Original subtitles

Hey, everyone, so in this video, I'm going to be going over to point perspective now and we are just

going to be doing the same thing as the one point perspective is just with two vanishing points.

So let's get started.

The easy way to do or I mean, I feel like perspective in a way is very simple and easy to understand,

but it's just kind of hard to really wrap your mind around sometimes when you think of perspective,

because when you think of perspective, the word itself, it's like, whoa, that's kind of scary sounding,

but it really is.

And it's just it just means that boxes or just objects in space, that's really what it means.

And you can also not have to use all this whole grid thing as well.

You could just understand that what one point perspective looks like, what a top view looks like and

the like.

And I'll show you, that's how to draw free from boxes as well after the two point perspective.

So the reason why I'm not doing through point as much is because you don't really use it as often.

I don't really find of course, obviously people do use it, but it's a bit complicated for beginners

at the moment.

So I think I'll probably go for that and more in depth in like probably like a background course or

something like that.

And I'll probably have Cultana help me if you don't know who continent is.

Another some some of you guys have his courses.

So he is a he was a concept artist for a while and now he's just more teaching art and he's my husband.

So he taught me as well and mentored me for a while.

And he also does mentorships and he is basically a pro at perspective and and the like.

So I think I will be doing a collaboration with him probably for the next couple next courses in the

future.

But anyways, onto two point, lets go ahead and do that again and get that started.

So once again, we're going to draw our horizon line.

And that is our eye level, so we can go ahead and draw a little eye just to kind of just show what

this is, this is your eye level.

This is where you're standing.

This is where you're looking at.

Now, when it comes to two point, you want to make sure that you're Vashi points.

If you're going to go for a more realistic view, I would prefer your vantage point to be like super

far away so that it doesn't look like it's converging too much.

Very acute angles and convergence is generally a bad thing because it's very, very skewed and it's

very extreme.

You want to go for more of a probably like a more wider lens or wider angle rather than a very narrow,

skewed angle.

But anyways, let's get started on it.

So here I have a points, A and B, usually I would have you I would say the best thing to do to practice

this, to put perspective, is to get a normal eight and a half by 11 sheet of paper and then simply

just put a huge horizon line and then putting the finishing points on the ends of the paper.

So that would generally be a good distance away.

So I only have this rule here and I'm not and I don't have enough room or space to really show you guys

how far my paper can go.

So this will have to do for now.

Just know that if you if you put your if you put your energy points to close or gets even closer, it

starts getting it starts looking very, very skewed and look kind of like a diamond, which you don't

want.

But anyway, to get started on drawing some boxes, I think I'll probably do about three one Downbelow

side to side and one probably up above here either was the same process.

So in this one, we want to start off with our central line center of the box.

And then the same thing that we do in our one point perspective, we simply just draw in our.

During our lines and just connect all the points.

So one side goes to A and the other side goes to be.

Now might take some time getting used to, but don't worry, you know that it's pretty simple.

Now I want you guys to do is draw some straight lines, one, making us thin or as wide as possible.

I think I'll probably go for more of a normal box for now.

Oops, that was a wood line because I moved my ruler.

Make sure you press your ruler pretty firmly.

And then once again, we are going to connect the two together that looks off.

Make sure it's not too off or else your lines won't line up very well.

I'm going to just erase this part here also.

By the way, if you guys don't know, I am using a I think it's a zero point seven graphic here, graphic

here.

Five hundred normal normal pencils work as well.

This is just what I have on hand and it works pretty well.

But you don't have to use all the materials that I use because the materials don't make you good is

a skill that makes you good.

You can only practice with the material that you're with.

And if you only have pencil paper, then that's totally fine with me.

You can do the course with pencil paper and I will go through shading as well as we want to go for more

of a pencil root.

So here we have our other two corners.

So we just going to connect those lines as well because we want to see if our construction is good.

So sometimes if the lines don't really connect very well, that just means that your lines aren't super

accurate and like it's not going all the way to the best you point, it's probably like a little bit

slanted, but that's OK.

So the true test is to see if these line up and I think they probably will roughly.

Yeah, it's OK.

Probably little means a little bit of adjusting, but OK, so that is a two point perspective box.

What I want you guys to do afterwards is just darken the outside layers just to show that this is the

main box.

This is we're not focusing on the detail of the box or focusing on the box itself.

So line work is important.

So that is your two point perspective box.

Let's do one more towards the side this way, maybe let's do a thinner box, see what that looks like.

Maybe it will do one one on top of the other.

Once again, we connect all these points when you draw lately, I'm only drawing a bit darker just because

it's easier for me or for you guys to see.

But I also just so you guys draw pretty lightly and then darken at the end, because you you guys,

when you try multiple walks on one scene, it gets really, really it gets really confusing sometimes

where you're looking at and you don't want to lose your lines or else would be very, very confusing.

So in this one, I am actually going to go ahead and make this box overlap on top just to kind of show

you guys what that looks like.

So let's say I make my box kind of this box in front of this one here.

I'm going to make a straight line.

I'm going to make sure that this line line is very, very light here just so I can see where it is,

but not obstructing the original box here.

So now that I have that here, let me go and do another one.

This is more of a thinner box here.

Now, let's go ahead and.

Connect, connect the dots.

It's really that that's really it, connect the dots.

Connect this little line here, because we drew a line very, very faintly here so we can use it as

our guideline.

Very lightly.

So we see our point that it gets up to here and we want to make sure that these points line up.

I think they'll be good enough for now, and the reason why I want you guys to darken these lines is

because when there's a box in front, you generally see the darker one first.

So you want to outline areas that are in front a lot darker.

You want to outline this one just a little bit lighter than this one than the first box, just so that

we know it's there, but it's not overpowering the first one.

I want to outline this one darker.

Well, that was a bad line.

Now, let's do one on top.

So we know what that looks like, and as you can see us earlier with a one point perspective and everything,

you when you look down, when you're on a two point perspective below the horizon, when you look mainly

on the top angles or on the top side of the box, you don't look at the you don't see the bottom side.

You only see the top fully in the sides and everything like that.

So and that's because you're just looking down at it.

And now what you're looking up at it, you will see the bottom of the box rather than the top.

So let me go ahead and try a central line once again.

We go ahead and move this there.

Now, let's go ahead and connect the dots.

Chemically similar everywhere, you could fill them with as many boxes as you want.

Don't try to do tilted boxes, as I mentioned earlier, I think I think I mentioned that in my one point

perspective.

One, if not, I'll just mention it again.

Don't do rotator boxes, because that's really complicated.

I know that some people tried to do them, which I mean, it is a good you know, it's good sport.

But I would say just be careful with that, because when it comes to rotating, you know, let's say

if you have a box like this, you want to rotate it like that.

A lot of the rotation comes through like understand ellipses and degrees of rotation so that if your

rotation of the box is look weird, that's the reason why, because you don't know how to do that.

And I'm not going to go into that because it's not really that it's not really my my forte.

It's not really my expertise and teaching that.

And we don't really use it and figure wrong either way.

So you don't have to worry about that too much.

So here I'm going to just make another box.

I'm going to draw some straight lines.

And I'm going to go ahead and once again, just rotate them, so if you remember me drawing pelvis boxes,

oh, I think they'll be later on.

I'm making this video a little bit later.

They're not in order all the time.

But when I I guess I'll just say it when I drew my pelvis box, I kind of just understood or once you

I kind of just understood what boxes look like in space.

And I didn't have to use a grid.

So the more you do this, the more you kind of just like, OK, yeah, I get what this looks like.

I understand that this box is facing up because I see the bottom side and I understand that, you know,

that there's convergence.

So when you guys see the pelvis box video, you guys you guys can probably follow along a lot easier

once I do that.

So once again, it's going to dark into outer edges.

That's it.

That is our box.

So now let's go ahead and go down below, and I'm going to be showing you guys how to draw some free

form boxes.

Let me go ahead and do that.

Three, four boxes.

Free form boxes.

So let's go ahead and start drawing some.

So when it comes to free form box, let's do a standard two point perspective, free form box.

So when I mentioned before what street and fanning lines, we want to go fanning, fanning straight,

straight and then these to also fan depending on where it is.

So let's say that this is are this box is going this way here in space.

Fanning, fanning.

Fanning, fanning convergence is really, really important.

So once you have this kind of convergence in place and understanding where you're where you're looking

at and the like, then becomes a lot easier to draw a box.

Now let's do one from above.

So here we have let's see here.

Let's do a this is more of a three point perspective, look, you don't have to do this deep, different

perspective is basically just like let's say I'm going to draw a box from below three from three point

perspective.

Box is basically just fanning, fanning, fanning, fanning.

Everything's basically just fanning.

So everything is kind of like you're looking down at it.

This is basically the other the other way.

So rather than this being straight sorry, I'm kind of just getting ahead of myself.

So I'm kind of like studying here.

And notice how this is all straight through perspective is basically all the streets kind of just angling

inward or outward.

So, for instance, if I want to do one that's above, I can go ahead.

And just one, two, three.

And then I can see the bottom side as well.

In fact, I would do that instead.

So something like that is more like a three point perspective going upwards.

If I want to do a just a simple tilted box, I have to look for the pelvis.

Like, imagine if the pelvis is kind of like facing outward to you from the back one to understand that

knowing how to draw the box.

Fanning, fanning.

Sort of strait's, this is more fanning and converging to the other side and then we see the underside

of the box, this is more of a looking up at you kind of box because we only see the bottom.

We don't see the top.

We see the top in this one, but not the bottom.

Straus, a more.

Hmm, let's see what other kind of boxes would there be?

I also don't really suggest that you guys do these kind of boxes because these are super skewed.

And I in general, it's generally a better idea to use these kind of boxes depending on where and how

the person is like.

So if I want to connect two boxes together, I can just simply just draw fanning, fanning or not really

fanning.

But I want to draw two boxes that are kind of like tumbling over each other.

I could connect the two boxes.

And kind of just also skew them a little bit like kind of make them a little bit more oddly shaped just

to kind of understand the shapes of the box or of the body.

For instance, if this is a rib cage, I can sort of alter my box just a little bit to fit the body.

I can even build on top.

Stuff like that.

Let's see what else is there, um, I think just these kind of boxes would be good for now.

You could just practice drawing any kind of box in any different direction.

And you can also, you know, start by understanding how two point works at one point works and the

like.

So I think they'll be it for this video.

Let me know what you guys think and I'll see you guys in Nexon by.