00:33:35,913
>> THAT'S ONE.
1127
00:33:35,913 --> 00:33:36,614
>> HOW WOULD YOU DESCRIBE WHAT
1128
00:33:36,614 --> 00:33:36,948
IT IS THAT THE TWO OF YOU DO
1129
00:33:36,948 --> 00:33:38,015
WHEN --
1130
00:33:38,015 --> 00:33:39,550
>> BICKERING.
1131
00:33:39,550 --> 00:33:40,084
>> -- YOU'RE TOGETHER,
1132
00:33:40,084 --> 00:33:44,188
BICKERING?
1133
00:33:44,188 --> 00:33:47,992
>> IT'S A BICKER BACK AND FORTH.
1134
00:33:47,992 --> 00:33:49,160
IT'S A GENERAL LACK OF RESPECT.
1135
00:33:49,160 --> 00:33:49,827
>> WHAT ARE YOU WEARING?
1136
00:33:49,827 --> 00:33:50,528
WHAT IS THAT, A NIGHTGOWN?
1137
00:33:50,528 --> 00:33:51,295
>> IT'S A NIGHTSHIRT, DAVID.
1138
00:33:51,295 --> 00:33:51,796
>> YOU MIGHT WANT TO RETHINK THE
1139
00:33:51,796 --> 00:33:52,563
NIGHTGOWN FIRST.
1140
00:33:52,563 --> 00:33:53,064
THERE'S A WHOLE EBENEZER SCROOGE
1141
00:33:53,064 --> 00:33:53,831
THING HAPPENING.
1142
00:33:53,831 --> 00:33:54,265
>> OH, MY GOD, THAT'S WHO I WAS
1143
00:33:54,265 --> 00:33:57,635
THINKING OF.
1144
00:33:57,635 --> 00:33:58,169
>> YOU KNOW WHAT, I'LL DO IT
1145
00:33:58,169 --> 00:33:59,237
MYSELF.
1146
00:33:59,237 --> 00:34:02,540
>> MY BEST TO BOB CRATCHIT.
1147
00:34:02,540 --> 00:34:05,710
>> WE'RE FORTUNATE ENOUGH TO
1148
00:34:05,710 --> 00:34:06,344
HAVE A KIND OF CHEMISTRY THAT
1149
00:34:06,344 --> 00:34:10,081
WORKS ON AN AWARD SHOW.
1150
00:34:10,081 --> 00:34:12,717
>> IT'S ALSO THE KIND OF
1151
00:34:12,717 --> 00:34:17,355
CHEMISTRY THAT WAS ON "SCHITT'S
1152
00:34:17,355 --> 00:34:18,089
CREEK."
1153
00:34:18,089 --> 00:34:20,992
IT CAME FROM A VERY, VERY REAL
1154
00:34:20,992 --> 00:34:21,759
PLACE.
1155
00:34:21,759 --> 00:34:24,729
>> Reporter: AT THE 2020 EMMYS,
1156
00:34:24,729 --> 00:34:26,297
THE TV ACADEMY AND A
1157
00:34:26,297 --> 00:34:27,899
COVID-SCARRED COUNTRY GRATEFUL
1158
00:34:27,899 --> 00:34:28,666
TO BE UP THE CREEK.
1159
00:34:28,666 --> 00:34:29,500
THE CANADIAN SERIES SWEEPING THE
1160
00:34:29,500 --> 00:34:30,535
COMEDY CATEGORIES.
1161
00:34:30,535 --> 00:34:32,136
EUGENE LEVY WINNING TWO EMMYS
1162
00:34:32,136 --> 00:34:33,204
AND DAN LEVY WINNING FOUR EMMYS
1163
00:34:33,204 --> 00:34:34,238
THAT YEAR, FOR ACTING, WRITING,
1164
00:34:34,238 --> 00:34:34,972
DIRECTING, AND PRODUCING.
1165
00:34:34,972 --> 00:34:35,706
THE SHOW'S WARM, WITTY VIBE A
1166
00:34:35,706 --> 00:34:36,374
TOUCHSTONE FOR THIS EMMY GIG.
1167
00:34:36,374 --> 00:34:37,442
>> YOU KNOW, I THINK OUR
1168
00:34:37,442 --> 00:34:38,476
APPROACH IS WHAT WE APPROACH
1169
00:34:38,476 --> 00:34:42,180
EVERYTHING WE DO, WHICH IS,
1170
00:34:42,180 --> 00:34:45,082
WHAT WE APPROACH EVERYTHING WE
1171
00:34:45,082 --> 00:34:45,817
DO.
1172
00:34:45,817 --> 00:34:46,551
IT'S WITH A HEART AND KINDNESS
1173
00:34:46,551 --> 00:34:47,718
WHILE AT THE SAME TIME NOT
1174
00:34:47,718 --> 00:34:50,254
LOSING THE EDGE OF WHAT PEOPLE
1175
00:34:50,254 --> 00:34:50,955
COME TO EXPECT FROM A HOST.
1176
00:34:50,955 --> 00:34:51,589
SO IT'S RIDING THAT BALANCE.
1177
00:34:51,589 --> 00:34:51,956
WE WANT EVERYONE TO FEEL
1178
00:34:51,956 --> 00:34:52,690
WELCOME.
1179
00:34:52,690 --> 00:34:53,191
BUT WE ALSO NEED TO -- WE NEED
1180
00:34:53,191 --> 00:34:53,825
TO MAKE SOME --
1181
00:34:53,825 --> 00:34:54,492
>> WE'VE GOTTA BE FUNNY.
1182
00:34:54,492 --> 00:34:56,093
>> -- JOKES.
1183
00:34:56,093 --> 00:34:58,229
I ALSO THINK AS CANADIANS, IT'S
1184
00:34:58,229 --> 00:35:01,933
IMPOSSIBLE TO TAKE YOURSELF
1185
00:35:01,933 --> 00:35:04,035
SERIOUSLY AND TRY TO NOT BOMB.
1186
00:35:04,035 --> 00:35:07,238
>> THAT'S THE CANADIAN WAY.
1187
00:35:07,238 --> 00:35:08,272
YES, GET OUT THERE AND DON'T
1188
00:35:08,272 --> 00:35:16,147
BOMB.
1189
00:35:16,147 --> 00:35:16,914
>> Reporter: THEY'RE ONLY THE
1190
00:35:16,914 --> 00:35:17,982
SECOND DUO TO HOST THE EMMYS IN
1191
00:35:17,982 --> 00:35:18,716
THE 21st CENTURY, MICHAEL CHE
1192
00:35:18,716 --> 00:35:19,584
AND COLIN JOST BEING THE OTHER
1193
00:35:19,584 --> 00:35:22,253
PAIR.
1194
00:35:22,253 --> 00:35:22,753
BUT BACK IN THE DAY --
1195
00:35:22,753 --> 00:35:27,525
>> "I LOVE LUCY."
1196
00:35:27,525 --> 00:35:28,259
>> Reporter: LUCY AND DESI DID
1197
00:35:28,259 --> 00:35:29,126
IT TOGETHER IN BLACK AND WHITE
1198
00:35:29,126 --> 00:35:30,194
IN THE 1950s, TAKING HOME EMMYS
1199
00:35:30,194 --> 00:35:31,762
OF THEIR OWN AT THE SAME TIME.
1200
00:35:31,762 --> 00:35:35,733
>> THANKS VERY VERY MUCH.
1201
00:35:35,733 --> 00:35:37,335
>> THANK YOU, LADIES AND
1202
00:35:37,335 --> 00:35:38,169
GENTLEMEN.
1203
00:35:38,169 --> 00:35:42,173
>> reporter: FUTURE "20/20" HOST
1204
00:35:42,173 --> 00:35:43,207
HUGH DOWNS PARTNERED WITH LATE
1205
00:35:43,207 --> 00:35:44,809
NIGHT TALK SHOW HOST JOEY BISHOP
1206
00:35:44,809 --> 00:35:46,410
IN 1967, THE YEAR "THE MONKEES"
1207
00:35:46,410 --> 00:35:47,979
WON COMEDY SERIES.
1208
00:35:47,979 --> 00:35:50,114
AND IN 1982, THE YEAR
1209
00:35:50,114 --> 00:35:52,216
MARLO THOMAS AND JOHN FORSYTHE
1210
00:35:52,216 --> 00:35:54,886
HOSTED, EUGENE LEVY WON HIS
1211
00:35:54,886 --> 00:35:57,522
FIRST OF TWO '80s EMMYS FOR THE
1212
00:35:57,522 --> 00:36:00,191
GREAT SKETCH SHOW "SCTV," WHERE
1213
00:36:00,191 --> 00:36:02,293
HE WROTE AND PERFORMED ALONGSIDE
1214
00:36:02,293 --> 00:36:03,895
"CREEK'S" CATHERINE O'HARA, AND
1215
00:36:03,895 --> 00:36:04,929
SANG TOO, FOR A PRODUCTION
1216
00:36:04,929 --> 00:36:08,799
NUMBER THAT HELPED TO OPEN AN
1217
00:36:08,799 --> 00:36:10,935
AWARDS SHOW SEND-UP.
1218
00:36:10,935 --> 00:36:11,702
♪ NOW AIN'T THAT GRAND ♪
1219
00:36:11,702 --> 00:36:15,006
>> IF YOU'VE NEVER SEEN IT, AND
1220
00:36:15,006 --> 00:36:15,606
I'M SURE YOU HAVEN'T.
1221
00:36:15,606 --> 00:36:18,409
>> WELL, CLEARLY I --
1222
00:36:18,409 --> 00:36:19,944
>> YOU SHOULD WATCH IT JUST TO
1223
00:36:19,944 --> 00:36:22,880
SEE WHAT YOUR DAD WAS DOING LIKE
1224
00:36:22,880 --> 00:36:24,482
WAY BEFORE YOU WERE BORN.
1225
00:36:24,482 --> 00:36:31,389
>> Reporter: DAD'S DEBUT ON MTV
1226
00:36:31,389 --> 00:36:33,491
CANADA IN 2006 EUGENE'S ROLE IN
1227
00:36:33,491 --> 00:36:37,728
A 1970 COLLEGE PLAY.
1228
00:36:37,728 --> 00:36:38,496
GETTING THEIR PICTURES IN THE
1229
00:36:38,496 --> 00:36:39,230
LOCAL PAPER WHEN THEY WERE EACH
1230
00:36:39,230 --> 00:36:41,899
23 OR SO.
1231
00:36:41,899 --> 00:36:43,467
>> LOOK AT THE WAY YOU LOOK AND
1232
00:36:43,467 --> 00:36:44,168
LOOK AT THE WAY I LOOK.
1233
00:36:44,168 --> 00:36:45,102
AND YOU WONDER WHY I WASN'T
1234
00:36:45,102 --> 00:36:47,872
GETTING WORK.
1235
00:36:47,872 --> 00:36:49,106
>> Reporter: HE'S GETTING PLENTY
1236
00:36:49,106 --> 00:36:49,807
OF WORK NOW.
1237
00:36:49,807 --> 00:36:50,541
HE'S IN SEASON FOUR OF "ONLY
1238
00:36:50,541 --> 00:36:52,476
MURDERS IN THE BUILDING" AS AN
1239
00:36:52,476 --> 00:36:53,544
ACTOR PREPPING TO PLAY
1240
00:36:53,544 --> 00:36:54,612
STEVE MARTIN'S CHARACTER IN A
1241
00:36:54,612 --> 00:36:56,180
FILM.
1242
00:36:56,180 --> 00:36:57,214
>> WELL AT OUR AGE, NO ONE'S
1243
00:36:57,214 --> 00:36:58,282
EVER REALLY TOTALLY FINE, ARE
1244
00:36:58,282 --> 00:36:59,383
WE?
1245
00:36:59,383 --> 00:37:00,418
YOU KNOW WHAT EVERYONE'S GOT
1246
00:37:00,418 --> 00:37:02,520
NOW -- SEPSIS.
1247
00:37:02,520 --> 00:37:04,121
>> OH, EXCUSE -- OH, MY GOD,
1248
00:37:04,121 --> 00:37:07,291
IT'S MY OLD FRIEND.
1249
00:37:07,291 --> 00:37:08,359
>> WHAT WOULD YOU GIVE AS ADVICE
1250
00:37:08,359 --> 00:37:09,427
IN TERMS OF HOSTING THE EMMYS
1251
00:37:09,427 --> 00:37:10,461
THIS YEAR?
1252
00:37:10,461 --> 00:37:12,063
>> I DON'T THINK I COULD GIVE
1253
00:37:12,063 --> 00:37:13,664
HIM ADVICE BECAUSE HE HAS HIS
1254
00:37:13,664 --> 00:37:16,300
OWN COMIC PERSONA.
1255
00:37:16,300 --> 00:37:17,368
IT'S LIKE IF WE, ALL THREE OF US
1256
00:37:17,368 --> 00:37:18,436
IN A ROOM, AND HE'S TALKING FAST
1257
00:37:18,436 --> 00:37:21,606
AND I'M TALKING FAST AND THEN
1258
00:37:21,606 --> 00:37:23,741
EUGENE TALKS, HE SLOWS IT RIGHT
1259
00:37:23,741 --> 00:37:27,979
DOWN.
1260
00:37:27,979 --> 00:37:29,013
>> BECAUSE ONE THING ABOUT AN
1261
00:37:29,013 --> 00:37:30,081
AWARD SHOW, YOU ALWAYS WISH IT
1262
00:37:30,081 --> 00:37:32,516
WAS A LITTLE BIT LONGER.
1263
00:37:32,516 --> 00:37:35,953
>> YEAH, YEAH, YEAH.
1264
00:37:35,953 --> 00:37:38,422
>> SO I THINK IT'S GOING TO WORK
1265
00:37:38,422 --> 00:37:39,357
OUT WELL.
1266
00:37:39,357 --> 00:37:43,995
>> I THINK HE AND DANIEL ARE
1267
00:37:43,995 --> 00:37:45,096
>> Reporter: THE "ONLY MURDERS"
1268
00:37:45,096 --> 00:37:46,130
CAST SET TO PRESENT ON THE SHOW,
1269
00:37:46,130 --> 00:37:47,198
WITH ONE OF ITS LATEST SEASON'S
1270
00:37:47,198 --> 00:37:47,732
FEATURED ACTORS GIVEN HER OWN
1271
00:37:47,732 --> 00:37:49,300
CHANCE TO SHINE.
1272
00:37:49,300 --> 00:37:52,470
>> WE'RE GONNA HAVE THIS GREAT
1273
00:37:52,470 --> 00:37:53,537
COACH'S MOMENT LED BY
1274
00:37:53,537 --> 00:37:54,605
JANE LYNCH, WHO WAS AN AMAZING
1275
00:37:54,605 --> 00:37:56,941
COACH ON "GLEE."
1276
00:37:56,941 --> 00:37:58,676
SHE DEFINED WHAT A COACH SHOULD
1277
00:37:58,676 --> 00:37:59,143
BE.
1278
00:37:59,143 --> 00:38:00,444
SHE'S AMAZING.
1279
00:38:00,444 --> 00:38:01,879
WE HAVE A GREAT MOMENT BUILT
1280
00:38:01,879 --> 00:38:05,282
AROUND HER AND IT'S TIED TO AN
1281
00:38:05,282 --> 00:38:06,450
AMAZING SURPRISE.
1282
00:38:06,450 --> 00:38:07,518
>> THE EMOTION OF THE NIGHT IS
1283
00:38:07,518 --> 00:38:08,252
FRONT AND FOREMOST IN MY MIND.
1284
00:38:08,252 --> 00:38:09,020
THAT'S A REALLY JOYOUS THING.
1285
00:38:09,020 --> 00:38:09,353
>> I THINK WE JUST WANT IT TO BE
1286
00:38:09,353 --> 00:38:11,222
GREAT.
1287
00:38:11,222 --> 00:38:12,289
WE WANT IT TO BE SMART.
1288
00:38:12,289 --> 00:38:13,357
WE WANT IT TO MEAN SOMETHING.
1289
00:38:13,357 --> 00:38:14,425
WE WANT IT TO BE FUN.
1290
00:38:14,425 --> 00:38:15,459
>> WE REALLY HOPE THAT IT'S JUST
1291
00:38:15,459 --> 00:38:16,527
A FUN VIBE AND IT'S A VERY
1292
00:38:16,527 --> 00:38:19,397
CELEBRATORY NIGHT.
1293
00:38:19,397 --> 00:38:20,831
>> Reporter: BOTH OF THESE HOSTS
1294
00:38:20,831 --> 00:38:22,433
APPRECIATE THE IMPACT OF AN EMMY
1295
00:38:22,433 --> 00:38:25,069
OR TWO, WITH DAN LEVY RECALLING
1296
00:38:25,069 --> 00:38:25,670
GROWING UP WITH HIS FATHER'S
1297
00:38:25,670 --> 00:38:28,439
STATUES IN THEIR HOME.
1298
00:38:28,439 --> 00:38:31,842
>> GROWING UP, WE HAD THESE
1299
00:38:31,842 --> 00:38:33,611
DECAYING EMMY AWARDS SITTING ON
1300
00:38:33,611 --> 00:38:34,578
A SHELF.
1301
00:38:34,578 --> 00:38:36,213
AT ONE POINT SOMEONE HAD
1302
00:38:36,213 --> 00:38:36,714
TAKEN --
1303
00:38:36,714 --> 00:38:38,149
>> I DID.
1304
00:38:38,149 --> 00:38:41,152
>> -- SCOTCH TAPE AND TAPED THE
1305
00:38:41,152 --> 00:38:47,692
PLACARD THAT CAME OFF.
1306
00:38:47,692 --> 00:38:48,325
>> THEY WEREN'T BUILD THAT WELL
1307
00:38:48,325 --> 00:38:49,060
BACK THEN.
1308
00:38:49,060 --> 00:38:49,694
>> SO WHEN I GOT MINE, I JUST
1309
00:38:49,694 --> 00:38:50,728
THOUGHT, DON'T DO THAT.
1310
00:38:50,728 --> 00:38:52,329
TAKE BETTER CARE OF THEM, YOU
1311
00:38:52,329 --> 00:38:53,931
KNOW?
1312
00:38:53,931 --> 00:38:54,965
>> HEY, IT'S NOT LIKE I DIDN'T
1313
00:38:54,965 --> 00:38:56,033
TAKE GOOD CARE OF IT.
1314
00:38:56,033 --> 00:38:56,734
IT'S NOT LIKE I PICKED IT UP
1315
00:38:56,734 --> 00:38:57,368
EVERY DAY AND WAS WAVING IT
1316
00:38:57,368 --> 00:38:57,768
AROUND AND SPINNING IT.
1317
00:38:57,768 --> 00:38:58,703
YOU KNOW?
1318
00:38:58,703 --> 00:38:59,203
BUT WE LOVED HAVING THEM ON
1319
00:38:59,203 --> 00:38:59,737
OUR --
1320
00:38:59,737 --> 00:39:00,337
>> THEY WERE FUN.
1321
00:39:00,337 --> 00:39:01,105
>> -- ON OUR SHELVES.
1322
00:39:01,105 --> 00:39:01,872
>> GENTLEMEN, THANK YOU SO MUCH
1323
00:39:01,872 --> 00:39:02,373
FOR TALKING TO ME.
1324
00:39:02,373 --> 00:39:03,074
>> THANK YOU.
1325
00:39:03,074 --> 00:39:03,974
IT'S REALLY BEEN A PLEASURE.
1326
00:39:03,974 --> 00:39:05,242
>> I'M NOT FINISHED YET.
1327
00:39:05,242 --> 00:39:07,478
>> LIKEWISE.
1328
00:39:07,478 --> 00:39:10,247
>>> I JUST WANT TO SAY HELLO,
1329
00:39:10,247 --> 00:39:10,981
SWEETHEART.
1330
00:39:10,981 --> 00:39:12,616
>> Announcer: WHEN WE RETURN,
1331
00:39:12,616 --> 00:39:13,784
ONE FINAL SURPRISE.
1332
00:39:13,784 --> 00:39:15,753
PASSING THE COMEDY TORCH, NEXT.
1333
00:39:19,957 --> 00:39:21,692
>> Robin: BEFORE WE STAY GOOD
1334
00:39:21,692 --> 00:39:23,461
NIGHT, WE BROUGHT TOGETHER TWO
1335
00:39:23,461 --> 00:39:26,397
TRAIL BLAZERS, A FEW YEARS
1336
00:39:26,397 --> 00:39:28,632
APART, BUT UNITED IN MAKING US
1337
00:39:28,632 --> 00:39:30,401
LAUGH, MAKING US THINK AND
1338
00:39:30,401 --> 00:39:32,737
PAVING THE WAY.
1339
00:39:32,737 --> 00:39:34,739
FINALLY, WE HAVE ONE LAST BIT OF
1340
00:39:34,739 --> 00:39:35,940
EMMY MAGIC BEFORE THE NIGHT.
1341
00:39:35,940 --> 00:39:38,476
>> OH MY GOODNESS.
1342
00:39:38,476 --> 00:39:43,114
>> HI, CAROL.
1343
00:39:43,114 --> 00:39:46,984
>> Robin: WE ARRANGED A SURPRISE
1344
00:39:46,984 --> 00:39:54,425
DROP-IN FROM THE CAROL BURNETT.
1345
00:39:54,425 --> 00:39:54,959
>> HI, CAROL.
1346
00:39:54,959 --> 00:39:56,560
>> OH, BEAUTIFUL.
1347
00:39:56,560 --> 00:39:57,628
HI, SWEETHEART.
1348
00:39:57,628 --> 00:39:58,262
>> OKAY, AND THE EMMY GOES TO --
1349
00:39:58,262 --> 00:39:59,196
QUINTA BRUNSON, "ABBOTT
1350
00:39:59,196 --> 00:40:03,968
ELEMENTARY."
1351
00:40:03,968 --> 00:40:05,002
>> Robin: AT "THE 75th PRIMETIME
1352
00:40:05,002 --> 00:40:05,770
EMMY AWARDS," QUINTA RECEIVED
1353
00:40:05,770 --> 00:40:06,504
HER VERY FIRST ACTING EMMY FROM
1354
00:40:06,504 --> 00:40:07,138
THE COMEDY TV LEGEND, HERSELF.
1355
00:40:07,138 --> 00:40:11,375
>> WOW.
1356
00:40:11,375 --> 00:40:12,443
THANK YOU SO MUCH.
1357
00:40:12,443 --> 00:40:13,177
JUST -- I DON'T EVEN KNOW WHY
1358
00:40:13,177 --> 00:40:14,545
I'M SO EMOTIONAL, I JUST THINK
1359
00:40:14,545 --> 00:40:18,249
THE CAROL BURNETT OF IT ALL.
1360
00:40:18,249 --> 00:40:19,016
>> I WAS REALLY JUST BLOWN AWAY,
1361
00:40:19,016 --> 00:40:19,784
BUT I NEVER GOT TO TELL YOU JUST
1362
00:40:19,784 --> 00:40:20,484
REALLY HOW MUCH YOU MEAN TO ME,
1363
00:40:20,484 --> 00:40:21,452
AND GROWING UP WATCHING YOU.
1364
00:40:21,452 --> 00:40:23,554
>> THANK YOU, SWEETHEART.
1365
00:40:23,554 --> 00:40:25,156
>> I WAS REALLY CRYING FROM A
1366
00:40:25,156 --> 00:40:26,190
TRUE PLACE OF COMEDY, OF SEEING
1367
00:40:26,190 --> 00:40:27,258
YOU AND, LIKE, KNOWING THAT I
1368
00:40:27,258 --> 00:40:27,758
COULD DO IT.
1369
00:40:27,758 --> 00:40:28,325
AND --
1370
00:40:28,325 --> 00:40:30,427
>> LOOK AT HER.
1371
00:40:30,427 --> 00:40:31,996
>> I MEAN IT.
1372
00:40:31,996 --> 00:40:33,097
I WAS -- I WAS A MESS.
1373
00:40:33,097 --> 00:40:34,665
>> BLESS YOU.
1374
00:40:34,665 --> 00:40:36,233
>> WHAT DOES IT MEAN TO YOU KNOW
1375
00:40:36,233 --> 00:40:37,001
THAT YOU BLAZED THIS TRAIL FOR
1376
00:40:37,001 --> 00:40:37,835
HER TO FEEL THIS WAY ABOUT YOU?
1377
00:40:37,835 --> 00:40:38,369
>> THAT IS SO SWEET.
1378
00:40:38,369 --> 00:40:40,471
NO, NO.
1379
00:40:40,471 --> 00:40:42,072
YOU KNOW WHAT I SAY, 'CAUSE I --
1380
00:40:42,072 --> 00:40:43,674
SOMETIMES PEOPLE SAY THAT.
1381
00:40:43,674 --> 00:40:44,375
IF I'D NEVER BEEN BORN, THEY'D
1382
00:40:44,375 --> 00:40:46,143
BE DOING WHAT THEY'RE DOING.
1383
00:40:46,143 --> 00:40:47,077
ABSOLUTELY.
1384
00:40:47,077 --> 00:40:51,348
>> IT SOUNDS CORNY, BUT SEEING,
1385
00:40:51,348 --> 00:40:52,416
LIKE, "THE CAROL BURNETT SHOW,"
1386
00:40:52,416 --> 00:40:53,484
THAT I NEVER QUESTIONED WHETHER
1387
00:40:53,484 --> 00:40:58,355
OR NOT I COULD DO SOMETHING LIKE
1388
00:40:58,355 --> 00:41:01,492
THAT BECAUSE IT WAS BEING DONE.
1389
00:41:01,492 --> 00:41:05,763
>> I FELT THAT WAY ABOUT LUCY.
1390
00:41:05,763 --> 00:41:06,497
>> YES.
1391
00:41:06,497 --> 00:41:06,964
>> SOMEBODY'S GONNA FEEL THAT
1392
00:41:06,964 --> 00:41:07,531
WAY ABOUT YOU.
1393
00:41:07,531 --> 00:41:07,965
>> YEAH, I HOPE SO.
1394
00:41:07,965 --> 00:41:08,933
THAT'S NICE.
1395
00:41:08,933 --> 00:41:11,035
>> THANK YOU FOR STOPPING BY --
1396
00:41:11,035 --> 00:41:12,102
>> I LOVE YOU, THANK YOU --
1397
00:41:12,102 --> 00:41:15,239
>> OH, SWEETHEART --
1398
00:41:15,239 --> 00:41:17,341
>> I KNOW THAT YOU WANTED TO SEE
1399
00:41:17,341 --> 00:41:19,243
HER AND SHE WANTED TO SEE YOU.
1400
00:41:19,243 --> 00:41:20,477
>> Robin: THAT WAS SO SPECIAL.
1401
00:41:20,477 --> 00:41:22,880
I ADORE THOSE TWO WOMEN.
1402
00:41:22,880 --> 00:41:24,815
BE SURE TO WATCH THE NOMINATED
1403
00:41:24,815 --> 00:41:25,916
SERIES WE DISCUSSED.
1404
00:41:25,916 --> 00:41:27,585
SOME AVAILABLE ON HULU RIGHT
1405
00:41:27,585 --> 00:41:28,252
NOW.
1406
00:41:28,252 --> 00:41:30,287
THIS SUNDAY NIGHT I'LL BE
1407
00:41:30,287 --> 00:41:34,425
HOSTING THE RED CARPET PRESHOW
1408
00:41:34,425 --> 00:41:36,694
STARTING AT 1:30 EASTERN WITH
1409
00:41:36,694 --> 00:41:37,995
WILL REEVE.
1410
00:41:37,995 --> 00:41:40,497
WE'LL GET YOU READY FOR THE
1411
00:41:40,497 --> 00:41:41,198
EMMYS.
1412
00:41:41,198 --> 00:41:41,966
WILL WILL BE LOOKING SHARP.
1413
00:41:41,966 --> 00:41:42,833
I'LL NEED TO FIGURE OUT WHAT TO
1414
00:41:42,833 --> 00:41:43,567
WEAR MYSELF.
1415
00:41:43,567 --> 00:41:44,068
I'M ROBIN ROBERTS SAYING GOOD
1416
00:41:44,068 --> 00:41:47,568
NIGHT.
84847
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