All language subtitles for Nightsleeper S01E01.eng

2

[announcer] The next train
to depart from Platform Ten

will be the 23:45

Heart of Britain service
to London Euston,

calling at Motherwell,
Carstairs,

Carlisle, Watford Junction,
and London Euston.

Platform Ten for the 23:45

Heart of Britain service
to London Euston.

[single note continues playing]

[announcements continue
indistinctly]

[tense music plays]

[train engine whirring]

[radio static buzz]

Just got to carry on
down the train,

alright, and it's the second...

[child] I don't want to go.

- I've only just got here.
- [man] I know, I know, but...

it won't be long, mate.

It'll be the holidays like that.
[snaps fingers]

Mouse.

Come on.

[man] Go on.

Tickets, please. Final call.

Carriage Three as well.
Quick as you can.

Yes, son?

[woman] Stop!

No, my bag!

[woman shrieks]

[man] Andy!

[man] Stop him!

[man 2] Hey! Hey!

No, you don't.

[man 2] Come on.

[music intensifies]

Oi!

Watch yourself!

Come on!

[shouting and clamouring]

[grunting]

Whoa!

- [glass shatters]
- Sorry.

[thief] Move.

[woman] What are you doing?

- Where was it, Soph, that way?
- [man] Hey!

Hey!

- [Sophie] Oh!
- [grunting]

- [Sophie] Dad! Are you alright?
- I'm fine. This little shit.

Dad, Dad, you alright?

[man] Hey!

[woman on phone] I need
those files urgently.

Yeah, I'll have it with you
within the hour, Sarah,

I promise.

- Can I help you?
- [Sarah] Hello?

[Sarah] Hello,
are you still there?

I'm with you, mate.

[fast-paced music plays]

What are you playing at, pal?

Hold.

You need to move.

Actually, I need a lie down.

Don't mess with me.

I'm sorry, mate. It's my job.

Come on. Give me the bag.

Close the doors!

Close the doors!

[woman] Oh.

You alright?

Move, move, move!

[objects clattering]

[officer] Police, police.

[train doors beeping]

Come on!

Hey!

[officer 1] Police!

Shit!

Stop! Police!

Stop!

[foreboding music plays]

[all breathing heavily]

Should have warmed up.

Thank you.

Alright.

Everything's fine.

Everyone could just make
their way back

on to the train, please.

[officer] Are you okay, sir?

Yeah. I always look like this.

Are you travelling
with us, madam?

- No.
- I'm gonna need some details,

- if that's alright?
- Sure.

He could do
with a feed first, though.

- Alright.
- Thanks. Thanks.

Listen, we're not gonna
be delayed anymore, are we?

Nah. Should be good
to go now, sir.

Andy, we're good to go.

I'm in standard. I dropped
my bag in club.

Aye. The things people do
for an upgrade.

[passengers applaud quietly]

[announcer speaking on Tannoy]

- With our compliments, sir.
- Thank you.

I thought it was
gonna be one of those nights.

[whistle blows]

[tense music plays]

[train doors beeping]

[suspenseful music]

[speaking inaudibly]

[car engine starts]

Did they do it?

[rapid beeping sound]

Driver.

Driver?

Driver?!

[button beeping]

Andy.

Can you hear me, Andy?
Stop the train!

[beeping]

[theme music playing]

[announcer on Tannoy]
Attention passengers

for flight 0711 to Marrakech.

This flight is now delayed
until 4:25 am.

Apologies for
any inconvenience caused.

[woman] Ugh.

Half-four?

- [phone ringing]
- Oh, shit.

It was meant to be on silent.

No, it's meant to be off.

Oh.

No, Abs.

Yes, the lasagne is
still edible, Tobi.

- And yes, you can have it.
- It's not about the lasagne.

[Tobi's friend]
You've got lasagne?

Er, are you up to no good?

Yeah, not anymore.

I said to only call me
in an emergency.

I know.

[foreboding music plays]

[phone rings]

Oh, shit.

It's Abby.

[sighs]

So, one of the UK's biggest
antivirus firms has a virus?

[scoffs]
Couldn't write it, could you?

Yeah, thanks, Tobi.
Thank you very much.

Note to self. Never confide in
Roger the Lodger.

And that antivirus is used by,

what, hundreds of thousands

of devices all over the country?

[Tobi] Million-plus, actually.
Critical infrastructure.

Thousands of companies.
Lots of big ones.

Any suggestion
on a specific target?

- Not yet.
- Guys, listen.

It's probably some kid

who's trying to make a name
for himself, okay?

And if it isn't?

[Saj] Can you just
leave it to us, alright?

- [Meg] Hiya!
- [clerk] Next, please.

Sorry, change of plan.

Sorry.

Tobi, meet me at reception
at quarter 2:00.

Saj, put it in the sandbox,
check the IOAs

and set up the instant room.
I am on my way.

Can I have a word?

In private.

Sorry. I'll be right back.

[beeping sound]

So, it's not gonna...
detonate or anything, is it?

- When were you last in here?
- Just before we set off.

- Before we were meant to.
- So what's that?

Like, five minutes
before we actually left?

More like ten. Everything was
exactly as it should be then.

[Lindsey] Excuse me?

Sorry, could you just give us
a minute, please?

Sorry, it's my son.

I said he could go to
the lounge to get a drink,

but he hasn't come back
and he's not in there.

He was definitely
on board when we set off?

Yeah. He was with me
in our cabin,

'til we started to move, C4.

Do you think you could make
an announcement or something?

His name's Max.
We call him Mouse.

We're having a few problems

with the communication system
at the moment.

He's not been past
this way, though.

Must've gone the other way.

Have you checked
the rear three carriages?

You make a start,
I'll send a colleague to help.

- Who else has access?
- No one.

And your line to the drivers
never failed before?

No. Can't call him,
can't access the locomotive

when we're moving to tell him,
can't contact the ROC.

ROC?

It's the Scotland Rail
Operating Centre,

based out of Cowlairs.

Can't just use your mobile?

If I had any coverage.

Is it always like this?

No, we might lose it
for a few seconds,

but there's been nothing
for minutes.

Okay. So, when I was chasing
those lads through the train,

and you and everyone else
was out on the platform,

do you think someone could've
come here and done this?

I know they bloody did.

Just look at this.
[tapping keys]

They've deleted the CCTV, too.

How long 'til the next station?

Well, it's Motherwell.

We lost our slot,

could be anything
up to 20 minutes.

I'm not waiting that long.

Hey, guys. Hey.
Sorry to bother you.

We need to make a call.

We're having trouble
with our phones.

Just wondering
if any of you have any signal,

if you could just check.

[passengers murmuring]

I haven't had anything since
I got on, or Wi-Fi.

What's going on?

We just need to make a call.

It's, er... Anyone?

Okay, thank you.

Billy. Lady in car C's
lost her kid.

Can you go and help her?

Hey, guys, sorry to bother you.

Has anyone got
any phone coverage?

No. If I don't send an email
in the next half hour,

I won't have a job either.

[Sophie] Is it always like this?

No chance.

They love to cough up
for technology.

It's the cost of people
they resent.

Thanks a lot.

Actually, seems like I have.

You got coverage?

I work up at Finnis Brae,
the oil rig.

This is satellite.

[train doors beeping]

[announcement over Tannoy]

Yeah, and run a CI check.

- [laughter]
- If, er...

[women laughing]

If any critical infrastructure
is compromised by this...

we need to hear about it.

Yes, some critical
infrastructure uses it, okay.

Of course it does, but...

Tobi should not have
called you, okay, Abby?

We can handle this, alright?

We have a more than
capable team here.

So just switch off
and get on that plane.

And enjoy your freedom.

- Come on. Yeah, come on.
- [Meg] What?

Marrakesh awaits.

[Saj] Great.
Okay, it's the right call.

So, just check
your phone when you land, and...

if there's anything--
anything else at all, alright,

I will contact you.
So, don't worry.

- Saj?
- Yeah?

A guy on the other line just
called General with an urgent.

If Abby's still available,

I think
she really needs to take this.

[Abby] Leon, is that you?

Yeah, patch them through.

[phone beeping]

Hello, this is Abigail Aysgarth,

Acting Technical Director

at the National
Cyber Security Centre.

[train announcer] This train's
ready to depart,

mind the closing doors.

Mind the closing doors, please.

Hello?

Can you hear me?

Hello, yes. Hello.

I'm on a train
called the Heart of Britain.

It's the Glasgow to London
nightsleeper service.

We're currently between
Glasgow and Motherwell

and I think we may
have a problem.

[rapid beeping]

- Erm...
- Oh! Abs--

Wait, wait, wait,
wait. Two secs.

Sorry, who am I speaking with?

He's a DI in the Met.

This is Ian Crieff,
train manager,

we're on the Nine Alpha 272.

Okay, okay. So...

Yeah, so someone's ripped up
the floor in this guy's office.

The line to the driver's down,

and the emergency stop
has failed.

- What?
- Yeah.

And, er, the wiring in
the floor's been tampered with.

And there's a device attached.

And there's no
mobile phone coverage.

- Not on any network.
- [Abby] Give me one second.

[phone beeping]

Saj?

The critical infrastructure
that uses the antivirus...

Yeah.

It's not the UK
rail network, is it?

How did you know?

[tense music builds]

Hello?

Hello?

Hi, hi, sorry.

I was just talking
to a colleague.

Er, what did you say
your name was?

Does it matter?

So, how did you know to call us?

I've done a couple of
training days at your place.

Really regretting
zoning out now.

And, erm, if there are
no phones working on there,

then how are we talking?

This is satellite.

Where are you, on the roof?

The aerials are.

There's repeaters throughout.

Right, so, what
sort of device is it?

It's small.
There are two aerials on top,

a USB on the side, and numbers
rolling across the screen.

Like, credit card small,
or smartphone small?

[Joe] Credit card small.

Okay, that's an SBC.

Er, a...?

A single board computer.

Is it an explosive device?

No, it's--
it's a hacking device.

For what?

Okay, give me one more minute.

Hey. Give me that.
Sorry, just...

Come on, and your phone.
I need another line.

[tense music plays]

[beeping]

[line ringing]

Saj, the Heart of Britain
sleeper service

may have been hacked.

What?

The train is
approaching Motherwell.

It's due to stop there,

and I'm praying that
that's still gonna be the case.

If it does, we need to
get a police team

and a cyber team onboard.

We need to get
everyone off immediately

and hold it there
until further notice.

And can you see if
there are any other problems

with any other trains
around the country?

Yeah. Already typing.

I think I could unplug this.
I think I can disconnect it.

No, no, wait! No, don't!

Well, it looks simple enough.

Sorry, how tech-y are you?

Honestly? Paid a guy
to set up my broadband.

Yeah, don't touch it.
Don't go anywhere near it.

That's what he said.

Look, it'll already be
in the system anyway.

And it could even be trip-wired.

- Meaning?
- Well...

It could cause it to accelerate,
so fast that it derails and...

Listen, when you stop
at Motherwell,

we're gonna have
police there, waiting.

What if it doesn't?

- [Abby] Doesn't...?
- Stop.

Look, we just need to
get everybody off.

How the fuck is this happening?

Hey, it's alright. It's okay.

It really doesn't sound okay.

No, no. I don't suppose it does.

But...

I'm all for the buts, but...

I'm here.

Yeah.

Yeah. I'm here.

[loud pop music playing]

Can you ask them
to turn it down?

You used to be fun.

No, I didn't.

No, actually. No, you didn't.

Er, girls. You're gonna have
to turn that up.

[women scream]

Do you-- Do you know how long
this is gonna take?

It's just that I'm waiting

on quite
an important phone call. So--

I'm going as quick
as I can, yeah?

Doing my best.

Thank you.

There's something else
bothering me.

[women shouting]

Yeah, yeah, there's
quite a bit bothering me.

Before we left the station,

there was an incident
on the platform.

A lad stole a bag.

Right, okay.

Another guy helped,
and I got it back.

Transport police went after 'em,

but it delayed us a few minutes.

Eight. Eight minutes,

but the office
was unguarded for ten.

It must've happened then.

Either that was a real stroke
of good luck

for some other person loitering

on the platform, or...

This involves multiple people
and is pre-planned,

as part of a major operation.

That's where I'm at.

Oh, God.

It's alright.
I'm here, too.

[line ringing]

♪...in a black belt hold ♪

♪ It makes me want to laugh ♪

♪ Like, it makes me
want to choke ♪

♪ Choke, choke, choke! ♪

[phone buzzing]

- Hey! Hey!
- [Abby] Pev?

Can you...

What?

- Can you hear me?
- What?

I can't hear you!

[tense music plays]

How long is this
gonna go on for?

I have to send an... email.

What's that?

[Joe] That's what
we're trying to work out.

- Are you qualified for that?
- Absolutely not.

So, who have you been
speaking to?

The National Cyber
Security Centre.

What-- What are you doing?

I'm Rachel Li,
I'm a lifestyle trends reporter.

[Rachel] Suit yourself.

Sending a different story now.

Hey, w-wait...

Look, don't take this
the wrong way,

but next time
I'm getting the Megabus.

[Joe] Abby,
can you hear me?

- [loud pop music playing]
- Hello?

Hello, yes, I'm here.
Can you hear me?

Yeah. Erm, I lost you
for a minute then...

I'm... I'm on a train as well.

I thought you were in Victoria.

[Abby] Yeah, heading there.

I'm, erm...

I was at the airport, actually.

Ah, it's alright.

I'm not that keen
on planes, anyway.

Yeah, I'm starting
to go off trains.

Though, to be fair,
the atmosphere on yours

does sound significantly
better than mine.

Yeah, well, this is
a bit of a banger, innit?

♪ You said,
I must eat so many lemons ♪

♪ 'Cos I am so bitter ♪

♪ I said, 'I'd rather be
with your friends, mate ♪

♪ 'Cos they are much fitter' ♪

[laughing]

Abby, the DG.

[line ringing]

Erm, yeah. Can you
hold on for me a minute?

Holding on, Abby.
Holding on.

[line ringing]

Well, the side effect
of this happening

within two hours of my
Mansion House speech

is that I appear to be
more dressed

for the occasion than you.

Ma'am.

There are no reports
of problems

with any other trains.

Not at the moment.

We have managed to get
through to Cowlairs

and UK Rail's Gold Command
is assembling as we speak,

but the Transport Secretary's
remaining elusive.

Seems she sleeps more deeply
than the rest of us.

After recent headlines,
I'm not sure how.

And who is going to
have operational control?

Security, Police Scotland,
and the BTP

are all claiming it,
but the decision has been made.

You are.

This is why we exist, Abby,

and tonight's either the night
former technical directors

get a call begging
them to come back

or acting technical directors
lose the 'acting' for good.

- You mean it?
- On one condition.

Do not,
under any circumstances,

call Paul Peveril.

Okay. Erm...

Erm, ma'am, no one's managed
to get through to the driver

but the police are now
on the scene

and the train does appear
to be slowing

on its approach to Motherwell.

So, they think it's gonna
stop as planned.

Okay.

So, we may actually
be in control.

[chuckling] Er, not quite.

We've got those facial recs
back from Glasgow Central.

Seems there's currently
an Interpol Red

out for someone on that train.

What?

[Tobi] Police have already
been informed.

They disappeared whilst released
on investigation,

end of last year.

We're looking at a picture
of them now.

[Joe] Abby, the train
is stopping. Thank God.

- What do you want me to do?
- Yeah, listen.

There's somebody on your train
who should not be approached.

Yeah, my colleague's
just sending through

a description of them now.

[tense music]

White male.

Around 35 years of age.

Facial hair.

Nothing to do with me.

I promise.

[message chiming]

Wearing a red and black
checked jacket.

What are the chances?

Come on, that's ridiculous.

[intense music plays]

[man] Hey! Get back here.

[Saj] Wanna know
the craziest thing?

He actually used to be
a DI in the Met.

Sorry, sorry. Thank you, sir.

I poured you a glass of wine,

but you took so long,
I drank it.

[police sirens wailing]

[officer] Right,
you guard the platform.

You two, watch the back doors.

Make sure everyone
gets off the front.

[indistinct murmuring
and chatter]

Is that him?

Now, keep every door locked
bar this one.

I'm gonna need everyone
out onto the platform, please.

That's everyone out,

via the front doors
of Carriage A only.

Right, ladies and gentlemen,
you heard the man.

Onto the platform,
quick as you can, please.

That includes
whoever's in there.

[man on phone] Hello?

Can I get a cab for
Motherwell Station, please?

- [man] Motherwell Station?
- [police radio chatter]

About 20 minutes?

Is that okay?

H-Hello?

Is that okay?

[knocking on door]

[Billy] We're going to need you
to get off, please.

You need to use the door
at the far end

of the front carriage.

Right, they're at Motherwell.

Police Scotland officers
are present

and engineer's a couple
of minutes away.

Okay.

Er, but there are now
reports coming in

of signalling problems
in quite a lot of places.

The rail network's in meltdown.

Are you still moving, Abby?

Yes.

Yes, ma'am.

I'll be there shortly.

Where's Draycott?

We have what appears
to be coordinated attacks

on completely separate systems.

We need to speak
to the minister.

Erm, we have located her.
She's on a train, too.

[Abby] Well, get her off it.

We would, but she seems
to be out of coverage.

Hang on,
the Transport Secretary

is on a train?

Yeah, apparently.

She's out of coverage?

Yeah.

Do we know what train it is?

[knocking on door]

Yes?

[Billy] We're going to need you
to get off, please.

There's a problem
with the train.

Leave via the front door
of Carriage A.

Assemble on the platform.

Thank you.

There's no way
I'm going out there.

One picture of me
stuck on a platform

in the middle of nowhere
next to an unreliable train,

and I'm viral again.

Let me see what I can do.

[tense music plays]

[indistinct murmuring
and chatter]

[police radio chatter]

[grunting]

Oh, Jesus Christ!

Ow!

[video game sounds]

[train powering down]

If you could just
leave your luggage

and follow me, please?

Will we be able to get back on?

I don't know,
but if you could please just--

Can you please
do your job and find out?

Do we need to empty our cabins?

Er, no. No,
but if you could please just...

My father-in-law has got
important medication in there.

My dad's not really
well enough to be on here,

but he used to drive this train.

I think you can make
an exception.

Look, I'm sorry.

We can't put him
out in the cold.

Ignore them, they don't know

what they're talking about.
I'm fine.

- Please, please.
- Would you get off me?

I don't need your hand,
or anybody else's hand,

permanently attached
to my elbow!

Look, he is gonna
have to get off.

I'm gonna need to speak
to the train manager, then.

This is ridiculous.

Do you want us to go down there?

Erm, yes, yes.

Well, you're gonna have to
remove the kitchen

and half the chairs,

'cos that carriage
isn't accessible.

Erm... Yeah.

I'll get off

only when there's another train
to get onto.

[Abby] Come on, come on.

Ian, fella says there's
a problem with the comms.

Did you not think
it was strange

no one had spoken
to you since Glasgow?

Excuse me.

Could you just
keep moving, please? Thank you.

I couldn't get through to you.

Cowlairs couldn't get through
to either of us.

It's about my dad.

I don't care
if it's about my dad. Off!

Ian, you need to open door five.

No, one only!

There's a woman in a wheelchair.

I've spoken to them twice.

What?

Cowlairs.

No, you haven't!

I've spoken to somebody.

Our father is
not well enough to--

Everybody's leaving!

You don't understand!

Hey, come on.

Sorry, sorry, sorry.

Turn around! Don't resist!

I said I'm sorry!
It was an accident!

Come on.

Please, have you seen my boy?

I have to stay on the train.
My dad's not well.

I need to stay on the train.

Any good on that?

What's your favourite course?

Mine's... Mine's the water park.

Mine too.

[Billy] Excuse me.
Er, everybody off

via Carriage A, please.

Please leave your luggage
where it is

and make your way
to the front of the train.

Delay compensation is available
on the Heart of Britain website.

Thank you.

You need to leave
the train, sir.

I have to get my phone.

- Leave that to us.
- I really need it back.

Excuse me, madam.
Excuse me, madam.

Can you just leave your luggage
where it is?

Could you please make your way
to the front of the train?

Thank you very much.

[tense music building]

Hey.

I think
we've been looking for you.

Anyone else in there?

Make your way along.

Your mum's waiting
for you on the platform.

Go up to the front of the train.

Just let me get my console.

[police on radio]
Urgent assistance

needed on platform.

[Kyle] Wait, it was an accident!

[sirens wailing]

[Rachel] Come on.

Is this absolutely necessary?

I'm afraid it is, madam.

[Yas] Ian, the wheelchair.

Where are you going?

To get my things.

Get right back from that door.

But you have to open
an accessible door!

You see, this is
a very delicate situation.

What is?

For the Minister for Transport.

Twitter is not her friend.

[Yas] Ian.

Get the ramp.

- Excuse me, are you the husband?
- Yep.

[Ian] My colleague's
getting a ramp for your wife.

We will open
another door for her.

[machine beeping]

Right, you need to
get off, mate.

So do you.

Right, come on then.

Why's it not opening?

I dunno.

[machine beeping]

[train powering up]

[train engine starts]

[banging on door]

Hey. I said to keep
the doors closed.

- [Mouse] Was that you?
- No.

Mouse!

[machine beeping]

- Mouse!
- Mum!

Mum!

- Open it.
- [Joe] I'm trying.

It's not opening.

- I'll be right back.
- She's getting the ramp.

- Mum!
- [buzzing]

[passengers clamouring]

Mum!

- No!
- Mouse.

[Mouse] Mum!

- [Lindsey] Stop the train.
- Yes, I'm--

[Mouse] Mum!

[Joe] Hold on!

Mum.

[Joe] Move!

Get behind!

Mum!

- Mouse!
- Mum!

Andy!

[music intensifies]

Hey. Hey!

[Lindsey] Mouse!

Move.

[beeping]

No! No, Mum!

Mouse!

[Lindsey crying]

[calm music]

Where is everyone?

[Abby] Well?

Saj, I'm off
the Gatwick Express.

Give me an update.

Saj?

They're saying
it's left the station again

with some passengers
still onboard.

What?

But without the driver.

Any driver.

- [phone ringing]
- Abs.

Abs, we have
a hostage situation.

What is this?

I have no idea,

but every train across
the country stops right now.

[Meg] Abs.

- Abby?
- What?

Look.

[announcer on Tannoy]
Passengers are reminded that

my name is... The Driver.

[announcer on Tannoy 2]
Passengers are reminded that

tonight I am in control.

[announcer on Tannoy]
Passengers are reminded that...

[phone ringing]

It's Joe.

My name, it's Joe,

and I'll help you.

I will, but you're gonna
have to help me too.

Why would I possibly do that?

I mean, how can I trust you?

[announcement]
Tonight, I am in control.

What else you got?

[theme music playing]