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These are the user uploaded subtitles that are being translated: 1 00:00:00,000 --> 00:00:02,469 >> Robin: WE GOOD? 2 00:00:02,469 --> 00:00:03,069 OKAY. 3 00:00:03,069 --> 00:00:05,605 LET'S GET RIGHT TO IT. 4 00:00:05,605 --> 00:00:09,976 >> Announcer: THE EMMYS, TV'S 5 00:00:09,976 --> 00:00:10,477 BIGGEST PARTY. 6 00:00:10,477 --> 00:00:11,945 >> OH, MY GOD. 7 00:00:11,945 --> 00:00:12,946 >> Announcer: WE'VE GOT THE 8 00:00:12,946 --> 00:00:13,680 STARS EARLY. 9 00:00:13,680 --> 00:00:14,714 >> WHAT ABOUT YOU GUYS HOSTING 10 00:00:14,714 --> 00:00:17,350 THE EMMYS? 11 00:00:17,350 --> 00:00:20,019 GET OUT THERE AND DON'T BOMB! 12 00:00:20,019 --> 00:00:20,920 >> Announcer: WITH ROBIN 13 00:00:20,920 --> 00:00:23,323 ROBERTS, WE'RE CELEBRATING 14 00:00:23,323 --> 00:00:24,324 LEGENDS. 15 00:00:24,324 --> 00:00:28,595 >> Robin: CAROL BURNETT, LADIES 16 00:00:28,595 --> 00:00:29,295 AND GENTLEMEN. 17 00:00:29,295 --> 00:00:29,863 >> Announcer: AND A NIGHT OF 18 00:00:29,863 --> 00:00:30,563 FIRSTS. 19 00:00:30,563 --> 00:00:31,464 >> MAKING HISTORY, THE FIRST 20 00:00:31,464 --> 00:00:32,198 BLACK WOMAN TO RECEIVE AN EMMY 21 00:00:32,198 --> 00:00:32,665 NOMINATION FOR DIRECTING FOR A 22 00:00:32,665 --> 00:00:33,600 DRAMA SERIES. 23 00:00:33,600 --> 00:00:34,300 >> AND FOR THE FIRST TIME EVER, 24 00:00:34,300 --> 00:00:38,905 YOU ARE BOTH EMMY NOMINEES. 25 00:00:38,905 --> 00:00:39,406 >> YEAH, FOR THE FIRST TIME 26 00:00:39,406 --> 00:00:40,106 EVER. 27 00:00:40,106 --> 00:00:40,974 >> WELCOME TO THE VAN RHIJN 28 00:00:40,974 --> 00:00:46,246 HOUSE. 29 00:00:46,246 --> 00:00:47,013 >> Announcer: THE 30 00:00:47,013 --> 00:00:47,580 BEHIND-THE-SCENES STORIES YOU'LL 31 00:00:47,580 --> 00:00:48,081 ONLY FIND OUT HERE. 32 00:00:48,081 --> 00:00:48,481 >> OOH, DO TELL. 33 00:00:48,481 --> 00:00:49,115 >> YERRR! 34 00:00:49,115 --> 00:00:52,285 WHAT IT DO CAMERA CREW? 35 00:00:52,285 --> 00:00:54,854 >> Announcer: FROM "ABBOTT" -- 36 00:00:54,854 --> 00:00:55,922 >> I HAD TO OPEN MY BIG MOUTH. 37 00:00:55,922 --> 00:00:56,423 >> T, YOU'RE GOOD ON T-BONE. 38 00:00:56,423 --> 00:00:59,659 >> YES, CHEF. 39 00:00:59,659 --> 00:01:03,062 >> Announcer: TO "THE BEAR." 40 00:01:03,062 --> 00:01:03,696 >> IT LOOKS CHAOTIC. 41 00:01:03,696 --> 00:01:08,935 IT IS WELL THOUGHT OUT. 42 00:01:08,935 --> 00:01:10,503 >> Announcer: "SHOGUN" -- 43 00:01:10,503 --> 00:01:13,840 >> IT IS LIKE A MIRACLE. 44 00:01:13,840 --> 00:01:15,175 >> Announcer: TO "ONLY 45 00:01:15,175 --> 00:01:15,942 MURDERS" -- 46 00:01:15,942 --> 00:01:16,676 >> WHAT WAS IT LIKE FOR YOU GUYS 47 00:01:16,676 --> 00:01:17,310 TO WATCH MERYL SING THAT SONG? 48 00:01:17,310 --> 00:01:20,113 >> I HAVE TO TOUCH HER. 49 00:01:20,113 --> 00:01:22,248 >> Announcer: YOUR BACKSTAGE 50 00:01:22,248 --> 00:01:23,016 PASS 51 00:01:23,016 --> 00:01:27,520 >> Y'ALL BETTER NOT LET ME WIN. 52 00:01:27,520 --> 00:01:28,188 >> Announcer: FOR THE LAUGHS -- 53 00:01:28,188 --> 00:01:28,721 >> NOBODY'S GONNA TAKE THIS 54 00:01:28,721 --> 00:01:29,222 SERIOUSLY. 55 00:01:29,222 --> 00:01:29,756 >> THE TEARS -- 56 00:01:29,756 --> 00:01:33,393 >> OH MY GOSH! 57 00:01:33,393 --> 00:01:34,928 >> Announcer: AND THE SURPRISES 58 00:01:34,928 --> 00:01:35,628 NO ONE SAW COMING. 59 00:01:35,628 --> 00:01:36,029 >> WHERE DID YOU FIND THAT? 60 00:01:36,029 --> 00:01:37,464 >> OH WOW! 61 00:01:37,464 --> 00:01:41,234 >> Announcer: IT'S THE "THE 76th 62 00:01:41,234 --> 00:01:48,208 EMMYS: A NIGHT OF FIRSTS." 63 00:01:48,208 --> 00:01:49,909 >> Robin: THE SHOWS TRANSPORTING 64 00:01:49,909 --> 00:01:51,845 FROM JAPAN TO A CHICAGO KITCHEN 65 00:01:51,845 --> 00:01:54,180 TO A MURDER PRONE NEW YORK CITY 66 00:01:54,180 --> 00:01:56,683 APARTMENT BUILDING TO "ABBOTT 67 00:01:56,683 --> 00:01:59,252 ELEMENTARY," ALL SHOWING A LOT 68 00:01:59,252 --> 00:02:04,157 OF HEAT AND TONS OF TALENT, 69 00:02:04,157 --> 00:02:05,525 ESPECIALLY FROM THE FIRST-TIME 70 00:02:05,525 --> 00:02:09,229 NOMINEES. 71 00:02:09,229 --> 00:02:09,762 THIS YEAR IS ONE FOR THE 72 00:02:09,762 --> 00:02:10,830 RECORDS. 73 00:02:10,830 --> 00:02:13,466 FROM MOVIE STARS RYAN GOSLING, 74 00:02:13,466 --> 00:02:17,170 PAUL RUDD, AND NAOMI WATTS, TO 75 00:02:17,170 --> 00:02:18,771 MUSIC LEGENDS LIONEL RICHIE AND 76 00:02:18,771 --> 00:02:20,139 USHER. 77 00:02:20,139 --> 00:02:22,175 SO MANY SHINING STARS ARE 78 00:02:22,175 --> 00:02:22,942 SURPRISINGLY GETTING THEIR FIRST 79 00:02:22,942 --> 00:02:23,643 NOMINATIONS, AND FIRST WINS AT 80 00:02:23,643 --> 00:02:24,377 LAST WEEKEND'S CREATIVE ARTS 81 00:02:24,377 --> 00:02:27,847 EMMYS. 82 00:02:27,847 --> 00:02:31,017 >> WOW, MY FIRST EMMY. 83 00:02:31,017 --> 00:02:37,924 >> WE PULLED THE SECURITY TAPE. 84 00:02:37,924 --> 00:02:38,958 >> Robin: "FARGO'S" 85 00:02:38,958 --> 00:02:40,560 15 NOMINATIONS INCLUDE FIRST 86 00:02:40,560 --> 00:02:41,628 TIME NOMINEE AND FAN FAVORITE, 87 00:02:41,628 --> 00:02:42,629 LAMORNE MORRIS FOR OUTSTANDING 88 00:02:42,629 --> 00:02:43,329 SUPPORTING ACTOR. 89 00:02:43,329 --> 00:02:44,197 >> AND FOR THE RECORD THAT'S 90 00:02:44,197 --> 00:02:47,901 JUST REALITY. 91 00:02:47,901 --> 00:02:48,434 >> CONGRATULATIONS, EMMY NOMINEE 92 00:02:48,434 --> 00:02:49,068 LAMORNE MORRIS. 93 00:02:49,068 --> 00:02:49,769 >> THANK YOU, THANK YOU. 94 00:02:49,769 --> 00:02:50,570 THAT'S -- THAT'S HOW PEOPLE 95 00:02:50,570 --> 00:02:52,138 SHOULD START ADDRESSING ME. 96 00:02:52,138 --> 00:02:52,872 >> IS THAT -- YOU KNOW, THAT'S 97 00:02:52,872 --> 00:02:53,740 HOW PEOPLE ARE GONNA -- LIKE, 98 00:02:53,740 --> 00:02:56,142 THAT RING? 99 00:02:56,142 --> 00:02:58,344 >> IT'S CRAZY. 100 00:02:58,344 --> 00:03:02,749 >> Robin: A COMEDY VETERAN BEST 101 00:03:02,749 --> 00:03:03,516 KNOWN FOR HIS ROLE ON "NEW GIRL" 102 00:03:03,516 --> 00:03:04,551 BUT NOT EVERYTHING IS A JOKE TO 103 00:03:04,551 --> 00:03:08,254 LAMORNE. 104 00:03:08,254 --> 00:03:08,955 THIS EMOTIONAL, VIRAL TIKTOK OF 105 00:03:08,955 --> 00:03:09,322 THE MOMENT HE LEARNED HE WAS 106 00:03:09,322 --> 00:03:12,125 NOMINATED. 107 00:03:12,125 --> 00:03:12,859 >> DADDY. 108 00:03:12,859 --> 00:03:16,763 >> YES, BABY, DADDY'S CRYING. 109 00:03:16,763 --> 00:03:19,132 >> WHAT PROPELLED YOU TO WANT TO 110 00:03:19,132 --> 00:03:19,832 SHARE THAT WITH EVERYONE? 111 00:03:19,832 --> 00:03:20,567 >> I THOUGHT TO MYSELF, YOU 112 00:03:20,567 --> 00:03:21,301 KNOW, THIS MIGHT BE SOMETHING 113 00:03:21,301 --> 00:03:21,601 FOR MY DAUGHTER TO LOOK AT ONE 114 00:03:21,601 --> 00:03:24,237 DAY. 115 00:03:24,237 --> 00:03:25,939 I KEPT THE VIDEO JUST FOR US. 116 00:03:25,939 --> 00:03:28,608 BUT THEN I JUST THOUGHT TO 117 00:03:28,608 --> 00:03:29,275 MYSELF, PEOPLE NEED TO SEE 118 00:03:29,275 --> 00:03:30,176 PEOPLE WITH TEARS OF JOY. 119 00:03:30,176 --> 00:03:32,312 PEOPLE NEED TO CRY. 120 00:03:32,312 --> 00:03:35,481 >> YOU'RE KNOWN FOR YOUR COMEDIC 121 00:03:35,481 --> 00:03:37,083 CHOPS, BUT TO GET THE EMMY NOM 122 00:03:37,083 --> 00:03:37,617 FOR A MORE SERIOUS ROLE HAS TO 123 00:03:37,617 --> 00:03:38,685 MEAN A LOT. 124 00:03:38,685 --> 00:03:41,321 >> WHEN YOU GET A NOMINATION, 125 00:03:41,321 --> 00:03:42,388 IT'S A BIT OF A VALIDATION THAT 126 00:03:42,388 --> 00:03:43,890 SAYS, SHUT UP. 127 00:03:43,890 --> 00:03:44,424 YOU ARE -- YOU ARE RIGHT WHERE 128 00:03:44,424 --> 00:03:45,491 YOU NEED TO BE. 129 00:03:45,491 --> 00:03:46,559 YOU ARE DOING THE THINGS YOU 130 00:03:46,559 --> 00:03:48,661 NEED TO BE DOING. 131 00:03:48,661 --> 00:03:49,729 A WIN WOULD SAY SOMETHING 132 00:03:49,729 --> 00:03:55,034 COMPLETELY DIFFERENT, BECAUSE 133 00:03:55,034 --> 00:03:55,568 THEN NOW IT'S SPEEDBOATS AND 134 00:03:55,568 --> 00:03:58,738 PRIVATE JETS. 135 00:03:58,738 --> 00:03:59,372 IF I WIN, OH, FORGET ABOUT IT. 136 00:03:59,372 --> 00:04:00,039 Y'ALL BETTER LET ME WIN. 137 00:04:00,039 --> 00:04:00,640 >> SO WHAT ARE YOU LOOKING 138 00:04:00,640 --> 00:04:01,374 FORWARD TO THAT NIGHT? 139 00:04:01,374 --> 00:04:04,577 >> MY MOM'S MY DATE. 140 00:04:04,577 --> 00:04:05,244 >> OH, THAT'S SO SWEET. 141 00:04:05,244 --> 00:04:06,145 >> YEAH, MY MOM'S MY DATE. 142 00:04:06,145 --> 00:04:06,913 ZOE KRAVITZ IS UNAVAILABLE, 143 00:04:06,913 --> 00:04:07,747 'CAUSE APPARENTLY, SHE'S ENGAGED 144 00:04:07,747 --> 00:04:11,985 TO SOMEBODY. 145 00:04:11,985 --> 00:04:17,290 MY MOM WAS THE SECOND OPTION. 146 00:04:17,290 --> 00:04:18,358 >> Robin: IT'S BEEN AN EXCITING 147 00:04:18,358 --> 00:04:19,425 YEAR. NETFLIX AND WARNER 148 00:04:19,425 --> 00:04:20,460 BROTHERS/DISCOVERY ALL GARNERING 149 00:04:20,460 --> 00:04:21,194 MORE THAN 100 NOMINATIONS EACH. 150 00:04:21,194 --> 00:04:24,163 AND LEADING THE PACK, DISNEY. 151 00:04:24,163 --> 00:04:25,732 >> WHEN YOU THINK ABOUT 152 00:04:25,732 --> 00:04:27,367 183 NOMINATIONS, WHAT DOES IT 153 00:04:27,367 --> 00:04:27,867 SAY ABOUT THIS ERA OF TELEVISION 154 00:04:27,867 --> 00:04:29,469 MAKING? 155 00:04:29,469 --> 00:04:31,037 >> I THINK IT SAYS THAT PEOPLE 156 00:04:31,037 --> 00:04:32,639 HAVE AN ENORMOUS APPETITE FOR 157 00:04:32,639 --> 00:04:34,240 GREAT STORIES. 158 00:04:34,240 --> 00:04:35,274 THEY WANT TO DISAPPEAR INTO 159 00:04:35,274 --> 00:04:36,876 THEM. 160 00:04:36,876 --> 00:04:38,444 THEY WANT TO ESCAPE. 161 00:04:38,444 --> 00:04:40,613 THEY WANT TO BE ENTERTAINED. 162 00:04:40,613 --> 00:04:41,114 AND THE JOURNEYS THEY GO ON ARE 163 00:04:41,114 --> 00:04:45,818 SO INCREDIBLE. 164 00:04:45,818 --> 00:04:47,387 >> Robin: WE JOURNEY 2,500 MILES 165 00:04:47,387 --> 00:04:50,590 FROM THE GLITZ OF THE RED CARPET 166 00:04:50,590 --> 00:04:51,624 TO SEE THE OASIS WHICH INSPIRED 167 00:04:51,624 --> 00:04:53,226 THE CREATIVE MINDS OF THIS 168 00:04:53,226 --> 00:04:59,065 YEAR'S MOST NOMINATED SERIES. 169 00:04:59,065 --> 00:05:00,633 >> WE'RE HERE ON OUR PORCH ON 170 00:05:00,633 --> 00:05:02,769 MAUI, AND IT'S WHERE WE LIVE AND 171 00:05:02,769 --> 00:05:05,138 RAISE OUR KIDS. 172 00:05:05,138 --> 00:05:07,306 >> THIS LOOKS GOOD FOR US TO 173 00:05:07,306 --> 00:05:07,974 PICK. 174 00:05:07,974 --> 00:05:10,209 >> IT'S WHERE WE RAISE OUR 175 00:05:10,209 --> 00:05:12,211 ANIMALS, OUR MANY, MANY ANIMALS. 176 00:05:12,211 --> 00:05:15,515 >> Robin: AND IT'S HERE WHERE 177 00:05:15,515 --> 00:05:16,582 HUSBAND AND WIFE RACHEL KONDO 178 00:05:16,582 --> 00:05:18,685 AND JUSTIN MARKS, LEARNED 179 00:05:18,685 --> 00:05:20,253 "SHOGUN" HAD BEEN NOMINATED FOR 180 00:05:20,253 --> 00:05:21,888 A WHOPPING 25 EMMYS INCLUDING 181 00:05:21,888 --> 00:05:23,456 OUTSTANDING DRAMA SERIES. 182 00:05:23,456 --> 00:05:33,499 >> WE WOKE UP EARLY AND IT WAS 183 00:05:33,499 --> 00:05:35,101 STILL DARK OUTSIDE AND, I MEAN, 184 00:05:35,101 --> 00:05:36,169 MY MOUTH WAS AGAPE AND I JUST 185 00:05:36,169 --> 00:05:37,236 COULDN'T STOP ALMOST GIGGLING 186 00:05:37,236 --> 00:05:39,338 BECAUSE IT FELT VERY SURREAL. 187 00:05:39,338 --> 00:05:40,940 >> IT TOOK RACHEL AND JUSTIN 188 00:05:40,940 --> 00:05:43,543 10 YEARS TO GET "SHOGUN" FROM 189 00:05:43,543 --> 00:05:48,848 DEVELOPMENT ONTO THE SCREEN, AND 190 00:05:48,848 --> 00:05:51,451 I THINK THE AUDIENCE FEELS THAT. 191 00:05:51,451 --> 00:05:53,586 THEY FEEL THEIR INVESTMENT. 192 00:05:53,586 --> 00:05:55,722 GIVEN HOW MUCH OF IT IS IN 193 00:05:55,722 --> 00:05:56,789 JAPANESE AND SUBTITLED, TO ASK A 194 00:05:56,789 --> 00:05:57,857 GLOBAL AUDIENCE TO STICK WITH IT 195 00:05:57,857 --> 00:06:01,027 ALL THE WAY THROUGH THE 196 00:06:01,027 --> 00:06:01,561 10 EPISODES, AND THAT'S EXACTLY 197 00:06:01,561 --> 00:06:05,231 WHAT THEY DID. 198 00:06:05,231 --> 00:06:06,299 >> WE KNEW IT WAS SOMETHING THAT 199 00:06:06,299 --> 00:06:06,999 WE BELIEVED IN. 200 00:06:06,999 --> 00:06:07,700 AND WE SET OUT EARLY IN THIS 201 00:06:07,700 --> 00:06:09,469 PROCESS TO TELL A STORY AT A 202 00:06:09,469 --> 00:06:11,604 LEVEL OF AUTHENTICITY THAT WE 203 00:06:11,604 --> 00:06:12,638 FELT HAD NOT BEEN SEEN IN 204 00:06:12,638 --> 00:06:16,909 HOLLYWOOD PRODUCTION. 205 00:06:16,909 --> 00:06:21,114 >> Robin: AND FIVE MEMBERS OF 206 00:06:21,114 --> 00:06:22,148 THE CAST ARE FIRST-TIME NOMINEES 207 00:06:22,148 --> 00:06:25,885 INCLUDING HIROYUKI SANADA WHO IS 208 00:06:25,885 --> 00:06:27,987 UP FOR OUTSTANDING ACTOR, AS 209 00:06:27,987 --> 00:06:32,225 WELL AS PRODUCER. 210 00:06:32,225 --> 00:06:34,360 >> IT'S A LOT FOR ME. 211 00:06:34,360 --> 00:06:35,394 THE, YOU KNOW, FIRST NOMINATION 212 00:06:35,394 --> 00:06:37,497 OF COURSE AND THEN IT WAS MY 213 00:06:37,497 --> 00:06:41,234 FIRST LEADING ROLE IN HOLLYWOOD. 214 00:06:41,234 --> 00:06:47,173 SO, YEAH, IT'S CRAZY. 215 00:06:47,173 --> 00:06:48,775 LUCKILY, AS A PRODUCER, I COULD 216 00:06:48,775 --> 00:06:51,043 HIRE JAPANESE CREW WHO HAS 217 00:06:51,043 --> 00:06:52,779 EXPERIENCE FOR THE SAMURAI DRAMA 218 00:06:52,779 --> 00:06:54,947 MAKING. 219 00:06:54,947 --> 00:06:57,083 BECAUSE, PROPS, COSTUME, WIG, 220 00:06:57,083 --> 00:07:01,420 EVERYTHING HAD TO BE CORRECT. 221 00:07:01,420 --> 00:07:02,188 I HAD A GREAT TEAM. 222 00:07:02,188 --> 00:07:06,926 YOU KNOW, DREAM TEAM. 223 00:07:06,926 --> 00:07:09,061 >> Robin: AFTER HER HISTORIC 224 00:07:09,061 --> 00:07:14,367 OSCAR NOMINATION FOR "KILLERS OF 225 00:07:14,367 --> 00:07:15,935 THE FLOWER MOON," LILY GLADSTONE 226 00:07:15,935 --> 00:07:17,003 IS NOW MAKING HISTORY AGAIN 227 00:07:17,003 --> 00:07:19,138 CELEBRATING HER FIRST EMMY NOD 228 00:07:19,138 --> 00:07:20,706 FOR SUPPORTING ACTRESS IN THE 229 00:07:20,706 --> 00:07:21,774 HULU MINISERIES, "UNDER THE 230 00:07:21,774 --> 00:07:23,910 BRIDGE." 231 00:07:23,910 --> 00:07:24,944 >> I WAS HONESTLY PRETTY BLOWN 232 00:07:24,944 --> 00:07:26,012 AWAY WHEN I HEARD THAT THE 233 00:07:26,012 --> 00:07:30,783 NOMINATION HAD COME IN. 234 00:07:30,783 --> 00:07:32,385 >> Robin: LILY SHARES THE 235 00:07:32,385 --> 00:07:36,622 CATEGORY WITH HER FRIEND 236 00:07:36,622 --> 00:07:40,827 KALI REIS WHO'S NOMINATED FOR 237 00:07:40,827 --> 00:07:41,894 "TRUE DETECTIVE." 238 00:07:41,894 --> 00:07:42,862 THE FIRST INDIGENOUS ACTRESSES 239 00:07:42,862 --> 00:07:43,930 >> I'M REALLY HAPPY THAT I'M NOT 240 00:07:43,930 --> 00:07:46,065 THE ONLY ONE WHO'S SHARING THAT 241 00:07:46,065 --> 00:07:49,769 IN THIS CATEGORY THIS YEAR. 242 00:07:49,769 --> 00:07:50,403 IT'S SO NICE TO BE CARRYING THE 243 00:07:50,403 --> 00:07:51,137 WEIGHT OF THAT HISTORIC 244 00:07:51,137 --> 00:07:51,871 RESPONSIBILITY, I GUESS, WITH 245 00:07:51,871 --> 00:07:55,608 ANOTHER SISTER. 246 00:07:55,608 --> 00:07:56,642 >> Robin: NOMINATED ALONGSIDE 247 00:07:56,642 --> 00:07:57,176 THEM IS "BABY REINDEER'S" 248 00:07:57,176 --> 00:07:58,244 NAVA MAU, THE FIRST 249 00:07:58,244 --> 00:07:59,312 TRANSGENDERED PERSON IN THAT 250 00:07:59,312 --> 00:08:00,379 CATEGORY. 251 00:08:00,379 --> 00:08:00,980 >> YOU STOPPED ME CALLING THE 252 00:08:00,980 --> 00:08:01,948 NIGHT SHE ATTACKED ME. 253 00:08:01,948 --> 00:08:03,549 YOU STOPPED EVERYONE CALLING. 254 00:08:03,549 --> 00:08:06,185 >> TO BE THE FIRST SIMPLY MEANS 255 00:08:06,185 --> 00:08:07,253 THAT IN A LOT OF WAYS, I'M THE 256 00:08:07,253 --> 00:08:08,321 FIRST TO HAVE THE OPPORTUNITY 257 00:08:08,321 --> 00:08:09,055 AND THE APPROPRIATE SUPPORT THAT 258 00:08:09,055 --> 00:08:09,455 IT TAKES TO REACH A MILESTONE 259 00:08:09,455 --> 00:08:24,203 LIKE THIS. 260 00:08:24,203 --> 00:08:25,805 >> Robin: AND MAKING HISTORY 261 00:08:25,805 --> 00:08:28,975 BEHIND THE CAMERA IS SALLI 262 00:08:28,975 --> 00:08:30,042 RICHARDSON WHITFIELD FOR HER 263 00:08:30,042 --> 00:08:31,644 WORK ON THE HBO SERIES "WINNING 264 00:08:31,644 --> 00:08:33,212 TIME: THE RISE OF THE LAKERS 265 00:08:33,212 --> 00:08:34,814 DYNASTY." 266 00:08:34,814 --> 00:08:36,916 >> THE FIRST BLACK WOMAN TO 267 00:08:36,916 --> 00:08:39,051 RECEIVE AN EMMY NOMINATION FOR 268 00:08:39,051 --> 00:08:40,653 DIRECTING, FOR A DRAMA SERIES. 269 00:08:40,653 --> 00:08:42,688 WHAT DOES THAT MEAN TO YOU? 270 00:08:42,688 --> 00:08:45,858 >> WHEN I WAS TOLD THAT IT WAS 271 00:08:45,858 --> 00:08:50,630 THE FIRST BLACK WOMAN, OF COURSE 272 00:08:50,630 --> 00:08:52,765 I WAS EXCITED, BUT I WAS 273 00:08:52,765 --> 00:08:53,299 SADDENED TOO BECAUSE IT WAS LIKE 274 00:08:53,299 --> 00:08:54,867 IT COULDN'T BE. 275 00:08:54,867 --> 00:08:55,568 I THINK IT MEANS A LOT BECAUSE I 276 00:08:55,568 --> 00:08:58,738 FEEL LIKE IT MIGHT OPEN THE 277 00:08:58,738 --> 00:09:00,006 DOORS FOR MANY OTHER WOMEN TO 278 00:09:00,006 --> 00:09:00,773 GET THIS HONOR. 279 00:09:00,773 --> 00:09:04,076 >> EXECUTIVE PRODUCER, DIRECTOR, 280 00:09:04,076 --> 00:09:05,645 THAT IS RARE IN ITSELF. 281 00:09:05,645 --> 00:09:06,712 BUT THEN BLACK WOMAN AS 282 00:09:06,712 --> 00:09:08,314 EXECUTIVE PRODUCER AND DIRECTOR 283 00:09:08,314 --> 00:09:08,848 ON A PROJECT, THIS IS RAREFIED 284 00:09:08,848 --> 00:09:12,018 AIR. 285 00:09:12,018 --> 00:09:13,085 >> I THINK THAT PEOPLE ARE 286 00:09:13,085 --> 00:09:14,654 REALLY SURPRISED TO SEE ME AS 287 00:09:14,654 --> 00:09:18,357 DIRECTOR AND EXECUTIVE PRODUCER 288 00:09:18,357 --> 00:09:19,926 OF A SHOW LIKE "WINNING TIME" 289 00:09:19,926 --> 00:09:22,061 BECAUSE IT'S SPORTS, IT'S 290 00:09:22,061 --> 00:09:24,697 SPORTS. 291 00:09:24,697 --> 00:09:26,299 I THINK THAT'S BEEN PART OF WHY 292 00:09:26,299 --> 00:09:30,503 I'VE CHALLENGED MYSELF. 293 00:09:30,503 --> 00:09:32,104 >> Robin: FROM THE RISE OF THE 294 00:09:32,104 --> 00:09:33,139 LAKERS TO THE RISE OF NEW YORK 295 00:09:33,139 --> 00:09:35,308 SOCIETY, SALLI HAS ANOTHER 296 00:09:35,308 --> 00:09:36,342 NOMINATION TO BE EXCITED ABOUT 297 00:09:36,342 --> 00:09:38,444 HBO'S "THE GILDED AGE", FOR 298 00:09:38,444 --> 00:09:40,046 WHICH SHE IS ONE OF THE 299 00:09:40,046 --> 00:09:42,348 EXECUTIVE PRODUCERS. 300 00:09:42,348 --> 00:09:44,650 THE SHOW, SET IN THE 19th 301 00:09:44,650 --> 00:09:46,385 CENTURY IS NOMINATED FOR SIX 302 00:09:46,385 --> 00:09:47,787 EMMYS INCLUDING OUTSTANDING 303 00:09:47,787 --> 00:09:48,554 DRAMA. 304 00:09:48,554 --> 00:09:50,356 >> OH, WELCOME TO THE VAN RHIJN 305 00:09:50,356 --> 00:09:51,424 HOUSE. 306 00:09:51,424 --> 00:09:53,492 >> ARE YOU KIDDING ME? 307 00:09:53,492 --> 00:09:55,094 YOU HAVE TRANSPORTED ME TO 308 00:09:55,094 --> 00:09:57,229 THE 1880s, DARLING. 309 00:09:57,229 --> 00:10:00,199 >> ISN'T IT GORGEOUS? 310 00:10:00,199 --> 00:10:00,833 >> WOW. 311 00:10:00,833 --> 00:10:01,567 >> IT'S JUST SO PERFECT. 312 00:10:01,567 --> 00:10:02,435 AND YOU WOULD NEVER THINK YOU 313 00:10:02,435 --> 00:10:03,502 WERE ON A STAGE. 314 00:10:03,502 --> 00:10:04,036 >> WHO TAUGHT YOU TO WRITE LIKE 315 00:10:04,036 --> 00:10:05,104 THIS? 316 00:10:05,104 --> 00:10:08,274 >> THE INSTITUTE FOR COLORED 317 00:10:08,274 --> 00:10:09,342 YOUTH IN PHILADELPHIA, BUT I 318 00:10:09,342 --> 00:10:11,844 KNOW IT WELL. 319 00:10:11,844 --> 00:10:13,512 >> Reporter: AND AS FOR MAKING 320 00:10:13,512 --> 00:10:14,246 HER OWN HISTORY -- 321 00:10:14,246 --> 00:10:14,947 >> I'M JUST EXCITED BECAUSE I 322 00:10:14,947 --> 00:10:15,681 THINK THAT PEOPLE SEE ME. 323 00:10:15,681 --> 00:10:21,954 AND THAT'S REALLY ALL I WANT. 324 00:10:21,954 --> 00:10:24,957 >> Announcer: NEXT, FROM "ONLY 325 00:10:24,957 --> 00:10:26,892 MURDERS," WE'VE GOT NOT ONLY 326 00:10:26,892 --> 00:10:28,060 MERYL, BUT A LOT OF LAUGHS. 327 00:10:28,060 --> 00:10:32,031 >> I DID FEEL THE NEED TO LAUGH, 328 00:10:32,031 --> 00:10:35,001 AND I THOUGHT TWO OF MY 329 00:10:35,001 --> 00:10:36,002 FAVORITE -- 330 00:10:36,002 --> 00:10:37,503 >> SAY IT. 331 00:10:37,503 --> 00:10:38,270 MONKEYS. 332 00:10:38,270 --> 00:10:40,973 >> Announcer: WHEN WE COME BACK. 333 00:10:45,144 --> 00:10:46,145 >> Robin: NO WAY I COULD HAVE 334 00:10:46,145 --> 00:10:47,246 ALL THE FUN. 335 00:10:47,246 --> 00:10:48,681 IT'S NICE TO SHARE. 336 00:10:48,681 --> 00:10:50,182 MY ABC COLLEAGUE CHRIS CONNELLY 337 00:10:50,182 --> 00:10:51,984 GOT TO HANG OUT WITH SOME OF THE 338 00:10:51,984 --> 00:10:57,189 STARS AND DO I MEAN STARS. 339 00:10:57,189 --> 00:10:58,024 >>> THE EMMY GOES TO -- 340 00:10:58,024 --> 00:10:59,125 MERYL STREEP, "ANGELS IN 341 00:10:59,125 --> 00:11:03,195 AMERICA." 342 00:11:03,195 --> 00:11:04,997 ♪ LET'S CELEBRATE ♪ 343 00:11:04,997 --> 00:11:05,531 >> AND THE WINNER IS 344 00:11:05,531 --> 00:11:07,099 MERYL STREEP. 345 00:11:07,099 --> 00:11:10,169 >> MERYL STREEP! 346 00:11:10,169 --> 00:11:14,473 >> Reporter: THE MOST ADMIRED 347 00:11:14,473 --> 00:11:15,074 AND ACCLAIMED ACTRESS OF HER 348 00:11:15,074 --> 00:11:15,808 GENERATION, AND YOURS. 349 00:11:15,808 --> 00:11:16,409 >> THERE ARE SOME DAYS WHERE I 350 00:11:16,409 --> 00:11:17,109 MYSELF THINK THAT I AM 351 00:11:17,109 --> 00:11:19,779 OVERRATED. 352 00:11:19,779 --> 00:11:21,113 >> Reporter: MERYL STREEP HAS 353 00:11:21,113 --> 00:11:22,148 WON EMMYS FOR SUCH DRAMAS AS 354 00:11:22,148 --> 00:11:25,351 1975'S "HOLOCAUST." 355 00:11:25,351 --> 00:11:26,085 THE THREE-TIME EMMY-WINNING 356 00:11:26,085 --> 00:11:26,719 STREEP IS NOMINATED YET AGAIN 357 00:11:26,719 --> 00:11:27,953 FOR SEASON THREE OF THE 358 00:11:27,953 --> 00:11:30,556 STEVE MARTIN, MARTIN SHORT, 359 00:11:30,556 --> 00:11:34,994 SELENA GOMEZ MYSTERY-SOLVING 360 00:11:34,994 --> 00:11:37,496 HULU COMEDY, "ONLY MURDERS IN 361 00:11:37,496 --> 00:11:38,397 THE BUILDING." 362 00:11:38,397 --> 00:11:39,465 >> I HAVEN'T WORN THIS TUX SINCE 363 00:11:39,465 --> 00:11:40,699 THE EMMYS IN 1987. 364 00:11:40,699 --> 00:11:42,435 >> Reporter: ALONG WITH THE 365 00:11:42,435 --> 00:11:45,971 THREE "ONLY MURDERS" LEADS 366 00:11:45,971 --> 00:11:46,705 PLAYING A PART THAT MERYL SAYS 367 00:11:46,705 --> 00:11:47,573 SHE ASKED FOR, BECAUSE SHE WAS 368 00:11:47,573 --> 00:11:50,743 SAD. 369 00:11:50,743 --> 00:11:51,811 >> MERYL, WHY DID YOU WANT TO BE 370 00:11:51,811 --> 00:11:52,445 PART OF THIS ENSEMBLE WITH ALL 371 00:11:52,445 --> 00:11:52,978 THE CHOICES THAT PRESENT 372 00:11:52,978 --> 00:11:54,447 THEMSELVES TO YOU? 373 00:11:54,447 --> 00:11:56,048 >> THE TRUTH IS THAT THE WORLD 374 00:11:56,048 --> 00:11:58,884 WAS GETTING TO ME. 375 00:11:58,884 --> 00:12:04,657 IT WAS SORT OF -- I WAS FEELING 376 00:12:04,657 --> 00:12:07,493 OVERWHELMED BY DARK EVENTS. 377 00:12:07,493 --> 00:12:09,595 I DID FEEL THE NEED TO LAUGH, 378 00:12:09,595 --> 00:12:11,697 AND I THOUGHT TWO OF MY 379 00:12:11,697 --> 00:12:14,100 FAVORITE -- 380 00:12:14,100 --> 00:12:16,268 >> SAY IT. 381 00:12:16,268 --> 00:12:16,735 MONKEYS. 382 00:12:16,735 --> 00:12:21,207 >> -- PEOPLE. 383 00:12:21,207 --> 00:12:21,941 I CALLED YOU GUYS UP AND I SAID, 384 00:12:21,941 --> 00:12:22,808 IS THERE EVER ANY PROJECT THAT 385 00:12:22,808 --> 00:12:23,876 YOU WOULD WANT TO DO OR 386 00:12:23,876 --> 00:12:24,910 SOMETHING? 387 00:12:24,910 --> 00:12:25,978 AND THEY SAID, WELL, WHY DON'T 388 00:12:25,978 --> 00:12:30,116 YOU DO OUR SHOW? 389 00:12:30,116 --> 00:12:31,717 >> Reporter: STREEP CAST AS THE 390 00:12:31,717 --> 00:12:33,319 ENIGMATIC LORETTA, WHO PERFORMS 391 00:12:33,319 --> 00:12:33,986 IN THE BROADWAY MUSICAL WHICH 392 00:12:33,986 --> 00:12:40,192 FRAMES THE "ONLY MURDERS" 393 00:12:40,192 --> 00:12:41,260 SEASON, PROVIDING THE CHANCE FOR 394 00:12:41,260 --> 00:12:42,328 SOME MERYL MAGIC TO SHINE, AS IN 395 00:12:42,328 --> 00:12:44,964 THIS MOMENT WHEN SHE SANG THE 396 00:12:44,964 --> 00:12:46,031 BALLAD WRITTEN FOR HER CHARACTER 397 00:12:46,031 --> 00:12:46,799 ENTITLED "LOOK FOR THE LIGHT." 398 00:12:46,799 --> 00:12:47,600 >> THEY PLAYED ME THIS BEAUTIFUL 399 00:12:47,600 --> 00:12:48,667 LULLABY AND IT MADE ME CRY, 400 00:12:48,667 --> 00:12:52,371 FIRST TIME I HEARD IT. 401 00:12:52,371 --> 00:12:56,075 ♪ SO DARLING MY DARLING 402 00:12:56,075 --> 00:12:58,744 LOOK FOR THE LIGHT ♪ 403 00:12:58,744 --> 00:13:00,346 >> WHAT WAS IT LIKE FOR YOU GUYS 404 00:13:00,346 --> 00:13:01,380 TO WATCH MERYL SING THAT SONG 405 00:13:01,380 --> 00:13:02,448 FOR THE FIRST TIME? 406 00:13:02,448 --> 00:13:03,516 >> I CRIED. 407 00:13:03,516 --> 00:13:08,320 >> OH, IT'S PHENOMENAL. 408 00:13:08,320 --> 00:13:09,088 >> THAT MOMENT WAS ONE OF THE 409 00:13:09,088 --> 00:13:09,488 MOST MAGICAL MOVIE MOMENTS I'VE 410 00:13:09,488 --> 00:13:10,389 EVER HAD. 411 00:13:10,389 --> 00:13:11,991 IT'S JUST ALL GENUINE. 412 00:13:11,991 --> 00:13:14,426 IT WAS ASTOUNDING. 413 00:13:14,426 --> 00:13:14,927 I THOUGHT, THIS IS A SPECIAL 414 00:13:14,927 --> 00:13:15,694 MOMENT. 415 00:13:15,694 --> 00:13:16,328 >> WHAT IS IT LIKE TO HEAR THAT? 416 00:13:16,328 --> 00:13:19,865 >> THAT WAS REALLY NICE. 417 00:13:19,865 --> 00:13:24,570 THANK YOU. 418 00:13:24,570 --> 00:13:25,070 NO, I MEAN IT. 419 00:13:25,070 --> 00:13:25,771 ♪ WHICH OF THE 420 00:13:25,771 --> 00:13:29,175 PICKWICK TRIPLETS DID IT ♪ 421 00:13:29,175 --> 00:13:30,176 >> Reporter: COMPOSERS 422 00:13:30,176 --> 00:13:30,910 BENJ PASEK AND JUSTIN PAUL 423 00:13:30,910 --> 00:13:31,777 WINNING THE CREATIVE ARTS EMMY 424 00:13:31,777 --> 00:13:32,545 FOR WRITING THAT PATTER SONG FOR 425 00:13:32,545 --> 00:13:34,914 STEVE MARTIN'S CHARACTER, GIVING 426 00:13:34,914 --> 00:13:39,685 THEM AN EGOT. 427 00:13:39,685 --> 00:13:40,920 ♪ GOT TO PICK WHICH TRIPLET DID 428 00:13:40,920 --> 00:13:41,620 IT ♪ 429 00:13:41,620 --> 00:13:43,455 >> I SAY I'M THE FACE OF THE 430 00:13:43,455 --> 00:13:44,490 SONG, BUT THEY'RE REALLY THE 431 00:13:44,490 --> 00:13:46,559 CREATIVE PEOPLE. 432 00:13:46,559 --> 00:13:47,626 AN EGOT IS A FANTASTIC THING. 433 00:13:47,626 --> 00:13:48,694 I HAVE AN EGOTN. 434 00:13:48,694 --> 00:13:52,398 >> WHAT'S THAT? 435 00:13:52,398 --> 00:13:52,932 >> EMMY, GRAMMY, OSCAR, AND TONY 436 00:13:52,932 --> 00:13:55,000 NOMINATION. 437 00:13:55,000 --> 00:13:56,068 >> NO, IT DOESN'T COUNT. 438 00:13:56,068 --> 00:13:58,270 >> IT DOESN'T COUNT? 439 00:13:58,270 --> 00:13:59,672 >> YOU ARE AN EMMY, GRAMMY, 440 00:13:59,672 --> 00:14:00,839 OSCAR, AND IT'S APPROPRIATE. 441 00:14:00,839 --> 00:14:02,374 HE IS AN EGO. 442 00:14:02,374 --> 00:14:04,877 >> AN EGO. 443 00:14:04,877 --> 00:14:09,615 YEAH. 444 00:14:09,615 --> 00:14:10,382 >> MY EGO ISN'T SO DELICATE THAT 445 00:14:10,382 --> 00:14:11,250 I NEED RANDOM VALIDATION FROM AN 446 00:14:11,250 --> 00:14:12,284 EMMY AWARD-WINNING ACTOR! 447 00:14:12,284 --> 00:14:13,852 >> SELENA, YOU ARE ALSO NOW THE 448 00:14:13,852 --> 00:14:14,553 MOST NOMINATED LATINA PRODUCER 449 00:14:14,553 --> 00:14:16,889 IN THE HISTORY OF THE EMMYS. 450 00:14:16,889 --> 00:14:17,623 >> I AM. 451 00:14:17,623 --> 00:14:19,225 >> HOW DOES THAT MAKE YOU FEEL? 452 00:14:19,225 --> 00:14:22,928 >> THAT TRULY MAKES ME FEEL 453 00:14:22,928 --> 00:14:24,530 EMOTIONAL, AND I HOPE I'M MAKING 454 00:14:24,530 --> 00:14:28,767 MY DAD PROUD. 455 00:14:28,767 --> 00:14:32,404 AND TO BE RECOGNIZED AS A LATINA 456 00:14:32,404 --> 00:14:33,472 WHO'S IN THE INDUSTRY, I'M PROUD 457 00:14:33,472 --> 00:14:34,540 TO REPRESENT THAT. 458 00:14:34,540 --> 00:14:35,040 >> WANT TO MAKE A PODCAST WITH 459 00:14:35,040 --> 00:14:41,413 ME? 460 00:14:41,413 --> 00:14:42,081 >> reporter: IT'S ALSO THE FIRST 461 00:14:42,081 --> 00:14:42,815 TIME THAT SELENA HAS BEEN 462 00:14:42,815 --> 00:14:44,049 NOMINATED FOR HER PERFORMANCE, 463 00:14:44,049 --> 00:14:48,320 AND SHE'S NOT THE SHOW'S ONLY 464 00:14:48,320 --> 00:14:49,888 FIRST-TIME FEMALE PERFORMER 465 00:14:49,888 --> 00:14:50,623 NOMINEE. 466 00:14:50,623 --> 00:14:53,459 BECAUSE GUESS WHO IS IN GUEST 467 00:14:53,459 --> 00:14:54,226 ACTRESS IN A COMEDY? 468 00:14:54,226 --> 00:14:54,560 >> THE KILLER IS SOMEONE IN THIS 469 00:14:54,560 --> 00:14:55,561 ROOM. 470 00:14:55,561 --> 00:14:56,095 >> YOU ARE ENJOYING YOUR FIRST 471 00:14:56,095 --> 00:14:56,595 EMMY NOMINATION. 472 00:14:56,595 --> 00:14:57,663 >> YEAH. 473 00:14:57,663 --> 00:14:58,330 >> WHEN YOU ENDED YOUR 474 00:14:58,330 --> 00:15:00,866 ACCEPTANCE SPEECH FOR THE 475 00:15:00,866 --> 00:15:01,900 OSCARS, I THINK YOU SAID, I PRAY 476 00:15:01,900 --> 00:15:05,604 TO GOD I GET TO DO THIS ONE MORE 477 00:15:05,604 --> 00:15:06,272 TIME. 478 00:15:06,272 --> 00:15:06,672 YOU DIDN'T ADD THIS YEAR. 479 00:15:06,672 --> 00:15:07,740 >> I KNOW. 480 00:15:07,740 --> 00:15:08,807 ISN'T THAT SO? 481 00:15:08,807 --> 00:15:12,511 I WAS LIKE, OKAY, THAT AMAZING 482 00:15:12,511 --> 00:15:13,712 MOMENT HAPPENED AND MAYBE, YOU 483 00:15:13,712 --> 00:15:16,348 KNOW, THREE, FIVE, TEN YEARS 484 00:15:16,348 --> 00:15:18,050 FROM NOW I'LL HOPEFULLY GET 485 00:15:18,050 --> 00:15:18,550 ANOTHER INTERESTING PROJECT. 486 00:15:18,550 --> 00:15:23,856 FIVE MONTHS? 487 00:15:23,856 --> 00:15:24,556 NO, I DIDN'T EXPECT IT, TO GET 488 00:15:24,556 --> 00:15:25,024 NOMINATED FOR SOMETHING FIVE 489 00:15:25,024 --> 00:15:25,424 MONTHS LATER. 490 00:15:25,424 --> 00:15:28,327 IT'S WILD. 491 00:15:28,327 --> 00:15:29,094 >> Reporter: MORE WILDNESS. 492 00:15:29,094 --> 00:15:29,862 ONE OF DA'VINE'S CO-NOMINEES IN 493 00:15:29,862 --> 00:15:30,729 GUEST ACTRESS IS PART OF A WIFE 494 00:15:30,729 --> 00:15:32,298 AND HUSBAND COUPLE WHO'VE 495 00:15:32,298 --> 00:15:33,866 SNAGGED THEIR FIRST SIMULTANEOUS 496 00:15:33,866 --> 00:15:38,103 HIS-AND-HERS EMMY NOMS. 497 00:15:38,103 --> 00:15:39,171 >> CONGRATULATIONS TO BOTH OF 498 00:15:39,171 --> 00:15:46,045 YOU ON YOUR NOMINATIONS. 499 00:15:46,045 --> 00:15:47,112 >> reporter: FOR "IT'S ALWAYS 500 00:15:47,112 --> 00:15:47,813 SUNNY IN PHILADELPHIA'S" 501 00:15:47,813 --> 00:15:48,447 20 YEARS, KAITLIN OLSON AND 502 00:15:48,447 --> 00:15:49,248 ROB McELHENNEY HAVE BEEN 503 00:15:49,248 --> 00:15:51,884 OUTRAGEOUSLY FUNNY TOGETHER. 504 00:15:51,884 --> 00:15:52,618 >> I LOVE THAT YOU HAVE THIS 505 00:15:52,618 --> 00:15:53,485 AMAZING ROMANCE AND YOU GET TO 506 00:15:53,485 --> 00:15:55,054 DO THINGS ON THIS SHOW, LIKE -- 507 00:15:55,054 --> 00:15:59,792 >> YOU DANCE LIKE ONE OF THOSE 508 00:15:59,792 --> 00:16:01,827 INFLATABLE THINGS OUTSIDE OF A 509 00:16:01,827 --> 00:16:04,330 USED CAR LOT. 510 00:16:04,330 --> 00:16:04,697 >> I LOOK GOOD. 511 00:16:04,697 --> 00:16:06,298 >> YEAH. 512 00:16:06,298 --> 00:16:06,899 WELL, TO BE FAIR TO THEM, THAT 513 00:16:06,899 --> 00:16:07,866 KINDA IS HOW I DANCE. 514 00:16:07,866 --> 00:16:08,400 >> WE PULL A LOT FROM REAL LIFE. 515 00:16:08,400 --> 00:16:13,172 NOT EVERYTHING. 516 00:16:13,172 --> 00:16:13,806 >> Reporter: REAL LIFE FINDS 517 00:16:13,806 --> 00:16:14,406 THESE TWO ON THE SET OF 518 00:16:14,406 --> 00:16:15,841 KAITLIN'S NEW ABC SHOW 519 00:16:15,841 --> 00:16:16,575 "HIGH POTENTIAL." 520 00:16:16,575 --> 00:16:17,309 AND NOW, ROB'S EMMY-NOMINATED 521 00:16:17,309 --> 00:16:18,477 FOR HIS DOCUSERIES "WELCOME TO 522 00:16:18,477 --> 00:16:20,079 WREXHAM" ON FX, ABOUT THE 523 00:16:20,079 --> 00:16:21,647 UNDERDOG WELSH SOCCER CLUB HE 524 00:16:21,647 --> 00:16:23,248 CO-OWNS WITH RYAN REYNOLDS. 525 00:16:23,248 --> 00:16:24,316 >> I DIDN'T WANT TO MAKE A 526 00:16:24,316 --> 00:16:25,351 FOOTBALL DOCUMENTARY. 527 00:16:25,351 --> 00:16:26,919 I DIDN'T WANT TO MAKE A SPORTS 528 00:16:26,919 --> 00:16:28,020 DOCUMENTARY. 529 00:16:28,020 --> 00:16:29,054 I WANTED TO MAKE A SHOW THAT WAS 530 00:16:29,054 --> 00:16:30,122 A LOVE LETTER TO THE WORKING 531 00:16:30,122 --> 00:16:30,856 CLASS. 532 00:16:30,856 --> 00:16:31,724 >> NOW WE HAVE TO GO TO LEAGUE 533 00:16:31,724 --> 00:16:34,893 TWO. 534 00:16:34,893 --> 00:16:35,928 >> THAT'S RIGHT! 535 00:16:35,928 --> 00:16:40,165 >> I LOVE YA, BUDDY. 536 00:16:40,165 --> 00:16:40,833 >> Reporter: KAITLIN'S 537 00:16:40,833 --> 00:16:41,800 NOMINATION ONE OF A BUNDLE 538 00:16:41,800 --> 00:16:44,436 EARNED BY THE EMMY JUGGERNAUT 539 00:16:44,436 --> 00:16:45,504 "HACKS," AS THE UNCENSORABLE 540 00:16:45,504 --> 00:16:46,004 DAUGHTER OF JEAN SMART'S 541 00:16:46,004 --> 00:16:47,072 DEBORAH VANCE. 542 00:16:47,072 --> 00:16:48,140 >> THIS IS MY CORNELL ADMISSIONS 543 00:16:48,140 --> 00:16:49,708 ESSAY ALL OVER AGAIN. 544 00:16:49,708 --> 00:16:51,844 >> I WROTE YOU A GORGEOUS ESSAY. 545 00:16:51,844 --> 00:16:53,412 >> I JUST THINK THAT "HACKS" IS 546 00:16:53,412 --> 00:16:58,183 SO SPECIAL BECAUSE IT IS VERY 547 00:16:58,183 --> 00:16:59,785 CHALLENGING TO WRITE A 548 00:16:59,785 --> 00:17:01,387 TELEVISION SHOW THAT IS A 549 00:17:01,387 --> 00:17:04,556 COMEDY, BUT IS ALSO REALLY BASED 550 00:17:04,556 --> 00:17:07,192 IN SOME GROUNDED EMOTION. 551 00:17:07,192 --> 00:17:08,794 >> NEWSFLASH, MOM, I'M STRONGER 552 00:17:08,794 --> 00:17:09,828 THAN YOU THINK, AND I'M GOING TO 553 00:17:09,828 --> 00:17:10,362 DO THE ROAST MY WAY, AND I'M 554 00:17:10,362 --> 00:17:11,430 GOING TO CRUSH IT. 555 00:17:11,430 --> 00:17:12,998 >> I THINK WE GOT HALFWAY 556 00:17:12,998 --> 00:17:16,201 THROUGH THE EPISODE AND I PAUSED 557 00:17:16,201 --> 00:17:22,541 IT BECAUSE I FELT BOTH 558 00:17:22,541 --> 00:17:23,308 ADMIRATION AND AWE AND DESPAIR 559 00:17:23,308 --> 00:17:23,609 BECAUSE I HAD NOTHING TO DO WITH 560 00:17:23,609 --> 00:17:32,017 IT. 561 00:17:32,017 --> 00:17:36,789 >> Reporter: ROB HAD SOMETHING 562 00:17:36,789 --> 00:17:38,357 TO DO WITH THIS, THOUGH, A 563 00:17:38,357 --> 00:17:39,124 UNSTRUCTURED REALITY PROGRAM WIN 564 00:17:39,124 --> 00:17:39,558 FOR "WELCOME TO WREXHAM" ON FX, 565 00:17:39,558 --> 00:17:40,325 HIS SECOND. 566 00:17:40,325 --> 00:17:41,093 AT LAST WEEKEND'S CREATIVE ARTS 567 00:17:41,093 --> 00:17:41,860 EMMYS, WHERE IN A CROWDED FIELD, 568 00:17:41,860 --> 00:17:42,528 IT WAS JAMIE LEE CURTIS WINNING 569 00:17:42,528 --> 00:17:43,295 GUEST ACTRESS IN A COMEDY. 570 00:17:43,295 --> 00:17:44,062 BUT A NOMINATION IS FOREVER, AND 571 00:17:44,062 --> 00:17:44,730 THERE IS NO MISTAKING THAT EMMY 572 00:17:44,730 --> 00:17:49,868 EUPHORIA. 573 00:17:49,868 --> 00:17:51,970 >> Announcer: NEXT, A LIVING 574 00:17:51,970 --> 00:17:54,473 LEGEND WHO DIDN'T PLAN TO ACT? 575 00:17:54,473 --> 00:17:57,409 >> IF THERE'D BEEN A MAJOR IN 576 00:17:57,409 --> 00:17:59,478 JOURNALISM, I WOULDN'T BE -- 577 00:17:59,478 --> 00:18:02,414 >> YOU WOULD BE SITTING HERE ON 578 00:18:02,414 --> 00:18:03,248 THIS SIDE. 579 00:18:03,248 --> 00:18:04,917 >> Announcer: COMING UP. 580 00:18:08,954 --> 00:18:10,489 >>> FROM TELEVISION CITY, IT'S 581 00:18:10,489 --> 00:18:12,658 "THE CAROL BURNETT SHOW." 582 00:18:12,658 --> 00:18:13,692 >> Robin: MUCH LIKE ON HER 583 00:18:13,692 --> 00:18:15,260 "CAROL BURNETT SHOW," WHATEVER 584 00:18:15,260 --> 00:18:17,930 DOOR THE LEGEND WALKS THROUGH, 585 00:18:17,930 --> 00:18:21,633 SHE IS WARMLY WELCOMED. 586 00:18:21,633 --> 00:18:22,301 >> CAROL BURNETT, LADIES AND 587 00:18:22,301 --> 00:18:27,973 GENTLEMEN, CAROL BURNETT. 588 00:18:27,973 --> 00:18:28,740 >> Robin: SHE'S THE BELOVED 589 00:18:28,740 --> 00:18:29,374 GRANDE DAME OF PHYSICAL COMEDY. 590 00:18:29,374 --> 00:18:29,842 >> THE GOWN IS GORGEOUS. 591 00:18:29,842 --> 00:18:30,609 >> THANK YOU. 592 00:18:30,609 --> 00:18:31,143 I SAW IT IN THE WIND, AND I JUST 593 00:18:31,143 --> 00:18:34,813 COULDN'T RESIST IT. 594 00:18:34,813 --> 00:18:35,914 >> Robin: HER ICONIC 595 00:18:35,914 --> 00:18:36,949 "CAROL BURNETT SHOW" EARNED AN 596 00:18:36,949 --> 00:18:38,016 INCREDIBLE 25 PRIMETIME EMMY 597 00:18:38,016 --> 00:18:42,387 AWARDS DURING ITS 11 YEAR RUN. 598 00:18:42,387 --> 00:18:45,624 >> AHHHHHHH. 599 00:18:45,624 --> 00:18:46,458 >> CAROL BURNETT. 600 00:18:46,458 --> 00:18:49,194 >> YES. 601 00:18:49,194 --> 00:18:49,928 >> WHAT A PRIVILEGE! 602 00:18:49,928 --> 00:18:50,662 YOU KNOW, I KNOW YOU HEAR THIS 603 00:18:50,662 --> 00:18:51,830 ALL THE TIME, WE USED TO WATCH 604 00:18:51,830 --> 00:18:57,135 YOUR SHOW ALL THE TIME. 605 00:18:57,135 --> 00:18:57,636 >> I ALWAYS SAY, YOU WERE THE 606 00:18:57,636 --> 00:18:58,203 ONE. 607 00:18:58,203 --> 00:18:59,238 >> OH, NO. 608 00:18:59,238 --> 00:19:00,272 SO MANY. 609 00:19:00,272 --> 00:19:01,006 >> OH, THANK YOU SO MUCH. 610 00:19:01,006 --> 00:19:01,874 >> BUT IT WAS JUST A WONDERFUL 611 00:19:01,874 --> 00:19:03,475 TIME FOR -- AND I CAN JUST HEAR 612 00:19:03,475 --> 00:19:07,179 THE LAUGHTER. 613 00:19:07,179 --> 00:19:08,747 YOU WERE ABLE TO CHANGE THE 614 00:19:08,747 --> 00:19:10,349 COURSE OF COMEDY FOR WOMEN. 615 00:19:10,349 --> 00:19:11,416 YOU REALLY WERE A TRAILBLAZER IN 616 00:19:11,416 --> 00:19:14,586 MANY WAYS. 617 00:19:14,586 --> 00:19:15,087 YOU TALK ABOUT GROWING UP IN 618 00:19:15,087 --> 00:19:20,959 HOLLYWOOD. 619 00:19:20,959 --> 00:19:22,528 I MEAN, THIS WAS, LIKE, YOUR 620 00:19:22,528 --> 00:19:23,228 PLAYGROUND, WASN'T IT? 621 00:19:23,228 --> 00:19:23,595 >> BLOCK NORTH OF HOLLYWOOD 622 00:19:23,595 --> 00:19:24,296 BOULEVARD. 623 00:19:24,296 --> 00:19:25,063 I LIVED ON WILCOX AND YUCCA 624 00:19:25,063 --> 00:19:25,564 STREET, AND WE USED TO CLIMB THE 625 00:19:25,564 --> 00:19:26,231 HOLLYWOOD SIGN. 626 00:19:26,231 --> 00:19:26,765 >> I HEAR THE "O" WAS YOUR 627 00:19:26,765 --> 00:19:27,833 FAVORITE. 628 00:19:27,833 --> 00:19:28,367 >> YOU DID YOUR HOMEWORK. 629 00:19:28,367 --> 00:19:31,436 >> YES. 630 00:19:31,436 --> 00:19:33,805 BUT WHAT WAS IT ABOUT THE "O"? 631 00:19:33,805 --> 00:19:37,509 >> I DON'T KNOW. 632 00:19:37,509 --> 00:19:38,577 THERE WAS SOME RICKETY 633 00:19:38,577 --> 00:19:39,645 SCAFFOLDING THAT WAS REAL OLD. 634 00:19:39,645 --> 00:19:40,412 WELL, WE GOT SPLINTERS ON THE 635 00:19:40,412 --> 00:19:41,113 WAY UP AND ON THE WAY DOWN, BUT 636 00:19:41,113 --> 00:19:41,680 THE "Os" WERE THE EASIEST TO 637 00:19:41,680 --> 00:19:42,748 CLIMB UP TO. 638 00:19:42,748 --> 00:19:49,121 WE'D HANG OVER THE LETTERS AND 639 00:19:49,121 --> 00:19:49,655 LOOK ALL OVER HOLLYWOOD, YOU 640 00:19:49,655 --> 00:19:50,389 KNOW. 641 00:19:50,389 --> 00:19:50,722 IT WAS JUST -- WE HAD A GREAT 642 00:19:50,722 --> 00:19:54,960 TIME. 643 00:19:54,960 --> 00:19:55,694 >> Robin: CAROL IS NOW HAVING 644 00:19:55,694 --> 00:19:56,461 THE TIME OF HER LIFE, PLAYING 645 00:19:56,461 --> 00:19:57,195 NORMA DELLACORTE ON THE APPLE TV 646 00:19:57,195 --> 00:19:57,896 PLUS SERIES, "PALM ROYALE" -- 647 00:19:57,896 --> 00:19:58,564 >> I REMEMBER THE YEAR THAT 648 00:19:58,564 --> 00:19:59,264 NORMA MADE HER ENTRANCE AS 649 00:19:59,264 --> 00:20:00,232 BOTTICELLI'S VENUS IN A CLAM 650 00:20:00,232 --> 00:20:03,969 SHELL OF REAL PEARLS. 651 00:20:03,969 --> 00:20:05,003 >> Robin: -- WHERE HER 652 00:20:05,003 --> 00:20:06,071 INCREDIBLE FACIAL EXPRESSIONS 653 00:20:06,071 --> 00:20:06,605 AND YEARS OF PHYSICAL COMEDY ARE 654 00:20:06,605 --> 00:20:10,309 FRONT AND CENTER. 655 00:20:10,309 --> 00:20:11,376 >> AH, LOOK AT YOU TWO, STARING 656 00:20:11,376 --> 00:20:12,444 AT EACH OTHER LIKE A COUPLE OF 657 00:20:12,444 --> 00:20:15,614 LOVE BIRDS. 658 00:20:15,614 --> 00:20:16,648 WHAT IS EXACTLY GOING ON BETWEEN 659 00:20:16,648 --> 00:20:19,818 YOU TWO ANYWAY? 660 00:20:19,818 --> 00:20:20,886 >> Robin: IN THIS SOAPY SERIES 661 00:20:20,886 --> 00:20:21,620 HER CHARACTER SPENDS MOST OF THE 662 00:20:21,620 --> 00:20:22,487 SHOW COMING OUT OF A COMA AND 663 00:20:22,487 --> 00:20:25,657 UNABLE TO TALK. 664 00:20:25,657 --> 00:20:26,191 >> WEH-WAH-WAH. 665 00:20:26,191 --> 00:20:26,725 >> I DON'T KNOW WHAT 666 00:20:26,725 --> 00:20:27,793 WAH-WAH-WAH-WAH IS. 667 00:20:27,793 --> 00:20:31,496 >> WEH-WAH-WAH. 668 00:20:31,496 --> 00:20:32,531 >> Robin: CAROL'S NOMINATED FOR 669 00:20:32,531 --> 00:20:34,132 OUTSTANDING SUPPORTING ACTRESS 670 00:20:34,132 --> 00:20:36,768 IN A COMEDY SERIES. 671 00:20:36,768 --> 00:20:37,836 AND AT AGE 91, IF CAROL WINS, 672 00:20:37,836 --> 00:20:40,939 SHE WOULD SET A RECORD. 673 00:20:40,939 --> 00:20:45,177 >> IF YOU SHOULD WIN ON SUNDAY, 674 00:20:45,177 --> 00:20:45,711 YOU WILL BE MAKING HISTORY AS 675 00:20:45,711 --> 00:20:46,244 THE OLDEST WOMAN -- 676 00:20:46,244 --> 00:20:47,846 >> REALLY? 677 00:20:47,846 --> 00:20:49,414 >> -- TO WIN THE EMMY. 678 00:20:49,414 --> 00:20:49,948 YOU'VE BEEN IN THIS BUSINESS 679 00:20:49,948 --> 00:20:50,649 SEVEN DECADES. 680 00:20:50,649 --> 00:20:51,516 COULD YOU EVER IMAGINE THAT 681 00:20:51,516 --> 00:20:54,286 YOU'D BE IN THIS POSITION? 682 00:20:54,286 --> 00:20:57,656 >> NO, NO, NOT AT -- I 683 00:20:57,656 --> 00:21:00,092 REMEMBER -- OH, GOSH, THE FIRST 684 00:21:00,092 --> 00:21:03,395 EMMY THAT I GOT WAS 1962. 685 00:21:03,395 --> 00:21:04,963 THAT WAS "GARRY MOORE." 686 00:21:04,963 --> 00:21:08,667 >> OH, DEAR, HOW LOVELY. 687 00:21:08,667 --> 00:21:13,438 CAROL BURNETT. 688 00:21:13,438 --> 00:21:15,540 >> Robin: A THEN 29-YEAR-OLD 689 00:21:15,540 --> 00:21:17,676 CAROL BURNETT FIRST ROSE TO FAME 690 00:21:17,676 --> 00:21:18,210 ON "THE GARRY MOORE VARIETY 691 00:21:18,210 --> 00:21:20,812 SHOW." 692 00:21:20,812 --> 00:21:21,880 >> I CAN'T THINK OF ANYTHING TO 693 00:21:21,880 --> 00:21:23,482 SAY. 694 00:21:23,482 --> 00:21:29,287 FROM MY MOUTH, THAT'S SOMETHING. 695 00:21:29,287 --> 00:21:30,355 >> I WAS STUNNED WHEN -- YEAH, 696 00:21:30,355 --> 00:21:31,957 THAT WAS MY -- MY FIRST ONE. 697 00:21:31,957 --> 00:21:35,127 THE FIRST AWARD I EVER GOT WAS 698 00:21:35,127 --> 00:21:36,728 1952 WHEN I WAS AT UCLA. 699 00:21:36,728 --> 00:21:40,232 >> OUTSTANDING NEWCOMER? 700 00:21:40,232 --> 00:21:44,136 IT WAS SOMETHING LIKE THAT. 701 00:21:44,136 --> 00:21:46,505 >> MOST OUTSTANDING NEWCOMER. 702 00:21:46,505 --> 00:21:47,039 >> THIS IS WHAT I LOVE ABOUT 703 00:21:47,039 --> 00:21:52,444 YOU. 704 00:21:52,444 --> 00:21:55,547 EMMYS, GOLDEN GLOBE, MEDAL OF 705 00:21:55,547 --> 00:21:57,416 FREEDOM, TONY, GRAMMY, AND THEN 706 00:21:57,416 --> 00:21:58,316 YOU GO BACK TO THAT AWARD. 707 00:21:58,316 --> 00:22:01,553 >> THAT'S MY FAVORITE ONE. 708 00:22:01,553 --> 00:22:02,287 >> WHAT WAS IT ABOUT THAT? 709 00:22:02,287 --> 00:22:02,688 >> WELL, JUST BECAUSE I NEVER 710 00:22:02,688 --> 00:22:03,755 EXPECTED IT. 711 00:22:03,755 --> 00:22:04,289 I NEVER EXPECTED TO BE AN -- A 712 00:22:04,289 --> 00:22:05,357 PERFORMER AT ALL. 713 00:22:05,357 --> 00:22:06,425 WHAT HAPPENED WAS I WAS EDITOR 714 00:22:06,425 --> 00:22:07,993 OF MY JUNIOR HIGH SCHOOL PAPER 715 00:22:07,993 --> 00:22:08,627 AND HOLLYWOOD HIGH PAPER, AND I 716 00:22:08,627 --> 00:22:10,128 THOUGHT I WOULD GO INTO 717 00:22:10,128 --> 00:22:11,163 JOURNALISM. 718 00:22:11,163 --> 00:22:13,265 SO WHEN I GOT A CHANCE TO GO TO 719 00:22:13,265 --> 00:22:14,332 UCLA, I WANTED TO MAJOR IN 720 00:22:14,332 --> 00:22:15,934 JOURNALISM, BUT THERE WAS NO 721 00:22:15,934 --> 00:22:19,071 MAJOR. 722 00:22:19,071 --> 00:22:20,172 SO, I GOT THE CATALOG AND I 723 00:22:20,172 --> 00:22:22,808 COULD TAKE THE PLAYWRITING 724 00:22:22,808 --> 00:22:23,875 COURSE 'CAUSE I WANTED TO WRITE. 725 00:22:23,875 --> 00:22:24,910 AND THEN SOME KIDS CAME UP. 726 00:22:24,910 --> 00:22:27,546 THEY HAD WRITTEN SOME ONE ACTS 727 00:22:27,546 --> 00:22:29,681 AND STUFF AND SAID, WOULD YOU BE 728 00:22:29,681 --> 00:22:32,417 IN A ONE ACT? 729 00:22:32,417 --> 00:22:33,618 AND SO I WENT, YEAH, OKAY. 730 00:22:33,618 --> 00:22:34,152 AND ALL OF A SUDDEN IT OPENED UP 731 00:22:34,152 --> 00:22:36,722 EVERYTHING. 732 00:22:36,722 --> 00:22:38,156 THEN ONE FRIEND SAID, CAN YOU 733 00:22:38,156 --> 00:22:39,925 CARRY A TUNE? 734 00:22:39,925 --> 00:22:42,227 I SAID, I THINK SO. 735 00:22:42,227 --> 00:22:45,163 AND I DID THAT AND THEN I 736 00:22:45,163 --> 00:22:46,732 THOUGHT I WANT TO BE IN MUSICAL 737 00:22:46,732 --> 00:22:47,399 COMEDY. 738 00:22:47,399 --> 00:22:49,167 BUT IT WAS ALL, ROBIN, AN 739 00:22:49,167 --> 00:22:49,835 ACCIDENT. 740 00:22:49,835 --> 00:22:50,736 IF THERE'D BEEN A MAJOR IN 741 00:22:50,736 --> 00:22:51,403 JOURNALISM, I WOULDN'T BE -- 742 00:22:51,403 --> 00:22:52,838 >> YOU'D BE SITTING HERE. 743 00:22:52,838 --> 00:22:54,973 >> -- SITTING HERE. 744 00:22:54,973 --> 00:22:55,507 >> ON THIS SIDE. 745 00:22:55,507 --> 00:22:58,143 >> OH, WOW. 746 00:22:58,143 --> 00:22:58,810 >> IS THERE ANYBODY THAT YOU ARE 747 00:22:58,810 --> 00:22:59,745 LOOKING FORWARD TO SEEING? 748 00:22:59,745 --> 00:23:03,448 >> EVERYBODY. 749 00:23:03,448 --> 00:23:03,982 I'M A STARGAZER. 750 00:23:03,982 --> 00:23:04,516 >> STILL? 751 00:23:04,516 --> 00:23:05,550 >> OH, STILL. 752 00:23:05,550 --> 00:23:09,254 OH, YEAH, ABSOLUTELY. 753 00:23:09,254 --> 00:23:09,988 >> Robin: CAROL HAS SAID THAT IN 754 00:23:09,988 --> 00:23:10,856 ALL HER YEARS, THERE IS STILL 755 00:23:10,856 --> 00:23:11,923 ONE PERSON SHE'D LOVE TO WORK 756 00:23:11,923 --> 00:23:14,025 WITH AND HAS NEVER HAD THE 757 00:23:14,025 --> 00:23:18,797 CHANCE. 758 00:23:18,797 --> 00:23:20,932 >> YOU HAVE WORKED WITH SO MANY. 759 00:23:20,932 --> 00:23:21,666 AND I KNOW THAT YOU SAID THAT 760 00:23:21,666 --> 00:23:22,334 THE ONE PERSON THAT YOU STILL 761 00:23:22,334 --> 00:23:22,801 WOULD LIKE TO WORK WITH IS 762 00:23:22,801 --> 00:23:23,568 MERYL STREEP. 763 00:23:23,568 --> 00:23:25,170 >> OH, YEAH. 764 00:23:25,170 --> 00:23:26,238 >> WELL, WE HAPPEN TO HAVE 765 00:23:26,238 --> 00:23:27,272 MERYL STREEP IN THIS SPECIAL AS 766 00:23:27,272 --> 00:23:30,675 WELL, AND SHE DOES HAVE A 767 00:23:30,675 --> 00:23:33,645 MESSAGE FOR YOU, CAROL BURNETT. 768 00:23:33,645 --> 00:23:34,479 >> NO. 769 00:23:34,479 --> 00:23:35,380 >> AND HERE IT IS. 770 00:23:35,380 --> 00:23:36,448 >> YOU'RE NOMINATED IN THE SAME 771 00:23:36,448 --> 00:23:38,049 CATEGORY AS CAROL BURNETT. 772 00:23:38,049 --> 00:23:38,750 >> OH, THE GREAT. 773 00:23:38,750 --> 00:23:39,518 >> AND SHE HAS BEEN ASKED IF 774 00:23:39,518 --> 00:23:40,218 THERE'S ANYONE SHE CAN WORK WITH 775 00:23:40,218 --> 00:23:41,119 WHOM SHE'S NEVER WORKED WITH 776 00:23:41,119 --> 00:23:42,721 YET, IT WOULD BE YOU. 777 00:23:42,721 --> 00:23:43,755 >> REALLY? 778 00:23:43,755 --> 00:23:46,958 OH, MY. 779 00:23:46,958 --> 00:23:47,492 WELL, I'M AVAILABLE CURRENTLY, 780 00:23:47,492 --> 00:23:51,029 CAROL. 781 00:23:51,029 --> 00:23:52,798 >> OH, NO. 782 00:23:52,798 --> 00:23:53,732 >> WHAT'S SPECIAL ABOUT HER IN 783 00:23:53,732 --> 00:23:57,769 YOUR MIND? 784 00:23:57,769 --> 00:24:02,007 >> WELL, IT IS THAT SPIRIT WHERE 785 00:24:02,007 --> 00:24:04,576 SHE MAKES THINGS FUNNY, BUT IT'S 786 00:24:04,576 --> 00:24:05,610 NOT CRUEL. 787 00:24:05,610 --> 00:24:10,515 SHE FINDS COMPASSION AND MAKES 788 00:24:10,515 --> 00:24:13,218 FUN OF HERSELF, BUT NOT -- IT'S 789 00:24:13,218 --> 00:24:15,554 NOT -- JUST JUST GOOD HEARTED. 790 00:24:15,554 --> 00:24:19,257 >> I'M GONNA CRY. 791 00:24:19,257 --> 00:24:19,891 OH. 792 00:24:19,891 --> 00:24:24,029 OH, I'M GONNA DIE HAPPY. 793 00:24:24,029 --> 00:24:25,096 THAT WAS SO SWEET. 794 00:24:25,096 --> 00:24:26,731 I TREASURE THAT. 795 00:24:26,731 --> 00:24:27,966 THANK YOU. 796 00:24:27,966 --> 00:24:30,001 >> OH, YOU'RE WELCOME. 797 00:24:30,001 --> 00:24:31,303 I KNOW PEOPLE HAVE SAID THIS TO 798 00:24:31,303 --> 00:24:32,671 YOU, YOU'RE OUR FRIEND. 799 00:24:32,671 --> 00:24:33,972 YOU ARE A FRIEND. 800 00:24:33,972 --> 00:24:36,942 >> OH, YEAH. 801 00:24:36,942 --> 00:24:37,676 >> WHAT DO YOU WANT TO SAY TO 802 00:24:37,676 --> 00:24:40,712 FOLKS WHO FEEL LIKE THEY KNOW 803 00:24:40,712 --> 00:24:41,746 YOU, THEY FEEL LIKE THEY'VE 804 00:24:41,746 --> 00:24:42,514 GROWN UP WITH YOU? 805 00:24:42,514 --> 00:24:44,049 >> I'D SAY THANK YOU. 806 00:24:44,049 --> 00:24:44,616 I SAY THANK YOU. 807 00:24:44,616 --> 00:24:45,383 I'M GRATEFUL, YEAH. 808 00:24:45,383 --> 00:24:45,784 >> I'M SO GLAD WE HAD THIS TIME 809 00:24:45,784 --> 00:24:46,184 TOGETHER. 810 00:24:46,184 --> 00:24:46,885 OH, ME TOO. 811 00:24:46,885 --> 00:24:47,285 >> SO GLAD WE HAD THIS TIME 812 00:24:47,285 --> 00:24:48,286 TOGETHER. 813 00:24:48,286 --> 00:24:49,354 >> THANK YOU, ROBIN. 814 00:24:49,354 --> 00:24:56,294 >> THANK YOU, CAROL. 815 00:24:56,294 --> 00:24:58,163 >> Announcer: NEXT, WE'RE TAKING 816 00:24:58,163 --> 00:25:00,065 YOU BACK TO SCHOOL, "ABBOTT 817 00:25:00,065 --> 00:25:01,199 ELEMENTARY" THAT IS. 818 00:25:01,199 --> 00:25:03,435 >> AND I LIKE TO FIGHT. 819 00:25:03,435 --> 00:25:05,337 >> Announcer: WHAT MADE QUINTA 820 00:25:05,337 --> 00:25:06,838 BRUNSON REACT LIKE THIS? 821 00:25:06,838 --> 00:25:07,973 >> OH, WOW. 822 00:25:07,973 --> 00:25:09,841 >> Announcer: WHEN WE RETURN. 823 00:25:13,979 --> 00:25:17,749 >>> WHAT IT DO, CAMERA CREW? 824 00:25:17,749 --> 00:25:18,917 >> Robin: SEASON AFTER SEASON 825 00:25:18,917 --> 00:25:20,085 YOU CAN'T HELP BUT LAUGH. 826 00:25:20,085 --> 00:25:25,657 >> WELCOME BACK, IT'S CAREER DAY 827 00:25:25,657 --> 00:25:26,391 TODAY UNFORTUNATELY. 828 00:25:26,391 --> 00:25:30,362 >> Robin: AND DON'T DARE LOOK 829 00:25:30,362 --> 00:25:31,129 AWAY. 830 00:25:31,129 --> 00:25:31,963 THE HIT MOCKUMENTARY ABC SITCOM, 831 00:25:31,963 --> 00:25:32,731 "ABBOTT ELEMENTARY," GARNERING 832 00:25:32,731 --> 00:25:33,465 NINE EMMY NOMINATIONS FOR SEASON 833 00:25:33,465 --> 00:25:34,099 THREE, THE MOST THE COMEDY HAS 834 00:25:34,099 --> 00:25:38,336 EVER RECEIVED. 835 00:25:38,336 --> 00:25:39,938 ALL LED BY THE QUINTA BRUNSON. 836 00:25:39,938 --> 00:25:42,040 >> SHOW RUNNER, LEAD ACTRESS, 837 00:25:42,040 --> 00:25:43,608 PRODUCING, YOU WEAR SO MANY 838 00:25:43,608 --> 00:25:45,210 DIFFERENT HATS. 839 00:25:45,210 --> 00:25:47,312 HOW DO YOU DO IT? 840 00:25:47,312 --> 00:25:48,079 >> ONE HAT AT A TIME, AND BEING 841 00:25:48,079 --> 00:25:48,446 REALLY GOOD AT SWITCHING THEM ON 842 00:25:48,446 --> 00:25:49,981 AND OFF. 843 00:25:49,981 --> 00:25:51,549 >> YOU EXCITED ABOUT EMMY NIGHT? 844 00:25:51,549 --> 00:25:53,151 >> I AM. 845 00:25:53,151 --> 00:25:54,753 YEAH, I'M GONNA HAVE FUN. 846 00:25:54,753 --> 00:25:57,389 GETTING TO SEE PEOPLE WHOSE WORK 847 00:25:57,389 --> 00:26:01,092 YOU ADMIRE, AND GETTING TO 848 00:26:01,092 --> 00:26:11,069 ACTUALLY TELL THEM, YOUR SHOW 849 00:26:11,069 --> 00:26:13,204 BRIGHTENED UP MY DAY, OR, YOUR 850 00:26:13,204 --> 00:26:13,939 SHOW MADE ME CRY. 851 00:26:13,939 --> 00:26:14,239 THAT KIND OF STUFF IS EXCITING 852 00:26:14,239 --> 00:26:18,510 TO ME. 853 00:26:18,510 --> 00:26:19,544 >> Robin: LAST SEASON, QUINTA 854 00:26:19,544 --> 00:26:20,612 TAKING HOME THE EMMY FOR BEST 855 00:26:20,612 --> 00:26:21,680 ACTRESS IN A COMEDY SERIES. 856 00:26:21,680 --> 00:26:22,213 SHE'S UP AGAIN FOR HER STARRING 857 00:26:22,213 --> 00:26:23,281 ROLE AS JANINE. 858 00:26:23,281 --> 00:26:24,049 >> GOING BACK TO SEASON ONE AND 859 00:26:24,049 --> 00:26:24,816 JANINE IS, YOU KNOW, THIS SECOND 860 00:26:24,816 --> 00:26:25,951 GRADE TEACHER WHO'S JUST TRYING 861 00:26:25,951 --> 00:26:26,685 REALLY HARD. 862 00:26:26,685 --> 00:26:27,452 AND TO SEE HER PROGRESSION AND 863 00:26:27,452 --> 00:26:27,953 THE AUDIENCE HAS BOUGHT INTO HER 864 00:26:27,953 --> 00:26:28,586 TRANSFORMATION. 865 00:26:28,586 --> 00:26:29,354 >> THEY SURE DID, YEAH. 866 00:26:29,354 --> 00:26:31,489 I LOVE THAT THEY'RE ON THE RIDE 867 00:26:31,489 --> 00:26:33,858 WITH US AND I JUST WANT TO KEEP 868 00:26:33,858 --> 00:26:34,693 DOING THAT. 869 00:26:34,693 --> 00:26:37,529 >> Reporter: THE COMEDY 870 00:26:37,529 --> 00:26:38,296 CHRONICLES INNER CITY 871 00:26:38,296 --> 00:26:39,030 PHILADELPHIA EDUCATORS DOING THE 872 00:26:39,030 --> 00:26:39,664 BEST THEY CAN WITH WHAT LITTLE 873 00:26:39,664 --> 00:26:40,432 THEY HAVE. 874 00:26:40,432 --> 00:26:41,099 >> NOW LET'S SEE THOSE CHEETAHS. 875 00:26:41,099 --> 00:26:41,766 >> I BROUGHT A FAKE SLOTH. 876 00:26:41,766 --> 00:26:42,300 >> REALLY, THAT'S WHAT YOU 877 00:26:42,300 --> 00:26:46,037 BROUGHT? 878 00:26:46,037 --> 00:26:47,906 >> Robin: AND ROMANCE THAT HEATS 879 00:26:47,906 --> 00:26:48,506 UP -- 880 00:26:48,506 --> 00:26:51,676 >> I FIXED YOUR LIGHT. 881 00:26:51,676 --> 00:26:53,244 >> Robin: -- IN THE SEASON THREE 882 00:26:53,244 --> 00:26:53,912 FINALE. 883 00:26:53,912 --> 00:26:56,414 >> QUINTA, QUINTA, QUINTA! 884 00:26:56,414 --> 00:26:59,551 >> Robin: IT'S HERE IN L.A. 885 00:26:59,551 --> 00:27:00,652 WHERE QUINTA GOT HER START IN 886 00:27:00,652 --> 00:27:01,152 STAND-UP, LIKE AT "LAUGH 887 00:27:01,152 --> 00:27:04,122 FACTORY." 888 00:27:04,122 --> 00:27:05,690 >> PEOPLE ARE, LIKE, YOU ARE SO 889 00:27:05,690 --> 00:27:06,191 SHORT. 890 00:27:06,191 --> 00:27:06,992 ARE YOU OKAY? 891 00:27:06,992 --> 00:27:09,260 DO YOU GET THE HANDICAP THING 892 00:27:09,260 --> 00:27:11,997 FOR YOUR CAR? 893 00:27:11,997 --> 00:27:13,631 >> Robin: THE INTERNET SENSATION 894 00:27:13,631 --> 00:27:15,000 FORGING HER PATH TO CREATE 895 00:27:15,000 --> 00:27:17,235 "ABBOTT." 896 00:27:17,235 --> 00:27:17,736 THE SHOW, A PLAYGROUND FOR GUEST 897 00:27:17,736 --> 00:27:23,575 STARS. 898 00:27:23,575 --> 00:27:24,609 EVEN BEST ACTRESS NOMINEE, 899 00:27:24,609 --> 00:27:25,710 AYO EDEBIRI, PREVIOUSLY PLAYING 900 00:27:25,710 --> 00:27:28,146 JANINE'S SISTER. 901 00:27:28,146 --> 00:27:32,484 >> BOTH IN COMEDY, WOMEN IN 902 00:27:32,484 --> 00:27:33,651 COMEDY. 903 00:27:33,651 --> 00:27:35,587 AND TO BE ON THE RISE AS YOU 904 00:27:35,587 --> 00:27:37,555 BOTH ARE, YOU SHARE THAT. 905 00:27:37,555 --> 00:27:38,323 >> SHE'S MORE THAN A FRIEND. 906 00:27:38,323 --> 00:27:39,090 I CALL HER MY AUNT/NIECE/COUSIN. 907 00:27:39,090 --> 00:27:39,858 IT'S INVALUABLE TO HAVE SOMEONE 908 00:27:39,858 --> 00:27:40,625 WHO'S SO CLOSE TO YOU AND GOING 909 00:27:40,625 --> 00:27:41,259 THROUGH THE SAME THINGS YOU ARE. 910 00:27:41,259 --> 00:27:50,268 AND I'M PROUD OF HER. 911 00:27:50,268 --> 00:27:51,302 >> Robin: AYO KNOWN FOR HER 912 00:27:51,302 --> 00:27:51,836 AWARD-WINNING ROLE IN FX'S "THE 913 00:27:51,836 --> 00:27:52,904 BEAR." 914 00:27:52,904 --> 00:27:56,074 >> "THE BEAR!" 915 00:27:56,074 --> 00:27:56,841 >> Robin: THE REIGNING CHAMP 916 00:27:56,841 --> 00:27:57,542 WILL DUKE IT OUT WITH "ABBOTT," 917 00:27:57,542 --> 00:27:58,276 "CURB YOUR ENTHUSIASM," AND 918 00:27:58,276 --> 00:27:58,643 OTHERS FOR OUTSTANDING COMEDY 919 00:27:58,643 --> 00:27:59,411 SERIES. 920 00:27:59,411 --> 00:28:04,549 >> I'VE WATCHED EVERY EPISODE OF 921 00:28:04,549 --> 00:28:06,151 "ABBOTT." 922 00:28:06,151 --> 00:28:06,885 I WATCHED "HACKS." 923 00:28:06,885 --> 00:28:07,585 THE THIRD SEASON WAS ACTUALLY 924 00:28:07,585 --> 00:28:08,286 PROBABLY MY FAVORITE OF THE 925 00:28:08,286 --> 00:28:11,923 THREE. 926 00:28:11,923 --> 00:28:12,457 >> Robin: LIONEL BOYCE, 927 00:28:12,457 --> 00:28:12,991 ALONGSIDE CASTMATE, 928 00:28:12,991 --> 00:28:13,491 LIZA COLON-ZAYAS -- 929 00:28:13,491 --> 00:28:14,559 >> WHAT'S UP, T? 930 00:28:14,559 --> 00:28:17,729 HOW YOU DOING? 931 00:28:17,729 --> 00:28:18,797 >> Robin: -- ARE BOTH FIRST TIME 932 00:28:18,797 --> 00:28:19,497 NOMINEES FOR THEIR SUPPORTING 933 00:28:19,497 --> 00:28:20,231 PERFORMANCES IN "THE BEAR," 934 00:28:20,231 --> 00:28:20,965 MAKING HISTORY FOR ITS RECORD 935 00:28:20,965 --> 00:28:21,699 23 EMMY NOMINATIONS FOR SEASON 936 00:28:21,699 --> 00:28:22,500 TWO, THE MOST EVER EARNED BY A 937 00:28:22,500 --> 00:28:26,204 COMEDY SERIES. 938 00:28:26,204 --> 00:28:26,971 >> PEOPLE TALK ABOUT "THE BEAR." 939 00:28:26,971 --> 00:28:27,505 WHAT IS IT LIKE TO BE A PART OF 940 00:28:27,505 --> 00:28:28,239 A SHOW LIKE THAT? 941 00:28:28,239 --> 00:28:28,940 >> BEFORE THIS, I WOULD ALWAYS 942 00:28:28,940 --> 00:28:29,674 THINK ABOUT, LIKE, "I WONDER 943 00:28:29,674 --> 00:28:30,308 WHAT IT'S LIKE TO BE A PART OF 944 00:28:30,308 --> 00:28:31,076 SOMETHING THAT'S A HIT." 945 00:28:31,076 --> 00:28:32,510 AND THEN IT HAPPENS, AND YOU'RE 946 00:28:32,510 --> 00:28:33,578 JUST, LIKE, WATCHING IT UNFOLD 947 00:28:33,578 --> 00:28:36,748 IN REAL-TIME. 948 00:28:36,748 --> 00:28:37,449 AND YOU'RE JUST LIKE, OH, OKAY, 949 00:28:37,449 --> 00:28:39,951 THIS IS SOMETHING THAT MEANS 950 00:28:39,951 --> 00:28:43,655 SOMETHING. 951 00:28:43,655 --> 00:28:44,389 >> Robin: IT'S THE STORY OF A 952 00:28:44,389 --> 00:28:45,256 RESTAURANT IN NEED OF A REVAMP 953 00:28:45,256 --> 00:28:46,024 AFTER A FAMILY TRAGEDY. 954 00:28:46,024 --> 00:28:46,391 >> IT'S GOING TO TAKE SIX MONTHS 955 00:28:46,391 --> 00:28:47,892 TO OPEN. 956 00:28:47,892 --> 00:28:49,494 >> SIX MONTHS? 957 00:28:49,494 --> 00:28:50,528 THAT'S BEING, WHAT? 958 00:28:50,528 --> 00:28:51,596 CONFIDENT? 959 00:28:51,596 --> 00:28:52,130 >> COCKY? 960 00:28:52,130 --> 00:28:54,866 >> CRAZY! 961 00:28:54,866 --> 00:28:57,068 >> Robin: THE STAKES ARE HIGH 962 00:28:57,068 --> 00:28:59,404 AND EVERY SECOND COUNTS. 963 00:28:59,404 --> 00:29:00,872 >> THANK YOU, CHEF. 964 00:29:00,872 --> 00:29:05,243 >> Robin: LIONEL PLAYS MARCUS, 965 00:29:05,243 --> 00:29:06,277 THE EVEN KEELED ASPIRING PASTRY 966 00:29:06,277 --> 00:29:07,345 CHEF WHO WORKS HARD TO IMPROVE 967 00:29:07,345 --> 00:29:08,079 HIS SKILLS, TRAVELING TO 968 00:29:08,079 --> 00:29:08,947 COPENHAGEN TO TRAIN WITH CHEF 969 00:29:08,947 --> 00:29:09,681 LUCA. 970 00:29:09,681 --> 00:29:10,515 GUEST ACTOR, WILL POULTER, IS 971 00:29:10,515 --> 00:29:12,117 ALSO NOMINATED FOR THE EPISODE. 972 00:29:12,117 --> 00:29:13,184 >> I LOVE WILL. 973 00:29:13,184 --> 00:29:14,786 HE'S VERY INTO FOOD. 974 00:29:14,786 --> 00:29:15,820 HE BROUGHT SOME COOKIES HE MADE. 975 00:29:15,820 --> 00:29:19,224 I'M NOT, LIKE, A HUGE COOKIE 976 00:29:19,224 --> 00:29:20,291 PERSON, BUT I WAS, LIKE, THESE 977 00:29:20,291 --> 00:29:21,025 ARE AMAZING. 978 00:29:21,025 --> 00:29:22,794 >> HOW COULD YOU NOT BE AFTER 979 00:29:22,794 --> 00:29:23,294 ALL THOSE PASTRIES THAT YOU 980 00:29:23,294 --> 00:29:23,828 MAKE -- 981 00:29:23,828 --> 00:29:24,896 >> I LOVE CAKE. 982 00:29:24,896 --> 00:29:25,964 >> -- ON THE SHOW? 983 00:29:25,964 --> 00:29:28,600 >> I LOVE CAKES MORE. 984 00:29:28,600 --> 00:29:29,300 I MEAN, I DON'T MAKE THAT A LOT. 985 00:29:29,300 --> 00:29:30,001 TO BE FAIR, YOU DON'T SEE ME 986 00:29:30,001 --> 00:29:30,735 MAKING COOKIES IN THE SHOW. 987 00:29:30,735 --> 00:29:31,469 >> THAT'S TRUE. 988 00:29:31,469 --> 00:29:32,303 DONUTS I'VE SEEN, CAKES YOU'VE 989 00:29:32,303 --> 00:29:33,371 SEEN -- 990 00:29:33,371 --> 00:29:36,574 >> YEAH, WHICH I LOVE BOTH. 991 00:29:36,574 --> 00:29:37,342 >> Robin: MEANWHILE LIZA'S 992 00:29:37,342 --> 00:29:38,143 CHARACTER, TINA, SHARPENING HER 993 00:29:38,143 --> 00:29:39,210 CRAFT AT CULINARY SCHOOL. 994 00:29:39,210 --> 00:29:42,380 >> EXCELLENT CUT CHEF. 995 00:29:42,380 --> 00:29:46,718 >> THANK YOU, CHEF. 996 00:29:46,718 --> 00:29:51,556 >> YOUR CASTMATE, LIZA, HER 997 00:29:51,556 --> 00:29:52,323 FIRST TIME AS A NOMINEE. 998 00:29:52,323 --> 00:29:53,024 >> OH, YEAH. 999 00:29:53,024 --> 00:29:53,892 >> SO HOW DO YOU FEEL ABOUT 1000 00:29:53,892 --> 00:29:54,626 THAT? 1001 00:29:54,626 --> 00:29:55,193 >> I'M OVER THE MOON FOR THAT. 1002 00:29:55,193 --> 00:29:55,927 I MEAN, I LOVE LIZA. 1003 00:29:55,927 --> 00:29:56,661 SHE'S JUST BEEN WORKING FOR SO 1004 00:29:56,661 --> 00:29:57,095 LONG, AND INCREDIBLY TALENTED 1005 00:29:57,095 --> 00:29:58,663 AND DESERVING. 1006 00:29:58,663 --> 00:29:59,230 I FELT MORE HAPPY FOR HER BEING 1007 00:29:59,230 --> 00:30:02,901 NOMINATED THAN MYSELF. 1008 00:30:02,901 --> 00:30:03,568 >> Robin: A STAGE AND SCREEN 1009 00:30:03,568 --> 00:30:04,235 VETERAN WHO WORKED IN THE 1010 00:30:04,235 --> 00:30:05,036 INDUSTRY FOR NEARLY THREE 1011 00:30:05,036 --> 00:30:06,604 DECADES BEFORE LANDING HER 1012 00:30:06,604 --> 00:30:07,672 BREAKOUT ROLE. 1013 00:30:07,672 --> 00:30:08,740 >> I GET A LITTLE NERVOUS THAT I 1014 00:30:08,740 --> 00:30:09,807 JUST AM TINA. 1015 00:30:09,807 --> 00:30:12,410 THAT BEING TINY AND LATINA, I 1016 00:30:12,410 --> 00:30:16,080 MEAN, I COME FROM STRONG WOMEN. 1017 00:30:16,080 --> 00:30:17,148 >> Robin: LIZA'S UP AGAINST A 1018 00:30:17,148 --> 00:30:17,882 STACKED CATEGORY FOR OUTSTANDING 1019 00:30:17,882 --> 00:30:19,284 SUPPORTING ACTRESS IN A COMEDY 1020 00:30:19,284 --> 00:30:23,521 SERIES. 1021 00:30:23,521 --> 00:30:25,089 >> IT'S PEOPLE I REALLY, TRULY, 1022 00:30:25,089 --> 00:30:28,259 TRULY LOOK UP TO. 1023 00:30:28,259 --> 00:30:29,861 I'M ABOUT THE WORK AND ABOUT THE 1024 00:30:29,861 --> 00:30:31,963 RESPECT. 1025 00:30:31,963 --> 00:30:34,766 BUT TO HAVE THAT VALIDATION, YOU 1026 00:30:34,766 --> 00:30:37,335 KNOW, IT FEELS AMAZING. 1027 00:30:37,335 --> 00:30:40,305 >> Robin: FINDING HEART AND 1028 00:30:40,305 --> 00:30:41,339 HUMOR THROUGH THEIR HOMETOWNS, 1029 00:30:41,339 --> 00:30:42,440 BOTH "THE BEAR" AND "ABBOTT 1030 00:30:42,440 --> 00:30:44,542 ELEMENTARY" BRING THEIR BELOVED 1031 00:30:44,542 --> 00:30:49,314 CITIES TO LIFE. 1032 00:30:49,314 --> 00:30:49,814 >> CHICAGO IS SYNONYMOUS WITH 1033 00:30:49,814 --> 00:30:50,582 "THE BEAR." 1034 00:30:50,582 --> 00:30:50,982 >> THAT'S A COOL THING THAT THIS 1035 00:30:50,982 --> 00:30:51,716 SHOW DOES. 1036 00:30:51,716 --> 00:30:52,483 IT'S SPECIFIC IN THE WAY WHERE 1037 00:30:52,483 --> 00:30:52,984 THEY'RE SHOOTING AT PLACES WITH 1038 00:30:52,984 --> 00:30:54,052 INTENTIONALITY. 1039 00:30:54,052 --> 00:30:56,354 SO, IT FEELS ALIVE IN THIS WAY, 1040 00:30:56,354 --> 00:30:58,489 WHERE YOU'RE LIKE, I WANT TO GO 1041 00:30:58,489 --> 00:30:59,257 THERE, I WANT TO SEE IT. 1042 00:30:59,257 --> 00:30:59,791 >> "ABBOTT ELEMENTARY," IT HAS 1043 00:30:59,791 --> 00:31:00,825 TO BE PHILLY. 1044 00:31:00,825 --> 00:31:02,460 >> YES. 1045 00:31:02,460 --> 00:31:03,228 I'M PUMPED TO CONTINUE OUR 1046 00:31:03,228 --> 00:31:05,096 TRADITION OF MAKING PHILLY KNOWN 1047 00:31:05,096 --> 00:31:08,266 TO THE REST OF THE WORLD. 1048 00:31:08,266 --> 00:31:08,800 >> AND YOU'RE A WEST PHILLY 1049 00:31:08,800 --> 00:31:09,834 GIRL. 1050 00:31:09,834 --> 00:31:10,835 STARTED IN DANCE, I BELIEVE. 1051 00:31:10,835 --> 00:31:11,903 >> YEP. 1052 00:31:11,903 --> 00:31:14,038 >> A MENTOR OF YOURS HAS A 1053 00:31:14,038 --> 00:31:15,073 SPECIAL MESSAGE FOR YOU. 1054 00:31:15,073 --> 00:31:17,208 >> OH, WOW. 1055 00:31:17,208 --> 00:31:18,776 >> MISS QUINTA BRUNSON, IT'S 1056 00:31:18,776 --> 00:31:21,779 MISS HOLLIE. 1057 00:31:21,779 --> 00:31:24,716 HOW YOU DOING, BABY? 1058 00:31:24,716 --> 00:31:26,651 CONGRATULATIONS ON ALL YOUR 1059 00:31:26,651 --> 00:31:29,053 SUCCESS AND YOUR EMAIL IN 1060 00:31:29,053 --> 00:31:31,456 NOMINATIONS FOR THIS YEAR. 1061 00:31:31,456 --> 00:31:37,929 I'M SO PROUD OF YOU. 1062 00:31:37,929 --> 00:31:49,941 >> All: HI, QUINTA. 1063 00:31:49,941 --> 00:31:51,209 CONGRATULATIONS FROM L AND L 1064 00:31:51,209 --> 00:31:52,777 DANCE PRODUCTIONS. 1065 00:31:52,777 --> 00:31:57,115 >> OH, WOW, THAT'S REALLY SWEET. 1066 00:31:57,115 --> 00:31:59,117 >> All: WE LOVE YOU SO MUCH. 1067 00:31:59,117 --> 00:31:59,651 >> THAT'S REALLY -- THAT'S 1068 00:31:59,651 --> 00:32:00,418 CRAZY. 1069 00:32:00,418 --> 00:32:01,219 >> WHY DOES THAT BRING TEARS TO 1070 00:32:01,219 --> 00:32:01,919 YOUR EYES? 1071 00:32:01,919 --> 00:32:02,820 >> THAT'S JUST A SMALL DANCE 1072 00:32:02,820 --> 00:32:03,554 SCHOOL IN WEST PHILLY. 1073 00:32:03,554 --> 00:32:03,955 THAT WAS WHERE I LEARNED TO BE 1074 00:32:03,955 --> 00:32:05,456 ON STAGE. 1075 00:32:05,456 --> 00:32:06,090 I WAS AT THAT DANCE SCHOOL EVERY 1076 00:32:06,090 --> 00:32:06,524 WEDNESDAY, THURSDAY, AND 1077 00:32:06,524 --> 00:32:07,292 SATURDAY. 1078 00:32:07,292 --> 00:32:08,092 SO THAT WAS HOME AWAY FROM HOME. 1079 00:32:08,092 --> 00:32:09,160 GIRLS WHO ARE FROM WHERE I'M 1080 00:32:09,160 --> 00:32:11,763 FROM, THOSE KIND OF SPACES ARE 1081 00:32:11,763 --> 00:32:12,497 SPECIAL BECAUSE THEY KEEP YOU 1082 00:32:12,497 --> 00:32:13,164 OUT OF TROUBLE AND GIVE YOU AN 1083 00:32:13,164 --> 00:32:14,399 ENVIRONMENT TO BELIEVE IN 1084 00:32:14,399 --> 00:32:15,466 YOURSELF. 1085 00:32:15,466 --> 00:32:18,102 >> YOU ARE HOLLYWOOD ROYALTY 1086 00:32:18,102 --> 00:32:19,704 RIGHT NOW AND YOU CAN BE BROUGHT 1087 00:32:19,704 --> 00:32:20,338 TO TEARS THINKING OF THE 1088 00:32:20,338 --> 00:32:22,340 GRATITUDE THAT YOU HAVE. 1089 00:32:22,340 --> 00:32:27,679 >> THAT'S VERY SWEET. 1090 00:32:27,679 --> 00:32:31,649 >> Announcer: COMING UP, FROM 1091 00:32:31,649 --> 00:32:33,818 FATHER AND SON TO FIRST TIME 1092 00:32:33,818 --> 00:32:34,952 EMMY CO-HOSTS. 1093 00:32:34,952 --> 00:32:37,188 >> THE CHALLENGE IS NOT 1094 00:32:37,188 --> 00:32:38,990 HUMILIATING YOURSELF ON NATIONAL 1095 00:32:38,990 --> 00:32:41,225 TELEVISION IN FRONT OF MILLIONS 1096 00:32:41,225 --> 00:32:42,126 OF PEOPLE. 1097 00:32:42,126 --> 00:32:43,461 >> THAT'S ONE. 1098 00:32:43,461 --> 00:32:44,796 >> Announcer: NEXT. 1099 00:32:48,032 --> 00:32:50,668 >>> I MEAN, PERSONALLY, FOR ME, 1100 00:32:50,668 --> 00:32:51,736 COMEDY'S ALL ABOUT -- IF I'M 1101 00:32:51,736 --> 00:32:52,270 GONNA GO DOWN, I WANNA TAKE 1102 00:32:52,270 --> 00:32:56,574 SOMEBODY WITH ME. 1103 00:32:56,574 --> 00:32:57,475 LUCKILY I'VE GOT MY SON HERE. 1104 00:32:57,475 --> 00:32:58,543 >> YEAH, YEAH, YEAH. 1105 00:32:58,543 --> 00:32:59,610 THAT'S -- THAT'S GOOD FATHERLY 1106 00:32:59,610 --> 00:33:04,282 ADVICE. 1107 00:33:04,282 --> 00:33:06,784 >> Reporter: HONED BY THEIR 1108 00:33:06,784 --> 00:33:07,852 REAL-LIFE ROLES AS FATHER AND 1109 00:33:07,852 --> 00:33:09,420 SON, THIS YEAR'S EMMY HOSTS, 1110 00:33:09,420 --> 00:33:11,022 DAN LEVY AND EUGENE LEVY, SET TO 1111 00:33:11,022 --> 00:33:12,090 SHOWCASE THEIR EMMY-WINNING 1112 00:33:12,090 --> 00:33:13,157 COMIC CHEMISTRY FAMOUSLY 1113 00:33:13,157 --> 00:33:14,726 FEATURED ON THEIR SITCOM 1114 00:33:14,726 --> 00:33:17,395 "SCHITT'S CREEK." 1115 00:33:17,395 --> 00:33:19,997 >> CONGRATULATIONS TO THE TWO OF 1116 00:33:19,997 --> 00:33:21,099 YOU, THE FIRST FATHER AND SON 1117 00:33:21,099 --> 00:33:21,799 DUO EVER TO HOST THE EMMYS. 1118 00:33:21,799 --> 00:33:23,201 WHAT DOES THAT MEAN TO YOU? 1119 00:33:23,201 --> 00:33:24,769 >> MEANS WE'RE THE FIRST, 1120 00:33:24,769 --> 00:33:28,473 DOESN'T IT? 1121 00:33:28,473 --> 00:33:30,608 I THINK THAT'S WHAT IT MEANS. 1122 00:33:30,608 --> 00:33:31,676 >> THE CHALLENGE IS NOT 1123 00:33:31,676 --> 00:33:32,710 HUMILIATING YOURSELF ON NATIONAL 1124 00:33:32,710 --> 00:33:33,344 TELEVISION IN FRONT OF MILLIONS 1125 00:33:33,344 --> 00:33:34,846 AND MILLIONS OF PEOPLE. 1126 00:33:34,846 --> 00:33:35,913 >> THAT'S ONE. 1127 00:33:35,913 --> 00:33:36,614 >> HOW WOULD YOU DESCRIBE WHAT 1128 00:33:36,614 --> 00:33:36,948 IT IS THAT THE TWO OF YOU DO 1129 00:33:36,948 --> 00:33:38,015 WHEN -- 1130 00:33:38,015 --> 00:33:39,550 >> BICKERING. 1131 00:33:39,550 --> 00:33:40,084 >> -- YOU'RE TOGETHER, 1132 00:33:40,084 --> 00:33:44,188 BICKERING? 1133 00:33:44,188 --> 00:33:47,992 >> IT'S A BICKER BACK AND FORTH. 1134 00:33:47,992 --> 00:33:49,160 IT'S A GENERAL LACK OF RESPECT. 1135 00:33:49,160 --> 00:33:49,827 >> WHAT ARE YOU WEARING? 1136 00:33:49,827 --> 00:33:50,528 WHAT IS THAT, A NIGHTGOWN? 1137 00:33:50,528 --> 00:33:51,295 >> IT'S A NIGHTSHIRT, DAVID. 1138 00:33:51,295 --> 00:33:51,796 >> YOU MIGHT WANT TO RETHINK THE 1139 00:33:51,796 --> 00:33:52,563 NIGHTGOWN FIRST. 1140 00:33:52,563 --> 00:33:53,064 THERE'S A WHOLE EBENEZER SCROOGE 1141 00:33:53,064 --> 00:33:53,831 THING HAPPENING. 1142 00:33:53,831 --> 00:33:54,265 >> OH, MY GOD, THAT'S WHO I WAS 1143 00:33:54,265 --> 00:33:57,635 THINKING OF. 1144 00:33:57,635 --> 00:33:58,169 >> YOU KNOW WHAT, I'LL DO IT 1145 00:33:58,169 --> 00:33:59,237 MYSELF. 1146 00:33:59,237 --> 00:34:02,540 >> MY BEST TO BOB CRATCHIT. 1147 00:34:02,540 --> 00:34:05,710 >> WE'RE FORTUNATE ENOUGH TO 1148 00:34:05,710 --> 00:34:06,344 HAVE A KIND OF CHEMISTRY THAT 1149 00:34:06,344 --> 00:34:10,081 WORKS ON AN AWARD SHOW. 1150 00:34:10,081 --> 00:34:12,717 >> IT'S ALSO THE KIND OF 1151 00:34:12,717 --> 00:34:17,355 CHEMISTRY THAT WAS ON "SCHITT'S 1152 00:34:17,355 --> 00:34:18,089 CREEK." 1153 00:34:18,089 --> 00:34:20,992 IT CAME FROM A VERY, VERY REAL 1154 00:34:20,992 --> 00:34:21,759 PLACE. 1155 00:34:21,759 --> 00:34:24,729 >> Reporter: AT THE 2020 EMMYS, 1156 00:34:24,729 --> 00:34:26,297 THE TV ACADEMY AND A 1157 00:34:26,297 --> 00:34:27,899 COVID-SCARRED COUNTRY GRATEFUL 1158 00:34:27,899 --> 00:34:28,666 TO BE UP THE CREEK. 1159 00:34:28,666 --> 00:34:29,500 THE CANADIAN SERIES SWEEPING THE 1160 00:34:29,500 --> 00:34:30,535 COMEDY CATEGORIES. 1161 00:34:30,535 --> 00:34:32,136 EUGENE LEVY WINNING TWO EMMYS 1162 00:34:32,136 --> 00:34:33,204 AND DAN LEVY WINNING FOUR EMMYS 1163 00:34:33,204 --> 00:34:34,238 THAT YEAR, FOR ACTING, WRITING, 1164 00:34:34,238 --> 00:34:34,972 DIRECTING, AND PRODUCING. 1165 00:34:34,972 --> 00:34:35,706 THE SHOW'S WARM, WITTY VIBE A 1166 00:34:35,706 --> 00:34:36,374 TOUCHSTONE FOR THIS EMMY GIG. 1167 00:34:36,374 --> 00:34:37,442 >> YOU KNOW, I THINK OUR 1168 00:34:37,442 --> 00:34:38,476 APPROACH IS WHAT WE APPROACH 1169 00:34:38,476 --> 00:34:42,180 EVERYTHING WE DO, WHICH IS, 1170 00:34:42,180 --> 00:34:45,082 WHAT WE APPROACH EVERYTHING WE 1171 00:34:45,082 --> 00:34:45,817 DO. 1172 00:34:45,817 --> 00:34:46,551 IT'S WITH A HEART AND KINDNESS 1173 00:34:46,551 --> 00:34:47,718 WHILE AT THE SAME TIME NOT 1174 00:34:47,718 --> 00:34:50,254 LOSING THE EDGE OF WHAT PEOPLE 1175 00:34:50,254 --> 00:34:50,955 COME TO EXPECT FROM A HOST. 1176 00:34:50,955 --> 00:34:51,589 SO IT'S RIDING THAT BALANCE. 1177 00:34:51,589 --> 00:34:51,956 WE WANT EVERYONE TO FEEL 1178 00:34:51,956 --> 00:34:52,690 WELCOME. 1179 00:34:52,690 --> 00:34:53,191 BUT WE ALSO NEED TO -- WE NEED 1180 00:34:53,191 --> 00:34:53,825 TO MAKE SOME -- 1181 00:34:53,825 --> 00:34:54,492 >> WE'VE GOTTA BE FUNNY. 1182 00:34:54,492 --> 00:34:56,093 >> -- JOKES. 1183 00:34:56,093 --> 00:34:58,229 I ALSO THINK AS CANADIANS, IT'S 1184 00:34:58,229 --> 00:35:01,933 IMPOSSIBLE TO TAKE YOURSELF 1185 00:35:01,933 --> 00:35:04,035 SERIOUSLY AND TRY TO NOT BOMB. 1186 00:35:04,035 --> 00:35:07,238 >> THAT'S THE CANADIAN WAY. 1187 00:35:07,238 --> 00:35:08,272 YES, GET OUT THERE AND DON'T 1188 00:35:08,272 --> 00:35:16,147 BOMB. 1189 00:35:16,147 --> 00:35:16,914 >> Reporter: THEY'RE ONLY THE 1190 00:35:16,914 --> 00:35:17,982 SECOND DUO TO HOST THE EMMYS IN 1191 00:35:17,982 --> 00:35:18,716 THE 21st CENTURY, MICHAEL CHE 1192 00:35:18,716 --> 00:35:19,584 AND COLIN JOST BEING THE OTHER 1193 00:35:19,584 --> 00:35:22,253 PAIR. 1194 00:35:22,253 --> 00:35:22,753 BUT BACK IN THE DAY -- 1195 00:35:22,753 --> 00:35:27,525 >> "I LOVE LUCY." 1196 00:35:27,525 --> 00:35:28,259 >> Reporter: LUCY AND DESI DID 1197 00:35:28,259 --> 00:35:29,126 IT TOGETHER IN BLACK AND WHITE 1198 00:35:29,126 --> 00:35:30,194 IN THE 1950s, TAKING HOME EMMYS 1199 00:35:30,194 --> 00:35:31,762 OF THEIR OWN AT THE SAME TIME. 1200 00:35:31,762 --> 00:35:35,733 >> THANKS VERY VERY MUCH. 1201 00:35:35,733 --> 00:35:37,335 >> THANK YOU, LADIES AND 1202 00:35:37,335 --> 00:35:38,169 GENTLEMEN. 1203 00:35:38,169 --> 00:35:42,173 >> reporter: FUTURE "20/20" HOST 1204 00:35:42,173 --> 00:35:43,207 HUGH DOWNS PARTNERED WITH LATE 1205 00:35:43,207 --> 00:35:44,809 NIGHT TALK SHOW HOST JOEY BISHOP 1206 00:35:44,809 --> 00:35:46,410 IN 1967, THE YEAR "THE MONKEES" 1207 00:35:46,410 --> 00:35:47,979 WON COMEDY SERIES. 1208 00:35:47,979 --> 00:35:50,114 AND IN 1982, THE YEAR 1209 00:35:50,114 --> 00:35:52,216 MARLO THOMAS AND JOHN FORSYTHE 1210 00:35:52,216 --> 00:35:54,886 HOSTED, EUGENE LEVY WON HIS 1211 00:35:54,886 --> 00:35:57,522 FIRST OF TWO '80s EMMYS FOR THE 1212 00:35:57,522 --> 00:36:00,191 GREAT SKETCH SHOW "SCTV," WHERE 1213 00:36:00,191 --> 00:36:02,293 HE WROTE AND PERFORMED ALONGSIDE 1214 00:36:02,293 --> 00:36:03,895 "CREEK'S" CATHERINE O'HARA, AND 1215 00:36:03,895 --> 00:36:04,929 SANG TOO, FOR A PRODUCTION 1216 00:36:04,929 --> 00:36:08,799 NUMBER THAT HELPED TO OPEN AN 1217 00:36:08,799 --> 00:36:10,935 AWARDS SHOW SEND-UP. 1218 00:36:10,935 --> 00:36:11,702 ♪ NOW AIN'T THAT GRAND ♪ 1219 00:36:11,702 --> 00:36:15,006 >> IF YOU'VE NEVER SEEN IT, AND 1220 00:36:15,006 --> 00:36:15,606 I'M SURE YOU HAVEN'T. 1221 00:36:15,606 --> 00:36:18,409 >> WELL, CLEARLY I -- 1222 00:36:18,409 --> 00:36:19,944 >> YOU SHOULD WATCH IT JUST TO 1223 00:36:19,944 --> 00:36:22,880 SEE WHAT YOUR DAD WAS DOING LIKE 1224 00:36:22,880 --> 00:36:24,482 WAY BEFORE YOU WERE BORN. 1225 00:36:24,482 --> 00:36:31,389 >> Reporter: DAD'S DEBUT ON MTV 1226 00:36:31,389 --> 00:36:33,491 CANADA IN 2006 EUGENE'S ROLE IN 1227 00:36:33,491 --> 00:36:37,728 A 1970 COLLEGE PLAY. 1228 00:36:37,728 --> 00:36:38,496 GETTING THEIR PICTURES IN THE 1229 00:36:38,496 --> 00:36:39,230 LOCAL PAPER WHEN THEY WERE EACH 1230 00:36:39,230 --> 00:36:41,899 23 OR SO. 1231 00:36:41,899 --> 00:36:43,467 >> LOOK AT THE WAY YOU LOOK AND 1232 00:36:43,467 --> 00:36:44,168 LOOK AT THE WAY I LOOK. 1233 00:36:44,168 --> 00:36:45,102 AND YOU WONDER WHY I WASN'T 1234 00:36:45,102 --> 00:36:47,872 GETTING WORK. 1235 00:36:47,872 --> 00:36:49,106 >> Reporter: HE'S GETTING PLENTY 1236 00:36:49,106 --> 00:36:49,807 OF WORK NOW. 1237 00:36:49,807 --> 00:36:50,541 HE'S IN SEASON FOUR OF "ONLY 1238 00:36:50,541 --> 00:36:52,476 MURDERS IN THE BUILDING" AS AN 1239 00:36:52,476 --> 00:36:53,544 ACTOR PREPPING TO PLAY 1240 00:36:53,544 --> 00:36:54,612 STEVE MARTIN'S CHARACTER IN A 1241 00:36:54,612 --> 00:36:56,180 FILM. 1242 00:36:56,180 --> 00:36:57,214 >> WELL AT OUR AGE, NO ONE'S 1243 00:36:57,214 --> 00:36:58,282 EVER REALLY TOTALLY FINE, ARE 1244 00:36:58,282 --> 00:36:59,383 WE? 1245 00:36:59,383 --> 00:37:00,418 YOU KNOW WHAT EVERYONE'S GOT 1246 00:37:00,418 --> 00:37:02,520 NOW -- SEPSIS. 1247 00:37:02,520 --> 00:37:04,121 >> OH, EXCUSE -- OH, MY GOD, 1248 00:37:04,121 --> 00:37:07,291 IT'S MY OLD FRIEND. 1249 00:37:07,291 --> 00:37:08,359 >> WHAT WOULD YOU GIVE AS ADVICE 1250 00:37:08,359 --> 00:37:09,427 IN TERMS OF HOSTING THE EMMYS 1251 00:37:09,427 --> 00:37:10,461 THIS YEAR? 1252 00:37:10,461 --> 00:37:12,063 >> I DON'T THINK I COULD GIVE 1253 00:37:12,063 --> 00:37:13,664 HIM ADVICE BECAUSE HE HAS HIS 1254 00:37:13,664 --> 00:37:16,300 OWN COMIC PERSONA. 1255 00:37:16,300 --> 00:37:17,368 IT'S LIKE IF WE, ALL THREE OF US 1256 00:37:17,368 --> 00:37:18,436 IN A ROOM, AND HE'S TALKING FAST 1257 00:37:18,436 --> 00:37:21,606 AND I'M TALKING FAST AND THEN 1258 00:37:21,606 --> 00:37:23,741 EUGENE TALKS, HE SLOWS IT RIGHT 1259 00:37:23,741 --> 00:37:27,979 DOWN. 1260 00:37:27,979 --> 00:37:29,013 >> BECAUSE ONE THING ABOUT AN 1261 00:37:29,013 --> 00:37:30,081 AWARD SHOW, YOU ALWAYS WISH IT 1262 00:37:30,081 --> 00:37:32,516 WAS A LITTLE BIT LONGER. 1263 00:37:32,516 --> 00:37:35,953 >> YEAH, YEAH, YEAH. 1264 00:37:35,953 --> 00:37:38,422 >> SO I THINK IT'S GOING TO WORK 1265 00:37:38,422 --> 00:37:39,357 OUT WELL. 1266 00:37:39,357 --> 00:37:43,995 >> I THINK HE AND DANIEL ARE 1267 00:37:43,995 --> 00:37:45,096 >> Reporter: THE "ONLY MURDERS" 1268 00:37:45,096 --> 00:37:46,130 CAST SET TO PRESENT ON THE SHOW, 1269 00:37:46,130 --> 00:37:47,198 WITH ONE OF ITS LATEST SEASON'S 1270 00:37:47,198 --> 00:37:47,732 FEATURED ACTORS GIVEN HER OWN 1271 00:37:47,732 --> 00:37:49,300 CHANCE TO SHINE. 1272 00:37:49,300 --> 00:37:52,470 >> WE'RE GONNA HAVE THIS GREAT 1273 00:37:52,470 --> 00:37:53,537 COACH'S MOMENT LED BY 1274 00:37:53,537 --> 00:37:54,605 JANE LYNCH, WHO WAS AN AMAZING 1275 00:37:54,605 --> 00:37:56,941 COACH ON "GLEE." 1276 00:37:56,941 --> 00:37:58,676 SHE DEFINED WHAT A COACH SHOULD 1277 00:37:58,676 --> 00:37:59,143 BE. 1278 00:37:59,143 --> 00:38:00,444 SHE'S AMAZING. 1279 00:38:00,444 --> 00:38:01,879 WE HAVE A GREAT MOMENT BUILT 1280 00:38:01,879 --> 00:38:05,282 AROUND HER AND IT'S TIED TO AN 1281 00:38:05,282 --> 00:38:06,450 AMAZING SURPRISE. 1282 00:38:06,450 --> 00:38:07,518 >> THE EMOTION OF THE NIGHT IS 1283 00:38:07,518 --> 00:38:08,252 FRONT AND FOREMOST IN MY MIND. 1284 00:38:08,252 --> 00:38:09,020 THAT'S A REALLY JOYOUS THING. 1285 00:38:09,020 --> 00:38:09,353 >> I THINK WE JUST WANT IT TO BE 1286 00:38:09,353 --> 00:38:11,222 GREAT. 1287 00:38:11,222 --> 00:38:12,289 WE WANT IT TO BE SMART. 1288 00:38:12,289 --> 00:38:13,357 WE WANT IT TO MEAN SOMETHING. 1289 00:38:13,357 --> 00:38:14,425 WE WANT IT TO BE FUN. 1290 00:38:14,425 --> 00:38:15,459 >> WE REALLY HOPE THAT IT'S JUST 1291 00:38:15,459 --> 00:38:16,527 A FUN VIBE AND IT'S A VERY 1292 00:38:16,527 --> 00:38:19,397 CELEBRATORY NIGHT. 1293 00:38:19,397 --> 00:38:20,831 >> Reporter: BOTH OF THESE HOSTS 1294 00:38:20,831 --> 00:38:22,433 APPRECIATE THE IMPACT OF AN EMMY 1295 00:38:22,433 --> 00:38:25,069 OR TWO, WITH DAN LEVY RECALLING 1296 00:38:25,069 --> 00:38:25,670 GROWING UP WITH HIS FATHER'S 1297 00:38:25,670 --> 00:38:28,439 STATUES IN THEIR HOME. 1298 00:38:28,439 --> 00:38:31,842 >> GROWING UP, WE HAD THESE 1299 00:38:31,842 --> 00:38:33,611 DECAYING EMMY AWARDS SITTING ON 1300 00:38:33,611 --> 00:38:34,578 A SHELF. 1301 00:38:34,578 --> 00:38:36,213 AT ONE POINT SOMEONE HAD 1302 00:38:36,213 --> 00:38:36,714 TAKEN -- 1303 00:38:36,714 --> 00:38:38,149 >> I DID. 1304 00:38:38,149 --> 00:38:41,152 >> -- SCOTCH TAPE AND TAPED THE 1305 00:38:41,152 --> 00:38:47,692 PLACARD THAT CAME OFF. 1306 00:38:47,692 --> 00:38:48,325 >> THEY WEREN'T BUILD THAT WELL 1307 00:38:48,325 --> 00:38:49,060 BACK THEN. 1308 00:38:49,060 --> 00:38:49,694 >> SO WHEN I GOT MINE, I JUST 1309 00:38:49,694 --> 00:38:50,728 THOUGHT, DON'T DO THAT. 1310 00:38:50,728 --> 00:38:52,329 TAKE BETTER CARE OF THEM, YOU 1311 00:38:52,329 --> 00:38:53,931 KNOW? 1312 00:38:53,931 --> 00:38:54,965 >> HEY, IT'S NOT LIKE I DIDN'T 1313 00:38:54,965 --> 00:38:56,033 TAKE GOOD CARE OF IT. 1314 00:38:56,033 --> 00:38:56,734 IT'S NOT LIKE I PICKED IT UP 1315 00:38:56,734 --> 00:38:57,368 EVERY DAY AND WAS WAVING IT 1316 00:38:57,368 --> 00:38:57,768 AROUND AND SPINNING IT. 1317 00:38:57,768 --> 00:38:58,703 YOU KNOW? 1318 00:38:58,703 --> 00:38:59,203 BUT WE LOVED HAVING THEM ON 1319 00:38:59,203 --> 00:38:59,737 OUR -- 1320 00:38:59,737 --> 00:39:00,337 >> THEY WERE FUN. 1321 00:39:00,337 --> 00:39:01,105 >> -- ON OUR SHELVES. 1322 00:39:01,105 --> 00:39:01,872 >> GENTLEMEN, THANK YOU SO MUCH 1323 00:39:01,872 --> 00:39:02,373 FOR TALKING TO ME. 1324 00:39:02,373 --> 00:39:03,074 >> THANK YOU. 1325 00:39:03,074 --> 00:39:03,974 IT'S REALLY BEEN A PLEASURE. 1326 00:39:03,974 --> 00:39:05,242 >> I'M NOT FINISHED YET. 1327 00:39:05,242 --> 00:39:07,478 >> LIKEWISE. 1328 00:39:07,478 --> 00:39:10,247 >>> I JUST WANT TO SAY HELLO, 1329 00:39:10,247 --> 00:39:10,981 SWEETHEART. 1330 00:39:10,981 --> 00:39:12,616 >> Announcer: WHEN WE RETURN, 1331 00:39:12,616 --> 00:39:13,784 ONE FINAL SURPRISE. 1332 00:39:13,784 --> 00:39:15,753 PASSING THE COMEDY TORCH, NEXT. 1333 00:39:19,957 --> 00:39:21,692 >> Robin: BEFORE WE STAY GOOD 1334 00:39:21,692 --> 00:39:23,461 NIGHT, WE BROUGHT TOGETHER TWO 1335 00:39:23,461 --> 00:39:26,397 TRAIL BLAZERS, A FEW YEARS 1336 00:39:26,397 --> 00:39:28,632 APART, BUT UNITED IN MAKING US 1337 00:39:28,632 --> 00:39:30,401 LAUGH, MAKING US THINK AND 1338 00:39:30,401 --> 00:39:32,737 PAVING THE WAY. 1339 00:39:32,737 --> 00:39:34,739 FINALLY, WE HAVE ONE LAST BIT OF 1340 00:39:34,739 --> 00:39:35,940 EMMY MAGIC BEFORE THE NIGHT. 1341 00:39:35,940 --> 00:39:38,476 >> OH MY GOODNESS. 1342 00:39:38,476 --> 00:39:43,114 >> HI, CAROL. 1343 00:39:43,114 --> 00:39:46,984 >> Robin: WE ARRANGED A SURPRISE 1344 00:39:46,984 --> 00:39:54,425 DROP-IN FROM THE CAROL BURNETT. 1345 00:39:54,425 --> 00:39:54,959 >> HI, CAROL. 1346 00:39:54,959 --> 00:39:56,560 >> OH, BEAUTIFUL. 1347 00:39:56,560 --> 00:39:57,628 HI, SWEETHEART. 1348 00:39:57,628 --> 00:39:58,262 >> OKAY, AND THE EMMY GOES TO -- 1349 00:39:58,262 --> 00:39:59,196 QUINTA BRUNSON, "ABBOTT 1350 00:39:59,196 --> 00:40:03,968 ELEMENTARY." 1351 00:40:03,968 --> 00:40:05,002 >> Robin: AT "THE 75th PRIMETIME 1352 00:40:05,002 --> 00:40:05,770 EMMY AWARDS," QUINTA RECEIVED 1353 00:40:05,770 --> 00:40:06,504 HER VERY FIRST ACTING EMMY FROM 1354 00:40:06,504 --> 00:40:07,138 THE COMEDY TV LEGEND, HERSELF. 1355 00:40:07,138 --> 00:40:11,375 >> WOW. 1356 00:40:11,375 --> 00:40:12,443 THANK YOU SO MUCH. 1357 00:40:12,443 --> 00:40:13,177 JUST -- I DON'T EVEN KNOW WHY 1358 00:40:13,177 --> 00:40:14,545 I'M SO EMOTIONAL, I JUST THINK 1359 00:40:14,545 --> 00:40:18,249 THE CAROL BURNETT OF IT ALL. 1360 00:40:18,249 --> 00:40:19,016 >> I WAS REALLY JUST BLOWN AWAY, 1361 00:40:19,016 --> 00:40:19,784 BUT I NEVER GOT TO TELL YOU JUST 1362 00:40:19,784 --> 00:40:20,484 REALLY HOW MUCH YOU MEAN TO ME, 1363 00:40:20,484 --> 00:40:21,452 AND GROWING UP WATCHING YOU. 1364 00:40:21,452 --> 00:40:23,554 >> THANK YOU, SWEETHEART. 1365 00:40:23,554 --> 00:40:25,156 >> I WAS REALLY CRYING FROM A 1366 00:40:25,156 --> 00:40:26,190 TRUE PLACE OF COMEDY, OF SEEING 1367 00:40:26,190 --> 00:40:27,258 YOU AND, LIKE, KNOWING THAT I 1368 00:40:27,258 --> 00:40:27,758 COULD DO IT. 1369 00:40:27,758 --> 00:40:28,325 AND -- 1370 00:40:28,325 --> 00:40:30,427 >> LOOK AT HER. 1371 00:40:30,427 --> 00:40:31,996 >> I MEAN IT. 1372 00:40:31,996 --> 00:40:33,097 I WAS -- I WAS A MESS. 1373 00:40:33,097 --> 00:40:34,665 >> BLESS YOU. 1374 00:40:34,665 --> 00:40:36,233 >> WHAT DOES IT MEAN TO YOU KNOW 1375 00:40:36,233 --> 00:40:37,001 THAT YOU BLAZED THIS TRAIL FOR 1376 00:40:37,001 --> 00:40:37,835 HER TO FEEL THIS WAY ABOUT YOU? 1377 00:40:37,835 --> 00:40:38,369 >> THAT IS SO SWEET. 1378 00:40:38,369 --> 00:40:40,471 NO, NO. 1379 00:40:40,471 --> 00:40:42,072 YOU KNOW WHAT I SAY, 'CAUSE I -- 1380 00:40:42,072 --> 00:40:43,674 SOMETIMES PEOPLE SAY THAT. 1381 00:40:43,674 --> 00:40:44,375 IF I'D NEVER BEEN BORN, THEY'D 1382 00:40:44,375 --> 00:40:46,143 BE DOING WHAT THEY'RE DOING. 1383 00:40:46,143 --> 00:40:47,077 ABSOLUTELY. 1384 00:40:47,077 --> 00:40:51,348 >> IT SOUNDS CORNY, BUT SEEING, 1385 00:40:51,348 --> 00:40:52,416 LIKE, "THE CAROL BURNETT SHOW," 1386 00:40:52,416 --> 00:40:53,484 THAT I NEVER QUESTIONED WHETHER 1387 00:40:53,484 --> 00:40:58,355 OR NOT I COULD DO SOMETHING LIKE 1388 00:40:58,355 --> 00:41:01,492 THAT BECAUSE IT WAS BEING DONE. 1389 00:41:01,492 --> 00:41:05,763 >> I FELT THAT WAY ABOUT LUCY. 1390 00:41:05,763 --> 00:41:06,497 >> YES. 1391 00:41:06,497 --> 00:41:06,964 >> SOMEBODY'S GONNA FEEL THAT 1392 00:41:06,964 --> 00:41:07,531 WAY ABOUT YOU. 1393 00:41:07,531 --> 00:41:07,965 >> YEAH, I HOPE SO. 1394 00:41:07,965 --> 00:41:08,933 THAT'S NICE. 1395 00:41:08,933 --> 00:41:11,035 >> THANK YOU FOR STOPPING BY -- 1396 00:41:11,035 --> 00:41:12,102 >> I LOVE YOU, THANK YOU -- 1397 00:41:12,102 --> 00:41:15,239 >> OH, SWEETHEART -- 1398 00:41:15,239 --> 00:41:17,341 >> I KNOW THAT YOU WANTED TO SEE 1399 00:41:17,341 --> 00:41:19,243 HER AND SHE WANTED TO SEE YOU. 1400 00:41:19,243 --> 00:41:20,477 >> Robin: THAT WAS SO SPECIAL. 1401 00:41:20,477 --> 00:41:22,880 I ADORE THOSE TWO WOMEN. 1402 00:41:22,880 --> 00:41:24,815 BE SURE TO WATCH THE NOMINATED 1403 00:41:24,815 --> 00:41:25,916 SERIES WE DISCUSSED. 1404 00:41:25,916 --> 00:41:27,585 SOME AVAILABLE ON HULU RIGHT 1405 00:41:27,585 --> 00:41:28,252 NOW. 1406 00:41:28,252 --> 00:41:30,287 THIS SUNDAY NIGHT I'LL BE 1407 00:41:30,287 --> 00:41:34,425 HOSTING THE RED CARPET PRESHOW 1408 00:41:34,425 --> 00:41:36,694 STARTING AT 1:30 EASTERN WITH 1409 00:41:36,694 --> 00:41:37,995 WILL REEVE. 1410 00:41:37,995 --> 00:41:40,497 WE'LL GET YOU READY FOR THE 1411 00:41:40,497 --> 00:41:41,198 EMMYS. 1412 00:41:41,198 --> 00:41:41,966 WILL WILL BE LOOKING SHARP. 1413 00:41:41,966 --> 00:41:42,833 I'LL NEED TO FIGURE OUT WHAT TO 1414 00:41:42,833 --> 00:41:43,567 WEAR MYSELF. 1415 00:41:43,567 --> 00:41:44,068 I'M ROBIN ROBERTS SAYING GOOD 1416 00:41:44,068 --> 00:41:47,568 NIGHT. 84847

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