Original subtitles

Hey, everyone, so now that we got we've gone through most of the body, you know, the torso, the

back, the legs, back use inside these and the arms as well as the hands and the feet, we can just

start pulling all together.

So let's go and get started on that.

So I'm not going to really start on the head very much just because I will be covering that in the other

section later.

But anyways, let's just get started on the back of you.

So the back view is just very, very simple.

Once again, we try cranium.

Make it small enough so that we can drop the whole body, but I have to zoom out for that.

Let me see if I'm zoomed out right now.

Yes, I am.

So I'm just got to move down, I guess.

So anyway, so let's go ahead and try the back here.

We have our cross section towards the middle.

And then we have at the one third mark.

It was good that Ronder that the one third mark, we had the crosshairs, it's supposed to be more upper

so far from clear my throat sorry that I'm clear my throat.

Sorry because I choked on water earlier anyways.

So let's go ahead and do our cervical spine.

One handlings.

Find two head lengths.

Lumbar.

No, and then our tailbone simple,

then we have a ribcage.

Which is sort of round and curls in at the back part here.

If you want, you can even add in the mask for the face.

And here we have the base of the neck, which is can be modified to a cylinder.

Here we have the pain in the neck or the the end of the neck here.

We moved down one and then our scapula one hand length.

See the other side and sort of more skewed in perspective, so make it a little bit more narrow.

See if we can move a little bit closer on this.

They're.

And from here, we can connect our trapezius across.

Here's the collarbone or the kind of bone that kind of sticks out from the scapula.

This is what's the bonus cap that kind of goes so it kind of goes across, but anyway, same thing here.

We had the we here we have the ear.

We have the sternoclavicular asteroid coming from the bottom of the ear and then reaching over to the

front.

Then we had the trapezius kind of going cross.

The back and it ends about.

And about the end of the year could be a little bit shorter.

If you want to add an army, go ahead and do that.

In fact, I really I think I should erase some of this just a little bit because I want to put some

skin over this.

So rather than just putting in all the muscles and making it look like a core shade sculpture, I want

to, you know, put in the skin over on top.

So here we have our obliques or PEX.

The satellites are coming through and wrapping around here is ah, I think I believe it's our erectus,

Binay or InfoSpace Naidus No actually that's our Schepper.

We don't have to worry about that too much.

Let's put out this scapula just a little bit so we can kind of see what that looks like from the back.

For our glutes, we can go ahead and lift the muscles up here.

And then here we have the buttock area.

Notice how when it comes to the man, the torso is a lot a lot bigger.

Or more triangular, so when it goes down.

It feels more triangular and angled this way.

Zoom out now.

You can go ahead and bend this arm just for the sake of it here, we can just relax this down here is

the elbow and here is where the hand is.

I'm going to do what we do, the legs.

I can go ahead and just mark that really, really quickly so I can go ahead and kind of tell where the

the butt is facing.

I believe it's more this way.

In fact, I should have made it more this way.

But I'm drawing the box here.

Here we have the leg, which can be simplified into rectangles.

And then we can just add detail later.

Here we have the FT.

So here we have a just a very, very basic pose and let's just continue on detailing these.

So when it comes to putting skin on the back, we just have to indicate the muscles.

So areas like, you know, the indentation of the obliques, the spine a little bit, we can also include

the spine here.

And for more muscular men, these muscles will be popping out a lot, so if you want to emphasize more

the muscles than just draw the muscles more.

In fact, I would also suggest that you guys look at some reference I had, I have my reference on hand

on the other side of my screen.

So that's that.

Jessica.

They're.

So if you want to have this more more well-known, you could add in the shape of the muscles, but you

don't have to really do that.

That's from bodybuilders.

You have the trapezius that we can kind of hint at a little bit.

You have the lots we can also indicate.

As well as are the tubular muscles here, if you want, you can also add some motion lines to this meaning

like form lines.

You have the glutes.

Fima.

You have the doctors, the doctors here are doctors.

Thigh area illegal to be tracked and maybe a hint of the bicep for Morris.

Just erase us so we don't get too messy here.

This is a nice little indication of where the base of a Morrises.

And here we have the calf, which is eight, which is kind of like a muscle that Kaspersen to a little

bit, but you don't have to do that too much.

We can add a little bit of the average here just to kind of show where it ends and where the tendon

goes.

Here is the kneecap or the fat part of the knee of the kneecap.

In this music kind of pushes out a little bit.

So see the other side?

This one's more frontal.

Usually adding a hook to the muscle here at the end gives it more form and therefore gives it more life

liveliness.

Here we can add in the heel, which is our little Achilles tendon here.

Then we can add the front of the box or the toolbox here.

This one's more facing us, so we don't really see much of the front.

By the way, your toes kind of go inward like this in the opposite direction, so some people would

often draw two left feet and the reason was because they don't know exactly what direction their feet

are in.

Just make sure that when you are drawing the feet, the toes are always facing each other, not on the

other side, not they're not in the same direction like this.

They're like this.

I don't know if they just just made sense, but that's how I like to do it.

So here is our full body, except for the arms, which will do right now.

So I think I'll be making several videos on how to draw different sides because this is actually taking

a lot longer than I thought it would.

So here you have the deltoid deltoid which crosses over underneath the over the scapula here.

And here we have our.

Here we have our tricep.

A little bit of the bicep in between.

Q At the elbow here, we have our back of the arm, the forearm.

I believe this is our thumb is facing this way.

Let's have the hand kind of turn a little bit.

So here we have our hand.

We have the Thung and this is more clenched in a fist like manner, this would be the break your radials

and this will be the other side of the.

The Flexner's.

Now, let's do the other side deltoid.

Bicep bit a tricep here.

Elbo.

Forearm or brachial radials?

Which kind of has this nice little bump kind of coming through.

And they have the back of the hand, which we can just show he's like putting his hand on his hip.

So let's go ahead and just show you guys I'm going to show you guys what this looks like.

In fact, I'm actually going to a.

Indicate the back a little bit more right there.

So here is your body, you have your trapezius, your deltoid, your back muscles, which you can also

describe with, you know, some motion lines here and there.

This guy, a very lean and muscular body, so that is our back view.

Let me know what you guys think and I will see you guys in the next room about.