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These are the user uploaded subtitles that are being translated: 1 00:00:01,500 --> 00:00:03,200 PREVIOUSLY ON NYPD BLUE... 2 00:00:03,233 --> 00:00:04,600 IF WE TAKE THE SAME VACATION TIME, 3 00:00:04,633 --> 00:00:05,933 PEOPLE ARE GOING TO FIGURE IT OUT. 4 00:00:05,966 --> 00:00:07,400 IF YOU BACKED OUT, 5 00:00:07,433 --> 00:00:09,100 I DON�T THINK YOU UNDERSTAND HOW DISAPPOINTED THEO WOULD BE. 6 00:00:09,133 --> 00:00:11,500 I�M JUST GETTING A STRONG SENSE THIS ISN�T A GREAT IDEA. 7 00:00:11,533 --> 00:00:12,933 IT�S OFF, AND IT�S FINE. 8 00:00:12,966 --> 00:00:14,500 WE GOT TO GO. 9 00:00:14,533 --> 00:00:15,866 YEAH. 10 00:00:15,900 --> 00:00:16,866 I�LL SEE YOU LATER. 11 00:00:16,900 --> 00:00:18,633 YEAH, DEFINITELY. 12 00:00:18,666 --> 00:00:21,233 WELL, SO... 13 00:00:21,266 --> 00:00:22,266 HEY. 14 00:00:24,700 --> 00:00:26,100 DON�T WORRY. 15 00:00:26,133 --> 00:00:27,500 EVERYTHING�S COOL, OKAY? 16 00:00:30,800 --> 00:00:33,166 TAKE IT EASY. SIT DOWN AND PUT YOUR HANDS ON THE TABLE! 17 00:00:33,200 --> 00:00:34,533 WE�RE GOING TO WORK THIS OUT, DAVE. 18 00:00:34,566 --> 00:00:36,500 I WAS SO NICE TO YOU! 19 00:00:36,533 --> 00:00:37,500 YOU STILL ARE NICE. 20 00:00:37,533 --> 00:00:38,466 NO! NO, NO! 21 00:00:38,500 --> 00:00:39,800 NO, YOU SHOULD�VE LET ME GO. 22 00:00:39,833 --> 00:00:41,433 YOU HAPPY NOW? 23 00:00:41,466 --> 00:00:43,933 EVERYTHING IS GOING TO WORK OUT. SHUT UP! 24 00:00:43,966 --> 00:00:46,733 IF YOU DON�T SHUT YOUR MOUTH, I�M GOING TO BLOW YOUR HEAD OFF! 25 00:00:48,200 --> 00:00:50,633 DAVE, WE�RE IN THIS TOGETHER NOW, 26 00:00:50,666 --> 00:00:53,333 AND I WANT TO SEE IT WORK OUT FOR THE BOTH OF US. 27 00:00:53,366 --> 00:00:57,066 I WANT TO WALK OUT OF HERE. 28 00:01:13,800 --> 00:01:17,733 HEY. THE DOA�s A TONY STANZONE. HE WAS WORKING THE COUNTER 29 00:01:17,766 --> 00:01:19,800 WITH HIS NEPHEW OVER THERE GARY MONTANERI. 30 00:01:19,833 --> 00:01:22,700 THAT�S THE DOA�s WIFE. SHE JUST GOT HERE. 31 00:01:22,733 --> 00:01:23,966 ANYTHING ON THE PERPS? 32 00:01:24,000 --> 00:01:25,266 TWO BLACK MALES, MID?20s. 33 00:01:25,300 --> 00:01:26,833 ONE OF THEM STAYED BY THE DOOR, 34 00:01:26,866 --> 00:01:29,100 THE OTHER ONE ORDERED A SANDWICH AND CIGARETTES, 35 00:01:29,133 --> 00:01:30,833 THEN HE PULLED HIS GUN OUT. 36 00:01:30,866 --> 00:01:32,766 WE�LL START A QUICK CANVASS. SEE IF THERE�S ANY WITNESSES. 37 00:01:32,800 --> 00:01:34,200 YEAH. 38 00:01:34,233 --> 00:01:37,433 AHEM. GARY, YOU MIND TALKING TO US FOR A LITTLE BIT? 39 00:01:37,466 --> 00:01:40,233 YEAH. TWO BLACK GUYS, ONE CAME TO THE COUNTER. 40 00:01:40,266 --> 00:01:43,000 HE GOT THE DROP ON ME. THERE WAS NOTHING I COULD DO. 41 00:01:43,033 --> 00:01:44,433 CAN YOU IDENTIFY THESE GUYS? 42 00:01:44,466 --> 00:01:46,200 HELL, YES, I CAN. I TOLD THE SON OF A BITCH 43 00:01:46,233 --> 00:01:47,966 JUST TAKE THE MONEY AND GET OUT. 44 00:01:48,000 --> 00:01:49,566 YOUR UNCLE WOULDN�T GIVE UP THE MONEY? 45 00:01:49,600 --> 00:01:51,300 HE GAVE IT UP. THEY STILL SHOT HIM! 46 00:01:51,333 --> 00:01:52,933 WE�RE GOING TO NEED YOU TO COME DOWN, 47 00:01:52,966 --> 00:01:54,166 LOOK AT SOME MUG SHOTS, 48 00:01:54,200 --> 00:01:55,800 TALK A LITTLE MORE ABOUT WHAT HAPPENED. 49 00:01:55,833 --> 00:01:58,000 I WENT AFTER THAT SCUMBAG. I DIDN�T CARE IF HE HAD A GUN. 50 00:01:58,033 --> 00:02:00,900 I WOULD�VE KILLED HIM IF I GOT MY HANDS ON HIM. 51 00:02:00,933 --> 00:02:02,166 THE SOONER WE GET ON THIS, 52 00:02:02,200 --> 00:02:03,766 THE BETTER THE ODDS OF CATCHING THESE GUYS. 53 00:02:03,800 --> 00:02:05,966 MY MOM�S ON HER WAY DOWN FROM BROOKLYN, ALL RIGHT? 54 00:02:06,000 --> 00:02:08,333 WE�LL STAY WITH YOUR AUNT TILL YOUR MOM GETS HERE. THANKS. 55 00:02:08,366 --> 00:02:09,966 COME ON. I�LL GET AN OFFICER, 56 00:02:10,000 --> 00:02:12,266 GET YOU DOWN TO THE STATION. WE�LL BE DOWN IN A LITTLE WHILE. 57 00:02:12,300 --> 00:02:15,400 WE�LL GET WHOEVER DID THIS, AUNT JOSIE. I SWEAR TO GOD. 58 00:02:15,433 --> 00:02:16,600 ALL RIGHT? 59 00:02:24,766 --> 00:02:26,433 HEY. 60 00:02:26,466 --> 00:02:28,733 WHAT�S GOING ON WITH YOUR CASE? 61 00:02:28,766 --> 00:02:30,633 JUNIOR�S BRINGING UP OUR WITNESS. 62 00:02:30,666 --> 00:02:32,166 HOW ARE YOU COMING ALONG? 63 00:02:32,200 --> 00:02:34,700 I�M SLEEPING BETTER. IT SHOWS. 64 00:02:34,733 --> 00:02:37,933 AND, UH, I WAS THINKING ABOUT MAYBE REINVITING YOU 65 00:02:37,966 --> 00:02:39,266 TO FLORIDA. 66 00:02:39,300 --> 00:02:40,700 I THOUGHT WE COVERED THAT. 67 00:02:45,433 --> 00:02:48,933 EVER SINCE I HAD THAT GUN TO MY HEAD, 68 00:02:48,966 --> 00:02:51,333 I�VE BEEN DOING A LOT OF THINKING, 69 00:02:51,366 --> 00:02:54,200 TAKING STOCK ABOUT WHAT�S IMPORTANT IN MY LIFE, 70 00:02:54,233 --> 00:02:56,000 WHAT I REALLY CARE ABOUT. 71 00:02:56,033 --> 00:02:58,700 I�D LIKE YOU TO COME WITH US. 72 00:02:58,733 --> 00:03:00,000 THINK ABOUT IT. 73 00:03:00,033 --> 00:03:01,833 YOU�RE LEAVING TOMORROW. 74 00:03:01,866 --> 00:03:04,100 I GOT A TRAVEL AGENT FRIEND WHO COULD WORK IT OUT. 75 00:03:04,133 --> 00:03:05,433 ANDY, I ALWAYS WANTED TO GO. 76 00:03:05,466 --> 00:03:07,633 IT WAS THE BACK AND FORTH THAT GOT OLD. 77 00:03:07,666 --> 00:03:08,800 THAT�S FINISHED. 78 00:03:08,833 --> 00:03:11,233 WELL, IT�S STILL GOING TO GET AROUND THE SQUAD 79 00:03:11,266 --> 00:03:12,566 AND TO OTHER PEOPLE. 80 00:03:12,600 --> 00:03:14,800 AS FAR AS THE THINGS THAT I REALLY CARE ABOUT, 81 00:03:14,833 --> 00:03:18,700 WHAT PEOPLE THINK OF ME, WHAT THEY THINK OF YOU AND ME ?? 82 00:03:18,733 --> 00:03:21,766 THAT�S OFF THE LIST. 83 00:03:21,800 --> 00:03:23,866 YOU MEAN TOO MUCH. 84 00:03:23,900 --> 00:03:26,200 I�D LOVE TO GO. 85 00:03:26,233 --> 00:03:28,366 ONE CONDITION ?? 86 00:03:28,400 --> 00:03:31,733 TWO HOURS MINIMUM, YOU�RE WEARING THE MOUSE EARS. 87 00:03:31,766 --> 00:03:33,100 NO PICTURES. 88 00:04:49,466 --> 00:04:52,366 I, UH, I�M GOING TO BE PUTTING IN A 28. 89 00:04:52,400 --> 00:04:53,700 THE START DATE�S TOMORROW. 90 00:04:53,733 --> 00:04:57,766 I�LL BE TAKING A WEEK. SORRY FOR THE SHORT NOTICE. 91 00:04:57,800 --> 00:04:59,133 SOMETHING COME UP? 92 00:04:59,166 --> 00:05:01,766 I�M GOING TO DISNEY WORLD... WITH ANDY. 93 00:05:01,800 --> 00:05:03,900 OH, YEAH? 94 00:05:03,933 --> 00:05:06,833 AND HIS SON THEO. I FIGURED. 95 00:05:06,866 --> 00:05:08,466 I�VE NEVER BEEN BEFORE. 96 00:05:08,500 --> 00:05:11,066 I HEAR THERE�S A LOT GOING ON IN ORLANDO. 97 00:05:15,900 --> 00:05:18,166 YEAH. GOOD WEATHER... 98 00:05:18,200 --> 00:05:20,366 A LOT OF PEOPLE RETIRE DOWN THERE. 99 00:05:20,400 --> 00:05:22,233 YEAH. 100 00:05:23,833 --> 00:05:25,766 SO... 101 00:05:25,800 --> 00:05:27,566 HAVE A GOOD TIME. 102 00:05:27,600 --> 00:05:28,500 THANKS. 103 00:05:31,833 --> 00:05:35,800 THANKS A LOT. HEY. 104 00:05:35,833 --> 00:05:38,833 SO LET�S RUN THROUGH WHAT HAPPENED THIS MORNING, GARY. 105 00:05:38,866 --> 00:05:40,700 [ SIGHS ] 106 00:05:40,733 --> 00:05:42,000 THIS BLACK GUY WALKS IN ?? 107 00:05:42,033 --> 00:05:44,366 NO. WHERE ARE YOU? YOU KNOW, WHERE�S YOUR UNCLE? 108 00:05:44,400 --> 00:05:45,900 TAKE IT FROM THE BEGINNING. 109 00:05:45,933 --> 00:05:49,000 WE�RE BOTH BEHIND THE COUNTER. OVER BY THE DELI, 110 00:05:49,033 --> 00:05:50,766 MY UNCLE TONY WAS BY THE REGISTER. 111 00:05:50,800 --> 00:05:53,200 IT WAS EMPTY BECAUSE WE HAD JUST OPENED UP. 112 00:05:53,233 --> 00:05:55,200 THIS BLACK GUY COMES IN. 113 00:05:55,233 --> 00:05:57,533 HE ORDERS A TURKEY AND SWISS AND SOME MENTHOLS, 114 00:05:57,566 --> 00:05:59,900 AND MY UNCLE TONY WAS BAGGING IT UP. 115 00:05:59,933 --> 00:06:01,200 AND THE BLACK GUY PULLS HIS GUN. 116 00:06:01,233 --> 00:06:03,500 WHEN DID YOU NOTICE THE SECOND GUY BY THE DOOR? 117 00:06:03,533 --> 00:06:05,233 WHEN I WAS MAKING THE SANDWICH. 118 00:06:05,266 --> 00:06:06,833 LOOKED LIKE A BUDDY OF HIS. 119 00:06:06,866 --> 00:06:09,733 OKAY, SO YOUR UNCLE�S BAGGING THE SANDWICH AND SMOKES. 120 00:06:09,766 --> 00:06:11,166 YEAH. 121 00:06:11,200 --> 00:06:12,933 THE GUY PULLS A GUN, WE PUT OUR HANDS IN THE AIR, 122 00:06:12,966 --> 00:06:16,766 MY UNCLE EMPTIES THE REGISTER, THE GUY SHOOTS HIM. 123 00:06:16,800 --> 00:06:17,933 THEN WHAT? 124 00:06:17,966 --> 00:06:19,800 THEN I GO FOR THE PHONE. CALL 911. 125 00:06:19,833 --> 00:06:21,433 AFTER YOU CHASED HIM? 126 00:06:21,466 --> 00:06:23,433 I WENT RIGHT FOR THE PHONE TO GET AN AMBULANCE THERE 127 00:06:23,466 --> 00:06:25,533 FOR MY UNCLE. HE WAS SHOT, HE WAS BLEEDING ON THE FLOOR. 128 00:06:25,566 --> 00:06:27,500 YOU SAID AT THE MARKET YOU WENT AFTER THESE GUYS. 129 00:06:27,533 --> 00:06:29,366 TO THE DOOR. I CHASED THEM TO THE DOOR. 130 00:06:29,400 --> 00:06:32,166 I WOULD�VE RAN DOWN THE STREET AFTER THEM, BUT MY UNCLE 131 00:06:32,200 --> 00:06:34,766 WAS, YOU KNOW, BLEEDING, SHOT ON THE FLOOR. 132 00:06:34,800 --> 00:06:37,733 ALL RIGHT, KEEP LOOKING THROUGH THE MUG BOOKS. 133 00:06:37,766 --> 00:06:40,066 WE�LL BE BACK TO SEE HOW YOU�RE DOING. 134 00:06:44,700 --> 00:06:46,866 HEY, FELLAS? 135 00:06:46,900 --> 00:06:49,300 JOHN CLARK, ANDY SIPOWICZ ?? FRANK HUGHES, ROBBERY. 136 00:06:49,333 --> 00:06:51,333 HOW YOU DOING? HOW�S IT GOING? 137 00:06:51,366 --> 00:06:53,666 OUR WITNESS IN THE COFFEE ROOM 138 00:06:53,700 --> 00:06:55,933 IS STILL GOING THROUGH MUG BOOKS. NO NEED. I GOT YOUR MAN. 139 00:06:55,966 --> 00:06:58,500 THIS DOUCHE BAG TERENCE CATES ?? A PATTERN I�VE BEEN WORKING. 140 00:06:58,533 --> 00:07:00,800 THE THING THIS MORNING FITS HIM DOWN TO A GNAT�S ASS. 141 00:07:00,833 --> 00:07:02,666 WHY DON�T YOU RUN IT FOR �EM, FRANK? 142 00:07:02,700 --> 00:07:05,766 ALL RIGHT, THIS CATES ?? BLACK MALE, 25, GOATEE ?? 143 00:07:05,800 --> 00:07:08,633 WALKS INTO A MARKET OR BODEGA, ORDERS A SANDWICH, 144 00:07:08,666 --> 00:07:09,900 THEN HE PULLS OUT A GUN. 145 00:07:09,933 --> 00:07:11,566 YOU GOT A FOLDER ON HIM? 146 00:07:11,600 --> 00:07:13,566 I�M HAVING IT TRANSPORTED FROM THE ROBBERY SQUAD. 147 00:07:13,600 --> 00:07:15,700 I LIKE CATES FOR AT LEAST 10 OF THESE, 148 00:07:15,733 --> 00:07:17,766 BUT I FINALLY GOT AN I. D. ON HIM FOLLOWING 149 00:07:17,800 --> 00:07:20,333 THE ATTEMPTED ROBBERY OF A BODEGA ON 110th STREET. 150 00:07:20,366 --> 00:07:23,233 CATES GOT AWAY, BUT WE COLLARED HIS GIRLFRIEND ROBERTA. 151 00:07:23,266 --> 00:07:25,133 SHE�S BEEN COOPERATING. 152 00:07:25,166 --> 00:07:26,633 SO SHE GAVE HIM UP? 153 00:07:26,666 --> 00:07:28,466 YEAH, PLUS SHE HASN�T LET ON THAT WE�RE LOOKING FOR HIM. 154 00:07:28,500 --> 00:07:31,466 CATES LIVES UPTOWN. HIS OTHER STICKUPS WERE UPTOWN, 155 00:07:31,500 --> 00:07:34,266 BUT HE WORKED AT A HARDWARE STORY ON MULBERRY, 156 00:07:34,300 --> 00:07:35,866 SO HE MUST�VE MOVED HIS ACT DOWN HERE. 157 00:07:35,900 --> 00:07:38,266 SO HOW COME YOU HAVEN�T COLLARED THE GUY? 158 00:07:38,300 --> 00:07:41,033 WELL, SEEING AS HE DIDN�T KNOW WE WERE LOOKING FOR HIM ?? 159 00:07:41,066 --> 00:07:42,400 [ CELLULAR PHONE RINGS ] 160 00:07:42,433 --> 00:07:44,066 [ RING ] 161 00:07:44,100 --> 00:07:45,633 SORRY. REAL QUICK. 162 00:07:45,666 --> 00:07:47,033 WHAT UP? 163 00:07:47,066 --> 00:07:49,033 YEAH, WE�RE STILL ON FOR THAT. 164 00:07:49,066 --> 00:07:50,200 NO, I�M TELLING YOU, DON�T WORRY. 165 00:07:50,233 --> 00:07:51,866 YEAH, LISTEN, I�M IN A MEETING RIGHT NOW. 166 00:07:51,900 --> 00:07:53,600 I GOT TO CALL YOU BACK IN FIVE MINUTES. 167 00:07:53,633 --> 00:07:56,100 ALL RIGHT, DAWG. PEACE. 168 00:07:56,133 --> 00:07:57,300 SORRY. UM... 169 00:07:57,333 --> 00:07:58,933 WHY HAVEN�T YOU COLLARED HIM? 170 00:07:58,966 --> 00:08:01,100 WELL, SEEING AS HE DIDN�T KNOW WE WERE LOOKING FOR HIM, 171 00:08:01,133 --> 00:08:03,400 THERE WAS NO REASON WHY HE WOULDN�T HAVE GONE 172 00:08:03,433 --> 00:08:05,033 TO HIS PAROLE MEETING YESTERDAY. 173 00:08:05,066 --> 00:08:06,966 HIS P. O. WAS SUPPOSED TO HOLD HIM FOR US, 174 00:08:07,000 --> 00:08:08,333 BUT HE CALLED IN SICK, 175 00:08:08,366 --> 00:08:10,300 AND HE DIDN�T GIVE THE HEADS?UP TO THE SUPERVISOR. 176 00:08:10,333 --> 00:08:11,600 SO CATES CHECKS IN, AND THEN HE LEFT, 177 00:08:11,633 --> 00:08:14,533 WHICH...I KNOW IS ON ME, BUT, UH, 178 00:08:14,566 --> 00:08:16,866 I�VE BEEN SWAMPED WITH OTHER CASES. 179 00:08:16,900 --> 00:08:19,566 YEAH? BECAUSE NOW WE GOT A DOA. 180 00:08:19,600 --> 00:08:21,466 I SCREWED UP. I�VE ALREADY HEARD ABOUT IT. 181 00:08:21,500 --> 00:08:23,400 I DIDN�T COME DOWN HERE TO HAVE MY NOSE RUBBED 182 00:08:23,433 --> 00:08:24,900 IN WHAT I SHOULD�VE DONE. 183 00:08:24,933 --> 00:08:26,700 WHERE CAN WE FIND CATES? THROUGH HIS GIRLFRIEND? 184 00:08:26,733 --> 00:08:29,433 YEAH, YEAH, I�M GIVING HER A DAY TO COOL OFF. 185 00:08:29,466 --> 00:08:31,400 SHE�S A LITTLE PISSED THAT WE DIDN�T GRAB TERENCE YESTERDAY. 186 00:08:31,433 --> 00:08:33,033 SO, HOW YOU WANT TO DO THIS? 187 00:08:33,066 --> 00:08:35,233 WHERE�S MEDAVOY AND JONES? STILL AT THE CRIME SCENE. 188 00:08:35,266 --> 00:08:37,033 ALL RIGHT, WE�LL TAKE CARE OF IT. 189 00:08:37,066 --> 00:08:39,000 WHAT, JUST YOU GUYS? 190 00:08:39,033 --> 00:08:41,066 YEAH. 191 00:08:48,800 --> 00:08:51,166 CATES� GIRLFRIEND ROBERTA ?? I GAVE HER MY WORD 192 00:08:51,200 --> 00:08:52,900 THAT IT WOULDN�T COME BACK TO HER 193 00:08:52,933 --> 00:08:55,433 THAT SHE�S GIVEN UP HER BOYFRIEND. YOU GOT IT. 194 00:08:55,466 --> 00:08:56,966 I�LL HAVE CATES� FILE ALL LAID OUT FOR YOU 195 00:08:57,000 --> 00:08:58,666 WHEN YOU GET BACK. GOOD. 196 00:08:58,700 --> 00:08:59,700 [ CELLULAR PHONE RINGS ] 197 00:08:59,733 --> 00:09:03,200 WHY DON�T YOU GO AHEAD AND TAKE THAT? 198 00:09:03,233 --> 00:09:07,266 HEY, MR. LEVIN. HOW ARE YOU DOING? 199 00:09:07,300 --> 00:09:08,566 NO. 200 00:09:08,600 --> 00:09:10,666 CAN I HELP YOU? 201 00:09:10,700 --> 00:09:12,366 THEY SAID TO COME UP. 202 00:09:12,400 --> 00:09:15,566 DO YOU HAVE SOMETHING TO REPORT? 203 00:09:15,600 --> 00:09:17,633 MY SISTER IS IN TROUBLE. 204 00:09:17,666 --> 00:09:20,500 UH, WHAT KIND OF TROUBLE? 205 00:09:20,533 --> 00:09:22,966 I DON�T KNOW, BUT I�M SUPPOSED TO GIVE A MAN $1,000 206 00:09:23,000 --> 00:09:24,100 TO HELP HER. 207 00:09:24,133 --> 00:09:25,366 WHAT MAN? 208 00:09:25,400 --> 00:09:27,800 MY FATHER IN MEXICO. HE GOT A CALL, 209 00:09:27,833 --> 00:09:31,266 AND THEY SAID THEY FOUND LUISA, BUT SHE�S IN TROUBLE. 210 00:09:31,300 --> 00:09:33,766 BUT THIS MAN CAN HELP HER. 211 00:09:33,800 --> 00:09:36,066 I DON�T KNOW WHAT�S GOING ON. 212 00:09:36,100 --> 00:09:39,600 LET�S GO TALK. THIS WAY. 213 00:09:44,366 --> 00:09:45,633 WHAT�S YOUR NAME? 214 00:09:45,666 --> 00:09:46,866 ENRIQUE LOPEZ. 215 00:09:46,900 --> 00:09:49,100 HAVE A SEAT, MR. LOPEZ. 216 00:09:49,133 --> 00:09:52,200 AND, UH, JUST TAKE IT EASY, OKAY? 217 00:09:56,566 --> 00:10:00,033 MY FATHER GOT A CALL IN MEXICO TWO DAYS AGO FROM A PRIEST 218 00:10:00,066 --> 00:10:02,833 WHO SAID MY SISTER WAS IN TROUBLE. 219 00:10:02,866 --> 00:10:04,833 BUT FOR $1,000, HE�D HELP HER. 220 00:10:04,866 --> 00:10:06,366 WHAT KIND OF TROUBLE? 221 00:10:06,400 --> 00:10:08,333 HE DON�T SAY, ONLY THAT SHE IN TROUBLE. 222 00:10:08,366 --> 00:10:09,633 MAYBE SHE GET HURT. 223 00:10:09,666 --> 00:10:11,966 WHAT�S YOUR SISTER�S NAME? LUISA LOPEZ. 224 00:10:12,000 --> 00:10:14,633 WHEN�S THE LAST TIME ANYONE SAW HER? ALMOST TWO YEARS AGO. 225 00:10:14,666 --> 00:10:16,533 AND THAT WAS THE LAST YOU SPOKE TO HER? 226 00:10:16,566 --> 00:10:18,533 HOW COME? 227 00:10:18,566 --> 00:10:20,600 SHE LEAVE HOME WITH A GUY NOBODY LIKE. 228 00:10:20,633 --> 00:10:21,566 WHERE�S HOME? 229 00:10:21,600 --> 00:10:22,733 MEXICO. 230 00:10:22,766 --> 00:10:25,833 SANTIAGO TUXTLA ?? LITTLE TOWN, A POOR TOWN. 231 00:10:25,866 --> 00:10:27,400 LIKE EVERYBODY, LIKE ME, 232 00:10:27,433 --> 00:10:29,233 SHE COME TO THE UNITED STATES TO MAKE MONEY, 233 00:10:29,266 --> 00:10:31,633 BUT SHE�S TOO YOUNG. HOW OLD IS SHE? 234 00:10:31,666 --> 00:10:33,466 16 THEN. 235 00:10:33,500 --> 00:10:35,233 NOW, TWO YEARS, NOBODY HEAR FROM HER. 236 00:10:35,266 --> 00:10:37,466 THIS GUY SHE LEFT WITH, WHAT�S HIS NAME? 237 00:10:37,500 --> 00:10:41,233 ROJELIO OBREGUN. HIM, TOO, NEVER SEE. 238 00:10:41,266 --> 00:10:43,733 WHAT EXACTLY DID THE PRIEST SAY WHEN HE CALLED YOUR FATHER? 239 00:10:43,766 --> 00:10:47,000 THAT SHE IN NEW YORK, AND PUT $1,000 IN WESTERN UNION. 240 00:10:47,033 --> 00:10:48,933 HE GOING TO PICK IT UP AND HELP HER 241 00:10:48,966 --> 00:10:51,766 AND THEN SHE COME HOME. 242 00:10:51,800 --> 00:10:54,133 BUT MY FATHER NO HAVE MONEY. 243 00:10:54,166 --> 00:10:56,333 SO HE TELL THE PRIEST, HE CALL ME. 244 00:10:56,366 --> 00:10:58,966 AND I COME MEET HIM TODAY. YOU SET A TIME? 245 00:10:59,000 --> 00:11:01,266 I HAVE NUMBER FOR PAGE HIM. 246 00:11:01,300 --> 00:11:04,566 BUT HE SAY MY FATHER, NO TELL POLICE, OR SHE GET KILLED. 247 00:11:04,600 --> 00:11:08,533 BUT I THINK ABOUT, AND I NO LIKE WHAT HE SAY. 248 00:11:08,566 --> 00:11:09,466 WHY NOT? 249 00:11:09,500 --> 00:11:12,566 ROJELIO OBREGUN ?? HE NO GOOD. 250 00:11:12,600 --> 00:11:14,766 I THINK HE NEED MONEY, SO HE MAKE A STORY. 251 00:11:14,800 --> 00:11:17,166 MR. LOPEZ, WE�LL TAKE YOU TO MEET THIS GUY, 252 00:11:17,200 --> 00:11:18,800 BUT WE NEED YOU TO WEAR A RECORDING DEVICE 253 00:11:18,833 --> 00:11:19,933 SO WE CAN HEAR. 254 00:11:19,966 --> 00:11:21,333 OKAY. 255 00:11:21,366 --> 00:11:23,733 WAIT HERE, AND WE�LL BE BACK TO GET YOU SET UP. 256 00:11:28,866 --> 00:11:30,200 NO DESCRIPTION. 257 00:11:30,233 --> 00:11:31,900 WHAT DO YOU GOT? 258 00:11:31,933 --> 00:11:33,566 THIS GUY GOT A CALL ABOUT HIS SISTER 259 00:11:33,600 --> 00:11:35,300 WHO HE HASN�T SEEN IN TWO YEARS. 260 00:11:35,333 --> 00:11:37,366 SOME GUY CLAIMING TO BE A PRIEST SAYS HE NEEDS $1,000 261 00:11:37,400 --> 00:11:39,166 TO HELP GET THE SISTER OUT OF SOME TROUBLE. 262 00:11:39,200 --> 00:11:41,433 OH, THAT SOUNDS LEGITIMATE. 263 00:11:41,466 --> 00:11:43,466 YEAH, WELL, OUR GUY�S SUPPOSED TO PAGE THE PRIEST 264 00:11:43,500 --> 00:11:46,033 TO ARRANGE A MEETING, SO WE NEED TO GET HIM WIRED UP. 265 00:11:46,066 --> 00:11:48,133 WHY DON�T YOU TWO HELP OUT ON THAT? 266 00:11:48,166 --> 00:11:49,600 YEAH, YOU GOT IT. 267 00:11:49,633 --> 00:11:52,100 JOSH, WANT TO SIT ON THIS GUY IN THE POKEY? 268 00:11:52,133 --> 00:11:53,466 NO PROBLEM. 269 00:11:53,500 --> 00:11:55,133 THERE�S NOTHING OFF CANVASS DOWN AT THE DELI, 270 00:11:55,166 --> 00:11:57,000 BUT A COUPLE OF PEOPLE SAW TWO BLACK MALES 271 00:11:57,033 --> 00:11:59,033 RUNNING ON BROOME STREET. COULDN�T PROVIDE A DESCRIPTION. 272 00:11:59,066 --> 00:12:01,500 Greg: YEAH, CRIME SCENE�S DOWN THERE PROCESSING IT. 273 00:12:01,533 --> 00:12:03,500 ALL RIGHT. THAT TERENCE CATES YOU BROUGHT IN? 274 00:12:03,533 --> 00:12:05,166 YEAH. WHERE�S HUGHES FROM ROBBERY? 275 00:12:05,200 --> 00:12:06,633 HE�S IN THERE WITH THE WITNESS. 276 00:12:06,666 --> 00:12:10,000 DOING WHAT? SHOWING HIM THE PHOTO ARRAY. 277 00:12:10,033 --> 00:12:11,533 DONE. 278 00:12:11,566 --> 00:12:12,533 PICKED OUT CATES? 279 00:12:12,566 --> 00:12:14,633 WENT RIGHT TO HIM. NO HESITATION. 280 00:12:14,666 --> 00:12:15,766 YOU FIND CATES? 281 00:12:15,800 --> 00:12:18,200 YEAH. HIS GIRLFRIEND HEARD FROM HIM THIS MORNING. 282 00:12:18,233 --> 00:12:19,566 HE WAS AT A BUDDY�S PLACE. 283 00:12:19,600 --> 00:12:21,333 GET SOME FELLAS FOR A LINEUP? 284 00:12:21,366 --> 00:12:23,300 NO, LET US INTERVIEW CATES FIRST, 285 00:12:23,333 --> 00:12:25,966 SEE IF HE FLIPS FROM BEING PICKED OUT IN A PHOTO ARRAY. 286 00:12:26,000 --> 00:12:28,033 OH, YEAH? YOU MIND IF I SIT IN ON THAT? 287 00:12:28,066 --> 00:12:30,033 LET US TAKE A SHOT AT IT FIRST, HUH? 288 00:12:30,066 --> 00:12:32,100 THREE GUYS IN A ROOM IS TOO MUCH. 289 00:12:34,000 --> 00:12:35,600 [ TELEPHONE RINGS ] 290 00:12:35,633 --> 00:12:39,366 John: 15th SQUAD. HOLD ON A SECOND, PLEASE. 291 00:12:39,400 --> 00:12:41,733 JULIANNE FROM STURTEVANT TRAVEL. 292 00:12:41,766 --> 00:12:44,000 OH. THANKS. 293 00:12:44,033 --> 00:12:45,100 HEY, IT�S CONNIE. 294 00:12:45,133 --> 00:12:46,433 [ PAGER BEEPS ] 295 00:12:46,466 --> 00:12:48,533 ALL RIGHT, WELL, GARY�S GETTING HUNGRY. 296 00:12:48,566 --> 00:12:51,800 I�M GOING TO RUN DOWN AND GET HIM A SANDWICH. 297 00:12:51,833 --> 00:12:54,100 LOCKIN� UP BAD GUYS. 298 00:12:54,133 --> 00:12:56,400 THAT�S WHY I LOVE THIS JOB. 299 00:12:56,433 --> 00:12:57,633 THANKS. 300 00:13:00,233 --> 00:13:02,033 SQUARED AWAY? 301 00:13:02,066 --> 00:13:03,166 GETTING THERE. 302 00:13:08,966 --> 00:13:11,633 [ COUGHS ] 303 00:13:11,666 --> 00:13:15,000 UH, ME AND CONNIE ARE TAKING THEO TO DISNEY WORLD. 304 00:13:15,033 --> 00:13:18,633 WE�RE LEAVING FRIDAY, AND WE�LL BE GONE FOR A WEEK. 305 00:13:18,666 --> 00:13:20,766 SO, UH, INSTEAD OF YOU GUYS TRYING TO GUESS, 306 00:13:20,800 --> 00:13:23,766 THAT�S WHAT WE�RE DOING. SO IF THERE�S ANY COMMENTS, 307 00:13:23,800 --> 00:13:26,100 ANY BALL?BUSTING, ANYBODY GOT A PROBLEM WITH IT, 308 00:13:26,133 --> 00:13:27,600 GET IT OUT NOW. 309 00:13:33,833 --> 00:13:37,533 HAVE A GOOD TIME. 310 00:13:37,566 --> 00:13:40,200 ALL RIGHT. WE BETTER GET GOING. 311 00:13:58,933 --> 00:14:00,933 WHERE YOU BEEN THIS MORNING, TERENCE? 312 00:14:00,966 --> 00:14:02,300 WITH MY GIRL. 313 00:14:02,333 --> 00:14:04,700 DID YOU STOP BY NAPOLI DELI OVER ON BROOME STREET? 314 00:14:04,733 --> 00:14:06,166 I WASN�T ANYWHERE NEAR IT. 315 00:14:06,200 --> 00:14:07,766 TERENCE, COME ON. I AIN�T LYING! 316 00:14:07,800 --> 00:14:09,900 COME ON, WE KNOW YOU WERE NEAR THAT DELI, 317 00:14:09,933 --> 00:14:11,233 SO IF YOU�RE LYING ABOUT THAT, 318 00:14:11,266 --> 00:14:12,800 WE FIGURE YOU�RE LYING ABOUT EVERYTHING. 319 00:14:12,833 --> 00:14:14,466 I AIN�T BEEN OUT OF HARLEM IN THREE DAYS! 320 00:14:14,500 --> 00:14:16,300 SEE, WHAT THIS CONVERSATION NEEDS TO BE ABOUT 321 00:14:16,333 --> 00:14:18,333 IS WHAT HAPPENED AT THE DELI THIS MORNING, 322 00:14:18,366 --> 00:14:20,766 �CAUSE WE GOT WITNESSES WHO PICKED YOUR PHOTO OUT. 323 00:14:20,800 --> 00:14:21,866 FOR WHAT? 324 00:14:21,900 --> 00:14:23,200 YOU ROBBING THE PLACE. 325 00:14:23,233 --> 00:14:25,233 Y�ALL ARE CRAZY. 326 00:14:25,266 --> 00:14:26,833 WE�RE GOING TO RUN A LINEUP THEN, TERENCE. 327 00:14:26,866 --> 00:14:29,300 ONCE YOU GET PICKED OUT OF THAT, IT�S OVER WITH. 328 00:14:29,333 --> 00:14:31,966 NO DEALS, NOTHING FALLING THROUGH THE CRACKS. 329 00:14:32,000 --> 00:14:33,866 STRAIGHT TIME ?? LOTS OF IT. 330 00:14:33,900 --> 00:14:35,166 RUN YOUR DAMN LINEUP THEN! 331 00:14:35,200 --> 00:14:36,766 I DIDN�T DO NOTHING THIS MORNING 332 00:14:36,800 --> 00:14:39,366 EXCEPT HUMP MY GIRLFRIEND AND HAVE SOME COCOA PUFFS. 333 00:14:39,400 --> 00:14:40,533 ASK HER! 334 00:14:40,566 --> 00:14:42,433 OH, YEAH, ASK YOUR GIRLFRIEND WHO�S GOT A RECORD, 335 00:14:42,466 --> 00:14:44,500 YOUR GIRLFRIEND WHO�D LIE TO PROTECT YOU, 336 00:14:44,533 --> 00:14:46,566 YOUR GIRLFRIEND WHOSE WORD DOESN�T MEAN JACK? 337 00:14:46,600 --> 00:14:48,800 SO THIS IS HOW IT IS, HUH? YEAH. 338 00:14:48,833 --> 00:14:50,100 WELL, SCREW YOU THEN! 339 00:14:50,133 --> 00:14:51,600 ALL RIGHT, GET UP, DICKHEAD. 340 00:14:51,633 --> 00:14:53,400 YOU�RE GOING TO STAND IN THE LINEUP, 341 00:14:53,433 --> 00:14:55,700 AND THEN WE�RE GOING TO CHARGE YOU WITH MURDER. MURDER? 342 00:14:55,733 --> 00:14:57,633 YEAH, UNLESS SOMETHING HAPPENED DIFFERENT 343 00:14:57,666 --> 00:14:59,633 THAT WE DON�T KNOW ABOUT. I DIDN�T DO NO MURDER! 344 00:14:59,666 --> 00:15:01,866 ALL RIGHT, LET�S GO. OKAY, LISTEN, LISTEN, LISTEN. 345 00:15:01,900 --> 00:15:03,733 I DONE SOME STICKUPS, I�LL ADMIT TO THAT. 346 00:15:03,766 --> 00:15:05,400 BUT I DIDN�T SHOOT NOBODY AT NO DELI ?? 347 00:15:05,433 --> 00:15:06,833 NOT THIS MORNING, NOT EVER! 348 00:15:06,866 --> 00:15:08,333 WRONG! WE KNOW YOU DID. 349 00:15:08,366 --> 00:15:10,700 MAYBE THE GUY BEHIND THE COUNTER PULLED A GUN. 350 00:15:10,733 --> 00:15:13,466 YOU HAD NO CHOICE, OR YOUR BUDDY WATCHING THE DOOR ?? 351 00:15:13,500 --> 00:15:15,166 MAYBE IT WAS HIS IDEA. NO! 352 00:15:15,200 --> 00:15:17,033 LET�S GO. I DIDN�T DO NO MURDER! 353 00:15:17,066 --> 00:15:20,500 I DIDN�T DO NO MURDER! I DIDN�T DO NO MURDER! 354 00:15:22,366 --> 00:15:24,766 YOU PULL AN ACT LIKE THAT DURING THE LINEUP, 355 00:15:24,800 --> 00:15:27,733 YOU�LL GET WHEELED OUT OF HERE ON A GURNEY. YOU HEAR ME? 356 00:15:43,773 --> 00:15:47,007 Rita: SO, UH, DISNEY WORLD SHOULD BE FUN. 357 00:15:47,040 --> 00:15:48,473 YEAH. 358 00:15:48,507 --> 00:15:50,440 RITA, I DON�T WANT YOU TO THINK I�VE BEEN 359 00:15:50,473 --> 00:15:52,473 KEEPING ANYTHING FROM YOU ABOUT ME AND ANDY. 360 00:15:52,507 --> 00:15:54,440 CONNIE, I GOT NOTHING BUT GOOD WISHES. 361 00:15:54,473 --> 00:15:56,507 THE FACT IS, YOU KNOW, WE�RE REALLY JUST GOOD FRIENDS. 362 00:15:56,540 --> 00:15:58,773 WITH AN EYE TOWARD SOMETHING MORE OR... 363 00:15:58,807 --> 00:16:00,073 I DON�T KNOW. 364 00:16:00,107 --> 00:16:02,173 ALL I�M SAYING, YOU KNOW, GOING AWAY TOGETHER, 365 00:16:02,207 --> 00:16:03,573 THERE�S, UH, THERE�S OPPORTUNITY. 366 00:16:03,607 --> 00:16:06,107 WELL, I�M NOT SAYING IT WOULDN�T BE UNCONVENTIONAL. 367 00:16:06,140 --> 00:16:09,507 WHO CARES? 368 00:16:09,540 --> 00:16:10,673 I AGREE. 369 00:16:10,707 --> 00:16:13,140 HE�S A GREAT GUY. HE�S A GREAT FATHER, 370 00:16:13,173 --> 00:16:14,540 AND IF SOMETHING WERE TO HAPPEN, 371 00:16:14,573 --> 00:16:16,440 I DON�T SEE IT ENDING IN SIX MONTHS, 372 00:16:16,473 --> 00:16:18,373 WHICH IS MY REGULAR SCENE WITH GUYS MY AGE. 373 00:16:18,407 --> 00:16:20,007 YOU JUST GET SICK OF �EM? 374 00:16:20,040 --> 00:16:22,340 NO, I GET SICK OF THE SELF?ABSORBED, 375 00:16:22,373 --> 00:16:24,473 WHICH IS GENERALLY WHAT I END UP WITH, SO... 376 00:16:24,507 --> 00:16:26,207 IT�S RARE WHEN THEY�RE NOT. 377 00:16:26,240 --> 00:16:29,840 HE�S A GOOD, SMART, STABLE MAN, 378 00:16:29,873 --> 00:16:33,007 AND WHEN I�M WITH HIM, I FEEL SAFE, PROTECTED. 379 00:16:33,040 --> 00:16:34,973 YOU CAN�T BEAT THAT. 380 00:16:35,007 --> 00:16:38,673 SO...McDOWELL AND ANDY. 381 00:16:38,707 --> 00:16:40,173 YEAH, HUH? 382 00:16:40,207 --> 00:16:42,740 DID YOU SEE THAT COMING? 383 00:16:42,773 --> 00:16:46,140 �CAUSE PERSONALLY, I�M BLIND?SIDED. 384 00:16:46,173 --> 00:16:48,373 SHE HAS BEEN BABYSITTING THEO FOR A WHILE. 385 00:16:48,407 --> 00:16:51,107 I MEAN, 386 00:16:51,140 --> 00:16:53,640 DO YOU THINK THEY�RE, UH, YOU KNOW, 387 00:16:53,673 --> 00:16:55,340 TOGETHER? 388 00:16:55,373 --> 00:16:58,573 IF A GIRL�S GOING TO FLORIDA WITH ME, 389 00:16:58,607 --> 00:16:59,873 WE�RE TOGETHER. 390 00:16:59,907 --> 00:17:02,873 BUT YOU GOT TO FACTOR IN THEO. 391 00:17:02,907 --> 00:17:05,040 THAT MEANS SEPARATE ROOMS. 392 00:17:05,073 --> 00:17:07,940 SURE, BUT A 6?YEAR?OLD�S ASLEEP BY 8:30. 393 00:17:07,973 --> 00:17:09,940 YEAH, I HEAR YOU. 394 00:17:09,973 --> 00:17:11,640 GO, ANDY. 395 00:17:11,673 --> 00:17:13,073 MY MAN. 396 00:17:13,107 --> 00:17:15,807 HEY, I THINK THIS IS HIM. 397 00:17:15,840 --> 00:17:17,073 Medavoy: TWO TO SQUAD ONE ?? 398 00:17:17,107 --> 00:17:18,673 WE GOT A PRIEST MOVING SOUTH TOWARD OUR GUY. 399 00:17:18,707 --> 00:17:21,173 10?4, SQUAD TWO. 400 00:17:21,207 --> 00:17:24,040 OKAY, OKAY. SE?OR LOPEZ. 401 00:17:24,073 --> 00:17:26,740 [ SPEAKING SPANISH ] 402 00:17:29,640 --> 00:17:31,173 [ SPEAKS SPANISH ] 403 00:17:31,207 --> 00:17:33,040 THE PRIEST ASKED, "WHERE�S THE MONEY?" 404 00:17:33,073 --> 00:17:34,607 LOPEZ ASKED, WHERE�S HIS SISTER? 405 00:17:39,673 --> 00:17:42,640 [ TRUCK ENGINE RUNNING ] 406 00:17:42,673 --> 00:17:45,207 NOTHING. WE�RE GETTING NOTHING. 407 00:17:48,073 --> 00:17:49,873 THE PRIEST IS STARTING TO TAKE OFF. 408 00:17:49,907 --> 00:17:51,707 SQUAD ONE TO TWO, MOVE IN. 409 00:17:59,640 --> 00:18:01,773 EXCUSE ME, FATHER. WE�RE GOING TO NEED YOU TO COME WITH US. 410 00:18:01,807 --> 00:18:02,907 WHAT FOR? 411 00:18:02,940 --> 00:18:04,540 WE�RE GOING TO NEED TO ASK YOU SOME QUESTIONS. 412 00:18:04,573 --> 00:18:06,007 I AM FATHER FERNANDO VILLEJOS. 413 00:18:06,040 --> 00:18:08,440 I AM TRYING TO HELP THIS MAN. WHAT MORE DO YOU NEED? 414 00:18:08,473 --> 00:18:11,440 COME ON, WE�LL TELL YOU. 415 00:18:11,473 --> 00:18:13,973 HEY, WHERE ARE YOU GOING, PADRE? 416 00:18:14,007 --> 00:18:16,040 WHAT IS THIS? 417 00:18:16,073 --> 00:18:17,407 WHAT IS GOING ON? 418 00:18:17,440 --> 00:18:18,973 WELL, FOR A START, YOU�RE UNDER ARREST 419 00:18:19,007 --> 00:18:20,907 FOR ASSAULTING A POLICE OFFICER. 420 00:18:20,940 --> 00:18:24,740 IF YOU SAY ANOTHER WORD, I�LL STRANGLE YOU WITH THAT COLLAR. 421 00:18:29,173 --> 00:18:30,673 LOOK, DON�T WORRY ABOUT IT. 422 00:18:30,707 --> 00:18:32,740 IT�S NOT GOING TO BE A PROBLEM, OKAY? 423 00:18:32,773 --> 00:18:34,340 HE�S GOING TO LOOK JUST LIKE HE DID IN THE PICTURE. 424 00:18:34,373 --> 00:18:35,607 HE�LL PROBABLY BE WEARING DIFFERENT CLOTHES. 425 00:18:35,640 --> 00:18:39,207 GARY, CAN YOU GIVE US A MINUTE? YEAH, SURE. 426 00:18:43,273 --> 00:18:45,073 WE GOT A PROBLEM? 427 00:18:45,107 --> 00:18:47,107 YOU KNOW BETTER THAN THAT, DETECTIVE. 428 00:18:47,140 --> 00:18:49,007 I WAS JUST TRYING TO HELP THE GUY RELAX. 429 00:18:49,040 --> 00:18:51,373 YOU�RE COACHING HIM. I WASN�T COACHING HIM. 430 00:18:51,407 --> 00:18:53,940 KEEP YOUR MOUTH SHUT, HUGHES, BEFORE YOU TAINT THE I. D. 431 00:18:53,973 --> 00:18:56,740 ALL RIGHT. 432 00:18:56,773 --> 00:18:58,073 READY. 433 00:19:01,540 --> 00:19:02,807 OKAY? 434 00:19:02,840 --> 00:19:04,007 YEAH. 435 00:19:07,773 --> 00:19:10,673 RECOGNIZE ANYONE? 436 00:19:10,707 --> 00:19:12,407 NUMBER TWO. 437 00:19:12,440 --> 00:19:13,673 HELL, YEAH. 438 00:19:13,707 --> 00:19:16,473 WHAT DO YOU RECOGNIZE HIM FROM? 439 00:19:16,507 --> 00:19:19,073 HE WAS THE ONE WHO SHOT MY UNCLE. 440 00:19:19,107 --> 00:19:20,473 ALL RIGHT. 441 00:19:22,707 --> 00:19:24,607 EVERYBODY RELAX IN THERE. 442 00:19:24,640 --> 00:19:28,640 WE DID IT. WE CAUGHT THE SON OF A BITCH. 443 00:19:28,673 --> 00:19:31,073 HEY, GARY, WE�RE GOING TO NEED YOU TO STICK AROUND, 444 00:19:31,107 --> 00:19:32,407 GIVE US A STATEMENT. 445 00:19:32,440 --> 00:19:34,173 Gary: SURE, WHATEVER YOU NEED. 446 00:19:34,207 --> 00:19:36,940 YOU WANT ME TO TAKE CATES DOWN TO CENTRAL BOOKING? 447 00:19:36,973 --> 00:19:38,773 NO, WE�LL HAVE UNIFORM DO IT. 448 00:19:38,807 --> 00:19:41,707 GO ON. TAKE OFF. WELL, WHO�S DOING THE FIVES? 449 00:19:41,740 --> 00:19:44,707 WE WILL. DON�T WORRY, YOU�LL BE MENTIONED. 450 00:19:44,740 --> 00:19:46,673 GREAT. 451 00:19:46,707 --> 00:19:47,607 COME ON, GAR. 452 00:19:50,240 --> 00:19:53,040 YOU KNOW THIS GUY? 453 00:19:53,073 --> 00:19:55,907 HE�S BEEN AFTER THIS CATES FOR A WHILE, I GUESS. 454 00:19:55,940 --> 00:19:58,073 HE�S A LITTLE...INVESTED. 455 00:20:02,040 --> 00:20:04,073 ALL RIGHT, "FATHER," 456 00:20:04,107 --> 00:20:06,540 YOU�RE TALKING TO A CATHOLIC SCHOOL KID, 457 00:20:06,573 --> 00:20:08,540 AND I�M TAKING THIS REAL PERSONAL. 458 00:20:08,573 --> 00:20:10,473 SO ADMIT YOU�RE A PHONY NOW, 459 00:20:10,507 --> 00:20:13,807 OR YOU WON�T LEAVE THIS ROOM WITH YOUR TEETH INTACT. 460 00:20:13,840 --> 00:20:17,207 I GUESS I AM MORE OF A PRIVATE DO?GOODER, EH? 461 00:20:17,240 --> 00:20:19,473 A PRIVATE DO?GOODER WHO TAKES SWIPES AT WOMEN? 462 00:20:19,507 --> 00:20:21,207 HEY. 463 00:20:21,240 --> 00:20:23,407 A COSTUME SHOP LABEL. WHAT�S YOUR REAL NAME? 464 00:20:23,440 --> 00:20:26,273 AND YOUR PRINTS ARE BEING RUN, SO IF THEY DON�T COME BACK 465 00:20:26,307 --> 00:20:28,273 TO THE NAME YOU�RE ABOUT TO SAY, 466 00:20:28,307 --> 00:20:30,673 YOU�RE GUMMING MUSH FOR THE REST OF YOUR LIFE. 467 00:20:30,707 --> 00:20:32,973 FRED PESCADO, OKAY? 468 00:20:33,007 --> 00:20:35,140 CAN YOU CALM DOWN? 469 00:20:35,173 --> 00:20:37,107 WHAT�S YOUR STORY, FRED? 470 00:20:37,140 --> 00:20:38,640 I�M JUST TRYING TO HELP A FRIEND. 471 00:20:38,673 --> 00:20:39,807 LUISA LOPEZ. 472 00:20:39,840 --> 00:20:41,340 SHE OWES A LOAN SHARK. 473 00:20:41,373 --> 00:20:44,140 18?YEAR?OLD GIRL FROM PODUNK, MEXICO 474 00:20:44,173 --> 00:20:46,640 OWES A LOAN SHARK? START AGAIN, FRED. 475 00:20:46,673 --> 00:20:50,373 ALL RIGHT, LOOK, THE TRUTH ?? BUT IT CAN�T GET BACK TO ME. 476 00:20:50,407 --> 00:20:53,907 SHE HAS A BAD HEROIN PROBLEM, AND SHE WANTS TO QUIT. 477 00:20:53,940 --> 00:20:56,340 BUT SHE�S ASHAMED TO TELL HER FOLKS, 478 00:20:56,373 --> 00:20:58,840 SO I SAID I�D HELP OUT. BY RUNNING A CON. 479 00:20:58,873 --> 00:21:00,407 IT WAS HER IDEA. 480 00:21:00,440 --> 00:21:02,807 WHERE ARE WE GOING TO FIND LUISA? 481 00:21:02,840 --> 00:21:04,207 I JUST SEE HER WHEN I SEE HER. 482 00:21:04,240 --> 00:21:05,773 SO IF THIS WENT ACCORDING TO PLAN, 483 00:21:05,807 --> 00:21:07,673 YOU WOULD HAVE JUST HELD ON TO HER GRAND 484 00:21:07,707 --> 00:21:09,473 UNTIL YOU HAPPENED ON EACH OTHER. 485 00:21:09,507 --> 00:21:12,540 YEAH. AND SHE COULD�VE GOTTEN HELP BY NOW, 486 00:21:12,573 --> 00:21:14,940 BUT, YOU KNOW, I DON�T KNOW... 487 00:21:14,973 --> 00:21:16,207 AAH! 488 00:21:16,240 --> 00:21:18,040 DROP THE SAINT ACT, YOU PHONY PRICK, 489 00:21:18,073 --> 00:21:20,107 OR YOU�RE LOOKING AT A FULL BIT FOR ASSAULTING A COP, 490 00:21:20,140 --> 00:21:22,040 GRAND LARCENY EXTORTION, 491 00:21:22,073 --> 00:21:23,340 AND CRIMINAL IMPERSONATION OF A PRIEST! 492 00:21:23,373 --> 00:21:25,607 I SWEAR, SHE PUT ME UP TO IT! 493 00:21:25,640 --> 00:21:27,473 LET�S CONFIRM THAT. WHERE IS SHE? 494 00:21:27,507 --> 00:21:29,607 SHE�S NOT GOING TO CONFIRM IT. SHE�LL PUT IT ALL ON ME. 495 00:21:29,640 --> 00:21:30,907 WHERE IS SHE? 496 00:21:30,940 --> 00:21:32,740 WE�RE TALKING ABOUT A JUNKIE WHORE. 497 00:21:32,773 --> 00:21:34,873 WHERE IS SHE? RIGHT NOW! 498 00:21:34,907 --> 00:21:38,073 MASSAGE PARLOR ON STANTON. 499 00:21:38,107 --> 00:21:40,740 WE�RE TAKING A RIDE. COME ON. 500 00:21:48,040 --> 00:21:50,207 FELLAS, CRIME SCENE GOT A PRINT 501 00:21:50,240 --> 00:21:52,807 OFF THE CIGARETTE PACK LEFT ON THE DELI COUNTER ?? 502 00:21:52,840 --> 00:21:54,773 DARON HODGES. 503 00:21:54,807 --> 00:21:58,007 LENGTHY SHEET. LOTS OF PRIORS, INCLUDING ROBBERIES. 504 00:21:58,040 --> 00:22:00,473 LIVES 10 BLOCKS FROM THE DELI. 505 00:22:00,507 --> 00:22:02,273 THE PERP WAS BUYING CIGARETTES, RIGHT? YEAH. 506 00:22:02,307 --> 00:22:04,273 HOW�D THIS GUY�S PRINTS GET ON THE SMOKES? 507 00:22:04,307 --> 00:22:06,107 IS GARY STILL IN THE COFFEE ROOM 508 00:22:06,140 --> 00:22:07,840 WRITING UP HIS STATEMENT? YEAH. 509 00:22:07,873 --> 00:22:09,340 WE�LL FIND OUT. 510 00:22:12,573 --> 00:22:14,407 [ KNOCK ON DOOR ] 511 00:22:14,440 --> 00:22:17,607 GARY, UH, THE GUY WHO SHOT YOUR UNCLE, 512 00:22:17,640 --> 00:22:20,607 DID HE TOUCH THE PACK OF CIGARETTES THAT HE ASKED FOR 513 00:22:20,640 --> 00:22:22,607 BEFORE THIS WHOLE THING WENT DOWN? YEAH. 514 00:22:22,640 --> 00:22:25,173 HE WAS KNOCKING �EM AGAINST HIS PALM, 515 00:22:25,207 --> 00:22:26,773 AND THEN HE SET �EM DOWN. 516 00:22:26,807 --> 00:22:28,273 ALL RIGHT. 517 00:22:28,307 --> 00:22:30,140 THIS IS A MURDER INVESTIGATION, 518 00:22:30,173 --> 00:22:31,973 SO I DON�T CARE ABOUT ANYTHING ELSE. 519 00:22:32,007 --> 00:22:35,140 DID YOUR UNCLE BUY STOLEN CIGARETTES AND RESELL �EM? 520 00:22:35,173 --> 00:22:36,873 NO. WE BUY �EM LEGIT. 521 00:22:36,907 --> 00:22:38,607 YOU SELL A LOT OF CIGARETTES? 522 00:22:38,640 --> 00:22:41,440 I MEAN, UH, DO YOU GO THROUGH YOUR INVENTORY PRETTY QUICK? 523 00:22:41,473 --> 00:22:43,573 YEAH. CIGARETTES, LOTTO TICKETS, AND BEER. 524 00:22:43,607 --> 00:22:45,507 THAT�S WHERE WE MAKE OUR MONEY. 525 00:22:45,540 --> 00:22:47,173 ANY OTHER EMPLOYEES AT THE DELI? 526 00:22:47,207 --> 00:22:48,507 JUST MY AUNT AND UNCLE, 527 00:22:48,540 --> 00:22:50,373 AND I�VE BEEN THERE SIX MONTHS NOW. 528 00:22:50,407 --> 00:22:53,107 YOU KNOW A DARON HODGES? NO. 529 00:22:53,140 --> 00:22:55,207 WE GOT A FINGERPRINT ON THE CIGARETTES 530 00:22:55,240 --> 00:22:57,340 THAT WERE ON THE COUNTER WHEN YOUR UNCLE GOT SHOT. 531 00:22:57,373 --> 00:23:00,107 THEY COME BACK TO THIS DARON HODGES. 532 00:23:00,140 --> 00:23:01,707 SO, WHAT ARE YOU SAYING? 533 00:23:01,740 --> 00:23:03,907 WE GOT TO FIGURE OUT HOW HIS PRINTS GOT ON THERE. 534 00:23:03,940 --> 00:23:05,340 I HAVE NO IDEA. 535 00:23:05,373 --> 00:23:07,573 ALL RIGHT, NOW, ARE YOU SURE THE GUY THAT YOU PICKED OUT ?? 536 00:23:07,607 --> 00:23:09,707 TERENCE CATES ?? IS THE GUY WHO SHOT YOUR UNCLE? 537 00:23:09,740 --> 00:23:11,840 YES. WHERE�S DETECTIVE HUGHES? 538 00:23:11,873 --> 00:23:13,540 I LIKE DEALING WITH HIM. 539 00:23:13,573 --> 00:23:15,340 NOW, WAS THE GUY YOU PICKED OUT 540 00:23:15,373 --> 00:23:17,407 MAYBE THE GUY KEEPING AN EYE OUT BY THE DOOR? NO. 541 00:23:17,440 --> 00:23:19,173 NOW, YOU NEED TO BE SURE, GARY, 542 00:23:19,207 --> 00:23:21,173 �CAUSE THIS CATES IS LOOKING AT MURDER. 543 00:23:21,207 --> 00:23:23,173 YEAH, I KNOW. I WAS THERE WHEN HE DID IT. 544 00:23:23,207 --> 00:23:25,540 WE�RE JUST MAKING SURE THAT WE GOT THE RIGHT GUY. 545 00:23:25,573 --> 00:23:28,107 I�M TELLING YOU, CATES IS THE RIGHT GUY. 546 00:23:28,140 --> 00:23:29,907 YOU GOT A FINGERPRINT PROBLEM OR SOMETHING. 547 00:23:29,940 --> 00:23:32,540 ALL RIGHT. 548 00:23:32,573 --> 00:23:34,007 KEEP WRITING. 549 00:23:44,373 --> 00:23:45,940 GET BACK IN YOUR SEAT! 550 00:23:45,973 --> 00:23:47,473 WHOA! UH, WHAT�S GOING ON? 551 00:23:47,507 --> 00:23:49,240 HEY, BACK OFF! THIS IS A LEGITIMATE BUSINESS, 552 00:23:49,273 --> 00:23:50,573 AND I DON�T SEE NO WARRANTS. 553 00:23:50,607 --> 00:23:52,840 Greg: YOU GOT A LUISA LOPEZ WORKING HERE? 554 00:23:52,873 --> 00:23:54,273 I SAY NOTHING WITHOUT MY LAWYER. 555 00:23:54,307 --> 00:23:56,140 HEY, TAKE IT EASY. ALL WE WANT IS LUISA LOPEZ. 556 00:23:56,173 --> 00:23:57,740 YEAH, WE GOT THE BACK. 557 00:23:57,773 --> 00:23:59,573 WHAT DO YOU WANT WITH HER? WHERE IS SHE, ASSHOLE? 558 00:23:59,607 --> 00:24:01,407 IN THE BACK. DOOR�S LOCKED. 559 00:24:01,440 --> 00:24:03,740 I�LL BUZZ YOU. THEN YOU�RE GONE, 560 00:24:03,773 --> 00:24:05,473 OR I�M CALLING MY LAWYER. 561 00:24:07,473 --> 00:24:09,740 JUST SIT DOWN. 562 00:24:09,773 --> 00:24:13,140 LUISA LOPEZ? 563 00:24:13,173 --> 00:24:15,073 SU NOMBRE ES LUISA LOPEZ? 564 00:24:15,107 --> 00:24:18,440 YOU. TAKE A WALK. 565 00:24:18,473 --> 00:24:20,173 Man: EXCUSE ME. 566 00:24:26,340 --> 00:24:28,407 POLICE! UP AGAINST THE WALL. OH, MY GOD. 567 00:24:28,440 --> 00:24:30,640 SHUT UP. PUT YOUR PANTS ON. 568 00:24:30,673 --> 00:24:32,273 LUISA LOPEZ? 569 00:24:32,307 --> 00:24:34,540 LUISA LOPEZ. IS THAT YOUR NAME? 570 00:24:34,573 --> 00:24:35,540 COME ON. 571 00:24:35,573 --> 00:24:37,440 I SWEAR, SHE WAS JUST GIVING ME A MASSAGE. 572 00:24:37,473 --> 00:24:40,007 SHUT UP, OR YOU�RE A COLLAR. 573 00:24:49,707 --> 00:24:52,473 HUGHES, SIPOWICZ. 574 00:24:52,507 --> 00:24:54,973 WE GOT A FINGERPRINT HIT OFF THE CIGARETTE PACK 575 00:24:55,007 --> 00:24:56,540 LEFT ON THE COUNTER AT THE DELI. 576 00:24:56,573 --> 00:24:58,007 IT COMES BACK TO A DIFFERENT GUY. 577 00:24:58,040 --> 00:25:00,573 YEAH, WELL, THAT�S WHAT WE�RE TRYING TO FIND OUT. 578 00:25:00,607 --> 00:25:02,773 IT AIN�T THAT EASY, HUGHES, YOU KNOW, 579 00:25:02,807 --> 00:25:05,073 BUT WE HAVE TO FIND AN ANSWER FOR THIS ?? 580 00:25:05,107 --> 00:25:06,507 [ SIGHS ] 581 00:25:06,540 --> 00:25:08,473 WELL, GET BACK HERE AS SOON AS YOU�RE DONE. 582 00:25:08,507 --> 00:25:11,507 LITTLE UPDATE FOR US FROM COMMUNICATIONS. 583 00:25:11,540 --> 00:25:14,307 GARY DIDN�T MAKE THE 911 CALL FROM THE DELI. 584 00:25:14,340 --> 00:25:16,973 HE MADE IT FROM A PAY PHONE TWO BLOCKS DOWN. 585 00:25:17,007 --> 00:25:18,607 SO I RUN GARY. 586 00:25:18,640 --> 00:25:21,640 HE�S ON PROBATION FOR DEALING COKE TWO YEARS AGO. 587 00:25:28,740 --> 00:25:31,307 I�M ALMOST DONE HERE. 588 00:25:31,340 --> 00:25:33,273 NOW, WHAT HAPPENED AT THE DELI THIS MORNING, GARY? 589 00:25:33,307 --> 00:25:35,340 AND THIS TIME, DON�T LIE. 590 00:25:35,373 --> 00:25:37,040 WHAT�S WITH YOU GUYS? 591 00:25:37,073 --> 00:25:39,073 YOU DIDN�T MAKE NO 911 CALL FROM THE DELI. 592 00:25:39,107 --> 00:25:41,240 YOU MADE IT FROM A PAY PHONE TWO BLOCKS AWAY. 593 00:25:41,273 --> 00:25:43,140 OKAY, SO I CALLED FROM DOWN THE BLOCK 594 00:25:43,173 --> 00:25:45,007 AFTER I CHASED THE GUYS. 595 00:25:45,040 --> 00:25:46,840 IT�S NOT LIKE THERE WASN�T A LOT GOING ON. 596 00:25:46,873 --> 00:25:48,407 YOU GOT BUSTED FOR DEALING COKE TWO YEARS BACK. 597 00:25:48,440 --> 00:25:50,640 SO? YOU SET THIS UP, GARY? 598 00:25:50,673 --> 00:25:53,607 DID IT GO BAD? YOU GOT A LOT OF BALLS ACCUSING ME OF THAT. 599 00:25:53,640 --> 00:25:57,107 WHY DID YOU LIE ABOUT CALLING 9?1?1 FROM TWO BLOCKS AWAY? 600 00:25:57,140 --> 00:25:58,807 I CHASED THOSE TWO BLACK GUYS ?? 601 00:25:58,840 --> 00:25:59,907 QUIT LYING TO US! 602 00:25:59,940 --> 00:26:02,740 I RAN, OKAY? 603 00:26:02,773 --> 00:26:05,007 UNCLE TONY WAS GETTING THE REGISTER OPEN, 604 00:26:05,040 --> 00:26:06,840 THE BLACK GUY TOOK HIS EYES OFF ME, 605 00:26:06,873 --> 00:26:09,707 SO I DOVE AROUND THE CORNER AND I RAN OUT THE BACK DOOR. 606 00:26:09,740 --> 00:26:12,407 THAT�S WHEN I HEARD THE GUNSHOT. 607 00:26:12,440 --> 00:26:14,707 MY UNCLE TONY, MY AUNT JOSIE 608 00:26:14,740 --> 00:26:17,473 GAVE ME A JOB, GAVE ME A SECOND CHANCE. 609 00:26:17,507 --> 00:26:19,540 I SHOULD�VE STAYED. I SHOULD�VE STAYED COOL. 610 00:26:19,573 --> 00:26:21,373 SO THIS GUY YOU PICKED OUT EARLIER ?? CATES ?? 611 00:26:21,407 --> 00:26:23,373 HE WASN�T THERE AT ALL? 612 00:26:23,407 --> 00:26:26,340 HE WASN�T THE GUY AT THE DOOR OR NOTHING? NO. 613 00:26:26,373 --> 00:26:29,540 HOW�D YOU PICK CATES OUT OF THE PHOTO ARRAY THEN? 614 00:26:29,573 --> 00:26:31,240 DID DETECTIVE HUGHES HELP YOU OUT? 615 00:26:31,273 --> 00:26:33,407 I COULD TELL CATES WAS THE GUY HE WANTED ME TO PICK. 616 00:26:33,440 --> 00:26:36,507 ALL RIGHT. WE GOT ANOTHER PHOTO ARRAY FOR YOU. 617 00:26:36,540 --> 00:26:38,907 TELL US IF YOU RECOGNIZE ANYONE. 618 00:26:38,940 --> 00:26:41,440 HIM. NO DOUBT IN MY MIND. 619 00:26:41,473 --> 00:26:43,440 HE PULLED THE GUN ON US. 620 00:26:43,473 --> 00:26:44,707 DARON. 621 00:26:44,740 --> 00:26:46,940 ME PICKING OUT CATES EARLIER, 622 00:26:46,973 --> 00:26:48,607 AM I TROUBLE FOR THAT? 623 00:26:48,640 --> 00:26:50,673 IS THAT GOING TO CAUSE ANY PROBLEMS? 624 00:26:50,707 --> 00:26:53,207 IT SURE DOESN�T HELP THE CASE, GARY. 625 00:26:56,707 --> 00:27:00,307 HAVE A SEAT, LUISA. 626 00:27:00,340 --> 00:27:02,540 HOW LONG HAVE YOU WORKED AT THE MASSAGE PARLOR? 627 00:27:02,573 --> 00:27:03,707 ONE YEAR. 628 00:27:03,740 --> 00:27:05,673 WE GOT WORD THAT YOU WERE IN DANGER. 629 00:27:05,707 --> 00:27:07,640 IS THERE ANY TRUTH TO THAT? NO. 630 00:27:07,673 --> 00:27:09,473 DO YOU DO DRUGS, LUISA? 631 00:27:09,507 --> 00:27:10,707 NO DRUGS. 632 00:27:10,740 --> 00:27:12,407 DID YOU KNOW SOMEONE CONTACTED YOUR FAMILY, 633 00:27:12,440 --> 00:27:14,440 ASKING FOR MONEY ON YOUR BEHALF? 634 00:27:14,473 --> 00:27:15,607 NO. 635 00:27:15,640 --> 00:27:17,273 THEY SAID YOU WERE IN TROUBLE 636 00:27:17,307 --> 00:27:19,207 AND NEEDED MONEY TO GET FREE. 637 00:27:19,240 --> 00:27:21,307 IT�S NOT TRUE. 638 00:27:21,340 --> 00:27:23,173 LUISA, IF YOU NEEDED MONEY FOR DRUGS 639 00:27:23,207 --> 00:27:25,340 OR FOR ANYTHING ELSE, AND YOU TOLD SOMEONE 640 00:27:25,373 --> 00:27:27,740 TO CALL YOUR FAMILY AND SAY YOU WERE KIDNAPPED, 641 00:27:27,773 --> 00:27:30,207 TELL US NOW, OR YOU COULD GO TO JAIL FOR FIVE YEARS. 642 00:27:30,240 --> 00:27:33,073 I NO TALK TO NOBODY. 643 00:27:33,107 --> 00:27:35,673 DO YOU KNOW THE NAME FRED PESCADO 644 00:27:35,707 --> 00:27:37,607 OR FERNANDO VILLEJOS? 645 00:27:37,640 --> 00:27:39,607 NO. 646 00:27:39,640 --> 00:27:41,373 NO? 647 00:27:41,407 --> 00:27:44,807 WHAT ABOUT ROJELIO OBREGUN? 648 00:27:44,840 --> 00:27:46,973 WHO TOLD YOU THIS NAME? 649 00:27:47,007 --> 00:27:48,407 YOUR BROTHER ENRIQUE. 650 00:27:48,440 --> 00:27:50,207 WHEN YOU SPEAK TO ENRIQUE? TODAY. 651 00:27:50,240 --> 00:27:53,207 WHERE IS HE? HE�S HERE IN NEW YORK, WORRIED ABOUT YOU. 652 00:27:53,240 --> 00:27:57,073 LUISA, DID ROJELIO PUT YOU UP TO THIS? 653 00:27:57,107 --> 00:27:58,707 I NO SEE HIM IN TWO YEAR. 654 00:27:58,740 --> 00:28:01,240 DOES ENRIQUE KNOW ABOUT THE MASSAGE PARLOR? 655 00:28:01,273 --> 00:28:03,240 WELL, WE DON�T THINK SO. 656 00:28:03,273 --> 00:28:04,940 PLEASE NO TELL ENRIQUE. PLEASE NO TELL HIM 657 00:28:04,973 --> 00:28:06,573 WHAT I AM DOING, OR HE COULD BE HURT. 658 00:28:06,607 --> 00:28:09,307 WHO WILL HURT HIM? PLEASE, I�M BEGGING YOU. 659 00:28:09,340 --> 00:28:11,340 LUISA, DID SOMEONE THREATEN YOU? PLEASE NO SAY. 660 00:28:11,373 --> 00:28:13,207 IF SOMEONE THREATENED YOU OR YOUR FAMILY, 661 00:28:13,240 --> 00:28:15,473 WE WANT TO HELP YOU, 662 00:28:15,507 --> 00:28:17,140 BUT YOU HAVE TO TELL US WHAT�S GOING ON. 663 00:28:17,173 --> 00:28:19,873 TELL ENRIQUE GO HOME, GO AWAY. 664 00:28:19,907 --> 00:28:23,373 I AM ASHAMED. IF I�M GO TO JAIL, IT�S OKAY. 665 00:28:23,407 --> 00:28:25,740 BUT PLEASE NO TELL ENRIQUE. 666 00:28:29,173 --> 00:28:31,207 WE�LL BE BACK IN A LITTLE WHILE. 667 00:28:39,740 --> 00:28:40,840 Man: YEAH. 668 00:28:40,873 --> 00:28:43,440 POLICE. WE NEED TO TALK TO DARON. 669 00:28:43,473 --> 00:28:45,473 HE AIN�T HERE. WE KNOW HE�S THERE. 670 00:28:45,507 --> 00:28:47,907 OPEN THE DOOR, OR WE�RE GOING TO TAKE IT DOWN. 671 00:28:47,940 --> 00:28:50,107 OPEN THE DOOR! 672 00:28:54,873 --> 00:28:56,440 WE�RE COMING IN! 673 00:28:56,473 --> 00:28:58,040 WHERE�S DARON? I DON�T KNOW! 674 00:28:58,073 --> 00:29:00,607 WHO ARE YOU? I�M KELVIN. I�M HIS LITTLE BROTHER. 675 00:29:00,640 --> 00:29:03,340 TELL ME WHERE DARON IS! I DON�T KNOW! 676 00:29:03,373 --> 00:29:05,373 HOW OLD ARE YOU? I�M 16. 677 00:29:05,407 --> 00:29:07,340 WHO ELSE LIVES HERE? MY MOM. 678 00:29:09,373 --> 00:29:11,640 HEY, SHOW ME YOUR HANDS, SHOW ME YOUR HANDS! 679 00:29:11,673 --> 00:29:15,107 IT�S ALL RIGHT, KELVIN. IT�S ALL RIGHT. STAY COOL! 680 00:29:15,140 --> 00:29:17,707 GOT ANYTHING ON YOU? HUH? 681 00:29:17,740 --> 00:29:20,473 TELL MA I�LL CALL HER LATER, ALL RIGHT? 682 00:29:28,607 --> 00:29:32,307 WHERE YOU BEEN THIS MORNING, DARON? 683 00:29:32,340 --> 00:29:33,807 I WAS DOING MY THING. 684 00:29:33,840 --> 00:29:35,607 YEAH? GET SPECIFIC. YOU MEAN, LIKE, THE WHOLE DAY? 685 00:29:35,640 --> 00:29:39,040 YEAH, UP UNTIL YOU PLAYED HIDE?AND?SEEK IN THE CLOSET. 686 00:29:39,073 --> 00:29:40,507 AH, NO, NO, NO. 687 00:29:40,540 --> 00:29:42,873 SEE, I THOUGHT YOU WAS THE LANDLORD, SEE. 688 00:29:42,907 --> 00:29:44,807 BECAUSE ME AND HIM, WE GOT FINANCIAL DISCREPANCIES. 689 00:29:44,840 --> 00:29:47,540 YEAH, YEAH. WHY DON�T YOU ACCOUNT FOR YOUR DAY, DARON? 690 00:29:47,573 --> 00:29:51,240 I WOKE UP AT 10:00, HAD ME SOME BREAKFAST. 691 00:29:51,273 --> 00:29:52,740 I WENT DOWN TO AARON�S, 692 00:29:52,773 --> 00:29:55,007 SPENT THE REST OF THE DAY DIGGING THROUGH RECORDS. 693 00:29:55,040 --> 00:29:56,940 WHEN DID YOU STOP BY NAPOLI DELI? 694 00:29:56,973 --> 00:29:59,173 I GUESS BEFORE I WENT RECORD SHOPPING. 695 00:29:59,207 --> 00:30:00,807 WHAT DID YOU DO THERE? 696 00:30:00,840 --> 00:30:02,107 BOUGHT ME SOME SMOKES. 697 00:30:02,140 --> 00:30:03,873 WHO WERE YOU THERE WITH? NOBODY. 698 00:30:03,907 --> 00:30:05,940 WE GOT WITNESSES SAW YOU WALKING AWAY FROM THE DELI 699 00:30:05,973 --> 00:30:07,173 WITH A BLACK MALE. 700 00:30:07,207 --> 00:30:08,973 [ Mocking ] WELL, I WAS NOT WALKING 701 00:30:09,007 --> 00:30:11,140 WITH ANOTHER BLACK MALE, SIR! 702 00:30:11,173 --> 00:30:12,773 WATCH YOUR MOUTH. 703 00:30:12,807 --> 00:30:15,540 I WAS BY MYSELF THIS MORNING. WE KNOW YOU�RE LYING. 704 00:30:15,573 --> 00:30:17,573 SEEMS LIKE YOU GUYS KNOW EVERYTHING. 705 00:30:17,607 --> 00:30:19,640 I�M NOT GOING TO TELL YOU AGAIN. 706 00:30:19,673 --> 00:30:22,040 WHY DON�T YOU TELL ME WHAT THIS GOT TO DO WITH ME, MAN? 707 00:30:22,073 --> 00:30:24,007 BECAUSE THAT�S ALL I GIVE A DAMN ABOUT. 708 00:30:24,040 --> 00:30:25,873 YOU ROBBING THAT DELI THIS MORNING. 709 00:30:25,907 --> 00:30:28,307 MNH?MNH, MNH?MNH. NO, NO, NO, NO, NO. FORGET IT. 710 00:30:28,340 --> 00:30:30,540 DARON, WE GOT WITNESSES. WE�LL HAVE YOU STAND 711 00:30:30,573 --> 00:30:33,007 IN A LINEUP. ONCE YOU GET PICKED OUT, 712 00:30:33,040 --> 00:30:34,507 NOTHING WE CAN DO FOR YOU THEN. 713 00:30:34,540 --> 00:30:36,607 THERE�S NOTHING I CAN DO FOR YOU RIGHT NOW. 714 00:30:36,640 --> 00:30:39,973 TAP ON ME ALL YOU WANT. I DIDN�T ROB NO DELI. 715 00:30:40,007 --> 00:30:41,707 THEN IT�S THE HARD ROAD. 716 00:30:41,740 --> 00:30:44,207 I�VE BEEN DOWN IT BEFORE. NOT THIS ONE. 717 00:30:44,240 --> 00:30:46,207 ALL RIGHT, GET IN. 718 00:30:54,573 --> 00:30:56,873 [ SPEAKS SPANISH ] 719 00:30:56,907 --> 00:31:00,473 [ BOTH SPEAKING SPANISH ] 720 00:31:02,673 --> 00:31:04,073 NO, NO. 721 00:31:04,107 --> 00:31:08,073 [ SPEAKING SPANISH ] 722 00:31:34,040 --> 00:31:35,840 I NEVER THOUGHT I�D SEE HIM AGAIN. 723 00:31:35,873 --> 00:31:38,207 WELL, THAT�S OVER NOW. 724 00:31:38,240 --> 00:31:40,840 I WAS COME HERE BY ROJELIO OBREGUN 725 00:31:40,873 --> 00:31:43,373 TO WORK IN A RESTAURANT, 726 00:31:43,407 --> 00:31:46,173 BUT HE NO HAVE MONEY TO PAY COYOTE. 727 00:31:46,207 --> 00:31:48,707 SO COYOTE SELL ME TO HECTOR SANTOS. 728 00:31:48,740 --> 00:31:50,807 THE MAN WHO RUNS THE MASSAGE PARLOR. 729 00:31:50,840 --> 00:31:54,640 HE SAY I OWE HIM $3,000, 730 00:31:54,673 --> 00:31:58,940 AND I NEED TO BE WITH MEN TO PAY IT OFF. 731 00:31:58,973 --> 00:32:01,507 MANY MEN. 732 00:32:01,540 --> 00:32:03,873 DID HE THREATEN YOUR FAMILY? 733 00:32:03,907 --> 00:32:06,807 HE SAID IF WE GO TO POLICE, HE KILL OUR FAMILY. 734 00:32:06,840 --> 00:32:08,507 HE KNOW WHERE WE LIVE. 735 00:32:08,540 --> 00:32:10,707 YOU SAID BEFORE YOU DIDN�T KNOW FRED PESCADO 736 00:32:10,740 --> 00:32:13,840 OR FERNANDO VILLEJOS. WAS THAT TRUE? 737 00:32:13,873 --> 00:32:15,273 HE WORK WITH HECTOR. 738 00:32:15,307 --> 00:32:17,273 HE RUN AROUND AND GET THINGS FOR HIM. 739 00:32:17,307 --> 00:32:19,107 HE�S A BAD MAN. 740 00:32:19,140 --> 00:32:22,507 I THOUGHT I WAS KILL MYSELF. 741 00:32:22,540 --> 00:32:25,773 I THINK I NEVER GO HOME AGAIN. 742 00:32:25,807 --> 00:32:27,507 EVER, EVER. 743 00:32:45,862 --> 00:32:47,195 HAVING FUN, FRED? 744 00:32:47,228 --> 00:32:48,395 NO. 745 00:32:48,428 --> 00:32:50,462 WELL, TOO BAD. YOU�RE FACING 30 YEARS OF IT. 746 00:32:50,495 --> 00:32:52,628 WHAT 30 YEARS? I TRIED TO HELP THAT GIRL. 747 00:32:52,662 --> 00:32:56,362 SHE GAVE YOU UP, ASSHOLE, GAVE UP THE OPERATION. 748 00:32:56,395 --> 00:32:58,295 I DIDN�T FIGURE YOU GUYS WERE DUMB ENOUGH 749 00:32:58,328 --> 00:32:59,928 TO TAKE THE WORD OF A JUNKIE. 750 00:32:59,962 --> 00:33:02,595 SEX SLAVE, FRIEND. 751 00:33:02,628 --> 00:33:05,528 KIDNAPPED, RAPED, BEATEN. 752 00:33:05,562 --> 00:33:06,828 SHE�S LYING. 753 00:33:06,862 --> 00:33:09,795 AND, UH, JUANA GONZALEZ, ESTHER MEDINA, 754 00:33:09,828 --> 00:33:11,828 MARIA SANCHEZ ?? WHO WE JUST BROUGHT IN ?? 755 00:33:11,862 --> 00:33:13,428 THEY LYING, TOO, 756 00:33:13,462 --> 00:33:15,262 BUT SOMEHOW ALL TELLING THE SAME STORY? 757 00:33:15,295 --> 00:33:17,128 MULTIPLY THE COUNT BY THE NUMBER OF GIRLS, 758 00:33:17,162 --> 00:33:20,028 THAT�S 30 YEARS. EASY. 759 00:33:20,062 --> 00:33:22,095 I HAD NOTHING TO DO WITH THAT STUFF. 760 00:33:22,128 --> 00:33:25,195 I DO THINGS FOR HECTOR. I GET HIS DRY CLEANING. 761 00:33:25,228 --> 00:33:28,228 AND SCAM HIS GIRLS. HE DON�T PAY MUCH. 762 00:33:28,262 --> 00:33:30,162 HECTOR SAID IT DON�T WORK LIKE THAT, FRED. 763 00:33:30,195 --> 00:33:31,495 YEAH, WELL, WHAT�S HE SAYING? 764 00:33:31,528 --> 00:33:33,528 YOU FIND THE GIRLS, YOU SUCKER �EM IN. 765 00:33:33,562 --> 00:33:35,395 IT�S YOUR OPERATION. HE JUST KEEPS THE BOOKS. 766 00:33:35,428 --> 00:33:37,395 THEN WHY IS IT HIM WITH THE SILK SHIRTS AND THE GOLD MOVADO, 767 00:33:37,428 --> 00:33:40,262 AND ME IN AN ITCHY PRIEST SUIT, SCAMMING A STINKIN� GRAND? 768 00:33:40,295 --> 00:33:41,928 WELL, IF HE�S THE ONLY ONE TALKING, 769 00:33:41,962 --> 00:33:43,962 WE GOT TO GO WITH HIS SIDE. 770 00:33:43,995 --> 00:33:46,395 NAH...NAH, I�M NOT DOING NO 30 YEARS. 771 00:33:46,428 --> 00:33:49,228 YOU PLAY IT RIGHT, YOU WON�T DO A DAY. 772 00:33:49,262 --> 00:33:53,528 ALL RIGHT, I GOT NAMES. 773 00:33:53,562 --> 00:33:55,862 LOTS OF NAMES. 774 00:33:55,895 --> 00:33:57,795 LET�S HEAR �EM. 775 00:33:57,828 --> 00:33:59,828 I�LL GET SOMEONE FROM VICE. 776 00:34:02,695 --> 00:34:05,928 I WAS THERE. THE WITNESS POSITIVELY I. D.�d THE FIRST GUY. 777 00:34:05,962 --> 00:34:07,428 YEAH, I KNOW. I WAS THERE, TOO. 778 00:34:07,462 --> 00:34:09,062 AND NOW HE�S GOING TO RECANT THAT, 779 00:34:09,095 --> 00:34:11,095 AND IN THE SAME DAY, I. D. SOMEONE ELSE? 780 00:34:11,128 --> 00:34:13,495 IT WOULDN�T HOLD UP IN A HEARING, LET ALONE A TRIAL. 781 00:34:13,528 --> 00:34:15,462 �CAUSE THE DEFENSE ATTORNEY WOULD DESTROY 782 00:34:15,495 --> 00:34:17,462 THIS GUY�S CREDIBILITY IN 10 SECONDS. 783 00:34:17,495 --> 00:34:19,728 CAN WE SALVAGE ANYTHING FROM THE WITNESS? 784 00:34:19,762 --> 00:34:21,595 HIM ALONE NOW WON�T DO US ANY GOOD. 785 00:34:21,628 --> 00:34:24,162 ANY OTHER WITNESSES? NOT YET. 786 00:34:24,195 --> 00:34:26,062 THAT HOTSHOT FROM ROBBERY HAVE ANYTHING TO DO 787 00:34:26,095 --> 00:34:27,428 WITH THIS BAD I. D.? 788 00:34:27,462 --> 00:34:29,528 YOU KNOW I WOULDN�T TELL YOU IF HE DID. 789 00:34:29,562 --> 00:34:32,928 HOW SURE ARE WE THAT THE NEPHEW WASN�T INVOLVED SOMEHOW? 790 00:34:32,962 --> 00:34:34,662 WE�RE NOT THAT SURE. HE SAYS HE LIED 791 00:34:34,695 --> 00:34:36,828 ABOUT THE DETAILS BECAUSE HE RAN AWAY FROM THE SCENE, 792 00:34:36,862 --> 00:34:38,362 BUT I DON�T KNOW. 793 00:34:38,395 --> 00:34:41,095 SHOWING PHOTOS OF DARON HODGES� RUNNING BUDDIES TO GARY, 794 00:34:41,128 --> 00:34:43,195 SEE WHO MIGHT�VE BEEN STANDING BY THE DOOR THIS MORNING. 795 00:34:43,228 --> 00:34:45,428 HE JUST PICKED OUT DARON�S 16?YEAR?OLD BROTHER KELVIN. 796 00:34:45,462 --> 00:34:47,462 THE KID AT THE APARTMENT. YEAH. 797 00:34:47,495 --> 00:34:49,228 HOW DID WE GET THE BROTHER�S PHOTO? 798 00:34:49,262 --> 00:34:51,028 HE HAVE A RECORD? HE TOOK A COLLAR 799 00:34:51,062 --> 00:34:53,128 FOR SMOKING A JOINT IN THE PARK WITH HIS BUDDIES. 800 00:34:55,328 --> 00:34:57,928 I GOT TO GIVE IT TO YOU, DARON. 801 00:34:57,962 --> 00:35:00,462 YOU HAD US GOING THERE. GET UP. 802 00:35:00,495 --> 00:35:02,295 FOR A MINUTE THERE, WE WERE, LIKE, 803 00:35:02,328 --> 00:35:04,228 "DAMN, DID WE GET THE WRONG GUY? 804 00:35:04,262 --> 00:35:06,562 I MEAN, DID DARON JUST GO IN THERE TO GET SOME SMOKES?" 805 00:35:06,595 --> 00:35:09,228 GOT TO GIVE IT TO YOU. 806 00:35:09,262 --> 00:35:11,295 SO THIS IS THE BEST FRIEND APPROACH WE TRYING NOW? 807 00:35:11,328 --> 00:35:14,095 NO, I�M SERIOUS. HAVE A SEAT. 808 00:35:14,128 --> 00:35:16,228 I MEAN, FOR A MINUTE THERE, WE THOUGHT WE MIGHT HAVE HAD 809 00:35:16,262 --> 00:35:17,895 THE WRONG GUY, EVEN THOUGH A WITNESS I. D.�d YOU 810 00:35:17,928 --> 00:35:19,295 AS THE SHOOTER. GREAT. 811 00:35:19,328 --> 00:35:21,962 BUT WHEN THE WITNESS PICKED OUT YOUR BROTHER KELVIN 812 00:35:21,995 --> 00:35:24,428 AS THE GUY KEEPING AN EYE OUT BY THE DOOR, 813 00:35:24,462 --> 00:35:26,928 THAT�S WHEN WE KNEW WE HAD THE RIGHT GUY. 814 00:35:26,962 --> 00:35:28,695 PINNING THE CRIME ON THE BLACK GUY. 815 00:35:28,728 --> 00:35:30,328 THAT�S ALL THIS IS. 816 00:35:30,362 --> 00:35:31,928 YOUR BROTHER SEEMS LIKE A GOOD KID. 817 00:35:31,962 --> 00:35:33,628 YOU LOOK OUT FOR HIM, DON�T YOU? 818 00:35:33,662 --> 00:35:36,095 OTHER THAN GETTING POPPED FOR SMOKING A JOINT IN THE PARK, 819 00:35:36,128 --> 00:35:37,862 HE�S KEPT IT CLEAN. 820 00:35:37,895 --> 00:35:41,462 IT�S GOING TO WEIGH PRETTY HEAVY ON YOUR MIND, DARON, 821 00:35:41,495 --> 00:35:45,162 WHEN KELVIN GOES UP FOR ACTING IN CONCERT ?? 822 00:35:45,195 --> 00:35:47,428 YOUR 16?YEAR?OLD BROTHER DOING ADULT TIME 823 00:35:47,462 --> 00:35:48,828 IN AN ADULT PRISON. 824 00:35:48,862 --> 00:35:51,362 OR MAYBE THIS ROBBERY WAS KELVIN�S IDEA, 825 00:35:51,395 --> 00:35:54,062 WHICH MEANS HE�LL GET EVEN MORE TIME. 826 00:35:54,095 --> 00:35:57,062 WE CAN MAKE THAT HAPPEN, TOO, IF YOU KEEP SITTING HERE POSING. 827 00:35:57,095 --> 00:35:59,428 COP TO WHAT YOU DID, DARON. 828 00:35:59,462 --> 00:36:00,628 I MEAN, THE GUY YOU SHOT, 829 00:36:00,662 --> 00:36:02,462 IT LOOKS LIKE HE�S GOING TO PULL THROUGH, 830 00:36:02,495 --> 00:36:04,428 SO YOU�RE JUST LOOKING AT AN ASSAULT CHARGE. 831 00:36:04,462 --> 00:36:06,328 IF YOU DON�T, I WILL MAKE SURE 832 00:36:06,362 --> 00:36:08,828 THAT YOUR BROTHER DOES TIME FOR ROBBERY 833 00:36:08,862 --> 00:36:12,162 AND ATTEMPTED MURDER. 834 00:36:12,195 --> 00:36:15,062 KELVIN DIDN�T KNOW NOTHING. 835 00:36:15,095 --> 00:36:18,195 I JUST TOLD HIM I WAS GOING IN FOR SOME SMOKES. 836 00:36:18,228 --> 00:36:20,728 HE HAD NOTHING TO DO WITH THIS. 837 00:36:20,762 --> 00:36:22,395 WHAT HAPPENED IN THE DELI? 838 00:36:22,428 --> 00:36:25,395 THE PLACE WAS EMPTY, I HAD MY GUN, 839 00:36:25,428 --> 00:36:26,928 I JUST DECIDED ON THE SPOT 840 00:36:26,962 --> 00:36:29,028 I�M GOING TO TAKE �EM ALL FOR THE CASH. 841 00:36:29,062 --> 00:36:31,162 EVERYTHING WAS COOL UNTIL THE ONE GUY 842 00:36:31,195 --> 00:36:33,295 RAN AROUND THE CORNER AND TOOK OFF. 843 00:36:33,328 --> 00:36:39,195 I GOT UPTIGHT AND... 844 00:36:39,228 --> 00:36:41,695 KELVIN DIDN�T KNOW NOTHING ABOUT IT. 845 00:36:41,728 --> 00:36:42,962 LEAVE HIM OUT OF THIS. 846 00:36:42,995 --> 00:36:44,428 ALL RIGHT. 847 00:36:44,462 --> 00:36:46,595 SO THE OLD GUY BEHIND THE COUNTER, 848 00:36:46,628 --> 00:36:48,262 HE GOING ?? HE GOING TO LIVE? 849 00:36:48,295 --> 00:36:49,495 LAST WE HEARD. 850 00:36:51,628 --> 00:36:53,228 WRITE IT DOWN. 851 00:37:04,795 --> 00:37:07,228 SORRY. I GOT A LITTLE WAYLAID. 852 00:37:07,262 --> 00:37:10,128 YOU KNOW, I HEAR YOU GOT A PERSONAL SECURITY BUSINESS 853 00:37:10,162 --> 00:37:11,862 THAT�S DOING PRETTY GOOD. 854 00:37:11,895 --> 00:37:13,495 YEAH? 855 00:37:13,528 --> 00:37:15,928 I HOPE THIS JOB DOESN�T INTERFERE WITH IT. 856 00:37:15,962 --> 00:37:18,062 WE HAVEN�T GOT A RAISE IN OVER FIVE YEARS. 857 00:37:18,095 --> 00:37:20,662 I�M TRYING TO DO THE RIGHT THING FOR MY FAMILY. 858 00:37:20,695 --> 00:37:22,995 WELL, YOU GOT YOUR PRIORITIES A LITTLE TWISTED HERE, PAL. 859 00:37:23,028 --> 00:37:24,928 SO IT TURNED OUT NOT TO BE CATES? YES OR NO? 860 00:37:24,962 --> 00:37:26,495 THAT�S A BIG NO. 861 00:37:26,528 --> 00:37:28,595 YOU COULDN�T HAVE TOLD ME THAT ON THE PHONE? 862 00:37:28,628 --> 00:37:30,462 YOU KNOW, IT�S GUYS LIKE YOU 863 00:37:30,495 --> 00:37:32,662 THAT GIVE VALIDITY TO EVERY SCUMBAG DEFENSE ATTORNEY 864 00:37:32,695 --> 00:37:35,695 WHO BREAKS COPS� BALLS ON THE WITNESS STAND. 865 00:37:35,728 --> 00:37:38,962 IS THIS LESSON TIME NOW? �CAUSE I�M NOT INTERESTED. 866 00:37:38,995 --> 00:37:42,995 LOOK, YOU PUT A BAD COLLAR ON A GUY, HUGHES. 867 00:37:43,028 --> 00:37:44,428 JUST DON�T FORGET THAT. 868 00:37:44,462 --> 00:37:45,928 IF THIS WOULD�VE BEEN FOR THE HUNDRED OTHER THINGS 869 00:37:45,962 --> 00:37:47,895 THAT CATES DIDN�T GET CAUGHT FOR ?? 870 00:37:47,928 --> 00:37:50,162 YEAH, THAT�S GREAT. TAKE OFF. 871 00:37:50,195 --> 00:37:51,295 WHAT? 872 00:37:51,328 --> 00:37:53,362 TAKE OFF. 873 00:38:10,562 --> 00:38:13,262 NIGHT. 874 00:38:13,295 --> 00:38:14,428 HERE. WANT ONE? 875 00:38:14,462 --> 00:38:15,728 IT�S A GOOD SPOT. 876 00:38:15,762 --> 00:38:17,295 YEAH, IT�S A NEIGHBORHOOD PLACE. 877 00:38:17,328 --> 00:38:18,828 NICE PEOPLE. 878 00:38:26,028 --> 00:38:29,495 ARE WE DUE A CONVERSATION? 879 00:38:29,528 --> 00:38:31,295 ABOUT WHAT, YOU AND ME? 880 00:38:31,328 --> 00:38:33,362 WELL, I JUST KNOW WHAT YOU�VE BEEN THROUGH, 881 00:38:33,395 --> 00:38:37,862 AND YOU CAN TALK TO ME ABOUT ANYTHING...OR NOT. 882 00:38:37,895 --> 00:38:40,462 AHEM. I�M ALMOST AFRAID TO 883 00:38:40,495 --> 00:38:42,428 �CAUSE I DON�T WANT TO JINX A GOOD THING. 884 00:38:42,462 --> 00:38:44,262 WELL, THERE�S NOTHING TO SAY 885 00:38:44,295 --> 00:38:46,095 THAT WE CAN�T KEEP A GOOD THING GOING. 886 00:38:46,128 --> 00:38:48,095 I CAN�T TELL YOU HOW MUCH I�D LIKE THAT TO HAPPEN, 887 00:38:48,128 --> 00:38:52,228 BUT, UM, I KEEP THINKING ANOTHER SHOE�S GOING TO DROP. 888 00:38:52,262 --> 00:38:54,295 I DON�T HAVE ANY TIME BOMBS ON ME, SO... 889 00:38:54,328 --> 00:38:57,228 WHAT YOU�RE SEEING, THAT�S WHO I AM. 890 00:39:01,295 --> 00:39:03,928 I�M NOT TRYING TO GET US AHEAD OF OURSELVES. 891 00:39:03,962 --> 00:39:08,428 HOWEVER LONG THIS LASTS, I JUST WANT TO ENJOY IT. 892 00:39:08,462 --> 00:39:09,828 THAT�S GOOD FOR ME. 893 00:40:15,295 --> 00:40:20,262 THIRD FLOOR, ONE QUEEN. YEAH, SOUNDS GOOD. 894 00:40:20,295 --> 00:40:21,762 HERE YOU GO. THANK YOU. 895 00:40:21,795 --> 00:40:24,228 DAD, YOU COULD PUT ONE IN YOUR BAG. 896 00:40:24,262 --> 00:40:26,562 I�M NOT GOING TO HAVE ANY ROOM FOR MY STUFF, THEO. 897 00:40:26,595 --> 00:40:29,795 LOOK, I?I SAID ONE TOY, BUT IT CAN�T BE THE FIRE TRUCK. 898 00:40:29,828 --> 00:40:33,128 BUT WHAT IF I NEED IT? 899 00:40:33,162 --> 00:40:34,995 THANKS. 900 00:40:35,028 --> 00:40:37,662 I, UH, I�M ON THE FLOOR BELOW YOU GUYS. 901 00:40:37,695 --> 00:40:39,395 PERFECT. 902 00:40:39,428 --> 00:40:43,162 YOU KNOW... 903 00:40:43,195 --> 00:40:46,628 WHY I�D WANT YOU TO COME WITH ME IS A NO?BRAINER, BUT... 904 00:40:46,662 --> 00:40:49,295 WHY YOU�D ACTUALLY SAY YES IS SOMETHING 905 00:40:49,328 --> 00:40:53,262 I?I�M HAVING A HARD TIME GETTING MY HEAD AROUND. 906 00:40:53,295 --> 00:40:59,462 WHATEVER IT IS I DO FOR YOU, HOWEVER I MAKE YOU FEEL, 907 00:40:59,495 --> 00:41:02,328 YOU DO THE SAME FOR ME. 908 00:41:02,362 --> 00:41:04,595 I CAN�T IMAGINE HAVING THAT KIND OF LUCK. 909 00:41:04,628 --> 00:41:08,995 WELL, YOU DON�T HAVE TO IMAGINE ANYTHING. 910 00:41:09,028 --> 00:41:13,662 IT�S RIGHT HERE. 911 00:41:13,695 --> 00:41:15,962 I NEED SOMEONE BIG TO STAND ON MY BAG 912 00:41:15,995 --> 00:41:17,962 SO I CAN CLOSE IT. 913 00:41:17,995 --> 00:41:20,262 ALL RIGHT, WHY DON�T WE SEE IF WE CAN PARE IT DOWN 914 00:41:20,295 --> 00:41:22,562 A LITTLE BIT FIRST, OKAY, KIDDO? 915 00:41:22,595 --> 00:41:23,862 FINE. 916 00:41:26,095 --> 00:41:30,128 CONNIE, I�M GLAD YOU�RE COMING. 917 00:41:30,162 --> 00:41:32,528 ME TOO. 918 00:41:32,562 --> 00:41:34,262 COME ON. 919 00:41:36,928 --> 00:41:39,895 ALL RIGHT, LET ME SEE THIS BAG. 920 00:41:39,928 --> 00:41:41,895 THIS IS TOO MUCH, SWEETIE. 921 00:41:41,928 --> 00:41:43,895 WE HAVE TO TAKE THIS OFF FIRST. 922 00:41:43,928 --> 00:41:46,128 OH! WHOA, WHOA, WHOA, WHOA. 923 00:41:46,162 --> 00:41:47,995 THEO... 924 00:41:48,045 --> 00:41:52,595 Repair and Synchronization by Easy Subtitles Synchronizer 1.0.0.0 68679

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