Original subtitles

[suspenseful music]

[Tim] We've had this discussion Sarah.

I don't wanna put PC Adama at risk

by putting her all over the news.

I gave her a chance to come in, sir and she refused.

She's a police officer, she's absent without leave.

I was face-to-face with her.

I don't think she ran off because of Laszlo Kovacs.

I think she's hiding something.

Is Steve with you?

Does he have a view?

I agree with Sarah, sir.

The sooner we find her the better.

What if you went on TV and appealed to her personally?

The sight of a senior officer in uniform reassuring her...

You think the uniform's important?

[Steve] To Lizzie just six months in,

I'd say it means a lot.

Yeah, good idea Steve.

I'll run it upstairs, talk to the press office.

In the meantime wrap this up, yeah?

You're close, aren't you?'

Mehenni's still refusing to talk to us.

Carrie Stoddard's the same so-

[Tim] There are no new facts.

A crazy girl got herself and an officer killed

and could've done a lot worse.

I know Farah's a convenient scapegoat.

[Tim] I didn't say scapegoat.

But we still don't know why Farah did it

and I believe that PC Adama and DI Shaw do know.

Well, you leave Shaw alone Sarah, and I'll help you

bring PC Adama in.

Got it?

[suspenseful music]

[car rumbles]

[siren wails]

[camera clicks]

[Police] Can we just get over

to the other side of the pavement?

[Reporter] As the Portland Tower investigation continues

disturbing CCTV images have come to light

showing schoolgirl Farah Mehenni

and the unnamed five-year-old boy

walking towards the Tower on the afternoon

of her and PC Matthews' deaths.

Though the reason why Farah took the boy remains unknown.

[people murmur]

-Kieran? -Sir.

DSI caught up with Lizzie Adama last night.

She refused to come in, she ran.

I'm doing a press conference in a few minutes.

I'll be releasing her photo, asking the public

for information.

Sir, I told you, you identify Lizzie

you put her in serious danger.

She had a chance to hand herself in she didn't take it.

She's scared!

Then she should come in.

Or is there something else going on?

No, sir.

There's nothing else going on.

Except that I've already lost one good officer

and I don't wanna lose another.

That's it.

Then let's hope she comes in.

[Kieran] Sir.

[people chatter]

[sombre music]

[siren wails]

Sergeant Collins?

Julie Woodson.

Your officers turned this place upside down,

wouldn't even say why.

Farah's phone is missing.

When you called you said you wanted to talk about Farah.

Have you even bothered to speak to her father?

He refuses to speak to the police.

I don't know if you're responsible

but the way the media is talking about Farah,

disturbed teen etcetera...

Well it's just wrong.

She kidnapped a five-year old.

We're lucky she didn't kill him.

So what can you tell me about Farah?

She was bright, hardworking.

She was kind.

She looked out for the weaker kids.

Hated bullying.

That she's dead after everything that she'd been through...

It's so unfair.

Everything she'd been through?

Well the little I know.

Her dad was a driver for a British NGO in Libya.

They supported his asylum application

but Farah had to wait two years in a refugee camp.

That's when her mom died.

That's why she worked so hard.

She knew what it cost just to get here.

Why do you think she took the boy?

For Farah to do that someone must have done something

really bad to her.

Why do you say that?

Well, she had this...

I don't know this sense of what was right.

Keep your side of the bargain and everyone else will too.

So, if you wanna know why she took the boy,

find out who hurt her.

-Hey. -Steve.

Dig out the police interview with Mehenni.

Something set Farah off.

See if you can find what it was.

[Steve] Got it.

[Lizzie] Present are police Constable Lizzie Adama.

[Marcus] Marcus Hicks representing Mr. Mehenni.

[Younes] Younes Ibrahim Mehenni.

[Lizzie] Mr Mehenni, a complaint of criminal

damage has been made against you.

[Younes] By my neighbour Carrie Stoddard.

She wants to get us thrown out of our house.

A whole heap of that, evil Carrie Stoddard.

This is where it gets tasty.

And then you police, you force your way into my house

even though you have no warrant.

And when my daughter comes home from school,

the big policeman says racist things to my daughter.

"All right, Little Miss Jihadi?"

[Lizzie] Mr. Mehenni I ask the questions-

And then he says to her,

"Tell your father.

What's his name Mohammed, is it?'

Mohammed Bin Laden?

Tell him we want to talk to him."

Well my name is not Mohammed.

It is not Bin Laden and what he said to my daughter-

Mr. Mehenni!

I'm interviewing you.

You've made a complaint, you have your solicitor here

your complaint will be dealt with but not now, not by me.

Is this it?

Bin Laden?

Little Miss Jihadi?

I read Hadley and Lizzie's statements.

They both deny he said anything racist.

Well, they would wouldn't they?

Do the body cams show anything?

Only Lizzie's was recording.

Didn't pick up any racist language

just her and Hadley chasing after Mehenni.

Okay.

We're done here.

Let's pack up, get all the evidence back to Victoria House.

-Hey, you all right? -Hey.

-Hiya. -Hey.

-Usual? -Yeah.

[Hadley] A gin and tonic, please.

So I interviewed Mehenni.

-Yeah, I heard yeah. -Yeah, he denies everything.

I bailed him pending CPS.

He made a complaint.

His daughter says you used racist language towards her.

Yeah, heard that too.

Well, what the fuck Hadley, a teenage girl?

Did you?

No.

It's a load of rubbish.

You were with me, you know I didn't.

I wasn't with you.

I was in the garden.

You were close enough you'd have heard.

Lizzie, I didn't do this.

Scout's honour.

Look I've got this board coming up for the training school.

You're gonna be a shiny-arse?

Yeah, I am.

I've had 27 years of freezing nights

and shitty crime scenes.

I'm just too old and too fat.

This complaint means I'll miss the board.

I'm sorry.

I've written the statement.

I can't go back and change it.

I'm not asking you to change it, I'm asking you to add to it

which is completely kosher by the way.

Hadders?

Where's me bloody drink?

Yeah, all right.

Just say you were with me 'cause you were.

You didn't hear me say anything 'cause I didn't.

Finally!

Thank you very much.

[Hadley] There we go.

Ask and you shall receive...

I was just saying Lizzie that soon

I'm gonna be off to pastures new,

where the women are better-looking

and more importantly they don't know me.

["Don't Start Now" by Dua Lipa]

[door creaks]

Follow my lead.

Oh!

Sod it.

You go Steve

I'll see you back at base.

Thanks.

-It's Arif, isn't it? -Yeah.

You guys finished here then?

Here yes.

The inquiry no.

Not with Lizzie Adama still missing.

I'm worried about her.

Well, maybe she just wants to be alone for a bit.

Her and Hadley were real close.

You know some stories have come out about Hadley.

Allegations.

Yeah, I'm not surprised.

He was outrageous.

My very first day he said to me,

"Sonny, you're in the wrong job.

You're a copper so half the punters

are gonna hate you and you're bloody Asian

so the other half are gonna hate you too."

He actually said that to you?

Yeah.

And then he said, "All credit to you for trying though

and if anyone in this nick gives you shit you let me know."

He looked out for me, like he did for Lizzie.

He made a point of it.

I know it sounds corny but I really loved them.

All three of them.

["Seventeen Going Under" by Sam Fender]

-Gin and tonic? -Yeah.

Thanks.

So you get your bad guy?

No.

Missed him again.

You must've thought I was a right idiot running off

excited guns and fast cars.

-Nah. -No?

I would've been excited too.

-Yeah? -Yeah.

Yeah, I think you would.

I think you could handle it.

Yeah?

Yeah.

Ah, I've got an early start tomorrow so...

I'm actually gonna have to head off soon.

If you must, let me drive you.

I'm staying at our London flat tonight.

You're not that far from me, are you?

Let me drive you.

I heard about the Mehenni complaint by the way.

Unauthorised entry, racist language.

Hadley said it was bollocks.

He said you were with him all the time.

I wasn't.

I wasn't.

He shouldn't have said that.

Okay.

Hadley will have to handle it.

It's no big deal.

I promise.

I can get out here.

I'm just three streets over.

No, I'll drop you.

Unless you want a drink first.

I'm one street that way.

Thanks for your help Arif.

Just one thing.

What did you mean, "all three of them?"

Hadley, Lizzie and the guvnor.

I don't want her or the guv to get in trouble.

Well, why would they get in trouble?

[sombre music]

[Lizzie moans]

Lizzie's sleeping with her married boss.

That's not an issue for you?

It's not a crime.

It's not even against regulations.

Well, then why didn't he mention it

in his post-incident interview?

[Alice] But what's the affair got to do

with two people falling off a tower block?

[Sarah] Well, for a start if PC Matthews' racist language

is the instigating incident...

PC Adama said she didn't hear him use racist language

and the Asian PC who worked with him says he's not racist.

Farah's dad is charged with criminal damage

and Farah stepped in front of a speeding police car.

You know, this is not a happy family.

We all feel really badly for the girl

but she's the one who took a five-year-old

to the top of the tower block.

[Sarah] Did you actually read Lizzie's statement Alice?

Yeah, why?

You didn't read it very carefully.

She wrote two statements about the visit to Mehenni's house.

The first doesn't even mention racist language.

Six days later she writes a second statement.

"I have been requested by my inspector

to submit a further statement to clarify

one aspect of these inquiries."

Guess which aspect.

She was with PC Matthews the whole visit.

He didn't say anything racist.

"As requested by my guvnor

with whom I happen to be having an affair."

And look at what happens next.

19th of April Lizzie's second statement.

21st of April Mehenni's complaint

against the police is dismissed,

Mehenni's remanded in custody, Farah kidnaps the boy.

Talk about cause and effect.

Okay.

We've been at it almost 48 hours.

We're tired, mistakes happen.

Go home and get some kip.

Back here in six.

Meanwhile, I will make a formal request

for directed surveillance on DI Shaw.

-You going back to Bailie? -No, I'm going round him.

Okay, everyone.

Home.

[water splashes]

[Younes] And then the big policeman says racist things

to my daughter.

But my name is not Mohammed.

It isn't Bin Laden.

[suspenseful music]

[TV murmurs]

[Waitress] There you go.

Thanks.

[TV] Inflation was at 3.1%, down from 3.2%.

Which led to the deaths of a teenage girl

and a police officer.

With us is Chief Inspector Tim Bailie

to talk about the incident.

Tragedy is the right word but for the heroic intervention

of Police Constable Hadley Matthews,

I fear we may be discussing

an even more terrible outcome.

And I'd like to use the opportunity

to appeal to someone who witnessed the events at the tower

and was no doubt traumatised by them.

Lizzie Adama.

And I wanna stress that Lizzie is in no way a suspect,

far from it but we just have concerns for her safety.

So, Lizzie if you see this then please call your family

or come into any police station.

Where the hell are you Sarah?

I'm at home getting a change of clothes.

[Tim] A change of clothes?

What?

How can I help you Sir?

You went behind my back.

You asked DCS Russell for surveillance on Shaw

after I'd already refused that surveillance.

Sir, I have evidence that DI Shaw is-

You told me your evidence and it wasn't strong enough.

Did I tell you he was fucking PC Adama?

Look, she's still AWOL.

Younes Mehenni won't talk to me.

Carrie Stoddard won't talk to me.

All I have is DI Shaw who is up to his bloody neck in it.

[Tim] An affair's not a crime.

Yeah.

So everyone keeps telling me.

It still stinks.

It's not enough.

DCS Russell agrees with me.

Your request for surveillance on DI Shaw is denied.

Are we clear?

Sarah are we clear?

Yes, sir.

[keys clatter]

[footsteps thump]

[Steve] Nice shirt.

[Sarah] Blouse.

-Suits you. -Doubt it.

It was Angie's.

The woman has gone, the clothes remain.

-Bailie call you? -Did he ever.

No surveillance on Shaw.

New angle.

Lizzie Adama's second statement.

What made her write it?

Well, there's always pressure to back your partner.

Would've been even harder on her, young Black officer,

her partner accused of racism.

But she held out for six days

then she wrote her statement at 5:30 in the morning.

So what made her crack?

What happened that night?

[door bangs]

-Okay. -Stay back Joe.

Cosmina?

We're police.

Where are you?

[door creaks]

Found her!

-I'll check the back. -Okay.

Oh my God...

Control receiving 183.

Request LAS for adult woman at 14 Chandler SE12.

Woman is severely beaten, unconscious.

-Roger that- -Scrub that Control,

woman is conscious but with serious head injuries.

-Copy that 18- -You all right love?

Can you hear us?

-Has he gone? -Yeah, he's gone.

We're the police.

Police.

Shit.

We've called an ambulance.

We're gonna get you to hospital.

No hospital.

I gotta call Laszlo.

Did Laszlo do this to you?

Cosmina, did he do this?

It was a fight.

But I'm okay.

No hospital.

Give me your hand.

If it was me sitting where you are

what would you tell me to do?

I would say go to hospital.

[car rumbles]

[car doors bang]

[Kieran] You door-stepping me?

I thought you people were done here.

Not quite.

I'd like to know what case PC Adama

was working the night of 18th of April.

What the hell's that gotta do with Portland Tower?

We'd just like to know, sir.

Hmm.

18th of April was the day that Lizzie

ran into Laszlo Kovacs.

The case I told you about.

The case you don't give a damn about

which is why Lizzie Adama's face is all over the news.

What happened?

Lizzie and Hadley responded to a 999 call.

One of Kovacs' girls Cosmina Baicu.

They came to the aid of a brutally beaten young woman.

They showed what good cops they were.

That's what happened.

-What was the fight about? -Money.

Money?

Laszlo's your pimp?

Manager.

Who am I fucking kidding?

He takes more than his share.

I complain, he beats me.

I try to leave, he beats me.

I'll never get out of this shithole.

Yes, you will.

We're gonna help you.

You call the police?

Are you Laszlo?

Stay away from her.

-[suspenseful music] -[Lizzie pants]

[loud thuds]

Put the gun down.

You're under arrest.

You're filming me?

[Lizzie pants]

Ambulance is here.

What's going on?

You okay?

Laszlo.

Went out back.

He had a firearm.

He took my camera.

-1272 to Control. -Control receiving.

Urgent Trojan request.

Armed suspect leaving scene on foot.

Suspect is...

-IC1 male. -IC1 male.

-Six foot. -Six foot.

-30s, black leather jacket- -30s, black leather jacket-

-Beard. -Beard.

-In you go guys. -Thank you.

[EMT] We're just here to have a quick look at you.

[Cosmina] I'm okay, thank you very much.

[EMT] You have a serious head injury,

you have to go to hospital.

No, I refuse.

You can go, please.

-It's okay, it's okay. -No hospital.

Stopping body-worn video at 4:46p.m.

Sorry love.

No offence but, I don't like it here very much.

Your boyfriend's running round with a gun

and I'm due a cup of tea.

Now I can't arrest you but I have other powers

under the Mental Health Act.

So I'm gonna section you

'cause I believe you're a danger to yourself and to me.

And if you don't go to hospital voluntarily

I'm gonna force you to go.

Can he do that?

Here come the cavalry.

You go with Cosmina to the hospital.

See if you can get her account of what happened.

I'll join you there.

You all right kiddo?

Guv said you wanted to talk to me

about what happened at the Mehennis'.

Not scared about getting in trouble are you?

I've told you...

I've written my statement.

I don't know what I can do.

I told you you can add to it.

Just say you didn't hear me say anything.

"Little Miss Jihadi."

That sounds like you Hadley,

the sort of thing you think's funny

and it isn't especially not to a 15-year-old Muslim kid.

Which is why I didn't say it.

Do you know how often Arab kids,

Black kids get that type of shit?

And then to hear it from a policeman.

Lizzie I didn't say it, for God's sake.

Do you think I'm a racist?

No.

I fucking despise racists.

The young girl's just protecting her father.

She makes up a load of stuff.

I can understand why she did it

but she could ruin the rest of my life.

I'm sorry.

I've written the statement.

I wasn't with you the whole time.

Okay.

Four weeks ago when you caught that shoplifter

you searched her before I got to you.

Well, yeah you move like an aircraft carrier.

Well, that's a fattist comment but I'll let it go.

You searched her but you forgot to turn on your BWV.

Yeah, okay that

-that isn't the same- -And I told you turn it on

and do the search again as per the regulations.

-Hadley it's not- -And that's exactly

what I said happened in my statement.

It was a lawful search.

-Hadley- -I backed you

because you're my partner and because I trust you

and because that's what you bloody do.

Hadley, I will not fucking lie for you!

This is why I wanna know about the 18th of April.

That was the night that PC Adama wrote her second statement

about PC Matthews.

You can't just barge in here-

Because of that statement Younes Mehenni

was remanded in custody, Farah Mehenni took the boy

to Portland Tower where she and PC Matthews died.

What happened that night that made PC Adama change her mind?

How would I know what's in her mind?

Really?

Aren't you in a relationship with her?

Did you pressure her?

If you're questioning my integrity

I'll see you in an interview room

with a lawyer and a Fed rep.

In the meantime get out.

We're leaving, sir.

But you know we're gonna have to speak

to someone about Kovacs just to complete our report.

Case is with the murder squad

but I doubt they'll give you the time of day.

Who's the case officer?

[Kieran] DS O'Neil.

Jack O'Neil?

Mm-hm.

Oh, that's nice.

'Cause Jack and I go way back way back,

so I'm sure I can get him to talk.

You know how that works.

Sarah shall we...?

[door bangs]

You and Hadley did well getting that girl to hospital.

And I heard you got her first account too so well done.

CCTV has Kovacs getting into a high-end Beamer

a few streets from the flat.

They should be able to nab him pretty soon.

Good.

He's a bastard.

I heard he pulled a gun on you.

Till he's nicked you be careful.

Okay?

Okay.

You and Hadley have a talk?

Okay.

I won't ask again.

He's big enough to look after himself,

I'm sorry.

You should head back to the station, finish up and go home.

Tell Hadley too.

I promised Cosmina I'd be here when she came out.

Okay, Mother Teresa.

After that you go home.

Or you can come round...

[siren wails]

[door rumbles]

[suspenseful music]

-Jack. -Alice.

[Alice] This is Sarah Collins.

You wanna talk about Lizzie Adama?

Yeah.

[Jack] What a clusterfuck.

Hey, Hadley?

I just saw the guv.

He said soon as we're done we should clock off.

No.

No...

-Lizzie. -No.

[tense music]

Apparently it was a cerebral haemorrhage.

There was nothing they could do.

He killed her.

Yeah.

The murder squad are taking over.

We have to ID the body then give our statements.

You up for that or do you wanna delay?

I'm up for it.

[Sarah] You said it was a clusterfuck.

Why?

Well, where to begin?

They got a member of the public to put the door in

then they let a witness into the crime scene,

and how they got the girl into the ambulance Jesus...

How did they?

Pick the story up so, PC Matthews comes back,

Cosmina's refusing to leave.

Then PC Matthews switches off his BWV

and Cosmina ends up here, in ICU.

So how did you manage that?

Lizzie?

How did you manage that?

Hadley said he'd section her under the Mental Health Act.

What?

Section her.

A danger to herself.

She was refusing to go to hospital.

Kovacs could've come back any second and killed her.

He did fucking kill her.

I explained to her that a murder case

is a whole other level of scrutiny.

The defence are looking for anything to hurt the case

like her missing BWV or a threatening

to section the victim.

How do you explain all that to a judge?

Then there's all the other stuff.

-[phone rings] -Sorry.

Hello?

What other stuff?

Well, the complaint against PC Matthews and her.

Racist language.

Mehenni.

That's why you're here isn't it?

If the defence had got hold of that...

You told her it would damage the case?

Well, it would have.

Thank God it's gone away.

Racist language?

Boo-bloody-hoo.

We're trying to convict a killer.

Guess who that was.

Younes Mehenni.

He saw Bailie on TV.

He's furious.

Says we're turning Lizzie Adama into a saint.

He says she is not a saint, not by a long shot.

Does that mean he'll talk to us?

Yeah.

-[people murmur] -[cutlery clatters]

As I've often said the 999 breakfast,

-one of the Met's finest- -I told the murder squad

that you threatened to section Cosmina.

What?

Are you serious?

Lizzie you know I specially turned my camera off

-so they wouldn't- -Yeah, I know.

I'm sorry.

But that's not all.

They said that the Mehenni complaint hurt the case.

That Kovacs might get away with it,

that he might fucking walk...

All right just pull yourself together,

you're letting down the uniform.

If you ever wondered why we hate those bastards in suits,

well there's your answer.

Oh yeah, they always know best

but they're never there when you've gotta put the door in.

Here, didn't your mom and dad teach you anything?

And they'll have their fun.

The solicitors, the press, the know-nothings.

They'll cast doubt, criticise.

Won't make any difference.

Kovacs killed Cosmina.

We were the last people she spoke to.

You've got it all in your pocket book, haven't you?

That's what counts.

And when they catch this bastard,

which they will, he's going down for life.

And that's what matters.

And that's what we did.

Hmm?

Come on.

Hmm?

I was wrong to pressure you.

Forget about it okay?

-I'll be fine. -Okay.

You're a good cop Lizzie Adama.

But if I were you I'd finish up here

and I'd go straight home.

Before I start confessing to any unsolved murders

or anything! [chuckles]

Go on.

[locker rattles]

[phone beeps]

[sombre music]

[suspenseful music]

[computer keys click]

This is a statement about arrest inquiries

I made with PC Hadley Matthews

at Kenley Villas.

I have covered this matter in an earlier statement

but have been requested by my inspector

to clarify one aspect of these inquiries.

I did it.

It's done.

I heard the whole conversation between Farah Mehenni

and PC Matthews...

[Lizzie moans]

Shower.

He never said anything out of place

and certainly nothing of a racist nature.

[tense music]

PC Adama pretended to be our friend.

She promised my daughter she would make my charges go away,

the charges my neighbour Carrie Stoddard made.

Why did she hate me so much?

Really because of my rubbish bins

or the motorbike in the back?

Maybe it was because of the colour of my skin?

We hadn't even been in the house for one month

and she'd already made complaints

to the housing officer.

If that wasn't enough she then calls the police.

This is when PC Adama and the big policeman

force their way into my house, insult my daughter.

She trusted PC Adama who lied about the law

and then lied about what her friend did.

She betrayed Farah.

She killed my...

Why are you not writing?

You're not telling me anything.

I'm gonna get some air.

[suspenseful music]

[train rumbles]

[phone rings]

[Kieran] Yep?

It's me.

Lizzie, thank God.

I'm turning myself in.

No, wait do not do that.

My face is bloody everywhere.

I'm going to.

Sorry.

Lizzie talk to me first.

Please.

Where are you?

Lizzie?

Farah was a child.

She should not be dead.

But if you want me to find out why

she died you will have to trust me.

There is no point.

I will never trust British police.

You know you're not innocent here.

Whatever Carrie did to you you did something to her.

You keyed her car.

You made a threatening phone call.

Those are criminal offences.

You could've had a caution that's

what PC Adama was offering you.

All you had to do was admit what

you'd done and say you were sorry

and that would've been the end of it

but you couldn't do that could you?

And you brought Farah with you when you were charged.

It's all on the station CCTV.

You give her the paperwork after you've been remanded.

Why did you?

Bring her to the station then hand her the papers

like it was her responsibility?

The poor lonely girl.

It's no wonder she broke.

Why did you put it on her?

Why did you?

Well, say something Mr. Mehenni.

[Younes sobs]

It's my fault.

It's my fault.

[Younes speaks in a foreign language]

It's my fault.

Yes, it's your fault.

But it's not only yours.

If you help me I will do everything in my power

to find out what sent Farah up that tower

but you have to talk to me.

Please.

What have you got to lose?

The big policeman took her phone.

He took her phone.

[suspenseful music]

I'm gonna go for a run all right?

[Kieran] Mm-hm.

[phone rings]

Hello?

PC Adama?

This is Farah Mehenni.

Farah.

You shouldn't be calling me.

[Farah] But you gave me your number.

Yeah, yeah, but that was just to help.

Please...

Please listen to me.

My dad said his lawyer told him you made a statement,

a new statement.

Now he's got to go back in he's going to be charged.

It's a minor offence, all right?

He'll be okay.

Okay?

We could lose our house.

Farah that's not gonna happen.

My dad says you heard what the other policeman said.

But you couldn't have.

You were in the back yard.

Well that's not how I remember it.

I trusted you PC Adama.

You said we could work this out, you promised.

Farah, there isn't a deal to be made here, okay?

It's happened.

It's done.

So your dad will just have to face

-the- -No, he won't.

I had my phone on in my pocket.

I recorded everything your friend said.

"Little Miss Jihadi.

Mohammed Bin Laden."

So you have to help me now, don't you PC Adama?

There's a place I walk past every day, Portland Tower.

We could meet there.

You know, we are taught that every soul will taste death.

This is my daughter.

This is Farah.

[children shout]

[phone rings]

-Yes, Steve? -Sarah at bloody last.

Lizzie's phone pinged an hour ago just outside Eastbourne.

[Sarah] Great.

Did she call anyone?

Half an hour ago DI Shaw called.

Says she'd phoned him.

He said he told her to hand herself in.

Where was he?

Driving home.

His house near Lewes.

He's going to meet her.

[Steve] Yeah, that's what we think

-so- -Listen.

Farah recorded what Hadley Matthews said to her

on her phone.

Farah told Lizzie Adama.

Lizzie must've told Hadley because he waited for Farah

at Portland Tower the day before they died

and he took the phone right out of her hands.

That's why she took the kid.

Exactly.

And it's why DI Shaw went to Hadley's locker

in the middle of the tower incident.

We've gotta find that phone.

We need a warrant for Shaw, his homes, his vehicles,

-everything -Be a fight

to get it through Bailie.

This time I'll fucking win.

[tyres screech]

[suspenseful music]

[Tim] A section eight warrant.

Are you serious?

[Sarah] Yes, sir.

DI Shaw has Farah Mehenni's mobile phone.

And you believe this because of what Farah's Mehenni's

father told you?

I know this.

It's the only explanation that makes sense

of DI Shaw's actions.

But you don't have evidence.

It's hearsay from a biassed source.

Why are you fixated on pursuing Shaw?

Why are you fixated on defending him?

Be very careful Sarah.

The answer's no.

No warrant.

You know eventually Lizzie Adama will come in.

She will tell us what happened

on top of the tower between PC Matthews and Farah Mehenni.

What are you talking about?

If PC Matthews was prepared to take by force

a mobile phone from a teenage girl,

what else might he have done?

Up there on the roof, facing the end of his career,

the loss of his good name.

Like I said, it will come out.

And if the Met and certain senior officers

are found to have impeded my investigation

with its racial component well,

can you imagine the shitstorm?

You've got your warrant.

And you better find that phone.

[melancholic music]

[suspenseful music]

[mellow hum]