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[THUNDER]
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00:00:02,000 --> 00:00:07,000
Downloaded from
YTS.MX
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Official YIFY movies site:
YTS.MX
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00:00:12,300 --> 00:00:14,000
[RADIO STATIC]
5
00:00:14,000 --> 00:00:16,000
[MUSIC PLAYING ON RADIO]
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00:00:22,333 --> 00:00:23,933
LADIES AND GENTLEMEN,
HERE IS THE LATEST BULLETIN
7
00:00:23,933 --> 00:00:26,166
FROM THE INTERCONTINENTAL
RADIO NEWS,
8
00:00:26,166 --> 00:00:27,366
AND WE'LL HAVE
OUR COMMENTATOR
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00:00:27,366 --> 00:00:28,933
GIVE YOU A WORD PICTURE
OF THE SCENE
10
00:00:28,933 --> 00:00:30,533
AS SOON AS HE CAN
REACH THERE
FROM PRINCETON.
11
00:00:30,533 --> 00:00:33,733
LISTEN AT 6:00 TONIGHT
OVER THIS STATION, WEAF,
12
00:00:33,733 --> 00:00:35,766
NBC IN NEW YORK.
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00:00:35,766 --> 00:00:37,766
[RHAPSODY IN BLUEPLAYING]
14
00:00:46,566 --> 00:00:49,366
THIS IS COMING
ALL THE WAY
FROM 2LO LONDON.
15
00:00:49,366 --> 00:00:50,366
[BELL RINGS]
16
00:00:50,366 --> 00:00:51,633
[INDISTINCT VOICE]
17
00:00:51,633 --> 00:00:53,500
[FOOTSTEPS]
18
00:00:53,500 --> 00:00:55,166
[FOGHORN BLOWING]
19
00:01:01,300 --> 00:01:03,733
OUT OF THE FOG,
OUT OF THE NIGHT,
20
00:01:03,733 --> 00:01:05,566
AND INTO
HIS AMERICAN ADVENTURES
21
00:01:05,566 --> 00:01:07,333
COMES BULLDOG DRUMMOND.
22
00:01:07,333 --> 00:01:08,433
[GUNSHOTS]
23
00:01:08,433 --> 00:01:10,166
[WHISTLING]
24
00:01:10,166 --> 00:01:13,233
[RUNNING FOOTSTEPS]
25
00:01:13,233 --> 00:01:17,666
Man:
SOUND ITSELF ATTRACTS.
26
00:01:17,666 --> 00:01:20,800
ASK ANY EAVESDROPPER.
27
00:01:20,800 --> 00:01:30,100
SOUND IS THE FIRST STIRRING
OF THE INFANT.
28
00:01:30,100 --> 00:01:33,000
HE HEARS SOUNDS,
HE PUTS THEM TOGETHER,
29
00:01:33,000 --> 00:01:35,333
AND THEY COHERE.
30
00:01:35,333 --> 00:01:39,200
SOUNDS HAVE A ROMANCE.
31
00:01:39,200 --> 00:01:40,933
THE SOUND
OF A CRICKET AT NIGHT
32
00:01:40,933 --> 00:01:44,633
TO ESTABLISH MOOD
IN A RADIO DRAMA.
33
00:01:44,633 --> 00:01:46,566
VERY SIMPLE EFFECT.
34
00:01:46,566 --> 00:01:48,666
THE SOUND OF THUNDER,
35
00:01:48,666 --> 00:01:49,733
THE SOUND OF RAIN.
36
00:01:49,733 --> 00:01:51,733
[RAIN FALLING]
37
00:01:54,833 --> 00:01:57,000
THERE IS NO SOUND
ON THE MOON
38
00:01:57,000 --> 00:02:00,100
BECAUSE IT TAKES AIR
TO SUPPORT IT.
39
00:02:00,100 --> 00:02:04,700
THE VIBRATIONS OF AIR
CREATE THE SOUND,
40
00:02:04,700 --> 00:02:13,866
AND RADIO WAS A MEDIUM
WHICH EMPLOYED THAT MAGIC.
41
00:02:13,866 --> 00:02:15,433
COME ON, MEN.
WE'RE GAINING ON THEM.
42
00:02:15,433 --> 00:02:16,733
THEY'VE SEEN US,
TOM.
43
00:02:16,733 --> 00:02:17,800
RIDE, FELLAS.
44
00:02:17,800 --> 00:02:19,033
TELL ME, MR. MOODY,
45
00:02:19,033 --> 00:02:20,733
WHAT ARE YOUR FEELINGS
ABOUT THE RADIO?
46
00:02:20,733 --> 00:02:21,966
I DON'T HOLD
WITH IT, BOB.
47
00:02:21,966 --> 00:02:23,400
IT DISPLEASES YOU?
48
00:02:23,400 --> 00:02:25,733
I DON'T HOLD
WITH FURNITURE
THAT TALKS.
49
00:02:30,833 --> 00:02:35,833
♪ THERE'S A GREAT SENSATIONAL
WONDER TODAY, WE KNOW ♪
50
00:02:35,833 --> 00:02:40,966
♪ EVERYONE IS TALKING
AND FOOLING WITH RADIO ♪
51
00:02:40,966 --> 00:02:43,533
♪ IT'S A WIRELESS TELEPHONE ♪
52
00:02:43,533 --> 00:02:45,966
♪ I JUST BOUGHT ONE
OF MY OWN ♪
53
00:02:45,966 --> 00:02:50,500
♪ NOW I SIT AT HOME ALONE
AND HEAR THEM DISH THE DIRT ♪
54
00:02:50,500 --> 00:02:55,133
♪ BUT ALL THAT I CAN
HEAR IS...[STATIC] ♪
55
00:02:55,133 --> 00:02:58,333
Narrator:
RADIO MADE AMERICA
A LAND OF LISTENERS.
56
00:02:58,333 --> 00:03:03,233
♪ SOUNDS LIKE WILDCAT HISSES,
BUT IT'S BOYS AND MISSES ♪
57
00:03:03,233 --> 00:03:05,700
♪ MAKING SILLY WISHES... ♪
58
00:03:05,700 --> 00:03:10,266
IT ENTERTAINED AND EDUCATED,
ANGERED AND DELIGHTED
59
00:03:10,266 --> 00:03:14,266
AMERICANS OF EVERY KIND
AND AGE AND CLASS.
60
00:03:14,266 --> 00:03:16,600
♪ BUZZING IN MY EAR IS ♪
61
00:03:18,600 --> 00:03:21,066
♪ TRAVELING MEN
AND FEMALES ♪
62
00:03:21,066 --> 00:03:23,766
♪ LONESOME WIVES
AND HE-MALES ♪
63
00:03:23,766 --> 00:03:26,200
♪ SPOON BY DOTS AND DASHES ♪
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00:03:26,200 --> 00:03:29,133
♪ MAKING WIRELESS MATCHES... ♪
65
00:03:29,133 --> 00:03:33,633
IT TAUGHT THEM NEW WAYS
TO DANCE AND TALK AND THINK.
66
00:03:33,633 --> 00:03:37,366
♪ FILLED WITH LOVE TALES
BY THE SCORE... ♪
67
00:03:37,366 --> 00:03:40,000
IT BROUGHT THE WORLD
INTO THEIR LIVING ROOMS
68
00:03:40,000 --> 00:03:43,233
AND SOLD THEM THINGS
THEY HADN'T KNOWN THEY WANTED.
69
00:03:43,233 --> 00:03:46,800
STATION L-O-V-E SIGNING OFF.
GOOD NIGHT.
70
00:03:49,133 --> 00:03:51,133
[BUZZING]
71
00:03:59,300 --> 00:04:01,366
[MORSE CODE]
72
00:04:08,433 --> 00:04:12,133
AN ITALIAN-BORN INVENTOR,
GUGLIELMO MARCONI,
73
00:04:12,133 --> 00:04:15,500
IS REMEMBERED
AS THE FATHER OF RADIO,
74
00:04:15,500 --> 00:04:19,066
BUT THREE
VERY DIFFERENT AMERICANS
75
00:04:19,066 --> 00:04:22,966
WITH STORIES AS IMPROBABLE
AS ANY RADIO DRAMA
76
00:04:22,966 --> 00:04:26,733
WERE MOST RESPONSIBLE
FOR ITS ASTONISHING SUCCESS.
77
00:04:29,166 --> 00:04:30,466
LEE DE FOREST,
78
00:04:30,466 --> 00:04:33,533
A POOR CLERGYMAN'S
FLAMBOYANT SON
79
00:04:33,533 --> 00:04:37,866
WHO LIKED TO CALL HIMSELF
THE FATHER OF RADIO,
80
00:04:37,866 --> 00:04:41,466
ALTHOUGH HIS ENEMIES SAID
MOST OF HIS DISCOVERIES
81
00:04:41,466 --> 00:04:43,966
HAD ALREADY BEEN
DISCOVERED BY OTHERS.
82
00:04:47,000 --> 00:04:49,166
EDWIN HOWARD ARMSTRONG,
83
00:04:49,166 --> 00:04:51,600
A BRILLIANT,
WITHDRAWN INVENTOR
84
00:04:51,600 --> 00:04:53,566
WITH A FONDNESS
FOR FAST CARS
85
00:04:53,566 --> 00:04:56,233
AND A PASSION
FOR GREAT HEIGHTS
86
00:04:56,233 --> 00:04:59,866
WHO WANTED HIS INVENTIONS
TO ENRICH PEOPLE'S LIVES,
87
00:04:59,866 --> 00:05:03,033
BUT WHO WOULD SPEND A LIFETIME
DEFENDING HIS WORK
88
00:05:03,033 --> 00:05:06,666
AGAINST THE FALSE CLAIMS
OF OTHERS.
89
00:05:06,666 --> 00:05:09,266
AND DAVID SARNOFF,
90
00:05:09,266 --> 00:05:12,233
THE HARD-DRIVING IMMIGRANT
FROM RUSSIA
91
00:05:12,233 --> 00:05:16,466
WHO SAW INFINITE POSSIBILITIES
IN A HOBBYIST'S TOY,
92
00:05:16,466 --> 00:05:21,633
CREATED THE MOST POWERFUL
COMMUNICATIONS COMPANY ON EARTH,
93
00:05:21,633 --> 00:05:27,100
AND LET NOTHING AND NO ONE
STAND IN HIS WAY.
94
00:05:27,100 --> 00:05:28,433
WE INTERRUPT THIS PROGRAM
95
00:05:28,433 --> 00:05:30,166
TO BRING YOU
A SPECIAL NEWS BULLETIN.
96
00:05:30,166 --> 00:05:32,966
THE JAPANESE HAVE
ATTACKED PEARL HARBOR,
HAWAII, BY AIR,
97
00:05:32,966 --> 00:05:34,933
PRESIDENT ROOSEVELT
HAS JUST ANNOUNCED.
98
00:05:34,933 --> 00:05:36,900
THE GIANTS
WIN THE PENNANT!
99
00:05:36,900 --> 00:05:38,600
THE GIANTS
WIN THE PENNANT!
100
00:05:38,600 --> 00:05:42,000
THE GIANTS
WIN THE PENNANT!
101
00:05:42,000 --> 00:05:44,600
THE WORLD THESE THREE MEN
HELPED TO MAKE
102
00:05:44,600 --> 00:05:47,100
WAS ALTOGETHER NEW...
103
00:05:49,233 --> 00:05:51,433
BUT THEY WERE DRIVEN
TO CREATE IT
104
00:05:51,433 --> 00:05:53,233
BY ANCIENT QUALITIES--
105
00:05:55,266 --> 00:05:57,933
IDEALISM AND IMAGINATION...
106
00:05:59,800 --> 00:06:01,866
GREED AND ENVY...
107
00:06:02,966 --> 00:06:06,200
AMBITION AND DETERMINATION...
108
00:06:07,800 --> 00:06:09,966
AND GENIUS.
109
00:06:13,333 --> 00:06:17,000
ONLY ONE WOULD SUCCEED
ON HIS OWN TERMS.
110
00:06:20,166 --> 00:06:23,200
LET ME ASSERT
MY FIRM BELIEF
111
00:06:23,200 --> 00:06:25,900
THAT THE ONLY THING
WE HAVE TO FEAR
112
00:06:25,900 --> 00:06:29,600
IS FEAR ITSELF.
113
00:06:29,600 --> 00:06:30,600
CROSSING
BROOKLYN BRIDGE
114
00:06:30,600 --> 00:06:33,500
THAT MORNING
IN THE RAIN,
115
00:06:33,500 --> 00:06:38,133
I SAW A MAN LEANING
AGAINST THE CABLES.
116
00:06:38,133 --> 00:06:39,733
HE SEEMED TO BE
WAITING FOR A LIFT.
117
00:06:39,733 --> 00:06:41,700
THERE WERE SPOTS
OF FRESH RAIN
ON HIS SHOULDERS.
118
00:06:41,700 --> 00:06:45,566
LADIES AND GENTLEMEN,
THE STORY YOU ARE
ABOUT TO HEAR IS TRUE.
119
00:06:45,566 --> 00:06:47,900
THE NAMES HAVE BEEN CHANGED
TO PROTECT THE INNOCENT.
120
00:06:47,900 --> 00:06:49,900
[EVIL LAUGHTER]
121
00:06:52,033 --> 00:06:57,800
WHO KNOWS WHAT EVIL
LURKS IN THE HEARTS
OF MEN?
122
00:06:57,800 --> 00:06:59,800
[EVIL LAUGHTER]
123
00:07:01,966 --> 00:07:03,966
THE SHADOW KNOWS.
124
00:07:14,733 --> 00:07:18,166
THIS IS YOUR LIFE--
A PROGRAM FOR ALL AMERICA!
125
00:07:18,166 --> 00:07:21,333
AND NOW HERE HE IS,
MR.THIS IS YOUR LIFEHIMSELF,
126
00:07:21,333 --> 00:07:23,033
RALPH EDWARDS!
127
00:07:23,033 --> 00:07:26,433
HERE IN MY HAND
IS THE FIRST RADIO TUBE,
128
00:07:26,433 --> 00:07:27,933
THE MIRACLE SEED
FROM WHICH SPRANG
129
00:07:27,933 --> 00:07:31,733
THE ENTIRE MIGHTY STRUCTURE
OF RADIO AND TELEVISION--
130
00:07:31,733 --> 00:07:36,000
SONAR, RADAR, TALKING PICTURES,
GUIDED MISSILES, AUTOMATION,
131
00:07:36,000 --> 00:07:37,766
THE ELECTRIC BRAIN COMPUTER,
132
00:07:37,766 --> 00:07:40,500
AND LONG-DISTANCE
TELEPHONE COMMUNICATION.
133
00:07:40,500 --> 00:07:44,033
THIS TUBE WAS THE CREATION
OF ONE GREAT MAN
134
00:07:44,033 --> 00:07:46,700
WHO AT THIS MOMENT
IS SEATED ON OUR STAGE,
135
00:07:46,700 --> 00:07:48,866
SO PLEASE CUE BOB WARREN.
136
00:07:48,866 --> 00:07:50,066
YOU STAY SEATED.
137
00:07:52,300 --> 00:07:54,000
WELL, LADIES AND GENTLEMEN
OF THE TELEVISION AUDIENCE,
138
00:07:54,000 --> 00:07:55,366
I'M HAPPY TO INTRODUCE
139
00:07:55,366 --> 00:07:57,700
ONE OF THE GREATEST INVENTORS
WHO EVER LIVED--
140
00:07:57,700 --> 00:07:59,633
DR. LEE DE FOREST.
141
00:07:59,633 --> 00:08:01,700
[APPLAUSE]
142
00:08:04,133 --> 00:08:05,633
Edwards:
NOW, DR. LEE DE FOREST
143
00:08:05,633 --> 00:08:07,466
OF COUNCIL BLUFFS, IOWA,
144
00:08:07,466 --> 00:08:11,500
FATHER OF RADIO,
GRANDFATHER OF TELEVISION...
145
00:08:11,500 --> 00:08:13,833
LET'S FOLLOW
YOUR STAR OF DESTINY, SIR,
146
00:08:13,833 --> 00:08:15,466
BACK TO ITS
FIRST LIGHT, SHALL WE?
147
00:08:15,466 --> 00:08:16,700
YES.
148
00:08:16,700 --> 00:08:18,133
THIS IS YOUR LIFE.
149
00:08:18,133 --> 00:08:20,600
WONDERFUL.
150
00:08:20,600 --> 00:08:22,566
Woman:
OH, LEE DE FOREST.
151
00:08:22,566 --> 00:08:27,733
LEE DE FOREST
IS A WONDERFUL CHARACTER--
152
00:08:27,733 --> 00:08:32,966
A CHURL, A ROUE,
A CAD, A THIEF,
153
00:08:32,966 --> 00:08:34,433
A ROMANTIC,
154
00:08:34,433 --> 00:08:38,300
AND YET, PROBABLY THE MAN
MOST RESPONSIBLE
155
00:08:38,300 --> 00:08:42,333
FOR BRINGING RADIO BROADCASTING
TO THE AMERICAN PUBLIC.
156
00:08:48,733 --> 00:08:52,300
Narrator: BORN IN
COUNCIL BLUFFS, IOWA, IN 1873,
157
00:08:52,300 --> 00:08:55,400
THE SON
OF A CONGREGATIONAL MINISTER,
158
00:08:55,400 --> 00:08:58,833
LEE DE FOREST GREW UP
IN TALLADEGA, ALABAMA,
159
00:08:58,833 --> 00:09:01,066
WHERE HIS FATHER SERVED
AS PRESIDENT
160
00:09:01,066 --> 00:09:04,366
OF A SMALL, STRUGGLING COLLEGE
FOR FREED BLACKS.
161
00:09:05,900 --> 00:09:08,133
HE WAS A LONELY BOY,
162
00:09:08,133 --> 00:09:11,366
DISCOURAGED FROM ASSOCIATING
WITH BLACK CHILDREN
163
00:09:11,366 --> 00:09:15,100
AND SHUNNED BY WHITES
AS A HATED YANKEE.
164
00:09:15,100 --> 00:09:18,166
HE LOST HIMSELF
IN THE SCHOOL LIBRARY,
165
00:09:18,166 --> 00:09:20,566
READING PATENT OFFICE REPORTS--
166
00:09:20,566 --> 00:09:24,033
THEIR PAGES FILLED
WITH NEW DISCOVERIES.
167
00:09:24,033 --> 00:09:28,066
INVENTORS WERE AMERICA'S
GREATEST HEROES,
168
00:09:28,066 --> 00:09:31,766
AND LEE DE FOREST
RESOLVED TO BE ONE OF THEM.
169
00:09:31,766 --> 00:09:34,866
NOT EVEN HIS FATHER'S
FERVENT WISH
170
00:09:34,866 --> 00:09:38,500
THAT HE BECOME A CLERGYMAN
COULD DISSUADE HIM.
171
00:09:38,500 --> 00:09:40,866
"I AM DIFFERENT," HE SAID,
172
00:09:40,866 --> 00:09:42,600
AND HE DISMISSED
HIS CLASSMATES
173
00:09:42,600 --> 00:09:46,100
AT THE MOUNT HERMON SCHOOL
IN NORTHFIELD, MASSACHUSETTS,
174
00:09:46,100 --> 00:09:48,233
AS HAYSEEDS, FARMERS,
175
00:09:48,233 --> 00:09:51,766
IGNORANT, UNCOUTH,
ROUGH FELLOWS.
176
00:09:54,700 --> 00:09:57,000
THEY CALLED HIM MONKEY FACE.
177
00:09:58,666 --> 00:10:01,066
Man: HE WAS AN OUTSIDER
WHEREVER HE WENT.
178
00:10:01,066 --> 00:10:03,433
HE CONSTANTLY
HAD THE FEELING, ALSO,
179
00:10:03,433 --> 00:10:06,433
THAT HE HAD A MISSION
TO PERFORM,
180
00:10:06,433 --> 00:10:07,900
AND HE WROTE A DIARY,
181
00:10:07,900 --> 00:10:09,933
WHICH WAS
IN A VERY BIBLICAL LANGUAGE,
182
00:10:09,933 --> 00:10:11,266
AND HE WOULD
URGE HIMSELF ON.
183
00:10:11,266 --> 00:10:15,366
HE WOULD SAY THINGS LIKE,
"THE WHOLE MORNING WASTED,
184
00:10:15,366 --> 00:10:17,366
THREE HOURS
THAT WILL NEVER RETURN,"
185
00:10:17,366 --> 00:10:18,366
THAT SORT OF THING.
186
00:10:18,366 --> 00:10:20,366
AND HE SAW HIMSELF
AS A PILGRIM
187
00:10:20,366 --> 00:10:22,500
STRUGGLING TOWARD
SOME GREAT GOAL.
188
00:10:23,866 --> 00:10:25,866
Narrator:
AT THE SHEFFIELD
SCIENTIFIC SCHOOL
189
00:10:25,866 --> 00:10:28,366
AT YALE UNIVERSITY,
HE WROTE,
190
00:10:28,366 --> 00:10:31,866
"I NEVER DOUBT FOR A MOMENT
MY GENIUS."
191
00:10:31,866 --> 00:10:34,866
AND HE DEMONSTRATED
IT DAILY,
192
00:10:34,866 --> 00:10:37,866
NEVER SPENDING MORE THAN
15 CENTS A MEAL,
193
00:10:37,866 --> 00:10:41,366
MOWING LAWNS AT 4 A.M.
TO PAY HIS BILLS,
194
00:10:41,366 --> 00:10:43,366
KEEPING UP HIS GRADES
195
00:10:43,366 --> 00:10:46,366
WHILE POURING FORTH
A HOST OF INVENTIONS
196
00:10:46,366 --> 00:10:50,366
WHICH HE HOPED WOULD MAKE HIM
RICH AND FAMOUS--
197
00:10:50,366 --> 00:10:52,366
A STAGE ILLUSION,
198
00:10:52,366 --> 00:10:54,066
A CHAINLESS BICYCLE,
199
00:10:54,066 --> 00:10:56,100
A PANTS PRESSER,
200
00:10:56,100 --> 00:10:58,366
AN EAR CLEANER.
201
00:10:58,366 --> 00:11:00,933
ALL WERE REJECTED
BY MANUFACTURERS,
202
00:11:00,933 --> 00:11:02,933
BUT HE WAS NOT DAUNTED.
203
00:11:02,933 --> 00:11:06,433
HE WOULD ONE DAY HOLD
MORE THAN 300 PATENTS.
204
00:11:10,433 --> 00:11:13,366
HE WAS VOTED BOTH
THE NERVIEST AND THE HOMELIEST
205
00:11:13,366 --> 00:11:15,366
MEMBER OF HIS CLASS
206
00:11:15,366 --> 00:11:19,866
AND RECEIVED JUST ONE VOTE
AS "MOST LIKELY TO SUCCEED"--
207
00:11:19,866 --> 00:11:21,633
HIS OWN.
208
00:11:21,633 --> 00:11:24,333
HE PROFESSED NOT TO CARE.
209
00:11:24,333 --> 00:11:27,733
RADIO WAVES HAD BEEN
DISCOVERED IN 1887,
210
00:11:27,733 --> 00:11:30,133
AND THEY HAD COME
TO OBSESS HIM
211
00:11:30,133 --> 00:11:31,800
BECAUSE THEY HELD
THE PROMISE
212
00:11:31,800 --> 00:11:36,333
OF SENDING MESSAGES
THROUGH THE AIR WITHOUT WIRES.
213
00:11:36,333 --> 00:11:38,333
[BUZZING AND BEEPING]
214
00:11:44,100 --> 00:11:45,700
IN 1896,
215
00:11:45,700 --> 00:11:49,733
GUGLIELMO MARCONI SENT
A WIRELESS DOT AND DASH SIGNAL
216
00:11:49,733 --> 00:11:53,866
9 MILES ACROSS SALISBURY PLAIN
IN ENGLAND.
217
00:11:53,866 --> 00:11:56,766
IT WOULD SPARK
A REVOLUTION.
218
00:12:00,366 --> 00:12:03,433
THREE YEARS LATER,
HIS MARCONI WIRELESS COMPANY
219
00:12:03,433 --> 00:12:06,933
HAD SPREAD TO AMERICA,
WHERE HE MADE A FORTUNE
220
00:12:06,933 --> 00:12:08,933
OUTFITTING
SHIPS AND SHORE STATIONS
221
00:12:08,933 --> 00:12:10,933
WITH WIRELESS EQUIPMENT
222
00:12:10,933 --> 00:12:15,066
AND MEN TRAINED TO SEND
AND RECEIVE "MARCONIGRAMS."
223
00:12:17,166 --> 00:12:21,166
LEE DE FOREST WROTE TO MARCONI,
ASKING FOR A JOB.
224
00:12:21,166 --> 00:12:25,933
THE FAMOUS MAN
DID NOT EVEN BOTHER TO RESPOND.
225
00:12:25,933 --> 00:12:28,633
DE FOREST DETERMINED
TO OUTDO HIM.
226
00:12:28,633 --> 00:12:31,933
"I WANT MILLIONS OF DOLLARS,"
HE SAID.
227
00:12:31,933 --> 00:12:33,833
"I WANT TO EXCEL."
228
00:12:35,933 --> 00:12:38,933
IN 1900,
DE FOREST PATENTED A DEVICE
229
00:12:38,933 --> 00:12:41,800
THAT IMPROVED RECEPTION
OF WEAK SIGNALS,
230
00:12:41,800 --> 00:12:43,500
THEN CHALLENGED MARCONI
231
00:12:43,500 --> 00:12:45,233
TO SEE WHO COULD
BEST PROVIDE
232
00:12:45,233 --> 00:12:46,866
UP-TO-THE-MINUTE COVERAGE
233
00:12:46,866 --> 00:12:50,033
OF THE INTERNATIONAL
YACHT RACES OFF NEW YORK.
234
00:12:51,433 --> 00:12:53,933
THE TEST PROVED NOTHING.
235
00:12:53,933 --> 00:12:56,800
THE RIVALS' TRANSMITTERS
JAMMED EACH OTHER,
236
00:12:56,800 --> 00:12:59,200
AND REPORTERS AT SEA
FOUND THEMSELVES
237
00:12:59,200 --> 00:13:02,166
FLASHING THE NEWS TO SHORE
JUST AS THEY ALWAYS HAD--
238
00:13:02,166 --> 00:13:03,433
BY SEMAPHORE.
239
00:13:03,433 --> 00:13:07,766
FRUSTRATED, DE FOREST DUMPED
HIS TRANSMITTER OVERBOARD.
240
00:13:10,266 --> 00:13:13,266
MARCONI SOON
SURGED AHEAD AGAIN,
241
00:13:13,266 --> 00:13:17,200
SUCCESSFULLY SENDING
THE SINGLE LETTER "S"
242
00:13:17,200 --> 00:13:19,466
ACROSS THE ATLANTIC.
243
00:13:19,466 --> 00:13:23,333
"SIGNOR MARCONI HAS PLAYED
A SHREWD COUP D'ETAT,"
244
00:13:23,333 --> 00:13:25,133
DE FOREST ADMITTED,
245
00:13:25,133 --> 00:13:30,166
"BUT I SHALL YET SUCCEED.
IT IS NOT TOO LATE."
246
00:13:30,166 --> 00:13:32,366
MEANWHILE, ABRAHAM WHITE,
247
00:13:32,366 --> 00:13:35,866
A GLIB TEXAS SPECULATOR
WITH A SHADY PAST,
248
00:13:35,866 --> 00:13:38,866
SAW BIG MONEY
TO BE MADE IN WIRELESS
249
00:13:38,866 --> 00:13:41,866
AND TALKED DE FOREST INTO
BECOMING SCIENTIFIC DIRECTOR
250
00:13:41,866 --> 00:13:45,866
FOR A NEW DE FOREST
WIRELESS TELEGRAPH COMPANY.
251
00:13:45,866 --> 00:13:48,566
HE SPREAD STORIES
OF A GLOBAL CHAIN
252
00:13:48,566 --> 00:13:51,233
OF WIRELESS STATIONS
ABOUT TO BE BUILT
253
00:13:51,233 --> 00:13:54,133
AND FLOATED
$1 MILLION IN STOCK.
254
00:13:54,133 --> 00:13:57,866
"SOON WE BELIEVE THE SUCKERS
WILL BEGIN TO BITE,"
255
00:13:57,866 --> 00:13:59,366
DE FOREST WROTE.
256
00:13:59,366 --> 00:14:00,766
THEY DID BITE.
257
00:14:00,766 --> 00:14:04,000
STATIONS WERE INSTALLED
ON THE GREAT LAKES,
258
00:14:04,000 --> 00:14:07,400
ALONG THE ATLANTIC COAST,
IN THE CARIBBEAN.
259
00:14:07,400 --> 00:14:11,800
CAPITALIZATION
ROSE TO $15 MILLION.
260
00:14:11,800 --> 00:14:12,900
Douglas:
WHAT THEY WOULD DO
261
00:14:12,900 --> 00:14:15,366
IS SET UP
VERY FANCY DEMONSTRATIONS
262
00:14:15,366 --> 00:14:18,066
IN GLASS-WALLED STATIONS
263
00:14:18,066 --> 00:14:20,900
SHOWING PEOPLE
HOW FABULOUS WIRELESS WAS,
264
00:14:20,900 --> 00:14:22,766
SELL STOCK CERTIFICATES,
265
00:14:22,766 --> 00:14:24,100
AND THEN HEAD
FOR THE HILLS
266
00:14:24,100 --> 00:14:25,833
BEFORE THE STATION
WAS FINISHED.
267
00:14:27,300 --> 00:14:29,800
Narrator:
DE FOREST SPENT
THE SUMMER OF 1904
268
00:14:29,800 --> 00:14:32,300
HAPPILY ATOP
A 300-FOOT TOWER
269
00:14:32,300 --> 00:14:34,800
ABOVE THE ST. LOUIS
WORLD'S FAIR,
270
00:14:34,800 --> 00:14:38,133
WHERE HE WON THE GRAND PRIZE
AND A GOLD MEDAL
271
00:14:38,133 --> 00:14:40,300
FOR HIS LATEST
WIRELESS INVENTION--
272
00:14:40,300 --> 00:14:44,333
A RECEIVER HE CALLED
THE SPADE DETECTOR.
273
00:14:44,333 --> 00:14:48,166
HE REMEMBERED THAT "THE STACCATO
CRACKLE OF OUR SPARK
274
00:14:48,166 --> 00:14:50,300
BROUGHT THE CROWDS SWARMING."
275
00:14:50,300 --> 00:14:53,300
[MORSE CODE]
276
00:14:55,800 --> 00:14:58,466
SOON THE DE FOREST STATION
AT CONEY ISLAND
277
00:14:58,466 --> 00:15:03,866
SUCCESSFULLY RELAYED
572 WORDS TO IRELAND--
278
00:15:03,866 --> 00:15:07,366
AN ASTOUNDING TRIUMPH
FOR DE FOREST AND HIS EQUIPMENT.
279
00:15:09,900 --> 00:15:11,366
IN 1906,
280
00:15:11,366 --> 00:15:15,033
HE SOUGHT AND WON THE HAND
OF MISS LUCILLE SHEARDOWN
281
00:15:15,033 --> 00:15:18,100
AFTER INSTALLING
A WIRELESS SET
IN HER HOME
282
00:15:18,100 --> 00:15:21,800
SO THAT HE COULD SEND HER
MESSAGES OF LOVE.
283
00:15:21,800 --> 00:15:23,766
HE CALLED HER
HIS GOLDEN GIRL,
284
00:15:23,766 --> 00:15:26,366
AND NEWSPAPERS HAILED HER
AS THE FIRST BRIDE
285
00:15:26,366 --> 00:15:29,800
EVER "WOOED AND WON
BY WIRELESS."
286
00:15:31,800 --> 00:15:35,233
THEN EVERYTHING WENT SOUR.
287
00:15:37,300 --> 00:15:40,800
HIS WIFE SHOWED NO INTEREST
IN HIS EXPERIMENTS,
288
00:15:40,800 --> 00:15:42,800
REFUSED TO CONSUMMATE
THEIR MARRIAGE,
289
00:15:42,800 --> 00:15:45,800
AND WAS SEEN
WITH A WEALTHY BREWER.
290
00:15:50,866 --> 00:15:54,100
HUMILIATED AND CONVINCED
SHE HAD BEEN INTERESTED
291
00:15:54,100 --> 00:15:56,800
ONLY IN HIS
NEWLY WON FORTUNE,
292
00:15:56,800 --> 00:15:58,800
DE FOREST DIVORCED HER.
293
00:16:03,866 --> 00:16:06,866
MEANWHILE,
THE WORLD WAS BEGINNING TO LEARN
294
00:16:06,866 --> 00:16:09,866
THAT DE FOREST
HAD BASED HIS GREAT SUCCESS
295
00:16:09,866 --> 00:16:12,866
ON SOMEONE ELSE'S INVENTION.
296
00:16:14,300 --> 00:16:16,300
BACK IN 1903,
297
00:16:16,300 --> 00:16:17,800
HE HAD VISITED
THE LABORATORY
298
00:16:17,800 --> 00:16:20,900
OF THE CANADIAN INVENTOR
REGINALD FESSENDEN,
299
00:16:20,900 --> 00:16:23,300
WHO SHOWED HIM
WHAT FESSENDEN CALLED
300
00:16:23,300 --> 00:16:26,466
HIS NEW ELECTROLYTIC DETECTOR.
301
00:16:26,466 --> 00:16:29,800
DE FOREST AND ONE OF FESSENDEN'S
FORMER EMPLOYEES
302
00:16:29,800 --> 00:16:33,800
LATER REWORKED THE DEVICE
INTO THE SPADE DETECTOR
303
00:16:33,800 --> 00:16:36,800
THAT HAD BROUGHT DE FOREST
SO MUCH ACCLAIM.
304
00:16:36,800 --> 00:16:40,366
FESSENDEN SUED AND WON.
305
00:16:40,366 --> 00:16:42,433
RATHER THAN PAY
A STIFF FINE,
306
00:16:42,433 --> 00:16:45,366
ABRAHAM WHITE
FORMED A NEW FIRM,
307
00:16:45,366 --> 00:16:48,366
TAKING WITH HIM
ALL THE OLD COMPANY'S ASSETS
308
00:16:48,366 --> 00:16:51,866
AND LEAVING DE FOREST
ONLY THE LIABILITIES.
309
00:16:53,866 --> 00:16:56,600
HE WAS BROKE
AND ALONE AGAIN.
310
00:16:56,600 --> 00:17:00,933
ALL HE HAD LEFT WAS $1,000
AND A SMALL INVENTION
311
00:17:00,933 --> 00:17:03,433
HIS EX-PARTNER
THOUGHT WORTHLESS.
312
00:17:03,433 --> 00:17:05,933
IT WAS THE AUDION TUBE.
313
00:17:08,933 --> 00:17:10,433
FOR HIS AUDION,
314
00:17:10,433 --> 00:17:12,933
DE FOREST HAD BORROWED
AN ENGLISH INVENTION--
315
00:17:12,933 --> 00:17:15,000
THE FLEMING VALVE,
316
00:17:15,000 --> 00:17:18,033
A GLASS DEVICE
RESEMBLING A LIGHT BULB
317
00:17:18,033 --> 00:17:19,933
THAT DETECTED RADIO SIGNALS
318
00:17:19,933 --> 00:17:22,233
WHEN THEY WERE FED
INTO THE BULB'S FILAMENT
319
00:17:22,233 --> 00:17:25,066
AND PASSED TO A METAL PLATE.
320
00:17:25,066 --> 00:17:27,333
DE FOREST ADDED
A BENT PIECE OF WIRE,
321
00:17:27,333 --> 00:17:28,933
WHICH HE CALLED A GRID,
322
00:17:28,933 --> 00:17:31,066
BETWEEN THE FILAMENT
AND THE PLATE
323
00:17:31,066 --> 00:17:33,100
THAT REGULATED
THE SIGNALS.
324
00:17:34,233 --> 00:17:37,866
HE HAD MADE THE FIRST
RADIO TUBE,
325
00:17:37,866 --> 00:17:39,866
THE FOUNDATION
OF ALL RADIOS
326
00:17:39,866 --> 00:17:44,366
THAT WOULD MAKE RECEPTION
OF THE HUMAN VOICE PRACTICAL.
327
00:17:46,366 --> 00:17:50,366
DE FOREST WAS SURE HIS AUDION
WAS A GREAT ACHIEVEMENT,
328
00:17:50,366 --> 00:17:55,200
EVEN IF HE DID NOT
QUITE UNDERSTAND HOW IT WORKED.
329
00:17:55,200 --> 00:17:56,866
Woman: I DON'T THINK
HE WOULD HAVE
GOTTEN ANYPLACE
330
00:17:56,866 --> 00:17:58,800
WITHOUT OTHER INVENTORS.
331
00:17:58,800 --> 00:18:01,933
HE WAS ALWAYS LOOKING OVER
SOMEBODY ELSE'S SHOULDER
332
00:18:01,933 --> 00:18:03,933
AND APPROPRIATING
WHAT HE COULD.
333
00:18:03,933 --> 00:18:06,933
YOU KNOW, IT'S A LITTLE HARD
TO DESCRIBE,
334
00:18:06,933 --> 00:18:10,833
BUT AS WE DOODLE,
FOR INSTANCE,
WITH A PAD,
335
00:18:10,833 --> 00:18:14,933
HE DOODLED WITH ANYTHING
ON HIS LABORATORY TABLE
336
00:18:14,933 --> 00:18:16,800
OR ON A DESK
IN FRONT OF HIM,
337
00:18:16,800 --> 00:18:19,933
AND HE WOULD MAKE COMBINATIONS
AND APPLY FOR A PATENT.
338
00:18:19,933 --> 00:18:22,633
WHAT IT WAS GOING TO DO,
THAT WASN'T IMPORTANT.
339
00:18:22,633 --> 00:18:25,133
IMMEDIATELY THINK
IN TERMS OF A PATENT.
340
00:18:29,433 --> 00:18:31,933
"THE AUDION WAS,"
DE FOREST SAID,
341
00:18:31,933 --> 00:18:33,933
"MY GREATEST INVENTION,"
342
00:18:33,933 --> 00:18:37,466
ADDING, "I HAVE HAD
ONE AIM IN VIEW--
343
00:18:37,466 --> 00:18:41,400
TO MAKE MY NAME AT LEAST RANK
WITH THAT OF MARCONI."
344
00:18:41,400 --> 00:18:43,366
IT DID...
345
00:18:43,366 --> 00:18:46,066
FOR A WHILE.
346
00:18:46,066 --> 00:18:48,100
ARMED WITH HIS NEW DEVICE,
347
00:18:48,100 --> 00:18:50,633
HE NOW RESOLVED TO CARVE OUT
FOR HIMSELF
348
00:18:50,633 --> 00:18:55,033
WHAT HE CALLED
AN INVISIBLE EMPIRE OF THE AIR,
349
00:18:55,033 --> 00:18:57,866
SENDING OUT MUSIC
AND THE HUMAN VOICE
350
00:18:57,866 --> 00:18:59,866
TO EAGER LISTENERS.
351
00:19:02,433 --> 00:19:05,433
Edwards:
GENIUS, THEY SAY,
IS 90% HARD WORK.
352
00:19:05,433 --> 00:19:08,833
HERE IN 1906 AND 1907,
AS ALWAYS,
353
00:19:08,833 --> 00:19:10,266
YOU'RE WORKING
DAY AND NIGHT,
354
00:19:10,266 --> 00:19:11,666
CARING LITTLE
HOW YOU LIVE OR EAT,
355
00:19:11,666 --> 00:19:13,400
YOUR MIND AFLAME
WITH YOUR IDEA
356
00:19:13,400 --> 00:19:16,833
THAT WIRELESS WAVES
CAN BE MADE TO CARRY
THE HUMAN VOICE.
357
00:19:16,833 --> 00:19:20,833
YOU DESIGN AND BUILD
YOUR FIRST CRUDE CARBON
ARC TRANSMITTER,
358
00:19:20,833 --> 00:19:23,700
ANDON A NEVER-TO-BE-FORGOTTEN
DAY OF OCTOBER 1907,
359
00:19:23,700 --> 00:19:26,600
YOU ASK
A YOUNG SINGER TO COME
TO YOUR TINY LABORATORY.
360
00:19:26,600 --> 00:19:29,600
IN GREAT EXCITEMENT,
YOU SHOW HER
A VOICE PICKUP PHONE,
361
00:19:29,600 --> 00:19:32,500
AND YOU SAY, "PLEASE TRY
TO SING THROUGH THAT."
362
00:19:32,500 --> 00:19:36,000
♪ I LOVE YOU TRULY... ♪
363
00:19:36,000 --> 00:19:37,433
YES, WE FOUND HER,
364
00:19:37,433 --> 00:19:38,966
THE FIRST PERSON
IN THE WORLD
365
00:19:38,966 --> 00:19:42,133
TO HAVE HER VOICE
BROADCAST BY RADIO.
366
00:19:42,133 --> 00:19:45,366
FROM NEW YORK CITY,
HERE IS MADAME EUGENIA FARRAR!
367
00:19:45,366 --> 00:19:48,166
[APPLAUSE]
368
00:19:48,166 --> 00:19:49,933
THERE'S YOUR PAL.
369
00:19:52,133 --> 00:19:54,966
I'M SO HAPPY
TO SEE YOU HERE.
370
00:19:54,966 --> 00:19:57,533
YOU MADE THE FIRST
BROADCAST IN HISTORY,
MRS. FARRAR,
371
00:19:57,533 --> 00:20:00,800
AND WHO WAS THE FIRST
RADIO ANNOUNCER
IN HISTORY?
372
00:20:00,800 --> 00:20:05,366
DR. DE FOREST.
HE ASKED ME TO SING.
373
00:20:05,366 --> 00:20:06,900
AND MR. EDWARDS...
374
00:20:06,900 --> 00:20:07,933
IN ANNOUNCING
YOU TO SING,
375
00:20:07,933 --> 00:20:09,066
HE WAS THE FIRST
ANNOUNCER.
376
00:20:09,066 --> 00:20:10,366
THAT'S RIGHT.
HE WAS, WASN'T HE?
377
00:20:10,366 --> 00:20:12,833
AND THEN A LITTLE WHILE
AFTER THAT,
378
00:20:12,833 --> 00:20:15,466
HE PLAYED
THE, UH, RECORDS.
379
00:20:15,466 --> 00:20:16,733
YES.
380
00:20:16,733 --> 00:20:22,966
SO HE ALSO BECAME
THE FIRST DISC JOCKEY.
381
00:20:22,966 --> 00:20:25,800
Douglas:
DE FOREST THOUGHT
EARLY ON IN 1906
382
00:20:25,800 --> 00:20:28,433
OF USING RADIO
TO BRING VOICE AND MUSIC
383
00:20:28,433 --> 00:20:30,666
INTO PEOPLE'S HOMES.
384
00:20:30,666 --> 00:20:33,800
MARCONI DID NOT CONCEIVE
OF BROADCASTING.
385
00:20:33,800 --> 00:20:36,766
DE FOREST COMPLETELY
TURNED AROUND
386
00:20:36,766 --> 00:20:37,933
MARCONI'S INVENTION
387
00:20:37,933 --> 00:20:41,300
AND THOUGHT OF IT,
NOT AS POINT TO POINT,
388
00:20:41,300 --> 00:20:44,300
BUT AS A TECHNOLOGY
THAT COULD TRANSMIT
389
00:20:44,300 --> 00:20:46,300
SOMETHING
FROM A PARTICULAR POINT
390
00:20:46,300 --> 00:20:49,966
TO MANY OTHER POINTS
OF RECEPTION.
391
00:20:49,966 --> 00:20:53,933
Tyne: HE SAID THAT
HE KNEW THERE WERE
SOUND WAVES OUT THERE,
392
00:20:53,933 --> 00:20:56,466
AND HE WANTED TO DIRECT THEM
TO THESE LITTLE BOXES
393
00:20:56,466 --> 00:20:59,833
TO BRING OPERA
INTO EVERY HOME IN AMERICA,
394
00:20:59,833 --> 00:21:01,533
AND THAT WAS
HIS AMBITION,
395
00:21:01,533 --> 00:21:04,533
AND ALONG THE WAY,
HE WANTED TO BECOME
RICH AND FAMOUS,
396
00:21:04,533 --> 00:21:06,966
AND IT WAS ALL
AS SIMPLE AS THAT.
397
00:21:08,866 --> 00:21:13,500
Narrator: BUT FESSENDEN
WAS ALREADY AHEAD
OF HIM AGAIN.
398
00:21:13,500 --> 00:21:16,533
[VIOLIN PLAYING
HARK! THE HERALD ANGELS SING]
399
00:21:16,533 --> 00:21:19,633
ALMOST A YEAR EARLIER,
ON CHRISTMAS EVE,
400
00:21:19,633 --> 00:21:22,666
SHIP OPERATORS
OFF THE MASSACHUSETTS COAST
401
00:21:22,666 --> 00:21:25,800
WERE STARTLED TO HEAR
THROUGH THEIR HEADPHONES,
402
00:21:25,800 --> 00:21:28,300
NOT THE FAMILIAR
DOTS AND DASHES,
403
00:21:28,300 --> 00:21:31,400
BUT THE FAINT SOUND
OF A VIOLIN,
404
00:21:31,400 --> 00:21:33,300
FOLLOWED
BY A HOLIDAY GREETING
405
00:21:33,300 --> 00:21:37,300
FROM THE CANADIAN INVENTOR,
SAFELY BACK ON SHORE.
406
00:21:40,333 --> 00:21:42,800
[HONKING]
407
00:21:44,300 --> 00:21:47,800
DE FOREST PRETENDED
IT HAD NEVER HAPPENED.
408
00:21:47,800 --> 00:21:49,800
HE FORMED A NEW FIRM
409
00:21:49,800 --> 00:21:53,300
AND FELL IN LOVE
WITH A NEW GOLDEN GIRL--
410
00:21:53,300 --> 00:21:57,800
A TRAINED CIVIL ENGINEER
NAMED NORA STANTON BLATCH,
411
00:21:57,800 --> 00:21:59,800
GRANDDAUGHTER
OF THE PIONEER FEMINIST
412
00:21:59,800 --> 00:22:02,366
ELIZABETH CADY STANTON.
413
00:22:02,366 --> 00:22:05,500
THEY WERE MARRIED IN 1908.
414
00:22:05,500 --> 00:22:08,866
DE FOREST GRABBED HEADLINES
EVEN ON HIS HONEYMOON
415
00:22:08,866 --> 00:22:12,366
BY TRANSMITTING RECORDED MUSIC
FROM THE EIFFEL TOWER
416
00:22:12,366 --> 00:22:14,800
TO LISTENERS
400 MILES AWAY...
417
00:22:14,800 --> 00:22:18,066
[WOMAN SINGING]
418
00:22:18,066 --> 00:22:20,800
[MAN SINGING]
419
00:22:23,300 --> 00:22:26,800
AND LATER DID IT AGAIN
BACK IN NEW YORK,
420
00:22:26,800 --> 00:22:28,800
PRESENTING ENRICO CARUSO
421
00:22:28,800 --> 00:22:31,800
LIVE FROM THE STAGE
OF THE METROPOLITAN OPERA
422
00:22:31,800 --> 00:22:35,300
SO PLAINLY THAT HE COULD
BE HEARD IN NEWARK.
423
00:22:37,800 --> 00:22:39,800
DE FOREST BUILT HIS NEW WIFE
424
00:22:39,800 --> 00:22:41,966
A PALATIAL HUDSON RIVER HOME
HE CALLED
425
00:22:41,966 --> 00:22:45,800
"RIVERLURE--
WHERE DREAMS COME TRUE,"
426
00:22:45,800 --> 00:22:49,666
BUT COULD NOT PERSUADE NORA
TO STAY IN IT.
427
00:22:49,666 --> 00:22:53,366
SHE WANTED TO
WORK ALONGSIDE HIM
IN THE LABORATORY
428
00:22:53,366 --> 00:22:56,866
AND WAS DEEPLY SUSPICIOUS
OF HIS BUSINESS PARTNERS.
429
00:22:56,866 --> 00:23:00,933
AFTER THE BIRTH
OF THEIR DAUGHTER
HARRIET IN 1909,
430
00:23:00,933 --> 00:23:04,633
THE DE FORESTS
WERE DIVORCED.
431
00:23:04,633 --> 00:23:08,433
NOT LONG AFTERWARDS, DE FOREST'S
NEW COMPANY COLLAPSED
432
00:23:08,433 --> 00:23:11,300
AMID CHARGES
OF STOCK FRAUD.
433
00:23:11,300 --> 00:23:15,866
AT HIS TRIAL, 100 WITNESSES
TESTIFIED AGAINST HIM.
434
00:23:15,866 --> 00:23:18,366
ONE MIDWESTERNER CHARGED
THAT A SIGNAL
435
00:23:18,366 --> 00:23:21,866
SUPPOSED TO HAVE BEEN SENT
ALL THE WAY FROM PARIS
436
00:23:21,866 --> 00:23:24,300
HAD ACTUALLY COME
FROM A HIDDEN TRANSMITTER
437
00:23:24,300 --> 00:23:26,800
JUST FOUR BLOCKS AWAY.
438
00:23:26,800 --> 00:23:29,466
[AULD LANG SYNEPLAYING]
439
00:23:29,466 --> 00:23:33,333
Douglas: THE TRIAL WENT
THROUGH TO NEW YEAR'S EVE.
440
00:23:33,333 --> 00:23:37,500
IT WAS DECEMBER 31, 1913,
441
00:23:37,500 --> 00:23:41,000
AND WHILE PEOPLE WERE
OUT ON THE STREETS
OF NEW YORK PARTYING,
442
00:23:41,000 --> 00:23:45,700
DE FOREST WAS PACING THE HALLS,
WAITING FOR THE VERDICT.
443
00:23:45,700 --> 00:23:49,866
AT 1 A.M. NEW YEAR'S DAY,
THE JURY COMES OUT.
444
00:23:49,866 --> 00:23:52,966
WHEN IT IS ANNOUNCED
THAT THE JURY HAS ARRIVED,
445
00:23:52,966 --> 00:23:55,866
DE FOREST COLLAPSES
IN HIS ATTORNEY'S ARMS.
446
00:23:55,866 --> 00:23:59,300
WHEN HE IS REVIVED,
THE VERDICT IS READ,
447
00:23:59,300 --> 00:24:03,533
AND DE FOREST IS FOUND
NOT GUILTY ON THREE
COUNTS OF FRAUD,
448
00:24:03,533 --> 00:24:05,100
AND THEY'VE DISAGREED
ON THE FOURTH,
449
00:24:05,100 --> 00:24:06,666
SO HE IS A FREE MAN,
450
00:24:06,666 --> 00:24:11,566
AND HE IS ABLE
TO AGAIN START YET
A FOURTH RADIO COMPANY,
451
00:24:11,566 --> 00:24:12,566
WHICH HE DOES,
452
00:24:12,566 --> 00:24:15,600
AND THIS ONE
IS ACTUALLY LEGIT,
453
00:24:15,600 --> 00:24:20,566
AND DE FOREST
BEGINS BROADCASTING
FROM A RADIO STATION
454
00:24:20,566 --> 00:24:22,866
ON THE NORTHERN PORTION
OF NEW YORK CITY,
455
00:24:22,866 --> 00:24:25,866
AND HERE BEGINS
SOME OF HIS MAJOR FIGHTS
456
00:24:25,866 --> 00:24:28,366
WITH EDWIN HOWARD ARMSTRONG.
457
00:24:31,866 --> 00:24:37,200
Woman: IT MAKES ME
VERY SAD THAT HIS NAME
ISN'T BETTER KNOWN.
458
00:24:37,200 --> 00:24:41,366
I REMEMBER AS A CHILD
TALKING ABOUT HIM AND SAYING,
459
00:24:41,366 --> 00:24:43,366
"MY UNCLE INVENTED RADIO."
460
00:24:43,366 --> 00:24:46,366
AND PEOPLE--
I COULDN'T PUT IT
ANY BETTER THAN THAT.
461
00:24:46,366 --> 00:24:49,166
I DIDN'T REALLY KNOW
QUITE WHAT HE HAD INVENTED,
462
00:24:49,166 --> 00:24:50,166
BUT NOBODY'D EVER--
463
00:24:50,166 --> 00:24:51,400
THEY'D SAY,
"WHO IS YOUR UNCLE?"
464
00:24:51,400 --> 00:24:52,766
AND I'D SAY,
"EDWIN HOWARD ARMSTRONG."
465
00:24:52,766 --> 00:24:54,233
"WHO?"
466
00:24:54,233 --> 00:24:57,733
AND EVEN TODAY, PEOPLE SAY,
"EDWIN HOWARD ARMSTRONG WHO?"
467
00:24:57,733 --> 00:25:01,233
I BELIEVE THAT WHEN
HISTORY IS WRITTEN--
468
00:25:01,233 --> 00:25:02,500
ALL THE HISTORY ON THIS--
469
00:25:02,500 --> 00:25:05,466
THAT HOWARD ARMSTRONG
SHOULD BE REMEMBERED
470
00:25:05,466 --> 00:25:07,666
AS THE GREATEST INVENTOR
OF THE TWENTIETH CENTURY.
471
00:25:07,666 --> 00:25:11,933
HE WAS THE BEST DEVELOPMENT
ENGINEER I EVER KNEW.
472
00:25:11,933 --> 00:25:14,866
HE HAD THE PATIENCE,
THE PERSEVERANCE,
473
00:25:14,866 --> 00:25:19,233
THE KNOWLEDGE, THE INTUITION
THAT IT TOOK
474
00:25:19,233 --> 00:25:22,633
TO MAKE THINGS COME OUT
THE WAY HE WANTED THEM.
475
00:25:22,633 --> 00:25:24,866
HE WAS
AN EXTRAORDINARY PERSON.
476
00:25:24,866 --> 00:25:28,833
HE EXUDED INTEGRITY
477
00:25:28,833 --> 00:25:32,666
AND CARRIED A SORT OF
AN AURA OF INVENTION.
478
00:25:32,666 --> 00:25:34,766
HE WAS A TRUE GENIUS,
479
00:25:34,766 --> 00:25:36,966
AND THERE AREN'T VERY MANY
IN THE WORLD TODAY.
480
00:25:44,866 --> 00:25:47,866
Narrator:
EDWIN HOWARD ARMSTRONG'S BOYHOOD
481
00:25:47,866 --> 00:25:50,866
WAS OUTWARDLY
AS PLACID AND COMFORTABLE
482
00:25:50,866 --> 00:25:54,800
AS DE FOREST'S HAD BEEN
DEPRIVED AND DIFFICULT.
483
00:25:54,800 --> 00:25:58,333
THE PAMPERED SON
OF A PUBLISHING EXECUTIVE,
484
00:25:58,333 --> 00:26:02,066
HE SPENT MUCH OF HIS YOUTH
SURROUNDED BY DOTING RELATIVES
485
00:26:02,066 --> 00:26:04,933
IN A BIG SOLID HOUSE
OVERLOOKING THE HUDSON
486
00:26:04,933 --> 00:26:07,200
AT YONKERS, NEW YORK.
487
00:26:07,200 --> 00:26:09,433
AN INVOLUNTARY TIC,
488
00:26:09,433 --> 00:26:12,700
A LEGACY OF RHEUMATIC FEVER
THAT NEVER LEFT HIM
489
00:26:12,700 --> 00:26:14,600
AND WORSENED UNDER STRESS,
490
00:26:14,600 --> 00:26:18,300
MAY HAVE ENCOURAGED HIM
TO KEEP TO HIMSELF.
491
00:26:19,700 --> 00:26:23,833
AT 13, JUST AS LEE DE FOREST
WAS PROMOTING HIS SPADE DETECTOR
492
00:26:23,833 --> 00:26:26,233
AT THE ST. LOUIS WORLD'S FAIR,
493
00:26:26,233 --> 00:26:29,366
ARMSTRONG READ
THE BOY'S BOOK OF INVENTIONS
494
00:26:29,366 --> 00:26:30,966
THAT CHRONICLED
THE EXPLOITS
495
00:26:30,966 --> 00:26:34,866
OF MEN LIKE EDISON,
MORSE, AND MARCONI.
496
00:26:34,866 --> 00:26:36,866
AFTER THAT, A FRIEND SAID,
497
00:26:36,866 --> 00:26:39,600
HE WAS ALL FOCUSED
IN ONE DIRECTION...
498
00:26:39,600 --> 00:26:41,366
WIRELESS.
499
00:26:41,366 --> 00:26:43,366
HE WAS NOT ALONE.
500
00:26:43,366 --> 00:26:47,366
THERE WERE ALREADY NEARLY 100
AMATEUR WIRELESS CLUBS
501
00:26:47,366 --> 00:26:48,866
IN THE COUNTRY BY THEN,
502
00:26:48,866 --> 00:26:52,366
AND EAGER ENTHUSIASTS
SAT UP FAR INTO THE NIGHT,
503
00:26:52,366 --> 00:26:57,166
LISTENING FOR FAINT SIGNALS
FROM FAR AWAY.
504
00:26:57,166 --> 00:26:59,366
Corwin:
I PUT ON A PAIR OF EARPHONES,
505
00:26:59,366 --> 00:27:02,400
AND WHAT CAME OVER
WAS MORSE CODE,
506
00:27:02,400 --> 00:27:04,433
AND I WAS THRILLED!
507
00:27:04,433 --> 00:27:07,433
MY GOD! THIS IS COMING
THROUGH THE AIR!
508
00:27:07,433 --> 00:27:09,966
THERE'S NOTHING AROUND HERE
MAKING THAT NOISE.
509
00:27:09,966 --> 00:27:11,200
THIS IS COMING
THROUGH THE AIR--
510
00:27:11,200 --> 00:27:13,366
BEE-BE-BEE-
BEE-BE-BEE-BEEP--
511
00:27:13,366 --> 00:27:17,566
AND FROM THAT MOMENT,
I WAS HOOKED ON RADIO.
512
00:27:17,566 --> 00:27:22,000
Narrator: ARMSTRONG'S INTEREST
BORDERED ON THE OBSESSIVE.
513
00:27:22,000 --> 00:27:24,366
HE FILLED HIS TOWER ROOM
WITH EQUIPMENT
514
00:27:24,366 --> 00:27:25,900
AND WORKED DAY AND NIGHT
515
00:27:25,900 --> 00:27:29,066
BUILDING MORE AND MORE
POWERFUL SYSTEMS,
516
00:27:29,066 --> 00:27:33,366
HANGING 500-FOOT WIRES
OVER THE NEW JERSEY PALISADES,
517
00:27:33,366 --> 00:27:37,366
THEN BUILDING HIMSELF
A 125-FOOT AERIAL,
518
00:27:37,366 --> 00:27:41,866
TALL ENOUGH TO PICK UP MESSAGES
FROM FLORIDA AND NEWFOUNDLAND.
519
00:27:43,266 --> 00:27:45,366
EXHILARATED BY THE HEIGHT,
520
00:27:45,366 --> 00:27:47,366
HE WOULD OFTEN
HOIST HIMSELF UP
521
00:27:47,366 --> 00:27:49,766
IN A BOATSWAIN'S CHAIR
TO THE TOP,
522
00:27:49,766 --> 00:27:52,233
JUST TO ENJOY THE VIEW.
523
00:27:52,233 --> 00:27:54,866
RATHER THAN ABANDON
HIS TURRET LABORATORY
524
00:27:54,866 --> 00:27:57,366
WHEN THE TIME CAME
FOR COLLEGE,
525
00:27:57,366 --> 00:28:00,366
HE COMMUTED TO AND FROM
COLUMBIA UNIVERSITY
526
00:28:00,366 --> 00:28:03,100
ON A RED MOTORCYCLE.
527
00:28:04,433 --> 00:28:07,433
THE ELECTRICAL ENGINEERING
PROGRAM AT COLUMBIA
528
00:28:07,433 --> 00:28:08,933
WAS DIFFICULT.
529
00:28:08,933 --> 00:28:13,566
OF 28 FRESHMEN,
JUST 15 WOULD GRADUATE.
530
00:28:13,566 --> 00:28:17,900
MOST OF HIS PROFESSORS
FOUND HIM ALOOF, SARCASTIC,
531
00:28:17,900 --> 00:28:20,966
ALTOGETHER TOO WILLING
TO QUESTION BASIC ASSUMPTIONS
532
00:28:20,966 --> 00:28:24,133
IN FRONT
OF HIS FELLOW STUDENTS,
533
00:28:24,133 --> 00:28:26,433
BUT MICHAEL PUPIN,
534
00:28:26,433 --> 00:28:29,933
A PIONEER IN THE NEW SCIENCE
OF ELECTROMAGNETIC WAVES,
535
00:28:29,933 --> 00:28:32,433
SAW IN ARMSTRONG
A KINDRED SPIRIT
536
00:28:32,433 --> 00:28:34,933
AND ENCOURAGED
HIS EXPERIMENTS.
537
00:28:36,933 --> 00:28:39,266
ARMSTRONG SET OUT
TO DISCOVER
538
00:28:39,266 --> 00:28:42,933
PRECISELY HOW THE DE FOREST
AUDION TUBE WORKED--
539
00:28:42,933 --> 00:28:45,933
SOMETHING ITS INVENTOR
HAD NEVER REALLY UNDERSTOOD--
540
00:28:45,933 --> 00:28:49,433
SO THAT HE COULD INCREASE
ITS POWER TO AMPLIFY.
541
00:28:50,933 --> 00:28:55,733
IN THE MIDDLE OF THE NIGHT
ON SEPTEMBER 22, 1912,
542
00:28:55,733 --> 00:28:57,666
HE SUCCEEDED.
543
00:28:57,666 --> 00:29:00,433
IT WAS HIS FIRST
GREAT DISCOVERY.
544
00:29:00,433 --> 00:29:03,500
HE WOKE UP
HIS YOUNGER SISTER ETHEL
545
00:29:03,500 --> 00:29:06,633
AND FORCED HER TO LISTEN
TO THE DEAFENING SOUNDS
546
00:29:06,633 --> 00:29:08,900
POURING THROUGH
HIS HEADPHONES.
547
00:29:08,900 --> 00:29:11,866
SUDDENLY THE DOOR TO MY MOTHER'S
ROOM WAS THROWN OPEN,
548
00:29:11,866 --> 00:29:14,500
AND UNCLE HOWARD
BURST INTO THE ROOM,
549
00:29:14,500 --> 00:29:16,066
WAKING MY MOTHER UP,
550
00:29:16,066 --> 00:29:18,400
AND HE WAS DANCING
ROUND AND ROUND THE ROOM
WITH THIS BOX,
551
00:29:18,400 --> 00:29:19,733
AND HE WAS SAYING,
552
00:29:19,733 --> 00:29:22,300
"I'VE DONE IT!
I'VE DONE IT!
I'VE DONE IT!"
553
00:29:22,300 --> 00:29:25,333
Narrator:
"GREAT AMPLIFICATION
OBTAINED AT ONCE,"
554
00:29:25,333 --> 00:29:30,133
ARMSTRONG NOTED IN AN ACCOUNT
OF HIS ELEGANT INVENTION.
555
00:29:30,133 --> 00:29:32,433
IT WAS A SIMPLE IDEA.
556
00:29:32,433 --> 00:29:34,933
HE CALLED IT REGENERATION.
557
00:29:38,933 --> 00:29:41,933
[BUZZING]
558
00:29:43,433 --> 00:29:45,433
ARMSTRONG'S CIRCUIT
FED THE SIGNAL
559
00:29:45,433 --> 00:29:47,700
THAT CAME FROM A RADIO TUBE
560
00:29:47,700 --> 00:29:50,133
BACK THROUGH IT
AGAIN AND AGAIN,
561
00:29:50,133 --> 00:29:52,933
EACH TIME
INCREASING ITS POWER.
562
00:29:52,933 --> 00:29:54,500
HE FOUND HE COULD DO THIS
563
00:29:54,500 --> 00:29:58,433
AS MANY AS
20,000 TIMES A SECOND.
564
00:29:58,433 --> 00:30:01,433
REGENERATION WAS THE SINGLE
MOST IMPORTANT ADVANCE
565
00:30:01,433 --> 00:30:03,433
IN THE HISTORY OF RADIO.
566
00:30:04,933 --> 00:30:09,466
HE PATENTED HIS AUDION
RECEIVING SYSTEM IN 1913.
567
00:30:10,966 --> 00:30:14,900
WHILE LEE DE FOREST
WAS TRYING TO STAY
OUT OF JAIL,
568
00:30:14,900 --> 00:30:18,933
ARMSTRONG HAD PUT
HIS AUDION TO WORK,
569
00:30:18,933 --> 00:30:21,400
AND HE MADE
ANOTHER DISCOVERY.
570
00:30:21,400 --> 00:30:24,900
WHEN THE FEEDBACK WAS INCREASED
BEYOND A CRITICAL LEVEL,
571
00:30:24,900 --> 00:30:29,400
THE TUBE OSCILLATED,
CREATING ITS OWN RADIO WAVES.
572
00:30:29,400 --> 00:30:31,400
ARMSTRONG HAD
MADE IT POSSIBLE
573
00:30:31,400 --> 00:30:35,900
FOR DE FOREST'S TUBE
TO TRANSMIT, AS WELL AS RECEIVE,
574
00:30:35,900 --> 00:30:39,900
AND IT WAS NOW PERFECTLY SUITED
FOR VOICE AND MUSIC,
575
00:30:39,900 --> 00:30:42,633
AS WELL AS CODE.
576
00:30:42,633 --> 00:30:45,900
ALL OF A SUDDEN, EVERYBODY
COULD HEAR THESE SIGNALS
577
00:30:45,900 --> 00:30:49,400
VERY, VERY MUCH MORE EASILY
AND AT MUCH GREATER DISTANCES,
578
00:30:49,400 --> 00:30:50,533
AND OF COURSE,
THAT BROUGHT
579
00:30:50,533 --> 00:30:52,300
THE EXPLOSION
OF BROADCASTING.
580
00:30:52,300 --> 00:30:53,900
[MORSE CODE]
581
00:30:53,900 --> 00:30:56,900
Narrator:
ON THE LAST NIGHT
OF JANUARY 1914,
582
00:30:56,900 --> 00:30:59,900
IN A WIRELESS SHACK
NEAR BELLMAWR, NEW JERSEY,
583
00:30:59,900 --> 00:31:02,966
ARMSTRONG DEMONSTRATED
HIS RECEIVER
584
00:31:02,966 --> 00:31:07,066
FOR THE CHIEF INSPECTOR
OF THE MARCONI WIRELESS COMPANY.
585
00:31:07,066 --> 00:31:12,533
SIGNALS FROM IRELAND AND HAWAII,
SAN FRANCISCO AND NOVA SCOTIA
586
00:31:12,533 --> 00:31:15,900
ALL CAME THROUGH
LOUD AND CLEAR.
587
00:31:15,900 --> 00:31:17,900
THE CHIEF INSPECTOR
PRONOUNCED IT
588
00:31:17,900 --> 00:31:21,400
THE MOST REMARKABLE
RECEIVING SYSTEM IN EXISTENCE
589
00:31:21,400 --> 00:31:24,400
AND RECOMMENDED THAT
THE YOUNG INVENTOR'S DISCOVERY
590
00:31:24,400 --> 00:31:26,900
BE LICENSED TO HIS COMPANY.
591
00:31:26,900 --> 00:31:31,366
THE INSPECTOR'S NAME
WAS DAVID SARNOFF.
592
00:31:34,100 --> 00:31:38,466
♪ TELEGRAPHY SHOWED
THE GENERAL THE WAY ♪
593
00:31:38,466 --> 00:31:44,033
♪ TOOK INFANT RADIO
AND TAUGHT IT TO PAY ♪
594
00:31:44,033 --> 00:31:49,000
♪ AND HE BEGAN
WHAT IS NOW RCA ♪
595
00:31:50,866 --> 00:31:55,533
♪ THAT'S WHY THE GENTLEMAN
IS A CHAMP ♪
596
00:31:55,533 --> 00:31:59,666
♪ TO RADIO
WHAT EDISON WAS TO LAMP ♪
597
00:32:01,966 --> 00:32:06,066
♪ THAT'S WHY THE GENTLEMAN
IS A CHAMP ♪
598
00:32:06,066 --> 00:32:08,700
WHO WAS THIS MAN?
599
00:32:08,700 --> 00:32:10,466
WHAT WAS HE?
600
00:32:10,466 --> 00:32:13,400
OTHERS LOOKED AT RADIO
AND SAW A GADGET.
601
00:32:13,400 --> 00:32:16,066
DAVID SARNOFF
LOOKED AT RADIO
602
00:32:16,066 --> 00:32:18,566
AND SAW
A HOUSEHOLD POSSESSION
603
00:32:18,566 --> 00:32:22,533
CAPABLE OF ENRICHING
THE LIVES OF MILLIONS.
604
00:32:22,533 --> 00:32:25,900
DAVID SARNOFF
WAS SO THOROUGHLY AMERICAN,
605
00:32:25,900 --> 00:32:29,900
NO FICTION CELEBRATING
THE AMERICAN DREAM
606
00:32:29,900 --> 00:32:32,900
COULD BEGIN
TO APPROACH HIS LIFE.
607
00:32:32,900 --> 00:32:35,400
STATION EAQ, MADRID.
608
00:32:35,400 --> 00:32:38,266
Man: UNLIKE DE FOREST
AND ARMSTRONG,
609
00:32:38,266 --> 00:32:40,266
HE WAS NOT AN INVENTOR.
610
00:32:40,266 --> 00:32:43,933
HE WAS, MORE THAN
ANY MAN OF HIS TIME,
611
00:32:43,933 --> 00:32:46,433
A CORPORATE EXECUTIVE
WHO UNDERSTOOD
612
00:32:46,433 --> 00:32:49,400
THE MEANING
AND THE IMPACT OF SCIENCE
613
00:32:49,400 --> 00:32:51,766
UPON THE FUTURE
OF THE COUNTRY.
614
00:32:51,766 --> 00:32:56,400
NO ONE HAS EVER STARTED
FROM A LOWER PANE OF LIFE
615
00:32:56,400 --> 00:32:59,666
AND GONE FURTHER,
IN MY JUDGMENT,
THAN SARNOFF DID.
616
00:32:59,666 --> 00:33:02,633
HE REACHED THIS COUNTRY
WHEN HE WAS 9 YEARS OLD--
617
00:33:02,633 --> 00:33:05,200
AN IMMIGRANT BOY WHO DIDN'T
SPEAK A WORD OF ENGLISH.
618
00:33:05,200 --> 00:33:07,966
WITHIN 30 YEARS,
HE WAS PRESIDENT
619
00:33:07,966 --> 00:33:11,266
OF ONE OF THE MOST
POWERFUL COMPANIES
IN AMERICA--RCA.
620
00:33:12,700 --> 00:33:15,400
DAVID SARNOFF
WAS BORN IN ASHTETL
621
00:33:15,400 --> 00:33:17,900
IN THE RUSSIAN PROVINCE
OF MINSK,
622
00:33:17,900 --> 00:33:19,900
THE SON
OF A JEWISH HOUSE PAINTER.
623
00:33:19,900 --> 00:33:24,000
HIS FAMILY HOPED THE BOY
WOULD BECOME A RABBI,
624
00:33:24,000 --> 00:33:26,233
BUT HE HAD OTHER IDEAS.
625
00:33:27,800 --> 00:33:31,400
AND WHEN HIS FAMILY
ARRIVED IN NEW YORK IN 1900,
626
00:33:31,400 --> 00:33:35,133
HE WENT TO WORK AT 9:00,
PEDDLING YIDDISH NEWSPAPERS,
627
00:33:35,133 --> 00:33:37,866
WHILE STRUGGLING
TO MASTER ENGLISH
628
00:33:37,866 --> 00:33:40,900
FROM PAPERS
PULLED FROM TRASH CANS.
629
00:33:40,900 --> 00:33:42,900
Bilby:
IT WAS POVERTY AS INTENSE
630
00:33:42,900 --> 00:33:46,766
AS ANY DICKENS EVER PORTRAYED
IN THE WORST DAYS IN LONDON.
631
00:33:46,766 --> 00:33:48,166
HE WOULD BE WAKENED UP
632
00:33:48,166 --> 00:33:51,900
BY THE SOUND OF THE EL,
THE ELEVATED TRAIN, COMING DOWN,
633
00:33:51,900 --> 00:33:54,600
AND AS HE HEARD
THE DISTANT RUMBLE,
HE'D JUMP OUT OF BED,
634
00:33:54,600 --> 00:33:56,700
THROW ON HIS SHOES
AND HIS PANTS,
AND RUN DOWNSTAIRS,
635
00:33:56,700 --> 00:33:58,966
AND THE BUNDLES WOULD
BE THROWN FROM THE EL
WITHOUT STOPPING,
636
00:33:58,966 --> 00:34:01,033
AND HE'D PICK UP HIS BUNDLES
AND RACE OUT
637
00:34:01,033 --> 00:34:04,500
TO BE THE FIRST NEWSBOY
TO GET THEM TO THE NEWSSTANDS.
638
00:34:09,466 --> 00:34:10,766
Narrator:
BY THE AGE OF 14,
639
00:34:10,766 --> 00:34:12,966
HE HAD BOUGHT
HIS OWN NEWSSTAND
640
00:34:12,966 --> 00:34:17,533
AND PUT HIS YOUNGER BROTHERS
AND EVEN HIS FATHER TO WORK.
641
00:34:17,533 --> 00:34:19,400
[MORSE CODE]
642
00:34:19,400 --> 00:34:21,400
HOPING TO BECOME A REPORTER,
643
00:34:21,400 --> 00:34:24,400
HE SETTLED FOR A JOB
DELIVERING TELEGRAMS,
644
00:34:24,400 --> 00:34:28,400
THEN BECAME AN OFFICE BOY
AT THE AMERICAN MARCONI COMPANY,
645
00:34:28,400 --> 00:34:30,900
WHERE HE IGNORED
FREQUENT TAUNTS OF "JEW BOY,"
646
00:34:30,900 --> 00:34:33,733
READ EVERY LETTER
HE WAS ASKED TO FILE,
647
00:34:33,733 --> 00:34:36,900
AND PRACTICED SENDING
AND RECEIVING TELEGRAPH MESSAGES
648
00:34:36,900 --> 00:34:40,333
IN HIS SPARE TIME
UNTIL HE WAS SAID TO HAVE
649
00:34:40,333 --> 00:34:43,400
"ONE OF THE BEST FISTS
IN THE BUSINESS."
650
00:34:43,400 --> 00:34:45,900
[MORSE CODE]
651
00:34:47,900 --> 00:34:50,100
Barnouw: THEY USED TO
PLAY TRICKS ON HIM.
652
00:34:50,100 --> 00:34:52,833
LIKE, FOR INSTANCE,
SOME LUMBER WOULD ARRIVE,
653
00:34:52,833 --> 00:34:54,133
AND THEY WOULD SAY,
654
00:34:54,133 --> 00:34:56,400
"OH, YES, DAVIE SARNOFF
TAKES CARE OF THAT,"
655
00:34:56,400 --> 00:34:58,566
AND SO THEY WOULD REFER
ALL SORTS OF THINGS TO HIM,
656
00:34:58,566 --> 00:34:59,800
BUT HE ALWAYS
TOOK CARE OF THEM.
657
00:35:01,466 --> 00:35:05,100
BUT, UH--SO HE WAS A FIGURE
OF RIDICULE AT FIRST,
658
00:35:05,100 --> 00:35:07,133
BUT HE TOOK
HIMSELF SERIOUSLY
659
00:35:07,133 --> 00:35:10,233
AND GRADUALLY GOT
OTHER PEOPLE TO
TAKE HIM SERIOUSLY.
660
00:35:10,233 --> 00:35:11,966
[BICYCLE BELL RINGING]
661
00:35:11,966 --> 00:35:14,400
Narrator:
WHEN MARCONI HIMSELF
VISITED THE OFFICE,
662
00:35:14,400 --> 00:35:16,400
THE 16-YEAR-OLD SARNOFF
663
00:35:16,400 --> 00:35:18,533
MADE A POINT
OF INTRODUCING HIMSELF
664
00:35:18,533 --> 00:35:21,866
AS THE FIRM'S
NEWEST EMPLOYEE.
665
00:35:21,866 --> 00:35:24,900
"WE WERE ON THE SAME
WAVELENGTH," HE SAID LATER.
666
00:35:24,900 --> 00:35:28,400
SOON HE BECAME MARCONI'S
PERSONAL MESSENGER,
667
00:35:28,400 --> 00:35:31,400
GIVEN THE DELICATE TASK
OF DELIVERING FLOWERS
668
00:35:31,400 --> 00:35:33,900
TO THE INVENTOR'S
MANY MISTRESSES
669
00:35:33,900 --> 00:35:35,900
SCATTERED ABOUT THE CITY.
670
00:35:35,900 --> 00:35:37,433
[BICYCLE BELL RINGING]
671
00:35:44,400 --> 00:35:49,400
ON SUNDAY, APRIL 14, 1912,
THE BRITISH LINERTITANIC
672
00:35:49,400 --> 00:35:52,400
STRUCK AN ICEBERG
IN THE NORTH ATLANTIC.
673
00:35:52,400 --> 00:35:53,800
HER DISTRESS SIGNALS
WERE HEARD
674
00:35:53,800 --> 00:35:57,400
BY A MARCONI OPERATOR
ABOARD A NEARBY SHIP,
675
00:35:57,400 --> 00:36:00,400
ALLOWING THOSE PASSENGERS
WHO MADE IT INTO LIFEBOATS
676
00:36:00,400 --> 00:36:01,966
TO BE RESCUED.
677
00:36:03,966 --> 00:36:06,966
MARCONI AND HIS INVENTION
WERE WIDELY PRAISED
678
00:36:06,966 --> 00:36:09,033
IN THE DAYS THAT FOLLOWED,
679
00:36:09,033 --> 00:36:11,466
AND FEDERAL LAW
SOON REQUIRED
680
00:36:11,466 --> 00:36:13,900
THAT ALL LARGE,
OCEAN-GOING VESSELS
681
00:36:13,900 --> 00:36:15,900
BE EQUIPPED WITH WIRELESS.
682
00:36:19,400 --> 00:36:22,900
SARNOFF HAD STAYED AT HIS KEY
DURING THE CRISIS,
683
00:36:22,900 --> 00:36:26,200
PASSING ON DETAILS
OF THE TRAGEDY
AS THEY RATTLED IN
684
00:36:26,200 --> 00:36:28,400
TO WAITING RELATIVES.
685
00:36:30,900 --> 00:36:32,500
TO ENHANCE HIS OWN MYTH,
686
00:36:32,500 --> 00:36:35,700
HE WOULD LATER FALSELY
CLAIM TO HAVE BEEN
THE ONLY OPERATOR
687
00:36:35,700 --> 00:36:39,600
AT WORK DURING
THOSE ANXIOUS HOURS.
688
00:36:39,600 --> 00:36:43,866
NEWSPAPERS HAILED HIM
AS THE BOY WONDER OF RADIO.
689
00:36:43,866 --> 00:36:47,766
"THETITANICDISASTER
BROUGHT RADIO TO THE FRONT,"
690
00:36:47,766 --> 00:36:49,900
HE WROTE LATER,
691
00:36:49,900 --> 00:36:51,900
"AND INCIDENTALLY, ME."
692
00:36:53,400 --> 00:36:56,266
DAVID SARNOFF WOULD FIGHT
TO STAY UP FRONT
693
00:36:56,266 --> 00:36:58,533
FOR THE REST OF HIS LIFE.
694
00:37:00,333 --> 00:37:02,900
Bilby: WHEN HE WAS
A VERY YOUNG MAN
695
00:37:02,900 --> 00:37:04,533
WORKING
FOR THE MARCONI COMPANY,
696
00:37:04,533 --> 00:37:07,466
SARNOFF SAW
WIRELESS COMMUNICATIONS
697
00:37:07,466 --> 00:37:09,100
AS MARCONI HAD SEEN THEM--
698
00:37:09,100 --> 00:37:11,433
COMMUNICATION FROM ONE POINT
OR ONE PERSON
699
00:37:11,433 --> 00:37:14,700
TO ANOTHER POINT
OR ANOTHER PERSON.
700
00:37:14,700 --> 00:37:16,366
WHAT SARNOFF EVOLVED
701
00:37:16,366 --> 00:37:19,900
WAS THE IDEA OF TAKING
COMMUNICATIONS FROM ONE POINT
702
00:37:19,900 --> 00:37:22,400
AND TRANSMITTING IT
TO MANY POINTS.
703
00:37:22,400 --> 00:37:25,400
IN OTHER WORDS,
FROM POINT TO MASS.
704
00:37:25,400 --> 00:37:27,466
AND THAT WAS
THE ORIGIN OF RADIO,
705
00:37:27,466 --> 00:37:29,900
OF MASS BROADCASTING,
706
00:37:29,900 --> 00:37:33,000
OF ONE PERSON TALKING
TO MILLIONS.
707
00:37:33,000 --> 00:37:35,033
HE FORESAW THAT CLEARLY.
708
00:37:37,000 --> 00:37:39,400
Narrator: AT JUST 21,
HE WAS GIVEN A NEW OFFICE
709
00:37:39,400 --> 00:37:42,400
IN THE WOOLWORTH BUILDING
OVERLOOKING ALL OF MANHATTAN
710
00:37:42,400 --> 00:37:44,733
AND PUT IN CHARGE
OF PROCURING
711
00:37:44,733 --> 00:37:47,033
NEW TECHNOLOGY
FOR THE FIRM.
712
00:37:47,033 --> 00:37:49,900
"I HAVE IN MIND
A PLAN OF DEVELOPMENT,"
713
00:37:49,900 --> 00:37:52,400
HE WROTE HIS BOSS IN 1916,
714
00:37:52,400 --> 00:37:55,400
"WHICH WOULD MAKE RADIO
A HOUSEHOLD UTILITY
715
00:37:55,400 --> 00:37:59,400
IN THE SAME SENSE
AS THE PIANO OR THE PHONOGRAPH."
716
00:37:59,400 --> 00:38:02,466
THANKS TO THE WORK
OF DE FOREST AND ARMSTRONG,
717
00:38:02,466 --> 00:38:05,466
SARNOFF BELIEVED
IT WAS NOW ENTIRELY FEASIBLE
718
00:38:05,466 --> 00:38:08,466
TO BRING MUSIC
INTO AMERICAN HOMES.
719
00:38:08,466 --> 00:38:12,466
[RAGTIME MUSIC PLAYING]
720
00:38:16,100 --> 00:38:17,566
"THE RECEIVER
CAN BE DESIGNED
721
00:38:17,566 --> 00:38:20,466
IN THE FORM
OF A SIMPLE RADIO MUSIC BOX,"
722
00:38:20,466 --> 00:38:22,166
THE MEMO CONTINUED.
723
00:38:22,166 --> 00:38:25,466
"AMPLIFYING TUBES
AND A LOUDSPEAKING TELEPHONE
724
00:38:25,466 --> 00:38:28,466
WOULD ELIMINATE
THE NEED FOR HEADPHONES."
725
00:38:30,900 --> 00:38:33,966
"THE WHOLE THING COULD BE MADE
TO SELL FOR $75,"
726
00:38:33,966 --> 00:38:35,566
SARNOFF PROMISED,
727
00:38:35,566 --> 00:38:41,466
"AND 100,000 RADIO MUSIC BOXES
COULD BE SOLD IN A SINGLE YEAR."
728
00:38:46,466 --> 00:38:49,966
SARNOFF'S BOSS DID NOT EVEN
BOTHER TO RESPOND,
729
00:38:49,966 --> 00:38:52,966
BUT HE WAS NOT DISCOURAGED.
730
00:39:15,466 --> 00:39:18,966
HERE WE GO ON ANOTHER ADVENTURE
WITH JACK ARMSTRONG,
731
00:39:18,966 --> 00:39:21,800
THE ALL-AMERICAN BOY!
732
00:39:21,800 --> 00:39:25,466
Corwin: WHEN I WAS A KID,
SOMEBODY ON THE BLOCK SAID,
733
00:39:25,466 --> 00:39:29,466
"HAVE YOU HEARD THERE'S
A THING CALLED RADIO,
734
00:39:29,466 --> 00:39:31,833
AND YOU HEAR THINGS
THROUGH THE AIR?"
735
00:39:31,833 --> 00:39:33,000
AND I SAID--
736
00:39:33,000 --> 00:39:34,600
I LISTENED TO THIS
WITH INCREDULITY.
737
00:39:34,600 --> 00:39:35,900
"HOW COULD THAT BE?"
738
00:39:35,900 --> 00:39:37,833
AND HE SAID,
"HAROLD MERCHANT
DOWN THE BLOCK
739
00:39:37,833 --> 00:39:40,966
HAS A CRYSTAL SET. COME!"
740
00:39:42,466 --> 00:39:45,466
OH, BOY, DID YOU SEE
WHAT I SAW?
741
00:39:45,466 --> 00:39:47,833
A HUGE AFRICAN LION
JUMPED INTO THE TRUCK
742
00:39:47,833 --> 00:39:50,100
WHERE JACK ARMSTRONG,
VIC, AND BILLY
ARE SLEEPING!
743
00:39:50,100 --> 00:39:52,766
AND THERE WAS
A QUAKER OATS BOX
744
00:39:52,766 --> 00:39:54,733
WITH COILS
OF WIRE AROUND IT,
745
00:39:54,733 --> 00:39:58,666
AND IT WAS WIRED UP
TO A LITTLE GALENA,
746
00:39:58,666 --> 00:40:02,000
AND THIS GALENA
WAS ALADDIN'S LAMP.
747
00:40:02,000 --> 00:40:05,833
YOU RUBBED IT OR YOU TICKLED IT
WITH A CAT'S WHISKER,
748
00:40:05,833 --> 00:40:07,166
AND IN CAME THE WORLD.
749
00:40:07,166 --> 00:40:08,500
BELIEVE YOU ME,
I WANT TO KNOW
750
00:40:08,500 --> 00:40:10,600
HOW JACK AND HIS FRIENDS
GET OUT OF THIS ONE.
751
00:40:10,600 --> 00:40:11,966
YOU DO, TOO.
752
00:40:11,966 --> 00:40:14,233
AND I REMEMBER TUNING IN--
753
00:40:14,233 --> 00:40:15,900
I LIVED IN BOSTON--
754
00:40:15,900 --> 00:40:20,400
TUNING IN, MY GOD,
SCHENECTADY, NEW YORK!
755
00:40:20,400 --> 00:40:22,400
WHAT A THRILL THAT WAS!
756
00:40:23,900 --> 00:40:26,900
WEAF, NEW YORK.
757
00:40:26,900 --> 00:40:30,900
[WOMAN SINGING]
758
00:40:30,900 --> 00:40:33,433
Narrator: DAVID SARNOFF
WAS AHEAD OF HIS TIME,
759
00:40:33,433 --> 00:40:36,033
BUT BARELY.
760
00:40:36,033 --> 00:40:38,900
LEE DE FOREST
WAS ALREADY TRANSMITTING
761
00:40:38,900 --> 00:40:41,400
MUSIC AND NEWS BULLETINS
EVERY EVENING
762
00:40:41,400 --> 00:40:43,400
FROM HIS NEW YORK STUDIO.
763
00:40:48,566 --> 00:40:52,900
AND THE NEWS
OF HOWARD ARMSTRONG'S
REGENERATIVE RECEIVER
764
00:40:52,900 --> 00:40:54,800
HAD ENRAGED HIM.
765
00:40:54,800 --> 00:40:57,900
ARMSTRONG WAS
FRESH OUT OF COLLEGE
766
00:40:57,900 --> 00:40:59,900
AND 14 YEARS
DE FOREST'S JUNIOR,
767
00:40:59,900 --> 00:41:02,466
YET CLAIMED TO UNDERSTAND
HIS DISCOVERY
768
00:41:02,466 --> 00:41:05,800
BETTER THAN
DE FOREST HIMSELF DID,
769
00:41:05,800 --> 00:41:08,966
AND HE HAD ACCOMPLISHED
MORE WITH IT IN TWO YEARS
770
00:41:08,966 --> 00:41:11,133
THAN DE FOREST HAD IN EIGHT.
771
00:41:11,133 --> 00:41:12,966
TO ADD TO HIS EMBARRASSMENT,
772
00:41:12,966 --> 00:41:15,900
DE FOREST TRIED TWICE
TO OBTAIN A PATENT
773
00:41:15,900 --> 00:41:18,900
ON AN "ULTRA-AUDION"
OF HIS OWN,
774
00:41:18,900 --> 00:41:23,900
ONLY TO BE REJECTED
FOR DUPLICATING
ARMSTRONG'S WORK.
775
00:41:23,900 --> 00:41:26,900
HE NOW PERSUADED HIMSELF
THAT THE NEW CIRCUIT
776
00:41:26,900 --> 00:41:29,400
THAT HAD SUDDENLY
MADE BROADCASTING PRACTICAL
777
00:41:29,400 --> 00:41:31,400
AND ARMSTRONG FAMOUS
778
00:41:31,400 --> 00:41:33,900
HAD REALLY BEEN HIS
ALL ALONG.
779
00:41:33,900 --> 00:41:38,400
HE HAD JUST NEVER GOT AROUND
TO APPLYING FOR A PATENT.
780
00:41:38,400 --> 00:41:41,900
Tyne: DE FOREST
REALLY THRIVED
ON THESE BATTLES,
781
00:41:41,900 --> 00:41:44,366
AND THEY GOT PRETTY VICIOUS.
782
00:41:44,366 --> 00:41:45,733
HE WAS LIKE TWO PEOPLE.
783
00:41:45,733 --> 00:41:52,833
HE HAD ONE SIDE
WHICH WAS ALL POETRY,
784
00:41:52,833 --> 00:41:56,600
DESIRE TO BE A GOOD HOST
AND A GOOD GUEST,
785
00:41:56,600 --> 00:42:00,666
AND THE OTHER SIDE
WAS ALL LITIGATION,
786
00:42:00,666 --> 00:42:04,466
AND HE COULD TURN OFF
ONE SIDE AND BE
THE OTHER SIDE
787
00:42:04,466 --> 00:42:05,766
AT THE DROP OF A HAT.
788
00:42:05,766 --> 00:42:10,466
Narrator: IN 1915,
DE FOREST TOOK
ARMSTRONG TO COURT,
789
00:42:10,466 --> 00:42:12,466
LAUNCHING WHAT WOULD BECOME
790
00:42:12,466 --> 00:42:15,433
THE LONGEST PATENT SUIT
IN HISTORY.
791
00:42:15,433 --> 00:42:19,100
FEW THOUGHT
HE HAD A CHANCE OF WINNING.
792
00:42:19,100 --> 00:42:22,766
THEN WORLD WAR I INTERVENED.
793
00:42:27,300 --> 00:42:31,333
THE FEDERAL GOVERNMENT
FROZE ALL PATENT SUITS
FOR THE DURATION
794
00:42:31,333 --> 00:42:33,900
AND COMMANDEERED
ALL WIRELESS TRANSMITTERS.
795
00:42:33,900 --> 00:42:38,900
THE NAVY TRAINED AS MANY AS
400 NEW OPERATORS EACH WEEK,
796
00:42:38,900 --> 00:42:42,266
AND ITS DEMAND FOR EQUIPMENT
SEEMED INSATIABLE.
797
00:42:43,633 --> 00:42:45,400
DAVID SARNOFF
AND LEE DE FOREST
798
00:42:45,400 --> 00:42:48,400
DID THEIR BEST
TO SATISFY THAT DEMAND.
799
00:42:50,466 --> 00:42:52,933
ANTI-SEMITISM
KEPT DAVID SARNOFF
800
00:42:52,933 --> 00:42:56,366
FROM GETTING A COMMISSION
IN THE UNITED STATES NAVY,
801
00:42:56,366 --> 00:43:00,433
SO THE CHIEF INSPECTOR REMAINED
WITH THE MARCONI COMPANY,
802
00:43:00,433 --> 00:43:02,900
LOBBYING FOR WAR CONTRACTS,
803
00:43:02,900 --> 00:43:05,966
TAKING OUT JUST ENOUGH TIME
TO MARRY A FRENCH WOMAN,
804
00:43:05,966 --> 00:43:07,466
LIZETTE HERMANT,
805
00:43:07,466 --> 00:43:10,466
IN A MARRIAGE
ARRANGED BY THEIR MOTHERS.
806
00:43:11,966 --> 00:43:15,033
"I COULD SPEAK NO FRENCH,"
HE LIKED TO SAY,
807
00:43:15,033 --> 00:43:17,900
"AND LIZETTE COULD SPEAK
NO ENGLISH,
808
00:43:17,900 --> 00:43:19,100
SO WHAT ELSE COULD WE DO?"
809
00:43:20,966 --> 00:43:23,900
SARNOFF WAS SO SUCCESSFUL
DURING THE WAR
810
00:43:23,900 --> 00:43:28,400
THAT WHEN THE NEW RADIO
CORPORATION OF AMERICA, RCA,
811
00:43:28,400 --> 00:43:30,900
ABSORBED AMERICAN MARCONI,
812
00:43:30,900 --> 00:43:33,900
SARNOFF BECAME
ITS GENERAL MANAGER.
813
00:43:36,000 --> 00:43:39,900
LEE DE FOREST HAD SCORNED
THE VERY IDEA OF GOING TO WAR
814
00:43:39,900 --> 00:43:41,266
TO DEFEND WHAT HE CALLED
815
00:43:41,266 --> 00:43:43,900
"THE CHARACTERLESS,
INCOHESIVE GOULASH"
816
00:43:43,900 --> 00:43:46,900
THAT WAS
THE AMERICAN PEOPLE,
817
00:43:46,900 --> 00:43:49,900
BUT HE PROFITED
HANDSOMELY FROM IT,
818
00:43:49,900 --> 00:43:53,400
SELLING RADIO TUBES
AND RADIO SETS TO THE NAVY,
819
00:43:53,400 --> 00:43:55,766
THEN FOUND HE COULD DO
STILL BETTER
820
00:43:55,766 --> 00:43:58,866
BY SELLING EXCLUSIVE RIGHTS
TO ALL HIS PATENTS
821
00:43:58,866 --> 00:44:03,266
TO THE AMERICAN
TELEPHONE AND TELEGRAPH COMPANY.
822
00:44:03,266 --> 00:44:06,266
"NOW, AT LAST, I CAN LIVE
A LITTLE," HE SAID,
823
00:44:06,266 --> 00:44:09,733
"BEAUTIFY MY HOME,
ADORN MY PRETTY WIFE."
824
00:44:09,733 --> 00:44:14,166
HE HAD MARRIED AGAIN--
THIS TIME TO A CHORUS GIRL
825
00:44:14,166 --> 00:44:17,400
WITH EXPENSIVE TASTES
AND OPERATIC ASPIRATIONS,
826
00:44:17,400 --> 00:44:20,400
WHO WAS ALREADY LAPSING
INTO THE ALCOHOLISM
827
00:44:20,400 --> 00:44:23,900
THAT WOULD EVENTUALLY LEAD
TO HIS THIRD DIVORCE.
828
00:44:29,400 --> 00:44:33,466
DE FOREST HAD ORGANIZED
SOME 20 COMPANIES OF HIS OWN
829
00:44:33,466 --> 00:44:36,900
AND DRIVEN ALMOST ALL OF THEM
INTO BANKRUPTCY.
830
00:44:38,800 --> 00:44:41,900
NOW REFUSING TO SUBMIT
WHAT HE CALLED "MY GENIUS"
831
00:44:41,900 --> 00:44:44,333
TO ANY BIG CORPORATION,
832
00:44:44,333 --> 00:44:47,466
HE VOWED TO CONTINUE
HIS WORK ALONE,
833
00:44:48,766 --> 00:44:50,800
BUT THE DAY
OF THE LONE INVENTOR
834
00:44:50,800 --> 00:44:53,500
WAS ALREADY
COMING TO AN END,
835
00:44:53,500 --> 00:44:55,900
OVERTAKEN BY TEAMS
OF SCIENTISTS
836
00:44:55,900 --> 00:44:58,900
WHOSE FIRST LOYALTY
WAS TO THE CORPORATION.
837
00:45:00,400 --> 00:45:03,466
LEE DE FOREST
REFUSED TO SEE IT.
838
00:45:05,966 --> 00:45:09,466
HOWARD ARMSTRONG
WOULDN'T SEE IT EITHER.
839
00:45:11,933 --> 00:45:15,766
HE JOINED THE ARMY SIGNAL CORPS
AND WENT TO PARIS.
840
00:45:17,533 --> 00:45:20,466
THERE HE DESIGNED WIRELESS
RECEIVERS FOR AIRPLANES
841
00:45:20,466 --> 00:45:23,966
AND INSISTED UPON
TESTING THEM HIMSELF.
842
00:45:23,966 --> 00:45:25,900
[AIRPLANE ENGINE ROARING]
843
00:45:25,900 --> 00:45:28,900
HE EARNED A REPUTATION
FOR A POWERFUL TEMPER,
844
00:45:28,900 --> 00:45:32,400
ONCE FLOORING A FELLOW SOLDIER
WITH A SINGLE BLOW.
845
00:45:35,900 --> 00:45:39,666
IN THE SIGNAL CORPS, HE MADE
HIS SECOND GREAT DISCOVERY--
846
00:45:39,666 --> 00:45:41,366
THE SUPERHETERODYNE.
847
00:45:41,366 --> 00:45:45,400
[BUZZING]
848
00:45:45,400 --> 00:45:47,866
ARMSTRONG'S SUPERHETERODYNE
849
00:45:47,866 --> 00:45:51,800
CAPTURED RADIO WAVES
OF VERY HIGH FREQUENCY
850
00:45:51,800 --> 00:45:54,900
AND COMBINED THEM WITH WAVES
OF A LOWER FREQUENCY
851
00:45:54,900 --> 00:45:57,400
TO PRODUCE
AN ENTIRELY NEW WAVE.
852
00:45:57,400 --> 00:46:00,900
[MUSIC PLAYING]
853
00:46:00,900 --> 00:46:05,433
THIS NEW WAVE WAS THEN AMPLIFIED
SEVERAL THOUSAND TIMES...
854
00:46:08,966 --> 00:46:10,966
VASTLY INCREASING
THE SENSITIVITY
855
00:46:10,966 --> 00:46:12,966
OF ALL RECEIVERS.
856
00:46:26,900 --> 00:46:29,900
DAVID SARNOFF IMMEDIATELY SAW
THE COMMERCIAL POTENTIAL
857
00:46:29,900 --> 00:46:32,666
OF HIS
YOUNG FRIEND'S DISCOVERY.
858
00:46:35,400 --> 00:46:38,133
ARMSTRONG'S
SUPERHETERODYNE RADIO SETS
859
00:46:38,133 --> 00:46:41,433
WOULD BE RCA's
BIGGEST SUCCESS
860
00:46:41,433 --> 00:46:44,600
AND WOULD PROPEL THE COMPANY
TO PREEMINENCE
861
00:46:44,600 --> 00:46:46,900
IN THE NEW FIELD
OF ELECTRONICS.
862
00:46:53,766 --> 00:46:56,400
FOR HIS REMARKABLE INVENTION,
863
00:46:56,400 --> 00:46:59,400
ARMSTRONG WAS PROMOTED
TO MAJOR.
864
00:47:01,966 --> 00:47:04,466
"HOWARD ARMSTRONG FOUND
THE RADIO TELEPHONE
865
00:47:04,466 --> 00:47:06,466
"TALKING LIKE
A HARELIPPED MAN
866
00:47:06,466 --> 00:47:09,466
AND LEFT IT SINGING
LIKE A NIGHTINGALE,"
867
00:47:09,466 --> 00:47:11,466
A NEWSPAPERMAN WROTE,
868
00:47:11,466 --> 00:47:13,900
AND HE PREDICTED
THAT ARMSTRONG'S NAME
869
00:47:13,900 --> 00:47:16,900
WOULD ONE DAY BE
AS SYNONYMOUS WITH RADIO
870
00:47:16,900 --> 00:47:21,300
AS EDISON'S WAS
WITH THE LIGHT BULB.
871
00:47:21,300 --> 00:47:24,400
THAT WAS JUST WHAT
ARMSTRONG HAD IN MIND,
872
00:47:24,400 --> 00:47:27,400
AND HE RETURNED
FROM FRANCE IN 1919,
873
00:47:27,400 --> 00:47:29,400
EAGER TO DEFEND HIMSELF
874
00:47:29,400 --> 00:47:33,600
AGAINST DE FOREST'S CLAIMS
TO HIS EARLIER INVENTION.
875
00:47:33,600 --> 00:47:36,400
HE WON EASILY IN 1921,
876
00:47:36,400 --> 00:47:38,900
AND WHEN DE FOREST APPEALED,
877
00:47:38,900 --> 00:47:42,066
WON AGAIN IN 1923.
878
00:47:43,233 --> 00:47:45,866
ARMSTRONG CELEBRATED HIS VICTORY
BY FLYING A FLAG
879
00:47:45,866 --> 00:47:49,900
WITH HIS PATENT NUMBER ON IT,
KNOWING THAT ON A CLEAR DAY,
880
00:47:49,900 --> 00:47:51,800
DE FOREST WOULD BE ABLE
TO SEE IT
881
00:47:51,800 --> 00:47:54,833
FROM THE PORCH
OF RIVERLURE IN THE BRONX.
882
00:47:54,833 --> 00:47:56,900
IT SEEMED CLEAR NOT ONLY
883
00:47:56,900 --> 00:47:59,900
THAT ARMSTRONG HAD BUILT
THE FIRST REGENERATION CIRCUIT,
884
00:47:59,900 --> 00:48:02,966
BUT THAT DE FOREST HAD
NOT EVEN UNDERSTOOD
885
00:48:02,966 --> 00:48:04,966
HOW HIS OWN AUDION WORKED
886
00:48:04,966 --> 00:48:09,666
UNTIL ARMSTRONG PUBLISHED
A PAPER EXPLAINING IT.
887
00:48:09,666 --> 00:48:11,966
Gunther: I ONLY MET
DR. DE FOREST ONCE
888
00:48:11,966 --> 00:48:15,100
IN A FEDERAL COURT
IN BROOKLYN, NEW YORK.
889
00:48:15,100 --> 00:48:18,400
AND AT THAT TIME,
DR. DE FOREST
WAS ON THE STAND
890
00:48:18,400 --> 00:48:21,266
FOR SOME THREE AND A HALF HOURS
ONE DAY
891
00:48:21,266 --> 00:48:23,700
AND ABSOLUTELY, COMPLETELY
FAILED TO DESCRIBE
892
00:48:23,700 --> 00:48:25,966
HOW THE AUDION OSCILLATED,
893
00:48:25,966 --> 00:48:27,766
AND I'VE ALWAYS CARRIED
THAT IN MY MEMORY
894
00:48:27,766 --> 00:48:29,600
BECAUSE I COULD
NEVER UNDERSTAND
895
00:48:29,600 --> 00:48:32,933
HOW THIS INVENTOR--
SO-CALLED INVENTOR
896
00:48:32,933 --> 00:48:34,466
OF THE REGENERATIVE CIRCUIT--
897
00:48:34,466 --> 00:48:37,966
COULDN'T EXPLAIN TO ANYBODY--
LAYMEN OR TECHNICAL PEOPLE--
898
00:48:37,966 --> 00:48:40,033
HOW THE AUDION OSCILLATED.
899
00:48:40,033 --> 00:48:43,800
Narrator:
SIZABLE DAMAGES WERE ASSESSED,
900
00:48:43,800 --> 00:48:46,333
BUT DE FOREST WAS AGAIN
NEARLY BANKRUPT
901
00:48:46,333 --> 00:48:48,600
AND UNABLE TO PAY.
902
00:48:48,600 --> 00:48:51,933
ARMSTRONG'S LAWYERS TOLD HIM
THE SENSIBLE THING TO DO
903
00:48:51,933 --> 00:48:56,733
WAS WAIVE DAMAGES
AND LICENSE DE FOREST
TO USE THE CIRCUIT,
904
00:48:56,733 --> 00:48:59,633
BUT ARMSTRONG REFUSED.
905
00:48:59,633 --> 00:49:02,666
HE WOULD SIGN NO AGREEMENT
WITH A MAN WHOM HE BELIEVED
906
00:49:02,666 --> 00:49:04,900
TO BE A BOASTFUL,
IGNORANT THIEF.
907
00:49:06,533 --> 00:49:09,033
Morris: THE ONE PROBLEM
THAT I WOULD POINT TO
908
00:49:09,033 --> 00:49:11,133
WITH RESPECT
TO HOWARD ARMSTRONG
909
00:49:11,133 --> 00:49:13,200
WAS THE FACT THAT
THE WORD "COMPROMISE"
910
00:49:13,200 --> 00:49:15,633
WAS NOT IN HIS DICTIONARY.
911
00:49:15,633 --> 00:49:17,433
HE DIDN'T KNOW
WHAT IT MEANT.
912
00:49:17,433 --> 00:49:20,466
HE WAS A MAN OF PRINCIPLE,
913
00:49:20,466 --> 00:49:23,366
AND SOMETIMES,
THE OPPOSITE SIDE
OF THE TABLE
914
00:49:23,366 --> 00:49:25,666
DOESN'T UNDERSTAND
WHAT PRINCIPLE MEANS--
915
00:49:25,666 --> 00:49:27,733
THE REAL WORLD,
IN OTHER WORDS,
916
00:49:27,733 --> 00:49:29,400
AND HE GOT IN TROUBLE,
917
00:49:29,400 --> 00:49:31,366
I GUESS,
A FEW TIMES OVER THAT,
918
00:49:31,366 --> 00:49:35,666
WHICH IT USED
AN AWFUL LOT OF ENERGY
AND TIME IN HIS LIFETIME.
919
00:49:35,666 --> 00:49:38,100
Narrator:
FOR THE TIME BEING,
920
00:49:38,100 --> 00:49:42,233
EVERYTHING SEEMED TO BE
GOING ARMSTRONG'S WAY.
921
00:49:42,233 --> 00:49:45,100
SALE TO RCA
OF A BRAND-NEW DISCOVERY,
922
00:49:45,100 --> 00:49:47,233
THE SUPER-REGENERATIVE CIRCUIT,
923
00:49:47,233 --> 00:49:48,600
HAD MADE THE INVENTOR
924
00:49:48,600 --> 00:49:52,266
THE SINGLE LARGEST STOCKHOLDER
IN THE COMPANY,
925
00:49:52,266 --> 00:49:55,900
AND HE WAS EAGERLY COURTING
DAVID SARNOFF'S SECRETARY,
926
00:49:55,900 --> 00:49:57,366
MARION MACINNIS,
927
00:49:57,366 --> 00:49:59,566
HURTLING DOWN LONG ISLAND
HIGHWAYS WITH HER
928
00:49:59,566 --> 00:50:01,733
AT 75 MILES AN HOUR
929
00:50:01,733 --> 00:50:05,033
IN HIS FAWN-COLORED
HISPANO SUIZA
930
00:50:05,033 --> 00:50:09,000
AND CLAMBERING UP
THE RCA TRANSMITTING TOWER,
931
00:50:09,000 --> 00:50:12,166
450 FEET ABOVE 42nd STREET,
932
00:50:12,166 --> 00:50:15,333
TO IMPRESS HER
WITH HIS DARING.
933
00:50:15,333 --> 00:50:17,633
Hammond: HE'D ALWAYS BEEN
FASCINATED BY HEIGHTS.
934
00:50:19,933 --> 00:50:22,433
THERE WAS A CEREMONY
GOING ON DOWNSTAIRS
935
00:50:22,433 --> 00:50:24,900
THAT DAVID SARNOFF
WAS OFFICIATING AT,
936
00:50:24,900 --> 00:50:28,600
AND UNCLE HOWARD,
TO IMPRESS MY AUNT MARION,
937
00:50:28,600 --> 00:50:30,633
TO WHOM HE WAS NOT
MARRIED AT THAT POINT,
938
00:50:30,633 --> 00:50:34,133
CLIMBED UP TO THE TOP
OF THIS VERY, VERY HIGH TOWER,
939
00:50:34,133 --> 00:50:35,900
HAD HIS FRIEND THERE
WITH A CAMERA
940
00:50:35,900 --> 00:50:38,066
TO MAKE SURE THAT THIS
WAS RECORDED,
941
00:50:38,066 --> 00:50:43,033
AND BALANCED AT THE TOP
OF THIS INCREDIBLY HIGH TOWER.
942
00:51:12,533 --> 00:51:17,000
ARMSTRONG HAD A QUALITY
OF CONFIDENT FLAMBOYANCE
943
00:51:17,000 --> 00:51:18,633
THAT FASCINATED ME.
944
00:51:18,633 --> 00:51:20,900
HE WAS ALWAYS WANTING
TO CLIMB TO HIGH PLACES.
945
00:51:20,900 --> 00:51:23,800
HE FRIGHTENED HIS NEIGHBORS
IN YONKERS
946
00:51:23,800 --> 00:51:27,133
BY CLIMBING UP THESE POLES
FOR HIS ANTENNA,
947
00:51:27,133 --> 00:51:30,000
AND THEN LATER ON, WHEN RCA
WAS BEING ORGANIZED,
948
00:51:30,000 --> 00:51:32,900
HE CLIMBED ONTO THE TOP
OF THE GLOBE
949
00:51:32,900 --> 00:51:35,500
OF THE AEOLIAN BUILDING
ON 42nd STREET,
950
00:51:35,500 --> 00:51:38,166
WHICH WAS AN EXTRAORDINARY
THING TO DO,
951
00:51:38,166 --> 00:51:41,500
AND APPARENTLY,
SARNOFF WAS FURIOUS
AT HIM FOR DOING THAT
952
00:51:41,500 --> 00:51:43,700
AND ORDERED HIM TO
STAY AWAY FROM THERE.
953
00:51:43,700 --> 00:51:45,533
SO THERE WAS A LITTLE TENSION
BETWEEN THEM.
954
00:51:45,533 --> 00:51:50,633
HE WAS OFTEN SORT OF DEFYING
SARNOFF IN ONE WAY OR ANOTHER.
955
00:51:54,300 --> 00:51:55,733
Narrator:
SARNOFF WAS SO HORRIFIED,
956
00:51:55,733 --> 00:51:57,766
HE BARRED HIM
FROM THE RCA OFFICES
957
00:51:57,766 --> 00:52:00,266
FOR A TIME,
958
00:52:00,266 --> 00:52:02,800
BUT MARION AGREED
TO MARRY HIM.
959
00:52:02,800 --> 00:52:05,366
♪ IN GRANDPA'S DAY,
THE ONLY WAY THEY HAD
960
00:52:05,366 --> 00:52:06,733
♪ OF MAKING LOVE... ♪
961
00:52:06,733 --> 00:52:08,900
ARMSTRONG'S WEDDING PRESENT
TO HIS BRIDE
962
00:52:08,900 --> 00:52:13,066
WAS THE WORLD'S FIRST PORTABLE
SUPERHETERODYNE RADIO,
963
00:52:13,066 --> 00:52:17,333
AND THE SUPERHETERODYNE
WOULD CHANGE THE WORLD.
964
00:52:17,333 --> 00:52:20,033
♪ ...LOVE BY RADIO ♪
965
00:52:20,033 --> 00:52:24,266
♪ LOVE HER BY RADIO ♪
966
00:52:24,266 --> 00:52:28,400
♪ YOU WILL FIND
IT'S RADIO ♪
967
00:52:28,400 --> 00:52:32,266
♪ IF YOU WANT TO REACH
YOUR HEART'S DESIRE ♪
968
00:52:32,266 --> 00:52:35,600
♪ YOU WON'T HAVE TO
SEND HER WORD BY WIRE ♪
969
00:52:35,600 --> 00:52:36,600
♪ YOU'D NEVER BUY HER ♪
970
00:52:36,600 --> 00:52:40,633
♪ LOVE HER BY RADIO ♪
971
00:52:40,633 --> 00:52:44,466
♪ EVEN WHEN
YOU'RE ALL ALONE ♪
972
00:52:44,466 --> 00:52:46,000
♪ THINK OF ALL THE FUN ♪
973
00:52:46,000 --> 00:52:48,900
♪ THAT THEY CAN HAVE
BOTH NIGHT AND DAY ♪
974
00:52:48,900 --> 00:52:52,133
♪ LISTENING IN TO WHAT
THE LOVEY-DOVEYS HAVE TO SAY ♪
975
00:52:52,133 --> 00:52:54,066
♪ I'LL BET
THE THINGS THEY'D HEAR ♪
976
00:52:54,066 --> 00:52:56,233
♪ WOULD MAKE A BACHELOR'S HAIR
TURN GRAY ♪
977
00:52:56,233 --> 00:53:01,000
♪ WHEN YOU LOVE HER
BY THE RADIOPHONE ♪
978
00:53:01,000 --> 00:53:04,833
♪ LOVE HER BY RADIO ♪
979
00:53:04,833 --> 00:53:08,666
♪ YOU WILL FIND
IT'S RADIO ♪
980
00:53:08,666 --> 00:53:12,466
♪ IF YOU WANT TO REACH
YOUR HEART'S DESIRE ♪
981
00:53:12,466 --> 00:53:15,533
♪ YOU WON'T HAVE TO
SEND HER WORD BY WIRE ♪
982
00:53:15,533 --> 00:53:16,766
♪ YOU'D NEVER BUY HER ♪
983
00:53:16,766 --> 00:53:20,366
♪ LOVE HER BY RADIO ♪
984
00:53:20,366 --> 00:53:24,533
♪ EVEN WHEN YOU'RE
ALL ALONE... ♪
985
00:53:24,533 --> 00:53:26,466
GRADUALLY,
INVENTORS AND AMATEURS
986
00:53:26,466 --> 00:53:29,133
WERE CREATING
A NEW INDUSTRY.
987
00:53:29,133 --> 00:53:32,400
WHAT HAD STARTED OUT AS A MEANS
OF WIRELESS TELEGRAPHY
988
00:53:32,400 --> 00:53:34,800
HAD BECOME RADIO.
989
00:53:34,800 --> 00:53:37,033
FOR THE FIRST TIME
IN HISTORY,
990
00:53:37,033 --> 00:53:40,266
ONE PERSON WITH A MICROPHONE
COULD SPEAK TO MANY--
991
00:53:40,266 --> 00:53:43,666
INFLUENCE THEM,
PERHAPS CHANGE THEIR LIVES.
992
00:53:43,666 --> 00:53:45,833
THE CONCEPT
BORROWED THE METAPHOR
993
00:53:45,833 --> 00:53:49,533
OF A FARMER SCATTERING SEEDS
ACROSS A FIELD.
994
00:53:49,533 --> 00:53:53,733
NOW A SINGLE SPEAKER
COULD SCATTER SEEDS
OF INFORMATION,
995
00:53:53,733 --> 00:53:56,033
PROPAGANDA, ENTERTAINMENT,
996
00:53:56,033 --> 00:53:58,100
POLITICAL
AND RELIGIOUS FERVOR,
997
00:53:58,100 --> 00:54:01,500
CULTURE, AND EVEN HATRED
ACROSS THE LAND.
998
00:54:03,133 --> 00:54:06,700
THE FARMER'S PHRASE,
THE NEW METAPHOR FOR RADIO,
999
00:54:06,700 --> 00:54:09,533
THE METAPHOR
THAT CHANGED THE NATION
1000
00:54:09,533 --> 00:54:11,366
WASBROADCASTING.
1001
00:54:11,366 --> 00:54:13,800
♪ BUT FIRST OF ALL,
MAKE UP YOUR MIND ♪
1002
00:54:13,800 --> 00:54:18,900
♪ YOUR HEARTS
ARE OPEN, TOO ♪
1003
00:54:18,900 --> 00:54:23,366
♪ WHEN YOU LOVE HER
BY THE RADIOPHONE ♪
1004
00:54:24,666 --> 00:54:26,433
WAIT FOR ME, SLIM!
1005
00:54:26,433 --> 00:54:28,700
O.K., PATSY!
1006
00:54:28,700 --> 00:54:30,300
♪ I'M BACK IN THE SADDLE ♪
1007
00:54:30,300 --> 00:54:31,866
♪ HERDING LONGHORN CATTLE ♪
1008
00:54:31,866 --> 00:54:35,233
♪ I'M HAPPY
IN THE SADDLE AGAIN ♪
1009
00:54:35,233 --> 00:54:36,966
♪ MY SPURS
TURNED ALL RUSTY ♪
1010
00:54:36,966 --> 00:54:38,533
♪ STILL THEY'RE
ALWAYS TRUSTY ♪
1011
00:54:38,533 --> 00:54:41,500
♪ AND I'M HAPPY
IN THE SADDLE AGAIN ♪
1012
00:54:41,500 --> 00:54:43,033
I'M SPEAKING
FOR AMERICA'S
1013
00:54:43,033 --> 00:54:45,333
NUMBER ONE
SINGING COWGIRL,
PATSY MONTANA.
1014
00:54:45,333 --> 00:54:46,766
WE'RE SAYING
SO LONG, EVERYBODY.
1015
00:54:46,766 --> 00:54:48,233
GOOD LUCK
TO YOU, FRIENDS,
1016
00:54:48,233 --> 00:54:50,366
AND ABOVE ALL,
WE DO WISH YOU
GOOD HEALTH.
1017
00:54:50,366 --> 00:54:53,966
NOW STAY TUNED FOR
JUST PLAIN BILL.
1018
00:54:53,966 --> 00:54:56,000
♪ KEEP ON THE SUNNY SIDE ♪
1019
00:54:56,000 --> 00:54:58,066
♪ ALWAYS ON THE SUNNY SIDE ♪
1020
00:54:58,066 --> 00:55:01,566
♪ KEEP ON THE SUNNY SIDE
OF LIFE ♪
1021
00:55:01,566 --> 00:55:03,000
Man:
I THINK THAT THE WORLD--
1022
00:55:03,000 --> 00:55:07,833
THE AMERICA THAT RADIO
LEAPED INTO AND FASCINATED
1023
00:55:07,833 --> 00:55:12,133
WAS REALLY A QUIETER...
1024
00:55:12,133 --> 00:55:14,700
LIFE THAN WHAT WE KNOW.
1025
00:55:14,700 --> 00:55:19,133
WLAG, MINNEAPOLIS.
1026
00:55:19,133 --> 00:55:20,933
MY FIRST RECOLLECTION
OF RADIO
1027
00:55:20,933 --> 00:55:25,800
IS SITTING
ON MY UNCLE'S LAP
1028
00:55:25,800 --> 00:55:29,166
AND PUTTING MY HEAD
UP NEXT TO HIS,
1029
00:55:29,166 --> 00:55:31,700
AND HE HAD
HIS ARM AROUND ME,
1030
00:55:31,700 --> 00:55:36,766
AND THE HEADPHONES WENT
ACROSS BOTH OF OUR HEADS.
1031
00:55:36,766 --> 00:55:39,166
I REMEMBER HAVING
A PIECE IN MY EAR
1032
00:55:39,166 --> 00:55:42,033
AND PUTTING MY HEAD
NEXT TO HIS
1033
00:55:42,033 --> 00:55:47,500
AND HEARING BANDS PLAY
FROM FAR AWAY
1034
00:55:47,500 --> 00:55:51,200
DANCE MUSIC THAT WAS NOT ALLOWED
IN OUR FAMILY.
1035
00:55:51,200 --> 00:55:53,200
[DANCE MUSIC PLAYING ON RADIO]
1036
00:56:08,233 --> 00:56:09,900
Man: IT WAS JUST
ALMOST UNBELIEVABLE.
1037
00:56:09,900 --> 00:56:11,433
YOU COULD SIT
IN YOUR LIVING ROOM IN FLORIDA
1038
00:56:11,433 --> 00:56:13,433
AND HEAR A MAN
SPEAKING IN NEW YORK,
1039
00:56:13,433 --> 00:56:16,233
AND, AFTER A WHILE,
IN LOS ANGELES.
1040
00:56:16,233 --> 00:56:19,066
YOU HEARD PEOPLE SINGING,
YOU HEARD MUSIC,
1041
00:56:19,066 --> 00:56:20,566
YOU HEARD EVENTS,
1042
00:56:20,566 --> 00:56:23,066
YOU HEARD A FOOTBALL GAME
IN THE ROSE BOWL
1043
00:56:23,066 --> 00:56:25,033
THAT WAS BEING PLAYED
RIGHT NOW.
1044
00:56:25,033 --> 00:56:27,133
AND DEMPSEY COMES BACK
WITH A HARD RIGHT
1045
00:56:27,133 --> 00:56:28,766
TO TUNNEY'S FACE!
1046
00:56:28,766 --> 00:56:31,233
OH! DEMPSEY COMES ON GOOD
WITH A TERRIFIC RIGHT.
1047
00:56:31,233 --> 00:56:32,733
HE'S GOT TUNNEY
AGAINST THE ROPES!
1048
00:56:32,733 --> 00:56:34,966
THERE'S ANOTHER RIGHT
LANDING ON THE CHAMPION'S JAW!
1049
00:56:34,966 --> 00:56:36,733
A BARRAGE
OF LEFT AND RIGHT HANDS!
1050
00:56:36,733 --> 00:56:37,966
TUNNEY IS DOWN!
1051
00:56:37,966 --> 00:56:39,466
TUNNEY IS DOWN!
1052
00:56:39,466 --> 00:56:40,700
♪ TURN YOUR RADIO ON ♪
1053
00:56:40,700 --> 00:56:42,166
♪ TURN YOUR RADIO ON ♪
1054
00:56:42,166 --> 00:56:44,800
♪ AND LISTEN TO THE MUSIC
IN THE AIR ♪
1055
00:56:44,800 --> 00:56:46,100
♪ TURN YOUR RADIO ON ♪
1056
00:56:46,100 --> 00:56:47,433
♪ TURN YOUR RADIO ON ♪
1057
00:56:47,433 --> 00:56:48,866
♪ HEAVEN'S GLORY SHARE ♪
1058
00:56:48,866 --> 00:56:50,100
♪ HEAVEN'S GLORY SHARE ♪
1059
00:56:50,100 --> 00:56:51,366
♪ TURN THE LIGHTS DOWN LOW ♪
1060
00:56:51,366 --> 00:56:52,800
♪ TURN THE LIGHTS DOWN LOW ♪
1061
00:56:52,800 --> 00:56:55,266
♪ AND LISTEN TO
THE MASTER'S RADIO ♪
1062
00:56:55,266 --> 00:56:56,833
♪ GET IN TOUCH
WITH GOD ♪
1063
00:56:56,833 --> 00:56:58,266
♪ GET IN TOUCH
WITH GOD ♪
1064
00:56:58,266 --> 00:56:59,400
♪ TURN YOUR RADIO ON ♪
1065
00:56:59,400 --> 00:57:01,466
♪ TURN YOUR RADIO ON ♪
1066
00:57:01,466 --> 00:57:03,966
AND YOU MEN,
YOU KNOW
YOU'RE SICK.
1067
00:57:03,966 --> 00:57:06,566
YOU KNOW YOUR
PROSTATE'S INFECTED
AND DISEASED,
1068
00:57:06,566 --> 00:57:09,333
AND YOU KNOW THAT
UNLESS SOME RELIEF
COMES TO YOU,
1069
00:57:09,333 --> 00:57:10,366
THAT YOU'RE
GOING TO BE
1070
00:57:10,366 --> 00:57:11,800
IN THE UNDERTAKER'S
PARLOR
1071
00:57:11,800 --> 00:57:12,966
ON THE OLD
COLD SLAB,
1072
00:57:12,966 --> 00:57:14,900
BEING EMBALMED
FOR A FUNERAL.
1073
00:57:14,900 --> 00:57:16,466
HELLO, RALPHIE BOY.
1074
00:57:16,466 --> 00:57:18,266
HELLO, MONA GIRL.
I UNDERSTAND
YOU GOT MARRIED.
1075
00:57:18,266 --> 00:57:20,800
YES, I MARRIED
AN X-RAY SPECIALIST.
1076
00:57:20,800 --> 00:57:22,433
AN X-RAY
SPECIALIST?
HOW COME?
1077
00:57:22,433 --> 00:57:25,466
HE WAS THE ONLY ONE
THAT COULD SEE
ANYTHING IN ME.
1078
00:57:25,466 --> 00:57:28,933
[LAUGHTER]
1079
00:57:28,933 --> 00:57:30,800
IN JUST ONE MOMENT NOW,
1080
00:57:30,800 --> 00:57:34,566
KDKA, IN COOPERATION WITH
THE PITTSBURGH POST AND SUN,
1081
00:57:34,566 --> 00:57:37,433
WILL PRESENT THE LATEST
PRESIDENTIAL ELECTION RETURNS.
1082
00:57:37,433 --> 00:57:38,733
Narrator:
ONE OF THE FIRST STATIONS
1083
00:57:38,733 --> 00:57:43,300
TO BROADCAST REGULARLY
WAS KDKA IN PITTSBURGH.
1084
00:57:43,300 --> 00:57:46,133
IT WENT ON THE AIR IN 1920,
1085
00:57:46,133 --> 00:57:49,900
REPORTING THE VICTORY
OF WARREN G. HARDING
AND CALVIN COOLIDGE
1086
00:57:49,900 --> 00:57:51,400
OVER JAMES M. COX
1087
00:57:51,400 --> 00:57:53,466
AND A YOUNG
FRANKLIN D. ROOSEVELT.
1088
00:57:53,466 --> 00:57:54,966
AT THE PRESENT TIME,
1089
00:57:54,966 --> 00:57:57,433
HARDING HAS COLLECTED
MORE THAN 16 MILLION VOTES
1090
00:57:57,433 --> 00:58:00,366
AGAINST SOME 9 MILLION
FOR THE DEMOCRAT.
1091
00:58:00,366 --> 00:58:03,900
WE'LL GIVE YOU
THE STATE VOTE
IN JUST A MOMENT,
1092
00:58:03,900 --> 00:58:06,000
BUT FIRST WE'D LIKE
TO ASK YOU TO LET US KNOW
1093
00:58:06,000 --> 00:58:08,566
IF THIS BROADCAST
IS REACHING YOU.
1094
00:58:08,566 --> 00:58:09,900
PLEASE DROP US A CARD,
1095
00:58:09,900 --> 00:58:13,833
ADDRESSED STATION KDKA,
WESTINGHOUSE,
1096
00:58:13,833 --> 00:58:16,900
EAST PITTSBURGH,
PENNSYLVANIA.
1097
00:58:16,900 --> 00:58:18,433
Narrator: BUT IT WAS NOT LONG
BEFORE EVERYONE
1098
00:58:18,433 --> 00:58:21,100
SEEMED TO BE GOING
INTO BROADCASTING.
1099
00:58:21,100 --> 00:58:25,933
THIS IS STATION WCAP,
WASHINGTON...
1100
00:58:25,933 --> 00:58:28,433
UNIVERSITIES, NEWSPAPERS,
1101
00:58:28,433 --> 00:58:31,433
BANKS, DEPARTMENT STORES.
1102
00:58:31,433 --> 00:58:35,433
WJAR, PROVIDENCE,
1103
00:58:35,433 --> 00:58:39,400
WNAC, BOSTON...
1104
00:58:39,400 --> 00:58:40,700
IN DAVENPORT, IOWA,
1105
00:58:40,700 --> 00:58:44,400
THE PALMER SCHOOL
OF CHIROPRACTIC HAD A STATION.
1106
00:58:44,400 --> 00:58:46,400
SO DID THE JOHN FINK
JEWELRY COMPANY
1107
00:58:46,400 --> 00:58:48,433
IN FORT SMITH, ARKANSAS,
1108
00:58:48,433 --> 00:58:51,900
AND IN MILFORD, KANSAS,
OVER STATION KFKB--
1109
00:58:51,900 --> 00:58:54,000
"KANSAS FOLKS KNOW BEST--"
1110
00:58:54,000 --> 00:58:57,833
DR. JOHN ROMULUS BRINKLEY
LECTURED THREE TIMES A DAY
1111
00:58:57,833 --> 00:59:02,066
ON THE APHRODISIAC POWERS
OF IMPLANTED GOAT GLANDS.
1112
00:59:04,466 --> 00:59:07,700
A GOOD LOVE STORY
IS ALWAYS TENDER AND BEAUTIFUL.
1113
00:59:07,700 --> 00:59:09,466
BUT REALLY TO WARM
THE COCKLES OF THE HEART,
1114
00:59:09,466 --> 00:59:13,433
IT SHOULD HAVE
AT LEAST A HINT
OF THE UNBELIEVABLE.
1115
00:59:13,433 --> 00:59:17,466
♪ FOLKS, I HAVE FOUND MYSELF
A BRAND-NEW HONEY ♪
1116
00:59:17,466 --> 00:59:19,333
♪ BRIGHT AND SUNNY ♪
1117
00:59:19,333 --> 00:59:20,800
♪ DON'T CARE FOR MONEY ♪
1118
00:59:20,800 --> 00:59:24,266
♪ WE'VE GOT A SYSTEM
OF LOVING ♪
1119
00:59:24,266 --> 00:59:27,633
♪ PROUD TO SAY
IT'S ALL OUR OWN ♪
1120
00:59:27,633 --> 00:59:30,100
NOW, THE SCENE IS
IN THE HOME OF MARSHA
1121
00:59:30,100 --> 00:59:33,500
AS SHE AND ARMAND
ARE SECRETLY
TALKING TOGETHER.
1122
00:59:33,500 --> 00:59:35,200
LISTEN.
1123
00:59:35,200 --> 00:59:39,066
♪ SINCE ALL THE WORLD GOT
ONTO THAT NEW RADIO CRAZE ♪
1124
00:59:39,066 --> 00:59:43,166
BY 1924, WHILE LEE DE FOREST
AND HOWARD ARMSTRONG
1125
00:59:43,166 --> 00:59:45,366
WERE STILL BATTLING
IN THE COURTS
1126
00:59:45,366 --> 00:59:49,266
AND DAVID SARNOFF WAS
CEMENTING HIS POSITION AT RCA,
1127
00:59:49,266 --> 00:59:51,566
THERE WERE 1,400 STATIONS,
1128
00:59:51,566 --> 00:59:54,100
AND ONE THIRD OF THE MONEY
SPENT ON FURNITURE
1129
00:59:54,100 --> 00:59:55,333
IN THE COUNTRY
1130
00:59:55,333 --> 00:59:57,300
WENT FOR RADIO RECEIVERS--
1131
00:59:57,300 --> 01:00:00,700
$350 MILLION.
1132
01:00:00,700 --> 01:00:03,166
BETWEEN MAY AND DECEMBER
OF 1923,
1133
01:00:03,166 --> 01:00:06,400
RCA's WJZ IN NEW YORK
1134
01:00:06,400 --> 01:00:09,433
OFFERED
340 SOPRANO RECITALS
1135
01:00:09,433 --> 01:00:11,733
AND 98 BARITONE SOLOS,
1136
01:00:11,733 --> 01:00:14,700
SIX BASEBALL GAMES,
FIVE BOXING MATCHES,
1137
01:00:14,700 --> 01:00:16,733
67 CHURCH SERVICES,
1138
01:00:16,733 --> 01:00:18,666
SEVEN FOOTBALL GAMES,
1139
01:00:18,666 --> 01:00:20,533
10 HARMONICA SOLOS,
1140
01:00:20,533 --> 01:00:22,733
74 ORGAN CONCERTS,
1141
01:00:22,733 --> 01:00:23,900
40 PLAYS,
1142
01:00:23,900 --> 01:00:26,966
723 TALKS AND LECTURES,
1143
01:00:26,966 --> 01:00:30,300
AND 205 BEDTIME STORIES.
1144
01:00:30,300 --> 01:00:34,366
RADIO ATE UP MATERIAL FASTER
THAN IT COULD BE PRODUCED.
1145
01:00:34,366 --> 01:00:37,000
ONE DESPERATE ANNOUNCER
JUST STUCK HIS MICROPHONE
1146
01:00:37,000 --> 01:00:39,166
OUT THE STUDIO WINDOW
AND SAID,
1147
01:00:39,166 --> 01:00:40,866
"LADIES AND GENTLEMEN,
WE BRING YOU
1148
01:00:40,866 --> 01:00:44,133
THE SOUNDS
OF NEW YORK CITY."
1149
01:00:44,133 --> 01:00:46,233
LISTENERS LOVED IT.
1150
01:00:46,233 --> 01:00:48,233
[MUSIC PLAYING]
1151
01:00:51,733 --> 01:00:53,000
Kelley: FOR ONE THING,
1152
01:00:53,000 --> 01:00:55,900
THERE WAS THIS CONSTANT
COMPANION IN THE HOUSE.
1153
01:00:55,900 --> 01:00:57,066
IF YOU WERE ALONE,
1154
01:00:57,066 --> 01:00:59,566
YOU COULD TURN
THE RADIO ON,
1155
01:00:59,566 --> 01:01:02,633
AND THERE WOULD ALWAYS BE
SOMETHING TO LISTEN TO.
1156
01:01:02,633 --> 01:01:05,566
ALL YOU HAD TO DO
WAS OPEN THOSE CABINET DOORS
1157
01:01:05,566 --> 01:01:06,733
AND TURN THAT DIAL,
1158
01:01:06,733 --> 01:01:08,133
AND THERE YOU WERE--
1159
01:01:08,133 --> 01:01:11,266
YOU COULD BE
IN NEW YORK OR CHICAGO,
1160
01:01:11,266 --> 01:01:14,066
LISTENING TO SOME
WONDERFUL MUSIC, PERHAPS.
1161
01:01:15,966 --> 01:01:18,566
ONE THING...
1162
01:01:18,566 --> 01:01:21,566
I PROBABLY GAVE UP
PRACTICING THE PIANO
1163
01:01:21,566 --> 01:01:24,366
BECAUSE I DIDN'T HAVE TO
MAKE MY OWN MUSIC ANYMORE.
1164
01:01:40,100 --> 01:01:41,433
[CAR HORN HONKS]
1165
01:01:41,433 --> 01:01:43,133
Man: WELCOME, MEMPHIS.
1166
01:01:43,133 --> 01:01:44,133
NOW LINED UP...
1167
01:01:44,133 --> 01:01:45,466
Narrator: IN 1926,
1168
01:01:45,466 --> 01:01:49,033
DAVID SARNOFF HELPED FORGE
THE FIRST RADIO NETWORK.
1169
01:01:49,033 --> 01:01:53,233
HE CALLED IT THE NATIONAL
BROADCASTING COMPANY--NBC.
1170
01:01:53,233 --> 01:01:54,966
AWAITING LINDBERGH!
1171
01:01:54,966 --> 01:01:57,833
LINDBERGH IS COMING
DOWN THE GANGPLANK.
1172
01:01:57,833 --> 01:01:59,700
IN JUNE OF 1927,
1173
01:01:59,700 --> 01:02:02,000
WHEN CHARLES LINDBERGH
RETURNED TO AMERICA
1174
01:02:02,000 --> 01:02:04,833
AFTER HIS HISTORIC FLIGHT
TO PARIS,
1175
01:02:04,833 --> 01:02:10,033
NBC MANAGED TO LINK TOGETHER
50 STATIONS IN 24 STATES.
1176
01:02:10,033 --> 01:02:11,366
WALKING SLOWLY,
1177
01:02:11,366 --> 01:02:13,300
HIS HAT IN HIS HANDS,
1178
01:02:13,300 --> 01:02:15,566
A DARN NICE BOY.
1179
01:02:15,566 --> 01:02:18,600
NEARLY 30 MILLION PEOPLE
ACROSS AMERICA
1180
01:02:18,600 --> 01:02:20,300
LISTENED IN TOGETHER
1181
01:02:20,300 --> 01:02:24,433
ON THE HOMECOMING
OF THEIR GREATEST HERO...LIVE.
1182
01:02:24,433 --> 01:02:27,400
RECEIVING WITH HIS USUAL
MODEST DEMEANOR
1183
01:02:27,400 --> 01:02:29,766
THE PLAUDITS
OF THIS HUGE CROWD.
1184
01:02:29,766 --> 01:02:31,033
NOW LISTEN
TO THIS CHEERING.
1185
01:02:31,033 --> 01:02:32,033
[CHEERING]
1186
01:02:34,300 --> 01:02:35,766
MEANWHILE,
THE COURT BATTLE
1187
01:02:35,766 --> 01:02:37,933
BETWEEN THE STRANGE,
GIFTED MEN
1188
01:02:37,933 --> 01:02:39,900
WHOSE INVENTIONS
HAD MADE IT ALL POSSIBLE
1189
01:02:39,900 --> 01:02:43,733
CONTINUED TO RAGE.
1190
01:02:43,733 --> 01:02:45,966
LEE DE FOREST
HAD EXHAUSTED THE APPEALS
1191
01:02:45,966 --> 01:02:48,700
IN HIS CASE
AGAINST HOWARD ARMSTRONG,
1192
01:02:48,700 --> 01:02:50,666
BUT WITH LITTLE
LEFT TO LOSE,
1193
01:02:50,666 --> 01:02:52,100
WENT BACK TO COURT,
1194
01:02:52,100 --> 01:02:55,500
THIS TIME TO CHALLENGE
THE EARLIER ADVERSE DECISIONS
1195
01:02:55,500 --> 01:02:56,866
OF THE PATENT OFFICE.
1196
01:02:56,866 --> 01:02:59,766
AND IN AN ASTONISHING REVERSAL,
1197
01:02:59,766 --> 01:03:01,200
HE WON,
1198
01:03:01,200 --> 01:03:03,466
NOT ON THE MERITS OF HIS CASE,
1199
01:03:03,466 --> 01:03:05,533
BUT ON AN ARCANE QUESTION
1200
01:03:05,533 --> 01:03:07,100
OF LEGAL LANGUAGE--
1201
01:03:07,100 --> 01:03:08,200
A DECISION
1202
01:03:08,200 --> 01:03:10,766
WHICH SUBSEQUENT COURTS UPHELD
1203
01:03:10,766 --> 01:03:12,233
AND WHICH THE SUPREME COURT
1204
01:03:12,233 --> 01:03:15,633
REFUSED TO RECONSIDER.
1205
01:03:15,633 --> 01:03:17,400
THE ENGINEERING WORLD
1206
01:03:17,400 --> 01:03:18,500
WAS SHOCKED.
1207
01:03:20,733 --> 01:03:22,966
ARMSTRONG'S UNWILLINGNESS
TO LICENSE
1208
01:03:22,966 --> 01:03:25,666
THE REGENERATIVE CIRCUIT
TO DE FOREST
1209
01:03:25,666 --> 01:03:30,166
HAD NOW COST HIM
HIS FIRST GREAT INVENTION.
1210
01:03:30,166 --> 01:03:31,366
HE FOUGHT BACK
1211
01:03:31,366 --> 01:03:34,566
BY BECOMING A PARTY
TO STILL ANOTHER SUIT,
1212
01:03:34,566 --> 01:03:37,733
ONLY TO LOSE AGAIN
IN THE SUPREME COURT.
1213
01:03:39,766 --> 01:03:43,133
THE COURTS HAD NOW SPOKEN
13 TIMES.
1214
01:03:43,133 --> 01:03:46,000
THE TWO MEN HAD BEEN WAGING WAR
UPON ONE ANOTHER
1215
01:03:46,000 --> 01:03:49,066
FOR 20 YEARS.
1216
01:03:49,066 --> 01:03:50,600
STUNNED AND EMBITTERED,
1217
01:03:50,600 --> 01:03:53,200
ARMSTRONG RETURNED
TO HIS LABORATORY,
1218
01:03:53,200 --> 01:03:55,133
DENOUNCING A LEGAL SYSTEM
1219
01:03:55,133 --> 01:03:58,300
IN WHICH "MEN SUBSTITUTE
WORDS FOR REALITIES
1220
01:03:58,300 --> 01:04:00,400
AND THEN
TALK ABOUT THE WORDS."
1221
01:04:06,200 --> 01:04:08,966
ON MAY 29, 1934,
1222
01:04:08,966 --> 01:04:10,366
BEFORE THE ANNUAL MEETING
1223
01:04:10,366 --> 01:04:14,100
OF THE INSTITUTE OF RADIO
ENGINEERS IN PHILADELPHIA,
1224
01:04:14,100 --> 01:04:16,433
HE TRIED TO RETURN
THE MEDAL OF HONOR
1225
01:04:16,433 --> 01:04:20,433
THE INSTITUTE HAD AWARDED HIM
16 YEARS EARLIER.
1226
01:04:20,433 --> 01:04:22,533
THE PRESIDENT
AND THE BOARD OF DIRECTORS
1227
01:04:22,533 --> 01:04:24,566
REFUSED TO ACCEPT IT,
1228
01:04:24,566 --> 01:04:27,966
AND THE ASSEMBLED ENGINEERS
ROSE AND CHEERED
1229
01:04:27,966 --> 01:04:31,233
AS TEARS FILLED
ARMSTRONG'S EYES.
1230
01:04:31,233 --> 01:04:34,966
HIS FELLOW SCIENTISTS
BELIEVED HE HAD BEEN ROBBED.
1231
01:04:37,500 --> 01:04:39,833
FOR DE FOREST,
1232
01:04:39,833 --> 01:04:43,133
VICTORY OVER THE UPSTART
HE CALLED "THE RUDE EGOIST"
1233
01:04:43,133 --> 01:04:45,266
HAD COME
IN THE NICK OF TIME.
1234
01:04:45,266 --> 01:04:49,033
HIS LATEST VENTURE
WAS COLLAPSING.
1235
01:04:49,033 --> 01:04:50,266
HE MOVED TO HOLLYWOOD,
1236
01:04:50,266 --> 01:04:51,433
AND AT 57,
1237
01:04:51,433 --> 01:04:54,200
GOT MARRIED FOR A FOURTH
AND FINAL TIME,
1238
01:04:54,200 --> 01:04:56,766
TO A 21-YEAR-OLD STARLET--
1239
01:04:56,766 --> 01:04:59,700
MARIE MOSCINI.
1240
01:04:59,700 --> 01:05:01,900
ALL YOUR LIFE
YOU HAD WRITTEN POETRY.
1241
01:05:01,900 --> 01:05:04,166
IT SEEMS THAT THAT GOES
WITH GREAT INVENTORS.
1242
01:05:04,166 --> 01:05:08,300
AND TO THIS LOVELY LADY
YOU WROTE THESE LINES--
1243
01:05:08,300 --> 01:05:11,133
"YOUR LOVELINESS
DEFIES MY PEN.
1244
01:05:11,133 --> 01:05:14,966
"YOUR FACE SO FAIR,
YOUR VOICE SO SWEET,
1245
01:05:14,966 --> 01:05:18,833
YOUR EYES AS FULL
OF LOVE AS WHEN..."
1246
01:05:18,833 --> 01:05:21,933
"YOU KISSED ME
ON A STREET
1247
01:05:21,933 --> 01:05:25,433
"IN HAPPY
SUN-KISSED AVALON.
1248
01:05:25,433 --> 01:05:27,500
"'TIS POEM ENOUGH
TO KNOW
1249
01:05:27,500 --> 01:05:29,733
"THAT NOW AND THEN
1250
01:05:29,733 --> 01:05:32,166
"YOU ARE MY POEM...
1251
01:05:32,166 --> 01:05:33,400
AND MY SONG."
1252
01:05:33,400 --> 01:05:35,266
YES, YOUR BRIDE THEN,
YOUR BRIDE NOW,
1253
01:05:35,266 --> 01:05:36,400
MRS. DE FOREST.
1254
01:05:36,400 --> 01:05:38,500
[APPLAUSE]
1255
01:05:38,500 --> 01:05:42,966
Barnouw: IT ISN'T
THAT DE FOREST ULTIMATELY
WON OUT OVER ARMSTRONG.
1256
01:05:42,966 --> 01:05:44,366
ALL THESE INVENTORS,
1257
01:05:44,366 --> 01:05:48,566
THEIR PATENTS ALL BECAME
THE PROPERTY OF CORPORATIONS.
1258
01:05:48,566 --> 01:05:50,500
THE STRUGGLE
BETWEEN THESE INDIVIDUALS
1259
01:05:50,500 --> 01:05:53,133
BECOMES A STRUGGLE
BETWEEN CORPORATIONS
1260
01:05:53,133 --> 01:05:54,966
WHO HAVE ACQUIRED
THEIR PATENTS.
1261
01:05:54,966 --> 01:05:57,933
THE STRUGGLE GETS LARGER
ALL THE TIME,
1262
01:05:57,933 --> 01:06:00,600
AND THEN IT ALSO BECOMES
A STRUGGLE BETWEEN NATIONS
1263
01:06:00,600 --> 01:06:02,333
BECAUSE THESE INVENTIONS,
1264
01:06:02,333 --> 01:06:04,633
WHILE THEY START OUT
BEING TOYS
1265
01:06:04,633 --> 01:06:06,766
AND HOBBY THINGS,
1266
01:06:06,766 --> 01:06:11,000
SOON BECOME IMPORTANT
CORPORATE ASSETS,
1267
01:06:11,000 --> 01:06:12,366
AND THEN PRETTY SOON,
1268
01:06:12,366 --> 01:06:16,500
THEY BECOME ASSETS TO MILITARY
INDUSTRIAL COMPLEXES.
1269
01:06:16,500 --> 01:06:17,600
AND THESE--THESE--
1270
01:06:17,600 --> 01:06:19,533
THESE SMALL THINGS
GET SWALLOWED UP,
1271
01:06:19,533 --> 01:06:21,233
NOT ONLY
IN CORPORATE AFFAIRS,
1272
01:06:21,233 --> 01:06:22,700
BUT IN NATIONAL AFFAIRS.
1273
01:06:24,466 --> 01:06:26,200
Narrator:
AS THE INVENTORS BATTLED,
1274
01:06:26,200 --> 01:06:27,200
THE MAN WHO KNEW
1275
01:06:27,200 --> 01:06:29,100
HOW TO MAKE THE MOST
OF THEIR INVENTIONS
1276
01:06:29,100 --> 01:06:33,266
HAD MOVED STEADILY
FROM STRENGTH TO STRENGTH.
1277
01:06:33,266 --> 01:06:36,266
NOT EVEN THE GREAT DEPRESSION
COULD STOP HIM.
1278
01:06:36,266 --> 01:06:40,900
IN 1930, DAVID SARNOFF
BECAME PRESIDENT OF RCA
1279
01:06:40,900 --> 01:06:44,366
AND SOON MOVED
INTO HIS 53rd-FLOOR OFFICE
1280
01:06:44,366 --> 01:06:45,633
IN RADIO CITY,
1281
01:06:45,633 --> 01:06:48,433
PART OF THE BRAND-NEW
ROCKEFELLER CENTER.
1282
01:06:48,433 --> 01:06:50,600
HE RAN HIS GROWING EMPIRE
1283
01:06:50,600 --> 01:06:52,400
WITH THE SAME
RELENTLESS ENERGY
1284
01:06:52,400 --> 01:06:55,100
WITH WHICH HE HAD PEDDLED PAPERS
AS A BOY,
1285
01:06:55,100 --> 01:06:56,400
RARELY SMILING,
1286
01:06:56,400 --> 01:06:59,466
SCRAWLING "YES," "NO,"
AND "PLEASE SEE ME"
1287
01:06:59,466 --> 01:07:02,866
ON MEMOS SENT IN TO HIM
BY ANXIOUS SUBORDINATES.
1288
01:07:02,866 --> 01:07:06,900
"I DON'T GET ULCERS,"
SARNOFF LIKED TO SAY,
1289
01:07:06,900 --> 01:07:07,900
"I GIVE THEM."
1290
01:07:09,733 --> 01:07:11,666
THE FIRST COMMERCIAL
WIRELESS STATION
1291
01:07:11,666 --> 01:07:14,366
IN THE UNITED STATES,
BUILT IN 1901.
1292
01:07:14,366 --> 01:07:16,966
SIGNOR MARCONI,
FATHER OF RADIO COMMUNICATION,
1293
01:07:16,966 --> 01:07:19,766
INSPECTS THE HISTORIC BUILDING
WITH DAVID SARNOFF,
1294
01:07:19,766 --> 01:07:22,133
PRESIDENT OF THE RADIO
CORPORATION OF AMERICA.
1295
01:07:22,133 --> 01:07:25,200
THEN, HAVING COMPLETED
THEIR PILGRIMAGE,
1296
01:07:25,200 --> 01:07:27,666
THE TWO LEADERS OF RADIO
LOOK OVER THE NERVE CENTER
1297
01:07:27,666 --> 01:07:30,000
OF RCA COMMUNICATIONS
IN NEW YORK.
1298
01:07:30,000 --> 01:07:31,766
Barnouw: LATER ON,
WHEN THE GREAT MAN
1299
01:07:31,766 --> 01:07:33,366
COMES FROM ITALY
TO PAY A VISIT,
1300
01:07:33,366 --> 01:07:36,300
THERE THEY ARE STANDING,
EACH WITH A CANE,
1301
01:07:36,300 --> 01:07:40,133
AND IT'S AS THOUGH
SARNOFF IS PLAYING MARCONI--
1302
01:07:40,133 --> 01:07:41,733
THE GREAT MARCONI--
1303
01:07:41,733 --> 01:07:44,366
AND THEIR ABSOLUTELY
IDENTICAL ATTITUDES.
1304
01:07:44,366 --> 01:07:45,500
IT'S A WONDERFUL PAIR.
1305
01:07:45,500 --> 01:07:47,500
WELL, I THINK
THAT EXPRESSES SARNOFF--
1306
01:07:47,500 --> 01:07:51,100
AND GRADUALLY ACHIEVES CONTROL
OF HIS EMPIRE
1307
01:07:51,100 --> 01:07:55,033
AND THEN IS VERY RUTHLESS
IN EVERY POSSIBLE WAY,
1308
01:07:55,033 --> 01:07:57,666
BUT BRILLIANT
IN ORGANIZING FORCES
1309
01:07:57,666 --> 01:08:01,833
AND MAKING SURE THAT
HE DISPOSES OF ANY OBSTACLES
1310
01:08:01,833 --> 01:08:03,266
TO WHAT HE WANTS TO DO.
1311
01:08:03,266 --> 01:08:04,266
...TIME AND SPACE.
1312
01:08:13,133 --> 01:08:16,066
Narrator:
BUT THE COUNTRY THAT NOW
LISTENED TO HIS BROADCASTS
1313
01:08:16,066 --> 01:08:17,600
WAS IN TROUBLE.
1314
01:08:31,133 --> 01:08:32,466
"IF YOU CAN SING A SONG
1315
01:08:32,466 --> 01:08:34,300
"THAT WOULD MAKE
PEOPLE FORGET THEIR TROUBLES
1316
01:08:34,300 --> 01:08:35,800
IN THE DEPRESSION,"
1317
01:08:35,800 --> 01:08:39,066
PRESIDENT HERBERT HOOVER TOLD
THE RADIO CROONER RUDY VALLEE,
1318
01:08:39,066 --> 01:08:40,733
"I'LL GIVE YOU A MEDAL."
1319
01:08:40,733 --> 01:08:44,466
♪ SEEN IN THE JUNE LIGHT
AND IN THE MOONLIGHT ♪
1320
01:08:44,466 --> 01:08:48,600
♪ FRAGRANT ROSES
IN BLOOM ♪
1321
01:08:48,600 --> 01:08:57,033
♪ GONNA DANCE
WITH JUST THE MOON FOR TWO ♪
1322
01:08:57,033 --> 01:08:59,200
♪ WITH YOUR PERMISSION ♪
1323
01:08:59,200 --> 01:09:01,400
♪ NO INTERMISSION ♪
1324
01:09:01,400 --> 01:09:04,266
♪ THERE'S SO MUCH
IN MY HEART ♪
1325
01:09:04,266 --> 01:09:05,600
Narrator:
THE PANIC DEEPENED.
1326
01:09:05,600 --> 01:09:08,433
BY MARCH 1933,
1327
01:09:08,433 --> 01:09:11,300
WHEN FRANKLIN D. ROOSEVELT
WAS INAUGURATED AS PRESIDENT,
1328
01:09:11,300 --> 01:09:15,366
THE BANKING SYSTEM ITSELF
SEEMED ABOUT TO GO UNDER,
1329
01:09:15,366 --> 01:09:17,066
AS FRIGHTENED DEPOSITORS
1330
01:09:17,066 --> 01:09:19,633
THREATENED TO WITHDRAW
THEIR SAVINGS.
1331
01:09:19,633 --> 01:09:21,433
ROOSEVELT CLOSED THE BANKS,
1332
01:09:21,433 --> 01:09:22,900
THEN ASKED FOR RADIO TIME
1333
01:09:22,900 --> 01:09:25,300
ON SUNDAY EVENING,
MARCH 12,
1334
01:09:25,300 --> 01:09:29,366
TO TELL THE AMERICAN PEOPLE
HOW HE AND THEY TOGETHER
1335
01:09:29,366 --> 01:09:31,100
WOULD MEET THE CRISIS.
1336
01:09:33,533 --> 01:09:34,966
WE ARE SPEAKING TO YOU
AT THIS TIME
1337
01:09:34,966 --> 01:09:36,833
FROM THE OVAL ROOM
OF THE WHITE HOUSE
1338
01:09:36,833 --> 01:09:38,666
IN WASHINGTON, D.C.
1339
01:09:38,666 --> 01:09:40,933
THE NATIONAL BROADCASTING
COMPANY IS ABOUT TO BRING YOU
1340
01:09:40,933 --> 01:09:45,100
AN ADDRESS
BY THE CHIEF EXECUTIVE
OF THE NATION.
1341
01:09:45,100 --> 01:09:46,766
LADIES AND GENTLEMEN,
1342
01:09:46,766 --> 01:09:49,000
THE PRESIDENT
OF THE UNITED STATES.
1343
01:09:51,866 --> 01:09:53,366
MY FRIENDS,
1344
01:09:53,366 --> 01:09:55,533
I WANT TO TALK
FOR A FEW MINUTES
1345
01:09:55,533 --> 01:09:57,500
WITH THE PEOPLE
OF THE UNITED STATES
1346
01:09:57,500 --> 01:09:59,266
ABOUT BANKING,
1347
01:09:59,266 --> 01:10:01,133
TO TALK WITH
THE COMPARATIVELY FEW
1348
01:10:01,133 --> 01:10:04,533
WHO UNDERSTAND
THE MECHANICS OF BANKING.
1349
01:10:04,533 --> 01:10:06,333
I WANT TO TELL YOU
WHAT HAS BEEN DONE
1350
01:10:06,333 --> 01:10:08,066
IN THE LAST FEW DAYS.
1351
01:10:08,066 --> 01:10:11,266
Narrator: "OUR PRESIDENT TOOK
SUCH A DRY SUBJECT AS BANKING,"
1352
01:10:11,266 --> 01:10:12,733
WILL ROGERS SAID,
1353
01:10:12,733 --> 01:10:15,300
"AND MADE EVERYBODY
UNDERSTAND IT,
1354
01:10:15,300 --> 01:10:16,966
EVEN THE BANKERS."
1355
01:10:16,966 --> 01:10:19,700
Roosevelt: IT IS YOUR PROBLEM,
MY FRIENDS,
1356
01:10:19,700 --> 01:10:22,700
YOUR PROBLEM
NO LESS THAN IT IS MINE.
1357
01:10:22,700 --> 01:10:25,766
TOGETHER,
WE CANNOT FAIL.
1358
01:10:25,766 --> 01:10:28,433
LET US UNITE
IN BANISHING FEAR.
1359
01:10:28,433 --> 01:10:31,466
Narrator:
ROOSEVELT'S FIRESIDE CHATS
PROVED SO EFFECTIVE
1360
01:10:31,466 --> 01:10:32,900
THAT, IN MANY HOMES,
1361
01:10:32,900 --> 01:10:36,133
FDR's PICTURE WAS PLACED
NEXT TO THE RECEIVER
1362
01:10:36,133 --> 01:10:38,100
SO THAT HIS LISTENERS
COULD SEE
1363
01:10:38,100 --> 01:10:40,700
AS WELL AS HEAR
THEIR PRESIDENT.
1364
01:10:40,700 --> 01:10:43,500
Roosevelt:
THIS GENERATION OF AMERICANS
1365
01:10:43,500 --> 01:10:47,700
HAS A RENDEZVOUS
WITH DESTINY!
1366
01:10:47,700 --> 01:10:50,900
Narrator: AMERICAN POLITICS
WOULD NEVER BE THE SAME AGAIN.
1367
01:10:50,900 --> 01:10:53,366
Roosevelt: THIS GREAT NATION
WILL ENDURE.
1368
01:10:59,500 --> 01:11:01,466
Man: TURN A KNOB.
1369
01:11:01,466 --> 01:11:03,000
PUSH A BUTTON.
1370
01:11:03,000 --> 01:11:05,900
TWIST A DIAL.
1371
01:11:05,900 --> 01:11:07,000
Narrator:
BUT IT WAS ESCAPE
1372
01:11:07,000 --> 01:11:09,733
THAT MOST AMERICANS
CONTINUED TO SEEK,
1373
01:11:09,733 --> 01:11:11,600
AND RADIO
EAGERLY DELIVERED.
1374
01:11:11,600 --> 01:11:13,333
AS THE STORM BREAKS
AROUND THEM,
1375
01:11:13,333 --> 01:11:16,266
THE SHERIFF'S POSSE GATHERS
AT PINE CREEK FORTS,
1376
01:11:16,266 --> 01:11:17,866
PREPARED FOR ACTION.
1377
01:11:17,866 --> 01:11:20,200
ALL RIGHT, BOYS.
LET'S HEAD OUT!
1378
01:11:20,200 --> 01:11:22,333
[IMITATING
HORSES GALLOPING]
1379
01:11:22,333 --> 01:11:24,333
[IMITATING THUNDER]
1380
01:11:27,033 --> 01:11:28,233
HOLD UP HERE!
1381
01:11:28,233 --> 01:11:30,400
WE'LL SET FIRE
TO THE GAP AND STOP--
1382
01:11:30,400 --> 01:11:31,400
WHOA, BOY!
1383
01:11:31,400 --> 01:11:32,400
WHOA, BOY!
WHOA!
1384
01:11:32,400 --> 01:11:34,333
WHOA!
WHOA!
1385
01:11:34,333 --> 01:11:36,200
SLIM, YOU TEAR UP
1386
01:11:36,200 --> 01:11:37,600
A COUPLE OF THEM
SMALL TREES.
RIGHT.
1387
01:11:37,600 --> 01:11:40,466
AND WE'LL SPREAD A FIRE
THEY CAN'T GET THROUGH.
1388
01:11:40,466 --> 01:11:42,366
THESE ARE PRETTY GREEN
FOR BURNING, SAM.
1389
01:11:42,366 --> 01:11:44,766
THE GRASS IS
DRY AS TINDER HERE.
1390
01:11:44,766 --> 01:11:47,233
THE MATCH IS CATCHING ON.
IT'S DRY, ALL RIGHT.
1391
01:11:47,233 --> 01:11:49,666
HOW ABOUT THE TREE,
SLIM?
1392
01:11:49,666 --> 01:11:52,300
MOVE BACK!
SHE'S COMING NOW!
1393
01:11:52,300 --> 01:11:53,700
TIMBER!
1394
01:11:53,700 --> 01:11:57,000
Corwin: THEY LISTENED TO
IT PAYS TO BE IGNORANT.
1395
01:11:57,000 --> 01:11:59,166
THEY LISTENED TO
GANGBUSTERS.
1396
01:11:59,166 --> 01:12:02,433
THEY LISTENED TO
SOAP OPERAS.
1397
01:12:02,433 --> 01:12:04,366
THEY LISTENED TO
SHAKESPEARE.
1398
01:12:04,366 --> 01:12:06,833
INDEED, NBC,
AT THE TIME I CAME ALONG,
1399
01:12:06,833 --> 01:12:10,300
WAS DOING AN ABRIDGED SERIES
OF SHAKESPEAREAN PLAYS
1400
01:12:10,300 --> 01:12:13,933
IN WHICH THEY CONDENSED
MACBETHTO 45 MINUTES.
1401
01:12:13,933 --> 01:12:17,100
I THINKHAMLET
RAN A LITTLE LONGER.
1402
01:12:17,100 --> 01:12:20,066
THE PLAY'S THE THING
1403
01:12:20,066 --> 01:12:24,366
WHEREIN I'LL CATCH
THE CONSCIENCE OF THE KING.
1404
01:12:27,033 --> 01:12:29,133
Announcer:
THE VOICE OF JOHN BARRYMORE.
1405
01:12:31,166 --> 01:12:36,400
THEY LISTENED TO IT WITH
A KIND OF TRUST AND AVIDITY,
1406
01:12:36,400 --> 01:12:41,333
WHICH MADE FANS
OF THE SOAP OPERA, FOR EXAMPLE,
1407
01:12:41,333 --> 01:12:44,333
TERRIBLY EXCITED
ABOUT THE LIVES OF THESE PEOPLE,
1408
01:12:44,333 --> 01:12:46,300
AND THEY WOULD--
THEY'D START--
1409
01:12:46,300 --> 01:12:49,033
WHEN--WHEN A CHARACTER
IN A SOAP OPERA HAD A BABY,
1410
01:12:49,033 --> 01:12:50,600
THERE WERE ALL KINDS
OF GIFTS.
1411
01:12:50,600 --> 01:12:52,533
AND NOW
FUNNY GIRL MARRIES,
1412
01:12:52,533 --> 01:12:55,766
THE STORY OF
JOAN AND HARRY DAVIS.
1413
01:12:55,766 --> 01:12:59,166
SUDDENLY, THE COOL BEAUTY
OF A SUMMER DAY IS GONE,
1414
01:12:59,166 --> 01:13:01,833
THE HAPPINESS OF A MOMENT
HAS PASSED,
1415
01:13:01,833 --> 01:13:04,966
AND THE SHEER REALITY
OF SUFFERING IN A MAN'S FACE
1416
01:13:04,966 --> 01:13:06,966
HAS TOPPED A WORLD...
1417
01:13:10,733 --> 01:13:12,233
JUST A MOMENT AGO
1418
01:13:12,233 --> 01:13:14,600
WHEN KATHY, HELPING HER MOTHER
HOUSECLEAN THE KITCHEN,
1419
01:13:14,600 --> 01:13:16,066
UPSET A BUCKET OF WATER
1420
01:13:16,066 --> 01:13:20,366
RATHER THAN FACE STEVE SKIDMORE
COMING UP THE ROAD.
1421
01:13:20,366 --> 01:13:22,000
[APPLAUSE]
1422
01:13:22,000 --> 01:13:24,000
[ORCHESTRA PLAYS]
1423
01:13:26,866 --> 01:13:29,266
Narrator: RADIO HELPED
REFINE AMERICA'S TASTE.
1424
01:13:35,733 --> 01:13:39,266
SARNOFF IMPORTED
ARTURO TOSCANINI FROM ITALY,
1425
01:13:39,266 --> 01:13:42,266
HIRED SOME OF THE BEST MUSICIANS
IN THE WORLD,
1426
01:13:42,266 --> 01:13:45,300
AND FORMED
THE NBC SYMPHONY ORCHESTRA.
1427
01:13:45,300 --> 01:13:49,433
IT PREMIERED
CHRISTMAS NIGHT, 1937,
1428
01:13:49,433 --> 01:13:53,266
AND WAS A STAPLE
ON NBC FOR 17 YEARS.
1429
01:14:03,766 --> 01:14:05,066
ALL READY,
GENTLEMEN.
1430
01:14:05,066 --> 01:14:06,200
MAY I HAVE
A LEVEL NOW,
PLEASE?
1431
01:14:06,200 --> 01:14:07,966
O.K., MIKE.
1432
01:14:07,966 --> 01:14:09,333
ANDY'S RIGHT HERE
LIKE THIS.
1433
01:14:09,333 --> 01:14:12,600
ANDY SAY, UH...
"WHO'S SCARED? ME?
1434
01:14:12,600 --> 01:14:14,700
"HA HA HA!"
1435
01:14:14,700 --> 01:14:16,233
AND THEN
WE HAVE AMOS.
1436
01:14:16,233 --> 01:14:17,500
AMOS IS ABOUT HERE,
UH, MIKE.
1437
01:14:17,500 --> 01:14:18,866
HOW'S THE BALANCE
ON AMOS?
1438
01:14:18,866 --> 01:14:23,133
Narrator: BUT RADIO ALSO
REINFORCED AMERICA'S PREJUDICES.
1439
01:14:23,133 --> 01:14:26,966
ANDY, EXPLAIN
THIS CONTRACT
TO FLUKEY.
1440
01:14:26,966 --> 01:14:29,133
FLUKEY, GET THIS
IN YOUR HEAD NOW.
1441
01:14:29,133 --> 01:14:30,133
YES, SIR.
I'S LISTENING
1442
01:14:30,133 --> 01:14:31,766
WITH BOTH EARS
FLAPPING.
1443
01:14:31,766 --> 01:14:34,866
THIS CONTRACT IS
IRON-BOUND, IRON-CLAD,
1444
01:14:34,866 --> 01:14:36,266
AND IRON
EVERYTHING ELSE.
1445
01:14:36,266 --> 01:14:39,200
Narrator: THE MOST POPULAR
RADIO PROGRAM IN AMERICA
1446
01:14:39,200 --> 01:14:40,733
WASAMOS 'N' ANDY.
1447
01:14:40,733 --> 01:14:43,433
DON'T FORGET,
THE BIG TYKE
GIVES IT TO YOU,
1448
01:14:43,433 --> 01:14:45,400
AND THE LITTLE TYKE
TAKES IT AWAY.
1449
01:14:45,400 --> 01:14:47,466
[INDISTINCT]
1450
01:14:47,466 --> 01:14:49,233
Narrator: SOCIAL WORKERS
FOUND THAT AMERICANS
1451
01:14:49,233 --> 01:14:51,133
WOULD SOONER SELL
THEIR REFRIGERATORS,
1452
01:14:51,133 --> 01:14:53,766
BATHTUBS, TELEPHONES,
AND BEDS
1453
01:14:53,766 --> 01:14:55,433
THAN PART WITH THE BOX
1454
01:14:55,433 --> 01:14:57,400
THAT CONNECTED THEM
TO THE WORLD.
1455
01:14:57,400 --> 01:14:59,200
Woman: ♪ IN OLDEN DAYS ♪
1456
01:14:59,200 --> 01:15:00,733
♪ A GLIMPSE OF STOCKING ♪
1457
01:15:00,733 --> 01:15:03,133
♪ WAS LOOKED ON
AS SOMETHING SHOCKING ♪
1458
01:15:03,133 --> 01:15:06,200
♪ BUT NOW, GOD KNOWS ♪
1459
01:15:06,200 --> 01:15:09,033
♪ ANYTHING GOES ♪
1460
01:15:09,033 --> 01:15:11,133
♪ JUST THINK OF
THOSE SHOCKS YOU'VE GOT ♪
1461
01:15:11,133 --> 01:15:12,566
♪ AND THOSE KNOCKS
YOU'VE GOT ♪
1462
01:15:12,566 --> 01:15:14,066
♪ AND THOSE BLUES
YOU'VE GOT ♪
1463
01:15:14,066 --> 01:15:15,633
♪ FROM THOSE NEWS
YOU'VE GOT ♪
1464
01:15:15,633 --> 01:15:16,933
♪ AND THOSE PAINS
YOU'VE GOT ♪
1465
01:15:16,933 --> 01:15:18,533
♪ IF ANY BRAINS
YOU'VE GOT ♪
1466
01:15:18,533 --> 01:15:21,333
♪ FROM THOSE LITTLE RADIOS ♪
1467
01:15:21,333 --> 01:15:24,766
♪ SO MISSUS "R"
WITH ALL HER TRIMMIN'S ♪
1468
01:15:24,766 --> 01:15:26,933
♪ CAN BROADCAST
A BED FROM SIMMONS ♪
1469
01:15:26,933 --> 01:15:30,166
♪ 'CAUSE FRANKLIN KNOWS ♪
1470
01:15:30,166 --> 01:15:33,800
♪ ANYTHING GOES ♪
1471
01:15:33,800 --> 01:15:35,900
Man: GOOD EVENING,
LADIES AND GENTLEMEN
1472
01:15:35,900 --> 01:15:37,566
OF THE RADIO AUDIENCE.
1473
01:15:42,033 --> 01:15:43,600
Man: WELL,
HOWDY THERE, FOLKS,
1474
01:15:43,600 --> 01:15:47,766
AND WELCOME TOMELODY
RANCH
WITH GENE AUTRY.
1475
01:15:47,766 --> 01:15:52,133
Autry: ♪ I'M BACK IN
THE SADDLE AGAIN... ♪
1476
01:15:52,133 --> 01:15:54,000
Keillor:
WE GOT A RADIO THEN...
1477
01:15:54,000 --> 01:15:57,200
IT WAS A BIG FLOOR MODEL
ZENITH RADIO.
1478
01:15:57,200 --> 01:15:59,233
IT WAS REALLY
A PIECE OF ARCHITECTURE.
1479
01:15:59,233 --> 01:16:01,933
IT HAD COLUMNS,
AND IT HAD GRILL WORK,
1480
01:16:01,933 --> 01:16:03,966
AND IT HAD TREMENDOUS
BASE SPEAKERS
1481
01:16:03,966 --> 01:16:05,666
THAT MUST HAVE
SAT RIGHT ON THE FLOOR
1482
01:16:05,666 --> 01:16:07,133
OR ON THE FRAME
1483
01:16:07,133 --> 01:16:10,666
BECAUSE IF YOU--
IF YOU...
1484
01:16:10,666 --> 01:16:14,033
YOU LAY ON THE FLOOR,
AS WE DID,
1485
01:16:14,033 --> 01:16:15,633
IF YOU LAY ON THE FLOOR
ON YOUR BELLY,
1486
01:16:15,633 --> 01:16:19,366
YOU COULD FEEL THE SOUND
COME UP THROUGH YOUR--
1487
01:16:19,366 --> 01:16:20,433
THROUGH YOUR STOMACH,
1488
01:16:20,433 --> 01:16:24,333
AND SOME MEN'S VOICES
ON THE RADIO
1489
01:16:24,333 --> 01:16:27,833
WOULD, UH, MAKE
YOUR WHOLE BODY TREMBLE.
1490
01:16:27,833 --> 01:16:28,833
WE USED TO LIE THERE
1491
01:16:28,833 --> 01:16:31,700
AND LISTEN TO IT
LATE AT NIGHT,
1492
01:16:31,700 --> 01:16:36,900
LISTEN TO SHOWS STARTING
ABOUT 6:30 IN THE EVENING
1493
01:16:36,900 --> 01:16:40,533
UNTIL WE WERE
PACKED OFF TO BED--
1494
01:16:40,533 --> 01:16:43,033
JUST LIE THERE
IN THE DARK ON THE FLOOR
1495
01:16:43,033 --> 01:16:45,900
CURLED UP, LISTENING TO
THIS IMMENSE RADIO.
1496
01:16:45,900 --> 01:16:49,500
IT HAD A TUNING KNOB THAT
WAS ABOUT AS BIG AS MY FIST,
1497
01:16:49,500 --> 01:16:52,266
AND YOU HAD TO SPIN IT
A LONG TIME
1498
01:16:52,266 --> 01:16:55,933
TO GET IT FROM ONE END
OF THE DIAL TO THE OTHER.
1499
01:16:55,933 --> 01:16:57,966
WE LIVED IN MINNESOTA,
1500
01:16:57,966 --> 01:17:02,100
AND IT BROUGHT IN STATIONS
IN SALT LAKE CITY,
1501
01:17:02,100 --> 01:17:04,300
PITTSBURGH, KDKA,
1502
01:17:04,300 --> 01:17:07,933
AND SOMETIMES DURING THE WINTER,
NASHVILLE, TENNESSEE.
1503
01:17:25,966 --> 01:17:29,800
Narrator: THE 3 MEN
MOST RESPONSIBLE
FOR RADIO'S POPULARITY
1504
01:17:29,800 --> 01:17:32,266
RARELY LISTENED TO IT.
1505
01:17:32,266 --> 01:17:33,900
DAVID SARNOFF WAS TOO BUSY
1506
01:17:33,900 --> 01:17:36,433
BUILDING
HIS BROADCASTING EMPIRE.
1507
01:17:36,433 --> 01:17:40,066
LEE DE FOREST COULD NOT
ENDURE THE COMMERCIALS.
1508
01:17:40,066 --> 01:17:42,966
TO THE NATIONAL ASSOCIATION
OF BROADCASTERS,
1509
01:17:42,966 --> 01:17:44,966
NEW YORK CITY.
1510
01:17:44,966 --> 01:17:47,200
GENTLEMEN,
1511
01:17:47,200 --> 01:17:49,466
WHAT HAVE YOU DONE
TO MY CHILD,
1512
01:17:49,466 --> 01:17:51,300
THE RADIO BROADCAST?
1513
01:17:51,300 --> 01:17:54,233
YOU HAVE DEBASED
THIS CHILD,
1514
01:17:54,233 --> 01:17:57,766
DRESSED HIM IN RAGS
OF RAGTIME,
1515
01:17:57,766 --> 01:18:00,966
TATTERS OF JIVE
AND BOOGIE-WOOGIE.
1516
01:18:02,633 --> 01:18:05,800
Narrator:
HOWARD ARMSTRONG DIDN'T
LISTEN TO THE RADIO EITHER
1517
01:18:05,800 --> 01:18:08,600
BECAUSE HE WAS SO ANNOYED
BY THE STATIC,
1518
01:18:08,600 --> 01:18:12,700
AND WORKING 17-HOUR DAYS,
7 DAYS A WEEK
1519
01:18:12,700 --> 01:18:14,733
FOR A DOLLAR A YEAR
AT COLUMBIA,
1520
01:18:14,733 --> 01:18:19,500
HE STRUGGLED TO WORK OUT
A WAY TO ELIMINATE IT.
1521
01:18:19,500 --> 01:18:20,866
Barnouw: SARNOFF HAD
ONCE SAID TO HIM,
1522
01:18:20,866 --> 01:18:22,700
"WHY DON'T YOU
COME UP WITH A LITTLE BLACK BOX
1523
01:18:22,700 --> 01:18:24,733
TO ELIMINATE STATIC?"
1524
01:18:24,733 --> 01:18:26,666
HE'D ALREADY BECOME
A MILLIONAIRE
1525
01:18:26,666 --> 01:18:29,133
FROM PATENTS HE HAD SOLD
TO RCA,
1526
01:18:29,133 --> 01:18:31,666
AND HE GOT BUSY
IN THE BASEMENT
OF PHILOSOPHY HALL
1527
01:18:31,666 --> 01:18:32,833
TO WORK ON THIS THING.
1528
01:18:35,000 --> 01:18:36,766
AND FINALLY,
AFTER SEVERAL YEARS' WORK,
1529
01:18:36,766 --> 01:18:40,000
HE SAID TO SARNOFF
IT WAS READY.
1530
01:18:40,000 --> 01:18:43,600
Narrator:
HE HAD PERFECTED
HIS THIRD GREAT DISCOVERY--
1531
01:18:43,600 --> 01:18:45,866
FREQUENCY MODULATION.
1532
01:18:45,866 --> 01:18:49,300
Men and women:
♪ SWEET LAND OF LIBERTY ♪
1533
01:18:49,300 --> 01:18:52,033
♪ OF THEE I SING ♪
1534
01:18:52,033 --> 01:18:53,066
Man: HOW DO YOU DO,
LADIES AND GENTLEMEN?
1535
01:18:53,066 --> 01:18:54,066
Narrator: UNTIL THEN,
1536
01:18:54,066 --> 01:18:56,700
ALL RADIOS OPERATED
ON A PRINCIPLE
1537
01:18:56,700 --> 01:19:00,700
KNOWN AS AMPLITUDE MODULATION,
OR AM.
1538
01:19:00,700 --> 01:19:05,200
AM COULD NOT BROADCAST
THE FULL RANGE OF SOUNDS
1539
01:19:05,200 --> 01:19:07,066
HUMANS COULD HEAR,
1540
01:19:07,066 --> 01:19:08,233
AND IN THUNDERSTORMS,
1541
01:19:08,233 --> 01:19:10,966
IT CRACKLED WITH STATIC.
1542
01:19:10,966 --> 01:19:14,866
BROADCASTERS HAD LONG
RESIGNED THEMSELVES TO AM.
1543
01:19:14,866 --> 01:19:18,366
"STATIC, LIKE THE POOR,"
SAID ONE ENGINEER,
1544
01:19:18,366 --> 01:19:20,433
"WILL ALWAYS BE WITH US."
1545
01:19:20,433 --> 01:19:23,233
THE BEST WAY TO LIMIT IT,
THEY THOUGHT,
1546
01:19:23,233 --> 01:19:27,200
WAS TO NARROW THE BAND
OF THE AM WAVE.
1547
01:19:27,200 --> 01:19:30,833
ARMSTRONG DISAGREED.
1548
01:19:30,833 --> 01:19:33,466
HE SUSPECTED
THAT BY WIDENING THE BAND
1549
01:19:33,466 --> 01:19:35,700
AND CHANGING
THE WAVE'S FREQUENCY,
1550
01:19:35,700 --> 01:19:39,466
HE COULD ELIMINATE STATIC.
1551
01:19:39,466 --> 01:19:41,833
AFTER DOZENS OF EXPERIMENTS
1552
01:19:41,833 --> 01:19:44,833
INVOLVING SETS BUILT
WITH HUNDREDS OF TUBES,
1553
01:19:44,833 --> 01:19:49,900
ARMSTRONG DISCOVERED
WIDE BAND FREQUENCY MODULATION.
1554
01:19:49,900 --> 01:19:53,466
LISTENERS WOULD CALL IT FM.
1555
01:19:53,466 --> 01:19:56,600
"AN ERA AS NEW AND DISTINCT
IN THE RADIO ART
1556
01:19:56,600 --> 01:19:59,100
AS THAT OF REGENERATION
IS NOW UPON US,"
1557
01:19:59,100 --> 01:20:00,900
ARMSTRONG WROTE.
1558
01:20:00,900 --> 01:20:06,233
"AFTER 10 YEARS OF ECLIPSE,
MY STAR IS AGAIN RISING."
1559
01:20:06,233 --> 01:20:09,900
HE EAGERLY LOOKED TO
HIS OLD FRIEND DAVID SARNOFF
1560
01:20:09,900 --> 01:20:11,500
FOR BACKING,
1561
01:20:11,500 --> 01:20:13,933
AND SARNOFF GAVE
ARMSTRONG SPACE
1562
01:20:13,933 --> 01:20:16,466
AT THE TOP
OF THE EMPIRE STATE BUILDING
1563
01:20:16,466 --> 01:20:20,300
TO CONTINUE HIS EXPERIMENTS
AND TEST HIS NEW SYSTEM.
1564
01:20:29,366 --> 01:20:31,400
Jones: SARNOFF
HAD ASKED 3 OF US
1565
01:20:31,400 --> 01:20:34,766
TO WITNESS THE DEMONSTRATION
AND EXPLAIN IT,
1566
01:20:34,766 --> 01:20:38,533
SO WE WENT
TO ARMSTRONG'S LABORATORY,
1567
01:20:38,533 --> 01:20:41,966
AND...WELL, THE DEMONSTRATION
WAS QUITE SIMPLE.
1568
01:20:41,966 --> 01:20:45,066
WHEN HE TURNED ON
THE AM TRANSMITTED RECEIVER,
1569
01:20:45,066 --> 01:20:47,166
THE MUSIC CAME THROUGH
LOUD AND CLEAR.
1570
01:20:47,166 --> 01:20:49,133
WHEN HE TURNED ON
THE INTERFERENCE DEVICE,
1571
01:20:49,133 --> 01:20:51,766
THE MUSIC WAS HARDLY ACCEPTABLE;
IT WAS FULL OF NOISE.
1572
01:20:51,766 --> 01:20:54,833
THEN HE TURNED ON
THE FM TRANSMITTED RECEIVER.
1573
01:20:54,833 --> 01:20:56,700
THE MUSIC CAME THROUGH
LOUD AND CLEAR.
1574
01:20:59,833 --> 01:21:02,833
AND WHEN HE TURNED ON
THE INTERFERENCE DEVICE,
1575
01:21:02,833 --> 01:21:06,100
THE MUSIC STILL CAME THROUGH
LOUD AND CLEAR,
1576
01:21:06,100 --> 01:21:08,433
AND WE WERE, FRANKLY,
FLABBERGASTED.
1577
01:21:11,766 --> 01:21:15,100
THE QUALITY WAS SO DISTINCT
AND SO GOOD
1578
01:21:15,100 --> 01:21:16,766
THAT YOU COULD TELL
IF THE SAW
1579
01:21:16,766 --> 01:21:20,433
WAS A CROSSCUT SAW
OR A RIP SAW.
1580
01:21:20,433 --> 01:21:21,766
STRIKING OF A MATCH--
1581
01:21:21,766 --> 01:21:23,866
YOU COULD TELL IF A MATCH
WAS A PAPER MATCH
1582
01:21:23,866 --> 01:21:25,466
OR A WOODEN MATCH.
1583
01:21:25,466 --> 01:21:28,966
NOW, THESE WERE UNHEARD-OF
THINGS IN BROADCASTING.
1584
01:21:32,633 --> 01:21:34,000
Narrator:
SARNOFF HAD ALWAYS HOPED
1585
01:21:34,000 --> 01:21:35,400
SOMEONE WOULD COME UP
WITH A WAY
1586
01:21:35,400 --> 01:21:39,000
TO CLEAN UP RADIO SIGNALS,
HE TOLD ARMSTRONG,
1587
01:21:39,000 --> 01:21:41,966
BUT FM
WAS SOMETHING ELSE AGAIN.
1588
01:21:41,966 --> 01:21:45,266
"IT IS A REVOLUTION,"
HE SAID,
1589
01:21:45,266 --> 01:21:49,600
AND REQUIRED AN ENTIRELY NEW
SYSTEM OF BROADCASTING.
1590
01:21:49,600 --> 01:21:52,433
BUT THAT WOULD MEAN
SCRAPPING MILLIONS
1591
01:21:52,433 --> 01:21:55,266
OF EXISTING AM SETS.
1592
01:21:55,266 --> 01:21:58,066
SARNOFF WAS NOT INTERESTED.
1593
01:21:59,700 --> 01:22:03,300
HE EVEN ASKED ARMSTRONG
TO REMOVE HIS APPARATUS
1594
01:22:03,300 --> 01:22:06,200
FROM THE EMPIRE STATE BUILDING.
1595
01:22:06,200 --> 01:22:07,933
HE NEEDED THE ROOM, HE SAID,
1596
01:22:07,933 --> 01:22:13,066
TO CONTINUE WORK ON ANOTHER,
STILL MORE STARTLING INVENTION.
1597
01:22:13,066 --> 01:22:20,900
AND NOW WE ADD
RADIO SIGHT TO SOUND.
1598
01:22:20,900 --> 01:22:23,333
AT THE 1939 WORLD'S FAIR,
1599
01:22:23,333 --> 01:22:27,366
IN FRONT OF AN RCA PAVILION
SHAPED LIKE A RADIO TUBE,
1600
01:22:27,366 --> 01:22:29,100
SARNOFF MADE AN ANNOUNCEMENT
1601
01:22:29,100 --> 01:22:32,433
THAT WOULD CHANGE
BROADCASTING FOREVER.
1602
01:22:32,433 --> 01:22:34,666
IT WAS TELEVISION.
1603
01:22:34,666 --> 01:22:36,566
FOR A DECADE,
1604
01:22:36,566 --> 01:22:39,600
DAVID SARNOFF HAD DIRECTED
A TEAM OF ENGINEERS
1605
01:22:39,600 --> 01:22:41,266
WORKING IN HIS LABORATORIES
1606
01:22:41,266 --> 01:22:44,700
TO MAKE THE DREAM
OF VISIONARIES AND INVENTORS
1607
01:22:44,700 --> 01:22:46,900
A REALITY.
1608
01:22:46,900 --> 01:22:50,133
BACKED BY $50 MILLION
OF RCA MONEY,
1609
01:22:50,133 --> 01:22:51,666
THEY SUCCEEDED.
1610
01:22:51,666 --> 01:22:53,800
BUT OTHERS
WOULD LATER CLAIM
1611
01:22:53,800 --> 01:22:57,900
THAT RCA HAD STOLEN
SOME OF THE CRITICAL INVENTIONS
1612
01:22:57,900 --> 01:23:00,366
THAT MADE TELEVISION WORK.
1613
01:23:02,933 --> 01:23:05,300
AND LEE DE FOREST,
REMINDING PEOPLE
1614
01:23:05,300 --> 01:23:09,066
THAT HIS AUDION HAD MADE
THE NEW MEDIUM POSSIBLE,
1615
01:23:09,066 --> 01:23:14,333
PROCLAIMED HIMSELF TO BE
THE GRANDFATHER OF TELEVISION.
1616
01:23:14,333 --> 01:23:19,866
Barnouw: SARNOFF WAS RELYING
ON THE HUGE INCOME FROM RADIO
1617
01:23:19,866 --> 01:23:22,733
TO FINANCE HIS PLANS
FOR TELEVISION,
1618
01:23:22,733 --> 01:23:25,333
AND IT WAS GOING TO TAKE
ITS PLACE AS RADIO HAD DONE.
1619
01:23:25,333 --> 01:23:29,166
SO SARNOFF SAW FM
NOT ONLY AS A THREAT
1620
01:23:29,166 --> 01:23:31,200
TO HIS TECHNICAL PLANS,
1621
01:23:31,200 --> 01:23:33,700
BUT AS A THREAT
TO HIS ECONOMIC PLANS.
1622
01:23:38,966 --> 01:23:41,166
Narrator: HURT BY
HIS OLD FRIEND'S REJECTION
1623
01:23:41,166 --> 01:23:44,866
AND ANGERED BY HIS EVICTION
FROM THE EMPIRE STATE BUILDING,
1624
01:23:44,866 --> 01:23:49,300
ARMSTRONG DECIDED
TO DEVELOP FM ALONE.
1625
01:23:50,733 --> 01:23:53,466
ON THE PALISADES
AT ALPINE, NEW JERSEY,
1626
01:23:53,466 --> 01:23:55,900
500 FEET
ABOVE THE HUDSON RIVER,
1627
01:23:55,900 --> 01:24:00,466
HE BUILT A 425-FOOT
RADIO TOWER.
1628
01:24:00,466 --> 01:24:04,166
IT COULD BE SEEN
FROM DAVID SARNOFF'S OFFICE
1629
01:24:04,166 --> 01:24:05,866
IN THE RCA BUILDING.
1630
01:24:08,966 --> 01:24:14,366
THESE ARE FM STATIONS
W2XMN AND W2XEA
1631
01:24:14,366 --> 01:24:16,866
LOCATED AT ALPINE, NEW JERSEY.
1632
01:24:16,866 --> 01:24:18,733
ARMSTRONG BEGAN BROADCASTING
1633
01:24:18,733 --> 01:24:21,800
AND LICENSING COMPANIES
TO MAKE FM RECEIVERS.
1634
01:24:24,166 --> 01:24:25,900
LISTENERS NOW HEARD
1635
01:24:25,900 --> 01:24:29,300
HOW CLEAR THE FM SIGNAL
REALLY WAS.
1636
01:24:29,300 --> 01:24:31,700
FM CAUGHT ON,
1637
01:24:31,700 --> 01:24:36,366
AND ARMSTRONG EXUBERANTLY
THREW HIMSELF INTO THE WORK.
1638
01:24:36,366 --> 01:24:37,966
BY FREQUENCY MODULATION,
1639
01:24:37,966 --> 01:24:39,966
THESE RELAYED PROGRAMS
ARE TRANSMITTED
1640
01:24:39,966 --> 01:24:42,900
FROM STATION TO STATION,
FROM CITY TO CITY,
1641
01:24:42,900 --> 01:24:44,566
AND FROM MOUNTAINTOP
TO MOUNTAINTOP,
1642
01:24:44,566 --> 01:24:46,300
WITHOUT TELEPHONE CONNECTIONS,
1643
01:24:46,300 --> 01:24:51,666
BY MEANS OF CRYSTAL-CLEAR
FM BROADCASTING.
1644
01:24:51,666 --> 01:24:53,133
TONIGHT,
THE UNITED STATES...
1645
01:24:53,133 --> 01:24:56,033
WHEN SARNOFF BELATEDLY OFFERED
ARMSTRONG A MILLION DOLLARS
1646
01:24:56,033 --> 01:24:58,333
FOR THE RIGHTS
TO MANUFACTURE FM,
1647
01:24:58,333 --> 01:25:00,166
THE INVENTOR REFUSED.
1648
01:25:02,000 --> 01:25:05,133
RCA COULD PAY A FEE
FOR EACH RADIO IT MADE,
1649
01:25:05,133 --> 01:25:06,866
JUST AS OTHER COMPANIES DID.
1650
01:25:09,500 --> 01:25:12,166
SOON THERE WERE
HALF A MILLION FM RADIOS
1651
01:25:12,166 --> 01:25:13,766
RECEIVING HIS BROADCASTS
1652
01:25:13,766 --> 01:25:15,733
ALL ACROSS THE NORTHEAST,
1653
01:25:15,733 --> 01:25:18,033
ALONG THE YANKEE NETWORK.
1654
01:25:50,833 --> 01:25:52,400
FROM WORCESTER,
MASSACHUSETTS,
1655
01:25:52,400 --> 01:25:55,100
TO THE TOP OF MOUNT WASHINGTON
IN NEW HAMPSHIRE,
1656
01:25:55,100 --> 01:25:58,733
FM SIGNALS
WERE RELAYED ABOUT NEW ENGLAND.
1657
01:25:58,733 --> 01:26:01,266
THE YANKEE NETWORK,
ARMSTRONG HOPED,
1658
01:26:01,266 --> 01:26:03,733
WOULD SOON RIVAL NBC.
1659
01:26:07,833 --> 01:26:11,466
BUT DAVID SARNOFF DID HIS BEST
TO SUPPRESS FM,
1660
01:26:11,466 --> 01:26:15,000
KEEPING IT FROM THE INDUSTRY
AND THE WORLD SO EFFECTIVELY
1661
01:26:15,000 --> 01:26:17,233
THAT, YEARS
AFTER ITS INVENTION,
1662
01:26:17,233 --> 01:26:21,766
EVEN SOME RADIO ENGINEERS
DIDN'T UNDERSTAND HOW IT WORKED
1663
01:26:21,766 --> 01:26:25,033
AND HOW REVOLUTIONARY IT WAS.
1664
01:26:25,033 --> 01:26:30,633
THE OLD FRIENDS WERE BECOMING
BITTER ENEMIES.
1665
01:26:30,633 --> 01:26:34,766
Morris:
THERE WAS NO QUESTION
THAT THE FM SYSTEM WAS SUPERIOR.
1666
01:26:34,766 --> 01:26:37,300
AND HIS ANSWER TO THAT WAS,
1667
01:26:37,300 --> 01:26:38,600
"THEN, IF THAT IS THE CASE,
1668
01:26:38,600 --> 01:26:43,466
WHY DO YOU NOT GET RID OF AM
AND PUT IN FM?"
1669
01:26:43,466 --> 01:26:45,933
WELL, NO ONE COULD DO THAT.
1670
01:26:45,933 --> 01:26:47,633
AM WAS TOO WELL-ESTABLISHED.
1671
01:26:47,633 --> 01:26:49,033
THERE WERE TOO MANY
MILLION PEOPLE
1672
01:26:49,033 --> 01:26:51,566
USING TOO MANY
MILLION RECEIVERS,
1673
01:26:51,566 --> 01:26:55,933
AND WITH--GENERALLY
WITH GOOD SATISFACTION.
1674
01:26:58,066 --> 01:27:04,000
ARMSTRONG'S, UH, DOWNFALL,
I'M AFRAID,
1675
01:27:04,000 --> 01:27:08,333
CAME AS A RESULT
OF HIS INABILITY TO COMPROMISE.
1676
01:27:11,166 --> 01:27:12,366
WE INTERRUPT THIS PROGRAM
1677
01:27:12,366 --> 01:27:14,066
TO BRING YOU
A SPECIAL NEWS BULLETIN.
1678
01:27:14,066 --> 01:27:17,100
THE JAPANESE HAVE ATTACKED
PEARL HARBOR, HAWAII, BY AIR,
1679
01:27:17,100 --> 01:27:20,233
PRESIDENT ROOSEVELT
HAS JUST ANNOUNCED.
1680
01:27:20,233 --> 01:27:24,366
Narrator: IN 1941,
JAPANESE FIGHTER PLANES,
1681
01:27:24,366 --> 01:27:28,066
HOMING IN ON STATION KGMB
IN HONOLULU,
1682
01:27:28,066 --> 01:27:30,266
DESTROYED MOST
OF THE PACIFIC FLEET
1683
01:27:30,266 --> 01:27:32,866
AT PEARL HARBOR,
1684
01:27:32,866 --> 01:27:35,200
PUTTING ASIDE,
AT LEAST FOR A WHILE,
1685
01:27:35,200 --> 01:27:39,166
THE OLD ANIMOSITIES BETWEEN
THE MEN WHO HAD MADE RADIO.
1686
01:27:40,566 --> 01:27:41,933
I REGRET TO TELL YOU
1687
01:27:41,933 --> 01:27:46,266
THAT VERY MANY AMERICAN LIVES
HAVE BEEN LOST.
1688
01:27:46,266 --> 01:27:47,666
IN ADDITION,
AMERICAN SHIPS HAVE BEEN...
1689
01:27:47,666 --> 01:27:48,900
FOR MOST CIVILIANS,
1690
01:27:48,900 --> 01:27:51,933
WORLD WAR II WOULD BE
A WAR OF RADIO VOICES.
1691
01:27:51,933 --> 01:27:54,633
Man: ...BETWEEN SAN FRANCISCO
AND HONOLULU.
1692
01:27:54,633 --> 01:27:56,900
Different man: YOU PROBABLY
HEAR, THERE'S GUNFIRE
GOING ON ALL AROUND US.
1693
01:27:56,900 --> 01:28:00,433
NOW WE ARE NOW INSIDE
THE SCREEN OF WARSHIPS.
1694
01:28:00,433 --> 01:28:03,933
THERE'S NO MORE WARSHIPS
BETWEEN US AND THE BEACH.
1695
01:28:03,933 --> 01:28:07,366
Churchill:
SAIL ON, O SHIP OF STATE!
1696
01:28:07,366 --> 01:28:10,633
SAIL ON, O UNION,
STRONG AND GREAT!
1697
01:28:10,633 --> 01:28:14,166
HUMANITY
WITH ALL ITS FEARS,
1698
01:28:14,166 --> 01:28:17,500
WITH ALL THE HOPES
OF FUTURE YEARS,
1699
01:28:17,500 --> 01:28:19,933
IS HANGING BREATHLESS
ON THY FATE!
1700
01:28:19,933 --> 01:28:21,633
[MORSE CODE]
1701
01:28:21,633 --> 01:28:25,000
Man: ENEMY, HEAVY
CROSS-SHELLING AND BOMBING.
1702
01:28:25,000 --> 01:28:29,100
THEY HAVE BEEN SHELLING US
FASTER THAN YOU CAN COUNT.
1703
01:28:29,100 --> 01:28:33,100
ARMS WEAK FROM POUNDING KEY
LONG HOURS.
1704
01:28:33,100 --> 01:28:35,033
NO REST.
1705
01:28:35,033 --> 01:28:37,633
SHORT RATIONS.
1706
01:28:37,633 --> 01:28:39,733
DAMAGE, TERRIFIC.
1707
01:28:39,733 --> 01:28:44,033
TOO MUCH FOR GUYS TO TAKE.
1708
01:28:44,033 --> 01:28:48,133
CORREGIDOR USED TO BE
A NICE PLACE.
1709
01:28:48,133 --> 01:28:51,866
IT'S HAUNTED NOW.
1710
01:28:51,866 --> 01:28:55,866
THEY HAVE GOT US ALL AROUND
AND FROM SKIES.
1711
01:28:59,433 --> 01:29:03,366
MY NAME...IRVING STROBIC.
1712
01:29:03,366 --> 01:29:06,333
GET THIS TO MY MOTHER,
1713
01:29:06,333 --> 01:29:12,800
AND TELL MY MOTHER
HOW YOU HEARD FROM ME.
1714
01:29:12,800 --> 01:29:14,400
STAND BY.
1715
01:29:14,400 --> 01:29:16,500
[MORSE CODE]
1716
01:29:20,233 --> 01:29:23,400
Man: NOTHING FURTHER
HAS BEEN HEARD
FROM CORREGIDOR.
1717
01:29:28,433 --> 01:29:32,166
Narrator: LEE DE FOREST WAS 68
WHEN THE WAR BEGAN,
1718
01:29:32,166 --> 01:29:33,933
DISAPPOINTED
TO DISCOVER THAT
1719
01:29:33,933 --> 01:29:36,800
"THE WAR WOULD BE WON
EVEN WITHOUT MY HELP"
1720
01:29:36,800 --> 01:29:40,066
AND EMBARRASSED
WHEN ONE OF HIS NEW INVENTIONS,
1721
01:29:40,066 --> 01:29:42,166
A SELF-DIRECTING BOMB,
1722
01:29:42,166 --> 01:29:44,733
NARROWLY MISSED THE GENERALS
WHO HAD GATHERED WITH HIM
1723
01:29:44,733 --> 01:29:45,900
TO SEE IT TESTED.
1724
01:29:45,900 --> 01:29:48,733
[EXPLOSION]
1725
01:29:48,733 --> 01:29:52,100
JUST AS HE HAD
DURING WORLD WAR I,
1726
01:29:52,100 --> 01:29:55,700
HOWARD ARMSTRONG OFFERED
HIS SERVICES TO THE COUNTRY.
1727
01:29:58,366 --> 01:30:01,433
Gunther: HE WAS
AN EXTREMELY GREAT PATRIOT.
1728
01:30:01,433 --> 01:30:06,033
WORLD WAR II REALLY PROVED THAT
MORE THAN WORLD WAR I
1729
01:30:06,033 --> 01:30:09,066
BY THE SIMPLE FACT
THAT HE IMMEDIATELY--
1730
01:30:09,066 --> 01:30:10,266
AND HE WASN'T
ASKED TO DO THIS;
1731
01:30:10,266 --> 01:30:12,466
HE DID THIS ON HIS OWN
VERY QUICKLY--
1732
01:30:12,466 --> 01:30:17,300
TURNED ALL HIS PATENTS OVER
TO THE U.S. GOVERNMENT FOR FREE.
1733
01:30:17,300 --> 01:30:18,966
[MORSE CODE]
1734
01:30:21,033 --> 01:30:23,666
Narrator: THIS TIME
DAVID SARNOFF WENT TO WAR,
1735
01:30:23,666 --> 01:30:27,300
SUPERVISING THE DESIGN
OF THE COMMUNICATIONS SYSTEM
1736
01:30:27,300 --> 01:30:30,433
THAT HELPED MAKE POSSIBLE
THE INVASION OF NORMANDY.
1737
01:30:30,433 --> 01:30:32,733
THAT APPEARS TO BE
THE ONLY FIRING SO FAR.
1738
01:30:32,733 --> 01:30:36,966
IT IS PERHAPS
THE INITIAL WARNING
1739
01:30:36,966 --> 01:30:39,000
TO THE NAZIS ON THE BEACH.
1740
01:30:39,000 --> 01:30:41,866
Announcer:
GENERAL DWIGHT D. EISENHOWER.
1741
01:30:41,866 --> 01:30:43,800
Eisenhower:
PEOPLE OF WESTERN EUROPE,
1742
01:30:43,800 --> 01:30:47,633
A LANDING WAS MADE THIS MORNING
ON THE COAST OF FRANCE
1743
01:30:47,633 --> 01:30:49,966
BY TROOPS OF
THE ALLIED EXPEDITIONARY FORCE.
1744
01:30:55,266 --> 01:30:57,766
WHEN DAVID SARNOFF
RETURNED TO RCA
1745
01:30:57,766 --> 01:31:00,333
IN JANUARY OF 1945,
1746
01:31:00,333 --> 01:31:02,433
WORD SPREAD
THROUGH THE CORRIDORS
1747
01:31:02,433 --> 01:31:03,933
AT ROCKEFELLER CENTER,
1748
01:31:03,933 --> 01:31:06,033
THE LABORATORIES
IN NEW JERSEY,
1749
01:31:06,033 --> 01:31:07,900
AND THE FACTORIES
IN PENNSYLVANIA,
1750
01:31:07,900 --> 01:31:10,133
CALIFORNIA, AND INDIANA
1751
01:31:10,133 --> 01:31:13,800
THAT HENCEFORTH,
THE PRESIDENT OF RCA
1752
01:31:13,800 --> 01:31:16,866
WAS TO BE CALLED
GENERALSARNOFF.
1753
01:31:18,366 --> 01:31:19,800
LADIES AND GENTLEMEN,
1754
01:31:19,800 --> 01:31:21,600
THE PRESIDENT
OF THE UNITED STATES.
1755
01:31:21,600 --> 01:31:23,066
THE WORLD WILL NOTE
1756
01:31:23,066 --> 01:31:26,933
THAT THE FIRST ATOMIC BOMB
WAS DROPPED ON HIROSHIMA,
1757
01:31:26,933 --> 01:31:28,366
A MILITARY BASE.
1758
01:31:28,366 --> 01:31:31,800
Man: 7 P.M., EASTERN WAR TIME,
BOB TROUT REPORTING.
1759
01:31:31,800 --> 01:31:35,833
THE JAPANESE HAVE ACCEPTED
OUR TERMS FULLY.
1760
01:31:35,833 --> 01:31:37,266
THIS, LADIES AND GENTLEMEN,
1761
01:31:37,266 --> 01:31:39,766
IS THE END
OF THE SECOND WORLD WAR.
1762
01:31:39,766 --> 01:31:41,133
THAT'S THE WORD
WE'VE JUST RECEIVED
1763
01:31:41,133 --> 01:31:42,700
FROM THE WHITE HOUSE
IN WASHINGTON.
1764
01:31:42,700 --> 01:31:45,033
BUT THE WAR'S END
BROUGHT NO PEACE
1765
01:31:45,033 --> 01:31:47,066
IN THE BATTLE OVER FM.
1766
01:31:48,600 --> 01:31:54,166
I CAN'T ACCOUNT
FOR THE ANTIPATHY, THE ENMITY,
1767
01:31:54,166 --> 01:31:55,666
THE FEELING THAT--
1768
01:31:55,666 --> 01:31:58,633
THAT BUILT UP
IN LATER YEARS
1769
01:31:58,633 --> 01:32:03,066
BETWEEN SARNOFF
AND ARMSTRONG.
1770
01:32:03,066 --> 01:32:05,566
I--I DON'T KNOW
WHOSE FAULT IT WAS.
1771
01:32:05,566 --> 01:32:09,766
I--I NEVER SAW
THE NEED OR THE REASON FOR IT.
1772
01:32:09,766 --> 01:32:11,666
I ALWAYS THOUGHT
IT WAS MOST UNFORTUNATE,
1773
01:32:11,666 --> 01:32:17,033
BECAUSE TO THE EXTENT THAT
IT LEAD TO ARMSTRONG'S DEATH,
1774
01:32:17,033 --> 01:32:21,433
IT WAS A TERRIBLE WASTE
OF EXTREMELY VALUABLE TALENT.
1775
01:32:21,433 --> 01:32:26,200
I MEAN, WHO KNOWS
WHAT ADDITIONAL DEVELOPMENTS
1776
01:32:26,200 --> 01:32:30,833
COULD HAVE COME FROM ARMSTRONG
IN HIS LATER YEARS.
1777
01:32:30,833 --> 01:32:33,233
AND OF COURSE,
WE--WE'LL NEVER KNOW.
1778
01:32:40,866 --> 01:32:44,533
PRESENTING THE BIG CHANGE
IN TELEVISION STYLING.
1779
01:32:47,533 --> 01:32:48,900
"PEACE WILL FIND THE WORLD
1780
01:32:48,900 --> 01:32:50,833
ON THE THRESHOLD
OF TELEVISION,"
1781
01:32:50,833 --> 01:32:53,366
DAVID SARNOFF SAID.
1782
01:32:53,366 --> 01:32:56,433
AND HE MADE SURE
RCA WAS READY.
1783
01:32:56,433 --> 01:32:58,166
♪ THE BIG CHANGE ♪
1784
01:32:58,166 --> 01:33:00,933
♪ COMPLETE RESTYLING ♪
1785
01:33:00,933 --> 01:33:02,333
♪ THE BIG CHANGE... ♪
1786
01:33:02,333 --> 01:33:03,866
Bilby: I THINK
THE THING THAT SURPRISED US
1787
01:33:03,866 --> 01:33:05,600
WAS HOW QUICKLY IT CAME,
1788
01:33:05,600 --> 01:33:08,800
HOW QUICKLY WE GOT
TO THE CRITICAL MASS
1789
01:33:08,800 --> 01:33:10,800
WHERE ADVERTISERS
WERE INTERESTED
1790
01:33:10,800 --> 01:33:14,033
IN GOING IN AND SPENDING
SUBSTANTIAL SUMS OF MONEY.
1791
01:33:14,033 --> 01:33:16,500
♪ AND YOU'LL FLIP,
YES, SIREE ♪
1792
01:33:16,500 --> 01:33:18,033
♪ ABOUT THE BIG CHANGE ♪
1793
01:33:18,033 --> 01:33:22,233
♪ IN RCA VICTOR
TELEVISION HISTORY ♪
1794
01:33:22,233 --> 01:33:23,266
♪ THE BIG CHANGE ♪
1795
01:33:23,266 --> 01:33:24,966
♪ THE BIG CHANGE ♪
1796
01:33:24,966 --> 01:33:27,033
Bilby: BY 1954, '55,
1797
01:33:27,033 --> 01:33:29,533
PEOPLE NO LONGER
TALKED ABOUT RADIO.
1798
01:33:29,533 --> 01:33:31,000
THE OLD DAYS,
THE OLD PROGRAMS
1799
01:33:31,000 --> 01:33:34,200
WERE EITHER TRANSFERRED
TO TELEVISION BY THAT TIME--
1800
01:33:34,200 --> 01:33:37,666
LIKEAMOS 'N' ANDY,
FRED ALLEN,AND SO FORTH--
1801
01:33:37,666 --> 01:33:39,733
OR THEY WERE
GONE ALTOGETHER.
1802
01:33:39,733 --> 01:33:41,500
I THINK, REALLY,
LADIES AND GENTLEMEN,
1803
01:33:41,500 --> 01:33:44,800
TELEVISION IS
GOING TO BE THE UNDOING
OF RADIO EVENTUALLY.
1804
01:33:44,800 --> 01:33:46,433
BECAUSE--
I'LL TELL YOU WHY--
1805
01:33:46,433 --> 01:33:49,066
IN THE OLD DAYS,
AN ACTOR IN RADIO
1806
01:33:49,066 --> 01:33:52,400
COULD GO UP TO
AN EMPTY RADIO STUDIO,
1807
01:33:52,400 --> 01:33:54,933
DO A TERRIBLE PROGRAM,
AND GO HOME WITHOUT WORRYING.
1808
01:33:54,933 --> 01:33:56,800
NOBODY KNEW
WHAT HE LOOKED LIKE.
1809
01:33:56,800 --> 01:33:58,733
BUT WITH TELEVISION,
IF YOU DO A BAD PROGRAM,
1810
01:33:58,733 --> 01:34:00,533
EVERYBODY CAN SEE YOU,
1811
01:34:00,533 --> 01:34:03,833
AND SOMEBODY, SURE AS FATE,
AS YOU'RE WALKING HOME,
1812
01:34:03,833 --> 01:34:07,133
IS GONNA GET YOU
AND BEAT YOUR BRAINS OUT
ON THE WAY HOME.
1813
01:34:07,133 --> 01:34:08,600
BUT THAT'S
ALL WE HAVE TIME FOR.
1814
01:34:08,600 --> 01:34:10,433
THAT'S RIGHT.
WE'RE GOING TO-
1815
01:34:10,433 --> 01:34:12,233
HAVE THE SAME TROUBLE
IN TELEVISION I HAD IN RADIO.
1816
01:34:12,233 --> 01:34:13,233
THAT'S RIGHT.
1817
01:34:13,233 --> 01:34:14,900
[AUDIENCE LAUGHS]
1818
01:34:14,900 --> 01:34:16,366
WE'LL BE BACK
IN JUST A MOMENT.
1819
01:34:16,366 --> 01:34:18,500
Corwin: WHEN PEOPLE SPEAK OF
THE GOLDEN AGE OF RADIO,
1820
01:34:18,500 --> 01:34:21,333
THEY'RE SPEAKING OF THE SHORTEST
GOLDEN AGE IN HISTORY.
1821
01:34:21,333 --> 01:34:26,766
ITS GOLDEN YEARS PERHAPS
COVERED A DECADE--
1822
01:34:26,766 --> 01:34:29,500
A LITTLE MORE THAN THAT,
MAYBE 15 YEARS--
1823
01:34:29,500 --> 01:34:34,033
AND IT WAS CUT SHORT
BY THE RELEASE OF TELEVISION.
1824
01:34:36,233 --> 01:34:41,600
TONIGHT YOU ARE ENJOYING
THE MIRACLE OF RADIO...
1825
01:34:41,600 --> 01:34:46,433
RADIO AT ITS FINEST,
OVER FREQUENCY MODULATION.
1826
01:34:46,433 --> 01:34:50,100
Narrator: BUT HOWARD ARMSTRONG
WAS STILL STUBBORNLY DETERMINED
1827
01:34:50,100 --> 01:34:51,966
TO STICK WITH FM.
1828
01:34:54,133 --> 01:34:57,200
MEANWHILE, THE FEDERAL
COMMUNICATIONS COMMISSION
1829
01:34:57,200 --> 01:35:00,500
HAD DECLARED
THAT ALL SOUND FOR TELEVISION
1830
01:35:00,500 --> 01:35:02,466
WOULD BE CARRIED OVER FM,
1831
01:35:02,466 --> 01:35:06,733
WHICH MEANT MILLIONS
IN ROYALTIES FOR ARMSTRONG.
1832
01:35:06,733 --> 01:35:10,133
BUT RCA
REFUSED TO PAY ROYALTIES,
1833
01:35:10,133 --> 01:35:13,600
ENCOURAGED OTHER MANUFACTURERS
NOT TO PAY THEM EITHER,
1834
01:35:13,600 --> 01:35:17,833
AND DEVELOPED CIRCUITS
WHICH IT CLAIMED WERE DIFFERENT.
1835
01:35:17,833 --> 01:35:21,100
AND IN AN ATTEMPT
TO PUT ARMSTRONG OUT OF BUSINESS
1836
01:35:21,100 --> 01:35:22,766
ONCE AND FOR ALL,
1837
01:35:22,766 --> 01:35:25,833
SARNOFF SUCCESSFULLY
LOBBIED THE FCC
1838
01:35:25,833 --> 01:35:28,500
TO CHANGE FM's FREQUENCY,
1839
01:35:28,500 --> 01:35:31,833
MAKING OBSOLETE
EVERY ONE OF THE RADIOS
1840
01:35:31,833 --> 01:35:33,700
ARMSTRONG HAD LICENSED.
1841
01:35:37,533 --> 01:35:40,333
ARMSTRONG FOUGHT BACK
AS BEST HE COULD,
1842
01:35:40,333 --> 01:35:43,233
LAUNCHING A SERIES OF SUITS
AGAINST RCA
1843
01:35:43,233 --> 01:35:45,766
AND OTHER GIANT CORPORATIONS
AS WELL,
1844
01:35:45,766 --> 01:35:49,466
WHOSE BIG PROFITS
WERE BUILT ON HIS INVENTIONS.
1845
01:35:49,466 --> 01:35:51,733
HE CHARGED INFRINGEMENTS
OF HIS PATENTS
1846
01:35:51,733 --> 01:35:55,333
IN VIOLATION
OF THE ANTITRUST LAWS.
1847
01:35:55,333 --> 01:35:58,233
THIS WENT ON
FOR MANY, MANY YEARS,
1848
01:35:58,233 --> 01:36:01,033
AND IT WAS A REPETITIVE
TYPE OF A BATTLE.
1849
01:36:01,033 --> 01:36:02,400
HE'D PROVE IT
1850
01:36:02,400 --> 01:36:05,633
AND THEN HAVE TO PROVE IT
OVER AGAIN AND OVER AGAIN.
1851
01:36:05,633 --> 01:36:08,066
AND THE LAWSUITS
AND THE DOLLARS
AND THE TIME
1852
01:36:08,066 --> 01:36:10,866
JUST MUST HAVE
DONE SOMETHING.
1853
01:36:10,866 --> 01:36:13,433
Narrator: HE KNEW
WHAT HE WAS UP AGAINST.
1854
01:36:13,433 --> 01:36:14,700
"THEY WILL STALL THIS THING
1855
01:36:14,700 --> 01:36:17,200
UNTIL I'M DEAD OR BROKE,"
HE SAID,
1856
01:36:17,200 --> 01:36:21,166
AFTER PAYING HIS FIRST
MILLION DOLLARS IN LEGAL FEES.
1857
01:36:21,166 --> 01:36:23,666
ROYALTY INCOME DWINDLED.
1858
01:36:23,666 --> 01:36:26,100
HIS PATENTS WERE EXPIRING;
1859
01:36:26,100 --> 01:36:28,866
HIS HEALTH DETERIORATED;
1860
01:36:28,866 --> 01:36:31,000
BUT HE COULD NOT
HELP HIMSELF.
1861
01:36:33,500 --> 01:36:37,033
Man: IT'S A KIND OF AN IRONY
THAT THOSE QUALITIES
1862
01:36:37,033 --> 01:36:42,100
THAT RESULTED IN HIS GREAT
ACCOMPLISHMENTS IN RADIO,
1863
01:36:42,100 --> 01:36:47,900
THE ABILITY TO GO THROUGH
A BRICK WALL ON RADIO THEORY,
1864
01:36:47,900 --> 01:36:52,500
WERE THE VERY QUALITIES, UM...
1865
01:36:52,500 --> 01:36:54,000
WHICH BROKE HIM DOWN.
1866
01:36:55,900 --> 01:36:59,900
Narrator: BY 1953, ARMSTRONG HAD
SPENT ANOTHER MILLION DOLLARS
1867
01:36:59,900 --> 01:37:02,100
FIGHTING HIS CASE.
1868
01:37:02,100 --> 01:37:05,033
HIS ATTORNEY PREDICTED
THAT HE WOULD WIN IN THE END,
1869
01:37:05,033 --> 01:37:08,266
BUT IT WOULD TAKE
ANOTHER 9 YEARS.
1870
01:37:08,266 --> 01:37:09,633
THAT THANKSGIVING,
1871
01:37:09,633 --> 01:37:11,700
ALL THE INTENSITY
AND FRUSTRATION
1872
01:37:11,700 --> 01:37:15,166
OF ARMSTRONG'S OBSESSIVE BATTLE
WITH RCA
1873
01:37:15,166 --> 01:37:19,566
SUDDENLY EXPLODED
IN A GREAT RAGE UPON HIS WIFE.
1874
01:37:19,566 --> 01:37:23,033
ARMSTRONG SWUNG
WITH A FIRE POKER.
1875
01:37:23,033 --> 01:37:26,100
THE BLOW LANDED
ON MARION'S RIGHT ARM.
1876
01:37:26,100 --> 01:37:29,333
IN A PANIC, SHE FLED.
1877
01:37:29,333 --> 01:37:31,266
THEIR MARRIAGE WAS OVER.
1878
01:37:33,333 --> 01:37:35,533
Bilby: ARMSTRONG
KEPT DRIVING HIMSELF,
1879
01:37:35,533 --> 01:37:37,166
KEPT GETTING
MORE AND MORE IN DEBT.
1880
01:37:37,166 --> 01:37:40,700
HE'D, AT ONE TIME,
BEEN THE LARGEST
SHAREHOLDER OF RCA.
1881
01:37:40,700 --> 01:37:43,666
HE SOLD MOST OF HIS STOCK,
1882
01:37:43,666 --> 01:37:46,300
AND HE WAS FIGHTING
THIS GIANT CORPORATION
1883
01:37:46,300 --> 01:37:48,166
WITH ALL THE RESOURCES
THAT IT HAD.
1884
01:37:50,733 --> 01:37:56,600
HE HAD BEEN A MAN
OF ENORMOUS DRIVE, TENSION,
1885
01:37:56,600 --> 01:37:58,566
AND HE'D DRIVEN HIMSELF
TO THE BREAKING POINT
1886
01:37:58,566 --> 01:37:59,766
AND FINALLY SNAPPED.
1887
01:38:02,833 --> 01:38:08,466
Narrator:
SUNDAY, JANUARY 31, 1954
MARKED THE 40th ANNIVERSARY
1888
01:38:08,466 --> 01:38:10,700
OF HOWARD ARMSTRONG'S
DEMONSTRATION
1889
01:38:10,700 --> 01:38:14,400
OF HIS FIRST GREAT INVENTION,
THE REGENERATIVE CIRCUIT,
1890
01:38:14,400 --> 01:38:17,600
TO THE CHIEF INSPECTOR
OF THE OLD MARCONI COMPANY,
1891
01:38:17,600 --> 01:38:19,366
DAVID SARNOFF.
1892
01:38:19,366 --> 01:38:21,500
IN OTHER YEARS,
THEY HAD MARKED
1893
01:38:21,500 --> 01:38:23,366
THE ANNIVERSARY
OF THEIR FRIENDSHIP
1894
01:38:23,366 --> 01:38:25,933
WITH A TELEGRAM OR LETTER.
1895
01:38:25,933 --> 01:38:30,000
"FIX YOUR GAZE AND ENERGIES
ON THE NEXT 20 YEARS,"
1896
01:38:30,000 --> 01:38:32,033
SARNOFF HAD TOLD ARMSTRONG
1897
01:38:32,033 --> 01:38:35,766
ON THE 20th ANNIVERSARY
IN 1934,
1898
01:38:35,766 --> 01:38:37,966
SO THAT
THE TELEGRAMS AND LETTERS
1899
01:38:37,966 --> 01:38:41,500
THEY WOULD EXCHANGE AT THE END
OF THE NEXT GENERATION
1900
01:38:41,500 --> 01:38:45,200
WOULD MAKE THEM FEEL
STILL YOUNG, EVEN THEN.
1901
01:38:47,866 --> 01:38:50,133
THE 20 YEARS HAD PASSED.
1902
01:38:50,133 --> 01:38:52,166
THEY WERE ENEMIES NOW,
1903
01:38:52,166 --> 01:38:55,566
AND ARMSTRONG
HAD BEEN DEFEATED.
1904
01:38:55,566 --> 01:38:57,333
IN HIS BEDROOM THAT EVENING,
1905
01:38:57,333 --> 01:38:59,566
HE WROTE A LETTER TO MARION,
1906
01:38:59,566 --> 01:39:05,133
FILLED WITH REGRET FOR THE WAY
THEIR LIVES HAD TURNED OUT.
1907
01:39:05,133 --> 01:39:07,566
"GOD KEEP YOU,"
HE ADDED AT THE END,
1908
01:39:07,566 --> 01:39:10,500
"AND MAY THE LORD
HAVE MERCY ON MY SOUL."
1909
01:39:18,366 --> 01:39:23,066
EDWIN HOWARD ARMSTRONG
HAD ALWAYS LOVED HIGH PLACES--
1910
01:39:23,066 --> 01:39:28,533
THE 125-FOOT TOWER
BEHIND HIS HOUSE IN YONKERS;
1911
01:39:28,533 --> 01:39:31,933
THE NEW JERSEY PALISADES
HE CLIMBED AS A YOUTH;
1912
01:39:31,933 --> 01:39:35,500
THE WJZ TOWER,
1913
01:39:35,500 --> 01:39:37,533
WITH ITS GREAT STRAP IRON BALL,
1914
01:39:37,533 --> 01:39:40,933
400 FEET ABOVE 42nd STREET;
1915
01:39:40,933 --> 01:39:45,900
AND HIS OWN FM TOWER
ACROSS THE HUDSON IN NEW JERSEY.
1916
01:39:49,233 --> 01:39:51,300
NOW HE REMOVED
THE AIR CONDITIONER
1917
01:39:51,300 --> 01:39:53,800
FROM HIS BEDROOM WINDOW.
1918
01:39:53,800 --> 01:39:58,800
HE PUT ON HIS HAT, SCARF,
OVERCOAT, AND GLOVES,
1919
01:39:58,800 --> 01:40:02,300
OPENED THE WINDOW,
AND STEPPED OUT
1920
01:40:02,300 --> 01:40:06,800
13 STORIES ABOVE THE STREET.
1921
01:40:06,800 --> 01:40:08,766
A MAINTENANCE MAN
FOUND HIS BODY
1922
01:40:08,766 --> 01:40:11,300
ON A THIRD-FLOOR TERRACE
THE NEXT MORNING.
1923
01:40:19,933 --> 01:40:22,833
Hammond: MY FATHER
CALLED ME AT WORK,
WHICH WAS VERY UNUSUAL,
1924
01:40:22,833 --> 01:40:27,100
AND SAID THAT MY UNCLE WAS SICK
AND THAT MY MOTHER NEEDED ME,
1925
01:40:27,100 --> 01:40:29,400
AND COULD I
PLEASE COME HOME?
1926
01:40:31,433 --> 01:40:35,933
AND I WENT IN TO TELL
MY ROOMMATE THAT I WAS
GONNA BE LEAVING EARLY,
1927
01:40:35,933 --> 01:40:37,266
I WOULD NOT
BE GOING HOME WITH HER,
1928
01:40:37,266 --> 01:40:41,566
AND SHE WAS HOLDING A COPY
OF THE AFTERNOON NEWSPAPER,
1929
01:40:41,566 --> 01:40:44,166
WHICH SHE SUDDENLY
PUT BEHIND HER BACK.
1930
01:40:44,166 --> 01:40:45,533
AND SHE SAID,
"OH, YES, I KNOW."
1931
01:40:45,533 --> 01:40:48,900
AND I SAID, "WHAT'S--LET ME--
WHAT'S THE NEWSPAPER?
1932
01:40:48,900 --> 01:40:50,333
WHY ARE YOU HIDING THAT
FROM ME?"
1933
01:40:50,333 --> 01:40:53,000
AND SHE WOULDN'T GIVE IT
TO ME AT FIRST,
1934
01:40:53,000 --> 01:40:55,733
AND FINALLY,
SHE LET ME SEE IT,
1935
01:40:55,733 --> 01:40:57,733
AND THERE,
ON THE FIRST PAGE,
1936
01:40:57,733 --> 01:41:01,566
WAS THE NEWS REPORT
OF MY UNCLE'S SUICIDE.
1937
01:41:07,000 --> 01:41:12,433
ON THE RIDE HOME I REMEMBER
THINKING ALMOST, "OF COURSE,"
1938
01:41:12,433 --> 01:41:16,133
ALMOST, REALLY,
"I SHOULDN'T BE SURPRISED
1939
01:41:16,133 --> 01:41:18,766
"THAT THIS SORT OF
WHAT WAS GOING TO HAPPEN.
1940
01:41:18,766 --> 01:41:21,566
THERE REALLY WASN'T
A HAPPY ENDING TO THIS STORY."
1941
01:41:24,666 --> 01:41:27,966
Raymond: HE DIED
THINKING HE WAS A FAILURE.
1942
01:41:27,966 --> 01:41:32,500
HE DIDN'T SEEM TO UNDERSTAND,
AS I LOOK AT IT,
1943
01:41:32,500 --> 01:41:37,833
THAT HE--HE WAS
MORE OF A SUCCESS
1944
01:41:37,833 --> 01:41:40,300
THAN MANY OF THESE PEOPLE
1945
01:41:40,300 --> 01:41:42,633
THAT HE THOUGHT
HE WAS FIGHTING AGAINST.
1946
01:41:42,633 --> 01:41:47,300
FOR--FOR EXAMPLE, I WOULD SAY
THAT, UH, 300 YEARS FROM NOW,
1947
01:41:47,300 --> 01:41:51,266
THERE WILL BE PEOPLE--
STUDENTS, AT LEAST--
1948
01:41:51,266 --> 01:41:55,200
WHO WILL READ
HIS CLASSIC PAPER ON FM
1949
01:41:55,200 --> 01:41:57,100
AND KNOW ABOUT HIS WORK,
1950
01:41:57,100 --> 01:42:00,833
AND THEY'LL NEVER HAVE
HEARD OF SARNOFF...
1951
01:42:00,833 --> 01:42:03,400
UM, OR DE FOREST.
1952
01:42:08,266 --> 01:42:10,666
Narrator: "I DID NOT
KILL ARMSTRONG,"
1953
01:42:10,666 --> 01:42:14,100
A STUNNED DAVID SARNOFF
QUICKLY DECLARED,
1954
01:42:14,100 --> 01:42:16,400
AND THEN LED
A DELEGATION OF MOURNERS
1955
01:42:16,400 --> 01:42:19,366
FROM RCA TO THE FUNERAL.
1956
01:42:19,366 --> 01:42:23,766
LEE DE FOREST
HAD NO PUBLIC COMMENT
1957
01:42:23,766 --> 01:42:25,633
BUT, IN PRIVATE,
BEGGED FOR DETAILS
1958
01:42:25,633 --> 01:42:28,800
ABOUT HIS HATED RIVAL'S DEATH.
1959
01:42:28,800 --> 01:42:31,833
"WELL, ARMSTRONG IS GONE,
AND I AM ALIVE," HE SAID,
1960
01:42:31,833 --> 01:42:34,566
"AND HOPE TO LIVE
FOR MANY YEARS MORE.
1961
01:42:34,566 --> 01:42:37,366
WHAT A CONTRAST."
1962
01:42:37,366 --> 01:42:41,833
WELL, NOW,
WE'VE DONE OUR BEST,
SIR, IN 30 MINUTES,
1963
01:42:41,833 --> 01:42:44,566
TO JUST TOUCH
THE HIGH SPOTS,
DR. DE FOREST.
1964
01:42:44,566 --> 01:42:46,200
MERELY TO HINT
AT THE VASTNESS
1965
01:42:46,200 --> 01:42:47,966
OF YOUR GIFT
TO THE WORLD,
1966
01:42:47,966 --> 01:42:51,166
WE'D HAVE TO MEASURE
THE LAUGHTER OF
EVERY MOTION PICTURE;
1967
01:42:51,166 --> 01:42:53,866
THE PLEASURE AND EDUCATION
OF ALL TELEVISION AND RADIO,
1968
01:42:53,866 --> 01:42:55,633
NOW AND FOREVER;
1969
01:42:55,633 --> 01:42:58,833
THE WAGES EARNED
BY MILLIONS IN
THE ELECTRONIC INDUSTRY;
1970
01:42:58,833 --> 01:43:02,166
AND ALL THE LIVES
SPARED IN PEACE AND WAR
1971
01:43:02,166 --> 01:43:03,966
BECAUSE OF YOU.
1972
01:43:03,966 --> 01:43:08,200
THAT IS BUT A FRACTION
OF OUR DEBT TO YOU.
1973
01:43:08,200 --> 01:43:12,066
THIS IS YOUR LIFE,
DR. LEE DE FOREST.
1974
01:43:12,066 --> 01:43:15,333
[APPLAUSE]
1975
01:43:15,333 --> 01:43:17,300
IN A MOMENT, A WORD
ABOUT YOUR FUTURE, SIR.
1976
01:43:17,300 --> 01:43:19,066
MEANWHILE,
HERE IS EXCITING NEWS
1977
01:43:19,066 --> 01:43:21,333
FOR ALL YOU LADIES
OUT THERE.
1978
01:43:25,766 --> 01:43:27,766
Narrator: DE FOREST WROTE
A BOASTFUL AUTOBIOGRAPHY
1979
01:43:27,766 --> 01:43:29,566
CALLEDFATHER OF RADIO
1980
01:43:29,566 --> 01:43:32,700
AND TRIED TO PERSUADE HIS WIFE
TO WRITE ONE OF HER OWN,
1981
01:43:32,700 --> 01:43:36,500
TO BE CALLED
I MARRIED A GENIUS.
1982
01:43:36,500 --> 01:43:37,666
THROUGH FRIENDS,
1983
01:43:37,666 --> 01:43:39,633
HE TRIED TO SELL HIS STORY
TO HOLLYWOOD,
1984
01:43:39,633 --> 01:43:41,733
LOBBIED FOR A NOBEL PRIZE,
1985
01:43:41,733 --> 01:43:44,200
EVEN HIRED
A PUBLIC RELATIONS MAN
1986
01:43:44,200 --> 01:43:46,700
TO KEEP HIS NAME
IN THE PAPERS.
1987
01:43:46,700 --> 01:43:49,266
IT DIDN'T WORK.
1988
01:43:49,266 --> 01:43:50,866
AS A PUBLICITY GIMMICK,
1989
01:43:50,866 --> 01:43:53,800
HIS PUBLISHER SENT HIM
A LETTER ADDRESSED ONLY TO
1990
01:43:53,800 --> 01:43:57,233
"THE FATHER OF RADIO,
HOLLYWOOD, CALIFORNIA."
1991
01:43:57,233 --> 01:43:58,666
IF IT WAS DELIVERED,
1992
01:43:58,666 --> 01:44:02,100
DE FOREST WAS TO TELL THE PRESS
OF HIS FAME,
1993
01:44:02,100 --> 01:44:05,066
BUT THE POST OFFICE
RETURNED THE ENVELOPE,
1994
01:44:05,066 --> 01:44:08,766
MARKED, "ADDRESSEE UNKNOWN."
1995
01:44:08,766 --> 01:44:14,666
IN 1957, DE FOREST SUFFERED
A SERIOUS HEART ATTACK
1996
01:44:14,666 --> 01:44:16,333
AND SPENT
THE LAST YEARS OF HIS LIFE
1997
01:44:16,333 --> 01:44:19,000
CONFINED TO HIS BED.
1998
01:44:19,000 --> 01:44:21,000
WITH HIS FOURTH WIFE
AT HIS SIDE,
1999
01:44:21,000 --> 01:44:23,666
HE DIED QUIETLY
IN HIS HOUSE IN HOLLYWOOD
2000
01:44:23,666 --> 01:44:28,166
ON THE LAST DAY OF JUNE,
1961.
2001
01:44:28,166 --> 01:44:33,933
AT THE END,
HE HAD JUST $1,250 IN THE BANK.
2002
01:44:33,933 --> 01:44:36,366
Tyne: I THINK THE WORLD
SHOULD REMEMBER LEE DE FOREST
2003
01:44:36,366 --> 01:44:40,200
AS THE ONE WHO PUT
THE THIRD ELEMENT IN THE AUDION,
2004
01:44:40,200 --> 01:44:47,500
THE BASIS OF A SCIENCE
THAT GREW OUT OF THAT--RADIO.
2005
01:44:47,500 --> 01:44:49,200
BUT THE WORK
WAS DONE BY OTHERS.
2006
01:44:52,700 --> 01:44:57,166
Narrator: DAVID SARNOFF
COMMISSIONED A FLATTERING
BIOGRAPHY OF HIMSELF
2007
01:44:57,166 --> 01:45:00,433
AND WHEN ITS AUTHOR PROVED
INSUFFICIENTLY WORSHIPFUL,
2008
01:45:00,433 --> 01:45:03,633
WROTE SEVERAL ADMIRING PASSAGES
ON HIS OWN.
2009
01:45:03,633 --> 01:45:07,333
HE SUCCESSFULLY LAUNCHED
COLOR TELEVISION,
2010
01:45:07,333 --> 01:45:10,166
SET THE STAGE
FOR SATELLITE COMMUNICATIONS,
2011
01:45:10,166 --> 01:45:12,566
AND PREDICTED THAT BY 1990,
2012
01:45:12,566 --> 01:45:17,333
EVERY HOME WOULD HAVE
ITS OWN NUCLEAR POWER PLANT
IN THE BASEMENT.
2013
01:45:17,333 --> 01:45:21,600
Bilby: I THINK AS HIS FAME GREW
AND AS HIS SUCCESS GREW,
2014
01:45:21,600 --> 01:45:24,633
SARNOFF
BECAME ABSOLUTELY OBSESSED
2015
01:45:24,633 --> 01:45:27,833
WITH THE IDEA
OF ESTABLISHING HIS PLACE
2016
01:45:27,833 --> 01:45:32,433
AS A UNIQUE AMERICAN
INDUSTRIAL LEADER IN HISTORY,
2017
01:45:32,433 --> 01:45:35,500
AND TO A DEGREE
THAT I HAVE NEVER SEEN BEFORE,
2018
01:45:35,500 --> 01:45:38,233
HE INSISTED THAT EVERYTHING
CONCERNING HIS LIFE--
2019
01:45:38,233 --> 01:45:40,733
HIS PUBLIC LIFE--
BE DOCUMENTED.
2020
01:45:46,300 --> 01:45:47,633
Narrator: HE BUILT A LIBRARY
2021
01:45:47,633 --> 01:45:52,066
DEDICATED LARGELY TO DISPLAYING
ARTIFACTS FROM HIS OWN LIFE,
2022
01:45:52,066 --> 01:45:56,266
THEN INSISTED ON PASSING
HIS COMPANY ON TO HIS SON.
2023
01:45:56,266 --> 01:46:01,700
ULTIMATELY, RCA WOULD PASS
INTO THE HANDS OF OUTSIDERS.
2024
01:46:01,700 --> 01:46:03,900
[APPLAUSE]
2025
01:46:03,900 --> 01:46:07,600
AND HE BASKED IN THE ADMIRATION
OF THE RICH AND POWERFUL.
2026
01:46:10,733 --> 01:46:15,033
Sinatra: ♪ HIS KIND OF VISION
WAS ALWAYS SO CLEAR ♪
2027
01:46:16,766 --> 01:46:22,733
♪ THE KIND OF SPIRIT
THAT MUST PERSEVERE ♪
2028
01:46:22,733 --> 01:46:28,200
♪ WITHOUT HIS TALENTS,
I MIGHT NOT BE HERE ♪
2029
01:46:28,200 --> 01:46:30,200
[AUDIENCE LAUGHS]
2030
01:46:30,200 --> 01:46:33,666
♪ THAT'S WHY THE GENTLEMAN,
HE'S A CHAMP ♪
2031
01:46:33,666 --> 01:46:35,333
[APPLAUSE]
2032
01:46:39,500 --> 01:46:41,433
[MEN AND WOMEN SINGING]
2033
01:46:41,433 --> 01:46:44,900
Narrator: DAVID SARNOFF
DIED IN 1971.
2034
01:46:44,900 --> 01:46:47,800
HIS FUNERAL WAS TESTIMONY
2035
01:46:47,800 --> 01:46:50,700
TO HOW FAR
THE RUSSIAN IMMIGRANT HAD COME.
2036
01:46:52,633 --> 01:46:56,966
Man: DAVID SARNOFF'S LIFE
EXEMPLIFIES
2037
01:46:56,966 --> 01:47:01,600
THE GREATEST PRODUCT
OF THE AMERICAN CIVILIZATION...
2038
01:47:01,600 --> 01:47:05,300
THE FREE INDIVIDUAL.
2039
01:47:05,300 --> 01:47:07,700
HIS LIFE TELLS US
THAT ONE MAN,
2040
01:47:07,700 --> 01:47:12,133
RAISED IN A NATION
THAT REVERES THE INDIVIDUAL,
2041
01:47:12,133 --> 01:47:15,466
CAN LIFT THE HORIZONS
OF ALL MANKIND
2042
01:47:15,466 --> 01:47:18,533
TO SHAPE A BETTER WORLD.
2043
01:47:18,533 --> 01:47:22,400
SUCH A MAN
WAS GENERAL DAVID SARNOFF.
2044
01:47:38,100 --> 01:47:40,266
Narrator: HOWARD ARMSTRONG'S
WIDOW MARION
2045
01:47:40,266 --> 01:47:42,366
TOOK UP HER HUSBAND'S CAUSE
2046
01:47:42,366 --> 01:47:45,066
AND WON EVERY ONE
OF HIS PATENT SUITS,
2047
01:47:45,066 --> 01:47:47,666
THOUGH IT TOOK HER
15 YEARS TO DO SO.
2048
01:47:53,633 --> 01:47:54,833
SHE LIVED OUT HER LIFE
2049
01:47:54,833 --> 01:47:56,733
IN THE HOME
HE HAD BOUGHT FOR HER
2050
01:47:56,733 --> 01:47:58,766
AT RYE BEACH, NEW HAMPSHIRE,
2051
01:47:58,766 --> 01:48:01,066
DRIVING OUT
IN THE HISPANO SUIZA
2052
01:48:01,066 --> 01:48:04,066
IN WHICH HE HAD COURTED HER
40 YEARS BEFORE.
2053
01:48:04,066 --> 01:48:06,466
[CAR ENGINE SPUTTERS]
2054
01:48:06,466 --> 01:48:08,133
IT HAD NO RADIO.
2055
01:48:15,300 --> 01:48:16,633
Barnouw: ONE OF THE THINGS
THAT INTERESTS ME
2056
01:48:16,633 --> 01:48:18,766
ABOUT THESE 3 MEN IS,
2057
01:48:18,766 --> 01:48:19,766
WHEN YOU
LOOK AT THEIR LIVES,
2058
01:48:19,766 --> 01:48:22,766
THEY LIVED IN WORLDS
THAT ARE NO MORE,
2059
01:48:22,766 --> 01:48:25,866
AND THEY LIVE IN
A VERY DIFFERENT WORLD
THAN WHAT WE LIVE IN TODAY,
2060
01:48:25,866 --> 01:48:27,800
AND THEY SEEMED OBLIVIOUS
TO THE FACT
2061
01:48:27,800 --> 01:48:31,200
THAT THEY WERE CHANGING
THE WORLD IN WHICH THEY LIVED
2062
01:48:31,200 --> 01:48:33,166
AND THAT--AND THAT
THEY WERE CHANGING IT
2063
01:48:33,166 --> 01:48:35,300
IN DIRECTIONS THAT
THEY COULD NOT ANTICIPATE.
2064
01:48:42,133 --> 01:48:45,100
THE BATTLE OF BRITAIN
IS ABOUT TO BEGIN.
2065
01:48:45,100 --> 01:48:49,600
UPON THIS BATTLE
DEPENDS THE SURVIVAL
OF CHRISTIAN CIVILIZATION...
2066
01:48:49,600 --> 01:48:55,933
YESTERDAY,
DECEMBER 7, 1941,
2067
01:48:55,933 --> 01:48:59,400
A DATE
WHICH WILL LIVE
IN INFAMY.
2068
01:48:59,400 --> 01:49:00,800
DEUTSCHLAND SIEG HEIL!
2069
01:49:00,800 --> 01:49:02,833
[CHEERING]
2070
01:49:02,833 --> 01:49:05,500
MEN WILL STILL SAY,
2071
01:49:05,500 --> 01:49:08,300
THIS WAS
THEIR FINEST HOUR.
2072
01:49:08,300 --> 01:49:10,033
WE INTERRUPT
THIS PROGRAM
2073
01:49:10,033 --> 01:49:12,466
TO BRING YOU
A SPECIAL NEWS BULLETIN
FROM CBS WORLD NEWS.
2074
01:49:12,466 --> 01:49:14,600
A PRESS ASSOCIATION
HAS JUST ANNOUNCED
2075
01:49:14,600 --> 01:49:17,133
THAT PRESIDENT ROOSEVELT
IS DEAD.
2076
01:49:17,133 --> 01:49:19,633
THE PRESIDENT DIED
OF A CEREBRAL HEMORRHAGE.
2077
01:49:19,633 --> 01:49:22,933
[MORSE CODE]
2078
01:49:22,933 --> 01:49:24,300
A CHILD WHO WAS ASKED
2079
01:49:24,300 --> 01:49:29,500
WHETHER HE PREFERRED RADIO
TO TELEVISION,
2080
01:49:29,500 --> 01:49:31,100
AND HE SAID "RADIO."
2081
01:49:31,100 --> 01:49:33,200
AND THE FATHER SAID, "WHY?"
2082
01:49:33,200 --> 01:49:35,066
AND THE CHILD ANSWERED,
2083
01:49:35,066 --> 01:49:36,833
"BECAUSE THE PICTURES
ARE BETTER."
2084
01:49:38,600 --> 01:49:42,833
PRESENTING MR. KEANE,
TRACER OF LOST PERSONS.
2085
01:49:42,833 --> 01:49:44,366
THE QUAKER OATS
COMPANY,
2086
01:49:44,366 --> 01:49:46,233
MAKERS OF QUAKER
POPPED WHEAT...
2087
01:49:46,233 --> 01:49:47,366
[POP]
2088
01:49:47,366 --> 01:49:49,366
AND QUAKER POPPED RICE,
2089
01:49:49,366 --> 01:49:51,666
THE DELICIOUS CEREAL
SHOT FROM GUNS...
2090
01:49:51,666 --> 01:49:52,800
LADIES AND GENTLEMEN,
2091
01:49:52,800 --> 01:49:54,433
ONCE AGAIN WE PRESENT
MR. KEANE,
2092
01:49:54,433 --> 01:49:55,733
TRACER OF LOST PERSONS.
2093
01:49:55,733 --> 01:49:57,600
YOU KNOW, IT'S--
IT'S HARD TO TELL
2094
01:49:57,600 --> 01:49:59,833
Announcer: TO FURTHER EXPLORE
THIS AMERICAN STORY
2095
01:49:59,833 --> 01:50:02,066
AND OTHER FILMS BY KEN BURNS,
2096
01:50:02,066 --> 01:50:07,133
VISIT PBS ONLINE AT...
2097
01:50:07,133 --> 01:50:12,100
EMPIRE OF THE AIRIS AVAILABLE
ON VIDEOCASSETTE OR DVD.
2098
01:50:12,100 --> 01:50:14,333
THE COMPANION BOOK
IS ALSO AVAILABLE.
2099
01:50:14,333 --> 01:50:21,500
TO ORDER,
CALL PBS HOME VIDEO AT...
2100
01:50:21,500 --> 01:50:24,133
♪THEY'RE CRISPY
AND CRUNCHY ♪
2101
01:50:24,133 --> 01:50:27,500
[LAUGHTER]
2102
01:50:27,500 --> 01:50:28,766
WAIT! HOLD IT!
2103
01:50:28,766 --> 01:50:30,166
JUST--JUST A MINUTE.
2104
01:50:30,166 --> 01:50:32,900
IT APPEARS
THE FORCES OF LIVE RADIO
2105
01:50:32,900 --> 01:50:34,766
HAVE DROPPED A VIPER
INTO THE FIDDLE SECTION.
2106
01:50:34,766 --> 01:50:38,500
LET ME ALONE!
I'LL GET IT!
I'LL GET IT!
2107
01:50:38,500 --> 01:50:39,566
ALL RIGHT. ALL RIGHT.
2108
01:50:39,566 --> 01:50:40,966
TAKE THE EXERCISES
ONCE MORE.
2109
01:50:40,966 --> 01:50:41,966
YES, SIR.
2110
01:50:41,966 --> 01:50:44,433
[FIDDLE PLAYING]
2111
01:50:44,433 --> 01:50:46,800
♪ PLAY IT SOFTLY,
PLAY IT TENDER ♪
2112
01:50:46,800 --> 01:50:49,600
♪ WHERE CAN I GO
TO SURRENDER? ♪
2113
01:50:49,600 --> 01:50:50,866
[LAUGHTER]
2114
01:50:50,866 --> 01:50:52,433
IT IS REPORTED
THAT AT 8:50 PM,
2115
01:50:52,433 --> 01:50:55,200
A HUGE FLAMING OBJECT
BELIEVED TO BE A METEORITE
2116
01:50:55,200 --> 01:50:58,200
FELL ON A FARM
IN THE NEIGHBORHOOD OF
GROVERS MILL, NEW JERSEY,
2117
01:50:58,200 --> 01:50:59,600
22 MILES FROM TRENTON.
2118
01:50:59,600 --> 01:51:00,866
WHAT WOULD YOU SAY,
PROFESSOR?
2119
01:51:00,866 --> 01:51:02,466
WHAT'S THAT?
2120
01:51:02,466 --> 01:51:03,766
WHAT WOULD YOU SAY--
WHAT'S THE DIAMETER
OF THIS?
2121
01:51:03,766 --> 01:51:05,633
ABOUT 30 YARDS.
ABOUT 30 YARDS.
2122
01:51:05,633 --> 01:51:07,033
THE METAL
ON THE SHEET IS--
2123
01:51:07,033 --> 01:51:08,166
SOMETHING'S HAPPENING.
2124
01:51:08,166 --> 01:51:09,433
IT WAS LIKE
LOOKING OVER THE RIM
2125
01:51:09,433 --> 01:51:11,300
OF A VOLCANO
IN THE PROCESS OF ERUPTING.
2126
01:51:11,300 --> 01:51:14,366
EVEN THOUGH 12 HOURS AFTER
THE BOMB HAD BEEN DROPPED,
2127
01:51:14,366 --> 01:51:17,633
NAGASAKI IS A MASS
OF ANGRY FLAMES AND SMOKE NOW,
2128
01:51:17,633 --> 01:51:20,800
A BLAZING AREA EXTENDING
AT LEAST 10 SQUARE MILES.
2129
01:51:24,600 --> 01:51:26,600
[MORSE CODE]
2130
01:51:39,733 --> 01:51:41,200
[THUNDER]
2131
01:51:55,366 --> 01:51:59,366
FOR OVER A DECADE,
153136
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