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GOOD EVENING, EVERYBODY, AND
WELCOME TO THE 65th ANNUAL
2
00:00:09,620 --> 00:00:10,896
GRAMMY AWARDS.
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00:00:10,931 --> 00:00:13,010
MY NAME IS TREVOR NOAH, AND FOR
THE FIRST TIME IN THREE YEARS,
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00:00:13,034 --> 00:00:16,551
WE ARE COMING TO YOU LIVE FROM
LOS ANGELES.
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00:00:16,586 --> 00:00:19,482
THE BEST CITY IN THE WORLD IF
YOU IGNORE A FEW OTHER CITIES.
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00:00:19,517 --> 00:00:22,482
TONIGHT, YOU ARE IN FOR A
SPECIAL TREAT AS SOME OF THE
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00:00:22,517 --> 00:00:26,034
MOST PHENOMENAL ARTISTS ON EARTH
ARE GOING TO BE PERFORMING IN
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00:00:26,068 --> 00:00:27,413
THIS BUILDING RIGHT BEHIND ME.
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00:00:27,448 --> 00:00:30,482
AND THE RECORDING ACADEMY IS
GOING TO BE GIVING AWAY THE
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00:00:30,517 --> 00:00:36,206
BIGGEST SURPRISE IN ALL OF
MUSIC, THE GRAMMY AWARD.
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00:00:36,241 --> 00:00:37,482
SO, LET'S GET STRAIGHT INTO IT.
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00:00:37,517 --> 00:00:43,000
TO KICK THINGS OFF ON MUSE'S
BIGGEST NIGHT A GRAMMY-WINNING
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00:00:43,034 --> 00:00:45,044
GLOBAL FORCE WHO IS THE MOST
STREAMED AND LISTENED TO ARTIST
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00:00:45,068 --> 00:00:48,172
IN THE WORLD WITH THREE
NOMINATIONS THIS YEAR INCLUDING
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ALBUM OF THE YEAR "BIENVENIDO,"
BAD BUNNY!
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00:06:08,758 --> 00:06:09,689
OH, HEY.
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00:06:09,724 --> 00:06:13,655
GIVE IT UP FOR BAD BUNNY,
EVERYBODY!
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00:06:13,689 --> 00:06:14,517
WOW!
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00:06:14,551 --> 00:06:16,655
WOW, THAT WAS INCREDIBLE.
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00:06:16,689 --> 00:06:17,965
ABSOLUTELY INCREDIBLE.
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00:06:18,000 --> 00:06:22,482
YOU KNOW, EVERY TIME I LISTEN TO
HIM, I GET HIPS I NEVER KNEW I
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00:06:22,517 --> 00:06:23,344
HAD.
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00:06:23,379 --> 00:06:24,596
IT MAKES TRUMP WANT TO LEARN
SPANISH.
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00:06:24,620 --> 00:06:26,068
THAT'S WHAT IT DOES.
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00:06:26,103 --> 00:06:27,344
THIS IS IT, PEOPLE!
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00:06:27,379 --> 00:06:29,103
WELCOME TO THE GRAMMYS,
EVERYBODY!
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00:06:29,137 --> 00:06:30,586
WELCOME TO IT.
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00:06:30,620 --> 00:06:32,758
WE MADE IT.
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00:06:32,793 --> 00:06:33,896
WE'RE BACK!
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00:06:33,931 --> 00:06:36,379
AND I'M LUCKY ENOUGH TO BE BACK
AS YOUR HOST TONIGHT.
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00:06:36,413 --> 00:06:39,413
MY JOB IS TO BE YOUR EYES, YOUR
EARS.
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00:06:39,448 --> 00:06:40,734
I'LL BE FLOATING AROUND THIS AM
RADIO.
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00:06:40,758 --> 00:06:43,448
THINK OF ME LIKE A CHINESE SPY
BALLOON.
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00:06:43,482 --> 00:06:44,896
THAT'S WHAT I'M DOING RIGHT NOW.
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00:06:44,931 --> 00:06:46,689
GATHERING ALL THE INFORMATION
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00:06:46,724 --> 00:06:47,344
YOU WANT.
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00:06:47,379 --> 00:06:48,655
JUST LOOK AT ALL THE FACES.
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00:06:48,689 --> 00:06:51,965
WE GOT THE BEST MUSICIANS, THE
BEST PERFORMERS, BEST PRODUCERS
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00:06:52,000 --> 00:06:53,241
IN THE WORLD.
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00:06:53,275 --> 00:06:57,275
EVERY SONG ON TIKTOK THAT YOU
HEAR, THERE ARE PEOPLE WHO MADE
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THEM.
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THIS IS THEM.
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00:06:58,862 --> 00:07:00,902
AND WHEN I SAY WE HAVE THE
BIGGEST NAMES, I MEAN THE
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BIGGEST NAMES IN THE ROOM.
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00:07:02,655 --> 00:07:03,551
ARE YOU KIDDING ME?
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00:07:03,586 --> 00:07:05,965
LL COOL J, MADURO IN THE ROOM.
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00:07:06,000 --> 00:07:07,068
LOOK AT THIS ROOM.
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00:07:07,103 --> 00:07:08,793
IT'S INSANE!
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00:07:08,827 --> 00:07:10,586
IT'S THE WHO'S WHO'S EVERYBODY.
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00:07:10,620 --> 00:07:11,448
WE GOT QUEST AND THE GANG.
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00:07:11,482 --> 00:07:12,827
ARE YOU KIDDING ME RIGHT NOW?
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00:07:12,862 --> 00:07:15,034
WE GOT BEYONCE'S IN THE ROOM,
PEOPLE.
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00:07:15,068 --> 00:07:19,482
YOU UNDERSTAND HOW AMAZING THIS
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00:07:19,517 --> 00:07:20,724
IS RIGHT NOW?
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00:07:20,758 --> 00:07:24,241
YOU UNDERSTAND, BEYONCE IS
NOMINATED FOR HER ALBUM
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00:07:24,275 --> 00:07:26,793
"RENAISSANCE," WHICH, BY THE WAY
WAS BETTER THAN ANYTHING FROM
57
00:07:26,827 --> 00:07:29,172
THE ACTUAL RENAISSANCE, IN MY
OPINION.
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00:07:29,206 --> 00:07:31,286
THE RENAISSANCE WAS JUST
PICTURES OF GRAPES AND STUFF.
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00:07:31,310 --> 00:07:32,862
BEYONCE TOOK IT UP ANOTHER
LEVEL.
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00:07:32,896 --> 00:07:37,896
IN FACT, I WAS SO INSPIRED BY
THE LYRICS OF "BREAK MY SOUL,"
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00:07:37,931 --> 00:07:39,206
THAT I ACTUALLY QUIT MY JOB.
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00:07:39,241 --> 00:07:40,620
THAT'S HOW POWERFUL THAT WAS.
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00:07:40,655 --> 00:07:46,862
I JUST WISH BEYONCE HAD ALSO
WRITTEN TABOUT THE IMPORTANCE OF
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00:07:46,896 --> 00:07:50,034
HAVING SAVINGS BEFORE YOU QUIT
YOUR JOB.
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00:07:50,068 --> 00:07:52,655
HARRY STYLES IS TONIGHT,
EVERYBODY!
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00:07:52,689 --> 00:07:53,793
THAT'S RIGHT.
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00:07:53,827 --> 00:07:55,941
WHAT CAN YOU SAY ABOUT THIS MAN
THAT HASN'T BEEN SAID?
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00:07:55,965 --> 00:07:59,827
INCREDIBLE ALBUM,
MIND-BLOWING... WHAT IS IT
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00:07:59,862 --> 00:08:01,689
15-NIGHT RUN AT MSG AND THE
FORUM?
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00:08:01,724 --> 00:08:05,275
WOMEN THROW THEIR PANTIES AT
THIS MAN AND THEN HE PUTS THEM
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00:08:05,310 --> 00:08:09,344
ON AND HE LOOKS BETTER IN THEM
THAN THEY DO.
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00:08:09,379 --> 00:08:12,172
EASILY THE WORLD'S SEXIEST MAN.
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00:08:12,206 --> 00:08:16,000
SEX SYMBOL OF THE GLOBE,
ESPECIALLY NOW THAT THEY KILLED
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OFF THE GREEN M&M.
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00:08:17,586 --> 00:08:20,172
THIS IS THE ROOM, PEOPLE.
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00:08:20,206 --> 00:08:23,931
WE GOT L.A.'S VERY OWN KENDRICK
LAMAR JOINING US IN THE
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BUILDING.
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00:08:24,827 --> 00:08:27,448
THE MAN IS SUPER TALENTED.
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00:08:27,482 --> 00:08:29,172
HE'S GOT GRAMMYS.
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00:08:29,206 --> 00:08:34,206
HIS ALBUM WAS A THERAPY SESSION
THAT EARNED HIM MULTIPLE GRAMMY
81
00:08:34,241 --> 00:08:35,448
NOMINATIONS.
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00:08:35,482 --> 00:08:38,724
ALL MY GOT ME WAS HELPING ME
OVERCOME MY CHILDHOOD TRAUMA.
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00:08:38,758 --> 00:08:39,586
USELESS.
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00:08:39,620 --> 00:08:40,136
FOR NOW WE'RE GOING TO BE
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00:08:40,172 --> 00:08:41,034
TALKING ABOUT TRAUMA.
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00:08:41,068 --> 00:08:43,344
WE'RE GOING TO BE TALKING ABOUT
THERAPY.
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00:08:43,379 --> 00:08:47,724
FROM COMPTON'S FINEST ALL THE
WAY TO BROOKLYN'S FINEST.
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00:08:47,758 --> 00:08:50,965
THAT'S RIGHT, JAY-Z'S GOING TO
BE IN THE HOUSE WITH US.
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00:08:51,000 --> 00:08:51,896
JAY-Z'S GOING TO BE PERFORMING.
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00:08:51,931 --> 00:08:53,206
IT'S GOING TO BE SO SPECIAL.
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00:08:53,241 --> 00:08:54,803
AND I'M OOH LOOKING FORWARD TO
IT BECAUSE JAY-Z COULD'VE BEEN
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00:08:54,827 --> 00:08:57,034
ANYWHERE IN THE WORLD TONIGHT.
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00:08:57,068 --> 00:08:58,828
BUT HE'S HERE WITH US, AND I
APPRECIATE THAT.
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00:08:58,862 --> 00:09:01,068
LIZZO'S JOINING US.
95
00:09:01,103 --> 00:09:02,655
THAT'S LIZZO OVER THERE.
96
00:09:02,689 --> 00:09:04,931
OH, I SEE YOU, LIZZO.
97
00:09:04,965 --> 00:09:08,793
LOOK AT THAT SMILE.
98
00:09:08,827 --> 00:09:11,044
CONGRATULATIONS ON EVERYTHING,
THE TV SHOWS, TAKING OVER THE
99
00:09:11,068 --> 00:09:13,482
WORLD, KILLING THE HATERS ON
INSTAGRAM AND TWITTER.
100
00:09:13,517 --> 00:09:14,793
I LOVE IT.
101
00:09:14,827 --> 00:09:18,241
THE MOST FAMOUS FLUTE PLAYER IN
THE WORLD SINCE I'M SURE THERE
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00:09:18,275 --> 00:09:20,103
WERE OTHERS... BUT YOU KNOW WHAT
I MEAN.
103
00:09:20,137 --> 00:09:21,724
AND YOU WANT TO STICK AROUND
104
00:09:21,758 --> 00:09:29,758
BECAUSE LIZZO IS PERFORMING
TONIGHT AT EXACTLY "BAD B...
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00:09:30,965 --> 00:09:31,724
O'CLOCK."
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00:09:31,758 --> 00:09:34,413
I'VE NEVER SEEN A ROOM THIS
STACK.
107
00:09:34,448 --> 00:09:35,206
TAYLOR SWIFT IS GOING TO BE WITH
US.
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00:09:35,241 --> 00:09:37,034
OH, SHE'S RIGHT THERE!
109
00:09:37,068 --> 00:09:39,000
LOOK AT THIS.
110
00:09:39,034 --> 00:09:40,275
SHE'S RIGHT THERE.
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00:09:40,310 --> 00:09:44,551
SOLD MORE ALBUMS THAN ANY OTHER
HUMAN ON THE PLANET LAST YEAR.
112
00:09:44,586 --> 00:09:46,103
THAT'S RIGHT.
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00:09:46,137 --> 00:09:47,413
MORE THAN ANYBODY.
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00:09:47,448 --> 00:09:52,275
THE ONLY MUSIC WE LISTEN TO MORE
THAN TAYLOR'S MUSIC WAS THE HOLD
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00:09:52,310 --> 00:09:53,827
MUSIC FOR SOUTHWEST AIRLINES.
116
00:09:53,862 --> 00:09:55,382
THEY'VE GOT THE REAL STREAMING
NUMBERS.
117
00:09:55,413 --> 00:09:58,413
AND I LOVE YOUR SONG "ANTIHERO."
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00:09:58,448 --> 00:10:01,862
MY ANTI-IS ALSO A HERO.
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00:10:01,896 --> 00:10:03,137
HER NAME IS BEATRICE.
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00:10:03,172 --> 00:10:07,482
WE'VE GOT SO MANY INCREDIBLE
GREATS PERFORMING TONIGHT.
121
00:10:07,517 --> 00:10:10,689
EVERYONE FROM STEVIE WONDER TO
KASEY MUSGRAVES.
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00:10:10,724 --> 00:10:13,965
WE'VE GOT FROM BONNIE RAITT TO
LIL WAYNE.
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00:10:14,000 --> 00:10:16,379
YOU DON'T WANT TO MISS ANY OF
IT.
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00:10:16,413 --> 00:10:18,000
EVERY GENERATION, EVERY GENRE.
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00:10:18,034 --> 00:10:20,758
TONIGHT MY JOB IS JUST TO BE THE
HOST, THE BEST HOST I CAN BE.
126
00:10:20,793 --> 00:10:23,241
AND TO DO THAT I TRY AND LEARN
WHAT EVERYBODY'S INTO.
127
00:10:23,275 --> 00:10:25,413
I TRY AND KNOW MY GUESTS.
128
00:10:25,448 --> 00:10:30,034
FOR INSTANCE, I KNOW THAT LL
COOL J REALLY LOVES BREAKFAST
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00:10:30,068 --> 00:10:31,068
CEREALS.
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00:10:31,103 --> 00:10:33,068
I KNOW THAT CARDI B IS OBSESSED
WITH PRESIDENTS.
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00:10:33,103 --> 00:10:34,344
THAT'S A REAL THING.
132
00:10:34,379 --> 00:10:39,379
I ALSO KNOW THAT ADELE LOVES
TEA.
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HER VEGAS SHOW IS PHENOMENAL.
134
00:10:40,517 --> 00:10:42,931
AND THIS IS ONE OF THE STRANGEST
THINGS I FOUND OUT.
135
00:10:42,965 --> 00:10:46,896
THE PERSON THAT ADELE HAS ALWAYS
WANTED TO MEET BUT NEVER HAVE IS
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00:10:46,931 --> 00:10:47,758
DWAYNE JOHNSON.
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00:10:47,793 --> 00:10:49,482
YOU'VE NEVER MET HIM.
138
00:10:49,517 --> 00:10:50,655
YEAH.
139
00:10:50,689 --> 00:10:55,586
AND THEN I FOUND OUT THAT HE'S A
HUGE FAN OF YOURS, TOO.
140
00:10:55,620 --> 00:10:59,517
AND I DON'T HAVE DWAYNE JOHNSON
HERE TONIGHT, BUT I DO HAVE
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00:10:59,551 --> 00:11:03,000
SOMEONE CALLED "THE ROCK."
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00:11:03,034 --> 00:11:06,724
ADELE, MEET THE ROCK.
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00:11:06,758 --> 00:11:08,965
THE ROCK, MEET ADELE.
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00:11:09,000 --> 00:11:09,758
FIRST TIME EVER!
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ALL RIGHT.
146
00:11:12,172 --> 00:11:13,448
YOU TWO GET ACQUAINTED.
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00:11:13,482 --> 00:11:15,310
WE'RE GOING TO KEEP THIS SHOW
MOVING.
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00:11:15,344 --> 00:11:19,413
NOW, BEFORE WE GET INTO OUR NEXT
PERFORMANCE, I WANTED TO LET YOU
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00:11:19,448 --> 00:11:25,586
KNOW THAT EARLIER TODAY AT THE
PRE-SHOW, THE PREMIERE CEREMONY,
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00:11:25,620 --> 00:11:31,551
BEYONCE WON TWO AWARDS WHICH
PUTS HER JUST TWO WIN AS WAY
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00:11:31,586 --> 00:11:33,527
FROM BREAKING THE ALL-TIME
RECORD OF HAVING THE MOST GRAMMY
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00:11:33,551 --> 00:11:36,034
WINS OF ANY INDIVIDUAL EVER.
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00:11:36,068 --> 00:11:39,206
EVER, PEOPLE!
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00:11:39,241 --> 00:11:40,896
TONIGHT WE COULD ALL WITNESS
155
00:11:40,931 --> 00:11:42,172
HISTORY.
156
00:11:42,206 --> 00:11:44,827
AND EVEN IF SHE DOESN'T BREAK
THE RECORD, SHE STILL GETS TO BE
157
00:11:44,862 --> 00:11:47,068
BEYONCE, SO IT'S A WIN/WIN.
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00:11:47,103 --> 00:11:50,000
FOR THE 65th ANNUAL GRAMMY
AWARDS WE DECIDED TO DO
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00:11:50,034 --> 00:11:51,275
SOMETHING DIFFERENT.
160
00:11:51,310 --> 00:11:54,068
WE'RE GOING TO BE ASKING SOME OF
THE PEOPLE WHO'VE PLAYED BIG
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00:11:54,103 --> 00:11:56,320
PARTS IN OUR PERFORMER'S MUSICAL
SUCCESS STORIES AND THEIR LIVES
162
00:11:56,344 --> 00:11:58,034
TO INTRODUCE THEM.
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00:11:58,068 --> 00:12:03,068
THESE ARE THE PEOPLE THE ARTISTS
WOULD THANK IF WE DIDN'T PLAY
164
00:12:03,103 --> 00:12:05,551
THEM ALL AFTER 25 SECONDS.
165
00:12:05,586 --> 00:12:08,413
HERE ARE THREE PEOPLE WHO
ARGUABLY LOVE HER EVEN MORE THAN
166
00:12:08,448 --> 00:12:09,724
HER BIGGEST FANS.
167
00:12:09,758 --> 00:12:12,010
HER WIFE CATHERINE AND THEIR
BEAUTIFUL CHILDREN ELIJAH AND
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00:12:12,034 --> 00:12:12,896
EVANGELINE.
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00:12:12,931 --> 00:12:18,827
MILLIONS OF YOU WATCHING
170
00:12:18,862 --> 00:12:20,079
TONIGHT FELL IN LOVE WITH OUR
NEXT PERFORMER JUST FOUR YEARS
171
00:12:20,103 --> 00:12:23,000
AGO WHEN SHE TOOK THE GRAMMY
STAGE FOR THE FIRST TIME AND
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00:12:23,034 --> 00:12:24,320
DELIVERED ONE OF THE MOST ICONIC
PERFORMANCES IN GRAMMY HISTORY.
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00:12:24,344 --> 00:12:29,000
I WAS LUCKY ENOUGH TO MARRY HER
MORE THAN A DECADE AGO, SO I WAS
174
00:12:29,034 --> 00:12:30,241
WAY AHEAD OF YOU.
175
00:12:30,275 --> 00:12:33,206
IT MEANS THE WORLD TO ME TO
STAND HERE TONIGHT WITH OUR TWO
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00:12:33,241 --> 00:12:36,379
BEAUTIFUL DAUGHTERS BY MY SIDE,
AND INTRODUCE, IN OUR HUMBLE
177
00:12:36,413 --> 00:12:39,034
OPINION, ONE OF THE GREATEST,
MOST AUTHENTIC ARTISTS AND HUMAN
178
00:12:39,068 --> 00:12:42,172
BEINGS ON THE PLANET.
179
00:12:42,206 --> 00:12:45,862
HERE TO ROCK OUR FACES OFF WITH
"BROKEN HORSES" FROM HER
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00:12:45,896 --> 00:12:48,482
GRAMMY-NOMINATED ALBUM "IN THESE
SILENT DAYS," MY WIFE, AND THEIR
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00:12:48,517 --> 00:12:52,758
MAMA...
Together: BRANDI CARLILE!
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00:12:58,931 --> 00:13:04,586
I WEAR MY FATHER'S LEATHER
ON THE INSIDE OF MY SKIN
183
00:13:04,620 --> 00:13:05,700
I'M A TRIED AND
WEATHERED WOMAN
184
00:13:05,724 --> 00:13:12,758
BUT I WON'T BE TRIED AGAIN
I DON'T THINK THAT YOU
185
00:13:12,793 --> 00:13:16,206
CAN COME FOR ME
WITHOUT YOUR SUNDAY BEST
186
00:13:16,241 --> 00:13:18,758
YOU HAD BETTER CALL
YOUR PRIEST AND HOPE
187
00:13:18,793 --> 00:13:23,034
OH THE DEVIL GETS THE REST
BEFORE I
188
00:13:23,068 --> 00:13:26,862
OH AND I WILL DO
I HAVE WORN THE
189
00:13:26,896 --> 00:13:31,586
JESTER'S BELLS
AND I HAVE BANISHED
190
00:13:31,620 --> 00:13:34,206
WITH THE FOOLS
I HAVE WORSHIPED
191
00:13:34,241 --> 00:13:36,896
AT THE ALTAR
OF THE PUPPET
192
00:13:36,931 --> 00:13:38,448
MASTER'S RULES
I HAVE HELD MY TONGUE
193
00:13:38,482 --> 00:13:42,206
TOO MANY SCENES
BEFORE THE FINAL ACT
194
00:13:42,241 --> 00:13:44,724
WITH MY CHILDREN IN THE
CHEAP SEATS AND A
195
00:13:44,758 --> 00:13:52,758
ZIPPER ON MY BACK
THANKS TO YOU
196
00:13:54,379 --> 00:14:00,241
OH NO THANKS TO YOU
TETHERED IN WIDE
197
00:14:00,275 --> 00:14:04,000
OPEN SPACES
AND FIELDS THAT
198
00:14:04,034 --> 00:14:12,034
LEAD FOR MILES
RIGHT INTO THE
199
00:14:12,827 --> 00:14:20,827
BARREL OF A GUN
MENDIN' UP YOUR
200
00:14:21,517 --> 00:14:28,896
FENCES WITH MY
HORSES RUNNIN' WILD
201
00:14:28,931 --> 00:14:35,172
ONLY BROKEN HORSES KNOW
TO RUN
202
00:14:46,379 --> 00:14:47,976
OH I HAVE EVER SO POLITELY
TREADED SOFTLY
203
00:14:48,000 --> 00:14:52,724
FOR YOUR GRACE
I HAVE WHISPERED
204
00:14:52,758 --> 00:14:53,803
THROUGH THE TEARS
AND PLEADED SWEETLY
205
00:14:53,827 --> 00:14:57,482
TO YOUR FACE
IT IS TIME TO SPIT YOU OUT
206
00:14:57,517 --> 00:15:00,551
LIKE LUKEWARM WATER
FROM MY MOUTH
207
00:15:00,586 --> 00:15:06,034
I WILL ALWAYS TASTE
THE APATHY BUT
208
00:15:06,068 --> 00:15:11,103
I WON'T PASS IT DOWN
IT DIES WITH YOU
209
00:15:11,137 --> 00:15:16,689
OH WITH YOU
TETHERED IN WIDE
210
00:15:16,724 --> 00:15:21,448
OPEN SPACES
AND FIELDS THAT
211
00:15:21,482 --> 00:15:29,379
LEAD FOR MILES
RIGHT INTO THE
212
00:15:29,413 --> 00:15:37,413
BARREL OF A GUN
MENDIN' UP YOUR
213
00:15:37,896 --> 00:15:45,896
FENCES WITH MY
HORSES RUNNIN' WILD
214
00:15:46,862 --> 00:15:51,620
ONLY BROKEN HORSES KNOW
TO RUN
215
00:16:23,275 --> 00:16:29,068
I WEAR MY FATHER'S LEATHER
216
00:16:29,103 --> 00:16:34,896
ON THE INSIDE OF MY SKIN
I'M A TRIED AND
217
00:16:34,931 --> 00:16:39,103
WEATHERED WOMAN
BUT I WON'T BE TRIED AGAIN
218
00:16:39,137 --> 00:16:42,310
I DON'T THINK THAT YOU
CAN COME FOR ME
219
00:16:42,344 --> 00:16:44,965
WITHOUT YOUR SUNDAY BEST
YOU HAD BETTER CALL
220
00:16:45,000 --> 00:16:48,103
YOUR PRIEST AND HOPE
OH THE DEVIL GETS THE REST
221
00:16:48,137 --> 00:16:56,137
BEFORE I
OH AND I WILL DO
222
00:16:57,724 --> 00:17:01,965
TETHERED IN WIDE
OPEN SPACES
223
00:17:02,000 --> 00:17:07,205
AND FIELDS THAT
LEAD FOR MILES
224
00:17:07,241 --> 00:17:15,241
RIGHT INTO THE
BARREL OF A GUN
225
00:17:17,827 --> 00:17:24,792
MENDIN' UP YOUR
FENCES WITH MY
226
00:17:24,827 --> 00:17:30,586
HORSES RUNNIN' WILD
ONLY BROKEN HORSES KNOW
227
00:17:30,620 --> 00:17:37,689
TO RUN
228
00:17:56,965 --> 00:18:00,482
THAT'S RIGHT, PEOPLE ARE
GOING FOR BRANDI CARLILE,
229
00:18:00,517 --> 00:18:00,896
EVERYBODY.
230
00:18:00,931 --> 00:18:02,689
WHAT A VOICE.
231
00:18:02,724 --> 00:18:07,310
BY THE WAY, BRANDI HAS ALREADY
WON THREE AWARDS JUST TONIGHT.
232
00:18:07,344 --> 00:18:11,275
SO CONGRATULATIONS ON THAT.
233
00:18:11,310 --> 00:18:14,241
THERE IS NO MORE DESERVING OF A
PERFORMANCE.
234
00:18:14,275 --> 00:18:15,793
SHE'S ABSOLUTELY PHENOMENAL.
235
00:18:15,827 --> 00:18:19,482
NOW, HERE TO PRESENT THE FIRST
GRAMMY AWARD OF THE NIGHT IS
236
00:18:19,517 --> 00:18:20,758
JENNIFER LOPEZ.
237
00:18:20,793 --> 00:18:23,965
REMEMBER, SHE'S A SINGER, SHE'S
A DANCER, SHE'S A MOVIE STAR,
238
00:18:24,000 --> 00:18:25,206
SHE'S AN ICON.
239
00:18:25,241 --> 00:18:28,965
AND EVEN WITH INFLATION, HER
LOVE STILL DON'T COST A THING.
240
00:18:29,000 --> 00:18:30,586
PLEASE WELCOME JENNIFER LOPEZ.
241
00:18:41,034 --> 00:18:49,034
WOW, FROM BAD BUNNY TO BRANDI
242
00:18:50,620 --> 00:18:53,000
CARLILE, I LOVE MUSIC'S BIGGEST
NIGHT.
243
00:18:53,034 --> 00:18:57,310
AND I AM SO EXCITED TO PRESENT
OUR FIRST GRAMMY AWARD THIS
244
00:18:57,344 --> 00:18:58,620
EVENING.
245
00:18:58,655 --> 00:19:03,310
IN WHAT CAN SEEM LIKE A SINGLES
WORLD, THIS CATEGORY CELEBRATES
246
00:19:03,344 --> 00:19:05,758
EXCELLENCE FOR A GREAT POP ALUM.
247
00:19:05,793 --> 00:19:12,620
A BODY OF MUSICAL WORK THAT
TELLS A STORY THROUGH SONG AND
248
00:19:12,655 --> 00:19:15,000
CONNECTS WITH ALL OF US.
249
00:19:15,034 --> 00:19:18,793
AS THE LATE, GREAT PRINCE SAID
ON THIS STAGE IN HIS LAST GRAMMY
250
00:19:18,827 --> 00:19:20,827
APPEARANCE EIGHT YEAR AGO,
"ALBUMS STILL MATTER."
251
00:19:20,862 --> 00:19:24,034
HERE IS AN ECLECTIC GROUP OF
OUTSTANDING ARTISTS WHO, EACH IN
252
00:19:24,068 --> 00:19:27,206
THEIR OWN WAY, RAISED THEIR
EXPRESSIVE VOICES AND MADE A
253
00:19:27,241 --> 00:19:31,068
MUSICAL STATEMENT LOVED ALL
AROUND THE WORLD.
254
00:19:31,103 --> 00:19:35,827
THESE ARE THE NOMINEES FOR BEST
POP VOCAL ALBUM...
255
00:19:35,862 --> 00:19:43,862
"VOYAGE," ABBA.
256
00:19:46,620 --> 00:19:54,620
"30," ADELE.
257
00:19:54,862 --> 00:19:57,689
"MUSIC OF THE SPHERES,"
258
00:19:57,724 --> 00:20:02,448
COLDPLAY.
259
00:20:02,482 --> 00:20:04,068
"SPECIAL," LIZZO.
260
00:20:04,103 --> 00:20:12,103
"HARRY'S HOUSE," HARRY STYLES.
261
00:20:15,482 --> 00:20:23,482
AND THE GRAMMY GOES TO...
262
00:20:25,517 --> 00:20:33,482
AND THE GRAMMY GOES TO...
263
00:20:33,517 --> 00:20:36,724
"HARRY'S HOUSE," HARRY STYLES!
264
00:21:05,896 --> 00:21:10,413
THANK YOU SO MUCH.
265
00:21:10,448 --> 00:21:15,034
THIS ALBUM, FROM START TO
FINISH, HAS BEEN THE GREATET
266
00:21:15,068 --> 00:21:16,310
EXPERIENCE OF MY LIFE.
267
00:21:16,344 --> 00:21:19,551
FOR MAKING IT WITH TWO OF MY
BEST FRIENDS, TO PLAYING IT FOR
268
00:21:19,586 --> 00:21:22,965
PEOPLE HAS BEEN THE GREATEST JOY
I COULD HAVE ASKED FOR.
269
00:21:23,000 --> 00:21:27,793
SO, I WANT TO THANK ROB,
JEFFREY, TOMMY TOM TOM TYLER,
270
00:21:27,827 --> 00:21:31,275
AND EVERYONE WHO INSPIRED THIS
ALBUM, EVERYONE, ALL MY FRIENDS
271
00:21:31,310 --> 00:21:34,068
WHO SUPPORTED ME THROUGH IT.
272
00:21:34,103 --> 00:21:35,413
THANK YOU SO MUCH.
273
00:21:35,448 --> 00:21:36,827
I WOULDN'T BE HERE WITHOUT YOU.
274
00:21:36,862 --> 00:21:37,896
THANK YOU SO MUCH.
275
00:21:37,931 --> 00:21:45,931
COMING UP...
276
00:21:46,862 --> 00:21:49,448
PERFORMANCES BY STEVIE WONDER,
LIZZO, AND HARRY STYLES.
277
00:21:49,482 --> 00:21:51,482
VIOLA DAVIS AND SHANIA TWAIN
PRESENT GRAMMY AWARDS.
278
00:21:54,793 --> 00:21:56,793
AND LATER, AN ALL-STAR SALUTE TO
279
00:22:10,034 --> 00:22:13,000
WELCOME BACK TO THE
280
00:22:13,034 --> 00:22:15,000
65th ANNUAL GRAMMY AWARDS,
COMING TO YOU FROM THE
281
00:22:15,034 --> 00:22:17,010
CRYPTO.COM ARENA, THE ONLY ARENA
WITH AN ESCAPE PLAN TO THE
282
00:22:17,034 --> 00:22:18,310
BAHAMAS.
283
00:22:18,344 --> 00:22:21,206
NOW, WE'RE GOING TO BE TAKING A
CLOSER LOOK AT ONE OF THE MOST
284
00:22:21,241 --> 00:22:23,620
COMPETITIVE CATEGORIES IN GRAMMY
HISTORY.
285
00:22:23,655 --> 00:22:26,034
OUR NOMINEES FOR ALBUM OF THE
YEAR.
286
00:22:26,068 --> 00:22:30,137
AND WHO BETTER TO HELP US WITH
THAT THAN THE FANS THEMSELVES?
287
00:22:30,172 --> 00:22:34,241
YOU SEE, THIS WEEK THEY'VE BEEN
DISCUSSING WHO DESERVES TO TAKE
288
00:22:34,275 --> 00:22:35,931
HOME MUSIC'S BIGGEST PRIZE.
289
00:22:35,965 --> 00:22:39,551
AND IT TURNS OUT IT'S A LOT
EASIER TO HEAR WHAT THE FANS ARE
290
00:22:39,586 --> 00:22:45,034
SAYING WHEN THERE AREN'T 20,000
OF THEM SCREAMING IN A STADIUM.
291
00:22:45,068 --> 00:22:45,965
TAKE A LOOK.
292
00:22:46,000 --> 00:22:50,655
OKAY, IT'S TIME TO TALK ALBUM
293
00:22:50,689 --> 00:22:53,896
OF THE YEAR.
294
00:22:53,931 --> 00:22:58,965
BEYONCE'S "RENAISSANCE" GAVE US
295
00:22:59,000 --> 00:23:00,206
LOVE, JOY, DANCE.
296
00:23:00,241 --> 00:23:02,896
IT GAVE US ACKNOWLEDGMENT OF
WHAT WE'VE BEEN THROUGH THESE
297
00:23:02,931 --> 00:23:03,896
PAST COUPLE YEARS.
298
00:23:03,931 --> 00:23:08,241
BUT IT ALSO GAVE US THE STRENGTH
TO KEEP GOING.
299
00:23:08,275 --> 00:23:12,482
I'M ALICIA, AND YOU KNOW
"RENAISSANCE" IS ALBUM OF THE
300
00:23:12,517 --> 00:23:13,068
YEAR.
301
00:23:13,103 --> 00:23:15,517
YOU PUT THIS SONG ON!
302
00:23:15,551 --> 00:23:16,758
YEAH!
303
00:23:16,793 --> 00:23:21,068
THESE PAST COUPLE OF YEARS OF
MY LIFE HAVE NOT BEEN EASY.
304
00:23:21,103 --> 00:23:23,320
"RENAISSANCE" JUST GIVES ME THAT
MOTIVATION TO KEEP GOING.
305
00:23:23,344 --> 00:23:27,689
I FELT LIKE BEYONCE WROTE THE
SONG "CHURCH GIRL" SPECIFICALLY
306
00:23:27,724 --> 00:23:28,896
FOR ME.
307
00:23:28,931 --> 00:23:31,044
IT JUST SPEAKS TO THE DUALITY OF
BEING MORE THAN ONE THING.
308
00:23:31,068 --> 00:23:33,758
YOU CAN BE SPIRITUAL, BUT YOU
ALSO NEED TO TURN UP.
309
00:23:33,793 --> 00:23:36,448
SHE'S NOT TELLING US WHAT'S OUT
THERE.
310
00:23:36,482 --> 00:23:38,562
SHE'S SETTING THE TRENDS AND
TELLING US WHAT NEEDS TO BE OUT
311
00:23:38,586 --> 00:23:39,379
THERE.
312
00:23:39,413 --> 00:23:40,493
AND THAT IS JOY, THAT IS HAPPY
AES.
313
00:23:40,517 --> 00:23:43,896
LIKE, YOU PUT THAT ALBUM ON
FRONT TO BACK, NO SKIPS.
314
00:23:43,931 --> 00:23:46,620
YOU GET UP, YOU DANCE.
315
00:23:46,655 --> 00:23:50,068
COME ON...
YOU WON'T BREAK MY SOUL
316
00:23:50,103 --> 00:23:51,379
THAT'S WHAT WE NEED.
317
00:23:51,413 --> 00:23:55,551
I TRULY DON'T EVEN THINK
THERE IS EVEN AN ARGUMENT
318
00:23:55,586 --> 00:23:59,379
BECAUSE BAD BUNNY IS THE MOST
STREAMED ALBUM OF THE YEAR ON
319
00:23:59,413 --> 00:24:00,206
THE GLOBE.
320
00:24:00,241 --> 00:24:03,275
HI, I'M NATALIA.
321
00:24:03,310 --> 00:24:05,482
THE ALBUM BY BAD BUNNY IS THE
ALBUM OF THE YEAR.
322
00:24:05,517 --> 00:24:11,827
LET ME TELL YOU ABOUT "BENITO."
323
00:24:11,862 --> 00:24:13,344
I LOVE THAT HE'S PLAYFUL.
324
00:24:13,379 --> 00:24:14,724
I LOVE THAT HE'S GOOFY.
325
00:24:14,758 --> 00:24:17,965
HE HAS A MOTTO THAT IS...
326
00:24:18,000 --> 00:24:21,379
WHICH MEANS, I DO WHATEVER I
WANT, I DON'T CARE WHAT PEOPLE
327
00:24:21,413 --> 00:24:21,931
THINK.
328
00:24:21,965 --> 00:24:22,896
HE DRESSES UP IN DRAG.
329
00:24:22,931 --> 00:24:26,482
HE KISSES HIS BACKUP DANCERS OF
ANY GENDER.
330
00:24:26,517 --> 00:24:30,689
DISMANTLING MACHISMO.
331
00:24:30,724 --> 00:24:33,620
AS A QUEER LATINO WOMAN THIS IS
SO IMPORTANT TO ME BECAUSE HE IS
332
00:24:33,655 --> 00:24:35,724
STARTING CONVERSATIONS AND
NORMALIZING INCLUSIVITY.
333
00:24:35,758 --> 00:24:41,034
BAD BUNNY PLAYS BY HIS OWN
RULES, AND HE'S JUST OPENING UP
334
00:24:41,068 --> 00:24:43,310
THE DIALOGUE.
335
00:24:43,344 --> 00:24:46,862
THIS ALBUM IS BREAKING SO MANY
RECORDS.
336
00:24:46,896 --> 00:24:51,241
AND IT'S JUST SHOWING THE WORLD
JUST THE POWER OF
337
00:24:51,275 --> 00:24:53,206
SPANISH-SPEAKING MUSIC.
338
00:24:53,241 --> 00:24:56,551
HE IS BEING HIMSELF, AND SO MANY
PEOPLE ARE RESONATING WITH HIM.
339
00:24:56,586 --> 00:24:59,689
HE IS THE MOST STREAMED ARTIST
ON THE GLOBE.
340
00:24:59,724 --> 00:25:03,310
THAT'S EXACTLY WHAT HE DOES,
HARRY!
341
00:25:03,344 --> 00:25:05,034
BUT BAD BUNNY DOES IT BETTER.
342
00:25:05,068 --> 00:25:07,275
I LOVE BAD BUNNY ALSO.
343
00:25:07,310 --> 00:25:11,413
BUT GUESS WHERE HE WAS LAST
NIGHT?
344
00:25:11,448 --> 00:25:12,724
AT HARRY STYLES' CONCERT.
345
00:25:18,034 --> 00:25:22,827
MY NAME IS REINA, AND HARRY'S
HOUSE BY HARRY STYLES IS THE
346
00:25:22,862 --> 00:25:25,482
ALBUM OF THE YEAR.
347
00:25:25,517 --> 00:25:28,103
SO MY 78-YEAR-OLD GRANDMOTHER
HAPPENS TO BE HARRY STYLES'
348
00:25:28,137 --> 00:25:29,344
NUMBER ONE FAN.
349
00:25:29,379 --> 00:25:32,206
SO WE ARE FLYING TO LOS ANGELES
TO SEE HIM IN CONCERT.
350
00:25:32,241 --> 00:25:35,482
LET ME TELL YOU WHY I LIKE
HARRY STYLES.
351
00:25:35,517 --> 00:25:38,551
ASIDE FROM BEING GOOD-LOOKING,
WE'RE NOT GOING TO TALK ABOUT
352
00:25:38,586 --> 00:25:39,206
THAT.
353
00:25:39,241 --> 00:25:40,482
I LOVE EVERYTHING ABOUT HIM.
354
00:25:40,517 --> 00:25:43,482
I LIKE HIS OUTLOOK, HIS SONGS.
355
00:25:43,517 --> 00:25:46,827
AND WITH HARRY, HE HAS THAT
THING THAT DRAWS PEOPLE TO HIM.
356
00:25:46,862 --> 00:25:49,862
IF THE GRAMMYS DID THEIR JOB, HE
IS GETTING THAT AWARD.
357
00:25:55,827 --> 00:25:57,344
ALL RIGHT, THIS IS
IT.
358
00:25:57,379 --> 00:25:58,172
EVERYBODY'S STILL COMING IN.
359
00:25:58,206 --> 00:25:59,827
COME ON THROUGH, Y'ALL.
360
00:25:59,862 --> 00:26:01,034
LET'S GET THE PEOPLE IN.
361
00:26:01,068 --> 00:26:02,896
WE'LL GET EVERYBODY TO THEIR
SEATS.
362
00:26:02,931 --> 00:26:03,517
THIS IS LIVE.
363
00:26:03,551 --> 00:26:05,758
THIS IS WHAT'S HAPPENING.
364
00:26:05,793 --> 00:26:06,827
ARTISTS ARE COMING IN.
365
00:26:06,862 --> 00:26:08,551
TRAFFIC IS HOLDING PEOPLE BACK.
366
00:26:08,586 --> 00:26:10,034
I'M HERE WITH SOME OF THE FANS.
367
00:26:10,068 --> 00:26:11,896
GIVE IT UP FOR THE FANS,
EVERYBODY.
368
00:26:11,931 --> 00:26:14,793
GIVE IT UP FOR ALL THE FANS
JOINING US HERE,
369
00:26:14,827 --> 00:26:17,689
SUPPORTING THEIR ARTISTS FOR
370
00:26:17,724 --> 00:26:20,379
ALBUM OF THE YEAR.
371
00:26:20,413 --> 00:26:22,493
REINA, YOU MUST BE REALLY
EXCITED BECAUSE HARRY JUST WON
372
00:26:22,517 --> 00:26:23,862
THE FIRST AWARD OF THE NIGHT.
373
00:26:23,896 --> 00:26:25,655
HOW ARE YOU FEELING?
374
00:26:25,689 --> 00:26:26,586
EXCITED.
375
00:26:26,620 --> 00:26:29,000
I'VE BEEN CRYING.
376
00:26:29,034 --> 00:26:32,862
I FEEL LIKE IF YOU
HAD YOUR WAY, HE WOULD WIN ALL
377
00:26:32,896 --> 00:26:33,827
THE AWARDS.
378
00:26:33,862 --> 00:26:35,413
EXACTLY.
379
00:26:35,448 --> 00:26:37,275
EVERY SINGLE ONE?
380
00:26:37,310 --> 00:26:41,310
ON SO YOU WOULDN'T FULFILL HIM
LOSING TWO OR THREE JUST FOR
381
00:26:41,344 --> 00:26:42,034
SOMEBODY ELSE?
382
00:26:42,068 --> 00:26:43,034
NO.
383
00:26:43,068 --> 00:26:45,448
WOW, I THOUGHT
GRANNIES WERE NICE.
384
00:26:45,482 --> 00:26:47,379
LOOK, I KNOW THIS IS AN AMAZING
385
00:26:47,413 --> 00:26:48,586
PLACE TO BE.
386
00:26:48,620 --> 00:26:52,103
IT'S YOUR FIRST TIME THE
GRAMMYS, YOU'RE HERE SUPPORTING
387
00:26:52,137 --> 00:26:54,379
YOUR ARTIST, EVERYBODY'S
EXCITED.
388
00:26:54,413 --> 00:26:56,965
HARRY'S SITTING CLOSE, BUT I
NEED YOU TO STAY RIGHT HERE.
389
00:26:57,000 --> 00:27:02,275
I DO NOT WANT TO HAVE TO TACKLE
A DWGRANNY ON LIVE TV AGAIN.
390
00:27:02,310 --> 00:27:03,586
ALL RIGHT.
391
00:27:03,620 --> 00:27:07,275
IT'S TIME FOR US TO GET BACK TO
THE AWARDS TO PRESENT THE GRAMMY
392
00:27:07,310 --> 00:27:08,655
FOR BEST R&B SONG.
393
00:27:08,689 --> 00:27:13,103
AN ICON WHO WON A GRAMMY EARLIER
TODAY, WHICH MEANS SHE'S
394
00:27:13,137 --> 00:27:15,206
OFFICIALLY AN EGOT.
395
00:27:15,241 --> 00:27:16,241
VIOLA DAVIS.
396
00:27:30,517 --> 00:27:31,344
THANK YOU!
397
00:27:31,379 --> 00:27:38,379
I'M GRATEFUL.
398
00:27:38,413 --> 00:27:43,310
WHAT A NIGHT.
399
00:27:43,344 --> 00:27:46,517
"R&B IS NOT A FAD, IT'S THE
TRUTH."
400
00:27:46,551 --> 00:27:50,241
THOSE WERE THE WORDS OF A
SOULFUL QUEEN WHO KNEW WHAT SHE
401
00:27:50,275 --> 00:27:53,379
WAS TALKING ABOUT... THE GREAT
ARETHA FRANKLIN.
402
00:27:53,413 --> 00:27:57,758
HERE ARE FIVE ALBUMS THAT PROVE
403
00:27:57,793 --> 00:28:01,517
THOSE WORDS ARE STILL TRUE.
404
00:28:01,551 --> 00:28:09,551
THESE ARE THE NOMINEES FOR BEST
R&B SONG...
405
00:28:12,931 --> 00:28:15,758
"CUFF IT."
406
00:28:15,793 --> 00:28:23,793
"GOOD MORNING GORGEOUS."
407
00:28:24,068 --> 00:28:27,620
"HRS & HRS."
408
00:28:27,655 --> 00:28:33,689
"HURT ME SO GOOD."
409
00:28:33,724 --> 00:28:35,103
"PLEASE DON'T WALK AWAY."
410
00:28:45,724 --> 00:28:53,724
AND THE GRAMMY GOES TO...
"CUFF IT."
411
00:29:18,034 --> 00:29:22,827
BEYONCE, THANKS, Y'ALL.
412
00:29:22,862 --> 00:29:24,241
ALL RIGHT, ALL RIGHT, ALL RIGHT.
413
00:29:24,275 --> 00:29:26,620
SO, FOR REAL, BEYONCE IS ON HER
WAY.
414
00:29:26,655 --> 00:29:31,275
BUT YOU KNOW THE UPSIDE OF
HOSTING THE GRAMMYS IN L.A. IS
415
00:29:31,310 --> 00:29:32,310
THAT EVERYOE CAN BE HERE.
416
00:29:32,344 --> 00:29:35,241
THE DOWNSIDE OF HOSTING IN L.A.
IS THE TRAFFIC.
417
00:29:35,275 --> 00:29:36,310
BEYONCE IS ON HER WAY.
418
00:29:36,344 --> 00:29:39,172
AND JUST FOR REFERENCE... HOW
ARE YOU?
419
00:29:39,206 --> 00:29:40,482
CONGRATULATIONS.
420
00:29:40,517 --> 00:29:44,103
JUST FOR REFERENCE, BEYONCE HAS
NOW EQUALLED THE RECORD FOR MOST
421
00:29:44,137 --> 00:29:46,551
GRAMMYS OF AN INDIVIDUAL OF ALL
TIME.
422
00:29:46,586 --> 00:29:49,724
THIS IS IT.
423
00:29:49,758 --> 00:29:54,448
NOW THIS HAS BEEN AMAZING,
CONGRATULATIONS.
424
00:29:54,482 --> 00:29:55,413
NILES, PLEASE SAY SOMETHING.
425
00:29:55,448 --> 00:30:00,241
THE LEGEND, LADIES AND
GENTLEMEN.
426
00:30:00,275 --> 00:30:04,241
UM, WHEN I GOT CALLED TO PLAY
427
00:30:04,275 --> 00:30:07,793
ON THIS SONG, IT WAS THE MOST
ORGANIC THING THAT EVER HAPPENED
428
00:30:07,827 --> 00:30:09,034
TO ME.
429
00:30:09,068 --> 00:30:15,482
I HEARD THIS SONG, AND I JUST
SAID, I WANT TO... ALL RIGHT,
430
00:30:15,517 --> 00:30:20,034
ROCK... I SAID I WANT TO PLAY ON
THAT RIGHT NOW.
431
00:30:20,068 --> 00:30:21,965
AND IT WAS ONE TAKE.
432
00:30:22,000 --> 00:30:22,655
I PROMISE.
433
00:30:22,689 --> 00:30:24,586
I PLAYED IT, IT WAS ONE TAKE.
434
00:30:24,620 --> 00:30:29,896
I NEVER EVEN GOT... WELL, NILE,
MAYBE YOU SHOULD DO THIS, MAYBE
435
00:30:29,931 --> 00:30:30,793
YOU SHOULD DO THAT.
436
00:30:30,827 --> 00:30:32,551
IT WAS JUST WHAT I FELT IN MY
HEART.
437
00:30:32,586 --> 00:30:37,068
AND I'M SO HAPPY TO BE WORKING
WITH YOU ALL.
438
00:30:37,103 --> 00:30:43,275
I MEAN...
439
00:30:43,310 --> 00:30:44,068
THANK YOU.
440
00:30:44,103 --> 00:30:45,655
ALL RIGHT.
441
00:30:45,689 --> 00:30:52,655
UP NEXT...
442
00:30:52,689 --> 00:30:55,103
BILLY CRYSTAL INTRODUCES A
SPECIAL PERFORMANCE BY STEVIE
443
00:30:55,137 --> 00:30:59,000
WONDER WITH SMOKEY ROBINSON AND
CHRIS STAPLETON.
444
00:30:59,034 --> 00:31:01,182
PLUS, SHANIA TWAIN PRESENTS THE
AWARD FOR BEST COUNTRY ALBUM.
445
00:31:01,206 --> 00:31:02,206
THIS IS CBS.
446
00:31:10,034 --> 00:31:13,793
PLEASE WELCOME
447
00:31:13,827 --> 00:31:17,000
FIVE-TIME GRAMMY AWARD WINNER
AND 18-TIME NOMINEE...
448
00:31:17,034 --> 00:31:18,586
SHANIA TWAIN.
449
00:31:18,620 --> 00:31:25,103
I'M GOING OUT TONIGHT, GOING
450
00:31:25,137 --> 00:31:30,034
TO LET IT ALL HANG OUT
COUNTRY MUSIC IS MORE POPULAR
451
00:31:30,068 --> 00:31:33,000
IN THE WORLD TODAY THAN EVER
BEFORE.
452
00:31:33,034 --> 00:31:37,551
BECAUSE, AS WE SONGWRITERS KNOW,
IT ALL COMES DOWN TO EXPRESSING
453
00:31:37,586 --> 00:31:40,241
UNIVERSAL TRUTHS.
454
00:31:40,275 --> 00:31:45,068
HERE IS A GIFTED GROUP OF
ARTISTS WHO EACH BRING SOMETHING
455
00:31:45,103 --> 00:31:49,000
UNIQUE TO THE WORLD OF COUNTRY
MUSIC TODAY.
456
00:31:49,034 --> 00:31:57,034
OUR OUTSTANDING NOMINEES FOR
BEST COUNTRY ALBUM...
457
00:32:00,413 --> 00:32:02,448
"GROWIN' UP," LUKE COMBS.
458
00:32:02,482 --> 00:32:10,482
"PALOMINO," MIRANDA LAMBERT.
459
00:32:16,517 --> 00:32:24,517
"ASHLEY McBRYDE PRESENTS:
LINDEVILLE," ASHLEY MCBRYDE.
460
00:32:24,965 --> 00:32:29,448
"HUMBLE QUEST," MAREN MORRIS.
461
00:32:29,482 --> 00:32:32,586
"A BEAUTIFUL TIME,"
462
00:32:32,620 --> 00:32:35,310
WILLIE NELSON.
463
00:32:44,000 --> 00:32:52,000
AND THE GRAMMY GOES TO...
"A BEAUTIFUL TIME,"
464
00:32:56,103 --> 00:32:59,413
WILLIE NELSON.
465
00:32:59,448 --> 00:33:07,448
WOW.
466
00:33:10,379 --> 00:33:13,586
WILLIE COULD NOT BE WITH US
TONIGHT.
467
00:33:13,620 --> 00:33:19,896
SO I ACCEPT THIS AWARD ON HIS
BEHALF.
468
00:33:19,931 --> 00:33:22,724
LOVE YOU, WILLIE.
469
00:33:22,758 --> 00:33:27,379
CONGRATULATIONS ONE
470
00:33:27,413 --> 00:33:28,517
MORE TIME TO WILLIE NELSON.
471
00:33:28,551 --> 00:33:31,172
WE KNOW YOU'RE WATCHING, AND WE
WISH YOU ALL THE BEST.
472
00:33:31,206 --> 00:33:34,965
NOW, TO ANNOUNCE OUR MUSICARES
PERSON OF THE YEAR.
473
00:33:35,000 --> 00:33:38,310
IS A MAN WHO, 35 YEARS AGO,
HOSTED THE GRAMMY AWARDS FOR THE
474
00:33:38,344 --> 00:33:41,689
FIRST TIME, AND HE WAS THE FIRST
HOST TO WIN AN EMMY FOR IT.
475
00:33:41,724 --> 00:33:47,137
PLEASE WELCOME BACK A NOMINEE
EARLIER TODAY, BILLY CRYSTAL.
476
00:33:47,172 --> 00:33:49,034
HI, EVERYBODY!
477
00:33:49,068 --> 00:33:51,620
THANK YOU SO MUCH.
478
00:33:51,655 --> 00:33:52,586
PLEASE BE SEATED.
479
00:33:52,620 --> 00:34:00,620
TONIGHT IS THE 35th ANNIVERSARY
480
00:34:03,275 --> 00:34:06,655
OF THE VERY FIRST FREE ARMANI
TUXEDO THAT I EVER GOT.
481
00:34:06,689 --> 00:34:08,034
SO I'M VERY EXCITED ABOUT THAT.
482
00:34:08,068 --> 00:34:11,344
AND THANK YOU, TREVOR, WHO'S
483
00:34:11,379 --> 00:34:12,585
SENSATIONAL.
484
00:34:12,620 --> 00:34:15,447
AND WHEN THEY INTRODUCED YOU AS
A NOMINEE EARLIER TODAY, IT
485
00:34:15,482 --> 00:34:17,000
MEANS YOU LOST.
486
00:34:17,034 --> 00:34:18,379
WHICH I DID, BUT IT'S FINE.
487
00:34:18,413 --> 00:34:19,793
I WAS THRILLED TO BE HERE.
488
00:34:19,827 --> 00:34:21,241
IT'S THE THIRD TIME THAT'S
HAPPENED.
489
00:34:21,275 --> 00:34:24,310
THEY SAY THAT THREE TIME'S A
CHARM.
490
00:34:24,344 --> 00:34:27,172
THERE'S NOTHING CHARMING ABOUT
HAVING TO LOOK THRILLED THAT
491
00:34:27,206 --> 00:34:28,137
IT'S SOMEBODY ELSE.
492
00:34:28,172 --> 00:34:29,965
NO, I'VE ALWAYS FELT CONNECTED
493
00:34:30,000 --> 00:34:33,793
TO THE GRAMMYS BECAUSE I WAS
RAISED IN THE MUSIC BUSINESS.
494
00:34:33,827 --> 00:34:37,103
MY DAD PRODUCED JAZZ CONCERTS IN
THE GREATS OF THE DAY WERE
495
00:34:37,137 --> 00:34:45,137
FAMILY FRIENDS AND MY UNCLE
MILT GABLER PRODUCED RECORDS
496
00:34:47,137 --> 00:34:54,344
FROM "STRANGE FRUIT" TO "ROCK
AROUND THE CLOCK."
497
00:34:54,379 --> 00:34:57,000
AN AMAZING GUY AND A MENTOR TO
ME.
498
00:34:57,034 --> 00:34:58,931
SO I ALWAYS CHERISH MY TIME
HERE.
499
00:34:58,965 --> 00:35:06,862
WHEN I WAS HERE I GOT TO THANK
MYLES DAVIS FOR SKETCHES OF
500
00:35:06,896 --> 00:35:13,482
SPAIN, TO SIT WITH DIZZY
GILLESPIE IN MY DRESSING ROOM.
501
00:35:13,517 --> 00:35:18,034
AND I EVEN GOT TO SHAKE THE MAN
OF VLADIMIR HOROWITZ.
502
00:35:18,068 --> 00:35:21,793
GOOGLE HIM.
503
00:35:21,827 --> 00:35:23,079
AND NOW, AS IF ALL THOSE GRAMMY
MEMORIES WEREN'T WONDERFUL
504
00:35:23,103 --> 00:35:31,103
ENOUGH, WE'RE ABOUT TO MAKE A
BRAND NEW ONE.
505
00:35:31,517 --> 00:35:33,148
ARTISTS AND LIFELONG FRIENDS WHO
BROUGHT THE MIRACLE OF MOTOWN TO
506
00:35:33,172 --> 00:35:37,793
THE WORLD...
BERRY GORDY AND SMOKEY ROBINSON.
507
00:35:37,827 --> 00:35:41,586
AND NOW, TO CELEBRATE THEM AND
508
00:35:41,620 --> 00:35:45,103
THE TIMELESS MAGIC OF MOTOWN, I
NOW HAVE THE HONOR OF
509
00:35:45,137 --> 00:35:48,241
INTRODUCING A VERY SPECIAL
PERFORMANCE BY THE NINTH WONDER
510
00:35:48,275 --> 00:35:52,965
OF THIS WORLD, A 25-TIME GRAMMY
WINNER... OOH, MAYBE YOU'LL GIVE
511
00:35:53,000 --> 00:35:55,551
ME ONE... AND A LIFETIME
ACHIEVEMENT HONNIE.
512
00:35:55,586 --> 00:36:00,758
AND HE'S STILL MAKING NEW MUSIC,
FOLKS HERE HE IS, STEVIE WONDER!
513
00:36:00,793 --> 00:36:08,758
OKAY, OKAY.
514
00:36:08,793 --> 00:36:09,758
THANK YOU BUT STOP.
515
00:36:09,793 --> 00:36:11,517
THANK YOU BUT STOP.
516
00:36:11,551 --> 00:36:13,965
DON'T DO IT.
517
00:36:14,000 --> 00:36:16,586
LISTEN, I'M HAPPY TO BE HERE AND
I'M SO HAPPY FOR THE WINNERS.
518
00:36:16,620 --> 00:36:18,482
AND I'M JUST SO HAPPY.
519
00:36:18,517 --> 00:36:22,896
AND I'VE GOT SOME NEW PEOPLE
HERE WITH ME TO JOIN ME IN THIS
520
00:36:22,931 --> 00:36:28,241
SONG AS WE CELEBRATE SMOKEY
ROBINSON.
521
00:36:28,275 --> 00:36:29,034
ARE YOU ALL READY?
522
00:36:29,068 --> 00:36:30,068
YEAH!
523
00:36:30,103 --> 00:36:32,000
ARE YOU ALL READY!
524
00:36:32,034 --> 00:36:33,275
YEAH!
525
00:36:33,310 --> 00:36:36,551
ARE YOU ALL READY, AUDIENCE!
526
00:36:36,586 --> 00:36:41,655
ARE YOU REALLY READY!
527
00:36:41,689 --> 00:36:42,689
LET'S HIT IT!
528
00:36:42,724 --> 00:36:45,103
ONE, TWO, THREE, FOUR.
529
00:36:53,068 --> 00:36:54,631
YOU GOT A SMILE SO BRIGHT
YOU KNOW YOU COULD'VE
530
00:36:54,655 --> 00:36:58,862
BEEN A CANDLE
I'M HOLDING YOU SO TIGHT
531
00:36:58,896 --> 00:37:03,137
YOU KNOW YOU COULD'VE
BEEN A HANDLE
532
00:37:03,172 --> 00:37:06,827
THE WAY YOU SWEPT ME
OFF MY FEET
533
00:37:06,862 --> 00:37:10,517
YOU KNOW YOU COULD'VE
BEEN A BROOM
534
00:37:10,551 --> 00:37:17,551
THE WAY YOU SMELL SO SWEET
YOU KNOW YOU COULD'VE
535
00:37:17,586 --> 00:37:19,482
BEEN SOME PERFUME
WELL
536
00:37:19,517 --> 00:37:23,206
YOU COULD'VE BEEN ANYTHING
THAT YOU WANTED TO
537
00:37:23,241 --> 00:37:26,379
AND I CAN TELL
THE WAY YOU DO
538
00:37:26,413 --> 00:37:31,137
THE THINGS YOU DO
AW BABY
539
00:37:31,172 --> 00:37:35,379
AS PRETTY AS YOU ARE
YOU KNOW YOU COULD'VE
540
00:37:35,413 --> 00:37:41,827
BEEN A FLOWER
IF GOOD LOOKS WAS A MINUTE
541
00:37:41,862 --> 00:37:48,206
YOU KNOW YOU COULD
HAVE BEEN AN HOUR
542
00:37:48,241 --> 00:37:52,413
THE WAY YOU STOLE MY HEART
YOU KNOW YOU COULD HAVE
543
00:37:52,448 --> 00:37:56,103
BEEN A COOL CROOK
AND BABY YOU'RE SO SMART
544
00:37:56,137 --> 00:38:01,068
YOU KNOW YOU COULD HAVE
BEEN A SCHOOL BOOK
545
00:38:01,103 --> 00:38:03,862
YEAH
WELL
546
00:38:03,896 --> 00:38:08,586
YOU COULD'VE BEEN ANYTHING
THAT YOU WANTED TO
547
00:38:08,620 --> 00:38:10,724
AND I CAN TELL
THE WAY YOU DO
548
00:38:10,758 --> 00:38:16,517
THE THINGS YOU DO
YOU MADE MY LIFE SO BRIGHT
549
00:38:16,551 --> 00:38:23,379
YOU MAKE ME FEEL ALRIGHT
YOU MAKE ME FEEL ALRIGHT
550
00:38:23,413 --> 00:38:29,862
YOU MAKE ME FEEL ALRIGHT
YOU MAKE ME DO THE THINGS YOU
551
00:38:29,896 --> 00:38:31,862
DO
THE WAY YOU DO THE THINGS YOU
552
00:38:31,896 --> 00:38:37,413
DO
553
00:38:47,482 --> 00:38:50,793
SMOKEY ROBINSON!
554
00:38:50,827 --> 00:38:53,448
OH YEAH BABY
NOW IF THERE'S A SMILE
555
00:38:53,482 --> 00:38:57,172
ON MY FACE
IT'S ONLY THERE TRYING
556
00:38:57,206 --> 00:38:58,965
TO FOOL THE PUBLIC
BUT WHEN IT COMES DOWN
557
00:38:59,000 --> 00:39:01,275
TO FOOLING YOU
NOW HONEY THAT'S QUITE
558
00:39:01,310 --> 00:39:04,965
A DIFFERENT SUBJECT
BUT DON'T LET MY
559
00:39:05,000 --> 00:39:07,586
GLAD EXPRESSION
GIVE YOU THE
560
00:39:07,620 --> 00:39:13,344
WRONG IMPRESSION
REALLY I'M SAD
561
00:39:13,379 --> 00:39:17,586
OH I'M SADDER THAN SAD
YOU'RE GONE AND I'M
562
00:39:17,620 --> 00:39:21,034
HURTING SO BAD
LIKE A CLOWN
563
00:39:21,068 --> 00:39:26,034
I APPEAR TO BE GLAD
NOW THEY'RE SOME SAD
564
00:39:26,068 --> 00:39:31,000
THINGS KNOWN TO MAN
BUT AIN'T TOO MUCH
565
00:39:31,034 --> 00:39:34,034
SADDER THAN
THE TEARS OF A CLOWN
566
00:39:34,068 --> 00:39:40,379
SAY IT, STEVE.
567
00:39:40,413 --> 00:39:43,551
JUST LIKE PAGLIACCI DID
I TRY TO KEEP
568
00:39:43,586 --> 00:39:49,896
MY SURFACE HID
SMILING IN THE CROWD I TRY
569
00:39:49,931 --> 00:39:53,068
BUT IN MY LONELY
ROOM I CRY
570
00:39:53,103 --> 00:39:59,379
THE TEARS OF A CLOWN
WHEN THERE'S NO ONE AROUND
571
00:39:59,413 --> 00:40:06,241
OH YEAH BABY
NOW IF THERE'S A
572
00:40:06,275 --> 00:40:11,034
SMILE ON MY FACE
DON'T LET MY
573
00:40:11,068 --> 00:40:14,965
GLAD EXPRESSION
GIVE YOU THE
574
00:40:15,000 --> 00:40:19,310
WRONG IMPRESSION
DON'T LET THIS
575
00:40:19,344 --> 00:40:22,931
SMILE I WEAR
MAKE YOU THINK THAT
576
00:40:22,965 --> 00:40:29,620
I DON'T CARE
BECAUSE I'M CRYING, CRYING,
577
00:40:29,655 --> 00:40:34,827
CRYING, CRY, CRYING
TEARS OF A CLOWN
578
00:40:34,862 --> 00:40:42,862
THE TEARS OF A CLOWN
579
00:40:43,310 --> 00:40:49,241
THE TEARS OF A CLOWN
580
00:40:49,275 --> 00:40:57,275
CHRIS STAPLETON!
581
00:40:59,689 --> 00:41:04,000
PEOPLE
582
00:41:04,034 --> 00:41:11,344
KEEP ON LEARNIN'
SOLDIERS
583
00:41:11,379 --> 00:41:18,965
KEEP ON WARRIN'
WORLD
584
00:41:19,000 --> 00:41:23,448
KEEP ON TURNIN'
'CAUSE IT WON'T
585
00:41:23,482 --> 00:41:28,241
BE TOO LONG
586
00:41:28,275 --> 00:41:30,103
CHRIS!
587
00:41:30,137 --> 00:41:32,448
DO IT!
588
00:41:32,482 --> 00:41:37,724
POWERS
KEEP ON LYIN'
589
00:41:37,758 --> 00:41:45,103
WHILE YOUR PEOPLE
KEEP ON DYIN'
590
00:41:45,137 --> 00:41:52,000
WORLD
KEEP ON TURNIN'
591
00:41:52,034 --> 00:41:56,172
'CAUSE IT WON'T
BE TOO LONG
592
00:41:56,206 --> 00:42:03,068
I'M SO DARN GLAD HE
593
00:42:03,103 --> 00:42:06,827
LET ME TRY IT AGAIN
'CAUSE MY LAST
594
00:42:06,862 --> 00:42:09,482
TIME ON EARTH
I LIVED A WHOLE
595
00:42:09,517 --> 00:42:14,655
WORLD OF SIN
I'M SO GLAD THAT I KNOW
596
00:42:14,689 --> 00:42:17,310
MORE THAN I KNEW THEN
GONNA KEEP ON TRYIN'
597
00:42:17,344 --> 00:42:20,482
TILL I REACH MY
HIGHEST GROUND
598
00:42:20,517 --> 00:42:23,206
ARE YOU ALL WITH US!
599
00:42:23,241 --> 00:42:26,931
LOVERS
600
00:42:26,965 --> 00:42:34,344
KEEP ON LOVIN'
BELIEVERS
601
00:42:34,379 --> 00:42:42,379
KEEP ON BELIEVIN'
SLEEPERS
602
00:42:42,965 --> 00:42:46,000
JUST STOP SLEEPIN'
'CAUSE IT WON'T
603
00:42:46,034 --> 00:42:52,034
BE TOO LONG
604
00:42:52,068 --> 00:42:55,896
OH YEAH
I'M SO GLAD THAT HE
605
00:42:55,931 --> 00:42:58,482
LET ME TRY IT AGAIN
'CAUSE MY LAST
606
00:42:58,517 --> 00:43:02,275
TIME ON EARTH
I LIVED A WHOLE
607
00:43:02,310 --> 00:43:03,896
WORLD OF SIN
I'M SO GLAD THAT I KNOW
608
00:43:03,931 --> 00:43:06,551
MORE THAN I KNEW THEN
GONNA KEEP ON TRYIN'
609
00:43:06,586 --> 00:43:12,965
TILL I REACH MY
HIGHEST GROUND
610
00:43:13,000 --> 00:43:16,655
WOO
TILL I REACH MY
611
00:43:16,689 --> 00:43:20,896
HIGHEST GROUND
NO
612
00:43:27,000 --> 00:43:31,413
HIGHER
HIGHER
613
00:43:31,448 --> 00:43:39,448
HIGHER
614
00:45:20,275 --> 00:45:22,655
ARE YOU KIDDING ME
RIGHT NOW?
615
00:45:22,689 --> 00:45:28,275
GIVE IT UP ONE MORE TIME, CHRIS
STAPLETON, STEVIE WONDER.
616
00:45:28,310 --> 00:45:29,413
ONE MORE.
617
00:45:29,448 --> 00:45:34,310
I MEAN, HOW AMAZING WAS THAT,
618
00:45:34,344 --> 00:45:34,862
EVERYBODY?
619
00:45:34,896 --> 00:45:36,034
HOW AMAZING WAS THAT.
620
00:45:36,068 --> 00:45:36,827
THANK YOU SO MUCH.
621
00:45:36,862 --> 00:45:38,044
THANK YOU EVERY SINGLE ONE OF
YOU.
622
00:45:38,068 --> 00:45:40,827
THAT WAS PHENOMENAL.
623
00:45:40,862 --> 00:45:43,413
CONGRATULATIONS TO BERRY GORDY
AND OF COURSE TO SMOKEY ROBINSON
624
00:45:43,448 --> 00:45:44,344
ON THIS GREAT HONOR.
625
00:45:44,379 --> 00:45:45,655
WHAT AN AMAZING NIGHT.
626
00:45:45,689 --> 00:45:46,965
WHAT A PHENOMENAL MOMENT.
627
00:45:47,000 --> 00:45:48,275
THANK YOU SO MUCH FOR THAT.
628
00:45:48,310 --> 00:45:50,424
IN FACT, YOU KNOW WHAT, SMOKEY,
WHY DON'T YOU DO THE HONORS AND
629
00:45:50,448 --> 00:45:51,931
PRESENT OUR NEXT AWARD.
630
00:45:51,965 --> 00:45:54,965
THANK YOU, TREVOR.
631
00:45:55,000 --> 00:46:03,000
THESE ARE THE NOMINEES FOR THE
BEST DUO OR GROUP PERFORMANCE.
632
00:46:03,310 --> 00:46:09,827
"DON'T SHUT ME DOWN," ABBA.
633
00:46:09,862 --> 00:46:16,137
"BAM BAM," CAMILA CABELLO
FEATURING ED SHEERAN.
634
00:46:16,172 --> 00:46:18,275
"MY UNIVERSE," COLDPLAY & BTS.
635
00:46:18,310 --> 00:46:23,103
"I LIKE YOU,"
636
00:46:23,137 --> 00:46:25,413
POST MALONE & DOJA CAT.
637
00:46:25,448 --> 00:46:29,275
"UNHOLY," SAM SMITH &
638
00:46:29,310 --> 00:46:32,655
KIM PETRAS.
639
00:46:42,137 --> 00:46:50,137
AND THE GRAMMY GOES TO...
"UNHOLY," SAM SMITH &
640
00:46:55,344 --> 00:46:57,689
KIM PETRAS.
641
00:47:16,931 --> 00:47:24,931
OH, MY GOD.
642
00:47:26,965 --> 00:47:32,241
OH, MY GOD.
643
00:47:32,275 --> 00:47:35,172
THANK YOU SO MUCH.
644
00:47:35,206 --> 00:47:36,551
CRAZY, SAM, I LOVE YOU SO MUCH.
645
00:47:36,586 --> 00:47:40,103
AND THIS SONG HAS BEEN SUCH AN
INCREDIBLE, INCREDIBLE JOURNEY
646
00:47:40,137 --> 00:47:41,172
FOR ME.
647
00:47:41,206 --> 00:47:44,724
AND SAM HAS BEEN A SUPPORTER OF
MINE FOR SO LONG.
648
00:47:44,758 --> 00:47:50,655
UM, SAM GRACIOUSLY WANTED ME TO
ACCEPT THIS AWARD BECAUSE I'M
649
00:47:50,689 --> 00:47:52,724
THE FIRST TRANSGENDER WOMAN TO
WIN THIS AWARD.
650
00:47:52,758 --> 00:48:00,758
AND I'M SO... THANK YOU.
651
00:48:06,931 --> 00:48:14,931
UM, AND I JUST WANT TO THANK ALL
THE INCREDIBLE TRANSGENDER LE
652
00:48:16,103 --> 00:48:19,172
LEGENDS BEFORE ME WHO KICKED
THESE DOORS OPEN BEFORE ME SO I
653
00:48:19,206 --> 00:48:21,827
COULD BE HERE TONIGHT.
654
00:48:21,862 --> 00:48:29,000
SOPHIE MY FRIEND WHO PASSED AWAY
TWO YEARS AGO WHO TOLD ME THIS
655
00:48:29,034 --> 00:48:31,034
WOULD HAPPEN AND ALWAYS BELIEVED
IN ME.
656
00:48:31,068 --> 00:48:33,965
THANK YOU SO MUCH FOR YOUR
INSPIRATION, SOPHIE.
657
00:48:34,000 --> 00:48:38,103
I ADORE YOU, AND YOUR
INSPIRATION WILL FOREVER BE IN
658
00:48:38,137 --> 00:48:39,103
MY MUSIC.
659
00:48:39,137 --> 00:48:42,586
MADONNA FOR FIGHTING FOR LGBTQ
RIGHTS.
660
00:48:42,620 --> 00:48:43,586
SO MUCH.
661
00:48:43,620 --> 00:48:46,137
I DON'T THINK I COULD BE HERE
WITHOUT MADONNA.
662
00:48:46,172 --> 00:48:47,551
MY MOTHER.
663
00:48:47,586 --> 00:48:51,827
I GREW UP NEXT TO A HIGHWAY IN
NOWHERE, GERMANY.
664
00:48:51,862 --> 00:48:58,413
AND MY MOTHER BELIEVED ME THAT I
WAS A GIRL, AND I WOULDN'T BE
665
00:48:58,448 --> 00:48:59,827
HERE WITHOUT HER.
666
00:48:59,862 --> 00:49:01,482
AND HER SUPPORT.
667
00:49:01,517 --> 00:49:05,310
AND EVERYONE WHO BELIEVED IN ME
668
00:49:05,344 --> 00:49:07,172
TO THIS POINT, I LOVE YOU SO
MUCH.
669
00:49:07,206 --> 00:49:08,689
THE RECORDING ACADEMY, THANK
YOU.
670
00:49:08,724 --> 00:49:10,448
THIS IS A HUGE MOMENT FOR ME.
671
00:49:10,482 --> 00:49:13,137
SAM, THANK YOU, YOU'RE A TRUE
ANGEL AND HERO IN MY LIFE.
672
00:49:13,172 --> 00:49:15,103
AND I LOVE YOU.
673
00:49:15,137 --> 00:49:19,758
AND EVERYONE WHO MADE THE SONG,
I LOVE YOU GUYS SO MUCH.
674
00:49:19,793 --> 00:49:21,586
SORRY I DIDN'T WRITE DOWN THE
NAMES.
675
00:49:21,620 --> 00:49:23,551
I LOVE YOU.
676
00:49:23,586 --> 00:49:24,482
BYE-BYE!
677
00:49:24,517 --> 00:49:28,931
FOR YEAR-ROUND
678
00:49:28,965 --> 00:49:30,251
ACCESS TO THE STORIES BEHIND
MUSIC AND THE PEOPLE WHO SHAPE
679
00:49:30,275 --> 00:49:34,000
CULTURE, FOLLOW US ON INSTAGRAM,
VISIT GRAMMY.COM, AND JOIN OUR
680
00:49:34,034 --> 00:49:36,103
GRAMMY INSIDER EMAIL.
681
00:49:36,137 --> 00:49:39,827
COMING UP...
SPECIAL PERFORMANCES BY TWO OF
682
00:49:39,862 --> 00:49:40,907
THIS GRAMMY NIGHT'S MOST
NOMINATED ARTISTS...
683
00:49:40,931 --> 00:49:42,517
FIRST, LIZZO.
684
00:49:42,551 --> 00:49:49,241
THEN HARRY STYLES TURNS THE
GRAMMYS INTO "HARRY'S HOUSE."
685
00:49:49,275 --> 00:49:51,172
SZA PRESENTS THE GRAMMY.
686
00:49:51,206 --> 00:49:53,686
AND LATER, WHICH OF THIS YEAR'S
STELLAR NOMINEES WILL TAKE HOME
687
00:50:17,034 --> 00:50:18,596
WELCOME BACK TO THE
GRAMMY AWARDS.
688
00:50:18,620 --> 00:50:21,965
TO INTRODUCE OUR NEXT AMAZING
ARTIST IS SOMEONE WHOSE LIFE HAS
689
00:50:22,000 --> 00:50:24,896
BEEN CHANGED BY HER.
690
00:50:24,931 --> 00:50:26,379
LET'S WELCOME JAYLA SULLIVAN.
691
00:50:26,413 --> 00:50:30,724
I LOVE THIS NEXT PERFORMER
692
00:50:30,758 --> 00:50:35,482
FOR WHAT SHE STANDS FOR, WHO SHE
FIGHTS FOR, AND WHO SHE TRULY
693
00:50:35,517 --> 00:50:36,724
IS.
694
00:50:36,758 --> 00:50:40,827
WHEN I AUDITIONED TO BE ONE OF
LIZZO'S "BIG GIRL DANCERS,"
695
00:50:40,862 --> 00:50:44,758
LIZZO SAID SHE SAW A SUPER STAR
IN ME.
696
00:50:44,793 --> 00:50:46,000
I CRIED.
697
00:50:46,034 --> 00:50:48,689
LIZZO SAW SOMETHING IN ME THAT I
COULDN'T EVEN SEE IN MYSELF.
698
00:50:48,724 --> 00:50:54,827
I'VE BEEN DANCING WITH BAD...
ENERGY SINCE I WAS TEN.
699
00:50:54,862 --> 00:50:56,448
BUT GETTING THE BIG SHOT WAS
700
00:50:56,482 --> 00:50:59,000
NEVER GOING TO BE EASY.
701
00:50:59,034 --> 00:51:03,586
I'M FOREVER THANKFUL TO THIS ONE
IN A MILLION WOMAN FOR OPENING
702
00:51:03,620 --> 00:51:10,206
UP DOORS FOR WOMEN OF SIZE,
WOMEN OF COLOR, AND PEOPLE WITH
703
00:51:10,241 --> 00:51:13,448
ALL DIFFERENT GENDER
EXPRESSIONS.
704
00:51:13,482 --> 00:51:19,206
AND MAY I SAY, IT'S ABOUT DAMN
TIME!
705
00:51:19,241 --> 00:51:21,034
PLEASE WELCOME LIZZO!
706
00:51:21,068 --> 00:51:28,551
OH I'VE BEEN SO DOWN
707
00:51:28,586 --> 00:51:33,275
AND UNDER PRESSURE
I'M WAY TOO FINE
708
00:51:33,310 --> 00:51:36,448
TO BE THIS STRESSED YEAH
OH I'M NOT THE GIRL I WAS
709
00:51:36,482 --> 00:51:42,310
OR USED TO BE
GRAMMYS!
710
00:51:42,344 --> 00:51:46,068
TURN UP THE MUSIC
711
00:51:46,103 --> 00:51:48,344
TURN DOWN THE LIGHT
I GOT A FEELIN'
712
00:51:48,379 --> 00:51:54,517
I'M GON' BE ALRIGHT
OKAY ALRIGHT
713
00:51:54,551 --> 00:51:57,310
BECAUSE IT'S ABOUT DAMN TIME!
714
00:51:57,344 --> 00:52:01,758
COMING OUT TONIGHT.
715
00:52:01,793 --> 00:52:04,586
WE COMING OUT TONIGHT.
716
00:52:04,620 --> 00:52:11,034
TURN UP THE MUSIC
TURN DOWN THE LIGHTS
717
00:52:11,068 --> 00:52:19,068
ALL RIGHT, GRAMMYS, Y'ALL
718
00:52:22,310 --> 00:52:24,000
TRYING TO HAVE SOME CHURCH UP IN
HERE.
719
00:52:24,034 --> 00:52:27,034
HOW ARE YOU ALL FEELING TONIGHT?
720
00:52:27,068 --> 00:52:33,241
WOKE UP THIS MORNING TO
721
00:52:33,275 --> 00:52:35,665
SOMEBODY IN THE VIDEO TALKING
ABOUT SOMETHING I POSTED IN THE
722
00:52:35,689 --> 00:52:39,000
VIDEO
IF IT WASN'T ME THEN
723
00:52:39,034 --> 00:52:41,724
WOULD YOU EVEN GET OFFENDED
OR IS IT JUST BECAUSE
724
00:52:41,758 --> 00:52:44,896
I'M BLACK AND HEAVY
Y'ALL DON'T HEAR ME THOUGH
725
00:52:44,931 --> 00:52:48,000
IS IT JUST BECAUSE
I'M BLACK AND HEAVY
726
00:52:48,034 --> 00:52:50,103
Y'ALL DON'T HEAR ME THOUGH
Y'ALL DON'T HEAR ME
727
00:52:50,137 --> 00:52:53,724
Y'ALL DON'T HEAR ME
I'VE BEEN THE SAME
728
00:52:53,758 --> 00:52:55,010
SINCE I'VE BEEN DRIVING SLOW
ON BISSONNET
729
00:52:55,034 --> 00:53:01,034
CALL UP ANYBODY I KNOW
AND THEY WILL TELL YOU
730
00:53:01,068 --> 00:53:04,034
THAT FAME IS PRETTY NEW
BUT I'VE BEEN USED TO
731
00:53:04,068 --> 00:53:07,034
I MOVE THE WAY I MOVE
AND WHY
732
00:53:07,068 --> 00:53:08,655
I'M SO IN LOVE WITH ME
I'M USED TO
733
00:53:08,689 --> 00:53:11,241
FEELING ALONE OH
SO I THOUGH
734
00:53:11,275 --> 00:53:19,275
THAT I'D LET YOU KNOW
IN CASE
735
00:53:21,034 --> 00:53:24,000
NOBODY TOLD YOU TODAY
YOU'RE SPECIAL
736
00:53:24,034 --> 00:53:26,241
IN CASE
NOBODY MADE YOU BELIEVE
737
00:53:26,275 --> 00:53:30,241
YOU'RE SPECIAL
WELL I WILL
738
00:53:30,275 --> 00:53:33,103
ALWAYS LOVE YOU THE SAME
YOU'RE SPECIAL
739
00:53:33,137 --> 00:53:36,827
I'M SO GLAD
THAT YOU'RE STILL WITH US
740
00:53:36,862 --> 00:53:39,655
BROKEN BUT DAMN YOU'RE
STILL PERFECT PERFECT
741
00:53:39,689 --> 00:53:43,206
IT'S ABOUT DAMN TIME
IT'S ABOUT DAMN TIME
742
00:53:43,241 --> 00:53:49,931
FOR YOU TO FEEL SPECIAL
743
00:53:49,965 --> 00:53:53,862
COULD YOU IMAGINE A WORLD
744
00:53:53,896 --> 00:53:57,034
UMM HEY YEAH
WHERE EVERYBODY'S THE SAME
745
00:53:57,068 --> 00:54:00,241
UMM HEY YEAH
AND YOU COULD
746
00:54:00,275 --> 00:54:02,896
CANCEL A GIRL
UMM HEY YEAH
747
00:54:02,931 --> 00:54:07,586
'CAUSE SHE
JUST WANTED TO CHANGE
748
00:54:07,620 --> 00:54:08,689
UMM HEY YEAH
HOW COULD YOU
749
00:54:08,724 --> 00:54:10,827
THROW... STONES
UMM HEY YEAH
750
00:54:10,862 --> 00:54:14,310
IF YOU AIN'T BEEN
THROUGH HER PAIN
751
00:54:14,344 --> 00:54:16,586
UMM HEY YEAH
THAT'S WHY
752
00:54:16,620 --> 00:54:20,000
WE FEEL SO ALONE
THAT'S WHY
753
00:54:20,034 --> 00:54:23,344
WE FEEL SO ASHAMED
HEY HEY HEY HEY YEAH
754
00:54:23,379 --> 00:54:29,000
I'M USED TO FEELING ALONE
I THOUGHT THAT I'D LET YOU
755
00:54:29,034 --> 00:54:33,655
KNOW
OOH
756
00:54:33,689 --> 00:54:39,965
IN CASE
NOBODY TOLD YOU TODAY
757
00:54:40,000 --> 00:54:42,379
YEAH!
758
00:54:42,413 --> 00:54:45,655
YOU'RE SPECIAL
IN CASE
759
00:54:45,689 --> 00:54:48,172
NOBODY MADE YOU BELIEVE
YOU'RE SPECIAL
760
00:54:48,206 --> 00:54:50,793
WELL I WILL
ALWAYS LOVE YOU THE SAME
761
00:54:50,827 --> 00:54:53,448
YOU'RE SPECIAL
I'M SO GLAD
762
00:54:53,482 --> 00:54:56,551
THAT YOU'RE STILL WITH US
BROKEN BUT DAMN YOU'RE
763
00:54:56,586 --> 00:54:57,665
STIL PERFECT PERFECT
SPECIAL SPECIAL SPECIAL
764
00:54:57,689 --> 00:55:03,551
YOU ARE YOU ARE
YOU ARE YOU ARE
765
00:55:03,586 --> 00:55:08,620
SPECIAL MMM
MMM HEY
766
00:55:26,931 --> 00:55:29,965
THAT'S RIGHT, KEEP IT
GOING FOR LIZZO, EVERYBODY.
767
00:55:30,000 --> 00:55:33,206
YOU DON'T SEE THAT EVERY DAY.
768
00:55:33,241 --> 00:55:36,689
EVERY SINGLE TIME SHE HITS THE
STAGE, IT'S PHENOMENAL.
769
00:55:36,724 --> 00:55:37,655
WOW.
770
00:55:37,689 --> 00:55:39,655
I NEED TO GET ME ONE OF THOSE
GOSPEL CHOIRS.
771
00:55:39,689 --> 00:55:42,379
I LOVE HER.
772
00:55:42,413 --> 00:55:43,458
SHE'S LIKE IF DOPAMINE WAS A
PERSON.
773
00:55:43,482 --> 00:55:44,655
THAT'S PERSON.
774
00:55:44,689 --> 00:55:49,448
OUR NEXT PRESENTER JUST DROPPED
HER SMASH HIT ALBUM "SOS."
775
00:55:49,482 --> 00:55:52,137
IT'S BEEN NUMBER ONE ON THE
CHARTS SEVEN WEEKS AND COUNTING.
776
00:55:52,172 --> 00:55:55,551
AND JUST THINK, THIS IS A WOMAN
WHO ALMOST BECAME A MARINE
777
00:55:55,586 --> 00:55:56,862
BIOLOGIST.
778
00:55:56,896 --> 00:56:01,482
AND IF SHE HAD, THERE WOULD BE
NO THEME SONG FOR KILLING YOUR
779
00:56:01,517 --> 00:56:02,000
EX.
780
00:56:02,034 --> 00:56:03,620
PLEASE WELCOME SZA!
781
00:56:17,034 --> 00:56:20,034
HELLO, LIZZO.
782
00:56:20,068 --> 00:56:25,724
IN A WORLD WHERE SO MUCH SEEMS
TO DIVIDE US, MUSIC UNITES US.
783
00:56:25,758 --> 00:56:28,103
MUSIC CROSSES ALL BOUNDARIES AND
SPEAKS ALL LANGUAGES.
784
00:56:28,137 --> 00:56:29,976
AND SO I FEEL VERY HONORED
TONIGHT TO PRESENT THE GRAMMY
785
00:56:30,000 --> 00:56:32,034
AWARD FOR BEST MUSICA URBANA
ALBUM.
786
00:56:32,068 --> 00:56:36,379
THESE ARE THE NOMINEES.
787
00:56:51,034 --> 00:56:55,793
"TRAP CAKE, VOL. 2,"
RAUW ALEJANDRO.
788
00:56:55,827 --> 00:57:02,448
"UN VERANO SIN TI," BAD BUNNY.
789
00:57:02,482 --> 00:57:07,206
"LEGENDADDY," DADDY YANKEE.
790
00:57:07,241 --> 00:57:10,896
"LA 167," FARRUKO.
791
00:57:10,931 --> 00:57:13,379
"THE LOVE & SEX TAPE," MALUMA.
792
00:57:21,068 --> 00:57:29,068
AND THE GRAMMY GOES TO...
BAD BUNNY!
793
00:57:51,689 --> 00:57:53,413
WHOO.
794
00:57:53,448 --> 00:57:54,482
GRACIAS.
795
00:57:54,517 --> 00:58:02,517
OH, WOW, THIS IS REALLY HUMBLE.
796
00:58:03,758 --> 00:58:10,793
IT'S EASY BECAUSE I JUST MADE IT
THIS ALBUM WITH LOVE AND
797
00:58:10,827 --> 00:58:11,275
PASSION.
798
00:58:11,310 --> 00:58:12,517
LOVE AND PASSION.
799
00:58:12,551 --> 00:58:16,448
AND WHEN YOU DO THINGS WITH LOVE
AND PASSION, EVERYTHING IS
800
00:58:16,482 --> 00:58:16,965
EASIER.
801
00:58:17,000 --> 00:58:19,413
THE LIFE IS EASIER.
802
00:58:19,448 --> 00:58:23,517
I WANT TO THANK ALL, EVERYONE
WHO LISTENED TO MY MUSIC.
803
00:58:35,068 --> 00:58:43,068
I WANT TO DEDICATE THIS AWARD TO
804
00:58:43,586 --> 00:58:51,586
PUERTO RICO...
805
00:58:53,620 --> 00:59:01,620
PUERTO RICO...
806
00:59:02,482 --> 00:59:06,931
COMING RIGHT UP...
807
00:59:06,965 --> 00:59:09,758
HARRY STYLES PERFORMS, CARDI B
PRESENTS THE AWARD FOR BEST RAP
808
00:59:09,793 --> 00:59:11,482
ALBUM.
809
00:59:11,517 --> 00:59:13,010
THEN KACEY MUSGRAVES, QUAVO,
SHERYL CROW, BONNIE RAITT, AND
810
00:59:13,034 --> 00:59:15,655
MICK FLEETWOOD PAY TRIBUTE TO
THE MUSIC LEGENDS WE LOST THIS
811
00:59:15,689 --> 00:59:16,724
PAST YEAR.
812
00:59:16,758 --> 00:59:17,758
THIS IS CBS.
813
00:59:22,724 --> 00:59:24,527
EVERYONE IS
GETTING READY TO SEE HARRY
814
00:59:24,551 --> 00:59:25,241
STYLES TAKE THE STAGE.
815
00:59:25,275 --> 00:59:26,275
THIS IS CBS.
816
00:59:37,724 --> 00:59:40,689
WELCOME BACK TO THE
817
00:59:40,724 --> 00:59:41,931
GRAMMYS, EVERYBODY.
818
00:59:41,965 --> 00:59:45,482
YOU KNOW, WHEN YOU EQUAL A
RECORD, THERE'S NO WAY YOU GET
819
00:59:45,517 --> 00:59:47,493
TO HOLD YOUR GRAMMY IN YOUR HAND
AND CELEBRATE THAT.
820
00:59:47,517 --> 00:59:54,793
AND THE QUEEN IS OFFICIALLY IN
LADIES AND GENTLEMEN, BEYONCE
821
00:59:54,827 --> 00:59:56,448
KNOWLES.
822
00:59:56,482 --> 00:59:57,931
THANK YOU SO MUCH.
823
00:59:57,965 --> 00:59:59,941
I WAS SHOCKED TO FIND OUT THAT
TRAFFIC COULD STOP YOU.
824
00:59:59,965 --> 01:00:03,068
I THOUGHT YOU TRAVELED THROUGH
SPACE AND TIME, BUT I'M GLAD
825
01:00:03,103 --> 01:00:04,551
THAT YOU COULD BE WITH US RIGHT
NOW.
826
01:00:04,586 --> 01:00:08,482
TO INTRODUCE OUR NEXT
GRAMMY-WINNING PERFORMER JUST
827
01:00:08,517 --> 01:00:12,275
TONIGHT, PLEASE WELCOME HIS
PRODUCER AND ONE OF HIS CLOSEST
828
01:00:12,310 --> 01:00:14,586
FRIENDS, KID HARPOOM.
829
01:00:14,620 --> 01:00:19,034
THE WHOLE WORLD KNOWS IF IT'S
HARRY, BUT AS HE KNOWS, I CALL
830
01:00:19,068 --> 01:00:23,931
HIM GARY.
831
01:00:23,965 --> 01:00:28,965
I CALL HIM GARY BECAUSE HE'S
ETCHED HIS NAME INTO OUR CULTURE
832
01:00:29,000 --> 01:00:32,827
THAT SOMETIMES IT'S EASY TO
FORGET WE'RE HUMAN.
833
01:00:32,862 --> 01:00:38,827
THE BOY FROM A VILLAGE IN
CHESHIRE, ENGLAND, WORKING IN A
834
01:00:38,862 --> 01:00:43,241
BAKERY, WHO CHASED HIS DREAM AND
NOW YEARS LATER IS ABOUT TO
835
01:00:43,275 --> 01:00:46,551
PERFORM GRAMMY-NOMINATED MUSIC
FOR YOU TONIGHT.
836
01:00:46,586 --> 01:00:48,700
SPENDING HOURS WITH HIM WORKING
IN STUDIOS ALL AROUND THE WORLD,
837
01:00:48,724 --> 01:00:51,275
I'VE NOT ONLY WITNESSED
FIRSTHAND THE DEDICATION AND
838
01:00:51,310 --> 01:00:53,724
PASSION THAT GOT HIM HERE, BUT
I'VE ALSO LEARNT THAT LIKE A
839
01:00:53,758 --> 01:00:56,620
FINE BOTTLE OF TEQUILA, MUSIC IS
BEST SHARED WITH FRIENDS.
840
01:00:56,655 --> 01:00:59,241
IT GIVES ME IMMENSE JOY AND
PLEASURE TO INTRODUCE YOU TO MY
841
01:00:59,275 --> 01:01:02,000
FRIEND GARY.
842
01:01:02,034 --> 01:01:04,758
OR AS YOU GUYS KNOW HIM,
HARRY STYLES.
843
01:01:34,241 --> 01:01:39,344
C'MON HARRY, WE WANNA SAY
GOODNIGHT TO YOU.
844
01:01:43,827 --> 01:01:49,689
HOLDING ME BACK
845
01:01:49,724 --> 01:01:53,931
GRAVITY'S HOLDING ME BACK
I WANT YOU TO HOLD OUT
846
01:01:53,965 --> 01:01:57,689
THE PALM OF YOUR HAND
WHY DON'T WE
847
01:01:57,724 --> 01:02:01,965
LEAVE IT AT THAT
NOTHING TO SAY
848
01:02:02,000 --> 01:02:04,655
WHEN EVERYTHING
GETS IN THE WAY
849
01:02:04,689 --> 01:02:07,793
SEEMS YOU
CANNOT BE REPLACED
850
01:02:07,827 --> 01:02:15,655
AND I'M THE ONE
WHO WILL STAY OH
851
01:02:15,689 --> 01:02:20,965
IN THIS WORLD IT'S JUST US
YOU KNOW IT'S NOT THE SAME
852
01:02:21,000 --> 01:02:29,000
AS IT WAS
IN THIS WORLD IT'S JUST US
853
01:02:30,448 --> 01:02:35,000
YOU KNOW IT'S NOT THE SAME
AS IT WAS
854
01:02:44,206 --> 01:02:48,413
YOU KNOW IT'S NOT THE SAME
ANSWER THE PHONE
855
01:02:48,448 --> 01:02:53,103
HARRY YOU'RE NO GOOD ALONE
WHY ARE YOU SITTIN' AT HOME
856
01:02:53,137 --> 01:02:54,586
ON THE FLOOR
WHAT KIND OF PILLS
857
01:02:54,620 --> 01:02:57,931
ARE YOU ON
RINGING THE BELL
858
01:02:57,965 --> 01:03:01,034
AND NOBODY'S
COMING TO HELP
859
01:03:01,068 --> 01:03:03,827
YOUR DADDY
LIVES BY HIMSELF
860
01:03:03,862 --> 01:03:10,137
HE JUST WANTS TO KNOW
THAT YOU'RE WELL OH
861
01:03:10,172 --> 01:03:16,000
IN THIS WORLD IT'S JUST US
YOU KNOW IT'S NOT THE SAME
862
01:03:16,034 --> 01:03:24,034
AS IT WAS
IN THIS WORLD IT'S JUST US
863
01:03:25,034 --> 01:03:30,034
YOU KNOW IT'S NOT THE SAME
AS IT WAS
864
01:03:38,793 --> 01:03:42,482
YOU KNOW IT'S NOT THE SAME
GO HOME GET AHEAD
865
01:03:42,517 --> 01:03:45,103
LIGHT-SPEED INTERNET
I DON'T WANT TO TALK ABOUT
866
01:03:45,137 --> 01:03:47,482
THE WAY THAT IT WAS
LEAVE AMERICA
867
01:03:47,517 --> 01:03:49,310
TWO KIDS FOLLOW HER
I DON'T WANNA TALK ABOUT
868
01:03:49,344 --> 01:03:55,413
WHO'S DOIN' IT FIRST
869
01:04:32,827 --> 01:04:40,827
AS IT WAS
870
01:04:43,448 --> 01:04:49,344
YOU KNOW IT'S NOT THE SAME
AS IT WAS
871
01:04:49,379 --> 01:04:57,379
AS IT WAS AS IT WAS
872
01:04:59,137 --> 01:05:07,137
JOIN THE
873
01:05:13,206 --> 01:05:15,862
GRAMMY MUSEUM AND OUR COCHAIRS
IN OUR CAMPAIGN FOR MUSIC
874
01:05:15,896 --> 01:05:17,172
EDUCATION.
875
01:05:17,206 --> 01:05:19,527
AND HELP PROVIDE ACCESS TO MUSIC
EDUCATION ACROSS THE COUNTRY AT
876
01:05:19,551 --> 01:05:20,793
GRAMMYMUSEUM.ORG.
877
01:05:20,827 --> 01:05:23,689
COMING UP, A GRAMMY SALUTE TO
THE MUSIC LEGENDS WE LOST THIS
878
01:05:23,724 --> 01:05:27,689
PAST YEAR, WITH KASEY MUSGRAVES,
QUAVO, SHERYL CROW, BONNIE
879
01:05:27,724 --> 01:05:29,931
RAITT, AND MICK FLEETWOOD.
880
01:05:29,965 --> 01:05:32,551
AND LATER, A SPECIAL ALL-STAR
PERFORMANCE BY DJ KHALED AND
881
01:05:32,586 --> 01:05:33,586
JAY-Z.
882
01:05:39,724 --> 01:05:44,310
TO PRESENT THE
GRAMMY FOR BEST RAP ALBUM,
883
01:05:44,344 --> 01:05:46,034
GRAMMY WINNER CARDI B!
884
01:05:59,413 --> 01:06:02,241
HI.
885
01:06:02,275 --> 01:06:08,068
THIS YEAR WE'RE CELEBRATING
THE FIRST 50 YEARS OF HIP-HOP.
886
01:06:08,103 --> 01:06:09,734
HERE ARE SOME ARTISTS WHO ARE
GOING TO HELP KEEP THE NEXT
887
01:06:09,758 --> 01:06:11,827
50 JUST AS INTERESTING.
888
01:06:11,862 --> 01:06:16,931
THESE ARE THE EXCELLENT NOMINEES
FOR BEST RAP ALBUM.
889
01:06:24,379 --> 01:06:29,689
"GOD DID," DJ KHALED.
890
01:06:29,724 --> 01:06:34,965
"I NEVER LIKED YOU," FUTURE.
891
01:06:35,000 --> 01:06:42,000
"COME HOME THE KIDS MISS YOU,"
892
01:06:42,034 --> 01:06:48,344
JACK HARLOW.
893
01:06:48,379 --> 01:06:53,620
"MR. MORALE & THE BIG STEPPERS,"
KENDRICK LAMAR.
894
01:06:53,655 --> 01:06:55,620
"IT'S ALMOST DRY," PUSHA T.
895
01:07:07,310 --> 01:07:08,896
OH, SNAP!
896
01:07:08,931 --> 01:07:15,034
AND THE GRAMMY GOES TO...
I'M SCARED.
897
01:07:15,068 --> 01:07:16,862
KENDRICK LAMAR!
898
01:07:57,724 --> 01:08:00,931
THEY GOT CUTE AS HECK WITH THESE
TABLES.
899
01:08:00,965 --> 01:08:04,586
GOT THE WINE.
900
01:08:04,620 --> 01:08:07,413
I LIKE IT.
901
01:08:07,448 --> 01:08:12,034
NO, FIRST AND FOREMOST, I WANT
TO THANK MY FAMILY FOR GIVING ME
902
01:08:12,068 --> 01:08:16,033
THE COURAGE, YOU KNOW, AND THE
VULNERABILITY TO SHARE THESE
903
01:08:16,068 --> 01:08:19,206
STORIES AND SHARE MY TRUTH WITH
THIS ALBUM.
904
01:08:19,241 --> 01:08:19,965
THAT'S FIRST AND FOREMOST.
905
01:08:20,000 --> 01:08:23,758
I WANT TO THANK...
906
01:08:23,792 --> 01:08:24,965
THAT'S RIGHT.
907
01:08:25,000 --> 01:08:29,068
I WANT TO THANK MY FANS FOR
TRUSTING ME WITH THESE WORDS,
908
01:08:29,103 --> 01:08:31,206
YOU KNOW?
909
01:08:31,241 --> 01:08:32,517
YEAH.
910
01:08:32,551 --> 01:08:38,724
YOU KNOW, AS ARTISTS, WE ALL SAY
THINGS TO PROVOKE THOUGHTS AND
911
01:08:38,758 --> 01:08:40,482
FEELINGS AND EMOTIONS.
912
01:08:40,517 --> 01:08:43,724
SO MAKING THIS RECORD... THIS IS
ONE OF MY TOUGHEST RECORDS TO
913
01:08:43,758 --> 01:08:44,930
MAKE.
914
01:08:44,965 --> 01:08:47,862
AND IT ALLOWED ME TO DO THAT AND
ALLOWED ME TO SHARE OTHER
915
01:08:47,895 --> 01:08:49,206
PEOPLE'S EXPERIENCES.
916
01:08:49,241 --> 01:08:53,586
GOING BACK AND THINKING BACK
WHERE I STARTED WITH RAPPING,
917
01:08:53,620 --> 01:08:57,068
HOW FAR I CAME, I WOULD LIKE TO
THANK THE CULTURE FOR ALLOWING
918
01:08:57,103 --> 01:09:01,310
ME TO EVOLVE IN ORDER TO MAKE A
SONG.
919
01:09:01,344 --> 01:09:03,792
LIKE "MOTHER I'M SOBER."
920
01:09:03,827 --> 01:09:05,862
THAT'S SPECIAL TO ME.
921
01:09:05,895 --> 01:09:11,482
THE BIGGEST UNDERGROUND ARTISTS
OF ALL TIME, AND I FINALLY FOUND
922
01:09:11,517 --> 01:09:13,033
IMPERFECTION WITH THIS.
923
01:09:13,068 --> 01:09:15,068
SO I APPRECIATE Y'ALL, I LOVE
Y'ALL.
924
01:09:15,103 --> 01:09:23,103
CONGRATULATIONS TO
925
01:09:24,586 --> 01:09:25,827
KENDRICK LAMAR.
926
01:09:25,862 --> 01:09:31,136
YOU KNOW, WHEN YOU LOOK AT IT,
MUSIC IS MADE UP OF FOUR KEY
927
01:09:31,171 --> 01:09:31,965
ELEMENTS.
928
01:09:32,000 --> 01:09:35,171
RHYTHM, BEATS, MELODY, AND
HARMONY.
929
01:09:35,206 --> 01:09:38,965
AND I'VE BEEN THINKING ABOUT
THAT LAST ONE A LOT THIS PAST
930
01:09:39,000 --> 01:09:40,241
YEAR, HARMONY.
931
01:09:40,274 --> 01:09:46,551
DIFFERENT NOTES COMING TOGETHER
IN A MOMENT TO MAKE SOMETHING
932
01:09:46,586 --> 01:09:47,965
MORE BEAUTIFUL.
933
01:09:48,000 --> 01:09:51,930
SO MUCH DIVIDES US RIGHT NOW,
BUT MUSIC IS ABOUT UNITING US
934
01:09:51,965 --> 01:09:53,206
THROUGH OUR DIFFERENCES.
935
01:09:53,241 --> 01:09:56,551
IT'S BLACK KIDS AND WHITE KIDS
REJECTING SEGREGATION IN THE
936
01:09:56,586 --> 01:10:01,448
1950s, AND INSTEAD BLENDING R&B,
COUNTRY, AND EVEN GOSPEL INTO
937
01:10:01,482 --> 01:10:02,689
ROCK AND ROLL.
938
01:10:02,724 --> 01:10:07,000
IN THE 1980s, A YOUNG BLACK
RAPPER FROM QUEENS AND A JEWISH
939
01:10:07,034 --> 01:10:10,758
WHITE KID IN HIS NYU DORM CAME
TOGETHER TO MAKE SOME OF THE
940
01:10:10,793 --> 01:10:13,172
GREATEST HIP-HOP OF ALL TIME.
941
01:10:13,206 --> 01:10:17,275
THEY MADE A POWERFUL NEW SOUND
TOGETHER BECAUSE THEY WERE
942
01:10:17,310 --> 01:10:18,482
DIFFERENT.
943
01:10:18,517 --> 01:10:21,379
YOU SEE, MUSIC ISN'T JUST THE
HARMONY OF SOUND, IT'S THE
944
01:10:21,413 --> 01:10:25,862
HARMONY OF HUMAN BEINGS, OF
DIFFERENT RACES, GENDERS,
945
01:10:25,896 --> 01:10:29,724
RELIGIONS, IDENTITIES, SEXUAL
ORIENTATIONS, KNOWING WE'RE
946
01:10:29,758 --> 01:10:34,310
DIFFERENT BUT REJECTING DIVISION
TO FIND MOMENTS OF JOY AND UNITY
947
01:10:34,344 --> 01:10:35,965
AND HARMONY.
948
01:10:36,000 --> 01:10:37,758
AND THAT'S WHAT MUSIC IS ALL
ABOUT.
949
01:10:37,793 --> 01:10:40,172
AND THAT'S WHAT WE'RE
CELEBRATING HERE TONIGHT.
950
01:10:40,206 --> 01:10:46,068
NOW, WE WOULD LIKE TO TAKE A
951
01:10:46,103 --> 01:10:49,275
MOMENT TO REMEMBER SOME OF THE
GREAT PEOPLE IN MUSIC WE LOST
952
01:10:49,310 --> 01:10:53,586
THIS YEAR AND REFLECT ON ALL OF
THE LIGHT THEY BROUGHT INTO OUR
953
01:10:53,620 --> 01:10:53,862
LIVES.
954
01:10:59,931 --> 01:11:07,379
WELL I WAS BORN
A COAL MINER'S DAUGHTER
955
01:11:07,413 --> 01:11:14,965
IN A CABIN ON A HILL
IN BUTCHER HOLLER
956
01:11:15,000 --> 01:11:17,965
WE WERE POOR
BUT WE HAD LOVE
957
01:11:18,000 --> 01:11:22,137
THAT'S THE ONE THING
THAT DADDY MADE SURE OF
958
01:11:22,172 --> 01:11:29,034
HE SHOVELED COAL TO MAKE
A POOR MAN'S DOLLAR
959
01:11:29,068 --> 01:11:36,379
MY DADDY WORKED ALL NIGHT
IN THE VAN LEAR COAL MINES
960
01:11:36,413 --> 01:11:42,241
ALL DAY LONG IN THE FIELD
A HOIN' CORN
961
01:11:42,275 --> 01:11:47,034
MOMMA ROCKED
THE BABIES AT NIGHT
962
01:11:47,068 --> 01:11:51,172
AND READ THE BIBLE
BY THE COAL OIL LIGHT
963
01:11:51,206 --> 01:11:55,206
AND IT WOULD START
ALL OVER
964
01:11:55,241 --> 01:11:59,137
COME BREAK OF MORNIN'
YEAH I'M PROUD TO BE
965
01:11:59,172 --> 01:12:07,172
A COAL MINER'S DAUGHTER
I REMEMBER WELL
966
01:12:09,034 --> 01:12:14,000
THE WELL WHERE
I DREW WATER
967
01:12:14,034 --> 01:12:16,655
THE WORK WE DONE WAS HARD
AT NIGHT WE'D SLEEP
968
01:12:16,689 --> 01:12:20,344
'CAUSE WE WERE TIRED
NEVER THOUGHT
969
01:12:20,379 --> 01:12:26,172
OF EVER LEAVING
BUTCHER HOLLER
970
01:12:26,206 --> 01:12:33,034
WELL A LOT OF THINGS
HAVE CHANGED
971
01:12:33,068 --> 01:12:38,965
SINCE WAY BACK THEN
AND IT'S SO GOOD
972
01:12:39,000 --> 01:12:47,000
TO BE BACK HOME AGAIN
THERE'S NOT MUCH LEFT
973
01:12:47,137 --> 01:12:50,965
BUT THE FLOORS
NOTHING LIVES HERE ANYMORE
974
01:12:51,000 --> 01:12:55,034
EXCEPT THE MEMORIES
OF A COAL MINER'S DAUGHTER
975
01:12:55,068 --> 01:13:02,965
EXCEPT THE MEMORIES
OF A COAL MINER'S DAUGHTER
976
01:14:03,000 --> 01:14:11,000
TEARS ROLLIN' DOWN MY EYES
977
01:14:13,172 --> 01:14:16,344
UHM UHM
CAN'T TELL YOU
978
01:14:16,379 --> 01:14:21,000
HOW MANY TIMES I CRIED
CAN'T TELL YOU
979
01:14:21,034 --> 01:14:23,241
HOW MANY TIMES I CRIED
DAYS AIN'T THE SAME
980
01:14:23,275 --> 01:14:31,275
WITHOUT YOU
I DON'T KNOW IF I'M THE SAME
981
01:14:35,448 --> 01:14:38,827
WITHOUT YOU
I AIN'T THE SAME
982
01:14:38,862 --> 01:14:42,000
REMEMBER THE DAYS
WE SMOKED BIG BLUNTS TOGETHER
983
01:14:42,034 --> 01:14:44,655
REMEMBERED THEM DAYS
WE ROCKED OUT COACHELLA
984
01:14:44,689 --> 01:14:47,620
THEM DAYS
REMEMBER THEM DAYS
985
01:14:47,655 --> 01:14:49,965
WE AIN'T
HAVE OUR... TOGETHER
986
01:14:50,000 --> 01:14:52,620
ON THE NAWFSIDES
TIMES WERE HARD
987
01:14:52,655 --> 01:14:55,793
BUT THEM DAYS WAS BETTER
OOH OOH OOH
988
01:14:55,827 --> 01:14:58,413
I WISH I HAD
A TIME MACHINE
989
01:14:58,448 --> 01:15:00,586
JUS' SO YOU CAN TAKE
A RIDE WIT' ME
990
01:15:00,620 --> 01:15:03,793
OOH OOH OOH
I MUSS JUS' HOW
991
01:15:03,827 --> 01:15:07,241
YOU SMILED AT ME
UNC AND PHEW
992
01:15:07,275 --> 01:15:09,034
UNTIL INFINITY
AHHH
993
01:15:09,068 --> 01:15:15,034
I WISH I HAD
A TIME MACHINE AHHH
994
01:15:15,068 --> 01:15:21,517
SO YOU CAN TAKE A RIDE WIT' ME
WRAP MY ARMS AROUND
995
01:15:21,551 --> 01:15:23,689
AND HOLE YOU TIGHT PHEW AHHH
SO YOU CAN NEVER SAY
996
01:15:23,724 --> 01:15:26,241
GOODBYE TO ME
OUT IN THE GALAXY
997
01:15:26,275 --> 01:15:28,379
UP IN THE STARS
OVER THE UNIVERSE
998
01:15:28,413 --> 01:15:31,586
IT'S BIGGER THAN MARS
I'LL SEE YOU IN HEAVEN
999
01:15:31,620 --> 01:15:34,206
SEE YOU IN HEAVEN
WHEN I SEE YOU IN HEAVEN
1000
01:15:34,241 --> 01:15:37,413
I'MA BE WITH MY DAWG
OUT IN THE GALAXY
1001
01:15:37,448 --> 01:15:39,517
UP IN THE STARS
OVER THE UNIVERSE
1002
01:15:39,551 --> 01:15:42,172
IT'S BIGGER THAN MARS
I'LL SEE YOU IN HEAVEN
1003
01:15:42,206 --> 01:15:44,310
SEE YOU IN HEAVEN
WHEN I SEE YOU IN HEAVEN
1004
01:15:44,344 --> 01:15:46,965
I'MA BE WITH MY DAWG
IT'S BEEN A LONG DAY
1005
01:15:47,000 --> 01:15:49,620
WITHOUT YOU MY FRIEND YEAH
BE WITH MY DAWG
1006
01:15:49,655 --> 01:15:51,724
AND I'LL TELL YOU
ALL ABOUT IT
1007
01:15:51,758 --> 01:15:56,965
WHEN I SEE YOU AGAIN
WE'VE COME A LONG WAY YEAH
1008
01:15:57,000 --> 01:16:04,310
FROM WHERE WE BEGAN
AND I TELL YOU ALL ABOUT IT
1009
01:16:04,344 --> 01:16:11,965
WHEN I SEE YOU AGAIN
BE WITH MY DAWG YEAH YEAH
1010
01:16:12,000 --> 01:16:19,241
BE WITH MY DAWG YEAH YEAH
SEE YOU AGAIN
1011
01:16:19,275 --> 01:16:27,103
BE WITH MY DAWG
I KNOW I'M GOING TO SEE YOU
1012
01:16:27,137 --> 01:16:30,689
SO YOU CAN TAKE A RIDE
SO YOU CAN TAKE A RIDE WITH
1013
01:16:30,724 --> 01:16:33,689
ME
NO, IT DON'T WORK THAT WAY
1014
01:16:33,724 --> 01:16:40,551
I KNOW I'LL SEE YOU AGAIN
SOMEDAY
1015
01:16:40,586 --> 01:16:43,206
AND I'LL
SEE YOU AGAIN SOMEDAY
1016
01:16:43,241 --> 01:16:50,965
SEE YOU AGAIN
SEE YOU AGAIN
1017
01:16:51,000 --> 01:16:53,965
TAAAAAAKE
SEE YOU AGAIN SEE YOU AGAIN
1018
01:16:54,000 --> 01:16:57,068
TAAAAAAKE
SORRY
1019
01:16:57,103 --> 01:17:02,724
SEE YOU AGAIN
SEE YOU AGAIN
1020
01:17:02,758 --> 01:17:10,758
SEE YOUR FACE AGAIN
1021
01:17:18,620 --> 01:17:21,827
FOR YOU
THERE'LL BE NO MORE CRYING
1022
01:17:21,862 --> 01:17:29,862
FOR YOU
THE SUN WILL BE SHINING
1023
01:17:30,586 --> 01:17:38,586
TO THE HARBOR WHERE I LIVE
ANCHORED SUCH A SHORT DAY
1024
01:17:40,620 --> 01:17:48,620
TO THE HARBOR WHERE I LIVE
ANCHORED SUCH A SHORT DAY
1025
01:17:50,655 --> 01:17:55,586
TO THE HARBOR WHERE I LIVE
ANCHORED SUCH A SHORT DAY
1026
01:17:56,620 --> 01:18:04,620
LIKE YOURS
STREAMING OUT WHEN WE RIDE
1027
01:18:09,551 --> 01:18:17,551
WITH THE WARM WIND
YESTERDAY
1028
01:18:47,482 --> 01:18:55,482
FOR YOU
THERE'LL BE NO MORE CRYING
1029
01:18:55,965 --> 01:19:03,965
FOR YOU
THE SUN WILL BE SHINING
1030
01:19:09,068 --> 01:19:14,448
AND I FEEL THAT
WHEN I'M WITH YOU
1031
01:19:14,482 --> 01:19:22,482
IT'S ALRIGHT
I KNOW IT'S ALL RIGHT
1032
01:19:27,068 --> 01:19:35,068
TO YOU
I'LL GIVE THE WORLD
1033
01:19:35,275 --> 01:19:43,275
TO YOU
I'LL NEVER BE COLD
1034
01:19:45,310 --> 01:19:50,379
TO YOU
I'LL NEVER BE COLD
1035
01:19:50,413 --> 01:19:52,000
'CAUSE I FEEL THAT
WHEN I'M WITH YOU
1036
01:19:52,034 --> 01:20:00,034
IT'S ALRIGHT
I KNOW IT'S RIGHT
1037
01:20:04,206 --> 01:20:12,206
AND THE SONGBIRDS
KEEP SINGING LIKE THEY KNOW THE
1038
01:20:12,275 --> 01:20:18,655
SCORE
AND I LOVE YOU
1039
01:20:18,689 --> 01:20:26,689
I LOVE YOU I LOVE YOU
LIKE NEVER BEFORE
1040
01:20:27,000 --> 01:20:35,000
LIKE NEVER BEFORE
LIKE NEVER BEFORE
1041
01:21:06,793 --> 01:21:09,379
UP NEXT...
SAM SMITH AND KIM PETRAS ARE
1042
01:21:09,413 --> 01:21:10,453
ABOUT TO PERFORM "UNHOLY."
1043
01:21:17,724 --> 01:21:20,758
WELCOME BACK TO THE
65th ANNUAL GRAMMY AWARDS.
1044
01:21:20,793 --> 01:21:22,344
NOW, THIS IS TRULY EXCITING.
1045
01:21:22,379 --> 01:21:25,620
LATER TONIGHT RIGHT OUTSIDE THE
ARENA ON THE STREETS OF L.A., DJ
1046
01:21:25,655 --> 01:21:29,724
KHALED WILL BE PERFORMING HIS
GRAMMY-NOMINATED TRACK "GOD
1047
01:21:29,758 --> 01:21:31,000
DID," FOR THE FIRST TIME EVER.
1048
01:21:31,034 --> 01:21:36,655
AND, GET THIS, HE'LL BE JOINED
BY RICK ROSS, FRIDAYY, LIL
1049
01:21:36,689 --> 01:21:41,172
WAYNE, JOHN LEGEND, AND THE BIG
HOMIE HIMSELF, JAY-Z.
1050
01:21:41,206 --> 01:21:43,689
THEY WILL ALL BE OUT HERE
TOGETHER LATER ON IN THE SHOW.
1051
01:21:43,724 --> 01:21:45,137
AND I'VE SEEN THE REHEARSAL.
1052
01:21:45,172 --> 01:21:49,379
TRUST ME, YOU DO NOT WANT TO
MISS THIS.
1053
01:21:49,413 --> 01:21:51,931
NOW, TONIGHT WE'RE NOT JUST
CELEBRATING MUSIC'S BIGGEST
1054
01:21:51,965 --> 01:21:52,931
STARS.
1055
01:21:52,965 --> 01:21:55,448
WE'RE ALSO CELEBRATING MUSIC'S
BIGGEST FANS.
1056
01:21:55,482 --> 01:22:00,896
AND I'M NOT TALKING ABOUT THE
STALKER ONES.
1057
01:22:00,931 --> 01:22:02,206
ONE LEVEL BELOW THAT.
1058
01:22:02,241 --> 01:22:04,862
SO IT'S TIME FOR THEM TO TAKE A
LOOK AT SOME MORE OF THE
1059
01:22:04,896 --> 01:22:07,241
NOMINEES FOR ALBUM OF THE YEAR.
1060
01:22:07,275 --> 01:22:10,137
ALL RIGHT, Y'ALL, SO LIZZO
DESERVES ALBUM OF THE YEAR
1061
01:22:10,172 --> 01:22:12,689
BECAUSE OF HER ALBUM "SPECIAL."
1062
01:22:12,724 --> 01:22:13,655
HAVE YOU TRIED HER DANCE?
1063
01:22:13,689 --> 01:22:14,241
I DID.
1064
01:22:14,275 --> 01:22:16,241
YOU WANNA SEE IT?
1065
01:22:20,586 --> 01:22:23,655
BODY IMAGE IN GENERAL IS YOUR
BODY'S IMAGE.
1066
01:22:23,689 --> 01:22:25,068
YOU NEED TO LOVE AND ACCEPT IT.
1067
01:22:25,103 --> 01:22:29,034
AND SO SHE JUST GAVE ME LIKE THE
CONFIDENCE BOOST.
1068
01:22:29,068 --> 01:22:31,862
LIKE WHEN I'M GETTING DRESSED OR
READY TO GO OUT, SHE IS EXACTLY
1069
01:22:31,896 --> 01:22:33,172
WHO I TURN ON.
1070
01:22:33,206 --> 01:22:37,034
EVERY OTHER ARTIST TRIES TO
FIGURE OUT THE ALGORITHM OF HOW
1071
01:22:37,068 --> 01:22:39,068
TO GO VIRAL ON SOCIAL MEDIA.
1072
01:22:39,103 --> 01:22:42,034
BUT LIZZO DOES IT TIME AND TIME
AGAIN, AND SHE DOES IT EXACTLY
1073
01:22:42,068 --> 01:22:43,068
ON THIS ALBUM.
1074
01:22:43,103 --> 01:22:47,172
PERIOD, THAT'S WHY SHE DESERVES
ALBUM OF THE YEAR.
1075
01:22:47,206 --> 01:22:51,000
AL I'M SAYING IS ADELE
DOESN'T NEED A DANCE TO GO VIRAL
1076
01:22:51,034 --> 01:22:52,206
ON TIKTOK.
1077
01:22:52,241 --> 01:22:59,689
MY NAME'S COLYN, AND "30"
DEFINITELY DESERVES ALBUM OF THE
1078
01:22:59,724 --> 01:23:00,551
YEAR.
1079
01:23:00,586 --> 01:23:01,769
I SAW HER RESIDENCY OVER WINTER
BREAK.
1080
01:23:01,793 --> 01:23:03,793
IT WAS THE BEST SHOW I'VE EVER
SEEN.
1081
01:23:03,827 --> 01:23:07,275
SHE'LL GO UP THERE AND BELT TO
THIS SUPER SONG SAD THAT'LL HAVE
1082
01:23:07,310 --> 01:23:08,586
YOU TRY CRYING.
1083
01:23:08,620 --> 01:23:11,379
AND AS SOON AS THE SONG'S OVER,
YOU'RE STILL WIPING YOUR TEARS
1084
01:23:11,413 --> 01:23:14,827
AND SHE'LL START CUSSING AND
CRACKING JOKES AND HAVING YOU
1085
01:23:14,862 --> 01:23:16,103
LAUGHED.
1086
01:23:16,137 --> 01:23:19,827
SHE RANDOMLY DM'd ME AND SAID
SHE LOVED THAT I WAS A FAN, SHE
1087
01:23:19,862 --> 01:23:23,344
INVITED ME OUT TO L.A. FOR HER
MUSIC VIDEO PREMIERE.
1088
01:23:23,379 --> 01:23:27,413
WHEN I MET HER, IT JUST FELT
LIKE WE HAD KNOWN EACH OTHER FOR
1089
01:23:27,448 --> 01:23:27,965
YEARS.
1090
01:23:28,000 --> 01:23:31,034
I WISH YOU GUYS LUCK.
1091
01:23:31,068 --> 01:23:32,758
BUT ADELE HAS BEEN NOMINATED 18
1092
01:23:32,793 --> 01:23:34,517
TIMES AND WON 15 OF THOSE 18.
1093
01:23:34,551 --> 01:23:37,413
SO THAT'S HER ALBUM OF THE YEAR
RIGHT THERE.
1094
01:23:37,448 --> 01:23:40,068
I RESPECTFULLY DISAGREE.
1095
01:23:40,103 --> 01:23:42,172
BRANDI CARLILE'S ALBUM "IN
1096
01:23:42,206 --> 01:23:46,000
THESE SILENT DAYS" IS IN THE
GENERAL CATEGORY, IT'S IN ROCK,
1097
01:23:46,034 --> 01:23:48,000
IT'S IN AMERICAN ROOTS, AND IT'S
AMERICANA.
1098
01:23:48,034 --> 01:23:50,758
IT EMULATES SO MANY DIFFERENT
EMOTIONS.
1099
01:23:50,793 --> 01:23:56,103
I'M ADRIANA, AND "IN THESE
SILENT DAYS" BY BRANDI CARLILE
1100
01:23:56,137 --> 01:23:59,379
IS HANDS DOWN ALBUM OF THE YEAR.
1101
01:23:59,413 --> 01:24:01,965
WHEN I FIRST SAW BRANDI CARLILE,
1102
01:24:02,000 --> 01:24:05,310
I AS JUST LEAVING MORMONISM AND
REALLY TRYING TO DISCOVER WHO I
1103
01:24:05,344 --> 01:24:06,551
WAS.
1104
01:24:06,586 --> 01:24:08,493
I FELT LIKE SHE UNDERSTOOD WHAT
I WAS GOING THROUGH IN THAT
1105
01:24:08,517 --> 01:24:09,344
MOMENT.
1106
01:24:09,379 --> 01:24:12,172
IT REALLY JUST ENVELOPED MY
SOUL.
1107
01:24:12,206 --> 01:24:15,241
I'VE SEEN HER 32 TIMES IN 15
YEARS.
1108
01:24:15,275 --> 01:24:19,758
SHE'S TAKING HER SONGWRITING UP
TO THAT ICONIC LEVEL AND ALWAYS
1109
01:24:19,793 --> 01:24:20,827
REMAINS TRUE TO HERSELF.
1110
01:24:20,862 --> 01:24:25,551
AND THAT EMPOWERS US TO REMAIN
TRUE TO OURSELVES.
1111
01:24:25,586 --> 01:24:29,862
WHAT SHE'S DONE FOR THE LGBTQ+
COMMUNITY HAS BEEN SO INCREDIBLY
1112
01:24:29,896 --> 01:24:30,758
IMPORTANT TO ME.
1113
01:24:30,793 --> 01:24:33,551
IT'S BROUGHT ME INTO MY
AUTHENTIC SELF.
1114
01:24:33,586 --> 01:24:41,310
THE JOURNEY OF SELF-EXPRESSION
AND
1115
01:24:41,344 --> 01:24:44,551
AND WHEN YOU FEEL ALONE, IT
TAKES US ALL TO A PLACE THAT WE
1116
01:24:44,586 --> 01:24:49,241
NEED, ALL OF US AT THIS TABLE.
1117
01:24:49,275 --> 01:24:50,551
THIS NEXT PRESENTER
1118
01:24:50,586 --> 01:24:55,758
IS ONE OF THE MOST BELOVED AND
ENDURING STARS IN THE HISTORY OF
1119
01:24:55,793 --> 01:24:57,034
POPULAR MUSIC.
1120
01:24:57,068 --> 01:25:00,034
AND AFTER FOUR DECADES OF HIT
SONGS, SHE'S ABOUT TO HEAD OFF
1121
01:25:00,068 --> 01:25:05,724
ON HER 40th ANNIVERSARY
"CELEBRATION" TOUR.
1122
01:25:05,758 --> 01:25:11,413
EVERYBODY, PLEASE WELCOME THE
LONGEST-REINING QUEEN ON EARTH,
1123
01:25:11,448 --> 01:25:12,448
MADONNA!
1124
01:25:23,827 --> 01:25:26,000
ARE YOU READY FOR A LITTLE
CONTROVERSY?
1125
01:25:26,034 --> 01:25:30,275
COME ON, PEOPLE, LET'S MAKE SOME
1126
01:25:30,310 --> 01:25:31,413
NOISE!
1127
01:25:31,448 --> 01:25:39,448
Y'ALL ARE GOING TO SLEEP OVER
1128
01:25:40,517 --> 01:25:41,689
HERE.
1129
01:25:41,724 --> 01:25:48,931
SO, HERE'S WHAT I'VE LEARNED
AFTER FOUR DECADES IN MUSIC.
1130
01:25:48,965 --> 01:25:56,965
IF THEY CALL YOU SHOCKING,
SCANDALOUS, TROUBLESOME,
1131
01:25:57,620 --> 01:26:05,620
PROBLEMATIC, PROVOCATIVE, OR
DANGEROUS, YOU ARE DEFINITELY
1132
01:26:08,413 --> 01:26:09,103
ONTO SOMETHING.
1133
01:26:09,137 --> 01:26:12,413
THAT'S WHERE YOU MAKE NOISE.
1134
01:26:12,448 --> 01:26:18,241
YEAH, THANK YOU.
1135
01:26:18,275 --> 01:26:23,206
SO, I'M HERE TO GIVE THANKS TO
ALL THE REBELS OUT THERE FORGING
1136
01:26:23,241 --> 01:26:28,413
A NEW PATH AND TAKING THE HEAT
FOR ALL OF IT.
1137
01:26:28,448 --> 01:26:34,137
YOU GUYS NEED TO KNOW, ALL YOU
TROUBLEMAKERS OUT THERE, YOU
1138
01:26:34,172 --> 01:26:40,068
NEED TO KNOW THAT YOUR
FEARLESSNESS DOES NOT GO
1139
01:26:40,103 --> 01:26:41,241
UNNOTICED.
1140
01:26:41,275 --> 01:26:46,965
YOU ARE SEEN, YOU ARE HEARD,
AND, MOST OF ALL, YOU ARE
1141
01:26:47,000 --> 01:26:48,137
APPRECIATED.
1142
01:26:48,172 --> 01:26:55,551
SO NOW, SPEAKING OF CONTROVERSY,
1143
01:26:55,586 --> 01:27:01,655
IT GIVES ME GREAT PLEASURE TO
INTRODUCE TWO INCREDIBLY
1144
01:27:01,689 --> 01:27:08,655
TALENTED ARTISTS WHO HAVE RISEN
ABOVE THE NOISE, THE DOUBT, THE
1145
01:27:08,689 --> 01:27:13,793
CRITICS INTO SOMETHING
BEAUTIFULLY UNHOLY.
1146
01:27:13,827 --> 01:27:18,068
YEAH.
1147
01:27:18,103 --> 01:27:23,551
HERE ARE TWO GRAMMY AWARD
WINNERS, SAM SMITH AND KIM
1148
01:27:23,586 --> 01:27:24,724
PETRAS!
1149
01:27:24,758 --> 01:27:27,034
GIVE IT UP!
1150
01:27:55,206 --> 01:28:03,206
MOMMY DON'T KNOW
1151
01:28:05,413 --> 01:28:08,586
DADDY'S GETTING HOT
AT THE BODY SHOP
1152
01:28:08,620 --> 01:28:15,034
DOING SOMETHING UNHOLY
1153
01:28:15,068 --> 01:28:23,068
HE LUCKY LUCKY YEAH
1154
01:28:28,413 --> 01:28:31,551
SHE GOT MARRIED
TO A BOY LIKE YOU
1155
01:28:31,586 --> 01:28:36,275
SHE'D KICK YOU OUT
IF SHE EVER EVER KNEW
1156
01:28:36,310 --> 01:28:38,413
'BOUT ALL THE...
YOU TELL ME THAT YOU DO
1157
01:28:38,448 --> 01:28:42,655
DIRTY DIRTY BOY
YOU KNOW EVERYONE
1158
01:28:42,689 --> 01:28:45,310
IS TALKING ON THE SCENE
I HEAR THEM WHISPERING
1159
01:28:45,344 --> 01:28:48,000
'BOUT THE PLACES
THAT YOU'VE BEEN
1160
01:28:48,034 --> 01:28:50,068
AND HOW YOU DON'T
KNOW HOW TO
1161
01:28:50,103 --> 01:28:53,793
KEEP YOUR BUSINESS CLEAN
MOMMY DON'T KNOW
1162
01:28:53,827 --> 01:28:57,482
DADDY'S GETTING HOT
AT THE BODY SHOP
1163
01:28:57,517 --> 01:29:02,275
DOING SOMETHING UNHOLY
HE'S SAT BACK
1164
01:29:02,310 --> 01:29:06,482
WHILE SHE'S DROPPING IT
SHE BE POPPING IT
1165
01:29:06,517 --> 01:29:08,068
YEAH SHE PUT
IT DOWN SLOWLY
1166
01:29:08,103 --> 01:29:11,793
OH-EE-OH-EE-OH
HE LEFT HIS KIDS AT
1167
01:29:11,827 --> 01:29:15,517
HO-EE-OH-EE-OME
SO HE CAN GET THAT
1168
01:29:15,551 --> 01:29:18,137
MOMMY DON'T KNOW
DADDY'S GETTING HOT
1169
01:29:18,172 --> 01:29:22,379
AT THE BODY SHOP
DOING SOMETHING UNHOLY
1170
01:29:22,413 --> 01:29:24,482
MMM, DADDY DADDY
IF YOU WANT IT
1171
01:29:24,517 --> 01:29:26,586
DROP THE ADD'Y
GIVE ME LOVE
1172
01:29:26,620 --> 01:29:30,793
GIVE ME FENDI
MY BALENCIAGA DADDY
1173
01:29:30,827 --> 01:29:32,931
YOU GON' NEED
TO BAG IT UP
1174
01:29:32,965 --> 01:29:35,517
'CAUSE I'M SPENDING
ON RODEO
1175
01:29:35,551 --> 01:29:37,655
YOU CAN WATCH ME
BACK IT UP
1176
01:29:37,689 --> 01:29:40,793
I'LL BE GONE IN THE A.M
AND HE
1177
01:29:40,827 --> 01:29:42,413
HE GET ME PRADA
GET ME MIU MIU
1178
01:29:42,448 --> 01:29:44,517
LIKE RIHANNA
HE ALWAYS CALL ME
1179
01:29:44,551 --> 01:29:46,620
'CAUSE I NEVER
CAUSE NO DRAMA
1180
01:29:46,655 --> 01:29:48,206
AND WHEN YOU WANT IT
BABY, I KNOW
1181
01:29:48,241 --> 01:29:50,310
I GOT YOU COVERED
AND WHEN YOU NEED IT
1182
01:29:50,344 --> 01:29:52,965
BABY JUST JUMP
UNDER THE COVERS
1183
01:29:53,000 --> 01:29:55,586
MOMMY DON'T KNOW
DADDY'S GETTING HOT
1184
01:29:55,620 --> 01:29:58,206
AT THE BODY SHOP
DOIN' SOMETHIN' UNHOLY
1185
01:29:58,241 --> 01:30:01,931
HE'S SAT BACK
WHILE SHE'S DROPPING IT
1186
01:30:01,965 --> 01:30:04,586
SHE BE POPPING IT
YEAH, SHE PUT IT
1187
01:30:04,620 --> 01:30:09,000
DOWN SLOWLY
OH-EE-OH-EE-OH
1188
01:30:09,034 --> 01:30:13,034
HE LEFT HIS KIDS AT
HO-EE-OH-EE-OME
1189
01:30:13,068 --> 01:30:15,137
SO HE CAN GET THAT
MOMMY DON'T KNOW
1190
01:30:15,172 --> 01:30:17,793
DADDY'S GETTING HOT
AT THE BODY SHOP
1191
01:30:17,827 --> 01:30:22,724
DOIN' SOMETHING UNHOLY
1192
01:30:48,931 --> 01:30:51,291
THE 65th GRAMMY
AWARDS IS SPONSORED BY PFIZER.
1193
01:31:05,034 --> 01:31:06,379
YEAH, I GOT TO GO.
1194
01:31:06,413 --> 01:31:08,551
I GOT TO GO.
1195
01:31:08,586 --> 01:31:09,379
NO, MOM.
1196
01:31:09,413 --> 01:31:11,413
NO, MOM, IT WASN'T THE ACTUAL
DEVIL.
1197
01:31:11,448 --> 01:31:14,034
NO, THEY WERE JUST DRESSED AS
THE DEVIL, MOM.
1198
01:31:14,068 --> 01:31:16,000
NO, I HAVE TO GO.
1199
01:31:16,034 --> 01:31:18,344
YEAH, YOU DID WARN ME ABOUT
HOLLYWOOD.
1200
01:31:18,379 --> 01:31:21,172
YES, YES, YOU DID, MUM.
1201
01:31:21,206 --> 01:31:21,689
I WILL.
1202
01:31:21,724 --> 01:31:22,620
THANK YOU.
1203
01:31:22,655 --> 01:31:24,010
SHE SAID SHE'LL BE PRAYING FOR
ALL OF US.
1204
01:31:24,034 --> 01:31:24,793
THANK YOU, ALL RIGHT.
1205
01:31:24,827 --> 01:31:27,034
SHE'S LOVING THE SHOW.
1206
01:31:27,068 --> 01:31:31,034
JAMES CORDEN IS A 12-TIME EMMY
WINNER AND THE HOST OF "THE LATE
1207
01:31:31,068 --> 01:31:32,275
LATE SHOW."
1208
01:31:32,310 --> 01:31:36,034
HE'S ALSO LIVING PROOF THAT A
MAN CAN MOVE FROM LONDON TO L.A.
1209
01:31:36,068 --> 01:31:40,206
AND NOT TELL EVERYONE ABOUT HIS
FROST-BITTEN PENIS.
1210
01:31:40,241 --> 01:31:43,620
PLEASE WELCOME JAMES CORDEN!
1211
01:31:55,137 --> 01:31:58,379
THANK YOU VERY MUCH, TREVOR.
1212
01:31:58,413 --> 01:32:00,793
WHAT ABOUT A ROUND OF APPLAUSE
FOR TREVOR NOAH, EVERYBODY?
1213
01:32:00,827 --> 01:32:04,586
IT'S NOT EASY TO HOST THESE
NIGHTS.
1214
01:32:04,620 --> 01:32:06,482
HE'S DOING SO GREAT.
1215
01:32:06,517 --> 01:32:11,034
I AM HIS OR HER TO ANNOUNCE THE
WINNER OF BEST DANCE AND
1216
01:32:11,068 --> 01:32:11,931
ELECTRONIC ALBUM.
1217
01:32:11,965 --> 01:32:13,241
BECAUSE OF COURSE I AM.
1218
01:32:13,275 --> 01:32:16,103
I'M THE FIRST NAME ON YOUR LIPS
WHEN YOU THINK OF SUCH AN AWARD.
1219
01:32:16,137 --> 01:32:23,551
HERE ARE THE NOMINEES FOR BEST
1220
01:32:23,586 --> 01:32:31,586
DANCE/ELECTRONIC MUSIC ALBUM...
"RENAISSANCE," BEYONCE.
1221
01:32:32,931 --> 01:32:38,413
"FRAGMENTS," BONOBO.
1222
01:32:38,448 --> 01:32:43,965
"DIPLO," DIPLO.
1223
01:32:44,000 --> 01:32:51,655
"THE LAST GOODBYE," ODESZA.
1224
01:32:51,689 --> 01:32:58,137
"SURRENDER," RUFUS DU SOL.
1225
01:33:10,344 --> 01:33:16,379
OKAY.
1226
01:33:16,413 --> 01:33:20,379
WELL, THIS IS AN HONOR.
1227
01:33:20,413 --> 01:33:22,379
BECAUSE WE ARE WITNESSING
1228
01:33:22,413 --> 01:33:23,551
HISTORY TONIGHT.
1229
01:33:23,586 --> 01:33:27,137
BREAKING THE RECORD FOR THE MOST
1230
01:33:27,172 --> 01:33:35,172
GRAMMY WINS OF ALL TIME, SHOW
YOUR RESPECT.
1231
01:33:35,655 --> 01:33:37,310
IT'S "RENAISSANCE," BEYONCE.
1232
01:33:48,206 --> 01:33:56,206
THANK YOU SO MUCH.
1233
01:33:58,241 --> 01:34:05,724
THANK YOU SO MUCH.
1234
01:34:05,758 --> 01:34:09,724
I'M TRYING NOT TO BE TOO
EMOTIONAL.
1235
01:34:09,758 --> 01:34:16,620
AND I'M TRYING TO JUST RECEIVE
THIS NIGHT.
1236
01:34:16,655 --> 01:34:24,655
I WANT TO THANK GOD FOR
1237
01:34:27,689 --> 01:34:30,000
PROTECTING ME.
1238
01:34:30,034 --> 01:34:34,068
THANK YOU, GOD.
1239
01:34:34,103 --> 01:34:42,103
I'D LIKE TO THANK MY UNCLE
JOHNNY, WHO'S NOT HERE.
1240
01:34:43,137 --> 01:34:46,172
BUT HE'S HERE IN SPIRIT.
1241
01:34:46,206 --> 01:34:52,000
I'D LIKE TO THANK MY PARENTS, MY
1242
01:34:52,034 --> 01:34:56,724
FATHER, MY MOTHER, FOR LOVING ME
AND PUSHING ME.
1243
01:34:56,758 --> 01:35:02,448
I'D LIKE TO THANK MY BEAUTIFUL
HUSBAND, MY BEAUTIFUL THREE
1244
01:35:02,482 --> 01:35:04,827
CHILDREN WHO ARE AT HOME
WATCHING.
1245
01:35:04,862 --> 01:35:08,413
I'D LIKE TO THANK THE QUEER
COMMUNITY FOR YOUR LOVE.
1246
01:35:08,448 --> 01:35:11,344
AND FOR INVENTING THIS GENRE.
1247
01:35:11,379 --> 01:35:12,655
GOD BLESS YOU.
1248
01:35:12,689 --> 01:35:14,931
THANK YOU SO MUCH TO THE
GRAMMYS.
1249
01:35:14,965 --> 01:35:21,034
THANK YOU.
1250
01:35:29,068 --> 01:35:30,724
BEYONCE HAS DONE IT,
EVERYBODY.
1251
01:35:30,758 --> 01:35:32,793
WE WERE ALL HERE TO SEE IT.
1252
01:35:32,827 --> 01:35:34,379
AND YOU TOO WERE PART OF THIS.
1253
01:35:34,413 --> 01:35:38,034
SHE NOW HOLDS THE ALL-TIME
RECORD FOR THE MOST GRAMMY WINS.
1254
01:35:38,068 --> 01:35:40,000
SO WE CAN FINALLY END THE
G.O.A.T. DEBATE.
1255
01:35:40,034 --> 01:35:41,068
WHO'S THE G.O.A.T.?
1256
01:35:41,103 --> 01:35:41,827
IT'S BEYONCE.
1257
01:35:41,862 --> 01:35:46,172
IT'S NOT LeBRON, IT'S NOT MESSI.
1258
01:35:46,206 --> 01:35:48,551
IT'S OFFICIALLY DONE!
1259
01:35:48,586 --> 01:35:51,000
OUR NEXT PERFORMER IS MUSIC
1260
01:35:51,034 --> 01:35:52,275
ROYALTY.
1261
01:35:52,310 --> 01:35:54,631
A NINE-TIME GRAM WINNER WHO'S
EARNED SIX NEW NOMINATIONS THIS
1262
01:35:54,655 --> 01:35:58,000
YEAR, INCLUDING RECORD OF THE
YEAR, AND ALBUM OF THE YEAR.
1263
01:35:58,034 --> 01:36:05,620
HERE TO PERFORM "GOOD MORNING,
GORGEOUS," PLEASE WELCOME MARY
1264
01:36:05,655 --> 01:36:08,275
J. BLIGE.
1265
01:36:16,068 --> 01:36:24,068
OH IT'S SO HARD
1266
01:36:29,448 --> 01:36:32,620
JUST HOLDING ON
AND EVEN PICKING
1267
01:36:32,655 --> 01:36:36,310
UP MY PHONE
IT'S HARD ENOUGH TO BE
1268
01:36:36,344 --> 01:36:38,482
HARD ENOUGH TO SLEEP
HARD ENOUGH TO BE ALONE
1269
01:36:38,517 --> 01:36:41,655
I'M JUST TRYNA
MOVE ALONG
1270
01:36:41,689 --> 01:36:44,827
SOMETIMES I DO
AND THEN I DON'T
1271
01:36:44,862 --> 01:36:49,034
TELL ME WHAT
I'M DOING WRONG
1272
01:36:49,068 --> 01:36:51,689
TELL MYSELF THAT
IT AIN'T HEALTHY
1273
01:36:51,724 --> 01:36:54,310
SECOND GUESSIN'
IT DON'T HELP ME
1274
01:36:54,344 --> 01:36:56,448
I'M SO TIRED OF
FEELING EMPTY
1275
01:36:56,482 --> 01:36:59,068
DRY MY EYES
IT'S TIME TO FIGHT
1276
01:36:59,103 --> 01:37:01,862
IT SEEMS LIKE
I'M ALWAYS AGAINST ME
1277
01:37:01,896 --> 01:37:07,103
SEEMS LIKE THIS
IS NEVER ENDING
1278
01:37:07,137 --> 01:37:09,758
BUT I REFUSE
TO LET IT END ME
1279
01:37:09,793 --> 01:37:12,413
MENTALLY
SPIRITUALLY
1280
01:37:12,448 --> 01:37:15,068
PHYSICALLY
I NEED MY PEACE, YES
1281
01:37:15,103 --> 01:37:20,379
I NEED MY PEACE
I WAKE UP EVERY MORNING
1282
01:37:20,413 --> 01:37:28,000
AND TELL MYSELF
GOOD MORNING GORGEOUS
1283
01:37:28,034 --> 01:37:34,000
SOMETIMES YOU GOTTA LOOK
IN THE MIRROR AND SAY
1284
01:37:34,034 --> 01:37:36,137
GOOD MORNING GORGEOUS
NO ONE ELSE CAN MAKE ME
1285
01:37:36,172 --> 01:37:41,758
FEEL THIS WAY
GOOD MORNING, GORGEOUS
1286
01:37:41,793 --> 01:37:44,379
GOOD MORNING
GOOD MORNING GORGEOUS
1287
01:37:44,413 --> 01:37:47,034
ALL THE TIMES
THAT I HATED MYSELF
1288
01:37:47,068 --> 01:37:49,689
ALL THE TIMES
THAT I WANTED TO BE
1289
01:37:49,724 --> 01:37:52,862
SOMEONE ELSE
ALL THE TIMES
1290
01:37:52,896 --> 01:37:56,137
THAT I SHOULDA BEEN
GENTLE WITH ME
1291
01:37:56,172 --> 01:37:58,172
ALL THE TIMES
THAT I SHOULDA BEEN
1292
01:37:58,206 --> 01:38:00,965
CAREFUL WITH ME
WHY DID I HATE MYSELF
1293
01:38:01,000 --> 01:38:05,172
SO INTENSELY
LORD HELP ME
1294
01:38:05,206 --> 01:38:08,379
I WAKE UP EVERY MORNING
AND TELL MYSELF
1295
01:38:08,413 --> 01:38:12,620
GOOD MORNING GORGEOUS
SOMETIMES YOU GOTTA LOOK
1296
01:38:12,655 --> 01:38:16,344
IN THE MIRROR AND SAY
GOOD MORNING GORGEOUS
1297
01:38:16,379 --> 01:38:19,482
NO ONE ELSE CAN MAKE ME
FEEL THIS WAY
1298
01:38:19,517 --> 01:38:22,689
GOOD MORNING, GORGEOUS
GOOD MORNING, GORGEOUS
1299
01:38:22,724 --> 01:38:30,724
GOOD MORNING GORGEOUS
GOOD MORNING, GOOD MORNING,
1300
01:38:32,206 --> 01:38:33,413
GOOD MORNING
I AIN'T TALKIN'
1301
01:38:33,448 --> 01:38:36,620
'BOUT GETTING
NO HAIR N' MAKE UP
1302
01:38:36,655 --> 01:38:39,206
I'M TALKING ABOUT
SOON AS I WAKE UP
1303
01:38:39,241 --> 01:38:41,310
I SAY GOOD MORNING
GOOD MORNING
1304
01:38:41,344 --> 01:38:49,344
GOOD MORNING
GOOD MORNING I NEED YOU, GOOD
1305
01:38:49,827 --> 01:38:56,241
MORNING I WANT YOU
OH
1306
01:38:56,275 --> 01:39:04,275
WHOA, WHOA, OH, WHOA, WHOA
IT TOOK ME A LONG TIME TO GET
1307
01:39:07,000 --> 01:39:10,137
HERE, Y'ALL, BUT NOW I'M HAPPY
TO BE ME.
1308
01:39:10,172 --> 01:39:15,344
I'M HAPPY TO SEE ME
I'M HAPPY TO GREET ME
1309
01:39:15,379 --> 01:39:23,379
OH, GOOD MORNING
1310
01:39:28,586 --> 01:39:31,310
THANK YOU.
1311
01:39:31,344 --> 01:39:38,000
COMING UP, DR. DRE
RECEIVES THE GLOBAL IMPACT AWARD
1312
01:39:39,275 --> 01:39:43,206
THEN LL COOL J INTRODUCES A
MASSIVE ALL-STAR CELEBRATION OF
1313
01:39:43,241 --> 01:39:44,801
HIP-HOP'S 50th ANNIVERSARY.
THIS IS CBS.
1314
01:39:57,034 --> 01:39:57,482
WELCOME BACK TO THE
1315
01:39:57,517 --> 01:39:58,724
GRAMMYS.
1316
01:39:58,758 --> 01:40:01,689
I'M SEATED HERE WITH A FRESH
GRAMMY WINNER JUST TODAY, THE
1317
01:40:01,724 --> 01:40:03,206
ONE AND ONLY TAYLOR SWIFT.
1318
01:40:03,241 --> 01:40:03,620
CONGRATULATIONS!
1319
01:40:03,655 --> 01:40:04,344
THANK YOU.
1320
01:40:04,379 --> 01:40:05,965
SUCH A WONDERFUL ACHIEVEMENT.
1321
01:40:06,000 --> 01:40:08,344
I'VE GOT TO TELL YOU, TAYLOR,
1322
01:40:08,379 --> 01:40:10,620
YOU HAVE THE BEST FANS IN THE
WORLD.
1323
01:40:10,655 --> 01:40:13,827
I MEAN, WHAT THEY DID WITH
TICKETMASTER, WHAT THEY MIGHT DO
1324
01:40:13,862 --> 01:40:18,344
FOR ARTISTS ALL OVER THE WORLD,
WHAT THEY MIGHT DO FOR FANS WHO
1325
01:40:18,379 --> 01:40:19,896
WANT TO GO TO CONCERTS IS
AMAZING.
1326
01:40:19,931 --> 01:40:22,424
I'M JUST WONDERING ONCE THEY'RE
DONE WITH THIS, CAN YOU GET THEM
1327
01:40:22,448 --> 01:40:24,068
TO HANDLE THE PRICE OF EGGS?
1328
01:40:24,103 --> 01:40:27,068
THERE'S REALLY NOTHING THAT
THEY CAN'T ACCOMPLISH.
1329
01:40:27,103 --> 01:40:27,896
THEY'LL GET ON IT.
1330
01:40:27,931 --> 01:40:29,931
JUST LET THEM KNOW WHAT YOU
NEED.
1331
01:40:29,965 --> 01:40:32,103
SWIFTIES, PRICE OF EGGS DOWN.
1332
01:40:32,137 --> 01:40:33,413
YOU GO AFTER THOSE CHICKENS.
1333
01:40:33,448 --> 01:40:35,872
YOU KNOW WHAT I LOVE ABOUT THE
GRAMMYS IS EVERY YEAR YOU GET TO
1334
01:40:35,896 --> 01:40:37,689
SEE A MOMENT YOU'VE NEVER SEEN
BEFORE.
1335
01:40:37,724 --> 01:40:39,586
AND YOU'LL NEVER SEEN AGAIN.
1336
01:40:39,620 --> 01:40:43,344
HERE TO INTRODUCE ONE OF THOSE
MOMENTS, PLEASE MAKE SOME NOISE
1337
01:40:43,379 --> 01:40:48,103
FOR A HIP-HOP LEGEND, A BELOVED
ACTOR, AND A FIVE-TIME GRAMMY
1338
01:40:48,137 --> 01:40:49,724
HOST, LL COOL J.
1339
01:41:07,689 --> 01:41:13,724
IT'S GREAT, AND I MEAN TRULY
GREAT TO BE BACK AT THE GRAMMY
1340
01:41:13,758 --> 01:41:14,931
AWARDS TONIGHT.
1341
01:41:14,965 --> 01:41:18,310
I'M HONORED TO BE HERE TO
PRESENT A BRAND-NEW AWARD THAT
1342
01:41:18,344 --> 01:41:21,310
THE RECORDING ACADEMY IS
INTRODUCING THIS YEAR IN
1343
01:41:21,344 --> 01:41:26,034
COORDINATION WITH THE BLACK
COLLECTIVE.
1344
01:41:26,068 --> 01:41:27,275
APP
1345
01:41:27,310 --> 01:41:28,734
THIS AWARD WILL RECOGNIZE THE
CONTRIBUTIONS OF CREATORS AND
1346
01:41:28,758 --> 01:41:32,965
PROFESSIONALS WITH A PROVEN
TRACK RECORD OF UPLIFTING BLACK
1347
01:41:33,000 --> 01:41:34,275
MUSIC.
1348
01:41:34,310 --> 01:41:36,010
THE RECIPIENT OF THIS INAUGURAL
AWARD IS NONE OTHER THAN AN ICON
1349
01:41:36,034 --> 01:41:39,965
WHO HELPED DEFINE WEST COAST
HIP-HOP AND HAS BECOME ONE OF
1350
01:41:40,000 --> 01:41:44,517
THE MOST IMPACTFUL SUCCESS
STORIES OF OUR TIMES.
1351
01:41:44,551 --> 01:41:48,344
AND NOT ONLY IS HE WINNING THE
AWARD TONIGHT, BUT FROM THIS DAY
1352
01:41:48,379 --> 01:41:50,493
FORWARD THIS NEW AWARD WILL BE
NAMED AFTER MY FRIEND, MY
1353
01:41:50,517 --> 01:41:51,758
BROTHER.
1354
01:41:51,793 --> 01:41:54,344
AND I AM THRILLED TO ANNOUNCE
THE DR. DRE GLOBAL IMPACT AWARD
1355
01:41:54,379 --> 01:41:58,517
IS GOING TO, DR. DRE.
1356
01:41:58,551 --> 01:42:02,655
HERE'S A LOOK AT THE GLOBAL
1357
01:42:02,689 --> 01:42:10,689
IMPACT OF DR. DRE.
1358
01:42:15,103 --> 01:42:20,896
DR. DRE IS ONE OF
1359
01:42:20,931 --> 01:42:27,724
THE GREATEST GAME-CHANGERS IN
MUSIC HISTORY.
1360
01:42:27,758 --> 01:42:30,896
FROM HIS EARLY DAYS WITH N.W.A.
TO "THE CHRONIC."
1361
01:42:30,931 --> 01:42:34,034
FROM FOUNDING
AFTERMATH ENTERTAINMENT AND
1362
01:42:34,068 --> 01:42:38,827
COFOUNDING BEATS, TO ENDOWING
ANDRE YOUNG ACADEMY FOR ARTS,
1363
01:42:38,862 --> 01:42:43,517
TECHNOLOGY AND THE BUSINESS OF
INNOVATION.
1364
01:42:43,551 --> 01:42:51,551
I GUESS I'M AN OFFICIAL
TROJAN NOW.
1365
01:42:54,034 --> 01:42:58,896
DR. DRE'S IMPACT
1366
01:42:58,931 --> 01:42:59,941
HAS BEEN GLOBAL, MASSIVE, AND AN
AUTHENTIC AND POSITIVE FORCE IN
1367
01:42:59,965 --> 01:43:01,310
OUR WORLD.
1368
01:43:01,344 --> 01:43:09,344
ALL RISE.
1369
01:43:09,586 --> 01:43:12,448
EVERYBODY STAND UP FOR THE
FIRST-EVER WINNER OF THE DR. DRE
1370
01:43:12,482 --> 01:43:16,689
GLOBAL IMPACT AWARD, DR. DRE!
1371
01:43:34,793 --> 01:43:39,413
OH, WOW.
1372
01:43:39,448 --> 01:43:41,413
I DID NOT EXPECT THAT.
1373
01:43:41,448 --> 01:43:42,827
THANK YOU SO MUCH.
1374
01:43:42,862 --> 01:43:43,275
THANK YOU.
1375
01:43:43,310 --> 01:43:45,724
WHAT'S UP, BRO?
1376
01:43:45,758 --> 01:43:47,241
YEAH, YEAH.
1377
01:43:47,275 --> 01:43:49,931
I'M EXTREMELY MOVED BY THIS
AWARD.
1378
01:43:49,965 --> 01:43:53,724
I WANT TO SAY THANK YOU TO THE
RECORDING ACADEMY AND THE BLACK
1379
01:43:53,758 --> 01:43:56,655
MUSICIVE COLLECTIVE FOR THIS
HONOR.
1380
01:43:56,689 --> 01:43:59,379
I KNOW EVERYBODY IN HERE
PROBABLY KNOWS THIS ALREADY, BUT
1381
01:43:59,413 --> 01:44:03,034
THIS IS THE 50th ANNIVERSARY OF
HIP-HOP.
1382
01:44:03,068 --> 01:44:04,827
MAKE SOME NOISE FOR HIP-HOP.
1383
01:44:04,862 --> 01:44:07,068
YEAH.
1384
01:44:07,103 --> 01:44:08,931
AND WHERE WOULD I BE WITHOUT IT?
1385
01:44:08,965 --> 01:44:13,034
WHERE WOULD A LOT OF PEOPLE IN
HERE BE WITHOUT IT TO BE HONEST?
1386
01:44:13,068 --> 01:44:16,206
HIP-HOP BECAME A LIFE LINE FOR
ME AS A TEENAGER GROWING UP IN
1387
01:44:16,241 --> 01:44:17,344
COMPTON.
1388
01:44:17,379 --> 01:44:21,172
AND IT STARTED WITH A SONG
CALLED "THE ADVENTURES OF
1389
01:44:21,206 --> 01:44:26,206
GRANDMASTER FLASH ON THE WHEELS
OF STEEL."
1390
01:44:26,241 --> 01:44:31,172
SCRATCHING AND MIXING ON THE
TURN TABLES HAD ME HOOKED AND
1391
01:44:31,206 --> 01:44:35,310
BECAME THE ENTRY POINT OF A
40-YEAR CAREER OF DOING
1392
01:44:35,344 --> 01:44:36,551
SOMETHING THAT I REALLY LOVE.
1393
01:44:36,586 --> 01:44:38,482
WHAT UP, AP?
1394
01:44:38,517 --> 01:44:39,689
YEAH.
1395
01:44:39,724 --> 01:44:43,068
AND MUCH OF WHAT I LOVE IS
INVOLVED WITH COLLABORATION,
1396
01:44:43,103 --> 01:44:46,275
ASSEMBLING A TEAM OF TALENTED
ARTISTS, ENGINEERS AND MUSICIANS
1397
01:44:46,310 --> 01:44:49,862
WITH GIFTS DIFFERENT FROM MINE
AND WHO SHINE IN WAYS THAT I
1398
01:44:49,896 --> 01:44:52,482
DON'T HAS BEEN BOTH INSPIRING
AND CRUCIAL TO MY SUCCESS.
1399
01:44:52,517 --> 01:44:56,034
AND I'M EXTREMELY GRATEFUL TO
ALL OF THOSE WHO HAVE COMPRISED
1400
01:44:56,068 --> 01:44:57,172
THEIR TEAM OVER THE YEARS.
1401
01:44:57,206 --> 01:45:00,896
AND I WOULD NOT BE HERE
ACCEPTING THIS AWARD WITHOUT
1402
01:45:00,931 --> 01:45:02,586
THEIR CONTRIBUTION.
1403
01:45:02,620 --> 01:45:07,379
YES.
1404
01:45:07,413 --> 01:45:12,620
I'M ALSO THANKFUL TO ALL THE
PEOPLE WHO HAVE BEEN BY MY SIDE,
1405
01:45:12,655 --> 01:45:16,034
OFTEN THROUGH THE DIFFICULT
MOMENTS IN MY LIFE THAT CAUSED
1406
01:45:16,068 --> 01:45:19,034
ME TO GET TO THIS POINT IN MY
LIFE, YOU KNOW.
1407
01:45:19,068 --> 01:45:22,206
INSPIRATION IS ONE OF MY
FAVORITE WORDS, AND AS A
1408
01:45:22,241 --> 01:45:25,448
CREATIVE, IT'S WHAT I'M ALWAYS
IN SEARCH OF, AND I HOPE TO
1409
01:45:25,482 --> 01:45:28,310
LEAVE BEHIND LONG AFTER I'M
GONE.
1410
01:45:28,344 --> 01:45:32,689
SO, WHAT I LOVE ABOUT THIS AWARD
IS THAT IT USES MY NAME TO
1411
01:45:32,724 --> 01:45:36,586
INSPIRE THE NEXT GENERATION OF
PRODUCERS, ARTISTS, AND
1412
01:45:36,620 --> 01:45:40,275
ENTREPRENEURS TO REACH FOR THEIR
GREATNESS AND DEMAND THAT FROM
1413
01:45:40,310 --> 01:45:41,551
EVERYBODY AROUND YOU.
1414
01:45:41,586 --> 01:45:48,586
AND NEVER COMPROMISE YOUR VISION
1415
01:45:48,620 --> 01:45:49,862
AT ALL.
1416
01:45:49,896 --> 01:45:52,034
PURSUE QUALITY OVER QUANTITY.
1417
01:45:52,068 --> 01:45:54,000
AND REMEMBER THAT EVERYTHING IS
IMPORTANT.
1418
01:45:54,034 --> 01:45:58,103
THAT IS ONE OF MY MOTTOS,
EVERYTHING IS IMPORTANT.
1419
01:45:58,137 --> 01:45:58,793
THANK YOU SO MUCH.
1420
01:45:58,827 --> 01:45:59,965
APPRECIATE IT.
1421
01:46:08,862 --> 01:46:10,103
CONGRATULATIONS, DR. DRE!
1422
01:46:10,137 --> 01:46:12,827
IT IS SO FITTING THAT DR. DRE
SHOULD WIN THIS AWARD IN A YEAR
1423
01:46:12,862 --> 01:46:15,586
THAT IS SO IMPORTANT FOR THE
CULTURE.
1424
01:46:15,620 --> 01:46:20,758
SINCE 2023 MARKS THE 50th
ANNIVERSARY OF HIP-HOP.
1425
01:46:20,793 --> 01:46:23,172
NOW, PARAMOUNT GLOBAL WILL BE
1426
01:46:23,206 --> 01:46:25,034
CELEBRATING THIS ANNIVERSARY ALL
YEAR LONG.
1427
01:46:25,068 --> 01:46:28,689
AND WE'RE KICKING IT OFF TONIGHT
ON CBS RIGHT HERE THE GRAMMYS.
1428
01:46:28,724 --> 01:46:29,896
ALL RIGHT.
1429
01:46:29,931 --> 01:46:33,172
AND I'M PROUD TO BE A PART OF
THE HIP-HOP FAMILY, WHETHER
1430
01:46:33,206 --> 01:46:34,424
THEY'RE IN THE HOUSE TONIGHT OR
NOT.
1431
01:46:34,448 --> 01:46:37,551
AND WE'RE GOING TO ROCK THE
BELLS FOR THE 50th ANNIVERSARY
1432
01:46:37,586 --> 01:46:38,103
OF HIP-HOP.
1433
01:46:38,137 --> 01:46:39,448
YOU KNOW WHAT I MEAN?
1434
01:46:39,482 --> 01:46:41,344
NOW, LOOK, WORKING CLOSELY WITH
1435
01:46:41,379 --> 01:46:44,344
ONE OF THE MOST RESPECTED AND
TALENTED GROUPS IN THE WORLD,
1436
01:46:44,379 --> 01:46:48,103
THE ROOTS, QUESTLOVE HAS CURATED
SOMETHING SPECTACULAR.
1437
01:46:48,137 --> 01:46:51,034
A FLASH FORWARD THROUGH A
HALF-CENTURY OF ONE OF THE
1438
01:46:51,068 --> 01:46:53,655
GREATEST ONGOING MUSICAL STORIES
EVER TOLD.
1439
01:46:53,689 --> 01:47:01,689
IT'S A STORY THAT ALL BEGAN ON
AUGUST 11, 1973, WHEN DJ WAS AT
1440
01:47:02,482 --> 01:47:06,103
A PARTY IN THE BRONX AND PLAYED
THE BREAK BEATS THAT KICKSTARTED
1441
01:47:06,137 --> 01:47:12,793
A GLOBAL MUSICAL REVOLUTION.
1442
01:47:12,827 --> 01:47:16,310
NOW, WE WISH WE COULD HAVE
INCLUDED EVERY SINGLE HIP-HOP
1443
01:47:16,344 --> 01:47:18,793
ARTIST FROM 1973 TO 2023.
1444
01:47:18,827 --> 01:47:21,344
I KNOW, I KNOW, I KNOW.
1445
01:47:21,379 --> 01:47:25,413
BUT THAT'S TO BE CONTINUED AT A
LATER DATE AND TIME.
1446
01:47:25,448 --> 01:47:26,620
ALL RIGHT?
1447
01:47:26,655 --> 01:47:34,655
HERE TO GET OUR STORY STARTED,
MY BROTHER BLACK THOUGHT!
1448
01:47:40,172 --> 01:47:42,113
FIFTY YEARS AGO IN THE BRONX,
NEW YORK, A STREET PRINCESS WAS
1449
01:47:42,137 --> 01:47:43,172
BORN TO BE AN ICON.
1450
01:47:43,206 --> 01:47:45,275
THE ARTFORM TOOK THE ENTIRE
WORLD BY STORM.
1451
01:47:45,310 --> 01:47:46,344
HOW SHE WOULD DO IT?
1452
01:47:46,379 --> 01:47:47,413
THROUGH INFLUENCE.
1453
01:47:47,448 --> 01:47:49,517
CONSTANTLY RAISING THE STAKES
EACH GENERATION.
1454
01:47:49,551 --> 01:47:51,620
DOMINATION BY WHATEVER MEANS IT
TAKES.
1455
01:47:51,655 --> 01:47:55,344
SO, FROM A SPARK INTO A FLAME
THAT BECAME PUBLIC DOMAIN.
1456
01:47:55,379 --> 01:47:59,758
AND SHE REFERS TO BE REFERRED TO
BY HER FULL GOVERNMENT NAME.
1457
01:48:08,965 --> 01:48:11,034
EVERYBODY WAS BREAKIN'
THE HIGHS WERE SCREAMIN'
1458
01:48:11,068 --> 01:48:13,137
AND THE BASS WAS SHAKIN'
AND IT WON'T BE LONG
1459
01:48:13,172 --> 01:48:15,862
'TIL EVERYBODY
KNOWIN' THAT
1460
01:48:15,896 --> 01:48:18,000
FLASH WAS ON THE
BEAT BOX GOING THAT
1461
01:48:18,034 --> 01:48:20,586
FLASH WAS ON THE
BEAT BOX GOING THAT
1462
01:48:20,620 --> 01:48:24,000
FLASH WAS ON THE
BEAT BOX GOING AND
1463
01:48:24,034 --> 01:48:26,275
I'M TRYING NOT
TO LOSE MY HEAD
1464
01:48:26,310 --> 01:48:28,413
IT'S LIKE A
JUNGLE SOMETIMES
1465
01:48:28,448 --> 01:48:30,517
IT MAKES ME WONDER
HOW I KEEP
1466
01:48:30,551 --> 01:48:34,068
FROM GOING UNDER
I'M THE KING OF ROCK
1467
01:48:34,103 --> 01:48:35,286
THERE IS NONE HIGHER
SUCKER MC'S
1468
01:48:35,310 --> 01:48:37,379
SHOULD CALL ME SIRE
TO BURN MY KINGDOM
1469
01:48:37,413 --> 01:48:39,517
YOU MUST USE FIRE
I WON'T STOP ROCKIN'
1470
01:48:39,551 --> 01:48:41,689
TILL I RETIRE
NOW WE ROCK THE PARTY
1471
01:48:41,724 --> 01:48:43,827
AND COME CORRECT
OUR CUTS ARE ON TIME
1472
01:48:43,862 --> 01:48:45,896
AND RHYMES CONNECT
GOT THE RIGHT TO VOTE
1473
01:48:45,931 --> 01:48:48,241
AND WILL ELECT
AND OTHER RAPPERS
1474
01:48:48,275 --> 01:48:51,689
CAN'T STAND US
BUT GIVE US RESPECT
1475
01:48:51,724 --> 01:48:53,827
I LIKE IT LOUD
I'M THE MAN WITH A BOX
1476
01:48:53,862 --> 01:48:54,907
THAT CAN ROCK THE CROWD
WALKIN' DOWN THE STREET
1477
01:48:54,931 --> 01:48:57,034
TO THE HARDCORE BEAT
WHILE MY JVC
1478
01:48:57,068 --> 01:48:59,137
VIBRATES THE CONCRETE
I'M SORRY
1479
01:48:59,172 --> 01:49:01,310
IF YOU CAN'T UNDERSTAND
BUT I NEED A RADIO
1480
01:49:01,344 --> 01:49:03,448
INSIDE MY HAND
DON'T MEAN TO OFFEND
1481
01:49:03,482 --> 01:49:05,068
OTHER CITIZENS
BUT I KICK MY
1482
01:49:05,103 --> 01:49:10,448
VOLUME WAY PAST 10
JAY-Z JAZZY JEFF!
1483
01:49:17,448 --> 01:49:20,931
CAN YOU TELL!
1484
01:49:20,965 --> 01:49:22,379
JAZZY, HEAR ME NOW.
1485
01:49:22,413 --> 01:49:30,413
GONNA CRACK DOWN
1486
01:49:32,241 --> 01:49:34,793
MUST ROCK THE BELLS
ALL THE LADIES
1487
01:49:34,827 --> 01:49:36,862
IN THE HOUSE
THE LADIES, THE LADIES
1488
01:49:36,896 --> 01:49:42,034
THE LADIES IN THE HOUSE
C'MON
1489
01:49:42,068 --> 01:49:44,103
MY MIC SOUND NICE.
1490
01:49:44,137 --> 01:49:47,103
ONE, TWO
MY MIC SOUND NICE
1491
01:49:47,137 --> 01:49:48,177
CHECK ONE
MY MIC SOUND NICE
1492
01:49:48,206 --> 01:49:50,275
CHECK TWO
MY MIC SOUND NICE
1493
01:49:50,310 --> 01:49:52,965
CHECK THREE
ARE YOU READY
1494
01:49:53,000 --> 01:49:55,034
QUEEN ON THE MIC
AND IT'S TRUE
1495
01:49:55,068 --> 01:49:57,137
WHEN I SAY THAT
PEPA MC IS HERE TO STAY
1496
01:49:57,172 --> 01:49:58,793
AND YOU KNOW
IF I WAS A BOOK
1497
01:49:58,827 --> 01:50:00,379
I WOULD SELL
'CAUSE EVERY CURVE
1498
01:50:00,413 --> 01:50:02,517
ON MY BODY
GOT A STORY TO TELL
1499
01:50:02,551 --> 01:50:04,068
'CAUSE THIS IS THE YEAR
ALL MEN FEAR
1500
01:50:04,103 --> 01:50:07,241
FEMALE MC'S
IS MOVIN' UP HERE
1501
01:50:07,275 --> 01:50:09,965
SALT AND PEPA
IS STRICTLY BIZ
1502
01:50:10,000 --> 01:50:12,034
YOU KNOW THE COLOR OF THIS
I CAME IN THE DOOR
1503
01:50:12,068 --> 01:50:14,137
I SAID IT BEFORE
I NEVER LET THE MIC
1504
01:50:14,172 --> 01:50:16,793
MAGNETIZE ME NO MORE
BUT IT'S BITING ME
1505
01:50:16,827 --> 01:50:17,907
FIGHTING ME
INVITING ME TO RHYME
1506
01:50:17,931 --> 01:50:20,482
I CAN'T HOLD IT BACK
I'M LOOKING FOR THE LINE
1507
01:50:20,517 --> 01:50:21,665
TAKING OFF MY COAT
CLEARING MY THROAT
1508
01:50:21,689 --> 01:50:23,689
THE RHYME WILL BE KICKING
UNTIL I HIT MY LAST NOTE
1509
01:50:23,724 --> 01:50:26,310
MY MIND REMAINS REFINED
ALL KIND OF IDEAS
1510
01:50:26,344 --> 01:50:28,448
SELF-ESTEEM MAKES IT SEEM
LIKE A THOUGHT
1511
01:50:28,482 --> 01:50:30,551
TOOK YEARS TO BUILD
BUT STILL SAY A RHYME
1512
01:50:30,586 --> 01:50:32,137
AFTER THE NEXT ONE
PREPARED
1513
01:50:32,172 --> 01:50:34,241
NEVER SCARED
I'LL JUST BLESS ONE
1514
01:50:34,275 --> 01:50:35,827
AND YOU KNOW THAT
I'M THE SOLOIST
1515
01:50:35,862 --> 01:50:38,448
SO ERIC B
MAKE 'EM CLAP TO THIS
1516
01:50:38,482 --> 01:50:41,103
YES, THE RHYTHM
THE REBEL WITHOUT A PAUSE
1517
01:50:41,137 --> 01:50:43,793
I'M LOWERING MY LEVEL
THE HARD RHYMER
1518
01:50:43,827 --> 01:50:46,172
WHERE YOU NEVER BEEN
I'M IN
1519
01:50:46,206 --> 01:50:48,344
YOU WANT STYLIN'
YOU KNOW IT'S TIME AGAIN
1520
01:50:48,379 --> 01:50:50,137
D, THE ENEMY
TELLIN' YOU TO HEAR IT
1521
01:50:50,172 --> 01:50:52,275
THEY PRAISED THE MUSIC
THIS TIME
1522
01:50:52,310 --> 01:50:54,379
THEY PLAY THE LYRICS
SOME SAY NO TO THE ALBUM
1523
01:50:54,413 --> 01:50:57,034
THE SHOW
BUM RUSH, THE SOUND
1524
01:50:57,068 --> 01:50:59,517
I MADE A YEAR AGO
I GUESS YOU KNOW
1525
01:50:59,551 --> 01:51:01,827
YOU GUESS I'M
JUST A RADICAL
1526
01:51:01,862 --> 01:51:02,976
NOT ON SABBATICAL
YES, BUT MAKE IT CRITICAL
1527
01:51:03,000 --> 01:51:05,034
THE ONLY PART OF YOUR BODY
SHOULD BE PARTYIN' TO
1528
01:51:05,068 --> 01:51:10,068
PANTHER POWER ON THE HOUR
FROM THE REBEL TO YOU
1529
01:51:14,137 --> 01:51:17,137
YO BLACK.
1530
01:51:17,172 --> 01:51:18,217
IT'S TIME TO ROCK THE RHYME
WHAT KIND OF RHYME?
1531
01:51:18,241 --> 01:51:19,689
THE KINDA RHYME
TO MAKE THE CROWD
1532
01:51:19,724 --> 01:51:21,448
RESPOND ON ME
AND G WE THE GREATEST
1533
01:51:21,482 --> 01:51:23,551
OF ALL TIME
KEEP IT A HUNDRED
1534
01:51:23,586 --> 01:51:25,103
THIS IS HOW WE RUN IT
DOWN THE LINE
1535
01:51:25,137 --> 01:51:26,724
IT'S LIKE THIS Y'ALL
THIS Y'ALL
1536
01:51:26,758 --> 01:51:28,827
THIS Y'ALL
THIS Y'ALL
1537
01:51:28,862 --> 01:51:29,907
THIS Y'ALL
IT'S LIKE THIS Y'ALL
1538
01:51:29,931 --> 01:51:31,482
THIS Y'ALL
THIS Y'ALL
1539
01:51:31,517 --> 01:51:39,000
THIS Y'ALL
THIS Y'ALL
1540
01:51:39,034 --> 01:51:41,068
HELLO, IT'S THE SOUL
TROOPIN' IN WITH
1541
01:51:41,103 --> 01:51:43,206
THE JUNGLE PATROL
AND THIS ONE'S
1542
01:51:43,241 --> 01:51:44,827
ABOUT THE KO'S
THE KNOCKOUTS OUT THERE
1543
01:51:44,862 --> 01:51:46,655
WHO I CALL MY BUDDY
HOLD UP
1544
01:51:46,689 --> 01:51:48,034
WAIT A MINUTE
NOW JUST WAIT
1545
01:51:48,068 --> 01:51:52,206
WE'RE GONNA
TALK ABOUT BUDDY
1546
01:51:52,241 --> 01:51:53,965
ON THE STAGE
BUT BEFORE WE LET
1547
01:51:54,000 --> 01:51:55,562
THE HERD OUT THE GATE
MAKE SURE ALL THE LEVELS
1548
01:51:55,586 --> 01:51:58,724
ARE STRAIGHT OUT
AT NIGHT I CAN'T SLEEP
1549
01:51:58,758 --> 01:52:00,320
I TOSS AND TURN
CANDLE STICKS IN THE DARK
1550
01:52:00,344 --> 01:52:02,413
VISIONS OF BODIES
BEING BURNED
1551
01:52:02,448 --> 01:52:04,551
FOUR WALLS CLOSING IN
GETTIN' BIGGER
1552
01:52:04,586 --> 01:52:06,655
I'M PARANOID
SLEEPING WITH MY FINGER
1553
01:52:06,689 --> 01:52:08,793
ON THE TRIGGER
MY MOTHER'S
1554
01:52:08,827 --> 01:52:10,931
ALWAYS STRESSING
I AIN'T LIVING RIGHT
1555
01:52:10,965 --> 01:52:12,896
BUT I AIN'T GOING OUT
WITHOUT A FIGHT
1556
01:52:12,931 --> 01:52:14,655
SEE, EVERY TIME
MY EYES CLOSE
1557
01:52:14,689 --> 01:52:17,793
I START SWEATIN'
AND BLOOD STARTS COMIN'
1558
01:52:17,827 --> 01:52:21,034
OUT MY NOSE
HUSTLER
1559
01:52:21,068 --> 01:52:23,137
WORD, I PULL THE TRIGGER LONG
GRIT MY TEETH
1560
01:52:23,172 --> 01:52:25,758
SPRAY TILL EVERY... GONE
GOT MY BLOCK SEWN
1561
01:52:25,793 --> 01:52:26,872
ARMORED DOPE SPOTS
LAST THING I SWEAT'S
1562
01:52:26,896 --> 01:52:28,413
A SUCKA PUNK COP
MOVE LIKE A KING
1563
01:52:28,448 --> 01:52:30,275
WHEN I ROLL, HOPS
YOU TRY TO FLEX, BANG
1564
01:52:30,310 --> 01:52:32,172
ANOTHER... DROPS
YOU GOTTA DEAL WITH THIS
1565
01:52:32,206 --> 01:52:33,793
CAUSE THERE'S NO WAY OUT
WHY
1566
01:52:33,827 --> 01:52:35,689
CASH MONEY AIN'T NEVER
GONNA PLAY OUT
1567
01:52:35,724 --> 01:52:40,931
QUEENS.
1568
01:52:40,965 --> 01:52:43,413
OH
RESPECT THE QUEENS.
1569
01:52:43,448 --> 01:52:45,517
INSTINCT LEADS ME
TO ANOTHER FLOW
1570
01:52:45,551 --> 01:52:48,068
EVERY TIME I HEAR
A BROTHER CALL A GIRL
1571
01:52:48,103 --> 01:52:50,344
A - OR A HO
TRYNA MAKE A SISTER
1572
01:52:50,379 --> 01:52:51,896
FEEL LOW
YOU KNOW ALL OF THAT
1573
01:52:51,931 --> 01:52:59,758
GOTS TO GO
NOW EVERYBODY, COME ON, COME ON.
1574
01:52:59,793 --> 01:53:06,724
WHEN WE PLAYING IT COOL, BUT
DON'T BE GETTIN MAD WHEN WE
1575
01:53:06,758 --> 01:53:11,620
PLAYIN'
NOW DON'T BE GETTIN' MAD
1576
01:53:11,655 --> 01:53:13,172
WHEN WE PLAYIN'
IT'S COOL
1577
01:53:13,206 --> 01:53:15,586
BUT DON'T YOU BE
CALLING ME OUT MY NAME
1578
01:53:15,620 --> 01:53:17,413
I BRING WRATH TO THOSE
WHO DISRESPECT ME
1579
01:53:17,448 --> 01:53:19,517
LIKE A DAME
WHO YOU CALLING A -
1580
01:53:19,551 --> 01:53:21,655
U-N-I-T-Y
YOU GOTTA LET HIM KNOW
1581
01:53:21,689 --> 01:53:24,241
U-N-I-T-Y
YOU GO, COME ON
1582
01:53:24,275 --> 01:53:25,310
HERE WE GO
U-N-I-T-Y
1583
01:53:25,344 --> 01:53:27,413
YOU GOTTA LET HIM KNOW
YOU AIN'T A -
1584
01:53:27,448 --> 01:53:35,448
YOU'RE A HO
YOU DON'T KNOW ME, GET OFF MY
1585
01:53:36,034 --> 01:53:44,034
CLOUD
YOU BEST TO WEAR
1586
01:53:46,448 --> 01:53:49,172
YOUR SWEATER
'CAUSE I'M COOLER THAN
1587
01:53:49,206 --> 01:53:50,320
A POLAR BEAR'S TOENAILS
OH HELL, THERE HE GO AGAIN
1588
01:53:50,344 --> 01:53:52,862
TALKIN' THAT...
BEND CORNER'S LIKE
1589
01:53:52,896 --> 01:53:54,068
I WAS A CURVE
I STRUCK A NERVE
1590
01:53:54,103 --> 01:53:57,103
AND NOW YOU 'BOUT TO SEE
THIS SOUTHERN PLAYER SERVE
1591
01:53:57,137 --> 01:54:00,310
I HEARD IT'S NOT
WHERE YOU'RE FROM
1592
01:54:00,344 --> 01:54:01,424
BUT WHERE YOU PAY RENT
THEN I HEARD IT'S NOT
1593
01:54:01,448 --> 01:54:03,000
WHAT YOU MAKE
BUT HOW MUCH YOU SPENT
1594
01:54:03,034 --> 01:54:05,586
IN PRISON
NOW THROW YOUR HANDS
1595
01:54:05,620 --> 01:54:07,206
IN THE AIR
AND WAVE 'EM LIKE
1596
01:54:07,241 --> 01:54:10,344
YOU JUST DON'T CARE
AND IF YOU LIKE FISH
1597
01:54:10,379 --> 01:54:11,965
AND GRITS
AND ALL THAT PIMP...
1598
01:54:12,000 --> 01:54:14,655
EVERYBODY LET ME
HEAR YOU SAY, OH-YEAH-YER
1599
01:54:14,689 --> 01:54:16,217
HIT YOU WITH NO DELAYIN'
SO WHAT YOU SAYIN YO
1600
01:54:16,241 --> 01:54:18,793
SILLY WITH MY NINE MILLI
WHAT THE DEALLY YO
1601
01:54:18,827 --> 01:54:19,976
WHEN I BE ON THE MIC
YES, I DO MY DUTY, YO
1602
01:54:20,000 --> 01:54:22,034
WILD UP IN THE CLUB
LIKE WE WILD IN THE STUDIO
1603
01:54:22,068 --> 01:54:24,137
YOU DON'T WANNA VIOLATE
REALLY AND TRULY YO
1604
01:54:24,172 --> 01:54:26,379
MY MAIN THUG...
NAMED JULIO
1605
01:54:26,413 --> 01:54:28,379
HE MOODY, YO
TYPE OF...
1606
01:54:28,413 --> 01:54:30,000
THAT'LL SLAP YOU
WITH THE TOOLIO
1607
01:54:30,034 --> 01:54:34,758
SCARED TO DEATH
ACT FRUITY, YO
1608
01:54:34,793 --> 01:54:38,137
HOLLA HOLL APRIL YOU THINK I
CAME TO PLAY WITH Y'ALL?
1609
01:54:38,172 --> 01:54:44,551
LET ME SHOW YOU HOWS HOW TO DO
1610
01:54:44,586 --> 01:54:47,275
THAT THING OVER THERE, HOMIE.
1611
01:54:47,310 --> 01:54:49,000
LET'S GO!
1612
01:54:49,034 --> 01:54:50,044
DO YOU REALLY
WANNA PARTY WITH ME
1613
01:54:50,068 --> 01:54:51,620
LET ME SEE JUST WHAT
YOU GOT FOR ME
1614
01:54:51,655 --> 01:54:54,551
PUT ALL YOUR HANDS
WHERE MY EYES CAN SEE
1615
01:54:54,586 --> 01:54:55,872
PUT 'EM UP, YO
STRAIGHT BUCKWHILIN'
1616
01:54:55,896 --> 01:54:57,448
MUSIC MAKE YOU
LOSE CONTROL
1617
01:54:57,482 --> 01:54:59,034
MUSIC MAKE YOU
LOSE CONTROL
1618
01:54:59,068 --> 01:55:01,724
I'VE GOT A CUTE FACE
CHUBBY WAIST
1619
01:55:01,758 --> 01:55:08,172
THICK LEGS IN SHAPE
1620
01:55:25,344 --> 01:55:28,758
BANGING IN THE EAST, BANGING
IN THE WEST
1621
01:55:28,793 --> 01:55:36,793
MUSIC MAKE YOU LOSE CONTROL
1622
01:55:38,241 --> 01:55:39,827
LOSE CONTROL
MUSIC MAKE YOU
1623
01:55:39,862 --> 01:55:41,931
LOSE CONTROL
I'VE GOT A CUTE FACE
1624
01:55:41,965 --> 01:55:44,034
CHUBBY WAIST
THICK LEGS IN SHAPE
1625
01:55:44,068 --> 01:55:46,137
RUMP SHAKING BOTH WAYS
RUMP SHAKING BOTH WAYS
1626
01:55:46,172 --> 01:55:46,931
RUMP, RUMP SHAKIN
RUMP SHAKIN
1627
01:55:46,965 --> 01:55:48,827
PLANET ROCKER
SHOW STOPPER
1628
01:55:48,862 --> 01:55:50,965
FLOW PROPER
HEAD KNOCKER
1629
01:55:51,000 --> 01:55:54,068
BEAT SCHOLAR
TAIL DROPPER
1630
01:55:54,103 --> 01:55:55,182
DO MY THANG MUTHA...
MY ROLLS ROYCE
1631
01:55:55,206 --> 01:55:56,758
LAMBORGHINI
BLUE MADINA
1632
01:55:56,793 --> 01:55:58,344
ALWAYS BEAMIN'
RAGTOP
1633
01:55:58,379 --> 01:55:59,965
CHROME PIPES
BLUE LIGHTS
1634
01:56:00,000 --> 01:56:01,620
OUTTA SIGHT
LONG WEAVE
1635
01:56:01,655 --> 01:56:04,758
SEWED IN
SAY IT AGAIN
1636
01:56:04,793 --> 01:56:05,862
SEWED IN
MAKE DAT MONEY
1637
01:56:05,896 --> 01:56:07,965
THO IT IN
BOOTY BOUNCING
1638
01:56:08,000 --> 01:56:16,000
GONNA HIT EVERYBODY HERE
BECAUSE MR. MEANER SAYS SO
1639
01:56:17,068 --> 01:56:22,137
THROW YOUR HANDS IN THE AIR
1640
01:56:22,172 --> 01:56:30,172
FROM PRINCESS TO QUEEN TO A
1641
01:56:35,034 --> 01:56:38,275
SUPREME BEING THAT SERVES AS OUR
NORTH STAR.
1642
01:56:38,310 --> 01:56:40,424
SOME SAY WE'VE CREATED A MONSTER
TO HAVE TAKEN IT THIS FAR.
1643
01:56:40,448 --> 01:56:43,034
IF I'M HER KING, ONE THING I'VE
LEARNED FROM ALL THE YEARS WE
1644
01:56:43,068 --> 01:56:45,172
SPENT TOGETHER IS SHE KNOWS NO
BOUNDS.
1645
01:56:45,206 --> 01:56:46,251
HIP HOP WILL LIVE EVERYWHERE.
1646
01:56:46,275 --> 01:56:49,172
FOREVER.
1647
01:56:49,206 --> 01:56:54,275
I NEED YOU TO GET UP UP ON THE
DANCE FLOOR
1648
01:56:54,310 --> 01:56:56,586
GIVE THAT MAN
WHAT HE ASKIN' FOR
1649
01:56:56,620 --> 01:56:57,665
BECAUSE I FEEL LIKE
BUSTIN' LOOSE
1650
01:56:57,689 --> 01:57:00,344
AND I FEEL
LIKE TOUCHIN' YOU
1651
01:57:00,379 --> 01:57:01,965
AND CAN'T NOBODY STOP
THE JUICE
1652
01:57:02,000 --> 01:57:03,551
SO BABY TELL ME
WHAT'S THE USE
1653
01:57:03,586 --> 01:57:06,103
I SAID IT'S
GETTING HOT IN HERE
1654
01:57:06,137 --> 01:57:08,413
SO TAKE OFF
ALL YOUR CLOTHES
1655
01:57:08,448 --> 01:57:10,103
LADIES!
1656
01:57:10,137 --> 01:57:11,724
I AM GETTING SO HOT
I WANNA TAKE
1657
01:57:11,758 --> 01:57:15,965
MY CLOTHES OFF
AND THEY BUMP
1658
01:57:16,000 --> 01:57:18,068
WHERE YOU GET YOUR BEATS
I HEARD 93 RAPPERS SAY
1659
01:57:18,103 --> 01:57:19,655
LIKE ME
TWO SINGERS
1660
01:57:19,689 --> 01:57:21,827
AND TEN COMEDIANS
AND I'M STILL GON' YELL IT
1661
01:57:21,862 --> 01:57:24,965
EVERY TIME YOU SEE ME IN
WHAT'S MY FAVORITE WORD?
1662
01:57:25,000 --> 01:57:25,551
WHY THEY GOTTA
1663
01:57:25,586 --> 01:57:27,655
SAY IT LIKE SHORT-
1664
01:57:27,689 --> 01:57:29,758
YOU KNOW THEY CAN'T
PLAY ON MY COURT
1665
01:57:29,793 --> 01:57:31,896
CAN'T HANG WITH
THE BIG DOGS
1666
01:57:31,931 --> 01:57:34,379
STAY ON THE PORCH
BLOW THE WHISTLE
1667
01:57:34,413 --> 01:57:36,068
BLOW THE WHISTLE
BLOW THE WHISTLE
1668
01:57:36,103 --> 01:57:41,379
BLOW THE WHISTLE
THE FRAIL...
1669
01:57:41,413 --> 01:57:43,448
CAUSE WHEN MY COKE COME IN
THEY GOTTA USE THE SCALE
1670
01:57:43,482 --> 01:57:46,655
THAT THEY WEIGH
THE WHALES WITH
1671
01:57:46,689 --> 01:57:48,251
CARLSSONS ON THE JEEP
BUGATTI MADE THE PROTOTYPE
1672
01:57:48,275 --> 01:57:49,896
HOPED YOU'D GET THE PICTURE
BUT YOU JUST
1673
01:57:49,931 --> 01:57:52,034
CAN'T PHOTO LIFE
DETERMINED... MAKE IT
1674
01:57:52,068 --> 01:57:54,137
KICKING DOWN THE DOOR
AND WE BURNING... NAKED
1675
01:57:54,172 --> 01:57:56,241
THE HOUSE COSTS A MILLION
SITTING ON THE BEACH
1676
01:57:56,275 --> 01:58:04,000
AND THE ONLY THING I KNOW
IF IT'S FURNISHED
1677
01:58:04,034 --> 01:58:08,172
I'MA TAKE IT
WE GON' MAKE IT
1678
01:58:08,206 --> 01:58:12,758
WE GON' MAKE IT
WE GON' MAKE IT
1679
01:58:34,137 --> 01:58:36,000
FIVE HUNNID RACKS
IN MY SAFE
1680
01:58:36,034 --> 01:58:37,827
FIVE HUNNID RACKS
TO THE PLUG
1681
01:58:37,862 --> 01:58:39,931
WHAT YOU KNOW 'BOUT
SHOWIN' LOVE
1682
01:58:39,965 --> 01:58:42,034
WHAT YOU KNOW 'BOUT
PULLIN' UP
1683
01:58:42,068 --> 01:58:44,137
IN BENTLEY TRUCKS
MAKE THESE...
1684
01:58:44,172 --> 01:58:52,172
FALL IN LOVE
WE WON'T FALL OUT ABOUT...
1685
01:58:58,965 --> 01:59:02,068
SPECIALLY NOT 'BOUT NO -
WE AIN'T GON' FALL OUT
1686
01:59:02,103 --> 01:59:03,217
'BOUT HOES
ME AND CED GET THEM LOADS
1687
01:59:03,241 --> 01:59:05,241
WE LET 'EM GO FOR THE LOW
I GOT MY HOOD IN CONTROL
1688
01:59:05,275 --> 01:59:07,068
I GOT MY LEFT
WRIST ON FROZE
1689
01:59:07,103 --> 01:59:14,551
I'M F-R-E-E... FREE
1690
01:59:14,586 --> 01:59:15,665
THAT MEAN I AIN'T
GOTTA WORRY
1691
01:59:15,689 --> 01:59:17,286
'BOUT NO... CHEATING
AND I'M S-I-N-G-L-E AGAIN
1692
01:59:17,310 --> 01:59:19,379
OUTSIDE HANGING
OUT THE WINDOW
1693
01:59:19,413 --> 01:59:23,896
WITH MY RATCHET... FRIENDS
LET'S GO
1694
01:59:23,931 --> 01:59:31,931
I'M G TO THE I
TO THE O, BIG GLO RILLA
1695
01:59:37,931 --> 01:59:40,310
COME ON!
1696
01:59:40,344 --> 01:59:44,931
THE 50th ANNIVERSARY OF HIP-HOP,
BABY.
1697
01:59:44,965 --> 01:59:45,896
GENERATION NOW.
1698
01:59:45,931 --> 01:59:46,931
WE HERE.
1699
01:59:50,241 --> 01:59:53,034
50th ANNIVERSARY OF HIP-HOP.
1700
02:00:01,241 --> 02:00:04,034
MULTIGENERATION, HANDS IN THE
AIR, HANDS IN THE AIR!
1701
02:00:04,068 --> 02:00:11,827
PUT YOUR HANDS IN THE AIR!
1702
02:00:11,862 --> 02:00:19,000
MULTIGENERATIONAL, 50 YEARS,
1703
02:00:19,034 --> 02:00:23,551
FROM THE BRONX TO TIKTOK, TO THE
WHOLE WORLD.
1704
02:00:23,586 --> 02:00:25,206
WE LOVE YOU, BABY.
1705
02:00:25,241 --> 02:00:33,241
IT STARTED IN THE BRONX, AND
EVER SINCE IT'S GONE EVER TO THE
1706
02:00:34,758 --> 02:00:36,517
FIVE BOROUGHS, TO AFRICA TO ASIA
TO TIKTOK.
1707
02:00:36,551 --> 02:00:38,931
WHAT'S NEXT?
1708
02:00:38,965 --> 02:00:41,068
HIP-HOP IS THE GLOBAL PLATFORM
TODAY.
1709
02:00:41,103 --> 02:00:45,689
WE'RE CELEBRATING, HAPPY 50th
ANNIVERSARY TO HIP-HOP, BABY.
1710
02:00:45,724 --> 02:00:47,310
WE LOVE YOU!
1711
02:00:47,344 --> 02:00:55,344
FOR THE CULTURE.
1712
02:00:56,758 --> 02:01:00,965
ONLY ONE IN 1,000
MUSICMAKERS EARNS A LIVING WAGE
1713
02:01:01,000 --> 02:01:04,517
FROM MUSIC STREAMING SERVICE.
1714
02:01:04,551 --> 02:01:08,000
STILL TO COME, DJ KHALED, JOHN
LEGEND, AND JAY-Z IN AN ALL-STAR
1715
02:01:08,034 --> 02:01:08,931
PERFORMANCE.
1716
02:01:08,965 --> 02:01:11,965
DWAYNE JOHNSON ROCKS IN THE
PERFORMANCES.
1717
02:01:12,000 --> 02:01:13,000
THIS IS CBS.
1718
02:01:23,034 --> 02:01:26,000
TO PRESENT THE GRAMMY
1719
02:01:26,034 --> 02:01:29,793
AWARD FOR BEST POP SOLO
PERFORMANCE, PLEASE WELCOME
1720
02:01:29,827 --> 02:01:31,862
DWAYNE JOHNSON!
1721
02:01:31,896 --> 02:01:39,896
MY WIFE LAUREN AND I ARE
1722
02:01:44,206 --> 02:01:49,034
THRILLED TO BE HERE TONIGHT AND
CELEBRATE SO MANY BRILLIANT
1723
02:01:49,068 --> 02:01:52,517
ARTISTS AND THE GIFTS THAT ALL
OF YOU SHARE WITH US AND THE
1724
02:01:52,551 --> 02:01:53,827
WORLD.
1725
02:01:53,862 --> 02:01:56,148
YOU KNOW, MUSIC HAS ALWAYS BEEN
A HUGE PART OF MY LIFE, FROM THE
1726
02:01:56,172 --> 02:02:01,275
GREAT SAM COOK, TO ELVIS, TO
LORETTA LYNN, TO MY BOY JAY-Z,
1727
02:02:01,310 --> 02:02:05,310
TO LOUIS ARMSTRONG, TO WILLIE
NELSON, WHO, BY THE WAY, GAVE ME
1728
02:02:05,344 --> 02:02:06,137
MY FIRST GUITAR.
1729
02:02:06,172 --> 02:02:08,034
PRETTY COOL STORY.
1730
02:02:08,068 --> 02:02:12,000
THESE AND MANY OTHER ARTISTS
HELPED SHAPE WHO I AM AND
1731
02:02:12,034 --> 02:02:14,931
INFLUENCED MY OWN SINGING STYLE,
WHICH AT TIMES INCLUDES SINGING
1732
02:02:14,965 --> 02:02:18,655
IN KEYS THAT DON'T EXIST.
1733
02:02:18,689 --> 02:02:21,586
YOU'RE WELCOME
1734
02:02:21,620 --> 02:02:26,172
TONIGHT, I HAVE THE
1735
02:02:26,206 --> 02:02:29,344
EXTRAORDINARY PRIVILEGE OF
PRESENTING THIS NEXT GRAMMY TO
1736
02:02:29,379 --> 02:02:34,620
ANYONE OF THE AMAZING ARTISTS IN
A CATEGORY THAT CELEBRATES
1737
02:02:34,655 --> 02:02:36,044
EXCELLENCE AND INDIVIDUAL
PERFORMANCE.
1738
02:02:36,068 --> 02:02:40,827
THESE ARE THE OUTSTANDING
NOMINEES FOR BEST POP SOLO
1739
02:02:40,862 --> 02:02:41,931
PERFORMANCE.
1740
02:02:41,965 --> 02:02:49,965
"EASY ON ME."
1741
02:02:56,586 --> 02:02:57,689
ADELE.
1742
02:02:57,724 --> 02:03:05,724
"MOSCOW MULE," BAD BUNNY.
1743
02:03:06,620 --> 02:03:14,000
"WOMAN," DOJA CAT.
1744
02:03:14,034 --> 02:03:18,000
"BAD HABIT," STEVE LACY.
1745
02:03:18,034 --> 02:03:25,655
"ABOUT DAMN TIME," LIZZO.
1746
02:03:25,689 --> 02:03:27,689
"AS IT WAS," HARRY STYLES.
1747
02:03:37,689 --> 02:03:45,689
AND THE GRAMMY GOES TO...
"GET UP HERE, BEST FRIEND,"
1748
02:03:46,137 --> 02:03:47,137
ADELE!
1749
02:04:15,793 --> 02:04:18,137
OH, THANK YOU.
1750
02:04:18,172 --> 02:04:21,000
I REALLY WAS JUST LOOKING
FORWARD TO COMING TONIGHT.
1751
02:04:21,034 --> 02:04:26,862
I JUST WANT TO DEDICATE THIS TO
MY SON ANGELO.
1752
02:04:26,896 --> 02:04:28,379
RICHIE SAID DON'T CRY.
1753
02:04:28,413 --> 02:04:31,172
HE SAID IF YOU WIN TONIGHT,
DON'T CRY.
1754
02:04:31,206 --> 02:04:32,655
HERE I AM CRYING.
1755
02:04:32,689 --> 02:04:35,793
JUST TO MY SON, I WROTE THIS
FIRST VERSE IN THE SHOWER WHEN I
1756
02:04:35,827 --> 02:04:42,206
WAS CHOOSING TO CHANGE MY SON'S
LIFE, AND HE'S BEEN NOTHING BUT
1757
02:04:42,241 --> 02:04:44,793
HUMBLE AND GRACIOUS AND LOVING
TO ME THE WHOLE TIME.
1758
02:04:44,827 --> 02:04:48,379
I LOVE A PIANO BALAD WITH IT.
1759
02:04:48,413 --> 02:04:50,827
LOVE YOU ALL.
1760
02:04:50,862 --> 02:04:52,275
I LOVE YOU.
1761
02:04:52,310 --> 02:04:58,931
GOOD NIGHT!
1762
02:04:58,965 --> 02:05:02,000
COMING UP,
1763
02:05:02,034 --> 02:05:04,354
AND OLIVIA RODRIGO PRESENTS THE
GRAMMY FOR BEST NEW ARTIST.
1764
02:05:08,517 --> 02:05:09,734
COMING RIGHT
UP...
1765
02:05:09,758 --> 02:05:11,769
LUKE COMBS IS ABOUT TO PERFORM
ON THE GRAMMY STAGE FOR THE
1766
02:05:11,793 --> 02:05:12,275
FIRST TIME.
1767
02:05:12,310 --> 02:05:13,310
THIS IS CBS.
1768
02:05:25,103 --> 02:05:28,068
WELCOME BACK TO THE
1769
02:05:28,103 --> 02:05:32,034
TO INTRODUCE COUNTRY MUSIC
SUPERSTAR LUKE COMBS, PLEASE
1770
02:05:32,068 --> 02:05:37,413
WELCOME HIS BOSS FROM BACK WHEN
HE WAS A BOUNCER, JUSTIN DAVIS.
1771
02:05:37,448 --> 02:05:40,517
LONG BEFORE LUKE WAS A
1772
02:05:40,551 --> 02:05:43,482
COUNTRY MUSIC SUPERSTAR, HE WAS
A PART-TIME BOUNCER FOR ME AT
1773
02:05:43,517 --> 02:05:48,379
THE TOWN TAVERN IN BOONE, NORTH
CAROLINA.
1774
02:05:48,413 --> 02:05:52,137
HE WASN'T THE BEST BOUNCER
BECAUE HE WAS JUST WAY TOO
1775
02:05:52,172 --> 02:05:53,034
NICE.
1776
02:05:53,068 --> 02:05:55,344
I'M SURE LUKE NEVER SPOTTED A
FAKE I.D.
1777
02:05:55,379 --> 02:06:03,379
LUKE WAS A STUDENT THEN LIVING
UPSTAIRS OF THE BAR.
1778
02:06:06,137 --> 02:06:08,586
NOW HE IS PLAYING THE BIGGEST
STAGES IN THE WORLD INCLUDING
1779
02:06:08,620 --> 02:06:09,793
THIS ONE HERE TONIGHT.
1780
02:06:09,827 --> 02:06:15,931
I'M SO PROUD THE ENTIRE WORLD
NOW GETS TO WITNESS WHAT WE
1781
02:06:15,965 --> 02:06:19,379
WITNESS NIGHT AFTER NIGHT WITH
JUST A CROWD OF 75 PEOPLE AT MY
1782
02:06:19,413 --> 02:06:20,655
TAVERN.
1783
02:06:20,689 --> 02:06:22,872
LADIES AND GENTLEMEN, PLAYING
THE GRAMMYS FOR ITS FIRST TIME
1784
02:06:22,896 --> 02:06:23,976
EVER, MY FRIEND LUKE COMBS!
1785
02:06:42,034 --> 02:06:45,413
SOME THINGS IN LIFE
ARE MEANT TO FLY
1786
02:06:45,448 --> 02:06:48,310
AND OTHERS
THEY WERE BORN TO RUN
1787
02:06:48,344 --> 02:06:52,034
YOU CAN'T TIE DOWN
UP AND LEAVING
1788
02:06:52,068 --> 02:06:55,172
LIKE THE CHANGING
OF THE SEASONS
1789
02:06:55,206 --> 02:06:59,931
GOOD THINGS
THEY COME AND THEN THEY GO
1790
02:06:59,965 --> 02:07:02,655
LIKE A RUNAWAY
SOUTHBOUND TRAIN
1791
02:07:02,689 --> 02:07:06,310
LIKE AN ARIZONA
DESERT RAIN
1792
02:07:06,344 --> 02:07:11,689
LIKE LIGHTNING IN THE SKY
LIKE FIREWORKS IN JULY
1793
02:07:11,724 --> 02:07:15,379
LIKE A LEFT FIELD
HOME RUN BALL
1794
02:07:15,413 --> 02:07:19,034
LIKE A WHISKEY SHOT
AT LAST CALL
1795
02:07:19,068 --> 02:07:21,172
IT'S LIKE SHE WAS MADE
FOR MOVING ON
1796
02:07:21,206 --> 02:07:28,862
THAT GIRL IS GOING
GOING GONE
1797
02:07:28,896 --> 02:07:32,689
I CAN SAY
1798
02:07:32,724 --> 02:07:38,413
IT WASN'T MEANT TO BE
OR MAYBE MEANT TO BE'S
1799
02:07:38,448 --> 02:07:42,689
MISUNDERSTOOD
CAN'T HOLD ON
1800
02:07:42,724 --> 02:07:45,862
TO LETTING GO
OR CHANGE THE WAY
1801
02:07:45,896 --> 02:07:49,413
THE RIVER FLOWS
LOVING HER'S LIKE
1802
02:07:49,448 --> 02:07:56,896
ROPING IN THE WIND
LIKE A RUNAWAY
1803
02:07:56,931 --> 02:07:59,000
SOUTHBOUND TRAIN
LIKE AN ARIZONA
1804
02:07:59,034 --> 02:08:03,275
DESERT RAIN
LIKE LIGHTNING IN THE SKY
1805
02:08:03,310 --> 02:08:07,551
LIKE FIREWORKS IN JULY
LIKE A LEFT FIELD
1806
02:08:07,586 --> 02:08:11,172
HOME RUN BALL
LIKE A WHISKEY SHOT
1807
02:08:11,206 --> 02:08:13,862
AT LAST CALL
IT'S LIKE SHE WAS MADE
1808
02:08:13,896 --> 02:08:17,379
FOR MOVING ON
THAT GIRL IS GOING
1809
02:08:17,413 --> 02:08:25,413
GOING GONE
SHE AIN'T GOT ONE BIT
1810
02:08:28,103 --> 02:08:31,793
OF STICK AROUND
THERE'S NO SENSE
1811
02:08:31,827 --> 02:08:37,620
IN TRYING TO SLOW HER DOWN
LIKE A RUNAWAY
1812
02:08:37,655 --> 02:08:41,275
SOUTHBOUND TRAIN
LIKE AN ARIZONA
1813
02:08:41,310 --> 02:08:45,551
DESERT RAIN
LIKE LIGHTNING IN THE SKY
1814
02:08:45,586 --> 02:08:49,413
LIKE FIREWORKS IN JULY
LIKE A LEFT FIELD
1815
02:08:49,448 --> 02:08:52,310
HOME RUN BALL
LIKE A WHISKEY SHOT
1816
02:08:52,344 --> 02:08:56,068
AT LAST CALL
IT'S LIKE SHE WAS MADE
1817
02:08:56,103 --> 02:08:59,241
FOR MOVING ON
THAT GIRL IS GOING
1818
02:08:59,275 --> 02:09:05,413
GOING GONE
1819
02:09:05,448 --> 02:09:13,448
GOING GOING GONE
GOING GOING GONE
1820
02:09:25,482 --> 02:09:27,458
MUSICARES PROVIDES
A SAFETY NET OF ALL CRITICAL
1821
02:09:27,482 --> 02:09:29,320
HEALTH AND WELFARE SERVICES TO
ALL MUSIC PEOPLE, NOT JUST
1822
02:09:29,344 --> 02:09:31,689
ACADEMY MEMBERS.
1823
02:09:31,724 --> 02:09:33,620
LEARN MORE AND DONATE AT
MUSICARES.ORG.
1824
02:09:33,655 --> 02:09:37,448
UP NEXT, THE FIRST LADY
INTRODUCES A NEW AWARD, THEN
1825
02:09:37,482 --> 02:09:39,002
PRESENTS SONG OF THE YEAR. THIS
IS CBS.
1826
02:09:44,034 --> 02:09:46,620
THE 65th ANNUAL
GRAMMY AWARDS WILL CONTINUE.
1827
02:09:46,655 --> 02:09:47,655
THIS IS CBS.
1828
02:09:59,034 --> 02:10:00,000
WELCOME BACK TO
1829
02:10:00,034 --> 02:10:01,275
MUSIC'S BIGGEST NIGHT.
1830
02:10:01,310 --> 02:10:03,079
THIS NEXT PRESENTER IS THE ONLY
PERSON IN THE WORLD WHO KNOWS
1831
02:10:03,103 --> 02:10:06,827
WHICH OF TONIGHT'S SONGS THE
PRESIDENT SINGS IN THE SHOWER.
1832
02:10:06,862 --> 02:10:09,379
MY MONEY'S ON "ABOUT DAMN TIME."
1833
02:10:09,413 --> 02:10:13,241
LADIES AND GENTLEMEN, THE FIRST
LADY OF THE UNITED STATES,
1834
02:10:13,275 --> 02:10:14,793
JILL BIDEN.
1835
02:10:14,827 --> 02:10:22,827
AMERICA, AMERICA
1836
02:10:26,275 --> 02:10:34,275
THANK YOU.
1837
02:10:36,310 --> 02:10:41,344
THANK YOU.
1838
02:10:41,379 --> 02:10:44,724
THANK YOU VERY MUCH.
1839
02:10:44,758 --> 02:10:48,517
THANK YOU.
1840
02:10:48,551 --> 02:10:55,172
A SONG CAN UNITE, INSPIRE, AND
ULTIMATELY CHANGE THE WORLD.
1841
02:10:55,206 --> 02:11:00,310
BEGINNING THIS YEAR, THE
RECORDING ACADEMY IS PRESENTING
1842
02:11:00,344 --> 02:11:03,793
A NEW AWARD RECOGNIZING A SONG
THAT RESPONDS TO THE SOCIAL
1843
02:11:03,827 --> 02:11:08,758
ISSUES OF OUR TIME, AND HAS THE
POTENTIAL FOR POSITIVE GLOBAL
1844
02:11:08,793 --> 02:11:13,241
IMPACT.
1845
02:11:13,275 --> 02:11:17,275
MORE THAN 130,000 PEOPLE
HAVE RESPONDED WITH SUBMISSIONS
1846
02:11:17,310 --> 02:11:22,448
OF SONGS THAT PROMOTE AWARENESS,
RAISE CONSCIOUSNESS, AND INSPIRE
1847
02:11:22,482 --> 02:11:24,379
CHANGE.
1848
02:11:24,413 --> 02:11:30,758
THE WINNER OF THIS SPECIAL AWARD
WAS SELECTED BY A BLUE RIBBON
1849
02:11:30,793 --> 02:11:33,103
COMMITTEE AND RATIFIED BY THE
RECORDING ACADEMY BOARD OF
1850
02:11:33,137 --> 02:11:36,724
TRUSTEES.
1851
02:11:36,758 --> 02:11:41,689
TONIGHT, I AM HONORED TO
ANNOUNCE THE FIRST WINNER OF THE
1852
02:11:41,724 --> 02:11:49,724
RECORDING ACADEMY'S BEST SONG
FOR SOCIAL CHANGE.
1853
02:11:53,689 --> 02:12:00,482
SHERVIN HAJIPOUR, AN IRANIAN
SINGER-SONGWRITER FOR HIS
1854
02:12:00,517 --> 02:12:01,724
STIRRING SONG "BARAYE."
1855
02:12:01,758 --> 02:12:07,413
THIS SONG BECAME THE ANTHEM OF
THE MAHSA AMINI PROTESTS, A
1856
02:12:07,448 --> 02:12:12,310
POWERFUL AND POETIC CALL FOR
FREEDOM AND WOMEN'S RIGHTS.
1857
02:12:12,344 --> 02:12:16,724
THIS VIDEO APPEARED ON
SHERVEEN'S INSTAGRAM PAGE AND
1858
02:12:16,758 --> 02:12:24,758
WAS SEEN MORE THAN 40 MILLION
TIMES IN LESS THAN TWO DAYS.
1859
02:12:26,413 --> 02:12:27,620
SHERVEEN WAS ARRESTED.
1860
02:12:27,655 --> 02:12:29,320
BUT THIS SONG CONTINUES TO
RESONATE AROUND THE WORLD WITH
1861
02:12:29,344 --> 02:12:35,758
ITS POWERFUL THEME "WOMEN, LIFE,
FREEDOM."
1862
02:12:35,793 --> 02:12:42,620
CONGRATULATIONS, SHERVIN, AND
1863
02:12:42,655 --> 02:12:48,586
THANK YOU FOR YOUR SONG.
1864
02:12:48,620 --> 02:12:52,241
NOW, AS A TEACHER OF WRITING, I
AM HONORED TO PRESENT THE GRAMMY
1865
02:12:52,275 --> 02:12:56,620
AWARD FOR SONG OF THE YEAR,
WHICH, FOR ALL OF GRAMMY
1866
02:12:56,655 --> 02:13:03,034
HISTORY, WAS HONORED EXCELLENCE
IN THE ART OF SONGWRITING.
1867
02:13:03,068 --> 02:13:06,482
THESE ARE THE EXTRAORDINARY
NOMINEES.
1868
02:13:06,517 --> 02:13:13,931
"ABCDEFU."
1869
02:13:13,965 --> 02:13:16,172
"ABOUT DAMN TIME."
1870
02:13:16,206 --> 02:13:19,000
"ALL TOO WELL [10 MINUTE
1871
02:13:19,034 --> 02:13:21,103
[VERSION]."
1872
02:13:21,137 --> 02:13:22,310
"AS IT WAS."
1873
02:13:22,344 --> 02:13:26,137
"BAD HABIT."
1874
02:13:26,172 --> 02:13:29,379
"BREAK MY SOUL."
1875
02:13:29,413 --> 02:13:32,000
"EASY ON ME."
1876
02:13:32,034 --> 02:13:33,896
"GOD DID."
1877
02:13:33,931 --> 02:13:39,172
"THE HEART PART 5."
1878
02:13:39,206 --> 02:13:39,586
"JUST LIKE THAT."
1879
02:13:49,275 --> 02:13:57,275
AND THE GRAMMY GOES TO...
"JUST LIKE THAT."
1880
02:14:47,034 --> 02:14:48,413
OH, MY GOD.
1881
02:14:48,448 --> 02:14:56,448
I'M SO SURPRISED.
1882
02:14:57,034 --> 02:15:00,827
I DON'T KNOW WHAT TO SAY.
1883
02:15:00,862 --> 02:15:04,827
THIS IS JUST AN UNREAL MOMENT.
1884
02:15:04,862 --> 02:15:11,310
THANK YOU FOR HONORING ME TO ALL
THE ACADEMY THAT SURROUNDS ME
1885
02:15:11,344 --> 02:15:13,965
WITH SO MUCH SUPPORT AND
APPRECIATES THE ART OF
1886
02:15:14,000 --> 02:15:15,793
SONGWRITING, AS I DO.
1887
02:15:15,827 --> 02:15:21,310
I WAS SO INSPIRED FOR THIS SONG
BY THE INCREDIBLE STORY OF THE
1888
02:15:21,344 --> 02:15:25,103
LOVE AND THE GRACE AND THE
GENEROSITY OF SOMEONE THAT
1889
02:15:25,137 --> 02:15:29,689
DONATES THEIR BELOVED ORGANS TO
HELP ANOTHER PERSON LIVE.
1890
02:15:29,724 --> 02:15:34,724
AND THIS STORY WAS SO SIMPLE AND
SO BEAUTIFUL FOR THESE TIMES,
1891
02:15:34,758 --> 02:15:40,275
AND PEOPLE HAVE BEEN RESPONDING
TO THIS SONG, PARTLY BECAUSE OF
1892
02:15:40,310 --> 02:15:47,241
HOW MUCH I LOVE, AND WE ALL LOVE
JOHN PRINE, AND THAT WAS THE
1893
02:15:47,275 --> 02:15:50,068
INSPIRATION FOR THE MUSIC FOR
THIS SONG, AND TELLING A STORY
1894
02:15:50,103 --> 02:15:51,517
FROM THE INSIDE.
1895
02:15:51,551 --> 02:15:58,137
AND I JUST... I DON'T WRITE A
LOT OF SONGS, BUT I'M SO PROUD
1896
02:15:58,172 --> 02:16:01,275
THAT YOU APPRECIATE THIS ONE AND
WHAT THIS MEANS FOR ME AND FOR
1897
02:16:01,310 --> 02:16:04,103
THE REST OF THE SONGWRITERS WHO
I WOULD NOT BE UP HERE TONIGHT
1898
02:16:04,137 --> 02:16:08,310
IF IT WASN'T FOR THE ART OF THE
GRAT SOUL-DIGGING, HARD-WORKING
1899
02:16:08,344 --> 02:16:12,034
PEOPLE THAT PUT THESE SONGS AND
IDEAS TO MUSIC.
1900
02:16:12,068 --> 02:16:17,448
SO, I THANK MY TEAM FOR HELPING
ME GET THIS RECORD OUT.
1901
02:16:17,482 --> 02:16:18,517
AND THANK YOU SO MUCH.
1902
02:16:18,551 --> 02:16:20,172
I'M JUST TOTALLY HUMBLED.
1903
02:16:20,206 --> 02:16:23,000
I REALLY APPRECIATE IT.
1904
02:16:23,034 --> 02:16:23,862
THANK YOU.
1905
02:16:23,896 --> 02:16:31,241
COMING UP...
1906
02:16:31,275 --> 02:16:34,206
STEVE LACY, OLIVIA RODRIGO, AND
THE GRAMMY AWARD FOR THE ALBUM
1907
02:16:34,241 --> 02:16:35,655
OF THE YEAR?
1908
02:16:35,689 --> 02:16:38,000
AND LATER DJ KHALED PERFORMS
"GOD DID" WITH FRIDAYY, RICK
1909
02:16:38,034 --> 02:16:40,067
ROSS, LIL WAYNE, JOHN LEGEND,
AND JAY-Z.
1910
02:16:40,102 --> 02:16:41,448
THIS IS CBS.
1911
02:16:52,965 --> 02:16:55,931
WELCOME BACK TO THE
1912
02:16:55,965 --> 02:16:57,931
65th ANNUAL GRAMMY AWARDS.
1913
02:16:57,965 --> 02:16:59,931
YOU KNOW, ADELE,
CONGRATULATIONS, FIRST OF ALL,
1914
02:16:59,965 --> 02:17:01,965
ON ANOTHER WELL-DESERVED GRAMMY.
1915
02:17:02,000 --> 02:17:06,206
WHAT'S AMAZING IS YOU SING IN
THE SHOWER, I SING IN THE
1916
02:17:06,241 --> 02:17:07,000
SHOWER, THE ONLY DIFFERENCE IS
WHEN I SING IN THE SHOWER, I
1917
02:17:07,034 --> 02:17:08,343
THINK I SOUND LIKE ADELE.
1918
02:17:08,379 --> 02:17:10,965
YOU ACTUALLY SOUND LIKE ADELE.
1919
02:17:11,000 --> 02:17:13,585
PLEASE WELCOME COLDPLAY'S CHRIS
MARTIN.
1920
02:17:30,067 --> 02:17:31,034
HI, EVERYBODY.
1921
02:17:31,067 --> 02:17:34,965
I'M SO HAPPY TO BE HERE AND SEE
YOU ALL.
1922
02:17:35,000 --> 02:17:43,000
HERE ARE THE NOMINEES FOR RECORD
OF THE YEAR.
1923
02:17:45,034 --> 02:17:47,379
"DON'T SHUT ME DOWN," ABBA.
1924
02:17:47,413 --> 02:17:50,034
"EASY ON ME," ADELE.
1925
02:17:50,067 --> 02:17:53,861
"BREAK MY SOUL," BEYONCE.
1926
02:17:53,896 --> 02:17:57,206
"GOOD MORNING GORGEOUS."
1927
02:17:57,241 --> 02:17:58,413
MARY J. BLIGE.
1928
02:17:58,448 --> 02:18:06,448
"YOU AND ME ON THE ROCK," BRANDI
CARLILE, FEATURING LUCIUS.
1929
02:18:08,758 --> 02:18:11,102
"WOMAN" DOJA CAT.
1930
02:18:11,137 --> 02:18:12,206
"BAD HABIT," STEVE LACY.
1931
02:18:12,241 --> 02:18:15,482
"THE HARD PART 5," KENDRICK
LAMAR.
1932
02:18:15,517 --> 02:18:18,343
"ABOUT DAMN TIME," LIZZO.
1933
02:18:18,379 --> 02:18:26,379
"AS IT WAS," HARRY STYLES.
1934
02:18:29,517 --> 02:18:30,343
OKAY.
1935
02:18:30,379 --> 02:18:32,413
I DON'T KNOW HOW YOU PICK ONE OF
THEM.
1936
02:18:32,448 --> 02:18:37,067
BUT THE GRAMMY GOES TO LIZZO FOR
"ABOUT DAMN TIME."
1937
02:18:56,413 --> 02:19:04,413
UM, HUH?
1938
02:19:10,413 --> 02:19:15,931
LET ME TELL YOU SOMETHING.
1939
02:19:15,965 --> 02:19:19,413
ME AND ADELE ARE HAVING A GOOD
TIME JUST ENJOYING OURSELVES
1940
02:19:19,448 --> 02:19:20,655
JUST ROOTING FOR OUR FRIENDS.
1941
02:19:20,689 --> 02:19:22,550
SO THIS IS AN AMAZING NIGHT.
1942
02:19:22,585 --> 02:19:24,965
THIS IS SO UNEXPECTED.
1943
02:19:25,000 --> 02:19:26,206
OKAY.
1944
02:19:26,241 --> 02:19:30,620
NOW THAT I'M UP HERE AND I'M
CALM, I WANT TO DEDICATE THIS
1945
02:19:30,655 --> 02:19:32,000
AWARD TO PRINCE.
1946
02:19:32,034 --> 02:19:37,034
UM, WHEN WE LOST PRINCE, I
1947
02:19:37,067 --> 02:19:44,309
DECIDED TO DEDICATE MY LIFE TO
MAKING POSITIVE MUSIC.
1948
02:19:44,343 --> 02:19:49,344
AND I WAS LIKE I DON'T CARE IF
MY POSITIVITY BOTHER YOU, WHAT'S
1949
02:19:49,379 --> 02:19:50,551
WRONG WITH YOU?
1950
02:19:50,586 --> 02:19:52,769
AND THIS WAS AT A TIME WHEN
POSITIVE MUSIC AND FEEL-GOOD
1951
02:19:52,793 --> 02:19:54,113
MUSIC WASN'T MAINSTREAM AT THAT
POINT.
1952
02:19:54,137 --> 02:19:56,655
I FELT VERY MISUNDERSTOOD.
1953
02:19:56,689 --> 02:19:59,275
I FELT ON THE OUTSIDE LOOKING
IN.
1954
02:19:59,310 --> 02:20:04,620
BUT I STAYED TRUE TO MYSELF
BECAUSE I WANTED TO MAKE THE
1955
02:20:04,655 --> 02:20:07,793
WORLD A BETTER PLACE SO I HAD TO
BE THAT CHANGE TO MAKE THE WORLD
1956
02:20:07,827 --> 02:20:09,379
BETTER PLACE.
1957
02:20:09,413 --> 02:20:15,206
AND NOW I LOOK AROUND, AND
1958
02:20:15,241 --> 02:20:18,310
THERE'S ALL THESE SONGS THAT ARE
ABOUT LOVING OUR BODIES AND
1959
02:20:18,344 --> 02:20:23,586
FEELING COMFORTABLE IN OUR SKIN
AND FEELING GOOD!
1960
02:20:23,620 --> 02:20:27,275
AND I'M JUST SO PROUD TO BE A
1961
02:20:27,310 --> 02:20:28,517
PART OF IT.
1962
02:20:28,551 --> 02:20:33,310
BECAUSE IN A WORLD WHERE THERE'S
A LOT OF DARKNESS AND A LOT
1963
02:20:33,344 --> 02:20:36,827
OF... I'D LIKE TO BELIEVE THAT
NOT ONLY CAN PEOPLE DO GOOD, BUT
1964
02:20:36,862 --> 02:20:40,000
WE JUST ARE GOOD.
1965
02:20:40,034 --> 02:20:41,655
WE ARE GOOD INHERENTLY.
1966
02:20:41,689 --> 02:20:46,448
AND ANYBODY AT HOME WHO FEELS
MISUNDERSTOOD OR ON THE OUTSIDE
1967
02:20:46,482 --> 02:20:50,379
LOOKING IN, LIKE I DID, JUST
STAY TRUE TO YOURSELF, BECAUSE I
1968
02:20:50,413 --> 02:20:54,931
PROMISE YOU, YOU WILL FIND
PEOPLE, YOU WILL ATTRACT PEOPLE
1969
02:20:54,965 --> 02:20:57,448
IN YOUR LIFE WHO BELIEVE IN YOU
AND SUPPORT YOU.
1970
02:20:57,482 --> 02:21:01,724
I WANT TO THANK Y'ALL FOR
BELIEVING IN ME AND SUPPORTING
1971
02:21:01,758 --> 02:21:03,034
ME.
1972
02:21:03,068 --> 02:21:08,793
BLAKE AND RICKY REED, PRODUCERS
OF THIS RECORD, NICE LIFE
1973
02:21:08,827 --> 02:21:13,689
ATLANTIC, FULL STOP, KEVIN
ALANA, TEAM LIZZO, MY TEAM MY
1974
02:21:13,724 --> 02:21:20,379
ROCK, MY FAMILY, MY MAMA, MY
SISTER, MY BROTHER, MY DADDY!
1975
02:21:20,413 --> 02:21:22,827
MY MAN.
1976
02:21:22,862 --> 02:21:30,862
AND LASTLY BECAUSE I FEEL LIKE
THERE ARE SO MANY G.O.A.T.'d
1977
02:21:30,965 --> 02:21:31,344
ARTISTS.
1978
02:21:31,379 --> 02:21:32,275
BEYONCE, WHOO!
1979
02:21:32,310 --> 02:21:35,310
IN THE FIFTH GRADE I SKIPPED
1980
02:21:35,344 --> 02:21:37,379
SCHOOL TO SEE YOU PERFORM.
1981
02:21:37,413 --> 02:21:39,172
MY SISTER, SHE GOT ME OUT OF
1982
02:21:39,206 --> 02:21:39,827
SCHOOL.
1983
02:21:39,862 --> 02:21:41,827
IT WAS LITERATURE, I'M GOOD.
1984
02:21:41,862 --> 02:21:46,000
AND WHERE YOU AT, BEYONCE IN MY
EYES ARE WET.
1985
02:21:46,034 --> 02:21:46,517
HAH!
1986
02:21:46,551 --> 02:21:48,448
YOU CHANGED MY LIFE.
1987
02:21:48,482 --> 02:21:49,862
YOU SANG THAT GOSPEL MEDLEY.
1988
02:21:49,896 --> 02:21:52,931
AND THE WAY YOU MADE ME FEEL, I
WAS LIKE I WANT TO MAKE PEOPLE
1989
02:21:52,965 --> 02:21:55,103
FEEL THIS WAY WITH MY MUSIC.
1990
02:21:55,137 --> 02:21:56,000
SO THANK YOU SO MUCH.
1991
02:21:56,034 --> 02:21:59,965
YOU CLEARLY ARE THE ARTIST OF
OUR LIVES!
1992
02:22:00,000 --> 02:22:05,034
I LOVE YOU, GOD BLESS Y'ALL.
1993
02:22:17,103 --> 02:22:23,758
YOU GO WHEREVER YOU
1994
02:22:23,793 --> 02:22:25,448
WANNA GO, LIZZO.
1995
02:22:25,482 --> 02:22:26,700
GRAMMY WINNER LIZZO, EVERYBODY!
1996
02:22:26,724 --> 02:22:30,103
THEY SHOULD GIVE OUT THE GRAMMY
1997
02:22:30,137 --> 02:22:31,655
FOR THE BEST SPEECH AS WELL.
1998
02:22:31,689 --> 02:22:32,827
WOW, THAT WAS AMAZING.
1999
02:22:32,862 --> 02:22:34,034
ALL RIGHT.
2000
02:22:34,068 --> 02:22:36,286
NOW I HAVE THE GREAT PLEASURE OF
ACKNOWLEDGING THIS YEAR'S
2001
02:22:36,310 --> 02:22:38,793
RECIPIENT OF THE RECORDING
ACADEMY AND GRAMMY MUSEUM'S
2002
02:22:38,827 --> 02:22:43,482
MUSIC EDUCATOR AWARD... PAMELA
DAWSON, DIRECTOR OF CORAL
2003
02:22:43,517 --> 02:22:47,862
STUDIES FROM DE SOTO HIGH SCHOOL
IN DE SOTO, TEXAS.
2004
02:22:47,896 --> 02:22:53,103
THANK YOU SO MUCH, PAMELA, FOR
BRINGING EVEN MORE HARMONY TO
2005
02:22:53,137 --> 02:22:54,000
MUSIC EDUCATION.
2006
02:22:54,034 --> 02:22:55,241
GIVE IT UP, Y'ALL.
2007
02:22:55,275 --> 02:23:02,275
IT'S EQUALLY AN HONOR TO SAY THE
RECORDING ACADEMY'S INDUSTRY
2008
02:23:02,310 --> 02:23:09,310
ICON AWARD THIS YEAR GOES TO THE
PHENOMENAL CHAIRMAN AND CEO OF
2009
02:23:09,344 --> 02:23:14,000
ATLANTIC MUSIC GROUP, JULIE
GREENWALD, AND THE CHAIRMAN AND
2010
02:23:14,034 --> 02:23:16,000
CEO OF ATLANTIC RECORDS, CRAIG
KALLMAN.
2011
02:23:16,034 --> 02:23:18,113
AND JUST WHEN YOU THOUGHT I
COULD NOT FEEL ANY MORE HONORED,
2012
02:23:18,137 --> 02:23:19,769
I GET TO INTRODUCE THE BOSS WHO
DOES MY PERFORMANCE REVIEW...
2013
02:23:19,793 --> 02:23:22,586
THE CEO OF THE RECORDING
ACADEMY, HARVEY MASON JR.
2014
02:23:22,620 --> 02:23:25,275
JUST THINK FOR A MINUTE ABOUT
THE POWER OF MUSIC.
2015
02:23:25,310 --> 02:23:26,379
LET'S DREAM.
2016
02:23:26,413 --> 02:23:34,413
THERE MUST BE LIGHT BURNING
2017
02:23:37,137 --> 02:23:44,172
BRIGHTER SOMEWHERE
GOT TO BE BIRDS FLYING HIGHER
2018
02:23:44,206 --> 02:23:48,241
IN THE SKY
IF I CAN DREAM
2019
02:23:48,275 --> 02:23:53,034
MUSIC PEOPLE FROM ALL AROUND
THE WORLD FROM ALL DIFFERENT
2020
02:23:53,068 --> 02:23:56,482
GENRES CAME TOGETHER ON THE SAME
STAGE TO CELEBRATE THE
2021
02:23:56,517 --> 02:23:59,724
FIRST-EVER GLOBAL GRAMMYS SHOW.
2022
02:23:59,758 --> 02:24:07,758
OH, WHY CAN'T MY DREAM COME
TRUE
2023
02:24:09,862 --> 02:24:17,862
OH, WHY CAN'T MY DREAM COME
TRUE
2024
02:24:22,034 --> 02:24:25,172
AFTER THE SONG GAINED
WORLDWIDE ATTENTION, GOVERNMENTS
2025
02:24:25,206 --> 02:24:32,344
ACROSS THE GLOBE CHANGED
POLICIES TO SUPPORT WOMEN'S
2026
02:24:32,379 --> 02:24:35,551
RIGHTS.
2027
02:24:35,586 --> 02:24:37,689
THERE MUST BE PEACE
UNDERSTANDING SOMETIMES
2028
02:24:37,724 --> 02:24:40,103
THOSE AREN'T REAL HEADLINES,
BUT THEY COULD BE.
2029
02:24:40,137 --> 02:24:40,965
MUSIC IS POWERFUL.
2030
02:24:41,000 --> 02:24:43,034
IT MOVES THE WORLD.
2031
02:24:43,068 --> 02:24:44,172
IT HEALS AND IT UNITES.
2032
02:24:44,206 --> 02:24:44,931
I'M HARVEY MASON JR.,
SONGWRITER, PRODUCER, AND CEO OF
2033
02:24:44,965 --> 02:24:46,206
THE RECORDING ACADEMY.
2034
02:24:46,241 --> 02:24:49,275
AND I'M PROUD TO WORK FOR AN
ORGANIZATION WHOSE SOLE PURPOSE
2035
02:24:49,310 --> 02:24:52,344
IS TO SERVE MUSIC, AND ALL THE
PEOPLE WHO MAKE IT.
2036
02:24:52,379 --> 02:24:55,172
WE'RE HERE TONIGHT TO CELEBRATE
OUR YEAR IN MUSIC.
2037
02:24:55,206 --> 02:24:59,586
BUT I ASK THAT YOU JOIN US THE
OTHER 364 DAYS OF THE YEAR AS WE
2038
02:24:59,620 --> 02:25:03,241
SUPPORT MUSIC PEOPLE THROUGH
MUSICARES AS WE HELP EDUCATE THE
2039
02:25:03,275 --> 02:25:06,206
NEXT GENERATION OF MUSICIANS
THROUGH OUR GRAMMY MUSEUMS.
2040
02:25:06,241 --> 02:25:10,448
AND AS WE ADVOCATE FOR THE
ISSUES THAT MATTER MOST TO OUR
2041
02:25:10,482 --> 02:25:11,241
MUSIC COMMUNITY.
2042
02:25:11,275 --> 02:25:13,068
THIS IS WHY WE EXIST.
2043
02:25:13,103 --> 02:25:18,655
IF WE CAN DREAM IT, WE CAN
ACCOMPLISH IT TOGETHER, THROUGH
2044
02:25:18,689 --> 02:25:19,620
MUSIC.
2045
02:25:19,655 --> 02:25:23,482
THIS IS THE GRAMMYS, AND WE ARE
THE ACADEMY.
2046
02:25:23,517 --> 02:25:27,551
OH, WHY CAN'T MY DREAM COME
TRUE
2047
02:25:27,586 --> 02:25:35,586
THANK YOU SO MUCH FOR
2048
02:25:37,241 --> 02:25:38,068
THAT, HARVEY.
2049
02:25:38,103 --> 02:25:39,527
ALBUM OF THE YEAR IS STILL
COMING UP.
2050
02:25:39,551 --> 02:25:42,172
AND, REMEMBER, NOBODY KNOWS
WHO'S GOING TO WIN THIS THING.
2051
02:25:42,206 --> 02:25:45,655
BECAUSE UNLIKE THE U.S.
GOVERNMENT, THE GRAMMYS KEEPS
2052
02:25:45,689 --> 02:25:47,275
ITS CLASSIFIED DOCUMENTS
CLASSIFIED.
2053
02:25:47,310 --> 02:25:49,241
BUT BEFORE THAT FOR THE LAST
2054
02:25:49,275 --> 02:25:56,000
TIME LET'S HEAR AGAIN FROM OUR
NOMINEES BIGGEST FANS.
2055
02:25:56,034 --> 02:26:02,931
IN 20 YEARS SINCE A RAP ALBUM
HAS WON, AND I THINK KENDRICK
2056
02:26:02,965 --> 02:26:04,827
CAN TAKE IT HOME.
2057
02:26:04,862 --> 02:26:06,551
MY NAME IS JENN.
2058
02:26:06,586 --> 02:26:10,586
I'VE BEEN A DAY ONE KENDRICK
FAN.
2059
02:26:10,620 --> 02:26:15,793
I WAS AT HIS VERY FIRST CONCERT
IN DALLAS IN A LITTLE BITTY
2060
02:26:15,827 --> 02:26:17,034
CLUB.
2061
02:26:17,068 --> 02:26:19,251
IN 2017 I HAD A GoFundMe SET UP
TO EARN MONEY TO GET A NEW
2062
02:26:19,275 --> 02:26:20,517
ACCESSIBLE VEHICLE.
2063
02:26:20,551 --> 02:26:23,275
KENDRICK LAMAR FOUND OUT ABOUT
IT AND DECIDED TO SURPRISE ME.
2064
02:26:23,310 --> 02:26:26,344
AND HE BOUGHT ME A BRAND-NEW
VAN.
2065
02:26:26,379 --> 02:26:29,965
I CAN RELATE TO HIS REALNESS AND
HIS SPIRITUALITY, KIND OF HIS
2066
02:26:30,000 --> 02:26:32,379
OUTLOOK ON THE WORLD.
2067
02:26:32,413 --> 02:26:33,493
AND HE'S VULNERABLE IN HIS
MUSIC.
2068
02:26:33,517 --> 02:26:37,206
HIS MUSICIANSHIP IS JUST
AMAZING, AND IT'S CHANGED
2069
02:26:37,241 --> 02:26:38,448
HIP-HOP.
2070
02:26:38,482 --> 02:26:40,862
WITH EVERYTHING THAT WAS GOING
ON, WE WANTED SOMEBODY THAT
2071
02:26:40,896 --> 02:26:45,862
COULD COME AND LIFT OUR SPIRITS,
MAKE US FEEL LIKE WE COULD KEEP
2072
02:26:45,896 --> 02:26:47,000
GOING.
2073
02:26:47,034 --> 02:26:51,379
SO I THINK THAT'S WHY IT SHOULD
BE ALBUM OF THE YEAR.
2074
02:26:51,413 --> 02:26:55,862
SO ABBA DESERVES TO WIN ALBUM
OF THE YEAR THE MOST.
2075
02:26:55,896 --> 02:26:59,689
BECAUSE AFTER 40 WHOLE YEARS OF
NOT RELEASING MUSIC, THEY
2076
02:26:59,724 --> 02:27:02,758
RELEASED THEIR ALBUM "VOYAGE."
2077
02:27:02,793 --> 02:27:09,241
HI, MY NAME IS COLE, AND I AM
1,000 PERCENT OBSESSED WITH
2078
02:27:09,275 --> 02:27:10,206
ABBA.
2079
02:27:10,241 --> 02:27:11,803
THE CHRISTMAS OF 2018 MY HOUSE
BURNT DOWN.
2080
02:27:11,827 --> 02:27:13,655
IT REALLY BROUGHT ME INTO A DEEP
DEPRESSION.
2081
02:27:13,689 --> 02:27:17,034
AND I REALLY COULDN'T GET OUT OF
THE DEPRESSION UNTIL AN
2082
02:27:17,068 --> 02:27:22,137
OPPORTUNITY AROSE THAT SUMMER TO
PERFORM "MAMA MIA" IN SANTA
2083
02:27:22,172 --> 02:27:25,758
ROSA, CALIFORNIA, WHICH WAS THE
BEST SUMMER OF MY LIFE.
2084
02:27:25,793 --> 02:27:27,379
ABBA TRANSFORMED ME.
2085
02:27:27,413 --> 02:27:29,310
ABBA EMBODIES HAPPINESS.
2086
02:27:29,344 --> 02:27:33,275
THIS ALBUM HAS A MATURITY THAT
ONLY PEOPLE WHO HAVE TRULY LIVED
2087
02:27:33,310 --> 02:27:34,068
CAN CREATE.
2088
02:27:34,103 --> 02:27:36,758
SO YOU FEEL LIKE THIS THE
ONE?
2089
02:27:36,793 --> 02:27:38,620
I HAVE GOOD VIBES.
2090
02:27:38,655 --> 02:27:39,965
I HAVE GOOD VIBES COMING IN.
2091
02:27:40,000 --> 02:27:43,551
WITH MUSIC OF THE SPHERES AND
WHY I THINK IT DESERVES ALBUM OF
2092
02:27:43,586 --> 02:27:48,310
THE YEAR, IT'S SO UPLIFTING AND
SO POSITIVE THAT YOU WANT TO
2093
02:27:48,344 --> 02:27:49,000
CRY.
2094
02:27:49,034 --> 02:27:53,172
I'VE ALWAYS CONNECTED TO
2095
02:27:53,206 --> 02:27:55,758
COLDPLAY BECAUSE, GROWING UP IN
JUST SUCH A BIG FAMILY, I DIDN'T
2096
02:27:55,793 --> 02:27:58,344
REALLY FEEL LIKE A LOT OF THINGS
WERE MINE.
2097
02:27:58,379 --> 02:28:01,034
COLDPLAY FELT LIKE THE FIRST
THING THAT FELT LIKE MY OWN.
2098
02:28:01,068 --> 02:28:04,275
I HAD JUST GONE THROUGH A
BREAKUP, JUST FELT A LITTLE LOST
2099
02:28:04,310 --> 02:28:05,413
AND DIRECTIONLESS.
2100
02:28:05,448 --> 02:28:07,241
COLDPLAY WAS COMING TO TOWN.
2101
02:28:07,275 --> 02:28:11,827
MY SISTER JORDAN, SHE WAS, LIKE,
JOEY, YOU NEED THIS FOR YOUR
2102
02:28:11,862 --> 02:28:13,172
SOUL, LET'S GO.
2103
02:28:13,206 --> 02:28:15,344
SO I WENT TO THE COLDPLAY
CONCERT TONIGHT.
2104
02:28:15,379 --> 02:28:18,655
I WAS LISTENING TO THE LYRICS,
AND CHRIS MARTIN BECAME MY
2105
02:28:18,689 --> 02:28:19,965
THERAPIST.
2106
02:28:20,000 --> 02:28:22,217
IT WAS JUST, LIKE, PROBABLY THE
BEST CONCERT I'VE EVER BEEN TO.
2107
02:28:22,241 --> 02:28:25,862
WHEN I LISTEN TO "MUSIC OF THE
SPHERES," I KIND OF IMAGINE IT
2108
02:28:25,896 --> 02:28:29,034
AS LIKE A COSMIC HUG FROM THE
UNIVERSE SAYING, LIKE, IT'S
2109
02:28:29,068 --> 02:28:30,551
GOING TO BE OKAY.
2110
02:28:30,586 --> 02:28:34,482
ALSO, CHRIS MARTIN IS THIS SWEET
BABY ANGEL AND HE HAS TO BE
2111
02:28:34,517 --> 02:28:36,206
PROTECTED AT ALL TIMES.
2112
02:28:36,241 --> 02:28:39,068
THAT'S IT FOR, YEAH.
2113
02:28:39,103 --> 02:28:46,448
MARY J. BLIGE, QUEEN OF SOUL
HIP-HOP AND R&B.
2114
02:28:46,482 --> 02:28:48,931
SHE HAS BEEN IN THIS JOURNEY FOR
30 YEARS.
2115
02:28:48,965 --> 02:28:53,896
AND TO NOW BE AT A PLACE WHERE
WE HAVE ALL BEEN THROUGH
2116
02:28:53,931 --> 02:28:56,355
SOMETHING, WE CAN ALL STILL WAKE
UP AND FEEL LIKE THE WORLD NEEDS
2117
02:28:56,379 --> 02:28:59,482
US, SO WE'VE GOT TO FIND OUR
PEACE, LIKE SHE SAYS, ALBUM OF
2118
02:28:59,517 --> 02:29:02,931
THE YEAR, BRING IT HERE.
2119
02:29:02,965 --> 02:29:07,068
TELL MYSELF GOOD MORNING
GORGEOUS
2120
02:29:07,103 --> 02:29:09,965
WHEN I WAS IN THIRD GRADE IS
WHEN I BECAME A FAN OF MARY J.
2121
02:29:10,000 --> 02:29:11,000
BLIGE.
2122
02:29:11,034 --> 02:29:12,631
I RELATED SO MUCH TO HER
PASSION, TO HER SOUL.
2123
02:29:12,655 --> 02:29:15,793
WE'VE BEEN THERE THROUGH IT ALL
WITH HER, THE UPS, THE DOWNS,
2124
02:29:15,827 --> 02:29:17,034
THE GOOD AND THE BAD.
2125
02:29:17,068 --> 02:29:21,620
NO MATTER WHAT YOU'RE GOING
THROUGH, YOU FEEL LIKE MARY GOT
2126
02:29:21,655 --> 02:29:24,689
YOUR BACK.
2127
02:29:24,724 --> 02:29:29,413
DON'T FORGET WE STILL
2128
02:29:29,448 --> 02:29:32,379
HAVE DJ KHALED, AND OTHER
PERFORMANCES TO COME.
2129
02:29:32,413 --> 02:29:36,275
BUT FIRST STEVE LACY EARNED
THREE NOMINATIONS FOR ONE OF THE
2130
02:29:36,310 --> 02:29:38,044
BIGGEST HITS OF THE YEAR FOR HIS
SONG "BAD HABIT."
2131
02:29:38,068 --> 02:29:40,620
THE SONG WENT FROM NUMBER ONE
AND HAS BECOME AN ANTHEM ALL
2132
02:29:40,655 --> 02:29:42,758
OVER THE WORLD.
2133
02:29:42,793 --> 02:29:44,241
JOINED BY THUNDERCAT.
2134
02:29:44,275 --> 02:29:49,034
PLEASE WELCOME A GRAMMY WINNER
ALREADY TODAY, L.A.'S VERY OWN
2135
02:29:49,068 --> 02:29:50,034
STEVE LACY.
2136
02:29:50,068 --> 02:29:58,068
YOU CAN'T SURPRISE
2137
02:29:58,620 --> 02:30:06,620
A GEMINI
YEAH OH
2138
02:30:08,655 --> 02:30:13,758
A GEMINI
YEAH OH
2139
02:30:13,793 --> 02:30:16,310
HELLO, GRAMMYS.
2140
02:30:16,344 --> 02:30:17,344
I'M STEVE LACY.
2141
02:30:23,620 --> 02:30:26,172
I WISH I KNEW
I WISH I KNEW
2142
02:30:26,206 --> 02:30:29,965
YOU WANTED ME
I WISH I KNEW
2143
02:30:30,000 --> 02:30:31,040
I WISH I KNEW
YOU WANTED ME
2144
02:30:31,068 --> 02:30:35,551
WHAT YOU OOH UH
MADE A MOVE
2145
02:30:35,586 --> 02:30:43,586
COULDA MADE A MOVE
IF I KNEW I'D BE WITH YOU
2146
02:30:44,172 --> 02:30:46,344
IS IT TOO LATE TO PURSUE
I BITE MY TONGUE
2147
02:30:46,379 --> 02:30:54,379
IT'S A BAD HABIT
WOULD YOU MIND IF I TRIED TO
2148
02:30:55,379 --> 02:30:58,620
MAKE IT
THOUGHT YOU WERE
2149
02:30:58,655 --> 02:31:00,827
TOO GOOD FOR ME MY DEAR
NEVER GAVE ME TIME OF DAY
2150
02:31:00,862 --> 02:31:02,413
MY DEAR
IT'S OKAY THINGS HAPPEN
2151
02:31:02,448 --> 02:31:06,620
FOR REASONS THAT
I THINK ARE SURE YEAH
2152
02:31:06,655 --> 02:31:10,344
I WISH I KNEW
I WISH I KNEW YOU WANTED ME
2153
02:31:10,379 --> 02:31:14,034
I WISH I KNEW
I WISH I KNEW OH
2154
02:31:14,068 --> 02:31:18,724
I WISH I KNEW
YOU WANTED ME
2155
02:31:18,758 --> 02:31:26,758
PLEASE SAY TO ME
PLEASE JUST SAY TO ME
2156
02:31:27,827 --> 02:31:31,724
IF THIS COULD WIND UP
I WISH
2157
02:31:31,758 --> 02:31:37,793
YOU WOULDN'T PLAY WITH ME
SAID I WANNA KNOW
2158
02:31:37,827 --> 02:31:44,068
OH NO
2159
02:31:44,103 --> 02:31:52,103
UH CAN I BITE YOUR TONGUE
LIKE MY BAD HABIT
2160
02:31:52,620 --> 02:32:00,000
TAKE A STAB AT IT
NOW YOU'RE NOT TOO GOOD FOR ME
2161
02:32:00,034 --> 02:32:02,620
MY DEAR
FUNNY YOU COME BACK TO ME MY
2162
02:32:02,655 --> 02:32:05,896
DEAR
IT'S OKAY THINGS HAPPEN
2163
02:32:05,931 --> 02:32:08,758
FOR REASONS
THAT I CAN'T IGNORE YEAH
2164
02:32:08,793 --> 02:32:11,137
I WISH I KNEW OH AH
I WISH I KNEW
2165
02:32:11,172 --> 02:32:13,241
YOU WANTED ME
I WISH I KNEW
2166
02:32:13,275 --> 02:32:16,206
I WISH I KNEW
I WISH I KNEW
2167
02:32:16,241 --> 02:32:19,034
YOU WANTED ME
YOU CAN'T SURPRISE
2168
02:32:19,068 --> 02:32:20,620
A GEMINI
I'M EVERYWHERE
2169
02:32:20,655 --> 02:32:22,724
I'M CROSS-EYED
AND NOW THAT YOU'RE BACK
2170
02:32:22,758 --> 02:32:24,793
I CAN'T DECIDE
IF I DECIDE
2171
02:32:24,827 --> 02:32:27,448
IF YOU'RE INVITED
YOU ALWAYS KNEW THE WAY
2172
02:32:27,482 --> 02:32:31,655
TO WOW ME
MESS AROUND
2173
02:32:31,689 --> 02:32:32,734
GET TONGUE-TIED
AND I TURN IT ON
2174
02:32:32,758 --> 02:32:34,862
I MAKE IT ROWDY
THEN CARRY ON
2175
02:32:34,896 --> 02:32:39,068
BUT I'M NOT HIDIN'
YOU GRABBIN' ME HARD
2176
02:32:39,103 --> 02:32:47,103
'CAUSE YOU KNOW
WHAT YOU FOUND
2177
02:32:48,310 --> 02:32:52,172
IS BISCUITS IS GRAVY BABE
2178
02:32:52,206 --> 02:33:00,206
YOU CAN'T SURPRISE
2179
02:33:02,413 --> 02:33:08,758
A GEMINI
BUT YOU KNOW IT'S BISCUITS
2180
02:33:08,793 --> 02:33:13,034
IT'S GRAVY BABE
I KNEW
2181
02:33:13,068 --> 02:33:20,482
YOU'D COME BACK AROUND
'CAUSE YOU KNOW IT'S BISCUITS
2182
02:33:20,517 --> 02:33:24,655
IT'S GRAVY BABE
LET'S CUFF
2183
02:33:24,689 --> 02:33:31,000
IN THE BACK OF THE MALL
LOSE CONTROL
2184
02:33:31,034 --> 02:33:36,827
GO STUPID GO CRAZY BABE
I KNOW I'LL BE IN YOUR HEART
2185
02:33:36,862 --> 02:33:40,517
'TIL THE END
YOU'LL MISS ME
2186
02:33:40,551 --> 02:33:48,172
DON'T BEG ME BABE
2187
02:33:48,206 --> 02:33:56,206
THANK YOU, GUYS.
2188
02:33:57,068 --> 02:34:00,310
STEVE LACY, KEEP IT
GO, Y'ALL!
2189
02:34:00,344 --> 02:34:02,206
ARE YOU KIDDING ME?
2190
02:34:02,241 --> 02:34:02,724
WOW!
2191
02:34:02,758 --> 02:34:04,000
THAT WAS PHENOMENAL.
2192
02:34:04,034 --> 02:34:08,482
I'M SEATED HERE NEXT TO HARRY
STYLES... IT'S HARRY STYLES?
2193
02:34:08,517 --> 02:34:09,724
YEAH.
2194
02:34:09,758 --> 02:34:10,586
CONGRATULATIONS.
2195
02:34:10,620 --> 02:34:11,517
THANK YOU.
2196
02:34:11,551 --> 02:34:13,310
ARE YOU ENJOYING THE
NIGHT?
2197
02:34:13,344 --> 02:34:17,206
I FEEL LIKE NOBODY CHECKS ON
YOU, AND I WAS, LIKE, HARRY, HOW
2198
02:34:17,241 --> 02:34:18,320
ARE YOU DOING, WHAT'S HAPPENING?
2199
02:34:18,344 --> 02:34:23,448
DO YOU NEED A DRINK, DO YOU NEED
ANYTHING?
2200
02:34:23,482 --> 02:34:24,689
YOU'VE BEEN TOURING A LOT.
2201
02:34:24,724 --> 02:34:29,137
MAYBE YOU NEED SOMEONE TO TOUR
WITH YOU LIKE MAYBE A SOUTH
2202
02:34:29,172 --> 02:34:30,655
AFRICAN COMEDIAN.
2203
02:34:30,689 --> 02:34:32,344
WE'RE LIKE THE TWO SEXIEST
PEOPLE.
2204
02:34:32,379 --> 02:34:35,241
YOU DO SOME OF THE HEAVY
LIFTING.
2205
02:34:35,275 --> 02:34:36,379
MAYBE WE CAN HELP.
2206
02:34:36,413 --> 02:34:38,000
OR I CAN JUST GET WATER.
2207
02:34:38,034 --> 02:34:39,689
WHICHEVER ONE YOU LIKE.
2208
02:34:39,724 --> 02:34:41,862
I'M OKAY.
2209
02:34:41,896 --> 02:34:43,344
WELL, YOU GOT TO
2210
02:34:43,379 --> 02:34:44,655
SHOOT YOUR SHOTS.
2211
02:34:44,689 --> 02:34:48,034
AND NOW LET'S WELCOME AN ARTIST
WHO WON HER FIRST THREE GRAMMY
2212
02:34:48,068 --> 02:34:53,551
AWARDS LAST YEAR, INCLUDING BEST
NEW ARTIST... OLIVIA RODRIGO.
2213
02:35:04,379 --> 02:35:07,068
I WILL NEVER FORGET LAST
YEAR'S GRAMMY AWARDS...
2214
02:35:07,103 --> 02:35:11,862
INCLUDING THE EXPERIENCE OF
WINNING BEST NEW ARTIST... AN
2215
02:35:11,896 --> 02:35:18,448
AWARD THAT THAT HAS GONE TO
HEROES OF MINE FROM THE BEATLES
2216
02:35:18,482 --> 02:35:19,965
TO BILLIE EILISH.
2217
02:35:20,000 --> 02:35:22,310
THAT WILL ALWAYS BE A SHINING
MOMENT IN MY LIFE AND I'M SO
2218
02:35:22,344 --> 02:35:26,137
HAPPY THE RECORDING ACADEMY
INVITED ME BACK TO EXPERIENCE
2219
02:35:26,172 --> 02:35:29,413
SOMEONE ELSE'S UNFORGETTABLE NEW
GRAMMY MOMENT.
2220
02:35:29,448 --> 02:35:31,527
THESE ARE THE TEN EXTREMELY
GIFTED NOMINEES FOR BEST NEW
2221
02:35:31,551 --> 02:35:34,724
ARTIST.
2222
02:35:34,758 --> 02:35:36,344
ANITTA.
2223
02:35:36,379 --> 02:35:39,793
OMAR APOLLO.
2224
02:35:39,827 --> 02:35:44,172
DOMI & JD BECK.
2225
02:35:44,206 --> 02:35:48,275
MUNI LONG.
2226
02:35:48,310 --> 02:35:52,275
SAMARA JOY.
2227
02:35:52,310 --> 02:35:54,103
LATTO.
2228
02:35:54,137 --> 02:35:58,310
MA� NESKIN.
2229
02:35:58,344 --> 02:36:02,103
TOBE NWIGWE.
2230
02:36:02,137 --> 02:36:05,862
MOLLY TUTTLE.
2231
02:36:05,896 --> 02:36:11,137
WET LEG.
2232
02:36:16,034 --> 02:36:24,034
AND THE GRAMMY GOES TO...
SAMARA JOY.
2233
02:37:23,620 --> 02:37:26,551
I AM SO, SO... OH, MY GOSH.
2234
02:37:26,586 --> 02:37:30,034
I CAN'T EVEN BELIEVE... I'VE
BEEN WATCHING YOU ALL ON TV FOR,
2235
02:37:30,068 --> 02:37:31,310
LIKE, SO LONG.
2236
02:37:31,344 --> 02:37:33,827
SO, TO BE HERE WITH YOU ALL BORN
AND RAISED IN THE BRONX, NEW
2237
02:37:33,862 --> 02:37:34,862
YORK.
2238
02:37:34,896 --> 02:37:38,413
MY FAMILY'S HERE.
2239
02:37:38,448 --> 02:37:41,000
I'VE BEEN SINGING ALL MY LIFE.
2240
02:37:41,034 --> 02:37:44,965
MY GRANDPARENTS, MY FATHER, I'M
SO SORRY.
2241
02:37:45,000 --> 02:37:47,241
THANK YOU SO MUCH FOR THIS
HONOR.
2242
02:37:47,275 --> 02:37:50,482
THANK YOU SO MUCH TO EVERYONE
WHO LISTENED TO ME, SO SUPPORTED
2243
02:37:50,517 --> 02:37:51,310
ME.
2244
02:37:51,344 --> 02:37:54,689
ALL OF YOU ARE SO INSPIRING TO
ME.
2245
02:37:54,724 --> 02:37:57,034
SO TO BE HERE BECAUSE OF WHO I
AM.
2246
02:37:57,068 --> 02:38:05,068
YOU EXPRESS YOURSELF FOR EXACTLY
WHO YOU ARE AUTHENTICALLY.
2247
02:38:05,172 --> 02:38:10,034
SO TO BE HERE BY JUST BEING WHO
I WAS BORN AS, I'M SO THANKFUL.
2248
02:38:10,068 --> 02:38:12,758
THANK YOU TO MY TEAM.
2249
02:38:12,793 --> 02:38:18,275
THANK YOU TO BOOKING, THANK YOU
TO MANAGEMENT MATT, CHRIS,
2250
02:38:18,310 --> 02:38:20,034
EVERYBODY IN RECORD LABEL.
2251
02:38:20,068 --> 02:38:22,931
MY LITTLE BROTHER'S HERE.
2252
02:38:22,965 --> 02:38:24,034
OH, MY GOSH.
2253
02:38:24,068 --> 02:38:25,724
THANK YOU ALL AND HAVE A
WONDERFUL NIGHT.
2254
02:38:25,758 --> 02:38:27,310
I'M SO, SO GRATEFUL.
2255
02:38:27,344 --> 02:38:28,655
THANK YOU.
2256
02:38:28,689 --> 02:38:33,137
UP NEXT...
2257
02:38:33,172 --> 02:38:35,689
WHICH OF THESE TEN OUTSTANDING
ARTISTS ARE ABOUT TO WIN THE
2258
02:38:35,724 --> 02:38:36,803
GRAMMY AWARD FOR ALBUM OF THE
YEAR?
2259
02:38:36,827 --> 02:38:38,758
THIS IS CBS.
2260
02:38:50,896 --> 02:38:51,862
WELCOME BACK TO THE
2261
02:38:51,896 --> 02:38:53,172
GRAMMYS, EVERYBODY.
2262
02:38:53,206 --> 02:38:55,527
NOW, TONIGHT I HAVE THE HONOR OF
TELLING YOU THAT EARLIER TODAY
2263
02:38:55,551 --> 02:39:03,034
THE GRAMMY FOR PRODUCER
NONCLASSICAL WENT TO JACK
2264
02:39:03,068 --> 02:39:03,931
ANTANOFF.
2265
02:39:03,965 --> 02:39:07,241
CONGRATULATIONS ON THAT, WELL
DESERVED.
2266
02:39:07,275 --> 02:39:08,206
PHENOMENAL PRODUCER.
2267
02:39:08,241 --> 02:39:09,827
AND NOW IT IS TIME FOR THE BIG
ONE.
2268
02:39:09,862 --> 02:39:13,172
THIS YEAR I'VE BEEN ASKED TO
PRESENT THE GRAMMY AWARD FOR
2269
02:39:13,206 --> 02:39:14,000
ALBUM OF THE YEAR.
2270
02:39:14,034 --> 02:39:15,482
BECAUSE THEY DIDN'T WANT TO PAY
ME.
2271
02:39:15,517 --> 02:39:18,172
BUT FIRST, I WANT TO THANK ALL
THOSE SUPER FANS WE HAD ON THE
2272
02:39:18,206 --> 02:39:19,206
SHOW.
2273
02:39:19,241 --> 02:39:21,586
LET'S GIVE IT UP FOR THEM ONE
MORE TIME, PLEASE.
2274
02:39:21,620 --> 02:39:24,689
THE FANS DON'T OFTEN GET TO BE
HERE CELEBRATING THEIR ARTIST.
2275
02:39:24,724 --> 02:39:26,068
WE CELEBRATE YOU TONIGHT.
2276
02:39:26,103 --> 02:39:27,862
THANK YOU FOR JOINING US.
2277
02:39:27,896 --> 02:39:30,137
WHY DON'T YOU JOIN ME ON STAGE
FOR THIS AWARD.
2278
02:39:30,172 --> 02:39:32,137
YEAH, YOU, COME ON UP.
2279
02:39:32,172 --> 02:39:33,241
EVERYBODY, COME ON UP.
2280
02:39:33,275 --> 02:39:36,241
YOU GIVE IT UP FOR THE FANS FOR
A CHANGE, EVERYBODY.
2281
02:39:36,275 --> 02:39:39,344
I WANT YOU TO PRESENT THE AWARD
FOR ALBUM OF THE YEAR.
2282
02:39:39,379 --> 02:39:40,793
COME ON UP REAL QUICK.
2283
02:39:40,827 --> 02:39:44,689
THIS IS THE FIRST TIME YOU'RE
GOING TO GET ON STAGE WITHOUT
2284
02:39:44,724 --> 02:39:45,862
BEING CHASED BY SECURITY.
2285
02:39:45,896 --> 02:39:47,176
THIS IS YOUR MOMENT, THIS IS IT.
2286
02:39:47,206 --> 02:39:50,379
WHILE THE FANS TAKE THEIR PLACE
ON STAGE WITH ME, LET'S TAKE ONE
2287
02:39:50,413 --> 02:39:53,413
MORE LOOK AT THE OUTSTANDING
NOMINEES TONIGHT FOR ALL BUM OF
2288
02:39:53,448 --> 02:40:01,448
THE YEAR.
2289
02:40:05,965 --> 02:40:11,034
"VOYAGE," ABBA.
2290
02:40:11,068 --> 02:40:16,310
"30," ADELE.
2291
02:40:16,344 --> 02:40:20,000
"UN VERANO SIN TI," BAD BUNNY.
2292
02:40:20,034 --> 02:40:22,724
"RENAISSANCE," BEYONCE.
2293
02:40:22,758 --> 02:40:27,068
"GOOD MORNING GORGEOUS
2294
02:40:27,103 --> 02:40:32,379
," MARY J. BLIGE.
2295
02:40:32,413 --> 02:40:38,172
"IN THESE SILENT DAYS,"
BRANDI CARLILE.
2296
02:40:38,206 --> 02:40:44,034
"MUSIC OF THE SPHERES,"
COLDPLAY.
2297
02:40:44,068 --> 02:40:49,310
"MR. MORALE & THE BIG STEPPERS,"
KENDRICK LAMAR.
2298
02:40:49,344 --> 02:40:51,344
"SPECIAL," LIZZO.
2299
02:40:51,379 --> 02:40:59,379
"HARRY'S HOUSE," HARRY STYLES.
2300
02:41:09,689 --> 02:41:17,689
AND THE GRAMMY GOES
TO...
2301
02:41:18,965 --> 02:41:23,793
YOU CAN READ IT.
2302
02:41:23,827 --> 02:41:25,310
HARRY STYLES!
2303
02:41:25,344 --> 02:41:31,793
OH, MY GOD!
2304
02:42:25,827 --> 02:42:33,827
UM, MAN.
2305
02:42:34,655 --> 02:42:39,758
I'VE BEEN SO, SO INSPIRED BY
EVERY ARTIST IN THIS CATEGORY
2306
02:42:39,793 --> 02:42:42,931
WITH ME.
2307
02:42:42,965 --> 02:42:46,241
AT A LOT OF DIFFERENT TIMES IN
MY LIFE, I LISTENED TO EVERYONE
2308
02:42:46,275 --> 02:42:50,793
IN THIS CATEGORY WHEN I'M ALONE.
2309
02:42:50,827 --> 02:42:53,586
AND I THINK LIKE ON NIGHTS LIKE
TONIGHT, IT'S OBVIOUSLY SO
2310
02:42:53,620 --> 02:42:59,724
IMPORTANT FOR US TO REMEMBER
THAT THERE IS NO SUCH THING AS
2311
02:42:59,758 --> 02:43:00,965
BESTS IN MUSIC.
2312
02:43:01,000 --> 02:43:03,862
I DON'T THINK ANY OF US SIT IN
THE STUDIO THINKING MAKING
2313
02:43:03,896 --> 02:43:06,689
DECISIONS BASED ON WHAT IS GOING
TO GET US ONE OF THESE.
2314
02:43:06,724 --> 02:43:09,000
THIS IS REALLY, REALLY KIND.
2315
02:43:09,034 --> 02:43:10,241
I'M SO, SO GRATEFUL.
2316
02:43:10,275 --> 02:43:17,172
I'M GOING TO PASS IT OVER TO MY
COLLABORATORS WHO ARE... I'M
2317
02:43:17,206 --> 02:43:20,241
JUST SO THIS DOESN'T HAPPEN TO
PEOPLE LIKE ME VERY OFTEN.
2318
02:43:20,275 --> 02:43:21,931
AND THIS IS SO, SO NICE.
2319
02:43:21,965 --> 02:43:23,275
THANK YOU VERY, VERY MUCH.
2320
02:43:23,310 --> 02:43:31,310
LOVE YA.
2321
02:43:32,068 --> 02:43:35,344
I'M JUST GOING TO KEEP IT SHORT
BECAUSE HARRY'S WAY MORE
2322
02:43:35,379 --> 02:43:38,758
HANDSOME THAN ME.
2323
02:43:38,793 --> 02:43:44,000
UM, FOR YOU IN THE CHEAP
SEATS... AND ALSO I WANT TO SAY
2324
02:43:44,034 --> 02:43:52,034
HELLO BACK HOME TO MY DAUGHTER
AND MY SON, TURTLE POWER!
2325
02:43:54,206 --> 02:43:58,551
I FEEL SO GRATEFUL FOR THIS
OPPORTUNITY.
2326
02:43:58,586 --> 02:44:01,724
AND I THINK RIGHT NOW I'M JUST
GOING TO SAY THAT, YOU KNOW,
2327
02:44:01,758 --> 02:44:04,172
IT'S SO HARD TO DO ANYTHING IN
LIFE WITHOUT A GOOD FAMILY.
2328
02:44:04,206 --> 02:44:08,793
I JUST WANT TO THANK MY MOM AND
MY DAD AND MY BROTHER WHO ARE
2329
02:44:08,827 --> 02:44:09,517
HERE.
2330
02:44:09,551 --> 02:44:10,241
YOU CAN'T DO THIS WITHOUT THEM.
2331
02:44:10,275 --> 02:44:14,965
I WANT TO THANK MY WIFE LINDSEY.
2332
02:44:15,000 --> 02:44:16,137
AND THE WHOLE TEAM.
2333
02:44:16,172 --> 02:44:17,275
THANK YOU SO MUCH.
2334
02:44:17,310 --> 02:44:18,527
THIS IS IMPOSSIBLE WITHOUT YOU.
2335
02:44:18,551 --> 02:44:21,034
AND, OF COURSE, HARRY, YOU'RE A
LEGEND.
2336
02:44:21,068 --> 02:44:22,137
SO, THANK YOU.
2337
02:44:22,172 --> 02:44:25,068
AND THERE IT IS,
2338
02:44:25,103 --> 02:44:25,793
LADIES AND GENTLEMEN.
2339
02:44:25,827 --> 02:44:27,896
HARRY STYLES ALBUM OF THE YEAR!
2340
02:44:27,931 --> 02:44:29,103
CONGRATULATIONS, HARRY.
2341
02:44:29,137 --> 02:44:32,310
AND NOW HERE TO AT THE US HOME
IN A VERY BIG WAY, PLEASE
2342
02:44:32,344 --> 02:44:34,448
WELCOME DJ KHALED!
2343
02:44:34,482 --> 02:44:41,482
IT BREAKS MY HEART
2344
02:44:41,517 --> 02:44:45,724
THEY AIN'T BELIEVE IN US
THEY PLAYED THEMSELVES
2345
02:44:45,758 --> 02:44:46,803
WHILE YOU HATIN'
AND BEING JEALOUS
2346
02:44:46,827 --> 02:44:48,965
YOU CAN BE OVER HERE
EMBRACING THAT LOVE
2347
02:44:49,000 --> 02:44:51,034
MORE LOVE
MORE BLESSINGS
2348
02:44:51,068 --> 02:44:55,793
MORE LIFE
GOD DID
2349
02:44:55,827 --> 02:45:01,137
WIN WITH US, WATCH US WIN
I'M GOING TO TAKE IT OUTSIDE,
2350
02:45:01,172 --> 02:45:06,172
I'M GOING TO TAKE IT TO THE
STREETS
2351
02:45:06,206 --> 02:45:14,206
THEY WANTED US DOWN
BUT LOOK AT US NOW
2352
02:45:19,551 --> 02:45:27,551
THEY DIDN'T BELIEVE IN US
OH BUT I KNOW GOD OH YES HE
2353
02:45:29,965 --> 02:45:36,827
DID
BUT I KNOW
2354
02:45:36,862 --> 02:45:40,241
THANK YOU FRIEND
THOSE GUYS THEY DON'T WANT TO
2355
02:45:40,275 --> 02:45:45,758
SEE YOU LAST
TAKE $3 MILLION AND BUY YOU
2356
02:45:45,793 --> 02:45:48,965
CHECKS
TIME'S SPINNING YO FORGIVE ME
2357
02:45:49,000 --> 02:45:56,103
I'M A SINNER
BETTER LISTEN WHEN I TELL
2358
02:45:56,137 --> 02:46:00,413
YOU
PLEASE FORGIVE ME, GOD DID
2359
02:46:00,448 --> 02:46:07,413
WITH THE SHARKS
WANT TO PLAY THIS
2360
02:46:07,448 --> 02:46:14,241
I KNOW MY MONEY'S SAFE
THEY DIDN'T WANT US TO WIN
2361
02:46:14,275 --> 02:46:17,896
SO I MADE SURE I'M ON THE
GRAMMY STAGE WITH THE BIGGEST
2362
02:46:17,931 --> 02:46:22,586
HANDS IN THE SKY!
OH I KNOW GOD
2363
02:46:22,620 --> 02:46:29,137
THIS FOR HIP-HOP
THIS FOR THE STREETS
2364
02:46:29,172 --> 02:46:31,931
THIS IS FOR ALL THE
NONBELIEVERS
2365
02:46:31,965 --> 02:46:39,965
GOD DID
THEY WAS TIRED OF ME WINNING
2366
02:46:41,103 --> 02:46:48,655
GOD DID HIS THING WHEN HE MADE
ME
2367
02:46:48,689 --> 02:46:52,896
THEY SMELL BLOOD THEY ART
ACTING FISHY
2368
02:46:52,931 --> 02:46:54,965
THEY GOING TO HAVE TO KISS
ME
2369
02:46:55,000 --> 02:46:58,689
PLEASE DON'T HATE ME JUST TO
HATE ME
2370
02:46:58,724 --> 02:47:02,344
BEFORE THEY OVERRATE ME THEY
GO UNDERESTIMATE ME
2371
02:47:02,379 --> 02:47:07,655
BUT I'M CULTIVATING EVERYBODY
REPLICATING
2372
02:47:07,689 --> 02:47:15,689
I'M THE APEX
I PRAY
2373
02:47:16,965 --> 02:47:23,517
GOD DID THE REST
THEY DIDN'T THINK THAT WE
2374
02:47:23,551 --> 02:47:27,655
WOULD MAKE IT
IT BREAKS MY HEART
2375
02:47:27,689 --> 02:47:35,689
OH BUT I KNOW GOD DID
OH YES HE DID
2376
02:47:38,206 --> 02:47:40,275
THEY DIDN'T BELIEVE IN US!
2377
02:47:40,310 --> 02:47:48,310
OH I KNOW GOD DID
PLEASE FORGIVE ME
2378
02:47:52,620 --> 02:48:00,620
I COUNT THREE BRONZE
2379
02:48:07,206 --> 02:48:15,206
ME AND LOTTO TALK ABOUT
YOU BELIEVE IT'S TIME
2380
02:48:19,793 --> 02:48:27,137
YOU CAN'T MAKE UP THIS
WE GOING CORPORATE... NO WE
2381
02:48:27,172 --> 02:48:32,103
JUST ARE THE BOYS IN THE CORNER
OFFICE
2382
02:48:39,758 --> 02:48:47,758
WE JUST GOT AND WENT BACK
WE LET Y'ALL OG FOR THE OGs
2383
02:48:52,482 --> 02:48:56,413
YOU BARELY... THAT'S ANOTHER
TOPIC
2384
02:48:56,448 --> 02:49:00,379
IN MY POCKET ON THE RED CARPET
YOU SEEN THE FACE TONIGHT I
2385
02:49:00,413 --> 02:49:03,793
MADE
YEAH, IS THAT SHOCKING?
2386
02:49:03,827 --> 02:49:07,620
TRYING TO BE CRAZY BUT WE ALL
SURPRISED
2387
02:49:07,655 --> 02:49:11,172
THIS IS TOO MUCH HOW WE GREW
UP
2388
02:49:11,206 --> 02:49:14,034
IT DON'T EVEN FEEL REAL TO
US
2389
02:49:14,068 --> 02:49:22,068
CALLED KINGPIN, DRUG LORDS
HOPE IS A REAL ONCE DREAMED
2390
02:49:24,448 --> 02:49:30,551
SOMETIMES WE HATE LIFE NEVER
MIND THE CONSEQUENCES OF THE WAY
2391
02:49:30,586 --> 02:49:33,896
OF LIFE
THE WAY WE PLAYED WITH LIFE,
2392
02:49:33,931 --> 02:49:39,896
THE JAIL, BARS OF LIFE
THE LAWS ARE DRACONIAN FOR
2393
02:49:39,931 --> 02:49:47,931
THOSE MARRIED TO THE LIFE IT'S
ONLY MATRIMONIAN
2394
02:49:57,103 --> 02:50:00,103
THAT THE COLD WORLD HAS CHOSE
FOR THEM
2395
02:50:00,137 --> 02:50:07,896
BACK AND FORTH ON THIS
TURNPIKE REALLY TOOK A TOLL
2396
02:50:07,931 --> 02:50:14,068
ALWAYS SPOKE FOR THEM
PRO BONO FOR HIM THAT'S A
2397
02:50:14,103 --> 02:50:19,896
FAVOR
I PRAYED NONE OF Y'ALL PEOPLE
2398
02:50:19,931 --> 02:50:25,793
WOULD DIE
ALL THE PAIN FROM THE
2399
02:50:25,827 --> 02:50:28,827
OUTSIDE
NEW WAYS GETTING BROKEN IN
2400
02:50:28,862 --> 02:50:36,862
THEY DON'T MESS AROUND
IT'S THE NEW TESTAMENT
2401
02:50:39,517 --> 02:50:47,517
JESUS TURNED WATER TO WINE
NEVER KNOW HOW THIS CAN GO
2402
02:50:47,689 --> 02:50:53,551
WE PROBABLY GOT TOO BIG A DAY,
POKE THEIR NOSE UP
2403
02:50:53,586 --> 02:50:58,551
NOW WE THINK IT'S FUNNY
I JUST GOT A MILLION TRYING TO
2404
02:50:58,586 --> 02:51:06,206
GET IT OUT THE SINK
THEY SAY THEY DON'T KNOW ME
2405
02:51:06,241 --> 02:51:14,241
I SEE A LOT OF GIGS
NEXT TIME WE HAVE A DISCUSSION
2406
02:51:18,413 --> 02:51:20,896
KNOW THIS
THAT'S MY PASSION TALKING
2407
02:51:20,931 --> 02:51:28,000
SOMETIMES I FEEL LIKE I THINK
Y'ALL SHOULD KEEP CRYING
2408
02:51:28,034 --> 02:51:30,241
IT BREAKS MY HEART
2409
02:51:30,275 --> 02:51:35,034
THEY WANTED US DOWN, DOWN,
DOWN
2410
02:51:35,068 --> 02:51:41,896
LOUISIANA!
2411
02:51:41,931 --> 02:51:43,758
RICKY ROSE�.
2412
02:51:43,793 --> 02:51:47,551
LET'S GO!
2413
02:51:47,586 --> 02:51:49,482
KHALED, TAKE US HOME.
2414
02:51:49,517 --> 02:51:53,620
KHALED, TAKE US HOME!
2415
02:51:53,655 --> 02:52:01,655
BUT I KNOW GOD... OH YES HE
DID
2416
02:52:01,862 --> 02:52:07,724
WHOA
GOD DID
2417
02:52:07,758 --> 02:52:15,758
WHAT, NO, GOD DID
YEAH, HE DID
2418
02:52:19,413 --> 02:52:22,724
YOUNG MONEY, MIAMI, 305.
2419
02:52:22,758 --> 02:52:28,586
GOD DID
2420
02:52:28,620 --> 02:52:34,482
YEAH
2421
02:52:34,517 --> 02:52:37,068
YOU'RE ALL WELCOME.
2422
02:52:37,103 --> 02:52:41,931
BREAKS MY HEART THEY AIN'T
BELIEVE IN US.
2423
02:52:41,965 --> 02:52:45,172
GOD DID SO WE DID AN
EIGHT-MINUTE SONG ON THE
2424
02:52:45,206 --> 02:52:45,724
GRAMMYS.
2425
02:52:45,758 --> 02:52:46,862
SALUTE TO THE ACADEMY.
2426
02:52:46,896 --> 02:52:52,448
THAT'S RIGHT, GOD
2427
02:52:52,482 --> 02:52:53,586
DID!
2428
02:52:53,620 --> 02:52:55,596
ONE OF THE GREATEST HIP-HOP
PERFORMANCES, ONE OF THE
2429
02:52:55,620 --> 02:52:58,379
GREATEST GRAMMY PERFORMANCES OF
ALL TIME.
2430
02:52:58,413 --> 02:53:00,034
I SEE WHAT YOU'VE BEEN TALKING
ABOUT.
2431
02:53:00,068 --> 02:53:03,655
CONGRATULATIONS TO EVERY SINGLE
ONE OF OUR WINNERS TONIGHT, ALL
2432
02:53:03,689 --> 02:53:06,482
OUR NOMINEES, AND THANK YOU TO
EVERY SINGLE ONE OF YOU FOR
2433
02:53:06,517 --> 02:53:07,344
TUNING IN.
2434
02:53:07,379 --> 02:53:10,000
GOOD NIGHT, EVERYBODY.
2435
02:53:10,034 --> 02:53:12,206
TIME TO GET TO THIS MEAL.
2436
02:53:12,241 --> 02:53:14,965
FROM HOSTING THE
FIRST-EVER GRAMMY AWARDS TO NOW,
2437
02:53:15,000 --> 02:53:18,793
HILTON IS PROUD TO BE A PART OF
MUSIC'S BIGGEST MOMENTS.
2438
02:53:18,827 --> 02:53:20,724
HILTON FOR THE STAY.
2439
02:53:20,758 --> 02:53:22,478
OFFICIAL HOTEL PARTNER OF THE
GRAMMY AWARDS.
185235
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