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1
00:00:30,833 --> 00:00:31,800
HEY.
2
00:00:31,833 --> 00:00:33,200
WHAT DO WE GOT?
3
00:00:33,233 --> 00:00:35,566
2 D. O. A. s??
MOTHER AND A LITTLE BOY.
4
00:00:35,600 --> 00:00:37,666
NAME'S ANGELOS,
BOTH SHOT IN THE HEAD.
5
00:00:37,700 --> 00:00:39,566
HUSBAND'S GUT?SHOT,
BUT HE'S GONNA MAKE IT.
6
00:00:39,600 --> 00:00:43,200
THEY CUT THE GLASS
AROUND THE INSIDE DOOR TO GAIN ACCESS.
7
00:00:43,233 --> 00:00:45,033
PRETTY FINE JOB
FOR A HOME INVASION.
8
00:00:45,066 --> 00:00:46,466
MAKE A NOTE OF THAT.
9
00:00:46,500 --> 00:00:48,133
Paramedic:
COMING THROUGH!
10
00:00:48,166 --> 00:00:50,066
MR. ANGELOS, DETECTIVES.
CAN YOU TELL US WHAT HAPPENED, SIR?
11
00:00:50,100 --> 00:00:51,666
COULDN'T...STOP...
12
00:00:51,700 --> 00:00:53,000
HE'LL BE
ALL RIGHT?
13
00:00:53,033 --> 00:00:54,133
HE'S IN SHOCK.
HE SHOULD BE OK LATER.
14
00:00:54,166 --> 00:00:55,300
WE'RE TAKING HIM
TO BELLEVUE.
15
00:00:55,333 --> 00:00:57,400
THAT'LL PUT HIM BACK
IN SHOCK RIGHT THERE.
16
00:01:17,000 --> 00:01:18,233
THERE'S BLOOD
ON THE SHEETS,
17
00:01:18,266 --> 00:01:20,233
BUT THE BLANKETS
ARE PRETTY CLEAN.
18
00:01:20,266 --> 00:01:22,000
NOT TOO MUCH
RANSACKING.
19
00:01:34,433 --> 00:01:36,566
NOTHING REALLY
UNDER HER FINGERNAILS TO INDICATE A STRUGGLE,
20
00:01:36,600 --> 00:01:38,100
BUT I WANT TO BAG
HER HANDS ANYWAY.
21
00:01:44,433 --> 00:01:46,366
AW, HELL.
22
00:01:55,266 --> 00:01:57,600
LOOK AT HIS LITTLE LEGS.
23
00:02:05,600 --> 00:02:08,000
WE NEED TO TALK
TO THE FATHER AGAIN.
24
00:02:08,033 --> 00:02:10,600
HOW'S THIS GUY ALIVE
WITH HIS KID DEAD?
25
00:03:44,366 --> 00:03:46,533
HOW YOU FEELING,
MR. ANGELOS?
26
00:03:46,566 --> 00:03:48,666
WHAT AM I GONNA DO?
27
00:03:48,700 --> 00:03:50,900
WE'RE SORRY TO PRESS
YOU ON THIS,
28
00:03:50,933 --> 00:03:53,900
BUT, YOU KNOW,
ANY INFORMATION THAT YOU CAN GIVE US RIGHT NOW
29
00:03:53,933 --> 00:03:56,333
MIGHT HELP TO LEAD
TO A QUICK ARREST.
30
00:03:56,366 --> 00:03:59,033
I WANT YOU TO FIND
THE SON OF A BITCH.
31
00:04:01,733 --> 00:04:05,133
ABOUT 5:00 THIS MORNING,
I HEARD SOUNDS...
32
00:04:05,166 --> 00:04:07,333
IN THE KITCHEN??RUSTLING.
33
00:04:07,366 --> 00:04:09,133
BUT JOSHIE CRIES AT NIGHT.
34
00:04:09,166 --> 00:04:11,166
I THOUGHT IT WAS JUST HIM
RUSTLING THE CRIB.
35
00:04:11,200 --> 00:04:14,133
AND THIS GUY BUSTS IN.
I GET SHOT.
36
00:04:14,166 --> 00:04:17,666
I LOSE CONSCIOUSNESS,
THEN I REGAIN CONSCIOUSNESS.
37
00:04:17,700 --> 00:04:19,866
THEN I SAW THE SAME THING
YOU DID.
38
00:04:22,033 --> 00:04:24,133
YOU GET ANY KIND
OF LOOK AT THIS GUY?
39
00:04:24,166 --> 00:04:27,033
HE WORE A MASK. UH...
40
00:04:27,066 --> 00:04:30,900
THE NEIGHBORS, THEY MUST'VE
HEARD OR SEEN SOMETHING.
41
00:04:30,933 --> 00:04:32,900
WE HAVEN'T GOT
ANYTHING YET OFF OUR CANVASS.
42
00:04:32,933 --> 00:04:34,666
I DON'T KNOW
WHAT TO TELL YOU.
43
00:04:36,333 --> 00:04:38,800
WELL, UH, OBVIOUSLY,
IF YOU THINK OF ANYTHING...
44
00:04:38,833 --> 00:04:40,666
LET US KNOW.
45
00:04:45,100 --> 00:04:46,300
I COULDN'T SAVE 'EM.
46
00:04:46,333 --> 00:04:49,400
I TRIED...
47
00:04:49,433 --> 00:04:50,666
BUT I COULDN'T.
48
00:04:52,233 --> 00:04:53,666
YOU REST UP.
49
00:05:03,200 --> 00:05:04,400
Fancy:
SO, WHAT'D YOU GET?
50
00:05:04,433 --> 00:05:05,666
Simone:
HUSBAND'S GUT?SHOT.
51
00:05:05,700 --> 00:05:08,233
WIFE AND BABY,
2 BULLETS TO THE HEAD.
52
00:05:08,266 --> 00:05:10,566
ONLY NEIGHBOR HEARD ANYTHING
THOUGHT IT WAS A WAR MOVIE.
53
00:05:10,600 --> 00:05:12,400
HUSBAND GONNA MAKE IT?
54
00:05:12,433 --> 00:05:14,900
HE'S ALL RIGHT. THEY'RE
GONNA RELEASE HIM A LITTLE LATER ON.
55
00:05:14,933 --> 00:05:17,033
WE'RE GONNA LOOK INTO HIM
A LITTLE BIT.
56
00:05:17,066 --> 00:05:18,733
THE D. O. A. WIFE'S
MOTHER'S COMING IN.
57
00:05:18,766 --> 00:05:20,800
SEE WHAT SHE THOUGHT
OF HER SON?IN?LAW.
58
00:05:20,833 --> 00:05:22,566
SOUNDS LIKE YOU
LIKE HIM A LITTLE.
59
00:05:22,600 --> 00:05:24,400
YOU KNOW, WIFE
AND CHILD GET KILLED, YOU WOULD'VE LIKED
60
00:05:24,433 --> 00:05:26,566
TO SEE HIM MAYBE
TAKE 1 OR 2 MORE BULLETS.
61
00:05:26,600 --> 00:05:28,400
Naomi:
LIEUTENANT? YEAH.
62
00:05:28,433 --> 00:05:31,400
THIS GENTLEMAN SAYS
HE'S A FRIEND.
63
00:05:31,433 --> 00:05:33,066
HE'S NOT LYING.
64
00:05:33,100 --> 00:05:35,366
HARVEY!
65
00:05:35,400 --> 00:05:37,100
IT'S GREAT
TO SEE YOU.
66
00:05:40,200 --> 00:05:41,233
IT'S GREAT
BEING SEEN.
67
00:05:41,266 --> 00:05:43,000
HOW YOU BEEN?
I'M DOING GOOD.
68
00:05:43,033 --> 00:05:45,500
LAST TIME I SAW YOU,
FACE, YOU JUST GOT YOUR FIRST CHEST HAIR.
69
00:05:45,533 --> 00:05:48,033
AW, GET IN MY OFFICE
AND STOP TELLING STORIES.
70
00:05:48,066 --> 00:05:50,333
HI.
MORNING.
71
00:05:50,366 --> 00:05:51,633
HOW YOU DOING?
72
00:05:51,666 --> 00:05:53,966
I??I??I BROUGHT YOU
SOMETHING.
73
00:05:54,000 --> 00:05:56,366
WELL, I CAN'T WAIT
TO HEAR THIS.
74
00:05:56,400 --> 00:06:00,200
IT'S NOT MUCH MORE
THAN A GARAGE TAPE.
75
00:06:00,233 --> 00:06:02,966
I SELL 'EM AT MY GIGS.
76
00:06:03,000 --> 00:06:05,200
I WANT TO BUY THIS
FROM YOU.
77
00:06:05,233 --> 00:06:08,133
NAW, FACE...
78
00:06:08,166 --> 00:06:09,666
IT'S A GIFT.
79
00:06:14,400 --> 00:06:15,733
SO, HARVEY...
80
00:06:17,200 --> 00:06:18,633
EVERYTHING OK WITH YOU?
81
00:06:18,666 --> 00:06:21,733
YEAH, WELL,
I GOT MY MISERIES, BUT I'M ALL RIGHT.
82
00:06:24,833 --> 00:06:26,533
OH.
83
00:06:26,566 --> 00:06:29,300
LILLIAN AND I HAVE BEEN
MARRIED 15 YEARS.
84
00:06:29,333 --> 00:06:32,333
2 GIRLS AND A BOY.
85
00:06:32,366 --> 00:06:33,833
THAT'S GREAT.
86
00:06:33,866 --> 00:06:34,766
YEAH.
87
00:06:40,166 --> 00:06:43,233
PRETTY MUCH
I GOT MY MUSIC.
88
00:06:43,266 --> 00:06:45,066
THAT'S GOOD.
89
00:06:45,100 --> 00:06:47,966
SO, HARVEY,
HOW ABOUT I GET YOU A GLASS OF WATER
90
00:06:48,000 --> 00:06:49,333
OR SOMETHING ELSE
TO DRINK?
91
00:06:49,366 --> 00:06:50,900
NAW,
TO TELL THE TRUTH, FACE,
92
00:06:50,933 --> 00:06:53,733
I WAS JUST PRETTY MUCH
ABOUT STOPPING TO SAY HI.
93
00:06:53,766 --> 00:06:54,966
HOW'D YOU FIND ME?
94
00:06:55,000 --> 00:06:58,833
I GUESS SOMEBODY
MUST'VE JUST TOLD ME.
95
00:06:58,866 --> 00:07:00,866
I GOTTA SPLIT, ARTHUR.
96
00:07:00,900 --> 00:07:02,733
IT'S GOOD??
GOOD TO SEE YOU.
97
00:07:02,766 --> 00:07:04,233
YEAH, YEAH,
ALL RIGHT, HARVEY.
98
00:07:04,266 --> 00:07:06,733
BUT I WANT YOU
TO CALL ME WHEN IT'S A BETTER TIME, OK?
99
00:07:06,766 --> 00:07:08,966
I WILL DO THAT.
I'LL DO THAT.
100
00:07:09,000 --> 00:07:10,533
[TELEPHONE RINGS]
OK, LET ME WALK YOU OUT.
101
00:07:10,566 --> 00:07:11,633
NO, THANKS.
THANKS A LOT.
102
00:07:11,666 --> 00:07:13,133
GOOD SEEING YOU
103
00:07:13,166 --> 00:07:14,566
DOING SO WELL,
ARTHUR.
104
00:07:18,266 --> 00:07:20,000
YEAH. 15th SQUAD.
105
00:07:22,266 --> 00:07:24,200
YEAH, ALL RIGHT.
106
00:07:24,233 --> 00:07:26,666
WHAT'S THAT??THIRD?
107
00:07:29,333 --> 00:07:30,733
GOT IT.
108
00:07:33,666 --> 00:07:35,500
DIANE, YOU'RE UP.
109
00:07:35,533 --> 00:07:37,233
UM, ASSAULT ON
THIRD AND BOWERY.
110
00:07:37,266 --> 00:07:38,466
GREG, JAMES...
111
00:07:38,500 --> 00:07:39,900
GIVE HER A HAND?
112
00:07:43,066 --> 00:07:45,000
I'LL BE BACK IN
A LITTLE WHILE.
113
00:07:57,900 --> 00:07:58,733
HARVEY.
114
00:07:58,766 --> 00:07:59,733
[GASPING]
115
00:07:59,766 --> 00:08:00,800
HARVEY.
116
00:08:00,833 --> 00:08:02,233
WHAT IS IT, MAN?
117
00:08:02,266 --> 00:08:03,333
I GOTTA SIT DOWN.
118
00:08:03,366 --> 00:08:05,666
OHH, THE BUZZARD'S
EATING AT ME.
119
00:08:05,700 --> 00:08:07,266
YOU NEED THE PARAMEDICS?
120
00:08:09,266 --> 00:08:11,066
IT'S OK.
121
00:08:11,100 --> 00:08:13,633
THE SKY'S CLEARING.
122
00:08:13,666 --> 00:08:15,166
SO WHAT'S WRONG
WITH YOU, HARVEY?
123
00:08:15,200 --> 00:08:17,833
KIDNEYS ARE GONE.
124
00:08:17,866 --> 00:08:20,200
THEY GOT SOME FANCY
INITIALS TO IT,
125
00:08:20,233 --> 00:08:21,733
BUT THAT'S WHAT IT IS.
126
00:08:21,766 --> 00:08:24,033
I'M DYING...FACE.
127
00:08:25,433 --> 00:08:26,900
HARVEY...
128
00:08:26,933 --> 00:08:31,066
ONE THING I HAVE
LEARNED FROM MY JOB...
129
00:08:31,100 --> 00:08:34,700
IS WHEN SOMEONE'S
CARRYING SOMETHING AROUND THAT THEY WANT TO SAY,
130
00:08:34,733 --> 00:08:37,000
BUT THEY'RE HAVING TROUBLE
GETTING IT OUT.
131
00:08:39,866 --> 00:08:41,633
FIRST THING,
I'M STRAIGHT NOW 10 YEARS.
132
00:08:41,666 --> 00:08:43,033
I AIN'T HERE
RUNNING NO GAME.
133
00:08:43,066 --> 00:08:44,833
OK, I BELIEVE YOU.
134
00:08:44,866 --> 00:08:47,633
I KNOW ABOUT A MURDER
HAPPENED 15 YEARS AGO.
135
00:08:47,666 --> 00:08:48,800
I DIDN'T SEE IT
MYSELF,
136
00:08:48,833 --> 00:08:50,833
BUT I KNOW WHAT HAPPENED
FOR A FACT.
137
00:08:50,866 --> 00:08:53,666
GUY THAT DID THE KILLING'S
NAME IS ONUS PRICE.
138
00:08:53,700 --> 00:08:56,566
THE VICTIM WAS RAY GREEN,
A MUSICIAN LIKE ME.
139
00:08:56,600 --> 00:08:58,866
PLAYED BASS AND FRENCH HORN.
140
00:08:58,900 --> 00:09:01,166
ONUS BROKE IN
TO STEAL RAY'S HORN??
141
00:09:01,200 --> 00:09:02,833
IT'S WORTH
A LOT OF MONEY.
142
00:09:02,866 --> 00:09:04,700
HE STOLE THE HORN,
HE SHOT RAY TO DEATH.
143
00:09:04,733 --> 00:09:06,833
HOW DO YOU KNOW
ONUS DID IT?
144
00:09:06,866 --> 00:09:07,800
EVERYBODY KNEW.
145
00:09:07,833 --> 00:09:09,533
ONUS PLAYED A LITTLE,
146
00:09:09,566 --> 00:09:12,133
BUT HE WAS A STONE
JUNKIE??PULLED STICKUPS WHEN HE WAS SHORT.
147
00:09:12,166 --> 00:09:15,400
RAY CAUGHT HIM
ONCE BEFORE TRYING TO GET INTO HIS PLACE.
148
00:09:15,433 --> 00:09:17,166
THE DAY
AFTER RAY DIED,
149
00:09:17,200 --> 00:09:20,333
ONUS IS IN THE BAR??
LOADED, SPENDING ON WOMEN.
150
00:09:20,366 --> 00:09:22,133
HE'S THE ONE DID IT.
151
00:09:22,166 --> 00:09:24,166
LOOK, HARVEY,
152
00:09:24,200 --> 00:09:25,900
SICK AS YOU ARE,
153
00:09:25,933 --> 00:09:28,033
COMING FORWARD
AFTER 15 YEARS,
154
00:09:28,066 --> 00:09:30,733
SAYING EVERYONE KNEW THAT
THIS ONUS DID THE KILLING,
155
00:09:30,766 --> 00:09:32,700
SOMETHING ABOUT THAT
DOESN'T ADD UP.
156
00:09:32,733 --> 00:09:34,366
WELL,
WHAT DO YOU MEAN?
157
00:09:34,400 --> 00:09:37,400
I MEAN, ESSENTIALLY YOU'RE
COMING FORWARD WITH A RUMOR.
158
00:09:37,433 --> 00:09:39,200
EVERYBODY KNEW,
ARTHUR??
159
00:09:40,600 --> 00:09:41,733
DAMN.
160
00:09:41,766 --> 00:09:43,166
ONUS IS STILL
OUT THERE.
161
00:09:43,200 --> 00:09:45,333
HE'S SELLING DRUGS.
HE'S??HE'S BREAKING IN.
162
00:09:45,366 --> 00:09:47,066
LOOK, LOOK, HARVEY.
163
00:09:47,100 --> 00:09:49,400
IF WE'RE GONNA
GO AFTER THIS GUY FOR THE HOMICIDE,
164
00:09:49,433 --> 00:09:51,700
I'D HAVE TO HAVE MORE
THAN WHAT YOU TOLD ME.
165
00:09:51,733 --> 00:09:54,900
NOW, DID YOU HAVE
SOMETHING TO DO WITH THIS?
166
00:09:54,933 --> 00:09:57,933
IS THAT WHY YOU'RE COMING
FORWARD AFTER ALL THIS TIME?
167
00:10:01,900 --> 00:10:03,800
I DROVE HIM.
168
00:10:03,833 --> 00:10:05,533
ALL RIGHT.
169
00:10:05,566 --> 00:10:08,733
ONUS HAD HIS OWN PLACE
IN THAT BUILDING.
170
00:10:08,766 --> 00:10:11,366
I DIDN'T REALIZE WHAT
HE WENT UPSTAIRS TO DO.
171
00:10:11,400 --> 00:10:14,466
I DIDN'T REALIZE
TILL THEY FOUND RAY.
172
00:10:14,500 --> 00:10:17,533
THEN I??I WAS
TOO SCARED TO SAY ANYTHING.
173
00:10:22,000 --> 00:10:26,700
YOU GONNA HELP ME
SQUARE THE BOOKS ON THAT, ARTHUR?
174
00:10:26,733 --> 00:10:28,700
YEAH, HARVEY.
175
00:10:28,733 --> 00:10:29,666
I'M GONNA TRY.
176
00:10:47,733 --> 00:10:48,666
HOW'S HE DOING?
177
00:10:48,700 --> 00:10:49,533
JFK.
178
00:10:58,033 --> 00:10:59,566
HEY.
179
00:10:59,600 --> 00:11:02,133
ERIK VOLPER. SOME KIND
OF ROCK 'N' ROLL MANAGER.
180
00:11:02,166 --> 00:11:05,000
TEMP FOUND HIM IN THE JOHN
WITH HIS SKULL CAVED IN.
181
00:11:05,033 --> 00:11:06,900
WE GOT HER. SHE CALLED 911.
182
00:11:06,933 --> 00:11:08,066
WHAT'S HER ACT?
183
00:11:08,100 --> 00:11:09,833
SOME KIND OF
BUSINESS ASSOCIATE.
184
00:11:09,866 --> 00:11:12,966
TELLS US SOMEONE ALSO
TOOK SOME KIND OF TOOL TO THIS GUY'S CAR.
185
00:11:13,000 --> 00:11:14,533
IT'S ALL VANDALIZED
IN THE EMPLOYEE PARKING LOT.
186
00:11:14,566 --> 00:11:16,500
WE'LL CHECK OUT
THE BATHROOM.
187
00:11:16,533 --> 00:11:17,500
GOT HER NAME?
188
00:11:17,533 --> 00:11:18,866
YEAH. PATRICIA BELL.
189
00:11:18,900 --> 00:11:19,666
THANKS.
190
00:11:23,500 --> 00:11:24,800
I'M DETECTIVE RUSSELL,
MISS BELL.
191
00:11:24,833 --> 00:11:26,700
MISS BELL.
192
00:11:26,733 --> 00:11:28,200
YOU'RE THE ONE
CALLED 911?
193
00:11:28,233 --> 00:11:30,833
JOHN CAME TO ME
SAID ERIK'S BLEEDING IN THE BATHROOM.
194
00:11:30,866 --> 00:11:33,033
I WENT IN THERE,
AND IT WAS JUST HORRIBLE.
195
00:11:33,066 --> 00:11:35,800
HE WAS LYING THERE TWITCHING
WITH HIS HEAD ALL CRUSHED
196
00:11:35,833 --> 00:11:37,633
AND BLOOD
ALL OVER THE FLOOR.
197
00:11:37,666 --> 00:11:39,800
I JUST FOUND HIM. I HAD
ABSOLUTELY NOTHING TO DO WITH THIS.
198
00:11:39,833 --> 00:11:41,366
YOU'RE JOHN?
199
00:11:41,400 --> 00:11:42,200
I WENT IN THERE BECAUSE
I'M MARGINALLY COMPULSIVE.
200
00:11:42,233 --> 00:11:43,233
I WASH MY HANDS A LOT.
201
00:11:43,266 --> 00:11:45,033
I NEVER EVEN MET
MR. VOLPER,
202
00:11:45,066 --> 00:11:47,133
AND I ONLY STARTED WORK
HERE 2 DAYS AGO.
203
00:11:47,166 --> 00:11:49,633
JOHN, YOU HAVE NO BLOOD
ON YOU OR SHOW ANY SIGNS OF A STRUGGLE,
204
00:11:49,666 --> 00:11:51,400
AND I HAVE NO REASON
TO THINK YOU'RE A SUSPECT.
205
00:11:51,433 --> 00:11:52,866
THANK YOU SO MUCH
FOR SAYING THAT.
206
00:11:52,900 --> 00:11:54,900
WHY DON'T YOU WAIT
OVER THERE?
207
00:11:54,933 --> 00:11:57,366
WOULD IT BE ALL RIGHT IF
I WENT TO WASH MY HANDS REALLY QUICKLY DOWNSTAIRS
208
00:11:57,400 --> 00:11:58,366
AND COME RIGHT BACK UP?
209
00:11:58,400 --> 00:11:59,566
YEAH, ABSOLUTELY.
210
00:12:00,900 --> 00:12:03,733
DO YOU HAVE ANY IDEA
WHO MIGHT HAVE DONE THIS?
211
00:12:03,766 --> 00:12:06,166
ACTUALLY DO IT? NO.
212
00:12:06,200 --> 00:12:07,800
MR. VOLPER WASN'T
TOO POPULAR?
213
00:12:07,833 --> 00:12:09,800
EVEN IF HE WAS A NICE GUY,
214
00:12:09,833 --> 00:12:13,633
YOU'RE ALWAYS DISAPPOINTING
PEOPLE, TURNING THEM DOWN FOR REPRESENTATION.
215
00:12:13,666 --> 00:12:17,000
PLUS, THE PEOPLE AREN'T
THE MOST NORMAL, TEND TO ACT OUT.
216
00:12:17,033 --> 00:12:19,066
THE ROCK 'N' ROLL GROUPS?
217
00:12:19,100 --> 00:12:20,733
PLUS ERIK WAS
AN ASSHOLE.
218
00:12:20,766 --> 00:12:22,366
ERIK'S MR. VOLPER.
219
00:12:22,400 --> 00:12:24,533
BUT THAT'S ALMOST
LIKE AN OCCUPATIONAL REQUIREMENT.
220
00:12:24,566 --> 00:12:27,166
YOU KNOW, I'M GONNA
NEED A LIST OF EVERYONE WHO WORKS HERE, PATTY.
221
00:12:27,200 --> 00:12:28,533
YOU WANT HIS ROLODEX?
222
00:12:28,566 --> 00:12:30,633
YEAH. I'M GONNA
NEED ALL OF IT.
223
00:12:30,666 --> 00:12:33,333
OK. I'LL GET YOU
ALL OF IT.
224
00:12:39,100 --> 00:12:41,900
LOOK AT THE AMOUNT OF
BRAIN MATTER MIXED IN WITH HIS BLOOD.
225
00:12:41,933 --> 00:12:44,533
WELL, CSU
MIGHT GET A LIFT OFF THIS DISPENSER.
226
00:12:44,566 --> 00:12:46,500
YEAH, WE SHOULD
GET 'EM OVER HERE.
227
00:12:46,533 --> 00:12:48,366
CSU NEEDS
TO GO OVER THIS GUY'S VANDALIZED CAR, TOO.
228
00:12:48,400 --> 00:12:49,800
SEE IF THEY GET LIFTS
FROM THAT.
229
00:12:49,833 --> 00:12:52,200
YEAH, MIGHT GET
A MATCH WITH THAT HERE.
230
00:12:52,233 --> 00:12:53,333
PRETTY GRUESOME,
HUH, DIANE?
231
00:12:53,366 --> 00:12:55,166
OHH, IF YOU'RE
A FAMILY MEMBER,
232
00:12:55,200 --> 00:12:57,466
YOU'D PROBABLY HOPE
THE GUY DOES GO OUT OF THE PICTURE.
233
00:12:57,500 --> 00:12:59,300
YEAH, SURVIVE,
YOU LIVE AS A BROCCOLI.
234
00:12:59,333 --> 00:13:01,333
LET'S GET THIS
SEALED OFF.
235
00:13:17,200 --> 00:13:19,866
WE REALLY APPRECIATE
YOU COMING IN.
236
00:13:19,900 --> 00:13:23,733
WE'RE VERY SORRY
ABOUT YOUR DAUGHTER AND YOUR GRANDSON.
237
00:13:25,933 --> 00:13:28,133
THEY WERE TAKEN FROM ME
BY MURDER.
238
00:13:28,166 --> 00:13:31,166
ANY IDEAS MIGHT
HELP US LOOK FOR WHO DID THAT?
239
00:13:31,200 --> 00:13:33,166
ANY GRIEVANCES THAT
ANYONE MIGHT HAVE HAD
240
00:13:33,200 --> 00:13:34,833
WITH YOUR DAUGHTER OR
YOUR DAUGHTER'S HUSBAND?
241
00:13:34,866 --> 00:13:36,200
AGAINST HER HUSBAND, SURE.
242
00:13:37,833 --> 00:13:38,666
A BAD PERSON??
243
00:13:38,700 --> 00:13:39,900
LAZY,
244
00:13:39,933 --> 00:13:40,900
DON'T WANT TO WORK,
245
00:13:40,933 --> 00:13:42,733
BORROWS MONEY.
246
00:13:42,766 --> 00:13:45,066
THAT PERSON'S ALWAYS
GONNA HAVE ENEMIES.
247
00:13:45,100 --> 00:13:46,400
THIS IS
YOUR SON?IN?LAW.
248
00:13:46,433 --> 00:13:49,133
BIG INSURANCE SETTLEMENT
FROM THE BUS COMPANY,
249
00:13:49,166 --> 00:13:50,233
HE SAYS HE'S GONNA GET.
250
00:13:50,266 --> 00:13:53,500
FOR 3 YEARS
HE DON'T DO NOTHING,
251
00:13:53,533 --> 00:13:55,900
JUST SO HE CAN PROVE
HE'S GOT A BAD BACK.
252
00:13:55,933 --> 00:13:58,666
DON'T ASK ME IF
HE'S REALLY HURT.
253
00:13:58,700 --> 00:14:01,833
HE SITS AND PLAYS
QUICK?DRAW ON THE LOTTERY.
254
00:14:01,866 --> 00:14:06,233
DON'T MIND MY TINA
WORKING 2 JOBS.
255
00:14:06,266 --> 00:14:08,133
SO DO YOU KNOW
IF ANYONE SPECIFIC
256
00:14:08,166 --> 00:14:10,400
MIGHT HAVE HAD
A DISAGREEMENT WITH YOUR SON?IN?LAW,
257
00:14:10,433 --> 00:14:13,333
MAYBE OVER A BAD DEBT,
ANYTHING OF THAT SORT?
258
00:14:13,366 --> 00:14:16,300
MY LITTLE BOY HAD A HOLE
IN HIS HEART.
259
00:14:16,333 --> 00:14:18,733
WHO? WHO'S THIS NOW?
260
00:14:18,766 --> 00:14:21,200
MY GRANDSON
THAT THEY MURDERED.
261
00:14:21,233 --> 00:14:24,200
HE HAD A HOLE
IN HIS HEART.
262
00:14:24,233 --> 00:14:26,633
MY TINA TOOK
SUCH GOOD CARE,
263
00:14:26,666 --> 00:14:29,000
AND I WOULD TAKE
CARE OF HIM.
264
00:14:29,033 --> 00:14:31,500
BUT THAT ONE...
265
00:14:31,533 --> 00:14:33,900
PLAYS QUICK?DRAW
ON THE LOTTERY.
266
00:14:33,933 --> 00:14:36,300
YOUR SON?IN?LAW PAUL?
267
00:14:36,333 --> 00:14:37,833
AND NOW...
268
00:14:40,900 --> 00:14:43,133
SOMEONE MURDERED...
269
00:14:43,166 --> 00:14:44,366
MY DAUGHTER,
270
00:14:44,400 --> 00:14:45,966
MY LITTLE JOSH.
271
00:14:46,000 --> 00:14:49,033
AND THAT ONE DON'T
GET MURDERED?
272
00:14:49,066 --> 00:14:51,233
I PRAYED TO GOD!
273
00:14:51,266 --> 00:14:53,433
PLEASE TAKE MY LIFE...
274
00:14:55,333 --> 00:14:58,266
SO MY LITTLE BOY'S HEART
WOULD BE GOOD.
275
00:14:59,700 --> 00:15:03,566
OH, HE COULD HAVE
TAKEN MY LIFE....
276
00:15:03,600 --> 00:15:06,766
FOR MY DAUGHTER
AND MY GRANDSON NOT TO BE MURDERED.
277
00:15:10,733 --> 00:15:11,900
[SOBBING]
278
00:15:11,933 --> 00:15:13,200
ALL RIGHT,
MRS. VARGAS.
279
00:15:15,600 --> 00:15:17,700
I HAVE NOTHING NOW.
280
00:15:19,533 --> 00:15:22,166
I DON'T EVEN MIND
COMING HERE.
281
00:15:22,200 --> 00:15:24,033
I HAVE NO PLACE TO GO...
282
00:15:24,066 --> 00:15:26,266
WITH HER AND HIM DEAD.
283
00:15:57,159 --> 00:15:58,758
LIEUTENANT,
CORRECTIONS CALLED
284
00:15:58,792 --> 00:16:00,302
REGARDING AN ONUS PRICE.
285
00:16:00,335 --> 00:16:01,668
THANKS, NAOMI.
286
00:16:05,835 --> 00:16:08,035
IS THAT ONE
BEHAVING HIMSELF?
287
00:16:08,068 --> 00:16:09,402
WELL, HE'S QUITE
UNPLEASANT,
288
00:16:09,435 --> 00:16:11,368
BUT I JUST IMAGINE
HE'S A HOLOGRAM.
289
00:16:11,402 --> 00:16:12,835
TAKE SEATS, AND WE'LL
START THE INTERVIEWS
290
00:16:12,868 --> 00:16:14,368
IN JUST A LITTLE BIT.
291
00:16:14,402 --> 00:16:16,168
WOULD ANYONE
LIKE A BEVERAGE?
292
00:16:16,202 --> 00:16:17,668
SO, WHERE DO YOU
STAND, JAMES?
293
00:16:17,702 --> 00:16:19,568
D.O.A.'S
A MUSICAL MANAGER.
294
00:16:19,602 --> 00:16:22,235
SOMEONE BOUNCED HIS HEAD
OFF THE SINK AND WALLS IN THE OFFICE BATHROOM.
295
00:16:22,268 --> 00:16:23,402
NO WITNESSES.
296
00:16:23,435 --> 00:16:24,968
WE'LL INTERVIEW
HIS COWORKERS.
297
00:16:25,002 --> 00:16:26,735
HE'S DIVORCED.
EX?WIFE LIVES IN ASPEN.
298
00:16:26,768 --> 00:16:28,235
I'M GONNA CONTACT HER.
299
00:16:28,268 --> 00:16:30,235
YOU GOT A WALK?IN SAYS HE
VANDALIZED THE D. O. A.'S CAR.
300
00:16:30,268 --> 00:16:32,002
I LIKE HIS ATTITUDE.
301
00:16:32,035 --> 00:16:33,302
YOU THINK HE MIGHT
WANT TO THROW IN A HOMICIDE?
302
00:16:33,335 --> 00:16:34,435
I GOTTA TAKE A CALL.
303
00:16:36,068 --> 00:16:37,135
HEY.
304
00:16:37,168 --> 00:16:38,968
I'M DETECTIVE RUSSELL.
305
00:16:39,002 --> 00:16:40,068
THIS IS
DETECTIVE MARTINEZ.
306
00:16:40,102 --> 00:16:41,235
YEAH? GREAT.
307
00:16:41,268 --> 00:16:43,002
WE WERE TOLD YOU HAVE
INFORMATION
308
00:16:43,035 --> 00:16:44,168
ABOUT A CASE
WE'RE WORKING.
309
00:16:44,202 --> 00:16:45,835
ERIK VOLPER.
I MESSED UP HIS CAR.
310
00:16:45,868 --> 00:16:48,235
WHY DON'T WE TALK
DOWN THE HALL HERE?
311
00:16:48,268 --> 00:16:49,102
GREG.
312
00:16:50,935 --> 00:16:53,735
I ARRIVED HERE
VOLUNTARILY.
313
00:16:53,768 --> 00:16:55,902
ARE WE ALL
ON THE SAME PAGE?
314
00:16:55,935 --> 00:16:57,468
OH, ABSOLUTELY,
NILS.
315
00:16:57,502 --> 00:16:59,535
THAT'S UNDERSTOOD.
316
00:16:59,568 --> 00:17:02,368
I VANDALIZED
THAT DILDO'S CAR,
317
00:17:02,402 --> 00:17:07,135
AND THERE WERE A LOT OF
WITNESSES TO THAT PROBABLY.
318
00:17:07,168 --> 00:17:10,402
AND PROBABLY
A SURVEILLANCE TAPE
319
00:17:10,435 --> 00:17:13,968
IN THEIR "JEW RECORD
EXECUTIVE" PARKING LOT.
320
00:17:14,002 --> 00:17:16,502
SO YOU FIGURE
YOU'RE A SUSPECT
321
00:17:16,535 --> 00:17:19,535
IN THIS OTHER
UNFORTUNATE PART OF MR. VOLPER'S DAY.
322
00:17:19,568 --> 00:17:20,902
NOW LET ME TELL YOU
SOMETHING.
323
00:17:20,935 --> 00:17:22,702
IF YOU KNEW THIS ASSHOLE,
324
00:17:22,735 --> 00:17:26,468
YOU WOULDN'T BE SURPRISED
IF SOMEONE PUT HIM IN A VEG?O?MATIC.
325
00:17:26,502 --> 00:17:29,702
WHEREAS YOU JUST
TOOK A SCREWDRIVER TO HIS MASERATI.
326
00:17:29,735 --> 00:17:31,968
YEAH, 'CAUSE HE'S
A SICK MANIPULATOR.
327
00:17:32,002 --> 00:17:35,035
HE PRESSES YOUR NOSE
UP AGAINST THE WINDOW
328
00:17:35,068 --> 00:17:36,335
AND THEN...
329
00:17:36,368 --> 00:17:38,635
HITS YOU IN THE BACK
OF THE HEAD.
330
00:17:38,668 --> 00:17:40,568
THE POINT IS,
331
00:17:40,602 --> 00:17:43,168
WHILE WE HAD WORDS
IN HIS OFFICE
332
00:17:43,202 --> 00:17:46,002
AND I DID SOME BODYWORK
ON HIS CAR,
333
00:17:46,035 --> 00:17:48,902
I DID NOT CRACK
HIS SKULL OPEN
334
00:17:48,935 --> 00:17:51,368
IN HIS LAVATORY.
335
00:17:51,402 --> 00:17:55,168
ARE YOU IN THE AID OF
ANY MIND?ENHANCERS JUST NOW, NILS?
336
00:17:55,202 --> 00:17:56,402
STRAIGHTFORWARD QUESTION.
337
00:17:56,435 --> 00:17:57,735
OK.
338
00:17:57,768 --> 00:18:00,868
WOULD YOU MIND
PUTTING IT OUT
339
00:18:00,902 --> 00:18:03,635
THAT I AM THE SUSPECT,
340
00:18:03,668 --> 00:18:05,402
EVEN ON
THE PRELIMINARY LIST?
341
00:18:05,435 --> 00:18:07,335
IF WE DO ANY LEAKING
TO THE PRESS,
342
00:18:07,368 --> 00:18:09,668
WE'LL DEFINITELY SAY
YOU HAD A MOTIVE
343
00:18:09,702 --> 00:18:11,802
AND GET YOU
A LITTLE PUBLICITY.
344
00:18:11,835 --> 00:18:14,602
AND SAY THAT
I CONGRATULATE THE KILLER.
345
00:18:18,502 --> 00:18:22,468
DID I INCRIMINATE MYSELF
WITH THE VANDALISM?
346
00:18:22,502 --> 00:18:24,302
Martinez: YOU COULD MAKE
THAT ARGUMENT,
347
00:18:24,335 --> 00:18:26,302
BUT THAT'S NOT THE FOCUS
OF OUR INVESTIGATING.
348
00:18:26,335 --> 00:18:27,635
OK?
349
00:18:27,668 --> 00:18:30,135
OK.
350
00:18:30,168 --> 00:18:31,302
GOOD.
351
00:18:31,335 --> 00:18:32,402
NILS.
352
00:18:39,402 --> 00:18:40,868
HMM.
353
00:18:41,957 --> 00:18:43,790
HYGIENE, DUDE.
354
00:18:45,557 --> 00:18:47,757
THIS ANGELOS' GOT
A GOOD CREDIT RECORD.
355
00:18:47,790 --> 00:18:49,723
THAT'S 'CAUSE HIS WIFE
WORKS 2 JOBS.
356
00:18:49,757 --> 00:18:51,123
HE'S CLEAN WITH BCI.
357
00:18:51,157 --> 00:18:52,857
HE HAD
ALL HIS PHONE BILLS
358
00:18:52,890 --> 00:18:54,423
HIDDEN IN SOME
HALF?ASS LOCKBOX.
359
00:18:54,457 --> 00:18:56,623
12 CALLS IN THE LAST 3 MONTHS
TO THE COTTONTAIL CLUB.
360
00:18:56,657 --> 00:18:57,557
IT'S THIS GIRLIE BAR.
361
00:18:57,590 --> 00:18:59,223
AND 4 MORE CALLS
362
00:18:59,257 --> 00:19:01,423
TO THE DEDICATED LINE
IN THE CLUB'S OFFICE.
363
00:19:01,457 --> 00:19:02,623
YOU WANT TO WAIT ON
TALKING TO ANGELOS AGAIN
364
00:19:02,657 --> 00:19:04,090
UNTIL YOU SEE
IF THAT'S A GIRLFRIEND.
365
00:19:04,123 --> 00:19:06,457
Simone: YEAH. WE'RE
GONNA CHECK IT OUT.
366
00:19:06,490 --> 00:19:07,757
VINCE GOTELLI.
367
00:19:10,490 --> 00:19:11,957
HEY, GENTLEMEN.
368
00:19:11,990 --> 00:19:14,257
NO OFFENSE, VINCE.
369
00:19:14,290 --> 00:19:15,290
THIS MAN
INTRODUCED HIMSELF
370
00:19:15,323 --> 00:19:17,123
AS RETIRED DETECTIVE
VINCE GOTELLI.
371
00:19:17,157 --> 00:19:20,623
NO. VINCE GOTELLI
WAS A LOT SHORTER.
372
00:19:20,657 --> 00:19:23,390
OH, ANDY, STILL
WITH THE JOKES, HUH?
373
00:19:23,423 --> 00:19:24,857
Simone: YOU'RE LOOKING
GOOD THERE, VINCE.
374
00:19:24,890 --> 00:19:26,957
FELLAS, I FINALLY WENT IN
FOR THAT OPEN?HEART SURGERY.
375
00:19:26,990 --> 00:19:29,123
I'M A COMPLETELY NEW MAN.
376
00:19:29,157 --> 00:19:31,057
ALL THAT PRE?OPERATION
AGONIZING
377
00:19:31,090 --> 00:19:32,090
AND SLEEPLESS NIGHTS...
378
00:19:32,123 --> 00:19:33,790
I GOTTA TELL YOU
SOMETHING??
379
00:19:33,823 --> 00:19:35,190
IF SOMEONE TOLD YOU THAT
YOU NEED THIS OPERATION
380
00:19:35,223 --> 00:19:38,123
AND YOU'RE SITTING THERE
PUTTING IT OFF, DON'T.
381
00:19:38,157 --> 00:19:41,757
YOU COME OUT WITH ALL
YOUR MENTAL FACULTIES FUNCTIONING, HUH?
382
00:19:41,790 --> 00:19:42,757
YEAH, WELL,
TRUTH IS, ANDY,
383
00:19:42,790 --> 00:19:44,257
I'M IN A BETTER
FRAME OF MIND.
384
00:19:44,290 --> 00:19:46,357
SO, WHAT BRINGS YOU
IN, VINCE?
385
00:19:46,390 --> 00:19:49,190
WELL, I'M WORKING
CLAIMS INVESTIGATION FOR VIGILANCE LIFE.
386
00:19:49,223 --> 00:19:50,557
THEY GOT ME LOOKING
INTO THE DEATH
387
00:19:50,590 --> 00:19:52,057
OF THIS TINO ANGELOS.
388
00:19:52,090 --> 00:19:53,590
THEY'LL FILL YOU IN.
389
00:19:53,623 --> 00:19:54,957
IT'S GOOD
TO SEE YOU AGAIN.
390
00:19:54,990 --> 00:19:58,957
UH, THAT'S TINA ANGELOS,
VINCE.
391
00:19:58,990 --> 00:20:00,690
D.O.A. WAS A WOMAN.
392
00:20:00,723 --> 00:20:02,423
OH. SO, WHAT
ARE THE ODDS
393
00:20:02,457 --> 00:20:04,523
THAT IT WAS
FOUL PLAY?
394
00:20:04,557 --> 00:20:06,723
DOUBLE HOMICIDE??ALWAYS
A HIGH LIKELIHOOD.
395
00:20:06,757 --> 00:20:08,357
WELL, ANDY, I MEAN,
396
00:20:08,390 --> 00:20:10,590
DO YOU THINK
THAT MAYBE IT WAS AN INSURANCE WHACK?
397
00:20:10,623 --> 00:20:13,590
WELL, WHAT KIND OF POLICY
DID THE COMPANY WRITE THERE?
398
00:20:13,623 --> 00:20:15,090
THE GUY...
399
00:20:15,123 --> 00:20:18,790
CARRIED A 1.4 MILLION
TERM ON HIMSELF
400
00:20:18,823 --> 00:20:20,057
AND A MILLION ON THE WIFE.
401
00:20:20,090 --> 00:20:21,523
ON HIM, WE COULD
UNDERSTAND,
402
00:20:21,557 --> 00:20:23,423
BECAUSE HE HAS
A BIG CLAIM OUT AGAINST THE CITY.
403
00:20:23,457 --> 00:20:25,690
BUT THE WIFE SEEMS
POTENTIALLY STINKY.
404
00:20:25,723 --> 00:20:27,923
SO THIS GUY FIGHTS
THROUGH HIS GRIEF FROM A HOSPITAL BED
405
00:20:27,957 --> 00:20:29,890
FILING FOR HIS WIFE'S
BENEFITS.
406
00:20:29,923 --> 00:20:33,090
WELL, I DON'T KNOW
THE POINT OF ORIGIN OF THE PHONE CALL.
407
00:20:33,123 --> 00:20:35,090
WE GOTTA GO CHECK OUT
A GIRLIE BAR, VINCE.
408
00:20:35,123 --> 00:20:37,923
YOUR CLAIMANT MAY HAVE
HAD A BACKDOOR SQUEEZE.
409
00:20:37,957 --> 00:20:39,790
GIVE HIM A MOTIVE
TO TAKE OUT HIS WIFE.
410
00:20:39,823 --> 00:20:41,923
WELL, UH, WHICH GIRLIE BAR
YOU GOING TO?
411
00:20:41,957 --> 00:20:43,457
THE COTTONTAIL CLUB.
412
00:20:43,490 --> 00:20:45,990
YOU EVER FREQUENT
THAT HUTCH?
413
00:20:52,657 --> 00:20:54,590
[LOUD MUSIC PLAYING]
414
00:21:06,123 --> 00:21:08,357
WHERE'S THE OWNER?
415
00:21:08,390 --> 00:21:09,923
HUH? WHERE'S THE OWNER?
416
00:21:09,957 --> 00:21:11,623
LET ME TELL HER
SOMEONE'S HERE.
417
00:21:13,957 --> 00:21:15,790
WHAT DID HE
JUST ASK YOU?
418
00:21:20,757 --> 00:21:22,790
THANK YOU.
419
00:21:33,557 --> 00:21:35,023
NEW YORK CITY
DETECTIVES.
420
00:21:35,057 --> 00:21:37,257
PLEASE. COME IN.
421
00:21:37,290 --> 00:21:40,123
SORRY I'M NOT
COMMITTING ANY CRIME.
422
00:21:40,157 --> 00:21:41,623
WELL, IF WE APPLIED
OURSELVES THERE, SHAUNA,
423
00:21:41,657 --> 00:21:43,290
I BET WE COULD
DRUM SOMETHING UP.
424
00:21:45,123 --> 00:21:46,690
WHAT'S THAT ABOUT?
425
00:21:46,723 --> 00:21:48,023
LIVE VIDEO
ON THE INTERNET.
426
00:21:48,057 --> 00:21:49,623
YOU GOT
ANY EXPERIENCE?
427
00:21:49,657 --> 00:21:51,190
HEY, BE NICE.
428
00:21:51,223 --> 00:21:52,690
WHAT'S PAUL ANGELOS
TALK ABOUT
429
00:21:52,723 --> 00:21:54,957
ALL THOSE TIMES
HE CALLS YOU?
430
00:21:54,990 --> 00:21:56,890
WHAT HAPPENED?
431
00:21:56,923 --> 00:21:58,057
WHAT DO YOU THINK
HAPPENED, SHAUNA?
432
00:21:58,090 --> 00:21:59,590
YOU ASSIST PAUL
433
00:21:59,623 --> 00:22:01,223
RUBBING UP HIS CHUBBY,
SHAUNA? HMM?
434
00:22:01,257 --> 00:22:02,890
YOU COME
INTO INFORMATION
435
00:22:02,923 --> 00:22:05,723
BUILDING UP A DEEP
PERSONAL RELATIONSHIP
436
00:22:05,757 --> 00:22:07,057
WOUND UP USEFUL
IN A HOME INVASION?
437
00:22:07,090 --> 00:22:10,457
HEY! YOU STOP POINTING
THAT THING AT ME.
438
00:22:10,490 --> 00:22:13,290
I WASN'T INVOLVED
IN NO HOME INVASION OR NOTHING ELSE.
439
00:22:13,323 --> 00:22:15,790
ANGELOS' WIFE AND SON
ARE DEAD.
440
00:22:15,823 --> 00:22:19,057
AND WHAT'S GOING ON
WITH HIM?
441
00:22:19,090 --> 00:22:21,257
ALL HIS HEROIC EFFORTS
TO SAVE HIS FAMILY,
442
00:22:21,290 --> 00:22:23,757
MIRACULOUSLY, HE ONLY
INCURRED NOT TOO BAD OF A BULLET WOUND.
443
00:22:23,790 --> 00:22:25,923
HEY! WHAT
DID I TELL YOU?
444
00:22:25,957 --> 00:22:26,990
YOU KEEP TALKING.
445
00:22:31,990 --> 00:22:33,623
WASN'T INVOLVED.
446
00:22:33,657 --> 00:22:36,690
SHAUNA, YOU THINK
YOUR PLACE OUTSIDE COULD STAND A TOSS, TOO?
447
00:22:36,723 --> 00:22:38,690
WHAT, AM I BEING
UNCOOPERATIVE?
448
00:22:38,723 --> 00:22:41,257
I DON'T HEAR ANY BIG
AMOUNT OF INFORMATION COMING OUT OF YOUR MOUTH.
449
00:22:41,290 --> 00:22:42,690
HE'S GOT
AN INVOLVEMENT WITH ME,
450
00:22:42,723 --> 00:22:46,623
AND HE'S TALKED ABOUT,
YOU KNOW,
451
00:22:46,657 --> 00:22:49,790
HE COULD POSSIBLY CHANGE
HIS, UH...LIFESTYLE.
452
00:22:49,823 --> 00:22:51,390
THAT HIS FAMILY SITUATION
MIGHT CHANGE?
453
00:22:51,423 --> 00:22:52,957
IN GENERAL TERMS.
454
00:22:52,990 --> 00:22:56,590
AND I NEVER
PAID ATTENTION, ENCOURAGED IT.
455
00:22:56,623 --> 00:22:58,057
I HAD NOTHING TO DO
WITH NO MURDERS.
456
00:22:59,457 --> 00:23:01,023
AT LEAST I GOT THEM
TO SIT DOWN.
457
00:23:01,057 --> 00:23:04,590
DID ANGELOS EVER TALK
TO ANY OF YOUR CLIENTELE
458
00:23:04,623 --> 00:23:05,457
YOU THINK WERE WRONG GUYS?
459
00:23:05,490 --> 00:23:07,623
GIVING UP A NAME,
460
00:23:07,657 --> 00:23:09,090
AM I ACCESSORIZING
MYSELF?
461
00:23:09,123 --> 00:23:11,090
NO.
462
00:23:11,123 --> 00:23:13,057
FRAN WATKINS.
463
00:23:13,090 --> 00:23:14,957
I KNOW FOR A FACT
HE'S GOT A RECORD,
464
00:23:14,990 --> 00:23:18,557
AND ABOUT 10 DAYS AGO,
HE WAS SHOWING A GUN OFF
465
00:23:18,590 --> 00:23:19,957
WHICH I
THREW HIM OUT FOR.
466
00:23:19,990 --> 00:23:21,757
HE'S STAYING
AT THE WORTH.
467
00:23:21,790 --> 00:23:23,223
TWO OF THE GIRLS PARTIED
WITH HIM THERE LAST WEEK.
468
00:23:23,257 --> 00:23:24,890
AND YOU SEEN HIM
WITH PAUL?
469
00:23:24,923 --> 00:23:26,990
LAST COUPLE OF WEEKS,
I SEEN PAUL WITH HIM A LOT.
470
00:23:30,657 --> 00:23:32,457
PAUL GOT SOME
SPECIAL SCENE?
471
00:23:32,490 --> 00:23:33,857
YOU MEAN, LIKE,
OTHERWISE,
472
00:23:33,890 --> 00:23:35,357
WHY WOULD HE BE
HANGING OUT WITH ME?
473
00:23:35,390 --> 00:23:36,957
YEAH.
474
00:23:36,990 --> 00:23:38,623
HE'S GOT
A SPECIALTY.
475
00:23:38,657 --> 00:23:40,257
WHICH IS WHAT?
476
00:23:40,290 --> 00:23:42,123
HE LIKES
GETTING WET.
477
00:23:42,157 --> 00:23:43,723
GETTING URINATED ON.
478
00:23:43,757 --> 00:23:45,457
AND YOU DO THAT
FOR HIM?
479
00:23:45,490 --> 00:23:47,590
WHY NOT, RIGHT? HUH?
480
00:23:47,623 --> 00:23:49,857
SAVES YOU A TRIP
TO THE CAN.
481
00:23:49,890 --> 00:23:51,957
RESUME DANCING.
482
00:24:25,423 --> 00:24:27,057
I'M NOT ABOUT TO ARGUE
483
00:24:27,090 --> 00:24:28,923
THERE'S JUSTICE
IN THE WORLD, HARVEY,
484
00:24:28,957 --> 00:24:31,123
BUT ONUS PRICE
IS IN THE SYSTEM.
485
00:24:33,890 --> 00:24:36,857
WHAT DID THEY
GET HIM FOR?
486
00:24:36,890 --> 00:24:38,623
HE WAS STOPPED
IN AN UNREGISTERED CAR
487
00:24:38,657 --> 00:24:40,590
HOLDING 80 GRAMS
OF HEROIN.
488
00:24:40,623 --> 00:24:42,457
HE ALSO HAD A .25
THAT WAS USED
489
00:24:42,490 --> 00:24:45,057
IN A LIQUOR STORE
STICKUP IN QUEENS.
490
00:24:45,090 --> 00:24:47,723
THE D. A.'S NOT SURE
THEY CAN GO TO BAT ON THE LIQUOR STORE,
491
00:24:47,757 --> 00:24:49,257
BUT THE 80 GRAMS
IS FELONY WEIGHT.
492
00:24:49,290 --> 00:24:51,523
AND PRICE HAS
2 DRUG PRIORS,
493
00:24:51,557 --> 00:24:53,190
SO, BEHIND
THE ROCKEFELLER LAW,
494
00:24:53,223 --> 00:24:55,557
HE'S LOOKING
AT 15 YEARS IN JAIL.
495
00:24:55,590 --> 00:24:58,423
I WANT HIM TO ADMIT
HE KILLED RAY.
496
00:24:58,457 --> 00:25:00,223
I DON'T KNOW WHY
HE'D DO THAT, HARVEY.
497
00:25:00,257 --> 00:25:01,290
THEN I'LL KNOW FOR A FACT
WHAT I DONE.
498
00:25:01,323 --> 00:25:03,257
I HELPED A MAN
KILLED MY FRIEND
499
00:25:03,290 --> 00:25:04,957
GET AWAY FROM THE SCENE.
500
00:25:04,990 --> 00:25:07,623
DIDN'T HAVE NERVE
TO CALL HIM TO ACCOUNT.
501
00:25:07,657 --> 00:25:08,957
I WANT TO KNOW
WHAT I DONE
502
00:25:08,990 --> 00:25:12,290
SO I...KNOW WHAT
I GOT TO ANSWER FOR.
503
00:25:12,323 --> 00:25:14,257
WE DON'T HAVE
ANY LEVERAGE, HARVEY.
504
00:25:16,990 --> 00:25:18,590
LOOK...
505
00:25:18,623 --> 00:25:20,957
I JUST WANTED YOU
TO UNDERSTAND THAT
506
00:25:20,990 --> 00:25:22,223
BEFORE
I TALK TO HIM.
507
00:25:23,890 --> 00:25:25,857
THANKS, ARTHUR.
508
00:25:25,890 --> 00:25:26,790
YEAH.
509
00:25:30,057 --> 00:25:32,290
WHERE WERE YOU AT 5:00
THIS MORNING, HUH, FRAN?
510
00:25:32,323 --> 00:25:36,257
AT AN AFTER?HOURS CLUB
UP ON AMSTERDAM.
511
00:25:36,290 --> 00:25:38,257
YEAH? WHICH ONE
WAS THAT?
512
00:25:38,290 --> 00:25:39,723
TOO DRUNK TO REMEMBER.
513
00:25:39,757 --> 00:25:41,723
YOU WEREN'T ON
RIVINGTON STREET AROUND THAT TIME?
514
00:25:41,757 --> 00:25:44,257
UPTOWN. AMSTERDAM AVENUE.
515
00:25:44,290 --> 00:25:46,257
THERE WAS A MULTIPLE
HOMICIDE LAST NIGHT
516
00:25:46,290 --> 00:25:47,357
ON RIVINGTON STREET,
517
00:25:47,390 --> 00:25:48,923
A HOME INVASION.
518
00:25:48,957 --> 00:25:50,557
A MAN WAS SHOT,
519
00:25:50,590 --> 00:25:52,357
HIS WIFE AND HIS
YEAR?OLD?BOY WERE KILLED.
520
00:25:52,390 --> 00:25:54,223
WOW.
521
00:26:00,757 --> 00:26:04,290
YOU FREQUENT
THE COTTONTAIL CLUB, FRAN?
522
00:26:04,323 --> 00:26:06,223
PERIODICALLY.
523
00:26:06,257 --> 00:26:07,290
YOU KNOW
A PAUL ANGELOS?
524
00:26:07,323 --> 00:26:09,223
WHY, HE DANCE THERE?
525
00:26:09,257 --> 00:26:11,657
HEY. A WOMAN AND
A ONE?YEAR?OLD BOY.
526
00:26:12,990 --> 00:26:14,657
SORRY.
527
00:26:18,423 --> 00:26:20,057
WHAT WAS HIS NAME AGAIN?
528
00:26:20,090 --> 00:26:21,490
PAUL ANGELOS.
529
00:26:24,090 --> 00:26:25,990
YEAH, IT'S A POSSIBILITY.
530
00:26:27,590 --> 00:26:29,057
WHAT DOES HE LOOK LIKE?
531
00:26:29,090 --> 00:26:30,957
YOU NEVER DID
NO BUSINESS WITH HIM?
532
00:26:30,990 --> 00:26:33,057
BUSINESS?
533
00:26:33,090 --> 00:26:34,290
NO.
534
00:26:34,323 --> 00:26:36,523
WHAT BUSINESS IS HE IN?
535
00:26:36,557 --> 00:26:39,290
YOU KNOW WHAT I LOVE
WITH THESE MORONS?
536
00:26:39,323 --> 00:26:41,223
ONE STEP OUT
OF THE TREES,
537
00:26:41,257 --> 00:26:43,257
THEY GOT A "WORLD
BY THE BALLS" ATTITUDE.
538
00:26:43,290 --> 00:26:44,857
MEANWHILE,
25 FEET AWAY,
539
00:26:44,890 --> 00:26:46,457
THEY'RE GETTING
SENT TO JAIL FOR LIFE.
540
00:26:46,490 --> 00:26:49,423
YOU STAY COCKY,
YOU DOUCHE BAG.
541
00:26:49,457 --> 00:26:51,090
THIS ANGELOS
THAT HIRED YOU,
542
00:26:51,123 --> 00:26:52,557
HE'S GIVING YOU UP.
543
00:26:52,590 --> 00:26:54,690
HEY. NOBODY HIRED ME
TO DO NOTHIN'.
544
00:26:54,723 --> 00:26:56,357
HE'S PICKING YOU
OUT OF MUG BOOKS.
545
00:26:56,390 --> 00:26:57,790
HE'S SAYING
YOU BROKE IN,
546
00:26:57,823 --> 00:26:59,023
SHOT HIM.
547
00:26:59,057 --> 00:27:00,357
HE DID HIS BEST
TO FIGHT YOU OFF.
548
00:27:00,390 --> 00:27:02,757
BUT YOU STICK WITH
THAT WISENHEIMER LOOK
549
00:27:02,790 --> 00:27:04,557
AND "NOBODY HAD ME
DO NOTHIN'."
550
00:27:04,590 --> 00:27:06,357
YOU WANT TO THINK
ABOUT IT A LITTLE, FRAN?
551
00:27:06,390 --> 00:27:07,357
YEAH, GO ON,
THINK ABOUT IT.
552
00:27:07,390 --> 00:27:08,857
WE'LL HAVE SOMEONE
COME IN
553
00:27:08,890 --> 00:27:10,457
WITH A BUCKET
OF WATER
554
00:27:10,490 --> 00:27:11,965
IN CASE YOU IGNITE
FROM EXERTING YOUR BRAIN.
555
00:27:26,131 --> 00:27:27,231
YES, MA'AM.
556
00:27:28,565 --> 00:27:29,798
HEY, LIEU.
557
00:27:29,831 --> 00:27:31,331
YOU GETTING
ANYWHERE?
558
00:27:31,365 --> 00:27:34,198
SO FAR, IT'S JUST
DIFFERENT VERSIONS THE GUY WAS A CREEP,
559
00:27:34,231 --> 00:27:36,798
BUT WE GOT MORE INTERVIEWS
COMING IN THE REST OF THE AFTERNOON.
560
00:27:36,831 --> 00:27:38,798
EX?WIFE SAYS SHE MOVED
2,000 MILES AWAY
561
00:27:38,831 --> 00:27:40,365
SO SHE WOULDN'T KILL HIM.
562
00:27:40,398 --> 00:27:41,365
COHEN.
563
00:27:41,398 --> 00:27:43,165
THANKS
FOR COMING IN.
564
00:27:43,198 --> 00:27:45,698
FURTHER DEVELOPMENTS
IN THAT RED?HOT GREEN CASE?
565
00:27:45,731 --> 00:27:47,031
I WANT YOU TO WATCH
THIS INTERVIEW.
566
00:27:47,065 --> 00:27:48,465
IT'S A HOMICIDE
FROM THE EARLY DAYS
567
00:27:48,498 --> 00:27:49,531
OF THE REAGAN
ADMINISTRATION.
568
00:27:49,565 --> 00:27:51,131
20 YEARS FROM NOW,
569
00:27:51,165 --> 00:27:53,231
WE MAY STILL BE
WORKING ON THIS ONE.
570
00:28:03,331 --> 00:28:04,631
SO, THIS ABOUT RUNS
THE STRING OUT,
571
00:28:04,665 --> 00:28:05,998
HUH, ONUS?
572
00:28:06,031 --> 00:28:07,865
IS THAT SO?
573
00:28:12,031 --> 00:28:14,031
A?FELONY WEIGHT,
574
00:28:14,065 --> 00:28:15,198
YOUR SHEET.
575
00:28:15,231 --> 00:28:18,365
YOU TELL ME.
576
00:28:18,398 --> 00:28:19,998
STRANGE SYSTEM.
577
00:28:20,031 --> 00:28:22,131
YOU NEVER KNOW HOW
THINGS FALL OUT.
578
00:28:22,165 --> 00:28:24,431
SO, ONUS, YOU'RE FRIENDS
WITH HARVEY BOUTIER.
579
00:28:24,465 --> 00:28:25,998
WE AIN'T TIGHT.
580
00:28:26,031 --> 00:28:27,831
HIS NAME CAME UP
ON A MURDER
581
00:28:27,865 --> 00:28:29,498
15 YEARS AGO.
582
00:28:29,531 --> 00:28:31,031
GUY NAMED RAY GREEN.
583
00:28:31,065 --> 00:28:32,765
YEAH, I DON'T
KNOW ABOUT IT.
584
00:28:32,798 --> 00:28:34,165
YOU DON'T?
585
00:28:34,198 --> 00:28:36,831
15 YEARS IS A LONG TIME.
586
00:28:36,865 --> 00:28:39,631
YOU HELP US WITH
THE GREEN HOMICIDE,
587
00:28:39,665 --> 00:28:42,165
MAYBE YOU GET HELP
ON THIS WEIGHT YOU WERE HOLDING.
588
00:28:42,198 --> 00:28:44,265
WHAT YOU THINK
BOUTIER DID?
589
00:28:44,298 --> 00:28:46,031
YOU TELL ME.
590
00:28:48,231 --> 00:28:49,831
THEY WAS MUSICIANS.
591
00:28:49,865 --> 00:28:50,998
HE HAD BUSINESS
WITH GREEN.
592
00:28:51,031 --> 00:28:52,965
ASKED IF I'D DRIVE HIM
TO GREEN'S PLACE.
593
00:28:52,998 --> 00:28:54,131
THAT'S ALL I KNOW
WHAT HAPPENED.
594
00:28:54,165 --> 00:28:55,531
YOU DID DRIVE HIM?
595
00:28:55,565 --> 00:28:56,798
DROVE HIM THERE
AND WAITED.
596
00:28:56,831 --> 00:28:58,365
DID YOU KNOW GREEN
WAS MURDERED?
597
00:28:58,398 --> 00:29:01,498
I KNEW HE TURNED UP DEAD.
598
00:29:02,865 --> 00:29:06,098
THAT'S ALL I CAN TELL YOU
ON THAT ONE.
599
00:29:06,131 --> 00:29:08,365
GET ME SOME RHYTHM
BEHIND THIS TROUBLE HERE,
600
00:29:08,398 --> 00:29:10,865
I'LL PUT THAT ALL
IN A STATEMENT.
601
00:29:10,898 --> 00:29:12,565
ALL RIGHT.
602
00:29:20,831 --> 00:29:22,098
CAN HE GO BACK
TO THE TOMBS?
603
00:29:22,131 --> 00:29:22,998
YEAH.
604
00:29:26,498 --> 00:29:27,231
Detective:
STAND UP.
605
00:29:29,198 --> 00:29:30,831
PUTTING HIMSELF
AT THE SCENE
606
00:29:30,865 --> 00:29:32,165
IS AS MUCH
AS YOU'RE GOING TO GET.
607
00:29:32,198 --> 00:29:35,598
IT'S HARD TO GET
SOMEBODY TO DEAL UP TO A MURDER.
608
00:29:35,631 --> 00:29:37,698
I UNDERSTAND.
609
00:29:37,731 --> 00:29:40,331
I OUGHT TO GIVE
MY STATEMENT NOW.
610
00:29:40,365 --> 00:29:42,198
ALL RIGHT.
611
00:29:50,698 --> 00:29:51,698
VINCE?
612
00:29:51,731 --> 00:29:53,831
I'LL BE A FEW MINUTES.
613
00:29:53,865 --> 00:29:55,498
A HEART PATIENT,
YOU'RE NOT SUPPOSED TO STRAIN
614
00:29:55,531 --> 00:29:57,131
MOVING YOUR BOWELS.
615
00:29:57,165 --> 00:29:58,765
ARE WE OK WITH ANGELOS?
616
00:29:58,798 --> 00:29:59,998
HE AGREED TO TAKE
THE POLYGRAPH.
617
00:30:00,031 --> 00:30:02,165
HE'S COMING
RIGHT FROM THE HOSPITAL.
618
00:30:02,198 --> 00:30:03,831
WE BETTER MOVE THAT FRAN
UP TO THE CRIB.
619
00:30:03,865 --> 00:30:07,098
TELL JILL SHE'S GOT TO
IMPERSONATE AN EXAMINER.
620
00:30:07,131 --> 00:30:08,665
FEELS GOOD,
621
00:30:08,698 --> 00:30:11,698
US ALL PULLING TOGETHER
AGAIN LIKE THIS.
622
00:30:22,631 --> 00:30:24,631
I'M VINCENT C. GOTELLI
SPEAKING,
623
00:30:24,665 --> 00:30:26,431
CLAIMS ASSOCIATE
FOR VIGILANCE LIFE,
624
00:30:26,465 --> 00:30:28,365
PRESENT WITH
MR. PAUL ANGELOS,
625
00:30:28,398 --> 00:30:31,965
BENEFICIARY OF
POLICY CG79485,
626
00:30:31,998 --> 00:30:36,298
WRITTEN ON THE LIFE
OF MRS. TINA ANGELOS, DECEASED.
627
00:30:36,331 --> 00:30:38,531
MR. ANGELOS HAS REQUESTED
EXPEDITED SETTLEMENT
628
00:30:38,565 --> 00:30:41,531
AND HAS AGREED
TO A POLYGRAPH WHILE GIVING HIS ACCOUNT
629
00:30:41,565 --> 00:30:44,531
OF THE MURDER
OF HIS WIFE AND SON.
630
00:30:44,565 --> 00:30:47,131
ALSO PRESENT
ARE DETECTIVE BOBBY SIMONE
631
00:30:47,165 --> 00:30:48,698
AND ANDY SIPOWICZ,
632
00:30:48,731 --> 00:30:51,498
AND POLYGRAPH EXAMINER
JILL HARDSTONE.
633
00:30:53,031 --> 00:30:54,931
OK...
634
00:30:54,965 --> 00:30:56,098
IS THAT TOO TIGHT?
635
00:30:56,131 --> 00:30:57,165
NO, IT'S FINE.
636
00:30:57,198 --> 00:30:58,798
SO EVERYONE'S
ON THE SAME PAGE,
637
00:30:58,831 --> 00:31:01,331
I'M GOING TO TELL
IN MY OWN WORDS WHAT HAPPENED.
638
00:31:01,365 --> 00:31:03,931
Gotelli: CORRECT.
SHE'LL JUST ASK UNCONNECTED QUESTIONS
639
00:31:03,965 --> 00:31:05,165
TO ESTABLISH A BASELINE.
640
00:31:05,198 --> 00:31:07,431
ALL RIGHT.
641
00:31:07,465 --> 00:31:09,931
IS YOUR NAME PAUL ANGELOS?
642
00:31:09,965 --> 00:31:12,198
YES, IT IS.
643
00:31:12,231 --> 00:31:14,531
ARE YOU A CITIZEN
OF THE UNITED STATES OF AMERICA?
644
00:31:14,565 --> 00:31:15,531
NATURALIZED.
645
00:31:15,565 --> 00:31:16,598
YES,
646
00:31:16,631 --> 00:31:18,465
I AM.
647
00:31:22,565 --> 00:31:24,665
I WAS SLEEPING
IN OUR APARTMENT
648
00:31:24,698 --> 00:31:26,265
WHEN I, UH, HEARD
RUSTLING SOUNDS,
649
00:31:26,298 --> 00:31:28,798
WHICH I ASSUMED
WAS MY SON,
650
00:31:28,831 --> 00:31:31,531
WHO'S AN INVALID
WITH HEART PROBLEMS. HE DOESN'T SLEEP WELL.
651
00:31:31,565 --> 00:31:34,798
AT A CERTAIN POINT,
I BECAME AWARE OF A FLASHLIGHT.
652
00:31:34,831 --> 00:31:36,798
I REALIZED
THERE WAS AN INTRUDER.
653
00:31:36,831 --> 00:31:38,298
I GOT UP FROM THE BED
TO INTERVENE,
654
00:31:38,331 --> 00:31:40,098
I WAS STRUCK ON THE HEAD,
655
00:31:40,131 --> 00:31:42,131
AND I RECALL VAGUELY
A SHARP PAIN IN THE STOMACH,
656
00:31:42,165 --> 00:31:44,731
WHICH I ASSUMED SUBSEQUENTLY
IS WHEN I WAS SHOT.
657
00:31:49,998 --> 00:31:51,698
WHEN I REGAINED
CONSCIOUSNESS,
658
00:31:51,731 --> 00:31:55,765
I SAW THAT MY WIFE AND SON
HAD BEEN EXECUTED
659
00:31:55,798 --> 00:31:57,631
AND I'D BEEN SHOT
IN THE STOMACH.
660
00:31:57,665 --> 00:31:59,631
I THINK I LAPSED
INTO UNCONSCIOUSNESS ONE MORE TIME
661
00:31:59,665 --> 00:32:01,531
WHEN I WAS ON THE PHONE
WITH 911.
662
00:32:01,565 --> 00:32:03,531
I DON'T KNOW
IF THAT'S ON THE RECORDING.
663
00:32:03,565 --> 00:32:06,498
THAT'S MY FULL RECOLLECTION.
664
00:32:20,798 --> 00:32:23,698
ALL RIGHT, LET HER GET
ANOTHER BASELINE.
665
00:32:28,698 --> 00:32:31,965
DO YOU SOLICIT AND PAY FOR
BEING URINATED ON?
666
00:32:35,131 --> 00:32:38,698
SHE'S ASKING,
DID YOU PAY SHAUNA MILLS TO PISS ON YOU?
667
00:32:40,031 --> 00:32:42,165
ALL RIGHT, TAKE THESE OFF.
THIS STATEMENT IS OVER.
668
00:32:42,198 --> 00:32:45,298
I NEVER UNDERSTOOD
THE PLEASURE IN SOMETHING LIKE THAT.
669
00:32:45,331 --> 00:32:46,931
FRAN WATKINS
PISS ON YOU, TOO?
670
00:32:46,965 --> 00:32:48,531
NONE OF THIS IS ENFORCEABLE
IN A COURT OF LAW.
671
00:32:48,565 --> 00:32:51,098
THE POLYGRAPH IS INADMISSIBLE.
672
00:32:51,131 --> 00:32:53,331
ABSOLUTELY, PAUL.
POLYGRAPHS ARE DEFINITELY INADMISSIBLE.
673
00:32:53,365 --> 00:32:55,831
OF COURSE,
WE DO GOT FRAN WATKINS IN THE NEXT ROOM,
674
00:32:55,865 --> 00:32:59,465
AND HE ALREADY
GIVE YOU UP HIRING HIM TO DO THE MURDERS.
675
00:32:59,498 --> 00:33:02,965
I WAS JUST ASKING
FOR PERSONAL INFORMATION ABOUT THE PISSIN'.
676
00:33:02,998 --> 00:33:05,431
WE NEVER GOT AROUND
TO ASKING HIM THAT.
677
00:33:05,465 --> 00:33:06,865
I ATTEMPTED TO STOP
THOSE MURDERS.
678
00:33:06,898 --> 00:33:08,431
SURE YOU DID, PAUL.
679
00:33:08,465 --> 00:33:10,431
YOU HIRED HIM TO DO
THOSE KILLINGS
680
00:33:10,465 --> 00:33:12,365
AND THEN YOU TRIED
TO STOP IT.
681
00:33:12,398 --> 00:33:13,631
THAT'S RIGHT.
682
00:33:13,665 --> 00:33:16,165
AND IF HE SAYS
ANYTHING ELSE, HE'S LYING.
683
00:33:16,198 --> 00:33:18,265
TINA WAS SCREAMING.
MY BOY WAS SCREAMING.
684
00:33:18,298 --> 00:33:19,665
I TRIED TO STOP HIM.
685
00:33:21,398 --> 00:33:23,231
I SWEAR THAT'S WHAT HAPPENED.
686
00:33:29,165 --> 00:33:30,998
THEN THAT'S WHAT
YOU'D BETTER WRITE.
687
00:33:42,198 --> 00:33:43,498
I WANT TO TELL
688
00:33:43,531 --> 00:33:45,965
MY PART IN KILLING
689
00:33:45,998 --> 00:33:47,998
RAY GREEN.
690
00:33:48,031 --> 00:33:50,031
I THINK RATHER THAN
IDENTIFYING YOURSELF AS A PARTICIPANT,
691
00:33:50,065 --> 00:33:52,765
WHAT YOU
MEAN TO DESCRIBE ARE YOUR ACTIVITIES
692
00:33:52,798 --> 00:33:55,031
AT THE TIME,
LEADING UP TO AND FOLLOWING
693
00:33:55,065 --> 00:33:56,365
RAY GREEN'S DEATH.
694
00:33:56,398 --> 00:33:57,698
[CLEARS THROAT]
695
00:33:57,731 --> 00:34:00,165
DESCRIBE IT
THE WAY YOU WANT, MR. BOUTIER.
696
00:34:02,731 --> 00:34:04,498
ONUS PRICE ASKED ME
TO DRIVE THE CAR
697
00:34:04,531 --> 00:34:06,198
AFTER HE TOOK RAY OFF,
698
00:34:06,231 --> 00:34:11,931
AND I DIDN'T ASK HIM
WHAT WAS IN THE DUFFEL BAG...
699
00:34:11,965 --> 00:34:14,165
WHICH WAS RAY'S HORN.
700
00:34:14,198 --> 00:34:17,131
JUST TO BE CLEAR,
DID YOU ACTUALLY SEE MR. GREEN'S TRUMPET?
701
00:34:17,165 --> 00:34:18,698
I KNEW WHAT WAS IN THE BAG.
702
00:34:18,731 --> 00:34:21,031
AND AFTER I GOT OUT
OF THE CAR
703
00:34:21,065 --> 00:34:22,831
AND WALKED AROUND,
704
00:34:22,865 --> 00:34:24,831
I KNEW WHAT MUST HAVE
HAPPENED.
705
00:34:24,865 --> 00:34:26,798
AT LEAST RAY
MUST HAVE BEEN HURT,
706
00:34:26,831 --> 00:34:28,931
'CAUSE THERE WAS NO WAY
RAY WOULD GIVE UP HIS HORN.
707
00:34:28,965 --> 00:34:30,531
YOU'RE DESCRIBING
A TIME NOW
708
00:34:30,565 --> 00:34:32,998
AFTER YOU'D GOTTEN OUT
OF ONUS PRICE'S CAR
709
00:34:33,031 --> 00:34:35,265
AND FOLLOWING
WHAT YOU INFER WAS PRICE
710
00:34:35,298 --> 00:34:37,198
HAVING ROBBED RAY GREEN?
711
00:34:37,231 --> 00:34:39,698
YEAH, WHEN THEY FOUND RAY...
712
00:34:39,731 --> 00:34:41,098
THE NEXT DAY,
713
00:34:41,131 --> 00:34:43,698
I WAS SICK TO HEART.
714
00:34:45,231 --> 00:34:47,498
AND ONUS FOUND ME
THAT NIGHT AT THE PINE.
715
00:34:47,531 --> 00:34:49,798
THIS IS THE PINE GRILL.
716
00:34:49,831 --> 00:34:53,098
AND ONUS SAID IT WAS BAD
WHAT HAPPENED TO RAY.
717
00:34:53,131 --> 00:34:55,498
IT WAS A BAD THING
AND AWFUL,
718
00:34:55,531 --> 00:34:57,598
AND I KNEW WHAT HE WAS
SAYING TO ME,
719
00:34:57,631 --> 00:35:00,131
AND I HAD NO NERVE
TO GO UP AGAINST HIM,
720
00:35:00,165 --> 00:35:03,698
TO...OPEN MY MOUTH...
721
00:35:03,731 --> 00:35:07,398
WHAT ONUS...DONE.
722
00:35:10,565 --> 00:35:12,131
AND THAT'S
THE FULL EXTENT OF YOUR KNOWLEDGE
723
00:35:12,165 --> 00:35:13,198
OF THE INCIDENT?
724
00:35:13,231 --> 00:35:15,365
AND 'CAUSE I NEVER SAID,
725
00:35:15,398 --> 00:35:18,431
4 YEARS LATER RAY'S SISTER
CAME UP FROM GEORGIA,
726
00:35:18,465 --> 00:35:22,465
AND I...AVOIDED
BEING FRIENDS WITH HER.
727
00:35:22,498 --> 00:35:26,265
AND BEHIND NOT SAYING,
I SEE RAY'S NEPHEW,
728
00:35:26,298 --> 00:35:30,031
AND...I COULDN'T BE FRIENDS
WITH HIM.
729
00:35:30,065 --> 00:35:33,031
AND I'D SEE THAT DAMN
730
00:35:33,065 --> 00:35:36,098
SON OF A BITCH ONUS
731
00:35:36,131 --> 00:35:37,465
RUNNING A GAME
732
00:35:37,498 --> 00:35:39,131
OR LOOKING
TO TAKE SOMEBODY OFF,
733
00:35:39,165 --> 00:35:43,031
AND SOMETIMES
HE'D LAY EYES ON ME...
734
00:35:43,065 --> 00:35:44,831
AND I'D...
735
00:35:44,865 --> 00:35:47,598
TURN AWAY.
736
00:35:47,631 --> 00:35:51,998
SO IT WASN'T DRIVING NO CAR
FOR ONUS 15 YEARS AGO
737
00:35:52,031 --> 00:35:54,498
OR NOT KNOWING FOR SURE
738
00:35:54,531 --> 00:35:57,831
WHAT WAS IN
THAT DUFFEL BAG.
739
00:35:57,865 --> 00:36:00,831
DIFFERENT WAYS
I STAYED ON
740
00:36:00,865 --> 00:36:03,165
KILLING RAY...
741
00:36:03,198 --> 00:36:05,365
ALL THIS TIME.
742
00:36:09,131 --> 00:36:11,665
DO YOU WANT TO SAY
ANYTHING FURTHER, MR. BOUTIER?
743
00:36:11,698 --> 00:36:14,198
NO, THAT'S IT.
744
00:36:17,965 --> 00:36:20,831
I'LL MAKE SURE
PRICE IS CHARGED FOR THE HOMICIDE.
745
00:36:20,865 --> 00:36:22,665
I DON'T KNOW THAT
THEY'LL GO TO BAT,
746
00:36:22,698 --> 00:36:24,165
BECAUSE HE'S
A REPEAT OFFENDER,
747
00:36:24,198 --> 00:36:27,031
AND HE'S
DEAD TO RIGHTS ON THESE DRUG FELONIES.
748
00:36:27,065 --> 00:36:28,831
BUT, UH, I PROMISE
HE'LL BE CHARGED.
749
00:36:28,865 --> 00:36:31,965
AND IF THEY HAVE TO CHARGE ME,
I'M READY FOR THAT.
750
00:36:31,998 --> 00:36:33,965
UNDER THE CIRCUMSTANCES,
THAT'S NOT LIKELY, MR. BOUTIER.
751
00:36:33,998 --> 00:36:36,498
WE APPRECIATE
YOUR COOPERATION.
752
00:36:37,898 --> 00:36:40,198
I WISH IT DIDN'T TAKE DYING
753
00:36:40,231 --> 00:36:41,898
TO GIVE ME NERVE.
754
00:36:48,565 --> 00:36:52,031
SO, UH, YOU HAVE TO BE
AT THE DIALYSIS UNIT BY 4:00?
755
00:36:52,065 --> 00:36:54,165
I'M GONNA PLAY HOOKY.
756
00:36:55,998 --> 00:36:57,898
GIVE ME A RIDE HOME?
757
00:36:59,065 --> 00:37:00,498
YEAH, SURE.
758
00:37:27,631 --> 00:37:28,998
APPRECIATE YOU COMING IN.
759
00:37:29,031 --> 00:37:30,265
THAT'S ALL RIGHT.
760
00:37:30,298 --> 00:37:31,298
DANA
IS YOUR FIRST NAME?
761
00:37:31,331 --> 00:37:32,931
UH??UH??DANA LENNIX.
762
00:37:32,965 --> 00:37:36,098
I KNOW IT SOUNDS MORE LIKE
A WOMAN'S NAME.
763
00:37:36,131 --> 00:37:37,665
OH, NO,
NOT NECESSARILY.
764
00:37:37,698 --> 00:37:40,165
ANYWAY, DANA,
WITH THE INCIDENT THIS MORNING,
765
00:37:40,198 --> 00:37:42,198
WE'RE TALKING TO
ANYONE IN THE BUILDING
766
00:37:42,231 --> 00:37:43,998
WHO MIGHT BE ABLE
TO GIVE US INFORMATION.
767
00:37:44,031 --> 00:37:46,665
UH...I MAINTAINED
THAT BATHROOM AT 6:25 THIS MORNING.
768
00:37:46,698 --> 00:37:49,531
THAT'S MY SCHEDULED TIME,
AND TODAY I WAS ON TIME.
769
00:37:49,565 --> 00:37:51,465
SOME DAYS I'LL BE
A FEW MINUTES BEHIND,
770
00:37:51,498 --> 00:37:53,631
BUT TODAY
I WAS RIGHT ON TIME.
771
00:37:53,665 --> 00:37:56,131
YOU DIDN'T
NOTICE ANYTHING OUT OF THE ORDINARY?
772
00:37:56,165 --> 00:37:57,131
NO.
773
00:37:57,165 --> 00:37:59,865
DID YOU KNOW
MR. VOLPER AT ALL?
774
00:37:59,898 --> 00:38:01,265
WELL, JUST AS A PERSON.
775
00:38:01,298 --> 00:38:03,698
HE...HE WORKED
ON THAT FLOOR.
776
00:38:03,731 --> 00:38:05,098
WELL, BEING CANDID, DANA,
777
00:38:05,131 --> 00:38:07,131
UH, PEOPLE WE'RE TALKING TO,
778
00:38:07,165 --> 00:38:11,331
THIS MR. VOLPER'S
NOT COMING OUT WINNING ANY POPULARITY CONTESTS.
779
00:38:11,365 --> 00:38:13,365
I DON'T KNOW
WHAT TO SAY TO THAT.
780
00:38:13,398 --> 00:38:16,465
AS FAR AS
YOUR DEALINGS WITH HIM, ANY UNPLEASANT CONVERSATION?
781
00:38:16,498 --> 00:38:17,631
NOTHING OF THAT SORT?
782
00:38:17,665 --> 00:38:19,165
I JUST KNEW HIM
AS A PERSON.
783
00:38:19,198 --> 00:38:21,465
DID HE EVER COME EARLY
TO WORK?
784
00:38:21,498 --> 00:38:23,131
OH, HE'D COME IN EARLY.
785
00:38:23,165 --> 00:38:26,265
HE'D BE IN ALL HOURS,
YOU KNOW, IN AND OUT.
786
00:38:26,298 --> 00:38:29,731
WHEN'S THE LAST TIME
YOU WERE IN A HOSPITAL, DANA?
787
00:38:33,231 --> 00:38:34,998
14 MONTHS.
788
00:38:35,031 --> 00:38:37,931
AND WHAT WAS THAT FOR?
789
00:38:37,965 --> 00:38:40,298
UH...IT WAS A MEDICAL
PROBLEM.
790
00:38:40,331 --> 00:38:41,931
WHAT KIND?
DO YOU REMEMBER?
791
00:38:41,965 --> 00:38:43,831
UH...IT WAS
A MEDICAL DIFFICULTY.
792
00:38:43,865 --> 00:38:46,131
WERE YOU GIVEN
MEDICATION FOR THAT?
793
00:38:46,165 --> 00:38:47,498
TURNED OUT
IT WASN'T NECESSARY.
794
00:38:47,531 --> 00:38:49,165
THEY DIDN'T GIVE YOU
MEDICATION,
795
00:38:49,198 --> 00:38:50,865
OR IT TURNED OUT
YOU DIDN'T TAKE IT?
796
00:38:50,898 --> 00:38:52,631
UH, TH?THE SECOND.
797
00:38:52,665 --> 00:38:55,931
HOW LONG SINCE
YOU DIDN'T TAKE YOUR MEDICATION, DANA?
798
00:38:55,965 --> 00:38:58,631
SAY, UH, 4 MONTHS.
799
00:39:02,131 --> 00:39:03,998
SO, THAT'S ABOUT IT.
800
00:39:04,031 --> 00:39:05,598
WHAT DO YOU MEAN?
801
00:39:05,631 --> 00:39:07,831
THAT'S ABOUT IT,
SO I'M READY TO GO.
802
00:39:07,865 --> 00:39:09,665
WELL, WE GOTTA COMPLETE
OUR INTERVIEW, DANA,
803
00:39:09,698 --> 00:39:11,631
COMPLETE
OUR INFORMATION.
804
00:39:11,665 --> 00:39:15,298
WELL, WHAT YOU DON'T WANT
IS ME LOSING MY TEMPER.
805
00:39:15,331 --> 00:39:16,965
WELL, NO ONE WANTS THAT,
806
00:39:16,998 --> 00:39:19,031
BUT WE NEED TO COMPLETE
OUR INTERVIEW.
807
00:39:19,065 --> 00:39:21,231
UH...DON'T GET
UNDER MY SKIN.
808
00:39:22,898 --> 00:39:25,531
YOU HAVE PROBLEMS
WITH YOUR TEMPER, DANA?
809
00:39:25,565 --> 00:39:27,665
I DIDN'T HURT ANYBODY.
810
00:39:27,698 --> 00:39:30,231
DID YOU HURT ERIK VOLPER
THIS MORNING?
811
00:39:32,398 --> 00:39:36,798
DANA, IF THAT'S
YOUR BLOODY FINGERPRINT ON THE BATHROOM WALL,
812
00:39:36,831 --> 00:39:40,365
ONCE THOSE LAB REPORTS
GET BACK, I DON'T KNOW IF I CAN HELP YOU.
813
00:39:40,398 --> 00:39:42,231
I CAN'T HELP YOU, EITHER.
814
00:39:44,031 --> 00:39:47,498
DO YOU WANT
TO HOLD MY HAND WHILE WE TALK ABOUT THIS?
815
00:39:56,331 --> 00:39:59,098
SOMEONE PULLED OUT
THE TOWEL TOO HARD,
816
00:39:59,131 --> 00:40:00,931
BROKE THAT WHOLE THING
AGAIN.
817
00:40:00,965 --> 00:40:02,665
THIS HAPPENED
IN FRONT OF YOU?
818
00:40:02,698 --> 00:40:03,998
RIGHT IN FRONT OF ME.
819
00:40:04,031 --> 00:40:07,765
I EXPLAINED HOW TO
CORRECTLY REMOVE THE TOWEL,
820
00:40:07,798 --> 00:40:11,531
HE CALLED ME AN IDIOT
AND A MORON
821
00:40:11,565 --> 00:40:14,265
AND A TOILET JOCKEY.
822
00:40:14,298 --> 00:40:17,265
I NEVER RAISED MY VOICE
TO LOSE MY TEMPER,
823
00:40:17,298 --> 00:40:18,665
AND PROVING THAT IS
824
00:40:18,698 --> 00:40:20,331
NO ONE HEARD NOTHING,
825
00:40:20,365 --> 00:40:22,598
AND THIS IS 8:14
WHEN THERE WAS SEVERAL PEOPLE
826
00:40:22,631 --> 00:40:23,798
ALREADY TO WORK.
827
00:40:27,631 --> 00:40:30,031
I BROKE HIS HEAD
AGAINST THAT SINK.
828
00:40:31,531 --> 00:40:35,765
MIGHT HAVE BEEN INVISIBLE
EXITING THAT STATION 4.
829
00:40:35,798 --> 00:40:38,098
THAT'S THAT LAVATORY,
STATION 4?
830
00:40:38,131 --> 00:40:40,098
MIGHT AS WELL
HAVE BEEN INVISIBLE.
831
00:40:40,131 --> 00:40:43,531
DON'T GET UNDER MY SKIN.
832
00:40:43,565 --> 00:40:46,831
AND DON'T DIS??
I'LL BREAK YOUR HANDS OFF YOUR WRISTS!
833
00:40:46,865 --> 00:40:48,031
I??
834
00:40:48,065 --> 00:40:49,465
I'M SORRY. I'M SORRY!
835
00:40:49,498 --> 00:40:51,298
IT'S ALL RIGHT.
836
00:40:51,331 --> 00:40:52,565
IT'S ALL RIGHT.
837
00:41:20,365 --> 00:41:22,331
[OUT OF BREATH]
838
00:41:22,365 --> 00:41:25,631
GET YOURSELF SOMETHING
FROM THE ICEBOX, ARTHUR.
839
00:41:25,665 --> 00:41:29,765
I GOT VEGETABLE JUICES
IN THERE MAKE A HEALTHY MAN SICK.
840
00:41:29,798 --> 00:41:31,998
I'M ALL RIGHT.
841
00:41:32,031 --> 00:41:35,098
WISH I HAD SOME BEER
TO OFFER YOU OR SOMETHING.
842
00:41:35,131 --> 00:41:36,465
DON'T WORRY ABOUT IT,
HARVEY.
843
00:41:37,865 --> 00:41:40,598
IF I HAD IT,
I'D DRINK IT.
844
00:41:40,631 --> 00:41:42,765
[CHUCKLES]
845
00:41:42,798 --> 00:41:46,131
SO, IS THIS
LIKE A SNAPSHOT?
846
00:41:48,531 --> 00:41:51,365
I'M SORRY OUR LIVES
DIDN'T CROSS MORE, HARVEY.
847
00:41:51,398 --> 00:41:54,131
I ALWAYS LIKED YOU.
848
00:41:54,165 --> 00:41:57,031
ADMIRED HOW MUCH
YOU LOVED YOUR MUSIC.
849
00:41:57,065 --> 00:41:59,631
I WISH IT HAD
COME TO MORE.
850
00:42:01,031 --> 00:42:02,998
YOU HATE THINKING
THAT...
851
00:42:03,031 --> 00:42:06,431
MAYBE YOU WERE JUST
A FOOL FOR IT.
852
00:42:06,465 --> 00:42:09,065
BEING A FOOL FOR SOMETHING'S
NOT ALL BAD.
853
00:42:11,465 --> 00:42:14,565
YOU FEEL LIKE
YOU AIN'T BEEN FOOLISH ENOUGH, ARTHUR?
854
00:42:16,398 --> 00:42:18,231
I FEEL THAT WAY SOMETIMES.
855
00:42:20,798 --> 00:42:22,965
I LOVE MY FAMILY.
856
00:42:22,998 --> 00:42:25,298
I THINK
I'M A GOOD FATHER,
857
00:42:25,331 --> 00:42:26,931
A GOOD HUSBAND.
858
00:42:26,965 --> 00:42:29,665
I'M PROUD I'VE MADE
SOME PROGRESS ON MY JOB.
859
00:42:29,698 --> 00:42:31,331
AND KNOWING YOU,
860
00:42:31,365 --> 00:42:34,298
THAT COMES MORE FROM
PICKIN' IN THE FIELD
861
00:42:34,331 --> 00:42:37,965
THAN DUSTING OFF
THE PLANTATION HOUSE PIANO.
862
00:42:37,998 --> 00:42:40,598
SOMETIMES AT NIGHT
I LAY UP,
863
00:42:40,631 --> 00:42:43,831
AND IF THERE'S A WIND,
IT SOUNDS LIKE MY LIFE RUSHING BY.
864
00:42:45,565 --> 00:42:48,431
I WONDER IF THERE WAS A FIGHT
I WAS SUPPOSED TO FIGHT
865
00:42:48,465 --> 00:42:50,831
BUT DIDN'T LOOK RIGHT
TO SEE IT,
866
00:42:50,865 --> 00:42:53,665
OR...IF THERE WAS A WAY
867
00:42:53,698 --> 00:42:56,998
I SHOULD HAVE LET
LILLIAN AND MY KIDS KNOW I LOVED THEM
868
00:42:57,031 --> 00:42:59,331
WOULD HAVE WARMED THEM
IN THEIR HEARTS
869
00:42:59,365 --> 00:43:01,131
NO MATTER WHAT COLD CAME.
870
00:43:03,631 --> 00:43:07,131
I WONDER IF I JUST WASN'T
FOOL ENOUGH TO TRY.
871
00:43:07,165 --> 00:43:09,865
YOU TRIED FOR ME
TODAY, ARTHUR.
872
00:43:10,965 --> 00:43:12,631
AND I KNEW
873
00:43:12,665 --> 00:43:14,765
YOU WERE WHO I...
874
00:43:14,798 --> 00:43:17,998
SHOULD COME TO.
875
00:43:18,031 --> 00:43:21,598
I DON'T KNOW
HOW MUCH GOOD I DID.
876
00:43:21,631 --> 00:43:24,365
SEEMS THEY DON'T LET YOU
BE SURE OF THAT, EITHER.
877
00:43:27,531 --> 00:43:28,998
WELL...
878
00:43:35,565 --> 00:43:36,865
IF YOU WANT COMPANY,
HARVEY,
879
00:43:36,898 --> 00:43:38,931
YOU KNOW WHERE
TO FIND ME
880
00:43:38,965 --> 00:43:40,298
AND HOW TO CALL.
881
00:43:40,331 --> 00:43:41,498
YEAH.
882
00:43:41,531 --> 00:43:43,565
I DO KNOW THAT MUCH.
883
00:43:44,665 --> 00:43:47,065
COUNTS FOR A LOT.
884
00:43:47,115 --> 00:43:51,665
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