Original subtitles

(rooster crows)

(ominous music)

(peaceful music)

(frantic music)

- Are you sure Frank knows where he's going?

This is the first time we've ever been around here.

- We ought to be near the river by now.

The maid at the hotel gave us directions.

- Well then we must be in trouble.

We left the hotel without paying our bill,

they'd be glad if we were lost.

Just many hotels have been robbed by us, Lucas?

- Stop talking such nonsense.

I especially gave the girl a tip when we left the hotel.

- A tip, Lucas?

After you told us you didn't have a single cent,

you went and tipped the maid.

And speaking of money, Lucas.

Where is our salary?

- I've got it.

- What? The money?

- Don't be impatient.

- I should never have asked.

- What an idea. Now listen to this.

Do you know what I'm talking about?

- No.

- I'm not surprised.

You should know by this time that when someone says

he has an idea, you see what I mean?

He has an idea in mind.

That means he's found a certain something.

Something like an inspiration, you know?

- You're so bright you just take my breath away!

- This is going to be the most sensational act in our review

believe me, now pay attention please.

The curtain goes up and reveals a scene

deep in the heart of the jungle.

You, Vera, are wandering through the forest in desperation,

worn out with fatigue, you're weak and about ready

to give up when the bushes at the rear of the stage part,

we see something horrible.

- You?

- A gorilla. A monster.

An enormous, murderous gorilla.

He grabs Vera, he picks her up and he's about to make off

with her but suddenly Erika, Ilona and Magda

do you appear on the scene dressed as wild savages.

- Hold on a second! Just a moment.

Where do I fit in?

- What's that?

- Where do I fit in?

- [Lucas] You? - [Katia] Uh-huh.

You're the gorilla.

- But, Lucas.

The audience won't be able to look at my legs.

You know they're my best feature.

Everybody looks at them. Even Frank looks at them!

Right, Frank?

(bus screeching)

Oh, excuse me.

Oh I'm sorry, is it my fault, Frank?

- What's wrong now?

- The road's blockaded.

(roaring thunder)

- Hey, what's happened?

- The road's blocked by a landslide.

You'd better turn around and go to the hotel back there.

- Oh great, they'd be delighted to see us.

- And where does that road lead?

- I wouldn't advise you to take it.

You can ask anybody and no one around here

would dare to go up that road.

- Why not? It seems to be in good condition.

- It's not the road that's dangerous.

You'd better turn around and go on back there.

- Oh what a night,

this road must lead to somewhere after all.

To a farm or a house or a shed of some kind.

- It leads to the castle of Kernassy

- Oh a castle, oh!

- Say, girls, did you hear that? It leads to a castle!

A real castle!

We're not gonna let a chance like that slip by.

It's decided.

Full-speed ahead to the castle of Kernassy, come on!

(roaring thunder)

- Ah look, there's a bridge.

- I see it. Do you suppose it's strong enough to hold us?

- It's hard to say.

But we'll know after we've tried it.

- Lucas! Look over there, there's a gate.

- Yes, that must be it.

Come on, everybody. We're on foot from here on in.

(howling wind)

Just our luck. It's locked.

- Why don't you shout? Somebody will come.

- With this wind I'm afraid I wouldn't be heard.

They're probably all asleep at this hour anyway.

- [Erika] Well what do we do now?

- [Lucas] How should I know?

- [Erika] Well we can't stay here all night, can we?

(gate creaking)

- Hey, Vera.

How did you know about that?

- I don't know.

I...

Somehow it just seemed natural.

- Natural?

Come on, girls. Let's not waste any time.

Follow me!

(howling wind) (roaring thunder)

Look there.

- Do you think they have a butler and everything?

- Don't talk nonsense.

- I just hope it'll have someone, it seems so

deserted and spooky around here.

- How exciting.

(animal barking) (Katia gasps)

Did you hear that?

- Let's go back, Lucas.

- What's the matter with you? It's just the dogs, look.

Look at Vera. She's going ahead.

She's not frightened.

There's nothing to be so scared about.

Now come on, girls!

(Katia whines)

(roaring thunder)

(Katia gasps) (suspenseful music)

- Lucas.

Lucas!

- What's the matter?

Oh. Who are you? The caretaker?

- None of your business. You'd better get away from here!

- How do you like that?

Nobody seems to be very friendly tonight.

- Is anyone in the castle?

- No, no one. There's no one here at all.

- Look, Lucas.

- Oh, no one there, huh?

(knocking)

Hey girls, come on.

(knocking)

Please excuse us, we don't mean to disturb you,

but we were caught in the storm and the road is blocked.

We were wondering if you could put us up for the night.

- I can't imagine who would have told you

to take the road here.

We are not in the habit of receiving guests at the castle.

- I already told them to get out of here.

You heard me now. Go on, get out of here quick.

- It's not for me to decide. Come in anyway.

- Come on, girls. Did you hear that?

Come along, come along.

(howling wind) (roaring thunder)

- What a beautiful place.

It's like a movie set.

- Hey Lucas, look at that table, will you?

I wonder if they'd let me do my high-kick specialty on it.

- I doubt it very much.

- Why not? It's artistic.

- Wait here, please.

- First time I've ever been inside a real castle.

- This place gives me the chills.

- Oh, everything gives you chills.

Why, you even had them when that old army colonel

sent you flowers to the theater.

- [Ilona] As a matter of fact, he was a general,

and nobody ever sent you flowers.

- [Erika] What do I care about flowers?

Anyway, they give me hay fever.

- Vera.

What are you doing now?

- [Vera] I, uh... - [Lucas] Huh?

- I was just getting a cigarette.

- And you knew they'd be in there?

(door opening)

- [Voiceover] Good evening.

- Uh, I suppose that you are Count Kernassy.

I mean, the master of this establishment.

I mean, we are terribly sorry to have disturbed you

but we were surprised by the storm

and thought we might possibly--

- Perhaps you'd like refreshments

before resuming your voyage.

I'm sure my housekeeper will be happy to help you.

- As a matter of fact, we thought that you might be able

to put us up in your castle.

The furthest hotel is pretty near.

I mean, the nearest hotel from here is pretty far,

that's to say, well in brief it's difficult to return there.

We owe them some money and--

- I am very sorry.

It is not my custom to extend hospitality to strangers.

You will have to find some other solution.

- No, you've no right to turn us away.

It's not right.

We've been on the road for hours in an uncomfortable bus.

(dramatic music)

- Very well.

Mrs. Balasz, will you prepare rooms for our guests

and serve them something hot?

- Yes, sir.

- I must however request that you respect all the,

the regulations of this castle.

Once you have entered your rooms,

you should not leave them for any reason.

No matter what sounds you may hear.

And above all, do not wander about the castle

before daybreak.

This is a condition which I must insist on

if you want to stay here.

And now, goodnight. Sleep well.

- Frank, you'd better see about the bus.

- All right.

- This way, please.

(howling wind)

- Hey, Vera. Wake up.

- You know, I don't like that housekeeper

but I must say, she knows how to make good tea.

- Yes and it's good not to be worrying about

having to pay the bill.

- Mmm! A real castle.

Just imagine, Ilona.

So refined and elegant.

Wait to I tell everyone back home.

- What's so exciting about an old castle like this?

It's nothing but a museum.

- There you go complaining.

We might have spent the whole night outside

if we hadn't have found this.

Get a look at this.

Look what they've got here for an ashtray.

It looks like solid silver.

- There's something about this place I don't care for.

I don't understand why we have to remain

in our rooms all night.

What kind of strange, mysterious character

is this Count anyway?

- Why don't we just make an effort

and try to behave nicely for a change?

We're enjoying his hospitality

and I'd think we might appreciate it.

- You're right, Vera.

Try not to be more foolish than usual.

As for me, I hope that this bad weather lasts

as long as possible.

So we can all have free food and lodging.

- But what if the man on the road who warned us was right

about the castle?

There must be something to his story.

- Oh, you shouldn't listen to gossip like that.

For example, if you had experienced some society,

you'd be able to recognize a real gentleman.

After all, aristocrats are all a little bit eccentric.

If you want my opinion, the man is closely attached

to the old family traditions.

- Oh, Frank.

When you slammed on the breaks, it's 'cause you were

looking at my legs, weren't you?

But you wouldn't admit it, would you?

Hmph.

Say, you don't think he's married do you?

- Who?

- Who do you suppose? The Count, naturally.

- You wanna make advances. That really takes the prize.

The Countess Katia of the French can-can.

Opening night at the opera you'd be a sensation.

- Leave her in peace.

You go out of your way to torment Katia.

- Yes he picks on her because the poor kid's defenseless.

- You're a bunch of silly fools.

- (yawns) I'm beginning to feel tired.

Goodnight.

- Goodnight.

- Goodnight and sleep well, ladies.

We are most highly honored to welcome you here

beneath the roof of our glorious ancestors.

Thank you.

I'm sorry, I was only...

Goodnight.

(howling wind)

(roaring thunder)

(thunder clap)

(howling wind)

(booming thunder)

(suspenseful music)

- It's you.

- I beg your pardon. I didn't mean to frighten you.

- What do you mean?

Just what are you doing here?

- I wanted to see you.

- To see me?

Doesn't it seem rather odd to be outside

peeking through the window of a bedroom at this hour?

- You're probably right.

Yes, my actions may seem odd yet in spite of that,

the fact is that the presence of guests in the castle

of my family is such an unusual event that I may behave

as though I were by myself and in solitude.

- Oh, I am sorry.

I didn't mean to offend you.

And I understand how you must feel.

We are imposing on you after all.

- No, don't say that.

I...

It's difficult for me to explain, but if I've decided

to let you all stay it's only because of you that I did so.

It was only for your sake.

- That's surprising. You only saw me a few minutes.

Why are you staring at me like that?

- Please excuse me, you seem different from all the others.

- Don't you think that that's an excessively conventional

approach for a man like you?

- Who are you?

- I'm just an ordinary girl.

In any case, you may call me Vera.

- What brought you here? Why did you come to this castle?

Where do you come from, Vera?

- Well, we were in a place on the other side of the hill.

I don't know the name, but the road was blocked and so--

- I know, but I meant to ask about your family.

- Oh, my family tree begins and ends with me.

My parents died when I was small and there's just myself.

The story is commonplace and uninteresting.

- You should leave here as soon as possible, Vera.

Before anything happens to you.

At the very first thing tomorrow morning,

you should plan to leave immediately after dawn.

- Why? What's the matter with you?

- Nothing. Don't ask any more questions.

I beg of you to make your departure the first thing

tomorrow morning, please.

And now you must really excuse me.

I will see you in the morning.

- I hope the next time you wanna see me,

you'll come through the door.

It would be so much simpler.

(thunder clap)

(howling wind) (roaring thunder)

- Do you mind if I stay with you a little?

I can't seem to fall asleep.

It must be the storm that's making me so nervous.

What were you talking about just now?

Oh, I don't mean to be curious.

I was awake and I saw you from my window.

- Nothing in particular.

He seemed upset about something.

But I don't know what.

I think he feels a bit lonely here.

- I think he's fascinating, you know?

All my life I wanted to meet a guy like that.

Oh, Lucas is right, I guess.

When I talk it always comes out wrong.

You know, Vera, there's a shower.

I think I'll go and take one.

I never would have thought that a castle would have

modern plumbing. (giggles)

- It might be wiser if you would follow instructions.

Don't go too far.

- Oh, that's nonsense.

A shower will be good for my nerves.

It's a bit chilly. May I borrow your coat for a minute?

- Of course, take it but do hurry.

- What do you think of it?

Might be an idea for our next review, huh?

Well, if there is a next one.

I'll be right back. So long!

(thunder clap)

(ominous music)

(cat meowing)

- Here, kitty.

Come here, kitty.

Where are you?

(cat meowing)

(gasps) (dramatic music)

(frantic music)

Help! Help!

Open the door!

Help!

(suspenseful music)

(dramatic music)

No.

No!

No.

(screams)

- Katia, Erika, where are you?

What's wrong with you? Why are you crying?

- It's awful!

- Erika!

Magda, Ilona, Vera.

(howling wind)

My God.

- She's dead.

- How did it happen?

- She must have fallen from one of the windows of the tower.

Perhaps in the dark she missed her footing.

She was always too curious for her own good.

- Well, this is all we needed.

As if we didn't have enough headaches.

Why did she have to disobey orders

and wander through the castle like that?

- She wasn't the most intelligent girl I ever met

but she was an awfully sweet girl.

- We must get away from here as quickly as we can.

Let's leave here right now. This place is a curse on us.

- Don't be silly, Magda.

- I just can't stand it.

- What are we going to do?

(howling wind)

We've got to do something.

- Poor Katia.

- [Kernassy] What happened?

- She fell out of a window. She's dead.

- It's a most unfortunate accident.

It should never have occurred.

Especially since I warned you all yesterday.

Certain parts of the castle are very dangerous.

Take her inside.

- What do you want?

- We ought to bury her.

- You keep quiet. The Count will decide that.

- The dead should have peace.

- That's enough.

And see that no one ever enters the castle.

- I would like to tell you of my heartfelt sorrow

and ask you to believe and accept the expression of my

profound sympathy for what has just occurred.

First of all, if you recall, I made a point of asking you

to obey our regulations and to stay in your rooms

no matter what happened after dark.

That unfortunate girl has paid a high price

for her disobedience.

- I just don't understand it.

- What don't you understand?

- Nothing. Nothing at all.

- Well I think we ought to notify the authorities

about the accident, don't you?

- You're quite right.

But I regret to inform you,

at this moment it is quite impossible.

- And why is that?

- I just learned a short while ago that the river is rising

and has carried away the bridge which leads to the highway.

And as a consequence you are practically forced

to remain here under my roof.

- Are you saying it's impossible for us to leave here?

Even if we want to? - [Kernassy] I'm afraid so.

There's really nothing I can do about it.

- No. I don't think I can spend another night in this place.

- Now let's not exaggerate, the death of Katia

has given us a shock, that's all.

It's Frank that we should be thinking about. Huh?

- Don't worry about me.

We must make arrangements for her burial.

That's the first thing.

Then we ought to investigate her death a little further.

- Then if you like, I'll go ahead and make arrangements

for digging the grave.

Excuse me.

I'll see you all later on.

(howling wind)

(dramatic music)

- Well I think that one of us should say

a few words of farewell.

- For the first time in my life--

- The words have no importance, really.

What counts is sentiment.

- After all, words are inadequate.

- She was good, really good.

- To me she was always loyal.

I remember I had a boyfriend who wanted

to go out with her and she--

- Never mind.

She was a faithful friend, a heart of gold.

She'd be glad to know how we appreciated her.

And every single one of us, we loved her.

- Yes, that's the way all of us feel.

- Amen.

All right, girls, let's get back to the castle.

Looks like it might rain any minute.

Vera, aren't you coming with us?

- Yes, I'm coming.

(jaunty piano music)

- [Lucas] All right, let's go.

One two three four.

One two three, come on, Magda!

Put a little life into it!

And you, don't clump around like a mule.

Get a little grace!

You're dead on your feet.

One two three four.

One two three four.

One two three four.

One two three four.

One two three four.

- Erika, go on. This is a good moment for it.

- Play me a blues will ya, Frank?

- Hey, what are ya doing?

(bluesy piano music)

- [Frank] What's the matter? You don't approve?

I suppose you'd rather hear Chopin's funeral march.

- Well.

- Is something wrong, Mrs. Balasz?

- Well I must say you're spectacle is quite

a shocking exhibition, and you should be ashamed!

- Oh maybe so, but the girls have been very upset

as you know and this is the only way

to make them stop worrying about it.

You can believe me.

- I'll inform the Count.

- Don't bother, we've already gotten his permission.

- Well.

Okay! Let's go!

We've gotta get this number in shape, come on!

Come on, girls. (jaunty piano music)

Come on now.

Get with it.

On your toes, Erika!

- [Vera] I'd like to rest a little.

- Okay.

Okay, girls.

Put a little zip into, that's more like it.

Hoo, hoo, hoo, hoo.

Madga, please.

Why do you think they come to see the show, Madga?

Kick up, higher!

That's more like it.

(eerie music)

- [Kernassy] Are you surprised?

(romantic music)

- Who...

Who is she?

- Margherita Kernassy. One of my ancestors.

She lived here and died in 1785.

- [Vera] But it's-- - [Kernassy] Yes you're right.

The resemblance is extraordinary.

I noticed it when you first arrived in my castle.

- Was that why you wanted to know so much about me

when you came last night?

- That's the reason.

And for the same reason I wanted you to leave here

as soon as possible.

- [Vera] I don't understand.

There's something strange in your attitude towards me.

- Vera, I beg of you.

Don't ask me any questions.

Soon you will be far away and you will forget all this.

It's better that way.

- Tell me about Margherita, please.

Who was she?

What do you know about her life?

- Her story is a very sad one.

Her life was unhappy, as was her death.

Vera, I...

Vera, I wouldn't want you to have a false impression of me.

Solitude may have had an influence on my character.

I may appear strange to you,

but there is one thing I want you to know.

- What's that?

- I expected you.

I expected you to come to the castle one day.

It's ridiculous, I know.

In spite of that, whenever I looked at her portrait

I felt that Margherita was still living.

Alive, living perhaps as another person

but I knew her destiny was my destiny.

I know you think that I'm mad now. Forgive me.

- No.

You're wrong.

No, Gabor, you're sane.

I feel it.

I can't explain, it's beyond me,

but I just know it.

All that happens here is so very strange.

You waited for me so long you say.

And at the same time, you want to get rid of me.

It doesn't make sense.

- You mustn't try to understand.

You simply must believe in me.

Go far away from here, for remaining will only bring you

tragedy and nothing else.

- No, I can't believe that.

There's something in you that gives me

confidence and force...

Well, something that no other man has inspired in me.

I've lived a meaningless life.

One that's made absolutely no sense at all.

Touring around with second-rate company from town to town.

With you it's different.

It's as if I had always known you.

(romantic music)

As if all of your features,

and all your gestures were familiar to me.

- Now listen, Vera. I implore you to have confidence in me.

Go away from this castle. Don't wait to leave.

The Kernassys can bring only destruction.

Ruin and violent death!

- Gabor, please.

- Look at this coat of arms. It belongs to our family.

Look at it, Vera.

A coat of arms like any other, you think.

No, it's different, for this shield is marked by tragedy,

and with blood from generation to generation.

A damned race, Vera. Beyond salvation.

- Gabor!

- [Lucas] Vera, where are you?

- Coming, Lucas.

Just a minute, I'll be right there.

- [Lucas] We have to rehearse the samba.

- All right, I'm coming.

- I hope that you will forgive me.

(sorrowful music)

(footsteps)

(suspenseful music)

(howling wind)

(Vera gasps) (dramatic music)

- Who's there?

(gasps)

(suspenseful music)

Gabor!

Gabor, what are you doing?

What's the meaning of all this?

Where is Katia?

Gabor.

- What are you doing here at this hour?

- What?

Who dug up Katia's body?

- Get out of here, go on.

You have no business here.

- Zultan.

Go back to your post.

- But he was there. I saw him with my own eyes.

- I told you to go back where you belong.

Obey me.

- I want you to know that I've had

enough of these strange mysteries.

Katia's body's disappeared, somebody must have

removed her from her grave.

- You have a very serious fault, young lady.

You're much too curious.

I would advise you to be less curious,

otherwise you may be sorry.

- Is that so?

I shall speak to the Count about this tomorrow.

- You may do as you wish.

Goodnight.

(howling wind)

- Ah, good morning, everybody.

- Good morning.

- Well, what have we go for breakfast this morning?

- Tea and crumpets, Lucas.

- Ah!

- Crumpets? What crumpets?

- There aren't any left, are there, Frank?

- I see.

You're not out on the beach, you know.

You might at least dress for breakfast.

And your comedy with crumpets, very funny, very.

- I'm getting in the habit of eating again.

- He's right, it won't be long before we're

back on bread and stale salami.

- We have more serious matters to think about.

There's something weird going on around here.

- Yeah, it's your behavior.

- You're wrong not to take it seriously.

Have you already forgotten about Katia?

- If you want any crumpets, all you have to do is ask.

- From her? She takes my appetite away.

- Well she certainly is depressing.

I thought she'd burst into tears when she served us.

- Morning, everybody.

Where can I find the Count?

I must speak with him at once.

- Well, he's resting at the moment,

and I have orders not to disturb him.

- I'm sorry, I must see him.

- Just a minute.

If Vera wants to speak with the Count,

she must have a good reason,

and I assure you, you won't prevent it.

And now, would you mind bringing me

a few more crumpets, please?

- Gabor?

Gabor?

Gabor, where are you?

(boiling liquid)

(gasps)

(dramatic music)

(gasps)

Katia.

(screams)

- Vera!

Vera!

Pull yourself together!

You must stop this, do you hear?

I said, stop it at once!

- It's just too terrible. (sobbing)

- You can't go on like this. Don't get hysterical!

(Vera sobbing)

- What's Katia's body doing here?

Just what's the meaning of these awful things?

I beg of you, Gabor, tell me the truth!

(sobbing)

- It won't be easy to explain.

(Vera sobbing)

Strange things do happen in our lives, things which are

beyond our knowledge.

Even if we try, it's impossible for us to understand.

Things which go beyond our limitations

and which we hesitate to even to speak of to others.

- [Vera] But, Gabor-- - [Gabor] Listen to me, Vera.

I would have preferred not to tell you

of these horrid things but we cannot always do as we wish,

and I shall do all I can to make the truth

less painful for you.

But you promise not to repeat a word of this to a soul.

Not to a single person.

Will you give me your promise?

- I promise you, Gabor.

I have great confidence in you,

but I simply have to be told the truth.

- I appreciate that.

When you found the body of poor Katia, it must have been

a severe shock for you.

I should tell you I am the one who disinterred the body.

It's difficult to say this, but,

I'm afraid that your friend's death was

not just an accident.

- What do you mean?

- You'll have to remain calm.

I know you're a brave girl, Vera, please don't make this

any more difficult than it already is for me.

- I'll try not to, Gabor. Please go on.

- Vera, the human race is afflicted

with many evils and vices.

And certain of these have never been understood.

Even by the greatest scientists.

Of these, some are so ghastly and horrible,

that the average human mind refuses to believe

that they exist and rejects them as only superstitions.

And it's for this reason that for years,

I have been carrying on research on one of the most

terrifying of these evils.

- But what is it?

- An affliction which has hovered over

mankind for generations.

An evil unlike any other, it makes monsters out of men.

A diabolical force giving men

an insatiable thirst for human blood.

It's a malady that lends force to monsters who are immortal

and who take the blood from their prey.

- And what about Katia?

- She did not fall from the tower,

if that is what you thought.

Somebody murdered her.

- But why? It was the first time she came here.

She meant no harm.

- Perhaps she was the victim of a misunderstanding.

It may be because of the coat she was wearing.

- She was wearing my coat.

- I know that, and you see I was right to ask you

not to wander about the castle during the night.

- This is terrible.

I simply don't understand. Why is it me?

- Vera, don't ask me to explain it all to you.

It's a long story and I've been engaged for years

in a desperate struggle against obscure forces of evil,

and meeting you has given me new encouragement.

Your mere presence here has finally granted me

the inspiration I was seeking and renewed energies, Vera.

With your aid I am sure to succeed.

If you stand with me and if you will help me to, Vera.

- But Gabor, what can I do?

- Believe in me.

The strength of love is miraculous if you trust it.

You must believe what I say and above all repeat nothing

to anybody and you must tell nobody what I've just said.

It would only make things more difficult.

- I think that you're completely sincere, Gabor.

I'm sure of it.

I shall do as you ask me to.

I just hope that I can help you

and be of assistance to you.

Only...

Don't run away from me again.

As you did when you met me last night.

Outside in the garden.

- [Gabor] Last night?

- Certainly, Gabor. Don't you remember?

When I discovered the open grave of Katia.

- You mean you saw me last night?

- But Gabor, I don't understand.

- Vera, for the love of God, listen to me and do as I say.

During the day, you are not in any danger.

I swear it to you, Vera.

But when night begins to fall on the towers of the castle,

beware of the great danger, do not open your door

to anybody, to nobody.

Not even to me.

I beg of you, not even if you hear my own voice.

- What are you trying to say?

- I beg you, Vera. Say you'll promise me.

- Very well, Gabor.

I trust you.

- Goodnight.

(melancholic piano music)

- Now where the devil is that Frank?

Why doesn't someone go look for him?

- Ilona went to look for him. That was five minutes ago.

(melancholic piano music)

Hey, Lucas!

You know, this is real French Cognac.

- Uh-huh.

I've got a funny feeling that when we leave here,

there won't be a drop of liquor left.

- What are you trying to insinuate?

- I am not insinuating anything.

It's a fact, that's all.

- I looked everywhere, Frank has disappeared!

- He's disappeared!

- You're not up on the stage,

don't over-dramatize like that.

Did you look to see if he's upstairs?

- He's not in his room and not in

any of the other rooms either.

He's not anywhere in the castle.

- He must have gone out for a walk, that's all.

Don't worry, he'll turn up.

(upbeat piano music)

Oh, there's our ghost. (chuckles)

What did I tell you?

- Oh Frank, it's about time. We looked for you everywhere!

Where were you?

- I went out, to take a look at the river.

It's true. The bridge is destroyed.

The water is rising, and the whole region's flooded.

- Well I think we could do worse than be here.

- If you think that...

You're the only one who does.

I talked with the folks around here.

- [Lucas] Really?

I thought this place was deserted.

- They told me strange things about this castle.

- Oh, the castle again. This is getting repetitious.

- I know. It sounds like nonsense.

But facts speak for themselves.

- What do you mean? What facts?

- A young girl disappeared not very long ago.

Her people come from near here.

They found her body lying in a field not far from the river.

She was dead. (dissonant piano keys)

People say there are strange things going on in this castle.

They speak of a monster who goes wandering

in search of victims.

- Oh, really?

I've never believed in such stories.

They're for babies.

You're trying to frighten us with this stupid gossip.

- I'm not a superstitious person,

but there's a reason why everyone's afraid.

There must be something to it all.

Katia did not die by accident.

Someone pushed her and I'm convinced of it.

You probably think that I'm out of my mind,

but I assure you there's a murderer in this castle.

(melancholic piano music)

All right, but I'm sure I'm right

and I've sworn to get to the bottom of this mystery.

Perhaps I am wrong, but something tells me

we haven't seen the end of all this.

Something is going to happen. I feel certain of it.

- [Voiceover] Darling, why don't you listen to me?

You know I love you.

I love you more than life itself.

But you only make fun of me.

- [Voiceover] You're no longer interested in me.

Nor in my love!

And I know the reason why.

- [Voiceover] It's because you don't use Dandy Candy,

the vitamin toothpaste!

- Goodnight, sweetheart.

(door opening)

(howling wind)

(suspenseful music)

(dramatic music)

(panting)

- Why are you staring at me like that, Lucas?

You always liked me. At least, you said so.

I've come here to see you tonight,

because I want to be near to you.

I was always unfriendly to you.

Somehow you never used to be attractive to me.

(Lucas mumbling and chuckling)

Now I'm here, Lucas.

Talk to me as before.

Tell me--

- I, I, but I, I--

- Tell me you want me, Lucas.

(Lucas stuttering)

Come, Lucas.

Tell me you want me. (Lucas sobbing)

- Who screamed?

- It was Lucas. I recognize his voice.

- Lucas. Lucas!

Lucas! (Lucas mumbling)

Wake up! (Lucas mumbling)

What is it?

- Oh, he must have had a nightmare.

All that screaming for nothing.

- It was not a nightmare, it was true.

- What's wrong?

Now, come on, Lucas. You're acting like a baby.

- Tell us just what happened.

- Uh, Katia.

I mean, I saw her standing right in front of me!

- Oh, no.

Don't tell me you're dreaming about ghosts now, Lucas.

I'm going back to bed.

- Take a pill, Lucas.

You'll feel much better tomorrow morning, you'll see.

- Goodnight.

- You're right. I guess I had a bad dream, Frank.

Uh-huh, bad dream.

No.

- The Count has asked me to inform you that the road

is clear and the river can be crossed now.

There is another bridge. You may leave when you wish.

- Will I see the Count before I go?

- Yes, I think so.

(booming thunder)

(howling wind)

(suspenseful music)

(eerie music)

- [Voiceover] Margherita.

(footsteps)

(door creaking)

(door locking)

(Vera gasps)

- Open up!

(knocking)

Open up!

(bird chirping)

(wings flapping)

(wings flapping) (chirping)

(wings flapping) (chirping)

(chirping)

(chirping)

(wings flapping) (chirping)

(wings flapping) (chirping)

(ominous music)

(suspenseful music)

(gasps)

(whining)

(screams)

(panting)

(screams)

(mumbling)

- [Mrs. Balasz] Calm yourself, calm yourself.

You have nothing to fear.

- Where am I?

(gasps)

- Come now, don't be upset.

- I wanna go away!

- Of course, of course you do but not now.

For the moment you must rest.

You've been screaming and tossing all night.

- What did you say?

- You had a very high fever.

You were delirious all night long.

- All night long? But I--

- I don't know what you were talking about.

About a monster or something like that.

You must have a very vivid imagination.

You really must rest.

- Did you say I've been in bed ever since yesterday?

- Why, yes.

I haven't left you for a second.

I was at your side all night long.

- It's all so strange and frightening.

Where is Lucas?

And where are all the others?

- Outside. They got up early and went for a little walk.

They should be back soon, don't worry.

Now you must really rest.

I'll bring you tea later.

(door opening and closing)

(suspenseful music)

(dramatic music) (Vera screams)

(Vera screams)

No!

(screams)

(panting)

(dramatic music) (screams)

(panting)

(sobbing)

- [Gabor] Vera!

(frantic music)

- Why do you want her too?

Leave her alone.

- That's enough from you.

You have nothing to say.

- I don't want her here with us.

I won't let you have her. Let her go.

She doesn't belong here.

- Obey me, do you hear?

Take care of Gabor and be quick about it.

What do you want now?

- Send her away.

- No, you will never replace her because she's mine!

I have waited for her for years, do you understand?

I have waited for her ever since death robbed me of her.

(door creaking)

- You are mad!

She is not your wife.

Margherita is dead!

And she will never return.

For I have replaced her.

- No! Go away, do you hear me?

Get out of here!

You've no right to meddle in affairs

which don't concern you.

No one can take her from me!

I shall make her immortal!

- I'll stop you.

For I shall kill her!

(dramatic music)

No.

No, no.

No!

No!

No!

(growls) (dramatic music)

- Where have you hidden Vera?

- It's none of your business.

Go away.

- Listen to me.

You think that she belongs to you

and you have no right to think so.

- What you say is meaningless and idiotic, Gabor.

You're incapable of understand. It is she.

I know her. I shall give her immortality.

She belongs here with me.

Go away, Gabor, if you value your life.

- You mustn't be foolish.

You will destroy all my years of effort and research.

Listen to me, I can give you the peace you have searched for

for so many years.

I tell you I have found the formula I was looking for,

it's only a question of days, do you understand?

- No, your stupid hopes do not interest me at all.

Nothing which is mortal is able to interest me now.

Our two existences have nothing in common, Gabor.

You lead a life which is trivial and has no meaning

for you or for others.

You are ignorant of our sublime truths.

- But I am able to save you if you let me!

- Save me from what danger?

From something you vulgarly believe is a serious malady?

It's a magnificent achievement of the intellect

and the greatest joy known to mankind!

So now go away. I've listened to you too much.

- Don't you dare touch her.

I shall prevent you with all the strength of my being.

- You asked for it, Gabor!

(dramatic music)

(groaning)

(groaning)

(screams)

(eerie music)

(thud)

- Are you all right, master?

- You need no longer worry about me, Zultan.

It's all finished now.

- I'm glad, master. Glad for you and for the young lady.

- Mrs. Balasz.

Everything is all right now.

I would like to ask you to look after Vera.

- Yes of course, I shall be glad to.

Drink this, it will make you feel better.

- Thank you.

It was just horrible!

- Calm youself, Vera.

You mustn't be afraid.

Because, you see,

he's dead now.

I knew the day would come.

It was bound to happen sooner or later.

I have prayed each night for years.

My prayers were answered and happiness has returned.

Few realize the great force of true faith,

but the most powerful weapon against evil is prayer.

- So you knew even from the beginning?

- Certainly.

And believe me, life was difficult.

For Count Gabor was faced with a terrible moral decision.

For years he devoted all his strength to research

and experimentation.

And he had found a method by which he could make

the curse disappear forever.

But he did not have the courage

to pierce the heart of a member of his family,

even though he wasn't human,

because the Count would have considered it

a crime to kill him.

He couldn't make up his mind to do it.

- I feel sorry for him.

To think I even suspected him.

- Yes.

I know.

And my own position was a difficult one, as I told you.

I always had to keep an eye on Zultan,

and prevent him from entering the castle.

The poor fellow.

He had such affection for the Count that he swore

he would take justice in his own hands.

He would have killed the monster.

Well, how do you feel now?

- Better, thank you.

- So, what are you waiting for?

- What do you mean?

- Why don't you go and see the Count?

He's next door in his study.

He's torturing himself with feelings of guilt.

I know what he's feeling.

He's lonely.

Terribly lonely and he needs someone.

Someone who will help him forget.

He loves you, Vera.

Didn't you know that?

You really are a silly girl.

(chuckles)

I don't know why I'm wasting my time with you.

- Thank you.

(romantic music)

- Oh, Vera.

(birds chirping)

- Thank you.

Thank you, Zultan.

(romantic music)

- [Gabor] I still have a few matters to attend to

here in the castle and then I plan to sell it.

Afterwards I shall join you.

Wait for me, Vera.

Wait for me.

(frantic music)