Afrikaans
Akan
Albanian
Amharic
Arabic
Armenian
Azerbaijani
Basque
Belarusian
Bemba
Bengali
Bihari
Bosnian
Breton
Bulgarian
Cambodian
Catalan
Cebuano
Cherokee
Chichewa
Chinese (Simplified)
Chinese (Traditional)
Corsican
Croatian
Czech
Danish
Dutch
English
Esperanto
Estonian
Ewe
Faroese
Filipino
Finnish
French
Frisian
Ga
Galician
Georgian
German
Greek
Guarani
Gujarati
Haitian Creole
Hausa
Hawaiian
Hebrew
Hindi
Hmong
Hungarian
Icelandic
Igbo
Indonesian
Interlingua
Irish
Italian
Japanese
Javanese
Kannada
Kazakh
Kinyarwanda
Kirundi
Kongo
Korean
Krio (Sierra Leone)
Kurdish
Kurdish (Soranรฎ)
Kyrgyz
Laothian
Latin
Latvian
Lingala
Lithuanian
Lozi
Luganda
Luo
Luxembourgish
Macedonian
Malagasy
Malay
Malayalam
Maltese
Maori
Marathi
Mauritian Creole
Moldavian
Mongolian
Myanmar (Burmese)
Montenegrin
Nepali
Nigerian Pidgin
Northern Sotho
Norwegian
Norwegian (Nynorsk)
Occitan
Oriya
Oromo
Pashto
Polish
Portuguese (Brazil)
Portuguese (Portugal)
Punjabi
Quechua
Romanian
Romansh
Runyakitara
Russian
Samoan
Scots Gaelic
Serbian
Serbo-Croatian
Sesotho
Setswana
Seychellois Creole
Shona
Sindhi
Sinhalese
Slovak
Slovenian
Somali
Spanish
Spanish (Latin American)
Sundanese
Swahili
Swedish
Tajik
Tamil
Tatar
Telugu
Thai
Tigrinya
Tonga
Tshiluba
Tumbuka
Turkish
Turkmen
Twi
Uighur
Ukrainian
Urdu
Uzbek
Vietnamese
Welsh
Wolof
Xhosa
Yiddish
Yoruba
Zulu
Hey, everyone, so in this video, I'm going to be doing the back or the other side for the female
now, so this will be relatively quick because or I think quicker because it's just basically the same
thing, just more feminine.
So let's go ahead and start with the back.
So once again, we start off with the cranium, and I'm just going to be softening all these.
So I'm not going to be, you know, defining every single muscle there is out there.
Let me see if I assume that all the way.
Yes, I am.
So go ahead and just put this more towards the center so you can see better.
So once again, we draw a cross line towards a three quarter view that we have the one third mark.
That's basically I like kind of crossing over and here we have our jawline, which is smoother than
the male.
So rather than going up like this, it's more like this, more smooth.
Hopefully you guys can see that.
I mean, draw a little bit darker.
That's better.
So once again, we start off with the base of the neck here, the top, then we have a cervical neck,
a cervical spine one, thoracic two.
Three lumber and then our.
Then we have our.
Tailbone should be drawn, this a bit smaller, but we'll have to see how big it is, perhaps part of
the amount of noise.
OK, here we have the neck.
Which is sort of similar to a cylinder.
Let's draw on the rib cage, which I would just make just a little bit smaller just because it's prettier
and that I will make the trapezius and all the like smooth.
But first, let's put in the scapula so one scapula about one hand length down.
So we have a scapula here and scapula more angled the other way.
And from here, we have the clavichord kind of got what's called the basically from the scapula, there's
like this little overhanging bone here that kind of looks like the scapula and the kind of connects
to the it kind of looks it connects to the clavicle.
So that's why I kind of looks like we have like two clavicles or something from the one from the back
and one from the front.
But that's what connects.
Here we have our arm.
Let's see if I should make it more opposed now.
I think I'll just keep it more simple, so just keep it more resting.
So let me go ahead and move everything up.
Whoa, be careful not to drop my color pencils because those are expensive.
I was testing them earlier.
I think they looked really nice.
I'm excited to show you guys what it looks like, the kind of clothes.
So if that was allowed.
OK, so now let's go up to the lower leg.
Hopefully it off.
It's probably made a little bit too big, but.
Oh, well, so for the butt area, you know, we kind of just draw a little bit of the pelvis in here
and I would actually just go ahead and draw the muscle.
So we have the gluteus maximus or the Tenzer fashion gluteus medius kind of bunched up a little bit
here.
And then as it goes down here, we have a larger bottom, almost kind of like a pair of shape.
Whoops, that was too high.
Sorry.
So I just drew here one higher up with the sense fashion and the rest and the little gluteus maximus.
Maximus.
Gluteus maximus.
Yes.
But.
Yeah, and did you this way too big?
I don't think it'll fit, so we think, how am I supposed to fix this?
Let me just sketch in real quick.
Maybe I'll bend this leg.
Just to show you what it looks like and here we have the other leg, I think I think it can fit.
Yeah, I can fit.
I'll scrape by.
Yeah, that's about as high as it can go.
I reach all the way to the bottom paper.
OK, so once I blocked out the legs very simply with just rectangles, we can just go ahead and do that.
So once want have everything blocked out we can go ahead and start the rest.
So I'm just going to be softening most of these here, you know, making the trapezius, more smooth
looking, making them back more flowing here we have the lights and everything.
If I want to make the arm a little bit more outward.
I'm going to put the crease or the deltoid up here and I'm going to push more back.
You have the elbow this is facing back, and here we have the forearm.
So, no, I'm not making her to Boki because I want her to be more smooth, and that's just a just artistic
taste.
Just readjusting here.
Maybe I can give her a cute little hand pose as well.
The bottom.
We have our finger two of the fingers kind of bunched together, and one, the pinky may be kind of
like lifting up a little bit.
You have the deltoid at the back as well, and you can kind of push this more towards the back.
You can bend this a little bit, so we have the elbow for our muscle kind of towards the back, and
then it curls back in.
And I'm actually going to make the book just a little bit bigger just because I want to differentiate
between the hips and the curves just a little bit more.
So she's more of an hourglass and this is just a preference.
I like doing this because it feels more curvaceous and more feminine.
And I like femininity a lot because it just gives it just has its own character, you know.
I know that people nowadays want to be a tomboy, which is not bad.
I feel like femininity is something that is really nice to have as well.
I like being feminine.
It's just nice.
Gives a nice kind of breath of fresh air in a way.
I mean, anyways, that's enough digressing here.
We have connected back into the obliques.
Our beliefs are attached on top of our pelvis.
And I'm actually going to shrink the shoulder just a little bit more up here because it looks a little
bit too broad.
You want to erase the inside skeleton, go ahead and do that.
Sometimes it can be a little bit.
Little bit distracting so he can go ahead and recess, so here I'm going to add in the spine area and
then I'm going to add in the clavicle on that clavicle, the scapula, the back.
Should be a little bit bigger, I believe.
Well, I think that should be good enough.
If you want to add a little bit of muscle definition, go ahead and do that as well.
It depends on your character.
And we can just extend out this arm again.
Yeah, so far, so good.
Looks nice and smooth.
I know that her boobs are big or many, many kinds of boobs aren't really that big except for some.
But I want to add just a little hint of it, just to kind of give more curvaceous, give more of a curvaceous
feel.
Just because her arms kind of blocking the way.
Now, let's go ahead and draw the bottom part so girls torsos tend to be a lot longer, while the legs
tend to be shorter looking.
So this is completely normal.
My legs tend to be shorter than my torso.
And it's also more attractive to look at a longer torso because it feels very legs stretched out.
So, yeah, here we have the abductor's.
Kneecap.
We have the of Morris kind of bending out and we have the calf muscle kind of bunching up a little bit.
So because I'm not putting a lot of muscle definition, it looks a lot smoother and more feminine,
so as you can see, that creates a big difference.
So sometimes when you create a male character that is more feminine looking or more androgynous looking,
most of the work can just be done by smoothing out their features, not necessarily putting more curves,
because that's more that's more feminine, but just smoothing out their muscle structure so it looks
more.
What's the word not as aggressive as I was going to say Beita, but that's a little bit too harsh.
I'm kidding.
I'm kidding, guys.
Anyways, so here we have the heel.
And we have the bottom of the foot, and because it's on the outside, we have the pinky toe.
So that can bend backwards, bend out more.
What I mean.
Had a little bit of thumb just for more flair, now let's go ahead and draw the other leg.
I think it should be a bit more straight than what I had earlier.
So once again, abductor's.
By sophomore's, kind of just hinting at it right there, kaf kneecap KAF.
We can erase the skeleton.
And I will be drawing different types of male and female bodies, so stay tuned for that.
And here we have the heel at the bottom.
And we can't indicate the big toe and then the other toes at the back, so that is our back view for
the girl.
In fact, I feel like I said, let me think.
I think it looks fine as it is anyway.
That's it for this video.
Let me know what you guys think, and I will see you guys in the next one by.
Can't find what you're looking for?
Get subtitles in any language from opensubtitles.com, and translate them here.