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[VOICES WHISPERING AND LAUGHING]

[WOMAN SCREAMS]

AAH!

RUNAWAY!

HE'S OVER THERE!

THIS WAY! THIS WAY!

JUMP! HURRY UP!

KEEP GOING!

[ENGINE REVVING]

[TIRES SCREECHING]

AAH!

[INDISTINCT VOICES]

[CROW CAWING]

[DING]

[RUNNING FOOTSTEPS]

HELLO.

IT'S CLARK STEVENS FROM FARLEY UNIVERSITY.

[THUMP]

[INDISTINCT VOICES]

HELLO.

[GIRL LAUGHING]

I'M LOOKING FOR DR. FRANKS.

[BUZZER]

Girl: NO. NO. HERE. CATCH.

EXCUSE ME.DO YOU KNOW

WHERE I COULD FINDDR. FRANKS?

IT DOESN'T LIKE IT WHEN YOU SAY THAT!

IT DOESN'T LIKE IT, AND IT DOESN'T LIKE YOU!

Man: LEAVE HIM ALONE.

IT'S ALL RIGHT.

CAN'T YOU TELL

HE DOESN'T LIKE YOUTOUCHING HIM LIKE THAT?

IT DOESN'T LIKE IT WHEN YOU SAY THAT!

IT DOESN'T LIKE IT,

AND IT DOESN'T LIKE YOU, EITHER, PUDDLES!

WELL, IT'STOO FUCKING BAD!

THAT'LL BE QUITE ENOUGH, PUDDLES.

I'M DR. HENDRICKS.

UH, CLARK STEVENS.

WELCOME TO CUNNINGHAM HALL.

THANK YOU VERY MUCH.

I HOPE YOU DON'T MINDTHAT I LET MYSELF IN.

OH, NO, NO. WE'VE BEEN EXPECTING YOU.

YEAH. WELL, UM...MY TRAIN RAN A LITTLE LATE,

AND IT'S HARD TO FIND A CAB

THAT'LL TAKE YOU ALL THE WAY OUT HERE.

YET HERE YOU ARE.

YES, HERE I AM.

WE SHOULD PROBABLYBEGIN WITH A SERIES

OF PSYCHIATRIC TESTS.

YOU KNOW,JUST TO MAKE SURE

WE'RE STARTING WITHA CLEAN BILL OF MENTAL HEALTH,

FOLLOWED BYA THOROUGH PHYSICAL.

BETTY.

OH, MR. FRANKLIN.

WHAT DID WE TALK ABOUT WHEN WE SAID

NO MORE PRETENDING WE'RE A DOCTOR?

BUT...BUT...

I KNOW, MR. FRANKLIN.I TELL YOU WHAT.

WHY DON'T YOU GO BACKIN THE REC ROOM

AND MAKE YOURSELFAT HOME.

NURSE HENDRICKS IS GONNA BESERVING PUDDING POPS.

WON'T THAT BE NICE?

VERY NICE.

GOOD BOY.

IT WAS NICE TO MEET YOU.

HI. I'M BETTY DONNER.

CLARK STEVENS.

I'M THE ADMINISTRATION COORDINATOR.

I AM SO SORRY THAT I MISSED YOU UP FRONT.

I JUST STEPPED AWAY FOR A MOMENT.

DON'T WORRY ABOUT IT.

I'M JUST REALLY GLADTO FINALLY MEET YOU.

OH. SAME HERE.

WE ARE JUST SO EXCITED

ABOUT YOUR COMING IN TO LEND US A HAND.

I'M REALLY EXCITEDABOUT GETTING TO WORK.

WONDERFUL. WONDERFUL.

PERFECT. I'LL HAVEYOUR BADGE READY FOR YOU

IN A FEW DAYS.

AND I NEED YOUTO FILL OUT THESE FORMS

SO I CAN MAKE SUREYOU GET SCHOOL CREDIT.

THE BLUE CARD ON THE BOTTOMIS FOR EMERGENCY INFORMATION.

OOP. YOUR KEYSTO THE KINGDOM.

THANK YOU.

AND YOUR WALKIE-TALKIE.

THAT'S HOW WECOMMUNICATE AROUND HERE.

YOU'RE GOING TO BE STAYINGIN ONE OF THE RESIDENT COTTAGES

ON THE SOUTH SIDEOF THE BUILDING.

WELL, THERE'SONLY ONE THING LEFT.

WHAT'S THAT?

TO MEET THE BIG CHEESE.

DR. FRANKS.

VERY GOOD.

[WHINING]

HELLO, BETTY.

SO I TAKE IT THIS PLACE HAS BEEN AROUND FOR AWHILE.

OH, SINCE 1918.

YOU SHOULD HAVE SEENTHE TERRIBLE SHAPE IT WAS IN

BEFORE WESPRUCED IT ALL UP.

IT'S TAKEN OUR PATIENTCLEAN-UP COMMITTEE

A YEAR AND A HALFTO GET IT TO THIS POINT.

THEY'VE DONESUCH A MARVELOUS JOB.

ABSOLUTELY. NO, I'M SURE.

IT'S JUST...

WELL, IT SEEMS A LITTLE RUN-DOWN,

NOT PARTICULARLY CONDUCIVE TO REHABILITATION.

OH, WELL, CLARK,

FOR SOMEOF THE PATIENTS HERE,

THAT...THAT WILLNEVER HAPPEN.

GET ME OUT OF HERE.

HEY.CARL.

I SHOULDN'T BE IN HERE! NO ONE SHOULD.

IT'S OK. CARL--

THEY DON'T LET YOU GO HOME,

EVEN WHEN THEY KNOW YOU'RE BETTER.

WHY DO YOU SAY THAT, CARL?

BECAUSE THE PEOPLE RUNNING THIS PLACE

ARE REALLY THE CRAZY ONES.

GUILTY AS CHARGED.NOW RUN ALONG.

YOU RUN ALONG.GO ON. SCOOT. SCOOT.

[DOOR CREAKS]

HAVE A SEAT.

THANK YOU.

THE DOCTOR WILL BE WITH YOU MOMENTARILY.

GOOD LUCK.

THANK YOU VERY MUCH, BETTY.

[DOOR CLOSES]

[EXHALES]

[CLOCKS CHIMING]

"EINSTEIN ALSO BELIEVED

"THAT SOME CHRONICSCHIZOPHRENICS WERE MISDIAGNOSED

"DUE TO POSSIBLE PSYCHOKINETIC CONDITIONS

SUCH AS THEIR ABILITY TO SEEPARANORMAL ACTIVITIES."

NOT A VERY PLEASANT WAY

OF RECEIVING MENTAL HEALTHTREATMENT, IS IT, MR. STEVENS?

DR. FRANKS.

I RECEIVED YOUR ACADEMIC RECORDS

FROM THE UNIVERSITY.

A 4.0 AVERAGE. MY, MY.

IT SEEMS LIKE YOU MAY HAVE THE POTENTIAL

TO FOLLOW IN YOUR GRANDFATHER'S FOOTSTEPS.

THANK YOU VERY MUCH.I HOPE SO.

[DOOR OPENS]

AND MY INTERNSHIP HERE ISALL I NEED TO GET MY DEGREE.

THEN WHAT?

WELL, TO...

TAKE RESIDENCE INA MENTAL HEALTH FACILITY

AS A COUNSELOR.

I SUPPOSE THAT GOES WITHOUT SAYING.

WHAT'S GOING ON WITH THESE? PUT THEM IN A CUP, POLLY.

OH, I'M SORRY, DR. FRANKS.

MY MINOR, SIR,IS IN ADMINISTRATIONS.

ULTIMATELY,WHAT I'D LOVE TO DO

IS WORK IN A PLACELIKE CUNNINGHAM HALL,

MAYBE HELP DESIGNAN UPDATED CURRICULUM.

I HOPE YOU DON'T MIND.I DID SOME RESEARCH

ON THE BUILDING AND ITSOPERATING PROCEDURES,

AND I MADEA COUPLE NOTES--

JUST LITTLE CHANGES,THINGS THAT I THOUGHT

WE MIGHT BE ABLE TO IMPLEMENTDURING MY STAY HERE.

MR. STEVENS, I HOPE YOU UNDERSTAND WHAT IT IS

YOU'VE GOTTEN YOURSELF INTO HERE.

I'M SORRY?

THIS ISN'T A SUMMER CAMP.

WE HAVE NEITHER THE FUNDING OR THE TIME

TO TALK ABOUT ANYTHING BUT PATIENT MAINTENANCE.

I ABSOLUTELY UNDERSTAND

THAT THAT HAS TO BETHE MAIN PRIORITY, BUT--

IF YOU WANT TO VOLUNTEER TO EMPTY A FEW BEDPANS

TO MAKE YOUR FINAL GRADES BETTER, GREAT.

BUT YOU ARE NOT SITTING IN A CLASSROOM,

READING ABOUT WHAT LIFE IS LIKE

IN A MENTAL INSTITUTE. YOU'VE ARRIVED.

I DIDN'T MEANANY DISRESPECT.

I JUST THOUGHT THAT--

LET ME BE BLUNT.

YOU'RE NOT HERE TO THINK.

IF YOU WANT TO SERVE AS A MEMBER OF MY STAFF,

THEN I EXPECT YOU TO STAY FOCUSED

ON THE MAIN OBJECTIVE.

AND THAT IS?

HOUSING AND MAINTENANCE OF THE MENTALLY ILL.

MAKE NO MISTAKE...

THERE ARE VERY SERIOUS REASONS

WHY A PERSON WOULD BE LOCKED UP IN HERE.

[DOOR OPENS]

Man: WHERE ISTHIS WONDER BOY

THAT I HAVE HEARDSO MUCH ABOUT?

DR. MORTON, DR. DOUGLAS.

CLARK STEVENS.

NICE TO MEET YOU. PLEASURE.

IT IS YOU. I'D RECOGNIZEYOU ANYWHERE.

I FIRST METYOUR GRANDFATHER

AT THE CHICAGOCONFERENCE

OF MENTAL HEALTHSCIENCES IN '75.

HE AND I WENT ONSUCH A BENDER--

I WAS JUST DISCUSSING OUR OPERATING PROCEDURES

WITH MR. STEVENS.

I THINK WE'VE COME TO AN UNDERSTANDING.

WHY DON'T YOU TWO INTRODUCE HIM TO SARA.

THEN SHE CAN GIVE HIMTHE GRAND TOUR OF THE FACILITY.

I LIKE TO GIVEMY FAVORITES A LITTLE EXTRA.

YOU NEVER KNOW WHEN YOU MIGHT NEED A LITTLE FAVOR.

NOTED.

SO YOU SURVIVED THE FRANKS INTERVIEW.

YES. JUST BARELY.

WELL, SOME SAY

IT'S THE WORST FORM OF SHOCK TREATMENT

THE HOSPITAL OFFERS.

I CAN'T ARGUEWITH THAT.

FOR WHATEVER IT'S WORTH,

I KNOW HE'S KIND OF A SHARK,

BUT BOTTOM LINE IS, IF YOU WORK HARD,

HE'LL EVENTUALLY HIRE YOU FULL-TIME.

THAT'S WHAT HE DID WITH ME.

YEAH. I WOULD JUSTIDEALLY LOVE

TO HELP CHANGETHIS PLACE,

YOU KNOW, IMPROVE ITA LITTLE BIT.

HA HA HA. YEAH. THAT'S WHAT WE ALL SAY,

UP UNTIL ABOUT THE THIRD TIME

YOU'RE STABBED WITH A NUMBER-TWO PENCIL.

POINT TAKEN.

WHEN DID YOU STARTWORKING HERE?

LAST YEAR. I SERVED THE SAME INTERNSHIP YOU DID.

SO YOU GRADUATEDLAST YEAR?

YEP.

SO YOU'RE A YEAROLDER THAN ME.

YEAH, WHICH MEANS

YOU HAVE TO DO EVERYTHING I SAY.

OK.

COME ON. I'LL BE YOUR TOUR GUIDE TODAY.

Sara: THIS IS "B" WARD.

GROUP THERAPY'S IN THERE.

SHOWERS, MED STATION.

WE KEEP IT LOCKED FOR OBVIOUS REASONS.

Woman: YOU HAD YOUR MEDS HALF AN HOUR AGO.

ALSO, WE KEEP SOME

OF THE LOW SECURITY RISK PATIENTS HERE.

OK.

LADIES ROOMS. HA HA.

YOUR DUTIES WILL RANGE

FROM MONITORING PATIENTS,

SITTING IN ON GROUP THERAPY SESSIONS,

TO ASSISTING STAFF--

SPEAKING OF WHICH, BRACE YOURSELF.

NURSE HENDRICKS.

SARA.

YOU MUST BE CLARK.

YES, INDEED.IT'S NICE TO MEET YOU.

HE'S THE NEW INTERN.

WELL, OF COURSE HE IS.

I'M ANNABELLE HENDRICKS, THE HEAD NURSE.

PLEASURE.

I WAS BEGINNING TO WONDERWHERE YOU DISAPPEARED TO, DEAR.

SEEMS TO BE A REGULAR OCCURRENCE WITH YOU LATELY.

I'M SORRY. I HAVEN'T BEEN FEELING WELL.

CLARK, THERE WILL BE TIMES

THAT YOU'LL BE ASSISTING NURSE HENDRICKS

AS WELL AS OTHER STAFF MEMBERS.

GREAT. I LOOKFORWARD TO IT.

SO DO I. IT'LL BE NICE

TO HAVE A LITTLE MUSCLE AROUND HERE FOR A CHANGE.

DEAR, MAY I SPEAK WITH YOU

FOR A MOMENT IN THE OFFICE, PLEASE?

SURE.

HE'S BEEN UP THERE...

FOR MONTHS.

WHO HAS?

Hendricks: WE NEED TO CHANGETHE PRESCRIPTION.

Sara: I SWITCHED OFF ON EVERYTHING.

Hendricks: YOU SIGNED OFF ON EVERYTHING?

YOU NEED TO BE HERE AT PRECISELY--

SARA, YOU UNDERSTAND?

OK. READY FOR MORE?

SURE.

ENJOY YOUR STAYHERE, CLARK.

THANK YOU VERY MUCH.

WHAT A BITCH. COME ON.

[GROANING]

Woman: NOW I LAY ME

DOWN TO SLEEP.

I PRAY THE LORD MY SOUL TO KEEP.

IF I SHOULD DIE BEFORE I WAKE...

UH, THAT'S CRYSTAL.

SHE'S OUR RESIDENTNYMPHOMANIAC.

I PRAY THE LORD MY SOUL TO...

WHERE ARE WE GOING?

THE NOT-SO-PLEASANT PART OF THIS JOB.

IT'S WHERE WE KEEP THE HIGH-RISK PATIENTS.

YOU WON'T OFTEN BE ASKED TO COME DOWN HERE.

TRUST ME. IT'S A GOOD THING.

WHAT IS IT?

HOUSING FOR POTENTIAL MURDERERS,

LUNATICS, YOU KNOW,

YOUR EVERYDAY, GARDEN-VARIETY MANIACS.

THIS SOUNDSKIND OF INTERESTING.

LOOK, THIS IS WHERE THEY TUCK AWAY

PEOPLE EVERYONE WANTS TO FORGET ABOUT,

THE ONES YOU NEVER HEAR ABOUT,

UNLESS, OF COURSE, THEY HAVE THE CHANCE

TO ACT ON THEIR NATURAL INSTINCT.

WHICH IS...

TO RIP YOU LIMB FROM LIMB.

[ELEVATOR RATTLES]

WELCOME TO THE MADHOUSE.

AFTER YOU.

[WHISTLING]

WALLACE.

HEY, SUGAR.

THEY'VE BEEN ASKINGFOR YOU ALL DAY.

THIS IS CLARK.

HE'S GOING TO BE WITH US FOR A LITTLE WHILE.

MY CONDOLENCES.

HERE YOU GO.

HE'S GONNA NEED YOUR BELT.

OK.

OK, HERE'S THE DRILL.

STAY BEHIND THE YELLOW LINEAT ALL TIMES.

IF YOU NEED ANY HELP FOR ANY REASON,

PUSH THE ALARM BUTTON AT THE END OF THE HALL.

AND I'M GONNA NEED YOUR INK PEN

AND ANY OTHER SHARP OBJECTSYOU MAY HAVE ON YOU.

OK. THEY CAN'T GET OUT, CAN THEY?

THAT'S WHATTHEY KEEP TELLING ME.

[BUZZER]

NICE TO MEET YOU.

YOU READY FOR THIS?

SURE. YOU KNOW,I'VE VOLUNTEERED

IN A COUPLEOF HOSPITALS BEFORE.

[DOOR CREAKS]

[FLIES BUZZING LOUDLY]

I CAN'T BELIEVE

THEY ACTUALLY KEEP PATIENTS DOWN HERE.

[WOMAN SHOUTING]

EVER RUN INTO ANY OF THATON YOUR VOLUNTEER WORK?

Woman: LET ME OUT OF HERE.

HA HA HA!

I HAVE SOMETHING FOR YOU.

WHERE ARE YOU GOING? WHERE ARE YOU GOING?

YOU ARE NOT GONNA LEAVE ME DOWN HERE!

GET BACK HERE AND HOOK A SISTER UP!

SEVERE OBSESSIVECOMPULSIVE DISORDER.

SHE HAS TO DO EVERYTHINGIN SETS OF NINE,

INCLUDING THE DOSESOF STRYCHNINE

SHE GAVEHER PRESCHOOL CLASS.

[RECORD PLAYING INDISTINCTLY]

PARANOID?

HOMICIDAL.

Man: SARA! SARA!

SARA, HELP ME!

NO, NO, NO.IT'S OK. IT'S OK.

DRAKE, ROYCEIS AT IT AGAIN.

CAN YOU BRING HIS MEDSDOWN RIGHT AWAY?

OK, OK. ROYCE, CALM DOWN.IT'S GONNA BE FINE.

DRAKE'S ON HIS WAY DOWNWITH YOUR MEDS.

SARA!

AAH!

SARA!

[GASP]

LET GO. LET GO.

DRAKE!

[ALARM BLARING]

AAH!

[GROANING]

HEY! IT'S ALL RIGHT! HE DIDN'T HURT ME!

DRAKE!

Man: PLEASE, DON'T.

HE DIDN'T HURT US, YOU KNOW.

LET'S HOPE HE GETS ITRIGHT NEXT TIME.

HERE YOU GO, BIG GUY.

THANKS, KID.

I OWE YOU ONE.

LET'S GET OUTOF HERE.

OK.

[CUCKOO CLOCK CHIMING]

Man on radio:BETTY, THIS IS WALLACE.

I'M HEADING HOME.DRAKE IS HERE.

DOTTIE HAS A POT ROASTWAITING FOR ME

THAT'S GOT MY NAMEWRITTEN ALL OVER IT.

Betty on radio:THAT'S A BIG 10-4, WALLACE.

YOU HAVE YOURSELF A FABULOUSEVENING, YOU HEAR? OVER.

Wallace on radio:10-4, BETTY. YOU, TOO.

OVER AND OUT.

[BOY'S VOICE WHISPERING]

HELLO.

HEY, I SAW YOU.

WHY DON'T YOU COME OUT AND INTRODUCE YOURSELF?

Hendricks on radio:DRAKE, ARE YOU STILL HERE?

I COULD USE SOME HELP. I HAVEA SITUATION IN THE REC ROOM.

Man: JUST... JUST TAKE IT, SARA.

Sara: DO YOU THINK I ENJOYHURTING YOU LIKE THIS?

Woman: THAT MEDICINE DON'T HELP ME!

[WOMAN SOBBING]

Hendricks: ONCE AGAIN, ALICE,

ARE YOU OR ARE YOU NOT GOING TO DO

WHAT YOUR CARETAKER IS REQUESTING OF YOU?

GET AWAY!

I'M JUST TRYING TO MAKE SURE

THAT YOU DON'T HURT YOURSELF.

YOU HAVE TO TAKE YOUR PILLS

IF YOU WANT TO GET BETTER.

DOESN'T THAT MAKE SENSE TO YOU, SWEETHEART?

I AM GOING TO ASK

THAT YOU TAKE YOUR MEDICATION.

OR I'M AFRAID I'LL HAVE TO RESORT

TO DISCIPLINARY MEASURES.

HE'LL WATCH WHEN YOUARE SLEEPING...

[ELECTRIC SHOCK]

AAH!

[SOBBING CONTINUES]

DO WE HAVE AN UNDERSTANDING?

DO YOU THINK I ENJOY HURTING YOU LIKE THIS?

THAT MEDICINEDON'T WORK ON ME!

STOP!

YOU BITE YOUR TONGUE, CARL!

YOU'RE HURTING HER!

GET AWAY FROM ME, YOU FAGGOT!

[CRYING SOFTLY]

SHH. IT'S OK.

DRAKE.

YOU GET BACK!

OK.

IT'S LATE FOR YOU,ISN'T IT?

HE WANTS ME TO GO TO SLEEP NOW.

LET'S GO.

OK.

[BOY LAUGHING]

[DING]

[DING]

[DING]

UNBELIEVABLE.

HEY. I SAW YOU COME DOWN HERE.

WHY DON'T YOU COME ON OUT?

[BOY WHISPERING]

HEY, KID, COME ON.

THIS ISN'T A GOOD PLACE TO BE.YOU COULD GET...

HURT.

SAFETY ALARMAT THE END OF THE HALLWAY.

HELLO.

UH!

[WOMAN SCREAMING]

HELLO.

JESUS!

THERE'S NO ONE IN THERE.

SO, DR. MORTON,HOW LONG HAVE YOU WORKED HERE?

I'VE WORKED HEREFOR 27 YEARS.

THAT'S A LONG TIME.

WHOO. YOU HAVENO IDEA.

SO, WHAT WERE YOU DOINGDOWN THERE AFTER HOURS?

OH, I FOLLOWED THE LITTLE BOY--

THE KID I KEEP SEEING RUNNING AROUND HERE.

HE BROKE INTO MY ROOM EARLIER.

I JUST CHASED HIM DOWN TO SEE WHO HE WAS.

IT'S A LITTLE STRANGE

THAT HE RUNS AROUND HERE AT NIGHT.

I GUESS THE WHOLE PLACE IS A LITTLE STRANGE.

OCCUPATIONAL HAZARD.

I GUESS SO.

HEY...THAT NOISE I KEEP HEARING--

WHAT IS THAT?

I MEAN, IT SOUNDS

LIKE IT COMES FROM DOWN IN THE BASEMENT,

AND I FIGURED IT WAS THE WATER PIPES.

MAYBE.

WELL...WHAT IS IT?

IT'S AN OLD BUILDING.

IT COULD BEA VARIETY OF THINGS.

BUT?

BUILDINGSARE LIKE PEOPLE.

THEY REMEMBEREVERYTHING

THAT'S HAPPENED TO THEMTHROUGHOUT TIME.

SOMETIMES...

THEY DON'T LIKEWHAT THEY REMEMBER.

WHAT DO YOU MEAN?

A WHILE BACK...

WE HAD A PATIENTDOWN IN CELL 44.

HE WAS THE SADDEST,SICKEST SUBJECT

I'VE EVER COME ACROSS.

ONE NIGHT,HE DUG HIMSELF OUT,

BUT HE GOT TURNED AROUNDAND COULDN'T FIND HIS WAY.

AND WHAT HAPPENED?

HE JUMPED OUTA THIRD-STORY WINDOW.

DID HE DIE?

SOME SAY HE DIEDWHEN HE HIT THE GROUND.

SOME SAY THEY CAUGHT HIMAND LOCKED HIM BACK UP.

BUT I...

I BELIEVEHE'S STILL HERE...

DESPERATELY TRYING TO DIGHIS WAY OUT AND GO HOME.

DO YOU REALLY BELIEVE THAT?

EITHER THAT, OR HECAME BACK TO RUN THIS PLACE.

MR. STEVENS, I HAVE A WETCLEANUP IN THE TELEVISION ROOM.

IF YOU'RE NOT TOO BUSY, PERHAPS YOU COULD...

MOP IT UP?

SURE.

SNEAKING AROUND,

LEAVING MAXIMUM SECURITY OPEN.

IT LOOKS LIKE YOU'VE HAD

QUITE A FIRST NIGHT, MR. STEVENS.

I WASN'TSNEAKING AROUND.

SPEAK TO ME.

I HEARD NURSE HENDRICKSCALL FOR HELP OVER THE RADIO,

AND I CAME TO SEEIF I COULD LEND A HAND.

AND?

AND I GOT DOWNTO THE REC ROOM

AND REALIZED THAT SHECLEARLY DIDN'T NEED MY HELP,

BEING THAT SHE WAS BUSY

USING A TASERON ONE OF THE PATIENTS.

SOME OF THE PATIENTS HOUSED HERE

HAVE TO BE CONSTANTLY REMINDED

WHO HAS THE UPPER HAND.

YES, BUT IHARDLY THINK

THAT REFUSING TO TAKEYOUR MEDICATION

WARRANTSAN ELECTRICAL BURN.

STEVENS--

THIS PLACE IS A MESS.IT'S DIRTY.

IT'S UNSAFE.IT'S UNDERSTAFFED.

ARE YOU AWARETHAT THERE ARE CHILDREN

RUNNING AROUND HEREAT NIGHT?

NO ONE GETS IN OR OUT OF THIS BUILDING

WITHOUT MY AUTHORIZATION.

WHAT ABOUT THE PATIENTWHO ESCAPED FROM THE BASEMENT?

DR. MORTONTOLD ME ABOUT...

A PATIENT WHO ESCAPEDFROM THE BASEMENT.

DR. MORTON DOESN'T KNOW WHAT HE'S TALKING ABOUT.

LOOK...LET'S START OVER AGAIN, ALL RIGHT?

WHILE IT'S NO SECRET THIS PLACE COULD USE

A LITTLE FIXING UP,

MOST OF THE PATIENTS HOUSED HERE ARE CONTENT.

YOU KNOW WHY?

THEY HAVE NO PLACE ELSE TO GO.

I'LL MAKE YOU A DEAL.

YOU STICK TO THE RULES,

MIND YOUR OWN BUSINESS,

AND I'LL CONSIDER

SOME OF THE SUGGESTIONS YOU PUT TOGETHER.

ARE WE IN AGREEMENT,MR. STEVENS?

FINE.

WELL, HELLO THERE, BUSY BEE.

GOOD MORNING.

Hendricks: WHAT EXACTLYARE YOU TRYING TO PULL HERE?

Franks: I DON'T HAVE ANY IDEAWHAT YOU'RE TALKING ABOUT.

Hendricks: I'M TELLING YOU, ALBERT,

THINGS ARE GOING TO CHANGE AROUND HERE,

OR I'M PLACING A CALL TO THE BOARD!

I KNOW WHAT YOU ARE UP TO.

Franks: I DON'T HAVE ANY IDEAWHAT YOU'RE TALKING ABOUT.

Hendricks: OH, YES, YOU DO.

HEY, NEW GUY.

OH. HEY THERE.WHAT ARE YOU DOING?

WHAT ARE YOU DOING?

I'M ON MY WAY BACKTO MY ROOM.

HEY, LISTEN. DO YOU WANT TO SIT IN

ON AN OBSESSIVE COMPULSIVE GROUP

AT, LIKE, 3:30?

IT'S KIND OF MY OWN LITTLE SESSION.

IT SOUNDS GREAT,REALLY, BUT...

I DON'T WANT TO GETINTO ANY MORE HOT WATER.

WHY? WHAT'S WRONG?

NOTHING.

I WAS JUSTIN FRANKS' OFFICE,

AND I SAW SOMETHINGKIND OF WEIRD.

YEAH?

HE HAS A LOTOF WEIRD BOOKS,

AND ONE IN PARTICULARON HIS DESK,

HE PUT IT AWAY WHEN HEREALIZED I SAW IT.

ARE YOU SURE THAT YOU'RE NOT A...

PRIVATE DETECTIVE DISGUISED AS AN INTERN?

I'M A DORK.

YOU'RE A DORK. HA HA.

SO THE GUY READS WEIRD BOOKS.

I DON'T KNOW. MAYBE HE'S TRYING

TO LEARN MORE ABOUT HIS BEDSIDE MANNER.

Hendricks on radio: SARATO THE NURSES STATION, PLEASE.

COPY.

GOT TO GO.

GOOD LUCK.

GOOD NIGHT, NURSE HENDRICKS.

[HUMMING]

EVERYONE IN BED?

ALL TUCKED IN.

LISTEN, I'MALMOST DONE HERE.

IF YOU DON'T NEEDANYTHING ELSE,

I THINK I'MGONNA GO LAY DOWN.

MM-HMM.

[MAN SHOUTS]

I'LL CHECK IT OUT.

IS THERE SOMETHINGWE CAN HELP YOU WITH?

[BANG]

IT'S BEDTIME.

[DOOR CREAKS]

[TASER FIRING]

I DON'T HAVE TIME FOR FOOLISHNESS.

NOW COME OUT AND SHOW YOURSELF.

I REALLY DON'T HAVE TIME TO WASTE.

AND I DON'T WANT TO HURT YOU.

[BUMP]

WHO ARE YOU?

[DISTORTED VOICE]

[EXHALES]

YOU ARE ONLY HURTING YOURSELF.

[ELECTRICAL BUZZING]

WELL, I SUPPOSE IF YOU AREN'TGOING TO COME OUT,

YOU'LL JUST HAVE TO MAKE YOURSELF COZY

UNTIL DRAKE ARRIVES. I'M SURE HE'LL FIND A WAY

TO CONVINCE YOU TO GO BACK TO YOUR ROOM.

NO!

[ROCK MUSIC PLAYING LOUDLY]

AAH!

STOP.

WHY ARE YOU DOING THIS?

PLEASE...STOP!

[MUSIC STOPS]

[DISTORTED VOICES WHISPERING]

[LAUGHING SOFTLY]

Franks: I KNOW YOU'RE ALLDEVASTATED BY WHAT HAPPENED.

I WANT TO KNOWWHICH OF THE PATIENTS DID THIS,

AND I WANT TO KNOW BY TONIGHT.

BETTY WILL ASSIGN EACH OF YOU A SECTION,

AND I WANT YOU TO THOROUGHLYINTERVIEW THE RESIDENTS.

THEY TRUST YOU.I WANT YOU TO USE THAT TRUST.

KEEP THE AUTHORITIES OUT.

OTHERWISE, THE PATIENTS WILLSHUT DOWN AND GIVE YOU NOTHING.

AFTER THAT, WE WILL THOROUGHLY REVIEW

THE SECURITY AND SAFETY PROTOCOL.

LET'S GET GOING.

I CAN'T BELIEVE THIS HAPPENED.

I WORKED WITH HER FOR 25 YEARS.

SHE WAS SUCH A NICE LADY.

Franks on radio: BETTY, DO YOU READ ME?

JUST A SECOND.

GET DR. SHORES,TAKE THE WEST WING.

EVERYTHING'S OK.

DR. DOUGLAS SAID THAT SHE WAS WITH YOU

RIGHT BEFORE IT HAPPENED.

DID YOU SEE ANYONE?

WE HEARD SOMEONE IN THE HALLWAY,

AND THEN SHE WENT TO CHECK IT OUT.

AND THEN I HEARD THIS LOUD MUSIC,

AND I, UH...

AND THEY THINK ONEOF THE PATIENTS DID IT?

Betty: CLARK, YOU AND DRAKEARE IN THE BASEMENT.

DON'T BE AFRAID, CLARKIE.I'LL PROTECT YOU.

ALL RIGHT. I HAVE TO GO.

YEAH. SURE.

WE DIDN'T SEEANYTHING.

WE WERE SLEEPING.

AND AS YOU CAN SEE,OUR DOOR IS LOCKED.

TIGHT AS A DRUM. ARE YOU DATING SARA?

ALL RIGHT. IF YOU REMEMBER ANYTHING,

PLEASE LET ME KNOW.

[INDISTINCT VOICE]

Drake: I'LL MAKE SURE YOU ROT IN THERE

FOR THE REST OF YOUR LIFE.

WHAT'S WRONG?

I'M GONNA TEACH THIS FREAK TO SHOW SOME RESPECT.

WHY DON'T YOU TAKE A BREAK?I'M ALMOST DONE HERE.

I'LL BE OUT IN A MINUTE.

OOH, YEAH.

WHY DON'T YOU COME INSIDE,

AND I'LL MAKE US A COUPLE OF REMY MARTINS.

HEY!

IT'S ALWAYS THE ONES WHO PROTEST TOO MUCH

THAT END UP WEARING THEIR WIVES' PANTIES!

[SPITS]

NO.

HELLO.

HELLO.

WHY WON'T YOU TALK TO ME?

IT MIGHT HELP YOU SORT SOME THINGS OUT.

Man: HOW DOES IT FEEL

TO BE CONVINCEDTHAT SOMETHING IS THERE

WHEN LOGIC TELLS YOUIT'S NOT?

I THOUGHT I WAS BEGINNING TO HEAR THINGS.

NOW YOU KNOWWHAT MADNESS FEELS LIKE.

THAT'S A FEELINGYOU'LL NEVER FORGET.

WHY ARE YOU SITTING OVER THERE IN THE DARK?

ILLUMINATION ONLY REMINDS MEOF WHAT I'VE BECOME.

WHAT'S YOUR NAME?

THAT'S A SUBJECTIVEQUESTION.

THERE WAS A PROBLEM DOWN HERE LAST NIGHT.

SO WE'RE TAKING A LITTLE TIMEWITH EACH RESIDENT,

ASKING THEM IF THEY HEARD OR SAW ANYTHING UNUSUAL.

HA HA HA. FUNNY THATYOU'D ASK A MADMAN

IF HE'S SEENANYTHING UNUSUAL.

ALL RIGHT. WELL, THANK YOU.

PRETTY STRANGE PLACE,THIS CUNNINGHAM HALL.

HOW SO?

BAD THINGSGO ON DOWN HERE,

BUT YOU ALREADYKNOW THAT.

WHAT KIND OF BAD THINGS?

TAKE THAT VERY SICKINDIVIDUAL

YOU HAVE LURKINGAROUND, FOR INSTANCE--

SOMEONE WHO'S COMFORTED

BY THE WARMTHOF FRESH BLOOD.

WHO DO YOU THINK IT IS?

YOU'RE A SMART BOY.YOU'LL FIGURE IT OUT.

IS IT YOU?

I SUPPOSE THE TOPOF THE FOOD CHAIN

WOULD BE A GOOD PLACETO START LOOKING.

ARE YOU SPEAKING OF DR. FRANKS?

HELLO.

THEY'RE JUST CELL NUMBERSON A PRESCRIPTION TO ME.

YOU'D HAVE TO GOTO BETTY OR WALLACE

TO FIND OUTWHO THE HELL THEY ARE.

BESIDES, THEY WOULDN'TKNOW THEIR OWN NAMES,

EVEN IF YOU ASKED THEM.

OK. WELL, CAN YOU TELL ME

WHAT THE PATIENT IN CELL 44

HAS BEEN DIAGNOSED WITH?

I JUST KEEP THEMDOPED UP, KID.

DO YOU KNOW WHAT MEDICATION HE'S ON?

BOY, YOU SURE HAVEA LOT OF QUESTIONS.

RISPERDEX. THAT'S WHATTHEY'RE ALL ON DOWN THERE.

AN ANTIDEPRESSANT?

HAVE YOU EVERSEEN THE PLACE?

THANK YOU, GRACE.

Sara: YOU KNOW,YOU'RE BREAKING RULE NUMBER ONE

ABOUT WORKING IN A PLACE LIKE THIS.

Clark: WHAT'S THAT?

TAKING WHAT THE PATIENTSSAY TOO SERIOUSLY.

I'M NOT.

BELIEVE ME, I'M NOT.

LOOK, I DID HEAR

HENDRICKS AND FRANKS ARGUING

THE NIGHT SHE GOT KILLED.

CLARK, YOUHAVE TO UNDERSTAND

THAT THESE PATIENTSARE TOTALLY DELUSIONAL.

THEY'LL TELL YOU THINGS,

THINGS THEY ACTUALLYBELIEVE TO BE TRUE.

BUT HARD-CORE SCHIZOPHRENICS,IN PARTICULAR,

CAN'T BE TRUSTED,YOU KNOW.

YOU HAVE TO TAKEWHAT THEY SAY

WITH A GRAINOF SALT.

I UNDERSTAND THAT.

IT JUST SEEMED WEIRD.

HE WAS BEING REALLY CRYPTIC.

LOOK...THEY'RE PARANOID.

I'M SURE THEY HAVE ITOUT FOR FRANKS

BECAUSE HE'S THE ONEKEEPING THEM LOCKED IN HERE.

I THINK YOU'REREADING TOO MUCH

INTO THIS CONVERSATION.

YOU CAN NEVER REALLYTRUST A SCHIZO.

ALL RIGHT.

WHY ARE ALL THE PATIENTS IN THE BASEMENT

ON THE SAME MEDICATION?

BECAUSE I'M SURE

THEY'RE KEEPING THEMSERIOUSLY TRANQUILIZED.

I USED TO LOVE TO PLAYOUTSIDE THIS TIME OF DAY.

ME AND MY FRIENDS,WE'D PLAY KICK-THE-CAN...

SOMETIMES DODGE BALL.

I WASN'T REALLYGOOD AT THAT ONE.

TOO AFRAID OF GETTING HITBY THE BALL, I GUESS.

AND ONE DAY, THINGSJUST STARTED TO GO BAD.

HOW SO?

I STARTED SEEING STUFF...

KNOWING STUFFBEFORE IT HAPPENED.

ONE DAY MY PARENTSDROPPED ME OFF HERE

TO HAVE SOME TESTSRUN, AND...

THEY NEVER CAME BACK.

THAT'S A REALLY ROUGH THING

TO CARRY AROUND WITH YOU.

I DON'T KNOW.

YOU CAN TRY YOUR BESTTO STEER LIFE

IN THE DIRECTIONYOU WANT IT TO GO IN, BUT...

EVERYTHING PRETTY MUCHHAPPENS AS IT'S MEANT TO BE.

MAYBE SO.

YOU KNOW WHAT I THINK?

I THINK YOU'RE NOT MEANT

TO BE HERE ANYMORE.

YOU'RE RIGHT.

BUT THE DAYI LEAVE HERE

WILL BE THE DAYTHAT I'M DEAD.

SEE, THAT'S...THAT'S ONE OF THE BAD THINGS

ABOUT KNOWING STUFFBEFORE IT HAPPENS.

MY LITTLE PROBLEM...

STEMS FROM THE FACT...

THAT I WAS NEVER ALLOWED

TO GET IN TOUCH WITH MY INNER CHILD.

I'M A VULNERABLE CHILD

TRAPPED INSIDE AN ADULT'S BODY.

AND WEARINGAN ADULT DIAPER.

[LAUGHTER]

UP YOURS, JIMMY!

OK, OK. CALM DOWN.

LOOK, WE'RE ALL GRIEVING RIGHT NOW,

AND SOME OF US FEEL VULNERABLE...

OR DEPRESSED.

OR SCARED.

THAT'S RIGHT, ALICE.

WHAT MAKES YOU FEEL SCARED?

IT WON'T STOPSCARING ME.

WHAT WON'T?

I TRY TO CLOSE MY EYESAND MAKE IT GO AWAY,

BUT IT'S ALWAYSRIGHT THERE, WATCHING ME.

WHAT IS THIS "IT" THAT YOU'REREFERRING TO, ALICE?

A GHOST.

WHAT GHOST?

THE ONE THAT RUNSTHROUGH THE HOUSE AT NIGHT.

IT'S ALWAYS WATCHING METHROUGH THE WINDOWS.

WHAT DO YOU THINK IT WANTS FROM YOU?

TO MAKE SURETHAT I NEVER FORGET

WHAT MADNESS FEELS LIKE.

[WOMAN MOANING]

[BANGING]

[DRAKE LAUGHING]

[TELEPHONE RINGING]

HELLO.

Betty: GOOD MORNING.IT'S BETTY.

OH, DID I WAKE YOU?

NO, NOT AT ALL.

I WAS JUST GETTING UP.

GREAT. LISTEN. I JUSTWANTED YOU TO KNOW

THAT YOUR BADGEIS READY,

AND DR. FRANKSWANTS TO KNOW

IF YOU AND DRAKEHAVE ANYTHING TO REPORT

ON YESTERDAY'SINTERVIEWS.

I'VE STILL GOT ONE MORE PATIENT

THAT I'D LOVE TO TALK TO DOWN THERE,

BUT...PRETTY MUCH, IT SEEMS LIKE

THEY WERE ALL IN THEIR CELLS.

DRAKE CHECKED THE LOCKS,

AND IT DIDN'T APPEAR

THAT ANY OF THEM COULD GET OUT.

OH, OK. WELL, PLEASEJUST KEEP ME POSTED,

BECAUSE I'M GONNA HAVE TOTYPE UP THE FINDINGS

AND GIVE THEM TOTHE INVESTIGATOR IN CHARGE.

OK. FANTASTIC.

Man: SO NICE OF YOU TO COME DOWN.

WE SO SELDOM GET VISITORS

DOWN HERE IN OUR LITTLE PIT OF DESPAIR.

WHAT DID YOUSTOP TALKING TO ME

THE LAST TIMEI WAS DOWN HERE?

I'D RUN OUT OF THINGS TO SAY.

OK. WHY DON'T YOUCOME OUT

INTO THE LIGHTWHERE I CAN SEE YOU?

COME ON.WE'RE FRIENDS BY NOW.

LET'S JUST SAY I SUFFERED

A SLIGHT DISFIGUREMENT AS A CHILD.

SINCE THEN, I CHOOSE TO LIVE IN THE SHADOWS.

ALL RIGHT, THEN...

CAN YOU GET OUTOF THIS CELL?

[CHUCKLES]

ONLY IF SOMEONE LETS ME.

NO MORE TALKING IN CIRCLES.ANSWER THE QUESTION.

ARE YOU WONDERING IF THAT LITTLE BOY

YOU KEEP SEEING AROUND

IS SOMEHOW GETTING THE KEYS

AND LETTING ME OUT?

WHAT LITTLE BOY?

NOW WHO'S TALKING IN CIRCLES?

Wallace on radio: CLARK, COME IN.

I GOT SARA ON LINE ONE OUT HERE.

I'LL BE RIGHT UP.

WE'LL CONTINUETHIS CONVERSATION LATER?

YOU CAN CALL ME BEN.

[CHUCKLES]

WE HAVE TO STOP MEETING LIKE THIS.

WHAT WILL THE PATIENTS SAY?

I THINK IT'SA LITTLE LATE FOR THAT.

[LAUGHING AND MOCKING]

RIGHT.

SO, DID YOU FINISH UP YOUR INTERVIEWS?

BASICALLY. WHATARE YOU TAKING?

OH, I HAVE A COLD.

I INTERVIEWEDALL THE PATIENTS

THAT I WASASSIGNED TO,

AND MOST OF THEIR STORIESWERE PRETTY OUT THERE.

MINE, TOO.

MRS. IDELSON TOLD ME THAT THE GUY

FROM "WHEEL OF FORTUNE" DID IT.

THAT'S POSSIBLE.

I HAD ONE GUY...HE'S INTERESTING,

BUT I DON'T THINKHE KNOWS ANYTHING.

SIC FRANKS ON HIM.

LET THE COPS DO THE REST.

HANG ON. I FORGOT A FORK.

OK.

WHAT ARE YOU DOING?

I'M SORRY.

THEY WERE STICKING OUTOF YOUR PURSE.

SOME COLD, HUH?

WHY ARE YOU TAKINGRISPERDEX, SARA?

HERE GOES. UM...

WHEN I WAS A LITTLE GIRL,

I HAD PROBLEMS FOCUSING AND STUFF.

UM...AND I WAS LATER DIAGNOSED

WITH REALLY MINOR SCHIZOPHRENIA.

BUT I GOT PUT ON RISPERDEX,

AND IT TOTALLY LEVELED ME OUT.

I MEAN, I HAVEN'T REALLY HAD

ANY SYMPTOMS SINCE I WAS A KID.

SO, IS THAT HOWYOU GOT INTERESTED

IN MENTAL HEALTH?

MM-HMM.

STILL WANT TO BE MY FRIEND?

SURE.

CRAZY CHICKS ARE WILD.

YOU JERK.

I'M KIDDING.

YOU'REALL RIGHT NOW?

YEAH. YEAH, I'M FINE.

LOOK, JUST DON'T TELL ANYONE, OK?

I WON'T.

THOSE PILLS ARE RED.

SO?

WELL, THE RISPERDEXTHAT GRACE SHOWED ME--

THE PILLS WERE BLUE.

I'M SURE A BUNCH OF PSYCHOS

ARE ON A MUCH STRONGER DOSE THAN I AM.

[WOMAN SCREAMING]

THIS IS THE ONLY WAY OUT, SARA!

CARL FINALLY GOT TO GO HOME! HA HA!

[MWAH]

LADIES, GO TO YOUR ROOMS.

[LAUGHTER CONTINUES]

WOULD SOMEBODY PLEASE GETDR. FRANKS ON THE RADIO!

WHAT HAPPENED?

I WAS JUST BRINGING IN THE GAMES,

AND WE WERE GONNA PLAY CHUTES 'N' LADDERS,

AND THEN THIS.

MAYBE HE HATED CHUTES 'N' LADDERS.

DID YOU SEE HIMTALKING TO ANYONE

BEFORE HE CAMEIN HERE?

HE JUST WENT OUT TO GET HIS MEDICATION.

WHAT WAS HE GIVEN?

AN ANTIDEPRESSANT.

[SNIP]

GRACE, WAS CARLJUST HERE?

ABOUT A HALF-HOUR AGO.

DID YOU SEE HIMTALKING TO ANYBODY?

OTHER THAN HIMSELF, NO.

WHAT DID YOUGIVE HIM?

WHAT I ALWAYS DO.

ARE WE GONNA START WITH Q-AND-A AGAIN?

BECAUSE I DON'T HAVE TIME FOR IT.

GRACE--I'M SORRY.WHAT DID YOU GIVE HIM?

I GAVE HIM HIS USUAL DOSE OF HAPPY TABS.

THANK YOU.

BEN!

I HAVEN'T GONEANYWHERE.

YOU SAID SOMETHING EARLIER

ABOUT THE MEDICATION THEY GAVE YOU.

DOES IT HELP?

I WOULDN'T KNOW.I DON'T TAKE IT.

BUT I DO HAVE A NICEMOSAIC ON THE WALL

THAT I'VE DONEWITH MY UNUSED PILLS.

BEN, WHY DON'T YOU TAKE IT?

THEY WOULDN'THELP ME IF I DID.

WHY NOT?

A HOSPITAL ISA PLACE OF BUSINESS.

WHEN PEOPLE GET BETTER,THERE ARE LESS BODIES IN BED.

DOESN'T THAT MAKE SENSE,CLARKIE, OLD BOY?

THEY GIVE PATIENTS WEAK MEDICATION

TO KEEP THEM SICK?

LOOK AROUND YOU.

THE LOONIES HEREONLY SEEM TO GET WORSE.

TAKE YOUR FRIENDCARL, FOR INSTANCE.

HE TOOK HIS MEDSLIKE A GOOD BOY,

AND LOOK WHATHAPPENED TO HIM.

HOW DO YOU KNOW WHAT HAPPENED TO CARL?

OH, DID I SAY SOMETHINGHAPPENED TO HIM?

I CAN'T BELIEVE YOUTALKED ME INTO THIS.

I JUST NEED TO CHECK SOMETHING OUT

IN THE MEDS STATION REAL QUICK.

I'LL BE IN AND OUT IN 3 MINUTES.

OK. HURRY UP.

[DOOR CLOSES, FOOTSTEPS RECEDING]

HERE THEY ARE.

HURRY UP, AND LET'S GET OUT OF HERE.

OK. WHY ARE WE DOING THIS?

I'M GONNA SEND THE PILLS

TO A FRIEND OF MINE

WHO WORKS AT THE UNIVERSITY HOSPITAL.

I JUST FIGURED MAYBE WHOEVER'S DOING THIS

IS ON THE WRONG MEDICATION.

LOOK...CARL WAS READY TO GO HOME.

I MEAN, ACCORDING TO GRACE,

HE WAS ON A HUGE DOSE OF TRANQUILIZERS.

HE SHOULDN'T HAVE BEEN ABLE

TO GET OUT OF BED IN THE MORNING,

MUCH LESS HANG HIMSELF.

WHAT?

IT'S CUTEWHEN YOU'RE SLEUTHING.

GOOD NIGHT.

[KISS]

GOOD NIGHT.

[DOOR CREAKS]

HELLO.

SARA?

HELLO.

[CUCKOO CLOCK CHIMING]

THERE'S NO PLACE LIKE HOME.

Sara: HURRY UP.

IF FRANKS FINDS OUT WE'REIN HIS OFFICE, WE'RE SCREWED.

IT WAS A LITTLE BOY.

I'VE BEEN SEEING HIM SINCE I GOT HERE.

AT FIRST, I THOUGHT

IT WAS ONE OF THE GARDENER'S KIDS.

WHAT? AND YOU'RESURE HE ISN'T?

NO WAY.

LOOK...

I KNOW THIS SOUNDS STRANGE,

BUT I'M STARTING TO THINK

THAT THIS PLACE ACTUALLY MIGHT BE HAUNTED.

I KNOW. I WOULDN'T HAVE BELIEVED IT

IF I HADN'T SEEN IT MYSELF.

BUT I THINK ALICE HAS SEEN SOMETHING,

AND FRANKS, TOO. I MEAN, WHY ELSE

WOULD HE HAVE ALL THESE BOOKS?

WHAT?

UM...JUST BETWEENYOUR THEORIES

ON THE MEDICATIONAND FRANKS,

AND NOW YOU'RESEEING GHOSTS?

MAYBE YOUR SURROUNDINGSARE STARTING TO AFFECT YOU.

I'M NOT CRAZY, SARA.

HE WAS RIGHT OUTSIDE MY WINDOW.

HE LOOKED RIGHT AT ME.

BELIEVE ME.

OK. OK. I DO.

OK.

HEY, WHERE DO THEY KEEP

THE PATIENT RECORDS AROUND HERE?

IN THE NURSES STATION.

[MAN SHOUTING]

COME ON.

GET YOUR GODDAMNHANDS OFF ME!

I TOLD YOU I DIDN'T KILLTHAT STUPID BITCH!

THERE'S SOMETHING YOU OUGHT TO UNDERSTAND, MY FRIEND--

NOTHING GOES ON HERE

THAT I DON'T KNOW ABOUT OR HEAR ABOUT. NOTHING.

THEN YOU PROBABLYALREADY KNOW

THAT I'LL BE BACKFOR YOU, SON OF A BITCH,

AND YOU, SNITCH!

YOU'RE NEXT.

I'M GONNASKIN YOU ALIVE.

NOBODY'S SAFE HERE!

MUZZLE HIM.

THAT POOR,TROUBLED BOY.

I HEARD HE WAS RAISED IN THE CARNIVAL.

NOW WE KNOW WHERE ALL THE NARCOTICS

DISAPPEAR TO, DON'T WE?

WHAT HAPPENED?

THEY'RE TAKING HIM IN FOR QUESTIONING

REGARDING NURSE HENDRICKS' DEATH.

FRANKS FOUND HER TASER IN HIS THINGS.

AND THEY ALSO FOUND OUT

THAT HE WAS HAVING RELATIONS

WITH A PATIENT.

Girls: TAKE THE KEY AND LOCK HER UP,

LOCK HER UP, LOCK HER UP.

TAKE THE KEY AND LOCK HER UP,

MY FAIR LADY.

TAKE THE KEY AND LOCK HER UP,

LOCK HER UP, LOCK HER UP.

TAKE THE KEY AND LOCK HER UP,

MY FAIR LADY.

[LAUGHTER]

WHO ARE YOU?

[LAUGHING]

[TELEPHONE RINGS]

HELLO.

Man: CLARK? HELLO?

HELLO? CLARK?

CLARK, YOU THERE?

I'M SORRY. YES, THIS IS HE.

YEAH. HEY, THIS ISTOM FROM THE LAB.

HI, TOM.

LISTEN, THERE WERENO NARCOTICS

IN THE DRUGSTHAT YOU GAVE ME.

WHAT?

NO. THEY WEREJUST PLACEBOS.

ALL RIGHT. THANK YOU SO MUCH

FOR LOOKING INTO THAT.

Clark: YOU WERE RIGHT ABOUT THE MEDICATION.

THE RISPERDEX THEY DISPENSE HERE

IS JUST A PLACEBO.

Ben: TAKING MATTERSINTO OUR OWN HANDS?

VERY AGGRESSIVE.

I'M GONNA CALL THE BOARD

FIRST THING MONDAY MORNING.

ONE OF THE PATIENTS IS GOING INTO PSYCHOSIS

AND ACTING OUT

BECAUSE HE'S NOT GETTING HIS MEDS.

THAT A BOY.I WOULDN'T TELL ANYONE

ABOUT OUR LITTLEDISCOVERY UNTIL THEN.

YOU WOULDN'T WANTFRANKS OR ANYONE ELSE

TO HAVE THE CHANCE

TO COVER UPTHEIR DIRTY WORK.

THEY ARRESTED DRAKE TODAY.

I DON'T THINK HE DID IT.

I HEARD HENDRICKS ARGUING WITH FRANKS

THE DAY SHE DIED.

I SOMEHOW THINK THAT HE'S CONNECTED

AND SHE KNEW ABOUT IT.

THEY SAY THE OBVIOUS ANSWERUSUALLY IS THE ANSWER.

IT'S RIGHT IN FRONTOF YOUR EYES.

YOU JUST HAVE TO BEWILLING TO SEE IT.

HOW DO YOU KNOW ABOUT EVERYTHING

THAT'S GOING ON AROUND HERE?

I'M SMART.

BE HONEST WITH ME.

CAN YOU GET OUT OF THIS CELL?

LET ME GO OUT, TOO!

WHY DO YOU GO OUT AND I DON'T?

ONLY IN MY MIND,ROYCE.

ONLY IN MY MIND.

TELL ME ABOUT THE GHOST OF THE LITTLE BOY.

HE'S SHOWING UP EVERYWHERE NOW.

HE MUST BE FONDOF YOU.

YOU'VE GOTWORK TO DO.

YOU BETTER GETBACK UPSTAIRS

BEFORE YOU MISSANY MORE OF THE ACTION.

Sara: ADMITTANCE,DIAGNOSIS, RELEASE DATES.

HERE'S EVERYTHINGWE NEED.

THIS IS AMAZING.

GREAT JOB.

AND CHECK THIS OUT.

HERE'S THE SECTIONON ALL THE PATIENTS

THAT HAVE BEENREHABBED AND RELEASED

SINCE FRANKS TOOK OVER.

HOW MANY?

NONE.

NONE?

THIS IS UNBELIEVABLE.

I MEAN, THIS PROVES

THAT HE'S KEEPING PATIENTS SICK

SO THEY CAN'T GO HOME.

"BEN LONDON, CELL 44,

SCHIZOPHRENIC, DIED IN...1989?"

SO?

SO HE'S NOT DEAD.

I JUST TALKED TO HIM THIS MORNING.

OK, YOU'RE LOSING ME.

DR. MORTON TOLD ME ABOUT A PATIENT

WHO ESCAPED FROM CELL 44 YEARS AGO.

I MEAN, MAYBE BEN WAS THE ONE WHO ESCAPED,

AND FRANKS JUST TRIED TO COVER IT UP

BY SAYING THAT HE DIED.

WHEN THEY FINALLY GOT AROUND

TO CATCHING HIM AND BRINGING HIM BACK--

THEY NEVER BOTHERED

TO TAKE HIM OFFTHE DECEASED LIST.

EXACTLY.

WHAT ARE YOUTHINKING?

I DON'T KNOW.

COME ON. YOU HAVE TO BETHINKING ABOUT SOMETHING.

YOU CAN TELL ME.

WE'RE IN THISTOGETHER.

[POTS RATTLING]

[SQUEAK]

[CLANG]

[DOOR CLOSES]

KITCHEN'S CLOSED.

[POTS RATTLING]

LET ME SEE...

PEACHES...UGH!

GRAVY, PUDDING...

AH, MEATLOAF.

JUST WHAT THE DOCTOR ORDERED.

PICKLES.

PICKLES.

KETCHUP.

KETCHUP, KETCHUP,KETCHUP, KETCHUP, KETCHUP.

AHA. GOTCHA.

[CLOCKS CHIMING]

OH, SHIT.

SARA.

WHO ARE YOU?

IT'S CLARK.

WHAT DID YOUDO TO ME?

WHERE AM I?

WHAT'S HAPPENING TO ME?

HEY.

[CRYING]

HEY. HEY.

IT'S OK.SARA, LOOK AT ME.

I WORK WITH YOUAT THE HOSPITAL.

DO YOU REMEMBER?

NO.

LOOK. I THINK YOU FORGOTTO TAKE YOUR MEDICATION.

JUST TAKE A COUPLE OF THESE,AND IT'LL BE BETTER.

[COUGHING]

I'M SORRY.

IT'S OK.

I JUST CAN'T FIGURE OUT WHAT...

WHAT'S REAL AND WHAT'S A DREAM.

COME ON.

COME ON.

ALL RIGHT.

Man on radio: A LOW-PRESSURE SYSTEM

IS MOVING INTO THE AREA LATER TODAY,

BRINGING ALONG WITH IT A CHANCE OF THUNDERSTORMS

AND COOLER TEMPERATURESTHROUGH THE END OF THE WEEK.

AND NOW, FOR MORE INFORMATION ON OUR TOP STORY,

LET'S GO BACK TO PETER GARCIA.

Garcia on radio: THANK YOU, DAVID.

SHERIFF AL JOHNSON IS NOW WARNING

THAT THE ESCAPED SUSPECT

WHO'S BEEN DETAINED ON SUSPICION OF MURDER

SHOULD BE CONSIDERED ARMED AND DANGEROUS.

HE'S BEEN KNOWN TO GOBY THE ALIAS OF DRAKE ANDERSON.

ANDERSON IS 5' 10", HAS DARK BROWN HAIR,

AND HAS A TATTOO OF A SPIDER ON HIS NECK.

ANYONE WITH INFORMATION LEADING TO HIS CAPTURE

SHOULD IMMEDIATELY REPORT TO THE KIRKSIDE SHERIFF'S...

WHAT HAPPENED?

THANK GOD YOU'RE OK.

SOMEONE KILLED DR. MORTON LAST NIGHT.

WHAT?

CLARK, I'M REALLY SCARED.

I DON'T KNOW WHO TO TRUST ANYMORE.

DRAKE GOT OUT.

WHAT?

I JUST HEARD ITON THE RADIO.

HE ESCAPED LAST NIGHT.

IF IT WAS HIM,

THEN HE'S PROBABLY LONG GONE.

I MEAN, THEY'VE SEARCHED

THIS WHOLE PLACE WITH A FINE-TOOTH COMB.

LISTEN, THAT INVESTIGATOR

WANTS TO ASK US A FEW QUESTIONS.

NOT RIGHT NOW.I'M GOING TO TALK TO FRANKS.

WHAT?

I'M GOINGTO TALK TO FRANKS.

FRANKS, OPEN UP THE GODDAMN DOOR!

FRANKS, I KNOW YOU'RE IN THERE!

OPEN UP THE DOOR!

[BOY LAUGHING]

[DOOR CLOSES]

JESUS!

IT ISN'T DRAKE.

WHAT ARE YOU TALKING ABOUT?

I ASKED THE COPSABOUT THE REPORT,

AND THEY SAID HE WASARRESTED 20 MINUTES AGO.

HE STOLE A CARIN DALLAS.

I'M LEAVING.

WAIT. WAIT.

SARA, I DON'T KNOW WHAT'S GOING ON HERE.

COME WITH ME IF YOU WANT,

BUT I'M NOT STAYING.

OK. OK. OK. WAIT.

I'LL GO. JUST COMEWITH ME TO THE OFFICE,

AND I'LL GRABA FEW THINGS.

COME ON. COME ON.

I JUST WANT TO MAKE SURETHERE'S ENOUGH SECURITY LEFT

TO KEEP THE PATIENTSLOCKED DOWN.

THEY'RE NOT GONNA BE SAFE HERE.

NOBODY'S GONNA BE SAFE HERE, SARA.

I'LL TELL BETTY WE'RE GOING.

ALL RIGHT, FINE.BUT MAKE IT QUICK, PLEASE.

I WANT TO GET AS FAR AWAYFROM HERE AS HUMANLY POSSIBLE.

I WILL.

WE'RE GONNA BE OK, CLARK, YOU KNOW.

NOTHING'S GONNA HAPPEN

WITH ALL THOSE COPS HANGING AROUND OUTSIDE.

HERE.

WHAT IF IT'S NOT A PERSONWHO'S DOING ALL OF THIS?

WHAT DO YOU MEAN?

WHAT IF IT'S LIKEDR. MORTON SAID?

WHAT IF SOMETHING HAPPENEDHERE IN THE BUILDING,

AND IT'S NEVERFORGOTTEN?

CLARK... IT WAS A PERSON,

AND IF IT WAS A PATIENT,

THEY'RE ALL IN LOCKDOWN.

WE'RE FINE.

[SLURP]

[TEACUP RATTLES]

OK.

OK. NOW GO BACK.

I'LL JUST FINISH UP AROUND HERE.

[GROWLING]

Man on radio: CLARK? HELLO.

Ben: IT'S RIGHT IN FRONT OF YOUR EYES.

Man on radio: CLARK? HELLO.

CLARK?

CLARK, YOU THERE?

[DISTORTED VOICES]

IT'S RIGHT IN FRONTOF YOUR EYES.

Sara's voice: I WAS DIAGNOSEDWITH SCHIZOPHRENIA.

SARA.

THANKS FOR YOUR HELP, OFFICER.

OH, ALSO I HAVE A LIST OF PATIENTS.

I'LL LEAVE IT IN A RED FOLDER

IN MY OUT BOX.

NOT A PROBLEM.

YOU HAVE MY CELL NUMBER.

HMM.

OK. ALL RIGHT. THANK YOU.

AAH!

WHY'D YOUDRUG ME, SARA?

I JUST GAVE YOU A CALMATIVE.

I DON'T KNOW.

YOU WERE ACTING REALLY STRANGE AND--

IT WAS YOU.

I SHOULD HAVEFIGURED IT OUT

THE OTHER NIGHTWHEN YOU HAD YOUR...

RELAPSE.

CLARK, YOU'RE WRONG.

BEN TOLD ME...THE ANSWER WAS

RIGHT IN FRONTOF MY EYES.

WHO?

CELL 44, BEN LONDON.

HE MUST HAVE SEEN YOUTHE NIGHT IN THE BASEMENT

THAT YOU KILLEDNURSE HENDRICKS.

THAT'S WHY...THAT'S WHY HE TOLD ME

THE ANSWER WAS RIGHTIN FRONT OF MY EYES.

THERE'S NO ONE IN CELL 44.

DON'T LIE TO ME, SARA.

IT'S USED FOR STORAGE.

YOU WERETHE ONE WHO TOLD ME

NEVER TO TRUSTA SCHIZO.

YOU KNOW I CANPROVE HE'S THERE.

THERE YOU ARE.I'VE BEEN LOOKING FOR YOU.

[MAN SCREAMING]

WHAT'S GOING ONAROUND HERE?

BEN!

BEN!

BEN!

BEN, WHAT'S GOING ON HERE?

WHY DIDN'T YOU TELL ME IT WAS SARA?

I'M GONNA LET YOU OUT OF HERE

SO YOU CAN GET SOMEPLACE SAFE...

[MAN SHOUTING]

BUT FIRST, I WANT TO SEE YOUR FACE.

THEN I SUPPOSEIT'S TIME TO GO HOME.

Clark's voice: THAT KID I KEEP SEEING

RUNNING AROUND THE HALLWAYS...

IT'S A LITTLE STRANGE THAT HERUNS AROUND HERE AT NIGHT.

Sara's voice: MAYBE YOUR SURROUNDINGS

ARE STARTING TO AFFECT YOU.

Clark's voice: I'M NOT CRAZY, SARA.

Ben: NOW YOU KNOW WHAT MADNESS FEELS LIKE.

IT'S A FEELING YOU'LL NEVER FORGET.

HEY, GOOD-LOOKING.

SHH.

WE'VE STILL GOT WORK TO DO.

Morton: HE WASTHE SADDEST, SICKEST SUBJECT

I'VE EVER COME ACROSS.

Douglas: THERE YOU ARE.I'VE BEEN LOOKING FOR YOU.

WE NEED TO TEACH YOU SOME RESPECT.

Clark: WHAT I'D LOVE TO DO

IS CHANGE THIS PLACE FOR THE BETTER.

THAT'S REALLY WHY I CAME HERE.

BETTY, GO TO ONE.

HAVE MY CAR SENT AROUND.

AND WHERE ARE MY KEYS TO THE MEDICATION--

NEVER MIND.

[THUNDER]

"THIS LETTER IS IN REGARDS

"TO THE TUITION FEESFOR CLARK STEVENS' INTERNSHIP.

"SINCE HIS UNFORTUNATE DEATH...

"WE WOULD LIKE TO ARRANGEFOR A FULL REFUND OF PAYMENT.

"PLEASE CONTACT THE ADMINISTRATION OFFICE

AT YOUR EARLIEST CONVENIENCE."

"BEN LONDON, DIAGNOSED WITH

"CHRONIC MULTIPLE PERSONALITY DISORDER,

ESCAPED JANUARY 8,1989."

[SQUISH]

AAH!

HI, DR. FRANKS.

YOU!

CLARK, HAVE YOULOST YOUR MIND?

IT'S BEN!

IT'S BEN LONDON!

BEN LONDON.

DO YOU REMEMBER ME? THAT LITTLE BOY.

THE ONE THAT YOU AND HENDRICKS

AND ALL THE OTHERS

NEVER ONCE TRIED TO HELP!

BEN LONDON.

LISTEN,I CAN HELP YOU.

I--

IT'S TOO LATE FOR THAT NOW!

AAH!

AAH!

AAH! HELP!

AAH!

NO!

SARA!

OH! HELLO?

I'M AT CUNNINGHAM HALL.

I'M IN THE BASEMENT.THERE ARE COPS OUTSIDE.

AND, UM...

AAH!

HELP ME!

AAH!

[SCREAMING]

COME ON, SARA.

YOU'RE AS SCREWED UP AS I AM.

WE BELONG TOGETHER.

COME ON, DARLING.

GET UP OUT OF YOUR CORNER.

YOU'RE MAKING ME CRAZY.

PLEASE. I DIDN'T DO ANYTHING.

I KNOW. IT'S JUST THAT...I CAME BACK TO THIS PLACE

TO GET RID OF ANY MEMORIESTHAT I HAD HERE.

AND UNFORTUNATELY,YOU'RE NOW ONE OF THEM.

BUT I'M JUST LIKE YOU.

I'M SO SORRY, BUT I CAN'TLEAVE ANY LOOSE ENDS.

BEN, I CAN PROTECT YOU.

I FOUND YOUR FILE.

AND I TOOK IT,

AND I'M KEEPING IT SAFE FOR YOU.

WHERE IS IT?

WE CAN BOTH GO AWAY FROM HERE.

THEY WON'T EVEN KNOW YOU WERE HERE.

AAH!

UH!

BITCH!

AAH!

AAH!

AAH!

CLARK.

CLARK'S NOT HERE ANYMORE.

CLARK DOESN'T EVEN EXIST.

AAH!

[VOICES LAUGHING]