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[MUSIC]
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[MUSIC]
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[MUSIC]
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[MUSIC]
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[MUSIC]
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[MUSIC].
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>> Libby, I know you put a lot of
work into this one, but I'm afraid that-
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>> Come on, Marty, it's a great book.
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>> There's some really
good work in there, you know?
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>> How about the scene where Mr.
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Faggioli makes love to Lillian
right there in the butcher shop, huh?
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>> Yeah, but->> What's the matter?
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It didn't get to you?
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The smell of the sawdust, her naked
body pressed against the wax paper,
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the rib roast on special.
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>> I'm sorry, Libby, I just don't
think this one is right for us.
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>> All right, I'll make you a deal.
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You publish my book, and I'll give
you the best blowjob you ever had.
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What do you say?
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[MUSIC]
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>> Bye-bye, Libby.
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>> You don't know what
you're missing, Marty?
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I used to play the trumpet.
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>> Well, it's my loss, so
bye-bye, now you take it easy.
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>> Watch that traffic out there.
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Is the week over?
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Is it Friday?
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Is it almost five o'clock?
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>> What, were you in a car accident?
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Yeah, it's Friday,
and as soon as Fenton
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drops off the book,
we're out of here.
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>> Cape COD, here I come.
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>> You know, me and my sister
Gina went to Cape COD once.
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She slept with the Kennedy.
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>> Which Kennedy?
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>> Is there a Leonard?
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>> I'll be in my office.
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>> Marty, where's my book?
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Where's my big bestseller?
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>> Getting harder than
algebra, just thinking about it.
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>> [LAUGH]
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Well, actually, Fenton
hasn't brought it in yet.
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>> Jesus Christ, Marty.
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It goes to the printers on Monday.
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>> It'll be there on Monday.
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Lucky, he's a little
behind schedule,
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okay, he's going
through a rough divorce.
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But I talked to him this morning,
and the book is finished, really.
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>> [SOUND]
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>> Everything's gonna be fine.
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I'm not worried, don't you be worried.
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[SOUND]
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I promise you, his book will be
on your desk first thing Monday.
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[SOUND]
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>> Very good, Marty, very good.
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Of course, if it's
not on my desk first
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thing Monday morning,
I'm gonna take your
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balls, paint them pretty colors,
toss them in a basket, and
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ship them off to the Easter Bunny.
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>> Why not shoot a little Easter Bunny?
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>> Have a nice weekend.
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>> You too.
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[MUSIC]
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>> Looks pretty bad, doesn't it?
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>> Worse than that.
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>> My God.
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>> Here comes Peter Cottontail.
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>> I'm sorry, I'm really sorry.
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>> Wait a minute, wait a minute, Fenton.
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You must have coffees.
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>> No, this is it.
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>> You've got it on disk, right?
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>> She microwaved it.
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>> Someone's coming down the bunny trail.
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>> Hard drive?
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>> In the dishwasher.
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I guess she's got a lot of anger.
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>> And too many appliances.
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>> Well, I'm fucked.
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I'm totally fucked.
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>> I love Easter.
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It's my favorite holiday.
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>> Do you wanna hit me?
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Go ahead, it'll make you feel better.
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>> Fenton.
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>> Ow. >> Toby.
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>> Well, you weren't gonna do it.
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>> Matthew.
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>> Ariel.
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>> Cape COD.
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>> Yes, yes, Cape COD, soon.
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Soon, Cape COD.
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Have a seat.
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All right, all right now.
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There must be something we can do.
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>> Why don't you tell Gibby the truth?
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I'm sure he'll understand.
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>> I just killed myself sometimes.
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>> An apartment for you, you got
a dress on, I'll bust you in the nose.
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>> No, no, no, no, no, no, no.
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I'll tell you what we're gonna do.
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We're gonna put this back together.
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We are?
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>> Why not?
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We can still read the words.
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We'll do it piece by piece.
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>> Shh.
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If you listen, you can hear pigs flying.
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>> Okay, we got 62 hours fit and
I'm gonna need you all weekend.
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>> Okay, I don't have a toothbrush,
but of course I understand.
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>> Where do you think you're going?
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>> Forget it.
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I gotta see my aunt this weekend.
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She's in the hospital, dying.
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She could go any minute.
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>> I'll pay you double golden
time and kick in two vacation days.
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>> She's in God's hands.
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I'll get the tape.
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>> We'll use the conference room.
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You better put on a fresh pot of coffee.
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We can do this.
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I know we can do this.
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>> Cape COD.
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>> Huh?
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>> Oh.
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Oh, Ariel.
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I'm sorry.
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Some other weekend, Cape COD, okay?
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This weekend book.
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>> No Cape COD?
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>> No.
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No Cape COD.
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>> Oh, did you call me?
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Oh.
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I am your-- >> Go to fuck, Marthy.
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[ Music ]
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>> When do they go to the hotel?
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Why?
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>> That's the Waterford, Chapter 8.
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>> Isn't this how Stalin
tortured his political prisoners?
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>> Why don't you think
of this as a game, okay?
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Sort of like a Jigsaw puzzle.
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>> More like 318 Jigsaw puzzles.
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>> Well, maybe that's 318 times the fun.
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>> If I was to smack him upside the
head, which side would that be exactly?
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>> Enough, Toby.
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What I need from you is a little
less complaining and a lot more work.
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Look at my pile.
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Look at Fenton's pile.
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Your piles were our piles.
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We're an hour ago.
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>> There.
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Now I'm ahead of you.
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Wake me when you catch up.
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[ Music ]
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>> So, Fenton, what
does a guy got to do
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to make a woman do
something like this?
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I mean, this is not exactly a cap
off the toothpaste kind of thing.
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>> No, it was nothing like that.
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She said I left my passions on the page.
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>> No kidding.
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You seem like a pretty feisty guy to me.
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>> Do you think we could
keep the chit chat to a minimum?
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Some of us are aware of our deadline here.
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>> But she's really taking
you to the cleaners, huh?
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>> Well, so far it looks like I'm
going to be able to keep my car
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and my Indian arrowhead collection.
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>> Oh, you're really
making out like a bandits.
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>> Does the word lollygagging
mean anything to anyone?
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>> Shut up.
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Would you please shut up?
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We have been in this room for
14 hours breathing the same air.
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I've got paper cuts and
tape goo all over my hands.
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We're working and
we're exhausted and
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we do not want to
hear about lollyg agging
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or dilly-dallying or
visiting with our neighbors.
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So would you please just
shut up before I kill you?
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>> Okay, I think we're
ready for a 15-minute break.
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Please don't leave the building.
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>> You should give him a hard time.
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>> When you got a gift.
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So, Fenton, what'd you
do when you found all this?
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>> Well, to be honest,
I got pretty steamed.
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>> Yeah, and?
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>> And I told her I would
appreciate it if she didn't do it again.
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>> Well, jump back.
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Fenton, the woman hacked
the year of your life into pieces.
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Now, what are you going to do about it?
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>> Well, I'll probably get over it.
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>> Ow! You keep hitting me.
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>> Well, you got to learn to hit back.
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>> Really, I don't know if
this is such a good idea.
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>> Are you scared? Of course you're scared.
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So use it. Make your fear work for you.
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The mongoose bites most
fiercely when it's cornered.
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>> She dislocated my shoulder once.
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>> It's a bone, Fenton. It's a bone.
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Okay, feel free to call her names.
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Make fun of body parts. Threats are good.
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Helen, it's me. I have some...
What? I'm at Whitestone.
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Uh, Carol has him.
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Of course the cat likes her.
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Well, I'm sorry, but... >>
Remember the mongoose!
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>> But that is not why I called.
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I just wanted you to
know that I'm rather...
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I am very, very upset about
what you did to my book.
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I don't care about your anger, okay?
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No! You shut up!
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My feelings have just as
much validity as your feelings.
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That is something you
never understood, did you?
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That's why you are gonna grow old alone.
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A very lonely old woman with
no friends, no love, no pets.
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I'm glad it's over.
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Goodbye, Helen. Goodbye.
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Wow.
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That was incredible.
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She was really surprised, too.
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This is great. Who else can I call?
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My mother. No.
220
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My sixth grade math teacher, Mrs. Alsuite.
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She was such a bitch.
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Easy, easy. Slow down.
223
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You've got to savor it like a fine wine.
224
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Oh, this is great. Thank you, Toby.
225
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No problem.
226
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Toby! Fenton!
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What are you two doing?
228
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Our break was over two minutes ago.
229
00:10:00,001 --> 00:10:03,000
We're already six pages behind schedule.
230
00:10:03,001 --> 00:10:04,000
What are you graining at?
231
00:10:04,001 --> 00:10:06,000
I'm a mongoose.
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00:10:06,001 --> 00:10:09,000
You people are a mess.
233
00:10:09,001 --> 00:10:11,000
Okay, people.
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00:10:11,001 --> 00:10:16,000
We have to have this on Gibby's
desk in 29 hours and 56 minutes.
235
00:10:16,001 --> 00:10:18,000
Now, I think it's time to review our goal.
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Get a procedure on the knob on the
cleared path through the minefields.
237
00:10:21,001 --> 00:10:24,000
Then cut west as far as
you can go to our Texas 2.
238
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All right.
Why don't we start with "Why are we here?"
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The book. We're here to do the book.
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Not to make phone calls to our ex-wives.
241
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Not to complain about
the working conditions.
242
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Not to put funny signs on people's backs.
243
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It's just this kind of
counterproductive... Are you okay?
244
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I'm fine.
245
00:10:50,001 --> 00:10:55,000
My back!
246
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I'll call 911.
247
00:10:56,001 --> 00:10:58,000
No, no, no, no, the book.
248
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I've got to finish the book.
249
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Someone just bring me my pile.
I'll work on it from here.
250
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Where's the tape?
251
00:11:07,001 --> 00:11:11,000
Shit!
252
00:11:11,001 --> 00:11:13,000
I got some pills I take from my shoulder.
Do you want one?
253
00:11:13,001 --> 00:11:14,000
No, thanks.
254
00:11:14,001 --> 00:11:16,000
I'm not a big believer in medication.
255
00:11:16,001 --> 00:11:18,000
Please, Doug.
256
00:11:18,001 --> 00:11:20,000
Oh, the pill.
Fenton, give me the fucking pill.
257
00:11:20,001 --> 00:11:21,000
I'm not going to take a break.
258
00:11:21,001 --> 00:11:22,000
Toby, get back here.
259
00:11:22,001 --> 00:11:23,000
Come and get me.
260
00:11:23,001 --> 00:11:24,001
Give me it.
261
00:11:25,000 --> 00:11:26,000
Oh!
262
00:11:26,001 --> 00:11:35,000
Toby, your page looks really great.
263
00:11:35,001 --> 00:11:37,000
Well, you wrote it.
264
00:11:37,001 --> 00:11:40,000
You know what would be good?
265
00:11:40,001 --> 00:11:42,000
A book about ducks.
266
00:11:42,001 --> 00:11:44,000
Ducks?
267
00:11:44,001 --> 00:11:51,000
Everybody does books about people.
268
00:11:51,001 --> 00:11:54,000
When was the last time
you read a good duck book?
269
00:11:54,001 --> 00:11:57,000
It just might work.
270
00:11:57,001 --> 00:11:59,000
We clean up.
271
00:11:59,001 --> 00:12:00,000
Do I?
272
00:12:00,001 --> 00:12:02,000
I like ducks.
273
00:12:02,001 --> 00:12:04,000
I like the word duck.
274
00:12:04,001 --> 00:12:07,000
Duck.
275
00:12:07,001 --> 00:12:09,000
Duck.
276
00:12:09,001 --> 00:12:10,000
Think like happy ducks.
277
00:12:10,001 --> 00:12:14,000
Uh, Martin, no more pills.
You've had like three or four already.
278
00:12:14,001 --> 00:12:16,000
Oh, come on, come on, just one more.
279
00:12:16,001 --> 00:12:18,000
I still got a little twin.
280
00:12:18,001 --> 00:12:20,000
Twin.
281
00:12:20,001 --> 00:12:21,000
Twin.
282
00:12:21,001 --> 00:12:22,000
Twin.
283
00:12:22,001 --> 00:12:25,000
Well, you ain't talking good since, Granny.
284
00:12:25,001 --> 00:12:31,000
Where you going?
285
00:12:31,001 --> 00:12:35,000
I'm just going into the corridor.
286
00:12:35,001 --> 00:12:37,000
Corridor.
287
00:12:37,001 --> 00:12:39,000
(music)
288
00:12:39,001 --> 00:12:53,000
Wow.
289
00:12:53,001 --> 00:12:55,000
This is amazing.
290
00:12:55,001 --> 00:12:56,000
It's some view.
291
00:12:56,001 --> 00:12:59,000
Huh? Yeah, I should sit up here more often.
292
00:12:59,001 --> 00:13:00,000
Hey, there's Brooklyn.
293
00:13:00,001 --> 00:13:02,000
Oh, and the great big bridge.
294
00:13:02,001 --> 00:13:04,000
All those unbelievably tall buildings.
295
00:13:04,001 --> 00:13:06,000
People look just like ants.
296
00:13:07,000 --> 00:13:08,000
Hi.
297
00:13:08,001 --> 00:13:10,000
Wake up!
298
00:13:10,001 --> 00:13:11,000
What?
299
00:13:11,001 --> 00:13:15,000
Last page.
300
00:13:15,001 --> 00:13:19,000
I think you should do it.
301
00:13:19,001 --> 00:13:21,000
No, I think you should do it.
302
00:13:21,001 --> 00:13:23,000
Let's do it together.
303
00:13:23,001 --> 00:13:25,000
(music)
304
00:13:25,001 --> 00:13:42,000
Tommy! Fun time!
305
00:13:42,001 --> 00:13:43,000
I'm out.
306
00:13:43,001 --> 00:13:47,000
Ariel? What are you doing here?
307
00:13:47,001 --> 00:13:50,000
I thought you were mad at me.
308
00:13:52,000 --> 00:13:53,000
Jesus!
309
00:13:53,001 --> 00:13:54,000
No underwear.
310
00:13:54,001 --> 00:14:15,000
All right, boys, this is where we get on.
311
00:14:15,001 --> 00:14:17,000
Oh, no, Ariel, no.
312
00:14:17,001 --> 00:14:19,000
I've got to do the work.
313
00:14:19,001 --> 00:14:22,000
Howdy. I'm fantasy.
314
00:14:22,001 --> 00:14:23,000
I know.
315
00:14:23,001 --> 00:14:26,000
Where's she goes?
316
00:14:26,001 --> 00:14:27,000
Oh.
317
00:14:27,001 --> 00:14:29,000
Oh, Ariel.
318
00:14:29,001 --> 00:14:31,000
Ow.
319
00:14:31,001 --> 00:14:32,000
Oh.
320
00:14:32,001 --> 00:14:34,000
Oh.
321
00:14:34,001 --> 00:14:36,000
Hey, Marty.
322
00:14:36,001 --> 00:14:37,000
What did I tell you?
323
00:14:37,001 --> 00:14:38,000
Huh? Great.
324
00:14:38,001 --> 00:14:39,000
Huh?
325
00:14:39,001 --> 00:14:41,000
(screams)
326
00:14:41,001 --> 00:14:42,000
(screams)
327
00:14:42,001 --> 00:14:44,000
(screams).
328
00:14:48,000 --> 00:14:50,000
Where's my book, Marty?
329
00:14:50,001 --> 00:14:53,000
Give it.
330
00:14:53,001 --> 00:14:54,000
Where's my book, Marty?
331
00:14:54,001 --> 00:14:56,000
Where's my book?
332
00:14:56,001 --> 00:14:57,000
I can explain it.
333
00:14:57,001 --> 00:14:59,000
We had a minus in the pen.
334
00:14:59,001 --> 00:15:01,000
I need two more eggs for my basket.
335
00:15:01,001 --> 00:15:06,000
Where am I going to find two more eggs?
336
00:15:06,001 --> 00:15:09,000
(laughs)
337
00:15:09,001 --> 00:15:12,000
(screams)
338
00:15:12,001 --> 00:15:14,000
What happened?
339
00:15:14,001 --> 00:15:16,000
You had a real rough night, bud.
340
00:15:17,000 --> 00:15:19,000
(crying)
341
00:15:19,001 --> 00:15:25,000
I don't understand it.
342
00:15:25,001 --> 00:15:27,000
Where is everybody?
343
00:15:27,001 --> 00:15:36,000
Yes, sir, Mr. Lebrand. It's all finished.
344
00:15:36,001 --> 00:15:38,000
Oh, my God.
345
00:15:38,001 --> 00:15:40,000
Toby?
346
00:15:40,001 --> 00:15:41,000
Benton?
347
00:15:41,001 --> 00:15:45,000
Toby?
348
00:15:45,001 --> 00:15:46,000
Benton!
349
00:15:46,001 --> 00:15:47,000
Toby?
350
00:15:47,001 --> 00:15:49,000
Benton?
351
00:15:49,001 --> 00:15:52,000
Toby?
352
00:15:52,001 --> 00:15:56,000
I can't believe you guys did this.
353
00:15:56,001 --> 00:15:59,000
Get that book off!
354
00:15:59,001 --> 00:16:02,000
We were meant to be here,
to see what we have seen.
355
00:16:02,001 --> 00:16:05,000
The Earth itself doesn't
want us to know these things.
356
00:16:05,001 --> 00:16:06,000
Yeah!
357
00:16:06,001 --> 00:16:07,000
Toby.
358
00:16:07,001 --> 00:16:08,000
What?
359
00:16:08,001 --> 00:16:09,000
Oh, boy!
360
00:16:09,001 --> 00:16:12,000
Okay.
361
00:16:12,001 --> 00:16:13,000
Yeah, boy!
362
00:16:13,001 --> 00:16:19,000
Well, uh... I'm going to take a
shower, so I'll be in Gibby's office.
363
00:16:19,001 --> 00:16:21,000
I guess I know where you'll be.
364
00:16:21,001 --> 00:16:27,000
So I'll just leave the book out
here in case you want to read it.
365
00:16:27,001 --> 00:16:29,000
Seriously, duh.
366
00:16:29,001 --> 00:16:30,000
(screams)
367
00:16:30,001 --> 00:16:32,000
(screams)
368
00:16:32,001 --> 00:16:34,000
(screams)
369
00:16:34,001 --> 00:16:37,000
Easy.
370
00:16:37,001 --> 00:16:38,000
(screams)
371
00:16:38,001 --> 00:16:40,000
(screams)
372
00:16:40,001 --> 00:16:42,000
(screams).
373
00:16:43,000 --> 00:16:44,000
What?
374
00:16:44,001 --> 00:16:45,000
Huh?
375
00:16:45,001 --> 00:16:46,000
Hey!
376
00:16:46,001 --> 00:16:53,000
By tomorrow, all our problems will be over.
377
00:16:53,001 --> 00:16:58,000
It's going to be a brand new day.
378
00:16:58,001 --> 00:16:59,000
Faton?
379
00:16:59,001 --> 00:17:01,000
Faton?
380
00:17:01,001 --> 00:17:04,000
Everything will be okay.
381
00:17:04,001 --> 00:17:06,000
Faton?
382
00:17:06,001 --> 00:17:07,000
Hey, hey, hey.
383
00:17:07,001 --> 00:17:08,000
Faton?
384
00:17:08,001 --> 00:17:10,000
Helen.
385
00:17:10,001 --> 00:17:11,000
There you are.
386
00:17:11,001 --> 00:17:13,000
I've been wandering around
this place for the last 20 minutes.
387
00:17:13,001 --> 00:17:16,000
Look, I'm unarmed,
but I'm not afraid of you.
388
00:17:16,001 --> 00:17:18,000
You're not, are you?
389
00:17:18,001 --> 00:17:20,091
Ever since that call
yesterday, I haven't
390
00:17:20,103 --> 00:17:22,000
been able to stop
thinking about you.
391
00:17:22,001 --> 00:17:27,000
You had such fire, such animal passion.
392
00:17:27,001 --> 00:17:29,000
That's close enough.
Stay on that side of the desk.
393
00:17:29,001 --> 00:17:30,000
Honey, I'm serious.
394
00:17:30,001 --> 00:17:32,000
Everything you said was true.
395
00:17:32,001 --> 00:17:34,000
I have been selfish.
396
00:17:34,001 --> 00:17:38,000
I just wanted you to know how sorry
I am about your book and your car.
397
00:17:38,001 --> 00:17:39,000
Wait a minute.
398
00:17:39,001 --> 00:17:41,000
What did you do to my car?
399
00:17:41,001 --> 00:17:43,000
Well, you'll find out when you get home.
400
00:17:43,001 --> 00:17:47,000
The important thing is, if you're
willing, I'd like to work this out.
401
00:17:47,001 --> 00:17:49,000
Faton, please come back.
402
00:17:49,001 --> 00:17:53,000
Hey, look what I... Oh, boy.
403
00:17:53,001 --> 00:17:57,000
You fuck! You fucking fuck!
404
00:17:57,001 --> 00:17:58,000
Helen, look!
405
00:17:58,001 --> 00:17:59,000
I hate you!
406
00:17:59,001 --> 00:18:02,000
I'm going to destroy
everything you've ever owned!
407
00:18:02,001 --> 00:18:03,000
Helen, don't!
408
00:18:03,001 --> 00:18:06,000
You pig.
409
00:18:06,001 --> 00:18:14,000
Look, lady, you lay another finger on
this man, and you wish your parents
410
00:18:14,001 --> 00:18:16,000
had not been born.
411
00:18:16,001 --> 00:18:24,000
Helen, Helen, Helen, no!
412
00:18:24,001 --> 00:18:25,000
No!
413
00:18:25,001 --> 00:18:35,000
No! You don't want to do that.
414
00:18:35,001 --> 00:18:36,000
Watch me.
415
00:18:36,001 --> 00:18:41,000
Oh, my God.
What kind of publishing house is this?
416
00:18:41,001 --> 00:18:45,000
Helen. Helen, come on.
417
00:18:45,001 --> 00:18:47,000
This is so silly.
418
00:18:47,001 --> 00:18:48,000
Put the book down.
419
00:18:48,001 --> 00:18:51,000
We're all your friends here.
420
00:18:51,001 --> 00:18:52,000
Stay back.
421
00:18:52,001 --> 00:18:54,000
Okay, okay, Dave. Now look.
422
00:18:54,001 --> 00:18:55,000
Thank you, Martin.
423
00:18:55,001 --> 00:18:57,000
But I can stand up for myself.
424
00:18:57,001 --> 00:19:02,000
Helen, give me the goddamn book now.
425
00:19:03,000 --> 00:19:05,000
Oops. There goes the title page.
426
00:19:05,001 --> 00:19:08,000
Back time for anger, Fenton. No more anger.
427
00:19:08,001 --> 00:19:12,000
But you said... I know what I
said, but groveling is also effective.
428
00:19:12,001 --> 00:19:16,000
Helen, please. Please, don't do this.
429
00:19:16,001 --> 00:19:18,000
I'm sure you could work
out your problem with Fenton.
430
00:19:18,001 --> 00:19:20,000
After he's been with that slut. Hey!
431
00:19:20,001 --> 00:19:23,000
There go the acknowledgements.
432
00:19:23,001 --> 00:19:25,000
Make love to her.
433
00:19:25,001 --> 00:19:26,000
What?
434
00:19:26,001 --> 00:19:28,000
That she will understand.
435
00:19:28,001 --> 00:19:31,000
What about me?
Would you like to go out with me?
436
00:19:31,001 --> 00:19:33,000
You could have dinner.
437
00:19:33,001 --> 00:19:35,000
Pathetic.
438
00:19:35,001 --> 00:19:36,000
Do you like the theater?
439
00:19:36,001 --> 00:19:39,000
You know what? You're all pathetic.
440
00:19:39,001 --> 00:19:41,000
I've had enough of this.
441
00:19:41,001 --> 00:19:42,000
Stop!
442
00:19:42,001 --> 00:19:44,000
Father, help me.
443
00:19:44,001 --> 00:19:46,000
Don't let this happen to me again.
444
00:19:46,001 --> 00:19:51,000
Thank you.
445
00:19:51,001 --> 00:19:55,000
Here's your stupid book.
446
00:19:56,000 --> 00:19:58,000
[♪♪♪].
447
00:19:59,000 --> 00:20:01,000
[♪♪♪].
448
00:20:02,000 --> 00:20:04,000
[♪♪♪].
449
00:20:05,000 --> 00:20:07,000
[♪♪♪]
450
00:20:07,001 --> 00:20:09,000
[♪♪♪]
451
00:20:09,001 --> 00:20:11,000
[♪♪♪]
452
00:20:11,001 --> 00:20:13,000
[♪♪♪].
453
00:20:39,000 --> 00:20:41,000
[♪♪♪]
454
00:20:41,001 --> 00:20:58,000
Don't go away, will you? Just go away.
455
00:20:58,001 --> 00:21:01,000
He always talks that
way when he's suicidal.
456
00:21:01,001 --> 00:21:04,000
Everything's over.
457
00:21:04,001 --> 00:21:05,000
There's nothing left to do.
458
00:21:05,001 --> 00:21:06,000
Is it worth it?
459
00:21:06,001 --> 00:21:07,000
Huh?
460
00:21:07,001 --> 00:21:09,000
Is it really worth it?
461
00:21:09,001 --> 00:21:12,000
Martin, why don't we go
downstairs away from the ledge?
462
00:21:12,001 --> 00:21:14,000
[screaming]
463
00:21:14,001 --> 00:21:16,000
Why don't we do it?
464
00:21:16,001 --> 00:21:19,000
Beating ourselves into the ground
for something that costs $4.95
465
00:21:19,001 --> 00:21:21,000
that some jerk is gonna
leave on the subway.
466
00:21:21,001 --> 00:21:23,000
Martin, you're just tired.
467
00:21:23,001 --> 00:21:25,000
Why don't we all just go
home and get some rest, huh?
468
00:21:25,001 --> 00:21:27,000
Should we carry him down?
469
00:21:27,001 --> 00:21:29,000
I'm not gonna touch him. He's naked.
470
00:21:29,001 --> 00:21:31,000
Every day, it's the same thing.
471
00:21:31,001 --> 00:21:36,000
At a comma, con a comma, move a
comma, even though books are the same.
472
00:21:36,001 --> 00:21:37,000
That's not true.
473
00:21:37,001 --> 00:21:39,000
Oh, come on, Fenton.
474
00:21:39,001 --> 00:21:41,000
Murder in January, murder in February.
What's the difference?
475
00:21:41,001 --> 00:21:45,000
You just take one book and
you-- Anybody need a diagram?
476
00:21:45,001 --> 00:21:48,000
Here we go. Murder in August.
477
00:21:48,001 --> 00:21:50,000
Replace August with September.
478
00:21:50,001 --> 00:21:52,000
Fine. Done. Okay. Chapter one.
479
00:21:52,001 --> 00:21:54,000
Janet loved Paris.
Right up until the moment,
480
00:21:54,001 --> 00:21:57,000
Professor Breod put a bullet
between her bright blue eyes.
481
00:21:57,001 --> 00:21:59,000
Uh, okay. Janet becomes Susan.
482
00:21:59,001 --> 00:22:00,000
Zorba.
483
00:22:00,001 --> 00:22:01,000
Bob.
484
00:22:01,001 --> 00:22:03,013
Okay, but we're gonna
have to do something
485
00:22:03,025 --> 00:22:05,000
about his womanly
bosom in chapter three.
486
00:22:05,001 --> 00:22:08,000
Uh, and then Paris
becomes-- Bensonhurst.
487
00:22:08,001 --> 00:22:09,000
Venice.
488
00:22:09,001 --> 00:22:12,000
Fine, Venice. Right up until the moment,
489
00:22:12,001 --> 00:22:17,000
his gay lover Armando put a hand
grenade between two slices of toast.
490
00:22:17,001 --> 00:22:20,000
But I was just getting creative.
491
00:22:20,001 --> 00:22:23,000
I should be here longer than I thought.
492
00:22:23,001 --> 00:22:31,000
327 pages.
493
00:22:31,001 --> 00:22:33,000
Here, let me rub them for you.
494
00:22:33,001 --> 00:22:35,000
This building has dandruff.
495
00:22:35,001 --> 00:22:37,000
Morning, all.
496
00:22:37,001 --> 00:22:39,000
Martin, you look like shit.
497
00:22:39,001 --> 00:22:41,000
You all look like shit.
498
00:22:41,001 --> 00:22:44,000
Hello, Gibby.
I hope you had a pleasant weekend.
499
00:22:44,001 --> 00:22:47,000
Bloody marvelous.
Didn't do a damn thing, actually.
500
00:22:47,001 --> 00:22:50,000
Just lay about the house, yank
in my wanker. How about you?
501
00:22:50,001 --> 00:22:52,000
Just about the same.
502
00:22:52,001 --> 00:22:56,000
I, uh-- Did you get a chance
to look at Fenton's book?
503
00:22:56,001 --> 00:22:59,000
First thing Monday morning.
Just like I promised.
504
00:22:59,001 --> 00:23:00,000
Yeah, just thumb through it.
505
00:23:00,001 --> 00:23:03,000
And I must say, bloody great job.
506
00:23:03,001 --> 00:23:05,000
Looks like another
Fenton Harley bestseller.
507
00:23:05,001 --> 00:23:07,000
Exactly like your last one, of course.
508
00:23:07,001 --> 00:23:13,000
We all remember what a big hit that was.
509
00:23:13,001 --> 00:23:16,000
Sure, sure we do. Didn't I tell you?
510
00:23:16,001 --> 00:23:18,000
Don't let your head get
too big for your hat, Marty.
511
00:23:18,001 --> 00:23:21,000
We've got the Maxwell
Graham book due next Monday.
512
00:23:21,001 --> 00:23:23,000
Hippity-hop.
513
00:23:23,001 --> 00:23:26,000
Here we go again.
514
00:23:26,001 --> 00:23:28,000
[HORN HONKING]
515
00:23:28,001 --> 00:23:35,000
Coming up next, actor Bernie
Mac and music by Beth Orton.
516
00:23:35,001 --> 00:23:36,001
In The Late Show.
517
00:23:37,000 --> 00:23:39,000
[MUSIC PLAYING].
518
00:23:40,000 --> 00:23:42,000
[MUSIC PLAYING].
519
00:23:43,000 --> 00:23:45,000
[MUSIC PLAYING].
520
00:23:46,000 --> 00:23:48,000
[MUSIC PLAYING]
521
00:23:48,001 --> 00:23:50,000
[MUSIC PLAYING]
522
00:23:50,001 --> 00:23:52,000
[MUSIC PLAYING]
523
00:23:52,001 --> 00:23:54,000
[MUSIC PLAYING]
524
00:23:54,001 --> 00:23:56,000
[MUSIC PLAYING]
525
00:23:56,001 --> 00:23:58,000
[MUSIC PLAYING]
526
00:23:58,001 --> 00:24:00,000
[MUSIC PLAYING]
527
00:24:00,001 --> 00:24:02,000
[MUSIC PLAYING].
528
00:24:03,000 --> 00:24:05,000
[MUSIC PLAYING].
529
00:24:06,000 --> 00:24:08,000
[MUSIC PLAYING]
530
00:24:08,001 --> 00:24:10,000
[MUSIC PLAYING]
531
00:24:10,001 --> 00:24:35,000
[MUSIC PLAYING].
532
00:24:36,000 --> 00:24:38,000
[MUSIC PLAYING].
533
00:24:39,000 --> 00:24:41,000
[MUSIC PLAYING]
534
00:24:41,001 --> 00:24:44,000
(upbeat music)
535
00:24:44,001 --> 00:24:54,000
[MUSIC].
36005
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