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1
00:00:01,484 --> 00:00:05,488
PERHAPS NOW
IT WILL ALL COME OUT.
2
00:00:17,500 --> 00:00:21,504
[ Footsteps On Gravel ]
3
00:00:34,517 --> 00:00:36,519
IT STINKS.
4
00:00:36,519 --> 00:00:38,521
BUT IT'S TRUE.
I DON'T CARE.
5
00:00:38,521 --> 00:00:41,024
IT'S TRUE, IT'S NOT TRUE.
IT STINKS.
6
00:00:41,024 --> 00:00:43,526
YOU SAY HE
WAS BEING BLACKMAILED ?
BY WHO ? YOU DON'T KNOW.
7
00:00:44,027 --> 00:00:46,529
FOR HAVING AN AFFAIR.
WITH WHO ? YOU DON'T KNOW.
8
00:00:46,529 --> 00:00:49,532
DID ANYONE ELSE KNOW
ABOUT IT ? PROBABLY NOT.
YOU DON'T KNOW.
9
00:00:49,532 --> 00:00:52,035
I KNEW ABOUT IT.
10
00:00:52,035 --> 00:00:54,037
BIG DAVE
TOLD ME ABOUT IT...
11
00:00:54,037 --> 00:00:57,040
AND THE SPOT HE
WAS PUTTING HIMSELF IN
BY GETTING THE MONEY.
12
00:00:57,040 --> 00:01:00,543
TERRIFIC !
YOUR HUSBAND BACKS YOU UP.
THAT'S TERRIFIC.
13
00:01:00,543 --> 00:01:03,046
COME ON, YOU GOTTA GIVE ME
SOMETHING TO WORK WITH.
14
00:01:03,046 --> 00:01:05,548
FREDDY RIEDENSCHNEIDER IS GOOD,
BUT HE'S NOT A MAGICIAN.
15
00:01:05,548 --> 00:01:09,552
HE CAN'T JUST WAVE HIS
LITTLE WAND IN THE AIR TO MAKE
A PLAUSIBLE DEFENSE MATERIALIZE.
16
00:01:10,053 --> 00:01:12,055
LOOK AT WHAT THE OTHER SIDE
IS GONNA RUN AT US.
17
00:01:12,555 --> 00:01:17,060
THEY GOT THE COMPANY BOOKS
PREPARED BY YOU, COOKED BY YOU.
THAT'S MOTIVE.
18
00:01:17,060 --> 00:01:20,063
THEY GOT A MURDER SCENE
YOU HAD ACCESS TO.
THAT'S OPPORTUNITY.
19
00:01:20,063 --> 00:01:23,066
THEY GOT THAT
LITTLE TRIMMER THING HE WAS
STABBED IN THE THROAT WITH.
20
00:01:23,066 --> 00:01:25,068
A DAME'S WEAPON.
IT WAS BIG DAVE'S.
21
00:01:25,068 --> 00:01:27,070
DON'T INTERRUPT ME.
THAT'S MEANS.
22
00:01:27,070 --> 00:01:29,572
THEY GOT A FINE, UPSTANDING
PILLAR OF THE BUSINESS COMMUNITY
AS A VICTIM,
23
00:01:30,073 --> 00:01:31,574
AND THEN THEY GOT YOU,
24
00:01:32,075 --> 00:01:35,078
A DISGRUNTLED,
NUMBER-JUGGLING UNDERLING,
25
00:01:35,078 --> 00:01:37,580
WHO ON THE DAY IN QUESTION
WAS DRUNK AS A SKUNK...
26
00:01:37,580 --> 00:01:42,585
AND WHOSE ALIBI FOR
THE TIME IN QUESTION IS BEING
PASSED OUT AT HOME, ALONE.
27
00:01:42,585 --> 00:01:45,088
I WAS WITH HER.
28
00:01:45,088 --> 00:01:48,591
LIKE I SAY, IT STINKS.
29
00:01:56,599 --> 00:01:58,601
I KILLED HIM.
30
00:02:13,116 --> 00:02:16,119
OKAY.
YOU KILLED HIM.
31
00:02:18,621 --> 00:02:22,625
OKAY, WE FORGET
THE BLACKMAIL THING.
YOU KILLED HIM.
32
00:02:22,625 --> 00:02:24,627
HOW COME ?
33
00:02:27,630 --> 00:02:30,133
HE AND DORIS, UH,
WERE HAVING AN AFFAIR.
34
00:02:34,137 --> 00:02:38,641
OKAY.
HOW DID YOU KNOW ?
35
00:02:40,143 --> 00:02:42,145
I JUST KNEW.
36
00:02:43,146 --> 00:02:46,149
A HUSBAND KNOWS.
37
00:02:46,149 --> 00:02:49,652
WILL ANYONE ELSE
SAY THEY KNEW ?
AND DON'T SAY YOUR WIFE.
38
00:02:49,652 --> 00:02:51,654
I DON'T KNOW.
39
00:02:53,656 --> 00:02:55,658
I DON'T THINK SO.
40
00:02:55,658 --> 00:02:59,162
[ Sighs ]
HOW DID YOU
GET INTO THE STORE ?
41
00:02:59,162 --> 00:03:01,164
I TOOK DORIS'S KEYS.
42
00:03:01,164 --> 00:03:05,168
WILL ANYONE SAY THEY SAW YOU
THERE, ON YOUR WAY THERE,
IN THERE, ON YOUR WAY BACK ?
43
00:03:07,670 --> 00:03:09,672
I DON'T THINK SO.
44
00:03:09,672 --> 00:03:12,675
WILL ANYONE CORROBORATE ANY
GODDAMN PART OF YOUR STORY
AT ALL ? OH, COME ON !
45
00:03:13,176 --> 00:03:17,180
PEOPLE, YOU CAN'T HELP
EACH OTHER LIKE THAT.
46
00:03:17,180 --> 00:03:20,183
[ Sighs ]
LET'S BE REALISTIC, NOW.
47
00:03:20,183 --> 00:03:23,686
LET'S LOOK AT OUR OPTIONS.
48
00:03:23,686 --> 00:03:26,189
WELL, FRANKLY,
I DON'T SEE ANY OPTIONS.
49
00:03:26,189 --> 00:03:31,194
LOOK,
I CANNOT PRESENT STORY "A."
I CANNOT PRESENT STORY "B."
50
00:03:31,194 --> 00:03:34,697
I COULD PLEAD YOU FOR A NUTCASE,
BUT YOU LOOK TOO COMPOSED.
51
00:03:34,697 --> 00:03:37,200
I COULD OFFER A GUILTY PLEA,
AND IN RETURN THEY DON'T
GIVE YOU THE JUICE,
52
00:03:37,200 --> 00:03:39,702
BUT I DON'T THINK YOU
WANT TO SPEND THE REST
OF YOUR LIFE IN CHINO.
53
00:03:39,702 --> 00:03:43,206
I KNOW YOU DIDN'T HIRE FREDDY
RIEDENSCHNEIDER TO HOLD YOUR
HAND AT A SENTENCING HEARING.
54
00:03:43,206 --> 00:03:45,208
YOU COULD HAVE GOTTEN
LLOYD GARROWAY FOR THAT.
55
00:03:45,208 --> 00:03:48,211
NO, NO, NO, NO.
WE'RE NOT GIVING UP YET.
56
00:03:48,211 --> 00:03:51,214
YOU HIRED FREDDY
RIEDENSCHNEIDER, IT MEANS YOU'RE
NOT THROWING IN THE TOWEL.
57
00:03:51,714 --> 00:03:55,218
I LITIGATE.
I DON'T CAPITULATE.
58
00:03:55,218 --> 00:03:58,721
ALL RIGHT. NO OPTIONS ?
WE GOTTA THINK.
59
00:03:58,721 --> 00:04:03,226
ALL RIGHT. WE GO BACK
TO THE BLACKMAIL THING.
YEAH, IT TITILLATES.
60
00:04:03,226 --> 00:04:05,728
IT'S OPEN-ENDED,
AND IT MAKESHIM
THE BAD GUY.
61
00:04:05,728 --> 00:04:08,231
YOU DIG AROUND, YOU NEVER KNOW.
SOMETHING UNSAVORY
FROM HIS PAST.
62
00:04:08,231 --> 00:04:11,234
HE APPROACHES YOU TO HELP HIM
WITH THE MONEY, HIS PAST
COMES BACK TO HAUNT HIM.
63
00:04:11,234 --> 00:04:13,736
WHO'S TO SAY ?
YEAH. YEAH. YEAH. YEAH.
64
00:04:13,736 --> 00:04:16,239
FORGET THE JEALOUS
HUSBAND THING.
THAT'S JUST SILLY.
65
00:04:16,239 --> 00:04:20,243
WE'RE GOING WITH THE BLACKMAIL.
I'LL BE IN TOUCH.
I'M COMIN' OUT !
66
00:04:20,243 --> 00:04:24,247
[ Door Hinges Creaking ]
67
00:04:24,247 --> 00:04:27,250
[ Door Slams ]
68
00:04:29,252 --> 00:04:32,755
[ Ed ]
OF COURSE THERE WAS ONE PERSON
WHO COULD CONFIRM DORIS'S STORY,
69
00:04:32,755 --> 00:04:34,757
OR PLENTY OF IT.
70
00:04:34,757 --> 00:04:37,760
THE DRY-CLEANING PANSY.
71
00:04:37,760 --> 00:04:40,263
BUT HE'D LEFT THE HOTEL,
SKIPPED OUT ON HIS BILL.
72
00:04:41,764 --> 00:04:44,767
HE'D ALSO DISAPPEARED
FROM THE RESIDENCE HE GAVE ME,
73
00:04:44,767 --> 00:04:46,769
OWING TWO MONTHS' RENT.
74
00:04:46,769 --> 00:04:48,771
HOW COULD I
HAVE BEEN SO STUPID ?
75
00:04:48,771 --> 00:04:51,774
HANDING OVER $10,000
FOR A PIECE OF PAPER.
76
00:04:53,776 --> 00:04:56,779
#### [ Piano ]
AND THE MAN GONE,
LIKE A GHOST.
77
00:04:56,779 --> 00:05:01,284
DISAPPEARED INTO THIN AIR,
VAPORIZED LIKE THE NIPS
AT NAGASAKI.
78
00:05:01,284 --> 00:05:03,286
GONE NOW.
79
00:05:05,788 --> 00:05:08,791
[ Inhales Deeply ]
ALL GONE.
80
00:05:09,292 --> 00:05:12,295
THE MONEY GONE,
BIG DAVE GONE,
81
00:05:12,795 --> 00:05:15,298
DORIS GOING.
82
00:05:15,298 --> 00:05:17,800
HOW COULD I HAVE BEEN
SO STUPID ?
83
00:05:17,800 --> 00:05:20,803
#### [ Piano Continues ]
84
00:05:20,803 --> 00:05:32,315
####
85
00:05:32,315 --> 00:05:35,318
####
[ Ice Tinkling In Glass ]
86
00:05:35,318 --> 00:05:38,321
####
87
00:05:38,321 --> 00:05:41,324
#### [ Continues ]
SHE MAKES THIS STUFF
SHE CALLS A DUFF.
88
00:05:41,824 --> 00:05:45,828
IT'S GOT EGG IN THERE.
IT'S GOT SUGAR. IT'S GOT--
89
00:05:45,828 --> 00:05:49,832
IT'S CAKE, BASICALLY,
EXCEPT SHE CALLS IT DUFF.
90
00:05:49,832 --> 00:05:52,335
YOU KNOW, LIKE IF YOU
DON'T CALL IT CAKE,
91
00:05:52,335 --> 00:05:54,837
YOU DON'T PUT ON ANY WEIGHT.
92
00:05:54,837 --> 00:05:59,342
LIKE I NEED TO BE EATING DUFF.
YOU KNOW WHAT I'M SAYING ?
93
00:05:59,342 --> 00:06:01,844
[ Ed ]
SOONER OR LATER,
EVERYONE NEEDS A HAIRCUT.
94
00:06:02,345 --> 00:06:06,849
[ Continues, Indistinct ]
WE WERE WORKING
FOR THE BANK NOW.
95
00:06:06,849 --> 00:06:10,853
WE KEPT CUTTING THE HAIR,
TRYING TO STAY AFLOAT,
96
00:06:10,853 --> 00:06:14,857
[ Loud Muttering ]
MAKE THE PAYMENTS,
TREAD THE WATER DAY BY DAY,
97
00:06:16,359 --> 00:06:18,861
DAY BY DAY.
98
00:06:21,364 --> 00:06:24,367
MOST PEOPLE THINK SOMEONE'S
ACCUSED OF A CRIME,
99
00:06:24,367 --> 00:06:27,370
THEY HAUL 'EM IN
AND BRING 'EM TO TRIAL,
BUT IT'S NOT LIKE THAT.
100
00:06:27,370 --> 00:06:29,372
IT'S NOT THAT FAST.
101
00:06:29,372 --> 00:06:32,375
THE WHEELS OF JUSTICE
TURN SLOW.
102
00:06:32,375 --> 00:06:35,378
THEY HAVE THE ARRAIGNMENT,
THEN THE INDICTMENT,
103
00:06:35,378 --> 00:06:39,382
AND THEY ENTERTAIN MOTIONS
TO DISMISS AND POSTPONE
AND CHANGE THE VENUE...
104
00:06:39,382 --> 00:06:42,385
AND ALTER THIS AND THAT
AND THE OTHER.
105
00:06:42,385 --> 00:06:45,388
THEY IMPANEL A JURY,
WHICH BRING MORE MOTIONS.
106
00:06:45,388 --> 00:06:48,391
THEN THEY SET A TRIAL DATE,
AND THEN THEY CHANGE THE DATE.
107
00:06:48,391 --> 00:06:52,395
AND THEN, OFTEN AS NOT,
THEY'LL CHANGE IT AGAIN.
NOT GUILTY, YOUR HONOR.
108
00:06:52,395 --> 00:06:55,898
I SAYS, "HONEY, IF YOU'RE
GONNA MAKE COFFEE, MAKE
A LITTLE BIT OF COFFEE."
109
00:06:55,898 --> 00:06:58,901
AND THROUGH ALL OF IT,
WE CUT THE HAIR.
110
00:07:04,407 --> 00:07:08,411
MEANTIME, FREDDY RIEDENSCHNEIDER
SLEPT AT THE METROPOLE...
111
00:07:10,913 --> 00:07:14,917
AND SHOVELED IT IN
AT DA VINCI'S.
112
00:07:14,917 --> 00:07:19,422
HE'D BROUGHT IN
A PRIVATE INVESTIGATOR
FROM SACRAMENTO...
113
00:07:19,422 --> 00:07:22,425
TO NOSE AROUND
INTO BIG DAVE'S PAST.
114
00:07:39,942 --> 00:07:43,446
I FOUND MYSELF, MORE AND MORE,
GOING OVER TO THE ABUNDAS'S.
115
00:07:43,446 --> 00:07:47,450
IT WAS A ROUTINE WE FELL INTO
MOST EVERY EVENING.
116
00:07:47,450 --> 00:07:50,953
I EVEN WENT WHEN WALTER WAS AWAY
ON HIS RESEARCH TRIPS.
117
00:07:50,953 --> 00:07:54,457
#### [ Continues ]
118
00:07:54,457 --> 00:07:56,459
HE WAS A GENEALOGIST,
119
00:07:56,459 --> 00:07:59,962
HAD TRACED BACK
HIS SIDE OF THE FAMILY
SEVEN GENERATIONS,
120
00:07:59,962 --> 00:08:01,964
HIS LATE WIFE'S EIGHT.
121
00:08:01,964 --> 00:08:03,966
IT SEEMED LIKE
A SCREWY HOBBY,
122
00:08:04,467 --> 00:08:06,969
BUT THEN MAYBE
ALL HOBBIES ARE.
123
00:08:09,972 --> 00:08:14,477
MAYBE WALTER
FOUND SOMETHING THERE
IN THE OLD COUNTY COURTHOUSES,
124
00:08:14,477 --> 00:08:16,479
HOSPITAL FILE ROOMS,
125
00:08:16,479 --> 00:08:19,482
CITY ARCHIVES,
PROPERTY ROLLS,
126
00:08:19,482 --> 00:08:21,984
REGISTRIES.
127
00:08:21,984 --> 00:08:25,488
SOMETHING MAYBE
LIKE WHAT I FOUND
LISTENING TO BIRDY PLAY.
128
00:08:25,488 --> 00:08:28,991
#### [ Continues ]
SOME KIND OF ESCAPE.
129
00:08:29,492 --> 00:08:32,995
SOME KIND OF PEACE.
#### [ Final Note ]
130
00:08:44,006 --> 00:08:46,509
[ People Chattering
In Distance ]
131
00:08:46,509 --> 00:08:49,512
[ Hinges Creaking ]
132
00:09:14,036 --> 00:09:17,540
THEY GOT THIS GUY
IN GERMANY.
133
00:09:19,041 --> 00:09:22,044
FRITZ SOMETHING
OR OTHER.
134
00:09:22,044 --> 00:09:24,046
OR IS IT--
MAYBE IT'S WERNER.
135
00:09:24,046 --> 00:09:27,550
ANYWAY...
HE'S GOT THIS THEORY.
136
00:09:29,051 --> 00:09:32,054
YOU WANT TO TEST SOMETHING,
YOU KNOW, SCIENTIFICALLY--
137
00:09:32,054 --> 00:09:35,057
HOW THE PLANETS
GO 'ROUND THE SUN,
138
00:09:35,057 --> 00:09:37,560
WHAT SUNSPOTS ARE MADE OF,
139
00:09:38,060 --> 00:09:40,563
WHY THE WATER
COMES OUT OF THE TAP--
140
00:09:40,563 --> 00:09:43,566
WELL, YOU GOTTA LOOK AT IT.
141
00:09:43,566 --> 00:09:47,570
BUT SOMETIMES
YOU LOOK AT IT--
142
00:09:47,570 --> 00:09:50,573
YOUR LOOKING CHANGES IT.
143
00:09:53,576 --> 00:09:57,079
YOU CAN'T KNOW THE REALITY
OF WHAT HAPPENED,
144
00:09:57,079 --> 00:09:59,081
OR WHAT WOULD
HAVE HAPPENED,
145
00:09:59,081 --> 00:10:03,085
IF YOU HADN'T STUCK IN
YOUR OWN GODDAMN SCHNOZZ.
146
00:10:03,085 --> 00:10:06,088
SO THERE IS NO
"WHAT HAPPENED."
147
00:10:06,088 --> 00:10:08,090
LOOKING AT SOMETHING...
148
00:10:08,090 --> 00:10:10,092
CHANGES IT.
149
00:10:14,597 --> 00:10:17,600
THEY CALL IT
THE UNCERTAINTY PRINCIPLE.
150
00:10:18,100 --> 00:10:22,605
SURE, IT SOUNDS SCREWY,
BUT EVEN EINSTEIN SAYS
THE GUY'S ONTO SOMETHING.
151
00:10:25,608 --> 00:10:27,610
SCIENCE.
152
00:10:27,610 --> 00:10:29,612
PERCEPTION.
153
00:10:32,114 --> 00:10:35,618
REALITY. DOUBT.
154
00:10:37,119 --> 00:10:40,623
REASONABLE... DOUBT.
155
00:10:42,124 --> 00:10:45,628
I'M SAYING THAT SOMETIMES
THE MORE YOU LOOK,
156
00:10:45,628 --> 00:10:48,130
THE LESS YOU REALLY KNOW.
157
00:10:49,632 --> 00:10:53,135
IT'S A FACT,
A PROVED FACT.
158
00:10:53,135 --> 00:10:55,638
IN-- IN A WAY,
159
00:10:55,638 --> 00:10:58,641
IT'S THE ONLY FACT
THERE IS.
160
00:11:01,143 --> 00:11:04,647
THIS HEINIE EVEN
WROTE IT OUT IN NUMBERS.
161
00:11:07,149 --> 00:11:09,151
BURNS ?
162
00:11:17,660 --> 00:11:20,162
SUBJECT:
DAVID ALLEN BREWSTER,
163
00:11:20,162 --> 00:11:22,164
BORN BROOKLYN, 1911.
164
00:11:22,164 --> 00:11:25,668
SUBJECT EDUCATED PUBLIC SCHOOLS.
ONE YEAR CASE WESTERN
UNIVERSITY.
165
00:11:25,668 --> 00:11:27,670
FLUNKS OUT.
166
00:11:27,670 --> 00:11:32,174
1931, RETAIL APPLIANCE SALESMAN
IN BARNHOFF'S DEPARTMENT STORE,
CINCINNATI.
167
00:11:32,174 --> 00:11:35,678
1933,
MEETS ANN NIRDLINGER.
THEY MARRY THAT YEAR.
168
00:11:36,178 --> 00:11:38,180
1935, ARRESTED
ON ASSAULT COMPLAINT.
169
00:11:38,180 --> 00:11:40,683
COMPLAINANT HAS A BROKEN NOSE,
COUPLE OF BROKEN RIBS.
170
00:11:41,183 --> 00:11:43,686
'36, ANOTHER ASSAULT BEEF
AT A BAR ROOM ALTERCATION.
171
00:11:43,686 --> 00:11:47,690
YEAH, YEAH, YEAH.
COUPLE OF FISTFIGHTS, RIGHT ?
GO TO HIS SERVICE RECORD.
172
00:11:49,191 --> 00:11:52,695
INDUCTED MARCH 15, 1942.
173
00:11:52,695 --> 00:11:56,699
SERVED IN A CLERICAL CAPACITY
IN THE U.S. NAVAL SHIPYARDS
AT SAN DIEGO.
174
00:11:57,199 --> 00:11:59,702
ONE FISTFIGHT,
BROKEN UP BY THE M.P.s.
175
00:11:59,702 --> 00:12:04,206
NO COURT-MARTIAL.
HONORABLE DISCHARGE,
MAY 8, 1945.
176
00:12:04,206 --> 00:12:07,710
SINCE THEN, HE'S BEEN CLEAN.
THANK YOU, BURNS.
GET LOST.
177
00:12:14,216 --> 00:12:17,219
[ Door Opens, Closes ]
178
00:12:17,219 --> 00:12:19,221
SO ?
179
00:12:19,221 --> 00:12:21,724
SO ?
180
00:12:21,724 --> 00:12:24,727
THIS COULD BE YOUR DOLLY'S
TICKET OUT OF THE DEATH HOUSE.
181
00:12:24,727 --> 00:12:26,729
SO !
182
00:12:26,729 --> 00:12:28,731
I DON'T GET IT.
183
00:12:28,731 --> 00:12:31,734
[ Disgusted Sigh ]
LOOK, CHUMP.
184
00:12:31,734 --> 00:12:36,739
THIS IS A GUY, FROM WHAT I
UNDERSTAND, TOLD EVERYBODY
HE WAS A WAR HERO, RIGHT ?
185
00:12:36,739 --> 00:12:39,742
ISLAND-HOPPING,
PRACTICALLY LIBERATED
THE PACIFIC ALL BY HIMSELF,
186
00:12:39,742 --> 00:12:42,745
WITH A KNIFE IN ONE HAND,
A GUN IN THE OTHER,
187
00:12:42,745 --> 00:12:45,748
AND 20 YARDS OF JAP GUTS
BETWEEN HIS TEETH.
188
00:12:45,748 --> 00:12:48,751
AND NOW IT TURNS OUT
THIS DOPE SPENT THE WAR
SITTING ON HIS ASS...
189
00:12:48,751 --> 00:12:52,254
IN SOME BOAT YARD
IN SAN DIEGO.
190
00:12:52,254 --> 00:12:54,256
YOU ASKED FOR BLACKMAIL.
191
00:12:54,256 --> 00:12:58,260
MR. HAIL-FELLOW-WELL-MET,
ABOUT TO OPEN
HIS OWN BUSINESS HERE,
192
00:12:58,260 --> 00:13:01,263
HAS BEEN LYING
TO EVERYBODY IN THIS TOWN
FOR THE LAST FOUR YEARS,
193
00:13:01,263 --> 00:13:04,266
PROBABLY INCLUDING
HALF THE PEOPLE SITTING
ON THAT JURY.
194
00:13:04,266 --> 00:13:06,769
WELL, IT FINALLY
CAUGHT UP WITH HIM.
195
00:13:06,769 --> 00:13:11,273
SOMEBODY KNEW
HIS DIRTY LITTLE SECRET,
JUST LIKE YOUR WIFE SAYS.
196
00:13:11,273 --> 00:13:14,276
THEY CALLED,
THEY DEMANDED MONEY.
197
00:13:16,278 --> 00:13:19,782
DID BIG DAVE SAY
HE'D RECENTLY HEARD
FROM AN OLD FRIEND ?
198
00:13:19,782 --> 00:13:23,786
DID BIG DAVE MENTION
IT WAS SOMETHING ABOUT
HIS WAR SERVICE ?
199
00:13:23,786 --> 00:13:26,789
I DON'T KNOW.
I WASN'T THERE.
200
00:13:26,789 --> 00:13:29,792
YOU HAVE TO TELL US.
201
00:13:29,792 --> 00:13:32,795
MAYBE HE SPECIFIED,
MAYBE HE DIDN'T.
202
00:13:32,795 --> 00:13:36,298
I'M NOT PUTTING WORDS
IN YOUR MOUTH, NO.
203
00:13:36,298 --> 00:13:38,801
BUT THE POINT IS
THAT THIS LIAR,
204
00:13:38,801 --> 00:13:40,803
THIS CYNICAL MANIPULATOR,
205
00:13:40,803 --> 00:13:43,806
TURNS TO YOU TO HELP HIM
OUT OF HIS JAM.
206
00:13:43,806 --> 00:13:45,808
FAT-ASSED SON OF A BITCH.
207
00:13:47,309 --> 00:13:50,312
SO WHO--
WHO ACTUALLY--
208
00:13:50,312 --> 00:13:52,815
WHO ? WHO ?
209
00:13:52,815 --> 00:13:54,817
I DON'T KNOW WHO.
210
00:13:54,817 --> 00:13:57,820
BUT THE POINT IS
THAT IF MR. PROSECUTOR
OVER THERE...
211
00:13:58,320 --> 00:14:01,824
HAD DEVOTED HALF THE TIME
HE'S SPENT PERSECUTING
THIS WOMAN...
212
00:14:01,824 --> 00:14:06,328
TO EVEN THE MOST
CURSORY INVESTIGATION
OF THIS SCHMO'S PAST,
213
00:14:06,328 --> 00:14:08,330
THEN WE MIGHT KNOW WHO.
214
00:14:08,330 --> 00:14:12,835
BUT WE CAN'T KNOW WHO.
WE CAN'T KNOW
WHAT REALLY HAPPENED.
215
00:14:13,335 --> 00:14:16,338
[ Rhythmically ]
BECAUSE THE MORE YOU LOOK,
THE LESS YOU KNOW.
216
00:14:18,340 --> 00:14:20,843
BUT THE BEAUTY OF IT IS...
217
00:14:21,343 --> 00:14:24,346
WE DON'T GOTTA KNOW.
218
00:14:24,346 --> 00:14:28,851
WE JUST GOTTA SHOW
THAT, GOD DAMN IT,
THEY DON'T KNOW.
219
00:14:28,851 --> 00:14:33,856
BECAUSE OF FRITZ, OR WERNER,
WHATEVER THE HELL HIS NAME IS.
220
00:14:35,357 --> 00:14:37,359
[ Chuckles ]
221
00:14:37,359 --> 00:14:40,362
FREDDY RIEDENSCHNEIDER
SEES DAYLIGHT.
222
00:14:40,362 --> 00:14:42,865
WE GOT A REAL SHOT
AT THIS, FOLKS.
LET'S NOT GET COCKY.
223
00:14:42,865 --> 00:14:44,867
COMIN' OUT !
224
00:14:44,867 --> 00:14:48,370
[ Door Slams ]
225
00:14:51,874 --> 00:14:53,876
[ Inhales ]
226
00:14:53,876 --> 00:14:56,879
[ Muffled Laughing ]
227
00:14:58,380 --> 00:15:01,383
[ Laughing Continues ]
BIG DAVE.
228
00:15:02,885 --> 00:15:04,887
[ Shaky Gasp ]
229
00:15:06,889 --> 00:15:08,891
WHAT A DOPE.
230
00:15:16,398 --> 00:15:19,401
[ Ed ]
SO MAYBE RIEDENSCHNEIDER
COULD FIX IT FOR DORIS.
231
00:15:19,401 --> 00:15:21,904
MAYBE IT WOULD ALL WORK OUT.
232
00:15:21,904 --> 00:15:23,906
AND I THOUGHT,
233
00:15:25,407 --> 00:15:27,409
I HOPED,
234
00:15:27,910 --> 00:15:30,913
THAT MAYBE
THERE WAS A WAY OUT
FOR ME AS WELL.
235
00:15:30,913 --> 00:15:34,917
HE WAS DEAF
WHEN HE WROTE THIS.
236
00:15:34,917 --> 00:15:37,419
[ Ed ]
WHO ?
237
00:15:37,419 --> 00:15:39,421
BEETHOVEN.
238
00:15:40,923 --> 00:15:44,426
HE CREATED IT, BUT HE NEVER
ACTUALLY HEARD IT.
239
00:15:44,426 --> 00:15:47,930
I GUESS HE JUST HEARD IT ALL
IN HIS HEAD SOMEHOW.
240
00:15:47,930 --> 00:15:52,434
#### [ Piano ]
241
00:15:52,434 --> 00:15:54,937
####
242
00:15:55,437 --> 00:15:58,440
[ Ed ]
THE GIRL HAD TALENT.
ANYONE COULD SEE THAT.
243
00:15:58,440 --> 00:16:00,943
AND SHE WASN'T
SOME FLY-BY-NIGHTER.
244
00:16:00,943 --> 00:16:03,445
SHE WAS JUST
A GOOD, CLEAN KID.
245
00:16:03,946 --> 00:16:06,448
IF SHE WAS GOING TO
HAVE A CAREER, SHE'D NEED
A RESPONSIBLE ADULT...
246
00:16:06,448 --> 00:16:08,450
LOOKING OUT FOR HER,
247
00:16:08,450 --> 00:16:11,954
SOME KIND OF MANAGER.
248
00:16:11,954 --> 00:16:15,457
SHE'D HAVE CONTRACTS TO LOOK AT,
BE GOING OUT ON TOURS,
249
00:16:15,457 --> 00:16:17,960
PLAYING ON THE RADIO, MAYBE.
250
00:16:17,960 --> 00:16:21,964
I COULD HELP HER
SORT THROUGH ALL THAT WITHOUT
CHARGING HER AN ARM AND A LEG.
251
00:16:21,964 --> 00:16:24,466
JUST ENOUGH TO GET BY.
252
00:16:27,469 --> 00:16:29,972
THEN I COULD BE WITH HER,
253
00:16:29,972 --> 00:16:32,474
ENOUGH TO KEEP MYSELF
FEELING OKAY.
254
00:16:34,977 --> 00:16:36,979
WHY COULDN'T THAT WORK ?
255
00:16:37,479 --> 00:16:38,981
WHY NOT ?
256
00:16:39,481 --> 00:16:41,984
[ Laughing ]
257
00:16:45,487 --> 00:16:47,489
HI, MR. CRANE.
HELLO, BIRDY.
258
00:16:50,993 --> 00:16:52,995
I THOUGHT THAT
WAS REAL GOOD.
259
00:16:52,995 --> 00:16:56,498
YEAH, I MESSED UP
A LITTLE BIT ON THE, UM,
ON THE AGITATO,
260
00:16:56,498 --> 00:17:00,002
BUT IF NOBODY NOTICED,
THEN IT'S OKAY.
261
00:17:03,505 --> 00:17:06,008
OH, THIS IS, UM,
A FRIEND OF MINE.
262
00:17:06,008 --> 00:17:09,011
TONY, UM, MR. CRANE.
263
00:17:10,512 --> 00:17:14,516
- HELLO, TONY.
- HELLO, SIR.
264
00:17:26,028 --> 00:17:30,032
[ Clears Throat ]
WELL, UH,
265
00:17:30,032 --> 00:17:32,034
CONGRATULATIONS.
266
00:17:35,537 --> 00:17:39,041
THINK I'LL
BE GETTING HOME NOW.
267
00:17:39,041 --> 00:17:43,045
IT WAS...
NICE TO MEET YOU, SIR.
268
00:17:43,045 --> 00:17:45,047
YOU TOO, TONY.
269
00:17:49,051 --> 00:17:51,553
[ Ed ]
WHY COULDN'T IT WORK ?
270
00:17:51,553 --> 00:17:55,057
ANYWAY, THAT'S WHAT
I WAS THINKING IN THE DAYS
LEADING UP TO THE TRIAL.
271
00:17:55,057 --> 00:17:59,061
IT SEEMED LIKE
ONCE THAT WAS OVER,
I'D BE READY FOR A NEW START.
272
00:17:59,061 --> 00:18:01,563
FREDDY RIEDENSCHNEIDER
WAS BUSY PREPARING.
273
00:18:01,563 --> 00:18:04,066
HE WAS VERY OPTIMISTIC.
274
00:18:04,066 --> 00:18:08,070
AND FINALLY IT CAME--
THE FIRST DAY OF THE TRIAL,
275
00:18:08,070 --> 00:18:12,574
WHAT RIEDENSCHNEIDER CALLED
"THE BIG SHOW."
276
00:18:23,585 --> 00:18:28,090
WHERE'S THE JUDGE ?
HOW COME THERE'S NO JUDGE ?
277
00:18:28,090 --> 00:18:30,592
WHERE'S THE JUDGE, ED ?
278
00:18:30,592 --> 00:18:32,594
[ Clears Throat ]
RIEDENSCHNEIDER.
279
00:18:32,594 --> 00:18:35,597
HOW COME THE JUDGE
DOESN'T COME OUT ?
280
00:18:35,597 --> 00:18:40,102
THE JUDGE COMES IN LAST.
HE'LL COME IN
WHEN DORIS GETS HERE.
281
00:18:40,602 --> 00:18:44,106
SO WHERE'S DORIS ?
I THOUGHT WE STARTED
AT 10:00.
282
00:18:44,106 --> 00:18:47,109
HEY, RIEDENSCHNEIDER.
WHERE'S DORIS ?
283
00:18:47,109 --> 00:18:49,111
SHE'S LATE.
284
00:18:49,111 --> 00:18:52,614
LATE ?
HOW CAN SHE BE LATE ?
285
00:18:53,115 --> 00:18:56,118
SHE'S IN PRISON, ED.
NONE OF US ARE IN PRISON.
286
00:18:56,118 --> 00:19:00,122
AND YET WE'RE NOT LATE.
WE'RE ON TIME, ED.
287
00:19:00,122 --> 00:19:02,124
HOW CAN DORIS BE LATE ?
288
00:19:02,124 --> 00:19:05,627
WHAT, THEY DON'T HAVE
WAKE-UP CALLS ?
[ Door Opens ]
289
00:19:09,631 --> 00:19:11,633
ALL RISE.
NO, NO.
290
00:19:11,633 --> 00:19:13,635
[ Judge ]
COUNSELORS.
291
00:19:20,142 --> 00:19:23,145
[ Footsteps ]
292
00:19:27,649 --> 00:19:29,651
WHAT'S GOING ON, ED ?
293
00:19:29,651 --> 00:19:32,654
I THOUGHT THERE
WOULD BE ARGUMENTS,
294
00:19:32,654 --> 00:19:34,656
THE BAILIFF
AND SO FORTH.
295
00:19:34,656 --> 00:19:39,161
[ Quiet Murmuring ]
296
00:19:39,161 --> 00:19:41,663
ED, WHAT IS THIS ?
297
00:19:41,663 --> 00:19:44,166
IS THIS PROCEDURE ?
298
00:20:00,682 --> 00:20:05,687
IN THE MATTER OF
THE PEOPLE V. DORIS CRANE,
CASE NUMBER SR-87249,
299
00:20:05,687 --> 00:20:08,190
CAUSE NOW PENDING
IS HEREBY DISMISSED...
300
00:20:08,190 --> 00:20:13,695
PURSUANT TO CALIFORNIA
PENAL CODE SECTION 1385.
I DON'T UNDERSTAND IT.
301
00:20:14,196 --> 00:20:17,199
HAD A REAL SHOT AT THIS.
I COULD'VE WON THIS THING.
302
00:20:17,199 --> 00:20:19,701
LADIES AND GENTLEMEN
OF THE JURY,
DOESN'T MAKE ANY SENSE.
303
00:20:20,202 --> 00:20:22,204
YOUR SERVICE
IS NO LONGER NEEDED...
304
00:20:22,204 --> 00:20:25,207
AND YOU ARE NOW DISCHARGED.
305
00:20:25,207 --> 00:20:28,210
[ Ed ]
SHE'D HANGED HERSELF.
306
00:20:30,212 --> 00:20:34,716
I'D BROUGHT HER A DRESS
TO WEAR TO COURT,
AND SHE'D USED THE BELT.
307
00:20:34,716 --> 00:20:38,220
AT FIRST I THOUGHT
SHE'D FIGURED OUT SOMEHOW
HOW I FIT INTO IT...
308
00:20:38,220 --> 00:20:41,723
AND COULDN'T STAND IT,
COULDN'T STAND KNOWING.
[ Sobbing ]
309
00:20:41,723 --> 00:20:44,226
BUT THAT WASN'T IT,
I'D FIND OUT LATER.
310
00:20:47,229 --> 00:20:51,233
FOR NOW, EVERYTHING
JUST SEEMED RUINED.
311
00:20:52,734 --> 00:20:55,737
CHECKING OUT.
FREDDY RIEDENSCHNEIDER
WENT BACK TO SACRAMENTO,
312
00:20:55,737 --> 00:20:57,739
STILL SHAKING HIS HEAD,
313
00:20:57,739 --> 00:21:00,742
SAYING IT WAS
THE BIGGEST DISAPPOINTMENT
OF HIS PROFESSIONAL CAREER.
314
00:21:00,742 --> 00:21:03,245
FRANKIE FELL TO PIECES.
315
00:21:03,245 --> 00:21:05,247
I SUSPECT HE WAS DRINKING.
316
00:21:05,747 --> 00:21:09,251
ANYWAY, HE STOPPED
COMING IN TO WORK.
317
00:21:09,251 --> 00:21:13,255
THAT LEFT ME
TO KEEP THE PLACE GOING,
OR THE BANK WOULD'VE TAKEN IT.
318
00:21:13,255 --> 00:21:15,757
HAVE TO GET HIM
OFF THE ROAD, RIGHT ?
HE KEEPS SNAPPING.
319
00:21:15,757 --> 00:21:18,260
I WAS THE PRINCIPAL
BARBER NOW.
TALK ABOUT UNGRATEFUL.
320
00:21:18,260 --> 00:21:21,763
I HIRED A NEW MAN
FOR THE SECOND CHAIR.
RUNS RIGHT OVER THE TURTLE.
321
00:21:21,763 --> 00:21:25,267
I'D HIRED THE GUY WHO DID
THE LEAST GABBING WHEN HE
CAME IN FOR AN INTERVIEW,
322
00:21:25,267 --> 00:21:28,770
BUT I GUESS THE NEW MAN
HAD ONLY KEPT QUIET
BECAUSE HE WAS NERVOUS.
323
00:21:28,770 --> 00:21:32,274
ONCE HE HAD THE JOB, HE TALKED
FROM THE MINUTE I OPENED
THE SHOP IN THE MORNING...
324
00:21:32,274 --> 00:21:35,277
UNTIL I LOCKED UP AT NIGHT.
HE TIED A PIECE OF CORN
ON A STRING, RIGHT ?
325
00:21:35,277 --> 00:21:37,779
HE WOULD WAIT
FOR THE CHICKEN TO EAT IT.
326
00:21:37,779 --> 00:21:40,782
FOR ALL I KNOW,
HE TALKED TO HIMSELF
ON THE WAY HOME.
327
00:21:40,782 --> 00:21:43,785
[ Voice Echoes, Fades ]
...THE CHICKEN--
328
00:21:43,785 --> 00:21:47,789
[ Ed ] WHEN I WALKED HOME,
IT SEEMED LIKE EVERYONE
AVOIDED LOOKING AT ME,
329
00:21:47,789 --> 00:21:50,792
AS IF I'D CAUGHT SOME DISEASE.
330
00:21:50,792 --> 00:21:54,796
THIS THING WITH DORIS,
NOBODY WANTED TO TALK ABOUT IT.
331
00:21:57,299 --> 00:22:00,802
IT WAS LIKE I WAS A GHOST
WALKING DOWN THE STREET.
332
00:22:02,304 --> 00:22:04,806
AND WHEN I GOT HOME NOW,
333
00:22:07,809 --> 00:22:10,312
THE PLACE FELT EMPTY.
334
00:22:10,312 --> 00:22:12,314
[ Door Closes ]
335
00:22:17,319 --> 00:22:19,821
I SAT IN THE HOUSE,
336
00:22:22,324 --> 00:22:24,826
BUT THERE WAS NOBODY THERE.
337
00:22:31,333 --> 00:22:32,834
IWASA GHOST.
338
00:22:34,336 --> 00:22:36,338
I DIDN'T SEE ANYONE.
339
00:22:36,338 --> 00:22:38,340
NO ONE SAW ME.
340
00:22:43,845 --> 00:22:45,847
I WAS THE BARBER.
341
00:22:51,853 --> 00:22:55,357
I HAD A COUPLE OF EGGS OVER HARD
'CAUSE I DON'T LIKE IT WHEN THEY
RUN ALL OVER THE PLATE,
342
00:22:55,357 --> 00:22:57,359
SOME BACON AND POTATOES,
WHICH ARE SUPPOSED TO
COME WITH IT.
343
00:22:57,359 --> 00:23:00,862
SO I PAY FOR IT, AND I
PUT THE CHANGE IN MY POCKET
WITHOUT REALLY LOOKING...
344
00:23:01,363 --> 00:23:03,865
'CAUSE, GOSH,
WHO LOOKS AT THE CHANGE
WHEN YOU EAT THERE EVERY DAY ?
345
00:23:03,865 --> 00:23:06,868
TWO BLOCKS LATER I LOOK
AT THE CHANGE SHE GAVE ME.
GOLLY, I'M TWO BITS SHORT.
346
00:23:06,868 --> 00:23:10,872
[ Customer ] TWO BITS SHORT.
SO I WALK BACK OVER TO LINTON'S,
FIND THIS GAL, BIG ARGUMENT.
347
00:23:10,872 --> 00:23:13,375
SHE DOESN'T EVEN RECALL
THE TRANSACTION.
NO RECOLLECTION.
348
00:23:13,375 --> 00:23:15,877
DOESN'T RECALL THE TRANSACTION.
NO RECOLLECTIONS.
349
00:23:15,877 --> 00:23:17,879
SO I SAID, "LOOK, DEAR.
GO AHEAD. LOOK AT THE MENU."
350
00:23:17,879 --> 00:23:21,383
IF YOU'RE IN BEFORE 6:00,
IT'S THE WHATCHAMACALLIT--
351
00:23:21,383 --> 00:23:24,386
THE, UH-- THE, UH--
OH, UM, THE, UH--
352
00:23:24,386 --> 00:23:26,388
THE EARLY BIRD SPECIAL.
353
00:23:26,388 --> 00:23:28,390
YEAH, THE EARLY RISER.
[ Bell Jingling ]
354
00:23:31,893 --> 00:23:33,895
CRANE ?
355
00:23:33,895 --> 00:23:36,898
I'M CRANE.
356
00:23:36,898 --> 00:23:39,901
MY NAME'S DIEDRICKSON,
COUNTY MEDICAL EXAMINER.
357
00:23:40,902 --> 00:23:42,904
YEAH ?
358
00:23:44,906 --> 00:23:47,909
I JUST CAME BY
FOR AN INFORMAL CHAT.
359
00:23:53,915 --> 00:23:56,418
WHY DON'T I
BUY YOU A DRINK ?
360
00:23:59,421 --> 00:24:01,923
RYE.
361
00:24:01,923 --> 00:24:03,925
JUST COFFEE.
362
00:24:03,925 --> 00:24:06,928
YOU SURE YOU DON'T WANT
SOMETHING STIFFER ?
363
00:24:06,928 --> 00:24:08,930
COFFEE IT IS.
364
00:24:11,933 --> 00:24:14,936
[ Sighs ]
365
00:24:14,936 --> 00:24:19,441
COUNTY M.E. DOES AN AUTOPSY
ON ANYONE WHO DIES IN CUSTODY.
366
00:24:19,941 --> 00:24:21,943
I DON'T KNOW
IF YOU KNEW THAT.
367
00:24:21,943 --> 00:24:24,946
IT'S ROUTINE.
368
00:24:24,946 --> 00:24:29,451
DOESN'T BECOME A MATTER
OF PUBLIC RECORD UNLESS
THERE'S BEEN FOUL PLAY.
369
00:24:29,451 --> 00:24:31,453
HOWEVER,
370
00:24:31,453 --> 00:24:34,456
I DON'T THINK I'M PROHIBITED
FROM TELLING YOU THIS.
371
00:24:34,456 --> 00:24:37,459
OF COURSE, I'M NOT
OBLIGED TO EITHER.
372
00:24:37,459 --> 00:24:40,462
I JUST DON'T KNOW.
373
00:24:40,462 --> 00:24:42,964
BUT IF I WERE THE MAN,
374
00:24:43,465 --> 00:24:45,967
I'D WANT TO BE TOLD.
375
00:24:46,468 --> 00:24:47,969
TOLD WHAT ?
376
00:24:55,477 --> 00:24:58,980
I'M NOT HERE
TO ADD TO YOUR--
377
00:24:58,980 --> 00:25:00,982
THANKS.
378
00:25:10,492 --> 00:25:12,494
[ Sighs ]
379
00:25:12,494 --> 00:25:14,496
YOUR WIFE WAS PREGNANT.
380
00:25:15,997 --> 00:25:17,999
FIRST TRIMESTER.
381
00:25:22,504 --> 00:25:25,006
THERE IT IS.
382
00:25:25,006 --> 00:25:27,008
I'M SORRY.
383
00:25:29,511 --> 00:25:32,514
[ Sighs ]
HELL, I HOPE I'VE DONE
THE RIGHT THING.
384
00:25:37,018 --> 00:25:41,523
MY WIFE AND I HAD NOT
PERFORMED THE SEX ACT
IN MANY YEARS.
385
00:25:57,038 --> 00:25:59,040
[ Sighs ]
WELL,
386
00:26:02,043 --> 00:26:04,546
THAT'S REALLY
NONE OF MY BUSINESS.
387
00:26:09,050 --> 00:26:11,052
I'M SORRY.
388
00:26:13,054 --> 00:26:15,056
THERE IT IS.
389
00:26:17,559 --> 00:26:20,061
GOOD LUCK, CRANE.
390
00:26:35,577 --> 00:26:40,081
[ Ed ]
DORIS AND I HAD NEVER
REALLY TALKED MUCH.
391
00:26:40,081 --> 00:26:43,084
I DON'T THINK THAT'S
A BAD THING NECESSARILY.
392
00:26:43,084 --> 00:26:47,088
[ Woman Moaning ]
BUT IT WAS FUNNY.
NOW I WANTED TO TALK.
393
00:26:47,088 --> 00:26:50,091
NOW, WITH EVERYONE GONE,
394
00:26:50,091 --> 00:26:53,595
I WAS ALONE WITH SECRETS
I DIDN'T WANT...
395
00:26:53,595 --> 00:26:57,599
AND NO ONE
TO TELL 'EM TO ANYWAY.
[ Moaning Continues ]
396
00:26:57,599 --> 00:27:00,602
I WENT TO SEE A WOMAN
WHO WAS SUPPOSED TO HAVE POWERS
IN COMMUNICATING...
397
00:27:01,102 --> 00:27:04,105
WITH THOSE
WHO HAD "PASSED ACROSS,"
AS SHE CALLED IT.
398
00:27:04,105 --> 00:27:08,109
SHE SAID THAT PEOPLE WHO HAD
PASSED ACROSS WERE PICKY ABOUT
WHO THEY'D COMMUNICATE WITH.
399
00:27:08,610 --> 00:27:11,112
NOT LIKE MOST PEOPLE
YOU RUN INTO ON THIS SIDE.
[ Moaning ]
400
00:27:11,613 --> 00:27:16,117
SO YOU NEEDED A GUIDE,
SOMEONE WITH A GIFT
FOR TALKING TO SOULS.
401
00:27:17,118 --> 00:27:19,621
GIVE ME YOUR HAND.
402
00:27:21,623 --> 00:27:26,628
MMM.
WELL, FIRST SHE TOLD ME THAT
MY WIFE WAS IN A PEACEFUL PLACE,
403
00:27:26,628 --> 00:27:28,630
THAT OUR SOULS
WERE STILL CONNECTED,
404
00:27:28,630 --> 00:27:31,132
THAT SHE'D NEVER
STOPPED LOVING ME...
405
00:27:31,132 --> 00:27:34,636
EVEN THOUGH
SHE'D DONE SOME THINGS
SHE WASN'T PROUD OF.
406
00:27:36,137 --> 00:27:38,139
MAN, SHE WAS READING ME
LIKE A BOOK.
407
00:27:40,141 --> 00:27:43,645
SHE WAS A PHONY,
JUST ANOTHER GABBER.
408
00:27:44,145 --> 00:27:47,148
I WAS TURNING INTO
ANN NIRDLINGER,
409
00:27:47,148 --> 00:27:49,651
BIG DAVE'S WIFE.
410
00:27:49,651 --> 00:27:52,654
I HAD TO TURN MY BACK
ON THE OLD LADY,
411
00:27:52,654 --> 00:27:56,157
ON THE VEILS,
ON THE GHOSTS,
412
00:27:56,658 --> 00:27:58,660
ON THE DEAD,
413
00:27:58,660 --> 00:28:01,162
BEFORE THEY ALL SUCKED ME IN.
414
00:28:01,663 --> 00:28:03,414
[ Footsteps Receding ]
415
00:28:03,414 --> 00:28:07,785
JURY MIGHT LIKE THAT.
416
00:28:07,785 --> 00:28:11,789
#### [ Radio: Big Band ]
417
00:28:12,790 --> 00:28:16,794
ED ?
HOW ARE YOU HOLDING UP ?
418
00:28:16,794 --> 00:28:18,796
OKAY, WALTER.
THANKS.
419
00:28:18,796 --> 00:28:22,800
I, UH-- I WAS SO DAMN SORRY
TO HEAR ABOUT YOUR LOSS.
420
00:28:22,800 --> 00:28:25,803
A TERRIBLE THING.
IT'S JUST DAMN TERRIBLE.
421
00:28:27,305 --> 00:28:30,308
UH, BIRDY'S UPSTAIRS.
I'M ON LONG-DISTANCE, SO--
422
00:28:30,308 --> 00:28:32,310
SURE, WALTER.
423
00:28:36,314 --> 00:28:39,817
OKAY. NO.
424
00:28:42,820 --> 00:28:45,823
HELLO, BIRDY.
425
00:28:45,823 --> 00:28:47,825
HI, MR. CRANE.
426
00:28:49,327 --> 00:28:52,330
WE HAVEN'T SEEN YOU SINCE--
427
00:28:53,831 --> 00:28:56,834
WE'VE CERTAINLY MISSED YOU.
428
00:28:58,836 --> 00:29:01,839
BIRDY, I'VE BEEN DOING
A LOT OF THINKING.
429
00:29:03,841 --> 00:29:08,346
THERE ARE A LOT OF THINGS
THAT HAVEN'T WORKED OUT FOR ME.
430
00:29:08,346 --> 00:29:13,351
LIFE HAS DEALT ME
SOME BUM CARDS. OR MAYBE I
JUST HAVEN'T PLAYED THEM RIGHT.
431
00:29:13,851 --> 00:29:16,854
POP DOESN'T LIKE PEOPLE
SMOKING IN HERE.
432
00:29:21,859 --> 00:29:23,861
I'M SORRY.
433
00:29:23,861 --> 00:29:27,865
WELL, SOMETIMES I HAVE
A CIGARETTE WHEN HE'S AWAY,
BUT NEVER WHEN HE'S HOME.
434
00:29:27,865 --> 00:29:30,368
HE CAN SMELL IT
A MILE OFF.
435
00:29:30,868 --> 00:29:33,371
WELL, SURE.
IT'S HIS HOUSE.
436
00:29:33,371 --> 00:29:36,374
THAT'S WHAT HE
KEEPS TELLING ME.
437
00:29:37,375 --> 00:29:39,877
ANYWAY, MY POINT IS
YOU'RE YOUNG,
438
00:29:40,378 --> 00:29:41,879
A KID, REALLY,
439
00:29:42,380 --> 00:29:44,882
YOUR WHOLE LIFE
AHEAD OF YOU.
440
00:29:44,882 --> 00:29:49,387
BUT IT'S NOT TOO SOON
TO START MAKING OPPORTUNITIES
FOR YOURSELF...
441
00:29:49,387 --> 00:29:53,391
BEFORE IT ALL WASHES AWAY.
442
00:29:54,892 --> 00:29:58,396
YEAH, I GUESS.
POP SAYS SO TOO.
443
00:29:58,896 --> 00:30:01,399
YOU KNOW, I WORK
PRETTY HARD AT SCHOOL.
444
00:30:01,399 --> 00:30:03,401
THAT'S SWELL.
445
00:30:03,901 --> 00:30:07,405
HOWEVER, THE MUSIC,
IF YOU WANT TO PURSUE IT--
446
00:30:07,905 --> 00:30:12,410
THE LESSONS FROM MRS. SWAN,
THEY'LL ONLY TAKE YOU SO FAR.
447
00:30:12,910 --> 00:30:15,913
THERE'S THIS GUY
IN SAN FRANCISCO.
448
00:30:15,913 --> 00:30:19,417
I'VE MADE INQUIRIES.
449
00:30:19,417 --> 00:30:22,420
EVERYBODY SAYS
HE'S THE BEST.
450
00:30:22,420 --> 00:30:26,924
TRAINED PEOPLE WHO'VE GONE ON
TO BIG CONCERT CAREERS IN
SYMPHONY ORCHESTRAS, THE WORKS.
451
00:30:26,924 --> 00:30:29,427
HIS NAME IS JACQUES...
452
00:30:29,927 --> 00:30:31,429
CARCANOGUES.
453
00:30:31,929 --> 00:30:34,432
I'M NOT SURE
I'M PRONOUNCING IT RIGHT.
ANYWAY, HE'S A FRENCHMAN.
454
00:30:34,932 --> 00:30:37,435
OH, BOY.
A FRENCHMAN, HUH ?
YOU'VE GOT TALENT.
455
00:30:38,436 --> 00:30:41,939
ANYBODY CAN SEE THAT.
AND HE'S THE BEST.
456
00:30:41,939 --> 00:30:45,943
IF HE SEES A STUDENT THAT
HE THINKS HAS TALENT, HE TAKES
THEM ON FOR NEXT TO NOTHING.
457
00:30:45,943 --> 00:30:47,945
SO YOU'RE A CINCH
TO BE ACCEPTED.
458
00:30:47,945 --> 00:30:51,949
I COULD COVER THE COSTS
OF THE LESSONS. LIKE I SAID,
IT'S PRETTY MODEST.
459
00:30:51,949 --> 00:30:55,453
- OH, JEEZ, MR. CRANE.
- NO, I HAVE TO DO IT.
460
00:30:55,453 --> 00:30:58,456
I CAN'T STAND BY
AND WATCH ANY MORE THINGS
GO DOWN THE DRAIN.
461
00:30:58,956 --> 00:31:00,958
YOU'RE YOUNG.
YOU DON'T UNDERSTAND.
462
00:31:00,958 --> 00:31:05,463
WELL, JEEZ, MR. CRANE.
I HADN'T REALLY THOUGHT
ABOUT A CAREER OR STUFF.
463
00:31:06,964 --> 00:31:09,467
WELL, I KNOW YOU HAVEN'T.
464
00:31:10,968 --> 00:31:14,972
LOOK, JUST GO SEE HIM
AS A FAVOR TO ME.
465
00:31:14,972 --> 00:31:16,974
I TALKED TO THIS GUY.
466
00:31:16,974 --> 00:31:20,478
HE LOOSENED UP A LITTLE BIT
WHEN I TOLD HIM
HOW TALENTED YOU WERE.
467
00:31:20,478 --> 00:31:23,481
HE'S AGREED TO SEE YOU
THIS SATURDAY.
468
00:31:23,481 --> 00:31:27,985
HE SAID, UH, MAYBE YOU'RE
A DIAMOND IN THE ROUGH.
469
00:31:28,486 --> 00:31:29,987
HIS WORDS.
470
00:31:30,488 --> 00:31:32,990
JEEZ, I DON'T KNOW,
MR. CRANE.
471
00:31:34,492 --> 00:31:37,495
JUST GO SEE HIM
AS A FAVOR TO ME.
472
00:31:41,499 --> 00:31:44,001
#### [ Piano: Classical ]
473
00:31:44,502 --> 00:31:48,506
####
474
00:31:48,506 --> 00:31:51,008
[ Woman Talking In Distance,
Indistinct ]
475
00:31:58,516 --> 00:32:01,018
[ French Accent ]
YOU ARE THE FATHER ?
476
00:32:01,519 --> 00:32:04,522
NO, I'M HER--
I'M A FAMILY FRIEND.
477
00:32:04,522 --> 00:32:08,526
I AM CARCANOGUES.
YOU WILL WAIT, MY DEAR.
478
00:32:10,528 --> 00:32:13,030
#### [ Piano ]
479
00:32:16,033 --> 00:32:18,035
[ Water Running ]
480
00:32:18,035 --> 00:32:20,538
I SPEAK WITH YOU
ON THE PHONE, NO ?
481
00:32:20,538 --> 00:32:23,541
YOU HAVE A SPECIAL INTEREST
IN MUSIC ?
482
00:32:24,542 --> 00:32:26,544
UH-HUH.
483
00:32:28,546 --> 00:32:31,048
AH.
484
00:32:31,549 --> 00:32:34,051
A MUSIC LOVER,
ALORS.
485
00:32:34,552 --> 00:32:37,555
UM, I DON'T PRETEND
TO BE AN EXPERT.
486
00:32:37,555 --> 00:32:39,557
AH.
487
00:32:45,563 --> 00:32:48,065
AHA.
488
00:32:50,067 --> 00:32:53,571
- HOW DID SHE DO ?
- SHE SEEMED LIKE
A VERY NICE GIRL.
489
00:32:56,073 --> 00:32:59,577
SHE PLAY, MONSIEUR,
490
00:32:59,577 --> 00:33:02,580
LIKE A VERY NICE GIRL.
491
00:33:03,080 --> 00:33:04,582
STINKS.
492
00:33:05,082 --> 00:33:06,584
NICE GIRL,
493
00:33:06,584 --> 00:33:09,086
HOWEVER, STINKS.
494
00:33:09,086 --> 00:33:11,589
WELL, I DON'T UNDERSTAND.
495
00:33:11,589 --> 00:33:13,591
IS NOT SO HARD
TO UNDERSTAND.
496
00:33:14,091 --> 00:33:17,094
HER PLAYING, UH,
VERY POLITE.
497
00:33:17,094 --> 00:33:19,597
DID SHE MAKE MISTAKES ?
498
00:33:19,597 --> 00:33:22,099
MISTAKE ? NO.
499
00:33:22,099 --> 00:33:24,602
IT SAY "E-FLAT,"
SHE PLAY E-FLAT.
500
00:33:25,102 --> 00:33:28,105
PING, PING. SHE PLAY
THE RIGHT NOTE ALWAYS.
501
00:33:28,105 --> 00:33:30,608
WELL, I DON'T UNDERSTAND.
NO MISTAKES ?
502
00:33:30,608 --> 00:33:33,110
LOOK, SHE'S JUST A KID.
I THOUGHT YOU TAUGHT
THESE KIDS TO--
503
00:33:33,611 --> 00:33:36,113
NO, NO, NO, MONSIEUR.
THAT IS WHAT I CANNOT
TEACH HER, HUH ?
504
00:33:36,113 --> 00:33:38,115
I CANNOT TEACH HER
TO HAVE THE SOUL.
505
00:33:38,115 --> 00:33:42,620
HMM,VOYEZ, MONSIEUR.
LOOK.
506
00:33:42,620 --> 00:33:47,124
TO PLAY THE PIANO
IS NOT ABOUT THE FINGERS.
507
00:33:47,124 --> 00:33:49,627
WE MAKE WITH THE FINGERS.
508
00:33:50,127 --> 00:33:53,130
####
509
00:33:53,130 --> 00:33:56,133
BUT THE MUSIC, MONSIEUR,
510
00:33:56,634 --> 00:34:00,638
SHE COME FROML'INTERIEUR,
FROM INSIDE, HUH ?
511
00:34:02,139 --> 00:34:04,141
THE MUSIC,
512
00:34:04,141 --> 00:34:06,143
SHE STARTS HERE.
513
00:34:06,143 --> 00:34:09,146
SHE COME OUT
THROUGH HERE.
514
00:34:09,146 --> 00:34:12,149
HMM ?
THEN PERHAPS,
515
00:34:12,650 --> 00:34:14,151
PERHAPS,
516
00:34:14,652 --> 00:34:17,154
SHE CAN GO HERE.
517
00:34:21,158 --> 00:34:24,161
LIKE I SAID,
I'M NOT AN EXPERT.
518
00:34:24,161 --> 00:34:29,166
SO YOU CAN LISTEN TO ME,
FOR I AM EXPERT.
519
00:34:29,166 --> 00:34:32,670
VOYEZ, MONSIEUR.
THIS GIRL, NICE GIRL.
520
00:34:33,170 --> 00:34:36,674
VERY CLEVER HANDS.
NICE GIRL.
521
00:34:36,674 --> 00:34:39,677
I THINK, UH,
PERHAPS SOME DAY...
522
00:34:41,178 --> 00:34:44,682
SHE CAN MAKE
VERY GOOD TYPIST, HUH ?
523
00:34:45,182 --> 00:34:49,186
TAT, TAT, TAT, TAT,
TAT, TAT, TAT.
524
00:34:49,186 --> 00:34:51,188
VOILA.
525
00:34:59,697 --> 00:35:02,199
I STANK, DIDN'T I ?
HE DIDN'T SAY THAT.
526
00:35:02,700 --> 00:35:05,202
NO, BUT MORE OR LESS.
527
00:35:07,204 --> 00:35:10,708
I'M NO EXPERT, BUT THERE
MUST BE A DOZEN TEACHERS
BETTER THAN THIS CLOWN.
528
00:35:10,708 --> 00:35:13,210
NO, LOOK, REALLY--
MORE QUALIFIED.
529
00:35:13,210 --> 00:35:15,713
GODDAMN PHONY.
530
00:35:15,713 --> 00:35:17,715
REALLY, IT'S OKAY.
531
00:35:17,715 --> 00:35:22,219
I'M NOT INTERESTED
IN PLAYING MUSIC
PROFESSIONALLY.
532
00:35:22,219 --> 00:35:24,722
YOU KNOW, I'M NOT SURE
I WANT A CAREER AT ALL,
533
00:35:24,722 --> 00:35:27,725
AND IF I DID, I'D PROBABLY
BE A VETERINARIAN.
534
00:35:31,228 --> 00:35:34,231
- VETERINARIAN.
- YEAH.
535
00:35:34,231 --> 00:35:37,234
BUT I-I DO APPRECIATE
YOUR INTEREST.
536
00:35:38,736 --> 00:35:40,237
IT WAS NOTHING.
537
00:35:40,738 --> 00:35:45,242
I WISH I'D PLAYED BETTER FOR YOU
'CAUSE I KNOW IT WOULD'VE
MADE YOU REAL HAPPY.
538
00:35:48,746 --> 00:35:50,748
YOU KNOW WHAT YOU ARE ?
539
00:35:51,749 --> 00:35:53,751
WHAT ?
540
00:35:53,751 --> 00:35:56,253
YOU'RE AN ENTHUSIAST.
541
00:35:59,256 --> 00:36:01,258
YEAH, MAYBE.
542
00:36:07,765 --> 00:36:12,269
YOU KNOW, I REALLY DO
APPRECIATE THE INTEREST
YOU'VE TAKEN.
543
00:36:18,275 --> 00:36:21,779
BIRDY.
I JUST WANTED
TO MAKE YOU HAPPY.
544
00:36:21,779 --> 00:36:24,782
BIRDY.
NO, IT'S REALLY OKAY.
I WANNA DO IT.
545
00:36:24,782 --> 00:36:26,784
- BIRDY !
- NO, IT'S OKAY, REALLY.
546
00:36:26,784 --> 00:36:29,787
NO ! NO ! NO !
MR. CRANE, I WANNA DO IT.
MR. CRANE !
547
00:36:29,787 --> 00:36:31,288
BIRDY, PLEASE DON'T DO THAT !
MR. CRANE, PLEASE !
548
00:36:31,288 --> 00:36:34,291
- HEAVENS TO BETSY, BIRDY !
- PLEASE, MR. CRANE.
549
00:36:34,291 --> 00:36:38,796
- [ Horn Honking ]
- [ Birdy Screaming ]
550
00:36:44,301 --> 00:36:47,304
[ Ed ]
TIME SLOWS DOWN
RIGHT BEFORE AN ACCIDENT,
551
00:36:47,805 --> 00:36:50,808
AND I HAD TIME
TO THINK ABOUT THINGS.
552
00:36:52,810 --> 00:36:56,313
I THOUGHT ABOUT
WHAT AN UNDERTAKER
HAD TOLD ME ONCE--
553
00:36:56,313 --> 00:37:00,317
THAT YOUR HAIR KEEPS GROWING,
FOR A WHILE, ANYWAY,
554
00:37:00,317 --> 00:37:05,322
AFTER YOU DIE.
[ Loud Crash ]
555
00:37:05,322 --> 00:37:07,825
AND THEN IT STOPS.
556
00:37:11,328 --> 00:37:14,832
I THOUGHT,
"WHAT KEEPS IT GROWING ?"
557
00:37:16,834 --> 00:37:19,336
IS IT LIKE A PLANT IN SOIL ?
558
00:37:20,838 --> 00:37:22,840
WHAT GOES OUT OF THE SOIL ?
559
00:37:22,840 --> 00:37:24,842
THE SOUL ?
560
00:37:26,343 --> 00:37:29,346
AND WHEN DOES THE HAIR
REALIZE THAT IT'S GONE ?
561
00:37:40,858 --> 00:37:43,360
[ Birds Chirping ]
562
00:37:43,360 --> 00:37:46,363
[ Children Chattering
In Distance ]
563
00:37:46,363 --> 00:37:48,866
[ Ticking ]
564
00:37:53,370 --> 00:37:55,873
[ Child Shouting ]
565
00:37:59,376 --> 00:38:01,378
[ Child Giggling ]
566
00:38:08,385 --> 00:38:10,387
[ Giggling Continues ]
567
00:38:19,897 --> 00:38:22,399
HELLO !
568
00:38:22,399 --> 00:38:25,903
I NOTICED YOU STILL HAVE
PEA STONE IN YOUR DRIVEWAY.
569
00:38:26,403 --> 00:38:29,406
OF COURSE YOU HAVE TO
REJUVENATE THAT EVERY COUPLE
OF YEARS, DON'T YOU ?
570
00:38:29,406 --> 00:38:31,408
WHEN THE PEA STONE
THINS OUT ?
571
00:38:31,408 --> 00:38:34,411
HA.
WHERE DOES IT GO, HUH ?
572
00:38:34,411 --> 00:38:36,413
LIKE THE ODD SOCK.
573
00:38:36,413 --> 00:38:41,418
'COURSE, YOU KNOW WHERE IT GOES.
YOU PROBABLY PICK PIECES OF IT
OFF YOUR LAWN ALL THE TIME,
574
00:38:41,418 --> 00:38:45,422
CHURN IT UP WITH
YOUR LAWN MOWER, SWEEP IT OFF
YOUR PORCH THERE.
575
00:38:45,422 --> 00:38:48,926
- PAIN IN THE NECK.
- NEVER BOTHERED ME.
576
00:38:49,426 --> 00:38:51,428
WELL, HAVE YOU EVER
CONSIDERED TAR MACADAM ?
577
00:38:51,929 --> 00:38:54,431
PEOPLE THINK IT'S
JUST FOR PUBLIC WORKS
OR COMMERCIAL PURPOSES,
578
00:38:54,431 --> 00:38:57,434
BUT WE HAVE THE TECHNOLOGY NOW
TO BRING IT TO THE HOMEOWNER,
579
00:38:57,935 --> 00:39:00,437
INDIVIDUAL CONSUMER,
AT VERY COMPETITIVE PRICES.
580
00:39:00,437 --> 00:39:04,942
MIND IF I SHOW YOU
THE SPECIFICATIONS ?
AFTERNOON, MA'AM.
581
00:39:04,942 --> 00:39:06,944
WHAT ARE YOU SELLING ?
582
00:39:06,944 --> 00:39:08,946
[ Laughs ]
583
00:39:09,446 --> 00:39:12,449
MA'AM, I WAS JUST
TELLING YOUR HUSBAND HERE
ABOUT TAR MACADAM...
584
00:39:12,449 --> 00:39:14,451
FOR YOUR
HOME DRIVEWAY HERE.
585
00:39:14,451 --> 00:39:18,455
HERE'S THE BROCHURE.
IT'S THE MODERN WAY TO--
586
00:39:18,455 --> 00:39:20,457
GET LOST.
587
00:39:35,472 --> 00:39:37,474
JESUS.
588
00:39:50,988 --> 00:39:55,492
[ Cork Pops,
Liquid Pouring ]
589
00:39:55,492 --> 00:39:57,494
[ Bottle Clatters ]
590
00:40:31,028 --> 00:40:32,529
DORIS--
NO.
591
00:40:34,031 --> 00:40:37,534
DON'T SAY ANYTHING.
I'M FINE.
592
00:40:38,535 --> 00:40:40,537
[ Child Laughing Outside ]
593
00:40:47,044 --> 00:40:49,046
[ Man's Voice, Faint ]
MR. CRANE ?
594
00:40:49,046 --> 00:40:52,049
MR. CRANE ?
595
00:40:52,049 --> 00:40:54,051
MR. CRANE.
596
00:40:54,551 --> 00:40:56,053
MR. CRANE ?
597
00:40:58,055 --> 00:41:00,557
MR. CRANE.
598
00:41:00,557 --> 00:41:02,559
MR. CRANE ?
599
00:41:04,061 --> 00:41:06,563
ARE YOU THERE ?
600
00:41:06,563 --> 00:41:08,565
ARE YOU AWAKE ?
601
00:41:10,567 --> 00:41:13,570
HE'S COMIN' AROUND.
602
00:41:13,570 --> 00:41:16,573
CAN YOU TALK, SIR ?
THESE MEN HAVE TO
TALK TO YOU.
603
00:41:16,573 --> 00:41:19,576
ARE YOU AWAKE ? SIR ?
604
00:41:19,576 --> 00:41:21,578
HE'S-- HE'S AWAKE.
GO AHEAD.
605
00:41:21,578 --> 00:41:24,581
[ Persky ]
ARE YOU AWAKE ?
IS HE AWAKE ?
606
00:41:25,082 --> 00:41:28,585
CRANE, AS SOON
AS YOU'RE CONSCIOUS,
WE HAVE TO TELL YOU THAT--
607
00:41:28,585 --> 00:41:31,588
UH, IS HE CONSCIOUS ?
HIS EYES ARE OPEN.
608
00:41:32,089 --> 00:41:33,590
UH, YOU'RE
UNDER ARREST.
609
00:41:34,091 --> 00:41:36,593
[ Persky ]
SOON AS THE DOCTOR LETS US,
WE GOTTA MOVE YOU.
610
00:41:36,593 --> 00:41:39,596
DOES HE UNDERSTAND THAT ?
WE'RE SUPPOSED TO TELL HIM.
ARE YOU CONSCIOUS ?
611
00:41:39,596 --> 00:41:43,100
THEY'LL TAKE YOU
TO THE PRISON HOSPITAL.
UNDER ARREST FOR MURDER.
612
00:41:45,602 --> 00:41:48,605
- BIRDY.
- WHAT ?
613
00:41:48,605 --> 00:41:50,607
WHAT'D HE SAY ?
BIRDY.
614
00:41:50,607 --> 00:41:53,610
BIRDY. UH, THE GIRL.
NO, THE GIRL'S OKAY.
615
00:41:54,111 --> 00:41:58,115
BROKEN CLAVICLE.
THAT'S A COLLARBONE, CRANE.
IT'S BROKEN.
616
00:41:58,115 --> 00:42:02,619
SHE'S OKAY, THOUGH.
SO HE UNDERSTANDS, THEN,
HE'S UNDER ARREST FOR MURDER ?
617
00:42:02,619 --> 00:42:04,621
[ Whispers ]
BIG DAVE.
618
00:42:04,621 --> 00:42:08,125
HUH ?
WHAT ?
WHAT'D HE SAY ?
619
00:42:08,125 --> 00:42:11,628
[ Persky ]
HE SAID OKAY.
IS THAT WHAT HE SAID ?
620
00:42:13,630 --> 00:42:17,134
[ Loud ] YOU'RE
UNDER ARREST FOR THE MURDER
OF CREIGHTON TOLLIVER.
621
00:42:17,634 --> 00:42:21,138
YOU UNDERSTAND THAT ?
DOES HE UNDERSTAND ?
622
00:42:23,140 --> 00:42:25,142
[ Ed ]
THE PANSY.
623
00:42:27,144 --> 00:42:31,148
A KID DIVING IN
A WATER HOLE OUTSIDE OF TOWN
HAD FOUND HIS CAR.
624
00:42:31,148 --> 00:42:33,150
THEY WINCHED IT OUT...
625
00:42:33,150 --> 00:42:36,653
AND FOUND HE'D BEEN BEATEN,
JUST LIKE BIG DAVE SAID.
626
00:42:38,655 --> 00:42:40,657
BEATEN TO DEATH.
627
00:42:42,659 --> 00:42:47,164
INSIDE HIS BRIEFCASE
WERE THE PARTNERSHIP PAPERS
I'D SIGNED,
628
00:42:47,164 --> 00:42:51,168
SHOWING THAT I'D
GIVEN HIM TEN GRAND.
629
00:42:51,168 --> 00:42:55,172
FOR THE DISTRICT ATTORNEY,
THAT MADE IT FALL INTO PLACE.
630
00:42:55,172 --> 00:42:57,674
I'D GOTTEN DORIS
TO STEAL THE MONEY.
631
00:42:57,674 --> 00:43:01,678
THE PANSY HAD GOTTEN WISE
SOMEHOW, SO I HAD TO KILL HIM
TO COVER MY TRACKS.
632
00:43:01,678 --> 00:43:03,680
ON THE ARRAIGNMENT CALENDAR,
633
00:43:03,680 --> 00:43:06,183
PEOPLE V. EDWARD CRANE.
634
00:43:06,183 --> 00:43:09,186
I WAS IN A SPOT.
YOU ARE CHARGED
IN A ONE-COUNT COMPLAINT...
635
00:43:09,686 --> 00:43:12,189
THAT ALLEGES AS FOLLOWS--
I CALLED IN
FREDDY RIEDENSCHNEIDER...
636
00:43:12,689 --> 00:43:15,192
AND SIGNED THE HOUSE
OVER TO HIM.
637
00:43:15,192 --> 00:43:17,694
HE SAID HE DIDN'T ORDINARILY
WORK THAT CHEAP,
638
00:43:17,694 --> 00:43:21,198
BUT HE FIGURED HE OWED ME
SOMETHING SINCE THE LAST ONE
HADN'T PLAYED OUT.
639
00:43:21,198 --> 00:43:24,201
HOW DO YOU NOW PLEAD ?
WE PLEAD NOT GUILTY,
YOUR HONOR.
640
00:43:24,201 --> 00:43:27,204
[ Ed ] I TRIED TO
TELL HIM THE WHOLE STORY,
BUT RIEDENSCHNEIDER STOPPED ME.
641
00:43:27,204 --> 00:43:29,206
HE SAID THE STORY
MADE HIS HEAD HURT.
642
00:43:29,206 --> 00:43:33,210
HE DIDN'T SEE ANY WAY OF USING
IT WITHOUT PUTTING ME ON THE HOT
SEAT FOR THE MURDER OF BIG DAVE.
643
00:43:33,210 --> 00:43:36,213
TRIAL DATE IS SET
FOR MONDAY A WEEK.
644
00:43:37,714 --> 00:43:40,217
HE TOLD ME NOT TO WORRY,
THOUGH.
645
00:43:40,217 --> 00:43:43,720
SAID HE'D THINK OF SOMETHING.
646
00:43:43,720 --> 00:43:46,723
THEY PUT ME
ON 24-HOUR DEATH WATCH,
647
00:43:46,723 --> 00:43:51,728
SO THAT I COULDN'T CHEAT JUSTICE
LIKE THEY SAID MY WIFE HAD DONE.
648
00:43:51,728 --> 00:43:54,731
BUT IN FRONT OF THE JURY,
THEY HAD IT THAT DORIS
WAS A SAINT.
649
00:43:55,232 --> 00:43:58,235
THE WHOLE PLAN HAD BEEN MINE.
650
00:43:58,235 --> 00:44:02,739
I WAS A SVENGALI
WHO HAD FORCED DORIS TO JOIN
MY CRIMINAL ENTERPRISE.
651
00:44:03,240 --> 00:44:05,742
A TERRIBLE--
ON AND ON IT WENT,
652
00:44:05,742 --> 00:44:10,247
HOW I'D USED DORIS,
THEN LET HER TAKE THE FALL.
THAT MAN !
653
00:44:10,247 --> 00:44:13,750
THAT STUFF SMARTED
BECAUSE SOME OF IT
WAS CLOSE TO BEING TRUE.
654
00:44:16,753 --> 00:44:19,256
AND THEN IT WAS
RIEDENSCHNEIDER'S TURN.
655
00:44:27,264 --> 00:44:31,268
LADIES AND GENTLEMEN,
MEMBERS OF THE JURY,
CITIZENS OF SANTA ROSA,
656
00:44:31,268 --> 00:44:35,272
WE'VE JUST HEARD
FROM THE DISTRICT ATTORNEY
A RATHER LURID DESCRIPTION...
657
00:44:35,272 --> 00:44:37,274
OF A TRULY DESPICABLE MAN.
658
00:44:37,274 --> 00:44:40,777
I GOTTA HAND IT TO HIM.
HE TOSSED A LOT OF SAND
IN THEIR EYES.
659
00:44:41,278 --> 00:44:44,281
HE TALKED ABOUT
HOW I'D LOST MY PLACE
IN THE UNIVERSE,
660
00:44:44,781 --> 00:44:48,785
...THE CHARACTER DRAWN...
HOW I WAS TOO ORDINARY TO BE
THE CRIMINAL MASTERMIND...
661
00:44:48,785 --> 00:44:50,787
THE D.A. MADE ME OUT TO BE,
662
00:44:50,787 --> 00:44:54,291
HOW THERE WAS SOME GREATER
SCHEME AT WORK THAT THE STATE
HAD YET TO UNRAVEL.
663
00:44:54,791 --> 00:44:57,794
- IS IT THAT SIMPLE ?
- AND HE THREW IN SOME OF
THE OLD TRUTH STUFF...
664
00:44:57,794 --> 00:45:00,297
HE HADN'T HAD THE CHANCE
TO TROT OUT FOR DORIS.
665
00:45:00,297 --> 00:45:04,301
MAY AT FIRST LOOK AT THESE LINES
AND SEE ONLY THE CHAOS
OF A WORK OF MODERN ART.
666
00:45:04,301 --> 00:45:08,805
BUT IT IS YOUR JOB--
[ Ed ] HE TOLD THEM TO LOOK
AT ME, LOOK AT ME CLOSE.
667
00:45:08,805 --> 00:45:11,808
THAT THE CLOSER THEY LOOKED,
THE LESS SENSE
IT WOULD ALL MAKE.
668
00:45:11,808 --> 00:45:15,812
THIS HUMAN, THIS BARBER.
669
00:45:15,812 --> 00:45:18,815
[ Ed ]
THAT I WASN'T THE KIND OF GUY
TO KILL A GUY,
670
00:45:18,815 --> 00:45:21,818
THAT I WAS THE BARBER,
FOR CHRIST'S SAKE.
671
00:45:22,319 --> 00:45:25,322
I WAS JUST LIKE THEM,
AN ORDINARY MAN.
672
00:45:25,322 --> 00:45:29,326
GUILTY OF LIVING IN A WORLD
THAT HAD NO PLACE FOR ME, YEAH.
673
00:45:29,326 --> 00:45:32,829
GUILTY OF WANTING TO BE
A DRY CLEANER, SURE.
BUT NOT OF MURDER.
674
00:45:32,829 --> 00:45:37,334
BUT MOST SPECIFICALLY,
THIS IS A BARBER'S DILEMMA.
675
00:45:37,334 --> 00:45:39,336
FOR HE IS MODERN MAN.
676
00:45:39,836 --> 00:45:41,838
HE SAID I WAS MODERN MAN.
677
00:45:41,838 --> 00:45:43,840
HE IS YOUR REFLECTION.
678
00:45:43,840 --> 00:45:45,842
AND IF THEY VOTED
TO CONVICT ME,
679
00:45:45,842 --> 00:45:49,846
THEY'D BE PRACTICALLY
CINCHING THE NOOSE
AROUND THEIR OWN NECKS.
680
00:45:49,846 --> 00:45:52,849
HE TOLD THEM TO LOOK
NOT AT THE FACTS, BUT AT
THE MEANING OF THE FACTS.
681
00:45:52,849 --> 00:45:55,852
AND THEN HE SAID
THE FACTS HAD NO MEANING.
682
00:45:56,353 --> 00:45:59,356
IT WAS A PRETTY GOOD SPEECH
AND EVEN HAD ME GOING,
683
00:45:59,356 --> 00:46:02,359
UNTIL FRANKIE
INTERRUPTED IT.
684
00:46:02,359 --> 00:46:06,363
- [ Crowd Gasps ]
- WHAT KIND OF MAN ARE YOU ?
685
00:46:06,363 --> 00:46:08,865
WHAT KIND OF MAN ARE YOU ?
686
00:46:08,865 --> 00:46:11,868
MOVE FOR A MISTRIAL !
YOUR HONOR !
687
00:46:11,868 --> 00:46:14,371
- WHAT KIND OF MAN ARE YOU ?
- MOVE FOR A MISTRIAL.
688
00:46:14,371 --> 00:46:17,374
[ Ed ]
WELL, HE GOT HIS MISTRIAL,
BUT THE WELL HAD RUN DRY.
689
00:46:17,374 --> 00:46:19,876
THE COURT WILL COME TO ORDER.
THERE WAS NOTHING LEFT
TO MORTGAGE.
690
00:46:19,876 --> 00:46:24,381
RIEDENSCHNEIDER WENT HOME,
AND THE COURT APPOINTED
LLOYD GARROWAY,
691
00:46:24,381 --> 00:46:26,883
WHO THREW ME
ON THE MERCY OF THE COURT.
692
00:46:26,883 --> 00:46:29,386
YOUR HONOR,
WE PLEAD GUILTY...
693
00:46:29,386 --> 00:46:32,889
WITH EXTENUATING
CIRCUMSTANCES.
694
00:46:32,889 --> 00:46:35,392
[ Ed ]
IT WAS MY ONLY CHANCE,
HE SAID.
695
00:46:35,392 --> 00:46:38,895
I GUESS THAT MEANT
I NEVER HAD A CHANCE.
...ARGUMENTS OF THE DEFENSE.
696
00:46:39,396 --> 00:46:40,897
CERTAIN FACTS
HAVE BEEN CLEARLY--
697
00:46:41,398 --> 00:46:46,403
HE WASN'T BUYING ANY
OF THAT MODERN MAN STUFF,
OR THE UNCERTAINTY STUFF,
698
00:46:46,403 --> 00:46:48,405
OR ANY OF THE MERCY STUFF
EITHER.
699
00:46:48,405 --> 00:46:50,907
THIS MAN IS A MENACE
TO SOCIETY.
700
00:46:50,907 --> 00:46:52,909
NOPE, HE WAS GOING
BY THE BOOK,
701
00:46:53,410 --> 00:46:56,413
IT IS THE JUDGMENT OF
THIS COURT, AND IN SO DOING,
AND THE BOOK SAID...
702
00:46:56,413 --> 00:46:59,916
I GOT THE CHAIR.
HE HAS FORFEITED THE RIGHT
TO HIS OWN LIFE.
703
00:46:59,916 --> 00:47:01,918
SO HERE I AM.
704
00:47:02,419 --> 00:47:04,921
AT FIRST I DIDN'T KNOW
HOW I GOT HERE.
705
00:47:04,921 --> 00:47:07,424
I KNEW STEP BY STEP,
OF COURSE,
706
00:47:07,424 --> 00:47:10,927
WHICH IS WHAT I'VE TOLD YOU,
STEP BY STEP.
707
00:47:10,927 --> 00:47:14,931
BUT I COULDN'T SEE
ANY PATTERN.
708
00:47:14,931 --> 00:47:17,934
NOW THAT I'M NEAR THE END,
I'M GLAD THAT THIS
MEN'S MAGAZINE...
709
00:47:17,934 --> 00:47:20,437
PAID ME TO TELL MY STORY.
710
00:47:20,937 --> 00:47:23,440
WRITING IT HAS HELPED ME
SORT IT ALL OUT.
711
00:47:23,440 --> 00:47:25,442
THEY'RE PAYING ME
FIVE CENTS A WORD,
712
00:47:25,442 --> 00:47:28,945
SO YOU'LL PARDON ME
IF SOMETIMES I'VE TOLD YOU
MORE THAN YOU WANTED TO KNOW.
713
00:47:28,945 --> 00:47:32,449
[ Bell Rings ]
BUT NOW ALL THE DISCONNECTED
THINGS SEEM TO HOOK UP.
714
00:47:34,451 --> 00:47:36,953
THAT'S THE FUNNY THING
ABOUT GOING AWAY,
715
00:47:36,953 --> 00:47:40,457
KNOWING THE DATE
YOU'RE GOING TO DIE.
716
00:47:40,457 --> 00:47:43,960
AND THE MEN'S MAGAZINE
WANTED ME TO TELL HOW THAT FELT.
717
00:48:09,486 --> 00:48:13,990
WELL, IT'S LIKE PULLING AWAY
FROM THE MAZE.
718
00:48:15,492 --> 00:48:18,495
WHILE YOU'RE IN THE MAZE,
YOU GO THROUGH WILLY-NILLY,
719
00:48:18,495 --> 00:48:20,997
TURNING WHERE YOU THINK
YOU HAVE TO TURN,
720
00:48:20,997 --> 00:48:22,999
BANGING INTO THE DEAD ENDS,
721
00:48:23,500 --> 00:48:26,002
ONE THING AFTER ANOTHER.
722
00:48:30,006 --> 00:48:32,509
BUT YOU GET
SOME DISTANCE ON IT,
723
00:48:32,509 --> 00:48:34,511
AND ALL THOSE TWISTS
AND TURNS--
724
00:48:34,511 --> 00:48:39,516
WHY, THEY'RE THE SHAPE
OF YOUR LIFE.
725
00:48:41,017 --> 00:48:43,520
IT'S HARD TO EXPLAIN.
726
00:48:45,021 --> 00:48:49,526
BUT SEEING IT WHOLE
GIVES YOU SOME PEACE.
727
00:49:01,037 --> 00:49:05,041
[ Spaceship Engine
Accelerating, Fading ]
728
00:49:22,559 --> 00:49:26,062
THE MEN'S MAGAZINE
ALSO ASKED ABOUT REMORSE.
729
00:49:26,563 --> 00:49:31,067
YEAH, I GUESS I'M SORRY
ABOUT THE PAIN I CAUSED
OTHER PEOPLE.
730
00:49:32,569 --> 00:49:35,071
BUT I DON'T REGRET ANYTHING.
731
00:49:35,071 --> 00:49:37,073
NOT A THING.
732
00:49:37,073 --> 00:49:40,076
I USED TO.
733
00:49:40,076 --> 00:49:42,579
I USED TO REGRET
BEING THE BARBER.
734
00:49:43,079 --> 00:49:45,081
[ Hinges Creaking ]
735
00:49:47,083 --> 00:49:50,587
[ Slow Footsteps ]
736
00:49:50,587 --> 00:49:53,590
[ Hinges Creaking ]
737
00:50:46,643 --> 00:50:49,145
I DON'T KNOW
WHERE I'M BEING TAKEN.
738
00:50:50,647 --> 00:50:53,650
I DON'T KNOW WHAT I'LL FIND
BEYOND THE EARTH AND SKY,
739
00:50:55,151 --> 00:50:58,154
BUT I'M NOT AFRAID TO GO.
740
00:50:58,655 --> 00:51:01,658
MAYBE THE THINGS
I DON'T UNDERSTAND
WILL BE CLEARER THERE,
741
00:51:01,658 --> 00:51:04,661
LIKE WHEN A FOG BLOWS AWAY.
742
00:51:07,163 --> 00:51:09,666
MAYBE DORIS WILL BE THERE.
743
00:51:10,166 --> 00:51:13,670
AND MAYBE THERE
I CAN TELL HER...
744
00:51:13,670 --> 00:51:16,673
ALL THOSE THINGS...
745
00:51:16,673 --> 00:51:19,175
THEY DON'T
HAVE WORDS FOR HERE.
54970
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