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Narrator: SELECTING FURNITURE IS A MATTER OF SCALE,
ESPECIALLY WHEN IT'S A DOLLHOUSE ROOM.
MINIATURE FURNITURE IS SIZED FOR REALLY SMALL SPACES.
A POPULAR SCALE IS 1/12 OF FULL-SIZED FURNISHINGS.
BUT AS FAR AS ATTENTION TO DETAIL,
THERE'S NO NEED TO SCALE DOWN ONE'S EXPECTATIONS.
THESE ARE REPLICAS OF FULL-SIZED ANTIQUES,
METICULOUSLY COPIED IN MINIATURE.
THIS GRANDFATHER CLOCK IS MODELED ON AN 18th-CENTURY ONE,
AND FOR THE CRAFTSMAN, NO DETAIL IS TOO SMALL.
HE FIRST MEASURES AND CUTS NUMEROUS COMPONENTS
FROM PEAR-TREE WOOD.
THIS WOOD'S SMALL GRAIN SCALES DOWN WELL
TO MAKE THE MINIATURE CLOCK LOOK MORE AUTHENTIC.
THE PARTS ARE TOO THIN AND SMALL TO NAIL,
SO HE GLUES THEM TOGETHER,
BEGINNING WITH THE FRONT OF THE CLOCK'S TRUNK.
HE APPLIES THE GLUE SPARINGLY WITH A TINY BRASS TOOL
TO PREVENT MESSY OVERFLOW.
HE INSTALLS THE SIDES ON THE FRONT OF THE CLOCK TRUNK.
AND HE ADDS
A SUBSTANTIAL-LOOKING PEARWOOD BASE.
HE SPIFFS UP THE FRONT OF THE BASE WITH VENEER PANELING
THAT'S PROTECTED BY A LAYER OF TAPE FOR NOW.
HE CARVES ANGLES AND TRIM
TO MAKE IT FIT NEATLY AROUND THE PANELING.
HE NOW PEELS AWAY THE TAPE
TO REVEAL THE SWIRLED BURL OF THE VENEER WOOD,
WHICH HAS BEEN CUT FROM THE ROOT OF A SOUTH-ASIAN TREE.
HE RUBS THE PANELING AGAINST SANDPAPER
TO SMOOTH ITS SURFACE AND EXPOSE MORE OF THE WOOD GRAIN.
ONCE THE FEET HAVE BEEN INSTALLED ON THE CLOCK,
HE APPLIES A STRIP OF MOLDING ABOVE THE TRUNK.
THE CRISP PROFILE OF THIS LIMEWOOD TRIM
IS A CLASSIC TOUCH.
CARVING A MINI GABLE WITH THE THIN BLADE OF A FRETSAW
IS TRICKY, ESPECIALLY WITH THIS INTRICATE DESIGN,
CALLED A SWAN NECK.
HE SANDS THE EDGES TO FINISH OFF THE JOB.
THE SWAN-NECK GABLE IS ONE OF NUMEROUS LITTLE PARTS THAT,
WHEN PIECED TOGETHER, FORM THE HOOD OF THE CLOCK,
WHICH HOLDS THE FACE AND CLOCKWORKS.
HE JOINS THE HOOD TO THE TRUNK,
AND WITH THE BASIC STRUCTURE NOW COMPLETE,
HE GLUES A TINY WOODEN CREST TO THE CENTER OF THE SWAN NECK.
HE TAPERS IT WITH A SURGICAL SCALPEL.
AFTER STAINING THE CLOCK A DEEP ANTIQUE MAHOGANY,
HE SANDS IT TO MAKE IT LOOK MORE AUTHENTIC.
HE THEN BRUSHES ON COATS OF SHELLAC SEALER.
IT BOTH PROTECTS THE WOOD
AND PROVIDES A SMOOTH SURFACE FOR THE NEXT FINISH.
AFTER THE SEALER DRIES, HE SANDS IT A LITTLE
AND THEN APPLIES TWO COATS OF TRADITIONAL FRENCH POLISH.
THIS MIX OF ALCOHOL AND SHELLAC
GIVES THE CABINETRY A HIGH-GLOSS FINISH.
ONCE IT DRIES, HE BUFFS THE WOOD WITH WAX TO ENHANCE THE SHEEN.
THE CLOCK DOOR WITH ITS EXOTIC VENEER
IS ALSO STAINED, POLISHED, AND WAXED.
THEN, USING TWEEZERS,
HE POSITIONS TINY BRASS HINGES ON THE DOOR.
HE PRESSES LITTLE BRASS PINS INTO HOLES IN THE HINGE
TO SECURE IT TO THE DOOR.
HE FILES THE PINHEADS UNTIL THEIR FLUSH TO THE HINGE.
HE NOW DIPS THE PENDULUM AND ITS WEIGHTS IN ACID,
WHICH GIVES THEM AN ANTIQUED FINISH.
HE INSTALLS THEM IN THEIR COMPARTMENT IN THE CABINETRY.
HE NOW SETS THE CLOCK UPRIGHT...
AND PAINTS THE BACK BASIC BLACK.
HE INSERTS A PIECE OF CLEAR ACRYLIC
INTO THE OPENING OF THE CLOCK HOOD.
ACRYLIC HAS A SLIGHT WAVE TO IT THAT LOOKS LIKE OLD GLASS.
THIS SMALL WATCH MOVEMENT
IS WHAT WILL MAKE THIS MINIATURE GRANDFATHER CLOCK TICK.
USING DOUBLE-SIDED TAPE, HE ATTACHES IT TO THE DIAL.
HE FASTENS THE HANDS TO THE CLOCKWORK SHAFTS,
AND THEN HE LOWERS THE DIAL AND CLOCKWORKS
INTO THE HOOD COMPARTMENT.
HE SIGNS THE BACK WITH A PAINT-FILLED PEN
WHICH MAKES HIS SIGNATURE STAND OUT
AGAINST THE BLACK BACKGROUND.
AND FINALLY, HE GLUES A TINY TASSEL TO THE DOOR HANDLE.
INCLUDING DRYING TIME FOR THE VARIOUS FINISHES,
IT HAS TAKEN OVER THREE DAYS
TO MAKE THIS MINIATURE GRANDFATHER CLOCK.
NO SMALL EFFORT, BUT IT'S THE LITTLE DETAILS
THAT MAKE A DIFFERENCE IN A SMALL SPACE.
Narrator: IT'S OUT OF THE BASEMENT AND INTO THE BACKYARD
FOR THE MODEL TRAIN SET.
THIS TREND IS CALLED GARDEN RAILROADING,
AND IT MERGES TWO HOBBIES -- GARDENING AND MODEL TRAINS.
THESE OUTDOOR TRAIN SETS ARE OFTEN LARGER
AND MORE RUGGED THAN INDOOR ONES,
SO PEOPLE CAN HOP ABOARD FOR A TOUR OF THE PERENNIALS.
THESE GARDEN-VARIETY TRAIN SETS
HAVE BECOME THE FASTEST-GROWING SEGMENT OF MODEL RAILROADING.
PEOPLE DESIGN GARDENS TO THE SCALE OF THESE TRAINS
TO PROVIDE THE PERFECT BACKDROP.
THIS PARTICULAR LOCOMOTIVE
IS A QUARTER OF THE SIZE OF THE 19th-CENTURY ORIGINAL.
IT STARTS WITH A SHEET OF COPPER,
CUT TO PRECISE MEASUREMENTS WITH A GUILLOTINE BLADE.
AN EMPLOYEE THEN TURNS THE CRANK OF A MACHINE
TO CURL THE SHEET INTO A CYLINDER SHAPE.
THIS CYLINDER WILL SERVE AS THE BARREL
OR OUTER CASING OF THE BOILER.
THE NEXT WORKER ASSEMBLES THE BOILER'S INTERNAL COMPONENTS.
HE GROUPS TOGETHER NUMEROUS COPPER TUBES
AND WELDS THEM TO A FIREBOX AT ONE END
AND A COPPER PLATE AT THE OTHER.
HE'S NOW READY TO ENCLOSE THE FIREBOX.
HE INSTALLS IT ON A BASE PLATE
AND THEN BUILDS A PROTECTIVE SHELL AROUND IT.
HE THEN ENCASES THE HEAT TUBES IN THE BARREL.
THESE BOILERS COME IN VARIOUS SIZES,
DEPENDING ON THE SCALE OF THE LOCOMOTIVE BEING MADE.
NEXT, A LATHE SPINS AS TOOLS CONTOUR A BRONZE CYLINDER.
THIS SIZES IT TO FIT A PISTON
THAT SETS THE STEAM ENGINE'S WHEELS IN MOTION.
THE CYLINDER ON THE RIGHT IS THE ONE THAT'S JUST BEEN MACHINED.
MORE TOOLS TRANSFORM BASIC STEEL DISKS INTO THE TRAIN WHEELS.
THEY MAKE FOUR WHEELS PER LOCOMOTIVE.
THE NEXT WORKER INSERTS A PRE-CUT SHEET OF STEEL
IN A DEVICE THAT, WHEN ACTIVATED,
BENDS IT IN TWO PLACES.
THE FOLDING ACTION SHAPES THE SHEET
INTO THE LOCOMOTIVE CAB.
THEN IT'S INTO THE PAINT BOOTH FOR SEVEN COATS OF EPOXY PAINT.
THIS GIVES THIS MODEL TRAIN CAB A HEAVY-DUTY GLOSS.
WITH A STEADY HAND,
A PAINTER NOW APPLIES PLASTIC TAPE
AROUND THE PERIMETER OF THE CAB
TO CREATE A KIND OF LINEAR STENCIL.
HE ARCS THE TAPE AT THE CORNERS TO SOFTEN THE LOOK.
AND THEN HE BRUSHES TWO COATS OF OIL-BASED PAINT
INTO THE TAPE STENCIL.
HE ALLOWS THREE DAYS FOR EACH COAT TO DRY.
THEN HE PEELS OFF THE TAPE
TO REVEAL THE CRISP, CLEAN LINES THAT NOW FRAME THE CAB.
HE ADDS BLACK BORDER NEXT TO THE WHITE
TO GIVE MORE DEPTH TO THIS CUSTOM PAINT JOB.
THEY CARVE A PIECE OF BRONZE INTO A VALVE
TO CONTROL THE FLOW OF STEAM TO THE PISTON.
THEY ASSEMBLE THE LOCOMOTIVE CHASSIS AND PAINT IT.
THEY INSTALL THE WHEELS
AND THE NETWORK OF PIPES AND PARTS THAT MAKE THEM TURN.
THEY RUN COMPRESSED AIR THROUGH THE SYSTEM
TO CONFIRM EVERYTHING WORKS.
THE WORKER ADDS A LITTLE OIL TO LUBRICATE THE WHEELS
AND THE REST OF THE PARTS.
HE THEN OPENS THE STEAM CHAMBER
TO CHECK THE VALVE-AND-PISTON ACTION,
WHICH IS THE DRIVING FORCE OF THIS STEAM LOCOMOTIVE.
HE PULLS THE FORWARD AND REVERSE LEVER
TO CONFIRM THAT THE WHEELS RUN IN BOTH DIRECTIONS.
HE APPLIES THE BRAKES, AND THE WHEELS GRIND TO A HALT.
NOW THAT EVERYTHING ON THE CHASSIS IS CHECKED OUT,
THIS STEAM LOCOMOTIVE IS READY FOR THE CHIMNEY AND BOILER.
THE STEAM DOME AND A SAFETY VALVE GO ON NEXT,
FOLLOWED BY THE CAB AND ROOF.
AND THIS GARDEN STEAM LOCOMOTIVE IS NOW COMPLETE.
A WORKER NOW SHINES A LIGHT THROUGH THE BOILER TUBES
TO EXAMINE THEM FOR ANY OBSTRUCTIONS.
HE POKES A BRUSH THROUGH THEM TO BE CERTAIN
AND THEN GIVES THEM THE ALL-CLEAR.
IT'S TIME TO FIRE UP THE BOILER USING REAL COAL.
HOT GASES FLOW THROUGH THE TUBES TO HEAT THE WATER IN THE BOILER.
LIKE A BIG KETTLE, THIS LOCOMOTIVE BUILDS UP STEAM.
THE PRESSURE INCREASES UNTIL IT'S READY TO ROLL.
ABOARD ONE OF THESE GARDEN LOCOMOTIVE REPLICAS,
ONE CAN RELIVE THE HEADY DAYS OF STEAM ENGINES.
Narrator: A HOVERCRAFT RIDES ON A CUSHION OF AIR
CREATED BY POWERFUL FANS.
THIS ENABLES THE CRAFT TO TRAVEL OVER BOTH LAND AND SEA.
THE CONCEPT ACTUALLY DATES BACK TO 1870,
BUT IT WASN'T UNTIL THE MIDDLE OF THE 20th CENTURY
THAT A BRITISH INVENTOR PERFECTED IT
AND THE IDEA GOT OFF THE GROUND.
THIS MODEL OF HOVERCRAFT IS EQUIPPED WITH A SINGLE FAN.
IT BOTH INFLATES THE SKIRT,
LIFTING THE VESSEL ABOUT 10 INCHES,
AND CREATES THRUST TO PROPEL THE HOVERCRAFT
OVER VIRTUALLY ANY SURFACE.
PRODUCTION BEGINS WITH A HULL
MADE OF LIGHTWEIGHT POLYETHYLENE.
THE FABRICATOR INSTALLS ALUMINUM SKIDS ON THE BOTTOM
TO PROTECT THE HULL DURING LANDINGS ON ROUGH SURFACES.
HE SCREWS PLASTIC ATTACHMENTS FOR THE HOVERCRAFT SKIRT
INTO PRE-MARKED POSITIONS ON THE HULL.
THE TECHNICIAN DRILLS 65 HOLES AROUND THE HULL.
THE FAN'S AIR WILL PASS THROUGH THESE HOLES
TO FILL THE HOVERCRAFT SKIRT.
THE HULL CONSISTS OF A THICK, HARD OUTER LAYER
AND A LOW-DENSITY INNER LAYER THAT MAKES THE MATERIAL BUOYANT.
IT'S WHAT KEEPS THE HOVERCRAFT AFLOAT DURING STOPS ON WATER.
THE CREW NOW FASTENS THE SEAT BASE AND CONSOLE
IN THE FRONT OF THE HULL.
ONCE IT'S SECURE, THEY FIT THE GAUGE PANEL IN ITS SLOT.
THE TEAM THEN MOVES TO THE BACK OF THE HULL
TO INSTALL THE DRIVE BELT, PULLEY,
AND THE MAIN DRIVE FRAME.
THIS PULLEY WILL TRANSFER POWER FROM THE ENGINE TO THE FAN.
ONCE THEY CONFIRM EVERYTHING MOVES FREELY,
THEY ASSEMBLE THE FAN TO THE MAIN DRIVE FRAME
WITH HIGH-TENSION BOLTS.
THIS DUCT WILL DIVIDE THE FAN'S AIR INTO TWO STREAMS.
ONE STREAM WILL BE DIRECTED UNDER THE CRAFT TO PROVIDE LIFT.
THE OTHER WILL BE ROUTED OUT THE BACK TO GENERATE THRUST.
THEY NOW RETURN TO THE COCKPIT
TO ATTACH HANDLEBARS TO A STEERING MECHANISM.
THE ENGINE CAN BE EITHER A TWO-STROKE OR FOUR-STROKE,
DEPENDING ON THE AMOUNT OF POWER DESIRED.
THEY CONNECT IT TO THE DRIVE ASSEMBLY
AND PROTECT THAT CONNECTION WITH METAL CASING.
ONCE THE ENGINE HAS BEEN BOLTED INTO PLACE,
THEY EQUIP IT WITH A RADIATOR...
AN AIR FILTER...
AN EXHAUST SYSTEM...
AND A WATERPROOF BOX CONTAINING THE ELECTRICAL COMPONENTS.
THEN THEY CONNECT THE FUEL TANK TO THE ENGINE
AND COVER THE ENGINE WITH A POLYETHYLENE HOOD
TO KEEP IT DRY.
THEY INSTALL SEATING, INCLUDING A REAR BENCH,
THAT ACCOMMODATES THREE.
THEN THE INSTALLER ATTACHES TWO RUDDERS TO THE FAN DUCT.
HE LINKS THEM WITH A BAR SO THEY'LL MOVE IN TANDEM.
THESE STEERING PARTS ARE MADE OF MARINE-GRADE STEEL
TO PREVENT RUSTING.
A QUICK CHECK CONFIRMS THE RUDDERS ARE OPERATIONAL.
THE HOVERCRAFT'S SKIRT IS MADE OF THE SAME MATERIAL
USED ON SHOE SOLES -- STURDY POLYURETHANE NYLON.
THEY ASSEMBLE THE SKIRT TO THE HULL IN 65 DIFFERENT PIECES.
THE WORKER LOOPS EACH SEGMENT OVER A SIDE BUMPER
AND SECURES IT WITH A STEEL CLIP.
HE THEN ATTACHES THE BOTTOM OF EACH SKIRT PIECE
TO THE LITTLE HOOKS ON THE HULL.
HE USES PLASTIC CABLE TIES FOR THIS JOB,
AND THERE'S A GOOD REASON.
IF THE SKIRT BECOMES SNAGGED ON SOMETHING,
THESE TIES WILL BREAK AND FREE THAT SECTION.
THEN OTHER PARTS OF THE SKIRT WILL BALLOON OUT
TO FILL THE BREACH AND MAINTAIN THE AIR CUSHION.
AND THEY ALSO WON'T HAVE TO REPLACE THE WHOLE SKIRT,
JUST THE SECTION THAT'S BEEN DAMAGED.
AFTER A FINAL INSPECTION,
THEY TAKE THIS HOVERCRAFT FOR A TEST SPIN.
THEY CHECK THE STEERING AND OVERALL PERFORMANCE
AND ENJOY GLIDING ON AIR.
Narrator: A FOLDING BICYCLE IS A COMPACT SET OF WHEELS.
IN SECONDS, IT FOLDS UP INTO A NEAT LITTLE BUNDLE,
LESS THAN A THIRD OF ITS FULL SIZE.
THE CONCEPT HAS BEEN AROUND FOR WELL OVER A CENTURY,
AND IN RECENT YEARS, IT'S ON THE COMEBACK TRAIL
AS URBAN COMMUTERS DISCOVER THE ADVANTAGES
OF DOWNSIZING THIS MODE OF TRANSPORTATION.
A FEW QUICK FOLDS AND THIS BIKE NO LONGER CARRIES THE RIDER.
HE CARRIES IT.
THE BIKE CAN THEN BE CARTED ONTO PUBLIC TRANSIT
OR INTO THE OFFICE,
AND THAT MAKES IT A HANDY WAY TO GET AROUND TOWN.
THEY LUBRICATE THE RIM OF TUBING,
WHICH MAKES IT EASIER FOR MACHINERY TO PINCH THAT END.
THE NEXT MACHINE USES SEVERAL BLADES
TO TRIM THE PINCHED END AND CUT A SMALL GROOVE.
THESE EXACT CUTS WILL ENABLE THE TEAM
TO PRECISELY INSTALL A HINGE TO THE TUBE.
HINGES ARE NOW GRIPPED BY A MOVING CLAMP
THAT ANGLES THEM FOR CONTOURING
AND THE DRILLING OF HOLES FOR BOLTS.
IT'S COMPUTER CHOREOGRAPHED
TO PRODUCE A HINGE THAT WILL ATTACH SNUGLY TO THE MAIN TUBE.
ONCE THE HINGE HAS BEEN BONDED TO THE MAIN TUBE,
A TECHNICIAN CHECKS THE JOB
BY EXPOSING IT TO A MAGNETIC FIELD.
VARIATIONS IN THE FIELD WOULD INDICATE A FLAW,
BUT HE FINDS NONE.
SO NEXT, HE SECURES THE TUBE ON A WORK TABLE
SO A TOOL CAN MAKE SCOOPS IN THE OTHER END.
SCOOPING THIS END WILL ENABLE IT
TO INTERCONNECT WITH ANOTHER PART OF THE BIKE FRAME.
A HYDRAULIC TOOL THEN BENDS THE MAIN TUBE
TO GIVE IT A SLIGHT CURVE
SO IT WILL ARCH AROUND A BICYCLE WHEEL.
YOU CAN SEE THE DIFFERENCE IN THIS BEFORE-AND-AFTER SHOT.
THE MAIN TUBE OF THE BIKE FRAME
NOW UNDERGOES A PROCESS CALLED SHOT BLASTING.
AN OPERATOR TURNS A CRANK
TO MAKE THE TUBE REVOLVE IN AN ENCLOSED CHAMBER
AS NOZZLES BLOW FINE GRIT AT THE HINGE POINT.
THIS CLEANS UP SOME OF THE ROUGH PATCHES.
A LITTLE MANUAL FILING SMOOTHES THE AREA AROUND THE HINGE.
SMALLER PARTS OF THE BICYCLE FRAME
TAKE A TUMBLE WITH CERAMIC BITS,
AND THIS AGITATION ACTION
IMPROVES THE FINISH ON THESE PARTS.
FURTHER DOWN THE PRODUCTION LINE,
A WORKER LOCKS THE MAIN TUBE IN A JIG.
HE BUTTS A BRACING TUBE TO IT AT JUST THE RIGHT ANGLE...
AND THEN MELTS METAL INTO THE JOINT
IN A PROCESS CALLED BRAZING.
AS THE METAL COOLS AND SOLIDIFIES,
IT SEALS THE TWO PARTS.
HE NOW FITS THE BOTTOM BRACKET
ONTO THE SCOOPED END OF THE MAIN TUBE
AND BRAZES THEM TOGETHER.
THE FRAME OF A FOLDING BICYCLE IS MUCH MORE COMPLEX
THAN THAT OF A CONVENTIONAL ONE-PIECE A-FRAME BIKE.
THERE ARE SIX PARTS TO ASSEMBLE IN TIGHT ALIGNMENT,
AND THAT MEANS THERE'S ABSOLUTELY NO ROOM FOR ERROR.
ONCE THE MAIN FRAME ASSEMBLY HAS BEEN PAINTED,
IT'S READY TO BE JOINED TO THE REAR FRAME.
HE ATTACHES IT BY BOLTING THE HINGE.
HE TWISTS THE BOLTS TO JUST THE RIGHT TORQUE.
HE TESTS THE FOLDING AND UNFOLDING ACTION
OF THE REAR ASSEMBLY
AND THEN CHECKS THE LOCK
TO CONFIRM THAT IT FUNCTIONS PROPERLY.
HE INSTALLS THE STEERING MECHANISM
AND WHEEL FORK IN THE FRONT OF THE FRAME...
AND BOLTS THE FRONT WHEEL TO THE FORK.
HE VERIFIES THAT THE ASSEMBLED STEERING COLUMN
AND HANDLEBARS ARE IN WORKING ORDER...
AND THEN SLIDES THEM INTO PLACE AT THE FRONT OF THE BICYCLE.
HE ADJUSTS THE POSITION OF THE COLUMN
SO IT FOLDS AT JUST THE RIGHT ANGLE.
HE THEN ATTACHES THE REAR WHEEL,
ALONG WITH THE GEAR HUB, TO THE FRAME.
HE SECURES THE CHAIN WHEEL AND PEDALS TO THE BICYCLE
AND FITS THE CHAIN INTO THE SPROCKETS,
JOINING THE TWO ENDS
SO THE CHAIN WILL TRAVEL IN A PERPETUAL LOOP.
HE FLIPS THE BICYCLE AROUND TO INSTALL THE SEAT,
AND IT'S TIME TO FOLD.
THE REAR FRAME FLIPS NEATLY UNDER THE MAIN TUBE ASSEMBLY.
THE FRONT WHEEL LOCKS ON TO THE REAR FRAME.
SLIDING THE SEAT PILLAR DOWN LOCKS THE FOLD,
AND HE LOWERS THE STEERING COLUMN.
AFTER A FINAL INSPECTION,
THIS FOLDING BICYCLE IS READY FOR THE BIG CITY.
AND WHEN DODGING TRAFFIC BECOMES TOO MUCH OF A HASSLE,
ITS OWNER CAN ALWAYS FOLD IT AND TAKE PUBLIC TRANSIT.
--Captions by VITAC-- www.vitac.com
CAPTIONS PAID FOR BY DISCOVERY COMMUNICATIONS
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