All language subtitles for Homicide.Life.on.the.Street.S04E03.Autofocus.1080p.PCOK.WEB-DL.DD2.0.x264-NTb_track4_[eng]

[chatter in the background]

Something strange
is happenin', y'all noticing?

No, what do you mean, "strange"?

I don't know,
somethin' in the air, you know?

Hmm, it's Gee.
He's been actin' funky.

It's like,
you make eye contact with him,

he looks away, like he's--
he's distracted or something.

Isn't he always like that?

[Munch]
You're paranoid, Meldrick!

Paranoid? What do you mean
I'm paranoid? Paranoid of what?

You're afraid Gee
set you up with the new guy.

You've been begging and begging
for a new partner for months.

And you're faced
with the possibility of failure.

Failure? Failure?

Yeah, yeah, you've been
partnered with us at least once,

and every case
turned out to be a disaster.

That's not true, Munch.

You don't make it
with Kellerman, you're dead.

Now, I am first
on line for a partner, okay?

I've been alone
longer than anybody else.

I would prefer
to work with somebody, okay?

I'm ready.

Hey, Kellerman, what's up?

What's up?

That's Crosetti's desk.

That's my old partner, Steve.
He used to sit there.

[alarm blaring]

What the hell is that?

May I have
everyone's attention, please?

We need to evacuate
the building immediately.

Now, take all
the essentials you need,

relating to the cases
you're working on.

But we must be
out in five minutes.

So, move!

[blaring continues]

[police radio chatter]

[police siren wailing]

What the hell is it this time?

Gas leak.

- Gas leak?
- Yeah, a pipe
broke in the basement.

The whole building
could explode.

I told you
there was somethin' in the air.

How long
until they get it fixed?

- Oh, we're not sure.
- Ballpark? Half hour? Hour?

- It could be as long as a week.
- [Bayliss] A week?

I left
a tuna fish sandwich on my desk!

Let's just hope in the meantime
nobody gets murdered.

Frank, it's a gas leak.

[blaring continues]

[theme song playing]

I can't find the
crime lab report
for the Marsh case!

Hello? Hello? Hello!

Lewis and Kellerman,
Harlem and Fremont.

A woman's been shot.

Am I correct in assuming you're
givin' me a partner here, Gee?

I'm giving you a case.

I'm giving Kellerman a case.
Same case.

I'll give it to Captain.
Where's the keyboard?

[officer] Right there.

Oh, and Kellerman, by the way,

we don't wear jeans in Homicide.

Pants, khakis, chinos.

Nino Cerruti, if you feelin'
fashionable.

Anybody here holding
a set of car keys?

Half the cars are in the shop
for repairs anyways.

Hey, Gee, I'm gonna need
cab fare or another car.

Go and wait for the next car
to come in.

If I have to, I'll have
a uniform car drive you,
now, Go!

Go! Go! Go!

[Kellerman] I understand
you like ridin' shotgun.

[Lewis] Who the hell
told you that?

[Kellerman] I'm a detective,
I do my homework.

You were talking
to Bayliss, right?

Well, if he gave you
some sob story about me

smacking into the back
of the ME van,

well, that was not my fault.

I like driving, you don't,
so, I'll drive.

- [tires screeching]
- Whoa!

- You done with that?
- [Pembleton] No. Not yet.

I got a stabber in [indistinct],
Bayliss in here?

[Lewis] In there.

He shouldn't leave a department
vehicle running like that.

Yeah. It could get stolen.

Lieutenant
said take the first car in.

- We shouldn't.
- You're right.

Grand Theft Auto, baby!

- Hey! You son of a--
- [tires screeching]

You sons of bitches!

[police siren wailing]

- You want this one?
- Want what?

- Want to be the primary?
- Nah, you be the primary.

All right, that's cool.
That's all right, I understand.

First case, you know,
in over your head.

I didn't say that,
I just think it would be better

if I back you up,
cover your ass.

Yeah, right,
right, right, play it safe.

Let me just tell you one thing.

You gotta do
everythin' I say, all right?

Look, there's
nothing I won't do,

but some things
are gonna cost you extra.

[laughs] Hey, you, kid,
with the camera, beat it.

Yeah, would you
take your [indistinct]
behind that tape?

Could I get
a uniform over here--

Officer, I was
the first guy on the sight,

I mean, if you want me to go,
I'm gonna go,

- just don't block my shot.
- Don't block your shot?

- What's your name, kid?
- Uh, J.H. Brodie,
from Channel 8.

J.H. Brodie, aren't you a little
young for this line of work?

I just started part-time.

Are you working
your way through school?

I'm in grad school, I'm a major
in journalism right now.

- [Lewis] Noble profession.
- When did you get here?

I got here
before the uniforms did.
I heard it on the scanner.

What did you see
when you got here?

Well, I was running with
the camera, at the same time
trying to get it started.

[Lewis] Wait, so,
you didn't see anything?

No.

Now, would you get back
behind the tape, please?

Thank you. See ya. [chuckles]

I don't know, Kellerman.

No evidence of charring,
not a gas can in sight.

How are we gonna utilize
your knowledge and expertise

from Arson
in this particular situation?

- Where's her purse?
- Maybe she ain't got one.

Do you know a woman
over 60 who doesn't?

Oh, now it's
about some purse snatcher.

And she resists,
bang, end of story.

Uh-huh.

Two entrance wounds.

One front, one back.

Shooter stood here,
capped her once.

Then he capped her again.

And then she fell.

Oh, it's Officer Schanne.

Have met
my illustrious new partner,

Mike Kellerman
of the barbecue squad?

[Schanne] Sure have, slummin'
with murder police now, Mike?

What can I tell you?

More importantly,
what can you tell us?

That couple over there,
saw the victim
just before the shooting.

Recognized her
as the sister of a neighbor.

Sister's name is Rita Clayborn.
Here's the address.

[Kellerman] We need to
get a positive ID, Lewis.

Let's go find the sister,
maybe she'll recognize this.

Hey, hey, let the lab boys
handle that, all right?

- Too late now.
- [Lewis] Yeah.

All right, well, let's go
canvass the people
in the cheap seats.

Bad news can wait.

Okay, fellas.

Wanna bag her up, and get her
off the street, please?

Minus that brooch.
She's all yours.

So, you two saw the shooting?

No, no, we saw
the woman before she was shot.

When we were coming back--

I nodded to her,
because I recognized her

from coming in and out
of Mrs. Clayborn's house.

I mean,
if we had been talkin' to her,

I might have been killed.

What's her name?

I'm not sure, I just know her

as, you know,
Mrs. Clayborn's sister.

What are your two names?

Gina Doolen.

- Doolen?
- Mm-hm.

And yours?

Jonathan

H-E-I-N-E.

-"Heine"?
- Heine.

And you both live next door
to the deceased woman's sister?

[both] No.

We're not married.

[laughs]
We barely know each other.

We're on a blind date.

[Jonathan coughing]

[J.H. Brodie] Hey, buddy,
would you cover her face for me?

Just cover her face. Great.

Yeah. Thank you.

Tell me everything
that happened,

'cause any small detail
you remember could help.

I'd just like to try
and forget the whole thing.

I understand,
seeing someone get killed,
I'd be shaken up too.

No, I mean the date.

He's the brother
of one of my co-workers.

She said I'd fall madly
in love with him.

Let me tell you,
if she thinks I'd go for him,

I have to seriously
rethink what she thinks of me.

"Where's the strangest place
you ever had sex?"

Excuse me?

That's what she said to me
right before the...
[imitates gunshots]

I meant it as a joke.

That woman's a real bitch.

So, um,
where's the strangest place

you've ever had sex?

Check.

[Giardello]
This move has done nothing

but wreak havoc
on my detectives.

- Kay?
- Yes, sir?

Come up a moment.

I mean, the building's
not being maintained.

The cars
are not being maintained.

My sanity's
not even being maintained.

This is typical
of how the Department is run.

You know, why did I think
sharing an office with you again

would be fun?

- Yes, Gee?
- I got somethin' for you.

I was kinda
lookin' forward to a big,

fancy promotional ceremony,

But with all this chaos,
I was delegated

to bestow the honor myself.

Here.

A Sergeant's badge.

You know, you had
one of the highest scores
in the history of the exam.

Congratulations, Kay.

Thank you, Captain.

- Congratulations.
- Thank you, sir.

Ah, Gee, now that I got it,
what do you want me to do?

Do?

Yeah, well, keep working cases?

Supervise the guys? What?

Kay...

I struggled long and hard
for the responsibility,

the power
that I attained as a sergeant.

You wanna know
how I achieved that power?

Yes, sir.

By carving out
a place for myself.

By letting those around me know
that I was responsible for them,

and that they were
responsible to me.

Kay, I think
what Al's trying to say

is that along
with the promotion--

I got it. Loud and clear.

And I won't let you down, sir.

- I know you won't.
- Thank you.

Hey, you guys get the guy
that killed Marsh yet?

If you had killed someone,
how long would you stick around

waiting for two
homicide detectives
to keep their appointment?

Okay, so, you missed him?

You knew where he was,
and missed him?

I had a slight
transportation problem.

[Howard] Okay.
You want some help?

All right,
he's got some help, he's got me.

[Howard] I meant
a little bit more help.

Ah, we can knock
some strategies around.

Look, Kay, I don't need
to knock some strategies around.

What I need to do
is locate my suspect,

so I can knock
his head around in the box.

Hey, wait a minute.
What are we using for a box?

You got it
right in front of you.

A vault?

I can't work like this!

No smoking in here, Pembleton.

- Frank, where are you going?
- Back to the old squad room.

Take my chances
with the gas leak.

Judy, do me a favor, find out
where Lewis and Kellerman are.

Maybe they need
some help with their
bus stop shooting, huh?

[Richie]
Ma, these guys are detectives.

Kinda late to come
knocking at doors, isn't it?

There was a murder
in the neighborhood

earlier this evening, ma'am.

There's always somethin'
going on around here,
isn't there Mom?

Richie, shush!

Let the man talk, why don't you.

Did your sister
visit you here today?

- Marsha?
- Yeah, she was here.

We played poker,
the three of us,
every Thursday night.

Will you shut up.
Why don't you shut up,
you little lazy son of a bitch?

I told you to take her
to the bus, didn't I?

I did, Ma. I did.

"Take your
Aunt Marsha to the bus."

All the time I ask you.

And you do
whatever the hell you want.

Mr. Clayborn, did you walk
your aunt to the bus tonight?

Yes.

Only I didn't wait
till the bus came.

She said she was all right.

[Lewis] No, she's not all right.

Is she dead, then?

Ma'am, is this your sister's?

It is.

- [Kellerman] What
was her full name, ma'am?
- Marsha Gould.

She was married to a Jewish guy.

Huh, it was
a big deal back then.

- Where's she at?
- [Lewis] Medical
examiner's office.

I'm afraid I'll have to
ask you to come with us,
and identify the body.

[Richie] It's not my fault.

You stay clear of me.

[Lewis] Did she carry a purse?

- Yes.
- Did anybody else play cards
with you here tonight?

No, not since
our husband's passed.

And Richie
never got married, of course.

Did Marsha win at poker tonight?

I mean, did she leave here
with a lot of money?

We never played
for more than dimes.

I won big tonight.

Tonight, I was lucky.

[Howard]
Hey, guys, how's it going?

[Lewis] Well, well, well,
what's this, the partner patrol?

Gee send you down here with your
brand-new Sergeant's badge

to check up on us?

Come on,
I thought of it all by myself.

So, what have you got so far?

Well, there's a lot of hostility
flying around that house.

The victim's family.

Yeah, they got
no problem letting
that hostility out either.

Richie
could have killed Aunt Marsha.

Hey, come on, now,
a lot of people have fantasies

about killin'
one family member or another.

It keeps us
solidly dysfunctional,
but not homicidal.

Even still,
I'd get consent to search,

and have a couple of uniforms
take a look for the gun now.

And talk to the bus driver.

You know,
the guys who work that route.

Find out if anybody saw anybody
getting on, hanging out.

Standard
operational procedure, Kay.

We're on the money. No problems.

- [Howard laughs]
- No leads, either.

Man, you gotta keep
a positive attitude, Kellerman.

We've got us a warm body
laying there on the pavement,
we know who the victim is.

Everything's under control.

Why don't you
go on back to HQ, Kay?

Yeah, all right.

But I want a copy
of that autopsy report
as soon as you have it.

On my desk, huh?

See you, Sarge.

"See you, Sarge."
"See you, Sarge."

What's that supposed to mean,
"No leads either"?

- It's true.
- Yeah, I know it's true,
you know it's true.

She don't
have to know it's true!

This is
a regular routine with you,
conning your superiors?

Hey, first of all, she ain't
been my superior but one day.

And second...

you gonna be one
of them guys that
suck up to the bosses?

There's a big difference
between sucking up
and having a little respect.

Oh, yeah? [indistinct]
school did you go to?

You know,
everybody's right about you.

How's that?

You're a lousy partner.

[engine starts]

[reporter over TV]
And tonight at 7:30,
right after the Channel 8 News,

Ann Suttern
and Jerry Van Dyke...

All right, look, did you see it?

That guy was probably
the shooter, and I got him.

Got him, I mean,
the police need to see this.

They'll see it
when the rest of Baltimore
does on the six o'clock news.

Or I could make a quick copy,
and I could run it
over to Homicide.

Once the piece has aired,
they get all they need.

- Not before.
- Why?

Because Channel 8
owns the story.

We get to put it on the air.

That's what makes it news.

He could have blown me away, too
if I would have gotten there
maybe four seconds faster.

I mean, don't you care
that they catch the guy?

If I let that tape
out of my hands,

I lose all control
over who sees it,
and who gets a copy.

JZ? BAL?

There goes my exclusive.

Yeah, but there's a killer
out there, all right?

And what happens
if he kills again,

and we could have stopped them?

It's my tape. I shot it.

Show them that tape,
and you'll have

the shortest news career
in television history.

I say we go to the ME's,

and see
what the autopsy has to say.

[Kellerman] That's a good idea.
You wanna stop for coffee?

Yeah, sounds good.
How about I buy?

[Kellerman]
All right. Thank you.

Two coffees there, buddy,
one double-double and one--

- Black for me, please.
- [Lewis] Black for him.

- [vendor] Right, that's a black.
- Thank you very much.

- [vendor] One regular.
- Thank you.

- That's a buck 78.
- A buck 78.

- There you go, buddy.
- You guys want a Danish?

- You want a Danish?
- Are you gonna have one?

I'm good.
Okay. Nah. No Danish, then.

- You're sure, right?
- [Kellerman] Yeah. No Danish.

- It's done, man.
- [Kellerman] What
kind of Danish you got?

You know what I feel like?

What's that?

That couple we met last night,
the blind date...

you and I
have been thrown together,

and we got off
on the wrong foot.

Now we're both trying
to get back on the right foot.

Why do you think
I sprung for the Danish?

I'm not used to
having a partner,
in Arson we don't work that way.

From what I hear,
you and your partner
were close, right?

Crosetti? Yeah.
He was a good policeman.

I mean, he had his faults too,
like everybody else, believe me.

But-- I mean, he used to
chew with his mouth open.

[Kellerman] Losing
your partner's gotta be tough.

Yeah, you know.
Time heals. I'm fine now.

Enough!

- About time.
- Huh?

Your second hand smoke
was really makin' me crazy.

[Kellerman] Yeah?

It was making me crazy, too.

[Howard] Nah, it's coming in.

- Machinery.
- Howard?

Thanks, Graham, hang on
just a second, would you?

Hey, I'm on the phone here.

ME says
you got my autopsy report.

[Howard] Yeah, thought
I'd get a head start.

Marsha Gould was shot twice.

9mm rounds.

First bullet killed her,
severed the brain stem.

What, so,
the second time he fired was--

Just for fun.

I'd go for a polygraph
on the nephew.

We did a list of the usual
suspects from Narcotics.

Maybe by then the shooter
will turn himself in.

All right,
give me the bullets, okay?
[indistinct].

It's done,

[indistinct] just
faxed this over from Firearms.

- Hey, Kay?
- Hmm?

Who's the primary here?
Me, right?

Yeah, I know,
I'm just tryin' to move

the investigation along
a little more swiftly.

No, no, what you're doing is
you're trying to make me
look bad, all right?

Now, sergeant or no,
you just keep your face
out of my case, all right?

You got that or do you need me
to write it down for you?

There's only
one bathroom downstairs,
and it's got a urinal.

Tell me what's up with Gould.

Ballistics best estimate,
we're looking for a Colt.

But we can't
rule out the 9mm AMT.

That's it for physical evidence.

And no gun
was found at the Clayborn's.

Well, let's keep the make
of the gun out of the press
for the time being, okay?

Mrs. Gould usually
caught the bus at 10:07,

but last night it ran late.

Yeah, we talked
to three bus drivers
along the route,

hear no evil,
see no evil, speak no evil.

[Kellerman] That's all
we got right now, Lieutenant.

[Giardello] That's it?

The woman
was shot at 10:15 at night,

on a street heavy
with pedestrian traffic,

and the only thing
you know for sure

is the schedule
of the Baltimore MTA.

This case is 12 hours stale.

Let's be thorough, gentlemen,
but let's not waste any time.

- [Lewis] Whose time?
- Yours and mine.

[sighs] Is that why
you sic'ed Howard on us?

[Giardello] What the hell
is that supposed to mean?

She's been hound doggin' us
from the get go, Gee.

I mean, I'm under enough
pressure as it is without her
peeping over my shoulder.

[Giardello] That's her job now.

Hi. Hi.
I wanted to talk to you, sir.

I'm supposed
to know who you are?

J.H. Brodie, uh,
Channel 8-- Channel 8 News.

[Giardello] That's all I need.

That's Public Information.
Which is where?

The basement. Room 011.

- [Giardello] That's it, Brodie.
- [J.H. Brodie] Could you give me
two minutes, please?

- Um, I'd like to--
- I said no.

- Would you just listen
to me for a second?
- [Giardello] I said out.

Look, I came
all the way up here to show you
I'm riskin' my ass on this job.

Will you tell me if you're
onto a suspect, you big meany?

Get the hell
out of my squad room, right now!

Go on, get out!
Right now, you son of a bitch!

Get outta here!
Go on, get out of here!

If I were
the two of you I'd thank--

What are you smilin' at?

I would thank my lucky butt
that a detective like Kay Howard

is willing to help!

Damn!

Now if you could
holster your egos,
I want this case closed.

And, Kellerman, I don't want
to see you wearing jeans
in this squad room.

Pants!

This is a police unit,
not a bean field!

[Pembleton] You slit his throat.

You slit his throat, didn't you?

Didn't you?

Okay.

Get out.

Frank, why don't you go home?
Be with your wife.

What are you talkin' about?

She's pregnant.

She needs you more than I do,

so, why don't you go ahead?

I'll take care of
the Marsh case.

[Pembleton] This is my case.
I take care of it.

Well, you know, you're all, um,

you're just--
you're discombobulated.

Of course I'm discombobulated!

I work in a safe deposit box
for God's sake!

- Look at this!
- [whirring]

What is it?

[Bayliss] You know,
you're discombobulated
because your life is changing.

- [Pembleton scoffs]
- Yeah.

So, I'm here to tell you
that if you need to take
time off,

you know, after the baby comes,
spur of the moment, whatever.

I'm here,
I'm gonna pick up the slack.

Well, why would I need you
to pick up the slack?

- What's gonna change?
- [Bayliss] You're having a baby!
A baby!

Your life, Frank,
it's gonna change.

- [Pembleton] It's not.
- Yeah, it is.

- [Pembleton] No, it's not.
- [Bayliss] You're in denial.

- No, I am not! No, I am not.
- [Bayliss] You are in big D.

No, no, no, no, not at all.

I'm not the kinda person
that gives up
everything they enjoy

just because a baby
comes into the picture.

Right, now, of course, there--

there will be some,
um, minor adjustments.

Um, um, I won't get much sleep
the first few months.

But, uh, then again, um,

I don't get much sleep
anyway so, you know.

You don't have
any choice in this, Frank.

Okay?

See, my friends who have kids,

they say that everything,
every single thing,
it all gets reshuffled.

You see,
the dreams, your ambitions,

your, uh, your attitude
towards work, Frank.

Nothing about work is--
Nothing, nothing,

nothing about work
is gonna change!

There is nothing
about being a father

that effects anything
about being a detective!

The most
that we're gonna have to do,
the most,

is turn the den into a nursery.

That's it.

- Can I go now? Can I go?
- Yeah.

I'll leave it to you
to turn the wonder of life
into a decorating problem.

Get out of here!

Frank doesn't like
the interrogation room here.

It's just-- It's too small
for his technique.

Kind of like watching
Pavarotti sing in the shower.

Hey, is this anyone's apple?

I was talking
to one of the patrol officers,
works Hollins Market.

The route Marsha Gould took
from her sister's

to the bus stop
down Harlem Avenue,
across Schroder to Freemont,

purse snatch central.

Apparently Southwest's
been investigating

a rash of purse snatchings there
for the past few months.

That's a pretty big leap,
huh, Kay?
Purse snatching to murder.

Your victim have a purse
when you found her or not?

I talked to the guy
who works in the Felony Squad,
Jim Lakowski.

- He's close to an arrest.
Maybe I should send you down.
- [Lewis] Lakowski?

- Oh! Oh, sorry!
- Oh, geez!

- You okay?
- [Howard] Yeah. Sorry.

- Hey, Kay?
- [Howard] Mm-hmm?

Um, why don't you
and I have dinner tonight?

Uh, sure.

- [Russert] Great!
- Oh, no! I have a date.

[Russert] Oh.
Well-- well tomorrow, then?

- Okay.
- [Russert] Good. My treat.

Celebrate your promotion,
talk about
what you're up against.

Oh, hey, wait,
is this some kind of
female bonding thing?

- Part of the job description?
- You know what?

If I recall correctly,
you would have made a big deal

out of my being
the first woman lieutenant.

Yeah.
And you wouldn't take
the compliment.

Told me something
about being better off

- not thinking of myself
as a woman.
- Yeah, that's right.

Or as a man for that matter.

You know,
you start overcompensating here,

playing tough,

you're gonna lose these guys.

That's their problem.

No. No, I think it's yours.

For example,
the way that you're handling
Lewis and Kellerman--

I'm not handling them.
I'm supervising.

What you're doing
is diminishing
their self-respect.

You're undercutting
their freedom to move.

Now look, Kay,
sometimes the best way to lead
is to follow.

Look, I'm just doing my job.

If anyone plays up
the woman thing around here,
it's you.

You're soft-spoken,
nurturing, deferential.

And it's not my style.

And I'm not gonna change
the way I am,

not for you,
not for the men below me.

So, hey, listen,

thank you very much
for the dinner invitation,
Captain, but, uh,

I don't think it's a great idea.

[Kellerman] But I say
we need to do a very separate--

[Brodie] You guys
gotta take a look at this tape.

You heard the Lieutenant.
Back off.

If you're not onto a suspect,
I might have the answer.

[Lewis] You want
to give us this answer
or you want to jerk us around?

Let me put it this way,
when I told my station manager

that I wanted to come here
and show you this tape first,
he said he'd fire me if I did.

And we should care 'cause?

Just forget it.
Forget it. I don't need this.

[Kellerman] Hey, hey,
Mr. Sensitive,
what have you got?

I got something
without realizing it,

and I think
the shooter's got a cameo
on this tape.

Keep talking.

Well, I'd like to see this wacko
behind bars now,

rather than wait
for the six o'clock news.

But I'm gonna lose my job.
Unless you do something for me.

Let me guess.
You want to be there
when we make the arrest?

[Brodie] Yeah, with my camera.

And if I'm right,
and you do get him,

then maybe I can save my ass
with an exclusive.

So look,
if your boss blames you,

you just deny
that you gave us the tape.

- We do it all the time, huh?
- [Brodie] Nah, it won't work.

- He'll know.
- Can't we just
subpoena the footage?

Not before it airs at six.
Just let me come with you.

What makes you so damn sure
you're right?

You guys
are looking for a Colt, right?

- [Kellerman] Who told you that?
- This. This did.

Okay. All right. All right.

If this tape by itself,
leads us to the suspect,

and no other information
comes in that leads us
to the suspect,

we will make you this deal.

You can videotape us going in

and you can videotape us
coming out.

But I gotta be inside
to be able to get it.

[Lewis] No, no,
no, no, no being inside.

It's too dangerous in there.
You'll get yourself killed,
the city gets sued.

- But I've been inside before.
- [Lewis] Nah. Nah. Look it.

Never mind
about being inside, all right?

We will give you the information

when we have
the situation secured,
all right?

- I'm the only camera.
- Yeah.

Unless you give out invitations.

[Kellerman] Come on,
let's just look at the tape.

Matthew Brady really started
this whole thing,

taking pictures
during the Civil War.

But it wasn't until Korean War

that TV guy
came into the picture.

It was Charlie Mack,
Edward R. Murrow's cameraman.
Guy was nuts.

They'd drop him off
on the middle of a--
middle of a mountain top

with gunfire bursting
all around him.

That guy just keep
the camera rolling, you know?

He was nuts. He had no fear.

So I wanna go overseas,
maybe shoot a war.

Yeah, with the way
things are going
in this country,

you won't have to go overseas.

- [Brodie] Hang on. See that kid?
- [Lewis] Where?

[Kellerman] You move
the camera around so much
I'm getting dizzy.

Well, these are two kids I saw
when I was going away
from the crime scene.

Did they say anything
about what happened?

[Brodie sighs] No, they said
they missed the whole thing,
but, I mean,

this is the first footage
I shot,

so they must have been there.

All right, now watch.

Right there! You see that?
And that guy,
in his hand, look!

[Lewis] Hey, go-- go back.
You didn't see that gun
at the time?

No, I was-- I was too busy.

I was thinking
I was gonna trip or get shot

and I must have been looking
at my feet.

Now watch carefully.

- Right there!
- [Lewis] Well, freeze frame
right there!

- Right there!
- [Brodie] Right.

- [Kellerman] You think
that's enough for a warrant?
- [Lewis] Bingo.

- [Lewis] That looks like a Colt
to me.
- [Brodie] Yeah.

Yeah, we got enough
for a warrant
if we can ID these kids.

- [rock music playing]
- [song lyrics playing]

[*]

- Do it again. One more time.
- One more time.

Make me famous, cuz.

[Trevor]
You shot me nice, James!

[James] Here we go! Here we go!

- [gunshot]
- Wow! [laughs]

Wait a minute.

- I got something else for you!
- [James] Keep going, keep going.

- [gunshot]
- Boom!

[Trevor] Pow! [laughs]

[James] This shot's
the best yet, look at it.

Damn!
You see the look she gave me?

- You get all that?
- [Trevor] Oh, my God, bro.

Move over, Wesley Snipes.
The camera loves you, man!

So, our shooter's name
is Trevor Douglas,
and he got a cousin named James.

Some petty theft, vandalism,
ripped off a video arcade.

- It's all kids' stuff.
- Yeah, well, kids get bored
of the same routine, you know?

It's like diving off
a diving board.

They wanna take it
to the next level.
Do more damage.

The bigger the risk,
the bigger the rush.

- Hey, Kay!
- [Howard] Mm-hmm.

[Lewis] We're going
after a search and seizure

- on our bus stop shooter.
- Great.

Let me know when you get ready
for an arrest,

- I want to go along with you.
- [Lewis] Yeah, yeah, yeah.

Hello? Hello? Hello?

Hey, Sarge,
got plans for tonight?

Why is everybody
suddenly so concerned
with my social life?

We lost another bartender
over at the Waterfront.

Since Bayliss and Lewis
are hip-deep in crime solving,

I'll be bar tending
there tonight.

Won't you come by?
I'll buy you a drink.

We'll celebrate
you becoming sergeant.

Don't patronize me, Munch.
I'm in no mood.

I'm offering you free liquor.
How does that come off
as patronizing?

You know,
everybody around here thinks

that because you beat me out,
in the exam,

that I'm holding
some kind of grudge.

We'll I'm not.
I'm genuinely
happy for you, Kay.

Thank you, John.
That's almost sweet of you.

Well, I'm working
on my feminine side.

So, am I gonna see you tonight?
At the Waterfront?

No, I got a date.

Bring the guy along.
I'll get him all liquored up
and drunk.

- That way you're sure to score.
- Who says it's a guy?

- [knocking on door]
- Let me handle this, all right?

- Okay.
- Detective Lewis,
what can I do for you today?

We've got a suspect
in last night's shooting.

We just need your John Hancock
on a search and seizure.

[Aandahl] The woman
at the bus stop,
glad to hear that.

Hi, I'm Mike Kellerman.
I just came over from Arson.

My mother refuses
to leave her old neighborhood.

She's feisty, full of life,
tougher than nails.

The death
of this Gould woman scared her.

- Too bad you don't have enough
for an arrest.
- [Kellerman] We're close.

- You don't really have enough
for the search.
- We do!

We-- we-- we got
the Douglas guy at the scene.

We have him on videotape
showing off a 9mm Colt,

the same kind of gun
that killed Gould.

How many people do you think
carry that particular gun?

- [Lewis] Well, hundreds, but--
- Any one of them
could have killed that woman.

Could have, but didn't.

Could have is all the jury needs

to find Douglas not guilty.

- [Lewis] Yeah--
- We've been through this,
Detective Lewis.

You can't come in here hoping
I'll be in the right mood.

Showing just cause
is more cut and dried than that.

We've got the guy, Your Honor.
We just need the gun
to prove it.

And I don't want it thrown out
because some other judge decides
the search wasn't appropriate.

Why isn't it?

[sighs] Your new partner
over here has a reputation

for elaborating on evidence
that isn't always solid.

You do?

So, what about me?

- I don't know you.
- [Kellerman] Exactly.

So, you have no reason
to doubt me.

Unless this albatross over here,

that I didn't even know I had,
is being held against me.

Now my reputation is perfect.

I guarantee you
a by-the-book search
beyond criticism.

We're building good evidence,
Your Honor, it's gonna hold up.

I'm not big on second chances,
Detective Kellerman.

- Do you understand?
- Yeah. I won't need one.

- Great.
- Thank you.

Your Honor.

Well, Trevor's not in there.
Neither is James.
But we got the gun.

There goes my exclusive.
There goes my job.

Yeah, I'd rather have this baby
and no Douglas,
than Douglas and no weapon.

- Yeah.
- We're close.

You two want to stick around?

- [girl] No point in that.
- What?

There's a big party
after the wedding.

- [Kellerman] Trevor went
to a wedding?
- Yeah.

At the Emmanuel-- Emmanuel--

- Emmanuel Community
Christian Church?
- [girl] Yeah!

I'd be there too,

- except I think
I got the measles.
- [Kellerman] Oh.

[girl] Now I'm probably
gonna get killed

- for letting you in.
- Nah.

James and Trevor
don't like people messing
with their videos.

No way, you're really gonna
arrest this guy
in the middle of a wedding?

- [Lewis] Hey...
- [whispering] Get away
from there.

...Douglas' social calendar
ain't my problem.

He doesn't deserve
our consideration.

Well, what about the bride
and the groom?

You know how people like
to retell their old
wedding disasters stories?

This one's gonna be
extra special.

- [tense music plays]
- You wait here.

[pastor] Do you take Arabella
to be your lawfully wedded wife?

[Trevor] I do.

Do you take Trevor

- to be your
lawfully wedded husband?
- [Arabella] I do.

[pastor] Then,
by the power vested in me,
I pronounce you husband--

- [Lewis] I'm afraid I'm gonna
have to object to that.
- What?

[man] Who the hell are you?

- [Lewis] Trevor Douglas,
you are under arrest.
- Excuse me.

- Nobody [indistinct] to joke.
- You do this?

Trevor Douglas,
you are under arrest
for the murder of Marsha Gould.

- Sorry, Pastor.
- Murder?

Did you do that?
Did you kill somebody?

- Sorry, we couldn't wait.
- [Arabella] What? Hello?

I'm married
to this lowlife murderer,

and you're telling me,
"Sorry we couldn't wait?"

What took you so damn long?

- [woman] Here.
- [intriguing music plays]

[indistinct chatter
on police radio]

[Brodie] Hey, Lewis.
There's the other guy!

[Kellerman] Runner!
Runner! Runner!

Relax! Relax.

[gunshot]

Video taper.
He's the perfect witness.

He can't change his testimony,

and he can't forget
what somebody looks like.

Did you see the look
she gave me?

- You get all that?
- You found these tapes
in his house?

Yeah and about a dozen others.

[Giardello] Has he been charged?

[Kellerman] Yeah.
And the cousin.

The juvenile
court states attorney
has been notified.

They're gonna be tried
as adults.

I mean,
it's the perfect age, 17.

It's the prime time
to kill somebody
and start a family.

What's on these other tapes?

Well, it looks like
they've been making movies
for a year and a half,

starting with an art project
along the walls of Oriole Park
back in May.

From graffiti to murder
in a short 18 months.

We've watched
a few armed robberies,

but we've just started
looking at this stuff.

Yeah, we're gonna up
the clearance rate

in every department
before you finished.

It's good work, guys.

Sorry we didn't get a chance
to invite you along.

Whatever happened
to pirates and cowboys?

Adventures in space?

Yeah, well, no one else
got the arrest on tape.

Nick, it's in the middle
of a wedding.

- The guy's own wedding!
- [Nick] Just like up in Philly.

No.
That was a suspected robbery.

- And this guy is a murderer.
- Beside the point.

I told you
not to give that first tape
to the police.

Look, Channel 8 has a policy.
I know. Okay?

Maybe it's a bad policy.

Goodbye, J.H.

What, you're firing me?

[Nick] Leave
your station credentials
with security on the way out.

I'll hold on to this.

You'll get
your standard payment for it.

- Hi, John.
- Sarge, I'm sorry.

- For what?
- Your date.

You're alone.
It must have been a bust, right?

Uh, the truth?

Never had a date.

- Truth? I didn't think you did.
- [Howard scoffs]

- How about a drink?
- Yeah, that'd be great.

- Got any arsenic back there?
- [Munch] I got something
just as good.

- My specialty. Gin fizz.
- Mm.

[ice rattling]

You won't be disappointed.

You know the fabulous thing
about being a bartender?

People open up to you.

They tell you
their innermost thoughts,

their-- their deepest feelings.

A bar is-- It's like The Box.

People instinctively
want to confess.

I'm not gonna confess.

I'm not guilty of anything.
What?

Trying to do my new job
as well as I can?

I try to be helpful.

People think I'm overbearing.

Condescending.

You were right
not to take that exam.

[Howard sighs]

It's not so much
that I got in Lewis's way.

I got in my own way.
You know? I do that.

In work. In life.

Oh, my God. Listen to me.
I am confessing.

This is delicious.

- You wanna dance?
- No! [laughs]

Yes. No one will see.

There's nobody conscious here.

A few smooth steps on the floor.

- Have a little fun.
- [Howard] No.

- [Munch] Come on, Kay.
Let's dance.
- [Howard] Nah. [laughs]

I'll let you lead, all right?
Come on.

- [Howard] Really?
- Yeah.

- [Howard] Then let me lead.
- All right.

- [jazz music playing]
- [song lyrics playing]

Ah, you gotta follow
[indistinct].

You want me to take this one
or do you want it?

Either way.
I'm just saying I'll take it.

That's okay. You take it.
It's all yours.

- Fine.
- [Brodie] You guys need
some light?

- Yeah, that would be great.
- [Lewis] Hey, Brodie.

[Brodie] No problem.

- We heard you got canned.
- Yeah, I got fired.

[Lewis] I'm sorry to hear that.

Now, if you hadn't shot us
that tape,
if you had waited,

man, that murderer
would be on his honeymoon.

- We might never have got him.
- [Brodie] Well, I know.

That's what I told
the station manager

and he gave me
one of those looks.

You know, like people
in their forties give

to people in their twenties.

I figure,
screw the station manager,

I'm gonna go freelance.

- Bye.
- [Brodie] Just act natural
like I'm part of the furniture.

[Kellerman] Bye!

[*]

[theme music plays]