All language subtitles for 17_Character_Theme_Jack_Sparrow

Some movies are entirely
character traveling them

you know i mean

if if you say

Sherlock Holmes

yeah you know it's

it's pretty obvious
it's it's about the

character

and

if

if you said to be
pirates actually

Jack sparrow steam.

I forgotten about to expel you
know they must watch Bob how.

As

up

oh that's less than
been to London

let's figure out a language of

of how we can

describe the movie and

and

yeah and a funny way i mean there's
as a god gave me all the clues at

get know.

Pirates by the

rock and roll us

you know off the of the middle
ages or whatever you know so oh

it's just the

boogie

that's all the tests the
that that that cute i'm.

So so.

Every secondary to

other than Jacques
came out of the.

About the

to and stops with that as well.

I'm

so so so i thought

you know

if i have a family of tune

that all stop with the

same three notes you know.

That is the family the

the the the

you know that that's the set design
for this movie and a funny sort of way.

So yes the the
the the the overall.

Sound of the movie came first.

What i try to do is i tried to
find the tone of the movie.

I try to find the
tone for the movie

more than

anything else

and.

You know.

Built the that and then
put the actors Internet.

So yeah i mean

look i.

Some of the characters i i
don't remember but the process

is usually the same as

i really try to figure out.

How that character resonates
with me and then it becomes a game

it's becomes a game of.

It's.

It's no different than telling.

Your best friend about
somebody you met and

the impression they
left on you and you're

trying to describe the
pass them to somebody

else who

has never met the past.

Set sail

in a

the general.

Way.

Can.

Make sense united.

Went to sleep.

The seem to be a

exchange.

Yeah.

With that no one he's one

and.

Something's got Jack next.

Magna works with the

for Jack sparrow.

For a song you know i
just kept watching what

Johnny restoring and
i kept watching what.

You know who he was so i i just.

Sat down and.

I mean.

I didn't have quite bash it out but
it didn't take very long that wasn't

a lot of type.

And i just i just
tried to put all the.

All the

i wasn't constantly thinking about it but i
you know i knew what i wanted to say and

i just i just have tried
to put into the notes

and then

yeah at one point.

You know i mean
look I'll play it.

I'll probably go wrong and if i
wasn't so lazy a child around

the Harmony.

I remember i said
i'm not a performer

there was proof
i'm not a performer.

So

i actually wrote it down
at one point and and

i

scribbled down for golf so
he would understand but the

thing but so if you.

See we should we go
into this by examples i

know that you
feel like the teacher

so.

I i just wrote the instruction
manual out fuck fuck

fuck of a bitch keep going okay this is
what i was thinking this is what this does.

That you know it starts with a romantic
phrase that goes to a heroic phrase

and

since your heroic.

I

do think this characters thinks

of heroic as a little
ghosts so he has to go

just when everybody goes

well done he has to go on.

Just like i would have to do

put

the praised by
going a little naughty

naughty than it just a strong and
positive than just a little decadent thing.

And then

the the sort of the the the

the surprise and yeah
and there's a Bob but just as

called mess but i was
changing my mind about things.

And

you know again the this idea that at
the end he gets a little bit long winded

you know the the
that he gets stuck

in.

His words in his.

And you know and

you know

maybe it could
grasp for bottom will

solvent.

Why is the room

always go.

As you age and.

I think this first place.

It's actually quite
romantic right

and then it does this.

That's.

It's a very heroic leap you know

cause i think he's a

classic

romantic but.

He also automatically
goes to the.

It does to the heroic

and the next thing is.

He's nautique

and so the next

three notes of.

Get up the semitone you know.

As like.

That wickets

you know.

This one.

This caught shouldn't be
in there i mean i haven't

you know because the Harmony

hospital the by heroic
and romantic thing

and.

That that that that you know saw

seventy changing language

and it

it's it's strong and it's
positive you know it's like.

The festival i think part of
what this character is this

he imagines himself to be all of
these things so it's a part of it it's like

how he sees
himself and part of it

is how

i think he with is you know.

So.

Positive thing you know

but then straight away.

At it goes into.

I

haven't had.

That's

still a positive thing.

As as

get

that straight out of

the straight off a
strip club you know.

Cause that.

Is it put of sexuality that might not
be appropriate in a children's movie

but

who's going to catch
me out it in this tune.

And then the tune
just something.

Boldly.

Unexpected.

You know it should just
shouldn't go to this caught.

So you know it's like

every problem he.

He

he figures out.

That the it breaks the rules

you know that's
that's really about that

to and does so so within.

So far good with the
romantic us to heroic.

The naughty.

As

very positive.

At cetera et cetera et cetera you know it
it actually goes on and on and all along.

Way he gets he keeps

in the

you know.

He's trying to solve
the problems and

he gets stuck for a while.

Of his thinking process

and the only way he knows how to

solve the problem is

he goes to.

Rule-breaking caught.

Oh yeah

you know hey i'm
i i didn't try it for.

Naughty.

Just because i can i'm going to repeat
the naughty but because i got away with it

you know.

I know i'm not interested
in making a well

rounded character
because my around the can.

I have no place in a movie
they cut the there's nowhere to go

here are

you eat

you you want the
impossible difficult

contraire

eccentric

slightly damaged goods that's
what makes interesting characters.