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1
00:00:16,850 --> 00:00:19,085
ARE YOU GONNA SWITCH
THE CARBURETOR BACK AFTER YOU PASS EMISSIONS?
2
00:00:19,119 --> 00:00:20,754
WASN�T PLANNING ON IT.
3
00:00:20,787 --> 00:00:22,923
I�D PLAN ON IT
IF I WAS YOU.
4
00:00:22,956 --> 00:00:25,425
YOU�VE GOT A SERIOUS
DEFICIENCY IN HORSEPOWER.
5
00:00:25,458 --> 00:00:27,060
HOW DO YOU KNOW?
6
00:00:27,093 --> 00:00:30,831
A CAR SHOULD RUN
AT LEAST AS POWERFUL AS THE AUTOMAKERS INTENDED.
7
00:00:30,864 --> 00:00:32,065
MINIMUM.
8
00:00:32,098 --> 00:00:33,433
JOEY, IF I CHECK
THE ODOMETER,
9
00:00:33,466 --> 00:00:35,536
IS IT GONNA READ
85,362?
10
00:00:35,569 --> 00:00:37,638
COULD BE 8 INSTEAD OF 2,
THE LAST NUMBER.
11
00:00:39,105 --> 00:00:41,007
SO ME ASKIN� YOU
DON�T DRIVE IT
12
00:00:41,041 --> 00:00:42,909
TILL WE�RE TOTALLY
ROAD?WORTHY WAS WHAT??
13
00:00:42,943 --> 00:00:44,511
JUST BREEZE
IN YOUR FACE?
14
00:00:44,545 --> 00:00:45,912
I DRIVE A BUS, OK?
15
00:00:45,946 --> 00:00:47,948
I NEEDED
TO FEEL SOMETHING WITH A LITTLE PUNCH.
16
00:00:47,981 --> 00:00:49,349
I�LL GIVE YOU
A LITTLE PUNCH.
17
00:00:49,382 --> 00:00:51,752
I KNOW ABOUT YOU COPS
AND YOUR STREET JUSTICE.
18
00:00:51,785 --> 00:00:53,587
YOU�RE STILL DRIVING HER
UP TO CAMP SMITH THIS WEEKEND, RIGHT?
19
00:00:53,620 --> 00:00:55,589
MAYBE.
20
00:00:55,622 --> 00:00:56,757
WHAT THEY GOT YOU DOIN�?
21
00:00:56,790 --> 00:00:58,525
I GOTTA RUN AN M?16 RANGE
22
00:00:58,559 --> 00:01:00,126
FOR MPs TRYING TO QUALIFY.
23
00:01:00,160 --> 00:01:01,261
YOU?
24
00:01:01,294 --> 00:01:04,264
OIL CHANGES
ON 40 HUMVEES.
25
00:01:06,099 --> 00:01:08,068
COME ON, JOEY,
YOU GOTTA WORK.
26
00:01:08,101 --> 00:01:10,203
WHAT�S THE BIG DEAL?
ONE GOOD PISS, AND I�M FINE.
27
00:01:10,236 --> 00:01:12,405
YOU KNOW, YOU�RE NOT
GONNA BE SUCH A SMART?ASS
28
00:01:12,438 --> 00:01:14,575
IF YOUR DISPATCHER
MAKES YOU DRUNK AND YOU LOSE YOUR JOB.
29
00:01:14,608 --> 00:01:16,643
I BEEN GETTIN� THIS GUY
EVERY DAY FOR A WHILE.
30
00:01:16,677 --> 00:01:19,780
HE GETS ON AT AMSTERDAM
AND 95th.
31
00:01:19,813 --> 00:01:21,381
HE STANDS IN THE MIDDLE
OF THE AISLE.
32
00:01:21,414 --> 00:01:24,117
TWICE NOW, SOME LADY
HAS SLAPPED HIM.
33
00:01:24,150 --> 00:01:27,287
THIS LAST TIME, I ASK
IF ANYTHING IS WRONG.
34
00:01:27,320 --> 00:01:30,724
SHE SAYS THIS GUY
JUST GROPED HER.
35
00:01:30,757 --> 00:01:32,893
HE GOES,
"THE BUS LURCHED."
36
00:01:32,926 --> 00:01:34,728
AND HE BUMPED INTO HER.
37
00:01:34,761 --> 00:01:36,597
WELL, I KNOW A GUY
IN TRANSIT DIVISION.
38
00:01:36,630 --> 00:01:38,732
YOU WANT ME
TO TALK TO HIM?
39
00:01:38,765 --> 00:01:42,302
IF ANYBODY�S GONNA
HANDLE THAT PERV, IT�S ME.
40
00:01:42,335 --> 00:01:43,770
OK, DANNY?
41
00:01:45,005 --> 00:01:46,973
OK, MR.
LAW ENFORCEMENT?!
42
00:01:49,475 --> 00:01:52,746
JOEY, YOU GO GET YOURSELF
A COUPLE OF SLICES AND A CUP OF COFFEE
43
00:01:52,779 --> 00:01:54,748
BEFORE YOU GO TO WORK.
44
00:01:54,781 --> 00:01:56,683
I�M SERIOUS, JOEY.
45
00:01:56,717 --> 00:01:58,251
THERE�S GONNA BE NO FIXIN�
THIS CAR TOMORROW MORNING.
46
00:01:58,284 --> 00:01:59,986
THERE�S GONNA BE NO
DRIVIN� IT UP THERE.
47
00:02:00,020 --> 00:02:01,187
THERE�S GONNA BE NO FUN,
PERIOD.
48
00:02:05,491 --> 00:02:07,694
[TO "WIZARD OF OZ"]
I�M OFF TO LENNY�S PIZZA
49
00:02:07,728 --> 00:02:09,963
TO GET MY 2 SLICES
50
00:02:09,996 --> 00:02:13,534
AND THE COFFEE
WE BOTH KNOW HE MAKES THE NIGHT BEFORE
51
00:02:13,567 --> 00:02:16,169
AND WON�T THROW OUT,
THE CHEAP BASTARD!
52
00:02:23,343 --> 00:02:25,378
SAME TIME
TOMORROW MORNING?
53
00:02:25,411 --> 00:02:27,614
YEAH. 5 A. M.
54
00:02:27,648 --> 00:02:31,284
I�LL BRING YOU
MY PIZZA CRUSTS FOR PROOF.
55
00:02:31,317 --> 00:02:35,188
UNCHAIN THESE GIRLS
BEFORE YOU GO. PLEASE.
56
00:02:50,370 --> 00:02:51,772
[ELEVATOR BELL DINGS]
57
00:02:52,939 --> 00:02:54,407
WE�RE OFF THE ELEVATOR.
58
00:02:56,610 --> 00:02:58,979
THAT�S WHAT THAT DING
WAS ABOUT.
59
00:02:59,012 --> 00:03:00,581
Woman:
I HAVE NOTHING TO CONTRIBUTE.
60
00:03:00,614 --> 00:03:02,182
Russell: IF WE COULD
JUST GET YOUR NAME?
61
00:03:02,215 --> 00:03:04,150
DORIS STEINMAN.
62
00:03:04,184 --> 00:03:08,589
I�M, UH,
37 YEARS OF AGE.
63
00:03:08,622 --> 00:03:10,591
D.O.A.�s FEMALE.
ESTHER EARLE.
64
00:03:10,624 --> 00:03:11,758
LIVED IN 4A.
65
00:03:11,792 --> 00:03:14,027
THAT LADY FOUND HER.
66
00:03:14,060 --> 00:03:16,997
I TAKE THE ELEVATOR
TO THE FIRST FLOOR EVERY MORNING,
67
00:03:17,030 --> 00:03:19,165
AND THEN I RUN
UP THE STAIRS TO MY FLOOR.
68
00:03:19,199 --> 00:03:20,567
Martinez: YOU LIVE
IN APARTMENT 12A?
69
00:03:20,601 --> 00:03:22,703
MORNING.
YEAH, MORNING.
70
00:03:22,736 --> 00:03:24,037
HEY, GREG.
71
00:03:24,070 --> 00:03:26,439
I�M ON FLOOR 12.
CORRECT.
72
00:03:26,472 --> 00:03:30,476
THE, UH, STAIRS IS
THE AEROBIC COMPONENT OF MY EXERCISE REGIME.
73
00:03:34,581 --> 00:03:35,949
[SIGHS]
74
00:03:35,982 --> 00:03:37,884
CHOKED AND BEATEN.
75
00:03:37,918 --> 00:03:39,986
AND SHE WAS WRAPPED UP
AND DUMPED HERE.
76
00:03:42,789 --> 00:03:44,457
I GUESS WE OUGHT
TO CHECK HER APARTMENT.
77
00:03:49,295 --> 00:03:50,631
BEHIND YA.
78
00:03:53,266 --> 00:03:56,402
THAT AND A STRONG CUP
OF COFFEE EVERY MORNING,
79
00:03:56,436 --> 00:03:58,672
YOU�D HIT THE FLOOR RUNNIN�.
80
00:05:21,254 --> 00:05:23,724
WHAT ARE YOU DOIN�?
81
00:05:23,757 --> 00:05:25,491
CATCHIN� MY BREATH.
82
00:05:32,198 --> 00:05:33,834
CAN I TALK TO YOU
ABOUT SOMETHIN�?
83
00:05:36,002 --> 00:05:38,304
I�M NOT SO SURE
I AIN�T GOT HALF A SITUATION BREWIN� UP
84
00:05:38,338 --> 00:05:39,873
WITH A FRIEND OF MINE
FROM THE SERVICE.
85
00:05:39,906 --> 00:05:41,542
WHAT TYPE SITUATION?
86
00:05:41,575 --> 00:05:43,176
I�M WORRIED FOR HIM,
YOU KNOW?
87
00:05:43,209 --> 00:05:44,377
FOR HIS EMOTIONAL
WELL?BEING.
88
00:05:44,410 --> 00:05:46,012
WHAT�S HE DOING?
89
00:05:46,046 --> 00:05:48,214
HE�S GOT ANGER AND
DIFFICULTY ADJUSTING??
90
00:05:48,248 --> 00:05:50,483
IT�S HARD FOR HIM
TO DEAL WITH.
91
00:05:50,517 --> 00:05:53,554
AND BEIN�
THE GOOD GUY HE IS, HE LAUGHS IT OFF,
92
00:05:53,587 --> 00:05:55,388
HE TRIES MAKIN� A JOKE
ABOUT EVERYTHING,
93
00:05:55,421 --> 00:05:57,157
BUT I CAN TELL
IT�S SNEAKIN� IN ON HIM.
94
00:05:57,190 --> 00:06:00,561
YOU EVER SEEN HIM
LOSE HIS TEMPER?
95
00:06:00,594 --> 00:06:03,730
UPSET, WHEN WE SAW
SOME SAD THINGS IN THE SERVICE,
96
00:06:03,764 --> 00:06:05,098
BUT I�VE NEVER
SEEN HIM BLOW.
97
00:06:07,568 --> 00:06:09,235
WE GOT RESERVE DUTY
THIS WEEKEND.
98
00:06:09,269 --> 00:06:11,772
I�M GONNA HAVE
A GOOD TALK WITH JOEY.
99
00:06:16,577 --> 00:06:18,244
THAT�S GOOD ADVICE,
ANDY.
100
00:06:19,780 --> 00:06:22,215
ANY REASON TO LIKE THE WOMAN
WHO FOUND THE D. O. A.?
101
00:06:22,248 --> 00:06:25,786
NAH. SHE FOUND HER �CAUSE
SHE RUNS THE STAIRS INSIDE THE BUILDING
102
00:06:25,819 --> 00:06:27,120
6:15 EVERY MORNING.
103
00:06:27,153 --> 00:06:28,454
WHAT�D THE NEIGHBORS SAY?
104
00:06:28,488 --> 00:06:30,891
THEY DIDN�T SEE THE D.O.A.
AROUND MUCH.
105
00:06:30,924 --> 00:06:33,627
FROM NOW ON, THEY AIN�T
GONNA BE SEEIN� HER AROUND AT ALL.
106
00:06:33,660 --> 00:06:36,129
AS FAR AS THAT GOES,
SHE WAS ON RESTRICTED INCOME.
107
00:06:36,162 --> 00:06:39,733
HER HUSBAND WAS KILLED
A COUPLE OF YEARS AGO BY A GYPSY CAB DRIVER.
108
00:06:39,766 --> 00:06:41,702
YEAH, HE LET
HIS LIFE INSURANCE LAPSE.
109
00:06:41,735 --> 00:06:44,938
SO WE�LL DO FOLLOW?UP CALLS
ON THE NOT?AT?HOMES?
110
00:06:44,971 --> 00:06:49,710
I DON�T KNOW. THERE�S
A LOT OF OTHER LIVE LEADS TO PURSUE.
111
00:06:49,743 --> 00:06:52,278
CRIME SCENE�S PROCESSING
THE D. O. A.�s APARTMENT.
112
00:06:52,312 --> 00:06:53,814
WE�LL GO CHECK HOW
THEY�RE DOIN� WITH THAT?
113
00:06:55,916 --> 00:06:58,118
WHY�D THEY CLOSE
THE DOOR?
114
00:06:58,151 --> 00:07:01,454
YOU WANNA GET A SUBPOENA
FROM THE D. A.�s OFFICE FOR THE D. O. A.�s PHONE?
115
00:07:01,487 --> 00:07:02,823
YEAH.
116
00:07:06,960 --> 00:07:08,829
[CLEARING THROAT]
117
00:07:13,700 --> 00:07:15,936
Sipowicz:
THERE�S THAT FRIGHT WIG FROM THE CRIME SCENE.
118
00:07:15,969 --> 00:07:19,172
HAS SOMETHING FOR
THE YOUNG DETECTIVE.
119
00:07:19,205 --> 00:07:21,575
OH, THE YOUNG
DETECTIVE.
120
00:07:21,608 --> 00:07:24,845
THE HANDSOME
YOUNG DETECTIVE WITH THE SHORT HAIR.
121
00:07:30,216 --> 00:07:31,317
[SOBS]
122
00:07:37,791 --> 00:07:40,293
I�M DETECTIVE SORENSON.
123
00:07:40,326 --> 00:07:42,162
DORIS STEINMAN.
124
00:07:42,195 --> 00:07:44,965
MY COLLEAGUES SAID YOU�VE
GOT INFORMATION FOR ME.
125
00:07:44,998 --> 00:07:47,968
COULD WE TALK
SOMEWHERE... SEQUESTERED?
126
00:07:48,001 --> 00:07:49,335
SURE.
127
00:07:59,479 --> 00:08:01,181
THANK YOU FOR TALKING
TO ME PRIVATELY.
128
00:08:08,522 --> 00:08:09,389
THANK YOU.
129
00:08:15,361 --> 00:08:16,730
YOU HAVE LOVELY MANNERS.
130
00:08:16,763 --> 00:08:18,264
THANK YOU.
131
00:08:20,033 --> 00:08:22,002
CERTAIN MATTERS
I�M MORE COMFORTABLE
132
00:08:22,035 --> 00:08:24,538
ADDRESSING WITH A YOUNG MAN
LIKE YOURSELF,
133
00:08:24,571 --> 00:08:28,374
STILL CONNECTED TO HIS
BODILY NEEDS AND DESIRES,
134
00:08:28,408 --> 00:08:31,344
WHICH PERHAPS AN OLDER MAN
LIKE YOUR PARTNER ISN�T.
135
00:08:31,377 --> 00:08:33,346
ALL RIGHT, MRS. STEINMAN,
136
00:08:33,379 --> 00:08:35,716
WHY DON�T YOU TELL ME
WHAT YOU NEED TO?
137
00:08:40,286 --> 00:08:42,689
[STIFLED SOB]
138
00:08:49,963 --> 00:08:54,200
THERE�S A TENANT IN 3B
139
00:08:54,234 --> 00:08:56,369
WHO�S BEEN ATTENDING
TO THE NEEDS AND DESIRES
140
00:08:56,402 --> 00:08:58,204
OF SOME OF THE WOMEN
IN THE BUILDING.
141
00:08:58,238 --> 00:09:01,708
WHEN HE SATISFIES THESE
WOMEN�S NEEDS AND DESIRES,
142
00:09:01,742 --> 00:09:03,544
DOES HE CHARGE THEM MONEY?
143
00:09:03,577 --> 00:09:05,546
YES.
144
00:09:05,579 --> 00:09:07,113
BUT THAT
DOESN�T KEEP HIM
145
00:09:07,147 --> 00:09:09,282
FROM SEEING YOU
AS A PERSON.
146
00:09:09,315 --> 00:09:10,717
WHAT�S
THIS TENANT�S NAME?
147
00:09:10,751 --> 00:09:12,553
RAUL.
148
00:09:12,586 --> 00:09:14,555
RAUL...
149
00:09:14,588 --> 00:09:17,891
RAUL MONTEZ OF 3B.
150
00:09:17,924 --> 00:09:22,462
DO YOU THINK RAUL MAY HAVE
BEEN INVOLVED IN THE DEATH OF MRS. EARLE?
151
00:09:22,495 --> 00:09:24,397
WAS HE SERVICING HER,
DO YOU KNOW?
152
00:09:24,430 --> 00:09:28,769
WELL, WHAT RAUL TOLD ME
RECENTLY...
153
00:09:28,802 --> 00:09:32,973
HE??HE TOLD ME HE WAS
ONLY SERVICING ME,
154
00:09:33,006 --> 00:09:35,208
BUT AFTER
A CONVERSATION I HAD
155
00:09:35,241 --> 00:09:37,611
WITH CLAUDIA FILMET,
IN 4F,
156
00:09:37,644 --> 00:09:40,647
I HAVE REASON
TO DOUBT HIS VERACITY.
157
00:09:40,681 --> 00:09:44,217
SO, IF YOU WERE TO ASK ME
TO GUESS THIS MORNING,
158
00:09:44,250 --> 00:09:47,988
I�D BET HE WAS STICKING IT
TO EVERY WOMAN IN THE BUILDING.
159
00:09:48,021 --> 00:09:50,991
AND HE VERY WELL
MAY BE YOUR KILLER.
160
00:09:51,024 --> 00:09:54,394
SO YOU GONNA ARREST HIM?
161
00:09:54,427 --> 00:09:58,331
UM, IT�S A GOOD LEAD,
MRS. STEINMAN,
162
00:09:58,364 --> 00:10:00,433
BUT IT�S A LITTLE
PRELIMINARY FOR THAT.
163
00:10:00,466 --> 00:10:02,769
WELL, IF YOU DO
ARREST HIM,
164
00:10:02,803 --> 00:10:05,005
YOU MAKE SURE
165
00:10:05,038 --> 00:10:09,475
THAT YOU GIVE HIM
A GOOD BEATING BEFORE YOU BRING HIM IN.
166
00:10:21,354 --> 00:10:22,856
YOU WANNA HEAR
SOMETHING FRIGHTENING?
167
00:10:22,889 --> 00:10:25,325
WHEN I WAS DRINKIN�,
168
00:10:25,358 --> 00:10:27,928
MANY EVENINGS I�D HAVE
THROWN A HUMP INTO HER.
169
00:10:27,961 --> 00:10:29,930
SHE SAYS A GIGOLO WAS
LIVING IN THE BUILDING.
170
00:10:29,963 --> 00:10:31,765
MIGHT�VE BEEN BANGING
THE D. O. A.
171
00:10:31,798 --> 00:10:35,101
SAYS HE WAS BANGING
THE BUILDING�S WHOLE FEMALE POPULATION.
172
00:10:35,135 --> 00:10:36,136
IT�S A BIG BUILDING.
173
00:10:36,169 --> 00:10:37,638
3B. RAUL MONTEZ.
174
00:10:37,671 --> 00:10:40,106
[RING]
175
00:10:40,140 --> 00:10:41,241
15th SQUAD.
176
00:10:44,978 --> 00:10:46,112
SO YOU�RE AN ASSHOLE.
177
00:10:46,146 --> 00:10:48,248
WHAT ARE YOU
TELLIN� ME FOR?
178
00:10:49,716 --> 00:10:51,952
OH, YOU�RE A GROPIST,
TOO?
179
00:10:51,985 --> 00:10:53,954
WHAT IS THAT,
A FARMERS� GROUP?
180
00:10:53,987 --> 00:10:55,188
YOU GOT SOMETHIN� ELSE
FOR ME?
181
00:10:59,059 --> 00:11:00,460
PERV?
182
00:11:00,493 --> 00:11:02,262
SECOND THOUGHTS.
CONFESSIN� HIS SINS.
183
00:11:04,264 --> 00:11:08,368
NO ANSWER IN 3B
WHEN THEY CANVASSED.
184
00:11:08,401 --> 00:11:12,238
MAYBE, UH, RUN THIS GIGOLO
THROUGH B. C. I.?
185
00:11:12,272 --> 00:11:15,175
YEAH, YEAH,
LET ME FIND OUT RAUL�S STORY.
186
00:11:17,578 --> 00:11:20,480
[RING]
187
00:11:20,514 --> 00:11:22,448
15th SQUAD.
188
00:11:25,852 --> 00:11:27,487
OH, YEAH?
189
00:11:27,521 --> 00:11:31,391
YOU�RE HIS AIDE AND
SPIRITUAL ADVISOR?
190
00:11:31,424 --> 00:11:32,726
HEY, THESE CALLS
ARE RECORDED,
191
00:11:32,759 --> 00:11:34,427
AND THEY CAN BE
TRACED, ALL RIGHT?
192
00:11:34,460 --> 00:11:36,162
YOU FOLLOW ME?
193
00:11:36,196 --> 00:11:38,832
NO, I DON�T EVEN WANT TO
THINK WHAT STUPID?ASS STUNT YOU PULLED
194
00:11:38,865 --> 00:11:40,667
PUT YOU ISSUIN�
THAT SICK TWITCH ORDERS,
195
00:11:40,701 --> 00:11:43,436
BUT YOU BETTER GET
THE HELL OFF THE PHONE AND BEAT FEET,
196
00:11:43,469 --> 00:11:46,206
PUT SOME DISTANCE
BETWEEN YOU AND HIM IMMEDIATELY.
197
00:11:48,809 --> 00:11:51,211
�CAUSE THE BOTH OF YOU
ARE BOTH ASSHOLES, ALL RIGHT, PAL?
198
00:11:51,244 --> 00:11:53,446
AND YOU�RE A BIGGER ONE,
�CAUSE YOU OUGHT TO KNOW BETTER,
199
00:11:53,479 --> 00:11:55,749
AND YOU�RE THE ONE
WHO�S GONNA GET JAMMED.
200
00:11:59,419 --> 00:12:00,621
[EXASPERATED SIGH]
201
00:12:00,654 --> 00:12:02,556
JERK�S PLAYIN�
PHONE GAMES.
202
00:12:02,589 --> 00:12:04,357
WELL, YOU GAVE HIM
A THOROUGH TALKIN�?TO.
203
00:12:04,390 --> 00:12:07,794
YEAH, IT MAKES US
WASTE OUR TIME.
204
00:12:07,828 --> 00:12:09,963
YOU WANNA CONTACT B. C. I.?
205
00:12:09,996 --> 00:12:11,798
YEAH.
206
00:12:11,832 --> 00:12:14,000
YEAH, I WOULD.
207
00:12:16,069 --> 00:12:18,404
YOU KNOW WHAT, ANDY?
208
00:12:18,438 --> 00:12:19,940
WOULD YOU MIND DOIN� IT?
209
00:12:19,973 --> 00:12:21,942
NO.
210
00:12:21,975 --> 00:12:24,077
YEAH, �CAUSE I WANNA...
211
00:12:24,110 --> 00:12:26,079
I�M GONNA TAKE SOME
LOST TIME, YOU KNOW?
212
00:12:26,112 --> 00:12:29,482
I WAS GONNA SAY I WANNA
WALK AROUND THE BLOCK AND CLEAR MY HEAD,
213
00:12:29,516 --> 00:12:33,720
BUT LET ME JUST GO AHEAD
AND TAKE A COUPLE HOURS OF LOST TIME.
214
00:12:33,754 --> 00:12:36,422
YEAH, LET ME
GO TELL THE BOSS THAT.
215
00:12:38,291 --> 00:12:41,628
HOW SPECIFIC
DOES HE WANT YOU ON YOUR REASONS?
216
00:12:41,662 --> 00:12:44,430
WE�RE WORKIN� A MURDER.
HE PROBABLY DON�T WANT YOU LEAVIN� OFF A HEAD COLD.
217
00:12:44,464 --> 00:12:46,499
ANDY, BELIEVE ME??
218
00:12:46,533 --> 00:12:48,969
MAYBE EXPLAIN TO HIM YOUR
ANTI?CRANK CALL COUNSELING
219
00:12:49,002 --> 00:12:50,336
NEEDS PERSONAL FOLLOW?UP.
220
00:12:54,374 --> 00:12:57,110
SAY YOU GOT
AN URGENT SITUATION.
221
00:12:57,143 --> 00:12:59,613
HE DON�T MAKE YOU GIVE
CHAPTER AND VERSE.
222
00:12:59,646 --> 00:13:01,314
YEAH? GOOD.
223
00:13:07,521 --> 00:13:08,689
YEAH?
224
00:13:08,722 --> 00:13:11,291
BOSS, I GOT A SITUATION
I NEED LOST TIME FOR.
225
00:13:11,324 --> 00:13:13,159
AN URGENT SITUATION.
226
00:13:13,193 --> 00:13:14,460
ANYTHING I CAN DO?
227
00:13:14,494 --> 00:13:16,296
IT SHOULD JUST BE
A COUPLE HOURS.
228
00:13:16,329 --> 00:13:18,464
ANDY�S GOT YOUR WORK?
229
00:13:18,498 --> 00:13:19,465
YEAH.
230
00:13:19,499 --> 00:13:22,435
THIS WON�T BE A HABIT.
231
00:13:22,468 --> 00:13:24,805
JUST AN URGENT THING
CAME UP SUDDENLY THAT I GOT SOME CONCERN ABOUT.
232
00:13:29,843 --> 00:13:31,144
Sipowicz:
HOLD ON A SECOND.
233
00:13:31,177 --> 00:13:32,646
DON�T GET OVER YOUR HEAD.
234
00:13:32,679 --> 00:13:33,714
NO.
235
00:13:33,747 --> 00:13:34,715
YOU HEAR ME?
236
00:13:34,748 --> 00:13:35,816
YEAH, I UNDERSTAND.
237
00:13:52,032 --> 00:13:53,667
NYPD!
238
00:13:53,700 --> 00:13:56,336
WHAT HAPPENED, JOEY?
WHERE�S THE GUY?
239
00:13:56,369 --> 00:14:00,574
THE GROPIST TRIBUNAL
SENTENCED PASSENGER X
240
00:14:00,607 --> 00:14:03,143
TO DO AN EMISSIONS TEST
ON OUR CAR,
241
00:14:03,176 --> 00:14:04,645
AND HE PASSED US
WITH FLYING COLORS.
242
00:14:04,678 --> 00:14:06,847
YOU GRABBED HIM OFF YOUR BUS,
AND YOU BROUGHT HIM HERE?
243
00:14:06,880 --> 00:14:08,815
HE HAD EXITED MY BUS
244
00:14:08,849 --> 00:14:10,817
FOLLOWING ANOTHER
EPISODE OF GRAB?ASS.
245
00:14:10,851 --> 00:14:13,153
THEN I BROUGHT HIM HERE
TO DO THE EMISSIONS TEST.
246
00:14:13,186 --> 00:14:14,655
WHAT HAPPENS TO YOUR BUS?
247
00:14:14,688 --> 00:14:16,690
PASSENGER X
AND I TAKE A CAB.
248
00:14:16,723 --> 00:14:18,992
WHAT HAPPENS TO YOUR BUS,
JOEY, WHILE YOU�RE BRINGIN� HIM OVER HERE?
249
00:14:19,025 --> 00:14:21,695
MY BUS IS AT THE CURB,
PARKED SAFELY.
250
00:14:21,728 --> 00:14:24,397
WITH THE PASSENGERS INSIDE
WONDERIN� WHAT THE HELL IS GOIN� ON?
251
00:14:24,430 --> 00:14:26,633
THERE�S ALWAYS
ANOTHER BUS.
252
00:14:29,035 --> 00:14:30,671
WHAT�S IN
YOUR POCKET, JOEY?
253
00:14:30,704 --> 00:14:31,738
THAT...
254
00:14:31,772 --> 00:14:32,939
WOULD BE A WEAPON.
255
00:14:32,973 --> 00:14:36,677
FORMERLY
IN PASSENGER X�s POSSESSION.
256
00:14:36,710 --> 00:14:38,378
GIVE IT TO ME.
NO.
257
00:14:38,411 --> 00:14:42,448
JOEY, CAN WE ELIMINATE
ONE OF THE JACKPOTS YOU GOT WORKIN�?
258
00:14:42,482 --> 00:14:44,885
IF THIS IDIOT YOU LET GO
BRINGS THE COPS THROUGH THE DOOR,
259
00:14:44,918 --> 00:14:46,452
I DON�T WANT YOU
HOLDIN� A GUN.
260
00:14:46,486 --> 00:14:48,188
HE�S NOT BRINGIN�
THE COPS BACK.
261
00:14:48,221 --> 00:14:50,724
WHAT, THE GUN�S ILLEGAL?
HE DON�T WANT THE COPS INVOLVED?
262
00:14:50,757 --> 00:14:51,892
DANNY...
263
00:14:51,925 --> 00:14:54,561
WHAT?
264
00:14:54,595 --> 00:14:57,430
STEP TO THE REAR
OF THE VEHICLE, PLEASE.
265
00:15:04,337 --> 00:15:06,607
OPEN THE TRUNK, OFFICER.
266
00:15:10,343 --> 00:15:13,079
HERE...IS PASSENGER X.
267
00:15:13,113 --> 00:15:14,981
WHERE HE�S OVERCOME HIMSELF
WITH REMORSE
268
00:15:15,015 --> 00:15:17,951
AND TRUSSED HIMSELF LIKE
AN UGLY GROPIST PIG.
269
00:15:17,984 --> 00:15:19,720
WHAT IS THE MATTER
WITH YOU?
270
00:15:19,753 --> 00:15:21,121
GIMME THE DAMN GUN,
JOEY!
271
00:15:21,154 --> 00:15:23,223
NO! �CAUSE I GOTTA USE IT
AS A STARTER�S PISTOL,
272
00:15:23,256 --> 00:15:25,291
�CAUSE I�M ABOUT READY
TO BLOW MY HEAD OFF
273
00:15:25,325 --> 00:15:26,727
AND I NEED THE GUN
TO MAKE THE PLAN WORK.
274
00:15:26,760 --> 00:15:28,294
ALL RIGHT. STOP.
275
00:15:28,328 --> 00:15:30,396
STOP.
276
00:15:30,430 --> 00:15:31,998
DON�T DO NOTHIN�.
277
00:15:32,032 --> 00:15:34,868
AND I�M NOT
GONNA DO NOTHIN�. ALL RIGHT, JOEY?
278
00:15:36,503 --> 00:15:38,104
ALL RIGHT?
279
00:15:38,138 --> 00:15:38,839
ALL RIGHT.
280
00:15:38,872 --> 00:15:40,340
RELAX.
281
00:15:40,373 --> 00:15:43,510
I�M NOT GONNA
DO NOTHIN� YET.
282
00:15:43,544 --> 00:15:45,612
NOW YOU, PASSENGER X,
TALK AMONGST YOURSELF.
283
00:15:56,056 --> 00:15:57,323
[CLEARING THROAT]
284
00:16:00,527 --> 00:16:02,596
YOU KNOW
WHERE THIS KID IS?
285
00:16:02,629 --> 00:16:03,830
YOU SAID
HE TOOK LOST TIME.
286
00:16:03,864 --> 00:16:05,398
YEAH.
287
00:16:08,401 --> 00:16:09,570
PFFFT!
288
00:16:11,371 --> 00:16:12,973
[SIGHS]
289
00:16:13,006 --> 00:16:14,474
WHERE DO YOU THINK HE IS?
290
00:16:14,508 --> 00:16:17,878
INVOLVED
IN SOME QUAGMIRE
291
00:16:17,911 --> 00:16:20,280
WITH AN IDIOT FRIEND
HE�S GOT.
292
00:16:20,313 --> 00:16:21,915
[SIGHS]
293
00:16:25,218 --> 00:16:26,720
RAUL MONTEZ.
294
00:16:29,089 --> 00:16:32,058
RAUL,
I�M DETECTIVE SIPOWICZ.
295
00:16:32,092 --> 00:16:34,227
I DIDN�T REALIZE
YOU WERE COMING BY.
296
00:16:34,260 --> 00:16:38,665
A WOMAN WHERE I WORK OUT
SAID YOU WERE LOOKING TO, UH, TALK TO ME?
297
00:16:38,699 --> 00:16:40,166
WHO WAS THAT?
298
00:16:40,200 --> 00:16:41,802
DORIS STEINMAN.
299
00:16:41,835 --> 00:16:44,705
COME ON.
LET�S TALK IN HERE.
300
00:16:47,841 --> 00:16:49,876
Sipowicz: HEY.
301
00:16:49,910 --> 00:16:52,212
EYES FRONT BEFORE YOU
FRACTURE YOUR SKULL.
302
00:16:59,052 --> 00:17:01,121
YOU SIT DOWN
OVER THERE.
303
00:17:03,389 --> 00:17:06,226
MRS. STEINMAN TOLD YOU
ABOUT YOUR NEIGHBOR GETTIN� MURDERED?
304
00:17:06,259 --> 00:17:08,595
[SIGHS] MRS. EARLE.
305
00:17:08,629 --> 00:17:10,731
SHE SAYS YOU WERE
TALKING TO EVERYONE IN THE BUILDING.
306
00:17:10,764 --> 00:17:11,898
DID YOU KNOW
MRS. EARLE?
307
00:17:11,932 --> 00:17:14,200
CASUALLY.
308
00:17:14,234 --> 00:17:16,069
CASUALLY,
LIKE TO SAY HELLO TO?
309
00:17:16,102 --> 00:17:17,070
RIGHT.
310
00:17:17,103 --> 00:17:19,172
WHAT ABOUT
MRS. STEINMAN?
311
00:17:19,205 --> 00:17:20,574
THE SAME.
312
00:17:20,607 --> 00:17:21,908
A LITTLE BETTER.
313
00:17:21,942 --> 00:17:23,877
BUT YOU�D STILL PUT HER
UNDER "CASUAL."
314
00:17:23,910 --> 00:17:27,113
I MEAN...
YEAH.
315
00:17:27,147 --> 00:17:32,285
HMM. MRS. STEINMAN SAYS
YOU WERE BANGIN� HER SILLY.
316
00:17:32,318 --> 00:17:33,954
THAT�S EXACTLY
WHY I CAME.
317
00:17:33,987 --> 00:17:35,889
SHE HAD THIS WACKY LOOK
ON HER FACE.
318
00:17:35,922 --> 00:17:37,524
CAME UP TO ME
ON THE TREADMILL.
319
00:17:37,558 --> 00:17:39,459
"THE POLICE ARE GONNA
WANNA TALK TO YOU, RAUL."
320
00:17:39,492 --> 00:17:41,728
THIS MRS. STEINMAN
HARBORS A GRIEVANCE TOWARDS YOU?
321
00:17:41,762 --> 00:17:42,729
OH, MAN.
322
00:17:42,763 --> 00:17:45,398
THE GREEN?EYED
MONSTER.
323
00:17:45,431 --> 00:17:46,733
YOU KNOW
WHAT THAT MEANS?
324
00:17:49,503 --> 00:17:52,739
RAUL, DID YOU EVER
PUT YOUR LOVE WAND
325
00:17:52,773 --> 00:17:54,575
INTO MRS. EARLE
WHO WOUND UP DEAD?
326
00:17:54,608 --> 00:17:56,076
WHOA, WHOA, WHOA,
WHOA, WHOA.
327
00:17:56,109 --> 00:17:58,044
I DON�T COUNT THAT A CRIME.
328
00:17:58,078 --> 00:17:59,980
BUT I�D ALSO LIKE TO MAKE SURE
YOU DIDN�T CROAK HER,
329
00:18:00,013 --> 00:18:04,050
AND YOU BEIN� CANDID
GOES A WAYS TOWARD REASSURING ME.
330
00:18:04,084 --> 00:18:06,419
OK.
331
00:18:06,452 --> 00:18:07,954
LET ME BE HONEST
WITH YOU.
332
00:18:07,988 --> 00:18:09,255
PLEASE.
333
00:18:09,289 --> 00:18:11,391
I DID HAVE SEX
WITH WOMEN IN THAT BUILDING.
334
00:18:11,424 --> 00:18:12,659
INCLUDING MRS. EARLE?
335
00:18:12,693 --> 00:18:13,794
NEVER.
336
00:18:17,430 --> 00:18:20,300
ON WHAT BASIS DIDN�T YOU
HAVE SEX WITH HER?
337
00:18:20,333 --> 00:18:21,467
WHAT DO
YOU MEAN?
338
00:18:21,502 --> 00:18:23,269
WHY�D SHE GET EXCLUDED?
339
00:18:23,303 --> 00:18:26,139
MRS. STEINMAN SAYS YOU BANGED
EVERY WOMAN IN THE BUILDING.
340
00:18:26,172 --> 00:18:28,074
DETECTIVE...
341
00:18:28,108 --> 00:18:29,743
THAT�S A BIG BUILDING.
342
00:18:29,776 --> 00:18:31,277
YOU�VE BEEN IN
THAT BUILDING, RIGHT?
343
00:18:31,311 --> 00:18:33,413
YEAH, IT�S GOOD?SIZED.
344
00:18:33,446 --> 00:18:35,949
IT�S NOT REALISTIC.
345
00:18:35,982 --> 00:18:39,152
SO...YOU�RE SAYIN�
346
00:18:39,185 --> 00:18:43,757
MRS. EARLE WAS AMONG A LOT
OF WOMEN THAT YOU DIDN�T HAVE RELATIONS WITH.
347
00:18:43,790 --> 00:18:46,092
THERE�S 10 WOMEN
IN THAT BUILDING I HAD RELATIONS WITH...
348
00:18:46,126 --> 00:18:47,427
IT�S A LOT.
349
00:18:47,460 --> 00:18:50,363
I GOT IT.
350
00:18:50,396 --> 00:18:51,965
THAT�S THE WHOLE STORY.
351
00:18:51,998 --> 00:18:54,467
AND YOU COME IN HERE
TO TELL ME THAT.
352
00:18:54,500 --> 00:18:57,170
�CAUSE I HAD A SNEAKING
IDEA THAT THAT BITCH WOULD PUT ME WRONG.
353
00:18:57,203 --> 00:19:00,941
RAUL, THANK YOU VERY MUCH.
354
00:19:00,974 --> 00:19:02,709
HEY...
BELIEVE ME.
355
00:19:05,478 --> 00:19:07,548
DETECTIVE.
356
00:19:07,581 --> 00:19:09,082
DO YOU LIKE
COCKTAIL NUTS?
357
00:19:11,818 --> 00:19:13,920
YEAH, I�LL HAVE
AN OCCASIONAL NUT.
358
00:19:15,756 --> 00:19:18,859
THIS IS FOR YOU...
AND YOUR ENTIRE FORCE.
359
00:19:20,561 --> 00:19:21,528
EH?
360
00:19:24,931 --> 00:19:26,499
RAUL,
361
00:19:26,533 --> 00:19:29,169
THANK YOU FROM MY FORCE
FOR THESE NUTS.
362
00:19:37,678 --> 00:19:40,346
OH. WHAT DID "RRRAUL"
HAVE?
363
00:19:40,380 --> 00:19:42,516
THAT�S WHO
THAT BATTLE?AX TOLD SORENSON ABOUT.
364
00:19:42,549 --> 00:19:44,050
THE CASANOVA?
365
00:19:44,084 --> 00:19:46,386
SAID HE DEFINITELY
DIDN�T BANG THE D. O. A.
366
00:19:46,419 --> 00:19:48,755
CAME IN TO VOLUNTEER THAT.
367
00:19:48,789 --> 00:19:50,924
YOU GOTTA WONDER,
IS THAT A GUILTY MIND?
368
00:19:50,957 --> 00:19:52,425
ALTHOUGH SHE WENT
TO BREAK HIS SHOES AT THE GYM,
369
00:19:52,458 --> 00:19:54,027
THAT BATTLE?AX
MRS. STEINMAN??
370
00:19:54,060 --> 00:19:55,495
SAID THAT WE�D BE
WANTIN� TO TALK TO HIM.
371
00:19:55,529 --> 00:19:57,363
SO HE MIGHT�VE COME IN
OFF THAT.
372
00:19:57,397 --> 00:19:59,365
HUH. WHAT�S THE PACKAGE?
373
00:20:01,635 --> 00:20:04,971
HE GIVE ME A COCKTAIL
PEANUT ASSORTMENT FOR THE SQUAD.
374
00:20:08,274 --> 00:20:10,744
UM...I�M LOOKING
FOR DETECTIVE RUSSELL.
375
00:20:10,777 --> 00:20:12,212
I�M DIANE RUSSELL.
376
00:20:12,245 --> 00:20:12,946
I�M IRIS MONTEZ.
377
00:20:14,948 --> 00:20:17,350
YOU LEFT THIS
UNDER MY DOOR. RIGHT.
378
00:20:17,383 --> 00:20:18,619
THANKS FOR COMING IN.
379
00:20:18,652 --> 00:20:21,187
THIS IS, UH, MY PARTNER
JILL KIRKENDALL.
380
00:20:21,221 --> 00:20:22,856
HOW DO YOU DO?
381
00:20:22,889 --> 00:20:23,957
WHY DON�T WE TALK
IN THE COFFEE ROOM?
382
00:20:23,990 --> 00:20:25,258
ALL RIGHT.
383
00:20:25,291 --> 00:20:26,727
UH, WAS ANYONE
LEAVING, IRIS,
384
00:20:26,760 --> 00:20:28,862
WHEN YOU WERE
COMING UP?
385
00:20:28,895 --> 00:20:30,631
Iris: UH, NO.
I DIDN�T SEE ANYONE.
386
00:20:35,669 --> 00:20:39,540
YOU KNOW WHAT SORENSON�S
LOST TIME IS ABOUT?
387
00:20:39,573 --> 00:20:40,774
NO.
388
00:20:47,180 --> 00:20:49,950
WHEN YOU LEFT THE CARD,
I KNEW YOU WANTED TO SPEAK.
389
00:20:49,983 --> 00:20:52,118
WHEN WE WERE
IN YOUR BUILDING THIS MORNING,
390
00:20:52,152 --> 00:20:53,554
WHERE WERE YOU?
391
00:20:53,587 --> 00:20:55,288
I MUST�VE BEEN OUT
SOMEWHERE.
392
00:20:55,321 --> 00:20:57,123
I??I WAS SEEING
MY MOTHER.
393
00:20:57,157 --> 00:20:59,325
OH. WHERE DOES
SHE LIVE? THE BRONX.
394
00:20:59,359 --> 00:21:00,827
YOU WENT TO SEE HER
EARLY.
395
00:21:00,861 --> 00:21:03,296
I DIDN�T SEE ANY STRANGE
COMINGS OR GOINGS.
396
00:21:03,329 --> 00:21:06,332
SEVERAL NEIGHBORS,
I KNOW YOU ASKED THEM THAT.
397
00:21:06,366 --> 00:21:07,901
NO STRANGE MEN
AROUND THE BUILDING?
398
00:21:07,934 --> 00:21:08,935
NO.
399
00:21:08,969 --> 00:21:11,605
HOW WELL DID YOU
KNOW MRS. EARLE?
400
00:21:11,638 --> 00:21:13,940
TO SAY HELLO
IN THE LAUNDRY ROOM.
401
00:21:13,974 --> 00:21:15,942
DO YOU KNOW
IF YOUR HUSBAND KNEW MRS. EARLE?
402
00:21:15,976 --> 00:21:18,444
HE�S VERY BUSY
WITH HIS NUT BUSINESS,
403
00:21:18,478 --> 00:21:20,514
SELLING RETAIL
VARIETY ASSORTMENTS.
404
00:21:20,547 --> 00:21:23,249
IN TERMS OF WHY
WE HAVEN�T BEEN ABLE TO GET IN TOUCH WITH HIM?
405
00:21:23,283 --> 00:21:25,519
HOW HE MIGHT�VE
KNOWN HER.
406
00:21:25,552 --> 00:21:28,555
HE WAS ACTIVE
IN THE BUILDING, SELLING HIS NUTS.
407
00:21:30,356 --> 00:21:32,125
OH.
408
00:21:32,158 --> 00:21:34,961
BUT YOU DON�T KNOW FOR CERTAIN
ONE WAY OR ANOTHER
409
00:21:34,995 --> 00:21:36,597
IF YOUR HUSBAND AND
MRS. EARLE WERE ACQUAINTED?
410
00:21:36,630 --> 00:21:39,432
NO, NOT FOR CERTAIN
IF RAUL KNEW HER.
411
00:21:39,465 --> 00:21:43,203
WELL, UM, THANKS FOR BEING
SO COOPERATIVE, MRS. MONTEZ.
412
00:21:43,236 --> 00:21:45,338
AND I DON�T KNOW WHY
I GET THIS FEELING,
413
00:21:45,371 --> 00:21:47,340
BUT IF YOU WERE
IN YOUR APARTMENT
414
00:21:47,373 --> 00:21:48,675
WHEN WE WERE
IN THE BUILDING EARLIER
415
00:21:48,709 --> 00:21:50,677
AND YOU WERE AFRAID
TO TALK WITH US,
416
00:21:50,711 --> 00:21:52,513
DON�T BE EMBARRASSED
ABOUT THAT.
417
00:21:52,546 --> 00:21:55,381
SOME PEOPLE ARE AFRAID TO
HAVE TO DO WITH THE POLICE.
418
00:21:55,415 --> 00:21:57,450
OH, ONE REASON OR ANOTHER,
419
00:21:57,483 --> 00:22:00,621
SOME PEOPLE TAKE A LITTLE
WHILE COMING FORWARD WITH WHAT THEY KNOW.
420
00:22:00,654 --> 00:22:03,289
AND WE NEVER HOLD THAT
AGAINST THEM, AS LONG AS THEY WEREN�T INVOLVED.
421
00:22:03,323 --> 00:22:04,525
OK.
422
00:22:04,558 --> 00:22:05,659
THANK YOU.
423
00:22:16,402 --> 00:22:17,370
OK, IRIS.
424
00:22:17,403 --> 00:22:18,539
OK.
425
00:22:20,440 --> 00:22:22,843
THE ONLY THING
I CAN THINK OF
426
00:22:22,876 --> 00:22:25,345
IS HE WAS USING
THE DOWNSTAIRS JOHN WHEN SHE WAS WALKING IN.
427
00:22:25,378 --> 00:22:26,847
THAT�S EXACTLY THE SCENARIO.
428
00:22:26,880 --> 00:22:28,915
HE�S PISSIN�
IN THE DOWNSTAIRS LAVATORY
429
00:22:28,949 --> 00:22:32,185
WHILE SHE�S MAKIN� HER WAY IN,
AND THEIR PATHS NEVER CROSS.
430
00:22:32,218 --> 00:22:33,920
UNLESS THEY�RE
RUNNIN� SOMETHIN�
431
00:22:33,954 --> 00:22:36,056
AND THEY�RE
IN COMPLETE COLLUSION.
432
00:22:36,089 --> 00:22:37,691
HE�D BE THE ONE
RUNNING IT.
433
00:22:37,724 --> 00:22:39,092
YEAH, SHE�S
SCARED TO DEATH.
434
00:22:39,125 --> 00:22:40,727
IF HE�S RUNNIN� IT,
435
00:22:40,761 --> 00:22:43,096
HE�D BE A MORON
WALKIN� HER IN AS HE�S LEAVIN�
436
00:22:43,129 --> 00:22:44,998
AND NOT MAKIN�
NOTHIN� OUT OF IT.
437
00:22:45,031 --> 00:22:46,099
WELL, IF THEY CAME IN
SEPARATE,
438
00:22:46,132 --> 00:22:47,367
HER BEING THAT AFRAID
439
00:22:47,400 --> 00:22:48,669
MEANS SHE THINKS
HE�S INVOLVED.
440
00:22:48,702 --> 00:22:52,573
[TELEPHONE RINGS]
441
00:22:52,606 --> 00:22:54,374
15th SQUAD.
442
00:22:56,743 --> 00:22:59,880
YEAH. YEAH,
WHAT CAN I DO FOR YA?
443
00:22:59,913 --> 00:23:02,082
[SIGHS]
444
00:23:02,115 --> 00:23:04,751
I�LL TELL YA, I�M SURPRISED
AS HELL TO HEAR THAT.
445
00:23:04,785 --> 00:23:07,521
THAT�S A TURN OF EVENTS
THAT WOULD BE TOTALLY OUT OF LEFT FIELD
446
00:23:07,554 --> 00:23:11,057
AS LONG AS
YOU NEVER HAD A BRAIN IN YOUR HEAD TO EXPECT IT.
447
00:23:11,091 --> 00:23:12,926
[SIGHS]
448
00:23:12,959 --> 00:23:16,429
ALL RIGHT. WHERE
WOULD YOU BE PRESENTLY?
449
00:23:18,498 --> 00:23:21,067
ALL RIGHT. LET ME
TAKE A RIDE OVER THERE.
450
00:23:21,101 --> 00:23:23,103
THANKS.
451
00:23:23,136 --> 00:23:25,105
YEAH.
452
00:23:25,138 --> 00:23:27,273
I�LL BE ARRIVING
AS A PRIVATE CITIZEN.
453
00:23:27,307 --> 00:23:28,975
MM?HMM.
454
00:23:48,995 --> 00:23:50,831
WOULD YOU PLEASE
GET OUT OF THE CAR?
455
00:23:50,864 --> 00:23:53,133
I�M COMFORTABLE
IN THE VEHICLE,
456
00:23:53,166 --> 00:23:55,068
AND I BELIEVE
PASSENGER X
457
00:23:55,101 --> 00:23:58,505
IS COMFORTABLE
WITH ME IN HERE, ISN�T THAT RIGHT?
458
00:23:58,539 --> 00:24:01,942
OH, NOW, THAT�S
A NASTY, NASTY LOOK.
459
00:24:01,975 --> 00:24:04,310
YOU BETTER TURN THAT
FROWN UPSIDE DOWN,
460
00:24:04,344 --> 00:24:05,912
OR YOU KNOW
WHAT�S GONNA HAPPEN?
461
00:24:05,946 --> 00:24:07,781
IT COULD
BE VISOR TIME.
462
00:24:10,016 --> 00:24:12,686
PASSENGER X IS ANGRY.
HE FEELS PUT?UPON,
463
00:24:12,719 --> 00:24:15,155
BECAUSE HE WAS ENGAGED
IN SUCH CONSTRUCTIVE ACTIVITY
464
00:24:15,188 --> 00:24:16,957
BEFORE I INTERRUPTED
HIS DAY,
465
00:24:16,990 --> 00:24:20,260
EXECUTING FAKE LURCHES
466
00:24:20,293 --> 00:24:22,863
IN THE MIDDLE OF
THE AISLE OF MY BUS
467
00:24:22,896 --> 00:24:26,466
SO HE COULD SLAP
THE LEFT AND RIGHT TITS OF WORKING WOMEN.
468
00:24:28,068 --> 00:24:30,303
AND YOU KNOW SOMETHING,
DANNY?
469
00:24:30,336 --> 00:24:34,274
UNTIL I ADORN
MY BRAIN MATTER OUTSIDE MY SKULL,
470
00:24:34,307 --> 00:24:36,943
I HAVE EVERY EXPECTATION
471
00:24:36,977 --> 00:24:39,713
THAT I WILL SPEND THE
REST OF MY WORKING LIFE
472
00:24:39,746 --> 00:24:42,382
TAKING ORDERS
FROM A DILDO LIKE HIM
473
00:24:42,415 --> 00:24:44,484
OR SOME BOZO?NOSED COUSIN
474
00:24:44,518 --> 00:24:46,720
OF SOME ASSHOLE
ACQUAINTANCE OF HIS!
475
00:24:46,753 --> 00:24:48,955
JOEY, THERE�S
NOTHING HERE THAT CANNOT BE FIXED.
476
00:24:48,989 --> 00:24:51,558
THIS CAN�T BE FIXED!
477
00:24:51,592 --> 00:24:53,493
WELL, MAYBE IF
IT WASN�T DRENCHED WITH SO MUCH ALCOHOL.
478
00:24:53,527 --> 00:24:55,696
DRENCHING WAS GOOD FOR IT.
DRENCHING KEPT IT GREEN.
479
00:24:55,729 --> 00:24:56,462
[KNOCK ON DOOR]
480
00:24:56,496 --> 00:24:57,564
ANDY?
481
00:24:57,598 --> 00:24:58,999
YEAH.
482
00:24:59,032 --> 00:25:00,734
THIS IS MY PARTNER,
JOEY.
483
00:25:00,767 --> 00:25:02,736
THIS IS MY PARTNER.
484
00:25:02,769 --> 00:25:04,337
ADMIT HIM.
485
00:25:05,706 --> 00:25:07,040
HI, ANDY.
486
00:25:08,208 --> 00:25:09,109
YEAH, HI.
487
00:25:16,683 --> 00:25:18,585
THIS IS MY BUDDY JOEY.
488
00:25:18,619 --> 00:25:20,320
JOE DWYER.
489
00:25:20,353 --> 00:25:22,322
LET�S NOT BE THROWING
AROUND A LOT OF LAST NAMES.
490
00:25:22,355 --> 00:25:23,890
COME HERE.
491
00:25:23,924 --> 00:25:26,927
IS THIS GONNA BE SOMETHING
THAT THE WHOLE CLASS CAN APPRECIATE?
492
00:25:26,960 --> 00:25:28,995
DO YOU THINK
THIS IS FUNNY, HUH?
493
00:25:29,029 --> 00:25:31,397
YOU THINK WE�RE DOWN HERE
PLAYING GAMES?
494
00:25:31,431 --> 00:25:32,766
JOEY�S UPSET.
495
00:25:32,799 --> 00:25:35,936
YEAH? JOEY THAT YOU WERE
TELLING ME WAS STAND?UP
496
00:25:35,969 --> 00:25:38,371
AND IN THE MIDDLE OF THINGS
WITH YOU OVERSEAS.
497
00:25:38,404 --> 00:25:40,406
HOW I ALWAYS THOUGHT
ABOUT IT, PAL,
498
00:25:40,440 --> 00:25:42,576
IF I WAS LOOKIN�
TO HURT MYSELF,
499
00:25:42,609 --> 00:25:46,012
IT WOULDN�T BE PUTTIN�
MY FRIENDS LOSIN� THEIR JOBS WHILE I DID IT.
500
00:25:46,046 --> 00:25:49,115
BUT MAYBE YOU GOT
DIFFERENT IDEAS ABOUT HOW TO TREAT YOUR BUDDIES.
501
00:25:49,149 --> 00:25:51,351
I�M NOT LOOKIN�
TO PUT DANNY IN TROUBLE.
502
00:25:51,384 --> 00:25:52,953
OH, OH, YOU�RE ONE
OF THOSE KIND OF MUTTS.
503
00:25:52,986 --> 00:25:56,557
"OH, WHAT HAPPENED?
WHAT HAPPENED THAT I DIDN�T MEAN TO TAKE PLACE?"
504
00:25:56,590 --> 00:25:58,559
BELIEVE ME, ANDY,
JOEY�S A RIGHT GUY.
505
00:25:58,592 --> 00:26:01,294
YEAH. YEAH,
TAPING THIS GUY UP LIKE A MAFIA HIT MAN
506
00:26:01,327 --> 00:26:03,429
AND CARRYING ON LIKE
THAT EXERCISE FRUIT.
507
00:26:03,463 --> 00:26:04,965
WHO?
508
00:26:04,998 --> 00:26:06,967
THAT EXERCISE FRUIT
WITH THE CURLY HAIR
509
00:26:07,000 --> 00:26:08,368
AND THE SLEEVELESS
T?SHIRTS
510
00:26:08,401 --> 00:26:10,571
GETS ALL EMOTIONAL
ABOUT EVERYTHING,
511
00:26:10,604 --> 00:26:12,606
"OH, SHE LOST 80 POUNDS,
BOO HOO HOO."
512
00:26:20,146 --> 00:26:22,482
YOU WANT TO TRY
STRAIGHTENIN� THINGS OUT OR NOT?
513
00:26:22,516 --> 00:26:24,785
WHAT HAVE YOU
GOT IN MIND?
514
00:26:27,020 --> 00:26:28,822
MMM.
515
00:26:32,759 --> 00:26:34,460
LET�S FIGURE
SOMETHING OUT.
516
00:26:50,376 --> 00:26:52,478
Mrs. Steinman: HELLO.
517
00:26:55,315 --> 00:26:56,917
CAN I HELP YOU?
518
00:26:56,950 --> 00:26:59,285
I�M NOT CERTAIN.
519
00:26:59,319 --> 00:27:02,823
ARE YOU INVOLVED
WITH THE DETECTIVE WORK?
520
00:27:02,856 --> 00:27:06,026
I�M ARTHUR FANCY,
I�M THE LIEUTENANT IN CHARGE OF THE SQUAD.
521
00:27:06,059 --> 00:27:09,696
SO YOU WOULD BE THAT
YOUNG DETECTIVE�S SUPERVISOR?
522
00:27:09,730 --> 00:27:12,666
DETECTIVE SORENSON.
YES, I THINK THAT�S HIS NAME.
523
00:27:12,699 --> 00:27:14,601
WHERE WOULD I FIND HIM?
524
00:27:14,635 --> 00:27:16,970
DETECTIVE SORENSON�S
NOT IN.
525
00:27:17,003 --> 00:27:19,172
OH, WELL, COULD YOU GET HIM
TO COME BACK, PLEASE?
526
00:27:19,205 --> 00:27:20,807
WHAT�S YOUR NAME, PLEASE?
527
00:27:20,841 --> 00:27:22,208
DORIS STEINMAN.
528
00:27:22,242 --> 00:27:23,844
HE INTERVIEWED ME.
529
00:27:23,877 --> 00:27:27,447
YEAH, I�M NOT SURE
WHEN DETECTIVE SORENSON WILL BE BACK,
530
00:27:27,480 --> 00:27:31,151
BUT, UH, YOU CAN
TALK TO ONE OF THE OTHER DETECTIVES ON THAT CASE.
531
00:27:31,184 --> 00:27:33,854
NO. NO, NO, NO, I??
532
00:27:33,887 --> 00:27:36,657
I DON�T THINK SO.
533
00:27:36,690 --> 00:27:38,291
WHAT IS IT?
534
00:27:38,324 --> 00:27:40,026
OH, MY GOD!
535
00:27:40,060 --> 00:27:42,195
DO YOU WANT
SOME WATER?
536
00:27:44,665 --> 00:27:48,301
I WANT THAT IMAGE
OUT OF MY HEAD, DO YOU UNDERSTAND?
537
00:27:48,334 --> 00:27:52,506
HIS TUSH, NAKED,
PUMPING UP AND DOWN
538
00:27:52,539 --> 00:27:57,343
IN THE MIDDLE OF ALL
THOSE NICKELS AND DIMES.
539
00:27:57,377 --> 00:28:00,180
WHERE DID THIS HAPPEN?
540
00:28:00,213 --> 00:28:02,749
HE WAS...
541
00:28:02,783 --> 00:28:04,851
SERVICING HER
542
00:28:04,885 --> 00:28:08,755
ON THE CHEAP SHAG CARPET
IN HER LIVING ROOM.
543
00:28:08,789 --> 00:28:11,758
THE NICKELS AND DIMES
FROM THE PIGGY BANK
544
00:28:11,792 --> 00:28:14,761
SHE BROKE TO PAY HIM
545
00:28:14,795 --> 00:28:18,098
WERE STICKING
TO THE BACK OF HER LEGS,
546
00:28:18,131 --> 00:28:20,100
WHICH WERE
FLAILING AROUND
547
00:28:20,133 --> 00:28:23,269
LIKE SHE WAS
AN UPSIDE DOWN TURTLE.
548
00:28:23,303 --> 00:28:26,840
UM, THE WOMAN
BEING SERVICED...
549
00:28:26,873 --> 00:28:27,941
WHAT ABOUT HER?
550
00:28:27,974 --> 00:28:31,011
UM, WHO WAS SHE?
551
00:28:31,044 --> 00:28:32,913
YOUR VICTIM,
552
00:28:32,946 --> 00:28:37,884
AND THE CALLOUS GREASEBALL
HUMPING HER WAS RAUL MONTEZ,
553
00:28:37,918 --> 00:28:42,288
WHOM I PREVIOUSLY TOLD
THE YOUNG DETECTIVE HE SHOULD ARREST,
554
00:28:42,322 --> 00:28:45,892
BUT I??I WASN�T
COMPLETELY FORTHCOMING
555
00:28:45,926 --> 00:28:49,295
WITH ALL
THE SUPPORTING DETAILS,
556
00:28:49,329 --> 00:28:52,298
INSOFAR AS...
557
00:28:52,332 --> 00:28:55,736
SEEING HIS NAKED ASS
IN HER APARTMENT
558
00:28:55,769 --> 00:28:58,271
SHORTLY BEFORE
SHE WAS KILLED.
559
00:29:01,174 --> 00:29:04,144
UM, DO YOU THINK
HE KILLED HER?
560
00:29:04,177 --> 00:29:06,580
SHE SOUNDED LIKE
SHE WAS NEAR DEATH
561
00:29:06,613 --> 00:29:09,983
WITH THE WAR WHOOPS SHE WAS
LETTIN� OUT ON THE CARPET WHEN HE BANGED HER.
562
00:29:10,016 --> 00:29:12,485
MRS. STEINMAN,
I�M GONNA SIT DOWN,
563
00:29:12,519 --> 00:29:14,154
I�M GONNA TAKE
SOME INFORMATION,
564
00:29:14,187 --> 00:29:17,691
AND I NEED YOU
TO SIT DOWN THERE, PLEASE.
565
00:29:24,765 --> 00:29:27,133
MRS. STEINMAN,
THE FACT THIS RAUL
566
00:29:27,167 --> 00:29:29,836
WAS CARRYING ON
AN AFFAIR WITH??
567
00:29:29,870 --> 00:29:32,305
YOU HAD HIM IN CUSTODY
IN THIS BUILDING, AND YOU LET HIM GO.
568
00:29:32,338 --> 00:29:34,975
RAUL CAME IN VOLUNTARILY
TO BE INTERVIEWED,
569
00:29:35,008 --> 00:29:38,111
BUT WE ARE
ABSOLUTELY GONNA HAVE A SECOND CONVERSATION.
570
00:29:38,144 --> 00:29:40,781
YOU�RE NOT GONNA
ARREST HIM?
571
00:29:40,814 --> 00:29:42,415
NOT THIS MINUTE,
572
00:29:42,448 --> 00:29:44,150
BUT WE�RE DEFINITELY
GONNA LOOK AT HIM HARD.
573
00:29:49,623 --> 00:29:51,424
YEAH.
574
00:29:51,457 --> 00:29:53,660
THAT�S WHAT GOT ME
INTO TROUBLE.
575
00:30:22,255 --> 00:30:23,990
LET�S??LET�S GET YOU
SITTING UP HERE.
576
00:30:24,024 --> 00:30:25,859
SIT UP STRAIGHT,
WILL YOU?
577
00:30:25,892 --> 00:30:27,260
LET�S GO.
578
00:30:30,263 --> 00:30:33,499
WHAT HAPPENED
ON THAT BUS??
579
00:30:33,534 --> 00:30:36,503
YOU SHOWED HIM A GUN
YOU FOUND UNDER YOUR SEAT
580
00:30:36,537 --> 00:30:39,973
THAT YOU REALIZED
COULD GET YOU A YEAR IN JAIL MINIMUM,
581
00:30:40,006 --> 00:30:42,308
THAT YOU
SIGNALED TO HIM FRANTICALLY ABOUT
582
00:30:42,342 --> 00:30:44,010
IN THE REARVIEW MIRROR
583
00:30:44,044 --> 00:30:46,079
TO WHERE HE PULLED OVER
AND PARKED
584
00:30:46,112 --> 00:30:47,648
AND CAME BACK
TO ASK YOU
585
00:30:47,681 --> 00:30:49,049
WHAT YOU WERE
SIGNALING FOR.
586
00:30:49,082 --> 00:30:51,217
BUT, IN YOUR
FRANTIC STATE,
587
00:30:51,251 --> 00:30:53,887
YOU, UH, YOU BOLTED
OFF THE BUS
588
00:30:53,920 --> 00:30:55,656
WHEN HE COME TO YOU.
589
00:30:55,689 --> 00:30:57,891
SO HE DID HIS??
HIS CITIZEN�S DUTY,
590
00:30:57,924 --> 00:30:59,926
AND HE GOT OFF, TOO,
591
00:30:59,960 --> 00:31:03,730
AND HE FOLLOWED YOU
TO REASSURE AND CALM YOU DOWN
592
00:31:03,764 --> 00:31:06,533
AND BROUGHT YOU HERE
SO HE COULD CALL
593
00:31:06,567 --> 00:31:09,235
HIS FRIEND ON THE JOB
TO ASK ADVICE,
594
00:31:09,269 --> 00:31:12,539
AND HIS FRIEND DANNY
THEN CALLED ME.
595
00:31:16,643 --> 00:31:19,412
THE THREE OF US ARE
GONNA BACK EACH OTHER ON THAT.
596
00:31:21,548 --> 00:31:23,917
WHAT DO YOU SAY? HMM?
597
00:31:23,950 --> 00:31:25,552
MAKE IT A FOURSOME,
598
00:31:25,586 --> 00:31:27,220
YOU DON�T
GET CHARGED WITH FOR CONCEALING A WEAPON
599
00:31:27,253 --> 00:31:28,889
OR PINCHING TIT.
600
00:31:28,922 --> 00:31:30,456
AREN�T YOU GONNA
BOIL ME AND EAT ME?
601
00:31:30,490 --> 00:31:32,292
ISN�T THAT WHAT
THIS IS ABOUT, HUH? HEY, HEY, PAL, PAL,
602
00:31:32,325 --> 00:31:34,194
IF WE WERE CANNIBALS,
THIS WHOLE SITUATION
603
00:31:34,227 --> 00:31:36,196
WOULD BE A LOT LESS
COMPLICATED.
604
00:31:36,229 --> 00:31:37,631
WE�D JUST CUT YOU UP
INTO STEAKS.
605
00:31:37,664 --> 00:31:39,299
NOBODY IS SAYING
606
00:31:39,332 --> 00:31:41,602
THAT YOU DIDN�T HAVE
A ROUGH AFTERNOON.
607
00:31:47,340 --> 00:31:49,109
CLOSE THE TRUNK, DRIVE
THE CAR OFF THE PIER.
608
00:31:49,142 --> 00:31:50,110
[MUMBLING]
609
00:31:57,450 --> 00:31:58,785
ALL RIGHT,
610
00:31:58,819 --> 00:32:02,422
I WON�T PRESS CHARGES.
611
00:32:02,455 --> 00:32:05,158
ALL RIGHT. NOW, LAY BACK
DOWN THERE. COME ON.
612
00:32:05,191 --> 00:32:06,893
JOEY, YOU HEAR THAT?
613
00:32:06,927 --> 00:32:09,663
WE�RE GONNA BE
ALL RIGHT.
614
00:32:09,696 --> 00:32:12,298
I GOT A CHORUS FULL
OF VULTURES IN MY HEAD.
615
00:32:12,332 --> 00:32:14,300
GIVE YOUR GUN
TO YOUR BUDDY, JOEY.
616
00:32:14,334 --> 00:32:16,236
THEN YOU COME OVER
TO MY PLACE SOMETIME,
617
00:32:16,269 --> 00:32:19,573
AND WE�LL
COMPARE BIRDCALLS.
618
00:32:19,606 --> 00:32:22,242
JOEY,
BEING MY BEST MAN WHEN I GET MARRIED,
619
00:32:22,275 --> 00:32:25,278
HAVING OUR KIDS
PLAY TOGETHER,
620
00:32:25,311 --> 00:32:28,682
WORKING ON THIS
BUCKET OF BOLTS, TELLING JOKES??
621
00:32:28,715 --> 00:32:31,184
YOU�RE NOT GONNA
TAKE THAT AWAY FROM ME, ARE YOU?
622
00:32:36,857 --> 00:32:37,958
NO!
623
00:32:50,036 --> 00:32:52,138
I�M SORRY PUTTING
EVERYONE OUT.
624
00:32:54,040 --> 00:32:55,609
IT�S ALL RIGHT, JOEY.
625
00:32:55,642 --> 00:32:56,710
IT�S ALL RIGHT.
626
00:33:16,229 --> 00:33:18,565
Russell: IRIS, YOU WERE
UPSET WHEN WE TALKED BEFORE,
627
00:33:18,599 --> 00:33:21,367
AND WE PUT THAT OFF
TO YOU HAVING TO DEAL WITH THE POLICE.
628
00:33:21,401 --> 00:33:23,737
I AM UPSET
ABOUT EVERYTHING.
629
00:33:23,770 --> 00:33:26,507
NOW WE HAVE TO WONDER
IF IT WASN�T FOR THIS OTHER REASON.
630
00:33:31,545 --> 00:33:34,648
THAT HE
WAS WITH WOMEN
631
00:33:34,681 --> 00:33:37,417
DOESN�T MEAN
HE DID MURDER.
632
00:33:37,450 --> 00:33:39,419
NO, IT DOESN�T.
633
00:33:39,452 --> 00:33:41,822
WAS RAUL WITH YOU
ALL LAST NIGHT?
634
00:33:41,855 --> 00:33:44,691
AFTER HE DELIVERED
HIS ORDERS.
635
00:33:44,725 --> 00:33:49,362
DO YOU THINK RAUL MIGHT
HAVE BEEN WITH MRS. EARLE LAST NIGHT,
636
00:33:49,395 --> 00:33:51,131
NOT JUST DELIVERING
AN ORDER?
637
00:33:54,234 --> 00:33:57,270
IF I DID THINK SO...
638
00:33:57,303 --> 00:33:58,872
THAT WOULDN�T MEAN
HE DID MURDER.
639
00:33:58,905 --> 00:34:01,174
ABSOLUTELY NOT.
640
00:34:01,207 --> 00:34:03,276
BECAUSE HE MIGHT
HAVE BEEN WITH HER.
641
00:34:05,612 --> 00:34:08,615
HE HAD $23 OF CHANGE
IN HIS POCKET,
642
00:34:08,649 --> 00:34:12,252
AND HE WAS ANGRY
ABOUT HIS WHOLE LIFE.
643
00:34:12,285 --> 00:34:14,888
HE SAID
LOOK WHAT HE WAS DOING FOR NICKELS AND DIMES.
644
00:34:39,112 --> 00:34:40,647
MY KEEPING
RADIO SILENCE,
645
00:34:40,681 --> 00:34:43,750
I HOPE YOU DON�T FEEL
I�M UNGRATEFUL.
646
00:34:43,784 --> 00:34:46,152
AND I HOPE YOU�RE NOT
EXPECTING EVERY TIME YOU TURN AROUND NOW
647
00:34:46,186 --> 00:34:48,088
IT�S GONNA BE,
"ANDY, I�M JAMMED."
648
00:34:48,121 --> 00:34:50,256
NO, I DON�T.
649
00:34:50,290 --> 00:34:52,225
THANKS A LOT, ANDY.
650
00:34:52,258 --> 00:34:52,993
YOU�RE WELCOME.
651
00:35:01,668 --> 00:35:02,969
Raul: DO YOU
BELIEVE THIS?
652
00:35:03,003 --> 00:35:04,137
WHAT�S GOING ON?
653
00:35:04,170 --> 00:35:06,239
THEY BROUGHT ME BACK FOR YOU
TO TALK TO ME AGAIN,
654
00:35:06,272 --> 00:35:08,642
BUT THAT DORIS BITCH IS
SPREADING THOSE FURTHER LIES.
655
00:35:08,675 --> 00:35:12,078
Sipowicz: GIVE US
JUST A SECOND.
656
00:35:12,112 --> 00:35:15,816
YOU SEE WHO�S PEEKING
OUT OF THE COFFEE ROOM?
657
00:35:15,849 --> 00:35:18,318
THE TWO OF YOU
GOT A LATE DATE?
658
00:35:20,621 --> 00:35:21,955
GLAD YOU�RE BACK.
659
00:35:21,988 --> 00:35:23,489
WHAT�S THIS?
660
00:35:23,524 --> 00:35:25,792
WHAT�S THAT DINGBAT
DOING PEEKING OUT OF THE COFFEE ROOM?
661
00:35:25,826 --> 00:35:27,160
SHE CAME BACK IN
A FEW HOURS AGO,
662
00:35:27,193 --> 00:35:29,429
PUT RAUL IN
THE D. O. A.�s APARTMENT.
663
00:35:29,462 --> 00:35:31,998
BOSS, ON THE SUBJECT OF RAUL,
I DON�T MAKE THIS WOMAN THAT RELIABLE.
664
00:35:32,032 --> 00:35:34,500
DIANE AND JILL
RE?INTERVIEWED RAUL�S WIFE,
665
00:35:34,535 --> 00:35:37,470
AND SHE VERIFIED THAT
RAUL HAD HAD SEX WITH THE D. O. A. LAST NIGHT,
666
00:35:37,504 --> 00:35:40,841
PAID HIM $23, IN COINS.
667
00:35:40,874 --> 00:35:42,475
RAUL TOLD HIS WIFE
THE D. O. A. PAID HIM?
668
00:35:42,509 --> 00:35:43,977
MM?HMM.
669
00:35:44,010 --> 00:35:45,979
HE HAPPEN TO TELL HER
IF HE KILLED HER?
670
00:35:46,012 --> 00:35:47,881
HE�S GONNA
TELL YOU THAT.
671
00:35:53,754 --> 00:35:56,823
YOU TALK AGAIN
TO MRS. STEINMAN.
672
00:35:56,857 --> 00:36:01,294
BOSS, BONING THE D.O.A.
DON�T GET THIS RAUL ACROSS THE GOAL LINE FOR KILLING HER,
673
00:36:01,327 --> 00:36:02,963
AND I THINK THERE�S
PLENTY MORE THAN HALF A SHOT
674
00:36:02,996 --> 00:36:04,965
THIS LADY�S GOT
A PERSONAL VENDETTA GOING.
675
00:36:04,998 --> 00:36:06,900
SHE�S GONNA
TELL YOU THAT.
676
00:36:08,034 --> 00:36:11,037
I HAVE TO USE
THE LITTLE GIRLS� ROOM.
677
00:36:23,850 --> 00:36:24,885
[SIGHS]
678
00:36:24,918 --> 00:36:27,588
WHERE WE ARE NOW,
RAUL,
679
00:36:27,621 --> 00:36:30,924
YOU�RE CAUGHT LYIN�
YOU WEREN�T BANGIN� THE DEAD WOMAN.
680
00:36:30,957 --> 00:36:33,359
THIS DORIS STEINMAN
WANTS TO RUIN MY LIFE.
681
00:36:33,393 --> 00:36:36,062
YOUR WIFE CORROBORATES
WHAT MRS. STEINMAN�S TELLING US.
682
00:36:36,096 --> 00:36:38,665
YOU BANGED THIS WOMAN
FOR $23.
683
00:36:38,699 --> 00:36:40,667
23 IS THE AMOUNT
OF COIN SHE HAD.
684
00:36:40,701 --> 00:36:42,703
23 IS NOT MY FEE.
685
00:36:42,736 --> 00:36:45,438
WE�RE NOT REAL
INTERESTED IF THIS WAS A CUT?RATE HUMP.
686
00:36:45,471 --> 00:36:48,374
THE POINT IS,
YOU NOW ADMIT YOU WERE IN HER APARTMENT
687
00:36:48,408 --> 00:36:51,377
BANGIN� THIS WOMAN
A FEW HOURS BEFORE SHE WAS KILLED.
688
00:36:51,411 --> 00:36:53,279
SEX DON�T PUT ME
KILLING HER.
689
00:36:53,313 --> 00:36:55,381
MAYBE NOW SHE�D
EMPTIED HER PIGGY BANK,
690
00:36:55,415 --> 00:36:58,084
SHE KNOWS SHE�S OFF
YOUR DELIVERY ROUTE.
691
00:36:58,118 --> 00:37:00,754
MAYBE SHE�S READY
TO DO VIOLENCE WITH YOU,
692
00:37:00,787 --> 00:37:02,923
YOU CROAK HER
IN SELF?DEFENSE.
693
00:37:02,956 --> 00:37:06,026
THAT WOMAN GOT SOCIAL SECURITY
THE FIRST OF EVERY MONTH, OK?
694
00:37:06,059 --> 00:37:08,428
IT�S NOT LIKE SHE�S
PERMANENTLY DESTITUTE.
695
00:37:08,461 --> 00:37:10,430
I DIDN�T DO IT, DETECTIVE.
696
00:37:10,463 --> 00:37:13,634
THIS IS A FRAME JOB I�M
SITTING FOR A PORTRAIT OF.
697
00:37:13,667 --> 00:37:16,369
BY THIS JEALOUS
MRS. STEINMAN?
698
00:37:16,402 --> 00:37:18,204
DORIS COMES
PROWLING DOWN THE HALL
699
00:37:18,238 --> 00:37:20,473
�CAUSE I�M 10 MINUTES LATE
GETTING TO HER APARTMENT,
700
00:37:20,507 --> 00:37:25,211
WHICH ESTHER DRAGGED ME
INTO HER PLACE OFF SOME ELECTRICAL PRETEXT.
701
00:37:25,245 --> 00:37:29,215
WHY�D YOU LEAVE, UH,
ESTHER�S DOOR OPEN FOR DORIS TO FIND YOU?
702
00:37:29,249 --> 00:37:31,451
I DIDN�T LEAVE THE DOOR OPEN
FOR DORIS TO FIND ME.
703
00:37:31,484 --> 00:37:35,221
I LEFT THE DOOR OPEN
TO PROTECT MYSELF FROM EXACTLY WHAT TRANSPIRED.
704
00:37:35,255 --> 00:37:37,390
ESTHER TEMPTING YOU
WITH HER PIGGY BANK?
705
00:37:37,423 --> 00:37:39,125
YEAH.
706
00:37:39,159 --> 00:37:41,595
23 BUCKS IS 23 BUCKS.
707
00:37:41,628 --> 00:37:43,764
THAT MOMENT, DORIS
HATCHED HER EVIL PLAN
708
00:37:43,797 --> 00:37:45,799
SEEING ESTHER AND ME
ON THE CARPET.
709
00:37:52,973 --> 00:37:54,340
[NO?NONSENSE]
SIT DOWN.
710
00:37:54,374 --> 00:37:55,375
[FLIRTATIOUSLY]
YES, SIR.
711
00:38:01,982 --> 00:38:04,317
YOU WERE GONE BEFORE.
712
00:38:04,350 --> 00:38:06,286
YES, I WAS.
713
00:38:06,319 --> 00:38:09,823
I GAVE THE ADDED INFORMATION
ABOUT RAUL TO YOUR LIEUTENANT,
714
00:38:09,856 --> 00:38:13,126
BUT I WANTED TO GIVE IT TO YOU
SO YOU COULD GET THE CREDIT.
715
00:38:13,159 --> 00:38:15,361
OH, WELL, THAT�S
VERY NICE OF YOU, MRS. STEINMAN.
716
00:38:15,395 --> 00:38:17,764
ALTHOUGH WHY IS IT
WHEN YOU AND I FIRST SPOKE,
717
00:38:17,798 --> 00:38:20,634
YOU DIDN�T TELL ME ABOUT
SEEING RAUL MAKING LOVE TO MRS. EARLE
718
00:38:20,667 --> 00:38:22,202
IN HER APARTMENT?
719
00:38:22,235 --> 00:38:25,138
I??I??I TOLD YOU TO ASSUME
THE TWO OF THEM WERE INVOLVED.
720
00:38:25,171 --> 00:38:26,540
NO, WHAT YOU TOLD ME WAS
721
00:38:26,573 --> 00:38:27,941
I SHOULD ASSUME
RAUL WAS INVOLVED
722
00:38:27,974 --> 00:38:29,375
WITH EVERY WOMAN
IN MANHATTAN.
723
00:38:29,409 --> 00:38:32,679
WELL, IF YOU�RE ACCUSING ME
OF RELUCTANCE TO RELIVE
724
00:38:32,713 --> 00:38:35,448
SEEING THE TWO OF THEM
FLAILING AROUND ON THE CARPET,
725
00:38:35,481 --> 00:38:37,818
I??I??I PLEAD GUILTY.
726
00:38:37,851 --> 00:38:39,520
WHAT I�M ACCUSING YOU
OF, MRS. STEINMAN,
727
00:38:39,553 --> 00:38:42,556
IS WHAT WE GET IN
A LOT OF THIS CASES: YOUR HOLDING A GRUDGE.
728
00:38:42,589 --> 00:38:45,225
AND YOU WANT TO JACK UP
RAUL AS BAD AS POSSIBLE
729
00:38:45,258 --> 00:38:48,629
OVER HIM NOT BANGING
YOU EXCLUSIVELY LIKE YOU THOUGHT HE WAS DOING.
730
00:38:48,662 --> 00:38:50,997
SO THAT MAKES YOU COME
WITH SOME GENERAL INFORMATION
731
00:38:51,031 --> 00:38:53,667
THAT HE�S
THE BUILDING STICK?MAN,
732
00:38:53,700 --> 00:38:55,001
AND THEN
SOME MORE INFORMATION
733
00:38:55,035 --> 00:38:56,670
THAT TURNED OUT TO BE
A LITTLE MORE USEFUL:
734
00:38:56,703 --> 00:39:00,674
THAT HE�D HAD SEX
WITH THE VICTIM, LIKE, 6 HOURS BEFORE SHE DIED.
735
00:39:00,707 --> 00:39:03,343
BUT, SEE,
BY YOUR OWN ACCOUNT, MRS. STEINMAN,
736
00:39:03,376 --> 00:39:05,211
THAT SEX WAS CONSENSUAL.
737
00:39:05,245 --> 00:39:07,914
SO WE�VE GOT NO MOTIVE
FOR WHY RAUL WOULD WANT TO KILL MRS. EARLE.
738
00:39:10,016 --> 00:39:12,586
AND YOU HAVING
YOUR PERSONAL GRIEVANCE AGAINST HIM LIKE YOU DO,
739
00:39:12,619 --> 00:39:14,988
AT THIS POINT,
I FORESEE YOU TURNING INTO
740
00:39:15,021 --> 00:39:17,824
WHAT WE DETECTIVES
CONDUCTING THESE TYPES OF INVESTIGATIONS
741
00:39:17,858 --> 00:39:19,560
CALL ROYAL PAINS
IN THE BALLS.
742
00:39:26,533 --> 00:39:28,234
YOU DON�T NEED ME FOR
THE GASPING?FOR?AIR PERFORMANCE,
743
00:39:28,268 --> 00:39:29,670
DO YOU, MRS. STEINMAN?
744
00:39:29,703 --> 00:39:32,238
�CAUSE UNLESS YOU GOT
SOMETHING ELSE FOR ME,
745
00:39:32,272 --> 00:39:34,608
YOU KNOW,
HAVE A FEW GASPS AND LET YOURSELF OUT.
746
00:39:35,942 --> 00:39:38,779
I DID IT COMPLETELY
IN SELF?DEFENSE.
747
00:39:38,812 --> 00:39:40,714
YOU DID IT?
748
00:39:40,747 --> 00:39:45,018
SHE??SHE THREATENED ME
WITH SCISSORS WHEN I WENT BACK TO REBUKE HER.
749
00:39:45,051 --> 00:39:48,388
I STRANGLED HER
TO PROTECT MYSELF,
750
00:39:48,421 --> 00:39:51,825
AND THEN I GAVE HER HEAD
A FEW GOOD BANGS OFF THE WALL.
751
00:39:53,827 --> 00:39:56,930
I WANTED RAUL TO GET
GOOD AND DEEP IN TROUBLE
752
00:39:56,963 --> 00:40:00,100
BEFORE I LET HIM
OFF THE HOT SEAT.
753
00:40:22,956 --> 00:40:25,559
INVOLUNTARY MANSLAUGHTER,
RIGHT?
754
00:40:25,592 --> 00:40:28,294
LET�S JUST GET IT DOWN.
755
00:40:28,328 --> 00:40:30,631
I WOULD SAY, LIKE...
756
00:40:30,664 --> 00:40:32,966
LIKE, 18 MONTHS,
757
00:40:32,999 --> 00:40:34,968
AND??AND BY THAT TIME,
758
00:40:35,001 --> 00:40:37,971
WHEN I GET OUT, HE�LL
HAVE LEFT THAT LITTLE MOUSE,
759
00:40:38,004 --> 00:40:41,808
AND HE�LL REALIZE WHO IT WAS
SAVED HIS LIFE.
760
00:41:08,368 --> 00:41:10,136
THE TWO OF YOU
GONNA ELOPE?
761
00:41:10,170 --> 00:41:12,138
OH, MRS. STEINMAN
WILL DO HER TIME,
762
00:41:12,172 --> 00:41:14,140
AND THEN ME AND RAUL
WILL COMPETE FOR HER HAND.
763
00:41:17,477 --> 00:41:19,312
YOU GOT A MESSAGE THERE.
764
00:41:19,345 --> 00:41:20,313
I�M GONNA GO
SEE JOEY OVER AT THE V. A. HOSPITAL,
765
00:41:20,346 --> 00:41:21,548
ALL RIGHT, ANDY?
766
00:41:21,582 --> 00:41:23,049
DANNY??
YOU KNOW,
767
00:41:23,083 --> 00:41:25,151
HE MAY NEED SOME
DEPRESSION MEDICATION?? JOEY??
768
00:41:25,185 --> 00:41:27,654
TO GET HIS THINKING
GOIN� STRAIGHT AGAIN.
769
00:41:27,688 --> 00:41:29,389
JOEY IS WHO
THE MESSAGE IS FROM.
770
00:41:34,060 --> 00:41:36,196
HE WOULDN�T TELL YOU
WHERE HE WAS GOIN�?
771
00:41:36,229 --> 00:41:38,665
NO, I COULDN�T GET HIM
TO TELL ME THAT.
772
00:41:40,601 --> 00:41:42,969
WELL, HOW AM I SUPPOSED
TO FIND HIM, ANDY?
773
00:41:43,003 --> 00:41:47,173
SOMEONE LEAVIN� TOWN
TENDS NOT TO WANT TO BE LOOKED FOR.
774
00:41:47,207 --> 00:41:50,043
HOW CAN THEM DOCTORS
JUST LET HIM LEAVE LIKE THAT?
775
00:41:51,845 --> 00:41:53,914
HEY, MAYBE YOU GOT
A MILLION FRIENDS.
776
00:41:53,947 --> 00:41:55,148
CONSERVATIVELY.
777
00:41:55,181 --> 00:41:57,718
YEAH, WELL, I DON�T,
ALL RIGHT?
778
00:41:57,751 --> 00:41:59,485
SO THIS UPSETS ME,
IT STIRS ME UP.
779
00:41:59,520 --> 00:42:01,588
WHO DO YOU TALK TO?
780
00:42:01,622 --> 00:42:03,423
HOW CAN I TALK TO HIM,
ANDY, IF I DON�T KNOW WHERE HE IS?
781
00:42:03,456 --> 00:42:05,559
I�M SAYIN� WHO DO YOU TALK TO
WHEN YOU GET STIRRED UP?
782
00:42:05,592 --> 00:42:06,893
I DON�T LIKE
BEIN� STIRRED UP.
783
00:42:06,927 --> 00:42:08,729
WHAT, DO YOU GET STUPID
AFTER WORKING HOURS?
784
00:42:15,969 --> 00:42:17,704
I APOLOGIZE.
785
00:42:21,908 --> 00:42:23,910
WANT SOME COMPANY
LOOKIN� FOR YOUR FRIEND?
786
00:42:29,583 --> 00:42:30,884
WHAT I�M HOPIN� IS,
787
00:42:30,917 --> 00:42:33,620
MAYBE HE HEADED OFF
EARLY TO PEEKSKILL.
788
00:42:33,654 --> 00:42:35,756
THAT�S WHERE YOU�RE
DOIN� YOUR RESERVE DUTY?
789
00:42:35,789 --> 00:42:37,423
YEAH.
790
00:42:37,457 --> 00:42:39,726
SO LET ME LOOK AROUND
OUR USUAL PLACES TONIGHT,
791
00:42:39,760 --> 00:42:42,262
SEE IF HE MAYBE
CHANGED HIS MIND,
792
00:42:42,295 --> 00:42:43,864
OR OTHERWISE,
I�LL HOPE WE FIND HIM
793
00:42:43,897 --> 00:42:45,632
UP AT RESERVE DUTY
THIS WEEKEND.
794
00:42:47,233 --> 00:42:49,102
NO, HE�S GONE.
HE�S GONE.
795
00:42:49,135 --> 00:42:50,937
HE�S NOT GONNA SHOW UP
IN PEEKSKILL.
796
00:42:50,971 --> 00:42:52,539
HE�S GOTTEN ON A BUS
TO CRAZY,
797
00:42:52,573 --> 00:42:54,808
AND HE�S PROBABLY
GONNA HURT HIMSELF.
798
00:42:56,910 --> 00:43:00,213
SOMETIMES YOU
LOSE PEOPLE YOU LOVE.
799
00:43:00,246 --> 00:43:01,948
YEAH.
800
00:43:05,185 --> 00:43:06,653
I UNDERSTAND THAT.
801
00:43:09,523 --> 00:43:11,925
I APOLOGIZE FOR
BEIN� DISRESPECTFUL.
802
00:43:11,958 --> 00:43:14,628
DON�T WORRY ABOUT IT.
803
00:43:16,029 --> 00:43:17,764
ALL RIGHT, ANDY,
I�LL SEE YOU TOMORROW.
804
00:43:17,798 --> 00:43:19,299
YEAH, I�LL SEE YOU.
805
00:43:35,782 --> 00:43:37,684
SEE YOU TOMORROW.
806
00:43:37,734 --> 00:43:42,284
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