All language subtitles for Schnittstelle Interface (1995) Harun Farocki. Film completo con subtítulos en español

Today I can hardly write a word

Today I can hardly write a word

Today I can hardly write a word
when I see a picture on the screen at the same time.

when I see a picture on the screen at the same time.

when I see a picture on the screen at the same time.
Rather, it was

Rather, it was

Rather, it was
on both screens. This is a

on both screens. This is a

on both screens. This is a
workstation, a place for

workstation, a place for

workstation, a place for
editing images and sounds, the

editing images and sounds, the

editing images and sounds, the
control panel, the playback device, the recording device,

control panel, the playback device, the recording device,

but the special thing is that it

but the special thing is that it

but the special thing is that it
Seeing two pictures at the same time gives one picture

Seeing two pictures at the same time gives one picture

Seeing two pictures at the same time gives one picture
in relation to the other. This picture was

in relation to the other. This picture was

in relation to the other. This picture was
taken by Paul Presidential Bucharest on

taken by Paul Presidential Bucharest on

taken by Paul Presidential Bucharest on
December 21, 1989, shortly before the revolution

December 21, 1989, shortly before the revolution

December 21, 1989, shortly before the revolution
began. He used his camera to establish a

began. He used his camera to establish a

began. He used his camera to establish a
connection between the television and the

connection between the television and the

connection between the television and the
street

[applause]

on the screen Scheske who

on the screen Scheske who

on the screen Scheske who
held a rally As there have been so

held a rally As there have been so

held a rally As there have been so
many over the last 25 years, there were

many over the last 25 years, there were

many over the last 25 years, there were
men and women on the street

men and women on the street

men and women on the street
walking away

walking away

walking away
while the rally had not yet

while the rally had not yet

while the rally had not yet
ended. The face

ended. The face

ended. The face
was disturbed by

was disturbed by

was disturbed by
something that the camera didn't show. He

something that the camera didn't show. He

something that the camera didn't show. He
paused while speaking and the

paused while speaking and the

paused while speaking and the
state television stopped the transmission

[applause]

[applause]

for over a minute the

for over a minute the

for over a minute the
viewers saw this board with the writing

viewers saw this board with the writing

viewers saw this board with the writing
direct transmission before the boss drove off immediately

direct transmission before the boss drove off immediately

direct transmission before the boss drove off immediately
[applause]

[applause]

[applause]
this disruption this interruption was

this disruption this interruption was

this disruption this interruption was
a sign of rebellion Paul Coffey

a sign of rebellion Paul Coffey

a sign of rebellion Paul Coffey
moved the camera from TV to the

moved the camera from TV to the

moved the camera from TV to the
window He placed the official image

window He placed the official image

window He placed the official image
against the image of the street image and

against the image of the street image and

against the image of the street image and
counter image Now it was time to leave the television

counter image Now it was time to leave the television

counter image Now it was time to leave the television
and go onto the street.

and go onto the street.

and go onto the street.
The camera eye was directed towards the

The camera eye was directed towards the

The camera eye was directed towards the
street in the hope that something would

street in the hope that something would

street in the hope that something would
happen there with this gesture

happen there with this gesture

happen there with this gesture
the street became conjured up

the street became conjured up

the street became conjured up
to be a productive location

an incantation an incantation

when it comes to editing film not video

when it comes to editing film not video

when it comes to editing film not video

you have to make a real cut in

you have to make a real cut in

you have to make a real cut in
the image or sound strip.

Unlike when editing videos

Unlike when editing videos

Unlike when editing videos
you can only copy from one tape to the other

you can only copy from one tape to the other

you can only copy from one tape to the other
only an ideal one

only an ideal one

only an ideal one
When I'm working

When I'm working

When I'm working
on the film editing table, I place my

on the film editing table, I place my

on the film editing table, I place my
fingertips on the running film

fingertips on the running film

fingertips on the running film
or sound roll to feel the cut or

or sound roll to feel the cut or

or sound roll to feel the cut or
glued area

glued area

glued area
before I see or hear it. This is

before I see or hear it. This is

before I see or hear it. This is
a gesture that means a perception or

a gesture that means a perception or

a gesture that means a perception or
tact in the hand I

tact in the hand I

tact in the hand I
barely had any contact with the object

barely had any contact with the object

barely had any contact with the object
and still understood it.

When working with video, I do

When working with video, I do

When working with video, I do
n't touch the tape.

n't touch the tape.

n't touch the tape.
I just press buttons.

I just press buttons.

I just press buttons.
This is also an activity of the fingertips.

We have the gesture of counting money,

We have the gesture of counting money,

We have the gesture of counting money,
which is probably carried out this way

which is probably carried out this way

which is probably carried out this way
because you have the sensitivity

because you have the sensitivity

because you have the sensitivity
It takes fingertips and counting money accurately

It takes fingertips and counting money accurately

It takes fingertips and counting money accurately

with a bank note it becomes particularly

with a bank note it becomes particularly

with a bank note it becomes particularly
clear how little the

clear how little the

clear how little the
being and the appearance coincide

to this it lends itself to this image

to this it lends itself to this image

to this it lends itself to this image
to this one it is mutually exclusive one can

to this one it is mutually exclusive one can

to this one it is mutually exclusive one can
understand this duality as one

understand this duality as one

understand this duality as one
image commenting on the other so far there have

image commenting on the other so far there have

image commenting on the other so far there have
always been words sometimes music commenting on the images

always been words sometimes music commenting on the images

always been words sometimes music commenting on the images
here commenting on images

here commenting on images

here commenting on images
images this is how

I found a film in 1969 to make a

I found a film in 1969 to make a

I found a film in 1969 to make a
statement The tribunal in Stockholm in

statement The tribunal in Stockholm in

statement The tribunal in Stockholm in

1949
crimes committed in Vietnamese nationalities can show me my village

crimes committed in Vietnamese nationalities can show me my village

crimes committed in Vietnamese nationalities can show me my village
on the 31st of 1966 when I was just

on the 31st of 1966 when I was just

on the 31st of 1966 when I was just
able to see the bullet fly slowly. The

explosion of a bomb

explosion of a bomb

explosion of a bomb
surprised me

surprised me

surprised me
from all sides with

from all sides with

from all sides with
unbearable heat and my face was

unbearable heat and my face was

unbearable heat and my face was
burned

burned

burned
in both Poor and both my house was

in both Poor and both my house was

in both Poor and both my house was
also burned

also burned

also burned
after 13 days conscious power of the

after 13 days conscious power of the

after 13 days conscious power of the
hospital DFL

I could show myself within my limits and

I could show myself within my limits and

I could show myself within my limits and
after the injuries

after the injuries

after the injuries
a picture of yourself a picture of madame

a picture of yourself a picture of madame

a picture of yourself a picture of madame
injuries to close you

injuries to close you

injuries to close you
will close your eyes first

will close your eyes first

will close your eyes first
hard your eyes to the pictures

hard your eyes to the pictures

hard your eyes to the pictures

I will close on it or

I will close on it or

I will close on it or
inside then closed there you take your

inside then closed there you take your

inside then closed there you take your
eyes and changes for the

eyes and changes for the

eyes and changes for the
facts close together

facts close together

facts close together
close that humanity

close that humanity

close that humanity
neck injury show that we

neck injury show that we

neck injury show that we
hurt your feelings

hurt your feelings

hurt your feelings
for the injured person there they come

for the injured person there they come

for the injured person there they come
forward

forward

forward
for you have a weak

for you have a weak

for you have a weak
idea to react In this way,

idea to react In this way,

idea to react In this way,
two images have been burned with around 1000 degrees of heat and they

two images have been burned with around 1000 degrees of heat and they

two images have been burned with around 1000 degrees of heat and they
form a connection.

form a connection.

form a connection.
This can be the starting point for a film.

This can be the starting point for a film.

This can be the starting point for a film.

At the end of his speech, the

At the end of his speech, the

At the end of his speech, the
author inflicts a burn on himself,

author inflicts a burn on himself,

author inflicts a burn on himself,
but only at one point on his

but only at one point on his

but only at one point on his
skin, here too only a selective

skin, here too only a selective

skin, here too only a selective
connection to the real world The author

connection to the real world The author

connection to the real world The author
compares himself to one of the animals in

compares himself to one of the animals in

compares himself to one of the animals in
the research laboratories. So he equates

the research laboratories. So he equates

the research laboratories. So he equates
his workplace to a laboratory.

What happens at the editing station is

What happens at the editing station is

comparable to a scientific experiment. At an editing station,

comparable to a scientific experiment. At an editing station,

comparable to a scientific experiment. At an editing station,
scientific experiments are

scientific experiments are

scientific experiments are
carried out.

According to the scientific concept of

According to the scientific concept of

According to the scientific concept of
modern times, the hand of the scientist is allowed to be

modern times, the hand of the scientist is allowed to be

modern times, the hand of the scientist is allowed to be
in the Do not intervene in the process

in the Do not intervene in the process

in the Do not intervene in the process

as long as the experiment is going on, the

as long as the experiment is going on, the

as long as the experiment is going on, the
scientist is pure spirit

here is a laboratory experiment of the experimental

here is a laboratory experiment of the experimental

here is a laboratory experiment of the experimental
tank of an institute for researching

tank of an institute for researching

tank of an institute for researching
ocean waves that more into the land

so this movement binds insight into

so this movement binds insight into

so this movement binds insight into
his thoughts freely this is a

his thoughts freely this is a

his thoughts freely this is a
representation of the chemical company Dow

representation of the chemical company Dow

representation of the chemical company Dow
Chemical

Chemical

Chemical
the pictures say so looks A laboratory does

the pictures say so looks A laboratory does

the pictures say so looks A laboratory does
n't speak like that, that's not how chemists

n't speak like that, that's not how chemists

n't speak like that, that's not how chemists
speak, that's not how the people who

speak, that's not how the people who

speak, that's not how the people who
work in this company speak.

work in this company speak.

work in this company speak.
These are not illustrations, these are

These are not illustrations, these are

These are not illustrations, these are
models. Please send my

models. Please send my

models. Please send my
assistant all the necessary documents.

assistant all the necessary documents.

assistant all the necessary documents.

I say it, a large domestic

I say it, a large domestic

I say it, a large domestic
company like a construction kit

company like a construction kit

company like a construction kit
putting the whole world together

putting the whole world together

putting the whole world together
[Music]

[Music]

[Music]
stelz again I have

stelz again I have

stelz again I have
shown the author's workplace here the author

shown the author's workplace here the author

shown the author's workplace here the author
how he makes a change with the means of montage

how he makes a change with the means of montage

how he makes a change with the means of montage
how he combines

how he combines

how he combines
these pictures also say this is not what the editing workplace looks like

these pictures also say this is not what the editing workplace looks like

that is not the picture This is the

that is not the picture This is the

that is not the picture This is the
model of an editing place when I

model of an editing place when I

model of an editing place when I
recorded this almost 20 years ago.

recorded this almost 20 years ago.

recorded this almost 20 years ago.
Most people still have their workplace

Most people still have their workplace

Most people still have their workplace
in the large factories and offices, so

in the large factories and offices, so

in the large factories and offices, so
my individual workplace was a

my individual workplace was a

my individual workplace was a
turn against factory society.

turn against factory society.

turn against factory society.

Meanwhile, factory

Meanwhile, factory

Meanwhile, factory
society has turned against itself

here On the left this is the first motif from

here On the left this is the first motif from

here On the left this is the first motif from
the history of the film

the history of the film

the history of the film
workers leaving a factory

workers leaving a factory

workers leaving a factory
here a factory for the production of

here a factory for the production of

here a factory for the production of
photographic articles and on the right pictures

photographic articles and on the right pictures

photographic articles and on the right pictures
from 100 years repeat the first motif modify it further

from 100 years repeat the first motif modify it further

from 100 years repeat the first motif modify it further
develop

over a year I visited image sequences of the

over a year I visited image sequences of the

over a year I visited image sequences of the
motif workers leaving the factory

motif workers leaving the factory

motif workers leaving the factory
Gathered together at the editing station,

Gathered together at the editing station,

Gathered together at the editing station,
what can be the goal of this

what can be the goal of this

what can be the goal of this
viewing? The viewing must

viewing? The viewing must

viewing? The viewing must
have a goal to think of the view of the

have a goal to think of the view of the

have a goal to think of the view of the
history of art history. His

history of art history. His

history of art history. His
eye wanders over thousands of

eye wanders over thousands of

eye wanders over thousands of
sculptures and discovers something new in this figure

sculptures and discovers something new in this figure

sculptures and discovers something new in this figure
with these boys from Criteo

for the first time when the Legs and feet are

for the first time when the Legs and feet are

for the first time when the Legs and feet are
not equally stressed, the weight of the

not equally stressed, the weight of the

not equally stressed, the weight of the
body is red on the left leg,

body is red on the left leg,

body is red on the left leg,
so the right hip is slightly

so the right hip is slightly

so the right hip is slightly
lowered, the right shoulder is also slightly lowered, the head

lowered, the right shoulder is also slightly lowered, the head

lowered, the right shoulder is also slightly lowered, the head
turns slightly to the side,

a calmness that is also

a calmness that is also

a calmness that is also
capable of tension,

capable of tension,

capable of tension,
the person is seen differently, he is

the person is seen differently, he is

the person is seen differently, he is
different, perhaps Can one say that it was

different, perhaps Can one say that it was

different, perhaps Can one say that it was
the izone ohme citizen depicted although

the izone ohme citizen depicted although

the izone ohme citizen depicted although
it was not so much equality as

it was not so much equality as

it was not so much equality as
freedom, the mobility from which it

freedom, the mobility from which it

freedom, the mobility from which it
arose which is expressed in it

because Greek sculpture is

because Greek sculpture is

because Greek sculpture is
regularly aimed at the formation of the same

regularly aimed at the formation of the same

regularly aimed at the formation of the same
type, just now in a

type, just now in a

type, just now in a
new way

new way

new way
and it is not the specificity

and it is not the specificity

and it is not the specificity
of the iso norm citizen that is meant, but

of the iso norm citizen that is meant, but

of the iso norm citizen that is meant, but
rather the person as he now appeared

rather the person as he now appeared

rather the person as he now appeared
in the interaction of

in the interaction of

in the interaction of
opposing forces experienced like the

opposing forces experienced like the

opposing forces experienced like the
iso norm police

[music]

[music]

[music]
it was when I was editing this film

it was when I was editing this film

it was when I was editing this film
that I realized this For the first time I understood the

that I realized this For the first time I understood the

that I realized this For the first time I understood the
intention of starting to look at the pictures

intention of starting to look at the pictures

intention of starting to look at the pictures
until the blueprint of the film became

until the blueprint of the film became

until the blueprint of the film became
apparent

apparent

apparent
[music]

[music]

[music]
later I learned to extract the texts from the pictures

later I learned to extract the texts from the pictures

later I learned to extract the texts from the pictures
that were supposed to accompany the pictures,

that were supposed to accompany the pictures,

I spoke into the pictures and

I spoke into the pictures and

I spoke into the pictures and
listened out of them

listened out of them

listened out of them
[ Music]

So I started a film in 1977

because I couldn't get any money for this film. I

because I couldn't get any money for this film. I

because I couldn't get any money for this film. I
had to

had to

had to
work for other people to earn money.

work for other people to earn money.

work for other people to earn money.
I earned money in the cultural sector, as

I earned money in the cultural sector, as

I earned money in the cultural sector, as
is usual. There was

is usual. There was

is usual. There was
a cross on the wall, maybe a

a cross on the wall, maybe a

a cross on the wall, maybe a
coordinate cross. Coordinates are there to

coordinate cross. Coordinates are there to

coordinate cross. Coordinates are there to
determine the position and here

determine the position and here

determine the position and here
pictures would be the measure of determination.

Immediately afterwards you see the author

Immediately afterwards you see the author

Immediately afterwards you see the author
clearing his table until there

clearing his table until there

clearing his table until there
is a black surface, not white like a

is a black surface, not white like a

is a black surface, not white like a
screen but black, the script

screen but black, the script

screen but black, the script
jumps from the author's work table into

jumps from the author's work table into

jumps from the author's work table into
the film scene,

the film scene,

the film scene,
a jump in time back to the year of

a jump in time back to the year of

a jump in time back to the year of
War and Revolution 1917

War and Revolution 1917

War and Revolution 1917
Here the author releases a text

Here the author releases a text

Here the author releases a text
that came to him from the story

that came to him from the story

when she was a Red Cross sister on the Western Front in 1917.

when she was a Red Cross sister on the Western Front in 1917.

when she was a Red Cross sister on the Western Front in 1917.
The soldiers said what

The soldiers said what

The soldiers said what
they were fighting for and week they start

the script or the text book of the

the script or the text book of the

the script or the text book of the
story it comes at the end of the film

story it comes at the end of the film

story it comes at the end of the film
once again in front of the Red Cross sister

once again in front of the Red Cross sister

once again in front of the Red Cross sister
is now placed in the author's place

is now placed in the author's place

is now placed in the author's place

in this second war, which began in 1933 at the latest,

in this second war, which began in 1933 at the latest,

in this second war, which began in 1933 at the latest,
those who died no

those who died no

those who died no
longer had to tell the living people

longer had to tell the living people

longer had to tell the living people
why they were beaming - that could have been

why they were beaming - that could have been

why they were beaming - that could have been
learned a war before -

in this war remains My diary is

in this war remains My diary is

in this war remains My diary is
empty,

empty,

empty,
learning is discouraging.

It often seemed to me that in the

It often seemed to me that in the

It often seemed to me that in the
many hours, days and years at the editing

many hours, days and years at the editing

many hours, days and years at the editing
station, I was having experiences that I

station, I was having experiences that I

station, I was having experiences that I
couldn't tell anyone about, and

couldn't tell anyone about, and

couldn't tell anyone about, and
the mathematicians could hardly find anyone to whom they

the mathematicians could hardly find anyone to whom they

the mathematicians could hardly find anyone to whom they
could tell about what they were doing.

I'm here with everyone Transferring a shot from

I'm here with everyone Transferring a shot from

I'm here with everyone Transferring a shot from
one of my films from one country to

one of my films from one country to

one of my films from one country to
the other,

the other,

the other,
whereby I only take twelve fields from each shot and

whereby I only take twelve fields from each shot and

only play back half a second of each shot.

only play back half a second of each shot.

only play back half a second of each shot.
That is a

That is a

That is a
lengthy process

lengthy process

lengthy process
during which I can talk about something else.

during which I can talk about something else.

Metaphor, that is, transference

Metaphor, that is, transference

Metaphor, that is, transference
Transfer image 1 from this to will two

when the cinema was invented 100 years ago, it

when the cinema was invented 100 years ago, it

when the cinema was invented 100 years ago, it

was a few centuries too late.

was a few centuries too late.

was a few centuries too late.
The photographic image should have been invented

The photographic image should have been invented

The photographic image should have been invented
a few centuries earlier,

a few centuries earlier,

a few centuries earlier,

when Europe set off all over the world,

but when film was invented there

but when film was invented there

but when film was invented there
was There are hardly any white spots left on the map.

was There are hardly any white spots left on the map.

Here is a first result of our

Here is a first result of our

Here is a first result of our
analytical transfer.

It can be seen that the

It can be seen that the

It can be seen that the
film summarized here has a sequence of

film summarized here has a sequence of

film summarized here has a sequence of
still images, which is

still images, which is

still images, which is
followed by a sequence of moving ones, then again by still

followed by a sequence of moving ones, then again by still

followed by a sequence of moving ones, then again by still
ones and immediately the moving images

ones and immediately the moving images

ones and immediately the moving images
are here without any accompanying text

I'm in the process of transferring the moving images of

I'm in the process of transferring the moving images of

I'm in the process of transferring the moving images of
this film from one tape to the

this film from one tape to the

this film from one tape to the
other,

other,

other,
where I play back three seconds of each shot.

where I play back three seconds of each shot.

This is a lengthy process

This is a lengthy process

This is a lengthy process
during which we can also talk about something else.

during which we can also talk about something else.

during which we can also talk about something else.
Today I can

Today I can

Today I can
hardly think about a film without

hardly think about a film without

hardly think about a film without
it At an editing station I

it At an editing station I

it At an editing station I
write into the pictures and read

write into the pictures and read

write into the pictures and read
something out. Currently

something out. Currently

something out. Currently
a film about the encrypting and

a film about the encrypting and

a film about the encrypting and
decrypting of messages.

decrypting of messages.

decrypting of messages.
Secret scripts are

Secret scripts are

Secret scripts are
used by the military.

used by the military.

used by the military.
This is the coding machine of the

This is the coding machine of the

This is the coding machine of the
Germans called Enigma

Germans called Enigma

machine program, you enter a

machine program, you enter a

machine program, you enter a
letter into the machine and

letter into the machine and

letter into the machine and
you trigger an electrical

you trigger an electrical

you trigger an electrical
impulse which, depending on the position of the

impulse which, depending on the position of the

impulse which, depending on the position of the
rollers, takes a different path and causes it to

rollers, takes a different path and causes it to

rollers, takes a different path and causes it to
light up and produce a different

light up and produce a different

light up and produce a different
letter. In the Second

letter. In the Second

letter. In the Second
World War, the English managed to

World War, the English managed to

World War, the English managed to
build a machine that

build a machine that

For this purpose they built

For this purpose they built

For this purpose they built
a mainframe computer under the leadership of Alan Turing, which

a mainframe computer under the leadership of Alan Turing, which

gave impetus to computer development. Alan Turing loved to see the

gave impetus to computer development. Alan Turing loved to see the

gave impetus to computer development. Alan Turing loved to see the
human mind as a machine.

human mind as a machine.

human mind as a machine.

He himself wanted to think like a machine.

He himself wanted to think like a machine.

He himself wanted to think like a machine.

Here is the next result of our

Here is the next result of our

Here is the next result of our
analytical transmissions

Recognize that the

Recognize that the

Recognize that the
settings are repeated according to the rules of a

settings are repeated according to the rules of a

settings are repeated according to the rules of a
mutation.

mutation.

mutation.
When I assembled this film,

When I assembled this film,

When I assembled this film,
a simple program is used as a basis

a simple program is used as a basis

a simple program is used as a basis
after the settings are combined and

after the settings are combined and

after the settings are combined and
re-combined.

re-combined.

re-combined.
A program sets the order. At that time

A program sets the order. At that time

A program sets the order. At that time
I was thinking about the composition rules of the

I was thinking about the composition rules of the

I was thinking about the composition rules of the
music or the rotors From

music or the rotors From

music or the rotors From
slot machines not to the rotors of the

slot machines not to the rotors of the

slot machines not to the rotors of the
secret writers who decide on a transposition.

secret writers who decide on a transposition.

secret writers who decide on a transposition.

Here you can see the authors leafing through a book

Here you can see the authors leafing through a book

Here you can see the authors leafing through a book
with women in Algeria.

Faces that have previously worn the veil.

Faces that have previously worn the veil.

Faces that have previously worn the veil.
He must have worn the

He must have worn the

He must have worn the

veil. The veil covers and weighs down his nose

veil. The veil covers and weighs down his nose

veil. The veil covers and weighs down his nose
and leaves his eyes free leaves his eyes

and leaves his eyes free leaves his eyes

and leaves his eyes free leaves his eyes
free he covers parts of the faces with his hand

free he covers parts of the faces with his hand

free he covers parts of the faces with his hand
and thus creates a

and thus creates a

and thus creates a
different image section.

I'm not interested in the biography of

I'm not interested in the biography of

I'm not interested in the biography of
Alan Turing, not in an espionage or

Alan Turing, not in an espionage or

Alan Turing, not in an espionage or
counter-espionage film, perhaps that

counter-espionage film, perhaps that

counter-espionage film, perhaps that
this cutting place is a secret

this cutting place is a secret

this cutting place is a secret
writer or a shower that used to be

writer or a shower that used to be

writer or a shower that used to be
machines it's about

machines it's about

machines it's about
unraveling or keeping a secret