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These are the user uploaded subtitles that are being translated: 1 00:00:00,700 --> 00:00:02,700 [THUNDER] 2 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:12,300 --> 00:00:14,000 [RADIO STATIC] 5 00:00:14,000 --> 00:00:16,000 [MUSIC PLAYING ON RADIO] 6 00:00:22,333 --> 00:00:23,933 LADIES AND GENTLEMEN, HERE IS THE LATEST BULLETIN 7 00:00:23,933 --> 00:00:26,166 FROM THE INTERCONTINENTAL RADIO NEWS, 8 00:00:26,166 --> 00:00:27,366 AND WE'LL HAVE OUR COMMENTATOR 9 00:00:27,366 --> 00:00:28,933 GIVE YOU A WORD PICTURE OF THE SCENE 10 00:00:28,933 --> 00:00:30,533 AS SOON AS HE CAN REACH THERE FROM PRINCETON. 11 00:00:30,533 --> 00:00:33,733 LISTEN AT 6:00 TONIGHT OVER THIS STATION, WEAF, 12 00:00:33,733 --> 00:00:35,766 NBC IN NEW YORK. 13 00:00:35,766 --> 00:00:37,766 [RHAPSODY IN BLUEPLAYING] 14 00:00:46,566 --> 00:00:49,366 THIS IS COMING ALL THE WAY FROM 2LO LONDON. 15 00:00:49,366 --> 00:00:50,366 [BELL RINGS] 16 00:00:50,366 --> 00:00:51,633 [INDISTINCT VOICE] 17 00:00:51,633 --> 00:00:53,500 [FOOTSTEPS] 18 00:00:53,500 --> 00:00:55,166 [FOGHORN BLOWING] 19 00:01:01,300 --> 00:01:03,733 OUT OF THE FOG, OUT OF THE NIGHT, 20 00:01:03,733 --> 00:01:05,566 AND INTO HIS AMERICAN ADVENTURES 21 00:01:05,566 --> 00:01:07,333 COMES BULLDOG DRUMMOND. 22 00:01:07,333 --> 00:01:08,433 [GUNSHOTS] 23 00:01:08,433 --> 00:01:10,166 [WHISTLING] 24 00:01:10,166 --> 00:01:13,233 [RUNNING FOOTSTEPS] 25 00:01:13,233 --> 00:01:17,666 Man: SOUND ITSELF ATTRACTS. 26 00:01:17,666 --> 00:01:20,800 ASK ANY EAVESDROPPER. 27 00:01:20,800 --> 00:01:30,100 SOUND IS THE FIRST STIRRING OF THE INFANT. 28 00:01:30,100 --> 00:01:33,000 HE HEARS SOUNDS, HE PUTS THEM TOGETHER, 29 00:01:33,000 --> 00:01:35,333 AND THEY COHERE. 30 00:01:35,333 --> 00:01:39,200 SOUNDS HAVE A ROMANCE. 31 00:01:39,200 --> 00:01:40,933 THE SOUND OF A CRICKET AT NIGHT 32 00:01:40,933 --> 00:01:44,633 TO ESTABLISH MOOD IN A RADIO DRAMA. 33 00:01:44,633 --> 00:01:46,566 VERY SIMPLE EFFECT. 34 00:01:46,566 --> 00:01:48,666 THE SOUND OF THUNDER, 35 00:01:48,666 --> 00:01:49,733 THE SOUND OF RAIN. 36 00:01:49,733 --> 00:01:51,733 [RAIN FALLING] 37 00:01:54,833 --> 00:01:57,000 THERE IS NO SOUND ON THE MOON 38 00:01:57,000 --> 00:02:00,100 BECAUSE IT TAKES AIR TO SUPPORT IT. 39 00:02:00,100 --> 00:02:04,700 THE VIBRATIONS OF AIR CREATE THE SOUND, 40 00:02:04,700 --> 00:02:13,866 AND RADIO WAS A MEDIUM WHICH EMPLOYED THAT MAGIC. 41 00:02:13,866 --> 00:02:15,433 COME ON, MEN. WE'RE GAINING ON THEM. 42 00:02:15,433 --> 00:02:16,733 THEY'VE SEEN US, TOM. 43 00:02:16,733 --> 00:02:17,800 RIDE, FELLAS. 44 00:02:17,800 --> 00:02:19,033 TELL ME, MR. MOODY, 45 00:02:19,033 --> 00:02:20,733 WHAT ARE YOUR FEELINGS ABOUT THE RADIO? 46 00:02:20,733 --> 00:02:21,966 I DON'T HOLD WITH IT, BOB. 47 00:02:21,966 --> 00:02:23,400 IT DISPLEASES YOU? 48 00:02:23,400 --> 00:02:25,733 I DON'T HOLD WITH FURNITURE THAT TALKS. 49 00:02:30,833 --> 00:02:35,833 ♪ THERE'S A GREAT SENSATIONAL WONDER TODAY, WE KNOW ♪ 50 00:02:35,833 --> 00:02:40,966 ♪ EVERYONE IS TALKING AND FOOLING WITH RADIO ♪ 51 00:02:40,966 --> 00:02:43,533 ♪ IT'S A WIRELESS TELEPHONE ♪ 52 00:02:43,533 --> 00:02:45,966 ♪ I JUST BOUGHT ONE OF MY OWN ♪ 53 00:02:45,966 --> 00:02:50,500 ♪ NOW I SIT AT HOME ALONE AND HEAR THEM DISH THE DIRT ♪ 54 00:02:50,500 --> 00:02:55,133 ♪ BUT ALL THAT I CAN HEAR IS...[STATIC] ♪ 55 00:02:55,133 --> 00:02:58,333 Narrator: RADIO MADE AMERICA A LAND OF LISTENERS. 56 00:02:58,333 --> 00:03:03,233 ♪ SOUNDS LIKE WILDCAT HISSES, BUT IT'S BOYS AND MISSES ♪ 57 00:03:03,233 --> 00:03:05,700 ♪ MAKING SILLY WISHES... ♪ 58 00:03:05,700 --> 00:03:10,266 IT ENTERTAINED AND EDUCATED, ANGERED AND DELIGHTED 59 00:03:10,266 --> 00:03:14,266 AMERICANS OF EVERY KIND AND AGE AND CLASS. 60 00:03:14,266 --> 00:03:16,600 ♪ BUZZING IN MY EAR IS ♪ 61 00:03:18,600 --> 00:03:21,066 ♪ TRAVELING MEN AND FEMALES ♪ 62 00:03:21,066 --> 00:03:23,766 ♪ LONESOME WIVES AND HE-MALES ♪ 63 00:03:23,766 --> 00:03:26,200 ♪ SPOON BY DOTS AND DASHES ♪ 64 00:03:26,200 --> 00:03:29,133 ♪ MAKING WIRELESS MATCHES... ♪ 65 00:03:29,133 --> 00:03:33,633 IT TAUGHT THEM NEW WAYS TO DANCE AND TALK AND THINK. 66 00:03:33,633 --> 00:03:37,366 ♪ FILLED WITH LOVE TALES BY THE SCORE... ♪ 67 00:03:37,366 --> 00:03:40,000 IT BROUGHT THE WORLD INTO THEIR LIVING ROOMS 68 00:03:40,000 --> 00:03:43,233 AND SOLD THEM THINGS THEY HADN'T KNOWN THEY WANTED. 69 00:03:43,233 --> 00:03:46,800 STATION L-O-V-E SIGNING OFF. GOOD NIGHT. 70 00:03:49,133 --> 00:03:51,133 [BUZZING] 71 00:03:59,300 --> 00:04:01,366 [MORSE CODE] 72 00:04:08,433 --> 00:04:12,133 AN ITALIAN-BORN INVENTOR, GUGLIELMO MARCONI, 73 00:04:12,133 --> 00:04:15,500 IS REMEMBERED AS THE FATHER OF RADIO, 74 00:04:15,500 --> 00:04:19,066 BUT THREE VERY DIFFERENT AMERICANS 75 00:04:19,066 --> 00:04:22,966 WITH STORIES AS IMPROBABLE AS ANY RADIO DRAMA 76 00:04:22,966 --> 00:04:26,733 WERE MOST RESPONSIBLE FOR ITS ASTONISHING SUCCESS. 77 00:04:29,166 --> 00:04:30,466 LEE DE FOREST, 78 00:04:30,466 --> 00:04:33,533 A POOR CLERGYMAN'S FLAMBOYANT SON 79 00:04:33,533 --> 00:04:37,866 WHO LIKED TO CALL HIMSELF THE FATHER OF RADIO, 80 00:04:37,866 --> 00:04:41,466 ALTHOUGH HIS ENEMIES SAID MOST OF HIS DISCOVERIES 81 00:04:41,466 --> 00:04:43,966 HAD ALREADY BEEN DISCOVERED BY OTHERS. 82 00:04:47,000 --> 00:04:49,166 EDWIN HOWARD ARMSTRONG, 83 00:04:49,166 --> 00:04:51,600 A BRILLIANT, WITHDRAWN INVENTOR 84 00:04:51,600 --> 00:04:53,566 WITH A FONDNESS FOR FAST CARS 85 00:04:53,566 --> 00:04:56,233 AND A PASSION FOR GREAT HEIGHTS 86 00:04:56,233 --> 00:04:59,866 WHO WANTED HIS INVENTIONS TO ENRICH PEOPLE'S LIVES, 87 00:04:59,866 --> 00:05:03,033 BUT WHO WOULD SPEND A LIFETIME DEFENDING HIS WORK 88 00:05:03,033 --> 00:05:06,666 AGAINST THE FALSE CLAIMS OF OTHERS. 89 00:05:06,666 --> 00:05:09,266 AND DAVID SARNOFF, 90 00:05:09,266 --> 00:05:12,233 THE HARD-DRIVING IMMIGRANT FROM RUSSIA 91 00:05:12,233 --> 00:05:16,466 WHO SAW INFINITE POSSIBILITIES IN A HOBBYIST'S TOY, 92 00:05:16,466 --> 00:05:21,633 CREATED THE MOST POWERFUL COMMUNICATIONS COMPANY ON EARTH, 93 00:05:21,633 --> 00:05:27,100 AND LET NOTHING AND NO ONE STAND IN HIS WAY. 94 00:05:27,100 --> 00:05:28,433 WE INTERRUPT THIS PROGRAM 95 00:05:28,433 --> 00:05:30,166 TO BRING YOU A SPECIAL NEWS BULLETIN. 96 00:05:30,166 --> 00:05:32,966 THE JAPANESE HAVE ATTACKED PEARL HARBOR, HAWAII, BY AIR, 97 00:05:32,966 --> 00:05:34,933 PRESIDENT ROOSEVELT HAS JUST ANNOUNCED. 98 00:05:34,933 --> 00:05:36,900 THE GIANTS WIN THE PENNANT! 99 00:05:36,900 --> 00:05:38,600 THE GIANTS WIN THE PENNANT! 100 00:05:38,600 --> 00:05:42,000 THE GIANTS WIN THE PENNANT! 101 00:05:42,000 --> 00:05:44,600 THE WORLD THESE THREE MEN HELPED TO MAKE 102 00:05:44,600 --> 00:05:47,100 WAS ALTOGETHER NEW... 103 00:05:49,233 --> 00:05:51,433 BUT THEY WERE DRIVEN TO CREATE IT 104 00:05:51,433 --> 00:05:53,233 BY ANCIENT QUALITIES-- 105 00:05:55,266 --> 00:05:57,933 IDEALISM AND IMAGINATION... 106 00:05:59,800 --> 00:06:01,866 GREED AND ENVY... 107 00:06:02,966 --> 00:06:06,200 AMBITION AND DETERMINATION... 108 00:06:07,800 --> 00:06:09,966 AND GENIUS. 109 00:06:13,333 --> 00:06:17,000 ONLY ONE WOULD SUCCEED ON HIS OWN TERMS. 110 00:06:20,166 --> 00:06:23,200 LET ME ASSERT MY FIRM BELIEF 111 00:06:23,200 --> 00:06:25,900 THAT THE ONLY THING WE HAVE TO FEAR 112 00:06:25,900 --> 00:06:29,600 IS FEAR ITSELF. 113 00:06:29,600 --> 00:06:30,600 CROSSING BROOKLYN BRIDGE 114 00:06:30,600 --> 00:06:33,500 THAT MORNING IN THE RAIN, 115 00:06:33,500 --> 00:06:38,133 I SAW A MAN LEANING AGAINST THE CABLES. 116 00:06:38,133 --> 00:06:39,733 HE SEEMED TO BE WAITING FOR A LIFT. 117 00:06:39,733 --> 00:06:41,700 THERE WERE SPOTS OF FRESH RAIN ON HIS SHOULDERS. 118 00:06:41,700 --> 00:06:45,566 LADIES AND GENTLEMEN, THE STORY YOU ARE ABOUT TO HEAR IS TRUE. 119 00:06:45,566 --> 00:06:47,900 THE NAMES HAVE BEEN CHANGED TO PROTECT THE INNOCENT. 120 00:06:47,900 --> 00:06:49,900 [EVIL LAUGHTER] 121 00:06:52,033 --> 00:06:57,800 WHO KNOWS WHAT EVIL LURKS IN THE HEARTS OF MEN? 122 00:06:57,800 --> 00:06:59,800 [EVIL LAUGHTER] 123 00:07:01,966 --> 00:07:03,966 THE SHADOW KNOWS. 124 00:07:14,733 --> 00:07:18,166 THIS IS YOUR LIFE--  A PROGRAM FOR ALL AMERICA! 125 00:07:18,166 --> 00:07:21,333 AND NOW HERE HE IS, MR.THIS IS YOUR LIFEHIMSELF, 126 00:07:21,333 --> 00:07:23,033 RALPH EDWARDS! 127 00:07:23,033 --> 00:07:26,433 HERE IN MY HAND IS THE FIRST RADIO TUBE, 128 00:07:26,433 --> 00:07:27,933 THE MIRACLE SEED FROM WHICH SPRANG 129 00:07:27,933 --> 00:07:31,733 THE ENTIRE MIGHTY STRUCTURE OF RADIO AND TELEVISION-- 130 00:07:31,733 --> 00:07:36,000 SONAR, RADAR, TALKING PICTURES, GUIDED MISSILES, AUTOMATION, 131 00:07:36,000 --> 00:07:37,766 THE ELECTRIC BRAIN COMPUTER, 132 00:07:37,766 --> 00:07:40,500 AND LONG-DISTANCE TELEPHONE COMMUNICATION. 133 00:07:40,500 --> 00:07:44,033 THIS TUBE WAS THE CREATION OF ONE GREAT MAN 134 00:07:44,033 --> 00:07:46,700 WHO AT THIS MOMENT IS SEATED ON OUR STAGE, 135 00:07:46,700 --> 00:07:48,866 SO PLEASE CUE BOB WARREN. 136 00:07:48,866 --> 00:07:50,066 YOU STAY SEATED. 137 00:07:52,300 --> 00:07:54,000 WELL, LADIES AND GENTLEMEN OF THE TELEVISION AUDIENCE, 138 00:07:54,000 --> 00:07:55,366 I'M HAPPY TO INTRODUCE 139 00:07:55,366 --> 00:07:57,700 ONE OF THE GREATEST INVENTORS WHO EVER LIVED-- 140 00:07:57,700 --> 00:07:59,633 DR. LEE DE FOREST. 141 00:07:59,633 --> 00:08:01,700 [APPLAUSE] 142 00:08:04,133 --> 00:08:05,633 Edwards: NOW, DR. LEE DE FOREST 143 00:08:05,633 --> 00:08:07,466 OF COUNCIL BLUFFS, IOWA, 144 00:08:07,466 --> 00:08:11,500 FATHER OF RADIO, GRANDFATHER OF TELEVISION... 145 00:08:11,500 --> 00:08:13,833 LET'S FOLLOW YOUR STAR OF DESTINY, SIR, 146 00:08:13,833 --> 00:08:15,466 BACK TO ITS FIRST LIGHT, SHALL WE? 147 00:08:15,466 --> 00:08:16,700 YES. 148 00:08:16,700 --> 00:08:18,133 THIS IS YOUR LIFE. 149 00:08:18,133 --> 00:08:20,600 WONDERFUL. 150 00:08:20,600 --> 00:08:22,566 Woman: OH, LEE DE FOREST. 151 00:08:22,566 --> 00:08:27,733 LEE DE FOREST IS A WONDERFUL CHARACTER-- 152 00:08:27,733 --> 00:08:32,966 A CHURL, A ROUE, A CAD, A THIEF, 153 00:08:32,966 --> 00:08:34,433 A ROMANTIC, 154 00:08:34,433 --> 00:08:38,300 AND YET, PROBABLY THE MAN MOST RESPONSIBLE 155 00:08:38,300 --> 00:08:42,333 FOR BRINGING RADIO BROADCASTING TO THE AMERICAN PUBLIC. 156 00:08:48,733 --> 00:08:52,300 Narrator: BORN IN COUNCIL BLUFFS, IOWA, IN 1873, 157 00:08:52,300 --> 00:08:55,400 THE SON OF A CONGREGATIONAL MINISTER, 158 00:08:55,400 --> 00:08:58,833 LEE DE FOREST GREW UP IN TALLADEGA, ALABAMA, 159 00:08:58,833 --> 00:09:01,066 WHERE HIS FATHER SERVED AS PRESIDENT 160 00:09:01,066 --> 00:09:04,366 OF A SMALL, STRUGGLING COLLEGE FOR FREED BLACKS. 161 00:09:05,900 --> 00:09:08,133 HE WAS A LONELY BOY, 162 00:09:08,133 --> 00:09:11,366 DISCOURAGED FROM ASSOCIATING WITH BLACK CHILDREN 163 00:09:11,366 --> 00:09:15,100 AND SHUNNED BY WHITES AS A HATED YANKEE. 164 00:09:15,100 --> 00:09:18,166 HE LOST HIMSELF IN THE SCHOOL LIBRARY, 165 00:09:18,166 --> 00:09:20,566 READING PATENT OFFICE REPORTS-- 166 00:09:20,566 --> 00:09:24,033 THEIR PAGES FILLED WITH NEW DISCOVERIES. 167 00:09:24,033 --> 00:09:28,066 INVENTORS WERE AMERICA'S GREATEST HEROES, 168 00:09:28,066 --> 00:09:31,766 AND LEE DE FOREST RESOLVED TO BE ONE OF THEM. 169 00:09:31,766 --> 00:09:34,866 NOT EVEN HIS FATHER'S FERVENT WISH 170 00:09:34,866 --> 00:09:38,500 THAT HE BECOME A CLERGYMAN COULD DISSUADE HIM. 171 00:09:38,500 --> 00:09:40,866 "I AM DIFFERENT," HE SAID, 172 00:09:40,866 --> 00:09:42,600 AND HE DISMISSED HIS CLASSMATES 173 00:09:42,600 --> 00:09:46,100 AT THE MOUNT HERMON SCHOOL IN NORTHFIELD, MASSACHUSETTS, 174 00:09:46,100 --> 00:09:48,233 AS HAYSEEDS, FARMERS, 175 00:09:48,233 --> 00:09:51,766 IGNORANT, UNCOUTH, ROUGH FELLOWS. 176 00:09:54,700 --> 00:09:57,000 THEY CALLED HIM MONKEY FACE. 177 00:09:58,666 --> 00:10:01,066 Man: HE WAS AN OUTSIDER WHEREVER HE WENT. 178 00:10:01,066 --> 00:10:03,433 HE CONSTANTLY HAD THE FEELING, ALSO, 179 00:10:03,433 --> 00:10:06,433 THAT HE HAD A MISSION TO PERFORM, 180 00:10:06,433 --> 00:10:07,900 AND HE WROTE A DIARY, 181 00:10:07,900 --> 00:10:09,933 WHICH WAS IN A VERY BIBLICAL LANGUAGE, 182 00:10:09,933 --> 00:10:11,266 AND HE WOULD URGE HIMSELF ON. 183 00:10:11,266 --> 00:10:15,366 HE WOULD SAY THINGS LIKE, "THE WHOLE MORNING WASTED, 184 00:10:15,366 --> 00:10:17,366 THREE HOURS THAT WILL NEVER RETURN," 185 00:10:17,366 --> 00:10:18,366 THAT SORT OF THING. 186 00:10:18,366 --> 00:10:20,366 AND HE SAW HIMSELF AS A PILGRIM 187 00:10:20,366 --> 00:10:22,500 STRUGGLING TOWARD SOME GREAT GOAL. 188 00:10:23,866 --> 00:10:25,866 Narrator: AT THE SHEFFIELD SCIENTIFIC SCHOOL 189 00:10:25,866 --> 00:10:28,366 AT YALE UNIVERSITY, HE WROTE, 190 00:10:28,366 --> 00:10:31,866 "I NEVER DOUBT FOR A MOMENT MY GENIUS." 191 00:10:31,866 --> 00:10:34,866 AND HE DEMONSTRATED IT DAILY, 192 00:10:34,866 --> 00:10:37,866 NEVER SPENDING MORE THAN 15 CENTS A MEAL, 193 00:10:37,866 --> 00:10:41,366 MOWING LAWNS AT 4 A.M. TO PAY HIS BILLS, 194 00:10:41,366 --> 00:10:43,366 KEEPING UP HIS GRADES 195 00:10:43,366 --> 00:10:46,366 WHILE POURING FORTH A HOST OF INVENTIONS 196 00:10:46,366 --> 00:10:50,366 WHICH HE HOPED WOULD MAKE HIM RICH AND FAMOUS-- 197 00:10:50,366 --> 00:10:52,366 A STAGE ILLUSION, 198 00:10:52,366 --> 00:10:54,066 A CHAINLESS BICYCLE, 199 00:10:54,066 --> 00:10:56,100 A PANTS PRESSER, 200 00:10:56,100 --> 00:10:58,366 AN EAR CLEANER. 201 00:10:58,366 --> 00:11:00,933 ALL WERE REJECTED BY MANUFACTURERS, 202 00:11:00,933 --> 00:11:02,933 BUT HE WAS NOT DAUNTED. 203 00:11:02,933 --> 00:11:06,433 HE WOULD ONE DAY HOLD MORE THAN 300 PATENTS. 204 00:11:10,433 --> 00:11:13,366 HE WAS VOTED BOTH THE NERVIEST AND THE HOMELIEST 205 00:11:13,366 --> 00:11:15,366 MEMBER OF HIS CLASS 206 00:11:15,366 --> 00:11:19,866 AND RECEIVED JUST ONE VOTE AS "MOST LIKELY TO SUCCEED"-- 207 00:11:19,866 --> 00:11:21,633 HIS OWN. 208 00:11:21,633 --> 00:11:24,333 HE PROFESSED NOT TO CARE. 209 00:11:24,333 --> 00:11:27,733 RADIO WAVES HAD BEEN DISCOVERED IN 1887, 210 00:11:27,733 --> 00:11:30,133 AND THEY HAD COME TO OBSESS HIM 211 00:11:30,133 --> 00:11:31,800 BECAUSE THEY HELD THE PROMISE 212 00:11:31,800 --> 00:11:36,333 OF SENDING MESSAGES THROUGH THE AIR WITHOUT WIRES. 213 00:11:36,333 --> 00:11:38,333 [BUZZING AND BEEPING] 214 00:11:44,100 --> 00:11:45,700 IN 1896, 215 00:11:45,700 --> 00:11:49,733 GUGLIELMO MARCONI SENT A WIRELESS DOT AND DASH SIGNAL 216 00:11:49,733 --> 00:11:53,866 9 MILES ACROSS SALISBURY PLAIN IN ENGLAND. 217 00:11:53,866 --> 00:11:56,766 IT WOULD SPARK A REVOLUTION. 218 00:12:00,366 --> 00:12:03,433 THREE YEARS LATER, HIS MARCONI WIRELESS COMPANY 219 00:12:03,433 --> 00:12:06,933 HAD SPREAD TO AMERICA, WHERE HE MADE A FORTUNE 220 00:12:06,933 --> 00:12:08,933 OUTFITTING SHIPS AND SHORE STATIONS 221 00:12:08,933 --> 00:12:10,933 WITH WIRELESS EQUIPMENT 222 00:12:10,933 --> 00:12:15,066 AND MEN TRAINED TO SEND AND RECEIVE "MARCONIGRAMS." 223 00:12:17,166 --> 00:12:21,166 LEE DE FOREST WROTE TO MARCONI, ASKING FOR A JOB. 224 00:12:21,166 --> 00:12:25,933 THE FAMOUS MAN DID NOT EVEN BOTHER TO RESPOND. 225 00:12:25,933 --> 00:12:28,633 DE FOREST DETERMINED TO OUTDO HIM. 226 00:12:28,633 --> 00:12:31,933 "I WANT MILLIONS OF DOLLARS," HE SAID. 227 00:12:31,933 --> 00:12:33,833 "I WANT TO EXCEL." 228 00:12:35,933 --> 00:12:38,933 IN 1900, DE FOREST PATENTED A DEVICE 229 00:12:38,933 --> 00:12:41,800 THAT IMPROVED RECEPTION OF WEAK SIGNALS, 230 00:12:41,800 --> 00:12:43,500 THEN CHALLENGED MARCONI 231 00:12:43,500 --> 00:12:45,233 TO SEE WHO COULD BEST PROVIDE 232 00:12:45,233 --> 00:12:46,866 UP-TO-THE-MINUTE COVERAGE 233 00:12:46,866 --> 00:12:50,033 OF THE INTERNATIONAL YACHT RACES OFF NEW YORK. 234 00:12:51,433 --> 00:12:53,933 THE TEST PROVED NOTHING. 235 00:12:53,933 --> 00:12:56,800 THE RIVALS' TRANSMITTERS JAMMED EACH OTHER, 236 00:12:56,800 --> 00:12:59,200 AND REPORTERS AT SEA FOUND THEMSELVES 237 00:12:59,200 --> 00:13:02,166 FLASHING THE NEWS TO SHORE JUST AS THEY ALWAYS HAD-- 238 00:13:02,166 --> 00:13:03,433 BY SEMAPHORE. 239 00:13:03,433 --> 00:13:07,766 FRUSTRATED, DE FOREST DUMPED HIS TRANSMITTER OVERBOARD. 240 00:13:10,266 --> 00:13:13,266 MARCONI SOON SURGED AHEAD AGAIN, 241 00:13:13,266 --> 00:13:17,200 SUCCESSFULLY SENDING THE SINGLE LETTER "S" 242 00:13:17,200 --> 00:13:19,466 ACROSS THE ATLANTIC. 243 00:13:19,466 --> 00:13:23,333 "SIGNOR MARCONI HAS PLAYED A SHREWD COUP D'ETAT," 244 00:13:23,333 --> 00:13:25,133 DE FOREST ADMITTED, 245 00:13:25,133 --> 00:13:30,166 "BUT I SHALL YET SUCCEED. IT IS NOT TOO LATE." 246 00:13:30,166 --> 00:13:32,366 MEANWHILE, ABRAHAM WHITE, 247 00:13:32,366 --> 00:13:35,866 A GLIB TEXAS SPECULATOR WITH A SHADY PAST, 248 00:13:35,866 --> 00:13:38,866 SAW BIG MONEY TO BE MADE IN WIRELESS 249 00:13:38,866 --> 00:13:41,866 AND TALKED DE FOREST INTO BECOMING SCIENTIFIC DIRECTOR 250 00:13:41,866 --> 00:13:45,866 FOR A NEW DE FOREST WIRELESS TELEGRAPH COMPANY. 251 00:13:45,866 --> 00:13:48,566 HE SPREAD STORIES OF A GLOBAL CHAIN 252 00:13:48,566 --> 00:13:51,233 OF WIRELESS STATIONS ABOUT TO BE BUILT 253 00:13:51,233 --> 00:13:54,133 AND FLOATED $1 MILLION IN STOCK. 254 00:13:54,133 --> 00:13:57,866 "SOON WE BELIEVE THE SUCKERS WILL BEGIN TO BITE," 255 00:13:57,866 --> 00:13:59,366 DE FOREST WROTE. 256 00:13:59,366 --> 00:14:00,766 THEY DID BITE. 257 00:14:00,766 --> 00:14:04,000 STATIONS WERE INSTALLED ON THE GREAT LAKES, 258 00:14:04,000 --> 00:14:07,400 ALONG THE ATLANTIC COAST, IN THE CARIBBEAN. 259 00:14:07,400 --> 00:14:11,800 CAPITALIZATION ROSE TO $15 MILLION. 260 00:14:11,800 --> 00:14:12,900 Douglas: WHAT THEY WOULD DO 261 00:14:12,900 --> 00:14:15,366 IS SET UP VERY FANCY DEMONSTRATIONS 262 00:14:15,366 --> 00:14:18,066 IN GLASS-WALLED STATIONS 263 00:14:18,066 --> 00:14:20,900 SHOWING PEOPLE HOW FABULOUS WIRELESS WAS, 264 00:14:20,900 --> 00:14:22,766 SELL STOCK CERTIFICATES, 265 00:14:22,766 --> 00:14:24,100 AND THEN HEAD FOR THE HILLS 266 00:14:24,100 --> 00:14:25,833 BEFORE THE STATION WAS FINISHED. 267 00:14:27,300 --> 00:14:29,800 Narrator: DE FOREST SPENT THE SUMMER OF 1904 268 00:14:29,800 --> 00:14:32,300 HAPPILY ATOP A 300-FOOT TOWER 269 00:14:32,300 --> 00:14:34,800 ABOVE THE ST. LOUIS WORLD'S FAIR, 270 00:14:34,800 --> 00:14:38,133 WHERE HE WON THE GRAND PRIZE AND A GOLD MEDAL 271 00:14:38,133 --> 00:14:40,300 FOR HIS LATEST WIRELESS INVENTION-- 272 00:14:40,300 --> 00:14:44,333 A RECEIVER HE CALLED THE SPADE DETECTOR. 273 00:14:44,333 --> 00:14:48,166 HE REMEMBERED THAT "THE STACCATO CRACKLE OF OUR SPARK 274 00:14:48,166 --> 00:14:50,300 BROUGHT THE CROWDS SWARMING." 275 00:14:50,300 --> 00:14:53,300 [MORSE CODE] 276 00:14:55,800 --> 00:14:58,466 SOON THE DE FOREST STATION AT CONEY ISLAND 277 00:14:58,466 --> 00:15:03,866 SUCCESSFULLY RELAYED 572 WORDS TO IRELAND-- 278 00:15:03,866 --> 00:15:07,366 AN ASTOUNDING TRIUMPH FOR DE FOREST AND HIS EQUIPMENT. 279 00:15:09,900 --> 00:15:11,366 IN 1906, 280 00:15:11,366 --> 00:15:15,033 HE SOUGHT AND WON THE HAND OF MISS LUCILLE SHEARDOWN 281 00:15:15,033 --> 00:15:18,100 AFTER INSTALLING A WIRELESS SET IN HER HOME 282 00:15:18,100 --> 00:15:21,800 SO THAT HE COULD SEND HER MESSAGES OF LOVE. 283 00:15:21,800 --> 00:15:23,766 HE CALLED HER HIS GOLDEN GIRL, 284 00:15:23,766 --> 00:15:26,366 AND NEWSPAPERS HAILED HER AS THE FIRST BRIDE 285 00:15:26,366 --> 00:15:29,800 EVER "WOOED AND WON BY WIRELESS." 286 00:15:31,800 --> 00:15:35,233 THEN EVERYTHING WENT SOUR. 287 00:15:37,300 --> 00:15:40,800 HIS WIFE SHOWED NO INTEREST IN HIS EXPERIMENTS, 288 00:15:40,800 --> 00:15:42,800 REFUSED TO CONSUMMATE THEIR MARRIAGE, 289 00:15:42,800 --> 00:15:45,800 AND WAS SEEN WITH A WEALTHY BREWER. 290 00:15:50,866 --> 00:15:54,100 HUMILIATED AND CONVINCED SHE HAD BEEN INTERESTED 291 00:15:54,100 --> 00:15:56,800 ONLY IN HIS NEWLY WON FORTUNE, 292 00:15:56,800 --> 00:15:58,800 DE FOREST DIVORCED HER. 293 00:16:03,866 --> 00:16:06,866 MEANWHILE, THE WORLD WAS BEGINNING TO LEARN 294 00:16:06,866 --> 00:16:09,866 THAT DE FOREST HAD BASED HIS GREAT SUCCESS 295 00:16:09,866 --> 00:16:12,866 ON SOMEONE ELSE'S INVENTION. 296 00:16:14,300 --> 00:16:16,300 BACK IN 1903, 297 00:16:16,300 --> 00:16:17,800 HE HAD VISITED THE LABORATORY 298 00:16:17,800 --> 00:16:20,900 OF THE CANADIAN INVENTOR REGINALD FESSENDEN, 299 00:16:20,900 --> 00:16:23,300 WHO SHOWED HIM WHAT FESSENDEN CALLED 300 00:16:23,300 --> 00:16:26,466 HIS NEW ELECTROLYTIC DETECTOR. 301 00:16:26,466 --> 00:16:29,800 DE FOREST AND ONE OF FESSENDEN'S FORMER EMPLOYEES 302 00:16:29,800 --> 00:16:33,800 LATER REWORKED THE DEVICE INTO THE SPADE DETECTOR 303 00:16:33,800 --> 00:16:36,800 THAT HAD BROUGHT DE FOREST SO MUCH ACCLAIM. 304 00:16:36,800 --> 00:16:40,366 FESSENDEN SUED AND WON. 305 00:16:40,366 --> 00:16:42,433 RATHER THAN PAY A STIFF FINE, 306 00:16:42,433 --> 00:16:45,366 ABRAHAM WHITE FORMED A NEW FIRM, 307 00:16:45,366 --> 00:16:48,366 TAKING WITH HIM ALL THE OLD COMPANY'S ASSETS 308 00:16:48,366 --> 00:16:51,866 AND LEAVING DE FOREST ONLY THE LIABILITIES. 309 00:16:53,866 --> 00:16:56,600 HE WAS BROKE AND ALONE AGAIN. 310 00:16:56,600 --> 00:17:00,933 ALL HE HAD LEFT WAS $1,000 AND A SMALL INVENTION 311 00:17:00,933 --> 00:17:03,433 HIS EX-PARTNER THOUGHT WORTHLESS. 312 00:17:03,433 --> 00:17:05,933 IT WAS THE AUDION TUBE. 313 00:17:08,933 --> 00:17:10,433 FOR HIS AUDION, 314 00:17:10,433 --> 00:17:12,933 DE FOREST HAD BORROWED AN ENGLISH INVENTION-- 315 00:17:12,933 --> 00:17:15,000 THE FLEMING VALVE, 316 00:17:15,000 --> 00:17:18,033 A GLASS DEVICE RESEMBLING A LIGHT BULB 317 00:17:18,033 --> 00:17:19,933 THAT DETECTED RADIO SIGNALS 318 00:17:19,933 --> 00:17:22,233 WHEN THEY WERE FED INTO THE BULB'S FILAMENT 319 00:17:22,233 --> 00:17:25,066 AND PASSED TO A METAL PLATE. 320 00:17:25,066 --> 00:17:27,333 DE FOREST ADDED A BENT PIECE OF WIRE, 321 00:17:27,333 --> 00:17:28,933 WHICH HE CALLED A GRID, 322 00:17:28,933 --> 00:17:31,066 BETWEEN THE FILAMENT AND THE PLATE 323 00:17:31,066 --> 00:17:33,100 THAT REGULATED THE SIGNALS. 324 00:17:34,233 --> 00:17:37,866 HE HAD MADE THE FIRST RADIO TUBE, 325 00:17:37,866 --> 00:17:39,866 THE FOUNDATION OF ALL RADIOS 326 00:17:39,866 --> 00:17:44,366 THAT WOULD MAKE RECEPTION OF THE HUMAN VOICE PRACTICAL. 327 00:17:46,366 --> 00:17:50,366 DE FOREST WAS SURE HIS AUDION WAS A GREAT ACHIEVEMENT, 328 00:17:50,366 --> 00:17:55,200 EVEN IF HE DID NOT QUITE UNDERSTAND HOW IT WORKED. 329 00:17:55,200 --> 00:17:56,866 Woman: I DON'T THINK HE WOULD HAVE GOTTEN ANYPLACE 330 00:17:56,866 --> 00:17:58,800 WITHOUT OTHER INVENTORS. 331 00:17:58,800 --> 00:18:01,933 HE WAS ALWAYS LOOKING OVER SOMEBODY ELSE'S SHOULDER 332 00:18:01,933 --> 00:18:03,933 AND APPROPRIATING WHAT HE COULD. 333 00:18:03,933 --> 00:18:06,933 YOU KNOW, IT'S A LITTLE HARD TO DESCRIBE, 334 00:18:06,933 --> 00:18:10,833 BUT AS WE DOODLE, FOR INSTANCE, WITH A PAD, 335 00:18:10,833 --> 00:18:14,933 HE DOODLED WITH ANYTHING ON HIS LABORATORY TABLE 336 00:18:14,933 --> 00:18:16,800 OR ON A DESK IN FRONT OF HIM, 337 00:18:16,800 --> 00:18:19,933 AND HE WOULD MAKE COMBINATIONS AND APPLY FOR A PATENT. 338 00:18:19,933 --> 00:18:22,633 WHAT IT WAS GOING TO DO, THAT WASN'T IMPORTANT. 339 00:18:22,633 --> 00:18:25,133 IMMEDIATELY THINK IN TERMS OF A PATENT. 340 00:18:29,433 --> 00:18:31,933 "THE AUDION WAS," DE FOREST SAID, 341 00:18:31,933 --> 00:18:33,933 "MY GREATEST INVENTION," 342 00:18:33,933 --> 00:18:37,466 ADDING, "I HAVE HAD ONE AIM IN VIEW-- 343 00:18:37,466 --> 00:18:41,400 TO MAKE MY NAME AT LEAST RANK WITH THAT OF MARCONI." 344 00:18:41,400 --> 00:18:43,366 IT DID... 345 00:18:43,366 --> 00:18:46,066 FOR A WHILE. 346 00:18:46,066 --> 00:18:48,100 ARMED WITH HIS NEW DEVICE, 347 00:18:48,100 --> 00:18:50,633 HE NOW RESOLVED TO CARVE OUT FOR HIMSELF 348 00:18:50,633 --> 00:18:55,033 WHAT HE CALLED AN INVISIBLE EMPIRE OF THE AIR, 349 00:18:55,033 --> 00:18:57,866 SENDING OUT MUSIC AND THE HUMAN VOICE 350 00:18:57,866 --> 00:18:59,866 TO EAGER LISTENERS. 351 00:19:02,433 --> 00:19:05,433 Edwards: GENIUS, THEY SAY, IS 90% HARD WORK. 352 00:19:05,433 --> 00:19:08,833 HERE IN 1906 AND 1907, AS ALWAYS, 353 00:19:08,833 --> 00:19:10,266 YOU'RE WORKING DAY AND NIGHT, 354 00:19:10,266 --> 00:19:11,666 CARING LITTLE HOW YOU LIVE OR EAT, 355 00:19:11,666 --> 00:19:13,400 YOUR MIND AFLAME WITH YOUR IDEA 356 00:19:13,400 --> 00:19:16,833 THAT WIRELESS WAVES CAN BE MADE TO CARRY THE HUMAN VOICE. 357 00:19:16,833 --> 00:19:20,833 YOU DESIGN AND BUILD YOUR FIRST CRUDE CARBON ARC TRANSMITTER, 358 00:19:20,833 --> 00:19:23,700 ANDON A NEVER-TO-BE-FORGOTTEN DAY OF OCTOBER 1907, 359 00:19:23,700 --> 00:19:26,600 YOU ASK A YOUNG SINGER TO COME TO YOUR TINY LABORATORY. 360 00:19:26,600 --> 00:19:29,600 IN GREAT EXCITEMENT, YOU SHOW HER A VOICE PICKUP PHONE, 361 00:19:29,600 --> 00:19:32,500 AND YOU SAY, "PLEASE TRY TO SING THROUGH THAT." 362 00:19:32,500 --> 00:19:36,000 ♪ I LOVE YOU TRULY... ♪ 363 00:19:36,000 --> 00:19:37,433 YES, WE FOUND HER, 364 00:19:37,433 --> 00:19:38,966 THE FIRST PERSON IN THE WORLD 365 00:19:38,966 --> 00:19:42,133 TO HAVE HER VOICE BROADCAST BY RADIO. 366 00:19:42,133 --> 00:19:45,366 FROM NEW YORK CITY, HERE IS MADAME EUGENIA FARRAR! 367 00:19:45,366 --> 00:19:48,166 [APPLAUSE] 368 00:19:48,166 --> 00:19:49,933 THERE'S YOUR PAL. 369 00:19:52,133 --> 00:19:54,966 I'M SO HAPPY TO SEE YOU HERE. 370 00:19:54,966 --> 00:19:57,533 YOU MADE THE FIRST BROADCAST IN HISTORY, MRS. FARRAR, 371 00:19:57,533 --> 00:20:00,800 AND WHO WAS THE FIRST RADIO ANNOUNCER IN HISTORY? 372 00:20:00,800 --> 00:20:05,366 DR. DE FOREST. HE ASKED ME TO SING. 373 00:20:05,366 --> 00:20:06,900 AND MR. EDWARDS... 374 00:20:06,900 --> 00:20:07,933 IN ANNOUNCING YOU TO SING, 375 00:20:07,933 --> 00:20:09,066 HE WAS THE FIRST ANNOUNCER. 376 00:20:09,066 --> 00:20:10,366 THAT'S RIGHT. HE WAS, WASN'T HE? 377 00:20:10,366 --> 00:20:12,833 AND THEN A LITTLE WHILE AFTER THAT, 378 00:20:12,833 --> 00:20:15,466 HE PLAYED THE, UH, RECORDS. 379 00:20:15,466 --> 00:20:16,733 YES. 380 00:20:16,733 --> 00:20:22,966 SO HE ALSO BECAME THE FIRST DISC JOCKEY. 381 00:20:22,966 --> 00:20:25,800 Douglas: DE FOREST THOUGHT EARLY ON IN 1906 382 00:20:25,800 --> 00:20:28,433 OF USING RADIO TO BRING VOICE AND MUSIC 383 00:20:28,433 --> 00:20:30,666 INTO PEOPLE'S HOMES. 384 00:20:30,666 --> 00:20:33,800 MARCONI DID NOT CONCEIVE OF BROADCASTING. 385 00:20:33,800 --> 00:20:36,766 DE FOREST COMPLETELY TURNED AROUND 386 00:20:36,766 --> 00:20:37,933 MARCONI'S INVENTION 387 00:20:37,933 --> 00:20:41,300 AND THOUGHT OF IT, NOT AS POINT TO POINT, 388 00:20:41,300 --> 00:20:44,300 BUT AS A TECHNOLOGY THAT COULD TRANSMIT 389 00:20:44,300 --> 00:20:46,300 SOMETHING FROM A PARTICULAR POINT 390 00:20:46,300 --> 00:20:49,966 TO MANY OTHER POINTS OF RECEPTION. 391 00:20:49,966 --> 00:20:53,933 Tyne: HE SAID THAT HE KNEW THERE WERE SOUND WAVES OUT THERE, 392 00:20:53,933 --> 00:20:56,466 AND HE WANTED TO DIRECT THEM TO THESE LITTLE BOXES 393 00:20:56,466 --> 00:20:59,833 TO BRING OPERA INTO EVERY HOME IN AMERICA, 394 00:20:59,833 --> 00:21:01,533 AND THAT WAS HIS AMBITION, 395 00:21:01,533 --> 00:21:04,533 AND ALONG THE WAY, HE WANTED TO BECOME RICH AND FAMOUS, 396 00:21:04,533 --> 00:21:06,966 AND IT WAS ALL AS SIMPLE AS THAT. 397 00:21:08,866 --> 00:21:13,500 Narrator: BUT FESSENDEN WAS ALREADY AHEAD OF HIM AGAIN. 398 00:21:13,500 --> 00:21:16,533 [VIOLIN PLAYING HARK! THE HERALD ANGELS SING] 399 00:21:16,533 --> 00:21:19,633 ALMOST A YEAR EARLIER, ON CHRISTMAS EVE, 400 00:21:19,633 --> 00:21:22,666 SHIP OPERATORS OFF THE MASSACHUSETTS COAST 401 00:21:22,666 --> 00:21:25,800 WERE STARTLED TO HEAR THROUGH THEIR HEADPHONES, 402 00:21:25,800 --> 00:21:28,300 NOT THE FAMILIAR DOTS AND DASHES, 403 00:21:28,300 --> 00:21:31,400 BUT THE FAINT SOUND OF A VIOLIN, 404 00:21:31,400 --> 00:21:33,300 FOLLOWED BY A HOLIDAY GREETING 405 00:21:33,300 --> 00:21:37,300 FROM THE CANADIAN INVENTOR, SAFELY BACK ON SHORE. 406 00:21:40,333 --> 00:21:42,800 [HONKING] 407 00:21:44,300 --> 00:21:47,800 DE FOREST PRETENDED IT HAD NEVER HAPPENED. 408 00:21:47,800 --> 00:21:49,800 HE FORMED A NEW FIRM 409 00:21:49,800 --> 00:21:53,300 AND FELL IN LOVE WITH A NEW GOLDEN GIRL-- 410 00:21:53,300 --> 00:21:57,800 A TRAINED CIVIL ENGINEER NAMED NORA STANTON BLATCH, 411 00:21:57,800 --> 00:21:59,800 GRANDDAUGHTER OF THE PIONEER FEMINIST 412 00:21:59,800 --> 00:22:02,366 ELIZABETH CADY STANTON. 413 00:22:02,366 --> 00:22:05,500 THEY WERE MARRIED IN 1908. 414 00:22:05,500 --> 00:22:08,866 DE FOREST GRABBED HEADLINES EVEN ON HIS HONEYMOON 415 00:22:08,866 --> 00:22:12,366 BY TRANSMITTING RECORDED MUSIC FROM THE EIFFEL TOWER 416 00:22:12,366 --> 00:22:14,800 TO LISTENERS 400 MILES AWAY... 417 00:22:14,800 --> 00:22:18,066 [WOMAN SINGING] 418 00:22:18,066 --> 00:22:20,800 [MAN SINGING] 419 00:22:23,300 --> 00:22:26,800 AND LATER DID IT AGAIN BACK IN NEW YORK, 420 00:22:26,800 --> 00:22:28,800 PRESENTING ENRICO CARUSO 421 00:22:28,800 --> 00:22:31,800 LIVE FROM THE STAGE OF THE METROPOLITAN OPERA 422 00:22:31,800 --> 00:22:35,300 SO PLAINLY THAT HE COULD BE HEARD IN NEWARK. 423 00:22:37,800 --> 00:22:39,800 DE FOREST BUILT HIS NEW WIFE 424 00:22:39,800 --> 00:22:41,966 A PALATIAL HUDSON RIVER HOME HE CALLED 425 00:22:41,966 --> 00:22:45,800 "RIVERLURE-- WHERE DREAMS COME TRUE," 426 00:22:45,800 --> 00:22:49,666 BUT COULD NOT PERSUADE NORA TO STAY IN IT. 427 00:22:49,666 --> 00:22:53,366 SHE WANTED TO WORK ALONGSIDE HIM IN THE LABORATORY 428 00:22:53,366 --> 00:22:56,866 AND WAS DEEPLY SUSPICIOUS OF HIS BUSINESS PARTNERS. 429 00:22:56,866 --> 00:23:00,933 AFTER THE BIRTH OF THEIR DAUGHTER HARRIET IN 1909, 430 00:23:00,933 --> 00:23:04,633 THE DE FORESTS WERE DIVORCED. 431 00:23:04,633 --> 00:23:08,433 NOT LONG AFTERWARDS, DE FOREST'S NEW COMPANY COLLAPSED 432 00:23:08,433 --> 00:23:11,300 AMID CHARGES OF STOCK FRAUD. 433 00:23:11,300 --> 00:23:15,866 AT HIS TRIAL, 100 WITNESSES TESTIFIED AGAINST HIM. 434 00:23:15,866 --> 00:23:18,366 ONE MIDWESTERNER CHARGED THAT A SIGNAL 435 00:23:18,366 --> 00:23:21,866 SUPPOSED TO HAVE BEEN SENT ALL THE WAY FROM PARIS 436 00:23:21,866 --> 00:23:24,300 HAD ACTUALLY COME FROM A HIDDEN TRANSMITTER 437 00:23:24,300 --> 00:23:26,800 JUST FOUR BLOCKS AWAY. 438 00:23:26,800 --> 00:23:29,466 [AULD LANG SYNEPLAYING] 439 00:23:29,466 --> 00:23:33,333 Douglas: THE TRIAL WENT THROUGH TO NEW YEAR'S EVE. 440 00:23:33,333 --> 00:23:37,500 IT WAS DECEMBER 31, 1913, 441 00:23:37,500 --> 00:23:41,000 AND WHILE PEOPLE WERE OUT ON THE STREETS OF NEW YORK PARTYING, 442 00:23:41,000 --> 00:23:45,700 DE FOREST WAS PACING THE HALLS, WAITING FOR THE VERDICT. 443 00:23:45,700 --> 00:23:49,866 AT 1 A.M. NEW YEAR'S DAY, THE JURY COMES OUT. 444 00:23:49,866 --> 00:23:52,966 WHEN IT IS ANNOUNCED THAT THE JURY HAS ARRIVED, 445 00:23:52,966 --> 00:23:55,866 DE FOREST COLLAPSES IN HIS ATTORNEY'S ARMS. 446 00:23:55,866 --> 00:23:59,300 WHEN HE IS REVIVED, THE VERDICT IS READ, 447 00:23:59,300 --> 00:24:03,533 AND DE FOREST IS FOUND NOT GUILTY ON THREE COUNTS OF FRAUD, 448 00:24:03,533 --> 00:24:05,100 AND THEY'VE DISAGREED ON THE FOURTH, 449 00:24:05,100 --> 00:24:06,666 SO HE IS A FREE MAN, 450 00:24:06,666 --> 00:24:11,566 AND HE IS ABLE TO AGAIN START YET A FOURTH RADIO COMPANY, 451 00:24:11,566 --> 00:24:12,566 WHICH HE DOES, 452 00:24:12,566 --> 00:24:15,600 AND THIS ONE IS ACTUALLY LEGIT, 453 00:24:15,600 --> 00:24:20,566 AND DE FOREST BEGINS BROADCASTING FROM A RADIO STATION 454 00:24:20,566 --> 00:24:22,866 ON THE NORTHERN PORTION OF NEW YORK CITY, 455 00:24:22,866 --> 00:24:25,866 AND HERE BEGINS SOME OF HIS MAJOR FIGHTS 456 00:24:25,866 --> 00:24:28,366 WITH EDWIN HOWARD ARMSTRONG. 457 00:24:31,866 --> 00:24:37,200 Woman: IT MAKES ME VERY SAD THAT HIS NAME ISN'T BETTER KNOWN. 458 00:24:37,200 --> 00:24:41,366 I REMEMBER AS A CHILD TALKING ABOUT HIM AND SAYING, 459 00:24:41,366 --> 00:24:43,366 "MY UNCLE INVENTED RADIO." 460 00:24:43,366 --> 00:24:46,366 AND PEOPLE-- I COULDN'T PUT IT ANY BETTER THAN THAT. 461 00:24:46,366 --> 00:24:49,166 I DIDN'T REALLY KNOW QUITE WHAT HE HAD INVENTED, 462 00:24:49,166 --> 00:24:50,166 BUT NOBODY'D EVER-- 463 00:24:50,166 --> 00:24:51,400 THEY'D SAY, "WHO IS YOUR UNCLE?" 464 00:24:51,400 --> 00:24:52,766 AND I'D SAY, "EDWIN HOWARD ARMSTRONG." 465 00:24:52,766 --> 00:24:54,233 "WHO?" 466 00:24:54,233 --> 00:24:57,733 AND EVEN TODAY, PEOPLE SAY, "EDWIN HOWARD ARMSTRONG WHO?" 467 00:24:57,733 --> 00:25:01,233 I BELIEVE THAT WHEN HISTORY IS WRITTEN-- 468 00:25:01,233 --> 00:25:02,500 ALL THE HISTORY ON THIS-- 469 00:25:02,500 --> 00:25:05,466 THAT HOWARD ARMSTRONG SHOULD BE REMEMBERED 470 00:25:05,466 --> 00:25:07,666 AS THE GREATEST INVENTOR OF THE TWENTIETH CENTURY. 471 00:25:07,666 --> 00:25:11,933 HE WAS THE BEST DEVELOPMENT ENGINEER I EVER KNEW. 472 00:25:11,933 --> 00:25:14,866 HE HAD THE PATIENCE, THE PERSEVERANCE, 473 00:25:14,866 --> 00:25:19,233 THE KNOWLEDGE, THE INTUITION THAT IT TOOK 474 00:25:19,233 --> 00:25:22,633 TO MAKE THINGS COME OUT THE WAY HE WANTED THEM. 475 00:25:22,633 --> 00:25:24,866 HE WAS AN EXTRAORDINARY PERSON. 476 00:25:24,866 --> 00:25:28,833 HE EXUDED INTEGRITY 477 00:25:28,833 --> 00:25:32,666 AND CARRIED A SORT OF AN AURA OF INVENTION. 478 00:25:32,666 --> 00:25:34,766 HE WAS A TRUE GENIUS, 479 00:25:34,766 --> 00:25:36,966 AND THERE AREN'T VERY MANY IN THE WORLD TODAY. 480 00:25:44,866 --> 00:25:47,866 Narrator: EDWIN HOWARD ARMSTRONG'S BOYHOOD 481 00:25:47,866 --> 00:25:50,866 WAS OUTWARDLY AS PLACID AND COMFORTABLE 482 00:25:50,866 --> 00:25:54,800 AS DE FOREST'S HAD BEEN DEPRIVED AND DIFFICULT. 483 00:25:54,800 --> 00:25:58,333 THE PAMPERED SON OF A PUBLISHING EXECUTIVE, 484 00:25:58,333 --> 00:26:02,066 HE SPENT MUCH OF HIS YOUTH SURROUNDED BY DOTING RELATIVES 485 00:26:02,066 --> 00:26:04,933 IN A BIG SOLID HOUSE OVERLOOKING THE HUDSON 486 00:26:04,933 --> 00:26:07,200 AT YONKERS, NEW YORK. 487 00:26:07,200 --> 00:26:09,433 AN INVOLUNTARY TIC, 488 00:26:09,433 --> 00:26:12,700 A LEGACY OF RHEUMATIC FEVER THAT NEVER LEFT HIM 489 00:26:12,700 --> 00:26:14,600 AND WORSENED UNDER STRESS, 490 00:26:14,600 --> 00:26:18,300 MAY HAVE ENCOURAGED HIM TO KEEP TO HIMSELF. 491 00:26:19,700 --> 00:26:23,833 AT 13, JUST AS LEE DE FOREST WAS PROMOTING HIS SPADE DETECTOR 492 00:26:23,833 --> 00:26:26,233 AT THE ST. LOUIS WORLD'S FAIR, 493 00:26:26,233 --> 00:26:29,366 ARMSTRONG READ  THE BOY'S BOOK OF INVENTIONS 494 00:26:29,366 --> 00:26:30,966 THAT CHRONICLED THE EXPLOITS 495 00:26:30,966 --> 00:26:34,866 OF MEN LIKE EDISON, MORSE, AND MARCONI. 496 00:26:34,866 --> 00:26:36,866 AFTER THAT, A FRIEND SAID, 497 00:26:36,866 --> 00:26:39,600 HE WAS ALL FOCUSED IN ONE DIRECTION... 498 00:26:39,600 --> 00:26:41,366 WIRELESS. 499 00:26:41,366 --> 00:26:43,366 HE WAS NOT ALONE. 500 00:26:43,366 --> 00:26:47,366 THERE WERE ALREADY NEARLY 100 AMATEUR WIRELESS CLUBS 501 00:26:47,366 --> 00:26:48,866 IN THE COUNTRY BY THEN, 502 00:26:48,866 --> 00:26:52,366 AND EAGER ENTHUSIASTS SAT UP FAR INTO THE NIGHT, 503 00:26:52,366 --> 00:26:57,166 LISTENING FOR FAINT SIGNALS FROM FAR AWAY. 504 00:26:57,166 --> 00:26:59,366 Corwin: I PUT ON A PAIR OF EARPHONES, 505 00:26:59,366 --> 00:27:02,400 AND WHAT CAME OVER WAS MORSE CODE, 506 00:27:02,400 --> 00:27:04,433 AND I WAS THRILLED! 507 00:27:04,433 --> 00:27:07,433 MY GOD! THIS IS COMING THROUGH THE AIR! 508 00:27:07,433 --> 00:27:09,966 THERE'S NOTHING AROUND HERE MAKING THAT NOISE. 509 00:27:09,966 --> 00:27:11,200 THIS IS COMING THROUGH THE AIR-- 510 00:27:11,200 --> 00:27:13,366 BEE-BE-BEE- BEE-BE-BEE-BEEP-- 511 00:27:13,366 --> 00:27:17,566 AND FROM THAT MOMENT, I WAS HOOKED ON RADIO. 512 00:27:17,566 --> 00:27:22,000 Narrator: ARMSTRONG'S INTEREST BORDERED ON THE OBSESSIVE. 513 00:27:22,000 --> 00:27:24,366 HE FILLED HIS TOWER ROOM WITH EQUIPMENT 514 00:27:24,366 --> 00:27:25,900 AND WORKED DAY AND NIGHT 515 00:27:25,900 --> 00:27:29,066 BUILDING MORE AND MORE POWERFUL SYSTEMS, 516 00:27:29,066 --> 00:27:33,366 HANGING 500-FOOT WIRES OVER THE NEW JERSEY PALISADES, 517 00:27:33,366 --> 00:27:37,366 THEN BUILDING HIMSELF A 125-FOOT AERIAL, 518 00:27:37,366 --> 00:27:41,866 TALL ENOUGH TO PICK UP MESSAGES FROM FLORIDA AND NEWFOUNDLAND. 519 00:27:43,266 --> 00:27:45,366 EXHILARATED BY THE HEIGHT, 520 00:27:45,366 --> 00:27:47,366 HE WOULD OFTEN HOIST HIMSELF UP 521 00:27:47,366 --> 00:27:49,766 IN A BOATSWAIN'S CHAIR TO THE TOP, 522 00:27:49,766 --> 00:27:52,233 JUST TO ENJOY THE VIEW. 523 00:27:52,233 --> 00:27:54,866 RATHER THAN ABANDON HIS TURRET LABORATORY 524 00:27:54,866 --> 00:27:57,366 WHEN THE TIME CAME FOR COLLEGE, 525 00:27:57,366 --> 00:28:00,366 HE COMMUTED TO AND FROM COLUMBIA UNIVERSITY 526 00:28:00,366 --> 00:28:03,100 ON A RED MOTORCYCLE. 527 00:28:04,433 --> 00:28:07,433 THE ELECTRICAL ENGINEERING PROGRAM AT COLUMBIA 528 00:28:07,433 --> 00:28:08,933 WAS DIFFICULT. 529 00:28:08,933 --> 00:28:13,566 OF 28 FRESHMEN, JUST 15 WOULD GRADUATE. 530 00:28:13,566 --> 00:28:17,900 MOST OF HIS PROFESSORS FOUND HIM ALOOF, SARCASTIC, 531 00:28:17,900 --> 00:28:20,966 ALTOGETHER TOO WILLING TO QUESTION BASIC ASSUMPTIONS 532 00:28:20,966 --> 00:28:24,133 IN FRONT OF HIS FELLOW STUDENTS, 533 00:28:24,133 --> 00:28:26,433 BUT MICHAEL PUPIN, 534 00:28:26,433 --> 00:28:29,933 A PIONEER IN THE NEW SCIENCE OF ELECTROMAGNETIC WAVES, 535 00:28:29,933 --> 00:28:32,433 SAW IN ARMSTRONG A KINDRED SPIRIT 536 00:28:32,433 --> 00:28:34,933 AND ENCOURAGED HIS EXPERIMENTS. 537 00:28:36,933 --> 00:28:39,266 ARMSTRONG SET OUT TO DISCOVER 538 00:28:39,266 --> 00:28:42,933 PRECISELY HOW THE DE FOREST AUDION TUBE WORKED-- 539 00:28:42,933 --> 00:28:45,933 SOMETHING ITS INVENTOR HAD NEVER REALLY UNDERSTOOD-- 540 00:28:45,933 --> 00:28:49,433 SO THAT HE COULD INCREASE ITS POWER TO AMPLIFY. 541 00:28:50,933 --> 00:28:55,733 IN THE MIDDLE OF THE NIGHT ON SEPTEMBER 22, 1912, 542 00:28:55,733 --> 00:28:57,666 HE SUCCEEDED. 543 00:28:57,666 --> 00:29:00,433 IT WAS HIS FIRST GREAT DISCOVERY. 544 00:29:00,433 --> 00:29:03,500 HE WOKE UP HIS YOUNGER SISTER ETHEL 545 00:29:03,500 --> 00:29:06,633 AND FORCED HER TO LISTEN TO THE DEAFENING SOUNDS 546 00:29:06,633 --> 00:29:08,900 POURING THROUGH HIS HEADPHONES. 547 00:29:08,900 --> 00:29:11,866 SUDDENLY THE DOOR TO MY MOTHER'S ROOM WAS THROWN OPEN, 548 00:29:11,866 --> 00:29:14,500 AND UNCLE HOWARD BURST INTO THE ROOM, 549 00:29:14,500 --> 00:29:16,066 WAKING MY MOTHER UP, 550 00:29:16,066 --> 00:29:18,400 AND HE WAS DANCING ROUND AND ROUND THE ROOM WITH THIS BOX, 551 00:29:18,400 --> 00:29:19,733 AND HE WAS SAYING, 552 00:29:19,733 --> 00:29:22,300 "I'VE DONE IT! I'VE DONE IT! I'VE DONE IT!" 553 00:29:22,300 --> 00:29:25,333 Narrator: "GREAT AMPLIFICATION OBTAINED AT ONCE," 554 00:29:25,333 --> 00:29:30,133 ARMSTRONG NOTED IN AN ACCOUNT OF HIS ELEGANT INVENTION. 555 00:29:30,133 --> 00:29:32,433 IT WAS A SIMPLE IDEA. 556 00:29:32,433 --> 00:29:34,933 HE CALLED IT REGENERATION. 557 00:29:38,933 --> 00:29:41,933 [BUZZING] 558 00:29:43,433 --> 00:29:45,433 ARMSTRONG'S CIRCUIT FED THE SIGNAL 559 00:29:45,433 --> 00:29:47,700 THAT CAME FROM A RADIO TUBE 560 00:29:47,700 --> 00:29:50,133 BACK THROUGH IT AGAIN AND AGAIN, 561 00:29:50,133 --> 00:29:52,933 EACH TIME INCREASING ITS POWER. 562 00:29:52,933 --> 00:29:54,500 HE FOUND HE COULD DO THIS 563 00:29:54,500 --> 00:29:58,433 AS MANY AS 20,000 TIMES A SECOND. 564 00:29:58,433 --> 00:30:01,433 REGENERATION WAS THE SINGLE MOST IMPORTANT ADVANCE 565 00:30:01,433 --> 00:30:03,433 IN THE HISTORY OF RADIO. 566 00:30:04,933 --> 00:30:09,466 HE PATENTED HIS AUDION RECEIVING SYSTEM IN 1913. 567 00:30:10,966 --> 00:30:14,900 WHILE LEE DE FOREST WAS TRYING TO STAY OUT OF JAIL, 568 00:30:14,900 --> 00:30:18,933 ARMSTRONG HAD PUT HIS AUDION TO WORK, 569 00:30:18,933 --> 00:30:21,400 AND HE MADE ANOTHER DISCOVERY. 570 00:30:21,400 --> 00:30:24,900 WHEN THE FEEDBACK WAS INCREASED BEYOND A CRITICAL LEVEL, 571 00:30:24,900 --> 00:30:29,400 THE TUBE OSCILLATED, CREATING ITS OWN RADIO WAVES. 572 00:30:29,400 --> 00:30:31,400 ARMSTRONG HAD MADE IT POSSIBLE 573 00:30:31,400 --> 00:30:35,900 FOR DE FOREST'S TUBE TO TRANSMIT, AS WELL AS RECEIVE, 574 00:30:35,900 --> 00:30:39,900 AND IT WAS NOW PERFECTLY SUITED FOR VOICE AND MUSIC, 575 00:30:39,900 --> 00:30:42,633 AS WELL AS CODE. 576 00:30:42,633 --> 00:30:45,900 ALL OF A SUDDEN, EVERYBODY COULD HEAR THESE SIGNALS 577 00:30:45,900 --> 00:30:49,400 VERY, VERY MUCH MORE EASILY AND AT MUCH GREATER DISTANCES, 578 00:30:49,400 --> 00:30:50,533 AND OF COURSE, THAT BROUGHT 579 00:30:50,533 --> 00:30:52,300 THE EXPLOSION OF BROADCASTING. 580 00:30:52,300 --> 00:30:53,900 [MORSE CODE] 581 00:30:53,900 --> 00:30:56,900 Narrator: ON THE LAST NIGHT OF JANUARY 1914, 582 00:30:56,900 --> 00:30:59,900 IN A WIRELESS SHACK NEAR BELLMAWR, NEW JERSEY, 583 00:30:59,900 --> 00:31:02,966 ARMSTRONG DEMONSTRATED HIS RECEIVER 584 00:31:02,966 --> 00:31:07,066 FOR THE CHIEF INSPECTOR OF THE MARCONI WIRELESS COMPANY. 585 00:31:07,066 --> 00:31:12,533 SIGNALS FROM IRELAND AND HAWAII, SAN FRANCISCO AND NOVA SCOTIA 586 00:31:12,533 --> 00:31:15,900 ALL CAME THROUGH LOUD AND CLEAR. 587 00:31:15,900 --> 00:31:17,900 THE CHIEF INSPECTOR PRONOUNCED IT 588 00:31:17,900 --> 00:31:21,400 THE MOST REMARKABLE RECEIVING SYSTEM IN EXISTENCE 589 00:31:21,400 --> 00:31:24,400 AND RECOMMENDED THAT THE YOUNG INVENTOR'S DISCOVERY 590 00:31:24,400 --> 00:31:26,900 BE LICENSED TO HIS COMPANY. 591 00:31:26,900 --> 00:31:31,366 THE INSPECTOR'S NAME WAS DAVID SARNOFF. 592 00:31:34,100 --> 00:31:38,466 ♪ TELEGRAPHY SHOWED THE GENERAL THE WAY ♪ 593 00:31:38,466 --> 00:31:44,033 ♪ TOOK INFANT RADIO AND TAUGHT IT TO PAY ♪ 594 00:31:44,033 --> 00:31:49,000 ♪ AND HE BEGAN WHAT IS NOW RCA ♪ 595 00:31:50,866 --> 00:31:55,533 ♪ THAT'S WHY THE GENTLEMAN IS A CHAMP ♪ 596 00:31:55,533 --> 00:31:59,666 ♪ TO RADIO WHAT EDISON WAS TO LAMP ♪ 597 00:32:01,966 --> 00:32:06,066 ♪ THAT'S WHY THE GENTLEMAN IS A CHAMP ♪ 598 00:32:06,066 --> 00:32:08,700 WHO WAS THIS MAN? 599 00:32:08,700 --> 00:32:10,466 WHAT WAS HE? 600 00:32:10,466 --> 00:32:13,400 OTHERS LOOKED AT RADIO AND SAW A GADGET. 601 00:32:13,400 --> 00:32:16,066 DAVID SARNOFF LOOKED AT RADIO 602 00:32:16,066 --> 00:32:18,566 AND SAW A HOUSEHOLD POSSESSION 603 00:32:18,566 --> 00:32:22,533 CAPABLE OF ENRICHING THE LIVES OF MILLIONS. 604 00:32:22,533 --> 00:32:25,900 DAVID SARNOFF WAS SO THOROUGHLY AMERICAN, 605 00:32:25,900 --> 00:32:29,900 NO FICTION CELEBRATING THE AMERICAN DREAM 606 00:32:29,900 --> 00:32:32,900 COULD BEGIN TO APPROACH HIS LIFE. 607 00:32:32,900 --> 00:32:35,400 STATION EAQ, MADRID. 608 00:32:35,400 --> 00:32:38,266 Man: UNLIKE DE FOREST AND ARMSTRONG, 609 00:32:38,266 --> 00:32:40,266 HE WAS NOT AN INVENTOR. 610 00:32:40,266 --> 00:32:43,933 HE WAS, MORE THAN ANY MAN OF HIS TIME, 611 00:32:43,933 --> 00:32:46,433 A CORPORATE EXECUTIVE WHO UNDERSTOOD 612 00:32:46,433 --> 00:32:49,400 THE MEANING AND THE IMPACT OF SCIENCE 613 00:32:49,400 --> 00:32:51,766 UPON THE FUTURE OF THE COUNTRY. 614 00:32:51,766 --> 00:32:56,400 NO ONE HAS EVER STARTED FROM A LOWER PANE OF LIFE 615 00:32:56,400 --> 00:32:59,666 AND GONE FURTHER, IN MY JUDGMENT, THAN SARNOFF DID. 616 00:32:59,666 --> 00:33:02,633 HE REACHED THIS COUNTRY WHEN HE WAS 9 YEARS OLD-- 617 00:33:02,633 --> 00:33:05,200 AN IMMIGRANT BOY WHO DIDN'T SPEAK A WORD OF ENGLISH. 618 00:33:05,200 --> 00:33:07,966 WITHIN 30 YEARS, HE WAS PRESIDENT 619 00:33:07,966 --> 00:33:11,266 OF ONE OF THE MOST POWERFUL COMPANIES IN AMERICA--RCA. 620 00:33:12,700 --> 00:33:15,400 DAVID SARNOFF WAS BORN IN ASHTETL 621 00:33:15,400 --> 00:33:17,900 IN THE RUSSIAN PROVINCE OF MINSK, 622 00:33:17,900 --> 00:33:19,900 THE SON OF A JEWISH HOUSE PAINTER. 623 00:33:19,900 --> 00:33:24,000 HIS FAMILY HOPED THE BOY WOULD BECOME A RABBI, 624 00:33:24,000 --> 00:33:26,233 BUT HE HAD OTHER IDEAS. 625 00:33:27,800 --> 00:33:31,400 AND WHEN HIS FAMILY ARRIVED IN NEW YORK IN 1900, 626 00:33:31,400 --> 00:33:35,133 HE WENT TO WORK AT 9:00, PEDDLING YIDDISH NEWSPAPERS, 627 00:33:35,133 --> 00:33:37,866 WHILE STRUGGLING TO MASTER ENGLISH 628 00:33:37,866 --> 00:33:40,900 FROM PAPERS PULLED FROM TRASH CANS. 629 00:33:40,900 --> 00:33:42,900 Bilby: IT WAS POVERTY AS INTENSE 630 00:33:42,900 --> 00:33:46,766 AS ANY DICKENS EVER PORTRAYED IN THE WORST DAYS IN LONDON. 631 00:33:46,766 --> 00:33:48,166 HE WOULD BE WAKENED UP 632 00:33:48,166 --> 00:33:51,900 BY THE SOUND OF THE EL, THE ELEVATED TRAIN, COMING DOWN, 633 00:33:51,900 --> 00:33:54,600 AND AS HE HEARD THE DISTANT RUMBLE, HE'D JUMP OUT OF BED, 634 00:33:54,600 --> 00:33:56,700 THROW ON HIS SHOES AND HIS PANTS, AND RUN DOWNSTAIRS, 635 00:33:56,700 --> 00:33:58,966 AND THE BUNDLES WOULD BE THROWN FROM THE EL WITHOUT STOPPING, 636 00:33:58,966 --> 00:34:01,033 AND HE'D PICK UP HIS BUNDLES AND RACE OUT 637 00:34:01,033 --> 00:34:04,500 TO BE THE FIRST NEWSBOY TO GET THEM TO THE NEWSSTANDS. 638 00:34:09,466 --> 00:34:10,766 Narrator: BY THE AGE OF 14, 639 00:34:10,766 --> 00:34:12,966 HE HAD BOUGHT HIS OWN NEWSSTAND 640 00:34:12,966 --> 00:34:17,533 AND PUT HIS YOUNGER BROTHERS AND EVEN HIS FATHER TO WORK. 641 00:34:17,533 --> 00:34:19,400 [MORSE CODE] 642 00:34:19,400 --> 00:34:21,400 HOPING TO BECOME A REPORTER, 643 00:34:21,400 --> 00:34:24,400 HE SETTLED FOR A JOB DELIVERING TELEGRAMS, 644 00:34:24,400 --> 00:34:28,400 THEN BECAME AN OFFICE BOY AT THE AMERICAN MARCONI COMPANY, 645 00:34:28,400 --> 00:34:30,900 WHERE HE IGNORED FREQUENT TAUNTS OF "JEW BOY," 646 00:34:30,900 --> 00:34:33,733 READ EVERY LETTER HE WAS ASKED TO FILE, 647 00:34:33,733 --> 00:34:36,900 AND PRACTICED SENDING AND RECEIVING TELEGRAPH MESSAGES 648 00:34:36,900 --> 00:34:40,333 IN HIS SPARE TIME UNTIL HE WAS SAID TO HAVE 649 00:34:40,333 --> 00:34:43,400 "ONE OF THE BEST FISTS IN THE BUSINESS." 650 00:34:43,400 --> 00:34:45,900 [MORSE CODE] 651 00:34:47,900 --> 00:34:50,100 Barnouw: THEY USED TO PLAY TRICKS ON HIM. 652 00:34:50,100 --> 00:34:52,833 LIKE, FOR INSTANCE, SOME LUMBER WOULD ARRIVE, 653 00:34:52,833 --> 00:34:54,133 AND THEY WOULD SAY, 654 00:34:54,133 --> 00:34:56,400 "OH, YES, DAVIE SARNOFF TAKES CARE OF THAT," 655 00:34:56,400 --> 00:34:58,566 AND SO THEY WOULD REFER ALL SORTS OF THINGS TO HIM, 656 00:34:58,566 --> 00:34:59,800 BUT HE ALWAYS TOOK CARE OF THEM. 657 00:35:01,466 --> 00:35:05,100 BUT, UH--SO HE WAS A FIGURE OF RIDICULE AT FIRST, 658 00:35:05,100 --> 00:35:07,133 BUT HE TOOK HIMSELF SERIOUSLY 659 00:35:07,133 --> 00:35:10,233 AND GRADUALLY GOT OTHER PEOPLE TO TAKE HIM SERIOUSLY. 660 00:35:10,233 --> 00:35:11,966 [BICYCLE BELL RINGING] 661 00:35:11,966 --> 00:35:14,400 Narrator: WHEN MARCONI HIMSELF VISITED THE OFFICE, 662 00:35:14,400 --> 00:35:16,400 THE 16-YEAR-OLD SARNOFF 663 00:35:16,400 --> 00:35:18,533 MADE A POINT OF INTRODUCING HIMSELF 664 00:35:18,533 --> 00:35:21,866 AS THE FIRM'S NEWEST EMPLOYEE. 665 00:35:21,866 --> 00:35:24,900 "WE WERE ON THE SAME WAVELENGTH," HE SAID LATER. 666 00:35:24,900 --> 00:35:28,400 SOON HE BECAME MARCONI'S PERSONAL MESSENGER, 667 00:35:28,400 --> 00:35:31,400 GIVEN THE DELICATE TASK OF DELIVERING FLOWERS 668 00:35:31,400 --> 00:35:33,900 TO THE INVENTOR'S MANY MISTRESSES 669 00:35:33,900 --> 00:35:35,900 SCATTERED ABOUT THE CITY. 670 00:35:35,900 --> 00:35:37,433 [BICYCLE BELL RINGING] 671 00:35:44,400 --> 00:35:49,400 ON SUNDAY, APRIL 14, 1912, THE BRITISH LINERTITANIC 672 00:35:49,400 --> 00:35:52,400 STRUCK AN ICEBERG IN THE NORTH ATLANTIC. 673 00:35:52,400 --> 00:35:53,800 HER DISTRESS SIGNALS WERE HEARD 674 00:35:53,800 --> 00:35:57,400 BY A MARCONI OPERATOR ABOARD A NEARBY SHIP, 675 00:35:57,400 --> 00:36:00,400 ALLOWING THOSE PASSENGERS WHO MADE IT INTO LIFEBOATS 676 00:36:00,400 --> 00:36:01,966 TO BE RESCUED. 677 00:36:03,966 --> 00:36:06,966 MARCONI AND HIS INVENTION WERE WIDELY PRAISED 678 00:36:06,966 --> 00:36:09,033 IN THE DAYS THAT FOLLOWED, 679 00:36:09,033 --> 00:36:11,466 AND FEDERAL LAW SOON REQUIRED 680 00:36:11,466 --> 00:36:13,900 THAT ALL LARGE, OCEAN-GOING VESSELS 681 00:36:13,900 --> 00:36:15,900 BE EQUIPPED WITH WIRELESS. 682 00:36:19,400 --> 00:36:22,900 SARNOFF HAD STAYED AT HIS KEY DURING THE CRISIS, 683 00:36:22,900 --> 00:36:26,200 PASSING ON DETAILS OF THE TRAGEDY AS THEY RATTLED IN 684 00:36:26,200 --> 00:36:28,400 TO WAITING RELATIVES. 685 00:36:30,900 --> 00:36:32,500 TO ENHANCE HIS OWN MYTH, 686 00:36:32,500 --> 00:36:35,700 HE WOULD LATER FALSELY CLAIM TO HAVE BEEN THE ONLY OPERATOR 687 00:36:35,700 --> 00:36:39,600 AT WORK DURING THOSE ANXIOUS HOURS. 688 00:36:39,600 --> 00:36:43,866 NEWSPAPERS HAILED HIM AS THE BOY WONDER OF RADIO. 689 00:36:43,866 --> 00:36:47,766 "THETITANICDISASTER BROUGHT RADIO TO THE FRONT," 690 00:36:47,766 --> 00:36:49,900 HE WROTE LATER, 691 00:36:49,900 --> 00:36:51,900 "AND INCIDENTALLY, ME." 692 00:36:53,400 --> 00:36:56,266 DAVID SARNOFF WOULD FIGHT TO STAY UP FRONT 693 00:36:56,266 --> 00:36:58,533 FOR THE REST OF HIS LIFE. 694 00:37:00,333 --> 00:37:02,900 Bilby: WHEN HE WAS A VERY YOUNG MAN 695 00:37:02,900 --> 00:37:04,533 WORKING FOR THE MARCONI COMPANY, 696 00:37:04,533 --> 00:37:07,466 SARNOFF SAW WIRELESS COMMUNICATIONS 697 00:37:07,466 --> 00:37:09,100 AS MARCONI HAD SEEN THEM-- 698 00:37:09,100 --> 00:37:11,433 COMMUNICATION FROM ONE POINT OR ONE PERSON 699 00:37:11,433 --> 00:37:14,700 TO ANOTHER POINT OR ANOTHER PERSON. 700 00:37:14,700 --> 00:37:16,366 WHAT SARNOFF EVOLVED 701 00:37:16,366 --> 00:37:19,900 WAS THE IDEA OF TAKING COMMUNICATIONS FROM ONE POINT 702 00:37:19,900 --> 00:37:22,400 AND TRANSMITTING IT TO MANY POINTS. 703 00:37:22,400 --> 00:37:25,400 IN OTHER WORDS, FROM POINT TO MASS. 704 00:37:25,400 --> 00:37:27,466 AND THAT WAS THE ORIGIN OF RADIO, 705 00:37:27,466 --> 00:37:29,900 OF MASS BROADCASTING, 706 00:37:29,900 --> 00:37:33,000 OF ONE PERSON TALKING TO MILLIONS. 707 00:37:33,000 --> 00:37:35,033 HE FORESAW THAT CLEARLY. 708 00:37:37,000 --> 00:37:39,400 Narrator: AT JUST 21, HE WAS GIVEN A NEW OFFICE 709 00:37:39,400 --> 00:37:42,400 IN THE WOOLWORTH BUILDING OVERLOOKING ALL OF MANHATTAN 710 00:37:42,400 --> 00:37:44,733 AND PUT IN CHARGE OF PROCURING 711 00:37:44,733 --> 00:37:47,033 NEW TECHNOLOGY FOR THE FIRM. 712 00:37:47,033 --> 00:37:49,900 "I HAVE IN MIND A PLAN OF DEVELOPMENT," 713 00:37:49,900 --> 00:37:52,400 HE WROTE HIS BOSS IN 1916, 714 00:37:52,400 --> 00:37:55,400 "WHICH WOULD MAKE RADIO A HOUSEHOLD UTILITY 715 00:37:55,400 --> 00:37:59,400 IN THE SAME SENSE AS THE PIANO OR THE PHONOGRAPH." 716 00:37:59,400 --> 00:38:02,466 THANKS TO THE WORK OF DE FOREST AND ARMSTRONG, 717 00:38:02,466 --> 00:38:05,466 SARNOFF BELIEVED IT WAS NOW ENTIRELY FEASIBLE 718 00:38:05,466 --> 00:38:08,466 TO BRING MUSIC INTO AMERICAN HOMES. 719 00:38:08,466 --> 00:38:12,466 [RAGTIME MUSIC PLAYING] 720 00:38:16,100 --> 00:38:17,566 "THE RECEIVER CAN BE DESIGNED 721 00:38:17,566 --> 00:38:20,466 IN THE FORM OF A SIMPLE RADIO MUSIC BOX," 722 00:38:20,466 --> 00:38:22,166 THE MEMO CONTINUED. 723 00:38:22,166 --> 00:38:25,466 "AMPLIFYING TUBES AND A LOUDSPEAKING TELEPHONE 724 00:38:25,466 --> 00:38:28,466 WOULD ELIMINATE THE NEED FOR HEADPHONES." 725 00:38:30,900 --> 00:38:33,966 "THE WHOLE THING COULD BE MADE TO SELL FOR $75," 726 00:38:33,966 --> 00:38:35,566 SARNOFF PROMISED, 727 00:38:35,566 --> 00:38:41,466 "AND 100,000 RADIO MUSIC BOXES COULD BE SOLD IN A SINGLE YEAR." 728 00:38:46,466 --> 00:38:49,966 SARNOFF'S BOSS DID NOT EVEN BOTHER TO RESPOND, 729 00:38:49,966 --> 00:38:52,966 BUT HE WAS NOT DISCOURAGED. 730 00:39:15,466 --> 00:39:18,966 HERE WE GO ON ANOTHER ADVENTURE WITH JACK ARMSTRONG, 731 00:39:18,966 --> 00:39:21,800 THE ALL-AMERICAN BOY! 732 00:39:21,800 --> 00:39:25,466 Corwin: WHEN I WAS A KID, SOMEBODY ON THE BLOCK SAID, 733 00:39:25,466 --> 00:39:29,466 "HAVE YOU HEARD THERE'S A THING CALLED RADIO, 734 00:39:29,466 --> 00:39:31,833 AND YOU HEAR THINGS THROUGH THE AIR?" 735 00:39:31,833 --> 00:39:33,000 AND I SAID-- 736 00:39:33,000 --> 00:39:34,600 I LISTENED TO THIS WITH INCREDULITY. 737 00:39:34,600 --> 00:39:35,900 "HOW COULD THAT BE?" 738 00:39:35,900 --> 00:39:37,833 AND HE SAID, "HAROLD MERCHANT DOWN THE BLOCK 739 00:39:37,833 --> 00:39:40,966 HAS A CRYSTAL SET. COME!" 740 00:39:42,466 --> 00:39:45,466 OH, BOY, DID YOU SEE WHAT I SAW? 741 00:39:45,466 --> 00:39:47,833 A HUGE AFRICAN LION JUMPED INTO THE TRUCK 742 00:39:47,833 --> 00:39:50,100 WHERE JACK ARMSTRONG, VIC, AND BILLY ARE SLEEPING! 743 00:39:50,100 --> 00:39:52,766 AND THERE WAS A QUAKER OATS BOX 744 00:39:52,766 --> 00:39:54,733 WITH COILS OF WIRE AROUND IT, 745 00:39:54,733 --> 00:39:58,666 AND IT WAS WIRED UP TO A LITTLE GALENA, 746 00:39:58,666 --> 00:40:02,000 AND THIS GALENA WAS ALADDIN'S LAMP. 747 00:40:02,000 --> 00:40:05,833 YOU RUBBED IT OR YOU TICKLED IT WITH A CAT'S WHISKER, 748 00:40:05,833 --> 00:40:07,166 AND IN CAME THE WORLD. 749 00:40:07,166 --> 00:40:08,500 BELIEVE YOU ME, I WANT TO KNOW 750 00:40:08,500 --> 00:40:10,600 HOW JACK AND HIS FRIENDS GET OUT OF THIS ONE. 751 00:40:10,600 --> 00:40:11,966 YOU DO, TOO. 752 00:40:11,966 --> 00:40:14,233 AND I REMEMBER TUNING IN-- 753 00:40:14,233 --> 00:40:15,900 I LIVED IN BOSTON-- 754 00:40:15,900 --> 00:40:20,400 TUNING IN, MY GOD, SCHENECTADY, NEW YORK! 755 00:40:20,400 --> 00:40:22,400 WHAT A THRILL THAT WAS! 756 00:40:23,900 --> 00:40:26,900 WEAF, NEW YORK. 757 00:40:26,900 --> 00:40:30,900 [WOMAN SINGING] 758 00:40:30,900 --> 00:40:33,433 Narrator: DAVID SARNOFF WAS AHEAD OF HIS TIME, 759 00:40:33,433 --> 00:40:36,033 BUT BARELY. 760 00:40:36,033 --> 00:40:38,900 LEE DE FOREST WAS ALREADY TRANSMITTING 761 00:40:38,900 --> 00:40:41,400 MUSIC AND NEWS BULLETINS EVERY EVENING 762 00:40:41,400 --> 00:40:43,400 FROM HIS NEW YORK STUDIO. 763 00:40:48,566 --> 00:40:52,900 AND THE NEWS OF HOWARD ARMSTRONG'S REGENERATIVE RECEIVER 764 00:40:52,900 --> 00:40:54,800 HAD ENRAGED HIM. 765 00:40:54,800 --> 00:40:57,900 ARMSTRONG WAS FRESH OUT OF COLLEGE 766 00:40:57,900 --> 00:40:59,900 AND 14 YEARS DE FOREST'S JUNIOR, 767 00:40:59,900 --> 00:41:02,466 YET CLAIMED TO UNDERSTAND HIS DISCOVERY 768 00:41:02,466 --> 00:41:05,800 BETTER THAN DE FOREST HIMSELF DID, 769 00:41:05,800 --> 00:41:08,966 AND HE HAD ACCOMPLISHED MORE WITH IT IN TWO YEARS 770 00:41:08,966 --> 00:41:11,133 THAN DE FOREST HAD IN EIGHT. 771 00:41:11,133 --> 00:41:12,966 TO ADD TO HIS EMBARRASSMENT, 772 00:41:12,966 --> 00:41:15,900 DE FOREST TRIED TWICE TO OBTAIN A PATENT 773 00:41:15,900 --> 00:41:18,900 ON AN "ULTRA-AUDION" OF HIS OWN, 774 00:41:18,900 --> 00:41:23,900 ONLY TO BE REJECTED FOR DUPLICATING ARMSTRONG'S WORK. 775 00:41:23,900 --> 00:41:26,900 HE NOW PERSUADED HIMSELF THAT THE NEW CIRCUIT 776 00:41:26,900 --> 00:41:29,400 THAT HAD SUDDENLY MADE BROADCASTING PRACTICAL 777 00:41:29,400 --> 00:41:31,400 AND ARMSTRONG FAMOUS 778 00:41:31,400 --> 00:41:33,900 HAD REALLY BEEN HIS ALL ALONG. 779 00:41:33,900 --> 00:41:38,400 HE HAD JUST NEVER GOT AROUND TO APPLYING FOR A PATENT. 780 00:41:38,400 --> 00:41:41,900 Tyne: DE FOREST REALLY THRIVED ON THESE BATTLES, 781 00:41:41,900 --> 00:41:44,366 AND THEY GOT PRETTY VICIOUS. 782 00:41:44,366 --> 00:41:45,733 HE WAS LIKE TWO PEOPLE. 783 00:41:45,733 --> 00:41:52,833 HE HAD ONE SIDE WHICH WAS ALL POETRY, 784 00:41:52,833 --> 00:41:56,600 DESIRE TO BE A GOOD HOST AND A GOOD GUEST, 785 00:41:56,600 --> 00:42:00,666 AND THE OTHER SIDE WAS ALL LITIGATION, 786 00:42:00,666 --> 00:42:04,466 AND HE COULD TURN OFF ONE SIDE AND BE THE OTHER SIDE 787 00:42:04,466 --> 00:42:05,766 AT THE DROP OF A HAT. 788 00:42:05,766 --> 00:42:10,466 Narrator: IN 1915, DE FOREST TOOK ARMSTRONG TO COURT, 789 00:42:10,466 --> 00:42:12,466 LAUNCHING WHAT WOULD BECOME 790 00:42:12,466 --> 00:42:15,433 THE LONGEST PATENT SUIT IN HISTORY. 791 00:42:15,433 --> 00:42:19,100 FEW THOUGHT HE HAD A CHANCE OF WINNING. 792 00:42:19,100 --> 00:42:22,766 THEN WORLD WAR I INTERVENED. 793 00:42:27,300 --> 00:42:31,333 THE FEDERAL GOVERNMENT FROZE ALL PATENT SUITS FOR THE DURATION 794 00:42:31,333 --> 00:42:33,900 AND COMMANDEERED ALL WIRELESS TRANSMITTERS. 795 00:42:33,900 --> 00:42:38,900 THE NAVY TRAINED AS MANY AS 400 NEW OPERATORS EACH WEEK, 796 00:42:38,900 --> 00:42:42,266 AND ITS DEMAND FOR EQUIPMENT SEEMED INSATIABLE. 797 00:42:43,633 --> 00:42:45,400 DAVID SARNOFF AND LEE DE FOREST 798 00:42:45,400 --> 00:42:48,400 DID THEIR BEST TO SATISFY THAT DEMAND. 799 00:42:50,466 --> 00:42:52,933 ANTI-SEMITISM KEPT DAVID SARNOFF 800 00:42:52,933 --> 00:42:56,366 FROM GETTING A COMMISSION IN THE UNITED STATES NAVY, 801 00:42:56,366 --> 00:43:00,433 SO THE CHIEF INSPECTOR REMAINED WITH THE MARCONI COMPANY, 802 00:43:00,433 --> 00:43:02,900 LOBBYING FOR WAR CONTRACTS, 803 00:43:02,900 --> 00:43:05,966 TAKING OUT JUST ENOUGH TIME TO MARRY A FRENCH WOMAN, 804 00:43:05,966 --> 00:43:07,466 LIZETTE HERMANT, 805 00:43:07,466 --> 00:43:10,466 IN A MARRIAGE ARRANGED BY THEIR MOTHERS. 806 00:43:11,966 --> 00:43:15,033 "I COULD SPEAK NO FRENCH," HE LIKED TO SAY, 807 00:43:15,033 --> 00:43:17,900 "AND LIZETTE COULD SPEAK NO ENGLISH, 808 00:43:17,900 --> 00:43:19,100 SO WHAT ELSE COULD WE DO?" 809 00:43:20,966 --> 00:43:23,900 SARNOFF WAS SO SUCCESSFUL DURING THE WAR 810 00:43:23,900 --> 00:43:28,400 THAT WHEN THE NEW RADIO CORPORATION OF AMERICA, RCA, 811 00:43:28,400 --> 00:43:30,900 ABSORBED AMERICAN MARCONI, 812 00:43:30,900 --> 00:43:33,900 SARNOFF BECAME ITS GENERAL MANAGER. 813 00:43:36,000 --> 00:43:39,900 LEE DE FOREST HAD SCORNED THE VERY IDEA OF GOING TO WAR 814 00:43:39,900 --> 00:43:41,266 TO DEFEND WHAT HE CALLED 815 00:43:41,266 --> 00:43:43,900 "THE CHARACTERLESS, INCOHESIVE GOULASH" 816 00:43:43,900 --> 00:43:46,900 THAT WAS THE AMERICAN PEOPLE, 817 00:43:46,900 --> 00:43:49,900 BUT HE PROFITED HANDSOMELY FROM IT, 818 00:43:49,900 --> 00:43:53,400 SELLING RADIO TUBES AND RADIO SETS TO THE NAVY, 819 00:43:53,400 --> 00:43:55,766 THEN FOUND HE COULD DO STILL BETTER 820 00:43:55,766 --> 00:43:58,866 BY SELLING EXCLUSIVE RIGHTS TO ALL HIS PATENTS 821 00:43:58,866 --> 00:44:03,266 TO THE AMERICAN TELEPHONE AND TELEGRAPH COMPANY. 822 00:44:03,266 --> 00:44:06,266 "NOW, AT LAST, I CAN LIVE A LITTLE," HE SAID, 823 00:44:06,266 --> 00:44:09,733 "BEAUTIFY MY HOME, ADORN MY PRETTY WIFE." 824 00:44:09,733 --> 00:44:14,166 HE HAD MARRIED AGAIN-- THIS TIME TO A CHORUS GIRL 825 00:44:14,166 --> 00:44:17,400 WITH EXPENSIVE TASTES AND OPERATIC ASPIRATIONS, 826 00:44:17,400 --> 00:44:20,400 WHO WAS ALREADY LAPSING INTO THE ALCOHOLISM 827 00:44:20,400 --> 00:44:23,900 THAT WOULD EVENTUALLY LEAD TO HIS THIRD DIVORCE. 828 00:44:29,400 --> 00:44:33,466 DE FOREST HAD ORGANIZED SOME 20 COMPANIES OF HIS OWN 829 00:44:33,466 --> 00:44:36,900 AND DRIVEN ALMOST ALL OF THEM INTO BANKRUPTCY. 830 00:44:38,800 --> 00:44:41,900 NOW REFUSING TO SUBMIT WHAT HE CALLED "MY GENIUS" 831 00:44:41,900 --> 00:44:44,333 TO ANY BIG CORPORATION, 832 00:44:44,333 --> 00:44:47,466 HE VOWED TO CONTINUE HIS WORK ALONE, 833 00:44:48,766 --> 00:44:50,800 BUT THE DAY OF THE LONE INVENTOR 834 00:44:50,800 --> 00:44:53,500 WAS ALREADY COMING TO AN END, 835 00:44:53,500 --> 00:44:55,900 OVERTAKEN BY TEAMS OF SCIENTISTS 836 00:44:55,900 --> 00:44:58,900 WHOSE FIRST LOYALTY WAS TO THE CORPORATION. 837 00:45:00,400 --> 00:45:03,466 LEE DE FOREST REFUSED TO SEE IT. 838 00:45:05,966 --> 00:45:09,466 HOWARD ARMSTRONG WOULDN'T SEE IT EITHER. 839 00:45:11,933 --> 00:45:15,766 HE JOINED THE ARMY SIGNAL CORPS AND WENT TO PARIS. 840 00:45:17,533 --> 00:45:20,466 THERE HE DESIGNED WIRELESS RECEIVERS FOR AIRPLANES 841 00:45:20,466 --> 00:45:23,966 AND INSISTED UPON TESTING THEM HIMSELF. 842 00:45:23,966 --> 00:45:25,900 [AIRPLANE ENGINE ROARING] 843 00:45:25,900 --> 00:45:28,900 HE EARNED A REPUTATION FOR A POWERFUL TEMPER, 844 00:45:28,900 --> 00:45:32,400 ONCE FLOORING A FELLOW SOLDIER WITH A SINGLE BLOW. 845 00:45:35,900 --> 00:45:39,666 IN THE SIGNAL CORPS, HE MADE HIS SECOND GREAT DISCOVERY-- 846 00:45:39,666 --> 00:45:41,366 THE SUPERHETERODYNE. 847 00:45:41,366 --> 00:45:45,400 [BUZZING] 848 00:45:45,400 --> 00:45:47,866 ARMSTRONG'S SUPERHETERODYNE 849 00:45:47,866 --> 00:45:51,800 CAPTURED RADIO WAVES OF VERY HIGH FREQUENCY 850 00:45:51,800 --> 00:45:54,900 AND COMBINED THEM WITH WAVES OF A LOWER FREQUENCY 851 00:45:54,900 --> 00:45:57,400 TO PRODUCE AN ENTIRELY NEW WAVE. 852 00:45:57,400 --> 00:46:00,900 [MUSIC PLAYING] 853 00:46:00,900 --> 00:46:05,433 THIS NEW WAVE WAS THEN AMPLIFIED SEVERAL THOUSAND TIMES... 854 00:46:08,966 --> 00:46:10,966 VASTLY INCREASING THE SENSITIVITY 855 00:46:10,966 --> 00:46:12,966 OF ALL RECEIVERS. 856 00:46:26,900 --> 00:46:29,900 DAVID SARNOFF IMMEDIATELY SAW THE COMMERCIAL POTENTIAL 857 00:46:29,900 --> 00:46:32,666 OF HIS YOUNG FRIEND'S DISCOVERY. 858 00:46:35,400 --> 00:46:38,133 ARMSTRONG'S SUPERHETERODYNE RADIO SETS 859 00:46:38,133 --> 00:46:41,433 WOULD BE RCA's BIGGEST SUCCESS 860 00:46:41,433 --> 00:46:44,600 AND WOULD PROPEL THE COMPANY TO PREEMINENCE 861 00:46:44,600 --> 00:46:46,900 IN THE NEW FIELD OF ELECTRONICS. 862 00:46:53,766 --> 00:46:56,400 FOR HIS REMARKABLE INVENTION, 863 00:46:56,400 --> 00:46:59,400 ARMSTRONG WAS PROMOTED TO MAJOR. 864 00:47:01,966 --> 00:47:04,466 "HOWARD ARMSTRONG FOUND THE RADIO TELEPHONE 865 00:47:04,466 --> 00:47:06,466 "TALKING LIKE A HARELIPPED MAN 866 00:47:06,466 --> 00:47:09,466 AND LEFT IT SINGING LIKE A NIGHTINGALE," 867 00:47:09,466 --> 00:47:11,466 A NEWSPAPERMAN WROTE, 868 00:47:11,466 --> 00:47:13,900 AND HE PREDICTED THAT ARMSTRONG'S NAME 869 00:47:13,900 --> 00:47:16,900 WOULD ONE DAY BE AS SYNONYMOUS WITH RADIO 870 00:47:16,900 --> 00:47:21,300 AS EDISON'S WAS WITH THE LIGHT BULB. 871 00:47:21,300 --> 00:47:24,400 THAT WAS JUST WHAT ARMSTRONG HAD IN MIND, 872 00:47:24,400 --> 00:47:27,400 AND HE RETURNED FROM FRANCE IN 1919, 873 00:47:27,400 --> 00:47:29,400 EAGER TO DEFEND HIMSELF 874 00:47:29,400 --> 00:47:33,600 AGAINST DE FOREST'S CLAIMS TO HIS EARLIER INVENTION. 875 00:47:33,600 --> 00:47:36,400 HE WON EASILY IN 1921, 876 00:47:36,400 --> 00:47:38,900 AND WHEN DE FOREST APPEALED, 877 00:47:38,900 --> 00:47:42,066 WON AGAIN IN 1923. 878 00:47:43,233 --> 00:47:45,866 ARMSTRONG CELEBRATED HIS VICTORY BY FLYING A FLAG 879 00:47:45,866 --> 00:47:49,900 WITH HIS PATENT NUMBER ON IT, KNOWING THAT ON A CLEAR DAY, 880 00:47:49,900 --> 00:47:51,800 DE FOREST WOULD BE ABLE TO SEE IT 881 00:47:51,800 --> 00:47:54,833 FROM THE PORCH OF RIVERLURE IN THE BRONX. 882 00:47:54,833 --> 00:47:56,900 IT SEEMED CLEAR NOT ONLY 883 00:47:56,900 --> 00:47:59,900 THAT ARMSTRONG HAD BUILT THE FIRST REGENERATION CIRCUIT, 884 00:47:59,900 --> 00:48:02,966 BUT THAT DE FOREST HAD NOT EVEN UNDERSTOOD 885 00:48:02,966 --> 00:48:04,966 HOW HIS OWN AUDION WORKED 886 00:48:04,966 --> 00:48:09,666 UNTIL ARMSTRONG PUBLISHED A PAPER EXPLAINING IT. 887 00:48:09,666 --> 00:48:11,966 Gunther: I ONLY MET DR. DE FOREST ONCE 888 00:48:11,966 --> 00:48:15,100 IN A FEDERAL COURT IN BROOKLYN, NEW YORK. 889 00:48:15,100 --> 00:48:18,400 AND AT THAT TIME, DR. DE FOREST WAS ON THE STAND 890 00:48:18,400 --> 00:48:21,266 FOR SOME THREE AND A HALF HOURS ONE DAY 891 00:48:21,266 --> 00:48:23,700 AND ABSOLUTELY, COMPLETELY FAILED TO DESCRIBE 892 00:48:23,700 --> 00:48:25,966 HOW THE AUDION OSCILLATED, 893 00:48:25,966 --> 00:48:27,766 AND I'VE ALWAYS CARRIED THAT IN MY MEMORY 894 00:48:27,766 --> 00:48:29,600 BECAUSE I COULD NEVER UNDERSTAND 895 00:48:29,600 --> 00:48:32,933 HOW THIS INVENTOR-- SO-CALLED INVENTOR 896 00:48:32,933 --> 00:48:34,466 OF THE REGENERATIVE CIRCUIT-- 897 00:48:34,466 --> 00:48:37,966 COULDN'T EXPLAIN TO ANYBODY-- LAYMEN OR TECHNICAL PEOPLE-- 898 00:48:37,966 --> 00:48:40,033 HOW THE AUDION OSCILLATED. 899 00:48:40,033 --> 00:48:43,800 Narrator: SIZABLE DAMAGES WERE ASSESSED, 900 00:48:43,800 --> 00:48:46,333 BUT DE FOREST WAS AGAIN NEARLY BANKRUPT 901 00:48:46,333 --> 00:48:48,600 AND UNABLE TO PAY. 902 00:48:48,600 --> 00:48:51,933 ARMSTRONG'S LAWYERS TOLD HIM THE SENSIBLE THING TO DO 903 00:48:51,933 --> 00:48:56,733 WAS WAIVE DAMAGES AND LICENSE DE FOREST TO USE THE CIRCUIT, 904 00:48:56,733 --> 00:48:59,633 BUT ARMSTRONG REFUSED. 905 00:48:59,633 --> 00:49:02,666 HE WOULD SIGN NO AGREEMENT WITH A MAN WHOM HE BELIEVED 906 00:49:02,666 --> 00:49:04,900 TO BE A BOASTFUL, IGNORANT THIEF. 907 00:49:06,533 --> 00:49:09,033 Morris: THE ONE PROBLEM THAT I WOULD POINT TO 908 00:49:09,033 --> 00:49:11,133 WITH RESPECT TO HOWARD ARMSTRONG 909 00:49:11,133 --> 00:49:13,200 WAS THE FACT THAT THE WORD "COMPROMISE" 910 00:49:13,200 --> 00:49:15,633 WAS NOT IN HIS DICTIONARY. 911 00:49:15,633 --> 00:49:17,433 HE DIDN'T KNOW WHAT IT MEANT. 912 00:49:17,433 --> 00:49:20,466 HE WAS A MAN OF PRINCIPLE, 913 00:49:20,466 --> 00:49:23,366 AND SOMETIMES, THE OPPOSITE SIDE OF THE TABLE 914 00:49:23,366 --> 00:49:25,666 DOESN'T UNDERSTAND WHAT PRINCIPLE MEANS-- 915 00:49:25,666 --> 00:49:27,733 THE REAL WORLD, IN OTHER WORDS, 916 00:49:27,733 --> 00:49:29,400 AND HE GOT IN TROUBLE, 917 00:49:29,400 --> 00:49:31,366 I GUESS, A FEW TIMES OVER THAT, 918 00:49:31,366 --> 00:49:35,666 WHICH IT USED AN AWFUL LOT OF ENERGY AND TIME IN HIS LIFETIME. 919 00:49:35,666 --> 00:49:38,100 Narrator: FOR THE TIME BEING, 920 00:49:38,100 --> 00:49:42,233 EVERYTHING SEEMED TO BE GOING ARMSTRONG'S WAY. 921 00:49:42,233 --> 00:49:45,100 SALE TO RCA OF A BRAND-NEW DISCOVERY, 922 00:49:45,100 --> 00:49:47,233 THE SUPER-REGENERATIVE CIRCUIT, 923 00:49:47,233 --> 00:49:48,600 HAD MADE THE INVENTOR 924 00:49:48,600 --> 00:49:52,266 THE SINGLE LARGEST STOCKHOLDER IN THE COMPANY, 925 00:49:52,266 --> 00:49:55,900 AND HE WAS EAGERLY COURTING DAVID SARNOFF'S SECRETARY, 926 00:49:55,900 --> 00:49:57,366 MARION MACINNIS, 927 00:49:57,366 --> 00:49:59,566 HURTLING DOWN LONG ISLAND HIGHWAYS WITH HER 928 00:49:59,566 --> 00:50:01,733 AT 75 MILES AN HOUR 929 00:50:01,733 --> 00:50:05,033 IN HIS FAWN-COLORED HISPANO SUIZA 930 00:50:05,033 --> 00:50:09,000 AND CLAMBERING UP THE RCA TRANSMITTING TOWER, 931 00:50:09,000 --> 00:50:12,166 450 FEET ABOVE 42nd STREET, 932 00:50:12,166 --> 00:50:15,333 TO IMPRESS HER WITH HIS DARING. 933 00:50:15,333 --> 00:50:17,633 Hammond: HE'D ALWAYS BEEN FASCINATED BY HEIGHTS. 934 00:50:19,933 --> 00:50:22,433 THERE WAS A CEREMONY GOING ON DOWNSTAIRS 935 00:50:22,433 --> 00:50:24,900 THAT DAVID SARNOFF WAS OFFICIATING AT, 936 00:50:24,900 --> 00:50:28,600 AND UNCLE HOWARD, TO IMPRESS MY AUNT MARION, 937 00:50:28,600 --> 00:50:30,633 TO WHOM HE WAS NOT MARRIED AT THAT POINT, 938 00:50:30,633 --> 00:50:34,133 CLIMBED UP TO THE TOP OF THIS VERY, VERY HIGH TOWER, 939 00:50:34,133 --> 00:50:35,900 HAD HIS FRIEND THERE WITH A CAMERA 940 00:50:35,900 --> 00:50:38,066 TO MAKE SURE THAT THIS WAS RECORDED, 941 00:50:38,066 --> 00:50:43,033 AND BALANCED AT THE TOP OF THIS INCREDIBLY HIGH TOWER. 942 00:51:12,533 --> 00:51:17,000 ARMSTRONG HAD A QUALITY OF CONFIDENT FLAMBOYANCE 943 00:51:17,000 --> 00:51:18,633 THAT FASCINATED ME. 944 00:51:18,633 --> 00:51:20,900 HE WAS ALWAYS WANTING TO CLIMB TO HIGH PLACES. 945 00:51:20,900 --> 00:51:23,800 HE FRIGHTENED HIS NEIGHBORS IN YONKERS 946 00:51:23,800 --> 00:51:27,133 BY CLIMBING UP THESE POLES FOR HIS ANTENNA, 947 00:51:27,133 --> 00:51:30,000 AND THEN LATER ON, WHEN RCA WAS BEING ORGANIZED, 948 00:51:30,000 --> 00:51:32,900 HE CLIMBED ONTO THE TOP OF THE GLOBE 949 00:51:32,900 --> 00:51:35,500 OF THE AEOLIAN BUILDING ON 42nd STREET, 950 00:51:35,500 --> 00:51:38,166 WHICH WAS AN EXTRAORDINARY THING TO DO, 951 00:51:38,166 --> 00:51:41,500 AND APPARENTLY, SARNOFF WAS FURIOUS AT HIM FOR DOING THAT 952 00:51:41,500 --> 00:51:43,700 AND ORDERED HIM TO STAY AWAY FROM THERE. 953 00:51:43,700 --> 00:51:45,533 SO THERE WAS A LITTLE TENSION BETWEEN THEM. 954 00:51:45,533 --> 00:51:50,633 HE WAS OFTEN SORT OF DEFYING SARNOFF IN ONE WAY OR ANOTHER. 955 00:51:54,300 --> 00:51:55,733 Narrator: SARNOFF WAS SO HORRIFIED, 956 00:51:55,733 --> 00:51:57,766 HE BARRED HIM FROM THE RCA OFFICES 957 00:51:57,766 --> 00:52:00,266 FOR A TIME, 958 00:52:00,266 --> 00:52:02,800 BUT MARION AGREED TO MARRY HIM. 959 00:52:02,800 --> 00:52:05,366 ♪ IN GRANDPA'S DAY, THE ONLY WAY THEY HAD 960 00:52:05,366 --> 00:52:06,733 ♪ OF MAKING LOVE... ♪ 961 00:52:06,733 --> 00:52:08,900 ARMSTRONG'S WEDDING PRESENT TO HIS BRIDE 962 00:52:08,900 --> 00:52:13,066 WAS THE WORLD'S FIRST PORTABLE SUPERHETERODYNE RADIO, 963 00:52:13,066 --> 00:52:17,333 AND THE SUPERHETERODYNE WOULD CHANGE THE WORLD. 964 00:52:17,333 --> 00:52:20,033 ♪ ...LOVE BY RADIO ♪ 965 00:52:20,033 --> 00:52:24,266 ♪ LOVE HER BY RADIO ♪ 966 00:52:24,266 --> 00:52:28,400 ♪ YOU WILL FIND IT'S RADIO ♪ 967 00:52:28,400 --> 00:52:32,266 ♪ IF YOU WANT TO REACH YOUR HEART'S DESIRE ♪ 968 00:52:32,266 --> 00:52:35,600 ♪ YOU WON'T HAVE TO SEND HER WORD BY WIRE ♪ 969 00:52:35,600 --> 00:52:36,600 ♪ YOU'D NEVER BUY HER ♪ 970 00:52:36,600 --> 00:52:40,633 ♪ LOVE HER BY RADIO ♪ 971 00:52:40,633 --> 00:52:44,466 ♪ EVEN WHEN YOU'RE ALL ALONE ♪ 972 00:52:44,466 --> 00:52:46,000 ♪ THINK OF ALL THE FUN ♪ 973 00:52:46,000 --> 00:52:48,900 ♪ THAT THEY CAN HAVE BOTH NIGHT AND DAY ♪ 974 00:52:48,900 --> 00:52:52,133 ♪ LISTENING IN TO WHAT THE LOVEY-DOVEYS HAVE TO SAY ♪ 975 00:52:52,133 --> 00:52:54,066 ♪ I'LL BET THE THINGS THEY'D HEAR ♪ 976 00:52:54,066 --> 00:52:56,233 ♪ WOULD MAKE A BACHELOR'S HAIR TURN GRAY ♪ 977 00:52:56,233 --> 00:53:01,000 ♪ WHEN YOU LOVE HER BY THE RADIOPHONE ♪ 978 00:53:01,000 --> 00:53:04,833 ♪ LOVE HER BY RADIO ♪ 979 00:53:04,833 --> 00:53:08,666 ♪ YOU WILL FIND IT'S RADIO ♪ 980 00:53:08,666 --> 00:53:12,466 ♪ IF YOU WANT TO REACH YOUR HEART'S DESIRE ♪ 981 00:53:12,466 --> 00:53:15,533 ♪ YOU WON'T HAVE TO SEND HER WORD BY WIRE ♪ 982 00:53:15,533 --> 00:53:16,766 ♪ YOU'D NEVER BUY HER ♪ 983 00:53:16,766 --> 00:53:20,366 ♪ LOVE HER BY RADIO ♪ 984 00:53:20,366 --> 00:53:24,533 ♪ EVEN WHEN YOU'RE ALL ALONE... ♪ 985 00:53:24,533 --> 00:53:26,466 GRADUALLY, INVENTORS AND AMATEURS 986 00:53:26,466 --> 00:53:29,133 WERE CREATING A NEW INDUSTRY. 987 00:53:29,133 --> 00:53:32,400 WHAT HAD STARTED OUT AS A MEANS OF WIRELESS TELEGRAPHY 988 00:53:32,400 --> 00:53:34,800 HAD BECOME RADIO. 989 00:53:34,800 --> 00:53:37,033 FOR THE FIRST TIME IN HISTORY, 990 00:53:37,033 --> 00:53:40,266 ONE PERSON WITH A MICROPHONE COULD SPEAK TO MANY-- 991 00:53:40,266 --> 00:53:43,666 INFLUENCE THEM, PERHAPS CHANGE THEIR LIVES. 992 00:53:43,666 --> 00:53:45,833 THE CONCEPT BORROWED THE METAPHOR 993 00:53:45,833 --> 00:53:49,533 OF A FARMER SCATTERING SEEDS ACROSS A FIELD. 994 00:53:49,533 --> 00:53:53,733 NOW A SINGLE SPEAKER COULD SCATTER SEEDS OF INFORMATION, 995 00:53:53,733 --> 00:53:56,033 PROPAGANDA, ENTERTAINMENT, 996 00:53:56,033 --> 00:53:58,100 POLITICAL AND RELIGIOUS FERVOR, 997 00:53:58,100 --> 00:54:01,500 CULTURE, AND EVEN HATRED ACROSS THE LAND. 998 00:54:03,133 --> 00:54:06,700 THE FARMER'S PHRASE, THE NEW METAPHOR FOR RADIO, 999 00:54:06,700 --> 00:54:09,533 THE METAPHOR THAT CHANGED THE NATION 1000 00:54:09,533 --> 00:54:11,366 WASBROADCASTING. 1001 00:54:11,366 --> 00:54:13,800 ♪ BUT FIRST OF ALL, MAKE UP YOUR MIND ♪ 1002 00:54:13,800 --> 00:54:18,900 ♪ YOUR HEARTS ARE OPEN, TOO ♪ 1003 00:54:18,900 --> 00:54:23,366 ♪ WHEN YOU LOVE HER BY THE RADIOPHONE ♪ 1004 00:54:24,666 --> 00:54:26,433   WAIT FOR ME, SLIM! 1005 00:54:26,433 --> 00:54:28,700 O.K., PATSY! 1006 00:54:28,700 --> 00:54:30,300 ♪ I'M BACK IN THE SADDLE ♪ 1007 00:54:30,300 --> 00:54:31,866 ♪ HERDING LONGHORN CATTLE ♪ 1008 00:54:31,866 --> 00:54:35,233 ♪ I'M HAPPY IN THE SADDLE AGAIN ♪ 1009 00:54:35,233 --> 00:54:36,966 ♪ MY SPURS TURNED ALL RUSTY ♪ 1010 00:54:36,966 --> 00:54:38,533 ♪ STILL THEY'RE ALWAYS TRUSTY ♪ 1011 00:54:38,533 --> 00:54:41,500 ♪ AND I'M HAPPY IN THE SADDLE AGAIN ♪ 1012 00:54:41,500 --> 00:54:43,033 I'M SPEAKING FOR AMERICA'S 1013 00:54:43,033 --> 00:54:45,333 NUMBER ONE SINGING COWGIRL, PATSY MONTANA. 1014 00:54:45,333 --> 00:54:46,766 WE'RE SAYING SO LONG, EVERYBODY. 1015 00:54:46,766 --> 00:54:48,233 GOOD LUCK TO YOU, FRIENDS, 1016 00:54:48,233 --> 00:54:50,366 AND ABOVE ALL, WE DO WISH YOU GOOD HEALTH. 1017 00:54:50,366 --> 00:54:53,966 NOW STAY TUNED FOR JUST PLAIN BILL. 1018 00:54:53,966 --> 00:54:56,000 ♪ KEEP ON THE SUNNY SIDE ♪ 1019 00:54:56,000 --> 00:54:58,066 ♪ ALWAYS ON THE SUNNY SIDE ♪ 1020 00:54:58,066 --> 00:55:01,566 ♪ KEEP ON THE SUNNY SIDE OF LIFE ♪ 1021 00:55:01,566 --> 00:55:03,000 Man: I THINK THAT THE WORLD-- 1022 00:55:03,000 --> 00:55:07,833 THE AMERICA THAT RADIO LEAPED INTO AND FASCINATED 1023 00:55:07,833 --> 00:55:12,133 WAS REALLY A QUIETER... 1024 00:55:12,133 --> 00:55:14,700 LIFE THAN WHAT WE KNOW. 1025 00:55:14,700 --> 00:55:19,133 WLAG, MINNEAPOLIS. 1026 00:55:19,133 --> 00:55:20,933 MY FIRST RECOLLECTION OF RADIO 1027 00:55:20,933 --> 00:55:25,800 IS SITTING ON MY UNCLE'S LAP 1028 00:55:25,800 --> 00:55:29,166 AND PUTTING MY HEAD UP NEXT TO HIS, 1029 00:55:29,166 --> 00:55:31,700 AND HE HAD HIS ARM AROUND ME, 1030 00:55:31,700 --> 00:55:36,766 AND THE HEADPHONES WENT ACROSS BOTH OF OUR HEADS. 1031 00:55:36,766 --> 00:55:39,166 I REMEMBER HAVING A PIECE IN MY EAR 1032 00:55:39,166 --> 00:55:42,033 AND PUTTING MY HEAD NEXT TO HIS 1033 00:55:42,033 --> 00:55:47,500 AND HEARING BANDS PLAY FROM FAR AWAY 1034 00:55:47,500 --> 00:55:51,200 DANCE MUSIC THAT WAS NOT ALLOWED IN OUR FAMILY. 1035 00:55:51,200 --> 00:55:53,200 [DANCE MUSIC PLAYING ON RADIO] 1036 00:56:08,233 --> 00:56:09,900 Man: IT WAS JUST ALMOST UNBELIEVABLE. 1037 00:56:09,900 --> 00:56:11,433 YOU COULD SIT IN YOUR LIVING ROOM IN FLORIDA 1038 00:56:11,433 --> 00:56:13,433 AND HEAR A MAN SPEAKING IN NEW YORK, 1039 00:56:13,433 --> 00:56:16,233 AND, AFTER A WHILE, IN LOS ANGELES. 1040 00:56:16,233 --> 00:56:19,066 YOU HEARD PEOPLE SINGING, YOU HEARD MUSIC, 1041 00:56:19,066 --> 00:56:20,566 YOU HEARD EVENTS, 1042 00:56:20,566 --> 00:56:23,066 YOU HEARD A FOOTBALL GAME IN THE ROSE BOWL 1043 00:56:23,066 --> 00:56:25,033 THAT WAS BEING PLAYED RIGHT NOW. 1044 00:56:25,033 --> 00:56:27,133 AND DEMPSEY COMES BACK WITH A HARD RIGHT 1045 00:56:27,133 --> 00:56:28,766 TO TUNNEY'S FACE! 1046 00:56:28,766 --> 00:56:31,233 OH! DEMPSEY COMES ON GOOD WITH A TERRIFIC RIGHT. 1047 00:56:31,233 --> 00:56:32,733 HE'S GOT TUNNEY AGAINST THE ROPES! 1048 00:56:32,733 --> 00:56:34,966 THERE'S ANOTHER RIGHT LANDING ON THE CHAMPION'S JAW! 1049 00:56:34,966 --> 00:56:36,733 A BARRAGE OF LEFT AND RIGHT HANDS! 1050 00:56:36,733 --> 00:56:37,966 TUNNEY IS DOWN! 1051 00:56:37,966 --> 00:56:39,466 TUNNEY IS DOWN! 1052 00:56:39,466 --> 00:56:40,700   ♪ TURN YOUR RADIO ON ♪ 1053 00:56:40,700 --> 00:56:42,166 ♪ TURN YOUR RADIO ON ♪ 1054 00:56:42,166 --> 00:56:44,800 ♪ AND LISTEN TO THE MUSIC IN THE AIR ♪ 1055 00:56:44,800 --> 00:56:46,100 ♪ TURN YOUR RADIO ON ♪ 1056 00:56:46,100 --> 00:56:47,433 ♪ TURN YOUR RADIO ON ♪ 1057 00:56:47,433 --> 00:56:48,866   ♪ HEAVEN'S GLORY SHARE ♪ 1058 00:56:48,866 --> 00:56:50,100 ♪ HEAVEN'S GLORY SHARE ♪ 1059 00:56:50,100 --> 00:56:51,366   ♪ TURN THE LIGHTS DOWN LOW ♪ 1060 00:56:51,366 --> 00:56:52,800 ♪ TURN THE LIGHTS DOWN LOW ♪ 1061 00:56:52,800 --> 00:56:55,266 ♪ AND LISTEN TO THE MASTER'S RADIO ♪ 1062 00:56:55,266 --> 00:56:56,833 ♪ GET IN TOUCH WITH GOD ♪ 1063 00:56:56,833 --> 00:56:58,266 ♪ GET IN TOUCH WITH GOD ♪ 1064 00:56:58,266 --> 00:56:59,400 ♪ TURN YOUR RADIO ON ♪ 1065 00:56:59,400 --> 00:57:01,466 ♪ TURN YOUR RADIO ON ♪ 1066 00:57:01,466 --> 00:57:03,966 AND YOU MEN, YOU KNOW YOU'RE SICK. 1067 00:57:03,966 --> 00:57:06,566 YOU KNOW YOUR PROSTATE'S INFECTED AND DISEASED, 1068 00:57:06,566 --> 00:57:09,333 AND YOU KNOW THAT UNLESS SOME RELIEF COMES TO YOU, 1069 00:57:09,333 --> 00:57:10,366 THAT YOU'RE GOING TO BE 1070 00:57:10,366 --> 00:57:11,800 IN THE UNDERTAKER'S PARLOR 1071 00:57:11,800 --> 00:57:12,966 ON THE OLD COLD SLAB, 1072 00:57:12,966 --> 00:57:14,900 BEING EMBALMED FOR A FUNERAL. 1073 00:57:14,900 --> 00:57:16,466 HELLO, RALPHIE BOY. 1074 00:57:16,466 --> 00:57:18,266 HELLO, MONA GIRL. I UNDERSTAND YOU GOT MARRIED. 1075 00:57:18,266 --> 00:57:20,800 YES, I MARRIED AN X-RAY SPECIALIST. 1076 00:57:20,800 --> 00:57:22,433 AN X-RAY SPECIALIST? HOW COME? 1077 00:57:22,433 --> 00:57:25,466 HE WAS THE ONLY ONE THAT COULD SEE ANYTHING IN ME. 1078 00:57:25,466 --> 00:57:28,933 [LAUGHTER] 1079 00:57:28,933 --> 00:57:30,800 IN JUST ONE MOMENT NOW, 1080 00:57:30,800 --> 00:57:34,566 KDKA, IN COOPERATION WITH THE PITTSBURGH POST AND SUN, 1081 00:57:34,566 --> 00:57:37,433 WILL PRESENT THE LATEST PRESIDENTIAL ELECTION RETURNS. 1082 00:57:37,433 --> 00:57:38,733 Narrator: ONE OF THE FIRST STATIONS 1083 00:57:38,733 --> 00:57:43,300 TO BROADCAST REGULARLY WAS KDKA IN PITTSBURGH. 1084 00:57:43,300 --> 00:57:46,133 IT WENT ON THE AIR IN 1920, 1085 00:57:46,133 --> 00:57:49,900 REPORTING THE VICTORY OF WARREN G. HARDING AND CALVIN COOLIDGE 1086 00:57:49,900 --> 00:57:51,400 OVER JAMES M. COX 1087 00:57:51,400 --> 00:57:53,466 AND A YOUNG FRANKLIN D. ROOSEVELT. 1088 00:57:53,466 --> 00:57:54,966 AT THE PRESENT TIME, 1089 00:57:54,966 --> 00:57:57,433 HARDING HAS COLLECTED MORE THAN 16 MILLION VOTES 1090 00:57:57,433 --> 00:58:00,366 AGAINST SOME 9 MILLION FOR THE DEMOCRAT. 1091 00:58:00,366 --> 00:58:03,900 WE'LL GIVE YOU THE STATE VOTE IN JUST A MOMENT, 1092 00:58:03,900 --> 00:58:06,000 BUT FIRST WE'D LIKE TO ASK YOU TO LET US KNOW 1093 00:58:06,000 --> 00:58:08,566 IF THIS BROADCAST IS REACHING YOU. 1094 00:58:08,566 --> 00:58:09,900 PLEASE DROP US A CARD, 1095 00:58:09,900 --> 00:58:13,833 ADDRESSED STATION KDKA, WESTINGHOUSE, 1096 00:58:13,833 --> 00:58:16,900 EAST PITTSBURGH, PENNSYLVANIA. 1097 00:58:16,900 --> 00:58:18,433 Narrator: BUT IT WAS NOT LONG BEFORE EVERYONE 1098 00:58:18,433 --> 00:58:21,100 SEEMED TO BE GOING INTO BROADCASTING. 1099 00:58:21,100 --> 00:58:25,933 THIS IS STATION WCAP, WASHINGTON... 1100 00:58:25,933 --> 00:58:28,433 UNIVERSITIES, NEWSPAPERS, 1101 00:58:28,433 --> 00:58:31,433 BANKS, DEPARTMENT STORES. 1102 00:58:31,433 --> 00:58:35,433 WJAR, PROVIDENCE, 1103 00:58:35,433 --> 00:58:39,400 WNAC, BOSTON... 1104 00:58:39,400 --> 00:58:40,700 IN DAVENPORT, IOWA, 1105 00:58:40,700 --> 00:58:44,400 THE PALMER SCHOOL OF CHIROPRACTIC HAD A STATION. 1106 00:58:44,400 --> 00:58:46,400 SO DID THE JOHN FINK JEWELRY COMPANY 1107 00:58:46,400 --> 00:58:48,433 IN FORT SMITH, ARKANSAS, 1108 00:58:48,433 --> 00:58:51,900 AND IN MILFORD, KANSAS, OVER STATION KFKB-- 1109 00:58:51,900 --> 00:58:54,000 "KANSAS FOLKS KNOW BEST--" 1110 00:58:54,000 --> 00:58:57,833 DR. JOHN ROMULUS BRINKLEY LECTURED THREE TIMES A DAY 1111 00:58:57,833 --> 00:59:02,066 ON THE APHRODISIAC POWERS OF IMPLANTED GOAT GLANDS. 1112 00:59:04,466 --> 00:59:07,700 A GOOD LOVE STORY IS ALWAYS TENDER AND BEAUTIFUL. 1113 00:59:07,700 --> 00:59:09,466 BUT REALLY TO WARM THE COCKLES OF THE HEART, 1114 00:59:09,466 --> 00:59:13,433 IT SHOULD HAVE AT LEAST A HINT OF THE UNBELIEVABLE. 1115 00:59:13,433 --> 00:59:17,466 ♪ FOLKS, I HAVE FOUND MYSELF A BRAND-NEW HONEY ♪ 1116 00:59:17,466 --> 00:59:19,333 ♪ BRIGHT AND SUNNY ♪ 1117 00:59:19,333 --> 00:59:20,800 ♪ DON'T CARE FOR MONEY ♪ 1118 00:59:20,800 --> 00:59:24,266 ♪ WE'VE GOT A SYSTEM OF LOVING ♪ 1119 00:59:24,266 --> 00:59:27,633 ♪ PROUD TO SAY IT'S ALL OUR OWN ♪ 1120 00:59:27,633 --> 00:59:30,100 NOW, THE SCENE IS IN THE HOME OF MARSHA 1121 00:59:30,100 --> 00:59:33,500 AS SHE AND ARMAND ARE SECRETLY TALKING TOGETHER. 1122 00:59:33,500 --> 00:59:35,200 LISTEN. 1123 00:59:35,200 --> 00:59:39,066 ♪ SINCE ALL THE WORLD GOT ONTO THAT NEW RADIO CRAZE ♪ 1124 00:59:39,066 --> 00:59:43,166 BY 1924, WHILE LEE DE FOREST AND HOWARD ARMSTRONG 1125 00:59:43,166 --> 00:59:45,366 WERE STILL BATTLING IN THE COURTS 1126 00:59:45,366 --> 00:59:49,266 AND DAVID SARNOFF WAS CEMENTING HIS POSITION AT RCA, 1127 00:59:49,266 --> 00:59:51,566 THERE WERE 1,400 STATIONS, 1128 00:59:51,566 --> 00:59:54,100 AND ONE THIRD OF THE MONEY SPENT ON FURNITURE 1129 00:59:54,100 --> 00:59:55,333 IN THE COUNTRY 1130 00:59:55,333 --> 00:59:57,300 WENT FOR RADIO RECEIVERS-- 1131 00:59:57,300 --> 01:00:00,700 $350 MILLION. 1132 01:00:00,700 --> 01:00:03,166 BETWEEN MAY AND DECEMBER OF 1923, 1133 01:00:03,166 --> 01:00:06,400 RCA's WJZ IN NEW YORK 1134 01:00:06,400 --> 01:00:09,433 OFFERED 340 SOPRANO RECITALS 1135 01:00:09,433 --> 01:00:11,733 AND 98 BARITONE SOLOS, 1136 01:00:11,733 --> 01:00:14,700 SIX BASEBALL GAMES, FIVE BOXING MATCHES, 1137 01:00:14,700 --> 01:00:16,733 67 CHURCH SERVICES, 1138 01:00:16,733 --> 01:00:18,666 SEVEN FOOTBALL GAMES, 1139 01:00:18,666 --> 01:00:20,533 10 HARMONICA SOLOS, 1140 01:00:20,533 --> 01:00:22,733 74 ORGAN CONCERTS, 1141 01:00:22,733 --> 01:00:23,900 40 PLAYS, 1142 01:00:23,900 --> 01:00:26,966 723 TALKS AND LECTURES, 1143 01:00:26,966 --> 01:00:30,300 AND 205 BEDTIME STORIES. 1144 01:00:30,300 --> 01:00:34,366 RADIO ATE UP MATERIAL FASTER THAN IT COULD BE PRODUCED. 1145 01:00:34,366 --> 01:00:37,000 ONE DESPERATE ANNOUNCER JUST STUCK HIS MICROPHONE 1146 01:00:37,000 --> 01:00:39,166 OUT THE STUDIO WINDOW AND SAID, 1147 01:00:39,166 --> 01:00:40,866 "LADIES AND GENTLEMEN, WE BRING YOU 1148 01:00:40,866 --> 01:00:44,133 THE SOUNDS OF NEW YORK CITY." 1149 01:00:44,133 --> 01:00:46,233 LISTENERS LOVED IT. 1150 01:00:46,233 --> 01:00:48,233 [MUSIC PLAYING] 1151 01:00:51,733 --> 01:00:53,000 Kelley: FOR ONE THING, 1152 01:00:53,000 --> 01:00:55,900 THERE WAS THIS CONSTANT COMPANION IN THE HOUSE. 1153 01:00:55,900 --> 01:00:57,066 IF YOU WERE ALONE, 1154 01:00:57,066 --> 01:00:59,566 YOU COULD TURN THE RADIO ON, 1155 01:00:59,566 --> 01:01:02,633 AND THERE WOULD ALWAYS BE SOMETHING TO LISTEN TO. 1156 01:01:02,633 --> 01:01:05,566 ALL YOU HAD TO DO WAS OPEN THOSE CABINET DOORS 1157 01:01:05,566 --> 01:01:06,733 AND TURN THAT DIAL, 1158 01:01:06,733 --> 01:01:08,133 AND THERE YOU WERE-- 1159 01:01:08,133 --> 01:01:11,266 YOU COULD BE IN NEW YORK OR CHICAGO, 1160 01:01:11,266 --> 01:01:14,066 LISTENING TO SOME WONDERFUL MUSIC, PERHAPS. 1161 01:01:15,966 --> 01:01:18,566 ONE THING... 1162 01:01:18,566 --> 01:01:21,566 I PROBABLY GAVE UP PRACTICING THE PIANO 1163 01:01:21,566 --> 01:01:24,366 BECAUSE I DIDN'T HAVE TO MAKE MY OWN MUSIC ANYMORE. 1164 01:01:40,100 --> 01:01:41,433 [CAR HORN HONKS] 1165 01:01:41,433 --> 01:01:43,133 Man: WELCOME, MEMPHIS. 1166 01:01:43,133 --> 01:01:44,133 NOW LINED UP... 1167 01:01:44,133 --> 01:01:45,466 Narrator: IN 1926, 1168 01:01:45,466 --> 01:01:49,033 DAVID SARNOFF HELPED FORGE THE FIRST RADIO NETWORK. 1169 01:01:49,033 --> 01:01:53,233 HE CALLED IT THE NATIONAL BROADCASTING COMPANY--NBC. 1170 01:01:53,233 --> 01:01:54,966 AWAITING LINDBERGH! 1171 01:01:54,966 --> 01:01:57,833 LINDBERGH IS COMING DOWN THE GANGPLANK. 1172 01:01:57,833 --> 01:01:59,700 IN JUNE OF 1927, 1173 01:01:59,700 --> 01:02:02,000 WHEN CHARLES LINDBERGH RETURNED TO AMERICA 1174 01:02:02,000 --> 01:02:04,833 AFTER HIS HISTORIC FLIGHT TO PARIS, 1175 01:02:04,833 --> 01:02:10,033 NBC MANAGED TO LINK TOGETHER 50 STATIONS IN 24 STATES. 1176 01:02:10,033 --> 01:02:11,366 WALKING SLOWLY, 1177 01:02:11,366 --> 01:02:13,300 HIS HAT IN HIS HANDS, 1178 01:02:13,300 --> 01:02:15,566 A DARN NICE BOY. 1179 01:02:15,566 --> 01:02:18,600 NEARLY 30 MILLION PEOPLE ACROSS AMERICA 1180 01:02:18,600 --> 01:02:20,300 LISTENED IN TOGETHER 1181 01:02:20,300 --> 01:02:24,433 ON THE HOMECOMING OF THEIR GREATEST HERO...LIVE. 1182 01:02:24,433 --> 01:02:27,400 RECEIVING WITH HIS USUAL MODEST DEMEANOR 1183 01:02:27,400 --> 01:02:29,766 THE PLAUDITS OF THIS HUGE CROWD. 1184 01:02:29,766 --> 01:02:31,033 NOW LISTEN TO THIS CHEERING. 1185 01:02:31,033 --> 01:02:32,033 [CHEERING] 1186 01:02:34,300 --> 01:02:35,766 MEANWHILE, THE COURT BATTLE 1187 01:02:35,766 --> 01:02:37,933 BETWEEN THE STRANGE, GIFTED MEN 1188 01:02:37,933 --> 01:02:39,900 WHOSE INVENTIONS HAD MADE IT ALL POSSIBLE 1189 01:02:39,900 --> 01:02:43,733 CONTINUED TO RAGE. 1190 01:02:43,733 --> 01:02:45,966 LEE DE FOREST HAD EXHAUSTED THE APPEALS 1191 01:02:45,966 --> 01:02:48,700 IN HIS CASE AGAINST HOWARD ARMSTRONG, 1192 01:02:48,700 --> 01:02:50,666 BUT WITH LITTLE LEFT TO LOSE, 1193 01:02:50,666 --> 01:02:52,100 WENT BACK TO COURT, 1194 01:02:52,100 --> 01:02:55,500 THIS TIME TO CHALLENGE THE EARLIER ADVERSE DECISIONS 1195 01:02:55,500 --> 01:02:56,866 OF THE PATENT OFFICE. 1196 01:02:56,866 --> 01:02:59,766 AND IN AN ASTONISHING REVERSAL, 1197 01:02:59,766 --> 01:03:01,200 HE WON, 1198 01:03:01,200 --> 01:03:03,466 NOT ON THE MERITS OF HIS CASE, 1199 01:03:03,466 --> 01:03:05,533 BUT ON AN ARCANE QUESTION 1200 01:03:05,533 --> 01:03:07,100 OF LEGAL LANGUAGE-- 1201 01:03:07,100 --> 01:03:08,200 A DECISION 1202 01:03:08,200 --> 01:03:10,766 WHICH SUBSEQUENT COURTS UPHELD 1203 01:03:10,766 --> 01:03:12,233 AND WHICH THE SUPREME COURT 1204 01:03:12,233 --> 01:03:15,633 REFUSED TO RECONSIDER. 1205 01:03:15,633 --> 01:03:17,400 THE ENGINEERING WORLD 1206 01:03:17,400 --> 01:03:18,500 WAS SHOCKED. 1207 01:03:20,733 --> 01:03:22,966 ARMSTRONG'S UNWILLINGNESS TO LICENSE 1208 01:03:22,966 --> 01:03:25,666 THE REGENERATIVE CIRCUIT TO DE FOREST 1209 01:03:25,666 --> 01:03:30,166 HAD NOW COST HIM HIS FIRST GREAT INVENTION. 1210 01:03:30,166 --> 01:03:31,366 HE FOUGHT BACK 1211 01:03:31,366 --> 01:03:34,566 BY BECOMING A PARTY TO STILL ANOTHER SUIT, 1212 01:03:34,566 --> 01:03:37,733 ONLY TO LOSE AGAIN IN THE SUPREME COURT. 1213 01:03:39,766 --> 01:03:43,133 THE COURTS HAD NOW SPOKEN 13 TIMES. 1214 01:03:43,133 --> 01:03:46,000 THE TWO MEN HAD BEEN WAGING WAR UPON ONE ANOTHER 1215 01:03:46,000 --> 01:03:49,066 FOR 20 YEARS. 1216 01:03:49,066 --> 01:03:50,600 STUNNED AND EMBITTERED, 1217 01:03:50,600 --> 01:03:53,200 ARMSTRONG RETURNED TO HIS LABORATORY, 1218 01:03:53,200 --> 01:03:55,133 DENOUNCING A LEGAL SYSTEM 1219 01:03:55,133 --> 01:03:58,300 IN WHICH "MEN SUBSTITUTE WORDS FOR REALITIES 1220 01:03:58,300 --> 01:04:00,400 AND THEN TALK ABOUT THE WORDS." 1221 01:04:06,200 --> 01:04:08,966 ON MAY 29, 1934, 1222 01:04:08,966 --> 01:04:10,366 BEFORE THE ANNUAL MEETING 1223 01:04:10,366 --> 01:04:14,100 OF THE INSTITUTE OF RADIO ENGINEERS IN PHILADELPHIA, 1224 01:04:14,100 --> 01:04:16,433 HE TRIED TO RETURN THE MEDAL OF HONOR 1225 01:04:16,433 --> 01:04:20,433 THE INSTITUTE HAD AWARDED HIM 16 YEARS EARLIER. 1226 01:04:20,433 --> 01:04:22,533 THE PRESIDENT AND THE BOARD OF DIRECTORS 1227 01:04:22,533 --> 01:04:24,566 REFUSED TO ACCEPT IT, 1228 01:04:24,566 --> 01:04:27,966 AND THE ASSEMBLED ENGINEERS ROSE AND CHEERED 1229 01:04:27,966 --> 01:04:31,233 AS TEARS FILLED ARMSTRONG'S EYES. 1230 01:04:31,233 --> 01:04:34,966 HIS FELLOW SCIENTISTS BELIEVED HE HAD BEEN ROBBED. 1231 01:04:37,500 --> 01:04:39,833 FOR DE FOREST, 1232 01:04:39,833 --> 01:04:43,133 VICTORY OVER THE UPSTART HE CALLED "THE RUDE EGOIST" 1233 01:04:43,133 --> 01:04:45,266 HAD COME IN THE NICK OF TIME. 1234 01:04:45,266 --> 01:04:49,033 HIS LATEST VENTURE WAS COLLAPSING. 1235 01:04:49,033 --> 01:04:50,266 HE MOVED TO HOLLYWOOD, 1236 01:04:50,266 --> 01:04:51,433 AND AT 57, 1237 01:04:51,433 --> 01:04:54,200 GOT MARRIED FOR A FOURTH AND FINAL TIME, 1238 01:04:54,200 --> 01:04:56,766 TO A 21-YEAR-OLD STARLET-- 1239 01:04:56,766 --> 01:04:59,700 MARIE MOSCINI. 1240 01:04:59,700 --> 01:05:01,900 ALL YOUR LIFE YOU HAD WRITTEN POETRY. 1241 01:05:01,900 --> 01:05:04,166 IT SEEMS THAT THAT GOES WITH GREAT INVENTORS. 1242 01:05:04,166 --> 01:05:08,300 AND TO THIS LOVELY LADY YOU WROTE THESE LINES-- 1243 01:05:08,300 --> 01:05:11,133 "YOUR LOVELINESS DEFIES MY PEN. 1244 01:05:11,133 --> 01:05:14,966 "YOUR FACE SO FAIR, YOUR VOICE SO SWEET, 1245 01:05:14,966 --> 01:05:18,833 YOUR EYES AS FULL OF LOVE AS WHEN..." 1246 01:05:18,833 --> 01:05:21,933 "YOU KISSED ME ON A STREET 1247 01:05:21,933 --> 01:05:25,433 "IN HAPPY SUN-KISSED AVALON. 1248 01:05:25,433 --> 01:05:27,500 "'TIS POEM ENOUGH TO KNOW 1249 01:05:27,500 --> 01:05:29,733 "THAT NOW AND THEN 1250 01:05:29,733 --> 01:05:32,166 "YOU ARE MY POEM... 1251 01:05:32,166 --> 01:05:33,400 AND MY SONG." 1252 01:05:33,400 --> 01:05:35,266 YES, YOUR BRIDE THEN, YOUR BRIDE NOW, 1253 01:05:35,266 --> 01:05:36,400 MRS. DE FOREST. 1254 01:05:36,400 --> 01:05:38,500 [APPLAUSE] 1255 01:05:38,500 --> 01:05:42,966 Barnouw: IT ISN'T THAT DE FOREST ULTIMATELY WON OUT OVER ARMSTRONG. 1256 01:05:42,966 --> 01:05:44,366 ALL THESE INVENTORS, 1257 01:05:44,366 --> 01:05:48,566 THEIR PATENTS ALL BECAME THE PROPERTY OF CORPORATIONS. 1258 01:05:48,566 --> 01:05:50,500 THE STRUGGLE BETWEEN THESE INDIVIDUALS 1259 01:05:50,500 --> 01:05:53,133 BECOMES A STRUGGLE BETWEEN CORPORATIONS 1260 01:05:53,133 --> 01:05:54,966 WHO HAVE ACQUIRED THEIR PATENTS. 1261 01:05:54,966 --> 01:05:57,933 THE STRUGGLE GETS LARGER ALL THE TIME, 1262 01:05:57,933 --> 01:06:00,600 AND THEN IT ALSO BECOMES A STRUGGLE BETWEEN NATIONS 1263 01:06:00,600 --> 01:06:02,333 BECAUSE THESE INVENTIONS, 1264 01:06:02,333 --> 01:06:04,633 WHILE THEY START OUT BEING TOYS 1265 01:06:04,633 --> 01:06:06,766 AND HOBBY THINGS, 1266 01:06:06,766 --> 01:06:11,000 SOON BECOME IMPORTANT CORPORATE ASSETS, 1267 01:06:11,000 --> 01:06:12,366 AND THEN PRETTY SOON, 1268 01:06:12,366 --> 01:06:16,500 THEY BECOME ASSETS TO MILITARY INDUSTRIAL COMPLEXES. 1269 01:06:16,500 --> 01:06:17,600 AND THESE--THESE-- 1270 01:06:17,600 --> 01:06:19,533 THESE SMALL THINGS GET SWALLOWED UP, 1271 01:06:19,533 --> 01:06:21,233 NOT ONLY IN CORPORATE AFFAIRS, 1272 01:06:21,233 --> 01:06:22,700 BUT IN NATIONAL AFFAIRS. 1273 01:06:24,466 --> 01:06:26,200 Narrator: AS THE INVENTORS BATTLED, 1274 01:06:26,200 --> 01:06:27,200 THE MAN WHO KNEW 1275 01:06:27,200 --> 01:06:29,100 HOW TO MAKE THE MOST OF THEIR INVENTIONS 1276 01:06:29,100 --> 01:06:33,266 HAD MOVED STEADILY FROM STRENGTH TO STRENGTH. 1277 01:06:33,266 --> 01:06:36,266 NOT EVEN THE GREAT DEPRESSION COULD STOP HIM. 1278 01:06:36,266 --> 01:06:40,900 IN 1930, DAVID SARNOFF BECAME PRESIDENT OF RCA 1279 01:06:40,900 --> 01:06:44,366 AND SOON MOVED INTO HIS 53rd-FLOOR OFFICE 1280 01:06:44,366 --> 01:06:45,633 IN RADIO CITY, 1281 01:06:45,633 --> 01:06:48,433 PART OF THE BRAND-NEW ROCKEFELLER CENTER. 1282 01:06:48,433 --> 01:06:50,600 HE RAN HIS GROWING EMPIRE 1283 01:06:50,600 --> 01:06:52,400 WITH THE SAME RELENTLESS ENERGY 1284 01:06:52,400 --> 01:06:55,100 WITH WHICH HE HAD PEDDLED PAPERS AS A BOY, 1285 01:06:55,100 --> 01:06:56,400 RARELY SMILING, 1286 01:06:56,400 --> 01:06:59,466 SCRAWLING "YES," "NO," AND "PLEASE SEE ME" 1287 01:06:59,466 --> 01:07:02,866 ON MEMOS SENT IN TO HIM BY ANXIOUS SUBORDINATES. 1288 01:07:02,866 --> 01:07:06,900 "I DON'T GET ULCERS," SARNOFF LIKED TO SAY, 1289 01:07:06,900 --> 01:07:07,900 "I GIVE THEM." 1290 01:07:09,733 --> 01:07:11,666 THE FIRST COMMERCIAL WIRELESS STATION 1291 01:07:11,666 --> 01:07:14,366 IN THE UNITED STATES, BUILT IN 1901. 1292 01:07:14,366 --> 01:07:16,966 SIGNOR MARCONI, FATHER OF RADIO COMMUNICATION, 1293 01:07:16,966 --> 01:07:19,766 INSPECTS THE HISTORIC BUILDING WITH DAVID SARNOFF, 1294 01:07:19,766 --> 01:07:22,133 PRESIDENT OF THE RADIO CORPORATION OF AMERICA. 1295 01:07:22,133 --> 01:07:25,200 THEN, HAVING COMPLETED THEIR PILGRIMAGE, 1296 01:07:25,200 --> 01:07:27,666 THE TWO LEADERS OF RADIO LOOK OVER THE NERVE CENTER 1297 01:07:27,666 --> 01:07:30,000 OF RCA COMMUNICATIONS IN NEW YORK. 1298 01:07:30,000 --> 01:07:31,766 Barnouw: LATER ON, WHEN THE GREAT MAN 1299 01:07:31,766 --> 01:07:33,366 COMES FROM ITALY TO PAY A VISIT, 1300 01:07:33,366 --> 01:07:36,300 THERE THEY ARE STANDING, EACH WITH A CANE, 1301 01:07:36,300 --> 01:07:40,133 AND IT'S AS THOUGH SARNOFF IS PLAYING MARCONI-- 1302 01:07:40,133 --> 01:07:41,733 THE GREAT MARCONI-- 1303 01:07:41,733 --> 01:07:44,366 AND THEIR ABSOLUTELY IDENTICAL ATTITUDES. 1304 01:07:44,366 --> 01:07:45,500 IT'S A WONDERFUL PAIR. 1305 01:07:45,500 --> 01:07:47,500 WELL, I THINK THAT EXPRESSES SARNOFF-- 1306 01:07:47,500 --> 01:07:51,100 AND GRADUALLY ACHIEVES CONTROL OF HIS EMPIRE 1307 01:07:51,100 --> 01:07:55,033 AND THEN IS VERY RUTHLESS IN EVERY POSSIBLE WAY, 1308 01:07:55,033 --> 01:07:57,666 BUT BRILLIANT IN ORGANIZING FORCES 1309 01:07:57,666 --> 01:08:01,833 AND MAKING SURE THAT HE DISPOSES OF ANY OBSTACLES 1310 01:08:01,833 --> 01:08:03,266 TO WHAT HE WANTS TO DO. 1311 01:08:03,266 --> 01:08:04,266 ...TIME AND SPACE. 1312 01:08:13,133 --> 01:08:16,066 Narrator: BUT THE COUNTRY THAT NOW LISTENED TO HIS BROADCASTS 1313 01:08:16,066 --> 01:08:17,600 WAS IN TROUBLE. 1314 01:08:31,133 --> 01:08:32,466 "IF YOU CAN SING A SONG 1315 01:08:32,466 --> 01:08:34,300 "THAT WOULD MAKE PEOPLE FORGET THEIR TROUBLES 1316 01:08:34,300 --> 01:08:35,800 IN THE DEPRESSION," 1317 01:08:35,800 --> 01:08:39,066 PRESIDENT HERBERT HOOVER TOLD THE RADIO CROONER RUDY VALLEE, 1318 01:08:39,066 --> 01:08:40,733 "I'LL GIVE YOU A MEDAL." 1319 01:08:40,733 --> 01:08:44,466 ♪ SEEN IN THE JUNE LIGHT AND IN THE MOONLIGHT ♪ 1320 01:08:44,466 --> 01:08:48,600 ♪ FRAGRANT ROSES IN BLOOM ♪ 1321 01:08:48,600 --> 01:08:57,033 ♪ GONNA DANCE WITH JUST THE MOON FOR TWO ♪ 1322 01:08:57,033 --> 01:08:59,200 ♪ WITH YOUR PERMISSION ♪ 1323 01:08:59,200 --> 01:09:01,400 ♪ NO INTERMISSION ♪ 1324 01:09:01,400 --> 01:09:04,266 ♪ THERE'S SO MUCH IN MY HEART ♪ 1325 01:09:04,266 --> 01:09:05,600 Narrator: THE PANIC DEEPENED. 1326 01:09:05,600 --> 01:09:08,433 BY MARCH 1933, 1327 01:09:08,433 --> 01:09:11,300 WHEN FRANKLIN D. ROOSEVELT WAS INAUGURATED AS PRESIDENT, 1328 01:09:11,300 --> 01:09:15,366 THE BANKING SYSTEM ITSELF SEEMED ABOUT TO GO UNDER, 1329 01:09:15,366 --> 01:09:17,066 AS FRIGHTENED DEPOSITORS 1330 01:09:17,066 --> 01:09:19,633 THREATENED TO WITHDRAW THEIR SAVINGS. 1331 01:09:19,633 --> 01:09:21,433 ROOSEVELT CLOSED THE BANKS, 1332 01:09:21,433 --> 01:09:22,900 THEN ASKED FOR RADIO TIME 1333 01:09:22,900 --> 01:09:25,300 ON SUNDAY EVENING, MARCH 12, 1334 01:09:25,300 --> 01:09:29,366 TO TELL THE AMERICAN PEOPLE HOW HE AND THEY TOGETHER 1335 01:09:29,366 --> 01:09:31,100 WOULD MEET THE CRISIS. 1336 01:09:33,533 --> 01:09:34,966 WE ARE SPEAKING TO YOU AT THIS TIME 1337 01:09:34,966 --> 01:09:36,833 FROM THE OVAL ROOM OF THE WHITE HOUSE 1338 01:09:36,833 --> 01:09:38,666 IN WASHINGTON, D.C. 1339 01:09:38,666 --> 01:09:40,933 THE NATIONAL BROADCASTING COMPANY IS ABOUT TO BRING YOU 1340 01:09:40,933 --> 01:09:45,100 AN ADDRESS BY THE CHIEF EXECUTIVE OF THE NATION. 1341 01:09:45,100 --> 01:09:46,766 LADIES AND GENTLEMEN, 1342 01:09:46,766 --> 01:09:49,000 THE PRESIDENT OF THE UNITED STATES. 1343 01:09:51,866 --> 01:09:53,366 MY FRIENDS, 1344 01:09:53,366 --> 01:09:55,533 I WANT TO TALK FOR A FEW MINUTES 1345 01:09:55,533 --> 01:09:57,500 WITH THE PEOPLE OF THE UNITED STATES 1346 01:09:57,500 --> 01:09:59,266 ABOUT BANKING, 1347 01:09:59,266 --> 01:10:01,133 TO TALK WITH THE COMPARATIVELY FEW 1348 01:10:01,133 --> 01:10:04,533 WHO UNDERSTAND THE MECHANICS OF BANKING. 1349 01:10:04,533 --> 01:10:06,333 I WANT TO TELL YOU WHAT HAS BEEN DONE 1350 01:10:06,333 --> 01:10:08,066 IN THE LAST FEW DAYS. 1351 01:10:08,066 --> 01:10:11,266 Narrator: "OUR PRESIDENT TOOK SUCH A DRY SUBJECT AS BANKING," 1352 01:10:11,266 --> 01:10:12,733 WILL ROGERS SAID, 1353 01:10:12,733 --> 01:10:15,300 "AND MADE EVERYBODY UNDERSTAND IT, 1354 01:10:15,300 --> 01:10:16,966 EVEN THE BANKERS." 1355 01:10:16,966 --> 01:10:19,700 Roosevelt: IT IS YOUR PROBLEM, MY FRIENDS, 1356 01:10:19,700 --> 01:10:22,700 YOUR PROBLEM NO LESS THAN IT IS MINE. 1357 01:10:22,700 --> 01:10:25,766 TOGETHER, WE CANNOT FAIL. 1358 01:10:25,766 --> 01:10:28,433 LET US UNITE IN BANISHING FEAR. 1359 01:10:28,433 --> 01:10:31,466 Narrator: ROOSEVELT'S FIRESIDE CHATS PROVED SO EFFECTIVE 1360 01:10:31,466 --> 01:10:32,900 THAT, IN MANY HOMES, 1361 01:10:32,900 --> 01:10:36,133 FDR's PICTURE WAS PLACED NEXT TO THE RECEIVER 1362 01:10:36,133 --> 01:10:38,100 SO THAT HIS LISTENERS COULD SEE 1363 01:10:38,100 --> 01:10:40,700 AS WELL AS HEAR THEIR PRESIDENT. 1364 01:10:40,700 --> 01:10:43,500 Roosevelt: THIS GENERATION OF AMERICANS 1365 01:10:43,500 --> 01:10:47,700 HAS A RENDEZVOUS WITH DESTINY! 1366 01:10:47,700 --> 01:10:50,900 Narrator: AMERICAN POLITICS WOULD NEVER BE THE SAME AGAIN. 1367 01:10:50,900 --> 01:10:53,366 Roosevelt: THIS GREAT NATION WILL ENDURE. 1368 01:10:59,500 --> 01:11:01,466 Man: TURN A KNOB. 1369 01:11:01,466 --> 01:11:03,000 PUSH A BUTTON. 1370 01:11:03,000 --> 01:11:05,900 TWIST A DIAL. 1371 01:11:05,900 --> 01:11:07,000 Narrator: BUT IT WAS ESCAPE 1372 01:11:07,000 --> 01:11:09,733 THAT MOST AMERICANS CONTINUED TO SEEK, 1373 01:11:09,733 --> 01:11:11,600 AND RADIO EAGERLY DELIVERED. 1374 01:11:11,600 --> 01:11:13,333 AS THE STORM BREAKS AROUND THEM, 1375 01:11:13,333 --> 01:11:16,266 THE SHERIFF'S POSSE GATHERS AT PINE CREEK FORTS, 1376 01:11:16,266 --> 01:11:17,866 PREPARED FOR ACTION. 1377 01:11:17,866 --> 01:11:20,200 ALL RIGHT, BOYS. LET'S HEAD OUT! 1378 01:11:20,200 --> 01:11:22,333 [IMITATING HORSES GALLOPING] 1379 01:11:22,333 --> 01:11:24,333 [IMITATING THUNDER] 1380 01:11:27,033 --> 01:11:28,233 HOLD UP HERE! 1381 01:11:28,233 --> 01:11:30,400 WE'LL SET FIRE TO THE GAP AND STOP-- 1382 01:11:30,400 --> 01:11:31,400 WHOA, BOY! 1383 01:11:31,400 --> 01:11:32,400 WHOA, BOY! WHOA! 1384 01:11:32,400 --> 01:11:34,333 WHOA! WHOA! 1385 01:11:34,333 --> 01:11:36,200 SLIM, YOU TEAR UP 1386 01:11:36,200 --> 01:11:37,600 A COUPLE OF THEM SMALL TREES. RIGHT. 1387 01:11:37,600 --> 01:11:40,466 AND WE'LL SPREAD A FIRE THEY CAN'T GET THROUGH. 1388 01:11:40,466 --> 01:11:42,366 THESE ARE PRETTY GREEN FOR BURNING, SAM. 1389 01:11:42,366 --> 01:11:44,766 THE GRASS IS DRY AS TINDER HERE. 1390 01:11:44,766 --> 01:11:47,233 THE MATCH IS CATCHING ON. IT'S DRY, ALL RIGHT. 1391 01:11:47,233 --> 01:11:49,666 HOW ABOUT THE TREE, SLIM? 1392 01:11:49,666 --> 01:11:52,300 MOVE BACK! SHE'S COMING NOW! 1393 01:11:52,300 --> 01:11:53,700 TIMBER! 1394 01:11:53,700 --> 01:11:57,000 Corwin: THEY LISTENED TO  IT PAYS TO BE IGNORANT. 1395 01:11:57,000 --> 01:11:59,166 THEY LISTENED TO  GANGBUSTERS. 1396 01:11:59,166 --> 01:12:02,433 THEY LISTENED TO SOAP OPERAS. 1397 01:12:02,433 --> 01:12:04,366 THEY LISTENED TO SHAKESPEARE. 1398 01:12:04,366 --> 01:12:06,833 INDEED, NBC, AT THE TIME I CAME ALONG, 1399 01:12:06,833 --> 01:12:10,300 WAS DOING AN ABRIDGED SERIES OF SHAKESPEAREAN PLAYS 1400 01:12:10,300 --> 01:12:13,933 IN WHICH THEY CONDENSED  MACBETHTO 45 MINUTES. 1401 01:12:13,933 --> 01:12:17,100 I THINKHAMLET RAN A LITTLE LONGER. 1402 01:12:17,100 --> 01:12:20,066 THE PLAY'S THE THING 1403 01:12:20,066 --> 01:12:24,366 WHEREIN I'LL CATCH THE CONSCIENCE OF THE KING. 1404 01:12:27,033 --> 01:12:29,133 Announcer:  THE VOICE OF JOHN BARRYMORE. 1405 01:12:31,166 --> 01:12:36,400 THEY LISTENED TO IT WITH A KIND OF TRUST AND AVIDITY, 1406 01:12:36,400 --> 01:12:41,333 WHICH MADE FANS OF THE SOAP OPERA, FOR EXAMPLE, 1407 01:12:41,333 --> 01:12:44,333 TERRIBLY EXCITED ABOUT THE LIVES OF THESE PEOPLE, 1408 01:12:44,333 --> 01:12:46,300 AND THEY WOULD-- THEY'D START-- 1409 01:12:46,300 --> 01:12:49,033 WHEN--WHEN A CHARACTER IN A SOAP OPERA HAD A BABY, 1410 01:12:49,033 --> 01:12:50,600 THERE WERE ALL KINDS OF GIFTS. 1411 01:12:50,600 --> 01:12:52,533 AND NOW FUNNY GIRL MARRIES, 1412 01:12:52,533 --> 01:12:55,766 THE STORY OF JOAN AND HARRY DAVIS. 1413 01:12:55,766 --> 01:12:59,166 SUDDENLY, THE COOL BEAUTY OF A SUMMER DAY IS GONE, 1414 01:12:59,166 --> 01:13:01,833 THE HAPPINESS OF A MOMENT HAS PASSED, 1415 01:13:01,833 --> 01:13:04,966 AND THE SHEER REALITY OF SUFFERING IN A MAN'S FACE 1416 01:13:04,966 --> 01:13:06,966 HAS TOPPED A WORLD... 1417 01:13:10,733 --> 01:13:12,233 JUST A MOMENT AGO 1418 01:13:12,233 --> 01:13:14,600 WHEN KATHY, HELPING HER MOTHER HOUSECLEAN THE KITCHEN, 1419 01:13:14,600 --> 01:13:16,066 UPSET A BUCKET OF WATER 1420 01:13:16,066 --> 01:13:20,366 RATHER THAN FACE STEVE SKIDMORE COMING UP THE ROAD. 1421 01:13:20,366 --> 01:13:22,000 [APPLAUSE] 1422 01:13:22,000 --> 01:13:24,000 [ORCHESTRA PLAYS] 1423 01:13:26,866 --> 01:13:29,266 Narrator: RADIO HELPED REFINE AMERICA'S TASTE. 1424 01:13:35,733 --> 01:13:39,266 SARNOFF IMPORTED ARTURO TOSCANINI FROM ITALY, 1425 01:13:39,266 --> 01:13:42,266 HIRED SOME OF THE BEST MUSICIANS IN THE WORLD, 1426 01:13:42,266 --> 01:13:45,300 AND FORMED THE NBC SYMPHONY ORCHESTRA. 1427 01:13:45,300 --> 01:13:49,433 IT PREMIERED CHRISTMAS NIGHT, 1937, 1428 01:13:49,433 --> 01:13:53,266 AND WAS A STAPLE ON NBC FOR 17 YEARS. 1429 01:14:03,766 --> 01:14:05,066 ALL READY, GENTLEMEN. 1430 01:14:05,066 --> 01:14:06,200 MAY I HAVE A LEVEL NOW, PLEASE? 1431 01:14:06,200 --> 01:14:07,966 O.K., MIKE. 1432 01:14:07,966 --> 01:14:09,333 ANDY'S RIGHT HERE LIKE THIS. 1433 01:14:09,333 --> 01:14:12,600 ANDY SAY, UH... "WHO'S SCARED? ME? 1434 01:14:12,600 --> 01:14:14,700 "HA HA HA!" 1435 01:14:14,700 --> 01:14:16,233 AND THEN WE HAVE AMOS. 1436 01:14:16,233 --> 01:14:17,500 AMOS IS ABOUT HERE, UH, MIKE. 1437 01:14:17,500 --> 01:14:18,866 HOW'S THE BALANCE ON AMOS? 1438 01:14:18,866 --> 01:14:23,133 Narrator: BUT RADIO ALSO REINFORCED AMERICA'S PREJUDICES. 1439 01:14:23,133 --> 01:14:26,966 ANDY, EXPLAIN THIS CONTRACT TO FLUKEY. 1440 01:14:26,966 --> 01:14:29,133 FLUKEY, GET THIS IN YOUR HEAD NOW. 1441 01:14:29,133 --> 01:14:30,133 YES, SIR. I'S LISTENING 1442 01:14:30,133 --> 01:14:31,766 WITH BOTH EARS FLAPPING. 1443 01:14:31,766 --> 01:14:34,866 THIS CONTRACT IS IRON-BOUND, IRON-CLAD, 1444 01:14:34,866 --> 01:14:36,266 AND IRON EVERYTHING ELSE. 1445 01:14:36,266 --> 01:14:39,200 Narrator: THE MOST POPULAR RADIO PROGRAM IN AMERICA 1446 01:14:39,200 --> 01:14:40,733 WASAMOS 'N' ANDY. 1447 01:14:40,733 --> 01:14:43,433 DON'T FORGET, THE BIG TYKE GIVES IT TO YOU, 1448 01:14:43,433 --> 01:14:45,400 AND THE LITTLE TYKE TAKES IT AWAY. 1449 01:14:45,400 --> 01:14:47,466 [INDISTINCT] 1450 01:14:47,466 --> 01:14:49,233 Narrator: SOCIAL WORKERS FOUND THAT AMERICANS 1451 01:14:49,233 --> 01:14:51,133 WOULD SOONER SELL THEIR REFRIGERATORS, 1452 01:14:51,133 --> 01:14:53,766 BATHTUBS, TELEPHONES, AND BEDS 1453 01:14:53,766 --> 01:14:55,433 THAN PART WITH THE BOX 1454 01:14:55,433 --> 01:14:57,400 THAT CONNECTED THEM TO THE WORLD. 1455 01:14:57,400 --> 01:14:59,200 Woman: ♪ IN OLDEN DAYS ♪ 1456 01:14:59,200 --> 01:15:00,733 ♪ A GLIMPSE OF STOCKING ♪ 1457 01:15:00,733 --> 01:15:03,133 ♪ WAS LOOKED ON AS SOMETHING SHOCKING ♪ 1458 01:15:03,133 --> 01:15:06,200 ♪ BUT NOW, GOD KNOWS ♪ 1459 01:15:06,200 --> 01:15:09,033 ♪ ANYTHING GOES ♪ 1460 01:15:09,033 --> 01:15:11,133 ♪ JUST THINK OF THOSE SHOCKS YOU'VE GOT ♪ 1461 01:15:11,133 --> 01:15:12,566 ♪ AND THOSE KNOCKS YOU'VE GOT ♪ 1462 01:15:12,566 --> 01:15:14,066 ♪ AND THOSE BLUES YOU'VE GOT ♪ 1463 01:15:14,066 --> 01:15:15,633 ♪ FROM THOSE NEWS YOU'VE GOT ♪ 1464 01:15:15,633 --> 01:15:16,933 ♪ AND THOSE PAINS YOU'VE GOT ♪ 1465 01:15:16,933 --> 01:15:18,533 ♪ IF ANY BRAINS YOU'VE GOT ♪ 1466 01:15:18,533 --> 01:15:21,333 ♪ FROM THOSE LITTLE RADIOS ♪ 1467 01:15:21,333 --> 01:15:24,766 ♪ SO MISSUS "R" WITH ALL HER TRIMMIN'S ♪ 1468 01:15:24,766 --> 01:15:26,933 ♪ CAN BROADCAST A BED FROM SIMMONS ♪ 1469 01:15:26,933 --> 01:15:30,166 ♪ 'CAUSE FRANKLIN KNOWS ♪ 1470 01:15:30,166 --> 01:15:33,800 ♪ ANYTHING GOES ♪ 1471 01:15:33,800 --> 01:15:35,900 Man: GOOD EVENING, LADIES AND GENTLEMEN 1472 01:15:35,900 --> 01:15:37,566 OF THE RADIO AUDIENCE. 1473 01:15:42,033 --> 01:15:43,600 Man: WELL, HOWDY THERE, FOLKS, 1474 01:15:43,600 --> 01:15:47,766  AND WELCOME TOMELODY RANCH WITH GENE AUTRY. 1475 01:15:47,766 --> 01:15:52,133 Autry: ♪ I'M BACK IN THE SADDLE AGAIN... ♪ 1476 01:15:52,133 --> 01:15:54,000 Keillor: WE GOT A RADIO THEN... 1477 01:15:54,000 --> 01:15:57,200 IT WAS A BIG FLOOR MODEL ZENITH RADIO. 1478 01:15:57,200 --> 01:15:59,233 IT WAS REALLY A PIECE OF ARCHITECTURE. 1479 01:15:59,233 --> 01:16:01,933 IT HAD COLUMNS, AND IT HAD GRILL WORK, 1480 01:16:01,933 --> 01:16:03,966 AND IT HAD TREMENDOUS BASE SPEAKERS 1481 01:16:03,966 --> 01:16:05,666 THAT MUST HAVE SAT RIGHT ON THE FLOOR 1482 01:16:05,666 --> 01:16:07,133 OR ON THE FRAME 1483 01:16:07,133 --> 01:16:10,666 BECAUSE IF YOU-- IF YOU... 1484 01:16:10,666 --> 01:16:14,033 YOU LAY ON THE FLOOR, AS WE DID, 1485 01:16:14,033 --> 01:16:15,633 IF YOU LAY ON THE FLOOR ON YOUR BELLY, 1486 01:16:15,633 --> 01:16:19,366 YOU COULD FEEL THE SOUND COME UP THROUGH YOUR-- 1487 01:16:19,366 --> 01:16:20,433 THROUGH YOUR STOMACH, 1488 01:16:20,433 --> 01:16:24,333 AND SOME MEN'S VOICES ON THE RADIO 1489 01:16:24,333 --> 01:16:27,833 WOULD, UH, MAKE YOUR WHOLE BODY TREMBLE. 1490 01:16:27,833 --> 01:16:28,833 WE USED TO LIE THERE 1491 01:16:28,833 --> 01:16:31,700 AND LISTEN TO IT LATE AT NIGHT, 1492 01:16:31,700 --> 01:16:36,900 LISTEN TO SHOWS STARTING ABOUT 6:30 IN THE EVENING 1493 01:16:36,900 --> 01:16:40,533 UNTIL WE WERE PACKED OFF TO BED-- 1494 01:16:40,533 --> 01:16:43,033 JUST LIE THERE IN THE DARK ON THE FLOOR 1495 01:16:43,033 --> 01:16:45,900 CURLED UP, LISTENING TO THIS IMMENSE RADIO. 1496 01:16:45,900 --> 01:16:49,500 IT HAD A TUNING KNOB THAT WAS ABOUT AS BIG AS MY FIST, 1497 01:16:49,500 --> 01:16:52,266 AND YOU HAD TO SPIN IT A LONG TIME 1498 01:16:52,266 --> 01:16:55,933 TO GET IT FROM ONE END OF THE DIAL TO THE OTHER. 1499 01:16:55,933 --> 01:16:57,966 WE LIVED IN MINNESOTA, 1500 01:16:57,966 --> 01:17:02,100 AND IT BROUGHT IN STATIONS IN SALT LAKE CITY, 1501 01:17:02,100 --> 01:17:04,300 PITTSBURGH, KDKA, 1502 01:17:04,300 --> 01:17:07,933 AND SOMETIMES DURING THE WINTER, NASHVILLE, TENNESSEE. 1503 01:17:25,966 --> 01:17:29,800 Narrator: THE 3 MEN MOST RESPONSIBLE FOR RADIO'S POPULARITY 1504 01:17:29,800 --> 01:17:32,266 RARELY LISTENED TO IT. 1505 01:17:32,266 --> 01:17:33,900 DAVID SARNOFF WAS TOO BUSY 1506 01:17:33,900 --> 01:17:36,433 BUILDING HIS BROADCASTING EMPIRE. 1507 01:17:36,433 --> 01:17:40,066 LEE DE FOREST COULD NOT ENDURE THE COMMERCIALS. 1508 01:17:40,066 --> 01:17:42,966 TO THE NATIONAL ASSOCIATION OF BROADCASTERS, 1509 01:17:42,966 --> 01:17:44,966 NEW YORK CITY. 1510 01:17:44,966 --> 01:17:47,200 GENTLEMEN, 1511 01:17:47,200 --> 01:17:49,466 WHAT HAVE YOU DONE TO MY CHILD, 1512 01:17:49,466 --> 01:17:51,300 THE RADIO BROADCAST? 1513 01:17:51,300 --> 01:17:54,233 YOU HAVE DEBASED THIS CHILD, 1514 01:17:54,233 --> 01:17:57,766 DRESSED HIM IN RAGS OF RAGTIME, 1515 01:17:57,766 --> 01:18:00,966 TATTERS OF JIVE AND BOOGIE-WOOGIE. 1516 01:18:02,633 --> 01:18:05,800 Narrator: HOWARD ARMSTRONG DIDN'T LISTEN TO THE RADIO EITHER 1517 01:18:05,800 --> 01:18:08,600 BECAUSE HE WAS SO ANNOYED BY THE STATIC, 1518 01:18:08,600 --> 01:18:12,700 AND WORKING 17-HOUR DAYS, 7 DAYS A WEEK 1519 01:18:12,700 --> 01:18:14,733 FOR A DOLLAR A YEAR AT COLUMBIA, 1520 01:18:14,733 --> 01:18:19,500 HE STRUGGLED TO WORK OUT A WAY TO ELIMINATE IT. 1521 01:18:19,500 --> 01:18:20,866 Barnouw: SARNOFF HAD ONCE SAID TO HIM, 1522 01:18:20,866 --> 01:18:22,700 "WHY DON'T YOU COME UP WITH A LITTLE BLACK BOX 1523 01:18:22,700 --> 01:18:24,733 TO ELIMINATE STATIC?" 1524 01:18:24,733 --> 01:18:26,666 HE'D ALREADY BECOME A MILLIONAIRE 1525 01:18:26,666 --> 01:18:29,133 FROM PATENTS HE HAD SOLD TO RCA, 1526 01:18:29,133 --> 01:18:31,666 AND HE GOT BUSY IN THE BASEMENT OF PHILOSOPHY HALL 1527 01:18:31,666 --> 01:18:32,833 TO WORK ON THIS THING. 1528 01:18:35,000 --> 01:18:36,766 AND FINALLY, AFTER SEVERAL YEARS' WORK, 1529 01:18:36,766 --> 01:18:40,000 HE SAID TO SARNOFF IT WAS READY. 1530 01:18:40,000 --> 01:18:43,600 Narrator: HE HAD PERFECTED HIS THIRD GREAT DISCOVERY-- 1531 01:18:43,600 --> 01:18:45,866 FREQUENCY MODULATION. 1532 01:18:45,866 --> 01:18:49,300 Men and women: ♪ SWEET LAND OF LIBERTY ♪ 1533 01:18:49,300 --> 01:18:52,033 ♪ OF THEE I SING ♪ 1534 01:18:52,033 --> 01:18:53,066 Man: HOW DO YOU DO, LADIES AND GENTLEMEN? 1535 01:18:53,066 --> 01:18:54,066 Narrator: UNTIL THEN, 1536 01:18:54,066 --> 01:18:56,700 ALL RADIOS OPERATED ON A PRINCIPLE 1537 01:18:56,700 --> 01:19:00,700 KNOWN AS AMPLITUDE MODULATION, OR AM. 1538 01:19:00,700 --> 01:19:05,200 AM COULD NOT BROADCAST THE FULL RANGE OF SOUNDS 1539 01:19:05,200 --> 01:19:07,066 HUMANS COULD HEAR, 1540 01:19:07,066 --> 01:19:08,233 AND IN THUNDERSTORMS, 1541 01:19:08,233 --> 01:19:10,966 IT CRACKLED WITH STATIC. 1542 01:19:10,966 --> 01:19:14,866 BROADCASTERS HAD LONG RESIGNED THEMSELVES TO AM. 1543 01:19:14,866 --> 01:19:18,366 "STATIC, LIKE THE POOR," SAID ONE ENGINEER, 1544 01:19:18,366 --> 01:19:20,433 "WILL ALWAYS BE WITH US." 1545 01:19:20,433 --> 01:19:23,233 THE BEST WAY TO LIMIT IT, THEY THOUGHT, 1546 01:19:23,233 --> 01:19:27,200 WAS TO NARROW THE BAND OF THE AM WAVE. 1547 01:19:27,200 --> 01:19:30,833 ARMSTRONG DISAGREED. 1548 01:19:30,833 --> 01:19:33,466 HE SUSPECTED THAT BY WIDENING THE BAND 1549 01:19:33,466 --> 01:19:35,700 AND CHANGING THE WAVE'S FREQUENCY, 1550 01:19:35,700 --> 01:19:39,466 HE COULD ELIMINATE STATIC. 1551 01:19:39,466 --> 01:19:41,833 AFTER DOZENS OF EXPERIMENTS 1552 01:19:41,833 --> 01:19:44,833 INVOLVING SETS BUILT WITH HUNDREDS OF TUBES, 1553 01:19:44,833 --> 01:19:49,900 ARMSTRONG DISCOVERED WIDE BAND FREQUENCY MODULATION. 1554 01:19:49,900 --> 01:19:53,466 LISTENERS WOULD CALL IT FM. 1555 01:19:53,466 --> 01:19:56,600 "AN ERA AS NEW AND DISTINCT IN THE RADIO ART 1556 01:19:56,600 --> 01:19:59,100 AS THAT OF REGENERATION IS NOW UPON US," 1557 01:19:59,100 --> 01:20:00,900 ARMSTRONG WROTE. 1558 01:20:00,900 --> 01:20:06,233 "AFTER 10 YEARS OF ECLIPSE, MY STAR IS AGAIN RISING." 1559 01:20:06,233 --> 01:20:09,900 HE EAGERLY LOOKED TO HIS OLD FRIEND DAVID SARNOFF 1560 01:20:09,900 --> 01:20:11,500 FOR BACKING, 1561 01:20:11,500 --> 01:20:13,933 AND SARNOFF GAVE ARMSTRONG SPACE 1562 01:20:13,933 --> 01:20:16,466 AT THE TOP OF THE EMPIRE STATE BUILDING 1563 01:20:16,466 --> 01:20:20,300 TO CONTINUE HIS EXPERIMENTS AND TEST HIS NEW SYSTEM. 1564 01:20:29,366 --> 01:20:31,400 Jones: SARNOFF HAD ASKED 3 OF US 1565 01:20:31,400 --> 01:20:34,766 TO WITNESS THE DEMONSTRATION AND EXPLAIN IT, 1566 01:20:34,766 --> 01:20:38,533 SO WE WENT TO ARMSTRONG'S LABORATORY, 1567 01:20:38,533 --> 01:20:41,966 AND...WELL, THE DEMONSTRATION WAS QUITE SIMPLE. 1568 01:20:41,966 --> 01:20:45,066 WHEN HE TURNED ON THE AM TRANSMITTED RECEIVER, 1569 01:20:45,066 --> 01:20:47,166 THE MUSIC CAME THROUGH LOUD AND CLEAR. 1570 01:20:47,166 --> 01:20:49,133 WHEN HE TURNED ON THE INTERFERENCE DEVICE, 1571 01:20:49,133 --> 01:20:51,766 THE MUSIC WAS HARDLY ACCEPTABLE; IT WAS FULL OF NOISE. 1572 01:20:51,766 --> 01:20:54,833 THEN HE TURNED ON THE FM TRANSMITTED RECEIVER. 1573 01:20:54,833 --> 01:20:56,700 THE MUSIC CAME THROUGH LOUD AND CLEAR. 1574 01:20:59,833 --> 01:21:02,833 AND WHEN HE TURNED ON THE INTERFERENCE DEVICE, 1575 01:21:02,833 --> 01:21:06,100 THE MUSIC STILL CAME THROUGH LOUD AND CLEAR, 1576 01:21:06,100 --> 01:21:08,433 AND WE WERE, FRANKLY, FLABBERGASTED. 1577 01:21:11,766 --> 01:21:15,100 THE QUALITY WAS SO DISTINCT AND SO GOOD 1578 01:21:15,100 --> 01:21:16,766 THAT YOU COULD TELL IF THE SAW 1579 01:21:16,766 --> 01:21:20,433 WAS A CROSSCUT SAW OR A RIP SAW. 1580 01:21:20,433 --> 01:21:21,766 STRIKING OF A MATCH-- 1581 01:21:21,766 --> 01:21:23,866 YOU COULD TELL IF A MATCH WAS A PAPER MATCH 1582 01:21:23,866 --> 01:21:25,466 OR A WOODEN MATCH. 1583 01:21:25,466 --> 01:21:28,966 NOW, THESE WERE UNHEARD-OF THINGS IN BROADCASTING. 1584 01:21:32,633 --> 01:21:34,000 Narrator: SARNOFF HAD ALWAYS HOPED 1585 01:21:34,000 --> 01:21:35,400 SOMEONE WOULD COME UP WITH A WAY 1586 01:21:35,400 --> 01:21:39,000 TO CLEAN UP RADIO SIGNALS, HE TOLD ARMSTRONG, 1587 01:21:39,000 --> 01:21:41,966 BUT FM WAS SOMETHING ELSE AGAIN. 1588 01:21:41,966 --> 01:21:45,266 "IT IS A REVOLUTION," HE SAID, 1589 01:21:45,266 --> 01:21:49,600 AND REQUIRED AN ENTIRELY NEW SYSTEM OF BROADCASTING. 1590 01:21:49,600 --> 01:21:52,433 BUT THAT WOULD MEAN SCRAPPING MILLIONS 1591 01:21:52,433 --> 01:21:55,266 OF EXISTING AM SETS. 1592 01:21:55,266 --> 01:21:58,066 SARNOFF WAS NOT INTERESTED. 1593 01:21:59,700 --> 01:22:03,300 HE EVEN ASKED ARMSTRONG TO REMOVE HIS APPARATUS 1594 01:22:03,300 --> 01:22:06,200 FROM THE EMPIRE STATE BUILDING. 1595 01:22:06,200 --> 01:22:07,933 HE NEEDED THE ROOM, HE SAID, 1596 01:22:07,933 --> 01:22:13,066 TO CONTINUE WORK ON ANOTHER, STILL MORE STARTLING INVENTION. 1597 01:22:13,066 --> 01:22:20,900 AND NOW WE ADD RADIO SIGHT TO SOUND. 1598 01:22:20,900 --> 01:22:23,333 AT THE 1939 WORLD'S FAIR, 1599 01:22:23,333 --> 01:22:27,366 IN FRONT OF AN RCA PAVILION SHAPED LIKE A RADIO TUBE, 1600 01:22:27,366 --> 01:22:29,100 SARNOFF MADE AN ANNOUNCEMENT 1601 01:22:29,100 --> 01:22:32,433 THAT WOULD CHANGE BROADCASTING FOREVER. 1602 01:22:32,433 --> 01:22:34,666 IT WAS TELEVISION. 1603 01:22:34,666 --> 01:22:36,566 FOR A DECADE, 1604 01:22:36,566 --> 01:22:39,600 DAVID SARNOFF HAD DIRECTED A TEAM OF ENGINEERS 1605 01:22:39,600 --> 01:22:41,266 WORKING IN HIS LABORATORIES 1606 01:22:41,266 --> 01:22:44,700 TO MAKE THE DREAM OF VISIONARIES AND INVENTORS 1607 01:22:44,700 --> 01:22:46,900 A REALITY. 1608 01:22:46,900 --> 01:22:50,133 BACKED BY $50 MILLION OF RCA MONEY, 1609 01:22:50,133 --> 01:22:51,666 THEY SUCCEEDED. 1610 01:22:51,666 --> 01:22:53,800 BUT OTHERS WOULD LATER CLAIM 1611 01:22:53,800 --> 01:22:57,900 THAT RCA HAD STOLEN SOME OF THE CRITICAL INVENTIONS 1612 01:22:57,900 --> 01:23:00,366 THAT MADE TELEVISION WORK. 1613 01:23:02,933 --> 01:23:05,300 AND LEE DE FOREST, REMINDING PEOPLE 1614 01:23:05,300 --> 01:23:09,066 THAT HIS AUDION HAD MADE THE NEW MEDIUM POSSIBLE, 1615 01:23:09,066 --> 01:23:14,333 PROCLAIMED HIMSELF TO BE THE GRANDFATHER OF TELEVISION. 1616 01:23:14,333 --> 01:23:19,866 Barnouw: SARNOFF WAS RELYING ON THE HUGE INCOME FROM RADIO 1617 01:23:19,866 --> 01:23:22,733 TO FINANCE HIS PLANS FOR TELEVISION, 1618 01:23:22,733 --> 01:23:25,333 AND IT WAS GOING TO TAKE ITS PLACE AS RADIO HAD DONE. 1619 01:23:25,333 --> 01:23:29,166 SO SARNOFF SAW FM NOT ONLY AS A THREAT 1620 01:23:29,166 --> 01:23:31,200 TO HIS TECHNICAL PLANS, 1621 01:23:31,200 --> 01:23:33,700 BUT AS A THREAT TO HIS ECONOMIC PLANS. 1622 01:23:38,966 --> 01:23:41,166 Narrator: HURT BY HIS OLD FRIEND'S REJECTION 1623 01:23:41,166 --> 01:23:44,866 AND ANGERED BY HIS EVICTION FROM THE EMPIRE STATE BUILDING, 1624 01:23:44,866 --> 01:23:49,300 ARMSTRONG DECIDED TO DEVELOP FM ALONE. 1625 01:23:50,733 --> 01:23:53,466 ON THE PALISADES AT ALPINE, NEW JERSEY, 1626 01:23:53,466 --> 01:23:55,900 500 FEET ABOVE THE HUDSON RIVER, 1627 01:23:55,900 --> 01:24:00,466 HE BUILT A 425-FOOT RADIO TOWER. 1628 01:24:00,466 --> 01:24:04,166 IT COULD BE SEEN FROM DAVID SARNOFF'S OFFICE 1629 01:24:04,166 --> 01:24:05,866 IN THE RCA BUILDING. 1630 01:24:08,966 --> 01:24:14,366 THESE ARE FM STATIONS W2XMN AND W2XEA 1631 01:24:14,366 --> 01:24:16,866 LOCATED AT ALPINE, NEW JERSEY. 1632 01:24:16,866 --> 01:24:18,733 ARMSTRONG BEGAN BROADCASTING 1633 01:24:18,733 --> 01:24:21,800 AND LICENSING COMPANIES TO MAKE FM RECEIVERS. 1634 01:24:24,166 --> 01:24:25,900 LISTENERS NOW HEARD 1635 01:24:25,900 --> 01:24:29,300 HOW CLEAR THE FM SIGNAL REALLY WAS. 1636 01:24:29,300 --> 01:24:31,700 FM CAUGHT ON, 1637 01:24:31,700 --> 01:24:36,366 AND ARMSTRONG EXUBERANTLY THREW HIMSELF INTO THE WORK. 1638 01:24:36,366 --> 01:24:37,966 BY FREQUENCY MODULATION, 1639 01:24:37,966 --> 01:24:39,966 THESE RELAYED PROGRAMS ARE TRANSMITTED 1640 01:24:39,966 --> 01:24:42,900 FROM STATION TO STATION, FROM CITY TO CITY, 1641 01:24:42,900 --> 01:24:44,566 AND FROM MOUNTAINTOP TO MOUNTAINTOP, 1642 01:24:44,566 --> 01:24:46,300 WITHOUT TELEPHONE CONNECTIONS, 1643 01:24:46,300 --> 01:24:51,666 BY MEANS OF CRYSTAL-CLEAR FM BROADCASTING. 1644 01:24:51,666 --> 01:24:53,133 TONIGHT, THE UNITED STATES... 1645 01:24:53,133 --> 01:24:56,033 WHEN SARNOFF BELATEDLY OFFERED ARMSTRONG A MILLION DOLLARS 1646 01:24:56,033 --> 01:24:58,333 FOR THE RIGHTS TO MANUFACTURE FM, 1647 01:24:58,333 --> 01:25:00,166 THE INVENTOR REFUSED. 1648 01:25:02,000 --> 01:25:05,133 RCA COULD PAY A FEE FOR EACH RADIO IT MADE, 1649 01:25:05,133 --> 01:25:06,866 JUST AS OTHER COMPANIES DID. 1650 01:25:09,500 --> 01:25:12,166 SOON THERE WERE HALF A MILLION FM RADIOS 1651 01:25:12,166 --> 01:25:13,766 RECEIVING HIS BROADCASTS 1652 01:25:13,766 --> 01:25:15,733 ALL ACROSS THE NORTHEAST, 1653 01:25:15,733 --> 01:25:18,033 ALONG THE YANKEE NETWORK. 1654 01:25:50,833 --> 01:25:52,400 FROM WORCESTER, MASSACHUSETTS, 1655 01:25:52,400 --> 01:25:55,100 TO THE TOP OF MOUNT WASHINGTON IN NEW HAMPSHIRE, 1656 01:25:55,100 --> 01:25:58,733 FM SIGNALS WERE RELAYED ABOUT NEW ENGLAND. 1657 01:25:58,733 --> 01:26:01,266 THE YANKEE NETWORK, ARMSTRONG HOPED, 1658 01:26:01,266 --> 01:26:03,733 WOULD SOON RIVAL NBC. 1659 01:26:07,833 --> 01:26:11,466 BUT DAVID SARNOFF DID HIS BEST TO SUPPRESS FM, 1660 01:26:11,466 --> 01:26:15,000 KEEPING IT FROM THE INDUSTRY AND THE WORLD SO EFFECTIVELY 1661 01:26:15,000 --> 01:26:17,233 THAT, YEARS AFTER ITS INVENTION, 1662 01:26:17,233 --> 01:26:21,766 EVEN SOME RADIO ENGINEERS DIDN'T UNDERSTAND HOW IT WORKED 1663 01:26:21,766 --> 01:26:25,033 AND HOW REVOLUTIONARY IT WAS. 1664 01:26:25,033 --> 01:26:30,633 THE OLD FRIENDS WERE BECOMING BITTER ENEMIES. 1665 01:26:30,633 --> 01:26:34,766 Morris: THERE WAS NO QUESTION THAT THE FM SYSTEM WAS SUPERIOR. 1666 01:26:34,766 --> 01:26:37,300 AND HIS ANSWER TO THAT WAS, 1667 01:26:37,300 --> 01:26:38,600 "THEN, IF THAT IS THE CASE, 1668 01:26:38,600 --> 01:26:43,466 WHY DO YOU NOT GET RID OF AM AND PUT IN FM?" 1669 01:26:43,466 --> 01:26:45,933 WELL, NO ONE COULD DO THAT. 1670 01:26:45,933 --> 01:26:47,633 AM WAS TOO WELL-ESTABLISHED. 1671 01:26:47,633 --> 01:26:49,033 THERE WERE TOO MANY MILLION PEOPLE 1672 01:26:49,033 --> 01:26:51,566 USING TOO MANY MILLION RECEIVERS, 1673 01:26:51,566 --> 01:26:55,933 AND WITH--GENERALLY WITH GOOD SATISFACTION. 1674 01:26:58,066 --> 01:27:04,000 ARMSTRONG'S, UH, DOWNFALL, I'M AFRAID, 1675 01:27:04,000 --> 01:27:08,333 CAME AS A RESULT OF HIS INABILITY TO COMPROMISE. 1676 01:27:11,166 --> 01:27:12,366 WE INTERRUPT THIS PROGRAM 1677 01:27:12,366 --> 01:27:14,066 TO BRING YOU A SPECIAL NEWS BULLETIN. 1678 01:27:14,066 --> 01:27:17,100 THE JAPANESE HAVE ATTACKED PEARL HARBOR, HAWAII, BY AIR, 1679 01:27:17,100 --> 01:27:20,233 PRESIDENT ROOSEVELT HAS JUST ANNOUNCED. 1680 01:27:20,233 --> 01:27:24,366 Narrator: IN 1941, JAPANESE FIGHTER PLANES, 1681 01:27:24,366 --> 01:27:28,066 HOMING IN ON STATION KGMB IN HONOLULU, 1682 01:27:28,066 --> 01:27:30,266 DESTROYED MOST OF THE PACIFIC FLEET 1683 01:27:30,266 --> 01:27:32,866 AT PEARL HARBOR, 1684 01:27:32,866 --> 01:27:35,200 PUTTING ASIDE, AT LEAST FOR A WHILE, 1685 01:27:35,200 --> 01:27:39,166 THE OLD ANIMOSITIES BETWEEN THE MEN WHO HAD MADE RADIO. 1686 01:27:40,566 --> 01:27:41,933 I REGRET TO TELL YOU 1687 01:27:41,933 --> 01:27:46,266 THAT VERY MANY AMERICAN LIVES HAVE BEEN LOST. 1688 01:27:46,266 --> 01:27:47,666 IN ADDITION, AMERICAN SHIPS HAVE BEEN... 1689 01:27:47,666 --> 01:27:48,900 FOR MOST CIVILIANS, 1690 01:27:48,900 --> 01:27:51,933 WORLD WAR II WOULD BE A WAR OF RADIO VOICES. 1691 01:27:51,933 --> 01:27:54,633 Man: ...BETWEEN SAN FRANCISCO AND HONOLULU. 1692 01:27:54,633 --> 01:27:56,900 Different man: YOU PROBABLY HEAR, THERE'S GUNFIRE GOING ON ALL AROUND US. 1693 01:27:56,900 --> 01:28:00,433 NOW WE ARE NOW INSIDE THE SCREEN OF WARSHIPS. 1694 01:28:00,433 --> 01:28:03,933 THERE'S NO MORE WARSHIPS BETWEEN US AND THE BEACH. 1695 01:28:03,933 --> 01:28:07,366 Churchill: SAIL ON, O SHIP OF STATE! 1696 01:28:07,366 --> 01:28:10,633 SAIL ON, O UNION, STRONG AND GREAT! 1697 01:28:10,633 --> 01:28:14,166 HUMANITY WITH ALL ITS FEARS, 1698 01:28:14,166 --> 01:28:17,500 WITH ALL THE HOPES OF FUTURE YEARS, 1699 01:28:17,500 --> 01:28:19,933 IS HANGING BREATHLESS ON THY FATE! 1700 01:28:19,933 --> 01:28:21,633 [MORSE CODE] 1701 01:28:21,633 --> 01:28:25,000 Man: ENEMY, HEAVY CROSS-SHELLING AND BOMBING. 1702 01:28:25,000 --> 01:28:29,100 THEY HAVE BEEN SHELLING US FASTER THAN YOU CAN COUNT. 1703 01:28:29,100 --> 01:28:33,100 ARMS WEAK FROM POUNDING KEY LONG HOURS. 1704 01:28:33,100 --> 01:28:35,033 NO REST. 1705 01:28:35,033 --> 01:28:37,633 SHORT RATIONS. 1706 01:28:37,633 --> 01:28:39,733 DAMAGE, TERRIFIC. 1707 01:28:39,733 --> 01:28:44,033 TOO MUCH FOR GUYS TO TAKE. 1708 01:28:44,033 --> 01:28:48,133 CORREGIDOR USED TO BE A NICE PLACE. 1709 01:28:48,133 --> 01:28:51,866 IT'S HAUNTED NOW. 1710 01:28:51,866 --> 01:28:55,866 THEY HAVE GOT US ALL AROUND AND FROM SKIES. 1711 01:28:59,433 --> 01:29:03,366 MY NAME...IRVING STROBIC. 1712 01:29:03,366 --> 01:29:06,333 GET THIS TO MY MOTHER, 1713 01:29:06,333 --> 01:29:12,800 AND TELL MY MOTHER HOW YOU HEARD FROM ME. 1714 01:29:12,800 --> 01:29:14,400 STAND BY. 1715 01:29:14,400 --> 01:29:16,500 [MORSE CODE] 1716 01:29:20,233 --> 01:29:23,400 Man: NOTHING FURTHER HAS BEEN HEARD FROM CORREGIDOR. 1717 01:29:28,433 --> 01:29:32,166 Narrator: LEE DE FOREST WAS 68 WHEN THE WAR BEGAN, 1718 01:29:32,166 --> 01:29:33,933 DISAPPOINTED TO DISCOVER THAT 1719 01:29:33,933 --> 01:29:36,800 "THE WAR WOULD BE WON EVEN WITHOUT MY HELP" 1720 01:29:36,800 --> 01:29:40,066 AND EMBARRASSED WHEN ONE OF HIS NEW INVENTIONS, 1721 01:29:40,066 --> 01:29:42,166 A SELF-DIRECTING BOMB, 1722 01:29:42,166 --> 01:29:44,733 NARROWLY MISSED THE GENERALS WHO HAD GATHERED WITH HIM 1723 01:29:44,733 --> 01:29:45,900 TO SEE IT TESTED. 1724 01:29:45,900 --> 01:29:48,733 [EXPLOSION] 1725 01:29:48,733 --> 01:29:52,100 JUST AS HE HAD DURING WORLD WAR I, 1726 01:29:52,100 --> 01:29:55,700 HOWARD ARMSTRONG OFFERED HIS SERVICES TO THE COUNTRY. 1727 01:29:58,366 --> 01:30:01,433 Gunther: HE WAS AN EXTREMELY GREAT PATRIOT. 1728 01:30:01,433 --> 01:30:06,033 WORLD WAR II REALLY PROVED THAT MORE THAN WORLD WAR I 1729 01:30:06,033 --> 01:30:09,066 BY THE SIMPLE FACT THAT HE IMMEDIATELY-- 1730 01:30:09,066 --> 01:30:10,266 AND HE WASN'T ASKED TO DO THIS; 1731 01:30:10,266 --> 01:30:12,466 HE DID THIS ON HIS OWN VERY QUICKLY-- 1732 01:30:12,466 --> 01:30:17,300 TURNED ALL HIS PATENTS OVER TO THE U.S. GOVERNMENT FOR FREE. 1733 01:30:17,300 --> 01:30:18,966 [MORSE CODE] 1734 01:30:21,033 --> 01:30:23,666 Narrator: THIS TIME DAVID SARNOFF WENT TO WAR, 1735 01:30:23,666 --> 01:30:27,300 SUPERVISING THE DESIGN OF THE COMMUNICATIONS SYSTEM 1736 01:30:27,300 --> 01:30:30,433 THAT HELPED MAKE POSSIBLE THE INVASION OF NORMANDY. 1737 01:30:30,433 --> 01:30:32,733 THAT APPEARS TO BE THE ONLY FIRING SO FAR. 1738 01:30:32,733 --> 01:30:36,966 IT IS PERHAPS THE INITIAL WARNING 1739 01:30:36,966 --> 01:30:39,000 TO THE NAZIS ON THE BEACH. 1740 01:30:39,000 --> 01:30:41,866 Announcer: GENERAL DWIGHT D. EISENHOWER. 1741 01:30:41,866 --> 01:30:43,800 Eisenhower: PEOPLE OF WESTERN EUROPE, 1742 01:30:43,800 --> 01:30:47,633 A LANDING WAS MADE THIS MORNING ON THE COAST OF FRANCE 1743 01:30:47,633 --> 01:30:49,966 BY TROOPS OF THE ALLIED EXPEDITIONARY FORCE. 1744 01:30:55,266 --> 01:30:57,766 WHEN DAVID SARNOFF RETURNED TO RCA 1745 01:30:57,766 --> 01:31:00,333 IN JANUARY OF 1945, 1746 01:31:00,333 --> 01:31:02,433 WORD SPREAD THROUGH THE CORRIDORS 1747 01:31:02,433 --> 01:31:03,933 AT ROCKEFELLER CENTER, 1748 01:31:03,933 --> 01:31:06,033 THE LABORATORIES IN NEW JERSEY, 1749 01:31:06,033 --> 01:31:07,900 AND THE FACTORIES IN PENNSYLVANIA, 1750 01:31:07,900 --> 01:31:10,133 CALIFORNIA, AND INDIANA 1751 01:31:10,133 --> 01:31:13,800 THAT HENCEFORTH, THE PRESIDENT OF RCA 1752 01:31:13,800 --> 01:31:16,866 WAS TO BE CALLED  GENERALSARNOFF. 1753 01:31:18,366 --> 01:31:19,800 LADIES AND GENTLEMEN, 1754 01:31:19,800 --> 01:31:21,600 THE PRESIDENT OF THE UNITED STATES. 1755 01:31:21,600 --> 01:31:23,066 THE WORLD WILL NOTE 1756 01:31:23,066 --> 01:31:26,933 THAT THE FIRST ATOMIC BOMB WAS DROPPED ON HIROSHIMA, 1757 01:31:26,933 --> 01:31:28,366 A MILITARY BASE. 1758 01:31:28,366 --> 01:31:31,800 Man: 7 P.M., EASTERN WAR TIME, BOB TROUT REPORTING. 1759 01:31:31,800 --> 01:31:35,833 THE JAPANESE HAVE ACCEPTED OUR TERMS FULLY. 1760 01:31:35,833 --> 01:31:37,266 THIS, LADIES AND GENTLEMEN, 1761 01:31:37,266 --> 01:31:39,766 IS THE END OF THE SECOND WORLD WAR. 1762 01:31:39,766 --> 01:31:41,133 THAT'S THE WORD WE'VE JUST RECEIVED 1763 01:31:41,133 --> 01:31:42,700 FROM THE WHITE HOUSE IN WASHINGTON. 1764 01:31:42,700 --> 01:31:45,033 BUT THE WAR'S END BROUGHT NO PEACE 1765 01:31:45,033 --> 01:31:47,066 IN THE BATTLE OVER FM. 1766 01:31:48,600 --> 01:31:54,166 I CAN'T ACCOUNT FOR THE ANTIPATHY, THE ENMITY, 1767 01:31:54,166 --> 01:31:55,666 THE FEELING THAT-- 1768 01:31:55,666 --> 01:31:58,633 THAT BUILT UP IN LATER YEARS 1769 01:31:58,633 --> 01:32:03,066 BETWEEN SARNOFF AND ARMSTRONG. 1770 01:32:03,066 --> 01:32:05,566 I--I DON'T KNOW WHOSE FAULT IT WAS. 1771 01:32:05,566 --> 01:32:09,766 I--I NEVER SAW THE NEED OR THE REASON FOR IT. 1772 01:32:09,766 --> 01:32:11,666 I ALWAYS THOUGHT IT WAS MOST UNFORTUNATE, 1773 01:32:11,666 --> 01:32:17,033 BECAUSE TO THE EXTENT THAT IT LEAD TO ARMSTRONG'S DEATH, 1774 01:32:17,033 --> 01:32:21,433 IT WAS A TERRIBLE WASTE OF EXTREMELY VALUABLE TALENT. 1775 01:32:21,433 --> 01:32:26,200 I MEAN, WHO KNOWS WHAT ADDITIONAL DEVELOPMENTS 1776 01:32:26,200 --> 01:32:30,833 COULD HAVE COME FROM ARMSTRONG IN HIS LATER YEARS. 1777 01:32:30,833 --> 01:32:33,233 AND OF COURSE, WE--WE'LL NEVER KNOW. 1778 01:32:40,866 --> 01:32:44,533 PRESENTING THE BIG CHANGE IN TELEVISION STYLING. 1779 01:32:47,533 --> 01:32:48,900 "PEACE WILL FIND THE WORLD 1780 01:32:48,900 --> 01:32:50,833 ON THE THRESHOLD OF TELEVISION," 1781 01:32:50,833 --> 01:32:53,366 DAVID SARNOFF SAID. 1782 01:32:53,366 --> 01:32:56,433 AND HE MADE SURE RCA WAS READY. 1783 01:32:56,433 --> 01:32:58,166 ♪ THE BIG CHANGE ♪ 1784 01:32:58,166 --> 01:33:00,933 ♪ COMPLETE RESTYLING ♪ 1785 01:33:00,933 --> 01:33:02,333 ♪ THE BIG CHANGE... ♪ 1786 01:33:02,333 --> 01:33:03,866 Bilby: I THINK THE THING THAT SURPRISED US 1787 01:33:03,866 --> 01:33:05,600 WAS HOW QUICKLY IT CAME, 1788 01:33:05,600 --> 01:33:08,800 HOW QUICKLY WE GOT TO THE CRITICAL MASS 1789 01:33:08,800 --> 01:33:10,800 WHERE ADVERTISERS WERE INTERESTED 1790 01:33:10,800 --> 01:33:14,033 IN GOING IN AND SPENDING SUBSTANTIAL SUMS OF MONEY. 1791 01:33:14,033 --> 01:33:16,500 ♪ AND YOU'LL FLIP, YES, SIREE ♪ 1792 01:33:16,500 --> 01:33:18,033 ♪ ABOUT THE BIG CHANGE ♪ 1793 01:33:18,033 --> 01:33:22,233 ♪ IN RCA VICTOR TELEVISION HISTORY ♪ 1794 01:33:22,233 --> 01:33:23,266 ♪ THE BIG CHANGE ♪ 1795 01:33:23,266 --> 01:33:24,966 ♪ THE BIG CHANGE ♪ 1796 01:33:24,966 --> 01:33:27,033   Bilby: BY 1954, '55, 1797 01:33:27,033 --> 01:33:29,533 PEOPLE NO LONGER TALKED ABOUT RADIO. 1798 01:33:29,533 --> 01:33:31,000 THE OLD DAYS, THE OLD PROGRAMS 1799 01:33:31,000 --> 01:33:34,200 WERE EITHER TRANSFERRED TO TELEVISION BY THAT TIME-- 1800 01:33:34,200 --> 01:33:37,666 LIKEAMOS 'N' ANDY,  FRED ALLEN,AND SO FORTH-- 1801 01:33:37,666 --> 01:33:39,733 OR THEY WERE GONE ALTOGETHER. 1802 01:33:39,733 --> 01:33:41,500 I THINK, REALLY, LADIES AND GENTLEMEN, 1803 01:33:41,500 --> 01:33:44,800 TELEVISION IS GOING TO BE THE UNDOING OF RADIO EVENTUALLY. 1804 01:33:44,800 --> 01:33:46,433 BECAUSE-- I'LL TELL YOU WHY-- 1805 01:33:46,433 --> 01:33:49,066 IN THE OLD DAYS, AN ACTOR IN RADIO 1806 01:33:49,066 --> 01:33:52,400 COULD GO UP TO AN EMPTY RADIO STUDIO, 1807 01:33:52,400 --> 01:33:54,933 DO A TERRIBLE PROGRAM, AND GO HOME WITHOUT WORRYING. 1808 01:33:54,933 --> 01:33:56,800 NOBODY KNEW WHAT HE LOOKED LIKE. 1809 01:33:56,800 --> 01:33:58,733 BUT WITH TELEVISION, IF YOU DO A BAD PROGRAM, 1810 01:33:58,733 --> 01:34:00,533 EVERYBODY CAN SEE YOU, 1811 01:34:00,533 --> 01:34:03,833 AND SOMEBODY, SURE AS FATE, AS YOU'RE WALKING HOME, 1812 01:34:03,833 --> 01:34:07,133 IS GONNA GET YOU AND BEAT YOUR BRAINS OUT ON THE WAY HOME. 1813 01:34:07,133 --> 01:34:08,600 BUT THAT'S ALL WE HAVE TIME FOR. 1814 01:34:08,600 --> 01:34:10,433 THAT'S RIGHT. WE'RE GOING TO- 1815 01:34:10,433 --> 01:34:12,233 HAVE THE SAME TROUBLE IN TELEVISION I HAD IN RADIO. 1816 01:34:12,233 --> 01:34:13,233 THAT'S RIGHT. 1817 01:34:13,233 --> 01:34:14,900 [AUDIENCE LAUGHS] 1818 01:34:14,900 --> 01:34:16,366 WE'LL BE BACK IN JUST A MOMENT. 1819 01:34:16,366 --> 01:34:18,500 Corwin: WHEN PEOPLE SPEAK OF THE GOLDEN AGE OF RADIO, 1820 01:34:18,500 --> 01:34:21,333 THEY'RE SPEAKING OF THE SHORTEST GOLDEN AGE IN HISTORY. 1821 01:34:21,333 --> 01:34:26,766 ITS GOLDEN YEARS PERHAPS COVERED A DECADE-- 1822 01:34:26,766 --> 01:34:29,500 A LITTLE MORE THAN THAT, MAYBE 15 YEARS-- 1823 01:34:29,500 --> 01:34:34,033 AND IT WAS CUT SHORT BY THE RELEASE OF TELEVISION. 1824 01:34:36,233 --> 01:34:41,600 TONIGHT YOU ARE ENJOYING THE MIRACLE OF RADIO... 1825 01:34:41,600 --> 01:34:46,433 RADIO AT ITS FINEST, OVER FREQUENCY MODULATION. 1826 01:34:46,433 --> 01:34:50,100 Narrator: BUT HOWARD ARMSTRONG WAS STILL STUBBORNLY DETERMINED 1827 01:34:50,100 --> 01:34:51,966 TO STICK WITH FM. 1828 01:34:54,133 --> 01:34:57,200 MEANWHILE, THE FEDERAL COMMUNICATIONS COMMISSION 1829 01:34:57,200 --> 01:35:00,500 HAD DECLARED THAT ALL SOUND FOR TELEVISION 1830 01:35:00,500 --> 01:35:02,466 WOULD BE CARRIED OVER FM, 1831 01:35:02,466 --> 01:35:06,733 WHICH MEANT MILLIONS IN ROYALTIES FOR ARMSTRONG. 1832 01:35:06,733 --> 01:35:10,133 BUT RCA REFUSED TO PAY ROYALTIES, 1833 01:35:10,133 --> 01:35:13,600 ENCOURAGED OTHER MANUFACTURERS NOT TO PAY THEM EITHER, 1834 01:35:13,600 --> 01:35:17,833 AND DEVELOPED CIRCUITS WHICH IT CLAIMED WERE DIFFERENT. 1835 01:35:17,833 --> 01:35:21,100 AND IN AN ATTEMPT TO PUT ARMSTRONG OUT OF BUSINESS 1836 01:35:21,100 --> 01:35:22,766 ONCE AND FOR ALL, 1837 01:35:22,766 --> 01:35:25,833 SARNOFF SUCCESSFULLY LOBBIED THE FCC 1838 01:35:25,833 --> 01:35:28,500 TO CHANGE FM's FREQUENCY, 1839 01:35:28,500 --> 01:35:31,833 MAKING OBSOLETE EVERY ONE OF THE RADIOS 1840 01:35:31,833 --> 01:35:33,700 ARMSTRONG HAD LICENSED. 1841 01:35:37,533 --> 01:35:40,333 ARMSTRONG FOUGHT BACK AS BEST HE COULD, 1842 01:35:40,333 --> 01:35:43,233 LAUNCHING A SERIES OF SUITS AGAINST RCA 1843 01:35:43,233 --> 01:35:45,766 AND OTHER GIANT CORPORATIONS AS WELL, 1844 01:35:45,766 --> 01:35:49,466 WHOSE BIG PROFITS WERE BUILT ON HIS INVENTIONS. 1845 01:35:49,466 --> 01:35:51,733 HE CHARGED INFRINGEMENTS OF HIS PATENTS 1846 01:35:51,733 --> 01:35:55,333 IN VIOLATION OF THE ANTITRUST LAWS. 1847 01:35:55,333 --> 01:35:58,233 THIS WENT ON FOR MANY, MANY YEARS, 1848 01:35:58,233 --> 01:36:01,033 AND IT WAS A REPETITIVE TYPE OF A BATTLE. 1849 01:36:01,033 --> 01:36:02,400 HE'D PROVE IT 1850 01:36:02,400 --> 01:36:05,633 AND THEN HAVE TO PROVE IT OVER AGAIN AND OVER AGAIN. 1851 01:36:05,633 --> 01:36:08,066 AND THE LAWSUITS AND THE DOLLARS AND THE TIME 1852 01:36:08,066 --> 01:36:10,866 JUST MUST HAVE DONE SOMETHING. 1853 01:36:10,866 --> 01:36:13,433 Narrator: HE KNEW WHAT HE WAS UP AGAINST. 1854 01:36:13,433 --> 01:36:14,700 "THEY WILL STALL THIS THING 1855 01:36:14,700 --> 01:36:17,200 UNTIL I'M DEAD OR BROKE," HE SAID, 1856 01:36:17,200 --> 01:36:21,166 AFTER PAYING HIS FIRST MILLION DOLLARS IN LEGAL FEES. 1857 01:36:21,166 --> 01:36:23,666 ROYALTY INCOME DWINDLED. 1858 01:36:23,666 --> 01:36:26,100 HIS PATENTS WERE EXPIRING; 1859 01:36:26,100 --> 01:36:28,866 HIS HEALTH DETERIORATED; 1860 01:36:28,866 --> 01:36:31,000 BUT HE COULD NOT HELP HIMSELF. 1861 01:36:33,500 --> 01:36:37,033 Man: IT'S A KIND OF AN IRONY THAT THOSE QUALITIES 1862 01:36:37,033 --> 01:36:42,100 THAT RESULTED IN HIS GREAT ACCOMPLISHMENTS IN RADIO, 1863 01:36:42,100 --> 01:36:47,900 THE ABILITY TO GO THROUGH A BRICK WALL ON RADIO THEORY, 1864 01:36:47,900 --> 01:36:52,500 WERE THE VERY QUALITIES, UM... 1865 01:36:52,500 --> 01:36:54,000 WHICH BROKE HIM DOWN. 1866 01:36:55,900 --> 01:36:59,900 Narrator: BY 1953, ARMSTRONG HAD SPENT ANOTHER MILLION DOLLARS 1867 01:36:59,900 --> 01:37:02,100 FIGHTING HIS CASE. 1868 01:37:02,100 --> 01:37:05,033 HIS ATTORNEY PREDICTED THAT HE WOULD WIN IN THE END, 1869 01:37:05,033 --> 01:37:08,266 BUT IT WOULD TAKE ANOTHER 9 YEARS. 1870 01:37:08,266 --> 01:37:09,633 THAT THANKSGIVING, 1871 01:37:09,633 --> 01:37:11,700 ALL THE INTENSITY AND FRUSTRATION 1872 01:37:11,700 --> 01:37:15,166 OF ARMSTRONG'S OBSESSIVE BATTLE WITH RCA 1873 01:37:15,166 --> 01:37:19,566 SUDDENLY EXPLODED IN A GREAT RAGE UPON HIS WIFE. 1874 01:37:19,566 --> 01:37:23,033 ARMSTRONG SWUNG WITH A FIRE POKER. 1875 01:37:23,033 --> 01:37:26,100 THE BLOW LANDED ON MARION'S RIGHT ARM. 1876 01:37:26,100 --> 01:37:29,333 IN A PANIC, SHE FLED. 1877 01:37:29,333 --> 01:37:31,266 THEIR MARRIAGE WAS OVER. 1878 01:37:33,333 --> 01:37:35,533 Bilby: ARMSTRONG KEPT DRIVING HIMSELF, 1879 01:37:35,533 --> 01:37:37,166 KEPT GETTING MORE AND MORE IN DEBT. 1880 01:37:37,166 --> 01:37:40,700 HE'D, AT ONE TIME, BEEN THE LARGEST SHAREHOLDER OF RCA. 1881 01:37:40,700 --> 01:37:43,666 HE SOLD MOST OF HIS STOCK, 1882 01:37:43,666 --> 01:37:46,300 AND HE WAS FIGHTING THIS GIANT CORPORATION 1883 01:37:46,300 --> 01:37:48,166 WITH ALL THE RESOURCES THAT IT HAD. 1884 01:37:50,733 --> 01:37:56,600 HE HAD BEEN A MAN OF ENORMOUS DRIVE, TENSION, 1885 01:37:56,600 --> 01:37:58,566 AND HE'D DRIVEN HIMSELF TO THE BREAKING POINT 1886 01:37:58,566 --> 01:37:59,766 AND FINALLY SNAPPED. 1887 01:38:02,833 --> 01:38:08,466 Narrator: SUNDAY, JANUARY 31, 1954 MARKED THE 40th ANNIVERSARY 1888 01:38:08,466 --> 01:38:10,700 OF HOWARD ARMSTRONG'S DEMONSTRATION 1889 01:38:10,700 --> 01:38:14,400 OF HIS FIRST GREAT INVENTION, THE REGENERATIVE CIRCUIT, 1890 01:38:14,400 --> 01:38:17,600 TO THE CHIEF INSPECTOR OF THE OLD MARCONI COMPANY, 1891 01:38:17,600 --> 01:38:19,366 DAVID SARNOFF. 1892 01:38:19,366 --> 01:38:21,500 IN OTHER YEARS, THEY HAD MARKED 1893 01:38:21,500 --> 01:38:23,366 THE ANNIVERSARY OF THEIR FRIENDSHIP 1894 01:38:23,366 --> 01:38:25,933 WITH A TELEGRAM OR LETTER. 1895 01:38:25,933 --> 01:38:30,000 "FIX YOUR GAZE AND ENERGIES ON THE NEXT 20 YEARS," 1896 01:38:30,000 --> 01:38:32,033 SARNOFF HAD TOLD ARMSTRONG 1897 01:38:32,033 --> 01:38:35,766 ON THE 20th ANNIVERSARY IN 1934, 1898 01:38:35,766 --> 01:38:37,966 SO THAT THE TELEGRAMS AND LETTERS 1899 01:38:37,966 --> 01:38:41,500 THEY WOULD EXCHANGE AT THE END OF THE NEXT GENERATION 1900 01:38:41,500 --> 01:38:45,200 WOULD MAKE THEM FEEL STILL YOUNG, EVEN THEN. 1901 01:38:47,866 --> 01:38:50,133 THE 20 YEARS HAD PASSED. 1902 01:38:50,133 --> 01:38:52,166 THEY WERE ENEMIES NOW, 1903 01:38:52,166 --> 01:38:55,566 AND ARMSTRONG HAD BEEN DEFEATED. 1904 01:38:55,566 --> 01:38:57,333 IN HIS BEDROOM THAT EVENING, 1905 01:38:57,333 --> 01:38:59,566 HE WROTE A LETTER TO MARION, 1906 01:38:59,566 --> 01:39:05,133 FILLED WITH REGRET FOR THE WAY THEIR LIVES HAD TURNED OUT. 1907 01:39:05,133 --> 01:39:07,566 "GOD KEEP YOU," HE ADDED AT THE END, 1908 01:39:07,566 --> 01:39:10,500 "AND MAY THE LORD HAVE MERCY ON MY SOUL." 1909 01:39:18,366 --> 01:39:23,066 EDWIN HOWARD ARMSTRONG HAD ALWAYS LOVED HIGH PLACES-- 1910 01:39:23,066 --> 01:39:28,533 THE 125-FOOT TOWER BEHIND HIS HOUSE IN YONKERS; 1911 01:39:28,533 --> 01:39:31,933 THE NEW JERSEY PALISADES HE CLIMBED AS A YOUTH; 1912 01:39:31,933 --> 01:39:35,500 THE WJZ TOWER, 1913 01:39:35,500 --> 01:39:37,533 WITH ITS GREAT STRAP IRON BALL, 1914 01:39:37,533 --> 01:39:40,933 400 FEET ABOVE 42nd STREET; 1915 01:39:40,933 --> 01:39:45,900 AND HIS OWN FM TOWER ACROSS THE HUDSON IN NEW JERSEY. 1916 01:39:49,233 --> 01:39:51,300 NOW HE REMOVED THE AIR CONDITIONER 1917 01:39:51,300 --> 01:39:53,800 FROM HIS BEDROOM WINDOW. 1918 01:39:53,800 --> 01:39:58,800 HE PUT ON HIS HAT, SCARF, OVERCOAT, AND GLOVES, 1919 01:39:58,800 --> 01:40:02,300 OPENED THE WINDOW, AND STEPPED OUT 1920 01:40:02,300 --> 01:40:06,800 13 STORIES ABOVE THE STREET. 1921 01:40:06,800 --> 01:40:08,766 A MAINTENANCE MAN FOUND HIS BODY 1922 01:40:08,766 --> 01:40:11,300 ON A THIRD-FLOOR TERRACE THE NEXT MORNING. 1923 01:40:19,933 --> 01:40:22,833 Hammond: MY FATHER CALLED ME AT WORK, WHICH WAS VERY UNUSUAL, 1924 01:40:22,833 --> 01:40:27,100 AND SAID THAT MY UNCLE WAS SICK AND THAT MY MOTHER NEEDED ME, 1925 01:40:27,100 --> 01:40:29,400 AND COULD I PLEASE COME HOME? 1926 01:40:31,433 --> 01:40:35,933 AND I WENT IN TO TELL MY ROOMMATE THAT I WAS GONNA BE LEAVING EARLY, 1927 01:40:35,933 --> 01:40:37,266 I WOULD NOT BE GOING HOME WITH HER, 1928 01:40:37,266 --> 01:40:41,566 AND SHE WAS HOLDING A COPY OF THE AFTERNOON NEWSPAPER, 1929 01:40:41,566 --> 01:40:44,166 WHICH SHE SUDDENLY PUT BEHIND HER BACK. 1930 01:40:44,166 --> 01:40:45,533 AND SHE SAID, "OH, YES, I KNOW." 1931 01:40:45,533 --> 01:40:48,900 AND I SAID, "WHAT'S--LET ME-- WHAT'S THE NEWSPAPER? 1932 01:40:48,900 --> 01:40:50,333 WHY ARE YOU HIDING THAT FROM ME?" 1933 01:40:50,333 --> 01:40:53,000 AND SHE WOULDN'T GIVE IT TO ME AT FIRST, 1934 01:40:53,000 --> 01:40:55,733 AND FINALLY, SHE LET ME SEE IT, 1935 01:40:55,733 --> 01:40:57,733 AND THERE, ON THE FIRST PAGE, 1936 01:40:57,733 --> 01:41:01,566 WAS THE NEWS REPORT OF MY UNCLE'S SUICIDE. 1937 01:41:07,000 --> 01:41:12,433 ON THE RIDE HOME I REMEMBER THINKING ALMOST, "OF COURSE," 1938 01:41:12,433 --> 01:41:16,133 ALMOST, REALLY, "I SHOULDN'T BE SURPRISED 1939 01:41:16,133 --> 01:41:18,766 "THAT THIS SORT OF WHAT WAS GOING TO HAPPEN. 1940 01:41:18,766 --> 01:41:21,566 THERE REALLY WASN'T A HAPPY ENDING TO THIS STORY." 1941 01:41:24,666 --> 01:41:27,966 Raymond: HE DIED THINKING HE WAS A FAILURE. 1942 01:41:27,966 --> 01:41:32,500 HE DIDN'T SEEM TO UNDERSTAND, AS I LOOK AT IT, 1943 01:41:32,500 --> 01:41:37,833 THAT HE--HE WAS MORE OF A SUCCESS 1944 01:41:37,833 --> 01:41:40,300 THAN MANY OF THESE PEOPLE 1945 01:41:40,300 --> 01:41:42,633 THAT HE THOUGHT HE WAS FIGHTING AGAINST. 1946 01:41:42,633 --> 01:41:47,300 FOR--FOR EXAMPLE, I WOULD SAY THAT, UH, 300 YEARS FROM NOW, 1947 01:41:47,300 --> 01:41:51,266 THERE WILL BE PEOPLE-- STUDENTS, AT LEAST-- 1948 01:41:51,266 --> 01:41:55,200 WHO WILL READ HIS CLASSIC PAPER ON FM 1949 01:41:55,200 --> 01:41:57,100 AND KNOW ABOUT HIS WORK, 1950 01:41:57,100 --> 01:42:00,833 AND THEY'LL NEVER HAVE HEARD OF SARNOFF... 1951 01:42:00,833 --> 01:42:03,400 UM, OR DE FOREST. 1952 01:42:08,266 --> 01:42:10,666 Narrator: "I DID NOT KILL ARMSTRONG," 1953 01:42:10,666 --> 01:42:14,100 A STUNNED DAVID SARNOFF QUICKLY DECLARED, 1954 01:42:14,100 --> 01:42:16,400 AND THEN LED A DELEGATION OF MOURNERS 1955 01:42:16,400 --> 01:42:19,366 FROM RCA TO THE FUNERAL. 1956 01:42:19,366 --> 01:42:23,766 LEE DE FOREST HAD NO PUBLIC COMMENT 1957 01:42:23,766 --> 01:42:25,633 BUT, IN PRIVATE, BEGGED FOR DETAILS 1958 01:42:25,633 --> 01:42:28,800 ABOUT HIS HATED RIVAL'S DEATH. 1959 01:42:28,800 --> 01:42:31,833 "WELL, ARMSTRONG IS GONE, AND I AM ALIVE," HE SAID, 1960 01:42:31,833 --> 01:42:34,566 "AND HOPE TO LIVE FOR MANY YEARS MORE. 1961 01:42:34,566 --> 01:42:37,366 WHAT A CONTRAST." 1962 01:42:37,366 --> 01:42:41,833 WELL, NOW, WE'VE DONE OUR BEST, SIR, IN 30 MINUTES, 1963 01:42:41,833 --> 01:42:44,566 TO JUST TOUCH THE HIGH SPOTS, DR. DE FOREST. 1964 01:42:44,566 --> 01:42:46,200 MERELY TO HINT AT THE VASTNESS 1965 01:42:46,200 --> 01:42:47,966 OF YOUR GIFT TO THE WORLD, 1966 01:42:47,966 --> 01:42:51,166 WE'D HAVE TO MEASURE THE LAUGHTER OF EVERY MOTION PICTURE; 1967 01:42:51,166 --> 01:42:53,866 THE PLEASURE AND EDUCATION OF ALL TELEVISION AND RADIO, 1968 01:42:53,866 --> 01:42:55,633 NOW AND FOREVER; 1969 01:42:55,633 --> 01:42:58,833 THE WAGES EARNED BY MILLIONS IN THE ELECTRONIC INDUSTRY; 1970 01:42:58,833 --> 01:43:02,166 AND ALL THE LIVES SPARED IN PEACE AND WAR 1971 01:43:02,166 --> 01:43:03,966 BECAUSE OF YOU. 1972 01:43:03,966 --> 01:43:08,200 THAT IS BUT A FRACTION OF OUR DEBT TO YOU. 1973 01:43:08,200 --> 01:43:12,066 THIS IS YOUR LIFE, DR. LEE DE FOREST. 1974 01:43:12,066 --> 01:43:15,333 [APPLAUSE] 1975 01:43:15,333 --> 01:43:17,300 IN A MOMENT, A WORD ABOUT YOUR FUTURE, SIR. 1976 01:43:17,300 --> 01:43:19,066 MEANWHILE, HERE IS EXCITING NEWS 1977 01:43:19,066 --> 01:43:21,333 FOR ALL YOU LADIES OUT THERE. 1978 01:43:25,766 --> 01:43:27,766 Narrator: DE FOREST WROTE A BOASTFUL AUTOBIOGRAPHY 1979 01:43:27,766 --> 01:43:29,566 CALLEDFATHER OF RADIO 1980 01:43:29,566 --> 01:43:32,700 AND TRIED TO PERSUADE HIS WIFE TO WRITE ONE OF HER OWN, 1981 01:43:32,700 --> 01:43:36,500 TO BE CALLED  I MARRIED A GENIUS. 1982 01:43:36,500 --> 01:43:37,666 THROUGH FRIENDS, 1983 01:43:37,666 --> 01:43:39,633 HE TRIED TO SELL HIS STORY TO HOLLYWOOD, 1984 01:43:39,633 --> 01:43:41,733 LOBBIED FOR A NOBEL PRIZE, 1985 01:43:41,733 --> 01:43:44,200 EVEN HIRED A PUBLIC RELATIONS MAN 1986 01:43:44,200 --> 01:43:46,700 TO KEEP HIS NAME IN THE PAPERS. 1987 01:43:46,700 --> 01:43:49,266 IT DIDN'T WORK. 1988 01:43:49,266 --> 01:43:50,866 AS A PUBLICITY GIMMICK, 1989 01:43:50,866 --> 01:43:53,800 HIS PUBLISHER SENT HIM A LETTER ADDRESSED ONLY TO 1990 01:43:53,800 --> 01:43:57,233 "THE FATHER OF RADIO, HOLLYWOOD, CALIFORNIA." 1991 01:43:57,233 --> 01:43:58,666 IF IT WAS DELIVERED, 1992 01:43:58,666 --> 01:44:02,100 DE FOREST WAS TO TELL THE PRESS OF HIS FAME, 1993 01:44:02,100 --> 01:44:05,066 BUT THE POST OFFICE RETURNED THE ENVELOPE, 1994 01:44:05,066 --> 01:44:08,766 MARKED, "ADDRESSEE UNKNOWN." 1995 01:44:08,766 --> 01:44:14,666 IN 1957, DE FOREST SUFFERED A SERIOUS HEART ATTACK 1996 01:44:14,666 --> 01:44:16,333 AND SPENT THE LAST YEARS OF HIS LIFE 1997 01:44:16,333 --> 01:44:19,000 CONFINED TO HIS BED. 1998 01:44:19,000 --> 01:44:21,000 WITH HIS FOURTH WIFE AT HIS SIDE, 1999 01:44:21,000 --> 01:44:23,666 HE DIED QUIETLY IN HIS HOUSE IN HOLLYWOOD 2000 01:44:23,666 --> 01:44:28,166 ON THE LAST DAY OF JUNE, 1961. 2001 01:44:28,166 --> 01:44:33,933 AT THE END, HE HAD JUST $1,250 IN THE BANK. 2002 01:44:33,933 --> 01:44:36,366 Tyne: I THINK THE WORLD SHOULD REMEMBER LEE DE FOREST 2003 01:44:36,366 --> 01:44:40,200 AS THE ONE WHO PUT THE THIRD ELEMENT IN THE AUDION, 2004 01:44:40,200 --> 01:44:47,500 THE BASIS OF A SCIENCE THAT GREW OUT OF THAT--RADIO. 2005 01:44:47,500 --> 01:44:49,200 BUT THE WORK WAS DONE BY OTHERS. 2006 01:44:52,700 --> 01:44:57,166 Narrator: DAVID SARNOFF COMMISSIONED A FLATTERING BIOGRAPHY OF HIMSELF 2007 01:44:57,166 --> 01:45:00,433 AND WHEN ITS AUTHOR PROVED INSUFFICIENTLY WORSHIPFUL, 2008 01:45:00,433 --> 01:45:03,633 WROTE SEVERAL ADMIRING PASSAGES ON HIS OWN. 2009 01:45:03,633 --> 01:45:07,333 HE SUCCESSFULLY LAUNCHED COLOR TELEVISION, 2010 01:45:07,333 --> 01:45:10,166 SET THE STAGE FOR SATELLITE COMMUNICATIONS, 2011 01:45:10,166 --> 01:45:12,566 AND PREDICTED THAT BY 1990, 2012 01:45:12,566 --> 01:45:17,333 EVERY HOME WOULD HAVE ITS OWN NUCLEAR POWER PLANT IN THE BASEMENT. 2013 01:45:17,333 --> 01:45:21,600 Bilby: I THINK AS HIS FAME GREW AND AS HIS SUCCESS GREW, 2014 01:45:21,600 --> 01:45:24,633 SARNOFF BECAME ABSOLUTELY OBSESSED 2015 01:45:24,633 --> 01:45:27,833 WITH THE IDEA OF ESTABLISHING HIS PLACE 2016 01:45:27,833 --> 01:45:32,433 AS A UNIQUE AMERICAN INDUSTRIAL LEADER IN HISTORY, 2017 01:45:32,433 --> 01:45:35,500 AND TO A DEGREE THAT I HAVE NEVER SEEN BEFORE, 2018 01:45:35,500 --> 01:45:38,233 HE INSISTED THAT EVERYTHING CONCERNING HIS LIFE-- 2019 01:45:38,233 --> 01:45:40,733 HIS PUBLIC LIFE-- BE DOCUMENTED. 2020 01:45:46,300 --> 01:45:47,633 Narrator: HE BUILT A LIBRARY 2021 01:45:47,633 --> 01:45:52,066 DEDICATED LARGELY TO DISPLAYING ARTIFACTS FROM HIS OWN LIFE, 2022 01:45:52,066 --> 01:45:56,266 THEN INSISTED ON PASSING HIS COMPANY ON TO HIS SON. 2023 01:45:56,266 --> 01:46:01,700 ULTIMATELY, RCA WOULD PASS INTO THE HANDS OF OUTSIDERS. 2024 01:46:01,700 --> 01:46:03,900 [APPLAUSE] 2025 01:46:03,900 --> 01:46:07,600 AND HE BASKED IN THE ADMIRATION OF THE RICH AND POWERFUL. 2026 01:46:10,733 --> 01:46:15,033 Sinatra: ♪ HIS KIND OF VISION WAS ALWAYS SO CLEAR ♪ 2027 01:46:16,766 --> 01:46:22,733 ♪ THE KIND OF SPIRIT THAT MUST PERSEVERE ♪ 2028 01:46:22,733 --> 01:46:28,200 ♪ WITHOUT HIS TALENTS, I MIGHT NOT BE HERE ♪ 2029 01:46:28,200 --> 01:46:30,200 [AUDIENCE LAUGHS] 2030 01:46:30,200 --> 01:46:33,666 ♪ THAT'S WHY THE GENTLEMAN, HE'S A CHAMP ♪ 2031 01:46:33,666 --> 01:46:35,333 [APPLAUSE] 2032 01:46:39,500 --> 01:46:41,433 [MEN AND WOMEN SINGING] 2033 01:46:41,433 --> 01:46:44,900 Narrator: DAVID SARNOFF DIED IN 1971. 2034 01:46:44,900 --> 01:46:47,800 HIS FUNERAL WAS TESTIMONY 2035 01:46:47,800 --> 01:46:50,700 TO HOW FAR THE RUSSIAN IMMIGRANT HAD COME. 2036 01:46:52,633 --> 01:46:56,966 Man: DAVID SARNOFF'S LIFE EXEMPLIFIES 2037 01:46:56,966 --> 01:47:01,600 THE GREATEST PRODUCT OF THE AMERICAN CIVILIZATION... 2038 01:47:01,600 --> 01:47:05,300 THE FREE INDIVIDUAL. 2039 01:47:05,300 --> 01:47:07,700 HIS LIFE TELLS US THAT ONE MAN, 2040 01:47:07,700 --> 01:47:12,133 RAISED IN A NATION THAT REVERES THE INDIVIDUAL, 2041 01:47:12,133 --> 01:47:15,466 CAN LIFT THE HORIZONS OF ALL MANKIND 2042 01:47:15,466 --> 01:47:18,533 TO SHAPE A BETTER WORLD. 2043 01:47:18,533 --> 01:47:22,400 SUCH A MAN WAS GENERAL DAVID SARNOFF. 2044 01:47:38,100 --> 01:47:40,266 Narrator: HOWARD ARMSTRONG'S WIDOW MARION 2045 01:47:40,266 --> 01:47:42,366 TOOK UP HER HUSBAND'S CAUSE 2046 01:47:42,366 --> 01:47:45,066 AND WON EVERY ONE OF HIS PATENT SUITS, 2047 01:47:45,066 --> 01:47:47,666 THOUGH IT TOOK HER 15 YEARS TO DO SO. 2048 01:47:53,633 --> 01:47:54,833 SHE LIVED OUT HER LIFE 2049 01:47:54,833 --> 01:47:56,733 IN THE HOME HE HAD BOUGHT FOR HER 2050 01:47:56,733 --> 01:47:58,766 AT RYE BEACH, NEW HAMPSHIRE, 2051 01:47:58,766 --> 01:48:01,066 DRIVING OUT IN THE HISPANO SUIZA 2052 01:48:01,066 --> 01:48:04,066 IN WHICH HE HAD COURTED HER 40 YEARS BEFORE. 2053 01:48:04,066 --> 01:48:06,466 [CAR ENGINE SPUTTERS] 2054 01:48:06,466 --> 01:48:08,133 IT HAD NO RADIO. 2055 01:48:15,300 --> 01:48:16,633 Barnouw: ONE OF THE THINGS THAT INTERESTS ME 2056 01:48:16,633 --> 01:48:18,766 ABOUT THESE 3 MEN IS, 2057 01:48:18,766 --> 01:48:19,766 WHEN YOU LOOK AT THEIR LIVES, 2058 01:48:19,766 --> 01:48:22,766 THEY LIVED IN WORLDS THAT ARE NO MORE, 2059 01:48:22,766 --> 01:48:25,866 AND THEY LIVE IN A VERY DIFFERENT WORLD THAN WHAT WE LIVE IN TODAY, 2060 01:48:25,866 --> 01:48:27,800 AND THEY SEEMED OBLIVIOUS TO THE FACT 2061 01:48:27,800 --> 01:48:31,200 THAT THEY WERE CHANGING THE WORLD IN WHICH THEY LIVED 2062 01:48:31,200 --> 01:48:33,166 AND THAT--AND THAT THEY WERE CHANGING IT 2063 01:48:33,166 --> 01:48:35,300 IN DIRECTIONS THAT THEY COULD NOT ANTICIPATE. 2064 01:48:42,133 --> 01:48:45,100 THE BATTLE OF BRITAIN IS ABOUT TO BEGIN. 2065 01:48:45,100 --> 01:48:49,600 UPON THIS BATTLE DEPENDS THE SURVIVAL OF CHRISTIAN CIVILIZATION... 2066 01:48:49,600 --> 01:48:55,933 YESTERDAY, DECEMBER 7, 1941, 2067 01:48:55,933 --> 01:48:59,400 A DATE WHICH WILL LIVE IN INFAMY. 2068 01:48:59,400 --> 01:49:00,800 DEUTSCHLAND SIEG HEIL! 2069 01:49:00,800 --> 01:49:02,833 [CHEERING] 2070 01:49:02,833 --> 01:49:05,500 MEN WILL STILL SAY, 2071 01:49:05,500 --> 01:49:08,300 THIS WAS THEIR FINEST HOUR. 2072 01:49:08,300 --> 01:49:10,033 WE INTERRUPT THIS PROGRAM 2073 01:49:10,033 --> 01:49:12,466 TO BRING YOU A SPECIAL NEWS BULLETIN FROM CBS WORLD NEWS. 2074 01:49:12,466 --> 01:49:14,600 A PRESS ASSOCIATION HAS JUST ANNOUNCED 2075 01:49:14,600 --> 01:49:17,133 THAT PRESIDENT ROOSEVELT IS DEAD. 2076 01:49:17,133 --> 01:49:19,633 THE PRESIDENT DIED OF A CEREBRAL HEMORRHAGE. 2077 01:49:19,633 --> 01:49:22,933 [MORSE CODE] 2078 01:49:22,933 --> 01:49:24,300 A CHILD WHO WAS ASKED 2079 01:49:24,300 --> 01:49:29,500 WHETHER HE PREFERRED RADIO TO TELEVISION, 2080 01:49:29,500 --> 01:49:31,100 AND HE SAID "RADIO." 2081 01:49:31,100 --> 01:49:33,200 AND THE FATHER SAID, "WHY?" 2082 01:49:33,200 --> 01:49:35,066 AND THE CHILD ANSWERED, 2083 01:49:35,066 --> 01:49:36,833 "BECAUSE THE PICTURES ARE BETTER." 2084 01:49:38,600 --> 01:49:42,833 PRESENTING MR. KEANE, TRACER OF LOST PERSONS. 2085 01:49:42,833 --> 01:49:44,366 THE QUAKER OATS COMPANY, 2086 01:49:44,366 --> 01:49:46,233 MAKERS OF QUAKER POPPED WHEAT... 2087 01:49:46,233 --> 01:49:47,366 [POP] 2088 01:49:47,366 --> 01:49:49,366 AND QUAKER POPPED RICE, 2089 01:49:49,366 --> 01:49:51,666 THE DELICIOUS CEREAL SHOT FROM GUNS... 2090 01:49:51,666 --> 01:49:52,800 LADIES AND GENTLEMEN, 2091 01:49:52,800 --> 01:49:54,433 ONCE AGAIN WE PRESENT MR. KEANE, 2092 01:49:54,433 --> 01:49:55,733 TRACER OF LOST PERSONS. 2093 01:49:55,733 --> 01:49:57,600 YOU KNOW, IT'S-- IT'S HARD TO TELL 2094 01:49:57,600 --> 01:49:59,833 Announcer: TO FURTHER EXPLORE THIS AMERICAN STORY 2095 01:49:59,833 --> 01:50:02,066 AND OTHER FILMS BY KEN BURNS, 2096 01:50:02,066 --> 01:50:07,133 VISIT PBS ONLINE AT... 2097 01:50:07,133 --> 01:50:12,100 EMPIRE OF THE AIRIS AVAILABLE ON VIDEOCASSETTE OR DVD. 2098 01:50:12,100 --> 01:50:14,333 THE COMPANION BOOK IS ALSO AVAILABLE. 2099 01:50:14,333 --> 01:50:21,500 TO ORDER, CALL PBS HOME VIDEO AT... 2100 01:50:21,500 --> 01:50:24,133  ♪THEY'RE CRISPY AND CRUNCHY ♪ 2101 01:50:24,133 --> 01:50:27,500 [LAUGHTER] 2102 01:50:27,500 --> 01:50:28,766 WAIT! HOLD IT! 2103 01:50:28,766 --> 01:50:30,166 JUST--JUST A MINUTE. 2104 01:50:30,166 --> 01:50:32,900 IT APPEARS THE FORCES OF LIVE RADIO 2105 01:50:32,900 --> 01:50:34,766 HAVE DROPPED A VIPER INTO THE FIDDLE SECTION. 2106 01:50:34,766 --> 01:50:38,500 LET ME ALONE! I'LL GET IT! I'LL GET IT! 2107 01:50:38,500 --> 01:50:39,566 ALL RIGHT. ALL RIGHT. 2108 01:50:39,566 --> 01:50:40,966 TAKE THE EXERCISES ONCE MORE. 2109 01:50:40,966 --> 01:50:41,966 YES, SIR. 2110 01:50:41,966 --> 01:50:44,433 [FIDDLE PLAYING] 2111 01:50:44,433 --> 01:50:46,800 ♪ PLAY IT SOFTLY, PLAY IT TENDER ♪ 2112 01:50:46,800 --> 01:50:49,600 ♪ WHERE CAN I GO TO SURRENDER? ♪ 2113 01:50:49,600 --> 01:50:50,866 [LAUGHTER] 2114 01:50:50,866 --> 01:50:52,433 IT IS REPORTED THAT AT 8:50 PM, 2115 01:50:52,433 --> 01:50:55,200 A HUGE FLAMING OBJECT BELIEVED TO BE A METEORITE 2116 01:50:55,200 --> 01:50:58,200 FELL ON A FARM IN THE NEIGHBORHOOD OF GROVERS MILL, NEW JERSEY, 2117 01:50:58,200 --> 01:50:59,600 22 MILES FROM TRENTON. 2118 01:50:59,600 --> 01:51:00,866 WHAT WOULD YOU SAY, PROFESSOR? 2119 01:51:00,866 --> 01:51:02,466 WHAT'S THAT? 2120 01:51:02,466 --> 01:51:03,766 WHAT WOULD YOU SAY-- WHAT'S THE DIAMETER OF THIS? 2121 01:51:03,766 --> 01:51:05,633 ABOUT 30 YARDS.  ABOUT 30 YARDS. 2122 01:51:05,633 --> 01:51:07,033 THE METAL ON THE SHEET IS-- 2123 01:51:07,033 --> 01:51:08,166 SOMETHING'S HAPPENING. 2124 01:51:08,166 --> 01:51:09,433 IT WAS LIKE LOOKING OVER THE RIM 2125 01:51:09,433 --> 01:51:11,300 OF A VOLCANO IN THE PROCESS OF ERUPTING. 2126 01:51:11,300 --> 01:51:14,366 EVEN THOUGH 12 HOURS AFTER THE BOMB HAD BEEN DROPPED, 2127 01:51:14,366 --> 01:51:17,633 NAGASAKI IS A MASS OF ANGRY FLAMES AND SMOKE NOW, 2128 01:51:17,633 --> 01:51:20,800 A BLAZING AREA EXTENDING AT LEAST 10 SQUARE MILES. 2129 01:51:24,600 --> 01:51:26,600 [MORSE CODE] 2130 01:51:39,733 --> 01:51:41,200 [THUNDER] 2131 01:51:55,366 --> 01:51:59,366 FOR OVER A DECADE, 153136

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