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1
00:00:22,589 --> 00:00:23,524
HEY, JAMES.
2
00:00:25,091 --> 00:00:26,527
THANK YOU NOTE
FROM ME AND GINA.
3
00:00:26,560 --> 00:00:27,728
LOTS OF HAPPINESS.
4
00:00:27,761 --> 00:00:29,395
YEAH. THEY'RE
BEAUTIFUL DISHES.
5
00:00:29,429 --> 00:00:32,498
AS FAR AS THE ELOPEMENT,
I HOPE EVERYONE UNDERSTOOD.
6
00:00:32,533 --> 00:00:33,700
OH, YEAH, SURE.
7
00:00:33,734 --> 00:00:35,702
GINA WENT HOME EARLY?
8
00:00:35,736 --> 00:00:37,003
YEAH. SHE CAME HOME
AROUND 2:00.
9
00:00:37,037 --> 00:00:38,238
SHE WAS FEELING
A LITTLE QUEASY.
10
00:00:38,271 --> 00:00:39,540
I GUESS THAT'S
TO BE EXPECTED.
11
00:00:39,573 --> 00:00:40,541
AFTERNOON, ALL.
12
00:00:40,574 --> 00:00:41,374
GREG.
HEY. GREG.
13
00:00:45,712 --> 00:00:46,580
HOW'S IT GOIN', ANDY?
14
00:00:46,613 --> 00:00:49,916
STOCKING UP
FOR OUR 4:00 TO 1:00?
15
00:00:49,950 --> 00:00:51,885
4.75 FOR SNACK
REPLACEMENTS.
16
00:00:51,918 --> 00:00:52,919
OH, YEAH.
17
00:00:52,953 --> 00:00:56,056
4.75. SAY NO MORE.
18
00:00:56,089 --> 00:00:57,090
EVEN THOUGH, UH...
19
00:00:57,123 --> 00:00:59,425
I'M NO LONGER
DRINKING DAIRY.
20
00:00:59,459 --> 00:01:01,562
HEY.
21
00:01:01,595 --> 00:01:02,563
HOW'S IT GOIN'?
22
00:01:02,596 --> 00:01:03,730
4.75 FOR SNACK
REPLACEMENTS.
23
00:01:03,764 --> 00:01:05,532
UH, TOMORROW OK?
YEAH.
24
00:01:05,566 --> 00:01:08,101
THERE YOU GO.
25
00:01:08,134 --> 00:01:09,603
BROUGHT
YOUR DINNER, HUH?
26
00:01:09,636 --> 00:01:11,437
YEAH. I MADE PASTA SALAD,
WHICH MY KIDS HATE.
27
00:01:11,471 --> 00:01:13,439
NOW I'M EATING IT
THE LAST 3 NIGHTS.
28
00:01:13,473 --> 00:01:14,941
LONG AS
I BRING A MEAL,
29
00:01:14,975 --> 00:01:16,442
I DON'T MIND
A 4:00 TO 1:00.
30
00:01:16,476 --> 00:01:17,944
I SORT OF ENJOY IT.
31
00:01:17,978 --> 00:01:19,445
ME, TOO.
32
00:01:19,479 --> 00:01:20,914
YOU MISS
YOUR TV SHOWS.
33
00:01:20,947 --> 00:01:23,116
THAT'S ONE NEGATIVE.
34
00:01:23,149 --> 00:01:24,484
THAT'S TRUE, HUH?
35
00:01:26,086 --> 00:01:27,721
HEY. HEY, HEY.
HEY. HEY.
36
00:01:27,754 --> 00:01:31,457
YOU KNOW, YOU NEED
PSYCHIATRIC TREATMENT.
37
00:01:31,491 --> 00:01:33,560
WHAT ARE YOU
TALKING ABOUT, ANDY?
38
00:01:33,594 --> 00:01:36,930
ABOUT EVERY TIME I COLLECT
FOR SNACK REPLACEMENTS,
39
00:01:36,963 --> 00:01:39,132
YOU STIFF ME ON THE CHANGE.
40
00:01:39,165 --> 00:01:40,466
WHAT HAPPENED? OH.
41
00:01:40,501 --> 00:01:42,636
I PUT IN A NICKEL
FOR A QUARTER.
42
00:01:42,669 --> 00:01:43,970
THAT'S...
43
00:01:44,004 --> 00:01:46,306
THAT'S NOT EXACTLY
A FEDERAL CASE.
44
00:01:46,339 --> 00:01:48,642
LAST TIME, YOU PAY YOUR SHARE
WITH PENNY ROLLS.
45
00:01:48,675 --> 00:01:51,578
BANK TELLER BUSTS SYLVIA.
SHE'S 14 CENTS LIGHT.
46
00:01:51,612 --> 00:01:52,646
[TELEPHONE RINGS]
47
00:01:52,679 --> 00:01:54,480
EXCUSE ME.
48
00:01:54,515 --> 00:01:55,582
15th SQUAD.
49
00:01:55,616 --> 00:01:56,617
THANKS.
50
00:01:58,519 --> 00:01:59,452
ANDY.
51
00:01:59,485 --> 00:02:00,954
HE DID IT AGAIN.
52
00:02:00,987 --> 00:02:02,956
WE GOT A DOA
UNDER THE FDR.
53
00:02:02,989 --> 00:02:04,490
CAR FIRE.
54
00:02:04,525 --> 00:02:06,660
OH, MY GOD, ABBY.
ARE YOU ALL RIGHT?
55
00:02:06,693 --> 00:02:08,662
IS YOUR STOMACH
ALL RIGHT?
56
00:02:08,695 --> 00:02:09,763
I'LL BE RIGHT
OVER THERE.
57
00:02:09,796 --> 00:02:11,497
JUST SIT DOWN.
58
00:02:11,532 --> 00:02:13,534
TRY AND STAY CALM.
59
00:02:15,301 --> 00:02:16,637
WHAT'S THE MATTER,
MEDAVOY?
60
00:02:16,670 --> 00:02:19,272
PUSH?IN ROBBERY AT HER
AND KATHY'S APARTMENT.
61
00:02:19,305 --> 00:02:20,674
James: IS ABBY
ALL RIGHT?
62
00:02:20,707 --> 00:02:23,343
ABBY'S SHOT IN THE ARM.
KATHY'S DEAD.
63
00:02:23,376 --> 00:02:24,377
OH, MY GOD.
64
00:03:45,291 --> 00:03:47,227
WHAT DO YOU GOT?
65
00:03:47,260 --> 00:03:48,428
FEMALE DOA.
66
00:03:48,461 --> 00:03:49,930
SHOT DURING A ROBBERY.
67
00:03:49,963 --> 00:03:51,431
2 WOMEN SHARED
THE RESIDENCE.
68
00:03:51,464 --> 00:03:52,766
ONE OF THEM'S
ON THE JOB.
69
00:03:52,799 --> 00:03:53,734
YEAH. WE KNOW ABBY.
70
00:03:53,767 --> 00:03:54,935
SHE'S PREGNANT,
71
00:03:54,968 --> 00:03:58,371
BUT SHE WAS LIVING
WITH THE FEMALE DOA.
72
00:03:58,404 --> 00:03:59,472
YEAH. OK.
73
00:04:01,074 --> 00:04:04,611
YOU WANT SOME WATER
TO DRINK?
74
00:04:04,645 --> 00:04:06,613
UH, NO. THANKS, GREG.
75
00:04:06,647 --> 00:04:07,914
HI, ABBY.
76
00:04:07,948 --> 00:04:10,450
ABBY, I'M SO SORRY.
77
00:04:10,483 --> 00:04:12,118
I CAN'T BELIEVE
ALL THIS HAPPENED.
78
00:04:12,152 --> 00:04:14,387
CAN YOU TRY AND
TELL US ABOUT IT?
79
00:04:14,420 --> 00:04:17,257
WE'D COME HOME
FROM GROCERY SHOPPING.
80
00:04:17,290 --> 00:04:21,427
THE GUY MUST HAVE FOLLOWED US
INTO THE BUILDING.
81
00:04:21,461 --> 00:04:23,463
KATHY HAD JUST
UNLOCKED THE DOOR
82
00:04:23,496 --> 00:04:26,299
WHEN HE PUT THE GUN
IN MY BACK
83
00:04:26,332 --> 00:04:28,134
AND TOLD US BOTH
TO GO INSIDE.
84
00:04:28,168 --> 00:04:31,638
WE DID EXACTLY
WHAT HE SAID.
85
00:04:31,672 --> 00:04:34,274
AND THEN I TOLD HIM
86
00:04:34,307 --> 00:04:35,942
TO JUST TAKE
THE MONEY AND GO.
87
00:04:39,846 --> 00:04:42,749
Jill: THEN WHAT HAPPENED?
88
00:04:42,783 --> 00:04:46,486
KATHY TRIED TO GET THE GUN
THAT WE KEEP IN THAT DRAWER.
89
00:04:46,520 --> 00:04:47,754
WAS HE GETTING VIOLENT?
90
00:04:47,788 --> 00:04:49,455
IS THAT WHY
SHE DID THAT?
91
00:04:49,489 --> 00:04:51,291
I DON'T KNOW.
92
00:04:51,324 --> 00:04:52,835
WHAT, HE JUST
SUDDENLY SHOT?
93
00:04:53,657 --> 00:04:56,059
SHE WAS WORRIED
ABOUT ME.
94
00:04:56,092 --> 00:04:59,062
I COULD SEE HER GETTING
MORE AND MORE WORRIED,
95
00:04:59,095 --> 00:05:02,799
AND, UH, AND THEN SHE JUST
SUDDENLY PROTECTED ME.
96
00:05:02,832 --> 00:05:04,901
AND THE GUY SHOT HER.
97
00:05:04,934 --> 00:05:07,637
I RAN FOR THE BEDROOM,
AND THE GUY SHOT ME, TOO.
98
00:05:07,671 --> 00:05:09,473
AND THAT'S WHEN YOU GOT
HIT IN THE ARM.
99
00:05:10,674 --> 00:05:12,609
THEN HE LEFT.
100
00:05:13,843 --> 00:05:15,979
I DON'T THINK
THE WHOLE THING
101
00:05:16,012 --> 00:05:17,647
COULD HAVE TAKEN
MORE THAN A MINUTE.
102
00:05:17,681 --> 00:05:19,983
WHAT KIND OF A LOOK DID
YOU GET AT HIM, ABBY?
103
00:05:20,016 --> 00:05:21,317
WHITE.
104
00:05:21,350 --> 00:05:23,753
UH...30s.
105
00:05:23,787 --> 00:05:26,089
DRUGGIE LOOK.
106
00:05:26,122 --> 00:05:27,591
NO FACIAL HAIR.
107
00:05:27,624 --> 00:05:28,958
MAYBE 5'10".
108
00:05:28,992 --> 00:05:30,459
SO, PRETTY
NONDESCRIPT?LOOKING.
109
00:05:30,494 --> 00:05:32,328
WHAT DID HE TAKE?
110
00:05:32,361 --> 00:05:34,831
UH, JUST THE KEYS.
111
00:05:34,864 --> 00:05:37,000
BUT HE MADE NO EFFORT
TO ROB THE PLACE?
112
00:05:37,033 --> 00:05:38,334
NO.
113
00:05:38,367 --> 00:05:39,603
HE PROBABLY
GOT YOUR CAR.
114
00:05:39,636 --> 00:05:41,337
I'LL WANT TO GET THOSE
PARTICULARS FROM YOU.
115
00:05:41,370 --> 00:05:43,840
I NEED TO LIE DOWN.
116
00:05:43,873 --> 00:05:45,308
SURE.
117
00:05:52,482 --> 00:05:55,351
WE'LL DO WHAT WE CAN
TO CATCH THIS GUY.
118
00:05:55,384 --> 00:05:57,854
AS TRAGIC AS IT IS,
119
00:05:57,887 --> 00:05:59,355
YOUR JOB RIGHT NOW
120
00:05:59,388 --> 00:06:01,357
IS TO TAKE CARE OF
YOURSELF AND THE BABY.
121
00:06:01,390 --> 00:06:02,659
OK.
122
00:06:10,834 --> 00:06:13,036
NO BLOOD TRAIL
FROM THE DOOR TO THE PHONE.
123
00:06:13,069 --> 00:06:14,303
NO.
124
00:06:14,337 --> 00:06:15,371
NOT TOO MUCH SIGN
OF A STRUGGLE, EITHER.
125
00:06:15,404 --> 00:06:16,372
SHE SAID
THE WHOLE THING
126
00:06:16,405 --> 00:06:17,874
WAS OVER
IN ABOUT A MINUTE.
127
00:06:17,907 --> 00:06:18,842
RIGHT.
128
00:06:18,875 --> 00:06:20,877
YOU WANNA GO KNOCK
ON SOME DOORS?
129
00:06:20,910 --> 00:06:22,411
LET'S DO IT.
130
00:06:37,060 --> 00:06:38,227
BE CAREFUL.
131
00:06:38,261 --> 00:06:39,863
STILL HOT
AS HELL.
132
00:06:39,896 --> 00:06:40,830
WHAT HAPPENED?
133
00:06:40,864 --> 00:06:42,566
CAR WENT UP
ABOUT 4:00.
134
00:06:42,599 --> 00:06:43,867
FIRE STARTED
IN THE INTERIOR.
135
00:06:43,900 --> 00:06:45,502
GIRL SITTING IN
THE PASSENGER SEAT
136
00:06:45,535 --> 00:06:47,003
WITH A BULLET
IN HER HEAD.
137
00:06:47,036 --> 00:06:48,572
YOU KNOW IT'S A GIRL?
138
00:06:48,605 --> 00:06:50,707
YOU CAN STILL MAKE OUT
SOME MUSCLE TISSUE
139
00:06:50,740 --> 00:06:52,241
IN THE BREAST AREA.
140
00:06:52,275 --> 00:06:52,876
HAVE ANY I. D.?
141
00:06:52,909 --> 00:06:54,744
NOT ON HER.
142
00:06:54,778 --> 00:06:56,412
CAR'S REGISTERED
TO A JERRY TORELLI.
143
00:06:56,445 --> 00:06:58,582
SOME SON OF A BITCH.
144
00:06:58,615 --> 00:07:00,416
WANTED HER
GOOD AND DEAD.
145
00:07:00,449 --> 00:07:02,886
THAT GUY OVER THERE
SAW WHAT HAPPENED.
146
00:07:02,919 --> 00:07:03,787
ALL RIGHT.
147
00:07:04,888 --> 00:07:06,255
I'LL TALK TO THE FIREMEN.
148
00:07:10,226 --> 00:07:11,561
THANKS.
149
00:07:11,595 --> 00:07:12,428
HOW YOU DOIN', SIR?
150
00:07:12,462 --> 00:07:13,930
WHAT'S YOUR NAME?
151
00:07:13,963 --> 00:07:15,599
JIM CHANEY. I SAW IT FROM
MY WINDOW RIGHT THERE.
152
00:07:15,632 --> 00:07:16,600
WHAT'D YOU SEE, JIM?
153
00:07:16,633 --> 00:07:19,903
WHITE GUY DUMPS GASOLINE
INTO THE CAR,
154
00:07:19,936 --> 00:07:22,772
LIGHTS IT??BOOM??
EXPLOSION. INFERNO.
155
00:07:22,806 --> 00:07:24,207
THEN WHAT HAPPENED?
156
00:07:24,240 --> 00:07:25,875
THE GUY RUNS THAT WAY,
157
00:07:25,909 --> 00:07:27,110
GETS IN THE CAR
THAT'S WAITING,
158
00:07:27,143 --> 00:07:28,377
CAR JAMS OFF
SOON AS HE'S IN.
159
00:07:28,411 --> 00:07:29,946
DID YOU GET A LOOK
AT HIM,
160
00:07:29,979 --> 00:07:31,781
WHAT HE WAS WEARING?
161
00:07:31,815 --> 00:07:33,382
NO, CHIEF. MY EYES
WAS ON THAT FIRE.
162
00:07:33,416 --> 00:07:34,718
YEAH, OK.
163
00:07:34,751 --> 00:07:37,286
LISTEN, UM, I DIDN'T KNOW
THERE WAS A GIRL INSIDE.
164
00:07:37,320 --> 00:07:39,889
OTHERWISE, I'D HAVE
TRIED TO HELP.
165
00:07:39,923 --> 00:07:41,791
YOU TALKED TO US.
YOU HELPED.
166
00:07:41,825 --> 00:07:43,126
DID YOU GIVE THE COP
167
00:07:43,159 --> 00:07:44,561
YOUR NAME AND NUMBER
AND ALL THAT?
168
00:07:44,594 --> 00:07:45,595
YES.
169
00:07:45,629 --> 00:07:47,597
THEY SAID THE FIRE MARSHAL
CALLED THE OWNER.
170
00:07:47,631 --> 00:07:48,965
THEY KNOW NOT
TO DO THAT.
171
00:07:48,998 --> 00:07:49,799
WELL, LUCKILY, THEY
DIDN'T REACH HIM.
172
00:07:49,833 --> 00:07:51,334
ALL RIGHT. LET'S
GET OVER THERE.
173
00:08:06,115 --> 00:08:07,450
Man: WHO'S THERE?
174
00:08:07,484 --> 00:08:10,253
DETECTIVES.
175
00:08:10,286 --> 00:08:11,755
IS THERE A PROBLEM?
176
00:08:11,788 --> 00:08:13,990
YOU JERRY TORELLI?
YEAH.
177
00:08:14,023 --> 00:08:15,492
I'M DETECTIVE SIPOWICZ.
178
00:08:15,525 --> 00:08:16,826
THIS IS DETECTIVE SIMONE
AND RUSSELL.
179
00:08:16,860 --> 00:08:18,595
NOTHING BAD
HAPPENED, DID IT?
180
00:08:18,628 --> 00:08:19,829
YOU DRIVE A '92 PONTIAC?
181
00:08:19,863 --> 00:08:21,765
MY DAUGHTER JULIE
DOES.
182
00:08:21,798 --> 00:08:23,667
IT'S REGISTERED
IN MY NAME.
183
00:08:23,700 --> 00:08:24,834
DOES JULIE LIVE HERE
WITH YOU, SIR?
184
00:08:24,868 --> 00:08:26,503
YEAH. SHE'S JUST
OUT OF HIGH SCHOOL.
185
00:08:26,536 --> 00:08:28,337
AS LONG AS
SHE'S ALL RIGHT.
186
00:08:28,371 --> 00:08:29,506
WHEN DID YOU
LAST SEE JULIE?
187
00:08:29,539 --> 00:08:31,007
WE JUST SAW HER.
188
00:08:31,040 --> 00:08:32,476
SHE WAS JUST HERE
FOR MY BIRTHDAY PARTY
189
00:08:32,509 --> 00:08:33,977
TILL, UH, MAYBE 3:00.
190
00:08:34,010 --> 00:08:34,944
LONG AS SHE'S ALL RIGHT,
191
00:08:34,978 --> 00:08:36,846
THE HELL WITH WHAT
HAPPENED TO THE CAR.
192
00:08:36,880 --> 00:08:38,682
THAT CAR'S LICENSE PLATE IS
INVOLVED IN AN INVESTIGATION
193
00:08:38,715 --> 00:08:40,617
THAT WE'RE CONDUCTING
RIGHT NOW, MR. TORELLI.
194
00:08:40,650 --> 00:08:42,118
SO NOTHING TO BE
ALARMED ABOUT.
195
00:08:42,151 --> 00:08:44,621
WHERE'D YOUR DAUGHTER GO
WHEN SHE LEFT?
196
00:08:44,654 --> 00:08:45,655
I PRESUME ERRANDS.
197
00:08:45,689 --> 00:08:47,190
SHE GOT A BOYFRIEND,
MR. TORELLI?
198
00:08:47,223 --> 00:08:49,025
I HAD TO BREAK THAT OFF.
199
00:08:49,058 --> 00:08:50,960
SO WHAT'S THE STORY
WITH THE LICENSE PLATE?
200
00:08:50,994 --> 00:08:52,328
SOMEONE PUT IT
ON ANOTHER CAR?
201
00:08:52,361 --> 00:08:53,663
WHAT ELSE
CAN YOU TELL US
202
00:08:53,697 --> 00:08:54,864
ABOUT HER FORMER
BOYFRIEND, SIR?
203
00:08:54,898 --> 00:08:56,466
Woman: YOUR ICE CREAM'S
MELTING, JERRY.
204
00:08:56,500 --> 00:08:59,202
YEAH. THESE ARE
POLICE DETECTIVES.
205
00:08:59,235 --> 00:09:01,337
THEY THINK THE JERK
STOLE THE LICENSE PLATE
206
00:09:01,370 --> 00:09:02,371
OFF JULIE'S CAR.
207
00:09:02,405 --> 00:09:04,040
Simone: HELLO, MA'AM.
208
00:09:04,073 --> 00:09:05,542
ARE YOU HER MOTHER?
209
00:09:05,575 --> 00:09:06,843
NO. LOIS IS INSIDE.
210
00:09:06,876 --> 00:09:07,977
I'M JERRY'S
SISTER?IN?LAW.
211
00:09:08,011 --> 00:09:09,345
THE JERK'S NAME
IS SAM DePAUL.
212
00:09:09,378 --> 00:09:10,213
YEAH, JERK.
213
00:09:10,246 --> 00:09:12,148
OR "THE CREEP,"
WE CALL HIM.
214
00:09:12,181 --> 00:09:13,216
WE NEED TO TALK TO HIM.
215
00:09:13,249 --> 00:09:14,884
MY NIECE JAMIE
KNOWS WHERE HE LIVES.
216
00:09:14,918 --> 00:09:16,385
SHE'S HERE, TOO.
217
00:09:16,419 --> 00:09:18,021
WE'LL NEED TO TALK TO
HER THEN, IF THAT'S OK.
218
00:09:18,054 --> 00:09:19,155
SO, WHAT, THE JERK
USED HER PLATE
219
00:09:19,188 --> 00:09:21,157
TO PULL OFF SOME KIND
OF ROBBERY?
220
00:09:21,190 --> 00:09:22,826
THAT'S WHAT
THE INVESTIGATION'S ABOUT?
221
00:09:22,859 --> 00:09:24,728
LET US JUST TALK
WITH YOUR NIECE.
222
00:09:24,761 --> 00:09:26,730
DID I SAY THIS WAS
A BAD KID?
223
00:09:26,763 --> 00:09:27,997
IS MY JUDGMENT CONFIRMED?
224
00:09:28,031 --> 00:09:30,333
TAKE IT EASY
IN FRONT OF LOIS.
225
00:09:30,366 --> 00:09:32,035
COME ON. JUST
LET HER KNOW
226
00:09:32,068 --> 00:09:33,369
THERE'S NO CAUSE
FOR CONCERN.
227
00:09:33,402 --> 00:09:35,238
MY WIFE'S
THE NERVOUS TYPE.
228
00:09:40,076 --> 00:09:41,545
WHAT IS IT, JERRY?
229
00:09:41,578 --> 00:09:42,546
EVERYTHING'S FINE.
230
00:09:42,579 --> 00:09:44,748
HONEY, THESE ARE DETECTIVES.
231
00:09:44,781 --> 00:09:47,416
THEY HAVE SOME QUESTIONS
ABOUT THE JERK.
232
00:09:47,450 --> 00:09:48,585
MY WIFE LOIS.
233
00:09:48,618 --> 00:09:50,920
WELL, JULIE WASN'T
SEEING SAM ANYMORE.
234
00:09:50,954 --> 00:09:52,255
WE UNDERSTAND THAT,
MA'AM.
235
00:09:52,288 --> 00:09:53,590
WE'RE HOPING THAT JAMIE
236
00:09:53,623 --> 00:09:55,559
WILL KNOW WHERE
WE CAN FIND HIM.
237
00:09:55,592 --> 00:09:56,526
ME?
238
00:09:56,560 --> 00:09:58,061
IS YOUR NAME JAMIE?
239
00:09:58,094 --> 00:10:00,096
DO YOU KNOW WHERE JULIE
WENT THIS AFTERNOON?
240
00:10:00,129 --> 00:10:01,364
NO.
241
00:10:01,397 --> 00:10:04,267
TELL THEM ABOUT
THE PHONE CALL.
242
00:10:04,300 --> 00:10:07,370
JULIE GOT A PHONE CALL
JUST AFTER LUNCH.
243
00:10:07,403 --> 00:10:08,938
SUDDENLY SHE'S
IN A BIG HURRY
244
00:10:08,972 --> 00:10:10,106
TO SKIP OUT
ON JERRY'S BIRTHDAY.
245
00:10:10,139 --> 00:10:11,107
WHERE WAS SHE GOING?
246
00:10:11,140 --> 00:10:12,408
I'M NOT GETTING HER
IN TROUBLE.
247
00:10:12,441 --> 00:10:14,578
NO ONE'S GETTING
INTO TROUBLE.
248
00:10:14,611 --> 00:10:15,779
WHO CALLED
FOR JULIE?
249
00:10:15,812 --> 00:10:17,080
SAM DePAUL?
250
00:10:18,414 --> 00:10:20,584
ALL RIGHT. YEAH. SHE WAS
GONNA GO MEET HIM,
251
00:10:20,617 --> 00:10:21,951
BUT SHE MUST HAVE
CHANGED HER MIND.
252
00:10:21,985 --> 00:10:24,387
'CAUSE SAM CALLED BACK LATER,
SAID SHE NEVER SHOWED UP.
253
00:10:24,420 --> 00:10:25,388
UH?HUH.
254
00:10:25,421 --> 00:10:27,290
SO I DON'T KNOW
WHERE SHE IS.
255
00:10:27,323 --> 00:10:28,291
BUT DO YOU KNOW
WHERE HE LIVES?
256
00:10:28,324 --> 00:10:29,959
I KNOW HIS BLOCK.
257
00:10:29,993 --> 00:10:31,394
WANNA TAKE A RIDE
WITH US?
258
00:10:31,427 --> 00:10:33,062
MAYBE YOU CAN
POINT IT OUT.
259
00:10:33,096 --> 00:10:35,164
GETS ME OUT
OF CLEANING UP.
260
00:10:37,433 --> 00:10:40,604
Jerry: AT LEAST WE KNOW
JULIE'S ALL RIGHT.
261
00:10:40,637 --> 00:10:41,938
THANKS.
262
00:10:44,173 --> 00:10:45,809
WE'LL STAY IN TOUCH.
263
00:10:59,416 --> 00:11:00,850
I DON'T THINK
THAT'S SOMETHING
264
00:11:00,884 --> 00:11:03,086
TO BE CONCERNED ABOUT
NECESSARILY, GINA.
265
00:11:03,119 --> 00:11:04,381
M.E.'S ON NOTICE. AS SOON
AS THEY'RE DONE WITH KATHY,
266
00:11:04,414 --> 00:11:06,349
HE'S GONNA CONTACT ME.
267
00:11:06,383 --> 00:11:09,853
ABBY??ABBY, DON'T WORRY
ABOUT THAT NOW.
268
00:11:09,887 --> 00:11:12,556
TOMORROW'S TIME ENOUGH.
269
00:11:12,590 --> 00:11:14,191
YEAH. I PERSONALLY
270
00:11:14,224 --> 00:11:15,759
PUT THE FELONY ALARM
OUT ON YOUR CAR.
271
00:11:17,260 --> 00:11:19,362
TRY AND GET SOME REST.
272
00:11:19,396 --> 00:11:21,431
I'LL CALL YOU WITH
ANY DEVELOPMENTS.
273
00:11:23,601 --> 00:11:24,501
ABBY?
274
00:11:24,535 --> 00:11:28,205
WORRIED ABOUT KATHY'S
ARRANGEMENTS.
275
00:11:28,238 --> 00:11:30,574
THAT DOCTOR FROM NYU
IS COMING UP??
276
00:11:30,608 --> 00:11:31,842
GUY FROM ACROSS THE HALL.
277
00:11:31,875 --> 00:11:34,244
HE IS? GOOD.
278
00:11:34,277 --> 00:11:36,413
YEAH. I'LL BE INTERESTED
TO HEAR HIS STORY.
279
00:11:36,446 --> 00:11:38,415
WHAT DO YOU MEAN
BY THAT, JILL?
280
00:11:38,448 --> 00:11:40,083
GREG, GUY WHO LIVES
ACROSS THE HALL
281
00:11:40,117 --> 00:11:41,351
CALLS AND WANTS
TO TALK TO US,
282
00:11:41,384 --> 00:11:43,086
WE WANT TO HEAR
WHAT HE HAS TO SAY.
283
00:11:43,120 --> 00:11:44,387
OH, YEAH. NO.
THAT'S TRUE ENOUGH.
284
00:11:44,421 --> 00:11:45,255
THAT'S ALL.
285
00:11:45,288 --> 00:11:46,256
YEAH.
286
00:11:46,289 --> 00:11:48,258
Jill: THAT'S THE GUY.
287
00:11:50,894 --> 00:11:52,596
ARE YOU DETECTIVE
KIRKENDALL?
288
00:11:52,630 --> 00:11:54,197
YEAH. THANKS
FOR COMING IN.
289
00:11:54,231 --> 00:11:56,033
SURE.
290
00:11:56,066 --> 00:11:57,367
THIS IS DETECTIVE MEDAVOY.
291
00:11:57,400 --> 00:11:59,436
HE'S ALSO WORKING
ON THE CASE.
292
00:11:59,469 --> 00:12:01,271
HELLO.
HOW DO YOU DO?
293
00:12:01,304 --> 00:12:02,472
DETECTIVE MARTINEZ.
294
00:12:03,607 --> 00:12:05,275
I REALIZE
HI. YOU PROBABLY THINK
295
00:12:05,308 --> 00:12:08,078
I SHOULD HAVE STAYED
IN MY APARTMENT,
296
00:12:08,111 --> 00:12:09,246
BUT I'M A RESIDENT
AT NYU
297
00:12:09,279 --> 00:12:10,948
AND I HAD JUST BEEN
CALLED TO OPERATE.
298
00:12:10,981 --> 00:12:12,215
WE UNDERSTAND.
299
00:12:12,249 --> 00:12:13,383
WHAT CAN YOU TELL US
300
00:12:13,416 --> 00:12:15,553
ABOUT THE INCIDENT
ACROSS THE HALL?
301
00:12:15,586 --> 00:12:19,623
I HEARD A GUNSHOT COME
FROM THE LESBIANS' APARTMENT.
302
00:12:19,657 --> 00:12:23,260
I WENT TO MY PEEPHOLE
TO SEE WHAT WAS GOING ON
303
00:12:23,293 --> 00:12:25,295
AFTER, OH,
A MINUTE OR SO,
304
00:12:25,328 --> 00:12:26,897
THE LESBIAN WHO'S A COP
305
00:12:26,930 --> 00:12:28,632
CAME TO THE DOOR
AND LOOKED OUT.
306
00:12:28,666 --> 00:12:33,136
SHE WAS CRYING AND SCREAMED
THAT KATHY WAS DEAD.
307
00:12:33,170 --> 00:12:35,072
THAT'S THE OTHER LOVER.
308
00:12:35,105 --> 00:12:36,406
DID YOU SAY
ANYTHING TO HER?
309
00:12:36,439 --> 00:12:38,308
I WASN'T SURE
WHAT WAS GOING ON.
310
00:12:38,341 --> 00:12:39,943
I MEAN, IF SHE
HAD JUST USED A GUN,
311
00:12:39,977 --> 00:12:41,311
I DIDN'T WANT TO BE
HER NEXT TARGET.
312
00:12:41,344 --> 00:12:42,946
OH, SO YOU JUST
KEPT WATCHING HER
313
00:12:42,980 --> 00:12:44,247
THROUGH THE PEEPHOLE,
314
00:12:44,281 --> 00:12:46,249
A PREGNANT WOMAN AT RISK
FROM A MURDERER.
315
00:12:46,283 --> 00:12:49,820
EXCUSE ME. I DIDN'T KNOW
WHAT THE SITUATION WAS.
316
00:12:49,853 --> 00:12:52,289
AND THERE WAS CERTAINLY
NO GUNMAN IN THE HALLWAY.
317
00:12:52,322 --> 00:12:54,291
SO, IF YOU ASK ME,
318
00:12:54,324 --> 00:12:56,259
SHE WOULD BE YOUR
MOST LIKELY SUSPECT.
319
00:12:56,293 --> 00:12:58,996
GOD KNOWS, SHE AND
THE OTHER ONE FOUGHT ENOUGH.
320
00:12:59,029 --> 00:13:00,497
YOU AN EXPERT ON THAT
THROUGH YOUR PEEPHOLE?
321
00:13:00,531 --> 00:13:01,999
WHAT IS YOUR PROBLEM?
322
00:13:02,032 --> 00:13:05,002
DR. BONAN, AS CONCERNED
AS YOU UNDERSTANDABLY WERE
323
00:13:05,035 --> 00:13:07,170
ABOUT MIGHT BE GOING ON
IN THE HALL
324
00:13:07,204 --> 00:13:09,172
IN THE APARTMENT
ACROSS THE WAY,
325
00:13:09,206 --> 00:13:10,340
DID YOU GO RIGHT
TO YOUR PEEPHOLE
326
00:13:10,373 --> 00:13:11,642
WHEN YOU HEARD
THE GUNSHOT?
327
00:13:11,675 --> 00:13:14,978
I DON'T KNOW WHAT YOU MEAN
BY "RIGHT TO THE PEEPHOLE."
328
00:13:15,012 --> 00:13:17,180
SHE MEANS,
WAS THERE AN INTERVAL
329
00:13:17,214 --> 00:13:18,515
BEFORE YOU LOOKED OUT?
330
00:13:18,549 --> 00:13:20,483
MAYBE...A MINUTE.
331
00:13:21,985 --> 00:13:24,788
IT'S A STRESSFUL THING
HEARING SHOTS LIKE THAT.
332
00:13:24,822 --> 00:13:26,189
PARTICULARLY FOR
SOMEONE LIKE YOURSELF??
333
00:13:26,223 --> 00:13:28,526
RUNS AWAY, DOESN'T
HAVE THE DECENCY
334
00:13:28,559 --> 00:13:30,460
TO CALL IN WHAT HE SAW
FOR SEVERAL HOURS.
335
00:13:30,493 --> 00:13:31,361
GREG.
336
00:13:31,394 --> 00:13:33,296
AND THEN DESCRIBES
PEOPLE WITH EPITHETS.
337
00:13:33,330 --> 00:13:34,364
I'M REPORTING WHAT I SAW,
338
00:13:34,397 --> 00:13:36,033
AND I'M ENTITLED
TO MY SUSPICIONS.
339
00:13:36,066 --> 00:13:38,168
ABSOLUTELY, SIR.
YES, YOU ARE.
340
00:13:38,201 --> 00:13:40,470
DO YOU HAVE
ANY OTHER QUESTIONS?
341
00:13:40,503 --> 00:13:42,806
UH, NO.
342
00:13:42,840 --> 00:13:44,241
I APPRECIATE
YOUR COMING IN.
343
00:13:50,247 --> 00:13:51,314
ASSHOLE.
344
00:13:51,348 --> 00:13:54,051
GREG, I THINK YOU GOTTA
HOLD OPEN THE POSSIBILITY
345
00:13:54,084 --> 00:13:56,319
THAT THERE ARE PROBLEMS
WITH ABBY'S STORY.
346
00:13:56,353 --> 00:13:57,721
IN WHAT REGARD?
347
00:13:57,755 --> 00:13:59,356
I'D BE MORE COMFORTABLE
PERSONALLY
348
00:13:59,389 --> 00:14:00,323
IF THERE WAS A BLOOD TRAIL
349
00:14:00,357 --> 00:14:02,025
FROM WHERE ABBY GOT SHOT
TO THE PHONE.
350
00:14:02,059 --> 00:14:04,394
THERE'S A MILLION POSSIBLE
EXPLANATIONS FOR THAT.
351
00:14:04,427 --> 00:14:05,863
OF COURSE THERE ARE,
352
00:14:05,896 --> 00:14:07,330
AND THE FACT THAT THIS
JERK ACROSS THE HALL
353
00:14:07,364 --> 00:14:09,232
DIDN'T SEE ANYBODY
LEAVE THE APARTMENT.
354
00:14:09,266 --> 00:14:10,834
YOU YOURSELF ESTABLISHED A
POSSIBLE EXPLANATION FOR THAT??
355
00:14:10,868 --> 00:14:12,570
THE INTERVAL BEFORE HE
WENT TO THE PEEPHOLE.
356
00:14:12,603 --> 00:14:14,037
YEAH, I KNOW.
357
00:14:14,071 --> 00:14:16,239
SO HOW CAN YOU JUMP
TO ABBY'S LYING?
358
00:14:16,273 --> 00:14:18,909
GREG, WE GOTTA LOOK AT
THE POSSIBILITY OF A QUARREL.
359
00:14:18,942 --> 00:14:22,379
ABBY IN A STATE OF ANGER
MAYBE SHOT KATHY.
360
00:14:22,412 --> 00:14:23,413
[TELEPHONE RINGS]
361
00:14:23,446 --> 00:14:25,248
I'M AGHAST AT YOU
FOR SAYING THAT, JAMES.
362
00:14:25,282 --> 00:14:28,218
Jill: IT'S JUST
A POSSIBILITY.
363
00:14:28,251 --> 00:14:29,352
NO, I REALLY AM.
364
00:14:29,386 --> 00:14:31,021
15th SQUAD.
365
00:14:31,054 --> 00:14:32,523
DETECTIVE MEDAVOY?
366
00:14:32,556 --> 00:14:34,391
YEAH. WHAT'S UP?
367
00:14:34,424 --> 00:14:35,526
YOU CAUGHT A HOMICIDE
368
00:14:35,559 --> 00:14:36,927
INVOLVING A UNIFORM
IN THIS PRECINCT?
369
00:14:36,960 --> 00:14:38,095
UH, YEAH. ABBY SULLIVAN.
370
00:14:38,128 --> 00:14:40,030
WE'RE LOOKING
AT IT, ALSO.
371
00:14:40,063 --> 00:14:41,431
IS THAT RIGHT?
372
00:14:41,464 --> 00:14:42,766
SOME PEOPLE
IN THE BUILDING
373
00:14:42,800 --> 00:14:44,367
ARE TALKING
TO REPORTERS,
374
00:14:44,401 --> 00:14:45,603
SAYING THAT IT WAS
A LOVERS' QUARREL.
375
00:14:45,636 --> 00:14:49,573
ABBY SAYS THE PERPETRATOR
WAS A PUSH?IN STICKUP GUY.
376
00:14:49,607 --> 00:14:51,374
DID ABBY?
377
00:14:51,408 --> 00:14:54,444
THEY JUST RECOVERED
OFFICER SULLIVAN'S CAR.
378
00:14:54,477 --> 00:14:58,281
UH, WE SHOULD CHECK OUT
THAT CAR ANGLE.
379
00:14:58,315 --> 00:15:01,451
UM, OBVIOUSLY
KEEP YOU APPRISED.
380
00:15:01,484 --> 00:15:02,653
YEAH, ALL RIGHT.
381
00:15:04,822 --> 00:15:06,624
WOULD YOU MIND IF I
DON'T GO OVER THERE
382
00:15:06,657 --> 00:15:07,591
AND CHECK OUT
ABBY'S CAR WITH YOU?
383
00:15:07,625 --> 00:15:09,459
NO. THAT'S FINE, JAMES.
384
00:15:09,492 --> 00:15:11,061
CRIME SCENE PROBABLY
WON'T PROCESS IT
385
00:15:11,094 --> 00:15:12,295
TILL MORNING ANYWAYS.
386
00:15:12,329 --> 00:15:13,564
WAS THAT GINA BEFORE?
387
00:15:13,597 --> 00:15:14,798
YEAH. I'M CONCERNED
WITH HER.
388
00:15:14,832 --> 00:15:16,567
SHE'S HAVING SOME
FEMININE DIFFICULTY.
389
00:15:16,600 --> 00:15:18,068
SHE'S A LITTLE CONCERNED,
SO I WANT TO BE WITH HER.
390
00:15:18,101 --> 00:15:19,469
OH, ABSOLUTELY.
391
00:15:19,502 --> 00:15:20,303
HER MOTHER'S COMING DOWN,
392
00:15:20,337 --> 00:15:22,272
BUT I WANT TO BE
WITH HER, AS WELL.
393
00:15:22,305 --> 00:15:23,974
DON'T TAKE WHAT WE WERE
SAYING WRONG, GREG.
394
00:15:24,007 --> 00:15:25,308
I'M SURE THERE'S AN
EXPLANATION FOR EVERYTHING.
395
00:15:25,342 --> 00:15:26,610
OH! YEAH, YEAH.
396
00:15:26,644 --> 00:15:27,978
I HOPE GINA'S OK.
397
00:15:28,011 --> 00:15:29,613
SEE YA LATER.
398
00:15:29,647 --> 00:15:31,414
WANNA GO OVER 61s
399
00:15:31,448 --> 00:15:32,583
FOR PUSH?INS
IN THAT NEIGHBORHOOD
400
00:15:32,616 --> 00:15:35,318
UNTIL CRIME SCENE
GETS IN TOUCH?
401
00:15:35,352 --> 00:15:36,987
I'LL LOOK
FOR SIMILAR PATTERNS
402
00:15:37,020 --> 00:15:38,488
CREDITING
ABBY'S STORY.
403
00:15:38,522 --> 00:15:39,757
YEAH. WHY DON'T
WE DO THAT?
404
00:15:39,790 --> 00:15:41,992
THAT SOUNDS LIKE
A PLAN, JILL.
405
00:15:42,025 --> 00:15:43,493
I DIDN'T MEAN
TO SNAP BEFORE.
406
00:15:43,527 --> 00:15:46,329
I UNDERSTAND.
407
00:15:46,363 --> 00:15:48,498
MY GOD, WHAT'LL WE DO
IF IT'S ABBY?
408
00:15:48,532 --> 00:15:51,368
LET'S JUST LOOK
AT THE 61s.
409
00:16:06,516 --> 00:16:08,351
Sipowicz: JUST
WALK ON IN.
410
00:16:08,385 --> 00:16:10,453
LOOK, I DON'T WANNA
GO NO FURTHER.
411
00:16:10,487 --> 00:16:11,822
ALL RIGHT, BUT YOU'RE SURE
THIS IS THE BUILDING?
412
00:16:11,855 --> 00:16:14,357
I DON'T WANT NO MORE
TO DO WITH IT.
413
00:16:14,391 --> 00:16:16,493
IF HE PULLED A ROBBERY
414
00:16:16,527 --> 00:16:17,360
USING A FALSE LICENSE
PLATE, LIKE YOU SAID,
415
00:16:17,394 --> 00:16:19,129
I DON'T KNOW WHAT ELSE
HE COULD DO.
416
00:16:19,162 --> 00:16:20,531
WHY DON'T I TAKE YOU
HOME NOW, JAMIE?
417
00:16:20,564 --> 00:16:21,699
COULD YOU DROP ME
418
00:16:21,732 --> 00:16:23,033
SOMEPLACE DIFFERENT
FROM HOME?
419
00:16:23,066 --> 00:16:24,635
YEAH. I'LL DROP YOU
WHEREVER YOU WANT TO GO.
420
00:16:24,668 --> 00:16:26,403
I'LL SEND A SECTOR CAR
FOR YOU GUYS.
421
00:16:28,405 --> 00:16:29,406
YEAH.
422
00:16:32,342 --> 00:16:33,977
PEOPLE LIKE
THESE FAMILY MEMBERS
423
00:16:34,011 --> 00:16:36,146
BEING IN THE COMMUNICATIONS
ROOM OF THE TITANIC
424
00:16:36,179 --> 00:16:37,514
IS HOW THAT VESSEL SANK.
425
00:16:37,548 --> 00:16:39,817
YOU DON'T LIVE HERE.
426
00:16:39,850 --> 00:16:41,719
WE'RE LOOKING
FOR SAM DePAUL.
427
00:16:41,752 --> 00:16:43,320
NO LOITERING
IN THE BUILDING
428
00:16:43,353 --> 00:16:45,022
GOES DOUBLE
IF YOU KNOW THAT JERK.
429
00:16:45,055 --> 00:16:46,724
OH. POLICE.
430
00:16:46,757 --> 00:16:48,526
Sipowicz: YOU KNOW
SAM DePAUL?
431
00:16:48,559 --> 00:16:49,560
THE SCUMBAG LIVES IN 2?F.
432
00:16:49,593 --> 00:16:50,994
YOU SEEN HIM
TONIGHT?
433
00:16:51,028 --> 00:16:53,496
NO. HIS MOM AND STEPDAD
ARE HOME, THOUGH.
434
00:16:53,531 --> 00:16:55,566
HEARD THEM COME IN,
FIGHTING AS USUAL.
435
00:16:55,599 --> 00:16:57,568
GREAT PLACE TO LIVE, HUH?
436
00:16:57,601 --> 00:16:59,069
THANKS A LOT.
437
00:16:59,102 --> 00:17:00,571
IT'D BREAK MY HEART
438
00:17:00,604 --> 00:17:02,072
IF HE WASN'T
MY NEIGHBOR NO MORE.
439
00:17:03,607 --> 00:17:05,008
SAY 2?B?
440
00:17:05,042 --> 00:17:06,276
F.
441
00:17:08,546 --> 00:17:10,548
[MAN AND WOMAN
ARGUING]
442
00:17:10,581 --> 00:17:11,715
Man: NO.
NO, NO, NO.
443
00:17:11,749 --> 00:17:13,283
Woman: BENNY!
444
00:17:16,286 --> 00:17:17,521
HELLO.
445
00:17:17,555 --> 00:17:18,689
DETECTIVES, MA'AM.
446
00:17:18,722 --> 00:17:20,190
WHAT DO YOU WANT?
447
00:17:20,223 --> 00:17:21,692
Sipowicz: ASK THE LADY
SOME QUESTIONS.
448
00:17:21,725 --> 00:17:24,427
I'M ON THE JOB, MANHATTAN
NORTH. WHAT'S IT ABOUT?
449
00:17:24,461 --> 00:17:25,596
IT'S KINDA SERIOUS.
450
00:17:25,629 --> 00:17:27,430
WE DON'T WANT
TO GET INTO PARTICULARS.
451
00:17:27,464 --> 00:17:28,766
SHOW SOME RESPECT.
I SAID I'M ON THE JOB.
452
00:17:28,799 --> 00:17:29,933
MANHATTAN SOUTH
PIECE OF CRAP.
453
00:17:29,967 --> 00:17:31,535
HOW ABOUT YOU
TAKE A WALK?
454
00:17:31,569 --> 00:17:33,036
HOW ABOUT YOU TRY
WORKING HARLEM?
455
00:17:33,070 --> 00:17:34,605
SEE WHAT REAL
POLICE WORK IS.
456
00:17:34,638 --> 00:17:36,607
I WORKED HARLEM WHEN
YOU WERE IN HIGH SCHOOL.
457
00:17:36,640 --> 00:17:39,442
NOW BACK AWAY BEFORE
I FORGET YOU'RE ON THE JOB.
458
00:17:39,476 --> 00:17:41,745
RIGHT THERE, BENNY.
RIGHT THERE.
459
00:17:41,779 --> 00:17:43,413
RIGHT THERE, BUDDY.
460
00:17:44,948 --> 00:17:47,284
YOUR SON
SAM DePAUL?
461
00:17:47,317 --> 00:17:48,285
YEAH.
462
00:17:48,318 --> 00:17:49,953
WE NEED TO TALK
TO HIM.
463
00:17:49,987 --> 00:17:52,122
MY STEPSON'S NOT SAYING
A WORD TO YOU ASSHOLES.
464
00:17:52,155 --> 00:17:54,124
GO INSIDE.
GO INSIDE. COME ON.
465
00:17:55,492 --> 00:17:57,460
HE'S A DECENT GUY,
YOU KNOW...
466
00:17:57,494 --> 00:17:59,963
EXCEPT WHEN HE, UH...WHEN
HE DRINKS, HE GETS, UH...
467
00:17:59,997 --> 00:18:01,431
WHERE'S SAM?
468
00:18:01,464 --> 00:18:03,634
I DON'T KNOW. UH,
HE GOES OUT LATE.
469
00:18:03,667 --> 00:18:05,603
MA'AM, YOUR SON
MAY BE INVOLVED
470
00:18:05,636 --> 00:18:07,137
IN A SERIOUS
SITUATION.
471
00:18:07,170 --> 00:18:09,006
WE NEED TO TALK
TO HIM.
472
00:18:10,173 --> 00:18:11,975
ALL RIGHT. ALL RIGHT,
I'LL TELL HIM.
473
00:18:12,009 --> 00:18:13,777
IF HE COMES BACK,
I'LL TELL HIM.
474
00:18:13,811 --> 00:18:16,513
DON'T TELL HIM.
CALL AND LET US KNOW.
475
00:18:18,015 --> 00:18:19,016
OK.
476
00:18:21,351 --> 00:18:23,621
I??I GOTTA GO
BACK INSIDE.
477
00:18:28,792 --> 00:18:31,529
BETTER LET NIGHT WATCH
SET UP ON THIS PLACE.
478
00:18:32,863 --> 00:18:34,998
WE GOTTA GO BACK AND
TELL THAT FAMILY, ANDY.
479
00:18:35,032 --> 00:18:36,800
YEAH. THAT'S
GONNA BE FUN.
480
00:18:47,310 --> 00:18:49,279
OH. WE STILL DIDN'T
HEAR FROM JULIE.
481
00:18:49,312 --> 00:18:51,281
IS YOUR WIFE
WITH YOU, MR. TORELLI?
482
00:18:51,314 --> 00:18:52,515
YEAH. COME ON IN.
483
00:18:58,722 --> 00:19:00,490
SWEETIE, THE DETECTIVES
ARE HERE AGAIN.
484
00:19:00,524 --> 00:19:01,491
OH.
485
00:19:01,525 --> 00:19:03,326
HERE. HAVE??
HAVE A SEAT.
486
00:19:06,329 --> 00:19:09,533
SO, SOME NEWS ABOUT
THE...STOLEN CAR?
487
00:19:10,734 --> 00:19:13,503
MR. AND MRS. TORELLI,
THERE'S NOTHING MORE WE'D LIKE
488
00:19:13,537 --> 00:19:15,706
THAN NOT TO HAVE
TO TELL YOU THIS.
489
00:19:15,739 --> 00:19:17,541
NO.
490
00:19:17,575 --> 00:19:19,476
YOUR CAR WAS RECOVERED.
491
00:19:19,509 --> 00:19:22,512
YOUR DAUGHTER WAS FOUND
DEAD INSIDE.
492
00:19:23,513 --> 00:19:24,715
SHE'D BEEN SHOT,
493
00:19:24,748 --> 00:19:27,718
AND THE CAR WAS
THEN SET ON FIRE.
494
00:19:27,751 --> 00:19:29,186
IS SHE DEAD?
495
00:19:31,522 --> 00:19:33,356
YES, I'M AFRAID SO,
MRS. TORELLI.
496
00:19:33,390 --> 00:19:35,726
YOU SAID JUST
THE CAR WAS STOLEN.
497
00:19:39,262 --> 00:19:42,499
WHO DID IT? THE KID
I FORBADE HER TO SEE?
498
00:19:42,533 --> 00:19:45,903
HE IS OUR MAIN SUSPECT,
THIS SAM DePAUL.
499
00:19:45,936 --> 00:19:48,238
WE'D HOPED TO HAVE HIM
IN CUSTODY BY NOW,
500
00:19:48,271 --> 00:19:50,207
BUT WE'RE STILL
WORKING ON THAT.
501
00:19:50,240 --> 00:19:52,543
LOOK, FOLKS,
AS HARD AS IT'LL BE,
502
00:19:52,576 --> 00:19:54,077
IF HE DOES TRY
AND CONTACT YOU,
503
00:19:54,111 --> 00:19:56,513
WE WOULD APPRECIATE YOU
NOT SAYING THAT YOU KNOW
504
00:19:56,547 --> 00:19:57,848
WHAT HAPPENED
TO YOUR DAUGHTER.
505
00:19:57,881 --> 00:19:59,750
GET IN TOUCH
WITH US INSTEAD.
506
00:19:59,783 --> 00:20:01,852
[SOBBING] FORBADE ME
TO END IT SOONER.
507
00:20:01,885 --> 00:20:04,522
HOW MANY TIMES DID I SAY
HE WAS TROUBLE?
508
00:20:04,555 --> 00:20:06,524
IT'S UNDER
THE BRIDGE NOW.
509
00:20:06,557 --> 00:20:09,560
SOON AS WE TALK TO SAM,
WE'LL GET IN TOUCH WITH YOU.
510
00:20:09,593 --> 00:20:11,929
WE'LL??WE'LL STAY
OUT OF YOUR HAIR.
511
00:20:11,962 --> 00:20:12,930
[SOBBING] JULIE!
512
00:20:12,963 --> 00:20:14,364
OHHH...
513
00:20:14,397 --> 00:20:17,768
[SOBBING LOUDLY]
JULIE!
514
00:20:17,801 --> 00:20:18,769
WHY?
515
00:20:18,802 --> 00:20:20,270
GO TO YOUR WIFE.
516
00:20:20,303 --> 00:20:21,772
Mrs. Torelli:
GOD!
517
00:20:21,805 --> 00:20:24,975
OH...MY...GOD.
518
00:20:27,978 --> 00:20:29,146
OH, MY...
519
00:20:32,950 --> 00:20:35,485
OH, MY BABY.
520
00:21:03,282 --> 00:21:04,283
OHH!
521
00:21:06,084 --> 00:21:08,553
HEY, SARGE, WE LIKE THIS GUY
FOR KILLING HIS GIRLFRIEND.
522
00:21:08,587 --> 00:21:10,088
UH, PASS 'EM OUT
TO THE DAY TOUR?
523
00:21:10,122 --> 00:21:11,123
YEAH, SURE.
524
00:21:16,175 --> 00:21:17,142
HEY.
525
00:21:17,176 --> 00:21:18,143
HEY.
526
00:21:18,177 --> 00:21:20,145
HOW YOU DOIN'?
OH. COFFEE?
527
00:21:20,179 --> 00:21:22,147
SOMEBODY'S BEEN BOOSTIN'
ALL THE TEA BAGS.
528
00:21:22,181 --> 00:21:23,648
DID YOU SLEEP AT ALL?
529
00:21:23,682 --> 00:21:26,651
AHH. WE SPENT HALF
THE NIGHT AT THE E. R.
530
00:21:26,685 --> 00:21:29,688
THE DOA's MOTHER PUT HER
HAND THROUGH THE WALL
531
00:21:29,722 --> 00:21:30,956
WHEN WE TOLD HER.
532
00:21:30,990 --> 00:21:32,792
NIGHT TOUR SITTIN'
ON THIS GUY'S PLACE?
533
00:21:32,825 --> 00:21:34,293
HERE YOU GO.
534
00:21:34,326 --> 00:21:36,195
ANDY'S GOTTA GO FOR
THAT SINUS OPERATION.
535
00:21:36,228 --> 00:21:38,297
NOW HE'S TRYING
TO CATCH AN HOUR'S SLEEP
536
00:21:38,330 --> 00:21:39,698
UP THERE ON??
YOU KNOW, THE CRIB.
537
00:21:39,732 --> 00:21:41,701
THIS IS LIKE
A MORTAR ATTACK.
538
00:21:41,734 --> 00:21:45,304
HEY, BOBBY. YOU LOOKIN'
FOR THIS SAM DePAUL?
539
00:21:45,337 --> 00:21:46,872
WHY? YOU GOT ANYTHING?
540
00:21:46,906 --> 00:21:48,040
HE WAS A PASSENGER
541
00:21:48,073 --> 00:21:49,875
IN A CAR STOP I DID
5:00 THIS MORNING.
542
00:21:49,909 --> 00:21:50,876
WHERE WAS THIS?
543
00:21:50,910 --> 00:21:53,045
HAD TO BE RIGHT
IN FRONT OF HIS PLACE.
544
00:21:53,078 --> 00:21:54,714
HIS BUDDY'S DRIVIN'.
545
00:21:54,747 --> 00:21:56,381
WHILE I'M WRITIN' HIM UP
FOR A BUSTED HEADLIGHT,
546
00:21:56,415 --> 00:21:59,051
THIS ONE GETS OUT,
WALKS INTO THE BUILDING.
547
00:21:59,084 --> 00:22:00,886
YOU DIDN'T HAPPEN TO SEE
548
00:22:00,920 --> 00:22:02,722
2 DETECTIVES SITTIN'
ON THE PLACE?
549
00:22:02,755 --> 00:22:04,056
YEAH, I SAW 'EM.
550
00:22:04,089 --> 00:22:06,158
AND THEY DON'T MOVE ON THE GUY
WHEN HE'S WALKIN' IN?
551
00:22:06,191 --> 00:22:09,528
WELL, UH, THEY WEREN'T
PAYIN' TOO MUCH ATTENTION.
552
00:22:09,561 --> 00:22:11,530
YOU GOT YOUR RACK LIGHTS ON,
AND THESE MORONS,
553
00:22:11,563 --> 00:22:13,498
THEY'RE SLEEPIN'
THROUGH THE WHOLE THING.
554
00:22:13,532 --> 00:22:15,835
I GUESS YOU KNOW WHERE
TO PICK THIS GUY UP.
555
00:22:15,868 --> 00:22:18,738
DRIVER'S NAME IS,
UH, JOE RIZOLLI.
556
00:22:18,771 --> 00:22:20,773
HERE'S HIS PEDIGREE.
557
00:22:23,909 --> 00:22:26,879
THEY'RE SLEEPIN' WHILE
THE SUSPECT IS WALKIN' IN.
558
00:22:26,912 --> 00:22:29,414
THOSE GUYS, THEY
COULD SLEEP FOR ANDY.
559
00:22:29,448 --> 00:22:32,051
AFTER I LEFT YOU
AND ANDY LAST NIGHT
560
00:22:32,084 --> 00:22:33,685
AND DROPPED
THAT GIRL OFF,
561
00:22:33,719 --> 00:22:34,920
I WENT
BY A FILLING STATION
562
00:22:34,954 --> 00:22:36,588
ABOUT A BLOCK FROM
THE CRIME SCENE.
563
00:22:36,621 --> 00:22:38,590
GUY ALMOST PASSED OUT
DENYING HE SOLD GAS
564
00:22:38,623 --> 00:22:40,092
IN A CONTAINER
YESTERDAY.
565
00:22:40,125 --> 00:22:42,094
PROBABLY THIS RIZOLLI
AND HIS PAL SAM
566
00:22:42,127 --> 00:22:44,296
ARE WHO HE DIDN'T
SELL IT TO.
567
00:22:48,433 --> 00:22:49,601
GOOD MORNING.
568
00:22:49,634 --> 00:22:52,071
ANDY, YOU'RE NOT
GONNA BELIEVE THIS.
569
00:22:52,104 --> 00:22:55,607
THAT SAM DePAUL? HE GETS TO
HIS PLACE AT 5:00 THIS MORNING,
570
00:22:55,640 --> 00:22:57,542
NIGHT WATCH
TOTALLY MISSES HIM.
571
00:22:57,576 --> 00:22:58,711
NO, THEY DIDN'T.
572
00:22:58,744 --> 00:23:00,880
MARTELLI
FROM DOWNSTAIRS,
573
00:23:00,913 --> 00:23:02,782
HE PULLS OVER THIS CAR
WITH A BUSTED HEADLIGHT.
574
00:23:02,815 --> 00:23:04,049
DePAUL
IS THE PASSENGER.
575
00:23:04,083 --> 00:23:05,718
NOW, THERE'S NO WAY
THAT MARTELLI KNOWS
576
00:23:05,751 --> 00:23:07,119
THAT WE'RE LOOKIN'
FOR THIS GUY.
577
00:23:07,152 --> 00:23:10,122
SO HE LETS DePAUL OUT WHILE
HE'S WRITING THE DRIVER UP.
578
00:23:10,155 --> 00:23:12,057
DePAUL JUST WALKS
ACROSS THE STREET,
579
00:23:12,091 --> 00:23:14,226
RIGHT INTO
HIS BUILDING. BOOM.
580
00:23:14,259 --> 00:23:15,627
AND BOTH NIGHT WATCH GUYS
GOT THEIR HEADS
581
00:23:15,660 --> 00:23:17,129
UP THEIR ASS ASLEEP, HUH?
582
00:23:17,162 --> 00:23:18,964
I DON'T KNOW
HOW ANYBODY SLEEPS
583
00:23:18,998 --> 00:23:21,133
ANYWHERE BUT THEIR
OWN BED, ANYWAYS.
584
00:23:21,166 --> 00:23:22,968
HIM AND ME, WE'RE UPSTAIRS
TRYING TO CATCH ONE HOUR
585
00:23:23,002 --> 00:23:24,804
IN THE CRIB.
NOT A WINK.
586
00:23:24,837 --> 00:23:27,072
Fancy:
WHAT'S GOIN' ON?
587
00:23:27,106 --> 00:23:29,441
ANOTHER SLEEPLESS NIGHT
FOR US,
588
00:23:29,474 --> 00:23:30,943
BUT THEM MORONS
ON NIGHT WATCH...
589
00:23:30,976 --> 00:23:32,477
THE GUY THAT WE LIKE
FOR THIS HOMICIDE,
590
00:23:32,511 --> 00:23:34,446
THEY LET HIM WALK PAST
INTO HIS HOUSE,
591
00:23:34,479 --> 00:23:36,115
AND THEY SNOOZE
RIGHT THROUGH IT.
592
00:23:36,148 --> 00:23:38,617
LET'S GO PICK HIM UP. WE
OUGHT TO GET THIS OTHER GUY
593
00:23:38,650 --> 00:23:40,252
OFF THE STREET, TOO.
594
00:23:40,285 --> 00:23:43,322
YEAH. THIS IS A JOE RIZOLLI. HE
WAS DRIVING THIS DePAUL AROUND.
595
00:23:43,355 --> 00:23:44,990
Martinez: HEY.
596
00:23:45,024 --> 00:23:46,658
HEY.
HOW'S IT GOIN'?
597
00:23:46,691 --> 00:23:48,660
ACTUALLY, GINA'S NOT DOIN'
GOOD WITH HER PREGNANCY.
598
00:23:48,693 --> 00:23:50,662
SHE'S WHAT THEY CALL
SPOTTING.
599
00:23:50,695 --> 00:23:51,997
OH, SORRY, JAMES.
600
00:23:52,031 --> 00:23:53,432
Fancy: SHE SEEING
A DOCTOR?
601
00:23:53,465 --> 00:23:54,666
Martinez: 9:15.
602
00:23:54,700 --> 00:23:56,001
YOU WANT TO GO THERE, JAMES?
603
00:23:56,035 --> 00:23:57,502
SHE TOLD ME
TO GO TO WORK
604
00:23:57,536 --> 00:23:59,104
WHILE HER MOTHER TAKES
HER IN, BUT I DID THINK
605
00:23:59,138 --> 00:24:01,506
I'D GO OVER THERE
IN ABOUT AN HOUR'S TIME.
606
00:24:01,540 --> 00:24:03,008
ANY NEWS
ON ABBY SULLIVAN?
607
00:24:03,042 --> 00:24:05,510
UM, YEAH. THE CAR WAS
PRETTY BADLY VANDALIZED.
608
00:24:05,544 --> 00:24:07,012
JILL'S FOLLOWING THAT OUT.
609
00:24:07,046 --> 00:24:09,148
AND GREG WENT TO TALK
WITH ABBY AGAIN.
610
00:24:10,149 --> 00:24:12,017
GO PICK THIS JERK UP.
611
00:24:12,051 --> 00:24:15,687
TALK WITH ANTI?CRIME
FOR BACKUP ON THE OTHER GUY.
612
00:24:15,721 --> 00:24:17,689
I'LL HAVE A GOOD
THOUGHT, MARTINEZ.
613
00:24:17,723 --> 00:24:18,657
THANKS, ANDY.
614
00:24:29,869 --> 00:24:31,837
THIS IS SO THOUGHTFUL
OF YOU, GREG.
615
00:24:31,871 --> 00:24:33,839
I JUST GOT WHAT
YOU USUALLY ASK FOR.
616
00:24:33,873 --> 00:24:35,507
I APPRECIATE IT.
617
00:24:38,077 --> 00:24:39,378
HOW'S YOUR ARM?
618
00:24:39,411 --> 00:24:41,046
IT'S ALL RIGHT.
619
00:24:41,080 --> 00:24:44,850
CRIME SCENE GET ANYTHING
OFF MY CAR YET?
620
00:24:44,884 --> 00:24:46,852
UH...YEAH. THEY'RE, UH,
THEY'RE FOLLOWING THAT OUT
621
00:24:46,886 --> 00:24:49,889
TO...SEE IF THEY CAN
LIFT SOME PRINTS.
622
00:24:51,590 --> 00:24:53,092
JILL'S ON THAT.
623
00:24:55,861 --> 00:24:58,063
I SHOULD TELL YOU,
ABBY, UH...
624
00:24:58,097 --> 00:25:00,565
YOUR CAR WAS
PRETTY BADLY VANDALIZED.
625
00:25:00,599 --> 00:25:02,567
STRIPPED, YOU MEAN?
626
00:25:02,601 --> 00:25:05,070
NO. VANDALIZED...
627
00:25:05,104 --> 00:25:08,073
LIKE, UH...SOMEONE
WAS ACTING IN ANGER.
628
00:25:08,107 --> 00:25:11,576
YOU KNOW ANYONE WHO'D WANT
TO HURT YOU LIKE THAT?
629
00:25:11,610 --> 00:25:12,611
NO.
630
00:25:15,547 --> 00:25:18,417
I'VE, UH...I'VE GOT
SOME OTHER QUESTIONS
631
00:25:18,450 --> 00:25:19,885
IF YOU'RE UP TO IT.
632
00:25:19,919 --> 00:25:20,886
SURE.
633
00:25:20,920 --> 00:25:22,888
UM, ONE
OF YOUR NEIGHBORS
634
00:25:22,922 --> 00:25:26,591
SAID HE HEARD A LOT OF FIGHTING
BETWEEN YOU AND KATHY.
635
00:25:26,625 --> 00:25:28,360
OH, THE JERK RESIDENT
AT NYU?
636
00:25:28,393 --> 00:25:30,029
HE HATES US.
637
00:25:30,062 --> 00:25:33,265
IS IT TRUE, THOUGH? HAD YOU
AND KATHY BEEN FIGHTING?
638
00:25:33,298 --> 00:25:36,035
WE'D BEEN UNDER A LOT OF
STRESS 'CAUSE OF THE BABY.
639
00:25:36,068 --> 00:25:37,202
I'D HAVE MORNING SICKNESS,
640
00:25:37,236 --> 00:25:39,371
AND KATHY WOULD JUST
BE WORRIED ABOUT ME.
641
00:25:39,404 --> 00:25:40,773
UH?HUH.
642
00:25:40,806 --> 00:25:43,075
DISAGREEMENTS
ANYONE WOULD HAVE.
643
00:25:43,108 --> 00:25:44,777
RIGHT.
644
00:25:44,810 --> 00:25:47,813
GREG...KATHY AND I
LOVED EACH OTHER.
645
00:25:49,114 --> 00:25:50,615
WE WERE A COUPLE.
646
00:25:50,649 --> 00:25:51,951
AND??AND COUPLES
HAVE DISAGREEMENTS.
647
00:25:51,984 --> 00:25:53,919
I??I UNDERSTAND
WHAT YOU'RE SAYING.
648
00:25:53,953 --> 00:25:55,955
AND NOW SHE'S DEAD.
649
00:26:02,594 --> 00:26:05,297
ON THE OTHER HAND,
ABBY, UH...
650
00:26:05,330 --> 00:26:07,566
THERE'S NO WITNESSES
TO CORROBORATE YOUR STORY.
651
00:26:07,599 --> 00:26:08,768
CERTAIN DETAILS
652
00:26:08,801 --> 00:26:10,402
NOT CORROBORATED
BY THE CRIME SCENE??
653
00:26:10,435 --> 00:26:12,972
SAY WHAT YOU'RE
GETTING AT, GREG.
654
00:26:13,005 --> 00:26:16,075
LACK OF A BLOOD TRAIL
TO THE PHONE, FOR EXAMPLE,
655
00:26:16,108 --> 00:26:18,077
CORROBORATING YOUR ACTIONS
AFTER YOU WERE SHOT.
656
00:26:18,110 --> 00:26:19,812
I PRESSED MY ARM
AGAINST MY SHIRT.
657
00:26:19,845 --> 00:26:21,146
I SEE.
658
00:26:21,180 --> 00:26:23,415
ASK THE QUESTION YOU
WANT TO ASK, GREG.
659
00:26:23,448 --> 00:26:26,418
I THINK YOU KNOW
THE QUESTION, ABBY...
660
00:26:26,451 --> 00:26:29,488
IF POSSIBLY YOU
AND KATHY HAD A FIGHT,
661
00:26:29,521 --> 00:26:30,489
AND IN YOUR ANGER??
662
00:26:30,522 --> 00:26:32,324
DID I KILL HER?
663
00:26:32,357 --> 00:26:33,625
DID I KILL KATHY?
664
00:26:33,658 --> 00:26:35,327
YOU KNOW THESE TYPE CRIMES,
665
00:26:35,360 --> 00:26:37,262
THE SPOUSE IS ALWAYS
THE FIRST SUSPECT.
666
00:26:37,296 --> 00:26:39,598
NO, I DON'T KNOW ABOUT
THESE TYPE CRIMES!
667
00:26:39,631 --> 00:26:41,834
I KNOW THE PERSON
I LOVED IS DEAD.
668
00:26:41,867 --> 00:26:44,003
AND THE ANSWER
TO YOUR QUESTION IS NO,
669
00:26:44,036 --> 00:26:46,005
I DID NOT KILL HER.
670
00:26:46,038 --> 00:26:48,307
ALL RIGHT,
ALL RIGHT.
671
00:26:48,340 --> 00:26:49,541
MY GOD, GREG.
672
00:27:04,556 --> 00:27:06,525
I BELIEVE WHAT
YOU'VE TOLD ME, ABBY...
673
00:27:06,558 --> 00:27:08,327
AS FAR AS IT GOES.
674
00:27:08,360 --> 00:27:10,329
BUT I BELIEVE THERE'S
MORE YOU COULD SAY
675
00:27:10,362 --> 00:27:12,564
ABOUT THE VANDALIZING
OF YOUR CAR.
676
00:27:16,568 --> 00:27:20,239
THE CAR BEIN' ON DELANCY,
THAT'S MAYBE SIGNIFICANT.
677
00:27:21,841 --> 00:27:23,575
OK.
678
00:27:24,744 --> 00:27:27,813
I HAVE AN OLD GIRLFRIEND
WHO LIVES THERE.
679
00:27:27,847 --> 00:27:29,849
DENISE McCALL.
680
00:27:30,582 --> 00:27:32,551
IT'S BEEN 2 YEARS NOW,
681
00:27:32,584 --> 00:27:34,553
BUT SHE TOOK US
BREAKING UP REALLY BAD.
682
00:27:34,586 --> 00:27:36,388
LIKE HOW?
683
00:27:36,421 --> 00:27:39,358
LIKE SHE WOULDN'T LEAVE ME
ALONE FOR MONTHS AFTER...
684
00:27:39,391 --> 00:27:41,193
CALLING, COMING OVER.
685
00:27:41,226 --> 00:27:43,428
IT WAS VERGING
ON STALKING.
686
00:27:47,566 --> 00:27:49,702
HAVE YOU SEEN HER
RECENTLY?
687
00:27:51,270 --> 00:27:54,573
2 WEEKS AGO, I GO INTO
THE SUBWAY, AND THERE SHE IS.
688
00:27:54,606 --> 00:27:58,177
OBVIOUSLY, SHE SAW
THAT I WAS PREGNANT.
689
00:27:58,210 --> 00:28:00,545
THE LOOK ON HER FACE...
690
00:28:00,579 --> 00:28:02,547
DID SHE SPEAK
TO YOU AT ALL...
691
00:28:02,581 --> 00:28:04,216
MAKE ANY SORT
OF THREAT?
692
00:28:04,249 --> 00:28:06,251
NOT IN SO MANY WORDS.
693
00:28:06,285 --> 00:28:08,687
BUT SHE WAS REALLY UPSET...
694
00:28:08,721 --> 00:28:10,255
ANGRY.
695
00:28:12,624 --> 00:28:15,027
DO YOU THINK SHE COULD BE
INVOLVED IN THIS SOMEHOW...
696
00:28:15,060 --> 00:28:18,597
POSSIBLY HIRED THE GUY
THAT DID THIS?
697
00:28:18,630 --> 00:28:20,599
I THINK IT COULD
BE POSSIBLE.
698
00:28:20,632 --> 00:28:23,068
THAT WOULD EXPLAIN WHY
HE DIDN'T ROB ANYTHING.
699
00:28:23,102 --> 00:28:26,238
DAMN IT, ABBY! YOU SHOULD'VE
TOLD ME ABOUT THIS BEFORE!
700
00:28:26,271 --> 00:28:27,606
I ONLY STARTED
THINKING ABOUT IT
701
00:28:27,639 --> 00:28:29,574
AFTER YOU TOLD ME
WHERE THE CAR WAS FOUND.
702
00:28:29,608 --> 00:28:31,276
A FORMER LOVER
WHO WAS STALKING YOU!
703
00:28:31,310 --> 00:28:32,778
YOU DIDN'T FIND THAT
GERMANE!
704
00:28:32,812 --> 00:28:35,380
NO! I THOUGHT IT WAS
A PUSH?IN ROBBERY, GREG!
705
00:28:35,414 --> 00:28:36,615
OH, SURE.
A PUSH?IN ROBBERY
706
00:28:36,648 --> 00:28:38,383
WHERE NOTHIN'
HAPPENS TO GET STOLEN,
707
00:28:38,417 --> 00:28:40,786
BUT ONE OF THE LOVERS
MURDERED.
708
00:28:40,820 --> 00:28:42,755
WHY ARE YOU TALKING
TO ME LIKE THIS?
709
00:28:42,788 --> 00:28:44,623
IF DENISE WAS INVOLVED,
710
00:28:44,656 --> 00:28:46,625
I OBVIOUSLY KNEW
NOTHING ABOUT IT.
711
00:28:49,161 --> 00:28:50,295
YEAH.
712
00:28:51,496 --> 00:28:52,664
ALL RIGHT.
713
00:28:58,003 --> 00:29:00,339
WHAT'S THIS DENISE'S
ADDRESS?
714
00:29:04,309 --> 00:29:05,610
IF SHE'S NOT THERE,
715
00:29:05,644 --> 00:29:08,781
YOU SHOULD CHECK
AT A BAR CALLED LULA'S.
716
00:29:08,814 --> 00:29:10,850
SOME LESBIAN BAR?
717
00:29:12,017 --> 00:29:13,485
YEAH, GREG.
718
00:29:38,773 --> 00:29:40,175
JAMES.
HEY.
719
00:29:40,209 --> 00:29:41,743
WHAT'S THE NEWS
WITH GINA?
720
00:29:41,776 --> 00:29:43,412
SHE IS HAVING SYMPTOMS,
721
00:29:43,445 --> 00:29:45,247
WITH HER PREGNANCY
BEING AT RISK,
722
00:29:45,280 --> 00:29:46,581
BUT NOTHING'S FOREGONE.
723
00:29:46,615 --> 00:29:49,251
I WAS WORRIED
WE WERE IN THE PROCESS
724
00:29:49,284 --> 00:29:51,186
OF, UH, THE BABY DYIN'.
725
00:29:51,220 --> 00:29:53,088
OH, WELL, THAT'S NOT
A FOREGONE CONCLUSION.
726
00:29:53,122 --> 00:29:55,857
NO. SHE HAS TO COMPLETELY
REST AND BE OFF HER FEET.
727
00:29:55,890 --> 00:29:57,759
WELL, SHE
SHE HAS TO COULD DO THAT.
728
00:29:57,792 --> 00:29:59,928
FOR THE NEXT 3 TO 4
WEEKS, ABSOLUTELY.
729
00:29:59,962 --> 00:30:01,930
YEAH.
WELL, I?I?I'D SAY
730
00:30:01,964 --> 00:30:03,933
THAT'S A BASIS,
UH, CAUTIOUS OPTIMISM.
731
00:30:03,966 --> 00:30:04,934
YEAH.
732
00:30:04,967 --> 00:30:06,368
[CHUCKLES]
733
00:30:06,401 --> 00:30:08,770
HEY, GREG, I REALLY
APPRECIATE YOUR CONCERN.
734
00:30:08,803 --> 00:30:10,439
I KNOW YOU GOT A LOT OF
OTHER STUFF ON YOUR PLATE.
735
00:30:10,472 --> 00:30:13,408
DON'T BE SILLY.
WELFARE OF A MOTHER AND CHILD.
736
00:30:13,442 --> 00:30:16,946
YEAH. I KNOW THAT'S THE
SAME SITUATION WITH ABBY.
737
00:30:16,979 --> 00:30:18,948
YEAH. WELL, UH...
738
00:30:18,981 --> 00:30:21,250
ON THAT FRONT, UH...
739
00:30:21,283 --> 00:30:23,252
IT TURNS OUT
THAT A?ABBY THINKS
740
00:30:23,285 --> 00:30:25,754
THIS, UH, MAY HAVE
BEEN SOME KIND OF, UH,
741
00:30:25,787 --> 00:30:27,489
VENGEANCE HOMICIDE
FOR HIRE.
742
00:30:30,159 --> 00:30:31,126
HEY.
743
00:30:31,160 --> 00:30:32,627
WERE YOU ABLE
TO GET ANY LIFTS?
744
00:30:32,661 --> 00:30:34,729
WE GOT A HIT ON A PRINT
FROM THE REARVIEW MIRROR.
745
00:30:34,763 --> 00:30:36,798
IT MATCHES A TOMMY LANG.
746
00:30:36,831 --> 00:30:38,733
2 PUSH?IN ROBBERIES
ON HIS SHEET.
747
00:30:38,767 --> 00:30:40,802
UH, WELL,
AS??AS FAR AS, UH,
748
00:30:40,835 --> 00:30:43,072
THIS DENISE ABBY TOLD ME
ABOUT, UH...
749
00:30:43,105 --> 00:30:47,642
UH, SHE WASN'T AT HOME
OR THE BAR ABBY SAID.
750
00:30:47,676 --> 00:30:49,644
THIS LANG GAVE
HIS PAROLE OFFICER
751
00:30:49,678 --> 00:30:51,780
A GOOD ADDRESS
7 WEEKS AGO.
752
00:30:52,814 --> 00:30:54,249
LET'S TRY THAT.
753
00:30:54,283 --> 00:30:56,986
THINKING ABBY'S FORMER LOVER
MIGHT'VE HIRED THE GUY?
754
00:30:57,019 --> 00:30:59,989
YEAH. UH...THAT'D
BE THE SCENARIO.
755
00:31:00,022 --> 00:31:01,023
HMM.
756
00:31:05,794 --> 00:31:07,963
3 HOURS SLEEP,
AND YOU GUYS DRAG ME IN.
757
00:31:07,997 --> 00:31:09,264
ALL RIGHT, LOOK,
SAM, YOU DON'T WANT
758
00:31:09,298 --> 00:31:10,665
TO BE COMPLAININ' ABOUT
NO SLEEP. ALL RIGHT?
759
00:31:10,699 --> 00:31:12,767
I'M JUST SAYIN' THIS
BETTER BE SOMETHIN' GOOD.
760
00:31:12,801 --> 00:31:14,169
YOU GOT NO IDEA WHAT
IT'S ABOUT. RIGHT, SAM?
761
00:31:14,203 --> 00:31:15,337
THAT'S RIGHT.
762
00:31:15,370 --> 00:31:16,771
DID YOU CALL YOUR
GIRLFRIEND JULIE'S
763
00:31:16,805 --> 00:31:19,341
FAMILY YESTERDAY SAYING SHE
DIDN'T SHOW UP TO SEE YOU?
764
00:31:19,374 --> 00:31:20,609
YEAH. I TALKED TO HER
ON THE PHONE.
765
00:31:20,642 --> 00:31:22,777
SHE WAS GONNA PICK ME UP,
AND THEN, UH, SHE BLEW ME OFF.
766
00:31:22,811 --> 00:31:24,679
HMM. 'CAUSE JULIE
HASN'T BEEN SEEN SINCE.
767
00:31:24,713 --> 00:31:26,681
OH, SO THAT'S HOW
YOU'RE GONNA BE, HUH?
768
00:31:26,715 --> 00:31:28,783
YOU GO AHEAD AND
YOU ASK JULIE'S COUSIN
769
00:31:28,817 --> 00:31:30,852
THAT I CALLED TO TELL HER
JULIE NEVER SHOWED.
770
00:31:30,885 --> 00:31:33,688
YOU GOT YOUR ALIBI
TIED UP IN A NICE BOW.
771
00:31:33,722 --> 00:31:35,890
THAT'S WHAT HAPPENED,
MY MAN.
772
00:31:38,727 --> 00:31:40,195
YOU SEE, SAM,
I SAY ALIBI,
773
00:31:40,229 --> 00:31:42,797
AND YOU DON'T
EVEN BLINK.
774
00:31:42,831 --> 00:31:43,865
WELL, WHEN'D YOU SAY THAT?
775
00:31:43,898 --> 00:31:45,968
THAT MUST'VE
WENT RIGHT BY ME.
776
00:31:46,001 --> 00:31:48,370
HEY! HEY! YOU SHOOT
A GIRL IN THE HEAD,
777
00:31:48,403 --> 00:31:49,804
YOU BURN HER
PAST RECOGNITION.
778
00:31:49,838 --> 00:31:52,041
YOU'RE GONNA SIT HERE
AND CRACK WISE WITH US?!
779
00:31:52,074 --> 00:31:53,175
HUH?!
780
00:31:53,208 --> 00:31:54,509
[KNOCK ON DOOR]
781
00:31:55,744 --> 00:31:57,479
WE GOT YOUR BUDDY
JOE RIZOLLI
782
00:31:57,512 --> 00:31:59,381
ACROSS THE HALL
THERE, SAM.
783
00:31:59,414 --> 00:32:00,882
SUPPOSE WE ASK HIM??
784
00:32:00,915 --> 00:32:03,252
GO AHEAD AND ASK HIM. ASK HIM
WHAT DID HE ACTUALLY SEE.
785
00:32:18,100 --> 00:32:19,734
JOE RIZOLLI,
786
00:32:19,768 --> 00:32:21,436
DETECTIVES SIMONE
AND SIPOWICZ.
787
00:32:22,771 --> 00:32:24,906
SHE'S PRETTY GOOD?LOOKING
FOR A DETECTIVE, ISN'T SHE?
788
00:32:24,940 --> 00:32:27,776
LOOKS KINDA LIKE A
CHARLIE'S ANGEL OR SOMETHING.
789
00:32:30,612 --> 00:32:32,881
SO NOW YOU GONNA TELL ME
WHAT THIS IS ABOUT?
790
00:32:37,953 --> 00:32:39,754
YOU KNOW
A JULIE TORELLI?
791
00:32:39,788 --> 00:32:42,757
YEAH. SHE USED TO DATE
A FRIEND OF MINE.
792
00:32:42,791 --> 00:32:44,526
YOU SEE HER LAST NIGHT?
793
00:32:44,559 --> 00:32:46,395
I WENT CLUBBIN'
LAST NIGHT.
794
00:32:46,428 --> 00:32:47,529
WITH WHO?
795
00:32:47,562 --> 00:32:49,198
SAM DePAUL.
796
00:32:49,231 --> 00:32:50,765
WHO DATED JULIE TORELLI.
797
00:32:50,799 --> 00:32:52,935
LOOK. SAM AND ME WENT
CLUBBIN' LAST NIGHT.
798
00:32:52,968 --> 00:32:55,604
PEOPLE AT ADONIS'
WILL VOUCH.
799
00:32:55,637 --> 00:32:56,771
BUT BEFORE YOU AND
SAM WENT CLUBBIN'
800
00:32:56,805 --> 00:32:58,941
YOU HAD A LITTLE
ADVENTURE WITH GASOLINE.
801
00:32:58,974 --> 00:32:59,942
EXCUSE ME?
802
00:32:59,975 --> 00:33:01,743
YOU HELPED SAM DePAUL
803
00:33:01,776 --> 00:33:03,912
BURN UP JULIE TORELLI'S
BODY IN HER CAR, JOE.
804
00:33:03,946 --> 00:33:05,614
THAT PUTS YOU
IN A BAD SPOT.
805
00:33:05,647 --> 00:33:06,949
SEE, THAT DON'T
PUT ME NOWHERE.
806
00:33:06,982 --> 00:33:08,783
I DIDN'T KNOW NOTHIN'
ABOUT NO FIRE.
807
00:33:08,817 --> 00:33:10,619
ARE??ARE YOU
A DUMMY, JOE?
808
00:33:11,820 --> 00:33:14,957
YOU WANT TO BE LOCKED UP
FOR LIFE OVER THIS?
809
00:33:14,990 --> 00:33:18,093
YOU, JOE RIZOLLI, THE
ACCESSORY TO MURDER?
810
00:33:18,127 --> 00:33:19,794
LISTEN TO ME. LOOK,
811
00:33:19,828 --> 00:33:22,164
I DIDN'T KNOW NOTHIN'
ABOUT NO GASOLINE.
812
00:33:23,465 --> 00:33:25,935
LOOK, ALL I KNOW IS,
813
00:33:25,968 --> 00:33:26,969
SAM CALLED
TO PICK HIM UP.
814
00:33:27,002 --> 00:33:28,938
I GET THERE, AND HE??
815
00:33:28,971 --> 00:33:31,406
HE'S GOT THIS PEPSI
BOTTLE FULL OF GAS.
816
00:33:31,440 --> 00:33:33,976
I SAID, "I'LL TAKE YOU
WHERE YOU WANT TO GO,
817
00:33:34,009 --> 00:33:35,244
BUT I DON'T WANT
TO KNOW NOTHIN'
818
00:33:35,277 --> 00:33:37,980
ABOUT THAT PEPSI BOTTLE."
SO THAT'S WHAT HAPPENED.
819
00:33:38,013 --> 00:33:39,949
I TOOK HIM
WHERE HE WANTED.
820
00:33:39,982 --> 00:33:41,951
HE GOT OUT. I WAITED.
HE??HE COME BACK.
821
00:33:41,984 --> 00:33:44,786
WE WENT TO THE CLUB.
822
00:33:44,819 --> 00:33:45,820
[SNICKERS]
CONGRATULATIONS, JOE.
823
00:33:45,854 --> 00:33:47,922
THAT STORY BOUGHT YOU
A LETHAL INJECTION.
824
00:33:47,957 --> 00:33:50,292
THE HELL
WRITE HIM UP THE IF IT DOES!
825
00:33:50,325 --> 00:33:51,926
WAIT, WAIT, WAIT!
LISTEN TO ME!
826
00:33:51,961 --> 00:33:53,963
HE HAD ME STAY
AROUND THE CORNER
827
00:33:53,996 --> 00:33:55,830
SO I COULDN'T SEE
WHAT WAS GONNA HAPPEN.
828
00:33:58,000 --> 00:34:02,671
LOOK, A FEW MINUTES AFTER
HE GOT OUT OF THE CAR...
829
00:34:02,704 --> 00:34:04,606
I SAW THIS BIG FIREBALL.
830
00:34:04,639 --> 00:34:06,942
THEN HERE COMES SAM
RUNNIN' BACK.
831
00:34:06,976 --> 00:34:10,812
SAYS, "NOW NOBODY'LL
EVEN KNOW SHE WAS SHOT."
832
00:34:14,216 --> 00:34:16,018
[SIGHS]
833
00:34:16,986 --> 00:34:18,853
SO HOW ABOUT THAT?
834
00:34:18,887 --> 00:34:20,722
YEAH. THAT'S GOOD.
835
00:34:32,401 --> 00:34:33,502
[DOOR OPENS]
836
00:34:33,535 --> 00:34:34,803
HE GAVE YOU UP, SAM.
837
00:34:34,836 --> 00:34:35,971
RIGHT.
838
00:34:36,005 --> 00:34:37,872
YOU AND YOUR PEPSI BOTTLE
FILLED WITH GASOLINE.
839
00:34:37,906 --> 00:34:40,042
HEY, JOE RIZOLLI
DIDN'T SEE CRAP.
840
00:34:41,076 --> 00:34:42,877
SO HE COULDN'T
GIVE CRAP UP.
841
00:34:42,911 --> 00:34:43,912
SIT DOWN!
842
00:34:47,582 --> 00:34:51,653
"NOW THEY WON'T EVEN KNOW
SHE WAS SHOT."
843
00:34:51,686 --> 00:34:53,188
THOSE WORDS RING A BELL
THERE, SAM?
844
00:34:53,222 --> 00:34:55,890
'CAUSE JOE RIZOLLI
TOLD US WHAT YOU SAID.
845
00:34:55,924 --> 00:34:57,526
HE TOLD US
YOU CONFESSED.
846
00:34:57,559 --> 00:35:00,895
YEAH. BUT PLEASE SUSTAIN
THAT SMART?ASS ATTITUDE
847
00:35:00,929 --> 00:35:02,164
A LITTLE WHILE LONGER,
848
00:35:02,197 --> 00:35:03,565
SO I CAN HAVE THE PLEASURE
849
00:35:03,598 --> 00:35:05,400
OF BEATIN' YOUR BALLS OFF
EVERY WALL IN THIS ROOM
850
00:35:05,434 --> 00:35:07,169
UNTIL I TIRE MYSELF OUT.
851
00:35:07,202 --> 00:35:09,404
LOOK, SAM,
IF THIS WASN'T MURDER,
852
00:35:09,438 --> 00:35:11,540
NO ONE IS LOOKING
TO MAKE IT THAT.
853
00:35:11,573 --> 00:35:13,042
IF YOU AND JULIE
854
00:35:13,075 --> 00:35:14,243
WERE TALKING OUT
RELATIONSHIP PROBLEMS,
855
00:35:14,276 --> 00:35:15,577
AND YOU JUST HAPPENED
TO HAVE A GUN?
856
00:35:15,610 --> 00:35:17,712
AUTOMATICS. THEY CAN
GO OFF LIKE THAT.
857
00:35:17,746 --> 00:35:18,913
NO, IT DIDN'T HAPPEN,
858
00:35:18,948 --> 00:35:19,914
'CAUSE I WOULD NEVER
HURT JULIE.
859
00:35:19,949 --> 00:35:21,083
WELL,
I'M JUST SAYING,
860
00:35:21,116 --> 00:35:22,584
MAKE IT AN ACCIDENT,
NOT A HOMICIDE,
861
00:35:22,617 --> 00:35:23,918
WHERE YOU'D NEVER
HURT HER INTENTIONALLY.
862
00:35:23,953 --> 00:35:25,220
WE WERE ATTACKED, MAN.
863
00:35:25,254 --> 00:35:26,421
YOU WANT TO KNOW
WHAT HAPPENED?
864
00:35:26,455 --> 00:35:28,423
WE WE SITTIN'
IN JULIE'S CAR TALKING.
865
00:35:28,457 --> 00:35:29,924
MATTER OF FACT, WE WERE
GETTING BACK TOGETHER.
866
00:35:29,959 --> 00:35:32,594
BUT, SAM...DON'T FORGET
ABOUT THE GASOLINE.
867
00:35:32,627 --> 00:35:34,029
I'M TELLIN' YOU, MAN,
868
00:35:34,063 --> 00:35:36,065
THIS GUY COMES UP, THIS
SON?OF?SAM?TYPE GUY
869
00:35:36,098 --> 00:35:38,100
YOU TOLD JOE RIZOLLI
YOU SHOT HER.
870
00:35:43,138 --> 00:35:45,407
WE WERE BACK TOGETHER...
871
00:35:45,440 --> 00:35:48,110
AND THIS GUN
JUST GOES OFF...
872
00:35:48,143 --> 00:35:50,379
TOTALLY ON ACCIDENT.
873
00:35:50,412 --> 00:35:53,915
IT WAS JUST
BAD LUCK.
874
00:35:53,949 --> 00:35:55,917
AND I GOT SO SCARED,
SO I CALLED JOE,
875
00:35:55,951 --> 00:35:59,421
AND I GOT THE GAS
TO SET HER CAR OFF.
876
00:35:59,454 --> 00:36:02,424
IT WAS JUST THIS CHAIN
OF BAD LUCK.
877
00:36:02,457 --> 00:36:05,394
THIS IS WHERE YOU
LIT JULIE'S CAR ON FIRE
878
00:36:05,427 --> 00:36:06,895
WITH JULIE IN IT,
879
00:36:06,928 --> 00:36:08,897
AFTER
YOU HAD SHOT HER...
880
00:36:08,930 --> 00:36:10,966
INADVERTENTLY.
881
00:36:11,000 --> 00:36:13,768
YEAH.
882
00:36:13,802 --> 00:36:15,137
WHERE'S THE GUN?
883
00:36:15,170 --> 00:36:18,907
I THREW PIECES OF IT OUT
THE WINDOW RIDING THE L.I.E.
884
00:36:18,941 --> 00:36:19,908
THEY'RE BY SOME MARKER,
885
00:36:19,942 --> 00:36:21,410
YOU KNOW,
SO AND SO'S RESPONSIBLE
886
00:36:21,443 --> 00:36:23,145
FOR KEEPING THIS PART
OF THE HIGHWAY CLEAN.
887
00:36:23,178 --> 00:36:24,479
THE NAME WILL COME TO ME.
888
00:36:24,513 --> 00:36:26,081
WHEN IT COMES BACK
TO YOU, YOU LET US KNOW.
889
00:36:26,115 --> 00:36:27,649
WE'LL GET
SOMEBODY TO PICK IT UP.
890
00:36:27,682 --> 00:36:29,151
IS IT VIC??VIC DAMONE?
891
00:36:29,184 --> 00:36:30,352
YEAH.
I??I DON'T KNOW.
892
00:36:32,454 --> 00:36:34,656
ME AND JULIE,
WE'D MADE UP.
893
00:36:34,689 --> 00:36:36,425
THAT'S??THAT'S WHAT'S
SO TRAGIC.
894
00:36:36,458 --> 00:36:38,327
100% ACCIDENT.
895
00:36:38,360 --> 00:36:41,330
YOU JUST REMEMBER
TO SAY ALL THAT...
896
00:36:41,363 --> 00:36:42,864
WHEN YOU
WRITE IT DOWN.
897
00:36:51,706 --> 00:36:53,342
I DON'T GET
THE WOMAN DETECTIVE?
898
00:36:53,375 --> 00:36:55,010
NAH. SHE'S GONNA
LET US HANDLE THIS.
899
00:36:55,044 --> 00:36:57,279
HOW ABOUT
A REFRESHMENT?
900
00:36:57,312 --> 00:36:58,347
HOW ABOUT "SHUT UP"?
901
00:36:58,380 --> 00:36:59,614
YOU WANT A COOL DRINK
902
00:36:59,648 --> 00:37:01,316
AFTER A HARD NIGHT
OF SHOOTING PEOPLE
903
00:37:01,350 --> 00:37:02,784
AND TEARING UP
THEIR CAR, TOMMY?
904
00:37:02,817 --> 00:37:04,353
OH, MAN, I??
COME ON.
905
00:37:04,386 --> 00:37:07,022
WE KNOW WHAT YOU DID.
WE GOT YOUR PRINTS.
906
00:37:07,056 --> 00:37:08,023
MY PRINTS?
907
00:37:08,057 --> 00:37:09,191
YEAH. THAT CAR
YOU KNIFED UP
908
00:37:09,224 --> 00:37:10,692
AFTER YOU STOLE IT?
IT HAD YOUR PRINTS.
909
00:37:10,725 --> 00:37:13,362
NO. THE CUTTING UP
IS ON SOMEONE ELSE.
910
00:37:13,395 --> 00:37:15,164
AND THAT'D BE WHO?
911
00:37:15,197 --> 00:37:17,532
NUT?JOB WOMAN
TEQUILA PUT ME WITH.
912
00:37:17,566 --> 00:37:18,667
SHE PLANNED
THIS WHOLE THING.
913
00:37:18,700 --> 00:37:19,668
WHO'S TEQUILA?
914
00:37:19,701 --> 00:37:20,970
A FRIEND.
915
00:37:21,003 --> 00:37:22,537
HE KNOWS THE NUT JOB
FROM THAT BAR LULA'S,
916
00:37:22,571 --> 00:37:23,538
WHERE THEY MET.
917
00:37:23,572 --> 00:37:25,140
SHE'S A DYKE.
918
00:37:25,174 --> 00:37:25,874
WHO'S A DYKE?
919
00:37:25,907 --> 00:37:27,176
DENISE WHO HIRED ME.
920
00:37:27,209 --> 00:37:29,344
SHE WANTED SOMEONE
TO TAKE OUT THE OTHER DYKE.
921
00:37:29,378 --> 00:37:30,879
SO TEQUILA SAYS
"I KNOW WHO YOU CAN GET."
922
00:37:30,912 --> 00:37:32,047
SHE PUTS ME WITH HER.
923
00:37:32,081 --> 00:37:33,882
BUT I WASN'T GONNA DO IT.
924
00:37:33,915 --> 00:37:36,986
I JUST WANTED TO GET A LITTLE
ROBBERY OUT OF IT FOR MYSELF.
925
00:37:37,019 --> 00:37:38,353
THEN I GET ATTACKED.
926
00:37:38,387 --> 00:37:40,389
SO WHAT HAPPENED
WAS SELF?DEFENSE.
927
00:37:40,422 --> 00:37:42,157
YOU WANT TO LOOK
AT MY SHEET?
928
00:37:42,191 --> 00:37:43,892
I GOT ONE THING ON THERE
WITH A KNIFE.
929
00:37:43,925 --> 00:37:45,560
THAT WAS ALSO SELF?DEFENSE.
930
00:37:45,594 --> 00:37:47,896
SO, YOU WERE GONNA
DOUBLE?CROSS DENISE,
931
00:37:47,929 --> 00:37:49,864
TAKE HER MONEY,
BUT??BUT NOT DO THE MURDER.
932
00:37:49,898 --> 00:37:51,000
SHE'S A DYKE.
933
00:37:51,033 --> 00:37:53,368
THE TWO RUNNING AROUND
THE APARTMENT,
934
00:37:53,402 --> 00:37:54,503
DYKES, TOO.
935
00:37:54,536 --> 00:37:56,071
Martinez:
YEAH, WE KNOW THAT.
936
00:37:56,105 --> 00:37:57,339
SO WHAT DID
DENISE SAY TO DO?
937
00:37:57,372 --> 00:37:59,074
KILL THE ONE
WHO AIN'T PREGNANT,
938
00:37:59,108 --> 00:38:00,375
TAKE THE CAR,
939
00:38:00,409 --> 00:38:01,876
MAKE IT LOOK LIKE
A ROBBERY.
940
00:38:01,910 --> 00:38:03,912
SHE KNEW THEIR SCHEDULE,
941
00:38:03,946 --> 00:38:05,380
WHEN THEY WENT SHOPPING,
942
00:38:05,414 --> 00:38:06,748
AND EVERYTHING ELSE.
943
00:38:06,781 --> 00:38:08,883
SO, YOU, UH,
YOU FOLLOWED 'EM HOME,
944
00:38:08,917 --> 00:38:09,884
BUSTED INTO THE APARTMENT??
945
00:38:09,918 --> 00:38:11,886
AND WAS GONNA ROB 'EM,
946
00:38:11,920 --> 00:38:13,388
AND THEN
THERE WAS COMPLICATIONS,
947
00:38:13,422 --> 00:38:15,890
'CAUSE DENISE, WHO ACTS
LIKE SHE KNOWS EVERYTHING,
948
00:38:15,924 --> 00:38:19,094
DIDN'T SAY NOTHIN' ABOUT THERE
BEING A GUN IN THE HOUSE.
949
00:38:19,128 --> 00:38:20,362
THE ONE
I'M SUPPOSED TO SHOOT??
950
00:38:20,395 --> 00:38:21,696
KATHY.
951
00:38:21,730 --> 00:38:22,864
THE ONE
WHO AIN'T PREGNANT.
952
00:38:22,897 --> 00:38:25,567
SHE GOES INTO A DESK DRAWER,
GETS A GUN.
953
00:38:25,600 --> 00:38:27,869
NOW WHAT AM I SUPPOSED
TO DO WITH THAT?
954
00:38:27,902 --> 00:38:29,438
THAT IS AN ACT
OF SELF?DEFENSE.
955
00:38:29,471 --> 00:38:31,440
SO YOU AND SELF?DEFENSE
ARE, LIKE, BEST FRIENDS.
956
00:38:31,473 --> 00:38:33,275
I WAS NEVER
RAISING A GUN TO THEM
957
00:38:33,308 --> 00:38:35,377
UNTIL SHE GOT ONE HERSELF.
958
00:38:35,410 --> 00:38:38,713
I TOLD THE OTHER ONE
TO GO IN THE BEDROOM.
959
00:38:38,747 --> 00:38:39,881
WAS GONNA GRAB
THE LOOT I COULD GET
960
00:38:39,914 --> 00:38:41,283
AND BE DONE WITH IT.
961
00:38:41,316 --> 00:38:43,385
BUT THEN THE TOUGH ONE'S
GOTTA RUN, GET A GUN,
962
00:38:43,418 --> 00:38:44,919
TURN THE WHOLE THING
INTO A SHOOTOUT.
963
00:38:44,954 --> 00:38:47,889
BUT SHE DIDN'T
GET A SHOT OFF AT YOU.
964
00:38:47,922 --> 00:38:49,391
NO.
965
00:38:49,424 --> 00:38:51,994
TURNS OUT
I'M THE QUICKER DRAW.
966
00:38:55,330 --> 00:38:56,298
LOOK...
967
00:38:56,331 --> 00:39:00,235
WHO YOU'RE AFTER
IS THIS DENISE.
968
00:39:00,269 --> 00:39:03,138
SHE IS JUST THIS SIDE
OF CRAZY.
969
00:39:03,172 --> 00:39:05,307
SO WHERE DO WE FIND HER?
970
00:39:05,340 --> 00:39:07,977
I'D TRY LULA'S.
971
00:39:08,010 --> 00:39:09,611
OR WHERE SHE LIVES.
972
00:39:11,113 --> 00:39:12,081
YEAH, THAT'S GREAT.
973
00:39:12,114 --> 00:39:13,182
[KNOCK ON DOOR]
974
00:39:17,352 --> 00:39:18,287
WHAT'S UP?
975
00:39:18,320 --> 00:39:19,654
YEAH, UM...
976
00:39:19,688 --> 00:39:21,290
ABBY JUST CALLED.
977
00:39:21,323 --> 00:39:22,791
DENISE McCALL IS SITTING
ACROSS THE STREET
978
00:39:22,824 --> 00:39:23,993
FROM HER APARTMENT.
979
00:39:24,026 --> 00:39:24,826
IS SHE ARMED?
980
00:39:24,859 --> 00:39:25,827
I DON'T KNOW.
981
00:39:25,860 --> 00:39:27,296
BUT YOU'D BETTER
GET OVER THERE.
982
00:39:27,329 --> 00:39:29,331
HANK WILL TAKE CARE
OF THIS GUY. HANK?
983
00:39:29,364 --> 00:39:30,832
UH...SO, MY SITUATION?
984
00:39:30,865 --> 00:39:32,667
Martinez:
I DON'T KNOW, TOMMY.
985
00:39:32,701 --> 00:39:34,169
YOU JUST ADMIT
YOU SHOT A WOMAN DEAD.
986
00:39:34,203 --> 00:39:36,338
I DON'T KNOW IF WE CAN JUST
LET WALK RIGHT AWAY.
987
00:39:36,371 --> 00:39:39,174
I TOLD YOU
THE CIRCUMSTANCES.
988
00:39:45,880 --> 00:39:50,019
Woman: PEOPLE HAVE A RIGHT
TO THE DREAMS OF THEIR LIVES,
989
00:39:50,052 --> 00:39:50,852
AND THEY HAVE A RIGHT
990
00:39:50,885 --> 00:39:52,121
TO THE COURAGE
OF SEEKING HAPPINESS.
991
00:39:52,154 --> 00:39:53,355
Greg: HOW WOULD THAT
APPLY TO THIS?
992
00:39:53,388 --> 00:39:54,856
THE INSTANCE
OF ABBY'S...
993
00:39:54,889 --> 00:39:57,359
[WOMAN TALKING]
994
00:39:57,392 --> 00:39:58,827
Greg: YEAH, WE WOULD.
995
00:40:00,395 --> 00:40:02,831
ABBY AND I WERE THE ONES
TALKING ABOUT HAVING A BABY.
996
00:40:02,864 --> 00:40:05,034
WE WERE THE ONES
MADE PLANS FOR OUR FAMILY.
997
00:40:05,067 --> 00:40:06,868
THEN COMES
THE INTERLOPER.
998
00:40:06,901 --> 00:40:08,203
MEANING KATHY.
999
00:40:08,237 --> 00:40:10,172
PEOPLE PRESCRIBE THEIR
OWN TRAGEDIES, YOU KNOW.
1000
00:40:10,205 --> 00:40:11,706
IF EVERYONE
HAD JUST BEHAVED,
1001
00:40:11,740 --> 00:40:12,975
SHE'D BE ALIVE,
1002
00:40:13,008 --> 00:40:14,876
AND I'D BE LOOKING
AT MOTHERHOOD.
1003
00:40:14,909 --> 00:40:16,178
NOW KATHY'S DEAD.
1004
00:40:16,211 --> 00:40:18,313
BUT YOU'RE STILL NOT ON YOUR WAY
TO HAVING A BABY.
1005
00:40:18,347 --> 00:40:19,481
Denise: THAT'S OK.
1006
00:40:19,514 --> 00:40:21,383
DOOR'S OPEN
FOR ABBY AND ME NOW.
1007
00:40:21,416 --> 00:40:22,884
YOU'RE WAY OFF, DENISE.
1008
00:40:22,917 --> 00:40:24,686
SHE DOESN'T WANT
NOTHIN' TO DO WITH YOU.
1009
00:40:24,719 --> 00:40:27,356
WELL, WITHOUT THE WANNABE
NOVELIST IN THE PICTURE
1010
00:40:27,389 --> 00:40:28,890
WHO WRITES LIKE CRAP??
1011
00:40:28,923 --> 00:40:30,059
AND I SHOULD KNOW,
1012
00:40:30,092 --> 00:40:31,060
'CAUSE I WAS AT ONE
OF HER PATHETIC READINGS??
1013
00:40:31,093 --> 00:40:32,561
YOU FOLLOWED 'EM AROUND,
DIDN'T YOU?
1014
00:40:32,594 --> 00:40:34,029
I DID MY HOMEWORK.
1015
00:40:34,063 --> 00:40:35,330
YOU FOLLOWED 'EM UNTIL
YOU KNEW THEIR PATTERNS,
1016
00:40:35,364 --> 00:40:37,332
AND THEN YOU STUCK
THIS TOMMY ON 'EM.
1017
00:40:37,366 --> 00:40:40,069
I HAD HIM PUT PEOPLE
IN THEIR RIGHTFUL PLACES.
1018
00:40:40,102 --> 00:40:42,404
WAS IT YOU TORE UP
ABBY'S CAR?
1019
00:40:42,437 --> 00:40:44,739
IN A FIT OF LOVE.
1020
00:40:44,773 --> 00:40:45,907
OH, YEAH.
1021
00:40:45,941 --> 00:40:49,411
YOU GIVE ME ALL
THE WEIRD LOOKS YOU WANT, OK?
1022
00:40:49,444 --> 00:40:52,714
BUT SHE'S GONNA
COME AROUND NOW.
1023
00:40:52,747 --> 00:40:54,849
FEELING AS STRONGLY
AS YOU DO, DENISE,
1024
00:40:54,883 --> 00:40:56,251
YOU WANT TO MAKE SURE
1025
00:40:56,285 --> 00:40:57,852
YOUR SIDE OF IT
GETS ON RECORD.
1026
00:40:57,886 --> 00:40:59,354
MAYBE STARTING WITH
HIRING THIS TOMMY LANG
1027
00:40:59,388 --> 00:41:00,889
TO KILL KATHY.
1028
00:41:00,922 --> 00:41:03,258
OH, GEE, I THOUGHT
YOU'D NEVER ASK.
1029
00:41:03,292 --> 00:41:07,896
THEN WE CAN STACK MY WRITING
UP AGAINST HERS.
1030
00:41:14,803 --> 00:41:16,105
Martinez:
SO, UH, DENISE,
1031
00:41:16,138 --> 00:41:17,806
DO YOU WANT TO PUT
AN END TO THIS?
1032
00:41:19,474 --> 00:41:20,775
Denise:
ABBY AND I...
1033
00:41:20,809 --> 00:41:22,477
[VOICES CONTINUE]
1034
00:41:33,322 --> 00:41:37,960
DOESN'T SHOW
AN OUNCE OF REMORSE.
1035
00:41:37,993 --> 00:41:40,795
I'D NEVER SAY IT
IN COURT, BUT...
1036
00:41:40,829 --> 00:41:42,064
DENISE
HAS CROSSED THE LINE
1037
00:41:42,097 --> 00:41:44,299
OF NOT UNDERSTANDING
RIGHT AND WRONG.
1038
00:41:44,333 --> 00:41:47,802
SHE'S NOT
THE PERSON YOU KNEW.
1039
00:41:47,836 --> 00:41:50,639
SHE WAS JEALOUS WHENEVER
WE WERE TOGETHER.
1040
00:41:50,672 --> 00:41:52,807
POSSESSIVE OF MY TIME.
1041
00:41:52,841 --> 00:41:56,311
OF WHAT
I WAS THINKING.
1042
00:41:56,345 --> 00:42:00,115
FIRST, I WAS JUST
SO GLAD TO BE LOVED.
1043
00:42:04,019 --> 00:42:05,487
WHEN I KNEW IT WAS OVER,
1044
00:42:05,520 --> 00:42:07,322
WE WENT TO COUNSELING
FOR 6 MONTHS
1045
00:42:07,356 --> 00:42:09,491
TO HELP HER GET READY.
1046
00:42:09,524 --> 00:42:12,427
I KNEW NOTHING WAS GONNA
GET HER OVER IT.
1047
00:42:12,461 --> 00:42:14,496
FINALLY, I JUST LEFT...
1048
00:42:14,529 --> 00:42:17,499
CUT OUT EVERY
PART OF MY LIFE
1049
00:42:17,532 --> 00:42:18,833
WHERE DENISE
WAS INVOLVED
1050
00:42:18,867 --> 00:42:20,502
SO SHE WOULDN'T HAVE
TO SEE ME,
1051
00:42:20,535 --> 00:42:23,505
TRY TO KEEP FROM
HURTING HER.
1052
00:42:23,538 --> 00:42:24,806
EVEN BEFORE
KATHY AND I MET
1053
00:42:24,839 --> 00:42:28,310
AND DENISE REALLY
STARTED STALKING US,
1054
00:42:28,343 --> 00:42:30,512
I'D FEEL HER
FOLLOWING ME
1055
00:42:30,545 --> 00:42:33,949
LIKE SOME...
HAUNTED SPIRIT.
1056
00:42:33,983 --> 00:42:35,350
[SIGHS]
1057
00:42:35,384 --> 00:42:38,620
BECAUSE I'VE BEEN
THAT WAY MYSELF.
1058
00:42:38,653 --> 00:42:40,522
NO, ABBY.
1059
00:42:40,555 --> 00:42:41,823
NOT JEALOUS.
1060
00:42:41,856 --> 00:42:47,662
BUT JUST WANTING
SO MUCH TO BE LOVED.
1061
00:42:47,696 --> 00:42:51,333
LIKE YOU'RE JUST AN ACHE
WITH BEING SO LONELY...
1062
00:42:51,366 --> 00:42:55,037
AND WANTING TO BE
A PART OF LIFE.
1063
00:42:58,407 --> 00:43:00,475
BUT I STILL...
1064
00:43:00,509 --> 00:43:02,077
HAVE MY BABY.
1065
00:43:03,412 --> 00:43:05,480
I AM A PART OF LIFE.
1066
00:43:05,514 --> 00:43:07,882
OF COURSE YOU ARE.
1067
00:43:14,889 --> 00:43:18,693
NO INTENTION OTHER
THAN FRIENDSHIP, ABBY.
1068
00:43:20,762 --> 00:43:23,198
I HOPE YOU'LL LET ME
BE A RESOURCE FOR YOU.
1069
00:43:23,232 --> 00:43:26,068
THANKS, GREG.
1070
00:43:26,101 --> 00:43:28,903
WE'LL BE PART OF LIFE
TOGETHER.
1071
00:43:36,778 --> 00:43:37,846
ABBY...
1072
00:43:37,879 --> 00:43:38,713
ABBY!
1073
00:43:38,747 --> 00:43:40,015
HOW COULD YOU
DO THIS TO ME?
1074
00:43:40,049 --> 00:43:40,882
ABBY!
1075
00:43:40,915 --> 00:43:42,851
I LOVE YOU, BABY.
I LOVE YOU SO MUCH!
1076
00:43:42,884 --> 00:43:44,586
I'LL TAKE CARE OF YOU NOW!
1077
00:43:44,619 --> 00:43:45,854
I LOVE YOU!
1078
00:43:45,887 --> 00:43:47,589
I LOVE YOU!
1079
00:43:47,622 --> 00:43:49,058
I LOVE YOU!
1080
00:43:49,091 --> 00:43:51,560
WE WERE MEANT
TO BE TOGETHER!
1081
00:43:51,593 --> 00:43:53,762
I KNOW IT.
I FEEL IT IN MY HEART.
1082
00:43:53,795 --> 00:43:55,530
I LOVE YOU!
1083
00:43:55,564 --> 00:43:56,565
DON'T LEAVE ME!
1084
00:43:56,598 --> 00:43:58,533
DON'T LEAVE ME!
1085
00:43:58,567 --> 00:44:00,135
DON'T LEAVE ME!
1086
00:44:08,310 --> 00:44:12,314
CAPTIONING PERFORMED BY
THE NATIONAL CAPTIONING INSTITUTE, INC.
1087
00:44:12,364 --> 00:44:16,914
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