Original subtitles

(train whistles) (dramatic music)

- [Jack] Four rules, one, the day resets at midnight.

- What do we do now? - I don't know.

- How long has this been going on?

- I don't know. - Who have you

talked to about this?

- You,

others.

- Have you tried not going to sleep?

- Yep. - And who else knows about it?

- You. - Anybody else?

- You didn't believe me, why would anyone else?

Two, you can't change anything,

everything goes back to one.

- We've got to do something.

We can't just do nothing.

- Okay.

What?

- There's gotta be a reason for all this.

- Yeah.

Sure.

Three, if you die, the day restarts.

- Why does the day keep restarting if I'm not dead?

- If I knew that we wouldn't be here.

- Maybe this is God's way of getting our attention.

- Oh, He's got it.

And four, when people die with you, they wake up.

I don't think these morning meetings are working out.

- Oh, I am so sorry we are inconveniencing your day.

- That's not what I said.

- Why don't we just take a step back,

try to gain a little perspective.

- Perspective.

- I was driving once behind this big truck,

and it had this stainless steel refrigerator on it.

- I need a break.

(instrumental music)

(train whistles)

(instrumental music)

- Where is he?

(dramatic music)

(beeps)

(dramatic music)

(beeps)

(dramatic music)

(beeps)

- Do you hear that thing beeping?

- Yes sir.

- Can you make it stop?

- It's been beeping like that off and on for weeks.

- Mm mm, so why don't you stop it?

- I can't reach it.

- You can't reach it.

- I hit it with the broom but that only made it worse.

It finally got back to this so we left it.

(beeps)

- Does that beeping not bother anyone else?

(beeps)

- They're regulars.

- Okay.

Is there anyone else that can fix it?

- Harold's in the back.

- And can Harold fix it?

- He can't reach it either, also he can't hear.

He's got hearing aids he keeps them in his pocket though,

he says it makes everything too loud.

(beeps)

(pounding)

(beeps)

- I'll pay you for it.

- The meal's on us today, dear.

I know I couldn't do that,

I've already replaced a hip.

- We need to deal with Foust, the bald guy, Enterion

and we need to keep you alive

and we have one day to do it.

- Why?

- Who else will?

(dramatic music)

Step one, we need a friend,

a friend with a badge.

- Hi, Dave Martin.

(typing)

I don't know what this is.

- I found this guy, Dave Martin, he's FBI.

- No, no, find someone else.

(phone vibrates)

- Earl, he's wondering why I'm not home.

Why not Dave?

- Foust has people who work on the inside at the FBI.

I don't know if he's one of them

so we need to find someone else, someone more unknown.

Try the sheriffs department.

- Hi are you Jessica? - Yes.

- Mary Popins.

- Mary Popins?

- Yeah, it's just the one P, it's from the root - Pope

How can I help you?

Is this everything you have?

- Yes.

- Can you get more?

- More?

- I mean, this is good, this is, it's good

but it's gonna take us some time to put it all together

and validate it.

- So you can't arrest her with just this?

- You're wanting us to arrest a congresswoman?

- This connects her to various companies,

yes so you could assume fraud

but you don't just arrest a congresswoman.

Now if there is something in here that had to do murder or

imminent threat then maybe.

Are you sure this is everything you have?

- Mary Popins. - Mary Popins?

- One P, she can't do it, not in the time we need.

It's not enough time to sort through everything.

Is there more?

- More?

- If we want an arrest today she needs imminent threat.

- Is there more?

- She has a server at her house

that's where we copied it from.

- Could there be something like that from the server?

- I don't know I've never actually looked at it.

We just found out about that one folder

and that's all we copied.

- Can you think of something she might have on there

that could be considered imminent?

- Wait, that psychopathic guy that killed all the cops,

she hired him.

- What are you talking about?

- The psycho who's been all over the news,

killed a bunch of cops?

Really?

- You've relived this day over how many times

and you haven't seen the news?

- I don't watch much TV.

- Hey what is this?

- My fee.

- I thought it was money or something.

- Oh it's something.

- All right, we have our orders,

Moe, bring the van around.

Something's come up, bring the bag.

- Looks like we're going for a ride.

(dramatic music)

- Where are we going?

- Don't worry about it.

- Could the guy be on the server?

- Maybe but we couldn't copy that,

that would take hours.

- We don't need to copy it.

(dramatic music)

(climactic music)

(ominous music)

(climactic music)

(clock ticking)

- Okay 10 minute warning.

- Okay.

So we have Foust and the mayor connected

to the Enterion board.

Construction crews connected the city hall.

Foust connected to the shell company

who owned and sold the land

and about two terabytes of emails, documents

and who knows what?

- But nothing imminent.

- Nothing imminent.

- I mean, we've gotta do something right?

We can't just let her erase it.

- And we can't save any of this.

- No.

- So what now?

- I don't know. (claps)

- We go with my idea.

- No, we're not going back to this.

- Why not? - Because we've been over it.

- No, you've been over it, I like it, Jessica likes it.

- I don't know. - She doesn't like it.

- Well, - Guys, come on.

This is the obvious thing to do here, right?

We can't just keep living the same day over and over again

and hiding and just expect something to change.

- Do you think I don't know that?

- Well then, do you have a better idea?

Look, they want something imminent,

so let's give them something imminent.

(dramatic music)

- Hi, Mary Popins. - One, P.

- Right.

What is this?

- This is everything that you need

to take down Congresswoman Foust.

And we're gonna need a favor.

- Step two, we need to bury Enterion.

That should be easy but since I'm busy with the server

it'll need to be you.

- Are you kidding me?

- No.

- I can't do that.

- Yes, you can.

Look we need you to do this.

- Well, I need this job.

I've got a family here, okay.

And do you know what it's like to live with three women.

I'll make you a deal, all right, since Prince Charming

didn't show up today, I'll have to fill in.

That means I need you to go distract them

and I'll see what I can do.

- I don't work here.

- There was a slight complication.

- Harper?

- She can't expect us to chase after her, right?

That's ridiculous.

(climactic music)

- You ran away? - What was I supposed to do?

- You need to hit the gym more.

- Well, I couldn't change anything too drastically right?

- I don't know.

(typing)

(patting)

- So, Ryan, we need to talk.

- That leaves step three,

I don't think you should be involved in this next part.

- What? - If something

goes wrong with you,

all of the rest of this doesn't matter.

- You mean if they kill me?

- Yeah. - And if something goes wrong

and they kill you?

- I don't know. - You know you say that a lot.

- Can we not think of a way where nobody,

- Look, without me this plan doesn't even work

so I'm in whether you like it or not.

- If we set all of this in motion,

there's no guarantee that we are coming back

if something goes wrong.

- What are you saying?

- I'm saying I don't know.

If she dies the day resets, I think.

But when we set all of this stuff in motion,

we are dramatically changing everything

and that could be all it takes.

There could be consequences.

- I am the one that started this, not you.

I get that you think you have a plan or a purpose,

a destiny, whatever you wanna call it

but this is personal

and I am going to be the one that ends it, got it?

- I don't think that's a good idea.

- Well, I don't care what you think.

We are sticking to the plan.

- Why do you have to be so difficult?

- Because it's in my nature.

- You two really need to work

on your interpersonal communication.

(helicopter engine roaring)

- I have a message for Paola Foust.

(helicopter engine roaring)

He's it.

- We're doing you a favor, okay,

if you want a real sting, I'm gonna need a little more

than just your word that someone may be in danger,

Mills here can get the job done.

- I can.

- Well, why are we going so early?

I think it's gonna make it hard to follow them.

- You already said that you knew where they were going.

- Well, it's always been at night,

it'd be better if we went at night.

- What are you talking about?

- Nothing, did you bring in the recorder.

- Yeah, click it once, it records,

click it again, it stops.

You have about eight hours on it.

We good?

- Hello is this Harper?

This is Los Vaqueros Restaurant.

I'm supposed to tell you that Mark left his phone here

and also he thinks you left something in the women's room.

- Thanks.

- When you leave the restaurant, he's gonna search you,

so you cannot have a wire.

Popins gave me this, stick it on top of your purse.

Click it once to turn it on, once to turn it off.

He's gonna search you but I don't think he'll find it.

I'm gonna follow from a distance.

So I'm gonna take you to meet her, talk,

when you're finished you get out of the car

and that's when you need to be ready, okay?

He chokes you,

I cannot move in until he starts, understand?

(climactic music)

(door opens)

- This is the women's room.

- She needs to see you.

- I didn't go to the hearing.

- Now!

(door closes)

(dramatic music)

- Okay, they're on the move.

- They're on the way.

(dramatic music)

- [Jack] Okay, they're not going to the gym,

they're heading out of town.

- Okay, well, where are they going?

- [Jack] I don't know, just track my phone.

- Hey, go, go, go.

(dramatic music)

(train whistles)

- Follow my phone, just follow the phone!

- What?

Crap.

- Just -

(hollers)

- Okay. - [Jack] Jessica,

you can hear me? - No, no.

We're having trouble hearing you.

(dramatic music)

- You get him?

- I wanna know when.

- When what?

- When you decided to turn.

- Nick. - Nick. (laughs)

Nick was an accident.

- No.

No.

- You still got me?

- Yeah, no, no, no, we're having trouble hearing you.

- Foust is here, she has Harper.

- He quit, he was gone, out of the picture,

you didn't have to kill him.

- We don't have much time, come quick.

- Are you, no I can't hear you.

You're breaking up.

- Jessica!

(hooting)

- No, I've lost him.

- Try it again.

- Don't you understand what this is all about Harper?

There is no in or out,

there's only does it achieve our goal

or impede it

and Nick,

he made a choice.

- No it was unnecessary.

- Stop thinking so small.

You are better than that.

You stood by me for two years,

have you not learned anything, Harper?

We don't act out of kindness or hate,

what makes us feel good or bad,

we are not women driven by petty emotions,

we have strength, we are the hammer to the nail,

we are the hand of mercy and we are the fist

that puts you down.

- No I would never put someone down like a dog

just because they didn't wanna get their hands dirty.

- Ross, everyone's hands are dirty, wake up.

We're all creatures of glory and horror.

Stop thinking of it as villains or heroes

or what's bad.

I am

what's winning.

- Winning.

- Do you remember who lost the World Series last year?

- No.

- Neither do I.

- I should tell you that I have your server.

Well, actually the Sheriff's Department has your server.

(dramatic music)

- Notice anything special?

- No.

- No.

No flowers, no stone.

When I met my husband he would walk into a room

and immediately all eyes would be on him.

He had that very special way about him,

we were so easy to fall in love with.

I wanted children.

When I caught them

the only thing he was saying was

that he was sorry.

Sorry not that he had done something wrong, no.

Sorry that I found out.

It's all a spectacle

and that's why it's so important

to be the one who's writing the program.

(gun fires)

(sighs)

(moaning)

- Who is this?

- We're almost there.

(phone vibrating)

(car engine roaring)

- Who are you?

- He's The Devil at Your Door.

(car engine roaring)

(crushing brakes)

- Everyone freeze!

- Everyone put their hands up right now!

(helicopter engine roaring)

(moans)

- There you go, here let me get you up.

- Oh, I have you on tape.

(moans)

- Put your weight right here.

- You stupid woman, I got your confession

the server. - Back up.

- Now they even know where your husband is.

Surprise.

(moans)

- Let me take a look at that.

Pops, we're gonna need an ambulance.

- I hear you have a server that belongs to me.

- Yes, ma'am unfortunately we do.

(moans) - Okay, here right here,

pressure.

- Good for you.

- Pops, we need an ambulance. (gun fires)

(dramatic music)

(moans)

- Who do you think gave you this, huh?

This game is for keeps.

(dramatic music)

Now understand something,

the only control you have right now

is how painful your friends will die.

(dramatic music)

What is your name?

- Do you want to know a secret?

- I love secrets.

- You can't kill me.

- I just keep coming back.

(dramatic music)

(hooting)

- It's Chubbs.

(dramatic music)

(moans)

(dramatic music)

- It looks like there's been a falling out in the family.

You might have to change your poster.

What are you doing here woman?

Now I get betrayal.

I get tying up loose ends.

I get doing what works,

but I don't.

(sighs)

I'm feeling the sense of comradery with you.

We're trash.

We're here to be thrown out.

Did you have a plan?

(Chuckles)

- He can't die.

- Really?

- Apparently not.

- You can't die.

- It's complicated.

- No it isn't.

That's the problem here.

Everybody believes, but no one acts accordingly.

If you're gonna die, or not die,

you should do it on your feet.

Here, hold this, hold it tight.

I've converted you.

- There's only one real one.

- Give me one reason why we shouldn't all go boom right now.

- You knew the end result of all of this,

the moment you shot the cop.

- Harper!

- But you see that I came prepared.

- Harper!

- You and I had an arrangement.

- You mean this?

I can give you this right now.

(ominous music)

(gun fires)

(ominous music)

(train whistles)

- That's a fake, its a fake.

(ominous music)

(train whistles)

(gun fires)

(train whistles)

(pops)

(dramatic music)

(laughing)

(soft upbeat music)