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--Captions by VITAC--
www.vitac.com
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CAPTIONS PAID FOR BY
DISCOVERY COMMUNICATIONS
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Narrator:
WHEN CHRISTOPHER COLUMBUS
DISCOVERED THE AMERICAS,
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HE ALSO DISCOVERED
THE TOBACCO PIPE.
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THE PIPE WAS AN IMPORTANT PART
OF NATIVE CULTURE
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TO BE SHARED DURING TIMES
OF NEGOTIATION AND CELEBRATION.
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COLUMBUS AND OTHER EXPLORERS
BROUGHT THE CONCEPT HOME,
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AND THE REST IS HISTORY.
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SINCE THE 19th CENTURY,
PIPES HAVE BEEN MADE FROM BRIAR,
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00:01:16,827 --> 00:01:18,965
A HARD, FIRE-RESISTANT WOOD
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00:01:18,965 --> 00:01:21,862
FROM THE ROOT OF A MEDITERRANEAN
HEATHER SHRUB.
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00:01:24,724 --> 00:01:27,724
AFTER THE BRIAR
HAS CURED FOR SEVERAL MONTHS,
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00:01:27,724 --> 00:01:30,724
THE PIPE-MAKER SAWS IT
INTO A ROUGH PIPE SHAPE.
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00:01:32,206 --> 00:01:35,344
USING A LATHE AND CHISEL,
HE ROUNDS THE LARGER BLOCK
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00:01:35,344 --> 00:01:37,862
TO APPROXIMATE THE SHAPE
OF THE PIPE BOWL.
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HE BORES THROUGH THE CENTER
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TO CARVE OUT
THE TOBACCO CHAMBER.
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THEN HE SLIMS DOWN THE STEM,
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00:01:54,965 --> 00:01:58,793
MARKING THE CENTER
FOR DRILLING LATER.
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THE PIPE-MAKER FINALIZES
THE SHAPE BY HAND.
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00:02:04,310 --> 00:02:08,172
HE NOW SANDS BOTH THE INSIDE
OF THE TOBACCO CHAMBER...
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00:02:11,827 --> 00:02:15,000
...AND THE OUTSIDE
OF THE PIPE BOWL.
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NEXT, THE PIPE'S MOUTHPIECE
TAKES SHAPE.
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00:02:21,689 --> 00:02:24,068
THE PIPE-MAKER PIERCES A PIECE
OF HARDENED RUBBER
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00:02:24,068 --> 00:02:26,758
CALLED VULCANITE
TO ESTABLISH THE CENTER
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00:02:26,758 --> 00:02:28,551
AND THEN DRILLS
A CHANNEL THROUGH IT.
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USING A GRINDSTONE,
HE SCULPTS ONE END,
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TAKING IT FROM ROUND TO OVAL,
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A SHAPE THAT FITS
MORE COMFORTABLY
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BETWEEN THE LIPS.
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HE CHECKS HIS WORK
WITH A SIZING TEMPLATE...
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THEN SHAVES THE EXTERIOR
OF THE MOUTHPIECE,
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00:02:46,103 --> 00:02:48,758
REDUCING IT CONSIDERABLY.
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00:02:48,758 --> 00:02:52,137
HE SHAPES THE OTHER END
TO FORM THE TENON,
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00:02:52,137 --> 00:02:54,931
WHICH FITS INTO THE PIPE STEM.
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00:02:54,931 --> 00:02:58,172
HE POLISHES THE TENON
WITH A SPECIAL COMPOUND.
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THE SMOOTHER SURFACE
MAKES THIS PART EASIER
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TO JOIN TO THE PIPE STEM.
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00:03:06,241 --> 00:03:09,620
USING A SERIES OF SANDING DISKS
WITH PROGRESSIVELY FINER GRIT,
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00:03:09,620 --> 00:03:14,172
HE GIVES THE EXTERIOR OF
THE MOUTHPIECE A SLEEK FINISH.
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00:03:16,965 --> 00:03:18,758
THEN HE STEADIES IT IN A CLAMP
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00:03:18,758 --> 00:03:21,793
AND WIDENS THE HOLE
IN THE CENTER OF THE MOUTHPIECE
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00:03:21,793 --> 00:03:26,137
TO BROADEN IT
INTO A FUNNEL-SHAPED CAVITY.
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ATTENTION NOW TURNS TO THE SEAM
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BETWEEN THE RUBBER
AND WOOD PARTS.
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HE SANDS IT TO MAKE THEM
PERFECTLY FLUSH.
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HAND-FILING REMOVES BLEMISHES
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00:03:43,689 --> 00:03:46,517
AND ADJUSTS THE THICKNESS
FOR A MORE COMFORTABLE BITE.
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THE THICKNESS CAN BE CUSTOMIZED
FOR INDIVIDUAL PREFERENCES.
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HE DRILLS A TINY HOLE INTO
THE TOP OF THE MOUTHPIECE...
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...THEN DIPS
A THIN PLASTIC ROD IN GLUE
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AND INSERTS IT IN THE HOLE.
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00:04:07,724 --> 00:04:10,172
HE SANDS IT DOWN,
LEAVING A WHITE SPOT,
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00:04:10,172 --> 00:04:14,137
A MARKER THAT INDICATES
THE MOUTHPIECE IS RIGHT-SIDE-UP.
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00:04:14,137 --> 00:04:17,103
FOR BENT OR CURVED PIPES,
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00:04:17,103 --> 00:04:21,724
THE MOUTHPIECES ARE HEATED IN AN
OVEN AT 320 DEGREES FAHRENHEIT.
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00:04:21,724 --> 00:04:23,586
THIS MAKES THE VULCANITE
FLEXIBLE ENOUGH
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00:04:23,586 --> 00:04:25,827
TO BE SHAPED BY HAND.
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00:04:25,827 --> 00:04:29,379
THE PIPE-MAKER BENDS THE
MOUTHPIECE TO THE DESIRED SHAPE,
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00:04:29,379 --> 00:04:32,310
AND A QUICK COOL-DOWN IN WATER
RE-HARDENS THE VULCANITE,
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00:04:32,310 --> 00:04:34,344
FIXING ITS CURVE.
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00:04:38,103 --> 00:04:40,896
NEXT, HE BUFFS THE WOODEN PART
OF THE PIPE.
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00:04:40,896 --> 00:04:44,896
THIS REMOVES FINE SCRATCHES
AND BRINGS OUT THE WOOD GRAIN.
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00:04:46,344 --> 00:04:49,000
IT ALSO GIVES THE WOOD
A GLOSSY FINISH.
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00:04:51,103 --> 00:04:52,724
BUT FOR A DIFFERENT FINISH,
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A CRAFTSMAN SAND-BLASTS
THE BRIAR WOOD,
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GIVING IT A RIPPLE TEXTURE.
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00:04:57,275 --> 00:05:00,862
HE STAINS IT DARKER
WITH AN ALCOHOL-BASED DYE,
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00:05:00,862 --> 00:05:03,827
WORKING THE STAIN
INTO EVERY CREVICE.
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00:05:07,241 --> 00:05:09,103
AND NOW FOR A NEAT TRICK.
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HE SETS IT ON FIRE,
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AND THE ALCOHOL BURNS OFF
TO SET THE STAIN.
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THE PIPE DOESN'T GO UP
IN FLAMES,
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PROVING IT'S TRULY
FIRE-RESISTANT.
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00:05:18,344 --> 00:05:21,310
HE BURNS UP TO 10 LAYERS
OF STAIN INTO THE PIPE,
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00:05:21,310 --> 00:05:24,379
DEPENDING ON THE EFFECT
HE'S TRYING TO ACHIEVE.
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FINALLY,
HE STAMPS THE COMPANY NAME
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00:05:26,448 --> 00:05:28,758
AND OTHER INFORMATION
INTO THE PIPE.
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AFTER A FINAL
QUALITY INSPECTION,
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00:05:33,344 --> 00:05:35,379
THIS HANDCRAFTED BRIAR PIPE
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00:05:35,379 --> 00:05:39,103
IS ON ITS WAY TO MAKING
A STATEMENT AT THE COUNTRY CLUB.
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00:05:51,724 --> 00:05:54,655
Narrator: ROCK-CLIMBING IS NO
PASTIME FOR THE FAINT-HEARTED.
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SCALING NATURAL ROCK FORMATIONS
OR MANMADE ROCK WALLS
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00:05:58,517 --> 00:06:00,586
REQUIRES A CERTAIN FEARLESSNESS,
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00:06:00,586 --> 00:06:02,620
ALONG WITH GOOD
PHYSICAL CONDITIONING,
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00:06:02,620 --> 00:06:04,275
BALANCE, AGILITY,
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00:06:04,275 --> 00:06:06,793
AND YOU MUST BE WELL-TRAINED
IN CLIMBING TECHNIQUES
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00:06:06,793 --> 00:06:09,896
AND USE SPECIALIZED EQUIPMENT.
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00:06:11,241 --> 00:06:13,413
CLIMBERS USUALLY WORK IN PAIRS,
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00:06:13,413 --> 00:06:15,827
USING A SYSTEM OF ROPES
AND OTHER DEVICES
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00:06:15,827 --> 00:06:17,482
TO CATCH THEM IF THEY FALL.
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00:06:17,482 --> 00:06:21,241
A KEY PIECE OF GEAR IS THE
SPRING-LOADED CAMMING DEVICE.
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THE CLIMBER PULLS THE TRIGGER
TO CONTRACT THE CAMS
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00:06:24,000 --> 00:06:25,689
AND POSITION IT IN A CRACK
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00:06:25,689 --> 00:06:28,689
THEN RELEASES THE TRIGGER
TO EXPAND THE CAMS,
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WHICH SECURELY GRIP THE ROCK
ON EITHER SIDE,
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THEN ATTACHES A ROPE THROUGH
A DEVICE CALLED A CARABINER.
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00:06:35,827 --> 00:06:39,931
CLIMBERS TYPICALLY CARRY
SEVERAL TYPES AND SIZES OF CAMS,
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00:06:39,931 --> 00:06:43,655
CARABINERS, AND OTHER DEVICES.
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00:06:43,655 --> 00:06:46,482
THE EQUIPMENT MUST BE
AS LIGHTWEIGHT AS POSSIBLE,
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00:06:46,482 --> 00:06:48,103
YET, AT THE SAME TIME,
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STRONG ENOUGH
TO SAVE A FALLING CLIMBER.
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00:06:51,206 --> 00:06:55,413
WHICH IS WHY THIS MANUFACTURER
USES AIRCRAFT-GRADE ALUMINUM.
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00:06:55,413 --> 00:06:57,517
TO MAKE CARABINERS,
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00:06:57,517 --> 00:07:01,724
AUTOMATED SAWS CUT ALUMINUM BARS
INTO PIECES THE REQUIRED LENGTH.
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00:07:01,724 --> 00:07:05,689
THEN A BENDING MACHINE
FORCES EACH PIECE AROUND A FORM
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00:07:05,689 --> 00:07:08,206
IN THE BASIC SHAPE
OF THE CARABINER.
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00:07:12,275 --> 00:07:15,172
CARABINERS COME
IN VARIOUS SIZES AND SHAPES.
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00:07:15,172 --> 00:07:18,689
WORKERS SIMPLY MOUNT THE
APPROPRIATE FORM ON THE MACHINE.
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00:07:21,448 --> 00:07:26,103
NEXT, THEY PLACE THE ROUGHLY
FORMED CARABINER ONTO A HOT DIE.
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00:07:26,103 --> 00:07:30,655
ANOTHER DIE SLAMS DOWN ON IT
WITH UP TO 800 TONS OF FORCE,
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00:07:30,655 --> 00:07:33,068
FORGING THE FINAL SHAPE.
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00:07:33,068 --> 00:07:36,482
THEN THE MOST CRITICAL PART
OF THE MANUFACTURING PROCESS --
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00:07:36,482 --> 00:07:38,413
A MULTI-PHASE HEAT TREATMENT
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TO HARDEN AND STRENGTHEN
THE ALUMINUM.
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00:07:41,896 --> 00:07:44,068
NEXT, THEY USE A CLIPPING PRESS
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00:07:44,068 --> 00:07:47,000
TO SLICE OFF EXCESS METAL
ALONG THE PERIMETER.
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00:07:47,000 --> 00:07:48,655
THIS LEAVES ROUGH EDGES,
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00:07:48,655 --> 00:07:52,241
WHICH THEY NOW SMOOTH OUT
USING AN ABRASION PROCESS.
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00:07:52,241 --> 00:07:55,000
THE CARABINERS
GO INTO A VIBRATING TUB,
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WHERE THEY RUB AGAINST PORCELAIN
CHIPS FOR THE NEXT 20 HOURS.
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00:08:00,103 --> 00:08:03,034
NEXT, WORKERS DRILL HOLES
FOR THE RIVETS
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00:08:03,034 --> 00:08:06,689
ON WHICH THE SPRING-LOADED
OPENING MECHANISM WILL HINGE.
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00:08:07,862 --> 00:08:09,896
THAT MECHANISM, CALLED THE GATE,
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00:08:09,896 --> 00:08:13,241
HAS CHANNELS
WHICH ALIGN WITH THESE HOLES.
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00:08:13,241 --> 00:08:17,034
ASSEMBLERS SLIDE A SPRING AND
SPRING-PUSHER INTO THE GATE,
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00:08:17,034 --> 00:08:20,862
THEN INSERT THE RIVETS THROUGH
THE ALIGNED HOLES AND CHANNELS.
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00:08:20,862 --> 00:08:23,758
A RIVETING MACHINE
LOCKS EACH RIVET IN PLACE
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00:08:23,758 --> 00:08:26,620
BY ROUNDING
AND WIDENING THE HEAD.
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00:08:26,620 --> 00:08:29,172
THEN THEY ADJUST
THE CARABINER'S FRAME
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00:08:29,172 --> 00:08:31,586
UNTIL THE ALIGNMENT IS PERFECT.
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00:08:31,586 --> 00:08:34,068
AFTER A THOROUGH INSPECTION,
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00:08:34,068 --> 00:08:37,413
A LASER ETCHING MACHINE
INSCRIBES PRODUCT INFORMATION
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00:08:37,413 --> 00:08:39,931
AND A UNIQUE SERIAL NUMBER.
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00:08:39,931 --> 00:08:44,862
RANDOM SAMPLES UNDERGO STRENGTH
AND OTHER QUALITY-CONTROL TESTS.
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00:08:47,448 --> 00:08:48,896
ELSEWHERE IN THE FACTORY,
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00:08:48,896 --> 00:08:51,413
CAMMING DEVICE PRODUCTION
IS UNDER WAY.
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00:08:51,413 --> 00:08:54,862
COMPUTER-GUIDED EQUIPMENT
MACHINES THE SAME ALUMINUM ALLOY
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00:08:54,862 --> 00:08:56,862
TO A PRELIMINARY SHAPE,
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00:08:56,862 --> 00:08:58,344
SAWS OFF SLICES,
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00:08:58,344 --> 00:09:01,758
THEN MACHINES EACH SLICE
TO THE FINAL SHAPE OF A CAM.
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00:09:03,793 --> 00:09:07,655
AN ASSEMBLER ATTACHES A WIRE
TO EACH CAM...
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00:09:07,655 --> 00:09:10,689
THEN TAKES FOUR CAMS
AND JOINS THEIR WIRES
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00:09:10,689 --> 00:09:13,620
TO THE TRIGGER WIRES
WITH A METAL CRIMP.
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00:09:20,793 --> 00:09:23,655
THE CAMS, BY THIS POINT,
ARE DIFFERENT COLORS.
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00:09:23,655 --> 00:09:26,034
THAT'S BECAUSE THEY'VE UNDERGONE
CHEMICAL TREATMENT
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00:09:26,034 --> 00:09:28,413
TO MAKE THEM
CORROSION-RESISTANT.
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00:09:28,413 --> 00:09:31,758
THIS PROCESS CAN, IN FACT,
PRODUCE VARIOUS COLORS.
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00:09:31,758 --> 00:09:33,137
SO, AT THE SAME TIME,
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00:09:33,137 --> 00:09:36,413
THE COMPANY CAN COLOR-CODE
THE DIFFERENT MODELS.
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00:09:36,413 --> 00:09:39,689
AS ASSEMBLY CONTINUES,
THEY THREAD THE CAMS
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00:09:39,689 --> 00:09:42,965
ONTO AN AXLE-LIKE COMPONENT
CALLED THE SPINDLE,
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00:09:42,965 --> 00:09:47,310
POSITIONING A SPRING
IN BETWEEN EACH CAM.
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00:09:47,310 --> 00:09:50,068
THE SPRINGS PROVIDE
THE RESISTANCE REQUIRED
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00:09:50,068 --> 00:09:52,586
TO EXPAND AND RETRACT
THE DEVICE.
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00:09:58,379 --> 00:10:02,344
A CONE-SHAPED WASHER
ON EACH END OF THE SPINDLE
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00:10:02,344 --> 00:10:04,137
HOLDS EVERYTHING TOGETHER.
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00:10:06,482 --> 00:10:09,896
THIS TIME, THE RIVETING MACHINE
LOCKS IN THE COMPONENTS
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00:10:09,896 --> 00:10:12,827
BY FLATTENING AND WIDENING
THE END OF THE SPINDLE
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00:10:12,827 --> 00:10:15,000
TO FILL THE HOLE IN THE WASHER.
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00:10:17,310 --> 00:10:21,551
WITH THAT,
THE CAMMING DEVICE IS FINISHED.
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00:10:21,551 --> 00:10:23,827
THIS IS HOW CAMMING DEVICES,
CARABINERS,
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00:10:23,827 --> 00:10:26,103
AND OTHER CLIMBING GEAR
ALL WORK TOGETHER
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00:10:26,103 --> 00:10:29,206
TO CATCH CLIMBERS
WHO LOSE THEIR FOOTHOLD.
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00:10:31,896 --> 00:10:34,517
NOT ONLY DO THEY KEEP
THE CLIMBER SAFE,
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00:10:34,517 --> 00:10:36,172
THEY ALSO PROTECT NATURE,
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00:10:36,172 --> 00:10:37,965
BECAUSE THEY ATTACH
TO THE ROCK FACE
168
00:10:37,965 --> 00:10:40,275
WITHOUT DAMAGING IT IN ANY WAY.
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00:10:51,862 --> 00:10:53,275
Narrator:
LEATHER BIKE SADDLES
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00:10:53,275 --> 00:10:56,482
FEATURE A LEATHER TOP
SUSPENDED ON A METAL FRAME.
171
00:10:56,482 --> 00:10:59,517
WITH TIME AND USE,
THE LEATHER MOLDS ITSELF
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00:10:59,517 --> 00:11:01,758
TO PERFECTLY SUIT
THE RIDER'S ANATOMY
173
00:11:01,758 --> 00:11:03,689
AND THEIR CYCLING STYLE.
174
00:11:03,689 --> 00:11:06,551
AND JUST LIKE A PAIR
OF LEATHER SHOES,
175
00:11:06,551 --> 00:11:08,896
THE SADDLE BECOMES
VERY COMFORTABLE.
176
00:11:11,827 --> 00:11:13,896
LEATHER BIKE SADDLES
LOOK ALMOST THE SAME
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00:11:13,896 --> 00:11:17,275
AS THEY DID 100 YEARS AGO.
178
00:11:17,275 --> 00:11:19,172
THEY ARE STILL MADE BY HAND
179
00:11:19,172 --> 00:11:22,965
AND BY SOME MACHINERY THAT IS
SOMETIMES OVER 60 YEARS OLD.
180
00:11:24,931 --> 00:11:28,655
SADDLES ARE MADE EXCLUSIVELY
OF METAL AND LEATHER,
181
00:11:28,655 --> 00:11:30,586
TRADITIONAL MATERIALS
THAT RETAIN
182
00:11:30,586 --> 00:11:32,896
THE STYLE AND QUALITY
OF THE EARLY DAYS.
183
00:11:37,310 --> 00:11:39,793
THE FIRST STEP IS MAKING
THE STEEL WIRE SPRINGS
184
00:11:39,793 --> 00:11:42,241
FOR SADDLES
THAT HAVE A SUSPENSION.
185
00:11:42,241 --> 00:11:45,689
THE MACHINE COILS AND CUTS
THE WIRE TO THE PROPER LENGTH.
186
00:11:45,689 --> 00:11:49,655
LIQUID LUBRICANT KEEPS
EVERYTHING RUNNING SMOOTHLY.
187
00:11:49,655 --> 00:11:53,379
DEPENDING ON THE SADDLE'S MODEL,
SOME SPRINGS ARE THEN CHROMED.
188
00:11:56,379 --> 00:11:59,620
THIS MACHINE FOLDS AND CURLS
STEEL OR TITANIUM WIRE
189
00:11:59,620 --> 00:12:01,931
TO FORM BRACKETS.
190
00:12:04,068 --> 00:12:05,586
IT'S ADJUSTABLE,
191
00:12:05,586 --> 00:12:08,620
SO IT CAN MAKE BRACKETS
OF DIFFERENT SIZES AND SHAPES,
192
00:12:08,620 --> 00:12:11,034
DEPENDING ON THE MODEL
BEING PRODUCED.
193
00:12:19,379 --> 00:12:22,172
A TECHNICIAN ASSEMBLES
THE SPRINGS AND BRACKETS
194
00:12:22,172 --> 00:12:25,241
TO FORM THE SADDLE'S FRAME.
195
00:12:38,655 --> 00:12:41,137
HE ATTACHES THE CLAMP
SO THAT THE SADDLE
196
00:12:41,137 --> 00:12:44,137
CAN BE ATTACHED
TO THE BICYCLE'S SEAT POST.
197
00:12:59,275 --> 00:13:03,241
SADDLES COME IN DIFFERENT SIZES
AND SHAPES,
198
00:13:03,241 --> 00:13:05,172
WITH OR WITHOUT
SUSPENSION SPRINGS
199
00:13:05,172 --> 00:13:08,068
TO ACCOMMODATE
VARIOUS RIDING STYLES --
200
00:13:08,068 --> 00:13:11,620
RACING, MOUNTAIN BIKING,
OR CITY COMMUTING.
201
00:13:15,275 --> 00:13:17,310
NOW FOR THE SADDLE'S
LEATHER TOP.
202
00:13:17,310 --> 00:13:19,758
USING A HYDRAULIC
CLICKING PRESS,
203
00:13:19,758 --> 00:13:22,793
THE WORKER CUTS THE LEATHER
WITH A SHARP BLADE.
204
00:13:24,482 --> 00:13:28,172
THE BLADE CUTS VENTILATION HOLES
AT THE SAME TIME.
205
00:13:31,793 --> 00:13:36,103
TANNERIES PROVIDE LEATHER IN ANY
COLOR REQUIRED BY THE FACTORY.
206
00:13:39,103 --> 00:13:40,689
AFTER THE TOPS ARE CUT,
207
00:13:40,689 --> 00:13:44,034
THEY SOAK IN TEPID WATER
FOR 20 MINUTES TO AN HOUR,
208
00:13:44,034 --> 00:13:46,862
UNTIL THE LEATHER
IS COMPLETELY SATURATED.
209
00:13:51,896 --> 00:13:54,862
THE WET LEATHER TOP
THEN GOES TO A PRESS,
210
00:13:54,862 --> 00:13:58,827
WHICH APPLIES 2,000 POUNDS
OF PRESSURE PER SQUARE INCH.
211
00:13:58,827 --> 00:14:00,620
USING A LEATHER CUSHION,
212
00:14:00,620 --> 00:14:02,551
THE TECHNICIAN PADS
THE LEATHER PIECE
213
00:14:02,551 --> 00:14:04,275
TO HELP REINFORCE THE SHAPE,
214
00:14:04,275 --> 00:14:06,448
ESPECIALLY
IN THE NARROW FRONT END.
215
00:14:06,448 --> 00:14:08,482
BECAUSE THE TOP IS WET,
216
00:14:08,482 --> 00:14:12,034
IT RETAINS THE SHAPE
AND DOES NOT BOUNCE BACK.
217
00:14:12,034 --> 00:14:15,482
THEY CAREFULLY SAND THE LEATHER
TO GET A SMOOTH EDGE.
218
00:14:18,103 --> 00:14:21,103
THE TOPS NOW GO INTO THE OVEN
FOR THREE HOURS
219
00:14:21,103 --> 00:14:26,034
AT A MAXIMUM TEMPERATURE
OF 130 DEGREES FAHRENHEIT.
220
00:14:28,137 --> 00:14:31,482
NOW THEY'RE READY
FOR THE FINISHING PROCESS.
221
00:14:33,206 --> 00:14:37,172
A WORKER RIVETS A NAME PLATE
TO THE REAR OF THE SADDLE...
222
00:14:41,137 --> 00:14:44,344
...THEN STAMPS A TRADEMARK
ON EACH SIDE.
223
00:14:49,275 --> 00:14:52,896
EACH SADDLE MODEL
HAS ITS OWN TRADEMARK.
224
00:14:56,793 --> 00:14:59,103
THEY ATTACH THE NOSE
TO THE FRONT OF THE SADDLE
225
00:14:59,103 --> 00:15:01,586
USING SOLID COPPER RIVETS.
226
00:15:01,586 --> 00:15:03,965
THEY HAMMER EACH ONE DOWN
CAREFULLY
227
00:15:03,965 --> 00:15:08,172
TO FOLLOW THE CONTOURS OF THE
LEATHER WITHOUT SCRATCHING IT.
228
00:15:08,172 --> 00:15:12,172
THIS MACHINE NOW RIVETS THE
FRAME TO THE BACK OF THE SADDLE.
229
00:15:18,068 --> 00:15:22,827
THEY INSERT A TENSION PIN
BETWEEN THE FRAME AND THE NOSE.
230
00:15:22,827 --> 00:15:26,103
THIS PIN WILL ALLOW THE RIDER
TO ADJUST HIS SADDLE
231
00:15:26,103 --> 00:15:30,896
IF THE LEATHER STARTS SAGGING
AFTER A FEW YEARS.
232
00:15:30,896 --> 00:15:34,896
IT TAKES ABOUT THREE DAYS
TO MAKE A LEATHER BIKE SADDLE.
233
00:15:34,896 --> 00:15:36,758
AND WITH CAREFUL CARE,
234
00:15:36,758 --> 00:15:39,000
IT CAN BE USED
FOR YEARS TO COME.
235
00:15:50,172 --> 00:15:52,275
Narrator:
LUXURY SPORTS CARS
236
00:15:52,275 --> 00:15:54,586
ARE COVETED BY PEOPLE
AROUND THE WORLD,
237
00:15:54,586 --> 00:15:56,034
AND WITH GOOD REASON.
238
00:15:56,034 --> 00:15:58,413
THE EXTRAORDINARY SKILLS
AND MATERIALS
239
00:15:58,413 --> 00:15:59,965
THAT GO INTO MAKING THEM
240
00:15:59,965 --> 00:16:02,655
WERE DEVELOPED
FROM A LONG RACING HERITAGE.
241
00:16:02,655 --> 00:16:04,172
EACH ONE OF THESE AUTOMOBILES
242
00:16:04,172 --> 00:16:06,344
IS BORN
FROM EXPERT CRAFTSMANSHIP
243
00:16:06,344 --> 00:16:08,344
AND A PASSION FOR RACING.
244
00:16:12,413 --> 00:16:14,689
UNDERNEATH THE BEAUTIFUL
EXTERIOR OF THESE CARS
245
00:16:14,689 --> 00:16:17,172
LIE A CHASSIS AND POWER TRAIN
246
00:16:17,172 --> 00:16:20,344
CAPABLE OF DELIVERING
REMARKABLE PERFORMANCE.
247
00:16:25,793 --> 00:16:29,758
THE ALUMINUM FRAME IS ENGINEERED
TO BE LIGHTWEIGHT, YET RIGID,
248
00:16:29,758 --> 00:16:31,310
AND PROVIDE CRUMPLE ZONES
249
00:16:31,310 --> 00:16:35,275
THAT CAN EVENLY DISTRIBUTE FORCE
IN THE EVENT OF AN IMPACT.
250
00:16:35,275 --> 00:16:37,413
IT TAKES HIGHLY SKILLED
TECHNICIANS
251
00:16:37,413 --> 00:16:39,827
TO PERFORM THESE COMPLEX WELDS.
252
00:16:43,586 --> 00:16:47,310
ON THE FACTORY FLOOR,
ROBOTS TRANSPORT THE BODY PANELS
253
00:16:47,310 --> 00:16:49,827
THAT WILL LATER BE FITTED
ONTO THE CHASSIS.
254
00:16:54,655 --> 00:16:56,206
ONCE THE FRAME IS COMPLETED,
255
00:16:56,206 --> 00:16:58,241
TECHNICIANS USE
A PNEUMATIC HOIST
256
00:16:58,241 --> 00:17:02,206
TO POSITION AND ATTACH
EXTERIOR PANELS AND DOORS.
257
00:17:02,206 --> 00:17:04,931
DOOR PANEL CUTOUTS
REDUCE THE CAR'S WEIGHT
258
00:17:04,931 --> 00:17:08,344
WHILE RETAINING A HIGH DEGREE
OF STRUCTURAL INTEGRITY.
259
00:17:08,344 --> 00:17:10,551
THE ELONGATED CUTOUTS
ON THIS MODEL
260
00:17:10,551 --> 00:17:13,103
WILL HOUSE
ITS STYLIZED HEADLIGHTS.
261
00:17:13,103 --> 00:17:15,758
NEXT, THEY COAT THE CAR
IN A COMPOUND
262
00:17:15,758 --> 00:17:18,586
WHICH FLUORESCES
UNDER A SPECIAL LIGHTING SYSTEM.
263
00:17:18,586 --> 00:17:23,413
THIS HELPS TECHNICIANS DETECT
ANY MINUTE IMPERFECTIONS.
264
00:17:23,413 --> 00:17:26,827
THESE IMPERFECTIONS
ARE THEN FILED DOWN BY HAND.
265
00:17:30,413 --> 00:17:34,000
HERE, A ROBOT FULLY IMMERSES
AND ROTATES THE CHASSIS
266
00:17:34,000 --> 00:17:37,344
IN A GALVANIZING SOLUTION
THAT PREVENTS CORROSION.
267
00:17:37,344 --> 00:17:39,413
ONCE THE BODY HAS BEEN PRIMED,
268
00:17:39,413 --> 00:17:42,689
IT PASSES THROUGH A DEVICE
THAT DUSTS OFF THE ENTIRE BODY
269
00:17:42,689 --> 00:17:45,758
WITH OSTRICH-FEATHER BRUSHES.
270
00:17:45,758 --> 00:17:49,586
NEXT STOP, THE PAINT ROOM,
WHERE ROBOTS SPRAY THE CAR BODY
271
00:17:49,586 --> 00:17:52,068
WITH A SMOOTH,
EVEN COAT OF PAINT.
272
00:17:54,517 --> 00:17:56,827
ONCE THE PAINT DRIES AND CURES,
273
00:17:56,827 --> 00:17:59,793
THE ROBOTS APPLY SEVERAL COATS
OF VARNISH.
274
00:17:59,793 --> 00:18:04,517
THE FINAL STEP IN BODY PREP
IS A METICULOUS WAXING BY HAND
275
00:18:04,517 --> 00:18:07,172
TO REMOVE
ANY REMAINING BLEMISHES.
276
00:18:10,758 --> 00:18:14,206
MOVING ON TO THE CHASSIS,
A TECHNICIAN USES A HOIST
277
00:18:14,206 --> 00:18:18,310
TO POSITION AND FASTEN
THE ENGINE AND GEARBOX IN PLACE.
278
00:18:21,448 --> 00:18:24,517
HERE, ROBOTS TRANSPORT
THE COMPLETED POWER TRAIN
279
00:18:24,517 --> 00:18:27,379
TO THE ASSEMBLY AREA...
280
00:18:27,379 --> 00:18:29,275
WHERE AN AUTOMATIC CRANE
281
00:18:29,275 --> 00:18:32,206
GENTLY LOWERS THE CAR BODY
ONTO THE CHASSIS,
282
00:18:32,206 --> 00:18:34,482
WHICH INCLUDES
THE FULLY ASSEMBLED SUSPENSION,
283
00:18:34,482 --> 00:18:36,689
GEARBOX, AND ENGINE.
284
00:18:36,689 --> 00:18:39,068
THIS STEP IS KNOWN
AS THE MARRIAGE.
285
00:18:41,413 --> 00:18:44,275
NEXT, A WORKER
INSTALLS THE WHEELS
286
00:18:44,275 --> 00:18:47,344
WITH SOME HELP
FROM A HYDRAULIC LIFTING SYSTEM.
287
00:18:55,000 --> 00:18:57,000
AT THE NEXT STATION,
288
00:18:57,000 --> 00:19:00,172
TECHNICIANS TEST
ALL THE DASHBOARD COMPONENTS.
289
00:19:00,172 --> 00:19:02,344
THIS VEHICLE FEATURES
A COMBINATION
290
00:19:02,344 --> 00:19:04,827
OF ANALOG AND DIGITAL DISPLAYS.
291
00:19:09,724 --> 00:19:11,448
A MASTER COMPUTER
292
00:19:11,448 --> 00:19:14,275
RUNS THE ELECTRONICS
AND INFORMATION SYSTEMS.
293
00:19:17,241 --> 00:19:19,551
AGAIN WITH THE HELP
OF THE CRANE,
294
00:19:19,551 --> 00:19:22,206
TECHNICIANS INSTALL
THE FINISHED DASHBOARD.
295
00:19:35,034 --> 00:19:37,482
THE NEXT STEP
IS THE STEERING WHEEL.
296
00:19:37,482 --> 00:19:40,655
ASSISTED
BY A SPECIAL ASSEMBLY JIG,
297
00:19:40,655 --> 00:19:42,241
A TECHNICIAN POSITIONS
298
00:19:42,241 --> 00:19:44,758
AND TIGHTENS IT
ONTO THE STEERING COLUMN.
299
00:19:51,965 --> 00:19:54,172
WORKERS LOWER THE TRUNK COVER
300
00:19:54,172 --> 00:19:56,689
AND CONVERTIBLE HARDTOP
INTO POSITION,
301
00:19:56,689 --> 00:19:59,758
WHICH IS PARTICULAR
TO THIS MODEL OF CAR.
302
00:20:06,551 --> 00:20:08,758
A WORKER DOUBLE-CHECKS
THE INSTALLATION
303
00:20:08,758 --> 00:20:10,862
OF THE HYDRAULIC MECHANISM.
304
00:20:12,655 --> 00:20:14,586
THIS BEAUTIFUL ROAD MACHINE
305
00:20:14,586 --> 00:20:18,241
IS THE CULMINATION
OF YEARS OF RACING HISTORY,
306
00:20:18,241 --> 00:20:22,000
MODERN ENGINEERING,
AND DEDICATED CRAFTSMANSHIP.
307
00:20:25,620 --> 00:20:28,206
NOW WATCH THIS.
308
00:20:30,758 --> 00:20:32,758
THIS IS ONE OF THE FEW CARS
309
00:20:32,758 --> 00:20:36,137
THAT FEATURES A FULLY AUTOMATED
CONVERTIBLE HARDTOP.
310
00:20:36,137 --> 00:20:40,275
THIS BEAUTY IS NOW READY
FOR THE SUN, WIND,
311
00:20:40,275 --> 00:20:42,241
AND THE OPEN ROAD.
312
00:20:52,000 --> 00:20:54,310
IF YOU HAVE ANY COMMENTS
ABOUT THE SHOW,
313
00:20:54,310 --> 00:20:57,275
OR IF YOU'D LIKE TO SUGGEST
TOPICS FOR FUTURE SHOWS,
314
00:20:57,275 --> 00:20:59,275
DROP US A LINE AT...
25332
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