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[suspenseful music]
[chain jangles]
-Go on, go! -[Buddy barks]
You said you wanted to talk to me
before I hand myself in.
That's Farah's.
Hadley called me on the way to the tower.
Said it was in his locker.
So she was telling the truth about that too.
He took it from her.
He did it to protect you.
To protect me?
-Here. -Are you kidding?
[Farah] What are you doing in my house?
[Hadley] All right calm down little Miss Jihadi.
Just looking for your dad that's all.
[Farah] Why?
-He hasn't done anything. -Yeah.
Well you tell him...
What's his name Mohammed?
Mohammed, is it?
Mohammed Bin Laden.
You tell him we're looking for him.
All right?
[birds chirp]
He says "Bin Laden" on the tape.
He told me he didn't.
He lied to my face.
It's hardly a racist tirade though
-is it? -It's still racist.
Enough to get him kicked out of the police.
Why you think that's right?
27 years of service and Hadley's dismissed for what?
For what, calling Farah's dad Bin Laden?
Really?
Come on you know he wasn't racist.
He was from the street, he talked like the street.
He didn't mean anything.
It was a joke.
It wasn't to Farah.
Do you know what happened next?
Her dad came home and she was freaked out
because the big policeman had just called her dad Bin Laden
so she shouted at him to run.
You know why?
She'd been in this country less than a year
and she had no idea what we were gonna do,
were we gonna shoot him like Bin Laden?
Hadley did that to her.
My friend Hadley.
And worse is what I did.
I covered for him.
And I got that poor girl to trust me.
I knew what I was doing I was saying
"Look at me, trust me I'm like you."
And then I took her trust
-and I- -I'm sorry,
-but the girl was mad. -She wasn't.
All she knew was that the police threatened her
then lied about it and then took her phone by force.
And don't say Hadley did it to protect me,
he did it to protect himself.
Well, I've had enough.
I saw on TV how this is playing,
-Come on. -The crazy girl,
the hero cop.
I'm gonna tell the truth and...
I don't care what happens to me.
Well, that's your call Lizzie.
But just so you're clear what will happen to you,
you're the one who committed a crime here,
you're the one who lied in a statement,
and you are the one who will go to prison.
You know what they do to cops in prison?
They put shit in your food.
Hadley knew that.
He took that phone to protect you.
I'm sorry but that girl was mad.
She took a kid up a tower for God's sake.
She killed Hadley.
She didn't kill him.
[tense music]
What happened up there?
On the roof, what happened?
She didn't kill him.
-[suspenseful music] -[police radio murmurs]
You saved a child.
You did good.
Real good.
But you have to allow yourself to survive.
You have to.
-Please. -[Lizzie sighs]
You're doing it again.
What?
Handling me.
Oh, come on.
That first night we slept together,
that was the night Mehenni made his complaint.
Was that why you did it?
-To keep me on side? -Is that what you think?
I don't know what to think.
The Mehenni complaint was nothing.
Every cop gets complaints.
It comes with the territory.
And why did I sleep with you?
Because I couldn't get you out of my head Lizzie.
Because I'd just walk around Farlow
just hoping I'd see you.
That's why.
That's why I'm here right now because I don't want you
-to get in to trouble. -I'm already in trouble.
No, you're not.
No, you're not.
Without the phone DSI have nothing.
Nothing.
So please, don't land yourself in it.
Please.
Or land you in it.
I'm sorry what?
[sobs] You're my inspector.
Your actions don't look so great, do they?
I searched for this for you.
I could go to jail for you.
Mrs. Shaw?
I'm DS Sarah Collins.
Is your husband in?
He's taken the dog for a walk.
What's going on?
We have a search warrant for the house.
Well, you can't come in not till Kieran gets back.
Have you called him?
I've tried.
His phone's switched off.
He said he'd buy me a milkshake.
Yeah, he'll be back soon.
Like I said wait till he gets back.
[door bangs]
You have to decide Lizzie are you gonna let this ruin you
or are you gonna put it behind you
and just learn to be a good cop?
A good cop?
-What is that? -Really?
For all his faults Hadley was a good cop.
I'm a good cop.
And those bleeding hearts with their politically-correct
words, when the shit hits the fan
and their loved ones are in trouble, who do they want?
Not you, not someone who's gonna doubt and hesitate
and they certainly don't want DS Collins either.
They want someone with balls.
They want a Hadley.
-They want me. -What?
A liar.
A bully.
Why should I aspire to that?
Like I said Lizzie you do what you have to do.
I'm gonna dispose of this on the way home.
When you're interviewed by DSI we never met.
I cared for you Lizzie.
I loved you.
I still love you.
But if you're gonna sacrifice yourself
do not think for one moment that you can drag me down
with you because you can't.
You just can't.
[tense music]
-[Kieran whistles] -[Buddy barks]
[sighs] Shit.
[tense music]
[car rumbles]
What are you doing here?
We have a warrant to search your house,
your vehicles and you Sir.
My colleague DC Bradshaw is searching your London flat
and your office at Farlow.
We waited for you before starting here.
That's very kind of you.
You should've called though.
I could have ordered for everyone.
[Sarah] Your phone was switched off.
What are you looking for anyway?
I interviewed Younes Mehenni.
He told me some disturbing things.
Really?
Did he tell you why he started it all?
Why he made his neighbor's life hell,
why he keyed her car, why he ran from the police?
He ignored every attempt to defuse the situation.
Did he tell you that?
And now you bring his unique brand
of bullshit to my home, really?
I apologise for disturbing your family, sir.
It was unavoidable.
Unavoidable.
Hey sweetie.
There you go.
Sorry about the circus.
Are they allowed to do this?
They are.
Detective Sergeant Collins, my wife Mary
and my daughter Anya.
Will you need to search them too?
No.
We'll try to minimise the disturbance Mrs. Shaw.
Ah sorry I forgot to tell them to leave room for milk.
Buddy!
Come on boy!
[Buddy barks]
[train rumbles]
This is my colleague DC Vine.
He'll be searching you.
Is there somewhere private?
Would you like me to undress?
[DC Vine] That won't be necessary, sir.
[suspenseful music]
[door knock]
Here she is. [groans]
Hungry?
-Yeah. -Okay.
-[people chatter] -[sombre music]
[tense music]
[suspenseful music]
[drawer rumbles]
Didn't I tell you that Lizzie Adama
was a target in an organised crime case?
Laszlo Kovacs a wanted murderer?
Didn't I tell you that?
If anything happens to her it's on you,
you understand that right?
It's on her.
She had every chance to turn herself in, she refused.
You are cold.
You have special feelings for Lizzie?
Special feelings?
What is that like code?
Do you?
Well done.
No, seriously well done.
I bet you that makes you feel like
a real detective sniffing around, digging up gossip.
So it's true?
-You're having an affair? -It's none of your business.
If it influenced her decisions it will be my business.
You wanna know my feelings for Lizzie?
Okay.
I think she's amazing.
I think she's an amazing police officer.
Will she still want to be a police officer
after you've finished with her?
I doubt it.
[sombre music]
[people murmur]
[Lizzie] What's your name?
Farah.
[Lizzie] Farah.
[Hadley] All right calm down little Miss Jihadi.
Well you tell him.
What's his name, Mohammed?
Mohammed, is it?
Mohammed Bin Laden?
[melancholic music]
[Sarah] We're done, sir.
-Did you find anything? -No.
So you invaded my home, embarrassed me in front of my wife
and child for nothing.
Are you surprised?
What surprises me is how untouchable
some people think they are.
[people murmur]
-I didn't find the phone. -Me neither.
He probably dumped it as soon as he got it
from Hadley Matthews' locker.
Yeah.
So what next?
Hadley Matthews' postmortem.
I asked them to hold off till I got back.
[phone rings]
Steve Bradshaw.
I...
Lizzie?
Is that you?
Hello?
Lizzie?
[Sarah] She say anything?
Just hung up.
I'll get a trace going.
Find her.
Before she does something really daft.
[car rumbles]
[sombre music]
[Pathologist] I need to re-examine the girl's body.
[suspenseful music]
[gurney rattles]
[camera clicks]
See the scratches, the bruising?
I thought they were probably caused in the fall
or when her body was lifted at the scene.
But under his nails there are skin and flesh fragments.
Obviously, we'll have to do DNA but...
[tense music]
[door creaks]
[sombre music]
Lizzie.
Don't do this.
[tense suspenseful music]
Lizzie.
Why should you be the one who pays?
[tense suspenseful music]
[phone rings]
-I got Lizzie. -Oh thank God.
-Where? -Portland Tower.
That figures.
I think I know why she ran.
Book her in.
She's to be held incommunicado.
No contact.
Not family, not colleagues, no-one.
-Okay. -Great work, Steve.
[car door bangs]
I want to know what you're gonna do.
Well, I had two options.
The first you took away.
The second is...
say what happened.
Just tell the truth.
Which is the right thing to do.
[Lizzie] I don't care if I go to jail.
I've been police for 15 years.
I've got friends good friends who haven't said a word to me
since the day I joined.
I had crossed a line they couldn't understand
or couldn't forgive.
Bet you've had the same, or similar.
Don't you want that to end?
You have a third option Lizzie.
It's the hardest one.
You're gonna have to lie.
[suspenseful music]
[door creaks]
[Kieran] Where've you been?
Don't worry about the phone I did what you should've done.
I've smashed it with a hammer,
I've thrown the pieces in the river.
-Darling. -Mm.
Is that the end of it?
Nearly.
Not quite.
Because of her?
Lizzie Adama?
[footsteps thump]
-The top of the tower. -Mm.
On the edge.
-I thought she might jump. -Christ.
Did she say anything, where she's been, who she's seen?
No.
Just said she wanted space.
I hear you're the man who caught our fugitive Steve.
Bloody well done.
Thank you, sir.
I got lucky.
Let's walk.
You didn't find the girl's phone?
-No, Sir. -So threatening me
with a public scandal achieved what?
It achieved nothing.
Instead of searching for phantom phones
why haven't you interviewed Carrie Stoddard?
Her son was on the roof.
He's a witness.
Mrs. Stoddard has consistently
refused to let us speak to Ben, sir.
She doesn't want him reliving the trauma.
So tell me Sarah what do you have,
after three days of investigation?
And I don't mean speculation about
racist language and searched lockers and missing phones.
I mean actual chargeable offences.
I was at PC Matthews' postmortem last night.
Under his fingernails skin and flesh scrapings.
On Farah's wrist, deep bruises, gouges.
You're saying he attacked her?
I'm not saying it, the evidence is.
She was gonna cost him his job,
his pension after 27 years, his reputation.
Can you prove it?
If the boy won't talk what've you got?
Lizzie Adama.
She saw it happen.
Will she turn on her dead partner?
Do you have any leverage?
It's why she ran and kept on running.
She saw him do it.
That's leverage.
[tense music]
Set up the interview room.
You ready, Lizzie?
Do you want a pee, cup of tea, shot of vodka?
[Lizzie] No thanks.
This interview is taking place at Victoria House
on 24th April at 3:25p.m.
Present are DC Steve Bradshaw.
DS Sarah Collins.
PC Lizzie Adama.
Lizzie, can I remind you that you're still under caution?
Yes.
And can you confirm that you have
declined legal representation.
I have.
I confirm.
Let's talk about the beginning.
You went to Farah's home to make arrest inquiries.
A complaint resulted against PC Matthews.
Farah claimed Hadley said racist things to her.
Did he?
No.
He had a way of saying things that could be misunderstood.
In your statement you say, "I heard the whole conversation
between Farah Mehenni and PC Matthews.
He never said anything of a racist nature."
If he never said anything of a racist nature
how can he have been misunderstood?
I don't know.
So what did he say?
He said that we needed to speak to her dad,
that we'd keep coming back.
-So Farah lied? -No.
Someone's lying here and if it wasn't you
it has to be Farah.
Is that a question?
PC Matthews' statement responding to the complaint.
He denies it.
He says you will corroborate his account.
Why did it take you so long?
I'd already made a statement.
About the arrest inquiries, yeah.
I have it here.
It's precise, detailed.
Exemplary in fact.
But the second statement only ten lines and six days later.
What took you so long?
I just didn't get around to it.
Top of your class in training school,
one commendation already, you're not the sort of officer
who "doesn't get round" to things.
I was busy.
We're always busy.
"A mentor.
Took you under his wing," that's what everyone said
about Hadley Matthews and you.
But you took six days to write
a statement supporting him, why?
Because you were lazy, selfish?
-No. -Then why?
If the complaint had been upheld
PC Matthews would've been dismissed from the service
he would've lost his pension so he pressured you didn't he?
-No. -Did DI Shaw pressure you?
What?
No.
Even though you were in a relationship with him?
You were in a relationship with him, weren't you?
Yes.
I was in a relationship with him.
No, he didn't pressure me.
You find it hard to lie, don't you?
I don't know what that means.
The reason you took so long to write
the statement is that you couldn't bring yourself to lie
but you also couldn't bring yourself to tell the truth.
You hadn't heard what Hadley said
because you weren't there.
-I was. -So when PC Matthews
came to you for support you quite rightly refused.
-No. -But after six days
of pressure you cracked.
You wrote a 10 line statement backing Hadley.
-You lied. -No.
I believe that more than anyone
a police officer has to obey the law.
Not just some of the time or most of the time
or even 99% of the time, all the time.
Do you believe that?
Yes.
I interviewed Farah's father yesterday.
This is what he said.
[Younes] PC Adama said she heard everything
that the big policeman said but how could she?
She was in the back yard.
That's what my daughter said.
But it doesn't matter does it 'cause my daughter
had her phone and she recorded everything.
She proved that they were lying.
PC Adama, she knew this.
-Why? -Stop.
[Younes] Because my daughter had called her
and told her that she had everything on the phone.
-Stop! -But she lied.
To a girl who trusted her, looked up to her.
She said, "PC Adama is good."
-Please stop. -"She will tell the truth."
-But she didn't. -Sarah.
[Younes] Just lies.
[Lizzie] Please stop!
She's close.
One more push, yeah?
Steve?
Yeah, she's close.
You're doing great, Sarah.
I'm just going for a pee.
[door creaks]
[sombre music]
Let's talk about the roof.
You got there very quickly, didn't you?
I heard a call come in that a five-year-old boy
was missing.
It had to be Ben.
-Because of the bear suit. -Yeah.
Then I heard there were people on top of Portland Tower.
I just knew.
How did you know?
Farah had called me the day before.
She was upset.
She thought I'd promised her father a caution.
[Sarah] She said this to you on the phone?
She said there was a place she liked to go,
Portland Tower.
She wanted to meet there.
She was scared they were gonna lose their home.
What else did she say?
Nothing else.
Aren't you missing something?
Younes Mehenni said Farah recorded what PC Matthews-
Younes saying it doesn't mean she did.
And if she did, where's the phone?
We'll, get to the phone.
Did you tell PC Matthews about Farah's call?
About the place where she wanted to meet?
No.
Then why did he go to the tower?
How did he even know about the tower?
He heard the same radio calls I did.
He must've come to the same conclusion.
He was driving to the tower before
it was mentioned on any call.
How did he know?
I don't know.
So you get to the tower, you go to the roof
and PC Matthews is already there.
[door creaks]
-Farah?! -Yes.
And Farah and Ben.
How would you describe Farah?
She's upset.
She thinks the police have let her down,
I've let her down.
I'm so sorry.
I didn't know...
You did!
You told him about the phone.
You took it!
You stole it!
That's not the only reason she's upset though, is it?
She's angry because PC Matthews has taken her phone.
I don't know anything about that.
PC Matthews took the phone from Farah
at Portland Tower, that special place she told you about,
the tower she walked past on the way to school every day.
I don't know anything about that.
[sombre music]
I learned things about Farah,
how she had a clear sense of justice, of fair play.
Why do you think she took the boy?
'Cause she was mad?
-No. -No.
She took Ben because something was taken from her
which proved she wasn't a liar.
You didn't want to call her a liar before
why are you doing it now?
Lizzie tell me why Farah was upset.
I told you she was angry.
I thought you weren't like him.
He mocked me!
She kidnapped a child because PC Matthews took her phone.
She didn't mention a phone.
Lizzie how did Hadley Matthews know to go to the tower?
That's where he took the phone.
Why did DI Shaw in the middle of a major incident
go and search Hadley's locker?
To find the phone.
How else do you explain Farah and Hadley's behaviour?
I don't know
I can't speak for them.
-Because they're dead! -I know they're dead.
I was trying to save their lives!
He shouldn't have done that.
I'm so ashamed.
Please Farah
come back from the edge, we'll tell the truth.
You won't!
I'll never trust you again!
[Sarah] What happened up there Lizzie?
How did they fall?
I had to get Ben back from the edge.
This is my fault.
You want me not Ben.
Please Farah, he's innocent.
I am innocent too!
Yes.
You are innocent too.
Tell them.
Tell them I let you go.
Come on Ben.
Come on.
So you didn't see them fall?
They were there...
Then they weren't.
Farah's father gave me this.
Like a gesture of trust that I would find the truth.
Are you telling the truth?
I'm telling the truth.
So Farah's a liar, is that true?
And Hadley Matthews was the type of cop
who gives the rest of us a bad name.
It's why you say you didn't see the end.
Because for Hadley there was only one end,
only one way he gets his life back,
the girl goes off the tower.
This is the forensic evidence which proves
he went for her once the boy was safe.
He went for her, he gouged her arm
but the ledge was too narrow and he was too big and he fell.
That's what happened at the end and you did see it.
[suspenseful music]
You're right.
I did see it.
He killed her.
No, no.
No.
I did.
She was so close.
And I tried...
I tried to grab her and...
[tense music]
No.
No!
But she moved.
And and Hadley...
Hadley who was safe, he was safe but... [sobs]
You don't know Hadley at all.
He died trying to save her life.
If you wanna charge me with anything, charge me with that.
I killed her.
Trying to save a life isn't a chargeable offence.
Interview suspended at 16:25.
[door creaks]
You're free to go.
Our report will go to the CPS,
they'll decide if there's a case to prosecute.
In the meantime, I'll walk you out.
[Sarah sighs]
[soft click]
That's the end of it.
Do you understand me?
Farah's dead.
Hadley's dead.
I know.
But they found each other and neither would back down.
The service is better with you in it.
That's why I stuck my neck out for you,
why I betrayed my friend.
You've made your mistake.
Learn from it and move on.
Be a good cop.
[siren wails]
-Good night. -Good night, Steve.
I'm off, I wondered if you'd like a...
She called you at 8:35 p.m. last night?
About then, yeah.
But you didn't book her into custody until 10:20.
Even allowing for getting to the tower, getting her down...
that's a long time.
What did you say to her?
Where are you going with this Sarah?
When we paused the interview, no.
When you paused the interview she was about to break.
Then someone took her a cup of tea.
When she came back she was different,
her story was solid, I couldn't shift it...
I checked the cell log.
Why did you take her a cup of tea, Steve?
So you could help her through the difficult part?
-Don't be ridiculous. -Ridiculous?
You were with her just now, I saw you.
The interview was everything we had.
And you showed her how to beat it.
Even if I did what you say, so what?
Really?
So what?
-She's a girl in her 20s. -She's a police officer!
She perverted the course of justice!
She made a stupid mistake, she backed a colleague!
If you wanna punish someone punish Shaw.
He's the one that should be in that
interview room not Lizzie.
I tried to get Shaw, you know I did,
he was too fucking slippery.
[Steve] So you take it out on her?
She would have given us Shaw!
She'd have gone to jail.
Is that what you joined to do?
Send an inexperienced cop to prison for a mistake?
If her inexperience is mitigation
it's for the court to decide not us.
I said is that what you joined to do?
Yeah, it is.
To do my job, to apply the law.
Why, what did you join for?
-To put away bad guys not- -A teenage girl is dead.
And I'm sorry for Farah.
But destroying Lizzie won't bring her back.
God.
You're a good detective Sarah but man,
do you waste your talents.
If you've got a complaint about me put it on paper.
[sombre music]
[door creaks]
[door knock]
[door creaks]
Hey.
I've tried phoning.
Dozens of times.
I didn't wanna talk to you.
I heard you didn't give DSI anything.
I'm glad.
I didn't do it for you if that's what you think.
Not for Hadley either.
I'm glad for you.
You're here for a reason.
What is it?
Artemis arrested Laszlo Kovacs last night.
They need an ID.
Without one they can't hold him.
So...
Do you wanna put away the bastard who killed Cosmina Baicu?
You'll have to go to the Viper Suite at Farlow.
You'll be shown images of eight men.
You'll be asked if you recognise the man
who threatened you with a handgun.
You'll be asked if you're confident in your identification.
[gunshot]
[Lizzie] Number six.
He's number six.
[sombre music]
Liz.
They got Kovacs, did you hear?
Yeah.
I just did the ID.
Arif...
can you forgive me?
Because you backed Hadley and not the girl?
I asked myself what I would have done and I couldn't answer.
So yeah, course I fucking forgive ya.
I just hope one day it stops you know?
Come back.
We miss you.
Come here.
You've seen this of course.
Yes, sir.
CPS declines to prosecute.
You're not happy.
Should I be?
PC Matthews used racist language to a teenage girl.
PC Adama lied to cover for him.
PC Matthews took by force the phone which proved
the racist language and the lie.
And DI Shaw covered the whole thing up.
Could you prove it?
Any one bit of it?
You got incredibly close Sarah but...
In my opinion the CPS is sending a bad message
to the public and the police.
In my opinion Lizzie Adama should not remain in the police.
Oh come on, look what she just did.
ID'd a killer, a known organised crime figure
despite the risk to herself.
We need young officers like her.
She's committed, she's brave.
We have to move on.
Northumbria Police have asked for your help.
It's a tricky one, a high-speed chase.
No.
Homicide command had a vacancy for a DS so I applied.
I was accepted.
I start in two weeks.
I'd like to thank you for everything, sir.
I've learned a lot from you.
[sombre music]
[Priest] Let us have a few moments of silence.
[sombre music]
Thank you very much.
See you back at the car.
[sombre music]
Hadley would have wanted me to say something funny.
I'm sorry I can't for the life of me think of anything.
It's just too damn sad.
I'm gonna miss him.
Bye Hadley.
Bye Hadley.
[soft thuds]
[suspenseful music]
[car door bangs]
[car rumbles]
[birds chirp]
You weren't at Hadley's funeral.
No.
You're wrong about me.
I'm as good a cop as you are.
I will prove it.
Okay then.
[suspenseful music]
[mellow hum]
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