All language subtitles for La salida de los obreros de la fábrica (Harun Farocki, 1995) Subtitulado Español

Hello,

the first film that was ever shown,

the first film that was ever shown,

the first film that was ever shown,
it is entitled Workers

it is entitled Workers

it is entitled Workers
leaving the factory. It shows

leaving the factory. It shows

leaving the factory. It shows
men and women who work at the Julia

men and women who work at the Julia

men and women who work at the Julia
works in Lyon as they

works in Lyon as they

works in Lyon as they
leave the factory through two exits

leave the factory through two exits

leave the factory through two exits
and on both sides the film image

should show these images Above all, show

should show these images Above all, show

should show these images Above all, show
that it is possible to reproduce movement in the pictures.

that it is possible to reproduce movement in the pictures.

that it is possible to reproduce movement in the pictures.

This first demonstration is left with the fact

This first demonstration is left with the fact

This first demonstration is left with the fact
that everyone moves quickly as if

that everyone moves quickly as if

that everyone moves quickly as if
they were moving something away and no one stays on the

they were moving something away and no one stays on the

they were moving something away and no one stays on the
forecourt in 1975 in Emden at the

forecourt in 1975 in Emden at the

forecourt in 1975 in Emden at the
exit of the Volkswagen mountains, the

exit of the Volkswagen mountains, the

exit of the Volkswagen mountains, the
workers as if they were moving something away in

1926 Detroit workers as if

1926 Detroit workers as if

1926 Detroit workers as if
they had already lost too much time

back in Lyon 1957

back in Lyon 1957

back in Lyon 1957
they walk as if they knew where it was better

they walk as if they knew where it was better

they walk as if they knew where it was better

[Music]

again in Detroit 1926 the

again in Detroit 1926 the

again in Detroit 1926 the
Ford factory was working when leaving the factory their

Ford factory was working when leaving the factory their

Ford factory was working when leaving the factory their
quantity testifies to the size of the

quantity testifies to the size of the

quantity testifies to the size of the
company that this multitude in You

company that this multitude in You

company that this multitude in You
can

never put bread, you can pay better attention to the number of workers

never put bread, you can pay better attention to the number of workers

never put bread, you can pay better attention to the number of workers
with your eyes than

with your eyes than

with your eyes than
when leaving the factory, the

when leaving the factory, the

when leaving the factory, the
work order dismisses how many at the

work order dismisses how many at the

work order dismisses how many at the
same time the exits crowd

same time the exits crowd

same time the exits crowd
them together, turning

them together, turning

them together, turning
workers into a workforce

a picture like a term that is in such a way

a picture like a term that is in such a way

a picture like a term that is in such a way
Some statements can be added. State-owned

Some statements can be added. State-owned

Some statements can be added. State-owned
companies give the creator full

companies give the creator full

companies give the creator full
co-determination rights to

co-determination rights to

co-determination rights to
shape their own existence and security.

shape their own existence and security.

shape their own existence and security.
An image like a term is often used in such a way

An image like a term is often used in such a way

An image like a term is often used in such a way
that one can understand it blindly and

that one can understand it blindly and

that one can understand it blindly and
should not actually look at it

should not actually look at it

Workers turn their backs on work

Workers turn their backs on work

Workers turn their backs on work
when leaving the factory

when leaving the factory

when leaving the factory
[Music]

Workers and employees of the Siemens

Workers and employees of the Siemens

Workers and employees of the Siemens
factory in Berlin in 1934.

factory in Berlin in 1934.

factory in Berlin in 1934.
Here they are formed to march in blocks

Here they are formed to march in blocks

Here they are formed to march in blocks
and leave the factory to join

and leave the factory to join

and leave the factory to join
a Nazi rally.

The block of war disabled people, the

white coats, a picture of the

white coats, a picture of the

white coats, a picture of the
militarized science and technology

militarized science and technology

militarized science and technology
a preview of the worst

[Music]

[Music]

[Music]
workers at shift change in the film

workers at shift change in the film

workers at shift change in the film
Metropolis uniform clothing and

Metropolis uniform clothing and

Metropolis uniform clothing and
step in step

step in step

step in step
[Music]

this vision of the future has not

this vision of the future has not

this vision of the future has not
come true. Today you ca

come true. Today you ca

come true. Today you ca
n't tell whether someone on the street is

n't tell whether someone on the street is

n't tell whether someone on the street is
coming from work or playing a sport or from

coming from work or playing a sport or from

coming from work or playing a sport or from
the welfare authority

[music]

[music]

where

workers leave the factory that was

workers leave the factory that was

workers leave the factory that was
the title of the first movie ever

the title of the first movie ever

the title of the first movie ever
made

made

made
never before were there any images

never before were there any images

never before were there any images
showing the movements of people

showing the movements of people

showing the movements of people
it was as if the world was just beginning with the filming

it was as if the world was just beginning with the filming

it was as if the world was just beginning with the filming
to become visible

to become visible

to become visible

[Music]

the factory from which the

the factory from which the

the factory from which the
workers stream out, unadorned without a

workers stream out, unadorned without a

workers stream out, unadorned without a
nameplate, there is nothing to see of the power and status of

nameplate, there is nothing to see of the power and status of

nameplate, there is nothing to see of the power and status of
the industry

and even if the power workers

and even if the power workers

and even if the power workers
had to do nothing when these pictures

had to do nothing when these pictures

had to do nothing when these pictures
were taken, the governments in

were taken, the governments in

were taken, the governments in
Europe are still afraid In the event of a

Europe are still afraid In the event of a

Europe are still afraid In the event of a
war, there would be a

war, there would be a

war, there would be a
workers' revolt and in Paris in 1871,

whenever I write to me because of hunger,

whenever I write to me because of hunger,

whenever I write to me because of hunger,
we come to us exactly that's not how it works,

we come to us exactly that's not how it works,

next to it has to be remedied and with

next to it has to be remedied and with

next to it has to be remedied and with
everyone likes and simplifies the

everyone likes and simplifies the

everyone likes and simplifies the
removal

removal

removal
while making the city possible and

while making the city possible and

while making the city possible and
again back and in Trier he shows what

again back and in Trier he shows what

again back and in Trier he shows what
she has conquered for us a piece of bread

she has conquered for us a piece of bread

she has conquered for us a piece of bread
well

well

well
that's the piece of bread but where is the

that's the piece of bread but where is the

that's the piece of bread but where is the
whole no that's the piece there but

whole no that's the piece there but

whole no that's the piece there but
where is he sorry we don't

where is he sorry we don't

where is he sorry we don't
just need mending

just need mending

just need mending
we need the whole week

we need the whole week

we need the whole week
we we don't just need the piece offered

we we don't just need the piece offered

we we don't just need the piece offered
we need the price of gold itself we do

we need the price of gold itself we do

we need the price of gold itself we do
n't just need the job we

n't just need the job we

n't just need the job we
need the whole factory and the coal

need the whole factory and the coal

need the whole factory and the coal
and the food and the power

and the food and the power

and the food and the power
[music]

[music]

[music]
that's what we need but what's on offer

that's what we need but what's on offer

that's what we need but what's on offer
so that's what we need

so that's what we need

so that's what we need
but what do you offer us

but what do you offer us

but what do you offer us
[music]

[music]

[music]
so strike these are pickets in the

so strike these are pickets in the

so strike these are pickets in the
depiction of a strike in the

depiction of a strike in the

depiction of a strike in the
port of Hamburg a Soviet film that

port of Hamburg a Soviet film that

port of Hamburg a Soviet film that
was finished in 1933 with the labor disputes

was finished in 1933 with the labor disputes

was finished in 1933 with the labor disputes
the square in front of the factory becomes a

the square in front of the factory becomes a

the square in front of the factory becomes a
dramatic scene of

the picket

unemployed people who are waiting for an opportunity Are

unemployed people who are waiting for an opportunity Are

unemployed people who are waiting for an opportunity Are

the picketers waiting for a body load too

the picketers waiting for a body load too

the picketers waiting for a body load too
heavy?

Yes,

the picket line is looking at the

the picket line is looking at the

the picket line is looking at the
collapsed classes, traitors,

collapsed classes, traitors,

collapsed classes, traitors,
exactly the unemployed are pushing to

exactly the unemployed are pushing to

exactly the unemployed are pushing to
take the vacant place

[Music]

the picket line is looking at this old man

the picket line is looking at this old man

the picket line is looking at this old man
in the face, a face that stands for the

in the face, a face that stands for the

in the face, a face that stands for the
millions of malnourished and

millions of malnourished and

millions of malnourished and
impoverished, each

impoverished, each

impoverished, each
have to accept work and no one can do their job

have to accept work and no one can do their job

have to accept work and no one can do their job

and he turns away

and he turns away

and he turns away
[music]

[music]

[music]
[applause]

[applause]

[applause]
[music]

[music]

[music]
[applause]

[music]

[music]

[music]
[applause]

in this German film about a strike

in this German film about a strike

in this German film about a strike
in the port of Hamburg there is the same fight

in the port of Hamburg there is the same fight

in the port of Hamburg there is the same fight
between the strikers and the

between the strikers and the

between the strikers and the
strikebreakers a scuffle in the

strikebreakers a scuffle in the

strikebreakers a scuffle in the
schoolyard

[music]

[music]

[music]
the great wars and civil wars of

the great wars and civil wars of

the great wars and civil wars of
this century prisons camps

this century prisons camps

this century prisons camps
dictatorships so much of it is due to

dictatorships so much of it is due to

dictatorships so much of it is due to
exploitation and underproduction

exploitation and underproduction

exploitation and underproduction
but the labor disputes themselves are not very

but the labor disputes themselves are not very

but the labor disputes themselves are not very
violent

violent

violent
[music]

[music]

[music]

[music]
what are you doing in there you are you Since

what are you doing in there you are you Since

what are you doing in there you are you Since
the director was at all involved with the

the director was at all involved with the

the director was at all involved with the
children have something to eat

strike by English automobile workers

strike by English automobile workers

strike by English automobile workers
in 1956, the struggles of the workers are much

in 1956, the struggles of the workers are much

in 1956, the struggles of the workers are much
less violent than this being waged in their

less violent than this being waged in their

less violent than this being waged in their
name

[Music]

[Music]

[Music]

[Music]
again the industrial reserve army

[Music]

in this film by the American According to Griffes,

in this film by the American According to Griffes,

in this film by the American According to Griffes,
the industrial dispute looks like a

the industrial dispute looks like a

the industrial dispute looks like a
civil war

civil war

civil war
[Music]

This is probably the biggest

This is probably the biggest

This is probably the biggest
shooting in front of the factory gate in 100

shooting in front of the factory gate in 100

shooting in front of the factory gate in 100
years of cinema history.

A silent horror emanates from these

A silent horror emanates from these

A silent horror emanates from these
images from the faces of these

images from the faces of these

images from the faces of these
people who have no job

people who have no job

people who have no job
and therefore no place in the

and therefore no place in the

and therefore no place in the
working society behind them The bars

working society behind them The bars

working society behind them The bars
of the factory gate look like

of the factory gate look like

of the factory gate look like
they've already been locked up in a camp

[Music]

[Music]

[Music]
Here workers are leaving the factory because

Here workers are leaving the factory because

Here workers are leaving the factory because
the police are clearing the area and they're

the police are clearing the area and they're

the police are clearing the area and they're
locked out of the workers

locked out of the workers

shows workers

shows workers

shows workers
throwing the police out of the factory

throwing the police out of the factory

throwing the police out of the factory
a film from 1948 from the Soviet-

a film from 1948 from the Soviet-

a film from 1948 from the Soviet-
occupied zone of Germany

the workers move like an ear

the workers move like an ear

the workers move like an ear
across the opera stage that's enough to drive the

across the opera stage that's enough to drive the

across the opera stage that's enough to drive the
police away

police away

police away
the police fear the importance

the police fear the importance

the police fear the importance
of the workers more than beating them

workers in uniform

and the GDR a work of the militia with

and the GDR a work of the militia with

and the GDR a work of the militia with
military vehicles they go out for an

military vehicles they go out for an

military vehicles they go out for an
exercise

[Music]

workers as soldiers leave the

workers as soldiers leave the

workers as soldiers leave the
factory in

1975 in the Federal Republic in front of the

1975 in the Federal Republic in front of the

1975 in the Federal Republic in front of the
Volkswagen plant in Emden the union

Volkswagen plant in Emden the union

Volkswagen plant in Emden the union
plays music on the forecourt verses by

plays music on the forecourt verses by

plays music on the forecourt verses by
Makowski sung by Ernst Busch

o

the square in front of the The factory gate is

the square in front of the The factory gate is

the square in front of the The factory gate is
invoked as a historical place,

invoked as a historical place,

invoked as a historical place,
but the factory management is of the opinion

but the factory management is of the opinion

but the factory management is of the opinion
that the forecourt is not a public space

that the forecourt is not a public space

that the forecourt is not a public space
and that the lower house is much more on the right

and that the lower house is much more on the right

and that the lower house is much more on the right
and threatens to call the police

and threatens to call the police

and threatens to call the police
[Music]

84 and some workers remain standing.

84 and some workers remain standing.

84 and some workers remain standing.
Most of them have moved on.

Many of the equipment used to secure property are fortified

Many of the equipment used to secure property are fortified

Many of the equipment used to secure property are fortified
the factory

the factory

the factory
[music]

[music]

[music]
here the resistance of a

here the resistance of a

here the resistance of a
traffic barrier is tested and

traffic barrier is tested and

traffic barrier is tested and
demonstrated at 80 kilometers per hour

demonstrated at 80 kilometers per hour

demonstrated at 80 kilometers per hour
a truck is towed against the barrier

a truck is towed against the barrier

a truck is towed against the barrier
where it falls to pieces.

where it falls to pieces.

where it falls to pieces.
This violent fantasy also reminds us of the

This violent fantasy also reminds us of the

This violent fantasy also reminds us of the
forecourt of the factory as a historical

forecourt of the factory as a historical

forecourt of the factory as a historical
northern memory of strikes and

northern memory of strikes and

northern memory of strikes and
strikebreakers of the factory occupation and

strikebreakers of the factory occupation and

strikebreakers of the factory occupation and
lockout to fights for wages and

lockout to fights for wages and

lockout to fights for wages and
justice and to the hopes

justice and to the hopes

justice and to the hopes
associated with it

the lock itself remains undamaged in the impact

the lock itself remains undamaged in the impact

the lock itself remains undamaged in the impact

[music]

the factory as the scene of the

the factory as the scene of the

the factory as the scene of the
crime not workers but

crime not workers but

crime not workers but
gangsters leaving the factory

gangsters leaving the factory

gangsters leaving the factory
they have stolen wage money pictures to

they have stolen wage money pictures to

they have stolen wage money pictures to
secure property the gangsters are in

secure property the gangsters are in

secure property the gangsters are in
the factory gets there by disguising themselves as

the factory gets there by disguising themselves as

the factory gets there by disguising themselves as
workers

[music]

[music]

the fake workers are more to be

the fake workers are more to be

the fake workers are more to be
feared than the real ones

[applause]

[music]

[music]

[music]
[applause]

now there

hans something new you know then

now then it said there came too Even here

now then it said there came too Even here

now then it said there came too Even here
I don't even know what he

I don't even know what he

I don't even know what he
wants

wants

wants
[Music]

where the first camera once stood there are

where the first camera once stood there are

where the first camera once stood there are
now hundreds of thousands of

now hundreds of thousands of

now hundreds of thousands of
surveillance cameras on site.

This camera discovered a woman who was

This camera discovered a woman who was

This camera discovered a woman who was
tugging on another short skirt before they

tugging on another short skirt before they

tugging on another short skirt before they
parted.

She tugged on the skirt and the Others

She tugged on the skirt and the Others

She tugged on the skirt and the Others
probably don't dare to pull back under

probably don't dare to pull back under

probably don't dare to pull back under
the eye of the camera.

This game is an action that has

This game is an action that has

This game is an action that has
no counteraction, so there

no counteraction, so there

no counteraction, so there
is an imbalance

of balance and compensation. This is

of balance and compensation. This is

of balance and compensation. This is
the law of motion of the film's narrative:

a woman is waiting for a man

[Music ]

[Music ]

[Music ]
an opponent doesn't come

a garbage processing marginal job

a garbage processing marginal job

a garbage processing marginal job
poorly paid and only

poorly paid and only

poorly paid and only
carried out by women a pimp waits at the

carried out by women a pimp waits at the

carried out by women a pimp waits at the
exit

[music] [

[music] [

[music] [
applause]

applause]

applause]
[music]

[music]

[music]

[music]
[applause]

[music]

a man waiting for a woman the

workforce is dispersing that

workforce is dispersing that

workforce is dispersing that
life of the individual people can

life of the individual people can

life of the individual people can
begin

begin

begin
the most told lead we start

the most told lead we start

the most told lead we start
after the working hours are over

here

a woman leaves the factory and a

a woman leaves the factory and a

a woman leaves the factory and a
man is waiting for her the life of the

man is waiting for her the life of the

man is waiting for her the life of the
individual can begin

the two individual people move away

the two individual people move away

the two individual people move away
from the factory and the camera

from the factory and the camera

from the factory and the camera
just follows them all too happily

[Music]

I've been waiting for you I have to with

I've been waiting for you I have to with

I've been waiting for you I have to with
the appropriate slacker the camera

the appropriate slacker the camera

the appropriate slacker the camera
accompanies the two as they move further and further

accompanies the two as they move further and further

accompanies the two as they move further and further
away from the factory and

away from the factory and

away from the factory and
whose lives are increasingly detached from this

whose lives are increasingly detached from this

whose lives are increasingly detached from this
background

[Music]

the workers leave the factory a

the workers leave the factory a

the workers leave the factory a
woman is waiting for her man

[music]

[music]

[music]
the chord sets have been increased,

the chord sets have been increased,

the chord sets have been increased,
which means that the absolute added value increases,

which means that the absolute added value increases,

which means that the absolute added value increases,
it's Fritz

it's Fritz

it's Fritz
going in baton, no more

going in baton, no more

going in baton, no more
useless,

no one can shop like they're broken,

no one can shop like they're broken,

no one can shop like they're broken,
the two of them walk slowly

the two of them walk slowly

the two of them walk slowly
next to each other here as slowly as you

next to each other here as slowly as you

next to each other here as slowly as you
follow a sack

because you just don't know the child

because you just don't know the child

because you just don't know the child
[Music]

[Music]

[Music]
right they don't look at each other

right they don't look at each other

right they don't look at each other
they have something in front of their eyes

kubricks a bit far away what do

kubricks a bit far away what do

kubricks a bit far away what do
you wear when it's cold

you wear when it's cold

you wear when it's cold
[music]

[music]

[music]
in the 100

in the 100

in the 100
screams I can't watch it

screams I can't watch it

screams I can't watch it
[music] is

[music] is

[music] is
already moving

away you're all over Death

away you're all over Death

away you're all over Death
seems comforting to you.

seems comforting to you.

seems comforting to you.
Have you forgotten everything,

the beautiful things, including the work in the factory? That's hell, whether there is

the beautiful things, including the work in the factory? That's hell, whether there is

stone or not.

This truck takes the woman

This truck takes the woman

This truck takes the woman
back to prison with the others.

The woman has committed a crime out of false love.

The woman has committed a crime out of false love.

Ludwig Renate Ludwig yes here from your

Ludwig Renate Ludwig yes here from your

Ludwig Renate Ludwig yes here from your
mother thank you probably

mother thank you probably

mother thank you probably
from 100 years of cinema there are more prison gates

from 100 years of cinema there are more prison gates

from 100 years of cinema there are more prison gates
than factories Prof

[Music]

[Music]

[Music]

[Music]

the truck takes the women from the

the truck takes the women from the

the truck takes the women from the
prison to the factory the factory is a

prison to the factory the factory is a

prison to the factory the factory is a
kind of reformatory

kind of reformatory

kind of reformatory
[applause]

[applause]

[applause]
[Music]

from 100 years of cinema there are more

from 100 years of cinema there are more

from 100 years of cinema there are more
prisons to see and

prisons to see and

prisons to see and
reform schools than factories and

reform schools than factories and

reform schools than factories and
factory gates.

Whenever possible the film has

Whenever possible the film has

Whenever possible the film has
moved away from the factories because

the factory has not attracted the film

the factory has not attracted the film

the factory has not attracted the film
rather repelled

Reitmann recordings one after the other

Reitmann recordings one after the other

Reitmann recordings one after the other
in 100 years from leaving the

in 100 years from leaving the

in 100 years from leaving the
factory so you can

factory so you can

factory so you can
imagine that the same picture has been taken again and again for over 100 years,

imagine that the same picture has been taken again and again for over 100 years,

as if a child were to repeat the first word it

as if a child were to repeat the first word it

as if a child were to repeat the first word it
could speak for

could speak for

could speak for
over 100 years in order to immortalize the joy

over 100 years in order to immortalize the joy

over 100 years in order to immortalize the joy
of the first word

or how you would like it to be said Far Eastern painting

or how you would like it to be said Far Eastern painting

or how you would like it to be said Far Eastern painting
tells that they paint their picture again and again

tells that they paint their picture again and again

tells that they paint their picture again and again
until it is perfect and the painter

until it is perfect and the painter

until it is perfect and the painter
can paint the picture.

can paint the picture.

can paint the picture.
When it was no longer possible to believe in such perfection,

When it was no longer possible to believe in such perfection,

When it was no longer possible to believe in such perfection,
the film was invented