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1
00:00:17,017 --> 00:00:19,986
HEY, WHEN SHE GETS OFF,
GET HER A DRINK ON ME.
2
00:00:20,020 --> 00:00:21,487
COME ON, BUDDY.
3
00:00:21,522 --> 00:00:23,924
I HEAR 10 DAYS STRAIGHT
YOU'RE BUYING HER A DRINK.
4
00:00:23,957 --> 00:00:26,827
WHY DON'T YOU CHECK OUT
SOME OF THE OTHER GIRLS?
5
00:00:26,860 --> 00:00:28,294
Man: WHOO!
6
00:00:30,797 --> 00:00:32,265
WHAT ARE YOU DRINKING?
7
00:00:32,298 --> 00:00:34,735
UH, BEER.
8
00:00:34,768 --> 00:00:36,402
HEY, SEE THIS GUY?
9
00:00:36,436 --> 00:00:37,838
MAKE SURE HE GETS WHATEVER
HE WANTS, ALL RIGHT?
10
00:00:37,871 --> 00:00:39,740
GOT IT, BOSS.
11
00:00:39,773 --> 00:00:41,608
PETEY. HAVE HIM WORKING
DOUBLE SHIFTS.
12
00:00:41,642 --> 00:00:43,276
NOT OUR REGULAR NIGHT
BAR MAN.
13
00:00:43,309 --> 00:00:45,011
NO, I GUESS HE GOT
THE NIGHT OFF.
14
00:00:45,045 --> 00:00:47,247
I GUESS HE GOT LIFE OFF.
15
00:00:52,252 --> 00:00:54,688
THIS IS MY PARTNER
ED GERBER.
16
00:00:54,721 --> 00:00:56,356
ED, THIS IS
DETECTIVE SORENSON.
17
00:00:56,389 --> 00:00:59,059
OH, IT'S GOOD
TO MEET YOU, DETECTIVE.
18
00:00:59,092 --> 00:01:00,426
YEAH, YOU, TOO, ED.
19
00:01:00,460 --> 00:01:01,795
LISTEN, I DON'T KNOW
WHAT JOEY TOLD YOU,
20
00:01:01,828 --> 00:01:04,230
BUT WE GOT
A RESPECTABLE PLACE HERE.
21
00:01:04,264 --> 00:01:06,299
WE DON'T WANT
ANY KIND OF TROUBLE.
22
00:01:11,572 --> 00:01:13,540
BEAUTIFUL GIRL.
23
00:01:13,574 --> 00:01:15,576
YEAH.
24
00:01:15,609 --> 00:01:18,078
Man: LET'S GIVE IT UP
FOR THE LOVELY KRISTEN.
25
00:01:18,111 --> 00:01:19,412
[ WHISTLING ]
26
00:01:19,445 --> 00:01:20,714
IT'S GOOD TO SEE
27
00:01:20,747 --> 00:01:22,448
SOMEBODY KEEPING AN EYE
OUT FOR HER.
28
00:01:22,482 --> 00:01:24,384
YOU COME BACK HERE
ANYTIME YOU WANT,
29
00:01:24,417 --> 00:01:26,887
AND YOU KEEP YOUR MONEY
IN YOUR POCKET, ALL RIGHT?
30
00:01:26,920 --> 00:01:29,155
HAVE FUN, HUH?
GOD BLESS.
31
00:01:29,189 --> 00:01:31,157
Danny: YEAH,
THANKS, FELLAS.
32
00:01:37,097 --> 00:01:40,066
DETECTIVE SORENSON,
I'M GLAD YOU MADE IT.
33
00:01:40,100 --> 00:01:41,568
KRISTEN, HI.
CALL ME DANNY.
34
00:01:41,602 --> 00:01:44,838
OKAY, DANNY. HOW'D YOU
LIKE IT ?? MY ROUTINE?
35
00:01:44,871 --> 00:01:46,406
OH, IT'S GOOD.
36
00:01:46,439 --> 00:01:48,742
IF THAT WAS ME UP THERE,
I'D BE EXHAUSTED.
37
00:01:48,775 --> 00:01:51,745
NO, IT'S A TOTAL RUSH.
38
00:01:51,778 --> 00:01:53,079
CAN I BUY YOU A DRINK?
39
00:01:53,113 --> 00:01:55,315
ACTUALLY, I'M THROUGH
FOR THE NIGHT.
40
00:01:55,348 --> 00:01:57,751
YOU WANT TO GO
SOMEPLACE ELSE?
41
00:01:57,784 --> 00:02:00,120
SURE. YOU WANT
TO GET SOMETHING TO EAT?
42
00:02:00,153 --> 00:02:02,589
OKAY. I'LL JUST THROW ON
SOME CLOTHES.
43
00:02:02,623 --> 00:02:04,625
I'LL BE, LIKE, ONE MINUTE.
44
00:02:06,560 --> 00:02:10,430
SO, WHO THE HELL
ARE YOU?
45
00:02:10,463 --> 00:02:11,698
WHY?
46
00:02:11,732 --> 00:02:13,700
BOUGHT THAT BROAD
A DRINK EVERY NIGHT.
47
00:02:13,734 --> 00:02:15,268
SHE'S NOT LEAVING
WITH ME.
48
00:02:15,301 --> 00:02:16,837
SO IT'S NONE
OF YOUR BUSINESS.
49
00:02:16,870 --> 00:02:18,639
YOU DON'T GOT TO BE
AN ASSHOLE ABOUT IT.
50
00:02:18,672 --> 00:02:19,973
I'M JUST ASKING
A QUESTION.
51
00:02:20,006 --> 00:02:22,509
AND I SAID THAT'S
NONE OF YOUR BUSINESS.
52
00:02:22,543 --> 00:02:25,612
LOOK, UH, SHE'S DONE
FOR THE NIGHT.
53
00:02:25,646 --> 00:02:27,113
MAYBE IT'S TIME
YOU WENT HOME.
54
00:02:27,147 --> 00:02:29,182
YOU SAYING I'M 86'd?
55
00:02:29,215 --> 00:02:31,084
HE'S JUST SAYING
TAKE IT EASY.
56
00:02:33,887 --> 00:02:35,889
YOU READY TO GO?
57
00:02:35,922 --> 00:02:37,490
YEAH, SURE.
58
00:02:37,524 --> 00:02:39,726
YEAH. HAVE A NICE EVENING.
59
00:02:39,760 --> 00:02:42,929
DON'T WORRY ABOUT HIM.
60
00:03:58,839 --> 00:04:00,774
[ DISHES CLATTER ]
61
00:04:07,781 --> 00:04:10,116
OH, MY GOD.
I AM SO SORRY.
62
00:04:10,150 --> 00:04:12,052
I WANTED TO SURPRISE YOU
WITH BREAKFAST.
63
00:04:12,085 --> 00:04:14,988
OH, WELL,
YOU DEFINITELY SURPRISED ME.
64
00:04:15,021 --> 00:04:16,122
HEAD HURT?
65
00:04:16,156 --> 00:04:19,159
YEAH, I DRANK A FEW
PAST MY AVERAGE.
66
00:04:19,192 --> 00:04:20,927
DIDN'T SLOW YOU DOWN.
67
00:04:22,663 --> 00:04:24,631
I AM A TERRIBLE COOK,
BUT I POPPED UP
68
00:04:24,665 --> 00:04:26,567
WITH THIS DESIRE
TO BE DOMESTIC.
69
00:04:26,600 --> 00:04:27,901
YOU WANT EGGS?
70
00:04:27,934 --> 00:04:29,736
SON OF A BITCH.
71
00:04:29,770 --> 00:04:32,405
UM, NO, I'M TOO LATE
FOR EGGS.
72
00:04:32,438 --> 00:04:34,741
HOW ABOUT SOME CEREAL?
73
00:04:34,775 --> 00:04:36,910
YOU GOT SOME CHEERIOS,
74
00:04:36,943 --> 00:04:38,579
BUT I USED THE LAST
OF THE SUGAR ON MINE.
75
00:04:38,612 --> 00:04:40,747
I REALLY DON'T HAVE TIME
FOR ANYTHING.
76
00:04:40,781 --> 00:04:43,083
YOU SEEN MY CELL?
77
00:04:43,116 --> 00:04:46,252
AH, THANKS. YEAH,
THEY'VE BEEN PAGING ME.
78
00:04:46,286 --> 00:04:47,420
I BETTER RUN.
79
00:04:47,453 --> 00:04:49,656
COME TO LUNCH
AT THE CLUB?
80
00:04:49,690 --> 00:04:52,492
MY PARTNER ??
HE WOULDN'T GO FOR IT.
81
00:04:52,526 --> 00:04:55,729
YOU ARE GOING TO MAKE ME
MISS YOU ALL DAY.
82
00:04:59,399 --> 00:05:03,469
YOU KNOW, I'LL SEE
IF I CAN'T SHAKE FREE, OKAY?
83
00:05:03,504 --> 00:05:05,038
I'LL BE WAITING.
84
00:05:07,407 --> 00:05:10,443
CAN I STICK AROUND
AND WATCH SOME CABLE?
85
00:05:10,476 --> 00:05:12,646
UM, YEAH, SURE.
NO PROBLEM.
86
00:05:12,679 --> 00:05:15,415
HERE.
87
00:05:16,750 --> 00:05:18,719
JUST, UH, YOU KNOW,
LEAVE THE KEY
88
00:05:18,752 --> 00:05:20,220
UP ON THE TRANSOM.
89
00:05:20,253 --> 00:05:21,955
WHEN YOU COME IN,
JOEY AND ED WANT TO TALK.
90
00:05:21,988 --> 00:05:23,056
THEY DIDN'T SAY
WHAT ABOUT.
91
00:05:23,089 --> 00:05:25,291
YEAH, OKAY.
92
00:05:25,325 --> 00:05:27,393
Regis on TV: LISTEN TO ME.
93
00:05:27,427 --> 00:05:30,864
LOOK BEHIND
THAT LITTLE WALL BACK THERE.
94
00:05:43,109 --> 00:05:45,746
EXCUSE ME.
95
00:05:47,914 --> 00:05:50,416
HEY.
96
00:05:50,450 --> 00:05:52,553
PAGER BATTERY DIED.
WHAT DO WE GOT?
97
00:05:52,586 --> 00:05:55,388
TWO DOPE DEALERS WHACKED.
98
00:05:55,421 --> 00:05:57,390
AQUELINO ESTRADA ??
TOOK TWO SLUGS
99
00:05:57,423 --> 00:05:59,926
IN THE APARTMENT UPSTAIRS,
DRAGGED HIMSELF DOWN.
100
00:05:59,960 --> 00:06:02,395
ANOTHER UNIDENTIFIED MALE
STILL IN THE PLACE,
101
00:06:02,428 --> 00:06:04,698
SHOT FOUR TIMES,
SMALL CALIBER,
102
00:06:04,731 --> 00:06:06,099
BEDROOM'S RANSACKED.
103
00:06:06,132 --> 00:06:07,433
ALL RIGHT, I'LL GET
ON THE CANVASS.
104
00:06:07,467 --> 00:06:10,336
APPRECIATE THE HELP.
ANDY, THE BATTERY DIED.
105
00:06:10,370 --> 00:06:13,006
THAT EXPLAINS THE BOURBON
STINK ON YOUR BREATH?
106
00:06:13,039 --> 00:06:15,408
IT'S SCOTCH, ON ACCOUNT
OF A BUDDY GOT ENGAGED,
107
00:06:15,441 --> 00:06:16,910
SO WE HAD A FEW DRINKS.
108
00:06:16,943 --> 00:06:18,879
THAT KIND OF STINK COMES
FROM MORE THAN JUST A FEW.
109
00:06:18,912 --> 00:06:21,247
CAN I GO TALK
TO THIS DOPE PEDDLER NOW?
110
00:06:23,449 --> 00:06:25,919
THANKS.
HEY, WHAT'S YOUR NAME?
111
00:06:25,952 --> 00:06:28,088
PACO.
YOU OUT HERE THIS MORNING?
112
00:06:28,121 --> 00:06:29,956
CAN'T HELP YOU, LADY.
DON'T MAKE A SCENE.
113
00:06:29,990 --> 00:06:33,193
KNOW WHAT I'M SAYING?
I GOT TO TELL YOU SOMETHING.
114
00:06:33,226 --> 00:06:34,360
NO, I GOT NOTHING.
WHAT'D YOU JUST SAY?
115
00:06:34,394 --> 00:06:35,729
JUST SAID CHILL, BABY.
116
00:06:35,762 --> 00:06:38,532
NO, YOU TALK TO YOUR SISTER
THAT WAY, NOT TO ME!
117
00:06:38,565 --> 00:06:40,100
Danny: WHAT'S THE PROBLEM?
118
00:06:40,133 --> 00:06:42,102
WISE GUY'S GOT
A RESPECT PROBLEM.
119
00:06:42,135 --> 00:06:43,136
HE'S GOING IN.
120
00:06:43,169 --> 00:06:44,470
WE'LL TALK IT OUT
AT THE HOUSE.
121
00:06:44,505 --> 00:06:45,772
DON'T BE A JERK!
122
00:06:45,806 --> 00:06:48,575
WHAT'S GOING ON?
HE'S LOOKING TO TALK.
123
00:06:48,609 --> 00:06:50,711
ALL RIGHT, I'LL MEET YOU
BACK AT THE HOUSE?
124
00:06:50,744 --> 00:06:52,045
YOU ALL RIGHT
TO DRIVE?
125
00:06:52,078 --> 00:06:54,214
HEY, YOU KNOW, ANDY,
THERE'S BREAKING BALLS,
126
00:06:54,247 --> 00:06:55,916
AND THEN THERE'S
ENOUGH ALREADY.
127
00:06:55,949 --> 00:06:57,050
MAYBE I'M BEING SERIOUS.
128
00:06:57,083 --> 00:06:59,052
FINE, BUT TODAY LET'S
INSTITUTE
129
00:06:59,085 --> 00:07:00,621
THE 13th STEP
IN THE A. A. LADDER.
130
00:07:00,654 --> 00:07:03,690
HOW ABOUT CUTTING ME
SOME SLACK?
131
00:07:18,939 --> 00:07:21,441
HEY, STOW HIM IN THREE.
132
00:07:21,474 --> 00:07:22,943
YOU GOT IT.
133
00:07:28,281 --> 00:07:30,250
YOU PARTIAL TO THAT DESK,
134
00:07:30,283 --> 00:07:32,252
OR WOULD YOU RATHER
WORK HERE?
135
00:07:32,285 --> 00:07:33,954
SHE'S ONLY GONE A WEEK.
136
00:07:33,987 --> 00:07:36,456
I TALKED TO THE BOSS,
AND THE OTHERS WON'T MIND.
137
00:07:36,489 --> 00:07:38,992
WE'RE WORKING CASES TOGETHER.
YOU MIGHT AS WELL.
138
00:07:39,025 --> 00:07:41,361
SURE, THEN.
139
00:07:41,394 --> 00:07:43,196
I'LL REV FOR THE BOSS.
140
00:07:43,229 --> 00:07:45,866
YOU MIGHT WANT TO FIND
A MINT.
141
00:07:49,469 --> 00:07:52,005
MEDAVOY, JONES,
142
00:07:52,038 --> 00:07:54,841
D.O.A. IN APARTMENT,
939 6th STREET.
143
00:07:54,875 --> 00:07:57,177
I'VE BEEN THERE BEFORE ??
BIG DOPE BUILDING.
144
00:07:57,210 --> 00:07:59,613
SURVIVING FEMALE
WAS REMOVED TO BELLEVUE.
145
00:07:59,646 --> 00:08:02,048
WASN'T YOU ALWAYS NEAR
AVENUE C, ANDY?
146
00:08:02,082 --> 00:08:03,116
OFF 7th STREET, NEAR 8th.
147
00:08:03,149 --> 00:08:04,384
AS SOON AS YOU CAN,
148
00:08:04,417 --> 00:08:06,553
LET ME KNOW
ARE THEY CONNECTED.
149
00:08:13,660 --> 00:08:15,796
SO WE'RE NOT YELLING
OVER THE SQUAD.
150
00:08:15,829 --> 00:08:17,764
YEAH, GOOD.
151
00:08:19,766 --> 00:08:21,267
[ KNOCK ON DOOR ]
152
00:08:23,737 --> 00:08:25,872
SO, WHAT DO YOU GOT
FOR US, PACO?
153
00:08:25,906 --> 00:08:27,708
OFF THE BAT,
I WANT TO SAY
154
00:08:27,741 --> 00:08:30,243
I'M NOT THE TYPE
WHO TALKS TO THE POLICE,
155
00:08:30,276 --> 00:08:33,514
AND WHATEVER I SAY,
DO WHAT YOU WANT WITH IT,
156
00:08:33,547 --> 00:08:34,881
BUT I AIN'T TESTIFYING
FOR NOTHING.
157
00:08:34,915 --> 00:08:36,349
ALL RIGHT, THANKS
FOR SETTING THAT STRAIGHT.
158
00:08:36,382 --> 00:08:37,518
YOU ON THE STREET
THIS MORNING?
159
00:08:37,551 --> 00:08:39,853
DOING MY JOB,
KEEPING MY BABY FED.
160
00:08:39,886 --> 00:08:42,088
SEE TWO WHITE JERSEY KIDS
ROLL UP
161
00:08:42,122 --> 00:08:43,824
AND HEAD UP TO AQUELINO'S.
162
00:08:43,857 --> 00:08:45,191
YOU'RE ON THE STREET.
163
00:08:45,225 --> 00:08:47,227
HOW DO YOU KNOW THEY'RE
GOING TO AQUELINO'S?
164
00:08:47,260 --> 00:08:49,530
ONE OF THEM USED TO BE
A STEADY CUSTOMER.
165
00:08:49,563 --> 00:08:51,197
THESE WHITIES AREN'T
INSIDE FIVE MINUTES,
166
00:08:51,231 --> 00:08:54,167
AND THEN BANG, BANG, BANG,
AND THEY BOOK OUT AND SPLIT.
167
00:08:54,200 --> 00:08:55,669
GET A PLATE?
THERE WASN'T NO PLATE. GREEN MAVERICK,
168
00:08:55,702 --> 00:08:58,171
BANGED UP TAIL END.
BUT YOU COULD PICK THEM OUT?
169
00:08:58,204 --> 00:09:00,440
UNOFFICIALLY, BRO, 'CAUSE LIKE
I SAID, I AIN'T TESTIFYING.
170
00:09:00,473 --> 00:09:02,609
WHO'S THE FORMER CUSTOMER?
171
00:09:02,643 --> 00:09:04,177
GOES BY BENJI,
LIKE THE DOG.
172
00:09:04,210 --> 00:09:06,179
WHY FORMER?
THEY HAVE A FALLING OUT?
173
00:09:06,212 --> 00:09:08,715
THIS BENJI USED TO COME
WITH ANOTHER WHITE DUDE,
174
00:09:08,749 --> 00:09:11,051
MICHAEL TIMMONS,
AND THIS BLONDE PIECE OF ASS
175
00:09:11,084 --> 00:09:13,720
SO FINE YOU'D CRAWL OVER GLASS
TO DRINK OUT HER TOILET.
176
00:09:13,754 --> 00:09:15,121
ABOUT THREE MONTHS AGO,
177
00:09:15,155 --> 00:09:16,422
THEY STOPPED COMING,
178
00:09:16,456 --> 00:09:18,525
AQUI SAID ON ACCOUNT
OF MICHAEL
179
00:09:18,559 --> 00:09:19,726
TOOK HIMSELF OUT.
180
00:09:19,760 --> 00:09:21,294
THIS HAPPENED IN JERSEY?
181
00:09:21,327 --> 00:09:23,463
I GUESS SO.
YOU EVER DEAL TO THESE THREE?
182
00:09:23,496 --> 00:09:25,265
WHEN AQUI WASN'T HOLDING.
183
00:09:25,298 --> 00:09:26,567
THEY EVER BEAT YOU
FOR PAYMENT,
184
00:09:26,600 --> 00:09:28,434
PISS YOU OFF IN ANY WAY?
185
00:09:28,468 --> 00:09:30,436
THINK I'M IN HERE, LOOKING
TO GET OVER ON BENJI?
186
00:09:30,470 --> 00:09:31,872
I DON'T NEED YOU
FOR THAT.
187
00:09:31,905 --> 00:09:33,974
SO YOU'RE JUST BEING
A GOOD CITIZEN.
188
00:09:34,007 --> 00:09:35,976
I DON'T LIKE
RUNNY?NOSED WHITE KIDS
189
00:09:36,009 --> 00:09:38,211
ROLLING OVER THE BRIDGE,
THINKING THEY CAN
190
00:09:38,244 --> 00:09:40,981
WHACK US LIKE ANIMALS!
CAN I SPLIT NOW?
191
00:09:41,014 --> 00:09:42,382
AHEM. YEAH.
192
00:09:42,415 --> 00:09:44,084
GIVE US
YOUR PAGER NUMBER
193
00:09:44,117 --> 00:09:45,819
AND KEEP YOURSELF
AVAILABLE.
194
00:09:53,827 --> 00:09:55,562
Man: SHE'S IN HERE.
195
00:09:55,596 --> 00:09:59,900
Woman over P. A.: DR. KELLY
TO O. R. DR. KELLY TO O. R.
196
00:09:59,933 --> 00:10:02,569
HOW YOU DOING, MRS. CHILDS?
I'M DETECTIVE MEDAVOY.
197
00:10:02,603 --> 00:10:03,804
THIS IS DETECTIVE JONES.
198
00:10:03,837 --> 00:10:05,071
IF YOU'RE UP TO IT,
199
00:10:05,105 --> 00:10:07,140
WE'D LIKE TO ASK YOU
SOME QUESTIONS.
200
00:10:07,173 --> 00:10:10,476
I'LL TRY. THEY GAVE ME
SOMETHING FOR MY PAIN.
201
00:10:10,511 --> 00:10:12,312
CAN YOU TELL US
WHAT HAPPENED
202
00:10:12,345 --> 00:10:13,947
AT YOUR APARTMENT
THIS MORNING?
203
00:10:13,980 --> 00:10:15,749
A MAN CAME IN
THROUGH THE SKYLIGHT,
204
00:10:15,782 --> 00:10:20,320
HAD A GUN,
KEPT ASKING FOR DRUGS.
205
00:10:20,353 --> 00:10:21,755
WHAT DID YOU TELL HIM?
206
00:10:21,788 --> 00:10:24,257
WE DIDN'T KNOW
WHAT HE WAS TALKING ABOUT.
207
00:10:24,290 --> 00:10:25,926
THEN HE ASKED FOR MONEY.
208
00:10:25,959 --> 00:10:29,362
WE GAVE HIM WHAT WE HAD,
BUT HE THOUGHT WE HAD MORE.
209
00:10:29,395 --> 00:10:30,964
HE THOUGHT WE WERE
DRUG DEALERS.
210
00:10:30,997 --> 00:10:33,466
WHAT HAPPENED AFTER YOU
GAVE HIM THE MONEY?
211
00:10:33,499 --> 00:10:34,968
PATRICK WAS TIED UP,
212
00:10:35,001 --> 00:10:39,405
AND THEN HE SHOT HIM
RIGHT IN THE HEAD.
213
00:10:40,907 --> 00:10:43,877
THEN HE PUT THE GUN
TO MY HEAD STILL HOT,
214
00:10:43,910 --> 00:10:47,548
AND HE SAID, "GIVE IT UP,"
215
00:10:47,581 --> 00:10:51,184
BUT I COULDN'T,
SO HE BEAT ME,
216
00:10:51,217 --> 00:10:55,656
AND HE PUT HIS CIGARETTE OUT
ON MY ARM.
217
00:10:55,689 --> 00:10:57,691
HAVE YOU EVER SEEN
THIS MAN BEFORE?
218
00:10:57,724 --> 00:10:59,660
NO.
219
00:10:59,693 --> 00:11:01,194
DID YOUR HUSBAND GIVE
ANY INDICATION
220
00:11:01,227 --> 00:11:03,129
THE MAN WAS FAMILIAR?
221
00:11:03,163 --> 00:11:04,397
NO.
222
00:11:04,430 --> 00:11:06,399
MRS. CHILDS, HAVE YOU
OR YOUR HUSBAND
223
00:11:06,432 --> 00:11:09,469
EVER BEEN ARRESTED
FOR A DRUG OFFENSE?
224
00:11:09,503 --> 00:11:11,071
[ SIGHS ]
225
00:11:13,106 --> 00:11:14,575
I DON'T UNDERSTAND
226
00:11:14,608 --> 00:11:16,309
WHAT THAT HAS TO DO
WITH ANYTHING.
227
00:11:16,342 --> 00:11:18,044
WE'RE SENSITIVE
TO THE FACT
228
00:11:18,078 --> 00:11:20,213
THAT YOU'RE VERY TRAUMATIZED,
MA'AM,
229
00:11:20,246 --> 00:11:23,149
BUT IF YOU OR YOUR HUSBAND
WERE INVOLVED
230
00:11:23,183 --> 00:11:25,552
IN A DRUG TRANSACTION
THAT WENT BAD,
231
00:11:25,586 --> 00:11:28,555
WE NEED TO KNOW SO WE CAN
PURSUE THE CASE PROPERLY.
232
00:11:28,589 --> 00:11:32,726
MY HUSBAND IS GOING TO
BE A CIVIL ENGINEER.
233
00:11:32,759 --> 00:11:36,396
WE MET AT ALBANY STATE
234
00:11:36,429 --> 00:11:38,431
BY THE FOUNTAIN.
235
00:11:38,464 --> 00:11:42,002
HE'S HELPING ME THROUGH
NURSING SCHOOL AT NYU.
236
00:11:42,035 --> 00:11:43,904
HE WAS SHOT IN THE HEAD.
237
00:11:43,937 --> 00:11:45,572
WE UNDERSTAND, MA'AM ??
238
00:11:45,606 --> 00:11:47,908
THAT MAN PUT A GUN
IN MY MOUTH.
239
00:11:47,941 --> 00:11:53,246
HE WAS BEATING ME
AND PUT A GUN IN MY MOUTH!
240
00:11:56,750 --> 00:12:01,555
THE ANSWER IS NO.
241
00:12:17,403 --> 00:12:18,739
WHO'S THAT?
242
00:12:18,772 --> 00:12:19,873
BENJAMIN NEWHOUSE.
243
00:12:19,906 --> 00:12:21,274
I TRACED HIM
OFF A POSSESSION COLLAR
244
00:12:21,307 --> 00:12:23,209
HE TOOK WITH THE SUICIDE KID
FROM JERSEY.
245
00:12:23,243 --> 00:12:25,278
CAME UP
WITH A MANHATTAN ADDRESS.
246
00:12:25,311 --> 00:12:26,880
YEAH, GOOD CHANCE
HE'S WHO PACO SAW
247
00:12:26,913 --> 00:12:28,649
BOOK OUT
THE D. O. A.'s BUILDING.
248
00:12:28,682 --> 00:12:29,950
YOU GIVE PACO
A LOOK AT HIM?
249
00:12:29,983 --> 00:12:31,451
WE PAGED HIM.
HE'S ON HIS WAY IN.
250
00:12:31,484 --> 00:12:33,453
RUN SIMILARITIES
WITH THESE GUYS?
251
00:12:33,486 --> 00:12:34,755
Danny: WHAT'D YOU GET?
252
00:12:34,788 --> 00:12:37,490
MALE, LATE 20s, TIED UP,
SHOT THROUGH THE HEAD,
253
00:12:37,524 --> 00:12:38,491
FEMALE TORTURED.
254
00:12:38,525 --> 00:12:39,926
WAS HE SHOT WITH A .22?
255
00:12:39,960 --> 00:12:43,063
BIG HOLE IN THE GUY,
AND WE FOUND A 380 SHELL.
256
00:12:43,096 --> 00:12:45,231
THE LANDLORD INDICATES DEALING
MIGHT BE IN THE PAST TENSE.
257
00:12:45,265 --> 00:12:47,233
PLACE WAS BOUGHT
THREE MONTHS AGO.
258
00:12:47,267 --> 00:12:48,935
THERE'S BEEN A LOT
OF REFURBISHMENT.
259
00:12:48,969 --> 00:12:51,071
WHAT KIND OF HIT DID YOU GET
FROM THE WOMAN IN THE HOSPITAL?
260
00:12:51,104 --> 00:12:52,472
SHE SEEMS STAND?UP.
261
00:12:52,506 --> 00:12:54,440
IT'S POSSIBLE SOMEONE BROKE
INTO THE WRONG APARTMENT.
262
00:12:54,474 --> 00:12:55,842
YEAH, OR IT WAS
THE RIGHT APARTMENT,
263
00:12:55,876 --> 00:12:57,143
AND WHOEVER THEY WERE
LOOKING FOR
264
00:12:57,177 --> 00:12:58,278
DIDN'T LIVE THERE
ANYMORE.
265
00:12:58,311 --> 00:13:00,747
LANDLORD'S WORKING ON A LIST
OF PREVIOUS TENANTS.
266
00:13:00,781 --> 00:13:03,183
John: DETECTIVE SIPOWICZ?
267
00:13:03,216 --> 00:13:04,484
Andy: EXCUSE ME.
268
00:13:07,854 --> 00:13:09,590
I'M SORRY TO SHOW UP
OUT OF THE BLUE.
269
00:13:09,623 --> 00:13:11,024
EVERYTHING ALL RIGHT?
THEO OKAY?
270
00:13:11,057 --> 00:13:13,026
EVERYTHING'S FINE.
I JUST TOOK SOME INITIATIVE
271
00:13:13,059 --> 00:13:15,295
ON SOMETHING, AND WE NEED
TO TALK ABOUT IT.
272
00:13:15,328 --> 00:13:17,463
TOOK INITIATIVE ON WHAT?
WHAT ARE YOU TALKING ABOUT?
273
00:13:17,497 --> 00:13:19,933
CAN WE GO
SOMEWHERE PRIVATE?
274
00:13:19,966 --> 00:13:23,303
UH, YEAH.
275
00:13:24,538 --> 00:13:27,373
I'LL, UH, I'LL SEE THAT PACO
GETS A LOOK AT BENJI.
276
00:13:27,407 --> 00:13:30,376
I'LL BE PULLING OUT
THE REST OF MY HAIR.
277
00:13:32,145 --> 00:13:34,147
I WENT OUT TODAY
LOOKING FOR APARTMENTS,
278
00:13:34,180 --> 00:13:35,716
AND I SAW ONE
ON 74th AND 2nd
279
00:13:35,749 --> 00:13:36,883
THAT I THINK IS PERFECT.
280
00:13:36,917 --> 00:13:39,119
AND HOW'D YOU TAKE
INITIATIVE?
281
00:13:39,152 --> 00:13:42,222
ANDY, IT'S JUST A LITTLE MORE
THAN YOU'RE PAYING NOW,
282
00:13:42,255 --> 00:13:44,390
BUT THREE BEDROOMS,
TWO BATHROOMS,
283
00:13:44,424 --> 00:13:46,527
A LIVING ROOM
WITH HIGH CEILINGS.
284
00:13:46,560 --> 00:13:47,994
IT'S FLOODED WITH LIGHT.
285
00:13:48,028 --> 00:13:49,830
DID YOU PUT DOWN
A DEPOSIT?
286
00:13:49,863 --> 00:13:52,533
WELL, IF I HADN'T,
ANOTHER COUPLE WOULD HAVE.
287
00:13:52,566 --> 00:13:54,300
KATIE, I SAID I HAD
TO SEE THE PLACE FIRST.
288
00:13:54,334 --> 00:13:56,302
I'VE SAID IT 200 TIMES.
289
00:13:56,336 --> 00:13:59,039
AND YOU'VE SEEN 200 APARTMENTS
AND SHOT DOWN EVERY ONE.
290
00:13:59,072 --> 00:14:00,206
ALL FOR GOOD REASONS.
291
00:14:00,240 --> 00:14:02,208
A FEW GOOD REASONS ??
292
00:14:02,242 --> 00:14:05,879
THE BATHROOM WAS TOO SMALL,
THE KITCHEN WASN'T BRAND NEW.
293
00:14:05,912 --> 00:14:08,882
IT SEEMED LIKE
THE PROCESS WAS BOGGED DOWN,
294
00:14:08,915 --> 00:14:10,851
SO I TOOK
SOME INITIATIVE.
295
00:14:10,884 --> 00:14:13,386
THIS IS THE ADDRESS.
296
00:14:13,419 --> 00:14:17,157
THE AGENT
IS JOSH SILVERMAN.
297
00:14:17,190 --> 00:14:19,826
HE'LL SHOW YOU THE APARTMENT
WHENEVER YOU WANT.
298
00:14:19,860 --> 00:14:21,562
CALL ME,
AND I'LL MEET YOU THERE.
299
00:14:21,595 --> 00:14:23,897
LOOK, I'M ALL TIED UP
ON A CASE.
300
00:14:23,930 --> 00:14:26,266
WHENEVER YOU CAN, ANDY.
301
00:14:28,769 --> 00:14:30,837
IT'S PERFECT.
302
00:14:30,871 --> 00:14:32,372
MAYBE I COULD DO IT LATER.
303
00:14:32,405 --> 00:14:34,541
THANK YOU.
304
00:14:48,321 --> 00:14:50,724
YOU LOOK A LITTLE NERVOUS
THERE, BENJI.
305
00:14:50,757 --> 00:14:52,125
SOMETHING ON YOUR MIND?
306
00:14:52,158 --> 00:14:54,628
I'M RACKING MY BRAINS
TRYING TO FIGURE OUT
307
00:14:54,661 --> 00:14:55,962
WHAT I DID WRONG HERE.
308
00:14:55,996 --> 00:14:58,699
YOU ON 7th STREET
NEAR AVENUE A THIS MORNING?
309
00:14:58,732 --> 00:14:59,733
THIS MORNING?
310
00:14:59,766 --> 00:15:01,568
BENJI, YOU FAMILIAR
WITH THE TERM
311
00:15:01,602 --> 00:15:04,137
"DUMBER THAN
A BAG OF HAMMERS"?
312
00:15:04,170 --> 00:15:06,372
I HAVEN'T HEARD THAT ONE.
313
00:15:06,406 --> 00:15:08,909
IN LIGHT OF A FEW FACTS
THAT WE LEARNED RECENTLY,
314
00:15:08,942 --> 00:15:10,977
THAT'S EXACTLY HOW
YOU'RE COMING ACROSS.
315
00:15:11,011 --> 00:15:13,413
BENJI, YOU KNOW WHAT
A 2?WAY MIRROR IS?
316
00:15:13,446 --> 00:15:15,549
IT'S SO FOLKS IN THERE
CAN SEE YOU
317
00:15:15,582 --> 00:15:16,950
WITHOUT YOU SEEING THEM.
318
00:15:16,983 --> 00:15:19,620
YOU HEAR ANY RUSTLING
BEHIND THAT 2?WAY MIRROR
319
00:15:19,653 --> 00:15:20,721
A FEW MINUTES AGO?
320
00:15:20,754 --> 00:15:21,922
MAYBE.
321
00:15:21,955 --> 00:15:24,224
YOU KNOW A GUY NAMED
AQUELINO ESTRADA?
322
00:15:24,257 --> 00:15:27,894
DON'T YOU HAVE ANOTHER
"MAYBE" IN THERE FOR US?
323
00:15:27,928 --> 00:15:30,931
YOU SAYING THAT WAS
AQUELINO BEHIND THE MIRROR?
324
00:15:30,964 --> 00:15:32,599
THE WAY HE PULLED THROUGH,
325
00:15:32,633 --> 00:15:34,467
THE DOCTORS WERE CALLING HIM
"MIRACLE BOY,"
326
00:15:34,500 --> 00:15:35,802
BUT, WOW, WAS HE PISSED.
327
00:15:35,836 --> 00:15:37,838
SO PISSED THAT WE THINK
MAYBE SOME OF THE THINGS HE SAID
328
00:15:37,871 --> 00:15:39,606
MIGHT HAVE BEEN
BLOWN OUT OF PROPORTION,
329
00:15:39,640 --> 00:15:41,141
LIKE THAT YOU DID ALL
THE SHOOTING
330
00:15:41,174 --> 00:15:42,576
IN THE APARTMENT
THIS MORNING.
331
00:15:42,609 --> 00:15:43,744
OR IS THAT TRUE?
332
00:15:43,777 --> 00:15:46,613
THAT'S NOT TRUE. THAT IS
TOTALLY NOT TRUE.
333
00:15:46,647 --> 00:15:48,081
SO THE SHOOTER
WAS YOUR RUNNING BUDDY.
334
00:15:48,114 --> 00:15:50,751
YOU WANT TO TALK ABOUT
DUMBER THAN A PACK OF WRENCHES,
335
00:15:50,784 --> 00:15:51,785
YOU TALK TO HIM.
336
00:15:51,818 --> 00:15:53,754
WE NEED YOUR SIDE FIRST,
BENJI.
337
00:15:53,787 --> 00:15:56,456
FIRST, YOUR INTENTIONS,
THEN HOW IT WENT SOUR.
338
00:16:00,226 --> 00:16:03,530
WE WERE GOING TO RIP OFF
AQUELINO FOR A STASH.
339
00:16:03,564 --> 00:16:05,866
YOU KNOW,
JUST IN, OUT, BOOM.
340
00:16:05,899 --> 00:16:07,433
SO WE WENT UP THERE,
341
00:16:07,467 --> 00:16:09,269
AND WE SAID,
"GIVE US THE STASH,"
342
00:16:09,302 --> 00:16:11,271
AND THEN SOME OTHER GUY
JUST APPEARED
343
00:16:11,304 --> 00:16:13,607
OUT OF THE BACK ROOM,
AND JIM GOT SPOOKED
344
00:16:13,640 --> 00:16:15,141
AND STARTS
POPPING OFF ROUNDS.
345
00:16:15,175 --> 00:16:17,110
IS IT TRUE WHAT AQUELINO SAID ??
THAT AFTER THE SHOOTING,
346
00:16:17,143 --> 00:16:18,712
IT WAS YOU WHO SET
TO TEARING UP HIS BEDROOM?
347
00:16:18,745 --> 00:16:21,682
JIM AGAIN. I DIDN'T EVEN KNOW
WHERE THE STASH WAS.
348
00:16:21,715 --> 00:16:24,350
HOW DID JIM KNOW?
HAD HE BEEN THERE BEFORE?
349
00:16:24,384 --> 00:16:27,187
COME ON, COME ON.
WE WERE ROLLING HERE, BENJI.
350
00:16:27,220 --> 00:16:30,123
AT THIS POINT,
I JUST WANT TO SAY
351
00:16:30,156 --> 00:16:33,393
THAT NOELLE HAD NOTHING
TO DO WITH THIS.
352
00:16:33,426 --> 00:16:36,029
NOELLE WHO?
353
00:16:36,062 --> 00:16:37,831
NO, UNH?UNH, UNH?UNH.
354
00:16:37,864 --> 00:16:40,000
ALLS I'M DOING IS
GIVING YOU HEADS UP
355
00:16:40,033 --> 00:16:42,803
ABOUT A LIE THAT JIM WILL TELL
HOW SHE PLANNED THIS,
356
00:16:42,836 --> 00:16:44,671
AND SHE KNEW
WHERE THE STASH WAS.
357
00:16:44,705 --> 00:16:45,806
JIM KNEW ON HIS OWN.
358
00:16:45,839 --> 00:16:47,908
HE FOUND OUT SOME WAY
OTHER THAN NOELLE.
359
00:16:47,941 --> 00:16:49,042
IF YOU TELL US WHO NOELLE IS,
360
00:16:49,075 --> 00:16:50,476
WE CAN CLEAR HER
LIKE YOU'RE SAYING,
361
00:16:50,511 --> 00:16:52,979
BUT WE CAN'T DO THAT
UNLESS WE TALK TO HER.
362
00:16:53,013 --> 00:16:55,381
IF YOU WANT JIM'S LAST NAME,
I'LL TELL YOU,
363
00:16:55,415 --> 00:16:57,584
BUT NOT IF WE KEEP
TALKING ABOUT NOELLE.
364
00:16:57,618 --> 00:16:59,319
OKAY, NOELLE'S CLEAN.
JIM WHO?
365
00:16:59,352 --> 00:17:00,386
FORDHAM.
366
00:17:00,420 --> 00:17:01,722
WRITE WHERE HE LIVES.
367
00:17:01,755 --> 00:17:04,357
JUST SO YOU KNOW,
HE WON'T ANSWER HIS DOOR.
368
00:17:04,390 --> 00:17:06,359
HE'S GOT A WARRANT
369
00:17:06,392 --> 00:17:08,094
FOR HOPPING A TURNSTILE
OR SOMETHING.
370
00:17:08,128 --> 00:17:10,363
WE'LL LURE HIM OUT
WITH THE SCENT OF FREE DOPE.
371
00:17:10,396 --> 00:17:13,099
THAT'LL DO IT.
372
00:17:26,913 --> 00:17:28,715
HOW'S IT GOING, JONAS?
373
00:17:28,749 --> 00:17:30,517
DETECTIVES MEDAVOY AND JONES.
374
00:17:30,551 --> 00:17:33,219
LOOKS LIKE SOMEONE'S
SPOILING YOUR VACATION.
375
00:17:33,253 --> 00:17:36,723
NOTHING I CAN'T HANDLE.
WHAT YOU WANT?
376
00:17:36,757 --> 00:17:38,224
YOU EVER LIVED
377
00:17:38,258 --> 00:17:40,527
ON 939 6th STREET
OFF AVENUE C?
378
00:17:40,561 --> 00:17:41,528
WHY?
379
00:17:41,562 --> 00:17:42,929
WE'RE CURIOUS
IF YOU'D KNOW WHY
380
00:17:42,963 --> 00:17:44,731
SOMEONE WOULD BREAK
INTO YOUR OLD APARTMENT
381
00:17:44,765 --> 00:17:45,899
AND TORTURE THE OCCUPANTS.
382
00:17:45,932 --> 00:17:47,768
MAYBE THEY DIDN'T LIKE
THOSE OCCUPANTS.
383
00:17:47,801 --> 00:17:49,603
OR MAYBE THEY FIGURED
THOSE OCCUPANTS
384
00:17:49,636 --> 00:17:50,704
WERE CONNECTED WITH YOU.
385
00:17:50,737 --> 00:17:52,405
DON'T KNOW NOTHING
ABOUT IT.
386
00:17:52,438 --> 00:17:54,407
YOU DON'T HAVE A SINGLE ENEMY
ON THE OUTSIDE?
387
00:17:54,440 --> 00:17:55,609
NONE I CAN THINK OF.
388
00:17:55,642 --> 00:17:58,078
WELL, THAT'S 'CAUSE THEY'RE ALL
IN HERE,
389
00:17:58,111 --> 00:17:59,445
STOMPING ON YOUR FACE.
390
00:17:59,479 --> 00:18:01,414
MAN, THAT'S SOME BEATING
YOU TOOK.
391
00:18:01,447 --> 00:18:03,717
WHAT'S UP?
NOT GOOD WITH YOUR HANDS?
392
00:18:03,750 --> 00:18:05,619
OH, I'M DAMN GOOD
WITH MY HANDS.
393
00:18:05,652 --> 00:18:07,453
THIS HERE IS
A FIVE?ON?ONE SITUATION.
394
00:18:07,487 --> 00:18:09,990
TAKES A SMALL MAN
TO PISS OFF A WHOLE GANG.
395
00:18:10,023 --> 00:18:12,125
THERE'S A GROUP
OF FORMER ASSOCIATES IN HERE
396
00:18:12,158 --> 00:18:14,728
WHO DIDN'T LIKE THE WAY
I DID BUSINESS ON THE OUTSIDE.
397
00:18:14,761 --> 00:18:16,429
THEY AIN'T NOTHING
I CAN'T HANDLE.
398
00:18:16,462 --> 00:18:18,331
YOU GET A SMACK LIKE THAT
EVERY DAY,
399
00:18:18,364 --> 00:18:19,800
THERE'S A REAL CHANCE
FOR A BRAIN HEMORRHAGE.
400
00:18:19,833 --> 00:18:20,934
YEAH, THEY MIGHT NOT
KILL YOU,
401
00:18:20,967 --> 00:18:22,936
BUT NO MATTER
HOW TOUGH YOU ARE,
402
00:18:22,969 --> 00:18:24,605
ENOUGH BEATINGS,
YOU'LL WALK OUT OF HERE
403
00:18:24,638 --> 00:18:25,939
MUMBLING LIKE
A MENTAL PATIENT.
404
00:18:25,972 --> 00:18:28,174
IF YOU WANT IT TO STOP,
WE CAN HELP,
405
00:18:28,208 --> 00:18:29,776
OR MAYBE YOU THINK
IT'LL STOP ON ITS OWN,
406
00:18:29,810 --> 00:18:32,112
AND WE SHOULD GO ON
OUR MERRY WAY.
407
00:18:32,145 --> 00:18:34,080
KNOWING DAMN WELL
IT WON'T.
408
00:18:34,114 --> 00:18:36,149
GET ME SEGREGATION
BY THIS AFTERNOON?
409
00:18:36,182 --> 00:18:37,784
NAME'S GOT TO PAN OUT.
410
00:18:39,786 --> 00:18:42,022
BYRON WADE.
411
00:18:42,055 --> 00:18:43,790
WHY HIM?
412
00:18:43,824 --> 00:18:45,526
HE'S A PSYCHO ??
PURE PSYCHO,
413
00:18:45,559 --> 00:18:48,695
AND HE THINKS I BEAT HIM
FOR SOME COKE, WHICH I DID NOT.
414
00:18:48,729 --> 00:18:50,296
WHERE CAN WE FIND HIM?
415
00:18:50,330 --> 00:18:52,332
FOUR OF CLUBS ON D.
416
00:18:52,365 --> 00:18:56,436
ALL RIGHT, NAME PANS OUT,
YOU'RE IN SEGREGATION.
417
00:18:56,469 --> 00:18:59,573
MY MAN.
418
00:19:06,747 --> 00:19:09,950
BENJI TOLD YOU
IT WAS A GREEN MAVERICK?
419
00:19:09,983 --> 00:19:12,385
GUY LUCKED OUT
WITH PARKING.
420
00:19:12,418 --> 00:19:14,254
BUILDING'S RIGHT HERE.
421
00:19:21,762 --> 00:19:23,797
HEY.
422
00:19:23,830 --> 00:19:24,898
WE NEED YOUR HELP.
423
00:19:24,931 --> 00:19:26,232
I GOT SOMEPLACE TO BE.
424
00:19:26,266 --> 00:19:28,368
WHICH IS RIGHT HERE
DOING YOUR CIVIC DUTY.
425
00:19:28,401 --> 00:19:30,837
WHY DON'T YOU PULL THE CAR
FORWARD AND BACK OUT?
426
00:19:32,906 --> 00:19:34,374
NOW BACK IT UP.
427
00:19:34,407 --> 00:19:37,143
[ INTERCOM BUZZES ]
428
00:19:37,177 --> 00:19:40,714
Man: YEAH? WHAT?
429
00:19:40,747 --> 00:19:42,649
UM, JIM FORDHAM?
NOT HERE.
430
00:19:42,683 --> 00:19:44,384
DO YOU KNOW WHERE HE IS?
431
00:19:44,417 --> 00:19:45,752
BECAUSE I JUST HIT A CAR
BY ACCIDENT,
432
00:19:45,786 --> 00:19:47,387
AND A NEIGHBOR WALKED BY
433
00:19:47,420 --> 00:19:49,856
AND SAID THE CAR
WAS JIM FORDHAM'S.
434
00:19:49,890 --> 00:19:51,391
OH, MAN. HANG ON.
435
00:19:58,298 --> 00:20:01,267
HI. ARE YOU JIM?
436
00:20:01,301 --> 00:20:03,604
SON OF A BITCH.
WHAT'D YOU DO?
437
00:20:03,637 --> 00:20:07,240
I WAS TALKING ON MY CELL,
AND THEN...
438
00:20:07,273 --> 00:20:09,910
I MEAN, I DON'T THINK
IT'S THAT BAD,
439
00:20:09,943 --> 00:20:12,412
BUT, YOU KNOW,
YOU BETTER COME DOWN. SORRY.
440
00:20:12,445 --> 00:20:14,948
ALL RIGHT,
YOU DOPEY BROAD.
441
00:20:16,583 --> 00:20:17,718
HE INSULTED ME.
442
00:20:17,751 --> 00:20:18,919
HE'LL PAY.
443
00:20:24,558 --> 00:20:26,359
HI.
444
00:20:26,392 --> 00:20:27,628
WHAT THE ??
445
00:20:27,661 --> 00:20:29,229
POLICE, ASSHOLE,
YOU'RE UNDER ARREST.
446
00:20:29,262 --> 00:20:30,396
WHAT DID I DO?
447
00:20:30,430 --> 00:20:32,899
FARE BEATING AND CALLING ME
A DOPEY BROAD.
448
00:20:32,933 --> 00:20:35,135
WHAT IS THIS, A JOKE?
WHAT ABOUT MY CAR?
449
00:20:35,168 --> 00:20:37,638
WE'RE REPLACING IT
WITH A BRAND NEW FERRARI.
450
00:20:37,671 --> 00:20:40,507
WALK, IDIOT. COME ON.
451
00:20:50,617 --> 00:20:54,120
DETECTIVE SORENSON,
PHONE CALL FOR YOU.
452
00:20:57,958 --> 00:20:59,259
SORENSON.
453
00:20:59,292 --> 00:21:02,162
GOT ANTI?CRIME NURSE
MEETING THIS FORDHAM.
454
00:21:02,195 --> 00:21:03,897
RIGHT, OKAY.
ANDY, DO YOU MIND
455
00:21:03,930 --> 00:21:05,999
IF WE SIT ON THIS GUY
TILL AFTER LUNCH?
456
00:21:06,032 --> 00:21:08,334
I GOT SOMEPLACE TO BE.
457
00:21:08,368 --> 00:21:10,136
NO, IT'S GOOD TIMING.
458
00:21:10,170 --> 00:21:13,907
I GOT TO GO SEE AN APARTMENT
KATIE PICKED OUT.
459
00:21:13,940 --> 00:21:17,477
PUT A DEPOSIT DOWN
WITHOUT MY SEEING THE PLACE.
460
00:21:17,511 --> 00:21:19,145
BACK IN AN HOUR.
461
00:21:28,722 --> 00:21:30,557
I'M ON THE AIR.
462
00:21:39,465 --> 00:21:40,433
HI.
463
00:21:40,466 --> 00:21:41,467
HEY.
464
00:22:05,692 --> 00:22:07,728
MEDIUM WELL
WITH SHARP CHEDDAR.
465
00:22:07,761 --> 00:22:10,063
YEAH. GREAT.
466
00:22:10,096 --> 00:22:11,798
JOEY AND ED ARE REALLY
BEEFING UP THE KITCHEN ??
467
00:22:11,832 --> 00:22:13,734
NEW FRYER, NEW BROILER,
468
00:22:13,767 --> 00:22:15,569
EVEN TALKING ABOUT
A ROTISSERIE.
469
00:22:15,602 --> 00:22:17,403
HEY, BRING IN
THE FREE RANGE SET.
470
00:22:17,437 --> 00:22:19,139
THEY'RE TRYING TO MAKE THIS
A REAL LUNCH SPOT.
471
00:22:19,172 --> 00:22:20,340
IT'LL BE GREAT FOR ME.
472
00:22:20,373 --> 00:22:22,075
BIG TIPS
WAITING DURING THE DAY,
473
00:22:22,108 --> 00:22:24,077
BIGGER TIPS
DANCING AT NIGHT.
474
00:22:24,110 --> 00:22:27,113
I HATE TO BREAK THIS UP,
BUT A HUNGRY DUO JUST WALKED IN.
475
00:22:29,049 --> 00:22:31,017
I'LL BE BACK.
476
00:22:31,051 --> 00:22:32,553
YOU MIND?
477
00:22:32,586 --> 00:22:33,554
YOUR CLUB.
478
00:22:33,587 --> 00:22:35,556
I'M IMPRESSED
TO SEE YOU UPRIGHT.
479
00:22:35,589 --> 00:22:37,524
YOU'RE A MAN THAT
CAN HANDLE HIS SCOTCH.
480
00:22:37,558 --> 00:22:39,926
IT WAS HANDLING ME
PRETTY GOOD THIS MORNING.
481
00:22:39,960 --> 00:22:41,562
YEAH, I KNOW
THAT FEELING.
482
00:22:41,595 --> 00:22:43,263
SO, KRISTEN MENTIONED
I WAS LOOKING
483
00:22:43,296 --> 00:22:44,531
TO HAVE A CONVERSATION?
484
00:22:44,565 --> 00:22:46,266
YEAH, SHE SAID YOU AND ED
WANTED TO TALK.
485
00:22:46,299 --> 00:22:47,734
GOOD. I WAS HOPING
SHE WOULD.
486
00:22:47,768 --> 00:22:48,735
HEY, PETE, BRING ME
487
00:22:48,769 --> 00:22:50,571
ONE OF THOSE PALE ALES
IN A CHILLED MUG.
488
00:22:50,604 --> 00:22:52,405
GOT TO GRAB IT
FROM THE BACK.
489
00:22:52,438 --> 00:22:53,507
RIGHT.
490
00:22:53,540 --> 00:22:54,841
SO I GOT A FAVOR
TO ASK.
491
00:22:54,875 --> 00:22:57,177
SAY NO, AND I'LL DROP IT,
BUT PETE'S GOT CONCERNS.
492
00:22:57,210 --> 00:22:59,580
HE'S SUCH A STAND?UP GUY.
I GOT TO TRY HELP HIM OUT.
493
00:22:59,613 --> 00:23:01,081
SHOOT.
494
00:23:01,114 --> 00:23:03,049
HE NEEDS A PASSPORT,
BECAUSE HE WANTS
495
00:23:03,083 --> 00:23:04,350
TO TAKE HIS WIFE
TO SEE FAMILY IN DUBLIN.
496
00:23:04,384 --> 00:23:05,552
THE PROBLEM IS,
HE'S A LITTLE AFRAID
497
00:23:05,586 --> 00:23:06,853
OF STEPPING FOOT
IN A GOVERNMENT OFFICE.
498
00:23:06,887 --> 00:23:08,288
HE'S GOT A WARRANT
ON HIM?
499
00:23:08,321 --> 00:23:09,623
HE SAYS THERE'S NO REASON
HE SHOULD.
500
00:23:09,656 --> 00:23:11,057
HE'S CLEAN FIVE YEARS,
BUT HE'S SPOOKED
501
00:23:11,091 --> 00:23:12,726
SOMETHING MIGHT HAVE
SLIPPED THROUGH THE CRACKS.
502
00:23:12,759 --> 00:23:13,960
HE DOESN'T KNOW I'M ASKING,
503
00:23:13,994 --> 00:23:15,228
BUT IF YOU COULD JUST CHECK
INTO AS FAR AS A YES OR NO,
504
00:23:15,261 --> 00:23:16,429
WE'D BOTH BE IN YOUR DEBT.
505
00:23:16,462 --> 00:23:17,864
I'D LIKE TO HELP, JOEY,
506
00:23:17,898 --> 00:23:20,601
BUT THEY GOT RULES
AGAINST THAT KIND OF THING.
507
00:23:20,634 --> 00:23:22,869
THEY ALSO GOT RULES
AGAINST JAYWALKING, DANNY.
508
00:23:22,903 --> 00:23:24,304
PETE McNEIL,
REMEMBER DANNY SORENSON?
509
00:23:24,337 --> 00:23:26,206
DON'T EVER TAKE A DIME
FROM THIS MAN. YOU GOT IT?
510
00:23:26,239 --> 00:23:28,308
HE'S A PERSONAL FRIEND
OF MINE.
511
00:23:28,341 --> 00:23:30,644
SURE THING, JOEY.
GOOD TO SEE YOU.
512
00:23:30,677 --> 00:23:32,078
THINK ABOUT IT, HUH?
513
00:23:32,112 --> 00:23:34,380
BUT KEEP IT HUSH?HUSH
TO PETE.
514
00:23:34,414 --> 00:23:36,249
DON'T WANT TO EMBARRASS HIM.
I GOT BILLS TO PAY.
515
00:23:36,282 --> 00:23:38,218
HERE'S HIS SOCIAL SECURITY
NUMBER. I'LL SEE YOU SOON.
516
00:23:38,251 --> 00:23:40,754
YOU FORGOT YOUR BEER.
517
00:23:40,787 --> 00:23:44,290
NAH, THAT'S FOR YOU, PAL.
CHEERS.
518
00:23:48,161 --> 00:23:49,596
NO, I'M RIGHT NEARBY.
519
00:23:49,630 --> 00:23:51,898
IT'S LIKE A DRIVER
AND A 9?IRON AWAY.
520
00:23:51,932 --> 00:23:52,899
20 MINUTES.
521
00:23:52,933 --> 00:23:53,900
OKAY.
522
00:23:53,934 --> 00:23:55,135
LOOK AT THIS CABINET.
523
00:23:55,168 --> 00:23:57,337
OH, IT JUST NEEDS
A NEW HINGE.
524
00:23:57,370 --> 00:23:59,105
THIS PLACE HAS SOME
MINOR BRUISES, MR. SIPOWICZ,
525
00:23:59,139 --> 00:24:00,907
BUT IT'S A COAT OF PAINT
AND A SCREWDRIVER FROM GOLD.
526
00:24:00,941 --> 00:24:02,676
[ CELLULAR PHONE RINGS ]
527
00:24:02,709 --> 00:24:03,910
SILVERMAN.
528
00:24:03,944 --> 00:24:05,646
PUT HIM THROUGH.
529
00:24:05,679 --> 00:24:07,313
THERE'S NO DISHWASHER.
530
00:24:07,347 --> 00:24:08,448
ANCIENT STOVE.
531
00:24:08,481 --> 00:24:10,651
SO WE'LL PUT IN
A DISHWASHER
532
00:24:10,684 --> 00:24:12,118
AND BUY A NEW STOVE.
533
00:24:12,152 --> 00:24:13,286
IN A RENTAL PLACE?
534
00:24:13,319 --> 00:24:15,255
A DEAL LIKE THIS,
YOU MAKE CONCESSIONS.
535
00:24:15,288 --> 00:24:16,757
YOU SAID PERFECT.
536
00:24:16,790 --> 00:24:18,424
AS PERFECT AS ANYONE
COULD REASONABLY EXPECT.
537
00:24:18,458 --> 00:24:20,426
IT'S A MIRACLE
WE GOT THIS PLACE.
538
00:24:20,460 --> 00:24:22,796
THE LAST?MINUTE RELOCATION
AND A BREAK ON RENT,
539
00:24:22,829 --> 00:24:24,297
PLUS THE OWNER
LIKES FAMILIES ??
540
00:24:24,330 --> 00:24:25,298
THIS IS A GREAT GET.
541
00:24:25,331 --> 00:24:26,933
FOLKS, I HATE TO RUSH,
542
00:24:26,967 --> 00:24:29,235
BUT I GOT TO SHOW
ANOTHER PLACE.
543
00:24:31,037 --> 00:24:33,439
LOOK, I'M SORRY, KATIE,
BUT THIS ISN'T GOING TO HAPPEN.
544
00:24:33,473 --> 00:24:35,375
WHAT, ANDY?
WE NEED THE DEPOSIT BACK.
545
00:24:35,408 --> 00:24:36,610
PARDON ME?
546
00:24:36,643 --> 00:24:38,779
COULD I JUST ASK WHY
YOU FEEL THIS WAY, ANDY?
547
00:24:38,812 --> 00:24:40,446
THE KITCHEN'S A WRECK,
548
00:24:40,480 --> 00:24:43,049
AND THERE'S NO TUB,
ONLY SHOWERS,
549
00:24:43,083 --> 00:24:45,351
AND HOW MANY RESTAURANTS
YOU GOT ON THIS BLOCK?
550
00:24:45,385 --> 00:24:46,553
THERE'S FOUR.
551
00:24:46,587 --> 00:24:48,789
MOST PEOPLE
WOULD CONSIDER THAT A PLUS.
552
00:24:48,822 --> 00:24:50,356
MAYBE FOR DEAF PEOPLE
553
00:24:50,390 --> 00:24:51,892
OR PEOPLE
THAT SLEEP WITH EARPLUGS,
554
00:24:51,925 --> 00:24:53,894
BUT I'M NOT LIVING
STREET SIDE ON THE FIFTH FLOOR
555
00:24:53,927 --> 00:24:55,461
WITH SANITATION TRUCKS
EMPTYING DUMPSTERS
556
00:24:55,495 --> 00:24:58,532
OF GARBAGE AND GLASS
FOUR TIMES A NIGHT.
557
00:24:58,565 --> 00:25:00,233
ANDY, CALM DOWN.
558
00:25:00,266 --> 00:25:02,302
DID YOU NOT UNDERSTAND WHY
I NEEDED TO SEE THE PLACE FIRST?
559
00:25:02,335 --> 00:25:03,804
IT'S SO WE WOULDN'T
END UP WASTING TIME
560
00:25:03,837 --> 00:25:06,406
ON IMPRACTICAL PLACES THAT
HAPPEN TO BE FLOODED WITH LIGHT.
561
00:25:06,439 --> 00:25:08,174
CAN WE STEP
IN THE BACK A MINUTE?
562
00:25:08,208 --> 00:25:09,242
OH, FOR A VIEW
563
00:25:09,275 --> 00:25:10,577
OF THE WATER STAIN
IN THE BEDROOM
564
00:25:10,611 --> 00:25:12,245
WHERE THE WINDOW'S
PAINTED SHUT?
565
00:25:12,278 --> 00:25:13,880
YOU'RE GOING TO HAVE TO
GIVE BACK HER CHECK.
566
00:25:13,914 --> 00:25:15,348
MR. SIPOWICZ,
THE CHECK'S IN THE BANK.
567
00:25:15,381 --> 00:25:17,518
IT'S NOT REFUNDABLE.
568
00:25:17,551 --> 00:25:18,985
YOU GOT A REALTOR'S LICENSE,
SILVERMAN?
569
00:25:19,019 --> 00:25:20,386
YES, I DO.
570
00:25:20,420 --> 00:25:21,421
YOU WANT TO KEEP IT,
YOU GET ON YOUR LITTLE PHONE
571
00:25:21,454 --> 00:25:22,756
AND YOU CALL
WHOEVER YOU NEED TO CALL
572
00:25:22,789 --> 00:25:24,157
AND GET THAT CHECK
BACK OUT OF THE BANK
573
00:25:24,190 --> 00:25:25,491
OR DON'T,
574
00:25:25,526 --> 00:25:27,994
AND EVERY EX?COP
FRIEND OF MINE
575
00:25:28,028 --> 00:25:29,530
WHO WORKS INVESTIGATION
ON REALTOR COMPLAINTS
576
00:25:29,563 --> 00:25:31,031
IS GOING TO BE UP YOUR ASS
WITH A MICROSCOPE.
577
00:25:31,064 --> 00:25:32,533
YOU WANT THAT?
578
00:25:32,566 --> 00:25:34,768
ANDY.
SILVERMAN, I ASKED A QUESTION,
579
00:25:34,801 --> 00:25:37,604
AND IT'S
DETECTIVE SIPOWICZ.
580
00:25:37,638 --> 00:25:39,606
I'LL MAKE A CALL.
581
00:25:39,640 --> 00:25:40,641
GREAT.
582
00:25:43,644 --> 00:25:46,479
GET ME SUSIE
AT THE BANK.
583
00:25:50,083 --> 00:25:54,555
DID PEOPLE STOP
MUGGING OLD LADIES AND STUFF?
584
00:25:54,588 --> 00:25:56,957
'CAUSE THIS IS A LOT OF EFFORT
FOR JUMPING A TURNSTILE.
585
00:25:56,990 --> 00:25:58,424
IT'S A VICTIMLESS CRIME.
586
00:25:58,458 --> 00:26:01,027
MAYBE YOU'RE HERE
ON SOMETHING ELSE, JIM.
587
00:26:01,061 --> 00:26:02,529
HAVE YOU EVER BEEN
TO 1501 7th STREET,
588
00:26:02,563 --> 00:26:03,964
NEAR AVENUE A?
589
00:26:03,997 --> 00:26:05,231
I DON'T KNOW.
590
00:26:05,265 --> 00:26:07,100
THAT'S NOT
WHERE YOU SCORED DOPE
591
00:26:07,133 --> 00:26:08,301
FROM AQUELINO ESTRADA?
592
00:26:08,334 --> 00:26:09,903
I DON'T KNOW THE PLACE.
593
00:26:09,936 --> 00:26:11,271
YOU KNOW A GIRL
NAMED NOELLE?
594
00:26:13,907 --> 00:26:15,408
SON OF A BITCH.
595
00:26:15,441 --> 00:26:17,443
YOU AWARE NEW YORK
IS A DEATH PENALTY STATE?
596
00:26:17,477 --> 00:26:19,445
BUT THE CRIME'S GOT
TO QUALIFY YOU FOR IT.
597
00:26:19,479 --> 00:26:21,147
THEY CALL IT
SPECIAL CIRCUMSTANCES.
598
00:26:21,181 --> 00:26:22,382
LIKE WHACKING A GUY
599
00:26:22,415 --> 00:26:23,817
WHILE RIPPING HIM OFF
FOR HIS DOPE.
600
00:26:23,850 --> 00:26:25,719
THAT'S MURDER
IN THE COURSE OF A ROBBERY.
601
00:26:25,752 --> 00:26:26,720
THAT BITCH WHORE.
602
00:26:26,753 --> 00:26:28,288
YOU GIVE A STATEMENT
OF REMORSE,
603
00:26:28,321 --> 00:26:29,956
YOU MIGHT BEAT
THE DEATH PENALTY,
604
00:26:29,990 --> 00:26:32,092
OR YOU KEEP SAYING
YOU DON'T KNOW THE BUILDING
605
00:26:32,125 --> 00:26:33,827
OR AQUELINO ESTRADA
OR NOELLE OR BENJI
606
00:26:33,860 --> 00:26:35,829
AND WIPE YOURSELF
OFF THE FACE OF THIS EARTH.
607
00:26:35,862 --> 00:26:38,231
THIS WAS NOT MY IDEA,
ALL RIGHT?
608
00:26:38,264 --> 00:26:39,833
THAT STONE COLD
BLUE?BALLER
609
00:26:39,866 --> 00:26:43,670
PROMISED ME MANY A TRIP
AROUND THE MOON ON HER ASS
610
00:26:43,704 --> 00:26:44,905
IF I DID THIS FOR HER.
611
00:26:44,938 --> 00:26:47,073
HOW'D SHE APPROACH YOU
ON THE ROBBERY?
612
00:26:47,107 --> 00:26:48,842
SHE WAGGED HER TAIL
IN MY FACE,
613
00:26:48,875 --> 00:26:50,677
SAID THAT SHE HAD
AN EASY SCORE,
614
00:26:50,711 --> 00:26:53,079
BUT SHE'D ONLY HAND IT OFF
TO THE RIGHT GUY.
615
00:26:53,113 --> 00:26:55,582
WHAT MADE YOU
THE RIGHT GUY?
616
00:26:55,616 --> 00:26:58,084
I GOT A GUN,
BUT SHE SAID IT WAS
617
00:26:58,118 --> 00:26:59,520
MY CHARM AND GOOD LOOKS
618
00:26:59,553 --> 00:27:01,788
AND WHAT A PUNISHING HAMMER
I AM IN THE SACK.
619
00:27:01,822 --> 00:27:03,524
THOUGHT SHE WAS
BLUE?BALLING YOU.
620
00:27:03,557 --> 00:27:05,025
SHE CONTROLLED YOU
BY GIVING UP
621
00:27:05,058 --> 00:27:06,927
A CRUMB OF THE POUSSOIR
HERE AND THERE,
622
00:27:06,960 --> 00:27:08,662
BUT YOU PAY
FOR EVERY OUNCE.
623
00:27:08,695 --> 00:27:10,496
THAT MAKE YOU
BITTER ENOUGH
624
00:27:10,531 --> 00:27:12,265
TO PUT HER IN THE MIDDLE
OF A ROBBERY YOU PLANNED?
625
00:27:12,298 --> 00:27:16,202
I NEVER HEARD OF WHATEVER
HIS NAME IS ?? ESTRADA ??
626
00:27:16,236 --> 00:27:17,270
BEFORE NOELLE,
627
00:27:17,303 --> 00:27:19,540
AND I DEFINITELY
HAD NO IDEA
628
00:27:19,573 --> 00:27:21,141
WHERE HE KEPT HIS STASH,
629
00:27:21,174 --> 00:27:23,610
WHICH SHE FOUND OUT
BY BANGING HIM.
630
00:27:23,644 --> 00:27:25,946
WHERE'S BENJI
FIT INTO THIS?
631
00:27:25,979 --> 00:27:27,781
HE'S TOTALLY IN LOVE
WITH HER.
632
00:27:27,814 --> 00:27:30,551
SHE TREATS HIM LIKE DIRT ??
THE STANDARD NOELLE.
633
00:27:30,584 --> 00:27:32,819
SHE SAID HER LAST NAME
WAS JONES. SHE LYING?
634
00:27:32,853 --> 00:27:34,220
IT'S BURNETT.
635
00:27:34,254 --> 00:27:36,723
SHE LIVES ON BOWERY?
636
00:27:36,757 --> 00:27:37,991
STANTON.
637
00:27:38,024 --> 00:27:43,897
BIG?TITTED, BLUE?BALLING
SACK OF LIES.
638
00:27:43,930 --> 00:27:46,633
GUESS YOU PICKED
THE WRONG GIRL.
639
00:27:46,667 --> 00:27:48,935
[ KNOCK ON DOOR ]
640
00:27:52,506 --> 00:27:53,907
I THOUGHT
YOU SHOULD KNOW
641
00:27:53,940 --> 00:27:56,242
ABOUT SOME DEVELOPMENTS
AT THAT TAILFEATHERS CLUB.
642
00:27:56,276 --> 00:27:58,879
YOU GOT AN EAR IN THE PLACE?
A STRIPPER THERE ?? KRISTEN MOORE.
643
00:27:58,912 --> 00:28:00,246
THE GIRL WE WIRED UP.
644
00:28:00,280 --> 00:28:02,482
SHE SAID THE OWNERS
WANTED A WORD WITH ME.
645
00:28:02,516 --> 00:28:05,251
IT TURNS OUT IT WAS TO RUN
THEIR BARTENDER THROUGH BCI.
646
00:28:05,285 --> 00:28:07,387
I THINK THEY'RE TRYING
TO TURN ME OUT.
647
00:28:07,420 --> 00:28:09,690
SOUNDS LIKE IT.
WHY'D THEY WANT HIM RUN?
648
00:28:09,723 --> 00:28:11,057
GAVE A LAME EXCUSE.
649
00:28:11,091 --> 00:28:12,392
WHY YOU?
650
00:28:12,425 --> 00:28:13,960
DON'T KNOW.
651
00:28:15,295 --> 00:28:17,397
DID YOU SAY
YOU'D DO IT?
652
00:28:17,430 --> 00:28:19,399
I SAID
I'D THINK ABOUT IT.
653
00:28:19,432 --> 00:28:20,567
YOU KNOW, THAT PLACE
IS HOOKED UP BIG?TIME.
654
00:28:20,601 --> 00:28:21,768
I KNOW.
655
00:28:21,802 --> 00:28:24,370
ARE YOU PREPARED
TO WORK THESE GUYS A WHILE,
656
00:28:24,404 --> 00:28:25,539
REALLY GET IN WITH THEM?
657
00:28:25,572 --> 00:28:26,740
YEAH.
658
00:28:26,773 --> 00:28:29,676
I'M GOING TO HAVE TO RUN THIS
PAST A LOT OF PEOPLE,
659
00:28:29,710 --> 00:28:31,077
GET A LOT OF CLEARANCES.
660
00:28:31,111 --> 00:28:32,946
SHOULD I STAY OUT OF THERE
TILL IT'S CLEARED?
661
00:28:32,979 --> 00:28:34,447
NO. GO AHEAD
AND RUN THE BARTENDER
662
00:28:34,480 --> 00:28:36,016
AND FOLLOW THROUGH
WITH THE OWNERS,
663
00:28:36,049 --> 00:28:37,951
BUT KEEP IT QUIET
TILL YOU GET THE GREEN LIGHT.
664
00:28:37,984 --> 00:28:40,120
I'LL KEEP IT
ENTIRELY TO MYSELF,
665
00:28:40,153 --> 00:28:41,888
ANDY INCLUDED.
666
00:28:41,922 --> 00:28:44,157
KEEP ME INFORMED.
667
00:29:04,845 --> 00:29:06,479
3.
668
00:29:06,513 --> 00:29:09,382
NUMBER 3 IS THE MAN
THAT ATTACKED YOU THIS MORNING.
669
00:29:09,415 --> 00:29:13,286
AND ?? AND KILLED
MY HUSBAND.
670
00:29:15,088 --> 00:29:16,489
KEEP NUMBER 3.
671
00:29:28,001 --> 00:29:29,936
YOU KNOW
WHAT HAPPENS NOW?
672
00:29:29,970 --> 00:29:31,938
I GOT NOTHING TO SAY.
673
00:29:31,972 --> 00:29:33,774
YOU WERE JUST PICKED OUT
OF A LINEUP, BYRON,
674
00:29:33,807 --> 00:29:35,408
SO WE DON'T NEED YOU
TO SAY ANYTHING.
675
00:29:35,441 --> 00:29:36,577
YEAH, THE FACT IS,
676
00:29:36,610 --> 00:29:37,744
WE DON'T WANT YOU
TO SAY ANYTHING.
677
00:29:37,778 --> 00:29:39,279
YOU MIGHT EXPRESS REMORSE,
AND WE'D RATHER
678
00:29:39,312 --> 00:29:40,681
YOU GO TO TRIAL
THE PICTURE OF EVIL.
679
00:29:40,714 --> 00:29:42,983
THEN WHAT WE DOING HERE?
680
00:29:43,016 --> 00:29:45,786
YOU KNOW JONAS MOREHOUSE?
JONAS MOREHOUSE DIDN'T BEAT YOU
681
00:29:45,819 --> 00:29:47,621
FOR A CERTAIN AMOUNT
OF COCAINE?
682
00:29:47,654 --> 00:29:49,690
NOBODY BEATS ME
FOR NOTHING.
683
00:29:49,723 --> 00:29:50,957
IS THAT
WHAT YOU WERE PROVING
684
00:29:50,991 --> 00:29:52,292
IN HIS APARTMENT
THIS MORNING,
685
00:29:52,325 --> 00:29:53,927
SHOWING JONAS
EVEN THOUGH HE'S LOCKED UP,
686
00:29:53,960 --> 00:29:55,762
HIS PEOPLE ?? THE PEOPLE
STAYING IN HIS PLACE ??
687
00:29:55,796 --> 00:29:56,997
IF JONAS OWES,
THEY OWE, TOO?
688
00:29:57,030 --> 00:29:59,032
IT'S GOT A CERTAIN LOGIC,
DOESN'T IT, BYRON?
689
00:29:59,065 --> 00:30:00,500
YOU SEE, THE PROBLEM IS,
690
00:30:00,534 --> 00:30:02,435
THOSE PEOPLE HAD NOTHING
TO DO WITH JONAS MOREHOUSE.
691
00:30:02,468 --> 00:30:03,837
YOU BROKE IN
ON A LEGIT YOUNG COUPLE.
692
00:30:03,870 --> 00:30:05,105
[ CHUCKLES ]
693
00:30:05,138 --> 00:30:07,541
YOU KILL A MAN
FOR NOTHING
694
00:30:07,574 --> 00:30:09,175
AND TORTURE A GIRL SO BAD
SHE'LL NEVER BE THE SAME
695
00:30:09,209 --> 00:30:10,210
AND IT'S FUNNY?
696
00:30:10,243 --> 00:30:12,779
WHAT LEGIT FOLKS DOING
UP IN THAT PLACE?
697
00:30:12,813 --> 00:30:14,180
NEW TENANTS.
698
00:30:14,214 --> 00:30:16,517
I OUGHT TO BEAT YOU
LIKE YOU BEAT THAT GIRL.
699
00:30:16,550 --> 00:30:19,720
HEY, WHATEVER HAPPENED
TO THEM, TOO BAD.
700
00:30:20,921 --> 00:30:23,023
YEAH, I'VE BEEN SHOT
FOR NOTHING.
701
00:30:23,056 --> 00:30:25,291
BEEN DRAGGED IN
AND BEEN BEATEN BY Y'ALL
702
00:30:25,325 --> 00:30:27,894
JUST FOR WALKING AROUND,
BUT THINGS HAPPEN.
703
00:30:27,928 --> 00:30:29,062
SO IT'S OKAY?
704
00:30:29,095 --> 00:30:30,664
IT'S THE WAY IT GOES.
705
00:30:33,266 --> 00:30:35,401
DON'T SAY NOTHING ELSE,
BYRON.
706
00:30:35,435 --> 00:30:38,404
YOU'RE PICTURE?PERFECT
RIGHT THERE.
707
00:30:55,421 --> 00:30:57,791
SIT DOWN, NOELLE.
708
00:30:59,560 --> 00:31:01,494
DO YOU MIND IF I SMOKE?
YEAH, WE DO.
709
00:31:01,528 --> 00:31:03,830
THEN I'LL JUST TAKE ONE
OUT OF THE PACK
710
00:31:03,864 --> 00:31:04,998
AND FIDDLE WITH IT.
711
00:31:05,031 --> 00:31:07,067
KEEPS MY HANDS BUSY.
712
00:31:07,100 --> 00:31:08,201
YOU KNOW A GUY
NAMED AQUELINO ESTRADA?
713
00:31:08,234 --> 00:31:09,202
NO.
714
00:31:09,235 --> 00:31:10,504
HE WHO YOU'RE INVESTIGATING?
715
00:31:10,537 --> 00:31:12,573
AQUELINO ESTRADA
NEVER SOLD YOU DRUGS?
716
00:31:12,606 --> 00:31:13,740
NO, SIR.
717
00:31:13,774 --> 00:31:16,409
YOU'VE NEVER BEEN
TO HIS PLACE ON 7th STREET?
718
00:31:16,442 --> 00:31:18,545
NO, MA'AM.
YOU KNOW ANYTHING ABOUT HIM
719
00:31:18,579 --> 00:31:19,913
AND A PARTNER GETTING
MURDERED THIS MORNING?
720
00:31:19,946 --> 00:31:21,214
WOULD IT SURPRISE YOU
721
00:31:21,247 --> 00:31:23,383
TO KNOW WE HAVE
INFORMATION TO THE CONTRARY?
722
00:31:23,416 --> 00:31:25,586
SPECIFICALLY, THAT YOU
ENGINEERED A ROBBERY
723
00:31:25,619 --> 00:31:27,888
THAT TURNED
INTO A DOUBLE HOMICIDE.
724
00:31:27,921 --> 00:31:29,255
PROBLEM IS,
UNLESS YOU CONFIRM
725
00:31:29,289 --> 00:31:31,057
THE KILLINGS WEREN'T
IN THE ORIGINAL PLAN,
726
00:31:31,091 --> 00:31:32,225
WE HAVE TO TELL THE D. A.
727
00:31:32,258 --> 00:31:33,960
THAT YOU PLANNED THEM
FROM THE JUMP.
728
00:31:33,994 --> 00:31:36,863
OKAY, OKAY. TIME OUT.
729
00:31:36,897 --> 00:31:38,799
WHAT ARE
YOU TALKING ABOUT?
730
00:31:38,832 --> 00:31:42,569
DID YOU HEAR ME?
SORRY. FORCE OF HABIT.
731
00:31:42,603 --> 00:31:44,538
DOES THE NAME JIM FORDHAM
MEAN ANYTHING TO YOU,
732
00:31:44,571 --> 00:31:46,707
OR BENJI WALLACE?
733
00:31:46,740 --> 00:31:47,908
OH, MY GOD.
734
00:31:47,941 --> 00:31:50,143
ARE YOU SAYING THAT JIM
AND BENJI KILLED SOMEONE?
735
00:31:50,176 --> 00:31:52,145
GIVE A STATEMENT
HOW THIS WENT BAD
736
00:31:52,178 --> 00:31:54,480
AND YOU COULD BE LOOKING
AT A SWEET DEAL.
737
00:31:54,515 --> 00:31:55,649
I CAN'T BELIEVE THIS.
738
00:31:55,682 --> 00:31:57,150
IT'S A REAL TRAGEDY.
739
00:31:57,183 --> 00:31:58,752
TELL US WHAT
THE ORIGINAL PLAN WAS.
740
00:31:58,785 --> 00:32:00,921
I HAVE NO IDEA
WHAT THE ORIGINAL PLAN WAS.
741
00:32:00,954 --> 00:32:02,122
TALK TO JIM AND BENJI.
742
00:32:02,155 --> 00:32:03,624
AND THEY SAID
TALK TO YOU.
743
00:32:03,657 --> 00:32:06,092
AND YOU TOOK THE WORD
OF JIM THE LIMPING JUNKIE
744
00:32:06,126 --> 00:32:07,293
AND BENJI THE RETARD.
745
00:32:07,327 --> 00:32:08,929
THEY'RE PUTTING YOU
IN THE MIDDLE, NOELLE.
746
00:32:08,962 --> 00:32:10,430
GIVE US A LITTLE MORE
THAN INSULTS.
747
00:32:10,463 --> 00:32:12,098
WAS I AWARE
OF THE POSSIBILITY
748
00:32:12,132 --> 00:32:13,734
THEY'D RIP OFF
AQUELINO? YES.
749
00:32:13,767 --> 00:32:15,569
BUT I WAS ALSO AWARE
OF THEIR PLANS
750
00:32:15,602 --> 00:32:17,638
TO BOOST A CAR
FROM A PORSCHE DEALERSHIP
751
00:32:17,671 --> 00:32:19,806
AND RIP OFF THAT PEQUOT CASINO
IN CONNECTICUT.
752
00:32:19,840 --> 00:32:21,508
THEY'VE GOT
1,000 BIG PLANS,
753
00:32:21,542 --> 00:32:24,144
BUT I NEVER IMAGINED
THEY'D GO THROUGH WITH ONE.
754
00:32:24,177 --> 00:32:26,412
WHAT'D THEY MENTION
ABOUT THIS ONE SPECIFICALLY?
755
00:32:26,446 --> 00:32:27,914
JUST THAT THEY WERE
GOING TO DO IT SOMEDAY
756
00:32:27,948 --> 00:32:29,482
AND THEY COULD PROBABLY
DO IT IN UNDER TWO MINUTES.
757
00:32:29,516 --> 00:32:31,317
WAS I SUPPOSED TO
TAKE THAT SERIOUSLY?
758
00:32:31,351 --> 00:32:33,920
GUESS SO.
759
00:32:33,954 --> 00:32:36,356
PLEASE.
760
00:32:49,135 --> 00:32:51,037
UH...
761
00:32:51,071 --> 00:32:52,372
COFFEE, ANYONE?
762
00:32:52,405 --> 00:32:53,574
AHEM.
763
00:32:58,011 --> 00:33:00,480
THIS NOELLE WAS STRINGING
THOSE GUYS BY THEIR JOHNSONS.
764
00:33:00,514 --> 00:33:01,982
YEAH?
SHE GO FOR IT?
765
00:33:02,015 --> 00:33:03,416
NOT YET.
766
00:33:04,985 --> 00:33:06,687
YOUR LUNCH DATE WAS A DANCER
FROM TAILFEATHERS.
767
00:33:06,720 --> 00:33:08,488
AM I RIGHT?
SO WHAT?
768
00:33:08,522 --> 00:33:10,023
I'M NOT LOOKING TO GET
IN YOUR FACE, DANNY.
769
00:33:10,056 --> 00:33:11,892
I'M JUST SEEING SIGNS OF WHAT
YOU WENT THROUGH BEFORE,
770
00:33:11,925 --> 00:33:13,894
AND I'M TRYING
TO LOOK OUT FOR YOU.
771
00:33:13,927 --> 00:33:16,797
I GOT IT COVERED, ANDY.
I'M HERE IF YOU NEED ME.
772
00:33:16,830 --> 00:33:18,832
John: 15th SQUAD.
773
00:33:18,865 --> 00:33:20,333
NOW, YOU WANT TO HOP
BACK IN THIS CASE?
774
00:33:20,366 --> 00:33:21,367
DETECTIVE SORENSON?
775
00:33:23,036 --> 00:33:24,771
SORENSON.
776
00:33:26,873 --> 00:33:28,174
OKAY.
777
00:33:28,208 --> 00:33:30,577
ALL RIGHT.
778
00:33:30,611 --> 00:33:31,945
THANKS.
779
00:33:38,585 --> 00:33:41,922
SO YOU'LL LOOK SHARP
WHEN WE GO BACK AT NOELLE?
780
00:33:41,955 --> 00:33:45,526
I GOT TO GO, ANDY.
SORRY.
781
00:33:55,936 --> 00:33:57,671
JIM FORDHAM'S WRAPPED UP.
782
00:33:57,704 --> 00:33:58,672
AND BENJI?
783
00:33:58,705 --> 00:34:00,574
READY FOR CENTRAL BOOKING.
784
00:34:00,607 --> 00:34:01,742
WHERE ARE YOU WITH NOELLE?
785
00:34:01,775 --> 00:34:05,211
HOPING YOU'D HAVE AN IDEA
HOW TO PROCEED.
786
00:34:05,245 --> 00:34:06,379
SHE'S INVOLVED,
NO QUESTION OF THAT.
787
00:34:06,412 --> 00:34:07,413
BUT NO CONFESSION.
788
00:34:07,447 --> 00:34:08,749
NAH, JUST WHAT JIM SAID,
789
00:34:08,782 --> 00:34:10,551
THAT IT WAS HER IDEA,
HER PLAN.
790
00:34:10,584 --> 00:34:12,452
CAN'T CALL HER OFF THE STATEMENT
OF A CO?DEFENDANT.
791
00:34:12,485 --> 00:34:14,788
SHE CAN BE A WITNESS
AGAINST THE OTHER TWO
792
00:34:14,821 --> 00:34:17,090
OFF RECEIVING A DECLARATION
OF FURTHER INTENT,
793
00:34:17,123 --> 00:34:19,092
WHICH IS AN EXCEPTION
TO THE HEARSAY RULE,
794
00:34:19,125 --> 00:34:20,727
BUT AS FAR
AS LOCKING HER UP,
795
00:34:20,761 --> 00:34:22,563
GET HER CONFESSION
OR SHE WALKS.
796
00:34:22,596 --> 00:34:26,066
WHY DON'T YOU SEE
HOW YOU DO ALONE?
797
00:34:26,099 --> 00:34:27,668
MY HEAD'S NOT IN IT.
798
00:34:32,806 --> 00:34:34,240
HEY. I'M SORRY.
799
00:34:34,274 --> 00:34:35,241
THAT'S ALL RIGHT.
800
00:34:35,275 --> 00:34:36,943
NO STATEMENT
FROM BYRON WADE?
801
00:34:36,977 --> 00:34:38,745
NO STATEMENT.
802
00:34:38,779 --> 00:34:39,946
THE COLLAR
WILL STILL HOLD UP.
803
00:34:39,980 --> 00:34:41,114
WELL, IT BETTER,
AND NO DEAL.
804
00:34:41,147 --> 00:34:42,583
HE GOES TO TRIAL.
805
00:34:42,616 --> 00:34:46,252
I'M SURE
THAT'S HOW IT'LL GO.
806
00:34:46,286 --> 00:34:47,253
ARE YOU ALL RIGHT?
807
00:34:47,287 --> 00:34:49,890
IT'S A TOUGH CASE.
808
00:34:49,923 --> 00:34:52,158
I'M, UH,
MAKING SPAGHETTI TONIGHT.
809
00:34:52,192 --> 00:34:54,494
COME OVER
AND LET'S TALK ABOUT IT.
810
00:35:01,802 --> 00:35:04,037
[ DOOR OPENS ]
811
00:35:05,606 --> 00:35:07,941
LOSE THE SMOKE.
812
00:35:10,644 --> 00:35:12,345
JIM GAVE YOU UP.
813
00:35:12,378 --> 00:35:13,814
SO DID BENJI.
814
00:35:13,847 --> 00:35:15,516
AM I UNDER ARREST?
815
00:35:15,549 --> 00:35:17,984
I WANT TO GIVE YOU
AN OPPORTUNITY
816
00:35:18,018 --> 00:35:19,653
TO HELP YOURSELF FIRST.
817
00:35:19,686 --> 00:35:21,822
AND HOW
WOULD I HELP MYSELF?
818
00:35:21,855 --> 00:35:24,090
GIVE A STATEMENT
HOW YOU COAXED BENJI AND JIM
819
00:35:24,124 --> 00:35:25,425
INTO RIPPING OFF AQUELINO.
820
00:35:25,458 --> 00:35:27,661
I'LL MAKE SURE THE D.A.
KNOWS YOU COOPERATED.
821
00:35:27,694 --> 00:35:29,663
THANKS,
BUT I DON'T THINK SO.
822
00:35:31,698 --> 00:35:33,834
YOU EVER SPENT TIME
IN JAIL, NOELLE?
823
00:35:33,867 --> 00:35:34,968
HAVEN'T HAD THE PLEASURE.
824
00:35:35,001 --> 00:35:37,303
THOSE WHO HAVE DO
WHAT THEY CAN TO AVOID IT.
825
00:35:37,337 --> 00:35:39,873
STATEMENT OF YOUR INVOLVEMENT
MIGHT DO THAT FOR YOU.
826
00:35:39,906 --> 00:35:43,443
HOW ABOUT YOU EITHER
ARREST ME OR LET ME LEAVE?
827
00:35:43,476 --> 00:35:45,211
WANT ME TO READ
YOUR FUTURE, NOELLE?
828
00:35:45,245 --> 00:35:47,480
I'D RATHER
YOU LET ME LEAVE.
829
00:35:47,514 --> 00:35:49,550
KEEP USING 5 MORE YEARS
AND IT'LL AGE YOU 15.
830
00:35:49,583 --> 00:35:53,620
PRETTY SOON, THAT CUTE FACE
WON'T HAVE ANY TEETH IN IT
831
00:35:53,654 --> 00:35:55,556
AND YOU'LL FIND YOURSELF
GOING DOWN ON SOME DRUNK
832
00:35:55,589 --> 00:35:57,824
IN THE BACK OF A CAB AND REALIZE
YOU'RE ALL?AROUND ROTTEN ??
833
00:35:57,858 --> 00:35:59,359
NOT JUST ON THE INSIDE.
834
00:35:59,392 --> 00:36:00,360
THANKS, MOM.
835
00:36:00,393 --> 00:36:02,529
CAN I GO?
836
00:36:02,563 --> 00:36:03,897
YOU GOT AWAY
WITH MURDER TODAY
837
00:36:03,930 --> 00:36:05,699
BECAUSE YOU CONNED
A COUPLE OF POOR SAPS.
838
00:36:05,732 --> 00:36:07,534
MAYBE YOU'LL GET AWAY
WITH IT AGAIN,
839
00:36:07,568 --> 00:36:09,202
BUT ONE DAY,
YOU'RE GOING TO SLIP.
840
00:36:09,235 --> 00:36:11,237
HOPE I'M THERE
WHEN IT HAPPENS.
841
00:36:11,271 --> 00:36:15,175
CAN I GO?
842
00:36:15,208 --> 00:36:19,245
BEAT IT.
843
00:36:36,262 --> 00:36:38,231
HEY, KIDDO.
844
00:36:38,264 --> 00:36:39,265
HI, DADDY.
845
00:36:39,299 --> 00:36:40,400
COLORING?
846
00:36:40,433 --> 00:36:43,169
PIKACHU, BUT I'M GETTING
TIRED OF HIM.
847
00:36:43,203 --> 00:36:44,404
YEAH?
848
00:36:44,437 --> 00:36:45,672
TIME TO MOVE ON.
849
00:36:45,706 --> 00:36:47,407
WHERE'S YOUR AUNT KATIE?
850
00:36:47,440 --> 00:36:50,210
IN THE BEDROOM.
SHE'S GOING ON A TRIP.
851
00:36:53,880 --> 00:36:57,217
YOU KEEP COLORING, THEO.
I'LL BE OUT IN A MINUTE,
852
00:36:57,250 --> 00:36:59,586
AND WE'LL READ
"CAT IN THE HAT."
853
00:36:59,620 --> 00:37:01,421
GOOD.
854
00:37:04,057 --> 00:37:06,459
I LIED TO THEO
ABOUT A TRIP.
855
00:37:06,492 --> 00:37:08,061
I HATE LYING TO HIM,
856
00:37:08,094 --> 00:37:10,396
BUT I COULDN'T THINK
OF A BETTER WAY.
857
00:37:10,430 --> 00:37:11,898
WHAT ARE YOU DOING?
858
00:37:11,932 --> 00:37:13,900
I'M LEAVING, ANDY,
AND I CONSIDER
859
00:37:13,934 --> 00:37:15,569
OUR WEDDING PLANS
TO BE OFF.
860
00:37:15,602 --> 00:37:17,571
I'M SORRY ABOUT
THAT APARTMENT, KATIE.
861
00:37:17,604 --> 00:37:19,906
I APOLOGIZE. IT JUST
WASN'T THE RIGHT PLACE.
862
00:37:19,940 --> 00:37:22,308
ANDY, I CAME TO A REALIZATION
LEAVING THE BUILDING
863
00:37:22,342 --> 00:37:24,578
THAT IF THAT APARTMENT
WASN'T THE RIGHT PLACE,
864
00:37:24,611 --> 00:37:25,746
THERE IS NO RIGHT PLACE.
865
00:37:25,779 --> 00:37:27,548
KATIE, YOU KNOW
I'M RESISTANT TO CHANGE.
866
00:37:27,581 --> 00:37:29,249
HOW COULD YOU NOT KNOW
IT WOULD BE A TRIAL
867
00:37:29,282 --> 00:37:31,251
FINDING A NEW PLACE?
868
00:37:31,284 --> 00:37:33,587
ARE YOU IN LOVE WITH ME,
ANDY?
869
00:37:33,620 --> 00:37:36,923
IF YOU WERE, YOU WOULDN'T
HAVE TO THINK ABOUT IT.
870
00:37:36,957 --> 00:37:39,960
I CARE FOR YOU DEEPLY,
KATIE. YOU KNOW THAT.
871
00:37:39,993 --> 00:37:42,428
AND I CARE FOR YOU,
AND WE BOTH CARE FOR THEO,
872
00:37:42,462 --> 00:37:44,598
BUT THAT'S NOT ENOUGH
TO MAKE A FAMILY.
873
00:37:44,631 --> 00:37:46,567
I HAD A FANTASY
THAT IT MIGHT BE,
874
00:37:46,600 --> 00:37:48,234
BUT WE'RE ALREADY
BICKERING,
875
00:37:48,268 --> 00:37:49,903
AND YOU'VE ALREADY STARTED
876
00:37:49,936 --> 00:37:51,137
WITH THE "I'M SORRY"s.
877
00:37:51,171 --> 00:37:53,239
"I'M SORRY I STAYED OUT
ALL NIGHT,"
878
00:37:53,273 --> 00:37:55,408
"I'M SORRY I GOT DRUNK
AND GOT ROUGH."
879
00:37:55,441 --> 00:37:57,778
THAT WAS THE PAST.
IT'S NOT THE SAME NOW.
880
00:37:57,811 --> 00:38:00,313
BUT IT'S THE SAME PATTERN
TAKING SHAPE.
881
00:38:00,346 --> 00:38:02,749
WE'LL BICKER, AND THEN
YOU'LL START TO RESENT ME,
882
00:38:02,783 --> 00:38:05,285
AND THEN IN A SHORT TIME
YOU'LL HATE ME.
883
00:38:11,024 --> 00:38:13,126
YOU'RE A GOOD MAN, ANDY.
884
00:38:15,061 --> 00:38:17,030
BUT...
885
00:38:17,063 --> 00:38:19,132
WE'RE NOT IN LOVE.
886
00:38:21,001 --> 00:38:24,638
YOU WERE VERY MUCH IN LOVE
ONCE WITH SYLVIA.
887
00:38:24,671 --> 00:38:26,607
YOU NEVER BROUGHT HER UP
TO ME.
888
00:38:26,640 --> 00:38:29,209
YOU NEVER BEMOAN THAT IF
SHE WAS STILL ALIVE,
889
00:38:29,242 --> 00:38:30,644
YOU'D BE A HAPPY FAMILY.
890
00:38:30,677 --> 00:38:32,278
YOU JUST PUT IT
BEHIND YOU
891
00:38:32,312 --> 00:38:33,847
AND CONCENTRATED
ON THEO.
892
00:38:33,880 --> 00:38:36,216
HE NEEDED TAKING CARE OF.
893
00:38:36,249 --> 00:38:38,552
AND NOW IT'S TIME
TO TAKE CARE OF YOU, ANDY.
894
00:38:38,585 --> 00:38:41,487
[ PAGER BEEPING ]
895
00:38:45,358 --> 00:38:46,893
[ BEEPING STOPS ]
896
00:38:46,927 --> 00:38:49,530
IT'S 911. I MAY HAVE
TO GO OUT.
897
00:38:49,563 --> 00:38:51,765
I'LL STAY
TILL YOU GET BACK.
898
00:38:55,869 --> 00:38:57,571
SO YOU KNOW,
I TOLD THEO
899
00:38:57,604 --> 00:39:00,373
I'D BE AT A FRIEND'S
IN MARYLAND FOR A WEEK.
900
00:39:00,406 --> 00:39:02,342
I'LL LEAVE IT TO YOU
TO TELL HIM
901
00:39:02,375 --> 00:39:04,344
WHAT YOU THINK
HE SHOULD KNOW.
902
00:39:04,377 --> 00:39:06,880
THANK YOU, KATIE.
903
00:39:22,529 --> 00:39:24,064
THANKS FOR THE CALL.
904
00:39:24,097 --> 00:39:26,032
HEY, NO PROBLEM, ANDY.
905
00:39:26,066 --> 00:39:27,433
THIS GUY HERE WAS HASSLING
ONE OF THE DANCERS.
906
00:39:27,467 --> 00:39:29,670
SORENSON'S GOT
A PRETTY GOOD LOAD ON,
907
00:39:29,703 --> 00:39:31,572
STEPS IN
AND CLOCKS THE GUY.
908
00:39:31,605 --> 00:39:33,106
AFTER THE BOUNCERS
THROW HIM OUT, HE CALLED 911.
909
00:39:33,139 --> 00:39:34,407
HE HURT?
910
00:39:34,440 --> 00:39:35,842
HE'S PISSED OFF
MORE THAN ANYTHING.
911
00:39:35,876 --> 00:39:37,511
IF I CAN TALK HIM
OUT OF IT,
912
00:39:37,544 --> 00:39:39,412
CAN YOU AVOID THE 61?
913
00:39:39,445 --> 00:39:40,581
NO PROBLEM.
914
00:39:40,614 --> 00:39:42,683
THANKS. HOW'S IT GOING?
915
00:39:42,716 --> 00:39:44,117
ANDY SIPOWICZ.
916
00:39:44,150 --> 00:39:46,853
LOOK, I'M TRYING TO SORT OUT
WHAT HAPPENED HERE.
917
00:39:46,887 --> 00:39:48,221
THIS GUY'S MY NEPHEW.
918
00:39:48,254 --> 00:39:50,757
YEAH, WELL, HE JUST
SLUGGED ME OUT OF NOWHERE.
919
00:39:50,791 --> 00:39:52,358
I DIDN'T DO ANYTHING.
WELL, I'M GETTING HIM HOME,
920
00:39:52,392 --> 00:39:54,194
SO HE'S NOT GOING
ANYWHERE TONIGHT.
921
00:39:54,227 --> 00:39:55,529
HE'S NOT GETTING ARRESTED?
922
00:39:55,562 --> 00:39:57,297
LOOK, I'M GOING TO
ASK YOU A FAVOR.
923
00:39:57,330 --> 00:39:59,866
PUT IT BEHIND YOU AND HEAD
SOMEPLACE ELSE, ALL RIGHT?
924
00:39:59,900 --> 00:40:01,968
THERE'S LOTS OF PLACES
LIKE THIS AROUND HERE.
925
00:40:02,002 --> 00:40:03,970
DRINKS ARE ON ME.
926
00:40:04,004 --> 00:40:05,572
THE GUY SHOULD BE
LOCKED UP.
927
00:40:05,606 --> 00:40:07,608
DON'T WORRY ABOUT IT.
928
00:40:07,641 --> 00:40:09,610
AFTER WHAT HE GETS FROM ME,
HE'S GOING TO WISH HE WAS.
929
00:40:09,643 --> 00:40:10,944
WHAT DO YOU SAY, HUH?
930
00:40:10,977 --> 00:40:12,746
YEAH, WHATEVER.
931
00:40:12,779 --> 00:40:14,180
APPRECIATE IT.
932
00:40:17,518 --> 00:40:20,854
ALL RIGHT,
LET'S GO, DANNY. COME ON.
933
00:40:23,123 --> 00:40:25,592
COME ON. COME ON, DANNY.
934
00:40:25,626 --> 00:40:27,427
I'LL CALL YOU, DANNY.
935
00:40:27,460 --> 00:40:28,428
YEAH.
936
00:40:28,461 --> 00:40:30,430
HE'S GOT TO WORK
SOME THINGS OUT.
937
00:40:30,463 --> 00:40:33,466
IF HE WANTS, HE'LL CALL YOU.
IN THE MEANTIME, LAY OFF.
938
00:40:35,602 --> 00:40:38,004
LET'S GET OUT OF HERE.
939
00:40:50,116 --> 00:40:51,852
[ SHOWER RUNNING ]
940
00:40:51,885 --> 00:40:53,787
ALL RIGHT, DRY OFF.
941
00:40:57,991 --> 00:41:00,861
[ TURNS WATER OFF ]
942
00:41:00,894 --> 00:41:02,395
I'LL MAKE COFFEE.
943
00:41:07,734 --> 00:41:11,204
YOU KNOW, WHEN DIANE AND I
BROKE UP,
944
00:41:11,237 --> 00:41:14,608
IT WAS TOUGH,
BUT I GOT THROUGH IT,
945
00:41:14,641 --> 00:41:16,843
PARTLY BECAUSE
YOU WERE THERE
946
00:41:16,877 --> 00:41:20,380
AND PARTLY BECAUSE EVEN THOUGH
WE WEREN'T TOGETHER,
947
00:41:20,413 --> 00:41:22,649
AT LEAST SHE WAS
STILL THERE.
948
00:41:22,683 --> 00:41:27,020
THEN WHEN SHE JUST
UP AND LEFT,
949
00:41:27,053 --> 00:41:29,022
I DON'T KNOW.
950
00:41:29,055 --> 00:41:31,057
I JUST FELT...
951
00:41:31,091 --> 00:41:32,659
ABANDONED.
952
00:41:32,693 --> 00:41:33,694
YEAH.
953
00:41:33,727 --> 00:41:36,396
YOU KNOW,
LIKE I WAS 6 AGAIN,
954
00:41:36,429 --> 00:41:40,000
STANDING IN THE TERMINAL
WITH MY MOM,
955
00:41:40,033 --> 00:41:43,336
TELLING ME KEEP CARE
OF MY SISTERS
956
00:41:43,369 --> 00:41:45,506
BEFORE SHE SENT US AWAY,
957
00:41:45,539 --> 00:41:47,440
AND WE NEVER SAW HER
AGAIN.
958
00:41:53,614 --> 00:41:56,082
I WAS SICK IN LOVE
WITH DIANE, ANDY.
959
00:41:56,116 --> 00:41:59,786
I HAD TOO HIGH
AN EXPECTATION.
960
00:42:01,922 --> 00:42:03,489
I GUESS I WANTED HER
961
00:42:03,524 --> 00:42:05,892
TO MAKE UP
FOR MY MOM LEAVING.
962
00:42:05,926 --> 00:42:07,160
UNDERSTANDING ??
963
00:42:07,193 --> 00:42:09,696
THAT'S A GOOD STEP
TOWARD GETTING BETTER,
964
00:42:09,730 --> 00:42:11,197
IF YOU WANT TO.
965
00:42:11,231 --> 00:42:13,399
ABSOLUTELY, I DO.
966
00:42:13,433 --> 00:42:15,902
YOU KNOW I'M HERE
FOR YOU.
967
00:42:15,936 --> 00:42:19,706
I'LL STAY. WE CAN TALK
ALL NIGHT IF YOU WANT.
968
00:42:19,740 --> 00:42:22,208
WHAT I WANT
IS TO GET SOME SLEEP.
969
00:42:22,242 --> 00:42:24,711
I DON'T FEEL LIKE
I'VE HAD A NIGHT'S PEACE
970
00:42:24,745 --> 00:42:26,547
SINCE I WAS A KID,
971
00:42:26,580 --> 00:42:29,550
BUT MAYBE TONIGHT
I GOT A SHOT.
972
00:42:29,583 --> 00:42:31,417
HOW ABOUT I STAY
ON THE COUCH?
973
00:42:31,451 --> 00:42:34,054
NO, ANDY, YOU GO HOME.
YOU KNOW, BE WITH THEO.
974
00:42:34,087 --> 00:42:36,723
DON'T EVER LET HIM THINK
YOU'RE NOT THERE.
975
00:42:51,772 --> 00:42:53,439
IT'LL BE ALL RIGHT, KID.
976
00:42:53,473 --> 00:42:56,076
IF YOU NEED ME,
YOU KNOW WHERE I AM.
977
00:42:56,109 --> 00:42:59,245
YEAH, THANKS, ANDY,
YOU KNOW, FOR EVERYTHING.
978
00:42:59,279 --> 00:43:00,413
GOOD NIGHT.
979
00:43:00,446 --> 00:43:01,615
NIGHT.
980
00:43:01,665 --> 00:43:06,215
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