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In this lesson we're going to be talking about tangents. And what tangents really are, are when lines touch
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each other and prevent the viewer from distinguishing what is in front from what is behind, or it creates
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a really kind of weird looking shape to them.
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So I'm going to use a very familiar shape here.
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Perhaps it looks like an "M" or a logo of a popular food franchise.
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Let's assume that these are supposed to be two mountains. Because of the way the lines touch in the center
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here,
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it's very difficult to tell what is in front and what is behind, right.
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We don't know.
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But, when we use overlap of the lines, and we take one line and have it overlap another, suddenly to the
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viewer, it becomes quite obvious that this must be in front,
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and this must be behind. So tangents are any instance where objects touch each other in such a way, as
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to create a single shape, or should I say, where lines touch each other in such a way as great a single
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shape and make it unclear to the viewer the spatial positioning of elements or lines,
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if you wish, right, or edges.
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So in this instance these are two pieces of paper.
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And let's give them some text.
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And perhaps it's an open book seen directly from the top or something like that.
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But, let's let's assume it's two pieces of paper and one is definitely in front and one is definitely behind.
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To the viewer,
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their brain is going to see this entire rectangular shape not even the smaller rectangles inside.
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They'll eventually get there, but their first understanding of the shape was really this large
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rectangle.
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And our problem here, are these two tangents, right.
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We can't tell what is in front and what is behind it.
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But if we start overlapping certain lines, we can get a very convincing effect to add depth, even in very
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flat 2D kind of iconographic designs like these pages.
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So now that I've overlapped some lines, it's very clear which page is in front, and which page is behind.
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And so, the things that we're dealing with, are that really that tangents are bad.
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Tangents are bad, and overlaps are good.
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It seems, I think, a very simple concept, but often I see this in student work, where really just something
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as simple as not having a line overlap, causes things to look flat and to be easily misunderstood by
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the viewer.
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Let's change our
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headline here to "tangents and overlap". Right, so that we're pretty clear about what we're talking about.
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So the great thing with overlaps, (let me take this away). The great thing with overlaps, is that overlaps
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can imply depth, and create a sense of depth.
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So for example, if I were drawing a leg with a knee at the bottom.
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So this is just a leg design here. As I get to the knee section,
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I ensure that the knee lines overlap the back of the leg, and this gives me a sense of form.
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Right.
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So because of these overlapping lines are occurring here. And that can happen in many different ways: in
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simple forms-
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I have a sphere and then I draw a cube behind it,
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and then I draw a cylinder behind that. Whilst I am thinking in a form sense, I also know that these overlaps
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of these lines, help the viewer to distinguish what is in front and what is behind.
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And so here we have the line of the sphere overlapping the cube form, and the lines of the cube clearly
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overlapping the cylinder form.
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And this is in a nutshell what overlapping lines are.
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They are lines that simply overlap, they extend slightly past the other objects to show that the object
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is in front.
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Let me say this.
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It's something we want to be very intentional about.
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You want to constantly ask yourself "Do I have any tangents?"
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And if you do have tangents you need to be like a sniper and eliminate them. They need to go. Because
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tangents really have no place in our art.
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This is the lesson on tangents and overlaps, and the importance of overlaps.
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Let's move onto the next lesson.
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