All language subtitles for How Its Made S28E06 Potash and Wild Rice 1080p AMZN WEB-DL DDP2 0 H 264-SLAG_track4_[eng]

af Afrikaans
ak Akan
sq Albanian
am Amharic
ar Arabic
hy Armenian
az Azerbaijani
eu Basque
be Belarusian
bem Bemba
bn Bengali
bh Bihari
bs Bosnian
br Breton
bg Bulgarian
km Cambodian
ca Catalan
ceb Cebuano
chr Cherokee
ny Chichewa
zh-CN Chinese (Simplified)
zh-TW Chinese (Traditional)
co Corsican
hr Croatian
cs Czech
da Danish
nl Dutch
en English
eo Esperanto
et Estonian
ee Ewe
fo Faroese
tl Filipino
fi Finnish
fr French
fy Frisian
gaa Ga
gl Galician
ka Georgian
de German
gn Guarani
gu Gujarati
ht Haitian Creole
ha Hausa
haw Hawaiian
iw Hebrew
hi Hindi
hmn Hmong
hu Hungarian
is Icelandic
ig Igbo
id Indonesian
ia Interlingua
ga Irish
it Italian
ja Japanese
jw Javanese
kn Kannada
kk Kazakh
rw Kinyarwanda
rn Kirundi
kg Kongo
ko Korean
kri Krio (Sierra Leone)
ku Kurdish
ckb Kurdish (Soranรฎ)
ky Kyrgyz
lo Laothian
la Latin
lv Latvian
ln Lingala
lt Lithuanian
loz Lozi
lg Luganda
ach Luo
lb Luxembourgish
mk Macedonian
mg Malagasy
ms Malay
ml Malayalam
mt Maltese
mi Maori
mr Marathi
mfe Mauritian Creole
mo Moldavian
mn Mongolian
my Myanmar (Burmese)
sr-ME Montenegrin
ne Nepali
pcm Nigerian Pidgin
nso Northern Sotho
no Norwegian
nn Norwegian (Nynorsk)
oc Occitan
or Oriya
om Oromo
ps Pashto
fa Persian
pl Polish
pt-BR Portuguese (Brazil)
pt Portuguese (Portugal)
pa Punjabi
qu Quechua
ro Romanian
rm Romansh
nyn Runyakitara
ru Russian
sm Samoan
gd Scots Gaelic
sr Serbian
sh Serbo-Croatian
st Sesotho
tn Setswana
crs Seychellois Creole
sn Shona
sd Sindhi
si Sinhalese
sk Slovak
sl Slovenian
so Somali
es Spanish
es-419 Spanish (Latin American)
su Sundanese
sw Swahili
sv Swedish
tg Tajik
ta Tamil
tt Tatar
te Telugu
th Thai
ti Tigrinya
to Tonga
lua Tshiluba
tum Tumbuka
tr Turkish
tk Turkmen
tw Twi
ug Uighur
uk Ukrainian
ur Urdu
uz Uzbek
vi Vietnamese
cy Welsh
wo Wolof
xh Xhosa
yi Yiddish
yo Yoruba
zu Zulu

Original subtitles

--Captions by VITAC-- www.vitac.com

CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS

Narrator: TODAY ON "HOW IT'S MADE":

POTASH,

LEATHER BRACELETS,

WILD RICE

AND HEX KEY L-WRENCHES.

POTASH IS USED PRIMARILY AS AN AGRICULTURAL FERTILIZER.

IT'S EXTRACTED FROM UNDERGROUND BY EITHER CONVENTIONAL MINING

OR BY INJECTING HOT BRINE INTO THE FORMATION

TO DISSOLVE POTASH IN SALT CRYSTALS.

IT THEN PUMPS THE SOLUTION BACK UP

AND SEPARATES OUT THE POTASH IN SETTLING PONDS.

POTASH IS POTASSIUM CHLORIDE,

THE CHEMICAL COMPOUND KCL.

IT CAN BE PROCESSED INTO A GRANULAR AGRICULTURAL FERTILIZER

OR INTO A HIGHER GRADE PRODUCT FOR INDUSTRIAL USE.

AT THIS CANADIAN POTASH MINE,

THE DEPOSIT LIES JUST OVER A HALF A MILE UNDERGROUND.

THE ORE IS COMPRISED OF THREE MATERIALS:

KCL, CLAY AND SODIUM CHLORIDE,

THE CHEMICAL COMPOUND NACL,

BETTER KNOWN AS TABLE SALT.

THE BIG MACHINE MANUFACTURERS USE TO CUT THE FACE OF THE ROCK

IS CALLED A CONTINUOUS MINER.

IT HAS TWO ROTORS, EACH WITH THREE ARMS.

EACH ARM HAS SIX PAIRS OF BITS WITH CARBIDE TIPS

THAT GRIND THE FACE OF THE ROCK,

FLAKING OFF THE ORE.

THE ROTOR ARMS SWEEP THE ORE INTO THE MACHINE,

WHICH FEEDS IT OFF THE BACK ONTO BRIDGE CONVEYORS,

A SERIES OF CONVEYOR BELTS

THAT LEAD TO A MAIN CONVEYOR BELT.

MINERS FASTEN SHEETS OF POLYMER

TO THE ROCK ABOVE TO ERECT WALLS

WHICH DIRECT THE FLOW OF FRESH AIR

THAT'S PUMPED DOWN INTO THE MINE FOR VENTILATION.

THE BRIDGE CONVEYORS TRANSFER THE ORE TO A MAIN CONVEYOR.

AT THIS PARTICULAR POTASH MINE,

UP TO 10 MACHINES WORK

SIMULTANEOUSLY AT DIFFERENT LOCATIONS.

ALL THOSE MAIN CONVEYORS, NEARLY 22 MILES OF MOVING BELTS,

CONVERGE AT THE SKIP,

A GIGANTIC ELEVATOR BUCKET

WHICH HOISTS UP TO 49 TONS OF ORE AT A TIME

TO THE SURFACE AND DUMPS IT INTO A STORAGE BIN.

A CONVEYOR TRANSFERS THE ORE TO THE MILL FOR PROCESSING.

FIRST THE ORE TUMBLES DOWN A SERIES OF VIBRATING SCREENS.

SMALLER PARTICLES DROP THROUGH THE OPENINGS

AND MOVE ON TO THE NEXT STATION

WHILE LARGER PARTICLES STAY ON TOP

WHERE THEY ARE WHISKED OFF

WITH THE FLOW OF BRINE INTO A CRUSHER.

THE FINER PARTICLES FLOW TO THE FINE FLOTATION TANK

WHILE THE LARGER ONES SINK TO THE BOTTOM, DRAIN OUT,

THEN TRAVEL TO THE COURSE FLOTATION TANK.

THE PARTICLES ARE TREATED WITH CHEMICALS.

OVER THE COURSE OF FIVE MINUTES IN FLOTATION,

THE CHEMICAL TREATMENT MAKES THE KCL PARTICLES ATTACH

TO AIR BUBBLES AND RISE TO THE SURFACE.

IN THE COURSE FLOTATION TANK

PADDLES SKIM THE SURFACE,

PUSHING THE FLOATING KCL INTO A COLLECTOR.

THE CLAY AND NACL PARTICLES DRAIN

OUT THE OTHER END.

SIMILARLY IN THE FINE FLOTATION UNIT,

THE KCL PARTICLES ATTACH TO AIR BUBBLES

AND RISE TO THE TOP

WHERE THEY OVERFLOW INTO A COLLECTOR.

THE COLLECTED POTASH THEN GOES THROUGH A CENTRIFUGE

AND A DRYER TO REMOVE ALL THE MOISTURE.

THE DRYER FEEDS THIS VIBRATING SCREENING MACHINE,

WHICH SEPARATES THE KCL PARTICLES INTO THREE CATEGORIES.

OVERSIZED PARTICLES GO BACK TO THE CRUSHER.

UNDERSIZED PARTICLES GO TO MACHINES

WHICH COMPACT THEM INTO BOARDS

THEN BREAK THE BOARDS INTO NEW PARTICLES

WHICH THEN GO BACK TO THE VIBRATING MACHINE

FOR ANOTHER ROUND OF SCREENING.

THE FINAL PRODUCT SIZE PARTICLES

GO DIRECTLY TO THE SHIPPING WAREHOUSE.

THIS GRANULAR POTASH IS THE TYPE

USED AS AGRICULTURAL FERTILIZER.

IT'S KCL CONCENTRATION IS 95 PERCENT

BECAUSE THERE'S SOME RESIDUAL CLAY AND NACL.

TECHNICIANS REGULARLY TEST PRODUCT SAMPLES

TO VERIFY THE KCL CONTENT.

THEY GRIND EACH SAMPLE INTO A FIND POWDER

AND COMPRESS IT INSIDE A STAINLESS

STEEL CAP TO FORM A PELLET.

THEN THE WORKERS LOAD THE PELLET

INTO AN X-RAY FLUORESCENCE ANALYZER.

THE PELLETIZED SAMPLE ABSORBS

THAT ENERGY THEN RELEASES ENERGY AS FLUORESCENT RADIATION.

THE ANALYZER MEASURES THE FLUORESCENT RADIATION

TO DETERMINE THE SAMPLE'S CONCENTRATION OF KCL.

THE MILL ALSO PROCESSES POTASH

FOR INDUSTRIAL USE.

THIS HIGHER GRADE POTASH

WITH A KCL CONCENTRATION OF 99 PERCENT

IS A WHITE POWDER

MANUFACTURERS MAKE IT BY DISSOLVING

THE 95 PERCENT KCL GRANULAR POTASH

IN HOT BRINE TO REMOVE MORE OF THE RESIDUAL NACL AND CLAY.

THEN WORKERS CRYSTALLIZE THE POTASH

BY EVAPORATION AND COOLING.

THE RESULT, POTASH THAT'S ALMOST PURE KCL.

Narrator: HANDCRAFTED LEATHER BRACELETS

ARE AN UNCONVENTIONAL JEWELRY CHOICE.

TRADITIONAL BRACELETS ARE CHAINS

OR BANGLES MADE OF METAL OR STONES.

BUT THESE FIT LIKE A CUFF AND ARE ECLECTIC IN DESIGN.

EACH ONE IS AN ORIGINAL.

SO THE WEARER CAN EXPRESS INDIVIDUALITY.

HANDCRAFTED LEATHER BRACELETS ARE SUBSTANTIAL PIECES

DESIGNED TO DRAW ATTENTION TO THE WRIST.

THEY CAN ALSO COMPLEMENT AN OUTFIT IN A BIG WAY.

MAKING ONE STARTS WITH A STRIP OF STAINLESS

STEEL THAT WILL SERVE AS THE BRACELET'S BASE.

THE ARTISAN BENDS IT BY HAND INTO A ROUND SHAPE.

USING PLIERS SHE CLOSES THE GAP A LITTLE MORE.

THIS BRACELET IS MEANT TO BE LARGE,

SO THE LOOSE FIT SEEMS RIGHT.

SHE SORTS THROUGH A COLLECTION OF LEATHER PIECES AND IDEAS

FOR THE DESIGN BEGIN TO TAKE SHAPE.

SHE SELECTS A PIECE TO COVER THE INSIDE OF THE BRACELET.

SHE DRAWS AN OUTLINE OF THE BRACELET ON PAPER

TO CREATE A PATTERN

AND SHE CUTS IT OUT.

SHE STICKS THE PATTERN TO THE LEATHER.

USING A UTILITY KNIFE,

SHE FOLLOWS THE PATTERN TO CUT THE SHAPE IN LEATHER.

THE EDGE OF A TRIANGULAR RULER

SERVES AS A GUIDE FOR A STRAIGHT CUT.

SHE PEELS THE CUT LEATHER AWAY FROM THE PAPER PATTERN

AND APPLIES A TEXTILE ADHESIVE TO THE BACK OF THE LEATHER.

SHE CURLS THE LEATHER AND INSERTS IT, GLUED SIDE DOWN,

INTO THE STEEL BRACELET FORM.

SHE APPLIES PRESSURE FOR A STRONG ADHESION.

FOR THE BRACELET'S OUTER MATERIALS

THERE ARE MANY COLORFUL OPTIONS,

FROM DYED EXOTIC LEATHERS

TO LUMINOUS SEMI-PRECIOUS STONES.

SHE SORTS THROUGH THE DIFFERENT LEATHERS

AND STONES, LOOKING FOR INSPIRATION.

SHE SELECTS A QUARTZ STONE

AND A PIECE OF FISH SCALE LEATHER.

ONCE TANNED, FISH SKINS CAN BE SURPRISINGLY TOUGH.

SHE CUTS THE FISH LEATHER TO SIZE USING A PAPER TEMPLATE

OF THE FRONT OF THE STEEL BRACELET BASE.

SHE WRAPS IT AROUND THE BRACELET BAND

TO CHECK THE FIT.

SHE APPLIES GLUE TO THE BACK OF THE QUARTZ

AND THEN POSITIONS THE STONE IN THE CENTER OF THE LEATHER.

THE GLUE TACKS IT IN PLACE

WHILE SHE NOW STITCHES A BEADED SURROUND

TO PERMANENTLY SECURE THE STONE TO THE LEATHER.

SHE SELECTS SPECIAL BEADING NEEDLES FOR THIS.

THE HEADS OF THESE NEEDLES ARE TINY ENOUGH

TO PASS THROUGH THE MINI BEADS.

SHE'LL USE BEADING CORD MADE OF A TOUGH POLYETHYLENE

TO STRING AND STITCH THE BEADS.

FOR THE FIRST THREE ROWS SHE USES SILVER BEADS

THAT ARE TWO MILLIMETERS IN DIAMETER.

SHE PULLS THE BEADING SNUG TO THE QUARTZ STONE

AS SHE STITCHES THE BEADS TO THE FISH LEATHER.

IN ADDITION TO SECURING THE STONE,

THE BEADED SURROUND ALSO SERVES

AS AN EMBELLISHMENT TO IT'S BEAUTY.

SHE COMPLETES THE THREE ROWS OF SILVER BEADS

AND SWITCHES TO GLASS BEADS.

AT 1.7 MILLIMETERS DIAMETER,

THEY'RE A LITTLE SMALLER AND TRICKIER TO WORK WITH.

SHE PULLS THE THREAD THROUGH THE EYELETS OF THE BEADS

A TOTAL OF FOR TIMES

TO FORM A TIGHT POUCH AROUND THE PERIMETER OF THE STONE.

SHE NOW APPLIES STRONG GLUE

TO THE STEEL EXTERIOR OF THE BRACELET BASE.

AND IT'S TIME FOR THE NEXT DECORATIVE ELEMENTS, BLACK LACE.

SHE GLUES THE LACE TO THE BASE

SO THAT THE FLOWERY BORDER OVERHANGS.

SHE NOW SPREADS GLUE ONTO THE BACK OF THE FISH LEATHER.

SHE WRAPS THE LEATHER AROUND THE LACE-COVERED BASE

AND PRESSES IT FIRMLY TO IT.

SHE THEN STITCHES SILVER BEADS AROUND THE EDGES

TO JOIN THE LEATHERS AND ENCASE THE STEEL BASE.

THE BEADED STITCHING MATCHES

THE QUARTZ STONE SURROUND

FOR ANOTHER DECORATIVE TOUCH.

THIS HANDCRAFTED LEATHER BRACELET IS NOW COMPLETE

AND READY TO ADD SOMETHING COMPLETELY DIFFERENT

TO SOMEONE'S JEWELRY COLLECTION.

Narrator: WILD RICE IS THE GRAIN HARVESTED

FROM FOUR SPECIES OF AQUATIC GRASSES

THAT GROW IN MANY FRESHWATER LAKES

IN NORTHERN UNITED STATES AND CANADA.

HISTORICALLY, INDIGENOUS PEOPLE

HARVESTED THIS PLENTIFUL AND NUTRITIOUS FOOD

WHICH THEY CONSIDERED TO BE A SACRED GIFT.

WILD RICE WAS A VITAL FOOD SOURCE

FOR THOUSANDS OF YEARS.

IT ALSO BECAME A VALUABLE COMMODITY,

WHICH INDIGENOUS PEOPLE EXCHANGED WITH FUR TRADERS

WHO TRAVELED THE TERRITORY BY CANOE AND NEEDED

PORTABLE, NUTRITIOUS FOOD THAT DIDN'T SPOIL.

BEDS OF WILD RICE PLANTS STILL GROW TODAY

IN THE SHALLOW AREAS OF RIVERS AND LAKES.

PEOPLE STILL HARVEST THE RICE BY TRADITIONAL MEANS,

IN A CANOE USING TWO CEDAR FLAILS

AND WINNOWING BASKETS.

THE BASKETS ARE MADE FROM BARK PIECES LACED TOGETHER

WITH DRIED ROOTS OF BLACK SPRUCE TREES.

HARVEST TIME IS USUALLY IN EARLY SEPTEMBER,

ONCE THE PLANTS ARE PROTRUDING

FROM THE WATER AT LEAST HALF A YARD OR SO.

PADDLING THROUGH THE RICE BEDS WOULD UPROOT THE PLANTS

SO ONE PERSON PROPELS THE BOAT

WITH A FORKED POLE

WHILE THE OTHER GENTLY BENDS THE PLANTS

OVER THE CANOE WITH ONE FLAIL

AND GENTLY KNOCKS OFF THE MATURE KERNELS

WITH THE OTHER.

THE HARVESTED KERNELS PILE UP AT THE BOTTOM OF THE CANOE.

HARVESTING WILD RICE IS A DELICATE OPERATION.

YOU HAVE TO KNOCK JUST HARD ENOUGH

TO DISLODGE THE KERNELS,

YET NOT BREAK THE PLANT STALKS.

EACH KERNEL IS COMPRISED

OF A FIBROUS HULL ENCASING A RICE GRAIN.

BACK ON LAND, HARVESTERS TRANSPORT THE HARVESTED KERNELS

BY A WINNOWING BASKED OR A GRAIN SACK.

THE HARVESTERS DUMP THEM ONTO EITHER BIRCH BARK SHEETS,

A TARP, OR SMOOTH BEDROCK

THEN SPREAD THEM OUT TO CURE IN THE SUN.

SUN CURING TAKES ANYWHERE FROM SEVERAL HOURS

TO SEVERAL DAYS DEPENDING ON THE WEATHER.

THE NEXT STEP IS TO PARCH THE KERNELS OVER AN OPEN FIRE.

THIS EVAPORATES ADDITION MOISTURE,

ENABLING THE RICE TO BE STORED INDEFINITELY WITHOUT SPOILING.

IT ALSO GIVES THE RICE A ROASTED NUTTY FLAVOR.

FOR CENTURIES INDIGENOUS PEOPLE PARCHED THE KERNELS

ON A WOVEN WILLOW RACK ABOVE THE FIRE,

LETTING THE RISING HEAT AND SMOKE PERMEATE THE RICE.

ONCE THE TRADE BEGAN WITH THE EUROPEANS,

THE INDIGENOUS PEOPLE BEGAN USING CAST IRON KETTLES SET

DIRECTLY ON THE FLAMES.

FRESH RICE GRAINS ARE GREEN AND FLEXIBLE.

AFTER PARCHING THEY'RE BROWN OR BLACK

AND SNAP CLEANLY INTO TWO WHEN BENT.

NEXT COMES THRESHING,

REMOVING THE GRAINS FROM THE HULLS.

HARVESTERS COOL THE KERNELS IN THE BASKET,

THEN POUR THEM BACK INTO THE PARCHING POT.

BEFORE ACQUIRING CAST IRON IMPLEMENTS,

INDIGENOUS PEOPLE WOULD POUR THEIR KERNELS IN A HOLE

IN THE GROUND LINED WITH WOOD OR ANIMAL HIDE.

THRESHING DOESN'T REQUIRE ANY SPECIAL HANDCRAFTED TOOLS,

JUST A PAIR OF FEET.

THE PRESSURE OF EACH STEP FORCES

THE RICE GRAINS OUT OF THEIR HULLS.

THIS IS WHAT THE RICE LOOKS LIKE

BEFORE THRESHING AND AFTER.

THE LAST STEP IS WINNOWING,

SEPARATING THE RICE GRAINS FROM THE NOW-EMPTY HULLS.

THERE ARE TWO TRADITIONAL TECHNIQUES:

REPEATEDLY FLIPPING THE RICE IN A SINGLE

WINNOWING BASKET LIKE THIS

OR POURING IT FROM ONE BASKET TO ANOTHER.

THE MOVEMENT CREATES WIND THAT BLOWS AWAY

THE FEATHER-LIGHT HULLS.

EVENTUALLY ONLY THE RICE GRAINS REMAIN IN THE BASKET.

TODAY, INSTEAD OF DEERSKIN POUCHES,

HARVESTERS STORE WILD RICE IN CONTAINERS OR PLASTIC BAGS.

THE GRAINS RANGE IN COLOR

DEPENDING ON THE BODY OF WATER

FROM WHICH THEY WERE HARVESTED

AND HOW LONG AFTER HARVESTING THE GRAINS WERE PARCHED.

WILD RICE IS HIGH IN PROTEIN IN FIBER,

LOW IN CALORIES IN FAT,

CONTAINS ALL ESSENTIAL AMINO ACIDS

AND IS RICH IN B VITAMINS,

POTASSIUM AND PHOSPHOROUS.

Narrator: HEX KEY L-WRENCHES ARE DESIGNED

TO TURN SCREWS AND BOLTS

THAT WOULD OTHERWISE BE TRICKY TO REACH.

THEY HAVE BALL-SHAPED HEXAGONAL HEADS

THAT TAKE AN ANGLED APPROACH

TO INSTALLING THREADED FASTENERS.

THE LONG ARMS OF THESE L-SHAPED WRENCHES

ALSO EXTEND THE USER'S REACH INTO TIGHT SPOTS.

HEX KEY L-WRENCHES OFTEN

COME IN SETS TO PROVIDE TOOLS

FOR ALMOST EVERY JOB, BIG OR SMALL.

MAKING THESE WRENCHES STARTS

WITH 13-FOOT LONG STEEL BARS

FORMED TO A HEXAGONAL PROFILE.

A TECHNICIAN TESTS THE SHORT PIECE TO CONFIRM

IT COULD BE BENT WITHOUT BREAKING.

THE STEEL MUST BE HARD, YET ELASTIC.

A DIAMOND-TIPPED TOOL PRESSES INTO ANOTHER PIECE.

THE DEPTH OF THE INDENTATION

IS A MEASURE OF THE STEEL'S HARDNESS.

AFTER THE STEEL PASSES ALL TESTS, WORKERS SLICE

THE JUST OVER 13-FOOT LONG BARS

INTO SMALLER LENGTHS USING A DIE CUTTER

WITH A HEXAGONAL PROFILE

TO PREVENT ANY DISTORTION OF THE SHAPE.

EACH STEEL PIECE THEN SPINS IN A LATHE

AS A COMPUTERIZED TOOL CARVES A GENTLE SLOPE INTO THE END.

THIS IS BEFORE AND AFTER THE CONTOURING.

A SECOND COMPUTERIZED TOOL SHAPES THE END ROUNDER

TO CREATE A SPHERE SHAPE

THAT RETAINS THE HEXAGONAL ANGLES.

AN AUTOMATED LOADER SERVES UP THE STEEL PIECES

TO A SPIRAL COPPER HEATING ELEMENT.

THE ELEMENT HEATS A SPECIFIC SPOT

ON THE PIECE TO 1,112 DEGREES FAHRENHEIT TO SOFTEN IT.

A MECHANIZED TOOL THEN BENDS THE STEEL AT THIS SOFTENED POINT

TO GIVE IT AN L SHAPE.

THE HEX KEY L-WRENCHES HAVE NOW TAKEN SHAPE.

IN THE NEXT OPERATION,

WORKERS HEAT TREAT THE WRENCHES

TO MAKE THE STEEL EVEN HARDER.

WORKERS FIRE THE PARTS IN AN ELECTRICAL FURNACE,

QUENCH THEM IN OIL

AND THEN HEAT THEM IN A SECOND FURNACE

THAT'S NOT AS HOT AS THE FIRST ONE.

THE HEAT TREATMENT STRENGTHENS THE STEEL BUT LEAVES A RESIDUE.

A WASH AND THEN A SAND BLAST CLEANS THEM UP A BIT,

BUT THE WRENCHES ARE QUITE TARNISHED LOOKING

SO IT'S INTO A VIBRATING MACHINE

WITH CERAMIC STONES AND POLISHING SOLUTION.

THIS CLEANS AND BRIGHTENS THE STEEL.

A MAGNETIC CONVEYOR EXTRACTS THEM FROM THE MIX

AND TAKES THEM TO A REVOLVING DRUM.

HERE THE WRENCHES BOUNCE AROUND WITH CORN GRAINS

THAT ABSORB RESIDUAL MOISTURE FROM THE POLISHING.

WHAT A DIFFERENCE THE CLEANING HAS MADE.

ON RACKS NOW, THE WRENCHES TAKE A DIP

IN DIFFERENT NICKEL AND CHROME BATHS.

THE RACK DELIVERS AN ELECTRICAL CHARGE

TO THE PARTS,

WHICH ATTRACTS THE NICKEL AND CHROME.

THE METALS COAT THE WRENCHES

FOR A SHINY RUST-PROOF FINISH.

NEXT A DEVICE SPINS THE WRENCH IN FRONT OF A SENSOR.

THE SENSOR DETECTS AND CROOKEDNESS

IN THE WRENCH'S LONG ARM.

IF NEEDED, HE STRAIGHTENS THE STEEL WITH A SPECIAL TOOL.

THE WRENCHES ARE NOW READY FOR A SPRAY OF POWDER COAT.

IT WILL PROVIDE A DURABLE FINISH AND THE COLOR

WILL INDICATE THE WRENCH'S SIZE.

AFTER POWDER COATING A ROBOT TRANSFERS

THE WRENCHES TO A PRINTING STATION.

A MECHANIZED TOOL NUDGES THE WRENCHES FORWARD

TO PUT THEM IN ALIGNMENT.

ANOTHER ROBOT MOVES IN.

IT PICKS ONE OF THE WRENCHES

AND MOVES IT UNDER A PRINTING PAD.

THE PAD STAMPS BRAND INFORMATION

AND A SERIAL NUMBER ON THE WRENCH.

THE ROBOT RETRIEVES THE WRENCH AND PLACES I ON A CONVEYOR.

THEY NOW MAKE THE PLASTIC HOLDERS FOR THE WRENCHES.

THIS MACHINE MELTS AND MOLDS PLASTIC UNDER PRESSURE

TO PRODUCE THEM IN SECONDS.

A ROBOT REMOVES THE PLASTIC HOLDERS

FROM THE MACHINE

AND DEPOSITS THEM IN A BIN.

A WORKER NOW PLACES TWO OF THE HOLDERS UNDER A LASER.

HE LOWERS THE PROTECTIVE SHIELD

AND THE LASER ETCHES COMPANY INFORMATION ONTO THE PLASTIC.

ANOTHER MEMBER OF THE TEAM INSERTS THE COLOR-CODED WRENCHES

INTO THE CORRECT SLOTS IN THE HOLDERS.

THEY NOW HAVE A FULL KIT OF HEX KEY L-WRENCHES.

IT SHOULD HAVE ALL THE ANGLES COVERED.

Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.