All language subtitles for The.Tower.S01E02.720p.WEBRip.x264-GalaxyTV_track3_eng

[suspenseful music]

[Tim] We've had this
discussion Sarah.

I don't wanna put
PC Adama at risk

by putting her
all over the news.

I gave her a chance to come
in, sir and she refused.

She's a police officer,
she's absent without leave.

I was face-to-face with her.

I don't think she ran off
because of Laszlo Kovacs.

I think she's hiding something.

Is Steve with you?

Does he have a view?

I agree with Sarah, sir.

The sooner we find
her the better.

What if you went on TV and
appealed to her personally?

The sight of a senior officer
in uniform reassuring her...

You think the
uniform's important?

[Steve] To Lizzie
just six months in,

I'd say it means a lot.

Yeah, good idea Steve.

I'll run it upstairs,
talk to the press office.

In the meantime
wrap this up, yeah?

You're close, aren't you?'

Mehenni's still
refusing to talk to us.

Carrie Stoddard's the same so-

[Tim] There are no new facts.

A crazy girl got herself
and an officer killed

and could've done a lot worse.

I know Farah's a
convenient scapegoat.

[Tim] I didn't say scapegoat.

But we still don't
know why Farah did it

and I believe that PC
Adama and DI Shaw do know.

Well, you leave Shaw alone
Sarah, and I'll help you

bring PC Adama in.

Got it?

[suspenseful music]

[car rumbles]

[siren wails]

[camera clicks]

[Police] Can we just get over

to the other side
of the pavement?

[Reporter] As the Portland
Tower investigation continues

disturbing CCTV images
have come to light

showing schoolgirl Farah Mehenni

and the unnamed
five-year-old boy

walking towards the
Tower on the afternoon

of her and PC Matthews' deaths.

Though the reason why Farah
took the boy remains unknown.

[people murmur]

-Kieran?
-Sir.

DSI caught up with
Lizzie Adama last night.

She refused to come in, she ran.

I'm doing a press
conference in a few minutes.

I'll be releasing her
photo, asking the public

for information.

Sir, I told you,
you identify Lizzie

you put her in serious danger.

She had a chance to hand
herself in she didn't take it.

She's scared!

Then she should come in.

Or is there something
else going on?

No, sir.

There's nothing else going on.

Except that I've already
lost one good officer

and I don't wanna lose another.

That's it.

Then let's hope she comes in.

[Kieran] Sir.

[people chatter]

[sombre music]

[siren wails]

Sergeant Collins?

Julie Woodson.

Your officers turned
this place upside down,

wouldn't even say why.

Farah's phone is missing.

When you called you said you
wanted to talk about Farah.

Have you even bothered
to speak to her father?

He refuses to speak
to the police.

I don't know if
you're responsible

but the way the media
is talking about Farah,

disturbed teen etcetera...

Well it's just wrong.

She kidnapped a five-year old.

We're lucky she didn't kill him.

So what can you
tell me about Farah?

She was bright, hardworking.

She was kind.

She looked out for
the weaker kids.

Hated bullying.

That she's dead after everything
that she'd been through...

It's so unfair.

Everything she'd been through?

Well the little I know.

Her dad was a driver for
a British NGO in Libya.

They supported his
asylum application

but Farah had to wait two
years in a refugee camp.

That's when her mom died.

That's why she worked so hard.

She knew what it cost
just to get here.

Why do you think
she took the boy?

For Farah to do that someone
must have done something

really bad to her.

Why do you say that?

Well, she had this...

I don't know this sense
of what was right.

Keep your side of the bargain
and everyone else will too.

So, if you wanna know
why she took the boy,

find out who hurt her.

-Hey.
-Steve.

Dig out the police
interview with Mehenni.

Something set Farah off.

See if you can find what it was.

[Steve] Got it.

[Lizzie] Present are police
Constable Lizzie Adama.

[Marcus] Marcus Hicks
representing Mr. Mehenni.

[Younes] Younes Ibrahim Mehenni.

[Lizzie] Mr Mehenni, a
complaint of criminal

damage has been
made against you.

[Younes] By my neighbour
Carrie Stoddard.

She wants to get us
thrown out of our house.

A whole heap of that,
evil Carrie Stoddard.

This is where it gets tasty.

And then you police, you
force your way into my house

even though you have no warrant.

And when my daughter
comes home from school,

the big policeman says
racist things to my daughter.

"All right, Little Miss Jihadi?"

[Lizzie] Mr. Mehenni
I ask the questions-

And then he says to her,

"Tell your father.

What's his name
Mohammed, is it?'

Mohammed Bin Laden?

Tell him we want
to talk to him."

Well my name is not Mohammed.

It is not Bin Laden and
what he said to my daughter-

Mr. Mehenni!

I'm interviewing you.

You've made a complaint,
you have your solicitor here

your complaint will be dealt
with but not now, not by me.

Is this it?

Bin Laden?

Little Miss Jihadi?

I read Hadley and
Lizzie's statements.

They both deny he
said anything racist.

Well, they would wouldn't they?

Do the body cams show anything?

Only Lizzie's was recording.

Didn't pick up any
racist language

just her and Hadley
chasing after Mehenni.

Okay.

We're done here.

Let's pack up, get all the
evidence back to Victoria House.

-Hey, you all right?
-Hey.

-Hiya.
-Hey.

-Usual?
-Yeah.

[Hadley] A gin
and tonic, please.

So I interviewed Mehenni.

-Yeah, I heard yeah.
-Yeah, he denies everything.

I bailed him pending CPS.

He made a complaint.

His daughter says you used
racist language towards her.

Yeah, heard that too.

Well, what the fuck
Hadley, a teenage girl?

Did you?

No.

It's a load of rubbish.

You were with me,
you know I didn't.

I wasn't with you.

I was in the garden.

You were close enough
you'd have heard.

Lizzie, I didn't do this.

Scout's honour.

Look I've got this board coming
up for the training school.

You're gonna be a shiny-arse?

Yeah, I am.

I've had 27 years
of freezing nights

and shitty crime scenes.

I'm just too old and too fat.

This complaint means
I'll miss the board.

I'm sorry.

I've written the statement.

I can't go back and change it.

I'm not asking you to change
it, I'm asking you to add to it

which is completely
kosher by the way.

Hadders?

Where's me bloody drink?

Yeah, all right.

Just say you were with
me 'cause you were.

You didn't hear me say
anything 'cause I didn't.

Finally!

Thank you very much.

[Hadley] There we go.

Ask and you shall receive...

I was just saying
Lizzie that soon

I'm gonna be off
to pastures new,

where the women
are better-looking

and more importantly
they don't know me.

["Don't Start Now" by Dua Lipa]

[door creaks]

Follow my lead.

Oh!

Sod it.

You go Steve

I'll see you back at base.

Thanks.

-It's Arif, isn't it?
-Yeah.

You guys finished here then?

Here yes.

The inquiry no.

Not with Lizzie
Adama still missing.

I'm worried about her.

Well, maybe she just wants
to be alone for a bit.

Her and Hadley were real close.

You know some stories have
come out about Hadley.

Allegations.

Yeah, I'm not surprised.

He was outrageous.

My very first day he said to me,

"Sonny, you're in the wrong job.

You're a copper so
half the punters

are gonna hate you and
you're bloody Asian

so the other half are
gonna hate you too."

He actually said that to you?

Yeah.

And then he said, "All credit
to you for trying though

and if anyone in this nick
gives you shit you let me know."

He looked out for me,
like he did for Lizzie.

He made a point of it.

I know it sounds corny
but I really loved them.

All three of them.

["Seventeen Going
Under" by Sam Fender]

-Gin and tonic?
-Yeah.

Thanks.

So you get your bad guy?

No.

Missed him again.

You must've thought I was
a right idiot running off

excited guns and fast cars.

-Nah.
-No?

I would've been excited too.

-Yeah?
-Yeah.

Yeah, I think you would.

I think you could handle it.

Yeah?

Yeah.

Ah, I've got an early
start tomorrow so...

I'm actually gonna
have to head off soon.

If you must, let me drive you.

I'm staying at our
London flat tonight.

You're not that far
from me, are you?

Let me drive you.

I heard about the Mehenni
complaint by the way.

Unauthorised entry,
racist language.

Hadley said it was bollocks.

He said you were with
him all the time.

I wasn't.

I wasn't.

He shouldn't have said that.

Okay.

Hadley will have to handle it.

It's no big deal.

I promise.

I can get out here.

I'm just three streets over.

No, I'll drop you.

Unless you want a drink first.

I'm one street that way.

Thanks for your help Arif.

Just one thing.

What did you mean,
"all three of them?"

Hadley, Lizzie and the guvnor.

I don't want her or the
guv to get in trouble.

Well, why would
they get in trouble?

[sombre music]

[Lizzie moans]

Lizzie's sleeping
with her married boss.

That's not an issue for you?

It's not a crime.

It's not even
against regulations.

Well, then why
didn't he mention it

in his post-incident interview?

[Alice] But what's
the affair got to do

with two people falling
off a tower block?

[Sarah] Well, for a start if
PC Matthews' racist language

is the instigating incident...

PC Adama said she didn't
hear him use racist language

and the Asian PC who worked
with him says he's not racist.

Farah's dad is charged
with criminal damage

and Farah stepped in front
of a speeding police car.

You know, this is
not a happy family.

We all feel really
badly for the girl

but she's the one who
took a five-year-old

to the top of the tower block.

[Sarah] Did you actually read
Lizzie's statement Alice?

Yeah, why?

You didn't read
it very carefully.

She wrote two statements about
the visit to Mehenni's house.

The first doesn't even
mention racist language.

Six days later she writes
a second statement.

"I have been requested
by my inspector

to submit a further
statement to clarify

one aspect of these inquiries."

Guess which aspect.

She was with PC Matthews
the whole visit.

He didn't say anything racist.

"As requested by my guvnor

with whom I happen to
be having an affair."

And look at what happens next.

19th of April Lizzie's
second statement.

21st of April
Mehenni's complaint

against the police is dismissed,

Mehenni's remanded in custody,
Farah kidnaps the boy.

Talk about cause and effect.

Okay.

We've been at it
almost 48 hours.

We're tired, mistakes happen.

Go home and get some kip.

Back here in six.

Meanwhile, I will
make a formal request

for directed
surveillance on DI Shaw.

-You going back to Bailie?
-No, I'm going round him.

Okay, everyone.

Home.

[water splashes]

[Younes] And then the big
policeman says racist things

to my daughter.

But my name is not Mohammed.

It isn't Bin Laden.

[suspenseful music]

[TV murmurs]

[Waitress] There you go.

Thanks.

[TV] Inflation was at
3.1%, down from 3.2%.

Which led to the deaths
of a teenage girl

and a police officer.

With us is Chief
Inspector Tim Bailie

to talk about the incident.

Tragedy is the right word but
for the heroic intervention

of Police Constable
Hadley Matthews,

I fear we may be discussing

an even more terrible outcome.

And I'd like to
use the opportunity

to appeal to someone
who witnessed the
events at the tower

and was no doubt
traumatised by them.

Lizzie Adama.

And I wanna stress that
Lizzie is in no way a suspect,

far from it but we just have
concerns for her safety.

So, Lizzie if you see this
then please call your family

or come into any police station.

Where the hell are you Sarah?

I'm at home getting
a change of clothes.

[Tim] A change of clothes?

What?

How can I help you Sir?

You went behind my back.

You asked DCS Russell
for surveillance on Shaw

after I'd already refused
that surveillance.

Sir, I have evidence
that DI Shaw is-

You told me your evidence
and it wasn't strong enough.

Did I tell you he
was fucking PC Adama?

Look, she's still AWOL.

Younes Mehenni won't talk to me.

Carrie Stoddard
won't talk to me.

All I have is DI Shaw who is
up to his bloody neck in it.

[Tim] An affair's not a crime.

Yeah.

So everyone keeps telling me.

It still stinks.

It's not enough.

DCS Russell agrees with me.

Your request for surveillance
on DI Shaw is denied.

Are we clear?

Sarah are we clear?

Yes, sir.

[keys clatter]

[footsteps thump]

[Steve] Nice shirt.

[Sarah] Blouse.

-Suits you.
-Doubt it.

It was Angie's.

The woman has gone,
the clothes remain.

-Bailie call you?
-Did he ever.

No surveillance on Shaw.

New angle.

Lizzie Adama's second statement.

What made her write it?

Well, there's always pressure
to back your partner.

Would've been even harder
on her, young Black officer,

her partner accused of racism.

But she held out for six days

then she wrote her statement
at 5:30 in the morning.

So what made her crack?

What happened that night?

[door bangs]

-Okay.
-Stay back Joe.

Cosmina?

We're police.

Where are you?

[door creaks]

Found her!

-I'll check the back.
-Okay.

Oh my God...

Control receiving 183.

Request LAS for adult
woman at 14 Chandler SE12.

Woman is severely
beaten, unconscious.

-Roger that-
-Scrub that Control,

woman is conscious but
with serious head injuries.

-Copy that 18-
-You all right love?

Can you hear us?

-Has he gone?
-Yeah, he's gone.

We're the police.

Police.

Shit.

We've called an ambulance.

We're gonna get you to hospital.

No hospital.

I gotta call Laszlo.

Did Laszlo do this to you?

Cosmina, did he do this?

It was a fight.

But I'm okay.

No hospital.

Give me your hand.

If it was me sitting
where you are

what would you tell me to do?

I would say go to hospital.

[car rumbles]

[car doors bang]

[Kieran] You door-stepping me?

I thought you people
were done here.

Not quite.

I'd like to know
what case PC Adama

was working the night
of 18th of April.

What the hell's that gotta
do with Portland Tower?

We'd just like to know, sir.

Hmm.

18th of April was
the day that Lizzie

ran into Laszlo Kovacs.

The case I told you about.

The case you don't
give a damn about

which is why Lizzie Adama's
face is all over the news.

What happened?

Lizzie and Hadley
responded to a 999 call.

One of Kovacs'
girls Cosmina Baicu.

They came to the aid of a
brutally beaten young woman.

They showed what
good cops they were.

That's what happened.

-What was the fight about?
-Money.

Money?

Laszlo's your pimp?

Manager.

Who am I fucking kidding?

He takes more than his share.

I complain, he beats me.

I try to leave, he beats me.

I'll never get out
of this shithole.

Yes, you will.

We're gonna help you.

You call the police?

Are you Laszlo?

Stay away from her.

-[suspenseful music]
-[Lizzie pants]

[loud thuds]

Put the gun down.

You're under arrest.

You're filming me?

[Lizzie pants]

Ambulance is here.

What's going on?

You okay?

Laszlo.

Went out back.

He had a firearm.

He took my camera.

-1272 to Control.
-Control receiving.

Urgent Trojan request.

Armed suspect leaving
scene on foot.

Suspect is...

-IC1 male.
-IC1 male.

-Six foot.
-Six foot.

-30s, black leather jacket-
-30s, black leather jacket-

-Beard.
-Beard.

-In you go guys.
-Thank you.

[EMT] We're just here to
have a quick look at you.

[Cosmina] I'm okay,
thank you very much.

[EMT] You have a
serious head injury,

you have to go to hospital.

No, I refuse.

You can go, please.

-It's okay, it's okay.
-No hospital.

Stopping body-worn
video at 4:46p.m.

Sorry love.

No offence but, I don't
like it here very much.

Your boyfriend's
running round with a gun

and I'm due a cup of tea.

Now I can't arrest you
but I have other powers

under the Mental Health Act.

So I'm gonna section you

'cause I believe you're a
danger to yourself and to me.

And if you don't go to
hospital voluntarily

I'm gonna force you to go.

Can he do that?

Here come the cavalry.

You go with Cosmina
to the hospital.

See if you can get her
account of what happened.

I'll join you there.

You all right kiddo?

Guv said you wanted
to talk to me

about what happened
at the Mehennis'.

Not scared about getting
in trouble are you?

I've told you...

I've written my statement.

I don't know what I can do.

I told you you can add to it.

Just say you didn't
hear me say anything.

"Little Miss Jihadi."

That sounds like you Hadley,

the sort of thing
you think's funny

and it isn't especially not
to a 15-year-old Muslim kid.

Which is why I didn't say it.

Do you know how often Arab kids,

Black kids get
that type of shit?

And then to hear it
from a policeman.

Lizzie I didn't say
it, for God's sake.

Do you think I'm a racist?

No.

I fucking despise racists.

The young girl's just
protecting her father.

She makes up a load of stuff.

I can understand why she did it

but she could ruin
the rest of my life.

I'm sorry.

I've written the statement.

I wasn't with you
the whole time.

Okay.

Four weeks ago when you
caught that shoplifter

you searched her
before I got to you.

Well, yeah you move like
an aircraft carrier.

Well, that's a fattist
comment but I'll let it go.

You searched her but you
forgot to turn on your BWV.

Yeah, okay that

-that isn't the same-
-And I told you turn it on

and do the search again
as per the regulations.

-Hadley it's not-
-And that's exactly

what I said happened
in my statement.

It was a lawful search.

-Hadley-
-I backed you

because you're my partner
and because I trust you

and because that's
what you bloody do.

Hadley, I will not
fucking lie for you!

This is why I wanna know
about the 18th of April.

That was the night that PC
Adama wrote her second statement

about PC Matthews.

You can't just barge in here-

Because of that
statement Younes Mehenni

was remanded in custody,
Farah Mehenni took the boy

to Portland Tower where
she and PC Matthews died.

What happened that night that
made PC Adama change her mind?

How would I know
what's in her mind?

Really?

Aren't you in a
relationship with her?

Did you pressure her?

If you're questioning
my integrity

I'll see you in
an interview room

with a lawyer and a Fed rep.

In the meantime get out.

We're leaving, sir.

But you know we're
gonna have to speak

to someone about Kovacs
just to complete our report.

Case is with the murder squad

but I doubt they'll give
you the time of day.

Who's the case officer?

[Kieran] DS O'Neil.

Jack O'Neil?

Mm-hm.

Oh, that's nice.

'Cause Jack and I go
way back way back,

so I'm sure I can
get him to talk.

You know how that works.

Sarah shall we...?

[door bangs]

You and Hadley did well
getting that girl to hospital.

And I heard you got her first
account too so well done.

CCTV has Kovacs getting
into a high-end Beamer

a few streets from the flat.

They should be able to
nab him pretty soon.

Good.

He's a bastard.

I heard he pulled a gun on you.

Till he's nicked you be careful.

Okay?

Okay.

You and Hadley have a talk?

Okay.

I won't ask again.

He's big enough to
look after himself,

I'm sorry.

You should head back to the
station, finish up and go home.

Tell Hadley too.

I promised Cosmina I'd be
here when she came out.

Okay, Mother Teresa.

After that you go home.

Or you can come round...

[siren wails]

[door rumbles]

[suspenseful music]

-Jack.
-Alice.

[Alice] This is Sarah Collins.

You wanna talk
about Lizzie Adama?

Yeah.

[Jack] What a clusterfuck.

Hey, Hadley?

I just saw the guv.

He said soon as we're
done we should clock off.

No.

No...

-Lizzie.
-No.

[tense music]

Apparently it was a
cerebral haemorrhage.

There was nothing they could do.

He killed her.

Yeah.

The murder squad
are taking over.

We have to ID the body
then give our statements.

You up for that or
do you wanna delay?

I'm up for it.

[Sarah] You said it
was a clusterfuck.

Why?

Well, where to begin?

They got a member of the
public to put the door in

then they let a witness
into the crime scene,

and how they got the girl
into the ambulance Jesus...

How did they?

Pick the story up so,
PC Matthews comes back,

Cosmina's refusing to leave.

Then PC Matthews
switches off his BWV

and Cosmina ends
up here, in ICU.

So how did you manage that?

Lizzie?

How did you manage that?

Hadley said he'd section her
under the Mental Health Act.

What?

Section her.

A danger to herself.

She was refusing
to go to hospital.

Kovacs could've come back
any second and killed her.

He did fucking kill her.

I explained to her
that a murder case

is a whole other
level of scrutiny.

The defence are looking for
anything to hurt the case

like her missing
BWV or a threatening

to section the victim.

How do you explain
all that to a judge?

Then there's all
the other stuff.

-[phone rings]
-Sorry.

Hello?

What other stuff?

Well, the complaint against
PC Matthews and her.

Racist language.

Mehenni.

That's why you're here isn't it?

If the defence had
got hold of that...

You told her it would
damage the case?

Well, it would have.

Thank God it's gone away.

Racist language?

Boo-bloody-hoo.

We're trying to
convict a killer.

Guess who that was.

Younes Mehenni.

He saw Bailie on TV.

He's furious.

Says we're turning Lizzie
Adama into a saint.

He says she is not a
saint, not by a long shot.

Does that mean he'll talk to us?

Yeah.

-[people murmur]
-[cutlery clatters]

As I've often said
the 999 breakfast,

-one of the Met's finest-
-I told the murder squad

that you threatened
to section Cosmina.

What?

Are you serious?

Lizzie you know I specially
turned my camera off

-so they wouldn't-
-Yeah, I know.

I'm sorry.

But that's not all.

They said that the Mehenni
complaint hurt the case.

That Kovacs might
get away with it,

that he might fucking walk...

All right just pull
yourself together,

you're letting down the uniform.

If you ever wondered why we
hate those bastards in suits,

well there's your answer.

Oh yeah, they always know best

but they're never there when
you've gotta put the door in.

Here, didn't your mom and
dad teach you anything?

And they'll have their fun.

The solicitors, the
press, the know-nothings.

They'll cast doubt, criticise.

Won't make any difference.

Kovacs killed Cosmina.

We were the last
people she spoke to.

You've got it all in your
pocket book, haven't you?

That's what counts.

And when they
catch this bastard,

which they will, he's
going down for life.

And that's what matters.

And that's what we did.

Hmm?

Come on.

Hmm?

I was wrong to pressure you.

Forget about it okay?

-I'll be fine.
-Okay.

You're a good cop Lizzie Adama.

But if I were you
I'd finish up here

and I'd go straight home.

Before I start confessing
to any unsolved murders

or anything! [chuckles]

Go on.

[locker rattles]

[phone beeps]

[sombre music]

[suspenseful music]

[computer keys click]

This is a statement
about arrest inquiries

I made with PC Hadley Matthews

at Kenley Villas.

I have covered this matter
in an earlier statement

but have been requested
by my inspector

to clarify one aspect
of these inquiries.

I did it.

It's done.

I heard the whole conversation
between Farah Mehenni

and PC Matthews...

[Lizzie moans]

Shower.

He never said
anything out of place

and certainly nothing
of a racist nature.

[tense music]

PC Adama pretended
to be our friend.

She promised my daughter she
would make my charges go away,

the charges my neighbour
Carrie Stoddard made.

Why did she hate me so much?

Really because of
my rubbish bins

or the motorbike in the back?

Maybe it was because of
the colour of my skin?

We hadn't even been in
the house for one month

and she'd already
made complaints

to the housing officer.

If that wasn't enough she
then calls the police.

This is when PC Adama
and the big policeman

force their way into my
house, insult my daughter.

She trusted PC Adama
who lied about the law

and then lied about
what her friend did.

She betrayed Farah.

She killed my...

Why are you not writing?

You're not telling me anything.

I'm gonna get some air.

[suspenseful music]

[train rumbles]

[phone rings]

[Kieran] Yep?

It's me.

Lizzie, thank God.

I'm turning myself in.

No, wait do not do that.

My face is bloody everywhere.

I'm going to.

Sorry.

Lizzie talk to me first.

Please.

Where are you?

Lizzie?

Farah was a child.

She should not be dead.

But if you want
me to find out why

she died you will
have to trust me.

There is no point.

I will never trust
British police.

You know you're
not innocent here.

Whatever Carrie did to you
you did something to her.

You keyed her car.

You made a threatening
phone call.

Those are criminal offences.

You could've had
a caution that's

what PC Adama was offering you.

All you had to do was admit what

you'd done and
say you were sorry

and that would've
been the end of it

but you couldn't
do that could you?

And you brought Farah with
you when you were charged.

It's all on the station CCTV.

You give her the paperwork
after you've been remanded.

Why did you?

Bring her to the station
then hand her the papers

like it was her responsibility?

The poor lonely girl.

It's no wonder she broke.

Why did you put it on her?

Why did you?

Well, say something Mr. Mehenni.

[Younes sobs]

It's my fault.

It's my fault.

[Younes speaks in
a foreign language]

It's my fault.

Yes, it's your fault.

But it's not only yours.

If you help me I will do
everything in my power

to find out what sent
Farah up that tower

but you have to talk to me.

Please.

What have you got to lose?

The big policeman
took her phone.

He took her phone.

[suspenseful music]

I'm gonna go for
a run all right?

[Kieran] Mm-hm.

[phone rings]

Hello?

PC Adama?

This is Farah Mehenni.

Farah.

You shouldn't be calling me.

[Farah] But you
gave me your number.

Yeah, yeah, but that
was just to help.

Please...

Please listen to me.

My dad said his lawyer told
him you made a statement,

a new statement.

Now he's got to go back in
he's going to be charged.

It's a minor offence, all right?

He'll be okay.

Okay?

We could lose our house.

Farah that's not gonna happen.

My dad says you heard what
the other policeman said.

But you couldn't have.

You were in the back yard.

Well that's not
how I remember it.

I trusted you PC Adama.

You said we could work
this out, you promised.

Farah, there isn't a deal
to be made here, okay?

It's happened.

It's done.

So your dad will
just have to face

-the-
-No, he won't.

I had my phone on in my pocket.

I recorded everything
your friend said.

"Little Miss Jihadi.

Mohammed Bin Laden."

So you have to help me
now, don't you PC Adama?

There's a place I walk past
every day, Portland Tower.

We could meet there.

You know, we are taught that
every soul will taste death.

This is my daughter.

This is Farah.

[children shout]

[phone rings]

-Yes, Steve?
-Sarah at bloody last.

Lizzie's phone pinged an hour
ago just outside Eastbourne.

[Sarah] Great.

Did she call anyone?

Half an hour ago DI Shaw called.

Says she'd phoned him.

He said he told her
to hand herself in.

Where was he?

Driving home.

His house near Lewes.

He's going to meet her.

[Steve] Yeah,
that's what we think

-so-
-Listen.

Farah recorded what Hadley
Matthews said to her

on her phone.

Farah told Lizzie Adama.

Lizzie must've told Hadley
because he waited for Farah

at Portland Tower the
day before they died

and he took the phone
right out of her hands.

That's why she took the kid.

Exactly.

And it's why DI Shaw
went to Hadley's locker

in the middle of
the tower incident.

We've gotta find that phone.

We need a warrant for Shaw,
his homes, his vehicles,

-everything
-Be a fight

to get it through Bailie.

This time I'll fucking win.

[tyres screech]

[suspenseful music]

[Tim] A section eight warrant.

Are you serious?

[Sarah] Yes, sir.

DI Shaw has Farah
Mehenni's mobile phone.

And you believe this because
of what Farah's Mehenni's

father told you?

I know this.

It's the only explanation
that makes sense

of DI Shaw's actions.

But you don't have evidence.

It's hearsay from
a biassed source.

Why are you fixated
on pursuing Shaw?

Why are you fixated
on defending him?

Be very careful Sarah.

The answer's no.

No warrant.

You know eventually
Lizzie Adama will come in.

She will tell us what happened

on top of the tower between
PC Matthews and Farah Mehenni.

What are you talking about?

If PC Matthews was
prepared to take by force

a mobile phone from
a teenage girl,

what else might he have done?

Up there on the roof, facing
the end of his career,

the loss of his good name.

Like I said, it will come out.

And if the Met and
certain senior officers

are found to have
impeded my investigation

with its racial component well,

can you imagine the shitstorm?

You've got your warrant.

And you better find that phone.

[melancholic music]

[suspenseful music]

[mellow hum]