Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:12,717 --> 00:00:16,140
A slightly misleading about by by talking
about now you know you know the second
2
00:00:16,650 --> 00:00:19,030
it looks up at
like a real studio.
3
00:00:19,740 --> 00:00:20,700
Or something like that
4
00:00:20,910 --> 00:00:23,460
but it's just a computer
or a bunch of screens
5
00:00:23,580 --> 00:00:24,447
and a couple of
6
00:00:25,020 --> 00:00:26,340
not very good speakers
7
00:00:26,670 --> 00:00:27,150
so
8
00:00:27,271 --> 00:00:29,950
we we can just picked us up and.
9
00:00:30,030 --> 00:00:31,080
You know off week out
10
00:00:31,501 --> 00:00:35,070
the thing that i don't think
rocks as to try a movie
11
00:00:35,310 --> 00:00:38,400
to try to make a movie if you're
not in the same town as the people
12
00:00:38,730 --> 00:00:39,360
i don't think
13
00:00:39,840 --> 00:00:41,801
i think you you never
get the subtlety of the
14
00:00:41,801 --> 00:00:44,700
conversation if you try to
do these things over Skype or
15
00:00:45,270 --> 00:00:46,080
any of this
16
00:00:46,590 --> 00:00:47,590
and.
17
00:00:48,511 --> 00:00:49,267
The that
18
00:00:49,376 --> 00:00:50,699
the hottest thing i mean
19
00:00:51,118 --> 00:00:53,800
the hottest thing i
think we ever did was.
20
00:00:54,241 --> 00:00:54,473
The
21
00:00:54,900 --> 00:00:56,080
on inception.
22
00:00:56,970 --> 00:00:59,668
We were supposed to
record the score London
23
00:01:00,060 --> 00:01:03,270
and the volcano
Iceland blew up so we
24
00:01:03,840 --> 00:01:06,220
couldn't get to the
planes about flying.
25
00:01:06,811 --> 00:01:10,110
Which wasn't actually strictly true we
could have gotten to London but we were
26
00:01:10,110 --> 00:01:11,880
worried about not
being able to come back
27
00:01:12,300 --> 00:01:13,300
so.
28
00:01:13,560 --> 00:01:14,800
We used.
29
00:01:15,210 --> 00:01:18,640
All technology artist spousal
i mean we literally put.
30
00:01:19,500 --> 00:01:21,030
More cameras the new guys
31
00:01:21,150 --> 00:01:21,900
half right now
32
00:01:22,290 --> 00:01:26,937
we put i think six cameras in amongst
the orchestra we might the orchestra
33
00:01:27,060 --> 00:01:27,660
in a way
34
00:01:28,050 --> 00:01:29,260
i had.
35
00:01:30,090 --> 00:01:34,360
I had control over the talkback back
from here so i could speak to them
36
00:01:34,470 --> 00:01:37,392
and we knew all the players
so if i heard a voice asking
37
00:01:37,422 --> 00:01:40,650
something in the orchestra
i knew it was Mary the basis
38
00:01:40,830 --> 00:01:42,150
of somebody you know because
39
00:01:42,780 --> 00:01:43,050
but.
40
00:01:43,800 --> 00:01:45,270
During these
sessions starting at
41
00:01:45,630 --> 00:01:47,830
two am our time.
42
00:01:49,170 --> 00:01:51,570
Watching them
take their lunch break
43
00:01:51,840 --> 00:01:52,050
at
44
00:01:52,433 --> 00:01:54,868
i dunno six am our
time watching them
45
00:01:55,110 --> 00:01:56,310
file out and.
46
00:01:56,937 --> 00:01:58,230
It was just brutal
47
00:01:58,380 --> 00:01:58,920
and and
48
00:01:59,250 --> 00:02:03,000
you don't get the communication you
don't get the subtlety you don't get the.
49
00:02:03,780 --> 00:02:05,980
Music happens in real time
50
00:02:06,210 --> 00:02:08,100
and performance
happens in real time
51
00:02:08,490 --> 00:02:09,640
and and.
52
00:02:10,050 --> 00:02:12,330
Even that slight delay just
53
00:02:12,840 --> 00:02:15,880
it just throws to our
natural rhythms of.
54
00:02:16,050 --> 00:02:16,313
So
55
00:02:16,442 --> 00:02:16,800
and
56
00:02:16,950 --> 00:02:18,120
and i think everything
57
00:02:18,570 --> 00:02:22,000
that we do is about
communicating with each other.
58
00:02:23,098 --> 00:02:24,098
And.
59
00:02:24,540 --> 00:02:27,168
The i mean it's just
that it's just the way i like
60
00:02:27,168 --> 00:02:30,180
workings i like i i like
making direct the director
61
00:02:30,360 --> 00:02:31,093
and the editor
62
00:02:31,260 --> 00:02:32,920
be part of the band
63
00:02:33,390 --> 00:02:34,390
and.
64
00:02:34,775 --> 00:02:35,040
Locked
65
00:02:35,250 --> 00:02:38,909
i play a computer you know the
editor place a computer you know
66
00:02:39,060 --> 00:02:43,480
i so it's not about that it's about
the conversation it's about about.
67
00:02:44,520 --> 00:02:46,050
Feeling but you know
68
00:02:46,470 --> 00:02:49,890
and and and instantly feeling but they
are feeling when you play them the piece of
69
00:02:49,890 --> 00:02:52,570
music i mean again
it's this thing about.
70
00:02:52,770 --> 00:02:57,550
You need to listen but sometimes it's
not even with your as you just need to.
71
00:02:57,871 --> 00:02:58,320
Feel
72
00:02:58,560 --> 00:03:01,270
what they're feeling they
don't need to say anything
73
00:03:01,920 --> 00:03:05,220
and.
74
00:03:07,170 --> 00:03:08,880
It's really amazing but
75
00:03:09,000 --> 00:03:11,170
what happens how you can.
76
00:03:12,570 --> 00:03:13,680
Start with a piece
77
00:03:14,220 --> 00:03:15,600
were all the notes up
78
00:03:15,930 --> 00:03:18,280
played well and it's all.
79
00:03:19,170 --> 00:03:21,100
It's old musically correct
80
00:03:22,110 --> 00:03:22,500
but
81
00:03:22,650 --> 00:03:24,480
the emotion isn't quite there
82
00:03:24,630 --> 00:03:26,835
and you can brag on
that i mean you can really
83
00:03:26,925 --> 00:03:30,250
work and then he
can really get that to.
84
00:03:30,600 --> 00:03:33,790
Blossom and suddenly you
get these moments where.
85
00:03:33,930 --> 00:03:35,640
It is undeniable
86
00:03:35,760 --> 00:03:39,040
that the story is being
told in the correct way.
87
00:03:39,090 --> 00:03:41,760
That everybody's on the
same page and everybody know
88
00:03:42,001 --> 00:03:44,470
why they're playing
the note i mean.
89
00:03:45,870 --> 00:03:47,400
It's it's a weird thing
when you have a
90
00:03:47,730 --> 00:03:49,510
when you have a large orchestra.
91
00:03:50,430 --> 00:03:54,179
Here are the front row is going to
be praying exact and passionate etc
92
00:03:54,504 --> 00:03:54,840
and the
93
00:03:55,006 --> 00:03:56,640
you know as it
goes down the line
94
00:03:57,120 --> 00:03:58,690
it might not be.
95
00:03:58,830 --> 00:04:02,980
Your best players that doesn't mean
that not necessarily technically proficient
96
00:04:03,330 --> 00:04:04,020
but they might not
97
00:04:04,320 --> 00:04:06,090
have a great tone
or something like this
98
00:04:06,785 --> 00:04:07,030
and
99
00:04:07,488 --> 00:04:08,400
might yeah
100
00:04:08,730 --> 00:04:14,279
doesn't go to the guy who play place the
loud wrong out my ear always picks up the
101
00:04:14,288 --> 00:04:17,280
one person who
doesn't quite know
102
00:04:17,610 --> 00:04:20,820
why they're playing the note
they don't know what story to tell
103
00:04:21,090 --> 00:04:23,460
so that's like an
indifference and their sound
104
00:04:23,820 --> 00:04:26,009
my ear gas than and i know okay
105
00:04:26,460 --> 00:04:30,300
gotta have a bit of attach here you
know and and and and figure out how to
106
00:04:30,540 --> 00:04:32,473
how to encourage and help
107
00:04:32,610 --> 00:04:33,150
and get
108
00:04:33,480 --> 00:04:37,300
everybody to understand but
water test about trying to do
109
00:04:37,590 --> 00:04:38,777
and and the great thing
110
00:04:38,970 --> 00:04:39,481
about these
111
00:04:39,642 --> 00:04:41,139
sessions i mean.
112
00:04:43,890 --> 00:04:49,780
They are so you know they're so used to
storytelling mr instruments that they get it.
113
00:04:50,160 --> 00:04:57,180
Hm directors are envious
114
00:04:57,300 --> 00:04:59,550
when when they come
to the orchestra session
115
00:04:59,940 --> 00:05:00,940
cause.
116
00:05:01,680 --> 00:05:05,050
You know that one hundred
plus people sitting there.
117
00:05:05,880 --> 00:05:06,900
And first of all
118
00:05:07,110 --> 00:05:08,530
they're not chatting.
119
00:05:08,850 --> 00:05:10,480
The paying attention
120
00:05:10,740 --> 00:05:14,370
and imagine you have a scene
with one hundred plus extras it's
121
00:05:14,670 --> 00:05:15,030
you know
122
00:05:15,210 --> 00:05:15,540
it's
123
00:05:15,660 --> 00:05:17,010
quite hard to go and
124
00:05:17,130 --> 00:05:17,967
wrangled them
125
00:05:18,150 --> 00:05:20,130
you know what i mean it's
close to one hundred and
126
00:05:20,490 --> 00:05:23,260
plus puppies or
something sometimes
127
00:05:23,400 --> 00:05:24,400
but.
128
00:05:24,644 --> 00:05:26,730
Here are these people
they're sitting there
129
00:05:27,240 --> 00:05:27,660
and
130
00:05:28,110 --> 00:05:29,730
you can tell them what to do
131
00:05:29,850 --> 00:05:30,480
and they will
132
00:05:30,690 --> 00:05:34,780
they will dirt beautifully
the experts at.
133
00:05:35,340 --> 00:05:37,920
Picking up their instruments
and making a beautiful
134
00:05:38,040 --> 00:05:39,930
sound if you want
to beautiful south
135
00:05:40,380 --> 00:05:42,460
if you want a scary sound.
136
00:05:43,050 --> 00:05:44,490
They could scare you to death
137
00:05:44,850 --> 00:05:45,420
so
138
00:05:45,780 --> 00:05:46,160
you
139
00:05:46,260 --> 00:05:47,310
you have this
140
00:05:47,730 --> 00:05:50,830
each one of them isn't
isn't complete expert
141
00:05:51,150 --> 00:05:52,150
and
142
00:05:52,348 --> 00:05:54,840
and they're experts
as being human beings
143
00:05:54,962 --> 00:05:55,142
are
144
00:05:55,259 --> 00:05:57,072
expressing humanity
145
00:05:57,450 --> 00:05:58,450
so.
146
00:05:59,341 --> 00:06:01,050
Figure out how to
get that you know
147
00:06:01,470 --> 00:06:02,670
figure out how to get your
148
00:06:02,971 --> 00:06:04,050
self some of that
149
00:06:04,440 --> 00:06:05,580
get that out of that
150
00:06:05,790 --> 00:06:09,430
i mean that that that's
the part you know and and.
151
00:06:09,480 --> 00:06:11,710
Okay here's here's a good one.
152
00:06:11,940 --> 00:06:13,440
The thing you're doing us
153
00:06:13,830 --> 00:06:17,560
you're making a recording you're
not doing a live performance.
154
00:06:17,970 --> 00:06:21,150
At the beginning i used to
get caught out all the time
155
00:06:21,570 --> 00:06:21,900
you know
156
00:06:22,260 --> 00:06:24,852
sitting behind the glass
looking at the fabulous
157
00:06:24,858 --> 00:06:28,620
orchestra and as passion
and their faces and oppose the
158
00:06:29,070 --> 00:06:33,970
doing everything in the guys are hitting
things and it's you look so exciting.
159
00:06:36,450 --> 00:06:40,480
And two days later and blessing
back to it and it's really boring
160
00:06:40,620 --> 00:06:42,750
when making a
recording but not during
161
00:06:43,140 --> 00:06:45,450
a live performance and
there's a big difference between
162
00:06:45,750 --> 00:06:48,659
making a recording and during a
live performance and there's there's
163
00:06:48,782 --> 00:06:53,170
something not bad about
not actually getting seduced
164
00:06:53,310 --> 00:06:54,610
by the.
165
00:06:55,050 --> 00:06:56,400
The smiles and the
166
00:06:56,520 --> 00:06:59,016
energy and the bright
eyes you know this
167
00:06:59,430 --> 00:07:00,030
so
168
00:07:00,150 --> 00:07:01,150
listen
169
00:07:01,350 --> 00:07:02,490
listen to the thing
170
00:07:02,880 --> 00:07:03,195
you're
171
00:07:03,390 --> 00:07:06,495
and and help them to make
the best recording as opposed
172
00:07:06,600 --> 00:07:08,260
to make the best.
173
00:07:08,610 --> 00:07:10,540
Theater pray for you.
12275
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.
Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Faroese
Finnish
Galician
Georgian
German
Greek
Guarani
Haitian Creole
Hausa
Hawaiian
Hebrew
Hmong
Hungarian
Icelandic
Indonesian
Irish
Italian
Japanese
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kyrgyz
Laothian
Latin
Latvian
Lithuanian
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Maltese
Maori
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Norwegian
Pashto
Persian
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Quechua
Romanian
Romansh
Russian
Samoan
Scots Gaelic
Serbian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Swedish
Tajik
Thai
Tigrinya
Tonga
Turkish
Turkmen
Ukrainian
Uzbek
Vietnamese
Welsh
Wolof