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1
00:00:11,750 --> 00:00:14,709
♪
2
00:00:23,417 --> 00:00:26,500
SHE WAS THE FIRST GIRL
TO SEE ME NAKED.
3
00:00:26,583 --> 00:00:28,291
GRANTED WE WERE
7 YEARS OLD AT THE TIME,
4
00:00:28,375 --> 00:00:31,875
BUT I HAD A FEELING EVEN THEN.
5
00:00:31,959 --> 00:00:34,166
THERE'S REALLY SOMETHING
ABOUT THE FIRST GIRL
YOU PLAY DOCTOR WITH.
6
00:00:34,250 --> 00:00:35,625
MAYBE IT'S COSMIC OR SOMETHING,
7
00:00:35,709 --> 00:00:38,333
OR PERHAPS IT'S JUST THAT
SHE'S SEEN YOUR PACKAGE
8
00:00:38,417 --> 00:00:40,333
AND DIDN'T RUN AWAY SCREAMING.
9
00:00:40,417 --> 00:00:43,917
WHATEVER IT WAS, ALLISON AND I
WERE MADE FOR EACH OTHER,
10
00:00:44,000 --> 00:00:45,083
A PERFECT FIT.
11
00:00:45,166 --> 00:00:47,208
SO WHEN HER FAMILY MOVED AWAY,
12
00:00:47,291 --> 00:00:52,500
I-- I KNEW THAT SOMEDAY,
SOMEHOW, FATE WOULD BRING US
BACK TOGETHER.
13
00:00:54,291 --> 00:00:55,208
♪ HAPPINESS ♪
14
00:00:55,291 --> 00:00:57,917
BERKE.
15
00:00:58,000 --> 00:01:02,208
♪ HAPPINESS ♪
♪
BERKE LANDERS.
16
00:01:02,291 --> 00:01:04,250
IT'S ME, ALLISON.
17
00:01:04,333 --> 00:01:06,250
ALLISON MCALLISTER?
18
00:01:06,333 --> 00:01:07,500
♪
19
00:01:09,500 --> 00:01:12,542
OF ALL THE LUNCHROOMS
IN ALL THE SCHOOLS
IN ALL THE WORLD,
20
00:01:12,625 --> 00:01:15,917
THAT DAY,
SHE WALKED INTO MINE.
21
00:01:16,000 --> 00:01:17,583
IT WAS THE PERFECT ROMANCE.
22
00:01:17,667 --> 00:01:20,709
I WAS DATING THE MOST
BEAUTIFUL GIRL IN SCHOOL.
23
00:01:20,792 --> 00:01:24,250
AND THE COOL PART?
WE STILL PLAYED DOCTOR.
24
00:01:24,333 --> 00:01:26,875
♪ HAPPINESS ♪
25
00:01:26,959 --> 00:01:30,250
FOR THE FIRST TIME IN MY LIFE,
I WAS IN LOVE,
26
00:01:30,333 --> 00:01:32,208
AND I KNEW
IT WOULD LAST FOREVER.
27
00:01:34,333 --> 00:01:36,000
BOY, WAS I A DUMB-ASS.
28
00:01:38,792 --> 00:01:40,500
WE NEED TO TALK.
29
00:01:42,542 --> 00:01:47,291
UM, YOU KNOW,
EVERYTHING IN LIFE,
30
00:01:47,375 --> 00:01:50,417
E-- EVEN THE REALLY GREAT
THINGS,
31
00:01:50,500 --> 00:01:52,875
RUN THEIR COURSE EVENTUALLY.
32
00:01:52,959 --> 00:01:54,208
RIGHT?
33
00:01:54,291 --> 00:01:56,291
TRENDS FADE.
34
00:01:56,375 --> 00:01:59,250
BREAD MOLDS.
35
00:01:59,333 --> 00:02:02,041
PEOPLE DIE.
36
00:02:02,125 --> 00:02:04,041
UH-HUH.
37
00:02:05,834 --> 00:02:08,750
I GUESS--
38
00:02:08,834 --> 00:02:11,959
REMEMBER THE FIRST TIME
WE KISSED?
39
00:02:12,041 --> 00:02:15,291
THE FEELING, THE SPARKS?
40
00:02:15,375 --> 00:02:17,083
YEAH.
41
00:02:17,166 --> 00:02:20,917
WELL, NOW WHEN WE KISS,
42
00:02:21,000 --> 00:02:22,083
THE FEELING,
43
00:02:22,166 --> 00:02:23,333
IT'S--
IT'S KIND OF--
44
00:02:25,375 --> 00:02:27,208
IT'S KIND OF GONE.
45
00:02:39,041 --> 00:02:40,542
OH, AND, BERKE?
46
00:02:44,709 --> 00:02:47,083
I PACKED UP MOST OF YOUR STUFF.
47
00:02:48,083 --> 00:02:49,417
I THOUGHT IT'D BE EASIER.
48
00:02:52,291 --> 00:02:53,625
THANKS.
49
00:03:17,458 --> 00:03:18,834
♪ LOVE ♪
50
00:03:18,917 --> 00:03:22,291
♪ LOVE WILL KEEP US TOGETHER ♪
51
00:03:22,375 --> 00:03:25,625
♪ THINK OF ME BABE WHENEVER ♪
52
00:03:25,709 --> 00:03:29,375
♪ SOME SWEET-TALKIN' GIRL
COMES ALONG ♪
53
00:03:29,458 --> 00:03:31,083
♪ SINGIN' A SONG ♪
54
00:03:31,166 --> 00:03:34,417
♪ DON'T MESS AROUND
YOU JUST GOTTA BE STRONG ♪
55
00:03:34,500 --> 00:03:37,834
♪ JUST STOP
'CAUSE I REALLY LOVE YOU ♪
56
00:03:37,917 --> 00:03:41,542
♪ STOP
I BEEN THINKIN' OF YOU ♪
57
00:03:41,625 --> 00:03:44,375
♪ LOOK IN MY HEART
AND LET LOVE ♪
58
00:03:44,458 --> 00:03:47,458
♪ KEEP US TOGETHER ♪
59
00:03:52,083 --> 00:03:53,583
♪ YOU ♪
♪ YOU-DOO-DOO-DOO ♪
60
00:03:53,667 --> 00:03:55,583
♪ YOU BELONG TO ME NOW ♪
61
00:03:55,667 --> 00:03:56,834
♪ DOO DOO-DOO-DOO ♪
62
00:03:56,917 --> 00:03:59,250
♪ AIN'T GONNA SET YOU FREE NOW ♪
63
00:03:59,333 --> 00:04:00,250
♪ DOO-DOO-DOO ♪
64
00:04:00,333 --> 00:04:04,041
♪ WHEN THOSE GIRLS
START HANGIN' AROUND ♪
65
00:04:04,125 --> 00:04:05,542
♪ TALKIN' ME DOWN ♪
66
00:04:05,625 --> 00:04:08,709
♪ HEAR WITH YOUR HEART
AND YOU WON'T HEAR A SOUND ♪
67
00:04:08,792 --> 00:04:10,208
♪ JUST STOP ♪
♪ STOP ♪
68
00:04:10,291 --> 00:04:12,375
♪ 'CAUSE I REALLY LOVE YOU ♪
69
00:04:12,458 --> 00:04:13,625
♪ STOP ♪
♪ STOP ♪
70
00:04:13,709 --> 00:04:15,959
♪ I'VE BEEN THINKIN' OF YOU ♪
71
00:04:16,041 --> 00:04:18,458
♪ LOOK IN MY HEART
AND LET LOVE ♪
72
00:04:18,542 --> 00:04:22,417
♪ KEEP US TOGETHER ♪
73
00:04:22,500 --> 00:04:24,709
♪ WHATEVER ♪
74
00:04:26,500 --> 00:04:29,583
♪ YOUNG AND BEAUTIFUL ♪
75
00:04:29,667 --> 00:04:33,458
♪ SOMEDAY YOUR LOOKS'LL
BE GONE ♪
76
00:04:33,542 --> 00:04:36,291
♪ WHEN THE OTHERS TURN YOU OFF ♪
77
00:04:36,375 --> 00:04:38,417
♪ WHO'LL BE TURNIN' YOU ON? ♪
78
00:04:38,500 --> 00:04:41,083
♪ I WILL, I WILL, I WILL ♪
79
00:04:41,166 --> 00:04:46,542
♪ I WILL BE THERE
TO SHARE FOREVER ♪
80
00:04:46,625 --> 00:04:49,875
♪ LOVE WILL
KEEP US TOGETHER ♪
81
00:04:49,959 --> 00:04:53,333
♪ I SAID IT BEFORE
AND I'LL SAY IT AGAIN ♪
82
00:04:53,417 --> 00:04:55,125
♪ WHILE OTHERS PRETEND ♪
83
00:04:55,208 --> 00:04:58,458
♪ I NEED YOU NOW
AND I NEED YOU THEN ♪
84
00:04:58,542 --> 00:05:00,291
♪ JUST STOP ♪
♪ STOP ♪
85
00:05:00,375 --> 00:05:02,291
♪ 'CAUSE I REALLY LOVE YOU ♪
86
00:05:02,375 --> 00:05:03,500
♪ STOP ♪
♪ STOP ♪
87
00:05:03,583 --> 00:05:05,625
♪ I BEEN THINKIN' OF YOU ♪
88
00:05:05,709 --> 00:05:08,291
♪ LOOK IN MY HEART
AND LET LOVE ♪
89
00:05:08,375 --> 00:05:12,083
♪ KEEP US TOGETHER ♪
90
00:05:12,166 --> 00:05:13,417
♪ WHATEVER ♪
91
00:05:13,500 --> 00:05:17,458
♪ WHATEV-- WHATEVER EVER EVER ♪
♪ I WILL, I WILL, I WILL ♪
92
00:05:17,542 --> 00:05:20,458
♪ I WILL ♪
♪ AHH ♪
93
00:05:20,542 --> 00:05:23,458
♪ LA-DA-DA-DAH ♪
94
00:05:23,542 --> 00:05:27,083
♪ DAH-DA-LA-LA ♪
95
00:05:27,166 --> 00:05:30,000
♪ DAH-DA-DA-DAH ♪
96
00:05:30,083 --> 00:05:33,458
♪ SEDAKA IS BACK ♪
97
00:05:33,542 --> 00:05:36,709
♪ DAH-DA-DA-DAH ♪
98
00:05:36,792 --> 00:05:39,542
AAAAAAH!
99
00:05:47,291 --> 00:05:50,333
MY PARENTS, FRANK AND BEVERLY,
THEY HOST THE, UH,
100
00:05:50,417 --> 00:05:52,792
RELATIONSHIP ADVICE SHOW
LOVE MATTERS,
101
00:05:52,875 --> 00:05:54,500
WHICH SOUNDS PRETTY COOL--
102
00:05:54,583 --> 00:05:56,500
THIS MAXIMIZES THE PLEASURE
FOR BOTH PARTNERS.
103
00:05:56,583 --> 00:05:58,333
EXACTLY, RIGHT, RIGHT, AND, AND
104
00:05:58,417 --> 00:06:01,208
WHILE SIMULTANEOUSLY ALLOWING
FOR FACE-TO-FACE INTIMACY.
105
00:06:01,291 --> 00:06:02,709
COOLIO KNOWS WHAT WE'RE TALKING
ABOUT. WHAT DO YOU THINK?
106
00:06:02,792 --> 00:06:05,709
YOU WANNA TAKE HER
FOR A SPIN?
HUH?
107
00:06:05,792 --> 00:06:09,834
WE'LL BE RIGHT BACK.
♪
108
00:06:09,917 --> 00:06:11,166
HERE ARE THE CDS
YOU WANTED, MOM.
109
00:06:11,250 --> 00:06:12,500
OH, THANKS, HONEY.
110
00:06:12,583 --> 00:06:13,625
YOU KNOW,
THE GUESTS GET SO CRANKY
111
00:06:13,709 --> 00:06:15,542
WHEN YOU HAVEN'T HEARD
THEIR MUSIC.
112
00:06:15,625 --> 00:06:18,375
NOW, YOU CAME HOME
SO EARLY LAST NIGHT.
113
00:06:18,458 --> 00:06:19,542
DON'T MAKE IT TOO FLAT.
114
00:06:19,625 --> 00:06:21,542
IS EVERYTHING OK WITH ALLISON?
115
00:06:21,625 --> 00:06:23,917
NO, NOT REALLY. SO MAYBE WE CAN
TALK ABOUT IT--
116
00:06:24,000 --> 00:06:26,542
UH, BERKE, YOU KNOW THE RULE.
117
00:06:26,625 --> 00:06:29,208
WHEN WE'RE NOT
FEELING SUNNY, WE--
118
00:06:29,291 --> 00:06:32,500
I DON'T REALLY WANT
TO TALK ABOUT IT HERE.
I BELIEVE THE WORD IS SHARE.
119
00:06:32,583 --> 00:06:36,166
FRANK, HON, APPARENTLY
BERKE HAS A PROBLEM
WITH ALLISON.
120
00:06:36,250 --> 00:06:39,667
WHAT'S THE STORY, DUDE?
A LITTLE SNAFU IN THE OLD
CHANNELS OF COMMUNICATION?
121
00:06:39,750 --> 00:06:41,542
BOUNDARY ISSUES?
CODEPENDENCY?
122
00:06:41,625 --> 00:06:43,208
NO, IT'S, IT'S NOTHING
LIKE THAT.
123
00:06:43,291 --> 00:06:44,667
FIVE MINUTES, PEOPLE.
124
00:06:44,750 --> 00:06:46,291
SEX.
125
00:06:47,625 --> 00:06:49,583
SHE DUMPED ME.
126
00:06:49,667 --> 00:06:51,917
DARLING.
AWW!
127
00:06:52,000 --> 00:06:55,834
OHH! YOU POOR BABY!
128
00:06:55,917 --> 00:06:58,417
THIS PROBABLY ISN'T
THE BEST PLACE
TO TALK ABOUT THIS.
129
00:06:59,834 --> 00:07:03,583
♪ YOU GOT TO BE INSANE ♪
130
00:07:03,667 --> 00:07:05,583
♪ THAT GREEN JESUS ♪
131
00:07:05,667 --> 00:07:07,542
♪ YOU GOT TO BE INSANE ♪
132
00:07:07,625 --> 00:07:09,625
♪ THAT GREEN JESUS ♪
133
00:07:09,709 --> 00:07:11,417
♪ YOU GOT TO BE INSANE ♪
134
00:07:11,500 --> 00:07:12,875
♪ THAT GREEN JESUS ♪
135
00:07:12,959 --> 00:07:14,583
♪ YOU GOT TO BE INSANE ♪
136
00:07:14,667 --> 00:07:16,792
♪ THAT GREEN JESUS ♪
137
00:07:16,875 --> 00:07:18,583
♪ YOU GOT TO BE INSANE ♪
138
00:07:18,667 --> 00:07:21,583
I WANNA GO HOME.
OH, IT'S GONNA BE FINE, MAN.
139
00:07:21,667 --> 00:07:23,041
IT'S GONNA BE
BETTER THAN FINE.
140
00:07:23,125 --> 00:07:25,709
I MEAN, LOOK AT ALL THIS
NEW AND INTERESTING--
141
00:07:25,792 --> 00:07:27,750
HEY, THAT'S MY SISTER!
142
00:07:27,834 --> 00:07:29,417
♪ YOU GOT TO BE INSANE ♪
143
00:07:29,500 --> 00:07:31,750
HEY, GRABBY HANDS,
STEP AWAY FROM THE SISTER.
144
00:07:31,834 --> 00:07:33,625
♪ YOU GOT TO BE INSANE ♪
145
00:07:33,709 --> 00:07:36,583
SHOULDN'T YOU BE AT, LIKE, A
PAJAMA JAMMY-JAM OR SOMETHIN'?
146
00:07:36,667 --> 00:07:38,625
WHAT AM I,
A YEAR YOUNGER THAN YOU?
147
00:07:38,709 --> 00:07:43,667
NOT THAN ANYBODY COULD TELL
FROM YOUR BIRTHDAY PRESENTS--
PINK ROLLERBLADES.
148
00:07:43,750 --> 00:07:45,792
IT WAS A GREAT GIFT.
SURE.
149
00:07:45,875 --> 00:07:47,959
CAN I HELP YOU?
HUH?
150
00:07:48,041 --> 00:07:50,458
UH... NO.
COME ON, BASIN.
151
00:07:50,542 --> 00:07:53,000
THERE'S A GUY IN THE CORNER WHO
SAYS HE'LL PIERCE OUR NAVELS FOR
FREE.
152
00:07:53,083 --> 00:07:55,417
OOH!
WHAT?
153
00:07:55,500 --> 00:07:58,583
OK, HE'S HERE. HE'S HERE.
SO?
154
00:07:58,667 --> 00:08:00,917
SO I TOLD HIM I WAS GOING
OUT OF TOWN, MAGGIE.
155
00:08:01,000 --> 00:08:03,458
HE'S GONNA FREAK
WHEN HE FINDS OUT I'M HERE.
156
00:08:03,542 --> 00:08:05,625
AL, YOU'RE A FREE AGENT NOW.
157
00:08:05,709 --> 00:08:07,583
DON'T YOU THINK HE NEEDS
TO START DEALING WITH THAT?
158
00:08:07,667 --> 00:08:11,667
YOU SHOULD'VE SEEN THE LOOK
ON HIS FACE, MAGGIE. I MEAN,
HE WAS DEVASTATED.
159
00:08:11,750 --> 00:08:14,500
IT'S GONNA TAKE HIM A WHILE
TO GET OVER THIS.
ALLISON?
160
00:08:14,583 --> 00:08:16,667
ARE YOU SURE YOU'RE OVER THIS?
161
00:08:19,417 --> 00:08:20,458
ALLOW ME.
162
00:08:20,542 --> 00:08:22,125
♪ SAY YEAH
WHAT DO YOU WANT? ♪
163
00:08:22,208 --> 00:08:25,083
♪
164
00:08:26,750 --> 00:08:29,917
WHO WAS THAT? OUCH!
165
00:08:31,917 --> 00:08:33,875
IS THIS, LIKE, YOUR FIRST TIME
IN THE STATES?
166
00:08:33,959 --> 00:08:36,667
WELL, UH--
LUCKY, RIGHT?
167
00:08:38,417 --> 00:08:40,625
ARE YOU GUYS LISTENING
TO THIS CANDY-ASS?
168
00:08:40,709 --> 00:08:44,709
MY FATHER'S IN THE FOREIGN
SERVICE, SO I'VE SPENT
THE LAST FEW YEARS ABROAD--
169
00:08:44,792 --> 00:08:47,500
SHANGHAI, LUDWIGSHAFEN.
170
00:08:47,583 --> 00:08:48,542
IN FACT,
WHEN I WAS IN AMSTERDAM,
171
00:08:48,625 --> 00:08:50,667
I TOURED A LITTLE BIT
WITH A LITTLE POP GROUP
172
00:08:50,750 --> 00:08:52,709
CALLED THE SWING TOWN LADS.
173
00:08:54,208 --> 00:08:56,125
YOU KNOW,
I KNEW HE LOOKED FAMILIAR.
174
00:08:56,208 --> 00:08:59,125
WHAT'S UP WITH THIS ACCENT?
HE SOUNDS LIKE MADONNA.
175
00:09:01,583 --> 00:09:03,417
SHE'S HERE.
WHO, MADONNA?
176
00:09:04,792 --> 00:09:07,375
NO. ALLISON.
177
00:09:07,458 --> 00:09:09,917
OHH!
IT'S PERFECT.
178
00:09:10,000 --> 00:09:13,709
NO, NO, NO, NO, NO, NO, NO.
YOU ARE NOT GOING OVER THERE.
179
00:09:13,792 --> 00:09:17,709
YOU GO OVER THERE,
YOU MIGHT AS WELL
PUT YOUR STICK ON A CRACKER.
180
00:09:17,792 --> 00:09:21,959
YOU KNOW, IT'S STILL ONLY GONNA
MAKE YOU HER BITCH.
YOU DON'T WANT THAT. IT'S BAD!
181
00:09:22,834 --> 00:09:24,709
FELIX, I'VE TAKEN PISSES
182
00:09:24,792 --> 00:09:27,000
LONGER THAN YOUR
LAST THREE RELATIONSHIPS.
183
00:09:27,792 --> 00:09:30,500
OHH!
OH! RIGHT YOU ARE.
184
00:09:30,583 --> 00:09:32,208
THANKS.
YOU OK?
185
00:09:32,291 --> 00:09:33,709
YES. YEAH. I THINK SO.
186
00:09:33,792 --> 00:09:35,875
YES, WELL, IT'S A TAD
ROUGH-AND-TUMBLE OUT THERE.
187
00:09:35,959 --> 00:09:37,709
GLAD I WAS HERE TO CATCH YOU.
188
00:09:37,792 --> 00:09:40,166
I'M GLAD YOU WERE, TOO.
189
00:09:41,458 --> 00:09:43,750
WOULD YOU CARE TO DANCE?
190
00:09:43,834 --> 00:09:46,834
♪
191
00:10:15,834 --> 00:10:19,041
♪
192
00:10:47,917 --> 00:10:50,000
SHE'S NOT YOUR GIRLFRIEND
ANYMORE, MAN.
193
00:10:50,083 --> 00:10:52,500
YOU KNOW, MAYBE THAT'S NOT
SUCH A BAD THING.
194
00:10:52,583 --> 00:10:55,458
I MEAN, NEXT YEAR
YOU GUYS'LL BE GOING
TO DIFFERENT SCHOOLS.
195
00:10:55,542 --> 00:10:57,458
I MEAN, WHAT WERE YOU GONNA DO,
MARRY HER?
196
00:10:57,542 --> 00:10:59,792
I MEAN, COME ON, WHO MARRIES
THEIR HIGH-SCHOOL GIRLFRIEND,
ANYWAY?
197
00:10:59,875 --> 00:11:01,625
AND DON'T SAY MACAULAY CULKIN.
198
00:11:01,709 --> 00:11:03,792
I THINK I'M GONNA CALL HER.
199
00:11:03,875 --> 00:11:06,000
NO. NEGATIVE.
200
00:11:06,083 --> 00:11:08,458
HAVE SOME SELF-RESPECT, MAN.
201
00:11:08,542 --> 00:11:10,917
YOU HAVE CALLED HER 40 TIMES
ALREADY.
202
00:11:13,291 --> 00:11:15,291
GET OUTTA MY WAY!
OH, SHIT.
203
00:11:16,291 --> 00:11:19,000
♪ I, I STAND AT ATTENTION ♪
204
00:11:19,083 --> 00:11:21,834
♪ WHENEVER YOU'RE NEAR ♪
♪ YOU'RE NEAR ♪
205
00:11:21,917 --> 00:11:25,709
♪ FULL SPEED AHEAD GIRL
'CAUSE IT'S CLEAR ♪
206
00:11:25,792 --> 00:11:30,166
♪ THAT YOU ARE MY LUV S.C.U.D. ♪
207
00:11:30,250 --> 00:11:32,375
HE CALLS HIMSELF STRIKER.
208
00:11:32,458 --> 00:11:36,875
"LUV S.C.U.D.?"
209
00:11:36,959 --> 00:11:39,208
SO WHAT DID HE SAY
WHEN HE GAVE IT TO YOU?
210
00:11:39,291 --> 00:11:42,875
MM, I DON'T KNOW.
HE ASKED ME OUT.
211
00:11:42,959 --> 00:11:47,291
WELL, DON'T BE SO NONCHALANT
ABOUT IT, GIRL.
212
00:11:47,375 --> 00:11:50,542
I THINK THAT BOY IS RAZOR FINE.
213
00:11:50,625 --> 00:11:52,834
♪ OH, IT'S SO FUNNY
TO BE SEEIN' YOU ♪
214
00:11:52,917 --> 00:11:54,083
LOOK, BERKE, DON'T GO--
215
00:11:54,166 --> 00:11:55,750
♪ AFTER SO LONG, GIRL ♪
OH, MY GOD.
216
00:11:55,834 --> 00:11:58,750
BERKE, DON'T-- DON'T--
♪ AND THE WAY YOU LOOK
I UNDERSTAND ♪
217
00:11:58,834 --> 00:12:02,208
♪ THAT YOU AREN'T IMPRESSED ♪
218
00:12:02,291 --> 00:12:06,333
♪ I HEARD YOU LET
A LITTLE FRIEND OF MINE ♪
219
00:12:06,417 --> 00:12:09,875
♪ TAKE OFF YOUR PARTY DRESS ♪
220
00:12:09,959 --> 00:12:13,917
♪ OH, ALLISON ♪
221
00:12:14,000 --> 00:12:16,750
I CAN'T BELIEVE YOU DATED
THAT LOSER FOR A YEAR.
♪ I KNOW THIS WORLD ♪
222
00:12:16,834 --> 00:12:18,875
♪ IS KILLIN' YOU ♪
KNOCK IT OFF!
WE'LL CALL THE COPS!
223
00:12:18,959 --> 00:12:20,875
♪ ALLISON ♪
DID YOU HEAR THAT?
224
00:12:20,959 --> 00:12:22,750
THE NEIGHBORS
ARE SCREAMING AT YOU, BERKE!
225
00:12:22,834 --> 00:12:24,667
♪ MY AIM IS-- ♪
COME ON, LET'S GO!
226
00:12:29,625 --> 00:12:31,208
BERKE, YOUR AIM SUCKS.
227
00:12:34,208 --> 00:12:37,917
ALL RIGHT, A LITTLE TO THE LEFT,
JESSICA-- WHAT DIRECTION
DO YOU THINK LEFT IS?
228
00:12:38,000 --> 00:12:39,959
SEE, BECAUSE IF YOU GO WITH
YOUR INSTINCT AND REVERSE IT
229
00:12:40,041 --> 00:12:41,250
I THINK WE HAVE
SOMETHING HAPPENING.
230
00:12:41,333 --> 00:12:45,542
HOW DIFFICULT IS THIS?
I-- I'M SO ALONE, I THINK.
231
00:12:45,625 --> 00:12:47,542
I AM TRYING.
YOU ARE INTIMIDATING ME.
232
00:12:47,625 --> 00:12:50,375
WELL, YOU ARE FRIGHTENING ME!
DO YOU UNDERSTAND THAT?
233
00:12:50,458 --> 00:12:51,625
HOW DO YOU GET DRESSED
IN THE MORNING?
234
00:12:51,709 --> 00:12:53,083
DO YOU HAVE PEOPLE THAT COME IN
235
00:12:53,166 --> 00:12:54,959
OR YOU JUST LIE IN STATE?
236
00:12:55,041 --> 00:12:57,917
"A MIDSUMMER NIGHT'S
ROCKIN' EVE?"
237
00:12:58,000 --> 00:13:01,625
CLASSICAL SHAKESPEARE WITH
A CONTEMPORARY MUSICAL TWIST.
238
00:13:01,709 --> 00:13:06,083
HELLO? OH, MY GOD!
HOW DID YOU GET THIS NUMBER?
239
00:13:06,166 --> 00:13:07,375
OH, YOU'RE KIDDING ME!
240
00:13:07,458 --> 00:13:09,750
OK, EITHER THAT MAN
HAS NO TASTE
241
00:13:09,834 --> 00:13:10,875
OR HE COMPLETELY HATES US.
242
00:13:10,959 --> 00:13:12,917
I THINK IT'S A LITTLE OF BOTH.
243
00:13:13,041 --> 00:13:15,417
LAZARIO, HOW'S THAT LOBOTOMY
WORKIN' OUT FOR YA?
244
00:13:15,500 --> 00:13:17,458
ASI, ASI.
SO WHAT'S WITH THE SMILING?
245
00:13:17,542 --> 00:13:20,125
A WEEK AGO YOU WERE MIRED
IN REJECTED DRUNK-GUY MODE.
246
00:13:20,208 --> 00:13:23,458
YOU PASS THE FINAL OR WHAT?
NO, I GOT A 57.
247
00:13:23,542 --> 00:13:26,917
OUCH.
HELLO, LADIES.
248
00:13:27,000 --> 00:13:29,959
I'M SORRY, MAN.
I MEAN, THAT'S THAT'S GOTTA
SUCK.
249
00:13:30,041 --> 00:13:33,417
NO, JUST A MILD ANNOYANCE.
SEE? YEAH! THERE YOU GO.
250
00:13:33,500 --> 00:13:35,750
ALL RIGHT, YOU KNOW,
IF SHE WANTS TO SCREW AROUND
251
00:13:35,834 --> 00:13:36,834
WITH THAT CLOWN, LET HER, RIGHT?
252
00:13:36,917 --> 00:13:40,125
YEAH, FOR NOW, ANYWAY.
WHAT'S THAT SUPPOSED TO MEAN?
253
00:13:40,208 --> 00:13:44,625
WELL, IF I'M GONNA LOSE ALLISON,
IT'S NOT GOING TO BE
TO A TURD LIKE THAT, RIGHT?
254
00:13:44,709 --> 00:13:46,667
♪ I'M NOT UPSET ♪
255
00:13:48,291 --> 00:13:50,667
YOU KNOW, OBVIOUSLY, THERE'S
SOMETHING ABOUT THE GUY
ALLISON REALLY LIKES.
256
00:13:50,750 --> 00:13:51,667
YEAH, OBVIOUSLY.
257
00:13:51,750 --> 00:13:52,792
♪
258
00:13:52,875 --> 00:13:54,750
COME ON, LANDERS,
WAKE UP OUT THERE!
259
00:13:56,291 --> 00:13:58,375
FANCY MOVES, CRAZY LEGS.
260
00:14:00,625 --> 00:14:03,208
IN YOUR FACE.
GOD, THERE HE IS AGAIN.
261
00:14:03,291 --> 00:14:06,500
I DON'T KNOW HOW YOU COULD
TAKE SOMEONE SERIOUSLY
WITH AN ACCENT LIKE THAT.
262
00:14:06,583 --> 00:14:08,458
BERKE, JUST FACE IT, MAN.
YOU'RE SCREWED.
263
00:14:08,542 --> 00:14:11,834
I DON'T THINK SO. I THINK I CAN
TAKE THIS BACKSTREET BITCH.
264
00:14:19,208 --> 00:14:20,667
OHH!
265
00:14:23,917 --> 00:14:26,834
NICE TRICK, LANDERS, CATCHING
THE BALL WITH YOUR FACE.
266
00:14:26,917 --> 00:14:31,000
NEXT THING YOU KNOW,
YOU'LL BE SHOOTING
THREE-POINTERS WITH YOUR ASS.
267
00:14:31,083 --> 00:14:33,667
BERKE.
268
00:14:33,750 --> 00:14:35,000
BERKE, STOP. BERKE!
269
00:14:35,083 --> 00:14:39,041
WILL YOU LET ME LOOK AT IT,
PLEASE?
JUST GO BACK TO PRACTICE.
270
00:14:39,125 --> 00:14:41,417
BERKE, TALK TO ME.
271
00:14:42,959 --> 00:14:47,917
I JUST DON'T UNDERSTAND
HOW YOU CAN REPLACE ME
WITH THIS GUY.
272
00:14:48,000 --> 00:14:53,041
BERKE, NO ONE CAN REPLACE YOU,
YOU KNOW?
273
00:14:53,125 --> 00:14:55,792
IT'S JUST... TIME TO MOVE ON.
274
00:14:57,500 --> 00:15:01,333
SO EVERYTHING'S JUST GOING GREAT
WITH THIS, THIS STRIKER?
275
00:15:02,917 --> 00:15:04,875
NO, IT-- IT'S JUST...
276
00:15:04,959 --> 00:15:08,208
UH, DIFFERENT, YOU KNOW?
I MEAN--
277
00:15:08,291 --> 00:15:11,041
HE'S NOT LIKE OTHER GUYS
OUR AGE. YOU KNOW?
278
00:15:11,125 --> 00:15:13,500
HE'S-- HE'S SOPHISTICATED AND--
279
00:15:13,583 --> 00:15:19,917
WE'RE EVEN GONNA TRY OUT
FOR-- FOR THE-- THE SPRING
MUSICAL TOGETHER.
280
00:15:20,000 --> 00:15:21,625
YOU HATE THEATER.
281
00:15:23,542 --> 00:15:24,834
NO, I DON'T.
282
00:15:27,291 --> 00:15:29,750
"CAPTAIN OF THE FAIRY BAND,
283
00:15:29,834 --> 00:15:33,083
HELENA IS CLOSE AT HAND."
284
00:15:33,166 --> 00:15:35,917
I'M UNDERSTANDING ABOUT EVERY
OTHER WORD OF THIS SHIT.
285
00:15:36,000 --> 00:15:38,250
BERKE.
HEY.
286
00:15:38,333 --> 00:15:42,083
WHAT HAPPENED TO YOUR FACE?
A LONG STORY.
287
00:15:42,166 --> 00:15:46,542
A MIDSUMMER NIGHT'S DREAM?
WHAT, ARE YOU GONNA TRY OUT
FOR THE SHOW?
288
00:15:46,625 --> 00:15:48,041
KINDA, SOR-- MAYBE.
289
00:15:48,125 --> 00:15:53,125
WELL, YOU KNOW,
IF YOU'RE SERIOUS ABOUT IT,
I'M KINDA GOOD AT THAT STUFF.
290
00:15:53,208 --> 00:15:55,750
REALLY?
HAVE YOU HEARD HER SONGS?
291
00:15:55,834 --> 00:15:59,583
SHE'S ONLY LIKE
THE NEXT JOSIE MITCHELL.
JONI MITCHELL.
292
00:15:59,667 --> 00:16:02,291
I-- I COULD ACTUALLY
USE SOME HELP.
293
00:16:02,375 --> 00:16:05,208
SO TOMORROW, COFFEE?
294
00:16:06,166 --> 00:16:09,625
OK. COFFEE WOULD BE GREAT.
OK.
295
00:16:09,709 --> 00:16:11,792
BYE.
BYE.
296
00:16:13,500 --> 00:16:16,083
"IF YOU'RE SERIOUS,
I'M KINDA GOOD AT THAT STUFF."
297
00:16:16,166 --> 00:16:17,583
SHUT UP!
"SHUT UP!"
298
00:16:17,667 --> 00:16:19,792
DID YOU SEE DENNIS
STARING AT ME AGAIN?
WHAT? OH, I KNOW.
299
00:16:19,875 --> 00:16:21,125
I TOLD YOU.
TOTALLY.
300
00:16:21,208 --> 00:16:22,917
OK, SO THE FIRST THING
WE NEED TO DO
301
00:16:23,000 --> 00:16:26,166
IS PICK YOU OUT A MONOLOGUE
FOR YOUR AUDITION.
302
00:16:26,250 --> 00:16:28,208
YEAH, THIS IS GOOD.
LYSANDER, RIGHT?
303
00:16:31,709 --> 00:16:34,000
UH, "SHE SEES NOT HERMIA.
HERMIA SLEEP THOU THERE--"
304
00:16:34,083 --> 00:16:38,458
NO, WAIT, NO. YOU-- YOU CAN'T,
LIKE, RUN ALL THE WORDS
TOGETHER. IT DOESN'T WORK
LIKE THAT.
305
00:16:38,542 --> 00:16:41,333
BUT THAT'S OK. WE'LL-- WE'LL
START FROM THE BEGINNING, OK?
306
00:16:41,417 --> 00:16:43,166
IT'S-- IT'S KIND OF HARD
TO UNDERSTAND,
307
00:16:43,250 --> 00:16:46,959
BUT ONCE YOU GET INTO IT,
THE STORY'S ACTUALLY
KIND OF GOOD.
308
00:16:47,041 --> 00:16:52,166
SO, HERMIA, THIS GIRL HERE,
SHE'S VERY RICH AND BEAUTIFUL
309
00:16:52,250 --> 00:16:55,333
AND SHE LIVES WITH
HER OVERBEARING PARENTS
IN ATHENS.
310
00:16:55,417 --> 00:16:58,041
NOW, HERMIA HAS EVERYTHING
A GIRL COULD ASK FOR,
311
00:16:58,125 --> 00:17:03,333
COOL CLOTHES, NICE COMPLEXION
AND HER PICK OF PRETTY MUCH
ANY GUY SHE WANTS.
312
00:17:03,417 --> 00:17:06,000
BUT OF ALL THE GUYS
IN THE GREATER ATHENS AREA,
313
00:17:06,083 --> 00:17:09,166
HERMIA'S HEART BELONGS
TO THE HANDSOME YOUNG NOBLEMAN,
LYSANDER.
314
00:17:10,917 --> 00:17:14,625
THIS WOULD ALL BE PERFECT
IF IT WEREN'T FOR DEMETRIUS.
315
00:17:14,709 --> 00:17:17,166
HERMIA'S FATHER ALREADY
PROMISED HER HAND TO HIM,
316
00:17:17,250 --> 00:17:22,125
AND HE'S JUST AS CHARMING
AND HANDSOME AS LYSANDER,
MAYBE EVEN MORE SO.
317
00:17:22,208 --> 00:17:26,500
NOT TO MENTION,
DEMETRIUS WILL STOP AT NOTHING
TO MAKE HERMIA HIS BRIDE.
318
00:17:26,583 --> 00:17:29,125
THIS PRETTY MUCH
LEAVES LYSANDER SCREWED.
319
00:17:31,291 --> 00:17:33,208
ALL RIGHT. GOT IT.
320
00:17:33,291 --> 00:17:37,834
UH, YOU MAKE IT, UH, VERY EASY.
321
00:17:37,917 --> 00:17:39,375
WE JUST STARTED.
322
00:17:39,458 --> 00:17:42,041
KELLY, I'M NOT EXACTLY
TRYING TO WIN AN OSCAR HERE.
323
00:17:42,125 --> 00:17:46,417
I'M JUST TRYING TO GET
MY GIRLFRIEND BACK. THANKS.
324
00:17:49,750 --> 00:17:51,667
HI! HOW ARE YOU?
325
00:17:51,750 --> 00:17:54,542
HI, NEW FACES,
HOW ARE YOU TODAY?
326
00:17:54,625 --> 00:17:56,333
I'M DR. DESMOND FORREST OATES,
327
00:17:56,417 --> 00:18:00,208
FINE ARTS CHAIR
AND ALL THAT HOOPLA.
328
00:18:00,291 --> 00:18:01,875
THE PURPOSE
OF THESE PROCEEDINGS
329
00:18:01,959 --> 00:18:05,083
IS TO SEPARATE
THE WHEAT FROM THE CHAFF.
330
00:18:05,166 --> 00:18:10,291
AND I THINK WE MIGHT BE AMAZED
THAT AMONG US
IS A NEW GLIMMERING STAR,
331
00:18:10,375 --> 00:18:13,083
OUR SCHOOL'S NEXT--
332
00:18:13,166 --> 00:18:16,041
WELL, OUR NEXT PETER WONG.
333
00:18:16,125 --> 00:18:18,917
HEY, PETEY.
334
00:18:19,000 --> 00:18:20,166
COOL SHIRT.
335
00:18:21,792 --> 00:18:23,750
FOR THOSE OF YOU
WHO DON'T MAKE THE CUT,
336
00:18:23,834 --> 00:18:25,458
PLEASE, I BEG OF YOU,
DON'T DESPAIR.
337
00:18:25,542 --> 00:18:27,000
THERE'S ALWAYS STAGE CREW.
338
00:18:27,083 --> 00:18:29,583
AND IF YOU'VE EVER
HAD A CONVERSATION
WITH A CREW MEMBER,
339
00:18:29,667 --> 00:18:31,709
YOU KNOW HOW MUCH FUN
THAT CAN BE.
340
00:18:31,792 --> 00:18:34,291
I'M KIDDING, I'M KIDDING.
I COULDN'T RESIST IT.
341
00:18:34,375 --> 00:18:36,542
YOU EGG ME ON, IS THE PROBLEM.
342
00:18:36,625 --> 00:18:39,375
ALL RIGHT, THE PROCEDURE IS
GONNA BE VERY, VERY, VERY BASIC.
343
00:18:39,458 --> 00:18:41,291
WE'RE GONNA START
WITH THE SINGING AUDITION.
344
00:18:41,375 --> 00:18:45,208
OK? SO LOOSEN UP
THOSE DIAPHRAGMS, KIDDIES.
345
00:18:45,291 --> 00:18:47,291
IT'S TIME TO IMPRESS.
346
00:18:47,375 --> 00:18:51,291
♪ WHERE THE BEE SUCKS
THERE SUCK I ♪
347
00:18:51,375 --> 00:18:53,959
♪ IN A COWSLIP'S BELL I LIE ♪
348
00:18:54,041 --> 00:18:56,959
♪ THERE I COUCH
WHEN OWLS DO CRY ♪
349
00:18:57,041 --> 00:18:59,667
♪ ON THE BAT'S BACK I DO FLY ♪
350
00:18:59,750 --> 00:19:05,291
♪ AFTER SUMMER MERRILY-Y-Y-Y-Y ♪
351
00:19:05,375 --> 00:19:08,500
♪ TAKE A LOOK
HERE I AM ♪
352
00:19:08,583 --> 00:19:11,750
♪ CAN'T YOU SEE? ♪
353
00:19:11,834 --> 00:19:16,291
♪ ONE SIMPLE SMILE FROM YOU
COULD SET ME FREE ♪
354
00:19:16,375 --> 00:19:19,750
♪ SO IF YOU TAKE A LOOK ♪
355
00:19:19,834 --> 00:19:24,250
♪ LET YOUR HEART BE YOUR GUIDE ♪
356
00:19:24,333 --> 00:19:26,125
♪ I'LL SHOW YOU LOVE ♪
357
00:19:26,208 --> 00:19:28,208
♪ IF YOU TAKE A LOOK ♪
358
00:19:28,291 --> 00:19:33,667
♪ AT THE GIRL INSIDE ♪
359
00:19:33,750 --> 00:19:38,208
OH, THAT WAS-- THAT WAS FUN.
WHO'S THE COMPOSER ON THAT?
360
00:19:38,291 --> 00:19:40,875
ME, ACTUALLY.
361
00:19:40,959 --> 00:19:44,667
I'M SORRY, WERE YOU--
WERE YOU EXPECTING AN APPLAUSE
ON THAT?
362
00:19:44,750 --> 00:19:46,500
THIS IS AN AUDITION, NOT T.R.L.
363
00:19:46,583 --> 00:19:49,542
I KNOW THAT.
364
00:19:49,625 --> 00:19:52,834
WHO'S NEXT? "BENTLEY SCRUMFELD."
365
00:19:52,917 --> 00:19:55,834
ONE OF THE ORIGINAL
SWING TOWN LADS,
IF I'M NOT MISTAKEN.
366
00:19:55,917 --> 00:19:58,000
I SEE YOU KNOW YOUR BOY GROUPS,
SIR.
367
00:19:58,083 --> 00:20:00,125
I FOLLOW THE POPULAR ARTS.
368
00:20:01,417 --> 00:20:03,458
TO ME THEY'RE SO DOPE.
369
00:20:03,542 --> 00:20:07,834
IF YOU DON'T MIND,
I'D LIKE TO ACCOMPANY MYSELF.
370
00:20:07,917 --> 00:20:09,625
AH. PUT THAT DOWN.
371
00:20:10,458 --> 00:20:12,417
THANK YOU.
372
00:20:12,500 --> 00:20:16,417
THIS ONE'S KIND OF
A PERSONAL FAVORITE OF MINE.
373
00:20:16,500 --> 00:20:19,500
♪
374
00:20:21,667 --> 00:20:23,667
♪ OH, IT'S SO FUNNY ♪
375
00:20:23,750 --> 00:20:28,208
♪ TO BE SEEING YOU
AFTER SO LONG, GIRL ♪
376
00:20:28,291 --> 00:20:31,333
♪ AND THE WAY YOU LOOK
I UNDERSTAND ♪
377
00:20:31,417 --> 00:20:34,500
♪ THAT YOU ARE NOT IMPRESSED ♪
378
00:20:34,583 --> 00:20:40,375
♪ BUT I HEARD YOU LET
THAT LITTLE FRIEND OF MINE ♪
379
00:20:40,458 --> 00:20:43,583
♪ TAKE OFF YOUR PARTY DRESS ♪
380
00:20:43,667 --> 00:20:45,375
OH, MY.
381
00:20:45,458 --> 00:20:50,583
♪ ALLISON ♪
382
00:20:50,667 --> 00:20:57,208
♪ I KNOW THIS WORLD
IS KILLIN' YOU ♪
383
00:20:57,291 --> 00:21:01,875
♪ ALLISON ♪
384
00:21:03,667 --> 00:21:05,458
♪ MY AIM IS TRUE ♪
HE'S THE BEST ONE.
385
00:21:05,542 --> 00:21:07,500
HE'S THE BEST ONE
WE'VE SEEN SO FAR.
386
00:21:09,542 --> 00:21:12,750
♪ MY AIM IS ♪
387
00:21:12,834 --> 00:21:14,417
TRUE.
388
00:21:14,500 --> 00:21:17,750
♪
389
00:21:19,125 --> 00:21:20,041
♪
390
00:21:20,125 --> 00:21:21,333
VERY NICE, MR. STRIKER.
391
00:21:21,417 --> 00:21:24,250
THAT IS VERY IMPRESSIVE INDEED.
392
00:21:24,333 --> 00:21:27,417
THAT'S, UH, THAT'S-- WOW.
393
00:21:27,500 --> 00:21:29,083
ALRIGHTY. WELL,
IF THERE'S NO ONE ELSE--
394
00:21:29,166 --> 00:21:30,959
WAIT.
WHAT?
395
00:21:31,041 --> 00:21:34,959
MAY I HELP YOU?
BERKE LANDERS.
I'M HERE TO AUDITION.
396
00:21:35,041 --> 00:21:39,667
AH. BERKE LANDERS. GOODY FOR ME.
397
00:21:39,750 --> 00:21:44,333
UH, I'D LIKE TO READ A MONOLOGUE
BY OBERON IN THE THIRD ACT.
398
00:21:44,417 --> 00:21:48,750
OH, I CAN'T WAIT TO HEAR IT,
BUT FIRST I NEED TO HEAR
YOUR SINGING AUDITION.
399
00:21:48,834 --> 00:21:49,417
EXCUSE ME?
400
00:21:49,500 --> 00:21:50,917
THE PROCEDURE, MR. LANDERS,
401
00:21:51,000 --> 00:21:54,083
IS THAT WE SING FIRST
AND THEN WE READ LATER.
402
00:21:55,583 --> 00:21:57,500
UH--
403
00:21:57,583 --> 00:21:58,583
JESSICA, COULD YOU HELP ME HERE?
404
00:21:58,667 --> 00:22:01,458
I-I-I-I-I'M SINKING
IN QUICKSAND, UNFORTUNATELY,
405
00:22:01,542 --> 00:22:02,959
WITH THIS BOY.
406
00:22:03,041 --> 00:22:05,500
SING FIRST, READ LATER.
SING FIRST, READ LATER.
407
00:22:19,583 --> 00:22:23,041
ANY SONG?
ANY SONG YOU WANT.
408
00:22:25,417 --> 00:22:29,333
♪ KISS A LITTLE LONGER
MAKE IT LAST A LITTLE LONGER ♪
409
00:22:29,417 --> 00:22:33,583
PROJECTION, MR. BERKE,
PROJECTION.
410
00:22:37,250 --> 00:22:38,959
♪ KISS A LITTLE LONGER ♪
411
00:22:39,041 --> 00:22:41,333
♪ STAY CLOSE A LITTLE LONGER ♪
412
00:22:48,583 --> 00:22:50,959
♪ HOLD TIGHT A LITTLE LONGER ♪
413
00:22:52,792 --> 00:22:55,417
♪ LONGER WITH BIG RED ♪
414
00:22:57,625 --> 00:23:02,166
♪ THAT BIG RED FRESHNESS
LASTS RIGHT THROUGH IT ♪
415
00:23:02,250 --> 00:23:04,500
♪ YOUR FRESH BREATH
GOES ON AND ON ♪
416
00:23:04,583 --> 00:23:06,166
♪ WHILE YOU CHEW IT ♪
417
00:23:06,250 --> 00:23:09,000
♪ SO SAY GOODBYE
A LITTLE LONGER ♪
418
00:23:09,083 --> 00:23:11,375
♪ MAKE IT LAST A LITTLE LONGER ♪
419
00:23:11,458 --> 00:23:15,542
♪ GIVE YOUR BREATH
LONG-LASTING FRESHNESS ♪
420
00:23:15,625 --> 00:23:17,583
♪ WITH BIG RED ♪
421
00:23:27,000 --> 00:23:28,583
YEAH.
WHAT'S GOING ON?
422
00:23:28,667 --> 00:23:29,500
OH, NOTHING.
423
00:23:29,583 --> 00:23:31,208
I'M JUST SITTING HERE
WATCHING CHESTER
424
00:23:31,291 --> 00:23:32,083
SCREW THE RUBBER TREE.
425
00:23:32,166 --> 00:23:34,083
WHAT IS THAT?
SOME KIND OF EXPRESSION?
426
00:23:34,166 --> 00:23:37,667
NO, NO, NO, NO.
MY AUNT'S DOG IS STAYING WITH US
FOR A COUPLE OF WEEKS.
427
00:23:37,750 --> 00:23:41,500
AND, APPARENTLY, HE'S GOT
SOME SORT OF HORMONAL IMBALANCE.
428
00:23:43,041 --> 00:23:45,583
WOW, UH--
429
00:23:45,667 --> 00:23:47,750
IS KELLY THERE?
WHAT?
430
00:23:47,834 --> 00:23:49,583
KELLY. YOUR SISTER.
IS SHE THERE?
431
00:23:49,667 --> 00:23:52,250
WHY?
'CAUSE SHE DID A FAVOR FOR ME
TODAY.
432
00:23:52,333 --> 00:23:56,208
JUST PUT HER ON, OK?
OK.
433
00:23:56,291 --> 00:23:57,333
HOLD, PLEASE.
434
00:24:00,125 --> 00:24:04,041
BERKE LANDERS.
SINCE WHEN DO MY FRIENDS
START CALLING YOU?
435
00:24:04,125 --> 00:24:06,417
SINCE TODAY. HEY.
436
00:24:06,500 --> 00:24:07,792
SO HOW WAS I?
437
00:24:09,125 --> 00:24:13,041
YOU WERE REALLY...
OK.
438
00:24:13,125 --> 00:24:14,792
SORRY. I THOUGHT YOU KNEW
ABOUT THE SINGING.
439
00:24:14,875 --> 00:24:18,458
OH, MINOR DETAIL.
YOU WERE CUTE.
440
00:24:18,542 --> 00:24:21,000
YOU WANNA TELL ALLISON THAT?
441
00:24:21,083 --> 00:24:23,583
WELL, I HOPE
YOU GET IN THE PLAY.
442
00:24:23,667 --> 00:24:26,625
WHAT?
FELIX?
443
00:24:26,709 --> 00:24:29,458
I CAN HEAR YOU BREATHING!
444
00:24:29,542 --> 00:24:31,834
HELLO?
445
00:24:33,709 --> 00:24:36,083
ALL RIGHT, EVERYONE,
COMING THROUGH!
446
00:24:36,166 --> 00:24:38,667
OUT OF MY WAY! PART!
447
00:24:38,750 --> 00:24:41,250
PLEASE! EXCUSE ME. THANK YOU.
448
00:24:48,667 --> 00:24:50,166
OK, EV--
ALL RIGHT!
449
00:24:50,250 --> 00:24:53,083
OW!
DEMETRIUS! YES!
450
00:24:53,166 --> 00:24:55,458
CONGRATULATIONS, FAIR HERMIA.
YOU'RE KIDDING.
451
00:24:55,542 --> 00:24:57,500
I KNEW YOU'D GET IT.
452
00:24:57,583 --> 00:25:00,083
ALL RIGHT, PEOPLE,
THIS PLAY IS GONNA ROCK!
453
00:25:03,750 --> 00:25:07,667
CHORUS? OH, YOU'VE GOT TO BE
SHITTING ME.
454
00:25:07,750 --> 00:25:10,041
HELENA? OH, MY GOD!
455
00:25:11,041 --> 00:25:13,333
GOOD NEWS?
SORRY, I JUST--
456
00:25:13,417 --> 00:25:16,458
I REALLY HAD MY HEART SET
ON THAT PART.
457
00:25:16,542 --> 00:25:17,792
THAT'S-- THAT'S GOOD.
458
00:25:19,083 --> 00:25:23,041
LOOK, THERE'S YOU.
OH, YEAH.
459
00:25:23,125 --> 00:25:27,000
WELL, LET'S HOPE ATTENDANT #3
DOESN'T HAVE ANY SONGS.
460
00:25:27,083 --> 00:25:30,000
FELICITATIONS, MISS WOODS.
THANK YOU SO MUCH.
461
00:25:30,083 --> 00:25:32,709
IT'S A LEAD ROLE.
I KNOW.
462
00:25:32,792 --> 00:25:34,667
METHINKS
THOU BEST NOT BOTCH IT.
463
00:25:36,000 --> 00:25:39,834
I REMEMBER WHAT THE WONDERFUL
BOBBY DE NIRO ONCE SAID TO ME.
464
00:25:39,917 --> 00:25:42,667
WELL, NOT TO ME,
BUT I READ IT IN AN ARTICLE.
465
00:25:42,750 --> 00:25:45,375
AND IT WAS CONSIDERING
LANDING THE BIG ROLES,
AND WHAT HE SAID WAS,
466
00:25:45,458 --> 00:25:47,375
"JUST BECAUSE GOD BLESSES YOU,
467
00:25:47,458 --> 00:25:51,458
DOES NOT MEAN THERE ISN'T
ANOTHER SNEEZE COMING."
468
00:25:54,291 --> 00:25:57,500
ANYWAY, SEE YOU
AT THURSDAY'S REHEARSAL.
469
00:25:57,583 --> 00:25:58,750
YOU, TOO.
470
00:26:00,458 --> 00:26:04,542
UH, DR. FORREST OATES, THAT'S--
THAT'S KINDA GONNA BE A PROBLEM.
471
00:26:04,625 --> 00:26:08,125
SEE, NEXT WEEK WE GOT ALL
THE, UH, BASKETBALL PLAYOFFS.
472
00:26:11,125 --> 00:26:13,458
NOW, LET ME TELL YOU SOMETHING,
BUB.
473
00:26:14,834 --> 00:26:17,083
THIS IS YOUR THEATRICAL DEBUT!
474
00:26:17,166 --> 00:26:19,166
I WANT YOU TO TAKE IT SERIOUSLY!
475
00:26:19,250 --> 00:26:23,667
I WANT YOU TO GIVE IT
HALF THE DEDICATION, JUST HALF
476
00:26:23,750 --> 00:26:25,041
THAT I GAVE MY OWN.
477
00:26:26,834 --> 00:26:30,959
TO BE OR NOT TO BE.
THAT IS THE QUESTION.
478
00:26:36,792 --> 00:26:39,208
OH, THOSE WERE THE SALAD DAYS.
479
00:26:40,667 --> 00:26:42,166
ALTHOUGH THESE ARE GOOD.
480
00:26:44,834 --> 00:26:48,583
THURSDAY, NONE OF THIS,
JOCK HEAD.
481
00:26:53,667 --> 00:26:55,959
LET'S GO! JESSICA, WHAT--
WHY ARE YOU, LOOK-- WHAT--
482
00:26:56,041 --> 00:26:57,291
COME ON, COME ON,
COME ON, COME ON.
483
00:26:57,375 --> 00:26:59,583
UH, EXCUSE ME, I'M A TEACHER.
THANKS.
484
00:27:01,834 --> 00:27:03,000
LET'S GO, LET'S GO!
485
00:27:04,625 --> 00:27:06,291
WHERE ARE YOU GOIN', LANDERS?
486
00:27:07,417 --> 00:27:08,792
LANDERS!
487
00:27:08,875 --> 00:27:11,959
SO IN SUMMATION,
LYSANDER LOVES HERMIA,
488
00:27:12,041 --> 00:27:14,667
WHO LOVES LYSANDER,
BUT IS BETROTHED TO DEMETRIUS,
489
00:27:14,750 --> 00:27:17,750
WHO IN TURN IS THE OBJECT
OF HELENA'S AFFECTION.
490
00:27:17,834 --> 00:27:20,792
NOW DO YOU SEE THE FUN OF IT?
491
00:27:20,875 --> 00:27:23,000
IT'S JUST ALL HELL
DONE BREAK LOOSE.
492
00:27:23,083 --> 00:27:25,834
MICKEY ROURKE SAID
A WONDERFUL THING
ABOUT HAVING FUN.
493
00:27:25,917 --> 00:27:29,083
HE WAS AT SOME BIG SOIREE THAT
LIZA MINNELLI WAS THROWING--
494
00:27:31,083 --> 00:27:34,625
MR. LANDERS,
HOW NICE OF YOU TO JOIN US.
495
00:27:34,709 --> 00:27:38,792
AND THANKS FOR NOT SHOWERING.
WHAT A SUPER INSTINCT.
496
00:27:38,875 --> 00:27:40,834
THE SECRET TO ALL THIS, YOU SEE,
497
00:27:40,917 --> 00:27:43,834
IS THAT OUR FOUR YOUNG LOVERS
498
00:27:43,917 --> 00:27:47,625
ARE NOT AS IN CONTROL
OF THEIR ROMANTIC DESTINIES
AS THEY THINK
499
00:27:47,709 --> 00:27:51,166
BECAUSE IN THE WOODS,
WE HAVE WHAT?
500
00:27:51,250 --> 00:27:53,333
FAIRIES.
FAIRIES! FAIRIES!
501
00:27:53,417 --> 00:27:55,166
SPIRITS! SPIRITS.
502
00:27:57,250 --> 00:28:01,792
SPECIFICALLY,
TITANIA, OBERON AND PUCK.
503
00:28:01,875 --> 00:28:04,000
LITTLE STEVE.
STEVEN.
504
00:28:04,083 --> 00:28:07,917
WHO DELIGHT IN MANIPULATING
THEIR HUMAN COUNTERPARTS...
505
00:28:08,959 --> 00:28:10,333
FOR SPORT.
506
00:28:10,417 --> 00:28:14,458
IT REALLY IS FUN TO SEE A
BUNCH OF FAIRIES BEING PLAYED--
507
00:28:17,583 --> 00:28:19,709
HOLY SHIT, LITTLE STEVE,
YOU'VE GOT WINGS!
508
00:28:19,792 --> 00:28:22,208
YEAH, WELL, YOU'VE GOT FAIRY
DUST COMING OUT OF YOUR ASS.
509
00:28:22,291 --> 00:28:23,709
COME ON, GUYS.
LET'S STIR UP SOME TROUBLE.
510
00:28:23,792 --> 00:28:28,792
OH, FAIR HERMIA, THOU ART
SO INCREDIBLY HOT AND STUFF.
511
00:28:28,875 --> 00:28:33,083
HEY, RED, FOLLOW US.
YOU CAN'T SEE US,
BUT YOU'LL DO WHAT WE SAY.
512
00:28:33,166 --> 00:28:34,709
SUCKERS.
513
00:28:36,500 --> 00:28:38,834
YO, DUDE, SOMEBODY'S SCAMMIN'
ON YOUR CHICK.
514
00:28:38,917 --> 00:28:39,750
TIME TO KICK SOME ASS.
515
00:28:41,959 --> 00:28:44,875
DEMETRIUS, WHAT SAY YOU?
516
00:28:44,959 --> 00:28:46,542
RELENT, SWEET HERMIA.
517
00:28:46,625 --> 00:28:47,875
AND YOU, LYSANDER,
518
00:28:47,959 --> 00:28:50,875
YIELD THY CRAZED TITLE
TO MY CERTAIN RIGHT.
519
00:28:50,959 --> 00:28:53,875
EN GARDE.
WHAT? THERE'S NO SWORD FIGHTING
IN THIS PLAY.
520
00:28:53,959 --> 00:28:55,750
WELL, NOW THERE IS.
521
00:29:14,166 --> 00:29:16,583
OFF YOU GO.
OHH!
522
00:29:29,000 --> 00:29:30,917
WHEN IT RAINS, IT POURS.
523
00:29:31,000 --> 00:29:33,250
MR. LANDERS!
524
00:29:33,333 --> 00:29:35,709
ARE WE HAVING R.E.M.?
525
00:29:42,834 --> 00:29:46,291
MUSICAL SHAKESPEARE?
CALLING MY SISTER?
526
00:29:46,375 --> 00:29:49,792
SHE'S HELPING ME OUT.
MY SISTER?
527
00:29:49,875 --> 00:29:50,917
YEAH.
SHE KNOWS WHAT SHE'S DOING.
528
00:29:51,000 --> 00:29:53,875
UH, WHATEVER. BERKE.
THIS ISN'T ABOUT HER, ALL RIGHT?
529
00:29:54,000 --> 00:29:56,834
THIS IS ABOUT YOU
RUNNING AFTER ALLISON.
530
00:29:56,917 --> 00:29:59,041
AND I'M SORRY,
BUT IT'S BULLSHIT.
531
00:30:00,000 --> 00:30:01,667
SEE YOU OUT THERE.
532
00:30:03,208 --> 00:30:05,792
THAT'S IT. WE GOTTA FIND OUR BOY
SOMEBODY, QUICK.
533
00:30:05,875 --> 00:30:08,583
YOU DON'T JUST ARBITRARILY
REPLACE SOMEONE'S SOUL MATE.
534
00:30:08,667 --> 00:30:10,959
I MEAN, LOOK AT THAT OLD LADY
FROM TITANIC.
535
00:30:11,041 --> 00:30:12,291
SHE DIDN'T NEVER GET OVER THAT.
536
00:30:12,375 --> 00:30:15,417
I'M NOT JUST TALKING
ABOUT ANYBODY.
537
00:30:15,500 --> 00:30:17,750
LOOK, YOU STILL TAKE SHOP
WITH DORA LYNN TISSDALE, RIGHT?
538
00:30:17,834 --> 00:30:22,750
YEAH. UM, LAST WEEK, SHE NEARLY
TOOK OUT HALF THE CLASS
WITH A NAIL GUN.
539
00:30:22,834 --> 00:30:24,792
SO SHE'S A BIT CLUMSY.
540
00:30:24,875 --> 00:30:26,417
THANKS TO GOOD OLD DORA LYNN,
541
00:30:26,500 --> 00:30:29,625
DICKIE BERGWELL
HAS TO TAKE A CRAP STANDING UP.
542
00:30:29,709 --> 00:30:32,125
DENNIS, WE'RE NOT ASKING HER
543
00:30:32,208 --> 00:30:34,959
TO BUILD AN APARTMENT COMPLEX,
ARE WE?
544
00:30:35,041 --> 00:30:36,542
AND WHAT MAKES YOU THINK
SHE'S GONNA DO IT?
545
00:30:36,625 --> 00:30:38,875
LOOK, THAT'S YOUR PROBLEM,
ALL RIGHT?
546
00:30:38,959 --> 00:30:40,667
I'LL TAKE CARE OF BERKE.
547
00:30:40,750 --> 00:30:45,375
DENNIS HEARD IT FIRSTHAND.
THE GIRL'S COMPLETELY INTO YOU.
548
00:30:45,458 --> 00:30:48,458
NO, THAT'S-- THAT'S BULLSHIT.
WHY WOULD I MAKE THIS UP?
549
00:30:48,542 --> 00:30:52,000
I MEAN, I'M PRESENTING YOU HERE
WITH A GOLDEN OPPORTUNITY,
550
00:30:52,083 --> 00:30:55,041
THE STANLEY CUP OF BLIND DATES,
551
00:30:55,125 --> 00:30:56,709
NEW ZEALAND'S GIFT
TO ROSNER HIGH.
552
00:30:56,792 --> 00:30:59,125
I MEAN, THOSE EYES,
THAT MOUTH, THE RACK.
553
00:30:59,208 --> 00:31:01,041
AREN'T YOU
FORGETTING SOMETHING?
554
00:31:01,125 --> 00:31:04,709
OHH!
OK, YEAH,
SHE'S A LITTLE ACCIDENT-PRONE.
555
00:31:04,792 --> 00:31:07,625
THE GIRL'S
A WALKING DISASTER ZONE.
556
00:31:07,709 --> 00:31:09,959
WHEREVER SHE GOES,
BAD SHIT HAPPENS.
557
00:31:10,041 --> 00:31:11,083
OH. OH, MY GOD!
558
00:31:11,166 --> 00:31:14,542
I MEAN, WEIRD BAD SHIT HAPPENS.
559
00:31:18,667 --> 00:31:22,041
SHE MISSED SIX YEARS
AT THE HIGH SCHOOL.
560
00:31:22,125 --> 00:31:25,041
SHE WAS IN A COMA
FOR CHRIST'S SAKES.
561
00:31:25,125 --> 00:31:27,250
BERKE, SHE'S BEAUTIFUL.
YEAH.
562
00:31:27,333 --> 00:31:29,000
SHE'S BUILT.
YEAH.
563
00:31:29,083 --> 00:31:31,250
AND APPARENTLY, SHE'S TOTALLY
WILLING TO LOWER HER STANDARDS,
564
00:31:31,333 --> 00:31:34,000
SO I REALLY DON'T SEE
ANYTHING WRONG WITH THIS.
565
00:31:37,458 --> 00:31:40,250
IT'S YOUR TURN TO GET THE BALL.
566
00:31:40,333 --> 00:31:42,917
I'M NOT GETTING THE BALL.
YOU GET THE BALL.
567
00:31:47,792 --> 00:31:50,959
HEY, UH, DORA LYNN? DORA.
568
00:31:53,458 --> 00:31:54,875
KINDA GOT THIS FAVOR
TO A-- ASK YOU.
569
00:31:54,959 --> 00:31:57,709
FAVOR? WHAT KIND OF FAVOR?
570
00:31:57,792 --> 00:32:00,166
JUST STOP, DROP, AND ROLL!
571
00:32:02,166 --> 00:32:04,959
BERKE, DON'T BE NERVOUS.
572
00:32:05,041 --> 00:32:08,583
I'M HERE BECAUSE I WANT TO BE.
ME, TOO.
573
00:32:08,667 --> 00:32:10,917
WE NEVER REALLY HAD A CHANCE
TO TALK.
574
00:32:11,000 --> 00:32:14,917
WELL, I THINK THAT HAD A LOT
TO DO WITH THE FACT THAT I WAS
BUSY WITH ALLISON
575
00:32:15,000 --> 00:32:18,875
AND YOU KINDA HAD YOUR
HANDS FULL WITH THE WHOLE, UH--
576
00:32:18,959 --> 00:32:20,750
COMA THING?
YEAH.
577
00:32:20,834 --> 00:32:22,792
YEAH.
YEAH.
578
00:32:22,875 --> 00:32:25,041
YOU KNOW, BERKE,
579
00:32:25,125 --> 00:32:27,291
IT'S ALL ABOUT NEW BEGINNINGS.
580
00:32:27,375 --> 00:32:30,917
THAT STUFF ABOUT ME BEING
BAD LUCK? ANCIENT HISTORY.
581
00:32:31,000 --> 00:32:35,542
I'M MOVING ON WITH MY LIFE,
AND YOU'RE MOVING ON WITH YOURS.
582
00:32:37,000 --> 00:32:39,083
SORRY.
583
00:32:39,166 --> 00:32:42,000
OH, WOULD YOU EXCUSE ME
FOR ONE MINUTE?
584
00:32:42,875 --> 00:32:44,500
I KINDA HAVE TO--
585
00:32:44,583 --> 00:32:46,417
PEE?
YEAH.
586
00:32:46,500 --> 00:32:48,667
OK.
OK.
587
00:32:48,750 --> 00:32:51,917
♪
588
00:32:54,208 --> 00:32:56,917
WAITRESS,
CAN I HAVE SOME MORE TEA?
589
00:32:57,000 --> 00:32:58,083
OH, I LOVE--
AH!
590
00:33:00,750 --> 00:33:03,125
OHH!
TITS! WOW!
591
00:33:12,250 --> 00:33:14,125
♪
592
00:33:14,208 --> 00:33:16,959
OHH! OHH!
593
00:33:23,959 --> 00:33:25,583
CHECK, PLEASE!
594
00:33:27,625 --> 00:33:31,166
♪ I'M DREAMING OF A BOY
A VERY SPECIAL GUY ♪
595
00:33:31,250 --> 00:33:35,375
♪ I WISH THAT I COULD PLUCK
A FAIRY FROM THE SKY ♪
596
00:33:35,458 --> 00:33:39,333
♪ TO CAST A SPELL
UPON MY PRIDE AND JOY ♪
597
00:33:39,417 --> 00:33:41,792
♪ I'M DREAMING
OF A VERY SPECIAL BOY ♪
598
00:33:41,875 --> 00:33:43,208
TIME. TIME.
599
00:33:43,291 --> 00:33:46,166
IT'S JUST NOT VERY GOOD.
600
00:33:46,250 --> 00:33:49,000
I COULD LIE TO YOU,
BUT I WOULD DO YOU A DISSERVICE
601
00:33:49,083 --> 00:33:51,834
BECAUSE IT'S-- IT'S JUST BAD.
YOU'VE GOT TO COMMIT.
602
00:33:51,917 --> 00:33:56,667
♪ I'M DREAMING OF A BOY
A VERY SPECIAL GUY ♪
603
00:33:56,750 --> 00:34:00,333
AND THEN, "I WISH
THAT I COULD PLUCK, PLUCK!
I WANNA SEE YOU PLUCK IT!
604
00:34:00,417 --> 00:34:02,834
YOU KNOW WHAT I MEAN?
WE'LL TALK ABOUT IT LATER.
605
00:34:02,917 --> 00:34:04,875
OK, ENTER THESEUS.
606
00:34:04,959 --> 00:34:09,250
NOW, ATTENDANTS,
A ROGUE SUITOR...
607
00:34:09,333 --> 00:34:12,208
IS SPOONING
WITH THE MASTER'S DAUGHTER.
608
00:34:12,291 --> 00:34:14,208
WELL,
THIS IS TOTALLY SCANDALOUS.
609
00:34:14,291 --> 00:34:17,208
SO YOU MUST LOOK SHOCKED,
YOU MUST LOOK AMAZED.
610
00:34:17,291 --> 00:34:18,625
LET'S SEE YOU LOOK SHOCKED.
611
00:34:20,333 --> 00:34:23,041
I SAID SHOCKED, MR. LANDERS,
NOT CONSTIPATED.
612
00:34:24,917 --> 00:34:27,500
OH, MY DEAR GOD. GO, DEL.
613
00:34:29,291 --> 00:34:32,375
GO BID THE HUNTSMEN.
WAKE THEM WITH THEIR HORNS.
614
00:34:32,458 --> 00:34:35,083
HOLD IT. YES, UM--
615
00:34:35,166 --> 00:34:36,166
UM, WELL, CAN I--
616
00:34:36,250 --> 00:34:38,208
YOU'D TELL ME
IF YOU'D HAD A STROKE.
617
00:34:38,291 --> 00:34:40,083
♪
618
00:34:40,166 --> 00:34:44,250
AND EIGHT.
ONE, TWO, THREE, FOUR--
619
00:34:44,333 --> 00:34:47,250
WHAT?
WHAT?
620
00:34:47,333 --> 00:34:49,417
ARE YOU LOST?
621
00:34:49,500 --> 00:34:53,458
UM, NO. ACTUALLY, I-- I SIGNED
UP FOR STAGE CREW, AND I--
622
00:34:53,542 --> 00:34:56,875
STAGE CREW? THEN SHOULDN'T YOU
BE OVER THERE?
623
00:34:58,333 --> 00:35:00,542
OH.
624
00:35:02,709 --> 00:35:03,875
OH, RIGHT.
625
00:35:06,166 --> 00:35:09,583
MY LORD, I SHALL REPLY AMAZEDLY.
626
00:35:09,667 --> 00:35:12,583
HALF SLEEP, HALF WAKEN,
I CAME WITH HERMIA HITHER.
627
00:35:12,667 --> 00:35:16,083
OUR INTENT WAS TO BE GONE
FROM ATHENS,
628
00:35:16,166 --> 00:35:20,917
WHERE WE MIGHT, WITHOUT
THE PERIL OF ATHENIAN LAW,
629
00:35:21,000 --> 00:35:22,417
BE WED.
630
00:35:22,500 --> 00:35:26,250
AH-AH-AH.
SAVE IT FOR SHOW NIGHT, WONG.
631
00:35:26,333 --> 00:35:27,583
SORRY, STRIKER.
632
00:35:27,667 --> 00:35:30,583
♪
633
00:35:39,041 --> 00:35:42,667
♪ WHAT DO YOU GET
WHEN YOU FALL IN LOVE? ♪
634
00:35:42,750 --> 00:35:46,458
♪ A GIRL WITH A PIN
TO BURST YOUR BUBBLE ♪
635
00:35:46,542 --> 00:35:50,291
♪ THAT'S WHAT YOU GET
FOR ALL YOUR TROUBLE ♪
636
00:35:50,375 --> 00:35:52,125
♪ I'LL ♪
637
00:35:52,208 --> 00:35:56,834
♪ NEVER FALL IN LOVE AGAIN ♪
638
00:35:58,208 --> 00:36:00,458
♪ I'LL NEVER FALL IN LOVE ♪
639
00:36:00,542 --> 00:36:04,125
♪ WHAT DO YOU GET
WHEN YOU KISS A GIRL? ♪
640
00:36:04,208 --> 00:36:06,291
♪
YOU KNOW WHAT?
641
00:36:06,375 --> 00:36:08,333
I'D ASK YOU WHAT THE HELL
YOU'RE EVEN DOING HERE,
642
00:36:08,417 --> 00:36:11,792
BUT IF SOME STRANGER HAD DAZZLED
HIS WAY INTO MY EX-GIRLFRIEND'S
FANCIES,
643
00:36:11,875 --> 00:36:14,542
I'D PROBABLY BE
DOING THE SAME THING,
644
00:36:14,625 --> 00:36:16,875
ONLY I'D HAVE A BIGGER PART.
645
00:36:17,959 --> 00:36:19,166
YOU DROPPED YOUR SWORD.
646
00:36:19,250 --> 00:36:22,875
♪ I'LL NEVER FALL IN LOVE
AGAIN ♪
647
00:36:24,417 --> 00:36:27,375
♪ DON'T TELL ME WHAT IT'S ALL ♪
648
00:36:27,458 --> 00:36:29,208
♪ ABOUT ♪
649
00:36:29,291 --> 00:36:33,208
♪ 'CAUSE I'VE BEEN THERE
AND I'M GLAD I'M OUT ♪
650
00:36:33,291 --> 00:36:36,709
♪ OUT OF THOSE CHAINS
THOSE CHAINS THAT BIND YOU ♪
I AM SO SORRY. BIG-- BIG GAME.
651
00:36:36,792 --> 00:36:40,792
♪ AND THAT IS WHAT
I'M HERE TO REMIND YOU ♪
652
00:36:40,875 --> 00:36:42,166
♪
653
00:36:42,250 --> 00:36:45,667
SUBSTITUTION.
SORRY, SIR.
THERE WAS A BIG ACCIDENT.
654
00:36:45,750 --> 00:36:48,041
YOU ARE SO LUCKY
I AM NOT BOBBY KNIGHT.
655
00:36:48,125 --> 00:36:50,500
AND WE GOT PLAYOFFS NEXT WEEK
AND YOU'VE GOT AN OBLIGATION
TO THE TEAM.
656
00:36:50,583 --> 00:36:52,834
NOW GET OUT THERE!
YES, SIR!
657
00:36:52,917 --> 00:36:56,208
SUBSTITUTION FOR ROSNER,
BERKE LANDERS.
658
00:37:00,333 --> 00:37:03,417
HEY, LANDERS, NICE ASS!
659
00:37:06,125 --> 00:37:07,250
I'M GONNA GO NOW.
660
00:37:07,333 --> 00:37:10,000
♪ NEVER FALL IN LOVE AGAIN ♪
661
00:37:12,583 --> 00:37:15,166
YEAH, I'LL SEE YOU GUYS LATER.
HAVE A GOOD NIGHT.
662
00:37:15,250 --> 00:37:18,125
♪
663
00:37:28,500 --> 00:37:30,542
DON'T STOP BECAUSE OF ME.
664
00:37:30,625 --> 00:37:34,667
SORRY. I-- I JUST NEVER GET
TO PLAY A REAL PIANO AT HOME.
665
00:37:37,375 --> 00:37:40,625
SO YOU'VE BEEN A BUSY GUY
LATELY.
666
00:37:40,709 --> 00:37:43,875
YEAH, DATING A PYROMANIAC,
SHOWING MY ASS IN PUBLIC.
667
00:37:43,959 --> 00:37:46,709
WELL, IT'S ALL
IN THE NAME OF LOVE, RIGHT?
668
00:37:48,208 --> 00:37:49,375
RIGHT.
669
00:37:53,333 --> 00:37:55,291
PLAY ME SOMETHING.
670
00:37:56,709 --> 00:37:59,375
NO.
COME ON. IT SOUNDED GOOD.
671
00:37:59,458 --> 00:38:00,792
I'M EMBARRASSED.
672
00:38:02,959 --> 00:38:06,250
I LOVE WRITING SONGS,
BUT IT--
673
00:38:06,333 --> 00:38:07,417
WHAT'S THE PROBLEM?
674
00:38:07,500 --> 00:38:10,250
WELL, YOU WERE AT THE AUDITION,
BERKE.
675
00:38:10,333 --> 00:38:12,208
FORREST OATES HATED MY SONG.
676
00:38:12,875 --> 00:38:14,625
WELL,
677
00:38:14,709 --> 00:38:18,083
I ADMIRED YOU
FOR PUTTING YOURSELF
OUT THERE LIKE THAT,
678
00:38:18,166 --> 00:38:21,458
AND, UH, YOU KNOW,
FOR WHATEVER IT'S WORTH,
679
00:38:21,542 --> 00:38:24,583
I-- I-- I THOUGHT IT WAS
A REALLY NICE SONG.
680
00:38:27,166 --> 00:38:28,333
THANKS.
681
00:38:32,375 --> 00:38:34,542
THIS IS A SONG I WROTE.
682
00:38:35,709 --> 00:38:37,083
♪
♪ B, C ♪
683
00:38:37,166 --> 00:38:39,959
♪ D, E, F, G ♪
OH, GOD!
684
00:38:41,875 --> 00:38:43,792
BRING IT ON.
685
00:38:43,875 --> 00:38:48,333
♪ H, I, J, K, L, M, N, O, P ♪
686
00:38:51,583 --> 00:38:54,542
♪
687
00:38:56,917 --> 00:38:58,041
SHOWOFF.
688
00:39:24,750 --> 00:39:26,500
BERKE.
YEAH. HEY, FELIX.
689
00:39:26,583 --> 00:39:29,458
HOW DO YOU FEEL
ABOUT HALF-NAKED WOMEN?
690
00:39:29,542 --> 00:39:32,166
♪
WOULD YOU MIND TELLING ME
WHERE WE'RE GOING?
691
00:39:32,250 --> 00:39:35,041
SUFFICE TO SAY, DENNIS AND I,
WE DISCUSSED IT
692
00:39:35,125 --> 00:39:37,000
AND DECIDED THAT
THIS IS EXACTLY WHAT YOU NEED.
693
00:39:37,083 --> 00:39:41,333
IT LOOKS LIKE WE HAVE A VERY
SPECIAL GUEST WITH US TONIGHT,
694
00:39:41,417 --> 00:39:46,625
A YOUNG MAN RECENTLY JILTED
BY HIS LONGTIME LADY LOVE.
695
00:39:48,458 --> 00:39:50,792
HEY, SEE YOU LATER, CASANOVA.
696
00:39:53,625 --> 00:39:55,959
OHH!
697
00:40:02,000 --> 00:40:03,875
YEAH.
WHAT'S THAT?
698
00:40:03,959 --> 00:40:06,375
IT'S MONDAY MADNESS, PEOPLE.
699
00:40:06,458 --> 00:40:08,834
YOU KNOW WHAT THAT MEANS.
700
00:40:11,458 --> 00:40:13,792
♪
701
00:40:18,458 --> 00:40:22,041
BEHOLD MY MAJESTIC,
CORSETED FORM!
702
00:40:22,125 --> 00:40:26,625
POLICE!
I WANT TO SEE SOME IDS,
AND I WANT TO SEE THEM QUICK!
703
00:40:26,709 --> 00:40:28,041
OH, MY GOD!
SORRY!
704
00:40:39,834 --> 00:40:43,333
HEY, CAN SOMEBODY
GET ME DOWN? PLEASE?
705
00:40:44,667 --> 00:40:47,208
JESUS, MOTHER OF GOD!
706
00:40:48,875 --> 00:40:50,917
I MUST SAY,
YOU SURPRISED US, BERKE.
707
00:40:51,000 --> 00:40:53,041
IT'S NOT EVERY DAY
YOU GET A WAKE-UP CALL
FROM THE COPS
708
00:40:53,125 --> 00:40:55,959
SAYING YOUR SON'S BEEN PINCHED
IN A SEX CLUB RAID.
709
00:40:56,041 --> 00:40:59,125
THAT SAID, YOUR FATHER AND I
HAVE DISCUSSED IT--
710
00:40:59,208 --> 00:41:03,792
AND WE'D JUST LIKE TO SAY--
WE ARE
SO INCREDIBLY PROUD OF YOU.
711
00:41:03,875 --> 00:41:04,542
WHAT?
712
00:41:04,625 --> 00:41:06,834
FOR GETTING ON WITH YOUR LIFE.
713
00:41:06,917 --> 00:41:10,500
MOST KIDS YOUR AGE
ARE WAY ILL-EQUIPPED
TO DEAL WITH HEARTACHE.
714
00:41:10,583 --> 00:41:13,458
BUT NOT YOU, MISTER.
YOU GOT RIGHT BACK
ON THAT HORSE.
715
00:41:13,542 --> 00:41:15,834
OR SHOULD I SAY,
SUSPENSION HARNESS?
STOP IT.
716
00:41:15,917 --> 00:41:19,667
MOM, DAD, I JUST GOT ARRESTED.
SHOULDN'T YOU BE, LIKE,
PISSED OR SOMETHING?
717
00:41:19,750 --> 00:41:23,458
WHY? SEXUAL CURIOSITY
IS PERFECTLY NATURAL.
718
00:41:23,542 --> 00:41:25,667
WE JUST HAD NO IDEA
YOU WERE SO KINKY.
YEAH.
719
00:41:25,750 --> 00:41:27,625
HEY, WHO'S UP
FOR FROZEN YOGURT?
720
00:41:27,709 --> 00:41:29,625
OOH, SOUNDS GOOD TO ME.
721
00:41:29,709 --> 00:41:34,500
WELL, THEN AGAIN,
BERKE MAY WANT TO GO HOME
AND POLISH THE ROCKET.
722
00:41:34,583 --> 00:41:37,625
YOGURT'S GOOD.
723
00:41:38,917 --> 00:41:40,041
OK.
724
00:41:42,208 --> 00:41:43,375
OK, DENNIS.
725
00:41:43,959 --> 00:41:46,125
WHAT?
BRING HER UP.
726
00:41:52,750 --> 00:41:54,667
LADIES AND GENTLEMEN,
727
00:41:54,750 --> 00:41:57,875
INTRODUCING
PRISONER NUMBER 6943.
728
00:41:57,959 --> 00:42:00,625
BRAVO, LANDERS, BRAVO.
729
00:42:00,709 --> 00:42:03,458
YOU KNOW, YOU DO TAKE
A STUNNING PICTURE.
730
00:42:03,542 --> 00:42:06,333
STRIKER, I'D BE CAREFUL
ABOUT THAT ACCENT
731
00:42:06,417 --> 00:42:09,375
BECAUSE YOU'RE BEGINNING TO
SOUND A LOT LIKE MARY POPPINS.
732
00:42:09,458 --> 00:42:12,291
LOOK, I DON'T KNOW
WHAT YOU'RE BLATHERING ABOUT,
BUT IF I WERE YOU--
733
00:42:12,375 --> 00:42:13,959
HOLD IT, HOLD IT, HOLD IT.
734
00:42:15,583 --> 00:42:17,458
WHAT?
ARE YOU WEARING MAKEUP?
735
00:42:20,542 --> 00:42:22,166
THAT'S IT.
736
00:42:22,250 --> 00:42:23,667
OH.
737
00:42:23,750 --> 00:42:25,750
OOH.
738
00:42:25,834 --> 00:42:29,917
CAREFUL, LANDERS.
I DO BELIEVE YOU ARE
TRIFLING WITH DANGER.
739
00:42:30,000 --> 00:42:32,750
WHO KEEPS NUNCHUCKS
IN THEIR PANTS?
740
00:42:34,834 --> 00:42:35,667
OHH!
741
00:42:37,458 --> 00:42:39,458
PETER WONG IS DOWN!
742
00:42:41,917 --> 00:42:43,709
LOOK ON THE BRIGHT SIDE, WONG.
743
00:42:43,792 --> 00:42:45,667
YOU'RE A SINGER, NOT A DANCER.
744
00:42:45,750 --> 00:42:49,875
I'LL KILL YOU,
YOU ANT-KISSING, PRETENTIOUS,
SWING TOWN TWIT!
745
00:42:49,959 --> 00:42:54,166
THIS IS MY THEATER!
MY SHOW!
746
00:42:54,250 --> 00:42:57,166
FORREST OATES
IS MY SPECIAL BUDDY!
747
00:42:57,250 --> 00:42:59,041
THAT WAS INTENSE.
748
00:42:59,125 --> 00:43:03,083
I KNOW. I'VE NEVER SEEN BONE
POKE THROUGH SKIN LIKE THAT
BEFORE.
749
00:43:03,166 --> 00:43:07,750
ALL RIGHT THEN, EVERYTHING'S
GOING TO BE FINE,
ACCORDING TO THE PARAMEDICS.
750
00:43:07,834 --> 00:43:10,792
IN FACT, PETER WILL BE
BACK ON HIS FEET IN NO TIME.
751
00:43:14,667 --> 00:43:17,542
STILL, IN THE WORDS
OF THE WONDERFUL KEVIN SPACEY,
752
00:43:17,625 --> 00:43:19,291
THE SHOW MUST GO ON.
753
00:43:19,375 --> 00:43:21,792
SO SINCE CURTAIN IS,
INDEED, IN THREE DAYS,
754
00:43:21,875 --> 00:43:26,375
I'M NOW ACCEPTING OFFERS
FROM VOLUNTEERS
FOR THE ROLE OF LYSANDER.
755
00:43:26,458 --> 00:43:27,166
OOH! OOH!
756
00:43:27,250 --> 00:43:28,792
PUT YOUR HAND DOWN,
LITTLE STEVE!
757
00:43:28,875 --> 00:43:30,417
OOH.
758
00:43:30,500 --> 00:43:32,208
NO, NOT STRIKER,
YOU ALREADY HAVE A ROLE.
759
00:43:32,291 --> 00:43:36,792
YES, I KNOW, BUT I WAS WANTING
TO NOMINATE SOMEONE.
760
00:43:36,875 --> 00:43:41,375
OH, WELL, THAT'S VERY
FLATTERING, UH, INDEED,
761
00:43:41,458 --> 00:43:46,125
BUT I DON'T THINK A MAN OF 34
CAN POSSIBLY KEEP UP
WITH YOU YOUNGSTERS.
762
00:43:46,208 --> 00:43:48,792
ACTUALLY, I WAS REFERRING TO...
763
00:43:48,875 --> 00:43:50,834
BERKE LANDERS.
764
00:43:52,417 --> 00:43:53,792
OH! WELL, TH--
765
00:43:53,875 --> 00:43:56,792
THAT'S AN INTRIGUING THOUGHT.
766
00:43:56,875 --> 00:43:57,959
ANY OTHER IDEAS?
767
00:43:58,041 --> 00:43:59,333
OOH!
ONE THAT I MIGHT USE?
768
00:43:59,417 --> 00:44:00,959
PUT YOUR HAND DOWN,
LITTLE STEVE!
769
00:44:01,041 --> 00:44:03,625
WELL, HE'S GREEN, TO BE SURE,
BUT HE DOES DEMONSTRATE
770
00:44:03,709 --> 00:44:06,083
A CERTAIN... ENTHUSIASM.
771
00:44:07,667 --> 00:44:10,125
I'M IN.
772
00:44:10,208 --> 00:44:12,417
YOU'RE IN?
YEAH, I'M IN.
773
00:44:14,041 --> 00:44:16,625
JESSICA, CALL DOMINO'S.
WE'LL BE HERE A WHILE.
774
00:44:16,709 --> 00:44:19,625
AND KEEP ICING YOUR FRONT BUM!
775
00:44:19,709 --> 00:44:23,083
SWELLING CONTINUES
WHEN YOU DON'T ICE,
AND I NEED YOU.
776
00:44:24,208 --> 00:44:26,667
NOT REALLY.
777
00:44:26,750 --> 00:44:28,166
SO HOW MANY SWORDS DO WE HAVE?
778
00:44:28,250 --> 00:44:31,500
SEVEN.
EIGHT.
779
00:44:31,583 --> 00:44:35,291
I SWEAR, IF ALLISON
DOESN'T APPRECIATE THIS--
THEN WHAT?
780
00:44:37,375 --> 00:44:39,875
ANYWAY, I'VE HEARD YOU
DO THE DIALOGUE. YOU'RE FINE.
781
00:44:39,959 --> 00:44:43,542
YEAH, BUT WHAT ABOUT
THE SINGING?
WELL, THE MUSIC SUCKS.
782
00:44:43,625 --> 00:44:44,583
ESPECIALLY MY SONG.
783
00:44:44,667 --> 00:44:47,166
WELL, WHY DON'T YOU,
WHY DON'T YOU REWRITE IT?
784
00:44:47,250 --> 00:44:49,834
OH, FORREST OATES
WOULD NEVER GO FOR IT.
785
00:44:49,917 --> 00:44:54,000
KELLY, YOU'RE THE BEST ONE
IN THE PLAY. YOU KNOW MORE
ABOUT THIS STUFF THAN HE DOES.
786
00:44:54,083 --> 00:44:57,458
YEAH, BUT HE DOESN'T SEE IT
THAT WAY.
787
00:44:57,542 --> 00:44:59,834
FORREST OATES
JUST CAST ME AS A LEAD.
788
00:44:59,917 --> 00:45:02,083
HE'S AN IDIOT, ALLISON.
789
00:45:04,792 --> 00:45:06,834
MY NAME...
790
00:45:06,917 --> 00:45:08,834
IS KELLY.
791
00:45:08,917 --> 00:45:10,875
WHAT'D I SAY?
ALLISON.
792
00:45:10,959 --> 00:45:12,709
NO, I DIDN'T.
YEAH, YOU DID.
793
00:45:12,792 --> 00:45:14,917
I'M SORRY.
PREPARE TO DIE.
794
00:45:15,000 --> 00:45:18,041
MAYBE Y-- YOU SHOULDN'T
BE PLAYING WITH THAT.
795
00:45:18,125 --> 00:45:20,166
PUT-- COM--
PUT IT DOWN.
796
00:45:20,917 --> 00:45:23,291
PUT IT-- K-- KELLY.
797
00:45:26,917 --> 00:45:28,041
AAAAH!
798
00:45:28,125 --> 00:45:29,417
WE HAVE AN 18-YEAR-OLD
WHITE MALE
799
00:45:29,500 --> 00:45:31,709
WITH AN ANTERIOR PUNCTURE WOUND
TO HIS LEFT ARM.
800
00:45:31,792 --> 00:45:35,417
MY GOD, I'M SO SORRY, BERKE.
I THOUGHT IT WAS A PROP.
I WANNA SEE IT.
801
00:45:35,500 --> 00:45:38,166
NO, DON'T LOOK AT IT.
IT'S PRETTY BAD, ISN'T IT?
802
00:45:38,250 --> 00:45:41,875
NO, IT'S-- IT'S FINE.
HERE, LISTEN TO ME, BERKE.
803
00:45:41,959 --> 00:45:44,208
THE DOCTOR'S GONNA FIX YOUR ARM
AND I'M GONNA HELP YOU REHEARSE
804
00:45:44,291 --> 00:45:46,875
AND YOU'RE GONNA BE
THE BEST LYSANDER EVER, OK?
805
00:45:46,959 --> 00:45:49,875
AND YOUR ARM,
IT'S REALLY NOT THAT--
OH, MY GOD! OHH!
806
00:45:49,959 --> 00:45:52,834
♪
807
00:45:55,000 --> 00:45:57,250
♪ BAH-BAH
BAH-DE-DAH DAH-BAH-BAH ♪
808
00:45:57,333 --> 00:45:59,917
♪ BAH-BAH
BAH-DE-DAH DAH-BAH-BAH ♪
809
00:46:00,000 --> 00:46:03,500
♪ BAH-BAH
BAH-DE-DAH DAH-BAH-BAH
DAH-DE-DAH ♪
810
00:46:05,000 --> 00:46:07,417
♪ BAH-BAH
BAH-DE-DAH DAH-BAH-BAH ♪
811
00:46:07,500 --> 00:46:09,750
♪ BAH-BAH
BAH-DE-DAH DAH-BAH-BAH ♪
812
00:46:09,834 --> 00:46:12,291
♪ BAH-BAH
BAH-DE-DAH DAH-BAH-BAH
DAH-DE-DAH ♪
813
00:46:12,375 --> 00:46:17,291
♪
I'M JUST SAYING THAT
THURSDAY NIGHT YOU'VE KEPT
15.
814
00:46:17,375 --> 00:46:20,083
FELIX, IT'S KELLY. ALL RIGHT?
815
00:46:20,166 --> 00:46:22,583
SHE'S HELPING ME OUT
WITH THE PART.
OK, OK, OK.
816
00:46:22,667 --> 00:46:23,959
JUST KEEP AN EYE ON HER, MAN.
817
00:46:24,041 --> 00:46:25,458
YOU KNOW, 'CAUSE SOME
OF THOSE THEATER GUYS
818
00:46:25,542 --> 00:46:28,041
THEY HAVE THIS REPUTATION
OF BEING KINDA--
819
00:46:28,125 --> 00:46:30,875
GAY?
SEE, THAT'S WHAT
THEY WANT YOU TO THINK.
820
00:46:30,959 --> 00:46:31,917
I'LL KEEP AN EYE ON HER.
821
00:46:32,000 --> 00:46:35,792
♪
822
00:46:35,875 --> 00:46:40,125
♪ BAH-BAH
BAH-DE-DAH DAH-BAH-BAH
DAH-DE-DAH ♪
823
00:46:40,208 --> 00:46:43,625
♪ FORTY-EIGHT HOURS
I'M STILL HAVIN' IT BAD ♪
824
00:46:43,709 --> 00:46:45,959
♪ THIRTY-TWO TO GO
I WAS VIRTUALLY DEAD ♪
825
00:46:46,041 --> 00:46:47,959
♪ MAKIN' A MESS
ON SOMEONE'S DESK ♪
826
00:46:48,041 --> 00:46:51,291
♪ I DID IT AGAIN
BAH-DAH-DAH-DAH DAH-DAH ♪
827
00:46:51,375 --> 00:46:54,125
♪ STARTED LOOKIN' FOR SOMEONE
THE KIND IS YOU ♪
828
00:46:54,208 --> 00:46:56,166
♪ ALL THE OTHER PLACES WERE
THERE ARE NOTHIN' TO DO ♪
829
00:46:56,250 --> 00:46:58,959
♪ SO WASTE THE MORNING
AND HANG IN BED
NOBODY CARES ♪
830
00:46:59,041 --> 00:47:02,959
SO WHEN DO YOUR PARENTS LEAVE
FOR THIS AFFILIATE STUFF?
UH, TODAY.
831
00:47:03,041 --> 00:47:05,291
DON'T EVEN THINK ABOUT IT.
WHAT?
832
00:47:05,375 --> 00:47:08,500
FELIX, I CAN HEAR YOUR BRAIN
PLANNING A PARTY. NO.
833
00:47:08,583 --> 00:47:12,166
I'LL-- I'LL SEE YOU GUYS LA--
I GOTTA GET SOMETHING.
834
00:47:12,250 --> 00:47:14,583
HEY, WHY IS HE GOING
INTO THE MUSIC STORE?
I DON'T KNOW.
835
00:47:14,667 --> 00:47:17,208
HE'S PROBABLY BUYING TAP SHOES
OR SOME SHIT LIKE THAT,
836
00:47:17,291 --> 00:47:20,333
WHICH ONLY FURTHER DEMONSTRATES
MY POINT, MY FRIEND.
837
00:47:20,417 --> 00:47:24,667
THAT MAN IS IN DIRE NEED
OF A PARTY.
838
00:47:24,750 --> 00:47:26,375
YES?
839
00:47:26,458 --> 00:47:29,875
HI. I KNOW YOU'RE BUSY,
BUT I JUST WANNA TALK TO YOU
FOR ONE SECOND.
840
00:47:29,959 --> 00:47:33,125
OH, MISS WOODS,
PLEASE COME IN-- OHH.
841
00:47:33,208 --> 00:47:37,000
FUN HAIR CLIP.
HMM.
842
00:47:37,083 --> 00:47:39,041
I WANTED TO TALK TO YOU
ABOUT MY SONG.
843
00:47:39,125 --> 00:47:40,667
OH, "POCKETFUL OF DREAMS."
844
00:47:40,750 --> 00:47:44,542
I ORIGINALLY WROTE THAT TUNE
FOR MISS DIANA ROSS.
845
00:47:46,291 --> 00:47:47,458
♪
MISS ROSS! MISS ROSS!
846
00:47:47,542 --> 00:47:49,000
I'VE WRITTEN
A VERY GROOVY SONG!
847
00:47:49,083 --> 00:47:50,625
I THINK YOU'D LI-- OH!
848
00:47:50,709 --> 00:47:54,000
THAT'S MY HAND, BUDDY!
AAH! MISS ROSS!
849
00:47:54,083 --> 00:47:58,083
MISS ROSS! DIANA!
850
00:47:58,166 --> 00:48:01,041
UNFORTUNATELY,
THE LAWYERS GOT INVOLVED,
851
00:48:01,125 --> 00:48:04,250
AND THEN BULLSHIT, BULLSHIT,
BULLSHIT, BULLSHIT.
852
00:48:04,333 --> 00:48:09,000
AND THEN, UH,
THE NEXT THING YOU KNOW--
PHTT! NO DEAL.
853
00:48:09,083 --> 00:48:13,041
IT'S A GREAT SONG.
I LOVE SINGING IT.
OH, IT WAS FUN TO WRITE.
854
00:48:13,125 --> 00:48:17,041
IT'S JUST THAT I WAS WONDERING
IF YOU-- IF YOU WOULDN'T MIND...
855
00:48:17,125 --> 00:48:19,166
IF I MADE A FEW SUGGESTIONS.
856
00:48:19,250 --> 00:48:21,792
YOU'VE MADE
S-- SOME SUGGESTIONS?
857
00:48:22,959 --> 00:48:24,083
"O WEARY NIGHT,
858
00:48:24,166 --> 00:48:26,250
ABATE THY HOURS."
859
00:48:26,333 --> 00:48:31,875
WELL, I-- I JUST FIGURED,
YOU KNOW, LIKE YOU SAID,
THE SONG REALLY ISN'T WORKING.
860
00:48:33,667 --> 00:48:36,750
I'D LIKE YOU TO DO ME A FAVOR,
IF YOU WILL, MISS WOODS.
861
00:48:36,834 --> 00:48:40,291
I'D LIKE YOU TO READ THIS POSTER
AND TELL ME
WHAT IT SAYS AT THE BOTTOM.
862
00:48:40,375 --> 00:48:43,125
"NO FOOD OR DRINK ALLOWED
IN THE AUDITORIUM AT ANY TIME."
863
00:48:43,208 --> 00:48:46,083
IT SAYS, "12 ORIGINAL SONGS
864
00:48:46,166 --> 00:48:48,250
BY DR. DESMOND FORREST OATES."
865
00:48:48,333 --> 00:48:52,750
OH.
THAT PART.
YES, THAT PART.
866
00:48:52,834 --> 00:48:54,083
I'LL TELL YOU
WHAT IT DOESN'T SAY.
867
00:48:54,166 --> 00:48:55,291
IT DOESN'T SAY,
"ADDITIONAL LYRICS
868
00:48:55,375 --> 00:48:58,083
BY LITTLE MISS SASSY-PANTS."
869
00:48:58,166 --> 00:48:59,917
YOU KNOW, SOME OF THOSE LYRICS
ARE SHAKESPEARE'S.
870
00:49:00,000 --> 00:49:04,542
AH. AND WHAT WAS THE LAST TUNE
YOU HUMMED FROM MACBETH?
871
00:49:04,625 --> 00:49:07,458
BILL SHAKESPEARE
IS A WONDERFUL POET,
872
00:49:07,542 --> 00:49:10,500
BUT BURT BACHARACH, HE AIN'T.
873
00:49:11,166 --> 00:49:12,750
I'LL GO.
874
00:49:12,834 --> 00:49:14,709
SORRY I'M LATE.
THAT'S-- THAT'S OK.
875
00:49:14,792 --> 00:49:16,959
I WAS JUST GETTING LUCKY.
OH, CHESTER!
876
00:49:17,041 --> 00:49:20,083
WE NEED-- WE NEED-- WE NEED--
WE NEED TO FIND THIS DOG A DATE.
877
00:49:20,166 --> 00:49:24,500
SO, UH, HOW WAS--
HOW WAS FORREST OATES?
878
00:49:24,583 --> 00:49:27,125
A BIGGER ASSHOLE THAN I THOUGHT.
879
00:49:27,208 --> 00:49:31,792
MAYBE THIS WILL MAKE YOU
FEEL A LITTLE BETTER.
OH, A GIFT? BERKE.
880
00:49:31,875 --> 00:49:35,125
FIRST WE REHEARSE, OK?
881
00:49:35,208 --> 00:49:36,750
OK.
ALL RIGHT.
882
00:49:40,583 --> 00:49:46,125
♪ SO THAT'S THE GIRL
THAT I'VE GOT TO HAVE ♪
883
00:49:46,208 --> 00:49:48,917
♪ I'LL TELL YOU WHY-- ♪
884
00:49:49,000 --> 00:49:50,208
♪
885
00:49:51,041 --> 00:49:53,500
IT'S 21 HOURS UNTIL THE PLAY,
886
00:49:53,583 --> 00:49:55,750
AND I'M ACTUALLY
STARTING TO SUCK MORE.
887
00:49:55,834 --> 00:49:59,333
LOOK, LET'S JUST PUT THE SONGS
ASIDE FOR A SECOND.
888
00:49:59,417 --> 00:50:01,166
WE'LL WORK ON SOME DIALOGUE.
889
00:50:01,250 --> 00:50:05,500
WE'RE AT THE POINT
WHERE THESEUS HAS JUST
WOKEN EVERYBODY UP.
890
00:50:05,583 --> 00:50:06,875
ALL RIGHT.
891
00:50:12,625 --> 00:50:13,542
HI.
HI.
892
00:50:18,458 --> 00:50:22,166
OK, THIS SCENE'S
BETWEEN YOU AND HERMIA.
893
00:50:22,250 --> 00:50:25,333
SO PRETEND I'M ALLISON, OK?
SURE.
894
00:50:25,417 --> 00:50:28,166
AS DIFFICULT AS THAT MIGHT BE.
895
00:50:28,250 --> 00:50:29,917
NO, GO AHEAD.
896
00:50:32,125 --> 00:50:35,625
SO THESEUS SAYS,
897
00:50:35,709 --> 00:50:38,834
"GO, WAKE THEM
WITH THEIR HORNS."
898
00:50:38,917 --> 00:50:41,166
AND HERMIA SAYS,
899
00:50:41,250 --> 00:50:45,250
"METHINKS I SEE THINGS
WITH PARTED EYE,
900
00:50:45,333 --> 00:50:47,458
WHEN EVERYTHING SEEMS DOUBLE."
901
00:50:50,625 --> 00:50:51,583
OK, I GOT IT.
902
00:50:51,667 --> 00:50:58,041
UH, MY LORD,
I REPLY AMAZEDLY,
903
00:50:58,125 --> 00:51:01,125
HALF ASLEEP, HALF AWAKE.
904
00:51:02,458 --> 00:51:05,041
I CAME WITH HERMIA HITHER.
905
00:51:07,458 --> 00:51:12,875
OUR INTENT IS TO LEAVE ATHENS...
MM-HMM.
906
00:51:12,959 --> 00:51:14,917
WHERE WE MAY BE MARRIED.
907
00:51:16,250 --> 00:51:19,208
AND THEN THERE'S THE KISS...
908
00:51:19,291 --> 00:51:21,417
WHICH IS GONNA BE WITH ALLISON.
909
00:51:21,500 --> 00:51:22,667
RIGHT.
910
00:51:24,792 --> 00:51:26,917
BUT IN THIS CASE--
911
00:51:34,500 --> 00:51:36,625
SHIT.
912
00:51:36,709 --> 00:51:38,625
WHAT?
HEY, LET ME TAKE A SHOT
IN THE DARK.
913
00:51:38,709 --> 00:51:41,917
BERKE'S THERE, RIGHT?
FELIX, WHERE ARE YOU?
914
00:51:42,000 --> 00:51:43,750
BIG PARTY. HEY, LISTEN.
915
00:51:43,834 --> 00:51:46,291
TELL, UH, TELL BERKE HE MIGHT
WANNA STOP BY
916
00:51:46,375 --> 00:51:49,417
BECAUSE THERE'S SOME, UH, PEOPLE
WHO'VE BEEN ASKING ABOUT HIM.
917
00:51:49,500 --> 00:51:50,417
WE GOTTA GO TO YOUR HOUSE.
918
00:51:50,500 --> 00:51:52,250
♪
919
00:51:52,333 --> 00:51:54,625
WELL, WELL. I'M IMPRESSED.
920
00:51:54,709 --> 00:51:57,417
TURNOUT'S NOT HALF-BAD.
WHERE'S FELIX?
921
00:51:57,500 --> 00:51:59,875
DUDE, UH, YOU SHOULD
REALLY BREATHE, MAN.
922
00:51:59,959 --> 00:52:01,792
I MEAN, YOU LOOK LIKE
YOU'RE GONNA STROKE OUT.
923
00:52:01,875 --> 00:52:04,083
LOOK, I'M GONNA LOOK
FOR HIM OVER HERE, OK?
924
00:52:04,166 --> 00:52:07,041
YOU REALIZE
I'M GOING TO KILL HIM.
925
00:52:07,125 --> 00:52:08,208
FELIX!
926
00:52:10,542 --> 00:52:13,125
FELIX!
IF IT ISN'T MY BEAUTEOUS COSTAR.
927
00:52:13,208 --> 00:52:15,834
HAVE YOU SEEN
MY BROTHER FELIX?
FAIR HELENA.
928
00:52:15,917 --> 00:52:20,291
SO TENSE. A FEW
PRE-SHOW JITTERS, PERHAPS?
929
00:52:20,375 --> 00:52:24,917
OR MAYBE SOME LOVE PANGS
FOR A CERTAIN YOU-KNOW-WHO.
930
00:52:25,000 --> 00:52:26,959
YOU!
BERKE! WHAT'S UP?
931
00:52:27,041 --> 00:52:30,125
SO WHAT DO YOU THINK, HUH?
WHAT DO I THINK?
WHAT DO I THINK?
932
00:52:30,208 --> 00:52:31,333
WHAT ARE YOU TALKING ABOUT?
933
00:52:31,417 --> 00:52:32,500
FRANKLY, I DON'T KNOW
WHAT YOU GIRLS SEE
934
00:52:32,583 --> 00:52:34,750
IN THIS UNDEREDUCATED WANK.
935
00:52:34,834 --> 00:52:39,625
PERHAPS YOU CAN TAKE ME
OUT TO THE VERANDA AND...
936
00:52:39,709 --> 00:52:40,458
EDIFY ME.
937
00:52:40,542 --> 00:52:42,583
SHIT, IT'S STRIKER.
938
00:52:42,667 --> 00:52:46,125
LOOK, I'LL SEE YOU AT THE SHOW.
WHAT THE HELL IS GOING ON?
939
00:52:46,208 --> 00:52:48,750
NOTHING.
JUST A BIT OF TOMFOOLERY.
940
00:52:48,834 --> 00:52:52,500
FELIX, I'M HANDLING IT.
NO, YOU'RE BEING HANDLED
BY LEATHER PANTS HERE.
941
00:52:52,583 --> 00:52:54,875
THERE'S A DIFFERENCE.
I THINK YOU BETTER GO.
942
00:52:54,959 --> 00:52:57,291
OH, COME ON. DO YOU REALLY THINK
I'D FOOL AROUND ON ALLISON?
943
00:52:57,375 --> 00:53:00,333
YOU, OF ALL PEOPLE, SHOULD KNOW
HOW DAMNABLE THAT WOULD BE.
944
00:53:00,417 --> 00:53:02,125
NOW, WHERE'S THE GRUB?
THIS WAY? THANK YOU.
945
00:53:02,208 --> 00:53:05,125
♪
946
00:53:11,917 --> 00:53:14,333
GUYS.
947
00:53:14,417 --> 00:53:17,375
IS IT JUST ME OR DOES THIS PUNCH
TASTE KIND OF FUNKY?
948
00:53:17,458 --> 00:53:19,417
THERE'S CHUNKS.
949
00:53:23,458 --> 00:53:25,500
HI.
950
00:53:25,583 --> 00:53:28,166
I-- I-- -I'VE BEEN WONDERING
WHERE YOU'VE BEEN.
951
00:53:28,250 --> 00:53:31,333
WE HAVE TO TALK ABOUT STRIKER.
952
00:53:31,417 --> 00:53:35,750
NO, NO. YOU WILL STOP
AT NOTHING, WILL YOU?
953
00:53:37,500 --> 00:53:40,959
ALLISON. ALLISON.
954
00:53:46,458 --> 00:53:50,041
STRIKER?
ALLISON!
955
00:53:50,125 --> 00:53:51,083
MAGGIE.
956
00:53:52,125 --> 00:53:54,834
ALLISON, I'M-- I'M SO SORRY.
957
00:53:56,458 --> 00:53:59,458
YOU CAN ALL JUST GO TO HELL.
958
00:54:15,333 --> 00:54:17,083
HEY, YOU.
959
00:54:17,166 --> 00:54:20,417
SORRY ABOUT THIS
WHOLE PARTY THING.
960
00:54:20,500 --> 00:54:22,750
MY BROTHER IS
KIND OF AN ASSHOLE.
961
00:54:22,834 --> 00:54:24,458
KIND OF?
962
00:54:24,542 --> 00:54:26,250
I'M SERIOUSLY CONSIDERING
TELLING MOM
963
00:54:26,333 --> 00:54:28,000
WHERE HE KEEPS HIS PORN.
964
00:54:30,542 --> 00:54:32,500
THAT WAS A JOKE.
965
00:54:35,500 --> 00:54:38,250
KELLY, WHY DO YOU
HANG OUT WITH ME?
966
00:54:38,333 --> 00:54:40,375
I MEAN, YOU PROBABLY HAVE
BETTER THINGS TO DO
967
00:54:40,458 --> 00:54:45,041
THAN TO, UH, WASTE YOUR TIME
WITH A HAPLESS LOSER.
968
00:54:45,125 --> 00:54:49,417
YOU'RE NOT A LOSER, BERKE.
ALLISON THINKS SO.
969
00:54:49,500 --> 00:54:52,166
ALLISON'S AN IDIOT.
970
00:54:53,166 --> 00:54:54,917
I HAVE DONE...
971
00:54:55,041 --> 00:54:59,083
ABSOLUTELY EVERYTHING
FOR THAT GIRL.
972
00:55:00,208 --> 00:55:02,333
SHE JUST DOESN'T GET IT.
973
00:55:38,583 --> 00:55:40,250
I CAN'T DO THIS.
974
00:55:45,625 --> 00:55:48,583
KELLY, I THINK YOU'RE GREAT,
BUT WE CAN'T-- WE CAN'T DO THIS.
975
00:55:50,417 --> 00:55:52,417
YOU'RE FELIX'S LITTLE SISTER.
976
00:55:56,917 --> 00:55:58,375
SCREW YOU.
977
00:55:58,458 --> 00:56:01,709
KELLY, WAIT A SECOND.
THAT CAME OUT WRONG!
978
00:56:04,542 --> 00:56:07,834
WHAT WAS THAT?
FELIX, IT'S NOT WHAT YOU THINK.
979
00:56:09,542 --> 00:56:12,500
WHAT THE HELL
HAS GOTTEN INTO YOU?
AAH.
980
00:56:15,583 --> 00:56:20,500
WELL, WELL!
WHY AM I SUDDENLY GLAD WE
LEFT THE CONFERENCE EARLY?
981
00:56:20,583 --> 00:56:24,041
I DON'T RECALL ANYTHING
ABOUT A PARTY, BERKE.
982
00:56:24,125 --> 00:56:26,208
WE COULD HAVE SPRUNG
FOR A DEEJAY.
983
00:56:26,291 --> 00:56:29,208
MAKE SURE AND PUT THE FURNITURE
BACK WHEN YOU'RE DONE.
984
00:56:29,291 --> 00:56:33,583
MOM, DAD, REVEREND'S DAUGHTER,
JUDY, JUST TOOK A DUMP
IN OUR POOL
985
00:56:33,667 --> 00:56:35,375
AND YOU WANT TO SPRING
FOR A DEEJAY?
986
00:56:35,458 --> 00:56:38,083
THAT'S WHAT MAKES US SO FLY!
987
00:56:38,500 --> 00:56:40,250
WE TRUST YOU.
988
00:56:41,625 --> 00:56:44,959
YOU'RE MY PARENTS,
FOR GOD'S SAKES.
STOP TRUSTING ME!
989
00:56:50,792 --> 00:56:53,375
POOR JUDY.
I'LL GO GET THE SKIMMER.
990
00:57:07,709 --> 00:57:09,583
WELL, THIS IS
PRETTY INTERESTING.
991
00:57:09,667 --> 00:57:12,458
IT WAS NOTHING.
KELLY, I WAS THERE.
992
00:57:12,542 --> 00:57:15,917
HE KISSED YOU,
AND I DON'T KNOW WHY HE DID IT.
993
00:57:16,000 --> 00:57:17,792
I MEAN, BERKE'S PRETTY SCREWED
UP RIGHT NOW, BUT--
994
00:57:17,875 --> 00:57:20,500
LOOK, I KISSED HIM, TOO.
995
00:57:23,208 --> 00:57:28,417
AND, YES, HE IS SCREWED UP,
AND HE LIKES SOMEONE ELSE,
AND IT'S A PROBLEM,
996
00:57:28,500 --> 00:57:30,875
BUT, FELIX, IT'S MY PROBLEM.
997
00:57:37,458 --> 00:57:41,208
LOOK, YOU'D KNOW I'D BE LYING IF
I SAID I WAS HAPPY ABOUT THIS.
998
00:57:45,208 --> 00:57:50,166
BUT, UM, IF BERKE CAN'T SEE WHAT
AN AMAZING PERSON YOU ARE...
999
00:57:52,041 --> 00:57:54,917
THEN I'D SAY THAT HE'S THE ONE
WITH THE PROBLEM.
1000
00:57:58,375 --> 00:57:59,542
GOOD NIGHT.
1001
00:58:25,417 --> 00:58:27,166
UH, HEY, IT'S-- IT'S ME.
IT'S BERKE.
1002
00:58:27,250 --> 00:58:31,500
UH, JUST WANTED TO SAY THANKS
FOR ALL YOUR HELP.
1003
00:58:31,583 --> 00:58:36,333
UH, THE GUY AT THE MUSIC STORE
SAID THAT SONGWRITERS USE
THESE THINGS, SO, UH--
1004
00:58:36,417 --> 00:58:41,208
IF ANYONE CAN FIX
FORREST OATES' SONG,
IT'S-- IT'S DEFINITELY YOU.
1005
00:58:41,291 --> 00:58:45,208
JUST KNOW THAT I-- I
BELIEVE IN YOU, KELLY.
1006
00:58:45,291 --> 00:58:47,000
UM... BREAK A LEG.
1007
00:58:47,083 --> 00:58:50,709
♪ NOW I'VE FALLEN IN DEEP ♪
1008
00:58:50,792 --> 00:58:53,500
♪ SLOW, SILENT SLEEP ♪
1009
00:58:53,583 --> 00:58:56,333
♪ IT'S KILLING ME ♪
1010
00:58:56,417 --> 00:59:01,083
♪ I'M DYING ♪
1011
00:59:30,834 --> 00:59:34,667
HEY, LET'S MESS WITH
THE MORTALS ONE MORE TIME.
1012
00:59:34,750 --> 00:59:37,000
BOYFRIEND'LL BE
TRIPPIN' ON THIS.
1013
00:59:38,000 --> 00:59:40,583
ONE MORE DOSE FOR MR. MOROSE.
1014
00:59:40,667 --> 00:59:43,208
IT'S TIME FOR A LITTLE
WAKE-UP CALL.
1015
00:59:43,291 --> 00:59:45,500
AND I'M OUTTA HERE.
1016
00:59:49,291 --> 00:59:53,083
AND IN THE WOODS,
WHERE THE SCENTS ARE SWEET,
1017
00:59:53,166 --> 00:59:56,375
THERE MY LYSANDER AND MYSELF
SHALL MEET.
1018
01:00:06,291 --> 01:00:09,208
MAYBE IT'S TIME YOU STARTED
DREAMING OF SOMEONE ELSE.
1019
01:00:09,291 --> 01:00:12,709
BERKE.
YOU WERE MY FIRST.
1020
01:00:12,792 --> 01:00:14,583
NO ONE'S EVER
GONNA REPLACE YOU.
1021
01:00:14,667 --> 01:00:18,250
I'VE DAZZLED MY WAY INTO
YOUR EX-GIRLFRIEND'S FANCIES.
1022
01:00:18,333 --> 01:00:20,959
YOU WERE THE QUINTESSENTIAL
HIGH-SCHOOL COUPLE.
1023
01:00:21,041 --> 01:00:24,959
SHE'S NOT YOUR GIRLFRIEND
ANYMORE, MAN.
1024
01:00:25,041 --> 01:00:30,000
I'M MOVING ON WITH MY LIFE,
AND YOU'RE MOVING ON WITH YOURS.
1025
01:00:30,083 --> 01:00:31,917
ARE WE FREAKING YOU OUT?
YEAH, WE'RE FREAKING HIM OUT.
1026
01:00:43,709 --> 01:00:46,667
UH, DR. FORREST OATES,
THE ATTENDANTS' COSTUMES
JUST ARRIVED.
1027
01:00:46,750 --> 01:00:48,125
THANK BUDDHA.
1028
01:00:48,208 --> 01:00:50,250
AND, UH, YOUR WIFE CALLED.
1029
01:00:50,333 --> 01:00:53,291
SHE MIGHT NOT MAKE IT
TO TONIGHT'S PERFORMANCE.
1030
01:00:53,375 --> 01:00:54,750
DID SHE SAY WHY?
1031
01:00:54,834 --> 01:00:57,250
IT WAS DIFFICULT TO UNDERSTAND
THROUGH THE SLUR.
1032
01:00:59,834 --> 01:01:02,792
UH, AND, SIR?
THERE IS ONE MORE THING.
1033
01:01:02,875 --> 01:01:05,792
DEL MOLDEN, JR. IS SICK.
1034
01:01:05,875 --> 01:01:09,125
MY DANCE PARTNER?
1035
01:01:09,208 --> 01:01:11,834
THAT'S ENOUGH OUT OF YOU,
MCMOUTH!
1036
01:01:11,917 --> 01:01:15,166
NOW, APPARENTLY, HE GOT HOLD
OF SOME TAINTED FRUIT PUNCH
LAST NIGHT...
1037
01:01:15,250 --> 01:01:16,792
AND WON'T BE ABLE TO PERFORM.
1038
01:01:16,875 --> 01:01:18,500
NOT THAT IT MATTERS AT ALL,
1039
01:01:18,583 --> 01:01:21,667
BECAUSE THE ENTIRE PRODUCTION'S
GOING DOWN IN FLAMES, SO--
1040
01:01:21,750 --> 01:01:24,500
OH.
1041
01:01:24,583 --> 01:01:26,166
THAT HAVING BEEN SAID,
1042
01:01:26,250 --> 01:01:28,166
I'M CURIOUS IF ANYONE
FEELS THAT THEY CAN FILL
1043
01:01:28,250 --> 01:01:30,875
THE LITTLE BOOZE HOUND'S PLACE.
1044
01:01:32,750 --> 01:01:34,500
GOOD. LET ME ASK YOU THIS.
1045
01:01:34,583 --> 01:01:38,208
IS THERE ANYONE WHO, AT ALL,
IS GOOD ON THEIR FEET?
1046
01:01:38,291 --> 01:01:42,834
A SHUFFLE, OR A TURN,
OR AN ATTITUDE OF ANY KIND
1047
01:01:42,917 --> 01:01:44,166
WITH A POSE?
1048
01:01:44,250 --> 01:01:45,667
WELL, UH--
1049
01:01:45,750 --> 01:01:47,333
SOMETIMES, UH, COACH HIBBLE
1050
01:01:47,417 --> 01:01:48,792
CALLS ME CRAZY LEGS.
1051
01:01:48,875 --> 01:01:50,417
OH, DOES HE?
1052
01:01:55,125 --> 01:01:56,709
WAIT. WAIT A SECOND.
1053
01:01:56,792 --> 01:01:58,709
ALL RIGHT, MAYBE IF YOU
TOOK A HALF STEP BACK
1054
01:01:58,792 --> 01:02:00,750
BEFORE THE SPIN.
1055
01:02:00,834 --> 01:02:03,417
OK, JUST FOLLOW MY LEAD.
1056
01:02:03,500 --> 01:02:05,792
I LEARNT THIS FROM
WATCHING IN THE WINGS.
1057
01:02:07,166 --> 01:02:08,542
WOW!
1058
01:02:08,625 --> 01:02:09,875
FELIX!
1059
01:02:09,959 --> 01:02:11,667
KELLY, SHOULDN'T YOU
BE GETTING READY?
1060
01:02:11,750 --> 01:02:13,917
I AM. I'M IN MAKEUP.
1061
01:02:14,000 --> 01:02:16,667
LISTEN, I NEED YOU
TO DO A FAVOR FOR ME.
1062
01:02:21,917 --> 01:02:24,375
LADIES AND GENTLEMEN,
PLEASE TAKE YOUR SEATS.
1063
01:02:24,458 --> 01:02:27,166
THE PERFORMANCE
IS ABOUT TO BEGIN.
1064
01:02:27,917 --> 01:02:29,875
IT'S OVER.
1065
01:02:29,959 --> 01:02:32,500
AFTER THIS ONE,
I'LL BE DIRECTING
ON THE STREETS.
1066
01:02:34,166 --> 01:02:38,083
♪ ALL THE DOO-DAH NIGHT
ALL THE DOO-DAH DAY ♪
1067
01:02:38,166 --> 01:02:40,083
♪ BET MY MONEY
ON A BOBTAIL NAG ♪
1068
01:02:40,166 --> 01:02:42,834
♪ SOMEBODY BET ON THE BAY ♪
OHH!
1069
01:02:46,208 --> 01:02:47,375
HEY.
1070
01:02:48,458 --> 01:02:49,959
BREAK A LEG.
1071
01:02:52,834 --> 01:02:54,125
GO-- GO AHEAD, JESSICA.
1072
01:02:54,208 --> 01:02:55,583
RAISE THE CURTAIN
ON THE TRAGEDY
1073
01:02:55,667 --> 01:02:57,959
THAT HAS BEFALLEN
THE BARD'S GREATEST COMEDY.
1074
01:02:58,041 --> 01:03:00,750
I'M PRAYING FOR YOU, SIR.
THANKS.
1075
01:03:00,834 --> 01:03:03,208
♪
1076
01:03:09,875 --> 01:03:12,917
♪ DID YA EVER READ
A SHAKESPEARE PLAY ♪
1077
01:03:13,000 --> 01:03:17,750
♪ OOH-OOH ♪
♪ AND NEVER UNDERSTAND
A WORD THEY SAY? ♪
1078
01:03:17,834 --> 01:03:22,291
♪ AHH-AHH ♪
♪ WELL, TONIGHT WE'RE GONNA
MAKE THINGS CLEAR ♪
1079
01:03:22,375 --> 01:03:24,625
♪ 'CAUSE SHAKESPEARE'S DEAD ♪
1080
01:03:24,709 --> 01:03:27,750
♪ BUT WE'RE ALL HERE ♪
1081
01:03:30,375 --> 01:03:33,083
♪ WILLIAM SHAKESPEARE
WROTE A PLAY ♪
1082
01:03:33,166 --> 01:03:35,959
♪ A LONG, LONG TIME AGO ♪
1083
01:03:36,041 --> 01:03:38,417
♪ ABOUT THIS CHICK
NAMED HERMIA ♪
1084
01:03:38,500 --> 01:03:40,959
♪ AND THE TWO GUYS
WHO LOVED HER SO ♪
♪ WHOA-OH ♪
1085
01:03:41,041 --> 01:03:44,083
♪ THEY SAID, HERMIA,
PLEASE BE MY GIRL ♪
1086
01:03:44,166 --> 01:03:46,917
♪ BUT SHE ONLY WANTED ONE ♪
♪ SHE WANTED ONE ♪
1087
01:03:47,000 --> 01:03:49,625
♪ AND THE NIGHT
THE FAIRIES CAME TO PLAY ♪
1088
01:03:49,709 --> 01:03:52,458
♪ THAT'S THE NIGHT
WE HAVE OUR FUN ♪
1089
01:03:52,542 --> 01:03:55,417
♪ 'CAUSE I LOVE HIM ♪
♪ AND I LOVE HER ♪
1090
01:03:55,500 --> 01:03:58,333
♪ IF ONLY HER BEST FRIEND
HE'D PREFER ♪
1091
01:03:58,417 --> 01:04:01,041
♪ AND SO THE FAIRIES
ALL HATCHED A SCHEME ♪
1092
01:04:01,125 --> 01:04:03,208
♪ IN THIS
BOOM-SHACKA-LACKA-LACKA ♪
1093
01:04:03,291 --> 01:04:06,208
♪ MIDSUMMER NIGHT'S DREAM ♪
1094
01:04:06,291 --> 01:04:08,959
♪ MIDSUMMER NIGHT'S DREAM ♪
1095
01:04:09,041 --> 01:04:15,583
♪ MIDSUMMER NIGHT'S DREAM ♪
1096
01:04:25,917 --> 01:04:28,542
LOOK, THERE'S HELENA.
1097
01:04:28,625 --> 01:04:30,375
OH, FAIR HELENA.
1098
01:04:30,458 --> 01:04:34,333
CALL YOU ME FAIR?
THAT FAIR AGAIN UNSAY.
1099
01:04:34,417 --> 01:04:37,041
DOESN'T KELLY LOOK BEAUTIFUL?
MMM.
1100
01:04:37,125 --> 01:04:40,250
DEMETRIUS AND LYSANDER
LOVE YOUR FAIR, HERMIA.
1101
01:04:41,667 --> 01:04:44,875
OH, HAPPY FAIR.
1102
01:04:44,959 --> 01:04:47,250
♪
1103
01:04:47,333 --> 01:04:51,166
♪ OOH-OOH-OOH-OOH ♪
DO IT.
1104
01:04:51,250 --> 01:04:52,875
YEAH, BABY.
DO IT.
1105
01:04:52,959 --> 01:04:58,709
♪ OOH-OOH-OOH-OOH
OOH-OOH-WAAH-OHH ♪
1106
01:04:58,792 --> 01:05:02,083
♪ IT'S FUN TO BE A FAIRY
AND FLY FROM TOWN TO TOWN ♪
1107
01:05:02,166 --> 01:05:05,709
♪ OUR FAIRY DUST
WILL KEEP YOU UP
YOU WON'T COME DOWN ♪
1108
01:05:05,792 --> 01:05:09,417
♪ YEAH, IT'S FUN TO BE A FAIRY
AND WEAR SUCH PRETTY THINGS ♪
1109
01:05:09,500 --> 01:05:13,583
♪ IT'S FUN TO CARRY LOVE JUICE
ON YOUR FAIRY WINGS, YEAH ♪
1110
01:05:13,667 --> 01:05:16,375
♪ WHAT FOOLS THESE MORTALS BE ♪
1111
01:05:16,458 --> 01:05:21,083
♪ THAT TRY TO PLAY AT LOVE
AND MAKE A COMEDY, YEAH ♪
1112
01:05:21,166 --> 01:05:23,917
♪ WHY CAN'T
THESE MORTALS LEARN ♪
1113
01:05:24,000 --> 01:05:27,125
♪ A FAIRY UP ABOVE
WILL NEVER CRASH AND BURN ♪
1114
01:05:27,208 --> 01:05:29,417
♪ YEAH, IT'S FUN
TO BE A FAIRY ♪
♪ THAT'S RIGHT ♪
1115
01:05:29,500 --> 01:05:32,125
♪ OOH-OOH-OOH, YEAH
IT'S FUN TO BE A FAIRY ♪
1116
01:05:32,208 --> 01:05:34,458
♪ THAT'S RIGHT ♪
♪ OOH-OOH-OOH, YEAH ♪
1117
01:05:34,542 --> 01:05:38,125
♪ IT'S FUN TO BE A FAIRY
UH-HUH, UH-HUH, I LIKE IT ♪
1118
01:05:38,208 --> 01:05:41,583
♪ IT'S FUN TO BE A FAIRY ♪
♪ GIVE IT UP, GIVE IT UP
GIVE IT UP, GIVE IT UP ♪
1119
01:05:41,667 --> 01:05:45,917
♪ IT'S FUN TO BE A FAIRY ♪
IT'S FAIRY POWER!
1120
01:05:52,959 --> 01:05:55,959
THAT WAS, UH--
THAT WAS OK!
1121
01:05:57,166 --> 01:06:00,417
RELENT...
SWEET HERMIA.
1122
01:06:00,500 --> 01:06:03,291
AND, LYSANDER,
YIELD THY CRAZED TITLE
1123
01:06:03,375 --> 01:06:06,000
TO MY CERTAIN RIGHT.
1124
01:06:06,083 --> 01:06:08,834
YOU HAVE HER FATHER'S LOVE,
DEMETRIUS.
1125
01:06:08,917 --> 01:06:11,166
LET ME HAVE HERMIA'S.
1126
01:06:12,041 --> 01:06:14,667
DO YOU MARRY HIM?
1127
01:06:15,500 --> 01:06:18,625
SHIT, BUTT-WANKER. DICK-WEED.
1128
01:06:18,709 --> 01:06:21,917
IT'S SO REAL,
YOU CAN ALMOST FEEL THE TENSION.
1129
01:06:22,000 --> 01:06:23,083
WORD.
1130
01:06:23,166 --> 01:06:28,166
♪ WHOO-OOH-OOH
WHY WON'T YOU LOVE ME? ♪
1131
01:06:28,250 --> 01:06:32,458
♪ WHOO-OOH-OOH
WHOO-OOH-OOH-OOH ♪
1132
01:06:32,542 --> 01:06:36,583
♪ THERE'S A GIRL ♪
♪ WHO SAYS SHE DON'T LOVE ME ♪
1133
01:06:36,667 --> 01:06:40,750
♪ SO THAT'S THE GIRL ♪
♪ THAT I GOT TO HAVE ♪
1134
01:06:40,834 --> 01:06:45,542
♪ I'LL TELL YOU WHY ♪
♪ SHE'S EVERYTHING
A GIRL OUGHT TO BE ♪
1135
01:06:45,625 --> 01:06:48,625
♪ AND THAT IS WHY ♪
♪ I CAN'T UNDERSTAND ♪
1136
01:06:48,709 --> 01:06:51,667
♪ WHY SHE DON'T LOVE ME ♪
NO ♪
1137
01:06:51,750 --> 01:06:53,458
♪ HERMIA ♪
1138
01:06:53,542 --> 01:06:56,000
♪ I'LL MAKE YOU LOVE ME ♪
1139
01:06:56,083 --> 01:06:58,166
♪ HERMIA ♪
1140
01:06:58,250 --> 01:07:01,000
♪ I'LL MAKE YOU CARE ♪
1141
01:07:01,083 --> 01:07:04,000
♪ NEVER BEFORE HAS A GIRL ♪
1142
01:07:04,083 --> 01:07:05,166
♪ HURT ME MORE ♪
1143
01:07:05,250 --> 01:07:09,166
♪ I'M BEGGING HERMIA ♪
1144
01:07:09,250 --> 01:07:12,000
♪ PLEASE LOVE ME ♪
1145
01:07:12,083 --> 01:07:13,041
BITCH.
PANZY.
1146
01:07:13,125 --> 01:07:14,166
♪ WHY WON'T YOU LOVE ME? ♪
1147
01:07:14,250 --> 01:07:16,125
♪ PLEASE LOVE ME ♪
1148
01:07:16,208 --> 01:07:18,083
ASSHOLE.
1149
01:07:30,625 --> 01:07:32,041
HMM, HMM.
1150
01:07:32,125 --> 01:07:36,208
I'LL APPLY TO YOUR EYE
GENTLE LOVER'S REMEDY.
1151
01:07:36,291 --> 01:07:38,250
AND WHEN THOU WAKEST,
1152
01:07:38,333 --> 01:07:40,500
THOU WILL TAKEST
TRUE DELIGHT...
1153
01:07:40,583 --> 01:07:43,250
IN THE SIGHT
OF THY TRUE LOVER'S EYE.
1154
01:07:49,083 --> 01:07:51,834
OK, PEOPLE, WE'RE BACK IN 20.
1155
01:07:51,917 --> 01:07:55,041
BERKE, BERKE, I, UM,
I WANT TO TALK TO YOU
ABOUT SOMETHING.
1156
01:07:55,125 --> 01:07:57,208
CAN WE GO SOMEWHERE?
YEAH.
1157
01:07:57,291 --> 01:07:58,667
THANK YOU.
1158
01:08:03,750 --> 01:08:04,917
WELL.
1159
01:08:06,333 --> 01:08:09,250
I COULD USE A DRINK.
YEAH.
1160
01:08:09,333 --> 01:08:11,709
KAISHA, YOU'RE JUST NOT EQUIPPED
TO DEAL WITH THIS.
I'M TALKING EQUIPMENT.
1161
01:08:11,792 --> 01:08:14,917
OH, HARDWARE.
WE'RE TALKING 800 NUMBER.
SHE WANTS A BLOW-UP DOLL, RIGHT?
1162
01:08:15,000 --> 01:08:17,291
I CALLED THEM ONCE FOR ADVICE.
1163
01:08:17,375 --> 01:08:19,250
REALLY?
1164
01:08:19,333 --> 01:08:22,166
YEAH. I HAD ZITS ON MY BALLS.
1165
01:08:23,333 --> 01:08:25,291
THEY'RE GONE NOW.
1166
01:08:27,166 --> 01:08:30,083
GENTLEMEN,
I'M HERE FOR A FAVOR.
1167
01:08:30,166 --> 01:08:32,250
IN ACT FOUR, SCENE ONE,
1168
01:08:32,333 --> 01:08:35,250
THERE'S A PARTICULAR
EFFECTS CUE.
1169
01:08:35,333 --> 01:08:38,917
AH, THE VOLK TUBE CRESCENDO.
1170
01:08:39,000 --> 01:08:40,458
RIGHT. NOW, IS THIS THE ONE?
1171
01:08:40,542 --> 01:08:44,792
UH, NO. THAT ONE
COULD TAKE OUT A VILLAGE.
1172
01:08:44,875 --> 01:08:47,417
HMM. I SEE.
1173
01:08:47,500 --> 01:08:50,125
WELL, I WAS WONDERING
IF YOU MIGHT BE ABLE
1174
01:08:50,208 --> 01:08:53,500
TO DETONATE IT A BIT...
EARLY.
1175
01:08:53,583 --> 01:08:56,333
ISN'T THAT BEFORE
MR. LANDER'S CROSS?
1176
01:08:56,417 --> 01:08:58,250
LOOK, ALL IT'LL DO
IS SCARE HIM.
1177
01:08:58,333 --> 01:09:00,834
I CAN SIGNAL YOU
BY RAISING MY SWORD LIKE THIS.
1178
01:09:03,208 --> 01:09:07,291
LOOK, ABOUT THIS WHOLE THING
WITH STRIKER,
I'M SORRY I DIDN'T BELIEVE YOU.
1179
01:09:07,375 --> 01:09:11,959
I'M SORRY YOU HAD TO FIND OUT
LIKE THAT. IT KINDA SUCKED.
1180
01:09:12,041 --> 01:09:16,500
LOOK, I-- I KNOW I DON'T DESERVE
TO ASK YOU ANYTHING
RIGHT NOW, BUT...
1181
01:09:16,583 --> 01:09:19,458
IF I COULD JUST HAVE ONE WISH,
1182
01:09:19,542 --> 01:09:24,250
IT WOULD BE THAT WE COULD
GO BACK TO THE WAY THINGS WERE.
1183
01:09:24,333 --> 01:09:25,667
YOU KNOW?
1184
01:09:25,750 --> 01:09:29,959
I-- I MEAN, THE FRIENDS PART.
YEAH, SURE.
1185
01:09:31,458 --> 01:09:34,083
AND AS FOR THE REST OF IT,
WELL...
1186
01:09:41,709 --> 01:09:44,250
WE'LL JUST LEAVE IT UP TO FATE.
1187
01:09:51,041 --> 01:09:55,625
DID I MENTION THERE WAS
$47 IN IT FOR YOU?
1188
01:09:56,375 --> 01:09:58,166
NOT BAD.
1189
01:09:58,250 --> 01:10:02,959
HMM, I BELIEVE,
MR. SCRUMFELD,
1190
01:10:03,041 --> 01:10:04,291
WE HAVE AN UNDERSTANDING.
1191
01:10:04,375 --> 01:10:09,041
REMEMBER, GENTLEMEN,
WHEN I RAISE MY SWORD.
1192
01:10:13,834 --> 01:10:16,834
HEY, UH, THE-- THE MUSIC'S
BEEN, UH, BEEN-- BEEN GOOD,
1193
01:10:16,917 --> 01:10:20,709
BUT, UH, YOU KNOW THAT SONG, UH,
"A POCKETFUL OF, UH, DREAMS?"
1194
01:10:20,792 --> 01:10:23,250
DOWN HERE WE CALL IT
"POCKETFUL OF ASS."
YEAH, THAT'S THE ONE.
1195
01:10:23,333 --> 01:10:25,542
LISTEN, THERE'S BEEN
A CHANGE OF PLANS.
1196
01:10:29,125 --> 01:10:31,208
OH, THIS IS DIFFERENT.
1197
01:10:31,291 --> 01:10:33,667
♪
1198
01:10:39,500 --> 01:10:42,041
A SPELL HAD BEEN CAST,
1199
01:10:42,125 --> 01:10:44,375
THE LOVERS SLEEP,
1200
01:10:44,458 --> 01:10:46,375
THOUGH IN REPOSE,
1201
01:10:46,458 --> 01:10:50,291
FAIR HELENA'S LOVE
FOR DEMETRIUS GROWS.
1202
01:10:51,458 --> 01:10:53,917
♪
1203
01:10:55,000 --> 01:10:57,875
O WEARY NIGHT,
1204
01:10:57,959 --> 01:10:59,333
ABATE THY HOURS.
1205
01:11:01,500 --> 01:11:04,375
STEAL ME AWHILE
FROM MY OWN COMPANY.
1206
01:11:11,166 --> 01:11:15,250
♪ LET ME SLEEP ♪
1207
01:11:15,333 --> 01:11:18,750
♪ FOR WHEN I SLEEP I DREAM ♪
1208
01:11:18,834 --> 01:11:22,291
♪ THAT YOU ARE HERE ♪
1209
01:11:22,375 --> 01:11:25,208
♪ YOU'RE MINE ♪
1210
01:11:25,291 --> 01:11:27,458
♪ AND ALL MY FEARS ♪
1211
01:11:27,542 --> 01:11:30,083
♪ ARE LEFT BEHIND ♪
1212
01:11:30,166 --> 01:11:32,417
♪ I FLOAT ♪
1213
01:11:32,500 --> 01:11:34,625
♪ ON AIR ♪
1214
01:11:34,709 --> 01:11:37,750
♪ THE NIGHTINGALE SINGS ♪
1215
01:11:37,834 --> 01:11:42,291
♪ GENTLE LULLABIES ♪
1216
01:11:42,375 --> 01:11:47,458
♪ SO LET ME CLOSE MY EYES ♪
1217
01:11:47,542 --> 01:11:49,500
JESSICA! JESSICA!
1218
01:11:49,583 --> 01:11:54,417
♪ AND SLEEP
PERCHANCE TO DREAM ♪
1219
01:11:54,500 --> 01:11:58,125
♪ SO I CAN SEE THE FACE ♪
1220
01:11:58,208 --> 01:12:01,959
♪ I LONG TO TOUCH ♪
1221
01:12:02,041 --> 01:12:04,291
♪ TO KISS ♪
1222
01:12:04,375 --> 01:12:06,458
♪ BUT ONLY DREAMS ♪
1223
01:12:06,542 --> 01:12:08,625
♪ CAN BRING ME THIS ♪
1224
01:12:08,709 --> 01:12:13,625
♪ SO LET THE MOON ♪
1225
01:12:13,709 --> 01:12:17,291
♪ SHINE SOFTLY ON THE BOY ♪
1226
01:12:17,375 --> 01:12:21,333
♪ I LONG TO SEE ♪
1227
01:12:21,417 --> 01:12:26,500
♪ AND MAYBE WHEN HE DREAMS ♪
1228
01:12:26,583 --> 01:12:31,583
♪ HE'LL DREAM OF ME ♪
1229
01:12:38,792 --> 01:12:43,500
♪ HIDE BENEATH THE CLOUDS ♪
1230
01:12:43,583 --> 01:12:48,500
♪ AND WHISPER
TO THE EVENING STAR ♪
1231
01:12:48,583 --> 01:12:50,500
♪ THEY TELL ME LOVE ♪
1232
01:12:50,583 --> 01:12:55,500
♪ IS JUST A DREAM AWAY ♪
1233
01:12:55,583 --> 01:12:59,542
♪ DREAM AWAY ♪
1234
01:12:59,625 --> 01:13:04,166
♪ I'LL DREAM AWAY ♪
1235
01:13:19,750 --> 01:13:24,667
♪ SO LET THE MOON ♪
1236
01:13:24,750 --> 01:13:28,500
♪ SHINE SOFTLY ON THE BOY ♪
1237
01:13:28,583 --> 01:13:32,583
♪ I LONG TO SEE ♪
1238
01:13:32,667 --> 01:13:37,583
♪ AND MAYBE WHEN HE DREAMS ♪
1239
01:13:37,667 --> 01:13:42,875
♪ HE'LL DREAM OF ME ♪
1240
01:13:46,500 --> 01:13:49,125
♪ OH-OH-OH-OH ♪
1241
01:13:49,208 --> 01:13:54,667
♪ DREAM OF ME ♪
1242
01:13:58,291 --> 01:13:59,667
WHOO!
1243
01:14:15,500 --> 01:14:19,667
GO BID THE HUNTSMEN. WAKE THEM
WITH-- WITH THEIR HORNS.
1244
01:14:20,667 --> 01:14:23,709
♪
1245
01:14:25,709 --> 01:14:27,625
MY LORD,
I SHALL REPLY AMAZEDLY,
1246
01:14:27,709 --> 01:14:30,458
HALF SLEEP, HALF WAKING.
1247
01:14:30,542 --> 01:14:31,583
I CAME WITH HERMIA HITHER.
1248
01:14:31,667 --> 01:14:34,625
OUR INTENT WAS TO BE GONE
FROM ATHENS, SO WE MIGHT,
1249
01:14:34,709 --> 01:14:37,500
WITHOUT THE PERIL
OF ATHENIAN LAW, BE WED.
1250
01:14:40,542 --> 01:14:42,166
HOWEVER--
1251
01:14:42,250 --> 01:14:45,083
WHAT?
"HOWEVER?"
1252
01:14:50,250 --> 01:14:53,083
MY LORD,
1253
01:14:53,166 --> 01:14:54,792
WE SLEPT AND SLEPT,
1254
01:14:54,875 --> 01:14:56,625
AS WELL YOU KNOW.
1255
01:14:56,709 --> 01:14:59,083
UH, THINGS DID CHANGE,
1256
01:14:59,166 --> 01:15:01,417
AS LOVE DID GROW.
1257
01:15:03,166 --> 01:15:05,166
ALTHOUGH,
1258
01:15:05,250 --> 01:15:10,667
IN WAYS, FAIR HERMIA'S SOUL AND
MINE SHALL FOREVER INTERTWINE.
1259
01:15:10,750 --> 01:15:13,417
ALAS, WE MUST FOREVER PART,
1260
01:15:14,917 --> 01:15:19,417
FOR LO, TO ANOTHER
BELONGS THIS HEART.
1261
01:15:23,917 --> 01:15:25,667
AHH!
1262
01:15:41,542 --> 01:15:45,458
WAIT A SECOND! WAIT A SECOND.
YOU CAN'T DO THAT!
1263
01:15:45,542 --> 01:15:49,166
YOU CAN'T JUST CHANGE
400-YEAR-OLD LITERATURE!
1264
01:15:49,250 --> 01:15:51,875
IT'S NOT EVEN
SUPPOSED TO RHYME!
1265
01:15:51,959 --> 01:15:54,500
FINE.
1266
01:15:54,583 --> 01:15:57,166
I COULD DO IT, TOO.
I DO NOT LIKE IT IN A MOAT.
1267
01:15:57,250 --> 01:16:02,333
I DO NOT LIKE IT IN A BOAT.
I DO NOT LIKE IT IN A CAR.
NOW, HOW'S THAT?
1268
01:16:02,417 --> 01:16:05,166
BOO!
1269
01:16:05,250 --> 01:16:07,000
OH, STOP CHEERING.
1270
01:16:08,250 --> 01:16:09,792
STOP CHEERING!
1271
01:16:10,750 --> 01:16:13,667
STOP CHEERING!
DO IT NOW!
1272
01:16:13,750 --> 01:16:16,375
STOP-- WHOA!
OH!
1273
01:16:16,458 --> 01:16:19,250
OHH-OHH-OHH!
1274
01:16:27,917 --> 01:16:29,750
THANKS.
YOU'RE WELCOME.
1275
01:16:44,500 --> 01:16:46,709
WHAT IS THAT?
1276
01:16:46,792 --> 01:16:48,458
IT'S APPLAUSE, SIR.
1277
01:16:57,834 --> 01:17:00,375
THANK YOU. THANK YOU!
1278
01:17:01,834 --> 01:17:04,000
THANK YOU!
1279
01:17:22,041 --> 01:17:23,250
OH, MY GOD. ARE YOU CRYING?
1280
01:17:23,333 --> 01:17:25,875
NO, YOU'RE JUST SQUEEZING
MY PUNCTURE WOUND.
1281
01:17:32,250 --> 01:17:33,792
MMM.
1282
01:17:33,875 --> 01:17:36,083
MAKE IT A LITTLE MORE LIKE THIS.
1283
01:17:37,709 --> 01:17:40,667
YOU WERE TRYING TO FLY
INTO MY SEAT, WEREN'T YOU?
NO.
1284
01:17:40,750 --> 01:17:43,625
OH, COME ON.
WELL, MAYBE JUST A LITTLE.
1285
01:17:43,709 --> 01:17:47,500
OH, SEE, I KNEW IT.
YOU'RE SO BAD, YET I LOVE IT.
1286
01:17:47,583 --> 01:17:51,792
OH, JUST-- JUST HOLD ON
FOR ONE... SECOND.
1287
01:17:51,875 --> 01:17:54,709
I'LL-- I'LL BE RIGHT BACK, OK?
1288
01:17:56,291 --> 01:17:57,375
SO...
1289
01:17:58,959 --> 01:18:01,000
YOU AND MY SISTER, HUH?
1290
01:18:01,083 --> 01:18:03,500
YOU'RE NOT GONNA HIT ME AGAIN,
ARE YOU?
NO.
1291
01:18:03,583 --> 01:18:06,834
NO, BUT I'M NOT THRILLED.
ALL RIGHT, MAN?
1292
01:18:06,917 --> 01:18:09,000
BUT IF IT HAS TO BE SOMEBODY,
1293
01:18:09,083 --> 01:18:12,875
UM, I'M KINDA GLAD IT'S YOU.
1294
01:18:12,959 --> 01:18:14,083
THANKS.
1295
01:18:16,875 --> 01:18:18,166
HEY, KEL.
HEY.
1296
01:18:18,250 --> 01:18:19,834
HEY, GOOD JOB TONIGHT.
YOU GUYS WERE GOOD.
1297
01:18:19,917 --> 01:18:21,834
YOU GUYS WERE FUNNY.
THANKS.
1298
01:18:21,917 --> 01:18:23,667
LISTEN, I'M, UH, I GOTTA GO.
1299
01:18:23,750 --> 01:18:26,875
OH, YOU AND DORA LYNN.
YEAH.
1300
01:18:26,959 --> 01:18:28,834
AREN'T YOU KIND OF WORRIED
ABOUT THE WHOLE--
1301
01:18:28,917 --> 01:18:30,875
UH, ACCIDENT-PRONE? NO, NO.
1302
01:18:30,959 --> 01:18:35,083
WELL, I THINK DORA LYNN'S
ABOUT TO HAVE A CHANGE OF LUCK.
1303
01:18:35,166 --> 01:18:37,875
GO, FELIX.
I'LL SEE YOU GUYS LATER.
1304
01:18:37,959 --> 01:18:39,834
ALL RIGHT.
LET'S GET SOME DIM SUM.
1305
01:18:39,917 --> 01:18:41,125
BYE, BERKE.
1306
01:18:42,959 --> 01:18:44,917
OH! OH, MY GOD.
1307
01:18:45,000 --> 01:18:47,166
THAT'S OK. THAT'S FINE.
1308
01:18:47,250 --> 01:18:51,917
AND HE BLEW OFF THAT STAGE
20 FEET AT LEAST.
1309
01:18:52,000 --> 01:18:53,834
AND THEN SHE TOOK OFF
1310
01:18:53,917 --> 01:18:57,083
LIKE THIS BEAUTIFUL SPACESHIP
INTO THE NIGHT.
1311
01:18:57,166 --> 01:18:58,333
OH.
1312
01:19:04,000 --> 01:19:05,875
DUDE, WE BURNED THE SHIT
OUT OF HIS FACE.
1313
01:19:05,959 --> 01:19:08,667
TOMORROW NIGHT, SAME THING.
1314
01:19:11,959 --> 01:19:14,875
SO MY THEATRICAL DEBUT--
1315
01:19:15,000 --> 01:19:16,959
WHAT DID YOU THINK?
1316
01:19:17,041 --> 01:19:19,458
YOU CAME ON PRETTY STRONG
IN THAT LAST ACT.
1317
01:19:19,542 --> 01:19:22,083
YEAH, I WAS GOOD.
1318
01:19:22,166 --> 01:19:24,750
SO YOU KNOW WE GOTTA DO THIS
AGAIN TOMORROW NIGHT.
1319
01:19:24,834 --> 01:19:26,458
HOW DO YOU THINK IT'S GONNA END?
1320
01:19:28,000 --> 01:19:31,959
WE COULD BRING BACK
THE ALWAYS POPULAR BIG RED SONG.
1321
01:19:32,041 --> 01:19:34,917
I'D RATHER BE SHOT AGAIN
WITH AN ARROW.
1322
01:19:35,000 --> 01:19:36,750
I THOUGHT IT WAS A PROP.
1323
01:19:36,834 --> 01:19:38,208
YEAH, YEAH.
1324
01:19:48,041 --> 01:19:50,125
♪ DO YOU REMEMBER ♪
1325
01:19:50,208 --> 01:19:53,917
♪ THE 21ST NIGHT OF SEPTEMBER? ♪
1326
01:19:54,000 --> 01:19:57,959
♪ LOVE WAS CHANGING THE MINDS
OF PRETENDERS ♪
1327
01:19:58,041 --> 01:20:01,792
♪ WHILE CHASING
THE CLOUDS AWAY ♪
1328
01:20:01,875 --> 01:20:03,417
♪ HEY-YEAH, YEAH ♪
1329
01:20:03,500 --> 01:20:05,291
♪ OUR HEARTS WERE RINGIN' ♪
1330
01:20:05,375 --> 01:20:09,166
♪ IN THE KEY THAT OUR SOULS
WERE SINGIN' ♪
1331
01:20:09,250 --> 01:20:13,291
♪ AND AS WE DANCED IN THE NIGHT
REMEMBER ♪
1332
01:20:13,375 --> 01:20:17,959
♪ HOW THE STARS
STOLE THE NIGHT AWAY ♪
1333
01:20:18,041 --> 01:20:20,000
♪ EVERYBODY, SING YEAH ♪
1334
01:20:20,083 --> 01:20:22,417
♪ BA-DE-YA
SAY DO YOU REMEMBER ♪
1335
01:20:22,500 --> 01:20:25,166
♪ SAY THAT YOU REMEMBER ♪
♪ BA-DE-YA ♪
1336
01:20:25,250 --> 01:20:27,291
DANCING IN SEPTEMBER ♪
♪ YEAH, WHOO-OOH ♪
1337
01:20:27,375 --> 01:20:32,000
♪ BA-DE-YA
NEVER WAS A CLOUDY DAY ♪
1338
01:20:32,083 --> 01:20:35,959
♪ THERE NEVER
THERE NEVER, YEAH ♪
1339
01:20:36,041 --> 01:20:37,959
♪ BA-DE-YA, BA-DE-YA ♪
♪ HEY ♪
1340
01:20:38,041 --> 01:20:42,333
♪ DO YOU FEEL IT
DO YOU FEEL IT? ♪
♪ BA-DE-YA, BA-DE-YA ♪
1341
01:20:42,417 --> 01:20:44,166
♪ HEY ♪
♪ BA-DE-YA, BA-DE-YA ♪
1342
01:20:44,250 --> 01:20:47,166
♪ OOH, OOH-OOH ♪
♪ BA-DA-BA-DA-YEA ♪
1343
01:20:47,250 --> 01:20:50,041
♪ OH, SOMEBODY HELP ME SING ♪
1344
01:20:50,125 --> 01:20:51,667
♪ MY THOUGHTS ARE WITH YOU ♪
1345
01:20:51,750 --> 01:20:55,667
♪ HOLDING HANDS
WITH YOUR HEART TO SEE YOU ♪
1346
01:20:55,750 --> 01:20:59,667
♪ AND ONLY BLUE TALK AND LOVE
REMEMBER ♪
1347
01:20:59,750 --> 01:21:04,000
♪ HOW WE KNEW LOVE
WAS HERE TO STAY ♪
1348
01:21:04,083 --> 01:21:07,333
♪ MMM, NOW DECEMBER ♪
1349
01:21:07,417 --> 01:21:11,458
♪ I FOUND THE LOVE
THAT WE SHARED IN SEPTEMBER ♪
1350
01:21:11,542 --> 01:21:15,875
♪ ONLY BLUE TALK AND LOVE
REMEMBER ♪
1351
01:21:15,959 --> 01:21:20,250
♪ TRUE LOVE WE SHARE TODAY ♪
1352
01:21:20,333 --> 01:21:22,709
♪ OOH-OOH, SING IT ♪
♪ BA-DE-YA ♪
1353
01:21:22,792 --> 01:21:25,500
♪ WHAT YOU SAY NOW? ♪
♪ SAY DO YOU REMEMBER ♪
1354
01:21:25,583 --> 01:21:27,375
♪ BA-DE-YA ♪
♪ OH, HEY, WHAT YOU SAY NOW? ♪
1355
01:21:27,458 --> 01:21:29,208
♪ DANCING IN SEPTEMBER ♪
♪ OOH! ♪
1356
01:21:29,291 --> 01:21:31,041
♪ BA-DE-YA ♪
♪ COME ON ♪
1357
01:21:31,125 --> 01:21:33,583
♪ NEVER WAS A CLOUDY DAY ♪
1358
01:21:33,667 --> 01:21:37,208
♪ THERE NEVER THERE NEVER,
WHOA ♪
1359
01:21:37,291 --> 01:21:39,041
♪ BA-DE-YA, BA-DE-YA ♪
♪ HEY ♪
1360
01:21:39,125 --> 01:21:41,041
♪ BA-DE-YA, BA-DE-YA ♪
♪ DO YOU FEEL IT? ♪
1361
01:21:41,125 --> 01:21:44,875
♪ BA-DE-YA, BA-DE-YA BA-DE-YA ♪
♪ DO YOU FEEL IT? HEY ♪
1362
01:21:44,959 --> 01:21:49,375
♪ BA-DE-YA, BA-DE-YA
BA-DE-BA-DE-YEA ♪
♪ OH, RIGHT OOH ♪
1363
01:21:49,458 --> 01:21:53,041
♪ OH, BRING IT DOWN RIGHT NOW ♪
1364
01:21:53,125 --> 01:21:56,417
♪ THE BELLS WERE RINGING ♪
1365
01:21:56,500 --> 01:22:00,709
♪ OUR LOVE WAS SINGING MMM ♪
1366
01:22:00,792 --> 01:22:02,083
♪ DO YOU REMEMBER ♪
1367
01:22:02,166 --> 01:22:06,083
♪ NEVER A CLOUDY DAY ♪
1368
01:22:06,166 --> 01:22:08,083
♪ OH, SOMEBODY HELP ME SING ♪
1369
01:22:08,166 --> 01:22:11,083
♪ BA-DE-YA
SAY DO YOU REMEMBER ♪
♪ YEAH ♪
1370
01:22:11,166 --> 01:22:13,917
♪ SAY THAT YOU REMEMBER ♪
♪ BA-DE-YA ♪
1371
01:22:14,000 --> 01:22:17,750
♪ DANCING IN SEPTEMBER
BA-DE-YA ♪
♪ IT NEVER RAIN, RAIN ♪
1372
01:22:17,834 --> 01:22:22,125
♪ NEVER WAS A CLOUDY DAY ♪
♪ NEVER A CLOUDY DAY ♪
1373
01:22:22,208 --> 01:22:23,542
♪ OOH-OOH SING IT ♪
1374
01:22:23,625 --> 01:22:25,750
♪ BA-DE-YA, BA-DE-YA ♪
♪ UH, WHAT YOU SAY NOW? ♪
1375
01:22:25,834 --> 01:22:27,750
♪ BA-DE-YA, BA-DE-YA ♪
♪ SING IT AGAIN ♪
1376
01:22:27,834 --> 01:22:32,542
♪ BA-DE-YA, BA-DE-YA
BA-DE-YA ♪
♪ WHAT YOU SAY NOW? HUH OOH ♪
1377
01:22:32,625 --> 01:22:35,917
♪ WHAT YOU SAY NOW? HEY ♪
1378
01:22:36,000 --> 01:22:39,208
♪ OH, OH-OH, YEAH-YEAH ♪
1379
01:22:39,291 --> 01:22:40,542
♪ HEY, HEY ♪
1380
01:22:40,625 --> 01:22:44,166
♪ COME ON SING IT AGAIN ♪
1381
01:22:44,250 --> 01:22:46,125
♪ COME ON ♪
1382
01:22:46,208 --> 01:22:49,125
♪ SING IT AGAIN YEAH-HEY-HEY ♪
1383
01:22:49,208 --> 01:22:54,125
♪ BA-DE-YEA ♪
♪ OH, OH-OH-OH-OH ♪
1384
01:22:54,208 --> 01:22:58,125
♪ BA-DE-YA, BA-DE-YA
BA-DE-YA, BA-DE-YA ♪
♪
1385
01:22:58,208 --> 01:23:00,750
♪ SING IT AGAIN WHOA, YEAH ♪
1386
01:23:00,834 --> 01:23:04,792
♪ BA-DE-YA, BA-DE-YA
BA-DE-YA ♪
♪ EH, EH, EH, EH ♪
1387
01:23:04,875 --> 01:23:09,542
♪ BA-DE-BA-DE-YEAH ♪
1388
01:23:11,250 --> 01:23:13,667
♪
1389
01:23:20,834 --> 01:23:26,375
♪ OH, IT'S SO FUNNY TO BE
SEEIN' YOU AFTER SO LONG GIRL ♪
1390
01:23:26,458 --> 01:23:29,542
♪ AND WITH THE WAY YOU LOOK
I UNDERSTAND ♪
1391
01:23:29,625 --> 01:23:32,625
♪ THAT YOU ARE NOT IMPRESSED ♪
1392
01:23:32,709 --> 01:23:38,208
♪ BUT I HEARD YOU LET
THAT LITTLE FRIEND OF MINE ♪
1393
01:23:38,291 --> 01:23:41,583
♪ TAKE OFF YOUR PARTY DRESS ♪
1394
01:23:43,583 --> 01:23:47,792
♪ I'M NOT GOING TO GET
TOO SENTIMENTAL ♪
1395
01:23:47,875 --> 01:23:52,458
♪ LIKE THOSE OTHER
STICKY VALENTINES ♪
1396
01:23:54,625 --> 01:23:59,125
♪ 'CAUSE I DON'T KNOW IF
YOU'VE BEEN LOVING SOMEBODY ♪
1397
01:23:59,208 --> 01:24:03,125
♪ I ONLY KNOW IT ISN'T MINE ♪
1398
01:24:05,291 --> 01:24:09,750
♪ ALISON ♪
1399
01:24:09,834 --> 01:24:15,166
♪ I KNOW THIS WORLD
IS KILLING YOU ♪
1400
01:24:15,250 --> 01:24:20,000
♪ OH, ALISON ♪
1401
01:24:22,125 --> 01:24:25,458
♪ MY AIM IS TRUE ♪
1402
01:24:28,750 --> 01:24:32,208
♪ WELL I SEE
YOU'VE GOT A HUSBAND NOW ♪
1403
01:24:32,291 --> 01:24:35,208
♪ DID HE LEAVE
YOUR PRETTY FINGERS LYING ♪
1404
01:24:35,291 --> 01:24:37,917
♪ IN THE WEDDING CAKE? ♪
1405
01:24:38,000 --> 01:24:42,667
♪ YOU USED TO HOLD HIM
RIGHT IN YOUR HAND ♪
1406
01:24:42,750 --> 01:24:47,125
♪ I'LL BET HE TOOK
ALL HE COULD TAKE ♪
1407
01:24:48,917 --> 01:24:53,625
♪ SOMETIMES I WISH THAT
I COULD STOP YOU FROM TALKING ♪
1408
01:24:53,709 --> 01:24:58,333
♪ WHEN I HEAR THE SILLY THINGS
THAT YOU SAY ♪
1409
01:25:00,125 --> 01:25:04,208
♪ I THINK SOMEBODY BETTER
PUT OUT THE BIG LIGHT ♪
1410
01:25:04,291 --> 01:25:09,667
♪ 'CAUSE I CAN'T STAND
TO SEE YOU THIS WAY ♪
1411
01:25:11,000 --> 01:25:15,417
♪ ALISON ♪
1412
01:25:15,500 --> 01:25:20,417
♪ I KNOW THIS WORLD
IS KILLING YOU ♪
1413
01:25:20,500 --> 01:25:25,500
♪ OH, ALISON ♪
1414
01:25:28,000 --> 01:25:31,166
♪ MY AIM IS TRUE ♪
1415
01:25:33,375 --> 01:25:36,583
♪ MY AIM IS TRUE ♪
1416
01:25:38,375 --> 01:25:42,041
♪ MY AIM IS TRUE ♪
1417
01:25:44,333 --> 01:25:47,750
♪ MY AIM IS TRUE ♪
1418
01:25:49,375 --> 01:25:52,750
♪ MY AIM IS TRUE ♪
1419
01:25:55,250 --> 01:25:58,375
♪ MY AIM IS TRUE ♪
1420
01:26:00,333 --> 01:26:04,000
♪ MY AIM IS TRUE ♪
1421
01:26:05,417 --> 01:26:09,166
♪ MY AIM IS TRUE ♪
1422
01:26:11,208 --> 01:26:14,625
♪ MY AIM IS TRUE ♪
106775
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