Original subtitles

Hey, everyone, so I'm going to add a video on how to draw muscles or just how to render muscles,

and I would just do a real real quick demo really quickly.

So if you remember what I mentioned about your shadow and half tones and all that, like I will do a

reminder, I'll do a little quick demo of what it what it looks like again.

So first you want to know what your light says.

If you're doing my task, facing more towards the front, like so you can go ahead and map out where

your shadows are.

So here we have our lighter area.

Here we have our course shadow, which is our main shadow.

And that is right before the height, the lighter areas.

And then when it reaches down to the turning point here we have our half tone and that is our returning

edge.

And generally that will be right after our course shadow.

So as you can see, it looks very nice and cylindrical.

And on the other side, we also will have a half tone as well, which will also be a turning edge.

And that will help with, you know, showing another side to it.

Here's the holding line.

You don't have to really worry about a highlight too much, especially when it comes to skin almost,

it's very oily.

So that is your shadow, the darkest parts corchado your attorney edge or your half tone h t, h t and

then your actual holding line holding line.

So once you guys understand how to do that, then you can you're pretty much ready to know how to render

muscles or draw muscles.

So when I draw muscles, let me go ahead and zoom out again.

So when I draw muscles, I always make sure to understand the form first.

For instance, if it's like a tube, just kind of understand that there is a starting point and then

a more tubular form.

And then the ending other ways could be something like unconsumed.

Other ways can be done, such as, you know, kind of putting these into little ribbons.

That kind of curl inward.

Or you can overlap these two as well.

So let's kind of go ahead and say this, so I'm going to darken these just for demonstration sake,

you guys can do that to Stark and all these as a holding lines.

So if I'm going to draw a shade in a muscle that the light is facing towards that towards this, I first

want to lock in a nice half tone first.

And then later on, you know, kind of just anything, those facing away from us or away from the light

gets dark.

As you can see, just by putting in a half tone, it already starts looking, you know, nice and voluminous

especially, I want to add a little bit of a bounce lighting from the back.

Now, that is just more of an artistic sense, more artistic way to do it kind of gives another form

to the actual muscle.

So you can add that little lighter edge if you want.

I like to add it just because it looks nice.

And then here we have our core, which is just before our lighter areas.

And then it fades into a half tone, so as you can see, it looks really, really nice.

And then here we also have another turning edge.

So we're just going to do a half ton for that as well.

And they could see nice and full bodied.

Same thing here at the White House facing more upwards and the and the light is this way.

We're going more of this direction.

Go ahead and understand where our core is or core is down here as it rotates downward.

And as it gets gradually more up to light, I can reduce it to a half ton and same thing down here as

well.

And I can also do a turnage right above.

Which is our half tone, and it says Kansi, because we have three values, it works really well.

So once again, we're going to do that again.

So here, let's you have to first.

Notice how my hatching is more towards the direction it's not just going straight down, it's following

the form and that's really important.

So here's our core and there's a half shadow, half tone, and then we can also add a little bit of

half turn up here as well.

And once again, we can go ahead and do the same thing, half tone.

And Corchado.

And then here we have a.

Or drop shadow, which is really nice to include, especially when you want to differentiate between

the forms.

So yeah, and let's go ahead and just make a small demonstration of what that looks like for the arm.

So I wish I could just go ahead and see.

I labeled everything again.

Let me see if I can make some room for this.

I think it can.

So I'm going to be drawing a let's see, I think I'm going to be drawing an arm once again and just

kind of shadiest for you guys.

So let me see.

Maybe I will do.

I will do it this way.

I'll make a bent arm here.

Actually, maybe I should put it more lower.

Sorry about that, but lower, so I don't want to take a picture this.

I won't confuse it between which video it is.

And so anyways, let's go ahead and just draw our arm.

Let's draw an arm bending towards us so you can see I'm simplifying these into rectangles and then cylinders

right after.

Here's the hand.

And we can go ahead and just start putting in the muscles, so once again, we put in our deltoid.

And remember that this is sort of like a three way three headed kind of.

Muscle here.

So there's one side and then there's another side.

Here is your tricep.

Kind of split into two and then it trails all the way down to the elbow.

Here we have our bicep.

In the inside here, that's, ah, I believe that is the break, Alice, for our muscles.

Which can be just simplified into a group of muscles.

Now, I'm not going to go too detailed into this one.

I just know that.

There is just a group of muscles going down here, I'm not going to list all the names, but I would

just say that this is your simplification of the arm.

And I bet that I think that this is your extensor digit aurum, whichever it is, this sense this week,

it's facing the pinky.

Actually, no.

This is your brachial radials.

This is your your upper muscle right up here that folds over because on your radius.

Yes, I was correct, there is one side that is your brachial radials and then the others and the bottom

side sorry.

Yeah, this is you break your radials, this is your extensor digit aurum, no extensor, karpe radials,

longus, whatever it is.

And then and then other groups that where I'm not going to get into all this stuff.

So anyways, this will be all I will draw for the forum because that's just way too complicated.

If you want to take anatomy course, go ahead and do that.

I think I will make a more intense anatomy course, which I will go over all the muscles.

But for now, as a beginner, just understand that this is what the forum looks like, the top part

that's rotating on top.

And then I will put in the bottom that curves downward, especially because you won't really need this

as much.

You just got to know what looks like what it looks like in the inside.

So you guys, you can as you guys can basically just draw this from the outside.

So basically a little sneak peek of what the outside could look like without the without the whole muscle

structure.

We can just cover it with skin.

Give your bicep.

Sorry.

Not your rear deltoid.

Your bicep.

You tricep going on top.

And then you can kind of indicate where all the muscles are.

And here's your elbow and basically that's all you really need to draw, but you just got to understand

what this looks like on the inside to be able to draw what's out here.

Anyways, I'm going to be shadiness, so let's say the light is going up here, just more frontal lighting,

very, very basic.

So anything that is going away from the light will go will be darker.

And anything that's going away from us as well, you know, into the distance will also be darker.

So let's go ahead and draw that real quick.

So let's go ahead and block it all.

I have tons first because that's easiest.

We don't have to draw in the correlate.

We don't have to, you know, try to blend in our core first and then our half ton later.

I like to always start with our half term because it's just easier that way.

So Haaften.

Half turn and already looks like it's nice, has a nice form to it.

Have done because there's a shadow cast on top of the from the muscle.

Haaften.

Round forces have turned well, she'll have of.

And it's almost kind of like a pattern, it's very logical, so you don't need to be too intimidated

by what's going on.

So as it goes away, you want to be darker.

And this case, I will just put the half tone down below.

So hopefully that looks pretty good.

Yep, that looks good.

Now let's put it our core shadows.

Which is our darker dark's.

You have a dark's just above just below the lighter port lighter parts.

Same with down here, it gets darker.

Here we can make it just a little bit extra darker just to have some nice, some nice warm to it.

Now, this is a very kind of academic way of shading stuff you don't have to do like this.

In fact, I will make a simplified version on the side, but I will go over shading more in depth later.

Now, here we have our drop shadow or our heaviest shadow or cast shadow.

So people called shadows.

Some people call drop shadows, whichever it is, it's just to show some nice depth and form.

So that is.

Your arm shaded and of course, I'm going to be doing this on the side as well.

So let's go ahead and do some have turns.

It's the same lighting.

It's very, very simple, since it's not covered with skin, it's going to be softer and softer in.

Texture not to not too harsh, so even just like this is probably enough with a little bit of Corchado

and a little bit of Hopton.

If you want to add a little bit of darkness to that, you know, feel free to do that.

That's perfectly reasonable to.

But notice her by just adding these tones and understanding what the lighting goes, it becomes a lot

easier.

So anyways, that's pretty much it for this video.

Let me know what you guys think, hopefully that this was helpful, helpful for you guys and that you

guys learned a lot.

Anyways, thank you for watching.

And I'll see you guys next by.