Original subtitles

--Captions by VITAC-- www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS, LLC

Narrator: TODAY ON "HOW IT'S MADE"...

BUMPERS...

...LIGHTING GELS AND CAMERA FILTERS...

...STEAM-POWERED MODELS...

...AND CANDY CANES.

WITH ALL THE ATTENTION WE PAY TO OUR CAR'S HIGH-TECH PARTS,

IT'S EASY TO OVERLOOK THE IMPORTANCE

OF A VEHICLE'S BUMPERS.

ABOUT 80% OF CAR ACCIDENTS ARE FRONT OR REAR COLLISIONS.

THE BUMPER IS DESIGNED TO ABSORB THE FORCE OF THE IMPACT,

MINIMIZING DAMAGE IN LOW-SPEED COLLISIONS.

BUMPERS CAN BE MADE OF PLASTIC, FIBERGLASS, ALUMINUM, OR STEEL.

THIS COMPANY MAKES STEEL BUMPERS.

THEY START OUT AS BLANKS,

STEEL SHEETS JUST 8/100 OF AN INCH THICK.

THESE ARE EN ROUTE TO BECOMING TRUCK BUMPERS.

A ROBOT FEEDS EACH BLANK THROUGH A SERIES OF SEVEN TO NINE DIES,

DEPENDING ON THE BUMPER MODEL.

EACH DIE STAMPS THE BLANK INTO A PARTICULAR SHAPE,

USING SOME 2,000 TONS OF FORCE.

THIS PROGRESSIVELY FORMS THE BLANK

INTO THE FINAL BUMPER SHAPE.

BOTH THE FRONT AND REAR BUMPERS GO THROUGH THE SAME PROCESS,

ONLY WITH DIFFERENT DIES.

THE BUMPERS NOW TRAVEL TO THE NEXT PRODUCTION AREA,

WHERE A WORKER CLAMPS EACH ONE ONTO A SPECIALLY DESIGNED CART.

AT THIS POINT, THE FACTORY PAINTS CERTAIN MODELS.

THESE BUMPERS WILL GET CHROME PLATING.

BUT FIRST THEY TRAVEL THROUGH A SERIES OF BUFFING WHEELS.

THE BUMPER SURFACE MUST BE IMPECCABLY SMOOTH

BECAUSE THE CHROME FINISH

MAGNIFIES EVEN THE TINIEST FLAWS.

A COMPUTER-GUIDED CRANE STACKS THE BUMPERS

AND MANEUVERS THEM THROUGH THE CHROME-PLATING PROCESS.

FIRST IT SUBMERGES THE BUMPERS IN SEVERAL CLEANING TANKS

TO REMOVE ANY RESIDUE LEFT ON THE SURFACE

FROM PREVIOUS OPERATIONS.

THE COMPANY WON'T DIVULGE WHAT CHEMICALS IT USES

TO CLEAN THE STEEL

BECAUSE THIS SURFACE PREPARATION

IS THE SECRET TO FIRST-RATE METAL PLATING.

THE FIRST PLATING TANK APPLIES A COAT OF NICKEL

TO PROTECT THE STEEL FROM CORROSION.

THE NEXT TANK APPLIES THE CHROME LAYER.

THE FACTORY USES THE STANDARD ELECTROPLATING PROCESS.

IN A WATER-AND-CHEMICAL-FILLED TANK,

THE PLATING METAL PARTICLES GET A POSITIVE CHARGE

WHILE A NEGATIVE CHARGE RUNS THROUGH THE BUMPERS.

THIS MAGNETICALLY DRAWS THE PARTICLES ONTO THE BUMPERS

IN AN EVEN LAYER.

AFTER A THOROUGH RINSE, THE BUMPERS ARE INSPECTED.

WORKERS SCRUTINIZE THE CHROME-MIRROR FINISH

UNDER HIGH-INTENSITY LIGHT.

MEANWHILE, THIS MACHINE PRESSURE INJECTS MOLTEN PLASTIC

INTO VARIOUS MOLDS.

A BUILT-IN COOLING SYSTEM

HARDENS THE PLASTIC WITHIN SECONDS.

THEN OUT COMES THE PLASTIC COMPONENTS

THAT ATTACH TO THE BUMPERS.

ONE OF THOSE PLASTIC PARTS IS THIS STEP PAD

THAT COVERS THE TOP OF THE REAR BUMPER.

ONCE THE PAD'S IN PLACE,

A WORKER ATTACHES A BUILT-IN TRAILER HITCH.

STEEL MOUNTING BRACKETS

HELP STRUCTURALLY REINFORCE THE BUMPER.

THE FRONT BUMPER GOES DOWN A DIFFERENT ASSEMBLY LINE.

A WORKER ATTACHES A PLASTIC TRIM

THAT HANGS DOWN JUST BELOW THE BUMPER.

ITS AERODYNAMIC SHAPE HELPS DIRECT AIR FLOW

TO THE ENGINE COMPARTMENT.

NEXT, FOUR STEEL REINFORCING BRACKETS

THAT WILL ATTACH THE BUMPER TO THE TRUCK'S FRAME.

AND, FINALLY, THE LICENSE-PLATE HOLDER...

AND FOG LAMPS.

WORKERS TIGHTEN ALL THE BOLTS TO A SPECIFIED TIGHTNESS.

THIS ENSURES THAT THE BUMPER AND ITS MOUNTING BRACKETS

WILL ADEQUATELY ABSORB THE FORCE OF THE COLLISION.

WHENEVER A NEW MODEL GOES INTO PRODUCTION,

THE FIRST FEW BUMPERS OFF THE LINE

GO THROUGH A BATTERY OF TESTS

TO PROVE THEY CAN WITHSTAND STRESS, VIBRATION,

AND A CERTAIN DEGREE OF WHAT ENGINEERS CALL CRASH ENERGY.

OTHER TYPES OF BUMPER SYSTEMS USE A COMBINATION OF SPRINGS

AND ENERGY-ABSORBING MATERIAL, SUCH AS PLASTIC FOAM.

WITH EITHER METHOD,

THE GOAL IS FOR THE BUMPER TO ABSORB THE IMPACT.

IN A LOW-IMPACT CRASH,

THIS SHOULD IDEALLY CONFINE THE DAMAGE TO THE BUMPER ITSELF,

LEAVING THE HEADLIGHTS, THE ENGINE,

AND THE DRIVER UNSCATHED.

UP NEXT, SOME COLORFUL PRODUCTS

THAT SET THE STAGE IN A WHOLE NEW LIGHT.

Narrator: GELS AND FILTERS

CAN TURN A BAD SCENE INTO A BEAUTIFUL ONE.

THEY'RE USED IN THEATER PRODUCTIONS

TO ENHANCE THE MOOD ON STAGE.

THEY'RE ALSO USED IN FILM AND PHOTOGRAPHY

TO ADJUST COLOR TEMPERATURES FROM DIFFERENT LIGHT SOURCES.

THESE LIGHTING GELS CAN MAKE ANY SCENE TAKE ON A DIFFERENT MOOD.

THEY'RE CALLED GELS BECAUSE THEY USED TO BE MADE OF GELATIN FILM,

BUT TODAY THEY ARE MADE OUT OF TRANSPARENT POLYESTER.

THE PROCESS BEGINS

WITH A MIX OF SOLVENT, DYE, AND FLAME-RETARDANT CHEMICALS.

THIS PRODUCES A COLORED LACQUER.

A WORKER TESTS THE LACQUER'S THICKNESS

BY POURING IT INTO A BRASS CUP WITH A HOLE IN THE BOTTOM.

AS THE LACQUER DRAINS OUT OF THE HOLE, IT'S TIMED.

IF IT FLOWS TOO QUICKLY, THE LACQUER IS TOO THIN,

AND IF IT DRAINS TOO SLOWLY, IT'S TOO THICK.

A STEADY FLOW

MEANS THE LACQUER MIX IS THE PERFECT CONSISTENCY --

ABOUT AS THICK AS ENGINE OIL.

A SAMPLE OF EVERY BATCH UNDERGOES THIS TEST

BECAUSE THE LACQUER'S CONSISTENCY IS CRITICAL.

IF THE FACTORY DOESN'T GET IT RIGHT,

IT WON'T BOND TO THE CLEAR POLYESTER.

WITH THE LACQUER PREPARED,

WORKERS LOAD THE POLYESTER FILM INTO THE COATING MACHINE.

A BIG ROLLER SOAKS UP LACQUER FROM A TRAY BELOW

AND SPREADS IT ON THE FILM.

A THIN BAR ON THE ROLLER EVENS THE SPREAD

AND SCRAPES OFF THE EXCESS.

THE LACQUER DRIES IN SECONDS.

EVERY PRODUCTION RUN OF THE SAME COLOR

HAS TO PRECISELY MATCH THE LAST,

SO INSPECTORS REGULARLY TEST THE LACQUER'S HUE

ON SWATCHES OF CLEAR POLYESTER.

IF GEL COLORS ARE EVEN SLIGHTLY MISMATCHED,

USING THEM TOGETHER WILL MAKE FOR A PATCHY-LOOKING JOB.

DIFFERENTLY COLORED GELS CREATE DIFFERENT EFFECTS.

THIS ORANGEY RED ONE WILL WARM UP DAYLIGHT

TO LOOK MORE LIKE INDOOR LIGHTING.

NOW, IN A TEST, A GEL SWATCH IS HELD OVER A FLAME.

THE GEL BURNS BUT NEVER CATCHES FIRE --

PROVING THAT THIS BATCH IS READY FOR THE HOT LIGHTS

OF A MOVIE SET.

OVER AT ANOTHER STATION,

THEY'RE WORKING ON A DIFFERENT SORT OF COLOR-CHANGER --

A FILTER THAT GOES ON A CAMERA LENS.

A SPECIAL SHEET OF OPTICAL PLASTIC

IS DIPPED IN HOT WATER AND DYE.

THE HOT WATER OPENS THE PLASTIC'S PORES,

ALLOWING THE DYE TO PENETRATE.

WHEN THE PLASTIC COOLS,

THE COLOR WILL BE TRAPPED INSIDE.

THE LONGER THE PLASTIC STAYS IN THE DYE BATH,

THE DEEPER THE COLOR.

SOME SHEETS ONLY GET PARTIALLY DYED.

THEY'LL BE TURNED INTO FILTERS

THAT AFFECT ONLY HALF AN IMAGE'S EXPOSURE.

FILTERS MADE FROM A RANGE OF COLORS

WILL HELP THE CAMERA'S EYE

DO WHAT THE HUMAN EYE DOES EFFORTLESSLY --

ADJUST TO DIFFERENT LIGHTING CONDITIONS.

THE COLORED SHEETS ARE SHEATHED IN THIN PLASTIC.

THIS PREVENTS SCRATCHING AS THEY'RE CUT TO SIZE.

THESE CAMERA FILTERS ARE NEARLY DONE.

ALL THAT'S LEFT IS FOR THE INK-JET PRINTER TO BRAND THEM.

A SIMILAR TYPE OF PRINTER

GIVES THE LIGHTING GELS THEIR TRADEMARK STAMP.

AND NOW IT'S TIME TO WRAP THINGS UP.

A CARDBOARD CORE SLIDES INTO A MACHINE

THAT WINDS THE FINISHED GEL SHEETS ONTO IT.

THEN A PNEUMATIC RAM PUSHES THE ROLL OF LIGHTING GEL

INTO A PLASTIC BAG.

NOW THESE FILTERS AND GELS ARE READY TO SHOW LIFE

IN THE BEST LIGHT POSSIBLE.

WHEN WE RETURN,

MAKING TINY MODELS THAT ARE A BLAST FROM THE PAST.

Narrator: WHEN FACTORIES BUILD LIVE STEAM MODELS,

THEY'RE RECONSTRUCTING HISTORY.

THESE WORKING STEAM MODELS TAKE US ON A NOSTALGIC JOURNEY,

AND THEY'RE FUN FOR HOBBYISTS OF ALL AGES.

ADD A LITTLE WATER...

LIGHT SOME FUEL FOR THE BOILER...

AND IT'S FULL STEAM AHEAD

FOR THIS MINI REPLICA OF A 19th-CENTURY ROAD LOCOMOTIVE.

PRODUCTION STARTS WITH THE BOILER.

A HYDRAULIC PRESS REPEATEDLY PUNCHES A PIECE OF BRASS,

STRETCHING THE BRASS CAP INTO A CYLINDER.

IT'S A PROCESS CALLED DRAWING,

AND IT ALSO STRENGTHENS THE METAL.

A FLAT PIECE OF BRASS IS TRANSFORMED INTO A CYLINDER

IN ONLY A FEW MINUTES.

NEXT THE ENDS OF THE CYLINDER ARE TRIMMED.

SOLDER PASTE IS BRUSHED ONTO A BRASS CAP

AND SLOTTED INTO A HOLDING DEVICE.

PASTE GOES ONTO ATTACHMENTS INSIDE THE CYLINDRICAL BOILER.

THEN THE BOILER AND CAP ARE PRESS-FITTED TOGETHER.

THE CAP BOILERS TRAVEL THROUGH A FURNACE,

WHICH MELTS THE SOLDER PASTE, FUSING THE CAPS TO THE CYLINDER.

WORKERS POLISH THE BRASS TO GIVE IT A NICE SHEEN.

THEN THEY SOLDER COPPER PIPES TO THE BOILER.

THESE PIPES WILL EXPEL THE STEAM

AS IT POWERS THIS LITTLE LOCOMOTIVE.

NEXT UP -- TRIMMING THE FLYWHEEL,

WHICH HAS BEEN PRECAST.

THE FLYWHEEL WILL SMOOTH OUT THE ENGINE'S FIRING IMPULSES

SO THAT IT RUNS MORE EVENLY.

THE FLYWHEEL IS TIGHTLY SCREWED TO THE CRANK SHAFT.

WORKERS CHECK THE SLIDING ACTION OF THE PISTON AND ITS CYLINDER.

THEN THEY ATTACH THE ASSEMBLY

TO THE ENGINE FRAME AND THE CRANK SHAFT.

LUBRICATING THE PISTON ASSEMBLY ENHANCES ITS SLIDING ACTION.

USING COMPRESSED AIR,

WORKERS MAKE SURE THE ENGINE FUNCTIONS AND HAS NO LEAKS.

ONCE THE MODEL PASSES THE TEST,

IT GETS ITS FRONT STEERING MECHANISM.

THIS WILL CONTROL THE MODEL'S FRONT WHEELS

WHILE THE BACK WHEELS POWER IT FORWARD.

STEAM MACHINES ARE USUALLY REAR-WHEEL DRIVE.

A WIRE CALLED THE DRIVE BAND TRANSFERS THE ENERGY

FROM THE FLYWHEEL TO THE REAR WHEEL.

THE STEAM MODEL

IS HOOKED UP TO THE COMPRESSED AIR TANK ONCE AGAIN

FOR A FINAL TEST RUN.

AND IT LOOKS LIKE THIS MODEL IS READY FOR SOME ACTION.

ALL IT NEEDS IS A CANOPY TO PROVIDE A LITTLE SHADE.

A RIBBED DESIGN IS PUNCHED INTO A LITTLE STEEL ROOF.

AFTER IT GETS A NICE PAINT JOB, IT'S ATTACHED TO THE MODEL.

PRODUCTION ON THIS TINY TREASURE IS NOW COMPLETE.

THIS MODEL WILL ALSO TAKE YOU BACK IN TIME,

BUT IN HIGH STYLE.

IT'S A LUXURY TOURING CAR.

WORKERS INSTALL THE PISTON CYLINDER ASSEMBLY

A LITTLE LOWER ON THIS ROADSTER AND FIRE IT UP.

EACH OF THESE MINI STEAM MODELS IS A TRIBUTE TO THE ORIGINAL

AND GIVE US ALL A GLIMPSE

INTO THE COLORFUL HISTORY OF TRANSPORTATION.

COMING UP...

TURNING SUGAR INTO ONE OF OUR FAVORITE HOLIDAY TREATS.

Narrator: IN THE 17th CENTURY,

A GERMAN CHOIRMASTER

HAD SOME SUGAR STICKS BENT INTO SHEPHERD'S CROOKS

AS A SPECIAL TREAT FOR HIS CHOIR.

AND THAT'S HOW THE CANDY CANE IS BELIEVED TO HAVE BEEN INVENTED.

BUT IT WASN'T UNTIL MORE THAN A CENTURY LATER

THAT THEY EARNED THEIR STRIPES.

TODAY CANDY CANES COME IN ALL DIFFERENT COLORS AND SIZES.

CANDYMAKERS START BY COOKING UP A BIG BATCH

OF SUGAR, WATER, AND CORN SYRUP.

NEXT, THEY PREPARE A MIX OF STARCH AND FLAVORING,

LIKE PEPPERMINT OR STRAWBERRY.

AS THEY BLEND TOGETHER,

THE FLAVORING BINDS TO THE STARCH.

THE FLAVORING MIX

IS EMPTIED INTO THE MIDDLE OF A SYRUPY SLAB.

THEN THE WHOLE THING IS FED INTO A MACHINE

THAT FOLDS THE BATCH REPEATEDLY USING SHOVELS AND A PLUNGER.

THIS DISTRIBUTES THE FLAVORING EVENLY.

COLD WATER IS PIPED INTO THE SHOVELS AND THE KNEADING TABLE

TO COOL THE CANDY-CANE MIX

SO IT TAKES ON THE STIFFER CONSISTENCY

THAT'S NECESSARY FOR THE NEXT STEP.

NOW IT'S OVER TO THE AUTOMATED PULLERS.

THESE PULLERS STRETCH THE MIXTURE AROUND A METAL POST.

THIS ACTION AERATES THE CANDY, TURNING IT WHITE.

THIS BATCH WILL MAKE 3,200 CANDY CANES,

BUT THERE'S STILL A LOT MORE WORK TO BE DONE.

THE CANDY IS ROLLED INTO A FAT LOG,

WHILE HEATERS WARM IT UNTIL ITS PLIABLE ENOUGH TO SHAPE.

NEXT, STRIPS OF RED-COLORED CANDY ARE ROLLED OUT.

A WORKER STRETCHES AND FOLDS IT TO WIDEN THE STRIP.

TWO OF THE RED STRIPS ARE ARRANGED

ON EITHER SIDE OF THE WHITE CANDY.

IT WEIGHS 100 POUNDS,

SO IT TAKES TWO WORKERS TO TRANSFER IT TO THE NEXT MACHINE.

IT'S CALLED A BATCH ROLLER,

AND ITS CYLINDERS ROLL THE CANDY THINNER AND THINNER,

DRAMATICALLY REDUCING THE LOG'S DIAMETER

UNTIL IT REACHES CANDY-CANE DIMENSIONS.

A TORCH MOVES ACROSS THE CANDY TO KEEP IT PLIABLE.

THEN THE SUGARY BATCH TRAVELS BETWEEN WHEELS

THAT SLIM IT DOWN EVEN MORE.

THE ROPE OF CANDY MOVES FORWARD IN A WAVE-LIKE FASHION.

THIS GIVES IT SOME SLACK SO IT DOESN'T STRETCH

AS IT MOVES THROUGH THE NEXT SET OF WHEELS.

THE CANDY ROPE MOVES THROUGH TWO ANGLED BELTS THAT TWIST IT,

AND A CHAIN OF KNIVES CUT THE TWISTED ROPE TO CANDY-CANE SIZE.

THIS PRODUCTION HAS BEEN PERFECTLY CHOREOGRAPHED.

ONE MISSTEP, AND THE JOB WOULD HIT A SNARL.

HERE, A ROLL OF CELLOPHANE UNWINDS,

AND A DEVICE WRAPS IT AROUND THE CANDY STICKS.

A BLAST OF HOT AIR SHRINKS THE CELLOPHANE

ON THE ENDS OF THE CANES.

NOW IT'S TIME FOR THESE CANDY STICKS

TO GET THEIR SIGNATURE CROOKS.

THIS MACHINE, CALLED A CROOKER DECK, BENDS THE ENDS.

AN OVERHEAD BRACKET BRUSH GENTLY SECURES THE CANES

BECAUSE THOUGH THEY'RE PLIABLE ENOUGH TO BEND,

THEY'RE STILL FRAGILE.

THERE'S A CAMERA INSIDE THIS ROBOTIC ARM,

WHICH ALLOWS IT TO SPOT THE CANDY CANES ON THE CONVEYER BELT

AND PICK THEM UP TWO AT A TIME.

IT PLACES THEM IN CARDBOARD PACKAGES BY THE DOZEN.

IT TAKES ABOUT HALF AN HOUR TO MAKE A BOX OF CANDY CANES.

AND THEY'RE SURE TO COME TO A VERY STICKY END

IN EVEN LESS TIME.

IF YOU HAVE ANY COMMENTS ABOUT THE SHOW,

OR IF YOU'D LIKE TO SUGGEST TOPICS FOR FUTURE SHOWS,

DROP US A LINE AT...