Would you like to inspect the original subtitles? These are the user uploaded subtitles that are being translated:
1
00:00:01,399 --> 00:00:03,409
ladies and gentlemen please welcome
2
00:00:03,409 --> 00:00:03,419
ladies and gentlemen please welcome
3
00:00:03,419 --> 00:00:06,920
ladies and gentlemen please welcome
Academy Award nominated actress Laura
4
00:00:06,920 --> 00:00:06,930
Academy Award nominated actress Laura
5
00:00:06,930 --> 00:00:08,400
Academy Award nominated actress Laura
Dern
6
00:00:08,400 --> 00:00:08,410
Dern
7
00:00:08,410 --> 00:00:09,080
Dern
[Applause]
8
00:00:09,080 --> 00:00:09,090
[Applause]
9
00:00:09,090 --> 00:00:16,690
[Applause]
[Music]
10
00:00:16,690 --> 00:00:16,700
11
00:00:16,700 --> 00:00:19,400
growing up in Los Angeles can you
12
00:00:19,400 --> 00:00:19,410
growing up in Los Angeles can you
13
00:00:19,410 --> 00:00:21,769
growing up in Los Angeles can you
believe it was only a dream that there
14
00:00:21,769 --> 00:00:21,779
believe it was only a dream that there
15
00:00:21,779 --> 00:00:23,540
believe it was only a dream that there
would ever be a place where people could
16
00:00:23,540 --> 00:00:23,550
would ever be a place where people could
17
00:00:23,550 --> 00:00:26,900
would ever be a place where people could
go to immerse themselves in the passion
18
00:00:26,900 --> 00:00:26,910
go to immerse themselves in the passion
19
00:00:26,910 --> 00:00:30,320
go to immerse themselves in the passion
and magic of movies even as a child of
20
00:00:30,320 --> 00:00:30,330
and magic of movies even as a child of
21
00:00:30,330 --> 00:00:34,070
and magic of movies even as a child of
actors there was nothing trust me but
22
00:00:34,070 --> 00:00:34,080
actors there was nothing trust me but
23
00:00:34,080 --> 00:00:34,820
actors there was nothing trust me but
guess what
24
00:00:34,820 --> 00:00:34,830
guess what
25
00:00:34,830 --> 00:00:40,820
guess what
the dream is happening when we enter the
26
00:00:40,820 --> 00:00:40,830
the dream is happening when we enter the
27
00:00:40,830 --> 00:00:47,690
the dream is happening when we enter the
new Academy Museum of Motion Pictures we
28
00:00:47,690 --> 00:00:47,700
new Academy Museum of Motion Pictures we
29
00:00:47,700 --> 00:00:50,330
new Academy Museum of Motion Pictures we
will open a door and walk into the
30
00:00:50,330 --> 00:00:50,340
will open a door and walk into the
31
00:00:50,340 --> 00:00:53,330
will open a door and walk into the
Technicolor Land of Oz we will travel
32
00:00:53,330 --> 00:00:53,340
Technicolor Land of Oz we will travel
33
00:00:53,340 --> 00:00:55,660
Technicolor Land of Oz we will travel
through the animated world of miyazaki
34
00:00:55,660 --> 00:00:55,670
through the animated world of miyazaki
35
00:00:55,670 --> 00:00:57,979
through the animated world of miyazaki
perhaps encounter the shark from Jaws
36
00:00:57,979 --> 00:00:57,989
perhaps encounter the shark from Jaws
37
00:00:57,989 --> 00:01:01,819
perhaps encounter the shark from Jaws
and see the ruby red slippers the dream
38
00:01:01,819 --> 00:01:01,829
and see the ruby red slippers the dream
39
00:01:01,829 --> 00:01:04,969
and see the ruby red slippers the dream
is a reality not just for the child and
40
00:01:04,969 --> 00:01:04,979
is a reality not just for the child and
41
00:01:04,979 --> 00:01:07,910
is a reality not just for the child and
me but for all of us from all around the
42
00:01:07,910 --> 00:01:07,920
me but for all of us from all around the
43
00:01:07,920 --> 00:01:13,520
me but for all of us from all around the
world coming soon please welcome
44
00:01:13,520 --> 00:01:13,530
world coming soon please welcome
45
00:01:13,530 --> 00:01:16,960
world coming soon please welcome
Michelle Yeoh and oscar-nominated
46
00:01:16,960 --> 00:01:16,970
Michelle Yeoh and oscar-nominated
47
00:01:16,970 --> 00:01:19,420
Michelle Yeoh and oscar-nominated
and producer Pharrell Williams
48
00:01:19,420 --> 00:01:19,430
and producer Pharrell Williams
49
00:01:19,430 --> 00:01:28,670
and producer Pharrell Williams
[Applause]
50
00:01:28,670 --> 00:01:28,680
[Applause]
51
00:01:28,680 --> 00:01:32,130
[Applause]
the Bible says when I was a child I
52
00:01:32,130 --> 00:01:32,140
the Bible says when I was a child I
53
00:01:32,140 --> 00:01:35,010
the Bible says when I was a child I
spoke as a child I understood as a child
54
00:01:35,010 --> 00:01:35,020
spoke as a child I understood as a child
55
00:01:35,020 --> 00:01:38,639
spoke as a child I understood as a child
I thought as a child and when I became a
56
00:01:38,639 --> 00:01:38,649
I thought as a child and when I became a
57
00:01:38,649 --> 00:01:42,510
I thought as a child and when I became a
man I put away childish things when we
58
00:01:42,510 --> 00:01:42,520
man I put away childish things when we
59
00:01:42,520 --> 00:01:44,639
man I put away childish things when we
moved through adulthood we look back
60
00:01:44,639 --> 00:01:44,649
moved through adulthood we look back
61
00:01:44,649 --> 00:01:47,429
moved through adulthood we look back
fondly on those simpler times the
62
00:01:47,429 --> 00:01:47,439
fondly on those simpler times the
63
00:01:47,439 --> 00:01:50,249
fondly on those simpler times the
creativity we exhibited our fearlessness
64
00:01:50,249 --> 00:01:50,259
creativity we exhibited our fearlessness
65
00:01:50,259 --> 00:01:54,770
creativity we exhibited our fearlessness
how we approached new things with wonder
66
00:01:54,770 --> 00:01:54,780
how we approached new things with wonder
67
00:01:54,780 --> 00:01:57,300
how we approached new things with wonder
the film's nominated for Best Animated
68
00:01:57,300 --> 00:01:57,310
the film's nominated for Best Animated
69
00:01:57,310 --> 00:01:59,910
the film's nominated for Best Animated
Feature possessed the ability to move us
70
00:01:59,910 --> 00:01:59,920
Feature possessed the ability to move us
71
00:01:59,920 --> 00:02:03,149
Feature possessed the ability to move us
all no need to put things away but
72
00:02:03,149 --> 00:02:03,159
all no need to put things away but
73
00:02:03,159 --> 00:02:05,910
all no need to put things away but
instead embrace and enjoyed a shared
74
00:02:05,910 --> 00:02:05,920
instead embrace and enjoyed a shared
75
00:02:05,920 --> 00:02:09,690
instead embrace and enjoyed a shared
experience here are the nominees for
76
00:02:09,690 --> 00:02:09,700
experience here are the nominees for
77
00:02:09,700 --> 00:02:14,220
experience here are the nominees for
Best Animated Feature Film Incredibles -
78
00:02:14,220 --> 00:02:14,230
Best Animated Feature Film Incredibles -
79
00:02:14,230 --> 00:02:16,470
Best Animated Feature Film Incredibles -
Brad Bird John Walker
80
00:02:16,470 --> 00:02:16,480
Brad Bird John Walker
81
00:02:16,480 --> 00:02:21,000
Brad Bird John Walker
and Nicole parody window I love dogs
82
00:02:21,000 --> 00:02:21,010
and Nicole parody window I love dogs
83
00:02:21,010 --> 00:02:23,970
and Nicole parody window I love dogs
Wes Anderson Scott wielding Steven
84
00:02:23,970 --> 00:02:23,980
Wes Anderson Scott wielding Steven
85
00:02:23,980 --> 00:02:28,559
Wes Anderson Scott wielding Steven
Reynolds and Jeremy Dawson Mira Mamoru
86
00:02:28,559 --> 00:02:28,569
Reynolds and Jeremy Dawson Mira Mamoru
87
00:02:28,569 --> 00:02:29,370
Reynolds and Jeremy Dawson Mira Mamoru
Hosoda
88
00:02:29,370 --> 00:02:29,380
Hosoda
89
00:02:29,380 --> 00:02:33,870
Hosoda
and Yuichiro cycle Ralph breaks the
90
00:02:33,870 --> 00:02:33,880
and Yuichiro cycle Ralph breaks the
91
00:02:33,880 --> 00:02:36,809
and Yuichiro cycle Ralph breaks the
internet rich more Phil Johnston and
92
00:02:36,809 --> 00:02:36,819
internet rich more Phil Johnston and
93
00:02:36,819 --> 00:02:37,559
internet rich more Phil Johnston and
Clark
94
00:02:37,559 --> 00:02:37,569
Clark
95
00:02:37,569 --> 00:02:39,030
Clark
Spencer
96
00:02:39,030 --> 00:02:39,040
Spencer
97
00:02:39,040 --> 00:02:42,330
Spencer
spider-man into the spider-verse y trece
98
00:02:42,330 --> 00:02:42,340
spider-man into the spider-verse y trece
99
00:02:42,340 --> 00:02:45,449
spider-man into the spider-verse y trece
ketene feet old auntie Rotti Rahman Phil
100
00:02:45,449 --> 00:02:45,459
ketene feet old auntie Rotti Rahman Phil
101
00:02:45,459 --> 00:02:50,610
ketene feet old auntie Rotti Rahman Phil
Lord and Christopher Miller and the
102
00:02:50,610 --> 00:02:50,620
Lord and Christopher Miller and the
103
00:02:50,620 --> 00:03:01,480
Lord and Christopher Miller and the
Oscar goes to me you alright
104
00:03:01,480 --> 00:03:01,490
105
00:03:01,490 --> 00:03:10,310
[Applause]
106
00:03:10,310 --> 00:03:10,320
[Applause]
107
00:03:10,320 --> 00:03:15,810
[Applause]
and Christopher Miller this is the first
108
00:03:15,810 --> 00:03:15,820
and Christopher Miller this is the first
109
00:03:15,820 --> 00:03:18,450
and Christopher Miller this is the first
Oscar nomination for Bob for Cecchetti
110
00:03:18,450 --> 00:03:18,460
Oscar nomination for Bob for Cecchetti
111
00:03:18,460 --> 00:03:19,740
Oscar nomination for Bob for Cecchetti
Peter Ramsey
112
00:03:19,740 --> 00:03:19,750
Peter Ramsey
113
00:03:19,750 --> 00:03:22,500
Peter Ramsey
Rodney Rothman Phil Lord and Christopher
114
00:03:22,500 --> 00:03:22,510
Rodney Rothman Phil Lord and Christopher
115
00:03:22,510 --> 00:03:30,690
Rodney Rothman Phil Lord and Christopher
Miller there's a lot of Wow hey thank
116
00:03:30,690 --> 00:03:30,700
Miller there's a lot of Wow hey thank
117
00:03:30,700 --> 00:03:34,470
Miller there's a lot of Wow hey thank
you Academy Thank You Sony we share this
118
00:03:34,470 --> 00:03:34,480
you Academy Thank You Sony we share this
119
00:03:34,480 --> 00:03:39,060
you Academy Thank You Sony we share this
with our fellow producers cast a crew
120
00:03:39,060 --> 00:03:39,070
with our fellow producers cast a crew
121
00:03:39,070 --> 00:03:41,400
with our fellow producers cast a crew
there's eight hundred filmmakers who
122
00:03:41,400 --> 00:03:41,410
there's eight hundred filmmakers who
123
00:03:41,410 --> 00:03:44,070
there's eight hundred filmmakers who
push boundaries and took risks to make
124
00:03:44,070 --> 00:03:44,080
push boundaries and took risks to make
125
00:03:44,080 --> 00:03:49,470
push boundaries and took risks to make
people feel powerful and seen so when we
126
00:03:49,470 --> 00:03:49,480
people feel powerful and seen so when we
127
00:03:49,480 --> 00:03:53,070
people feel powerful and seen so when we
hear that somebody somebody's kid was
128
00:03:53,070 --> 00:03:53,080
hear that somebody somebody's kid was
129
00:03:53,080 --> 00:03:54,630
hear that somebody somebody's kid was
watching the movie and turned to them
130
00:03:54,630 --> 00:03:54,640
watching the movie and turned to them
131
00:03:54,640 --> 00:03:58,410
watching the movie and turned to them
and said he looks like me or they speak
132
00:03:58,410 --> 00:03:58,420
and said he looks like me or they speak
133
00:03:58,420 --> 00:04:01,710
and said he looks like me or they speak
Spanish like us we feel like we already
134
00:04:01,710 --> 00:04:01,720
Spanish like us we feel like we already
135
00:04:01,720 --> 00:04:08,760
Spanish like us we feel like we already
won to our audience thank you so much we
136
00:04:08,760 --> 00:04:08,770
won to our audience thank you so much we
137
00:04:08,770 --> 00:04:10,650
won to our audience thank you so much we
love you and we just want we want you
138
00:04:10,650 --> 00:04:10,660
love you and we just want we want you
139
00:04:10,660 --> 00:04:13,440
love you and we just want we want you
all to know we see you you're powerful
140
00:04:13,440 --> 00:04:13,450
all to know we see you you're powerful
141
00:04:13,450 --> 00:04:17,039
all to know we see you you're powerful
this world needs you okay this world
142
00:04:17,039 --> 00:04:17,049
this world needs you okay this world
143
00:04:17,049 --> 00:04:19,170
this world needs you okay this world
needs you so please we're all counting
144
00:04:19,170 --> 00:04:19,180
needs you so please we're all counting
145
00:04:19,180 --> 00:04:21,770
needs you so please we're all counting
on you thank you
146
00:04:21,770 --> 00:04:21,780
on you thank you
147
00:04:21,780 --> 00:04:24,600
on you thank you
on behalf of everyone that made this
148
00:04:24,600 --> 00:04:24,610
on behalf of everyone that made this
149
00:04:24,610 --> 00:04:26,909
on behalf of everyone that made this
movie we want to thank our families who
150
00:04:26,909 --> 00:04:26,919
movie we want to thank our families who
151
00:04:26,919 --> 00:04:28,620
movie we want to thank our families who
stayed with us for four years on this
152
00:04:28,620 --> 00:04:28,630
stayed with us for four years on this
153
00:04:28,630 --> 00:04:31,680
stayed with us for four years on this
this is for you we love you all
154
00:04:31,680 --> 00:04:31,690
this is for you we love you all
155
00:04:31,690 --> 00:04:38,460
this is for you we love you all
[Applause]
156
00:04:38,460 --> 00:04:38,470
[Applause]
157
00:04:38,470 --> 00:04:44,300
[Applause]
[Music]
158
00:04:44,300 --> 00:04:44,310
159
00:04:44,310 --> 00:04:50,610
please welcome Kacey Musgraves
160
00:04:50,610 --> 00:04:50,620
161
00:04:50,620 --> 00:05:01,860
[Music]
162
00:05:01,860 --> 00:05:01,870
163
00:05:01,870 --> 00:05:04,960
The Ballad of Buster Scruggs brought new
164
00:05:04,960 --> 00:05:04,970
The Ballad of Buster Scruggs brought new
165
00:05:04,970 --> 00:05:07,390
The Ballad of Buster Scruggs brought new
life into westerns with its mix of
166
00:05:07,390 --> 00:05:07,400
life into westerns with its mix of
167
00:05:07,400 --> 00:05:11,740
life into westerns with its mix of
satire sentiment realism and romance all
168
00:05:11,740 --> 00:05:11,750
satire sentiment realism and romance all
169
00:05:11,750 --> 00:05:13,270
satire sentiment realism and romance all
of these qualities are on display in
170
00:05:13,270 --> 00:05:13,280
of these qualities are on display in
171
00:05:13,280 --> 00:05:16,120
of these qualities are on display in
this haunting song it's fresh but yet
172
00:05:16,120 --> 00:05:16,130
this haunting song it's fresh but yet
173
00:05:16,130 --> 00:05:17,260
this haunting song it's fresh but yet
you feel like you've heard it your whole
174
00:05:17,260 --> 00:05:17,270
you feel like you've heard it your whole
175
00:05:17,270 --> 00:05:19,990
you feel like you've heard it your whole
life it could have been an absurd and
176
00:05:19,990 --> 00:05:20,000
life it could have been an absurd and
177
00:05:20,000 --> 00:05:22,450
life it could have been an absurd and
comical moment in the film but the song
178
00:05:22,450 --> 00:05:22,460
comical moment in the film but the song
179
00:05:22,460 --> 00:05:24,580
comical moment in the film but the song
elevates it into something authentic and
180
00:05:24,580 --> 00:05:24,590
elevates it into something authentic and
181
00:05:24,590 --> 00:05:27,850
elevates it into something authentic and
beautiful here are the wonderful Gillian
182
00:05:27,850 --> 00:05:27,860
beautiful here are the wonderful Gillian
183
00:05:27,860 --> 00:05:30,070
beautiful here are the wonderful Gillian
Welch and David Rawlings with their
184
00:05:30,070 --> 00:05:30,080
Welch and David Rawlings with their
185
00:05:30,080 --> 00:05:32,140
Welch and David Rawlings with their
oscar-nominated song when a cowboy
186
00:05:32,140 --> 00:05:32,150
oscar-nominated song when a cowboy
187
00:05:32,150 --> 00:05:34,230
oscar-nominated song when a cowboy
trades his Spurs for wings
188
00:05:34,230 --> 00:05:34,240
trades his Spurs for wings
189
00:05:34,240 --> 00:05:41,330
trades his Spurs for wings
[Applause]
190
00:05:41,330 --> 00:05:41,340
[Applause]
191
00:05:41,340 --> 00:05:50,080
[Applause]
[Music]
192
00:05:50,080 --> 00:05:50,090
193
00:05:50,090 --> 00:05:55,540
then attained but there's a phrase to
194
00:05:55,540 --> 00:05:55,550
then attained but there's a phrase to
195
00:05:55,550 --> 00:06:01,570
then attained but there's a phrase to
come coming oh my
196
00:06:01,570 --> 00:06:01,580
come coming oh my
197
00:06:01,580 --> 00:06:15,250
come coming oh my
come let me tell you feel ot5 singing
198
00:06:15,250 --> 00:06:15,260
come let me tell you feel ot5 singing
199
00:06:15,260 --> 00:06:16,580
come let me tell you feel ot5 singing
[Music]
200
00:06:16,580 --> 00:06:16,590
[Music]
201
00:06:16,590 --> 00:06:18,200
[Music]
careful song
202
00:06:18,200 --> 00:06:18,210
careful song
203
00:06:18,210 --> 00:06:20,320
careful song
[Music]
204
00:06:20,320 --> 00:06:20,330
[Music]
205
00:06:20,330 --> 00:06:21,530
[Music]
Utica
206
00:06:21,530 --> 00:06:21,540
Utica
207
00:06:21,540 --> 00:06:26,790
Utica
[Music]
208
00:06:26,790 --> 00:06:26,800
209
00:06:26,800 --> 00:06:30,909
you became
210
00:06:30,909 --> 00:06:30,919
211
00:06:30,919 --> 00:06:35,970
fired in hippie kind
212
00:06:35,970 --> 00:06:35,980
fired in hippie kind
213
00:06:35,980 --> 00:06:37,210
fired in hippie kind
[Music]
214
00:06:37,210 --> 00:06:37,220
[Music]
215
00:06:37,220 --> 00:06:42,030
[Music]
he said he see
216
00:06:42,030 --> 00:06:42,040
he said he see
217
00:06:42,040 --> 00:06:47,370
he said he see
when a cat Oh treats his Spurs
218
00:06:47,370 --> 00:06:47,380
when a cat Oh treats his Spurs
219
00:06:47,380 --> 00:06:48,400
when a cat Oh treats his Spurs
always
220
00:06:48,400 --> 00:06:48,410
always
221
00:06:48,410 --> 00:07:02,950
always
[Music]
222
00:07:02,950 --> 00:07:02,960
223
00:07:02,960 --> 00:07:14,760
it became bed no more jingle jangle
224
00:07:14,760 --> 00:07:14,770
it became bed no more jingle jangle
225
00:07:14,770 --> 00:07:23,339
it became bed no more jingle jangle
my husband he'd be crying he shouts and
226
00:07:23,339 --> 00:07:23,349
my husband he'd be crying he shouts and
227
00:07:23,349 --> 00:07:31,070
my husband he'd be crying he shouts and
he sees when a cat or trees his Spurs
228
00:07:31,070 --> 00:07:31,080
he sees when a cat or trees his Spurs
229
00:07:31,080 --> 00:07:33,340
he sees when a cat or trees his Spurs
for we
230
00:07:33,340 --> 00:07:33,350
for we
231
00:07:33,350 --> 00:07:35,940
for we
[Music]
232
00:07:35,940 --> 00:07:35,950
[Music]
233
00:07:35,950 --> 00:07:43,870
[Music]
[Applause]
234
00:07:43,870 --> 00:07:43,880
[Applause]
235
00:07:43,880 --> 00:07:44,730
[Applause]
[Music]
236
00:07:44,730 --> 00:07:44,740
[Music]
237
00:07:44,740 --> 00:07:47,510
[Music]
[Applause]
238
00:07:47,510 --> 00:07:47,520
[Applause]
239
00:07:47,520 --> 00:07:49,999
[Applause]
coming up highlights from Best Picture
240
00:07:49,999 --> 00:07:50,009
coming up highlights from Best Picture
241
00:07:50,009 --> 00:07:53,210
coming up highlights from Best Picture
nominees Bohemian Rhapsody Roma black
242
00:07:53,210 --> 00:07:53,220
nominees Bohemian Rhapsody Roma black
243
00:07:53,220 --> 00:07:56,270
nominees Bohemian Rhapsody Roma black
Klansmen and Green Book Plus Mike Myers
244
00:07:56,270 --> 00:07:56,280
Klansmen and Green Book Plus Mike Myers
245
00:07:56,280 --> 00:07:58,689
Klansmen and Green Book Plus Mike Myers
and Dana Carvey together on stage
246
00:07:58,689 --> 00:07:58,699
and Dana Carvey together on stage
247
00:07:58,699 --> 00:08:01,820
and Dana Carvey together on stage
Chadwick Boseman constants whoo brie
248
00:08:01,820 --> 00:08:01,830
Chadwick Boseman constants whoo brie
249
00:08:01,830 --> 00:08:05,420
Chadwick Boseman constants whoo brie
Larson samuel l.jackson Lady Gaga and
250
00:08:05,420 --> 00:08:05,430
Larson samuel l.jackson Lady Gaga and
251
00:08:05,430 --> 00:08:12,140
Larson samuel l.jackson Lady Gaga and
Bradley Cooper the Oscars on ABC brought
252
00:08:12,140 --> 00:08:12,150
Bradley Cooper the Oscars on ABC brought
253
00:08:12,150 --> 00:08:15,200
Bradley Cooper the Oscars on ABC brought
to you by the uncompromising Cadillac
254
00:08:15,200 --> 00:08:15,210
to you by the uncompromising Cadillac
255
00:08:15,210 --> 00:08:17,860
to you by the uncompromising Cadillac
SUVs
256
00:08:17,860 --> 00:08:17,870
SUVs
257
00:08:17,870 --> 00:08:22,090
SUVs
I think we'll go with a little bohemian
258
00:08:22,090 --> 00:08:22,100
I think we'll go with a little bohemian
259
00:08:22,100 --> 00:08:27,520
I think we'll go with a little bohemian
rhapsody' generally good car
260
00:08:27,520 --> 00:08:27,530
261
00:08:27,530 --> 00:08:31,220
me amigo
262
00:08:31,220 --> 00:08:31,230
me amigo
263
00:08:31,230 --> 00:08:35,029
me amigo
[Music]
264
00:08:35,029 --> 00:08:35,039
265
00:08:35,039 --> 00:08:42,279
our May
266
00:08:42,279 --> 00:08:42,289
267
00:08:42,289 --> 00:08:43,909
ladies and gentlemen
268
00:08:43,909 --> 00:08:43,919
ladies and gentlemen
269
00:08:43,919 --> 00:08:46,790
ladies and gentlemen
please welcome Mike Myers and Dana
270
00:08:46,790 --> 00:08:46,800
please welcome Mike Myers and Dana
271
00:08:46,800 --> 00:08:51,260
please welcome Mike Myers and Dana
Carvey
272
00:08:51,260 --> 00:08:51,270
273
00:08:51,270 --> 00:08:55,030
[Applause]
274
00:08:55,030 --> 00:08:55,040
275
00:08:55,040 --> 00:09:00,160
Wow
276
00:09:00,160 --> 00:09:00,170
277
00:09:00,170 --> 00:09:03,560
we're not were they I think I'm gonna
278
00:09:03,560 --> 00:09:03,570
we're not were they I think I'm gonna
279
00:09:03,570 --> 00:09:07,430
we're not were they I think I'm gonna
hurl don't hurl cuz if you honk I'll
280
00:09:07,430 --> 00:09:07,440
hurl don't hurl cuz if you honk I'll
281
00:09:07,440 --> 00:09:09,560
hurl don't hurl cuz if you honk I'll
spew
282
00:09:09,560 --> 00:09:09,570
spew
283
00:09:09,570 --> 00:09:14,660
spew
and if you spew up glow chunks so I
284
00:09:14,660 --> 00:09:14,670
and if you spew up glow chunks so I
285
00:09:14,670 --> 00:09:22,670
and if you spew up glow chunks so I
shall not hurl good call good call but
286
00:09:22,670 --> 00:09:22,680
shall not hurl good call good call but
287
00:09:22,680 --> 00:09:25,759
shall not hurl good call good call but
seriously well human Rhapsody played a
288
00:09:25,759 --> 00:09:25,769
seriously well human Rhapsody played a
289
00:09:25,769 --> 00:09:27,710
seriously well human Rhapsody played a
large part in the success of Wayne's
290
00:09:27,710 --> 00:09:27,720
large part in the success of Wayne's
291
00:09:27,720 --> 00:09:28,280
large part in the success of Wayne's
World
292
00:09:28,280 --> 00:09:28,290
World
293
00:09:28,290 --> 00:09:30,379
World
we're humbled to be associated with that
294
00:09:30,379 --> 00:09:30,389
we're humbled to be associated with that
295
00:09:30,389 --> 00:09:34,519
we're humbled to be associated with that
brilliant song
296
00:09:34,519 --> 00:09:34,529
297
00:09:34,529 --> 00:09:36,949
it's our pleasure to introduce a Best
298
00:09:36,949 --> 00:09:36,959
it's our pleasure to introduce a Best
299
00:09:36,959 --> 00:09:38,749
it's our pleasure to introduce a Best
Picture nominee that celebrates the life
300
00:09:38,749 --> 00:09:38,759
Picture nominee that celebrates the life
301
00:09:38,759 --> 00:09:40,939
Picture nominee that celebrates the life
of Freddie Mercury through the genius of
302
00:09:40,939 --> 00:09:40,949
of Freddie Mercury through the genius of
303
00:09:40,949 --> 00:09:44,120
of Freddie Mercury through the genius of
Queens music ladies and gentlemen
304
00:09:44,120 --> 00:09:44,130
Queens music ladies and gentlemen
305
00:09:44,130 --> 00:09:45,230
Queens music ladies and gentlemen
[Music]
306
00:09:45,230 --> 00:09:45,240
[Music]
307
00:09:45,240 --> 00:09:51,240
[Music]
[Applause]
308
00:09:51,240 --> 00:09:51,250
[Applause]
309
00:09:51,250 --> 00:09:54,710
[Applause]
[Music]
310
00:09:54,710 --> 00:09:54,720
311
00:09:54,720 --> 00:09:58,600
[Applause]
312
00:09:58,600 --> 00:09:58,610
[Applause]
313
00:09:58,610 --> 00:10:01,319
[Applause]
anything
314
00:10:01,319 --> 00:10:01,329
anything
315
00:10:01,329 --> 00:10:04,960
anything
no one will play a queen fortune so does
316
00:10:04,960 --> 00:10:04,970
no one will play a queen fortune so does
317
00:10:04,970 --> 00:10:07,050
no one will play a queen fortune so does
the bond
318
00:10:07,050 --> 00:10:07,060
the bond
319
00:10:07,060 --> 00:10:09,940
the bond
thoughts good words good deeds that's
320
00:10:09,940 --> 00:10:09,950
thoughts good words good deeds that's
321
00:10:09,950 --> 00:10:14,110
thoughts good words good deeds that's
what you should aspire to you just need
322
00:10:14,110 --> 00:10:14,120
what you should aspire to you just need
323
00:10:14,120 --> 00:10:19,150
what you should aspire to you just need
a bit of time but if I don't have to
324
00:10:19,150 --> 00:10:19,160
325
00:10:19,160 --> 00:10:20,630
[Music]
326
00:10:20,630 --> 00:10:20,640
[Music]
327
00:10:20,640 --> 00:10:22,010
[Music]
[Applause]
328
00:10:22,010 --> 00:10:22,020
[Applause]
329
00:10:22,020 --> 00:10:26,879
[Applause]
[Music]
330
00:10:26,879 --> 00:10:26,889
[Music]
331
00:10:26,889 --> 00:10:30,299
[Music]
please welcome off to Athena's and John
332
00:10:30,299 --> 00:10:30,309
please welcome off to Athena's and John
333
00:10:30,309 --> 00:10:32,400
please welcome off to Athena's and John
Mulaney
334
00:10:32,400 --> 00:10:32,410
Mulaney
335
00:10:32,410 --> 00:10:34,020
Mulaney
[Applause]
336
00:10:34,020 --> 00:10:34,030
[Applause]
337
00:10:34,030 --> 00:10:34,930
[Applause]
[Music]
338
00:10:34,930 --> 00:10:34,940
[Music]
339
00:10:34,940 --> 00:10:42,380
[Music]
[Applause]
340
00:10:42,380 --> 00:10:42,390
341
00:10:42,390 --> 00:10:46,370
oh my god John my god you're here too
342
00:10:46,370 --> 00:10:46,380
oh my god John my god you're here too
343
00:10:46,380 --> 00:10:47,940
oh my god John my god you're here too
that's good
344
00:10:47,940 --> 00:10:47,950
that's good
345
00:10:47,950 --> 00:10:49,530
that's good
yeah they told me backstage like you're
346
00:10:49,530 --> 00:10:49,540
yeah they told me backstage like you're
347
00:10:49,540 --> 00:10:50,970
yeah they told me backstage like you're
gonna do this with Aquafina and I was
348
00:10:50,970 --> 00:10:50,980
gonna do this with Aquafina and I was
349
00:10:50,980 --> 00:10:54,470
gonna do this with Aquafina and I was
like thank God I'm not presenting alone
350
00:10:54,470 --> 00:10:54,480
like thank God I'm not presenting alone
351
00:10:54,480 --> 00:10:57,150
like thank God I'm not presenting alone
this is my first time ever at the Oscars
352
00:10:57,150 --> 00:10:57,160
this is my first time ever at the Oscars
353
00:10:57,160 --> 00:10:58,769
this is my first time ever at the Oscars
like ever ever this is my first time
354
00:10:58,769 --> 00:10:58,779
like ever ever this is my first time
355
00:10:58,779 --> 00:11:03,650
like ever ever this is my first time
ever at the Oscars - oh my god yes yes
356
00:11:03,650 --> 00:11:03,660
ever at the Oscars - oh my god yes yes
357
00:11:03,660 --> 00:11:07,199
ever at the Oscars - oh my god yes yes
I'm having a panic attack I am so scared
358
00:11:07,199 --> 00:11:07,209
I'm having a panic attack I am so scared
359
00:11:07,209 --> 00:11:08,579
I'm having a panic attack I am so scared
why am I so scared right now
360
00:11:08,579 --> 00:11:08,589
why am I so scared right now
361
00:11:08,589 --> 00:11:10,230
why am I so scared right now
it's like you see these commercials in
362
00:11:10,230 --> 00:11:10,240
it's like you see these commercials in
363
00:11:10,240 --> 00:11:11,430
it's like you see these commercials in
there like oh it's Hollywood's biggest
364
00:11:11,430 --> 00:11:11,440
there like oh it's Hollywood's biggest
365
00:11:11,440 --> 00:11:13,139
there like oh it's Hollywood's biggest
night and I'm always like whatever shut
366
00:11:13,139 --> 00:11:13,149
night and I'm always like whatever shut
367
00:11:13,149 --> 00:11:15,810
night and I'm always like whatever shut
up and now I'm here and like this is
368
00:11:15,810 --> 00:11:15,820
up and now I'm here and like this is
369
00:11:15,820 --> 00:11:16,500
up and now I'm here and like this is
Holly
370
00:11:16,500 --> 00:11:16,510
Holly
371
00:11:16,510 --> 00:11:18,480
Holly
this is Hollywood's biggest night it's a
372
00:11:18,480 --> 00:11:18,490
this is Hollywood's biggest night it's a
373
00:11:18,490 --> 00:11:21,120
this is Hollywood's biggest night it's a
big night I want these people to like me
374
00:11:21,120 --> 00:11:21,130
big night I want these people to like me
375
00:11:21,130 --> 00:11:27,120
big night I want these people to like me
to a degree that I find embarrassing who
376
00:11:27,120 --> 00:11:27,130
to a degree that I find embarrassing who
377
00:11:27,130 --> 00:11:28,800
to a degree that I find embarrassing who
are you most nervous to see because when
378
00:11:28,800 --> 00:11:28,810
are you most nervous to see because when
379
00:11:28,810 --> 00:11:30,750
are you most nervous to see because when
I walked out I saw Spike Lee and I was
380
00:11:30,750 --> 00:11:30,760
I walked out I saw Spike Lee and I was
381
00:11:30,760 --> 00:11:33,900
I walked out I saw Spike Lee and I was
like what that's what she said yeah I
382
00:11:33,900 --> 00:11:33,910
like what that's what she said yeah I
383
00:11:33,910 --> 00:11:37,949
like what that's what she said yeah I
was I know I was like he's like that's
384
00:11:37,949 --> 00:11:37,959
was I know I was like he's like that's
385
00:11:37,959 --> 00:11:40,850
was I know I was like he's like that's
great
386
00:11:40,850 --> 00:11:40,860
387
00:11:40,860 --> 00:11:43,350
do you know why side you know I saw and
388
00:11:43,350 --> 00:11:43,360
do you know why side you know I saw and
389
00:11:43,360 --> 00:11:45,689
do you know why side you know I saw and
I legit free hello hello Jordan Peele
390
00:11:45,689 --> 00:11:45,699
I legit free hello hello Jordan Peele
391
00:11:45,699 --> 00:11:48,090
I legit free hello hello Jordan Peele
don't you know him yeah that's why it's
392
00:11:48,090 --> 00:11:48,100
don't you know him yeah that's why it's
393
00:11:48,100 --> 00:11:51,569
don't you know him yeah that's why it's
weird all right this is awesome
394
00:11:51,569 --> 00:11:51,579
weird all right this is awesome
395
00:11:51,579 --> 00:11:53,250
weird all right this is awesome
let's do this we are here to present the
396
00:11:53,250 --> 00:11:53,260
let's do this we are here to present the
397
00:11:53,260 --> 00:11:55,350
let's do this we are here to present the
award for best animated short dude they
398
00:11:55,350 --> 00:11:55,360
award for best animated short dude they
399
00:11:55,360 --> 00:11:58,380
award for best animated short dude they
gave us one of the big a big one it's a
400
00:11:58,380 --> 00:11:58,390
gave us one of the big a big one it's a
401
00:11:58,390 --> 00:11:59,780
gave us one of the big a big one it's a
big one
402
00:11:59,780 --> 00:11:59,790
big one
403
00:11:59,790 --> 00:12:02,579
big one
here are the nominees for best animated
404
00:12:02,579 --> 00:12:02,589
here are the nominees for best animated
405
00:12:02,589 --> 00:12:07,410
here are the nominees for best animated
short film animal behavior allison
406
00:12:07,410 --> 00:12:07,420
short film animal behavior allison
407
00:12:07,420 --> 00:12:10,720
short film animal behavior allison
snowden and david fire
408
00:12:10,720 --> 00:12:10,730
409
00:12:10,730 --> 00:12:17,050
bow domi she and becky Neiman Cobb late
410
00:12:17,050 --> 00:12:17,060
bow domi she and becky Neiman Cobb late
411
00:12:17,060 --> 00:12:17,830
bow domi she and becky Neiman Cobb late
afternoon
412
00:12:17,830 --> 00:12:17,840
afternoon
413
00:12:17,840 --> 00:12:22,800
afternoon
Louise Bagnall and Maria Gonzalez Blanco
414
00:12:22,800 --> 00:12:22,810
415
00:12:22,810 --> 00:12:26,200
one small step Andrew says Worth and
416
00:12:26,200 --> 00:12:26,210
one small step Andrew says Worth and
417
00:12:26,210 --> 00:12:35,700
one small step Andrew says Worth and
Bobby Pontius weekends Trevor Jimenez
418
00:12:35,700 --> 00:12:35,710
419
00:12:35,710 --> 00:12:44,890
and the Oscar goes to bow this is the
420
00:12:44,890 --> 00:12:44,900
and the Oscar goes to bow this is the
421
00:12:44,900 --> 00:12:47,830
and the Oscar goes to bow this is the
first Oscar and nomination for DOMA she
422
00:12:47,830 --> 00:12:47,840
first Oscar and nomination for DOMA she
423
00:12:47,840 --> 00:12:51,490
first Oscar and nomination for DOMA she
and Becky Neiman Cobb Academy Awards in
424
00:12:51,490 --> 00:12:51,500
and Becky Neiman Cobb Academy Awards in
425
00:12:51,500 --> 00:12:54,060
and Becky Neiman Cobb Academy Awards in
this category have been presented since
426
00:12:54,060 --> 00:12:54,070
this category have been presented since
427
00:12:54,070 --> 00:12:55,630
this category have been presented since
1932
428
00:12:55,630 --> 00:12:55,640
1932
429
00:12:55,640 --> 00:13:01,310
1932
[Applause]
430
00:13:01,310 --> 00:13:01,320
431
00:13:01,320 --> 00:13:02,720
[Applause]
432
00:13:02,720 --> 00:13:02,730
[Applause]
433
00:13:02,730 --> 00:13:08,510
[Applause]
[Music]
434
00:13:08,510 --> 00:13:08,520
435
00:13:08,520 --> 00:13:17,079
[Music]
436
00:13:17,079 --> 00:13:17,089
437
00:13:17,089 --> 00:13:20,299
holy it's our first time to ever stream
438
00:13:20,299 --> 00:13:20,309
holy it's our first time to ever stream
439
00:13:20,309 --> 00:13:22,639
holy it's our first time to ever stream
- oh my gosh um thank you to the Academy
440
00:13:22,639 --> 00:13:22,649
- oh my gosh um thank you to the Academy
441
00:13:22,649 --> 00:13:25,129
- oh my gosh um thank you to the Academy
thank you to my fellow nominees thank
442
00:13:25,129 --> 00:13:25,139
thank you to my fellow nominees thank
443
00:13:25,139 --> 00:13:27,650
thank you to my fellow nominees thank
you for supporting shorts to all of the
444
00:13:27,650 --> 00:13:27,660
you for supporting shorts to all of the
445
00:13:27,660 --> 00:13:29,509
you for supporting shorts to all of the
nerdy girls out there who hide behind
446
00:13:29,509 --> 00:13:29,519
nerdy girls out there who hide behind
447
00:13:29,519 --> 00:13:31,369
nerdy girls out there who hide behind
their sketchbooks don't be afraid to
448
00:13:31,369 --> 00:13:31,379
their sketchbooks don't be afraid to
449
00:13:31,379 --> 00:13:37,549
their sketchbooks don't be afraid to
tell your stories to the world you're
450
00:13:37,549 --> 00:13:37,559
tell your stories to the world you're
451
00:13:37,559 --> 00:13:39,679
tell your stories to the world you're
gonna freak people out but you'll
452
00:13:39,679 --> 00:13:39,689
gonna freak people out but you'll
453
00:13:39,689 --> 00:13:41,329
gonna freak people out but you'll
probably connect with them too and
454
00:13:41,329 --> 00:13:41,339
probably connect with them too and
455
00:13:41,339 --> 00:13:43,280
probably connect with them too and
that's an amazing feeling to have thank
456
00:13:43,280 --> 00:13:43,290
that's an amazing feeling to have thank
457
00:13:43,290 --> 00:13:44,179
that's an amazing feeling to have thank
you to Pete docter
458
00:13:44,179 --> 00:13:44,189
you to Pete docter
459
00:13:44,189 --> 00:13:47,150
you to Pete docter
for believing in my weirdness and for
460
00:13:47,150 --> 00:13:47,160
for believing in my weirdness and for
461
00:13:47,160 --> 00:13:49,369
for believing in my weirdness and for
giving me a voice at the studio and
462
00:13:49,369 --> 00:13:49,379
giving me a voice at the studio and
463
00:13:49,379 --> 00:13:51,619
giving me a voice at the studio and
thank you of course - you know my mom
464
00:13:51,619 --> 00:13:51,629
thank you of course - you know my mom
465
00:13:51,629 --> 00:13:54,410
thank you of course - you know my mom
and my dad my my muses and my partner
466
00:13:54,410 --> 00:13:54,420
and my dad my my muses and my partner
467
00:13:54,420 --> 00:13:56,090
and my dad my my muses and my partner
Darren for being with me through all of
468
00:13:56,090 --> 00:13:56,100
Darren for being with me through all of
469
00:13:56,100 --> 00:13:57,710
Darren for being with me through all of
this and being my human stress ball
470
00:13:57,710 --> 00:13:57,720
this and being my human stress ball
471
00:13:57,720 --> 00:13:59,600
this and being my human stress ball
thank you we want to we want to thank
472
00:13:59,600 --> 00:13:59,610
thank you we want to we want to thank
473
00:13:59,610 --> 00:14:01,970
thank you we want to we want to thank
the entire bow crew they brought their
474
00:14:01,970 --> 00:14:01,980
the entire bow crew they brought their
475
00:14:01,980 --> 00:14:04,220
the entire bow crew they brought their
heart to this short and you can see it
476
00:14:04,220 --> 00:14:04,230
heart to this short and you can see it
477
00:14:04,230 --> 00:14:06,769
heart to this short and you can see it
in every shot to everyone at Pixar you
478
00:14:06,769 --> 00:14:06,779
in every shot to everyone at Pixar you
479
00:14:06,779 --> 00:14:09,590
in every shot to everyone at Pixar you
inspire us every day Disney for
480
00:14:09,590 --> 00:14:09,600
inspire us every day Disney for
481
00:14:09,600 --> 00:14:12,049
inspire us every day Disney for
believing in us - my friends and family
482
00:14:12,049 --> 00:14:12,059
believing in us - my friends and family
483
00:14:12,059 --> 00:14:14,869
believing in us - my friends and family
parents and sister I love you so much I
484
00:14:14,869 --> 00:14:14,879
parents and sister I love you so much I
485
00:14:14,879 --> 00:14:17,689
parents and sister I love you so much I
got to make a short help make a short
486
00:14:17,689 --> 00:14:17,699
got to make a short help make a short
487
00:14:17,699 --> 00:14:20,150
got to make a short help make a short
that was about a mother just as I was
488
00:14:20,150 --> 00:14:20,160
that was about a mother just as I was
489
00:14:20,160 --> 00:14:21,019
that was about a mother just as I was
becoming one
490
00:14:21,019 --> 00:14:21,029
becoming one
491
00:14:21,029 --> 00:14:24,289
becoming one
so to my little bow Lucy and 2dn
492
00:14:24,289 --> 00:14:24,299
so to my little bow Lucy and 2dn
493
00:14:24,299 --> 00:14:26,329
so to my little bow Lucy and 2dn
none of this would be possible without
494
00:14:26,329 --> 00:14:26,339
none of this would be possible without
495
00:14:26,339 --> 00:14:39,060
none of this would be possible without
you
496
00:14:39,060 --> 00:14:39,070
497
00:14:39,070 --> 00:14:41,380
why are we still here why why are we
498
00:14:41,380 --> 00:14:41,390
why are we still here why why are we
499
00:14:41,390 --> 00:14:42,790
why are we still here why why are we
here so are we doing it you're doing
500
00:14:42,790 --> 00:14:42,800
here so are we doing it you're doing
501
00:14:42,800 --> 00:14:46,540
here so are we doing it you're doing
another one oh yes Oh documentaries
502
00:14:46,540 --> 00:14:46,550
another one oh yes Oh documentaries
503
00:14:46,550 --> 00:14:48,460
another one oh yes Oh documentaries
short subjects a good one all right
504
00:14:48,460 --> 00:14:48,470
short subjects a good one all right
505
00:14:48,470 --> 00:14:49,870
short subjects a good one all right
that's the good one
506
00:14:49,870 --> 00:14:49,880
that's the good one
507
00:14:49,880 --> 00:14:55,060
that's the good one
here are the nominees black sheep Ed
508
00:14:55,060 --> 00:14:55,070
here are the nominees black sheep Ed
509
00:14:55,070 --> 00:14:57,080
here are the nominees black sheep Ed
Perkins and Jonathan chin
510
00:14:57,080 --> 00:14:57,090
Perkins and Jonathan chin
511
00:14:57,090 --> 00:14:58,540
Perkins and Jonathan chin
[Applause]
512
00:14:58,540 --> 00:14:58,550
[Applause]
513
00:14:58,550 --> 00:15:03,960
[Applause]
endgame Rob Epstein and Jeffrey Friedman
514
00:15:03,960 --> 00:15:03,970
endgame Rob Epstein and Jeffrey Friedman
515
00:15:03,970 --> 00:15:07,630
endgame Rob Epstein and Jeffrey Friedman
lifeboat sky Fitzgerald and brynn Moussa
516
00:15:07,630 --> 00:15:07,640
lifeboat sky Fitzgerald and brynn Moussa
517
00:15:07,640 --> 00:15:12,150
lifeboat sky Fitzgerald and brynn Moussa
a night at the garden marshal curry
518
00:15:12,150 --> 00:15:12,160
a night at the garden marshal curry
519
00:15:12,160 --> 00:15:13,680
a night at the garden marshal curry
[Music]
520
00:15:13,680 --> 00:15:13,690
[Music]
521
00:15:13,690 --> 00:15:16,000
[Music]
period end of sentence
522
00:15:16,000 --> 00:15:16,010
period end of sentence
523
00:15:16,010 --> 00:15:21,970
period end of sentence
Rika's Itachi and Melissa Burton and the
524
00:15:21,970 --> 00:15:21,980
Rika's Itachi and Melissa Burton and the
525
00:15:21,980 --> 00:15:23,050
Rika's Itachi and Melissa Burton and the
Oscar goes to
526
00:15:23,050 --> 00:15:23,060
Oscar goes to
527
00:15:23,060 --> 00:15:28,430
Oscar goes to
period end of center
528
00:15:28,430 --> 00:15:28,440
529
00:15:28,440 --> 00:15:31,040
this is the first Oscar nomination for
530
00:15:31,040 --> 00:15:31,050
this is the first Oscar nomination for
531
00:15:31,050 --> 00:15:34,160
this is the first Oscar nomination for
Rika's Itachi and Marisa Burton
532
00:15:34,160 --> 00:15:34,170
Rika's Itachi and Marisa Burton
533
00:15:34,170 --> 00:15:36,720
Rika's Itachi and Marisa Burton
[Applause]
534
00:15:36,720 --> 00:15:36,730
[Applause]
535
00:15:36,730 --> 00:15:38,050
[Applause]
[Music]
536
00:15:38,050 --> 00:15:38,060
[Music]
537
00:15:38,060 --> 00:15:38,550
[Music]
[Applause]
538
00:15:38,550 --> 00:15:38,560
[Applause]
539
00:15:38,560 --> 00:15:44,759
[Applause]
[Music]
540
00:15:44,759 --> 00:15:44,769
541
00:15:44,769 --> 00:15:47,680
I'm not crying because I'm on my period
542
00:15:47,680 --> 00:15:47,690
I'm not crying because I'm on my period
543
00:15:47,690 --> 00:15:51,130
I'm not crying because I'm on my period
or anything I can't believe a film about
544
00:15:51,130 --> 00:15:51,140
or anything I can't believe a film about
545
00:15:51,140 --> 00:15:58,530
or anything I can't believe a film about
menstruation just won an Oscar
546
00:15:58,530 --> 00:15:58,540
547
00:15:58,540 --> 00:16:02,190
thank you thank you Netflix for giving
548
00:16:02,190 --> 00:16:02,200
thank you thank you Netflix for giving
549
00:16:02,200 --> 00:16:04,950
thank you thank you Netflix for giving
us a platform thank you to my creative
550
00:16:04,950 --> 00:16:04,960
us a platform thank you to my creative
551
00:16:04,960 --> 00:16:07,320
us a platform thank you to my creative
partner Sam Davis I share this with you
552
00:16:07,320 --> 00:16:07,330
partner Sam Davis I share this with you
553
00:16:07,330 --> 00:16:10,620
partner Sam Davis I share this with you
baby thank you to my mom and my sister I
554
00:16:10,620 --> 00:16:10,630
baby thank you to my mom and my sister I
555
00:16:10,630 --> 00:16:13,650
baby thank you to my mom and my sister I
love you guys too Lisa Tabak and Garrett
556
00:16:13,650 --> 00:16:13,660
love you guys too Lisa Tabak and Garrett
557
00:16:13,660 --> 00:16:17,910
love you guys too Lisa Tabak and Garrett
chef to Guney manga and the women of
558
00:16:17,910 --> 00:16:17,920
chef to Guney manga and the women of
559
00:16:17,920 --> 00:16:20,400
chef to Guney manga and the women of
katagiri know that you who are
560
00:16:20,400 --> 00:16:20,410
katagiri know that you who are
561
00:16:20,410 --> 00:16:22,860
katagiri know that you who are
empowering women all over the world to
562
00:16:22,860 --> 00:16:22,870
empowering women all over the world to
563
00:16:22,870 --> 00:16:31,230
empowering women all over the world to
fight for menstral equality this film
564
00:16:31,230 --> 00:16:31,240
fight for menstral equality this film
565
00:16:31,240 --> 00:16:34,050
fight for menstral equality this film
began because high-school students here
566
00:16:34,050 --> 00:16:34,060
began because high-school students here
567
00:16:34,060 --> 00:16:36,210
began because high-school students here
and our brave partners that action India
568
00:16:36,210 --> 00:16:36,220
and our brave partners that action India
569
00:16:36,220 --> 00:16:38,700
and our brave partners that action India
wanted to make a difference a human
570
00:16:38,700 --> 00:16:38,710
wanted to make a difference a human
571
00:16:38,710 --> 00:16:40,950
wanted to make a difference a human
rights difference I share this award
572
00:16:40,950 --> 00:16:40,960
rights difference I share this award
573
00:16:40,960 --> 00:16:43,470
rights difference I share this award
with the feminist majority foundation
574
00:16:43,470 --> 00:16:43,480
with the feminist majority foundation
575
00:16:43,480 --> 00:16:46,050
with the feminist majority foundation
with Helen Claire Avery Ruby selfie
576
00:16:46,050 --> 00:16:46,060
with Helen Claire Avery Ruby selfie
577
00:16:46,060 --> 00:16:49,080
with Helen Claire Avery Ruby selfie
Charlotte Karly the entire pad project
578
00:16:49,080 --> 00:16:49,090
Charlotte Karly the entire pad project
579
00:16:49,090 --> 00:16:52,920
Charlotte Karly the entire pad project
team with the Oakwood school I share
580
00:16:52,920 --> 00:16:52,930
team with the Oakwood school I share
581
00:16:52,930 --> 00:16:58,400
team with the Oakwood school I share
this I share this with teachers and with
582
00:16:58,400 --> 00:16:58,410
this I share this with teachers and with
583
00:16:58,410 --> 00:17:01,140
this I share this with teachers and with
students around the world a period
584
00:17:01,140 --> 00:17:01,150
students around the world a period
585
00:17:01,150 --> 00:17:03,090
students around the world a period
should end a sentence not a girls
586
00:17:03,090 --> 00:17:03,100
should end a sentence not a girls
587
00:17:03,100 --> 00:17:04,200
should end a sentence not a girls
education
588
00:17:04,200 --> 00:17:04,210
education
589
00:17:04,210 --> 00:17:08,210
education
[Applause]
590
00:17:08,210 --> 00:17:08,220
[Applause]
591
00:17:08,220 --> 00:17:12,380
[Applause]
[Music]
592
00:17:12,380 --> 00:17:12,390
593
00:17:12,390 --> 00:17:14,750
some of the biggest awards of the night
594
00:17:14,750 --> 00:17:14,760
some of the biggest awards of the night
595
00:17:14,760 --> 00:17:17,660
some of the biggest awards of the night
ahead and right now we're heading to the
596
00:17:17,660 --> 00:17:17,670
ahead and right now we're heading to the
597
00:17:17,670 --> 00:17:20,390
ahead and right now we're heading to the
backstage greenroom to see the stars if
598
00:17:20,390 --> 00:17:20,400
backstage greenroom to see the stars if
599
00:17:20,400 --> 00:17:23,030
backstage greenroom to see the stars if
they get ready to go on stage and where
600
00:17:23,030 --> 00:17:23,040
they get ready to go on stage and where
601
00:17:23,040 --> 00:17:24,919
they get ready to go on stage and where
the winners come to celebrate after
602
00:17:24,919 --> 00:17:24,929
the winners come to celebrate after
603
00:17:24,929 --> 00:17:26,919
the winners come to celebrate after
their big moment
604
00:17:26,919 --> 00:17:26,929
their big moment
605
00:17:26,929 --> 00:17:30,980
their big moment
coming up next Diego Luna Jose Andres
606
00:17:30,980 --> 00:17:30,990
coming up next Diego Luna Jose Andres
607
00:17:30,990 --> 00:17:34,490
coming up next Diego Luna Jose Andres
Paul Rudd and Sarah Paulson plus a
608
00:17:34,490 --> 00:17:34,500
Paul Rudd and Sarah Paulson plus a
609
00:17:34,500 --> 00:17:37,190
Paul Rudd and Sarah Paulson plus a
performance of shallow by Lady gaga and
610
00:17:37,190 --> 00:17:37,200
performance of shallow by Lady gaga and
611
00:17:37,200 --> 00:17:42,890
performance of shallow by Lady gaga and
Bradley Cooper the Oscars on ABC
612
00:17:42,890 --> 00:17:42,900
Bradley Cooper the Oscars on ABC
613
00:17:42,900 --> 00:17:45,740
Bradley Cooper the Oscars on ABC
brought to you by Disney's new movie The
614
00:17:45,740 --> 00:17:45,750
brought to you by Disney's new movie The
615
00:17:45,750 --> 00:17:51,250
brought to you by Disney's new movie The
Lion King in theaters everywhere July 19
616
00:17:51,250 --> 00:17:51,260
617
00:17:51,260 --> 00:17:55,330
the Oscars on ABC brought to you by
618
00:17:55,330 --> 00:17:55,340
the Oscars on ABC brought to you by
619
00:17:55,340 --> 00:17:58,730
the Oscars on ABC brought to you by
Walmart see how we style the scars
620
00:17:58,730 --> 00:17:58,740
Walmart see how we style the scars
621
00:17:58,740 --> 00:18:02,530
Walmart see how we style the scars
behind the scenes in Walmart fashion
622
00:18:02,530 --> 00:18:02,540
behind the scenes in Walmart fashion
623
00:18:02,540 --> 00:18:06,740
behind the scenes in Walmart fashion
please welcome diego luna and chef Jose
624
00:18:06,740 --> 00:18:06,750
please welcome diego luna and chef Jose
625
00:18:06,750 --> 00:18:15,560
please welcome diego luna and chef Jose
Andres a todos se puede habla espanol
626
00:18:15,560 --> 00:18:15,570
Andres a todos se puede habla espanol
627
00:18:15,570 --> 00:18:20,240
Andres a todos se puede habla espanol
Andres Oscar is honest
628
00:18:20,240 --> 00:18:20,250
Andres Oscar is honest
629
00:18:20,250 --> 00:18:21,740
Andres Oscar is honest
you have known is finally turning less
630
00:18:21,740 --> 00:18:21,750
you have known is finally turning less
631
00:18:21,750 --> 00:18:23,180
you have known is finally turning less
ya know say Brianna la puerta in on a
632
00:18:23,180 --> 00:18:23,190
ya know say Brianna la puerta in on a
633
00:18:23,190 --> 00:18:26,140
ya know say Brianna la puerta in on a
second aqui Alyssa nervous to you so
634
00:18:26,140 --> 00:18:26,150
second aqui Alyssa nervous to you so
635
00:18:26,150 --> 00:18:29,810
second aqui Alyssa nervous to you so
people of the world each person's life
636
00:18:29,810 --> 00:18:29,820
people of the world each person's life
637
00:18:29,820 --> 00:18:33,860
people of the world each person's life
is a recipe all on its own with
638
00:18:33,860 --> 00:18:33,870
is a recipe all on its own with
639
00:18:33,870 --> 00:18:36,610
is a recipe all on its own with
different measures of joy and sadness a
640
00:18:36,610 --> 00:18:36,620
different measures of joy and sadness a
641
00:18:36,620 --> 00:18:41,390
different measures of joy and sadness a
struggle and success love and loss the
642
00:18:41,390 --> 00:18:41,400
struggle and success love and loss the
643
00:18:41,400 --> 00:18:44,240
struggle and success love and loss the
results are unique every time even
644
00:18:44,240 --> 00:18:44,250
results are unique every time even
645
00:18:44,250 --> 00:18:46,840
results are unique every time even
though all of the ingredients are
646
00:18:46,840 --> 00:18:46,850
though all of the ingredients are
647
00:18:46,850 --> 00:18:50,539
though all of the ingredients are
universal in roma alfonso cuarón
648
00:18:50,539 --> 00:18:50,549
universal in roma alfonso cuarón
649
00:18:50,549 --> 00:18:52,940
universal in roma alfonso cuarón
presents an honest and vital portrait of
650
00:18:52,940 --> 00:18:52,950
presents an honest and vital portrait of
651
00:18:52,950 --> 00:18:55,549
presents an honest and vital portrait of
the mexico city of his childhood a place
652
00:18:55,549 --> 00:18:55,559
the mexico city of his childhood a place
653
00:18:55,559 --> 00:18:57,740
the mexico city of his childhood a place
full of contrasts and contradictions
654
00:18:57,740 --> 00:18:57,750
full of contrasts and contradictions
655
00:18:57,750 --> 00:19:00,919
full of contrasts and contradictions
this is a story of lonely women an
656
00:19:00,919 --> 00:19:00,929
this is a story of lonely women an
657
00:19:00,929 --> 00:19:04,880
this is a story of lonely women an
absent man of painful class divisions
658
00:19:04,880 --> 00:19:04,890
absent man of painful class divisions
659
00:19:04,890 --> 00:19:07,970
absent man of painful class divisions
and racial dynamics but love is where
660
00:19:07,970 --> 00:19:07,980
and racial dynamics but love is where
661
00:19:07,980 --> 00:19:11,080
and racial dynamics but love is where
everyone meets and these beautiful
662
00:19:11,080 --> 00:19:11,090
everyone meets and these beautiful
663
00:19:11,090 --> 00:19:14,870
everyone meets and these beautiful
intimate film one that gives a voice to
664
00:19:14,870 --> 00:19:14,880
intimate film one that gives a voice to
665
00:19:14,880 --> 00:19:18,260
intimate film one that gives a voice to
the voiceless reminds us of the
666
00:19:18,260 --> 00:19:18,270
the voiceless reminds us of the
667
00:19:18,270 --> 00:19:21,200
the voiceless reminds us of the
understanding and compassion that we all
668
00:19:21,200 --> 00:19:21,210
understanding and compassion that we all
669
00:19:21,210 --> 00:19:25,360
understanding and compassion that we all
owe the invisible people in our lives
670
00:19:25,360 --> 00:19:25,370
owe the invisible people in our lives
671
00:19:25,370 --> 00:19:30,290
owe the invisible people in our lives
immigrants and women who more humanity
672
00:19:30,290 --> 00:19:30,300
immigrants and women who more humanity
673
00:19:30,300 --> 00:19:40,549
immigrants and women who more humanity
forward
674
00:19:40,549 --> 00:19:40,559
675
00:19:40,559 --> 00:19:46,450
where is Aki I am cachito de Roma
676
00:19:46,450 --> 00:19:46,460
where is Aki I am cachito de Roma
677
00:19:46,460 --> 00:19:49,860
where is Aki I am cachito de Roma
[Applause]
678
00:19:49,860 --> 00:19:49,870
[Applause]
679
00:19:49,870 --> 00:20:05,790
[Applause]
[Music]
680
00:20:05,790 --> 00:20:05,800
681
00:20:05,800 --> 00:20:11,950
if
682
00:20:11,950 --> 00:20:11,960
683
00:20:11,960 --> 00:20:18,240
[Music]
684
00:20:18,240 --> 00:20:18,250
685
00:20:18,250 --> 00:20:20,500
[Music]
686
00:20:20,500 --> 00:20:20,510
[Music]
687
00:20:20,510 --> 00:20:25,120
[Music]
[Applause]
688
00:20:25,120 --> 00:20:25,130
689
00:20:25,130 --> 00:20:28,430
please welcome Paul Rudd and Sarah
690
00:20:28,430 --> 00:20:28,440
please welcome Paul Rudd and Sarah
691
00:20:28,440 --> 00:20:30,820
please welcome Paul Rudd and Sarah
Paulson
692
00:20:30,820 --> 00:20:30,830
693
00:20:30,830 --> 00:20:38,230
[Applause]
694
00:20:38,230 --> 00:20:38,240
[Applause]
695
00:20:38,240 --> 00:20:41,840
[Applause]
in duck soup Chico Marx asks who are you
696
00:20:41,840 --> 00:20:41,850
in duck soup Chico Marx asks who are you
697
00:20:41,850 --> 00:20:44,140
in duck soup Chico Marx asks who are you
going to believe me or your own eyes
698
00:20:44,140 --> 00:20:44,150
going to believe me or your own eyes
699
00:20:44,150 --> 00:20:46,640
going to believe me or your own eyes
when it comes to visual effects the
700
00:20:46,640 --> 00:20:46,650
when it comes to visual effects the
701
00:20:46,650 --> 00:20:48,020
when it comes to visual effects the
answers not so simple
702
00:20:48,020 --> 00:20:48,030
answers not so simple
703
00:20:48,030 --> 00:20:50,270
answers not so simple
today's effects artists collaborate with
704
00:20:50,270 --> 00:20:50,280
today's effects artists collaborate with
705
00:20:50,280 --> 00:20:51,919
today's effects artists collaborate with
every other department to convince
706
00:20:51,919 --> 00:20:51,929
every other department to convince
707
00:20:51,929 --> 00:20:54,080
every other department to convince
audiences of even the most implausible
708
00:20:54,080 --> 00:20:54,090
audiences of even the most implausible
709
00:20:54,090 --> 00:20:56,299
audiences of even the most implausible
realities this is the kind of magic that
710
00:20:56,299 --> 00:20:56,309
realities this is the kind of magic that
711
00:20:56,309 --> 00:20:58,100
realities this is the kind of magic that
allows the audience to believe I was
712
00:20:58,100 --> 00:20:58,110
allows the audience to believe I was
713
00:20:58,110 --> 00:20:59,990
allows the audience to believe I was
actually obliterated by a truck in Bird
714
00:20:59,990 --> 00:21:00,000
actually obliterated by a truck in Bird
715
00:21:00,000 --> 00:21:02,360
actually obliterated by a truck in Bird
box and the same kind of magic that
716
00:21:02,360 --> 00:21:02,370
box and the same kind of magic that
717
00:21:02,370 --> 00:21:04,310
box and the same kind of magic that
allows an audience to believe that I am
718
00:21:04,310 --> 00:21:04,320
allows an audience to believe that I am
719
00:21:04,320 --> 00:21:09,980
allows an audience to believe that I am
an actor here are this year's nominees
720
00:21:09,980 --> 00:21:09,990
an actor here are this year's nominees
721
00:21:09,990 --> 00:21:13,090
an actor here are this year's nominees
for achievement in visual effects
722
00:21:13,090 --> 00:21:13,100
for achievement in visual effects
723
00:21:13,100 --> 00:21:16,880
for achievement in visual effects
Avengers infinity war Dan de Lune Kelly
724
00:21:16,880 --> 00:21:16,890
Avengers infinity war Dan de Lune Kelly
725
00:21:16,890 --> 00:21:20,990
Avengers infinity war Dan de Lune Kelly
port Russell Earl and Dan Souter
726
00:21:20,990 --> 00:21:21,000
port Russell Earl and Dan Souter
727
00:21:21,000 --> 00:21:23,490
port Russell Earl and Dan Souter
Christopher Robin christopher lawrence
728
00:21:23,490 --> 00:21:23,500
Christopher Robin christopher lawrence
729
00:21:23,500 --> 00:21:24,960
Christopher Robin christopher lawrence
Michael Ames
730
00:21:24,960 --> 00:21:24,970
Michael Ames
731
00:21:24,970 --> 00:21:30,150
Michael Ames
Theo Jones and Chris corbelled first men
732
00:21:30,150 --> 00:21:30,160
Theo Jones and Chris corbelled first men
733
00:21:30,160 --> 00:21:32,490
Theo Jones and Chris corbelled first men
Paul Lambert Ian Hunter
734
00:21:32,490 --> 00:21:32,500
Paul Lambert Ian Hunter
735
00:21:32,500 --> 00:21:37,799
Paul Lambert Ian Hunter
Tristan miles and JD Shuang ready player
736
00:21:37,799 --> 00:21:37,809
Tristan miles and JD Shuang ready player
737
00:21:37,809 --> 00:21:38,400
Tristan miles and JD Shuang ready player
one
738
00:21:38,400 --> 00:21:38,410
one
739
00:21:38,410 --> 00:21:41,880
one
Roger diet Grady Cofer Matthew E Butler
740
00:21:41,880 --> 00:21:41,890
Roger diet Grady Cofer Matthew E Butler
741
00:21:41,890 --> 00:21:47,240
Roger diet Grady Cofer Matthew E Butler
and David shirk solo a Star Wars story
742
00:21:47,240 --> 00:21:47,250
and David shirk solo a Star Wars story
743
00:21:47,250 --> 00:21:51,390
and David shirk solo a Star Wars story
Robredo Patrick - Bob Neal Scanlan and
744
00:21:51,390 --> 00:21:51,400
Robredo Patrick - Bob Neal Scanlan and
745
00:21:51,400 --> 00:21:59,090
Robredo Patrick - Bob Neal Scanlan and
Dominic chewy and the Oscar goes to
746
00:21:59,090 --> 00:21:59,100
Dominic chewy and the Oscar goes to
747
00:21:59,100 --> 00:22:03,930
Dominic chewy and the Oscar goes to
first man Paul Lambert Ian Hunter
748
00:22:03,930 --> 00:22:03,940
first man Paul Lambert Ian Hunter
749
00:22:03,940 --> 00:22:05,080
first man Paul Lambert Ian Hunter
Kristen
750
00:22:05,080 --> 00:22:05,090
Kristen
751
00:22:05,090 --> 00:22:07,050
Kristen
and JD chuan
752
00:22:07,050 --> 00:22:07,060
and JD chuan
753
00:22:07,060 --> 00:22:08,140
and JD chuan
[Applause]
754
00:22:08,140 --> 00:22:08,150
[Applause]
755
00:22:08,150 --> 00:22:10,120
[Applause]
this is the first Oscar and nomination
756
00:22:10,120 --> 00:22:10,130
this is the first Oscar and nomination
757
00:22:10,130 --> 00:22:13,900
this is the first Oscar and nomination
for Tristan miles in JD Shuang the
758
00:22:13,900 --> 00:22:13,910
for Tristan miles in JD Shuang the
759
00:22:13,910 --> 00:22:17,200
for Tristan miles in JD Shuang the
second win and second time nominees Paul
760
00:22:17,200 --> 00:22:17,210
second win and second time nominees Paul
761
00:22:17,210 --> 00:22:22,930
second win and second time nominees Paul
Lambert and Ian Hunter
762
00:22:22,930 --> 00:22:22,940
763
00:22:22,940 --> 00:22:36,500
[Music]
764
00:22:36,500 --> 00:22:36,510
765
00:22:36,510 --> 00:22:39,169
oh my goodness oh what a truly
766
00:22:39,169 --> 00:22:39,179
oh my goodness oh what a truly
767
00:22:39,179 --> 00:22:41,750
oh my goodness oh what a truly
magnificent moment we did things a
768
00:22:41,750 --> 00:22:41,760
magnificent moment we did things a
769
00:22:41,760 --> 00:22:42,950
magnificent moment we did things a
little bit differently on first man's
770
00:22:42,950 --> 00:22:42,960
little bit differently on first man's
771
00:22:42,960 --> 00:22:44,870
little bit differently on first man's
have been recognized by the Academy is
772
00:22:44,870 --> 00:22:44,880
have been recognized by the Academy is
773
00:22:44,880 --> 00:22:49,070
have been recognized by the Academy is
all the more special thanks goes to my
774
00:22:49,070 --> 00:22:49,080
all the more special thanks goes to my
775
00:22:49,080 --> 00:22:51,320
all the more special thanks goes to my
visual effects producer Kevin Elam also
776
00:22:51,320 --> 00:22:51,330
visual effects producer Kevin Elam also
777
00:22:51,330 --> 00:22:53,030
visual effects producer Kevin Elam also
Jennifer Bell and built to last the at
778
00:22:53,030 --> 00:22:53,040
Jennifer Bell and built to last the at
779
00:22:53,040 --> 00:22:55,460
Jennifer Bell and built to last the at
Universal thank you to the inspirational
780
00:22:55,460 --> 00:22:55,470
Universal thank you to the inspirational
781
00:22:55,470 --> 00:23:00,740
Universal thank you to the inspirational
Damien Chazelle and and our amazing
782
00:23:00,740 --> 00:23:00,750
Damien Chazelle and and our amazing
783
00:23:00,750 --> 00:23:03,530
Damien Chazelle and and our amazing
cross cast and all the incredible heads
784
00:23:03,530 --> 00:23:03,540
cross cast and all the incredible heads
785
00:23:03,540 --> 00:23:06,500
cross cast and all the incredible heads
of departmental Ennis Tom Justin Mildred
786
00:23:06,500 --> 00:23:06,510
of departmental Ennis Tom Justin Mildred
787
00:23:06,510 --> 00:23:08,270
of departmental Ennis Tom Justin Mildred
ailing Nathan rose
788
00:23:08,270 --> 00:23:08,280
ailing Nathan rose
789
00:23:08,280 --> 00:23:10,669
ailing Nathan rose
Ian Josh Marion Donald who made this
790
00:23:10,669 --> 00:23:10,679
Ian Josh Marion Donald who made this
791
00:23:10,679 --> 00:23:13,580
Ian Josh Marion Donald who made this
film so so memorable and a big shout-out
792
00:23:13,580 --> 00:23:13,590
film so so memorable and a big shout-out
793
00:23:13,590 --> 00:23:16,880
film so so memorable and a big shout-out
to shell eyes and rank Ripper Porter and
794
00:23:16,880 --> 00:23:16,890
to shell eyes and rank Ripper Porter and
795
00:23:16,890 --> 00:23:18,230
to shell eyes and rank Ripper Porter and
all my people at Dean egg Bank Hoover
796
00:23:18,230 --> 00:23:18,240
all my people at Dean egg Bank Hoover
797
00:23:18,240 --> 00:23:19,820
all my people at Dean egg Bank Hoover
thank you thank you again Damien
798
00:23:19,820 --> 00:23:19,830
thank you thank you again Damien
799
00:23:19,830 --> 00:23:22,549
thank you thank you again Damien
Chazelle my amazing effects team my wife
800
00:23:22,549 --> 00:23:22,559
Chazelle my amazing effects team my wife
801
00:23:22,559 --> 00:23:25,460
Chazelle my amazing effects team my wife
Erica I love you my two boys John and
802
00:23:25,460 --> 00:23:25,470
Erica I love you my two boys John and
803
00:23:25,470 --> 00:23:29,090
Erica I love you my two boys John and
James and my dad Jim who taught me how
804
00:23:29,090 --> 00:23:29,100
James and my dad Jim who taught me how
805
00:23:29,100 --> 00:23:31,240
James and my dad Jim who taught me how
to put the magic in movies thank you
806
00:23:31,240 --> 00:23:31,250
to put the magic in movies thank you
807
00:23:31,250 --> 00:23:33,470
to put the magic in movies thank you
thanks to the crew it's a Dean egg
808
00:23:33,470 --> 00:23:33,480
thanks to the crew it's a Dean egg
809
00:23:33,480 --> 00:23:35,120
thanks to the crew it's a Dean egg
without whose hard work we wouldn't be
810
00:23:35,120 --> 00:23:35,130
without whose hard work we wouldn't be
811
00:23:35,130 --> 00:23:37,280
without whose hard work we wouldn't be
stood up here tonight also thanks to my
812
00:23:37,280 --> 00:23:37,290
stood up here tonight also thanks to my
813
00:23:37,290 --> 00:23:39,400
stood up here tonight also thanks to my
wife Kirsty and our two children
814
00:23:39,400 --> 00:23:39,410
wife Kirsty and our two children
815
00:23:39,410 --> 00:23:42,140
wife Kirsty and our two children
Isabella Louisa for all their support
816
00:23:42,140 --> 00:23:42,150
Isabella Louisa for all their support
817
00:23:42,150 --> 00:23:45,440
Isabella Louisa for all their support
over the years and it's uh it's an honor
818
00:23:45,440 --> 00:23:45,450
over the years and it's uh it's an honor
819
00:23:45,450 --> 00:23:47,900
over the years and it's uh it's an honor
it's humbling to honor Neil Armstrong
820
00:23:47,900 --> 00:23:47,910
it's humbling to honor Neil Armstrong
821
00:23:47,910 --> 00:23:49,700
it's humbling to honor Neil Armstrong
all the men and women of NASA so thank
822
00:23:49,700 --> 00:23:49,710
all the men and women of NASA so thank
823
00:23:49,710 --> 00:23:52,190
all the men and women of NASA so thank
you so much Kirsten perficio
824
00:23:52,190 --> 00:23:52,200
you so much Kirsten perficio
825
00:23:52,200 --> 00:24:03,390
you so much Kirsten perficio
[Applause]
826
00:24:03,390 --> 00:24:03,400
[Applause]
827
00:24:03,400 --> 00:24:20,610
[Applause]
[Music]
828
00:24:20,610 --> 00:24:20,620
[Music]
829
00:24:20,620 --> 00:24:23,410
[Music]
[Applause]
830
00:24:23,410 --> 00:24:23,420
[Applause]
831
00:24:23,420 --> 00:24:24,890
[Applause]
[Music]
832
00:24:24,890 --> 00:24:24,900
[Music]
833
00:24:24,900 --> 00:24:28,560
[Music]
[Applause]
834
00:24:28,560 --> 00:24:28,570
[Applause]
835
00:24:28,570 --> 00:24:30,410
[Applause]
[Music]
836
00:24:30,410 --> 00:24:30,420
[Music]
837
00:24:30,420 --> 00:24:33,630
[Music]
[Applause]
838
00:24:33,630 --> 00:24:33,640
[Applause]
839
00:24:33,640 --> 00:24:38,050
[Applause]
[Music]
840
00:24:38,050 --> 00:24:38,060
841
00:24:38,060 --> 00:24:42,940
tell me something girl
842
00:24:42,940 --> 00:24:42,950
843
00:24:42,950 --> 00:24:46,920
are you happy in this model
844
00:24:46,920 --> 00:24:46,930
are you happy in this model
845
00:24:46,930 --> 00:24:53,060
are you happy in this model
oh dear me more
846
00:24:53,060 --> 00:24:53,070
847
00:24:53,070 --> 00:24:56,549
is there something else you searching
848
00:24:56,549 --> 00:24:56,559
is there something else you searching
849
00:24:56,559 --> 00:24:59,090
is there something else you searching
for
850
00:24:59,090 --> 00:24:59,100
851
00:24:59,100 --> 00:25:06,970
for in all the good times I find myself
852
00:25:06,970 --> 00:25:06,980
for in all the good times I find myself
853
00:25:06,980 --> 00:25:15,350
for in all the good times I find myself
alone him for change it in the bad terms
854
00:25:15,350 --> 00:25:15,360
alone him for change it in the bad terms
855
00:25:15,360 --> 00:25:17,540
alone him for change it in the bad terms
I fear myself
856
00:25:17,540 --> 00:25:17,550
I fear myself
857
00:25:17,550 --> 00:25:20,410
I fear myself
[Music]
858
00:25:20,410 --> 00:25:20,420
[Music]
859
00:25:20,420 --> 00:25:25,540
[Music]
[Applause]
860
00:25:25,540 --> 00:25:25,550
[Applause]
861
00:25:25,550 --> 00:25:28,810
[Applause]
[Music]
862
00:25:28,810 --> 00:25:28,820
[Music]
863
00:25:28,820 --> 00:25:35,600
[Music]
tell me something boy aren't you tired
864
00:25:35,600 --> 00:25:35,610
tell me something boy aren't you tired
865
00:25:35,610 --> 00:25:41,060
tell me something boy aren't you tired
trying to fill that void or do you need
866
00:25:41,060 --> 00:25:41,070
trying to fill that void or do you need
867
00:25:41,070 --> 00:25:46,910
trying to fill that void or do you need
more we need hard keep and it's so
868
00:25:46,910 --> 00:25:46,920
more we need hard keep and it's so
869
00:25:46,920 --> 00:25:48,080
more we need hard keep and it's so
hardcore
870
00:25:48,080 --> 00:25:48,090
hardcore
871
00:25:48,090 --> 00:25:50,480
hardcore
[Music]
872
00:25:50,480 --> 00:25:50,490
[Music]
873
00:25:50,490 --> 00:25:53,860
[Music]
boy
874
00:25:53,860 --> 00:25:53,870
875
00:25:53,870 --> 00:25:58,090
and all the good times I find myself
876
00:25:58,090 --> 00:25:58,100
and all the good times I find myself
877
00:25:58,100 --> 00:26:04,009
and all the good times I find myself
longing for change
878
00:26:04,009 --> 00:26:04,019
879
00:26:04,019 --> 00:26:08,620
and in the bad times I fear myself
880
00:26:08,620 --> 00:26:08,630
and in the bad times I fear myself
881
00:26:08,630 --> 00:26:16,030
and in the bad times I fear myself
[Music]
882
00:26:16,030 --> 00:26:16,040
883
00:26:16,040 --> 00:26:19,330
[Music]
884
00:26:19,330 --> 00:26:19,340
[Music]
885
00:26:19,340 --> 00:26:26,670
[Music]
crash darkness of this well they can't
886
00:26:26,670 --> 00:26:26,680
887
00:26:26,680 --> 00:26:40,779
[Music]
888
00:26:40,779 --> 00:26:40,789
[Music]
889
00:26:40,789 --> 00:26:43,930
[Music]
here the chef has
890
00:26:43,930 --> 00:26:43,940
here the chef has
891
00:26:43,940 --> 00:26:53,340
here the chef has
[Music]
892
00:26:53,340 --> 00:26:53,350
[Music]
893
00:26:53,350 --> 00:26:53,390
[Music]
Oh
894
00:26:53,390 --> 00:26:53,400
Oh
895
00:26:53,400 --> 00:27:10,240
Oh
[Music]
896
00:27:10,240 --> 00:27:10,250
897
00:27:10,250 --> 00:27:11,930
[Applause]
898
00:27:11,930 --> 00:27:11,940
[Applause]
899
00:27:11,940 --> 00:27:21,110
[Applause]
[Music]
900
00:27:21,110 --> 00:27:21,120
901
00:27:21,120 --> 00:27:31,470
[Music]
902
00:27:31,470 --> 00:27:31,480
903
00:27:31,480 --> 00:27:36,630
in the showers
904
00:27:36,630 --> 00:27:36,640
905
00:27:36,640 --> 00:27:41,640
here ma'sha'allah love
906
00:27:41,640 --> 00:27:41,650
907
00:27:41,650 --> 00:27:44,780
in the shed
908
00:27:44,780 --> 00:27:44,790
in the shed
909
00:27:44,790 --> 00:27:46,340
in the shed
[Music]
910
00:27:46,340 --> 00:27:46,350
[Music]
911
00:27:46,350 --> 00:28:06,930
[Music]
we're far from the shadow
912
00:28:06,930 --> 00:28:06,940
913
00:28:06,940 --> 00:28:09,539
coming up the Oscars for original and
914
00:28:09,539 --> 00:28:09,549
coming up the Oscars for original and
915
00:28:09,549 --> 00:28:11,680
coming up the Oscars for original and
adapted screenplay
916
00:28:11,680 --> 00:28:11,690
adapted screenplay
917
00:28:11,690 --> 00:28:13,749
adapted screenplay
then later we'll find out who brings
918
00:28:13,749 --> 00:28:13,759
then later we'll find out who brings
919
00:28:13,759 --> 00:28:15,940
then later we'll find out who brings
home the Oscars for Best Actor an
920
00:28:15,940 --> 00:28:15,950
home the Oscars for Best Actor an
921
00:28:15,950 --> 00:28:19,180
home the Oscars for Best Actor an
actress plus brie Larson's Samuel o
922
00:28:19,180 --> 00:28:19,190
actress plus brie Larson's Samuel o
923
00:28:19,190 --> 00:28:21,999
actress plus brie Larson's Samuel o
Jackson Tessa Thompson chadwick boseman
924
00:28:21,999 --> 00:28:22,009
Jackson Tessa Thompson chadwick boseman
925
00:28:22,009 --> 00:28:28,149
Jackson Tessa Thompson chadwick boseman
and Constance Wu here on the Oscars the
926
00:28:28,149 --> 00:28:28,159
and Constance Wu here on the Oscars the
927
00:28:28,159 --> 00:28:31,980
and Constance Wu here on the Oscars the
Oscars on ABC brought to you by Verizon
928
00:28:31,980 --> 00:28:31,990
Oscars on ABC brought to you by Verizon
929
00:28:31,990 --> 00:28:37,909
Oscars on ABC brought to you by Verizon
America's most reliable network
930
00:28:37,909 --> 00:28:37,919
931
00:28:37,919 --> 00:28:41,930
the Oscars on ABC brought to you by
932
00:28:41,930 --> 00:28:41,940
the Oscars on ABC brought to you by
933
00:28:41,940 --> 00:28:46,110
the Oscars on ABC brought to you by
Marriott Vaughn boy rewards reimagined
934
00:28:46,110 --> 00:28:46,120
Marriott Vaughn boy rewards reimagined
935
00:28:46,120 --> 00:28:48,420
Marriott Vaughn boy rewards reimagined
[Music]
936
00:28:48,420 --> 00:28:48,430
[Music]
937
00:28:48,430 --> 00:28:51,570
[Music]
please welcome Kristen Ritter and Kiki
938
00:28:51,570 --> 00:28:51,580
please welcome Kristen Ritter and Kiki
939
00:28:51,580 --> 00:28:52,880
please welcome Kristen Ritter and Kiki
Lane
940
00:28:52,880 --> 00:28:52,890
Lane
941
00:28:52,890 --> 00:29:03,409
Lane
[Music]
942
00:29:03,409 --> 00:29:03,419
943
00:29:03,419 --> 00:29:06,419
this year's short films are innovative
944
00:29:06,419 --> 00:29:06,429
this year's short films are innovative
945
00:29:06,429 --> 00:29:08,820
this year's short films are innovative
profoundly moving and worthy of
946
00:29:08,820 --> 00:29:08,830
profoundly moving and worthy of
947
00:29:08,830 --> 00:29:11,730
profoundly moving and worthy of
nominations in every category set in
948
00:29:11,730 --> 00:29:11,740
nominations in every category set in
949
00:29:11,740 --> 00:29:13,919
nominations in every category set in
locations around the world they show us
950
00:29:13,919 --> 00:29:13,929
locations around the world they show us
951
00:29:13,929 --> 00:29:15,930
locations around the world they show us
the best and worst in ourselves
952
00:29:15,930 --> 00:29:15,940
the best and worst in ourselves
953
00:29:15,940 --> 00:29:18,570
the best and worst in ourselves
if you love movies you need to see these
954
00:29:18,570 --> 00:29:18,580
if you love movies you need to see these
955
00:29:18,580 --> 00:29:21,060
if you love movies you need to see these
films here are the nominees for Best
956
00:29:21,060 --> 00:29:21,070
films here are the nominees for Best
957
00:29:21,070 --> 00:29:24,860
films here are the nominees for Best
live action short film detainment
958
00:29:24,860 --> 00:29:24,870
live action short film detainment
959
00:29:24,870 --> 00:29:29,519
live action short film detainment
Vincent Lam and Darren Mohan both Jeremy
960
00:29:29,519 --> 00:29:29,529
Vincent Lam and Darren Mohan both Jeremy
961
00:29:29,529 --> 00:29:33,509
Vincent Lam and Darren Mohan both Jeremy
comes in Maria Gracia torsion Marguerite
962
00:29:33,509 --> 00:29:33,519
comes in Maria Gracia torsion Marguerite
963
00:29:33,519 --> 00:29:37,159
comes in Maria Gracia torsion Marguerite
Mary Ann Farley Emory Ellen Panisse a
964
00:29:37,159 --> 00:29:37,169
Mary Ann Farley Emory Ellen Panisse a
965
00:29:37,169 --> 00:29:38,460
Mary Ann Farley Emory Ellen Panisse a
mother
966
00:29:38,460 --> 00:29:38,470
mother
967
00:29:38,470 --> 00:29:42,470
mother
Rodrigo Saroyan a Maria del V Alvarado
968
00:29:42,470 --> 00:29:42,480
Rodrigo Saroyan a Maria del V Alvarado
969
00:29:42,480 --> 00:29:48,210
Rodrigo Saroyan a Maria del V Alvarado
skin Kainat Eve and Jamie Rae Newman and
970
00:29:48,210 --> 00:29:48,220
skin Kainat Eve and Jamie Rae Newman and
971
00:29:48,220 --> 00:29:53,700
skin Kainat Eve and Jamie Rae Newman and
the Oscar goes to
972
00:29:53,700 --> 00:29:53,710
973
00:29:53,710 --> 00:29:58,070
[Applause]
974
00:29:58,070 --> 00:29:58,080
975
00:29:58,080 --> 00:30:01,039
this is the first Oscar nomination for
976
00:30:01,039 --> 00:30:01,049
this is the first Oscar nomination for
977
00:30:01,049 --> 00:30:04,700
this is the first Oscar nomination for
guy 'native and Jamie ray Newman Academy
978
00:30:04,700 --> 00:30:04,710
guy 'native and Jamie ray Newman Academy
979
00:30:04,710 --> 00:30:07,130
guy 'native and Jamie ray Newman Academy
Awards for live-action short films have
980
00:30:07,130 --> 00:30:07,140
Awards for live-action short films have
981
00:30:07,140 --> 00:30:11,910
Awards for live-action short films have
been presented for over 80 years
982
00:30:11,910 --> 00:30:11,920
983
00:30:11,920 --> 00:30:21,860
[Music]
984
00:30:21,860 --> 00:30:21,870
[Music]
985
00:30:21,870 --> 00:30:26,540
[Music]
[Applause]
986
00:30:26,540 --> 00:30:26,550
987
00:30:26,550 --> 00:30:35,120
oh my god I moved here five years ago
988
00:30:35,120 --> 00:30:35,130
oh my god I moved here five years ago
989
00:30:35,130 --> 00:30:36,550
oh my god I moved here five years ago
from Israel
990
00:30:36,550 --> 00:30:36,560
from Israel
991
00:30:36,560 --> 00:30:40,520
from Israel
Lila Toby smile hi and my grandparents
992
00:30:40,520 --> 00:30:40,530
Lila Toby smile hi and my grandparents
993
00:30:40,530 --> 00:30:42,980
Lila Toby smile hi and my grandparents
are Holocaust survivors and you know the
994
00:30:42,980 --> 00:30:42,990
are Holocaust survivors and you know the
995
00:30:42,990 --> 00:30:44,600
are Holocaust survivors and you know the
big retreated day experience in the
996
00:30:44,600 --> 00:30:44,610
big retreated day experience in the
997
00:30:44,610 --> 00:30:47,210
big retreated day experience in the
Holocaust we see that everywhere today
998
00:30:47,210 --> 00:30:47,220
Holocaust we see that everywhere today
999
00:30:47,220 --> 00:30:50,360
Holocaust we see that everywhere today
in America in Europe and this film is
1000
00:30:50,360 --> 00:30:50,370
in America in Europe and this film is
1001
00:30:50,370 --> 00:30:52,910
in America in Europe and this film is
about education it's about teaching your
1002
00:30:52,910 --> 00:30:52,920
about education it's about teaching your
1003
00:30:52,920 --> 00:30:58,040
about education it's about teaching your
kids a better way we dedicate this to
1004
00:30:58,040 --> 00:30:58,050
kids a better way we dedicate this to
1005
00:30:58,050 --> 00:31:00,620
kids a better way we dedicate this to
our oh my god our five month old baby
1006
00:31:00,620 --> 00:31:00,630
our oh my god our five month old baby
1007
00:31:00,630 --> 00:31:02,510
our oh my god our five month old baby
who's sitting at home with my parents
1008
00:31:02,510 --> 00:31:02,520
who's sitting at home with my parents
1009
00:31:02,520 --> 00:31:04,610
who's sitting at home with my parents
watching this we hope that you grow up
1010
00:31:04,610 --> 00:31:04,620
watching this we hope that you grow up
1011
00:31:04,620 --> 00:31:06,530
watching this we hope that you grow up
in a world where these things don't
1012
00:31:06,530 --> 00:31:06,540
in a world where these things don't
1013
00:31:06,540 --> 00:31:09,110
in a world where these things don't
happen because because people learn to
1014
00:31:09,110 --> 00:31:09,120
happen because because people learn to
1015
00:31:09,120 --> 00:31:10,460
happen because because people learn to
love and accept each other
1016
00:31:10,460 --> 00:31:10,470
love and accept each other
1017
00:31:10,470 --> 00:31:12,200
love and accept each other
I want to thank Andrew Cobb works are on
1018
00:31:12,200 --> 00:31:12,210
I want to thank Andrew Cobb works are on
1019
00:31:12,210 --> 00:31:14,420
I want to thank Andrew Cobb works are on
my moan Tim harms all our team at ICM
1020
00:31:14,420 --> 00:31:14,430
my moan Tim harms all our team at ICM
1021
00:31:14,430 --> 00:31:17,480
my moan Tim harms all our team at ICM
are mavin girls to lean Trudy Oren if
1022
00:31:17,480 --> 00:31:17,490
are mavin girls to lean Trudy Oren if
1023
00:31:17,490 --> 00:31:23,080
are mavin girls to lean Trudy Oren if
you're out there folks so slow
1024
00:31:23,080 --> 00:31:23,090
1025
00:31:23,090 --> 00:31:26,900
[Applause]
1026
00:31:26,900 --> 00:31:26,910
1027
00:31:26,910 --> 00:31:28,220
[Music]
1028
00:31:28,220 --> 00:31:28,230
[Music]
1029
00:31:28,230 --> 00:31:32,530
[Music]
[Applause]
1030
00:31:32,530 --> 00:31:32,540
1031
00:31:32,540 --> 00:31:35,570
please welcome Academy Award nominated
1032
00:31:35,570 --> 00:31:35,580
please welcome Academy Award nominated
1033
00:31:35,580 --> 00:31:38,930
please welcome Academy Award nominated
actor samuel l.jackson and Academy Award
1034
00:31:38,930 --> 00:31:38,940
actor samuel l.jackson and Academy Award
1035
00:31:38,940 --> 00:31:43,550
actor samuel l.jackson and Academy Award
winner brie Larson
1036
00:31:43,550 --> 00:31:43,560
1037
00:31:43,560 --> 00:31:50,610
[Applause]
1038
00:31:50,610 --> 00:31:50,620
1039
00:31:50,620 --> 00:31:57,520
[Music]
1040
00:31:57,520 --> 00:31:57,530
1041
00:31:57,530 --> 00:32:00,850
first of all spike so glad you're
1042
00:32:00,850 --> 00:32:00,860
first of all spike so glad you're
1043
00:32:00,860 --> 00:32:04,180
first of all spike so glad you're
sitting down after 18 to the second day
1044
00:32:04,180 --> 00:32:04,190
sitting down after 18 to the second day
1045
00:32:04,190 --> 00:32:06,580
sitting down after 18 to the second day
of home losses the Knicks won tonight I
1046
00:32:06,580 --> 00:32:06,590
of home losses the Knicks won tonight I
1047
00:32:06,590 --> 00:32:11,530
of home losses the Knicks won tonight I
repeat the Knicks won tonight defeating
1048
00:32:11,530 --> 00:32:11,540
repeat the Knicks won tonight defeating
1049
00:32:11,540 --> 00:32:20,380
repeat the Knicks won tonight defeating
San Antonio 130 to 118 and now to get
1050
00:32:20,380 --> 00:32:20,390
San Antonio 130 to 118 and now to get
1051
00:32:20,390 --> 00:32:23,160
San Antonio 130 to 118 and now to get
back on script the legendary filmmaker
1052
00:32:23,160 --> 00:32:23,170
back on script the legendary filmmaker
1053
00:32:23,170 --> 00:32:26,320
back on script the legendary filmmaker
Frank Capra said script writing is the
1054
00:32:26,320 --> 00:32:26,330
Frank Capra said script writing is the
1055
00:32:26,330 --> 00:32:28,330
Frank Capra said script writing is the
toughest part of the whole racket the
1056
00:32:28,330 --> 00:32:28,340
toughest part of the whole racket the
1057
00:32:28,340 --> 00:32:31,410
toughest part of the whole racket the
least understood and the least noticed
1058
00:32:31,410 --> 00:32:31,420
least understood and the least noticed
1059
00:32:31,420 --> 00:32:35,740
least understood and the least noticed
we notice of course trust me we notice
1060
00:32:35,740 --> 00:32:35,750
we notice of course trust me we notice
1061
00:32:35,750 --> 00:32:37,570
we notice of course trust me we notice
one hundred bringing out don't show up
1062
00:32:37,570 --> 00:32:37,580
one hundred bringing out don't show up
1063
00:32:37,580 --> 00:32:39,850
one hundred bringing out don't show up
on a movie set and ad-lib for 12 hours
1064
00:32:39,850 --> 00:32:39,860
on a movie set and ad-lib for 12 hours
1065
00:32:39,860 --> 00:32:42,820
on a movie set and ad-lib for 12 hours
sometimes we're not we're not winging it
1066
00:32:42,820 --> 00:32:42,830
sometimes we're not we're not winging it
1067
00:32:42,830 --> 00:32:45,190
sometimes we're not we're not winging it
we need words we need words which is why
1068
00:32:45,190 --> 00:32:45,200
we need words we need words which is why
1069
00:32:45,200 --> 00:32:47,590
we need words we need words which is why
we truly appreciate what the late great
1070
00:32:47,590 --> 00:32:47,600
we truly appreciate what the late great
1071
00:32:47,600 --> 00:32:50,590
we truly appreciate what the late great
William Goldman said about his craft the
1072
00:32:50,590 --> 00:32:50,600
William Goldman said about his craft the
1073
00:32:50,600 --> 00:32:55,120
William Goldman said about his craft the
latest the easiest thing to do on earth
1074
00:32:55,120 --> 00:32:55,130
latest the easiest thing to do on earth
1075
00:32:55,130 --> 00:33:00,730
latest the easiest thing to do on earth
isn't that right truth luckily these
1076
00:33:00,730 --> 00:33:00,740
isn't that right truth luckily these
1077
00:33:00,740 --> 00:33:02,800
isn't that right truth luckily these
writers took the hard path they are the
1078
00:33:02,800 --> 00:33:02,810
writers took the hard path they are the
1079
00:33:02,810 --> 00:33:07,510
writers took the hard path they are the
nominees for Original Screenplay the
1080
00:33:07,510 --> 00:33:07,520
nominees for Original Screenplay the
1081
00:33:07,520 --> 00:33:09,820
nominees for Original Screenplay the
favorite written by Deborah Davis and
1082
00:33:09,820 --> 00:33:09,830
favorite written by Deborah Davis and
1083
00:33:09,830 --> 00:33:14,110
favorite written by Deborah Davis and
Toni McNamara first performed written by
1084
00:33:14,110 --> 00:33:14,120
Toni McNamara first performed written by
1085
00:33:14,120 --> 00:33:16,420
Toni McNamara first performed written by
Paul Schrader
1086
00:33:16,420 --> 00:33:16,430
Paul Schrader
1087
00:33:16,430 --> 00:33:19,630
Green book written by Nick Vala Wanda
1088
00:33:19,630 --> 00:33:19,640
Green book written by Nick Vala Wanda
1089
00:33:19,640 --> 00:33:24,670
Green book written by Nick Vala Wanda
Brian curry peter farrelly roma written
1090
00:33:24,670 --> 00:33:24,680
Brian curry peter farrelly roma written
1091
00:33:24,680 --> 00:33:29,470
Brian curry peter farrelly roma written
by Alfonso taught on Vice written by
1092
00:33:29,470 --> 00:33:29,480
by Alfonso taught on Vice written by
1093
00:33:29,480 --> 00:33:32,600
by Alfonso taught on Vice written by
Adam McKay
1094
00:33:32,600 --> 00:33:32,610
1095
00:33:32,610 --> 00:33:34,420
[Music]
1096
00:33:34,420 --> 00:33:34,430
[Music]
1097
00:33:34,430 --> 00:33:37,750
[Music]
and the Oscar goes to
1098
00:33:37,750 --> 00:33:37,760
and the Oscar goes to
1099
00:33:37,760 --> 00:33:40,750
and the Oscar goes to
Nick Nick Bella longer
1100
00:33:40,750 --> 00:33:40,760
Nick Nick Bella longer
1101
00:33:40,760 --> 00:33:41,690
Nick Nick Bella longer
[Music]
1102
00:33:41,690 --> 00:33:41,700
[Music]
1103
00:33:41,700 --> 00:33:46,830
[Music]
[Applause]
1104
00:33:46,830 --> 00:33:46,840
[Applause]
1105
00:33:46,840 --> 00:33:49,170
[Applause]
the first Oscar and second nomination
1106
00:33:49,170 --> 00:33:49,180
the first Oscar and second nomination
1107
00:33:49,180 --> 00:33:52,290
the first Oscar and second nomination
for Nick Bella lunga Brian furry and
1108
00:33:52,290 --> 00:33:52,300
for Nick Bella lunga Brian furry and
1109
00:33:52,300 --> 00:33:54,109
for Nick Bella lunga Brian furry and
Peter's barely
1110
00:33:54,109 --> 00:33:54,119
Peter's barely
1111
00:33:54,119 --> 00:33:56,209
Peter's barely
also nominated in the Best Picture
1112
00:33:56,209 --> 00:33:56,219
also nominated in the Best Picture
1113
00:33:56,219 --> 00:33:57,100
also nominated in the Best Picture
category
1114
00:33:57,100 --> 00:33:57,110
category
1115
00:33:57,110 --> 00:33:59,240
category
[Applause]
1116
00:33:59,240 --> 00:33:59,250
[Applause]
1117
00:33:59,250 --> 00:34:00,450
[Applause]
[Music]
1118
00:34:00,450 --> 00:34:00,460
[Music]
1119
00:34:00,460 --> 00:34:01,710
[Music]
[Applause]
1120
00:34:01,710 --> 00:34:01,720
[Applause]
1121
00:34:01,720 --> 00:34:05,320
[Applause]
[Music]
1122
00:34:05,320 --> 00:34:05,330
[Music]
1123
00:34:05,330 --> 00:34:07,960
[Music]
I'd like to thank Universal Studios
1124
00:34:07,960 --> 00:34:07,970
I'd like to thank Universal Studios
1125
00:34:07,970 --> 00:34:11,500
I'd like to thank Universal Studios
DreamWorks and participant media as
1126
00:34:11,500 --> 00:34:11,510
DreamWorks and participant media as
1127
00:34:11,510 --> 00:34:14,500
DreamWorks and participant media as
writers when you have Ursula Lee Viggo
1128
00:34:14,500 --> 00:34:14,510
writers when you have Ursula Lee Viggo
1129
00:34:14,510 --> 00:34:16,360
writers when you have Ursula Lee Viggo
Mortenson and Linda Cardellini saying
1130
00:34:16,360 --> 00:34:16,370
Mortenson and Linda Cardellini saying
1131
00:34:16,370 --> 00:34:18,610
Mortenson and Linda Cardellini saying
your lines you pinch yourself city self
1132
00:34:18,610 --> 00:34:18,620
your lines you pinch yourself city self
1133
00:34:18,620 --> 00:34:19,930
your lines you pinch yourself city self
the luckiest writers in the face of the
1134
00:34:19,930 --> 00:34:19,940
the luckiest writers in the face of the
1135
00:34:19,940 --> 00:34:21,730
the luckiest writers in the face of the
earth I want to thank the entire cast
1136
00:34:21,730 --> 00:34:21,740
earth I want to thank the entire cast
1137
00:34:21,740 --> 00:34:24,280
earth I want to thank the entire cast
and crew my whole family all my friends
1138
00:34:24,280 --> 00:34:24,290
and crew my whole family all my friends
1139
00:34:24,290 --> 00:34:26,080
and crew my whole family all my friends
who've put up with my career and
1140
00:34:26,080 --> 00:34:26,090
who've put up with my career and
1141
00:34:26,090 --> 00:34:27,460
who've put up with my career and
particularly George and Eileen curry
1142
00:34:27,460 --> 00:34:27,470
particularly George and Eileen curry
1143
00:34:27,470 --> 00:34:31,919
particularly George and Eileen curry
best parents anybody could ever have
1144
00:34:31,919 --> 00:34:31,929
1145
00:34:31,929 --> 00:34:34,690
they say if you want to go somewhere
1146
00:34:34,690 --> 00:34:34,700
they say if you want to go somewhere
1147
00:34:34,700 --> 00:34:36,909
they say if you want to go somewhere
fast go alone if you want to go far go
1148
00:34:36,909 --> 00:34:36,919
fast go alone if you want to go far go
1149
00:34:36,919 --> 00:34:39,190
fast go alone if you want to go far go
together I got a lot of people to thank
1150
00:34:39,190 --> 00:34:39,200
together I got a lot of people to thank
1151
00:34:39,200 --> 00:34:41,800
together I got a lot of people to thank
starting with the entire state of Rhode
1152
00:34:41,800 --> 00:34:41,810
starting with the entire state of Rhode
1153
00:34:41,810 --> 00:34:44,620
starting with the entire state of Rhode
Island thank you very much I want to
1154
00:34:44,620 --> 00:34:44,630
Island thank you very much I want to
1155
00:34:44,630 --> 00:34:47,320
Island thank you very much I want to
thank Viggo Mahalo and Linda we have
1156
00:34:47,320 --> 00:34:47,330
thank Viggo Mahalo and Linda we have
1157
00:34:47,330 --> 00:34:49,389
thank Viggo Mahalo and Linda we have
nothing without you guys I mean nothing
1158
00:34:49,389 --> 00:34:49,399
nothing without you guys I mean nothing
1159
00:34:49,399 --> 00:34:51,880
nothing without you guys I mean nothing
also I want to thank my wife Melinda my
1160
00:34:51,880 --> 00:34:51,890
also I want to thank my wife Melinda my
1161
00:34:51,890 --> 00:34:53,740
also I want to thank my wife Melinda my
kids Bob and a pup there
1162
00:34:53,740 --> 00:34:53,750
kids Bob and a pup there
1163
00:34:53,750 --> 00:34:56,169
kids Bob and a pup there
Richard Lovett Joe man Jeff oak and
1164
00:34:56,169 --> 00:34:56,179
Richard Lovett Joe man Jeff oak and
1165
00:34:56,179 --> 00:34:58,090
Richard Lovett Joe man Jeff oak and
Cindy Guster Peter Grossman Amanda
1166
00:34:58,090 --> 00:34:58,100
Cindy Guster Peter Grossman Amanda
1167
00:34:58,100 --> 00:35:00,610
Cindy Guster Peter Grossman Amanda
lunberg Stacy lightsand David Lindy
1168
00:35:00,610 --> 00:35:00,620
lunberg Stacy lightsand David Lindy
1169
00:35:00,620 --> 00:35:02,710
lunberg Stacy lightsand David Lindy
Jonathan King Robert Kessel Kristina
1170
00:35:02,710 --> 00:35:02,720
Jonathan King Robert Kessel Kristina
1171
00:35:02,720 --> 00:35:05,950
Jonathan King Robert Kessel Kristina
Keneally Asst JB Rogers Charlie Wesler
1172
00:35:05,950 --> 00:35:05,960
Keneally Asst JB Rogers Charlie Wesler
1173
00:35:05,960 --> 00:35:09,520
Keneally Asst JB Rogers Charlie Wesler
Jim Burke Ted virtue Shawn Porter Tom
1174
00:35:09,520 --> 00:35:09,530
Jim Burke Ted virtue Shawn Porter Tom
1175
00:35:09,530 --> 00:35:11,590
Jim Burke Ted virtue Shawn Porter Tom
cars Otis and shinola watch is
1176
00:35:11,590 --> 00:35:11,600
cars Otis and shinola watch is
1177
00:35:11,600 --> 00:35:13,980
cars Otis and shinola watch is
unbelievable they're saving Detroit and
1178
00:35:13,980 --> 00:35:13,990
unbelievable they're saving Detroit and
1179
00:35:13,990 --> 00:35:16,420
unbelievable they're saving Detroit and
finally I want to thank my brother and
1180
00:35:16,420 --> 00:35:16,430
finally I want to thank my brother and
1181
00:35:16,430 --> 00:35:17,830
finally I want to thank my brother and
Bennett Yellen who got me into this
1182
00:35:17,830 --> 00:35:17,840
Bennett Yellen who got me into this
1183
00:35:17,840 --> 00:35:19,930
Bennett Yellen who got me into this
business I'm nothing without you best
1184
00:35:19,930 --> 00:35:19,940
business I'm nothing without you best
1185
00:35:19,940 --> 00:35:22,600
business I'm nothing without you best
people out there this is an amazing
1186
00:35:22,600 --> 00:35:22,610
people out there this is an amazing
1187
00:35:22,610 --> 00:35:24,790
people out there this is an amazing
honor thank you everyone for voting for
1188
00:35:24,790 --> 00:35:24,800
honor thank you everyone for voting for
1189
00:35:24,800 --> 00:35:26,650
honor thank you everyone for voting for
us thank you to the other nominees what
1190
00:35:26,650 --> 00:35:26,660
us thank you to the other nominees what
1191
00:35:26,660 --> 00:35:28,240
us thank you to the other nominees what
an amazing category to be and with such
1192
00:35:28,240 --> 00:35:28,250
an amazing category to be and with such
1193
00:35:28,250 --> 00:35:30,820
an amazing category to be and with such
talented people this is an amazing room
1194
00:35:30,820 --> 00:35:30,830
talented people this is an amazing room
1195
00:35:30,830 --> 00:35:33,760
talented people this is an amazing room
filmmakers embrace ourselves a little of
1196
00:35:33,760 --> 00:35:33,770
filmmakers embrace ourselves a little of
1197
00:35:33,770 --> 00:35:35,650
filmmakers embrace ourselves a little of
each other thank you all my mother and
1198
00:35:35,650 --> 00:35:35,660
each other thank you all my mother and
1199
00:35:35,660 --> 00:35:37,520
each other thank you all my mother and
father dad we did it
1200
00:35:37,520 --> 00:35:37,530
father dad we did it
1201
00:35:37,530 --> 00:35:53,130
father dad we did it
[Applause]
1202
00:35:53,130 --> 00:35:53,140
[Applause]
1203
00:35:53,140 --> 00:35:56,589
[Applause]
okay and now here are the nominees for
1204
00:35:56,589 --> 00:35:56,599
okay and now here are the nominees for
1205
00:35:56,599 --> 00:36:01,059
okay and now here are the nominees for
Best Adapted Screenplay The Ballad of
1206
00:36:01,059 --> 00:36:01,069
Best Adapted Screenplay The Ballad of
1207
00:36:01,069 --> 00:36:03,370
Best Adapted Screenplay The Ballad of
Buster Scruggs written by Joel Coen and
1208
00:36:03,370 --> 00:36:03,380
Buster Scruggs written by Joel Coen and
1209
00:36:03,380 --> 00:36:05,559
Buster Scruggs written by Joel Coen and
Ethan Coen all gold canyon is based on a
1210
00:36:05,559 --> 00:36:05,569
Ethan Coen all gold canyon is based on a
1211
00:36:05,569 --> 00:36:07,599
Ethan Coen all gold canyon is based on a
story by Jack London the gal who got
1212
00:36:07,599 --> 00:36:07,609
story by Jack London the gal who got
1213
00:36:07,609 --> 00:36:09,670
story by Jack London the gal who got
rattled is inspired by a story by
1214
00:36:09,670 --> 00:36:09,680
rattled is inspired by a story by
1215
00:36:09,680 --> 00:36:14,559
rattled is inspired by a story by
Stewart Edward white/black Klansman
1216
00:36:14,559 --> 00:36:14,569
Stewart Edward white/black Klansman
1217
00:36:14,569 --> 00:36:16,930
Stewart Edward white/black Klansman
written by Charlie Wachtel and David
1218
00:36:16,930 --> 00:36:16,940
written by Charlie Wachtel and David
1219
00:36:16,940 --> 00:36:19,870
written by Charlie Wachtel and David
Rabinowitz and Kevin Willmott and Spike
1220
00:36:19,870 --> 00:36:19,880
Rabinowitz and Kevin Willmott and Spike
1221
00:36:19,880 --> 00:36:22,660
Rabinowitz and Kevin Willmott and Spike
Lee based on the book by Ron stalwart
1222
00:36:22,660 --> 00:36:22,670
Lee based on the book by Ron stalwart
1223
00:36:22,670 --> 00:36:24,640
Lee based on the book by Ron stalwart
can you ever forgive me
1224
00:36:24,640 --> 00:36:24,650
can you ever forgive me
1225
00:36:24,650 --> 00:36:27,459
can you ever forgive me
screenplay by a Nicole Olive sinner and
1226
00:36:27,459 --> 00:36:27,469
screenplay by a Nicole Olive sinner and
1227
00:36:27,469 --> 00:36:30,009
screenplay by a Nicole Olive sinner and
Jeff Whitty based on the book by Lee
1228
00:36:30,009 --> 00:36:30,019
Jeff Whitty based on the book by Lee
1229
00:36:30,019 --> 00:36:34,509
Jeff Whitty based on the book by Lee
Israel if Bill Street could talk written
1230
00:36:34,509 --> 00:36:34,519
Israel if Bill Street could talk written
1231
00:36:34,519 --> 00:36:36,789
Israel if Bill Street could talk written
for the screen by Barry Jenkins based on
1232
00:36:36,789 --> 00:36:36,799
for the screen by Barry Jenkins based on
1233
00:36:36,799 --> 00:36:40,550
for the screen by Barry Jenkins based on
the book by James Baldwin
1234
00:36:40,550 --> 00:36:40,560
1235
00:36:40,560 --> 00:36:44,270
a star is born screenplay by Eric Roth
1236
00:36:44,270 --> 00:36:44,280
a star is born screenplay by Eric Roth
1237
00:36:44,280 --> 00:36:46,220
a star is born screenplay by Eric Roth
and Bradley Cooper and will feathers
1238
00:36:46,220 --> 00:36:46,230
and Bradley Cooper and will feathers
1239
00:36:46,230 --> 00:36:49,010
and Bradley Cooper and will feathers
based on the 1954 screenplay by Moss
1240
00:36:49,010 --> 00:36:49,020
based on the 1954 screenplay by Moss
1241
00:36:49,020 --> 00:36:51,620
based on the 1954 screenplay by Moss
Hart in the 1976 screenplay by John
1242
00:36:51,620 --> 00:36:51,630
Hart in the 1976 screenplay by John
1243
00:36:51,630 --> 00:36:54,050
Hart in the 1976 screenplay by John
Gregory Dunn and Joan Didion and Frank
1244
00:36:54,050 --> 00:36:54,060
Gregory Dunn and Joan Didion and Frank
1245
00:36:54,060 --> 00:36:56,090
Gregory Dunn and Joan Didion and Frank
Pierson based on a story by William
1246
00:36:56,090 --> 00:36:56,100
Pierson based on a story by William
1247
00:36:56,100 --> 00:37:10,670
Pierson based on a story by William
Wellman and Robert Carson Charlie walk
1248
00:37:10,670 --> 00:37:10,680
Wellman and Robert Carson Charlie walk
1249
00:37:10,680 --> 00:37:13,670
Wellman and Robert Carson Charlie walk
tale
1250
00:37:13,670 --> 00:37:13,680
1251
00:37:13,680 --> 00:37:20,980
[Applause]
1252
00:37:20,980 --> 00:37:20,990
1253
00:37:20,990 --> 00:37:22,810
this is the first Oscar and nomination
1254
00:37:22,810 --> 00:37:22,820
this is the first Oscar and nomination
1255
00:37:22,820 --> 00:37:26,530
this is the first Oscar and nomination
for Charlie Wachtel David Rabinowitz in
1256
00:37:26,530 --> 00:37:26,540
for Charlie Wachtel David Rabinowitz in
1257
00:37:26,540 --> 00:37:27,400
for Charlie Wachtel David Rabinowitz in
Kevin Willmott
1258
00:37:27,400 --> 00:37:27,410
Kevin Willmott
1259
00:37:27,410 --> 00:37:29,800
Kevin Willmott
it's the first win and fifth nomination
1260
00:37:29,800 --> 00:37:29,810
it's the first win and fifth nomination
1261
00:37:29,810 --> 00:37:36,370
it's the first win and fifth nomination
for Spike Lee
1262
00:37:36,370 --> 00:37:36,380
1263
00:37:36,380 --> 00:37:46,660
all right Robert
1264
00:37:46,660 --> 00:37:46,670
1265
00:37:46,670 --> 00:37:56,920
all right I want to thank Tonya Jackson
1266
00:37:56,920 --> 00:37:56,930
all right I want to thank Tonya Jackson
1267
00:37:56,930 --> 00:38:00,099
all right I want to thank Tonya Jackson
satchel the word today is irony the date
1268
00:38:00,099 --> 00:38:00,109
satchel the word today is irony the date
1269
00:38:00,109 --> 00:38:03,579
satchel the word today is irony the date
the 24th the month February which also
1270
00:38:03,579 --> 00:38:03,589
the 24th the month February which also
1271
00:38:03,589 --> 00:38:05,650
the 24th the month February which also
happens to be the shortest month of the
1272
00:38:05,650 --> 00:38:05,660
happens to be the shortest month of the
1273
00:38:05,660 --> 00:38:09,069
happens to be the shortest month of the
year which old happens to be Black
1274
00:38:09,069 --> 00:38:09,079
year which old happens to be Black
1275
00:38:09,079 --> 00:38:12,479
year which old happens to be Black
History Month the year 2019 the year
1276
00:38:12,479 --> 00:38:12,489
History Month the year 2019 the year
1277
00:38:12,489 --> 00:38:16,499
History Month the year 2019 the year
1619 history herstory
1278
00:38:16,499 --> 00:38:16,509
1619 history herstory
1279
00:38:16,509 --> 00:38:22,329
1619 history herstory
1619 2019 400 years 400 years our answer
1280
00:38:22,329 --> 00:38:22,339
1619 2019 400 years 400 years our answer
1281
00:38:22,339 --> 00:38:24,160
1619 2019 400 years 400 years our answer
was stolen from other Africa and brought
1282
00:38:24,160 --> 00:38:24,170
was stolen from other Africa and brought
1283
00:38:24,170 --> 00:38:26,890
was stolen from other Africa and brought
the Jamestown Virginia enslaved our ass
1284
00:38:26,890 --> 00:38:26,900
the Jamestown Virginia enslaved our ass
1285
00:38:26,900 --> 00:38:29,890
the Jamestown Virginia enslaved our ass
has worked from the land from casting in
1286
00:38:29,890 --> 00:38:29,900
has worked from the land from casting in
1287
00:38:29,900 --> 00:38:34,960
has worked from the land from casting in
the morning they can't see at night my
1288
00:38:34,960 --> 00:38:34,970
the morning they can't see at night my
1289
00:38:34,970 --> 00:38:37,210
the morning they can't see at night my
grandmother's name is Sheldon ritha who
1290
00:38:37,210 --> 00:38:37,220
grandmother's name is Sheldon ritha who
1291
00:38:37,220 --> 00:38:39,880
grandmother's name is Sheldon ritha who
live be honey is young who was a Spelman
1292
00:38:39,880 --> 00:38:39,890
live be honey is young who was a Spelman
1293
00:38:39,890 --> 00:38:41,680
live be honey is young who was a Spelman
College graduate even though her mother
1294
00:38:41,680 --> 00:38:41,690
College graduate even though her mother
1295
00:38:41,690 --> 00:38:45,069
College graduate even though her mother
was a slave my grandma who saved 50
1296
00:38:45,069 --> 00:38:45,079
was a slave my grandma who saved 50
1297
00:38:45,079 --> 00:38:47,019
was a slave my grandma who saved 50
years of Social Security checks to put
1298
00:38:47,019 --> 00:38:47,029
years of Social Security checks to put
1299
00:38:47,029 --> 00:38:48,130
years of Social Security checks to put
her first grandchild
1300
00:38:48,130 --> 00:38:48,140
her first grandchild
1301
00:38:48,140 --> 00:38:52,420
her first grandchild
she called me spikey Pooh she put me
1302
00:38:52,420 --> 00:38:52,430
she called me spikey Pooh she put me
1303
00:38:52,430 --> 00:38:56,759
she called me spikey Pooh she put me
through Morehouse College NYU grad film
1304
00:38:56,759 --> 00:38:56,769
through Morehouse College NYU grad film
1305
00:38:56,769 --> 00:39:00,400
through Morehouse College NYU grad film
NYU
1306
00:39:00,400 --> 00:39:00,410
1307
00:39:00,410 --> 00:39:03,039
before the world tonight I get praised
1308
00:39:03,039 --> 00:39:03,049
before the world tonight I get praised
1309
00:39:03,049 --> 00:39:05,410
before the world tonight I get praised
our ancestors quote built this country
1310
00:39:05,410 --> 00:39:05,420
our ancestors quote built this country
1311
00:39:05,420 --> 00:39:08,589
our ancestors quote built this country
and was today along with the genocide of
1312
00:39:08,589 --> 00:39:08,599
and was today along with the genocide of
1313
00:39:08,599 --> 00:39:11,740
and was today along with the genocide of
his native people we all connect with
1314
00:39:11,740 --> 00:39:11,750
his native people we all connect with
1315
00:39:11,750 --> 00:39:14,680
his native people we all connect with
the ancestors we will have love wisdom
1316
00:39:14,680 --> 00:39:14,690
the ancestors we will have love wisdom
1317
00:39:14,690 --> 00:39:17,289
the ancestors we will have love wisdom
regaining we will gain our humanity will
1318
00:39:17,289 --> 00:39:17,299
regaining we will gain our humanity will
1319
00:39:17,299 --> 00:39:19,839
regaining we will gain our humanity will
be a powerful moment the 2020
1320
00:39:19,839 --> 00:39:19,849
be a powerful moment the 2020
1321
00:39:19,849 --> 00:39:21,730
be a powerful moment the 2020
presidential election is around the
1322
00:39:21,730 --> 00:39:21,740
presidential election is around the
1323
00:39:21,740 --> 00:39:27,730
presidential election is around the
corner let's all mobilize let's all be
1324
00:39:27,730 --> 00:39:27,740
corner let's all mobilize let's all be
1325
00:39:27,740 --> 00:39:30,730
corner let's all mobilize let's all be
on the right side of history make the
1326
00:39:30,730 --> 00:39:30,740
on the right side of history make the
1327
00:39:30,740 --> 00:39:33,039
on the right side of history make the
Rope boy make the moral choice between
1328
00:39:33,039 --> 00:39:33,049
Rope boy make the moral choice between
1329
00:39:33,049 --> 00:39:36,309
Rope boy make the moral choice between
love versus hate let's do the right
1330
00:39:36,309 --> 00:39:36,319
love versus hate let's do the right
1331
00:39:36,319 --> 00:39:39,099
love versus hate let's do the right
thing you know I had to get that in
1332
00:39:39,099 --> 00:39:39,109
thing you know I had to get that in
1333
00:39:39,109 --> 00:39:54,600
thing you know I had to get that in
there
1334
00:39:54,600 --> 00:39:54,610
1335
00:39:54,610 --> 00:39:57,720
coming up Barbra Streisand and a look at
1336
00:39:57,720 --> 00:39:57,730
coming up Barbra Streisand and a look at
1337
00:39:57,730 --> 00:40:00,090
coming up Barbra Streisand and a look at
the final two Best Picture nominees
1338
00:40:00,090 --> 00:40:00,100
the final two Best Picture nominees
1339
00:40:00,100 --> 00:40:03,480
the final two Best Picture nominees
black clansmen and green book then later
1340
00:40:03,480 --> 00:40:03,490
black clansmen and green book then later
1341
00:40:03,490 --> 00:40:06,660
black clansmen and green book then later
the Oscars for Best Actor in actress and
1342
00:40:06,660 --> 00:40:06,670
the Oscars for Best Actor in actress and
1343
00:40:06,670 --> 00:40:10,320
the Oscars for Best Actor in actress and
Julia Roberts presents Best Picture Plus
1344
00:40:10,320 --> 00:40:10,330
Julia Roberts presents Best Picture Plus
1345
00:40:10,330 --> 00:40:12,690
Julia Roberts presents Best Picture Plus
Chadwick Boseman constants whoo and
1346
00:40:12,690 --> 00:40:12,700
Chadwick Boseman constants whoo and
1347
00:40:12,700 --> 00:40:15,570
Chadwick Boseman constants whoo and
Oscar winner Sam Rockwell and Allison
1348
00:40:15,570 --> 00:40:15,580
Oscar winner Sam Rockwell and Allison
1349
00:40:15,580 --> 00:40:21,600
Oscar winner Sam Rockwell and Allison
Janney welcome back to the Oscars at the
1350
00:40:21,600 --> 00:40:21,610
Janney welcome back to the Oscars at the
1351
00:40:21,610 --> 00:40:24,600
Janney welcome back to the Oscars at the
Dolby theater tonight's band is led by
1352
00:40:24,600 --> 00:40:24,610
Dolby theater tonight's band is led by
1353
00:40:24,610 --> 00:40:28,470
Dolby theater tonight's band is led by
music director Rickey minor
1354
00:40:28,470 --> 00:40:28,480
music director Rickey minor
1355
00:40:28,480 --> 00:40:28,700
music director Rickey minor
[Applause]
1356
00:40:28,700 --> 00:40:28,710
[Applause]
1357
00:40:28,710 --> 00:40:31,859
[Applause]
[Music]
1358
00:40:31,859 --> 00:40:31,869
[Music]
1359
00:40:31,869 --> 00:40:34,470
[Music]
and now please welcome Tessa Thompson
1360
00:40:34,470 --> 00:40:34,480
and now please welcome Tessa Thompson
1361
00:40:34,480 --> 00:40:36,130
and now please welcome Tessa Thompson
and Michael B Jordan
1362
00:40:36,130 --> 00:40:36,140
and Michael B Jordan
1363
00:40:36,140 --> 00:40:41,770
and Michael B Jordan
[Music]
1364
00:40:41,770 --> 00:40:41,780
1365
00:40:41,780 --> 00:40:43,330
[Applause]
1366
00:40:43,330 --> 00:40:43,340
[Applause]
1367
00:40:43,340 --> 00:40:47,920
[Applause]
[Music]
1368
00:40:47,920 --> 00:40:47,930
1369
00:40:47,930 --> 00:40:50,359
the score served as a musical
1370
00:40:50,359 --> 00:40:50,369
the score served as a musical
1371
00:40:50,369 --> 00:40:52,190
the score served as a musical
through-line that impacts our feelings
1372
00:40:52,190 --> 00:40:52,200
through-line that impacts our feelings
1373
00:40:52,200 --> 00:40:54,980
through-line that impacts our feelings
in any given scene like when we hear
1374
00:40:54,980 --> 00:40:54,990
in any given scene like when we hear
1375
00:40:54,990 --> 00:40:56,839
in any given scene like when we hear
this oscar-winning score
1376
00:40:56,839 --> 00:40:56,849
this oscar-winning score
1377
00:40:56,849 --> 00:41:02,240
this oscar-winning score
I know it's time to take mass out the
1378
00:41:02,240 --> 00:41:02,250
I know it's time to take mass out the
1379
00:41:02,250 --> 00:41:04,160
I know it's time to take mass out the
water because probably something bad is
1380
00:41:04,160 --> 00:41:04,170
water because probably something bad is
1381
00:41:04,170 --> 00:41:06,980
water because probably something bad is
gonna happen in ocean but wait you can
1382
00:41:06,980 --> 00:41:06,990
gonna happen in ocean but wait you can
1383
00:41:06,990 --> 00:41:08,690
gonna happen in ocean but wait you can
swim right yeah why would you ask me
1384
00:41:08,690 --> 00:41:08,700
swim right yeah why would you ask me
1385
00:41:08,700 --> 00:41:10,370
swim right yeah why would you ask me
just because unfortunately a lot of
1386
00:41:10,370 --> 00:41:10,380
just because unfortunately a lot of
1387
00:41:10,380 --> 00:41:11,630
just because unfortunately a lot of
people don't know that about us ah
1388
00:41:11,630 --> 00:41:11,640
people don't know that about us ah
1389
00:41:11,640 --> 00:41:15,470
people don't know that about us ah
Touche Touche or how about when you hear
1390
00:41:15,470 --> 00:41:15,480
Touche Touche or how about when you hear
1391
00:41:15,480 --> 00:41:16,810
Touche Touche or how about when you hear
this
1392
00:41:16,810 --> 00:41:16,820
this
1393
00:41:16,820 --> 00:41:21,860
this
[Music]
1394
00:41:21,860 --> 00:41:21,870
1395
00:41:21,870 --> 00:41:24,860
we know people are going to fall in love
1396
00:41:24,860 --> 00:41:24,870
we know people are going to fall in love
1397
00:41:24,870 --> 00:41:27,470
we know people are going to fall in love
before something else bad happens in the
1398
00:41:27,470 --> 00:41:27,480
before something else bad happens in the
1399
00:41:27,480 --> 00:41:32,300
before something else bad happens in the
ocean a great score moves us as an
1400
00:41:32,300 --> 00:41:32,310
ocean a great score moves us as an
1401
00:41:32,310 --> 00:41:35,390
ocean a great score moves us as an
audience while reminding us that really
1402
00:41:35,390 --> 00:41:35,400
audience while reminding us that really
1403
00:41:35,400 --> 00:41:40,040
audience while reminding us that really
bad things can happen in the ocean here
1404
00:41:40,040 --> 00:41:40,050
bad things can happen in the ocean here
1405
00:41:40,050 --> 00:41:45,670
bad things can happen in the ocean here
are the nominees for Best Original Score
1406
00:41:45,670 --> 00:41:45,680
1407
00:41:45,680 --> 00:41:55,740
black panther by Ludvig goranson
1408
00:41:55,740 --> 00:41:55,750
1409
00:41:55,750 --> 00:42:03,040
black clansmen by Terence Blanchard
1410
00:42:03,040 --> 00:42:03,050
1411
00:42:03,050 --> 00:42:06,400
if Beale Street could talk I'm Nicolas
1412
00:42:06,400 --> 00:42:06,410
if Beale Street could talk I'm Nicolas
1413
00:42:06,410 --> 00:42:08,260
if Beale Street could talk I'm Nicolas
Patel
1414
00:42:08,260 --> 00:42:08,270
Patel
1415
00:42:08,270 --> 00:42:11,560
Patel
[Music]
1416
00:42:11,560 --> 00:42:11,570
[Music]
1417
00:42:11,570 --> 00:42:15,480
[Music]
I love dogs by Alexandre disco
1418
00:42:15,480 --> 00:42:15,490
I love dogs by Alexandre disco
1419
00:42:15,490 --> 00:42:20,140
I love dogs by Alexandre disco
[Music]
1420
00:42:20,140 --> 00:42:20,150
1421
00:42:20,150 --> 00:42:28,769
MARY POPPINS returns by Marc Shaiman and
1422
00:42:28,769 --> 00:42:28,779
MARY POPPINS returns by Marc Shaiman and
1423
00:42:28,779 --> 00:42:33,839
MARY POPPINS returns by Marc Shaiman and
the Oscar goes to leave big boys and say
1424
00:42:33,839 --> 00:42:33,849
the Oscar goes to leave big boys and say
1425
00:42:33,849 --> 00:42:35,960
the Oscar goes to leave big boys and say
black panther
1426
00:42:35,960 --> 00:42:35,970
black panther
1427
00:42:35,970 --> 00:42:37,070
black panther
[Applause]
1428
00:42:37,070 --> 00:42:37,080
[Applause]
1429
00:42:37,080 --> 00:42:41,520
[Applause]
[Music]
1430
00:42:41,520 --> 00:42:41,530
[Music]
1431
00:42:41,530 --> 00:42:44,240
[Music]
this is the first Oscar and nomination
1432
00:42:44,240 --> 00:42:44,250
this is the first Oscar and nomination
1433
00:42:44,250 --> 00:42:45,780
this is the first Oscar and nomination
for Ludwig
1434
00:42:45,780 --> 00:42:45,790
for Ludwig
1435
00:42:45,790 --> 00:42:47,150
for Ludwig
göransson
1436
00:42:47,150 --> 00:42:47,160
göransson
1437
00:42:47,160 --> 00:42:47,270
göransson
[Music]
1438
00:42:47,270 --> 00:42:47,280
[Music]
1439
00:42:47,280 --> 00:42:55,110
[Music]
[Applause]
1440
00:42:55,110 --> 00:42:55,120
[Applause]
1441
00:42:55,120 --> 00:43:02,540
[Applause]
[Music]
1442
00:43:02,540 --> 00:43:02,550
1443
00:43:02,550 --> 00:43:05,700
well thank you
1444
00:43:05,700 --> 00:43:05,710
well thank you
1445
00:43:05,710 --> 00:43:12,750
well thank you
Ryan Coogler Ryan Ryan working with you
1446
00:43:12,750 --> 00:43:12,760
Ryan Coogler Ryan Ryan working with you
1447
00:43:12,760 --> 00:43:14,790
Ryan Coogler Ryan Ryan working with you
has been an incredible honor
1448
00:43:14,790 --> 00:43:14,800
has been an incredible honor
1449
00:43:14,800 --> 00:43:18,060
has been an incredible honor
I remember 12 years ago we're sitting in
1450
00:43:18,060 --> 00:43:18,070
I remember 12 years ago we're sitting in
1451
00:43:18,070 --> 00:43:20,940
I remember 12 years ago we're sitting in
our dorm at UC riding your first to
1452
00:43:20,940 --> 00:43:20,950
our dorm at UC riding your first to
1453
00:43:20,950 --> 00:43:22,380
our dorm at UC riding your first to
score for your first short film and
1454
00:43:22,380 --> 00:43:22,390
score for your first short film and
1455
00:43:22,390 --> 00:43:25,730
score for your first short film and
we're here 12 years later you know
1456
00:43:25,730 --> 00:43:25,740
we're here 12 years later you know
1457
00:43:25,740 --> 00:43:28,380
we're here 12 years later you know
celebrating one of the most important
1458
00:43:28,380 --> 00:43:28,390
celebrating one of the most important
1459
00:43:28,390 --> 00:43:32,820
celebrating one of the most important
cinematic moments in history um I want
1460
00:43:32,820 --> 00:43:32,830
cinematic moments in history um I want
1461
00:43:32,830 --> 00:43:35,430
cinematic moments in history um I want
to share this award with all the
1462
00:43:35,430 --> 00:43:35,440
to share this award with all the
1463
00:43:35,440 --> 00:43:37,890
to share this award with all the
incredible African artist artists that I
1464
00:43:37,890 --> 00:43:37,900
incredible African artist artists that I
1465
00:43:37,900 --> 00:43:39,990
incredible African artist artists that I
worked with on score ba ba ma ma
1466
00:43:39,990 --> 00:43:40,000
worked with on score ba ba ma ma
1467
00:43:40,000 --> 00:43:42,390
worked with on score ba ba ma ma
somebody up might get saw and all the
1468
00:43:42,390 --> 00:43:42,400
somebody up might get saw and all the
1469
00:43:42,400 --> 00:43:45,000
somebody up might get saw and all the
classical musicians in London they
1470
00:43:45,000 --> 00:43:45,010
classical musicians in London they
1471
00:43:45,010 --> 00:43:48,530
classical musicians in London they
recorded on the score and everyone I
1472
00:43:48,530 --> 00:43:48,540
recorded on the score and everyone I
1473
00:43:48,540 --> 00:43:51,270
recorded on the score and everyone I
also want to share this award with my
1474
00:43:51,270 --> 00:43:51,280
also want to share this award with my
1475
00:43:51,280 --> 00:43:54,060
also want to share this award with my
mom and dad I'm a sister they insisted I
1476
00:43:54,060 --> 00:43:54,070
mom and dad I'm a sister they insisted I
1477
00:43:54,070 --> 00:43:57,270
mom and dad I'm a sister they insisted I
played guitar and my wife Sarina I love
1478
00:43:57,270 --> 00:43:57,280
played guitar and my wife Sarina I love
1479
00:43:57,280 --> 00:43:59,450
played guitar and my wife Sarina I love
you so much thank you
1480
00:43:59,450 --> 00:43:59,460
you so much thank you
1481
00:43:59,460 --> 00:44:05,089
you so much thank you
[Applause]
1482
00:44:05,089 --> 00:44:05,099
[Applause]
1483
00:44:05,099 --> 00:44:08,160
[Applause]
please welcome Constance world and
1484
00:44:08,160 --> 00:44:08,170
please welcome Constance world and
1485
00:44:08,170 --> 00:44:09,900
please welcome Constance world and
Chadwick Boseman
1486
00:44:09,900 --> 00:44:09,910
Chadwick Boseman
1487
00:44:09,910 --> 00:44:11,170
Chadwick Boseman
[Applause]
1488
00:44:11,170 --> 00:44:11,180
[Applause]
1489
00:44:11,180 --> 00:44:17,300
[Applause]
[Music]
1490
00:44:17,300 --> 00:44:17,310
[Music]
1491
00:44:17,310 --> 00:44:20,420
[Music]
[Applause]
1492
00:44:20,420 --> 00:44:20,430
[Applause]
1493
00:44:20,430 --> 00:44:23,670
[Applause]
over the rainbow and the theme from
1494
00:44:23,670 --> 00:44:23,680
over the rainbow and the theme from
1495
00:44:23,680 --> 00:44:26,910
over the rainbow and the theme from
shaft Mona Lisa and lose yourself the
1496
00:44:26,910 --> 00:44:26,920
shaft Mona Lisa and lose yourself the
1497
00:44:26,920 --> 00:44:29,700
shaft Mona Lisa and lose yourself the
way we were and man or Muppet streets of
1498
00:44:29,700 --> 00:44:29,710
way we were and man or Muppet streets of
1499
00:44:29,710 --> 00:44:32,670
way we were and man or Muppet streets of
Philadelphia and remember me the only
1500
00:44:32,670 --> 00:44:32,680
Philadelphia and remember me the only
1501
00:44:32,680 --> 00:44:34,740
Philadelphia and remember me the only
thing these songs could possibly have in
1502
00:44:34,740 --> 00:44:34,750
thing these songs could possibly have in
1503
00:44:34,750 --> 00:44:36,300
thing these songs could possibly have in
common is the place they've earned in
1504
00:44:36,300 --> 00:44:36,310
common is the place they've earned in
1505
00:44:36,310 --> 00:44:39,320
common is the place they've earned in
history as Academy Award winners tonight
1506
00:44:39,320 --> 00:44:39,330
history as Academy Award winners tonight
1507
00:44:39,330 --> 00:44:41,700
history as Academy Award winners tonight
another will join their ranks
1508
00:44:41,700 --> 00:44:41,710
another will join their ranks
1509
00:44:41,710 --> 00:44:44,040
another will join their ranks
this year's nominated songs are as
1510
00:44:44,040 --> 00:44:44,050
this year's nominated songs are as
1511
00:44:44,050 --> 00:44:46,710
this year's nominated songs are as
eclectic and stylistically distinctive
1512
00:44:46,710 --> 00:44:46,720
eclectic and stylistically distinctive
1513
00:44:46,720 --> 00:44:50,820
eclectic and stylistically distinctive
as the stories they tell once again here
1514
00:44:50,820 --> 00:44:50,830
as the stories they tell once again here
1515
00:44:50,830 --> 00:44:52,590
as the stories they tell once again here
are this year's nominees for Best
1516
00:44:52,590 --> 00:44:52,600
are this year's nominees for Best
1517
00:44:52,600 --> 00:44:57,599
are this year's nominees for Best
Original Song all the stars from Black
1518
00:44:57,599 --> 00:44:57,609
Original Song all the stars from Black
1519
00:44:57,609 --> 00:45:00,270
Original Song all the stars from Black
Panther music by Kendrick Lamar marks
1520
00:45:00,270 --> 00:45:00,280
Panther music by Kendrick Lamar marks
1521
00:45:00,280 --> 00:45:02,609
Panther music by Kendrick Lamar marks
Soundwave Spears and Anthony Top Dawg
1522
00:45:02,609 --> 00:45:02,619
Soundwave Spears and Anthony Top Dawg
1523
00:45:02,619 --> 00:45:05,190
Soundwave Spears and Anthony Top Dawg
tiffith lyric by Kendrick Lamar scissor
1524
00:45:05,190 --> 00:45:05,200
tiffith lyric by Kendrick Lamar scissor
1525
00:45:05,200 --> 00:45:09,599
tiffith lyric by Kendrick Lamar scissor
and Anthony Top Dawg tiffith I'll fight
1526
00:45:09,599 --> 00:45:09,609
and Anthony Top Dawg tiffith I'll fight
1527
00:45:09,609 --> 00:45:13,670
and Anthony Top Dawg tiffith I'll fight
from RBG music and lyric by Diane Warren
1528
00:45:13,670 --> 00:45:13,680
from RBG music and lyric by Diane Warren
1529
00:45:13,680 --> 00:45:16,770
from RBG music and lyric by Diane Warren
the place where lost things go for Mary
1530
00:45:16,770 --> 00:45:16,780
the place where lost things go for Mary
1531
00:45:16,780 --> 00:45:19,080
the place where lost things go for Mary
Poppins returns music by Marc Shaiman
1532
00:45:19,080 --> 00:45:19,090
Poppins returns music by Marc Shaiman
1533
00:45:19,090 --> 00:45:22,460
Poppins returns music by Marc Shaiman
lyric by Scott Wittman and Marc Shaiman
1534
00:45:22,460 --> 00:45:22,470
lyric by Scott Wittman and Marc Shaiman
1535
00:45:22,470 --> 00:45:25,650
lyric by Scott Wittman and Marc Shaiman
shallow from a stars born music and
1536
00:45:25,650 --> 00:45:25,660
shallow from a stars born music and
1537
00:45:25,660 --> 00:45:28,590
shallow from a stars born music and
lyric by Lady gaga Mark Ronson Anthony
1538
00:45:28,590 --> 00:45:28,600
lyric by Lady gaga Mark Ronson Anthony
1539
00:45:28,600 --> 00:45:31,830
lyric by Lady gaga Mark Ronson Anthony
Rizzo mondo and Andrew Wyeth when a
1540
00:45:31,830 --> 00:45:31,840
Rizzo mondo and Andrew Wyeth when a
1541
00:45:31,840 --> 00:45:33,810
Rizzo mondo and Andrew Wyeth when a
cowboy trades his Spurs for wings from
1542
00:45:33,810 --> 00:45:33,820
cowboy trades his Spurs for wings from
1543
00:45:33,820 --> 00:45:36,150
cowboy trades his Spurs for wings from
The Ballad of Buster Scruggs music and
1544
00:45:36,150 --> 00:45:36,160
The Ballad of Buster Scruggs music and
1545
00:45:36,160 --> 00:45:38,190
The Ballad of Buster Scruggs music and
lyric by Gillian Welch and David
1546
00:45:38,190 --> 00:45:38,200
lyric by Gillian Welch and David
1547
00:45:38,200 --> 00:45:53,090
lyric by Gillian Welch and David
Rawlings and the Oscar goes to Lady gaga
1548
00:45:53,090 --> 00:45:53,100
Rawlings and the Oscar goes to Lady gaga
1549
00:45:53,100 --> 00:45:58,309
Rawlings and the Oscar goes to Lady gaga
[Applause]
1550
00:45:58,309 --> 00:45:58,319
[Applause]
1551
00:45:58,319 --> 00:46:00,349
[Applause]
this is the first Oscar and nomination
1552
00:46:00,349 --> 00:46:00,359
this is the first Oscar and nomination
1553
00:46:00,359 --> 00:46:03,890
this is the first Oscar and nomination
for Mark Ronson Anthony Ross Amanda and
1554
00:46:03,890 --> 00:46:03,900
for Mark Ronson Anthony Ross Amanda and
1555
00:46:03,900 --> 00:46:06,529
for Mark Ronson Anthony Ross Amanda and
Andrew Wyatt the first win and third
1556
00:46:06,529 --> 00:46:06,539
Andrew Wyatt the first win and third
1557
00:46:06,539 --> 00:46:08,599
Andrew Wyatt the first win and third
nomination for Lady gaga
1558
00:46:08,599 --> 00:46:08,609
nomination for Lady gaga
1559
00:46:08,609 --> 00:46:10,260
nomination for Lady gaga
he was also nominated
1560
00:46:10,260 --> 00:46:10,270
he was also nominated
1561
00:46:10,270 --> 00:46:15,250
he was also nominated
in the leading actress category
1562
00:46:15,250 --> 00:46:15,260
1563
00:46:15,260 --> 00:46:17,340
[Music]
1564
00:46:17,340 --> 00:46:17,350
[Music]
1565
00:46:17,350 --> 00:46:18,210
[Music]
[Applause]
1566
00:46:18,210 --> 00:46:18,220
[Applause]
1567
00:46:18,220 --> 00:46:25,800
[Applause]
[Music]
1568
00:46:25,800 --> 00:46:25,810
1569
00:46:25,810 --> 00:46:28,300
thank you so much
1570
00:46:28,300 --> 00:46:28,310
thank you so much
1571
00:46:28,310 --> 00:46:31,090
thank you so much
thank you so much to the Academy for
1572
00:46:31,090 --> 00:46:31,100
thank you so much to the Academy for
1573
00:46:31,100 --> 00:46:32,980
thank you so much to the Academy for
this wonderful honor thank you to every
1574
00:46:32,980 --> 00:46:32,990
this wonderful honor thank you to every
1575
00:46:32,990 --> 00:46:35,170
this wonderful honor thank you to every
single person in this room thank you to
1576
00:46:35,170 --> 00:46:35,180
single person in this room thank you to
1577
00:46:35,180 --> 00:46:37,390
single person in this room thank you to
Mark Ronson - Anthony Russ Amanda -
1578
00:46:37,390 --> 00:46:37,400
Mark Ronson - Anthony Russ Amanda -
1579
00:46:37,400 --> 00:46:39,370
Mark Ronson - Anthony Russ Amanda -
Andrew why at my co-writers I love them
1580
00:46:39,370 --> 00:46:39,380
Andrew why at my co-writers I love them
1581
00:46:39,380 --> 00:46:42,880
Andrew why at my co-writers I love them
so much to my sister my soulmate I love
1582
00:46:42,880 --> 00:46:42,890
so much to my sister my soulmate I love
1583
00:46:42,890 --> 00:46:46,180
so much to my sister my soulmate I love
you my family's here I love you mom and
1584
00:46:46,180 --> 00:46:46,190
you my family's here I love you mom and
1585
00:46:46,190 --> 00:46:46,570
you my family's here I love you mom and
dad
1586
00:46:46,570 --> 00:46:46,580
dad
1587
00:46:46,580 --> 00:46:49,960
dad
Bradley there is not a single person on
1588
00:46:49,960 --> 00:46:49,970
Bradley there is not a single person on
1589
00:46:49,970 --> 00:46:51,490
Bradley there is not a single person on
the planet that could have sang this
1590
00:46:51,490 --> 00:46:51,500
the planet that could have sang this
1591
00:46:51,500 --> 00:46:54,130
the planet that could have sang this
song with me but you thank you for
1592
00:46:54,130 --> 00:46:54,140
song with me but you thank you for
1593
00:46:54,140 --> 00:46:57,970
song with me but you thank you for
believing in us thank you so much and if
1594
00:46:57,970 --> 00:46:57,980
believing in us thank you so much and if
1595
00:46:57,980 --> 00:47:00,700
believing in us thank you so much and if
you are at home and you're sitting on
1596
00:47:00,700 --> 00:47:00,710
you are at home and you're sitting on
1597
00:47:00,710 --> 00:47:03,040
you are at home and you're sitting on
your couch and you are watching this
1598
00:47:03,040 --> 00:47:03,050
your couch and you are watching this
1599
00:47:03,050 --> 00:47:05,380
your couch and you are watching this
right now all I have to say is that this
1600
00:47:05,380 --> 00:47:05,390
right now all I have to say is that this
1601
00:47:05,390 --> 00:47:06,460
right now all I have to say is that this
is hard work
1602
00:47:06,460 --> 00:47:06,470
is hard work
1603
00:47:06,470 --> 00:47:08,680
is hard work
I have worked hard for a long time and
1604
00:47:08,680 --> 00:47:08,690
I have worked hard for a long time and
1605
00:47:08,690 --> 00:47:13,150
I have worked hard for a long time and
it's not about you know it's not about
1606
00:47:13,150 --> 00:47:13,160
it's not about you know it's not about
1607
00:47:13,160 --> 00:47:17,020
it's not about you know it's not about
winning but what it's about is not
1608
00:47:17,020 --> 00:47:17,030
winning but what it's about is not
1609
00:47:17,030 --> 00:47:19,870
winning but what it's about is not
giving up if you have a dream fight for
1610
00:47:19,870 --> 00:47:19,880
giving up if you have a dream fight for
1611
00:47:19,880 --> 00:47:22,780
giving up if you have a dream fight for
it there's a discipline for passion and
1612
00:47:22,780 --> 00:47:22,790
it there's a discipline for passion and
1613
00:47:22,790 --> 00:47:24,610
it there's a discipline for passion and
it's not about how many times you get
1614
00:47:24,610 --> 00:47:24,620
it's not about how many times you get
1615
00:47:24,620 --> 00:47:27,310
it's not about how many times you get
rejected or but you fall down or you're
1616
00:47:27,310 --> 00:47:27,320
rejected or but you fall down or you're
1617
00:47:27,320 --> 00:47:29,500
rejected or but you fall down or you're
beaten up it's about how many times you
1618
00:47:29,500 --> 00:47:29,510
beaten up it's about how many times you
1619
00:47:29,510 --> 00:47:31,540
beaten up it's about how many times you
stand up and are brave and you keep on
1620
00:47:31,540 --> 00:47:31,550
stand up and are brave and you keep on
1621
00:47:31,550 --> 00:47:37,170
stand up and are brave and you keep on
going thank you
1622
00:47:37,170 --> 00:47:37,180
1623
00:47:37,180 --> 00:47:40,049
only because you can't really thank
1624
00:47:40,049 --> 00:47:40,059
only because you can't really thank
1625
00:47:40,059 --> 00:47:41,849
only because you can't really thank
yourself I think when you're in the room
1626
00:47:41,849 --> 00:47:41,859
yourself I think when you're in the room
1627
00:47:41,859 --> 00:47:43,019
yourself I think when you're in the room
with this person you really don't have
1628
00:47:43,019 --> 00:47:43,029
with this person you really don't have
1629
00:47:43,029 --> 00:47:45,420
with this person you really don't have
to do too much so she acts she writes
1630
00:47:45,420 --> 00:47:45,430
to do too much so she acts she writes
1631
00:47:45,430 --> 00:47:48,840
to do too much so she acts she writes
she sings the song Lady Gaga we
1632
00:47:48,840 --> 00:47:48,850
she sings the song Lady Gaga we
1633
00:47:48,850 --> 00:47:55,420
she sings the song Lady Gaga we
[Applause]
1634
00:47:55,420 --> 00:47:55,430
[Applause]
1635
00:47:55,430 --> 00:47:56,420
[Applause]
[Music]
1636
00:47:56,420 --> 00:47:56,430
[Music]
1637
00:47:56,430 --> 00:47:58,220
[Music]
[Applause]
1638
00:47:58,220 --> 00:47:58,230
[Applause]
1639
00:47:58,230 --> 00:48:02,830
[Applause]
[Music]
1640
00:48:02,830 --> 00:48:02,840
[Music]
1641
00:48:02,840 --> 00:48:05,000
[Music]
[Applause]
1642
00:48:05,000 --> 00:48:05,010
[Applause]
1643
00:48:05,010 --> 00:48:09,420
[Applause]
[Music]
1644
00:48:09,420 --> 00:48:09,430
1645
00:48:09,430 --> 00:48:11,790
please welcome the president of the
1646
00:48:11,790 --> 00:48:11,800
please welcome the president of the
1647
00:48:11,800 --> 00:48:13,830
please welcome the president of the
Academy of Motion Picture Arts and
1648
00:48:13,830 --> 00:48:13,840
Academy of Motion Picture Arts and
1649
00:48:13,840 --> 00:48:23,299
Academy of Motion Picture Arts and
Sciences John Bailey
1650
00:48:23,299 --> 00:48:23,309
1651
00:48:23,309 --> 00:48:26,160
this evening we celebrate the
1652
00:48:26,160 --> 00:48:26,170
this evening we celebrate the
1653
00:48:26,170 --> 00:48:29,249
this evening we celebrate the
achievements not only of our awards
1654
00:48:29,249 --> 00:48:29,259
achievements not only of our awards
1655
00:48:29,259 --> 00:48:32,940
achievements not only of our awards
winners but all 212 nominees of the
1656
00:48:32,940 --> 00:48:32,950
winners but all 212 nominees of the
1657
00:48:32,950 --> 00:48:37,259
winners but all 212 nominees of the
Academy's class of 2018 we also pause to
1658
00:48:37,259 --> 00:48:37,269
Academy's class of 2018 we also pause to
1659
00:48:37,269 --> 00:48:40,319
Academy's class of 2018 we also pause to
honor all those artists who have left us
1660
00:48:40,319 --> 00:48:40,329
honor all those artists who have left us
1661
00:48:40,329 --> 00:48:43,410
honor all those artists who have left us
since our last awards ceremony the men
1662
00:48:43,410 --> 00:48:43,420
since our last awards ceremony the men
1663
00:48:43,420 --> 00:48:45,660
since our last awards ceremony the men
and women whose movies have so
1664
00:48:45,660 --> 00:48:45,670
and women whose movies have so
1665
00:48:45,670 --> 00:48:50,130
and women whose movies have so
entertained and inspired us only a few
1666
00:48:50,130 --> 00:48:50,140
entertained and inspired us only a few
1667
00:48:50,140 --> 00:48:52,440
entertained and inspired us only a few
of them can be highlighted here but
1668
00:48:52,440 --> 00:48:52,450
of them can be highlighted here but
1669
00:48:52,450 --> 00:48:55,079
of them can be highlighted here but
let's now give tribute to all their
1670
00:48:55,079 --> 00:48:55,089
let's now give tribute to all their
1671
00:48:55,089 --> 00:48:58,710
let's now give tribute to all their
extraordinary lives works in this music
1672
00:48:58,710 --> 00:48:58,720
extraordinary lives works in this music
1673
00:48:58,720 --> 00:49:01,769
extraordinary lives works in this music
of John Williams with the Los Angeles
1674
00:49:01,769 --> 00:49:01,779
of John Williams with the Los Angeles
1675
00:49:01,779 --> 00:49:03,779
of John Williams with the Los Angeles
Philharmonic celebrating its centennial
1676
00:49:03,779 --> 00:49:03,789
Philharmonic celebrating its centennial
1677
00:49:03,789 --> 00:49:07,700
Philharmonic celebrating its centennial
year under the direction of maestro
1678
00:49:07,700 --> 00:49:07,710
year under the direction of maestro
1679
00:49:07,710 --> 00:49:09,610
year under the direction of maestro
Gustavo Dudamel
1680
00:49:09,610 --> 00:49:09,620
Gustavo Dudamel
1681
00:49:09,620 --> 00:49:18,330
Gustavo Dudamel
[Applause]
1682
00:49:18,330 --> 00:49:18,340
[Applause]
1683
00:49:18,340 --> 00:51:46,860
[Applause]
[Music]
1684
00:51:46,860 --> 00:51:46,870
[Music]
1685
00:51:46,870 --> 00:51:48,070
[Music]
[Applause]
1686
00:51:48,070 --> 00:51:48,080
[Applause]
1687
00:51:48,080 --> 00:51:50,830
[Applause]
[Music]
1688
00:51:50,830 --> 00:51:50,840
[Music]
1689
00:51:50,840 --> 00:51:56,590
[Music]
[Applause]
1690
00:51:56,590 --> 00:51:56,600
1691
00:51:56,600 --> 00:52:15,640
[Music]
1692
00:52:15,640 --> 00:52:15,650
[Music]
1693
00:52:15,650 --> 00:52:19,860
[Music]
[Applause]
1694
00:52:19,860 --> 00:52:19,870
1695
00:52:19,870 --> 00:53:07,140
[Music]
1696
00:53:07,140 --> 00:53:07,150
[Music]
1697
00:53:07,150 --> 00:53:11,440
[Music]
[Applause]
1698
00:53:11,440 --> 00:53:11,450
1699
00:53:11,450 --> 00:53:18,290
[Music]
1700
00:53:18,290 --> 00:53:18,300
[Music]
1701
00:53:18,300 --> 00:53:18,740
[Music]
[Applause]
1702
00:53:18,740 --> 00:53:18,750
[Applause]
1703
00:53:18,750 --> 00:53:49,910
[Applause]
[Music]
1704
00:53:49,910 --> 00:53:49,920
1705
00:53:49,920 --> 00:53:52,620
in November the Academy held the
1706
00:53:52,620 --> 00:53:52,630
in November the Academy held the
1707
00:53:52,630 --> 00:53:54,900
in November the Academy held the
governor's awards where honorary Oscars
1708
00:53:54,900 --> 00:53:54,910
governor's awards where honorary Oscars
1709
00:53:54,910 --> 00:53:57,020
governor's awards where honorary Oscars
were presented to actress Cicely Tyson
1710
00:53:57,020 --> 00:53:57,030
were presented to actress Cicely Tyson
1711
00:53:57,030 --> 00:54:00,060
were presented to actress Cicely Tyson
composer Lalo Schifrin and publicist
1712
00:54:00,060 --> 00:54:00,070
composer Lalo Schifrin and publicist
1713
00:54:00,070 --> 00:54:02,490
composer Lalo Schifrin and publicist
Marvin Levy the Thalberg award went to
1714
00:54:02,490 --> 00:54:02,500
Marvin Levy the Thalberg award went to
1715
00:54:02,500 --> 00:54:04,740
Marvin Levy the Thalberg award went to
producers Kathleen Kennedy and Frank
1716
00:54:04,740 --> 00:54:04,750
producers Kathleen Kennedy and Frank
1717
00:54:04,750 --> 00:54:06,870
producers Kathleen Kennedy and Frank
Marshall Kennedy is the first woman to
1718
00:54:06,870 --> 00:54:06,880
Marshall Kennedy is the first woman to
1719
00:54:06,880 --> 00:54:09,360
Marshall Kennedy is the first woman to
receive the Thalberg and on February 9th
1720
00:54:09,360 --> 00:54:09,370
receive the Thalberg and on February 9th
1721
00:54:09,370 --> 00:54:11,550
receive the Thalberg and on February 9th
David Oh yellow hosted the Academy's
1722
00:54:11,550 --> 00:54:11,560
David Oh yellow hosted the Academy's
1723
00:54:11,560 --> 00:54:14,580
David Oh yellow hosted the Academy's
annual SciTech Awards nine scientific
1724
00:54:14,580 --> 00:54:14,590
annual SciTech Awards nine scientific
1725
00:54:14,590 --> 00:54:16,530
annual SciTech Awards nine scientific
and technical achievements represented
1726
00:54:16,530 --> 00:54:16,540
and technical achievements represented
1727
00:54:16,540 --> 00:54:19,350
and technical achievements represented
by 27 individual Award recipients were
1728
00:54:19,350 --> 00:54:19,360
by 27 individual Award recipients were
1729
00:54:19,360 --> 00:54:22,819
by 27 individual Award recipients were
honored that none
1730
00:54:22,819 --> 00:54:22,829
1731
00:54:22,829 --> 00:54:24,640
and now
1732
00:54:24,640 --> 00:54:24,650
and now
1733
00:54:24,650 --> 00:54:26,279
and now
- time again
1734
00:54:26,279 --> 00:54:26,289
- time again
1735
00:54:26,289 --> 00:54:32,400
- time again
award-winner Barbra Streisand's
1736
00:54:32,400 --> 00:54:32,410
1737
00:54:32,410 --> 00:54:33,400
[Applause]
1738
00:54:33,400 --> 00:54:33,410
[Applause]
1739
00:54:33,410 --> 00:54:35,100
[Applause]
[Music]
1740
00:54:35,100 --> 00:54:35,110
[Music]
1741
00:54:35,110 --> 00:54:37,710
[Music]
[Applause]
1742
00:54:37,710 --> 00:54:37,720
[Applause]
1743
00:54:37,720 --> 00:54:53,640
[Applause]
[Music]
1744
00:54:53,640 --> 00:54:53,650
1745
00:54:53,650 --> 00:54:59,680
thank you thank you when I first saw a
1746
00:54:59,680 --> 00:54:59,690
thank you thank you when I first saw a
1747
00:54:59,690 --> 00:55:04,180
thank you thank you when I first saw a
black Klansmen I was stunned I was very
1748
00:55:04,180 --> 00:55:04,190
black Klansmen I was stunned I was very
1749
00:55:04,190 --> 00:55:08,980
black Klansmen I was stunned I was very
excited and I was very moved it had
1750
00:55:08,980 --> 00:55:08,990
excited and I was very moved it had
1751
00:55:08,990 --> 00:55:11,289
excited and I was very moved it had
everything a great film should have it
1752
00:55:11,289 --> 00:55:11,299
everything a great film should have it
1753
00:55:11,299 --> 00:55:17,349
everything a great film should have it
was so real so funny and yet so
1754
00:55:17,349 --> 00:55:17,359
was so real so funny and yet so
1755
00:55:17,359 --> 00:55:20,470
was so real so funny and yet so
horrifying because it was based on the
1756
00:55:20,470 --> 00:55:20,480
horrifying because it was based on the
1757
00:55:20,480 --> 00:55:24,460
horrifying because it was based on the
truth and truth is especially precious
1758
00:55:24,460 --> 00:55:24,470
truth and truth is especially precious
1759
00:55:24,470 --> 00:55:36,190
truth and truth is especially precious
these days I had to thank you so I had
1760
00:55:36,190 --> 00:55:36,200
these days I had to thank you so I had
1761
00:55:36,200 --> 00:55:38,200
these days I had to thank you so I had
to tweet about it you know about how
1762
00:55:38,200 --> 00:55:38,210
to tweet about it you know about how
1763
00:55:38,210 --> 00:55:42,009
to tweet about it you know about how
good it was and then I got a lovely
1764
00:55:42,009 --> 00:55:42,019
good it was and then I got a lovely
1765
00:55:42,019 --> 00:55:45,940
good it was and then I got a lovely
thank-you from spike himself and the
1766
00:55:45,940 --> 00:55:45,950
thank-you from spike himself and the
1767
00:55:45,950 --> 00:55:48,099
thank-you from spike himself and the
conversation after that was very easy
1768
00:55:48,099 --> 00:55:48,109
conversation after that was very easy
1769
00:55:48,109 --> 00:55:50,850
conversation after that was very easy
because we were both raised in Brooklyn
1770
00:55:50,850 --> 00:55:50,860
because we were both raised in Brooklyn
1771
00:55:50,860 --> 00:55:52,230
because we were both raised in Brooklyn
[Applause]
1772
00:55:52,230 --> 00:55:52,240
[Applause]
1773
00:55:52,240 --> 00:55:54,630
[Applause]
[Laughter]
1774
00:55:54,630 --> 00:55:54,640
[Laughter]
1775
00:55:54,640 --> 00:55:56,940
[Laughter]
[Applause]
1776
00:55:56,940 --> 00:55:56,950
[Applause]
1777
00:55:56,950 --> 00:56:04,600
[Applause]
and spike we both love hats so after a
1778
00:56:04,600 --> 00:56:04,610
and spike we both love hats so after a
1779
00:56:04,610 --> 00:56:10,030
and spike we both love hats so after a
lifetime of bold game-changing work here
1780
00:56:10,030 --> 00:56:10,040
lifetime of bold game-changing work here
1781
00:56:10,040 --> 00:56:14,200
lifetime of bold game-changing work here
is Spike Lee's masterpiece the story of
1782
00:56:14,200 --> 00:56:14,210
is Spike Lee's masterpiece the story of
1783
00:56:14,210 --> 00:56:17,350
is Spike Lee's masterpiece the story of
the first african-american detective in
1784
00:56:17,350 --> 00:56:17,360
the first african-american detective in
1785
00:56:17,360 --> 00:56:19,530
the first african-american detective in
the Colorado Springs Police Department
1786
00:56:19,530 --> 00:56:19,540
the Colorado Springs Police Department
1787
00:56:19,540 --> 00:56:22,330
the Colorado Springs Police Department
who joins forces with his Jewish
1788
00:56:22,330 --> 00:56:22,340
who joins forces with his Jewish
1789
00:56:22,340 --> 00:56:25,930
who joins forces with his Jewish
colleague to infiltrate the Ku Klux Klan
1790
00:56:25,930 --> 00:56:25,940
colleague to infiltrate the Ku Klux Klan
1791
00:56:25,940 --> 00:56:29,220
colleague to infiltrate the Ku Klux Klan
now that is funny already
1792
00:56:29,220 --> 00:56:29,230
now that is funny already
1793
00:56:29,230 --> 00:56:33,940
now that is funny already
but it's an unflinching look at race
1794
00:56:33,940 --> 00:56:33,950
but it's an unflinching look at race
1795
00:56:33,950 --> 00:56:38,580
but it's an unflinching look at race
relations in America back in the 1970s
1796
00:56:38,580 --> 00:56:38,590
relations in America back in the 1970s
1797
00:56:38,590 --> 00:56:42,340
relations in America back in the 1970s
that was then but it is just as relevant
1798
00:56:42,340 --> 00:56:42,350
that was then but it is just as relevant
1799
00:56:42,350 --> 00:56:48,430
that was then but it is just as relevant
today this is Ron stalwart I'm anxious
1800
00:56:48,430 --> 00:56:48,440
today this is Ron stalwart I'm anxious
1801
00:56:48,440 --> 00:56:52,000
today this is Ron stalwart I'm anxious
to meet you they want you to join the
1802
00:56:52,000 --> 00:56:52,010
to meet you they want you to join the
1803
00:56:52,010 --> 00:56:53,950
to meet you they want you to join the
Klan they want to meet me first
1804
00:56:53,950 --> 00:56:53,960
Klan they want to meet me first
1805
00:56:53,960 --> 00:56:55,510
Klan they want to meet me first
you probably shouldn't go to that
1806
00:56:55,510 --> 00:56:55,520
you probably shouldn't go to that
1807
00:56:55,520 --> 00:57:00,250
you probably shouldn't go to that
meeting you need to wake up don't think
1808
00:57:00,250 --> 00:57:00,260
meeting you need to wake up don't think
1809
00:57:00,260 --> 00:57:01,600
meeting you need to wake up don't think
just because I don't wear a black beret
1810
00:57:01,600 --> 00:57:01,610
just because I don't wear a black beret
1811
00:57:01,610 --> 00:57:09,030
just because I don't wear a black beret
and I don't care about my people
1812
00:57:09,030 --> 00:57:09,040
1813
00:57:09,040 --> 00:57:11,380
your Jewish brother why are you acting
1814
00:57:11,380 --> 00:57:11,390
your Jewish brother why are you acting
1815
00:57:11,390 --> 00:57:12,580
your Jewish brother why are you acting
like you ain't got skin in the game
1816
00:57:12,580 --> 00:57:12,590
like you ain't got skin in the game
1817
00:57:12,590 --> 00:57:17,910
like you ain't got skin in the game
that's my business it's our business
1818
00:57:17,910 --> 00:57:17,920
1819
00:57:17,920 --> 00:57:20,270
[Applause]
1820
00:57:20,270 --> 00:57:20,280
[Applause]
1821
00:57:20,280 --> 00:57:22,760
[Applause]
please welcome last year's winners for
1822
00:57:22,760 --> 00:57:22,770
please welcome last year's winners for
1823
00:57:22,770 --> 00:57:25,430
please welcome last year's winners for
Actress in a supporting role and after
1824
00:57:25,430 --> 00:57:25,440
Actress in a supporting role and after
1825
00:57:25,440 --> 00:57:26,900
Actress in a supporting role and after
in a leading role
1826
00:57:26,900 --> 00:57:26,910
in a leading role
1827
00:57:26,910 --> 00:57:29,560
in a leading role
allison janney and gary oldman
1828
00:57:29,560 --> 00:57:29,570
allison janney and gary oldman
1829
00:57:29,570 --> 00:57:32,830
allison janney and gary oldman
[Music]
1830
00:57:32,830 --> 00:57:32,840
[Music]
1831
00:57:32,840 --> 00:57:33,710
[Music]
[Applause]
1832
00:57:33,710 --> 00:57:33,720
[Applause]
1833
00:57:33,720 --> 00:57:41,049
[Applause]
[Music]
1834
00:57:41,049 --> 00:57:41,059
1835
00:57:41,059 --> 00:57:42,909
you know you and I couldn't have won
1836
00:57:42,909 --> 00:57:42,919
you know you and I couldn't have won
1837
00:57:42,919 --> 00:57:44,979
you know you and I couldn't have won
Oscars for portraying two more different
1838
00:57:44,979 --> 00:57:44,989
Oscars for portraying two more different
1839
00:57:44,989 --> 00:57:47,919
Oscars for portraying two more different
people it's so true one of us playing a
1840
00:57:47,919 --> 00:57:47,929
people it's so true one of us playing a
1841
00:57:47,929 --> 00:57:50,649
people it's so true one of us playing a
brash and controversial leader known for
1842
00:57:50,649 --> 00:57:50,659
brash and controversial leader known for
1843
00:57:50,659 --> 00:57:52,509
brash and controversial leader known for
loving whiskey and always being shrouded
1844
00:57:52,509 --> 00:57:52,519
loving whiskey and always being shrouded
1845
00:57:52,519 --> 00:57:55,870
loving whiskey and always being shrouded
in that trademark cloud of smoke yes and
1846
00:57:55,870 --> 00:57:55,880
in that trademark cloud of smoke yes and
1847
00:57:55,880 --> 00:57:59,880
in that trademark cloud of smoke yes and
then of course you played Churchill and
1848
00:57:59,880 --> 00:57:59,890
then of course you played Churchill and
1849
00:57:59,890 --> 00:58:02,769
then of course you played Churchill and
here are the nominees for performance by
1850
00:58:02,769 --> 00:58:02,779
here are the nominees for performance by
1851
00:58:02,779 --> 00:58:06,789
here are the nominees for performance by
an actor in a leading role Christian
1852
00:58:06,789 --> 00:58:06,799
an actor in a leading role Christian
1853
00:58:06,799 --> 00:58:07,419
an actor in a leading role Christian
Bale
1854
00:58:07,419 --> 00:58:07,429
Bale
1855
00:58:07,429 --> 00:58:12,880
Bale
vice 3,000 innocent people burned to
1856
00:58:12,880 --> 00:58:12,890
vice 3,000 innocent people burned to
1857
00:58:12,890 --> 00:58:15,819
vice 3,000 innocent people burned to
death by those monsters and yet you
1858
00:58:15,819 --> 00:58:15,829
death by those monsters and yet you
1859
00:58:15,829 --> 00:58:20,199
death by those monsters and yet you
inject when I refuse to kiss those
1860
00:58:20,199 --> 00:58:20,209
inject when I refuse to kiss those
1861
00:58:20,209 --> 00:58:22,390
inject when I refuse to kiss those
monsters on the cheek and say pretty
1862
00:58:22,390 --> 00:58:22,400
monsters on the cheek and say pretty
1863
00:58:22,400 --> 00:58:26,469
monsters on the cheek and say pretty
please you answer me this what terrorist
1864
00:58:26,469 --> 00:58:26,479
please you answer me this what terrorist
1865
00:58:26,479 --> 00:58:30,669
please you answer me this what terrorist
attack would you have let go forward so
1866
00:58:30,669 --> 00:58:30,679
attack would you have let go forward so
1867
00:58:30,679 --> 00:58:33,269
attack would you have let go forward so
you wouldn't seem like a mean and nasty
1868
00:58:33,269 --> 00:58:33,279
you wouldn't seem like a mean and nasty
1869
00:58:33,279 --> 00:58:39,269
you wouldn't seem like a mean and nasty
fellow
1870
00:58:39,269 --> 00:58:39,279
1871
00:58:39,279 --> 00:58:42,189
Bradley Cooper a star is born
1872
00:58:42,189 --> 00:58:42,199
Bradley Cooper a star is born
1873
00:58:42,199 --> 00:58:49,179
Bradley Cooper a star is born
can tell you secret I think you might be
1874
00:58:49,179 --> 00:58:49,189
can tell you secret I think you might be
1875
00:58:49,189 --> 00:58:56,120
can tell you secret I think you might be
a songwriter
1876
00:58:56,120 --> 00:58:56,130
1877
00:58:56,130 --> 00:59:02,779
don't worry I won't tell anybody but I'm
1878
00:59:02,779 --> 00:59:02,789
don't worry I won't tell anybody but I'm
1879
00:59:02,789 --> 00:59:10,239
don't worry I won't tell anybody but I'm
not very good at keeping secrets
1880
00:59:10,239 --> 00:59:10,249
1881
00:59:10,249 --> 00:59:13,339
willem dafoe at eternities gate I
1882
00:59:13,339 --> 00:59:13,349
willem dafoe at eternities gate I
1883
00:59:13,349 --> 00:59:16,099
willem dafoe at eternities gate I
believe I have a menacing spirit around
1884
00:59:16,099 --> 00:59:16,109
believe I have a menacing spirit around
1885
00:59:16,109 --> 00:59:23,390
believe I have a menacing spirit around
me an invisible being I feel it I don't
1886
00:59:23,390 --> 00:59:23,400
me an invisible being I feel it I don't
1887
00:59:23,400 --> 00:59:27,739
me an invisible being I feel it I don't
see it he speaks to me and threatens me
1888
00:59:27,739 --> 00:59:27,749
see it he speaks to me and threatens me
1889
00:59:27,749 --> 00:59:29,660
see it he speaks to me and threatens me
and all he wants to do is plunge a knife
1890
00:59:29,660 --> 00:59:29,670
and all he wants to do is plunge a knife
1891
00:59:29,670 --> 00:59:33,199
and all he wants to do is plunge a knife
into my heart I saw him and I tried to
1892
00:59:33,199 --> 00:59:33,209
into my heart I saw him and I tried to
1893
00:59:33,209 --> 00:59:38,680
into my heart I saw him and I tried to
cut him out of myself
1894
00:59:38,680 --> 00:59:38,690
1895
00:59:38,690 --> 00:59:42,370
rami malek Bohemian Rhapsody
1896
00:59:42,370 --> 00:59:42,380
rami malek Bohemian Rhapsody
1897
00:59:42,380 --> 01:00:03,120
rami malek Bohemian Rhapsody
[Music]
1898
01:00:03,120 --> 01:00:03,130
1899
01:00:03,130 --> 01:00:05,920
Viggo Mortensen the green book
1900
01:00:05,920 --> 01:00:05,930
Viggo Mortensen the green book
1901
01:00:05,930 --> 01:00:08,520
Viggo Mortensen the green book
the speak German huh that was Russian
1902
01:00:08,520 --> 01:00:08,530
the speak German huh that was Russian
1903
01:00:08,530 --> 01:00:11,020
the speak German huh that was Russian
yeah I was stationed in Germany in the
1904
01:00:11,020 --> 01:00:11,030
yeah I was stationed in Germany in the
1905
01:00:11,030 --> 01:00:13,210
yeah I was stationed in Germany in the
army I can pick up a little bit of what
1906
01:00:13,210 --> 01:00:13,220
army I can pick up a little bit of what
1907
01:00:13,220 --> 01:00:16,109
army I can pick up a little bit of what
you see watch out for them Krauss
1908
01:00:16,109 --> 01:00:16,119
you see watch out for them Krauss
1909
01:00:16,119 --> 01:00:19,359
you see watch out for them Krauss
they're all sleeves Kennedy should have
1910
01:00:19,359 --> 01:00:19,369
they're all sleeves Kennedy should have
1911
01:00:19,369 --> 01:00:28,420
they're all sleeves Kennedy should have
bombed the money at a chance
1912
01:00:28,420 --> 01:00:28,430
1913
01:00:28,430 --> 01:00:31,740
and the Oscar goes to
1914
01:00:31,740 --> 01:00:31,750
and the Oscar goes to
1915
01:00:31,750 --> 01:00:37,600
and the Oscar goes to
Ronnie Mallory
1916
01:00:37,600 --> 01:00:37,610
1917
01:00:37,610 --> 01:00:39,609
this is the first
1918
01:00:39,609 --> 01:00:39,619
this is the first
1919
01:00:39,619 --> 01:00:42,100
this is the first
and nomination for rami malek
1920
01:00:42,100 --> 01:00:42,110
and nomination for rami malek
1921
01:00:42,110 --> 01:00:44,900
and nomination for rami malek
[Music]
1922
01:00:44,900 --> 01:00:44,910
[Music]
1923
01:00:44,910 --> 01:00:45,440
[Music]
[Applause]
1924
01:00:45,440 --> 01:00:45,450
[Applause]
1925
01:00:45,450 --> 01:00:50,930
[Applause]
[Music]
1926
01:00:50,930 --> 01:00:50,940
[Music]
1927
01:00:50,940 --> 01:00:52,780
[Music]
[Applause]
1928
01:00:52,780 --> 01:00:52,790
[Applause]
1929
01:00:52,790 --> 01:00:53,620
[Applause]
[Music]
1930
01:00:53,620 --> 01:00:53,630
[Music]
1931
01:00:53,630 --> 01:00:54,880
[Music]
[Applause]
1932
01:00:54,880 --> 01:00:54,890
[Applause]
1933
01:00:54,890 --> 01:01:05,740
[Applause]
[Music]
1934
01:01:05,740 --> 01:01:05,750
1935
01:01:05,750 --> 01:01:13,270
Oh like oh my god my mom is in here
1936
01:01:13,270 --> 01:01:13,280
Oh like oh my god my mom is in here
1937
01:01:13,280 --> 01:01:19,770
Oh like oh my god my mom is in here
somewhere I love you I love you lady
1938
01:01:19,770 --> 01:01:19,780
somewhere I love you I love you lady
1939
01:01:19,780 --> 01:01:25,500
somewhere I love you I love you lady
my family thank you for all of this I
1940
01:01:25,500 --> 01:01:25,510
my family thank you for all of this I
1941
01:01:25,510 --> 01:01:27,940
my family thank you for all of this I
you know my dad didn't get to see me do
1942
01:01:27,940 --> 01:01:27,950
you know my dad didn't get to see me do
1943
01:01:27,950 --> 01:01:29,349
you know my dad didn't get to see me do
any of this
1944
01:01:29,349 --> 01:01:29,359
any of this
1945
01:01:29,359 --> 01:01:32,080
any of this
he's not but I think he's looking down
1946
01:01:32,080 --> 01:01:32,090
he's not but I think he's looking down
1947
01:01:32,090 --> 01:01:36,760
he's not but I think he's looking down
on me right now so this is this is a
1948
01:01:36,760 --> 01:01:36,770
on me right now so this is this is a
1949
01:01:36,770 --> 01:01:39,880
on me right now so this is this is a
monumental moment one I'm so
1950
01:01:39,880 --> 01:01:39,890
monumental moment one I'm so
1951
01:01:39,890 --> 01:01:42,520
monumental moment one I'm so
appreciative to all of you to everyone
1952
01:01:42,520 --> 01:01:42,530
appreciative to all of you to everyone
1953
01:01:42,530 --> 01:01:46,839
appreciative to all of you to everyone
who has had a hand in getting me here to
1954
01:01:46,839 --> 01:01:46,849
who has had a hand in getting me here to
1955
01:01:46,849 --> 01:01:49,660
who has had a hand in getting me here to
the Academy to people who took a chance
1956
01:01:49,660 --> 01:01:49,670
the Academy to people who took a chance
1957
01:01:49,670 --> 01:01:52,680
the Academy to people who took a chance
on me every step of the way
1958
01:01:52,680 --> 01:01:52,690
on me every step of the way
1959
01:01:52,690 --> 01:01:56,380
on me every step of the way
Graham King Dennis O'Sullivan everyone
1960
01:01:56,380 --> 01:01:56,390
Graham King Dennis O'Sullivan everyone
1961
01:01:56,390 --> 01:02:00,160
Graham King Dennis O'Sullivan everyone
at Fox and New Regency thank you guys so
1962
01:02:00,160 --> 01:02:00,170
at Fox and New Regency thank you guys so
1963
01:02:00,170 --> 01:02:02,530
at Fox and New Regency thank you guys so
much I may not have been the obvious
1964
01:02:02,530 --> 01:02:02,540
much I may not have been the obvious
1965
01:02:02,540 --> 01:02:08,710
much I may not have been the obvious
choice but I guess it worked out Thank
1966
01:02:08,710 --> 01:02:08,720
choice but I guess it worked out Thank
1967
01:02:08,720 --> 01:02:12,550
choice but I guess it worked out Thank
You Queen thank you guys for being for
1968
01:02:12,550 --> 01:02:12,560
You Queen thank you guys for being for
1969
01:02:12,560 --> 01:02:14,680
You Queen thank you guys for being for
allowing me to be the tiniest part of
1970
01:02:14,680 --> 01:02:14,690
allowing me to be the tiniest part of
1971
01:02:14,690 --> 01:02:19,599
allowing me to be the tiniest part of
your phenomenal extraordinary legacy I
1972
01:02:19,599 --> 01:02:19,609
your phenomenal extraordinary legacy I
1973
01:02:19,609 --> 01:02:28,690
your phenomenal extraordinary legacy I
am forever in your debt
1974
01:02:28,690 --> 01:02:28,700
1975
01:02:28,700 --> 01:02:33,490
my crew and my cast I love you you are
1976
01:02:33,490 --> 01:02:33,500
my crew and my cast I love you you are
1977
01:02:33,500 --> 01:02:37,269
my crew and my cast I love you you are
my equals you are my betters I could
1978
01:02:37,269 --> 01:02:37,279
my equals you are my betters I could
1979
01:02:37,279 --> 01:02:42,640
my equals you are my betters I could
have never been here without you I think
1980
01:02:42,640 --> 01:02:42,650
have never been here without you I think
1981
01:02:42,650 --> 01:02:45,730
have never been here without you I think
about I think about what it would have
1982
01:02:45,730 --> 01:02:45,740
about I think about what it would have
1983
01:02:45,740 --> 01:02:48,730
about I think about what it would have
been like to tell little Bubba rami that
1984
01:02:48,730 --> 01:02:48,740
been like to tell little Bubba rami that
1985
01:02:48,740 --> 01:02:52,690
been like to tell little Bubba rami that
one day this might happen to him and I
1986
01:02:52,690 --> 01:02:52,700
one day this might happen to him and I
1987
01:02:52,700 --> 01:02:55,029
one day this might happen to him and I
think his curly haired little mind would
1988
01:02:55,029 --> 01:02:55,039
think his curly haired little mind would
1989
01:02:55,039 --> 01:03:00,789
think his curly haired little mind would
be blown that kid was he was struggling
1990
01:03:00,789 --> 01:03:00,799
be blown that kid was he was struggling
1991
01:03:00,799 --> 01:03:02,410
be blown that kid was he was struggling
with his identity trying to figure
1992
01:03:02,410 --> 01:03:02,420
with his identity trying to figure
1993
01:03:02,420 --> 01:03:05,019
with his identity trying to figure
himself out and I think to anyone
1994
01:03:05,019 --> 01:03:05,029
himself out and I think to anyone
1995
01:03:05,029 --> 01:03:06,730
himself out and I think to anyone
struggling with theirs and trying to
1996
01:03:06,730 --> 01:03:06,740
struggling with theirs and trying to
1997
01:03:06,740 --> 01:03:09,190
struggling with theirs and trying to
discover their voice listen we made a
1998
01:03:09,190 --> 01:03:09,200
discover their voice listen we made a
1999
01:03:09,200 --> 01:03:13,410
discover their voice listen we made a
film about a gay man an immigrant who
2000
01:03:13,410 --> 01:03:13,420
film about a gay man an immigrant who
2001
01:03:13,420 --> 01:03:16,720
film about a gay man an immigrant who
lived his life just unapologetically
2002
01:03:16,720 --> 01:03:16,730
lived his life just unapologetically
2003
01:03:16,730 --> 01:03:19,150
lived his life just unapologetically
himself and the fact that I'm
2004
01:03:19,150 --> 01:03:19,160
himself and the fact that I'm
2005
01:03:19,160 --> 01:03:22,509
himself and the fact that I'm
celebrating him and this story with you
2006
01:03:22,509 --> 01:03:22,519
celebrating him and this story with you
2007
01:03:22,519 --> 01:03:25,720
celebrating him and this story with you
tonight is his proof that we're longing
2008
01:03:25,720 --> 01:03:25,730
tonight is his proof that we're longing
2009
01:03:25,730 --> 01:03:29,650
tonight is his proof that we're longing
for for stories like this I am the son
2010
01:03:29,650 --> 01:03:29,660
for for stories like this I am the son
2011
01:03:29,660 --> 01:03:32,140
for for stories like this I am the son
of immigrants from Egypt I'm a first
2012
01:03:32,140 --> 01:03:32,150
of immigrants from Egypt I'm a first
2013
01:03:32,150 --> 01:03:40,410
of immigrants from Egypt I'm a first
generation American and part of my story
2014
01:03:40,410 --> 01:03:40,420
generation American and part of my story
2015
01:03:40,420 --> 01:03:43,930
generation American and part of my story
is being written right now and I could
2016
01:03:43,930 --> 01:03:43,940
is being written right now and I could
2017
01:03:43,940 --> 01:03:47,049
is being written right now and I could
not be more grateful to each and every
2018
01:03:47,049 --> 01:03:47,059
not be more grateful to each and every
2019
01:03:47,059 --> 01:03:49,089
not be more grateful to each and every
one of you and and everyone who believed
2020
01:03:49,089 --> 01:03:49,099
one of you and and everyone who believed
2021
01:03:49,099 --> 01:03:52,390
one of you and and everyone who believed
in me for for this moment it is
2022
01:03:52,390 --> 01:03:52,400
in me for for this moment it is
2023
01:03:52,400 --> 01:03:56,019
in me for for this moment it is
something I will treasure for the rest
2024
01:03:56,019 --> 01:03:56,029
something I will treasure for the rest
2025
01:03:56,029 --> 01:03:57,279
something I will treasure for the rest
of my life
2026
01:03:57,279 --> 01:03:57,289
of my life
2027
01:03:57,289 --> 01:04:02,289
of my life
Lucy Boynton you're the heart of this
2028
01:04:02,289 --> 01:04:02,299
Lucy Boynton you're the heart of this
2029
01:04:02,299 --> 01:04:05,620
Lucy Boynton you're the heart of this
film you are beyond immensely talented
2030
01:04:05,620 --> 01:04:05,630
film you are beyond immensely talented
2031
01:04:05,630 --> 01:04:08,680
film you are beyond immensely talented
you have captured my heart thank you so
2032
01:04:08,680 --> 01:04:08,690
you have captured my heart thank you so
2033
01:04:08,690 --> 01:04:09,160
you have captured my heart thank you so
much
2034
01:04:09,160 --> 01:04:09,170
much
2035
01:04:09,170 --> 01:04:13,410
much
[Applause]
2036
01:04:13,410 --> 01:04:13,420
[Applause]
2037
01:04:13,420 --> 01:04:16,120
[Applause]
[Music]
2038
01:04:16,120 --> 01:04:16,130
[Music]
2039
01:04:16,130 --> 01:04:19,040
[Music]
coming up next a look at Best Picture
2040
01:04:19,040 --> 01:04:19,050
coming up next a look at Best Picture
2041
01:04:19,050 --> 01:04:21,980
coming up next a look at Best Picture
nominee Greenberg and the award for best
2042
01:04:21,980 --> 01:04:21,990
nominee Greenberg and the award for best
2043
01:04:21,990 --> 01:04:25,580
nominee Greenberg and the award for best
actress will the Oscar go to jaleesa
2044
01:04:25,580 --> 01:04:25,590
actress will the Oscar go to jaleesa
2045
01:04:25,590 --> 01:04:29,360
actress will the Oscar go to jaleesa
aparicio Glenn Close Olivia Colman Lady
2046
01:04:29,360 --> 01:04:29,370
aparicio Glenn Close Olivia Colman Lady
2047
01:04:29,370 --> 01:04:33,290
aparicio Glenn Close Olivia Colman Lady
Gaga or Melissa McCarthy keep watching
2048
01:04:33,290 --> 01:04:33,300
Gaga or Melissa McCarthy keep watching
2049
01:04:33,300 --> 01:04:40,490
Gaga or Melissa McCarthy keep watching
to find out ladies and gentlemen please
2050
01:04:40,490 --> 01:04:40,500
to find out ladies and gentlemen please
2051
01:04:40,500 --> 01:04:41,090
to find out ladies and gentlemen please
welcome
2052
01:04:41,090 --> 01:04:41,100
welcome
2053
01:04:41,100 --> 01:04:44,810
welcome
Amandla Stenberg and Congressman John
2054
01:04:44,810 --> 01:04:44,820
Amandla Stenberg and Congressman John
2055
01:04:44,820 --> 01:04:47,260
Amandla Stenberg and Congressman John
Lewis
2056
01:04:47,260 --> 01:04:47,270
2057
01:04:47,270 --> 01:05:20,160
[Music]
2058
01:05:20,160 --> 01:05:20,170
2059
01:05:20,170 --> 01:05:23,859
our final nominee for Best Picture is a
2060
01:05:23,859 --> 01:05:23,869
our final nominee for Best Picture is a
2061
01:05:23,869 --> 01:05:26,980
our final nominee for Best Picture is a
film about bigotry friendship and growth
2062
01:05:26,980 --> 01:05:26,990
film about bigotry friendship and growth
2063
01:05:26,990 --> 01:05:29,799
film about bigotry friendship and growth
based on the story of a white man and an
2064
01:05:29,799 --> 01:05:29,809
based on the story of a white man and an
2065
01:05:29,809 --> 01:05:31,870
based on the story of a white man and an
african-american man on a journey
2066
01:05:31,870 --> 01:05:31,880
african-american man on a journey
2067
01:05:31,880 --> 01:05:35,859
african-american man on a journey
through the segregated south I can bear
2068
01:05:35,859 --> 01:05:35,869
through the segregated south I can bear
2069
01:05:35,869 --> 01:05:41,289
through the segregated south I can bear
witness that the portrait and at that
2070
01:05:41,289 --> 01:05:41,299
witness that the portrait and at that
2071
01:05:41,299 --> 01:05:44,230
witness that the portrait and at that
time in place in our history is very
2072
01:05:44,230 --> 01:05:44,240
time in place in our history is very
2073
01:05:44,240 --> 01:05:44,920
time in place in our history is very
real
2074
01:05:44,920 --> 01:05:44,930
real
2075
01:05:44,930 --> 01:05:48,460
real
it is seared in my memory like men and
2076
01:05:48,460 --> 01:05:48,470
it is seared in my memory like men and
2077
01:05:48,470 --> 01:05:51,819
it is seared in my memory like men and
women our brothers and sisters treated
2078
01:05:51,819 --> 01:05:51,829
women our brothers and sisters treated
2079
01:05:51,829 --> 01:05:54,849
women our brothers and sisters treated
as second-class citizen threatened for
2080
01:05:54,849 --> 01:05:54,859
as second-class citizen threatened for
2081
01:05:54,859 --> 01:05:57,339
as second-class citizen threatened for
raising their family or earning a living
2082
01:05:57,339 --> 01:05:57,349
raising their family or earning a living
2083
01:05:57,349 --> 01:06:00,940
raising their family or earning a living
beaten and some time to kill for the
2084
01:06:00,940 --> 01:06:00,950
beaten and some time to kill for the
2085
01:06:00,950 --> 01:06:03,339
beaten and some time to kill for the
crime of trying to live a life with
2086
01:06:03,339 --> 01:06:03,349
crime of trying to live a life with
2087
01:06:03,349 --> 01:06:06,579
crime of trying to live a life with
dignity our nation bear the scars at
2088
01:06:06,579 --> 01:06:06,589
dignity our nation bear the scars at
2089
01:06:06,589 --> 01:06:19,839
dignity our nation bear the scars at
that time as do I
2090
01:06:19,839 --> 01:06:19,849
2091
01:06:19,849 --> 01:06:23,210
the characters in green book gradually
2092
01:06:23,210 --> 01:06:23,220
the characters in green book gradually
2093
01:06:23,220 --> 01:06:25,059
the characters in green book gradually
tore down the walls between them
2094
01:06:25,059 --> 01:06:25,069
tore down the walls between them
2095
01:06:25,069 --> 01:06:26,960
tore down the walls between them
transforming each other in the process
2096
01:06:26,960 --> 01:06:26,970
transforming each other in the process
2097
01:06:26,970 --> 01:06:30,829
transforming each other in the process
as this film demonstrates any journey
2098
01:06:30,829 --> 01:06:30,839
as this film demonstrates any journey
2099
01:06:30,839 --> 01:06:33,440
as this film demonstrates any journey
that opens someone's eyes and softens
2100
01:06:33,440 --> 01:06:33,450
that opens someone's eyes and softens
2101
01:06:33,450 --> 01:06:40,870
that opens someone's eyes and softens
their heart is one that is worth taking
2102
01:06:40,870 --> 01:06:40,880
2103
01:06:40,880 --> 01:06:45,920
young old I encourage you to be an
2104
01:06:45,920 --> 01:06:45,930
young old I encourage you to be an
2105
01:06:45,930 --> 01:06:49,279
young old I encourage you to be an
active participant in a journey this is
2106
01:06:49,279 --> 01:06:49,289
active participant in a journey this is
2107
01:06:49,289 --> 01:06:55,309
active participant in a journey this is
Green Book have you ever driven
2108
01:06:55,309 --> 01:06:55,319
Green Book have you ever driven
2109
01:06:55,319 --> 01:06:56,839
Green Book have you ever driven
professionally before try to drive
2110
01:06:56,839 --> 01:06:56,849
professionally before try to drive
2111
01:06:56,849 --> 01:06:57,349
professionally before try to drive
anything
2112
01:06:57,349 --> 01:06:57,359
anything
2113
01:06:57,359 --> 01:06:59,900
anything
what other experience do you have public
2114
01:06:59,900 --> 01:06:59,910
what other experience do you have public
2115
01:06:59,910 --> 01:07:01,970
what other experience do you have public
relations I'm about to embark on a
2116
01:07:01,970 --> 01:07:01,980
relations I'm about to embark on a
2117
01:07:01,980 --> 01:07:04,279
relations I'm about to embark on a
concert tour the deep south you and a
2118
01:07:04,279 --> 01:07:04,289
concert tour the deep south you and a
2119
01:07:04,289 --> 01:07:07,839
concert tour the deep south you and a
deep south there's gonna be problems now
2120
01:07:07,839 --> 01:07:07,849
deep south there's gonna be problems now
2121
01:07:07,849 --> 01:07:10,760
deep south there's gonna be problems now
what are you doing a Lada but this time
2122
01:07:10,760 --> 01:07:10,770
what are you doing a Lada but this time
2123
01:07:10,770 --> 01:07:13,760
what are you doing a Lada but this time
dear Dolores the distance between us is
2124
01:07:13,760 --> 01:07:13,770
dear Dolores the distance between us is
2125
01:07:13,770 --> 01:07:16,069
dear Dolores the distance between us is
breaking my spirit falling in love with
2126
01:07:16,069 --> 01:07:16,079
breaking my spirit falling in love with
2127
01:07:16,079 --> 01:07:16,460
breaking my spirit falling in love with
you
2128
01:07:16,460 --> 01:07:16,470
you
2129
01:07:16,470 --> 01:07:18,260
you
was the easiest thing I have ever done
2130
01:07:18,260 --> 01:07:18,270
was the easiest thing I have ever done
2131
01:07:18,270 --> 01:07:20,569
was the easiest thing I have ever done
either heat in this room or I'm not
2132
01:07:20,569 --> 01:07:20,579
either heat in this room or I'm not
2133
01:07:20,579 --> 01:07:22,910
either heat in this room or I'm not
performing tonight it takes courage to
2134
01:07:22,910 --> 01:07:22,920
performing tonight it takes courage to
2135
01:07:22,920 --> 01:07:26,510
performing tonight it takes courage to
change people's hearts
2136
01:07:26,510 --> 01:07:26,520
2137
01:07:26,520 --> 01:07:30,520
[Applause]
2138
01:07:30,520 --> 01:07:30,530
[Applause]
2139
01:07:30,530 --> 01:07:33,040
[Applause]
please welcome Academy Award winners
2140
01:07:33,040 --> 01:07:33,050
please welcome Academy Award winners
2141
01:07:33,050 --> 01:07:36,460
please welcome Academy Award winners
Frances McDormand and Sam Rockwell
2142
01:07:36,460 --> 01:07:36,470
Frances McDormand and Sam Rockwell
2143
01:07:36,470 --> 01:07:37,900
Frances McDormand and Sam Rockwell
[Applause]
2144
01:07:37,900 --> 01:07:37,910
[Applause]
2145
01:07:37,910 --> 01:07:39,870
[Applause]
[Music]
2146
01:07:39,870 --> 01:07:39,880
[Music]
2147
01:07:39,880 --> 01:07:42,830
[Music]
[Applause]
2148
01:07:42,830 --> 01:07:42,840
[Applause]
2149
01:07:42,840 --> 01:07:45,210
[Applause]
it's an honour for us to be back on
2150
01:07:45,210 --> 01:07:45,220
it's an honour for us to be back on
2151
01:07:45,220 --> 01:07:47,370
it's an honour for us to be back on
stage Francis do you have anything to
2152
01:07:47,370 --> 01:07:47,380
stage Francis do you have anything to
2153
01:07:47,380 --> 01:07:50,460
stage Francis do you have anything to
add no nope nope nope thank you very
2154
01:07:50,460 --> 01:07:50,470
add no nope nope nope thank you very
2155
01:07:50,470 --> 01:07:54,180
add no nope nope nope thank you very
much here are the nominees for
2156
01:07:54,180 --> 01:07:54,190
much here are the nominees for
2157
01:07:54,190 --> 01:07:56,490
much here are the nominees for
performance by an actress in a leading
2158
01:07:56,490 --> 01:07:56,500
performance by an actress in a leading
2159
01:07:56,500 --> 01:07:59,000
performance by an actress in a leading
role
2160
01:07:59,000 --> 01:07:59,010
2161
01:07:59,010 --> 01:08:16,820
jalisa greets you know Martha oh yeah
2162
01:08:16,820 --> 01:08:16,830
jalisa greets you know Martha oh yeah
2163
01:08:16,830 --> 01:08:25,920
jalisa greets you know Martha oh yeah
what's that started after Glenn Close
2164
01:08:25,920 --> 01:08:25,930
what's that started after Glenn Close
2165
01:08:25,930 --> 01:08:27,829
what's that started after Glenn Close
the white
2166
01:08:27,829 --> 01:08:27,839
the white
2167
01:08:27,839 --> 01:08:30,190
the white
what we were talking about the other day
2168
01:08:30,190 --> 01:08:30,200
what we were talking about the other day
2169
01:08:30,200 --> 01:08:36,400
what we were talking about the other day
yes I want to say that what you implied
2170
01:08:36,400 --> 01:08:36,410
yes I want to say that what you implied
2171
01:08:36,410 --> 01:08:40,520
yes I want to say that what you implied
isn't true and if you malign Joe's
2172
01:08:40,520 --> 01:08:40,530
isn't true and if you malign Joe's
2173
01:08:40,530 --> 01:08:46,780
isn't true and if you malign Joe's
talent in any way I'll take you to court
2174
01:08:46,780 --> 01:08:46,790
2175
01:08:46,790 --> 01:08:49,309
good luck Daniel I'm sure you'll write a
2176
01:08:49,309 --> 01:08:49,319
good luck Daniel I'm sure you'll write a
2177
01:08:49,319 --> 01:08:57,670
good luck Daniel I'm sure you'll write a
fine book Olivia Colman the favorite
2178
01:08:57,670 --> 01:08:57,680
fine book Olivia Colman the favorite
2179
01:08:57,680 --> 01:08:59,480
fine book Olivia Colman the favorite
I've been wanting to give you something
2180
01:08:59,480 --> 01:08:59,490
I've been wanting to give you something
2181
01:08:59,490 --> 01:09:01,579
I've been wanting to give you something
for quite some time now seeing that the
2182
01:09:01,579 --> 01:09:01,589
for quite some time now seeing that the
2183
01:09:01,589 --> 01:09:03,200
for quite some time now seeing that the
perfect opportunity with Marlborough
2184
01:09:03,200 --> 01:09:03,210
perfect opportunity with Marlborough
2185
01:09:03,210 --> 01:09:04,730
perfect opportunity with Marlborough
winning which is a monstrous
2186
01:09:04,730 --> 01:09:04,740
winning which is a monstrous
2187
01:09:04,740 --> 01:09:07,430
winning which is a monstrous
extravagance mrs. Molly we are at war we
2188
01:09:07,430 --> 01:09:07,440
extravagance mrs. Molly we are at war we
2189
01:09:07,440 --> 01:09:12,550
extravagance mrs. Molly we are at war we
won it is not over it must continue oh
2190
01:09:12,550 --> 01:09:12,560
2191
01:09:12,560 --> 01:09:19,450
no I did not know that
2192
01:09:19,450 --> 01:09:19,460
2193
01:09:19,460 --> 01:09:21,050
lady gaga
2194
01:09:21,050 --> 01:09:21,060
lady gaga
2195
01:09:21,060 --> 01:09:29,530
lady gaga
as star is born I won't come in lady
2196
01:09:29,530 --> 01:09:29,540
2197
01:09:29,540 --> 01:09:36,070
next time you can clean up your own mess
2198
01:09:36,070 --> 01:09:36,080
2199
01:09:36,080 --> 01:09:39,220
Melissa McCarthy can you ever forgive me
2200
01:09:39,220 --> 01:09:39,230
Melissa McCarthy can you ever forgive me
2201
01:09:39,230 --> 01:09:43,390
Melissa McCarthy can you ever forgive me
it wasn't her in my work was it I mean
2202
01:09:43,390 --> 01:09:43,400
it wasn't her in my work was it I mean
2203
01:09:43,400 --> 01:09:49,930
it wasn't her in my work was it I mean
if I had put in my work and I would have
2204
01:09:49,930 --> 01:09:49,940
if I had put in my work and I would have
2205
01:09:49,940 --> 01:09:55,930
if I had put in my work and I would have
been opening myself up to criticism and
2206
01:09:55,930 --> 01:09:55,940
been opening myself up to criticism and
2207
01:09:55,940 --> 01:10:09,880
been opening myself up to criticism and
I'm too much of a coward to do that
2208
01:10:09,880 --> 01:10:09,890
2209
01:10:09,890 --> 01:10:20,410
and the Oscar goes to Olivia Colman this
2210
01:10:20,410 --> 01:10:20,420
and the Oscar goes to Olivia Colman this
2211
01:10:20,420 --> 01:10:23,590
and the Oscar goes to Olivia Colman this
is the first Oscar and nomination for
2212
01:10:23,590 --> 01:10:23,600
is the first Oscar and nomination for
2213
01:10:23,600 --> 01:10:24,770
is the first Oscar and nomination for
Olivia Colman
2214
01:10:24,770 --> 01:10:24,780
Olivia Colman
2215
01:10:24,780 --> 01:10:36,740
Olivia Colman
[Applause]
2216
01:10:36,740 --> 01:10:36,750
[Applause]
2217
01:10:36,750 --> 01:10:43,000
[Applause]
[Music]
2218
01:10:43,000 --> 01:10:43,010
[Music]
2219
01:10:43,010 --> 01:11:07,439
[Music]
[Applause]
2220
01:11:07,439 --> 01:11:07,449
2221
01:11:07,449 --> 01:11:28,630
oh it's genuinely quite stressful
2222
01:11:28,630 --> 01:11:28,640
2223
01:11:28,640 --> 01:11:32,390
I have to thank lots of people if by the
2224
01:11:32,390 --> 01:11:32,400
I have to thank lots of people if by the
2225
01:11:32,400 --> 01:11:33,950
I have to thank lots of people if by the
way I forget anybody I'm gonna find you
2226
01:11:33,950 --> 01:11:33,960
way I forget anybody I'm gonna find you
2227
01:11:33,960 --> 01:11:35,180
way I forget anybody I'm gonna find you
later I'm gonna give you all the message
2228
01:11:35,180 --> 01:11:35,190
later I'm gonna give you all the message
2229
01:11:35,190 --> 01:11:37,040
later I'm gonna give you all the message
smog and I'm really sorry if I might
2230
01:11:37,040 --> 01:11:37,050
smog and I'm really sorry if I might
2231
01:11:37,050 --> 01:11:40,700
smog and I'm really sorry if I might
forget now but your course my best
2232
01:11:40,700 --> 01:11:40,710
forget now but your course my best
2233
01:11:40,710 --> 01:11:44,510
forget now but your course my best
director in the best film and with Emily
2234
01:11:44,510 --> 01:11:44,520
director in the best film and with Emily
2235
01:11:44,520 --> 01:11:46,790
director in the best film and with Emily
and Rachel the two loveliest woman in
2236
01:11:46,790 --> 01:11:46,800
and Rachel the two loveliest woman in
2237
01:11:46,800 --> 01:11:49,430
and Rachel the two loveliest woman in
the world to fall in love with and to go
2238
01:11:49,430 --> 01:11:49,440
the world to fall in love with and to go
2239
01:11:49,440 --> 01:11:50,540
the world to fall in love with and to go
to work with every day
2240
01:11:50,540 --> 01:11:50,550
to work with every day
2241
01:11:50,550 --> 01:11:53,060
to work with every day
I mean you can imagine it wasn't a
2242
01:11:53,060 --> 01:11:53,070
I mean you can imagine it wasn't a
2243
01:11:53,070 --> 01:11:57,140
I mean you can imagine it wasn't a
hardship and to be to be in this
2244
01:11:57,140 --> 01:11:57,150
hardship and to be to be in this
2245
01:11:57,150 --> 01:11:58,610
hardship and to be to be in this
category with these extraordinary women
2246
01:11:58,610 --> 01:11:58,620
category with these extraordinary women
2247
01:11:58,620 --> 01:12:00,709
category with these extraordinary women
and Glenn Close I
2248
01:12:00,709 --> 01:12:00,719
and Glenn Close I
2249
01:12:00,719 --> 01:12:02,479
and Glenn Close I
you've been my idol for so long and this
2250
01:12:02,479 --> 01:12:02,489
you've been my idol for so long and this
2251
01:12:02,489 --> 01:12:05,030
you've been my idol for so long and this
is not how I wanted it to be and I think
2252
01:12:05,030 --> 01:12:05,040
is not how I wanted it to be and I think
2253
01:12:05,040 --> 01:12:08,680
is not how I wanted it to be and I think
you're amazing and let me very much I
2254
01:12:08,680 --> 01:12:08,690
you're amazing and let me very much I
2255
01:12:08,690 --> 01:12:11,229
you're amazing and let me very much I
love you all
2256
01:12:11,229 --> 01:12:11,239
love you all
2257
01:12:11,239 --> 01:12:14,750
love you all
Thank You Lyndee King my agent who took
2258
01:12:14,750 --> 01:12:14,760
Thank You Lyndee King my agent who took
2259
01:12:14,760 --> 01:12:17,000
Thank You Lyndee King my agent who took
me on over 20 years ago thank you so
2260
01:12:17,000 --> 01:12:17,010
me on over 20 years ago thank you so
2261
01:12:17,010 --> 01:12:23,270
me on over 20 years ago thank you so
much and olive and Hildy and Brynner who
2262
01:12:23,270 --> 01:12:23,280
much and olive and Hildy and Brynner who
2263
01:12:23,280 --> 01:12:25,400
much and olive and Hildy and Brynner who
made me do things I thought I said no to
2264
01:12:25,400 --> 01:12:25,410
made me do things I thought I said no to
2265
01:12:25,410 --> 01:12:32,950
made me do things I thought I said no to
but she was right and my mama my dad
2266
01:12:32,950 --> 01:12:32,960
2267
01:12:32,960 --> 01:12:36,049
will you know and then
2268
01:12:36,049 --> 01:12:36,059
will you know and then
2269
01:12:36,059 --> 01:12:38,750
will you know and then
my kids are at home and watching look
2270
01:12:38,750 --> 01:12:38,760
my kids are at home and watching look
2271
01:12:38,760 --> 01:12:41,299
my kids are at home and watching look
well if you're not then we'll kind of
2272
01:12:41,299 --> 01:12:41,309
well if you're not then we'll kind of
2273
01:12:41,309 --> 01:12:44,930
well if you're not then we'll kind of
well done but sort of sort of hope you
2274
01:12:44,930 --> 01:12:44,940
well done but sort of sort of hope you
2275
01:12:44,940 --> 01:12:47,419
well done but sort of sort of hope you
are this is not going to happen again
2276
01:12:47,419 --> 01:12:47,429
are this is not going to happen again
2277
01:12:47,429 --> 01:12:53,299
are this is not going to happen again
and and any little girl who's who's
2278
01:12:53,299 --> 01:12:53,309
and and any little girl who's who's
2279
01:12:53,309 --> 01:12:55,160
and and any little girl who's who's
practicing my speech on the telly you
2280
01:12:55,160 --> 01:12:55,170
practicing my speech on the telly you
2281
01:12:55,170 --> 01:12:58,910
practicing my speech on the telly you
never know and when I I used to work as
2282
01:12:58,910 --> 01:12:58,920
never know and when I I used to work as
2283
01:12:58,920 --> 01:13:01,069
never know and when I I used to work as
a cleaner and I loved that job I did
2284
01:13:01,069 --> 01:13:01,079
a cleaner and I loved that job I did
2285
01:13:01,079 --> 01:13:02,990
a cleaner and I loved that job I did
spend quite a lot of my time imagining
2286
01:13:02,990 --> 01:13:03,000
spend quite a lot of my time imagining
2287
01:13:03,000 --> 01:13:04,370
spend quite a lot of my time imagining
it so please wrap up right okay
2288
01:13:04,370 --> 01:13:04,380
it so please wrap up right okay
2289
01:13:04,380 --> 01:13:10,700
it so please wrap up right okay
and thank you and my husband Edie
2290
01:13:10,700 --> 01:13:10,710
and thank you and my husband Edie
2291
01:13:10,710 --> 01:13:14,299
and thank you and my husband Edie
my best friend I love you so much
2292
01:13:14,299 --> 01:13:14,309
my best friend I love you so much
2293
01:13:14,309 --> 01:13:16,010
my best friend I love you so much
25 years Matt you've been my best
2294
01:13:16,010 --> 01:13:16,020
25 years Matt you've been my best
2295
01:13:16,020 --> 01:13:23,290
25 years Matt you've been my best
supporter he's gonna cry I'm not and
2296
01:13:23,290 --> 01:13:23,300
supporter he's gonna cry I'm not and
2297
01:13:23,300 --> 01:13:27,200
supporter he's gonna cry I'm not and
thank you so much I I fucked everybody
2298
01:13:27,200 --> 01:13:27,210
thank you so much I I fucked everybody
2299
01:13:27,210 --> 01:13:30,669
thank you so much I I fucked everybody
everybody the cars the crew Francis
2300
01:13:30,669 --> 01:13:30,679
everybody the cars the crew Francis
2301
01:13:30,679 --> 01:13:36,430
everybody the cars the crew Francis
thank you thank you so much Oh Lady gaga
2302
01:13:36,430 --> 01:13:36,440
thank you thank you so much Oh Lady gaga
2303
01:13:36,440 --> 01:13:48,170
thank you thank you so much Oh Lady gaga
[Applause]
2304
01:13:48,170 --> 01:13:48,180
[Applause]
2305
01:13:48,180 --> 01:13:51,180
[Applause]
coming up the Academy Award for
2306
01:13:51,180 --> 01:13:51,190
coming up the Academy Award for
2307
01:13:51,190 --> 01:13:54,330
coming up the Academy Award for
directing and Julia Roberts presents
2308
01:13:54,330 --> 01:13:54,340
directing and Julia Roberts presents
2309
01:13:54,340 --> 01:13:57,170
directing and Julia Roberts presents
Best Picture we'll be back in a moment
2310
01:13:57,170 --> 01:13:57,180
Best Picture we'll be back in a moment
2311
01:13:57,180 --> 01:14:00,509
Best Picture we'll be back in a moment
[Music]
2312
01:14:00,509 --> 01:14:00,519
2313
01:14:00,519 --> 01:14:04,100
the Oscars on ABC brought to you by
2314
01:14:04,100 --> 01:14:04,110
the Oscars on ABC brought to you by
2315
01:14:04,110 --> 01:14:05,669
the Oscars on ABC brought to you by
Walmart
2316
01:14:05,669 --> 01:14:05,679
Walmart
2317
01:14:05,679 --> 01:14:08,189
Walmart
see how we style the Stars behind the
2318
01:14:08,189 --> 01:14:08,199
see how we style the Stars behind the
2319
01:14:08,199 --> 01:14:15,509
see how we style the Stars behind the
scenes in Walmart fashion please welcome
2320
01:14:15,509 --> 01:14:15,519
scenes in Walmart fashion please welcome
2321
01:14:15,519 --> 01:14:18,029
scenes in Walmart fashion please welcome
last year's winner of the Academy Award
2322
01:14:18,029 --> 01:14:18,039
last year's winner of the Academy Award
2323
01:14:18,039 --> 01:14:20,840
last year's winner of the Academy Award
for directing Guillermo del Toro
2324
01:14:20,840 --> 01:14:20,850
for directing Guillermo del Toro
2325
01:14:20,850 --> 01:14:21,280
for directing Guillermo del Toro
[Music]
2326
01:14:21,280 --> 01:14:21,290
[Music]
2327
01:14:21,290 --> 01:14:25,320
[Music]
[Applause]
2328
01:14:25,320 --> 01:14:25,330
2329
01:14:25,330 --> 01:14:28,200
[Music]
2330
01:14:28,200 --> 01:14:28,210
[Music]
2331
01:14:28,210 --> 01:14:32,610
[Music]
thank you yesterday I have a fever I was
2332
01:14:32,610 --> 01:14:32,620
thank you yesterday I have a fever I was
2333
01:14:32,620 --> 01:14:34,830
thank you yesterday I have a fever I was
very sick but I wouldn't miss this for
2334
01:14:34,830 --> 01:14:34,840
very sick but I wouldn't miss this for
2335
01:14:34,840 --> 01:14:35,640
very sick but I wouldn't miss this for
the world
2336
01:14:35,640 --> 01:14:35,650
the world
2337
01:14:35,650 --> 01:14:38,550
the world
yeah I am today because I feel a great
2338
01:14:38,550 --> 01:14:38,560
yeah I am today because I feel a great
2339
01:14:38,560 --> 01:14:40,770
yeah I am today because I feel a great
kinship with this award and with the
2340
01:14:40,770 --> 01:14:40,780
kinship with this award and with the
2341
01:14:40,780 --> 01:14:43,500
kinship with this award and with the
people it honors no matter what name is
2342
01:14:43,500 --> 01:14:43,510
people it honors no matter what name is
2343
01:14:43,510 --> 01:14:45,660
people it honors no matter what name is
in this envelope and I had not peeked of
2344
01:14:45,660 --> 01:14:45,670
in this envelope and I had not peeked of
2345
01:14:45,670 --> 01:14:48,390
in this envelope and I had not peeked of
cetra fulfillment I want to be here at
2346
01:14:48,390 --> 01:14:48,400
cetra fulfillment I want to be here at
2347
01:14:48,400 --> 01:14:50,610
cetra fulfillment I want to be here at
this very moment because each of the
2348
01:14:50,610 --> 01:14:50,620
this very moment because each of the
2349
01:14:50,620 --> 01:14:53,250
this very moment because each of the
nominees in this category tonight has
2350
01:14:53,250 --> 01:14:53,260
nominees in this category tonight has
2351
01:14:53,260 --> 01:14:56,220
nominees in this category tonight has
made passionate personal films and all
2352
01:14:56,220 --> 01:14:56,230
made passionate personal films and all
2353
01:14:56,230 --> 01:14:57,540
made passionate personal films and all
of them will leave tonight with those
2354
01:14:57,540 --> 01:14:57,550
of them will leave tonight with those
2355
01:14:57,550 --> 01:15:00,240
of them will leave tonight with those
films untouched there will be the same
2356
01:15:00,240 --> 01:15:00,250
films untouched there will be the same
2357
01:15:00,250 --> 01:15:02,670
films untouched there will be the same
the very same films they were when we
2358
01:15:02,670 --> 01:15:02,680
the very same films they were when we
2359
01:15:02,680 --> 01:15:04,680
the very same films they were when we
all walked in into the ceremony and for
2360
01:15:04,680 --> 01:15:04,690
all walked in into the ceremony and for
2361
01:15:04,690 --> 01:15:10,989
all walked in into the ceremony and for
that you can be very proud
2362
01:15:10,989 --> 01:15:10,999
2363
01:15:10,999 --> 01:15:13,479
here are the nominees for achievement in
2364
01:15:13,479 --> 01:15:13,489
here are the nominees for achievement in
2365
01:15:13,489 --> 01:15:21,399
here are the nominees for achievement in
directing Spike Lee black Landsman pathi
2366
01:15:21,399 --> 01:15:21,409
directing Spike Lee black Landsman pathi
2367
01:15:21,409 --> 01:15:25,189
directing Spike Lee black Landsman pathi
pathi makovski cold war
2368
01:15:25,189 --> 01:15:25,199
pathi makovski cold war
2369
01:15:25,199 --> 01:15:30,930
pathi makovski cold war
jurgis lanthum us the favorite Alfonso
2370
01:15:30,930 --> 01:15:30,940
jurgis lanthum us the favorite Alfonso
2371
01:15:30,940 --> 01:15:40,360
jurgis lanthum us the favorite Alfonso
Cuaron Roma Adam McKay vice
2372
01:15:40,360 --> 01:15:40,370
2373
01:15:40,370 --> 01:15:43,310
and the Oscar goes to
2374
01:15:43,310 --> 01:15:43,320
and the Oscar goes to
2375
01:15:43,320 --> 01:15:46,460
and the Oscar goes to
and his name I can't pronounce Alfonso
2376
01:15:46,460 --> 01:15:46,470
and his name I can't pronounce Alfonso
2377
01:15:46,470 --> 01:15:53,350
and his name I can't pronounce Alfonso
cuarón
2378
01:15:53,350 --> 01:15:53,360
2379
01:15:53,360 --> 01:15:56,560
this is the fourth Oscar for Alfonso
2380
01:15:56,560 --> 01:15:56,570
this is the fourth Oscar for Alfonso
2381
01:15:56,570 --> 01:15:59,880
this is the fourth Oscar for Alfonso
Cuaron his second win tonight
2382
01:15:59,880 --> 01:15:59,890
Cuaron his second win tonight
2383
01:15:59,890 --> 01:16:01,450
Cuaron his second win tonight
[Applause]
2384
01:16:01,450 --> 01:16:01,460
[Applause]
2385
01:16:01,460 --> 01:16:01,700
[Applause]
[Music]
2386
01:16:01,700 --> 01:16:01,710
[Music]
2387
01:16:01,710 --> 01:16:02,910
[Music]
[Applause]
2388
01:16:02,910 --> 01:16:02,920
[Applause]
2389
01:16:02,920 --> 01:16:06,150
[Applause]
[Music]
2390
01:16:06,150 --> 01:16:06,160
[Music]
2391
01:16:06,160 --> 01:16:09,230
[Music]
[Applause]
2392
01:16:09,230 --> 01:16:09,240
[Applause]
2393
01:16:09,240 --> 01:16:12,250
[Applause]
[Music]
2394
01:16:12,250 --> 01:16:12,260
[Music]
2395
01:16:12,260 --> 01:16:24,760
[Music]
[Applause]
2396
01:16:24,760 --> 01:16:24,770
[Applause]
2397
01:16:24,770 --> 01:16:27,770
[Applause]
thank you so much being here doesn't get
2398
01:16:27,770 --> 01:16:27,780
thank you so much being here doesn't get
2399
01:16:27,780 --> 01:16:31,930
thank you so much being here doesn't get
old I hope by Guillermo doesn't get old
2400
01:16:31,930 --> 01:16:31,940
old I hope by Guillermo doesn't get old
2401
01:16:31,940 --> 01:16:36,200
old I hope by Guillermo doesn't get old
I want to thank so many people obviously
2402
01:16:36,200 --> 01:16:36,210
I want to thank so many people obviously
2403
01:16:36,210 --> 01:16:38,720
I want to thank so many people obviously
jellied supper issue and Modena tavira
2404
01:16:38,720 --> 01:16:38,730
jellied supper issue and Modena tavira
2405
01:16:38,730 --> 01:16:41,750
jellied supper issue and Modena tavira
they are the film they are truly the
2406
01:16:41,750 --> 01:16:41,760
they are the film they are truly the
2407
01:16:41,760 --> 01:16:47,840
they are the film they are truly the
film amazing cast and crew Gabrielle
2408
01:16:47,840 --> 01:16:47,850
film amazing cast and crew Gabrielle
2409
01:16:47,850 --> 01:16:50,359
film amazing cast and crew Gabrielle
Arruda Gabriella Rodriguez and Nicholas
2410
01:16:50,359 --> 01:16:50,369
Arruda Gabriella Rodriguez and Nicholas
2411
01:16:50,369 --> 01:16:56,629
Arruda Gabriella Rodriguez and Nicholas
Ellen my producers David Lindy and
2412
01:16:56,629 --> 01:16:56,639
Ellen my producers David Lindy and
2413
01:16:56,639 --> 01:17:00,350
Ellen my producers David Lindy and
Jonathan King participant media that
2414
01:17:00,350 --> 01:17:00,360
Jonathan King participant media that
2415
01:17:00,360 --> 01:17:03,050
Jonathan King participant media that
surround us I Scott Stuber and Julie
2416
01:17:03,050 --> 01:17:03,060
surround us I Scott Stuber and Julie
2417
01:17:03,060 --> 01:17:09,680
surround us I Scott Stuber and Julie
Fontaine Netflix Kelly Bush and VB
2418
01:17:09,680 --> 01:17:09,690
Fontaine Netflix Kelly Bush and VB
2419
01:17:09,690 --> 01:17:14,479
Fontaine Netflix Kelly Bush and VB
learner I deem and guillermo del toro
2420
01:17:14,479 --> 01:17:14,489
learner I deem and guillermo del toro
2421
01:17:14,489 --> 01:17:16,459
learner I deem and guillermo del toro
Alejandro Gonzalez Inarritu
2422
01:17:16,459 --> 01:17:16,469
Alejandro Gonzalez Inarritu
2423
01:17:16,469 --> 01:17:24,350
Alejandro Gonzalez Inarritu
and Henry Holmes now I have to say I'm
2424
01:17:24,350 --> 01:17:24,360
and Henry Holmes now I have to say I'm
2425
01:17:24,360 --> 01:17:26,300
and Henry Holmes now I have to say I'm
going to get lost in a Bermuda Triangle
2426
01:17:26,300 --> 01:17:26,310
going to get lost in a Bermuda Triangle
2427
01:17:26,310 --> 01:17:31,070
going to get lost in a Bermuda Triangle
here so I better take my notes oh yeah I
2428
01:17:31,070 --> 01:17:31,080
here so I better take my notes oh yeah I
2429
01:17:31,080 --> 01:17:32,600
here so I better take my notes oh yeah I
want to thank the Academy for
2430
01:17:32,600 --> 01:17:32,610
want to thank the Academy for
2431
01:17:32,610 --> 01:17:35,450
want to thank the Academy for
recognizing a film center around an
2432
01:17:35,450 --> 01:17:35,460
recognizing a film center around an
2433
01:17:35,460 --> 01:17:38,419
recognizing a film center around an
indigenous woman one of the seventy
2434
01:17:38,419 --> 01:17:38,429
indigenous woman one of the seventy
2435
01:17:38,429 --> 01:17:40,129
indigenous woman one of the seventy
million domestic workers in the world
2436
01:17:40,129 --> 01:17:40,139
million domestic workers in the world
2437
01:17:40,139 --> 01:17:43,209
million domestic workers in the world
without works without work rights a
2438
01:17:43,209 --> 01:17:43,219
without works without work rights a
2439
01:17:43,219 --> 01:17:45,430
without works without work rights a
character that historically had been
2440
01:17:45,430 --> 01:17:45,440
character that historically had been
2441
01:17:45,440 --> 01:17:49,220
character that historically had been
relegated in the background in cinema as
2442
01:17:49,220 --> 01:17:49,230
relegated in the background in cinema as
2443
01:17:49,230 --> 01:17:51,950
relegated in the background in cinema as
artists our job is to look where others
2444
01:17:51,950 --> 01:17:51,960
artists our job is to look where others
2445
01:17:51,960 --> 01:17:54,919
artists our job is to look where others
don't this responsibility becomes much
2446
01:17:54,919 --> 01:17:54,929
don't this responsibility becomes much
2447
01:17:54,929 --> 01:17:57,140
don't this responsibility becomes much
more important in times when we are
2448
01:17:57,140 --> 01:17:57,150
more important in times when we are
2449
01:17:57,150 --> 01:18:01,209
more important in times when we are
being encouraged to look away
2450
01:18:01,209 --> 01:18:01,219
2451
01:18:01,219 --> 01:18:04,340
muchas gracias Olivo muchas de mi
2452
01:18:04,340 --> 01:18:04,350
muchas gracias Olivo muchas de mi
2453
01:18:04,350 --> 01:18:06,200
muchas gracias Olivo muchas de mi
familia muchas gracias
2454
01:18:06,200 --> 01:18:06,210
familia muchas gracias
2455
01:18:06,210 --> 01:18:10,070
familia muchas gracias
Mexico y sobre todo muchas gracias por
2456
01:18:10,070 --> 01:18:10,080
Mexico y sobre todo muchas gracias por
2457
01:18:10,080 --> 01:18:17,320
Mexico y sobre todo muchas gracias por
nos boy Elmo gracias gracias gracias
2458
01:18:17,320 --> 01:18:17,330
2459
01:18:17,330 --> 01:18:17,470
[Applause]
2460
01:18:17,470 --> 01:18:17,480
[Applause]
2461
01:18:17,480 --> 01:18:20,880
[Applause]
[Music]
2462
01:18:20,880 --> 01:18:20,890
[Music]
2463
01:18:20,890 --> 01:18:23,850
[Music]
coming up next the final award of the
2464
01:18:23,850 --> 01:18:23,860
coming up next the final award of the
2465
01:18:23,860 --> 01:18:26,940
coming up next the final award of the
evening as Julia Roberts presents the
2466
01:18:26,940 --> 01:18:26,950
evening as Julia Roberts presents the
2467
01:18:26,950 --> 01:18:29,560
evening as Julia Roberts presents the
Academy Award for Best Picture
2468
01:18:29,560 --> 01:18:29,570
Academy Award for Best Picture
2469
01:18:29,570 --> 01:18:31,589
Academy Award for Best Picture
[Music]
2470
01:18:31,589 --> 01:18:31,599
[Music]
2471
01:18:31,599 --> 01:18:35,490
[Music]
the Oscars on ABC brought to you by the
2472
01:18:35,490 --> 01:18:35,500
the Oscars on ABC brought to you by the
2473
01:18:35,500 --> 01:18:39,290
the Oscars on ABC brought to you by the
uncompromising Cadillac SUVs
2474
01:18:39,290 --> 01:18:39,300
uncompromising Cadillac SUVs
2475
01:18:39,300 --> 01:18:39,890
uncompromising Cadillac SUVs
[Applause]
2476
01:18:39,890 --> 01:18:39,900
[Applause]
2477
01:18:39,900 --> 01:18:41,990
[Applause]
[Music]
2478
01:18:41,990 --> 01:18:42,000
[Music]
2479
01:18:42,000 --> 01:18:43,670
[Music]
[Applause]
2480
01:18:43,670 --> 01:18:43,680
[Applause]
2481
01:18:43,680 --> 01:18:45,750
[Applause]
ladies and gentlemen please welcome
2482
01:18:45,750 --> 01:18:45,760
ladies and gentlemen please welcome
2483
01:18:45,760 --> 01:18:50,560
ladies and gentlemen please welcome
Academy Award winner Julia Roberts
2484
01:18:50,560 --> 01:18:50,570
Academy Award winner Julia Roberts
2485
01:18:50,570 --> 01:18:52,080
Academy Award winner Julia Roberts
[Applause]
2486
01:18:52,080 --> 01:18:52,090
[Applause]
2487
01:18:52,090 --> 01:18:55,740
[Applause]
[Music]
2488
01:18:55,740 --> 01:18:55,750
2489
01:18:55,750 --> 01:19:01,280
[Applause]
2490
01:19:01,280 --> 01:19:01,290
2491
01:19:01,290 --> 01:19:03,720
over the course of the evening we've
2492
01:19:03,720 --> 01:19:03,730
over the course of the evening we've
2493
01:19:03,730 --> 01:19:05,729
over the course of the evening we've
seen highlights from eight films
2494
01:19:05,729 --> 01:19:05,739
seen highlights from eight films
2495
01:19:05,739 --> 01:19:08,280
seen highlights from eight films
nominated for Best Picture each is
2496
01:19:08,280 --> 01:19:08,290
nominated for Best Picture each is
2497
01:19:08,290 --> 01:19:11,280
nominated for Best Picture each is
unique in this story being told each is
2498
01:19:11,280 --> 01:19:11,290
unique in this story being told each is
2499
01:19:11,290 --> 01:19:14,280
unique in this story being told each is
different in its appeal but they prove
2500
01:19:14,280 --> 01:19:14,290
different in its appeal but they prove
2501
01:19:14,290 --> 01:19:16,919
different in its appeal but they prove
once again that regardless of who you
2502
01:19:16,919 --> 01:19:16,929
once again that regardless of who you
2503
01:19:16,929 --> 01:19:20,879
once again that regardless of who you
are or where you live these are films
2504
01:19:20,879 --> 01:19:20,889
are or where you live these are films
2505
01:19:20,889 --> 01:19:24,270
are or where you live these are films
that connect us to one another once
2506
01:19:24,270 --> 01:19:24,280
that connect us to one another once
2507
01:19:24,280 --> 01:19:26,609
that connect us to one another once
again here are the nominees for Best
2508
01:19:26,609 --> 01:19:26,619
again here are the nominees for Best
2509
01:19:26,619 --> 01:19:37,240
again here are the nominees for Best
Picture black panther black Klansmen
2510
01:19:37,240 --> 01:19:37,250
2511
01:19:37,250 --> 01:19:40,800
Bohemian Rhapsody
2512
01:19:40,800 --> 01:19:40,810
2513
01:19:40,810 --> 01:19:42,690
the favorite
2514
01:19:42,690 --> 01:19:42,700
the favorite
2515
01:19:42,700 --> 01:19:44,850
the favorite
[Music]
2516
01:19:44,850 --> 01:19:44,860
[Music]
2517
01:19:44,860 --> 01:19:46,230
[Music]
Green Book
2518
01:19:46,230 --> 01:19:46,240
Green Book
2519
01:19:46,240 --> 01:19:48,819
Green Book
[Music]
2520
01:19:48,819 --> 01:19:48,829
[Music]
2521
01:19:48,829 --> 01:19:51,290
[Music]
Wilma
2522
01:19:51,290 --> 01:19:51,300
Wilma
2523
01:19:51,300 --> 01:19:56,649
Wilma
a star is born
2524
01:19:56,649 --> 01:19:56,659
2525
01:19:56,659 --> 01:20:12,510
vice and the Oscar goes to Green Book
2526
01:20:12,510 --> 01:20:12,520
2527
01:20:12,520 --> 01:20:15,490
green book has five Academy Award
2528
01:20:15,490 --> 01:20:15,500
green book has five Academy Award
2529
01:20:15,500 --> 01:20:17,830
green book has five Academy Award
nominations this year winning three
2530
01:20:17,830 --> 01:20:17,840
nominations this year winning three
2531
01:20:17,840 --> 01:20:20,070
nominations this year winning three
Oscars actor in a supporting role
2532
01:20:20,070 --> 01:20:20,080
Oscars actor in a supporting role
2533
01:20:20,080 --> 01:20:23,560
Oscars actor in a supporting role
Original Screenplay and Best Picture
2534
01:20:23,560 --> 01:20:23,570
Original Screenplay and Best Picture
2535
01:20:23,570 --> 01:20:28,110
Original Screenplay and Best Picture
[Applause]
2536
01:20:28,110 --> 01:20:28,120
[Applause]
2537
01:20:28,120 --> 01:20:36,880
[Applause]
[Music]
2538
01:20:36,880 --> 01:20:36,890
[Music]
2539
01:20:36,890 --> 01:20:55,280
[Music]
[Applause]
2540
01:20:55,280 --> 01:20:55,290
[Applause]
2541
01:20:55,290 --> 01:20:58,710
[Applause]
Aloha and thank you to the members of
2542
01:20:58,710 --> 01:20:58,720
Aloha and thank you to the members of
2543
01:20:58,720 --> 01:21:02,970
Aloha and thank you to the members of
the Academy it's such a privilege this
2544
01:21:02,970 --> 01:21:02,980
the Academy it's such a privilege this
2545
01:21:02,980 --> 01:21:08,280
the Academy it's such a privilege this
is like a dream we need to start by
2546
01:21:08,280 --> 01:21:08,290
is like a dream we need to start by
2547
01:21:08,290 --> 01:21:10,020
is like a dream we need to start by
thanking our friends at participant
2548
01:21:10,020 --> 01:21:10,030
thanking our friends at participant
2549
01:21:10,030 --> 01:21:12,030
thanking our friends at participant
media who have been with us all along
2550
01:21:12,030 --> 01:21:12,040
media who have been with us all along
2551
01:21:12,040 --> 01:21:17,220
media who have been with us all along
the way thanks for their belief yeah we
2552
01:21:17,220 --> 01:21:17,230
the way thanks for their belief yeah we
2553
01:21:17,230 --> 01:21:19,980
the way thanks for their belief yeah we
keep looking over look Universal and E 1
2554
01:21:19,980 --> 01:21:19,990
keep looking over look Universal and E 1
2555
01:21:19,990 --> 01:21:23,970
keep looking over look Universal and E 1
and Lionsgate cinetic and Angelotti and
2556
01:21:23,970 --> 01:21:23,980
and Lionsgate cinetic and Angelotti and
2557
01:21:23,980 --> 01:21:26,130
and Lionsgate cinetic and Angelotti and
I personally want to thank Kristina and
2558
01:21:26,130 --> 01:21:26,140
I personally want to thank Kristina and
2559
01:21:26,140 --> 01:21:27,540
I personally want to thank Kristina and
Maddy and all the Berks and all the
2560
01:21:27,540 --> 01:21:27,550
Maddy and all the Berks and all the
2561
01:21:27,550 --> 01:21:31,850
Maddy and all the Berks and all the
Simpkins we made this film with love and
2562
01:21:31,850 --> 01:21:31,860
Simpkins we made this film with love and
2563
01:21:31,860 --> 01:21:35,340
Simpkins we made this film with love and
we made it with tenderness and we made
2564
01:21:35,340 --> 01:21:35,350
we made it with tenderness and we made
2565
01:21:35,350 --> 01:21:38,310
we made it with tenderness and we made
it with respect and it was all done
2566
01:21:38,310 --> 01:21:38,320
it with respect and it was all done
2567
01:21:38,320 --> 01:21:40,680
it with respect and it was all done
under the under the direction of Pete
2568
01:21:40,680 --> 01:21:40,690
under the under the direction of Pete
2569
01:21:40,690 --> 01:21:45,110
under the under the direction of Pete
Farrelly Pete's been an honor yeah
2570
01:21:45,110 --> 01:21:45,120
Farrelly Pete's been an honor yeah
2571
01:21:45,120 --> 01:21:48,240
Farrelly Pete's been an honor yeah
thank you very much you know this is
2572
01:21:48,240 --> 01:21:48,250
thank you very much you know this is
2573
01:21:48,250 --> 01:21:50,550
thank you very much you know this is
he's right this is the whole story is
2574
01:21:50,550 --> 01:21:50,560
he's right this is the whole story is
2575
01:21:50,560 --> 01:21:52,350
he's right this is the whole story is
about love it's about loving each other
2576
01:21:52,350 --> 01:21:52,360
about love it's about loving each other
2577
01:21:52,360 --> 01:21:54,330
about love it's about loving each other
and despite our differences and finding
2578
01:21:54,330 --> 01:21:54,340
and despite our differences and finding
2579
01:21:54,340 --> 01:21:56,700
and despite our differences and finding
out the truth about who we are we're the
2580
01:21:56,700 --> 01:21:56,710
out the truth about who we are we're the
2581
01:21:56,710 --> 01:21:59,340
out the truth about who we are we're the
same people and this doesn't start by
2582
01:21:59,340 --> 01:21:59,350
same people and this doesn't start by
2583
01:21:59,350 --> 01:22:02,970
same people and this doesn't start by
the way without viggo mortensen right
2584
01:22:02,970 --> 01:22:02,980
the way without viggo mortensen right
2585
01:22:02,980 --> 01:22:06,390
the way without viggo mortensen right
there we have no movie all these awards
2586
01:22:06,390 --> 01:22:06,400
there we have no movie all these awards
2587
01:22:06,400 --> 01:22:09,600
there we have no movie all these awards
are because Vigo and Maher Shula and
2588
01:22:09,600 --> 01:22:09,610
are because Vigo and Maher Shula and
2589
01:22:09,610 --> 01:22:12,120
are because Vigo and Maher Shula and
Linda but it started with Vigo and I
2590
01:22:12,120 --> 01:22:12,130
Linda but it started with Vigo and I
2591
01:22:12,130 --> 01:22:14,100
Linda but it started with Vigo and I
give you this my friend also you may
2592
01:22:14,100 --> 01:22:14,110
give you this my friend also you may
2593
01:22:14,110 --> 01:22:15,330
give you this my friend also you may
have noticed I didn't get to thank a lot
2594
01:22:15,330 --> 01:22:15,340
have noticed I didn't get to thank a lot
2595
01:22:15,340 --> 01:22:17,310
have noticed I didn't get to thank a lot
of people before so I'm gonna jump in I
2596
01:22:17,310 --> 01:22:17,320
of people before so I'm gonna jump in I
2597
01:22:17,320 --> 01:22:20,160
of people before so I'm gonna jump in I
want to thank Steven Spielberg Ron Mar
2598
01:22:20,160 --> 01:22:20,170
want to thank Steven Spielberg Ron Mar
2599
01:22:20,170 --> 01:22:25,160
want to thank Steven Spielberg Ron Mar
Bryan and Aileen Roberts Octavia Spencer
2600
01:22:25,160 --> 01:22:25,170
2601
01:22:25,170 --> 01:22:28,440
Chris Bowers Donna Langley Jeff small
2602
01:22:28,440 --> 01:22:28,450
Chris Bowers Donna Langley Jeff small
2603
01:22:28,450 --> 01:22:30,660
Chris Bowers Donna Langley Jeff small
Tom Wolfe and Manish Ravel Ellen do
2604
01:22:30,660 --> 01:22:30,670
Tom Wolfe and Manish Ravel Ellen do
2605
01:22:30,670 --> 01:22:32,760
Tom Wolfe and Manish Ravel Ellen do
Michelle bill Kirby who was the first
2606
01:22:32,760 --> 01:22:32,770
Michelle bill Kirby who was the first
2607
01:22:32,770 --> 01:22:34,080
Michelle bill Kirby who was the first
writer I ever knew
2608
01:22:34,080 --> 01:22:34,090
writer I ever knew
2609
01:22:34,090 --> 01:22:37,440
writer I ever knew
Patsy hai Minton Calvin Kwame Parker I
2610
01:22:37,440 --> 01:22:37,450
Patsy hai Minton Calvin Kwame Parker I
2611
01:22:37,450 --> 01:22:40,440
Patsy hai Minton Calvin Kwame Parker I
want to thank quarto Wilford I wrote
2612
01:22:40,440 --> 01:22:40,450
want to thank quarto Wilford I wrote
2613
01:22:40,450 --> 01:22:42,420
want to thank quarto Wilford I wrote
because of you and I want to thank my
2614
01:22:42,420 --> 01:22:42,430
because of you and I want to thank my
2615
01:22:42,430 --> 01:22:44,400
because of you and I want to thank my
sister Kathy she died a week before we
2616
01:22:44,400 --> 01:22:44,410
sister Kathy she died a week before we
2617
01:22:44,410 --> 01:22:46,110
sister Kathy she died a week before we
started shooting this but she never left
2618
01:22:46,110 --> 01:22:46,120
started shooting this but she never left
2619
01:22:46,120 --> 01:22:51,150
started shooting this but she never left
my side hey thanks very much real is for
2620
01:22:51,150 --> 01:22:51,160
my side hey thanks very much real is for
2621
01:22:51,160 --> 01:22:53,070
my side hey thanks very much real is for
the Academy but I just want to dedicate
2622
01:22:53,070 --> 01:22:53,080
the Academy but I just want to dedicate
2623
01:22:53,080 --> 01:22:55,890
the Academy but I just want to dedicate
this to our great oh you can't hear me I
2624
01:22:55,890 --> 01:22:55,900
this to our great oh you can't hear me I
2625
01:22:55,900 --> 01:22:58,140
this to our great oh you can't hear me I
want to dedicate it to our great friend
2626
01:22:58,140 --> 01:22:58,150
want to dedicate it to our great friend
2627
01:22:58,150 --> 01:23:00,690
want to dedicate it to our great friend
Carrie Fisher
2628
01:23:00,690 --> 01:23:00,700
Carrie Fisher
2629
01:23:00,700 --> 01:23:08,220
Carrie Fisher
[Applause]
2630
01:23:08,220 --> 01:23:08,230
[Applause]
2631
01:23:08,230 --> 01:23:10,369
[Applause]
[Music]
2632
01:23:10,369 --> 01:23:10,379
[Music]
2633
01:23:10,379 --> 01:23:12,979
[Music]
well apparently that wraps up the 91st
2634
01:23:12,979 --> 01:23:12,989
well apparently that wraps up the 91st
2635
01:23:12,989 --> 01:23:14,959
well apparently that wraps up the 91st
Academy Awards I would like to say
2636
01:23:14,959 --> 01:23:14,969
Academy Awards I would like to say
2637
01:23:14,969 --> 01:23:17,239
Academy Awards I would like to say
congratulations to all the nominees and
2638
01:23:17,239 --> 01:23:17,249
congratulations to all the nominees and
2639
01:23:17,249 --> 01:23:19,969
congratulations to all the nominees and
goodnight to Bradley Cooper's mother and
2640
01:23:19,969 --> 01:23:19,979
goodnight to Bradley Cooper's mother and
2641
01:23:19,979 --> 01:23:27,709
goodnight to Bradley Cooper's mother and
my children and thank you for watching
2642
01:23:27,709 --> 01:23:27,719
2643
01:23:27,719 --> 01:23:29,669
congratulations to all of tonight's
2644
01:23:29,669 --> 01:23:29,679
congratulations to all of tonight's
2645
01:23:29,679 --> 01:23:31,740
congratulations to all of tonight's
honorees from Marriott Bond boy xxx
2646
01:23:31,740 --> 01:23:31,750
honorees from Marriott Bond boy xxx
2647
01:23:31,750 --> 01:23:34,410
honorees from Marriott Bond boy xxx
hotel brands endless experiences rewards
2648
01:23:34,410 --> 01:23:34,420
hotel brands endless experiences rewards
2649
01:23:34,420 --> 01:23:36,479
hotel brands endless experiences rewards
reimagined explore the program at
2650
01:23:36,479 --> 01:23:36,489
reimagined explore the program at
2651
01:23:36,489 --> 01:23:39,899
reimagined explore the program at
Marriott comm air transportation for the
2652
01:23:39,899 --> 01:23:39,909
Marriott comm air transportation for the
2653
01:23:39,909 --> 01:23:42,570
Marriott comm air transportation for the
Academy Awards provided by Delta
2654
01:23:42,570 --> 01:23:42,580
Academy Awards provided by Delta
2655
01:23:42,580 --> 01:23:47,780
Academy Awards provided by Delta
Airlines
2656
01:23:47,780 --> 01:23:47,790
2657
01:23:47,790 --> 01:23:50,600
led in projection services provided in
2658
01:23:50,600 --> 01:23:50,610
led in projection services provided in
2659
01:23:50,610 --> 01:23:53,060
led in projection services provided in
part by Sonova
2660
01:23:53,060 --> 01:23:53,070
part by Sonova
2661
01:23:53,070 --> 01:24:12,160
part by Sonova
[Music]
2662
01:24:12,160 --> 01:24:12,170
2663
01:24:12,170 --> 01:25:21,600
[Music]
2664
01:25:21,600 --> 01:25:21,610
2665
01:25:21,610 --> 01:25:33,530
[Music]
2666
01:25:33,530 --> 01:25:33,540
2667
01:25:33,540 --> 01:26:54,790
you
2668
01:26:54,790 --> 01:26:54,800
2669
01:26:54,800 --> 01:26:56,830
all members of the Academy who are
2670
01:26:56,830 --> 01:26:56,840
all members of the Academy who are
2671
01:26:56,840 --> 01:26:58,570
all members of the Academy who are
eligible are invited to vote their
2672
01:26:58,570 --> 01:26:58,580
eligible are invited to vote their
2673
01:26:58,580 --> 01:27:00,520
eligible are invited to vote their
nominations for Best Picture in most
2674
01:27:00,520 --> 01:27:00,530
nominations for Best Picture in most
2675
01:27:00,530 --> 01:27:02,350
nominations for Best Picture in most
other categories the nominations are
2676
01:27:02,350 --> 01:27:02,360
other categories the nominations are
2677
01:27:02,360 --> 01:27:04,180
other categories the nominations are
decided by a vote of the members working
2678
01:27:04,180 --> 01:27:04,190
decided by a vote of the members working
2679
01:27:04,190 --> 01:27:06,190
decided by a vote of the members working
in that specific category then the
2680
01:27:06,190 --> 01:27:06,200
in that specific category then the
2681
01:27:06,200 --> 01:27:08,110
in that specific category then the
entire membership chooses from those
2682
01:27:08,110 --> 01:27:08,120
entire membership chooses from those
2683
01:27:08,120 --> 01:27:10,420
entire membership chooses from those
nominations the recipients of the Oscars
2684
01:27:10,420 --> 01:27:10,430
nominations the recipients of the Oscars
2685
01:27:10,430 --> 01:27:12,640
nominations the recipients of the Oscars
and finally the results of all the
2686
01:27:12,640 --> 01:27:12,650
and finally the results of all the
2687
01:27:12,650 --> 01:27:14,530
and finally the results of all the
secret voting are known only to the
2688
01:27:14,530 --> 01:27:14,540
secret voting are known only to the
2689
01:27:14,540 --> 01:27:16,060
secret voting are known only to the
independent accounting firm at
2690
01:27:16,060 --> 01:27:16,070
independent accounting firm at
2691
01:27:16,070 --> 01:27:18,340
independent accounting firm at
PricewaterhouseCoopers until the sealed
2692
01:27:18,340 --> 01:27:18,350
PricewaterhouseCoopers until the sealed
2693
01:27:18,350 --> 01:27:22,590
PricewaterhouseCoopers until the sealed
envelopes are opened on here
2694
01:27:22,590 --> 01:27:22,600
2695
01:27:22,600 --> 01:27:27,330
[Music]
228549
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.